WEBVTT - #17 Skye

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<v Speaker 1>High podcast friends. As regular listeners know, I try to

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<v Speaker 1>run a family friendlish podcast, but because it's integral to

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<v Speaker 1>the plot. In this episode of Heavyweight, we dropped the

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<v Speaker 1>F bomb and unprecedented nine times. If they were giving

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<v Speaker 1>out peabodies for swearing, maybe i'd get one. Also, as

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<v Speaker 1>long as I'm giving advisories, I also pronounced the word

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<v Speaker 1>garage as garage. I encourage you to listen anyway. Hello,

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<v Speaker 1>did you get a message from me a couple months ago?

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<v Speaker 1>A phone message was on your birthday. I was wishing

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<v Speaker 1>you a happy birthday. It's possible I didn't hear anything back,

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<v Speaker 1>so I was concerned. Yes, when someone leaves your message

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<v Speaker 1>on your birthday, you have no obligation to return that message.

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<v Speaker 1>But that's it. Oh my gosh, it would have been

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<v Speaker 1>nice to get. I'm not saying a thank you card.

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<v Speaker 1>But you know, if I.

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<v Speaker 2>Was under no obligation, why are you now giving me

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<v Speaker 2>rushes as to how I should have responded.

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<v Speaker 1>Some things in life aren't obligatory, but we just do them,

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<v Speaker 1>you know what I mean?

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<v Speaker 2>Absolutely, like picking up the phone when I just saw that.

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<v Speaker 1>You called me exactly like, hey, wait a minute. From

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<v Speaker 1>Gimblet Media I'm Jonathan Goldstein, and this is Heavyweight. Today's

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<v Speaker 1>episode Sky Sky and her son Clark ever ritual, Well,

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<v Speaker 1>I don't know about you. Every night, after his teeth

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<v Speaker 1>are brushed and he's all tucked in, right before Clark

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<v Speaker 1>goes to sleep, Sky sits down on the edge of

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<v Speaker 1>his bed and they talk.

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<v Speaker 3>What was your favorite part of that movie? Probably like

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<v Speaker 3>the end was a good end. The helicopter scene was good.

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<v Speaker 1>Clark's eleven. Naturally, there's a lot of discussion about comic

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<v Speaker 1>books and movies.

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<v Speaker 2>I don't think it was a movie. You know, the

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<v Speaker 2>original Jumanji was not funny.

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<v Speaker 1>But there's something about the stillness of nighttime that also

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<v Speaker 1>frees Clark up to speak in a way that he

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<v Speaker 1>doesn't normally. Not only does he tell Sky about what

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<v Speaker 1>he's watching and reading, he tells her about his feelings.

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<v Speaker 1>He shares stories about what's going on at school, and

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<v Speaker 1>Sky shares stories too, stories from her childhood. Some stories

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<v Speaker 1>she tells just to entertain Clark, but other stories she

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<v Speaker 1>tells to impart a lesson. There's one story in particular

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<v Speaker 1>she's told Clark over and over again throughout the years,

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<v Speaker 1>and lately it's been coming up a lot recently. Sky

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<v Speaker 1>told me the story.

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<v Speaker 3>So the story, in a way, the story starts when

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<v Speaker 3>I moved.

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<v Speaker 1>When she was eleven years old, Sky was best friends

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<v Speaker 1>with a group of four girls. They wore a spree sweatshirts,

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<v Speaker 1>and watched love Boat on the weekends. They were the

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<v Speaker 1>popular girls.

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<v Speaker 3>That was sort of the vibe of that group was like,

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<v Speaker 3>we're exclusive and we're kind of the shit. Yeah, you

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<v Speaker 3>know how like in high school they have you know,

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<v Speaker 3>most beautiful and most popular, and all of those. We

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<v Speaker 3>decided to make our own book of you know, awarding

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<v Speaker 3>people various prizes. We gave me best Eyes, and I

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<v Speaker 3>remember sort of having this pride in that.

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<v Speaker 1>They spent all the fifth grade together. Then summer came

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<v Speaker 1>and with it long days filled with lazy bike rides

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<v Speaker 1>and trips to the candy shop. But early one summer morning,

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<v Speaker 1>Sky woke up to find her yard had been teepeed

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<v Speaker 1>covered in toilet paper and there was more.

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<v Speaker 3>Someone had written fuck you on our garage door. And

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<v Speaker 3>we had a double garage, and so fuck was on

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<v Speaker 3>one you was on the other, and they were written

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<v Speaker 3>in large white letters on our brown garage.

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<v Speaker 1>Sky's mom had seen the vandals make their getaway. The

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<v Speaker 1>words fuck you had been written by none other than

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<v Speaker 1>Sky's for best friends.

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<v Speaker 2>And they had been written in paint.

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<v Speaker 3>I wish they had done it was something that had

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<v Speaker 3>come off, because I do remember this feeling of like

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<v Speaker 3>being driven home day after day and seeing those words

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<v Speaker 3>on the garage door. Teeping someone's house is one thing,

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<v Speaker 3>it's sort of a common prank, but the fact that

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<v Speaker 3>they wrote fuck you, that felt to me like it

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<v Speaker 3>really came from anger. And they had to have brought

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<v Speaker 3>the paint, you know. There had to have been some

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<v Speaker 3>thought put into this.

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<v Speaker 1>Why had they done it? What were they angry about?

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<v Speaker 1>Sky had no idea. Did you ever see those girls again?

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<v Speaker 3>Well?

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<v Speaker 2>I saw them again, for sure.

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<v Speaker 3>We all funneled into this junior high school that fall,

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<v Speaker 3>and I think that I just avoided them. I never

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<v Speaker 3>ever said a word to any of the four girls ever. Again,

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<v Speaker 3>I pretended it never happened.

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<v Speaker 1>And when Sky tells Clark this story, here's where she

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<v Speaker 1>delivers the moral. Awful things do happen, but in the

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<v Speaker 1>end everything turns out fine. Sky grew up, got married,

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<v Speaker 1>has a job she likes, and a family she loves.

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<v Speaker 1>Her story, she tells him, has a happy ending in

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<v Speaker 1>the past. When he's heard this story, Clark's taken his

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<v Speaker 1>mom's lesson at face value. But Clark is now the

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<v Speaker 1>same age Sky was when her friends turned on her.

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<v Speaker 1>He's starting to see his own classmates leave old friends

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<v Speaker 1>behind for the more popular crowd. For the first time,

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<v Speaker 1>He's able to image what it would be like if

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<v Speaker 1>his own small group of friends suddenly cast him out,

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<v Speaker 1>stopped coming over to his house to play video games,

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<v Speaker 1>stop speaking to them altogether. So Sky's moral that everyone

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<v Speaker 1>lives happily ever after is starting to feel untrue, and

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<v Speaker 1>so Clark has a question for his mother, why didn't

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<v Speaker 1>she ever confront her friends about what they did? Why

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<v Speaker 1>not then? But also he asks Sky, why not now?

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<v Speaker 4>Like did they do it for themselves or because of you?

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<v Speaker 4>Or was it because of something you did or something?

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<v Speaker 1>Clark brings up Sky's story during their bedtime ritual, asking

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<v Speaker 1>for details, weighing the injustice, fantasizing about Sky looking up

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<v Speaker 1>her old friends and confronting them with some questions.

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<v Speaker 4>I think you can't be like the person that you

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<v Speaker 4>normally are, where you're like tim and little.

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<v Speaker 3>Mommy funny that you think of me as timid Mommy,

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<v Speaker 3>that's very interesting.

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<v Speaker 4>Yeah, well, I have like a lot of occasions to

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<v Speaker 4>prove that your New Year's resolution was to say no

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<v Speaker 4>more often. That was your resolution because you were too

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<v Speaker 4>timid to say no.

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<v Speaker 2>To people before that.

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<v Speaker 3>Well, I like to think that it's less about me

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<v Speaker 3>being timid and more about me being a can do

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<v Speaker 3>kind of person.

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<v Speaker 1>There it is right there. At school functions, Clark watches

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<v Speaker 1>his mom try to accommodate the other parents and get

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<v Speaker 1>steamrolled in the process. In restaurants, he sees his mom

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<v Speaker 1>settled for the wrong meal rather than bother the waiter.

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<v Speaker 1>For once, he wants Guy to stop worrying about everyone

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<v Speaker 1>else's feelings. He wants her to focus on herself.

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<v Speaker 3>I would really love to know, like why it's important

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<v Speaker 3>to you.

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<v Speaker 4>It's basically for me, are like my mom avenging. Those

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<v Speaker 4>people just wanted you to kind of like get your avenge,

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<v Speaker 4>my revenge, avenge yourself. Sorry I'm using the wrong word.

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<v Speaker 4>You gotta be like you did this and do you

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<v Speaker 4>remember why it happened, and say sorry to me, he said.

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<v Speaker 3>At the end, Mom, You've got to figure this out.

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<v Speaker 3>You've got to go for it. You have to have

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<v Speaker 3>a chance to find out why this happened.

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<v Speaker 1>It's not just Clark who feels this way. There's someone

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<v Speaker 1>else who also wonders why this happened and has always

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<v Speaker 1>wished Sky had had the chance to ask. Is this Rachel?

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<v Speaker 1>This is Skuy's mom, Rachel, the only eyewitnessed what happened

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<v Speaker 1>that night, and the person talking to her while chewing

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<v Speaker 1>a hunk of munster cheese and hollow bread because his

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<v Speaker 1>boss Alex thinks taking lunch breaks is more of a

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<v Speaker 1>BizOps thing, is me?

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<v Speaker 5>I got out of my chair and I stood at

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<v Speaker 5>the window and pulled back the drape, and I see

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<v Speaker 5>their bikes sort of going off into the night.

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<v Speaker 1>The night the girl showed up around two or three

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<v Speaker 1>in the morning, Rachel was reading in an armchair by

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<v Speaker 1>the window. She's always up in the middle of the night.

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<v Speaker 1>It's a habit that began in childhood. She tells me

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<v Speaker 1>that her own mom, Sky's grandmother suffered from schizophrenia. She

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<v Speaker 1>was unpredictable, and the middle of the night was the

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<v Speaker 1>only time the house was ever quiet and safe. Who

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<v Speaker 1>was during those calm nights alone that Rachel began writing poetry?

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<v Speaker 5>And here I am all these years later, and I'm

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<v Speaker 5>still doing it. There's something holy about the middle of

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<v Speaker 5>the night. Nobody's hassling you, and you can really hear

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<v Speaker 5>yourself somehow.

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<v Speaker 1>But on the night the vandals struck, she could also

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<v Speaker 1>hear four eleven year old girls making their getaway. When

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<v Speaker 1>the sun came up, Rachel saw the fuck you on

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<v Speaker 1>the garage and immediately she phoned up one of the

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<v Speaker 1>girls and spoke with both her and her mom. Well

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<v Speaker 1>neither denied what had happened. Nothing much came of the conversation,

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<v Speaker 1>and after that Sky begged Rachel not to make any

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<v Speaker 1>more phone calls. The idea of confronting anyone just upset

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<v Speaker 1>Sky Moore, so Rachel stopped calling, and after a few

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<v Speaker 1>days things seemed to go back to normal.

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<v Speaker 5>We felt it was over, and for her it really wasn't.

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<v Speaker 5>It really took her, being I think, grown up, for

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<v Speaker 5>her to start saying to me, I think about this

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<v Speaker 5>all the time, and it was shocking to me. I

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<v Speaker 5>had not understood that, and I felt dopey that I

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<v Speaker 5>hadn't understood that, because I thought I was pretty well

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<v Speaker 5>attuned to her and her feelings. It broke my heart.

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<v Speaker 5>She always understood how to sit in with people, completely

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<v Speaker 5>unlike her parents. My husband, you know, was born in

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<v Speaker 5>Finland and was a mathematician and had his PhD when

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<v Speaker 5>he was nineteen. And I was this strange, you know,

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<v Speaker 5>high school dropout poet. I mean, we were really odd

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<v Speaker 5>and eccentric birds, and here was this kid who was

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<v Speaker 5>just exquisitely normal. And to us, she's always been a wonder,

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<v Speaker 5>you know, like, who is this very social being? This

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<v Speaker 5>is a kid who whose first word was high and

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<v Speaker 5>who when she was small literally sat on the front

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<v Speaker 5>step all day and said hi to every person who

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<v Speaker 5>passed on the sidewalk, and we loved her for that.

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<v Speaker 5>And what happened with the girls, This had the effect

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<v Speaker 5>of making her more you know, pulling in her wings.

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<v Speaker 1>And this is the person Clark sees today, someone who

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<v Speaker 1>keeps her wings tucked in so tight for fear of

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<v Speaker 1>them getting in anyone's way, that she's forgotten how to

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<v Speaker 1>open them. Rachel knows that Clark has recently begun urging

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<v Speaker 1>his mom to be less timid, and she approves.

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<v Speaker 5>There's something authoritative about a child they haven't had. They're

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<v Speaker 5>not all hammered by doubts and worries about what they're

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<v Speaker 5>saying they're like, well, why didn't you do this?

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<v Speaker 1>You know, Rachel had asked me to call at the

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<v Speaker 1>end of her work night. It's now seven thirty AM,

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<v Speaker 1>close to her bedtime, so we say our goodbyes, but

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<v Speaker 1>just before putting down the phone, she offers a final benediction,

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<v Speaker 1>as I was so beautiful.

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<v Speaker 5>The way he wanted her to figure this out. Because

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<v Speaker 5>she'll hear that from him in a way that she

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<v Speaker 5>probably could never hear that from me, it has more

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<v Speaker 5>of a chance to wake her up.

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<v Speaker 1>And with that, Rachel heads off to bed, and I

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<v Speaker 1>turned back to Sky, who, with a little help from Clark,

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<v Speaker 1>is still trying to wake up.

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<v Speaker 3>He does have this sense of but that's an unfinished thing.

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<v Speaker 1>Yeah, like the good that this good ending hasn't fully

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<v Speaker 1>happened yet.

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<v Speaker 3>Yeah, yeah, the good ending hasn't happened. So it's sort

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<v Speaker 3>of turning into a different story, which is that it's

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<v Speaker 3>kind of never too late to summon courage and do something.

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<v Speaker 2>That scares you.

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<v Speaker 3>I guess in a way, I want to live up

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<v Speaker 3>to his to who I think he'd like me to be.

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<v Speaker 3>You know, I think like I need to show him

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<v Speaker 3>that I can stand up for myself.

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<v Speaker 1>Thirty five years later, and Sky's finally decided she's ready.

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<v Speaker 1>She just needs help reaching the girls and not backing

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<v Speaker 1>down when she does. So you want to do this?

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<v Speaker 3>I think that I want to do this. Yes, I

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<v Speaker 3>want to do this. You know now I'll be able

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<v Speaker 3>to say I did what I could.

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<v Speaker 1>And if you want to be able to say you

0:15:05.960 --> 0:15:09.200
<v Speaker 1>did what you could to save scads of cash with

0:15:09.360 --> 0:15:13.400
<v Speaker 1>some truly great deals, here's the chance you've been dreaming

0:15:13.440 --> 0:15:25.440
<v Speaker 1>of your entire life. Sky and I get to work

0:15:25.480 --> 0:15:30.040
<v Speaker 1>reaching out to the four girls, Sam, Nicky, Randy, and Tessa.

0:15:30.880 --> 0:15:35.040
<v Speaker 1>We begin with Sam because Sky already has their contact info.

0:15:35.160 --> 0:15:37.080
<v Speaker 1>They'd run into each other at their ten year high

0:15:37.080 --> 0:15:42.840
<v Speaker 1>school reunion. Sky Sam had said, it's me. It would

0:15:42.840 --> 0:15:45.520
<v Speaker 1>have been the perfect opportunity to ask about the fuck

0:15:45.560 --> 0:15:48.480
<v Speaker 1>you on the garage door, but Sky just couldn't bring

0:15:48.560 --> 0:15:52.960
<v Speaker 1>herself to mention it, so instead they made awkward small talk.

0:15:53.360 --> 0:15:58.120
<v Speaker 3>And then she fronted me on Facebook, which practically made

0:15:58.160 --> 0:15:58.680
<v Speaker 3>me laugh.

0:15:58.880 --> 0:15:59.760
<v Speaker 2>But I.

0:16:01.760 --> 0:16:04.080
<v Speaker 3>This sounds ridiculous, but I didn't want to be rude,

0:16:04.680 --> 0:16:06.640
<v Speaker 3>and so I accepted her friendship.

0:16:08.560 --> 0:16:11.640
<v Speaker 1>I helped Sky write a Facebook message to Sam saying

0:16:11.680 --> 0:16:14.240
<v Speaker 1>she has some questions about the end of their friendship,

0:16:14.840 --> 0:16:20.720
<v Speaker 1>but with no response, Sky follows up again and again. Eventually,

0:16:21.200 --> 0:16:24.760
<v Speaker 1>Sam writes back, we just naturally grew apart as life

0:16:24.800 --> 0:16:29.320
<v Speaker 1>events progressed, she says. She concludes by saying that Sky's

0:16:29.320 --> 0:16:33.480
<v Speaker 1>attempts to contact her are making her feel quote overwhelmed

0:16:33.520 --> 0:16:44.520
<v Speaker 1>and stressed, and that makes Sky feel bad. Second is Nicky,

0:16:44.960 --> 0:16:48.280
<v Speaker 1>who says that even though Skuy's mom clearly remembers her

0:16:48.320 --> 0:16:52.560
<v Speaker 1>being there that day, she absolutely wasn't. In fact, she says,

0:16:52.960 --> 0:16:57.520
<v Speaker 1>she and Sky weren't even that close. Third comes Randy.

0:16:58.200 --> 0:17:00.320
<v Speaker 1>Randy's hard to get a hold of so when we

0:17:00.320 --> 0:17:02.680
<v Speaker 1>get no answer on her house phone, we try all

0:17:02.680 --> 0:17:06.000
<v Speaker 1>the numbers we can find. We leave her repeated messages,

0:17:06.440 --> 0:17:09.320
<v Speaker 1>but it seems like she's not even getting them. But

0:17:09.400 --> 0:17:12.760
<v Speaker 1>as it turns out, she's gotten all of them, because

0:17:12.760 --> 0:17:15.199
<v Speaker 1>she sends Sky an email to say that she's not

0:17:15.320 --> 0:17:20.200
<v Speaker 1>happy about it. In fact, she's creeped out. Sky was

0:17:20.240 --> 0:17:22.520
<v Speaker 1>at the grocery store when she received the email.

0:17:23.280 --> 0:17:29.280
<v Speaker 3>I was in line and I completely was out of

0:17:29.320 --> 0:17:32.000
<v Speaker 3>my body as I was reading it. I so forgot

0:17:32.040 --> 0:17:34.320
<v Speaker 3>where I was that someone had to say, are you

0:17:34.400 --> 0:17:34.879
<v Speaker 3>in line?

0:17:35.480 --> 0:17:37.960
<v Speaker 2>And I was like Uh, no, I'm not, and I.

0:17:37.960 --> 0:17:42.280
<v Speaker 3>Had to push my cart away from the checkout stand

0:17:42.359 --> 0:17:45.600
<v Speaker 3>because I could not focus.

0:17:46.160 --> 0:17:49.479
<v Speaker 1>Sky went into damage control mode, writing back to Randy

0:17:49.560 --> 0:17:52.919
<v Speaker 1>to say how deeply sorry she was. I asked her

0:17:53.000 --> 0:17:54.119
<v Speaker 1>to read me what she'd send.

0:17:55.000 --> 0:17:58.119
<v Speaker 3>Randy, I'm so grateful that you wrote me back. It

0:17:58.160 --> 0:18:00.720
<v Speaker 3>makes me cringe to think about how so my creepy

0:18:00.800 --> 0:18:03.280
<v Speaker 3>and weird it must have seemed to get those messages.

0:18:04.560 --> 0:18:07.520
<v Speaker 3>I'm kicking myself for letting that happen. I'm still hoping

0:18:07.560 --> 0:18:09.960
<v Speaker 3>to talk to you privately and just explain myself.

0:18:10.480 --> 0:18:11.320
<v Speaker 2>Would that be okay?

0:18:14.400 --> 0:18:17.879
<v Speaker 1>Like, you know, is there a kind of like do

0:18:17.920 --> 0:18:21.240
<v Speaker 1>you feel like your default is to sort of apologize

0:18:21.440 --> 0:18:23.560
<v Speaker 1>for having reached out?

0:18:27.359 --> 0:18:27.679
<v Speaker 3>Yeah?

0:18:27.800 --> 0:18:28.960
<v Speaker 6>I do.

0:18:30.320 --> 0:18:31.240
<v Speaker 2>That has occurred to me.

0:18:33.240 --> 0:18:36.679
<v Speaker 1>Later, Sky shares the email with Clark, and it seems

0:18:36.680 --> 0:18:38.280
<v Speaker 1>like it's occurred to him as well.

0:18:38.880 --> 0:18:43.320
<v Speaker 4>I think you were over apologetic if you say yourself

0:18:43.320 --> 0:18:46.480
<v Speaker 4>as the kind of character was like, oh sorry, sorry, sorry,

0:18:46.480 --> 0:18:51.159
<v Speaker 4>I shouldn't have done that. That automatically makes her basically.

0:18:50.960 --> 0:18:53.400
<v Speaker 2>Like gives her power. Yeah, puts her in.

0:18:53.359 --> 0:18:56.560
<v Speaker 4>A better spot than you're in, and that's bad.

0:18:58.600 --> 0:19:01.800
<v Speaker 1>At Sky's insistence, Randy finally agrees to a phone call,

0:19:02.560 --> 0:19:05.119
<v Speaker 1>but in the end, all she tells Sky is that

0:19:05.160 --> 0:19:08.639
<v Speaker 1>she doesn't remember that night, doesn't remember any toilet paper

0:19:09.040 --> 0:19:18.320
<v Speaker 1>or grasdoor, She doesn't remember anything at all. Of the

0:19:18.359 --> 0:19:23.040
<v Speaker 1>four friends, only one remains, Tessa, the girl Sky's mom

0:19:23.160 --> 0:19:27.400
<v Speaker 1>phoned directly after the incident. Over the next couple weeks,

0:19:27.600 --> 0:19:30.840
<v Speaker 1>I speak with Tessa several times. She can't decide if

0:19:30.840 --> 0:19:33.760
<v Speaker 1>she wants to talk with Sky. For one thing, she

0:19:33.800 --> 0:19:36.920
<v Speaker 1>says it was so long ago that she doesn't remember much,

0:19:37.560 --> 0:19:41.280
<v Speaker 1>to which I rejoin that she's all we've got. For another,

0:19:41.359 --> 0:19:44.560
<v Speaker 1>she adds getting contacted like this through a third party

0:19:44.600 --> 0:19:49.520
<v Speaker 1>interlocutionary international podcasting host is pretty weird, to which I

0:19:49.600 --> 0:19:54.639
<v Speaker 1>admit that it is slightly unconventional. Finally, Tessa says she

0:19:54.680 --> 0:19:57.720
<v Speaker 1>doesn't want to inadvertently drag the other girl's names through

0:19:57.720 --> 0:20:00.840
<v Speaker 1>the dirt for something they did as kids, to which

0:20:00.880 --> 0:20:04.359
<v Speaker 1>I say, well, let's change those names and draw some

0:20:04.440 --> 0:20:07.640
<v Speaker 1>pseudonyms through the dirt. And once I agree to change

0:20:07.640 --> 0:20:11.120
<v Speaker 1>the names of the four girls, Tessa, not her real name,

0:20:11.640 --> 0:20:14.800
<v Speaker 1>agrees to sit down with Sky, still her real name,

0:20:15.320 --> 0:20:18.360
<v Speaker 1>so she can finally have a conversation about the night

0:20:18.520 --> 0:20:23.840
<v Speaker 1>in question. Both Sky and Tessa live in California, pretty

0:20:23.840 --> 0:20:26.720
<v Speaker 1>close to where they grew up. I figure my presence

0:20:26.720 --> 0:20:31.080
<v Speaker 1>at their meeting could be calming, helpful even All Sky

0:20:31.200 --> 0:20:33.680
<v Speaker 1>has to do is invite me out there to join her.

0:20:34.560 --> 0:20:40.320
<v Speaker 1>I like California, and no I love it. But because

0:20:40.359 --> 0:20:43.520
<v Speaker 1>of her cursed timidity, Sky just doesn't have the lima

0:20:43.600 --> 0:20:47.840
<v Speaker 1>beans to ask. So I continue to offer her prompt.

0:20:48.640 --> 0:20:49.920
<v Speaker 1>I haven't been there in some time.

0:20:52.280 --> 0:20:53.480
<v Speaker 2>Well, it's a lovely state.

0:20:54.520 --> 0:20:57.760
<v Speaker 1>After several minutes of this elaborate dance, I get to

0:20:57.800 --> 0:21:02.040
<v Speaker 1>the point, for both our sake, So does you do

0:21:02.080 --> 0:21:02.560
<v Speaker 1>you think that?

0:21:02.960 --> 0:21:03.080
<v Speaker 7>Uh?

0:21:04.640 --> 0:21:05.600
<v Speaker 1>You think I should come?

0:21:06.840 --> 0:21:07.760
<v Speaker 2>That would be amazing.

0:21:10.280 --> 0:21:14.160
<v Speaker 1>And so it's off to California A for some long

0:21:14.200 --> 0:21:18.520
<v Speaker 1>overdue Q and A.

0:21:18.640 --> 0:21:18.840
<v Speaker 8>Hi.

0:21:20.160 --> 0:21:23.760
<v Speaker 9>Good how about you guys? Hi Clark, nice to meet you.

0:21:24.960 --> 0:21:27.760
<v Speaker 1>Sky picks me up at the hotel. Clark's along too,

0:21:28.200 --> 0:21:29.919
<v Speaker 1>to make sure his mom doesn't lose her.

0:21:29.800 --> 0:21:32.439
<v Speaker 2>Nerve Clark, you can continue to navigate for me.

0:21:33.440 --> 0:21:33.600
<v Speaker 8>WI.

0:21:34.640 --> 0:21:37.840
<v Speaker 1>Clark sits in the passenger seat, leafing through a comic book.

0:21:37.960 --> 0:21:39.480
<v Speaker 1>All right, let me I'm just going to throw this

0:21:39.520 --> 0:21:43.160
<v Speaker 1>in here if that's okay. Yeah, And then I tossed

0:21:43.160 --> 0:21:46.399
<v Speaker 1>my bag into the back of the hatchback and we

0:21:46.520 --> 0:21:52.840
<v Speaker 1>head off to meet Tessa. It felt great to be

0:21:52.880 --> 0:22:00.679
<v Speaker 1>in San Francisco. It's just like the mom and the

0:22:00.760 --> 0:22:04.640
<v Speaker 1>Papa saying if one is going to San Francisco, one

0:22:04.680 --> 0:22:08.360
<v Speaker 1>should wear flowers in one's hair. As we speed down

0:22:08.400 --> 0:22:12.680
<v Speaker 1>the highway, I close my eyes, lean back, and would

0:22:12.720 --> 0:22:16.040
<v Speaker 1>that I had hair, enjoy the wind blowing through it.

0:22:19.080 --> 0:22:20.760
<v Speaker 2>Wait, is the trunk open?

0:22:21.000 --> 0:22:24.440
<v Speaker 1>Oh wow? It seems that in my excitement to hit

0:22:24.520 --> 0:22:28.159
<v Speaker 1>the streets of San fran I'd left the hatchback door open,

0:22:28.960 --> 0:22:31.520
<v Speaker 1>which it turns out is the source of the San

0:22:31.600 --> 0:22:36.320
<v Speaker 1>Franciscan breeze. She whizz, I'm sorry about that.

0:22:36.760 --> 0:22:37.040
<v Speaker 5>God.

0:22:38.359 --> 0:22:40.720
<v Speaker 1>Sky finds a place on the shoulder of the highway

0:22:40.760 --> 0:22:45.240
<v Speaker 1>to pull over, oh man, and shuts the trunk door

0:22:46.200 --> 0:22:51.600
<v Speaker 1>of that, and with that we were back on our way.

0:22:52.840 --> 0:22:58.240
<v Speaker 10>That's why they call me mister excitement. Actually, no one

0:22:58.240 --> 0:23:10.720
<v Speaker 10>calls me mister excitement. San Francisco is pretty.

0:23:12.160 --> 0:23:14.399
<v Speaker 2>We're not in San Francisco, you know that, right? I mean?

0:23:23.840 --> 0:23:26.600
<v Speaker 1>As we drive to meet Tessa, I ask Sky how

0:23:26.640 --> 0:23:27.160
<v Speaker 1>she's doing.

0:23:28.560 --> 0:23:33.200
<v Speaker 3>I feel nervous sighted, which is a word.

0:23:32.960 --> 0:23:36.680
<v Speaker 9>That I am when when I you use the word

0:23:36.760 --> 0:23:38.720
<v Speaker 9>nervous sided Clark.

0:23:40.240 --> 0:23:44.600
<v Speaker 4>Like before, like baseball games and like stuff like that.

0:23:45.200 --> 0:23:47.040
<v Speaker 2>I mean, I kind of feel nervous sighted.

0:23:48.440 --> 0:23:48.760
<v Speaker 5>Nervous.

0:23:48.800 --> 0:23:53.119
<v Speaker 1>Sided is a portmanteau word, like the way say romance,

0:23:53.280 --> 0:23:57.720
<v Speaker 1>a word denoting an incestuous relationship between brothers. Is or

0:23:58.119 --> 0:24:01.440
<v Speaker 1>she lax the act of chilling out with a bar

0:24:01.600 --> 0:24:03.240
<v Speaker 1>of family sized x lax.

0:24:04.800 --> 0:24:07.919
<v Speaker 2>How do you feel about meeting do you want to

0:24:07.960 --> 0:24:11.199
<v Speaker 2>meet her? I will resist temptations to punder over what

0:24:11.280 --> 0:24:11.640
<v Speaker 2>she did.

0:24:13.320 --> 0:24:16.639
<v Speaker 1>Clark is eleven years old. In the comic books he reads,

0:24:17.040 --> 0:24:21.040
<v Speaker 1>that's how problems are solved with punches, kung fu chops.

0:24:21.680 --> 0:24:25.160
<v Speaker 1>Writing the scales is a simpler business. It's one thing

0:24:25.200 --> 0:24:27.880
<v Speaker 1>to hear stories about his mom being stepped on. It's

0:24:27.960 --> 0:24:30.080
<v Speaker 1>another to be in the same room with one of

0:24:30.119 --> 0:24:33.359
<v Speaker 1>the people who did the stepping. Sky tries to tamp

0:24:33.440 --> 0:24:34.840
<v Speaker 1>down his need for revenge.

0:24:35.280 --> 0:24:40.680
<v Speaker 2>Well, as we were talking about last night before you

0:24:40.760 --> 0:24:44.600
<v Speaker 2>went to slay, you won't forgiveness. Giveness forgiveness. We need

0:24:44.640 --> 0:24:46.280
<v Speaker 2>to find the forgiveness.

0:24:48.920 --> 0:24:51.440
<v Speaker 1>I wanted a quiet place for Sky and tested to talk,

0:24:51.840 --> 0:24:54.200
<v Speaker 1>and it turned out that on the weekends the local

0:24:54.280 --> 0:24:56.600
<v Speaker 1>university had an unoccupied studio.

0:24:57.200 --> 0:24:58.720
<v Speaker 2>I think we're basically here.

0:24:59.240 --> 0:25:01.480
<v Speaker 1>We pull in the empty campus parking lot.

0:25:02.080 --> 0:25:03.680
<v Speaker 2>Clark, you want to look and make sure I'm within

0:25:03.720 --> 0:25:05.600
<v Speaker 2>the lines. There was a little lines.

0:25:05.880 --> 0:25:15.879
<v Speaker 9>Okay, let's get set up. So this is where Clark

0:25:15.920 --> 0:25:18.160
<v Speaker 9>and I, well, we'll sit.

0:25:19.000 --> 0:25:21.280
<v Speaker 1>The studio is only big enough for Sky and Tessa,

0:25:21.760 --> 0:25:24.120
<v Speaker 1>So Clark and I sit in the control booth where

0:25:24.160 --> 0:25:27.680
<v Speaker 1>we'll be able to eavesdrop on the conversation. There's a mic,

0:25:27.960 --> 0:25:31.000
<v Speaker 1>so should the need arise Clark and offer guidance that

0:25:31.080 --> 0:25:33.040
<v Speaker 1>only Sky can hear through her headphones.

0:25:33.400 --> 0:25:35.080
<v Speaker 2>I'm mom, Hi, Clark.

0:25:35.400 --> 0:25:36.520
<v Speaker 1>Okay, so you turn it on.

0:25:36.680 --> 0:25:37.840
<v Speaker 2>It's good to hear your voice.

0:25:38.280 --> 0:25:38.960
<v Speaker 5>Can you hear me?

0:25:39.480 --> 0:25:39.760
<v Speaker 10>Sky?

0:25:40.840 --> 0:25:44.080
<v Speaker 1>Sandy the studio technician helps us get set up and

0:25:44.160 --> 0:25:47.399
<v Speaker 1>takes a level on Sky's voice by asking her an easy,

0:25:47.480 --> 0:25:51.880
<v Speaker 1>neutral question. Tell me, how's it right in today?

0:25:52.160 --> 0:25:53.239
<v Speaker 2>How is the right end?

0:25:53.359 --> 0:25:54.560
<v Speaker 8>You don't have to shout into it.

0:25:54.560 --> 0:25:57.200
<v Speaker 3>It was easy, except for when we left the hatchback

0:25:57.240 --> 0:25:58.360
<v Speaker 3>open on the freeway.

0:26:01.440 --> 0:26:05.000
<v Speaker 1>Laugh it up, Sandy the studio technician, Laugh it up.

0:26:11.800 --> 0:26:15.040
<v Speaker 1>Tessa's running late, so Sky sits waiting in the studio

0:26:15.160 --> 0:26:18.680
<v Speaker 1>by herself. Finally, wait, she's here.

0:26:21.080 --> 0:26:43.960
<v Speaker 8>Ah, okay, okay, Hey, I'm Jonathan, glad you made it

0:26:43.960 --> 0:26:45.040
<v Speaker 8>a nice to meet you too.

0:26:45.720 --> 0:26:49.560
<v Speaker 1>Tessa's stylish and like Sky, looks younger than her years,

0:26:50.280 --> 0:26:52.320
<v Speaker 1>you could still see a trace of the popular girl.

0:26:53.280 --> 0:26:55.439
<v Speaker 1>I show her into the studio where Sky's been waiting.

0:26:56.240 --> 0:26:58.360
<v Speaker 1>The two haven't seen each other since they were children.

0:26:59.119 --> 0:27:01.600
<v Speaker 2>Who do you do you keeping close touch with anywhere

0:27:01.640 --> 0:27:04.399
<v Speaker 2>in high school? Anyone?

0:27:05.119 --> 0:27:08.080
<v Speaker 1>As they settle in, the mood is formal, a little

0:27:08.080 --> 0:27:11.000
<v Speaker 1>stilted since the room is only about the size of

0:27:11.000 --> 0:27:13.880
<v Speaker 1>a small elevator. Their knees practically touch.

0:27:14.760 --> 0:27:17.840
<v Speaker 3>You guys can start now, okay, thanks Clark. Clark says,

0:27:17.880 --> 0:27:23.919
<v Speaker 3>we can start okay. So so I'm just gonna go

0:27:24.320 --> 0:27:29.480
<v Speaker 3>backtrack a little bit. Yeah, so my memory is that

0:27:30.560 --> 0:27:32.679
<v Speaker 3>we were all in sort of a tight knit group.

0:27:33.600 --> 0:27:35.760
<v Speaker 2>You know, is it too early for me to ask

0:27:36.440 --> 0:27:37.280
<v Speaker 2>this discussion?

0:27:37.440 --> 0:27:42.359
<v Speaker 11>Why didn't you do it?

0:27:42.400 --> 0:27:43.200
<v Speaker 2>For both of us?

0:27:45.320 --> 0:27:49.160
<v Speaker 3>But then had also written fuck you on the garage door,

0:27:51.400 --> 0:27:55.480
<v Speaker 3>and that then from from that point on, we never

0:27:56.280 --> 0:28:03.280
<v Speaker 3>spoke again. And and it's something that has always stuck

0:28:03.320 --> 0:28:07.000
<v Speaker 3>with me because I don't know why it happened. And

0:28:07.560 --> 0:28:11.440
<v Speaker 3>so I guess I'd love to know what your memories are.

0:28:13.000 --> 0:28:15.959
<v Speaker 1>Clark's got this look on his face. Love to know

0:28:16.000 --> 0:28:20.080
<v Speaker 1>what your memories are. From his perspective, his mom's doing

0:28:20.119 --> 0:28:23.560
<v Speaker 1>what she always does. That is exactly what he told

0:28:23.600 --> 0:28:27.480
<v Speaker 1>her not to. She's being overly sensitive to Tessa's feelings.

0:28:28.280 --> 0:28:30.640
<v Speaker 1>But even after thirty five years of waiting to ask

0:28:30.680 --> 0:28:35.680
<v Speaker 1>the question, Sky just can't help being Sky. Tessa takes

0:28:35.680 --> 0:28:36.440
<v Speaker 1>a sip of water.

0:28:37.760 --> 0:28:39.960
<v Speaker 11>Sorry, I'm just my throat is dry.

0:28:40.200 --> 0:28:41.480
<v Speaker 2>Yeah, no problem.

0:28:42.800 --> 0:28:46.320
<v Speaker 1>Sky smiles warmly and gives Tessa a moment to collect herself.

0:28:47.040 --> 0:28:56.240
<v Speaker 3>Take your time, so I have a vague recollection.

0:28:56.760 --> 0:29:03.080
<v Speaker 6>It's really really vague. What I what really stands out

0:29:03.280 --> 0:29:07.160
<v Speaker 6>is that we were just going teping, like we went

0:29:07.240 --> 0:29:10.800
<v Speaker 6>teping a lot, you know, not just on that night,

0:29:11.640 --> 0:29:17.200
<v Speaker 6>and we literally just stumbled upon your home. And that's

0:29:17.480 --> 0:29:18.480
<v Speaker 6>why I remember.

0:29:18.560 --> 0:29:22.120
<v Speaker 1>Clark furrows his brow. He wants his mother to push harder,

0:29:22.640 --> 0:29:24.040
<v Speaker 1>be more aggressively.

0:29:24.240 --> 0:29:28.360
<v Speaker 4>Mom, ask why you weren't invited to go toilet papering

0:29:28.400 --> 0:29:28.760
<v Speaker 4>with them?

0:29:29.080 --> 0:29:32.760
<v Speaker 1>That's a really good question. We watch a. Sky waits

0:29:32.800 --> 0:29:34.600
<v Speaker 1>patiently for Testa to finish speaking.

0:29:35.200 --> 0:29:39.560
<v Speaker 3>He wanted me to ask you why didn't come with

0:29:39.640 --> 0:29:41.400
<v Speaker 3>you that night teeping?

0:29:41.760 --> 0:29:44.640
<v Speaker 2>Why weren't you invited? Not why didn't that come why

0:29:44.680 --> 0:29:45.640
<v Speaker 2>I wasn't invited.

0:29:48.280 --> 0:29:54.320
<v Speaker 6>I I in my mind we had drifted apart by then.

0:29:55.880 --> 0:29:58.600
<v Speaker 1>Inside the control room, Clark shakes his head.

0:29:59.240 --> 0:30:02.400
<v Speaker 2>I think there's more the story, you do, Yeah.

0:30:02.480 --> 0:30:06.800
<v Speaker 1>What makes you think that? He slumps back in his

0:30:06.880 --> 0:30:10.240
<v Speaker 1>seat and crosses his arms. He seems frustrated.

0:30:13.120 --> 0:30:17.920
<v Speaker 6>I remember your mom calling my mom, And for my

0:30:18.120 --> 0:30:20.480
<v Speaker 6>mom it wasn't a big deal either. My mom, first

0:30:20.520 --> 0:30:22.920
<v Speaker 6>of all, didn't even know what two being was. I

0:30:22.960 --> 0:30:24.200
<v Speaker 6>had to explain it to her.

0:30:24.320 --> 0:30:24.960
<v Speaker 2>Oh okay.

0:30:25.200 --> 0:30:30.960
<v Speaker 6>I did not realize until maybe now that it was

0:30:32.400 --> 0:30:33.600
<v Speaker 6>more of a big deal for you.

0:30:34.000 --> 0:30:34.480
<v Speaker 2>Yeah.

0:30:35.240 --> 0:30:37.360
<v Speaker 3>And I feel like you're being very, very honest, and

0:30:37.400 --> 0:30:39.479
<v Speaker 3>I really really appreciate that.

0:30:40.800 --> 0:30:43.720
<v Speaker 1>When Tessa and I last spoke, she mentioned how odd

0:30:43.760 --> 0:30:46.920
<v Speaker 1>this whole undertaking seemed to her. A woman she hadn't

0:30:46.960 --> 0:30:49.800
<v Speaker 1>heard from in thirty five years, wanted to talk to

0:30:49.840 --> 0:30:53.680
<v Speaker 1>her about a random night from their childhood. Oh and

0:30:53.760 --> 0:30:55.880
<v Speaker 1>she also wanted to bring along her eleven year old

0:30:55.920 --> 0:30:59.560
<v Speaker 1>son and his forty eight year old sidekick, both of

0:30:59.560 --> 0:31:03.280
<v Speaker 1>whom would be communicating with Sky through a secret microphone

0:31:04.480 --> 0:31:07.440
<v Speaker 1>WA's way so she can talk about wait wait wait.

0:31:08.120 --> 0:31:11.240
<v Speaker 1>Inside the control room, I watched Sky perform a delicate

0:31:11.280 --> 0:31:14.920
<v Speaker 1>balancing act. She's aware that Clark is watching, so she's

0:31:14.960 --> 0:31:17.640
<v Speaker 1>trying not to be too timid, but she also wants

0:31:17.640 --> 0:31:20.560
<v Speaker 1>to set a good example for how to behave and

0:31:20.640 --> 0:31:23.880
<v Speaker 1>through all that, she can't help seeing it from Tessa's perspective,

0:31:24.360 --> 0:31:27.960
<v Speaker 1>how weird and uncomfortable this must be for her. Sky

0:31:28.040 --> 0:31:32.560
<v Speaker 1>wants to help Tessa feel safe, and so she treads lightly.

0:31:33.760 --> 0:31:36.800
<v Speaker 3>I mean, I think being the parent now of a child,

0:31:36.840 --> 0:31:42.400
<v Speaker 3>I understand how quickly things can get confused. And it

0:31:42.440 --> 0:31:46.560
<v Speaker 3>really was the words that that's what seemed to communicate

0:31:46.600 --> 0:31:52.200
<v Speaker 3>to me, I've done something terrible, like I must have it.

0:31:52.280 --> 0:31:54.760
<v Speaker 3>I must be responsible for this in some way, you know,

0:31:54.920 --> 0:31:57.400
<v Speaker 3>And so I wondered, did I do something?

0:32:00.640 --> 0:32:03.920
<v Speaker 1>You can see the TESSAs weighing her response. She doesn't

0:32:04.000 --> 0:32:06.560
<v Speaker 1>quite know what to say, but with Sky being so

0:32:06.640 --> 0:32:09.360
<v Speaker 1>gracious and open, it's like she feels the least she

0:32:09.400 --> 0:32:12.360
<v Speaker 1>can do is try to meet her halfway, and so

0:32:12.480 --> 0:32:14.920
<v Speaker 1>tentatively she offers a thought.

0:32:15.760 --> 0:32:30.160
<v Speaker 11>Ah, maybe you were a little different than them in

0:32:30.160 --> 0:32:30.640
<v Speaker 11>what way?

0:32:32.200 --> 0:32:35.760
<v Speaker 1>Again? Tessa searches for the right words, all the while

0:32:36.120 --> 0:32:38.920
<v Speaker 1>never seeing us or we, but always they.

0:32:42.160 --> 0:32:48.000
<v Speaker 6>They were like they were a little mischievous. You know,

0:32:48.200 --> 0:32:56.600
<v Speaker 6>they were a little rebellious and wanting to do something bad,

0:32:57.480 --> 0:33:02.400
<v Speaker 6>and I was, and maybe you weren't. Maybe you didn't

0:33:02.800 --> 0:33:05.520
<v Speaker 6>want to go along with what they were doing.

0:33:06.600 --> 0:33:10.640
<v Speaker 2>Well, you know what's interesting about that is the whole

0:33:10.680 --> 0:33:11.320
<v Speaker 2>tepeeing thing.

0:33:11.400 --> 0:33:15.720
<v Speaker 3>I remember that being a sing but I remember I

0:33:15.840 --> 0:33:21.480
<v Speaker 3>actually remember not wanting to do that. Would you say

0:33:22.360 --> 0:33:25.680
<v Speaker 3>that that maybe I was more like a goodie two shoes.

0:33:26.840 --> 0:33:31.280
<v Speaker 2>Type compared to them? Yeah, you know.

0:33:38.200 --> 0:33:41.320
<v Speaker 1>According to Tessa, if Sky had stayed friends with those girls,

0:33:41.680 --> 0:33:44.360
<v Speaker 1>it would have meant a summer of drinking alcohol and

0:33:44.440 --> 0:33:48.600
<v Speaker 1>pulling off semi illegal pranks after dark, all things Sky

0:33:48.680 --> 0:33:52.280
<v Speaker 1>wouldn't have wanted. Even back then, she didn't want to

0:33:52.320 --> 0:33:55.880
<v Speaker 1>upset anyone. To her friends, that made her seem like

0:33:55.880 --> 0:33:58.760
<v Speaker 1>a goody two shoes, And to a goody two shoes

0:33:58.800 --> 0:34:01.400
<v Speaker 1>who thinks they're better than you, what could be more

0:34:01.440 --> 0:34:04.760
<v Speaker 1>of a fuck you than a literal fuck you? The

0:34:04.800 --> 0:34:08.759
<v Speaker 1>words large and clear emblazoned across her family's grage door.

0:34:10.040 --> 0:34:12.239
<v Speaker 1>I turned to Clark to see what he makes of

0:34:12.280 --> 0:34:14.799
<v Speaker 1>all this. Is there something that you feel like we're

0:34:14.880 --> 0:34:18.360
<v Speaker 1>just kind of missing or we're not getting it?

0:34:19.560 --> 0:34:21.200
<v Speaker 2>I remember really not wanting to be.

0:34:21.440 --> 0:34:24.960
<v Speaker 1>Clark stairs straight ahead, watching his mom. I can see

0:34:25.000 --> 0:34:28.399
<v Speaker 1>he's thinking something through. He makes a move towards the mic,

0:34:28.760 --> 0:34:32.560
<v Speaker 1>but then shies away. He's antsy, rising from his seat,

0:34:32.719 --> 0:34:37.279
<v Speaker 1>settling back. Eventually I make a suggestion, do you just

0:34:37.320 --> 0:34:39.760
<v Speaker 1>want to go in there?

0:34:40.480 --> 0:34:40.680
<v Speaker 2>Yeah?

0:34:40.800 --> 0:34:45.719
<v Speaker 1>Totally. Clark gets up, leaves the control room and makes

0:34:45.760 --> 0:34:48.000
<v Speaker 1>his way to the studio to talk to his mom

0:34:48.040 --> 0:34:51.920
<v Speaker 1>in person. Watching him, I have no idea what he's

0:34:52.000 --> 0:34:52.239
<v Speaker 1>up to.

0:34:53.800 --> 0:34:54.759
<v Speaker 2>Oh Clark is here.

0:34:55.320 --> 0:34:57.680
<v Speaker 1>Oh Clark enters the room.

0:34:58.719 --> 0:34:58.880
<v Speaker 8>Was that?

0:35:00.120 --> 0:35:04.080
<v Speaker 1>But it's not as mommy's addressing. It's Tessa. I take

0:35:04.120 --> 0:35:06.799
<v Speaker 1>a deep breath as Clark begins to speak.

0:35:08.040 --> 0:35:11.560
<v Speaker 4>Uh, did you feel in any way like dragged into it,

0:35:11.960 --> 0:35:15.120
<v Speaker 4>like to do like to toilet paper people's houses.

0:35:18.239 --> 0:35:21.319
<v Speaker 6>I don't know if I would say dragged, but I

0:35:21.400 --> 0:35:25.240
<v Speaker 6>would say definitely I was a follower.

0:35:26.840 --> 0:35:30.160
<v Speaker 1>I'm not exactly surprised by Clark's question. It's the same

0:35:30.200 --> 0:35:34.279
<v Speaker 1>one he's been asking since the beginning, essentially, why did

0:35:34.280 --> 0:35:37.200
<v Speaker 1>you do this to my mother? But I am surprised

0:35:37.280 --> 0:35:40.839
<v Speaker 1>by the way he's asking it, not with anger but

0:35:40.920 --> 0:35:44.839
<v Speaker 1>with sympathy. For the first time, Clark's trying to see

0:35:44.880 --> 0:35:49.000
<v Speaker 1>it all from Tessa's perspective, he's following his mom's example.

0:35:49.680 --> 0:35:53.799
<v Speaker 6>Sometimes you're with friends because those are the ones you have.

0:35:54.080 --> 0:35:57.160
<v Speaker 6>So you'll stick with your friends even though you see

0:35:57.239 --> 0:36:01.040
<v Speaker 6>things that you don't like in them. You just don't

0:36:01.040 --> 0:36:03.120
<v Speaker 6>want to be alone.

0:36:04.320 --> 0:36:06.920
<v Speaker 11>Yeah, thanks, okay, yeah, thanks Claire.

0:36:08.200 --> 0:36:11.040
<v Speaker 1>And because Tessa didn't want to be alone, she continued

0:36:11.080 --> 0:36:13.480
<v Speaker 1>to hang out with the girls for several more years

0:36:13.840 --> 0:36:18.040
<v Speaker 1>before eventually finding a new group of friends. Tessa turns

0:36:18.080 --> 0:36:18.759
<v Speaker 1>to Sky.

0:36:19.400 --> 0:36:22.080
<v Speaker 6>Honey, you freaking dodged a bullet.

0:36:22.160 --> 0:36:24.880
<v Speaker 12>That's what you did, not being with those girls, I

0:36:24.920 --> 0:36:32.280
<v Speaker 12>have to say.

0:36:33.800 --> 0:36:36.319
<v Speaker 1>Sky tells Tessa that there's still one thing she's been

0:36:36.400 --> 0:36:39.279
<v Speaker 1>wondering about. Why did Tessa agree to talk with her

0:36:39.280 --> 0:36:41.759
<v Speaker 1>at all? It would have been easy to say no,

0:36:42.640 --> 0:36:43.600
<v Speaker 1>everyone else did.

0:36:44.080 --> 0:36:49.560
<v Speaker 6>Why I said, yeah, truthfully, the call was so out

0:36:49.560 --> 0:36:52.560
<v Speaker 6>of the blue, of course, I you know, at the beginning,

0:36:52.600 --> 0:36:57.520
<v Speaker 6>I said, yeah, sure, you know, like, and then I

0:36:57.560 --> 0:37:01.400
<v Speaker 6>talked to my daughter and she was like, no, like,

0:37:01.640 --> 0:37:02.279
<v Speaker 6>don't do that.

0:37:02.360 --> 0:37:03.240
<v Speaker 2>How old is your daughter?

0:37:03.400 --> 0:37:05.400
<v Speaker 6>My daughter is almost thirteen?

0:37:05.760 --> 0:37:07.920
<v Speaker 2>Okay, yeah, what was she worried about?

0:37:09.520 --> 0:37:11.920
<v Speaker 6>She's she kind of said, like, what's in it for you?

0:37:12.280 --> 0:37:12.600
<v Speaker 2>Mm hm?

0:37:13.120 --> 0:37:15.120
<v Speaker 6>You know, she was kind of worried that, like I

0:37:15.160 --> 0:37:17.440
<v Speaker 6>would come out as a bad person or something.

0:37:19.239 --> 0:37:21.279
<v Speaker 2>How is she feeling right now that you're here.

0:37:21.680 --> 0:37:22.280
<v Speaker 11>She's mad?

0:37:22.800 --> 0:37:25.600
<v Speaker 6>She is, Yeah, she's mad, But you know I told her,

0:37:25.640 --> 0:37:28.200
<v Speaker 6>like not everything we do in life is for us,

0:37:28.320 --> 0:37:31.680
<v Speaker 6>it's for other people as well, So she'll be fine.

0:37:33.320 --> 0:37:35.759
<v Speaker 1>Whereas Guy set out to show her Sun that she

0:37:35.840 --> 0:37:38.120
<v Speaker 1>has the courage to stand up for her own needs,

0:37:38.640 --> 0:37:41.040
<v Speaker 1>Tessa wants to show her daughter that she has the

0:37:41.080 --> 0:37:43.960
<v Speaker 1>courage to stand up for someone else's.

0:37:48.040 --> 0:37:53.560
<v Speaker 6>I'm sorry that I didn't. The thought of you thinking

0:37:53.680 --> 0:37:57.840
<v Speaker 6>for thirty five years that you had done something wrong

0:37:59.120 --> 0:38:05.120
<v Speaker 6>is like, Oh, I really don't think that you did anything.

0:38:05.800 --> 0:38:09.759
<v Speaker 6>I really don't. I'm sorry that you felt like that.

0:38:09.880 --> 0:38:11.840
<v Speaker 6>You know, I wish that you hadn't.

0:38:11.880 --> 0:38:13.640
<v Speaker 2>I'm so glad. I'm hearing it now.

0:38:14.239 --> 0:38:18.560
<v Speaker 6>I'm glad too. So I'm really glad, And it's really

0:38:18.560 --> 0:38:21.520
<v Speaker 6>good to see you. And you literally look exactly the same.

0:38:21.800 --> 0:38:23.959
<v Speaker 6>Maybe your hair is a little shorter.

0:38:24.120 --> 0:38:24.200
<v Speaker 4>And.

0:38:31.080 --> 0:38:37.680
<v Speaker 3>Michael, go ahead, was that dramatic hug? Oh you want

0:38:37.719 --> 0:38:38.520
<v Speaker 3>a dramatic hug.

0:38:38.680 --> 0:38:42.040
<v Speaker 2>That's glad. I think we have to have the dramatic.

0:38:41.600 --> 0:38:47.640
<v Speaker 1>Hug because the room's so small. When they stand, they're

0:38:47.680 --> 0:38:50.759
<v Speaker 1>already almost touching. They look at each other for a

0:38:50.760 --> 0:38:56.520
<v Speaker 1>brief moment, and then Sky opens her wings.

0:38:56.680 --> 0:38:58.840
<v Speaker 6>Oh, it's good to see you.

0:38:59.160 --> 0:38:59.960
<v Speaker 2>So good to see you.

0:39:08.520 --> 0:39:11.320
<v Speaker 1>After the meeting with Tessa, Clark didn't have much to say,

0:39:12.040 --> 0:39:15.000
<v Speaker 1>but at night, back in his room, in that space

0:39:15.040 --> 0:39:17.920
<v Speaker 1>where he feels free to open up, Clark's eager to

0:39:17.960 --> 0:39:19.600
<v Speaker 1>talk about Tessa.

0:39:20.800 --> 0:39:24.520
<v Speaker 4>Honestly, I didn't know that person, so I thought they

0:39:24.600 --> 0:39:29.319
<v Speaker 4>might like still be the bully, still bullying you. And

0:39:29.840 --> 0:39:32.560
<v Speaker 4>I didn't want you to feel like scared or anything

0:39:32.640 --> 0:39:35.920
<v Speaker 4>in that situation, so I was kind of anxious. Well,

0:39:35.920 --> 0:39:40.080
<v Speaker 4>then I met Tessa and she was like super nice,

0:39:40.480 --> 0:39:47.040
<v Speaker 4>she was super hard, And I feel like you'd like

0:39:48.080 --> 0:39:55.359
<v Speaker 4>you weren't timid, Mommy, you were brave, Mommy.

0:39:55.400 --> 0:39:59.280
<v Speaker 1>Tonight there's no talk of avenging. Through his mom's example,

0:39:59.719 --> 0:40:02.800
<v Speaker 1>Clark learning that one can be kind without being timid.

0:40:03.600 --> 0:40:06.000
<v Speaker 1>The kindness can carry its own strength.

0:40:07.080 --> 0:40:09.480
<v Speaker 3>If you had if he hadn't had that night where

0:40:09.520 --> 0:40:12.560
<v Speaker 3>you had said you have to figure this out, mom,

0:40:13.040 --> 0:40:15.399
<v Speaker 3>I really honestly don't think I would have done it.

0:40:16.400 --> 0:40:19.719
<v Speaker 2>So thank you. You're welcome.

0:40:24.440 --> 0:40:27.399
<v Speaker 1>There's a lot more coming for Clark. Moments when he'll

0:40:27.440 --> 0:40:30.520
<v Speaker 1>have to make difficult decisions. Some of them he'll talk

0:40:30.560 --> 0:40:35.520
<v Speaker 1>about with Sky, and some he won't. But for now

0:40:35.840 --> 0:40:39.080
<v Speaker 1>they keep talking, neither of them quite ready to go

0:40:39.160 --> 0:40:40.879
<v Speaker 1>to sleep just yet.

0:40:41.360 --> 0:40:45.520
<v Speaker 3>Remember when you said that there was an international Tomato day,

0:40:46.000 --> 0:40:47.760
<v Speaker 3>Jop judging.

0:40:47.440 --> 0:40:51.160
<v Speaker 2>Me, it was international.

0:41:26.960 --> 0:41:32.720
<v Speaker 7>Now that the fern entures returning to its goodwill home,

0:41:36.239 --> 0:41:40.640
<v Speaker 7>Now that the last month's rent is scheming, with the

0:41:40.840 --> 0:41:47.440
<v Speaker 7>damage to possible, take this moment to dissolve. If we

0:41:47.640 --> 0:41:53.160
<v Speaker 7>meant it, if we talked, we felt around for far,

0:41:53.360 --> 0:41:58.680
<v Speaker 7>tooting from things that accidentally talk.

0:42:03.080 --> 0:42:06.000
<v Speaker 1>Heavyweight is hosted and produced by me Jonathan Goldstein, along

0:42:06.000 --> 0:42:08.919
<v Speaker 1>with Khalila Holt, Peter Bresnan, and Stevie Lane. The show

0:42:08.960 --> 0:42:12.440
<v Speaker 1>is edited by Jorgeus, with additional editing by Alex Bloomberg.

0:42:12.680 --> 0:42:16.640
<v Speaker 1>Special thanks to Emily Condon, Devin Taylor, Anica Pillsbury and

0:42:17.160 --> 0:42:19.880
<v Speaker 1>jud jud Ju Ju Ju jud Ju Ju. Jackie Cohen.

0:42:20.800 --> 0:42:23.680
<v Speaker 1>Bobby Lord mixed the episode with music by Christine Fellows,

0:42:23.840 --> 0:42:28.600
<v Speaker 1>John K. Sampson, Blue Dot Sessions, and Bobby Lord he himself.

0:42:28.880 --> 0:42:31.959
<v Speaker 1>Additional music credits can be found on our website gimltmedia

0:42:32.000 --> 0:42:34.800
<v Speaker 1>dot com. Slash Heavyweight our theme song is by The

0:42:34.840 --> 0:42:38.000
<v Speaker 1>Weaker Thans courtesy of Epitaph Records, and our ad music

0:42:38.080 --> 0:42:41.080
<v Speaker 1>is by Hailey Shaw. Follow us on Twitter at Heavyweight

0:42:41.200 --> 0:42:44.480
<v Speaker 1>or email us at Heavyweight at gimltmedia dot com. We'll

0:42:44.480 --> 0:42:46.440
<v Speaker 1>have a new episode next week