WEBVTT - INTERVIEW: Kevin Hart & Will Packer Talk Fight Night: The Million Dollar Heist, Industry Relationships + More

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<v Speaker 2>The Crown is yours. Wake that ass up in the morning.

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<v Speaker 3>The Breakfast Club.

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<v Speaker 1>Everybody is DJ and B Jess Hilary Charlamage the guy

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<v Speaker 1>we are the Breakfast Club. Jess is out today maternity,

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<v Speaker 1>and we got some special guests in the building.

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<v Speaker 2>Ladies and gentlemen. We have Will pack up what's happening,

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<v Speaker 2>and we have Kevin, Kevin Hart, he's here, he's here.

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<v Speaker 2>We have elect Kevin Hard. So it's allowed for you.

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<v Speaker 2>So Kevin was supposed to be her. I'll tell you

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<v Speaker 2>the irony of this, right.

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<v Speaker 3>Kev's hungover right now.

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<v Speaker 4>But if you read the first chapter in Will Packer's book,

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<v Speaker 4>he has a chapter called We're Gonna Die tonight, right,

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<v Speaker 4>and it's essentially this story. This isn't what you were

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<v Speaker 4>worried about, Will, you were concerned about.

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<v Speaker 2>Listen, brother, he almost ruined both our careers. This is

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<v Speaker 2>not This is not the first time.

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<v Speaker 3>Listen.

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<v Speaker 2>See.

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<v Speaker 5>The difference is that Kevin is at a point now

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<v Speaker 5>he can get away with the ship.

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<v Speaker 2>You know what I'm saying.

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<v Speaker 5>He's Kevin Hart, right, so you know people will just

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<v Speaker 5>wait and been over back. Isn't all that There was

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<v Speaker 5>a time when it was the biggest movie of both

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<v Speaker 5>of our career. He was absolutely right along with ice Cube,

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<v Speaker 5>and we had done things like a man. That was

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<v Speaker 5>the one that really kind of caltiposed to Kevin and

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<v Speaker 5>everybody was like.

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<v Speaker 2>Okay, what's gonna do next? Like, what what are they

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<v Speaker 2>gonna do next?

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<v Speaker 5>So this was the one the biggest budget of our

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<v Speaker 5>careers everything, And Kevin, you remember what happened?

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<v Speaker 2>Did I? Like? Absolutely?

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<v Speaker 6>Did we get what we were supposed to get? And

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<v Speaker 6>did we get back to where we were supposed.

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<v Speaker 2>To be so Envy were shooting?

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<v Speaker 6>Did we get back to where we were supposed to be?

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<v Speaker 2>We barely got back?

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<v Speaker 6>Vita, why are you.

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<v Speaker 5>Bitch all the time? You see this? This is people

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<v Speaker 5>want to know what a producer does. Right, They asked me,

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<v Speaker 5>this is what.

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<v Speaker 2>A producer does. You see it? You see him smelling

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<v Speaker 2>the coffee, trying to get you're trying to come back

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<v Speaker 2>to life. This is what it looks like.

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<v Speaker 1>So Kevin was supposed to be I was supposed to

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<v Speaker 1>be here three hours early, four hours early.

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<v Speaker 6>Boy issued. First of all, tell me why the people

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<v Speaker 6>on radio need to know that it's radio? So you

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<v Speaker 6>say they need a fucking breakdown.

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<v Speaker 2>Four hours earlier.

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<v Speaker 1>And they said Kep can't make it because he's SI

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<v Speaker 1>and we all said, bullshit, he was drunk because he

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<v Speaker 1>went out last night.

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<v Speaker 6>I did not go out last night. So let's let's

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<v Speaker 6>that's actually true.

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<v Speaker 2>I go out last night.

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<v Speaker 6>By the way, I do not go out. I'm forty

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<v Speaker 6>five years old. I don't go to fucking clubs. I

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<v Speaker 6>don't go to parties. I was working. I did promos.

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<v Speaker 3>My weekend.

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<v Speaker 6>I own the fucking weekend, and then I have to

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<v Speaker 6>show face.

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<v Speaker 2>I have to be there.

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<v Speaker 3>My weekend. I go.

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<v Speaker 6>We have clubs, I gotta show face.

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<v Speaker 3>To the club.

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<v Speaker 6>No, well, yes, no, on all seriouslys So last night, uh,

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<v Speaker 6>you know, we're doing promo and everything for Fight Night,

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<v Speaker 6>rolling out all of the carpet of the carpets. So

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<v Speaker 6>before the actual premiere, we announced it. But I had

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<v Speaker 6>to leave because I had to do Seth Myers and

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<v Speaker 6>Seth Myers has a segment called Drinking with Seth, and

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<v Speaker 6>you you go to a bar and Seth makes these

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<v Speaker 6>drinks or whatever, and it's like, you know, for hour

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<v Speaker 6>and after two hours, you're drinking throughout the interview. And

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<v Speaker 6>you know, I don't drink anything outside of my fucking

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<v Speaker 6>tequila at this point in my life, so you know,

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<v Speaker 6>anything else, anything else I'm very unfamiliar with. And said,

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<v Speaker 6>let's close it out with your tequila, but let's start

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<v Speaker 6>it with everything. So he threw it all at me

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<v Speaker 6>like I'm talking. It's Jaegermeister and wild Turkey. I mean

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<v Speaker 6>we were brown, we were dark, but.

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<v Speaker 2>You can.

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<v Speaker 6>But you have to understand the beauty of good television.

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<v Speaker 6>And it was a good conversation, great interview and while

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<v Speaker 6>we're drinking for good reason behind the answers, and we

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<v Speaker 6>we finished it with is to kill it. We went

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<v Speaker 6>through a lot and I just don't remember the back

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<v Speaker 6>half of the time. And that's why I didn't show

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<v Speaker 6>up to the after party. I missed that. And this

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<v Speaker 6>morning is to say, m I would have been here.

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<v Speaker 4>Bro, Why couldn't you missed the after party after the

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<v Speaker 4>garden that night? So y'all could have just got back

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<v Speaker 4>to you.

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<v Speaker 6>Because we weren't drinking. That's why I want somebody's being

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<v Speaker 6>a bitch like Kevin.

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<v Speaker 2>It was our money.

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<v Speaker 6>We weren't fucked up like oh man, where's my jacket?

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<v Speaker 6>We weren't just out at a show.

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<v Speaker 2>The biggest movie of our career. Okay, where's your tampon?

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<v Speaker 5>Jesus Christ books a show at Madison Square Guarden. He

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<v Speaker 5>takes a comedy special in the middle of our movie.

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<v Speaker 6>I tore while filming a movie faithfully he does.

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<v Speaker 2>Which is not a good thing.

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<v Speaker 5>Boys and girls like and you're looking at how to

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<v Speaker 5>be successful, like, don't overbook yourself.

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<v Speaker 2>That one thing about my friend here, do it because

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<v Speaker 2>nobody's going over working. I'm a bad don't do it, Kevin.

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<v Speaker 2>Look at his career.

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<v Speaker 6>He's been doing wrong this whole time.

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<v Speaker 2>Oh I'm sorry, kids.

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<v Speaker 6>Kevin booked the fucking cloud showing Madison Square Garden take

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<v Speaker 6>the Special and got to work and on time for

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<v Speaker 6>the biggest movie in his career.

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<v Speaker 5>I was gonna say, people that are listening, no, it's

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<v Speaker 5>because you have people around you who will save you.

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<v Speaker 2>You have folks that will save you. And that's what happened.

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<v Speaker 5>He booked it right, and so he left the show

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<v Speaker 5>in the middle.

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<v Speaker 2>Of it, right, the biggest moves for Universe Studios. He leaves.

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<v Speaker 5>But you know what he does, because this is the

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<v Speaker 5>evil genius of Kevin Hart.

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<v Speaker 2>He goes, hey, man, I gotta do this show.

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<v Speaker 5>It's next week, you know, he tells me a week

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<v Speaker 5>before he goes, hey, you know what you and Tim

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<v Speaker 5>Story did the Like He's like, I got the jet,

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<v Speaker 5>you know what, bring bring the wine. So my dumb ass,

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<v Speaker 5>I'm like, you know what he brought, and you know

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<v Speaker 5>what he said. He said that way you can make

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<v Speaker 5>sure that we get back on time, because I knew

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<v Speaker 5>we had to shoot the next day. So we're shooting

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<v Speaker 5>one day. He's gonna go do the show that night,

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<v Speaker 5>and then we had to shoot the next morning on

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<v Speaker 5>a location we can only get that day.

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<v Speaker 2>He's like, come with let.

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<v Speaker 6>Us driver in Alabi.

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<v Speaker 2>So absolutely right, absolutely absolutely.

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<v Speaker 6>I think I was a professional because direct producer for me.

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<v Speaker 6>You can't think I'm an asshole.

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<v Speaker 2>They would be. Kevin has an amazing show of Masies

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<v Speaker 2>Square Guard.

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<v Speaker 5>All the celebs come out afterwards were after party that

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<v Speaker 5>he did not tell me about. I'm in there with

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<v Speaker 5>Carmelo Anthony buying bottles, going, oh, we dying tonight?

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<v Speaker 2>We turning up tonight?

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<v Speaker 3>Why wars have power? Why are we going to die

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<v Speaker 3>to that?

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<v Speaker 6>This is what? Well we're gonna die to? That means

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<v Speaker 6>we're having a good time. You're choosing to die over life.

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<v Speaker 6>How good of a time is that? Last night? I

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<v Speaker 6>didn't say we're gonna die tonight.

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<v Speaker 2>I was like, oh, this is work.

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<v Speaker 5>When I was in that club and I saw my

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<v Speaker 5>career flashing before my eyes, because I realized there was

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<v Speaker 5>no way we're gonna be able to get back in time.

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<v Speaker 5>I had that moment because I'm sitting there look at keV,

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<v Speaker 5>and I realized we're not gonna make it.

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<v Speaker 2>And keV looks at me, he goes, well, we tried,

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<v Speaker 2>we tried. That was it?

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<v Speaker 5>Remember in Usual Suspects, when he realized that was sitting

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<v Speaker 5>in front the whole time. I looked at Kevin Hart

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<v Speaker 5>and I realized that he had convinced me, the producer

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<v Speaker 5>and director of the movie, to get on a jet

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<v Speaker 5>with him, so that when Universal called and said, why

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<v Speaker 5>are y'all over budget and not able to finish the movie?

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<v Speaker 5>And they say, well, Kevin Hart, Will Packer and Tim's

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<v Speaker 5>story were there, so the producer went with him.

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<v Speaker 2>It would be on me.

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<v Speaker 5>When I was complicit, I realized that was his evil

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<v Speaker 5>plan all in along.

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<v Speaker 4>I called him a diabolical rascal, spawn of Satan.

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<v Speaker 2>That's true. I love him, but that's truer words never spoken, sir.

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<v Speaker 6>I will ask you and your listeners, what is a

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<v Speaker 6>life without a great story. It's something that can't be

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<v Speaker 6>talked about. It's untold. A life with our stories is

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<v Speaker 6>nothing you need fucking stories, good and the bad. He's

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<v Speaker 6>bitching about a great story. And by the way that

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<v Speaker 6>story did what amplified our relationship? And look at where

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<v Speaker 6>we are now fright night, we're talking about something else

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<v Speaker 6>that we're yet in business and we produced and developed together.

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<v Speaker 6>Do we get here without that moment?

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<v Speaker 2>No?

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<v Speaker 6>We do not.

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<v Speaker 2>So why did you still want to be his friend

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<v Speaker 2>after that? After you figured that out? You could have said,

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<v Speaker 2>you know what, this relationship no longer happens.

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<v Speaker 6>You know what I'm saying, You need it, you need

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<v Speaker 6>to envy.

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<v Speaker 5>I'm so afraid that if I leave Kevin Harts Like

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<v Speaker 5>he'll just get close right he just burn up on

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<v Speaker 5>the spot.

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<v Speaker 2>I just don't know what he did.

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<v Speaker 6>Without it's close to being over it.

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<v Speaker 7>Have brought you to that works so well because even

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<v Speaker 7>like just here with you guys in person, it's like

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<v Speaker 7>I could I could listen to this back of a

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<v Speaker 7>fall day long really talking.

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<v Speaker 5>With each other's most frequent collaborators kept one a ton

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<v Speaker 5>of movies. I've done a ton of movies, TV projects.

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<v Speaker 5>We haven't worked with anybody else more than we work

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<v Speaker 5>with each other.

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<v Speaker 6>I'll give it. I'll give will this on air and

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<v Speaker 6>half of it is because I'm still drunk and by

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<v Speaker 6>the way of some of the best fucking to kill

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<v Speaker 6>it in the market. He's kind of commercial, but it's

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<v Speaker 6>just a time to let people know smooth taste. And

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<v Speaker 6>it comes to it. You got to understand what and

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<v Speaker 6>why Grand Cormino is that and has been that, which

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<v Speaker 6>is why I drink it at the level that I do.

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<v Speaker 6>But it's not about that right now. It's not about

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<v Speaker 6>the product. It's about the passion. Let's get to that

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<v Speaker 6>and we'll toast it that after with Grand Cormino. But

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<v Speaker 6>I would say this is about Will. I don't say

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<v Speaker 6>it enough if people don't understand it, and I think

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<v Speaker 6>they should. Uh, I don't get to where I got

0:10:38.480 --> 0:10:44.880
<v Speaker 6>in career or business without the information and relationship of

0:10:44.920 --> 0:10:46.560
<v Speaker 6>Will Packer, you know what I mean. Like when it

0:10:46.600 --> 0:10:48.960
<v Speaker 6>came to producing and when it came to development, or

0:10:48.960 --> 0:10:52.120
<v Speaker 6>it came to packaging, Will Packer is the guy that

0:10:52.360 --> 0:10:54.760
<v Speaker 6>was the definition of what that was. So from the

0:10:54.800 --> 0:10:56.960
<v Speaker 6>early days of think like a man, he was the

0:10:56.960 --> 0:10:59.080
<v Speaker 6>producer that came to me and said, Hey, I got

0:10:59.080 --> 0:11:01.600
<v Speaker 6>this thing, I want to do this thing, and I

0:11:01.679 --> 0:11:05.520
<v Speaker 6>think you're the guy. And those are words words without

0:11:05.559 --> 0:11:08.559
<v Speaker 6>action are just that. He put action behind the words.

0:11:08.600 --> 0:11:10.480
<v Speaker 6>Everything he said he would do he did. He got

0:11:10.559 --> 0:11:14.520
<v Speaker 6>the people he wrangered, wrangled, the directors, the actors, the actresses,

0:11:15.200 --> 0:11:19.520
<v Speaker 6>the producer partners, writers, etc. He can figured a way

0:11:19.880 --> 0:11:22.720
<v Speaker 6>to formulate and activate. And I was like, goddamn man, like,

0:11:22.760 --> 0:11:25.040
<v Speaker 6>how do you do that? And he taught me. Will

0:11:25.120 --> 0:11:28.360
<v Speaker 6>taught me how to do it. And as I progressed,

0:11:28.440 --> 0:11:30.600
<v Speaker 6>I never forgot who he was and what he was.

0:11:30.720 --> 0:11:35.160
<v Speaker 6>So our relationship today is based off of never forget,

0:11:35.320 --> 0:11:38.679
<v Speaker 6>like you don't you don't forget the real side of

0:11:39.679 --> 0:11:43.200
<v Speaker 6>like success attached to just care. He gave a fuck

0:11:43.240 --> 0:11:46.080
<v Speaker 6>about me, then he gives more fuck about me. Now

0:11:46.440 --> 0:11:49.199
<v Speaker 6>in return, I doubled down on my level of give

0:11:49.200 --> 0:11:52.640
<v Speaker 6>a fuck about him. So I don't I don't want

0:11:52.640 --> 0:11:55.160
<v Speaker 6>to win if I can't figure out a way to

0:11:55.200 --> 0:11:58.080
<v Speaker 6>win with my brothers. So the commitment that we made was, hey, man,

0:11:58.120 --> 0:12:00.880
<v Speaker 6>let's figure out a way to continue. Although keV, you're

0:12:00.920 --> 0:12:03.439
<v Speaker 6>doing and you have, but how do we still do?

0:12:03.679 --> 0:12:06.440
<v Speaker 6>And I love the fact that we still are, uh,

0:12:06.679 --> 0:12:09.360
<v Speaker 6>and we're committed to figure out more ways to do more.

0:12:09.800 --> 0:12:13.000
<v Speaker 6>And what you're seeing today is a definition of what

0:12:13.040 --> 0:12:16.480
<v Speaker 6>we want people to follow through with like, we are

0:12:17.280 --> 0:12:21.160
<v Speaker 6>no egos. We are help your brother so he can

0:12:21.240 --> 0:12:25.520
<v Speaker 6>help you. We are that And I think it's the

0:12:25.559 --> 0:12:28.640
<v Speaker 6>best story in Hollywood if people were more privy to

0:12:28.760 --> 0:12:32.079
<v Speaker 6>how deep and like in depth it actually is facts,

0:12:32.160 --> 0:12:32.560
<v Speaker 6>right the.

0:12:34.800 --> 0:12:38.160
<v Speaker 4>Fight Night TV show, right, it shows these characters operating

0:12:38.600 --> 0:12:41.320
<v Speaker 4>within a black world where they all hold power. So

0:12:41.400 --> 0:12:43.640
<v Speaker 4>to your point, keV, how effective has that concept been

0:12:43.679 --> 0:12:45.640
<v Speaker 4>for you both in the world of Hollywood.

0:12:45.880 --> 0:12:48.120
<v Speaker 6>I think I think it hasn't been effective enough. And

0:12:48.160 --> 0:12:51.200
<v Speaker 6>I think you know when you look at the ice

0:12:51.240 --> 0:12:53.920
<v Speaker 6>Cube and Kevin Hart of it all are the middle

0:12:54.160 --> 0:12:56.800
<v Speaker 6>common denominator packering. All right, guys, let's do this, but

0:12:56.920 --> 0:12:59.320
<v Speaker 6>let's make it and Cube come in and like, there's

0:12:59.320 --> 0:13:03.079
<v Speaker 6>always a through line of connectivity and that person has

0:13:03.120 --> 0:13:05.560
<v Speaker 6>to be willing to go above and beyond. Fight Night

0:13:05.679 --> 0:13:08.160
<v Speaker 6>is the definition of going above and beyond, all right, keV,

0:13:08.200 --> 0:13:11.559
<v Speaker 6>I got this idea. The idea came after I was

0:13:11.600 --> 0:13:14.199
<v Speaker 6>supposed to do Uptown Saturday Night. Uptown Saturday Night was

0:13:14.200 --> 0:13:17.040
<v Speaker 6>gonna be me and Chadwick Boseman rest in peace to

0:13:17.080 --> 0:13:21.240
<v Speaker 6>the legend himself. Fuck, oh my god, I had no idea. Well,

0:13:21.320 --> 0:13:23.760
<v Speaker 6>I don't want to do this anymore. I can't do

0:13:23.880 --> 0:13:26.920
<v Speaker 6>that without Chadwick. That project is dead to me. Will

0:13:27.000 --> 0:13:31.200
<v Speaker 6>had the actual rights, the original story, the true story.

0:13:31.440 --> 0:13:34.000
<v Speaker 6>So Will came to me. I said, well, I can't

0:13:34.000 --> 0:13:36.920
<v Speaker 6>do a comedy because of this. Can it be serious?

0:13:36.960 --> 0:13:38.480
<v Speaker 6>Can we do it in a way to where it's

0:13:38.559 --> 0:13:43.120
<v Speaker 6>like a lot deeper raw real? He said, Kevin, absolutely, Hey,

0:13:43.200 --> 0:13:46.920
<v Speaker 6>the podcast was points me to the podcast that he

0:13:47.160 --> 0:13:50.080
<v Speaker 6>was a part of that understood, etc. All right, shit,

0:13:50.240 --> 0:13:53.800
<v Speaker 6>this is like real information now real knowledge. Will. I'm

0:13:53.800 --> 0:13:56.480
<v Speaker 6>a fuck with it because it's you. But let's make

0:13:56.520 --> 0:13:58.920
<v Speaker 6>sure that we try to go above and beyond to

0:13:58.960 --> 0:14:02.560
<v Speaker 6>package it correctly. How do we do a premium a

0:14:02.640 --> 0:14:06.880
<v Speaker 6>premium cultural piece of IP that has the bandwidth to

0:14:06.960 --> 0:14:09.800
<v Speaker 6>live forever? And you can't do that without big stars.

0:14:09.840 --> 0:14:12.720
<v Speaker 6>To get big stars, you need real relationships. So the

0:14:12.840 --> 0:14:15.440
<v Speaker 6>leverage of understanding that we both shared and that we

0:14:15.480 --> 0:14:17.960
<v Speaker 6>had at the top of get the studio's commitment, get

0:14:18.000 --> 0:14:20.280
<v Speaker 6>the studio to back and support, then go get the talent.

0:14:20.560 --> 0:14:22.520
<v Speaker 6>I gotta be honest with you. My guy was a

0:14:22.520 --> 0:14:25.600
<v Speaker 6>big part of all of that conversation, and I followed

0:14:25.600 --> 0:14:28.320
<v Speaker 6>the lead of most and I think where we were

0:14:28.360 --> 0:14:32.640
<v Speaker 6>collaborative was dope as fuck and the outcome was amazing.

0:14:32.680 --> 0:14:36.720
<v Speaker 6>Talent configuration and now an example of what the business

0:14:36.760 --> 0:14:42.640
<v Speaker 6>should follow through with, which is collaboration. Collaboration, you can

0:14:42.720 --> 0:14:47.040
<v Speaker 6>win more together, you win less as an individual, How

0:14:47.040 --> 0:14:49.400
<v Speaker 6>do you put yourself in a position to collaborate more?

0:14:49.680 --> 0:14:53.800
<v Speaker 6>So if we can be the example of hopefully most

0:14:53.840 --> 0:14:56.200
<v Speaker 6>will follow through and hopefully we can do more and

0:14:56.200 --> 0:14:58.280
<v Speaker 6>people will say, oh, that's great because they do dope

0:14:58.280 --> 0:15:00.520
<v Speaker 6>shit and here's an example of it. Let's do some

0:15:00.560 --> 0:15:02.720
<v Speaker 6>dope shit with them. That's where I'm at in my

0:15:02.800 --> 0:15:06.280
<v Speaker 6>career now. I could care less about the individual star

0:15:06.800 --> 0:15:10.080
<v Speaker 6>of Kevin Hart. I'm looking for the moments. I'm looking

0:15:10.080 --> 0:15:13.040
<v Speaker 6>for the IP and I'm looking for the evergreen like material.

0:15:13.560 --> 0:15:14.920
<v Speaker 6>You can't do that.

0:15:14.920 --> 0:15:15.640
<v Speaker 2>That part is true.

0:15:15.640 --> 0:15:18.000
<v Speaker 5>I will tell you that, like Kevi has definitely reached

0:15:18.000 --> 0:15:20.200
<v Speaker 5>a part in his career, a moment in his career

0:15:20.240 --> 0:15:24.080
<v Speaker 5>where you know you've had success and it's like how

0:15:24.120 --> 0:15:26.560
<v Speaker 5>do you grow, how do you work with people that

0:15:26.640 --> 0:15:29.760
<v Speaker 5>you respect, and how do you build a machine that

0:15:29.840 --> 0:15:33.080
<v Speaker 5>then empowers others. It's interesting, Charlomagne, you talked about like

0:15:33.240 --> 0:15:36.240
<v Speaker 5>the world of Fight Night, Fight Night, is really about

0:15:36.400 --> 0:15:41.480
<v Speaker 5>a group of hustlers, dreamers, entrepreneurs who are trying to

0:15:41.520 --> 0:15:44.160
<v Speaker 5>take Atlanta and turn it into something. It's back in

0:15:44.200 --> 0:15:46.760
<v Speaker 5>nineteen seventy, right, Martin Luther King had just been shot

0:15:46.800 --> 0:15:49.680
<v Speaker 5>a couple of years earlier. Atlanta was like seen as

0:15:49.720 --> 0:15:51.520
<v Speaker 5>a small country town that you.

0:15:51.600 --> 0:15:53.040
<v Speaker 2>Had a couple of civil rights folks.

0:15:53.080 --> 0:15:55.200
<v Speaker 5>Like people didn't know if it was going to be

0:15:55.280 --> 0:15:58.200
<v Speaker 5>the next Charlotte or Birmingham, and nothing wrong with those cities,

0:15:58.280 --> 0:15:59.800
<v Speaker 5>but it definitely wasn't looked at on the level of

0:16:00.080 --> 0:16:03.240
<v Speaker 5>a global superpower or a New York Chicago LA.

0:16:03.440 --> 0:16:05.840
<v Speaker 2>You know, it was Atlanta and it was not respected.

0:16:06.000 --> 0:16:07.960
<v Speaker 5>But you had a group of folks, which is not

0:16:08.160 --> 0:16:11.040
<v Speaker 5>unlike how Black Hollywood is right now, where you got

0:16:11.040 --> 0:16:12.720
<v Speaker 5>a group of dreamers trying to figure out how do

0:16:12.760 --> 0:16:14.800
<v Speaker 5>we work together now. Of course in Fight Night, you

0:16:14.880 --> 0:16:17.840
<v Speaker 5>got you know, a character who's Kevin's character.

0:16:17.920 --> 0:16:18.560
<v Speaker 2>He's a hustler.

0:16:18.600 --> 0:16:20.680
<v Speaker 5>He's going YO, give me a shot, give me a chance.

0:16:20.720 --> 0:16:22.480
<v Speaker 5>I can just turn it Lanta into something great.

0:16:22.840 --> 0:16:24.400
<v Speaker 2>Chicken Man, Chicken Man.

0:16:24.640 --> 0:16:27.280
<v Speaker 5>Weirdly, Sam Jackson, who plays the big gangster the Black

0:16:27.280 --> 0:16:30.360
<v Speaker 5>Godfather in the show, he actually also got a dream too.

0:16:30.560 --> 0:16:30.680
<v Speaker 3>Right.

0:16:30.720 --> 0:16:32.720
<v Speaker 5>Even though he's a big gangster's running a black mafia,

0:16:32.800 --> 0:16:35.000
<v Speaker 5>his dream is saying, you know what, the white man's

0:16:35.000 --> 0:16:36.560
<v Speaker 5>been holding me down for a very long time. If

0:16:36.680 --> 0:16:38.760
<v Speaker 5>y'all give me a shot an opportunity, I can take

0:16:38.760 --> 0:16:41.680
<v Speaker 5>over Land. I could turn it Land into a black mecca. Oddly,

0:16:41.800 --> 0:16:44.600
<v Speaker 5>even though like Kevin, Sam's characters are odds for most

0:16:44.600 --> 0:16:44.880
<v Speaker 5>of the.

0:16:44.840 --> 0:16:48.000
<v Speaker 2>Series, the reality is that they have the same kind

0:16:48.000 --> 0:16:48.600
<v Speaker 2>of a dream.

0:16:48.880 --> 0:16:50.680
<v Speaker 5>That's kind of how it is right now in terms

0:16:50.720 --> 0:16:53.080
<v Speaker 5>of like folks like us in Hollywood in real life.

0:16:52.920 --> 0:16:54.800
<v Speaker 2>Who are all trying to work together. Is it true

0:16:54.800 --> 0:16:58.920
<v Speaker 2>that Samuel Jackson was really there in Atlanta? Right there?

0:16:58.960 --> 0:16:59.120
<v Speaker 6>Dog?

0:16:59.160 --> 0:16:59.960
<v Speaker 2>He was at more House.

0:17:00.080 --> 0:17:01.040
<v Speaker 6>Sam old as fuck.

0:17:04.960 --> 0:17:08.600
<v Speaker 2>Like that.

0:17:09.400 --> 0:17:11.520
<v Speaker 6>I remember, like we were we were on a call

0:17:11.640 --> 0:17:14.199
<v Speaker 6>with Sam at the start of with Sam said like, yo,

0:17:14.280 --> 0:17:15.480
<v Speaker 6>he liked that he would do it. We were on

0:17:15.520 --> 0:17:18.119
<v Speaker 6>a call. We're going through the materials seeing what Sam

0:17:18.240 --> 0:17:19.920
<v Speaker 6>said about the characters. Sam was like, yeah, man, y'all

0:17:19.960 --> 0:17:22.120
<v Speaker 6>got to change a lot of the ship because more

0:17:22.240 --> 0:17:26.240
<v Speaker 6>happened then. You know, I think we got the story,

0:17:26.359 --> 0:17:28.560
<v Speaker 6>you know, because we you know, the podcast and everything.

0:17:28.600 --> 0:17:34.000
<v Speaker 6>We got the really, motherfucker, I was there. What do

0:17:34.080 --> 0:17:38.600
<v Speaker 6>you mean by that. He's very adamant about telling you

0:17:39.080 --> 0:17:42.080
<v Speaker 6>where he was, what he knows. So the story of

0:17:42.160 --> 0:17:45.640
<v Speaker 6>Fighting Night got better. It got so much better as

0:17:45.640 --> 0:17:48.119
<v Speaker 6>we went on. Oh my god, she is the best

0:17:48.960 --> 0:17:51.919
<v Speaker 6>by the way, you and me, I mean since the

0:17:52.000 --> 0:17:55.480
<v Speaker 6>joke with the little Mike, we have never left that stage.

0:17:55.560 --> 0:17:59.800
<v Speaker 6>You're the best, uh walking on? She gave out much

0:18:00.080 --> 0:18:03.879
<v Speaker 6>to them, all this right here, got here, get this

0:18:04.119 --> 0:18:05.160
<v Speaker 6>right here. I need Greek.

0:18:05.280 --> 0:18:05.480
<v Speaker 3>Brother.

0:18:06.040 --> 0:18:08.240
<v Speaker 6>There's a chance right now I may not make it

0:18:08.280 --> 0:18:10.639
<v Speaker 6>to the end of the I'm giving you everything I

0:18:10.720 --> 0:18:14.879
<v Speaker 6>got to try to say, tell you.

0:18:17.440 --> 0:18:21.719
<v Speaker 2>Always makes it. It's going to fall off to did

0:18:21.760 --> 0:18:23.679
<v Speaker 2>you did you see your You know.

0:18:23.720 --> 0:18:28.800
<v Speaker 4>We look at the iron the war finish, look at

0:18:28.800 --> 0:18:30.840
<v Speaker 4>this man, I mean, and is that cha?

0:18:31.640 --> 0:18:35.800
<v Speaker 2>Sam and Chadwick and Ca Wow. On the scale weill

0:18:35.880 --> 0:18:39.439
<v Speaker 2>as far as size because he'd be small. But is

0:18:39.480 --> 0:18:42.480
<v Speaker 2>that that crazy?

0:18:43.640 --> 0:18:48.119
<v Speaker 6>He just told that story? What story is one thousand

0:18:48.160 --> 0:18:48.880
<v Speaker 6>percent accurate?

0:18:48.960 --> 0:18:49.280
<v Speaker 2>Wow?

0:18:49.520 --> 0:18:51.920
<v Speaker 6>For the listeners, if you guys, go watch Don't Funk

0:18:51.960 --> 0:18:55.159
<v Speaker 6>This Up, which is a document to documentary documenting on

0:18:55.200 --> 0:18:58.520
<v Speaker 6>that documentary on Netflix about when I went through like

0:18:58.720 --> 0:19:01.320
<v Speaker 6>some of my worst times in the business and the

0:19:01.320 --> 0:19:04.320
<v Speaker 6>things that I was juggling during the duration of that time.

0:19:04.840 --> 0:19:09.560
<v Speaker 6>You'll see me and Chadwick actively meeting about uptown Saturday night,

0:19:09.840 --> 0:19:13.360
<v Speaker 6>Me and Chadwick before before us going to the final stages,

0:19:13.640 --> 0:19:14.919
<v Speaker 6>we wanted to make sure that we were on the

0:19:14.920 --> 0:19:18.920
<v Speaker 6>same page with the characters, the story, and the development.

0:19:19.200 --> 0:19:22.919
<v Speaker 6>And Chadwick was an active producer in it. He had

0:19:22.920 --> 0:19:26.120
<v Speaker 6>his partners there. You'll see it, and don't funk this up.

0:19:26.520 --> 0:19:30.160
<v Speaker 5>So the fact that y'all got a mural right with him,

0:19:30.280 --> 0:19:33.520
<v Speaker 5>with keV Hart and Chadwick and then Sam Jackson, who

0:19:33.560 --> 0:19:37.160
<v Speaker 5>he ended up making that same project with, that's insane.

0:19:38.000 --> 0:19:40.280
<v Speaker 6>That's insane, you know what, man, And and I don't

0:19:40.359 --> 0:19:42.680
<v Speaker 6>do this often, but I'm going to drink a shot

0:19:42.680 --> 0:19:48.440
<v Speaker 6>of Grand Cormino to that.

0:19:51.400 --> 0:19:52.000
<v Speaker 2>It's a moment.

0:19:52.400 --> 0:19:55.480
<v Speaker 6>It's a moment of understanding. It's a moment of understanding,

0:19:55.920 --> 0:19:58.840
<v Speaker 6>and it's a moment of celebration. Man, that right there

0:19:59.200 --> 0:20:00.080
<v Speaker 6>is celebrator.

0:20:00.200 --> 0:20:00.639
<v Speaker 2>That's awesome.

0:20:00.640 --> 0:20:02.480
<v Speaker 6>And I just want to take a shot to get.

0:20:02.760 --> 0:20:03.880
<v Speaker 2>Lets do we all need a shot?

0:20:04.200 --> 0:20:06.399
<v Speaker 1>You and you and you said it did that your

0:20:06.400 --> 0:20:08.919
<v Speaker 1>feet didn't touch the ground. Now with charlatans a chair.

0:20:08.800 --> 0:20:11.320
<v Speaker 6>I'm selling a chair. Sorry, I never said I said,

0:20:11.400 --> 0:20:12.560
<v Speaker 6>I never said an game about my feet.

0:20:12.680 --> 0:20:15.280
<v Speaker 2>I'm sorry he said it wasn't to scale. It's not

0:20:15.320 --> 0:20:19.399
<v Speaker 2>just sc said, yes, HBC.

0:20:19.600 --> 0:20:21.520
<v Speaker 1>I knew this anytime will pack come because he always

0:20:21.560 --> 0:20:23.360
<v Speaker 1>stays family. So I put the hampt University.

0:20:23.880 --> 0:20:24.480
<v Speaker 2>You know, it's crazy.

0:20:24.520 --> 0:20:26.439
<v Speaker 6>A lot of old niggas that can't let college go,

0:20:28.440 --> 0:20:31.040
<v Speaker 6>a lot of old niggas that refused to just accept

0:20:31.040 --> 0:20:32.200
<v Speaker 6>this over envy.

0:20:32.280 --> 0:20:34.920
<v Speaker 2>When you when you wear a cat that never went

0:20:34.960 --> 0:20:38.800
<v Speaker 2>to any school at all. He didn't go to a historically.

0:20:38.480 --> 0:20:40.560
<v Speaker 6>I'll tell you what I didn't, and this is why,

0:20:40.920 --> 0:20:43.040
<v Speaker 6>like you guys are the example of what you don't

0:20:43.040 --> 0:20:43.359
<v Speaker 6>want to be.

0:20:44.080 --> 0:20:45.159
<v Speaker 2>It's over your culture.

0:20:45.359 --> 0:20:46.879
<v Speaker 6>You don't let it go.

0:20:47.160 --> 0:20:49.760
<v Speaker 2>Come on, let it be. No Where did you go?

0:20:50.640 --> 0:20:51.119
<v Speaker 6>She didn't?

0:20:52.359 --> 0:20:54.919
<v Speaker 2>I thought I was trying to university? There you go,

0:20:59.240 --> 0:21:03.880
<v Speaker 2>Delaware State. That's just a bunch of niggas. Don't care

0:21:05.560 --> 0:21:07.360
<v Speaker 2>Delaware State.

0:21:11.320 --> 0:21:12.880
<v Speaker 4>You know what I wanted to ask you, Yes, sir,

0:21:13.040 --> 0:21:15.320
<v Speaker 4>how do you manage all these big as personalities?

0:21:16.400 --> 0:21:20.080
<v Speaker 2>Roger bitch, Samuel Jackson? How do you do it?

0:21:20.200 --> 0:21:20.400
<v Speaker 6>Yes?

0:21:20.600 --> 0:21:25.000
<v Speaker 2>Yes, cheers. First, let me you know, did you drink?

0:21:26.359 --> 0:21:27.080
<v Speaker 2>What are you doing?

0:21:29.200 --> 0:21:29.560
<v Speaker 6>I was.

0:21:34.920 --> 0:21:38.280
<v Speaker 2>I'm a Christian. That can't be Jesus with the family.

0:21:39.280 --> 0:21:42.080
<v Speaker 2>This is not wine. This is not Jesus. Can't turn

0:21:42.160 --> 0:21:45.080
<v Speaker 2>this and then nothing. We're not gonna do it in

0:21:45.160 --> 0:21:50.639
<v Speaker 2>the area. Don't you don't, Chris Man, I'm a Christian, Kevin,

0:21:50.680 --> 0:21:56.359
<v Speaker 2>don't do it. Drink the Lord.

0:21:58.400 --> 0:22:00.960
<v Speaker 6>Don't you want miss an impulse?

0:22:03.880 --> 0:22:04.640
<v Speaker 2>Did? Let me see?

0:22:05.680 --> 0:22:10.480
<v Speaker 8>I never poured him one Look at that, yo, real,

0:22:17.440 --> 0:22:18.600
<v Speaker 8>you don't know what he do to.

0:22:18.560 --> 0:22:20.280
<v Speaker 2>Me every day. Took him down.

0:22:20.320 --> 0:22:22.040
<v Speaker 7>I didn't pour him a shot, so he ain't taking nothing.

0:22:22.640 --> 0:22:26.720
<v Speaker 6>Really, I'm saying, as punishment, give a big shot.

0:22:26.480 --> 0:22:31.840
<v Speaker 2>You don't I do? Like my brother is Workotte Man?

0:22:31.880 --> 0:22:34.119
<v Speaker 2>All right, I'm with you. Listen. You talked about the

0:22:34.119 --> 0:22:34.800
<v Speaker 2>big person out.

0:22:34.920 --> 0:22:37.040
<v Speaker 5>That's that is the hardest part of the job as

0:22:37.080 --> 0:22:39.320
<v Speaker 5>a producer, you know what I mean? And in real talk,

0:22:39.480 --> 0:22:42.120
<v Speaker 5>it's it's awesome when you got somebody like keV who

0:22:42.160 --> 0:22:44.520
<v Speaker 5>gets it, who understands at the end of the day

0:22:44.560 --> 0:22:47.119
<v Speaker 5>with the bigger pictures, but a lot of time, okay,

0:22:47.160 --> 0:22:50.119
<v Speaker 5>if it's you know, Hollywood music, you know stock market,

0:22:50.200 --> 0:22:54.320
<v Speaker 5>whatever it is, the people say, you say, right.

0:22:54.400 --> 0:22:58.680
<v Speaker 2>Air, can you so you argue with kem though, because

0:22:58.680 --> 0:23:01.560
<v Speaker 2>he seems like he's a lot. Let me tell you something.

0:23:01.600 --> 0:23:05.520
<v Speaker 6>The least problem that you will ever have in any

0:23:05.520 --> 0:23:07.880
<v Speaker 6>work environment, that's unproblematic.

0:23:07.960 --> 0:23:08.879
<v Speaker 2>He's a problem. I mean.

0:23:08.920 --> 0:23:12.160
<v Speaker 5>The challenge with Kevin is that he will overdo things right.

0:23:12.200 --> 0:23:13.800
<v Speaker 5>He would do things like have a show a massive

0:23:13.800 --> 0:23:15.760
<v Speaker 5>square garden at the same time that we have a

0:23:15.760 --> 0:23:18.879
<v Speaker 5>big scene in our movie. Now, he's definitely he's not

0:23:19.080 --> 0:23:21.360
<v Speaker 5>He's not a moderation guy, you know what I mean.

0:23:21.440 --> 0:23:24.240
<v Speaker 5>That's part of the cheese. That's why I'm here on

0:23:24.280 --> 0:23:26.600
<v Speaker 5>the breakfast club. You're eating this this turkey saying was

0:23:26.640 --> 0:23:27.840
<v Speaker 5>trying to get some grease.

0:23:27.600 --> 0:23:30.320
<v Speaker 2>In his cut. It didn't burn you. At least let

0:23:30.359 --> 0:23:32.879
<v Speaker 2>it cool a little bit. Come on, animal, This is

0:23:32.880 --> 0:23:37.239
<v Speaker 2>what I needed? Is that what Hollywood? I can't take him.

0:23:37.240 --> 0:23:39.600
<v Speaker 4>He's done a phenomenal job as Chicken Man, but I

0:23:39.640 --> 0:23:41.960
<v Speaker 4>can't take him serious and dramas because it just always

0:23:42.000 --> 0:23:44.240
<v Speaker 4>seems like always jokes.

0:23:44.800 --> 0:23:46.840
<v Speaker 5>But can't tell you something real talk. Chicken Man is

0:23:46.840 --> 0:23:50.320
<v Speaker 5>his best work yet. I'm telling you. You look at

0:23:50.320 --> 0:23:52.119
<v Speaker 5>what he's doing with his eyes, and you know a

0:23:52.160 --> 0:23:54.960
<v Speaker 5>lot of people. You know, it's known that comedians they

0:23:55.119 --> 0:23:57.520
<v Speaker 5>pulled from pain, right, and that's how they deflect, and

0:23:57.560 --> 0:24:00.880
<v Speaker 5>that's where a lot of the comedy comes from Kevin exception.

0:24:01.400 --> 0:24:03.800
<v Speaker 5>But the reality is that when he said we gotta

0:24:03.880 --> 0:24:05.480
<v Speaker 5>do this as a drama, that was a big risk

0:24:05.520 --> 0:24:07.919
<v Speaker 5>because people say, all right, fight not Kevin Hart starring there,

0:24:08.000 --> 0:24:08.280
<v Speaker 5>let's go.

0:24:08.320 --> 0:24:10.359
<v Speaker 2>I'm ready to laugh, like you said, Charlotte Main. But

0:24:10.400 --> 0:24:12.440
<v Speaker 2>the reality is that this is serious.

0:24:12.520 --> 0:24:14.960
<v Speaker 5>Now you have moments of levity, but the tone make

0:24:15.040 --> 0:24:17.960
<v Speaker 5>no mistake, is dramatic, like it goes there.

0:24:18.080 --> 0:24:20.520
<v Speaker 6>I don't want to sound like an asshole, but this

0:24:20.640 --> 0:24:25.280
<v Speaker 6>may sound asshole ish, right, it may sound assholely.

0:24:25.440 --> 0:24:29.040
<v Speaker 2>You gave it to him.

0:24:29.119 --> 0:24:32.960
<v Speaker 6>It's a big jump to the audience that watches of

0:24:33.040 --> 0:24:35.359
<v Speaker 6>what a talent is doing. If you're not used to it.

0:24:36.000 --> 0:24:38.600
<v Speaker 6>A talent knows what's in their fucking bag. You know

0:24:38.680 --> 0:24:40.560
<v Speaker 6>what you can ring, well, you know who you can call,

0:24:40.920 --> 0:24:43.480
<v Speaker 6>you know what you can package and do. The operation

0:24:43.600 --> 0:24:47.040
<v Speaker 6>at task to drama is project based. You give me

0:24:47.119 --> 0:24:50.159
<v Speaker 6>a great project, and in the project, I'm supposed to

0:24:50.200 --> 0:24:53.080
<v Speaker 6>be serious and I'm supposed to have a cadence of

0:24:53.280 --> 0:24:55.760
<v Speaker 6>and it is such a great piece of material that

0:24:55.800 --> 0:24:57.840
<v Speaker 6>I choose to do, I'll do it the best of

0:24:57.840 --> 0:25:00.800
<v Speaker 6>my ability. That's called the talent. That's a town's choice,

0:25:00.960 --> 0:25:04.479
<v Speaker 6>in a town's decision, it's what are you what are

0:25:04.520 --> 0:25:08.960
<v Speaker 6>you fucking factoring in to you making the decision. I'm

0:25:08.960 --> 0:25:11.680
<v Speaker 6>not doing it in an environment where it won't be cool,

0:25:11.800 --> 0:25:15.679
<v Speaker 6>collective and fucking like dope. If I can't work with

0:25:15.720 --> 0:25:19.240
<v Speaker 6>great people, I can't work with great directors, great producers,

0:25:19.280 --> 0:25:21.640
<v Speaker 6>great writers, then I don't want to do it. I'm

0:25:21.640 --> 0:25:24.080
<v Speaker 6>at a point in my life where it's about having

0:25:24.119 --> 0:25:30.720
<v Speaker 6>a good time. This project is relationship based. Every aspect

0:25:30.760 --> 0:25:33.440
<v Speaker 6>of this project is formulated off a relationship.

0:25:33.480 --> 0:25:35.920
<v Speaker 2>That's really by the way, everybody said that too.

0:25:36.359 --> 0:25:39.199
<v Speaker 5>Sorry, I was just gonna say because castuck, Like a

0:25:39.200 --> 0:25:41.520
<v Speaker 5>lot of people ask, oh, with that cast, you had

0:25:41.520 --> 0:25:44.080
<v Speaker 5>to back up the truck, right, And by the way,

0:25:44.280 --> 0:25:44.919
<v Speaker 5>you do right.

0:25:45.040 --> 0:25:46.560
<v Speaker 2>These folks deserve you know.

0:25:46.560 --> 0:25:49.240
<v Speaker 5>And I'm very proud of the fact that you know,

0:25:49.320 --> 0:25:51.800
<v Speaker 5>as a black producing the business, I definitely take care

0:25:51.840 --> 0:25:53.600
<v Speaker 5>of folks that look like us and make sure that

0:25:53.600 --> 0:25:57.920
<v Speaker 5>I pay them on par with their counterparts and their peers.

0:25:58.000 --> 0:26:00.400
<v Speaker 5>But Kevin is absolutely right. You don't do a show

0:26:00.440 --> 0:26:02.920
<v Speaker 5>like this unless you want to, right. Sam Jackson is

0:26:02.960 --> 0:26:05.880
<v Speaker 5>not doing it for the check, right, And don Cheeto's

0:26:05.880 --> 0:26:08.600
<v Speaker 5>not doing it because he's available. They do it because

0:26:08.760 --> 0:26:10.960
<v Speaker 5>they want to work with certain people because it's subject

0:26:10.960 --> 0:26:13.879
<v Speaker 5>matter that speaks to them and that is very, very important.

0:26:13.960 --> 0:26:15.640
<v Speaker 5>And the other thing, you know, Charlot Mane, you brought

0:26:15.720 --> 0:26:17.040
<v Speaker 5>a good point that I want to just hit on

0:26:17.119 --> 0:26:19.479
<v Speaker 5>real quick in terms of like the egos and all

0:26:19.520 --> 0:26:19.760
<v Speaker 5>of that.

0:26:20.000 --> 0:26:20.920
<v Speaker 2>You got to make sure that.

0:26:20.880 --> 0:26:25.160
<v Speaker 5>Everybody understands that the ultimate goal is everybody's goals. Because

0:26:25.160 --> 0:26:27.280
<v Speaker 5>once people start thinking, Okay, this is for me, and

0:26:27.320 --> 0:26:29.560
<v Speaker 5>I got to be focused on my own goal and

0:26:29.640 --> 0:26:32.280
<v Speaker 5>not the greater good, then you will never win.

0:26:32.359 --> 0:26:33.920
<v Speaker 2>You got to get people to working as a team.

0:26:33.960 --> 0:26:35.600
<v Speaker 5>That's why as a producer you're like a coach, you're

0:26:35.640 --> 0:26:37.600
<v Speaker 5>like a general manager. You got to get everybody to

0:26:37.680 --> 0:26:40.560
<v Speaker 5>understand that their goals aligned with your goals. By the way,

0:26:40.800 --> 0:26:43.360
<v Speaker 5>that is true in any industry, not just Hollywood.

0:26:43.400 --> 0:26:49.320
<v Speaker 6>But you also need, respectfully, you also need you need

0:26:49.320 --> 0:26:53.960
<v Speaker 6>a collaborative figure at the top to say, I'm gonna

0:26:54.000 --> 0:26:57.119
<v Speaker 6>make sure that no matter what I'm I'm on a

0:26:57.280 --> 0:27:00.359
<v Speaker 6>layer and level where everybody can understand and it we're

0:27:00.359 --> 0:27:04.400
<v Speaker 6>all the same, Like I'm not coming into a project

0:27:04.680 --> 0:27:06.080
<v Speaker 6>on my dick on the table. For lack of a

0:27:06.080 --> 0:27:13.280
<v Speaker 6>better word, I'm not Yeah, y'all know what I am.

0:27:13.320 --> 0:27:16.040
<v Speaker 6>I don't do that. I'm saying I'm about the greater

0:27:16.200 --> 0:27:19.600
<v Speaker 6>good for all. So I come in head in hand

0:27:19.680 --> 0:27:22.480
<v Speaker 6>and I bow down to all talent on the set

0:27:22.880 --> 0:27:26.600
<v Speaker 6>because I'm so grateful that the talent is fucking choosing

0:27:26.680 --> 0:27:29.159
<v Speaker 6>to do whatever the project is that I'm a part of.

0:27:29.600 --> 0:27:34.000
<v Speaker 6>So for Sam Jackson, I bow down. Goddamn legend, you

0:27:34.080 --> 0:27:36.720
<v Speaker 6>should get the respect that you deserve. Don Cheetle, I

0:27:36.760 --> 0:27:39.120
<v Speaker 6>bow down to Rojjie. I bowed down.

0:27:40.520 --> 0:27:40.879
<v Speaker 2>Awkward.

0:27:40.960 --> 0:27:50.240
<v Speaker 5>I mean, listen, Pa, Kevin harts down. We call it

0:27:50.280 --> 0:27:53.639
<v Speaker 5>down woman, right. She is his right hand, is also

0:27:53.840 --> 0:27:58.280
<v Speaker 5>his mistress, and so there is a scene worded better well,

0:27:58.440 --> 0:28:01.480
<v Speaker 5>well she's a down one.

0:28:04.240 --> 0:28:08.800
<v Speaker 6>What I'm saying is I have no problem with being equal,

0:28:09.119 --> 0:28:11.639
<v Speaker 6>and I think, once again I gonna I'm gonna highlight

0:28:11.680 --> 0:28:15.480
<v Speaker 6>this as much as I possibly can. That's the version

0:28:15.520 --> 0:28:17.639
<v Speaker 6>of the example that I want to get out there.

0:28:18.320 --> 0:28:21.600
<v Speaker 6>I want the collaborative side of our culture connecting. I

0:28:21.640 --> 0:28:24.840
<v Speaker 6>want us to understand we are so much better together.

0:28:25.040 --> 0:28:28.600
<v Speaker 6>I want us to understand the premium factor of us

0:28:28.720 --> 0:28:31.719
<v Speaker 6>doing things together is so much better than the individual

0:28:31.760 --> 0:28:32.680
<v Speaker 6>trying to be one.

0:28:33.000 --> 0:28:36.399
<v Speaker 1>Do you challenge yourself to do things outside of this comedy?

0:28:36.400 --> 0:28:38.000
<v Speaker 2>Said, I just don't want this comedic role. I want

0:28:38.000 --> 0:28:40.000
<v Speaker 2>this serious role. Do you challenge yourself or do you

0:28:40.040 --> 0:28:40.840
<v Speaker 2>just take roles that come?

0:28:41.080 --> 0:28:44.160
<v Speaker 6>None of it is a challenge. By the way I'm

0:28:44.280 --> 0:28:47.440
<v Speaker 6>developing the things that I do. Nothing is coming to me.

0:28:47.960 --> 0:28:49.960
<v Speaker 6>I'm creating the things, or I'm a part of the

0:28:50.000 --> 0:28:52.920
<v Speaker 6>process of how it gets to the final stages. I'm

0:28:52.960 --> 0:28:56.200
<v Speaker 6>at that point. But I have no desire for the

0:28:56.240 --> 0:28:58.400
<v Speaker 6>star of Kevin Hart to get bigger. I don't give

0:28:58.440 --> 0:29:03.400
<v Speaker 6>a fuck. That's what's so gone and done with. I'm

0:29:03.400 --> 0:29:06.840
<v Speaker 6>more about the success of others, the success of the entity,

0:29:06.920 --> 0:29:10.720
<v Speaker 6>the success of the brand, and more importantly, the success

0:29:10.760 --> 0:29:13.040
<v Speaker 6>of what we represent and what we can look back

0:29:13.080 --> 0:29:15.840
<v Speaker 6>and say we did. That's bigger now than a conversation

0:29:15.920 --> 0:29:18.440
<v Speaker 6>of myself. I did it. I'm done. What else am

0:29:18.440 --> 0:29:19.600
<v Speaker 6>I going to do at this point?

0:29:20.400 --> 0:29:20.920
<v Speaker 2>Go in two minutes?

0:29:21.960 --> 0:29:24.600
<v Speaker 4>Actually, we got to get I want to I want

0:29:24.640 --> 0:29:26.320
<v Speaker 4>to have both of them to do this well. They're

0:29:26.360 --> 0:29:28.880
<v Speaker 4>hard to find someone to play Muhammad Ali And did

0:29:28.880 --> 0:29:30.120
<v Speaker 4>you ever consider Will Smith?

0:29:33.120 --> 0:29:39.240
<v Speaker 5>Very very challenging, right and I think that you got

0:29:39.240 --> 0:29:39.880
<v Speaker 5>to understand.

0:29:40.240 --> 0:29:43.200
<v Speaker 2>You know, obviously that's an icon. He's been portrayed before.

0:29:44.040 --> 0:29:44.360
<v Speaker 6>Uh.

0:29:44.400 --> 0:29:46.840
<v Speaker 5>For us, it was about finding a newcomer that wouldn't

0:29:46.840 --> 0:29:48.959
<v Speaker 5>pull you out because these other characters you didn't know.

0:29:49.000 --> 0:29:52.120
<v Speaker 5>Nobody knew Chicken Man Kevin Hart's character, or or Vivian

0:29:52.160 --> 0:29:55.080
<v Speaker 5>to Right's character, or Frank Moulton. You know Sam's character,

0:29:55.520 --> 0:29:58.400
<v Speaker 5>but you know everybody knows Muhammad Ali. So I think

0:29:58.440 --> 0:30:00.560
<v Speaker 5>to have somebody in that role who you had some

0:30:00.640 --> 0:30:03.880
<v Speaker 5>familiarity with and who you associated with something else would

0:30:03.880 --> 0:30:06.000
<v Speaker 5>have pulled you out. And we really wanted to immerse

0:30:06.040 --> 0:30:07.800
<v Speaker 5>you even with these big stars. We really wanted to

0:30:07.840 --> 0:30:09.960
<v Speaker 5>take you to a time period right fifty years ago

0:30:10.080 --> 0:30:13.120
<v Speaker 5>and really drop you in and be as authentic as possible.

0:30:13.200 --> 0:30:15.280
<v Speaker 5>And we've paid a lot of attention to the detail

0:30:15.320 --> 0:30:18.920
<v Speaker 5>and the nuances to try to get this thing right right. Yeah,

0:30:19.160 --> 0:30:21.080
<v Speaker 5>come on, man, this cast and by the way, not

0:30:21.200 --> 0:30:24.720
<v Speaker 5>just the big names that you know, like Oh Dexter,

0:30:24.800 --> 0:30:27.720
<v Speaker 5>Dark Dexter, You're gonna be hearing a lot from him.

0:30:27.760 --> 0:30:30.480
<v Speaker 5>There's some young gunners in this cast that you're gonna

0:30:30.520 --> 0:30:33.400
<v Speaker 5>be hearing that I predict you're gonna look back and go. Yo.

0:30:33.920 --> 0:30:36.240
<v Speaker 5>Remember when so and so went toe to toed with

0:30:36.240 --> 0:30:37.800
<v Speaker 5>with Kevin Hard and Sam Jackson.

0:30:38.640 --> 0:30:41.480
<v Speaker 2>Yes, Melvin Gregg, Miles.

0:30:41.120 --> 0:30:45.760
<v Speaker 5>Bullet, Koe Bailey does her thing, yet Lloyd Harvey jumps

0:30:45.800 --> 0:30:47.440
<v Speaker 5>in the future.

0:30:47.520 --> 0:30:49.160
<v Speaker 2>L Yeah. My wife said that.

0:30:49.200 --> 0:30:50.480
<v Speaker 3>I was like, I don't think that's Laura, because you

0:30:50.600 --> 0:30:51.880
<v Speaker 3>like you look so different.

0:30:55.800 --> 0:30:59.360
<v Speaker 6>But I think I think that you're You're singing amazing

0:31:00.120 --> 0:31:03.800
<v Speaker 6>example of baton passing. You're you're looking at people that

0:31:03.840 --> 0:31:07.800
<v Speaker 6>are established, have been established for so long, and Sam

0:31:07.880 --> 0:31:11.840
<v Speaker 6>and Taraji and Terrence and Don and then you also

0:31:12.120 --> 0:31:15.520
<v Speaker 6>have the second tear of talent that is a valuable

0:31:15.560 --> 0:31:18.280
<v Speaker 6>piece of this puzzle where they're toe to toe with

0:31:18.320 --> 0:31:21.840
<v Speaker 6>the big names and you don't blink an eye. You

0:31:22.120 --> 0:31:26.000
<v Speaker 6>understand why everybody is there, and you respect the talent

0:31:26.080 --> 0:31:28.880
<v Speaker 6>on screen, and you still respect the story. You're never

0:31:28.920 --> 0:31:31.320
<v Speaker 6>taken outside of the story. So I think that for

0:31:31.400 --> 0:31:34.480
<v Speaker 6>that younger generation that we were able to on board,

0:31:35.240 --> 0:31:38.360
<v Speaker 6>it's a great example of what we want to do.

0:31:38.800 --> 0:31:42.520
<v Speaker 6>We want to be the example for the next generation,

0:31:42.840 --> 0:31:46.280
<v Speaker 6>the bridge. We want to be the example for global

0:31:46.360 --> 0:31:50.160
<v Speaker 6>success for or the new star that popped on If

0:31:50.200 --> 0:31:52.880
<v Speaker 6>we're part of those stories, how dope is that? Like,

0:31:53.240 --> 0:31:56.160
<v Speaker 6>that's the biggest side of the conversation of Once Reese,

0:31:56.240 --> 0:31:57.320
<v Speaker 6>celst Jalen Hall.

0:31:57.400 --> 0:32:03.920
<v Speaker 2>These are names you're gonna know. I got a zoom zoomy.

0:32:03.960 --> 0:32:07.400
<v Speaker 6>I was here. I'll be like you were. You can't mean.

0:32:09.040 --> 0:32:14.040
<v Speaker 2>What I'm telling you. This is why I meant. It's

0:32:14.160 --> 0:32:18.680
<v Speaker 2>like this actual age to what you're going back on

0:32:19.360 --> 0:32:23.720
<v Speaker 2>a big star at age now, Well, I don't know

0:32:23.720 --> 0:32:24.840
<v Speaker 2>if you know you don't kick me out of one

0:32:24.880 --> 0:32:27.080
<v Speaker 2>of his show, kick you out of you had your phone,

0:32:28.360 --> 0:32:28.800
<v Speaker 2>kicked me out.

0:32:28.880 --> 0:32:30.440
<v Speaker 1>They threw me out, And as they're throwing me out,

0:32:30.440 --> 0:32:32.640
<v Speaker 1>I'm yelling, cav is me because I know what you

0:32:32.640 --> 0:32:33.200
<v Speaker 1>can go by.

0:32:34.280 --> 0:32:35.440
<v Speaker 6>That's why we should have kicked you out.

0:32:36.520 --> 0:32:36.720
<v Speaker 2>Brother.

0:32:36.840 --> 0:32:37.200
<v Speaker 3>Come on.

0:32:37.360 --> 0:32:39.800
<v Speaker 1>That's the Hampton family and kids, So you know, sometimes

0:32:39.840 --> 0:32:41.040
<v Speaker 1>you gotta check your phone to make.

0:32:40.920 --> 0:32:44.040
<v Speaker 5>Sure you're good the show you knew. Come on, I

0:32:44.040 --> 0:32:46.520
<v Speaker 5>gotta I gotta signe with cave on this brother, Come on, man.

0:32:46.440 --> 0:32:49.640
<v Speaker 6>Come into a common show is an intensative environment. And

0:32:49.640 --> 0:32:51.920
<v Speaker 6>by the way, my acting my Age tour, it's a

0:32:52.040 --> 0:32:54.680
<v Speaker 6>very dope fucking thing going on right now. It's a

0:32:54.760 --> 0:32:57.600
<v Speaker 6>premium ticket with a dope experience and in that experience

0:32:57.800 --> 0:33:01.000
<v Speaker 6>for an hour and a half. Check out out check

0:33:01.040 --> 0:33:01.480
<v Speaker 6>out a lad?

0:33:01.600 --> 0:33:02.720
<v Speaker 2>Did you see it was in me? Did you know

0:33:02.760 --> 0:33:06.120
<v Speaker 2>it was him? I'm saying.

0:33:06.200 --> 0:33:09.040
<v Speaker 6>What I'm saying to you is people people kill me,

0:33:09.160 --> 0:33:11.640
<v Speaker 6>like when you act as if rules don't exist for

0:33:11.640 --> 0:33:15.120
<v Speaker 6>a dope reason. Phones are a bad experience. Phones are

0:33:15.160 --> 0:33:20.520
<v Speaker 6>taking over the intimate appeal of life and lifestyle. Like

0:33:20.600 --> 0:33:23.520
<v Speaker 6>your phone has checked you out of every experience you

0:33:23.560 --> 0:33:26.800
<v Speaker 6>or the concerts. People watch the concert through their fucking phone.

0:33:27.360 --> 0:33:28.320
<v Speaker 6>You're looking at the.

0:33:28.200 --> 0:33:31.360
<v Speaker 5>Concert for an artists that's trying to put out new content, right,

0:33:31.400 --> 0:33:33.240
<v Speaker 5>and then everybody can just watch it on YouTube.

0:33:33.840 --> 0:33:37.760
<v Speaker 2>It totally diminishes respect.

0:33:38.640 --> 0:33:39.800
<v Speaker 3>Just like come out.

0:33:41.320 --> 0:33:43.200
<v Speaker 6>To put your phones off, you lock them up in

0:33:43.240 --> 0:33:47.080
<v Speaker 6>that moment, and you're such a dope sho.

0:33:50.120 --> 0:33:53.280
<v Speaker 5>You had that privilege, They had that life scare privilege.

0:33:53.240 --> 0:33:55.240
<v Speaker 2>See you thought he was like a me mvy you

0:33:55.280 --> 0:33:55.680
<v Speaker 2>did that.

0:33:56.040 --> 0:34:00.160
<v Speaker 6>I don't even know what a couple of He's the

0:34:00.240 --> 0:34:12.280
<v Speaker 6>lightest envious, right expectation, is one of the lightest operators

0:34:12.320 --> 0:34:12.879
<v Speaker 6>of the path.

0:34:13.280 --> 0:34:17.800
<v Speaker 2>Sometimes you're like, you're not white, Yeah, yeah, you get confused.

0:34:19.840 --> 0:34:42.839
<v Speaker 9>He envy is the guy you believe they're doing.

0:34:33.840 --> 0:34:36.840
<v Speaker 7>Monique and Lee Daniels just sit the deliverance. Are we

0:34:36.920 --> 0:34:38.839
<v Speaker 7>ever going to see a reconciliation with you and her?

0:34:38.960 --> 0:34:42.719
<v Speaker 7>Because she I don't know, I know that there's no problem. No,

0:34:42.800 --> 0:34:44.560
<v Speaker 7>but she has said that, like I know when she

0:34:44.640 --> 0:34:47.279
<v Speaker 7>was doing club and they talked about it and she

0:34:47.719 --> 0:34:49.600
<v Speaker 7>was talking about the phone call that happened from your

0:34:49.600 --> 0:34:52.000
<v Speaker 7>team or whatever. Right, is there ever going to be

0:34:52.040 --> 0:34:54.440
<v Speaker 7>a conversation that we hear you talk about? Where y'all

0:34:54.480 --> 0:34:56.320
<v Speaker 7>to have another conversation about that and move forward.

0:34:56.360 --> 0:34:58.160
<v Speaker 6>I'll challenge your question with a better question.

0:34:58.200 --> 0:34:58.600
<v Speaker 2>Go ahead.

0:34:58.880 --> 0:35:02.880
<v Speaker 6>You hear me talk about anyone? Do you ever hear

0:35:02.920 --> 0:35:08.040
<v Speaker 6>anything bad come from me? No? So information can be

0:35:08.080 --> 0:35:11.799
<v Speaker 6>one sided. A perception can never be one sided. It's

0:35:11.840 --> 0:35:16.040
<v Speaker 6>always a duality. It's it's your side versus another. And

0:35:16.080 --> 0:35:19.120
<v Speaker 6>if there's not a common ground, that means that means

0:35:19.160 --> 0:35:23.560
<v Speaker 6>one hasn't been attempted to like be met. So there's

0:35:23.600 --> 0:35:26.000
<v Speaker 6>no problem between me and Monique, there never will be.

0:35:26.040 --> 0:35:28.399
<v Speaker 6>There's no problem between me and anybody else. There's nothing

0:35:28.440 --> 0:35:32.160
<v Speaker 6>to reconcile, there's no there's no problem. So all these

0:35:32.200 --> 0:35:35.960
<v Speaker 6>problems that have been attached to Kevin Hart, they're one sided.

0:35:36.200 --> 0:35:38.480
<v Speaker 6>I don't have a problem with anybody.

0:35:38.560 --> 0:35:42.560
<v Speaker 5>I agree with that people right to have a conflict

0:35:42.680 --> 0:35:44.040
<v Speaker 5>because that's the reality.

0:35:44.120 --> 0:35:44.719
<v Speaker 2>I can tell you that.

0:35:44.760 --> 0:35:47.480
<v Speaker 5>Like, there's a perception that like if somebody comes out

0:35:47.480 --> 0:35:50.440
<v Speaker 5>and says something that like, you know, me and Kevins

0:35:50.480 --> 0:35:54.160
<v Speaker 5>behind the scenes said that we're.

0:35:53.440 --> 0:35:55.200
<v Speaker 2>Not doing that. That's what.

0:35:56.760 --> 0:35:59.719
<v Speaker 6>Social media has fucked us up to the point of

0:36:00.200 --> 0:36:03.560
<v Speaker 6>you hear is what you're forced to believe. Gotcha, you

0:36:03.600 --> 0:36:06.560
<v Speaker 6>do not understand? Like the common ground for truth is

0:36:06.600 --> 0:36:09.400
<v Speaker 6>always a conversation. And if there ever is a conversation,

0:36:09.560 --> 0:36:12.880
<v Speaker 6>do you're not forward facing in a public statement ever,

0:36:13.440 --> 0:36:16.680
<v Speaker 6>Like I didn't say anything about what I did or

0:36:16.880 --> 0:36:19.440
<v Speaker 6>what I did for Monique or my gestures, you never

0:36:19.520 --> 0:36:23.160
<v Speaker 6>would have heard. It's it's a one sided version or

0:36:23.280 --> 0:36:26.600
<v Speaker 6>reason for and by the way, i'ven overbuttal to it.

0:36:27.239 --> 0:36:30.920
<v Speaker 6>I stand on the side of I'm unproblematic and if

0:36:30.960 --> 0:36:33.000
<v Speaker 6>me and Moe want to do or could do or

0:36:33.040 --> 0:36:35.439
<v Speaker 6>would do, we will. But that's a me and Mo thing,

0:36:35.640 --> 0:36:39.320
<v Speaker 6>like this new thing that people are like, let me

0:36:39.360 --> 0:36:43.400
<v Speaker 6>tell you something, world that's like that. I want to

0:36:43.440 --> 0:36:44.799
<v Speaker 6>be honest, I'm forty.

0:36:44.480 --> 0:36:45.279
<v Speaker 2>Five years old.

0:36:47.440 --> 0:36:51.520
<v Speaker 6>By the way, team or not, it's not hard to

0:36:51.640 --> 0:36:56.160
<v Speaker 6>fucking find me, like, you know what my schedule is online?

0:36:56.239 --> 0:36:57.080
<v Speaker 2>So she hasn't hit you.

0:36:57.080 --> 0:36:58.239
<v Speaker 7>Since all of that stuff.

0:36:57.960 --> 0:37:00.839
<v Speaker 6>Me and Monique have had com sations, and those are

0:37:00.840 --> 0:37:04.839
<v Speaker 6>me and Monique's conversations before and after. That's called adulting.

0:37:05.400 --> 0:37:08.719
<v Speaker 6>I don't. I don't unadult So all of these new

0:37:08.800 --> 0:37:14.759
<v Speaker 6>ways of conversation and finger pointing, it's very easy. You

0:37:14.800 --> 0:37:17.040
<v Speaker 6>know what cortminos in Because I'm gonna say some dope

0:37:17.040 --> 0:37:21.360
<v Speaker 6>ship all right, Everybody points to the fucking moon because

0:37:21.360 --> 0:37:23.040
<v Speaker 6>nobody knows what it's like to be at the moon

0:37:23.400 --> 0:37:25.920
<v Speaker 6>and for the moon to look down. Everybody sees it

0:37:25.960 --> 0:37:28.879
<v Speaker 6>this way, but nobody sees it the other. There's only

0:37:28.880 --> 0:37:31.080
<v Speaker 6>a couple of people that have been down here and

0:37:31.080 --> 0:37:33.480
<v Speaker 6>looked at the moon and said I'm going and went

0:37:33.640 --> 0:37:36.319
<v Speaker 6>and looked down from So if you don't stand the

0:37:36.440 --> 0:37:40.319
<v Speaker 6>version of eyesight from both sides, but then you're near side,

0:37:40.400 --> 0:37:43.279
<v Speaker 6>you got you got one vision. I don't have tunnel vision.

0:37:44.000 --> 0:37:46.759
<v Speaker 6>I have an equal vision of understanding. But if you

0:37:46.920 --> 0:37:51.520
<v Speaker 6>can't understand the moon side, how do you speak as

0:37:51.560 --> 0:37:56.120
<v Speaker 6>if you do? That's not that's not life, that's not adulting.

0:37:56.640 --> 0:38:14.520
<v Speaker 3>So I've they.

0:38:14.440 --> 0:38:17.040
<v Speaker 6>Don't even fucking how many astronauts that have walked on

0:38:17.040 --> 0:38:19.200
<v Speaker 6>the moon. But everybody speaks if they know what the

0:38:19.480 --> 0:38:21.839
<v Speaker 6>is on the move. Everybody talks like they know it's

0:38:21.880 --> 0:38:23.919
<v Speaker 6>up there. You don't know what's up there. You never

0:38:23.960 --> 0:38:26.040
<v Speaker 6>walked up there. You don't know what it's like to

0:38:26.040 --> 0:38:28.080
<v Speaker 6>be up there and look down and see what Earth

0:38:28.160 --> 0:38:30.000
<v Speaker 6>is like from there. So it's only a couple of

0:38:30.040 --> 0:38:33.319
<v Speaker 6>people that do. When you are on a different side

0:38:33.360 --> 0:38:35.400
<v Speaker 6>of life and you speak to those that are on

0:38:35.520 --> 0:38:37.759
<v Speaker 6>that side, is if you know what they're doing or

0:38:37.840 --> 0:38:41.680
<v Speaker 6>why they did it, you're one sided. You can't speak

0:38:42.000 --> 0:38:45.400
<v Speaker 6>on my fucking reasons as if you know what my

0:38:45.560 --> 0:38:48.400
<v Speaker 6>reasons are for, you can't speak on my business choice,

0:38:48.400 --> 0:38:53.239
<v Speaker 6>my business choices, professional choices, more importantly, lifestyle choices, if

0:38:53.239 --> 0:38:54.880
<v Speaker 6>you don't know what the fuck my life is.

0:38:55.080 --> 0:38:56.479
<v Speaker 4>But you know, that's what I like about the movie

0:38:56.480 --> 0:38:58.919
<v Speaker 4>Fighting That right, because it seems like they show each

0:38:59.040 --> 0:39:01.920
<v Speaker 4>character in the movie as a hero in their own story,

0:39:01.920 --> 0:39:05.480
<v Speaker 4>but a villain in somebody else's.

0:39:05.719 --> 0:39:09.040
<v Speaker 5>It's a super complicated narrative, which are my favorite kinds

0:39:09.040 --> 0:39:13.319
<v Speaker 5>because you're protagonist, right, Your quote unquote heroes are very

0:39:13.360 --> 0:39:16.080
<v Speaker 5>gray and are very flawed like in real life, and

0:39:16.120 --> 0:39:19.640
<v Speaker 5>you're antagonists are people that you root for. Those are

0:39:19.680 --> 0:39:22.440
<v Speaker 5>my favorite kinds of narratives. I love that because we

0:39:22.480 --> 0:39:24.560
<v Speaker 5>all know the world is not black and white, right,

0:39:24.640 --> 0:39:27.719
<v Speaker 5>and so you're absolutely right, it's about complex people at

0:39:27.719 --> 0:39:28.680
<v Speaker 5>a complex time.

0:39:29.120 --> 0:39:30.360
<v Speaker 2>And that's really what the show was.

0:39:30.840 --> 0:39:34.319
<v Speaker 6>What a successful Now before you do that, I just

0:39:34.320 --> 0:39:37.920
<v Speaker 6>want the world to get to a better place of understanding, Like,

0:39:38.719 --> 0:39:44.759
<v Speaker 6>stop taking the bait. It's bait. Bait is unnecessary. Like

0:39:45.000 --> 0:39:48.359
<v Speaker 6>if people really have problems, they talk amongst themselves, there

0:39:48.400 --> 0:39:51.680
<v Speaker 6>are no conversations among themselves, then it's not real problems.

0:39:51.760 --> 0:39:53.000
<v Speaker 2>Yeah, that simple.

0:39:53.120 --> 0:39:55.400
<v Speaker 5>No, Kevin's right, I mean, and Kevin's big and a

0:39:55.440 --> 0:39:57.480
<v Speaker 5>lot of us are on real interactions, you know what

0:39:57.520 --> 0:39:57.839
<v Speaker 5>I mean.

0:39:57.880 --> 0:39:59.319
<v Speaker 2>And you got a lot of people out there right now.

0:39:59.320 --> 0:40:00.640
<v Speaker 2>They're trying to win the internet.

0:40:00.960 --> 0:40:01.160
<v Speaker 5>You know.

0:40:01.400 --> 0:40:02.320
<v Speaker 2>I just when when.

0:40:02.200 --> 0:40:03.440
<v Speaker 5>The Internet, I got the most clicks, I got the

0:40:03.480 --> 0:40:06.279
<v Speaker 5>most likes, and you know, let's win real life.

0:40:06.440 --> 0:40:07.879
<v Speaker 2>Let's focus on real things.

0:40:08.000 --> 0:40:10.240
<v Speaker 5>So whatever conversation he may have, I may have, somebody

0:40:10.280 --> 0:40:12.239
<v Speaker 5>else may have, and it doesn't have to be for this.

0:40:13.120 --> 0:40:14.920
<v Speaker 2>You told me a while ago, he said, and you

0:40:14.920 --> 0:40:15.560
<v Speaker 2>shut the fuck up.

0:40:15.840 --> 0:40:25.000
<v Speaker 6>Well, I'll tell you a lot.

0:40:26.760 --> 0:40:27.240
<v Speaker 2>I don't.

0:40:29.000 --> 0:40:33.360
<v Speaker 6>I told you that because he's like, you're explaining yourself

0:40:33.360 --> 0:40:33.759
<v Speaker 6>to who?

0:40:34.040 --> 0:40:34.200
<v Speaker 2>Like?

0:40:34.560 --> 0:40:37.200
<v Speaker 6>Who listened? By the way, is like, who are you

0:40:37.280 --> 0:40:40.400
<v Speaker 6>talking to? Like when you there's nothing that annoys me

0:40:40.480 --> 0:40:45.880
<v Speaker 6>more when people do this right here, everybody's been asking,

0:40:45.920 --> 0:40:58.640
<v Speaker 6>so let me go. I'm saying the order you get.

0:40:58.680 --> 0:41:03.920
<v Speaker 6>You started to realize, man.

0:41:02.880 --> 0:41:06.200
<v Speaker 5>Box that matters, and we obsessed on the negative. I

0:41:06.239 --> 0:41:09.279
<v Speaker 5>hate to say that, but you'll be you post something

0:41:09.280 --> 0:41:11.320
<v Speaker 5>and get one hundred positive comments.

0:41:11.320 --> 0:41:13.239
<v Speaker 2>Man, you walking down you look good, but.

0:41:13.200 --> 0:41:17.200
<v Speaker 5>It'd be three people that'll say something sideways and no,

0:41:17.360 --> 0:41:19.800
<v Speaker 5>be's the one. Those will be the ones that you

0:41:19.920 --> 0:41:23.239
<v Speaker 5>respond to, that you obsess over, that you focus on, right,

0:41:23.640 --> 0:41:24.400
<v Speaker 5>not the other one.

0:41:24.800 --> 0:41:28.320
<v Speaker 6>It's not a bigger supporter for the movement of people

0:41:28.320 --> 0:41:34.640
<v Speaker 6>doing good shit and Monique Lee Daniels reconciling that relationship. However,

0:41:34.640 --> 0:41:37.680
<v Speaker 6>it happened Great Dope for them, did a movie together

0:41:37.760 --> 0:41:41.000
<v Speaker 6>after great story Dope for them. I want to see

0:41:41.000 --> 0:41:44.919
<v Speaker 6>more keep doing great ship. The conversation of anything else

0:41:45.000 --> 0:41:48.000
<v Speaker 6>negative attached to a person's and their reservations of feelings.

0:41:48.000 --> 0:41:51.240
<v Speaker 6>To me, I want to see nothing but good for all,

0:41:51.400 --> 0:41:53.600
<v Speaker 6>Like I would love to see us all win. I

0:41:53.640 --> 0:41:55.319
<v Speaker 6>would love to see us all at the table where

0:41:55.360 --> 0:41:58.680
<v Speaker 6>we all can do. If it happens great. If it doesn't,

0:41:58.800 --> 0:42:01.440
<v Speaker 6>I guess it wasn't meant to be. But you can't

0:42:01.480 --> 0:42:06.840
<v Speaker 6>have a fucking stance of negativity and like also like

0:42:07.560 --> 0:42:13.560
<v Speaker 6>a real fucking initiative to move forward and like motivate, inspire, create,

0:42:13.680 --> 0:42:15.919
<v Speaker 6>or do whatever. You can't be both. So it's either

0:42:16.080 --> 0:42:17.920
<v Speaker 6>like you're one or the other. And if you are

0:42:17.960 --> 0:42:25.879
<v Speaker 6>a part of creativity, inspiration, collaboration, motivation, connectivity, then that

0:42:26.000 --> 0:42:29.200
<v Speaker 6>has to be it. And whatever you gather along the way,

0:42:29.239 --> 0:42:32.200
<v Speaker 6>and whoever you align yourself with along the way, well

0:42:32.320 --> 0:42:34.760
<v Speaker 6>y'all all a part of the same story. If things

0:42:34.800 --> 0:42:38.239
<v Speaker 6>fall apart through the duration of it wasn't meant to be.

0:42:38.280 --> 0:42:42.160
<v Speaker 6>On that train. Some people miss a train. It's just life.

0:42:42.200 --> 0:42:45.280
<v Speaker 6>Some people don't make it and time to catch the train.

0:42:46.000 --> 0:42:47.560
<v Speaker 6>And the train that's gonna go is.

0:42:47.680 --> 0:42:48.360
<v Speaker 2>Going to go.

0:42:48.840 --> 0:42:52.280
<v Speaker 6>Why do you think trains can't stop fast? They're moving.

0:42:52.960 --> 0:42:56.000
<v Speaker 6>So either you're on the train, but you're not. And

0:42:56.040 --> 0:42:58.680
<v Speaker 6>if you didn't catch the next train, that's life.

0:42:58.719 --> 0:43:00.400
<v Speaker 5>Feel like we went back to the moon because it

0:43:00.600 --> 0:43:03.640
<v Speaker 5>was something about my guy, my guy, you want to

0:43:03.640 --> 0:43:05.800
<v Speaker 5>talk about some impressive words.

0:43:05.960 --> 0:43:11.320
<v Speaker 1>Got Kevin put some words on what makes it successful?

0:43:11.320 --> 0:43:14.400
<v Speaker 1>Because you know, Hollywood and changed before was blockbuster movies,

0:43:14.400 --> 0:43:16.480
<v Speaker 1>but now, I mean, there's so many other platforms to

0:43:16.520 --> 0:43:19.120
<v Speaker 1>put your movie on. So what is successful for?

0:43:19.840 --> 0:43:22.799
<v Speaker 5>But you know there's still quant quantitative metrics that they

0:43:22.960 --> 0:43:29.359
<v Speaker 5>use to determine quantitative learn that should you brother just just.

0:43:30.040 --> 0:43:31.720
<v Speaker 2>What is it? Uh?

0:43:31.880 --> 0:43:34.080
<v Speaker 5>Because reality is that you still have ways that you

0:43:34.080 --> 0:43:37.640
<v Speaker 5>can determine how, you know, how many people watched it,

0:43:37.719 --> 0:43:39.880
<v Speaker 5>if the audience was into it, if they were engaged,

0:43:39.920 --> 0:43:42.400
<v Speaker 5>and that stuff is important and so that is definitely

0:43:42.400 --> 0:43:43.680
<v Speaker 5>a part of what we do.

0:43:44.280 --> 0:43:47.600
<v Speaker 2>Honestly though right now it's about I just want people to.

0:43:47.600 --> 0:43:49.000
<v Speaker 5>Feel stuff, you know what I mean. I want to

0:43:49.000 --> 0:43:50.759
<v Speaker 5>feel like we're touching the culture, you know. I want

0:43:50.760 --> 0:43:53.200
<v Speaker 5>to feel like whatever it is that we do, we

0:43:53.280 --> 0:43:55.399
<v Speaker 5>don't have people feel like we wasted their time.

0:43:55.719 --> 0:43:56.680
<v Speaker 2>That's that's the point that.

0:43:56.680 --> 0:43:57.000
<v Speaker 3>We have.

0:43:58.520 --> 0:44:00.920
<v Speaker 2>Got to get it. We gotta get Do you have

0:44:01.000 --> 0:44:02.000
<v Speaker 2>colors you like to use?

0:44:02.280 --> 0:44:04.120
<v Speaker 3>Asklee Daniels as a producer.

0:44:04.160 --> 0:44:06.160
<v Speaker 4>And when I say colors, I mean like artists are

0:44:06.160 --> 0:44:08.239
<v Speaker 4>there's certain artists you like to use because they're like

0:44:08.280 --> 0:44:08.840
<v Speaker 4>you amused.

0:44:08.920 --> 0:44:10.879
<v Speaker 6>They help you paint the picture.

0:44:10.880 --> 0:44:12.960
<v Speaker 2>That you would use within it within a piece.

0:44:15.360 --> 0:44:15.600
<v Speaker 3>Film.

0:44:15.880 --> 0:44:20.520
<v Speaker 5>Yeah, I think I think that. Well, obviously is the director.

0:44:20.560 --> 0:44:26.520
<v Speaker 5>I'm a producer. Yeah, absolutely, I think that set the

0:44:26.560 --> 0:44:30.160
<v Speaker 5>mood and the theme thematically. It's very important to have,

0:44:30.400 --> 0:44:32.120
<v Speaker 5>first of all, everybody be on the same page about

0:44:32.120 --> 0:44:34.400
<v Speaker 5>what the vision is going to be right, and also

0:44:34.480 --> 0:44:38.920
<v Speaker 5>to make sure that the ultimate vision fits the execution

0:44:39.400 --> 0:44:42.400
<v Speaker 5>and so you know, like, for instance, we wanted it

0:44:42.440 --> 0:44:45.000
<v Speaker 5>to look a certain way right light.

0:44:50.880 --> 0:45:01.160
<v Speaker 10>You know, No, you ain't gotta break it down because Kevin,

0:45:01.160 --> 0:45:02.839
<v Speaker 10>they coming in here to drag your ass.

0:45:04.239 --> 0:45:06.759
<v Speaker 6>Yeah, we're done, We're good.

0:45:06.880 --> 0:45:09.799
<v Speaker 2>We appreciate it. Real talk. We appreciate y'all like real talk.

0:45:09.840 --> 0:45:13.640
<v Speaker 2>We appreciate you. The malleability that that's another word, that malleability.

0:45:13.719 --> 0:45:15.800
<v Speaker 5>What it means that they were flexible, that they worked

0:45:15.800 --> 0:45:17.080
<v Speaker 5>with us, they weren't rigid.

0:45:19.200 --> 0:45:22.080
<v Speaker 6>Well, I'll tell you what. The HBCUs that you both

0:45:22.120 --> 0:45:29.920
<v Speaker 6>went to are better without you this inclusion.

0:45:30.719 --> 0:45:31.239
<v Speaker 2>Inclusion.

0:45:31.600 --> 0:45:35.840
<v Speaker 6>The big takeaways for audience are very simple, man. The

0:45:35.880 --> 0:45:39.200
<v Speaker 6>first one, of course, is Fight Night now now streaming

0:45:39.320 --> 0:45:42.600
<v Speaker 6>on Peacock. Do yourself a service and us a favor,

0:45:42.960 --> 0:45:47.680
<v Speaker 6>go watch it. A very good fucking show, an amazing

0:45:47.760 --> 0:45:50.399
<v Speaker 6>story that I think should have been told a long

0:45:50.480 --> 0:45:52.799
<v Speaker 6>time ago, but for the city of Atlanta that we

0:45:52.840 --> 0:45:55.040
<v Speaker 6>all know in love is a great highlight of how

0:45:55.120 --> 0:45:57.480
<v Speaker 6>Atlanta got to be what it is now. Fact, understanding

0:45:57.480 --> 0:46:00.799
<v Speaker 6>the early stages of it, understanding the origin for us all,

0:46:01.040 --> 0:46:04.520
<v Speaker 6>especially people of color culture, we need to know. It's

0:46:04.560 --> 0:46:05.480
<v Speaker 6>a great story.

0:46:05.680 --> 0:46:09.080
<v Speaker 5>Eight parts eight part limits is three parts out right

0:46:09.120 --> 0:46:11.160
<v Speaker 5>now dropping one per week.

0:46:11.480 --> 0:46:13.760
<v Speaker 2>If you're like a lot of us, you're looking for what's.

0:46:13.640 --> 0:46:15.680
<v Speaker 5>That next series I can really get into and really

0:46:15.719 --> 0:46:17.160
<v Speaker 5>get into the characters and follow it.

0:46:17.600 --> 0:46:20.080
<v Speaker 2>We're challenging you. Let this be a next series.

0:46:20.160 --> 0:46:24.560
<v Speaker 6>I would say, that's that's thing one, Thing two Yo,

0:46:25.080 --> 0:46:31.200
<v Speaker 6>God's collaboration, egos, et cetera. Ask yourself, what version are you?

0:46:31.520 --> 0:46:33.280
<v Speaker 6>What side are you on? Are you on the side

0:46:33.320 --> 0:46:35.919
<v Speaker 6>of that? Are you on the side of this? Pick one?

0:46:36.480 --> 0:46:39.000
<v Speaker 6>Pick one and be that or identify what you are

0:46:39.080 --> 0:46:41.879
<v Speaker 6>and make a change right the other side. Hey man,

0:46:41.920 --> 0:46:45.080
<v Speaker 6>this internet shit is getting out of control. It's fucking

0:46:45.280 --> 0:46:48.759
<v Speaker 6>like it's out of control, just from an understanding of

0:46:48.840 --> 0:46:54.160
<v Speaker 6>real versus not real reality and like false reality. Ask

0:46:54.239 --> 0:46:58.480
<v Speaker 6>yourself which version. Are you on? Are you clickbait? Are

0:46:58.520 --> 0:47:03.839
<v Speaker 6>you fucking real your relationships? There's real communication. Without that,

0:47:04.040 --> 0:47:08.239
<v Speaker 6>nothing else matters, Nothing else matters. I didn't fucking not

0:47:08.920 --> 0:47:11.080
<v Speaker 6>tell them to contact or not do Hey, man, I'm

0:47:11.080 --> 0:47:15.120
<v Speaker 6>gonna push you back. I'm fucked up. The false communication

0:47:15.160 --> 0:47:18.320
<v Speaker 6>would be I can't man, just do whatever. You figure

0:47:18.360 --> 0:47:20.920
<v Speaker 6>out what it is and what and then the relationship

0:47:21.000 --> 0:47:23.759
<v Speaker 6>kind of falls apart based off of an idea that

0:47:23.800 --> 0:47:27.200
<v Speaker 6>you are giving yourself a moment to create. Stop it.

0:47:27.680 --> 0:47:32.480
<v Speaker 6>Let's get back to a place of understanding relationships. Relationship.

0:47:32.840 --> 0:47:35.080
<v Speaker 6>It's my fucking brother, and I love the fact that

0:47:35.080 --> 0:47:37.520
<v Speaker 6>me and my brother are great examples of what dope

0:47:37.560 --> 0:47:40.600
<v Speaker 6>relationships should be. We will continue to do what we do,

0:47:40.680 --> 0:47:42.680
<v Speaker 6>and we'll do it at a high level. And I

0:47:42.719 --> 0:47:45.600
<v Speaker 6>can't wait for the world to see not only this,

0:47:46.040 --> 0:47:47.759
<v Speaker 6>but what the things in the future will be.

0:47:47.960 --> 0:47:52.160
<v Speaker 5>Bam, I want you to go. That's the last thing

0:47:52.160 --> 0:47:54.000
<v Speaker 5>I was saying. I tell you to vote for but

0:47:54.040 --> 0:47:55.840
<v Speaker 5>we will be remissive. We didn't get on this platform

0:47:55.880 --> 0:47:58.120
<v Speaker 5>and say that is real. It's real, and these are

0:47:58.200 --> 0:48:00.919
<v Speaker 5>challenging time to make your voice heard one way or another,

0:48:00.960 --> 0:48:04.759
<v Speaker 5>it matters. You can tell me you kamalaer, I'm no

0:48:04.880 --> 0:48:07.120
<v Speaker 5>question I appreciate that black man because we need more

0:48:07.120 --> 0:48:07.799
<v Speaker 5>of us saying that.

0:48:08.120 --> 0:48:09.920
<v Speaker 2>But that's my choice, that's what I choose to do.

0:48:10.520 --> 0:48:21.680
<v Speaker 2>I need everybody's publishing my shoes to start cleaning up.

0:48:24.040 --> 0:48:25.480
<v Speaker 2>But you would agree with the poort the vote right

0:48:25.880 --> 0:48:32.120
<v Speaker 2>would like I'll say, sig go they pulling me out here. Well,

0:48:32.640 --> 0:48:36.200
<v Speaker 2>thank you, family, appreciate you'all. It's the Breakfast Club. Wake

0:48:36.280 --> 0:48:38.080
<v Speaker 2>that answer in the morning.

0:48:38.200 --> 0:48:39.240
<v Speaker 3>The Breakfast Club