1 00:00:00,280 --> 00:00:03,680 Speaker 1: Hello the Internet, and welcome to this episode of Trender 2 00:00:03,800 --> 00:00:06,199 Speaker 1: to Burnstein or Bernstein. 3 00:00:06,880 --> 00:00:09,200 Speaker 2: Now, I think I think we gotta trust Michael Stipe 4 00:00:09,240 --> 00:00:09,479 Speaker 2: on this. 5 00:00:09,640 --> 00:00:10,840 Speaker 1: Trust trust. 6 00:00:11,039 --> 00:00:13,160 Speaker 2: We don't say Einstein. 7 00:00:13,320 --> 00:00:18,600 Speaker 1: No, you don't Trendar Burnstein is trending. It is a trending. Oh, 8 00:00:18,640 --> 00:00:22,599 Speaker 1: I'm Jack. That's Miles. This is one of the last 9 00:00:22,600 --> 00:00:28,240 Speaker 1: things from a three hundredth season of Daily's. Congratulations Miles, 10 00:00:28,280 --> 00:00:31,000 Speaker 1: We really, we really fucking did it, man. 11 00:00:31,240 --> 00:00:33,840 Speaker 2: Three hundred Man, we can finally put the mic down. 12 00:00:34,240 --> 00:00:36,360 Speaker 1: We're just gonna do a slow clap for the next 13 00:00:36,360 --> 00:00:41,159 Speaker 1: couple of minutes, if everybody's okay with that. Who do 14 00:00:41,200 --> 00:00:42,880 Speaker 1: you think of when you think of a slow clap? 15 00:00:43,479 --> 00:00:45,960 Speaker 2: I don't know. I feel like it became such a 16 00:00:47,120 --> 00:00:49,240 Speaker 2: like I obviously I don't know. I can't remember what 17 00:00:49,360 --> 00:00:52,440 Speaker 2: specific film that became a trope from, so I don't 18 00:00:52,479 --> 00:00:55,240 Speaker 2: really ever think of it like being specific as to 19 00:00:55,320 --> 00:00:56,520 Speaker 2: just like a bit that you do. 20 00:00:56,560 --> 00:00:59,720 Speaker 1: I think it was Charles dust and Rudy. Oh you 21 00:00:59,720 --> 00:01:02,920 Speaker 1: remember that one because it's weird because it like never 22 00:01:03,040 --> 00:01:03,600 Speaker 1: picks up. 23 00:01:03,800 --> 00:01:08,920 Speaker 2: Really, it's like five slow claps. Charles s. Dutton, Charleston 24 00:01:09,440 --> 00:01:12,600 Speaker 2: fully respect the sorry Charles Rock if you were up 25 00:01:12,680 --> 00:01:15,640 Speaker 2: late on Sunday nights on Fox Rock. 26 00:01:16,040 --> 00:01:22,240 Speaker 1: I did, yeah, because that was like if brother Edler. Yeah, yeah, good. 27 00:01:22,160 --> 00:01:24,520 Speaker 2: Shows, good shows. I don't know, I haven't seen it now. 28 00:01:24,520 --> 00:01:26,399 Speaker 2: I don't know if it ags well, but hey, I've 29 00:01:27,000 --> 00:01:28,959 Speaker 2: just splendid memories. It's funny how my dad would be like, 30 00:01:28,959 --> 00:01:31,679 Speaker 2: we're not watching Married with Children. We watched Rock and 31 00:01:31,720 --> 00:01:34,800 Speaker 2: the Living Color because but then but they felt like 32 00:01:34,920 --> 00:01:36,920 Speaker 2: living or Married with Sona was just too much. But 33 00:01:36,959 --> 00:01:38,880 Speaker 2: he's like, but in Living Color though, that's black people, 34 00:01:38,959 --> 00:01:41,920 Speaker 2: so it's okay. It was kind of like the man. 35 00:01:42,200 --> 00:01:44,720 Speaker 1: I was definitely part of that. Uh in Living Color, 36 00:01:44,840 --> 00:01:51,720 Speaker 1: the Rock Block, Yeah, the Rock all right, well Miles Yeah. 37 00:01:52,160 --> 00:01:57,720 Speaker 1: Netflix released the trailer for Maestro Alright, starring Bradley Cooper 38 00:01:58,080 --> 00:02:04,560 Speaker 1: from the director Bradley Cooper from the makeup Department. A 39 00:02:04,680 --> 00:02:06,920 Speaker 1: controversial prosthetic nos. 40 00:02:06,720 --> 00:02:11,120 Speaker 2: Yes, yes, it's yeah. A lot of people, quoting Sarah 41 00:02:11,160 --> 00:02:14,000 Speaker 2: Silverman with a coins she phrase be like, why are 42 00:02:14,040 --> 00:02:16,480 Speaker 2: there non Jewish people always playing Jewish people and then 43 00:02:16,560 --> 00:02:20,400 Speaker 2: you're putting on like comically looking prosthetics on their face 44 00:02:20,639 --> 00:02:25,360 Speaker 2: to make them look more jewish quote unquote, uh, prosthetics aside, 45 00:02:25,440 --> 00:02:29,360 Speaker 2: I watched the trailer Miles and I want you to 46 00:02:29,400 --> 00:02:32,720 Speaker 2: guess the number that I'm thinking of right now, and 47 00:02:32,760 --> 00:02:36,200 Speaker 2: it's fuck off. That's that's a joke. 48 00:02:36,320 --> 00:02:38,360 Speaker 1: We would never do that, because that's the most boring 49 00:02:38,440 --> 00:02:42,520 Speaker 1: thing I can think of anyone doing. And to witness 50 00:02:42,560 --> 00:02:45,639 Speaker 1: anybody two people trying to guess the number the other 51 00:02:45,639 --> 00:02:47,399 Speaker 1: one is thinking of, it's. 52 00:02:47,200 --> 00:02:50,840 Speaker 2: So min It's so minimal in its presentation that it 53 00:02:51,000 --> 00:02:55,680 Speaker 2: feels like an act of violence on the viewer. Because 54 00:02:55,800 --> 00:02:58,880 Speaker 2: I'm not joke out of visceral rey. I don't get 55 00:02:59,000 --> 00:03:02,800 Speaker 2: upset a lot when I look at like new trailers 56 00:03:02,880 --> 00:03:07,280 Speaker 2: or whatever. But there's something so unlikable about these characters 57 00:03:07,360 --> 00:03:10,919 Speaker 2: as portrayed by these two in it like from the 58 00:03:11,080 --> 00:03:13,800 Speaker 2: like sort of like North Atlantic sort of twang and 59 00:03:13,840 --> 00:03:15,960 Speaker 2: like rhythm of speaking Darling. 60 00:03:16,720 --> 00:03:20,799 Speaker 1: I'm thinking of two Darling, a pair like the two 61 00:03:20,840 --> 00:03:22,320 Speaker 1: of us, Ducks in a pond. 62 00:03:22,200 --> 00:03:27,640 Speaker 2: Ducks in a pond. What's the movie about? Of No 63 00:03:27,760 --> 00:03:30,640 Speaker 2: fucking clue. Aside from we see him get older and 64 00:03:30,680 --> 00:03:31,120 Speaker 2: I get it. 65 00:03:31,160 --> 00:03:35,720 Speaker 1: The love story in the background of music. That's really 66 00:03:36,000 --> 00:03:39,320 Speaker 1: Bradley Cooper's sweet spot. It's kind of where where he 67 00:03:39,360 --> 00:03:43,480 Speaker 1: eats is in the in the intersection of love and 68 00:03:43,720 --> 00:03:50,320 Speaker 1: romance and music himself called a star is born. 69 00:03:50,640 --> 00:03:54,600 Speaker 2: Oh I do, And anyways, I'll get behind. Whenever someone's 70 00:03:54,640 --> 00:03:57,440 Speaker 2: portrayed as being blacked out on benzos at the Grammys 71 00:03:57,440 --> 00:03:59,920 Speaker 2: and pissing themselves, I'm like, see, I can relate to 72 00:04:00,120 --> 00:04:02,000 Speaker 2: this on some level, even though I've not been to 73 00:04:02,000 --> 00:04:02,520 Speaker 2: the Grammys. 74 00:04:03,000 --> 00:04:06,560 Speaker 1: But this, I'm sure people are gonna like it. 75 00:04:07,440 --> 00:04:12,360 Speaker 2: Just that, just that dission. But like, looking at this, 76 00:04:12,560 --> 00:04:14,480 Speaker 2: you can just tell this feels like, you know, Brian 77 00:04:14,560 --> 00:04:16,320 Speaker 2: was saying it too before I recorded. It feels like 78 00:04:16,320 --> 00:04:20,360 Speaker 2: one of those laser guided made movies to just activate 79 00:04:20,480 --> 00:04:22,400 Speaker 2: the voting body of the Academy. 80 00:04:22,880 --> 00:04:25,840 Speaker 1: Because will it work? Miles is the question? 81 00:04:26,560 --> 00:04:29,800 Speaker 2: Jam our other our writer points out, you got a 82 00:04:29,800 --> 00:04:32,000 Speaker 2: good chance with a prosthetic nose, if you're trying to 83 00:04:32,040 --> 00:04:36,320 Speaker 2: go for an Oscar. Yeah, you know de Niro, Yeah, 84 00:04:36,960 --> 00:04:39,000 Speaker 2: Nicole Kidman in the Hours, you know what I mean? 85 00:04:39,200 --> 00:04:41,400 Speaker 1: So what her nose looks like that? 86 00:04:41,440 --> 00:04:44,400 Speaker 2: Wait a second, thing, she's really trying to be that 87 00:04:44,520 --> 00:04:47,920 Speaker 2: character or she wouldn't put the nose on. She seems 88 00:04:47,920 --> 00:04:51,840 Speaker 2: to uglier than usual. Yeah, so a lot of people. Yeah, 89 00:04:51,880 --> 00:04:56,560 Speaker 2: again on a monster. Oh yeah, Charlie's yeah, she I 90 00:04:56,560 --> 00:04:58,400 Speaker 2: mean that was like that was more than a nose though. 91 00:04:58,480 --> 00:05:01,680 Speaker 2: Charlie's went fall in for all that to say is like, 92 00:05:02,120 --> 00:05:03,599 Speaker 2: you know, like now a lot of people are like, 93 00:05:03,640 --> 00:05:05,720 Speaker 2: this just feels weird, Like couldn't he have just not 94 00:05:05,880 --> 00:05:08,720 Speaker 2: had the like the nose, just like in the revival 95 00:05:08,800 --> 00:05:12,000 Speaker 2: of like violent anti Semitism right now in society like this, 96 00:05:12,200 --> 00:05:15,960 Speaker 2: what are we doing again? Whatever? That's his choice, is his, 97 00:05:16,240 --> 00:05:18,920 Speaker 2: Like Leonard Bernstein's kids are like, we're fine with it. 98 00:05:19,040 --> 00:05:26,080 Speaker 2: So you'll need to over here. Yeah, aka, please don't 99 00:05:26,080 --> 00:05:29,000 Speaker 2: suck up our bag by boycotting this film because we signed. 100 00:05:28,760 --> 00:05:31,400 Speaker 1: The rights over you. 101 00:05:32,920 --> 00:05:36,719 Speaker 2: Must come watch my composition. Well it's. 102 00:05:39,040 --> 00:05:42,120 Speaker 1: Yeah, I don't know why why in that direction because 103 00:05:42,160 --> 00:05:49,920 Speaker 1: I'm bad at doing accents. But it's interesting. It's weird, 104 00:05:50,400 --> 00:05:53,359 Speaker 1: like this seems related to Tar in a way that 105 00:05:53,480 --> 00:05:58,560 Speaker 1: is probably not beneficial to this movie, you know, like 106 00:05:58,720 --> 00:06:05,159 Speaker 1: Tar is there's like really funny like postmodern cultural look 107 00:06:05,400 --> 00:06:12,279 Speaker 1: at like a fictional composed like a fictional Leonard Bernstein character, 108 00:06:13,080 --> 00:06:16,560 Speaker 1: and but like it really I don't know. I can't 109 00:06:16,760 --> 00:06:20,640 Speaker 1: then see someone coming back and making just straight down 110 00:06:20,640 --> 00:06:25,039 Speaker 1: the middle, straight face Leonard Bernstein biopic and being like 111 00:06:25,120 --> 00:06:28,520 Speaker 1: and we're good here, and we all saw that one 112 00:06:28,640 --> 00:06:31,720 Speaker 1: and this one, and we think they're both neat, but 113 00:06:31,760 --> 00:06:33,280 Speaker 1: maybe maybe. 114 00:06:33,920 --> 00:06:36,440 Speaker 2: At least like A Star is Born, how Lady Gagat? 115 00:06:36,520 --> 00:06:39,880 Speaker 2: You get the appeal of that as a film, right, Yeah, 116 00:06:39,920 --> 00:06:43,440 Speaker 2: I do not understand the appeal of talking about Leonard Bernstein. 117 00:06:43,480 --> 00:06:45,360 Speaker 1: I think it's going to be a hit. I don't 118 00:06:45,400 --> 00:06:47,120 Speaker 1: think it's going to be a hit trying. 119 00:06:47,320 --> 00:06:49,880 Speaker 2: I mean, you know, his head was in the right places, 120 00:06:49,920 --> 00:06:51,640 Speaker 2: like you know, he was you know, for like civil 121 00:06:51,720 --> 00:06:54,680 Speaker 2: rights and shit, and like Leonner Bernstein was anti nuclear 122 00:06:55,040 --> 00:06:59,159 Speaker 2: proliferation type stuff. But like, at the end of the day, again, 123 00:06:59,240 --> 00:07:01,120 Speaker 2: then this is my own personal thing. I'm like, I 124 00:07:01,160 --> 00:07:04,520 Speaker 2: can I'd rather see someone like George Gershwin, like just 125 00:07:04,560 --> 00:07:06,960 Speaker 2: because from the musical standpoint, I'm not a fan of 126 00:07:07,000 --> 00:07:09,400 Speaker 2: West Side Story or like some of the other stuff 127 00:07:09,440 --> 00:07:13,280 Speaker 2: Bernstein's done, but whatever, just even then, I don't even 128 00:07:13,280 --> 00:07:15,440 Speaker 2: know if I'd see a George Gershwin movie, because I'm like, 129 00:07:15,520 --> 00:07:18,360 Speaker 2: what the fuck are we doing? Is this? Unless the 130 00:07:18,400 --> 00:07:22,080 Speaker 2: story's so mind blowing that you're like, you didn't know, man, 131 00:07:22,360 --> 00:07:23,920 Speaker 2: like what this guy was trying to do the whole 132 00:07:23,920 --> 00:07:25,640 Speaker 2: time behind the scenes. But this just feels like a 133 00:07:25,720 --> 00:07:27,280 Speaker 2: very seems. 134 00:07:27,000 --> 00:07:30,320 Speaker 1: Like it's like a successful relationship, like a successful marriage, 135 00:07:30,400 --> 00:07:33,400 Speaker 1: the story of a marriage that is like good, which 136 00:07:33,720 --> 00:07:38,800 Speaker 1: I don't know that maybe maybe I'm overestimating boom boom 137 00:07:39,400 --> 00:07:43,000 Speaker 1: the uh I do think. I will say Bradley Cooper's 138 00:07:43,040 --> 00:07:47,440 Speaker 1: performance in the original Star Is Born was very good, right. 139 00:07:47,480 --> 00:07:49,280 Speaker 1: I thought it was like one of the under talked 140 00:07:49,320 --> 00:07:52,640 Speaker 1: about things from that movie with how good his performance was. 141 00:07:52,840 --> 00:07:55,120 Speaker 2: I mean, I get, like, you know, and Brian just 142 00:07:55,160 --> 00:07:57,559 Speaker 2: pulled up a stat he said, there's over at least 143 00:07:57,600 --> 00:08:00,920 Speaker 2: ten Oscar wins for where her fake and if you 144 00:08:01,040 --> 00:08:05,480 Speaker 2: look at my man b coops fucking win loss. If 145 00:08:05,520 --> 00:08:08,600 Speaker 2: you look at the box score real quick about Oscar noms. 146 00:08:08,400 --> 00:08:09,320 Speaker 1: Yeah, they don't like him. 147 00:08:09,600 --> 00:08:13,960 Speaker 2: They don't like him. I mean, sir, you are taking 148 00:08:14,040 --> 00:08:17,320 Speaker 2: El de Barge after El de Barge, and I don't 149 00:08:17,320 --> 00:08:19,120 Speaker 2: know what you're gonna do, So I get why you're 150 00:08:19,200 --> 00:08:20,960 Speaker 2: now gonna be like, no, fucking man, give me the nose. 151 00:08:21,080 --> 00:08:21,680 Speaker 2: We're doing it. 152 00:08:24,240 --> 00:08:28,280 Speaker 1: He was sitting at home during when the Oscar nominations 153 00:08:28,280 --> 00:08:31,000 Speaker 1: were announced, and he just said, give me a fucking nose. 154 00:08:31,200 --> 00:08:33,240 Speaker 2: Give me the fucking note, Like, yeah, you just see 155 00:08:33,320 --> 00:08:36,120 Speaker 2: him break a glass fucking panel and just pull it out, 156 00:08:36,160 --> 00:08:36,640 Speaker 2: and he's. 157 00:08:36,440 --> 00:08:39,120 Speaker 3: Like calls his agent and he's like, I'm in. I 158 00:08:39,160 --> 00:08:43,240 Speaker 3: already have the nose on, can you talent, I already 159 00:08:43,240 --> 00:08:47,000 Speaker 3: have the nose on? Oh yourself. 160 00:08:47,240 --> 00:08:51,800 Speaker 1: Hurricane Hillary is on a passports Southern California. Uh, not 161 00:08:51,920 --> 00:08:54,080 Speaker 1: much to say other than sat there, folks. 162 00:08:54,160 --> 00:09:03,480 Speaker 2: She fundraising. Wait, that's real thing. Yeah, what's last time 163 00:09:03,520 --> 00:09:04,959 Speaker 2: we had a motherfucking hurricane? 164 00:09:05,240 --> 00:09:08,320 Speaker 1: Been a while? Looks like we're get We're in for 165 00:09:08,400 --> 00:09:11,360 Speaker 1: rain on Sunday, Saturday and Sunday. 166 00:09:11,400 --> 00:09:11,760 Speaker 2: Maybe. 167 00:09:12,440 --> 00:09:18,079 Speaker 1: Wow, hold on to your butts. Yeah, Southern California doesn't 168 00:09:18,160 --> 00:09:19,040 Speaker 1: know how to act when it. 169 00:09:19,679 --> 00:09:22,640 Speaker 2: I mean, it's it's truly like, I mean, we get 170 00:09:22,880 --> 00:09:28,200 Speaker 2: at verse weather, but like a hurricane getting to Southern California. Folks, 171 00:09:28,440 --> 00:09:32,840 Speaker 2: here we are, you know, at the crossroads again where 172 00:09:32,960 --> 00:09:35,120 Speaker 2: we'll just I'm going to continue to see things that 173 00:09:35,160 --> 00:09:38,600 Speaker 2: I've not seen in recent memory. So wow, all right, Hill, 174 00:09:39,200 --> 00:09:40,080 Speaker 2: be gentle. 175 00:09:40,640 --> 00:09:43,880 Speaker 1: And a new Harrison Ford snake just dropped. All new 176 00:09:43,920 --> 00:09:46,600 Speaker 1: species of snake was just discovered in Peru, one. 177 00:09:46,480 --> 00:09:52,640 Speaker 2: Of his ex wives. Guys, welcome to the misogyny Radio 178 00:09:52,720 --> 00:09:55,400 Speaker 2: Hour with your wonderful host. I write all my own 179 00:09:55,480 --> 00:09:57,920 Speaker 2: jokes based on my own pain. I have not resolved 180 00:09:58,000 --> 00:10:01,360 Speaker 2: from my personal relationships. Wait, he has a fucking snake 181 00:10:01,480 --> 00:10:02,199 Speaker 2: named after him. 182 00:10:02,720 --> 00:10:07,439 Speaker 1: He's very very common, Like there are spiders named after him. There, 183 00:10:07,600 --> 00:10:10,920 Speaker 1: there's now I think multiple snakes named after him. 184 00:10:11,480 --> 00:10:13,880 Speaker 2: I mean, I get the snake thing because Indiana Jones. 185 00:10:14,240 --> 00:10:19,560 Speaker 1: You know, right, Indiana Jones scared of snakes. Yeah, not 186 00:10:19,720 --> 00:10:23,400 Speaker 1: scared of spiders particularly, but there's some scary spiders in 187 00:10:23,400 --> 00:10:24,559 Speaker 1: in Indiana Jones. 188 00:10:25,280 --> 00:10:29,120 Speaker 2: It's the spider's called the Calponia. Harrison Fordye. 189 00:10:29,640 --> 00:10:35,360 Speaker 1: Yes, the snake is called the Fidley Harrison fordye. 190 00:10:35,160 --> 00:10:40,319 Speaker 2: Oh wow, okay cool? Was there uh you I. 191 00:10:40,320 --> 00:10:42,040 Speaker 1: Know this is one of your favorite movies. Was there 192 00:10:42,080 --> 00:10:45,319 Speaker 1: a spider scene in Hollywood Homicide that we're forgetting about 193 00:10:45,320 --> 00:10:46,760 Speaker 1: that would maybe explain? 194 00:10:47,080 --> 00:10:50,880 Speaker 2: Is that what Josh Hartnett Yeah, yeah, yeah, yeah, yeah 195 00:10:50,880 --> 00:10:51,400 Speaker 2: there is. 196 00:10:51,760 --> 00:10:54,640 Speaker 1: Yeah, okay, makes sense of it. There's even an ant 197 00:10:55,080 --> 00:10:57,680 Speaker 1: and then there's this like quote from Harrison Ford that 198 00:10:57,880 --> 00:10:59,520 Speaker 1: is going viral. 199 00:11:00,080 --> 00:11:00,520 Speaker 2: It's just. 200 00:11:02,080 --> 00:11:07,000 Speaker 1: It's always fun to like relearn, and you know, we 201 00:11:07,559 --> 00:11:09,480 Speaker 1: if you pay a lot of attention to Harrison Ford. 202 00:11:09,520 --> 00:11:11,800 Speaker 1: You kind of relearn it every every time you see 203 00:11:11,800 --> 00:11:14,679 Speaker 1: something about him that he's just like an old. 204 00:11:14,600 --> 00:11:17,160 Speaker 2: Stoner, Yeah, who likes to crash planes. 205 00:11:18,160 --> 00:11:22,000 Speaker 1: So there's this quote. These scientists keep naming critters after me. 206 00:11:22,679 --> 00:11:26,400 Speaker 1: It's always the ones that terrify children. I don't understand. 207 00:11:27,000 --> 00:11:30,600 Speaker 1: Spend my free time cross stitching, sing lullabyes to my 208 00:11:30,640 --> 00:11:36,160 Speaker 1: basil plants so they won't fear the night. So they 209 00:11:36,320 --> 00:11:37,760 Speaker 1: won't fear the night. 210 00:11:40,440 --> 00:11:44,400 Speaker 2: Yes, it is fucking that. Are you sure that's not 211 00:11:44,480 --> 00:11:47,280 Speaker 2: like an onion like fake quote? You know what I mean? 212 00:11:47,480 --> 00:11:50,840 Speaker 2: It's so spot on like that, Like it blows my 213 00:11:51,000 --> 00:11:54,000 Speaker 2: mind where he's like, they I sing lullabies to my 214 00:11:54,120 --> 00:11:57,360 Speaker 2: basil plants so they won't fear the night. 215 00:11:58,200 --> 00:12:02,480 Speaker 1: Yes. Oh, I have only seen that quote shared by 216 00:12:02,559 --> 00:12:06,679 Speaker 1: people saying I thought this was a ClickHole or uny quote. 217 00:12:06,880 --> 00:12:07,760 Speaker 2: It's like that. 218 00:12:08,000 --> 00:12:11,640 Speaker 1: It's it does not exist outside of somebody sharing it 219 00:12:11,679 --> 00:12:12,680 Speaker 1: with that sentiment. 220 00:12:13,280 --> 00:12:14,600 Speaker 2: Very weird. Wow. 221 00:12:14,679 --> 00:12:18,839 Speaker 1: Anyways, he is plan Uh, don't fear. 222 00:12:18,600 --> 00:12:23,200 Speaker 2: The night, we basil plants. It will only last for 223 00:12:23,280 --> 00:12:25,880 Speaker 2: but a moment, and the sun will show its face 224 00:12:25,920 --> 00:12:27,920 Speaker 2: and you will bask in its warm and glow once 225 00:12:28,000 --> 00:12:30,679 Speaker 2: again Okay, my little baisies. 226 00:12:31,400 --> 00:12:33,640 Speaker 1: I love how freaked out he was by David Blaine 227 00:12:33,880 --> 00:12:39,280 Speaker 1: that viral video. It's very endearing, which was that he like, 228 00:12:39,640 --> 00:12:42,120 Speaker 1: David Blaine does a magic trick for him in his 229 00:12:42,240 --> 00:12:44,520 Speaker 1: kitchen and then he just like looks at him and 230 00:12:44,520 --> 00:12:45,640 Speaker 1: goes get. 231 00:12:45,440 --> 00:12:50,200 Speaker 2: The fuck out of all. Yeah, that makes sense now, 232 00:12:50,240 --> 00:12:51,480 Speaker 2: Like he's a sensitive man. 233 00:12:51,880 --> 00:12:55,000 Speaker 1: He's sensitive and very high. 234 00:12:54,679 --> 00:12:59,040 Speaker 2: Very very high, very sensitive. Yeah, good for you. All right, 235 00:12:59,120 --> 00:13:11,439 Speaker 2: let's take a quick break. We'll be right back. Man. 236 00:13:11,640 --> 00:13:17,880 Speaker 1: We're back, and not too much new from the Trump 237 00:13:18,320 --> 00:13:25,240 Speaker 1: legal conflagg ration. Uh. We we do now have more 238 00:13:25,280 --> 00:13:29,120 Speaker 1: information about how exactly he's going to pay for all 239 00:13:29,160 --> 00:13:32,120 Speaker 1: of this. It is through campaign donation money. 240 00:13:32,640 --> 00:13:35,920 Speaker 2: Yeah, yep, that's I guess this is legal. 241 00:13:37,440 --> 00:13:39,559 Speaker 1: Yeah, it's not like ethically okay, but. 242 00:13:41,240 --> 00:13:44,760 Speaker 2: Yeah, I mean I think, I mean that's yeah, that's 243 00:13:45,040 --> 00:13:48,360 Speaker 2: they clearly know how to sidestep the FEC regulations and 244 00:13:48,360 --> 00:13:53,000 Speaker 2: they're like, discover, it's more like that it's never been 245 00:13:53,160 --> 00:13:56,040 Speaker 2: done before. That's why we're always like with him, We're like, 246 00:13:56,760 --> 00:13:59,760 Speaker 2: I know, we would like no normal person would do that, 247 00:14:00,240 --> 00:14:02,760 Speaker 2: but there isn't an actual law on the books that 248 00:14:02,840 --> 00:14:07,800 Speaker 2: prevents it. So Okay, yeah, Yeah, anyways, it's it's a 249 00:14:07,800 --> 00:14:09,680 Speaker 2: lot of money, you know, and when you look at again, 250 00:14:09,840 --> 00:14:13,679 Speaker 2: like the stories of how uh Juliani apparently like went 251 00:14:13,720 --> 00:14:17,280 Speaker 2: to mar A Lago twice being like I need money 252 00:14:18,360 --> 00:14:21,840 Speaker 2: and basically was like, yeah, whatever, we'll see what happens. 253 00:14:22,160 --> 00:14:23,720 Speaker 1: Get this loser out of here. 254 00:14:23,880 --> 00:14:27,320 Speaker 2: Didn't give like a specific amount or when he would help, 255 00:14:27,600 --> 00:14:29,640 Speaker 2: and like I think him and his Guliani and his 256 00:14:29,720 --> 00:14:32,520 Speaker 2: lawyer were like, it will help you a lot if 257 00:14:32,560 --> 00:14:35,400 Speaker 2: you help him, you know what I mean, because this 258 00:14:35,440 --> 00:14:39,480 Speaker 2: motherfucker is shook. Yeah, which I love to read how 259 00:14:39,520 --> 00:14:43,000 Speaker 2: scared Rudy Rudy Giuliani has been like this last week, 260 00:14:43,280 --> 00:14:44,040 Speaker 2: just terrified. 261 00:14:44,640 --> 00:14:50,280 Speaker 1: Yeah, I mean, our campaign finance laws at this point 262 00:14:50,520 --> 00:14:54,280 Speaker 1: make being like running for president just a great like 263 00:14:54,440 --> 00:14:56,440 Speaker 1: tax dodge, Like yah. 264 00:14:56,360 --> 00:14:59,720 Speaker 2: Yeah, just put all my let's put my super pack 265 00:14:59,760 --> 00:15:01,960 Speaker 2: and just shield myself from any liability there. 266 00:15:02,320 --> 00:15:06,560 Speaker 1: Yeah all right. Barbie is now Warner Brothers top domestic 267 00:15:06,600 --> 00:15:09,200 Speaker 1: film of all time, which is pretty crazy. 268 00:15:09,320 --> 00:15:16,000 Speaker 2: What did that overtake The Dark Knight? Oh wow? How apropos? Yeah, 269 00:15:16,320 --> 00:15:18,480 Speaker 2: taking over Nolan spot and. 270 00:15:18,400 --> 00:15:23,720 Speaker 1: They think it'll probably overtake the last Harry Potter movie 271 00:15:24,080 --> 00:15:27,200 Speaker 1: for global box office pretty soon because it's like still 272 00:15:27,280 --> 00:15:28,280 Speaker 1: performing really strong. 273 00:15:28,640 --> 00:15:30,760 Speaker 2: Oh yeah, I'd like as a just I was like 274 00:15:30,800 --> 00:15:33,080 Speaker 2: looking to maybe go see the Ninja Turtles movie over 275 00:15:33,120 --> 00:15:36,160 Speaker 2: the week, like last weekend, and I just remember just 276 00:15:36,160 --> 00:15:38,840 Speaker 2: just to see what ticket availability looked like for Barbie, 277 00:15:38,880 --> 00:15:42,320 Speaker 2: and I was surprised, how like not like fully packed out. 278 00:15:42,320 --> 00:15:44,040 Speaker 2: But you're like, oh no, people are fucking go. 279 00:15:44,240 --> 00:15:45,760 Speaker 1: We're still doing it because I know. 280 00:15:45,800 --> 00:15:48,640 Speaker 2: People who tripled it at this point. Wow. 281 00:15:49,040 --> 00:15:55,640 Speaker 1: Yeah, yeah for the Monster hit not a sequel, so 282 00:15:55,880 --> 00:15:58,480 Speaker 1: I don't know, Yeah, I don't know. Maybe we'll uh, 283 00:15:58,680 --> 00:16:01,600 Speaker 1: maybe we'll see them take more swings. 284 00:16:01,880 --> 00:16:04,080 Speaker 2: Are they going to make a fucking franchise out of this? 285 00:16:05,480 --> 00:16:07,680 Speaker 1: They're not right, They've that's what they're saying. 286 00:16:07,680 --> 00:16:11,280 Speaker 2: One and done. Well, that's what maybe Greta Gerwig is saying. Yeah, 287 00:16:11,320 --> 00:16:14,320 Speaker 2: but will Warner Brothers and the fucking goblins in the 288 00:16:14,320 --> 00:16:16,280 Speaker 2: C suite who are just looking at more money and 289 00:16:16,400 --> 00:16:20,640 Speaker 2: be like ring it out for one more go Yeah. 290 00:16:20,680 --> 00:16:23,440 Speaker 1: And then there's a there's a story about the director 291 00:16:23,440 --> 00:16:27,320 Speaker 1: of Sound of Freedman Free Sound of Freedom, who is 292 00:16:27,760 --> 00:16:32,880 Speaker 1: not capturing the Freedman's the Sound of Freedom to documentary, Yeah, 293 00:16:32,960 --> 00:16:38,120 Speaker 1: which is also about uh, child sexual abuse. But yeah, 294 00:16:38,160 --> 00:16:42,200 Speaker 1: so this one, the director has like come through and 295 00:16:42,320 --> 00:16:45,080 Speaker 1: been like, guys, like, this is. 296 00:16:45,080 --> 00:16:48,880 Speaker 2: Not fair to why why? 297 00:16:48,920 --> 00:16:50,840 Speaker 1: First of all, I'm not going to get a dollar 298 00:16:51,200 --> 00:16:54,320 Speaker 1: from this thing being a hit. Second of all, all 299 00:16:54,360 --> 00:16:59,120 Speaker 1: of this negative press has made me feel sick to 300 00:16:59,240 --> 00:17:04,960 Speaker 1: my stomach, honey. And when you hear the origins of 301 00:17:05,000 --> 00:17:09,720 Speaker 1: this film, that should clear any misconceptions up that you 302 00:17:09,800 --> 00:17:14,280 Speaker 1: might have. Oh, okay, great, Uh you're not actually gonna 303 00:17:14,320 --> 00:17:16,840 Speaker 1: listen to the origins of the film, are you, because 304 00:17:16,840 --> 00:17:18,159 Speaker 1: it actually doesn't clear anything up. 305 00:17:18,800 --> 00:17:20,640 Speaker 2: Yo. You really want me to stick around and tell 306 00:17:20,680 --> 00:17:24,320 Speaker 2: you the origins? Shit? Yeah? Okay. So where the. 307 00:17:24,440 --> 00:17:28,040 Speaker 1: Movie began back in twenty fifteen, Okay, wore QAnon was 308 00:17:28,240 --> 00:17:29,200 Speaker 1: even a thing? 309 00:17:30,200 --> 00:17:30,440 Speaker 2: Okay. 310 00:17:30,440 --> 00:17:33,520 Speaker 1: I got the idea from a TV news segment, and 311 00:17:33,520 --> 00:17:38,240 Speaker 1: I wrote a script about human trafficking that was purely fictionalized. Okay, 312 00:17:39,760 --> 00:17:42,720 Speaker 1: And then the film's producers like Matt with Tim Ballard, 313 00:17:42,920 --> 00:17:46,440 Speaker 1: and the movie changed into a supposedly true story about 314 00:17:46,440 --> 00:17:49,040 Speaker 1: ballads it exploits. I let him like, use my script 315 00:17:49,119 --> 00:17:52,159 Speaker 1: for be a true story about this guy who's like 316 00:17:52,200 --> 00:17:54,280 Speaker 1: super problematic and probably lying about everything. 317 00:17:55,240 --> 00:17:58,119 Speaker 2: Well, you just glazed over that whole part. So what, 318 00:17:58,560 --> 00:17:59,840 Speaker 2: oh you're listening to that part? 319 00:18:00,240 --> 00:18:06,159 Speaker 1: Yeah, it was before QAnon. Dude, we got there first anything, 320 00:18:06,200 --> 00:18:08,160 Speaker 1: but I gave qan on the idea. 321 00:18:07,920 --> 00:18:10,480 Speaker 2: But that's not the final The thing that you originally 322 00:18:10,560 --> 00:18:13,680 Speaker 2: idated in twenty fifteen is not actually the final product. 323 00:18:14,160 --> 00:18:17,640 Speaker 1: So that's it was out of my hands at that point. 324 00:18:17,760 --> 00:18:20,639 Speaker 1: All I could do was then direct the film. 325 00:18:21,920 --> 00:18:26,639 Speaker 2: Dude, it's such just such a disingenuous defense. Yeah, to 326 00:18:26,720 --> 00:18:30,600 Speaker 2: be like, I had the idea before QAnon, although in 327 00:18:30,680 --> 00:18:34,040 Speaker 2: the development process it very Yeah, it got taken over 328 00:18:34,119 --> 00:18:37,320 Speaker 2: by people of that mindset and you let. 329 00:18:37,160 --> 00:18:40,560 Speaker 1: Them take a fictional movie and claim that it was 330 00:18:40,680 --> 00:18:44,000 Speaker 1: nonfiction and then you directed it. Well, it's not like 331 00:18:44,040 --> 00:18:47,119 Speaker 1: you are the person whose ip was like purchased and 332 00:18:47,160 --> 00:18:48,640 Speaker 1: then like taken away from you. 333 00:18:48,640 --> 00:18:52,760 Speaker 2: You directed it, right, Yeah, you were there. Yeah, presumably 334 00:18:52,800 --> 00:18:55,800 Speaker 2: you had the ability to you know, make some decisions there. 335 00:18:55,840 --> 00:18:59,040 Speaker 2: But hey, yeah, you know, it just sucks because like 336 00:18:59,720 --> 00:19:02,280 Speaker 2: that guys basically kind of like on the QAnon thing, 337 00:19:02,280 --> 00:19:05,200 Speaker 2: and also the guy we've fucking cast in it is 338 00:19:05,280 --> 00:19:07,800 Speaker 2: just screaming about it NonStop. 339 00:19:07,960 --> 00:19:11,359 Speaker 1: So yeah, so's there this guy, so this is his 340 00:19:11,520 --> 00:19:13,280 Speaker 1: second film right. 341 00:19:13,359 --> 00:19:15,160 Speaker 2: His first movie was a film called. 342 00:19:15,040 --> 00:19:20,880 Speaker 1: Bella that was actually pretty successful at like certain film festivals. 343 00:19:21,240 --> 00:19:24,959 Speaker 1: That movie, Okay, some people claim it was an anti 344 00:19:25,040 --> 00:19:31,800 Speaker 1: abortion drama. And did this director recruit faith based communities 345 00:19:31,880 --> 00:19:35,560 Speaker 1: to support that film? Also? Yes, but it was not 346 00:19:35,840 --> 00:19:39,200 Speaker 1: anti abortion. Did he go and visit George W. Bush 347 00:19:39,240 --> 00:19:41,359 Speaker 1: and Laura Bush at the White House because they were 348 00:19:41,400 --> 00:19:45,320 Speaker 1: a fan of the anti abortion message? Yes, but that 349 00:19:45,440 --> 00:19:50,520 Speaker 1: doesn't mean qan on stuff. Didn't they use marketing practices 350 00:19:51,160 --> 00:19:53,719 Speaker 1: that are like in line with a cult, where like 351 00:19:53,800 --> 00:19:57,800 Speaker 1: you would have to give your email address to interns 352 00:19:57,840 --> 00:20:00,640 Speaker 1: who would then like follow up with you and harass 353 00:20:00,720 --> 00:20:02,440 Speaker 1: you to make sure that you brought people to see 354 00:20:02,480 --> 00:20:02,840 Speaker 1: the movie. 355 00:20:02,960 --> 00:20:05,440 Speaker 2: Yes, okay, for your commitments. 356 00:20:06,240 --> 00:20:09,840 Speaker 1: Gotta remember your commitment. Huh, yeah, I remember. Do you 357 00:20:09,880 --> 00:20:13,880 Speaker 1: remember you said you're gonna support Bella, That you said 358 00:20:13,880 --> 00:20:15,480 Speaker 1: that you understood it was the most important movie in 359 00:20:15,480 --> 00:20:17,840 Speaker 1: the world to help us. And wait, but you're not 360 00:20:17,880 --> 00:20:18,880 Speaker 1: an abortion. 361 00:20:18,840 --> 00:20:20,639 Speaker 2: You're not a liar, right, because when I met you, 362 00:20:20,680 --> 00:20:22,480 Speaker 2: I didn't You didn't strike me as someone who lies 363 00:20:22,600 --> 00:20:25,440 Speaker 2: or was disingenuous. You seem as someone who's very concerned 364 00:20:25,440 --> 00:20:27,240 Speaker 2: about what's happening in America. With abortion. 365 00:20:27,440 --> 00:20:31,960 Speaker 1: This poor guy just keeps accidentally backing his way into 366 00:20:32,040 --> 00:20:35,240 Speaker 1: having movies that are hit because they get supported by 367 00:20:35,359 --> 00:20:38,840 Speaker 1: right wing hate mongers. Yeah, and I feel sorry for. 368 00:20:38,840 --> 00:20:41,800 Speaker 2: Him, I really do. And again it's gonna be so hard. 369 00:20:42,160 --> 00:20:44,200 Speaker 2: I was just looking in Variety and seeing the next 370 00:20:44,200 --> 00:20:47,720 Speaker 2: thing he's working on, Rittenhouse. I just feel like people 371 00:20:47,800 --> 00:20:51,440 Speaker 2: are gonna again paint him with this brush that he's 372 00:20:51,440 --> 00:20:55,679 Speaker 2: glorifying right wing violence. Just really unfair. Shout out his 373 00:20:55,680 --> 00:20:59,200 Speaker 2: wife Ali Landry from the Dorido's commercials, though, Wait, what 374 00:21:00,000 --> 00:21:01,280 Speaker 2: his wife is Ali Landry? 375 00:21:01,920 --> 00:21:03,359 Speaker 1: No, the filmmaker. 376 00:21:03,680 --> 00:21:06,399 Speaker 2: Yeah, yeah, that guy, that guy. She was in Bella. 377 00:21:06,600 --> 00:21:10,520 Speaker 1: She was Bella whoa, And I know she's she became 378 00:21:10,720 --> 00:21:13,240 Speaker 1: like a right wing person, right. 379 00:21:13,480 --> 00:21:16,399 Speaker 2: Yeah, or she's not Bella, she's Celia in the movie. 380 00:21:16,680 --> 00:21:18,560 Speaker 2: But anyway, she's in the film. But yeah, I don't 381 00:21:18,560 --> 00:21:21,200 Speaker 2: know if she's out right outwardly right. But anyway, I'm 382 00:21:21,240 --> 00:21:24,880 Speaker 2: like the Dorritles late, Oh wow, look at you came 383 00:21:24,960 --> 00:21:27,840 Speaker 2: up and she used to be with Mario Lopez before 384 00:21:27,840 --> 00:21:29,760 Speaker 2: she got her marriage in and then hooked up with 385 00:21:29,800 --> 00:21:30,840 Speaker 2: this dude like two years later. 386 00:21:31,200 --> 00:21:32,639 Speaker 1: All right, well, there you go. 387 00:21:32,800 --> 00:21:35,000 Speaker 2: That's what I bring to this story. 388 00:21:36,119 --> 00:21:37,840 Speaker 1: All right, well, those are some of the things that 389 00:21:37,920 --> 00:21:41,560 Speaker 1: are trending on this Thursday, August seventeenth. We're back tomorrow 390 00:21:41,600 --> 00:21:44,120 Speaker 1: with the whole last episode of the show. Until then, 391 00:21:44,160 --> 00:21:46,520 Speaker 1: be kind to each other, be kind to yourselves, get 392 00:21:46,560 --> 00:21:49,199 Speaker 1: the vaccine, don't do nothing about white supremacy, and we 393 00:21:49,240 --> 00:21:50,280 Speaker 1: will talk to you all tomorrow. 394 00:21:50,359 --> 00:21:57,760 Speaker 2: Bye bye,