1 00:00:04,240 --> 00:00:06,280 Speaker 1: Hey, and welcome to the short stuff. I'm Josh, and 2 00:00:06,320 --> 00:00:08,680 Speaker 1: there's Chuck and Dave is here in spirit. He wanted 3 00:00:08,720 --> 00:00:10,520 Speaker 1: to let us know that he's thinking of each and 4 00:00:10,560 --> 00:00:13,560 Speaker 1: every one of you individually, and this is short stuff, 5 00:00:13,760 --> 00:00:17,320 Speaker 1: that's right. I was raised in the church choir, my friends, 6 00:00:17,320 --> 00:00:19,919 Speaker 1: so this one hits really close to home. Actually not 7 00:00:19,960 --> 00:00:23,239 Speaker 1: at all, right, but I did sing in the church choir. 8 00:00:24,000 --> 00:00:26,560 Speaker 1: I've seen church choir's performed before, so it really hits 9 00:00:26,560 --> 00:00:28,920 Speaker 1: home for me too. This is a really fun story, 10 00:00:28,960 --> 00:00:34,320 Speaker 1: I think. Is this Were you familiar with the story before? 11 00:00:34,360 --> 00:00:36,080 Speaker 1: You know where I first heard of it a time 12 00:00:36,120 --> 00:00:39,720 Speaker 1: life books? Ad? Are you really? Is there anything those 13 00:00:39,720 --> 00:00:41,720 Speaker 1: things haven't taught us? I don't know. I wish I 14 00:00:41,760 --> 00:00:44,520 Speaker 1: had a upset of those. Those are fun me too. 15 00:00:45,240 --> 00:00:47,160 Speaker 1: We'll have to go on eBay and look for him together. 16 00:00:47,520 --> 00:00:51,400 Speaker 1: I'm sure they're all there. So, um, what we're talking 17 00:00:51,400 --> 00:00:54,680 Speaker 1: about is not necessarily just a church choir. It's almost 18 00:00:54,680 --> 00:00:57,040 Speaker 1: tangential to it. Or we're really talking about is one 19 00:00:57,120 --> 00:01:02,959 Speaker 1: of the most astounding coincidences in a history of documented history, Like, 20 00:01:03,080 --> 00:01:07,120 Speaker 1: there's no coincidence that really holds a candle to this. 21 00:01:07,160 --> 00:01:09,679 Speaker 1: In my book and there's plenty of coincidences. I remember 22 00:01:09,680 --> 00:01:11,679 Speaker 1: we did an entire episode on one. Remember the poor 23 00:01:11,680 --> 00:01:15,160 Speaker 1: guy who was in both the Hiroshima and Nagasaki bombings 24 00:01:16,040 --> 00:01:21,120 Speaker 1: and survived them both. Um, there's been some amazing coincidences before. 25 00:01:21,480 --> 00:01:24,400 Speaker 1: This one, to me takes the cake. It's a pretty 26 00:01:24,400 --> 00:01:29,280 Speaker 1: good one. And we're talking about a terrible incident that happened, 27 00:01:29,520 --> 00:01:32,080 Speaker 1: but it could have been a lot worse. On the 28 00:01:32,120 --> 00:01:37,280 Speaker 1: evening of March first, nineteen fifty and Beatrice in Nebraska, 29 00:01:38,080 --> 00:01:43,400 Speaker 1: when a church blew up, I mean blew up, like 30 00:01:43,440 --> 00:01:47,640 Speaker 1: the walls blew out, the roof came down, windows got 31 00:01:47,720 --> 00:01:51,400 Speaker 1: knocked out of houses in the vicinity, a radio station 32 00:01:51,480 --> 00:01:54,360 Speaker 1: got knocked off the air by the blast. However that works. 33 00:01:54,440 --> 00:01:58,120 Speaker 1: It was. It was a big time explosion that just 34 00:01:58,240 --> 00:02:00,880 Speaker 1: destroyed this church. Uh. And I guess we should go 35 00:02:00,880 --> 00:02:03,920 Speaker 1: ahead and say how this happened. Uh. The ideas that 36 00:02:03,960 --> 00:02:08,280 Speaker 1: there was probably a gas leak, and that gas leak 37 00:02:08,400 --> 00:02:11,200 Speaker 1: just you know, did what gas leaks do and filled 38 00:02:11,480 --> 00:02:15,040 Speaker 1: a space with gas. And Uh, there was a gentleman 39 00:02:15,080 --> 00:02:18,240 Speaker 1: there who would show up. What was his name? Was 40 00:02:18,280 --> 00:02:21,639 Speaker 1: it the reverend himself? It was the reverend. Yeah, Walter Clempole. Yeah, 41 00:02:21,680 --> 00:02:25,600 Speaker 1: what a great reverend name, Reverend Clinpole in nineteen fifties, 42 00:02:25,680 --> 00:02:28,520 Speaker 1: Nebraska reverend name too. So he shows up at his 43 00:02:28,560 --> 00:02:32,200 Speaker 1: West Side Baptist church, uh, like he always does ahead 44 00:02:32,240 --> 00:02:34,760 Speaker 1: of time, to light the furnace to get it nice 45 00:02:34,800 --> 00:02:39,000 Speaker 1: and warm for choir practice, because in early March in 46 00:02:39,120 --> 00:02:42,120 Speaker 1: that part of Nebraska can be a little chilly. Uh. 47 00:02:42,120 --> 00:02:44,880 Speaker 1: And then he went back home to go to dinner. 48 00:02:45,440 --> 00:02:47,680 Speaker 1: And so the idea is that this gas fills up, 49 00:02:47,960 --> 00:02:52,800 Speaker 1: it eventually reaches the flame of that furnace and church explodes. Okay, 50 00:02:52,880 --> 00:02:56,160 Speaker 1: so a church exploding from a natural gas explosion lit 51 00:02:56,200 --> 00:02:59,079 Speaker 1: by a reverend. This is not all about making reverend 52 00:02:59,080 --> 00:03:03,320 Speaker 1: Climpole look back. Now, he didn't like that furnace because 53 00:03:03,480 --> 00:03:05,280 Speaker 1: he wanted to blow up the church. Like you said, 54 00:03:05,280 --> 00:03:08,440 Speaker 1: he was lighting it for choir practice. What makes this 55 00:03:08,520 --> 00:03:13,520 Speaker 1: astounding is that that explosion took place at seven pm 56 00:03:14,000 --> 00:03:17,160 Speaker 1: on March one, like you said, which was a Wednesday, 57 00:03:17,200 --> 00:03:21,240 Speaker 1: and every Wednesday was choir practice, and every Wednesday at 58 00:03:21,280 --> 00:03:25,640 Speaker 1: seven twenty pm choir practice started. So this explosion that 59 00:03:25,720 --> 00:03:29,639 Speaker 1: destroyed the entire church took place five minutes after choir 60 00:03:29,680 --> 00:03:32,679 Speaker 1: practice officially started. And The thing that makes this the 61 00:03:32,720 --> 00:03:36,360 Speaker 1: most astounding coincidence of all time is that not one 62 00:03:36,840 --> 00:03:40,680 Speaker 1: single member of that fifteen person choir was in the 63 00:03:40,760 --> 00:03:45,040 Speaker 1: church at the time. Every single one happened to be late. 64 00:03:45,280 --> 00:03:47,520 Speaker 1: That's right, Uh, And I think we should save the 65 00:03:47,600 --> 00:03:51,120 Speaker 1: reasons for everyone being late till after the break with 66 00:03:51,160 --> 00:03:54,920 Speaker 1: a little cliffhanger, but before the break. Uh. If you're 67 00:03:54,920 --> 00:03:57,360 Speaker 1: trying to figure out the odds of something like this happening, 68 00:03:57,800 --> 00:04:01,480 Speaker 1: there's no exact scientific way to do that, obviously, But 69 00:04:01,600 --> 00:04:03,680 Speaker 1: what they can do, and what they have done, is 70 00:04:03,720 --> 00:04:07,800 Speaker 1: look back and said, well, how often were people generally 71 00:04:07,880 --> 00:04:11,600 Speaker 1: late at choir practice at this church, and what are 72 00:04:11,640 --> 00:04:15,040 Speaker 1: the odds of that happening to everybody? And they kind 73 00:04:15,040 --> 00:04:17,720 Speaker 1: of went back and look at past um choir practices 74 00:04:18,279 --> 00:04:21,920 Speaker 1: and saw that each person would be late about of 75 00:04:22,000 --> 00:04:26,120 Speaker 1: the time one and every four choir practices. So everyone 76 00:04:26,240 --> 00:04:30,400 Speaker 1: being gone for this specific night ended up being a 77 00:04:30,680 --> 00:04:33,560 Speaker 1: you guessed it, one in a million chance. Yeah. I 78 00:04:33,560 --> 00:04:36,000 Speaker 1: think all of them had either an equal chance or 79 00:04:36,040 --> 00:04:39,400 Speaker 1: twice the chance of being struck by lightning that year, 80 00:04:39,720 --> 00:04:42,360 Speaker 1: as this actually happening is all of them being late 81 00:04:42,440 --> 00:04:46,160 Speaker 1: for choir practice at the same time Okay. I think 82 00:04:46,200 --> 00:04:48,480 Speaker 1: that's a great setup. We'll come back after our short 83 00:04:48,520 --> 00:04:51,200 Speaker 1: break and we'll talk about why these folks were late 84 00:04:51,320 --> 00:05:16,680 Speaker 1: right after this. So before we get going on the reasons, 85 00:05:16,720 --> 00:05:19,159 Speaker 1: I think one important thing we didn't point out is 86 00:05:19,279 --> 00:05:23,359 Speaker 1: it's not like everyone got on a bus somewhere to 87 00:05:23,440 --> 00:05:26,080 Speaker 1: go to choir practice and the bus broke down. Like 88 00:05:26,160 --> 00:05:30,280 Speaker 1: everyone was late for their independent reasons. Some had a 89 00:05:30,320 --> 00:05:32,839 Speaker 1: little bit of overlap, as we'll see, but that's sort 90 00:05:32,839 --> 00:05:36,039 Speaker 1: of the remarkable part of all this. Yeah, yeah, it 91 00:05:36,160 --> 00:05:40,200 Speaker 1: is amazing. So um, Reverend clempole Uh, he usually got 92 00:05:40,200 --> 00:05:43,360 Speaker 1: there as early as anybody. Um, he usually got there 93 00:05:43,360 --> 00:05:48,520 Speaker 1: about seven ten um. And it turns out that his daughter, 94 00:05:48,720 --> 00:05:51,479 Speaker 1: who was going to come with a Marylyn Ruth, the 95 00:05:51,600 --> 00:05:55,200 Speaker 1: dress she had put on it was was dirty. So 96 00:05:55,320 --> 00:06:00,480 Speaker 1: his wife, the Mrs Reverend Walter clempole Um, had to 97 00:06:00,640 --> 00:06:03,520 Speaker 1: put a new dress on the irony board get it ready, 98 00:06:03,680 --> 00:06:07,080 Speaker 1: and that made the family late. That's pretty okay. I 99 00:06:07,160 --> 00:06:09,120 Speaker 1: like that one. That's a good one. It just keeps 100 00:06:09,160 --> 00:06:11,480 Speaker 1: going from there, though, And we should mention we could 101 00:06:11,480 --> 00:06:16,040 Speaker 1: not find Reverend Walter Clemple's wife's name. We are not 102 00:06:16,080 --> 00:06:19,359 Speaker 1: just doing the antiquated thing of calling a woman Mrs 103 00:06:19,960 --> 00:06:22,840 Speaker 1: so and so so and so husband's name, right, thank 104 00:06:22,839 --> 00:06:25,559 Speaker 1: you for that. So let's go over some of these 105 00:06:25,760 --> 00:06:28,120 Speaker 1: all right. So, Um, like I said, it just keeps 106 00:06:28,160 --> 00:06:33,280 Speaker 1: going from Reverend Clemple and his family's reason for being late. 107 00:06:33,600 --> 00:06:36,479 Speaker 1: Next up, we've got Ladona vander Grifft, which sounds like 108 00:06:36,480 --> 00:06:41,200 Speaker 1: a made up name. She was struggling with the geometry problem. 109 00:06:41,279 --> 00:06:44,800 Speaker 1: She was a sophomore in high school, and um, she 110 00:06:44,800 --> 00:06:46,760 Speaker 1: she was like, I'm not letting this problem beat me. 111 00:06:46,839 --> 00:06:49,640 Speaker 1: I have to finish this before I leave for choir practice. 112 00:06:50,120 --> 00:06:52,520 Speaker 1: Best part of this whole story, I think, I think 113 00:06:52,560 --> 00:06:55,560 Speaker 1: so too. So she not only did that make her late, 114 00:06:55,839 --> 00:06:58,560 Speaker 1: but it also ended up making the sd s sisters 115 00:06:58,760 --> 00:07:03,320 Speaker 1: Royena and um what was her name? Sadie Rona and 116 00:07:03,400 --> 00:07:07,479 Speaker 1: Sadie st S were late because of La Donna indirectly 117 00:07:07,520 --> 00:07:09,680 Speaker 1: as well, right, because I think they were supposed to 118 00:07:10,680 --> 00:07:14,200 Speaker 1: Uh were they supposed to ride together? Yeah? Well no, 119 00:07:14,360 --> 00:07:18,560 Speaker 1: they had car trouble. The sts sisters had car, so 120 00:07:18,600 --> 00:07:20,760 Speaker 1: they called La Donna. Vander Griffin said, hey, can you 121 00:07:20,760 --> 00:07:23,160 Speaker 1: come pick us up? She said, just after I figure 122 00:07:23,200 --> 00:07:25,520 Speaker 1: out this Pythagorean theorem thing. Oh yeah, yeah, so they 123 00:07:25,560 --> 00:07:27,600 Speaker 1: were supposed to ride together, I got you. Yeah, Yeah, 124 00:07:27,680 --> 00:07:30,840 Speaker 1: but they weren't supposed to they they they only called her. 125 00:07:31,520 --> 00:07:34,840 Speaker 1: They would have arrived had their car not been um 126 00:07:34,880 --> 00:07:38,160 Speaker 1: in trouble. And then even furthermore, had La Donna not 127 00:07:38,240 --> 00:07:40,360 Speaker 1: been doing geometry, all three of them might have made 128 00:07:40,400 --> 00:07:45,280 Speaker 1: it on time. Yeah, they were double blessed. Yes, amazing stuff. Uh. 129 00:07:45,280 --> 00:07:47,040 Speaker 1: And of course the reason I say double blest is 130 00:07:47,040 --> 00:07:50,320 Speaker 1: obviously with a situation like this in a church, the 131 00:07:50,480 --> 00:07:54,480 Speaker 1: entire church believes that this was God's hand leading them 132 00:07:54,480 --> 00:07:59,560 Speaker 1: away from that explosion. Naturally, I would too, indubitably, indubitably 133 00:08:00,520 --> 00:08:02,880 Speaker 1: what else do we have here? We have Mrs Leonard Schuster. 134 00:08:03,920 --> 00:08:08,000 Speaker 1: Uh And and Schuster went to her mom's house to 135 00:08:08,080 --> 00:08:11,240 Speaker 1: get her ready for a missionary meeting. Apparently, so that's 136 00:08:11,240 --> 00:08:16,480 Speaker 1: what made Schuster late, Right, had to untirer mom's shoes, 137 00:08:18,840 --> 00:08:22,480 Speaker 1: each to their own shoe. What about Herbert Kith? He 138 00:08:22,600 --> 00:08:25,560 Speaker 1: was a late operator, which is that's the late operator 139 00:08:25,560 --> 00:08:30,240 Speaker 1: in Nebraska's name. In sure, he supposedly had a letter 140 00:08:30,320 --> 00:08:32,600 Speaker 1: that he had been putting off writing, and he finally 141 00:08:32,640 --> 00:08:35,400 Speaker 1: sat down to write it, and the letter itself made 142 00:08:35,520 --> 00:08:40,240 Speaker 1: him late. Um, And that's apparently unusual for him. He 143 00:08:40,320 --> 00:08:44,280 Speaker 1: wasn't necessarily the most prolific letter writer, but that was 144 00:08:44,320 --> 00:08:46,280 Speaker 1: the one for him. Do you know what it sounds 145 00:08:46,320 --> 00:08:49,080 Speaker 1: like to me? What sounds like chary practice wasn't much 146 00:08:49,080 --> 00:08:52,240 Speaker 1: of a priority for anyone there. It kind of sounds like, 147 00:08:52,559 --> 00:08:54,640 Speaker 1: I got a math problem. I really need to write 148 00:08:54,640 --> 00:08:58,560 Speaker 1: this letter. Yeah. Or Joyce Black really demonstrates that too. 149 00:08:58,640 --> 00:09:01,760 Speaker 1: She was a stenographer, she said. Um. And by the 150 00:09:01,760 --> 00:09:03,800 Speaker 1: way she was saying all this, they were all saying 151 00:09:03,840 --> 00:09:07,240 Speaker 1: all this stuff to Life magazine, which did an article 152 00:09:07,320 --> 00:09:10,440 Speaker 1: on this couple of weeks after it happened, called why 153 00:09:10,480 --> 00:09:13,800 Speaker 1: the choir was late? Um. She said, I was feeling 154 00:09:13,840 --> 00:09:16,000 Speaker 1: just playing lazy. It was very cold out my my 155 00:09:16,160 --> 00:09:18,720 Speaker 1: house was cozy and toasty, and I was just hanging 156 00:09:18,720 --> 00:09:21,480 Speaker 1: out there, all right, That's why I was late. But 157 00:09:21,800 --> 00:09:24,280 Speaker 1: she was the most forthright of all the very honest, 158 00:09:24,360 --> 00:09:29,600 Speaker 1: very honest. Uh. The piano player herself, Marylyn Paul. Uh. 159 00:09:29,679 --> 00:09:31,719 Speaker 1: Usually the piano players there pretty early, and I think 160 00:09:31,760 --> 00:09:34,800 Speaker 1: Marylyn had a knack for arriving about a half hour early. 161 00:09:35,280 --> 00:09:38,720 Speaker 1: But Marylyn must have eaten some turkey for dinner, because 162 00:09:38,720 --> 00:09:41,679 Speaker 1: she fell asleep and her mom woke her up at 163 00:09:41,679 --> 00:09:45,280 Speaker 1: seven fifteen and she said, all right, and well, I 164 00:09:45,240 --> 00:09:47,120 Speaker 1: gotta get out of here. I'm kind of already late. 165 00:09:47,520 --> 00:09:50,160 Speaker 1: And it says here she only had time to tidy 166 00:09:50,240 --> 00:09:54,240 Speaker 1: up and then leave. Let me clean up a bit first. 167 00:09:55,160 --> 00:09:58,560 Speaker 1: So her mom was actually the choir director, and she 168 00:09:58,760 --> 00:10:03,479 Speaker 1: was late because Marylyn and was late. So I I 169 00:10:03,600 --> 00:10:05,480 Speaker 1: like in all this stuff too. I wonder if like 170 00:10:05,640 --> 00:10:07,959 Speaker 1: she was mad at Maryland or was like, why are 171 00:10:07,960 --> 00:10:10,199 Speaker 1: you not waking up at seven in the evening? Who 172 00:10:10,280 --> 00:10:13,400 Speaker 1: who naps like that? Um? Or if if everybody was 173 00:10:13,480 --> 00:10:15,480 Speaker 1: very patient. I like to think they're all very patient 174 00:10:15,480 --> 00:10:17,720 Speaker 1: and polite waiting for one another. You know. Well, it 175 00:10:17,720 --> 00:10:22,319 Speaker 1: says that that mom tried unsuccessfully to awaken her earlier, right, 176 00:10:22,440 --> 00:10:26,320 Speaker 1: That's what I'm saying. There was a ghastly at church 177 00:10:26,360 --> 00:10:29,440 Speaker 1: in a carbon monoxide leak in the Paul's will you 178 00:10:29,480 --> 00:10:34,920 Speaker 1: wake Up? And then Lucille Jones and Dorothy would um. 179 00:10:35,000 --> 00:10:37,080 Speaker 1: They were neighbors and they were both in the choir, 180 00:10:37,160 --> 00:10:41,120 Speaker 1: so they would naturally ride together. And one of them, 181 00:10:41,120 --> 00:10:44,960 Speaker 1: oh I think it was Lucille, was listening to a 182 00:10:45,080 --> 00:10:48,400 Speaker 1: radio program from seven to seven third, probably Mannix or 183 00:10:48,440 --> 00:10:54,839 Speaker 1: co Jack and um and uh again. Dorothy was just 184 00:10:54,880 --> 00:10:57,560 Speaker 1: sitting there patiently waiting for her friend to finish listening 185 00:10:57,559 --> 00:11:01,840 Speaker 1: to this radio program. Unbelieved bole. We also left out 186 00:11:01,840 --> 00:11:05,720 Speaker 1: Harvey all the last one. What did Harvey do? He 187 00:11:05,840 --> 00:11:08,400 Speaker 1: had the worst excuse of all of them. He was 188 00:11:08,440 --> 00:11:10,640 Speaker 1: taking care of his kids, his wife was out of town, 189 00:11:11,800 --> 00:11:15,439 Speaker 1: and he started talking, and I guess talking makes Harvey 190 00:11:15,520 --> 00:11:17,840 Speaker 1: loose track of time. But he lost track of time 191 00:11:17,880 --> 00:11:22,000 Speaker 1: and ended up being like, I guess as kids, I'm 192 00:11:22,000 --> 00:11:23,720 Speaker 1: not sure. I could not, for the life of me 193 00:11:23,800 --> 00:11:27,520 Speaker 1: find that Life magazine article directly. Um, we have to 194 00:11:27,559 --> 00:11:30,040 Speaker 1: thank our friends at Snopes for helping us out a 195 00:11:30,040 --> 00:11:32,120 Speaker 1: big time with this one. Yeah, it's probably the kids 196 00:11:32,160 --> 00:11:35,680 Speaker 1: were like, Dad's finally talking to us, right, He's paying 197 00:11:35,720 --> 00:11:39,240 Speaker 1: attention to us. Yeah, but I can tell he doesn't 198 00:11:39,240 --> 00:11:40,559 Speaker 1: know what time it is. Yeah, this is one of 199 00:11:40,559 --> 00:11:45,079 Speaker 1: the stories. I'm glad there wasn't some gross dark thing underneath. No, 200 00:11:45,440 --> 00:11:50,320 Speaker 1: it was all above the boards and uh amazing. So 201 00:11:50,440 --> 00:11:52,880 Speaker 1: all of those people, for all those different reasons, were 202 00:11:53,400 --> 00:11:55,920 Speaker 1: late to choir practice, and had they all made it 203 00:11:55,960 --> 00:11:59,120 Speaker 1: on time, they would have perished in that explosion. I 204 00:11:59,200 --> 00:12:03,320 Speaker 1: love it. Thanks Time, Life Books, Thanks Snopes, Thanks to you, Chuck, 205 00:12:03,600 --> 00:12:06,360 Speaker 1: thanks to Dave for producing this, thanks to you guys 206 00:12:06,360 --> 00:12:13,199 Speaker 1: for listening to it, and short Stuff is out. Stuff 207 00:12:13,200 --> 00:12:15,200 Speaker 1: You Should Know is a production of I heart Radio. 208 00:12:15,720 --> 00:12:18,240 Speaker 1: For more podcasts my heart Radio, visit the i heart 209 00:12:18,280 --> 00:12:21,200 Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your 210 00:12:21,240 --> 00:12:24,679 Speaker 1: favorite shows. H