WEBVTT - Episode 412 w/ Common & Pete Rock

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<v Speaker 1>He is Drake CHANMS motherfucking Podcast Make Time. He's a

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<v Speaker 1>legendary Queens rapper. He's agreed as your boy in.

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<v Speaker 2>O R E.

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<v Speaker 1>He's a Miami hip hop pioneer. Put up his DJ

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<v Speaker 1>E f N. Together they drink it up with some

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<v Speaker 1>of the biggest players, you know what I mean.

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<v Speaker 3>And the most professional, unprofessional podcast and your number one

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<v Speaker 3>source for drunk fast chans.

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<v Speaker 1>Mother. Every day is New Year c that's it's time

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<v Speaker 1>for drink champions. Drink up, motherfuck mother. Would it good?

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<v Speaker 1>Be rolling?

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<v Speaker 3>Hopefully he's strolling. This is your homie and O R

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<v Speaker 3>E put up his DJ E f N.

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<v Speaker 1>And this is.

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<v Speaker 3>Militama Crazy World Radio, Make Something. And when I tell you,

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<v Speaker 3>when I tell you, we started this show because we

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<v Speaker 3>always wanted to give our legends they flowers. We don't

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<v Speaker 3>want something to happen, something to pass away. And you

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<v Speaker 3>say how great these people are. Both of these brothers

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<v Speaker 3>are legends, icons, tycoons, uh, super history with them, but

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<v Speaker 3>on their own super legends. I can't believe they got

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<v Speaker 3>together and did a whole, full fledged album together. I

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<v Speaker 3>got the link. I might bootlegg because I'm off for

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<v Speaker 3>this New York Knicks energy.

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<v Speaker 1>In case you don't know who the we talking about.

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<v Speaker 1>We talking about the one and only comment. I know

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<v Speaker 1>you're a big New York I see you on the ground.

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<v Speaker 1>I'm gonna be honest me and you were there last night.

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<v Speaker 3>It was so funny because Joe Joe, Joe's sitting next

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<v Speaker 3>to me. He goes, Yo, you never had comment on

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<v Speaker 3>the show. And I goes no, he goes, you know,

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<v Speaker 3>he's right there. You know I literally got him tomorrow.

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<v Speaker 3>He's trying to hook it up. But when I tell you, I,

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<v Speaker 3>as a kid, my dreams were crushed every year as

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<v Speaker 3>a Knicks fan, Yes, tell me about it. I hated

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<v Speaker 3>Reggie Miller, never met him. I hated Michael Jordan, never

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<v Speaker 3>met him.

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<v Speaker 1>I hated certain things.

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<v Speaker 3>But yesterday people was telling me, all right, a friend

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<v Speaker 3>of mine is his name is dukeepay It and he's

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<v Speaker 3>a scoreboard keeper for the NBA. He works for the

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<v Speaker 3>whole NBA, so he's neutral. He can't be on this team.

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<v Speaker 3>He can't be on this team. He doesn't have favorites

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<v Speaker 3>because he's neutral. He's a scorekeeper. So I called him

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<v Speaker 3>and I was like, yo, I want to I want

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<v Speaker 3>to go to Philadelphia to watch the game, and he

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<v Speaker 3>never stood this quiet and this in my life.

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<v Speaker 1>And he was like no, like he literally told me. Know,

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<v Speaker 1>he said, you gotta go to the garden and you

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<v Speaker 1>gotta feel that energy.

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<v Speaker 3>So let me just tell y'all how how ill it

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<v Speaker 3>was I Land, I get it. Alventito. They go to

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<v Speaker 3>our brother, Dominican brother, Alventitao, who threatened me, told me

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<v Speaker 3>if I ever go to Dominican Repolo got him again,

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<v Speaker 3>gonna stab me. So we pull We got on the

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<v Speaker 3>side of the highway. We're coming from, uh the airport,

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<v Speaker 3>and his fucking battery gives out. Do you know this

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<v Speaker 3>is how much the city is lit. People pulled over

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<v Speaker 3>and was like, we got to hurry up because the

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<v Speaker 3>next game, man, we gotta get you up.

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<v Speaker 1>The funk about it? Yoo, I've never know you got

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<v Speaker 1>to doing this that that was the reason.

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<v Speaker 4>That was the reason. You know, I'm from its shout

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<v Speaker 4>shout New York. Yes, but the way to see the

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<v Speaker 4>Knicks fan the way y'all when I see Pete Joe,

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<v Speaker 4>I just see people, I'll be like, yo, I can't

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<v Speaker 4>help with me like yo and jay Le Brushton from Chicago,

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<v Speaker 4>So yo, yo, so I kind of I got a

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<v Speaker 4>little because Spike said to me yesterday, what you're doing here?

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<v Speaker 1>Brother? I love basketball? You try to ga I love basketball.

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<v Speaker 4>I'm like, I'm like Spike. First of all, I love

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<v Speaker 4>the NIXT. I'm excited that y'all doing good. I don't

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<v Speaker 4>see the energy. Then I'm like, yo, we got a

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<v Speaker 4>Chicago boy on y'all team.

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<v Speaker 3>I'm gonna be honest, I've never been to a playoff

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<v Speaker 3>game in my life. I mean, he wasn't doing was

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<v Speaker 3>making a playoffs crazy.

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<v Speaker 1>But this is twenty twelve was our last and I didn't.

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<v Speaker 3>I didn't. I don't know, I don't know, but yesterday

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<v Speaker 3>it was a it was a youth.

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<v Speaker 1>I know I'm off subject, but just let me just

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<v Speaker 1>tell you something.

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<v Speaker 3>I used to watch people who jogged right, and these

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<v Speaker 3>people that jog all together. I used to laugh at

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<v Speaker 3>these people. These motherfuckers are.

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<v Speaker 1>Idiots, Like why is everyone jogging together like idiots?

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<v Speaker 5>Right?

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<v Speaker 3>And then I did it one day with a whole

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<v Speaker 3>bunch of other people when we jogged, and then you

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<v Speaker 3>realize y'all all on the same high. So I was

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<v Speaker 3>so basically the same thing with with with the with

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<v Speaker 3>the garden I'm watching it on TV, and I'm like, damn,

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<v Speaker 3>we all kind of like got the same high. But

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<v Speaker 3>when I got there, Okay, now let me let me

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<v Speaker 3>give you another story. After they gave us a boost,

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<v Speaker 3>you know, you know West Wolf. Yeah, we go through

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<v Speaker 3>the Holland Tunnel pulled by West west Ward.

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<v Speaker 1>I rolled down my window for one second, the whole

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<v Speaker 1>West Forest. She was like, yeah, there, don't realize.

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<v Speaker 3>I'm like They're like, I'm like, yo, now I gotta go.

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<v Speaker 3>I gotta go to the next game. They stopped the

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<v Speaker 3>whole ship. Look, let's get to the next game. Like

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<v Speaker 3>everyone's this is the first time I seen my city

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<v Speaker 3>have unity.

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<v Speaker 1>Yo.

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<v Speaker 4>I feel you can feel the unity, bro, and it's amazing.

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<v Speaker 4>It's amazing, like you hangle front like when we you know,

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<v Speaker 4>that was the one thing that happened when the bulls

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<v Speaker 4>let me mention to a lot of the old Knicks

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<v Speaker 4>when they saw me looking looking at me like I'm.

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<v Speaker 1>The n M.

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<v Speaker 5>Stocks, Like yo, they think about They're like what you're doing,

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<v Speaker 5>I'm like, yo, stock something.

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<v Speaker 4>But but you know one thing that happened for us too,

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<v Speaker 4>and I see it happening in New York. The unity

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<v Speaker 4>man one thing that when the Bulls was winning, Man,

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<v Speaker 4>it wasn't no crime with down people. It was a

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<v Speaker 4>joy around the thing. And that's something that the basketball dude,

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<v Speaker 4>music dude, you know, supports to bring.

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<v Speaker 1>Man.

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<v Speaker 4>I used to love like man, you see, it wasn't

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<v Speaker 4>no game, it wasn't no Cats one game bringing up

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<v Speaker 4>they be at home watching it. It didn't matter what

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<v Speaker 4>where you was from. You watching the Bulls and we

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<v Speaker 4>always celebrating, and people was making money whether you worked

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<v Speaker 4>at the park and you know, the parking garages or

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<v Speaker 4>the bars. It was just like it just leaked the

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<v Speaker 4>city up. And I see New York doing that. So

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<v Speaker 4>I can't help but in joy seeing y'all, y'all foods, y'all.

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<v Speaker 1>Let me just say you something.

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<v Speaker 3>Me and fact Joe's on one place, Muster Rihbins at

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<v Speaker 3>the other place, and we're doing the same exact thing.

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<v Speaker 3>We can't help it and this comes out. So let's

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<v Speaker 3>get to this. Let's get to this.

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<v Speaker 1>Right.

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<v Speaker 3>Everyone knows Pee Rock super phenomenal producer. You all the

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<v Speaker 3>accolades in the world, Like, why did y'all come together

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<v Speaker 3>at this point to make this album stuff?

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<v Speaker 4>Yeah, well, Pete Rock was one of the greatest musicians

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<v Speaker 4>producers of rangers, like not just in hip hop, man,

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<v Speaker 4>Like when you create a sound like that last forever, yep,

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<v Speaker 4>that's like people respect like Miles Davis and Charlie Parker,

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<v Speaker 4>you know, Earth Wind and Fire, what they produced music

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<v Speaker 4>that lasted forever.

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<v Speaker 6>Pete Rock has done that, yep.

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<v Speaker 4>And it's like, what what I noticed about because doing

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<v Speaker 4>during the pandemic, I just started like listening just to

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<v Speaker 4>nineties hip hop.

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<v Speaker 1>Man.

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<v Speaker 4>I was just and on my on my workout list

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<v Speaker 4>and all that was a lot of people rock joints,

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<v Speaker 4>and I was like, man, this is this dude is

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<v Speaker 4>one of our greatest and all this stuff going on

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<v Speaker 4>around the cellar.

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<v Speaker 6>We had talked about.

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<v Speaker 4>Connecting before even the Fiftiest celebration, but during the fiftiest celebrations,

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<v Speaker 4>like I was just coming back from filming this Silo

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<v Speaker 4>TV show on Apple, you know anyway.

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<v Speaker 1>But.

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<v Speaker 4>So then but I was like Pete yo, he had

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<v Speaker 4>been sending me some beats. But once I got back,

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<v Speaker 4>I was like, man, let's do this for real, Like

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<v Speaker 4>let's do a project and for me like being around

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<v Speaker 4>hip hop, like I sat in in Yankee Stadium and

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<v Speaker 4>the show that they had and it was like I

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<v Speaker 4>performed on it, but I watched it hip ho yo,

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<v Speaker 4>I watched. I sat in the audience for five and

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<v Speaker 4>a half hours. I ain't never did that no show.

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<v Speaker 4>I'm seeing Fat Joe, I'm seeing Mob Deep, seeing a

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<v Speaker 4>little Nah, everybody.

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<v Speaker 6>Lauryn hill Snoop ice Cube.

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<v Speaker 4>It was incredible and I was like, man, this off

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<v Speaker 4>form is still a I love it. The joy that

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<v Speaker 4>that we felt at that at that concert, I was like,

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<v Speaker 4>people still thirst for this feeling.

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<v Speaker 1>So that's what you got. The idea of y'all getting together.

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<v Speaker 4>We had already started cooking, but it just inspired it more.

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<v Speaker 4>The idea was just like, man, I want to make

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<v Speaker 4>some music that I really love and it's just speaking

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<v Speaker 4>to me because after listening to so much of what

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<v Speaker 4>I was listening to, like, I was like, man, this

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<v Speaker 4>this music is still existing in us. It's not gone,

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<v Speaker 4>and we could do something new. Like when you hit

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<v Speaker 4>the music, it's like we ain't do nothing. It's like

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<v Speaker 4>throw back. It's just it's just got the spirit of

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<v Speaker 4>what with that.

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<v Speaker 1>Music collaboration, and I could tell most of it, most

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<v Speaker 1>of it y'all was together, like I could tell, like

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<v Speaker 1>it doesn't it doesn't feel like I was emailing it.

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<v Speaker 6>I wanted, we wanted the the aura of the nineties.

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<v Speaker 7>That's it, right, And I'm I'm I'm a new peak rock,

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<v Speaker 7>so I'm doing stuff.

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<v Speaker 6>But you hear some stuff that's.

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<v Speaker 7>That you'd be like, oh, okay, I remember, you know,

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<v Speaker 7>it'll give you some memories of what I used to do.

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<v Speaker 6>But you know it's new. You know what I'm saying,

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<v Speaker 6>it's new music.

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<v Speaker 1>So let me ask you.

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<v Speaker 3>Because recently I've seen naves post on the on the

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<v Speaker 3>ground and he posted a picture of.

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<v Speaker 1>I guess.

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<v Speaker 3>I guess he was trying to say illmatic and the

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<v Speaker 3>only person that was missing from the picture was notably.

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<v Speaker 1>I was late.

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<v Speaker 3>Oh I and you know, you know, in this business,

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<v Speaker 3>you know what I'm saying, things like that happened because

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<v Speaker 3>I'm I'll be making beats at home and sometimes don't

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<v Speaker 3>realize the time, right, And I'm like that that.

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<v Speaker 7>Was the issue. I was making beats and I looked

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<v Speaker 7>at my watch and I was like, oh damn, I

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<v Speaker 7>just got my card.

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<v Speaker 1>Wow. Wow. In communication, because you know, we heard.

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<v Speaker 3>The rumors that you suing him, yea, and yeah, that

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<v Speaker 3>wasn't never happening. You know how it is in the

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<v Speaker 3>business when it's like, you know, like, hey, you know

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<v Speaker 3>my people, my management noticed this, uh, and I just said, hey,

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<v Speaker 3>help me get it.

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<v Speaker 1>That's that's all it was. You know what I'm saying.

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<v Speaker 3>That's beautiful, but the media makes it something else.

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<v Speaker 6>That's some of the most beautiful music.

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<v Speaker 1>Let me just say that I was.

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<v Speaker 3>I was hurt when I heard it, because let me

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<v Speaker 3>just think you something, when I heard ill mad, I was.

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<v Speaker 3>I was in jail. I was a child in jail.

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<v Speaker 3>But that was like reading the Donald's Goings Book. To me,

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<v Speaker 3>it was almost better than reading the DOMD because I

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<v Speaker 3>knew what he was talking about, and I could smell

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<v Speaker 3>the alleys. I could smell. I could smell the world

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<v Speaker 3>is yours like I can smell how you made it.

0:12:43.960 --> 0:12:48.079
<v Speaker 3>I could smell like so I never want and and.

0:12:47.920 --> 0:12:51.720
<v Speaker 1>But you didn't know, not as yet. I didn't know.

0:12:51.960 --> 0:12:55.800
<v Speaker 1>That's crazy. I saw him, but he wasn't not actually

0:12:55.880 --> 0:12:59.040
<v Speaker 1>ally was was that the bigger figure at this time?

0:12:59.600 --> 0:13:02.679
<v Speaker 3>So it was and I was running together and something

0:13:02.720 --> 0:13:05.600
<v Speaker 3>called the Last we said, something called Brooklyn Queen's Day.

0:13:05.960 --> 0:13:08.280
<v Speaker 3>And I remember I only bought him out. Then I

0:13:08.320 --> 0:13:10.640
<v Speaker 3>got locked up and then I heard this album called Illmatic,

0:13:10.960 --> 0:13:15.120
<v Speaker 3>which I couldn't visually see, but I visually saw it

0:13:15.240 --> 0:13:17.080
<v Speaker 3>because it was the first time.

0:13:17.160 --> 0:13:19.439
<v Speaker 1>I was like, whoa, this is what I want to do.

0:13:19.800 --> 0:13:22.640
<v Speaker 1>Familiarity like that album.

0:13:22.720 --> 0:13:25.559
<v Speaker 4>Man, I think for any MC and really any artist

0:13:26.240 --> 0:13:29.440
<v Speaker 4>is definitely like one of the greatest pieces of art

0:13:29.520 --> 0:13:31.080
<v Speaker 4>that the world has seen.

0:13:31.160 --> 0:13:32.560
<v Speaker 6>You're like, yes, you got you.

0:13:34.240 --> 0:13:36.959
<v Speaker 4>And man as a writer, I was like, man, I

0:13:37.040 --> 0:13:38.959
<v Speaker 4>hadn't heard anybody describing things.

0:13:39.080 --> 0:13:40.160
<v Speaker 1>Hope we need to like like that.

0:13:40.440 --> 0:13:43.120
<v Speaker 4>And you and you being from the Bridge, being from

0:13:43.200 --> 0:13:49.400
<v Speaker 4>Queens pull your left right, Queen from Queen Block the block.

0:13:49.840 --> 0:13:53.719
<v Speaker 4>But but y'all knew what Queens was like about. But

0:13:54.280 --> 0:13:57.080
<v Speaker 4>that was one of the things I loved about that album,

0:13:57.440 --> 0:13:59.760
<v Speaker 4>and I loved about just hip hop is like people

0:13:59.800 --> 0:14:01.959
<v Speaker 4>could describe where they was from.

0:14:01.880 --> 0:14:06.640
<v Speaker 1>You, you could put put you, it comes in exactly.

0:14:06.720 --> 0:14:09.560
<v Speaker 4>They took you to come and then eventually Outcast took

0:14:09.600 --> 0:14:10.280
<v Speaker 4>you to Atlanta.

0:14:10.880 --> 0:14:12.640
<v Speaker 6>You know now took us.

0:14:12.880 --> 0:14:14.040
<v Speaker 1>He took us. It took us.

0:14:14.120 --> 0:14:16.400
<v Speaker 7>It's like watching a movie, bro, It's like watching a

0:14:16.480 --> 0:14:19.520
<v Speaker 7>really good movie. Listening Elmatic, Yeah it is.

0:14:19.760 --> 0:14:21.600
<v Speaker 3>Now I want to I'll change the subject a little

0:14:21.600 --> 0:14:28.080
<v Speaker 3>bit because this is the hottest topic in hip Hop's

0:14:28.280 --> 0:14:33.720
<v Speaker 3>Drake and but you traded bars with Drake and point.

0:14:34.200 --> 0:14:35.720
<v Speaker 3>I remember you called him Canada Drive.

0:14:35.800 --> 0:14:38.160
<v Speaker 1>I was like, I didn't even know. I didn't know

0:14:38.240 --> 0:14:40.320
<v Speaker 1>you can use the soda and this. I was like,

0:14:41.240 --> 0:14:45.240
<v Speaker 1>he's like, you just Canada drives a minute like Canada Drive?

0:14:46.240 --> 0:14:46.640
<v Speaker 1>How is it?

0:14:48.360 --> 0:14:48.400
<v Speaker 5>So?

0:14:51.240 --> 0:14:53.720
<v Speaker 3>You've been one of the most classic battles ever too.

0:14:53.880 --> 0:14:58.360
<v Speaker 3>But let's let's let's stick let's stick to nowadays. I

0:14:58.440 --> 0:15:03.880
<v Speaker 3>didn't see this coming at all. Pause right, either, we

0:15:04.000 --> 0:15:13.280
<v Speaker 3>see j Cole releases, then we see Kendrick, and then

0:15:13.400 --> 0:15:15.840
<v Speaker 3>Kendrick just kept going Gemini.

0:15:17.480 --> 0:15:19.880
<v Speaker 1>I'm blaming the gym. I'm fared to a Gemini.

0:15:28.120 --> 0:15:32.240
<v Speaker 3>Literally because you know I'm gonna be honest and I

0:15:32.360 --> 0:15:34.000
<v Speaker 3>know I'm gonna being a little long gated.

0:15:34.080 --> 0:15:35.040
<v Speaker 1>I remember.

0:15:36.600 --> 0:15:39.560
<v Speaker 3>Us happened to like almost I don't want to say

0:15:39.600 --> 0:15:44.360
<v Speaker 3>convinced nas, but we was like, got a lot of cars, little.

0:15:44.160 --> 0:15:46.560
<v Speaker 1>Jewelry, but none of that things came fool with me.

0:15:46.680 --> 0:15:47.800
<v Speaker 1>We was like, ain't talking about you.

0:15:49.880 --> 0:15:53.200
<v Speaker 3>And it took nags a while right to like actually,

0:15:53.640 --> 0:15:57.480
<v Speaker 3>in my humble opinion, but with Kendrick and and Drake,

0:15:57.600 --> 0:16:01.160
<v Speaker 3>it was almost like the game put them together right,

0:16:01.720 --> 0:16:03.600
<v Speaker 3>Like I don't want to say brownskin and light skin

0:16:03.680 --> 0:16:07.960
<v Speaker 3>because that's like so cliche. Well so it's so simplastic.

0:16:08.080 --> 0:16:11.760
<v Speaker 3>But these are the two top everyweight of the new generation.

0:16:12.120 --> 0:16:14.400
<v Speaker 8>It started before they were the top, because it started

0:16:14.440 --> 0:16:15.120
<v Speaker 8>like ten years ago.

0:16:16.200 --> 0:16:19.200
<v Speaker 1>Did you enjoy this both, y'all?

0:16:20.080 --> 0:16:24.080
<v Speaker 7>I mean, I'm team Kendrick all day. Okay, nothing against Drake, Okay,

0:16:24.240 --> 0:16:27.520
<v Speaker 7>I just felt I just feel his energy that Gemini ship.

0:16:28.040 --> 0:16:35.760
<v Speaker 3>Liked listens Gemini game.

0:16:35.880 --> 0:16:36.920
<v Speaker 1>I love It's some.

0:16:37.160 --> 0:16:39.080
<v Speaker 6>It's some called Geminis in music.

0:16:42.280 --> 0:16:46.400
<v Speaker 3>Lawren hell Andre three thousands se loan.

0:16:46.480 --> 0:16:48.440
<v Speaker 1>People like man.

0:16:48.640 --> 0:16:51.960
<v Speaker 4>But I gotta say this though, for me, I always

0:16:52.000 --> 0:16:55.280
<v Speaker 4>thought Kendrick was just like any generation, one of the

0:16:55.440 --> 0:16:59.880
<v Speaker 4>top these like like because it's albums, man, his album,

0:17:00.120 --> 0:17:03.960
<v Speaker 4>like he really be doing different styles. He don't do

0:17:04.080 --> 0:17:06.680
<v Speaker 4>the same thing with his album. So I always have

0:17:07.000 --> 0:17:08.639
<v Speaker 4>you know, just man, this dude is one of the

0:17:08.720 --> 0:17:12.240
<v Speaker 4>dopest to me. And then for me, Drake was like,

0:17:12.440 --> 0:17:14.919
<v Speaker 4>it's super talented and know how to make his songs.

0:17:15.320 --> 0:17:18.000
<v Speaker 4>And I give honor that when he won a rhyme,

0:17:18.080 --> 0:17:18.720
<v Speaker 4>he can rhyme.

0:17:19.000 --> 0:17:20.320
<v Speaker 1>He rhyme.

0:17:20.800 --> 0:17:23.359
<v Speaker 4>So when they started the battle, it was like to me,

0:17:23.480 --> 0:17:26.119
<v Speaker 4>it was a heavyweight fight. I was like, I was

0:17:26.240 --> 0:17:28.960
<v Speaker 4>like yo, and I was like yo, okay, well what.

0:17:29.040 --> 0:17:29.920
<v Speaker 1>Can you go to say?

0:17:29.960 --> 0:17:33.800
<v Speaker 4>You know, like the nick Kenher came back boom boom.

0:17:33.880 --> 0:17:35.960
<v Speaker 4>It was just to me it was like one of

0:17:36.040 --> 0:17:39.080
<v Speaker 4>the you know, so many battles because we grew up

0:17:39.119 --> 0:17:42.119
<v Speaker 4>in it. Some some ideara to me, one of the

0:17:42.280 --> 0:17:45.280
<v Speaker 4>best battles hipopp has ever said, and we all can

0:17:45.400 --> 0:17:49.440
<v Speaker 4>make a hit record the disk track got Yo.

0:17:49.480 --> 0:17:52.080
<v Speaker 3>Let me just tell you something you just you just

0:17:52.200 --> 0:17:54.000
<v Speaker 3>literally said, want to say, let me just tell you

0:17:55.840 --> 0:17:58.680
<v Speaker 3>it's something about listening to Hot ninety seven. In Hot

0:17:58.760 --> 0:18:01.199
<v Speaker 3>ninety seven, excuse me, I know for your motherfuckers, they

0:18:01.200 --> 0:18:05.360
<v Speaker 3>don't know that. It's something about listening to your home

0:18:05.520 --> 0:18:07.760
<v Speaker 3>radio station when your home.

0:18:07.920 --> 0:18:10.879
<v Speaker 1>Yes, So I landed, me and my wife and.

0:18:12.440 --> 0:18:13.919
<v Speaker 3>I just say to the to the to the car

0:18:14.040 --> 0:18:17.760
<v Speaker 3>service guy put on put on Hot ninety I literally

0:18:17.760 --> 0:18:18.760
<v Speaker 3>said ninety seven.

0:18:18.560 --> 0:18:26.920
<v Speaker 1>Point one, ninety seven point one, and he puts the

0:18:27.000 --> 0:18:30.520
<v Speaker 1>ship on. And that's all I hear, is the Diss records.

0:18:32.920 --> 0:18:35.520
<v Speaker 6>Yes, yes, that's good for hip hop.

0:18:35.960 --> 0:18:38.800
<v Speaker 1>Is it's very good. Realize it. So I actually heard it,

0:18:38.880 --> 0:18:42.160
<v Speaker 1>like I was like hold off, Drake, shit is in rotation,

0:18:42.440 --> 0:18:44.320
<v Speaker 1>Kendrick rollout.

0:18:44.800 --> 0:18:47.400
<v Speaker 8>Today's different from before where maybe you needed the radio

0:18:47.480 --> 0:18:50.439
<v Speaker 8>station to hit, but now they would drop it on YouTube,

0:18:50.440 --> 0:18:52.760
<v Speaker 8>they would dropping on the DSPs that whatever they.

0:18:52.800 --> 0:18:58.639
<v Speaker 3>Actually actually really because you know, like I said, I

0:18:58.720 --> 0:19:01.520
<v Speaker 3>had to. I love taking myself out of hip hop

0:19:01.560 --> 0:19:03.800
<v Speaker 3>and watching hip hop as a fan, and I got

0:19:03.880 --> 0:19:06.480
<v Speaker 3>to like to see I got to hear our Asap

0:19:06.560 --> 0:19:09.200
<v Speaker 3>Rocky record, I got to hear a Future record, I

0:19:09.240 --> 0:19:11.600
<v Speaker 3>got to hear a Drake record, I got to hear

0:19:11.720 --> 0:19:13.840
<v Speaker 3>Kendrick record, and I got to hear it in rotation,

0:19:13.960 --> 0:19:17.399
<v Speaker 3>and that was just like, holy shit. I would have

0:19:17.440 --> 0:19:20.600
<v Speaker 3>been this niggas a long time, you know.

0:19:20.600 --> 0:19:22.399
<v Speaker 1>What I'm doing to me like I have.

0:19:22.800 --> 0:19:26.000
<v Speaker 4>My homies would send me every song that was coming out,

0:19:26.160 --> 0:19:29.040
<v Speaker 4>and it'd be niggas from whatever a generation to send me,

0:19:29.240 --> 0:19:31.440
<v Speaker 4>and it was like, damn, this is hip hop. We

0:19:31.600 --> 0:19:35.040
<v Speaker 4>all like paying attention and like we were listening. We

0:19:35.200 --> 0:19:36.399
<v Speaker 4>listening to the lyrics.

0:19:36.800 --> 0:19:37.440
<v Speaker 1>That's what I like.

0:19:38.040 --> 0:19:40.760
<v Speaker 4>That's the song about these lyrics, man, And for both

0:19:40.800 --> 0:19:43.360
<v Speaker 4>of them to be honest to come with a concept

0:19:43.520 --> 0:19:50.600
<v Speaker 4>this song, like like like when Drake did the pop thing,

0:19:50.960 --> 0:19:54.520
<v Speaker 4>I'm not, you know, like I'm not wanting to feel like, yo,

0:19:54.600 --> 0:19:57.400
<v Speaker 4>if somebody is passed, I don't know if I would

0:19:57.400 --> 0:20:01.159
<v Speaker 4>want to hear. But I still thought conceptually it was

0:20:01.200 --> 0:20:04.520
<v Speaker 4>creative that ship is hell. And then when when Kendrick

0:20:04.800 --> 0:20:09.040
<v Speaker 4>came with to Meet the Grounds, I was like, damn, do.

0:20:09.080 --> 0:20:11.840
<v Speaker 3>A disc shout out to the Alchemists family.

0:20:12.359 --> 0:20:12.639
<v Speaker 1>That's it.

0:20:12.800 --> 0:20:14.960
<v Speaker 6>I was like, it's crazy when people like did they

0:20:15.080 --> 0:20:15.520
<v Speaker 6>go too far?

0:20:15.960 --> 0:20:19.320
<v Speaker 4>I'm like, bro, and this, I don't feel like the

0:20:19.400 --> 0:20:22.440
<v Speaker 4>only thing that is off for me family only is

0:20:22.800 --> 0:20:25.280
<v Speaker 4>not that family. Because Meet the Grounds was amazing. That's

0:20:27.359 --> 0:20:30.119
<v Speaker 4>one of the family ain't off of me. But if

0:20:30.160 --> 0:20:33.280
<v Speaker 4>somebody has passed, okay, you know, like some I ain't

0:20:33.280 --> 0:20:35.240
<v Speaker 4>gonna play with the like I gotta honor that because

0:20:36.480 --> 0:20:37.480
<v Speaker 4>that's somebody's life.

0:20:37.600 --> 0:20:37.719
<v Speaker 8>Man.

0:20:38.040 --> 0:20:40.320
<v Speaker 4>You know. But but if I'm talking about your family

0:20:40.440 --> 0:20:42.840
<v Speaker 4>this part, you know the war water.

0:20:43.240 --> 0:20:47.200
<v Speaker 3>Let me ask you, Pete, Yeah, have you ever produced

0:20:47.440 --> 0:20:50.960
<v Speaker 3>a dis record? And then the artists that they just

0:20:51.359 --> 0:20:53.240
<v Speaker 3>get mad at you when you really don't got nothing

0:20:53.240 --> 0:20:53.560
<v Speaker 3>to do with it.

0:20:53.680 --> 0:20:55.399
<v Speaker 6>Whose ice cube was a little upset with me?

0:21:02.520 --> 0:21:05.040
<v Speaker 1>Okay described this he took a shot of red wine.

0:21:05.040 --> 0:21:05.399
<v Speaker 4>I like that.

0:21:07.000 --> 0:21:09.440
<v Speaker 6>You Yeah, I didn't even know that.

0:21:09.560 --> 0:21:15.399
<v Speaker 1>You didn't I don't know that. I did not know

0:21:15.520 --> 0:21:18.680
<v Speaker 1>that didn't know. I didn't know this man. This man

0:21:18.760 --> 0:21:23.200
<v Speaker 1>had me feeling bad. Okay, yo, he first was upset.

0:21:23.359 --> 0:21:28.240
<v Speaker 1>He's like basket hold on, okay, let's go back to you,

0:21:28.320 --> 0:21:35.520
<v Speaker 1>but hold on them. Because Common, this man made no

0:21:35.720 --> 0:21:38.280
<v Speaker 1>Vas one of the best, one of the records of

0:21:38.320 --> 0:21:40.960
<v Speaker 1>all time. So how how did how the funk is

0:21:41.040 --> 0:21:44.879
<v Speaker 1>Common and ice Cube catch beef? How does I don't remember?

0:21:44.920 --> 0:21:47.240
<v Speaker 1>Don't remember that it was? What's connection? Okay? No, So

0:21:47.640 --> 0:21:48.199
<v Speaker 1>what happened?

0:21:48.680 --> 0:21:51.520
<v Speaker 4>First of all, like I grew up listening to k

0:21:52.080 --> 0:21:56.440
<v Speaker 4>k Rests, Big Daddy came rock him, ice Cube too short,

0:21:56.600 --> 0:21:59.080
<v Speaker 4>Like it wasn't like being in Chicago. We were listening

0:21:59.119 --> 0:22:01.879
<v Speaker 4>to all I gravitated to who I gravitated to it?

0:22:01.960 --> 0:22:04.639
<v Speaker 4>But so I wrote, I used to love her, and

0:22:04.840 --> 0:22:07.440
<v Speaker 4>I used to love about the evolution of hip hop,

0:22:07.480 --> 0:22:10.000
<v Speaker 4>and I used a woman to describe, you know, hip hop.

0:22:09.920 --> 0:22:14.959
<v Speaker 1>One of the most creative records of all time, one

0:22:15.000 --> 0:22:18.320
<v Speaker 1>of my favorite. I never told you this. That's one

0:22:18.359 --> 0:22:20.000
<v Speaker 1>of the records I got on love with hip hop.

0:22:20.119 --> 0:22:28.600
<v Speaker 1>That was the joint. Because I don't know the story,

0:22:28.640 --> 0:22:29.720
<v Speaker 1>So please don't so listen.

0:22:30.400 --> 0:22:33.359
<v Speaker 4>Q was at some point it's crazy case. I remember

0:22:33.400 --> 0:22:36.440
<v Speaker 4>when I first even like I realized he did me.

0:22:36.920 --> 0:22:38.760
<v Speaker 4>I was at a show in Chicago.

0:22:39.040 --> 0:22:41.560
<v Speaker 1>Because you said when you used to love her, when

0:22:41.600 --> 0:22:44.600
<v Speaker 1>you said the West Coast part, he did, Yeah, he was.

0:22:44.920 --> 0:22:48.240
<v Speaker 1>It was it was crazy. Said she broke to the

0:22:48.320 --> 0:22:48.800
<v Speaker 1>West Coast.

0:22:49.080 --> 0:22:50.600
<v Speaker 4>I said, she broke to the West Coast and that

0:22:50.760 --> 0:22:53.200
<v Speaker 4>was cool around the same time I went away to school.

0:22:53.240 --> 0:22:55.800
<v Speaker 4>I'm a man of expanded who am out of stand

0:22:55.840 --> 0:22:57.600
<v Speaker 4>in a way. She probably get her money in l

0:22:57.680 --> 0:23:01.200
<v Speaker 4>a and she did. She got big public. He said

0:23:01.240 --> 0:23:03.480
<v Speaker 4>that the pro black was going out of style. I

0:23:03.600 --> 0:23:05.520
<v Speaker 4>was just talking about how we was losing the pro

0:23:05.640 --> 0:23:07.680
<v Speaker 4>blackness and it wasn't all because of the West Coast.

0:23:07.760 --> 0:23:08.840
<v Speaker 6>I was talking about to.

0:23:08.920 --> 0:23:10.879
<v Speaker 4>Be if you really want to know, when one of

0:23:10.920 --> 0:23:12.879
<v Speaker 4>the things that really made me right I used to

0:23:12.960 --> 0:23:16.119
<v Speaker 4>love her. I honestly was watching some East Coast artists

0:23:16.760 --> 0:23:19.879
<v Speaker 4>imitating the West Coast and it made me be like.

0:23:21.200 --> 0:23:22.800
<v Speaker 1>This, this ship is this this, it ain't right.

0:23:22.880 --> 0:23:24.120
<v Speaker 6>This we the tribes.

0:23:24.200 --> 0:23:26.200
<v Speaker 4>I know what New York is like because New York

0:23:26.359 --> 0:23:28.800
<v Speaker 4>is representing that tribe. We know what the West Coast

0:23:28.920 --> 0:23:36.520
<v Speaker 4>is like. So I was like, So I was like, man,

0:23:37.400 --> 0:23:40.680
<v Speaker 4>I definitely didn't want want to just in fact, I

0:23:40.720 --> 0:23:42.920
<v Speaker 4>had cubes the record in the video, like, I was

0:23:43.200 --> 0:23:45.679
<v Speaker 4>honering a lot of the hip hop. So one day

0:23:45.720 --> 0:23:47.359
<v Speaker 4>I'm sitting about to do a show. I'm in the

0:23:47.400 --> 0:23:50.000
<v Speaker 4>car with my homie, my homie ros Son and it's

0:23:50.200 --> 0:23:53.240
<v Speaker 4>in King T King T from the West and somebody said, Yo,

0:23:53.400 --> 0:23:56.359
<v Speaker 4>cute this you on this song. So we playing the

0:23:56.480 --> 0:23:59.680
<v Speaker 4>song and I'm listening. I'm like, damn this nigga, this

0:23:59.760 --> 0:24:02.280
<v Speaker 4>is me. He was like, no, he ain't this. Ain't

0:24:02.280 --> 0:24:07.919
<v Speaker 4>this your like this nigga, this is me? Its connection.

0:24:08.280 --> 0:24:10.240
<v Speaker 4>It was on the West Side connection record Q was

0:24:10.320 --> 0:24:12.440
<v Speaker 4>like First of all, I was like, I can't see

0:24:12.480 --> 0:24:14.560
<v Speaker 4>how you go and not say this is this? He said,

0:24:14.840 --> 0:24:17.639
<v Speaker 4>all you niggas wanted this the specific, but you nigga,

0:24:17.720 --> 0:24:20.359
<v Speaker 4>your niggas never get specific. I used to love her

0:24:20.480 --> 0:24:23.080
<v Speaker 4>mad becusin we fucked up pussy with bitch with no

0:24:23.280 --> 0:24:29.720
<v Speaker 4>common sense. That was the record.

0:24:30.040 --> 0:24:34.080
<v Speaker 6>So, I mean my first reaction was like, damn Ice

0:24:34.160 --> 0:24:38.800
<v Speaker 6>Cuban know who I am. I was mad.

0:24:38.840 --> 0:24:39.880
<v Speaker 1>I was mad, I got mad.

0:24:40.080 --> 0:24:42.520
<v Speaker 4>I was mad for for sure, and I was like, man,

0:24:42.800 --> 0:24:45.960
<v Speaker 4>And then I saw them popping off at on like

0:24:46.480 --> 0:24:47.840
<v Speaker 4>Rap City one time with Big.

0:24:47.760 --> 0:24:49.880
<v Speaker 6>Glass, and then I saw them in Atlanta.

0:24:51.600 --> 0:24:53.960
<v Speaker 4>I saw West West Side Connection with Macataine, and I

0:24:54.080 --> 0:24:55.840
<v Speaker 4>was with my homies, and I think they just was

0:24:55.880 --> 0:24:58.159
<v Speaker 4>like thinking, I'm just a backpack nigga. But I'm with

0:24:58.359 --> 0:25:01.160
<v Speaker 4>my guys and they had our something, we had out something.

0:25:01.240 --> 0:25:04.359
<v Speaker 4>We're like, what's up, we're here. I think they knew, like, Okay,

0:25:04.480 --> 0:25:06.800
<v Speaker 4>this stude the real dude. But then I was like,

0:25:07.080 --> 0:25:09.159
<v Speaker 4>I remember spitting the ride. I wrote the bitch in You.

0:25:09.280 --> 0:25:11.720
<v Speaker 4>I wrote it, wrote the first verse to the to

0:25:11.840 --> 0:25:14.680
<v Speaker 4>these ch arrests instrumentals, and I had the first verse,

0:25:14.720 --> 0:25:16.239
<v Speaker 4>and I was going out rapping when I was out

0:25:16.280 --> 0:25:18.240
<v Speaker 4>with Daylight did it on the West Coast and everything,

0:25:18.440 --> 0:25:20.200
<v Speaker 4>and a lot of people was cats.

0:25:20.240 --> 0:25:21.400
<v Speaker 6>Didn't want to mess with the beat.

0:25:21.840 --> 0:25:25.040
<v Speaker 1>But I was scared, scared after I heard him.

0:25:27.280 --> 0:25:30.680
<v Speaker 4>But listen, I hope that would tell him like that

0:25:30.920 --> 0:25:31.480
<v Speaker 4>you said, I was.

0:25:31.680 --> 0:25:35.479
<v Speaker 1>I was mad. I didn't even make the beat at

0:25:35.520 --> 0:25:38.280
<v Speaker 1>my house. I didn't even make the bet. He comes

0:25:38.320 --> 0:25:40.240
<v Speaker 1>to see you in the studio is this Green Street studio?

0:25:40.359 --> 0:25:43.159
<v Speaker 7>He came to the hood, and first I had to

0:25:43.280 --> 0:25:45.480
<v Speaker 7>calm him down and drive him around the hood, like, Yo,

0:25:45.600 --> 0:25:48.120
<v Speaker 7>let's go get somebody, Let's go see some women.

0:25:48.240 --> 0:25:50.720
<v Speaker 1>Let's go introduce you to some people.

0:25:51.200 --> 0:25:54.080
<v Speaker 7>Right, and then he and then we went to my

0:25:54.320 --> 0:25:56.960
<v Speaker 7>man's house where he had a stack of records. You know,

0:25:57.040 --> 0:25:59.400
<v Speaker 7>I'm going through the records and I'm like, I see

0:25:59.440 --> 0:26:02.280
<v Speaker 7>this record, start playing it and I heard this loop

0:26:02.840 --> 0:26:05.159
<v Speaker 7>and I was like, m and he heard it.

0:26:05.240 --> 0:26:06.920
<v Speaker 6>Then he was like, yo, Pete, do something with that.

0:26:07.520 --> 0:26:09.960
<v Speaker 6>And but you knew that he was going to make

0:26:10.160 --> 0:26:11.040
<v Speaker 6>this record. You knew that.

0:26:11.200 --> 0:26:13.919
<v Speaker 1>You knew that, Okay. At this point he drove him

0:26:13.960 --> 0:26:14.439
<v Speaker 1>around and.

0:26:17.520 --> 0:26:22.359
<v Speaker 3>You know, I was like you.

0:26:25.080 --> 0:26:27.879
<v Speaker 6>So, you know, and then we just you know, he

0:26:28.000 --> 0:26:30.240
<v Speaker 6>heard the loop. Then I got these drums.

0:26:30.320 --> 0:26:32.200
<v Speaker 7>I made it at my man rob O's house, who

0:26:32.240 --> 0:26:35.680
<v Speaker 7>was a member of this group called iron Ie. The

0:26:35.800 --> 0:26:39.040
<v Speaker 7>record I made called Fick and Jack's right at his

0:26:39.200 --> 0:26:42.280
<v Speaker 7>house and he had records and equipment, and I just

0:26:42.359 --> 0:26:44.600
<v Speaker 7>came up with the beat and come and stop bothering

0:26:44.680 --> 0:26:47.119
<v Speaker 7>his head, like, Yo, this one right here. Maybe this

0:26:47.200 --> 0:26:49.440
<v Speaker 7>is the first beat I made, because I was gonna

0:26:49.480 --> 0:26:52.400
<v Speaker 7>make beats. But the first one I made, he picked

0:26:52.440 --> 0:26:54.560
<v Speaker 7>it and said, I'm gonna run with this one.

0:26:54.680 --> 0:26:55.120
<v Speaker 1>Let me ask.

0:26:55.200 --> 0:26:56.680
<v Speaker 6>And that's why I wrote the second verse to it

0:26:56.760 --> 0:26:57.920
<v Speaker 6>after he made that beat.

0:26:58.080 --> 0:27:02.440
<v Speaker 1>Let me ask you, because ice Cube was like a

0:27:02.680 --> 0:27:07.320
<v Speaker 1>hard opponent to GoGet, like how do you gash yourself up?

0:27:07.520 --> 0:27:09.840
<v Speaker 1>Or how do you like come up with that?

0:27:09.960 --> 0:27:12.320
<v Speaker 3>Because I ain't gonna lie And this is me being one.

0:27:14.200 --> 0:27:15.680
<v Speaker 3>If ice Q might have dis me, I might have

0:27:15.800 --> 0:27:21.640
<v Speaker 3>let him ride, like, Man, I don't mind.

0:27:21.640 --> 0:27:25.840
<v Speaker 1>I don't want to ice that. He's one of those mcs, Like, but.

0:27:27.640 --> 0:27:29.560
<v Speaker 3>So what's going to your mom? You're sitting there, you

0:27:29.720 --> 0:27:32.920
<v Speaker 3>like you about to go get one of the greatest.

0:27:32.960 --> 0:27:36.480
<v Speaker 4>Time and like you said, no vacaine is that's the

0:27:36.560 --> 0:27:41.920
<v Speaker 4>coldest specificate, the greatest sim seeds all the time. But

0:27:42.119 --> 0:27:45.040
<v Speaker 4>I was just like, man, I'm gonna have to light

0:27:45.080 --> 0:27:49.080
<v Speaker 4>I'm gonna have to light him up, man. And I

0:27:49.200 --> 0:27:56.280
<v Speaker 4>believed in myself. Man sat down, Yo Yo, I was

0:27:56.359 --> 0:27:59.520
<v Speaker 4>like yo, and the vincuit you. And then I was like, man,

0:28:00.240 --> 0:28:02.760
<v Speaker 4>I just knew I had I could do what I

0:28:02.880 --> 0:28:05.640
<v Speaker 4>needed to do on the back and I wouldn't gonna

0:28:05.640 --> 0:28:09.359
<v Speaker 4>go around. I'm going directract like this this how this

0:28:09.440 --> 0:28:11.600
<v Speaker 4>is how we battle this how like you know who

0:28:11.760 --> 0:28:14.800
<v Speaker 4>is coming to and and and I just felt to

0:28:14.920 --> 0:28:17.879
<v Speaker 4>be honest that I had enough because because I was

0:28:17.920 --> 0:28:19.640
<v Speaker 4>a fan of his, I had enough things I could

0:28:19.680 --> 0:28:22.480
<v Speaker 4>even I was using a lot of things that he

0:28:22.600 --> 0:28:25.680
<v Speaker 4>had done. But let me be clear now, Cubans, my

0:28:25.760 --> 0:28:28.560
<v Speaker 4>guy been in in this movie, one of the barbershop movies,

0:28:28.800 --> 0:28:32.000
<v Speaker 4>got Ultimate Water Orange, and we were grateful to Minister

0:28:32.119 --> 0:28:35.200
<v Speaker 4>fair Con at the time brought us all together together.

0:28:36.119 --> 0:28:39.880
<v Speaker 8>How serious it was getting that. I feel like he

0:28:39.920 --> 0:28:41.520
<v Speaker 8>doesn't get involved unless something.

0:28:42.360 --> 0:28:43.080
<v Speaker 6>He brought us together.

0:28:43.240 --> 0:28:47.400
<v Speaker 4>Literally, like a week after Biggie got killed, he was like, yo,

0:28:47.520 --> 0:28:49.480
<v Speaker 4>this this pocket already died.

0:28:49.920 --> 0:28:51.880
<v Speaker 6>I could got killed, Biggie died.

0:28:52.360 --> 0:28:54.440
<v Speaker 4>He brought it. He brought us together. And and and

0:28:54.920 --> 0:28:57.240
<v Speaker 4>casts like, you know, we're just like, man, we ain't

0:28:57.280 --> 0:28:59.800
<v Speaker 4>trying to die. We want to live like this this

0:29:00.120 --> 0:29:02.400
<v Speaker 4>something for us to live. You know, I'm a battery,

0:29:02.560 --> 0:29:04.920
<v Speaker 4>you know, but you young at the time, You're like,

0:29:05.000 --> 0:29:07.480
<v Speaker 4>you don't know what's gonna happen you and and it's

0:29:07.520 --> 0:29:09.680
<v Speaker 4>for real, but you know, I like when it's when

0:29:09.720 --> 0:29:11.280
<v Speaker 4>it's just on wax man, you know.

0:29:11.840 --> 0:29:12.200
<v Speaker 1>Is it true?

0:29:12.280 --> 0:29:14.320
<v Speaker 8>You the first time you performed it or you performed

0:29:14.320 --> 0:29:15.640
<v Speaker 8>it in l A was one of the first times.

0:29:15.680 --> 0:29:17.240
<v Speaker 6>Yeah, one of the times I performed in l A.

0:29:17.520 --> 0:29:18.120
<v Speaker 1>It was crazy.

0:29:18.200 --> 0:29:25.360
<v Speaker 4>But he was there at the Gavin. You remember, y'all

0:29:25.360 --> 0:29:28.840
<v Speaker 4>remember the gap that Tendon was at the Gavin. You

0:29:28.920 --> 0:29:30.960
<v Speaker 4>know it's all love with maxindam No, but but that

0:29:31.240 --> 0:29:33.000
<v Speaker 4>saying I was on the West Coast. I was like,

0:29:33.080 --> 0:29:33.880
<v Speaker 4>whatever's gonna happen?

0:29:34.080 --> 0:29:34.320
<v Speaker 1>Happen?

0:29:34.440 --> 0:29:36.520
<v Speaker 4>You know, I was in that that type of mentality,

0:29:36.600 --> 0:29:39.600
<v Speaker 4>and then it's crazy. I was on the show and

0:29:39.840 --> 0:29:41.840
<v Speaker 4>it was West Coast, was at the House of Blues,

0:29:42.320 --> 0:29:44.360
<v Speaker 4>and man, I just was like, man, what's gonna happen?

0:29:44.360 --> 0:29:47.240
<v Speaker 4>Is gonna happen? My father was even there. You know,

0:29:47.720 --> 0:29:51.000
<v Speaker 4>it's gonna be the only this record I've ever produced ever.

0:29:51.400 --> 0:29:57.160
<v Speaker 1>Like you, I said that was poland that's good for me.

0:29:58.280 --> 0:30:07.440
<v Speaker 1>It's a classic. Yeah, but god damn, Bed, that was crazy.

0:30:07.480 --> 0:30:08.000
<v Speaker 1>At that time.

0:30:08.080 --> 0:30:11.040
<v Speaker 3>I'm like, like you said, you were looked at like

0:30:11.120 --> 0:30:13.959
<v Speaker 3>a backpack round. I didn't thinking.

0:30:14.320 --> 0:30:18.200
<v Speaker 1>Yeah, for lack of a better term, come this hard, Yeah, hard, yeah,

0:30:19.760 --> 0:30:22.600
<v Speaker 1>hard man. I don't think none of us saw that.

0:30:23.280 --> 0:30:25.840
<v Speaker 4>No, I ain't gonna front. That was a lot of niggas.

0:30:25.880 --> 0:30:27.920
<v Speaker 4>It wasn't like fucking with me or just like he

0:30:28.080 --> 0:30:29.320
<v Speaker 4>wanted them a backpack.

0:30:29.440 --> 0:30:29.720
<v Speaker 1>Dudes.

0:30:30.040 --> 0:30:32.680
<v Speaker 4>I had dudes come up to me and be like, man,

0:30:33.360 --> 0:30:35.080
<v Speaker 4>when I heard the bitch of you, I was like, okay,

0:30:36.840 --> 0:30:40.640
<v Speaker 4>like respected me at that point. But you know, sometimes

0:30:40.720 --> 0:30:42.680
<v Speaker 4>it does that the battles. The battles can get that

0:30:42.920 --> 0:30:45.120
<v Speaker 4>get that out of you. It's like in sports and

0:30:45.320 --> 0:30:48.800
<v Speaker 4>in a lot of things, you know. But yeah, even

0:30:48.880 --> 0:30:50.960
<v Speaker 4>we saw that with the battle with it just happened

0:30:51.000 --> 0:30:55.000
<v Speaker 4>like because I mean to me, when you delivering a

0:30:55.080 --> 0:30:58.240
<v Speaker 4>battle to it just kind of raises the like your

0:30:58.520 --> 0:31:00.560
<v Speaker 4>your artistry up in a way because it's like, Okay,

0:31:00.600 --> 0:31:02.880
<v Speaker 4>I can make these records. I can make a record

0:31:02.880 --> 0:31:05.040
<v Speaker 4>about a woman, I can make a record about what

0:31:05.240 --> 0:31:06.920
<v Speaker 4>life is to me. I can make rem in this

0:31:07.080 --> 0:31:10.800
<v Speaker 4>So I can. But but I can also get into

0:31:10.880 --> 0:31:13.000
<v Speaker 4>this and into this, to this battle, to this war

0:31:13.360 --> 0:31:13.760
<v Speaker 4>and do.

0:31:13.840 --> 0:31:14.480
<v Speaker 1>What I need to do.

0:31:15.160 --> 0:31:17.760
<v Speaker 3>Yeah, Now, your name been brought on so many times

0:31:17.800 --> 0:31:21.479
<v Speaker 3>on this show, right especially, I want to get back

0:31:21.480 --> 0:31:24.440
<v Speaker 3>into the Drake things, just likely a little bit because.

0:31:25.920 --> 0:31:28.160
<v Speaker 1>What was what was the Drake thing over so the

0:31:28.240 --> 0:31:28.680
<v Speaker 1>Drake thing?

0:31:28.920 --> 0:31:32.160
<v Speaker 4>The Drake thing was more like I ain't into like

0:31:33.640 --> 0:31:35.520
<v Speaker 4>what you said, like when you when y'all was telling

0:31:35.600 --> 0:31:37.080
<v Speaker 4>knives man, I think he dissing you.

0:31:37.400 --> 0:31:39.800
<v Speaker 6>But I felt like Drake was sending me a couple

0:31:39.840 --> 0:31:40.560
<v Speaker 6>of shots.

0:31:43.080 --> 0:31:50.280
<v Speaker 1>At the light skin karate class. It really I think

0:31:50.320 --> 0:31:50.920
<v Speaker 1>it started.

0:31:51.160 --> 0:31:54.280
<v Speaker 4>I don't know what motivated him to send me some shots,

0:31:54.560 --> 0:31:57.600
<v Speaker 4>but I think what for sure had me.

0:31:57.720 --> 0:31:59.280
<v Speaker 6>If I'm just being real, like.

0:32:00.080 --> 0:32:02.000
<v Speaker 4>You know, we mess with one of the same girls,

0:32:02.040 --> 0:32:04.400
<v Speaker 4>blah blah blah, the same story. Yeah, the same story

0:32:04.440 --> 0:32:07.040
<v Speaker 4>that you hear a block about it. You know, war's

0:32:07.080 --> 0:32:16.960
<v Speaker 4>happened over women, Wars happened over women.

0:32:17.040 --> 0:32:17.880
<v Speaker 1>That's just what it is.

0:32:18.080 --> 0:32:21.960
<v Speaker 4>I mean, but I wouldn't. I ain't the type this gone.

0:32:22.120 --> 0:32:24.880
<v Speaker 4>I ain't gonna get at you if you know, if

0:32:24.880 --> 0:32:27.160
<v Speaker 4>you with somebody else with I don't know that's the dude.

0:32:27.400 --> 0:32:28.520
<v Speaker 1>But you start throwing me a.

0:32:28.560 --> 0:32:30.960
<v Speaker 5>Couple of littles, you know, you're trying to throw some jass.

0:32:31.240 --> 0:32:34.480
<v Speaker 6>You know yo, And I'm like, man, okay.

0:32:34.800 --> 0:32:36.760
<v Speaker 4>And then once I found you know, once I felt

0:32:36.840 --> 0:32:41.000
<v Speaker 4>like they really remember they dropped the state scheming and

0:32:41.080 --> 0:32:44.760
<v Speaker 4>my homie called me black Calls. He was like and

0:32:44.800 --> 0:32:46.880
<v Speaker 4>he was like, man, he talking talking to you or that,

0:32:47.400 --> 0:32:48.880
<v Speaker 4>And at that point I was like, man, I just

0:32:49.480 --> 0:32:51.760
<v Speaker 4>I can't even I just gotta over the I just

0:32:51.800 --> 0:32:55.680
<v Speaker 4>got to it wasn't even a sche we couldn't tell,

0:32:55.760 --> 0:32:57.800
<v Speaker 4>like because that's that's what That's why I was like,

0:33:03.160 --> 0:33:05.720
<v Speaker 4>we couldn't tell. So that's why I was like, Hey,

0:33:05.760 --> 0:33:07.680
<v Speaker 4>I'm gonna let you know, like right now, this is

0:33:07.680 --> 0:33:09.840
<v Speaker 4>what So if you're coming at me, you don't know

0:33:09.920 --> 0:33:11.720
<v Speaker 4>who it is coming at you coming.

0:33:12.040 --> 0:33:12.960
<v Speaker 1>And it was great.

0:33:13.120 --> 0:33:16.160
<v Speaker 4>It was great that wrap and it was crazy, is

0:33:16.840 --> 0:33:19.280
<v Speaker 4>no idea at that point shout out to know I

0:33:19.600 --> 0:33:19.920
<v Speaker 4>want to know?

0:33:20.280 --> 0:33:22.760
<v Speaker 1>Yeah, shout he he.

0:33:23.000 --> 0:33:25.440
<v Speaker 4>He was like, because I had all these bars and

0:33:25.560 --> 0:33:28.080
<v Speaker 4>he was like, bro, you can't go to hog, just

0:33:28.200 --> 0:33:30.480
<v Speaker 4>wait because it might be another round.

0:33:30.840 --> 0:33:33.200
<v Speaker 6>And he was like the youngest generation, don't.

0:33:33.040 --> 0:33:35.560
<v Speaker 4>Go that hard. And I was like, I was like

0:33:35.680 --> 0:33:37.960
<v Speaker 4>what and man, because all I know is to go

0:33:38.080 --> 0:33:41.400
<v Speaker 4>all out and we're I'm talking about I would pick

0:33:41.480 --> 0:33:47.200
<v Speaker 4>up what I got to pick up. When he told

0:33:47.240 --> 0:33:49.520
<v Speaker 4>me that, I was like, okay, So I took out

0:33:49.520 --> 0:33:50.720
<v Speaker 4>a few lines blah blah blah.

0:33:51.080 --> 0:33:53.040
<v Speaker 1>But and then you know, we had it.

0:33:53.560 --> 0:33:57.520
<v Speaker 4>And I eventually saw Drake face to face and I

0:33:57.680 --> 0:33:59.600
<v Speaker 4>was at a point where you know, I was like,

0:33:59.640 --> 0:34:03.440
<v Speaker 4>what's up? And we just we had little little little

0:34:03.480 --> 0:34:07.400
<v Speaker 4>words and then over and then his father, his father

0:34:07.600 --> 0:34:10.200
<v Speaker 4>was there and it was like, y'all need to squash this.

0:34:10.320 --> 0:34:11.919
<v Speaker 4>And I was like, man, this is an elder talking

0:34:11.960 --> 0:34:13.160
<v Speaker 4>to me. This is man father.

0:34:13.360 --> 0:34:13.600
<v Speaker 1>Let me.

0:34:14.160 --> 0:34:14.920
<v Speaker 6>Let me chill out.

0:34:15.360 --> 0:34:17.600
<v Speaker 4>And then Drake just was like we talked and he

0:34:17.800 --> 0:34:20.439
<v Speaker 4>was like, man, I ain't on this, blah blah blah.

0:34:20.800 --> 0:34:22.840
<v Speaker 4>So we just squashed. I was like, listen, if we

0:34:22.920 --> 0:34:28.279
<v Speaker 4>face the face in it, and then I'm even if

0:34:28.320 --> 0:34:30.560
<v Speaker 4>it was some subliminal distance. I said what I had

0:34:30.600 --> 0:34:33.040
<v Speaker 4>to say. Right now we're saying we're squashing it is

0:34:33.280 --> 0:34:33.680
<v Speaker 4>We're good.

0:34:33.800 --> 0:34:35.760
<v Speaker 1>So I've been good. Listen.

0:34:37.960 --> 0:34:40.799
<v Speaker 3>Do you know what I think is trash is when

0:34:41.120 --> 0:34:43.120
<v Speaker 3>people see each other face the face and didn't do

0:34:43.200 --> 0:34:43.759
<v Speaker 3>it after.

0:34:44.880 --> 0:34:47.919
<v Speaker 7>Don't over battle, That's what I say, the honest don't

0:34:47.960 --> 0:34:50.839
<v Speaker 7>over battle. Do it for the fun, you know, try

0:34:50.920 --> 0:34:53.279
<v Speaker 7>to stay in respectable you know.

0:34:53.560 --> 0:34:53.759
<v Speaker 1>Yep.

0:34:54.560 --> 0:34:57.480
<v Speaker 3>I mean that's the only thing that I'm seeing that

0:34:57.640 --> 0:34:59.719
<v Speaker 3>right now. And I don't want to say the people

0:34:59.840 --> 0:35:07.360
<v Speaker 3>name certain people. Sometimes you go too far, Like I

0:35:07.480 --> 0:35:10.160
<v Speaker 3>always if I have a battle with you, if we

0:35:10.280 --> 0:35:16.120
<v Speaker 3>were battling and we don't hate each other, uh, there's

0:35:16.120 --> 0:35:18.919
<v Speaker 3>always room to fix it. But when you start saying

0:35:18.960 --> 0:35:21.560
<v Speaker 3>certain things about certain ship when you can't you can't.

0:35:21.560 --> 0:35:24.000
<v Speaker 1>You can't fix that, you can't fix it, so say

0:35:24.080 --> 0:35:25.080
<v Speaker 1>something personal. I don't.

0:35:25.080 --> 0:35:27.960
<v Speaker 3>I don't like that part, but I do love battling.

0:35:28.080 --> 0:35:31.719
<v Speaker 3>I love like like like you know, uh, face to

0:35:31.760 --> 0:35:35.640
<v Speaker 3>face you know, yeah, I mean like, yeah, I love that.

0:35:37.520 --> 0:35:40.640
<v Speaker 1>I can't. Yeah, right, all right, I love that. But

0:35:41.200 --> 0:35:46.520
<v Speaker 1>this new generation that's bad and social media change every day.

0:35:46.680 --> 0:35:49.680
<v Speaker 4>That's what it was, like media change it or I'm

0:35:49.719 --> 0:35:52.640
<v Speaker 4>glad my battles in it like happened a lot during

0:35:52.680 --> 0:35:55.480
<v Speaker 4>the social media age because you gotta like you gotta

0:35:55.560 --> 0:35:58.400
<v Speaker 4>add that element to it, in which I think they

0:35:58.480 --> 0:36:03.120
<v Speaker 4>did a kid and this like they was like had strategy.

0:36:03.040 --> 0:36:04.440
<v Speaker 1>Use going on.

0:36:04.680 --> 0:36:09.360
<v Speaker 3>Everybody's a private investigator. You got private investigators. Are they

0:36:09.480 --> 0:36:12.440
<v Speaker 3>private investigators or they have private investigators. I don't know,

0:36:12.680 --> 0:36:17.640
<v Speaker 3>like like yeah, they bring it up red files and

0:36:17.719 --> 0:36:19.080
<v Speaker 3>ship they took it up.

0:36:19.040 --> 0:36:22.440
<v Speaker 1>But not okay, let's let's let's let's I'm gonna switch it.

0:36:22.760 --> 0:36:23.239
<v Speaker 1>Get your piece.

0:36:23.840 --> 0:36:28.080
<v Speaker 3>We get the piece because you know what need I

0:36:28.200 --> 0:36:31.000
<v Speaker 3>needed you to talk about this. I needed and especially

0:36:31.080 --> 0:36:35.880
<v Speaker 3>you pee because you're you're very non confrontational, very like

0:36:36.200 --> 0:36:38.480
<v Speaker 3>you're not about that and you not about that. But

0:36:39.080 --> 0:36:41.840
<v Speaker 3>the fact is that you both and I did not remember.

0:36:42.000 --> 0:36:44.680
<v Speaker 3>I knew that you did reduce that, but I didn't remember.

0:36:46.000 --> 0:36:49.719
<v Speaker 1>It. I okay, I forgot. And when space turned red

0:36:49.880 --> 0:36:54.200
<v Speaker 1>is it? I didn't know this man? Okay. But before

0:36:54.280 --> 0:36:57.479
<v Speaker 1>we change the subject, when did you see ice Cube?

0:36:57.480 --> 0:36:59.880
<v Speaker 1>What did he say to you? He said, he come,

0:37:01.760 --> 0:37:07.359
<v Speaker 1>he's good. Bro. You had to respect over with. It's

0:37:07.400 --> 0:37:07.759
<v Speaker 1>all good.

0:37:07.840 --> 0:37:10.080
<v Speaker 4>It's crazy when we were doing when we was doing

0:37:10.120 --> 0:37:13.480
<v Speaker 4>the barbershop movie in the Shottown, we actually were we

0:37:13.560 --> 0:37:16.719
<v Speaker 4>filmed it in Atlanta, but it's you know, it's basically yeah, yeah, yeah,

0:37:16.719 --> 0:37:20.320
<v Speaker 4>of course, so Cuban. At one point we was about

0:37:20.360 --> 0:37:22.319
<v Speaker 4>to it was crazy because it's like a movie. At

0:37:22.360 --> 0:37:24.120
<v Speaker 4>one point were just about to have him talk or

0:37:24.200 --> 0:37:26.919
<v Speaker 4>hide it all. Like as soon as we started talking,

0:37:27.000 --> 0:37:28.920
<v Speaker 4>he got a phone call and it was like we

0:37:29.160 --> 0:37:36.600
<v Speaker 4>never we never discussed that was Jesus positive positive Now

0:37:36.640 --> 0:37:38.320
<v Speaker 4>we didn't when we were talking about it wasn't like

0:37:38.680 --> 0:37:40.560
<v Speaker 4>it was just like it was almost like one of

0:37:40.600 --> 0:37:42.360
<v Speaker 4>the moments like you know, you got into it.

0:37:42.520 --> 0:37:44.799
<v Speaker 6>Somebody like look, man, this is why I even came

0:37:44.880 --> 0:37:46.120
<v Speaker 6>into like this blah blah.

0:37:46.320 --> 0:37:47.719
<v Speaker 4>But we didn't even get to that bark at that

0:37:47.840 --> 0:37:50.480
<v Speaker 4>point that he ain't want to talk about that's what

0:37:50.719 --> 0:37:52.280
<v Speaker 4>you know what under the bridge.

0:37:53.960 --> 0:37:55.240
<v Speaker 1>His whole attitude about.

0:37:55.040 --> 0:37:57.360
<v Speaker 6>It was like, yeah, yeah it was, Yes, it was

0:37:57.480 --> 0:37:58.600
<v Speaker 6>twenty years later, but I.

0:37:58.600 --> 0:38:02.120
<v Speaker 1>Mean it's good history of hip hop history that let's

0:38:02.160 --> 0:38:05.600
<v Speaker 1>be clear. I still I feel still for like Ce

0:38:05.640 --> 0:38:07.160
<v Speaker 1>got a little bit of pettiness in him. Yeah, I

0:38:07.160 --> 0:38:07.799
<v Speaker 1>would never ba.

0:38:08.960 --> 0:38:12.879
<v Speaker 3>One of our biggest arguments on Drink Champs is which

0:38:12.960 --> 0:38:15.759
<v Speaker 3>I love. I'm just biting Tony Yayo back just for

0:38:15.880 --> 0:38:17.520
<v Speaker 3>him and e FN argument like.

0:38:24.440 --> 0:38:31.120
<v Speaker 1>This ship my favorite because he been a lot of

0:38:31.120 --> 0:38:33.680
<v Speaker 1>people don't know he's actually from l A. But that

0:38:33.760 --> 0:38:38.960
<v Speaker 1>doesn't l A. But that doesn't, you know, make his

0:38:39.160 --> 0:38:43.279
<v Speaker 1>decisions because of that. He's really an ice Cube fan

0:38:44.840 --> 0:38:48.440
<v Speaker 1>and Yo was really it's really a Biggie fan. And

0:38:48.560 --> 0:38:49.319
<v Speaker 1>when YAlO was.

0:38:49.320 --> 0:38:51.920
<v Speaker 3>Saying, he was like, you you've never seen you never

0:38:52.000 --> 0:38:54.640
<v Speaker 3>felt when Biggie dropped, and I'm.

0:38:54.520 --> 0:39:03.839
<v Speaker 1>Like, yes, yes, Yo agreed, he's tough.

0:39:05.080 --> 0:39:09.160
<v Speaker 3>That was the most quietness I've ever been on I

0:39:09.280 --> 0:39:11.040
<v Speaker 3>agree with both sides, and I said, I don't.

0:39:11.040 --> 0:39:13.920
<v Speaker 1>I don't want Biggie lived long enough to have the

0:39:14.040 --> 0:39:16.520
<v Speaker 1>discography that it just didn't happen.

0:39:17.600 --> 0:39:20.440
<v Speaker 7>Biggy, I got to see America's most want to go

0:39:20.600 --> 0:39:23.200
<v Speaker 7>down in Green Street because that's what Ice you produced,

0:39:23.719 --> 0:39:26.399
<v Speaker 7>That's what he did that album in New York.

0:39:28.000 --> 0:39:30.000
<v Speaker 3>Out of here by the way to speak up the

0:39:30.160 --> 0:39:36.440
<v Speaker 3>Pete rock you brother the Green Street. Let me let

0:39:36.480 --> 0:39:38.440
<v Speaker 3>me tell you. Another thing that you probably don't know

0:39:39.920 --> 0:39:44.960
<v Speaker 3>is me and pun and you were on that record Records.

0:39:45.640 --> 0:39:48.080
<v Speaker 3>Fun has made a vow that we was going to

0:39:48.160 --> 0:39:50.560
<v Speaker 3>start doing people's records, and it's doing these features.

0:39:50.719 --> 0:39:53.880
<v Speaker 1>I didn't even know. I requested you though I got you.

0:39:57.440 --> 0:39:59.880
<v Speaker 3>So that was the first time me and me and

0:40:00.080 --> 0:40:02.800
<v Speaker 3>one had been but we had never been in the

0:40:02.800 --> 0:40:03.400
<v Speaker 3>studio together.

0:40:03.400 --> 0:40:05.320
<v Speaker 1>And I remember this Green Street studio that it's a

0:40:05.360 --> 0:40:07.160
<v Speaker 1>famous picture of me and you. I was skinny.

0:40:07.160 --> 0:40:09.960
<v Speaker 3>I got to get back to my life. I was

0:40:10.040 --> 0:40:13.440
<v Speaker 3>skinny with the cardiac glasses. And I remember and I

0:40:14.000 --> 0:40:17.279
<v Speaker 3>never told you this neither. I remember just me. That

0:40:17.400 --> 0:40:19.560
<v Speaker 3>was also the quietest I've ever been. I just looked

0:40:19.560 --> 0:40:21.440
<v Speaker 3>at you and said what do I need to do?

0:40:22.040 --> 0:40:24.440
<v Speaker 3>And you said this, this and that, and I did

0:40:24.520 --> 0:40:25.080
<v Speaker 3>not got you.

0:40:25.920 --> 0:40:29.160
<v Speaker 1>This is on video. I listened comment. I did not argue.

0:40:29.320 --> 0:40:29.719
<v Speaker 1>I did not.

0:40:29.960 --> 0:40:34.800
<v Speaker 3>I did everything. I did not want him, Like, this

0:40:34.960 --> 0:40:36.880
<v Speaker 3>is Pete Rock. I did not want him. This is

0:40:37.000 --> 0:40:39.839
<v Speaker 3>this hold on, hold on, hold on, let me get

0:40:39.840 --> 0:40:43.480
<v Speaker 3>your flowers. This was a testing point for me as

0:40:43.600 --> 0:40:45.600
<v Speaker 3>my career. Like Pete Rock called and I was like,

0:40:45.719 --> 0:40:46.480
<v Speaker 3>did he called?

0:40:47.239 --> 0:40:49.239
<v Speaker 1>I was like, you know this. You know we had

0:40:49.280 --> 0:40:49.960
<v Speaker 1>beepers and ship.

0:40:51.400 --> 0:40:53.920
<v Speaker 3>So I was like, Pete called and I was like, yo,

0:40:55.040 --> 0:40:56.880
<v Speaker 3>this is Green Streak Recording Studios.

0:40:57.040 --> 0:41:00.799
<v Speaker 1>I remember I called aver Rex and I was like, yo,

0:41:01.080 --> 0:41:01.719
<v Speaker 1>I gotta have an.

0:41:04.040 --> 0:41:04.080
<v Speaker 4>That.

0:41:04.120 --> 0:41:07.360
<v Speaker 1>I gotta look good with that. And I was asking

0:41:07.440 --> 0:41:09.400
<v Speaker 1>you about it, and I'm like, when you get that jacket,

0:41:11.200 --> 0:41:14.960
<v Speaker 1>I was like, I remember, I just came from out here.

0:41:15.320 --> 0:41:17.719
<v Speaker 1>I forget. I don't want to do it. But that

0:41:17.800 --> 0:41:21.320
<v Speaker 1>ship was a legendary moment in my life. And you

0:41:21.560 --> 0:41:24.480
<v Speaker 1>saw it. You saw it in me like you you

0:41:24.560 --> 0:41:25.440
<v Speaker 1>were one of the first.

0:41:29.160 --> 0:41:31.520
<v Speaker 4>You want to.

0:41:33.160 --> 0:41:35.560
<v Speaker 1>Three sixties. That's what I do. I bring people together.

0:41:39.560 --> 0:41:42.800
<v Speaker 4>As you were saying that, I fast forward to to

0:41:42.880 --> 0:41:45.520
<v Speaker 4>where we are now, and I was thinking, like, to

0:41:45.680 --> 0:41:48.319
<v Speaker 4>be honest, like working with Pete for me now is like, Yo,

0:41:49.760 --> 0:41:51.720
<v Speaker 4>as much as I'm used to being a solo artist,

0:41:51.760 --> 0:41:54.640
<v Speaker 4>I'm a solo artist, you know, and not many producers.

0:41:54.719 --> 0:41:56.759
<v Speaker 4>Sometimes they just give you the beat and and they

0:41:56.840 --> 0:41:59.239
<v Speaker 4>let you go. And and Pete did that some of

0:41:59.320 --> 0:42:02.920
<v Speaker 4>that that, but it was I really appreciate it. When

0:42:02.920 --> 0:42:05.799
<v Speaker 4>he would would guide me too. He was if someone right.

0:42:06.400 --> 0:42:08.600
<v Speaker 4>He would be like, yo, I need you to do this,

0:42:09.080 --> 0:42:11.440
<v Speaker 4>that like, let's straighten this out, let's do that, and

0:42:11.560 --> 0:42:12.480
<v Speaker 4>it was it felt like.

0:42:12.800 --> 0:42:14.560
<v Speaker 6>That's being a producer. That's a producer.

0:42:14.800 --> 0:42:16.799
<v Speaker 1>I felt that he was Nigga too. He gonna say

0:42:16.800 --> 0:42:21.560
<v Speaker 1>it's mooth, but you know what it mean. I make

0:42:21.640 --> 0:42:24.560
<v Speaker 1>you do it eight times. But I love that. And

0:42:24.920 --> 0:42:25.759
<v Speaker 1>to me, that's iron.

0:42:25.840 --> 0:42:29.399
<v Speaker 4>Shopping's iron, like you like, okay, man, I'm a i'm

0:42:29.400 --> 0:42:31.879
<v Speaker 4>a this record gonna come out better. This song will

0:42:31.920 --> 0:42:35.120
<v Speaker 4>come out better because he putting that type of soul

0:42:35.200 --> 0:42:38.360
<v Speaker 4>and energy into it. And when you were saying like

0:42:39.840 --> 0:42:42.320
<v Speaker 4>like us being able to get together, for me, I

0:42:42.480 --> 0:42:45.000
<v Speaker 4>was like, damn, I'm sitting here with Pete Rock.

0:42:45.640 --> 0:42:49.160
<v Speaker 6>He playing records. I'm hearing records that he's.

0:42:49.080 --> 0:42:52.000
<v Speaker 4>Like, you want to use this and that, watching him

0:42:52.280 --> 0:42:54.000
<v Speaker 4>shop up something. Let's try these ideas.

0:42:54.520 --> 0:42:54.719
<v Speaker 1>Man.

0:42:55.520 --> 0:42:57.920
<v Speaker 4>What we always loved about this music, I kind of

0:42:58.000 --> 0:43:01.239
<v Speaker 4>got to do on this album, like like just sitting

0:43:01.320 --> 0:43:02.680
<v Speaker 4>down rocking experience.

0:43:02.800 --> 0:43:06.759
<v Speaker 7>Everyone should experience. Man, it's just if you are and

0:43:07.120 --> 0:43:10.480
<v Speaker 7>you know, working in the physical is way better emailing

0:43:10.560 --> 0:43:13.120
<v Speaker 7>somebody some beats and ship like that. That's when I

0:43:13.160 --> 0:43:14.040
<v Speaker 7>felt the album heard.

0:43:14.320 --> 0:43:21.359
<v Speaker 4>That's when I knew, Yo, that's what That's what That's

0:43:21.400 --> 0:43:23.839
<v Speaker 4>what I felt like. That's when I knew we could

0:43:23.920 --> 0:43:26.960
<v Speaker 4>make a project as special because it was coming out

0:43:27.000 --> 0:43:30.080
<v Speaker 4>to his crib and sitting there and him going through

0:43:30.200 --> 0:43:33.840
<v Speaker 4>music and then even him sending me records Like what

0:43:34.480 --> 0:43:37.320
<v Speaker 4>I was like, this is the process that it's always

0:43:37.600 --> 0:43:39.600
<v Speaker 4>been the best when I'm working with a producer. That's

0:43:39.640 --> 0:43:42.879
<v Speaker 4>how I got to work with Dyla when it was Hey,

0:43:43.040 --> 0:43:45.120
<v Speaker 4>it was for me and Pete. We got, I mean,

0:43:45.200 --> 0:43:47.520
<v Speaker 4>we got everybody got their own special connection. But it's

0:43:47.520 --> 0:43:49.880
<v Speaker 4>also to just to buy Like I ain't you know,

0:43:50.000 --> 0:43:52.680
<v Speaker 4>I ain't into just people sending me music and then

0:43:52.960 --> 0:43:54.240
<v Speaker 4>I do the song and I ain't.

0:43:54.080 --> 0:43:54.840
<v Speaker 6>Never met the person.

0:43:55.000 --> 0:43:56.600
<v Speaker 4>You know, I was on this Dude, I was on

0:43:57.600 --> 0:44:00.080
<v Speaker 4>court as I was on this court a record, and

0:44:00.200 --> 0:44:01.920
<v Speaker 4>I had never met the producer. I'm on the plane

0:44:01.960 --> 0:44:04.760
<v Speaker 4>and he tells me, Yo, you're on one of my records.

0:44:04.800 --> 0:44:06.880
<v Speaker 4>I'm like, it's strange to me.

0:44:07.360 --> 0:44:12.600
<v Speaker 1>Like that ytimate work. But you know what I'm saying.

0:44:12.600 --> 0:44:14.680
<v Speaker 7>I know we do a lot of work, but sometimes

0:44:15.200 --> 0:44:18.840
<v Speaker 7>you know, it gets it gets lost, you don't remember, like,

0:44:18.920 --> 0:44:19.759
<v Speaker 7>oh ship I did that.

0:44:20.080 --> 0:44:21.840
<v Speaker 1>Yeah, yeah, But.

0:44:22.560 --> 0:44:26.279
<v Speaker 3>I'm about to say me and I fanabitis argument all

0:44:26.320 --> 0:44:30.280
<v Speaker 3>the time. We don't. We have Major Independent. I always

0:44:30.320 --> 0:44:32.880
<v Speaker 3>say I like Major, and he says he likes Independent.

0:44:33.200 --> 0:44:35.440
<v Speaker 3>But when I say Maker, When I say Major, the

0:44:35.480 --> 0:44:38.080
<v Speaker 3>reason why I say I like Major is because I can.

0:44:38.080 --> 0:44:41.640
<v Speaker 1>Have the budget to fly this artist and if he's

0:44:41.680 --> 0:44:46.960
<v Speaker 1>not if this what I mean.

0:44:54.360 --> 0:44:57.360
<v Speaker 3>More since today, But that's that's the reason why I

0:44:57.480 --> 0:44:59.680
<v Speaker 3>pick it Major, Because if I want to work with

0:44:59.800 --> 0:45:03.200
<v Speaker 3>con I'm in and back then we had an eight

0:45:03.280 --> 0:45:06.320
<v Speaker 3>inch rail, I would have to go to Chicago and

0:45:06.520 --> 0:45:08.719
<v Speaker 3>go work with him and me and people get him

0:45:08.719 --> 0:45:10.560
<v Speaker 3>the flight like we was on a flight together today

0:45:10.800 --> 0:45:13.000
<v Speaker 3>and get to the flight and we produced it. That's

0:45:13.040 --> 0:45:15.280
<v Speaker 3>what made that's why I picked Major more is because

0:45:15.640 --> 0:45:18.480
<v Speaker 3>of the assets of that finances, that.

0:45:18.680 --> 0:45:21.080
<v Speaker 1>That that that provides that you got to recoup what

0:45:21.239 --> 0:45:22.000
<v Speaker 1>you got to recool.

0:45:22.080 --> 0:45:24.440
<v Speaker 3>Of course, yes, but that's the reason why I always

0:45:24.480 --> 0:45:26.719
<v Speaker 3>picked Major is because of course of that like, and

0:45:26.840 --> 0:45:28.320
<v Speaker 3>I also always picked analog.

0:45:28.440 --> 0:45:31.040
<v Speaker 1>Yeah, yeah, I like analog more than digital.

0:45:31.120 --> 0:45:33.920
<v Speaker 7>You don't even have your experience with analog coming to

0:45:34.040 --> 0:45:36.920
<v Speaker 7>see people like me and Premier, you have all these

0:45:37.000 --> 0:45:40.880
<v Speaker 7>other producers that worked with analog. It's the most important

0:45:40.960 --> 0:45:43.759
<v Speaker 7>sound music period that gave you that.

0:45:44.280 --> 0:45:46.960
<v Speaker 4>Fact like that, that's that it captures the energy in

0:45:47.000 --> 0:45:49.600
<v Speaker 4>the room, the music, and it's the soul in that

0:45:49.760 --> 0:45:52.360
<v Speaker 4>in that In analog too, I.

0:45:52.360 --> 0:45:55.120
<v Speaker 1>Didn't know how to punch in. Yeah, I didn't know.

0:45:55.480 --> 0:45:59.360
<v Speaker 1>I don't know, didn't punch it. It wasn't as the

0:45:59.440 --> 0:46:03.960
<v Speaker 1>one one you never heard. You got to tell him

0:46:03.960 --> 0:46:07.719
<v Speaker 1>about the hook? Oh yeah, what what what what? That's

0:46:07.760 --> 0:46:09.000
<v Speaker 1>how I counted bars? What what?

0:46:09.120 --> 0:46:09.160
<v Speaker 5>What?

0:46:09.239 --> 0:46:09.759
<v Speaker 1>What? What? What?

0:46:09.880 --> 0:46:09.920
<v Speaker 5>What?

0:46:10.760 --> 0:46:10.800
<v Speaker 1>What?

0:46:10.960 --> 0:46:11.160
<v Speaker 5>What? What?

0:46:11.239 --> 0:46:11.279
<v Speaker 6>What?

0:46:11.520 --> 0:46:11.560
<v Speaker 5>What?

0:46:11.760 --> 0:46:11.800
<v Speaker 1>What?

0:46:16.360 --> 0:46:17.800
<v Speaker 6>Everyone got a method today?

0:46:18.440 --> 0:46:22.800
<v Speaker 1>You know that ship. Yes, that's the one that I

0:46:22.920 --> 0:46:26.319
<v Speaker 1>was nervous. I was crazy. I was nervous sound.

0:46:28.000 --> 0:46:31.280
<v Speaker 4>But I gotta say something about that though, because Pete

0:46:31.320 --> 0:46:35.920
<v Speaker 4>always we'll be talking about James Brown and man, that's

0:46:36.239 --> 0:46:38.239
<v Speaker 4>the fact that you's ad lived that and that was

0:46:38.320 --> 0:46:40.759
<v Speaker 4>just just coming you know just what I'm saying, this

0:46:40.880 --> 0:46:43.879
<v Speaker 4>is my thing, but it became something so like that's

0:46:44.000 --> 0:46:46.160
<v Speaker 4>one of the biggest joint in hip hop.

0:46:46.680 --> 0:46:49.520
<v Speaker 3>You were hear something funny about James Brown. I met

0:46:49.640 --> 0:46:53.759
<v Speaker 3>James Brown and Pharrell. Ironically, it was a bm My

0:46:53.880 --> 0:46:58.960
<v Speaker 3>Awards for Forarrell and justin Timberlake, and I walked over

0:46:59.000 --> 0:46:59.600
<v Speaker 3>to James Brown.

0:46:59.600 --> 0:47:01.399
<v Speaker 1>I was like, hey man, you know, he's so nice

0:47:01.440 --> 0:47:03.440
<v Speaker 1>to meet you. And I could tell he knew. He

0:47:03.560 --> 0:47:07.839
<v Speaker 1>did not know, but his nephew or whoever leaned over

0:47:07.880 --> 0:47:10.400
<v Speaker 1>and was like, that's the rapper, that's the rapper.

0:47:10.680 --> 0:47:12.600
<v Speaker 3>And he turned around. He was like, keep saying the

0:47:12.760 --> 0:47:24.400
<v Speaker 3>ship niggas Brown you got you gotta think about it.

0:47:24.680 --> 0:47:26.520
<v Speaker 3>All the early records of hip hop is one of

0:47:26.560 --> 0:47:29.880
<v Speaker 3>the most simple, the most sensible. But you don't care

0:47:29.920 --> 0:47:32.200
<v Speaker 3>if you a rapper up. He just thinks you're sampled.

0:47:32.360 --> 0:47:34.759
<v Speaker 3>He's the most sample. But he has some albums that

0:47:35.239 --> 0:47:39.840
<v Speaker 3>that people ain't listening and these James.

0:47:39.600 --> 0:47:40.480
<v Speaker 6>Brownd songs like.

0:47:43.600 --> 0:47:47.360
<v Speaker 3>I'm just saying I still need to beat kids, you

0:47:47.440 --> 0:47:49.640
<v Speaker 3>know what I mean, like Baked Beans and do whatever.

0:47:49.800 --> 0:47:51.840
<v Speaker 4>But but that feeling of what I'm saying is what

0:47:52.000 --> 0:47:54.799
<v Speaker 4>what like Super Doug is like it's a feeling too,

0:47:54.920 --> 0:47:57.520
<v Speaker 4>Like that's what we got in them records And James Brown,

0:47:58.120 --> 0:48:00.239
<v Speaker 4>you know like hear me on the one that like

0:48:00.280 --> 0:48:02.880
<v Speaker 4>he rehearsed that he's just in there giving the feeling.

0:48:03.160 --> 0:48:05.759
<v Speaker 4>So that honestly one of the what's craziest one of

0:48:06.200 --> 0:48:11.239
<v Speaker 4>on the Song of Light for me, like one of

0:48:11.280 --> 0:48:13.359
<v Speaker 4>the most said lyrics for me on the Song of Light,

0:48:13.400 --> 0:48:15.560
<v Speaker 4>which is you know a love song blah blah blah.

0:48:17.280 --> 0:48:18.960
<v Speaker 6>Is when I say took a tire, took a tire,

0:48:19.000 --> 0:48:20.080
<v Speaker 6>took a ticket to time.

0:48:20.440 --> 0:48:23.600
<v Speaker 4>Now what's crazy is I didn't have my first finish,

0:48:24.040 --> 0:48:32.879
<v Speaker 4>so I just like cio tar and what I'm saying

0:48:33.200 --> 0:48:35.200
<v Speaker 4>it was like and when I tried to change and

0:48:35.280 --> 0:48:39.920
<v Speaker 4>write something, it just didn't feel I'm keeping that plan.

0:48:40.360 --> 0:48:43.080
<v Speaker 4>It was like a reference and I never did a

0:48:43.160 --> 0:48:45.640
<v Speaker 4>take that was better. So I just left in the ticket.

0:48:45.920 --> 0:48:47.719
<v Speaker 4>And to this day, when I put on that song,

0:48:48.880 --> 0:48:53.600
<v Speaker 4>that's what the crowd say, the tar and that. When

0:48:53.600 --> 0:48:55.040
<v Speaker 4>I heard that, I was like, that's the magic of

0:48:56.040 --> 0:48:57.800
<v Speaker 4>the feeling the divine.

0:48:58.719 --> 0:49:03.920
<v Speaker 3>That was some nor slash food ship. What all of

0:49:04.040 --> 0:49:07.759
<v Speaker 3>us do is magic, bro Yep, you he does do

0:49:08.520 --> 0:49:09.959
<v Speaker 3>all magic.

0:49:15.120 --> 0:49:15.320
<v Speaker 9>You know.

0:49:16.280 --> 0:49:16.440
<v Speaker 5>You know.

0:49:18.280 --> 0:49:20.040
<v Speaker 3>That's why me and has been kind of started this

0:49:20.080 --> 0:49:25.279
<v Speaker 3>show is because to me, if you participated in hip hop.

0:49:25.680 --> 0:49:28.600
<v Speaker 1>You're a fucking hero to a certain state.

0:49:28.480 --> 0:49:32.200
<v Speaker 3>Like like like you know how hard it is for

0:49:32.400 --> 0:49:35.439
<v Speaker 3>you to be famous or half famous or whatever whatever

0:49:35.840 --> 0:49:36.440
<v Speaker 3>version of you is.

0:49:36.719 --> 0:49:42.120
<v Speaker 1>We can never take our costume off, like I envy

0:49:42.200 --> 0:49:47.719
<v Speaker 1>the construction worker, envy the McDonald's off their uniform, like

0:49:48.120 --> 0:49:50.840
<v Speaker 1>I envy them, like I can't take it off and on.

0:49:52.080 --> 0:49:55.120
<v Speaker 4>I always think about like hip hop artists. Man, it's

0:49:55.280 --> 0:49:59.680
<v Speaker 4>like they superheroes in so many ways because think about this, you,

0:50:00.719 --> 0:50:03.520
<v Speaker 4>your life and where we come from. You took your

0:50:03.600 --> 0:50:07.440
<v Speaker 4>life and gave it to people and people want to

0:50:07.520 --> 0:50:11.320
<v Speaker 4>be like that it affected, they lie. That's called inspiration

0:50:11.520 --> 0:50:13.920
<v Speaker 4>for you. Like that, like that's the creative working through you.

0:50:14.200 --> 0:50:16.120
<v Speaker 4>You just did what you was supposed to do and

0:50:16.239 --> 0:50:18.719
<v Speaker 4>people like think about how many people have listened to

0:50:18.760 --> 0:50:21.440
<v Speaker 4>you been affected and you just took your aura, just

0:50:21.520 --> 0:50:24.320
<v Speaker 4>giving your aura in the song like all every experience

0:50:24.400 --> 0:50:26.560
<v Speaker 4>you give. And that's what's so dope about hip hop

0:50:26.560 --> 0:50:29.200
<v Speaker 4>because we ain't got We don't have the polish of

0:50:29.280 --> 0:50:33.520
<v Speaker 4>the pop and and all that, you know, meaning like nobody,

0:50:33.640 --> 0:50:37.279
<v Speaker 4>nobody's coached you and how to be you. Like where

0:50:37.280 --> 0:50:39.839
<v Speaker 4>you see some artists, you're like, okay, they've been, they

0:50:39.920 --> 0:50:42.920
<v Speaker 4>went through that, through that machine, and that's how you know,

0:50:42.960 --> 0:50:46.000
<v Speaker 4>they become the big the boy bands or whatever.

0:50:46.080 --> 0:50:48.000
<v Speaker 1>And it's those rough edges that make hip hop special.

0:50:48.960 --> 0:50:53.399
<v Speaker 6>And also mistakes made in the studios like oh ship

0:50:53.520 --> 0:50:54.440
<v Speaker 6>leave it in that you.

0:50:54.480 --> 0:50:59.000
<v Speaker 4>Know, and people you know, obviously, people in certain genres

0:50:59.040 --> 0:51:02.320
<v Speaker 4>of music, they don't like when I get to perform

0:51:02.400 --> 0:51:06.200
<v Speaker 4>sometimes with the symphonies and stuff, you know, and I'm like, man,

0:51:06.239 --> 0:51:09.239
<v Speaker 4>it's two different worlds. I appreciate being able to have

0:51:09.320 --> 0:51:11.480
<v Speaker 4>all the streams and blah blah blah, but it's such

0:51:11.520 --> 0:51:14.400
<v Speaker 4>a rigid thing. I'd be like, I'll be bringing them

0:51:14.440 --> 0:51:17.759
<v Speaker 4>to our world as much as possible. It's like hip

0:51:17.800 --> 0:51:20.360
<v Speaker 4>hop is like that that what you just said, the mistakes,

0:51:20.400 --> 0:51:23.759
<v Speaker 4>the freedom, the revolution in it. It's like, man, this

0:51:23.880 --> 0:51:26.160
<v Speaker 4>is this is I'll be like, man, thank you God

0:51:26.239 --> 0:51:33.040
<v Speaker 4>for putting me in hip hop, honestly, but even you know,

0:51:33.320 --> 0:51:36.399
<v Speaker 4>to be honest, even though if going into the acting world,

0:51:36.440 --> 0:51:39.080
<v Speaker 4>people ask you, people say to me, you're a rapper,

0:51:39.120 --> 0:51:40.799
<v Speaker 4>so should be able to act. Now now, I don't

0:51:40.840 --> 0:51:44.000
<v Speaker 4>believe that it's a different discipline, but being able to

0:51:44.719 --> 0:51:47.560
<v Speaker 4>go and like do what we experienced y'all know what

0:51:47.600 --> 0:51:49.680
<v Speaker 4>it takes for us to make these records, to go

0:51:49.760 --> 0:51:52.759
<v Speaker 4>get these records, to go get going to the club.

0:51:52.800 --> 0:51:54.719
<v Speaker 4>I remember, man, we used to have to go to

0:51:54.840 --> 0:51:57.839
<v Speaker 4>the radio station earlier in morning, go to the barbershops,

0:51:58.080 --> 0:51:58.400
<v Speaker 4>go to.

0:51:58.480 --> 0:52:01.719
<v Speaker 1>The club because of a promotional.

0:52:04.520 --> 0:52:13.359
<v Speaker 4>Mind popping. You don't get paid for that type of work.

0:52:13.560 --> 0:52:16.120
<v Speaker 4>That type of work, man, is like to me, like

0:52:16.320 --> 0:52:18.239
<v Speaker 4>it helped it shape you for like a lot of

0:52:18.280 --> 0:52:21.200
<v Speaker 4>stuff that we need to go into in business and

0:52:21.280 --> 0:52:22.000
<v Speaker 4>all type of shit.

0:52:22.160 --> 0:52:26.200
<v Speaker 3>You know, you know it's you know, you're fucking me

0:52:26.280 --> 0:52:29.279
<v Speaker 3>up right now, you know what's the crazy thing? My

0:52:29.400 --> 0:52:34.080
<v Speaker 3>next question was to both for y'all. My next question

0:52:34.239 --> 0:52:40.640
<v Speaker 3>was because me sometimes I don't I'm scared to speak

0:52:40.680 --> 0:52:44.719
<v Speaker 3>to the younger generation. I don't know if this makes sense,

0:52:44.760 --> 0:52:46.120
<v Speaker 3>but let me try to make it make as much

0:52:46.160 --> 0:52:49.200
<v Speaker 3>sense as it can't. Like what you just said, I

0:52:49.440 --> 0:52:53.520
<v Speaker 3>want the next younger artist to hear that from you.

0:52:56.520 --> 0:52:59.239
<v Speaker 3>But this generation that came, and I'm gonna say it,

0:53:00.000 --> 0:53:03.919
<v Speaker 3>and they're gonna they're gonna be mad at me. They're

0:53:04.000 --> 0:53:08.719
<v Speaker 3>like dumb, like like they have one track. Think I'm

0:53:08.719 --> 0:53:13.840
<v Speaker 3>not saying you can't generation, I can't love the whole generation.

0:53:15.360 --> 0:53:17.920
<v Speaker 3>It because like, look, look what I just said to you.

0:53:18.080 --> 0:53:20.960
<v Speaker 3>I said, I'm so honored to being with the studio

0:53:21.040 --> 0:53:22.800
<v Speaker 3>with you. I literally didn't talk.

0:53:22.680 --> 0:53:23.000
<v Speaker 1>Back to you.

0:53:23.080 --> 0:53:27.600
<v Speaker 3>I'm just like, yes, let But that's because I feel

0:53:27.640 --> 0:53:30.400
<v Speaker 3>like the generation that we came from, what it was

0:53:30.440 --> 0:53:34.160
<v Speaker 3>about respect. It was about respecting your eldest. We're giving

0:53:34.200 --> 0:53:37.040
<v Speaker 3>you something good, yes, yes, And where as of now

0:53:37.840 --> 0:53:41.719
<v Speaker 3>they want they want to test the eldest. Like it's

0:53:41.760 --> 0:53:43.759
<v Speaker 3>just even like we as we said with you and Drake,

0:53:43.840 --> 0:53:46.839
<v Speaker 3>like God bless God, blessed Drake. But he was never

0:53:46.880 --> 0:53:49.960
<v Speaker 3>supposed to come at you because of your seniority to

0:53:50.080 --> 0:53:52.160
<v Speaker 3>hip hop already it was supposed to You're supposed to

0:53:52.160 --> 0:53:54.280
<v Speaker 3>be off limits. Like there's certain people that are supposed

0:53:54.280 --> 0:53:56.840
<v Speaker 3>to be off to be as about Common. You know

0:53:56.840 --> 0:53:58.399
<v Speaker 3>what I'm saying, It's not supposed to be as wrecking

0:53:58.440 --> 0:54:03.160
<v Speaker 3>about Pee. So so let me make this question makes sense.

0:54:03.880 --> 0:54:07.160
<v Speaker 3>Is sometimes I'm scared to reach out to the young generation,

0:54:07.320 --> 0:54:07.760
<v Speaker 3>Like I've.

0:54:09.360 --> 0:54:09.880
<v Speaker 1>Your city.

0:54:10.320 --> 0:54:16.480
<v Speaker 3>Your city has some of the youngest, wildest, and I

0:54:16.719 --> 0:54:26.000
<v Speaker 3>imagine if Common reaches out to little Monster, you'll reach

0:54:26.040 --> 0:54:28.799
<v Speaker 3>out to little Monster and like yo yo yo yo, bro,

0:54:28.920 --> 0:54:30.600
<v Speaker 3>I just want you to know I've been through everything

0:54:30.640 --> 0:54:33.439
<v Speaker 3>you've been through. You know what I'm saying. The chicks

0:54:33.520 --> 0:54:36.960
<v Speaker 3>that you you dated, I've dated though. You know, the

0:54:37.040 --> 0:54:39.640
<v Speaker 3>wars that you've been through. I've been through the war.

0:54:40.280 --> 0:54:43.520
<v Speaker 3>Like is it easy for Is that an easy thing?

0:54:43.520 --> 0:54:46.080
<v Speaker 3>Because it's not an easy thing for me. Comment Pete,

0:54:46.080 --> 0:54:47.040
<v Speaker 3>I'm gonna be honest with you.

0:54:47.600 --> 0:54:50.080
<v Speaker 1>The minute I try to talk to a young dude

0:54:50.120 --> 0:54:51.640
<v Speaker 1>and I feel like they're not listening, I'm like, I

0:54:51.680 --> 0:54:56.879
<v Speaker 1>got better things than you do. I'm sorry, I'm about guy.

0:54:56.960 --> 0:54:58.880
<v Speaker 1>I know this, I know this. I came to the

0:54:58.960 --> 0:55:00.879
<v Speaker 1>realization I'm looking abou over in the mirror and I said,

0:55:00.880 --> 0:55:03.440
<v Speaker 1>I'm not that mad. I'm not that good of a person, right,

0:55:03.800 --> 0:55:07.279
<v Speaker 1>but like it close to that. You know what I'm saying,

0:55:07.320 --> 0:55:10.960
<v Speaker 1>because I listened. I listened to.

0:55:11.080 --> 0:55:14.040
<v Speaker 3>KRS, I listened to Rock Kim, I listened to Big

0:55:14.120 --> 0:55:16.799
<v Speaker 3>Daddy k My eyeberas are thick because I cut my shit.

0:55:18.360 --> 0:55:22.960
<v Speaker 6>You just dropped, just dropped the gym. That was Actually

0:55:23.120 --> 0:55:24.359
<v Speaker 6>that was when you were saying.

0:55:24.440 --> 0:55:26.960
<v Speaker 4>One of the for me, I think one of the

0:55:27.040 --> 0:55:31.000
<v Speaker 4>things that the younger generation didn't feel like we did

0:55:31.239 --> 0:55:35.320
<v Speaker 4>is listen to them like and like, you know, like

0:55:35.440 --> 0:55:37.960
<v Speaker 4>we had people that was older than us and just said, like,

0:55:38.239 --> 0:55:40.520
<v Speaker 4>including parents, it's like, yo, you do what I say,

0:55:40.600 --> 0:55:42.640
<v Speaker 4>do it that, blah blah blah, and and some of

0:55:42.719 --> 0:55:43.120
<v Speaker 4>that work.

0:55:43.320 --> 0:55:44.760
<v Speaker 1>I'm glad that my mother gave.

0:55:44.680 --> 0:55:47.040
<v Speaker 4>Me some of that discipline and something, but some of

0:55:47.120 --> 0:55:49.680
<v Speaker 4>it is like you know, we we came from a

0:55:49.760 --> 0:55:52.200
<v Speaker 4>generation too where we're like, yo, this is the purest

0:55:52.280 --> 0:55:54.800
<v Speaker 4>we from the nineties, but where we didn't.

0:55:54.640 --> 0:55:56.640
<v Speaker 6>Listen to them and kind of I don't.

0:55:56.400 --> 0:55:57.319
<v Speaker 1>Know what they was doing.

0:55:57.760 --> 0:55:59.960
<v Speaker 4>So then they're like, well, all right, well y'all ain't

0:56:00.080 --> 0:56:02.319
<v Speaker 4>when you know, y'all don't give us, y'all don't even

0:56:02.320 --> 0:56:02.920
<v Speaker 4>respect us.

0:56:03.080 --> 0:56:05.600
<v Speaker 6>And I've been one that that that they felt that

0:56:05.800 --> 0:56:09.080
<v Speaker 6>about like at some point. But but me too, I can't.

0:56:09.160 --> 0:56:13.000
<v Speaker 4>I can't. Like I got a Harriet Tubman mentality, Like

0:56:13.200 --> 0:56:16.239
<v Speaker 4>I always feel like, man, if I get any type

0:56:16.280 --> 0:56:19.640
<v Speaker 4>of wisdom, I'm gonna try to bring it back, any

0:56:19.719 --> 0:56:21.640
<v Speaker 4>type of resources, I'm gonna try to bring it back.

0:56:22.520 --> 0:56:24.759
<v Speaker 6>I am gonna bring it back, and I'm gonna try to.

0:56:24.800 --> 0:56:27.640
<v Speaker 4>Do it without preaching, and like and the thing I

0:56:27.800 --> 0:56:30.719
<v Speaker 4>and the thing I've noticed just speaking to Chicago specifically,

0:56:30.840 --> 0:56:32.760
<v Speaker 4>but I feel like it's you thrown across the board

0:56:33.280 --> 0:56:36.680
<v Speaker 4>like that man, when you really present with him, give

0:56:36.719 --> 0:56:39.280
<v Speaker 4>them a listen, hit him out, give them a little wisdom.

0:56:39.520 --> 0:56:40.680
<v Speaker 6>Keep showing by example.

0:56:41.200 --> 0:56:43.880
<v Speaker 4>They start responding to it in certain ways, and if

0:56:44.000 --> 0:56:46.359
<v Speaker 4>and if they don't, man, sometimes they might get it later.

0:56:46.640 --> 0:56:49.360
<v Speaker 4>But I understand why you get frustrated, because it's like, yo, bro,

0:56:49.560 --> 0:56:49.839
<v Speaker 4>I done.

0:56:50.280 --> 0:56:53.480
<v Speaker 6>Man, come on, man, like I don't. Bit's what you

0:56:53.560 --> 0:56:55.280
<v Speaker 6>think I believe.

0:56:55.560 --> 0:57:00.520
<v Speaker 7>Like, especially, I'm a very opinionated guy, so you know,

0:57:00.680 --> 0:57:04.399
<v Speaker 7>I critique. You know, I'm like, you could do better here,

0:57:04.880 --> 0:57:08.279
<v Speaker 7>you could say better rhyme here. You know that's the

0:57:08.400 --> 0:57:10.160
<v Speaker 7>kind of thing I am. So they may take it

0:57:10.239 --> 0:57:14.279
<v Speaker 7>as disrespect, but I'm really saying do better.

0:57:14.520 --> 0:57:17.200
<v Speaker 6>You know what I'm saying, do better because hip hop

0:57:17.360 --> 0:57:18.760
<v Speaker 6>taught me to be better.

0:57:19.080 --> 0:57:21.600
<v Speaker 1>Right. Yeah. I also think.

0:57:21.600 --> 0:57:25.040
<v Speaker 8>I also think there's a generation of ogs that tried

0:57:25.080 --> 0:57:28.280
<v Speaker 8>to act like hygs, and this young generation was like

0:57:28.400 --> 0:57:32.360
<v Speaker 8>looking at like, was like, man, don't, don't don't try

0:57:32.400 --> 0:57:34.320
<v Speaker 8>to act like us, act like you, so we could

0:57:34.600 --> 0:57:37.600
<v Speaker 8>know what to expect down the line, what to emulate

0:57:37.680 --> 0:57:38.200
<v Speaker 8>down the line.

0:57:38.360 --> 0:57:41.000
<v Speaker 1>The only way I'm acting like that, Buster said.

0:57:41.400 --> 0:57:45.360
<v Speaker 3>Buster said he accepted his life time speech toward I

0:57:45.360 --> 0:57:47.800
<v Speaker 3>don't even know if you guys remember as me t ward.

0:57:48.160 --> 0:57:50.360
<v Speaker 1>He was like us, oh gz, we gotta we got

0:57:50.480 --> 0:57:53.160
<v Speaker 1>to play our part. Yeah, and he was like, why

0:57:53.200 --> 0:57:55.760
<v Speaker 1>they listening to us because we don't look our part.

0:57:56.240 --> 0:58:01.000
<v Speaker 1>And I was just like, damn, but he's not wrong, right,

0:58:01.480 --> 0:58:05.800
<v Speaker 1>you know what I mean? Some of them look at

0:58:05.840 --> 0:58:08.320
<v Speaker 1>us and then and they don't see us in a car.

0:58:08.440 --> 0:58:11.880
<v Speaker 1>They like, they don't see us in a watch. They're like,

0:58:12.080 --> 0:58:13.880
<v Speaker 1>they're like, oh man, well we got more than you.

0:58:14.560 --> 0:58:17.440
<v Speaker 1>So it's hard to listen to somebody you think you're

0:58:17.480 --> 0:58:17.919
<v Speaker 1>doing better.

0:58:18.000 --> 0:58:19.840
<v Speaker 6>Then yeah, that's true.

0:58:20.000 --> 0:58:22.920
<v Speaker 4>But then I think, you know, sometimes they should be

0:58:23.120 --> 0:58:25.840
<v Speaker 4>you know, some of them be empty with the stuff

0:58:25.880 --> 0:58:26.440
<v Speaker 4>they feel like.

0:58:26.640 --> 0:58:29.240
<v Speaker 6>God, their soul still be empty. Yeah, and when you

0:58:29.760 --> 0:58:30.360
<v Speaker 6>when you give.

0:58:30.240 --> 0:58:32.520
<v Speaker 4>Them a little something like man, I just straight up

0:58:32.560 --> 0:58:35.800
<v Speaker 4>had talks with youngins from Chicago like Yo, I needed, Yo,

0:58:35.960 --> 0:58:37.120
<v Speaker 4>you need to go to this therapy.

0:58:37.280 --> 0:58:40.680
<v Speaker 6>Man therapy. Like I'm telling you this right now.

0:58:41.040 --> 0:58:42.640
<v Speaker 4>You see me and you feel like, oh yeah you

0:58:42.800 --> 0:58:46.120
<v Speaker 4>successful and and yo you got this you acting you

0:58:46.200 --> 0:58:46.840
<v Speaker 4>blah blah blah.

0:58:47.160 --> 0:58:48.440
<v Speaker 6>No, go to therapy.

0:58:48.520 --> 0:58:51.600
<v Speaker 1>Bro. It has helped me and my thing is like that.

0:58:52.080 --> 0:58:56.040
<v Speaker 4>I feel like for me, I'm thinking of Chicago too

0:58:56.440 --> 0:58:59.600
<v Speaker 4>in a way like the ogs. When I became a

0:58:59.720 --> 0:59:02.720
<v Speaker 4>first shorty first started calling me o G I'm like, oh, ship,

0:59:05.440 --> 0:59:05.960
<v Speaker 4>but I mean that.

0:59:06.040 --> 0:59:15.640
<v Speaker 1>That was a whole long time. But hold up, but

0:59:18.000 --> 0:59:19.200
<v Speaker 1>because you ain't make it.

0:59:22.080 --> 0:59:24.000
<v Speaker 4>But I think, you know, like one of the things

0:59:24.080 --> 0:59:28.000
<v Speaker 4>I felt like we I can speak specifically, especially when

0:59:28.040 --> 0:59:31.200
<v Speaker 4>it comes to the gang culture in Chicago, I feel

0:59:31.280 --> 0:59:34.960
<v Speaker 4>like we like the dudes that raised us, they gave

0:59:35.080 --> 0:59:37.840
<v Speaker 4>us certain amounts of like laws, wisdom and stuff that

0:59:38.040 --> 0:59:42.560
<v Speaker 4>just like moral conduct in the streets. You know what

0:59:42.600 --> 0:59:45.080
<v Speaker 4>I'm saying, like this, like this is too far, Like

0:59:45.160 --> 0:59:46.800
<v Speaker 4>you ain't like if you go if you do this,

0:59:46.920 --> 0:59:49.480
<v Speaker 4>that's a violation and you're gonna you're gonna pay for it.

0:59:50.200 --> 0:59:54.680
<v Speaker 4>And I don't think like we in my generation when

0:59:54.720 --> 0:59:58.920
<v Speaker 4>it came to the Chicago culture really sat down and

0:59:59.080 --> 0:59:59.880
<v Speaker 4>it took that time.

1:00:00.040 --> 1:00:01.960
<v Speaker 6>You gotta take time with these youngests. You got to

1:00:02.000 --> 1:00:03.680
<v Speaker 6>be consistent. You gotta be consistent.

1:00:03.760 --> 1:00:08.720
<v Speaker 1>I learned. I'm going to tell you something common I've

1:00:08.760 --> 1:00:09.040
<v Speaker 1>been going.

1:00:09.200 --> 1:00:14.080
<v Speaker 3>Obviously, Chicago is like my number seventh market, like seventh

1:00:14.200 --> 1:00:15.120
<v Speaker 3>eighth it was.

1:00:15.280 --> 1:00:16.800
<v Speaker 1>It was in my top ten. So I've been going

1:00:16.840 --> 1:00:18.840
<v Speaker 1>to call and by the way, I'm half black, half

1:00:20.400 --> 1:00:22.320
<v Speaker 1>so I have nothing but tires.

1:00:22.360 --> 1:00:24.640
<v Speaker 3>In Chicago, my family and my family went for Puerto

1:00:24.720 --> 1:00:27.360
<v Speaker 3>Rico Spanish hallm Chicago.

1:00:27.520 --> 1:00:30.080
<v Speaker 1>Right, I'm gonna tell you something.

1:00:30.800 --> 1:00:33.200
<v Speaker 3>In the nineties, even though they might have said that

1:00:33.400 --> 1:00:37.680
<v Speaker 3>Chicago was worse than the nineties, they had OG's. I

1:00:37.800 --> 1:00:41.560
<v Speaker 3>felt safe for going to Chicago in the nineties early

1:00:41.640 --> 1:00:44.840
<v Speaker 3>two thousands. Then I do go in there now where

1:00:44.920 --> 1:00:47.360
<v Speaker 3>I feel like and now you can you can forgive me.

1:00:47.480 --> 1:00:48.320
<v Speaker 3>I mean, you could correct me.

1:00:48.360 --> 1:00:52.680
<v Speaker 1>Excuse me. I don't feel like this structure now, but

1:00:53.480 --> 1:00:57.959
<v Speaker 1>you just named it. You just named it. A COMPETI Green.

1:00:58.800 --> 1:01:00.840
<v Speaker 1>I went to Competing, you know, went to Competty Green.

1:01:01.000 --> 1:01:02.800
<v Speaker 1>I I gotta be a good.

1:01:02.720 --> 1:01:07.520
<v Speaker 3>Times d the club across the street.

1:01:09.360 --> 1:01:10.920
<v Speaker 1>I did. I did a record with R. Kelly. I

1:01:10.960 --> 1:01:14.320
<v Speaker 1>know it's frown upon now, but I did that. It

1:01:14.480 --> 1:01:21.840
<v Speaker 1>was classic songs like that, what's good it is good?

1:01:23.120 --> 1:01:25.600
<v Speaker 1>So and I say it on the R. Kelly record,

1:01:25.680 --> 1:01:30.640
<v Speaker 1>I said, Sammy's, So, Sammy's was this this? This so

1:01:30.880 --> 1:01:31.680
<v Speaker 1>like soul Foods.

1:01:31.720 --> 1:01:34.560
<v Speaker 3>Fire Ticket restaurant across the street from Competer Green and

1:01:34.600 --> 1:01:35.280
<v Speaker 3>people used to be like.

1:01:35.320 --> 1:01:38.840
<v Speaker 1>Yo, why do you keep going there? Like I just

1:01:39.000 --> 1:01:41.320
<v Speaker 1>love But what I'm trying to tell you is I

1:01:41.360 --> 1:01:41.760
<v Speaker 1>didn't know.

1:01:42.000 --> 1:01:47.920
<v Speaker 3>I was in a dangerous place because it was so structured,

1:01:48.320 --> 1:01:49.680
<v Speaker 3>like the o gs.

1:01:49.560 --> 1:01:53.080
<v Speaker 1>Had me like like you know what I mean, o G.

1:01:53.240 --> 1:01:55.840
<v Speaker 4>But that's what the os to to me at that

1:01:56.000 --> 1:01:59.840
<v Speaker 4>point was Mathur's like that Authur is so my west.

1:02:01.800 --> 1:02:02.440
<v Speaker 1>The other one is.

1:02:10.480 --> 1:02:13.080
<v Speaker 4>I think the ogs knew it, like you said, like

1:02:13.560 --> 1:02:15.680
<v Speaker 4>I said earlier, a little bit like they knew like

1:02:15.800 --> 1:02:18.919
<v Speaker 4>you can't go but so far it was and you like, man,

1:02:19.360 --> 1:02:22.520
<v Speaker 4>we ain't gon ain't no children gonna get some children

1:02:22.600 --> 1:02:25.800
<v Speaker 4>get hid in this and you you're gonna pay for that,

1:02:26.360 --> 1:02:30.040
<v Speaker 4>you know what I'm saying. And when younger people just

1:02:30.080 --> 1:02:33.440
<v Speaker 4>started dying, man, like young people just out at the

1:02:33.560 --> 1:02:37.520
<v Speaker 4>park I'm talking, and babies started getting shot, I just

1:02:37.600 --> 1:02:41.200
<v Speaker 4>felt like, man, ashamed of our city. Like I felt like, man,

1:02:41.280 --> 1:02:44.160
<v Speaker 4>we gotta do better, and man, people working to try

1:02:44.240 --> 1:02:46.600
<v Speaker 4>to do things, and and it's it's a it's a

1:02:46.680 --> 1:02:47.880
<v Speaker 4>collective by dude.

1:02:47.880 --> 1:02:49.960
<v Speaker 6>We got we got so many positive things about that.

1:02:50.080 --> 1:02:51.840
<v Speaker 6>But I mean I brought that up.

1:02:51.880 --> 1:02:54.200
<v Speaker 4>But the answer your question about the youngest, I think

1:02:54.320 --> 1:02:56.320
<v Speaker 4>you know, man, we just got to keep reaching for

1:02:56.440 --> 1:02:59.120
<v Speaker 4>him man, and said, listen to him too. Bro. My

1:02:59.280 --> 1:03:02.760
<v Speaker 4>daughter taught me that ship my son. Yeah, my daughters

1:03:02.800 --> 1:03:05.120
<v Speaker 4>like my daughter too. Yeah, you ain't got all the answers.

1:03:05.640 --> 1:03:08.280
<v Speaker 4>And I'm like she basically, I mean, she said in

1:03:08.360 --> 1:03:09.920
<v Speaker 4>her own way, and I was like, you know what,

1:03:10.080 --> 1:03:13.360
<v Speaker 4>You're right, I don't answers. And even if I think

1:03:13.400 --> 1:03:16.000
<v Speaker 4>I'm right, I still need to hear you out, you know.

1:03:16.520 --> 1:03:17.680
<v Speaker 1>And that's just to me.

1:03:17.800 --> 1:03:19.880
<v Speaker 6>That's the collector. We got to hit the young is out.

1:03:20.360 --> 1:03:21.800
<v Speaker 3>You know what I read the other day on the

1:03:22.520 --> 1:03:25.720
<v Speaker 3>plane sitting there going through something, and they told me

1:03:25.800 --> 1:03:30.080
<v Speaker 3>that Chicago real estate is the illest real estate, Like

1:03:31.240 --> 1:03:33.840
<v Speaker 3>it's the place to invest in right now, but not

1:03:33.920 --> 1:03:34.960
<v Speaker 3>according to our music.

1:03:36.400 --> 1:03:41.840
<v Speaker 1>I'm like, yo, what the were hearing it? Just think

1:03:41.880 --> 1:03:44.440
<v Speaker 1>about what I just said. I'm on, you know, i'

1:03:44.480 --> 1:03:45.280
<v Speaker 1>mean whatever.

1:03:45.480 --> 1:03:49.840
<v Speaker 8>Exact gentrification though, because I got something, it's got something.

1:03:49.880 --> 1:03:52.840
<v Speaker 8>It's beautiful license I was looking because they tore down

1:03:53.280 --> 1:03:55.640
<v Speaker 8>it was a complete green right green.

1:03:55.800 --> 1:03:56.000
<v Speaker 1>Yeah.

1:03:56.560 --> 1:03:59.200
<v Speaker 4>But shots, speaking of real estate, I want to shout

1:03:59.200 --> 1:04:01.600
<v Speaker 4>out my man more repeat the real estate in Chicago.

1:04:03.080 --> 1:04:10.360
<v Speaker 4>If you want real estate, what's the vibe on Hyde

1:04:10.440 --> 1:04:13.360
<v Speaker 4>Park though always High Park was always like High Park

1:04:13.480 --> 1:04:15.920
<v Speaker 4>was one of the It's crazy because when when you

1:04:15.960 --> 1:04:16.880
<v Speaker 4>were saying Puerto Rican.

1:04:16.760 --> 1:04:25.960
<v Speaker 9>Porto parade from that park, that's not from there, boy boy,

1:04:26.000 --> 1:04:28.280
<v Speaker 9>he was from there, Puerto Rican.

1:04:28.360 --> 1:04:30.320
<v Speaker 4>But but I'm gonna tell you though, y'all, I gotta say,

1:04:31.160 --> 1:04:33.800
<v Speaker 4>being in Chicago, to be honest, like it's a real

1:04:33.880 --> 1:04:39.240
<v Speaker 4>segregated city. I didn't know Puerto Ricans and Dominicans could

1:04:39.280 --> 1:04:42.840
<v Speaker 4>look like we do. Like until I came to New York,

1:04:43.000 --> 1:04:45.600
<v Speaker 4>till I met Juju and last from the beating Us

1:04:48.880 --> 1:04:51.840
<v Speaker 4>that's from the story.

1:04:51.720 --> 1:04:57.000
<v Speaker 1>Of Corona, Corona, Corona. I was beating us Corona.

1:04:58.120 --> 1:04:58.920
<v Speaker 6>That was my first like.

1:05:00.520 --> 1:05:03.280
<v Speaker 1>That's what I got my last and ju Ju fat.

1:05:06.240 --> 1:05:08.560
<v Speaker 4>But I'm saying I didn't know that it could, you know,

1:05:09.240 --> 1:05:11.880
<v Speaker 4>so like until I started getting in New York and

1:05:11.960 --> 1:05:14.120
<v Speaker 4>then that that exposed me to like, oh man, it's

1:05:14.160 --> 1:05:15.920
<v Speaker 4>different cultures and different people.

1:05:16.160 --> 1:05:17.840
<v Speaker 1>You know. It's the funny shit.

1:05:23.120 --> 1:05:26.360
<v Speaker 3>I've been touring since nineteen ninety eight, so I forget

1:05:26.400 --> 1:05:29.320
<v Speaker 3>what year this was. And I called my Spanish cousins

1:05:29.800 --> 1:05:33.680
<v Speaker 3>from Chicago and my Black cousins from Chicago.

1:05:33.960 --> 1:05:35.400
<v Speaker 1>They met me at the House of Blues.

1:05:37.200 --> 1:05:39.240
<v Speaker 3>They found out they lived across the street from each

1:05:39.280 --> 1:05:41.240
<v Speaker 3>other for twenty years and didn't know each other.

1:05:41.440 --> 1:05:45.840
<v Speaker 6>What are you serious? I swear, Wow, that's cousins. It happened.

1:05:46.920 --> 1:05:51.680
<v Speaker 3>Still, it's my black cousin, right, that's black, and my

1:05:51.840 --> 1:05:57.200
<v Speaker 3>Spanish cousin. So their cousins my default right, But they're like, yo,

1:05:57.800 --> 1:05:59.919
<v Speaker 3>cool now they I don't, I don't.

1:06:00.320 --> 1:06:03.960
<v Speaker 1>They might still be shooting at family members. I got

1:06:04.200 --> 1:06:07.120
<v Speaker 1>with each other the day, Holy ship, how is it

1:06:07.200 --> 1:06:11.680
<v Speaker 1>over there? It's okay, how is it over there? That's

1:06:11.720 --> 1:06:14.880
<v Speaker 1>why they may be closed, but the world's apart.

1:06:16.200 --> 1:06:19.160
<v Speaker 3>And it was like, that's when I knew how segregated

1:06:19.280 --> 1:06:23.720
<v Speaker 3>Chicago was because in New York, in Jersey, the Bronx

1:06:23.800 --> 1:06:27.360
<v Speaker 3>and Mount Vernon, like blacks and Latinos pretty pretty much

1:06:27.440 --> 1:06:30.320
<v Speaker 3>lived in the same environment. And then when I went

1:06:30.320 --> 1:06:32.360
<v Speaker 3>to l a and then I seen that, like we

1:06:32.480 --> 1:06:34.600
<v Speaker 3>had will i Am on recently, and will I Am

1:06:34.760 --> 1:06:39.960
<v Speaker 3>was like the only like, yeah, he was.

1:06:46.840 --> 1:06:50.720
<v Speaker 1>Career man. You don't you don't see that. But I

1:06:51.080 --> 1:06:54.120
<v Speaker 1>had not known that living in New York City my

1:06:54.200 --> 1:06:54.640
<v Speaker 1>whole life.

1:06:54.680 --> 1:06:58.880
<v Speaker 3>I thought that, you know, everyone is like that, because

1:06:59.160 --> 1:07:02.880
<v Speaker 3>in New York is It's like, if you're really.

1:07:02.720 --> 1:07:06.280
<v Speaker 1>Really from New York, you can't be racist. Man, you

1:07:06.640 --> 1:07:11.040
<v Speaker 1>have a Russian neighbor, Yeah, you have a Haitian who

1:07:11.160 --> 1:07:12.040
<v Speaker 1>lives downstairs.

1:07:17.480 --> 1:07:23.280
<v Speaker 3>You have a Haitian who cooks downstairs. Weird is Jamaican belt,

1:07:23.360 --> 1:07:26.280
<v Speaker 3>so it's kind of weird. It's kind of weird.

1:07:26.360 --> 1:07:29.720
<v Speaker 1>Then you got a Jamaican and they got the Colombian.

1:07:30.000 --> 1:07:31.640
<v Speaker 1>You got Colombian, and.

1:07:31.680 --> 1:07:37.240
<v Speaker 4>It's like, maybe not, but that's what I love. That's

1:07:37.280 --> 1:07:39.080
<v Speaker 4>what I love about New York. But man, that was

1:07:39.120 --> 1:07:41.200
<v Speaker 4>the thing that I would to this day what I

1:07:41.280 --> 1:07:42.040
<v Speaker 4>love about New York.

1:07:42.080 --> 1:07:42.680
<v Speaker 1>It's the most.

1:07:43.080 --> 1:07:46.240
<v Speaker 4>It's the most I see a different cultures people and

1:07:47.120 --> 1:07:50.040
<v Speaker 4>it ain't like it ain't like it ain't no fakeness

1:07:50.120 --> 1:07:52.400
<v Speaker 4>about the way it blends. Like I'll be seeing like

1:07:52.520 --> 1:07:55.600
<v Speaker 4>black and white dudes, Latino dudes playing handball together, like

1:07:55.680 --> 1:07:56.320
<v Speaker 4>pick up handball.

1:08:04.320 --> 1:08:07.160
<v Speaker 6>Being in New York, it's it's easy to adapt.

1:08:07.560 --> 1:08:09.800
<v Speaker 7>And when once you're in New York, you know what

1:08:09.800 --> 1:08:13.160
<v Speaker 7>I'm saying, Like the culture is so crazy, everyone just

1:08:13.760 --> 1:08:15.200
<v Speaker 7>kind of adapts to that ship.

1:08:15.680 --> 1:08:18.320
<v Speaker 1>You know. Well, look, let me just tell you what

1:08:18.439 --> 1:08:19.519
<v Speaker 1>our show is about. Man.

1:08:19.960 --> 1:08:23.439
<v Speaker 3>Our show is about giving people they fly bro while

1:08:23.479 --> 1:08:26.080
<v Speaker 3>they are alive. They where they could smell them, with

1:08:26.240 --> 1:08:28.800
<v Speaker 3>the trees you can hell them where you could think them,

1:08:28.880 --> 1:08:30.120
<v Speaker 3>and drinks where you could drink them.

1:08:31.479 --> 1:08:42.439
<v Speaker 1>And we wanted to give y'all. Y'all people you are.

1:08:42.640 --> 1:08:47.719
<v Speaker 1>You are one of the best producers of all time.

1:08:47.840 --> 1:08:49.920
<v Speaker 1>Thank you, sir. You know that.

1:08:50.720 --> 1:08:52.360
<v Speaker 3>Hold on, let me can give you your flowers. I

1:08:52.520 --> 1:08:57.920
<v Speaker 3>love your humbleness. I love how you keep it fucking

1:08:58.080 --> 1:09:01.439
<v Speaker 3>hip hop. Yes, sir, like no matter if you tell

1:09:01.520 --> 1:09:04.560
<v Speaker 3>me right now, say Pete Walkins in Sweden, I'm like,

1:09:04.760 --> 1:09:05.439
<v Speaker 3>keeping a hip hop.

1:09:07.800 --> 1:09:09.559
<v Speaker 1>I don't need to know what you're doing in Sweden.

1:09:09.680 --> 1:09:12.599
<v Speaker 3>You could be doing a roller skating ring and people

1:09:13.000 --> 1:09:13.880
<v Speaker 3>running around with tights.

1:09:13.880 --> 1:09:15.680
<v Speaker 1>I'm like, I bet you Pete is keeping a hip hop.

1:09:18.080 --> 1:09:22.679
<v Speaker 1>I don't know and comment.

1:09:22.880 --> 1:09:25.519
<v Speaker 3>Let me just tell you something. I'm a movie buff,

1:09:25.600 --> 1:09:27.639
<v Speaker 3>so I know my friend who can't speak English that good.

1:09:30.360 --> 1:09:33.280
<v Speaker 3>He's seen every one of your movies and I know

1:09:33.400 --> 1:09:34.840
<v Speaker 3>he might have been freestyle a little bit.

1:09:34.920 --> 1:09:35.840
<v Speaker 1>I've seen everyone of you.

1:09:36.960 --> 1:09:42.240
<v Speaker 3>Thanks and the worlds have you brung us to and

1:09:42.479 --> 1:09:47.240
<v Speaker 3>represented our culture. We all owe you, Yes, we owe

1:09:47.280 --> 1:09:51.439
<v Speaker 3>you big time, because again, when I see coming, I'm

1:09:51.520 --> 1:09:54.320
<v Speaker 3>like keeping a hip hop I don't have to question

1:09:54.439 --> 1:09:57.599
<v Speaker 3>you like there's certain people that I would look like, Man,

1:09:57.720 --> 1:09:58.439
<v Speaker 3>he fucked up.

1:10:03.200 --> 1:10:04.080
<v Speaker 1>He represents the.

1:10:04.080 --> 1:10:07.360
<v Speaker 3>Coaching no more like it's certain it's certain people. But

1:10:08.200 --> 1:10:11.040
<v Speaker 3>and the fact that you two brothers is getting together,

1:10:11.160 --> 1:10:15.519
<v Speaker 3>getting together to drop this album in June. Correct man,

1:10:15.880 --> 1:10:18.839
<v Speaker 3>the fact that we have a record to guess exactly

1:10:19.400 --> 1:10:20.960
<v Speaker 3>exactly nineties.

1:10:21.160 --> 1:10:23.240
<v Speaker 1>But I've done stuff for you too. That's right.

1:10:27.120 --> 1:10:30.200
<v Speaker 3>To give you your flowers, tell y'all how important your

1:10:30.240 --> 1:10:33.080
<v Speaker 3>hours to the coach, how proud we are of y'all,

1:10:33.640 --> 1:10:34.479
<v Speaker 3>and how.

1:10:34.439 --> 1:10:40.040
<v Speaker 1>Much we want y'all to keep going. Man, Because one

1:10:40.120 --> 1:10:42.479
<v Speaker 1>thing that that jay Z album taught me about four

1:10:42.600 --> 1:10:46.840
<v Speaker 1>four four is we don't have to dumb down us.

1:10:47.080 --> 1:10:50.759
<v Speaker 1>We could up it, and we could because our audience

1:10:51.479 --> 1:10:54.640
<v Speaker 1>with us. He's they might work for u bs now,

1:10:54.760 --> 1:10:57.800
<v Speaker 1>but they grew with us like they you know what

1:10:57.800 --> 1:11:01.519
<v Speaker 1>I'm saying, Like, we don't have to like you said

1:11:01.560 --> 1:11:06.640
<v Speaker 1>something earlier, you said you didn't like when artists we're

1:11:07.200 --> 1:11:09.559
<v Speaker 1>trying to sound like the West Coast, and so that's

1:11:09.560 --> 1:11:12.439
<v Speaker 1>what you said on our level. But at one point

1:11:12.920 --> 1:11:16.800
<v Speaker 1>everyone and wanted to be from the South hip hop.

1:11:17.360 --> 1:11:20.360
<v Speaker 1>It's still it's still has still it's still.

1:11:25.840 --> 1:11:26.400
<v Speaker 9>It's New York.

1:11:26.520 --> 1:11:29.280
<v Speaker 1>Fault play in New York for that people do not

1:11:29.360 --> 1:11:33.240
<v Speaker 1>let him get away with you New York. And I'm

1:11:33.280 --> 1:11:36.160
<v Speaker 1>not saying you individual, I'm gonna say cats in New York.

1:11:36.360 --> 1:11:37.040
<v Speaker 1>Certain cats.

1:11:37.120 --> 1:11:42.560
<v Speaker 7>Now everybody lost some identity of where they're from and

1:11:42.880 --> 1:11:46.000
<v Speaker 7>what they represent. And so that's why I'm like, yo,

1:11:46.760 --> 1:11:49.479
<v Speaker 7>you know, when let the South be the South because

1:11:49.520 --> 1:11:52.599
<v Speaker 7>I love Outcast, that's my favorite group in the South

1:11:53.200 --> 1:11:57.080
<v Speaker 7>and Luda and all them. Rest in peace to Rico

1:11:58.880 --> 1:12:01.880
<v Speaker 7>and he was the awesome he was awesome producer. You know,

1:12:02.000 --> 1:12:04.160
<v Speaker 7>shout out to Jip, you know, that's my guy from

1:12:04.160 --> 1:12:07.479
<v Speaker 7>Goodie Mom. So my thing is like, you know, let

1:12:08.040 --> 1:12:11.640
<v Speaker 7>them be who they are and always represent who you are.

1:12:11.680 --> 1:12:14.760
<v Speaker 7>And if y'all end up doing music together, then y'all

1:12:14.840 --> 1:12:18.680
<v Speaker 7>just make it fun with both, with both Atlanta and

1:12:18.800 --> 1:12:19.160
<v Speaker 7>New York.

1:12:20.080 --> 1:12:25.400
<v Speaker 3>Right, Yeah, listen, So let me ask you, Pete being

1:12:25.439 --> 1:12:29.400
<v Speaker 3>from Mount Vernon, like Mount Vernon is always kind of

1:12:29.479 --> 1:12:32.880
<v Speaker 3>known as the sixth Borough, right because it's technically not

1:12:33.040 --> 1:12:34.599
<v Speaker 3>New York City, but it's New York.

1:12:34.720 --> 1:12:37.880
<v Speaker 1>Yes, was that a burden on you or was that

1:12:38.000 --> 1:12:38.880
<v Speaker 1>a plus? I don't know.

1:12:39.360 --> 1:12:41.480
<v Speaker 7>Right next to the Bronx, right next to the Bronxronx

1:12:44.560 --> 1:12:47.719
<v Speaker 7>right then I could walk to the Bronx from Mount Vernon.

1:12:47.880 --> 1:12:50.479
<v Speaker 7>So my my thing is, it's just like it's the

1:12:50.600 --> 1:12:51.840
<v Speaker 7>hidden city in New York.

1:12:52.640 --> 1:12:53.880
<v Speaker 1>You feel me? You know what?

1:12:54.360 --> 1:13:03.559
<v Speaker 7>Heavy Day, Ozzie Davis, Ruby, d Wow, Felicia shot and Madrashot.

1:13:04.439 --> 1:13:06.360
<v Speaker 6>Williams, Gus Williams, the Knicks.

1:13:06.479 --> 1:13:07.120
<v Speaker 1>You know what I'm saying.

1:13:08.120 --> 1:13:13.280
<v Speaker 7>Dick Clark went to Mount Vernon High School. Denzel Washington,

1:13:20.120 --> 1:13:25.920
<v Speaker 7>Nina Simon too. Okay, yeah, man, bro Yees, you know

1:13:25.920 --> 1:13:26.360
<v Speaker 7>what I'm saying.

1:13:26.680 --> 1:13:28.880
<v Speaker 1>Hold On, you mentioned Heavy D. I feel like Heavy

1:13:28.960 --> 1:13:30.800
<v Speaker 1>D hasn't got to just do with all the.

1:13:30.840 --> 1:13:34.360
<v Speaker 3>Celebration of well because of him, why I got started,

1:13:35.200 --> 1:13:37.960
<v Speaker 3>a lot of people, a lot of people picked up the.

1:13:38.080 --> 1:13:42.439
<v Speaker 7>Whole neighborhood put him on his back. That's why I

1:13:42.560 --> 1:13:44.160
<v Speaker 7>missed him so much. I love her so much.

1:13:44.560 --> 1:13:47.080
<v Speaker 1>Your cousin Greg, Yeah, he took, he took, He took

1:13:47.200 --> 1:13:50.479
<v Speaker 1>us all with him. Yeah, he was a forest man

1:13:50.920 --> 1:13:51.200
<v Speaker 1>with him.

1:13:52.120 --> 1:13:54.120
<v Speaker 4>He opened it up for like hip hop is in

1:13:54.240 --> 1:13:58.240
<v Speaker 4>different ways. Yeahs. As Tip said on that don't curse

1:13:58.280 --> 1:14:01.120
<v Speaker 4>the bump did ahead is a favor on my mama's

1:14:01.240 --> 1:14:06.040
<v Speaker 4>like the head is the favorite of Mama's used to heavy.

1:14:06.120 --> 1:14:07.880
<v Speaker 4>D was the one that took it to some people,

1:14:08.200 --> 1:14:11.280
<v Speaker 4>like took the music where older people, certain people like

1:14:11.360 --> 1:14:14.000
<v Speaker 4>were like, oh I actually like this this music because

1:14:14.000 --> 1:14:15.880
<v Speaker 4>you know they used to be like rap, like what

1:14:16.120 --> 1:14:16.280
<v Speaker 4>is that?

1:14:16.479 --> 1:14:19.880
<v Speaker 7>But it wasn't forever. I wouldn't have probably been with

1:14:20.040 --> 1:14:22.479
<v Speaker 7>Molly Ma. Wow, you feel what I'm saying?

1:14:22.520 --> 1:14:23.400
<v Speaker 1>How explain that?

1:14:23.760 --> 1:14:27.000
<v Speaker 7>Because he pitched me at the time Marlly needed a

1:14:27.120 --> 1:14:29.240
<v Speaker 7>DJ on the radio in New York City on w

1:14:29.400 --> 1:14:35.280
<v Speaker 7>b l S, and he said, he said, Yo, my cousin,

1:14:35.800 --> 1:14:39.200
<v Speaker 7>My cousin is dope. Listen to him trying, and he

1:14:39.320 --> 1:14:42.040
<v Speaker 7>gave me a shot. And that's how I built my name.

1:14:44.640 --> 1:14:46.400
<v Speaker 7>Shout out to Mary, Yeah, shout out tomorrow.

1:14:48.920 --> 1:14:52.200
<v Speaker 1>Let me give you another one. This this one brew

1:14:52.280 --> 1:14:56.439
<v Speaker 1>my mom. We had d m C on here. Oh yeah.

1:14:56.800 --> 1:14:59.679
<v Speaker 1>D MC said, pe Rock saved my cook.

1:15:00.600 --> 1:15:02.400
<v Speaker 6>You know what that You know what that means?

1:15:02.439 --> 1:15:03.080
<v Speaker 1>Did you hear it from?

1:15:03.160 --> 1:15:03.600
<v Speaker 10>You know what?

1:15:03.760 --> 1:15:12.800
<v Speaker 1>That made me? That was so dope, undersud what he was.

1:15:12.800 --> 1:15:15.240
<v Speaker 8>Talking about with Donald the King and everything that happened

1:15:15.280 --> 1:15:16.519
<v Speaker 8>with those records, because that was.

1:15:16.560 --> 1:15:18.840
<v Speaker 6>In the beginning of my career and me and Jay

1:15:19.000 --> 1:15:20.240
<v Speaker 6>were like this with each other.

1:15:20.760 --> 1:15:24.160
<v Speaker 7>And when I met Russell, it was like, damn, I

1:15:24.240 --> 1:15:27.160
<v Speaker 7>got approved to these dudes, Russell Lee or I got

1:15:27.280 --> 1:15:29.760
<v Speaker 7>I got something to prove and so, like you know,

1:15:30.000 --> 1:15:32.639
<v Speaker 7>I felt like the first run up down with the King,

1:15:33.680 --> 1:15:35.600
<v Speaker 7>Russell's made some comments and I.

1:15:35.680 --> 1:15:37.679
<v Speaker 1>Was like, shit, you know what I'm saying.

1:15:37.960 --> 1:15:40.599
<v Speaker 7>It wasn't good, Like yeah, like you know what I'm saying,

1:15:40.680 --> 1:15:43.800
<v Speaker 7>Like you know, but it's all good because Jay was like,

1:15:43.880 --> 1:15:45.760
<v Speaker 7>don't worry about it, Pete, don't worry about it. We're

1:15:45.760 --> 1:15:48.680
<v Speaker 7>gonna keep working on it. And then we did the

1:15:48.800 --> 1:15:51.479
<v Speaker 7>beat and actually, I don't know if people know this,

1:15:52.120 --> 1:15:58.559
<v Speaker 7>but Jay literated the actual beat pattern he wanted right.

1:15:59.240 --> 1:16:01.120
<v Speaker 7>So I was like, I just hit record and said

1:16:01.200 --> 1:16:01.560
<v Speaker 7>you do it.

1:16:01.960 --> 1:16:02.280
<v Speaker 1>MM.

1:16:03.120 --> 1:16:05.360
<v Speaker 7>So what you hear on the record right now is

1:16:05.560 --> 1:16:08.920
<v Speaker 7>Jay's programming of the drums, And all I did was

1:16:09.000 --> 1:16:10.160
<v Speaker 7>add to the wow.

1:16:12.640 --> 1:16:20.000
<v Speaker 1>Bucking up my whole child, yo, yo.

1:16:20.600 --> 1:16:23.160
<v Speaker 8>But I don't think what people understand about that record

1:16:23.240 --> 1:16:25.439
<v Speaker 8>and what you did there, and what DMC was trying

1:16:25.439 --> 1:16:27.120
<v Speaker 8>to tell us is that you brought them up to

1:16:27.240 --> 1:16:31.160
<v Speaker 8>speed to the newer generation. That that wasn't an easy

1:16:31.240 --> 1:16:32.920
<v Speaker 8>task bring run DMC into that.

1:16:33.080 --> 1:16:36.680
<v Speaker 7>World because you know, we were new and when we

1:16:36.800 --> 1:16:38.519
<v Speaker 7>had a hit record, we had reminisce.

1:16:38.640 --> 1:16:40.439
<v Speaker 1>Yeah, this is right here, this is by the way.

1:16:41.439 --> 1:16:42.920
<v Speaker 1>Let me just say, let me just think one of

1:16:42.960 --> 1:16:45.600
<v Speaker 1>the greatest. I saw none of this.

1:16:45.880 --> 1:16:49.400
<v Speaker 3>I always thought that they never had a dry spell.

1:16:49.840 --> 1:16:52.320
<v Speaker 3>And he said that what I'm saying, he fucked up

1:16:52.360 --> 1:16:54.720
<v Speaker 3>my childhood because I was like what and he was like,

1:16:54.800 --> 1:16:57.519
<v Speaker 3>you Pete Rock saved and like he said it again.

1:16:58.080 --> 1:16:59.960
<v Speaker 1>I tried to give him a drink. It didn't work.

1:17:01.960 --> 1:17:04.600
<v Speaker 3>I was like, were you sure like and he was like,

1:17:04.880 --> 1:17:07.559
<v Speaker 3>but but you know, I'm not in the industry at

1:17:07.600 --> 1:17:11.920
<v Speaker 3>this time. So has always been the biggest. And he says, no,

1:17:12.360 --> 1:17:16.439
<v Speaker 3>if it wasn't for beat Rock, Like he reiterated what

1:17:16.600 --> 1:17:17.640
<v Speaker 3>one DMC is.

1:17:21.760 --> 1:17:26.960
<v Speaker 1>I was DMC. I've told y'all he's man. That's my guy. JMJ.

1:17:27.280 --> 1:17:29.720
<v Speaker 6>We were the closest when he was alive. Me and

1:17:29.880 --> 1:17:30.800
<v Speaker 6>Jay were really close.

1:17:32.040 --> 1:17:32.200
<v Speaker 1>Yo.

1:17:32.240 --> 1:17:36.960
<v Speaker 4>What's crazy is the first my first chance at a

1:17:37.040 --> 1:17:39.920
<v Speaker 4>record deal coming from Chicago. Jam Master J was going

1:17:40.000 --> 1:17:44.200
<v Speaker 4>to sign me, but but wow, he decided, he told me,

1:17:44.240 --> 1:17:46.200
<v Speaker 4>and first, You're right. He was one of the coolest

1:17:46.240 --> 1:17:50.240
<v Speaker 4>brothers just no. And and you know, coming from the crib,

1:17:50.360 --> 1:17:52.560
<v Speaker 4>coming from Chicago, we was trying to get hurt. And

1:17:52.720 --> 1:17:55.919
<v Speaker 4>somehow he got our demo because we send the demos

1:17:56.600 --> 1:17:57.840
<v Speaker 4>to you know, used to look at the back of

1:17:57.880 --> 1:17:59.679
<v Speaker 4>the records and send the demos and he had JMJ

1:18:00.720 --> 1:18:03.200
<v Speaker 4>and he met with us and everything. He's like, man,

1:18:03.200 --> 1:18:05.600
<v Speaker 4>I'm thinking about signing you, but he decided not to.

1:18:06.240 --> 1:18:06.360
<v Speaker 5>Uh.

1:18:06.680 --> 1:18:08.880
<v Speaker 6>He he ended up going WITHX running the back.

1:18:09.680 --> 1:18:12.000
<v Speaker 4>Yeah. Yeah, and then I can see that. But he

1:18:12.080 --> 1:18:13.840
<v Speaker 4>told me, yeah, it just made sense. And he was like,

1:18:14.160 --> 1:18:16.439
<v Speaker 4>I ain't signing you too, because you was over here

1:18:16.439 --> 1:18:19.800
<v Speaker 4>and your managers over here, your producers over here. But man,

1:18:19.880 --> 1:18:22.519
<v Speaker 4>he kind of like always would would embrace me and

1:18:22.600 --> 1:18:25.679
<v Speaker 4>shed light, you know, and I hear stories about about

1:18:25.720 --> 1:18:29.960
<v Speaker 4>what you're saying, like and he programmed that that's that's crazy.

1:18:30.120 --> 1:18:31.840
<v Speaker 1>I never knew that. I was like, you do it.

1:18:32.240 --> 1:18:33.600
<v Speaker 6>He's like he said to be.

1:18:33.760 --> 1:18:36.840
<v Speaker 7>He's like, I'm dat you can get And I just said,

1:18:36.920 --> 1:18:39.080
<v Speaker 7>all right, look, hit the record button.

1:18:39.360 --> 1:18:42.080
<v Speaker 1>I said, just hit the kick Just do that.

1:18:42.520 --> 1:18:42.760
<v Speaker 6>Okay.

1:18:42.840 --> 1:18:45.559
<v Speaker 3>But let me ask you, Chris, because the way DMC

1:18:45.720 --> 1:18:49.000
<v Speaker 3>describes it, Hopefully you saw the episode.

1:18:49.040 --> 1:18:50.879
<v Speaker 1>If not see.

1:18:53.800 --> 1:18:58.240
<v Speaker 3>Everything because he describes it as if like they were

1:18:58.320 --> 1:19:04.680
<v Speaker 3>literally over and you gave them like what that's your

1:19:06.000 --> 1:19:08.599
<v Speaker 3>It was their album Back from Hell that didn't do well,

1:19:09.200 --> 1:19:11.000
<v Speaker 3>that's the reason.

1:19:11.520 --> 1:19:14.519
<v Speaker 1>And so they came to me at that time and

1:19:14.600 --> 1:19:18.360
<v Speaker 1>he said hip hop had changed, yes, drastic, Yes, that's

1:19:18.400 --> 1:19:19.400
<v Speaker 1>when we were brand new.

1:19:20.000 --> 1:19:24.439
<v Speaker 7>So he came to me, and you know, we worked

1:19:24.479 --> 1:19:27.360
<v Speaker 7>out some beats, and Down with the King was the

1:19:27.479 --> 1:19:30.360
<v Speaker 7>one that you know, I started playing samples and records.

1:19:30.400 --> 1:19:31.760
<v Speaker 7>That's the first thing I do when you come to

1:19:31.800 --> 1:19:35.639
<v Speaker 7>see me, I'm playing records. You like that, I want

1:19:35.680 --> 1:19:37.439
<v Speaker 7>me hook that up, and that's how it goes.

1:19:38.240 --> 1:19:41.280
<v Speaker 3>I know that's but did you know what he was

1:19:41.320 --> 1:19:44.760
<v Speaker 3>saying like that, that you was literally bringing their career back.

1:19:45.200 --> 1:19:46.120
<v Speaker 1>You knew that well.

1:19:46.120 --> 1:19:49.360
<v Speaker 7>I didn't know that, but when I heard him say it,

1:19:50.160 --> 1:19:54.200
<v Speaker 7>that ship made me feel good. That should This is

1:19:54.280 --> 1:19:57.080
<v Speaker 7>a this is a group. I'm a fan. I used

1:19:57.120 --> 1:20:00.320
<v Speaker 7>to buy the records run to the record store boys.

1:20:00.439 --> 1:20:02.560
<v Speaker 1>So you're literally saying you just produced this record just

1:20:02.760 --> 1:20:03.439
<v Speaker 1>just to produce it.

1:20:03.920 --> 1:20:05.680
<v Speaker 6>No, I produced it because I wanted it would have

1:20:05.680 --> 1:20:10.760
<v Speaker 6>been That was an honor. I got a question though, too, you.

1:20:15.120 --> 1:20:20.600
<v Speaker 4>Like, so, who have you been in the studio with

1:20:21.280 --> 1:20:24.559
<v Speaker 4>where you've been, Like, damn, I'm actually producing for this person.

1:20:25.120 --> 1:20:31.080
<v Speaker 1>Run dm C, running to run d B. Because there's

1:20:31.080 --> 1:20:33.479
<v Speaker 1>the beatles of hip hop at that they were.

1:20:34.720 --> 1:20:37.000
<v Speaker 7>That I would run to the record store to buy

1:20:37.160 --> 1:20:40.559
<v Speaker 7>the vinyl, like buying I'm you know, d A. P. Rock,

1:20:40.600 --> 1:20:43.559
<v Speaker 7>I'm buying the record. You know what I'm saying, I.

1:20:43.600 --> 1:20:48.479
<v Speaker 1>Stole this run. He said he didn't work his house.

1:20:49.400 --> 1:20:53.280
<v Speaker 1>They say, you fakeers out destroyed my child.

1:20:57.840 --> 1:21:00.720
<v Speaker 3>Everything you went through, all that I used to I

1:21:00.840 --> 1:21:04.599
<v Speaker 3>used to ride my bike, listen in the rank, all that, man,

1:21:04.800 --> 1:21:06.000
<v Speaker 3>that was what about?

1:21:06.040 --> 1:21:09.439
<v Speaker 4>Okay, what about when y'all when y'all did world is

1:21:09.680 --> 1:21:12.640
<v Speaker 4>Because you're saying now you mentioned that too. Was it

1:21:12.800 --> 1:21:15.400
<v Speaker 4>like you played him the beat and he and he's

1:21:15.479 --> 1:21:16.840
<v Speaker 4>just like, that's it? Or was it?

1:21:17.200 --> 1:21:17.360
<v Speaker 10>You know?

1:21:17.640 --> 1:21:20.040
<v Speaker 3>I had that beat already made. Hold on, all right,

1:21:20.120 --> 1:21:22.720
<v Speaker 3>let me sit back. No, no, no, that's his question.

1:21:23.080 --> 1:21:26.200
<v Speaker 3>Let me get ready for your answer. Oh my god,

1:21:26.560 --> 1:21:30.439
<v Speaker 3>I wanted to notice, so you know, I had that

1:21:30.560 --> 1:21:31.400
<v Speaker 3>beat already made.

1:21:31.439 --> 1:21:34.320
<v Speaker 7>And when he came over, I pulled these discs out

1:21:34.920 --> 1:21:37.760
<v Speaker 7>and started going through the disc and then found that

1:21:37.880 --> 1:21:40.120
<v Speaker 7>one and played it. And then I was about to

1:21:40.200 --> 1:21:44.080
<v Speaker 7>play sticking another disk and play another beat. He was

1:21:44.080 --> 1:21:46.080
<v Speaker 7>like no, no, no, no, no, no no, and he

1:21:46.200 --> 1:21:51.519
<v Speaker 7>just started doing this oh oh okay like that. And

1:21:51.600 --> 1:21:54.600
<v Speaker 7>then he had his composition book of rhymes and he

1:21:54.720 --> 1:21:55.960
<v Speaker 7>started going through the book.

1:21:56.880 --> 1:21:58.360
<v Speaker 1>Was it was it the black and white bok found

1:21:58.360 --> 1:21:59.600
<v Speaker 1>the page and he was.

1:21:59.680 --> 1:22:02.360
<v Speaker 6>Like and then they put the book down and he

1:22:02.439 --> 1:22:03.519
<v Speaker 6>was like, I want you to sing this.

1:22:09.280 --> 1:22:11.800
<v Speaker 1>Hold on, so you're saying when you play the beat.

1:22:11.880 --> 1:22:14.920
<v Speaker 3>He had his book book as an he didn't with

1:22:15.000 --> 1:22:16.479
<v Speaker 3>the black and white, the black.

1:22:19.240 --> 1:22:25.320
<v Speaker 1>Book right now writing in my book run right, He's true,

1:22:25.400 --> 1:22:28.680
<v Speaker 1>that's true. That line is crazy because so so so.

1:22:28.800 --> 1:22:30.160
<v Speaker 6>Then you know he's so.

1:22:30.560 --> 1:22:34.479
<v Speaker 3>He had these rhymes already read and he's had the

1:22:34.600 --> 1:22:37.479
<v Speaker 3>hook and he said, I want you to shoot the singer.

1:22:37.600 --> 1:22:38.680
<v Speaker 3>He's like, I want you to sing.

1:22:38.760 --> 1:22:44.040
<v Speaker 1>I was like, singer, you weren't doing vocals yet? Yeah,

1:22:44.080 --> 1:22:46.639
<v Speaker 1>I wasn't. Like so this is the first time people.

1:22:46.479 --> 1:22:48.400
<v Speaker 6>Said I'm not a singer. What do you want me

1:22:48.479 --> 1:22:48.840
<v Speaker 6>to sing?

1:22:49.680 --> 1:22:49.880
<v Speaker 1>Sing?

1:22:50.840 --> 1:22:53.040
<v Speaker 7>But I had this voice when in hip hop where

1:22:53.040 --> 1:22:54.720
<v Speaker 7>I would play around in the ad libs and be

1:22:54.840 --> 1:22:59.479
<v Speaker 7>doing those stuff and trying to help and they liked it.

1:23:00.080 --> 1:23:02.679
<v Speaker 4>But how did you first know the ad libs because

1:23:02.680 --> 1:23:06.559
<v Speaker 4>that she was like, that's you're one of the first,

1:23:07.720 --> 1:23:10.879
<v Speaker 4>like and really one of the only what other producers

1:23:11.000 --> 1:23:13.400
<v Speaker 4>y'all might know, but what other producers on their beats

1:23:13.439 --> 1:23:14.360
<v Speaker 4>the ad libs?

1:23:14.920 --> 1:23:16.680
<v Speaker 8>It was, I only think of it, and it's not

1:23:16.760 --> 1:23:18.840
<v Speaker 8>a producer necessarily, it's puff that would do that.

1:23:19.200 --> 1:23:21.599
<v Speaker 3>I don't know where I got that ad lib ship

1:23:21.640 --> 1:23:24.280
<v Speaker 3>from James Brown. He's to talk on his records.

1:23:24.680 --> 1:23:27.120
<v Speaker 1>Yeah, your is your signature, yo.

1:23:27.840 --> 1:23:31.320
<v Speaker 4>Ad libs is like hooks like we were like for real,

1:23:31.439 --> 1:23:33.880
<v Speaker 4>like my god, like I can listen to straighten it out.

1:23:34.280 --> 1:23:39.160
<v Speaker 4>Oh yeah, oh yeah, like I know them them ad libs,

1:23:39.320 --> 1:23:40.200
<v Speaker 4>Like that's that's it is.

1:23:40.960 --> 1:23:45.160
<v Speaker 7>Let's talk about the joint me, you and this man. Yeah,

1:23:45.880 --> 1:23:50.760
<v Speaker 7>old survivors, come on, yo, the joint what you wanted him?

1:23:51.080 --> 1:23:52.800
<v Speaker 1>Hold on hold, we're gonna get back to you. All right.

1:23:54.280 --> 1:24:01.400
<v Speaker 1>I gotta take a leak man because some crazy right there.

1:24:01.520 --> 1:24:05.120
<v Speaker 1>That was like the it was collaboration right there. Yes,

1:24:05.680 --> 1:24:06.799
<v Speaker 1>what fun.

1:24:09.120 --> 1:24:13.360
<v Speaker 6>On the same beat on the Pete rock beat comment,

1:24:13.760 --> 1:24:14.519
<v Speaker 6>that's crazy.

1:24:17.160 --> 1:24:19.120
<v Speaker 1>So you he explaining them the rules like how Paul

1:24:19.200 --> 1:24:23.720
<v Speaker 1>is playing you and this is our well, I don't

1:24:23.720 --> 1:24:25.400
<v Speaker 1>know you guys, gonna drink wine as your shot. You

1:24:25.439 --> 1:24:27.599
<v Speaker 1>can drink my choice.

1:24:27.800 --> 1:24:30.400
<v Speaker 8>You just take a sip. So it's our drinking game.

1:24:31.080 --> 1:24:34.600
<v Speaker 8>We're gonna give you two choices, right, you didn't. We

1:24:34.640 --> 1:24:35.479
<v Speaker 8>didn't play this back then.

1:24:35.520 --> 1:24:39.880
<v Speaker 1>No money. You picked one of the two, and nobody drinks.

1:24:39.880 --> 1:24:42.720
<v Speaker 1>I was smoking. You say both in neither of the

1:24:42.760 --> 1:24:46.280
<v Speaker 1>politically correct. That my car. We all drinking. I'll take

1:24:46.280 --> 1:24:48.840
<v Speaker 1>a shot. And if something, if there's a story that

1:24:48.920 --> 1:24:51.559
<v Speaker 1>goes along with somebody you mentioned, please, there's not anything

1:24:51.720 --> 1:24:52.639
<v Speaker 1>negative about anybody.

1:24:53.160 --> 1:24:56.160
<v Speaker 6>I want to mention people. All Right, we're good.

1:24:58.000 --> 1:25:02.880
<v Speaker 1>Fun. I'm gonna start with you. It's this crazy alarm

1:25:04.240 --> 1:25:05.800
<v Speaker 1>man put off your car.

1:25:05.920 --> 1:25:10.640
<v Speaker 4>Bro At twice I thought it was you know, No,

1:25:10.720 --> 1:25:12.880
<v Speaker 4>it's you. I mean we got to wait to that.

1:25:27.360 --> 1:25:31.559
<v Speaker 1>Tupac or d m X whichever, whatever reason.

1:25:31.360 --> 1:25:35.360
<v Speaker 6>For you Tupac for me. Man, Tupai hit like.

1:25:37.200 --> 1:25:39.400
<v Speaker 4>He had an emotional thing that I that I feel

1:25:39.479 --> 1:25:43.960
<v Speaker 4>like we hadn't heard hip hop like, and he was like,

1:25:44.479 --> 1:25:44.840
<v Speaker 4>I don't know.

1:25:44.920 --> 1:25:48.120
<v Speaker 6>I think he he tapped into and you met to correct,

1:25:48.200 --> 1:25:48.840
<v Speaker 6>yeah for sure.

1:25:49.400 --> 1:25:53.360
<v Speaker 4>And he tapped into like black consciousness and gave like

1:25:54.080 --> 1:25:56.160
<v Speaker 4>black men and coon cluting black.

1:25:55.920 --> 1:25:58.559
<v Speaker 6>And Latino people because that was our culture.

1:25:58.600 --> 1:26:02.320
<v Speaker 4>But he spoke to that and where you was from,

1:26:02.760 --> 1:26:05.120
<v Speaker 4>you kind of related to him in some way or

1:26:05.120 --> 1:26:08.400
<v Speaker 4>another now like and he just had a heart to

1:26:08.479 --> 1:26:10.680
<v Speaker 4>him and could do different types of records. And I

1:26:10.760 --> 1:26:15.720
<v Speaker 4>feel like, you know, Tupot Dem Mexican and a lot

1:26:15.800 --> 1:26:19.639
<v Speaker 4>of people to me were influenced by extension.

1:26:20.840 --> 1:26:25.960
<v Speaker 6>Yeah, so I gotta go with pop. It's where I get.

1:26:26.800 --> 1:26:30.519
<v Speaker 7>It's where I get Tupacs of Gemini and DMX is

1:26:30.560 --> 1:26:32.760
<v Speaker 7>from Aunt vernon you.

1:26:32.800 --> 1:26:34.200
<v Speaker 1>Taking a shot taking this?

1:26:39.040 --> 1:26:39.960
<v Speaker 6>Can we skip this one?

1:26:40.080 --> 1:26:45.439
<v Speaker 1>You got the next one? You know both. This is

1:26:45.520 --> 1:26:50.760
<v Speaker 1>definitely for you. They wrote this for you. By the way,

1:26:50.800 --> 1:27:00.800
<v Speaker 1>this is the Colombian and Dominican it's gonna be. When

1:27:00.840 --> 1:27:02.280
<v Speaker 1>he asked you, can you predicted.

1:27:04.479 --> 1:27:08.759
<v Speaker 3>You want to text it to me? So the first one, okay,

1:27:08.760 --> 1:27:10.400
<v Speaker 3>the first one of the two names. He's gonna say,

1:27:10.720 --> 1:27:11.680
<v Speaker 3>no idea.

1:27:11.479 --> 1:27:20.000
<v Speaker 1>Of Kanye O. Man.

1:27:20.800 --> 1:27:25.400
<v Speaker 4>When I walked in here, y'all was playing Resurrection. I

1:27:25.560 --> 1:27:30.200
<v Speaker 4>gotta y'all no ideas is manast he's a bad dude.

1:27:30.280 --> 1:27:30.640
<v Speaker 1>Man like.

1:27:32.479 --> 1:27:35.840
<v Speaker 6>Them records was I was. I was like, damn. Then

1:27:35.920 --> 1:27:38.560
<v Speaker 6>I snapped on them beats. So I'm gonna give it

1:27:38.680 --> 1:27:40.200
<v Speaker 6>up for no idea.

1:27:39.960 --> 1:27:42.479
<v Speaker 8>On it felt like y'all was a group the way

1:27:42.520 --> 1:27:45.800
<v Speaker 8>that y'all came out of coming say like you came out,

1:27:45.840 --> 1:27:46.920
<v Speaker 8>but it felt like it was a group.

1:27:47.000 --> 1:27:49.599
<v Speaker 4>Yeah, I mean what, I know him since fourth grade,

1:27:49.960 --> 1:27:53.680
<v Speaker 4>like fourth grade, so he started making beats when we

1:27:53.760 --> 1:27:56.400
<v Speaker 4>were in high school. I was rhyming already, and then

1:27:56.479 --> 1:27:59.439
<v Speaker 4>he just you know, was able to start making whatever

1:27:59.560 --> 1:28:02.800
<v Speaker 4>records he got nn he eventually started getting around like cats,

1:28:02.840 --> 1:28:05.360
<v Speaker 4>where we're going to the record on conventions and stuff,

1:28:05.640 --> 1:28:08.240
<v Speaker 4>and that's where we're going the Resurrection.

1:28:08.320 --> 1:28:10.640
<v Speaker 1>Georgia, Chicago. That's how I mess room.

1:28:10.720 --> 1:28:15.200
<v Speaker 3>I think us how I was right, You're right, you're right,

1:28:16.760 --> 1:28:19.800
<v Speaker 3>all right, listen for you. No, no, the next one

1:28:19.920 --> 1:28:22.120
<v Speaker 3>is for you. Yeah, I'm gonna keep it, gonna stay

1:28:22.120 --> 1:28:24.439
<v Speaker 3>with you the brat or Eve.

1:28:26.479 --> 1:28:27.400
<v Speaker 6>I'm gonna go with Eve.

1:28:27.520 --> 1:28:27.720
<v Speaker 11>Man.

1:28:27.880 --> 1:28:29.439
<v Speaker 4>I mean, I know y'all think I'm gonna pick my

1:28:29.560 --> 1:28:34.080
<v Speaker 4>Chicago's love to her, but man, Eve had a little

1:28:34.120 --> 1:28:37.759
<v Speaker 4>more like just rhyme to her, like she could rhyme

1:28:37.840 --> 1:28:40.680
<v Speaker 4>and uh, I don't know she was she had a

1:28:40.720 --> 1:28:42.560
<v Speaker 4>little more style to her. You know, I don't know

1:28:42.640 --> 1:28:47.000
<v Speaker 4>if it was just because of the East coacht thing

1:28:47.080 --> 1:28:50.080
<v Speaker 4>that she had with her being from Philly. But I

1:28:50.120 --> 1:28:53.840
<v Speaker 4>don't know. I think her records are I gravitated to

1:28:54.080 --> 1:28:56.320
<v Speaker 4>more than more than the brats in all respects to

1:28:56.360 --> 1:28:57.160
<v Speaker 4>my West Side girl.

1:28:57.200 --> 1:28:58.160
<v Speaker 6>But I'm just telling the truth.

1:28:58.280 --> 1:28:58.479
<v Speaker 5>You know.

1:29:00.040 --> 1:29:04.240
<v Speaker 1>That's fair. True. We're going with you now. Okay, they

1:29:04.320 --> 1:29:11.840
<v Speaker 1>wrote this, not mean. Okay, Alchemists or Riza Optimists aco Alchemists.

1:29:12.600 --> 1:29:15.799
<v Speaker 1>Come on, you said both. You can say.

1:29:17.560 --> 1:29:20.240
<v Speaker 3>I love them both, you know, like I love them both.

1:29:20.880 --> 1:29:25.599
<v Speaker 3>I've been loving Alchemists a lot lately. Didn't Alchemist jumping

1:29:25.640 --> 1:29:26.120
<v Speaker 3>his beef too?

1:29:26.240 --> 1:29:35.200
<v Speaker 1>Yes, the ground he produced it for that, he said

1:29:35.240 --> 1:29:36.840
<v Speaker 1>he had given the beat a while ago. You can't

1:29:36.880 --> 1:29:50.400
<v Speaker 1>say that now. I'm making you right. He was that.

1:29:50.800 --> 1:29:52.639
<v Speaker 6>He made me mad, He made man.

1:29:57.200 --> 1:29:59.960
<v Speaker 1>He was trying to get positive and may be mad.

1:30:02.960 --> 1:30:07.000
<v Speaker 1>Come on, man, are we taking the shop of that? No?

1:30:07.760 --> 1:30:12.439
<v Speaker 3>He picked pick picked, Okay, Timbo and Pharrell beat Timbo

1:30:12.640 --> 1:30:16.559
<v Speaker 3>and I like Pharrell like you take that one too.

1:30:16.800 --> 1:30:17.200
<v Speaker 1>We want you to.

1:30:17.720 --> 1:30:19.320
<v Speaker 6>I'm gonna go with Pharrell too, man like.

1:30:19.479 --> 1:30:21.280
<v Speaker 1>I like man.

1:30:21.400 --> 1:30:23.759
<v Speaker 4>Pharrell to me like being able to do some different

1:30:23.840 --> 1:30:27.599
<v Speaker 4>type of records that happy and man like. He can

1:30:27.680 --> 1:30:31.519
<v Speaker 4>go from happy to superol you know to he did

1:30:31.720 --> 1:30:34.000
<v Speaker 4>like a song for me called Come Closer, but then

1:30:35.600 --> 1:30:38.360
<v Speaker 4>he could go a lot of places like you know,

1:30:38.520 --> 1:30:42.599
<v Speaker 4>so for Rell, he's just a songmaker. They're both super Dola.

1:30:42.720 --> 1:30:45.000
<v Speaker 4>I know they're from Virginia, but I'm gonna go with Pharrell.

1:30:45.160 --> 1:30:53.679
<v Speaker 1>Yeah, those Virginia Virginia crime. I like this town Loope.

1:30:54.160 --> 1:31:01.800
<v Speaker 1>Oh yeah, that's the rapper. Oh who that's that's a

1:31:01.920 --> 1:31:02.320
<v Speaker 1>tough one.

1:31:02.680 --> 1:31:06.519
<v Speaker 4>Yeah, because I I remember when my daughter, my daughter

1:31:06.600 --> 1:31:12.000
<v Speaker 4>first played me chance. This is funny, but Loop is, Man,

1:31:12.120 --> 1:31:15.760
<v Speaker 4>I have heard Loupe and a lot of Ship. I

1:31:15.960 --> 1:31:19.000
<v Speaker 4>heard him freestyle and I'm a big fan of I

1:31:19.280 --> 1:31:22.679
<v Speaker 4>heard him like, man, I heard him kick some rhymes

1:31:22.720 --> 1:31:24.320
<v Speaker 4>when I'm like, yo, this ship is some of the

1:31:24.400 --> 1:31:28.400
<v Speaker 4>best raps I've heard, like, like just really good raps.

1:31:29.040 --> 1:31:31.439
<v Speaker 4>So I'm gonna go with Loupe. I love both of them.

1:31:31.479 --> 1:31:37.200
<v Speaker 4>Them and soundtrack produced Sloope stuff in the beginning. Yeah,

1:31:37.320 --> 1:31:38.920
<v Speaker 4>so I was feeling some of those sloop a.

1:31:39.160 --> 1:31:43.040
<v Speaker 1>Yeah. The only thing I ever critique Loop on period

1:31:43.320 --> 1:31:48.920
<v Speaker 1>Push Kick no is they did a huh the what.

1:31:50.760 --> 1:31:55.040
<v Speaker 3>Yeah when it was a tribical quest Yeah yeah, yeah,

1:31:55.200 --> 1:31:59.240
<v Speaker 3>and like he didn't know those little. Yes right, I'm sorry,

1:31:59.320 --> 1:32:01.400
<v Speaker 3>Lupe because he's like, you know, if you keep bringing

1:32:01.439 --> 1:32:04.760
<v Speaker 3>this ship and I'm sorry, I just I promise you

1:32:04.840 --> 1:32:05.400
<v Speaker 3>I love you.

1:32:06.040 --> 1:32:08.800
<v Speaker 1>It's just that one moment like me being a trial

1:32:08.880 --> 1:32:15.879
<v Speaker 1>called crest for nothing out like shot shot like you can't.

1:32:18.960 --> 1:32:22.560
<v Speaker 3>Your word, like like I remember, like and I know

1:32:22.720 --> 1:32:26.760
<v Speaker 3>all of us met big for wife. Fife was so competitive.

1:32:28.600 --> 1:32:31.640
<v Speaker 3>See me one day because I said, know this, you

1:32:31.760 --> 1:32:36.120
<v Speaker 3>know that, no Jack, no bust that, nor he busts that.

1:32:36.560 --> 1:32:39.320
<v Speaker 3>But I got that from fight know this, don't know

1:32:39.479 --> 1:32:43.840
<v Speaker 3>that And I'm digging Fife up. Fife sees me and

1:32:43.920 --> 1:32:53.680
<v Speaker 3>goes my Jack one of your lists, like giving about that?

1:32:55.320 --> 1:32:58.000
<v Speaker 6>No ways about that. I know that that lyric was

1:32:58.080 --> 1:32:59.960
<v Speaker 6>so famous. That line is so famous.

1:33:01.160 --> 1:33:04.599
<v Speaker 1>Yeeah yeah when you did it over, okay, when.

1:33:05.880 --> 1:33:09.560
<v Speaker 6>The fight thing over, nobody was like nobody should.

1:33:09.280 --> 1:33:15.960
<v Speaker 1>Be fighters competitive. He would with the Knick stuff right now.

1:33:18.439 --> 1:33:23.120
<v Speaker 6>About Jets Nicks. You know we're all New York teams.

1:33:25.960 --> 1:33:28.840
<v Speaker 4>That's why I had I did this. I did this

1:33:28.960 --> 1:33:33.160
<v Speaker 4>what well yeah man, yo, I mean yeah. I remember

1:33:33.320 --> 1:33:36.120
<v Speaker 4>like coming to the New Music Seminar, which was this

1:33:36.280 --> 1:33:38.360
<v Speaker 4>thing that used to have in New York, like being

1:33:38.520 --> 1:33:41.640
<v Speaker 4>unsigned and seeing try call quest and I was like,

1:33:42.280 --> 1:33:44.439
<v Speaker 4>this is after they first out. They an't even did

1:33:44.520 --> 1:33:45.479
<v Speaker 4>low end theory yet.

1:33:45.600 --> 1:33:45.800
<v Speaker 1>Wow.

1:33:45.920 --> 1:33:49.160
<v Speaker 6>And I was just like they fight, said what's up?

1:33:49.240 --> 1:33:49.599
<v Speaker 1>I wasn't.

1:33:49.680 --> 1:33:51.720
<v Speaker 4>I wasn't known or nothing, but fighting all them just

1:33:51.960 --> 1:33:54.000
<v Speaker 4>said so they weren't trying to we was crabbing the

1:33:54.120 --> 1:33:57.120
<v Speaker 4>seas to them. Probably they weren't like trying to get

1:33:57.479 --> 1:33:59.720
<v Speaker 4>look like you was down with native tongue. That's my

1:34:00.520 --> 1:34:03.000
<v Speaker 4>I definitely got like a point where like, yeah, at

1:34:03.000 --> 1:34:06.080
<v Speaker 4>that point, this is ninety ninety. So in fact, I

1:34:06.120 --> 1:34:08.320
<v Speaker 4>remember being there, I saw a law for this is

1:34:08.439 --> 1:34:11.840
<v Speaker 4>like I saw a law for nes krres and poor

1:34:11.920 --> 1:34:15.400
<v Speaker 4>rights teachers like they was. They was hosting the thing

1:34:15.439 --> 1:34:17.839
<v Speaker 4>and then leaders of New School was about to perform

1:34:18.439 --> 1:34:21.000
<v Speaker 4>and something went out and Buster came up and started

1:34:21.040 --> 1:34:21.840
<v Speaker 4>beatboxing for.

1:34:22.240 --> 1:34:24.800
<v Speaker 6>For for Why is intelligence for poor Richards?

1:34:24.960 --> 1:34:25.200
<v Speaker 1>Wow?

1:34:25.560 --> 1:34:26.800
<v Speaker 6>And it was crazy bro.

1:34:27.400 --> 1:34:32.960
<v Speaker 4>And then Krress and Buster was beat boxing for wise

1:34:33.000 --> 1:34:33.600
<v Speaker 4>intelligence for.

1:34:33.640 --> 1:34:39.360
<v Speaker 1>Poor We're gonna make some noise for that, yo.

1:34:39.520 --> 1:34:42.680
<v Speaker 4>That's that's ship. So that was like my first time

1:34:42.760 --> 1:34:45.320
<v Speaker 4>getting to come to New York. I had like about

1:34:45.360 --> 1:34:48.760
<v Speaker 4>fifteen dudes from Chicago staying. We stayed in one hotel room,

1:34:49.160 --> 1:34:51.599
<v Speaker 4>and we were just happy to be be in New

1:34:51.680 --> 1:34:53.519
<v Speaker 4>York and that that was a new music seminar. That's

1:34:53.560 --> 1:34:56.360
<v Speaker 4>when I saw Fife and man, you know, Tribe is

1:34:56.439 --> 1:34:58.519
<v Speaker 4>one of my favorite groups ever.

1:34:58.640 --> 1:35:03.800
<v Speaker 6>It's like it's like Pete Rock cl like driving and.

1:35:04.240 --> 1:35:07.240
<v Speaker 3>Well, I'm on Tribe second album. I did the jazz joint.

1:35:08.800 --> 1:35:10.240
<v Speaker 3>We got the jazz we got.

1:35:10.880 --> 1:35:14.960
<v Speaker 4>That's why you say Pete Rock on the beat, but

1:35:15.120 --> 1:35:19.080
<v Speaker 4>a short shot that's like classic class. I got to

1:35:19.160 --> 1:35:22.760
<v Speaker 4>keep it with you because he better pick it this

1:35:22.920 --> 1:35:35.920
<v Speaker 4>way ematic or straight out of content allmatic ematic. Illmatic

1:35:36.080 --> 1:35:38.559
<v Speaker 4>changed the way I rap, changed the way so many

1:35:38.600 --> 1:35:39.160
<v Speaker 4>people rap.

1:35:39.240 --> 1:35:40.120
<v Speaker 1>It had changed.

1:35:40.520 --> 1:35:43.400
<v Speaker 4>They had changed hip hop it had it has the

1:35:43.560 --> 1:35:49.320
<v Speaker 4>greatest producers, like of hip hop in that like.

1:35:52.120 --> 1:35:55.479
<v Speaker 6>On that album, that writing is to me, it's.

1:35:55.520 --> 1:35:58.479
<v Speaker 4>Like I know people, I mean to me, it's at

1:35:58.520 --> 1:36:01.080
<v Speaker 4>the level like when you like hundreds of years from now,

1:36:01.120 --> 1:36:05.360
<v Speaker 4>when people study writing and black literature and all that stuff,

1:36:05.479 --> 1:36:08.679
<v Speaker 4>like like how Kendrick wont to poland surprise, that's Polish surprise,

1:36:09.000 --> 1:36:13.120
<v Speaker 4>you know what give large, professor, And we did and

1:36:13.240 --> 1:36:15.759
<v Speaker 4>we actually did, yes for pulling us together.

1:36:16.160 --> 1:36:18.000
<v Speaker 1>Wait, so you're saying that was Large Professors.

1:36:18.160 --> 1:36:23.800
<v Speaker 3>Large Professor is the one who contacted everyone. He contacted

1:36:23.920 --> 1:36:27.599
<v Speaker 3>me primo. Wait, so he's a executive producer.

1:36:27.720 --> 1:36:29.599
<v Speaker 6>He's the one that brought us all together.

1:36:29.960 --> 1:36:31.280
<v Speaker 4>What was he think?

1:36:31.479 --> 1:36:36.439
<v Speaker 1>Was it his idea? He did not? Do you think?

1:36:36.560 --> 1:36:38.240
<v Speaker 6>No said yo, I want to work.

1:36:38.400 --> 1:36:41.160
<v Speaker 7>Yeah he did, he did, But I mean Large was

1:36:41.200 --> 1:36:43.560
<v Speaker 7>already hanging with each other. I used to go to

1:36:43.640 --> 1:36:50.200
<v Speaker 7>Glorious on going to Green Green.

1:36:50.160 --> 1:36:53.920
<v Speaker 3>Line Records store of course street from Coliseum in Queens.

1:36:54.520 --> 1:36:56.439
<v Speaker 4>I was always I love when he said I just

1:36:56.520 --> 1:36:59.080
<v Speaker 4>hanging out. I'd be up in Mount Vernon peacing with

1:36:59.720 --> 1:37:07.680
<v Speaker 4>small rock making beats, that shopping. But you know what,

1:37:10.920 --> 1:37:13.960
<v Speaker 4>I had never heard what you just said. It Maatic

1:37:14.040 --> 1:37:19.320
<v Speaker 4>it's my favorite album. Sometimes like when I and now

1:37:19.400 --> 1:37:20.639
<v Speaker 4>this happens to be my friend.

1:37:21.040 --> 1:37:25.040
<v Speaker 1>So sometimes I get like stalkery. I keep bringing up.

1:37:25.040 --> 1:37:29.600
<v Speaker 1>He'll be looking at me like, man, you remember what

1:37:29.680 --> 1:37:36.800
<v Speaker 1>you said? You know, you know, but I had never

1:37:36.960 --> 1:37:38.040
<v Speaker 1>heard what you just said.

1:37:39.120 --> 1:37:44.120
<v Speaker 3>So and just because I'm a little stalkery, just because

1:37:44.160 --> 1:37:48.200
<v Speaker 3>of that, you're telling me the first time you ever

1:37:48.280 --> 1:37:50.960
<v Speaker 3>got a call about anybody name, And I said, what's

1:37:51.080 --> 1:37:51.759
<v Speaker 3>through Large?

1:37:53.240 --> 1:37:56.120
<v Speaker 1>So you didn't even hear of who knows was wow.

1:37:57.880 --> 1:37:59.680
<v Speaker 4>Just before Alive at the Barbecue.

1:38:03.120 --> 1:38:06.720
<v Speaker 7>Barbecue, because then that's when they came up with this,

1:38:06.960 --> 1:38:09.360
<v Speaker 7>you know, like, yo, we we're going to get this producer,

1:38:09.439 --> 1:38:10.640
<v Speaker 7>this producer, this produced But.

1:38:10.720 --> 1:38:12.200
<v Speaker 8>The fact that he even has him in Life at

1:38:12.240 --> 1:38:14.800
<v Speaker 8>the Barber he shows you how much Large Professor was

1:38:14.840 --> 1:38:15.680
<v Speaker 8>involved in all of that.

1:38:15.840 --> 1:38:18.719
<v Speaker 4>Yeah, but what's crazy on Live at the Barbecue. People

1:38:18.960 --> 1:38:22.519
<v Speaker 4>gravitated more than Anelly than they did. I mean, at

1:38:22.600 --> 1:38:24.640
<v Speaker 4>least like a months. My crew we was like, oh,

1:38:25.080 --> 1:38:29.720
<v Speaker 4>he's doing that. But then you heard that, which it was.

1:38:29.840 --> 1:38:32.639
<v Speaker 12>When I was twelve, I went to help with I'm

1:38:32.920 --> 1:38:41.040
<v Speaker 12>the bar no ready to go back to the game

1:38:41.120 --> 1:38:42.200
<v Speaker 12>again and then you go back.

1:38:42.360 --> 1:38:47.000
<v Speaker 3>I had more of of personality like like but that

1:38:47.400 --> 1:38:49.559
<v Speaker 3>line fucked the industry.

1:38:49.800 --> 1:38:51.639
<v Speaker 1>When I was twelve, I went to help us nothing

1:38:51.760 --> 1:38:53.680
<v Speaker 1>Jesus because we didn't know if it was hard off.

1:38:56.240 --> 1:38:59.160
<v Speaker 3>I guess I was up for the church. I was

1:38:59.280 --> 1:39:05.439
<v Speaker 3>like up in the chuck, like, wasn't right. I can't

1:39:05.479 --> 1:39:07.479
<v Speaker 3>say this, but I was like, you know, he didn't

1:39:07.560 --> 1:39:10.960
<v Speaker 3>say that. That's when rap changed when he said that.

1:39:12.280 --> 1:39:14.640
<v Speaker 4>When he said that, But what you say, nos is

1:39:15.840 --> 1:39:17.920
<v Speaker 4>I mean he is nots It's his own thing. But

1:39:18.920 --> 1:39:20.680
<v Speaker 4>I would like to ask him this question too. But

1:39:20.880 --> 1:39:25.719
<v Speaker 4>just as as we are saying we are fans, would

1:39:25.720 --> 1:39:29.400
<v Speaker 4>it be Cool g Or or Rock Kim that had

1:39:29.439 --> 1:39:33.040
<v Speaker 4>the most When y'all hear like allmatic.

1:39:32.600 --> 1:39:36.920
<v Speaker 1>Would you say is Cool most influence? No, it's not

1:39:37.080 --> 1:39:38.720
<v Speaker 1>one of the other you know, you know it can't

1:39:38.760 --> 1:39:40.479
<v Speaker 1>be one of the others because once to be one.

1:39:40.760 --> 1:39:43.280
<v Speaker 1>I don't like, no, no, no, no, no no.

1:39:45.200 --> 1:39:49.040
<v Speaker 3>The fact how Rock Kim put his words together with

1:39:49.240 --> 1:39:51.679
<v Speaker 3>intelligence but was still hood.

1:39:52.120 --> 1:39:52.719
<v Speaker 1>That's one.

1:39:54.960 --> 1:39:55.920
<v Speaker 6>Storytelling and all.

1:39:56.280 --> 1:39:59.479
<v Speaker 3>But when it comes to g Rap, where you where

1:39:59.600 --> 1:40:03.160
<v Speaker 3>g Rap said something L Street Blues, you knew what

1:40:03.240 --> 1:40:05.599
<v Speaker 3>he was talking about, and that's how Naves got together.

1:40:05.680 --> 1:40:09.000
<v Speaker 3>So like, I can't say it was one of that,

1:40:09.160 --> 1:40:10.679
<v Speaker 3>I can't say I would take.

1:40:13.520 --> 1:40:19.920
<v Speaker 1>You're making me before we leave. I'm not only texting

1:40:20.000 --> 1:40:23.240
<v Speaker 1>him the question, I'm sitting him in this footage for

1:40:23.360 --> 1:40:23.920
<v Speaker 1>him to respond.

1:40:24.120 --> 1:40:27.760
<v Speaker 6>What makes it official is when Nas and g rapped

1:40:27.760 --> 1:40:28.280
<v Speaker 6>through the joint.

1:40:28.680 --> 1:40:31.400
<v Speaker 1>Oh yeah, that's that's That's how you know that he

1:40:31.560 --> 1:40:34.080
<v Speaker 1>was influenced by That's why I.

1:40:34.080 --> 1:40:36.360
<v Speaker 4>Think Rap had a little bit more influence. You want

1:40:36.360 --> 1:40:42.360
<v Speaker 4>to take the reason why I feel like I take

1:40:42.400 --> 1:40:45.200
<v Speaker 4>my shot too. I feel like you what you're saying too,

1:40:45.320 --> 1:40:48.559
<v Speaker 4>because like what I'm saying when NAS changed the way

1:40:48.640 --> 1:40:52.479
<v Speaker 4>niggas is rhyming. But that's one doing them three syllable

1:40:52.560 --> 1:40:54.640
<v Speaker 4>things like rappers, I'm monkey flipping and what the.

1:40:56.439 --> 1:40:59.880
<v Speaker 1>Musician and flipping the composition I can't. I like scoff

1:41:00.040 --> 1:41:05.280
<v Speaker 1>A slipping cocaine sixteen and with the pandamic straine, bully

1:41:05.320 --> 1:41:08.360
<v Speaker 1>holes lpp in your pot holes up the street goes

1:41:08.560 --> 1:41:11.880
<v Speaker 1>heavy and not of feet folds, y'all know my you

1:41:11.920 --> 1:41:14.120
<v Speaker 1>know went through without the airplace. I keep some of

1:41:14.160 --> 1:41:16.400
<v Speaker 1>me and Ja saying been up in the stairway.

1:41:16.479 --> 1:41:18.320
<v Speaker 4>But that was that's that's some cool g had.

1:41:18.400 --> 1:41:22.439
<v Speaker 1>It was like facility that that's all cool. GI like

1:41:23.120 --> 1:41:24.360
<v Speaker 1>scheme is Coolie Rapp.

1:41:24.400 --> 1:41:26.360
<v Speaker 3>Tell you truth if you was to tell me, if

1:41:26.360 --> 1:41:28.960
<v Speaker 3>you was, if I was to have to bet to

1:41:29.040 --> 1:41:33.479
<v Speaker 3>say the two mcs that influence it matters the most,

1:41:33.520 --> 1:41:35.559
<v Speaker 3>I would say g Rapp and rock Camp.

1:41:35.600 --> 1:41:38.639
<v Speaker 6>You know what I mean, what's the two season influenced

1:41:38.680 --> 1:41:39.200
<v Speaker 6>you the most?

1:41:40.200 --> 1:41:49.520
<v Speaker 1>Ah ge wrapping biz marky.

1:41:54.439 --> 1:41:56.800
<v Speaker 3>BNZ had fun Like when I did the Warrior War,

1:41:57.400 --> 1:42:00.640
<v Speaker 3>I'm not you asked me so, I said, But when

1:42:00.680 --> 1:42:04.160
<v Speaker 3>I did the warport, I was angry, angry man.

1:42:09.040 --> 1:42:11.400
<v Speaker 1>I listened to that. I'm like, I don't like this guy.

1:42:11.960 --> 1:42:14.960
<v Speaker 1>This guy is not my friend. I wouldn't. I wouldn't

1:42:15.000 --> 1:42:16.160
<v Speaker 1>introduce myself to me.

1:42:16.920 --> 1:42:19.320
<v Speaker 3>Like like if this nigga of the forty six year

1:42:19.320 --> 1:42:22.200
<v Speaker 3>old version of me, if I've seen the twenty one

1:42:22.320 --> 1:42:24.680
<v Speaker 3>year version of the work for I would walk the

1:42:24.720 --> 1:42:25.080
<v Speaker 3>other way.

1:42:25.200 --> 1:42:27.840
<v Speaker 1>No, but you get flowers for war Yeah, of course, yeah,

1:42:28.840 --> 1:42:29.240
<v Speaker 1>you get that.

1:42:30.040 --> 1:42:34.280
<v Speaker 3>But it was and you said, you said two, but

1:42:34.320 --> 1:42:38.080
<v Speaker 3>I'm gonna give you three, okay, And no one ever

1:42:38.560 --> 1:42:41.680
<v Speaker 3>sees this in my style because I want to be

1:42:41.720 --> 1:42:44.479
<v Speaker 3>the exact opposite of my hero. It was an MC

1:42:44.720 --> 1:42:45.840
<v Speaker 3>called Granddaddy, Are you.

1:42:47.880 --> 1:42:48.200
<v Speaker 1>Daddy?

1:42:48.520 --> 1:42:48.560
<v Speaker 5>You?

1:42:49.080 --> 1:42:51.960
<v Speaker 1>You were smooth And I've said this before, but I'm

1:42:52.000 --> 1:42:56.600
<v Speaker 1>gonna say it again. He changed my whole life. He

1:42:56.840 --> 1:43:00.400
<v Speaker 1>made it one rhyme. He said, I knew what girl

1:43:00.600 --> 1:43:04.160
<v Speaker 1>named Kenya from West Virginia. Boy, would I like to

1:43:04.240 --> 1:43:12.760
<v Speaker 1>stick something in what he said? He said that ship

1:43:12.960 --> 1:43:17.160
<v Speaker 1>right there? I said, I want to be him. Grand there.

1:43:18.280 --> 1:43:21.400
<v Speaker 1>I heard his name and listen to me.

1:43:21.680 --> 1:43:24.479
<v Speaker 3>That's my only thing. It's two things I regret in

1:43:24.560 --> 1:43:27.559
<v Speaker 3>hip hop right now? Look and I'm throwing it right

1:43:27.600 --> 1:43:30.599
<v Speaker 3>back to y'all. I'm trying to make it. They say,

1:43:30.680 --> 1:43:35.519
<v Speaker 3>it's the same exact thing. My mother asked me one day.

1:43:36.760 --> 1:43:38.760
<v Speaker 3>She said, I want to meet I want I want to,

1:43:38.800 --> 1:43:40.439
<v Speaker 3>I want to. She called me, she said, I want

1:43:40.479 --> 1:43:41.680
<v Speaker 3>you to. I want to do something. I want you

1:43:41.760 --> 1:43:44.439
<v Speaker 3>to meet somebody. And I was like, ma, I think

1:43:44.479 --> 1:43:47.560
<v Speaker 3>she's going to ask me to meet Michael Jackson. I

1:43:47.600 --> 1:43:52.040
<v Speaker 3>ain't that big man, like yo, you you look too much.

1:43:53.960 --> 1:43:56.760
<v Speaker 3>And you know what she says, I want to meet

1:43:56.840 --> 1:44:01.640
<v Speaker 3>big Punt And I go, is my brother, Like, I

1:44:01.720 --> 1:44:06.360
<v Speaker 3>don't rush this at all. I'm like, my you you

1:44:06.479 --> 1:44:08.840
<v Speaker 3>picked low hanging fruit. You know what I'm saying, Like,

1:44:08.960 --> 1:44:13.559
<v Speaker 3>I got that meets you. Pun Pun dies two weeks later.

1:44:15.240 --> 1:44:18.000
<v Speaker 3>And the only other thing that I regret in hip

1:44:18.000 --> 1:44:21.840
<v Speaker 3>hop right now is I didn't give Big Granddaddy you

1:44:21.960 --> 1:44:26.360
<v Speaker 3>his flowers. I gave him his flowers period, like he

1:44:26.600 --> 1:44:30.400
<v Speaker 3>knows he's my favorite MC, like I feel when when

1:44:30.439 --> 1:44:33.040
<v Speaker 3>he introduced himself, we say I'm glad that you he'd

1:44:33.080 --> 1:44:35.640
<v Speaker 3>be like people like that. You nigga know what you

1:44:35.760 --> 1:44:38.400
<v Speaker 3>be talking about because I always I always did that.

1:44:38.520 --> 1:44:43.080
<v Speaker 3>But those are my two things that co, let's get back.

1:44:43.920 --> 1:44:46.040
<v Speaker 1>We need to hear two influences for you.

1:44:46.439 --> 1:44:49.439
<v Speaker 4>Okay, I ain't gonna stop it too. I'm gonna get three,

1:44:49.600 --> 1:44:53.840
<v Speaker 4>give me three. First, I would start with Rock Kim.

1:44:54.840 --> 1:44:57.439
<v Speaker 4>Rock Kim was like the He was the dude that

1:44:57.560 --> 1:44:59.759
<v Speaker 4>made me be like, man, I want to be a rapper.

1:45:00.240 --> 1:45:02.280
<v Speaker 4>I had already been rhyming and run them seeing all

1:45:02.320 --> 1:45:05.120
<v Speaker 4>the l but rock him when I heard I had

1:45:05.200 --> 1:45:08.800
<v Speaker 4>never heard nobody rap in they in their voice like in.

1:45:08.840 --> 1:45:10.680
<v Speaker 1>That way that he was doing. Did you realize he

1:45:10.720 --> 1:45:15.639
<v Speaker 1>didn't her which is DZ. Realize that I didn't hardcore?

1:45:15.800 --> 1:45:18.800
<v Speaker 4>So hard core and what he was opening my mind up?

1:45:18.840 --> 1:45:19.320
<v Speaker 1>And I didn't.

1:45:19.439 --> 1:45:21.280
<v Speaker 4>I didn't even know some of the stuff he was saying,

1:45:21.320 --> 1:45:24.360
<v Speaker 4>but it just resonated with myself. Rock him, kall Rest

1:45:24.439 --> 1:45:30.640
<v Speaker 4>one one because this dude, like I was like, I

1:45:30.720 --> 1:45:34.120
<v Speaker 4>hadn't even heard what vegetarian was to the point on

1:45:34.240 --> 1:45:38.240
<v Speaker 4>for real, y'all vegan, but I ain't know what vegetarian

1:45:38.439 --> 1:45:41.439
<v Speaker 4>was to Krest and them start talking about blah blah

1:45:41.439 --> 1:45:43.719
<v Speaker 4>blah because like, you know, we're in Chicago, we eating

1:45:44.640 --> 1:45:48.360
<v Speaker 4>but and man, then I got to say Big Daddy

1:45:48.439 --> 1:45:51.519
<v Speaker 4>came because it was something about Caine. I loved the

1:45:51.640 --> 1:45:54.360
<v Speaker 4>similes that he would kick, you know, like you know

1:45:54.439 --> 1:45:56.400
<v Speaker 4>if you all would to eat and feed me dope

1:45:56.400 --> 1:45:58.640
<v Speaker 4>and you know, like something he would say that. I

1:45:58.840 --> 1:46:03.120
<v Speaker 4>was like these punchlines. Craig loved his great crazy. But

1:46:03.280 --> 1:46:06.560
<v Speaker 4>the fourth who actually, like we talked about already, I

1:46:06.600 --> 1:46:11.559
<v Speaker 4>gotta give Nas his because Nas was like and after

1:46:11.760 --> 1:46:14.680
<v Speaker 4>those people that like with the foundation. Nas was the

1:46:14.720 --> 1:46:18.880
<v Speaker 4>one that made me like my age. But I was like, oh,

1:46:18.960 --> 1:46:20.800
<v Speaker 4>this is the level. You got a rhyme, man, you

1:46:20.920 --> 1:46:22.040
<v Speaker 4>gotta be at this level.

1:46:22.080 --> 1:46:23.679
<v Speaker 1>He raised the bar. Yeah, he raised the boss.

1:46:23.760 --> 1:46:25.840
<v Speaker 6>So I got them them. I had to get four.

1:46:26.280 --> 1:46:27.960
<v Speaker 1>Yeah, I'm a chief like you. I gotta throw knives

1:46:28.000 --> 1:46:28.320
<v Speaker 1>in there to.

1:46:29.880 --> 1:46:35.599
<v Speaker 7>Pro I'm gonna say, I'm gonna say James Brown, I'm

1:46:35.600 --> 1:46:36.800
<v Speaker 7>gonna say Big Daddy came.

1:46:36.880 --> 1:46:45.719
<v Speaker 1>I'm gonna say Molly Ma and Heavy d did Molly

1:46:46.000 --> 1:46:47.120
<v Speaker 1>events sampling?

1:46:48.200 --> 1:46:52.080
<v Speaker 6>Yeah, he sampled records like people.

1:46:52.720 --> 1:46:56.840
<v Speaker 7>I mean, I guess and before Molly came out, people

1:46:56.920 --> 1:46:59.880
<v Speaker 7>were sampling, but like it was done differently. But he

1:47:00.120 --> 1:47:03.000
<v Speaker 7>brought a new procedure.

1:47:02.720 --> 1:47:04.360
<v Speaker 8>The way that it was explained to us by some

1:47:04.479 --> 1:47:06.960
<v Speaker 8>I forgot who told him that he he sampled in

1:47:07.000 --> 1:47:08.839
<v Speaker 8>the in the way that it sounded like the original

1:47:08.920 --> 1:47:10.920
<v Speaker 8>way that djits were looping brakes.

1:47:11.280 --> 1:47:14.320
<v Speaker 1>He brought that now to the modern ages and.

1:47:14.880 --> 1:47:17.479
<v Speaker 7>And did it with precision. Man, That's one of the

1:47:17.600 --> 1:47:20.320
<v Speaker 7>things that I admired about his beast. Anytime, you know,

1:47:20.840 --> 1:47:23.240
<v Speaker 7>I would be right there with my paws button with

1:47:23.400 --> 1:47:27.360
<v Speaker 7>the radio, listening to mister Magic and listening and waiting

1:47:27.439 --> 1:47:29.960
<v Speaker 7>for Molly saying, Yo, I got something No I did

1:47:30.000 --> 1:47:33.400
<v Speaker 7>with Big Daddy, Can Dennis ain't no halfstan?

1:47:34.680 --> 1:47:39.479
<v Speaker 6>God damn is the bridge? Is that a sound or

1:47:39.600 --> 1:47:40.280
<v Speaker 6>is that a record?

1:47:40.320 --> 1:47:41.240
<v Speaker 1>You think? I like that?

1:47:42.840 --> 1:47:49.559
<v Speaker 7>That's that's this record called Scratching. It's an old school

1:47:49.600 --> 1:47:53.200
<v Speaker 7>break beat. And he took the part and said wow

1:47:53.640 --> 1:47:54.639
<v Speaker 7>and made it go backwards.

1:48:00.240 --> 1:48:00.559
<v Speaker 1>Molly.

1:48:01.760 --> 1:48:06.400
<v Speaker 6>I'm a fan just because of that little incident right there.

1:48:08.520 --> 1:48:09.240
<v Speaker 1>I love hip.

1:48:12.880 --> 1:48:15.639
<v Speaker 3>Bridges the ultimate Queen's record, and for him to put

1:48:15.720 --> 1:48:17.960
<v Speaker 3>that sound in it. Whenever I hear that sound, I

1:48:18.040 --> 1:48:20.120
<v Speaker 3>think about queens period.

1:48:20.320 --> 1:48:21.040
<v Speaker 1>You know what's crazy.

1:48:21.120 --> 1:48:23.960
<v Speaker 3>We just had Charlie Chase on here, and I asked,

1:48:24.200 --> 1:48:28.479
<v Speaker 3>Charlie Chase. I was like, because if she says on

1:48:28.520 --> 1:48:31.280
<v Speaker 3>the record, hip hop started out and fought.

1:48:31.320 --> 1:48:34.599
<v Speaker 1>And I'm like, can it be a chance that sh

1:48:35.000 --> 1:48:38.800
<v Speaker 1>just you know, she saw it. This was the park

1:48:38.880 --> 1:48:53.040
<v Speaker 1>it started out basically I'm trying to I'm trying to

1:48:53.120 --> 1:48:53.639
<v Speaker 1>say ship.

1:48:56.520 --> 1:49:00.280
<v Speaker 7>Yeah, Like I always felt like between the brig just

1:49:00.400 --> 1:49:04.080
<v Speaker 7>over and the bridge, I thought they were both gigantic

1:49:04.320 --> 1:49:08.040
<v Speaker 7>records with all this of kars one, you know, doing that,

1:49:08.560 --> 1:49:14.800
<v Speaker 7>and but but that bridge joint stabbed. Y'all, y'all should

1:49:14.840 --> 1:49:15.680
<v Speaker 7>thank Mary for that.

1:49:16.320 --> 1:49:21.559
<v Speaker 1>Think and you don't forget neither. We don't forget this thing. Okay,

1:49:21.600 --> 1:49:24.880
<v Speaker 1>hold on, we're gonna get back to quickly. You gotta

1:49:24.920 --> 1:49:28.040
<v Speaker 1>play them wise up. Oh yeah, we're gonna play them,

1:49:28.080 --> 1:49:32.000
<v Speaker 1>of course. Yeah, I'm gonna ask you, and I'm going

1:49:32.080 --> 1:49:34.120
<v Speaker 1>to ask you. This is both for y'all questions, because

1:49:34.240 --> 1:49:39.639
<v Speaker 1>y'all represent the light skintting delegation in the Brown. Let's

1:49:39.680 --> 1:49:43.520
<v Speaker 1>see what's going on here, Kenjick Lamar.

1:49:43.479 --> 1:49:47.040
<v Speaker 4>Or Drake Man, I'm gonna I'm gonna is he talking

1:49:47.040 --> 1:49:50.400
<v Speaker 4>about the battle or just over whatever you want?

1:49:50.800 --> 1:49:53.680
<v Speaker 6>I mean, Kendrick Lamar is more to to to what

1:49:54.600 --> 1:49:58.120
<v Speaker 6>I love is just in the MC. So I'm gonna

1:49:58.479 --> 1:49:59.040
<v Speaker 6>I'm gonna go with.

1:49:59.120 --> 1:50:03.080
<v Speaker 4>Kenchick by doing a say and this ain't politically correct

1:50:03.160 --> 1:50:06.000
<v Speaker 4>For me to be honest, I feel like at times

1:50:06.040 --> 1:50:08.920
<v Speaker 4>when Drake rhyman, like I heard this eight Am and Charlotte,

1:50:08.920 --> 1:50:11.160
<v Speaker 4>and I was like, still rhyme when he get over

1:50:11.280 --> 1:50:13.479
<v Speaker 4>like he was he was over a certain beasts, And

1:50:14.000 --> 1:50:16.400
<v Speaker 4>I'm like, when he choose to rhyme, he could rhyme.

1:50:16.800 --> 1:50:20.599
<v Speaker 4>But Kendrick Lamar is an MC that I will put

1:50:21.680 --> 1:50:23.040
<v Speaker 4>Like I said, it's one of the top of the

1:50:23.160 --> 1:50:24.240
<v Speaker 4>seasons any era.

1:50:24.880 --> 1:50:28.400
<v Speaker 6>Like if I put him in in eighties, he would

1:50:28.439 --> 1:50:29.200
<v Speaker 6>be one of the greatest.

1:50:29.240 --> 1:50:30.800
<v Speaker 4>If I put him in nineties, he'd be one of

1:50:30.800 --> 1:50:32.479
<v Speaker 4>the greatest, if I put him in this to me,

1:50:32.680 --> 1:50:39.240
<v Speaker 4>he possesses that type of aura and lyrical like your

1:50:39.320 --> 1:50:42.400
<v Speaker 4>skill this point blank like style. I like when people

1:50:42.439 --> 1:50:44.760
<v Speaker 4>can go to different styles too. That ain't that ain't

1:50:44.800 --> 1:50:47.439
<v Speaker 4>always easy? Like to me, that's when you are you

1:50:47.600 --> 1:50:50.439
<v Speaker 4>being practice. You got lyrics, but then you also a

1:50:50.600 --> 1:50:54.320
<v Speaker 4>musician too, because like certain people and I gotta I

1:50:54.400 --> 1:50:57.000
<v Speaker 4>got a theory that I don't know how true it is,

1:50:57.120 --> 1:51:00.280
<v Speaker 4>but I believe that a lot of producers rhyme better

1:51:00.360 --> 1:51:06.040
<v Speaker 4>the beats than some mcs. They just rhythmically when I

1:51:06.160 --> 1:51:09.160
<v Speaker 4>hit pee, when I hit pee on certain stuff. I'm like,

1:51:09.680 --> 1:51:10.160
<v Speaker 4>I say his.

1:51:10.320 --> 1:51:12.840
<v Speaker 1>Rap more than I do. I heard him a new project.

1:51:14.320 --> 1:51:17.320
<v Speaker 4>He's crazy with. But then like I'm saying, like large

1:51:17.360 --> 1:51:23.040
<v Speaker 4>pro tip Q tip for hey, Like I've been on

1:51:23.160 --> 1:51:26.720
<v Speaker 4>songs with producers and I'm like, I like you, yeah,

1:51:26.880 --> 1:51:30.840
<v Speaker 4>is incredible man. And the thing is like I can

1:51:30.920 --> 1:51:34.840
<v Speaker 4>be giving all my MC ship, but it's somebody like Yay,

1:51:34.920 --> 1:51:36.840
<v Speaker 4>I'm on the song with him and the crowd gonna

1:51:36.840 --> 1:51:39.680
<v Speaker 4>say all his lyrics because they just producers know how

1:51:39.720 --> 1:51:40.400
<v Speaker 4>to Yeah, they.

1:51:42.520 --> 1:51:44.439
<v Speaker 6>They just and not over wrap ship.

1:51:44.760 --> 1:51:48.080
<v Speaker 7>Sometimes that comes from making practice, you know, you know,

1:51:48.240 --> 1:51:51.080
<v Speaker 7>making beats all the time and working with artists that.

1:51:51.720 --> 1:51:54.400
<v Speaker 1>But you got to answer this question, like what what

1:51:55.520 --> 1:51:57.840
<v Speaker 1>you get away from? Okay?

1:51:57.880 --> 1:51:59.720
<v Speaker 6>But you know when I'm making beats, I'm trying to

1:51:59.800 --> 1:52:00.519
<v Speaker 6>rap like them.

1:52:00.640 --> 1:52:03.519
<v Speaker 1>You know what I'm saying. I'm like to myself and I'm.

1:52:03.400 --> 1:52:07.360
<v Speaker 7>Like, but Drake O kidmar you know, i'mna roll with

1:52:07.400 --> 1:52:10.680
<v Speaker 7>the Gemini even though I love Drake. I'm gonna roll

1:52:10.760 --> 1:52:14.280
<v Speaker 7>with Kendrick Team Kendrick all day and I'm on the

1:52:14.360 --> 1:52:15.520
<v Speaker 7>pimple butterfly.

1:52:15.760 --> 1:52:18.519
<v Speaker 3>Let me, let me, let me ask you, and this

1:52:18.640 --> 1:52:27.000
<v Speaker 3>is off topic. Got one beat to make mm, God

1:52:27.120 --> 1:52:36.720
<v Speaker 3>comes to you and say you're gonna live forever. Got

1:52:36.920 --> 1:52:42.640
<v Speaker 3>one beat left to make? Wow, Yeah, this is the

1:52:43.360 --> 1:52:44.840
<v Speaker 3>I ain't gonna. I'm gonna take a shot for you

1:52:45.840 --> 1:52:48.240
<v Speaker 3>because I feel the wrong accident.

1:52:52.360 --> 1:52:57.479
<v Speaker 1>One beat. Got a hip hop man, definitely, he's.

1:52:57.320 --> 1:52:59.240
<v Speaker 3>A definitely hip hop but you got one and they're

1:52:59.280 --> 1:53:02.280
<v Speaker 3>like he like pe you You're gonna live forever, but

1:53:02.400 --> 1:53:03.800
<v Speaker 3>you got one beat to make.

1:53:05.200 --> 1:53:08.560
<v Speaker 1>But it's on you to give it to who do

1:53:08.640 --> 1:53:10.320
<v Speaker 1>you give you the last peat?

1:53:12.040 --> 1:53:13.080
<v Speaker 4>That this is?

1:53:13.200 --> 1:53:13.400
<v Speaker 3>This is.

1:53:16.280 --> 1:53:22.280
<v Speaker 1>Let me take a shot, one last let me let

1:53:22.320 --> 1:53:23.720
<v Speaker 1>me make it easier for you. Let me make it

1:53:23.800 --> 1:53:26.439
<v Speaker 1>easier for you, dead or alive.

1:53:27.640 --> 1:53:28.439
<v Speaker 8>You can.

1:53:28.600 --> 1:53:32.160
<v Speaker 1>You could bring James Bound back. I'm gonna bring Biggie back.

1:53:32.439 --> 1:53:34.160
<v Speaker 1>I knew you was gonna say that. I becave it.

1:53:34.280 --> 1:53:36.439
<v Speaker 1>I made it too easy for you. I've made it

1:53:36.560 --> 1:53:36.920
<v Speaker 1>too easy.

1:53:37.000 --> 1:53:38.040
<v Speaker 6>I'm gonna bring you will be back.

1:53:38.080 --> 1:53:41.280
<v Speaker 1>You know your last beat, if you could ever make it,

1:53:41.360 --> 1:53:43.280
<v Speaker 1>would be for Biggie. Damn. I'm taking a shot because

1:53:43.280 --> 1:53:45.920
<v Speaker 1>I was going to say, got a question from okay,

1:53:47.560 --> 1:53:47.800
<v Speaker 1>if you.

1:53:48.280 --> 1:53:56.280
<v Speaker 4>You the third host the drink, I'm gonna I'm gonna

1:53:56.280 --> 1:53:59.679
<v Speaker 4>have to remove him in this because Okay, you probably

1:54:00.960 --> 1:54:02.519
<v Speaker 4>if it's a beat that you would be.

1:54:03.600 --> 1:54:04.479
<v Speaker 6>I'm bouncing off with you.

1:54:04.800 --> 1:54:08.000
<v Speaker 4>Let's go the beat that you They said, this beat

1:54:08.120 --> 1:54:11.680
<v Speaker 4>defined Pete rock and the beat that you will want

1:54:11.720 --> 1:54:12.479
<v Speaker 4>to be remembered.

1:54:12.760 --> 1:54:14.679
<v Speaker 6>My fine, it tells your.

1:54:15.120 --> 1:54:15.680
<v Speaker 1>Who you are.

1:54:16.800 --> 1:54:19.920
<v Speaker 3>Remove reminis, I gotta remove remember because I knew you was.

1:54:20.160 --> 1:54:24.640
<v Speaker 1>The world is your damn. That's easy to you know.

1:54:24.760 --> 1:54:31.040
<v Speaker 1>We gotta get it up. I got it on you. You.

1:54:32.360 --> 1:54:39.720
<v Speaker 1>God comes to you and says, coming, we know you

1:54:39.840 --> 1:54:40.920
<v Speaker 1>a lyric who genius.

1:54:41.120 --> 1:54:49.240
<v Speaker 3>You want to fight with everybody, But the first left

1:54:50.640 --> 1:54:54.480
<v Speaker 3>one worse. Not that people remember you by, but it

1:54:54.640 --> 1:55:01.160
<v Speaker 3>just literally one worse. What artists would that be?

1:55:01.280 --> 1:55:03.680
<v Speaker 6>What if I could do a verse?

1:55:04.360 --> 1:55:06.240
<v Speaker 1>Have to pick one feature? And by the way, again

1:55:08.360 --> 1:55:11.440
<v Speaker 1>helped him out that all lots too easy. It's too easy. Okay,

1:55:13.120 --> 1:55:13.800
<v Speaker 1>I got a trick for.

1:55:13.840 --> 1:55:19.600
<v Speaker 4>Your I got respectful pot. But I'm gonna go with

1:55:19.760 --> 1:55:28.040
<v Speaker 4>nas Man is probably my favorite. See, I ain't even go,

1:55:28.240 --> 1:55:29.680
<v Speaker 4>I ain't gotta New York.

1:55:30.320 --> 1:55:32.600
<v Speaker 1>That's fire, you know. That's why I like that.

1:55:32.800 --> 1:55:35.080
<v Speaker 6>If we removed, that's I'm gonna say.

1:55:35.440 --> 1:55:37.720
<v Speaker 1>I'm gonna say, y'all need to do a joint album together.

1:55:37.800 --> 1:55:47.040
<v Speaker 1>You and I people let me produce that we want

1:55:47.080 --> 1:55:51.000
<v Speaker 1>to publishing. It's a little like we don't want to

1:55:52.160 --> 1:55:55.800
<v Speaker 1>that other way in New York. If I'm not yeah,

1:55:56.640 --> 1:56:00.160
<v Speaker 1>that would be a mean yo yo.

1:56:00.920 --> 1:56:03.800
<v Speaker 4>Getting them beats from Pete, I'm like, yo, he said something,

1:56:04.360 --> 1:56:07.080
<v Speaker 4>we're gonna play all this joint wise Yes, we play

1:56:07.200 --> 1:56:11.440
<v Speaker 4>these beasts like they sound frash like. I'm like, yo, Pete,

1:56:11.440 --> 1:56:14.480
<v Speaker 4>it's Thomas. But he it was one beat that we did.

1:56:14.720 --> 1:56:16.640
<v Speaker 4>It's one of the first joints were released and called

1:56:16.720 --> 1:56:19.040
<v Speaker 4>Wise Up and we're speaking of the bridge anyway.

1:56:20.000 --> 1:56:22.280
<v Speaker 6>He was like, man, this is a New York beat.

1:56:22.320 --> 1:56:23.440
<v Speaker 6>It's just a New York beat.

1:56:23.640 --> 1:56:26.840
<v Speaker 4>And I couldn't help but think about, like y'all damn

1:56:26.960 --> 1:56:30.200
<v Speaker 4>a Chicago MC over New York leak. It kind of

1:56:30.280 --> 1:56:32.680
<v Speaker 4>took me to like what Q deal with with with

1:56:32.800 --> 1:56:35.760
<v Speaker 4>the Bomb Squad. But but it don't sound like I

1:56:36.560 --> 1:56:36.960
<v Speaker 4>can get that.

1:56:37.520 --> 1:56:38.200
<v Speaker 1>You know what I'm saying.

1:56:38.320 --> 1:56:41.240
<v Speaker 4>I'm gonna get my perspective of Chicago, but it's over

1:56:41.360 --> 1:56:44.920
<v Speaker 4>these New York, New York sound and soulful just beats

1:56:45.000 --> 1:56:45.360
<v Speaker 4>hip hop.

1:56:45.520 --> 1:56:47.640
<v Speaker 8>Listen to the joints I heard off the project than

1:56:48.040 --> 1:56:51.120
<v Speaker 8>the rival everything that you guys did hear the classic materials?

1:56:51.200 --> 1:56:51.360
<v Speaker 1>Wow?

1:56:51.760 --> 1:56:52.200
<v Speaker 8>Like it's not.

1:56:52.840 --> 1:56:59.200
<v Speaker 1>I'm not just bullshitting you. It is phenomenal. You don't

1:56:59.200 --> 1:57:04.160
<v Speaker 1>listen to the new Figgas he is man, you got

1:57:04.840 --> 1:57:08.040
<v Speaker 1>you guys do everything with the project we we.

1:57:10.640 --> 1:57:14.080
<v Speaker 4>I'm like, yo, this project like is what I've been

1:57:14.120 --> 1:57:15.800
<v Speaker 4>wanting to be on Drink Champs.

1:57:15.920 --> 1:57:18.080
<v Speaker 6>But like I'm happy to come on.

1:57:18.200 --> 1:57:20.480
<v Speaker 1>Drink Champs with a project like this. This is fine.

1:57:20.920 --> 1:57:24.080
<v Speaker 1>Like this I was supposed to. Did they hear you know?

1:57:24.240 --> 1:57:25.880
<v Speaker 1>You got you gotta hear I got you in the round.

1:57:27.240 --> 1:57:30.120
<v Speaker 3>I want to be in the video video that come

1:57:30.160 --> 1:57:33.560
<v Speaker 3>on around on your film. In the video I might

1:57:33.600 --> 1:57:48.280
<v Speaker 3>pay for. It's a Kareem shooting. That's my man, him,

1:57:48.720 --> 1:57:50.080
<v Speaker 3>Kareem and Draine.

1:57:50.520 --> 1:57:57.920
<v Speaker 1>He's a dress respect give it up. No, you don't

1:57:57.960 --> 1:58:03.000
<v Speaker 1>know where you're clapping, were going, but the work So

1:58:03.280 --> 1:58:06.240
<v Speaker 1>this is all is all all all? What is it called?

1:58:06.400 --> 1:58:09.840
<v Speaker 1>This is United Nations staff. Yes, but the haters of

1:58:09.920 --> 1:58:14.760
<v Speaker 1>the NIXT say, yeah, you't know wy you was claiming

1:58:14.800 --> 1:58:17.800
<v Speaker 1>you don't know what you said. But that's my family.

1:58:17.840 --> 1:58:21.040
<v Speaker 1>That's what I said. And it's oh yeah we we we.

1:58:21.720 --> 1:58:27.840
<v Speaker 4>Oh yeah yeah, yeah, yes, I got love for y'all

1:58:27.880 --> 1:58:30.240
<v Speaker 4>Knicks fans. Yes, you're not only going but so fun.

1:58:40.680 --> 1:58:58.320
<v Speaker 1>You know. Next, take this by the way, let me

1:58:58.440 --> 1:59:02.040
<v Speaker 1>tell you what makes coming found. Literally the next seat

1:59:02.080 --> 1:59:08.000
<v Speaker 1>across the seat. Man, literally, this is in the house.

1:59:08.240 --> 1:59:18.920
<v Speaker 1>My got me coming, And he says, I like the truth,

1:59:20.520 --> 1:59:22.160
<v Speaker 1>but I like to prove people wrong.

1:59:25.000 --> 1:59:30.600
<v Speaker 3>For y'allah, I got got, we got it's for you too.

1:59:32.000 --> 1:59:35.040
<v Speaker 1>I'm gut trying to get some.

1:59:37.920 --> 1:59:43.720
<v Speaker 3>Smoking Aces or John Wick three oh, for both of us.

1:59:44.280 --> 1:59:45.840
<v Speaker 3>This nigga movie.

1:59:45.880 --> 1:59:53.680
<v Speaker 6>Okay, man, I'm a chance. Smoking Aces was hard?

1:59:54.400 --> 1:59:55.840
<v Speaker 1>Man, that was hard.

1:59:55.920 --> 1:59:57.360
<v Speaker 4>What the reason why I got to give it up

1:59:57.400 --> 1:59:59.960
<v Speaker 4>for Smoking Aces? Because that was my first movie.

2:00:00.520 --> 2:00:03.120
<v Speaker 1>So that was your first movie? You shot already gold?

2:00:03.120 --> 2:00:07.800
<v Speaker 1>Because that's already gold? Yeah, you know yo?

2:00:08.120 --> 2:00:10.160
<v Speaker 4>And and that was like that was the first time

2:00:10.240 --> 2:00:12.480
<v Speaker 4>I you know, I mean, I've been auditioning for a lot,

2:00:12.640 --> 2:00:15.080
<v Speaker 4>a lot I've been doing first movie.

2:00:15.160 --> 2:00:17.320
<v Speaker 6>Man, thank you, bro.

2:00:17.920 --> 2:00:21.080
<v Speaker 7>That was your first American gangster was though. But the

2:00:21.200 --> 2:00:23.240
<v Speaker 7>only reaction you did was run when.

2:00:23.160 --> 2:00:27.160
<v Speaker 1>The igot that part.

2:00:30.360 --> 2:00:32.680
<v Speaker 4>Was like, yeah, man, I got I gotta go with

2:00:32.720 --> 2:00:36.320
<v Speaker 4>smoking today. Let me tell you that was my first movie.

2:00:36.400 --> 2:00:37.960
<v Speaker 4>It was the first time I got a call back

2:00:38.040 --> 2:00:42.960
<v Speaker 4>Right before I got that audition, I went on another audition.

2:00:43.080 --> 2:00:46.000
<v Speaker 4>They told me they told my agent man he green Man,

2:00:46.040 --> 2:00:48.720
<v Speaker 4>and he he ain't ready. I was, I'm about to

2:00:48.760 --> 2:00:51.600
<v Speaker 4>show them boys what it is. I got that call back.

2:00:52.080 --> 2:00:54.640
<v Speaker 4>I remember flying for I was I was doing some music.

2:00:54.720 --> 2:00:57.640
<v Speaker 4>I was performing in China. Came back, did the audition,

2:00:57.840 --> 2:01:00.240
<v Speaker 4>got the role. I was about to be on tour

2:01:00.280 --> 2:01:04.920
<v Speaker 4>with Kanye and Keisha Cole and I got the call like, man, Yo,

2:01:05.040 --> 2:01:07.680
<v Speaker 4>We're giving you the movie. And I'm like wow, And

2:01:08.080 --> 2:01:10.640
<v Speaker 4>then I had to go. I was geeked up, like

2:01:10.720 --> 2:01:13.680
<v Speaker 4>I'm literally calling my mama, like, man, I'm in the movie.

2:01:14.800 --> 2:01:17.240
<v Speaker 4>And I had to go five minutes later and I

2:01:17.280 --> 2:01:19.080
<v Speaker 4>ain't gonna lie. I was tearing up because I was like,

2:01:19.200 --> 2:01:21.560
<v Speaker 4>this was a I've been working on acting for all time,

2:01:21.600 --> 2:01:24.040
<v Speaker 4>since my first time. I had to go to the

2:01:24.200 --> 2:01:27.240
<v Speaker 4>next room. Kanye was standing in the hotel room next

2:01:27.480 --> 2:01:29.600
<v Speaker 4>tell him I can't go on tour with him, and

2:01:30.280 --> 2:01:32.280
<v Speaker 4>he was like, and I had already, we had already

2:01:32.320 --> 2:01:35.480
<v Speaker 4>booked the tour. And he was like, and this one

2:01:35.520 --> 2:01:37.000
<v Speaker 4>I knew he was my brother. He was like, Yo,

2:01:37.080 --> 2:01:38.920
<v Speaker 4>if that's your dream, man, you gotta do it.

2:01:39.400 --> 2:01:40.040
<v Speaker 1>You gotta do it.

2:01:40.160 --> 2:01:42.800
<v Speaker 4>That's your dream. And I and I went did that

2:01:42.920 --> 2:01:46.720
<v Speaker 4>some smoking naces man. That ship had Toagie had Alicia,

2:01:47.560 --> 2:01:54.080
<v Speaker 4>they had Ryan rayleyda good Fellas Man. It had Justin

2:01:54.160 --> 2:01:58.600
<v Speaker 4>Bateman from Ark. They had Chris prying to play fucking

2:01:59.480 --> 2:02:03.880
<v Speaker 4>star track beg Yo, just before casts even became who

2:02:03.920 --> 2:02:04.160
<v Speaker 4>they were.

2:02:04.240 --> 2:02:05.600
<v Speaker 3>Just why I thought this had to be like your

2:02:05.640 --> 2:02:08.320
<v Speaker 3>seventh movie, like you killed it, killed it so much

2:02:08.960 --> 2:02:10.360
<v Speaker 3>when you just said that, just now, you fucking me

2:02:10.440 --> 2:02:11.920
<v Speaker 3>up because I'm trying to think and.

2:02:12.560 --> 2:02:14.200
<v Speaker 4>The first that was your first but limit that the

2:02:14.280 --> 2:02:16.760
<v Speaker 4>only the only underlining that gym. I'm gonna say too.

2:02:16.840 --> 2:02:20.320
<v Speaker 4>That was like the producer, I mean the director right,

2:02:20.400 --> 2:02:23.160
<v Speaker 4>a director. He was playing Jay Diller on the set

2:02:23.400 --> 2:02:26.760
<v Speaker 4>Wow at the time. Jay Diller was my roommate, and

2:02:26.920 --> 2:02:29.240
<v Speaker 4>we was like he was going through a lot, like

2:02:30.400 --> 2:02:35.520
<v Speaker 4>like healthwise, and man, he didn't know I knew Jay Diller.

2:02:35.600 --> 2:02:38.360
<v Speaker 4>He know Jay Deler was my roommate. He just was

2:02:38.440 --> 2:02:41.640
<v Speaker 4>playing deal on the set, playing and I was like, yo,

2:02:41.720 --> 2:02:43.720
<v Speaker 4>I'm you know how certain things happened you like I'm

2:02:43.720 --> 2:02:46.400
<v Speaker 4>in the right place. That's how I felt about smoking as.

2:02:46.520 --> 2:02:49.880
<v Speaker 4>That's why would be that even though more niggas come

2:02:49.920 --> 2:02:53.600
<v Speaker 4>to me about John Wick then then smoking asking as.

2:02:58.640 --> 2:03:01.560
<v Speaker 1>It was dope to my favorite piece right here. Oh yeah,

2:03:02.360 --> 2:03:06.120
<v Speaker 1>Guru or Big L, I'll go to you first.

2:03:07.440 --> 2:03:08.880
<v Speaker 6>These are some funked up questions.

2:03:11.000 --> 2:03:16.560
<v Speaker 4>I agree, I meant guy, rest in peace to both,

2:03:17.520 --> 2:03:20.480
<v Speaker 4>but I ain't go front Guru. Maybe for me Guru

2:03:20.840 --> 2:03:24.640
<v Speaker 4>just because I don't know he would get on these

2:03:24.720 --> 2:03:28.520
<v Speaker 4>different topics ex. Girl the next girl, like street ministry.

2:03:29.200 --> 2:03:31.400
<v Speaker 4>These are the words that are manifested. It was like

2:03:31.480 --> 2:03:34.240
<v Speaker 4>a lot of different like thoughts in his stuff. And

2:03:34.280 --> 2:03:38.560
<v Speaker 4>his voice was phenomenal, and you know, point blank we

2:03:39.000 --> 2:03:42.160
<v Speaker 4>we we MC's benefit off the fact that we on

2:03:42.360 --> 2:03:45.080
<v Speaker 4>dope beats like you know that just make you like

2:03:46.160 --> 2:03:48.320
<v Speaker 4>we always know them about the voice like so he

2:03:48.480 --> 2:03:50.840
<v Speaker 4>had the song on the voices, the voice mostly the voice.

2:03:50.880 --> 2:03:54.120
<v Speaker 4>That's yeah, the voice and yoh. So I'm gonna go

2:03:54.160 --> 2:03:56.320
<v Speaker 4>with Guru, but rest in peace to both of them.

2:03:56.720 --> 2:03:59.760
<v Speaker 4>Big was the cold incredible.

2:03:59.600 --> 2:04:05.800
<v Speaker 6>Super I'm gonna say both on that one because.

2:04:05.680 --> 2:04:07.720
<v Speaker 4>You know, you know I worked with I'm gonna take

2:04:07.760 --> 2:04:16.120
<v Speaker 4>it take a one both.

2:04:12.680 --> 2:04:13.200
<v Speaker 1>Of the Big L.

2:04:13.360 --> 2:04:16.400
<v Speaker 7>Yes, I worked with both, and you know Big L

2:04:16.640 --> 2:04:19.400
<v Speaker 7>was like I went, I remember going to pick up.

2:04:19.480 --> 2:04:22.720
<v Speaker 7>I had just bought a Honda Court brand new. This

2:04:22.920 --> 2:04:25.800
<v Speaker 7>is early in my career, like I just was starting

2:04:25.880 --> 2:04:28.840
<v Speaker 7>to get my bones, and so I went and picked

2:04:28.880 --> 2:04:29.720
<v Speaker 7>him up in Harlem.

2:04:30.680 --> 2:04:34.280
<v Speaker 6>I had two cassettes of beats right from our journey.

2:04:34.960 --> 2:04:38.240
<v Speaker 7>When I put the tape in, he started to rhyme

2:04:39.440 --> 2:04:42.680
<v Speaker 7>and never stopped until we came to the last stop.

2:04:42.960 --> 2:04:46.600
<v Speaker 7>Wherever we were, we went, he went off. We drove

2:04:46.680 --> 2:04:49.160
<v Speaker 7>to Brooklyn, we drove to Harlem, we drove to Mount Arning.

2:04:50.360 --> 2:04:53.040
<v Speaker 7>He just wrapped the whole time. I lied to y'all nine,

2:04:54.440 --> 2:04:57.800
<v Speaker 7>he's big. Yes, I'm playing beats. I got beats from

2:04:57.800 --> 2:05:00.520
<v Speaker 7>Pete Rock. I got beat because that's.

2:05:00.760 --> 2:05:03.360
<v Speaker 1>Full of I want to know what colored car was?

2:05:04.040 --> 2:05:06.600
<v Speaker 1>Black black. I can see this. I can see it

2:05:06.880 --> 2:05:12.360
<v Speaker 1>in there to car right there was hell and hip

2:05:12.400 --> 2:05:15.120
<v Speaker 1>hop rims on the.

2:05:17.160 --> 2:05:17.360
<v Speaker 4>Man.

2:05:18.680 --> 2:05:20.880
<v Speaker 1>That's why that's why he did the drive with me,

2:05:20.960 --> 2:05:22.440
<v Speaker 1>because I had the system. Was crazy.

2:05:22.520 --> 2:05:30.200
<v Speaker 9>Man, you got social media back then, yea, that footage

2:05:30.280 --> 2:05:30.840
<v Speaker 9>that's crazy.

2:05:32.680 --> 2:05:35.720
<v Speaker 4>Release joints like the rhymes that probably never came out,

2:05:35.880 --> 2:05:36.680
<v Speaker 4>just like a m J.

2:05:36.880 --> 2:05:39.800
<v Speaker 7>When we were practicing DJing in my basement, like it's

2:05:39.960 --> 2:05:44.600
<v Speaker 7>on tape and I lost it lost, I lost the

2:05:44.720 --> 2:05:46.280
<v Speaker 7>videotape or somebody stole it.

2:05:46.400 --> 2:05:49.320
<v Speaker 3>You know what I'm saying. Somebody stole up. He got that,

2:05:49.720 --> 2:05:51.160
<v Speaker 3>somebody got you want this one too.

2:05:51.560 --> 2:05:53.240
<v Speaker 1>I feel like I feel like we kind of well,

2:05:53.320 --> 2:05:55.920
<v Speaker 1>no this, we'll do it together. Okay. I don't know

2:05:56.000 --> 2:05:57.080
<v Speaker 1>how together this worked?

2:06:00.240 --> 2:06:08.000
<v Speaker 3>Him or Caress one. Yeah, y'all went to the hardest one.

2:06:08.360 --> 2:06:11.520
<v Speaker 1>That's that's that's what you see. I'm sitting I'm trying to.

2:06:14.640 --> 2:06:21.440
<v Speaker 6>Man, Damn, It's like, come on, man, y'all, y'all see,

2:06:21.480 --> 2:06:21.760
<v Speaker 6>I ain't.

2:06:21.800 --> 2:06:23.480
<v Speaker 1>I ain't said both on neither. I ain't.

2:06:24.320 --> 2:06:27.920
<v Speaker 6>I mean, I'm like you picking, you're trying to pick, trying.

2:06:27.760 --> 2:06:32.440
<v Speaker 7>To picking already in your soul, bro like him and

2:06:32.600 --> 2:06:33.320
<v Speaker 7>and and them.

2:06:33.240 --> 2:06:34.120
<v Speaker 6>Two dudes is in you?

2:06:34.440 --> 2:06:36.320
<v Speaker 1>And man?

2:06:36.560 --> 2:06:41.440
<v Speaker 4>Fuck man, I'm gonna say, I'm going with Charres one,

2:06:41.520 --> 2:06:46.600
<v Speaker 4>man going Cares one, and I'm just and and I'm

2:06:46.640 --> 2:06:52.200
<v Speaker 4>going with Karres because it's like I grew up going

2:06:52.240 --> 2:06:53.920
<v Speaker 4>to going to a church.

2:06:54.200 --> 2:06:54.360
<v Speaker 1>Right.

2:06:55.000 --> 2:06:59.520
<v Speaker 4>It was unapologetically black, understandingly Christians, black churches of the church.

2:06:59.800 --> 2:07:01.720
<v Speaker 6>It was called Trinity United Church of Christ.

2:07:05.400 --> 2:07:06.240
<v Speaker 1>That was like the model.

2:07:06.280 --> 2:07:07.920
<v Speaker 6>That's what we saw when we walked into it.

2:07:09.960 --> 2:07:13.120
<v Speaker 4>Trinity unapologetically black.

2:07:18.360 --> 2:07:21.200
<v Speaker 1>Don't follow the instagram. He let me down the old

2:07:21.240 --> 2:07:27.480
<v Speaker 1>techne I look at the Instagram. I'm on church Sunday.

2:07:27.520 --> 2:07:31.080
<v Speaker 1>I'm like nigga. You was you was the Dominican, Dominican,

2:07:31.560 --> 2:07:34.880
<v Speaker 1>the whitest of the whitest church. But I only I

2:07:34.920 --> 2:07:36.200
<v Speaker 1>only brought it up. I only brought it.

2:07:38.680 --> 2:07:42.920
<v Speaker 4>But I only brought that up because care rest like,

2:07:43.400 --> 2:07:45.800
<v Speaker 4>and why is that I learned? I learned books of

2:07:45.880 --> 2:07:49.879
<v Speaker 4>the Bible from him, like or just the descendancy of Abraham.

2:07:49.960 --> 2:07:53.880
<v Speaker 4>Abraham was the father of Isaac. Isaac was the father

2:07:54.080 --> 2:07:57.600
<v Speaker 4>of Jacob. Jacob at twelve sons and for real, these

2:07:57.680 --> 2:07:59.760
<v Speaker 4>were the children of Israel.

2:08:00.200 --> 2:08:02.000
<v Speaker 1>Like all of it wasn't even rhyming.

2:08:02.040 --> 2:08:05.080
<v Speaker 4>But I was singing that ship learning it and this

2:08:05.480 --> 2:08:10.520
<v Speaker 4>was dope like, and you know, y'all got me right there,

2:08:10.560 --> 2:08:12.840
<v Speaker 4>because them two are really let me say, rock him

2:08:13.000 --> 2:08:16.320
<v Speaker 4>is the reason I'm rhyming too, like, but it's the

2:08:16.360 --> 2:08:17.960
<v Speaker 4>only sick.

2:08:19.560 --> 2:08:21.240
<v Speaker 1>Shot would take you. I'm gonna take a shot.

2:08:21.280 --> 2:08:25.200
<v Speaker 7>I'm gonna I'm be you said both say that, both

2:08:25.240 --> 2:08:28.280
<v Speaker 7>of them put a stronghold on New York City all

2:08:28.360 --> 2:08:31.480
<v Speaker 7>together because taking shots, you have two different styles right

2:08:32.240 --> 2:08:33.120
<v Speaker 7>shot shot.

2:08:33.160 --> 2:08:34.040
<v Speaker 6>I'm taking shots on that.

2:08:34.160 --> 2:08:37.520
<v Speaker 7>Let me let me yeah, two different yes, yes, rock

2:08:37.680 --> 2:08:42.080
<v Speaker 7>Him with the painting full drug dealer ship, you know,

2:08:42.480 --> 2:08:46.680
<v Speaker 7>fucking you know, just the New York dark streets and

2:08:47.720 --> 2:08:49.440
<v Speaker 7>those rhymes was just so sick.

2:08:49.560 --> 2:08:50.280
<v Speaker 1>And then you know.

2:08:52.000 --> 2:08:55.160
<v Speaker 7>With KRS, it's just like rah rah, Like I went

2:08:55.240 --> 2:09:00.800
<v Speaker 7>to a show at Union Square where Brooklyn went nut.

2:09:01.480 --> 2:09:02.000
<v Speaker 1>He's like you.

2:09:06.080 --> 2:09:08.200
<v Speaker 6>And the Bronx go at it in Union.

2:09:10.160 --> 2:09:14.160
<v Speaker 3>Stay in unr Square. Yes, niggas throwing chess and bottles,

2:09:14.680 --> 2:09:16.520
<v Speaker 3>you know what I'm saying. Like it was real like

2:09:16.960 --> 2:09:22.080
<v Speaker 3>So that's that's that's New York style. That's New York style.

2:09:22.360 --> 2:09:24.080
<v Speaker 3>So I can't pick between Caro.

2:09:25.160 --> 2:09:27.120
<v Speaker 4>I'm gonna I'm gonna throw one for y'all. At least

2:09:27.240 --> 2:09:29.000
<v Speaker 4>he ain't the same type of m cs. But these

2:09:29.040 --> 2:09:31.960
<v Speaker 4>two ms less put it out there, Okay, grand Pool,

2:09:31.960 --> 2:09:33.000
<v Speaker 4>Bay or Big Daddy?

2:09:33.040 --> 2:09:38.360
<v Speaker 3>Can't you're asking me all of us? My eyebrows sucked

2:09:38.440 --> 2:09:42.440
<v Speaker 3>up Pool. I wrote my first songs ever, Pool what what?

2:09:43.000 --> 2:09:45.400
<v Speaker 3>Wait wait a minute, But that doesn't mean Rock Him

2:09:45.480 --> 2:09:48.560
<v Speaker 3>gets a slight. No Big Daddy can know.

2:09:48.640 --> 2:09:49.879
<v Speaker 6>But he said poop, I wrote.

2:09:49.720 --> 2:09:55.080
<v Speaker 1>Something that's wild. I've been one one with the creator.

2:09:55.200 --> 2:09:56.960
<v Speaker 1>He wrote, is this what what is this?

2:09:57.240 --> 2:10:03.480
<v Speaker 9>Brand Nubian Poo Pooba, Tommy Hill figure po Malvern. I'm

2:10:03.480 --> 2:10:05.600
<v Speaker 9>saying that when he's down with Brand Neubian, or after

2:10:05.920 --> 2:10:07.760
<v Speaker 9>he was he was with as.

2:10:07.600 --> 2:10:10.880
<v Speaker 7>A matter of fact, Jamal and Scott was in the

2:10:10.960 --> 2:10:16.960
<v Speaker 7>basement when he made his claim for me to wrap.

2:10:17.040 --> 2:10:19.240
<v Speaker 7>He's like, yo, I want you to wrap. I want

2:10:19.280 --> 2:10:21.120
<v Speaker 7>you to say this to this beat that you just

2:10:21.280 --> 2:10:29.880
<v Speaker 7>made the creator, Yes, what about the one shut him down?

2:10:29.960 --> 2:10:33.240
<v Speaker 3>Anybody know I wrote all that everything after Pool reverse

2:10:33.280 --> 2:10:34.720
<v Speaker 3>on st I love that.

2:10:35.280 --> 2:10:38.200
<v Speaker 1>I love that. I'm a huge public enemy.

2:10:38.360 --> 2:10:39.520
<v Speaker 6>That means a lot to me.

2:10:39.840 --> 2:10:47.440
<v Speaker 1>I wrote that. I wrote it myself. Banana, I'm about

2:10:47.520 --> 2:10:51.480
<v Speaker 1>to go so okay, I did we got it on

2:10:51.640 --> 2:10:58.200
<v Speaker 1>you all right? Mm hmm. This is like a producer

2:10:58.320 --> 2:11:01.840
<v Speaker 1>question too. Okay, the Chronic or doggy style?

2:11:02.720 --> 2:11:06.200
<v Speaker 7>Oh, easily the Chronic because the Chronic inspired the doggy style.

2:11:06.480 --> 2:11:08.440
<v Speaker 1>I love how you. I love how you answered that

2:11:08.680 --> 2:11:11.320
<v Speaker 1>so professional. Yeah, chronic started. You definitely don't have the

2:11:11.360 --> 2:11:15.440
<v Speaker 1>dog you style without that was That's easy. That was easy.

2:11:16.200 --> 2:11:17.320
<v Speaker 6>It be a hard one, bro.

2:11:20.360 --> 2:11:23.680
<v Speaker 1>You ever worked with Drake Yeah? Okay, yeah, he wrapped

2:11:23.720 --> 2:11:26.000
<v Speaker 1>over my beat. Him. You know what I'm saying.

2:11:26.040 --> 2:11:28.760
<v Speaker 7>Oh wow, you go to YouTube just you know, type

2:11:28.840 --> 2:11:33.480
<v Speaker 7>in Pete Rock, corrupt, doctor Dre Wow, you'll see joint

2:11:33.480 --> 2:11:33.920
<v Speaker 7>A come up.

2:11:34.160 --> 2:11:34.720
<v Speaker 1>Goddamn.

2:11:34.800 --> 2:11:38.280
<v Speaker 8>Yes, I got one for you, Marley Ma or Primo

2:11:38.800 --> 2:11:42.360
<v Speaker 8>and specifically on their style of making beats.

2:11:42.560 --> 2:11:46.040
<v Speaker 1>Wow, no other you you got to go just on that.

2:11:46.400 --> 2:11:47.240
<v Speaker 1>I have to give it up.

2:11:47.520 --> 2:11:49.800
<v Speaker 7>Well, I'll say Mary for inspiration, but I have to

2:11:51.040 --> 2:11:54.920
<v Speaker 7>really give my vote to DJ Premier. It's really funky

2:11:55.040 --> 2:11:58.320
<v Speaker 7>with it, like he's just funky, like you could tell.

2:11:58.360 --> 2:12:01.720
<v Speaker 7>We both are James Brown fans. But that's where we

2:12:01.880 --> 2:12:03.560
<v Speaker 7>get it from. You, you know what I'm saying. And

2:12:03.680 --> 2:12:08.000
<v Speaker 7>so when he his cadence, when he makes beats, he'll

2:12:08.040 --> 2:12:12.360
<v Speaker 7>take the littlest sound, the littlest sound living Proof to

2:12:12.480 --> 2:12:14.200
<v Speaker 7>be give you an example.

2:12:14.400 --> 2:12:20.320
<v Speaker 1>Living Proof is just look what it did in New York's,

2:12:20.680 --> 2:12:24.640
<v Speaker 1>which is what you liked about Marley with Marley.

2:12:24.720 --> 2:12:28.240
<v Speaker 3>The same thing with the Bridge right, little they taking

2:12:28.320 --> 2:12:34.720
<v Speaker 3>little samples, not even the bar, making it, make make it,

2:12:34.800 --> 2:12:40.040
<v Speaker 3>make it, make it crazy, make it anthem anthem stuff

2:12:40.080 --> 2:12:41.080
<v Speaker 3>you'll never forget.

2:12:41.200 --> 2:12:46.760
<v Speaker 7>Brom So I'm I'm I'm an lean on Primo right.

2:12:48.600 --> 2:12:54.960
<v Speaker 3>And I'll be honest with every producer. Almost every let me,

2:12:55.200 --> 2:12:58.240
<v Speaker 3>I say every producer. Yeah, but the most.

2:12:58.160 --> 2:13:03.640
<v Speaker 1>Frustrated I've ever been in studio is in a good way.

2:13:03.720 --> 2:13:06.520
<v Speaker 3>In a good way, Premo will make a beat. I

2:13:06.520 --> 2:13:09.400
<v Speaker 3>will write a whole rhyme to it, and they'll be like,

2:13:09.920 --> 2:13:12.320
<v Speaker 3>I don't like it, and just he raced to me.

2:13:12.600 --> 2:13:19.520
<v Speaker 1>I'm like, your motherfucker, I just troll that He'll do

2:13:19.680 --> 2:13:23.560
<v Speaker 1>that like I ain't gonna lie, Like like I was

2:13:23.600 --> 2:13:26.040
<v Speaker 1>a twenty eight year old man, I had anxiety then,

2:13:26.200 --> 2:13:28.680
<v Speaker 1>like like I got anxiety now, like you know what

2:13:28.720 --> 2:13:31.160
<v Speaker 1>I'm saying. But I remember like like being in D

2:13:31.240 --> 2:13:32.680
<v Speaker 1>n D so you like a lot.

2:13:33.000 --> 2:13:37.360
<v Speaker 3>I loved it, but it wasn't about He's the only

2:13:37.400 --> 2:13:40.240
<v Speaker 3>producer I've ever worked with that. It wasn't about me

2:13:40.480 --> 2:13:42.760
<v Speaker 3>liking the beat. It was about us liking it together.

2:13:43.400 --> 2:13:46.360
<v Speaker 3>And if it wasn't that chemistry together, he just he

2:13:46.560 --> 2:13:48.640
<v Speaker 3>just knocked it out, like that ship that we did

2:13:49.360 --> 2:13:59.120
<v Speaker 3>on CNN Joint that was the twelfth record. He kept

2:13:59.160 --> 2:14:05.280
<v Speaker 3>going like this, No, you're like what.

2:14:09.080 --> 2:14:13.160
<v Speaker 1>I got? I got about twenty rhyms. But but that

2:14:13.560 --> 2:14:15.280
<v Speaker 1>let me know he was a rip and he would

2:14:15.400 --> 2:14:17.880
<v Speaker 1>not send us a beat this, but you know back

2:14:17.920 --> 2:14:20.600
<v Speaker 1>then that wasn't that. But he was like you coming,

2:14:20.800 --> 2:14:22.520
<v Speaker 1>and we went to D n D and I say

2:14:22.560 --> 2:14:24.240
<v Speaker 1>it in the joint and up in D and D

2:14:24.360 --> 2:14:26.680
<v Speaker 1>sleeping with the rats of the roaches because there was

2:14:26.800 --> 2:14:33.360
<v Speaker 1>literally rats and ros a whole bunch of Dutch masters.

2:14:34.280 --> 2:14:37.920
<v Speaker 1>That was the first studio. The first studio. They had

2:14:38.280 --> 2:14:45.320
<v Speaker 1>a candy machine yep, that duches Dutch like you know,

2:14:45.560 --> 2:14:50.920
<v Speaker 1>you know, like thank you, thank you for speaking.

2:14:51.000 --> 2:14:56.839
<v Speaker 3>Norrie vented machines and they had fucking Philip Phillip blunts

2:14:57.280 --> 2:15:02.040
<v Speaker 3>and duchess in the studio. Like if you can't make

2:15:02.080 --> 2:15:04.400
<v Speaker 3>your record in D n D studios, you were you

2:15:04.480 --> 2:15:08.320
<v Speaker 3>were tracked because that's just had a vibe you slipping

2:15:08.400 --> 2:15:11.360
<v Speaker 3>Western over here was hit by.

2:15:11.520 --> 2:15:14.240
<v Speaker 1>I missed I missed that, I missed a D n

2:15:14.360 --> 2:15:22.400
<v Speaker 1>D studio. I missed the boy. Yeah. I think Jay

2:15:23.360 --> 2:15:25.440
<v Speaker 1>did like like the.

2:15:28.280 --> 2:15:30.600
<v Speaker 3>Something for his album and they we created D and

2:15:30.680 --> 2:15:32.680
<v Speaker 3>D studios in the museum.

2:15:33.360 --> 2:15:35.360
<v Speaker 1>Yeah, And I was like, ya, don't got the roaches though.

2:15:37.200 --> 2:15:37.840
<v Speaker 4>That was the.

2:15:37.880 --> 2:15:40.400
<v Speaker 1>Feelings you wanted to You wanted to hurry up and

2:15:40.760 --> 2:15:41.560
<v Speaker 1>and finish.

2:15:41.760 --> 2:15:45.560
<v Speaker 3>Like green like it was rats, roaches, It was stick

2:15:45.640 --> 2:15:47.680
<v Speaker 3>up cares from King King.

2:15:47.800 --> 2:15:53.000
<v Speaker 1>Oh my god, your big rats and home a good rat.

2:15:53.080 --> 2:15:56.800
<v Speaker 7>I'm doing heavy d ship, big old fat rat right

2:15:56.880 --> 2:15:58.120
<v Speaker 7>across the fucking floor.

2:15:58.280 --> 2:15:58.400
<v Speaker 5>Bro.

2:15:59.600 --> 2:16:06.200
<v Speaker 1>I was like, that ship was big chunk, and you're

2:16:06.200 --> 2:16:09.440
<v Speaker 1>talking about the chunk King seventy that was in China,

2:16:09.520 --> 2:16:12.880
<v Speaker 1>the one in Chinatown. Guys. I remember that that ship, right,

2:16:13.040 --> 2:16:16.520
<v Speaker 1>I remember that. We got a lot done in that.

2:16:17.560 --> 2:16:26.080
<v Speaker 1>All right, biggie, you ain't taking the war. You know

2:16:26.200 --> 2:16:26.560
<v Speaker 1>we got this.

2:16:26.720 --> 2:16:29.640
<v Speaker 3>We got this, we got this. We know, we see,

2:16:29.880 --> 2:16:32.920
<v Speaker 3>we see what you're trying to do. We know y'all

2:16:33.120 --> 2:16:39.640
<v Speaker 3>your niggas with your karate class. Now I'm flipping on

2:16:39.760 --> 2:16:43.279
<v Speaker 3>your ass. Twist all Tech nine.

2:16:44.200 --> 2:16:45.080
<v Speaker 1>Oh that's easy.

2:16:45.240 --> 2:16:52.240
<v Speaker 4>Twisted twist you yeah, shot down shot Town like Twister,

2:16:52.959 --> 2:16:54.880
<v Speaker 4>Twist was Yo, he was y.

2:16:55.440 --> 2:16:59.040
<v Speaker 1>Twist was Twister when he was telling Twister he was

2:16:59.080 --> 2:16:59.600
<v Speaker 1>one Twister.

2:17:00.080 --> 2:17:02.120
<v Speaker 6>He was the first. I gotta give it up. I

2:17:02.200 --> 2:17:03.680
<v Speaker 6>gotta give respect Flowers.

2:17:04.240 --> 2:17:05.960
<v Speaker 4>He was the first dude from Chicago to have a

2:17:06.080 --> 2:17:10.080
<v Speaker 4>like a to be signed to a major, major job.

2:17:10.680 --> 2:17:13.400
<v Speaker 4>He was signed to Loud Loud even though you know,

2:17:13.440 --> 2:17:16.359
<v Speaker 4>I'm saying to have a national like we had late

2:17:16.520 --> 2:17:18.320
<v Speaker 4>doing Loud.

2:17:18.160 --> 2:17:20.119
<v Speaker 1>So like he was doing.

2:17:20.240 --> 2:17:22.360
<v Speaker 6>Man, he did his thing and continue to do it.

2:17:22.400 --> 2:17:24.040
<v Speaker 1>And he was in a Guinness Book of World Records.

2:17:24.320 --> 2:17:29.800
<v Speaker 1>Went against really I didn't know. He went against the

2:17:30.879 --> 2:17:33.800
<v Speaker 1>fastest rapid.

2:17:34.120 --> 2:17:35.840
<v Speaker 6>Try called quests or the Woo Tank.

2:17:37.120 --> 2:17:52.400
<v Speaker 1>You listen, we got you by the way. That's he's

2:17:52.440 --> 2:17:57.400
<v Speaker 1>taking the more interview clan.

2:17:58.959 --> 2:18:01.640
<v Speaker 4>I'm gonna go Woo Man and the wol like the wolves,

2:18:01.800 --> 2:18:06.720
<v Speaker 4>Like I gotta let me acknowledge that being from Chicago

2:18:06.840 --> 2:18:10.360
<v Speaker 4>when we saw Ice cubing them hold forty ounces and

2:18:10.879 --> 2:18:13.879
<v Speaker 4>and just being like that was similar to our culture

2:18:15.120 --> 2:18:15.480
<v Speaker 4>New York.

2:18:16.240 --> 2:18:23.879
<v Speaker 1>I mean we I I'm from the South Side. Culture

2:18:23.959 --> 2:18:25.879
<v Speaker 1>was very similar to the same culture.

2:18:25.879 --> 2:18:28.720
<v Speaker 4>And it was a lot of things similar. You know,

2:18:28.920 --> 2:18:30.920
<v Speaker 4>like a lot of our roots come from the South.

2:18:31.000 --> 2:18:34.000
<v Speaker 4>If you check people from l A say, people from Louisiana,

2:18:35.080 --> 2:18:37.440
<v Speaker 4>that's what we're from. Whereas y'all have like a whole

2:18:37.480 --> 2:18:41.040
<v Speaker 4>lot like from Jamaica eighty but you know, from Mahamas

2:18:41.080 --> 2:18:44.360
<v Speaker 4>from Puerto Rico, we didn't have that as much. So

2:18:44.520 --> 2:18:47.320
<v Speaker 4>not being said, I related to n w A point

2:18:47.400 --> 2:18:49.240
<v Speaker 4>blank and they was like dope, and I was like

2:18:49.320 --> 2:18:52.040
<v Speaker 4>straight out of Comptown. The bitch is a bitch ice Cube,

2:18:52.200 --> 2:18:54.680
<v Speaker 4>like I loved all that ship you didn't relate to

2:18:54.760 --> 2:19:02.400
<v Speaker 4>and I said, I did, but I'm very curious. But

2:19:02.440 --> 2:19:06.680
<v Speaker 4>when I heard Wu Tang, I was like, yo, I've

2:19:06.800 --> 2:19:12.160
<v Speaker 4>never heard anything where it's nine mcsne love the right and.

2:19:12.240 --> 2:19:13.600
<v Speaker 1>I love something.

2:19:15.200 --> 2:19:19.360
<v Speaker 4>And each one is a superhero. If we would have

2:19:19.440 --> 2:19:23.040
<v Speaker 4>had like the access we have now when Wu Tang

2:19:23.120 --> 2:19:25.720
<v Speaker 4>came out. And by the way, they got a TV

2:19:25.800 --> 2:19:30.160
<v Speaker 4>show about them on Hulu, so that is already.

2:19:30.280 --> 2:19:32.160
<v Speaker 1>But what they did when I.

2:19:32.240 --> 2:19:35.279
<v Speaker 6>Heard Protect your Neck, Yeah, it's all crazy.

2:19:35.560 --> 2:19:36.800
<v Speaker 1>The Wu Tang man is.

2:19:37.280 --> 2:19:40.720
<v Speaker 4>I mean, they untouchable in certain ways to me, like

2:19:40.760 --> 2:19:43.480
<v Speaker 4>because I have that many mcs, and then you can

2:19:43.520 --> 2:19:46.400
<v Speaker 4>see the growth and like from when you hear protect

2:19:46.440 --> 2:19:49.320
<v Speaker 4>your Neck and you hear ray and ghosts and then

2:19:49.360 --> 2:19:52.400
<v Speaker 4>you hit them on only built for Cuban Link, it's

2:19:52.440 --> 2:19:55.080
<v Speaker 4>a whole other level and you can hear that growth.

2:19:55.400 --> 2:19:57.600
<v Speaker 4>But then you got the genius who was always on

2:19:57.720 --> 2:19:59.840
<v Speaker 4>that old dirty bass is one of the most soul

2:20:00.080 --> 2:20:04.040
<v Speaker 4>for rappers you ever ever. So I'm talking about like

2:20:05.120 --> 2:20:07.520
<v Speaker 4>I don't know about you knowing, but for me, sometimes

2:20:07.560 --> 2:20:09.760
<v Speaker 4>I can get in the booth and I stopped trying

2:20:09.760 --> 2:20:11.800
<v Speaker 4>to wrap the thing the same way I did it

2:20:11.879 --> 2:20:15.000
<v Speaker 4>before rapping. Rapping, I'll be hearing takes the o dB

2:20:15.200 --> 2:20:16.160
<v Speaker 4>doing that ship different.

2:20:17.680 --> 2:20:19.080
<v Speaker 6>And that ship is soul.

2:20:20.320 --> 2:20:24.720
<v Speaker 1>And and and o dB was a person like I

2:20:24.800 --> 2:20:31.200
<v Speaker 1>wrote records for o dB. You did make a goal.

2:20:31.320 --> 2:20:33.600
<v Speaker 1>Listen what Dave had you do it? I don't think

2:20:33.680 --> 2:20:38.840
<v Speaker 1>most of them never really wanted to really, So that's right,

2:20:38.920 --> 2:20:45.640
<v Speaker 1>that's right, because you like somebodody you met, Yeah, because

2:20:45.640 --> 2:20:52.760
<v Speaker 1>he was cocky. I love he trying to take over

2:20:52.800 --> 2:21:05.360
<v Speaker 1>the interview. What's going on? Here's the funny ship. And

2:21:05.680 --> 2:21:08.440
<v Speaker 1>it's a great question because if you listen to Super Dog,

2:21:08.560 --> 2:21:10.880
<v Speaker 1>if you listen to in the end of Super Dog,

2:21:10.920 --> 2:21:14.880
<v Speaker 1>I go in r E Norri the remix super Doug

2:21:15.920 --> 2:21:18.400
<v Speaker 1>was the remix to n O R E my song

2:21:18.840 --> 2:21:24.360
<v Speaker 1>the single My album was already done handed in Oh wow,

2:21:24.879 --> 2:21:29.440
<v Speaker 1>and this is this young man. It was a dude

2:21:29.440 --> 2:21:35.720
<v Speaker 1>by the name Rob Walker. I know mar Moore, let

2:21:35.760 --> 2:21:39.600
<v Speaker 1>me pick up. Martin was like, yo, who's on the album?

2:21:39.680 --> 2:21:43.120
<v Speaker 1>Who's on the ro radio skit?

2:21:45.000 --> 2:21:50.360
<v Speaker 6>That's the first yeah, yeah, saying radio like.

2:21:55.280 --> 2:21:58.200
<v Speaker 3>Yeah, you know, my manager to what really was my in?

2:22:00.040 --> 2:22:03.240
<v Speaker 3>So he hits me and listen, you have to meet

2:22:03.280 --> 2:22:10.360
<v Speaker 3>this group called the Neptunes. I'm like that ship sounds amazing. Neptunes.

2:22:13.720 --> 2:22:16.600
<v Speaker 3>We meet that sound on sound studios. I have on

2:22:16.840 --> 2:22:25.000
<v Speaker 3>five X pants, Wow, five X shirt for sure. This

2:22:25.120 --> 2:22:28.160
<v Speaker 3>is a big cloth, big clothes. My hat had to

2:22:28.240 --> 2:22:29.280
<v Speaker 3>be big too as well.

2:22:30.640 --> 2:22:31.000
<v Speaker 1>I don't know.

2:22:31.280 --> 2:22:35.080
<v Speaker 3>I gave it somewhere and in comes these two guys

2:22:36.320 --> 2:22:43.160
<v Speaker 3>exact opposite. This shirt is very tight. He has a

2:22:43.280 --> 2:22:47.200
<v Speaker 3>choke go on, making the thing show a little bit.

2:22:49.240 --> 2:22:53.040
<v Speaker 1>Sure, you're not exaggerating. He was that tight you already.

2:22:54.560 --> 2:22:57.600
<v Speaker 3>He wanted to be the exact opposite of what was

2:22:57.680 --> 2:23:00.280
<v Speaker 3>going on, but delivered music of what.

2:23:00.440 --> 2:23:00.800
<v Speaker 1>Was going on.

2:23:01.120 --> 2:23:03.600
<v Speaker 3>He and he, ha's when I tell this story, because

2:23:04.080 --> 2:23:09.400
<v Speaker 3>you know, he's humble now now that he's fucking head

2:23:09.400 --> 2:23:12.440
<v Speaker 3>of Louis fucking Baton, he's humble now.

2:23:13.040 --> 2:23:16.040
<v Speaker 1>But let me just tell you something. He wasn't then, okay,

2:23:16.959 --> 2:23:17.800
<v Speaker 1>And he looked at me.

2:23:18.040 --> 2:23:19.840
<v Speaker 3>Because he had I don't want to say I've ever

2:23:19.879 --> 2:23:21.600
<v Speaker 3>been the first person that worked before, because that's not

2:23:21.680 --> 2:23:24.920
<v Speaker 3>the truth. Work for Neptune. Excuse me, that's not the truth.

2:23:25.120 --> 2:23:31.200
<v Speaker 3>They had worked with what what what told no one,

2:23:31.440 --> 2:23:34.240
<v Speaker 3>No one put them actually on the record, and no

2:23:34.320 --> 2:23:37.960
<v Speaker 3>one put them in the forefront. And he looked at

2:23:38.000 --> 2:23:42.200
<v Speaker 3>me and he said, he's a he's when I say

2:23:42.240 --> 2:23:44.600
<v Speaker 3>this story, but I'm gonna say it again. He goes,

2:23:45.240 --> 2:23:47.720
<v Speaker 3>no one's listened to me, but the first person that

2:23:47.840 --> 2:23:49.480
<v Speaker 3>listened to me is gonna go number one.

2:23:50.280 --> 2:23:51.800
<v Speaker 1>And I was, I don't know why I did that.

2:23:54.520 --> 2:23:55.840
<v Speaker 1>That's how in my mind.

2:23:55.959 --> 2:23:59.480
<v Speaker 3>Just let me roll with the story. And I was like,

2:23:59.520 --> 2:24:03.560
<v Speaker 3>I believe, I just believed him. It was like he

2:24:03.680 --> 2:24:05.440
<v Speaker 3>was the exact opposite of me. For the lack of

2:24:05.480 --> 2:24:07.920
<v Speaker 3>a better term, was I always describe it as this,

2:24:08.000 --> 2:24:10.840
<v Speaker 3>and it gets a little weird, but I call the

2:24:10.840 --> 2:24:11.600
<v Speaker 3>beauty and the beast.

2:24:12.120 --> 2:24:15.400
<v Speaker 1>They had nothing like we have nothing else in common.

2:24:16.720 --> 2:24:20.680
<v Speaker 1>Just music. Like that's what I gotta be sometimes, I

2:24:20.840 --> 2:24:24.000
<v Speaker 1>gotta be sometimes like I remember, like me and me

2:24:24.120 --> 2:24:25.720
<v Speaker 1>and me, and for ever been in the studio for

2:24:25.800 --> 2:24:30.000
<v Speaker 1>at least, you know, ten years. Me let me not

2:24:30.320 --> 2:24:30.920
<v Speaker 1>just safe.

2:24:31.040 --> 2:24:37.600
<v Speaker 3>I don't ever remember us ordering the same food. I

2:24:37.680 --> 2:24:42.039
<v Speaker 3>don't ever remember us order doing anything other than music.

2:24:42.480 --> 2:24:46.080
<v Speaker 1>But that's what's so dope, that's what's so double about music. Music.

2:24:46.120 --> 2:24:49.920
<v Speaker 4>Because I've been around so many people that I'll be like, man,

2:24:50.000 --> 2:24:50.560
<v Speaker 4>I would.

2:24:50.360 --> 2:24:54.240
<v Speaker 7>Have sometimes music, deperate and keep it still respectable.

2:24:54.879 --> 2:24:59.119
<v Speaker 1>Yeah. Yeah, it's a common ground, common ground like pun

2:24:59.200 --> 2:25:14.200
<v Speaker 1>intended move on, Okay, yeah mo O P or mob Deep.

2:25:14.240 --> 2:25:17.039
<v Speaker 1>And I'm doing that to you because I know you're

2:25:17.040 --> 2:25:19.920
<v Speaker 1>gonna drink. Let me get my show.

2:25:21.400 --> 2:25:22.280
<v Speaker 6>Damn you got to.

2:25:22.480 --> 2:25:25.520
<v Speaker 3>You're talking about to ill producers, Havoc and Premier.

2:25:26.680 --> 2:25:29.440
<v Speaker 1>Those are two monster duos out there, sucked up niggas.

2:25:29.680 --> 2:25:32.520
<v Speaker 1>That's it's double right there, your friends.

2:25:36.560 --> 2:25:40.480
<v Speaker 6>Wow, I love m O P.

2:25:41.560 --> 2:25:44.320
<v Speaker 7>I don't get it sucked up, but it's something about

2:25:46.400 --> 2:25:52.240
<v Speaker 7>man like it's Havoc. The way he made ones is amazing,

2:25:52.800 --> 2:25:54.480
<v Speaker 7>like that, I know the sample.

2:25:54.560 --> 2:25:57.520
<v Speaker 6>I listened to the record. You would never know hear.

2:25:59.000 --> 2:25:59.560
<v Speaker 1>The sample.

2:25:59.720 --> 2:26:04.280
<v Speaker 6>You want hear the familiarity unless you slow it all.

2:26:04.600 --> 2:26:09.560
<v Speaker 4>Then he told me that was that's a jazz.

2:26:09.840 --> 2:26:15.240
<v Speaker 6>That's where the liquor in Havoc. It's a it's a

2:26:15.320 --> 2:26:16.080
<v Speaker 6>fucking tool.

2:26:17.160 --> 2:26:22.440
<v Speaker 1>He did that. It's the same with Survival of the Fittest.

2:26:22.480 --> 2:26:23.440
<v Speaker 1>Survival of the Fittest.

2:26:23.520 --> 2:26:26.400
<v Speaker 7>You don't know where that sample comes from unless he

2:26:26.640 --> 2:26:28.279
<v Speaker 7>tells you, or unless fire.

2:26:28.720 --> 2:26:29.199
<v Speaker 1>I was listening.

2:26:29.320 --> 2:26:32.360
<v Speaker 6>He told me, he told me what he used. I

2:26:32.520 --> 2:26:35.080
<v Speaker 6>had the record. I had the record but I didn't

2:26:35.080 --> 2:26:38.560
<v Speaker 6>hear nothing oning it, so I'm listening to it.

2:26:38.640 --> 2:26:40.879
<v Speaker 1>And then when he told me, I slowed it down, said.

2:26:43.360 --> 2:26:45.560
<v Speaker 6>Crazy havoc is nil.

2:26:48.040 --> 2:26:50.800
<v Speaker 1>You picked, but I'm still taking a shot. He didn't.

2:26:51.720 --> 2:26:52.320
<v Speaker 1>He just gave.

2:26:53.800 --> 2:26:58.920
<v Speaker 4>He picked deep now mob Deep like Mob Deep when

2:26:58.959 --> 2:27:01.760
<v Speaker 4>I heard the infamous, but I was.

2:27:01.840 --> 2:27:04.600
<v Speaker 1>Like, you had juvenile hell. Yeah, I heard, which is

2:27:04.680 --> 2:27:06.560
<v Speaker 1>crazy that you were able to come back from.

2:27:06.440 --> 2:27:08.840
<v Speaker 6>That juvenile hell. Didn't the movie like that.

2:27:12.120 --> 2:27:15.680
<v Speaker 3>First joint they had to learn and listen first, and

2:27:15.800 --> 2:27:18.440
<v Speaker 3>then they were literally juveniles trying to figure it out.

2:27:18.640 --> 2:27:19.560
<v Speaker 1>They was they was doing it.

2:27:19.879 --> 2:27:22.320
<v Speaker 6>But I remember hearing Shook Ones.

2:27:22.400 --> 2:27:25.920
<v Speaker 4>I was in New York, like, staying at somebody house

2:27:25.959 --> 2:27:28.320
<v Speaker 4>that worked in my label, just trying to make a living,

2:27:28.920 --> 2:27:29.880
<v Speaker 4>and I heard Shook Ones.

2:27:29.920 --> 2:27:31.400
<v Speaker 6>I said, man, this ship is.

2:27:31.720 --> 2:27:33.600
<v Speaker 3>I was like, you sure the sample comes from here

2:27:33.640 --> 2:27:38.160
<v Speaker 3>because it's it's fast. It's fast, jazz fast loop.

2:27:38.200 --> 2:27:43.600
<v Speaker 1>It's like that's all it did. And then he just

2:27:44.280 --> 2:27:45.560
<v Speaker 1>and then then you get.

2:27:47.120 --> 2:27:50.160
<v Speaker 6>Man and that ship. That's the dopest hip hop songs ever.

2:27:50.560 --> 2:27:54.520
<v Speaker 4>Yeah, the game and then like you said, Survival of

2:27:54.600 --> 2:27:56.880
<v Speaker 4>the Finish, I promise you I was listening to that before.

2:27:57.040 --> 2:27:59.280
<v Speaker 4>When I came here today, I was listening to Survival

2:27:59.280 --> 2:28:03.000
<v Speaker 4>of the Fittish. But you know when Bignoyd here, Big

2:28:03.120 --> 2:28:06.320
<v Speaker 4>Nooyd on their joints, like and like hearing even Tip

2:28:06.440 --> 2:28:10.240
<v Speaker 4>to flip that what he did that album the infamous,

2:28:10.680 --> 2:28:14.520
<v Speaker 4>Like when you Yo Tip told me he ended up

2:28:14.560 --> 2:28:20.400
<v Speaker 4>mixing that album or whatever. And I feel like what

2:28:20.680 --> 2:28:24.400
<v Speaker 4>Havo and Prodigy brought as talents and then Q Tip's

2:28:24.440 --> 2:28:27.000
<v Speaker 4>experience of what the sonic we need to sound like

2:28:27.760 --> 2:28:31.000
<v Speaker 4>the album just changed anything. It was like that was

2:28:31.080 --> 2:28:35.039
<v Speaker 4>one that's one of my favorite albums. And I'm definitely

2:28:35.080 --> 2:28:36.680
<v Speaker 4>taking a shot to that because you're gonna be like

2:28:36.760 --> 2:28:40.320
<v Speaker 4>that ain't the sample and then weak we're taking a shot.

2:28:40.360 --> 2:28:42.800
<v Speaker 4>We're gonna take a shot. I'm taking a shot from

2:28:42.840 --> 2:28:48.960
<v Speaker 4>Mob Deep God bless so protest shout out to I'm

2:28:48.959 --> 2:28:50.080
<v Speaker 4>gonna play pop.

2:28:50.720 --> 2:28:53.920
<v Speaker 1>I missed Yo Yo.

2:28:54.879 --> 2:28:59.640
<v Speaker 4>A little side note is fucking the bitching you. The

2:28:59.760 --> 2:29:01.800
<v Speaker 4>only time I went to the only time I went

2:29:01.879 --> 2:29:06.400
<v Speaker 4>to Queen's Bridge. I went to meet up with Havoc

2:29:07.160 --> 2:29:09.000
<v Speaker 4>and he was going to do a remix to the Bitches,

2:29:10.760 --> 2:29:13.080
<v Speaker 4>and he actually did a remix, not he was going

2:29:13.120 --> 2:29:16.920
<v Speaker 4>on remix going a c Yes, we did a remix

2:29:17.000 --> 2:29:17.920
<v Speaker 4>and he was on a course.

2:29:22.840 --> 2:29:27.040
<v Speaker 1>You know, it's all he wanted. He just he just

2:29:27.240 --> 2:29:27.840
<v Speaker 1>was like he was.

2:29:29.120 --> 2:29:31.360
<v Speaker 4>You know, the niggas like yo. These niggas just in

2:29:31.400 --> 2:29:33.400
<v Speaker 4>the West Coast, they like so they were like, yo,

2:29:33.560 --> 2:29:35.480
<v Speaker 4>you said what we well, we feel.

2:29:35.320 --> 2:29:37.600
<v Speaker 3>Into but you have some stuff going on, which is

2:29:37.840 --> 2:29:41.160
<v Speaker 3>h l A l A toold.

2:29:41.200 --> 2:29:44.360
<v Speaker 1>But yes, sir. When I heard that, Jorge was okay,

2:29:44.520 --> 2:29:45.400
<v Speaker 1>let me let you finish.

2:29:46.560 --> 2:29:50.280
<v Speaker 6>I went to the Queen's Bridge. The niggas took me around.

2:29:50.920 --> 2:29:53.800
<v Speaker 4>I was with one of the twins and twins and

2:29:53.920 --> 2:29:57.440
<v Speaker 4>we was we went to power play and then I

2:29:57.520 --> 2:30:00.600
<v Speaker 4>remember just sitting there and talking with them niggas. I was.

2:30:00.720 --> 2:30:01.560
<v Speaker 1>I remember I was reading.

2:30:01.640 --> 2:30:03.520
<v Speaker 4>It was like, man, you're doing some ship Producty'll do

2:30:03.879 --> 2:30:06.680
<v Speaker 4>And I was trying to get in my zone. And

2:30:06.800 --> 2:30:10.879
<v Speaker 4>then I Havoc made this beat and I was like yo,

2:30:12.320 --> 2:30:14.040
<v Speaker 4>and he's like, you know, I'm gonna say the hook

2:30:14.120 --> 2:30:16.560
<v Speaker 4>with you and I see the bitch in you and

2:30:17.000 --> 2:30:18.680
<v Speaker 4>always wondering where that ship is.

2:30:19.400 --> 2:30:20.960
<v Speaker 1>We did that. I'm gonna ask him about it.

2:30:21.040 --> 2:30:22.200
<v Speaker 6>We did that last time.

2:30:23.160 --> 2:30:25.720
<v Speaker 1>Immediately, I want to do wherever you at, whoever got

2:30:26.640 --> 2:30:28.600
<v Speaker 1>open out from real right now.

2:30:29.280 --> 2:30:33.520
<v Speaker 4>He did that Queen's Bridge experience. I felt good too,

2:30:33.600 --> 2:30:36.080
<v Speaker 4>but I was like, damn, Mom took me through. You know,

2:30:36.200 --> 2:30:38.360
<v Speaker 4>it's like that, like what you said about Cabrinie Green,

2:30:38.760 --> 2:30:41.160
<v Speaker 4>certain people like from that area took you through that.

2:30:42.080 --> 2:30:45.119
<v Speaker 6>Molly and master A took me through Queensbridge.

2:30:46.680 --> 2:30:51.879
<v Speaker 1>And you know what this crazy thing is. I heard

2:30:51.959 --> 2:30:52.800
<v Speaker 1>with Marty Maul.

2:30:54.040 --> 2:30:55.880
<v Speaker 3>He got on this show and he told us that

2:30:56.040 --> 2:30:59.640
<v Speaker 3>he recorded rock Kim's whole album queens Bridge, and I

2:30:59.760 --> 2:31:03.240
<v Speaker 3>was just like the fun he said this, He said

2:31:03.280 --> 2:31:05.360
<v Speaker 3>in the same team, you're seeing that right now and

2:31:05.480 --> 2:31:09.120
<v Speaker 3>he said yeah, man, I was just like wow that

2:31:09.240 --> 2:31:11.160
<v Speaker 3>it is amazing, like he recorded.

2:31:11.760 --> 2:31:14.240
<v Speaker 6>I got a question from for all of y'all just all.

2:31:15.200 --> 2:31:19.000
<v Speaker 1>Like taking on show. Peep in this we know we

2:31:19.320 --> 2:31:20.320
<v Speaker 1>see we can see.

2:31:20.920 --> 2:31:23.520
<v Speaker 4>One of my hip hop comrades that I work with

2:31:23.640 --> 2:31:23.920
<v Speaker 4>a lot.

2:31:24.760 --> 2:31:34.280
<v Speaker 1>So yes, we got the Master's best Soul of Dave

2:31:34.959 --> 2:31:36.840
<v Speaker 1>and is actually on our our.

2:31:38.320 --> 2:31:40.920
<v Speaker 4>I didn't bring it up for that reason, but one

2:31:40.959 --> 2:31:44.439
<v Speaker 4>of them told me that that Sham wrote that exploded.

2:31:44.480 --> 2:31:45.080
<v Speaker 1>Is that true? Yeah?

2:31:45.400 --> 2:31:47.280
<v Speaker 6>Look, but did.

2:31:47.240 --> 2:31:51.200
<v Speaker 4>Sham right any of rock Kim's first choice? Like somebody

2:31:51.280 --> 2:31:53.680
<v Speaker 4>told me that sham you You're starting to funk up room.

2:31:56.320 --> 2:32:02.560
<v Speaker 1>I don't know how you hit things. Yeah, I just

2:32:02.680 --> 2:32:12.760
<v Speaker 1>want to know I ship somebody sitting on me.

2:32:13.440 --> 2:32:16.640
<v Speaker 4>Not now you know it probably ain't true, you know,

2:32:16.760 --> 2:32:18.560
<v Speaker 4>but but it was like, yeah, he wrote some of

2:32:18.600 --> 2:32:21.400
<v Speaker 4>the early like my melody or something, but then it

2:32:21.480 --> 2:32:22.440
<v Speaker 4>don't sound like shame.

2:32:22.560 --> 2:32:25.240
<v Speaker 1>I can't hear that. I can't hear that. I just

2:32:25.320 --> 2:32:31.080
<v Speaker 1>can't see no anybody writing to bring it up because

2:32:31.160 --> 2:32:32.040
<v Speaker 1>because I don't think so.

2:32:32.360 --> 2:32:34.120
<v Speaker 6>When they brought it up to me and it was

2:32:34.320 --> 2:32:36.039
<v Speaker 6>coming from official niggas.

2:32:35.680 --> 2:32:37.480
<v Speaker 1>I'm like, I think Shane would have sent it on drinking,

2:32:37.920 --> 2:32:44.120
<v Speaker 1>would have brew it up. Always you got the bottle

2:32:46.160 --> 2:32:51.920
<v Speaker 1>ship your life is not right. It's true. He really do.

2:32:52.400 --> 2:32:55.320
<v Speaker 1>He really goes and he goes at everybody does not

2:32:55.400 --> 2:32:58.400
<v Speaker 1>give some of the ship. He says. It's kind of

2:32:58.480 --> 2:33:05.880
<v Speaker 1>truth true, Like man, I'm in, yes, I'm he's not

2:33:05.959 --> 2:33:17.320
<v Speaker 1>wearing his teeth. I like that shampoo, yeah, drinking shampoople.

2:33:17.320 --> 2:33:18.920
<v Speaker 1>What is it called? What do you call it? Sham piper?

2:33:19.000 --> 2:33:19.280
<v Speaker 1>What does it?

2:33:19.600 --> 2:33:21.080
<v Speaker 6>We're gonna call it sham people.

2:33:22.400 --> 2:33:29.200
<v Speaker 1>With the sizzle with the whizzle. By the way, let

2:33:29.280 --> 2:33:32.039
<v Speaker 1>me tell you something. We interviewed MC sharing this motherfucker

2:33:32.120 --> 2:33:35.200
<v Speaker 1>went over there. I even know that existed. I was like,

2:33:35.280 --> 2:33:37.040
<v Speaker 1>holy ship, we got a part of them with it.

2:33:37.480 --> 2:33:38.360
<v Speaker 1>And he went over there.

2:33:38.440 --> 2:33:42.520
<v Speaker 4>So episode I salute y'all team. She she is more

2:33:42.760 --> 2:33:43.959
<v Speaker 4>more intensive than.

2:33:50.360 --> 2:33:50.400
<v Speaker 5>You.

2:33:50.520 --> 2:33:55.560
<v Speaker 1>Know what's crazy. I'm I'm gotching a flight to see

2:33:55.760 --> 2:33:58.640
<v Speaker 1>to see you. I'm like, this nigger commonist is here

2:33:58.760 --> 2:33:59.320
<v Speaker 1>at the game.

2:34:01.320 --> 2:34:04.400
<v Speaker 3>I have no excuse. So I pushed my flight up. Yeah,

2:34:04.640 --> 2:34:07.400
<v Speaker 3>that's how I got. I was like, yeah, I really

2:34:07.440 --> 2:34:08.080
<v Speaker 3>didn't want you to be.

2:34:10.920 --> 2:34:14.959
<v Speaker 1>Yesterday. I don't want no artists to beat me here.

2:34:15.480 --> 2:34:17.440
<v Speaker 1>So I was like you, I was, I was so

2:34:17.640 --> 2:34:18.040
<v Speaker 1>mad at you.

2:34:18.800 --> 2:34:22.120
<v Speaker 3>I was like, he came early to beat rockets on

2:34:22.200 --> 2:34:26.520
<v Speaker 3>the flight with me. I was like, I gotta beat him.

2:34:26.600 --> 2:34:33.039
<v Speaker 3>And the plane there was no nor insight.

2:34:35.320 --> 2:34:36.880
<v Speaker 1>You know how you can still see if my people

2:34:36.959 --> 2:34:37.520
<v Speaker 1>walking down.

2:34:38.840 --> 2:34:43.400
<v Speaker 3>So he was calling a complex now that I'm I'm

2:34:43.400 --> 2:34:44.959
<v Speaker 3>still an artist. I'm gonna be artist for the rest

2:34:45.000 --> 2:34:47.760
<v Speaker 3>of my life, but I have a complex where I

2:34:47.959 --> 2:34:50.640
<v Speaker 3>want you to I want my team to salute you

2:34:50.680 --> 2:34:52.560
<v Speaker 3>when you walk in, and I want I want I

2:34:52.640 --> 2:34:53.640
<v Speaker 3>want you to feel great.

2:34:54.160 --> 2:34:59.360
<v Speaker 1>And I was running here and they said comment there.

2:34:59.480 --> 2:35:05.800
<v Speaker 1>I was like, was like telling them we're not open. Yo, Yo,

2:35:05.879 --> 2:35:07.000
<v Speaker 1>I ain't gonna yesterday.

2:35:07.160 --> 2:35:08.720
<v Speaker 4>There was you know, they was like, yo, we got

2:35:08.800 --> 2:35:13.000
<v Speaker 4>we got to schedule for this. Were at the game.

2:35:13.520 --> 2:35:15.160
<v Speaker 1>We're gonna tell the New York because you're not allowed

2:35:15.240 --> 2:35:21.400
<v Speaker 1>no more. Okay.

2:35:24.440 --> 2:35:27.120
<v Speaker 4>So I was yo when they told me, they was like, yo,

2:35:27.760 --> 2:35:29.800
<v Speaker 4>they want to move the time back. And and then

2:35:29.840 --> 2:35:32.360
<v Speaker 4>there was I was like, because Chris shout out to

2:35:32.480 --> 2:35:33.400
<v Speaker 4>Chris atleast one.

2:35:33.959 --> 2:35:41.480
<v Speaker 1>Chris Chris Chris Christie thing like Yo, they want to

2:35:41.520 --> 2:35:43.000
<v Speaker 1>move the time back. Boom boom boom.

2:35:43.400 --> 2:35:45.280
<v Speaker 4>I was like, okay, cool, and that might mean I

2:35:45.360 --> 2:35:47.360
<v Speaker 4>might get on the later flight. And then I was like,

2:35:48.040 --> 2:35:49.160
<v Speaker 4>I got to do I was supposed to do a

2:35:49.240 --> 2:35:51.560
<v Speaker 4>sound checking blah blah blah, going the show. And then

2:35:52.000 --> 2:35:54.320
<v Speaker 4>I said, well Ship, damn, how we gonna do this?

2:35:54.840 --> 2:35:58.240
<v Speaker 4>And then they said, okay, they really want to move

2:35:58.280 --> 2:36:04.000
<v Speaker 4>the time back because nor at the next day, I

2:36:04.120 --> 2:36:14.199
<v Speaker 4>was like, yeah, we gotta go to the yah.

2:36:14.920 --> 2:36:17.760
<v Speaker 3>Listen, oh Ship, I know we spoke about it earlier,

2:36:17.840 --> 2:36:19.920
<v Speaker 3>but that euphoria, yeah.

2:36:21.200 --> 2:36:23.360
<v Speaker 1>Yeah, you know, and then they have but I know

2:36:23.440 --> 2:36:28.000
<v Speaker 1>he spoke talking about right then they had Mark Jack

2:36:29.560 --> 2:36:33.400
<v Speaker 1>the trail spreeing Patrick and John stepped to me too,

2:36:33.480 --> 2:36:36.960
<v Speaker 1>he said, and at the foul line, like Pat, you

2:36:38.280 --> 2:36:39.400
<v Speaker 1>know I said that back in the day.

2:36:39.920 --> 2:36:43.160
<v Speaker 4>Looks that's yo.

2:36:43.360 --> 2:36:49.680
<v Speaker 3>And by the way, like I'm still like humble, humble

2:36:49.760 --> 2:36:54.800
<v Speaker 3>person of course. So Fat Joe sees Spike, Lee and

2:36:56.280 --> 2:36:59.520
<v Speaker 3>Joe and they started talking and I'm just like, let

2:36:59.560 --> 2:37:00.440
<v Speaker 3>me mind my business.

2:37:00.560 --> 2:37:03.360
<v Speaker 1>You just let me just be a little humble.

2:37:04.920 --> 2:37:07.040
<v Speaker 3>Fat Joe was offering me drinks this you know, you

2:37:07.120 --> 2:37:09.760
<v Speaker 3>know it's bad. I don't want to even drink. I

2:37:09.800 --> 2:37:11.920
<v Speaker 3>just want to be on my best biek or whatever

2:37:12.240 --> 2:37:15.160
<v Speaker 3>it's Spike legos and then Fat goes cool, Let's take

2:37:15.200 --> 2:37:21.280
<v Speaker 3>a picture, Spike, Spike goes norm getting a fucking picture, a.

2:37:21.320 --> 2:37:32.680
<v Speaker 1>Fucking awesome time, y'all bro going like, I'm thinking about

2:37:33.280 --> 2:37:35.320
<v Speaker 1>the first record we made and that was nineteen ninety eight.

2:37:35.720 --> 2:37:39.480
<v Speaker 3>Ninety eight, that's the best year of my Life's so yeah,

2:37:39.520 --> 2:37:41.440
<v Speaker 3>both of y'all know, you know it's the best year

2:37:41.480 --> 2:37:45.080
<v Speaker 3>of my life. I'm also worst year of my life

2:37:45.120 --> 2:37:48.039
<v Speaker 3>because of incidents I lost I think we lost pun

2:37:48.320 --> 2:37:51.000
<v Speaker 3>that yeah, and I lost my fall, God bless you.

2:37:51.640 --> 2:37:52.960
<v Speaker 1>But I had the illest success.

2:37:53.120 --> 2:37:54.760
<v Speaker 3>I had the most you know, you know what I mean,

2:37:55.000 --> 2:37:59.600
<v Speaker 3>and when I'm looking at that, if you know, you know,

2:37:59.800 --> 2:38:02.600
<v Speaker 3>you know he's crazy. He has all of your album

2:38:02.879 --> 2:38:10.080
<v Speaker 3>He's just I thought I was just talking and I'm

2:38:10.160 --> 2:38:14.199
<v Speaker 3>looking and I'm like wow. And then and then yesterday

2:38:14.640 --> 2:38:18.080
<v Speaker 3>I get to see you. You're literally like the very

2:38:18.400 --> 2:38:22.520
<v Speaker 3>seat that it's across from. Then and then I see

2:38:22.560 --> 2:38:23.800
<v Speaker 3>you in the airport.

2:38:23.480 --> 2:38:25.640
<v Speaker 1>And I was like, god, it is really.

2:38:27.120 --> 2:38:29.640
<v Speaker 3>Like it's meant to be like this is not this

2:38:30.000 --> 2:38:32.560
<v Speaker 3>is and and like like again, I know I said

2:38:32.560 --> 2:38:35.120
<v Speaker 3>it earlier, but I'm gonna reiterated before we finished Quick

2:38:35.160 --> 2:38:40.000
<v Speaker 3>Time Slim, but I'm so happy that this but I'm

2:38:40.040 --> 2:38:44.119
<v Speaker 3>really so happy one that your brothers are together, brothers.

2:38:46.360 --> 2:38:48.200
<v Speaker 3>Neither one of y'all forgot about hip hop. And like

2:38:48.280 --> 2:38:50.440
<v Speaker 3>I said, every time I see y'all, I know that

2:38:50.560 --> 2:38:54.280
<v Speaker 3>y'all represented hip hop, and I just want to I

2:38:54.360 --> 2:38:56.640
<v Speaker 3>just want to thank y'all one more time before we finished.

2:38:56.840 --> 2:38:59.400
<v Speaker 1>I want to pay because.

2:39:01.720 --> 2:39:04.879
<v Speaker 7>They really have platform for allowing us to be seen

2:39:04.959 --> 2:39:07.960
<v Speaker 7>and heard, to really show people that like we're still

2:39:08.040 --> 2:39:08.600
<v Speaker 7>ow here.

2:39:09.120 --> 2:39:10.000
<v Speaker 6>The talent and.

2:39:11.640 --> 2:39:14.000
<v Speaker 4>Y'all been doing you know, y'all do this and it's

2:39:14.080 --> 2:39:18.200
<v Speaker 4>and it's important man, like like that people that then

2:39:18.360 --> 2:39:21.160
<v Speaker 4>know the culture and know hip hop and come from it,

2:39:21.800 --> 2:39:25.280
<v Speaker 4>like y'all reaching people that there's some people that didn't

2:39:25.360 --> 2:39:26.000
<v Speaker 4>know the culture.

2:39:26.480 --> 2:39:27.119
<v Speaker 6>You know what I'm saying.

2:39:27.240 --> 2:39:31.280
<v Speaker 4>There's people that like y'all introducing people. But because y'all

2:39:31.560 --> 2:39:35.480
<v Speaker 4>like gonna bring Marley Marl and mc shan on, somebody

2:39:35.600 --> 2:39:37.680
<v Speaker 4>is gonna know that or Patty LaBelle or you know,

2:39:37.920 --> 2:39:41.160
<v Speaker 4>like like whomever, like like, I mean, we know these

2:39:41.240 --> 2:39:43.959
<v Speaker 4>some of the people, but some we don't. But because

2:39:44.040 --> 2:39:46.080
<v Speaker 4>y'all know it the way you know it, it's like

2:39:46.240 --> 2:39:49.520
<v Speaker 4>really supposed to like who we are.

2:39:50.480 --> 2:39:54.119
<v Speaker 3>So to think that we don't watch Yes, no, well

2:39:54.160 --> 2:39:58.960
<v Speaker 3>thank you, because I see I see these answers and

2:39:59.040 --> 2:40:00.640
<v Speaker 3>these even more August.

2:40:03.120 --> 2:40:06.920
<v Speaker 1>Oh yeah, I think you got to ask.

2:40:06.840 --> 2:40:17.360
<v Speaker 8>This which oh yeah, yeah yeah, ice Cuber, Scarface, I'm.

2:40:17.200 --> 2:40:19.160
<v Speaker 4>Gonna ask the first, but I'm gonna tell you I

2:40:19.280 --> 2:40:24.400
<v Speaker 4>already know who I'm gonna say, Scarface, OK for me,

2:40:24.800 --> 2:40:25.800
<v Speaker 4>I'm going ice Cube.

2:40:26.400 --> 2:40:26.600
<v Speaker 2>Man.

2:40:28.000 --> 2:40:31.800
<v Speaker 4>The fact that ice Cube I don't know, man, he's

2:40:31.920 --> 2:40:36.560
<v Speaker 4>the ice Cube America's most wanted death certificate. I can't

2:40:36.560 --> 2:40:42.440
<v Speaker 4>forget that bird, his hand killing, the fact that he wrote,

2:40:42.440 --> 2:40:44.960
<v Speaker 4>he one thing he did Little Jim he told me,

2:40:45.080 --> 2:40:47.680
<v Speaker 4>I hope he shared it with everybody else. But but

2:40:48.560 --> 2:40:55.039
<v Speaker 4>that song, well, easy was like, uh, little girls and boys,

2:40:55.360 --> 2:40:59.400
<v Speaker 4>they all love me. He wrote that for Easy gangst Fairy,

2:41:00.280 --> 2:41:02.560
<v Speaker 4>he said, little girls and boys they all love me.

2:41:02.959 --> 2:41:06.039
<v Speaker 6>Co sit on a lot of Easy, but he changed

2:41:06.080 --> 2:41:07.920
<v Speaker 6>it to ice and made it his song.

2:41:08.360 --> 2:41:10.760
<v Speaker 4>The fact that he could write songs for other people

2:41:10.800 --> 2:41:13.320
<v Speaker 4>and they feel like they songs. But then he write

2:41:13.400 --> 2:41:15.400
<v Speaker 4>his own ship and it was like ship. We had

2:41:15.480 --> 2:41:18.240
<v Speaker 4>never heard, like I used to love a bitch as

2:41:18.280 --> 2:41:20.680
<v Speaker 4>a bitch. And people probably won't think that because you know,

2:41:26.160 --> 2:41:28.920
<v Speaker 4>sometimes y'all be like if I'm in this conscious figga

2:41:28.959 --> 2:41:34.120
<v Speaker 4>that only do it like I'm so so that being said,

2:41:34.200 --> 2:41:35.960
<v Speaker 4>it's like I don't know I'm gonna go with Cube

2:41:36.200 --> 2:41:39.560
<v Speaker 4>much respect to Scott Face, and I love it, but

2:41:39.600 --> 2:41:40.160
<v Speaker 4>I feel like.

2:41:41.879 --> 2:41:42.880
<v Speaker 6>I'm I'm an MC.

2:41:43.120 --> 2:41:46.160
<v Speaker 4>So I be feeling like I be looking sometimes when

2:41:46.200 --> 2:41:49.360
<v Speaker 4>I hear influence, and I think at some point Scott

2:41:49.440 --> 2:41:53.360
<v Speaker 4>Face is influenced by Ice Cube and and I just

2:41:53.520 --> 2:41:56.640
<v Speaker 4>Scott Face is amazing. It's just and soulful ship. But

2:41:56.760 --> 2:42:00.200
<v Speaker 4>Ice Cuba is like, man, he did some legend there.

2:42:00.280 --> 2:42:00.480
<v Speaker 1>Ship.

2:42:00.600 --> 2:42:03.280
<v Speaker 4>This is like straight out of company a lot of

2:42:03.360 --> 2:42:06.280
<v Speaker 4>that ship history history, definitely history.

2:42:07.440 --> 2:42:13.119
<v Speaker 3>Yeah right, you said scarface scarface, and I say scarface

2:42:13.240 --> 2:42:18.240
<v Speaker 3>because you know, after speaking to him and getting to

2:42:18.320 --> 2:42:19.480
<v Speaker 3>be his friend and ship like.

2:42:19.520 --> 2:42:23.760
<v Speaker 6>That, it's like faces deep. Yeah, he's funny, he's you know.

2:42:23.920 --> 2:42:29.320
<v Speaker 1>The Block is one of my favorite joints. And Hours album. Yeah,

2:42:29.360 --> 2:42:35.080
<v Speaker 1>the albums, The Face with album Love. That album was crazy.

2:42:35.160 --> 2:42:37.640
<v Speaker 1>Who did that be know Block?

2:42:38.160 --> 2:42:39.880
<v Speaker 6>Yeah, Kanye or the Rism?

2:42:40.240 --> 2:42:40.640
<v Speaker 1>I think it was.

2:42:40.720 --> 2:42:43.520
<v Speaker 6>Yeah, I think it was Yeah, Kanye or the Rism.

2:42:44.480 --> 2:42:59.360
<v Speaker 1>He's taking over the got you you asking me? All right?

2:42:59.400 --> 2:43:09.720
<v Speaker 1>So all right with Crateria, you can't get about beats.

2:43:12.920 --> 2:43:15.560
<v Speaker 1>I'm ill tell you this, damn that's all.

2:43:15.680 --> 2:43:19.160
<v Speaker 3>I have worked with the Risen before, and I've worked

2:43:19.160 --> 2:43:22.200
<v Speaker 3>with Ye. I've never worked with Ye as a producer,

2:43:22.920 --> 2:43:24.720
<v Speaker 3>but Yay scared the ship out of me.

2:43:26.120 --> 2:43:26.920
<v Speaker 1>One day I'm in.

2:43:27.000 --> 2:43:32.800
<v Speaker 3>Carbon, I wrote a whole rhyme in carbon. By the way,

2:43:33.040 --> 2:43:40.920
<v Speaker 3>I am a resource from special education child, so I

2:43:41.040 --> 2:43:46.160
<v Speaker 3>write in graffiti, even type type in graff. No one

2:43:46.240 --> 2:43:48.760
<v Speaker 3>could read my my my my wife can't read it.

2:43:49.640 --> 2:43:53.280
<v Speaker 3>My wife can't read it because you're a Gemini. But no, no, no,

2:43:53.720 --> 2:43:55.959
<v Speaker 3>I say, my wife can't read it. She's never tried.

2:43:56.280 --> 2:43:58.400
<v Speaker 3>My wife never looked at my phone for a rhyme.

2:43:58.760 --> 2:44:02.440
<v Speaker 3>You know what I'm saying, like it, but no one

2:44:02.520 --> 2:44:06.080
<v Speaker 3>could read my rhymes, like like, I've never met somebody

2:44:06.160 --> 2:44:10.080
<v Speaker 3>that can read my rhyme. Kanye not only read my rhyme,

2:44:11.440 --> 2:44:14.520
<v Speaker 3>he read it how I wrote it, like the flow

2:44:14.600 --> 2:44:17.880
<v Speaker 3>that you meant. He looked at my phone. And by

2:44:17.920 --> 2:44:21.200
<v Speaker 3>the way, who the where's miss Diego? Who was it

2:44:21.400 --> 2:44:24.920
<v Speaker 3>with Jeff what's his name? Jared Kushner? This is the

2:44:25.000 --> 2:44:26.840
<v Speaker 3>fucking president's.

2:44:27.320 --> 2:44:30.760
<v Speaker 1>Son in law, son in law at the time, where

2:44:31.040 --> 2:44:32.279
<v Speaker 1>the presidents at the time.

2:44:32.280 --> 2:44:36.160
<v Speaker 3>At the time, And I'm writing around and he's he's

2:44:36.280 --> 2:44:38.840
<v Speaker 3>watching me write the rhyme like you know how sometimes

2:44:38.879 --> 2:44:40.440
<v Speaker 3>like I'm an MC so I just couldn't.

2:44:40.879 --> 2:44:44.280
<v Speaker 1>I couldn't turn it off. And I put the phone

2:44:44.360 --> 2:44:48.960
<v Speaker 1>down and looked at my phone and he, Yo, he

2:44:49.680 --> 2:44:53.680
<v Speaker 1>knew he spin it how I wrote it. Even if

2:44:53.720 --> 2:44:58.160
<v Speaker 1>you could write it, I don't know that man, Jesus.

2:44:58.200 --> 2:44:58.600
<v Speaker 4>That man.

2:44:59.160 --> 2:45:03.040
<v Speaker 1>He was like Kanye different man. And I looked and

2:45:03.160 --> 2:45:07.080
<v Speaker 1>I was like mostly Hawaiian.

2:45:07.320 --> 2:45:12.120
<v Speaker 6>So some things with him like just threw me.

2:45:12.200 --> 2:45:16.680
<v Speaker 1>Back, Like he's a genius. You can't take away from.

2:45:18.600 --> 2:45:20.680
<v Speaker 6>But I don't use that word that much. He's a

2:45:20.760 --> 2:45:21.560
<v Speaker 6>genius people.

2:45:21.600 --> 2:45:24.400
<v Speaker 8>People get mad when you call and for what he

2:45:24.560 --> 2:45:26.600
<v Speaker 8>does and how he does it, he's a genius.

2:45:26.680 --> 2:45:31.120
<v Speaker 1>He's a musical genius. Yes, yes, wants simple as that

2:45:32.680 --> 2:45:33.240
<v Speaker 1>going around.

2:45:34.320 --> 2:45:35.959
<v Speaker 3>We're gonna get out of quick time of slime. Let's

2:45:37.879 --> 2:45:43.440
<v Speaker 3>yeah this for you again. Okay, Biggie a big punt.

2:45:46.640 --> 2:45:49.640
<v Speaker 3>I love them both, but I'll go with bigg This

2:45:49.800 --> 2:45:53.360
<v Speaker 3>is awesome for you. Bulls are the knicks, you know.

2:45:54.800 --> 2:45:59.560
<v Speaker 3>Come on, I'll say to this comment right now, comment,

2:46:06.760 --> 2:46:06.959
<v Speaker 3>we know.

2:46:07.000 --> 2:46:11.640
<v Speaker 6>You're I'm going with the bulls. Let's remember that we

2:46:11.760 --> 2:46:12.560
<v Speaker 6>shut y'all down.

2:46:13.560 --> 2:46:19.640
<v Speaker 1>You remember we do. Remember we do, y'all. You don't

2:46:19.680 --> 2:46:21.720
<v Speaker 1>have to remind us. We don't remember. I need to

2:46:21.760 --> 2:46:25.960
<v Speaker 1>remind you the bulls. Did you understand that yesterday we

2:46:26.080 --> 2:46:27.960
<v Speaker 1>said fuck you Reggie and he wasn't even in the

2:46:28.000 --> 2:46:38.560
<v Speaker 1>buildings coming exactly. Y'all have heard that her United Center.

2:46:38.800 --> 2:46:41.800
<v Speaker 4>But it's amazing to see that what Mike did to y'all.

2:46:42.120 --> 2:46:43.120
<v Speaker 4>Just think about what Mike.

2:46:44.680 --> 2:46:53.160
<v Speaker 1>Think about Think like his leg it's not working, Think

2:46:53.200 --> 2:46:53.520
<v Speaker 1>about this.

2:46:54.280 --> 2:47:01.320
<v Speaker 4>Yeah, look, no, Patrick Ewing, Charles Barkley, calm alone. Greats

2:47:02.080 --> 2:47:06.320
<v Speaker 4>never got a ring. Gary Payton because of him. Jane

2:47:06.720 --> 2:47:10.960
<v Speaker 4>Man Chicago. We bred that man. We got Oprah, y'all

2:47:11.040 --> 2:47:13.199
<v Speaker 4>named it. Let me go down the list of people

2:47:13.240 --> 2:47:16.320
<v Speaker 4>we got. We we bred, We cultivated Oprah to be

2:47:16.440 --> 2:47:17.000
<v Speaker 4>who she was.

2:47:17.440 --> 2:47:21.959
<v Speaker 6>God bless her. We ain't get I love, I love,

2:47:22.640 --> 2:47:23.360
<v Speaker 6>I love, give up.

2:47:23.640 --> 2:47:29.520
<v Speaker 4>But but but look we Mike, we cultivated him President Obama, obviously,

2:47:29.600 --> 2:47:36.560
<v Speaker 4>Michelle Obama from the man that's in the middle, I'm

2:47:36.560 --> 2:47:40.680
<v Speaker 4>talking about car Minnie rippertsent Kelly.

2:47:40.720 --> 2:47:42.880
<v Speaker 1>We did somewhere. We gotta give it up for a jay.

2:47:47.840 --> 2:47:48.000
<v Speaker 1>You know.

2:47:48.680 --> 2:47:50.680
<v Speaker 4>We go to the New School of Little Dirts and

2:47:51.000 --> 2:47:55.600
<v Speaker 4>her little her broke up. Givego, we got our ship,

2:47:57.040 --> 2:48:00.080
<v Speaker 4>got it go, give.

2:47:59.920 --> 2:48:09.360
<v Speaker 1>It up to chief keeping the herb homies keep clips.

2:48:09.600 --> 2:48:10.160
<v Speaker 4>E p m D.

2:48:12.720 --> 2:48:14.800
<v Speaker 6>I'm going e p m D. Man them dudes, like,

2:48:16.000 --> 2:48:17.000
<v Speaker 6>come on, man, they did.

2:48:17.040 --> 2:48:20.000
<v Speaker 1>You said, clown cli that's kind of odd.

2:48:20.280 --> 2:48:25.640
<v Speaker 6>Yeah, okay, listening like e p m D.

2:48:25.879 --> 2:48:30.520
<v Speaker 4>Come on, man, them four albums like James three.

2:48:30.440 --> 2:48:31.520
<v Speaker 6>They did three segments.

2:48:31.560 --> 2:48:36.200
<v Speaker 7>And you can't pair teachers with youngins. Tell them nigs

2:48:36.200 --> 2:48:41.400
<v Speaker 7>over there, teachers with young that that's that's.

2:48:41.360 --> 2:48:42.880
<v Speaker 1>And the birth of the hit squad out of E

2:48:42.959 --> 2:48:45.480
<v Speaker 1>p m D by itself with that and.

2:48:45.720 --> 2:48:48.200
<v Speaker 4>Just the albums like think about E p m D.

2:48:48.400 --> 2:48:52.119
<v Speaker 4>Got strictly business. Yeah, I'm finished.

2:48:52.120 --> 2:48:57.600
<v Speaker 6>Unfinished business active business like across so all that ship

2:48:57.720 --> 2:48:58.520
<v Speaker 6>that was good?

2:48:58.680 --> 2:49:08.600
<v Speaker 2>Cross like, yeah, bang up, Crazy, just Blaze or DJ Mustard? No, okay,

2:49:09.520 --> 2:49:10.920
<v Speaker 2>who you asking you?

2:49:11.440 --> 2:49:11.920
<v Speaker 1>Just place?

2:49:13.959 --> 2:49:17.960
<v Speaker 7>I know Mustard has a track record of all the

2:49:18.120 --> 2:49:21.840
<v Speaker 7>new new things that's going on, and he's had his hits.

2:49:22.400 --> 2:49:25.800
<v Speaker 7>But I'm gonna go with you know, because I'm gonna

2:49:25.800 --> 2:49:29.480
<v Speaker 7>go with what I know, right, I respect, I know

2:49:29.600 --> 2:49:30.000
<v Speaker 7>the dude.

2:49:30.080 --> 2:49:33.440
<v Speaker 1>So that's what's up. Mm hmm. You ain't even gonna

2:49:33.440 --> 2:49:41.080
<v Speaker 1>answer that crazy. I'm gonna change this one up, okay.

2:49:43.080 --> 2:49:43.440
<v Speaker 4>Mm hmm.

2:49:43.680 --> 2:49:45.840
<v Speaker 1>They we use. He's trying to pick a difficult one,

2:49:49.840 --> 2:49:57.879
<v Speaker 1>that one. I'm a virgo September six, okay, Nas or Biggie.

2:50:00.160 --> 2:50:03.959
<v Speaker 1>That's that's one of the hardest picks for me. Let

2:50:04.040 --> 2:50:06.600
<v Speaker 1>me change it up there, No, no, no, no, I like,

2:50:07.240 --> 2:50:08.880
<v Speaker 1>I like, I'm gonna say, well, if you like to

2:50:08.920 --> 2:50:11.240
<v Speaker 1>break it down like I like, I'm gonna go with NAS.

2:50:11.680 --> 2:50:16.400
<v Speaker 1>And you've been studying with us with study with delegation

2:50:16.560 --> 2:50:17.080
<v Speaker 1>is a real nick.

2:50:22.240 --> 2:50:25.480
<v Speaker 6>Let me say this though about Biggie. I think Biggie

2:50:26.560 --> 2:50:27.440
<v Speaker 6>is to me.

2:50:28.400 --> 2:50:31.320
<v Speaker 4>You know, you hear the word consonant, He's a consonment

2:50:31.560 --> 2:50:34.640
<v Speaker 4>MC because he's one of the MC's that I feel

2:50:34.720 --> 2:50:40.359
<v Speaker 4>like had the some of the dopest lyrics like Simile's metaphors.

2:50:40.840 --> 2:50:43.439
<v Speaker 6>His voice is like a voice.

2:50:43.280 --> 2:50:45.640
<v Speaker 4>Is a gift that God only can get, Like Luther

2:50:45.720 --> 2:50:50.400
<v Speaker 4>Van got a voice, like Whitney Houston, Aretha Franklin Man,

2:50:50.959 --> 2:50:55.120
<v Speaker 4>Minnie Riffertson. It's a voice. Biggie had a voice. Nas

2:50:55.120 --> 2:50:58.760
<v Speaker 4>got a voice. They both they both got like some mcs.

2:50:58.840 --> 2:51:00.920
<v Speaker 4>I'm like, they don't but they ain't got a voice.

2:51:00.959 --> 2:51:01.520
<v Speaker 4>That's a gift.

2:51:01.680 --> 2:51:02.720
<v Speaker 1>But Biggies was unique.

2:51:02.760 --> 2:51:04.040
<v Speaker 6>Biggies was big Mary.

2:51:04.160 --> 2:51:08.600
<v Speaker 4>But NASA's unique to that little grasping this things like incredible.

2:51:09.120 --> 2:51:13.120
<v Speaker 4>Biggie also is incredible with the stories. And one thing

2:51:13.200 --> 2:51:15.480
<v Speaker 4>that I even though I picked NAS, one thing I

2:51:15.520 --> 2:51:17.560
<v Speaker 4>would say Biggie had over a lot of them, sees

2:51:17.920 --> 2:51:21.800
<v Speaker 4>is he knew how to ride over those commercial beats.

2:51:22.080 --> 2:51:26.400
<v Speaker 1>Yeah and still keep it, keep it and keep a gangster. Yeah.

2:51:26.480 --> 2:51:29.800
<v Speaker 3>Yeah, if you take hypnotize and you put that shirt

2:51:29.840 --> 2:51:32.120
<v Speaker 3>on a different beat, you like he was coming by

2:51:32.600 --> 2:51:33.360
<v Speaker 3>nasty girls.

2:51:34.520 --> 2:51:37.000
<v Speaker 1>You know what I'm saying. He so, I got one

2:51:37.040 --> 2:51:37.600
<v Speaker 1>more chance.

2:51:38.640 --> 2:51:41.360
<v Speaker 4>I got a theory that the dudes, the guys you're

2:51:41.400 --> 2:51:44.400
<v Speaker 4>making descent, they ride the rhythms the best buster.

2:51:44.800 --> 2:51:56.280
<v Speaker 1>That's real, that's true. I'm glad. I'm telling you. I

2:51:56.320 --> 2:51:57.840
<v Speaker 1>got a little theory. I'll be studying.

2:51:57.920 --> 2:52:04.160
<v Speaker 4>This would be like the way they ride the robust

2:52:04.240 --> 2:52:05.359
<v Speaker 4>because the greatest.

2:52:05.400 --> 2:52:11.200
<v Speaker 1>Great because you reggae things of dance music. But the

2:52:11.440 --> 2:52:12.959
<v Speaker 1>reg artists be saying some hard.

2:52:14.440 --> 2:52:17.320
<v Speaker 6>On that rhythm and it all starts well. I mean,

2:52:17.320 --> 2:52:19.039
<v Speaker 6>you know, talking about reggae music.

2:52:19.240 --> 2:52:19.280
<v Speaker 5>You.

2:52:19.520 --> 2:52:25.080
<v Speaker 7>Roy was like the reggae artist rap chat in Jamaican.

2:52:25.160 --> 2:52:27.240
<v Speaker 7>You know, when it comes to the Jamaican world full

2:52:27.280 --> 2:52:27.920
<v Speaker 7>of Jamaicans.

2:52:28.480 --> 2:52:32.880
<v Speaker 1>Roy was that guy. He said, big up, Yeah, you

2:52:33.440 --> 2:52:37.560
<v Speaker 1>get the Jamaican master going creat Yeah, you're right. I'm

2:52:37.560 --> 2:52:43.680
<v Speaker 1>glad you're here. He knows about you. We ain't gonna

2:52:43.680 --> 2:52:46.400
<v Speaker 1>hear the rest of this year. Ask him. We're gonna

2:52:46.440 --> 2:52:49.400
<v Speaker 1>be boxing Tomorrow's gonna be like you about it? Rock

2:52:49.520 --> 2:52:54.360
<v Speaker 1>Ye the boy Yes, yard Man who was the state

2:52:54.440 --> 2:52:57.800
<v Speaker 1>side recently to yo, who you know? He who you

2:52:57.959 --> 2:52:59.920
<v Speaker 1>got back in the America? He got back here man?

2:53:00.080 --> 2:53:10.600
<v Speaker 1>Oh yeah, I want to I want to shine, I

2:53:10.720 --> 2:53:11.680
<v Speaker 1>want to welcome back.

2:53:12.080 --> 2:53:21.000
<v Speaker 3>It's crazy. Okay, radio or podcast radio Premiere.

2:53:20.879 --> 2:53:26.320
<v Speaker 4>Or Doctor Dre Premiere for me, okay, yeah, sixth Sense

2:53:27.040 --> 2:53:30.400
<v Speaker 4>and Premier is just you know, that's my taste more.

2:53:30.720 --> 2:53:34.039
<v Speaker 4>I love the Doctor Dre Kronick and all that stuff,

2:53:34.520 --> 2:53:37.360
<v Speaker 4>but Premiere, man, it ain't nothing like some of them

2:53:37.480 --> 2:53:40.680
<v Speaker 4>joints that that the gang style did, like them gang

2:53:40.760 --> 2:53:42.720
<v Speaker 4>Style like when I when I be hearing step into

2:53:42.800 --> 2:53:43.720
<v Speaker 4>the Arena.

2:53:43.879 --> 2:53:44.440
<v Speaker 1>And like.

2:53:46.080 --> 2:53:51.000
<v Speaker 4>The Wick Manifested, like Witch and like some of them joints.

2:53:51.040 --> 2:53:53.800
<v Speaker 4>Is just like I'm like, man, this ship is incredible.

2:53:55.080 --> 2:53:58.160
<v Speaker 4>That's why them dudes is like for me, Pete Rock

2:53:58.600 --> 2:54:01.160
<v Speaker 4>and I know they always get classified together.

2:54:01.240 --> 2:54:03.119
<v Speaker 6>Pete Rock got his own sound, Premier got.

2:54:03.040 --> 2:54:03.959
<v Speaker 1>His own difference.

2:54:04.000 --> 2:54:07.200
<v Speaker 4>But it's just like two greats where you when we

2:54:07.480 --> 2:54:10.400
<v Speaker 4>like talk about like I listen to jazz some Miles

2:54:10.520 --> 2:54:13.360
<v Speaker 4>Davis and John Coltrane and two of my favorites, but

2:54:13.879 --> 2:54:16.560
<v Speaker 4>you know, but they don't sound alike, but they still

2:54:16.640 --> 2:54:19.000
<v Speaker 4>got their own sound. And you know it's I listen

2:54:19.040 --> 2:54:21.440
<v Speaker 4>to them both, and that's what to me with Pete

2:54:21.520 --> 2:54:24.760
<v Speaker 4>Rock and who Pete Rock is. And then Premiere. So

2:54:25.320 --> 2:54:28.800
<v Speaker 4>dre Is drey is like incredible producer, he got the sounds.

2:54:28.840 --> 2:54:29.840
<v Speaker 4>But I'm going with primo.

2:54:30.440 --> 2:54:31.120
<v Speaker 1>I respect that.

2:54:32.080 --> 2:54:41.480
<v Speaker 4>Yeah, oh yeah, acting or rapping, yeah, man, I'm going rapping. Man,

2:54:42.320 --> 2:54:45.800
<v Speaker 4>happened you right back when you saw it, because it's like,

2:54:46.600 --> 2:54:48.959
<v Speaker 4>you know, you know you ever been with.

2:54:50.720 --> 2:54:52.640
<v Speaker 6>Well, y'all married, some of y'all married.

2:54:52.720 --> 2:54:58.160
<v Speaker 1>Yeah, I'm married. You have been like we know you've

2:54:58.200 --> 2:55:15.400
<v Speaker 1>been outside you respect you know you should have been

2:55:15.440 --> 2:55:31.200
<v Speaker 1>called got literally yes, yeah yeah.

2:55:31.440 --> 2:55:34.080
<v Speaker 4>For me, I feel like rapping I was about I

2:55:34.120 --> 2:55:36.000
<v Speaker 4>brought up a woman because I was like, you know

2:55:36.080 --> 2:55:39.520
<v Speaker 4>how you like be like, man, I'm about to go

2:55:39.680 --> 2:55:42.720
<v Speaker 4>out and do, but you always come back home.

2:55:43.640 --> 2:55:45.039
<v Speaker 1>Home. Ain't nothing like home.

2:55:45.879 --> 2:55:49.240
<v Speaker 4>And you know I ain't saying like niggas do go

2:55:49.320 --> 2:55:52.040
<v Speaker 4>out do we married niggas and were staying focused. But

2:55:52.400 --> 2:55:56.760
<v Speaker 4>but but the point is, like, no matter what I do,

2:55:57.840 --> 2:56:02.320
<v Speaker 4>hip hop is always a base. It's always the base.

2:56:02.400 --> 2:56:06.000
<v Speaker 4>I feel like God gave me that understand who I

2:56:06.080 --> 2:56:08.200
<v Speaker 4>am and like to express who I am and to

2:56:08.240 --> 2:56:09.760
<v Speaker 4>be able to touchdown with certain people.

2:56:10.200 --> 2:56:11.680
<v Speaker 1>So acting is.

2:56:11.760 --> 2:56:14.560
<v Speaker 4>Something I love it like I love I ain't gonna lie.

2:56:14.560 --> 2:56:16.280
<v Speaker 4>I love it like I love music. I ain't at

2:56:16.360 --> 2:56:19.480
<v Speaker 4>the level that I you know, like, even though some

2:56:19.560 --> 2:56:21.119
<v Speaker 4>people come to me. I used to love when people

2:56:21.160 --> 2:56:23.400
<v Speaker 4>come to me and be like, man, I like you

2:56:23.520 --> 2:56:24.720
<v Speaker 4>better as an actor than a rap.

2:56:25.920 --> 2:56:30.120
<v Speaker 1>Okay cool, But I can about podcasting. I don't know

2:56:30.200 --> 2:56:31.040
<v Speaker 1>if I like it or not.

2:56:34.520 --> 2:56:40.240
<v Speaker 4>I'm like, show how diverset you out? Like for you

2:56:40.320 --> 2:56:45.840
<v Speaker 4>to go into another and dominate and be great at it.

2:56:47.000 --> 2:56:50.400
<v Speaker 4>That's crazy, That's what that's That's how so for me.

2:56:50.520 --> 2:56:53.160
<v Speaker 4>I love acting, but I ain't gonna lie. Rapping is

2:56:53.280 --> 2:56:56.640
<v Speaker 4>like like, man, I ain't gonna lie. Coming to be

2:56:56.680 --> 2:56:57.959
<v Speaker 4>able to work with Pete was like.

2:56:58.200 --> 2:57:01.560
<v Speaker 6>Man, this is some of the that's like, I was

2:57:01.640 --> 2:57:02.880
<v Speaker 6>something I always wanted to do.

2:57:04.120 --> 2:57:05.120
<v Speaker 1>I've been mating to work with.

2:57:05.600 --> 2:57:09.120
<v Speaker 4>I was peating, like yo, when he sent beats m hm,

2:57:09.640 --> 2:57:11.560
<v Speaker 4>like when he is saying he is sending beats. It's

2:57:11.600 --> 2:57:12.720
<v Speaker 4>just one little snippets.

2:57:13.920 --> 2:57:14.080
<v Speaker 1>Man.

2:57:14.720 --> 2:57:17.080
<v Speaker 4>That's the joy I felt when I first was like,

2:57:18.120 --> 2:57:20.400
<v Speaker 4>it's only certain producers that have been able to do that.

2:57:20.520 --> 2:57:20.800
<v Speaker 1>For me.

2:57:21.360 --> 2:57:24.320
<v Speaker 4>It's only j De Love, Pete Rock and maybe Kanye

2:57:25.120 --> 2:57:28.039
<v Speaker 4>Wow that that's been able to be Like I get

2:57:28.080 --> 2:57:30.440
<v Speaker 4>a beat and I'm like, oh man, my world is

2:57:30.680 --> 2:57:33.080
<v Speaker 4>and it can't nothing messed with my world at this

2:57:33.200 --> 2:57:36.200
<v Speaker 4>point unless it's something with my family going on or something,

2:57:36.240 --> 2:57:39.360
<v Speaker 4>you know. But anyway, when Pete send them beats, so

2:57:39.720 --> 2:57:43.360
<v Speaker 4>I'm gonna go with rapping, man, I was rapping, rapping rap,

2:57:43.640 --> 2:57:44.360
<v Speaker 4>Yeah right.

2:57:44.320 --> 2:57:54.120
<v Speaker 1>I was rap, peak producing or peak rapping.

2:57:56.160 --> 2:57:56.360
<v Speaker 2>Man.

2:57:57.040 --> 2:58:00.320
<v Speaker 3>That's a hard I mean, that's not hard, like he

2:58:00.520 --> 2:58:05.119
<v Speaker 3>is saying. First, I didn't care about rapping. I care

2:58:05.160 --> 2:58:08.080
<v Speaker 3>about the music, So I don't care what you say.

2:58:08.920 --> 2:58:11.800
<v Speaker 4>I mean, it's it's Pete producing like this dude is

2:58:11.840 --> 2:58:12.959
<v Speaker 4>one of the greatest producers.

2:58:13.560 --> 2:58:18.680
<v Speaker 6>Like, it ain't a top shot. Hey, we started we

2:58:18.800 --> 2:58:19.240
<v Speaker 6>started off.

2:58:19.440 --> 2:58:23.360
<v Speaker 1>We're not saying that likely, folks, We're not saying say that.

2:58:23.560 --> 2:58:25.640
<v Speaker 6>And I was saying no, I was like, you know,

2:58:25.760 --> 2:58:27.280
<v Speaker 6>not just the hip hop man.

2:58:27.360 --> 2:58:30.600
<v Speaker 4>We gotta we gotta recognize what hip hop producers have

2:58:30.760 --> 2:58:34.199
<v Speaker 4>done to music. Like we honor like and we should

2:58:34.280 --> 2:58:37.279
<v Speaker 4>honor Jimmy Jame and Terry Lewis, we should honor.

2:58:37.720 --> 2:58:40.440
<v Speaker 6>Like the like the Mally's White and people.

2:58:40.760 --> 2:58:45.000
<v Speaker 4>But Pete Rockets is like for a genre, he created

2:58:45.080 --> 2:58:48.680
<v Speaker 4>and helped elevate the whole genre and the music transcended

2:58:48.760 --> 2:58:49.200
<v Speaker 4>beyond that.

2:58:49.879 --> 2:58:52.720
<v Speaker 1>Other genres of a copy what hip hop producers doing

2:58:52.879 --> 2:58:53.400
<v Speaker 1>point blak.

2:58:53.560 --> 2:58:56.960
<v Speaker 7>Yeah, it's only I say it's really inspiration. Like I

2:58:57.080 --> 2:59:00.320
<v Speaker 7>know copy is the word that people use, but saying

2:59:01.200 --> 2:59:06.200
<v Speaker 7>it's really reinvented me inspiring people to just want to

2:59:06.280 --> 2:59:06.800
<v Speaker 7>do the same thing.

2:59:06.840 --> 2:59:09.080
<v Speaker 1>That's yeah, that's that's the humble.

2:59:09.760 --> 2:59:10.760
<v Speaker 6>Yeah.

2:59:11.120 --> 2:59:11.360
<v Speaker 1>Yeah.

2:59:12.520 --> 2:59:17.360
<v Speaker 4>But his raps is cold but Yeah Heavy D or

2:59:17.480 --> 2:59:23.000
<v Speaker 4>Chuck Rock heavy D. I love Chuck oh Man, heavy

2:59:23.080 --> 2:59:25.240
<v Speaker 4>D Man for me, I mean, I ain't gonna lie.

2:59:25.360 --> 2:59:31.040
<v Speaker 4>Part of it might be special ad to me with

2:59:31.120 --> 2:59:34.480
<v Speaker 4>to M season did this intricate thing that I was like,

2:59:34.600 --> 2:59:38.840
<v Speaker 4>oh she was cold but heavy D. After just learning Buddy,

2:59:39.200 --> 2:59:45.760
<v Speaker 4>He's done, Heavy D met the man met the man

2:59:45.840 --> 2:59:46.519
<v Speaker 4>of Buster.

2:59:51.760 --> 2:59:57.400
<v Speaker 8>Man hell Coul Big Daddy came either well hello, he

2:59:57.640 --> 3:00:00.400
<v Speaker 8>was like the was he did he come before bid?

3:00:01.040 --> 3:00:01.240
<v Speaker 4>Yeah?

3:00:01.480 --> 3:00:02.959
<v Speaker 1>Yeah, sixteen years old.

3:00:03.640 --> 3:00:07.400
<v Speaker 7>So I was on to LL on his first album,

3:00:07.480 --> 3:00:12.040
<v Speaker 7>Tha bet you know the whole first album, Can't Live

3:00:12.120 --> 3:00:16.760
<v Speaker 7>Without My Radio all that, Like that was like the

3:00:16.879 --> 3:00:19.480
<v Speaker 7>only hip hop I knew when I heard L cool J.

3:00:19.959 --> 3:00:24.560
<v Speaker 7>Then they did the crush grooving movie Body Moving.

3:00:24.959 --> 3:00:28.760
<v Speaker 1>You know what I'm saying. LLL was was was was

3:00:28.959 --> 3:00:31.440
<v Speaker 1>in it. He was in it. And then I'm bad.

3:00:31.720 --> 3:00:35.720
<v Speaker 6>Was like like, oh ship, well, yeah, I'm going with

3:00:35.959 --> 3:00:36.200
<v Speaker 6>l L.

3:00:36.360 --> 3:00:37.200
<v Speaker 1>Because l L.

3:00:38.320 --> 3:00:40.280
<v Speaker 4>I ain't gonna lie. L L was one of them dudes.

3:00:40.360 --> 3:00:43.440
<v Speaker 4>I was like, he did it on the on the

3:00:43.720 --> 3:00:45.600
<v Speaker 4>lyrical side. If you listen to a lot of stuff

3:00:45.680 --> 3:00:48.120
<v Speaker 4>to the breaking down I love and I breaking on

3:00:48.240 --> 3:00:50.680
<v Speaker 4>breaking down, he'd be like, peepe rock this stuff in

3:00:50.760 --> 3:00:51.200
<v Speaker 4>the studio.

3:00:51.280 --> 3:00:51.760
<v Speaker 1>I love us.

3:00:52.200 --> 3:00:54.120
<v Speaker 6>But but he but people.

3:00:54.360 --> 3:00:57.560
<v Speaker 4>But l L was like he could do a lot

3:00:57.600 --> 3:00:59.800
<v Speaker 4>of different stuff too, because Mama said, knock you out

3:01:00.640 --> 3:01:03.720
<v Speaker 4>like one nine hundred not all my favorite.

3:01:04.080 --> 3:01:08.480
<v Speaker 6>I don't put don't I don't go go go. That

3:01:08.600 --> 3:01:10.360
<v Speaker 6>ship is cold and I tell you it is a

3:01:10.480 --> 3:01:11.360
<v Speaker 6>big ce.

3:01:12.520 --> 3:01:15.160
<v Speaker 1>Nomin nate L Man.

3:01:16.440 --> 3:01:19.959
<v Speaker 6>I love and I love that snapping.

3:01:20.160 --> 3:01:23.240
<v Speaker 8>Yeah, how young he started in his career to this

3:01:23.640 --> 3:01:25.440
<v Speaker 8>now doing radio, Like it's.

3:01:25.360 --> 3:01:28.480
<v Speaker 6>Crazy everything that he has a radio station.

3:01:28.560 --> 3:01:33.200
<v Speaker 3>I'm gonna say, yeah, Cuba black Dog, Yeah, come on,

3:01:33.440 --> 3:01:34.560
<v Speaker 3>come on, let's.

3:01:35.720 --> 3:01:44.920
<v Speaker 9>Let's hear you black better m c in that situation back, okay, man,

3:01:45.000 --> 3:01:45.840
<v Speaker 9>you need to stop.

3:01:49.080 --> 3:01:50.400
<v Speaker 1>Or digital and.

3:01:52.640 --> 3:01:54.800
<v Speaker 6>I'm going and a log all day.

3:01:56.000 --> 3:01:57.680
<v Speaker 1>I just feel like you're going about to stay digital

3:01:57.800 --> 3:01:58.440
<v Speaker 1>just to be different.

3:01:58.600 --> 3:01:58.640
<v Speaker 4>No.

3:01:58.680 --> 3:02:01.480
<v Speaker 8>I always said that a lot I couldn't even I

3:02:01.480 --> 3:02:04.600
<v Speaker 8>couldn't transfer over to digital DJ digital.

3:02:05.600 --> 3:02:08.800
<v Speaker 1>Gotta see yeah, go to the next one. I don't

3:02:08.840 --> 3:02:17.400
<v Speaker 1>want to exit this one. To me, neither Menace, oh yeah,

3:02:17.440 --> 3:02:20.360
<v Speaker 1>Mess Society or Juice. Oh that one will be good

3:02:22.240 --> 3:02:24.240
<v Speaker 1>after that one. Because I was on the set of

3:02:24.400 --> 3:02:27.320
<v Speaker 1>men really, I thought you would say Juice right now now.

3:02:27.480 --> 3:02:31.240
<v Speaker 7>We watched the very last shooting scenes and then after

3:02:31.600 --> 3:02:38.480
<v Speaker 7>they wrapped up, we partied at Universal Studios lel and

3:02:38.600 --> 3:02:40.959
<v Speaker 7>all the actors and actresses that way in the movie.

3:02:41.879 --> 3:02:45.200
<v Speaker 1>Yeh, So how did you get there? I don't see.

3:02:45.480 --> 3:02:48.119
<v Speaker 7>I had the country are on the soundtrack. We did

3:02:48.160 --> 3:02:51.680
<v Speaker 7>a song on the soundtrack that becomes You that you.

3:02:51.800 --> 3:02:54.960
<v Speaker 4>Snap yeah yeah, And I wrote that myself, that ship

3:02:55.000 --> 3:02:56.039
<v Speaker 4>you snapped on that ship.

3:02:56.320 --> 3:02:58.800
<v Speaker 6>So yo, I'm going with minutes. I watched Minace.

3:02:59.240 --> 3:03:00.360
<v Speaker 1>I'm gonna is right.

3:03:00.879 --> 3:03:03.280
<v Speaker 6>I'm going I'm going minute too.

3:03:03.480 --> 3:03:09.400
<v Speaker 4>Y'all know, y'all didn't like really ask me, but I'm

3:03:09.440 --> 3:03:13.120
<v Speaker 4>going minute. I saw that ship like I ain't gonna lie.

3:03:13.440 --> 3:03:15.800
<v Speaker 4>I saw that ship like like eight times at the

3:03:15.879 --> 3:03:18.480
<v Speaker 4>movie theater, maybe nine. That's the one I liked the

3:03:18.600 --> 3:03:21.000
<v Speaker 4>movie like that. I was going to see that ship

3:03:21.600 --> 3:03:24.080
<v Speaker 4>going to see that ship. Minister Society was crazy. It

3:03:24.200 --> 3:03:27.440
<v Speaker 4>was Juice was does Minister Society was on another lefl

3:03:27.520 --> 3:03:28.000
<v Speaker 4>and I got a.

3:03:28.000 --> 3:03:30.920
<v Speaker 6>Shout out in Juice Tank and I got the shout out.

3:03:31.080 --> 3:03:31.720
<v Speaker 1>Nigga said my.

3:03:31.800 --> 3:03:34.119
<v Speaker 8>Name in that in the DJ scene right, yeah, yes

3:03:34.600 --> 3:03:37.200
<v Speaker 8>to me, it's Juice in that sense as a DJ,

3:03:38.240 --> 3:03:40.640
<v Speaker 8>it was a big difference for me as a DJE, Like.

3:03:40.720 --> 3:03:42.520
<v Speaker 6>I was like, oh, I want I should have said

3:03:42.920 --> 3:03:43.880
<v Speaker 6>I should have said Juice.

3:03:43.920 --> 3:03:47.320
<v Speaker 1>But both great movies. Take a shot for that, you

3:03:47.360 --> 3:03:50.240
<v Speaker 1>know what I'm saying, Take a good shot. Man went

3:03:50.280 --> 3:03:51.120
<v Speaker 1>to jail for Juice.

3:03:54.800 --> 3:03:57.480
<v Speaker 3>They're all great movies, though, both of my name, you know,

3:03:57.640 --> 3:04:01.480
<v Speaker 3>shout out to TV rapps mm hmm.

3:04:02.200 --> 3:04:02.720
<v Speaker 1>Rap City.

3:04:03.720 --> 3:04:06.800
<v Speaker 4>I'm going your own TV raps man, Like, my goal

3:04:06.959 --> 3:04:09.400
<v Speaker 4>is to be on your own TV raps like their

3:04:09.520 --> 3:04:15.959
<v Speaker 4>Lover and then and Doctor Dreda and then and then

3:04:16.080 --> 3:04:18.400
<v Speaker 4>five five Freddy when they came to Chicago and d

3:04:18.560 --> 3:04:20.760
<v Speaker 4>you on TV raps that she was like monument.

3:04:20.640 --> 3:04:23.600
<v Speaker 6>I changed my answer. You can take a shot for it, Okay,

3:04:23.800 --> 3:04:24.840
<v Speaker 6>you on TV raps.

3:04:24.800 --> 3:04:25.440
<v Speaker 1>You don't TV rap.

3:04:25.680 --> 3:04:27.000
<v Speaker 6>I remember remember when.

3:04:26.879 --> 3:04:27.760
<v Speaker 1>He came to my house.

3:04:28.560 --> 3:04:35.120
<v Speaker 8>So I'm and that's DJ. Yeah, there was no basement

3:04:35.920 --> 3:04:39.240
<v Speaker 8>to my Fat Fire Freddy film. But your TV raps

3:04:39.400 --> 3:04:40.039
<v Speaker 8>was growing.

3:04:40.200 --> 3:04:43.560
<v Speaker 4>That was that everyone man, like I remember even they did,

3:04:43.760 --> 3:04:46.320
<v Speaker 4>like I can remember from your own TV raps when

3:04:46.360 --> 3:04:49.000
<v Speaker 4>people would say different Ada limbs. So your own tv

3:04:49.160 --> 3:04:54.640
<v Speaker 4>raps that changed the hip hop be honest. Yeah before

3:04:54.680 --> 3:04:56.320
<v Speaker 4>its rap city. Yeah, you were right about that.

3:04:56.640 --> 3:05:00.680
<v Speaker 1>So let's go n PC three thousand or m PC

3:05:01.080 --> 3:05:04.880
<v Speaker 1>two deaths. Excel Excel, Come on, man, excel. That's what

3:05:04.959 --> 3:05:06.360
<v Speaker 1>I made this album with.

3:05:08.480 --> 3:05:17.400
<v Speaker 3>Wo to the whole album with Common is the NPC

3:05:17.680 --> 3:05:18.800
<v Speaker 3>two thousand excels.

3:05:19.280 --> 3:05:21.800
<v Speaker 1>Wow. Okay, so the last question for quick time of

3:05:21.840 --> 3:05:29.760
<v Speaker 1>Slim Nigga get to the regular interview. Yeah, lower you

3:05:30.600 --> 3:05:31.240
<v Speaker 1>all respect?

3:05:32.240 --> 3:05:33.600
<v Speaker 6>Oh what's on you with?

3:05:34.200 --> 3:05:37.000
<v Speaker 1>Not everybody loyal? Not everybody's loyal.

3:05:36.840 --> 3:05:41.880
<v Speaker 6>So says okay, wow, okay, Wow, I'll say respect. I'm

3:05:42.000 --> 3:05:44.440
<v Speaker 6>definitely going respect man, but I'll be man.

3:05:45.080 --> 3:05:49.840
<v Speaker 4>I'll be listening to this is pastor you know, this

3:05:50.000 --> 3:05:53.160
<v Speaker 4>is pasting name Miles Monroe, and he like he was

3:05:53.160 --> 3:05:56.640
<v Speaker 4>from the Bahamas, and he spoke a lot about spirituality

3:05:56.720 --> 3:05:59.560
<v Speaker 4>and on a higher level, not just like but he

3:05:59.760 --> 3:06:02.960
<v Speaker 4>was talking about the one thing that men we need

3:06:03.160 --> 3:06:07.280
<v Speaker 4>naturally is respect from a woman like like respect for

3:06:07.400 --> 3:06:12.320
<v Speaker 4>feraro from a woman in respect like more than a

3:06:12.400 --> 3:06:16.440
<v Speaker 4>lot of other ship if a woman respect your your.

3:06:16.440 --> 3:06:19.040
<v Speaker 6>Being and who you are and what you say, like

3:06:19.120 --> 3:06:20.520
<v Speaker 6>and we we want that as people.

3:06:20.680 --> 3:06:26.120
<v Speaker 4>Just respect like because you know, lord, everybody can fall

3:06:26.240 --> 3:06:29.720
<v Speaker 4>off at some point, like you know, like because of

3:06:29.760 --> 3:06:30.760
<v Speaker 4>their own it ship.

3:06:31.240 --> 3:06:34.400
<v Speaker 6>But respect is like I might be going through some ship.

3:06:34.240 --> 3:06:36.800
<v Speaker 4>But I'm gonna still give you respect that you deserve

3:06:37.480 --> 3:06:39.560
<v Speaker 4>and and then I'm gonna have to go work on

3:06:39.680 --> 3:06:40.039
<v Speaker 4>my ship.

3:06:40.520 --> 3:06:43.480
<v Speaker 6>But you know, but that's why I say respect.

3:06:44.440 --> 3:06:48.959
<v Speaker 1>Yeah, yeah, I said respect.

3:06:49.080 --> 3:06:54.360
<v Speaker 7>I said respect because you know, as a human being

3:06:54.480 --> 3:06:59.160
<v Speaker 7>and as a man, you know, it feels better to

3:06:59.240 --> 3:06:59.920
<v Speaker 7>be respected.

3:07:00.320 --> 3:07:00.800
<v Speaker 1>You feel me.

3:07:01.200 --> 3:07:05.120
<v Speaker 6>Loyalty don't last. You ever been through that. I know

3:07:05.240 --> 3:07:05.800
<v Speaker 6>you've been through that.

3:07:06.000 --> 3:07:09.880
<v Speaker 7>Yeah, So I'm gonna run with respect because you know,

3:07:10.280 --> 3:07:12.840
<v Speaker 7>there's loyal people and then there's not.

3:07:14.200 --> 3:07:17.640
<v Speaker 1>Gotta always weigh the options. But don't you want both? Yeah?

3:07:17.879 --> 3:07:20.160
<v Speaker 1>I wouldn't want both, but you can't happen in the

3:07:20.240 --> 3:07:21.960
<v Speaker 1>quick time of slime. This is the thing that we

3:07:22.080 --> 3:07:22.600
<v Speaker 1>find funny.

3:07:22.680 --> 3:07:24.960
<v Speaker 9>Only time people say both or neither or whatever, But

3:07:25.040 --> 3:07:27.119
<v Speaker 9>when it comes to live to respect, they never want

3:07:27.160 --> 3:07:27.600
<v Speaker 9>to say.

3:07:27.440 --> 3:07:30.200
<v Speaker 1>Both, I would say, I want to say you got

3:07:30.240 --> 3:07:34.840
<v Speaker 1>your shot, relax. I mean both.

3:07:34.920 --> 3:07:38.640
<v Speaker 6>It's good to have there too. Yes, But I always

3:07:38.680 --> 3:07:42.160
<v Speaker 6>think of you know, I always weigh it out.

3:07:42.520 --> 3:07:49.280
<v Speaker 1>We're what do we want? But what we want is both.

3:07:49.560 --> 3:07:51.720
<v Speaker 1>But how the world works, it's different.

3:07:52.720 --> 3:07:57.440
<v Speaker 4>But even to me, like, I feel like I can

3:07:57.600 --> 3:08:02.680
<v Speaker 4>understand when sometimes when some people like don't ain't as loyal,

3:08:03.240 --> 3:08:05.000
<v Speaker 4>like that ain't.

3:08:04.840 --> 3:08:07.520
<v Speaker 1>The way I said.

3:08:07.520 --> 3:08:11.960
<v Speaker 4>I can understand sometimes when people like just like not that.

3:08:12.080 --> 3:08:17.080
<v Speaker 4>I'm like, I'm around a lot of unloyal people, but

3:08:17.200 --> 3:08:20.520
<v Speaker 4>I'm just like everybody have faults. But respect is something

3:08:20.520 --> 3:08:23.840
<v Speaker 4>that's like I can naturally give to any human being.

3:08:24.560 --> 3:08:27.920
<v Speaker 1>A stranger. It's a stranger, and I get respect.

3:08:28.080 --> 3:08:31.480
<v Speaker 4>Yeah, And I think to me, respect for me is

3:08:31.640 --> 3:08:34.400
<v Speaker 4>like something that when you give it to a human being,

3:08:35.240 --> 3:08:39.840
<v Speaker 4>it just make the world better. Loyalty sometimes it's an expectation.

3:08:40.000 --> 3:08:43.080
<v Speaker 4>What if somebody ain't loyal to you and you like, okay,

3:08:43.320 --> 3:08:45.400
<v Speaker 4>this first ain't loyal to you, Do you turn on them?

3:08:45.720 --> 3:08:49.120
<v Speaker 4>Do you be like boom boom boom, that meaning you

3:08:49.160 --> 3:08:51.960
<v Speaker 4>don't have to. So I'm saying like, loyalty is something

3:08:52.000 --> 3:08:55.320
<v Speaker 4>that you expected from that person. But respect is something

3:08:55.360 --> 3:08:59.800
<v Speaker 4>that you're demanded from another person that you like, Okay, yo,

3:09:00.040 --> 3:09:01.760
<v Speaker 4>this is what I just want as a human being,

3:09:02.040 --> 3:09:05.039
<v Speaker 4>And it's like taking. I mean, you could want loyalty

3:09:05.120 --> 3:09:08.000
<v Speaker 4>as a human being too and say like I deserve this,

3:09:08.600 --> 3:09:11.800
<v Speaker 4>but I understand. For me, I understand when certain people

3:09:12.200 --> 3:09:14.760
<v Speaker 4>don't have the loyalty at certain times.

3:09:16.120 --> 3:09:18.480
<v Speaker 6>And and you know, it's just my thought. That's just

3:09:18.560 --> 3:09:20.160
<v Speaker 6>the things that I've experienced.

3:09:20.720 --> 3:09:23.200
<v Speaker 1>I don't and I think I think I gotta take it.

3:09:24.800 --> 3:09:26.560
<v Speaker 1>I don't. I wanted both.

3:09:27.080 --> 3:09:30.120
<v Speaker 3>Maybe I'm like naive, maybe I'm stupid, Like you know

3:09:30.120 --> 3:09:32.760
<v Speaker 3>what I'm saying, Like I actually demand both because I

3:09:32.879 --> 3:09:33.600
<v Speaker 3>present both.

3:09:34.720 --> 3:09:36.320
<v Speaker 4>It's the right thing to do, you know what I'm

3:09:36.320 --> 3:09:41.240
<v Speaker 4>saying both, like like let me move on. Okay, no,

3:09:41.400 --> 3:09:43.600
<v Speaker 4>but no, but I like that. I like what you're saying,

3:09:43.840 --> 3:09:46.879
<v Speaker 4>and that's why we should demand that from I like that.

3:09:46.840 --> 3:09:51.640
<v Speaker 3>Should be stand there both like we're kings. We're doing

3:09:51.879 --> 3:09:56.160
<v Speaker 3>some fucking phenomenal ship. We we're helping other people, whether

3:09:56.240 --> 3:10:00.880
<v Speaker 3>they know it or not or And DMX sat in

3:10:01.000 --> 3:10:03.160
<v Speaker 3>that same seat and d MX said, he never this

3:10:03.400 --> 3:10:07.039
<v Speaker 3>is a rack rack rapper anymore, because that one rack

3:10:07.200 --> 3:10:10.480
<v Speaker 3>rapper is feeding sixteen families. And when he said that,

3:10:10.560 --> 3:10:12.760
<v Speaker 3>I was like, holy shit, I don't want to this

3:10:12.959 --> 3:10:16.320
<v Speaker 3>nobody no more like I want to like help but

3:10:17.080 --> 3:10:20.879
<v Speaker 3>also demand a little bit demand.

3:10:20.680 --> 3:10:26.320
<v Speaker 1>Like ain't all phenomenal? Ye, ain't none a phenomenal? And

3:10:26.440 --> 3:10:30.640
<v Speaker 1>I just the man some phenomenal. Yeah, you should be

3:10:30.720 --> 3:10:30.960
<v Speaker 1>in it.

3:10:31.400 --> 3:10:35.040
<v Speaker 3>And for me just just it's all simple little things

3:10:35.080 --> 3:10:38.720
<v Speaker 3>I'm asking for. It's just be loyal to me. Would

3:10:38.760 --> 3:10:41.760
<v Speaker 3>be loyal to you much and expect me and I'm

3:10:41.800 --> 3:10:46.160
<v Speaker 3>gonna respect you. I would love folk simple. It's actually

3:10:46.240 --> 3:10:46.800
<v Speaker 3>not even one.

3:10:47.959 --> 3:10:48.720
<v Speaker 1>I would love both.

3:10:49.040 --> 3:10:49.640
<v Speaker 6>I love both.

3:10:49.760 --> 3:10:53.000
<v Speaker 1>It's not it's not, but I'm it can't be reality.

3:10:53.160 --> 3:10:55.600
<v Speaker 4>Like I feel like where we're at right now, we

3:10:55.720 --> 3:10:58.080
<v Speaker 4>are like it's a lot of loyal see and respect.

3:10:58.600 --> 3:11:02.440
<v Speaker 4>It's both both, like we like even in every element,

3:11:02.520 --> 3:11:05.360
<v Speaker 4>I feel the loyalty in respect, But I also get

3:11:05.480 --> 3:11:08.360
<v Speaker 4>room for somebody that like, they might not feel as

3:11:08.440 --> 3:11:11.240
<v Speaker 4>loyal because sometimes people have been through certain ship and

3:11:11.320 --> 3:11:14.320
<v Speaker 4>they might not have trust and they just got trust

3:11:14.360 --> 3:11:16.480
<v Speaker 4>issues and they like, I can't be loyal to you

3:11:16.800 --> 3:11:19.840
<v Speaker 4>until you show them certain things. So like for me,

3:11:20.000 --> 3:11:22.240
<v Speaker 4>loyalty is one of them things where It's like I

3:11:22.400 --> 3:11:25.720
<v Speaker 4>understand you might. Man, we all been through some shit,

3:11:26.040 --> 3:11:28.600
<v Speaker 4>so a person could be like, man, I don't I

3:11:28.640 --> 3:11:31.400
<v Speaker 4>don't trust that person, so they loyalty might not be there.

3:11:31.879 --> 3:11:35.160
<v Speaker 4>But to respect the person, it's just like I don't

3:11:35.160 --> 3:11:35.960
<v Speaker 4>got to know you or not.

3:11:36.959 --> 3:11:38.039
<v Speaker 1>Yo, this is p Rock.

3:11:39.200 --> 3:11:42.640
<v Speaker 4>I respect him for who he is as a as

3:11:42.680 --> 3:11:46.240
<v Speaker 4>a as a producer, as an artist, super legend, legend,

3:11:46.680 --> 3:11:48.800
<v Speaker 4>but then as a human being, just as a man.

3:11:49.280 --> 3:11:51.760
<v Speaker 4>And that don't take a lot. You ain't gotta have

3:11:52.040 --> 3:11:54.279
<v Speaker 4>no type of interaction to respect somebody.

3:11:54.560 --> 3:11:56.800
<v Speaker 6>And that's for me. But I don't know that's how

3:11:56.840 --> 3:11:58.640
<v Speaker 6>I feel about it, but I would like both.

3:12:00.000 --> 3:12:02.160
<v Speaker 1>So let me ask you Pete an album.

3:12:03.400 --> 3:12:06.760
<v Speaker 3>Before we started the interview, you know, my boy Chris Atlas, yeah,

3:12:07.080 --> 3:12:10.200
<v Speaker 3>asked me, you know, to make sure we were careful

3:12:10.240 --> 3:12:10.920
<v Speaker 3>with this subject.

3:12:11.000 --> 3:12:16.000
<v Speaker 1>Yea, And I want to be careful with but because

3:12:16.040 --> 3:12:21.000
<v Speaker 1>I know not ask whatever you want, because you know, we're.

3:12:20.879 --> 3:12:23.760
<v Speaker 3>Doing a lot of albums and we don't see you

3:12:23.840 --> 3:12:27.240
<v Speaker 3>and see us smooth. Yeah, if if we would take

3:12:27.280 --> 3:12:29.320
<v Speaker 3>this out the interview, if you want, no, no, that's

3:12:29.320 --> 3:12:32.000
<v Speaker 3>all good, not good. I just you know, because I

3:12:32.120 --> 3:12:34.000
<v Speaker 3>got to be kind of like a little bit media

3:12:34.120 --> 3:12:36.800
<v Speaker 3>and like just asks like, I'm gonna tell you that's

3:12:36.800 --> 3:12:39.160
<v Speaker 3>not negative if no, no, no, not negative at all.

3:12:39.200 --> 3:12:42.600
<v Speaker 3>I'm gonna say that he's the best talent I've ever

3:12:42.720 --> 3:12:43.959
<v Speaker 3>came across in my whole.

3:12:43.840 --> 3:12:45.039
<v Speaker 1>You guys created magic. Man.

3:12:45.520 --> 3:12:47.600
<v Speaker 7>I mean, I've never heard a guy rap like this.

3:12:47.920 --> 3:12:50.920
<v Speaker 7>I never heard a voice like this. And even we

3:12:51.080 --> 3:12:53.800
<v Speaker 7>shared great times together, don't get it all fucked up now,

3:12:54.000 --> 3:12:57.840
<v Speaker 7>Like we've had our good times, you know what, And

3:12:57.959 --> 3:13:03.400
<v Speaker 7>then you know, just like life, people have ups and

3:13:03.560 --> 3:13:09.279
<v Speaker 7>sometimes sometimes you know, when we were in the negative zone,

3:13:10.360 --> 3:13:13.240
<v Speaker 7>we tend to go like this, you know what I'm saying.

3:13:13.360 --> 3:13:17.200
<v Speaker 7>And then what we would wish for each other is growth.

3:13:17.640 --> 3:13:20.040
<v Speaker 7>But when one is growing and one isn't, then then

3:13:20.120 --> 3:13:24.400
<v Speaker 7>it's just still uneven. Even now, it's just like, come on, man,

3:13:25.080 --> 3:13:27.120
<v Speaker 7>you know what I'm saying. It doesn't it shouldn't never

3:13:27.280 --> 3:13:31.120
<v Speaker 7>be like this ever. We should still be together, you know.

3:13:31.120 --> 3:13:31.560
<v Speaker 1>What I'm saying.

3:13:31.680 --> 3:13:36.160
<v Speaker 6>But some things you know that I can't really tell

3:13:36.280 --> 3:13:37.040
<v Speaker 6>the whole public.

3:13:37.760 --> 3:13:40.880
<v Speaker 7>But but but you know, certain things happen and in

3:13:41.360 --> 3:13:45.240
<v Speaker 7>in a in a partnership, that's that just can't be

3:13:46.040 --> 3:13:49.440
<v Speaker 7>you know, And and people don't won't understand. You know,

3:13:49.800 --> 3:13:51.720
<v Speaker 7>I don't want to be the only one speaking on

3:13:51.879 --> 3:13:53.480
<v Speaker 7>someone who's not here.

3:13:53.920 --> 3:13:56.400
<v Speaker 6>You see what I'm saying. But I wish him the

3:13:56.480 --> 3:13:58.560
<v Speaker 6>best in life. I respect that.

3:13:58.760 --> 3:13:59.920
<v Speaker 1>Just so you know, I.

3:14:01.920 --> 3:14:04.959
<v Speaker 3>Don't know if you even know if man, but people

3:14:05.160 --> 3:14:08.600
<v Speaker 3>think that we're blocking people think what.

3:14:09.200 --> 3:14:13.400
<v Speaker 1>Yeah, yeah, I know you know this rumor. The rumor is,

3:14:14.240 --> 3:14:15.080
<v Speaker 1>I don't know if you know that.

3:14:15.200 --> 3:14:16.640
<v Speaker 8>And it's not just him, it's a lot of people

3:14:16.680 --> 3:14:19.360
<v Speaker 8>that people think you were saying that.

3:14:19.680 --> 3:14:24.840
<v Speaker 1>He can't come on drink chats. Why I wouldn't you

3:14:24.959 --> 3:14:28.040
<v Speaker 1>know what's funny about this? Did you hear this room?

3:14:29.000 --> 3:14:33.200
<v Speaker 1>I didn't hear. He needs to be Yes, Yes, we

3:14:33.280 --> 3:14:33.879
<v Speaker 1>would love to.

3:14:33.920 --> 3:14:36.840
<v Speaker 7>Have him talk to talk about his life and what

3:14:37.480 --> 3:14:41.360
<v Speaker 7>our relationship was. And you know, because I don't wish

3:14:41.480 --> 3:14:43.640
<v Speaker 7>no bad on him, you know what I'm saying. But

3:14:44.080 --> 3:14:48.000
<v Speaker 7>I just I just know that our personalities don't mix,

3:14:48.320 --> 3:14:51.680
<v Speaker 7>you know, And I've experienced.

3:14:51.200 --> 3:14:56.160
<v Speaker 3>Some growth with myself. I'm on another plateau and that's it.

3:14:56.440 --> 3:15:00.640
<v Speaker 1>And you both deserve to be celebrating this. Records that

3:15:00.720 --> 3:15:01.360
<v Speaker 1>you guys call.

3:15:01.720 --> 3:15:04.480
<v Speaker 8>Timeless Classics, that are probably one of the best hip

3:15:04.520 --> 3:15:05.640
<v Speaker 8>hop records ever made.

3:15:05.920 --> 3:15:08.520
<v Speaker 7>You know how many years passed by that. This is

3:15:08.560 --> 3:15:10.879
<v Speaker 7>what hurts me the most is that we don't celebrate

3:15:10.959 --> 3:15:16.360
<v Speaker 7>our anniversaries for the records that we made that touched people.

3:15:16.920 --> 3:15:19.600
<v Speaker 7>You know what I'm saying, timeless records that That's why

3:15:19.879 --> 3:15:23.560
<v Speaker 7>I wish for healing for him. You see what I'm saying,

3:15:24.000 --> 3:15:28.520
<v Speaker 7>so we can at least have grown men conversations, you know.

3:15:28.560 --> 3:15:28.840
<v Speaker 6>What I mean.

3:15:30.440 --> 3:15:32.040
<v Speaker 1>And the reason why I ask that, Let me just

3:15:32.480 --> 3:15:35.320
<v Speaker 1>ask that. No, I'm glad you asked, very sensitive. Yeah,

3:15:35.840 --> 3:15:38.920
<v Speaker 1>but let me just tell you something and me a poem.

3:15:39.520 --> 3:15:43.400
<v Speaker 3>We actually do speed, but we don't celebrate our anniversaries neither.

3:15:43.480 --> 3:15:43.959
<v Speaker 1>And it's just.

3:15:47.200 --> 3:15:47.400
<v Speaker 5>Or me.

3:15:47.520 --> 3:15:51.640
<v Speaker 7>It might look like it's me, you know, people gonna

3:15:51.720 --> 3:15:55.200
<v Speaker 7>say it's you, people gonna say it's him, you know,

3:15:56.160 --> 3:15:58.760
<v Speaker 7>but they really just in a place where they don't

3:15:58.920 --> 3:16:01.560
<v Speaker 7>know what's going on. Yes, And that's why I just

3:16:01.680 --> 3:16:05.080
<v Speaker 7>let it be and I don't say nothing. And when

3:16:05.120 --> 3:16:08.199
<v Speaker 7>you ask me, I'm gonna tell you the real Yeah.

3:16:08.120 --> 3:16:14.080
<v Speaker 1>Because I suffer from the same thing like I like,

3:16:14.760 --> 3:16:17.520
<v Speaker 1>I think the twenty fifth anniversary of the War Report

3:16:18.040 --> 3:16:20.360
<v Speaker 1>and Me and components should have been celebrated, should have

3:16:20.400 --> 3:16:26.880
<v Speaker 1>been celebrated to celebrated. I don't remember what it exactly

3:16:27.080 --> 3:16:31.480
<v Speaker 1>was for my thing, but so for every group, Like

3:16:31.560 --> 3:16:33.400
<v Speaker 1>you know what I mean, Like I understand, like I

3:16:34.040 --> 3:16:37.920
<v Speaker 1>understand your play. Like sometimes it's growth, it's growth.

3:16:38.040 --> 3:16:40.880
<v Speaker 4>You know what I'm saying. Like that's the number one thing.

3:16:41.600 --> 3:16:44.000
<v Speaker 4>That's the one thing we kind of I mean, we

3:16:44.120 --> 3:16:46.640
<v Speaker 4>were young. We were so young when we were like

3:16:46.760 --> 3:16:48.840
<v Speaker 4>putting out reckets. Think about when you put out to

3:16:48.879 --> 3:16:51.000
<v Speaker 4>your first record, when you put out your first record,

3:16:51.080 --> 3:16:53.920
<v Speaker 4>how old you are when you first DJ Like how

3:16:53.959 --> 3:16:57.680
<v Speaker 4>old we were so like to grow up, Like we

3:16:58.000 --> 3:17:00.920
<v Speaker 4>understand life in different ways. And like I look at

3:17:00.959 --> 3:17:03.240
<v Speaker 4>my mother. It's people that she grew up with. The

3:17:03.440 --> 3:17:07.480
<v Speaker 4>some she connected with still their lifetime friends and some

3:17:07.720 --> 3:17:11.920
<v Speaker 4>are not. And but it's still y'all still shared some

3:17:12.320 --> 3:17:15.560
<v Speaker 4>important moments together that you got to honor and respect.

3:17:17.000 --> 3:17:18.320
<v Speaker 1>And I love that y'all doing that.

3:17:19.640 --> 3:17:24.840
<v Speaker 3>I love I loved me and Paul excuse me, we're

3:17:25.120 --> 3:17:28.320
<v Speaker 3>working off other than the business ship.

3:17:28.520 --> 3:17:30.760
<v Speaker 1>Yeah, I like that more, you know what I'm saying.

3:17:30.920 --> 3:17:33.560
<v Speaker 1>But let me ask you something. One of the other

3:17:33.800 --> 3:17:41.320
<v Speaker 1>most biggest arguments on Drink Chaps was when we sat Kanye.

3:17:41.680 --> 3:17:46.800
<v Speaker 4>I know, man, we're on the same vibe you keep saying.

3:17:46.840 --> 3:17:49.120
<v Speaker 4>I keep saying, you said, I knew you were about

3:17:49.160 --> 3:17:52.400
<v Speaker 4>to say something. And the democratic ship that he was.

3:17:52.480 --> 3:17:58.560
<v Speaker 13>Talking about, I said, I said, comn Collin Bali and

3:17:59.480 --> 3:18:04.400
<v Speaker 13>Yay said, it's so fast and he did you see

3:18:04.400 --> 3:18:05.480
<v Speaker 13>how he reacted?

3:18:06.360 --> 3:18:08.800
<v Speaker 1>And boy, when I tell you, I know, we got

3:18:08.920 --> 3:18:14.520
<v Speaker 1>to talk about it. The backpack. Backpack community was so mad,

3:18:15.720 --> 3:18:20.560
<v Speaker 1>mucking paring y'all because they knew that they was gonna

3:18:20.560 --> 3:18:21.480
<v Speaker 1>make either.

3:18:25.360 --> 3:18:25.520
<v Speaker 4>Do not.

3:18:25.680 --> 3:18:28.959
<v Speaker 1>But they're very respectful backpack. They're not.

3:18:30.760 --> 3:18:42.640
<v Speaker 9>Community right there, you making on the backpack. I get

3:18:42.840 --> 3:18:46.279
<v Speaker 9>I get it, but it's not a realm. The underground.

3:18:46.360 --> 3:18:52.160
<v Speaker 8>Maybe independent, maybe I give you that vary conscious maybe

3:18:52.200 --> 3:18:53.520
<v Speaker 8>like you can put it in all together.

3:18:54.320 --> 3:18:57.320
<v Speaker 1>You're going all types of name When when you heard.

3:18:57.240 --> 3:19:00.720
<v Speaker 4>That, well, people hit me. It was like just first

3:19:00.760 --> 3:19:03.480
<v Speaker 4>of all, that interview. Obviously y'all did work with that

3:19:03.640 --> 3:19:05.480
<v Speaker 4>interview because that ship got everywhere.

3:19:05.600 --> 3:19:09.520
<v Speaker 9>Got Yeah, the first interview, that's the problem. The first one, yeah,

3:19:09.520 --> 3:19:11.720
<v Speaker 9>that's amazing, the second one, that's.

3:19:11.600 --> 3:19:16.280
<v Speaker 1>Amazing about that too. I'm talking about the person. The

3:19:16.360 --> 3:19:18.000
<v Speaker 1>first was great.

3:19:18.320 --> 3:19:21.520
<v Speaker 4>One was great, and people hit me and was like, yo,

3:19:22.320 --> 3:19:26.000
<v Speaker 4>you know they compare you and to live, and I

3:19:26.120 --> 3:19:31.880
<v Speaker 4>was like, you know, I just was like, yo, hey,

3:19:31.920 --> 3:19:35.320
<v Speaker 4>I ain't gonna lie. I mean, I love they said

3:19:35.360 --> 3:19:38.080
<v Speaker 4>what he said. I I live my guy and he

3:19:38.760 --> 3:19:42.080
<v Speaker 4>dope a dope rackords dope. M see as simple as that.

3:19:42.400 --> 3:19:45.200
<v Speaker 4>But I man, you know, to hear from somebody being

3:19:45.280 --> 3:19:48.520
<v Speaker 4>like yo, no, no, no no. But you know, I

3:19:48.600 --> 3:19:53.400
<v Speaker 4>got also respected that that Qui put y Choir had

3:19:53.520 --> 3:19:57.040
<v Speaker 4>yay on the on the tour when me and gangst

3:19:57.080 --> 3:19:57.760
<v Speaker 4>I was on so.

3:19:58.200 --> 3:20:00.800
<v Speaker 1>But but I told him in that I told him

3:20:00.840 --> 3:20:02.800
<v Speaker 1>this is the scene that puts you on.

3:20:03.560 --> 3:20:06.440
<v Speaker 4>But he gave his true opinion. So I like when

3:20:06.480 --> 3:20:10.560
<v Speaker 4>people get a true artistic opinion. I don't take that personal,

3:20:10.959 --> 3:20:13.120
<v Speaker 4>like when people come up to me. People come up

3:20:13.160 --> 3:20:15.600
<v Speaker 4>to me and be like, yo, I like you as actor,

3:20:15.600 --> 3:20:17.560
<v Speaker 4>I don't like your raps like that blah blah blah

3:20:17.920 --> 3:20:21.000
<v Speaker 4>like and I ain't mad. I ain't mad because Yo,

3:20:21.440 --> 3:20:23.520
<v Speaker 4>this is art. You ain't got to like if I

3:20:23.600 --> 3:20:25.520
<v Speaker 4>put it. If I if I cook up some food

3:20:25.560 --> 3:20:28.120
<v Speaker 4>for you and you don't like the food, that I

3:20:28.160 --> 3:20:31.600
<v Speaker 4>can subjective subjective, man, I can't force that on you.

3:20:31.760 --> 3:20:34.640
<v Speaker 6>Not so so anyway, when when I wouldn't.

3:20:35.720 --> 3:20:36.560
<v Speaker 1>You know, I love it.

3:20:36.720 --> 3:20:39.080
<v Speaker 4>Yeah, spoke his mind. Obviously, y'all had him in the

3:20:39.160 --> 3:20:40.440
<v Speaker 4>right place to speak his mind.

3:20:40.520 --> 3:20:43.200
<v Speaker 1>Yeah, right here, right here.

3:20:44.080 --> 3:20:46.680
<v Speaker 6>But I ain't gonna lie.

3:20:46.800 --> 3:20:49.520
<v Speaker 4>Sometimes I'd be like, I want to be compared to

3:20:52.680 --> 3:20:55.920
<v Speaker 4>to some of some other mcs beyond the conscious ms.

3:20:56.360 --> 3:20:59.920
<v Speaker 4>I know y'all probably think of me a common backpack consciously,

3:21:01.080 --> 3:21:04.760
<v Speaker 4>but I want to be compared to. I want to

3:21:04.840 --> 3:21:07.640
<v Speaker 4>be compared, but I'm working on it. I'm working on

3:21:07.800 --> 3:21:11.199
<v Speaker 4>my craft to be compared with you. Like, oh ship,

3:21:11.280 --> 3:21:13.400
<v Speaker 4>I heard this comedy pet rock album. We got to

3:21:13.400 --> 3:21:17.080
<v Speaker 4>put him in another in another status fere like you know,

3:21:17.240 --> 3:21:20.920
<v Speaker 4>like meaning yo, I can understand why I got classified

3:21:21.040 --> 3:21:24.400
<v Speaker 4>with with with with just backpack, but I feel like

3:21:25.000 --> 3:21:28.240
<v Speaker 4>even from what I've what I've delivered as an artist

3:21:28.720 --> 3:21:32.080
<v Speaker 4>is different than just just backpack because the bitch and

3:21:32.120 --> 3:21:35.400
<v Speaker 4>you ain't backpacked for niggas or or if I talk

3:21:35.480 --> 3:21:38.440
<v Speaker 4>about just I be talking about fucking bras and certain

3:21:38.480 --> 3:21:39.280
<v Speaker 4>stuff and I.

3:21:39.320 --> 3:21:46.640
<v Speaker 6>Said club, but that ain't backpacked.

3:21:46.680 --> 3:21:51.120
<v Speaker 4>But I feel like even even for choir, for most step,

3:21:51.240 --> 3:21:54.200
<v Speaker 4>for any of my family than my family for any

3:21:54.240 --> 3:21:56.160
<v Speaker 4>of them, like we get we can put in the

3:21:56.280 --> 3:21:58.200
<v Speaker 4>box and it's like, oh, this is what this is

3:21:58.280 --> 3:22:01.240
<v Speaker 4>all they do. But it's like I always was like, yo,

3:22:01.360 --> 3:22:03.400
<v Speaker 4>I got more than that, y'all niggas.

3:22:03.520 --> 3:22:05.480
<v Speaker 1>But you felt you were backpack. Sorry could but you

3:22:05.640 --> 3:22:07.680
<v Speaker 1>felt that you was glumped into the backpack.

3:22:07.879 --> 3:22:11.440
<v Speaker 4>Oh for sure, bro, Because the thing is that that term,

3:22:11.600 --> 3:22:12.119
<v Speaker 4>that term.

3:22:12.040 --> 3:22:15.760
<v Speaker 1>Came up with the rugous era Ruus Ruckers Ruckus brought

3:22:15.800 --> 3:22:18.039
<v Speaker 1>in that that that backpack terminal.

3:22:17.800 --> 3:22:22.640
<v Speaker 8>Nor backpack that I feel like even this this even

3:22:22.680 --> 3:22:24.599
<v Speaker 8>though you've say some hardcore.

3:22:24.280 --> 3:22:24.879
<v Speaker 1>Ship on there.

3:22:25.000 --> 3:22:27.280
<v Speaker 6>Yeah yeah, but but but I'm saying you had to

3:22:27.360 --> 3:22:28.000
<v Speaker 6>really listen.

3:22:28.400 --> 3:22:32.120
<v Speaker 4>I wasn't reaching some cats that was really understanding like okay, nigga,

3:22:32.160 --> 3:22:33.040
<v Speaker 4>he's just a backpack.

3:22:33.360 --> 3:22:35.680
<v Speaker 1>So well, let me let me ask you. I'm sorry

3:22:35.680 --> 3:22:42.240
<v Speaker 1>to cut a backpack underground to sit it backpack back then, yeah,

3:22:43.000 --> 3:22:45.000
<v Speaker 1>I feel I feel like that. I feel like even

3:22:45.240 --> 3:22:50.120
<v Speaker 1>I feel like if you actually back it was a movement.

3:22:50.360 --> 3:22:51.800
<v Speaker 1>Use small backpack.

3:22:52.680 --> 3:23:00.879
<v Speaker 4>Come on, your backpack was a little and really because

3:23:01.040 --> 3:23:02.280
<v Speaker 4>because you could be underground.

3:23:02.920 --> 3:23:08.119
<v Speaker 1>M o P was underground because you know, I took

3:23:08.160 --> 3:23:11.800
<v Speaker 1>offensive the backpack terminology. Remember a bunk, shorty, because they

3:23:11.800 --> 3:23:15.400
<v Speaker 1>were it was a silent it was it wasn't a sound. Yeah,

3:23:15.400 --> 3:23:16.080
<v Speaker 1>it wasn't a sound.

3:23:16.160 --> 3:23:18.000
<v Speaker 6>It wasn't It wasn't even like a nerse.

3:23:19.240 --> 3:23:21.320
<v Speaker 1>It wasn't a sound everything, but it wasn't a sound.

3:23:21.640 --> 3:23:23.920
<v Speaker 6>It wasn't a sound though. Yeah, but it wasn't a sound.

3:23:24.000 --> 3:23:26.680
<v Speaker 4>But think about this, like at one point it became

3:23:26.840 --> 3:23:30.040
<v Speaker 4>like all these backpack rappers and that was just like

3:23:30.320 --> 3:23:33.360
<v Speaker 4>and the category that that who fell under that was

3:23:33.879 --> 3:23:37.400
<v Speaker 4>most death to live quality common like.

3:23:38.080 --> 3:23:39.920
<v Speaker 1>You start doing records, doing rockets.

3:23:40.240 --> 3:23:44.000
<v Speaker 4>But but but I'm saying though, the point I'm making

3:23:44.160 --> 3:23:46.119
<v Speaker 4>is it was like, man, it's separated ship.

3:23:46.520 --> 3:23:47.879
<v Speaker 1>And honestly, the.

3:23:49.760 --> 3:23:52.720
<v Speaker 6>One person I saw that brought it together was Kanye.

3:23:53.120 --> 3:23:55.000
<v Speaker 4>I remember going to s o BS and seeing that

3:23:55.120 --> 3:23:59.280
<v Speaker 4>Nigga performed and he and I saw niggas were backpacked

3:23:59.320 --> 3:24:01.400
<v Speaker 4>throwing up the fella they had.

3:24:01.800 --> 3:24:06.240
<v Speaker 1>I was like, he changed, he changed the idea, change

3:24:06.240 --> 3:24:06.800
<v Speaker 1>the definition.

3:24:07.000 --> 3:24:09.400
<v Speaker 6>Yeah yeah, yeah, yeah for sure.

3:24:09.720 --> 3:24:09.920
<v Speaker 1>Yeah.

3:24:10.080 --> 3:24:13.440
<v Speaker 4>But but the underground wasn't the same as black pack.

3:24:13.600 --> 3:24:17.279
<v Speaker 4>The underground went the same as backpack because under because because.

3:24:17.240 --> 3:24:19.640
<v Speaker 1>M P was under Man when he first came out,

3:24:19.720 --> 3:24:21.720
<v Speaker 1>was all talking about underground. I'm the underground.

3:24:22.800 --> 3:24:26.359
<v Speaker 6>Underground was more dirt like grime and slide.

3:24:26.680 --> 3:24:31.760
<v Speaker 1>But most considered hip hop was underground, more underground, Backpack

3:24:31.920 --> 3:24:35.680
<v Speaker 1>was more but but but but Shorty and the War

3:24:35.800 --> 3:24:38.400
<v Speaker 1>of the Backpack.

3:24:38.840 --> 3:24:40.760
<v Speaker 8>They were but if you think about it in terms

3:24:40.760 --> 3:24:43.959
<v Speaker 8>of hip hop, they were top tier when they came out.

3:24:44.240 --> 3:24:47.280
<v Speaker 4>Yeah, but they weren't known even though they wore a backpack,

3:24:47.400 --> 3:24:49.800
<v Speaker 4>they weren't known as backpack right, Like you know, like

3:24:50.160 --> 3:24:52.920
<v Speaker 4>backpack started feeling like a certain thing where it was

3:24:53.000 --> 3:24:54.840
<v Speaker 4>like people trying to say nerdy rap.

3:24:55.560 --> 3:24:55.760
<v Speaker 1>It was.

3:24:55.840 --> 3:24:58.280
<v Speaker 4>It was nerdy conscious conscious.

3:24:58.560 --> 3:25:02.560
<v Speaker 1>I was conscious more than conscious, conscious, like and like

3:25:04.240 --> 3:25:09.960
<v Speaker 1>we are part of this almost like everybody. It was crazy.

3:25:10.000 --> 3:25:12.960
<v Speaker 1>And some of the niggas was never vegans. And some

3:25:13.040 --> 3:25:14.480
<v Speaker 1>of the niggas you know, like.

3:25:17.920 --> 3:25:20.280
<v Speaker 4>Some of the niggas like like like we always like

3:25:20.640 --> 3:25:22.320
<v Speaker 4>we all had our niggas ship about us.

3:25:22.520 --> 3:25:24.760
<v Speaker 1>Some niggas. Some niggas have a bunch of kids.

3:25:25.120 --> 3:25:28.039
<v Speaker 4>Some niggas smacking niggas when you say something.

3:25:29.080 --> 3:25:31.920
<v Speaker 8>Somebody conscious rape the most gigs up because I ever

3:25:32.000 --> 3:25:32.600
<v Speaker 8>met in my life.

3:25:33.040 --> 3:25:35.400
<v Speaker 1>So you're telling me some of the conscious rappers work,

3:25:40.440 --> 3:25:44.640
<v Speaker 1>most did most didn't know. We got off that point.

3:25:44.800 --> 3:25:49.039
<v Speaker 1>Don't press, like, don't don't think they come on press.

3:25:49.200 --> 3:25:54.200
<v Speaker 4>Realig bro bacon and all that. But yo, I only stopped.

3:25:54.360 --> 3:25:57.320
<v Speaker 4>I only stopped in Port because of hip hop. That's

3:25:57.320 --> 3:26:00.640
<v Speaker 4>what's crazy. That's why I say, because care Rest not

3:26:00.800 --> 3:26:03.440
<v Speaker 4>beating beef kind because you remember he had a song

3:26:03.520 --> 3:26:04.039
<v Speaker 4>called Beef.

3:26:04.720 --> 3:26:07.160
<v Speaker 1>He had a song called he again because it was

3:26:08.879 --> 3:26:10.960
<v Speaker 1>That's why I say camera and just how I was

3:26:11.000 --> 3:26:12.879
<v Speaker 1>fourteen years You had a lot of boy on local

3:26:13.000 --> 3:26:17.879
<v Speaker 1>arrest is up there for me? Beef? What hey?

3:26:17.959 --> 3:26:21.840
<v Speaker 3>Man? And he told us the story. Don't don't go

3:26:22.840 --> 3:26:25.920
<v Speaker 3>you make some stories, sonny. What do you mean, sonny?

3:26:26.520 --> 3:26:28.680
<v Speaker 3>He told me a story. You went to the pizza

3:26:28.879 --> 3:26:29.680
<v Speaker 3>here and you just.

3:26:29.680 --> 3:26:40.560
<v Speaker 1>Playing rise up, telling up quick. It was not. It

3:26:40.680 --> 3:26:40.880
<v Speaker 1>was not.

3:26:44.400 --> 3:26:49.000
<v Speaker 4>He also told the story of Rod the Trimp. Sorry

3:26:49.720 --> 3:26:53.119
<v Speaker 4>we got can we connected to this? I said, hey,

3:26:53.160 --> 3:26:54.400
<v Speaker 4>we want to play a joint for ya.

3:26:54.959 --> 3:26:59.640
<v Speaker 1>Please go come on, Let's play a fucking joint. Come on,

3:27:00.080 --> 3:27:01.560
<v Speaker 1>listen to a radio station. Let's go.

3:27:01.680 --> 3:27:04.400
<v Speaker 6>We're playing hip hop. Let's go, yeah, yeah, hip hop?

3:27:05.000 --> 3:27:13.480
<v Speaker 14>Man joined wise wise up, okay, sight back that way,

3:27:14.080 --> 3:27:15.640
<v Speaker 14>but you can get peak.

3:27:15.720 --> 3:27:17.640
<v Speaker 6>It's man pete okay, whole ilm me and.

3:27:17.720 --> 3:27:25.520
<v Speaker 1>P see like, yeah, I ain't got it together. They

3:27:25.600 --> 3:27:28.120
<v Speaker 1>got to connect the OX to the other ox to

3:27:28.240 --> 3:27:32.560
<v Speaker 1>the Oh my god, you're not looking good at all, man.

3:27:33.080 --> 3:27:35.720
<v Speaker 1>That's all you did quick Thomas Slim. Yeah that was

3:27:35.840 --> 3:27:38.840
<v Speaker 1>almost good at quick Thomas Slim. But yeah, still time

3:27:38.879 --> 3:27:40.880
<v Speaker 1>and everything else, you're good.

3:27:43.879 --> 3:27:45.800
<v Speaker 4>What he ate bore?

3:27:46.440 --> 3:27:55.200
<v Speaker 1>You said you a happy poor for fifty years, like

3:27:55.360 --> 3:27:56.040
<v Speaker 1>sixteen years.

3:27:56.120 --> 3:27:59.480
<v Speaker 4>You said, that's why it's skin Yo. Hey, this ship

3:27:59.560 --> 3:28:01.080
<v Speaker 4>effect the way we fucking look.

3:28:02.600 --> 3:28:05.760
<v Speaker 1>You know you know that ship. That's why you're here.

3:28:07.080 --> 3:28:09.600
<v Speaker 1>I haven't eaten that shit in over fifteen years. Just

3:28:09.680 --> 3:28:13.080
<v Speaker 1>once in the blue. No, no, no, my wife is

3:28:13.160 --> 3:28:14.920
<v Speaker 1>knowing me. You people.

3:28:15.040 --> 3:28:16.760
<v Speaker 4>Yeah, my family used to get mad at I'd be like,

3:28:16.800 --> 3:28:17.400
<v Speaker 4>I ain't eating this.

3:28:17.480 --> 3:28:23.400
<v Speaker 1>And Thanksgiving what you're doing? But cool? You know, By

3:28:23.440 --> 3:28:28.480
<v Speaker 1>the way, your girl is very nice, man. I like

3:28:28.600 --> 3:28:33.360
<v Speaker 1>her and she has no idea. She's a part of

3:28:33.480 --> 3:28:37.359
<v Speaker 1>one of my favorite movies are All Time Sandy Rexler.

3:28:38.080 --> 3:28:42.040
<v Speaker 1>Well you like that. I love that movie. I can

3:28:42.120 --> 3:28:43.199
<v Speaker 1>tell you anything about.

3:28:43.600 --> 3:28:44.040
<v Speaker 8>You like that.

3:28:44.520 --> 3:28:46.200
<v Speaker 1>I was gonna say it yesterday, but I was like

3:28:46.800 --> 3:28:49.760
<v Speaker 1>she would be like, what you should have said it

3:28:49.879 --> 3:28:50.120
<v Speaker 1>to her?

3:28:50.720 --> 3:28:54.640
<v Speaker 3>Because because because I feel like, what's my man name,

3:28:55.400 --> 3:28:58.200
<v Speaker 3>Adam saying what I'm saying, like Ada'm saying here my

3:28:58.360 --> 3:29:01.000
<v Speaker 3>joke because I'm like you, it's like Jesus and a

3:29:01.080 --> 3:29:02.440
<v Speaker 3>bird together to have a baby.

3:29:02.720 --> 3:29:05.240
<v Speaker 1>And then and he said he said that, and.

3:29:07.360 --> 3:29:09.640
<v Speaker 6>Like, you know, you should have said that. She would

3:29:09.680 --> 3:29:12.879
<v Speaker 6>have been like, you know you said that because.

3:29:12.640 --> 3:29:15.240
<v Speaker 3>She was so cool, and and I just I just was,

3:29:15.360 --> 3:29:18.200
<v Speaker 3>you know comment. We've been really wanted to have you

3:29:18.280 --> 3:29:20.480
<v Speaker 3>here for a long time. People thought we was hating

3:29:20.520 --> 3:29:23.039
<v Speaker 3>on you coming, thought that we were like not.

3:29:23.120 --> 3:29:26.440
<v Speaker 4>Having you on, Like I thought you'all thought, yo, but no,

3:29:26.600 --> 3:29:29.120
<v Speaker 4>you gotta ad miss Fat Joe's show.

3:29:29.480 --> 3:29:32.440
<v Speaker 1>Yeah, I don't know. Yeah I remember that.

3:29:33.040 --> 3:29:35.640
<v Speaker 3>So when you didn't come on the show, people were

3:29:35.760 --> 3:29:39.680
<v Speaker 3>like they thought it was us blocking you not coming

3:29:39.760 --> 3:29:40.160
<v Speaker 3>on the show.

3:29:40.800 --> 3:29:43.920
<v Speaker 1>Was even mad hating all your fans. We've been wanting

3:29:44.000 --> 3:29:49.200
<v Speaker 1>for years. I'm so grateful one you was already an

3:29:49.280 --> 3:29:50.119
<v Speaker 1>honorary yes.

3:29:51.160 --> 3:29:53.760
<v Speaker 4>The fact because no, he probably I was gonna be

3:29:53.840 --> 3:29:55.840
<v Speaker 4>a stiff, and he was like you're gonna drink. I'm like,

3:29:56.160 --> 3:30:03.080
<v Speaker 4>you know, I was like, no, We're like, what is it?

3:30:03.160 --> 3:30:12.760
<v Speaker 1>I heard the Prince reg say, what's that? I'll tell

3:30:12.760 --> 3:30:17.040
<v Speaker 1>you I heard the show. This is crazy. Let's go okay,

3:30:17.080 --> 3:30:28.000
<v Speaker 1>I Gray then thank you so all the people that

3:30:28.120 --> 3:30:28.560
<v Speaker 1>are playing.

3:30:28.600 --> 3:30:31.600
<v Speaker 4>So people.

3:30:38.920 --> 3:30:44.680
<v Speaker 1>Three wiles men came visit wi this outside my head

3:30:47.360 --> 3:30:52.320
<v Speaker 1>the third game of the rea simile lea, the simile league.

3:30:52.160 --> 3:30:57.960
<v Speaker 10>Said, announces his heart come from niggas guy adopted.

3:30:58.560 --> 3:31:01.640
<v Speaker 6>They can't come, would talk hill I.

3:31:01.720 --> 3:31:04.200
<v Speaker 1>Saw fell and then the line. I think the sun

3:31:04.360 --> 3:31:06.680
<v Speaker 1>that kind of a wide up the race like a

3:31:06.800 --> 3:31:09.040
<v Speaker 1>PRIs ra or even the middle.

3:31:09.400 --> 3:31:12.120
<v Speaker 4>Start on the stats and say, don't get where me.

3:31:12.280 --> 3:31:13.480
<v Speaker 1>All body gets to the.

3:31:13.520 --> 3:31:16.920
<v Speaker 10>Day wis it's this order to be spases as the

3:31:17.000 --> 3:31:19.200
<v Speaker 10>pens the lord, I said, Wenna, listen to me more.

3:31:19.240 --> 3:31:27.680
<v Speaker 15>I said, for them tell him tip shot flight up.

3:31:27.760 --> 3:31:30.400
<v Speaker 15>So people to whine up.

3:31:30.480 --> 3:31:46.280
<v Speaker 1>Show people know you the crown and kill us do

3:31:46.520 --> 3:31:49.600
<v Speaker 1>because us drug dealers fox with cheas. We don't revers say, I.

3:31:49.760 --> 3:31:54.400
<v Speaker 10>Don't tell so no diner killers trying to get say

3:31:54.440 --> 3:31:59.120
<v Speaker 10>eighteen so they will a youngs rest investing. That's man,

3:32:00.200 --> 3:32:01.920
<v Speaker 10>you know that it's this whole.

3:32:02.920 --> 3:32:06.599
<v Speaker 1>Face I mean, says.

3:32:06.240 --> 3:32:13.320
<v Speaker 10>Sold who is bead wing crop field shoes and tears said.

3:32:15.360 --> 3:32:19.240
<v Speaker 1>Some it's booms in here who bear so.

3:32:20.120 --> 3:32:23.040
<v Speaker 6>Bs like a diaboa. That ever you hear about the

3:32:23.080 --> 3:32:25.280
<v Speaker 6>whole and based, but.

3:32:25.360 --> 3:32:28.199
<v Speaker 10>It's not to it's about like angels when the build

3:32:28.240 --> 3:32:29.000
<v Speaker 10>amount of shoes.

3:32:34.480 --> 3:32:37.320
<v Speaker 1>You know, you.

3:32:39.280 --> 3:32:42.800
<v Speaker 10>People let up brass, you.

3:32:43.720 --> 3:32:50.480
<v Speaker 15>Shot up, show people, supers, show people.

3:32:50.560 --> 3:32:51.759
<v Speaker 1>Let the basis.

3:33:11.320 --> 3:33:35.880
<v Speaker 3>So you'm saying sounds so hard, you know, why is

3:33:35.920 --> 3:33:39.360
<v Speaker 3>it so dope? It's exactly how you described it. It's

3:33:39.440 --> 3:33:43.440
<v Speaker 3>the nineties energy, yes, right, but it's right now, yeah, right,

3:33:43.720 --> 3:33:46.160
<v Speaker 3>fucking we adult, We adult, man.

3:33:46.280 --> 3:33:46.480
<v Speaker 1>Man.

3:33:46.600 --> 3:33:50.480
<v Speaker 4>We were like, we've experienced certain things and we ain't

3:33:50.520 --> 3:33:54.720
<v Speaker 4>trying to be like, yo, we're nineteen, right, and but

3:33:54.879 --> 3:33:57.840
<v Speaker 4>the spirit of what we experienced and what we created young,

3:33:58.480 --> 3:33:59.720
<v Speaker 4>it's always in us.

3:34:00.240 --> 3:34:03.360
<v Speaker 1>And like that music is there. So it's officially not

3:34:03.520 --> 3:34:05.680
<v Speaker 1>out yet right yet. Man.

3:34:05.680 --> 3:34:08.160
<v Speaker 4>If I don't kick rhymes, i'm mc let me say

3:34:08.200 --> 3:34:10.920
<v Speaker 4>I said, let's I said what I said?

3:34:11.040 --> 3:34:11.400
<v Speaker 1>I said?

3:34:11.720 --> 3:34:13.480
<v Speaker 6>I said, Holy ground and pillars.

3:34:13.560 --> 3:34:18.960
<v Speaker 4>Lord willis drug dealers, monks with keys, the Goriller, Chicago Illa,

3:34:19.480 --> 3:34:23.680
<v Speaker 4>some no dealer, rich costs, fulfillers, parents trying to get

3:34:23.720 --> 3:34:28.720
<v Speaker 4>their kids to eighteen so they willers. Youngkins is restless

3:34:29.240 --> 3:34:33.040
<v Speaker 4>investments investors. My man ain't from Dallas, but you know

3:34:33.120 --> 3:34:38.240
<v Speaker 4>where the text is. Hold them, my poker face is golden.

3:34:41.160 --> 3:34:44.600
<v Speaker 4>Hold them, My poker face is golden pedigree of a

3:34:44.760 --> 3:34:47.800
<v Speaker 4>legacy that stolen why it is like the old man

3:34:47.879 --> 3:34:51.000
<v Speaker 4>with food in his bed and when he cried freedom.

3:34:51.120 --> 3:34:55.080
<v Speaker 4>It's jews in his tiars, blues in the beers outside,

3:34:55.160 --> 3:34:57.600
<v Speaker 4>in the fierce a slew for the truth.

3:34:57.879 --> 3:34:59.160
<v Speaker 6>It's clues in the years.

3:35:00.120 --> 3:35:02.800
<v Speaker 4>I unrude the fears so that I could get bizz

3:35:03.480 --> 3:35:07.520
<v Speaker 4>like the diabolical and do the improbable, that anything's possible

3:35:07.640 --> 3:35:11.040
<v Speaker 4>ills but it's logical touched by black angels, so you

3:35:11.160 --> 3:35:12.400
<v Speaker 4>can feel the molecule.

3:35:13.040 --> 3:35:13.320
<v Speaker 3>Damn.

3:35:14.360 --> 3:35:22.000
<v Speaker 9>Yeah, take you back to you said, you're not you

3:35:22.120 --> 3:35:24.080
<v Speaker 9>grown man, You're not nineteen no more.

3:35:24.480 --> 3:35:26.199
<v Speaker 1>Hold were you when you did this album?

3:35:26.959 --> 3:35:29.039
<v Speaker 6>I was nineteen. I was nineteen when I did.

3:35:29.600 --> 3:35:30.199
<v Speaker 1>Can I bring.

3:35:35.000 --> 3:35:37.880
<v Speaker 8>That style, that flow style that you have on there?

3:35:37.920 --> 3:35:41.240
<v Speaker 8>When you were doing that? Where did that come from?

3:35:41.280 --> 3:35:43.160
<v Speaker 8>And when did you say I'm not doing that no more?

3:35:43.520 --> 3:35:47.400
<v Speaker 1>It was all influenced. It was influences of Tribe.

3:35:49.000 --> 3:35:54.280
<v Speaker 4>Lea's a New School, Charlie Brown, just me thinking about

3:35:54.400 --> 3:35:57.280
<v Speaker 4>James Brown, all like, just trying to think of something

3:35:57.320 --> 3:36:00.760
<v Speaker 4>that was creative and free to be uniquely you, uniquely me,

3:36:01.240 --> 3:36:04.960
<v Speaker 4>And it sounded too close to what was going on.

3:36:05.280 --> 3:36:07.880
<v Speaker 4>So I started to develop my own you know what

3:36:07.920 --> 3:36:10.800
<v Speaker 4>I'm saying, Like, that's why probably people didn't respond to

3:36:10.879 --> 3:36:14.000
<v Speaker 4>that album because Charlie Brown had already did the hot.

3:36:14.879 --> 3:36:17.280
<v Speaker 1>All that shit. You know, he was did that.

3:36:17.440 --> 3:36:20.119
<v Speaker 6>So I just just so I was like that, ain't

3:36:20.320 --> 3:36:21.560
<v Speaker 6>that ain't unique?

3:36:22.480 --> 3:36:24.280
<v Speaker 1>So you think it wasn't unique? You think it wasn't

3:36:24.480 --> 3:36:26.440
<v Speaker 1>received as unique your style there.

3:36:26.760 --> 3:36:29.000
<v Speaker 6>No, I wasn't received as unique. I think what was

3:36:29.160 --> 3:36:30.879
<v Speaker 6>unique was that I was from Chicago.

3:36:31.120 --> 3:36:35.600
<v Speaker 4>Some Chicago ship, but the style, some of the styles

3:36:35.680 --> 3:36:37.840
<v Speaker 4>was unique, but not that high pitch ship. But that

3:36:37.920 --> 3:36:40.920
<v Speaker 4>ship wasn't unique because Charlie Brown did it, and like,

3:36:41.440 --> 3:36:42.840
<v Speaker 4>you know, I got to give it up for that,

3:36:43.120 --> 3:36:45.800
<v Speaker 4>like that I ain't. I ain't gonna like like that

3:36:45.959 --> 3:36:51.160
<v Speaker 4>was one of the influences. So but eventually, like I

3:36:51.280 --> 3:36:53.280
<v Speaker 4>listened to young dudes sometimes and they I'll be like,

3:36:53.360 --> 3:36:54.760
<v Speaker 4>I can tell you listen to Jake Cole.

3:36:54.840 --> 3:36:56.760
<v Speaker 6>I can tell you listen, right, I tell you.

3:36:57.080 --> 3:37:01.080
<v Speaker 1>But then you eventually hear like, oh, development to your

3:37:01.120 --> 3:37:05.080
<v Speaker 1>own so and that's all of us. So well, that's

3:37:05.120 --> 3:37:05.760
<v Speaker 1>how we all came.

3:37:06.840 --> 3:37:11.640
<v Speaker 6>So that I hadn't developed yet, and that's why I think.

3:37:11.840 --> 3:37:14.119
<v Speaker 8>You know, so when you finally feel like you dropped

3:37:14.160 --> 3:37:17.119
<v Speaker 8>that is, did you drop sense off of common sense?

3:37:17.360 --> 3:37:17.520
<v Speaker 1>Well?

3:37:17.560 --> 3:37:19.480
<v Speaker 6>That was just because I was getting sued by these

3:37:19.560 --> 3:37:20.960
<v Speaker 6>niggas that was in California.

3:37:21.080 --> 3:37:22.680
<v Speaker 1>Really, I don't know what happened.

3:37:22.400 --> 3:37:25.000
<v Speaker 4>That these niggas had the name common Sense. There was

3:37:25.040 --> 3:37:28.440
<v Speaker 4>a reggae band. It was a black white, black white

3:37:28.520 --> 3:37:29.240
<v Speaker 4>Chinese man.

3:37:38.120 --> 3:37:44.880
<v Speaker 1>Everybody killers just make them up two minutes ago and

3:37:44.959 --> 3:37:46.000
<v Speaker 1>there was reggae.

3:37:47.200 --> 3:37:49.800
<v Speaker 6>And I was like, what the fuck y'all suing me?

3:37:49.879 --> 3:37:52.240
<v Speaker 4>I ain't know, I ain't no good lawyers, and they

3:37:52.400 --> 3:37:55.360
<v Speaker 4>like they came out like yo, we're suing your ass

3:37:55.480 --> 3:37:58.160
<v Speaker 4>for the name common Sense. And I was like what

3:37:58.879 --> 3:38:01.039
<v Speaker 4>Just because because I used to up had just come out.

3:38:02.000 --> 3:38:03.800
<v Speaker 4>I had a quote from Biggie. You men, we used

3:38:03.840 --> 3:38:08.000
<v Speaker 4>to get quotes from other to be like, yo, he's dope.

3:38:08.240 --> 3:38:10.720
<v Speaker 4>Biggie said, yeah, I wish he was from Brooklyn. I

3:38:10.840 --> 3:38:15.600
<v Speaker 4>was like, oh my god. And as soon as I

3:38:15.720 --> 3:38:18.000
<v Speaker 4>came out and I used to love him. And it

3:38:18.120 --> 3:38:20.520
<v Speaker 4>was the first time I met Nas, and I remember

3:38:20.560 --> 3:38:21.480
<v Speaker 4>the exact words now.

3:38:21.520 --> 3:38:23.960
<v Speaker 6>I said to me, He said, keep doing what you're doing.

3:38:24.400 --> 3:38:26.680
<v Speaker 6>And I was like, damn, that's.

3:38:26.680 --> 3:38:29.720
<v Speaker 1>Nas, like you know this, And I was like, you

3:38:29.800 --> 3:38:31.439
<v Speaker 1>got a little man crushed on nos.

3:38:39.520 --> 3:38:40.360
<v Speaker 4>Like like.

3:38:42.200 --> 3:38:47.960
<v Speaker 1>What we do whoever you you meet, Prince, You're like, okay,

3:38:48.120 --> 3:38:55.520
<v Speaker 1>all right, it's real listen.

3:38:56.120 --> 3:38:59.959
<v Speaker 4>But I was like, man, I'm trying to establish myself

3:39:00.080 --> 3:39:03.560
<v Speaker 4>as the MC and unique wow and be like so

3:39:04.480 --> 3:39:07.320
<v Speaker 4>you know when I got certain respect from different people.

3:39:07.760 --> 3:39:10.720
<v Speaker 4>That's why y'all talked about something and I was like, damn,

3:39:11.000 --> 3:39:13.800
<v Speaker 4>I remember moving to New York and that changed my life.

3:39:14.280 --> 3:39:17.080
<v Speaker 4>You were talking about I moved to New York from

3:39:17.200 --> 3:39:20.039
<v Speaker 4>Chicago in like ninety eight, and when you talked about

3:39:20.120 --> 3:39:22.520
<v Speaker 4>ninety eight, that's that. Yeah, it meant something to me

3:39:22.680 --> 3:39:24.800
<v Speaker 4>because it was like the time moved in New York.

3:39:25.080 --> 3:39:27.480
<v Speaker 4>I remember Pete came to the video we did for

3:39:27.720 --> 3:39:31.080
<v Speaker 4>with Lauren Hill LAWNG Hill, and it was like I

3:39:31.240 --> 3:39:34.160
<v Speaker 4>was in the I was around some of my pis

3:39:34.520 --> 3:39:37.000
<v Speaker 4>or people that I looked up to, not just my pis.

3:39:37.720 --> 3:39:39.960
<v Speaker 4>But that's how I was able to start connecting on

3:39:40.120 --> 3:39:44.200
<v Speaker 4>different things, like just being around, like being available, Like

3:39:44.560 --> 3:39:47.760
<v Speaker 4>because being in Chicago, niggas you out of sight, you

3:39:47.879 --> 3:39:53.000
<v Speaker 4>out of mind. But if I'm like, oh Pete, what's up,

3:39:53.400 --> 3:39:56.320
<v Speaker 4>I'm gonna come to the studio too, Pete might be like, Yo,

3:39:56.600 --> 3:39:58.680
<v Speaker 4>I want you on this song with Nori and Big

3:39:58.800 --> 3:40:00.720
<v Speaker 4>Pun and Big Pun come bro.

3:40:02.120 --> 3:40:03.199
<v Speaker 1>I think about that ship.

3:40:04.200 --> 3:40:05.600
<v Speaker 6>I think about that ship.

3:40:05.959 --> 3:40:09.680
<v Speaker 4>That shouldt means something to bro to my spirit, real

3:40:09.959 --> 3:40:10.640
<v Speaker 4>to my spirit.

3:40:11.280 --> 3:40:14.960
<v Speaker 3>When I seen you yesterday and then I watched everything

3:40:15.040 --> 3:40:17.000
<v Speaker 3>because you got to realize I've seen you at the

3:40:17.040 --> 3:40:20.160
<v Speaker 3>next game and he's literally where you know this is.

3:40:20.240 --> 3:40:27.600
<v Speaker 3>This is my my favorite camera guy, slash hater. Only

3:40:27.600 --> 3:40:31.800
<v Speaker 3>even sports come to sports, but you were literally like

3:40:32.080 --> 3:40:34.760
<v Speaker 3>right where he was sitting that. And then it was

3:40:34.879 --> 3:40:38.440
<v Speaker 3>so crazy because I'm like, yo, I did a record

3:40:38.520 --> 3:40:43.960
<v Speaker 3>with me comment and Punt, and I'm going to interview

3:40:44.560 --> 3:40:54.080
<v Speaker 3>comment and Pete produce it. And then Joe is saying,

3:40:54.800 --> 3:40:57.959
<v Speaker 3>you see coming over there. You want me to hook

3:40:58.000 --> 3:41:03.680
<v Speaker 3>you all up, and I'm like I'm already hook I'm like,

3:41:03.920 --> 3:41:08.600
<v Speaker 3>wait a minute, Pun, I mean Joe is pun. Oh yeah,

3:41:09.000 --> 3:41:11.000
<v Speaker 3>just think about it. So I'm like I'm looking like

3:41:11.040 --> 3:41:13.920
<v Speaker 3>I'm like, holy ship, that's why everyone's.

3:41:13.560 --> 3:41:15.520
<v Speaker 1>Looking like you was nervous. I was like, I'm not.

3:41:15.680 --> 3:41:18.360
<v Speaker 1>I wasn't nervous at all. I was just looking at

3:41:18.480 --> 3:41:19.320
<v Speaker 1>guard work.

3:41:20.680 --> 3:41:24.000
<v Speaker 11>Guard was working yesterday, So I was just like, you

3:41:24.120 --> 3:41:32.440
<v Speaker 11>know what, let me let me like, I'm looking at you.

3:41:33.120 --> 3:41:34.480
<v Speaker 3>I'm sorry cause I know you ain't got to say

3:41:34.480 --> 3:41:36.520
<v Speaker 3>something and let you say it, but I'm looking at

3:41:36.720 --> 3:41:41.240
<v Speaker 3>I'm looking at you. And then this morning I see

3:41:41.360 --> 3:41:48.720
<v Speaker 3>Chris Atlas, who is one of the motherfucking loyalists, realist

3:41:49.560 --> 3:41:51.440
<v Speaker 3>people in this motherfucking game.

3:41:51.879 --> 3:42:01.080
<v Speaker 1>He deserves his flower. Chris, ya say that risk listeners

3:42:01.160 --> 3:42:06.360
<v Speaker 1>coming Cornerstone days, many soul days.

3:42:07.760 --> 3:42:10.480
<v Speaker 3>Motherfucker. And when I was mad that Timmy boy, he

3:42:10.600 --> 3:42:11.240
<v Speaker 3>helped me down.

3:42:12.400 --> 3:42:13.960
<v Speaker 1>He was like, I'm mad. I tell you boy too.

3:42:16.200 --> 3:42:19.080
<v Speaker 1>But I really really.

3:42:20.520 --> 3:42:23.600
<v Speaker 3>Appreciate you two brothers, man, I really appreciate you two

3:42:23.680 --> 3:42:27.000
<v Speaker 3>brothers taking your time out to be paused with each other.

3:42:27.400 --> 3:42:29.520
<v Speaker 3>And what you know, because you got to say pause

3:42:29.560 --> 3:42:35.680
<v Speaker 3>it you really don't have to. Yeah, but you know

3:42:35.720 --> 3:42:41.120
<v Speaker 3>what I'm saying because I love hip hop, man, I

3:42:41.280 --> 3:42:42.960
<v Speaker 3>really really really love hip hop.

3:42:43.360 --> 3:42:43.920
<v Speaker 1>I want to.

3:42:47.879 --> 3:42:51.360
<v Speaker 3>I want to always salute hip hop. And when I

3:42:51.480 --> 3:42:56.080
<v Speaker 3>know YouTube brothers did this album and we got sent

3:42:56.560 --> 3:42:58.840
<v Speaker 3>we got personally sent a link.

3:43:00.680 --> 3:43:12.800
<v Speaker 1>I'm si ship just one day, let me just tell

3:43:12.800 --> 3:43:13.200
<v Speaker 1>you something.

3:43:13.600 --> 3:43:16.600
<v Speaker 3>And we do this all the time, like like you

3:43:16.640 --> 3:43:19.080
<v Speaker 3>know people you know, even at least the Keys, this

3:43:20.040 --> 3:43:26.640
<v Speaker 3>album earlier and our management did comment on hers, but

3:43:27.200 --> 3:43:29.320
<v Speaker 3>this is the first time they sent it.

3:43:29.360 --> 3:43:31.840
<v Speaker 1>And was like, Yo, did y'all listen.

3:43:34.040 --> 3:43:39.560
<v Speaker 3>Because this is hip fucking hot that you made and comment,

3:43:40.080 --> 3:43:44.879
<v Speaker 3>I wanna, you know, give it to you because I'm

3:43:44.920 --> 3:43:46.160
<v Speaker 3>not giving it to both of y'all.

3:43:46.160 --> 3:43:46.360
<v Speaker 1>Book.

3:43:46.440 --> 3:43:49.360
<v Speaker 3>What I'm saying is, what I'm saying is you could

3:43:49.400 --> 3:43:53.200
<v Speaker 3>have been like, let me make a pop recordar let

3:43:53.240 --> 3:43:58.119
<v Speaker 3>me do this, and no, it's exactly what you guys said.

3:43:58.360 --> 3:44:05.720
<v Speaker 1>It's nineties now, yeah, that's all. Yeah, Now that's a

3:44:05.760 --> 3:44:09.879
<v Speaker 1>good way of saying it. I feel like I give

3:44:09.959 --> 3:44:10.640
<v Speaker 1>that yo.

3:44:12.240 --> 3:44:19.560
<v Speaker 6>That because we needed someone that heard it to tell

3:44:19.640 --> 3:44:19.879
<v Speaker 6>it to.

3:44:20.320 --> 3:44:23.200
<v Speaker 1>Yes, so thank you. It's dope man.

3:44:23.959 --> 3:44:26.720
<v Speaker 3>So so and by the way, like I said, I'm

3:44:26.720 --> 3:44:28.600
<v Speaker 3>playing I was playing around by saying I'm bootlegging it.

3:44:28.760 --> 3:44:30.720
<v Speaker 1>You know what I'm saying. We all heard it and

3:44:30.879 --> 3:44:33.880
<v Speaker 1>was like, what the fuck like this ship is.

3:44:35.800 --> 3:44:40.800
<v Speaker 3>I appreciate y'all for for not forgetting but then still remembering.

3:44:42.800 --> 3:44:44.720
<v Speaker 3>I don't know if that made sense, but what I'm

3:44:44.760 --> 3:44:49.879
<v Speaker 3>saying is it's exactly what you said. It's not then it's.

3:44:49.920 --> 3:44:55.240
<v Speaker 1>Then energy the energy, but it's now moment right, everything

3:44:55.360 --> 3:44:58.120
<v Speaker 1>is new to now. But you're bringing that energy.

3:44:58.760 --> 3:45:02.920
<v Speaker 3>We could tell the message is Martin and Malcolm, but

3:45:03.120 --> 3:45:04.480
<v Speaker 3>it's now that's happening.

3:45:04.840 --> 3:45:06.040
<v Speaker 1>We need we need a leader.

3:45:06.160 --> 3:45:06.320
<v Speaker 4>Now.

3:45:06.640 --> 3:45:08.920
<v Speaker 1>We can't live we can't live in you can't live

3:45:08.959 --> 3:45:10.200
<v Speaker 1>in no more out here.

3:45:10.200 --> 3:45:11.160
<v Speaker 6>It's the youngins.

3:45:11.240 --> 3:45:11.400
<v Speaker 1>Now.

3:45:11.920 --> 3:45:15.120
<v Speaker 3>We have to reintroduce ourselves to these youngins. And so

3:45:15.560 --> 3:45:18.800
<v Speaker 3>it's important that you know, I make music this way

3:45:19.440 --> 3:45:22.480
<v Speaker 3>they could relate to awsome, but it still gives us

3:45:22.600 --> 3:45:24.000
<v Speaker 3>that feel that we missed.

3:45:23.800 --> 3:45:28.200
<v Speaker 4>Like ah, but the truth is like the purity of

3:45:28.320 --> 3:45:33.120
<v Speaker 4>what what p rock creates is like it feels a

3:45:33.240 --> 3:45:35.880
<v Speaker 4>space that like we don't get in hip hop a lot.

3:45:36.680 --> 3:45:39.200
<v Speaker 4>And when I when I hear the music and I'm like, damn,

3:45:39.280 --> 3:45:43.000
<v Speaker 4>this is just sample. But it's like, man, this don't

3:45:43.080 --> 3:45:44.840
<v Speaker 4>have an age to it. When I was listening to

3:45:44.920 --> 3:45:48.080
<v Speaker 4>Michael Jackson, I wasn't thinking about like the twenty five years.

3:45:48.920 --> 3:45:52.160
<v Speaker 4>But when I was listening to Stevie Wonder, how did

3:45:52.240 --> 3:45:54.360
<v Speaker 4>this July was the first TV that was the first

3:45:54.440 --> 3:45:57.279
<v Speaker 4>ob my own Stevie Wonder.

3:45:57.160 --> 3:45:59.000
<v Speaker 1>You did you can see ye?

3:46:04.600 --> 3:46:04.800
<v Speaker 5>Sing?

3:46:08.800 --> 3:46:14.920
<v Speaker 1>Let me see him? No, let me tell you say yes, no, no, no, no,

3:46:15.360 --> 3:46:16.160
<v Speaker 1>tell Illuminati.

3:46:22.520 --> 3:46:24.840
<v Speaker 4>I'm gonna tell you I sat across from Stevie Wonder,

3:46:24.920 --> 3:46:26.320
<v Speaker 4>and I'm telling you all this for real.

3:46:26.760 --> 3:46:27.640
<v Speaker 1>We was eating lunch.

3:46:27.680 --> 3:46:29.960
<v Speaker 4>It's just me and him, and I'm sitting there like

3:46:30.680 --> 3:46:32.640
<v Speaker 4>and we was in the studio and here it was

3:46:32.720 --> 3:46:33.199
<v Speaker 4>just talking.

3:46:33.320 --> 3:46:34.080
<v Speaker 6>It was just lunch.

3:46:34.720 --> 3:46:39.200
<v Speaker 4>And I saw him using certain things to operate, and

3:46:39.360 --> 3:46:44.160
<v Speaker 4>I was like, he can't see, he can't see. And

3:46:45.400 --> 3:46:47.320
<v Speaker 4>I was sitting there first of all, like, damn, I'm

3:46:47.320 --> 3:46:50.040
<v Speaker 4>sitting here with Stevie Wonder. This is me and Stevie Wonder.

3:46:50.280 --> 3:46:53.680
<v Speaker 4>But I also was like I heard those rumors like

3:46:53.760 --> 3:46:56.800
<v Speaker 4>Stevie Wander could see, but he not one moment did

3:46:56.840 --> 3:46:59.040
<v Speaker 4>he do something that made me feel like he could see,

3:46:59.560 --> 3:47:01.560
<v Speaker 4>Like the man case you.

3:47:01.600 --> 3:47:04.280
<v Speaker 1>Said you had lunch with him, just you went, but

3:47:04.400 --> 3:47:07.800
<v Speaker 1>how did he eat? You can't see like you can feel.

3:47:07.879 --> 3:47:20.320
<v Speaker 1>Can't you feel that you can feel? You like he plays?

3:47:25.000 --> 3:47:27.320
<v Speaker 3>But Shack, it was Shack who said he was in

3:47:27.400 --> 3:47:29.920
<v Speaker 3>the elevator. And I think it was the Icey brother

3:47:30.160 --> 3:47:36.200
<v Speaker 3>or Iley brothers said that said Street, I promise you

3:47:36.440 --> 3:47:41.120
<v Speaker 3>we'll see. Then was I brother? But somebody said he

3:47:41.200 --> 3:47:45.080
<v Speaker 3>said he was, and he got the elevator with him

3:47:45.280 --> 3:47:46.080
<v Speaker 3>and he said, what's up?

3:47:46.120 --> 3:47:49.560
<v Speaker 1>Big das like like he he knew he might have

3:47:49.640 --> 3:47:54.480
<v Speaker 1>smelled some sawd him. He's coming into that he might

3:47:54.920 --> 3:47:57.160
<v Speaker 1>people think that. So he's gonna play more jokes on me.

3:47:57.240 --> 3:47:59.720
<v Speaker 1>I want Stevie wondering drink est go like this to him,

3:48:00.320 --> 3:48:01.800
<v Speaker 1>and I want to see if you can go. I

3:48:01.920 --> 3:48:08.120
<v Speaker 1>got your nigga, I wanted to do that. You ain't

3:48:08.120 --> 3:48:16.560
<v Speaker 1>taking shot. You'll do it.

3:48:16.760 --> 3:48:21.320
<v Speaker 3>Yeah, yes, h yo, listen common Pete Rock. I know

3:48:21.400 --> 3:48:25.560
<v Speaker 3>you guys gotta go. This has been so much of

3:48:25.640 --> 3:48:30.879
<v Speaker 3>a pleasure. We start this show to give people their flowers.

3:48:31.000 --> 3:48:34.000
<v Speaker 3>I can't stand on culture when they say that you've

3:48:34.040 --> 3:48:38.480
<v Speaker 3>been here ten years and you you know you're washed up.

3:48:38.840 --> 3:48:40.080
<v Speaker 3>There's no washed up.

3:48:42.760 --> 3:48:43.560
<v Speaker 1>In rock and roll.

3:48:43.920 --> 3:48:46.640
<v Speaker 3>There's no washed up in heavy metal. Nick Jacket is

3:48:46.720 --> 3:48:52.080
<v Speaker 3>nine hundred years old. Nigga out here doing cocaine one

3:48:52.120 --> 3:48:53.000
<v Speaker 3>hundred miles.

3:48:52.760 --> 3:48:53.560
<v Speaker 1>A minute.

3:48:54.760 --> 3:48:58.240
<v Speaker 3>And torring god speak on the god the fuck we

3:48:58.360 --> 3:48:59.920
<v Speaker 3>can't do the same ship speak.

3:49:00.440 --> 3:49:03.120
<v Speaker 1>We ain't got to do cocain and like that tell

3:49:03.160 --> 3:49:03.440
<v Speaker 1>you y'all.

3:49:04.240 --> 3:49:06.920
<v Speaker 3>What I'm trying to tell y'all is it's real, like

3:49:08.400 --> 3:49:14.440
<v Speaker 3>our coach has to continue to celebrate us. Yeah, it's

3:49:14.640 --> 3:49:16.520
<v Speaker 3>it's whack when we don't.

3:49:17.480 --> 3:49:21.000
<v Speaker 1>It takes nothing from me. Ef n our crew. Our

3:49:21.120 --> 3:49:23.000
<v Speaker 1>crew loves what the fuck we do.

3:49:23.800 --> 3:49:31.920
<v Speaker 3>We love you, brothers, We love we want, not just

3:49:32.040 --> 3:49:34.080
<v Speaker 3>that record that y'all gave us, give us more.

3:49:34.160 --> 3:49:38.040
<v Speaker 1>Well fucking we'll continue to promote this ship. Well continue.

3:49:38.240 --> 3:49:41.400
<v Speaker 1>This is your platform, and I want you to know

3:49:41.560 --> 3:49:44.400
<v Speaker 1>that always you know what I'm saying. I really really,

3:49:44.600 --> 3:49:46.800
<v Speaker 1>really really really really.

3:49:46.680 --> 3:49:50.040
<v Speaker 3>Want you to know that I know that you brothers

3:49:50.040 --> 3:49:56.040
<v Speaker 3>are hip hop. I know to represent hip hop. I

3:49:56.240 --> 3:50:00.400
<v Speaker 3>trust both for you with hip hop, I trust both

3:50:00.440 --> 3:50:00.600
<v Speaker 3>for you.

3:50:00.760 --> 3:50:01.000
<v Speaker 1>Thank you.

3:50:01.280 --> 3:50:04.960
<v Speaker 3>So I want to tell the audience how much I

3:50:05.040 --> 3:50:07.600
<v Speaker 3>trust both for you and how much we are honored

3:50:09.800 --> 3:50:12.400
<v Speaker 3>that you guys came here. And I don't know if

3:50:12.440 --> 3:50:15.360
<v Speaker 3>this is your first interview, but please be from here.

3:50:16.640 --> 3:50:20.600
<v Speaker 3>I'm about together and those lots of brothers club to

3:50:20.640 --> 3:50:26.960
<v Speaker 3>stay here, stay here. In general, you stay here, okay, okay,

3:50:27.120 --> 3:50:29.280
<v Speaker 3>after we dropped the promo, then you go somewhere else.

3:50:29.320 --> 3:50:31.880
<v Speaker 1>I got you, I got you. I'll tell you where

3:50:31.880 --> 3:50:42.000
<v Speaker 1>it goes. We always agreed, agreed. We love you. Look,

3:50:42.160 --> 3:50:46.840
<v Speaker 1>this is my business partners, my brother and look what

3:50:47.360 --> 3:50:52.200
<v Speaker 1>he has presented. He has went by the way.

3:50:52.240 --> 3:50:55.840
<v Speaker 3>This is real albums. He ain't go buy them yesterday. Yeah,

3:50:55.920 --> 3:50:56.960
<v Speaker 3>this is the original.

3:50:57.040 --> 3:50:58.320
<v Speaker 6>I'm not stopping your wisdom.

3:50:58.400 --> 3:51:01.680
<v Speaker 1>Please, you would cut my wisdom. You only know your wisdom.

3:51:02.280 --> 3:51:05.560
<v Speaker 4>But any time I see common Sense on the project

3:51:05.880 --> 3:51:10.160
<v Speaker 4>common Sense, that means that DJ, that artist went and

3:51:10.280 --> 3:51:13.440
<v Speaker 4>got that ship original. I had to change my name

3:51:13.600 --> 3:51:16.560
<v Speaker 4>to common So common sense mean he got that ship

3:51:16.600 --> 3:51:17.800
<v Speaker 4>when it was came out.

3:51:17.920 --> 3:51:18.280
<v Speaker 1>That's right.

3:51:18.480 --> 3:51:27.640
<v Speaker 4>I'm just you know then, man, We're grateful to be

3:51:27.920 --> 3:51:30.480
<v Speaker 4>on here with y'all, man because this is where, this

3:51:30.680 --> 3:51:34.360
<v Speaker 4>is our home, this is where we just what this

3:51:34.520 --> 3:51:35.640
<v Speaker 4>is what we about this.

3:51:36.400 --> 3:51:37.680
<v Speaker 6>I've been waiting to be on drink.

3:51:38.360 --> 3:51:42.760
<v Speaker 1>I was meaning for you to say, don't tell me.

3:51:45.000 --> 3:51:45.200
<v Speaker 5>You know.

3:51:49.760 --> 3:51:51.840
<v Speaker 1>You got to hear it's all the joints that we got,

3:51:52.240 --> 3:51:54.920
<v Speaker 1>everything so everything so grand. And I got a couple

3:51:54.920 --> 3:51:58.240
<v Speaker 1>of verses like I got I gave you you know,

3:51:59.040 --> 3:52:11.800
<v Speaker 1>don't tell me you take a shot that thanks but

3:52:12.040 --> 3:52:15.120
<v Speaker 1>thank you so much. And we got this. Man, I

3:52:15.200 --> 3:52:22.160
<v Speaker 1>need you to sign this. Motherfuckers don't and we wrapping

3:52:22.200 --> 3:52:25.320
<v Speaker 1>it up at this but I want can you shout

3:52:25.360 --> 3:52:28.360
<v Speaker 1>out every argument that you have bro Listen to me.

3:52:28.760 --> 3:52:31.240
<v Speaker 9>Resurrection sold by the pound to me, is a game changer.

3:52:31.880 --> 3:52:33.120
<v Speaker 9>There is a game changing record.

3:52:33.280 --> 3:52:37.120
<v Speaker 1>Hold it up. Hold this, motherfuckers. Man, we're on a

3:52:37.200 --> 3:52:39.000
<v Speaker 1>television show. I don't know if you know you still

3:52:39.000 --> 3:52:41.000
<v Speaker 1>love it came out after this, right? I used to

3:52:41.040 --> 3:52:43.360
<v Speaker 1>love it? Right? But to me, this is a game

3:52:43.480 --> 3:52:47.000
<v Speaker 1>changer for you. Did you feel the same way I

3:52:47.120 --> 3:52:47.320
<v Speaker 1>used to?

3:52:47.520 --> 3:52:49.240
<v Speaker 4>Maybe I used to love it came out before, but

3:52:49.320 --> 3:52:51.640
<v Speaker 4>I'm sorry, but it was it wasn't game changer.

3:52:51.920 --> 3:52:54.280
<v Speaker 1>It was a game changer from the Pound still had

3:52:54.280 --> 3:52:55.120
<v Speaker 1>your old flow on it.

3:52:55.240 --> 3:52:58.240
<v Speaker 4>Yeah, but but you sed toll Love. It came out

3:52:58.280 --> 3:53:00.520
<v Speaker 4>before that because it was on the album. But that

3:53:00.840 --> 3:53:03.600
<v Speaker 4>regardless of that, the fact you got the fucking comments.

3:53:03.720 --> 3:53:07.000
<v Speaker 9>But this, this remix, no, this sold by the Pounds

3:53:07.400 --> 3:53:11.720
<v Speaker 9>remix is a game change, real, real game change. Man,

3:53:12.280 --> 3:53:14.640
<v Speaker 9>It's a game change. And listen, we already know about

3:53:14.880 --> 3:53:16.160
<v Speaker 9>keep going. You ain't going to that one?

3:53:16.320 --> 3:53:18.600
<v Speaker 6>Which one? The one that Resurrection?

3:53:19.320 --> 3:53:23.880
<v Speaker 1>I'm chain? Okay, come on, you got left, you got lust?

3:53:24.960 --> 3:53:29.600
<v Speaker 7>And actually the sample from Resurrection is the same album

3:53:29.640 --> 3:53:35.080
<v Speaker 7>I took World as Yours from. Yes, okay, so that's

3:53:35.560 --> 3:53:40.400
<v Speaker 7>the history. We bounce off each other, right, Yes, you

3:53:40.440 --> 3:53:40.960
<v Speaker 7>know what I'm saying.

3:53:41.920 --> 3:53:44.440
<v Speaker 1>Listen, the album. To me, I took it out beause

3:53:44.440 --> 3:53:46.520
<v Speaker 1>you were about to sign it, but you said that

3:53:46.720 --> 3:53:49.720
<v Speaker 1>this is the flow and we love this album. I

3:53:49.800 --> 3:53:50.440
<v Speaker 1>love this album.

3:53:50.640 --> 3:53:54.880
<v Speaker 8>This album is dope to me because La raising Miami.

3:53:55.240 --> 3:53:57.200
<v Speaker 8>I'm listening to hip hop from all.

3:53:57.160 --> 3:53:59.200
<v Speaker 1>Over the nation, you know what I'm saying. And to me,

3:53:59.400 --> 3:54:01.160
<v Speaker 1>this was dope coming out of Chicago. I wanted to

3:54:01.200 --> 3:54:03.080
<v Speaker 1>hear what was coming out of Chicago, and you came

3:54:03.120 --> 3:54:05.240
<v Speaker 1>out with a certain flow and it was dope to me.

3:54:05.640 --> 3:54:14.760
<v Speaker 1>So I love that joint. You already know what this is.

3:54:19.720 --> 3:54:22.120
<v Speaker 8>I don't think this is just a classic for hip hop,

3:54:22.440 --> 3:54:25.960
<v Speaker 8>is a classic for for just music in general. Real, yeah,

3:54:26.280 --> 3:54:29.960
<v Speaker 8>this when this record comes on. Even if you weren't

3:54:29.960 --> 3:54:32.480
<v Speaker 8>around when this record came out, you can't.

3:54:32.360 --> 3:54:37.200
<v Speaker 1>Help such a special record. I worked on that hard,

3:54:37.360 --> 3:54:38.360
<v Speaker 1>such a special.

3:54:38.120 --> 3:54:40.240
<v Speaker 9>Record, man, so I could feel it, man, And to

3:54:40.320 --> 3:54:42.160
<v Speaker 9>be honest with you, was then followed by straighten it out,

3:54:42.240 --> 3:54:43.560
<v Speaker 9>yeah brother, yeah.

3:54:49.440 --> 3:54:58.640
<v Speaker 1>Yo. Everybody wanted to straighten the funk out and you're solo.

3:54:58.920 --> 3:55:02.880
<v Speaker 1>Yeah man, thank you the words you did? What as

3:55:02.920 --> 3:55:05.160
<v Speaker 1>a mix? Because I grew up the mixtape d J.

3:55:05.400 --> 3:55:09.000
<v Speaker 8>I just wanted to create a masterpiece like you was

3:55:09.080 --> 3:55:11.560
<v Speaker 8>doing it man, Thank you incredible what you did right here.

3:55:11.800 --> 3:55:22.480
<v Speaker 1>You should be proud too, right you did like everybody

3:55:22.480 --> 3:55:26.800
<v Speaker 1>to get so that was a bigation man, Thank you. Yeah.

3:55:27.560 --> 3:55:29.440
<v Speaker 9>And I brought a little extra something because you know,

3:55:29.480 --> 3:55:33.640
<v Speaker 9>when the labels were sending them, I had to show, man,

3:55:33.680 --> 3:55:34.320
<v Speaker 9>you're gonna.

3:55:34.080 --> 3:55:41.920
<v Speaker 1>Sign this to I got to that's crazy and I

3:55:42.000 --> 3:55:43.840
<v Speaker 1>have more to that. But I just brought these joints.

3:55:44.240 --> 3:55:47.840
<v Speaker 1>I got so much more that once again, what day

3:55:47.880 --> 3:55:48.760
<v Speaker 1>is the album dropping?

3:55:49.240 --> 3:55:51.560
<v Speaker 6>It's dropping in July July twelfth.

3:55:51.560 --> 3:55:56.840
<v Speaker 1>July twelve. We're gonna promote this. Yes, we're gonna put

3:55:56.880 --> 3:56:00.760
<v Speaker 1>our monkey foot in the front. Thank you, Forecasts. We're

3:56:00.800 --> 3:56:04.280
<v Speaker 1>gonna make sure that they do it. And I'm actually

3:56:04.360 --> 3:56:06.000
<v Speaker 1>trying to sneak on the album because you know you

3:56:06.000 --> 3:56:21.040
<v Speaker 1>can do that. Send me a joint, don't listen, man,

3:56:21.160 --> 3:56:24.880
<v Speaker 1>because I mean, honestly, I just really want to support this.

3:56:26.600 --> 3:56:35.120
<v Speaker 1>Thank you. Yeah, Yeah, let's go. I want to sell

3:56:35.120 --> 3:56:39.640
<v Speaker 1>you that. Relax, you know, I really you know, brothers,

3:56:39.720 --> 3:56:40.640
<v Speaker 1>thank y'all so much.

3:56:40.760 --> 3:56:40.920
<v Speaker 11>Man.

3:56:41.320 --> 3:56:42.400
<v Speaker 1>I appreciate y'all.

3:56:43.560 --> 3:56:48.560
<v Speaker 3>I appreciate y'all coming together, and I appreciate y'all keeping

3:56:48.560 --> 3:56:52.440
<v Speaker 3>the hip hop and I appreciate it making it to

3:56:52.520 --> 3:56:57.200
<v Speaker 3>a drink Champion. Yeah, man for the first stop. That's beautiful.

3:56:58.040 --> 3:57:05.200
<v Speaker 1>Son. Like I said, I we're gonna support this. We're

3:57:05.240 --> 3:57:07.720
<v Speaker 1>gonna make sure and we're gonna we're gonna keep hip

3:57:07.720 --> 3:57:10.480
<v Speaker 1>hop alive together. Of course together, we gotta get in

3:57:10.560 --> 3:57:13.480
<v Speaker 1>the studio. I got yeah, yeah, you know, I'm scared

3:57:13.480 --> 3:57:21.040
<v Speaker 1>of death. Studio. We did another joint. I know, I

3:57:21.120 --> 3:57:23.640
<v Speaker 1>got beats that you I know I got. Let's go,

3:57:23.920 --> 3:57:25.880
<v Speaker 1>Let's go. And by the way, I'm gonna be honest

3:57:25.920 --> 3:57:28.120
<v Speaker 1>with you. This is our head director. But you you

3:57:28.280 --> 3:57:32.480
<v Speaker 1>is uncle. I know, I know, I know that's like

3:57:32.520 --> 3:57:33.280
<v Speaker 1>a little racist.

3:57:40.640 --> 3:57:43.960
<v Speaker 8>Drink Champs is a Drink Champs ll C production hosts

3:57:44.000 --> 3:57:46.840
<v Speaker 8>and executive producers n O r E and d J

3:57:47.040 --> 3:57:50.840
<v Speaker 8>E f N. Listen to Drink Champs on Apple Podcast,

3:57:51.040 --> 3:57:56.200
<v Speaker 8>Amazon Music, Spotify, or wherever you get your podcasts. Thanks

3:57:56.240 --> 3:57:58.720
<v Speaker 8>for joining us for another episode of Drink Champs hosted

3:57:58.760 --> 3:58:01.080
<v Speaker 8>by Yours Truly, dj E f N and n O

3:58:01.280 --> 3:58:03.280
<v Speaker 8>r E. Please make sure to follow us on all

3:58:03.360 --> 3:58:07.000
<v Speaker 8>our socials that's at drink Champs across all platforms. At

3:58:07.080 --> 3:58:11.000
<v Speaker 8>the Real noriegon I g at Noriega on Twitter mine

3:58:11.080 --> 3:58:14.400
<v Speaker 8>is at Who's Crazy on ig at dj e f

3:58:14.480 --> 3:58:16.920
<v Speaker 8>N on Twitter, and most importantly, stay up to date

3:58:16.960 --> 3:58:20.160
<v Speaker 8>with the latest releases, news and merch by going to

3:58:20.240 --> 3:58:21.600
<v Speaker 8>drink Champs dot com