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Speaker 2: The Crown is yours. Wake that ass up in the morning.

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Speaker 3: The Breakfast Club.

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Speaker 1: Everybody is DJ and B Jess Hilary Charlamage the guy

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Speaker 1: we are the Breakfast Club. Jess is out today maternity,

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Speaker 1: and we got some special guests in the building.

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Speaker 2: Ladies and gentlemen. We have Will pack up what's happening,

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Speaker 2: and we have Kevin, Kevin Hart, he's here, he's here.

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Speaker 2: We have elect Kevin Hard. So it's allowed for you.

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Speaker 2: So Kevin was supposed to be her. I'll tell you

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Speaker 2: the irony of this, right.

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Speaker 3: Kev's hungover right now.

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Speaker 4: But if you read the first chapter in Will Packer's book,

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Speaker 4: he has a chapter called We're Gonna Die tonight, right,

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Speaker 4: and it's essentially this story. This isn't what you were

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Speaker 4: worried about, Will, you were concerned about.

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Speaker 2: Listen, brother, he almost ruined both our careers. This is

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Speaker 2: not This is not the first time.

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Speaker 3: Listen.

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Speaker 2: See.

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Speaker 5: The difference is that Kevin is at a point now

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Speaker 5: he can get away with the ship.

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Speaker 2: You know what I'm saying.

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Speaker 5: He's Kevin Hart, right, so you know people will just

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Speaker 5: wait and been over back. Isn't all that There was

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Speaker 5: a time when it was the biggest movie of both

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Speaker 5: of our career. He was absolutely right along with ice Cube,

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Speaker 5: and we had done things like a man. That was

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Speaker 5: the one that really kind of caltiposed to Kevin and

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Speaker 5: everybody was like.

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Speaker 2: Okay, what's gonna do next? Like, what what are they

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Speaker 2: gonna do next?

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Speaker 5: So this was the one the biggest budget of our

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Speaker 5: careers everything, And Kevin, you remember what happened?

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Speaker 2: Did I? Like? Absolutely?

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Speaker 6: Did we get what we were supposed to get? And

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Speaker 6: did we get back to where we were supposed.

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Speaker 2: To be so Envy were shooting?

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Speaker 6: Did we get back to where we were supposed to be?

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Speaker 2: We barely got back?

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Speaker 6: Vita, why are you.

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Speaker 5: Bitch all the time? You see this? This is people

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Speaker 5: want to know what a producer does. Right, They asked me,

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Speaker 5: this is what.

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Speaker 2: A producer does. You see it? You see him smelling

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Speaker 2: the coffee, trying to get you're trying to come back

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Speaker 2: to life. This is what it looks like.

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Speaker 1: So Kevin was supposed to be I was supposed to

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Speaker 1: be here three hours early, four hours early.

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Speaker 6: Boy issued. First of all, tell me why the people

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Speaker 6: on radio need to know that it's radio? So you

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Speaker 6: say they need a fucking breakdown.

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Speaker 2: Four hours earlier.

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Speaker 1: And they said Kep can't make it because he's SI

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Speaker 1: and we all said, bullshit, he was drunk because he

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Speaker 1: went out last night.

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Speaker 6: I did not go out last night. So let's let's

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Speaker 6: that's actually true.

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Speaker 2: I go out last night.

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Speaker 6: By the way, I do not go out. I'm forty

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Speaker 6: five years old. I don't go to fucking clubs. I

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Speaker 6: don't go to parties. I was working. I did promos.

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Speaker 3: My weekend.

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Speaker 6: I own the fucking weekend, and then I have to

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Speaker 6: show face.

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Speaker 2: I have to be there.

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Speaker 3: My weekend. I go.

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Speaker 6: We have clubs, I gotta show face.

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Speaker 3: To the club.

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Speaker 6: No, well, yes, no, on all seriouslys So last night, uh,

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Speaker 6: you know, we're doing promo and everything for Fight Night,

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Speaker 6: rolling out all of the carpet of the carpets. So

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Speaker 6: before the actual premiere, we announced it. But I had

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Speaker 6: to leave because I had to do Seth Myers and

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Speaker 6: Seth Myers has a segment called Drinking with Seth, and

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Speaker 6: you you go to a bar and Seth makes these

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Speaker 6: drinks or whatever, and it's like, you know, for hour

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Speaker 6: and after two hours, you're drinking throughout the interview. And

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Speaker 6: you know, I don't drink anything outside of my fucking

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Speaker 6: tequila at this point in my life, so you know,

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Speaker 6: anything else, anything else I'm very unfamiliar with. And said,

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Speaker 6: let's close it out with your tequila, but let's start

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Speaker 6: it with everything. So he threw it all at me

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Speaker 6: like I'm talking. It's Jaegermeister and wild Turkey. I mean

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Speaker 6: we were brown, we were dark, but.

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Speaker 2: You can.

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Speaker 6: But you have to understand the beauty of good television.

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Speaker 6: And it was a good conversation, great interview and while

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Speaker 6: we're drinking for good reason behind the answers, and we

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Speaker 6: we finished it with is to kill it. We went

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Speaker 6: through a lot and I just don't remember the back

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Speaker 6: half of the time. And that's why I didn't show

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Speaker 6: up to the after party. I missed that. And this

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Speaker 6: morning is to say, m I would have been here.

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Speaker 4: Bro, Why couldn't you missed the after party after the

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Speaker 4: garden that night? So y'all could have just got back

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Speaker 4: to you.

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Speaker 6: Because we weren't drinking. That's why I want somebody's being

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Speaker 6: a bitch like Kevin.

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Speaker 2: It was our money.

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Speaker 6: We weren't fucked up like oh man, where's my jacket?

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Speaker 6: We weren't just out at a show.

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Speaker 2: The biggest movie of our career. Okay, where's your tampon?

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Speaker 5: Jesus Christ books a show at Madison Square Guarden. He

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Speaker 5: takes a comedy special in the middle of our movie.

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Speaker 6: I tore while filming a movie faithfully he does.

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Speaker 2: Which is not a good thing.

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Speaker 5: Boys and girls like and you're looking at how to

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Speaker 5: be successful, like, don't overbook yourself.

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Speaker 2: That one thing about my friend here, do it because

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Speaker 2: nobody's going over working. I'm a bad don't do it, Kevin.

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Speaker 2: Look at his career.

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Speaker 6: He's been doing wrong this whole time.

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Speaker 2: Oh I'm sorry, kids.

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Speaker 6: Kevin booked the fucking cloud showing Madison Square Garden take

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Speaker 6: the Special and got to work and on time for

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Speaker 6: the biggest movie in his career.

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Speaker 5: I was gonna say, people that are listening, no, it's

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Speaker 5: because you have people around you who will save you.

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Speaker 2: You have folks that will save you. And that's what happened.

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Speaker 5: He booked it right, and so he left the show

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Speaker 5: in the middle.

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Speaker 2: Of it, right, the biggest moves for Universe Studios. He leaves.

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Speaker 5: But you know what he does, because this is the

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Speaker 5: evil genius of Kevin Hart.

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Speaker 2: He goes, hey, man, I gotta do this show.

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Speaker 5: It's next week, you know, he tells me a week

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Speaker 5: before he goes, hey, you know what you and Tim

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Speaker 5: Story did the Like He's like, I got the jet,

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Speaker 5: you know what, bring bring the wine. So my dumb ass,

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Speaker 5: I'm like, you know what he brought, and you know

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Speaker 5: what he said. He said that way you can make

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Speaker 5: sure that we get back on time, because I knew

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Speaker 5: we had to shoot the next day. So we're shooting

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Speaker 5: one day. He's gonna go do the show that night,

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Speaker 5: and then we had to shoot the next morning on

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Speaker 5: a location we can only get that day.

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Speaker 2: He's like, come with let.

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Speaker 6: Us driver in Alabi.

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Speaker 2: So absolutely right, absolutely absolutely.

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Speaker 6: I think I was a professional because direct producer for me.

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Speaker 6: You can't think I'm an asshole.

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Speaker 2: They would be. Kevin has an amazing show of Masies

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Speaker 2: Square Guard.

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Speaker 5: All the celebs come out afterwards were after party that

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Speaker 5: he did not tell me about. I'm in there with

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Speaker 5: Carmelo Anthony buying bottles, going, oh, we dying tonight?

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Speaker 2: We turning up tonight?

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Speaker 3: Why wars have power? Why are we going to die

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Speaker 3: to that?

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Speaker 6: This is what? Well we're gonna die to? That means

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Speaker 6: we're having a good time. You're choosing to die over life.

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Speaker 6: How good of a time is that? Last night? I

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Speaker 6: didn't say we're gonna die tonight.

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Speaker 2: I was like, oh, this is work.

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Speaker 5: When I was in that club and I saw my

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Speaker 5: career flashing before my eyes, because I realized there was

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Speaker 5: no way we're gonna be able to get back in time.

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Speaker 5: I had that moment because I'm sitting there look at keV,

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Speaker 5: and I realized we're not gonna make it.

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Speaker 2: And keV looks at me, he goes, well, we tried,

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Speaker 2: we tried. That was it?

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Speaker 5: Remember in Usual Suspects, when he realized that was sitting

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Speaker 5: in front the whole time. I looked at Kevin Hart

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Speaker 5: and I realized that he had convinced me, the producer

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Speaker 5: and director of the movie, to get on a jet

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Speaker 5: with him, so that when Universal called and said, why

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Speaker 5: are y'all over budget and not able to finish the movie?

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Speaker 5: And they say, well, Kevin Hart, Will Packer and Tim's

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Speaker 5: story were there, so the producer went with him.

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Speaker 2: It would be on me.

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Speaker 5: When I was complicit, I realized that was his evil

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Speaker 5: plan all in along.

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Speaker 4: I called him a diabolical rascal, spawn of Satan.

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Speaker 2: That's true. I love him, but that's truer words never spoken, sir.

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Speaker 6: I will ask you and your listeners, what is a

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Speaker 6: life without a great story. It's something that can't be

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Speaker 6: talked about. It's untold. A life with our stories is

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Speaker 6: nothing you need fucking stories, good and the bad. He's

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Speaker 6: bitching about a great story. And by the way that

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Speaker 6: story did what amplified our relationship? And look at where

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Speaker 6: we are now fright night, we're talking about something else

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Speaker 6: that we're yet in business and we produced and developed together.

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Speaker 6: Do we get here without that moment?

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Speaker 2: No?

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Speaker 6: We do not.

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Speaker 2: So why did you still want to be his friend

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Speaker 2: after that? After you figured that out? You could have said,

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Speaker 2: you know what, this relationship no longer happens.

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Speaker 6: You know what I'm saying, You need it, you need

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Speaker 6: to envy.

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Speaker 5: I'm so afraid that if I leave Kevin Harts Like

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Speaker 5: he'll just get close right he just burn up on

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Speaker 5: the spot.

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Speaker 2: I just don't know what he did.

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Speaker 6: Without it's close to being over it.

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Speaker 7: Have brought you to that works so well because even

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Speaker 7: like just here with you guys in person, it's like

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Speaker 7: I could I could listen to this back of a

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Speaker 7: fall day long really talking.

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Speaker 5: With each other's most frequent collaborators kept one a ton

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Speaker 5: of movies. I've done a ton of movies, TV projects.

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Speaker 5: We haven't worked with anybody else more than we work

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Speaker 5: with each other.

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Speaker 6: I'll give it. I'll give will this on air and

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Speaker 6: half of it is because I'm still drunk and by

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Speaker 6: the way of some of the best fucking to kill

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Speaker 6: it in the market. He's kind of commercial, but it's

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Speaker 6: just a time to let people know smooth taste. And

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Speaker 6: it comes to it. You got to understand what and

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Speaker 6: why Grand Cormino is that and has been that, which

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Speaker 6: is why I drink it at the level that I do.

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Speaker 6: But it's not about that right now. It's not about

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Speaker 6: the product. It's about the passion. Let's get to that

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Speaker 6: and we'll toast it that after with Grand Cormino. But

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Speaker 6: I would say this is about Will. I don't say

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Speaker 6: it enough if people don't understand it, and I think

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Speaker 6: they should. Uh, I don't get to where I got

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Speaker 6: in career or business without the information and relationship of

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Speaker 6: Will Packer, you know what I mean. Like when it

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Speaker 6: came to producing and when it came to development, or

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Speaker 6: it came to packaging, Will Packer is the guy that

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Speaker 6: was the definition of what that was. So from the

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Speaker 6: early days of think like a man, he was the

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Speaker 6: producer that came to me and said, Hey, I got

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Speaker 6: this thing, I want to do this thing, and I

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Speaker 6: think you're the guy. And those are words words without

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Speaker 6: action are just that. He put action behind the words.

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Speaker 6: Everything he said he would do he did. He got

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Speaker 6: the people he wrangered, wrangled, the directors, the actors, the actresses,

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Speaker 6: the producer partners, writers, etc. He can figured a way

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Speaker 6: to formulate and activate. And I was like, goddamn man, like,

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Speaker 6: how do you do that? And he taught me. Will

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Speaker 6: taught me how to do it. And as I progressed,

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Speaker 6: I never forgot who he was and what he was.

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Speaker 6: So our relationship today is based off of never forget,

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Speaker 6: like you don't you don't forget the real side of

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Speaker 6: like success attached to just care. He gave a fuck

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Speaker 6: about me, then he gives more fuck about me. Now

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Speaker 6: in return, I doubled down on my level of give

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Speaker 6: a fuck about him. So I don't I don't want

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Speaker 6: to win if I can't figure out a way to

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Speaker 6: win with my brothers. So the commitment that we made was, hey, man,

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Speaker 6: let's figure out a way to continue. Although keV, you're

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Speaker 6: doing and you have, but how do we still do?

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Speaker 6: And I love the fact that we still are, uh,

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Speaker 6: and we're committed to figure out more ways to do more.

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Speaker 6: And what you're seeing today is a definition of what

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Speaker 6: we want people to follow through with like, we are

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Speaker 6: no egos. We are help your brother so he can

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Speaker 6: help you. We are that And I think it's the

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Speaker 6: best story in Hollywood if people were more privy to

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Speaker 6: how deep and like in depth it actually is facts,

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Speaker 6: right the.

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Speaker 4: Fight Night TV show, right, it shows these characters operating

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Speaker 4: within a black world where they all hold power. So

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Speaker 4: to your point, keV, how effective has that concept been

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Speaker 4: for you both in the world of Hollywood.

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Speaker 6: I think I think it hasn't been effective enough. And

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Speaker 6: I think you know when you look at the ice

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Speaker 6: Cube and Kevin Hart of it all are the middle

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Speaker 6: common denominator packering. All right, guys, let's do this, but

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Speaker 6: let's make it and Cube come in and like, there's

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Speaker 6: always a through line of connectivity and that person has

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Speaker 6: to be willing to go above and beyond. Fight Night

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Speaker 6: is the definition of going above and beyond, all right, keV,

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Speaker 6: I got this idea. The idea came after I was

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Speaker 6: supposed to do Uptown Saturday Night. Uptown Saturday Night was

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Speaker 6: gonna be me and Chadwick Boseman rest in peace to

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Speaker 6: the legend himself. Fuck, oh my god, I had no idea. Well,

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Speaker 6: I don't want to do this anymore. I can't do

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Speaker 6: that without Chadwick. That project is dead to me. Will

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Speaker 6: had the actual rights, the original story, the true story.

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Speaker 6: So Will came to me. I said, well, I can't

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Speaker 6: do a comedy because of this. Can it be serious?

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Speaker 6: Can we do it in a way to where it's

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Speaker 6: like a lot deeper raw real? He said, Kevin, absolutely, Hey,

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Speaker 6: the podcast was points me to the podcast that he

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Speaker 6: was a part of that understood, etc. All right, shit,

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Speaker 6: this is like real information now real knowledge. Will. I'm

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Speaker 6: a fuck with it because it's you. But let's make

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Speaker 6: sure that we try to go above and beyond to

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Speaker 6: package it correctly. How do we do a premium a

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Speaker 6: premium cultural piece of IP that has the bandwidth to

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Speaker 6: live forever? And you can't do that without big stars.

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Speaker 6: To get big stars, you need real relationships. So the

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Speaker 6: leverage of understanding that we both shared and that we

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Speaker 6: had at the top of get the studio's commitment, get

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Speaker 6: the studio to back and support, then go get the talent.

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Speaker 6: I gotta be honest with you. My guy was a

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Speaker 6: big part of all of that conversation, and I followed

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Speaker 6: the lead of most and I think where we were

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Speaker 6: collaborative was dope as fuck and the outcome was amazing.

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Speaker 6: Talent configuration and now an example of what the business

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Speaker 6: should follow through with, which is collaboration. Collaboration, you can

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Speaker 6: win more together, you win less as an individual, How

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Speaker 6: do you put yourself in a position to collaborate more?

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Speaker 6: So if we can be the example of hopefully most

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Speaker 6: will follow through and hopefully we can do more and

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Speaker 6: people will say, oh, that's great because they do dope

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Speaker 6: shit and here's an example of it. Let's do some

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Speaker 6: dope shit with them. That's where I'm at in my

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Speaker 6: career now. I could care less about the individual star

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Speaker 6: of Kevin Hart. I'm looking for the moments. I'm looking

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Speaker 6: for the IP and I'm looking for the evergreen like material.

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Speaker 6: You can't do that.

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Speaker 2: That part is true.

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Speaker 5: I will tell you that, like Kevi has definitely reached

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Speaker 5: a part in his career, a moment in his career

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Speaker 5: where you know you've had success and it's like how

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Speaker 5: do you grow, how do you work with people that

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Speaker 5: you respect, and how do you build a machine that

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Speaker 5: then empowers others. It's interesting, Charlomagne, you talked about like

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Speaker 5: the world of Fight Night, Fight Night, is really about

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Speaker 5: a group of hustlers, dreamers, entrepreneurs who are trying to

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Speaker 5: take Atlanta and turn it into something. It's back in

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Speaker 5: nineteen seventy, right, Martin Luther King had just been shot

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Speaker 5: a couple of years earlier. Atlanta was like seen as

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Speaker 5: a small country town that you.

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Speaker 2: Had a couple of civil rights folks.

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Speaker 5: Like people didn't know if it was going to be

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Speaker 5: the next Charlotte or Birmingham, and nothing wrong with those cities,

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Speaker 5: but it definitely wasn't looked at on the level of

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Speaker 5: a global superpower or a New York Chicago LA.

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Speaker 2: You know, it was Atlanta and it was not respected.

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Speaker 5: But you had a group of folks, which is not

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Speaker 5: unlike how Black Hollywood is right now, where you got

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Speaker 5: a group of dreamers trying to figure out how do

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Speaker 5: we work together now. Of course in Fight Night, you

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Speaker 5: got you know, a character who's Kevin's character.

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Speaker 2: He's a hustler.

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Speaker 5: He's going YO, give me a shot, give me a chance.

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Speaker 5: I can just turn it Lanta into something great.

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Speaker 2: Chicken Man, Chicken Man.

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Speaker 5: Weirdly, Sam Jackson, who plays the big gangster the Black

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Speaker 5: Godfather in the show, he actually also got a dream too.

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Speaker 3: Right.

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Speaker 5: Even though he's a big gangster's running a black mafia,

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Speaker 5: his dream is saying, you know what, the white man's

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Speaker 5: been holding me down for a very long time. If

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Speaker 5: y'all give me a shot an opportunity, I can take

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Speaker 5: over Land. I could turn it Land into a black mecca. Oddly,

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Speaker 5: even though like Kevin, Sam's characters are odds for most

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Speaker 5: of the.

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Speaker 2: Series, the reality is that they have the same kind

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Speaker 2: of a dream.

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Speaker 5: That's kind of how it is right now in terms

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Speaker 5: of like folks like us in Hollywood in real life.

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Speaker 2: Who are all trying to work together. Is it true

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Speaker 2: that Samuel Jackson was really there in Atlanta? Right there?

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Speaker 6: Dog?

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Speaker 2: He was at more House.

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Speaker 6: Sam old as fuck.

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Speaker 2: Like that.

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Speaker 6: I remember, like we were we were on a call

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Speaker 6: with Sam at the start of with Sam said like, yo,

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Speaker 6: he liked that he would do it. We were on

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Speaker 6: a call. We're going through the materials seeing what Sam

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Speaker 6: said about the characters. Sam was like, yeah, man, y'all

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Speaker 6: got to change a lot of the ship because more

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Speaker 6: happened then. You know, I think we got the story,

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00:17:26,359 --> 00:17:28,560
Speaker 6: you know, because we you know, the podcast and everything.

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Speaker 6: We got the really, motherfucker, I was there. What do

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Speaker 6: you mean by that. He's very adamant about telling you

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Speaker 6: where he was, what he knows. So the story of

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Speaker 6: Fighting Night got better. It got so much better as

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Speaker 6: we went on. Oh my god, she is the best

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Speaker 6: by the way, you and me, I mean since the

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Speaker 6: joke with the little Mike, we have never left that stage.

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Speaker 6: You're the best, uh walking on? She gave out much

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Speaker 6: to them, all this right here, got here, get this

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Speaker 6: right here. I need Greek.

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Speaker 3: Brother.

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Speaker 6: There's a chance right now I may not make it

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Speaker 6: to the end of the I'm giving you everything I

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Speaker 6: got to try to say, tell you.

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Speaker 2: Always makes it. It's going to fall off to did

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Speaker 2: you did you see your You know.

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Speaker 4: We look at the iron the war finish, look at

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Speaker 4: this man, I mean, and is that cha?

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Speaker 2: Sam and Chadwick and Ca Wow. On the scale weill

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Speaker 2: as far as size because he'd be small. But is

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Speaker 2: that that crazy?

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Speaker 6: He just told that story? What story is one thousand

402
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Speaker 6: percent accurate?

403
00:18:48,960 --> 00:18:49,280
Speaker 2: Wow?

404
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Speaker 6: For the listeners, if you guys, go watch Don't Funk

405
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Speaker 6: This Up, which is a document to documentary documenting on

406
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Speaker 6: that documentary on Netflix about when I went through like

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Speaker 6: some of my worst times in the business and the

408
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Speaker 6: things that I was juggling during the duration of that time.

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Speaker 6: You'll see me and Chadwick actively meeting about uptown Saturday night,

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Speaker 6: Me and Chadwick before before us going to the final stages,

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Speaker 6: we wanted to make sure that we were on the

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Speaker 6: same page with the characters, the story, and the development.

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Speaker 6: And Chadwick was an active producer in it. He had

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Speaker 6: his partners there. You'll see it, and don't funk this up.

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Speaker 5: So the fact that y'all got a mural right with him,

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Speaker 5: with keV Hart and Chadwick and then Sam Jackson, who

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Speaker 5: he ended up making that same project with, that's insane.

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Speaker 6: That's insane, you know what, man, And and I don't

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Speaker 6: do this often, but I'm going to drink a shot

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Speaker 6: of Grand Cormino to that.

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Speaker 2: It's a moment.

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Speaker 6: It's a moment of understanding. It's a moment of understanding,

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Speaker 6: and it's a moment of celebration. Man, that right there

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Speaker 6: is celebrator.

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Speaker 2: That's awesome.

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Speaker 6: And I just want to take a shot to get.

427
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Speaker 2: Lets do we all need a shot?

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Speaker 1: You and you and you said it did that your

429
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Speaker 1: feet didn't touch the ground. Now with charlatans a chair.

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Speaker 6: I'm selling a chair. Sorry, I never said I said,

431
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Speaker 6: I never said an game about my feet.

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Speaker 2: I'm sorry he said it wasn't to scale. It's not

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Speaker 2: just sc said, yes, HBC.

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Speaker 1: I knew this anytime will pack come because he always

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Speaker 1: stays family. So I put the hampt University.

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Speaker 2: You know, it's crazy.

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Speaker 6: A lot of old niggas that can't let college go,

438
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Speaker 6: a lot of old niggas that refused to just accept

439
00:20:31,040 --> 00:20:32,200
Speaker 6: this over envy.

440
00:20:32,280 --> 00:20:34,920
Speaker 2: When you when you wear a cat that never went

441
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Speaker 2: to any school at all. He didn't go to a historically.

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Speaker 6: I'll tell you what I didn't, and this is why,

443
00:20:40,920 --> 00:20:43,040
Speaker 6: like you guys are the example of what you don't

444
00:20:43,040 --> 00:20:43,359
Speaker 6: want to be.

445
00:20:44,080 --> 00:20:45,159
Speaker 2: It's over your culture.

446
00:20:45,359 --> 00:20:46,879
Speaker 6: You don't let it go.

447
00:20:47,160 --> 00:20:49,760
Speaker 2: Come on, let it be. No Where did you go?

448
00:20:50,640 --> 00:20:51,119
Speaker 6: She didn't?

449
00:20:52,359 --> 00:20:54,919
Speaker 2: I thought I was trying to university? There you go,

450
00:20:59,240 --> 00:21:03,880
Speaker 2: Delaware State. That's just a bunch of niggas. Don't care

451
00:21:05,560 --> 00:21:07,360
Speaker 2: Delaware State.

452
00:21:11,320 --> 00:21:12,880
Speaker 4: You know what I wanted to ask you, Yes, sir,

453
00:21:13,040 --> 00:21:15,320
Speaker 4: how do you manage all these big as personalities?

454
00:21:16,400 --> 00:21:20,080
Speaker 2: Roger bitch, Samuel Jackson? How do you do it?

455
00:21:20,200 --> 00:21:20,400
Speaker 6: Yes?

456
00:21:20,600 --> 00:21:25,000
Speaker 2: Yes, cheers. First, let me you know, did you drink?

457
00:21:26,359 --> 00:21:27,080
Speaker 2: What are you doing?

458
00:21:29,200 --> 00:21:29,560
Speaker 6: I was.

459
00:21:34,920 --> 00:21:38,280
Speaker 2: I'm a Christian. That can't be Jesus with the family.

460
00:21:39,280 --> 00:21:42,080
Speaker 2: This is not wine. This is not Jesus. Can't turn

461
00:21:42,160 --> 00:21:45,080
Speaker 2: this and then nothing. We're not gonna do it in

462
00:21:45,160 --> 00:21:50,639
Speaker 2: the area. Don't you don't, Chris Man, I'm a Christian, Kevin,

463
00:21:50,680 --> 00:21:56,359
Speaker 2: don't do it. Drink the Lord.

464
00:21:58,400 --> 00:22:00,960
Speaker 6: Don't you want miss an impulse?

465
00:22:03,880 --> 00:22:04,640
Speaker 2: Did? Let me see?

466
00:22:05,680 --> 00:22:10,480
Speaker 8: I never poured him one Look at that, yo, real,

467
00:22:17,440 --> 00:22:18,600
Speaker 8: you don't know what he do to.

468
00:22:18,560 --> 00:22:20,280
Speaker 2: Me every day. Took him down.

469
00:22:20,320 --> 00:22:22,040
Speaker 7: I didn't pour him a shot, so he ain't taking nothing.

470
00:22:22,640 --> 00:22:26,720
Speaker 6: Really, I'm saying, as punishment, give a big shot.

471
00:22:26,480 --> 00:22:31,840
Speaker 2: You don't I do? Like my brother is Workotte Man?

472
00:22:31,880 --> 00:22:34,119
Speaker 2: All right, I'm with you. Listen. You talked about the

473
00:22:34,119 --> 00:22:34,800
Speaker 2: big person out.

474
00:22:34,920 --> 00:22:37,040
Speaker 5: That's that is the hardest part of the job as

475
00:22:37,080 --> 00:22:39,320
Speaker 5: a producer, you know what I mean? And in real talk,

476
00:22:39,480 --> 00:22:42,120
Speaker 5: it's it's awesome when you got somebody like keV who

477
00:22:42,160 --> 00:22:44,520
Speaker 5: gets it, who understands at the end of the day

478
00:22:44,560 --> 00:22:47,119
Speaker 5: with the bigger pictures, but a lot of time, okay,

479
00:22:47,160 --> 00:22:50,119
Speaker 5: if it's you know, Hollywood music, you know stock market,

480
00:22:50,200 --> 00:22:54,320
Speaker 5: whatever it is, the people say, you say, right.

481
00:22:54,400 --> 00:22:58,680
Speaker 2: Air, can you so you argue with kem though, because

482
00:22:58,680 --> 00:23:01,560
Speaker 2: he seems like he's a lot. Let me tell you something.

483
00:23:01,600 --> 00:23:05,520
Speaker 6: The least problem that you will ever have in any

484
00:23:05,520 --> 00:23:07,880
Speaker 6: work environment, that's unproblematic.

485
00:23:07,960 --> 00:23:08,879
Speaker 2: He's a problem. I mean.

486
00:23:08,920 --> 00:23:12,160
Speaker 5: The challenge with Kevin is that he will overdo things right.

487
00:23:12,200 --> 00:23:13,800
Speaker 5: He would do things like have a show a massive

488
00:23:13,800 --> 00:23:15,760
Speaker 5: square garden at the same time that we have a

489
00:23:15,760 --> 00:23:18,879
Speaker 5: big scene in our movie. Now, he's definitely he's not

490
00:23:19,080 --> 00:23:21,360
Speaker 5: He's not a moderation guy, you know what I mean.

491
00:23:21,440 --> 00:23:24,240
Speaker 5: That's part of the cheese. That's why I'm here on

492
00:23:24,280 --> 00:23:26,600
Speaker 5: the breakfast club. You're eating this this turkey saying was

493
00:23:26,640 --> 00:23:27,840
Speaker 5: trying to get some grease.

494
00:23:27,600 --> 00:23:30,320
Speaker 2: In his cut. It didn't burn you. At least let

495
00:23:30,359 --> 00:23:32,879
Speaker 2: it cool a little bit. Come on, animal, This is

496
00:23:32,880 --> 00:23:37,239
Speaker 2: what I needed? Is that what Hollywood? I can't take him.

497
00:23:37,240 --> 00:23:39,600
Speaker 4: He's done a phenomenal job as Chicken Man, but I

498
00:23:39,640 --> 00:23:41,960
Speaker 4: can't take him serious and dramas because it just always

499
00:23:42,000 --> 00:23:44,240
Speaker 4: seems like always jokes.

500
00:23:44,800 --> 00:23:46,840
Speaker 5: But can't tell you something real talk. Chicken Man is

501
00:23:46,840 --> 00:23:50,320
Speaker 5: his best work yet. I'm telling you. You look at

502
00:23:50,320 --> 00:23:52,119
Speaker 5: what he's doing with his eyes, and you know a

503
00:23:52,160 --> 00:23:54,960
Speaker 5: lot of people. You know, it's known that comedians they

504
00:23:55,119 --> 00:23:57,520
Speaker 5: pulled from pain, right, and that's how they deflect, and

505
00:23:57,560 --> 00:24:00,880
Speaker 5: that's where a lot of the comedy comes from Kevin exception.

506
00:24:01,400 --> 00:24:03,800
Speaker 5: But the reality is that when he said we gotta

507
00:24:03,880 --> 00:24:05,480
Speaker 5: do this as a drama, that was a big risk

508
00:24:05,520 --> 00:24:07,919
Speaker 5: because people say, all right, fight not Kevin Hart starring there,

509
00:24:08,000 --> 00:24:08,280
Speaker 5: let's go.

510
00:24:08,320 --> 00:24:10,359
Speaker 2: I'm ready to laugh, like you said, Charlotte Main. But

511
00:24:10,400 --> 00:24:12,440
Speaker 2: the reality is that this is serious.

512
00:24:12,520 --> 00:24:14,960
Speaker 5: Now you have moments of levity, but the tone make

513
00:24:15,040 --> 00:24:17,960
Speaker 5: no mistake, is dramatic, like it goes there.

514
00:24:18,080 --> 00:24:20,520
Speaker 6: I don't want to sound like an asshole, but this

515
00:24:20,640 --> 00:24:25,280
Speaker 6: may sound asshole ish, right, it may sound assholely.

516
00:24:25,440 --> 00:24:29,040
Speaker 2: You gave it to him.

517
00:24:29,119 --> 00:24:32,960
Speaker 6: It's a big jump to the audience that watches of

518
00:24:33,040 --> 00:24:35,359
Speaker 6: what a talent is doing. If you're not used to it.

519
00:24:36,000 --> 00:24:38,600
Speaker 6: A talent knows what's in their fucking bag. You know

520
00:24:38,680 --> 00:24:40,560
Speaker 6: what you can ring, well, you know who you can call,

521
00:24:40,920 --> 00:24:43,480
Speaker 6: you know what you can package and do. The operation

522
00:24:43,600 --> 00:24:47,040
Speaker 6: at task to drama is project based. You give me

523
00:24:47,119 --> 00:24:50,159
Speaker 6: a great project, and in the project, I'm supposed to

524
00:24:50,200 --> 00:24:53,080
Speaker 6: be serious and I'm supposed to have a cadence of

525
00:24:53,280 --> 00:24:55,760
Speaker 6: and it is such a great piece of material that

526
00:24:55,800 --> 00:24:57,840
Speaker 6: I choose to do, I'll do it the best of

527
00:24:57,840 --> 00:25:00,800
Speaker 6: my ability. That's called the talent. That's a town's choice,

528
00:25:00,960 --> 00:25:04,479
Speaker 6: in a town's decision, it's what are you what are

529
00:25:04,520 --> 00:25:08,960
Speaker 6: you fucking factoring in to you making the decision. I'm

530
00:25:08,960 --> 00:25:11,680
Speaker 6: not doing it in an environment where it won't be cool,

531
00:25:11,800 --> 00:25:15,679
Speaker 6: collective and fucking like dope. If I can't work with

532
00:25:15,720 --> 00:25:19,240
Speaker 6: great people, I can't work with great directors, great producers,

533
00:25:19,280 --> 00:25:21,640
Speaker 6: great writers, then I don't want to do it. I'm

534
00:25:21,640 --> 00:25:24,080
Speaker 6: at a point in my life where it's about having

535
00:25:24,119 --> 00:25:30,720
Speaker 6: a good time. This project is relationship based. Every aspect

536
00:25:30,760 --> 00:25:33,440
Speaker 6: of this project is formulated off a relationship.

537
00:25:33,480 --> 00:25:35,920
Speaker 2: That's really by the way, everybody said that too.

538
00:25:36,359 --> 00:25:39,199
Speaker 5: Sorry, I was just gonna say because castuck, Like a

539
00:25:39,200 --> 00:25:41,520
Speaker 5: lot of people ask, oh, with that cast, you had

540
00:25:41,520 --> 00:25:44,080
Speaker 5: to back up the truck, right, And by the way,

541
00:25:44,280 --> 00:25:44,919
Speaker 5: you do right.

542
00:25:45,040 --> 00:25:46,560
Speaker 2: These folks deserve you know.

543
00:25:46,560 --> 00:25:49,240
Speaker 5: And I'm very proud of the fact that you know,

544
00:25:49,320 --> 00:25:51,800
Speaker 5: as a black producing the business, I definitely take care

545
00:25:51,840 --> 00:25:53,600
Speaker 5: of folks that look like us and make sure that

546
00:25:53,600 --> 00:25:57,920
Speaker 5: I pay them on par with their counterparts and their peers.

547
00:25:58,000 --> 00:26:00,400
Speaker 5: But Kevin is absolutely right. You don't do a show

548
00:26:00,440 --> 00:26:02,920
Speaker 5: like this unless you want to, right. Sam Jackson is

549
00:26:02,960 --> 00:26:05,880
Speaker 5: not doing it for the check, right, And don Cheeto's

550
00:26:05,880 --> 00:26:08,600
Speaker 5: not doing it because he's available. They do it because

551
00:26:08,760 --> 00:26:10,960
Speaker 5: they want to work with certain people because it's subject

552
00:26:10,960 --> 00:26:13,879
Speaker 5: matter that speaks to them and that is very, very important.

553
00:26:13,960 --> 00:26:15,640
Speaker 5: And the other thing, you know, Charlot Mane, you brought

554
00:26:15,720 --> 00:26:17,040
Speaker 5: a good point that I want to just hit on

555
00:26:17,119 --> 00:26:19,479
Speaker 5: real quick in terms of like the egos and all

556
00:26:19,520 --> 00:26:19,760
Speaker 5: of that.

557
00:26:20,000 --> 00:26:20,920
Speaker 2: You got to make sure that.

558
00:26:20,880 --> 00:26:25,160
Speaker 5: Everybody understands that the ultimate goal is everybody's goals. Because

559
00:26:25,160 --> 00:26:27,280
Speaker 5: once people start thinking, Okay, this is for me, and

560
00:26:27,320 --> 00:26:29,560
Speaker 5: I got to be focused on my own goal and

561
00:26:29,640 --> 00:26:32,280
Speaker 5: not the greater good, then you will never win.

562
00:26:32,359 --> 00:26:33,920
Speaker 2: You got to get people to working as a team.

563
00:26:33,960 --> 00:26:35,600
Speaker 5: That's why as a producer you're like a coach, you're

564
00:26:35,640 --> 00:26:37,600
Speaker 5: like a general manager. You got to get everybody to

565
00:26:37,680 --> 00:26:40,560
Speaker 5: understand that their goals aligned with your goals. By the way,

566
00:26:40,800 --> 00:26:43,360
Speaker 5: that is true in any industry, not just Hollywood.

567
00:26:43,400 --> 00:26:49,320
Speaker 6: But you also need, respectfully, you also need you need

568
00:26:49,320 --> 00:26:53,960
Speaker 6: a collaborative figure at the top to say, I'm gonna

569
00:26:54,000 --> 00:26:57,119
Speaker 6: make sure that no matter what I'm I'm on a

570
00:26:57,280 --> 00:27:00,359
Speaker 6: layer and level where everybody can understand and it we're

571
00:27:00,359 --> 00:27:04,400
Speaker 6: all the same, Like I'm not coming into a project

572
00:27:04,680 --> 00:27:06,080
Speaker 6: on my dick on the table. For lack of a

573
00:27:06,080 --> 00:27:13,280
Speaker 6: better word, I'm not Yeah, y'all know what I am.

574
00:27:13,320 --> 00:27:16,040
Speaker 6: I don't do that. I'm saying I'm about the greater

575
00:27:16,200 --> 00:27:19,600
Speaker 6: good for all. So I come in head in hand

576
00:27:19,680 --> 00:27:22,480
Speaker 6: and I bow down to all talent on the set

577
00:27:22,880 --> 00:27:26,600
Speaker 6: because I'm so grateful that the talent is fucking choosing

578
00:27:26,680 --> 00:27:29,159
Speaker 6: to do whatever the project is that I'm a part of.

579
00:27:29,600 --> 00:27:34,000
Speaker 6: So for Sam Jackson, I bow down. Goddamn legend, you

580
00:27:34,080 --> 00:27:36,720
Speaker 6: should get the respect that you deserve. Don Cheetle, I

581
00:27:36,760 --> 00:27:39,120
Speaker 6: bow down to Rojjie. I bowed down.

582
00:27:40,520 --> 00:27:40,879
Speaker 2: Awkward.

583
00:27:40,960 --> 00:27:50,240
Speaker 5: I mean, listen, Pa, Kevin harts down. We call it

584
00:27:50,280 --> 00:27:53,639
Speaker 5: down woman, right. She is his right hand, is also

585
00:27:53,840 --> 00:27:58,280
Speaker 5: his mistress, and so there is a scene worded better well,

586
00:27:58,440 --> 00:28:01,480
Speaker 5: well she's a down one.

587
00:28:04,240 --> 00:28:08,800
Speaker 6: What I'm saying is I have no problem with being equal,

588
00:28:09,119 --> 00:28:11,639
Speaker 6: and I think, once again I gonna I'm gonna highlight

589
00:28:11,680 --> 00:28:15,480
Speaker 6: this as much as I possibly can. That's the version

590
00:28:15,520 --> 00:28:17,639
Speaker 6: of the example that I want to get out there.

591
00:28:18,320 --> 00:28:21,600
Speaker 6: I want the collaborative side of our culture connecting. I

592
00:28:21,640 --> 00:28:24,840
Speaker 6: want us to understand we are so much better together.

593
00:28:25,040 --> 00:28:28,600
Speaker 6: I want us to understand the premium factor of us

594
00:28:28,720 --> 00:28:31,719
Speaker 6: doing things together is so much better than the individual

595
00:28:31,760 --> 00:28:32,680
Speaker 6: trying to be one.

596
00:28:33,000 --> 00:28:36,399
Speaker 1: Do you challenge yourself to do things outside of this comedy?

597
00:28:36,400 --> 00:28:38,000
Speaker 2: Said, I just don't want this comedic role. I want

598
00:28:38,000 --> 00:28:40,000
Speaker 2: this serious role. Do you challenge yourself or do you

599
00:28:40,040 --> 00:28:40,840
Speaker 2: just take roles that come?

600
00:28:41,080 --> 00:28:44,160
Speaker 6: None of it is a challenge. By the way I'm

601
00:28:44,280 --> 00:28:47,440
Speaker 6: developing the things that I do. Nothing is coming to me.

602
00:28:47,960 --> 00:28:49,960
Speaker 6: I'm creating the things, or I'm a part of the

603
00:28:50,000 --> 00:28:52,920
Speaker 6: process of how it gets to the final stages. I'm

604
00:28:52,960 --> 00:28:56,200
Speaker 6: at that point. But I have no desire for the

605
00:28:56,240 --> 00:28:58,400
Speaker 6: star of Kevin Hart to get bigger. I don't give

606
00:28:58,440 --> 00:29:03,400
Speaker 6: a fuck. That's what's so gone and done with. I'm

607
00:29:03,400 --> 00:29:06,840
Speaker 6: more about the success of others, the success of the entity,

608
00:29:06,920 --> 00:29:10,720
Speaker 6: the success of the brand, and more importantly, the success

609
00:29:10,760 --> 00:29:13,040
Speaker 6: of what we represent and what we can look back

610
00:29:13,080 --> 00:29:15,840
Speaker 6: and say we did. That's bigger now than a conversation

611
00:29:15,920 --> 00:29:18,440
Speaker 6: of myself. I did it. I'm done. What else am

612
00:29:18,440 --> 00:29:19,600
Speaker 6: I going to do at this point?

613
00:29:20,400 --> 00:29:20,920
Speaker 2: Go in two minutes?

614
00:29:21,960 --> 00:29:24,600
Speaker 4: Actually, we got to get I want to I want

615
00:29:24,640 --> 00:29:26,320
Speaker 4: to have both of them to do this well. They're

616
00:29:26,360 --> 00:29:28,880
Speaker 4: hard to find someone to play Muhammad Ali And did

617
00:29:28,880 --> 00:29:30,120
Speaker 4: you ever consider Will Smith?

618
00:29:33,120 --> 00:29:39,240
Speaker 5: Very very challenging, right and I think that you got

619
00:29:39,240 --> 00:29:39,880
Speaker 5: to understand.

620
00:29:40,240 --> 00:29:43,200
Speaker 2: You know, obviously that's an icon. He's been portrayed before.

621
00:29:44,040 --> 00:29:44,360
Speaker 6: Uh.

622
00:29:44,400 --> 00:29:46,840
Speaker 5: For us, it was about finding a newcomer that wouldn't

623
00:29:46,840 --> 00:29:48,959
Speaker 5: pull you out because these other characters you didn't know.

624
00:29:49,000 --> 00:29:52,120
Speaker 5: Nobody knew Chicken Man Kevin Hart's character, or or Vivian

625
00:29:52,160 --> 00:29:55,080
Speaker 5: to Right's character, or Frank Moulton. You know Sam's character,

626
00:29:55,520 --> 00:29:58,400
Speaker 5: but you know everybody knows Muhammad Ali. So I think

627
00:29:58,440 --> 00:30:00,560
Speaker 5: to have somebody in that role who you had some

628
00:30:00,640 --> 00:30:03,880
Speaker 5: familiarity with and who you associated with something else would

629
00:30:03,880 --> 00:30:06,000
Speaker 5: have pulled you out. And we really wanted to immerse

630
00:30:06,040 --> 00:30:07,800
Speaker 5: you even with these big stars. We really wanted to

631
00:30:07,840 --> 00:30:09,960
Speaker 5: take you to a time period right fifty years ago

632
00:30:10,080 --> 00:30:13,120
Speaker 5: and really drop you in and be as authentic as possible.

633
00:30:13,200 --> 00:30:15,280
Speaker 5: And we've paid a lot of attention to the detail

634
00:30:15,320 --> 00:30:18,920
Speaker 5: and the nuances to try to get this thing right right. Yeah,

635
00:30:19,160 --> 00:30:21,080
Speaker 5: come on, man, this cast and by the way, not

636
00:30:21,200 --> 00:30:24,720
Speaker 5: just the big names that you know, like Oh Dexter,

637
00:30:24,800 --> 00:30:27,720
Speaker 5: Dark Dexter, You're gonna be hearing a lot from him.

638
00:30:27,760 --> 00:30:30,480
Speaker 5: There's some young gunners in this cast that you're gonna

639
00:30:30,520 --> 00:30:33,400
Speaker 5: be hearing that I predict you're gonna look back and go. Yo.

640
00:30:33,920 --> 00:30:36,240
Speaker 5: Remember when so and so went toe to toed with

641
00:30:36,240 --> 00:30:37,800
Speaker 5: with Kevin Hard and Sam Jackson.

642
00:30:38,640 --> 00:30:41,480
Speaker 2: Yes, Melvin Gregg, Miles.

643
00:30:41,120 --> 00:30:45,760
Speaker 5: Bullet, Koe Bailey does her thing, yet Lloyd Harvey jumps

644
00:30:45,800 --> 00:30:47,440
Speaker 5: in the future.

645
00:30:47,520 --> 00:30:49,160
Speaker 2: L Yeah. My wife said that.

646
00:30:49,200 --> 00:30:50,480
Speaker 3: I was like, I don't think that's Laura, because you

647
00:30:50,600 --> 00:30:51,880
Speaker 3: like you look so different.

648
00:30:55,800 --> 00:30:59,360
Speaker 6: But I think I think that you're You're singing amazing

649
00:31:00,120 --> 00:31:03,800
Speaker 6: example of baton passing. You're you're looking at people that

650
00:31:03,840 --> 00:31:07,800
Speaker 6: are established, have been established for so long, and Sam

651
00:31:07,880 --> 00:31:11,840
Speaker 6: and Taraji and Terrence and Don and then you also

652
00:31:12,120 --> 00:31:15,520
Speaker 6: have the second tear of talent that is a valuable

653
00:31:15,560 --> 00:31:18,280
Speaker 6: piece of this puzzle where they're toe to toe with

654
00:31:18,320 --> 00:31:21,840
Speaker 6: the big names and you don't blink an eye. You

655
00:31:22,120 --> 00:31:26,000
Speaker 6: understand why everybody is there, and you respect the talent

656
00:31:26,080 --> 00:31:28,880
Speaker 6: on screen, and you still respect the story. You're never

657
00:31:28,920 --> 00:31:31,320
Speaker 6: taken outside of the story. So I think that for

658
00:31:31,400 --> 00:31:34,480
Speaker 6: that younger generation that we were able to on board,

659
00:31:35,240 --> 00:31:38,360
Speaker 6: it's a great example of what we want to do.

660
00:31:38,800 --> 00:31:42,520
Speaker 6: We want to be the example for the next generation,

661
00:31:42,840 --> 00:31:46,280
Speaker 6: the bridge. We want to be the example for global

662
00:31:46,360 --> 00:31:50,160
Speaker 6: success for or the new star that popped on If

663
00:31:50,200 --> 00:31:52,880
Speaker 6: we're part of those stories, how dope is that? Like,

664
00:31:53,240 --> 00:31:56,160
Speaker 6: that's the biggest side of the conversation of Once Reese,

665
00:31:56,240 --> 00:31:57,320
Speaker 6: celst Jalen Hall.

666
00:31:57,400 --> 00:32:03,920
Speaker 2: These are names you're gonna know. I got a zoom zoomy.

667
00:32:03,960 --> 00:32:07,400
Speaker 6: I was here. I'll be like you were. You can't mean.

668
00:32:09,040 --> 00:32:14,040
Speaker 2: What I'm telling you. This is why I meant. It's

669
00:32:14,160 --> 00:32:18,680
Speaker 2: like this actual age to what you're going back on

670
00:32:19,360 --> 00:32:23,720
Speaker 2: a big star at age now, Well, I don't know

671
00:32:23,720 --> 00:32:24,840
Speaker 2: if you know you don't kick me out of one

672
00:32:24,880 --> 00:32:27,080
Speaker 2: of his show, kick you out of you had your phone,

673
00:32:28,360 --> 00:32:28,800
Speaker 2: kicked me out.

674
00:32:28,880 --> 00:32:30,440
Speaker 1: They threw me out, And as they're throwing me out,

675
00:32:30,440 --> 00:32:32,640
Speaker 1: I'm yelling, cav is me because I know what you

676
00:32:32,640 --> 00:32:33,200
Speaker 1: can go by.

677
00:32:34,280 --> 00:32:35,440
Speaker 6: That's why we should have kicked you out.

678
00:32:36,520 --> 00:32:36,720
Speaker 2: Brother.

679
00:32:36,840 --> 00:32:37,200
Speaker 3: Come on.

680
00:32:37,360 --> 00:32:39,800
Speaker 1: That's the Hampton family and kids, So you know, sometimes

681
00:32:39,840 --> 00:32:41,040
Speaker 1: you gotta check your phone to make.

682
00:32:40,920 --> 00:32:44,040
Speaker 5: Sure you're good the show you knew. Come on, I

683
00:32:44,040 --> 00:32:46,520
Speaker 5: gotta I gotta signe with cave on this brother, Come on, man.

684
00:32:46,440 --> 00:32:49,640
Speaker 6: Come into a common show is an intensative environment. And

685
00:32:49,640 --> 00:32:51,920
Speaker 6: by the way, my acting my Age tour, it's a

686
00:32:52,040 --> 00:32:54,680
Speaker 6: very dope fucking thing going on right now. It's a

687
00:32:54,760 --> 00:32:57,600
Speaker 6: premium ticket with a dope experience and in that experience

688
00:32:57,800 --> 00:33:01,000
Speaker 6: for an hour and a half. Check out out check

689
00:33:01,040 --> 00:33:01,480
Speaker 6: out a lad?

690
00:33:01,600 --> 00:33:02,720
Speaker 2: Did you see it was in me? Did you know

691
00:33:02,760 --> 00:33:06,120
Speaker 2: it was him? I'm saying.

692
00:33:06,200 --> 00:33:09,040
Speaker 6: What I'm saying to you is people people kill me,

693
00:33:09,160 --> 00:33:11,640
Speaker 6: like when you act as if rules don't exist for

694
00:33:11,640 --> 00:33:15,120
Speaker 6: a dope reason. Phones are a bad experience. Phones are

695
00:33:15,160 --> 00:33:20,520
Speaker 6: taking over the intimate appeal of life and lifestyle. Like

696
00:33:20,600 --> 00:33:23,520
Speaker 6: your phone has checked you out of every experience you

697
00:33:23,560 --> 00:33:26,800
Speaker 6: or the concerts. People watch the concert through their fucking phone.

698
00:33:27,360 --> 00:33:28,320
Speaker 6: You're looking at the.

699
00:33:28,200 --> 00:33:31,360
Speaker 5: Concert for an artists that's trying to put out new content, right,

700
00:33:31,400 --> 00:33:33,240
Speaker 5: and then everybody can just watch it on YouTube.

701
00:33:33,840 --> 00:33:37,760
Speaker 2: It totally diminishes respect.

702
00:33:38,640 --> 00:33:39,800
Speaker 3: Just like come out.

703
00:33:41,320 --> 00:33:43,200
Speaker 6: To put your phones off, you lock them up in

704
00:33:43,240 --> 00:33:47,080
Speaker 6: that moment, and you're such a dope sho.

705
00:33:50,120 --> 00:33:53,280
Speaker 5: You had that privilege, They had that life scare privilege.

706
00:33:53,240 --> 00:33:55,240
Speaker 2: See you thought he was like a me mvy you

707
00:33:55,280 --> 00:33:55,680
Speaker 2: did that.

708
00:33:56,040 --> 00:34:00,160
Speaker 6: I don't even know what a couple of He's the

709
00:34:00,240 --> 00:34:12,280
Speaker 6: lightest envious, right expectation, is one of the lightest operators

710
00:34:12,320 --> 00:34:12,879
Speaker 6: of the path.

711
00:34:13,280 --> 00:34:17,800
Speaker 2: Sometimes you're like, you're not white, Yeah, yeah, you get confused.

712
00:34:19,840 --> 00:34:42,839
Speaker 9: He envy is the guy you believe they're doing.

713
00:34:33,840 --> 00:34:36,840
Speaker 7: Monique and Lee Daniels just sit the deliverance. Are we

714
00:34:36,920 --> 00:34:38,839
Speaker 7: ever going to see a reconciliation with you and her?

715
00:34:38,960 --> 00:34:42,719
Speaker 7: Because she I don't know, I know that there's no problem. No,

716
00:34:42,800 --> 00:34:44,560
Speaker 7: but she has said that, like I know when she

717
00:34:44,640 --> 00:34:47,279
Speaker 7: was doing club and they talked about it and she

718
00:34:47,719 --> 00:34:49,600
Speaker 7: was talking about the phone call that happened from your

719
00:34:49,600 --> 00:34:52,000
Speaker 7: team or whatever. Right, is there ever going to be

720
00:34:52,040 --> 00:34:54,440
Speaker 7: a conversation that we hear you talk about? Where y'all

721
00:34:54,480 --> 00:34:56,320
Speaker 7: to have another conversation about that and move forward.

722
00:34:56,360 --> 00:34:58,160
Speaker 6: I'll challenge your question with a better question.

723
00:34:58,200 --> 00:34:58,600
Speaker 2: Go ahead.

724
00:34:58,880 --> 00:35:02,880
Speaker 6: You hear me talk about anyone? Do you ever hear

725
00:35:02,920 --> 00:35:08,040
Speaker 6: anything bad come from me? No? So information can be

726
00:35:08,080 --> 00:35:11,799
Speaker 6: one sided. A perception can never be one sided. It's

727
00:35:11,840 --> 00:35:16,040
Speaker 6: always a duality. It's it's your side versus another. And

728
00:35:16,080 --> 00:35:19,120
Speaker 6: if there's not a common ground, that means that means

729
00:35:19,160 --> 00:35:23,560
Speaker 6: one hasn't been attempted to like be met. So there's

730
00:35:23,600 --> 00:35:26,000
Speaker 6: no problem between me and Monique, there never will be.

731
00:35:26,040 --> 00:35:28,399
Speaker 6: There's no problem between me and anybody else. There's nothing

732
00:35:28,440 --> 00:35:32,160
Speaker 6: to reconcile, there's no there's no problem. So all these

733
00:35:32,200 --> 00:35:35,960
Speaker 6: problems that have been attached to Kevin Hart, they're one sided.

734
00:35:36,200 --> 00:35:38,480
Speaker 6: I don't have a problem with anybody.

735
00:35:38,560 --> 00:35:42,560
Speaker 5: I agree with that people right to have a conflict

736
00:35:42,680 --> 00:35:44,040
Speaker 5: because that's the reality.

737
00:35:44,120 --> 00:35:44,719
Speaker 2: I can tell you that.

738
00:35:44,760 --> 00:35:47,480
Speaker 5: Like, there's a perception that like if somebody comes out

739
00:35:47,480 --> 00:35:50,440
Speaker 5: and says something that like, you know, me and Kevins

740
00:35:50,480 --> 00:35:54,160
Speaker 5: behind the scenes said that we're.

741
00:35:53,440 --> 00:35:55,200
Speaker 2: Not doing that. That's what.

742
00:35:56,760 --> 00:35:59,719
Speaker 6: Social media has fucked us up to the point of

743
00:36:00,200 --> 00:36:03,560
Speaker 6: you hear is what you're forced to believe. Gotcha, you

744
00:36:03,600 --> 00:36:06,560
Speaker 6: do not understand? Like the common ground for truth is

745
00:36:06,600 --> 00:36:09,400
Speaker 6: always a conversation. And if there ever is a conversation,

746
00:36:09,560 --> 00:36:12,880
Speaker 6: do you're not forward facing in a public statement ever,

747
00:36:13,440 --> 00:36:16,680
Speaker 6: Like I didn't say anything about what I did or

748
00:36:16,880 --> 00:36:19,440
Speaker 6: what I did for Monique or my gestures, you never

749
00:36:19,520 --> 00:36:23,160
Speaker 6: would have heard. It's it's a one sided version or

750
00:36:23,280 --> 00:36:26,600
Speaker 6: reason for and by the way, i'ven overbuttal to it.

751
00:36:27,239 --> 00:36:30,920
Speaker 6: I stand on the side of I'm unproblematic and if

752
00:36:30,960 --> 00:36:33,000
Speaker 6: me and Moe want to do or could do or

753
00:36:33,040 --> 00:36:35,439
Speaker 6: would do, we will. But that's a me and Mo thing,

754
00:36:35,640 --> 00:36:39,320
Speaker 6: like this new thing that people are like, let me

755
00:36:39,360 --> 00:36:43,400
Speaker 6: tell you something, world that's like that. I want to

756
00:36:43,440 --> 00:36:44,799
Speaker 6: be honest, I'm forty.

757
00:36:44,480 --> 00:36:45,279
Speaker 2: Five years old.

758
00:36:47,440 --> 00:36:51,520
Speaker 6: By the way, team or not, it's not hard to

759
00:36:51,640 --> 00:36:56,160
Speaker 6: fucking find me, like, you know what my schedule is online?

760
00:36:56,239 --> 00:36:57,080
Speaker 2: So she hasn't hit you.

761
00:36:57,080 --> 00:36:58,239
Speaker 7: Since all of that stuff.

762
00:36:57,960 --> 00:37:00,839
Speaker 6: Me and Monique have had com sations, and those are

763
00:37:00,840 --> 00:37:04,839
Speaker 6: me and Monique's conversations before and after. That's called adulting.

764
00:37:05,400 --> 00:37:08,719
Speaker 6: I don't. I don't unadult So all of these new

765
00:37:08,800 --> 00:37:14,759
Speaker 6: ways of conversation and finger pointing, it's very easy. You

766
00:37:14,800 --> 00:37:17,040
Speaker 6: know what cortminos in Because I'm gonna say some dope

767
00:37:17,040 --> 00:37:21,360
Speaker 6: ship all right, Everybody points to the fucking moon because

768
00:37:21,360 --> 00:37:23,040
Speaker 6: nobody knows what it's like to be at the moon

769
00:37:23,400 --> 00:37:25,920
Speaker 6: and for the moon to look down. Everybody sees it

770
00:37:25,960 --> 00:37:28,879
Speaker 6: this way, but nobody sees it the other. There's only

771
00:37:28,880 --> 00:37:31,080
Speaker 6: a couple of people that have been down here and

772
00:37:31,080 --> 00:37:33,480
Speaker 6: looked at the moon and said I'm going and went

773
00:37:33,640 --> 00:37:36,319
Speaker 6: and looked down from So if you don't stand the

774
00:37:36,440 --> 00:37:40,319
Speaker 6: version of eyesight from both sides, but then you're near side,

775
00:37:40,400 --> 00:37:43,279
Speaker 6: you got you got one vision. I don't have tunnel vision.

776
00:37:44,000 --> 00:37:46,759
Speaker 6: I have an equal vision of understanding. But if you

777
00:37:46,920 --> 00:37:51,520
Speaker 6: can't understand the moon side, how do you speak as

778
00:37:51,560 --> 00:37:56,120
Speaker 6: if you do? That's not that's not life, that's not adulting.

779
00:37:56,640 --> 00:38:14,520
Speaker 3: So I've they.

780
00:38:14,440 --> 00:38:17,040
Speaker 6: Don't even fucking how many astronauts that have walked on

781
00:38:17,040 --> 00:38:19,200
Speaker 6: the moon. But everybody speaks if they know what the

782
00:38:19,480 --> 00:38:21,839
Speaker 6: is on the move. Everybody talks like they know it's

783
00:38:21,880 --> 00:38:23,919
Speaker 6: up there. You don't know what's up there. You never

784
00:38:23,960 --> 00:38:26,040
Speaker 6: walked up there. You don't know what it's like to

785
00:38:26,040 --> 00:38:28,080
Speaker 6: be up there and look down and see what Earth

786
00:38:28,160 --> 00:38:30,000
Speaker 6: is like from there. So it's only a couple of

787
00:38:30,040 --> 00:38:33,319
Speaker 6: people that do. When you are on a different side

788
00:38:33,360 --> 00:38:35,400
Speaker 6: of life and you speak to those that are on

789
00:38:35,520 --> 00:38:37,759
Speaker 6: that side, is if you know what they're doing or

790
00:38:37,840 --> 00:38:41,680
Speaker 6: why they did it, you're one sided. You can't speak

791
00:38:42,000 --> 00:38:45,400
Speaker 6: on my fucking reasons as if you know what my

792
00:38:45,560 --> 00:38:48,400
Speaker 6: reasons are for, you can't speak on my business choice,

793
00:38:48,400 --> 00:38:53,239
Speaker 6: my business choices, professional choices, more importantly, lifestyle choices, if

794
00:38:53,239 --> 00:38:54,880
Speaker 6: you don't know what the fuck my life is.

795
00:38:55,080 --> 00:38:56,479
Speaker 4: But you know, that's what I like about the movie

796
00:38:56,480 --> 00:38:58,919
Speaker 4: Fighting That right, because it seems like they show each

797
00:38:59,040 --> 00:39:01,920
Speaker 4: character in the movie as a hero in their own story,

798
00:39:01,920 --> 00:39:05,480
Speaker 4: but a villain in somebody else's.

799
00:39:05,719 --> 00:39:09,040
Speaker 5: It's a super complicated narrative, which are my favorite kinds

800
00:39:09,040 --> 00:39:13,319
Speaker 5: because you're protagonist, right, Your quote unquote heroes are very

801
00:39:13,360 --> 00:39:16,080
Speaker 5: gray and are very flawed like in real life, and

802
00:39:16,120 --> 00:39:19,640
Speaker 5: you're antagonists are people that you root for. Those are

803
00:39:19,680 --> 00:39:22,440
Speaker 5: my favorite kinds of narratives. I love that because we

804
00:39:22,480 --> 00:39:24,560
Speaker 5: all know the world is not black and white, right,

805
00:39:24,640 --> 00:39:27,719
Speaker 5: and so you're absolutely right, it's about complex people at

806
00:39:27,719 --> 00:39:28,680
Speaker 5: a complex time.

807
00:39:29,120 --> 00:39:30,360
Speaker 2: And that's really what the show was.

808
00:39:30,840 --> 00:39:34,319
Speaker 6: What a successful Now before you do that, I just

809
00:39:34,320 --> 00:39:37,920
Speaker 6: want the world to get to a better place of understanding, Like,

810
00:39:38,719 --> 00:39:44,759
Speaker 6: stop taking the bait. It's bait. Bait is unnecessary. Like

811
00:39:45,000 --> 00:39:48,359
Speaker 6: if people really have problems, they talk amongst themselves, there

812
00:39:48,400 --> 00:39:51,680
Speaker 6: are no conversations among themselves, then it's not real problems.

813
00:39:51,760 --> 00:39:53,000
Speaker 2: Yeah, that simple.

814
00:39:53,120 --> 00:39:55,400
Speaker 5: No, Kevin's right, I mean, and Kevin's big and a

815
00:39:55,440 --> 00:39:57,480
Speaker 5: lot of us are on real interactions, you know what

816
00:39:57,520 --> 00:39:57,839
Speaker 5: I mean.

817
00:39:57,880 --> 00:39:59,319
Speaker 2: And you got a lot of people out there right now.

818
00:39:59,320 --> 00:40:00,640
Speaker 2: They're trying to win the internet.

819
00:40:00,960 --> 00:40:01,160
Speaker 5: You know.

820
00:40:01,400 --> 00:40:02,320
Speaker 2: I just when when.

821
00:40:02,200 --> 00:40:03,440
Speaker 5: The Internet, I got the most clicks, I got the

822
00:40:03,480 --> 00:40:06,279
Speaker 5: most likes, and you know, let's win real life.

823
00:40:06,440 --> 00:40:07,879
Speaker 2: Let's focus on real things.

824
00:40:08,000 --> 00:40:10,240
Speaker 5: So whatever conversation he may have, I may have, somebody

825
00:40:10,280 --> 00:40:12,239
Speaker 5: else may have, and it doesn't have to be for this.

826
00:40:13,120 --> 00:40:14,920
Speaker 2: You told me a while ago, he said, and you

827
00:40:14,920 --> 00:40:15,560
Speaker 2: shut the fuck up.

828
00:40:15,840 --> 00:40:25,000
Speaker 6: Well, I'll tell you a lot.

829
00:40:26,760 --> 00:40:27,240
Speaker 2: I don't.

830
00:40:29,000 --> 00:40:33,360
Speaker 6: I told you that because he's like, you're explaining yourself

831
00:40:33,360 --> 00:40:33,759
Speaker 6: to who?

832
00:40:34,040 --> 00:40:34,200
Speaker 2: Like?

833
00:40:34,560 --> 00:40:37,200
Speaker 6: Who listened? By the way, is like, who are you

834
00:40:37,280 --> 00:40:40,400
Speaker 6: talking to? Like when you there's nothing that annoys me

835
00:40:40,480 --> 00:40:45,880
Speaker 6: more when people do this right here, everybody's been asking,

836
00:40:45,920 --> 00:40:58,640
Speaker 6: so let me go. I'm saying the order you get.

837
00:40:58,680 --> 00:41:03,920
Speaker 6: You started to realize, man.

838
00:41:02,880 --> 00:41:06,200
Speaker 5: Box that matters, and we obsessed on the negative. I

839
00:41:06,239 --> 00:41:09,279
Speaker 5: hate to say that, but you'll be you post something

840
00:41:09,280 --> 00:41:11,320
Speaker 5: and get one hundred positive comments.

841
00:41:11,320 --> 00:41:13,239
Speaker 2: Man, you walking down you look good, but.

842
00:41:13,200 --> 00:41:17,200
Speaker 5: It'd be three people that'll say something sideways and no,

843
00:41:17,360 --> 00:41:19,800
Speaker 5: be's the one. Those will be the ones that you

844
00:41:19,920 --> 00:41:23,239
Speaker 5: respond to, that you obsess over, that you focus on, right,

845
00:41:23,640 --> 00:41:24,400
Speaker 5: not the other one.

846
00:41:24,800 --> 00:41:28,320
Speaker 6: It's not a bigger supporter for the movement of people

847
00:41:28,320 --> 00:41:34,640
Speaker 6: doing good shit and Monique Lee Daniels reconciling that relationship. However,

848
00:41:34,640 --> 00:41:37,680
Speaker 6: it happened Great Dope for them, did a movie together

849
00:41:37,760 --> 00:41:41,000
Speaker 6: after great story Dope for them. I want to see

850
00:41:41,000 --> 00:41:44,919
Speaker 6: more keep doing great ship. The conversation of anything else

851
00:41:45,000 --> 00:41:48,000
Speaker 6: negative attached to a person's and their reservations of feelings.

852
00:41:48,000 --> 00:41:51,240
Speaker 6: To me, I want to see nothing but good for all,

853
00:41:51,400 --> 00:41:53,600
Speaker 6: Like I would love to see us all win. I

854
00:41:53,640 --> 00:41:55,319
Speaker 6: would love to see us all at the table where

855
00:41:55,360 --> 00:41:58,680
Speaker 6: we all can do. If it happens great. If it doesn't,

856
00:41:58,800 --> 00:42:01,440
Speaker 6: I guess it wasn't meant to be. But you can't

857
00:42:01,480 --> 00:42:06,840
Speaker 6: have a fucking stance of negativity and like also like

858
00:42:07,560 --> 00:42:13,560
Speaker 6: a real fucking initiative to move forward and like motivate, inspire, create,

859
00:42:13,680 --> 00:42:15,919
Speaker 6: or do whatever. You can't be both. So it's either

860
00:42:16,080 --> 00:42:17,920
Speaker 6: like you're one or the other. And if you are

861
00:42:17,960 --> 00:42:25,879
Speaker 6: a part of creativity, inspiration, collaboration, motivation, connectivity, then that

862
00:42:26,000 --> 00:42:29,200
Speaker 6: has to be it. And whatever you gather along the way,

863
00:42:29,239 --> 00:42:32,200
Speaker 6: and whoever you align yourself with along the way, well

864
00:42:32,320 --> 00:42:34,760
Speaker 6: y'all all a part of the same story. If things

865
00:42:34,800 --> 00:42:38,239
Speaker 6: fall apart through the duration of it wasn't meant to be.

866
00:42:38,280 --> 00:42:42,160
Speaker 6: On that train. Some people miss a train. It's just life.

867
00:42:42,200 --> 00:42:45,280
Speaker 6: Some people don't make it and time to catch the train.

868
00:42:46,000 --> 00:42:47,560
Speaker 6: And the train that's gonna go is.

869
00:42:47,680 --> 00:42:48,360
Speaker 2: Going to go.

870
00:42:48,840 --> 00:42:52,280
Speaker 6: Why do you think trains can't stop fast? They're moving.

871
00:42:52,960 --> 00:42:56,000
Speaker 6: So either you're on the train, but you're not. And

872
00:42:56,040 --> 00:42:58,680
Speaker 6: if you didn't catch the next train, that's life.

873
00:42:58,719 --> 00:43:00,400
Speaker 5: Feel like we went back to the moon because it

874
00:43:00,600 --> 00:43:03,640
Speaker 5: was something about my guy, my guy, you want to

875
00:43:03,640 --> 00:43:05,800
Speaker 5: talk about some impressive words.

876
00:43:05,960 --> 00:43:11,320
Speaker 1: Got Kevin put some words on what makes it successful?

877
00:43:11,320 --> 00:43:14,400
Speaker 1: Because you know, Hollywood and changed before was blockbuster movies,

878
00:43:14,400 --> 00:43:16,480
Speaker 1: but now, I mean, there's so many other platforms to

879
00:43:16,520 --> 00:43:19,120
Speaker 1: put your movie on. So what is successful for?

880
00:43:19,840 --> 00:43:22,799
Speaker 5: But you know there's still quant quantitative metrics that they

881
00:43:22,960 --> 00:43:29,359
Speaker 5: use to determine quantitative learn that should you brother just just.

882
00:43:30,040 --> 00:43:31,720
Speaker 2: What is it? Uh?

883
00:43:31,880 --> 00:43:34,080
Speaker 5: Because reality is that you still have ways that you

884
00:43:34,080 --> 00:43:37,640
Speaker 5: can determine how, you know, how many people watched it,

885
00:43:37,719 --> 00:43:39,880
Speaker 5: if the audience was into it, if they were engaged,

886
00:43:39,920 --> 00:43:42,400
Speaker 5: and that stuff is important and so that is definitely

887
00:43:42,400 --> 00:43:43,680
Speaker 5: a part of what we do.

888
00:43:44,280 --> 00:43:47,600
Speaker 2: Honestly though right now it's about I just want people to.

889
00:43:47,600 --> 00:43:49,000
Speaker 5: Feel stuff, you know what I mean. I want to

890
00:43:49,000 --> 00:43:50,759
Speaker 5: feel like we're touching the culture, you know. I want

891
00:43:50,760 --> 00:43:53,200
Speaker 5: to feel like whatever it is that we do, we

892
00:43:53,280 --> 00:43:55,399
Speaker 5: don't have people feel like we wasted their time.

893
00:43:55,719 --> 00:43:56,680
Speaker 2: That's that's the point that.

894
00:43:56,680 --> 00:43:57,000
Speaker 3: We have.

895
00:43:58,520 --> 00:44:00,920
Speaker 2: Got to get it. We gotta get Do you have

896
00:44:01,000 --> 00:44:02,000
Speaker 2: colors you like to use?

897
00:44:02,280 --> 00:44:04,120
Speaker 3: Asklee Daniels as a producer.

898
00:44:04,160 --> 00:44:06,160
Speaker 4: And when I say colors, I mean like artists are

899
00:44:06,160 --> 00:44:08,239
Speaker 4: there's certain artists you like to use because they're like

900
00:44:08,280 --> 00:44:08,840
Speaker 4: you amused.

901
00:44:08,920 --> 00:44:10,879
Speaker 6: They help you paint the picture.

902
00:44:10,880 --> 00:44:12,960
Speaker 2: That you would use within it within a piece.

903
00:44:15,360 --> 00:44:15,600
Speaker 3: Film.

904
00:44:15,880 --> 00:44:20,520
Speaker 5: Yeah, I think I think that. Well, obviously is the director.

905
00:44:20,560 --> 00:44:26,520
Speaker 5: I'm a producer. Yeah, absolutely, I think that set the

906
00:44:26,560 --> 00:44:30,160
Speaker 5: mood and the theme thematically. It's very important to have,

907
00:44:30,400 --> 00:44:32,120
Speaker 5: first of all, everybody be on the same page about

908
00:44:32,120 --> 00:44:34,400
Speaker 5: what the vision is going to be right, and also

909
00:44:34,480 --> 00:44:38,920
Speaker 5: to make sure that the ultimate vision fits the execution

910
00:44:39,400 --> 00:44:42,400
Speaker 5: and so you know, like, for instance, we wanted it

911
00:44:42,440 --> 00:44:45,000
Speaker 5: to look a certain way right light.

912
00:44:50,880 --> 00:45:01,160
Speaker 10: You know, No, you ain't gotta break it down because Kevin,

913
00:45:01,160 --> 00:45:02,839
Speaker 10: they coming in here to drag your ass.

914
00:45:04,239 --> 00:45:06,759
Speaker 6: Yeah, we're done, We're good.

915
00:45:06,880 --> 00:45:09,799
Speaker 2: We appreciate it. Real talk. We appreciate y'all like real talk.

916
00:45:09,840 --> 00:45:13,640
Speaker 2: We appreciate you. The malleability that that's another word, that malleability.

917
00:45:13,719 --> 00:45:15,800
Speaker 5: What it means that they were flexible, that they worked

918
00:45:15,800 --> 00:45:17,080
Speaker 5: with us, they weren't rigid.

919
00:45:19,200 --> 00:45:22,080
Speaker 6: Well, I'll tell you what. The HBCUs that you both

920
00:45:22,120 --> 00:45:29,920
Speaker 6: went to are better without you this inclusion.

921
00:45:30,719 --> 00:45:31,239
Speaker 2: Inclusion.

922
00:45:31,600 --> 00:45:35,840
Speaker 6: The big takeaways for audience are very simple, man. The

923
00:45:35,880 --> 00:45:39,200
Speaker 6: first one, of course, is Fight Night now now streaming

924
00:45:39,320 --> 00:45:42,600
Speaker 6: on Peacock. Do yourself a service and us a favor,

925
00:45:42,960 --> 00:45:47,680
Speaker 6: go watch it. A very good fucking show, an amazing

926
00:45:47,760 --> 00:45:50,399
Speaker 6: story that I think should have been told a long

927
00:45:50,480 --> 00:45:52,799
Speaker 6: time ago, but for the city of Atlanta that we

928
00:45:52,840 --> 00:45:55,040
Speaker 6: all know in love is a great highlight of how

929
00:45:55,120 --> 00:45:57,480
Speaker 6: Atlanta got to be what it is now. Fact, understanding

930
00:45:57,480 --> 00:46:00,799
Speaker 6: the early stages of it, understanding the origin for us all,

931
00:46:01,040 --> 00:46:04,520
Speaker 6: especially people of color culture, we need to know. It's

932
00:46:04,560 --> 00:46:05,480
Speaker 6: a great story.

933
00:46:05,680 --> 00:46:09,080
Speaker 5: Eight parts eight part limits is three parts out right

934
00:46:09,120 --> 00:46:11,160
Speaker 5: now dropping one per week.

935
00:46:11,480 --> 00:46:13,760
Speaker 2: If you're like a lot of us, you're looking for what's.

936
00:46:13,640 --> 00:46:15,680
Speaker 5: That next series I can really get into and really

937
00:46:15,719 --> 00:46:17,160
Speaker 5: get into the characters and follow it.

938
00:46:17,600 --> 00:46:20,080
Speaker 2: We're challenging you. Let this be a next series.

939
00:46:20,160 --> 00:46:24,560
Speaker 6: I would say, that's that's thing one, Thing two Yo,

940
00:46:25,080 --> 00:46:31,200
Speaker 6: God's collaboration, egos, et cetera. Ask yourself, what version are you?

941
00:46:31,520 --> 00:46:33,280
Speaker 6: What side are you on? Are you on the side

942
00:46:33,320 --> 00:46:35,919
Speaker 6: of that? Are you on the side of this? Pick one?

943
00:46:36,480 --> 00:46:39,000
Speaker 6: Pick one and be that or identify what you are

944
00:46:39,080 --> 00:46:41,879
Speaker 6: and make a change right the other side. Hey man,

945
00:46:41,920 --> 00:46:45,080
Speaker 6: this internet shit is getting out of control. It's fucking

946
00:46:45,280 --> 00:46:48,759
Speaker 6: like it's out of control, just from an understanding of

947
00:46:48,840 --> 00:46:54,160
Speaker 6: real versus not real reality and like false reality. Ask

948
00:46:54,239 --> 00:46:58,480
Speaker 6: yourself which version. Are you on? Are you clickbait? Are

949
00:46:58,520 --> 00:47:03,839
Speaker 6: you fucking real your relationships? There's real communication. Without that,

950
00:47:04,040 --> 00:47:08,239
Speaker 6: nothing else matters, Nothing else matters. I didn't fucking not

951
00:47:08,920 --> 00:47:11,080
Speaker 6: tell them to contact or not do Hey, man, I'm

952
00:47:11,080 --> 00:47:15,120
Speaker 6: gonna push you back. I'm fucked up. The false communication

953
00:47:15,160 --> 00:47:18,320
Speaker 6: would be I can't man, just do whatever. You figure

954
00:47:18,360 --> 00:47:20,920
Speaker 6: out what it is and what and then the relationship

955
00:47:21,000 --> 00:47:23,759
Speaker 6: kind of falls apart based off of an idea that

956
00:47:23,800 --> 00:47:27,200
Speaker 6: you are giving yourself a moment to create. Stop it.

957
00:47:27,680 --> 00:47:32,480
Speaker 6: Let's get back to a place of understanding relationships. Relationship.

958
00:47:32,840 --> 00:47:35,080
Speaker 6: It's my fucking brother, and I love the fact that

959
00:47:35,080 --> 00:47:37,520
Speaker 6: me and my brother are great examples of what dope

960
00:47:37,560 --> 00:47:40,600
Speaker 6: relationships should be. We will continue to do what we do,

961
00:47:40,680 --> 00:47:42,680
Speaker 6: and we'll do it at a high level. And I

962
00:47:42,719 --> 00:47:45,600
Speaker 6: can't wait for the world to see not only this,

963
00:47:46,040 --> 00:47:47,759
Speaker 6: but what the things in the future will be.

964
00:47:47,960 --> 00:47:52,160
Speaker 5: Bam, I want you to go. That's the last thing

965
00:47:52,160 --> 00:47:54,000
Speaker 5: I was saying. I tell you to vote for but

966
00:47:54,040 --> 00:47:55,840
Speaker 5: we will be remissive. We didn't get on this platform

967
00:47:55,880 --> 00:47:58,120
Speaker 5: and say that is real. It's real, and these are

968
00:47:58,200 --> 00:48:00,919
Speaker 5: challenging time to make your voice heard one way or another,

969
00:48:00,960 --> 00:48:04,759
Speaker 5: it matters. You can tell me you kamalaer, I'm no

970
00:48:04,880 --> 00:48:07,120
Speaker 5: question I appreciate that black man because we need more

971
00:48:07,120 --> 00:48:07,799
Speaker 5: of us saying that.

972
00:48:08,120 --> 00:48:09,920
Speaker 2: But that's my choice, that's what I choose to do.

973
00:48:10,520 --> 00:48:21,680
Speaker 2: I need everybody's publishing my shoes to start cleaning up.

974
00:48:24,040 --> 00:48:25,480
Speaker 2: But you would agree with the poort the vote right

975
00:48:25,880 --> 00:48:32,120
Speaker 2: would like I'll say, sig go they pulling me out here. Well,

976
00:48:32,640 --> 00:48:36,200
Speaker 2: thank you, family, appreciate you'all. It's the Breakfast Club. Wake

977
00:48:36,280 --> 00:48:38,080
Speaker 2: that answer in the morning.

978
00:48:38,200 --> 00:48:39,240
Speaker 3: The Breakfast Club