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Speaker 1: He is Drake CHANMS motherfucking Podcast Make Time. He's a

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Speaker 1: legendary Queens rapper. He's agreed as your boy in.

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Speaker 2: O R E.

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Speaker 1: He's a Miami hip hop pioneer. Put up his DJ

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Speaker 1: E f N. Together they drink it up with some

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Speaker 1: of the biggest players, you know what I mean.

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Speaker 3: And the most professional, unprofessional podcast and your number one

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Speaker 3: source for drunk fast chans.

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Speaker 1: Mother. Every day is New Year c that's it's time

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Speaker 1: for drink champions. Drink up, motherfuck mother. Would it good?

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Speaker 1: Be rolling?

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Speaker 3: Hopefully he's strolling. This is your homie and O R

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Speaker 3: E put up his DJ E f N.

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Speaker 1: And this is.

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Speaker 3: Militama Crazy World Radio, Make Something. And when I tell you,

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Speaker 3: when I tell you, we started this show because we

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Speaker 3: always wanted to give our legends they flowers. We don't

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Speaker 3: want something to happen, something to pass away. And you

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Speaker 3: say how great these people are. Both of these brothers

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Speaker 3: are legends, icons, tycoons, uh, super history with them, but

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Speaker 3: on their own super legends. I can't believe they got

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Speaker 3: together and did a whole, full fledged album together. I

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Speaker 3: got the link. I might bootlegg because I'm off for

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Speaker 3: this New York Knicks energy.

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Speaker 1: In case you don't know who the we talking about.

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Speaker 1: We talking about the one and only comment. I know

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Speaker 1: you're a big New York I see you on the ground.

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Speaker 1: I'm gonna be honest me and you were there last night.

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Speaker 3: It was so funny because Joe Joe, Joe's sitting next

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Speaker 3: to me. He goes, Yo, you never had comment on

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Speaker 3: the show. And I goes no, he goes, you know,

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Speaker 3: he's right there. You know I literally got him tomorrow.

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Speaker 3: He's trying to hook it up. But when I tell you, I,

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Speaker 3: as a kid, my dreams were crushed every year as

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Speaker 3: a Knicks fan, Yes, tell me about it. I hated

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Speaker 3: Reggie Miller, never met him. I hated Michael Jordan, never

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Speaker 3: met him.

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Speaker 1: I hated certain things.

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Speaker 3: But yesterday people was telling me, all right, a friend

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Speaker 3: of mine is his name is dukeepay It and he's

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Speaker 3: a scoreboard keeper for the NBA. He works for the

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Speaker 3: whole NBA, so he's neutral. He can't be on this team.

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Speaker 3: He can't be on this team. He doesn't have favorites

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Speaker 3: because he's neutral. He's a scorekeeper. So I called him

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Speaker 3: and I was like, yo, I want to I want

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Speaker 3: to go to Philadelphia to watch the game, and he

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Speaker 3: never stood this quiet and this in my life.

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Speaker 1: And he was like no, like he literally told me. Know,

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Speaker 1: he said, you gotta go to the garden and you

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Speaker 1: gotta feel that energy.

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Speaker 3: So let me just tell y'all how how ill it

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Speaker 3: was I Land, I get it. Alventito. They go to

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Speaker 3: our brother, Dominican brother, Alventitao, who threatened me, told me

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Speaker 3: if I ever go to Dominican Repolo got him again,

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Speaker 3: gonna stab me. So we pull We got on the

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Speaker 3: side of the highway. We're coming from, uh the airport,

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Speaker 3: and his fucking battery gives out. Do you know this

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Speaker 3: is how much the city is lit. People pulled over

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Speaker 3: and was like, we got to hurry up because the

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Speaker 3: next game, man, we gotta get you up.

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Speaker 1: The funk about it? Yoo, I've never know you got

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Speaker 1: to doing this that that was the reason.

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Speaker 4: That was the reason. You know, I'm from its shout

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Speaker 4: shout New York. Yes, but the way to see the

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Speaker 4: Knicks fan the way y'all when I see Pete Joe,

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Speaker 4: I just see people, I'll be like, yo, I can't

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Speaker 4: help with me like yo and jay Le Brushton from Chicago,

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Speaker 4: So yo, yo, so I kind of I got a

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Speaker 4: little because Spike said to me yesterday, what you're doing here?

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Speaker 1: Brother? I love basketball? You try to ga I love basketball.

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Speaker 4: I'm like, I'm like Spike. First of all, I love

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Speaker 4: the NIXT. I'm excited that y'all doing good. I don't

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Speaker 4: see the energy. Then I'm like, yo, we got a

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Speaker 4: Chicago boy on y'all team.

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Speaker 3: I'm gonna be honest, I've never been to a playoff

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Speaker 3: game in my life. I mean, he wasn't doing was

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Speaker 3: making a playoffs crazy.

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Speaker 1: But this is twenty twelve was our last and I didn't.

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Speaker 3: I didn't. I don't know, I don't know, but yesterday

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Speaker 3: it was a it was a youth.

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Speaker 1: I know I'm off subject, but just let me just

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Speaker 1: tell you something.

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Speaker 3: I used to watch people who jogged right, and these

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Speaker 3: people that jog all together. I used to laugh at

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Speaker 3: these people. These motherfuckers are.

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Speaker 1: Idiots, Like why is everyone jogging together like idiots?

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Speaker 5: Right?

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Speaker 3: And then I did it one day with a whole

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Speaker 3: bunch of other people when we jogged, and then you

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Speaker 3: realize y'all all on the same high. So I was

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Speaker 3: so basically the same thing with with with the with

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Speaker 3: the garden I'm watching it on TV, and I'm like, damn,

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Speaker 3: we all kind of like got the same high. But

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Speaker 3: when I got there, Okay, now let me let me

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Speaker 3: give you another story. After they gave us a boost,

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Speaker 3: you know, you know West Wolf. Yeah, we go through

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Speaker 3: the Holland Tunnel pulled by West west Ward.

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Speaker 1: I rolled down my window for one second, the whole

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Speaker 1: West Forest. She was like, yeah, there, don't realize.

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Speaker 3: I'm like They're like, I'm like, yo, now I gotta go.

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Speaker 3: I gotta go to the next game. They stopped the

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Speaker 3: whole ship. Look, let's get to the next game. Like

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Speaker 3: everyone's this is the first time I seen my city

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Speaker 3: have unity.

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Speaker 1: Yo.

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Speaker 4: I feel you can feel the unity, bro, and it's amazing.

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Speaker 4: It's amazing, like you hangle front like when we you know,

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Speaker 4: that was the one thing that happened when the bulls

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Speaker 4: let me mention to a lot of the old Knicks

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Speaker 4: when they saw me looking looking at me like I'm.

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Speaker 1: The n M.

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Speaker 5: Stocks, Like yo, they think about They're like what you're doing,

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Speaker 5: I'm like, yo, stock something.

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Speaker 4: But but you know one thing that happened for us too,

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Speaker 4: and I see it happening in New York. The unity

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Speaker 4: man one thing that when the Bulls was winning, Man,

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Speaker 4: it wasn't no crime with down people. It was a

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Speaker 4: joy around the thing. And that's something that the basketball dude,

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Speaker 4: music dude, you know, supports to bring.

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Speaker 1: Man.

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Speaker 4: I used to love like man, you see, it wasn't

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Speaker 4: no game, it wasn't no Cats one game bringing up

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Speaker 4: they be at home watching it. It didn't matter what

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Speaker 4: where you was from. You watching the Bulls and we

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Speaker 4: always celebrating, and people was making money whether you worked

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Speaker 4: at the park and you know, the parking garages or

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Speaker 4: the bars. It was just like it just leaked the

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Speaker 4: city up. And I see New York doing that. So

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Speaker 4: I can't help but in joy seeing y'all, y'all foods, y'all.

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Speaker 1: Let me just say you something.

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Speaker 3: Me and fact Joe's on one place, Muster Rihbins at

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Speaker 3: the other place, and we're doing the same exact thing.

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Speaker 3: We can't help it and this comes out. So let's

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Speaker 3: get to this. Let's get to this.

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Speaker 1: Right.

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Speaker 3: Everyone knows Pee Rock super phenomenal producer. You all the

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Speaker 3: accolades in the world, Like, why did y'all come together

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Speaker 3: at this point to make this album stuff?

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Speaker 4: Yeah, well, Pete Rock was one of the greatest musicians

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Speaker 4: producers of rangers, like not just in hip hop, man,

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Speaker 4: Like when you create a sound like that last forever, yep,

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Speaker 4: that's like people respect like Miles Davis and Charlie Parker,

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Speaker 4: you know, Earth Wind and Fire, what they produced music

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Speaker 4: that lasted forever.

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Speaker 6: Pete Rock has done that, yep.

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Speaker 4: And it's like, what what I noticed about because doing

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Speaker 4: during the pandemic, I just started like listening just to

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Speaker 4: nineties hip hop.

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Speaker 1: Man.

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Speaker 4: I was just and on my on my workout list

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Speaker 4: and all that was a lot of people rock joints,

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Speaker 4: and I was like, man, this is this dude is

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Speaker 4: one of our greatest and all this stuff going on

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Speaker 4: around the cellar.

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Speaker 6: We had talked about.

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Speaker 4: Connecting before even the Fiftiest celebration, but during the fiftiest celebrations,

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Speaker 4: like I was just coming back from filming this Silo

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Speaker 4: TV show on Apple, you know anyway.

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Speaker 1: But.

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Speaker 4: So then but I was like Pete yo, he had

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Speaker 4: been sending me some beats. But once I got back,

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Speaker 4: I was like, man, let's do this for real, Like

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Speaker 4: let's do a project and for me like being around

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Speaker 4: hip hop, like I sat in in Yankee Stadium and

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Speaker 4: the show that they had and it was like I

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Speaker 4: performed on it, but I watched it hip ho yo,

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Speaker 4: I watched. I sat in the audience for five and

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Speaker 4: a half hours. I ain't never did that no show.

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Speaker 4: I'm seeing Fat Joe, I'm seeing Mob Deep, seeing a

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Speaker 4: little Nah, everybody.

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Speaker 6: Lauryn hill Snoop ice Cube.

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Speaker 4: It was incredible and I was like, man, this off

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Speaker 4: form is still a I love it. The joy that

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Speaker 4: that we felt at that at that concert, I was like,

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Speaker 4: people still thirst for this feeling.

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Speaker 1: So that's what you got. The idea of y'all getting together.

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Speaker 4: We had already started cooking, but it just inspired it more.

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Speaker 4: The idea was just like, man, I want to make

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Speaker 4: some music that I really love and it's just speaking

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Speaker 4: to me because after listening to so much of what

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Speaker 4: I was listening to, like, I was like, man, this

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Speaker 4: this music is still existing in us. It's not gone,

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Speaker 4: and we could do something new. Like when you hit

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Speaker 4: the music, it's like we ain't do nothing. It's like

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Speaker 4: throw back. It's just it's just got the spirit of

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Speaker 4: what with that.

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Speaker 1: Music collaboration, and I could tell most of it, most

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Speaker 1: of it y'all was together, like I could tell, like

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Speaker 1: it doesn't it doesn't feel like I was emailing it.

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Speaker 6: I wanted, we wanted the the aura of the nineties.

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Speaker 7: That's it, right, And I'm I'm I'm a new peak rock,

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Speaker 7: so I'm doing stuff.

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Speaker 6: But you hear some stuff that's.

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Speaker 7: That you'd be like, oh, okay, I remember, you know,

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Speaker 7: it'll give you some memories of what I used to do.

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Speaker 6: But you know it's new. You know what I'm saying,

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Speaker 6: it's new music.

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Speaker 1: So let me ask you.

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Speaker 3: Because recently I've seen naves post on the on the

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Speaker 3: ground and he posted a picture of.

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Speaker 1: I guess.

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Speaker 3: I guess he was trying to say illmatic and the

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Speaker 3: only person that was missing from the picture was notably.

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Speaker 1: I was late.

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Speaker 3: Oh I and you know, you know, in this business,

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Speaker 3: you know what I'm saying, things like that happened because

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Speaker 3: I'm I'll be making beats at home and sometimes don't

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Speaker 3: realize the time, right, And I'm like that that.

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Speaker 7: Was the issue. I was making beats and I looked

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Speaker 7: at my watch and I was like, oh damn, I

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Speaker 7: just got my card.

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Speaker 1: Wow. Wow. In communication, because you know, we heard.

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Speaker 3: The rumors that you suing him, yea, and yeah, that

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Speaker 3: wasn't never happening. You know how it is in the

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Speaker 3: business when it's like, you know, like, hey, you know

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Speaker 3: my people, my management noticed this, uh, and I just said, hey,

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Speaker 3: help me get it.

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Speaker 1: That's that's all it was. You know what I'm saying.

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Speaker 3: That's beautiful, but the media makes it something else.

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Speaker 6: That's some of the most beautiful music.

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Speaker 1: Let me just say that I was.

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Speaker 3: I was hurt when I heard it, because let me

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Speaker 3: just think you something, when I heard ill mad, I was.

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Speaker 3: I was in jail. I was a child in jail.

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Speaker 3: But that was like reading the Donald's Goings Book. To me,

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Speaker 3: it was almost better than reading the DOMD because I

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Speaker 3: knew what he was talking about, and I could smell

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Speaker 3: the alleys. I could smell. I could smell the world

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Speaker 3: is yours like I can smell how you made it.

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Speaker 3: I could smell like so I never want and and.

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Speaker 1: But you didn't know, not as yet. I didn't know.

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Speaker 1: That's crazy. I saw him, but he wasn't not actually

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Speaker 1: ally was was that the bigger figure at this time?

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Speaker 3: So it was and I was running together and something

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Speaker 3: called the Last we said, something called Brooklyn Queen's Day.

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Speaker 3: And I remember I only bought him out. Then I

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Speaker 3: got locked up and then I heard this album called Illmatic,

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Speaker 3: which I couldn't visually see, but I visually saw it

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Speaker 3: because it was the first time.

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Speaker 1: I was like, whoa, this is what I want to do.

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Speaker 1: Familiarity like that album.

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Speaker 4: Man, I think for any MC and really any artist

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Speaker 4: is definitely like one of the greatest pieces of art

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Speaker 4: that the world has seen.

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Speaker 6: You're like, yes, you got you.

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Speaker 4: And man as a writer, I was like, man, I

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Speaker 4: hadn't heard anybody describing things.

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Speaker 1: Hope we need to like like that.

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Speaker 4: And you and you being from the Bridge, being from

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Speaker 4: Queens pull your left right, Queen from Queen Block the block.

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Speaker 4: But but y'all knew what Queens was like about. But

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Speaker 4: that was one of the things I loved about that album,

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Speaker 4: and I loved about just hip hop is like people

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Speaker 4: could describe where they was from.

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Speaker 1: You, you could put put you, it comes in exactly.

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Speaker 4: They took you to come and then eventually Outcast took

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Speaker 4: you to Atlanta.

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Speaker 6: You know now took us.

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Speaker 1: He took us. It took us.

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Speaker 7: It's like watching a movie, bro, It's like watching a

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Speaker 7: really good movie. Listening Elmatic, Yeah it is.

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Speaker 3: Now I want to I'll change the subject a little

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Speaker 3: bit because this is the hottest topic in hip Hop's

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Speaker 3: Drake and but you traded bars with Drake and point.

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Speaker 3: I remember you called him Canada Drive.

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Speaker 1: I was like, I didn't even know. I didn't know

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Speaker 1: you can use the soda and this. I was like,

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Speaker 1: he's like, you just Canada drives a minute like Canada Drive?

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Speaker 1: How is it?

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Speaker 5: So?

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Speaker 3: You've been one of the most classic battles ever too.

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Speaker 3: But let's let's let's stick let's stick to nowadays. I

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Speaker 3: didn't see this coming at all. Pause right, either, we

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Speaker 3: see j Cole releases, then we see Kendrick, and then

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Speaker 3: Kendrick just kept going Gemini.

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Speaker 1: I'm blaming the gym. I'm fared to a Gemini.

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Speaker 3: Literally because you know I'm gonna be honest and I

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Speaker 3: know I'm gonna being a little long gated.

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Speaker 1: I remember.

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Speaker 3: Us happened to like almost I don't want to say

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Speaker 3: convinced nas, but we was like, got a lot of cars, little.

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Speaker 1: Jewelry, but none of that things came fool with me.

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Speaker 1: We was like, ain't talking about you.

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Speaker 3: And it took nags a while right to like actually,

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Speaker 3: in my humble opinion, but with Kendrick and and Drake,

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Speaker 3: it was almost like the game put them together right,

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Speaker 3: Like I don't want to say brownskin and light skin

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Speaker 3: because that's like so cliche. Well so it's so simplastic.

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Speaker 3: But these are the two top everyweight of the new generation.

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Speaker 8: It started before they were the top, because it started

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Speaker 8: like ten years ago.

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Speaker 1: Did you enjoy this both, y'all?

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Speaker 7: I mean, I'm team Kendrick all day. Okay, nothing against Drake, Okay,

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Speaker 7: I just felt I just feel his energy that Gemini ship.

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Speaker 3: Liked listens Gemini game.

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Speaker 1: I love It's some.

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Speaker 6: It's some called Geminis in music.

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Speaker 3: Lawren hell Andre three thousands se loan.

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Speaker 1: People like man.

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Speaker 4: But I gotta say this though, for me, I always

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Speaker 4: thought Kendrick was just like any generation, one of the

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Speaker 4: top these like like because it's albums, man, his album,

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Speaker 4: like he really be doing different styles. He don't do

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Speaker 4: the same thing with his album. So I always have

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Speaker 4: you know, just man, this dude is one of the

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Speaker 4: dopest to me. And then for me, Drake was like,

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Speaker 4: it's super talented and know how to make his songs.

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Speaker 4: And I give honor that when he won a rhyme,

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Speaker 4: he can rhyme.

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Speaker 1: He rhyme.

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Speaker 4: So when they started the battle, it was like to me,

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Speaker 4: it was a heavyweight fight. I was like, I was

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Speaker 4: like yo, and I was like yo, okay, well what.

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Speaker 1: Can you go to say?

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Speaker 4: You know, like the nick Kenher came back boom boom.

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Speaker 4: It was just to me it was like one of

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Speaker 4: the you know, so many battles because we grew up

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Speaker 4: in it. Some some ideara to me, one of the

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Speaker 4: best battles hipopp has ever said, and we all can

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Speaker 4: make a hit record the disk track got Yo.

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Speaker 3: Let me just tell you something you just you just

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Speaker 3: literally said, want to say, let me just tell you

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Speaker 3: it's something about listening to Hot ninety seven. In Hot

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Speaker 3: ninety seven, excuse me, I know for your motherfuckers, they

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Speaker 3: don't know that. It's something about listening to your home

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Speaker 3: radio station when your home.

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Speaker 1: Yes, So I landed, me and my wife and.

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Speaker 3: I just say to the to the to the car

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Speaker 3: service guy put on put on Hot ninety I literally

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Speaker 3: said ninety seven.

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Speaker 1: Point one, ninety seven point one, and he puts the

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Speaker 1: ship on. And that's all I hear, is the Diss records.

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Speaker 6: Yes, yes, that's good for hip hop.

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Speaker 1: Is it's very good. Realize it. So I actually heard it,

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Speaker 1: like I was like hold off, Drake, shit is in rotation,

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Speaker 1: Kendrick rollout.

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Speaker 8: Today's different from before where maybe you needed the radio

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Speaker 8: station to hit, but now they would drop it on YouTube,

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Speaker 8: they would dropping on the DSPs that whatever they.

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Speaker 3: Actually actually really because you know, like I said, I

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Speaker 3: had to. I love taking myself out of hip hop

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Speaker 3: and watching hip hop as a fan, and I got

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Speaker 3: to like to see I got to hear our Asap

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Speaker 3: Rocky record, I got to hear a Future record, I

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Speaker 3: got to hear a Drake record, I got to hear

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Speaker 3: Kendrick record, and I got to hear it in rotation,

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Speaker 3: and that was just like, holy shit. I would have

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Speaker 3: been this niggas a long time, you know.

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Speaker 1: What I'm doing to me like I have.

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Speaker 4: My homies would send me every song that was coming out,

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Speaker 4: and it'd be niggas from whatever a generation to send me,

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Speaker 4: and it was like, damn, this is hip hop. We

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Speaker 4: all like paying attention and like we were listening. We

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Speaker 4: listening to the lyrics.

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Speaker 1: That's what I like.

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Speaker 4: That's the song about these lyrics, man, And for both

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Speaker 4: of them to be honest to come with a concept

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Speaker 4: this song, like like like when Drake did the pop thing,

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Speaker 4: I'm not, you know, like I'm not wanting to feel like, yo,

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Speaker 4: if somebody is passed, I don't know if I would

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Speaker 4: want to hear. But I still thought conceptually it was

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Speaker 4: creative that ship is hell. And then when when Kendrick

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Speaker 4: came with to Meet the Grounds, I was like, damn, do.

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Speaker 3: A disc shout out to the Alchemists family.

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Speaker 1: That's it.

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Speaker 6: I was like, it's crazy when people like did they

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Speaker 6: go too far?

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Speaker 4: I'm like, bro, and this, I don't feel like the

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Speaker 4: only thing that is off for me family only is

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Speaker 4: not that family. Because Meet the Grounds was amazing. That's

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Speaker 4: one of the family ain't off of me. But if

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Speaker 4: somebody has passed, okay, you know, like some I ain't

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Speaker 4: gonna play with the like I gotta honor that because

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Speaker 4: that's somebody's life.

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Speaker 8: Man.

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Speaker 4: You know. But but if I'm talking about your family

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Speaker 4: this part, you know the war water.

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Speaker 3: Let me ask you, Pete, Yeah, have you ever produced

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Speaker 3: a dis record? And then the artists that they just

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Speaker 3: get mad at you when you really don't got nothing

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Speaker 3: to do with it.

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Speaker 6: Whose ice cube was a little upset with me?

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Speaker 1: Okay described this he took a shot of red wine.

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Speaker 4: I like that.

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Speaker 6: You Yeah, I didn't even know that.

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Speaker 1: You didn't I don't know that. I did not know

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Speaker 1: that didn't know. I didn't know this man. This man

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Speaker 1: had me feeling bad. Okay, yo, he first was upset.

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Speaker 1: He's like basket hold on, okay, let's go back to you,

390
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Speaker 1: but hold on them. Because Common, this man made no

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Speaker 1: Vas one of the best, one of the records of

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Speaker 1: all time. So how how did how the funk is

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Speaker 1: Common and ice Cube catch beef? How does I don't remember?

394
00:21:44,920 --> 00:21:47,240
Speaker 1: Don't remember that it was? What's connection? Okay? No, So

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Speaker 1: what happened?

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Speaker 4: First of all, like I grew up listening to k

397
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Speaker 4: k Rests, Big Daddy came rock him, ice Cube too short,

398
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Speaker 4: Like it wasn't like being in Chicago. We were listening

399
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Speaker 4: to all I gravitated to who I gravitated to it?

400
00:22:01,960 --> 00:22:04,639
Speaker 4: But so I wrote, I used to love her, and

401
00:22:04,840 --> 00:22:07,440
Speaker 4: I used to love about the evolution of hip hop,

402
00:22:07,480 --> 00:22:10,000
Speaker 4: and I used a woman to describe, you know, hip hop.

403
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Speaker 1: One of the most creative records of all time, one

404
00:22:15,000 --> 00:22:18,320
Speaker 1: of my favorite. I never told you this. That's one

405
00:22:18,359 --> 00:22:20,000
Speaker 1: of the records I got on love with hip hop.

406
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Speaker 1: That was the joint. Because I don't know the story,

407
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Speaker 1: So please don't so listen.

408
00:22:30,400 --> 00:22:33,359
Speaker 4: Q was at some point it's crazy case. I remember

409
00:22:33,400 --> 00:22:36,440
Speaker 4: when I first even like I realized he did me.

410
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Speaker 4: I was at a show in Chicago.

411
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Speaker 1: Because you said when you used to love her, when

412
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Speaker 1: you said the West Coast part, he did, Yeah, he was.

413
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Speaker 1: It was it was crazy. Said she broke to the

414
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Speaker 1: West Coast.

415
00:22:49,080 --> 00:22:50,600
Speaker 4: I said, she broke to the West Coast and that

416
00:22:50,760 --> 00:22:53,200
Speaker 4: was cool around the same time I went away to school.

417
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Speaker 4: I'm a man of expanded who am out of stand

418
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Speaker 4: in a way. She probably get her money in l

419
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Speaker 4: a and she did. She got big public. He said

420
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Speaker 4: that the pro black was going out of style. I

421
00:23:03,600 --> 00:23:05,520
Speaker 4: was just talking about how we was losing the pro

422
00:23:05,640 --> 00:23:07,680
Speaker 4: blackness and it wasn't all because of the West Coast.

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Speaker 6: I was talking about to.

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Speaker 4: Be if you really want to know, when one of

425
00:23:10,920 --> 00:23:12,879
Speaker 4: the things that really made me right I used to

426
00:23:12,960 --> 00:23:16,119
Speaker 4: love her. I honestly was watching some East Coast artists

427
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Speaker 4: imitating the West Coast and it made me be like.

428
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Speaker 1: This, this ship is this this, it ain't right.

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Speaker 6: This we the tribes.

430
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Speaker 4: I know what New York is like because New York

431
00:23:26,359 --> 00:23:28,800
Speaker 4: is representing that tribe. We know what the West Coast

432
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Speaker 4: is like. So I was like, So I was like, man,

433
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Speaker 4: I definitely didn't want want to just in fact, I

434
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Speaker 4: had cubes the record in the video, like, I was

435
00:23:43,200 --> 00:23:45,679
Speaker 4: honering a lot of the hip hop. So one day

436
00:23:45,720 --> 00:23:47,359
Speaker 4: I'm sitting about to do a show. I'm in the

437
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Speaker 4: car with my homie, my homie ros Son and it's

438
00:23:50,200 --> 00:23:53,240
Speaker 4: in King T King T from the West and somebody said, Yo,

439
00:23:53,400 --> 00:23:56,359
Speaker 4: cute this you on this song. So we playing the

440
00:23:56,480 --> 00:23:59,680
Speaker 4: song and I'm listening. I'm like, damn this nigga, this

441
00:23:59,760 --> 00:24:02,280
Speaker 4: is me. He was like, no, he ain't this. Ain't

442
00:24:02,280 --> 00:24:07,919
Speaker 4: this your like this nigga, this is me? Its connection.

443
00:24:08,280 --> 00:24:10,240
Speaker 4: It was on the West Side connection record Q was

444
00:24:10,320 --> 00:24:12,440
Speaker 4: like First of all, I was like, I can't see

445
00:24:12,480 --> 00:24:14,560
Speaker 4: how you go and not say this is this? He said,

446
00:24:14,840 --> 00:24:17,639
Speaker 4: all you niggas wanted this the specific, but you nigga,

447
00:24:17,720 --> 00:24:20,359
Speaker 4: your niggas never get specific. I used to love her

448
00:24:20,480 --> 00:24:23,080
Speaker 4: mad becusin we fucked up pussy with bitch with no

449
00:24:23,280 --> 00:24:29,720
Speaker 4: common sense. That was the record.

450
00:24:30,040 --> 00:24:34,080
Speaker 6: So, I mean my first reaction was like, damn Ice

451
00:24:34,160 --> 00:24:38,800
Speaker 6: Cuban know who I am. I was mad.

452
00:24:38,840 --> 00:24:39,880
Speaker 1: I was mad, I got mad.

453
00:24:40,080 --> 00:24:42,520
Speaker 4: I was mad for for sure, and I was like, man,

454
00:24:42,800 --> 00:24:45,960
Speaker 4: And then I saw them popping off at on like

455
00:24:46,480 --> 00:24:47,840
Speaker 4: Rap City one time with Big.

456
00:24:47,760 --> 00:24:49,880
Speaker 6: Glass, and then I saw them in Atlanta.

457
00:24:51,600 --> 00:24:53,960
Speaker 4: I saw West West Side Connection with Macataine, and I

458
00:24:54,080 --> 00:24:55,840
Speaker 4: was with my homies, and I think they just was

459
00:24:55,880 --> 00:24:58,159
Speaker 4: like thinking, I'm just a backpack nigga. But I'm with

460
00:24:58,359 --> 00:25:01,160
Speaker 4: my guys and they had our something, we had out something.

461
00:25:01,240 --> 00:25:04,359
Speaker 4: We're like, what's up, we're here. I think they knew, like, Okay,

462
00:25:04,480 --> 00:25:06,800
Speaker 4: this stude the real dude. But then I was like,

463
00:25:07,080 --> 00:25:09,159
Speaker 4: I remember spitting the ride. I wrote the bitch in You.

464
00:25:09,280 --> 00:25:11,720
Speaker 4: I wrote it, wrote the first verse to the to

465
00:25:11,840 --> 00:25:14,680
Speaker 4: these ch arrests instrumentals, and I had the first verse,

466
00:25:14,720 --> 00:25:16,239
Speaker 4: and I was going out rapping when I was out

467
00:25:16,280 --> 00:25:18,240
Speaker 4: with Daylight did it on the West Coast and everything,

468
00:25:18,440 --> 00:25:20,200
Speaker 4: and a lot of people was cats.

469
00:25:20,240 --> 00:25:21,400
Speaker 6: Didn't want to mess with the beat.

470
00:25:21,840 --> 00:25:25,040
Speaker 1: But I was scared, scared after I heard him.

471
00:25:27,280 --> 00:25:30,680
Speaker 4: But listen, I hope that would tell him like that

472
00:25:30,920 --> 00:25:31,480
Speaker 4: you said, I was.

473
00:25:31,680 --> 00:25:35,479
Speaker 1: I was mad. I didn't even make the beat at

474
00:25:35,520 --> 00:25:38,280
Speaker 1: my house. I didn't even make the bet. He comes

475
00:25:38,320 --> 00:25:40,240
Speaker 1: to see you in the studio is this Green Street studio?

476
00:25:40,359 --> 00:25:43,159
Speaker 7: He came to the hood, and first I had to

477
00:25:43,280 --> 00:25:45,480
Speaker 7: calm him down and drive him around the hood, like, Yo,

478
00:25:45,600 --> 00:25:48,120
Speaker 7: let's go get somebody, Let's go see some women.

479
00:25:48,240 --> 00:25:50,720
Speaker 1: Let's go introduce you to some people.

480
00:25:51,200 --> 00:25:54,080
Speaker 7: Right, and then he and then we went to my

481
00:25:54,320 --> 00:25:56,960
Speaker 7: man's house where he had a stack of records. You know,

482
00:25:57,040 --> 00:25:59,400
Speaker 7: I'm going through the records and I'm like, I see

483
00:25:59,440 --> 00:26:02,280
Speaker 7: this record, start playing it and I heard this loop

484
00:26:02,840 --> 00:26:05,159
Speaker 7: and I was like, m and he heard it.

485
00:26:05,240 --> 00:26:06,920
Speaker 6: Then he was like, yo, Pete, do something with that.

486
00:26:07,520 --> 00:26:09,960
Speaker 6: And but you knew that he was going to make

487
00:26:10,160 --> 00:26:11,040
Speaker 6: this record. You knew that.

488
00:26:11,200 --> 00:26:13,919
Speaker 1: You knew that, Okay. At this point he drove him

489
00:26:13,960 --> 00:26:14,439
Speaker 1: around and.

490
00:26:17,520 --> 00:26:22,359
Speaker 3: You know, I was like you.

491
00:26:25,080 --> 00:26:27,879
Speaker 6: So, you know, and then we just you know, he

492
00:26:28,000 --> 00:26:30,240
Speaker 6: heard the loop. Then I got these drums.

493
00:26:30,320 --> 00:26:32,200
Speaker 7: I made it at my man rob O's house, who

494
00:26:32,240 --> 00:26:35,680
Speaker 7: was a member of this group called iron Ie. The

495
00:26:35,800 --> 00:26:39,040
Speaker 7: record I made called Fick and Jack's right at his

496
00:26:39,200 --> 00:26:42,280
Speaker 7: house and he had records and equipment, and I just

497
00:26:42,359 --> 00:26:44,600
Speaker 7: came up with the beat and come and stop bothering

498
00:26:44,680 --> 00:26:47,119
Speaker 7: his head, like, Yo, this one right here. Maybe this

499
00:26:47,200 --> 00:26:49,440
Speaker 7: is the first beat I made, because I was gonna

500
00:26:49,480 --> 00:26:52,400
Speaker 7: make beats. But the first one I made, he picked

501
00:26:52,440 --> 00:26:54,560
Speaker 7: it and said, I'm gonna run with this one.

502
00:26:54,680 --> 00:26:55,120
Speaker 1: Let me ask.

503
00:26:55,200 --> 00:26:56,680
Speaker 6: And that's why I wrote the second verse to it

504
00:26:56,760 --> 00:26:57,920
Speaker 6: after he made that beat.

505
00:26:58,080 --> 00:27:02,440
Speaker 1: Let me ask you, because ice Cube was like a

506
00:27:02,680 --> 00:27:07,320
Speaker 1: hard opponent to GoGet, like how do you gash yourself up?

507
00:27:07,520 --> 00:27:09,840
Speaker 1: Or how do you like come up with that?

508
00:27:09,960 --> 00:27:12,320
Speaker 3: Because I ain't gonna lie And this is me being one.

509
00:27:14,200 --> 00:27:15,680
Speaker 3: If ice Q might have dis me, I might have

510
00:27:15,800 --> 00:27:21,640
Speaker 3: let him ride, like, Man, I don't mind.

511
00:27:21,640 --> 00:27:25,840
Speaker 1: I don't want to ice that. He's one of those mcs, Like, but.

512
00:27:27,640 --> 00:27:29,560
Speaker 3: So what's going to your mom? You're sitting there, you

513
00:27:29,720 --> 00:27:32,920
Speaker 3: like you about to go get one of the greatest.

514
00:27:32,960 --> 00:27:36,480
Speaker 4: Time and like you said, no vacaine is that's the

515
00:27:36,560 --> 00:27:41,920
Speaker 4: coldest specificate, the greatest sim seeds all the time. But

516
00:27:42,119 --> 00:27:45,040
Speaker 4: I was just like, man, I'm gonna have to light

517
00:27:45,080 --> 00:27:49,080
Speaker 4: I'm gonna have to light him up, man. And I

518
00:27:49,200 --> 00:27:56,280
Speaker 4: believed in myself. Man sat down, Yo Yo, I was

519
00:27:56,359 --> 00:27:59,520
Speaker 4: like yo, and the vincuit you. And then I was like, man,

520
00:28:00,240 --> 00:28:02,760
Speaker 4: I just knew I had I could do what I

521
00:28:02,880 --> 00:28:05,640
Speaker 4: needed to do on the back and I wouldn't gonna

522
00:28:05,640 --> 00:28:09,359
Speaker 4: go around. I'm going directract like this this how this

523
00:28:09,440 --> 00:28:11,600
Speaker 4: is how we battle this how like you know who

524
00:28:11,760 --> 00:28:14,800
Speaker 4: is coming to and and and I just felt to

525
00:28:14,920 --> 00:28:17,879
Speaker 4: be honest that I had enough because because I was

526
00:28:17,920 --> 00:28:19,640
Speaker 4: a fan of his, I had enough things I could

527
00:28:19,680 --> 00:28:22,480
Speaker 4: even I was using a lot of things that he

528
00:28:22,600 --> 00:28:25,680
Speaker 4: had done. But let me be clear now, Cubans, my

529
00:28:25,760 --> 00:28:28,560
Speaker 4: guy been in in this movie, one of the barbershop movies,

530
00:28:28,800 --> 00:28:32,000
Speaker 4: got Ultimate Water Orange, and we were grateful to Minister

531
00:28:32,119 --> 00:28:35,200
Speaker 4: fair Con at the time brought us all together together.

532
00:28:36,119 --> 00:28:39,880
Speaker 8: How serious it was getting that. I feel like he

533
00:28:39,920 --> 00:28:41,520
Speaker 8: doesn't get involved unless something.

534
00:28:42,360 --> 00:28:43,080
Speaker 6: He brought us together.

535
00:28:43,240 --> 00:28:47,400
Speaker 4: Literally, like a week after Biggie got killed, he was like, yo,

536
00:28:47,520 --> 00:28:49,480
Speaker 4: this this pocket already died.

537
00:28:49,920 --> 00:28:51,880
Speaker 6: I could got killed, Biggie died.

538
00:28:52,360 --> 00:28:54,440
Speaker 4: He brought it. He brought us together. And and and

539
00:28:54,920 --> 00:28:57,240
Speaker 4: casts like, you know, we're just like, man, we ain't

540
00:28:57,280 --> 00:28:59,800
Speaker 4: trying to die. We want to live like this this

541
00:29:00,120 --> 00:29:02,400
Speaker 4: something for us to live. You know, I'm a battery,

542
00:29:02,560 --> 00:29:04,920
Speaker 4: you know, but you young at the time, You're like,

543
00:29:05,000 --> 00:29:07,480
Speaker 4: you don't know what's gonna happen you and and it's

544
00:29:07,520 --> 00:29:09,680
Speaker 4: for real, but you know, I like when it's when

545
00:29:09,720 --> 00:29:11,280
Speaker 4: it's just on wax man, you know.

546
00:29:11,840 --> 00:29:12,200
Speaker 1: Is it true?

547
00:29:12,280 --> 00:29:14,320
Speaker 8: You the first time you performed it or you performed

548
00:29:14,320 --> 00:29:15,640
Speaker 8: it in l A was one of the first times.

549
00:29:15,680 --> 00:29:17,240
Speaker 6: Yeah, one of the times I performed in l A.

550
00:29:17,520 --> 00:29:18,120
Speaker 1: It was crazy.

551
00:29:18,200 --> 00:29:25,360
Speaker 4: But he was there at the Gavin. You remember, y'all

552
00:29:25,360 --> 00:29:28,840
Speaker 4: remember the gap that Tendon was at the Gavin. You

553
00:29:28,920 --> 00:29:30,960
Speaker 4: know it's all love with maxindam No, but but that

554
00:29:31,240 --> 00:29:33,000
Speaker 4: saying I was on the West Coast. I was like,

555
00:29:33,080 --> 00:29:33,880
Speaker 4: whatever's gonna happen?

556
00:29:34,080 --> 00:29:34,320
Speaker 1: Happen?

557
00:29:34,440 --> 00:29:36,520
Speaker 4: You know, I was in that that type of mentality,

558
00:29:36,600 --> 00:29:39,600
Speaker 4: and then it's crazy. I was on the show and

559
00:29:39,840 --> 00:29:41,840
Speaker 4: it was West Coast, was at the House of Blues,

560
00:29:42,320 --> 00:29:44,360
Speaker 4: and man, I just was like, man, what's gonna happen?

561
00:29:44,360 --> 00:29:47,240
Speaker 4: Is gonna happen? My father was even there. You know,

562
00:29:47,720 --> 00:29:51,000
Speaker 4: it's gonna be the only this record I've ever produced ever.

563
00:29:51,400 --> 00:29:57,160
Speaker 1: Like you, I said that was poland that's good for me.

564
00:29:58,280 --> 00:30:07,440
Speaker 1: It's a classic. Yeah, but god damn, Bed, that was crazy.

565
00:30:07,480 --> 00:30:08,000
Speaker 1: At that time.

566
00:30:08,080 --> 00:30:11,040
Speaker 3: I'm like, like you said, you were looked at like

567
00:30:11,120 --> 00:30:13,959
Speaker 3: a backpack round. I didn't thinking.

568
00:30:14,320 --> 00:30:18,200
Speaker 1: Yeah, for lack of a better term, come this hard, Yeah, hard, yeah,

569
00:30:19,760 --> 00:30:22,600
Speaker 1: hard man. I don't think none of us saw that.

570
00:30:23,280 --> 00:30:25,840
Speaker 4: No, I ain't gonna front. That was a lot of niggas.

571
00:30:25,880 --> 00:30:27,920
Speaker 4: It wasn't like fucking with me or just like he

572
00:30:28,080 --> 00:30:29,320
Speaker 4: wanted them a backpack.

573
00:30:29,440 --> 00:30:29,720
Speaker 1: Dudes.

574
00:30:30,040 --> 00:30:32,680
Speaker 4: I had dudes come up to me and be like, man,

575
00:30:33,360 --> 00:30:35,080
Speaker 4: when I heard the bitch of you, I was like, okay,

576
00:30:36,840 --> 00:30:40,640
Speaker 4: like respected me at that point. But you know, sometimes

577
00:30:40,720 --> 00:30:42,680
Speaker 4: it does that the battles. The battles can get that

578
00:30:42,920 --> 00:30:45,120
Speaker 4: get that out of you. It's like in sports and

579
00:30:45,320 --> 00:30:48,800
Speaker 4: in a lot of things, you know. But yeah, even

580
00:30:48,880 --> 00:30:50,960
Speaker 4: we saw that with the battle with it just happened

581
00:30:51,000 --> 00:30:55,000
Speaker 4: like because I mean to me, when you delivering a

582
00:30:55,080 --> 00:30:58,240
Speaker 4: battle to it just kind of raises the like your

583
00:30:58,520 --> 00:31:00,560
Speaker 4: your artistry up in a way because it's like, Okay,

584
00:31:00,600 --> 00:31:02,880
Speaker 4: I can make these records. I can make a record

585
00:31:02,880 --> 00:31:05,040
Speaker 4: about a woman, I can make a record about what

586
00:31:05,240 --> 00:31:06,920
Speaker 4: life is to me. I can make rem in this

587
00:31:07,080 --> 00:31:10,800
Speaker 4: So I can. But but I can also get into

588
00:31:10,880 --> 00:31:13,000
Speaker 4: this and into this, to this battle, to this war

589
00:31:13,360 --> 00:31:13,760
Speaker 4: and do.

590
00:31:13,840 --> 00:31:14,480
Speaker 1: What I need to do.

591
00:31:15,160 --> 00:31:17,760
Speaker 3: Yeah, Now, your name been brought on so many times

592
00:31:17,800 --> 00:31:21,479
Speaker 3: on this show, right especially, I want to get back

593
00:31:21,480 --> 00:31:24,440
Speaker 3: into the Drake things, just likely a little bit because.

594
00:31:25,920 --> 00:31:28,160
Speaker 1: What was what was the Drake thing over so the

595
00:31:28,240 --> 00:31:28,680
Speaker 1: Drake thing?

596
00:31:28,920 --> 00:31:32,160
Speaker 4: The Drake thing was more like I ain't into like

597
00:31:33,640 --> 00:31:35,520
Speaker 4: what you said, like when you when y'all was telling

598
00:31:35,600 --> 00:31:37,080
Speaker 4: knives man, I think he dissing you.

599
00:31:37,400 --> 00:31:39,800
Speaker 6: But I felt like Drake was sending me a couple

600
00:31:39,840 --> 00:31:40,560
Speaker 6: of shots.

601
00:31:43,080 --> 00:31:50,280
Speaker 1: At the light skin karate class. It really I think

602
00:31:50,320 --> 00:31:50,920
Speaker 1: it started.

603
00:31:51,160 --> 00:31:54,280
Speaker 4: I don't know what motivated him to send me some shots,

604
00:31:54,560 --> 00:31:57,600
Speaker 4: but I think what for sure had me.

605
00:31:57,720 --> 00:31:59,280
Speaker 6: If I'm just being real, like.

606
00:32:00,080 --> 00:32:02,000
Speaker 4: You know, we mess with one of the same girls,

607
00:32:02,040 --> 00:32:04,400
Speaker 4: blah blah blah, the same story. Yeah, the same story

608
00:32:04,440 --> 00:32:07,040
Speaker 4: that you hear a block about it. You know, war's

609
00:32:07,080 --> 00:32:16,960
Speaker 4: happened over women, Wars happened over women.

610
00:32:17,040 --> 00:32:17,880
Speaker 1: That's just what it is.

611
00:32:18,080 --> 00:32:21,960
Speaker 4: I mean, but I wouldn't. I ain't the type this gone.

612
00:32:22,120 --> 00:32:24,880
Speaker 4: I ain't gonna get at you if you know, if

613
00:32:24,880 --> 00:32:27,160
Speaker 4: you with somebody else with I don't know that's the dude.

614
00:32:27,400 --> 00:32:28,520
Speaker 1: But you start throwing me a.

615
00:32:28,560 --> 00:32:30,960
Speaker 5: Couple of littles, you know, you're trying to throw some jass.

616
00:32:31,240 --> 00:32:34,480
Speaker 6: You know yo, And I'm like, man, okay.

617
00:32:34,800 --> 00:32:36,760
Speaker 4: And then once I found you know, once I felt

618
00:32:36,840 --> 00:32:41,000
Speaker 4: like they really remember they dropped the state scheming and

619
00:32:41,080 --> 00:32:44,760
Speaker 4: my homie called me black Calls. He was like and

620
00:32:44,800 --> 00:32:46,880
Speaker 4: he was like, man, he talking talking to you or that,

621
00:32:47,400 --> 00:32:48,880
Speaker 4: And at that point I was like, man, I just

622
00:32:49,480 --> 00:32:51,760
Speaker 4: I can't even I just gotta over the I just

623
00:32:51,800 --> 00:32:55,680
Speaker 4: got to it wasn't even a sche we couldn't tell,

624
00:32:55,760 --> 00:32:57,800
Speaker 4: like because that's that's what That's why I was like,

625
00:33:03,160 --> 00:33:05,720
Speaker 4: we couldn't tell. So that's why I was like, Hey,

626
00:33:05,760 --> 00:33:07,680
Speaker 4: I'm gonna let you know, like right now, this is

627
00:33:07,680 --> 00:33:09,840
Speaker 4: what So if you're coming at me, you don't know

628
00:33:09,920 --> 00:33:11,720
Speaker 4: who it is coming at you coming.

629
00:33:12,040 --> 00:33:12,960
Speaker 1: And it was great.

630
00:33:13,120 --> 00:33:16,160
Speaker 4: It was great that wrap and it was crazy, is

631
00:33:16,840 --> 00:33:19,280
Speaker 4: no idea at that point shout out to know I

632
00:33:19,600 --> 00:33:19,920
Speaker 4: want to know?

633
00:33:20,280 --> 00:33:22,760
Speaker 1: Yeah, shout he he.

634
00:33:23,000 --> 00:33:25,440
Speaker 4: He was like, because I had all these bars and

635
00:33:25,560 --> 00:33:28,080
Speaker 4: he was like, bro, you can't go to hog, just

636
00:33:28,200 --> 00:33:30,480
Speaker 4: wait because it might be another round.

637
00:33:30,840 --> 00:33:33,200
Speaker 6: And he was like the youngest generation, don't.

638
00:33:33,040 --> 00:33:35,560
Speaker 4: Go that hard. And I was like, I was like

639
00:33:35,680 --> 00:33:37,960
Speaker 4: what and man, because all I know is to go

640
00:33:38,080 --> 00:33:41,400
Speaker 4: all out and we're I'm talking about I would pick

641
00:33:41,480 --> 00:33:47,200
Speaker 4: up what I got to pick up. When he told

642
00:33:47,240 --> 00:33:49,520
Speaker 4: me that, I was like, okay, So I took out

643
00:33:49,520 --> 00:33:50,720
Speaker 4: a few lines blah blah blah.

644
00:33:51,080 --> 00:33:53,040
Speaker 1: But and then you know, we had it.

645
00:33:53,560 --> 00:33:57,520
Speaker 4: And I eventually saw Drake face to face and I

646
00:33:57,680 --> 00:33:59,600
Speaker 4: was at a point where you know, I was like,

647
00:33:59,640 --> 00:34:03,440
Speaker 4: what's up? And we just we had little little little

648
00:34:03,480 --> 00:34:07,400
Speaker 4: words and then over and then his father, his father

649
00:34:07,600 --> 00:34:10,200
Speaker 4: was there and it was like, y'all need to squash this.

650
00:34:10,320 --> 00:34:11,919
Speaker 4: And I was like, man, this is an elder talking

651
00:34:11,960 --> 00:34:13,160
Speaker 4: to me. This is man father.

652
00:34:13,360 --> 00:34:13,600
Speaker 1: Let me.

653
00:34:14,160 --> 00:34:14,920
Speaker 6: Let me chill out.

654
00:34:15,360 --> 00:34:17,600
Speaker 4: And then Drake just was like we talked and he

655
00:34:17,800 --> 00:34:20,439
Speaker 4: was like, man, I ain't on this, blah blah blah.

656
00:34:20,800 --> 00:34:22,840
Speaker 4: So we just squashed. I was like, listen, if we

657
00:34:22,920 --> 00:34:28,279
Speaker 4: face the face in it, and then I'm even if

658
00:34:28,320 --> 00:34:30,560
Speaker 4: it was some subliminal distance. I said what I had

659
00:34:30,600 --> 00:34:33,040
Speaker 4: to say. Right now we're saying we're squashing it is

660
00:34:33,280 --> 00:34:33,680
Speaker 4: We're good.

661
00:34:33,800 --> 00:34:35,760
Speaker 1: So I've been good. Listen.

662
00:34:37,960 --> 00:34:40,799
Speaker 3: Do you know what I think is trash is when

663
00:34:41,120 --> 00:34:43,120
Speaker 3: people see each other face the face and didn't do

664
00:34:43,200 --> 00:34:43,759
Speaker 3: it after.

665
00:34:44,880 --> 00:34:47,919
Speaker 7: Don't over battle, That's what I say, the honest don't

666
00:34:47,960 --> 00:34:50,839
Speaker 7: over battle. Do it for the fun, you know, try

667
00:34:50,920 --> 00:34:53,279
Speaker 7: to stay in respectable you know.

668
00:34:53,560 --> 00:34:53,759
Speaker 1: Yep.

669
00:34:54,560 --> 00:34:57,480
Speaker 3: I mean that's the only thing that I'm seeing that

670
00:34:57,640 --> 00:34:59,719
Speaker 3: right now. And I don't want to say the people

671
00:34:59,840 --> 00:35:07,360
Speaker 3: name certain people. Sometimes you go too far, Like I

672
00:35:07,480 --> 00:35:10,160
Speaker 3: always if I have a battle with you, if we

673
00:35:10,280 --> 00:35:16,120
Speaker 3: were battling and we don't hate each other, uh, there's

674
00:35:16,120 --> 00:35:18,919
Speaker 3: always room to fix it. But when you start saying

675
00:35:18,960 --> 00:35:21,560
Speaker 3: certain things about certain ship when you can't you can't.

676
00:35:21,560 --> 00:35:24,000
Speaker 1: You can't fix that, you can't fix it, so say

677
00:35:24,080 --> 00:35:25,080
Speaker 1: something personal. I don't.

678
00:35:25,080 --> 00:35:27,960
Speaker 3: I don't like that part, but I do love battling.

679
00:35:28,080 --> 00:35:31,719
Speaker 3: I love like like like you know, uh, face to

680
00:35:31,760 --> 00:35:35,640
Speaker 3: face you know, yeah, I mean like, yeah, I love that.

681
00:35:37,520 --> 00:35:40,640
Speaker 1: I can't. Yeah, right, all right, I love that. But

682
00:35:41,200 --> 00:35:46,520
Speaker 1: this new generation that's bad and social media change every day.

683
00:35:46,680 --> 00:35:49,680
Speaker 4: That's what it was, like media change it or I'm

684
00:35:49,719 --> 00:35:52,640
Speaker 4: glad my battles in it like happened a lot during

685
00:35:52,680 --> 00:35:55,480
Speaker 4: the social media age because you gotta like you gotta

686
00:35:55,560 --> 00:35:58,400
Speaker 4: add that element to it, in which I think they

687
00:35:58,480 --> 00:36:03,120
Speaker 4: did a kid and this like they was like had strategy.

688
00:36:03,040 --> 00:36:04,440
Speaker 1: Use going on.

689
00:36:04,680 --> 00:36:09,360
Speaker 3: Everybody's a private investigator. You got private investigators. Are they

690
00:36:09,480 --> 00:36:12,440
Speaker 3: private investigators or they have private investigators. I don't know,

691
00:36:12,680 --> 00:36:17,640
Speaker 3: like like yeah, they bring it up red files and

692
00:36:17,719 --> 00:36:19,080
Speaker 3: ship they took it up.

693
00:36:19,040 --> 00:36:22,440
Speaker 1: But not okay, let's let's let's let's I'm gonna switch it.

694
00:36:22,760 --> 00:36:23,239
Speaker 1: Get your piece.

695
00:36:23,840 --> 00:36:28,080
Speaker 3: We get the piece because you know what need I

696
00:36:28,200 --> 00:36:31,000
Speaker 3: needed you to talk about this. I needed and especially

697
00:36:31,080 --> 00:36:35,880
Speaker 3: you pee because you're you're very non confrontational, very like

698
00:36:36,200 --> 00:36:38,480
Speaker 3: you're not about that and you not about that. But

699
00:36:39,080 --> 00:36:41,840
Speaker 3: the fact is that you both and I did not remember.

700
00:36:42,000 --> 00:36:44,680
Speaker 3: I knew that you did reduce that, but I didn't remember.

701
00:36:46,000 --> 00:36:49,719
Speaker 1: It. I okay, I forgot. And when space turned red

702
00:36:49,880 --> 00:36:54,200
Speaker 1: is it? I didn't know this man? Okay. But before

703
00:36:54,280 --> 00:36:57,479
Speaker 1: we change the subject, when did you see ice Cube?

704
00:36:57,480 --> 00:36:59,880
Speaker 1: What did he say to you? He said, he come,

705
00:37:01,760 --> 00:37:07,359
Speaker 1: he's good. Bro. You had to respect over with. It's

706
00:37:07,400 --> 00:37:07,759
Speaker 1: all good.

707
00:37:07,840 --> 00:37:10,080
Speaker 4: It's crazy when we were doing when we was doing

708
00:37:10,120 --> 00:37:13,480
Speaker 4: the barbershop movie in the Shottown, we actually were we

709
00:37:13,560 --> 00:37:16,719
Speaker 4: filmed it in Atlanta, but it's you know, it's basically yeah, yeah, yeah,

710
00:37:16,719 --> 00:37:20,320
Speaker 4: of course, so Cuban. At one point we was about

711
00:37:20,360 --> 00:37:22,319
Speaker 4: to it was crazy because it's like a movie. At

712
00:37:22,360 --> 00:37:24,120
Speaker 4: one point were just about to have him talk or

713
00:37:24,200 --> 00:37:26,919
Speaker 4: hide it all. Like as soon as we started talking,

714
00:37:27,000 --> 00:37:28,920
Speaker 4: he got a phone call and it was like we

715
00:37:29,160 --> 00:37:36,600
Speaker 4: never we never discussed that was Jesus positive positive Now

716
00:37:36,640 --> 00:37:38,320
Speaker 4: we didn't when we were talking about it wasn't like

717
00:37:38,680 --> 00:37:40,560
Speaker 4: it was just like it was almost like one of

718
00:37:40,600 --> 00:37:42,360
Speaker 4: the moments like you know, you got into it.

719
00:37:42,520 --> 00:37:44,799
Speaker 6: Somebody like look, man, this is why I even came

720
00:37:44,880 --> 00:37:46,120
Speaker 6: into like this blah blah.

721
00:37:46,320 --> 00:37:47,719
Speaker 4: But we didn't even get to that bark at that

722
00:37:47,840 --> 00:37:50,480
Speaker 4: point that he ain't want to talk about that's what

723
00:37:50,719 --> 00:37:52,280
Speaker 4: you know what under the bridge.

724
00:37:53,960 --> 00:37:55,240
Speaker 1: His whole attitude about.

725
00:37:55,040 --> 00:37:57,360
Speaker 6: It was like, yeah, yeah it was, Yes, it was

726
00:37:57,480 --> 00:37:58,600
Speaker 6: twenty years later, but I.

727
00:37:58,600 --> 00:38:02,120
Speaker 1: Mean it's good history of hip hop history that let's

728
00:38:02,160 --> 00:38:05,600
Speaker 1: be clear. I still I feel still for like Ce

729
00:38:05,640 --> 00:38:07,160
Speaker 1: got a little bit of pettiness in him. Yeah, I

730
00:38:07,160 --> 00:38:07,799
Speaker 1: would never ba.

731
00:38:08,960 --> 00:38:12,879
Speaker 3: One of our biggest arguments on Drink Champs is which

732
00:38:12,960 --> 00:38:15,759
Speaker 3: I love. I'm just biting Tony Yayo back just for

733
00:38:15,880 --> 00:38:17,520
Speaker 3: him and e FN argument like.

734
00:38:24,440 --> 00:38:31,120
Speaker 1: This ship my favorite because he been a lot of

735
00:38:31,120 --> 00:38:33,680
Speaker 1: people don't know he's actually from l A. But that

736
00:38:33,760 --> 00:38:38,960
Speaker 1: doesn't l A. But that doesn't, you know, make his

737
00:38:39,160 --> 00:38:43,279
Speaker 1: decisions because of that. He's really an ice Cube fan

738
00:38:44,840 --> 00:38:48,440
Speaker 1: and Yo was really it's really a Biggie fan. And

739
00:38:48,560 --> 00:38:49,319
Speaker 1: when YAlO was.

740
00:38:49,320 --> 00:38:51,920
Speaker 3: Saying, he was like, you you've never seen you never

741
00:38:52,000 --> 00:38:54,640
Speaker 3: felt when Biggie dropped, and I'm.

742
00:38:54,520 --> 00:39:03,839
Speaker 1: Like, yes, yes, Yo agreed, he's tough.

743
00:39:05,080 --> 00:39:09,160
Speaker 3: That was the most quietness I've ever been on I

744
00:39:09,280 --> 00:39:11,040
Speaker 3: agree with both sides, and I said, I don't.

745
00:39:11,040 --> 00:39:13,920
Speaker 1: I don't want Biggie lived long enough to have the

746
00:39:14,040 --> 00:39:16,520
Speaker 1: discography that it just didn't happen.

747
00:39:17,600 --> 00:39:20,440
Speaker 7: Biggy, I got to see America's most want to go

748
00:39:20,600 --> 00:39:23,200
Speaker 7: down in Green Street because that's what Ice you produced,

749
00:39:23,719 --> 00:39:26,399
Speaker 7: That's what he did that album in New York.

750
00:39:28,000 --> 00:39:30,000
Speaker 3: Out of here by the way to speak up the

751
00:39:30,160 --> 00:39:36,440
Speaker 3: Pete rock you brother the Green Street. Let me let

752
00:39:36,480 --> 00:39:38,440
Speaker 3: me tell you. Another thing that you probably don't know

753
00:39:39,920 --> 00:39:44,960
Speaker 3: is me and pun and you were on that record Records.

754
00:39:45,640 --> 00:39:48,080
Speaker 3: Fun has made a vow that we was going to

755
00:39:48,160 --> 00:39:50,560
Speaker 3: start doing people's records, and it's doing these features.

756
00:39:50,719 --> 00:39:53,880
Speaker 1: I didn't even know. I requested you though I got you.

757
00:39:57,440 --> 00:39:59,880
Speaker 3: So that was the first time me and me and

758
00:40:00,080 --> 00:40:02,800
Speaker 3: one had been but we had never been in the

759
00:40:02,800 --> 00:40:03,400
Speaker 3: studio together.

760
00:40:03,400 --> 00:40:05,320
Speaker 1: And I remember this Green Street studio that it's a

761
00:40:05,360 --> 00:40:07,160
Speaker 1: famous picture of me and you. I was skinny.

762
00:40:07,160 --> 00:40:09,960
Speaker 3: I got to get back to my life. I was

763
00:40:10,040 --> 00:40:13,440
Speaker 3: skinny with the cardiac glasses. And I remember and I

764
00:40:14,000 --> 00:40:17,279
Speaker 3: never told you this neither. I remember just me. That

765
00:40:17,400 --> 00:40:19,560
Speaker 3: was also the quietest I've ever been. I just looked

766
00:40:19,560 --> 00:40:21,440
Speaker 3: at you and said what do I need to do?

767
00:40:22,040 --> 00:40:24,440
Speaker 3: And you said this, this and that, and I did

768
00:40:24,520 --> 00:40:25,080
Speaker 3: not got you.

769
00:40:25,920 --> 00:40:29,160
Speaker 1: This is on video. I listened comment. I did not argue.

770
00:40:29,320 --> 00:40:29,719
Speaker 1: I did not.

771
00:40:29,960 --> 00:40:34,800
Speaker 3: I did everything. I did not want him, Like, this

772
00:40:34,960 --> 00:40:36,880
Speaker 3: is Pete Rock. I did not want him. This is

773
00:40:37,000 --> 00:40:39,839
Speaker 3: this hold on, hold on, hold on, let me get

774
00:40:39,840 --> 00:40:43,480
Speaker 3: your flowers. This was a testing point for me as

775
00:40:43,600 --> 00:40:45,600
Speaker 3: my career. Like Pete Rock called and I was like,

776
00:40:45,719 --> 00:40:46,480
Speaker 3: did he called?

777
00:40:47,239 --> 00:40:49,239
Speaker 1: I was like, you know this. You know we had

778
00:40:49,280 --> 00:40:49,960
Speaker 1: beepers and ship.

779
00:40:51,400 --> 00:40:53,920
Speaker 3: So I was like, Pete called and I was like, yo,

780
00:40:55,040 --> 00:40:56,880
Speaker 3: this is Green Streak Recording Studios.

781
00:40:57,040 --> 00:41:00,799
Speaker 1: I remember I called aver Rex and I was like, yo,

782
00:41:01,080 --> 00:41:01,719
Speaker 1: I gotta have an.

783
00:41:04,040 --> 00:41:04,080
Speaker 4: That.

784
00:41:04,120 --> 00:41:07,360
Speaker 1: I gotta look good with that. And I was asking

785
00:41:07,440 --> 00:41:09,400
Speaker 1: you about it, and I'm like, when you get that jacket,

786
00:41:11,200 --> 00:41:14,960
Speaker 1: I was like, I remember, I just came from out here.

787
00:41:15,320 --> 00:41:17,719
Speaker 1: I forget. I don't want to do it. But that

788
00:41:17,800 --> 00:41:21,320
Speaker 1: ship was a legendary moment in my life. And you

789
00:41:21,560 --> 00:41:24,480
Speaker 1: saw it. You saw it in me like you you

790
00:41:24,560 --> 00:41:25,440
Speaker 1: were one of the first.

791
00:41:29,160 --> 00:41:31,520
Speaker 4: You want to.

792
00:41:33,160 --> 00:41:35,560
Speaker 1: Three sixties. That's what I do. I bring people together.

793
00:41:39,560 --> 00:41:42,800
Speaker 4: As you were saying that, I fast forward to to

794
00:41:42,880 --> 00:41:45,520
Speaker 4: where we are now, and I was thinking, like, to

795
00:41:45,680 --> 00:41:48,319
Speaker 4: be honest, like working with Pete for me now is like, Yo,

796
00:41:49,760 --> 00:41:51,720
Speaker 4: as much as I'm used to being a solo artist,

797
00:41:51,760 --> 00:41:54,640
Speaker 4: I'm a solo artist, you know, and not many producers.

798
00:41:54,719 --> 00:41:56,759
Speaker 4: Sometimes they just give you the beat and and they

799
00:41:56,840 --> 00:41:59,239
Speaker 4: let you go. And and Pete did that some of

800
00:41:59,320 --> 00:42:02,920
Speaker 4: that that, but it was I really appreciate it. When

801
00:42:02,920 --> 00:42:05,799
Speaker 4: he would would guide me too. He was if someone right.

802
00:42:06,400 --> 00:42:08,600
Speaker 4: He would be like, yo, I need you to do this,

803
00:42:09,080 --> 00:42:11,440
Speaker 4: that like, let's straighten this out, let's do that, and

804
00:42:11,560 --> 00:42:12,480
Speaker 4: it was it felt like.

805
00:42:12,800 --> 00:42:14,560
Speaker 6: That's being a producer. That's a producer.

806
00:42:14,800 --> 00:42:16,799
Speaker 1: I felt that he was Nigga too. He gonna say

807
00:42:16,800 --> 00:42:21,560
Speaker 1: it's mooth, but you know what it mean. I make

808
00:42:21,640 --> 00:42:24,560
Speaker 1: you do it eight times. But I love that. And

809
00:42:24,920 --> 00:42:25,759
Speaker 1: to me, that's iron.

810
00:42:25,840 --> 00:42:29,399
Speaker 4: Shopping's iron, like you like, okay, man, I'm a i'm

811
00:42:29,400 --> 00:42:31,879
Speaker 4: a this record gonna come out better. This song will

812
00:42:31,920 --> 00:42:35,120
Speaker 4: come out better because he putting that type of soul

813
00:42:35,200 --> 00:42:38,360
Speaker 4: and energy into it. And when you were saying like

814
00:42:39,840 --> 00:42:42,320
Speaker 4: like us being able to get together, for me, I

815
00:42:42,480 --> 00:42:45,000
Speaker 4: was like, damn, I'm sitting here with Pete Rock.

816
00:42:45,640 --> 00:42:49,160
Speaker 6: He playing records. I'm hearing records that he's.

817
00:42:49,080 --> 00:42:52,000
Speaker 4: Like, you want to use this and that, watching him

818
00:42:52,280 --> 00:42:54,000
Speaker 4: shop up something. Let's try these ideas.

819
00:42:54,520 --> 00:42:54,719
Speaker 1: Man.

820
00:42:55,520 --> 00:42:57,920
Speaker 4: What we always loved about this music, I kind of

821
00:42:58,000 --> 00:43:01,239
Speaker 4: got to do on this album, like like just sitting

822
00:43:01,320 --> 00:43:02,680
Speaker 4: down rocking experience.

823
00:43:02,800 --> 00:43:06,759
Speaker 7: Everyone should experience. Man, it's just if you are and

824
00:43:07,120 --> 00:43:10,480
Speaker 7: you know, working in the physical is way better emailing

825
00:43:10,560 --> 00:43:13,120
Speaker 7: somebody some beats and ship like that. That's when I

826
00:43:13,160 --> 00:43:14,040
Speaker 7: felt the album heard.

827
00:43:14,320 --> 00:43:21,359
Speaker 4: That's when I knew, Yo, that's what That's what That's

828
00:43:21,400 --> 00:43:23,839
Speaker 4: what I felt like. That's when I knew we could

829
00:43:23,920 --> 00:43:26,960
Speaker 4: make a project as special because it was coming out

830
00:43:27,000 --> 00:43:30,080
Speaker 4: to his crib and sitting there and him going through

831
00:43:30,200 --> 00:43:33,840
Speaker 4: music and then even him sending me records Like what

832
00:43:34,480 --> 00:43:37,320
Speaker 4: I was like, this is the process that it's always

833
00:43:37,600 --> 00:43:39,600
Speaker 4: been the best when I'm working with a producer. That's

834
00:43:39,640 --> 00:43:42,879
Speaker 4: how I got to work with Dyla when it was Hey,

835
00:43:43,040 --> 00:43:45,120
Speaker 4: it was for me and Pete. We got, I mean,

836
00:43:45,200 --> 00:43:47,520
Speaker 4: we got everybody got their own special connection. But it's

837
00:43:47,520 --> 00:43:49,880
Speaker 4: also to just to buy Like I ain't you know,

838
00:43:50,000 --> 00:43:52,680
Speaker 4: I ain't into just people sending me music and then

839
00:43:52,960 --> 00:43:54,240
Speaker 4: I do the song and I ain't.

840
00:43:54,080 --> 00:43:54,840
Speaker 6: Never met the person.

841
00:43:55,000 --> 00:43:56,600
Speaker 4: You know, I was on this Dude, I was on

842
00:43:57,600 --> 00:44:00,080
Speaker 4: court as I was on this court a record, and

843
00:44:00,200 --> 00:44:01,920
Speaker 4: I had never met the producer. I'm on the plane

844
00:44:01,960 --> 00:44:04,760
Speaker 4: and he tells me, Yo, you're on one of my records.

845
00:44:04,800 --> 00:44:06,880
Speaker 4: I'm like, it's strange to me.

846
00:44:07,360 --> 00:44:12,600
Speaker 1: Like that ytimate work. But you know what I'm saying.

847
00:44:12,600 --> 00:44:14,680
Speaker 7: I know we do a lot of work, but sometimes

848
00:44:15,200 --> 00:44:18,840
Speaker 7: you know, it gets it gets lost, you don't remember, like,

849
00:44:18,920 --> 00:44:19,759
Speaker 7: oh ship I did that.

850
00:44:20,080 --> 00:44:21,840
Speaker 1: Yeah, yeah, But.

851
00:44:22,560 --> 00:44:26,279
Speaker 3: I'm about to say me and I fanabitis argument all

852
00:44:26,320 --> 00:44:30,280
Speaker 3: the time. We don't. We have Major Independent. I always

853
00:44:30,320 --> 00:44:32,880
Speaker 3: say I like Major, and he says he likes Independent.

854
00:44:33,200 --> 00:44:35,440
Speaker 3: But when I say Maker, When I say Major, the

855
00:44:35,480 --> 00:44:38,080
Speaker 3: reason why I say I like Major is because I can.

856
00:44:38,080 --> 00:44:41,640
Speaker 1: Have the budget to fly this artist and if he's

857
00:44:41,680 --> 00:44:46,960
Speaker 1: not if this what I mean.

858
00:44:54,360 --> 00:44:57,360
Speaker 3: More since today, But that's that's the reason why I

859
00:44:57,480 --> 00:44:59,680
Speaker 3: pick it Major, Because if I want to work with

860
00:44:59,800 --> 00:45:03,200
Speaker 3: con I'm in and back then we had an eight

861
00:45:03,280 --> 00:45:06,320
Speaker 3: inch rail, I would have to go to Chicago and

862
00:45:06,520 --> 00:45:08,719
Speaker 3: go work with him and me and people get him

863
00:45:08,719 --> 00:45:10,560
Speaker 3: the flight like we was on a flight together today

864
00:45:10,800 --> 00:45:13,000
Speaker 3: and get to the flight and we produced it. That's

865
00:45:13,040 --> 00:45:15,280
Speaker 3: what made that's why I picked Major more is because

866
00:45:15,640 --> 00:45:18,480
Speaker 3: of the assets of that finances, that.

867
00:45:18,680 --> 00:45:21,080
Speaker 1: That that that provides that you got to recoup what

868
00:45:21,239 --> 00:45:22,000
Speaker 1: you got to recool.

869
00:45:22,080 --> 00:45:24,440
Speaker 3: Of course, yes, but that's the reason why I always

870
00:45:24,480 --> 00:45:26,719
Speaker 3: picked Major is because of course of that like, and

871
00:45:26,840 --> 00:45:28,320
Speaker 3: I also always picked analog.

872
00:45:28,440 --> 00:45:31,040
Speaker 1: Yeah, yeah, I like analog more than digital.

873
00:45:31,120 --> 00:45:33,920
Speaker 7: You don't even have your experience with analog coming to

874
00:45:34,040 --> 00:45:36,920
Speaker 7: see people like me and Premier, you have all these

875
00:45:37,000 --> 00:45:40,880
Speaker 7: other producers that worked with analog. It's the most important

876
00:45:40,960 --> 00:45:43,759
Speaker 7: sound music period that gave you that.

877
00:45:44,280 --> 00:45:46,960
Speaker 4: Fact like that, that's that it captures the energy in

878
00:45:47,000 --> 00:45:49,600
Speaker 4: the room, the music, and it's the soul in that

879
00:45:49,760 --> 00:45:52,360
Speaker 4: in that In analog too, I.

880
00:45:52,360 --> 00:45:55,120
Speaker 1: Didn't know how to punch in. Yeah, I didn't know.

881
00:45:55,480 --> 00:45:59,360
Speaker 1: I don't know, didn't punch it. It wasn't as the

882
00:45:59,440 --> 00:46:03,960
Speaker 1: one one you never heard. You got to tell him

883
00:46:03,960 --> 00:46:07,719
Speaker 1: about the hook? Oh yeah, what what what what? That's

884
00:46:07,760 --> 00:46:09,000
Speaker 1: how I counted bars? What what?

885
00:46:09,120 --> 00:46:09,160
Speaker 5: What?

886
00:46:09,239 --> 00:46:09,759
Speaker 1: What? What? What?

887
00:46:09,880 --> 00:46:09,920
Speaker 5: What?

888
00:46:10,760 --> 00:46:10,800
Speaker 1: What?

889
00:46:10,960 --> 00:46:11,160
Speaker 5: What? What?

890
00:46:11,239 --> 00:46:11,279
Speaker 6: What?

891
00:46:11,520 --> 00:46:11,560
Speaker 5: What?

892
00:46:11,760 --> 00:46:11,800
Speaker 1: What?

893
00:46:16,360 --> 00:46:17,800
Speaker 6: Everyone got a method today?

894
00:46:18,440 --> 00:46:22,800
Speaker 1: You know that ship. Yes, that's the one that I

895
00:46:22,920 --> 00:46:26,319
Speaker 1: was nervous. I was crazy. I was nervous sound.

896
00:46:28,000 --> 00:46:31,280
Speaker 4: But I gotta say something about that though, because Pete

897
00:46:31,320 --> 00:46:35,920
Speaker 4: always we'll be talking about James Brown and man, that's

898
00:46:36,239 --> 00:46:38,239
Speaker 4: the fact that you's ad lived that and that was

899
00:46:38,320 --> 00:46:40,759
Speaker 4: just just coming you know just what I'm saying, this

900
00:46:40,880 --> 00:46:43,879
Speaker 4: is my thing, but it became something so like that's

901
00:46:44,000 --> 00:46:46,160
Speaker 4: one of the biggest joint in hip hop.

902
00:46:46,680 --> 00:46:49,520
Speaker 3: You were hear something funny about James Brown. I met

903
00:46:49,640 --> 00:46:53,759
Speaker 3: James Brown and Pharrell. Ironically, it was a bm My

904
00:46:53,880 --> 00:46:58,960
Speaker 3: Awards for Forarrell and justin Timberlake, and I walked over

905
00:46:59,000 --> 00:46:59,600
Speaker 3: to James Brown.

906
00:46:59,600 --> 00:47:01,399
Speaker 1: I was like, hey man, you know, he's so nice

907
00:47:01,440 --> 00:47:03,440
Speaker 1: to meet you. And I could tell he knew. He

908
00:47:03,560 --> 00:47:07,839
Speaker 1: did not know, but his nephew or whoever leaned over

909
00:47:07,880 --> 00:47:10,400
Speaker 1: and was like, that's the rapper, that's the rapper.

910
00:47:10,680 --> 00:47:12,600
Speaker 3: And he turned around. He was like, keep saying the

911
00:47:12,760 --> 00:47:24,400
Speaker 3: ship niggas Brown you got you gotta think about it.

912
00:47:24,680 --> 00:47:26,520
Speaker 3: All the early records of hip hop is one of

913
00:47:26,560 --> 00:47:29,880
Speaker 3: the most simple, the most sensible. But you don't care

914
00:47:29,920 --> 00:47:32,200
Speaker 3: if you a rapper up. He just thinks you're sampled.

915
00:47:32,360 --> 00:47:34,759
Speaker 3: He's the most sample. But he has some albums that

916
00:47:35,239 --> 00:47:39,840
Speaker 3: that people ain't listening and these James.

917
00:47:39,600 --> 00:47:40,480
Speaker 6: Brownd songs like.

918
00:47:43,600 --> 00:47:47,360
Speaker 3: I'm just saying I still need to beat kids, you

919
00:47:47,440 --> 00:47:49,640
Speaker 3: know what I mean, like Baked Beans and do whatever.

920
00:47:49,800 --> 00:47:51,840
Speaker 4: But but that feeling of what I'm saying is what

921
00:47:52,000 --> 00:47:54,799
Speaker 4: what like Super Doug is like it's a feeling too,

922
00:47:54,920 --> 00:47:57,520
Speaker 4: Like that's what we got in them records And James Brown,

923
00:47:58,120 --> 00:48:00,239
Speaker 4: you know like hear me on the one that like

924
00:48:00,280 --> 00:48:02,880
Speaker 4: he rehearsed that he's just in there giving the feeling.

925
00:48:03,160 --> 00:48:05,759
Speaker 4: So that honestly one of the what's craziest one of

926
00:48:06,200 --> 00:48:11,239
Speaker 4: on the Song of Light for me, like one of

927
00:48:11,280 --> 00:48:13,359
Speaker 4: the most said lyrics for me on the Song of Light,

928
00:48:13,400 --> 00:48:15,560
Speaker 4: which is you know a love song blah blah blah.

929
00:48:17,280 --> 00:48:18,960
Speaker 6: Is when I say took a tire, took a tire,

930
00:48:19,000 --> 00:48:20,080
Speaker 6: took a ticket to time.

931
00:48:20,440 --> 00:48:23,600
Speaker 4: Now what's crazy is I didn't have my first finish,

932
00:48:24,040 --> 00:48:32,879
Speaker 4: so I just like cio tar and what I'm saying

933
00:48:33,200 --> 00:48:35,200
Speaker 4: it was like and when I tried to change and

934
00:48:35,280 --> 00:48:39,920
Speaker 4: write something, it just didn't feel I'm keeping that plan.

935
00:48:40,360 --> 00:48:43,080
Speaker 4: It was like a reference and I never did a

936
00:48:43,160 --> 00:48:45,640
Speaker 4: take that was better. So I just left in the ticket.

937
00:48:45,920 --> 00:48:47,719
Speaker 4: And to this day, when I put on that song,

938
00:48:48,880 --> 00:48:53,600
Speaker 4: that's what the crowd say, the tar and that. When

939
00:48:53,600 --> 00:48:55,040
Speaker 4: I heard that, I was like, that's the magic of

940
00:48:56,040 --> 00:48:57,800
Speaker 4: the feeling the divine.

941
00:48:58,719 --> 00:49:03,920
Speaker 3: That was some nor slash food ship. What all of

942
00:49:04,040 --> 00:49:07,759
Speaker 3: us do is magic, bro Yep, you he does do

943
00:49:08,520 --> 00:49:09,959
Speaker 3: all magic.

944
00:49:15,120 --> 00:49:15,320
Speaker 9: You know.

945
00:49:16,280 --> 00:49:16,440
Speaker 5: You know.

946
00:49:18,280 --> 00:49:20,040
Speaker 3: That's why me and has been kind of started this

947
00:49:20,080 --> 00:49:25,279
Speaker 3: show is because to me, if you participated in hip hop.

948
00:49:25,680 --> 00:49:28,600
Speaker 1: You're a fucking hero to a certain state.

949
00:49:28,480 --> 00:49:32,200
Speaker 3: Like like like you know how hard it is for

950
00:49:32,400 --> 00:49:35,439
Speaker 3: you to be famous or half famous or whatever whatever

951
00:49:35,840 --> 00:49:36,440
Speaker 3: version of you is.

952
00:49:36,719 --> 00:49:42,120
Speaker 1: We can never take our costume off, like I envy

953
00:49:42,200 --> 00:49:47,719
Speaker 1: the construction worker, envy the McDonald's off their uniform, like

954
00:49:48,120 --> 00:49:50,840
Speaker 1: I envy them, like I can't take it off and on.

955
00:49:52,080 --> 00:49:55,120
Speaker 4: I always think about like hip hop artists. Man, it's

956
00:49:55,280 --> 00:49:59,680
Speaker 4: like they superheroes in so many ways because think about this, you,

957
00:50:00,719 --> 00:50:03,520
Speaker 4: your life and where we come from. You took your

958
00:50:03,600 --> 00:50:07,440
Speaker 4: life and gave it to people and people want to

959
00:50:07,520 --> 00:50:11,320
Speaker 4: be like that it affected, they lie. That's called inspiration

960
00:50:11,520 --> 00:50:13,920
Speaker 4: for you. Like that, like that's the creative working through you.

961
00:50:14,200 --> 00:50:16,120
Speaker 4: You just did what you was supposed to do and

962
00:50:16,239 --> 00:50:18,719
Speaker 4: people like think about how many people have listened to

963
00:50:18,760 --> 00:50:21,440
Speaker 4: you been affected and you just took your aura, just

964
00:50:21,520 --> 00:50:24,320
Speaker 4: giving your aura in the song like all every experience

965
00:50:24,400 --> 00:50:26,560
Speaker 4: you give. And that's what's so dope about hip hop

966
00:50:26,560 --> 00:50:29,200
Speaker 4: because we ain't got We don't have the polish of

967
00:50:29,280 --> 00:50:33,520
Speaker 4: the pop and and all that, you know, meaning like nobody,

968
00:50:33,640 --> 00:50:37,279
Speaker 4: nobody's coached you and how to be you. Like where

969
00:50:37,280 --> 00:50:39,839
Speaker 4: you see some artists, you're like, okay, they've been, they

970
00:50:39,920 --> 00:50:42,920
Speaker 4: went through that, through that machine, and that's how you know,

971
00:50:42,960 --> 00:50:46,000
Speaker 4: they become the big the boy bands or whatever.

972
00:50:46,080 --> 00:50:48,000
Speaker 1: And it's those rough edges that make hip hop special.

973
00:50:48,960 --> 00:50:53,399
Speaker 6: And also mistakes made in the studios like oh ship

974
00:50:53,520 --> 00:50:54,440
Speaker 6: leave it in that you.

975
00:50:54,480 --> 00:50:59,000
Speaker 4: Know, and people you know, obviously, people in certain genres

976
00:50:59,040 --> 00:51:02,320
Speaker 4: of music, they don't like when I get to perform

977
00:51:02,400 --> 00:51:06,200
Speaker 4: sometimes with the symphonies and stuff, you know, and I'm like, man,

978
00:51:06,239 --> 00:51:09,239
Speaker 4: it's two different worlds. I appreciate being able to have

979
00:51:09,320 --> 00:51:11,480
Speaker 4: all the streams and blah blah blah, but it's such

980
00:51:11,520 --> 00:51:14,400
Speaker 4: a rigid thing. I'd be like, I'll be bringing them

981
00:51:14,440 --> 00:51:17,759
Speaker 4: to our world as much as possible. It's like hip

982
00:51:17,800 --> 00:51:20,360
Speaker 4: hop is like that that what you just said, the mistakes,

983
00:51:20,400 --> 00:51:23,759
Speaker 4: the freedom, the revolution in it. It's like, man, this

984
00:51:23,880 --> 00:51:26,160
Speaker 4: is this is I'll be like, man, thank you God

985
00:51:26,239 --> 00:51:33,040
Speaker 4: for putting me in hip hop, honestly, but even you know,

986
00:51:33,320 --> 00:51:36,399
Speaker 4: to be honest, even though if going into the acting world,

987
00:51:36,440 --> 00:51:39,080
Speaker 4: people ask you, people say to me, you're a rapper,

988
00:51:39,120 --> 00:51:40,799
Speaker 4: so should be able to act. Now now, I don't

989
00:51:40,840 --> 00:51:44,000
Speaker 4: believe that it's a different discipline, but being able to

990
00:51:44,719 --> 00:51:47,560
Speaker 4: go and like do what we experienced y'all know what

991
00:51:47,600 --> 00:51:49,680
Speaker 4: it takes for us to make these records, to go

992
00:51:49,760 --> 00:51:52,759
Speaker 4: get these records, to go get going to the club.

993
00:51:52,800 --> 00:51:54,719
Speaker 4: I remember, man, we used to have to go to

994
00:51:54,840 --> 00:51:57,839
Speaker 4: the radio station earlier in morning, go to the barbershops,

995
00:51:58,080 --> 00:51:58,400
Speaker 4: go to.

996
00:51:58,480 --> 00:52:01,719
Speaker 1: The club because of a promotional.

997
00:52:04,520 --> 00:52:13,359
Speaker 4: Mind popping. You don't get paid for that type of work.

998
00:52:13,560 --> 00:52:16,120
Speaker 4: That type of work, man, is like to me, like

999
00:52:16,320 --> 00:52:18,239
Speaker 4: it helped it shape you for like a lot of

1000
00:52:18,280 --> 00:52:21,200
Speaker 4: stuff that we need to go into in business and

1001
00:52:21,280 --> 00:52:22,000
Speaker 4: all type of shit.

1002
00:52:22,160 --> 00:52:26,200
Speaker 3: You know, you know it's you know, you're fucking me

1003
00:52:26,280 --> 00:52:29,279
Speaker 3: up right now, you know what's the crazy thing? My

1004
00:52:29,400 --> 00:52:34,080
Speaker 3: next question was to both for y'all. My next question

1005
00:52:34,239 --> 00:52:40,640
Speaker 3: was because me sometimes I don't I'm scared to speak

1006
00:52:40,680 --> 00:52:44,719
Speaker 3: to the younger generation. I don't know if this makes sense,

1007
00:52:44,760 --> 00:52:46,120
Speaker 3: but let me try to make it make as much

1008
00:52:46,160 --> 00:52:49,200
Speaker 3: sense as it can't. Like what you just said, I

1009
00:52:49,440 --> 00:52:53,520
Speaker 3: want the next younger artist to hear that from you.

1010
00:52:56,520 --> 00:52:59,239
Speaker 3: But this generation that came, and I'm gonna say it,

1011
00:53:00,000 --> 00:53:03,919
Speaker 3: and they're gonna they're gonna be mad at me. They're

1012
00:53:04,000 --> 00:53:08,719
Speaker 3: like dumb, like like they have one track. Think I'm

1013
00:53:08,719 --> 00:53:13,840
Speaker 3: not saying you can't generation, I can't love the whole generation.

1014
00:53:15,360 --> 00:53:17,920
Speaker 3: It because like, look, look what I just said to you.

1015
00:53:18,080 --> 00:53:20,960
Speaker 3: I said, I'm so honored to being with the studio

1016
00:53:21,040 --> 00:53:22,800
Speaker 3: with you. I literally didn't talk.

1017
00:53:22,680 --> 00:53:23,000
Speaker 1: Back to you.

1018
00:53:23,080 --> 00:53:27,600
Speaker 3: I'm just like, yes, let But that's because I feel

1019
00:53:27,640 --> 00:53:30,400
Speaker 3: like the generation that we came from, what it was

1020
00:53:30,440 --> 00:53:34,160
Speaker 3: about respect. It was about respecting your eldest. We're giving

1021
00:53:34,200 --> 00:53:37,040
Speaker 3: you something good, yes, yes, And where as of now

1022
00:53:37,840 --> 00:53:41,719
Speaker 3: they want they want to test the eldest. Like it's

1023
00:53:41,760 --> 00:53:43,759
Speaker 3: just even like we as we said with you and Drake,

1024
00:53:43,840 --> 00:53:46,839
Speaker 3: like God bless God, blessed Drake. But he was never

1025
00:53:46,880 --> 00:53:49,960
Speaker 3: supposed to come at you because of your seniority to

1026
00:53:50,080 --> 00:53:52,160
Speaker 3: hip hop already it was supposed to You're supposed to

1027
00:53:52,160 --> 00:53:54,280
Speaker 3: be off limits. Like there's certain people that are supposed

1028
00:53:54,280 --> 00:53:56,840
Speaker 3: to be off to be as about Common. You know

1029
00:53:56,840 --> 00:53:58,399
Speaker 3: what I'm saying, It's not supposed to be as wrecking

1030
00:53:58,440 --> 00:54:03,160
Speaker 3: about Pee. So so let me make this question makes sense.

1031
00:54:03,880 --> 00:54:07,160
Speaker 3: Is sometimes I'm scared to reach out to the young generation,

1032
00:54:07,320 --> 00:54:07,760
Speaker 3: Like I've.

1033
00:54:09,360 --> 00:54:09,880
Speaker 1: Your city.

1034
00:54:10,320 --> 00:54:16,480
Speaker 3: Your city has some of the youngest, wildest, and I

1035
00:54:16,719 --> 00:54:26,000
Speaker 3: imagine if Common reaches out to little Monster, you'll reach

1036
00:54:26,040 --> 00:54:28,799
Speaker 3: out to little Monster and like yo yo yo yo, bro,

1037
00:54:28,920 --> 00:54:30,600
Speaker 3: I just want you to know I've been through everything

1038
00:54:30,640 --> 00:54:33,439
Speaker 3: you've been through. You know what I'm saying. The chicks

1039
00:54:33,520 --> 00:54:36,960
Speaker 3: that you you dated, I've dated though. You know, the

1040
00:54:37,040 --> 00:54:39,640
Speaker 3: wars that you've been through. I've been through the war.

1041
00:54:40,280 --> 00:54:43,520
Speaker 3: Like is it easy for Is that an easy thing?

1042
00:54:43,520 --> 00:54:46,080
Speaker 3: Because it's not an easy thing for me. Comment Pete,

1043
00:54:46,080 --> 00:54:47,040
Speaker 3: I'm gonna be honest with you.

1044
00:54:47,600 --> 00:54:50,080
Speaker 1: The minute I try to talk to a young dude

1045
00:54:50,120 --> 00:54:51,640
Speaker 1: and I feel like they're not listening, I'm like, I

1046
00:54:51,680 --> 00:54:56,879
Speaker 1: got better things than you do. I'm sorry, I'm about guy.

1047
00:54:56,960 --> 00:54:58,880
Speaker 1: I know this, I know this. I came to the

1048
00:54:58,960 --> 00:55:00,879
Speaker 1: realization I'm looking abou over in the mirror and I said,

1049
00:55:00,880 --> 00:55:03,440
Speaker 1: I'm not that mad. I'm not that good of a person, right,

1050
00:55:03,800 --> 00:55:07,279
Speaker 1: but like it close to that. You know what I'm saying,

1051
00:55:07,320 --> 00:55:10,960
Speaker 1: because I listened. I listened to.

1052
00:55:11,080 --> 00:55:14,040
Speaker 3: KRS, I listened to Rock Kim, I listened to Big

1053
00:55:14,120 --> 00:55:16,799
Speaker 3: Daddy k My eyeberas are thick because I cut my shit.

1054
00:55:18,360 --> 00:55:22,960
Speaker 6: You just dropped, just dropped the gym. That was Actually

1055
00:55:23,120 --> 00:55:24,359
Speaker 6: that was when you were saying.

1056
00:55:24,440 --> 00:55:26,960
Speaker 4: One of the for me, I think one of the

1057
00:55:27,040 --> 00:55:31,000
Speaker 4: things that the younger generation didn't feel like we did

1058
00:55:31,239 --> 00:55:35,320
Speaker 4: is listen to them like and like, you know, like

1059
00:55:35,440 --> 00:55:37,960
Speaker 4: we had people that was older than us and just said, like,

1060
00:55:38,239 --> 00:55:40,520
Speaker 4: including parents, it's like, yo, you do what I say,

1061
00:55:40,600 --> 00:55:42,640
Speaker 4: do it that, blah blah blah, and and some of

1062
00:55:42,719 --> 00:55:43,120
Speaker 4: that work.

1063
00:55:43,320 --> 00:55:44,760
Speaker 1: I'm glad that my mother gave.

1064
00:55:44,680 --> 00:55:47,040
Speaker 4: Me some of that discipline and something, but some of

1065
00:55:47,120 --> 00:55:49,680
Speaker 4: it is like you know, we we came from a

1066
00:55:49,760 --> 00:55:52,200
Speaker 4: generation too where we're like, yo, this is the purest

1067
00:55:52,280 --> 00:55:54,800
Speaker 4: we from the nineties, but where we didn't.

1068
00:55:54,640 --> 00:55:56,640
Speaker 6: Listen to them and kind of I don't.

1069
00:55:56,400 --> 00:55:57,319
Speaker 1: Know what they was doing.

1070
00:55:57,760 --> 00:55:59,960
Speaker 4: So then they're like, well, all right, well y'all ain't

1071
00:56:00,080 --> 00:56:02,319
Speaker 4: when you know, y'all don't give us, y'all don't even

1072
00:56:02,320 --> 00:56:02,920
Speaker 4: respect us.

1073
00:56:03,080 --> 00:56:05,600
Speaker 6: And I've been one that that that they felt that

1074
00:56:05,800 --> 00:56:09,080
Speaker 6: about like at some point. But but me too, I can't.

1075
00:56:09,160 --> 00:56:13,000
Speaker 4: I can't. Like I got a Harriet Tubman mentality, Like

1076
00:56:13,200 --> 00:56:16,239
Speaker 4: I always feel like, man, if I get any type

1077
00:56:16,280 --> 00:56:19,640
Speaker 4: of wisdom, I'm gonna try to bring it back, any

1078
00:56:19,719 --> 00:56:21,640
Speaker 4: type of resources, I'm gonna try to bring it back.

1079
00:56:22,520 --> 00:56:24,759
Speaker 6: I am gonna bring it back, and I'm gonna try to.

1080
00:56:24,800 --> 00:56:27,640
Speaker 4: Do it without preaching, and like and the thing I

1081
00:56:27,800 --> 00:56:30,719
Speaker 4: and the thing I've noticed just speaking to Chicago specifically,

1082
00:56:30,840 --> 00:56:32,760
Speaker 4: but I feel like it's you thrown across the board

1083
00:56:33,280 --> 00:56:36,680
Speaker 4: like that man, when you really present with him, give

1084
00:56:36,719 --> 00:56:39,280
Speaker 4: them a listen, hit him out, give them a little wisdom.

1085
00:56:39,520 --> 00:56:40,680
Speaker 6: Keep showing by example.

1086
00:56:41,200 --> 00:56:43,880
Speaker 4: They start responding to it in certain ways, and if

1087
00:56:44,000 --> 00:56:46,359
Speaker 4: and if they don't, man, sometimes they might get it later.

1088
00:56:46,640 --> 00:56:49,360
Speaker 4: But I understand why you get frustrated, because it's like, yo, bro,

1089
00:56:49,560 --> 00:56:49,839
Speaker 4: I done.

1090
00:56:50,280 --> 00:56:53,480
Speaker 6: Man, come on, man, like I don't. Bit's what you

1091
00:56:53,560 --> 00:56:55,280
Speaker 6: think I believe.

1092
00:56:55,560 --> 00:57:00,520
Speaker 7: Like, especially, I'm a very opinionated guy, so you know,

1093
00:57:00,680 --> 00:57:04,399
Speaker 7: I critique. You know, I'm like, you could do better here,

1094
00:57:04,880 --> 00:57:08,279
Speaker 7: you could say better rhyme here. You know that's the

1095
00:57:08,400 --> 00:57:10,160
Speaker 7: kind of thing I am. So they may take it

1096
00:57:10,239 --> 00:57:14,279
Speaker 7: as disrespect, but I'm really saying do better.

1097
00:57:14,520 --> 00:57:17,200
Speaker 6: You know what I'm saying, do better because hip hop

1098
00:57:17,360 --> 00:57:18,760
Speaker 6: taught me to be better.

1099
00:57:19,080 --> 00:57:21,600
Speaker 1: Right. Yeah. I also think.

1100
00:57:21,600 --> 00:57:25,040
Speaker 8: I also think there's a generation of ogs that tried

1101
00:57:25,080 --> 00:57:28,280
Speaker 8: to act like hygs, and this young generation was like

1102
00:57:28,400 --> 00:57:32,360
Speaker 8: looking at like, was like, man, don't, don't don't try

1103
00:57:32,400 --> 00:57:34,320
Speaker 8: to act like us, act like you, so we could

1104
00:57:34,600 --> 00:57:37,600
Speaker 8: know what to expect down the line, what to emulate

1105
00:57:37,680 --> 00:57:38,200
Speaker 8: down the line.

1106
00:57:38,360 --> 00:57:41,000
Speaker 1: The only way I'm acting like that, Buster said.

1107
00:57:41,400 --> 00:57:45,360
Speaker 3: Buster said he accepted his life time speech toward I

1108
00:57:45,360 --> 00:57:47,800
Speaker 3: don't even know if you guys remember as me t ward.

1109
00:57:48,160 --> 00:57:50,360
Speaker 1: He was like us, oh gz, we gotta we got

1110
00:57:50,480 --> 00:57:53,160
Speaker 1: to play our part. Yeah, and he was like, why

1111
00:57:53,200 --> 00:57:55,760
Speaker 1: they listening to us because we don't look our part.

1112
00:57:56,240 --> 00:58:01,000
Speaker 1: And I was just like, damn, but he's not wrong, right,

1113
00:58:01,480 --> 00:58:05,800
Speaker 1: you know what I mean? Some of them look at

1114
00:58:05,840 --> 00:58:08,320
Speaker 1: us and then and they don't see us in a car.

1115
00:58:08,440 --> 00:58:11,880
Speaker 1: They like, they don't see us in a watch. They're like,

1116
00:58:12,080 --> 00:58:13,880
Speaker 1: they're like, oh man, well we got more than you.

1117
00:58:14,560 --> 00:58:17,440
Speaker 1: So it's hard to listen to somebody you think you're

1118
00:58:17,480 --> 00:58:17,919
Speaker 1: doing better.

1119
00:58:18,000 --> 00:58:19,840
Speaker 6: Then yeah, that's true.

1120
00:58:20,000 --> 00:58:22,920
Speaker 4: But then I think, you know, sometimes they should be

1121
00:58:23,120 --> 00:58:25,840
Speaker 4: you know, some of them be empty with the stuff

1122
00:58:25,880 --> 00:58:26,440
Speaker 4: they feel like.

1123
00:58:26,640 --> 00:58:29,240
Speaker 6: God, their soul still be empty. Yeah, and when you

1124
00:58:29,760 --> 00:58:30,360
Speaker 6: when you give.

1125
00:58:30,240 --> 00:58:32,520
Speaker 4: Them a little something like man, I just straight up

1126
00:58:32,560 --> 00:58:35,800
Speaker 4: had talks with youngins from Chicago like Yo, I needed, Yo,

1127
00:58:35,960 --> 00:58:37,120
Speaker 4: you need to go to this therapy.

1128
00:58:37,280 --> 00:58:40,680
Speaker 6: Man therapy. Like I'm telling you this right now.

1129
00:58:41,040 --> 00:58:42,640
Speaker 4: You see me and you feel like, oh yeah you

1130
00:58:42,800 --> 00:58:46,120
Speaker 4: successful and and yo you got this you acting you

1131
00:58:46,200 --> 00:58:46,840
Speaker 4: blah blah blah.

1132
00:58:47,160 --> 00:58:48,440
Speaker 6: No, go to therapy.

1133
00:58:48,520 --> 00:58:51,600
Speaker 1: Bro. It has helped me and my thing is like that.

1134
00:58:52,080 --> 00:58:56,040
Speaker 4: I feel like for me, I'm thinking of Chicago too

1135
00:58:56,440 --> 00:58:59,600
Speaker 4: in a way like the ogs. When I became a

1136
00:58:59,720 --> 00:59:02,720
Speaker 4: first shorty first started calling me o G I'm like, oh, ship,

1137
00:59:05,440 --> 00:59:05,960
Speaker 4: but I mean that.

1138
00:59:06,040 --> 00:59:15,640
Speaker 1: That was a whole long time. But hold up, but

1139
00:59:18,000 --> 00:59:19,200
Speaker 1: because you ain't make it.

1140
00:59:22,080 --> 00:59:24,000
Speaker 4: But I think, you know, like one of the things

1141
00:59:24,080 --> 00:59:28,000
Speaker 4: I felt like we I can speak specifically, especially when

1142
00:59:28,040 --> 00:59:31,200
Speaker 4: it comes to the gang culture in Chicago, I feel

1143
00:59:31,280 --> 00:59:34,960
Speaker 4: like we like the dudes that raised us, they gave

1144
00:59:35,080 --> 00:59:37,840
Speaker 4: us certain amounts of like laws, wisdom and stuff that

1145
00:59:38,040 --> 00:59:42,560
Speaker 4: just like moral conduct in the streets. You know what

1146
00:59:42,600 --> 00:59:45,080
Speaker 4: I'm saying, like this, like this is too far, Like

1147
00:59:45,160 --> 00:59:46,800
Speaker 4: you ain't like if you go if you do this,

1148
00:59:46,920 --> 00:59:49,480
Speaker 4: that's a violation and you're gonna you're gonna pay for it.

1149
00:59:50,200 --> 00:59:54,680
Speaker 4: And I don't think like we in my generation when

1150
00:59:54,720 --> 00:59:58,920
Speaker 4: it came to the Chicago culture really sat down and

1151
00:59:59,080 --> 00:59:59,880
Speaker 4: it took that time.

1152
01:00:00,040 --> 01:00:01,960
Speaker 6: You gotta take time with these youngests. You got to

1153
01:00:02,000 --> 01:00:03,680
Speaker 6: be consistent. You gotta be consistent.

1154
01:00:03,760 --> 01:00:08,720
Speaker 1: I learned. I'm going to tell you something common I've

1155
01:00:08,760 --> 01:00:09,040
Speaker 1: been going.

1156
01:00:09,200 --> 01:00:14,080
Speaker 3: Obviously, Chicago is like my number seventh market, like seventh

1157
01:00:14,200 --> 01:00:15,120
Speaker 3: eighth it was.

1158
01:00:15,280 --> 01:00:16,800
Speaker 1: It was in my top ten. So I've been going

1159
01:00:16,840 --> 01:00:18,840
Speaker 1: to call and by the way, I'm half black, half

1160
01:00:20,400 --> 01:00:22,320
Speaker 1: so I have nothing but tires.

1161
01:00:22,360 --> 01:00:24,640
Speaker 3: In Chicago, my family and my family went for Puerto

1162
01:00:24,720 --> 01:00:27,360
Speaker 3: Rico Spanish hallm Chicago.

1163
01:00:27,520 --> 01:00:30,080
Speaker 1: Right, I'm gonna tell you something.

1164
01:00:30,800 --> 01:00:33,200
Speaker 3: In the nineties, even though they might have said that

1165
01:00:33,400 --> 01:00:37,680
Speaker 3: Chicago was worse than the nineties, they had OG's. I

1166
01:00:37,800 --> 01:00:41,560
Speaker 3: felt safe for going to Chicago in the nineties early

1167
01:00:41,640 --> 01:00:44,840
Speaker 3: two thousands. Then I do go in there now where

1168
01:00:44,920 --> 01:00:47,360
Speaker 3: I feel like and now you can you can forgive me.

1169
01:00:47,480 --> 01:00:48,320
Speaker 3: I mean, you could correct me.

1170
01:00:48,360 --> 01:00:52,680
Speaker 1: Excuse me. I don't feel like this structure now, but

1171
01:00:53,480 --> 01:00:57,959
Speaker 1: you just named it. You just named it. A COMPETI Green.

1172
01:00:58,800 --> 01:01:00,840
Speaker 1: I went to Competing, you know, went to Competty Green.

1173
01:01:01,000 --> 01:01:02,800
Speaker 1: I I gotta be a good.

1174
01:01:02,720 --> 01:01:07,520
Speaker 3: Times d the club across the street.

1175
01:01:09,360 --> 01:01:10,920
Speaker 1: I did. I did a record with R. Kelly. I

1176
01:01:10,960 --> 01:01:14,320
Speaker 1: know it's frown upon now, but I did that. It

1177
01:01:14,480 --> 01:01:21,840
Speaker 1: was classic songs like that, what's good it is good?

1178
01:01:23,120 --> 01:01:25,600
Speaker 1: So and I say it on the R. Kelly record,

1179
01:01:25,680 --> 01:01:30,640
Speaker 1: I said, Sammy's, So, Sammy's was this this? This so

1180
01:01:30,880 --> 01:01:31,680
Speaker 1: like soul Foods.

1181
01:01:31,720 --> 01:01:34,560
Speaker 3: Fire Ticket restaurant across the street from Competer Green and

1182
01:01:34,600 --> 01:01:35,280
Speaker 3: people used to be like.

1183
01:01:35,320 --> 01:01:38,840
Speaker 1: Yo, why do you keep going there? Like I just

1184
01:01:39,000 --> 01:01:41,320
Speaker 1: love But what I'm trying to tell you is I

1185
01:01:41,360 --> 01:01:41,760
Speaker 1: didn't know.

1186
01:01:42,000 --> 01:01:47,920
Speaker 3: I was in a dangerous place because it was so structured,

1187
01:01:48,320 --> 01:01:49,680
Speaker 3: like the o gs.

1188
01:01:49,560 --> 01:01:53,080
Speaker 1: Had me like like you know what I mean, o G.

1189
01:01:53,240 --> 01:01:55,840
Speaker 4: But that's what the os to to me at that

1190
01:01:56,000 --> 01:01:59,840
Speaker 4: point was Mathur's like that Authur is so my west.

1191
01:02:01,800 --> 01:02:02,440
Speaker 1: The other one is.

1192
01:02:10,480 --> 01:02:13,080
Speaker 4: I think the ogs knew it, like you said, like

1193
01:02:13,560 --> 01:02:15,680
Speaker 4: I said earlier, a little bit like they knew like

1194
01:02:15,800 --> 01:02:18,919
Speaker 4: you can't go but so far it was and you like, man,

1195
01:02:19,360 --> 01:02:22,520
Speaker 4: we ain't gon ain't no children gonna get some children

1196
01:02:22,600 --> 01:02:25,800
Speaker 4: get hid in this and you you're gonna pay for that,

1197
01:02:26,360 --> 01:02:30,040
Speaker 4: you know what I'm saying. And when younger people just

1198
01:02:30,080 --> 01:02:33,440
Speaker 4: started dying, man, like young people just out at the

1199
01:02:33,560 --> 01:02:37,520
Speaker 4: park I'm talking, and babies started getting shot, I just

1200
01:02:37,600 --> 01:02:41,200
Speaker 4: felt like, man, ashamed of our city. Like I felt like, man,

1201
01:02:41,280 --> 01:02:44,160
Speaker 4: we gotta do better, and man, people working to try

1202
01:02:44,240 --> 01:02:46,600
Speaker 4: to do things, and and it's it's a it's a

1203
01:02:46,680 --> 01:02:47,880
Speaker 4: collective by dude.

1204
01:02:47,880 --> 01:02:49,960
Speaker 6: We got we got so many positive things about that.

1205
01:02:50,080 --> 01:02:51,840
Speaker 6: But I mean I brought that up.

1206
01:02:51,880 --> 01:02:54,200
Speaker 4: But the answer your question about the youngest, I think

1207
01:02:54,320 --> 01:02:56,320
Speaker 4: you know, man, we just got to keep reaching for

1208
01:02:56,440 --> 01:02:59,120
Speaker 4: him man, and said, listen to him too. Bro. My

1209
01:02:59,280 --> 01:03:02,760
Speaker 4: daughter taught me that ship my son. Yeah, my daughters

1210
01:03:02,800 --> 01:03:05,120
Speaker 4: like my daughter too. Yeah, you ain't got all the answers.

1211
01:03:05,640 --> 01:03:08,280
Speaker 4: And I'm like she basically, I mean, she said in

1212
01:03:08,360 --> 01:03:09,920
Speaker 4: her own way, and I was like, you know what,

1213
01:03:10,080 --> 01:03:13,360
Speaker 4: You're right, I don't answers. And even if I think

1214
01:03:13,400 --> 01:03:16,000
Speaker 4: I'm right, I still need to hear you out, you know.

1215
01:03:16,520 --> 01:03:17,680
Speaker 1: And that's just to me.

1216
01:03:17,800 --> 01:03:19,880
Speaker 6: That's the collector. We got to hit the young is out.

1217
01:03:20,360 --> 01:03:21,800
Speaker 3: You know what I read the other day on the

1218
01:03:22,520 --> 01:03:25,720
Speaker 3: plane sitting there going through something, and they told me

1219
01:03:25,800 --> 01:03:30,080
Speaker 3: that Chicago real estate is the illest real estate, Like

1220
01:03:31,240 --> 01:03:33,840
Speaker 3: it's the place to invest in right now, but not

1221
01:03:33,920 --> 01:03:34,960
Speaker 3: according to our music.

1222
01:03:36,400 --> 01:03:41,840
Speaker 1: I'm like, yo, what the were hearing it? Just think

1223
01:03:41,880 --> 01:03:44,440
Speaker 1: about what I just said. I'm on, you know, i'

1224
01:03:44,480 --> 01:03:45,280
Speaker 1: mean whatever.

1225
01:03:45,480 --> 01:03:49,840
Speaker 8: Exact gentrification though, because I got something, it's got something.

1226
01:03:49,880 --> 01:03:52,840
Speaker 8: It's beautiful license I was looking because they tore down

1227
01:03:53,280 --> 01:03:55,640
Speaker 8: it was a complete green right green.

1228
01:03:55,800 --> 01:03:56,000
Speaker 1: Yeah.

1229
01:03:56,560 --> 01:03:59,200
Speaker 4: But shots, speaking of real estate, I want to shout

1230
01:03:59,200 --> 01:04:01,600
Speaker 4: out my man more repeat the real estate in Chicago.

1231
01:04:03,080 --> 01:04:10,360
Speaker 4: If you want real estate, what's the vibe on Hyde

1232
01:04:10,440 --> 01:04:13,360
Speaker 4: Park though always High Park was always like High Park

1233
01:04:13,480 --> 01:04:15,920
Speaker 4: was one of the It's crazy because when when you

1234
01:04:15,960 --> 01:04:16,880
Speaker 4: were saying Puerto Rican.

1235
01:04:16,760 --> 01:04:25,960
Speaker 9: Porto parade from that park, that's not from there, boy boy,

1236
01:04:26,000 --> 01:04:28,280
Speaker 9: he was from there, Puerto Rican.

1237
01:04:28,360 --> 01:04:30,320
Speaker 4: But but I'm gonna tell you though, y'all, I gotta say,

1238
01:04:31,160 --> 01:04:33,800
Speaker 4: being in Chicago, to be honest, like it's a real

1239
01:04:33,880 --> 01:04:39,240
Speaker 4: segregated city. I didn't know Puerto Ricans and Dominicans could

1240
01:04:39,280 --> 01:04:42,840
Speaker 4: look like we do. Like until I came to New York,

1241
01:04:43,000 --> 01:04:45,600
Speaker 4: till I met Juju and last from the beating Us

1242
01:04:48,880 --> 01:04:51,840
Speaker 4: that's from the story.

1243
01:04:51,720 --> 01:04:57,000
Speaker 1: Of Corona, Corona, Corona. I was beating us Corona.

1244
01:04:58,120 --> 01:04:58,920
Speaker 6: That was my first like.

1245
01:05:00,520 --> 01:05:03,280
Speaker 1: That's what I got my last and ju Ju fat.

1246
01:05:06,240 --> 01:05:08,560
Speaker 4: But I'm saying I didn't know that it could, you know,

1247
01:05:09,240 --> 01:05:11,880
Speaker 4: so like until I started getting in New York and

1248
01:05:11,960 --> 01:05:14,120
Speaker 4: then that that exposed me to like, oh man, it's

1249
01:05:14,160 --> 01:05:15,920
Speaker 4: different cultures and different people.

1250
01:05:16,160 --> 01:05:17,840
Speaker 1: You know. It's the funny shit.

1251
01:05:23,120 --> 01:05:26,360
Speaker 3: I've been touring since nineteen ninety eight, so I forget

1252
01:05:26,400 --> 01:05:29,320
Speaker 3: what year this was. And I called my Spanish cousins

1253
01:05:29,800 --> 01:05:33,680
Speaker 3: from Chicago and my Black cousins from Chicago.

1254
01:05:33,960 --> 01:05:35,400
Speaker 1: They met me at the House of Blues.

1255
01:05:37,200 --> 01:05:39,240
Speaker 3: They found out they lived across the street from each

1256
01:05:39,280 --> 01:05:41,240
Speaker 3: other for twenty years and didn't know each other.

1257
01:05:41,440 --> 01:05:45,840
Speaker 6: What are you serious? I swear, Wow, that's cousins. It happened.

1258
01:05:46,920 --> 01:05:51,680
Speaker 3: Still, it's my black cousin, right, that's black, and my

1259
01:05:51,840 --> 01:05:57,200
Speaker 3: Spanish cousin. So their cousins my default right, But they're like, yo,

1260
01:05:57,800 --> 01:05:59,919
Speaker 3: cool now they I don't, I don't.

1261
01:06:00,320 --> 01:06:03,960
Speaker 1: They might still be shooting at family members. I got

1262
01:06:04,200 --> 01:06:07,120
Speaker 1: with each other the day, Holy ship, how is it

1263
01:06:07,200 --> 01:06:11,680
Speaker 1: over there? It's okay, how is it over there? That's

1264
01:06:11,720 --> 01:06:14,880
Speaker 1: why they may be closed, but the world's apart.

1265
01:06:16,200 --> 01:06:19,160
Speaker 3: And it was like, that's when I knew how segregated

1266
01:06:19,280 --> 01:06:23,720
Speaker 3: Chicago was because in New York, in Jersey, the Bronx

1267
01:06:23,800 --> 01:06:27,360
Speaker 3: and Mount Vernon, like blacks and Latinos pretty pretty much

1268
01:06:27,440 --> 01:06:30,320
Speaker 3: lived in the same environment. And then when I went

1269
01:06:30,320 --> 01:06:32,360
Speaker 3: to l a and then I seen that, like we

1270
01:06:32,480 --> 01:06:34,600
Speaker 3: had will i Am on recently, and will I Am

1271
01:06:34,760 --> 01:06:39,960
Speaker 3: was like the only like, yeah, he was.

1272
01:06:46,840 --> 01:06:50,720
Speaker 1: Career man. You don't you don't see that. But I

1273
01:06:51,080 --> 01:06:54,120
Speaker 1: had not known that living in New York City my

1274
01:06:54,200 --> 01:06:54,640
Speaker 1: whole life.

1275
01:06:54,680 --> 01:06:58,880
Speaker 3: I thought that, you know, everyone is like that, because

1276
01:06:59,160 --> 01:07:02,880
Speaker 3: in New York is It's like, if you're really.

1277
01:07:02,720 --> 01:07:06,280
Speaker 1: Really from New York, you can't be racist. Man, you

1278
01:07:06,640 --> 01:07:11,040
Speaker 1: have a Russian neighbor, Yeah, you have a Haitian who

1279
01:07:11,160 --> 01:07:12,040
Speaker 1: lives downstairs.

1280
01:07:17,480 --> 01:07:23,280
Speaker 3: You have a Haitian who cooks downstairs. Weird is Jamaican belt,

1281
01:07:23,360 --> 01:07:26,280
Speaker 3: so it's kind of weird. It's kind of weird.

1282
01:07:26,360 --> 01:07:29,720
Speaker 1: Then you got a Jamaican and they got the Colombian.

1283
01:07:30,000 --> 01:07:31,640
Speaker 1: You got Colombian, and.

1284
01:07:31,680 --> 01:07:37,240
Speaker 4: It's like, maybe not, but that's what I love. That's

1285
01:07:37,280 --> 01:07:39,080
Speaker 4: what I love about New York. But man, that was

1286
01:07:39,120 --> 01:07:41,200
Speaker 4: the thing that I would to this day what I

1287
01:07:41,280 --> 01:07:42,040
Speaker 4: love about New York.

1288
01:07:42,080 --> 01:07:42,680
Speaker 1: It's the most.

1289
01:07:43,080 --> 01:07:46,240
Speaker 4: It's the most I see a different cultures people and

1290
01:07:47,120 --> 01:07:50,040
Speaker 4: it ain't like it ain't like it ain't no fakeness

1291
01:07:50,120 --> 01:07:52,400
Speaker 4: about the way it blends. Like I'll be seeing like

1292
01:07:52,520 --> 01:07:55,600
Speaker 4: black and white dudes, Latino dudes playing handball together, like

1293
01:07:55,680 --> 01:07:56,320
Speaker 4: pick up handball.

1294
01:08:04,320 --> 01:08:07,160
Speaker 6: Being in New York, it's it's easy to adapt.

1295
01:08:07,560 --> 01:08:09,800
Speaker 7: And when once you're in New York, you know what

1296
01:08:09,800 --> 01:08:13,160
Speaker 7: I'm saying, Like the culture is so crazy, everyone just

1297
01:08:13,760 --> 01:08:15,200
Speaker 7: kind of adapts to that ship.

1298
01:08:15,680 --> 01:08:18,320
Speaker 1: You know. Well, look, let me just tell you what

1299
01:08:18,439 --> 01:08:19,519
Speaker 1: our show is about. Man.

1300
01:08:19,960 --> 01:08:23,439
Speaker 3: Our show is about giving people they fly bro while

1301
01:08:23,479 --> 01:08:26,080
Speaker 3: they are alive. They where they could smell them, with

1302
01:08:26,240 --> 01:08:28,800
Speaker 3: the trees you can hell them where you could think them,

1303
01:08:28,880 --> 01:08:30,120
Speaker 3: and drinks where you could drink them.

1304
01:08:31,479 --> 01:08:42,439
Speaker 1: And we wanted to give y'all. Y'all people you are.

1305
01:08:42,640 --> 01:08:47,719
Speaker 1: You are one of the best producers of all time.

1306
01:08:47,840 --> 01:08:49,920
Speaker 1: Thank you, sir. You know that.

1307
01:08:50,720 --> 01:08:52,360
Speaker 3: Hold on, let me can give you your flowers. I

1308
01:08:52,520 --> 01:08:57,920
Speaker 3: love your humbleness. I love how you keep it fucking

1309
01:08:58,080 --> 01:09:01,439
Speaker 3: hip hop. Yes, sir, like no matter if you tell

1310
01:09:01,520 --> 01:09:04,560
Speaker 3: me right now, say Pete Walkins in Sweden, I'm like,

1311
01:09:04,760 --> 01:09:05,439
Speaker 3: keeping a hip hop.

1312
01:09:07,800 --> 01:09:09,559
Speaker 1: I don't need to know what you're doing in Sweden.

1313
01:09:09,680 --> 01:09:12,599
Speaker 3: You could be doing a roller skating ring and people

1314
01:09:13,000 --> 01:09:13,880
Speaker 3: running around with tights.

1315
01:09:13,880 --> 01:09:15,680
Speaker 1: I'm like, I bet you Pete is keeping a hip hop.

1316
01:09:18,080 --> 01:09:22,679
Speaker 1: I don't know and comment.

1317
01:09:22,880 --> 01:09:25,519
Speaker 3: Let me just tell you something. I'm a movie buff,

1318
01:09:25,600 --> 01:09:27,639
Speaker 3: so I know my friend who can't speak English that good.

1319
01:09:30,360 --> 01:09:33,280
Speaker 3: He's seen every one of your movies and I know

1320
01:09:33,400 --> 01:09:34,840
Speaker 3: he might have been freestyle a little bit.

1321
01:09:34,920 --> 01:09:35,840
Speaker 1: I've seen everyone of you.

1322
01:09:36,960 --> 01:09:42,240
Speaker 3: Thanks and the worlds have you brung us to and

1323
01:09:42,479 --> 01:09:47,240
Speaker 3: represented our culture. We all owe you, Yes, we owe

1324
01:09:47,280 --> 01:09:51,439
Speaker 3: you big time, because again, when I see coming, I'm

1325
01:09:51,520 --> 01:09:54,320
Speaker 3: like keeping a hip hop I don't have to question

1326
01:09:54,439 --> 01:09:57,599
Speaker 3: you like there's certain people that I would look like, Man,

1327
01:09:57,720 --> 01:09:58,439
Speaker 3: he fucked up.

1328
01:10:03,200 --> 01:10:04,080
Speaker 1: He represents the.

1329
01:10:04,080 --> 01:10:07,360
Speaker 3: Coaching no more like it's certain it's certain people. But

1330
01:10:08,200 --> 01:10:11,040
Speaker 3: and the fact that you two brothers is getting together,

1331
01:10:11,160 --> 01:10:15,519
Speaker 3: getting together to drop this album in June. Correct man,

1332
01:10:15,880 --> 01:10:18,839
Speaker 3: the fact that we have a record to guess exactly

1333
01:10:19,400 --> 01:10:20,960
Speaker 3: exactly nineties.

1334
01:10:21,160 --> 01:10:23,240
Speaker 1: But I've done stuff for you too. That's right.

1335
01:10:27,120 --> 01:10:30,200
Speaker 3: To give you your flowers, tell y'all how important your

1336
01:10:30,240 --> 01:10:33,080
Speaker 3: hours to the coach, how proud we are of y'all,

1337
01:10:33,640 --> 01:10:34,479
Speaker 3: and how.

1338
01:10:34,439 --> 01:10:40,040
Speaker 1: Much we want y'all to keep going. Man, Because one

1339
01:10:40,120 --> 01:10:42,479
Speaker 1: thing that that jay Z album taught me about four

1340
01:10:42,600 --> 01:10:46,840
Speaker 1: four four is we don't have to dumb down us.

1341
01:10:47,080 --> 01:10:50,759
Speaker 1: We could up it, and we could because our audience

1342
01:10:51,479 --> 01:10:54,640
Speaker 1: with us. He's they might work for u bs now,

1343
01:10:54,760 --> 01:10:57,800
Speaker 1: but they grew with us like they you know what

1344
01:10:57,800 --> 01:11:01,519
Speaker 1: I'm saying, Like, we don't have to like you said

1345
01:11:01,560 --> 01:11:06,640
Speaker 1: something earlier, you said you didn't like when artists we're

1346
01:11:07,200 --> 01:11:09,559
Speaker 1: trying to sound like the West Coast, and so that's

1347
01:11:09,560 --> 01:11:12,439
Speaker 1: what you said on our level. But at one point

1348
01:11:12,920 --> 01:11:16,800
Speaker 1: everyone and wanted to be from the South hip hop.

1349
01:11:17,360 --> 01:11:20,360
Speaker 1: It's still it's still has still it's still.

1350
01:11:25,840 --> 01:11:26,400
Speaker 9: It's New York.

1351
01:11:26,520 --> 01:11:29,280
Speaker 1: Fault play in New York for that people do not

1352
01:11:29,360 --> 01:11:33,240
Speaker 1: let him get away with you New York. And I'm

1353
01:11:33,280 --> 01:11:36,160
Speaker 1: not saying you individual, I'm gonna say cats in New York.

1354
01:11:36,360 --> 01:11:37,040
Speaker 1: Certain cats.

1355
01:11:37,120 --> 01:11:42,560
Speaker 7: Now everybody lost some identity of where they're from and

1356
01:11:42,880 --> 01:11:46,000
Speaker 7: what they represent. And so that's why I'm like, yo,

1357
01:11:46,760 --> 01:11:49,479
Speaker 7: you know, when let the South be the South because

1358
01:11:49,520 --> 01:11:52,599
Speaker 7: I love Outcast, that's my favorite group in the South

1359
01:11:53,200 --> 01:11:57,080
Speaker 7: and Luda and all them. Rest in peace to Rico

1360
01:11:58,880 --> 01:12:01,880
Speaker 7: and he was the awesome he was awesome producer. You know,

1361
01:12:02,000 --> 01:12:04,160
Speaker 7: shout out to Jip, you know, that's my guy from

1362
01:12:04,160 --> 01:12:07,479
Speaker 7: Goodie Mom. So my thing is like, you know, let

1363
01:12:08,040 --> 01:12:11,640
Speaker 7: them be who they are and always represent who you are.

1364
01:12:11,680 --> 01:12:14,760
Speaker 7: And if y'all end up doing music together, then y'all

1365
01:12:14,840 --> 01:12:18,680
Speaker 7: just make it fun with both, with both Atlanta and

1366
01:12:18,800 --> 01:12:19,160
Speaker 7: New York.

1367
01:12:20,080 --> 01:12:25,400
Speaker 3: Right, Yeah, listen, So let me ask you, Pete being

1368
01:12:25,439 --> 01:12:29,400
Speaker 3: from Mount Vernon, like Mount Vernon is always kind of

1369
01:12:29,479 --> 01:12:32,880
Speaker 3: known as the sixth Borough, right because it's technically not

1370
01:12:33,040 --> 01:12:34,599
Speaker 3: New York City, but it's New York.

1371
01:12:34,720 --> 01:12:37,880
Speaker 1: Yes, was that a burden on you or was that

1372
01:12:38,000 --> 01:12:38,880
Speaker 1: a plus? I don't know.

1373
01:12:39,360 --> 01:12:41,480
Speaker 7: Right next to the Bronx, right next to the Bronxronx

1374
01:12:44,560 --> 01:12:47,719
Speaker 7: right then I could walk to the Bronx from Mount Vernon.

1375
01:12:47,880 --> 01:12:50,479
Speaker 7: So my my thing is, it's just like it's the

1376
01:12:50,600 --> 01:12:51,840
Speaker 7: hidden city in New York.

1377
01:12:52,640 --> 01:12:53,880
Speaker 1: You feel me? You know what?

1378
01:12:54,360 --> 01:13:03,559
Speaker 7: Heavy Day, Ozzie Davis, Ruby, d Wow, Felicia shot and Madrashot.

1379
01:13:04,439 --> 01:13:06,360
Speaker 6: Williams, Gus Williams, the Knicks.

1380
01:13:06,479 --> 01:13:07,120
Speaker 1: You know what I'm saying.

1381
01:13:08,120 --> 01:13:13,280
Speaker 7: Dick Clark went to Mount Vernon High School. Denzel Washington,

1382
01:13:20,120 --> 01:13:25,920
Speaker 7: Nina Simon too. Okay, yeah, man, bro Yees, you know

1383
01:13:25,920 --> 01:13:26,360
Speaker 7: what I'm saying.

1384
01:13:26,680 --> 01:13:28,880
Speaker 1: Hold On, you mentioned Heavy D. I feel like Heavy

1385
01:13:28,960 --> 01:13:30,800
Speaker 1: D hasn't got to just do with all the.

1386
01:13:30,840 --> 01:13:34,360
Speaker 3: Celebration of well because of him, why I got started,

1387
01:13:35,200 --> 01:13:37,960
Speaker 3: a lot of people, a lot of people picked up the.

1388
01:13:38,080 --> 01:13:42,439
Speaker 7: Whole neighborhood put him on his back. That's why I

1389
01:13:42,560 --> 01:13:44,160
Speaker 7: missed him so much. I love her so much.

1390
01:13:44,560 --> 01:13:47,080
Speaker 1: Your cousin Greg, Yeah, he took, he took, He took

1391
01:13:47,200 --> 01:13:50,479
Speaker 1: us all with him. Yeah, he was a forest man

1392
01:13:50,920 --> 01:13:51,200
Speaker 1: with him.

1393
01:13:52,120 --> 01:13:54,120
Speaker 4: He opened it up for like hip hop is in

1394
01:13:54,240 --> 01:13:58,240
Speaker 4: different ways. Yeahs. As Tip said on that don't curse

1395
01:13:58,280 --> 01:14:01,120
Speaker 4: the bump did ahead is a favor on my mama's

1396
01:14:01,240 --> 01:14:06,040
Speaker 4: like the head is the favorite of Mama's used to heavy.

1397
01:14:06,120 --> 01:14:07,880
Speaker 4: D was the one that took it to some people,

1398
01:14:08,200 --> 01:14:11,280
Speaker 4: like took the music where older people, certain people like

1399
01:14:11,360 --> 01:14:14,000
Speaker 4: were like, oh I actually like this this music because

1400
01:14:14,000 --> 01:14:15,880
Speaker 4: you know they used to be like rap, like what

1401
01:14:16,120 --> 01:14:16,280
Speaker 4: is that?

1402
01:14:16,479 --> 01:14:19,880
Speaker 7: But it wasn't forever. I wouldn't have probably been with

1403
01:14:20,040 --> 01:14:22,479
Speaker 7: Molly Ma. Wow, you feel what I'm saying?

1404
01:14:22,520 --> 01:14:23,400
Speaker 1: How explain that?

1405
01:14:23,760 --> 01:14:27,000
Speaker 7: Because he pitched me at the time Marlly needed a

1406
01:14:27,120 --> 01:14:29,240
Speaker 7: DJ on the radio in New York City on w

1407
01:14:29,400 --> 01:14:35,280
Speaker 7: b l S, and he said, he said, Yo, my cousin,

1408
01:14:35,800 --> 01:14:39,200
Speaker 7: My cousin is dope. Listen to him trying, and he

1409
01:14:39,320 --> 01:14:42,040
Speaker 7: gave me a shot. And that's how I built my name.

1410
01:14:44,640 --> 01:14:46,400
Speaker 7: Shout out to Mary, Yeah, shout out tomorrow.

1411
01:14:48,920 --> 01:14:52,200
Speaker 1: Let me give you another one. This this one brew

1412
01:14:52,280 --> 01:14:56,439
Speaker 1: my mom. We had d m C on here. Oh yeah.

1413
01:14:56,800 --> 01:14:59,679
Speaker 1: D MC said, pe Rock saved my cook.

1414
01:15:00,600 --> 01:15:02,400
Speaker 6: You know what that You know what that means?

1415
01:15:02,439 --> 01:15:03,080
Speaker 1: Did you hear it from?

1416
01:15:03,160 --> 01:15:03,600
Speaker 10: You know what?

1417
01:15:03,760 --> 01:15:12,800
Speaker 1: That made me? That was so dope, undersud what he was.

1418
01:15:12,800 --> 01:15:15,240
Speaker 8: Talking about with Donald the King and everything that happened

1419
01:15:15,280 --> 01:15:16,519
Speaker 8: with those records, because that was.

1420
01:15:16,560 --> 01:15:18,840
Speaker 6: In the beginning of my career and me and Jay

1421
01:15:19,000 --> 01:15:20,240
Speaker 6: were like this with each other.

1422
01:15:20,760 --> 01:15:24,160
Speaker 7: And when I met Russell, it was like, damn, I

1423
01:15:24,240 --> 01:15:27,160
Speaker 7: got approved to these dudes, Russell Lee or I got

1424
01:15:27,280 --> 01:15:29,760
Speaker 7: I got something to prove and so, like you know,

1425
01:15:30,000 --> 01:15:32,639
Speaker 7: I felt like the first run up down with the King,

1426
01:15:33,680 --> 01:15:35,600
Speaker 7: Russell's made some comments and I.

1427
01:15:35,680 --> 01:15:37,679
Speaker 1: Was like, shit, you know what I'm saying.

1428
01:15:37,960 --> 01:15:40,599
Speaker 7: It wasn't good, Like yeah, like you know what I'm saying,

1429
01:15:40,680 --> 01:15:43,800
Speaker 7: Like you know, but it's all good because Jay was like,

1430
01:15:43,880 --> 01:15:45,760
Speaker 7: don't worry about it, Pete, don't worry about it. We're

1431
01:15:45,760 --> 01:15:48,680
Speaker 7: gonna keep working on it. And then we did the

1432
01:15:48,800 --> 01:15:51,479
Speaker 7: beat and actually, I don't know if people know this,

1433
01:15:52,120 --> 01:15:58,559
Speaker 7: but Jay literated the actual beat pattern he wanted right.

1434
01:15:59,240 --> 01:16:01,120
Speaker 7: So I was like, I just hit record and said

1435
01:16:01,200 --> 01:16:01,560
Speaker 7: you do it.

1436
01:16:01,960 --> 01:16:02,280
Speaker 1: MM.

1437
01:16:03,120 --> 01:16:05,360
Speaker 7: So what you hear on the record right now is

1438
01:16:05,560 --> 01:16:08,920
Speaker 7: Jay's programming of the drums, And all I did was

1439
01:16:09,000 --> 01:16:10,160
Speaker 7: add to the wow.

1440
01:16:12,640 --> 01:16:20,000
Speaker 1: Bucking up my whole child, yo, yo.

1441
01:16:20,600 --> 01:16:23,160
Speaker 8: But I don't think what people understand about that record

1442
01:16:23,240 --> 01:16:25,439
Speaker 8: and what you did there, and what DMC was trying

1443
01:16:25,439 --> 01:16:27,120
Speaker 8: to tell us is that you brought them up to

1444
01:16:27,240 --> 01:16:31,160
Speaker 8: speed to the newer generation. That that wasn't an easy

1445
01:16:31,240 --> 01:16:32,920
Speaker 8: task bring run DMC into that.

1446
01:16:33,080 --> 01:16:36,680
Speaker 7: World because you know, we were new and when we

1447
01:16:36,800 --> 01:16:38,519
Speaker 7: had a hit record, we had reminisce.

1448
01:16:38,640 --> 01:16:40,439
Speaker 1: Yeah, this is right here, this is by the way.

1449
01:16:41,439 --> 01:16:42,920
Speaker 1: Let me just say, let me just think one of

1450
01:16:42,960 --> 01:16:45,600
Speaker 1: the greatest. I saw none of this.

1451
01:16:45,880 --> 01:16:49,400
Speaker 3: I always thought that they never had a dry spell.

1452
01:16:49,840 --> 01:16:52,320
Speaker 3: And he said that what I'm saying, he fucked up

1453
01:16:52,360 --> 01:16:54,720
Speaker 3: my childhood because I was like what and he was like,

1454
01:16:54,800 --> 01:16:57,519
Speaker 3: you Pete Rock saved and like he said it again.

1455
01:16:58,080 --> 01:16:59,960
Speaker 1: I tried to give him a drink. It didn't work.

1456
01:17:01,960 --> 01:17:04,600
Speaker 3: I was like, were you sure like and he was like,

1457
01:17:04,880 --> 01:17:07,559
Speaker 3: but but you know, I'm not in the industry at

1458
01:17:07,600 --> 01:17:11,920
Speaker 3: this time. So has always been the biggest. And he says, no,

1459
01:17:12,360 --> 01:17:16,439
Speaker 3: if it wasn't for beat Rock, Like he reiterated what

1460
01:17:16,600 --> 01:17:17,640
Speaker 3: one DMC is.

1461
01:17:21,760 --> 01:17:26,960
Speaker 1: I was DMC. I've told y'all he's man. That's my guy. JMJ.

1462
01:17:27,280 --> 01:17:29,720
Speaker 6: We were the closest when he was alive. Me and

1463
01:17:29,880 --> 01:17:30,800
Speaker 6: Jay were really close.

1464
01:17:32,040 --> 01:17:32,200
Speaker 1: Yo.

1465
01:17:32,240 --> 01:17:36,960
Speaker 4: What's crazy is the first my first chance at a

1466
01:17:37,040 --> 01:17:39,920
Speaker 4: record deal coming from Chicago. Jam Master J was going

1467
01:17:40,000 --> 01:17:44,200
Speaker 4: to sign me, but but wow, he decided, he told me,

1468
01:17:44,240 --> 01:17:46,200
Speaker 4: and first, You're right. He was one of the coolest

1469
01:17:46,240 --> 01:17:50,240
Speaker 4: brothers just no. And and you know, coming from the crib,

1470
01:17:50,360 --> 01:17:52,560
Speaker 4: coming from Chicago, we was trying to get hurt. And

1471
01:17:52,720 --> 01:17:55,919
Speaker 4: somehow he got our demo because we send the demos

1472
01:17:56,600 --> 01:17:57,840
Speaker 4: to you know, used to look at the back of

1473
01:17:57,880 --> 01:17:59,679
Speaker 4: the records and send the demos and he had JMJ

1474
01:18:00,720 --> 01:18:03,200
Speaker 4: and he met with us and everything. He's like, man,

1475
01:18:03,200 --> 01:18:05,600
Speaker 4: I'm thinking about signing you, but he decided not to.

1476
01:18:06,240 --> 01:18:06,360
Speaker 5: Uh.

1477
01:18:06,680 --> 01:18:08,880
Speaker 6: He he ended up going WITHX running the back.

1478
01:18:09,680 --> 01:18:12,000
Speaker 4: Yeah. Yeah, and then I can see that. But he

1479
01:18:12,080 --> 01:18:13,840
Speaker 4: told me, yeah, it just made sense. And he was like,

1480
01:18:14,160 --> 01:18:16,439
Speaker 4: I ain't signing you too, because you was over here

1481
01:18:16,439 --> 01:18:19,800
Speaker 4: and your managers over here, your producers over here. But man,

1482
01:18:19,880 --> 01:18:22,519
Speaker 4: he kind of like always would would embrace me and

1483
01:18:22,600 --> 01:18:25,679
Speaker 4: shed light, you know, and I hear stories about about

1484
01:18:25,720 --> 01:18:29,960
Speaker 4: what you're saying, like and he programmed that that's that's crazy.

1485
01:18:30,120 --> 01:18:31,840
Speaker 1: I never knew that. I was like, you do it.

1486
01:18:32,240 --> 01:18:33,600
Speaker 6: He's like he said to be.

1487
01:18:33,760 --> 01:18:36,840
Speaker 7: He's like, I'm dat you can get And I just said,

1488
01:18:36,920 --> 01:18:39,080
Speaker 7: all right, look, hit the record button.

1489
01:18:39,360 --> 01:18:42,080
Speaker 1: I said, just hit the kick Just do that.

1490
01:18:42,520 --> 01:18:42,760
Speaker 6: Okay.

1491
01:18:42,840 --> 01:18:45,559
Speaker 3: But let me ask you, Chris, because the way DMC

1492
01:18:45,720 --> 01:18:49,000
Speaker 3: describes it, Hopefully you saw the episode.

1493
01:18:49,040 --> 01:18:50,879
Speaker 1: If not see.

1494
01:18:53,800 --> 01:18:58,240
Speaker 3: Everything because he describes it as if like they were

1495
01:18:58,320 --> 01:19:04,680
Speaker 3: literally over and you gave them like what that's your

1496
01:19:06,000 --> 01:19:08,599
Speaker 3: It was their album Back from Hell that didn't do well,

1497
01:19:09,200 --> 01:19:11,000
Speaker 3: that's the reason.

1498
01:19:11,520 --> 01:19:14,519
Speaker 1: And so they came to me at that time and

1499
01:19:14,600 --> 01:19:18,360
Speaker 1: he said hip hop had changed, yes, drastic, Yes, that's

1500
01:19:18,400 --> 01:19:19,400
Speaker 1: when we were brand new.

1501
01:19:20,000 --> 01:19:24,439
Speaker 7: So he came to me, and you know, we worked

1502
01:19:24,479 --> 01:19:27,360
Speaker 7: out some beats, and Down with the King was the

1503
01:19:27,479 --> 01:19:30,360
Speaker 7: one that you know, I started playing samples and records.

1504
01:19:30,400 --> 01:19:31,760
Speaker 7: That's the first thing I do when you come to

1505
01:19:31,800 --> 01:19:35,639
Speaker 7: see me, I'm playing records. You like that, I want

1506
01:19:35,680 --> 01:19:37,439
Speaker 7: me hook that up, and that's how it goes.

1507
01:19:38,240 --> 01:19:41,280
Speaker 3: I know that's but did you know what he was

1508
01:19:41,320 --> 01:19:44,760
Speaker 3: saying like that, that you was literally bringing their career back.

1509
01:19:45,200 --> 01:19:46,120
Speaker 1: You knew that well.

1510
01:19:46,120 --> 01:19:49,360
Speaker 7: I didn't know that, but when I heard him say it,

1511
01:19:50,160 --> 01:19:54,200
Speaker 7: that ship made me feel good. That should This is

1512
01:19:54,280 --> 01:19:57,080
Speaker 7: a this is a group. I'm a fan. I used

1513
01:19:57,120 --> 01:20:00,320
Speaker 7: to buy the records run to the record store boys.

1514
01:20:00,439 --> 01:20:02,560
Speaker 1: So you're literally saying you just produced this record just

1515
01:20:02,760 --> 01:20:03,439
Speaker 1: just to produce it.

1516
01:20:03,920 --> 01:20:05,680
Speaker 6: No, I produced it because I wanted it would have

1517
01:20:05,680 --> 01:20:10,760
Speaker 6: been That was an honor. I got a question though, too, you.

1518
01:20:15,120 --> 01:20:20,600
Speaker 4: Like, so, who have you been in the studio with

1519
01:20:21,280 --> 01:20:24,559
Speaker 4: where you've been, Like, damn, I'm actually producing for this person.

1520
01:20:25,120 --> 01:20:31,080
Speaker 1: Run dm C, running to run d B. Because there's

1521
01:20:31,080 --> 01:20:33,479
Speaker 1: the beatles of hip hop at that they were.

1522
01:20:34,720 --> 01:20:37,000
Speaker 7: That I would run to the record store to buy

1523
01:20:37,160 --> 01:20:40,559
Speaker 7: the vinyl, like buying I'm you know, d A. P. Rock,

1524
01:20:40,600 --> 01:20:43,559
Speaker 7: I'm buying the record. You know what I'm saying, I.

1525
01:20:43,600 --> 01:20:48,479
Speaker 1: Stole this run. He said he didn't work his house.

1526
01:20:49,400 --> 01:20:53,280
Speaker 1: They say, you fakeers out destroyed my child.

1527
01:20:57,840 --> 01:21:00,720
Speaker 3: Everything you went through, all that I used to I

1528
01:21:00,840 --> 01:21:04,599
Speaker 3: used to ride my bike, listen in the rank, all that, man,

1529
01:21:04,800 --> 01:21:06,000
Speaker 3: that was what about?

1530
01:21:06,040 --> 01:21:09,439
Speaker 4: Okay, what about when y'all when y'all did world is

1531
01:21:09,680 --> 01:21:12,640
Speaker 4: Because you're saying now you mentioned that too. Was it

1532
01:21:12,800 --> 01:21:15,400
Speaker 4: like you played him the beat and he and he's

1533
01:21:15,479 --> 01:21:16,840
Speaker 4: just like, that's it? Or was it?

1534
01:21:17,200 --> 01:21:17,360
Speaker 10: You know?

1535
01:21:17,640 --> 01:21:20,040
Speaker 3: I had that beat already made. Hold on, all right,

1536
01:21:20,120 --> 01:21:22,720
Speaker 3: let me sit back. No, no, no, that's his question.

1537
01:21:23,080 --> 01:21:26,200
Speaker 3: Let me get ready for your answer. Oh my god,

1538
01:21:26,560 --> 01:21:30,439
Speaker 3: I wanted to notice, so you know, I had that

1539
01:21:30,560 --> 01:21:31,400
Speaker 3: beat already made.

1540
01:21:31,439 --> 01:21:34,320
Speaker 7: And when he came over, I pulled these discs out

1541
01:21:34,920 --> 01:21:37,760
Speaker 7: and started going through the disc and then found that

1542
01:21:37,880 --> 01:21:40,120
Speaker 7: one and played it. And then I was about to

1543
01:21:40,200 --> 01:21:44,080
Speaker 7: play sticking another disk and play another beat. He was

1544
01:21:44,080 --> 01:21:46,080
Speaker 7: like no, no, no, no, no, no no, and he

1545
01:21:46,200 --> 01:21:51,519
Speaker 7: just started doing this oh oh okay like that. And

1546
01:21:51,600 --> 01:21:54,600
Speaker 7: then he had his composition book of rhymes and he

1547
01:21:54,720 --> 01:21:55,960
Speaker 7: started going through the book.

1548
01:21:56,880 --> 01:21:58,360
Speaker 1: Was it was it the black and white bok found

1549
01:21:58,360 --> 01:21:59,600
Speaker 1: the page and he was.

1550
01:21:59,680 --> 01:22:02,360
Speaker 6: Like and then they put the book down and he

1551
01:22:02,439 --> 01:22:03,519
Speaker 6: was like, I want you to sing this.

1552
01:22:09,280 --> 01:22:11,800
Speaker 1: Hold on, so you're saying when you play the beat.

1553
01:22:11,880 --> 01:22:14,920
Speaker 3: He had his book book as an he didn't with

1554
01:22:15,000 --> 01:22:16,479
Speaker 3: the black and white, the black.

1555
01:22:19,240 --> 01:22:25,320
Speaker 1: Book right now writing in my book run right, He's true,

1556
01:22:25,400 --> 01:22:28,680
Speaker 1: that's true. That line is crazy because so so so.

1557
01:22:28,800 --> 01:22:30,160
Speaker 6: Then you know he's so.

1558
01:22:30,560 --> 01:22:34,479
Speaker 3: He had these rhymes already read and he's had the

1559
01:22:34,600 --> 01:22:37,479
Speaker 3: hook and he said, I want you to shoot the singer.

1560
01:22:37,600 --> 01:22:38,680
Speaker 3: He's like, I want you to sing.

1561
01:22:38,760 --> 01:22:44,040
Speaker 1: I was like, singer, you weren't doing vocals yet? Yeah,

1562
01:22:44,080 --> 01:22:46,639
Speaker 1: I wasn't. Like so this is the first time people.

1563
01:22:46,479 --> 01:22:48,400
Speaker 6: Said I'm not a singer. What do you want me

1564
01:22:48,479 --> 01:22:48,840
Speaker 6: to sing?

1565
01:22:49,680 --> 01:22:49,880
Speaker 1: Sing?

1566
01:22:50,840 --> 01:22:53,040
Speaker 7: But I had this voice when in hip hop where

1567
01:22:53,040 --> 01:22:54,720
Speaker 7: I would play around in the ad libs and be

1568
01:22:54,840 --> 01:22:59,479
Speaker 7: doing those stuff and trying to help and they liked it.

1569
01:23:00,080 --> 01:23:02,679
Speaker 4: But how did you first know the ad libs because

1570
01:23:02,680 --> 01:23:06,559
Speaker 4: that she was like, that's you're one of the first,

1571
01:23:07,720 --> 01:23:10,879
Speaker 4: like and really one of the only what other producers

1572
01:23:11,000 --> 01:23:13,400
Speaker 4: y'all might know, but what other producers on their beats

1573
01:23:13,439 --> 01:23:14,360
Speaker 4: the ad libs?

1574
01:23:14,920 --> 01:23:16,680
Speaker 8: It was, I only think of it, and it's not

1575
01:23:16,760 --> 01:23:18,840
Speaker 8: a producer necessarily, it's puff that would do that.

1576
01:23:19,200 --> 01:23:21,599
Speaker 3: I don't know where I got that ad lib ship

1577
01:23:21,640 --> 01:23:24,280
Speaker 3: from James Brown. He's to talk on his records.

1578
01:23:24,680 --> 01:23:27,120
Speaker 1: Yeah, your is your signature, yo.

1579
01:23:27,840 --> 01:23:31,320
Speaker 4: Ad libs is like hooks like we were like for real,

1580
01:23:31,439 --> 01:23:33,880
Speaker 4: like my god, like I can listen to straighten it out.

1581
01:23:34,280 --> 01:23:39,160
Speaker 4: Oh yeah, oh yeah, like I know them them ad libs,

1582
01:23:39,320 --> 01:23:40,200
Speaker 4: Like that's that's it is.

1583
01:23:40,960 --> 01:23:45,160
Speaker 7: Let's talk about the joint me, you and this man. Yeah,

1584
01:23:45,880 --> 01:23:50,760
Speaker 7: old survivors, come on, yo, the joint what you wanted him?

1585
01:23:51,080 --> 01:23:52,800
Speaker 1: Hold on hold, we're gonna get back to you. All right.

1586
01:23:54,280 --> 01:24:01,400
Speaker 1: I gotta take a leak man because some crazy right there.

1587
01:24:01,520 --> 01:24:05,120
Speaker 1: That was like the it was collaboration right there. Yes,

1588
01:24:05,680 --> 01:24:06,799
Speaker 1: what fun.

1589
01:24:09,120 --> 01:24:13,360
Speaker 6: On the same beat on the Pete rock beat comment,

1590
01:24:13,760 --> 01:24:14,519
Speaker 6: that's crazy.

1591
01:24:17,160 --> 01:24:19,120
Speaker 1: So you he explaining them the rules like how Paul

1592
01:24:19,200 --> 01:24:23,720
Speaker 1: is playing you and this is our well, I don't

1593
01:24:23,720 --> 01:24:25,400
Speaker 1: know you guys, gonna drink wine as your shot. You

1594
01:24:25,439 --> 01:24:27,599
Speaker 1: can drink my choice.

1595
01:24:27,800 --> 01:24:30,400
Speaker 8: You just take a sip. So it's our drinking game.

1596
01:24:31,080 --> 01:24:34,600
Speaker 8: We're gonna give you two choices, right, you didn't. We

1597
01:24:34,640 --> 01:24:35,479
Speaker 8: didn't play this back then.

1598
01:24:35,520 --> 01:24:39,880
Speaker 1: No money. You picked one of the two, and nobody drinks.

1599
01:24:39,880 --> 01:24:42,720
Speaker 1: I was smoking. You say both in neither of the

1600
01:24:42,760 --> 01:24:46,280
Speaker 1: politically correct. That my car. We all drinking. I'll take

1601
01:24:46,280 --> 01:24:48,840
Speaker 1: a shot. And if something, if there's a story that

1602
01:24:48,920 --> 01:24:51,559
Speaker 1: goes along with somebody you mentioned, please, there's not anything

1603
01:24:51,720 --> 01:24:52,639
Speaker 1: negative about anybody.

1604
01:24:53,160 --> 01:24:56,160
Speaker 6: I want to mention people. All Right, we're good.

1605
01:24:58,000 --> 01:25:02,880
Speaker 1: Fun. I'm gonna start with you. It's this crazy alarm

1606
01:25:04,240 --> 01:25:05,800
Speaker 1: man put off your car.

1607
01:25:05,920 --> 01:25:10,640
Speaker 4: Bro At twice I thought it was you know, No,

1608
01:25:10,720 --> 01:25:12,880
Speaker 4: it's you. I mean we got to wait to that.

1609
01:25:27,360 --> 01:25:31,559
Speaker 1: Tupac or d m X whichever, whatever reason.

1610
01:25:31,360 --> 01:25:35,360
Speaker 6: For you Tupac for me. Man, Tupai hit like.

1611
01:25:37,200 --> 01:25:39,400
Speaker 4: He had an emotional thing that I that I feel

1612
01:25:39,479 --> 01:25:43,960
Speaker 4: like we hadn't heard hip hop like, and he was like,

1613
01:25:44,479 --> 01:25:44,840
Speaker 4: I don't know.

1614
01:25:44,920 --> 01:25:48,120
Speaker 6: I think he he tapped into and you met to correct,

1615
01:25:48,200 --> 01:25:48,840
Speaker 6: yeah for sure.

1616
01:25:49,400 --> 01:25:53,360
Speaker 4: And he tapped into like black consciousness and gave like

1617
01:25:54,080 --> 01:25:56,160
Speaker 4: black men and coon cluting black.

1618
01:25:55,920 --> 01:25:58,559
Speaker 6: And Latino people because that was our culture.

1619
01:25:58,600 --> 01:26:02,320
Speaker 4: But he spoke to that and where you was from,

1620
01:26:02,760 --> 01:26:05,120
Speaker 4: you kind of related to him in some way or

1621
01:26:05,120 --> 01:26:08,400
Speaker 4: another now like and he just had a heart to

1622
01:26:08,479 --> 01:26:10,680
Speaker 4: him and could do different types of records. And I

1623
01:26:10,760 --> 01:26:15,720
Speaker 4: feel like, you know, Tupot Dem Mexican and a lot

1624
01:26:15,800 --> 01:26:19,639
Speaker 4: of people to me were influenced by extension.

1625
01:26:20,840 --> 01:26:25,960
Speaker 6: Yeah, so I gotta go with pop. It's where I get.

1626
01:26:26,800 --> 01:26:30,519
Speaker 7: It's where I get Tupacs of Gemini and DMX is

1627
01:26:30,560 --> 01:26:32,760
Speaker 7: from Aunt vernon you.

1628
01:26:32,800 --> 01:26:34,200
Speaker 1: Taking a shot taking this?

1629
01:26:39,040 --> 01:26:39,960
Speaker 6: Can we skip this one?

1630
01:26:40,080 --> 01:26:45,439
Speaker 1: You got the next one? You know both. This is

1631
01:26:45,520 --> 01:26:50,760
Speaker 1: definitely for you. They wrote this for you. By the way,

1632
01:26:50,800 --> 01:27:00,800
Speaker 1: this is the Colombian and Dominican it's gonna be. When

1633
01:27:00,840 --> 01:27:02,280
Speaker 1: he asked you, can you predicted.

1634
01:27:04,479 --> 01:27:08,759
Speaker 3: You want to text it to me? So the first one, okay,

1635
01:27:08,760 --> 01:27:10,400
Speaker 3: the first one of the two names. He's gonna say,

1636
01:27:10,720 --> 01:27:11,680
Speaker 3: no idea.

1637
01:27:11,479 --> 01:27:20,000
Speaker 1: Of Kanye O. Man.

1638
01:27:20,800 --> 01:27:25,400
Speaker 4: When I walked in here, y'all was playing Resurrection. I

1639
01:27:25,560 --> 01:27:30,200
Speaker 4: gotta y'all no ideas is manast he's a bad dude.

1640
01:27:30,280 --> 01:27:30,640
Speaker 1: Man like.

1641
01:27:32,479 --> 01:27:35,840
Speaker 6: Them records was I was. I was like, damn. Then

1642
01:27:35,920 --> 01:27:38,560
Speaker 6: I snapped on them beats. So I'm gonna give it

1643
01:27:38,680 --> 01:27:40,200
Speaker 6: up for no idea.

1644
01:27:39,960 --> 01:27:42,479
Speaker 8: On it felt like y'all was a group the way

1645
01:27:42,520 --> 01:27:45,800
Speaker 8: that y'all came out of coming say like you came out,

1646
01:27:45,840 --> 01:27:46,920
Speaker 8: but it felt like it was a group.

1647
01:27:47,000 --> 01:27:49,599
Speaker 4: Yeah, I mean what, I know him since fourth grade,

1648
01:27:49,960 --> 01:27:53,680
Speaker 4: like fourth grade, so he started making beats when we

1649
01:27:53,760 --> 01:27:56,400
Speaker 4: were in high school. I was rhyming already, and then

1650
01:27:56,479 --> 01:27:59,439
Speaker 4: he just you know, was able to start making whatever

1651
01:27:59,560 --> 01:28:02,800
Speaker 4: records he got nn he eventually started getting around like cats,

1652
01:28:02,840 --> 01:28:05,360
Speaker 4: where we're going to the record on conventions and stuff,

1653
01:28:05,640 --> 01:28:08,240
Speaker 4: and that's where we're going the Resurrection.

1654
01:28:08,320 --> 01:28:10,640
Speaker 1: Georgia, Chicago. That's how I mess room.

1655
01:28:10,720 --> 01:28:15,200
Speaker 3: I think us how I was right, You're right, you're right,

1656
01:28:16,760 --> 01:28:19,800
Speaker 3: all right, listen for you. No, no, the next one

1657
01:28:19,920 --> 01:28:22,120
Speaker 3: is for you. Yeah, I'm gonna keep it, gonna stay

1658
01:28:22,120 --> 01:28:24,439
Speaker 3: with you the brat or Eve.

1659
01:28:26,479 --> 01:28:27,400
Speaker 6: I'm gonna go with Eve.

1660
01:28:27,520 --> 01:28:27,720
Speaker 11: Man.

1661
01:28:27,880 --> 01:28:29,439
Speaker 4: I mean, I know y'all think I'm gonna pick my

1662
01:28:29,560 --> 01:28:34,080
Speaker 4: Chicago's love to her, but man, Eve had a little

1663
01:28:34,120 --> 01:28:37,759
Speaker 4: more like just rhyme to her, like she could rhyme

1664
01:28:37,840 --> 01:28:40,680
Speaker 4: and uh, I don't know she was she had a

1665
01:28:40,720 --> 01:28:42,560
Speaker 4: little more style to her. You know, I don't know

1666
01:28:42,640 --> 01:28:47,000
Speaker 4: if it was just because of the East coacht thing

1667
01:28:47,080 --> 01:28:50,080
Speaker 4: that she had with her being from Philly. But I

1668
01:28:50,120 --> 01:28:53,840
Speaker 4: don't know. I think her records are I gravitated to

1669
01:28:54,080 --> 01:28:56,320
Speaker 4: more than more than the brats in all respects to

1670
01:28:56,360 --> 01:28:57,160
Speaker 4: my West Side girl.

1671
01:28:57,200 --> 01:28:58,160
Speaker 6: But I'm just telling the truth.

1672
01:28:58,280 --> 01:28:58,479
Speaker 5: You know.

1673
01:29:00,040 --> 01:29:04,240
Speaker 1: That's fair. True. We're going with you now. Okay, they

1674
01:29:04,320 --> 01:29:11,840
Speaker 1: wrote this, not mean. Okay, Alchemists or Riza Optimists aco Alchemists.

1675
01:29:12,600 --> 01:29:15,799
Speaker 1: Come on, you said both. You can say.

1676
01:29:17,560 --> 01:29:20,240
Speaker 3: I love them both, you know, like I love them both.

1677
01:29:20,880 --> 01:29:25,599
Speaker 3: I've been loving Alchemists a lot lately. Didn't Alchemist jumping

1678
01:29:25,640 --> 01:29:26,120
Speaker 3: his beef too?

1679
01:29:26,240 --> 01:29:35,200
Speaker 1: Yes, the ground he produced it for that, he said

1680
01:29:35,240 --> 01:29:36,840
Speaker 1: he had given the beat a while ago. You can't

1681
01:29:36,880 --> 01:29:50,400
Speaker 1: say that now. I'm making you right. He was that.

1682
01:29:50,800 --> 01:29:52,639
Speaker 6: He made me mad, He made man.

1683
01:29:57,200 --> 01:29:59,960
Speaker 1: He was trying to get positive and may be mad.

1684
01:30:02,960 --> 01:30:07,000
Speaker 1: Come on, man, are we taking the shop of that? No?

1685
01:30:07,760 --> 01:30:12,439
Speaker 3: He picked pick picked, Okay, Timbo and Pharrell beat Timbo

1686
01:30:12,640 --> 01:30:16,559
Speaker 3: and I like Pharrell like you take that one too.

1687
01:30:16,800 --> 01:30:17,200
Speaker 1: We want you to.

1688
01:30:17,720 --> 01:30:19,320
Speaker 6: I'm gonna go with Pharrell too, man like.

1689
01:30:19,479 --> 01:30:21,280
Speaker 1: I like man.

1690
01:30:21,400 --> 01:30:23,759
Speaker 4: Pharrell to me like being able to do some different

1691
01:30:23,840 --> 01:30:27,599
Speaker 4: type of records that happy and man like. He can

1692
01:30:27,680 --> 01:30:31,519
Speaker 4: go from happy to superol you know to he did

1693
01:30:31,720 --> 01:30:34,000
Speaker 4: like a song for me called Come Closer, but then

1694
01:30:35,600 --> 01:30:38,360
Speaker 4: he could go a lot of places like you know,

1695
01:30:38,520 --> 01:30:42,599
Speaker 4: so for Rell, he's just a songmaker. They're both super Dola.

1696
01:30:42,720 --> 01:30:45,000
Speaker 4: I know they're from Virginia, but I'm gonna go with Pharrell.

1697
01:30:45,160 --> 01:30:53,679
Speaker 1: Yeah, those Virginia Virginia crime. I like this town Loope.

1698
01:30:54,160 --> 01:31:01,800
Speaker 1: Oh yeah, that's the rapper. Oh who that's that's a

1699
01:31:01,920 --> 01:31:02,320
Speaker 1: tough one.

1700
01:31:02,680 --> 01:31:06,519
Speaker 4: Yeah, because I I remember when my daughter, my daughter

1701
01:31:06,600 --> 01:31:12,000
Speaker 4: first played me chance. This is funny, but Loop is, Man,

1702
01:31:12,120 --> 01:31:15,760
Speaker 4: I have heard Loupe and a lot of Ship. I

1703
01:31:15,960 --> 01:31:19,000
Speaker 4: heard him freestyle and I'm a big fan of I

1704
01:31:19,280 --> 01:31:22,679
Speaker 4: heard him like, man, I heard him kick some rhymes

1705
01:31:22,720 --> 01:31:24,320
Speaker 4: when I'm like, yo, this ship is some of the

1706
01:31:24,400 --> 01:31:28,400
Speaker 4: best raps I've heard, like, like just really good raps.

1707
01:31:29,040 --> 01:31:31,439
Speaker 4: So I'm gonna go with Loupe. I love both of them.

1708
01:31:31,479 --> 01:31:37,200
Speaker 4: Them and soundtrack produced Sloope stuff in the beginning. Yeah,

1709
01:31:37,320 --> 01:31:38,920
Speaker 4: so I was feeling some of those sloop a.

1710
01:31:39,160 --> 01:31:43,040
Speaker 1: Yeah. The only thing I ever critique Loop on period

1711
01:31:43,320 --> 01:31:48,920
Speaker 1: Push Kick no is they did a huh the what.

1712
01:31:50,760 --> 01:31:55,040
Speaker 3: Yeah when it was a tribical quest Yeah yeah, yeah,

1713
01:31:55,200 --> 01:31:59,240
Speaker 3: and like he didn't know those little. Yes right, I'm sorry,

1714
01:31:59,320 --> 01:32:01,400
Speaker 3: Lupe because he's like, you know, if you keep bringing

1715
01:32:01,439 --> 01:32:04,760
Speaker 3: this ship and I'm sorry, I just I promise you

1716
01:32:04,840 --> 01:32:05,400
Speaker 3: I love you.

1717
01:32:06,040 --> 01:32:08,800
Speaker 1: It's just that one moment like me being a trial

1718
01:32:08,880 --> 01:32:15,879
Speaker 1: called crest for nothing out like shot shot like you can't.

1719
01:32:18,960 --> 01:32:22,560
Speaker 3: Your word, like like I remember, like and I know

1720
01:32:22,720 --> 01:32:26,760
Speaker 3: all of us met big for wife. Fife was so competitive.

1721
01:32:28,600 --> 01:32:31,640
Speaker 3: See me one day because I said, know this, you

1722
01:32:31,760 --> 01:32:36,120
Speaker 3: know that, no Jack, no bust that, nor he busts that.

1723
01:32:36,560 --> 01:32:39,320
Speaker 3: But I got that from fight know this, don't know

1724
01:32:39,479 --> 01:32:43,840
Speaker 3: that And I'm digging Fife up. Fife sees me and

1725
01:32:43,920 --> 01:32:53,680
Speaker 3: goes my Jack one of your lists, like giving about that?

1726
01:32:55,320 --> 01:32:58,000
Speaker 6: No ways about that. I know that that lyric was

1727
01:32:58,080 --> 01:32:59,960
Speaker 6: so famous. That line is so famous.

1728
01:33:01,160 --> 01:33:04,599
Speaker 1: Yeeah yeah when you did it over, okay, when.

1729
01:33:05,880 --> 01:33:09,560
Speaker 6: The fight thing over, nobody was like nobody should.

1730
01:33:09,280 --> 01:33:15,960
Speaker 1: Be fighters competitive. He would with the Knick stuff right now.

1731
01:33:18,439 --> 01:33:23,120
Speaker 6: About Jets Nicks. You know we're all New York teams.

1732
01:33:25,960 --> 01:33:28,840
Speaker 4: That's why I had I did this. I did this

1733
01:33:28,960 --> 01:33:33,160
Speaker 4: what well yeah man, yo, I mean yeah. I remember

1734
01:33:33,320 --> 01:33:36,120
Speaker 4: like coming to the New Music Seminar, which was this

1735
01:33:36,280 --> 01:33:38,360
Speaker 4: thing that used to have in New York, like being

1736
01:33:38,520 --> 01:33:41,640
Speaker 4: unsigned and seeing try call quest and I was like,

1737
01:33:42,280 --> 01:33:44,439
Speaker 4: this is after they first out. They an't even did

1738
01:33:44,520 --> 01:33:45,479
Speaker 4: low end theory yet.

1739
01:33:45,600 --> 01:33:45,800
Speaker 1: Wow.

1740
01:33:45,920 --> 01:33:49,160
Speaker 6: And I was just like they fight, said what's up?

1741
01:33:49,240 --> 01:33:49,599
Speaker 1: I wasn't.

1742
01:33:49,680 --> 01:33:51,720
Speaker 4: I wasn't known or nothing, but fighting all them just

1743
01:33:51,960 --> 01:33:54,000
Speaker 4: said so they weren't trying to we was crabbing the

1744
01:33:54,120 --> 01:33:57,120
Speaker 4: seas to them. Probably they weren't like trying to get

1745
01:33:57,479 --> 01:33:59,720
Speaker 4: look like you was down with native tongue. That's my

1746
01:34:00,520 --> 01:34:03,000
Speaker 4: I definitely got like a point where like, yeah, at

1747
01:34:03,000 --> 01:34:06,080
Speaker 4: that point, this is ninety ninety. So in fact, I

1748
01:34:06,120 --> 01:34:08,320
Speaker 4: remember being there, I saw a law for this is

1749
01:34:08,439 --> 01:34:11,840
Speaker 4: like I saw a law for nes krres and poor

1750
01:34:11,920 --> 01:34:15,400
Speaker 4: rights teachers like they was. They was hosting the thing

1751
01:34:15,439 --> 01:34:17,839
Speaker 4: and then leaders of New School was about to perform

1752
01:34:18,439 --> 01:34:21,000
Speaker 4: and something went out and Buster came up and started

1753
01:34:21,040 --> 01:34:21,840
Speaker 4: beatboxing for.

1754
01:34:22,240 --> 01:34:24,800
Speaker 6: For for Why is intelligence for poor Richards?

1755
01:34:24,960 --> 01:34:25,200
Speaker 1: Wow?

1756
01:34:25,560 --> 01:34:26,800
Speaker 6: And it was crazy bro.

1757
01:34:27,400 --> 01:34:32,960
Speaker 4: And then Krress and Buster was beat boxing for wise

1758
01:34:33,000 --> 01:34:33,600
Speaker 4: intelligence for.

1759
01:34:33,640 --> 01:34:39,360
Speaker 1: Poor We're gonna make some noise for that, yo.

1760
01:34:39,520 --> 01:34:42,680
Speaker 4: That's that's ship. So that was like my first time

1761
01:34:42,760 --> 01:34:45,320
Speaker 4: getting to come to New York. I had like about

1762
01:34:45,360 --> 01:34:48,760
Speaker 4: fifteen dudes from Chicago staying. We stayed in one hotel room,

1763
01:34:49,160 --> 01:34:51,599
Speaker 4: and we were just happy to be be in New

1764
01:34:51,680 --> 01:34:53,519
Speaker 4: York and that that was a new music seminar. That's

1765
01:34:53,560 --> 01:34:56,360
Speaker 4: when I saw Fife and man, you know, Tribe is

1766
01:34:56,439 --> 01:34:58,519
Speaker 4: one of my favorite groups ever.

1767
01:34:58,640 --> 01:35:03,800
Speaker 6: It's like it's like Pete Rock cl like driving and.

1768
01:35:04,240 --> 01:35:07,240
Speaker 3: Well, I'm on Tribe second album. I did the jazz joint.

1769
01:35:08,800 --> 01:35:10,240
Speaker 3: We got the jazz we got.

1770
01:35:10,880 --> 01:35:14,960
Speaker 4: That's why you say Pete Rock on the beat, but

1771
01:35:15,120 --> 01:35:19,080
Speaker 4: a short shot that's like classic class. I got to

1772
01:35:19,160 --> 01:35:22,760
Speaker 4: keep it with you because he better pick it this

1773
01:35:22,920 --> 01:35:35,920
Speaker 4: way ematic or straight out of content allmatic ematic. Illmatic

1774
01:35:36,080 --> 01:35:38,559
Speaker 4: changed the way I rap, changed the way so many

1775
01:35:38,600 --> 01:35:39,160
Speaker 4: people rap.

1776
01:35:39,240 --> 01:35:40,120
Speaker 1: It had changed.

1777
01:35:40,520 --> 01:35:43,400
Speaker 4: They had changed hip hop it had it has the

1778
01:35:43,560 --> 01:35:49,320
Speaker 4: greatest producers, like of hip hop in that like.

1779
01:35:52,120 --> 01:35:55,479
Speaker 6: On that album, that writing is to me, it's.

1780
01:35:55,520 --> 01:35:58,479
Speaker 4: Like I know people, I mean to me, it's at

1781
01:35:58,520 --> 01:36:01,080
Speaker 4: the level like when you like hundreds of years from now,

1782
01:36:01,120 --> 01:36:05,360
Speaker 4: when people study writing and black literature and all that stuff,

1783
01:36:05,479 --> 01:36:08,679
Speaker 4: like like how Kendrick wont to poland surprise, that's Polish surprise,

1784
01:36:09,000 --> 01:36:13,120
Speaker 4: you know what give large, professor, And we did and

1785
01:36:13,240 --> 01:36:15,759
Speaker 4: we actually did, yes for pulling us together.

1786
01:36:16,160 --> 01:36:18,000
Speaker 1: Wait, so you're saying that was Large Professors.

1787
01:36:18,160 --> 01:36:23,800
Speaker 3: Large Professor is the one who contacted everyone. He contacted

1788
01:36:23,920 --> 01:36:27,599
Speaker 3: me primo. Wait, so he's a executive producer.

1789
01:36:27,720 --> 01:36:29,599
Speaker 6: He's the one that brought us all together.

1790
01:36:29,960 --> 01:36:31,280
Speaker 4: What was he think?

1791
01:36:31,479 --> 01:36:36,439
Speaker 1: Was it his idea? He did not? Do you think?

1792
01:36:36,560 --> 01:36:38,240
Speaker 6: No said yo, I want to work.

1793
01:36:38,400 --> 01:36:41,160
Speaker 7: Yeah he did, he did, But I mean Large was

1794
01:36:41,200 --> 01:36:43,560
Speaker 7: already hanging with each other. I used to go to

1795
01:36:43,640 --> 01:36:50,200
Speaker 7: Glorious on going to Green Green.

1796
01:36:50,160 --> 01:36:53,920
Speaker 3: Line Records store of course street from Coliseum in Queens.

1797
01:36:54,520 --> 01:36:56,439
Speaker 4: I was always I love when he said I just

1798
01:36:56,520 --> 01:36:59,080
Speaker 4: hanging out. I'd be up in Mount Vernon peacing with

1799
01:36:59,720 --> 01:37:07,680
Speaker 4: small rock making beats, that shopping. But you know what,

1800
01:37:10,920 --> 01:37:13,960
Speaker 4: I had never heard what you just said. It Maatic

1801
01:37:14,040 --> 01:37:19,320
Speaker 4: it's my favorite album. Sometimes like when I and now

1802
01:37:19,400 --> 01:37:20,639
Speaker 4: this happens to be my friend.

1803
01:37:21,040 --> 01:37:25,040
Speaker 1: So sometimes I get like stalkery. I keep bringing up.

1804
01:37:25,040 --> 01:37:29,600
Speaker 1: He'll be looking at me like, man, you remember what

1805
01:37:29,680 --> 01:37:36,800
Speaker 1: you said? You know, you know, but I had never

1806
01:37:36,960 --> 01:37:38,040
Speaker 1: heard what you just said.

1807
01:37:39,120 --> 01:37:44,120
Speaker 3: So and just because I'm a little stalkery, just because

1808
01:37:44,160 --> 01:37:48,200
Speaker 3: of that, you're telling me the first time you ever

1809
01:37:48,280 --> 01:37:50,960
Speaker 3: got a call about anybody name, And I said, what's

1810
01:37:51,080 --> 01:37:51,759
Speaker 3: through Large?

1811
01:37:53,240 --> 01:37:56,120
Speaker 1: So you didn't even hear of who knows was wow.

1812
01:37:57,880 --> 01:37:59,680
Speaker 4: Just before Alive at the Barbecue.

1813
01:38:03,120 --> 01:38:06,720
Speaker 7: Barbecue, because then that's when they came up with this,

1814
01:38:06,960 --> 01:38:09,360
Speaker 7: you know, like, yo, we we're going to get this producer,

1815
01:38:09,439 --> 01:38:10,640
Speaker 7: this producer, this produced But.

1816
01:38:10,720 --> 01:38:12,200
Speaker 8: The fact that he even has him in Life at

1817
01:38:12,240 --> 01:38:14,800
Speaker 8: the Barber he shows you how much Large Professor was

1818
01:38:14,840 --> 01:38:15,680
Speaker 8: involved in all of that.

1819
01:38:15,840 --> 01:38:18,719
Speaker 4: Yeah, but what's crazy on Live at the Barbecue. People

1820
01:38:18,960 --> 01:38:22,519
Speaker 4: gravitated more than Anelly than they did. I mean, at

1821
01:38:22,600 --> 01:38:24,640
Speaker 4: least like a months. My crew we was like, oh,

1822
01:38:25,080 --> 01:38:29,720
Speaker 4: he's doing that. But then you heard that, which it was.

1823
01:38:29,840 --> 01:38:32,639
Speaker 12: When I was twelve, I went to help with I'm

1824
01:38:32,920 --> 01:38:41,040
Speaker 12: the bar no ready to go back to the game

1825
01:38:41,120 --> 01:38:42,200
Speaker 12: again and then you go back.

1826
01:38:42,360 --> 01:38:47,000
Speaker 3: I had more of of personality like like but that

1827
01:38:47,400 --> 01:38:49,559
Speaker 3: line fucked the industry.

1828
01:38:49,800 --> 01:38:51,639
Speaker 1: When I was twelve, I went to help us nothing

1829
01:38:51,760 --> 01:38:53,680
Speaker 1: Jesus because we didn't know if it was hard off.

1830
01:38:56,240 --> 01:38:59,160
Speaker 3: I guess I was up for the church. I was

1831
01:38:59,280 --> 01:39:05,439
Speaker 3: like up in the chuck, like, wasn't right. I can't

1832
01:39:05,479 --> 01:39:07,479
Speaker 3: say this, but I was like, you know, he didn't

1833
01:39:07,560 --> 01:39:10,960
Speaker 3: say that. That's when rap changed when he said that.

1834
01:39:12,280 --> 01:39:14,640
Speaker 4: When he said that, But what you say, nos is

1835
01:39:15,840 --> 01:39:17,920
Speaker 4: I mean he is nots It's his own thing. But

1836
01:39:18,920 --> 01:39:20,680
Speaker 4: I would like to ask him this question too. But

1837
01:39:20,880 --> 01:39:25,719
Speaker 4: just as as we are saying we are fans, would

1838
01:39:25,720 --> 01:39:29,400
Speaker 4: it be Cool g Or or Rock Kim that had

1839
01:39:29,439 --> 01:39:33,040
Speaker 4: the most When y'all hear like allmatic.

1840
01:39:32,600 --> 01:39:36,920
Speaker 1: Would you say is Cool most influence? No, it's not

1841
01:39:37,080 --> 01:39:38,720
Speaker 1: one of the other you know, you know it can't

1842
01:39:38,760 --> 01:39:40,479
Speaker 1: be one of the others because once to be one.

1843
01:39:40,760 --> 01:39:43,280
Speaker 1: I don't like, no, no, no, no, no no.

1844
01:39:45,200 --> 01:39:49,040
Speaker 3: The fact how Rock Kim put his words together with

1845
01:39:49,240 --> 01:39:51,679
Speaker 3: intelligence but was still hood.

1846
01:39:52,120 --> 01:39:52,719
Speaker 1: That's one.

1847
01:39:54,960 --> 01:39:55,920
Speaker 6: Storytelling and all.

1848
01:39:56,280 --> 01:39:59,479
Speaker 3: But when it comes to g Rap, where you where

1849
01:39:59,600 --> 01:40:03,160
Speaker 3: g Rap said something L Street Blues, you knew what

1850
01:40:03,240 --> 01:40:05,599
Speaker 3: he was talking about, and that's how Naves got together.

1851
01:40:05,680 --> 01:40:09,000
Speaker 3: So like, I can't say it was one of that,

1852
01:40:09,160 --> 01:40:10,679
Speaker 3: I can't say I would take.

1853
01:40:13,520 --> 01:40:19,920
Speaker 1: You're making me before we leave. I'm not only texting

1854
01:40:20,000 --> 01:40:23,240
Speaker 1: him the question, I'm sitting him in this footage for

1855
01:40:23,360 --> 01:40:23,920
Speaker 1: him to respond.

1856
01:40:24,120 --> 01:40:27,760
Speaker 6: What makes it official is when Nas and g rapped

1857
01:40:27,760 --> 01:40:28,280
Speaker 6: through the joint.

1858
01:40:28,680 --> 01:40:31,400
Speaker 1: Oh yeah, that's that's That's how you know that he

1859
01:40:31,560 --> 01:40:34,080
Speaker 1: was influenced by That's why I.

1860
01:40:34,080 --> 01:40:36,360
Speaker 4: Think Rap had a little bit more influence. You want

1861
01:40:36,360 --> 01:40:42,360
Speaker 4: to take the reason why I feel like I take

1862
01:40:42,400 --> 01:40:45,200
Speaker 4: my shot too. I feel like you what you're saying too,

1863
01:40:45,320 --> 01:40:48,559
Speaker 4: because like what I'm saying when NAS changed the way

1864
01:40:48,640 --> 01:40:52,479
Speaker 4: niggas is rhyming. But that's one doing them three syllable

1865
01:40:52,560 --> 01:40:54,640
Speaker 4: things like rappers, I'm monkey flipping and what the.

1866
01:40:56,439 --> 01:40:59,880
Speaker 1: Musician and flipping the composition I can't. I like scoff

1867
01:41:00,040 --> 01:41:05,280
Speaker 1: A slipping cocaine sixteen and with the pandamic straine, bully

1868
01:41:05,320 --> 01:41:08,360
Speaker 1: holes lpp in your pot holes up the street goes

1869
01:41:08,560 --> 01:41:11,880
Speaker 1: heavy and not of feet folds, y'all know my you

1870
01:41:11,920 --> 01:41:14,120
Speaker 1: know went through without the airplace. I keep some of

1871
01:41:14,160 --> 01:41:16,400
Speaker 1: me and Ja saying been up in the stairway.

1872
01:41:16,479 --> 01:41:18,320
Speaker 4: But that was that's that's some cool g had.

1873
01:41:18,400 --> 01:41:22,439
Speaker 1: It was like facility that that's all cool. GI like

1874
01:41:23,120 --> 01:41:24,360
Speaker 1: scheme is Coolie Rapp.

1875
01:41:24,400 --> 01:41:26,360
Speaker 3: Tell you truth if you was to tell me, if

1876
01:41:26,360 --> 01:41:28,960
Speaker 3: you was, if I was to have to bet to

1877
01:41:29,040 --> 01:41:33,479
Speaker 3: say the two mcs that influence it matters the most,

1878
01:41:33,520 --> 01:41:35,559
Speaker 3: I would say g Rapp and rock Camp.

1879
01:41:35,600 --> 01:41:38,639
Speaker 6: You know what I mean, what's the two season influenced

1880
01:41:38,680 --> 01:41:39,200
Speaker 6: you the most?

1881
01:41:40,200 --> 01:41:49,520
Speaker 1: Ah ge wrapping biz marky.

1882
01:41:54,439 --> 01:41:56,800
Speaker 3: BNZ had fun Like when I did the Warrior War,

1883
01:41:57,400 --> 01:42:00,640
Speaker 3: I'm not you asked me so, I said, But when

1884
01:42:00,680 --> 01:42:04,160
Speaker 3: I did the warport, I was angry, angry man.

1885
01:42:09,040 --> 01:42:11,400
Speaker 1: I listened to that. I'm like, I don't like this guy.

1886
01:42:11,960 --> 01:42:14,960
Speaker 1: This guy is not my friend. I wouldn't. I wouldn't

1887
01:42:15,000 --> 01:42:16,160
Speaker 1: introduce myself to me.

1888
01:42:16,920 --> 01:42:19,320
Speaker 3: Like like if this nigga of the forty six year

1889
01:42:19,320 --> 01:42:22,200
Speaker 3: old version of me, if I've seen the twenty one

1890
01:42:22,320 --> 01:42:24,680
Speaker 3: year version of the work for I would walk the

1891
01:42:24,720 --> 01:42:25,080
Speaker 3: other way.

1892
01:42:25,200 --> 01:42:27,840
Speaker 1: No, but you get flowers for war Yeah, of course, yeah,

1893
01:42:28,840 --> 01:42:29,240
Speaker 1: you get that.

1894
01:42:30,040 --> 01:42:34,280
Speaker 3: But it was and you said, you said two, but

1895
01:42:34,320 --> 01:42:38,080
Speaker 3: I'm gonna give you three, okay, And no one ever

1896
01:42:38,560 --> 01:42:41,680
Speaker 3: sees this in my style because I want to be

1897
01:42:41,720 --> 01:42:44,479
Speaker 3: the exact opposite of my hero. It was an MC

1898
01:42:44,720 --> 01:42:45,840
Speaker 3: called Granddaddy, Are you.

1899
01:42:47,880 --> 01:42:48,200
Speaker 1: Daddy?

1900
01:42:48,520 --> 01:42:48,560
Speaker 5: You?

1901
01:42:49,080 --> 01:42:51,960
Speaker 1: You were smooth And I've said this before, but I'm

1902
01:42:52,000 --> 01:42:56,600
Speaker 1: gonna say it again. He changed my whole life. He

1903
01:42:56,840 --> 01:43:00,400
Speaker 1: made it one rhyme. He said, I knew what girl

1904
01:43:00,600 --> 01:43:04,160
Speaker 1: named Kenya from West Virginia. Boy, would I like to

1905
01:43:04,240 --> 01:43:12,760
Speaker 1: stick something in what he said? He said that ship

1906
01:43:12,960 --> 01:43:17,160
Speaker 1: right there? I said, I want to be him. Grand there.

1907
01:43:18,280 --> 01:43:21,400
Speaker 1: I heard his name and listen to me.

1908
01:43:21,680 --> 01:43:24,479
Speaker 3: That's my only thing. It's two things I regret in

1909
01:43:24,560 --> 01:43:27,559
Speaker 3: hip hop right now? Look and I'm throwing it right

1910
01:43:27,600 --> 01:43:30,599
Speaker 3: back to y'all. I'm trying to make it. They say,

1911
01:43:30,680 --> 01:43:35,519
Speaker 3: it's the same exact thing. My mother asked me one day.

1912
01:43:36,760 --> 01:43:38,760
Speaker 3: She said, I want to meet I want I want to,

1913
01:43:38,800 --> 01:43:40,439
Speaker 3: I want to. She called me, she said, I want

1914
01:43:40,479 --> 01:43:41,680
Speaker 3: you to. I want to do something. I want you

1915
01:43:41,760 --> 01:43:44,439
Speaker 3: to meet somebody. And I was like, ma, I think

1916
01:43:44,479 --> 01:43:47,560
Speaker 3: she's going to ask me to meet Michael Jackson. I

1917
01:43:47,600 --> 01:43:52,040
Speaker 3: ain't that big man, like yo, you you look too much.

1918
01:43:53,960 --> 01:43:56,760
Speaker 3: And you know what she says, I want to meet

1919
01:43:56,840 --> 01:44:01,640
Speaker 3: big Punt And I go, is my brother, Like, I

1920
01:44:01,720 --> 01:44:06,360
Speaker 3: don't rush this at all. I'm like, my you you

1921
01:44:06,479 --> 01:44:08,840
Speaker 3: picked low hanging fruit. You know what I'm saying, Like,

1922
01:44:08,960 --> 01:44:13,559
Speaker 3: I got that meets you. Pun Pun dies two weeks later.

1923
01:44:15,240 --> 01:44:18,000
Speaker 3: And the only other thing that I regret in hip

1924
01:44:18,000 --> 01:44:21,840
Speaker 3: hop right now is I didn't give Big Granddaddy you

1925
01:44:21,960 --> 01:44:26,360
Speaker 3: his flowers. I gave him his flowers period, like he

1926
01:44:26,600 --> 01:44:30,400
Speaker 3: knows he's my favorite MC, like I feel when when

1927
01:44:30,439 --> 01:44:33,040
Speaker 3: he introduced himself, we say I'm glad that you he'd

1928
01:44:33,080 --> 01:44:35,640
Speaker 3: be like people like that. You nigga know what you

1929
01:44:35,760 --> 01:44:38,400
Speaker 3: be talking about because I always I always did that.

1930
01:44:38,520 --> 01:44:43,080
Speaker 3: But those are my two things that co, let's get back.

1931
01:44:43,920 --> 01:44:46,040
Speaker 1: We need to hear two influences for you.

1932
01:44:46,439 --> 01:44:49,439
Speaker 4: Okay, I ain't gonna stop it too. I'm gonna get three,

1933
01:44:49,600 --> 01:44:53,840
Speaker 4: give me three. First, I would start with Rock Kim.

1934
01:44:54,840 --> 01:44:57,439
Speaker 4: Rock Kim was like the He was the dude that

1935
01:44:57,560 --> 01:44:59,759
Speaker 4: made me be like, man, I want to be a rapper.

1936
01:45:00,240 --> 01:45:02,280
Speaker 4: I had already been rhyming and run them seeing all

1937
01:45:02,320 --> 01:45:05,120
Speaker 4: the l but rock him when I heard I had

1938
01:45:05,200 --> 01:45:08,800
Speaker 4: never heard nobody rap in they in their voice like in.

1939
01:45:08,840 --> 01:45:10,680
Speaker 1: That way that he was doing. Did you realize he

1940
01:45:10,720 --> 01:45:15,639
Speaker 1: didn't her which is DZ. Realize that I didn't hardcore?

1941
01:45:15,800 --> 01:45:18,800
Speaker 4: So hard core and what he was opening my mind up?

1942
01:45:18,840 --> 01:45:19,320
Speaker 1: And I didn't.

1943
01:45:19,439 --> 01:45:21,280
Speaker 4: I didn't even know some of the stuff he was saying,

1944
01:45:21,320 --> 01:45:24,360
Speaker 4: but it just resonated with myself. Rock him, kall Rest

1945
01:45:24,439 --> 01:45:30,640
Speaker 4: one one because this dude, like I was like, I

1946
01:45:30,720 --> 01:45:34,120
Speaker 4: hadn't even heard what vegetarian was to the point on

1947
01:45:34,240 --> 01:45:38,240
Speaker 4: for real, y'all vegan, but I ain't know what vegetarian

1948
01:45:38,439 --> 01:45:41,439
Speaker 4: was to Krest and them start talking about blah blah

1949
01:45:41,439 --> 01:45:43,719
Speaker 4: blah because like, you know, we're in Chicago, we eating

1950
01:45:44,640 --> 01:45:48,360
Speaker 4: but and man, then I got to say Big Daddy

1951
01:45:48,439 --> 01:45:51,519
Speaker 4: came because it was something about Caine. I loved the

1952
01:45:51,640 --> 01:45:54,360
Speaker 4: similes that he would kick, you know, like you know

1953
01:45:54,439 --> 01:45:56,400
Speaker 4: if you all would to eat and feed me dope

1954
01:45:56,400 --> 01:45:58,640
Speaker 4: and you know, like something he would say that. I

1955
01:45:58,840 --> 01:46:03,120
Speaker 4: was like these punchlines. Craig loved his great crazy. But

1956
01:46:03,280 --> 01:46:06,560
Speaker 4: the fourth who actually, like we talked about already, I

1957
01:46:06,600 --> 01:46:11,559
Speaker 4: gotta give Nas his because Nas was like and after

1958
01:46:11,760 --> 01:46:14,680
Speaker 4: those people that like with the foundation. Nas was the

1959
01:46:14,720 --> 01:46:18,880
Speaker 4: one that made me like my age. But I was like, oh,

1960
01:46:18,960 --> 01:46:20,800
Speaker 4: this is the level. You got a rhyme, man, you

1961
01:46:20,920 --> 01:46:22,040
Speaker 4: gotta be at this level.

1962
01:46:22,080 --> 01:46:23,679
Speaker 1: He raised the bar. Yeah, he raised the boss.

1963
01:46:23,760 --> 01:46:25,840
Speaker 6: So I got them them. I had to get four.

1964
01:46:26,280 --> 01:46:27,960
Speaker 1: Yeah, I'm a chief like you. I gotta throw knives

1965
01:46:28,000 --> 01:46:28,320
Speaker 1: in there to.

1966
01:46:29,880 --> 01:46:35,599
Speaker 7: Pro I'm gonna say, I'm gonna say James Brown, I'm

1967
01:46:35,600 --> 01:46:36,800
Speaker 7: gonna say Big Daddy came.

1968
01:46:36,880 --> 01:46:45,719
Speaker 1: I'm gonna say Molly Ma and Heavy d did Molly

1969
01:46:46,000 --> 01:46:47,120
Speaker 1: events sampling?

1970
01:46:48,200 --> 01:46:52,080
Speaker 6: Yeah, he sampled records like people.

1971
01:46:52,720 --> 01:46:56,840
Speaker 7: I mean, I guess and before Molly came out, people

1972
01:46:56,920 --> 01:46:59,880
Speaker 7: were sampling, but like it was done differently. But he

1973
01:47:00,120 --> 01:47:03,000
Speaker 7: brought a new procedure.

1974
01:47:02,720 --> 01:47:04,360
Speaker 8: The way that it was explained to us by some

1975
01:47:04,479 --> 01:47:06,960
Speaker 8: I forgot who told him that he he sampled in

1976
01:47:07,000 --> 01:47:08,839
Speaker 8: the in the way that it sounded like the original

1977
01:47:08,920 --> 01:47:10,920
Speaker 8: way that djits were looping brakes.

1978
01:47:11,280 --> 01:47:14,320
Speaker 1: He brought that now to the modern ages and.

1979
01:47:14,880 --> 01:47:17,479
Speaker 7: And did it with precision. Man, That's one of the

1980
01:47:17,600 --> 01:47:20,320
Speaker 7: things that I admired about his beast. Anytime, you know,

1981
01:47:20,840 --> 01:47:23,240
Speaker 7: I would be right there with my paws button with

1982
01:47:23,400 --> 01:47:27,360
Speaker 7: the radio, listening to mister Magic and listening and waiting

1983
01:47:27,439 --> 01:47:29,960
Speaker 7: for Molly saying, Yo, I got something No I did

1984
01:47:30,000 --> 01:47:33,400
Speaker 7: with Big Daddy, Can Dennis ain't no halfstan?

1985
01:47:34,680 --> 01:47:39,479
Speaker 6: God damn is the bridge? Is that a sound or

1986
01:47:39,600 --> 01:47:40,280
Speaker 6: is that a record?

1987
01:47:40,320 --> 01:47:41,240
Speaker 1: You think? I like that?

1988
01:47:42,840 --> 01:47:49,559
Speaker 7: That's that's this record called Scratching. It's an old school

1989
01:47:49,600 --> 01:47:53,200
Speaker 7: break beat. And he took the part and said wow

1990
01:47:53,640 --> 01:47:54,639
Speaker 7: and made it go backwards.

1991
01:48:00,240 --> 01:48:00,559
Speaker 1: Molly.

1992
01:48:01,760 --> 01:48:06,400
Speaker 6: I'm a fan just because of that little incident right there.

1993
01:48:08,520 --> 01:48:09,240
Speaker 1: I love hip.

1994
01:48:12,880 --> 01:48:15,639
Speaker 3: Bridges the ultimate Queen's record, and for him to put

1995
01:48:15,720 --> 01:48:17,960
Speaker 3: that sound in it. Whenever I hear that sound, I

1996
01:48:18,040 --> 01:48:20,120
Speaker 3: think about queens period.

1997
01:48:20,320 --> 01:48:21,040
Speaker 1: You know what's crazy.

1998
01:48:21,120 --> 01:48:23,960
Speaker 3: We just had Charlie Chase on here, and I asked,

1999
01:48:24,200 --> 01:48:28,479
Speaker 3: Charlie Chase. I was like, because if she says on

2000
01:48:28,520 --> 01:48:31,280
Speaker 3: the record, hip hop started out and fought.

2001
01:48:31,320 --> 01:48:34,599
Speaker 1: And I'm like, can it be a chance that sh

2002
01:48:35,000 --> 01:48:38,800
Speaker 1: just you know, she saw it. This was the park

2003
01:48:38,880 --> 01:48:53,040
Speaker 1: it started out basically I'm trying to I'm trying to

2004
01:48:53,120 --> 01:48:53,639
Speaker 1: say ship.

2005
01:48:56,520 --> 01:49:00,280
Speaker 7: Yeah, Like I always felt like between the brig just

2006
01:49:00,400 --> 01:49:04,080
Speaker 7: over and the bridge, I thought they were both gigantic

2007
01:49:04,320 --> 01:49:08,040
Speaker 7: records with all this of kars one, you know, doing that,

2008
01:49:08,560 --> 01:49:14,800
Speaker 7: and but but that bridge joint stabbed. Y'all, y'all should

2009
01:49:14,840 --> 01:49:15,680
Speaker 7: thank Mary for that.

2010
01:49:16,320 --> 01:49:21,559
Speaker 1: Think and you don't forget neither. We don't forget this thing. Okay,

2011
01:49:21,600 --> 01:49:24,880
Speaker 1: hold on, we're gonna get back to quickly. You gotta

2012
01:49:24,920 --> 01:49:28,040
Speaker 1: play them wise up. Oh yeah, we're gonna play them,

2013
01:49:28,080 --> 01:49:32,000
Speaker 1: of course. Yeah, I'm gonna ask you, and I'm going

2014
01:49:32,080 --> 01:49:34,120
Speaker 1: to ask you. This is both for y'all questions, because

2015
01:49:34,240 --> 01:49:39,639
Speaker 1: y'all represent the light skintting delegation in the Brown. Let's

2016
01:49:39,680 --> 01:49:43,520
Speaker 1: see what's going on here, Kenjick Lamar.

2017
01:49:43,479 --> 01:49:47,040
Speaker 4: Or Drake Man, I'm gonna I'm gonna is he talking

2018
01:49:47,040 --> 01:49:50,400
Speaker 4: about the battle or just over whatever you want?

2019
01:49:50,800 --> 01:49:53,680
Speaker 6: I mean, Kendrick Lamar is more to to to what

2020
01:49:54,600 --> 01:49:58,120
Speaker 6: I love is just in the MC. So I'm gonna

2021
01:49:58,479 --> 01:49:59,040
Speaker 6: I'm gonna go with.

2022
01:49:59,120 --> 01:50:03,080
Speaker 4: Kenchick by doing a say and this ain't politically correct

2023
01:50:03,160 --> 01:50:06,000
Speaker 4: For me to be honest, I feel like at times

2024
01:50:06,040 --> 01:50:08,920
Speaker 4: when Drake rhyman, like I heard this eight Am and Charlotte,

2025
01:50:08,920 --> 01:50:11,160
Speaker 4: and I was like, still rhyme when he get over

2026
01:50:11,280 --> 01:50:13,479
Speaker 4: like he was he was over a certain beasts, And

2027
01:50:14,000 --> 01:50:16,400
Speaker 4: I'm like, when he choose to rhyme, he could rhyme.

2028
01:50:16,800 --> 01:50:20,599
Speaker 4: But Kendrick Lamar is an MC that I will put

2029
01:50:21,680 --> 01:50:23,040
Speaker 4: Like I said, it's one of the top of the

2030
01:50:23,160 --> 01:50:24,240
Speaker 4: seasons any era.

2031
01:50:24,880 --> 01:50:28,400
Speaker 6: Like if I put him in in eighties, he would

2032
01:50:28,439 --> 01:50:29,200
Speaker 6: be one of the greatest.

2033
01:50:29,240 --> 01:50:30,800
Speaker 4: If I put him in nineties, he'd be one of

2034
01:50:30,800 --> 01:50:32,479
Speaker 4: the greatest, if I put him in this to me,

2035
01:50:32,680 --> 01:50:39,240
Speaker 4: he possesses that type of aura and lyrical like your

2036
01:50:39,320 --> 01:50:42,400
Speaker 4: skill this point blank like style. I like when people

2037
01:50:42,439 --> 01:50:44,760
Speaker 4: can go to different styles too. That ain't that ain't

2038
01:50:44,800 --> 01:50:47,439
Speaker 4: always easy? Like to me, that's when you are you

2039
01:50:47,600 --> 01:50:50,439
Speaker 4: being practice. You got lyrics, but then you also a

2040
01:50:50,600 --> 01:50:54,320
Speaker 4: musician too, because like certain people and I gotta I

2041
01:50:54,400 --> 01:50:57,000
Speaker 4: got a theory that I don't know how true it is,

2042
01:50:57,120 --> 01:51:00,280
Speaker 4: but I believe that a lot of producers rhyme better

2043
01:51:00,360 --> 01:51:06,040
Speaker 4: the beats than some mcs. They just rhythmically when I

2044
01:51:06,160 --> 01:51:09,160
Speaker 4: hit pee, when I hit pee on certain stuff. I'm like,

2045
01:51:09,680 --> 01:51:10,160
Speaker 4: I say his.

2046
01:51:10,320 --> 01:51:12,840
Speaker 1: Rap more than I do. I heard him a new project.

2047
01:51:14,320 --> 01:51:17,320
Speaker 4: He's crazy with. But then like I'm saying, like large

2048
01:51:17,360 --> 01:51:23,040
Speaker 4: pro tip Q tip for hey, Like I've been on

2049
01:51:23,160 --> 01:51:26,720
Speaker 4: songs with producers and I'm like, I like you, yeah,

2050
01:51:26,880 --> 01:51:30,840
Speaker 4: is incredible man. And the thing is like I can

2051
01:51:30,920 --> 01:51:34,840
Speaker 4: be giving all my MC ship, but it's somebody like Yay,

2052
01:51:34,920 --> 01:51:36,840
Speaker 4: I'm on the song with him and the crowd gonna

2053
01:51:36,840 --> 01:51:39,680
Speaker 4: say all his lyrics because they just producers know how

2054
01:51:39,720 --> 01:51:40,400
Speaker 4: to Yeah, they.

2055
01:51:42,520 --> 01:51:44,439
Speaker 6: They just and not over wrap ship.

2056
01:51:44,760 --> 01:51:48,080
Speaker 7: Sometimes that comes from making practice, you know, you know,

2057
01:51:48,240 --> 01:51:51,080
Speaker 7: making beats all the time and working with artists that.

2058
01:51:51,720 --> 01:51:54,400
Speaker 1: But you got to answer this question, like what what

2059
01:51:55,520 --> 01:51:57,840
Speaker 1: you get away from? Okay?

2060
01:51:57,880 --> 01:51:59,720
Speaker 6: But you know when I'm making beats, I'm trying to

2061
01:51:59,800 --> 01:52:00,519
Speaker 6: rap like them.

2062
01:52:00,640 --> 01:52:03,519
Speaker 1: You know what I'm saying. I'm like to myself and I'm.

2063
01:52:03,400 --> 01:52:07,360
Speaker 7: Like, but Drake O kidmar you know, i'mna roll with

2064
01:52:07,400 --> 01:52:10,680
Speaker 7: the Gemini even though I love Drake. I'm gonna roll

2065
01:52:10,760 --> 01:52:14,280
Speaker 7: with Kendrick Team Kendrick all day and I'm on the

2066
01:52:14,360 --> 01:52:15,520
Speaker 7: pimple butterfly.

2067
01:52:15,760 --> 01:52:18,519
Speaker 3: Let me, let me, let me ask you, and this

2068
01:52:18,640 --> 01:52:27,000
Speaker 3: is off topic. Got one beat to make mm, God

2069
01:52:27,120 --> 01:52:36,720
Speaker 3: comes to you and say you're gonna live forever. Got

2070
01:52:36,920 --> 01:52:42,640
Speaker 3: one beat left to make? Wow, Yeah, this is the

2071
01:52:43,360 --> 01:52:44,840
Speaker 3: I ain't gonna. I'm gonna take a shot for you

2072
01:52:45,840 --> 01:52:48,240
Speaker 3: because I feel the wrong accident.

2073
01:52:52,360 --> 01:52:57,479
Speaker 1: One beat. Got a hip hop man, definitely, he's.

2074
01:52:57,320 --> 01:52:59,240
Speaker 3: A definitely hip hop but you got one and they're

2075
01:52:59,280 --> 01:53:02,280
Speaker 3: like he like pe you You're gonna live forever, but

2076
01:53:02,400 --> 01:53:03,800
Speaker 3: you got one beat to make.

2077
01:53:05,200 --> 01:53:08,560
Speaker 1: But it's on you to give it to who do

2078
01:53:08,640 --> 01:53:10,320
Speaker 1: you give you the last peat?

2079
01:53:12,040 --> 01:53:13,080
Speaker 4: That this is?

2080
01:53:13,200 --> 01:53:13,400
Speaker 3: This is.

2081
01:53:16,280 --> 01:53:22,280
Speaker 1: Let me take a shot, one last let me let

2082
01:53:22,320 --> 01:53:23,720
Speaker 1: me make it easier for you. Let me make it

2083
01:53:23,800 --> 01:53:26,439
Speaker 1: easier for you, dead or alive.

2084
01:53:27,640 --> 01:53:28,439
Speaker 8: You can.

2085
01:53:28,600 --> 01:53:32,160
Speaker 1: You could bring James Bound back. I'm gonna bring Biggie back.

2086
01:53:32,439 --> 01:53:34,160
Speaker 1: I knew you was gonna say that. I becave it.

2087
01:53:34,280 --> 01:53:36,439
Speaker 1: I made it too easy for you. I've made it

2088
01:53:36,560 --> 01:53:36,920
Speaker 1: too easy.

2089
01:53:37,000 --> 01:53:38,040
Speaker 6: I'm gonna bring you will be back.

2090
01:53:38,080 --> 01:53:41,280
Speaker 1: You know your last beat, if you could ever make it,

2091
01:53:41,360 --> 01:53:43,280
Speaker 1: would be for Biggie. Damn. I'm taking a shot because

2092
01:53:43,280 --> 01:53:45,920
Speaker 1: I was going to say, got a question from okay,

2093
01:53:47,560 --> 01:53:47,800
Speaker 1: if you.

2094
01:53:48,280 --> 01:53:56,280
Speaker 4: You the third host the drink, I'm gonna I'm gonna

2095
01:53:56,280 --> 01:53:59,679
Speaker 4: have to remove him in this because Okay, you probably

2096
01:54:00,960 --> 01:54:02,519
Speaker 4: if it's a beat that you would be.

2097
01:54:03,600 --> 01:54:04,479
Speaker 6: I'm bouncing off with you.

2098
01:54:04,800 --> 01:54:08,000
Speaker 4: Let's go the beat that you They said, this beat

2099
01:54:08,120 --> 01:54:11,680
Speaker 4: defined Pete rock and the beat that you will want

2100
01:54:11,720 --> 01:54:12,479
Speaker 4: to be remembered.

2101
01:54:12,760 --> 01:54:14,679
Speaker 6: My fine, it tells your.

2102
01:54:15,120 --> 01:54:15,680
Speaker 1: Who you are.

2103
01:54:16,800 --> 01:54:19,920
Speaker 3: Remove reminis, I gotta remove remember because I knew you was.

2104
01:54:20,160 --> 01:54:24,640
Speaker 1: The world is your damn. That's easy to you know.

2105
01:54:24,760 --> 01:54:31,040
Speaker 1: We gotta get it up. I got it on you. You.

2106
01:54:32,360 --> 01:54:39,720
Speaker 1: God comes to you and says, coming, we know you

2107
01:54:39,840 --> 01:54:40,920
Speaker 1: a lyric who genius.

2108
01:54:41,120 --> 01:54:49,240
Speaker 3: You want to fight with everybody, But the first left

2109
01:54:50,640 --> 01:54:54,480
Speaker 3: one worse. Not that people remember you by, but it

2110
01:54:54,640 --> 01:55:01,160
Speaker 3: just literally one worse. What artists would that be?

2111
01:55:01,280 --> 01:55:03,680
Speaker 6: What if I could do a verse?

2112
01:55:04,360 --> 01:55:06,240
Speaker 1: Have to pick one feature? And by the way, again

2113
01:55:08,360 --> 01:55:11,440
Speaker 1: helped him out that all lots too easy. It's too easy. Okay,

2114
01:55:13,120 --> 01:55:13,800
Speaker 1: I got a trick for.

2115
01:55:13,840 --> 01:55:19,600
Speaker 4: Your I got respectful pot. But I'm gonna go with

2116
01:55:19,760 --> 01:55:28,040
Speaker 4: nas Man is probably my favorite. See, I ain't even go,

2117
01:55:28,240 --> 01:55:29,680
Speaker 4: I ain't gotta New York.

2118
01:55:30,320 --> 01:55:32,600
Speaker 1: That's fire, you know. That's why I like that.

2119
01:55:32,800 --> 01:55:35,080
Speaker 6: If we removed, that's I'm gonna say.

2120
01:55:35,440 --> 01:55:37,720
Speaker 1: I'm gonna say, y'all need to do a joint album together.

2121
01:55:37,800 --> 01:55:47,040
Speaker 1: You and I people let me produce that we want

2122
01:55:47,080 --> 01:55:51,000
Speaker 1: to publishing. It's a little like we don't want to

2123
01:55:52,160 --> 01:55:55,800
Speaker 1: that other way in New York. If I'm not yeah,

2124
01:55:56,640 --> 01:56:00,160
Speaker 1: that would be a mean yo yo.

2125
01:56:00,920 --> 01:56:03,800
Speaker 4: Getting them beats from Pete, I'm like, yo, he said something,

2126
01:56:04,360 --> 01:56:07,080
Speaker 4: we're gonna play all this joint wise Yes, we play

2127
01:56:07,200 --> 01:56:11,440
Speaker 4: these beasts like they sound frash like. I'm like, yo, Pete,

2128
01:56:11,440 --> 01:56:14,480
Speaker 4: it's Thomas. But he it was one beat that we did.

2129
01:56:14,720 --> 01:56:16,640
Speaker 4: It's one of the first joints were released and called

2130
01:56:16,720 --> 01:56:19,040
Speaker 4: Wise Up and we're speaking of the bridge anyway.

2131
01:56:20,000 --> 01:56:22,280
Speaker 6: He was like, man, this is a New York beat.

2132
01:56:22,320 --> 01:56:23,440
Speaker 6: It's just a New York beat.

2133
01:56:23,640 --> 01:56:26,840
Speaker 4: And I couldn't help but think about, like y'all damn

2134
01:56:26,960 --> 01:56:30,200
Speaker 4: a Chicago MC over New York leak. It kind of

2135
01:56:30,280 --> 01:56:32,680
Speaker 4: took me to like what Q deal with with with

2136
01:56:32,800 --> 01:56:35,760
Speaker 4: the Bomb Squad. But but it don't sound like I

2137
01:56:36,560 --> 01:56:36,960
Speaker 4: can get that.

2138
01:56:37,520 --> 01:56:38,200
Speaker 1: You know what I'm saying.

2139
01:56:38,320 --> 01:56:41,240
Speaker 4: I'm gonna get my perspective of Chicago, but it's over

2140
01:56:41,360 --> 01:56:44,920
Speaker 4: these New York, New York sound and soulful just beats

2141
01:56:45,000 --> 01:56:45,360
Speaker 4: hip hop.

2142
01:56:45,520 --> 01:56:47,640
Speaker 8: Listen to the joints I heard off the project than

2143
01:56:48,040 --> 01:56:51,120
Speaker 8: the rival everything that you guys did hear the classic materials?

2144
01:56:51,200 --> 01:56:51,360
Speaker 1: Wow?

2145
01:56:51,760 --> 01:56:52,200
Speaker 8: Like it's not.

2146
01:56:52,840 --> 01:56:59,200
Speaker 1: I'm not just bullshitting you. It is phenomenal. You don't

2147
01:56:59,200 --> 01:57:04,160
Speaker 1: listen to the new Figgas he is man, you got

2148
01:57:04,840 --> 01:57:08,040
Speaker 1: you guys do everything with the project we we.

2149
01:57:10,640 --> 01:57:14,080
Speaker 4: I'm like, yo, this project like is what I've been

2150
01:57:14,120 --> 01:57:15,800
Speaker 4: wanting to be on Drink Champs.

2151
01:57:15,920 --> 01:57:18,080
Speaker 6: But like I'm happy to come on.

2152
01:57:18,200 --> 01:57:20,480
Speaker 1: Drink Champs with a project like this. This is fine.

2153
01:57:20,920 --> 01:57:24,080
Speaker 1: Like this I was supposed to. Did they hear you know?

2154
01:57:24,240 --> 01:57:25,880
Speaker 1: You got you gotta hear I got you in the round.

2155
01:57:27,240 --> 01:57:30,120
Speaker 3: I want to be in the video video that come

2156
01:57:30,160 --> 01:57:33,560
Speaker 3: on around on your film. In the video I might

2157
01:57:33,600 --> 01:57:48,280
Speaker 3: pay for. It's a Kareem shooting. That's my man, him,

2158
01:57:48,720 --> 01:57:50,080
Speaker 3: Kareem and Draine.

2159
01:57:50,520 --> 01:57:57,920
Speaker 1: He's a dress respect give it up. No, you don't

2160
01:57:57,960 --> 01:58:03,000
Speaker 1: know where you're clapping, were going, but the work So

2161
01:58:03,280 --> 01:58:06,240
Speaker 1: this is all is all all all? What is it called?

2162
01:58:06,400 --> 01:58:09,840
Speaker 1: This is United Nations staff. Yes, but the haters of

2163
01:58:09,920 --> 01:58:14,760
Speaker 1: the NIXT say, yeah, you't know wy you was claiming

2164
01:58:14,800 --> 01:58:17,800
Speaker 1: you don't know what you said. But that's my family.

2165
01:58:17,840 --> 01:58:21,040
Speaker 1: That's what I said. And it's oh yeah we we we.

2166
01:58:21,720 --> 01:58:27,840
Speaker 4: Oh yeah yeah, yeah, yes, I got love for y'all

2167
01:58:27,880 --> 01:58:30,240
Speaker 4: Knicks fans. Yes, you're not only going but so fun.

2168
01:58:40,680 --> 01:58:58,320
Speaker 1: You know. Next, take this by the way, let me

2169
01:58:58,440 --> 01:59:02,040
Speaker 1: tell you what makes coming found. Literally the next seat

2170
01:59:02,080 --> 01:59:08,000
Speaker 1: across the seat. Man, literally, this is in the house.

2171
01:59:08,240 --> 01:59:18,920
Speaker 1: My got me coming, And he says, I like the truth,

2172
01:59:20,520 --> 01:59:22,160
Speaker 1: but I like to prove people wrong.

2173
01:59:25,000 --> 01:59:30,600
Speaker 3: For y'allah, I got got, we got it's for you too.

2174
01:59:32,000 --> 01:59:35,040
Speaker 1: I'm gut trying to get some.

2175
01:59:37,920 --> 01:59:43,720
Speaker 3: Smoking Aces or John Wick three oh, for both of us.

2176
01:59:44,280 --> 01:59:45,840
Speaker 3: This nigga movie.

2177
01:59:45,880 --> 01:59:53,680
Speaker 6: Okay, man, I'm a chance. Smoking Aces was hard?

2178
01:59:54,400 --> 01:59:55,840
Speaker 1: Man, that was hard.

2179
01:59:55,920 --> 01:59:57,360
Speaker 4: What the reason why I got to give it up

2180
01:59:57,400 --> 01:59:59,960
Speaker 4: for Smoking Aces? Because that was my first movie.

2181
02:00:00,520 --> 02:00:03,120
Speaker 1: So that was your first movie? You shot already gold?

2182
02:00:03,120 --> 02:00:07,800
Speaker 1: Because that's already gold? Yeah, you know yo?

2183
02:00:08,120 --> 02:00:10,160
Speaker 4: And and that was like that was the first time

2184
02:00:10,240 --> 02:00:12,480
Speaker 4: I you know, I mean, I've been auditioning for a lot,

2185
02:00:12,640 --> 02:00:15,080
Speaker 4: a lot I've been doing first movie.

2186
02:00:15,160 --> 02:00:17,320
Speaker 6: Man, thank you, bro.

2187
02:00:17,920 --> 02:00:21,080
Speaker 7: That was your first American gangster was though. But the

2188
02:00:21,200 --> 02:00:23,240
Speaker 7: only reaction you did was run when.

2189
02:00:23,160 --> 02:00:27,160
Speaker 1: The igot that part.

2190
02:00:30,360 --> 02:00:32,680
Speaker 4: Was like, yeah, man, I got I gotta go with

2191
02:00:32,720 --> 02:00:36,320
Speaker 4: smoking today. Let me tell you that was my first movie.

2192
02:00:36,400 --> 02:00:37,960
Speaker 4: It was the first time I got a call back

2193
02:00:38,040 --> 02:00:42,960
Speaker 4: Right before I got that audition, I went on another audition.

2194
02:00:43,080 --> 02:00:46,000
Speaker 4: They told me they told my agent man he green Man,

2195
02:00:46,040 --> 02:00:48,720
Speaker 4: and he he ain't ready. I was, I'm about to

2196
02:00:48,760 --> 02:00:51,600
Speaker 4: show them boys what it is. I got that call back.

2197
02:00:52,080 --> 02:00:54,640
Speaker 4: I remember flying for I was I was doing some music.

2198
02:00:54,720 --> 02:00:57,640
Speaker 4: I was performing in China. Came back, did the audition,

2199
02:00:57,840 --> 02:01:00,240
Speaker 4: got the role. I was about to be on tour

2200
02:01:00,280 --> 02:01:04,920
Speaker 4: with Kanye and Keisha Cole and I got the call like, man, Yo,

2201
02:01:05,040 --> 02:01:07,680
Speaker 4: We're giving you the movie. And I'm like wow, And

2202
02:01:08,080 --> 02:01:10,640
Speaker 4: then I had to go. I was geeked up, like

2203
02:01:10,720 --> 02:01:13,680
Speaker 4: I'm literally calling my mama, like, man, I'm in the movie.

2204
02:01:14,800 --> 02:01:17,240
Speaker 4: And I had to go five minutes later and I

2205
02:01:17,280 --> 02:01:19,080
Speaker 4: ain't gonna lie. I was tearing up because I was like,

2206
02:01:19,200 --> 02:01:21,560
Speaker 4: this was a I've been working on acting for all time,

2207
02:01:21,600 --> 02:01:24,040
Speaker 4: since my first time. I had to go to the

2208
02:01:24,200 --> 02:01:27,240
Speaker 4: next room. Kanye was standing in the hotel room next

2209
02:01:27,480 --> 02:01:29,600
Speaker 4: tell him I can't go on tour with him, and

2210
02:01:30,280 --> 02:01:32,280
Speaker 4: he was like, and I had already, we had already

2211
02:01:32,320 --> 02:01:35,480
Speaker 4: booked the tour. And he was like, and this one

2212
02:01:35,520 --> 02:01:37,000
Speaker 4: I knew he was my brother. He was like, Yo,

2213
02:01:37,080 --> 02:01:38,920
Speaker 4: if that's your dream, man, you gotta do it.

2214
02:01:39,400 --> 02:01:40,040
Speaker 1: You gotta do it.

2215
02:01:40,160 --> 02:01:42,800
Speaker 4: That's your dream. And I and I went did that

2216
02:01:42,920 --> 02:01:46,720
Speaker 4: some smoking naces man. That ship had Toagie had Alicia,

2217
02:01:47,560 --> 02:01:54,080
Speaker 4: they had Ryan rayleyda good Fellas Man. It had Justin

2218
02:01:54,160 --> 02:01:58,600
Speaker 4: Bateman from Ark. They had Chris prying to play fucking

2219
02:01:59,480 --> 02:02:03,880
Speaker 4: star track beg Yo, just before casts even became who

2220
02:02:03,920 --> 02:02:04,160
Speaker 4: they were.

2221
02:02:04,240 --> 02:02:05,600
Speaker 3: Just why I thought this had to be like your

2222
02:02:05,640 --> 02:02:08,320
Speaker 3: seventh movie, like you killed it, killed it so much

2223
02:02:08,960 --> 02:02:10,360
Speaker 3: when you just said that, just now, you fucking me

2224
02:02:10,440 --> 02:02:11,920
Speaker 3: up because I'm trying to think and.

2225
02:02:12,560 --> 02:02:14,200
Speaker 4: The first that was your first but limit that the

2226
02:02:14,280 --> 02:02:16,760
Speaker 4: only the only underlining that gym. I'm gonna say too.

2227
02:02:16,840 --> 02:02:20,320
Speaker 4: That was like the producer, I mean the director right,

2228
02:02:20,400 --> 02:02:23,160
Speaker 4: a director. He was playing Jay Diller on the set

2229
02:02:23,400 --> 02:02:26,760
Speaker 4: Wow at the time. Jay Diller was my roommate, and

2230
02:02:26,920 --> 02:02:29,240
Speaker 4: we was like he was going through a lot, like

2231
02:02:30,400 --> 02:02:35,520
Speaker 4: like healthwise, and man, he didn't know I knew Jay Diller.

2232
02:02:35,600 --> 02:02:38,360
Speaker 4: He know Jay Deler was my roommate. He just was

2233
02:02:38,440 --> 02:02:41,640
Speaker 4: playing deal on the set, playing and I was like, yo,

2234
02:02:41,720 --> 02:02:43,720
Speaker 4: I'm you know how certain things happened you like I'm

2235
02:02:43,720 --> 02:02:46,400
Speaker 4: in the right place. That's how I felt about smoking as.

2236
02:02:46,520 --> 02:02:49,880
Speaker 4: That's why would be that even though more niggas come

2237
02:02:49,920 --> 02:02:53,600
Speaker 4: to me about John Wick then then smoking asking as.

2238
02:02:58,640 --> 02:03:01,560
Speaker 1: It was dope to my favorite piece right here. Oh yeah,

2239
02:03:02,360 --> 02:03:06,120
Speaker 1: Guru or Big L, I'll go to you first.

2240
02:03:07,440 --> 02:03:08,880
Speaker 6: These are some funked up questions.

2241
02:03:11,000 --> 02:03:16,560
Speaker 4: I agree, I meant guy, rest in peace to both,

2242
02:03:17,520 --> 02:03:20,480
Speaker 4: but I ain't go front Guru. Maybe for me Guru

2243
02:03:20,840 --> 02:03:24,640
Speaker 4: just because I don't know he would get on these

2244
02:03:24,720 --> 02:03:28,520
Speaker 4: different topics ex. Girl the next girl, like street ministry.

2245
02:03:29,200 --> 02:03:31,400
Speaker 4: These are the words that are manifested. It was like

2246
02:03:31,480 --> 02:03:34,240
Speaker 4: a lot of different like thoughts in his stuff. And

2247
02:03:34,280 --> 02:03:38,560
Speaker 4: his voice was phenomenal, and you know, point blank we

2248
02:03:39,000 --> 02:03:42,160
Speaker 4: we we MC's benefit off the fact that we on

2249
02:03:42,360 --> 02:03:45,080
Speaker 4: dope beats like you know that just make you like

2250
02:03:46,160 --> 02:03:48,320
Speaker 4: we always know them about the voice like so he

2251
02:03:48,480 --> 02:03:50,840
Speaker 4: had the song on the voices, the voice mostly the voice.

2252
02:03:50,880 --> 02:03:54,120
Speaker 4: That's yeah, the voice and yoh. So I'm gonna go

2253
02:03:54,160 --> 02:03:56,320
Speaker 4: with Guru, but rest in peace to both of them.

2254
02:03:56,720 --> 02:03:59,760
Speaker 4: Big was the cold incredible.

2255
02:03:59,600 --> 02:04:05,800
Speaker 6: Super I'm gonna say both on that one because.

2256
02:04:05,680 --> 02:04:07,720
Speaker 4: You know, you know I worked with I'm gonna take

2257
02:04:07,760 --> 02:04:16,120
Speaker 4: it take a one both.

2258
02:04:12,680 --> 02:04:13,200
Speaker 1: Of the Big L.

2259
02:04:13,360 --> 02:04:16,400
Speaker 7: Yes, I worked with both, and you know Big L

2260
02:04:16,640 --> 02:04:19,400
Speaker 7: was like I went, I remember going to pick up.

2261
02:04:19,480 --> 02:04:22,720
Speaker 7: I had just bought a Honda Court brand new. This

2262
02:04:22,920 --> 02:04:25,800
Speaker 7: is early in my career, like I just was starting

2263
02:04:25,880 --> 02:04:28,840
Speaker 7: to get my bones, and so I went and picked

2264
02:04:28,880 --> 02:04:29,720
Speaker 7: him up in Harlem.

2265
02:04:30,680 --> 02:04:34,280
Speaker 6: I had two cassettes of beats right from our journey.

2266
02:04:34,960 --> 02:04:38,240
Speaker 7: When I put the tape in, he started to rhyme

2267
02:04:39,440 --> 02:04:42,680
Speaker 7: and never stopped until we came to the last stop.

2268
02:04:42,960 --> 02:04:46,600
Speaker 7: Wherever we were, we went, he went off. We drove

2269
02:04:46,680 --> 02:04:49,160
Speaker 7: to Brooklyn, we drove to Harlem, we drove to Mount Arning.

2270
02:04:50,360 --> 02:04:53,040
Speaker 7: He just wrapped the whole time. I lied to y'all nine,

2271
02:04:54,440 --> 02:04:57,800
Speaker 7: he's big. Yes, I'm playing beats. I got beats from

2272
02:04:57,800 --> 02:05:00,520
Speaker 7: Pete Rock. I got beat because that's.

2273
02:05:00,760 --> 02:05:03,360
Speaker 1: Full of I want to know what colored car was?

2274
02:05:04,040 --> 02:05:06,600
Speaker 1: Black black. I can see this. I can see it

2275
02:05:06,880 --> 02:05:12,360
Speaker 1: in there to car right there was hell and hip

2276
02:05:12,400 --> 02:05:15,120
Speaker 1: hop rims on the.

2277
02:05:17,160 --> 02:05:17,360
Speaker 4: Man.

2278
02:05:18,680 --> 02:05:20,880
Speaker 1: That's why that's why he did the drive with me,

2279
02:05:20,960 --> 02:05:22,440
Speaker 1: because I had the system. Was crazy.

2280
02:05:22,520 --> 02:05:30,200
Speaker 9: Man, you got social media back then, yea, that footage

2281
02:05:30,280 --> 02:05:30,840
Speaker 9: that's crazy.

2282
02:05:32,680 --> 02:05:35,720
Speaker 4: Release joints like the rhymes that probably never came out,

2283
02:05:35,880 --> 02:05:36,680
Speaker 4: just like a m J.

2284
02:05:36,880 --> 02:05:39,800
Speaker 7: When we were practicing DJing in my basement, like it's

2285
02:05:39,960 --> 02:05:44,600
Speaker 7: on tape and I lost it lost, I lost the

2286
02:05:44,720 --> 02:05:46,280
Speaker 7: videotape or somebody stole it.

2287
02:05:46,400 --> 02:05:49,320
Speaker 3: You know what I'm saying. Somebody stole up. He got that,

2288
02:05:49,720 --> 02:05:51,160
Speaker 3: somebody got you want this one too.

2289
02:05:51,560 --> 02:05:53,240
Speaker 1: I feel like I feel like we kind of well,

2290
02:05:53,320 --> 02:05:55,920
Speaker 1: no this, we'll do it together. Okay. I don't know

2291
02:05:56,000 --> 02:05:57,080
Speaker 1: how together this worked?

2292
02:06:00,240 --> 02:06:08,000
Speaker 3: Him or Caress one. Yeah, y'all went to the hardest one.

2293
02:06:08,360 --> 02:06:11,520
Speaker 1: That's that's that's what you see. I'm sitting I'm trying to.

2294
02:06:14,640 --> 02:06:21,440
Speaker 6: Man, Damn, It's like, come on, man, y'all, y'all see,

2295
02:06:21,480 --> 02:06:21,760
Speaker 6: I ain't.

2296
02:06:21,800 --> 02:06:23,480
Speaker 1: I ain't said both on neither. I ain't.

2297
02:06:24,320 --> 02:06:27,920
Speaker 6: I mean, I'm like you picking, you're trying to pick, trying.

2298
02:06:27,760 --> 02:06:32,440
Speaker 7: To picking already in your soul, bro like him and

2299
02:06:32,600 --> 02:06:33,320
Speaker 7: and and them.

2300
02:06:33,240 --> 02:06:34,120
Speaker 6: Two dudes is in you?

2301
02:06:34,440 --> 02:06:36,320
Speaker 1: And man?

2302
02:06:36,560 --> 02:06:41,440
Speaker 4: Fuck man, I'm gonna say, I'm going with Charres one,

2303
02:06:41,520 --> 02:06:46,600
Speaker 4: man going Cares one, and I'm just and and I'm

2304
02:06:46,640 --> 02:06:52,200
Speaker 4: going with Karres because it's like I grew up going

2305
02:06:52,240 --> 02:06:53,920
Speaker 4: to going to a church.

2306
02:06:54,200 --> 02:06:54,360
Speaker 1: Right.

2307
02:06:55,000 --> 02:06:59,520
Speaker 4: It was unapologetically black, understandingly Christians, black churches of the church.

2308
02:06:59,800 --> 02:07:01,720
Speaker 6: It was called Trinity United Church of Christ.

2309
02:07:05,400 --> 02:07:06,240
Speaker 1: That was like the model.

2310
02:07:06,280 --> 02:07:07,920
Speaker 6: That's what we saw when we walked into it.

2311
02:07:09,960 --> 02:07:13,120
Speaker 4: Trinity unapologetically black.

2312
02:07:18,360 --> 02:07:21,200
Speaker 1: Don't follow the instagram. He let me down the old

2313
02:07:21,240 --> 02:07:27,480
Speaker 1: techne I look at the Instagram. I'm on church Sunday.

2314
02:07:27,520 --> 02:07:31,080
Speaker 1: I'm like nigga. You was you was the Dominican, Dominican,

2315
02:07:31,560 --> 02:07:34,880
Speaker 1: the whitest of the whitest church. But I only I

2316
02:07:34,920 --> 02:07:36,200
Speaker 1: only brought it up. I only brought it.

2317
02:07:38,680 --> 02:07:42,920
Speaker 4: But I only brought that up because care rest like,

2318
02:07:43,400 --> 02:07:45,800
Speaker 4: and why is that I learned? I learned books of

2319
02:07:45,880 --> 02:07:49,879
Speaker 4: the Bible from him, like or just the descendancy of Abraham.

2320
02:07:49,960 --> 02:07:53,880
Speaker 4: Abraham was the father of Isaac. Isaac was the father

2321
02:07:54,080 --> 02:07:57,600
Speaker 4: of Jacob. Jacob at twelve sons and for real, these

2322
02:07:57,680 --> 02:07:59,760
Speaker 4: were the children of Israel.

2323
02:08:00,200 --> 02:08:02,000
Speaker 1: Like all of it wasn't even rhyming.

2324
02:08:02,040 --> 02:08:05,080
Speaker 4: But I was singing that ship learning it and this

2325
02:08:05,480 --> 02:08:10,520
Speaker 4: was dope like, and you know, y'all got me right there,

2326
02:08:10,560 --> 02:08:12,840
Speaker 4: because them two are really let me say, rock him

2327
02:08:13,000 --> 02:08:16,320
Speaker 4: is the reason I'm rhyming too, like, but it's the

2328
02:08:16,360 --> 02:08:17,960
Speaker 4: only sick.

2329
02:08:19,560 --> 02:08:21,240
Speaker 1: Shot would take you. I'm gonna take a shot.

2330
02:08:21,280 --> 02:08:25,200
Speaker 7: I'm gonna I'm be you said both say that, both

2331
02:08:25,240 --> 02:08:28,280
Speaker 7: of them put a stronghold on New York City all

2332
02:08:28,360 --> 02:08:31,480
Speaker 7: together because taking shots, you have two different styles right

2333
02:08:32,240 --> 02:08:33,120
Speaker 7: shot shot.

2334
02:08:33,160 --> 02:08:34,040
Speaker 6: I'm taking shots on that.

2335
02:08:34,160 --> 02:08:37,520
Speaker 7: Let me let me yeah, two different yes, yes, rock

2336
02:08:37,680 --> 02:08:42,080
Speaker 7: Him with the painting full drug dealer ship, you know,

2337
02:08:42,480 --> 02:08:46,680
Speaker 7: fucking you know, just the New York dark streets and

2338
02:08:47,720 --> 02:08:49,440
Speaker 7: those rhymes was just so sick.

2339
02:08:49,560 --> 02:08:50,280
Speaker 1: And then you know.

2340
02:08:52,000 --> 02:08:55,160
Speaker 7: With KRS, it's just like rah rah, Like I went

2341
02:08:55,240 --> 02:09:00,800
Speaker 7: to a show at Union Square where Brooklyn went nut.

2342
02:09:01,480 --> 02:09:02,000
Speaker 1: He's like you.

2343
02:09:06,080 --> 02:09:08,200
Speaker 6: And the Bronx go at it in Union.

2344
02:09:10,160 --> 02:09:14,160
Speaker 3: Stay in unr Square. Yes, niggas throwing chess and bottles,

2345
02:09:14,680 --> 02:09:16,520
Speaker 3: you know what I'm saying. Like it was real like

2346
02:09:16,960 --> 02:09:22,080
Speaker 3: So that's that's that's New York style. That's New York style.

2347
02:09:22,360 --> 02:09:24,080
Speaker 3: So I can't pick between Caro.

2348
02:09:25,160 --> 02:09:27,120
Speaker 4: I'm gonna I'm gonna throw one for y'all. At least

2349
02:09:27,240 --> 02:09:29,000
Speaker 4: he ain't the same type of m cs. But these

2350
02:09:29,040 --> 02:09:31,960
Speaker 4: two ms less put it out there, Okay, grand Pool,

2351
02:09:31,960 --> 02:09:33,000
Speaker 4: Bay or Big Daddy?

2352
02:09:33,040 --> 02:09:38,360
Speaker 3: Can't you're asking me all of us? My eyebrows sucked

2353
02:09:38,440 --> 02:09:42,440
Speaker 3: up Pool. I wrote my first songs ever, Pool what what?

2354
02:09:43,000 --> 02:09:45,400
Speaker 3: Wait wait a minute, But that doesn't mean Rock Him

2355
02:09:45,480 --> 02:09:48,560
Speaker 3: gets a slight. No Big Daddy can know.

2356
02:09:48,640 --> 02:09:49,879
Speaker 6: But he said poop, I wrote.

2357
02:09:49,720 --> 02:09:55,080
Speaker 1: Something that's wild. I've been one one with the creator.

2358
02:09:55,200 --> 02:09:56,960
Speaker 1: He wrote, is this what what is this?

2359
02:09:57,240 --> 02:10:03,480
Speaker 9: Brand Nubian Poo Pooba, Tommy Hill figure po Malvern. I'm

2360
02:10:03,480 --> 02:10:05,600
Speaker 9: saying that when he's down with Brand Neubian, or after

2361
02:10:05,920 --> 02:10:07,760
Speaker 9: he was he was with as.

2362
02:10:07,600 --> 02:10:10,880
Speaker 7: A matter of fact, Jamal and Scott was in the

2363
02:10:10,960 --> 02:10:16,960
Speaker 7: basement when he made his claim for me to wrap.

2364
02:10:17,040 --> 02:10:19,240
Speaker 7: He's like, yo, I want you to wrap. I want

2365
02:10:19,280 --> 02:10:21,120
Speaker 7: you to say this to this beat that you just

2366
02:10:21,280 --> 02:10:29,880
Speaker 7: made the creator, Yes, what about the one shut him down?

2367
02:10:29,960 --> 02:10:33,240
Speaker 3: Anybody know I wrote all that everything after Pool reverse

2368
02:10:33,280 --> 02:10:34,720
Speaker 3: on st I love that.

2369
02:10:35,280 --> 02:10:38,200
Speaker 1: I love that. I'm a huge public enemy.

2370
02:10:38,360 --> 02:10:39,520
Speaker 6: That means a lot to me.

2371
02:10:39,840 --> 02:10:47,440
Speaker 1: I wrote that. I wrote it myself. Banana, I'm about

2372
02:10:47,520 --> 02:10:51,480
Speaker 1: to go so okay, I did we got it on

2373
02:10:51,640 --> 02:10:58,200
Speaker 1: you all right? Mm hmm. This is like a producer

2374
02:10:58,320 --> 02:11:01,840
Speaker 1: question too. Okay, the Chronic or doggy style?

2375
02:11:02,720 --> 02:11:06,200
Speaker 7: Oh, easily the Chronic because the Chronic inspired the doggy style.

2376
02:11:06,480 --> 02:11:08,440
Speaker 1: I love how you. I love how you answered that

2377
02:11:08,680 --> 02:11:11,320
Speaker 1: so professional. Yeah, chronic started. You definitely don't have the

2378
02:11:11,360 --> 02:11:15,440
Speaker 1: dog you style without that was That's easy. That was easy.

2379
02:11:16,200 --> 02:11:17,320
Speaker 6: It be a hard one, bro.

2380
02:11:20,360 --> 02:11:23,680
Speaker 1: You ever worked with Drake Yeah? Okay, yeah, he wrapped

2381
02:11:23,720 --> 02:11:26,000
Speaker 1: over my beat. Him. You know what I'm saying.

2382
02:11:26,040 --> 02:11:28,760
Speaker 7: Oh wow, you go to YouTube just you know, type

2383
02:11:28,840 --> 02:11:33,480
Speaker 7: in Pete Rock, corrupt, doctor Dre Wow, you'll see joint

2384
02:11:33,480 --> 02:11:33,920
Speaker 7: A come up.

2385
02:11:34,160 --> 02:11:34,720
Speaker 1: Goddamn.

2386
02:11:34,800 --> 02:11:38,280
Speaker 8: Yes, I got one for you, Marley Ma or Primo

2387
02:11:38,800 --> 02:11:42,360
Speaker 8: and specifically on their style of making beats.

2388
02:11:42,560 --> 02:11:46,040
Speaker 1: Wow, no other you you got to go just on that.

2389
02:11:46,400 --> 02:11:47,240
Speaker 1: I have to give it up.

2390
02:11:47,520 --> 02:11:49,800
Speaker 7: Well, I'll say Mary for inspiration, but I have to

2391
02:11:51,040 --> 02:11:54,920
Speaker 7: really give my vote to DJ Premier. It's really funky

2392
02:11:55,040 --> 02:11:58,320
Speaker 7: with it, like he's just funky, like you could tell.

2393
02:11:58,360 --> 02:12:01,720
Speaker 7: We both are James Brown fans. But that's where we

2394
02:12:01,880 --> 02:12:03,560
Speaker 7: get it from. You, you know what I'm saying. And

2395
02:12:03,680 --> 02:12:08,000
Speaker 7: so when he his cadence, when he makes beats, he'll

2396
02:12:08,040 --> 02:12:12,360
Speaker 7: take the littlest sound, the littlest sound living Proof to

2397
02:12:12,480 --> 02:12:14,200
Speaker 7: be give you an example.

2398
02:12:14,400 --> 02:12:20,320
Speaker 1: Living Proof is just look what it did in New York's,

2399
02:12:20,680 --> 02:12:24,640
Speaker 1: which is what you liked about Marley with Marley.

2400
02:12:24,720 --> 02:12:28,240
Speaker 3: The same thing with the Bridge right, little they taking

2401
02:12:28,320 --> 02:12:34,720
Speaker 3: little samples, not even the bar, making it, make make it,

2402
02:12:34,800 --> 02:12:40,040
Speaker 3: make it, make it crazy, make it anthem anthem stuff

2403
02:12:40,080 --> 02:12:41,080
Speaker 3: you'll never forget.

2404
02:12:41,200 --> 02:12:46,760
Speaker 7: Brom So I'm I'm I'm an lean on Primo right.

2405
02:12:48,600 --> 02:12:54,960
Speaker 3: And I'll be honest with every producer. Almost every let me,

2406
02:12:55,200 --> 02:12:58,240
Speaker 3: I say every producer. Yeah, but the most.

2407
02:12:58,160 --> 02:13:03,640
Speaker 1: Frustrated I've ever been in studio is in a good way.

2408
02:13:03,720 --> 02:13:06,520
Speaker 3: In a good way, Premo will make a beat. I

2409
02:13:06,520 --> 02:13:09,400
Speaker 3: will write a whole rhyme to it, and they'll be like,

2410
02:13:09,920 --> 02:13:12,320
Speaker 3: I don't like it, and just he raced to me.

2411
02:13:12,600 --> 02:13:19,520
Speaker 1: I'm like, your motherfucker, I just troll that He'll do

2412
02:13:19,680 --> 02:13:23,560
Speaker 1: that like I ain't gonna lie, Like like I was

2413
02:13:23,600 --> 02:13:26,040
Speaker 1: a twenty eight year old man, I had anxiety then,

2414
02:13:26,200 --> 02:13:28,680
Speaker 1: like like I got anxiety now, like you know what

2415
02:13:28,720 --> 02:13:31,160
Speaker 1: I'm saying. But I remember like like being in D

2416
02:13:31,240 --> 02:13:32,680
Speaker 1: n D so you like a lot.

2417
02:13:33,000 --> 02:13:37,360
Speaker 3: I loved it, but it wasn't about He's the only

2418
02:13:37,400 --> 02:13:40,240
Speaker 3: producer I've ever worked with that. It wasn't about me

2419
02:13:40,480 --> 02:13:42,760
Speaker 3: liking the beat. It was about us liking it together.

2420
02:13:43,400 --> 02:13:46,360
Speaker 3: And if it wasn't that chemistry together, he just he

2421
02:13:46,560 --> 02:13:48,640
Speaker 3: just knocked it out, like that ship that we did

2422
02:13:49,360 --> 02:13:59,120
Speaker 3: on CNN Joint that was the twelfth record. He kept

2423
02:13:59,160 --> 02:14:05,280
Speaker 3: going like this, No, you're like what.

2424
02:14:09,080 --> 02:14:13,160
Speaker 1: I got? I got about twenty rhyms. But but that

2425
02:14:13,560 --> 02:14:15,280
Speaker 1: let me know he was a rip and he would

2426
02:14:15,400 --> 02:14:17,880
Speaker 1: not send us a beat this, but you know back

2427
02:14:17,920 --> 02:14:20,600
Speaker 1: then that wasn't that. But he was like you coming,

2428
02:14:20,800 --> 02:14:22,520
Speaker 1: and we went to D n D and I say

2429
02:14:22,560 --> 02:14:24,240
Speaker 1: it in the joint and up in D and D

2430
02:14:24,360 --> 02:14:26,680
Speaker 1: sleeping with the rats of the roaches because there was

2431
02:14:26,800 --> 02:14:33,360
Speaker 1: literally rats and ros a whole bunch of Dutch masters.

2432
02:14:34,280 --> 02:14:37,920
Speaker 1: That was the first studio. The first studio. They had

2433
02:14:38,280 --> 02:14:45,320
Speaker 1: a candy machine yep, that duches Dutch like you know,

2434
02:14:45,560 --> 02:14:50,920
Speaker 1: you know, like thank you, thank you for speaking.

2435
02:14:51,000 --> 02:14:56,839
Speaker 3: Norrie vented machines and they had fucking Philip Phillip blunts

2436
02:14:57,280 --> 02:15:02,040
Speaker 3: and duchess in the studio. Like if you can't make

2437
02:15:02,080 --> 02:15:04,400
Speaker 3: your record in D n D studios, you were you

2438
02:15:04,480 --> 02:15:08,320
Speaker 3: were tracked because that's just had a vibe you slipping

2439
02:15:08,400 --> 02:15:11,360
Speaker 3: Western over here was hit by.

2440
02:15:11,520 --> 02:15:14,240
Speaker 1: I missed I missed that, I missed a D n

2441
02:15:14,360 --> 02:15:22,400
Speaker 1: D studio. I missed the boy. Yeah. I think Jay

2442
02:15:23,360 --> 02:15:25,440
Speaker 1: did like like the.

2443
02:15:28,280 --> 02:15:30,600
Speaker 3: Something for his album and they we created D and

2444
02:15:30,680 --> 02:15:32,680
Speaker 3: D studios in the museum.

2445
02:15:33,360 --> 02:15:35,360
Speaker 1: Yeah, And I was like, ya, don't got the roaches though.

2446
02:15:37,200 --> 02:15:37,840
Speaker 4: That was the.

2447
02:15:37,880 --> 02:15:40,400
Speaker 1: Feelings you wanted to You wanted to hurry up and

2448
02:15:40,760 --> 02:15:41,560
Speaker 1: and finish.

2449
02:15:41,760 --> 02:15:45,560
Speaker 3: Like green like it was rats, roaches, It was stick

2450
02:15:45,640 --> 02:15:47,680
Speaker 3: up cares from King King.

2451
02:15:47,800 --> 02:15:53,000
Speaker 1: Oh my god, your big rats and home a good rat.

2452
02:15:53,080 --> 02:15:56,800
Speaker 7: I'm doing heavy d ship, big old fat rat right

2453
02:15:56,880 --> 02:15:58,120
Speaker 7: across the fucking floor.

2454
02:15:58,280 --> 02:15:58,400
Speaker 5: Bro.

2455
02:15:59,600 --> 02:16:06,200
Speaker 1: I was like, that ship was big chunk, and you're

2456
02:16:06,200 --> 02:16:09,440
Speaker 1: talking about the chunk King seventy that was in China,

2457
02:16:09,520 --> 02:16:12,880
Speaker 1: the one in Chinatown. Guys. I remember that that ship, right,

2458
02:16:13,040 --> 02:16:16,520
Speaker 1: I remember that. We got a lot done in that.

2459
02:16:17,560 --> 02:16:26,080
Speaker 1: All right, biggie, you ain't taking the war. You know

2460
02:16:26,200 --> 02:16:26,560
Speaker 1: we got this.

2461
02:16:26,720 --> 02:16:29,640
Speaker 3: We got this, we got this. We know, we see,

2462
02:16:29,880 --> 02:16:32,920
Speaker 3: we see what you're trying to do. We know y'all

2463
02:16:33,120 --> 02:16:39,640
Speaker 3: your niggas with your karate class. Now I'm flipping on

2464
02:16:39,760 --> 02:16:43,279
Speaker 3: your ass. Twist all Tech nine.

2465
02:16:44,200 --> 02:16:45,080
Speaker 1: Oh that's easy.

2466
02:16:45,240 --> 02:16:52,240
Speaker 4: Twisted twist you yeah, shot down shot Town like Twister,

2467
02:16:52,959 --> 02:16:54,880
Speaker 4: Twist was Yo, he was y.

2468
02:16:55,440 --> 02:16:59,040
Speaker 1: Twist was Twister when he was telling Twister he was

2469
02:16:59,080 --> 02:16:59,600
Speaker 1: one Twister.

2470
02:17:00,080 --> 02:17:02,120
Speaker 6: He was the first. I gotta give it up. I

2471
02:17:02,200 --> 02:17:03,680
Speaker 6: gotta give respect Flowers.

2472
02:17:04,240 --> 02:17:05,960
Speaker 4: He was the first dude from Chicago to have a

2473
02:17:06,080 --> 02:17:10,080
Speaker 4: like a to be signed to a major, major job.

2474
02:17:10,680 --> 02:17:13,400
Speaker 4: He was signed to Loud Loud even though you know,

2475
02:17:13,440 --> 02:17:16,359
Speaker 4: I'm saying to have a national like we had late

2476
02:17:16,520 --> 02:17:18,320
Speaker 4: doing Loud.

2477
02:17:18,160 --> 02:17:20,119
Speaker 1: So like he was doing.

2478
02:17:20,240 --> 02:17:22,360
Speaker 6: Man, he did his thing and continue to do it.

2479
02:17:22,400 --> 02:17:24,040
Speaker 1: And he was in a Guinness Book of World Records.

2480
02:17:24,320 --> 02:17:29,800
Speaker 1: Went against really I didn't know. He went against the

2481
02:17:30,879 --> 02:17:33,800
Speaker 1: fastest rapid.

2482
02:17:34,120 --> 02:17:35,840
Speaker 6: Try called quests or the Woo Tank.

2483
02:17:37,120 --> 02:17:52,400
Speaker 1: You listen, we got you by the way. That's he's

2484
02:17:52,440 --> 02:17:57,400
Speaker 1: taking the more interview clan.

2485
02:17:58,959 --> 02:18:01,640
Speaker 4: I'm gonna go Woo Man and the wol like the wolves,

2486
02:18:01,800 --> 02:18:06,720
Speaker 4: Like I gotta let me acknowledge that being from Chicago

2487
02:18:06,840 --> 02:18:10,360
Speaker 4: when we saw Ice cubing them hold forty ounces and

2488
02:18:10,879 --> 02:18:13,879
Speaker 4: and just being like that was similar to our culture

2489
02:18:15,120 --> 02:18:15,480
Speaker 4: New York.

2490
02:18:16,240 --> 02:18:23,879
Speaker 1: I mean we I I'm from the South Side. Culture

2491
02:18:23,959 --> 02:18:25,879
Speaker 1: was very similar to the same culture.

2492
02:18:25,879 --> 02:18:28,720
Speaker 4: And it was a lot of things similar. You know,

2493
02:18:28,920 --> 02:18:30,920
Speaker 4: like a lot of our roots come from the South.

2494
02:18:31,000 --> 02:18:34,000
Speaker 4: If you check people from l A say, people from Louisiana,

2495
02:18:35,080 --> 02:18:37,440
Speaker 4: that's what we're from. Whereas y'all have like a whole

2496
02:18:37,480 --> 02:18:41,040
Speaker 4: lot like from Jamaica eighty but you know, from Mahamas

2497
02:18:41,080 --> 02:18:44,360
Speaker 4: from Puerto Rico, we didn't have that as much. So

2498
02:18:44,520 --> 02:18:47,320
Speaker 4: not being said, I related to n w A point

2499
02:18:47,400 --> 02:18:49,240
Speaker 4: blank and they was like dope, and I was like

2500
02:18:49,320 --> 02:18:52,040
Speaker 4: straight out of Comptown. The bitch is a bitch ice Cube,

2501
02:18:52,200 --> 02:18:54,680
Speaker 4: like I loved all that ship you didn't relate to

2502
02:18:54,760 --> 02:19:02,400
Speaker 4: and I said, I did, but I'm very curious. But

2503
02:19:02,440 --> 02:19:06,680
Speaker 4: when I heard Wu Tang, I was like, yo, I've

2504
02:19:06,800 --> 02:19:12,160
Speaker 4: never heard anything where it's nine mcsne love the right and.

2505
02:19:12,240 --> 02:19:13,600
Speaker 1: I love something.

2506
02:19:15,200 --> 02:19:19,360
Speaker 4: And each one is a superhero. If we would have

2507
02:19:19,440 --> 02:19:23,040
Speaker 4: had like the access we have now when Wu Tang

2508
02:19:23,120 --> 02:19:25,720
Speaker 4: came out. And by the way, they got a TV

2509
02:19:25,800 --> 02:19:30,160
Speaker 4: show about them on Hulu, so that is already.

2510
02:19:30,280 --> 02:19:32,160
Speaker 1: But what they did when I.

2511
02:19:32,240 --> 02:19:35,279
Speaker 6: Heard Protect your Neck, Yeah, it's all crazy.

2512
02:19:35,560 --> 02:19:36,800
Speaker 1: The Wu Tang man is.

2513
02:19:37,280 --> 02:19:40,720
Speaker 4: I mean, they untouchable in certain ways to me, like

2514
02:19:40,760 --> 02:19:43,480
Speaker 4: because I have that many mcs, and then you can

2515
02:19:43,520 --> 02:19:46,400
Speaker 4: see the growth and like from when you hear protect

2516
02:19:46,440 --> 02:19:49,320
Speaker 4: your Neck and you hear ray and ghosts and then

2517
02:19:49,360 --> 02:19:52,400
Speaker 4: you hit them on only built for Cuban Link, it's

2518
02:19:52,440 --> 02:19:55,080
Speaker 4: a whole other level and you can hear that growth.

2519
02:19:55,400 --> 02:19:57,600
Speaker 4: But then you got the genius who was always on

2520
02:19:57,720 --> 02:19:59,840
Speaker 4: that old dirty bass is one of the most soul

2521
02:20:00,080 --> 02:20:04,040
Speaker 4: for rappers you ever ever. So I'm talking about like

2522
02:20:05,120 --> 02:20:07,520
Speaker 4: I don't know about you knowing, but for me, sometimes

2523
02:20:07,560 --> 02:20:09,760
Speaker 4: I can get in the booth and I stopped trying

2524
02:20:09,760 --> 02:20:11,800
Speaker 4: to wrap the thing the same way I did it

2525
02:20:11,879 --> 02:20:15,000
Speaker 4: before rapping. Rapping, I'll be hearing takes the o dB

2526
02:20:15,200 --> 02:20:16,160
Speaker 4: doing that ship different.

2527
02:20:17,680 --> 02:20:19,080
Speaker 6: And that ship is soul.

2528
02:20:20,320 --> 02:20:24,720
Speaker 1: And and and o dB was a person like I

2529
02:20:24,800 --> 02:20:31,200
Speaker 1: wrote records for o dB. You did make a goal.

2530
02:20:31,320 --> 02:20:33,600
Speaker 1: Listen what Dave had you do it? I don't think

2531
02:20:33,680 --> 02:20:38,840
Speaker 1: most of them never really wanted to really, So that's right,

2532
02:20:38,920 --> 02:20:45,640
Speaker 1: that's right, because you like somebodody you met, Yeah, because

2533
02:20:45,640 --> 02:20:52,760
Speaker 1: he was cocky. I love he trying to take over

2534
02:20:52,800 --> 02:21:05,360
Speaker 1: the interview. What's going on? Here's the funny ship. And

2535
02:21:05,680 --> 02:21:08,440
Speaker 1: it's a great question because if you listen to Super Dog,

2536
02:21:08,560 --> 02:21:10,880
Speaker 1: if you listen to in the end of Super Dog,

2537
02:21:10,920 --> 02:21:14,880
Speaker 1: I go in r E Norri the remix super Doug

2538
02:21:15,920 --> 02:21:18,400
Speaker 1: was the remix to n O R E my song

2539
02:21:18,840 --> 02:21:24,360
Speaker 1: the single My album was already done handed in Oh wow,

2540
02:21:24,879 --> 02:21:29,440
Speaker 1: and this is this young man. It was a dude

2541
02:21:29,440 --> 02:21:35,720
Speaker 1: by the name Rob Walker. I know mar Moore, let

2542
02:21:35,760 --> 02:21:39,600
Speaker 1: me pick up. Martin was like, yo, who's on the album?

2543
02:21:39,680 --> 02:21:43,120
Speaker 1: Who's on the ro radio skit?

2544
02:21:45,000 --> 02:21:50,360
Speaker 6: That's the first yeah, yeah, saying radio like.

2545
02:21:55,280 --> 02:21:58,200
Speaker 3: Yeah, you know, my manager to what really was my in?

2546
02:22:00,040 --> 02:22:03,240
Speaker 3: So he hits me and listen, you have to meet

2547
02:22:03,280 --> 02:22:10,360
Speaker 3: this group called the Neptunes. I'm like that ship sounds amazing. Neptunes.

2548
02:22:13,720 --> 02:22:16,600
Speaker 3: We meet that sound on sound studios. I have on

2549
02:22:16,840 --> 02:22:25,000
Speaker 3: five X pants, Wow, five X shirt for sure. This

2550
02:22:25,120 --> 02:22:28,160
Speaker 3: is a big cloth, big clothes. My hat had to

2551
02:22:28,240 --> 02:22:29,280
Speaker 3: be big too as well.

2552
02:22:30,640 --> 02:22:31,000
Speaker 1: I don't know.

2553
02:22:31,280 --> 02:22:35,080
Speaker 3: I gave it somewhere and in comes these two guys

2554
02:22:36,320 --> 02:22:43,160
Speaker 3: exact opposite. This shirt is very tight. He has a

2555
02:22:43,280 --> 02:22:47,200
Speaker 3: choke go on, making the thing show a little bit.

2556
02:22:49,240 --> 02:22:53,040
Speaker 1: Sure, you're not exaggerating. He was that tight you already.

2557
02:22:54,560 --> 02:22:57,600
Speaker 3: He wanted to be the exact opposite of what was

2558
02:22:57,680 --> 02:23:00,280
Speaker 3: going on, but delivered music of what.

2559
02:23:00,440 --> 02:23:00,800
Speaker 1: Was going on.

2560
02:23:01,120 --> 02:23:03,600
Speaker 3: He and he, ha's when I tell this story, because

2561
02:23:04,080 --> 02:23:09,400
Speaker 3: you know, he's humble now now that he's fucking head

2562
02:23:09,400 --> 02:23:12,440
Speaker 3: of Louis fucking Baton, he's humble now.

2563
02:23:13,040 --> 02:23:16,040
Speaker 1: But let me just tell you something. He wasn't then, okay,

2564
02:23:16,959 --> 02:23:17,800
Speaker 1: And he looked at me.

2565
02:23:18,040 --> 02:23:19,840
Speaker 3: Because he had I don't want to say I've ever

2566
02:23:19,879 --> 02:23:21,600
Speaker 3: been the first person that worked before, because that's not

2567
02:23:21,680 --> 02:23:24,920
Speaker 3: the truth. Work for Neptune. Excuse me, that's not the truth.

2568
02:23:25,120 --> 02:23:31,200
Speaker 3: They had worked with what what what told no one,

2569
02:23:31,440 --> 02:23:34,240
Speaker 3: No one put them actually on the record, and no

2570
02:23:34,320 --> 02:23:37,960
Speaker 3: one put them in the forefront. And he looked at

2571
02:23:38,000 --> 02:23:42,200
Speaker 3: me and he said, he's a he's when I say

2572
02:23:42,240 --> 02:23:44,600
Speaker 3: this story, but I'm gonna say it again. He goes,

2573
02:23:45,240 --> 02:23:47,720
Speaker 3: no one's listened to me, but the first person that

2574
02:23:47,840 --> 02:23:49,480
Speaker 3: listened to me is gonna go number one.

2575
02:23:50,280 --> 02:23:51,800
Speaker 1: And I was, I don't know why I did that.

2576
02:23:54,520 --> 02:23:55,840
Speaker 1: That's how in my mind.

2577
02:23:55,959 --> 02:23:59,480
Speaker 3: Just let me roll with the story. And I was like,

2578
02:23:59,520 --> 02:24:03,560
Speaker 3: I believe, I just believed him. It was like he

2579
02:24:03,680 --> 02:24:05,440
Speaker 3: was the exact opposite of me. For the lack of

2580
02:24:05,480 --> 02:24:07,920
Speaker 3: a better term, was I always describe it as this,

2581
02:24:08,000 --> 02:24:10,840
Speaker 3: and it gets a little weird, but I call the

2582
02:24:10,840 --> 02:24:11,600
Speaker 3: beauty and the beast.

2583
02:24:12,120 --> 02:24:15,400
Speaker 1: They had nothing like we have nothing else in common.

2584
02:24:16,720 --> 02:24:20,680
Speaker 1: Just music. Like that's what I gotta be sometimes, I

2585
02:24:20,840 --> 02:24:24,000
Speaker 1: gotta be sometimes like I remember, like me and me

2586
02:24:24,120 --> 02:24:25,720
Speaker 1: and me, and for ever been in the studio for

2587
02:24:25,800 --> 02:24:30,000
Speaker 1: at least, you know, ten years. Me let me not

2588
02:24:30,320 --> 02:24:30,920
Speaker 1: just safe.

2589
02:24:31,040 --> 02:24:37,600
Speaker 3: I don't ever remember us ordering the same food. I

2590
02:24:37,680 --> 02:24:42,039
Speaker 3: don't ever remember us order doing anything other than music.

2591
02:24:42,480 --> 02:24:46,080
Speaker 1: But that's what's so dope, that's what's so double about music. Music.

2592
02:24:46,120 --> 02:24:49,920
Speaker 4: Because I've been around so many people that I'll be like, man,

2593
02:24:50,000 --> 02:24:50,560
Speaker 4: I would.

2594
02:24:50,360 --> 02:24:54,240
Speaker 7: Have sometimes music, deperate and keep it still respectable.

2595
02:24:54,879 --> 02:24:59,119
Speaker 1: Yeah. Yeah, it's a common ground, common ground like pun

2596
02:24:59,200 --> 02:25:14,200
Speaker 1: intended move on, Okay, yeah mo O P or mob Deep.

2597
02:25:14,240 --> 02:25:17,039
Speaker 1: And I'm doing that to you because I know you're

2598
02:25:17,040 --> 02:25:19,920
Speaker 1: gonna drink. Let me get my show.

2599
02:25:21,400 --> 02:25:22,280
Speaker 6: Damn you got to.

2600
02:25:22,480 --> 02:25:25,520
Speaker 3: You're talking about to ill producers, Havoc and Premier.

2601
02:25:26,680 --> 02:25:29,440
Speaker 1: Those are two monster duos out there, sucked up niggas.

2602
02:25:29,680 --> 02:25:32,520
Speaker 1: That's it's double right there, your friends.

2603
02:25:36,560 --> 02:25:40,480
Speaker 6: Wow, I love m O P.

2604
02:25:41,560 --> 02:25:44,320
Speaker 7: I don't get it sucked up, but it's something about

2605
02:25:46,400 --> 02:25:52,240
Speaker 7: man like it's Havoc. The way he made ones is amazing,

2606
02:25:52,800 --> 02:25:54,480
Speaker 7: like that, I know the sample.

2607
02:25:54,560 --> 02:25:57,520
Speaker 6: I listened to the record. You would never know hear.

2608
02:25:59,000 --> 02:25:59,560
Speaker 1: The sample.

2609
02:25:59,720 --> 02:26:04,280
Speaker 6: You want hear the familiarity unless you slow it all.

2610
02:26:04,600 --> 02:26:09,560
Speaker 4: Then he told me that was that's a jazz.

2611
02:26:09,840 --> 02:26:15,240
Speaker 6: That's where the liquor in Havoc. It's a it's a

2612
02:26:15,320 --> 02:26:16,080
Speaker 6: fucking tool.

2613
02:26:17,160 --> 02:26:22,440
Speaker 1: He did that. It's the same with Survival of the Fittest.

2614
02:26:22,480 --> 02:26:23,440
Speaker 1: Survival of the Fittest.

2615
02:26:23,520 --> 02:26:26,400
Speaker 7: You don't know where that sample comes from unless he

2616
02:26:26,640 --> 02:26:28,279
Speaker 7: tells you, or unless fire.

2617
02:26:28,720 --> 02:26:29,199
Speaker 1: I was listening.

2618
02:26:29,320 --> 02:26:32,360
Speaker 6: He told me, he told me what he used. I

2619
02:26:32,520 --> 02:26:35,080
Speaker 6: had the record. I had the record but I didn't

2620
02:26:35,080 --> 02:26:38,560
Speaker 6: hear nothing oning it, so I'm listening to it.

2621
02:26:38,640 --> 02:26:40,879
Speaker 1: And then when he told me, I slowed it down, said.

2622
02:26:43,360 --> 02:26:45,560
Speaker 6: Crazy havoc is nil.

2623
02:26:48,040 --> 02:26:50,800
Speaker 1: You picked, but I'm still taking a shot. He didn't.

2624
02:26:51,720 --> 02:26:52,320
Speaker 1: He just gave.

2625
02:26:53,800 --> 02:26:58,920
Speaker 4: He picked deep now mob Deep like Mob Deep when

2626
02:26:58,959 --> 02:27:01,760
Speaker 4: I heard the infamous, but I was.

2627
02:27:01,840 --> 02:27:04,600
Speaker 1: Like, you had juvenile hell. Yeah, I heard, which is

2628
02:27:04,680 --> 02:27:06,560
Speaker 1: crazy that you were able to come back from.

2629
02:27:06,440 --> 02:27:08,840
Speaker 6: That juvenile hell. Didn't the movie like that.

2630
02:27:12,120 --> 02:27:15,680
Speaker 3: First joint they had to learn and listen first, and

2631
02:27:15,800 --> 02:27:18,440
Speaker 3: then they were literally juveniles trying to figure it out.

2632
02:27:18,640 --> 02:27:19,560
Speaker 1: They was they was doing it.

2633
02:27:19,879 --> 02:27:22,320
Speaker 6: But I remember hearing Shook Ones.

2634
02:27:22,400 --> 02:27:25,920
Speaker 4: I was in New York, like, staying at somebody house

2635
02:27:25,959 --> 02:27:28,320
Speaker 4: that worked in my label, just trying to make a living,

2636
02:27:28,920 --> 02:27:29,880
Speaker 4: and I heard Shook Ones.

2637
02:27:29,920 --> 02:27:31,400
Speaker 6: I said, man, this ship is.

2638
02:27:31,720 --> 02:27:33,600
Speaker 3: I was like, you sure the sample comes from here

2639
02:27:33,640 --> 02:27:38,160
Speaker 3: because it's it's fast. It's fast, jazz fast loop.

2640
02:27:38,200 --> 02:27:43,600
Speaker 1: It's like that's all it did. And then he just

2641
02:27:44,280 --> 02:27:45,560
Speaker 1: and then then you get.

2642
02:27:47,120 --> 02:27:50,160
Speaker 6: Man and that ship. That's the dopest hip hop songs ever.

2643
02:27:50,560 --> 02:27:54,520
Speaker 4: Yeah, the game and then like you said, Survival of

2644
02:27:54,600 --> 02:27:56,880
Speaker 4: the Finish, I promise you I was listening to that before.

2645
02:27:57,040 --> 02:27:59,280
Speaker 4: When I came here today, I was listening to Survival

2646
02:27:59,280 --> 02:28:03,000
Speaker 4: of the Fittish. But you know when Bignoyd here, Big

2647
02:28:03,120 --> 02:28:06,320
Speaker 4: Nooyd on their joints, like and like hearing even Tip

2648
02:28:06,440 --> 02:28:10,240
Speaker 4: to flip that what he did that album the infamous,

2649
02:28:10,680 --> 02:28:14,520
Speaker 4: Like when you Yo Tip told me he ended up

2650
02:28:14,560 --> 02:28:20,400
Speaker 4: mixing that album or whatever. And I feel like what

2651
02:28:20,680 --> 02:28:24,400
Speaker 4: Havo and Prodigy brought as talents and then Q Tip's

2652
02:28:24,440 --> 02:28:27,000
Speaker 4: experience of what the sonic we need to sound like

2653
02:28:27,760 --> 02:28:31,000
Speaker 4: the album just changed anything. It was like that was

2654
02:28:31,080 --> 02:28:35,039
Speaker 4: one that's one of my favorite albums. And I'm definitely

2655
02:28:35,080 --> 02:28:36,680
Speaker 4: taking a shot to that because you're gonna be like

2656
02:28:36,760 --> 02:28:40,320
Speaker 4: that ain't the sample and then weak we're taking a shot.

2657
02:28:40,360 --> 02:28:42,800
Speaker 4: We're gonna take a shot. I'm taking a shot from

2658
02:28:42,840 --> 02:28:48,960
Speaker 4: Mob Deep God bless so protest shout out to I'm

2659
02:28:48,959 --> 02:28:50,080
Speaker 4: gonna play pop.

2660
02:28:50,720 --> 02:28:53,920
Speaker 1: I missed Yo Yo.

2661
02:28:54,879 --> 02:28:59,640
Speaker 4: A little side note is fucking the bitching you. The

2662
02:28:59,760 --> 02:29:01,800
Speaker 4: only time I went to the only time I went

2663
02:29:01,879 --> 02:29:06,400
Speaker 4: to Queen's Bridge. I went to meet up with Havoc

2664
02:29:07,160 --> 02:29:09,000
Speaker 4: and he was going to do a remix to the Bitches,

2665
02:29:10,760 --> 02:29:13,080
Speaker 4: and he actually did a remix, not he was going

2666
02:29:13,120 --> 02:29:16,920
Speaker 4: on remix going a c Yes, we did a remix

2667
02:29:17,000 --> 02:29:17,920
Speaker 4: and he was on a course.

2668
02:29:22,840 --> 02:29:27,040
Speaker 1: You know, it's all he wanted. He just he just

2669
02:29:27,240 --> 02:29:27,840
Speaker 1: was like he was.

2670
02:29:29,120 --> 02:29:31,360
Speaker 4: You know, the niggas like yo. These niggas just in

2671
02:29:31,400 --> 02:29:33,400
Speaker 4: the West Coast, they like so they were like, yo,

2672
02:29:33,560 --> 02:29:35,480
Speaker 4: you said what we well, we feel.

2673
02:29:35,320 --> 02:29:37,600
Speaker 3: Into but you have some stuff going on, which is

2674
02:29:37,840 --> 02:29:41,160
Speaker 3: h l A l A toold.

2675
02:29:41,200 --> 02:29:44,360
Speaker 1: But yes, sir. When I heard that, Jorge was okay,

2676
02:29:44,520 --> 02:29:45,400
Speaker 1: let me let you finish.

2677
02:29:46,560 --> 02:29:50,280
Speaker 6: I went to the Queen's Bridge. The niggas took me around.

2678
02:29:50,920 --> 02:29:53,800
Speaker 4: I was with one of the twins and twins and

2679
02:29:53,920 --> 02:29:57,440
Speaker 4: we was we went to power play and then I

2680
02:29:57,520 --> 02:30:00,600
Speaker 4: remember just sitting there and talking with them niggas. I was.

2681
02:30:00,720 --> 02:30:01,560
Speaker 1: I remember I was reading.

2682
02:30:01,640 --> 02:30:03,520
Speaker 4: It was like, man, you're doing some ship Producty'll do

2683
02:30:03,879 --> 02:30:06,680
Speaker 4: And I was trying to get in my zone. And

2684
02:30:06,800 --> 02:30:10,879
Speaker 4: then I Havoc made this beat and I was like yo,

2685
02:30:12,320 --> 02:30:14,040
Speaker 4: and he's like, you know, I'm gonna say the hook

2686
02:30:14,120 --> 02:30:16,560
Speaker 4: with you and I see the bitch in you and

2687
02:30:17,000 --> 02:30:18,680
Speaker 4: always wondering where that ship is.

2688
02:30:19,400 --> 02:30:20,960
Speaker 1: We did that. I'm gonna ask him about it.

2689
02:30:21,040 --> 02:30:22,200
Speaker 6: We did that last time.

2690
02:30:23,160 --> 02:30:25,720
Speaker 1: Immediately, I want to do wherever you at, whoever got

2691
02:30:26,640 --> 02:30:28,600
Speaker 1: open out from real right now.

2692
02:30:29,280 --> 02:30:33,520
Speaker 4: He did that Queen's Bridge experience. I felt good too,

2693
02:30:33,600 --> 02:30:36,080
Speaker 4: but I was like, damn, Mom took me through. You know,

2694
02:30:36,200 --> 02:30:38,360
Speaker 4: it's like that, like what you said about Cabrinie Green,

2695
02:30:38,760 --> 02:30:41,160
Speaker 4: certain people like from that area took you through that.

2696
02:30:42,080 --> 02:30:45,119
Speaker 6: Molly and master A took me through Queensbridge.

2697
02:30:46,680 --> 02:30:51,879
Speaker 1: And you know what this crazy thing is. I heard

2698
02:30:51,959 --> 02:30:52,800
Speaker 1: with Marty Maul.

2699
02:30:54,040 --> 02:30:55,880
Speaker 3: He got on this show and he told us that

2700
02:30:56,040 --> 02:30:59,640
Speaker 3: he recorded rock Kim's whole album queens Bridge, and I

2701
02:30:59,760 --> 02:31:03,240
Speaker 3: was just like the fun he said this, He said

2702
02:31:03,280 --> 02:31:05,360
Speaker 3: in the same team, you're seeing that right now and

2703
02:31:05,480 --> 02:31:09,120
Speaker 3: he said yeah, man, I was just like wow that

2704
02:31:09,240 --> 02:31:11,160
Speaker 3: it is amazing, like he recorded.

2705
02:31:11,760 --> 02:31:14,240
Speaker 6: I got a question from for all of y'all just all.

2706
02:31:15,200 --> 02:31:19,000
Speaker 1: Like taking on show. Peep in this we know we

2707
02:31:19,320 --> 02:31:20,320
Speaker 1: see we can see.

2708
02:31:20,920 --> 02:31:23,520
Speaker 4: One of my hip hop comrades that I work with

2709
02:31:23,640 --> 02:31:23,920
Speaker 4: a lot.

2710
02:31:24,760 --> 02:31:34,280
Speaker 1: So yes, we got the Master's best Soul of Dave

2711
02:31:34,959 --> 02:31:36,840
Speaker 1: and is actually on our our.

2712
02:31:38,320 --> 02:31:40,920
Speaker 4: I didn't bring it up for that reason, but one

2713
02:31:40,959 --> 02:31:44,439
Speaker 4: of them told me that that Sham wrote that exploded.

2714
02:31:44,480 --> 02:31:45,080
Speaker 1: Is that true? Yeah?

2715
02:31:45,400 --> 02:31:47,280
Speaker 6: Look, but did.

2716
02:31:47,240 --> 02:31:51,200
Speaker 4: Sham right any of rock Kim's first choice? Like somebody

2717
02:31:51,280 --> 02:31:53,680
Speaker 4: told me that sham you You're starting to funk up room.

2718
02:31:56,320 --> 02:32:02,560
Speaker 1: I don't know how you hit things. Yeah, I just

2719
02:32:02,680 --> 02:32:12,760
Speaker 1: want to know I ship somebody sitting on me.

2720
02:32:13,440 --> 02:32:16,640
Speaker 4: Not now you know it probably ain't true, you know,

2721
02:32:16,760 --> 02:32:18,560
Speaker 4: but but it was like, yeah, he wrote some of

2722
02:32:18,600 --> 02:32:21,400
Speaker 4: the early like my melody or something, but then it

2723
02:32:21,480 --> 02:32:22,440
Speaker 4: don't sound like shame.

2724
02:32:22,560 --> 02:32:25,240
Speaker 1: I can't hear that. I can't hear that. I just

2725
02:32:25,320 --> 02:32:31,080
Speaker 1: can't see no anybody writing to bring it up because

2726
02:32:31,160 --> 02:32:32,040
Speaker 1: because I don't think so.

2727
02:32:32,360 --> 02:32:34,120
Speaker 6: When they brought it up to me and it was

2728
02:32:34,320 --> 02:32:36,039
Speaker 6: coming from official niggas.

2729
02:32:35,680 --> 02:32:37,480
Speaker 1: I'm like, I think Shane would have sent it on drinking,

2730
02:32:37,920 --> 02:32:44,120
Speaker 1: would have brew it up. Always you got the bottle

2731
02:32:46,160 --> 02:32:51,920
Speaker 1: ship your life is not right. It's true. He really do.

2732
02:32:52,400 --> 02:32:55,320
Speaker 1: He really goes and he goes at everybody does not

2733
02:32:55,400 --> 02:32:58,400
Speaker 1: give some of the ship. He says. It's kind of

2734
02:32:58,480 --> 02:33:05,880
Speaker 1: truth true, Like man, I'm in, yes, I'm he's not

2735
02:33:05,959 --> 02:33:17,320
Speaker 1: wearing his teeth. I like that shampoo, yeah, drinking shampoople.

2736
02:33:17,320 --> 02:33:18,920
Speaker 1: What is it called? What do you call it? Sham piper?

2737
02:33:19,000 --> 02:33:19,280
Speaker 1: What does it?

2738
02:33:19,600 --> 02:33:21,080
Speaker 6: We're gonna call it sham people.

2739
02:33:22,400 --> 02:33:29,200
Speaker 1: With the sizzle with the whizzle. By the way, let

2740
02:33:29,280 --> 02:33:32,039
Speaker 1: me tell you something. We interviewed MC sharing this motherfucker

2741
02:33:32,120 --> 02:33:35,200
Speaker 1: went over there. I even know that existed. I was like,

2742
02:33:35,280 --> 02:33:37,040
Speaker 1: holy ship, we got a part of them with it.

2743
02:33:37,480 --> 02:33:38,360
Speaker 1: And he went over there.

2744
02:33:38,440 --> 02:33:42,520
Speaker 4: So episode I salute y'all team. She she is more

2745
02:33:42,760 --> 02:33:43,959
Speaker 4: more intensive than.

2746
02:33:50,360 --> 02:33:50,400
Speaker 5: You.

2747
02:33:50,520 --> 02:33:55,560
Speaker 1: Know what's crazy. I'm I'm gotching a flight to see

2748
02:33:55,760 --> 02:33:58,640
Speaker 1: to see you. I'm like, this nigger commonist is here

2749
02:33:58,760 --> 02:33:59,320
Speaker 1: at the game.

2750
02:34:01,320 --> 02:34:04,400
Speaker 3: I have no excuse. So I pushed my flight up. Yeah,

2751
02:34:04,640 --> 02:34:07,400
Speaker 3: that's how I got. I was like, yeah, I really

2752
02:34:07,440 --> 02:34:08,080
Speaker 3: didn't want you to be.

2753
02:34:10,920 --> 02:34:14,959
Speaker 1: Yesterday. I don't want no artists to beat me here.

2754
02:34:15,480 --> 02:34:17,440
Speaker 1: So I was like you, I was, I was so

2755
02:34:17,640 --> 02:34:18,040
Speaker 1: mad at you.

2756
02:34:18,800 --> 02:34:22,120
Speaker 3: I was like, he came early to beat rockets on

2757
02:34:22,200 --> 02:34:26,520
Speaker 3: the flight with me. I was like, I gotta beat him.

2758
02:34:26,600 --> 02:34:33,039
Speaker 3: And the plane there was no nor insight.

2759
02:34:35,320 --> 02:34:36,880
Speaker 1: You know how you can still see if my people

2760
02:34:36,959 --> 02:34:37,520
Speaker 1: walking down.

2761
02:34:38,840 --> 02:34:43,400
Speaker 3: So he was calling a complex now that I'm I'm

2762
02:34:43,400 --> 02:34:44,959
Speaker 3: still an artist. I'm gonna be artist for the rest

2763
02:34:45,000 --> 02:34:47,760
Speaker 3: of my life, but I have a complex where I

2764
02:34:47,959 --> 02:34:50,640
Speaker 3: want you to I want my team to salute you

2765
02:34:50,680 --> 02:34:52,560
Speaker 3: when you walk in, and I want I want I

2766
02:34:52,640 --> 02:34:53,640
Speaker 3: want you to feel great.

2767
02:34:54,160 --> 02:34:59,360
Speaker 1: And I was running here and they said comment there.

2768
02:34:59,480 --> 02:35:05,800
Speaker 1: I was like, was like telling them we're not open. Yo, Yo,

2769
02:35:05,879 --> 02:35:07,000
Speaker 1: I ain't gonna yesterday.

2770
02:35:07,160 --> 02:35:08,720
Speaker 4: There was you know, they was like, yo, we got

2771
02:35:08,800 --> 02:35:13,000
Speaker 4: we got to schedule for this. Were at the game.

2772
02:35:13,520 --> 02:35:15,160
Speaker 1: We're gonna tell the New York because you're not allowed

2773
02:35:15,240 --> 02:35:21,400
Speaker 1: no more. Okay.

2774
02:35:24,440 --> 02:35:27,120
Speaker 4: So I was yo when they told me, they was like, yo,

2775
02:35:27,760 --> 02:35:29,800
Speaker 4: they want to move the time back. And and then

2776
02:35:29,840 --> 02:35:32,360
Speaker 4: there was I was like, because Chris shout out to

2777
02:35:32,480 --> 02:35:33,400
Speaker 4: Chris atleast one.

2778
02:35:33,959 --> 02:35:41,480
Speaker 1: Chris Chris Chris Christie thing like Yo, they want to

2779
02:35:41,520 --> 02:35:43,000
Speaker 1: move the time back. Boom boom boom.

2780
02:35:43,400 --> 02:35:45,280
Speaker 4: I was like, okay, cool, and that might mean I

2781
02:35:45,360 --> 02:35:47,360
Speaker 4: might get on the later flight. And then I was like,

2782
02:35:48,040 --> 02:35:49,160
Speaker 4: I got to do I was supposed to do a

2783
02:35:49,240 --> 02:35:51,560
Speaker 4: sound checking blah blah blah, going the show. And then

2784
02:35:52,000 --> 02:35:54,320
Speaker 4: I said, well Ship, damn, how we gonna do this?

2785
02:35:54,840 --> 02:35:58,240
Speaker 4: And then they said, okay, they really want to move

2786
02:35:58,280 --> 02:36:04,000
Speaker 4: the time back because nor at the next day, I

2787
02:36:04,120 --> 02:36:14,199
Speaker 4: was like, yeah, we gotta go to the yah.

2788
02:36:14,920 --> 02:36:17,760
Speaker 3: Listen, oh Ship, I know we spoke about it earlier,

2789
02:36:17,840 --> 02:36:19,920
Speaker 3: but that euphoria, yeah.

2790
02:36:21,200 --> 02:36:23,360
Speaker 1: Yeah, you know, and then they have but I know

2791
02:36:23,440 --> 02:36:28,000
Speaker 1: he spoke talking about right then they had Mark Jack

2792
02:36:29,560 --> 02:36:33,400
Speaker 1: the trail spreeing Patrick and John stepped to me too,

2793
02:36:33,480 --> 02:36:36,960
Speaker 1: he said, and at the foul line, like Pat, you

2794
02:36:38,280 --> 02:36:39,400
Speaker 1: know I said that back in the day.

2795
02:36:39,920 --> 02:36:43,160
Speaker 4: Looks that's yo.

2796
02:36:43,360 --> 02:36:49,680
Speaker 3: And by the way, like I'm still like humble, humble

2797
02:36:49,760 --> 02:36:54,800
Speaker 3: person of course. So Fat Joe sees Spike, Lee and

2798
02:36:56,280 --> 02:36:59,520
Speaker 3: Joe and they started talking and I'm just like, let

2799
02:36:59,560 --> 02:37:00,440
Speaker 3: me mind my business.

2800
02:37:00,560 --> 02:37:03,360
Speaker 1: You just let me just be a little humble.

2801
02:37:04,920 --> 02:37:07,040
Speaker 3: Fat Joe was offering me drinks this you know, you

2802
02:37:07,120 --> 02:37:09,760
Speaker 3: know it's bad. I don't want to even drink. I

2803
02:37:09,800 --> 02:37:11,920
Speaker 3: just want to be on my best biek or whatever

2804
02:37:12,240 --> 02:37:15,160
Speaker 3: it's Spike legos and then Fat goes cool, Let's take

2805
02:37:15,200 --> 02:37:21,280
Speaker 3: a picture, Spike, Spike goes norm getting a fucking picture, a.

2806
02:37:21,320 --> 02:37:32,680
Speaker 1: Fucking awesome time, y'all bro going like, I'm thinking about

2807
02:37:33,280 --> 02:37:35,320
Speaker 1: the first record we made and that was nineteen ninety eight.

2808
02:37:35,720 --> 02:37:39,480
Speaker 3: Ninety eight, that's the best year of my Life's so yeah,

2809
02:37:39,520 --> 02:37:41,440
Speaker 3: both of y'all know, you know it's the best year

2810
02:37:41,480 --> 02:37:45,080
Speaker 3: of my life. I'm also worst year of my life

2811
02:37:45,120 --> 02:37:48,039
Speaker 3: because of incidents I lost I think we lost pun

2812
02:37:48,320 --> 02:37:51,000
Speaker 3: that yeah, and I lost my fall, God bless you.

2813
02:37:51,640 --> 02:37:52,960
Speaker 1: But I had the illest success.

2814
02:37:53,120 --> 02:37:54,760
Speaker 3: I had the most you know, you know what I mean,

2815
02:37:55,000 --> 02:37:59,600
Speaker 3: and when I'm looking at that, if you know, you know,

2816
02:37:59,800 --> 02:38:02,600
Speaker 3: you know he's crazy. He has all of your album

2817
02:38:02,879 --> 02:38:10,080
Speaker 3: He's just I thought I was just talking and I'm

2818
02:38:10,160 --> 02:38:14,199
Speaker 3: looking and I'm like wow. And then and then yesterday

2819
02:38:14,640 --> 02:38:18,080
Speaker 3: I get to see you. You're literally like the very

2820
02:38:18,400 --> 02:38:22,520
Speaker 3: seat that it's across from. Then and then I see

2821
02:38:22,560 --> 02:38:23,800
Speaker 3: you in the airport.

2822
02:38:23,480 --> 02:38:25,640
Speaker 1: And I was like, god, it is really.

2823
02:38:27,120 --> 02:38:29,640
Speaker 3: Like it's meant to be like this is not this

2824
02:38:30,000 --> 02:38:32,560
Speaker 3: is and and like like again, I know I said

2825
02:38:32,560 --> 02:38:35,120
Speaker 3: it earlier, but I'm gonna reiterated before we finished Quick

2826
02:38:35,160 --> 02:38:40,000
Speaker 3: Time Slim, but I'm so happy that this but I'm

2827
02:38:40,040 --> 02:38:44,119
Speaker 3: really so happy one that your brothers are together, brothers.

2828
02:38:46,360 --> 02:38:48,200
Speaker 3: Neither one of y'all forgot about hip hop. And like

2829
02:38:48,280 --> 02:38:50,440
Speaker 3: I said, every time I see y'all, I know that

2830
02:38:50,560 --> 02:38:54,280
Speaker 3: y'all represented hip hop, and I just want to I

2831
02:38:54,360 --> 02:38:56,640
Speaker 3: just want to thank y'all one more time before we finished.

2832
02:38:56,840 --> 02:38:59,400
Speaker 1: I want to pay because.

2833
02:39:01,720 --> 02:39:04,879
Speaker 7: They really have platform for allowing us to be seen

2834
02:39:04,959 --> 02:39:07,960
Speaker 7: and heard, to really show people that like we're still

2835
02:39:08,040 --> 02:39:08,600
Speaker 7: ow here.

2836
02:39:09,120 --> 02:39:10,000
Speaker 6: The talent and.

2837
02:39:11,640 --> 02:39:14,000
Speaker 4: Y'all been doing you know, y'all do this and it's

2838
02:39:14,080 --> 02:39:18,200
Speaker 4: and it's important man, like like that people that then

2839
02:39:18,360 --> 02:39:21,160
Speaker 4: know the culture and know hip hop and come from it,

2840
02:39:21,800 --> 02:39:25,280
Speaker 4: like y'all reaching people that there's some people that didn't

2841
02:39:25,360 --> 02:39:26,000
Speaker 4: know the culture.

2842
02:39:26,480 --> 02:39:27,119
Speaker 6: You know what I'm saying.

2843
02:39:27,240 --> 02:39:31,280
Speaker 4: There's people that like y'all introducing people. But because y'all

2844
02:39:31,560 --> 02:39:35,480
Speaker 4: like gonna bring Marley Marl and mc shan on, somebody

2845
02:39:35,600 --> 02:39:37,680
Speaker 4: is gonna know that or Patty LaBelle or you know,

2846
02:39:37,920 --> 02:39:41,160
Speaker 4: like like whomever, like like, I mean, we know these

2847
02:39:41,240 --> 02:39:43,959
Speaker 4: some of the people, but some we don't. But because

2848
02:39:44,040 --> 02:39:46,080
Speaker 4: y'all know it the way you know it, it's like

2849
02:39:46,240 --> 02:39:49,520
Speaker 4: really supposed to like who we are.

2850
02:39:50,480 --> 02:39:54,119
Speaker 3: So to think that we don't watch Yes, no, well

2851
02:39:54,160 --> 02:39:58,960
Speaker 3: thank you, because I see I see these answers and

2852
02:39:59,040 --> 02:40:00,640
Speaker 3: these even more August.

2853
02:40:03,120 --> 02:40:06,920
Speaker 1: Oh yeah, I think you got to ask.

2854
02:40:06,840 --> 02:40:17,360
Speaker 8: This which oh yeah, yeah yeah, ice Cuber, Scarface, I'm.

2855
02:40:17,200 --> 02:40:19,160
Speaker 4: Gonna ask the first, but I'm gonna tell you I

2856
02:40:19,280 --> 02:40:24,400
Speaker 4: already know who I'm gonna say, Scarface, OK for me,

2857
02:40:24,800 --> 02:40:25,800
Speaker 4: I'm going ice Cube.

2858
02:40:26,400 --> 02:40:26,600
Speaker 2: Man.

2859
02:40:28,000 --> 02:40:31,800
Speaker 4: The fact that ice Cube I don't know, man, he's

2860
02:40:31,920 --> 02:40:36,560
Speaker 4: the ice Cube America's most wanted death certificate. I can't

2861
02:40:36,560 --> 02:40:42,440
Speaker 4: forget that bird, his hand killing, the fact that he wrote,

2862
02:40:42,440 --> 02:40:44,960
Speaker 4: he one thing he did Little Jim he told me,

2863
02:40:45,080 --> 02:40:47,680
Speaker 4: I hope he shared it with everybody else. But but

2864
02:40:48,560 --> 02:40:55,039
Speaker 4: that song, well, easy was like, uh, little girls and boys,

2865
02:40:55,360 --> 02:40:59,400
Speaker 4: they all love me. He wrote that for Easy gangst Fairy,

2866
02:41:00,280 --> 02:41:02,560
Speaker 4: he said, little girls and boys they all love me.

2867
02:41:02,959 --> 02:41:06,039
Speaker 6: Co sit on a lot of Easy, but he changed

2868
02:41:06,080 --> 02:41:07,920
Speaker 6: it to ice and made it his song.

2869
02:41:08,360 --> 02:41:10,760
Speaker 4: The fact that he could write songs for other people

2870
02:41:10,800 --> 02:41:13,320
Speaker 4: and they feel like they songs. But then he write

2871
02:41:13,400 --> 02:41:15,400
Speaker 4: his own ship and it was like ship. We had

2872
02:41:15,480 --> 02:41:18,240
Speaker 4: never heard, like I used to love a bitch as

2873
02:41:18,280 --> 02:41:20,680
Speaker 4: a bitch. And people probably won't think that because you know,

2874
02:41:26,160 --> 02:41:28,920
Speaker 4: sometimes y'all be like if I'm in this conscious figga

2875
02:41:28,959 --> 02:41:34,120
Speaker 4: that only do it like I'm so so that being said,

2876
02:41:34,200 --> 02:41:35,960
Speaker 4: it's like I don't know I'm gonna go with Cube

2877
02:41:36,200 --> 02:41:39,560
Speaker 4: much respect to Scott Face, and I love it, but

2878
02:41:39,600 --> 02:41:40,160
Speaker 4: I feel like.

2879
02:41:41,879 --> 02:41:42,880
Speaker 6: I'm I'm an MC.

2880
02:41:43,120 --> 02:41:46,160
Speaker 4: So I be feeling like I be looking sometimes when

2881
02:41:46,200 --> 02:41:49,360
Speaker 4: I hear influence, and I think at some point Scott

2882
02:41:49,440 --> 02:41:53,360
Speaker 4: Face is influenced by Ice Cube and and I just

2883
02:41:53,520 --> 02:41:56,640
Speaker 4: Scott Face is amazing. It's just and soulful ship. But

2884
02:41:56,760 --> 02:42:00,200
Speaker 4: Ice Cuba is like, man, he did some legend there.

2885
02:42:00,280 --> 02:42:00,480
Speaker 1: Ship.

2886
02:42:00,600 --> 02:42:03,280
Speaker 4: This is like straight out of company a lot of

2887
02:42:03,360 --> 02:42:06,280
Speaker 4: that ship history history, definitely history.

2888
02:42:07,440 --> 02:42:13,119
Speaker 3: Yeah right, you said scarface scarface, and I say scarface

2889
02:42:13,240 --> 02:42:18,240
Speaker 3: because you know, after speaking to him and getting to

2890
02:42:18,320 --> 02:42:19,480
Speaker 3: be his friend and ship like.

2891
02:42:19,520 --> 02:42:23,760
Speaker 6: That, it's like faces deep. Yeah, he's funny, he's you know.

2892
02:42:23,920 --> 02:42:29,320
Speaker 1: The Block is one of my favorite joints. And Hours album. Yeah,

2893
02:42:29,360 --> 02:42:35,080
Speaker 1: the albums, The Face with album Love. That album was crazy.

2894
02:42:35,160 --> 02:42:37,640
Speaker 1: Who did that be know Block?

2895
02:42:38,160 --> 02:42:39,880
Speaker 6: Yeah, Kanye or the Rism?

2896
02:42:40,240 --> 02:42:40,640
Speaker 1: I think it was.

2897
02:42:40,720 --> 02:42:43,520
Speaker 6: Yeah, I think it was Yeah, Kanye or the Rism.

2898
02:42:44,480 --> 02:42:59,360
Speaker 1: He's taking over the got you you asking me? All right?

2899
02:42:59,400 --> 02:43:09,720
Speaker 1: So all right with Crateria, you can't get about beats.

2900
02:43:12,920 --> 02:43:15,560
Speaker 1: I'm ill tell you this, damn that's all.

2901
02:43:15,680 --> 02:43:19,160
Speaker 3: I have worked with the Risen before, and I've worked

2902
02:43:19,160 --> 02:43:22,200
Speaker 3: with Ye. I've never worked with Ye as a producer,

2903
02:43:22,920 --> 02:43:24,720
Speaker 3: but Yay scared the ship out of me.

2904
02:43:26,120 --> 02:43:26,920
Speaker 1: One day I'm in.

2905
02:43:27,000 --> 02:43:32,800
Speaker 3: Carbon, I wrote a whole rhyme in carbon. By the way,

2906
02:43:33,040 --> 02:43:40,920
Speaker 3: I am a resource from special education child, so I

2907
02:43:41,040 --> 02:43:46,160
Speaker 3: write in graffiti, even type type in graff. No one

2908
02:43:46,240 --> 02:43:48,760
Speaker 3: could read my my my my wife can't read it.

2909
02:43:49,640 --> 02:43:53,280
Speaker 3: My wife can't read it because you're a Gemini. But no, no, no,

2910
02:43:53,720 --> 02:43:55,959
Speaker 3: I say, my wife can't read it. She's never tried.

2911
02:43:56,280 --> 02:43:58,400
Speaker 3: My wife never looked at my phone for a rhyme.

2912
02:43:58,760 --> 02:44:02,440
Speaker 3: You know what I'm saying, like it, but no one

2913
02:44:02,520 --> 02:44:06,080
Speaker 3: could read my rhymes, like like, I've never met somebody

2914
02:44:06,160 --> 02:44:10,080
Speaker 3: that can read my rhyme. Kanye not only read my rhyme,

2915
02:44:11,440 --> 02:44:14,520
Speaker 3: he read it how I wrote it, like the flow

2916
02:44:14,600 --> 02:44:17,880
Speaker 3: that you meant. He looked at my phone. And by

2917
02:44:17,920 --> 02:44:21,200
Speaker 3: the way, who the where's miss Diego? Who was it

2918
02:44:21,400 --> 02:44:24,920
Speaker 3: with Jeff what's his name? Jared Kushner? This is the

2919
02:44:25,000 --> 02:44:26,840
Speaker 3: fucking president's.

2920
02:44:27,320 --> 02:44:30,760
Speaker 1: Son in law, son in law at the time, where

2921
02:44:31,040 --> 02:44:32,279
Speaker 1: the presidents at the time.

2922
02:44:32,280 --> 02:44:36,160
Speaker 3: At the time, And I'm writing around and he's he's

2923
02:44:36,280 --> 02:44:38,840
Speaker 3: watching me write the rhyme like you know how sometimes

2924
02:44:38,879 --> 02:44:40,440
Speaker 3: like I'm an MC so I just couldn't.

2925
02:44:40,879 --> 02:44:44,280
Speaker 1: I couldn't turn it off. And I put the phone

2926
02:44:44,360 --> 02:44:48,960
Speaker 1: down and looked at my phone and he, Yo, he

2927
02:44:49,680 --> 02:44:53,680
Speaker 1: knew he spin it how I wrote it. Even if

2928
02:44:53,720 --> 02:44:58,160
Speaker 1: you could write it, I don't know that man, Jesus.

2929
02:44:58,200 --> 02:44:58,600
Speaker 4: That man.

2930
02:44:59,160 --> 02:45:03,040
Speaker 1: He was like Kanye different man. And I looked and

2931
02:45:03,160 --> 02:45:07,080
Speaker 1: I was like mostly Hawaiian.

2932
02:45:07,320 --> 02:45:12,120
Speaker 6: So some things with him like just threw me.

2933
02:45:12,200 --> 02:45:16,680
Speaker 1: Back, Like he's a genius. You can't take away from.

2934
02:45:18,600 --> 02:45:20,680
Speaker 6: But I don't use that word that much. He's a

2935
02:45:20,760 --> 02:45:21,560
Speaker 6: genius people.

2936
02:45:21,600 --> 02:45:24,400
Speaker 8: People get mad when you call and for what he

2937
02:45:24,560 --> 02:45:26,600
Speaker 8: does and how he does it, he's a genius.

2938
02:45:26,680 --> 02:45:31,120
Speaker 1: He's a musical genius. Yes, yes, wants simple as that

2939
02:45:32,680 --> 02:45:33,240
Speaker 1: going around.

2940
02:45:34,320 --> 02:45:35,959
Speaker 3: We're gonna get out of quick time of slime. Let's

2941
02:45:37,879 --> 02:45:43,440
Speaker 3: yeah this for you again. Okay, Biggie a big punt.

2942
02:45:46,640 --> 02:45:49,640
Speaker 3: I love them both, but I'll go with bigg This

2943
02:45:49,800 --> 02:45:53,360
Speaker 3: is awesome for you. Bulls are the knicks, you know.

2944
02:45:54,800 --> 02:45:59,560
Speaker 3: Come on, I'll say to this comment right now, comment,

2945
02:46:06,760 --> 02:46:06,959
Speaker 3: we know.

2946
02:46:07,000 --> 02:46:11,640
Speaker 6: You're I'm going with the bulls. Let's remember that we

2947
02:46:11,760 --> 02:46:12,560
Speaker 6: shut y'all down.

2948
02:46:13,560 --> 02:46:19,640
Speaker 1: You remember we do. Remember we do, y'all. You don't

2949
02:46:19,680 --> 02:46:21,720
Speaker 1: have to remind us. We don't remember. I need to

2950
02:46:21,760 --> 02:46:25,960
Speaker 1: remind you the bulls. Did you understand that yesterday we

2951
02:46:26,080 --> 02:46:27,960
Speaker 1: said fuck you Reggie and he wasn't even in the

2952
02:46:28,000 --> 02:46:38,560
Speaker 1: buildings coming exactly. Y'all have heard that her United Center.

2953
02:46:38,800 --> 02:46:41,800
Speaker 4: But it's amazing to see that what Mike did to y'all.

2954
02:46:42,120 --> 02:46:43,120
Speaker 4: Just think about what Mike.

2955
02:46:44,680 --> 02:46:53,160
Speaker 1: Think about Think like his leg it's not working, Think

2956
02:46:53,200 --> 02:46:53,520
Speaker 1: about this.

2957
02:46:54,280 --> 02:47:01,320
Speaker 4: Yeah, look, no, Patrick Ewing, Charles Barkley, calm alone. Greats

2958
02:47:02,080 --> 02:47:06,320
Speaker 4: never got a ring. Gary Payton because of him. Jane

2959
02:47:06,720 --> 02:47:10,960
Speaker 4: Man Chicago. We bred that man. We got Oprah, y'all

2960
02:47:11,040 --> 02:47:13,199
Speaker 4: named it. Let me go down the list of people

2961
02:47:13,240 --> 02:47:16,320
Speaker 4: we got. We we bred, We cultivated Oprah to be

2962
02:47:16,440 --> 02:47:17,000
Speaker 4: who she was.

2963
02:47:17,440 --> 02:47:21,959
Speaker 6: God bless her. We ain't get I love, I love,

2964
02:47:22,640 --> 02:47:23,360
Speaker 6: I love, give up.

2965
02:47:23,640 --> 02:47:29,520
Speaker 4: But but but look we Mike, we cultivated him President Obama, obviously,

2966
02:47:29,600 --> 02:47:36,560
Speaker 4: Michelle Obama from the man that's in the middle, I'm

2967
02:47:36,560 --> 02:47:40,680
Speaker 4: talking about car Minnie rippertsent Kelly.

2968
02:47:40,720 --> 02:47:42,880
Speaker 1: We did somewhere. We gotta give it up for a jay.

2969
02:47:47,840 --> 02:47:48,000
Speaker 1: You know.

2970
02:47:48,680 --> 02:47:50,680
Speaker 4: We go to the New School of Little Dirts and

2971
02:47:51,000 --> 02:47:55,600
Speaker 4: her little her broke up. Givego, we got our ship,

2972
02:47:57,040 --> 02:48:00,080
Speaker 4: got it go, give.

2973
02:47:59,920 --> 02:48:09,360
Speaker 1: It up to chief keeping the herb homies keep clips.

2974
02:48:09,600 --> 02:48:10,160
Speaker 4: E p m D.

2975
02:48:12,720 --> 02:48:14,800
Speaker 6: I'm going e p m D. Man them dudes, like,

2976
02:48:16,000 --> 02:48:17,000
Speaker 6: come on, man, they did.

2977
02:48:17,040 --> 02:48:20,000
Speaker 1: You said, clown cli that's kind of odd.

2978
02:48:20,280 --> 02:48:25,640
Speaker 6: Yeah, okay, listening like e p m D.

2979
02:48:25,879 --> 02:48:30,520
Speaker 4: Come on, man, them four albums like James three.

2980
02:48:30,440 --> 02:48:31,520
Speaker 6: They did three segments.

2981
02:48:31,560 --> 02:48:36,200
Speaker 7: And you can't pair teachers with youngins. Tell them nigs

2982
02:48:36,200 --> 02:48:41,400
Speaker 7: over there, teachers with young that that's that's.

2983
02:48:41,360 --> 02:48:42,880
Speaker 1: And the birth of the hit squad out of E

2984
02:48:42,959 --> 02:48:45,480
Speaker 1: p m D by itself with that and.

2985
02:48:45,720 --> 02:48:48,200
Speaker 4: Just the albums like think about E p m D.

2986
02:48:48,400 --> 02:48:52,119
Speaker 4: Got strictly business. Yeah, I'm finished.

2987
02:48:52,120 --> 02:48:57,600
Speaker 6: Unfinished business active business like across so all that ship

2988
02:48:57,720 --> 02:48:58,520
Speaker 6: that was good?

2989
02:48:58,680 --> 02:49:08,600
Speaker 2: Cross like, yeah, bang up, Crazy, just Blaze or DJ Mustard? No, okay,

2990
02:49:09,520 --> 02:49:10,920
Speaker 2: who you asking you?

2991
02:49:11,440 --> 02:49:11,920
Speaker 1: Just place?

2992
02:49:13,959 --> 02:49:17,960
Speaker 7: I know Mustard has a track record of all the

2993
02:49:18,120 --> 02:49:21,840
Speaker 7: new new things that's going on, and he's had his hits.

2994
02:49:22,400 --> 02:49:25,800
Speaker 7: But I'm gonna go with you know, because I'm gonna

2995
02:49:25,800 --> 02:49:29,480
Speaker 7: go with what I know, right, I respect, I know

2996
02:49:29,600 --> 02:49:30,000
Speaker 7: the dude.

2997
02:49:30,080 --> 02:49:33,440
Speaker 1: So that's what's up. Mm hmm. You ain't even gonna

2998
02:49:33,440 --> 02:49:41,080
Speaker 1: answer that crazy. I'm gonna change this one up, okay.

2999
02:49:43,080 --> 02:49:43,440
Speaker 4: Mm hmm.

3000
02:49:43,680 --> 02:49:45,840
Speaker 1: They we use. He's trying to pick a difficult one,

3001
02:49:49,840 --> 02:49:57,879
Speaker 1: that one. I'm a virgo September six, okay, Nas or Biggie.

3002
02:50:00,160 --> 02:50:03,959
Speaker 1: That's that's one of the hardest picks for me. Let

3003
02:50:04,040 --> 02:50:06,600
Speaker 1: me change it up there, No, no, no, no, I like,

3004
02:50:07,240 --> 02:50:08,880
Speaker 1: I like, I'm gonna say, well, if you like to

3005
02:50:08,920 --> 02:50:11,240
Speaker 1: break it down like I like, I'm gonna go with NAS.

3006
02:50:11,680 --> 02:50:16,400
Speaker 1: And you've been studying with us with study with delegation

3007
02:50:16,560 --> 02:50:17,080
Speaker 1: is a real nick.

3008
02:50:22,240 --> 02:50:25,480
Speaker 6: Let me say this though about Biggie. I think Biggie

3009
02:50:26,560 --> 02:50:27,440
Speaker 6: is to me.

3010
02:50:28,400 --> 02:50:31,320
Speaker 4: You know, you hear the word consonant, He's a consonment

3011
02:50:31,560 --> 02:50:34,640
Speaker 4: MC because he's one of the MC's that I feel

3012
02:50:34,720 --> 02:50:40,359
Speaker 4: like had the some of the dopest lyrics like Simile's metaphors.

3013
02:50:40,840 --> 02:50:43,439
Speaker 6: His voice is like a voice.

3014
02:50:43,280 --> 02:50:45,640
Speaker 4: Is a gift that God only can get, Like Luther

3015
02:50:45,720 --> 02:50:50,400
Speaker 4: Van got a voice, like Whitney Houston, Aretha Franklin Man,

3016
02:50:50,959 --> 02:50:55,120
Speaker 4: Minnie Riffertson. It's a voice. Biggie had a voice. Nas

3017
02:50:55,120 --> 02:50:58,760
Speaker 4: got a voice. They both they both got like some mcs.

3018
02:50:58,840 --> 02:51:00,920
Speaker 4: I'm like, they don't but they ain't got a voice.

3019
02:51:00,959 --> 02:51:01,520
Speaker 4: That's a gift.

3020
02:51:01,680 --> 02:51:02,720
Speaker 1: But Biggies was unique.

3021
02:51:02,760 --> 02:51:04,040
Speaker 6: Biggies was big Mary.

3022
02:51:04,160 --> 02:51:08,600
Speaker 4: But NASA's unique to that little grasping this things like incredible.

3023
02:51:09,120 --> 02:51:13,120
Speaker 4: Biggie also is incredible with the stories. And one thing

3024
02:51:13,200 --> 02:51:15,480
Speaker 4: that I even though I picked NAS, one thing I

3025
02:51:15,520 --> 02:51:17,560
Speaker 4: would say Biggie had over a lot of them, sees

3026
02:51:17,920 --> 02:51:21,800
Speaker 4: is he knew how to ride over those commercial beats.

3027
02:51:22,080 --> 02:51:26,400
Speaker 1: Yeah and still keep it, keep it and keep a gangster. Yeah.

3028
02:51:26,480 --> 02:51:29,800
Speaker 3: Yeah, if you take hypnotize and you put that shirt

3029
02:51:29,840 --> 02:51:32,120
Speaker 3: on a different beat, you like he was coming by

3030
02:51:32,600 --> 02:51:33,360
Speaker 3: nasty girls.

3031
02:51:34,520 --> 02:51:37,000
Speaker 1: You know what I'm saying. He so, I got one

3032
02:51:37,040 --> 02:51:37,600
Speaker 1: more chance.

3033
02:51:38,640 --> 02:51:41,360
Speaker 4: I got a theory that the dudes, the guys you're

3034
02:51:41,400 --> 02:51:44,400
Speaker 4: making descent, they ride the rhythms the best buster.

3035
02:51:44,800 --> 02:51:56,280
Speaker 1: That's real, that's true. I'm glad. I'm telling you. I

3036
02:51:56,320 --> 02:51:57,840
Speaker 1: got a little theory. I'll be studying.

3037
02:51:57,920 --> 02:52:04,160
Speaker 4: This would be like the way they ride the robust

3038
02:52:04,240 --> 02:52:05,359
Speaker 4: because the greatest.

3039
02:52:05,400 --> 02:52:11,200
Speaker 1: Great because you reggae things of dance music. But the

3040
02:52:11,440 --> 02:52:12,959
Speaker 1: reg artists be saying some hard.

3041
02:52:14,440 --> 02:52:17,320
Speaker 6: On that rhythm and it all starts well. I mean,

3042
02:52:17,320 --> 02:52:19,039
Speaker 6: you know, talking about reggae music.

3043
02:52:19,240 --> 02:52:19,280
Speaker 5: You.

3044
02:52:19,520 --> 02:52:25,080
Speaker 7: Roy was like the reggae artist rap chat in Jamaican.

3045
02:52:25,160 --> 02:52:27,240
Speaker 7: You know, when it comes to the Jamaican world full

3046
02:52:27,280 --> 02:52:27,920
Speaker 7: of Jamaicans.

3047
02:52:28,480 --> 02:52:32,880
Speaker 1: Roy was that guy. He said, big up, Yeah, you

3048
02:52:33,440 --> 02:52:37,560
Speaker 1: get the Jamaican master going creat Yeah, you're right. I'm

3049
02:52:37,560 --> 02:52:43,680
Speaker 1: glad you're here. He knows about you. We ain't gonna

3050
02:52:43,680 --> 02:52:46,400
Speaker 1: hear the rest of this year. Ask him. We're gonna

3051
02:52:46,440 --> 02:52:49,400
Speaker 1: be boxing Tomorrow's gonna be like you about it? Rock

3052
02:52:49,520 --> 02:52:54,360
Speaker 1: Ye the boy Yes, yard Man who was the state

3053
02:52:54,440 --> 02:52:57,800
Speaker 1: side recently to yo, who you know? He who you

3054
02:52:57,959 --> 02:52:59,920
Speaker 1: got back in the America? He got back here man?

3055
02:53:00,080 --> 02:53:10,600
Speaker 1: Oh yeah, I want to I want to shine, I

3056
02:53:10,720 --> 02:53:11,680
Speaker 1: want to welcome back.

3057
02:53:12,080 --> 02:53:21,000
Speaker 3: It's crazy. Okay, radio or podcast radio Premiere.

3058
02:53:20,879 --> 02:53:26,320
Speaker 4: Or Doctor Dre Premiere for me, okay, yeah, sixth Sense

3059
02:53:27,040 --> 02:53:30,400
Speaker 4: and Premier is just you know, that's my taste more.

3060
02:53:30,720 --> 02:53:34,039
Speaker 4: I love the Doctor Dre Kronick and all that stuff,

3061
02:53:34,520 --> 02:53:37,360
Speaker 4: but Premiere, man, it ain't nothing like some of them

3062
02:53:37,480 --> 02:53:40,680
Speaker 4: joints that that the gang style did, like them gang

3063
02:53:40,760 --> 02:53:42,720
Speaker 4: Style like when I when I be hearing step into

3064
02:53:42,800 --> 02:53:43,720
Speaker 4: the Arena.

3065
02:53:43,879 --> 02:53:44,440
Speaker 1: And like.

3066
02:53:46,080 --> 02:53:51,000
Speaker 4: The Wick Manifested, like Witch and like some of them joints.

3067
02:53:51,040 --> 02:53:53,800
Speaker 4: Is just like I'm like, man, this ship is incredible.

3068
02:53:55,080 --> 02:53:58,160
Speaker 4: That's why them dudes is like for me, Pete Rock

3069
02:53:58,600 --> 02:54:01,160
Speaker 4: and I know they always get classified together.

3070
02:54:01,240 --> 02:54:03,119
Speaker 6: Pete Rock got his own sound, Premier got.

3071
02:54:03,040 --> 02:54:03,959
Speaker 1: His own difference.

3072
02:54:04,000 --> 02:54:07,200
Speaker 4: But it's just like two greats where you when we

3073
02:54:07,480 --> 02:54:10,400
Speaker 4: like talk about like I listen to jazz some Miles

3074
02:54:10,520 --> 02:54:13,360
Speaker 4: Davis and John Coltrane and two of my favorites, but

3075
02:54:13,879 --> 02:54:16,560
Speaker 4: you know, but they don't sound alike, but they still

3076
02:54:16,640 --> 02:54:19,000
Speaker 4: got their own sound. And you know it's I listen

3077
02:54:19,040 --> 02:54:21,440
Speaker 4: to them both, and that's what to me with Pete

3078
02:54:21,520 --> 02:54:24,760
Speaker 4: Rock and who Pete Rock is. And then Premiere. So

3079
02:54:25,320 --> 02:54:28,800
Speaker 4: dre Is drey is like incredible producer, he got the sounds.

3080
02:54:28,840 --> 02:54:29,840
Speaker 4: But I'm going with primo.

3081
02:54:30,440 --> 02:54:31,120
Speaker 1: I respect that.

3082
02:54:32,080 --> 02:54:41,480
Speaker 4: Yeah, oh yeah, acting or rapping, yeah, man, I'm going rapping. Man,

3083
02:54:42,320 --> 02:54:45,800
Speaker 4: happened you right back when you saw it, because it's like,

3084
02:54:46,600 --> 02:54:48,959
Speaker 4: you know, you know you ever been with.

3085
02:54:50,720 --> 02:54:52,640
Speaker 6: Well, y'all married, some of y'all married.

3086
02:54:52,720 --> 02:54:58,160
Speaker 1: Yeah, I'm married. You have been like we know you've

3087
02:54:58,200 --> 02:55:15,400
Speaker 1: been outside you respect you know you should have been

3088
02:55:15,440 --> 02:55:31,200
Speaker 1: called got literally yes, yeah yeah.

3089
02:55:31,440 --> 02:55:34,080
Speaker 4: For me, I feel like rapping I was about I

3090
02:55:34,120 --> 02:55:36,000
Speaker 4: brought up a woman because I was like, you know

3091
02:55:36,080 --> 02:55:39,520
Speaker 4: how you like be like, man, I'm about to go

3092
02:55:39,680 --> 02:55:42,720
Speaker 4: out and do, but you always come back home.

3093
02:55:43,640 --> 02:55:45,039
Speaker 1: Home. Ain't nothing like home.

3094
02:55:45,879 --> 02:55:49,240
Speaker 4: And you know I ain't saying like niggas do go

3095
02:55:49,320 --> 02:55:52,040
Speaker 4: out do we married niggas and were staying focused. But

3096
02:55:52,400 --> 02:55:56,760
Speaker 4: but but the point is, like, no matter what I do,

3097
02:55:57,840 --> 02:56:02,320
Speaker 4: hip hop is always a base. It's always the base.

3098
02:56:02,400 --> 02:56:06,000
Speaker 4: I feel like God gave me that understand who I

3099
02:56:06,080 --> 02:56:08,200
Speaker 4: am and like to express who I am and to

3100
02:56:08,240 --> 02:56:09,760
Speaker 4: be able to touchdown with certain people.

3101
02:56:10,200 --> 02:56:11,680
Speaker 1: So acting is.

3102
02:56:11,760 --> 02:56:14,560
Speaker 4: Something I love it like I love I ain't gonna lie.

3103
02:56:14,560 --> 02:56:16,280
Speaker 4: I love it like I love music. I ain't at

3104
02:56:16,360 --> 02:56:19,480
Speaker 4: the level that I you know, like, even though some

3105
02:56:19,560 --> 02:56:21,119
Speaker 4: people come to me. I used to love when people

3106
02:56:21,160 --> 02:56:23,400
Speaker 4: come to me and be like, man, I like you

3107
02:56:23,520 --> 02:56:24,720
Speaker 4: better as an actor than a rap.

3108
02:56:25,920 --> 02:56:30,120
Speaker 1: Okay cool, But I can about podcasting. I don't know

3109
02:56:30,200 --> 02:56:31,040
Speaker 1: if I like it or not.

3110
02:56:34,520 --> 02:56:40,240
Speaker 4: I'm like, show how diverset you out? Like for you

3111
02:56:40,320 --> 02:56:45,840
Speaker 4: to go into another and dominate and be great at it.

3112
02:56:47,000 --> 02:56:50,400
Speaker 4: That's crazy, That's what that's That's how so for me.

3113
02:56:50,520 --> 02:56:53,160
Speaker 4: I love acting, but I ain't gonna lie. Rapping is

3114
02:56:53,280 --> 02:56:56,640
Speaker 4: like like, man, I ain't gonna lie. Coming to be

3115
02:56:56,680 --> 02:56:57,959
Speaker 4: able to work with Pete was like.

3116
02:56:58,200 --> 02:57:01,560
Speaker 6: Man, this is some of the that's like, I was

3117
02:57:01,640 --> 02:57:02,880
Speaker 6: something I always wanted to do.

3118
02:57:04,120 --> 02:57:05,120
Speaker 1: I've been mating to work with.

3119
02:57:05,600 --> 02:57:09,120
Speaker 4: I was peating, like yo, when he sent beats m hm,

3120
02:57:09,640 --> 02:57:11,560
Speaker 4: like when he is saying he is sending beats. It's

3121
02:57:11,600 --> 02:57:12,720
Speaker 4: just one little snippets.

3122
02:57:13,920 --> 02:57:14,080
Speaker 1: Man.

3123
02:57:14,720 --> 02:57:17,080
Speaker 4: That's the joy I felt when I first was like,

3124
02:57:18,120 --> 02:57:20,400
Speaker 4: it's only certain producers that have been able to do that.

3125
02:57:20,520 --> 02:57:20,800
Speaker 1: For me.

3126
02:57:21,360 --> 02:57:24,320
Speaker 4: It's only j De Love, Pete Rock and maybe Kanye

3127
02:57:25,120 --> 02:57:28,039
Speaker 4: Wow that that's been able to be Like I get

3128
02:57:28,080 --> 02:57:30,440
Speaker 4: a beat and I'm like, oh man, my world is

3129
02:57:30,680 --> 02:57:33,080
Speaker 4: and it can't nothing messed with my world at this

3130
02:57:33,200 --> 02:57:36,200
Speaker 4: point unless it's something with my family going on or something,

3131
02:57:36,240 --> 02:57:39,360
Speaker 4: you know. But anyway, when Pete send them beats, so

3132
02:57:39,720 --> 02:57:43,360
Speaker 4: I'm gonna go with rapping, man, I was rapping, rapping rap,

3133
02:57:43,640 --> 02:57:44,360
Speaker 4: Yeah right.

3134
02:57:44,320 --> 02:57:54,120
Speaker 1: I was rap, peak producing or peak rapping.

3135
02:57:56,160 --> 02:57:56,360
Speaker 2: Man.

3136
02:57:57,040 --> 02:58:00,320
Speaker 3: That's a hard I mean, that's not hard, like he

3137
02:58:00,520 --> 02:58:05,119
Speaker 3: is saying. First, I didn't care about rapping. I care

3138
02:58:05,160 --> 02:58:08,080
Speaker 3: about the music, So I don't care what you say.

3139
02:58:08,920 --> 02:58:11,800
Speaker 4: I mean, it's it's Pete producing like this dude is

3140
02:58:11,840 --> 02:58:12,959
Speaker 4: one of the greatest producers.

3141
02:58:13,560 --> 02:58:18,680
Speaker 6: Like, it ain't a top shot. Hey, we started we

3142
02:58:18,800 --> 02:58:19,240
Speaker 6: started off.

3143
02:58:19,440 --> 02:58:23,360
Speaker 1: We're not saying that likely, folks, We're not saying say that.

3144
02:58:23,560 --> 02:58:25,640
Speaker 6: And I was saying no, I was like, you know,

3145
02:58:25,760 --> 02:58:27,280
Speaker 6: not just the hip hop man.

3146
02:58:27,360 --> 02:58:30,600
Speaker 4: We gotta we gotta recognize what hip hop producers have

3147
02:58:30,760 --> 02:58:34,199
Speaker 4: done to music. Like we honor like and we should

3148
02:58:34,280 --> 02:58:37,279
Speaker 4: honor Jimmy Jame and Terry Lewis, we should honor.

3149
02:58:37,720 --> 02:58:40,440
Speaker 6: Like the like the Mally's White and people.

3150
02:58:40,760 --> 02:58:45,000
Speaker 4: But Pete Rockets is like for a genre, he created

3151
02:58:45,080 --> 02:58:48,680
Speaker 4: and helped elevate the whole genre and the music transcended

3152
02:58:48,760 --> 02:58:49,200
Speaker 4: beyond that.

3153
02:58:49,879 --> 02:58:52,720
Speaker 1: Other genres of a copy what hip hop producers doing

3154
02:58:52,879 --> 02:58:53,400
Speaker 1: point blak.

3155
02:58:53,560 --> 02:58:56,960
Speaker 7: Yeah, it's only I say it's really inspiration. Like I

3156
02:58:57,080 --> 02:59:00,320
Speaker 7: know copy is the word that people use, but saying

3157
02:59:01,200 --> 02:59:06,200
Speaker 7: it's really reinvented me inspiring people to just want to

3158
02:59:06,280 --> 02:59:06,800
Speaker 7: do the same thing.

3159
02:59:06,840 --> 02:59:09,080
Speaker 1: That's yeah, that's that's the humble.

3160
02:59:09,760 --> 02:59:10,760
Speaker 6: Yeah.

3161
02:59:11,120 --> 02:59:11,360
Speaker 1: Yeah.

3162
02:59:12,520 --> 02:59:17,360
Speaker 4: But his raps is cold but Yeah Heavy D or

3163
02:59:17,480 --> 02:59:23,000
Speaker 4: Chuck Rock heavy D. I love Chuck oh Man, heavy

3164
02:59:23,080 --> 02:59:25,240
Speaker 4: D Man for me, I mean, I ain't gonna lie.

3165
02:59:25,360 --> 02:59:31,040
Speaker 4: Part of it might be special ad to me with

3166
02:59:31,120 --> 02:59:34,480
Speaker 4: to M season did this intricate thing that I was like,

3167
02:59:34,600 --> 02:59:38,840
Speaker 4: oh she was cold but heavy D. After just learning Buddy,

3168
02:59:39,200 --> 02:59:45,760
Speaker 4: He's done, Heavy D met the man met the man

3169
02:59:45,840 --> 02:59:46,519
Speaker 4: of Buster.

3170
02:59:51,760 --> 02:59:57,400
Speaker 8: Man hell Coul Big Daddy came either well hello, he

3171
02:59:57,640 --> 03:00:00,400
Speaker 8: was like the was he did he come before bid?

3172
03:00:01,040 --> 03:00:01,240
Speaker 4: Yeah?

3173
03:00:01,480 --> 03:00:02,959
Speaker 1: Yeah, sixteen years old.

3174
03:00:03,640 --> 03:00:07,400
Speaker 7: So I was on to LL on his first album,

3175
03:00:07,480 --> 03:00:12,040
Speaker 7: Tha bet you know the whole first album, Can't Live

3176
03:00:12,120 --> 03:00:16,760
Speaker 7: Without My Radio all that, Like that was like the

3177
03:00:16,879 --> 03:00:19,480
Speaker 7: only hip hop I knew when I heard L cool J.

3178
03:00:19,959 --> 03:00:24,560
Speaker 7: Then they did the crush grooving movie Body Moving.

3179
03:00:24,959 --> 03:00:28,760
Speaker 1: You know what I'm saying. LLL was was was was

3180
03:00:28,959 --> 03:00:31,440
Speaker 1: in it. He was in it. And then I'm bad.

3181
03:00:31,720 --> 03:00:35,720
Speaker 6: Was like like, oh ship, well, yeah, I'm going with

3182
03:00:35,959 --> 03:00:36,200
Speaker 6: l L.

3183
03:00:36,360 --> 03:00:37,200
Speaker 1: Because l L.

3184
03:00:38,320 --> 03:00:40,280
Speaker 4: I ain't gonna lie. L L was one of them dudes.

3185
03:00:40,360 --> 03:00:43,440
Speaker 4: I was like, he did it on the on the

3186
03:00:43,720 --> 03:00:45,600
Speaker 4: lyrical side. If you listen to a lot of stuff

3187
03:00:45,680 --> 03:00:48,120
Speaker 4: to the breaking down I love and I breaking on

3188
03:00:48,240 --> 03:00:50,680
Speaker 4: breaking down, he'd be like, peepe rock this stuff in

3189
03:00:50,760 --> 03:00:51,200
Speaker 4: the studio.

3190
03:00:51,280 --> 03:00:51,760
Speaker 1: I love us.

3191
03:00:52,200 --> 03:00:54,120
Speaker 6: But but he but people.

3192
03:00:54,360 --> 03:00:57,560
Speaker 4: But l L was like he could do a lot

3193
03:00:57,600 --> 03:00:59,800
Speaker 4: of different stuff too, because Mama said, knock you out

3194
03:01:00,640 --> 03:01:03,720
Speaker 4: like one nine hundred not all my favorite.

3195
03:01:04,080 --> 03:01:08,480
Speaker 6: I don't put don't I don't go go go. That

3196
03:01:08,600 --> 03:01:10,360
Speaker 6: ship is cold and I tell you it is a

3197
03:01:10,480 --> 03:01:11,360
Speaker 6: big ce.

3198
03:01:12,520 --> 03:01:15,160
Speaker 1: Nomin nate L Man.

3199
03:01:16,440 --> 03:01:19,959
Speaker 6: I love and I love that snapping.

3200
03:01:20,160 --> 03:01:23,240
Speaker 8: Yeah, how young he started in his career to this

3201
03:01:23,640 --> 03:01:25,440
Speaker 8: now doing radio, Like it's.

3202
03:01:25,360 --> 03:01:28,480
Speaker 6: Crazy everything that he has a radio station.

3203
03:01:28,560 --> 03:01:33,200
Speaker 3: I'm gonna say, yeah, Cuba black Dog, Yeah, come on,

3204
03:01:33,440 --> 03:01:34,560
Speaker 3: come on, let's.

3205
03:01:35,720 --> 03:01:44,920
Speaker 9: Let's hear you black better m c in that situation back, okay, man,

3206
03:01:45,000 --> 03:01:45,840
Speaker 9: you need to stop.

3207
03:01:49,080 --> 03:01:50,400
Speaker 1: Or digital and.

3208
03:01:52,640 --> 03:01:54,800
Speaker 6: I'm going and a log all day.

3209
03:01:56,000 --> 03:01:57,680
Speaker 1: I just feel like you're going about to stay digital

3210
03:01:57,800 --> 03:01:58,440
Speaker 1: just to be different.

3211
03:01:58,600 --> 03:01:58,640
Speaker 4: No.

3212
03:01:58,680 --> 03:02:01,480
Speaker 8: I always said that a lot I couldn't even I

3213
03:02:01,480 --> 03:02:04,600
Speaker 8: couldn't transfer over to digital DJ digital.

3214
03:02:05,600 --> 03:02:08,800
Speaker 1: Gotta see yeah, go to the next one. I don't

3215
03:02:08,840 --> 03:02:17,400
Speaker 1: want to exit this one. To me, neither Menace, oh yeah,

3216
03:02:17,440 --> 03:02:20,360
Speaker 1: Mess Society or Juice. Oh that one will be good

3217
03:02:22,240 --> 03:02:24,240
Speaker 1: after that one. Because I was on the set of

3218
03:02:24,400 --> 03:02:27,320
Speaker 1: men really, I thought you would say Juice right now now.

3219
03:02:27,480 --> 03:02:31,240
Speaker 7: We watched the very last shooting scenes and then after

3220
03:02:31,600 --> 03:02:38,480
Speaker 7: they wrapped up, we partied at Universal Studios lel and

3221
03:02:38,600 --> 03:02:40,959
Speaker 7: all the actors and actresses that way in the movie.

3222
03:02:41,879 --> 03:02:45,200
Speaker 1: Yeh, So how did you get there? I don't see.

3223
03:02:45,480 --> 03:02:48,119
Speaker 7: I had the country are on the soundtrack. We did

3224
03:02:48,160 --> 03:02:51,680
Speaker 7: a song on the soundtrack that becomes You that you.

3225
03:02:51,800 --> 03:02:54,960
Speaker 4: Snap yeah yeah, And I wrote that myself, that ship

3226
03:02:55,000 --> 03:02:56,039
Speaker 4: you snapped on that ship.

3227
03:02:56,320 --> 03:02:58,800
Speaker 6: So yo, I'm going with minutes. I watched Minace.

3228
03:02:59,240 --> 03:03:00,360
Speaker 1: I'm gonna is right.

3229
03:03:00,879 --> 03:03:03,280
Speaker 6: I'm going I'm going minute too.

3230
03:03:03,480 --> 03:03:09,400
Speaker 4: Y'all know, y'all didn't like really ask me, but I'm

3231
03:03:09,440 --> 03:03:13,120
Speaker 4: going minute. I saw that ship like I ain't gonna lie.

3232
03:03:13,440 --> 03:03:15,800
Speaker 4: I saw that ship like like eight times at the

3233
03:03:15,879 --> 03:03:18,480
Speaker 4: movie theater, maybe nine. That's the one I liked the

3234
03:03:18,600 --> 03:03:21,000
Speaker 4: movie like that. I was going to see that ship

3235
03:03:21,600 --> 03:03:24,080
Speaker 4: going to see that ship. Minister Society was crazy. It

3236
03:03:24,200 --> 03:03:27,440
Speaker 4: was Juice was does Minister Society was on another lefl

3237
03:03:27,520 --> 03:03:28,000
Speaker 4: and I got a.

3238
03:03:28,000 --> 03:03:30,920
Speaker 6: Shout out in Juice Tank and I got the shout out.

3239
03:03:31,080 --> 03:03:31,720
Speaker 1: Nigga said my.

3240
03:03:31,800 --> 03:03:34,119
Speaker 8: Name in that in the DJ scene right, yeah, yes

3241
03:03:34,600 --> 03:03:37,200
Speaker 8: to me, it's Juice in that sense as a DJ,

3242
03:03:38,240 --> 03:03:40,640
Speaker 8: it was a big difference for me as a DJE, Like.

3243
03:03:40,720 --> 03:03:42,520
Speaker 6: I was like, oh, I want I should have said

3244
03:03:42,920 --> 03:03:43,880
Speaker 6: I should have said Juice.

3245
03:03:43,920 --> 03:03:47,320
Speaker 1: But both great movies. Take a shot for that, you

3246
03:03:47,360 --> 03:03:50,240
Speaker 1: know what I'm saying, Take a good shot. Man went

3247
03:03:50,280 --> 03:03:51,120
Speaker 1: to jail for Juice.

3248
03:03:54,800 --> 03:03:57,480
Speaker 3: They're all great movies, though, both of my name, you know,

3249
03:03:57,640 --> 03:04:01,480
Speaker 3: shout out to TV rapps mm hmm.

3250
03:04:02,200 --> 03:04:02,720
Speaker 1: Rap City.

3251
03:04:03,720 --> 03:04:06,800
Speaker 4: I'm going your own TV raps man, Like, my goal

3252
03:04:06,959 --> 03:04:09,400
Speaker 4: is to be on your own TV raps like their

3253
03:04:09,520 --> 03:04:15,959
Speaker 4: Lover and then and Doctor Dreda and then and then

3254
03:04:16,080 --> 03:04:18,400
Speaker 4: five five Freddy when they came to Chicago and d

3255
03:04:18,560 --> 03:04:20,760
Speaker 4: you on TV raps that she was like monument.

3256
03:04:20,640 --> 03:04:23,600
Speaker 6: I changed my answer. You can take a shot for it, Okay,

3257
03:04:23,800 --> 03:04:24,840
Speaker 6: you on TV raps.

3258
03:04:24,800 --> 03:04:25,440
Speaker 1: You don't TV rap.

3259
03:04:25,680 --> 03:04:27,000
Speaker 6: I remember remember when.

3260
03:04:26,879 --> 03:04:27,760
Speaker 1: He came to my house.

3261
03:04:28,560 --> 03:04:35,120
Speaker 8: So I'm and that's DJ. Yeah, there was no basement

3262
03:04:35,920 --> 03:04:39,240
Speaker 8: to my Fat Fire Freddy film. But your TV raps

3263
03:04:39,400 --> 03:04:40,039
Speaker 8: was growing.

3264
03:04:40,200 --> 03:04:43,560
Speaker 4: That was that everyone man, like I remember even they did,

3265
03:04:43,760 --> 03:04:46,320
Speaker 4: like I can remember from your own TV raps when

3266
03:04:46,360 --> 03:04:49,000
Speaker 4: people would say different Ada limbs. So your own tv

3267
03:04:49,160 --> 03:04:54,640
Speaker 4: raps that changed the hip hop be honest. Yeah before

3268
03:04:54,680 --> 03:04:56,320
Speaker 4: its rap city. Yeah, you were right about that.

3269
03:04:56,640 --> 03:05:00,680
Speaker 1: So let's go n PC three thousand or m PC

3270
03:05:01,080 --> 03:05:04,880
Speaker 1: two deaths. Excel Excel, Come on, man, excel. That's what

3271
03:05:04,959 --> 03:05:06,360
Speaker 1: I made this album with.

3272
03:05:08,480 --> 03:05:17,400
Speaker 3: Wo to the whole album with Common is the NPC

3273
03:05:17,680 --> 03:05:18,800
Speaker 3: two thousand excels.

3274
03:05:19,280 --> 03:05:21,800
Speaker 1: Wow. Okay, so the last question for quick time of

3275
03:05:21,840 --> 03:05:29,760
Speaker 1: Slim Nigga get to the regular interview. Yeah, lower you

3276
03:05:30,600 --> 03:05:31,240
Speaker 1: all respect?

3277
03:05:32,240 --> 03:05:33,600
Speaker 6: Oh what's on you with?

3278
03:05:34,200 --> 03:05:37,000
Speaker 1: Not everybody loyal? Not everybody's loyal.

3279
03:05:36,840 --> 03:05:41,880
Speaker 6: So says okay, wow, okay, Wow, I'll say respect. I'm

3280
03:05:42,000 --> 03:05:44,440
Speaker 6: definitely going respect man, but I'll be man.

3281
03:05:45,080 --> 03:05:49,840
Speaker 4: I'll be listening to this is pastor you know, this

3282
03:05:50,000 --> 03:05:53,160
Speaker 4: is pasting name Miles Monroe, and he like he was

3283
03:05:53,160 --> 03:05:56,640
Speaker 4: from the Bahamas, and he spoke a lot about spirituality

3284
03:05:56,720 --> 03:05:59,560
Speaker 4: and on a higher level, not just like but he

3285
03:05:59,760 --> 03:06:02,960
Speaker 4: was talking about the one thing that men we need

3286
03:06:03,160 --> 03:06:07,280
Speaker 4: naturally is respect from a woman like like respect for

3287
03:06:07,400 --> 03:06:12,320
Speaker 4: feraro from a woman in respect like more than a

3288
03:06:12,400 --> 03:06:16,440
Speaker 4: lot of other ship if a woman respect your your.

3289
03:06:16,440 --> 03:06:19,040
Speaker 6: Being and who you are and what you say, like

3290
03:06:19,120 --> 03:06:20,520
Speaker 6: and we we want that as people.

3291
03:06:20,680 --> 03:06:26,120
Speaker 4: Just respect like because you know, lord, everybody can fall

3292
03:06:26,240 --> 03:06:29,720
Speaker 4: off at some point, like you know, like because of

3293
03:06:29,760 --> 03:06:30,760
Speaker 4: their own it ship.

3294
03:06:31,240 --> 03:06:34,400
Speaker 6: But respect is like I might be going through some ship.

3295
03:06:34,240 --> 03:06:36,800
Speaker 4: But I'm gonna still give you respect that you deserve

3296
03:06:37,480 --> 03:06:39,560
Speaker 4: and and then I'm gonna have to go work on

3297
03:06:39,680 --> 03:06:40,039
Speaker 4: my ship.

3298
03:06:40,520 --> 03:06:43,480
Speaker 6: But you know, but that's why I say respect.

3299
03:06:44,440 --> 03:06:48,959
Speaker 1: Yeah, yeah, I said respect.

3300
03:06:49,080 --> 03:06:54,360
Speaker 7: I said respect because you know, as a human being

3301
03:06:54,480 --> 03:06:59,160
Speaker 7: and as a man, you know, it feels better to

3302
03:06:59,240 --> 03:06:59,920
Speaker 7: be respected.

3303
03:07:00,320 --> 03:07:00,800
Speaker 1: You feel me.

3304
03:07:01,200 --> 03:07:05,120
Speaker 6: Loyalty don't last. You ever been through that. I know

3305
03:07:05,240 --> 03:07:05,800
Speaker 6: you've been through that.

3306
03:07:06,000 --> 03:07:09,880
Speaker 7: Yeah, So I'm gonna run with respect because you know,

3307
03:07:10,280 --> 03:07:12,840
Speaker 7: there's loyal people and then there's not.

3308
03:07:14,200 --> 03:07:17,640
Speaker 1: Gotta always weigh the options. But don't you want both? Yeah?

3309
03:07:17,879 --> 03:07:20,160
Speaker 1: I wouldn't want both, but you can't happen in the

3310
03:07:20,240 --> 03:07:21,960
Speaker 1: quick time of slime. This is the thing that we

3311
03:07:22,080 --> 03:07:22,600
Speaker 1: find funny.

3312
03:07:22,680 --> 03:07:24,960
Speaker 9: Only time people say both or neither or whatever, But

3313
03:07:25,040 --> 03:07:27,119
Speaker 9: when it comes to live to respect, they never want

3314
03:07:27,160 --> 03:07:27,600
Speaker 9: to say.

3315
03:07:27,440 --> 03:07:30,200
Speaker 1: Both, I would say, I want to say you got

3316
03:07:30,240 --> 03:07:34,840
Speaker 1: your shot, relax. I mean both.

3317
03:07:34,920 --> 03:07:38,640
Speaker 6: It's good to have there too. Yes, But I always

3318
03:07:38,680 --> 03:07:42,160
Speaker 6: think of you know, I always weigh it out.

3319
03:07:42,520 --> 03:07:49,280
Speaker 1: We're what do we want? But what we want is both.

3320
03:07:49,560 --> 03:07:51,720
Speaker 1: But how the world works, it's different.

3321
03:07:52,720 --> 03:07:57,440
Speaker 4: But even to me, like, I feel like I can

3322
03:07:57,600 --> 03:08:02,680
Speaker 4: understand when sometimes when some people like don't ain't as loyal,

3323
03:08:03,240 --> 03:08:05,000
Speaker 4: like that ain't.

3324
03:08:04,840 --> 03:08:07,520
Speaker 1: The way I said.

3325
03:08:07,520 --> 03:08:11,960
Speaker 4: I can understand sometimes when people like just like not that.

3326
03:08:12,080 --> 03:08:17,080
Speaker 4: I'm like, I'm around a lot of unloyal people, but

3327
03:08:17,200 --> 03:08:20,520
Speaker 4: I'm just like everybody have faults. But respect is something

3328
03:08:20,520 --> 03:08:23,840
Speaker 4: that's like I can naturally give to any human being.

3329
03:08:24,560 --> 03:08:27,920
Speaker 1: A stranger. It's a stranger, and I get respect.

3330
03:08:28,080 --> 03:08:31,480
Speaker 4: Yeah, And I think to me, respect for me is

3331
03:08:31,640 --> 03:08:34,400
Speaker 4: like something that when you give it to a human being,

3332
03:08:35,240 --> 03:08:39,840
Speaker 4: it just make the world better. Loyalty sometimes it's an expectation.

3333
03:08:40,000 --> 03:08:43,080
Speaker 4: What if somebody ain't loyal to you and you like, okay,

3334
03:08:43,320 --> 03:08:45,400
Speaker 4: this first ain't loyal to you, Do you turn on them?

3335
03:08:45,720 --> 03:08:49,120
Speaker 4: Do you be like boom boom boom, that meaning you

3336
03:08:49,160 --> 03:08:51,960
Speaker 4: don't have to. So I'm saying like, loyalty is something

3337
03:08:52,000 --> 03:08:55,320
Speaker 4: that you expected from that person. But respect is something

3338
03:08:55,360 --> 03:08:59,800
Speaker 4: that you're demanded from another person that you like, Okay, yo,

3339
03:09:00,040 --> 03:09:01,760
Speaker 4: this is what I just want as a human being,

3340
03:09:02,040 --> 03:09:05,039
Speaker 4: And it's like taking. I mean, you could want loyalty

3341
03:09:05,120 --> 03:09:08,000
Speaker 4: as a human being too and say like I deserve this,

3342
03:09:08,600 --> 03:09:11,800
Speaker 4: but I understand. For me, I understand when certain people

3343
03:09:12,200 --> 03:09:14,760
Speaker 4: don't have the loyalty at certain times.

3344
03:09:16,120 --> 03:09:18,480
Speaker 6: And and you know, it's just my thought. That's just

3345
03:09:18,560 --> 03:09:20,160
Speaker 6: the things that I've experienced.

3346
03:09:20,720 --> 03:09:23,200
Speaker 1: I don't and I think I think I gotta take it.

3347
03:09:24,800 --> 03:09:26,560
Speaker 1: I don't. I wanted both.

3348
03:09:27,080 --> 03:09:30,120
Speaker 3: Maybe I'm like naive, maybe I'm stupid, Like you know

3349
03:09:30,120 --> 03:09:32,760
Speaker 3: what I'm saying, Like I actually demand both because I

3350
03:09:32,879 --> 03:09:33,600
Speaker 3: present both.

3351
03:09:34,720 --> 03:09:36,320
Speaker 4: It's the right thing to do, you know what I'm

3352
03:09:36,320 --> 03:09:41,240
Speaker 4: saying both, like like let me move on. Okay, no,

3353
03:09:41,400 --> 03:09:43,600
Speaker 4: but no, but I like that. I like what you're saying,

3354
03:09:43,840 --> 03:09:46,879
Speaker 4: and that's why we should demand that from I like that.

3355
03:09:46,840 --> 03:09:51,640
Speaker 3: Should be stand there both like we're kings. We're doing

3356
03:09:51,879 --> 03:09:56,160
Speaker 3: some fucking phenomenal ship. We we're helping other people, whether

3357
03:09:56,240 --> 03:10:00,880
Speaker 3: they know it or not or And DMX sat in

3358
03:10:01,000 --> 03:10:03,160
Speaker 3: that same seat and d MX said, he never this

3359
03:10:03,400 --> 03:10:07,039
Speaker 3: is a rack rack rapper anymore, because that one rack

3360
03:10:07,200 --> 03:10:10,480
Speaker 3: rapper is feeding sixteen families. And when he said that,

3361
03:10:10,560 --> 03:10:12,760
Speaker 3: I was like, holy shit, I don't want to this

3362
03:10:12,959 --> 03:10:16,320
Speaker 3: nobody no more like I want to like help but

3363
03:10:17,080 --> 03:10:20,879
Speaker 3: also demand a little bit demand.

3364
03:10:20,680 --> 03:10:26,320
Speaker 1: Like ain't all phenomenal? Ye, ain't none a phenomenal? And

3365
03:10:26,440 --> 03:10:30,640
Speaker 1: I just the man some phenomenal. Yeah, you should be

3366
03:10:30,720 --> 03:10:30,960
Speaker 1: in it.

3367
03:10:31,400 --> 03:10:35,040
Speaker 3: And for me just just it's all simple little things

3368
03:10:35,080 --> 03:10:38,720
Speaker 3: I'm asking for. It's just be loyal to me. Would

3369
03:10:38,760 --> 03:10:41,760
Speaker 3: be loyal to you much and expect me and I'm

3370
03:10:41,800 --> 03:10:46,160
Speaker 3: gonna respect you. I would love folk simple. It's actually

3371
03:10:46,240 --> 03:10:46,800
Speaker 3: not even one.

3372
03:10:47,959 --> 03:10:48,720
Speaker 1: I would love both.

3373
03:10:49,040 --> 03:10:49,640
Speaker 6: I love both.

3374
03:10:49,760 --> 03:10:53,000
Speaker 1: It's not it's not, but I'm it can't be reality.

3375
03:10:53,160 --> 03:10:55,600
Speaker 4: Like I feel like where we're at right now, we

3376
03:10:55,720 --> 03:10:58,080
Speaker 4: are like it's a lot of loyal see and respect.

3377
03:10:58,600 --> 03:11:02,440
Speaker 4: It's both both, like we like even in every element,

3378
03:11:02,520 --> 03:11:05,360
Speaker 4: I feel the loyalty in respect, But I also get

3379
03:11:05,480 --> 03:11:08,360
Speaker 4: room for somebody that like, they might not feel as

3380
03:11:08,440 --> 03:11:11,240
Speaker 4: loyal because sometimes people have been through certain ship and

3381
03:11:11,320 --> 03:11:14,320
Speaker 4: they might not have trust and they just got trust

3382
03:11:14,360 --> 03:11:16,480
Speaker 4: issues and they like, I can't be loyal to you

3383
03:11:16,800 --> 03:11:19,840
Speaker 4: until you show them certain things. So like for me,

3384
03:11:20,000 --> 03:11:22,240
Speaker 4: loyalty is one of them things where It's like I

3385
03:11:22,400 --> 03:11:25,720
Speaker 4: understand you might. Man, we all been through some shit,

3386
03:11:26,040 --> 03:11:28,600
Speaker 4: so a person could be like, man, I don't I

3387
03:11:28,640 --> 03:11:31,400
Speaker 4: don't trust that person, so they loyalty might not be there.

3388
03:11:31,879 --> 03:11:35,160
Speaker 4: But to respect the person, it's just like I don't

3389
03:11:35,160 --> 03:11:35,960
Speaker 4: got to know you or not.

3390
03:11:36,959 --> 03:11:38,039
Speaker 1: Yo, this is p Rock.

3391
03:11:39,200 --> 03:11:42,640
Speaker 4: I respect him for who he is as a as

3392
03:11:42,680 --> 03:11:46,240
Speaker 4: a as a producer, as an artist, super legend, legend,

3393
03:11:46,680 --> 03:11:48,800
Speaker 4: but then as a human being, just as a man.

3394
03:11:49,280 --> 03:11:51,760
Speaker 4: And that don't take a lot. You ain't gotta have

3395
03:11:52,040 --> 03:11:54,279
Speaker 4: no type of interaction to respect somebody.

3396
03:11:54,560 --> 03:11:56,800
Speaker 6: And that's for me. But I don't know that's how

3397
03:11:56,840 --> 03:11:58,640
Speaker 6: I feel about it, but I would like both.

3398
03:12:00,000 --> 03:12:02,160
Speaker 1: So let me ask you Pete an album.

3399
03:12:03,400 --> 03:12:06,760
Speaker 3: Before we started the interview, you know, my boy Chris Atlas, yeah,

3400
03:12:07,080 --> 03:12:10,200
Speaker 3: asked me, you know, to make sure we were careful

3401
03:12:10,240 --> 03:12:10,920
Speaker 3: with this subject.

3402
03:12:11,000 --> 03:12:16,000
Speaker 1: Yea, And I want to be careful with but because

3403
03:12:16,040 --> 03:12:21,000
Speaker 1: I know not ask whatever you want, because you know, we're.

3404
03:12:20,879 --> 03:12:23,760
Speaker 3: Doing a lot of albums and we don't see you

3405
03:12:23,840 --> 03:12:27,240
Speaker 3: and see us smooth. Yeah, if if we would take

3406
03:12:27,280 --> 03:12:29,320
Speaker 3: this out the interview, if you want, no, no, that's

3407
03:12:29,320 --> 03:12:32,000
Speaker 3: all good, not good. I just you know, because I

3408
03:12:32,120 --> 03:12:34,000
Speaker 3: got to be kind of like a little bit media

3409
03:12:34,120 --> 03:12:36,800
Speaker 3: and like just asks like, I'm gonna tell you that's

3410
03:12:36,800 --> 03:12:39,160
Speaker 3: not negative if no, no, no, not negative at all.

3411
03:12:39,200 --> 03:12:42,600
Speaker 3: I'm gonna say that he's the best talent I've ever

3412
03:12:42,720 --> 03:12:43,959
Speaker 3: came across in my whole.

3413
03:12:43,840 --> 03:12:45,039
Speaker 1: You guys created magic. Man.

3414
03:12:45,520 --> 03:12:47,600
Speaker 7: I mean, I've never heard a guy rap like this.

3415
03:12:47,920 --> 03:12:50,920
Speaker 7: I never heard a voice like this. And even we

3416
03:12:51,080 --> 03:12:53,800
Speaker 7: shared great times together, don't get it all fucked up now,

3417
03:12:54,000 --> 03:12:57,840
Speaker 7: Like we've had our good times, you know what, And

3418
03:12:57,959 --> 03:13:03,400
Speaker 7: then you know, just like life, people have ups and

3419
03:13:03,560 --> 03:13:09,279
Speaker 7: sometimes sometimes you know, when we were in the negative zone,

3420
03:13:10,360 --> 03:13:13,240
Speaker 7: we tend to go like this, you know what I'm saying.

3421
03:13:13,360 --> 03:13:17,200
Speaker 7: And then what we would wish for each other is growth.

3422
03:13:17,640 --> 03:13:20,040
Speaker 7: But when one is growing and one isn't, then then

3423
03:13:20,120 --> 03:13:24,400
Speaker 7: it's just still uneven. Even now, it's just like, come on, man,

3424
03:13:25,080 --> 03:13:27,120
Speaker 7: you know what I'm saying. It doesn't it shouldn't never

3425
03:13:27,280 --> 03:13:31,120
Speaker 7: be like this ever. We should still be together, you know.

3426
03:13:31,120 --> 03:13:31,560
Speaker 1: What I'm saying.

3427
03:13:31,680 --> 03:13:36,160
Speaker 6: But some things you know that I can't really tell

3428
03:13:36,280 --> 03:13:37,040
Speaker 6: the whole public.

3429
03:13:37,760 --> 03:13:40,880
Speaker 7: But but but you know, certain things happen and in

3430
03:13:41,360 --> 03:13:45,240
Speaker 7: in a in a partnership, that's that just can't be

3431
03:13:46,040 --> 03:13:49,440
Speaker 7: you know, And and people don't won't understand. You know,

3432
03:13:49,800 --> 03:13:51,720
Speaker 7: I don't want to be the only one speaking on

3433
03:13:51,879 --> 03:13:53,480
Speaker 7: someone who's not here.

3434
03:13:53,920 --> 03:13:56,400
Speaker 6: You see what I'm saying. But I wish him the

3435
03:13:56,480 --> 03:13:58,560
Speaker 6: best in life. I respect that.

3436
03:13:58,760 --> 03:13:59,920
Speaker 1: Just so you know, I.

3437
03:14:01,920 --> 03:14:04,959
Speaker 3: Don't know if you even know if man, but people

3438
03:14:05,160 --> 03:14:08,600
Speaker 3: think that we're blocking people think what.

3439
03:14:09,200 --> 03:14:13,400
Speaker 1: Yeah, yeah, I know you know this rumor. The rumor is,

3440
03:14:14,240 --> 03:14:15,080
Speaker 1: I don't know if you know that.

3441
03:14:15,200 --> 03:14:16,640
Speaker 8: And it's not just him, it's a lot of people

3442
03:14:16,680 --> 03:14:19,360
Speaker 8: that people think you were saying that.

3443
03:14:19,680 --> 03:14:24,840
Speaker 1: He can't come on drink chats. Why I wouldn't you

3444
03:14:24,959 --> 03:14:28,040
Speaker 1: know what's funny about this? Did you hear this room?

3445
03:14:29,000 --> 03:14:33,200
Speaker 1: I didn't hear. He needs to be Yes, Yes, we

3446
03:14:33,280 --> 03:14:33,879
Speaker 1: would love to.

3447
03:14:33,920 --> 03:14:36,840
Speaker 7: Have him talk to talk about his life and what

3448
03:14:37,480 --> 03:14:41,360
Speaker 7: our relationship was. And you know, because I don't wish

3449
03:14:41,480 --> 03:14:43,640
Speaker 7: no bad on him, you know what I'm saying. But

3450
03:14:44,080 --> 03:14:48,000
Speaker 7: I just I just know that our personalities don't mix,

3451
03:14:48,320 --> 03:14:51,680
Speaker 7: you know, And I've experienced.

3452
03:14:51,200 --> 03:14:56,160
Speaker 3: Some growth with myself. I'm on another plateau and that's it.

3453
03:14:56,440 --> 03:15:00,640
Speaker 1: And you both deserve to be celebrating this. Records that

3454
03:15:00,720 --> 03:15:01,360
Speaker 1: you guys call.

3455
03:15:01,720 --> 03:15:04,480
Speaker 8: Timeless Classics, that are probably one of the best hip

3456
03:15:04,520 --> 03:15:05,640
Speaker 8: hop records ever made.

3457
03:15:05,920 --> 03:15:08,520
Speaker 7: You know how many years passed by that. This is

3458
03:15:08,560 --> 03:15:10,879
Speaker 7: what hurts me the most is that we don't celebrate

3459
03:15:10,959 --> 03:15:16,360
Speaker 7: our anniversaries for the records that we made that touched people.

3460
03:15:16,920 --> 03:15:19,600
Speaker 7: You know what I'm saying, timeless records that That's why

3461
03:15:19,879 --> 03:15:23,560
Speaker 7: I wish for healing for him. You see what I'm saying,

3462
03:15:24,000 --> 03:15:28,520
Speaker 7: so we can at least have grown men conversations, you know.

3463
03:15:28,560 --> 03:15:28,840
Speaker 6: What I mean.

3464
03:15:30,440 --> 03:15:32,040
Speaker 1: And the reason why I ask that, Let me just

3465
03:15:32,480 --> 03:15:35,320
Speaker 1: ask that. No, I'm glad you asked, very sensitive. Yeah,

3466
03:15:35,840 --> 03:15:38,920
Speaker 1: but let me just tell you something and me a poem.

3467
03:15:39,520 --> 03:15:43,400
Speaker 3: We actually do speed, but we don't celebrate our anniversaries neither.

3468
03:15:43,480 --> 03:15:43,959
Speaker 1: And it's just.

3469
03:15:47,200 --> 03:15:47,400
Speaker 5: Or me.

3470
03:15:47,520 --> 03:15:51,640
Speaker 7: It might look like it's me, you know, people gonna

3471
03:15:51,720 --> 03:15:55,200
Speaker 7: say it's you, people gonna say it's him, you know,

3472
03:15:56,160 --> 03:15:58,760
Speaker 7: but they really just in a place where they don't

3473
03:15:58,920 --> 03:16:01,560
Speaker 7: know what's going on. Yes, And that's why I just

3474
03:16:01,680 --> 03:16:05,080
Speaker 7: let it be and I don't say nothing. And when

3475
03:16:05,120 --> 03:16:08,199
Speaker 7: you ask me, I'm gonna tell you the real Yeah.

3476
03:16:08,120 --> 03:16:14,080
Speaker 1: Because I suffer from the same thing like I like,

3477
03:16:14,760 --> 03:16:17,520
Speaker 1: I think the twenty fifth anniversary of the War Report

3478
03:16:18,040 --> 03:16:20,360
Speaker 1: and Me and components should have been celebrated, should have

3479
03:16:20,400 --> 03:16:26,880
Speaker 1: been celebrated to celebrated. I don't remember what it exactly

3480
03:16:27,080 --> 03:16:31,480
Speaker 1: was for my thing, but so for every group, Like

3481
03:16:31,560 --> 03:16:33,400
Speaker 1: you know what I mean, Like I understand, like I

3482
03:16:34,040 --> 03:16:37,920
Speaker 1: understand your play. Like sometimes it's growth, it's growth.

3483
03:16:38,040 --> 03:16:40,880
Speaker 4: You know what I'm saying. Like that's the number one thing.

3484
03:16:41,600 --> 03:16:44,000
Speaker 4: That's the one thing we kind of I mean, we

3485
03:16:44,120 --> 03:16:46,640
Speaker 4: were young. We were so young when we were like

3486
03:16:46,760 --> 03:16:48,840
Speaker 4: putting out reckets. Think about when you put out to

3487
03:16:48,879 --> 03:16:51,000
Speaker 4: your first record, when you put out your first record,

3488
03:16:51,080 --> 03:16:53,920
Speaker 4: how old you are when you first DJ Like how

3489
03:16:53,959 --> 03:16:57,680
Speaker 4: old we were so like to grow up, Like we

3490
03:16:58,000 --> 03:17:00,920
Speaker 4: understand life in different ways. And like I look at

3491
03:17:00,959 --> 03:17:03,240
Speaker 4: my mother. It's people that she grew up with. The

3492
03:17:03,440 --> 03:17:07,480
Speaker 4: some she connected with still their lifetime friends and some

3493
03:17:07,720 --> 03:17:11,920
Speaker 4: are not. And but it's still y'all still shared some

3494
03:17:12,320 --> 03:17:15,560
Speaker 4: important moments together that you got to honor and respect.

3495
03:17:17,000 --> 03:17:18,320
Speaker 1: And I love that y'all doing that.

3496
03:17:19,640 --> 03:17:24,840
Speaker 3: I love I loved me and Paul excuse me, we're

3497
03:17:25,120 --> 03:17:28,320
Speaker 3: working off other than the business ship.

3498
03:17:28,520 --> 03:17:30,760
Speaker 1: Yeah, I like that more, you know what I'm saying.

3499
03:17:30,920 --> 03:17:33,560
Speaker 1: But let me ask you something. One of the other

3500
03:17:33,800 --> 03:17:41,320
Speaker 1: most biggest arguments on Drink Chaps was when we sat Kanye.

3501
03:17:41,680 --> 03:17:46,800
Speaker 4: I know, man, we're on the same vibe you keep saying.

3502
03:17:46,840 --> 03:17:49,120
Speaker 4: I keep saying, you said, I knew you were about

3503
03:17:49,160 --> 03:17:52,400
Speaker 4: to say something. And the democratic ship that he was.

3504
03:17:52,480 --> 03:17:58,560
Speaker 13: Talking about, I said, I said, comn Collin Bali and

3505
03:17:59,480 --> 03:18:04,400
Speaker 13: Yay said, it's so fast and he did you see

3506
03:18:04,400 --> 03:18:05,480
Speaker 13: how he reacted?

3507
03:18:06,360 --> 03:18:08,800
Speaker 1: And boy, when I tell you, I know, we got

3508
03:18:08,920 --> 03:18:14,520
Speaker 1: to talk about it. The backpack. Backpack community was so mad,

3509
03:18:15,720 --> 03:18:20,560
Speaker 1: mucking paring y'all because they knew that they was gonna

3510
03:18:20,560 --> 03:18:21,480
Speaker 1: make either.

3511
03:18:25,360 --> 03:18:25,520
Speaker 4: Do not.

3512
03:18:25,680 --> 03:18:28,959
Speaker 1: But they're very respectful backpack. They're not.

3513
03:18:30,760 --> 03:18:42,640
Speaker 9: Community right there, you making on the backpack. I get

3514
03:18:42,840 --> 03:18:46,279
Speaker 9: I get it, but it's not a realm. The underground.

3515
03:18:46,360 --> 03:18:52,160
Speaker 8: Maybe independent, maybe I give you that vary conscious maybe

3516
03:18:52,200 --> 03:18:53,520
Speaker 8: like you can put it in all together.

3517
03:18:54,320 --> 03:18:57,320
Speaker 1: You're going all types of name When when you heard.

3518
03:18:57,240 --> 03:19:00,720
Speaker 4: That, well, people hit me. It was like just first

3519
03:19:00,760 --> 03:19:03,480
Speaker 4: of all, that interview. Obviously y'all did work with that

3520
03:19:03,640 --> 03:19:05,480
Speaker 4: interview because that ship got everywhere.

3521
03:19:05,600 --> 03:19:09,520
Speaker 9: Got Yeah, the first interview, that's the problem. The first one, yeah,

3522
03:19:09,520 --> 03:19:11,720
Speaker 9: that's amazing, the second one, that's.

3523
03:19:11,600 --> 03:19:16,280
Speaker 1: Amazing about that too. I'm talking about the person. The

3524
03:19:16,360 --> 03:19:18,000
Speaker 1: first was great.

3525
03:19:18,320 --> 03:19:21,520
Speaker 4: One was great, and people hit me and was like, yo,

3526
03:19:22,320 --> 03:19:26,000
Speaker 4: you know they compare you and to live, and I

3527
03:19:26,120 --> 03:19:31,880
Speaker 4: was like, you know, I just was like, yo, hey,

3528
03:19:31,920 --> 03:19:35,320
Speaker 4: I ain't gonna lie. I mean, I love they said

3529
03:19:35,360 --> 03:19:38,080
Speaker 4: what he said. I I live my guy and he

3530
03:19:38,760 --> 03:19:42,080
Speaker 4: dope a dope rackords dope. M see as simple as that.

3531
03:19:42,400 --> 03:19:45,200
Speaker 4: But I man, you know, to hear from somebody being

3532
03:19:45,280 --> 03:19:48,520
Speaker 4: like yo, no, no, no no. But you know, I

3533
03:19:48,600 --> 03:19:53,400
Speaker 4: got also respected that that Qui put y Choir had

3534
03:19:53,520 --> 03:19:57,040
Speaker 4: yay on the on the tour when me and gangst

3535
03:19:57,080 --> 03:19:57,760
Speaker 4: I was on so.

3536
03:19:58,200 --> 03:20:00,800
Speaker 1: But but I told him in that I told him

3537
03:20:00,840 --> 03:20:02,800
Speaker 1: this is the scene that puts you on.

3538
03:20:03,560 --> 03:20:06,440
Speaker 4: But he gave his true opinion. So I like when

3539
03:20:06,480 --> 03:20:10,560
Speaker 4: people get a true artistic opinion. I don't take that personal,

3540
03:20:10,959 --> 03:20:13,120
Speaker 4: like when people come up to me. People come up

3541
03:20:13,160 --> 03:20:15,600
Speaker 4: to me and be like, yo, I like you as actor,

3542
03:20:15,600 --> 03:20:17,560
Speaker 4: I don't like your raps like that blah blah blah

3543
03:20:17,920 --> 03:20:21,000
Speaker 4: like and I ain't mad. I ain't mad because Yo,

3544
03:20:21,440 --> 03:20:23,520
Speaker 4: this is art. You ain't got to like if I

3545
03:20:23,600 --> 03:20:25,520
Speaker 4: put it. If I if I cook up some food

3546
03:20:25,560 --> 03:20:28,120
Speaker 4: for you and you don't like the food, that I

3547
03:20:28,160 --> 03:20:31,600
Speaker 4: can subjective subjective, man, I can't force that on you.

3548
03:20:31,760 --> 03:20:34,640
Speaker 6: Not so so anyway, when when I wouldn't.

3549
03:20:35,720 --> 03:20:36,560
Speaker 1: You know, I love it.

3550
03:20:36,720 --> 03:20:39,080
Speaker 4: Yeah, spoke his mind. Obviously, y'all had him in the

3551
03:20:39,160 --> 03:20:40,440
Speaker 4: right place to speak his mind.

3552
03:20:40,520 --> 03:20:43,200
Speaker 1: Yeah, right here, right here.

3553
03:20:44,080 --> 03:20:46,680
Speaker 6: But I ain't gonna lie.

3554
03:20:46,800 --> 03:20:49,520
Speaker 4: Sometimes I'd be like, I want to be compared to

3555
03:20:52,680 --> 03:20:55,920
Speaker 4: to some of some other mcs beyond the conscious ms.

3556
03:20:56,360 --> 03:20:59,920
Speaker 4: I know y'all probably think of me a common backpack consciously,

3557
03:21:01,080 --> 03:21:04,760
Speaker 4: but I want to be compared to. I want to

3558
03:21:04,840 --> 03:21:07,640
Speaker 4: be compared, but I'm working on it. I'm working on

3559
03:21:07,800 --> 03:21:11,199
Speaker 4: my craft to be compared with you. Like, oh ship,

3560
03:21:11,280 --> 03:21:13,400
Speaker 4: I heard this comedy pet rock album. We got to

3561
03:21:13,400 --> 03:21:17,080
Speaker 4: put him in another in another status fere like you know,

3562
03:21:17,240 --> 03:21:20,920
Speaker 4: like meaning yo, I can understand why I got classified

3563
03:21:21,040 --> 03:21:24,400
Speaker 4: with with with with just backpack, but I feel like

3564
03:21:25,000 --> 03:21:28,240
Speaker 4: even from what I've what I've delivered as an artist

3565
03:21:28,720 --> 03:21:32,080
Speaker 4: is different than just just backpack because the bitch and

3566
03:21:32,120 --> 03:21:35,400
Speaker 4: you ain't backpacked for niggas or or if I talk

3567
03:21:35,480 --> 03:21:38,440
Speaker 4: about just I be talking about fucking bras and certain

3568
03:21:38,480 --> 03:21:39,280
Speaker 4: stuff and I.

3569
03:21:39,320 --> 03:21:46,640
Speaker 6: Said club, but that ain't backpacked.

3570
03:21:46,680 --> 03:21:51,120
Speaker 4: But I feel like even even for choir, for most step,

3571
03:21:51,240 --> 03:21:54,200
Speaker 4: for any of my family than my family for any

3572
03:21:54,240 --> 03:21:56,160
Speaker 4: of them, like we get we can put in the

3573
03:21:56,280 --> 03:21:58,200
Speaker 4: box and it's like, oh, this is what this is

3574
03:21:58,280 --> 03:22:01,240
Speaker 4: all they do. But it's like I always was like, yo,

3575
03:22:01,360 --> 03:22:03,400
Speaker 4: I got more than that, y'all niggas.

3576
03:22:03,520 --> 03:22:05,480
Speaker 1: But you felt you were backpack. Sorry could but you

3577
03:22:05,640 --> 03:22:07,680
Speaker 1: felt that you was glumped into the backpack.

3578
03:22:07,879 --> 03:22:11,440
Speaker 4: Oh for sure, bro, Because the thing is that that term,

3579
03:22:11,600 --> 03:22:12,119
Speaker 4: that term.

3580
03:22:12,040 --> 03:22:15,760
Speaker 1: Came up with the rugous era Ruus Ruckers Ruckus brought

3581
03:22:15,800 --> 03:22:18,039
Speaker 1: in that that that backpack terminal.

3582
03:22:17,800 --> 03:22:22,640
Speaker 8: Nor backpack that I feel like even this this even

3583
03:22:22,680 --> 03:22:24,599
Speaker 8: though you've say some hardcore.

3584
03:22:24,280 --> 03:22:24,879
Speaker 1: Ship on there.

3585
03:22:25,000 --> 03:22:27,280
Speaker 6: Yeah yeah, but but but I'm saying you had to

3586
03:22:27,360 --> 03:22:28,000
Speaker 6: really listen.

3587
03:22:28,400 --> 03:22:32,120
Speaker 4: I wasn't reaching some cats that was really understanding like okay, nigga,

3588
03:22:32,160 --> 03:22:33,040
Speaker 4: he's just a backpack.

3589
03:22:33,360 --> 03:22:35,680
Speaker 1: So well, let me let me ask you. I'm sorry

3590
03:22:35,680 --> 03:22:42,240
Speaker 1: to cut a backpack underground to sit it backpack back then, yeah,

3591
03:22:43,000 --> 03:22:45,000
Speaker 1: I feel I feel like that. I feel like even

3592
03:22:45,240 --> 03:22:50,120
Speaker 1: I feel like if you actually back it was a movement.

3593
03:22:50,360 --> 03:22:51,800
Speaker 1: Use small backpack.

3594
03:22:52,680 --> 03:23:00,879
Speaker 4: Come on, your backpack was a little and really because

3595
03:23:01,040 --> 03:23:02,280
Speaker 4: because you could be underground.

3596
03:23:02,920 --> 03:23:08,119
Speaker 1: M o P was underground because you know, I took

3597
03:23:08,160 --> 03:23:11,800
Speaker 1: offensive the backpack terminology. Remember a bunk, shorty, because they

3598
03:23:11,800 --> 03:23:15,400
Speaker 1: were it was a silent it was it wasn't a sound. Yeah,

3599
03:23:15,400 --> 03:23:16,080
Speaker 1: it wasn't a sound.

3600
03:23:16,160 --> 03:23:18,000
Speaker 6: It wasn't It wasn't even like a nerse.

3601
03:23:19,240 --> 03:23:21,320
Speaker 1: It wasn't a sound everything, but it wasn't a sound.

3602
03:23:21,640 --> 03:23:23,920
Speaker 6: It wasn't a sound though. Yeah, but it wasn't a sound.

3603
03:23:24,000 --> 03:23:26,680
Speaker 4: But think about this, like at one point it became

3604
03:23:26,840 --> 03:23:30,040
Speaker 4: like all these backpack rappers and that was just like

3605
03:23:30,320 --> 03:23:33,360
Speaker 4: and the category that that who fell under that was

3606
03:23:33,879 --> 03:23:37,400
Speaker 4: most death to live quality common like.

3607
03:23:38,080 --> 03:23:39,920
Speaker 1: You start doing records, doing rockets.

3608
03:23:40,240 --> 03:23:44,000
Speaker 4: But but but I'm saying though, the point I'm making

3609
03:23:44,160 --> 03:23:46,119
Speaker 4: is it was like, man, it's separated ship.

3610
03:23:46,520 --> 03:23:47,879
Speaker 1: And honestly, the.

3611
03:23:49,760 --> 03:23:52,720
Speaker 6: One person I saw that brought it together was Kanye.

3612
03:23:53,120 --> 03:23:55,000
Speaker 4: I remember going to s o BS and seeing that

3613
03:23:55,120 --> 03:23:59,280
Speaker 4: Nigga performed and he and I saw niggas were backpacked

3614
03:23:59,320 --> 03:24:01,400
Speaker 4: throwing up the fella they had.

3615
03:24:01,800 --> 03:24:06,240
Speaker 1: I was like, he changed, he changed the idea, change

3616
03:24:06,240 --> 03:24:06,800
Speaker 1: the definition.

3617
03:24:07,000 --> 03:24:09,400
Speaker 6: Yeah yeah, yeah, yeah for sure.

3618
03:24:09,720 --> 03:24:09,920
Speaker 1: Yeah.

3619
03:24:10,080 --> 03:24:13,440
Speaker 4: But but the underground wasn't the same as black pack.

3620
03:24:13,600 --> 03:24:17,279
Speaker 4: The underground went the same as backpack because under because because.

3621
03:24:17,240 --> 03:24:19,640
Speaker 1: M P was under Man when he first came out,

3622
03:24:19,720 --> 03:24:21,720
Speaker 1: was all talking about underground. I'm the underground.

3623
03:24:22,800 --> 03:24:26,359
Speaker 6: Underground was more dirt like grime and slide.

3624
03:24:26,680 --> 03:24:31,760
Speaker 1: But most considered hip hop was underground, more underground, Backpack

3625
03:24:31,920 --> 03:24:35,680
Speaker 1: was more but but but but Shorty and the War

3626
03:24:35,800 --> 03:24:38,400
Speaker 1: of the Backpack.

3627
03:24:38,840 --> 03:24:40,760
Speaker 8: They were but if you think about it in terms

3628
03:24:40,760 --> 03:24:43,959
Speaker 8: of hip hop, they were top tier when they came out.

3629
03:24:44,240 --> 03:24:47,280
Speaker 4: Yeah, but they weren't known even though they wore a backpack,

3630
03:24:47,400 --> 03:24:49,800
Speaker 4: they weren't known as backpack right, Like you know, like

3631
03:24:50,160 --> 03:24:52,920
Speaker 4: backpack started feeling like a certain thing where it was

3632
03:24:53,000 --> 03:24:54,840
Speaker 4: like people trying to say nerdy rap.

3633
03:24:55,560 --> 03:24:55,760
Speaker 1: It was.

3634
03:24:55,840 --> 03:24:58,280
Speaker 4: It was nerdy conscious conscious.

3635
03:24:58,560 --> 03:25:02,560
Speaker 1: I was conscious more than conscious, conscious, like and like

3636
03:25:04,240 --> 03:25:09,960
Speaker 1: we are part of this almost like everybody. It was crazy.

3637
03:25:10,000 --> 03:25:12,960
Speaker 1: And some of the niggas was never vegans. And some

3638
03:25:13,040 --> 03:25:14,480
Speaker 1: of the niggas you know, like.

3639
03:25:17,920 --> 03:25:20,280
Speaker 4: Some of the niggas like like like we always like

3640
03:25:20,640 --> 03:25:22,320
Speaker 4: we all had our niggas ship about us.

3641
03:25:22,520 --> 03:25:24,760
Speaker 1: Some niggas. Some niggas have a bunch of kids.

3642
03:25:25,120 --> 03:25:28,039
Speaker 4: Some niggas smacking niggas when you say something.

3643
03:25:29,080 --> 03:25:31,920
Speaker 8: Somebody conscious rape the most gigs up because I ever

3644
03:25:32,000 --> 03:25:32,600
Speaker 8: met in my life.

3645
03:25:33,040 --> 03:25:35,400
Speaker 1: So you're telling me some of the conscious rappers work,

3646
03:25:40,440 --> 03:25:44,640
Speaker 1: most did most didn't know. We got off that point.

3647
03:25:44,800 --> 03:25:49,039
Speaker 1: Don't press, like, don't don't think they come on press.

3648
03:25:49,200 --> 03:25:54,200
Speaker 4: Realig bro bacon and all that. But yo, I only stopped.

3649
03:25:54,360 --> 03:25:57,320
Speaker 4: I only stopped in Port because of hip hop. That's

3650
03:25:57,320 --> 03:26:00,640
Speaker 4: what's crazy. That's why I say, because care Rest not

3651
03:26:00,800 --> 03:26:03,440
Speaker 4: beating beef kind because you remember he had a song

3652
03:26:03,520 --> 03:26:04,039
Speaker 4: called Beef.

3653
03:26:04,720 --> 03:26:07,160
Speaker 1: He had a song called he again because it was

3654
03:26:08,879 --> 03:26:10,960
Speaker 1: That's why I say camera and just how I was

3655
03:26:11,000 --> 03:26:12,879
Speaker 1: fourteen years You had a lot of boy on local

3656
03:26:13,000 --> 03:26:17,879
Speaker 1: arrest is up there for me? Beef? What hey?

3657
03:26:17,959 --> 03:26:21,840
Speaker 3: Man? And he told us the story. Don't don't go

3658
03:26:22,840 --> 03:26:25,920
Speaker 3: you make some stories, sonny. What do you mean, sonny?

3659
03:26:26,520 --> 03:26:28,680
Speaker 3: He told me a story. You went to the pizza

3660
03:26:28,879 --> 03:26:29,680
Speaker 3: here and you just.

3661
03:26:29,680 --> 03:26:40,560
Speaker 1: Playing rise up, telling up quick. It was not. It

3662
03:26:40,680 --> 03:26:40,880
Speaker 1: was not.

3663
03:26:44,400 --> 03:26:49,000
Speaker 4: He also told the story of Rod the Trimp. Sorry

3664
03:26:49,720 --> 03:26:53,119
Speaker 4: we got can we connected to this? I said, hey,

3665
03:26:53,160 --> 03:26:54,400
Speaker 4: we want to play a joint for ya.

3666
03:26:54,959 --> 03:26:59,640
Speaker 1: Please go come on, Let's play a fucking joint. Come on,

3667
03:27:00,080 --> 03:27:01,560
Speaker 1: listen to a radio station. Let's go.

3668
03:27:01,680 --> 03:27:04,400
Speaker 6: We're playing hip hop. Let's go, yeah, yeah, hip hop?

3669
03:27:05,000 --> 03:27:13,480
Speaker 14: Man joined wise wise up, okay, sight back that way,

3670
03:27:14,080 --> 03:27:15,640
Speaker 14: but you can get peak.

3671
03:27:15,720 --> 03:27:17,640
Speaker 6: It's man pete okay, whole ilm me and.

3672
03:27:17,720 --> 03:27:25,520
Speaker 1: P see like, yeah, I ain't got it together. They

3673
03:27:25,600 --> 03:27:28,120
Speaker 1: got to connect the OX to the other ox to

3674
03:27:28,240 --> 03:27:32,560
Speaker 1: the Oh my god, you're not looking good at all, man.

3675
03:27:33,080 --> 03:27:35,720
Speaker 1: That's all you did quick Thomas Slim. Yeah that was

3676
03:27:35,840 --> 03:27:38,840
Speaker 1: almost good at quick Thomas Slim. But yeah, still time

3677
03:27:38,879 --> 03:27:40,880
Speaker 1: and everything else, you're good.

3678
03:27:43,879 --> 03:27:45,800
Speaker 4: What he ate bore?

3679
03:27:46,440 --> 03:27:55,200
Speaker 1: You said you a happy poor for fifty years, like

3680
03:27:55,360 --> 03:27:56,040
Speaker 1: sixteen years.

3681
03:27:56,120 --> 03:27:59,480
Speaker 4: You said, that's why it's skin Yo. Hey, this ship

3682
03:27:59,560 --> 03:28:01,080
Speaker 4: effect the way we fucking look.

3683
03:28:02,600 --> 03:28:05,760
Speaker 1: You know you know that ship. That's why you're here.

3684
03:28:07,080 --> 03:28:09,600
Speaker 1: I haven't eaten that shit in over fifteen years. Just

3685
03:28:09,680 --> 03:28:13,080
Speaker 1: once in the blue. No, no, no, my wife is

3686
03:28:13,160 --> 03:28:14,920
Speaker 1: knowing me. You people.

3687
03:28:15,040 --> 03:28:16,760
Speaker 4: Yeah, my family used to get mad at I'd be like,

3688
03:28:16,800 --> 03:28:17,400
Speaker 4: I ain't eating this.

3689
03:28:17,480 --> 03:28:23,400
Speaker 1: And Thanksgiving what you're doing? But cool? You know, By

3690
03:28:23,440 --> 03:28:28,480
Speaker 1: the way, your girl is very nice, man. I like

3691
03:28:28,600 --> 03:28:33,360
Speaker 1: her and she has no idea. She's a part of

3692
03:28:33,480 --> 03:28:37,359
Speaker 1: one of my favorite movies are All Time Sandy Rexler.

3693
03:28:38,080 --> 03:28:42,040
Speaker 1: Well you like that. I love that movie. I can

3694
03:28:42,120 --> 03:28:43,199
Speaker 1: tell you anything about.

3695
03:28:43,600 --> 03:28:44,040
Speaker 8: You like that.

3696
03:28:44,520 --> 03:28:46,200
Speaker 1: I was gonna say it yesterday, but I was like

3697
03:28:46,800 --> 03:28:49,760
Speaker 1: she would be like, what you should have said it

3698
03:28:49,879 --> 03:28:50,120
Speaker 1: to her?

3699
03:28:50,720 --> 03:28:54,640
Speaker 3: Because because because I feel like, what's my man name,

3700
03:28:55,400 --> 03:28:58,200
Speaker 3: Adam saying what I'm saying, like Ada'm saying here my

3701
03:28:58,360 --> 03:29:01,000
Speaker 3: joke because I'm like you, it's like Jesus and a

3702
03:29:01,080 --> 03:29:02,440
Speaker 3: bird together to have a baby.

3703
03:29:02,720 --> 03:29:05,240
Speaker 1: And then and he said he said that, and.

3704
03:29:07,360 --> 03:29:09,640
Speaker 6: Like, you know, you should have said that. She would

3705
03:29:09,680 --> 03:29:12,879
Speaker 6: have been like, you know you said that because.

3706
03:29:12,640 --> 03:29:15,240
Speaker 3: She was so cool, and and I just I just was,

3707
03:29:15,360 --> 03:29:18,200
Speaker 3: you know comment. We've been really wanted to have you

3708
03:29:18,280 --> 03:29:20,480
Speaker 3: here for a long time. People thought we was hating

3709
03:29:20,520 --> 03:29:23,039
Speaker 3: on you coming, thought that we were like not.

3710
03:29:23,120 --> 03:29:26,440
Speaker 4: Having you on, Like I thought you'all thought, yo, but no,

3711
03:29:26,600 --> 03:29:29,120
Speaker 4: you gotta ad miss Fat Joe's show.

3712
03:29:29,480 --> 03:29:32,440
Speaker 1: Yeah, I don't know. Yeah I remember that.

3713
03:29:33,040 --> 03:29:35,640
Speaker 3: So when you didn't come on the show, people were

3714
03:29:35,760 --> 03:29:39,680
Speaker 3: like they thought it was us blocking you not coming

3715
03:29:39,760 --> 03:29:40,160
Speaker 3: on the show.

3716
03:29:40,800 --> 03:29:43,920
Speaker 1: Was even mad hating all your fans. We've been wanting

3717
03:29:44,000 --> 03:29:49,200
Speaker 1: for years. I'm so grateful one you was already an

3718
03:29:49,280 --> 03:29:50,119
Speaker 1: honorary yes.

3719
03:29:51,160 --> 03:29:53,760
Speaker 4: The fact because no, he probably I was gonna be

3720
03:29:53,840 --> 03:29:55,840
Speaker 4: a stiff, and he was like you're gonna drink. I'm like,

3721
03:29:56,160 --> 03:30:03,080
Speaker 4: you know, I was like, no, We're like, what is it?

3722
03:30:03,160 --> 03:30:12,760
Speaker 1: I heard the Prince reg say, what's that? I'll tell

3723
03:30:12,760 --> 03:30:17,040
Speaker 1: you I heard the show. This is crazy. Let's go okay,

3724
03:30:17,080 --> 03:30:28,000
Speaker 1: I Gray then thank you so all the people that

3725
03:30:28,120 --> 03:30:28,560
Speaker 1: are playing.

3726
03:30:28,600 --> 03:30:31,600
Speaker 4: So people.

3727
03:30:38,920 --> 03:30:44,680
Speaker 1: Three wiles men came visit wi this outside my head

3728
03:30:47,360 --> 03:30:52,320
Speaker 1: the third game of the rea simile lea, the simile league.

3729
03:30:52,160 --> 03:30:57,960
Speaker 10: Said, announces his heart come from niggas guy adopted.

3730
03:30:58,560 --> 03:31:01,640
Speaker 6: They can't come, would talk hill I.

3731
03:31:01,720 --> 03:31:04,200
Speaker 1: Saw fell and then the line. I think the sun

3732
03:31:04,360 --> 03:31:06,680
Speaker 1: that kind of a wide up the race like a

3733
03:31:06,800 --> 03:31:09,040
Speaker 1: PRIs ra or even the middle.

3734
03:31:09,400 --> 03:31:12,120
Speaker 4: Start on the stats and say, don't get where me.

3735
03:31:12,280 --> 03:31:13,480
Speaker 1: All body gets to the.

3736
03:31:13,520 --> 03:31:16,920
Speaker 10: Day wis it's this order to be spases as the

3737
03:31:17,000 --> 03:31:19,200
Speaker 10: pens the lord, I said, Wenna, listen to me more.

3738
03:31:19,240 --> 03:31:27,680
Speaker 15: I said, for them tell him tip shot flight up.

3739
03:31:27,760 --> 03:31:30,400
Speaker 15: So people to whine up.

3740
03:31:30,480 --> 03:31:46,280
Speaker 1: Show people know you the crown and kill us do

3741
03:31:46,520 --> 03:31:49,600
Speaker 1: because us drug dealers fox with cheas. We don't revers say, I.

3742
03:31:49,760 --> 03:31:54,400
Speaker 10: Don't tell so no diner killers trying to get say

3743
03:31:54,440 --> 03:31:59,120
Speaker 10: eighteen so they will a youngs rest investing. That's man,

3744
03:32:00,200 --> 03:32:01,920
Speaker 10: you know that it's this whole.

3745
03:32:02,920 --> 03:32:06,599
Speaker 1: Face I mean, says.

3746
03:32:06,240 --> 03:32:13,320
Speaker 10: Sold who is bead wing crop field shoes and tears said.

3747
03:32:15,360 --> 03:32:19,240
Speaker 1: Some it's booms in here who bear so.

3748
03:32:20,120 --> 03:32:23,040
Speaker 6: Bs like a diaboa. That ever you hear about the

3749
03:32:23,080 --> 03:32:25,280
Speaker 6: whole and based, but.

3750
03:32:25,360 --> 03:32:28,199
Speaker 10: It's not to it's about like angels when the build

3751
03:32:28,240 --> 03:32:29,000
Speaker 10: amount of shoes.

3752
03:32:34,480 --> 03:32:37,320
Speaker 1: You know, you.

3753
03:32:39,280 --> 03:32:42,800
Speaker 10: People let up brass, you.

3754
03:32:43,720 --> 03:32:50,480
Speaker 15: Shot up, show people, supers, show people.

3755
03:32:50,560 --> 03:32:51,759
Speaker 1: Let the basis.

3756
03:33:11,320 --> 03:33:35,880
Speaker 3: So you'm saying sounds so hard, you know, why is

3757
03:33:35,920 --> 03:33:39,360
Speaker 3: it so dope? It's exactly how you described it. It's

3758
03:33:39,440 --> 03:33:43,440
Speaker 3: the nineties energy, yes, right, but it's right now, yeah, right,

3759
03:33:43,720 --> 03:33:46,160
Speaker 3: fucking we adult, We adult, man.

3760
03:33:46,280 --> 03:33:46,480
Speaker 1: Man.

3761
03:33:46,600 --> 03:33:50,480
Speaker 4: We were like, we've experienced certain things and we ain't

3762
03:33:50,520 --> 03:33:54,720
Speaker 4: trying to be like, yo, we're nineteen, right, and but

3763
03:33:54,879 --> 03:33:57,840
Speaker 4: the spirit of what we experienced and what we created young,

3764
03:33:58,480 --> 03:33:59,720
Speaker 4: it's always in us.

3765
03:34:00,240 --> 03:34:03,360
Speaker 1: And like that music is there. So it's officially not

3766
03:34:03,520 --> 03:34:05,680
Speaker 1: out yet right yet. Man.

3767
03:34:05,680 --> 03:34:08,160
Speaker 4: If I don't kick rhymes, i'm mc let me say

3768
03:34:08,200 --> 03:34:10,920
Speaker 4: I said, let's I said what I said?

3769
03:34:11,040 --> 03:34:11,400
Speaker 1: I said?

3770
03:34:11,720 --> 03:34:13,480
Speaker 6: I said, Holy ground and pillars.

3771
03:34:13,560 --> 03:34:18,960
Speaker 4: Lord willis drug dealers, monks with keys, the Goriller, Chicago Illa,

3772
03:34:19,480 --> 03:34:23,680
Speaker 4: some no dealer, rich costs, fulfillers, parents trying to get

3773
03:34:23,720 --> 03:34:28,720
Speaker 4: their kids to eighteen so they willers. Youngkins is restless

3774
03:34:29,240 --> 03:34:33,040
Speaker 4: investments investors. My man ain't from Dallas, but you know

3775
03:34:33,120 --> 03:34:38,240
Speaker 4: where the text is. Hold them, my poker face is golden.

3776
03:34:41,160 --> 03:34:44,600
Speaker 4: Hold them, My poker face is golden pedigree of a

3777
03:34:44,760 --> 03:34:47,800
Speaker 4: legacy that stolen why it is like the old man

3778
03:34:47,879 --> 03:34:51,000
Speaker 4: with food in his bed and when he cried freedom.

3779
03:34:51,120 --> 03:34:55,080
Speaker 4: It's jews in his tiars, blues in the beers outside,

3780
03:34:55,160 --> 03:34:57,600
Speaker 4: in the fierce a slew for the truth.

3781
03:34:57,879 --> 03:34:59,160
Speaker 6: It's clues in the years.

3782
03:35:00,120 --> 03:35:02,800
Speaker 4: I unrude the fears so that I could get bizz

3783
03:35:03,480 --> 03:35:07,520
Speaker 4: like the diabolical and do the improbable, that anything's possible

3784
03:35:07,640 --> 03:35:11,040
Speaker 4: ills but it's logical touched by black angels, so you

3785
03:35:11,160 --> 03:35:12,400
Speaker 4: can feel the molecule.

3786
03:35:13,040 --> 03:35:13,320
Speaker 3: Damn.

3787
03:35:14,360 --> 03:35:22,000
Speaker 9: Yeah, take you back to you said, you're not you

3788
03:35:22,120 --> 03:35:24,080
Speaker 9: grown man, You're not nineteen no more.

3789
03:35:24,480 --> 03:35:26,199
Speaker 1: Hold were you when you did this album?

3790
03:35:26,959 --> 03:35:29,039
Speaker 6: I was nineteen. I was nineteen when I did.

3791
03:35:29,600 --> 03:35:30,199
Speaker 1: Can I bring.

3792
03:35:35,000 --> 03:35:37,880
Speaker 8: That style, that flow style that you have on there?

3793
03:35:37,920 --> 03:35:41,240
Speaker 8: When you were doing that? Where did that come from?

3794
03:35:41,280 --> 03:35:43,160
Speaker 8: And when did you say I'm not doing that no more?

3795
03:35:43,520 --> 03:35:47,400
Speaker 1: It was all influenced. It was influences of Tribe.

3796
03:35:49,000 --> 03:35:54,280
Speaker 4: Lea's a New School, Charlie Brown, just me thinking about

3797
03:35:54,400 --> 03:35:57,280
Speaker 4: James Brown, all like, just trying to think of something

3798
03:35:57,320 --> 03:36:00,760
Speaker 4: that was creative and free to be uniquely you, uniquely me,

3799
03:36:01,240 --> 03:36:04,960
Speaker 4: And it sounded too close to what was going on.

3800
03:36:05,280 --> 03:36:07,880
Speaker 4: So I started to develop my own you know what

3801
03:36:07,920 --> 03:36:10,800
Speaker 4: I'm saying, Like, that's why probably people didn't respond to

3802
03:36:10,879 --> 03:36:14,000
Speaker 4: that album because Charlie Brown had already did the hot.

3803
03:36:14,879 --> 03:36:17,280
Speaker 1: All that shit. You know, he was did that.

3804
03:36:17,440 --> 03:36:20,119
Speaker 6: So I just just so I was like that, ain't

3805
03:36:20,320 --> 03:36:21,560
Speaker 6: that ain't unique?

3806
03:36:22,480 --> 03:36:24,280
Speaker 1: So you think it wasn't unique? You think it wasn't

3807
03:36:24,480 --> 03:36:26,440
Speaker 1: received as unique your style there.

3808
03:36:26,760 --> 03:36:29,000
Speaker 6: No, I wasn't received as unique. I think what was

3809
03:36:29,160 --> 03:36:30,879
Speaker 6: unique was that I was from Chicago.

3810
03:36:31,120 --> 03:36:35,600
Speaker 4: Some Chicago ship, but the style, some of the styles

3811
03:36:35,680 --> 03:36:37,840
Speaker 4: was unique, but not that high pitch ship. But that

3812
03:36:37,920 --> 03:36:40,920
Speaker 4: ship wasn't unique because Charlie Brown did it, and like,

3813
03:36:41,440 --> 03:36:42,840
Speaker 4: you know, I got to give it up for that,

3814
03:36:43,120 --> 03:36:45,800
Speaker 4: like that I ain't. I ain't gonna like like that

3815
03:36:45,959 --> 03:36:51,160
Speaker 4: was one of the influences. So but eventually, like I

3816
03:36:51,280 --> 03:36:53,280
Speaker 4: listened to young dudes sometimes and they I'll be like,

3817
03:36:53,360 --> 03:36:54,760
Speaker 4: I can tell you listen to Jake Cole.

3818
03:36:54,840 --> 03:36:56,760
Speaker 6: I can tell you listen, right, I tell you.

3819
03:36:57,080 --> 03:37:01,080
Speaker 1: But then you eventually hear like, oh, development to your

3820
03:37:01,120 --> 03:37:05,080
Speaker 1: own so and that's all of us. So well, that's

3821
03:37:05,120 --> 03:37:05,760
Speaker 1: how we all came.

3822
03:37:06,840 --> 03:37:11,640
Speaker 6: So that I hadn't developed yet, and that's why I think.

3823
03:37:11,840 --> 03:37:14,119
Speaker 8: You know, so when you finally feel like you dropped

3824
03:37:14,160 --> 03:37:17,119
Speaker 8: that is, did you drop sense off of common sense?

3825
03:37:17,360 --> 03:37:17,520
Speaker 1: Well?

3826
03:37:17,560 --> 03:37:19,480
Speaker 6: That was just because I was getting sued by these

3827
03:37:19,560 --> 03:37:20,960
Speaker 6: niggas that was in California.

3828
03:37:21,080 --> 03:37:22,680
Speaker 1: Really, I don't know what happened.

3829
03:37:22,400 --> 03:37:25,000
Speaker 4: That these niggas had the name common Sense. There was

3830
03:37:25,040 --> 03:37:28,440
Speaker 4: a reggae band. It was a black white, black white

3831
03:37:28,520 --> 03:37:29,240
Speaker 4: Chinese man.

3832
03:37:38,120 --> 03:37:44,880
Speaker 1: Everybody killers just make them up two minutes ago and

3833
03:37:44,959 --> 03:37:46,000
Speaker 1: there was reggae.

3834
03:37:47,200 --> 03:37:49,800
Speaker 6: And I was like, what the fuck y'all suing me?

3835
03:37:49,879 --> 03:37:52,240
Speaker 4: I ain't know, I ain't no good lawyers, and they

3836
03:37:52,400 --> 03:37:55,360
Speaker 4: like they came out like yo, we're suing your ass

3837
03:37:55,480 --> 03:37:58,160
Speaker 4: for the name common Sense. And I was like what

3838
03:37:58,879 --> 03:38:01,039
Speaker 4: Just because because I used to up had just come out.

3839
03:38:02,000 --> 03:38:03,800
Speaker 4: I had a quote from Biggie. You men, we used

3840
03:38:03,840 --> 03:38:08,000
Speaker 4: to get quotes from other to be like, yo, he's dope.

3841
03:38:08,240 --> 03:38:10,720
Speaker 4: Biggie said, yeah, I wish he was from Brooklyn. I

3842
03:38:10,840 --> 03:38:15,600
Speaker 4: was like, oh my god. And as soon as I

3843
03:38:15,720 --> 03:38:18,000
Speaker 4: came out and I used to love him. And it

3844
03:38:18,120 --> 03:38:20,520
Speaker 4: was the first time I met Nas, and I remember

3845
03:38:20,560 --> 03:38:21,480
Speaker 4: the exact words now.

3846
03:38:21,520 --> 03:38:23,960
Speaker 6: I said to me, He said, keep doing what you're doing.

3847
03:38:24,400 --> 03:38:26,680
Speaker 6: And I was like, damn, that's.

3848
03:38:26,680 --> 03:38:29,720
Speaker 1: Nas, like you know this, And I was like, you

3849
03:38:29,800 --> 03:38:31,439
Speaker 1: got a little man crushed on nos.

3850
03:38:39,520 --> 03:38:40,360
Speaker 4: Like like.

3851
03:38:42,200 --> 03:38:47,960
Speaker 1: What we do whoever you you meet, Prince, You're like, okay,

3852
03:38:48,120 --> 03:38:55,520
Speaker 1: all right, it's real listen.

3853
03:38:56,120 --> 03:38:59,959
Speaker 4: But I was like, man, I'm trying to establish myself

3854
03:39:00,080 --> 03:39:03,560
Speaker 4: as the MC and unique wow and be like so

3855
03:39:04,480 --> 03:39:07,320
Speaker 4: you know when I got certain respect from different people.

3856
03:39:07,760 --> 03:39:10,720
Speaker 4: That's why y'all talked about something and I was like, damn,

3857
03:39:11,000 --> 03:39:13,800
Speaker 4: I remember moving to New York and that changed my life.

3858
03:39:14,280 --> 03:39:17,080
Speaker 4: You were talking about I moved to New York from

3859
03:39:17,200 --> 03:39:20,039
Speaker 4: Chicago in like ninety eight, and when you talked about

3860
03:39:20,120 --> 03:39:22,520
Speaker 4: ninety eight, that's that. Yeah, it meant something to me

3861
03:39:22,680 --> 03:39:24,800
Speaker 4: because it was like the time moved in New York.

3862
03:39:25,080 --> 03:39:27,480
Speaker 4: I remember Pete came to the video we did for

3863
03:39:27,720 --> 03:39:31,080
Speaker 4: with Lauren Hill LAWNG Hill, and it was like I

3864
03:39:31,240 --> 03:39:34,160
Speaker 4: was in the I was around some of my pis

3865
03:39:34,520 --> 03:39:37,000
Speaker 4: or people that I looked up to, not just my pis.

3866
03:39:37,720 --> 03:39:39,960
Speaker 4: But that's how I was able to start connecting on

3867
03:39:40,120 --> 03:39:44,200
Speaker 4: different things, like just being around, like being available, Like

3868
03:39:44,560 --> 03:39:47,760
Speaker 4: because being in Chicago, niggas you out of sight, you

3869
03:39:47,879 --> 03:39:53,000
Speaker 4: out of mind. But if I'm like, oh Pete, what's up,

3870
03:39:53,400 --> 03:39:56,320
Speaker 4: I'm gonna come to the studio too, Pete might be like, Yo,

3871
03:39:56,600 --> 03:39:58,680
Speaker 4: I want you on this song with Nori and Big

3872
03:39:58,800 --> 03:40:00,720
Speaker 4: Pun and Big Pun come bro.

3873
03:40:02,120 --> 03:40:03,199
Speaker 1: I think about that ship.

3874
03:40:04,200 --> 03:40:05,600
Speaker 6: I think about that ship.

3875
03:40:05,959 --> 03:40:09,680
Speaker 4: That shouldt means something to bro to my spirit, real

3876
03:40:09,959 --> 03:40:10,640
Speaker 4: to my spirit.

3877
03:40:11,280 --> 03:40:14,960
Speaker 3: When I seen you yesterday and then I watched everything

3878
03:40:15,040 --> 03:40:17,000
Speaker 3: because you got to realize I've seen you at the

3879
03:40:17,040 --> 03:40:20,160
Speaker 3: next game and he's literally where you know this is.

3880
03:40:20,240 --> 03:40:27,600
Speaker 3: This is my my favorite camera guy, slash hater. Only

3881
03:40:27,600 --> 03:40:31,800
Speaker 3: even sports come to sports, but you were literally like

3882
03:40:32,080 --> 03:40:34,760
Speaker 3: right where he was sitting that. And then it was

3883
03:40:34,879 --> 03:40:38,440
Speaker 3: so crazy because I'm like, yo, I did a record

3884
03:40:38,520 --> 03:40:43,960
Speaker 3: with me comment and Punt, and I'm going to interview

3885
03:40:44,560 --> 03:40:54,080
Speaker 3: comment and Pete produce it. And then Joe is saying,

3886
03:40:54,800 --> 03:40:57,959
Speaker 3: you see coming over there. You want me to hook

3887
03:40:58,000 --> 03:41:03,680
Speaker 3: you all up, and I'm like I'm already hook I'm like,

3888
03:41:03,920 --> 03:41:08,600
Speaker 3: wait a minute, Pun, I mean Joe is pun. Oh yeah,

3889
03:41:09,000 --> 03:41:11,000
Speaker 3: just think about it. So I'm like I'm looking like

3890
03:41:11,040 --> 03:41:13,920
Speaker 3: I'm like, holy ship, that's why everyone's.

3891
03:41:13,560 --> 03:41:15,520
Speaker 1: Looking like you was nervous. I was like, I'm not.

3892
03:41:15,680 --> 03:41:18,360
Speaker 1: I wasn't nervous at all. I was just looking at

3893
03:41:18,480 --> 03:41:19,320
Speaker 1: guard work.

3894
03:41:20,680 --> 03:41:24,000
Speaker 11: Guard was working yesterday, So I was just like, you

3895
03:41:24,120 --> 03:41:32,440
Speaker 11: know what, let me let me like, I'm looking at you.

3896
03:41:33,120 --> 03:41:34,480
Speaker 3: I'm sorry cause I know you ain't got to say

3897
03:41:34,480 --> 03:41:36,520
Speaker 3: something and let you say it, but I'm looking at

3898
03:41:36,720 --> 03:41:41,240
Speaker 3: I'm looking at you. And then this morning I see

3899
03:41:41,360 --> 03:41:48,720
Speaker 3: Chris Atlas, who is one of the motherfucking loyalists, realist

3900
03:41:49,560 --> 03:41:51,440
Speaker 3: people in this motherfucking game.

3901
03:41:51,879 --> 03:42:01,080
Speaker 1: He deserves his flower. Chris, ya say that risk listeners

3902
03:42:01,160 --> 03:42:06,360
Speaker 1: coming Cornerstone days, many soul days.

3903
03:42:07,760 --> 03:42:10,480
Speaker 3: Motherfucker. And when I was mad that Timmy boy, he

3904
03:42:10,600 --> 03:42:11,240
Speaker 3: helped me down.

3905
03:42:12,400 --> 03:42:13,960
Speaker 1: He was like, I'm mad. I tell you boy too.

3906
03:42:16,200 --> 03:42:19,080
Speaker 1: But I really really.

3907
03:42:20,520 --> 03:42:23,600
Speaker 3: Appreciate you two brothers, man, I really appreciate you two

3908
03:42:23,680 --> 03:42:27,000
Speaker 3: brothers taking your time out to be paused with each other.

3909
03:42:27,400 --> 03:42:29,520
Speaker 3: And what you know, because you got to say pause

3910
03:42:29,560 --> 03:42:35,680
Speaker 3: it you really don't have to. Yeah, but you know

3911
03:42:35,720 --> 03:42:41,120
Speaker 3: what I'm saying because I love hip hop, man, I

3912
03:42:41,280 --> 03:42:42,960
Speaker 3: really really really love hip hop.

3913
03:42:43,360 --> 03:42:43,920
Speaker 1: I want to.

3914
03:42:47,879 --> 03:42:51,360
Speaker 3: I want to always salute hip hop. And when I

3915
03:42:51,480 --> 03:42:56,080
Speaker 3: know YouTube brothers did this album and we got sent

3916
03:42:56,560 --> 03:42:58,840
Speaker 3: we got personally sent a link.

3917
03:43:00,680 --> 03:43:12,800
Speaker 1: I'm si ship just one day, let me just tell

3918
03:43:12,800 --> 03:43:13,200
Speaker 1: you something.

3919
03:43:13,600 --> 03:43:16,600
Speaker 3: And we do this all the time, like like you

3920
03:43:16,640 --> 03:43:19,080
Speaker 3: know people you know, even at least the Keys, this

3921
03:43:20,040 --> 03:43:26,640
Speaker 3: album earlier and our management did comment on hers, but

3922
03:43:27,200 --> 03:43:29,320
Speaker 3: this is the first time they sent it.

3923
03:43:29,360 --> 03:43:31,840
Speaker 1: And was like, Yo, did y'all listen.

3924
03:43:34,040 --> 03:43:39,560
Speaker 3: Because this is hip fucking hot that you made and comment,

3925
03:43:40,080 --> 03:43:44,879
Speaker 3: I wanna, you know, give it to you because I'm

3926
03:43:44,920 --> 03:43:46,160
Speaker 3: not giving it to both of y'all.

3927
03:43:46,160 --> 03:43:46,360
Speaker 1: Book.

3928
03:43:46,440 --> 03:43:49,360
Speaker 3: What I'm saying is, what I'm saying is you could

3929
03:43:49,400 --> 03:43:53,200
Speaker 3: have been like, let me make a pop recordar let

3930
03:43:53,240 --> 03:43:58,119
Speaker 3: me do this, and no, it's exactly what you guys said.

3931
03:43:58,360 --> 03:44:05,720
Speaker 1: It's nineties now, yeah, that's all. Yeah, Now that's a

3932
03:44:05,760 --> 03:44:09,879
Speaker 1: good way of saying it. I feel like I give

3933
03:44:09,959 --> 03:44:10,640
Speaker 1: that yo.

3934
03:44:12,240 --> 03:44:19,560
Speaker 6: That because we needed someone that heard it to tell

3935
03:44:19,640 --> 03:44:19,879
Speaker 6: it to.

3936
03:44:20,320 --> 03:44:23,200
Speaker 1: Yes, so thank you. It's dope man.

3937
03:44:23,959 --> 03:44:26,720
Speaker 3: So so and by the way, like I said, I'm

3938
03:44:26,720 --> 03:44:28,600
Speaker 3: playing I was playing around by saying I'm bootlegging it.

3939
03:44:28,760 --> 03:44:30,720
Speaker 1: You know what I'm saying. We all heard it and

3940
03:44:30,879 --> 03:44:33,880
Speaker 1: was like, what the fuck like this ship is.

3941
03:44:35,800 --> 03:44:40,800
Speaker 3: I appreciate y'all for for not forgetting but then still remembering.

3942
03:44:42,800 --> 03:44:44,720
Speaker 3: I don't know if that made sense, but what I'm

3943
03:44:44,760 --> 03:44:49,879
Speaker 3: saying is it's exactly what you said. It's not then it's.

3944
03:44:49,920 --> 03:44:55,240
Speaker 1: Then energy the energy, but it's now moment right, everything

3945
03:44:55,360 --> 03:44:58,120
Speaker 1: is new to now. But you're bringing that energy.

3946
03:44:58,760 --> 03:45:02,920
Speaker 3: We could tell the message is Martin and Malcolm, but

3947
03:45:03,120 --> 03:45:04,480
Speaker 3: it's now that's happening.

3948
03:45:04,840 --> 03:45:06,040
Speaker 1: We need we need a leader.

3949
03:45:06,160 --> 03:45:06,320
Speaker 4: Now.

3950
03:45:06,640 --> 03:45:08,920
Speaker 1: We can't live we can't live in you can't live

3951
03:45:08,959 --> 03:45:10,200
Speaker 1: in no more out here.

3952
03:45:10,200 --> 03:45:11,160
Speaker 6: It's the youngins.

3953
03:45:11,240 --> 03:45:11,400
Speaker 1: Now.

3954
03:45:11,920 --> 03:45:15,120
Speaker 3: We have to reintroduce ourselves to these youngins. And so

3955
03:45:15,560 --> 03:45:18,800
Speaker 3: it's important that you know, I make music this way

3956
03:45:19,440 --> 03:45:22,480
Speaker 3: they could relate to awsome, but it still gives us

3957
03:45:22,600 --> 03:45:24,000
Speaker 3: that feel that we missed.

3958
03:45:23,800 --> 03:45:28,200
Speaker 4: Like ah, but the truth is like the purity of

3959
03:45:28,320 --> 03:45:33,120
Speaker 4: what what p rock creates is like it feels a

3960
03:45:33,240 --> 03:45:35,880
Speaker 4: space that like we don't get in hip hop a lot.

3961
03:45:36,680 --> 03:45:39,200
Speaker 4: And when I when I hear the music and I'm like, damn,

3962
03:45:39,280 --> 03:45:43,000
Speaker 4: this is just sample. But it's like, man, this don't

3963
03:45:43,080 --> 03:45:44,840
Speaker 4: have an age to it. When I was listening to

3964
03:45:44,920 --> 03:45:48,080
Speaker 4: Michael Jackson, I wasn't thinking about like the twenty five years.

3965
03:45:48,920 --> 03:45:52,160
Speaker 4: But when I was listening to Stevie Wonder, how did

3966
03:45:52,240 --> 03:45:54,360
Speaker 4: this July was the first TV that was the first

3967
03:45:54,440 --> 03:45:57,279
Speaker 4: ob my own Stevie Wonder.

3968
03:45:57,160 --> 03:45:59,000
Speaker 1: You did you can see ye?

3969
03:46:04,600 --> 03:46:04,800
Speaker 5: Sing?

3970
03:46:08,800 --> 03:46:14,920
Speaker 1: Let me see him? No, let me tell you say yes, no, no, no, no,

3971
03:46:15,360 --> 03:46:16,160
Speaker 1: tell Illuminati.

3972
03:46:22,520 --> 03:46:24,840
Speaker 4: I'm gonna tell you I sat across from Stevie Wonder,

3973
03:46:24,920 --> 03:46:26,320
Speaker 4: and I'm telling you all this for real.

3974
03:46:26,760 --> 03:46:27,640
Speaker 1: We was eating lunch.

3975
03:46:27,680 --> 03:46:29,960
Speaker 4: It's just me and him, and I'm sitting there like

3976
03:46:30,680 --> 03:46:32,640
Speaker 4: and we was in the studio and here it was

3977
03:46:32,720 --> 03:46:33,199
Speaker 4: just talking.

3978
03:46:33,320 --> 03:46:34,080
Speaker 6: It was just lunch.

3979
03:46:34,720 --> 03:46:39,200
Speaker 4: And I saw him using certain things to operate, and

3980
03:46:39,360 --> 03:46:44,160
Speaker 4: I was like, he can't see, he can't see. And

3981
03:46:45,400 --> 03:46:47,320
Speaker 4: I was sitting there first of all, like, damn, I'm

3982
03:46:47,320 --> 03:46:50,040
Speaker 4: sitting here with Stevie Wonder. This is me and Stevie Wonder.

3983
03:46:50,280 --> 03:46:53,680
Speaker 4: But I also was like I heard those rumors like

3984
03:46:53,760 --> 03:46:56,800
Speaker 4: Stevie Wander could see, but he not one moment did

3985
03:46:56,840 --> 03:46:59,040
Speaker 4: he do something that made me feel like he could see,

3986
03:46:59,560 --> 03:47:01,560
Speaker 4: Like the man case you.

3987
03:47:01,600 --> 03:47:04,280
Speaker 1: Said you had lunch with him, just you went, but

3988
03:47:04,400 --> 03:47:07,800
Speaker 1: how did he eat? You can't see like you can feel.

3989
03:47:07,879 --> 03:47:20,320
Speaker 1: Can't you feel that you can feel? You like he plays?

3990
03:47:25,000 --> 03:47:27,320
Speaker 3: But Shack, it was Shack who said he was in

3991
03:47:27,400 --> 03:47:29,920
Speaker 3: the elevator. And I think it was the Icey brother

3992
03:47:30,160 --> 03:47:36,200
Speaker 3: or Iley brothers said that said Street, I promise you

3993
03:47:36,440 --> 03:47:41,120
Speaker 3: we'll see. Then was I brother? But somebody said he

3994
03:47:41,200 --> 03:47:45,080
Speaker 3: said he was, and he got the elevator with him

3995
03:47:45,280 --> 03:47:46,080
Speaker 3: and he said, what's up?

3996
03:47:46,120 --> 03:47:49,560
Speaker 1: Big das like like he he knew he might have

3997
03:47:49,640 --> 03:47:54,480
Speaker 1: smelled some sawd him. He's coming into that he might

3998
03:47:54,920 --> 03:47:57,160
Speaker 1: people think that. So he's gonna play more jokes on me.

3999
03:47:57,240 --> 03:47:59,720
Speaker 1: I want Stevie wondering drink est go like this to him,

4000
03:48:00,320 --> 03:48:01,800
Speaker 1: and I want to see if you can go. I

4001
03:48:01,920 --> 03:48:08,120
Speaker 1: got your nigga, I wanted to do that. You ain't

4002
03:48:08,120 --> 03:48:16,560
Speaker 1: taking shot. You'll do it.

4003
03:48:16,760 --> 03:48:21,320
Speaker 3: Yeah, yes, h yo, listen common Pete Rock. I know

4004
03:48:21,400 --> 03:48:25,560
Speaker 3: you guys gotta go. This has been so much of

4005
03:48:25,640 --> 03:48:30,879
Speaker 3: a pleasure. We start this show to give people their flowers.

4006
03:48:31,000 --> 03:48:34,000
Speaker 3: I can't stand on culture when they say that you've

4007
03:48:34,040 --> 03:48:38,480
Speaker 3: been here ten years and you you know you're washed up.

4008
03:48:38,840 --> 03:48:40,080
Speaker 3: There's no washed up.

4009
03:48:42,760 --> 03:48:43,560
Speaker 1: In rock and roll.

4010
03:48:43,920 --> 03:48:46,640
Speaker 3: There's no washed up in heavy metal. Nick Jacket is

4011
03:48:46,720 --> 03:48:52,080
Speaker 3: nine hundred years old. Nigga out here doing cocaine one

4012
03:48:52,120 --> 03:48:53,000
Speaker 3: hundred miles.

4013
03:48:52,760 --> 03:48:53,560
Speaker 1: A minute.

4014
03:48:54,760 --> 03:48:58,240
Speaker 3: And torring god speak on the god the fuck we

4015
03:48:58,360 --> 03:48:59,920
Speaker 3: can't do the same ship speak.

4016
03:49:00,440 --> 03:49:03,120
Speaker 1: We ain't got to do cocain and like that tell

4017
03:49:03,160 --> 03:49:03,440
Speaker 1: you y'all.

4018
03:49:04,240 --> 03:49:06,920
Speaker 3: What I'm trying to tell y'all is it's real, like

4019
03:49:08,400 --> 03:49:14,440
Speaker 3: our coach has to continue to celebrate us. Yeah, it's

4020
03:49:14,640 --> 03:49:16,520
Speaker 3: it's whack when we don't.

4021
03:49:17,480 --> 03:49:21,000
Speaker 1: It takes nothing from me. Ef n our crew. Our

4022
03:49:21,120 --> 03:49:23,000
Speaker 1: crew loves what the fuck we do.

4023
03:49:23,800 --> 03:49:31,920
Speaker 3: We love you, brothers, We love we want, not just

4024
03:49:32,040 --> 03:49:34,080
Speaker 3: that record that y'all gave us, give us more.

4025
03:49:34,160 --> 03:49:38,040
Speaker 1: Well fucking we'll continue to promote this ship. Well continue.

4026
03:49:38,240 --> 03:49:41,400
Speaker 1: This is your platform, and I want you to know

4027
03:49:41,560 --> 03:49:44,400
Speaker 1: that always you know what I'm saying. I really really,

4028
03:49:44,600 --> 03:49:46,800
Speaker 1: really really really really.

4029
03:49:46,680 --> 03:49:50,040
Speaker 3: Want you to know that I know that you brothers

4030
03:49:50,040 --> 03:49:56,040
Speaker 3: are hip hop. I know to represent hip hop. I

4031
03:49:56,240 --> 03:50:00,400
Speaker 3: trust both for you with hip hop, I trust both

4032
03:50:00,440 --> 03:50:00,600
Speaker 3: for you.

4033
03:50:00,760 --> 03:50:01,000
Speaker 1: Thank you.

4034
03:50:01,280 --> 03:50:04,960
Speaker 3: So I want to tell the audience how much I

4035
03:50:05,040 --> 03:50:07,600
Speaker 3: trust both for you and how much we are honored

4036
03:50:09,800 --> 03:50:12,400
Speaker 3: that you guys came here. And I don't know if

4037
03:50:12,440 --> 03:50:15,360
Speaker 3: this is your first interview, but please be from here.

4038
03:50:16,640 --> 03:50:20,600
Speaker 3: I'm about together and those lots of brothers club to

4039
03:50:20,640 --> 03:50:26,960
Speaker 3: stay here, stay here. In general, you stay here, okay, okay,

4040
03:50:27,120 --> 03:50:29,280
Speaker 3: after we dropped the promo, then you go somewhere else.

4041
03:50:29,320 --> 03:50:31,880
Speaker 1: I got you, I got you. I'll tell you where

4042
03:50:31,880 --> 03:50:42,000
Speaker 1: it goes. We always agreed, agreed. We love you. Look,

4043
03:50:42,160 --> 03:50:46,840
Speaker 1: this is my business partners, my brother and look what

4044
03:50:47,360 --> 03:50:52,200
Speaker 1: he has presented. He has went by the way.

4045
03:50:52,240 --> 03:50:55,840
Speaker 3: This is real albums. He ain't go buy them yesterday. Yeah,

4046
03:50:55,920 --> 03:50:56,960
Speaker 3: this is the original.

4047
03:50:57,040 --> 03:50:58,320
Speaker 6: I'm not stopping your wisdom.

4048
03:50:58,400 --> 03:51:01,680
Speaker 1: Please, you would cut my wisdom. You only know your wisdom.

4049
03:51:02,280 --> 03:51:05,560
Speaker 4: But any time I see common Sense on the project

4050
03:51:05,880 --> 03:51:10,160
Speaker 4: common Sense, that means that DJ, that artist went and

4051
03:51:10,280 --> 03:51:13,440
Speaker 4: got that ship original. I had to change my name

4052
03:51:13,600 --> 03:51:16,560
Speaker 4: to common So common sense mean he got that ship

4053
03:51:16,600 --> 03:51:17,800
Speaker 4: when it was came out.

4054
03:51:17,920 --> 03:51:18,280
Speaker 1: That's right.

4055
03:51:18,480 --> 03:51:27,640
Speaker 4: I'm just you know then, man, We're grateful to be

4056
03:51:27,920 --> 03:51:30,480
Speaker 4: on here with y'all, man because this is where, this

4057
03:51:30,680 --> 03:51:34,360
Speaker 4: is our home, this is where we just what this

4058
03:51:34,520 --> 03:51:35,640
Speaker 4: is what we about this.

4059
03:51:36,400 --> 03:51:37,680
Speaker 6: I've been waiting to be on drink.

4060
03:51:38,360 --> 03:51:42,760
Speaker 1: I was meaning for you to say, don't tell me.

4061
03:51:45,000 --> 03:51:45,200
Speaker 5: You know.

4062
03:51:49,760 --> 03:51:51,840
Speaker 1: You got to hear it's all the joints that we got,

4063
03:51:52,240 --> 03:51:54,920
Speaker 1: everything so everything so grand. And I got a couple

4064
03:51:54,920 --> 03:51:58,240
Speaker 1: of verses like I got I gave you you know,

4065
03:51:59,040 --> 03:52:11,800
Speaker 1: don't tell me you take a shot that thanks but

4066
03:52:12,040 --> 03:52:15,120
Speaker 1: thank you so much. And we got this. Man, I

4067
03:52:15,200 --> 03:52:22,160
Speaker 1: need you to sign this. Motherfuckers don't and we wrapping

4068
03:52:22,200 --> 03:52:25,320
Speaker 1: it up at this but I want can you shout

4069
03:52:25,360 --> 03:52:28,360
Speaker 1: out every argument that you have bro Listen to me.

4070
03:52:28,760 --> 03:52:31,240
Speaker 9: Resurrection sold by the pound to me, is a game changer.

4071
03:52:31,880 --> 03:52:33,120
Speaker 9: There is a game changing record.

4072
03:52:33,280 --> 03:52:37,120
Speaker 1: Hold it up. Hold this, motherfuckers. Man, we're on a

4073
03:52:37,200 --> 03:52:39,000
Speaker 1: television show. I don't know if you know you still

4074
03:52:39,000 --> 03:52:41,000
Speaker 1: love it came out after this, right? I used to

4075
03:52:41,040 --> 03:52:43,360
Speaker 1: love it? Right? But to me, this is a game

4076
03:52:43,480 --> 03:52:47,000
Speaker 1: changer for you. Did you feel the same way I

4077
03:52:47,120 --> 03:52:47,320
Speaker 1: used to?

4078
03:52:47,520 --> 03:52:49,240
Speaker 4: Maybe I used to love it came out before, but

4079
03:52:49,320 --> 03:52:51,640
Speaker 4: I'm sorry, but it was it wasn't game changer.

4080
03:52:51,920 --> 03:52:54,280
Speaker 1: It was a game changer from the Pound still had

4081
03:52:54,280 --> 03:52:55,120
Speaker 1: your old flow on it.

4082
03:52:55,240 --> 03:52:58,240
Speaker 4: Yeah, but but you sed toll Love. It came out

4083
03:52:58,280 --> 03:53:00,520
Speaker 4: before that because it was on the album. But that

4084
03:53:00,840 --> 03:53:03,600
Speaker 4: regardless of that, the fact you got the fucking comments.

4085
03:53:03,720 --> 03:53:07,000
Speaker 9: But this, this remix, no, this sold by the Pounds

4086
03:53:07,400 --> 03:53:11,720
Speaker 9: remix is a game change, real, real game change. Man,

4087
03:53:12,280 --> 03:53:14,640
Speaker 9: It's a game change. And listen, we already know about

4088
03:53:14,880 --> 03:53:16,160
Speaker 9: keep going. You ain't going to that one?

4089
03:53:16,320 --> 03:53:18,600
Speaker 6: Which one? The one that Resurrection?

4090
03:53:19,320 --> 03:53:23,880
Speaker 1: I'm chain? Okay, come on, you got left, you got lust?

4091
03:53:24,960 --> 03:53:29,600
Speaker 7: And actually the sample from Resurrection is the same album

4092
03:53:29,640 --> 03:53:35,080
Speaker 7: I took World as Yours from. Yes, okay, so that's

4093
03:53:35,560 --> 03:53:40,400
Speaker 7: the history. We bounce off each other, right, Yes, you

4094
03:53:40,440 --> 03:53:40,960
Speaker 7: know what I'm saying.

4095
03:53:41,920 --> 03:53:44,440
Speaker 1: Listen, the album. To me, I took it out beause

4096
03:53:44,440 --> 03:53:46,520
Speaker 1: you were about to sign it, but you said that

4097
03:53:46,720 --> 03:53:49,720
Speaker 1: this is the flow and we love this album. I

4098
03:53:49,800 --> 03:53:50,440
Speaker 1: love this album.

4099
03:53:50,640 --> 03:53:54,880
Speaker 8: This album is dope to me because La raising Miami.

4100
03:53:55,240 --> 03:53:57,200
Speaker 8: I'm listening to hip hop from all.

4101
03:53:57,160 --> 03:53:59,200
Speaker 1: Over the nation, you know what I'm saying. And to me,

4102
03:53:59,400 --> 03:54:01,160
Speaker 1: this was dope coming out of Chicago. I wanted to

4103
03:54:01,200 --> 03:54:03,080
Speaker 1: hear what was coming out of Chicago, and you came

4104
03:54:03,120 --> 03:54:05,240
Speaker 1: out with a certain flow and it was dope to me.

4105
03:54:05,640 --> 03:54:14,760
Speaker 1: So I love that joint. You already know what this is.

4106
03:54:19,720 --> 03:54:22,120
Speaker 8: I don't think this is just a classic for hip hop,

4107
03:54:22,440 --> 03:54:25,960
Speaker 8: is a classic for for just music in general. Real, yeah,

4108
03:54:26,280 --> 03:54:29,960
Speaker 8: this when this record comes on. Even if you weren't

4109
03:54:29,960 --> 03:54:32,480
Speaker 8: around when this record came out, you can't.

4110
03:54:32,360 --> 03:54:37,200
Speaker 1: Help such a special record. I worked on that hard,

4111
03:54:37,360 --> 03:54:38,360
Speaker 1: such a special.

4112
03:54:38,120 --> 03:54:40,240
Speaker 9: Record, man, so I could feel it, man, And to

4113
03:54:40,320 --> 03:54:42,160
Speaker 9: be honest with you, was then followed by straighten it out,

4114
03:54:42,240 --> 03:54:43,560
Speaker 9: yeah brother, yeah.

4115
03:54:49,440 --> 03:54:58,640
Speaker 1: Yo. Everybody wanted to straighten the funk out and you're solo.

4116
03:54:58,920 --> 03:55:02,880
Speaker 1: Yeah man, thank you the words you did? What as

4117
03:55:02,920 --> 03:55:05,160
Speaker 1: a mix? Because I grew up the mixtape d J.

4118
03:55:05,400 --> 03:55:09,000
Speaker 8: I just wanted to create a masterpiece like you was

4119
03:55:09,080 --> 03:55:11,560
Speaker 8: doing it man, Thank you incredible what you did right here.

4120
03:55:11,800 --> 03:55:22,480
Speaker 1: You should be proud too, right you did like everybody

4121
03:55:22,480 --> 03:55:26,800
Speaker 1: to get so that was a bigation man, Thank you. Yeah.

4122
03:55:27,560 --> 03:55:29,440
Speaker 9: And I brought a little extra something because you know,

4123
03:55:29,480 --> 03:55:33,640
Speaker 9: when the labels were sending them, I had to show, man,

4124
03:55:33,680 --> 03:55:34,320
Speaker 9: you're gonna.

4125
03:55:34,080 --> 03:55:41,920
Speaker 1: Sign this to I got to that's crazy and I

4126
03:55:42,000 --> 03:55:43,840
Speaker 1: have more to that. But I just brought these joints.

4127
03:55:44,240 --> 03:55:47,840
Speaker 1: I got so much more that once again, what day

4128
03:55:47,880 --> 03:55:48,760
Speaker 1: is the album dropping?

4129
03:55:49,240 --> 03:55:51,560
Speaker 6: It's dropping in July July twelfth.

4130
03:55:51,560 --> 03:55:56,840
Speaker 1: July twelve. We're gonna promote this. Yes, we're gonna put

4131
03:55:56,880 --> 03:56:00,760
Speaker 1: our monkey foot in the front. Thank you, Forecasts. We're

4132
03:56:00,800 --> 03:56:04,280
Speaker 1: gonna make sure that they do it. And I'm actually

4133
03:56:04,360 --> 03:56:06,000
Speaker 1: trying to sneak on the album because you know you

4134
03:56:06,000 --> 03:56:21,040
Speaker 1: can do that. Send me a joint, don't listen, man,

4135
03:56:21,160 --> 03:56:24,880
Speaker 1: because I mean, honestly, I just really want to support this.

4136
03:56:26,600 --> 03:56:35,120
Speaker 1: Thank you. Yeah, Yeah, let's go. I want to sell

4137
03:56:35,120 --> 03:56:39,640
Speaker 1: you that. Relax, you know, I really you know, brothers,

4138
03:56:39,720 --> 03:56:40,640
Speaker 1: thank y'all so much.

4139
03:56:40,760 --> 03:56:40,920
Speaker 11: Man.

4140
03:56:41,320 --> 03:56:42,400
Speaker 1: I appreciate y'all.

4141
03:56:43,560 --> 03:56:48,560
Speaker 3: I appreciate y'all coming together, and I appreciate y'all keeping

4142
03:56:48,560 --> 03:56:52,440
Speaker 3: the hip hop and I appreciate it making it to

4143
03:56:52,520 --> 03:56:57,200
Speaker 3: a drink Champion. Yeah, man for the first stop. That's beautiful.

4144
03:56:58,040 --> 03:57:05,200
Speaker 1: Son. Like I said, I we're gonna support this. We're

4145
03:57:05,240 --> 03:57:07,720
Speaker 1: gonna make sure and we're gonna we're gonna keep hip

4146
03:57:07,720 --> 03:57:10,480
Speaker 1: hop alive together. Of course together, we gotta get in

4147
03:57:10,560 --> 03:57:13,480
Speaker 1: the studio. I got yeah, yeah, you know, I'm scared

4148
03:57:13,480 --> 03:57:21,040
Speaker 1: of death. Studio. We did another joint. I know, I

4149
03:57:21,120 --> 03:57:23,640
Speaker 1: got beats that you I know I got. Let's go,

4150
03:57:23,920 --> 03:57:25,880
Speaker 1: Let's go. And by the way, I'm gonna be honest

4151
03:57:25,920 --> 03:57:28,120
Speaker 1: with you. This is our head director. But you you

4152
03:57:28,280 --> 03:57:32,480
Speaker 1: is uncle. I know, I know, I know that's like

4153
03:57:32,520 --> 03:57:33,280
Speaker 1: a little racist.

4154
03:57:40,640 --> 03:57:43,960
Speaker 8: Drink Champs is a Drink Champs ll C production hosts

4155
03:57:44,000 --> 03:57:46,840
Speaker 8: and executive producers n O r E and d J

4156
03:57:47,040 --> 03:57:50,840
Speaker 8: E f N. Listen to Drink Champs on Apple Podcast,

4157
03:57:51,040 --> 03:57:56,200
Speaker 8: Amazon Music, Spotify, or wherever you get your podcasts. Thanks

4158
03:57:56,240 --> 03:57:58,720
Speaker 8: for joining us for another episode of Drink Champs hosted

4159
03:57:58,760 --> 03:58:01,080
Speaker 8: by Yours Truly, dj E f N and n O

4160
03:58:01,280 --> 03:58:03,280
Speaker 8: r E. Please make sure to follow us on all

4161
03:58:03,360 --> 03:58:07,000
Speaker 8: our socials that's at drink Champs across all platforms. At

4162
03:58:07,080 --> 03:58:11,000
Speaker 8: the Real noriegon I g at Noriega on Twitter mine

4163
03:58:11,080 --> 03:58:14,400
Speaker 8: is at Who's Crazy on ig at dj e f

4164
03:58:14,480 --> 03:58:16,920
Speaker 8: N on Twitter, and most importantly, stay up to date

4165
03:58:16,960 --> 03:58:20,160
Speaker 8: with the latest releases, news and merch by going to

4166
03:58:20,240 --> 03:58:21,600
Speaker 8: drink Champs dot com