1
00:00:19,760 --> 00:00:22,800
Speaker 1: I'm definitely a little more discombobulated today because it's we're

2
00:00:22,800 --> 00:00:23,960
Speaker 1: doing something a little different today.

3
00:00:24,079 --> 00:00:26,960
Speaker 2: We are doing something a little different today. I'm excited

4
00:00:26,960 --> 00:00:30,639
Speaker 2: for it. I have to laugh though, because, in usual

5
00:00:30,720 --> 00:00:35,960
Speaker 2: ME fashion, what'd you do? I watched the next recap

6
00:00:36,000 --> 00:00:37,520
Speaker 2: that we're doing for next week.

7
00:00:37,560 --> 00:00:39,600
Speaker 1: Oh, I watched that. I watched that too, before we

8
00:00:39,720 --> 00:00:41,320
Speaker 1: decided we were doing what we're doing.

9
00:00:41,920 --> 00:00:47,240
Speaker 2: I watched it last night and Joy Judy, what hold on? Wait,

10
00:00:48,840 --> 00:00:54,080
Speaker 2: I've watched it. And then I was like, let me

11
00:00:54,160 --> 00:00:56,160
Speaker 2: see if Maddie has.

12
00:00:56,280 --> 00:01:01,120
Speaker 1: Uh put the run down? She's I was in the drive.

13
00:01:01,640 --> 00:01:04,320
Speaker 2: Let me just take a look at it because TAS

14
00:01:04,480 --> 00:01:06,640
Speaker 2: is gonna be on, so like, let's let me see.

15
00:01:06,800 --> 00:01:09,360
Speaker 2: I never do that, Okay, Oh I never?

16
00:01:09,959 --> 00:01:12,720
Speaker 1: You know, me like, I'll get it here. I'm like,

17
00:01:13,040 --> 00:01:16,640
Speaker 1: let's go. Every table read gone.

18
00:01:16,760 --> 00:01:20,520
Speaker 2: I was prepared, thank you very much, or was trying

19
00:01:20,520 --> 00:01:25,280
Speaker 2: to be, because I realized that I was incredibly underprepared

20
00:01:25,280 --> 00:01:27,280
Speaker 2: because I did not watch the movie. And then I

21
00:01:27,319 --> 00:01:28,720
Speaker 2: was like, oh my god. So I stayed up and

22
00:01:28,760 --> 00:01:29,399
Speaker 2: watched the movie.

23
00:01:29,680 --> 00:01:30,080
Speaker 1: Stayed up.

24
00:01:30,120 --> 00:01:32,200
Speaker 2: I was up till nine thirty. Okay, this is a

25
00:01:32,280 --> 00:01:35,360
Speaker 2: late look. I've been going to bed at like eight pm.

26
00:01:35,560 --> 00:01:38,480
Speaker 2: I just it's that's any end of the day. I'm like,

27
00:01:38,520 --> 00:01:42,880
Speaker 2: I'm so over stimulated and just exhausted with the yeah,

28
00:01:43,800 --> 00:01:46,240
Speaker 2: all of it. But yeah, so I did watch the

29
00:01:46,280 --> 00:01:48,600
Speaker 2: movie Don't Worry, don't worry. But I had to laugh

30
00:01:48,720 --> 00:01:51,760
Speaker 2: because here I was like thinking, look at me go

31
00:01:51,960 --> 00:01:55,360
Speaker 2: and being all prepared like I usually do. And I've

32
00:01:55,440 --> 00:02:00,000
Speaker 2: learned double check that because usually when I think I

33
00:02:00,000 --> 00:02:00,960
Speaker 2: I'm prepared.

34
00:02:01,120 --> 00:02:03,400
Speaker 1: I'm prepared for the wrong thing. That's a sign. That's

35
00:02:03,440 --> 00:02:05,200
Speaker 1: a red flag if you're feeling prepared.

36
00:02:05,320 --> 00:02:07,880
Speaker 2: Right, if I'm feeling prepared, I'm like, something feels off here,

37
00:02:09,560 --> 00:02:11,600
Speaker 2: something feels off. But yeah, I checked the run down

38
00:02:11,600 --> 00:02:14,440
Speaker 2: and I was like, oh my god, right the movie. Yes, oh,

39
00:02:14,440 --> 00:02:15,079
Speaker 2: we're doing the thing.

40
00:02:15,080 --> 00:02:17,280
Speaker 1: And then yeah, yeah, and then I watched the movie and.

41
00:02:17,200 --> 00:02:20,760
Speaker 2: Then uh oh man to rewind a little bit, we

42
00:02:20,800 --> 00:02:23,800
Speaker 2: are doing something different here on how rud Tannerito is today.

43
00:02:23,840 --> 00:02:27,440
Speaker 2: We have watched a movie that has nothing to do

44
00:02:27,520 --> 00:02:29,799
Speaker 2: with Fuller Fuller House other than the fact that Lori

45
00:02:29,880 --> 00:02:30,480
Speaker 2: Lachlin is in.

46
00:02:30,520 --> 00:02:33,480
Speaker 1: Right, right, Yeah, that's the thread, that's the connecting thread.

47
00:02:33,639 --> 00:02:36,400
Speaker 2: That's and an entire episode of full House was based

48
00:02:36,440 --> 00:02:36,680
Speaker 2: on it.

49
00:02:37,040 --> 00:02:39,640
Speaker 1: Yeah, no, this is this is very timely. You know,

50
00:02:39,680 --> 00:02:43,120
Speaker 1: we just reviewed the Secret admire episode of Full House.

51
00:02:43,160 --> 00:02:46,520
Speaker 1: We did the reenactment a few weeks before that, and

52
00:02:46,720 --> 00:02:49,359
Speaker 1: just when you can't get enough Secret Admirer, here we are.

53
00:02:49,520 --> 00:02:56,200
Speaker 1: We're gonna review movie today. Yep. The movie was When

54
00:02:56,200 --> 00:02:59,400
Speaker 1: did the movie come out? Nineteen eighty five? When I

55
00:02:59,520 --> 00:03:02,280
Speaker 1: came out three? Oh you were three, okay? So I

56
00:03:02,400 --> 00:03:06,000
Speaker 1: was three old, Okay I had I have no memory

57
00:03:06,040 --> 00:03:09,520
Speaker 1: of this, Like I've never seen story. I would never

58
00:03:09,560 --> 00:03:10,280
Speaker 1: have even heard of you.

59
00:03:11,360 --> 00:03:13,880
Speaker 2: I am not great with eighties movies, Like there are

60
00:03:14,040 --> 00:03:17,080
Speaker 2: so many classic eighties movies that I haven't seen because

61
00:03:17,600 --> 00:03:22,040
Speaker 2: I was little, Like I was like child child, you know.

62
00:03:22,080 --> 00:03:24,040
Speaker 2: I was born eighty two, so like some of the

63
00:03:24,040 --> 00:03:26,520
Speaker 2: classic movies that came out in eighty five or eighties

64
00:03:26,600 --> 00:03:28,760
Speaker 2: is like I was three or four, Like it didn't

65
00:03:29,720 --> 00:03:32,160
Speaker 2: register for me, you know. So there's a lot of ones.

66
00:03:32,440 --> 00:03:33,880
Speaker 2: I had not seen this one.

67
00:03:35,960 --> 00:03:38,400
Speaker 1: But it was so eighties.

68
00:03:38,440 --> 00:03:38,600
Speaker 3: Oh.

69
00:03:38,640 --> 00:03:41,880
Speaker 1: I just I love eighties movies. I grew up with

70
00:03:41,920 --> 00:03:44,960
Speaker 1: two older brothers, So God pretty much.

71
00:03:44,880 --> 00:03:46,840
Speaker 2: To John Hughes, Pretty and PAINK.

72
00:03:46,760 --> 00:03:51,000
Speaker 1: Sixteen Candles, Breakfast, Breakfast Club, like see I watched Sixteen

73
00:03:51,000 --> 00:03:55,000
Speaker 1: Candles and I was like, okay, it was cute. Oh,

74
00:03:55,200 --> 00:03:57,520
Speaker 1: just not gonna know. This was just like you live

75
00:03:57,600 --> 00:03:59,280
Speaker 1: to watch these movies. They were so good.

76
00:04:01,040 --> 00:04:05,760
Speaker 2: Do you remember hold on random tangent here moment happened?

77
00:04:06,200 --> 00:04:08,480
Speaker 2: Do you remember property Bob?

78
00:04:09,000 --> 00:04:09,200
Speaker 1: Yeah?

79
00:04:10,280 --> 00:04:15,360
Speaker 2: Do you remember his niece was Molly Ringwold shut up? No, yes,

80
00:04:15,520 --> 00:04:18,400
Speaker 2: I didn't know that. Did she have to say that

81
00:04:19,000 --> 00:04:21,600
Speaker 2: because they don't have the same last name, do they?

82
00:04:21,880 --> 00:04:22,480
Speaker 1: No?

83
00:04:22,480 --> 00:04:25,520
Speaker 2: No, but they But like that was like a bunch

84
00:04:25,520 --> 00:04:26,200
Speaker 2: of people knew that.

85
00:04:26,520 --> 00:04:28,039
Speaker 1: Did you not know that? I didn't. I didn't. I

86
00:04:28,080 --> 00:04:30,320
Speaker 1: either didn't know. I'm justmaster.

87
00:04:31,040 --> 00:04:33,479
Speaker 2: I believe it he was.

88
00:04:33,680 --> 00:04:36,599
Speaker 1: It was his niece, wow, niece or grand niece because

89
00:04:36,640 --> 00:04:37,400
Speaker 1: he was a little bit older.

90
00:04:40,400 --> 00:04:45,200
Speaker 2: Okay, okay, yeah, but anyway, that's the connection there to yeah,

91
00:04:45,320 --> 00:04:46,080
Speaker 2: to Molly Ring.

92
00:04:46,240 --> 00:04:47,719
Speaker 1: Another connection to Fullhobs.

93
00:04:49,200 --> 00:04:49,400
Speaker 2: Yeah.

94
00:04:49,440 --> 00:04:51,240
Speaker 1: I didn't know that. So she never came to set.

95
00:04:51,279 --> 00:04:51,640
Speaker 1: I didn't.

96
00:04:51,640 --> 00:04:53,919
Speaker 2: I mean, I was no, No, she didn't come to

97
00:04:53,920 --> 00:04:54,520
Speaker 2: set or anything.

98
00:04:54,520 --> 00:04:56,840
Speaker 1: But I don't know. I honestly don't know how I

99
00:04:56,880 --> 00:04:58,599
Speaker 1: knew that or how I found it out. But this

100
00:04:58,720 --> 00:05:02,760
Speaker 1: is what you excel at. I'mbering random facts out of context. Even.

101
00:05:03,600 --> 00:05:05,719
Speaker 2: I was like, let me pick up on this weird

102
00:05:05,760 --> 00:05:08,000
Speaker 2: information that no one else that's gonna come in handy

103
00:05:08,040 --> 00:05:10,359
Speaker 2: thirty seven years later on a podcast, Yeah.

104
00:05:11,279 --> 00:05:20,080
Speaker 1: Here we are you sweeting you very much, I'm prepared today. Wow. Okay,

105
00:05:20,800 --> 00:05:24,359
Speaker 1: fun fact. Love that fun fact. But yeah, no, I

106
00:05:24,400 --> 00:05:27,080
Speaker 1: had never heard of this movie until I met Laurie.

107
00:05:28,160 --> 00:05:31,040
Speaker 1: Didn't remember until we did this podcast that the secret

108
00:05:31,040 --> 00:05:33,520
Speaker 1: Admire episode of Full House is based on this movie.

109
00:05:34,440 --> 00:05:37,440
Speaker 1: It was delightful. I was thinking it would be I

110
00:05:37,520 --> 00:05:40,520
Speaker 1: was expecting like a bomb. I was like, oh, this

111
00:05:40,520 --> 00:05:43,200
Speaker 1: this movie probably bombed, which is why I never really

112
00:05:43,240 --> 00:05:43,720
Speaker 1: heard of it.

113
00:05:44,400 --> 00:05:45,000
Speaker 2: It's great.

114
00:05:45,120 --> 00:05:47,520
Speaker 1: It was fantastic. This is right up there with the

115
00:05:47,600 --> 00:05:50,480
Speaker 1: John Hughes movies. Like I loved it, Like spoiler alert,

116
00:05:50,640 --> 00:05:54,200
Speaker 1: I thought this was fantastic. Okay, Jody Duck can tell

117
00:05:54,240 --> 00:05:59,359
Speaker 1: by your face you disagree. They ain't gonna be good today.

118
00:05:59,480 --> 00:06:03,080
Speaker 2: You know what I was now, I guess like the

119
00:06:03,080 --> 00:06:07,240
Speaker 2: Goonies was really the only like like teen Crew, and

120
00:06:07,279 --> 00:06:08,720
Speaker 2: they were younger, you know what I mean? They were

121
00:06:08,800 --> 00:06:11,159
Speaker 2: like that was the only like teen Crew movie that

122
00:06:11,160 --> 00:06:12,640
Speaker 2: I really got into. The rest of them was like

123
00:06:12,680 --> 00:06:15,880
Speaker 2: this is I just never I never I don't know,

124
00:06:15,880 --> 00:06:16,159
Speaker 2: it's not.

125
00:06:16,200 --> 00:06:18,600
Speaker 1: It was never my thing. Okay, that's right, it's not.

126
00:06:18,600 --> 00:06:19,840
Speaker 1: But that's okay, that's okay.

127
00:06:19,880 --> 00:06:23,080
Speaker 2: Look, the movie was adorable. I loved seeing baby.

128
00:06:22,839 --> 00:06:27,560
Speaker 1: Laurie, Baby baby Laurie, Baby Laurie. She must have been

129
00:06:28,080 --> 00:06:31,080
Speaker 1: like twenty years old when she Oh my god, god, yeah,

130
00:06:31,279 --> 00:06:33,839
Speaker 1: nineteen eighty five. She just turned to say, yeah, so

131
00:06:33,960 --> 00:06:37,200
Speaker 1: about twenty twenty one, twenty. Yeah, that's amazing.

132
00:06:37,800 --> 00:06:41,120
Speaker 2: Baby whole baby cheeks, like I know, I know. And

133
00:06:41,400 --> 00:06:42,920
Speaker 2: the bangs, all that hair.

134
00:06:42,920 --> 00:06:44,160
Speaker 1: Oh, the feathered bangs.

135
00:06:44,480 --> 00:06:46,839
Speaker 2: Oh LORI I was like, is that a wig? She's

136
00:06:46,839 --> 00:06:50,520
Speaker 2: weary like her hair just so Lauri. Remember Laurie was

137
00:06:50,560 --> 00:06:51,400
Speaker 2: becky with the good.

138
00:06:51,240 --> 00:06:54,800
Speaker 1: Hair, with good hair. Yeah, yeah, yeah, she just Laura's

139
00:06:54,800 --> 00:06:56,040
Speaker 1: always had great hair. I just have no.

140
00:06:56,080 --> 00:06:57,920
Speaker 2: I don't think I've ever seen her with like super

141
00:06:58,000 --> 00:06:58,880
Speaker 2: long hair like that.

142
00:06:58,920 --> 00:07:01,160
Speaker 1: It was very long, very long. Yeah. The bangs were

143
00:07:01,200 --> 00:07:04,440
Speaker 1: long and feathered. Oh glorious, so good.

144
00:07:04,640 --> 00:07:08,640
Speaker 2: Yeah, just so much, so much eighties happening. Well, let's uh,

145
00:07:09,000 --> 00:07:11,360
Speaker 2: let's start kind of at the at the listen to

146
00:07:11,560 --> 00:07:11,760
Speaker 2: the thing.

147
00:07:11,840 --> 00:07:14,280
Speaker 1: Let me introduce the show. We're seven minutes in. Let

148
00:07:14,280 --> 00:07:16,880
Speaker 1: me introduce, let me introduce us. In case people don't

149
00:07:16,880 --> 00:07:18,960
Speaker 1: know who we are by now, welcome back to how

150
00:07:19,040 --> 00:07:21,800
Speaker 1: Rude tan Ritos. I'm Andrea Barber and I'm Jody Sweeten

151
00:07:22,200 --> 00:07:27,080
Speaker 1: did coffee sip cheers yeay, And today we're discussing Secret Admirer,

152
00:07:28,200 --> 00:07:31,120
Speaker 1: which came out on June fourteenth, nineteen eighty five. So

153
00:07:31,480 --> 00:07:33,600
Speaker 1: this is great. Should we should we do our normal

154
00:07:33,920 --> 00:07:39,320
Speaker 1: routine here? That directed by written by starring Sure why not? Yeah? Yeah, okay.

155
00:07:39,600 --> 00:07:41,680
Speaker 1: I'm like we could change it up completely or keep

156
00:07:41,720 --> 00:07:44,080
Speaker 1: it sort of similar. I don't know, Okay.

157
00:07:44,160 --> 00:07:46,600
Speaker 2: Sorry, I just had a minor technical difficulty where my

158
00:07:46,720 --> 00:07:49,040
Speaker 2: iPad wouldn't scroll, and I was like, this is the thing,

159
00:07:49,800 --> 00:07:50,760
Speaker 2: this is what's gonna happen.

160
00:07:51,000 --> 00:07:52,840
Speaker 1: This is what's going to delay. We started early and

161
00:07:52,880 --> 00:07:56,160
Speaker 1: now we're going to be delayed. Yeah, okay, okay. So

162
00:07:56,360 --> 00:08:00,680
Speaker 1: this movie was directed by David Greenwalt. It was written

163
00:08:00,680 --> 00:08:08,240
Speaker 1: by Jim coof Sure Okay, and it's spelled like poof

164
00:08:08,320 --> 00:08:14,360
Speaker 1: but with a K. He's very uncouf uncouf sorry and

165
00:08:14,520 --> 00:08:20,440
Speaker 1: terrible joke. I'll see myself and we've got the cast

166
00:08:20,520 --> 00:08:24,320
Speaker 1: is stacked, man, the cast is stacked. And I didn't

167
00:08:24,400 --> 00:08:26,800
Speaker 1: I didn't research all of these people. So everyone just

168
00:08:26,880 --> 00:08:29,400
Speaker 1: chime in here and fill in the gaps. But uh,

169
00:08:29,640 --> 00:08:33,680
Speaker 1: first we have see Thomas Howell as Michael Ryan. He

170
00:08:34,480 --> 00:08:36,600
Speaker 1: where did he go? Man? Because he was so he

171
00:08:36,640 --> 00:08:38,040
Speaker 1: was in the outsiders. He was the kid.

172
00:08:38,080 --> 00:08:40,560
Speaker 2: He was part of the little brat pack of the eighties,

173
00:08:40,600 --> 00:08:40,800
Speaker 2: wasn't it.

174
00:08:40,920 --> 00:08:42,760
Speaker 1: I just think he wasn't quite as well known or

175
00:08:42,760 --> 00:08:45,360
Speaker 1: he didn't quite as far for some reason.

176
00:08:45,480 --> 00:08:48,520
Speaker 2: See Thomas Howell. Uh, I think I just think of

177
00:08:48,640 --> 00:08:49,439
Speaker 2: Thurston Howl.

178
00:08:49,920 --> 00:08:51,480
Speaker 1: But I always expect.

179
00:08:51,160 --> 00:08:54,600
Speaker 2: Like like an older rich guy and a white hat,

180
00:08:54,920 --> 00:08:56,439
Speaker 2: you know what I mean, And they're like, oh no, wait,

181
00:08:56,559 --> 00:08:57,880
Speaker 2: that's right, this kid.

182
00:08:58,120 --> 00:09:00,200
Speaker 1: Okay, he should have changed his name because that I

183
00:09:00,240 --> 00:09:02,760
Speaker 1: think that's why you know he wasn't quite as popular

184
00:09:02,800 --> 00:09:05,120
Speaker 1: as the other blackpackers, is because right people, Or.

185
00:09:05,080 --> 00:09:07,000
Speaker 2: He just should have gone with the full three neighbor,

186
00:09:07,200 --> 00:09:10,520
Speaker 2: you know what I mean, Christopher Thomas Howe, like the.

187
00:09:10,320 --> 00:09:15,320
Speaker 1: Full yeah, and at a third you know, Christopher Christopher Thomas.

188
00:09:15,080 --> 00:09:18,360
Speaker 2: Christopher Thomas Howl, the third Yeah. He should have got

189
00:09:18,360 --> 00:09:20,080
Speaker 2: off the island and then now he's here.

190
00:09:20,880 --> 00:09:23,040
Speaker 1: We should have managed this man's career. You know, he

191
00:09:23,080 --> 00:09:26,200
Speaker 1: would have gone so far. But he's a fantastic actor.

192
00:09:26,320 --> 00:09:27,960
Speaker 2: He did Okay, did great?

193
00:09:28,000 --> 00:09:30,480
Speaker 1: Thomas did great? What are you thinking of? Like Rob

194
00:09:30,520 --> 00:09:34,040
Speaker 1: Low and like all you know, it's it's just not Yeah,

195
00:09:34,080 --> 00:09:36,360
Speaker 1: he's still acting. Okay, he's still acting to this day.

196
00:09:36,720 --> 00:09:39,319
Speaker 1: Maybe I've offended him. Sorry to see Thomas.

197
00:09:39,080 --> 00:09:43,640
Speaker 2: How Now see the how Letts are gonna come after us?

198
00:09:44,360 --> 00:09:47,080
Speaker 2: There there, it's gonna be a mess. We're gonna be

199
00:09:47,280 --> 00:09:49,199
Speaker 2: just canceled, ripped to shreds on the internet.

200
00:09:50,320 --> 00:09:54,240
Speaker 1: Rate apologies to the howl Lets and see Thomas how

201
00:09:54,400 --> 00:09:58,160
Speaker 1: the third we I apologize, You're fantastic actor. I wish

202
00:09:58,240 --> 00:10:00,280
Speaker 1: I had seen you in more things. That is the

203
00:10:00,320 --> 00:10:03,160
Speaker 1: sentiment I'm trying to express. She's like, just move on,

204
00:10:03,840 --> 00:10:10,080
Speaker 1: stop digging and move on right, just stop now. Next

205
00:10:10,080 --> 00:10:14,240
Speaker 1: do we have Lori Lachlan as Tony Williams, The just

206
00:10:14,360 --> 00:10:17,959
Speaker 1: illuminous Lori Lachlan. I don't tell you what she's done.

207
00:10:18,000 --> 00:10:20,640
Speaker 1: We know what she's done, but she's just she's just

208
00:10:20,720 --> 00:10:22,920
Speaker 1: perfect for this role. I mean, we'll get there, but

209
00:10:23,480 --> 00:10:26,439
Speaker 1: the casting was just top notch in this film. Then

210
00:10:26,440 --> 00:10:30,240
Speaker 1: we have Kelly Preston as Deborah Ann Fimple. Oh man,

211
00:10:30,320 --> 00:10:34,000
Speaker 1: this was I got a little sad watching this because yeah,

212
00:10:34,080 --> 00:10:37,280
Speaker 1: she's not with us anymore. But yeah, again, perfectly cast.

213
00:10:37,800 --> 00:10:40,400
Speaker 1: What a beauty man. Oh yeah, she was great. She

214
00:10:40,480 --> 00:10:42,160
Speaker 1: brought it. She was great.

215
00:10:42,559 --> 00:10:45,520
Speaker 2: The name though, the Deborah Ann fimple fe. What a

216
00:10:45,559 --> 00:10:48,400
Speaker 2: great name, and like Deborah Ann.

217
00:10:48,280 --> 00:10:51,400
Speaker 1: Like it's such a like, Yeah, she's a snooty like

218
00:10:51,480 --> 00:10:53,680
Speaker 1: Deborah Ann is a little bit has to be that

219
00:10:53,880 --> 00:10:54,360
Speaker 1: sort of right.

220
00:10:54,440 --> 00:10:57,120
Speaker 2: She's the popular girl that dates the you know, jock

221
00:10:57,280 --> 00:10:57,880
Speaker 2: college dude.

222
00:10:57,920 --> 00:11:02,439
Speaker 1: Yeah yeah, well well named well cast. I totally agree.

223
00:11:03,600 --> 00:11:07,240
Speaker 1: We have d Wallace Stone as Connie Ryan. She was

224
00:11:07,280 --> 00:11:11,000
Speaker 1: the Mommy Tea. She played My Mom and Skateboard Kid

225
00:11:11,000 --> 00:11:15,640
Speaker 1: two more importantly, Oh my god, I love her. We

226
00:11:15,679 --> 00:11:19,040
Speaker 1: should review Skateboard Kid too, because that is just talk

227
00:11:19,080 --> 00:11:23,359
Speaker 1: about movies that didn't make it big movie review. Yeah,

228
00:11:23,559 --> 00:11:28,000
Speaker 1: so yeah, you lovely woman, consummate professional, just played just

229
00:11:28,080 --> 00:11:31,000
Speaker 1: a wonderful, wonderful mom. She's known as a screen queen too,

230
00:11:31,000 --> 00:11:33,840
Speaker 1: because she did a lot of horror films in the seventies. Yeah,

231
00:11:34,000 --> 00:11:36,360
Speaker 1: so yeah, she's she's great. Yeah I was.

232
00:11:36,640 --> 00:11:39,000
Speaker 2: I went back and watch ETEA and then did a

233
00:11:39,000 --> 00:11:42,680
Speaker 2: whole bit in my stand up about like when you

234
00:11:42,720 --> 00:11:44,600
Speaker 2: go back and watch it as an adult you realize

235
00:11:44,600 --> 00:11:47,760
Speaker 2: this poor mother, you know, yeah, oh gosh, yeah, got

236
00:11:48,080 --> 00:11:50,960
Speaker 2: she's got one kid getting drunk and releasing frogs at school.

237
00:11:51,040 --> 00:11:54,040
Speaker 2: She was a four year old home by herself. You know,

238
00:11:54,320 --> 00:11:57,199
Speaker 2: an alien, sorry alien. She has no idea, you know

239
00:11:57,240 --> 00:11:59,920
Speaker 2: what I mean? Like her husband's got this poor late

240
00:12:00,360 --> 00:12:03,599
Speaker 2: his mother without the alien.

241
00:12:03,800 --> 00:12:05,439
Speaker 1: I might have an alien in my house right now.

242
00:12:05,480 --> 00:12:05,840
Speaker 2: I don't know.

243
00:12:07,240 --> 00:12:09,800
Speaker 1: You you haven't seen motherhood until you've just covered an

244
00:12:09,840 --> 00:12:10,760
Speaker 1: alien in your house.

245
00:12:11,080 --> 00:12:11,400
Speaker 2: True.

246
00:12:12,840 --> 00:12:16,400
Speaker 1: Anyway, she's fantastic. Then we have Cliff de Young as

247
00:12:16,600 --> 00:12:20,360
Speaker 1: George Ryan. He was he was fine, Like I don't know,

248
00:12:20,400 --> 00:12:23,679
Speaker 1: I got feelings about him as well, but he was fine,

249
00:12:23,880 --> 00:12:26,640
Speaker 1: adequate as the dad Michael's dad, he was a very

250
00:12:26,720 --> 00:12:31,760
Speaker 1: eighties dad type. Yeah he was. I didn't know if

251
00:12:31,800 --> 00:12:33,959
Speaker 1: the character was supposed to be kind of nerdy or

252
00:12:34,200 --> 00:12:38,080
Speaker 1: like square. That's how he played it, and so I

253
00:12:38,160 --> 00:12:40,080
Speaker 1: was like, okay, yeah, but yeah, I think that was

254
00:12:40,120 --> 00:12:42,640
Speaker 1: that was that was the intention. Then he did fantastic.

255
00:12:44,800 --> 00:12:49,760
Speaker 1: We have Lee Taylor Young as Elizabeth Fimple, Fred Ward

256
00:12:50,000 --> 00:12:54,360
Speaker 1: as Lou Fimple, which fantastic, Like this guy steals in

257
00:12:54,360 --> 00:12:57,160
Speaker 1: the show practically, like he is just the angry cop

258
00:12:57,240 --> 00:12:59,040
Speaker 1: dad he was like needed his own.

259
00:12:59,320 --> 00:13:01,320
Speaker 2: It was I was like, like, you, sir, are in

260
00:13:01,360 --> 00:13:04,440
Speaker 2: a sketch that just every time you come in it

261
00:13:04,480 --> 00:13:05,600
Speaker 2: takes a serious turn.

262
00:13:06,120 --> 00:13:09,640
Speaker 1: Yes, so good. He was an escape from Alcatraz and

263
00:13:09,760 --> 00:13:12,520
Speaker 1: a whole lot of other things. But yeah, just a

264
00:13:12,520 --> 00:13:19,120
Speaker 1: fantastic actor. Casey Samasco as Roger Despard. He was funny.

265
00:13:19,200 --> 00:13:21,920
Speaker 1: I relate to that character kind of the and it

266
00:13:21,960 --> 00:13:23,240
Speaker 1: was the kid from Stranger Things.

267
00:13:23,679 --> 00:13:26,960
Speaker 2: Oh yeah, he kind of the kid from Strangers exactly,

268
00:13:27,000 --> 00:13:27,760
Speaker 2: the kid.

269
00:13:27,640 --> 00:13:30,960
Speaker 1: From Stranger Things. He did, he did, and he did great.

270
00:13:31,120 --> 00:13:32,920
Speaker 1: He was very funny in the scenes.

271
00:13:33,240 --> 00:13:36,080
Speaker 2: There's the eighties always had the weird, wacky you know.

272
00:13:36,760 --> 00:13:39,320
Speaker 2: I mean, well that was you, that was me. So

273
00:13:39,400 --> 00:13:41,199
Speaker 2: I really liked this character.

274
00:13:42,240 --> 00:13:46,520
Speaker 1: Scott McGinnis as Steve Powers, the jock. He was a

275
00:13:46,520 --> 00:13:50,880
Speaker 1: great jock, just angry testosterone. Yeah, it's just one of

276
00:13:50,880 --> 00:13:53,400
Speaker 1: those dudes you're like, oh, I'll just give you a

277
00:13:53,440 --> 00:13:59,520
Speaker 1: wide birth. And last, but certainly not least, Corey Haim

278
00:14:00,360 --> 00:14:03,800
Speaker 1: as a little brother Jeff Ryan. I didn't even recognize him.

279
00:14:04,040 --> 00:14:06,760
Speaker 1: I was like, because he was.

280
00:14:06,720 --> 00:14:09,559
Speaker 2: So it was you know, pre pre Cory and Corey

281
00:14:09,720 --> 00:14:12,560
Speaker 2: pre yeah, heart throb all of that.

282
00:14:12,720 --> 00:14:15,080
Speaker 1: So yeah, yeah, oh it was he did. He did

283
00:14:15,160 --> 00:14:18,880
Speaker 1: great as a little money stealing little brother. And yeah,

284
00:14:18,880 --> 00:14:22,480
Speaker 1: I'm glad he made he made an appearance. Here where

285
00:14:22,480 --> 00:14:23,800
Speaker 1: to watch it. You can watch it on to Be

286
00:14:24,000 --> 00:14:29,280
Speaker 1: for free with I now have to be. I didn't

287
00:14:29,320 --> 00:14:29,600
Speaker 1: have it.

288
00:14:29,800 --> 00:14:31,080
Speaker 2: I didn't have it, and now I have it, and

289
00:14:31,080 --> 00:14:32,520
Speaker 2: I was like, there's a lot of stuff on here.

290
00:14:32,640 --> 00:14:36,160
Speaker 2: So but by the way, know we're not being paid

291
00:14:36,200 --> 00:14:37,600
Speaker 2: by two We say that, but.

292
00:14:37,560 --> 00:14:40,240
Speaker 1: I just we just watched it. That's where it's available.

293
00:14:40,320 --> 00:14:42,440
Speaker 1: That's the one place you can watch it unless you

294
00:14:42,440 --> 00:14:44,240
Speaker 1: have it on DVD, I guess. Or yeah, you feel

295
00:14:44,280 --> 00:14:46,000
Speaker 1: like two B is the place for some deep dives.

296
00:14:46,400 --> 00:14:51,160
Speaker 2: Yeah, yeah, and remember that show that was on Yeah,

297
00:14:51,200 --> 00:14:51,960
Speaker 2: and then it'll be there.

298
00:14:52,440 --> 00:14:54,520
Speaker 1: And this is how you know. I'm just I'm gonna

299
00:14:54,520 --> 00:14:56,200
Speaker 1: get on a soapbox a little bit. This is how

300
00:14:56,200 --> 00:14:59,080
Speaker 1: streamers should be commercials. I know everybody hates commercials. They

301
00:14:59,080 --> 00:15:01,320
Speaker 1: say our podcast has too many ads. These streamers have

302
00:15:01,360 --> 00:15:03,960
Speaker 1: too many. I believe in ads. This is how we

303
00:15:04,000 --> 00:15:06,560
Speaker 1: get paid people. So I will watch as many commercials

304
00:15:06,560 --> 00:15:06,960
Speaker 1: as needs.

305
00:15:07,000 --> 00:15:09,360
Speaker 2: You know what We've gotten so out of the habit

306
00:15:09,400 --> 00:15:12,560
Speaker 2: of watching commercials. It has to do with our attention culture,

307
00:15:12,640 --> 00:15:16,480
Speaker 2: Like if I'm not being entertained at every moment throughout

308
00:15:16,520 --> 00:15:19,480
Speaker 2: I mean even like this movie, you know, it was

309
00:15:19,640 --> 00:15:22,080
Speaker 2: like the pacing event. Like there were times that I

310
00:15:22,080 --> 00:15:23,640
Speaker 2: would like be in a scene and I'm.

311
00:15:23,440 --> 00:15:25,800
Speaker 1: Like it could it's a point.

312
00:15:26,400 --> 00:15:28,760
Speaker 2: And I'm like, oh wait, wait, wait eighty and then

313
00:15:28,760 --> 00:15:30,480
Speaker 2: and then I really have to like stop and be

314
00:15:30,560 --> 00:15:34,200
Speaker 2: like no eighties movie pacing, which just.

315
00:15:34,240 --> 00:15:34,960
Speaker 1: There was room.

316
00:15:35,120 --> 00:15:37,800
Speaker 2: They gave you time, you had conversations. Now it's like

317
00:15:37,840 --> 00:15:41,120
Speaker 2: if you're not like snap, snap snap, getting to the next.

318
00:15:40,880 --> 00:15:44,160
Speaker 1: Point, people do now people don't. Yeah, yeah, I.

319
00:15:44,400 --> 00:15:46,760
Speaker 2: Actually think it's kind of like it was a little

320
00:15:46,760 --> 00:15:49,240
Speaker 2: frustrating at first, but then I was like, oh, but

321
00:15:49,320 --> 00:15:51,000
Speaker 2: I can go fill my water up right.

322
00:15:51,200 --> 00:15:53,880
Speaker 1: Exactly, get a snack, you can take a putty break,

323
00:15:54,000 --> 00:15:55,960
Speaker 1: you know, you can get your dog. There's a lot

324
00:15:55,960 --> 00:15:58,520
Speaker 1: of ways to or just watch the commercials. We should

325
00:15:58,520 --> 00:16:00,160
Speaker 1: have stopped it. We should have stopped a TV. Uh

326
00:16:00,520 --> 00:16:03,200
Speaker 1: here we are. I loved t v O. I miss TVO.

327
00:16:03,640 --> 00:16:06,560
Speaker 2: We need pause, just just pause a live TV.

328
00:16:06,480 --> 00:16:09,880
Speaker 1: Thing, yeah, and like make it be a VCR. There

329
00:16:09,880 --> 00:16:13,600
Speaker 1: you go. Now, look what you're gonna be rant about

330
00:16:13,600 --> 00:16:14,440
Speaker 1: Facebook in a minute?

331
00:16:15,320 --> 00:16:19,720
Speaker 2: We are old ladies. Sorry everyone, I'm sorry.

332
00:16:20,720 --> 00:16:22,640
Speaker 1: Hey, this is our this is our demographic. All the

333
00:16:22,680 --> 00:16:34,200
Speaker 1: people out the four year old there like, here's our.

334
00:16:34,240 --> 00:16:38,640
Speaker 1: Here's a very quick sort of synopsis. Michael Ryan has

335
00:16:38,640 --> 00:16:41,480
Speaker 1: been in love with Deborah Ann Pimple for as long

336
00:16:41,520 --> 00:16:44,640
Speaker 1: as he can remember, not realizing that his female best

337
00:16:44,680 --> 00:16:48,640
Speaker 1: friend Tony Williams also known as Lori Lachlan, is secretly

338
00:16:48,680 --> 00:16:52,000
Speaker 1: pining for him. After Michael receives a love letter on

339
00:16:52,040 --> 00:16:55,200
Speaker 1: the last day of school, his best friend Roger convinces

340
00:16:55,240 --> 00:16:57,920
Speaker 1: him it's from Deborah. This prompts Michael to leave Deborah

341
00:16:57,920 --> 00:17:00,600
Speaker 1: an anonymous love letter in return, and soon the two

342
00:17:00,680 --> 00:17:04,439
Speaker 1: begin a relationship while a jealous Tony is forced to

343
00:17:04,520 --> 00:17:07,680
Speaker 1: watch from afar. Meanwhile, the letter is found by Deborah's

344
00:17:07,720 --> 00:17:12,200
Speaker 1: parents and Michael's parents, sparking suspicion and accusations of philandering

345
00:17:12,520 --> 00:17:15,280
Speaker 1: among all of them. There was a lot going on.

346
00:17:15,359 --> 00:17:17,760
Speaker 1: It was wild. I'm not gonna lie.

347
00:17:17,800 --> 00:17:19,880
Speaker 2: There was a point where I was like wait, wait,

348
00:17:19,920 --> 00:17:20,840
Speaker 2: wait what.

349
00:17:23,520 --> 00:17:24,280
Speaker 1: Who put the letter?

350
00:17:25,480 --> 00:17:27,680
Speaker 2: Oh no, wait, how did you get it there?

351
00:17:27,840 --> 00:17:28,159
Speaker 1: Why do you?

352
00:17:28,280 --> 00:17:31,600
Speaker 2: And like yeah, there were moments where I was like, wait,

353
00:17:32,280 --> 00:17:36,840
Speaker 2: why would you do that? You know, like it just

354
00:17:36,840 --> 00:17:40,080
Speaker 2: just there were actions taken where you were like why

355
00:17:40,080 --> 00:17:43,240
Speaker 2: would you what are you doing? Why would you hide

356
00:17:43,280 --> 00:17:45,000
Speaker 2: it in the thing or in the you know? But

357
00:17:45,240 --> 00:17:46,600
Speaker 2: again it's.

358
00:17:46,600 --> 00:17:49,439
Speaker 1: Well, yeah, I imagine it's tricky to write something like

359
00:17:49,440 --> 00:17:52,600
Speaker 1: this with so many moving parts. But there was more

360
00:17:52,640 --> 00:17:55,640
Speaker 1: than one letter, and it was written by like LORI

361
00:17:55,840 --> 00:17:57,919
Speaker 1: rewrote Michael's letters, and so like, there was a lot

362
00:17:57,960 --> 00:17:58,399
Speaker 1: of letters.

363
00:17:58,880 --> 00:18:01,560
Speaker 2: I was raped the thing and that, yeah, there was there.

364
00:18:01,760 --> 00:18:04,199
Speaker 2: There was a lot of letters, a lot of my

365
00:18:04,320 --> 00:18:05,960
Speaker 2: dearest I don't know, I.

366
00:18:05,920 --> 00:18:07,840
Speaker 1: Was, and a lot of parents that were getting to

367
00:18:07,960 --> 00:18:10,160
Speaker 1: crossing and getting together. So I was like, oh, wait,

368
00:18:10,200 --> 00:18:12,560
Speaker 1: is that Michael's dad or is that Deborah's dad? Like

369
00:18:12,760 --> 00:18:14,919
Speaker 1: it was a little confused. Well, Debora's dad was the

370
00:18:14,960 --> 00:18:18,680
Speaker 1: cop r Yes. He was like, oh yeah, she's got

371
00:18:18,720 --> 00:18:20,760
Speaker 1: the cop she's got Yeah, of course she has the

372
00:18:20,800 --> 00:18:24,720
Speaker 1: angry dad that's overbearing. That was right in with the stereotype.

373
00:18:25,240 --> 00:18:30,680
Speaker 2: When Okay, so you like the overall thoughts on the.

374
00:18:30,560 --> 00:18:33,199
Speaker 1: Movie, you loved it? Is it? I think this is

375
00:18:33,240 --> 00:18:36,160
Speaker 1: a hidden gem. I think this is like Breakfast Club

376
00:18:36,200 --> 00:18:40,399
Speaker 1: meet Serano de Bergerac and I loved it. I love it.

377
00:18:40,480 --> 00:18:42,840
Speaker 1: I love the eighties, but I love the eighties. Thinks

378
00:18:42,880 --> 00:18:46,679
Speaker 1: were simple and entertaining. They weren't overproduced, and I love that.

379
00:18:46,720 --> 00:18:49,320
Speaker 1: I like the slower pace, I like the hygiinks. I

380
00:18:49,560 --> 00:18:51,720
Speaker 1: usually love all of it. There's nothing I don't love

381
00:18:51,960 --> 00:18:56,400
Speaker 1: about the eighties. Okay, yeah, and yeah.

382
00:18:56,280 --> 00:18:59,199
Speaker 2: I was not as excited about it, but I didn't like.

383
00:18:59,200 --> 00:19:00,879
Speaker 2: I didn't hate it, you know what I mean. But

384
00:19:00,920 --> 00:19:03,560
Speaker 2: it's just not it's.

385
00:19:02,760 --> 00:19:05,840
Speaker 1: Not my kind of jam, not your cup of tea, okay,

386
00:19:06,040 --> 00:19:08,920
Speaker 1: not like would you have watched it? I mean if

387
00:19:08,920 --> 00:19:11,119
Speaker 1: we were of course we're doing this today, so you

388
00:19:11,119 --> 00:19:12,960
Speaker 1: had to watch it. But if it weren't for LORI,

389
00:19:13,800 --> 00:19:16,080
Speaker 1: would you have ever picked this picked this movie? Absolutely,

390
00:19:16,119 --> 00:19:18,520
Speaker 1: let's watch No. No, So it's just not in your wheelhouse.

391
00:19:18,840 --> 00:19:19,080
Speaker 2: I don't.

392
00:19:19,160 --> 00:19:20,320
Speaker 1: Yeah, I don't rom coms.

393
00:19:20,359 --> 00:19:22,320
Speaker 2: I mean, you know, it's always the irony, but there

394
00:19:22,320 --> 00:19:22,960
Speaker 2: there I don't.

395
00:19:23,080 --> 00:19:27,200
Speaker 1: I don't watch them. I don't like Okay, yeah, so yeah,

396
00:19:27,480 --> 00:19:30,600
Speaker 1: you'd rather watch movies about aliens or horror films or

397
00:19:30,800 --> 00:19:31,600
Speaker 1: things like that.

398
00:19:31,720 --> 00:19:35,960
Speaker 2: Yeah yeah, you need more guns, dark things? Yeah ot, yeah, okay.

399
00:19:35,880 --> 00:19:38,560
Speaker 1: I respect that. That's fine. You know, we can appreciate

400
00:19:38,600 --> 00:19:40,480
Speaker 1: this movie for the time period it was made, and

401
00:19:41,960 --> 00:19:44,440
Speaker 1: oh boy, was it.

402
00:19:45,080 --> 00:19:49,320
Speaker 2: I found like every five to eight minutes, I would

403
00:19:49,320 --> 00:19:52,600
Speaker 2: be like, oh oh, Like there were.

404
00:19:52,440 --> 00:19:54,720
Speaker 1: Moments when I was like, oh we said that, okay.

405
00:19:54,480 --> 00:19:57,280
Speaker 2: Oh are you talking about the eighties, like like the

406
00:19:57,320 --> 00:20:00,720
Speaker 2: slang you know, like just just the cash will you know,

407
00:20:01,680 --> 00:20:07,240
Speaker 2: racism and sexism and the I will say it felt

408
00:20:07,280 --> 00:20:10,240
Speaker 2: like it was a totally unnecessary shot of Kelly Preston's.

409
00:20:09,800 --> 00:20:12,719
Speaker 1: Boobs twice but you see her boobs.

410
00:20:12,800 --> 00:20:14,960
Speaker 2: That was the like that was the eighties movie, Like

411
00:20:15,000 --> 00:20:16,640
Speaker 2: if you had a cute girl in it, you had

412
00:20:16,640 --> 00:20:18,040
Speaker 2: to show their movies and so that for me, I

413
00:20:18,080 --> 00:20:19,359
Speaker 2: was like, oh, this is so the eighties And I

414
00:20:19,400 --> 00:20:21,880
Speaker 2: was like damn, yeah, yeah we did just just had

415
00:20:21,880 --> 00:20:26,359
Speaker 2: to like show the boobs, which you know, no, fine

416
00:20:26,480 --> 00:20:29,040
Speaker 2: what EV's but like it felt.

417
00:20:28,960 --> 00:20:32,399
Speaker 1: Unnecessary, It felt weird. It definitely definitely wasn't needed.

418
00:20:34,040 --> 00:20:36,080
Speaker 2: I think that's the thing now is that you don't

419
00:20:36,440 --> 00:20:38,480
Speaker 2: is that now you kind of go oh, yeah, it's

420
00:20:38,480 --> 00:20:41,760
Speaker 2: not like like if it fits in the story, it works,

421
00:20:41,760 --> 00:20:43,879
Speaker 2: But like in these types of movies and the you

422
00:20:43,880 --> 00:20:45,760
Speaker 2: know whatever, you were like, I don't know that we

423
00:20:45,840 --> 00:20:48,840
Speaker 2: really could have guessed figured it out.

424
00:20:49,040 --> 00:20:51,400
Speaker 1: You know, you could just tangle the camera so it's

425
00:20:51,440 --> 00:20:53,679
Speaker 1: from like the top of the bosom up so you

426
00:20:53,720 --> 00:20:55,560
Speaker 1: don't see nipple work.

427
00:20:55,359 --> 00:20:58,560
Speaker 2: Right, are I mean? Hey, look, she was what twenty

428
00:20:59,680 --> 00:21:01,080
Speaker 2: rocket while you got it? You know what I mean?

429
00:21:01,840 --> 00:21:04,280
Speaker 2: Yea great bubs, you know, yeah, I mean they were

430
00:21:04,320 --> 00:21:06,680
Speaker 2: in frame. She waited another twenty five years. You would

431
00:21:06,680 --> 00:21:09,359
Speaker 2: have had to, you know, shoot it in a medium.

432
00:21:11,920 --> 00:21:14,040
Speaker 2: You kind of widen the frame.

433
00:21:13,800 --> 00:21:15,840
Speaker 1: Out a little bit, a little lower. You know, you

434
00:21:16,240 --> 00:21:18,640
Speaker 1: sang load do they travel to? Yes?

435
00:21:18,800 --> 00:21:24,080
Speaker 2: Yes, your favorite song? Yeah, so you know what, it's fine,

436
00:21:24,480 --> 00:21:26,600
Speaker 2: let her have it. Yeah, you know, congrats her.

437
00:21:26,520 --> 00:21:29,960
Speaker 1: Boobs are immoralized forever in secret admirer, you know, yeah,

438
00:21:30,000 --> 00:21:36,359
Speaker 1: God bless Preston. Oh right, Kelly Preston. Okay, sorry, I'm sorry.

439
00:21:36,440 --> 00:21:37,760
Speaker 1: Did I just say I'm sorry?

440
00:21:37,760 --> 00:21:40,919
Speaker 2: I don't know why that literally was a thought that

441
00:21:41,000 --> 00:21:45,640
Speaker 2: I had and I didn't even I'm sorry. We haven't

442
00:21:45,840 --> 00:21:48,680
Speaker 2: gotten through, like the first question, we knew this was

443
00:21:48,720 --> 00:21:52,359
Speaker 2: going to happen. This no one expected.

444
00:21:52,640 --> 00:21:53,800
Speaker 1: This is us prepared.

445
00:21:55,280 --> 00:21:55,960
Speaker 2: This is what we do.

446
00:21:56,000 --> 00:22:00,639
Speaker 1: When we're prepared, we go off the rails. Usually I

447
00:22:00,640 --> 00:22:03,840
Speaker 1: can anticipate when you're gonna make a funny or you're

448
00:22:03,880 --> 00:22:07,720
Speaker 1: gonna say safe than sarcastic. But I sometimes that one.

449
00:22:07,600 --> 00:22:10,679
Speaker 2: Just came out of I know, I didn't like I

450
00:22:10,720 --> 00:22:14,479
Speaker 2: thought it and it and I said it. That happens

451
00:22:14,520 --> 00:22:17,879
Speaker 2: sometimes and I'm like, oh, yeah, there want that filter.

452
00:22:18,160 --> 00:22:19,840
Speaker 1: You know that pause.

453
00:22:20,200 --> 00:22:23,280
Speaker 2: That's when I that's when I really remind myself of Bob.

454
00:22:23,760 --> 00:22:25,560
Speaker 1: Oh my godness.

455
00:22:25,640 --> 00:22:26,639
Speaker 2: You know what I mean. When happens.

456
00:22:26,640 --> 00:22:27,840
Speaker 1: There were so many times.

457
00:22:27,600 --> 00:22:29,320
Speaker 2: You would be like, oh no.

458
00:22:29,480 --> 00:22:31,719
Speaker 1: You didn't think that. You didn't think that just came out,

459
00:22:31,760 --> 00:22:32,119
Speaker 1: didn't it.

460
00:22:32,520 --> 00:22:34,000
Speaker 2: And they do that a lot now.

461
00:22:34,119 --> 00:22:41,000
Speaker 1: So your Bob is showing through absolutely. Yeah, okay, recovering.

462
00:22:41,920 --> 00:22:43,639
Speaker 2: Okay, I do like when I make you laugh like that,

463
00:22:43,720 --> 00:22:44,680
Speaker 2: I'll take it as a win.

464
00:22:44,800 --> 00:22:49,440
Speaker 1: I'll take it as a win every time I try

465
00:22:49,480 --> 00:22:51,280
Speaker 1: to keep us on track. There you go, Jody is

466
00:22:51,320 --> 00:22:54,280
Speaker 1: just gonna throw me off the track and make me laugh.

467
00:22:55,640 --> 00:22:56,040
Speaker 2: Tears.

468
00:22:58,840 --> 00:23:02,280
Speaker 1: Okay, where are we? What are we talking about?

469
00:23:02,280 --> 00:23:03,679
Speaker 2: I'm going to put you in the front row of

470
00:23:03,720 --> 00:23:04,760
Speaker 2: every comedy show.

471
00:23:04,600 --> 00:23:08,560
Speaker 1: I ever do. Yeah, I'll laugh enough for the whole audience.

472
00:23:08,880 --> 00:23:11,639
Speaker 1: Oh it's great. Yeah, okay, back to the back to

473
00:23:11,680 --> 00:23:14,560
Speaker 1: the show. Back to the show. Okay, So we talked

474
00:23:14,560 --> 00:23:17,920
Speaker 1: about our expectations. Was it better or worse. What was

475
00:23:17,960 --> 00:23:20,000
Speaker 1: it better or worse than you expected? Like, you know,

476
00:23:20,000 --> 00:23:21,160
Speaker 1: you're not a fans the.

477
00:23:21,119 --> 00:23:25,080
Speaker 2: Same I expected, you know, eighties high jinks, high school movie.

478
00:23:26,040 --> 00:23:29,080
Speaker 2: It was exactly that was that fell right in line

479
00:23:29,080 --> 00:23:32,560
Speaker 2: with what I expected. It met its Okay, yes, yes,

480
00:23:32,960 --> 00:23:35,360
Speaker 2: exceed what it.

481
00:23:35,359 --> 00:23:38,880
Speaker 1: Exceeded my expectations. Like I said before, I thought it bombed.

482
00:23:39,280 --> 00:23:40,840
Speaker 1: When maybe it did, I don't, I don't know. But

483
00:23:42,000 --> 00:23:43,919
Speaker 1: it was way better than I was expecting. It was.

484
00:23:44,480 --> 00:23:47,200
Speaker 1: It was a perfect eighties movie.

485
00:23:47,520 --> 00:23:51,199
Speaker 2: I mean it was no Gleaming the Cube, but whatever,

486
00:23:52,480 --> 00:23:54,680
Speaker 2: that's okay.

487
00:23:55,320 --> 00:23:56,800
Speaker 1: Yeah, no, I thought it. I thought it was great.

488
00:23:56,840 --> 00:23:59,119
Speaker 1: I mean there's a few I had a few problems

489
00:23:59,160 --> 00:24:01,480
Speaker 1: with it, with certain aspects of it, but no, I

490
00:24:01,480 --> 00:24:03,600
Speaker 1: thought it was. It was way better than I was expecting.

491
00:24:03,760 --> 00:24:06,320
Speaker 1: I enjoyed it so much. Michael, my boyfriend, I made

492
00:24:06,359 --> 00:24:10,080
Speaker 1: him watch it too. He thought it was great. So okay, yeah, okay,

493
00:24:10,160 --> 00:24:10,880
Speaker 1: good great.

494
00:24:12,560 --> 00:24:15,360
Speaker 2: I don't know, I like, I don't know. I'm like, okay,

495
00:24:15,600 --> 00:24:18,119
Speaker 2: there's nothing else to say to that, else to say, right,

496
00:24:18,240 --> 00:24:24,880
Speaker 2: like wonderful. I what did did any of it remind

497
00:24:24,920 --> 00:24:27,040
Speaker 2: you of any of your high school experience?

498
00:24:27,800 --> 00:24:30,480
Speaker 1: Oh? Well, yes, the only thing I could really relate

499
00:24:30,520 --> 00:24:34,280
Speaker 1: to was having a secret crush on somebody who didn't

500
00:24:34,359 --> 00:24:36,320
Speaker 1: like me back, you know that like that. It was

501
00:24:36,520 --> 00:24:40,080
Speaker 1: just my whole life relate to that. But I never

502
00:24:40,119 --> 00:24:42,560
Speaker 1: went to like parties. I never I was never cool

503
00:24:42,680 --> 00:24:45,640
Speaker 1: enough to be part of that crowd. And we were

504
00:24:45,680 --> 00:24:47,560
Speaker 1: you know, I was working too, So that's where you're

505
00:24:47,800 --> 00:24:51,120
Speaker 1: out of it as well. So yeah, high school experience

506
00:24:51,200 --> 00:24:52,200
Speaker 1: was working.

507
00:24:53,000 --> 00:24:55,359
Speaker 2: Yeah, mine was a little Mine definitely was a little

508
00:24:55,359 --> 00:24:57,960
Speaker 2: more like this, but you know what it was. I

509
00:24:58,080 --> 00:24:59,720
Speaker 2: just kept watching it and going, oh, look at them

510
00:24:59,720 --> 00:25:00,640
Speaker 2: without their phones?

511
00:25:01,040 --> 00:25:03,760
Speaker 1: Yeah yeah, and.

512
00:25:03,760 --> 00:25:06,680
Speaker 2: A handwritten letter playing Frisbee in the background.

513
00:25:06,680 --> 00:25:08,359
Speaker 1: I was like, look at look at them. Go Yeah.

514
00:25:08,480 --> 00:25:10,240
Speaker 1: It was a great kind of nice to say. It

515
00:25:10,280 --> 00:25:11,240
Speaker 1: was a great time.

516
00:25:12,680 --> 00:25:15,919
Speaker 2: Did you like the full House episode better or the

517
00:25:15,920 --> 00:25:17,920
Speaker 2: movie better? I mean it sounds like it's gonna be

518
00:25:17,920 --> 00:25:19,040
Speaker 2: hard to beat the movie for you.

519
00:25:19,040 --> 00:25:20,040
Speaker 1: You really no?

520
00:25:21,480 --> 00:25:21,879
Speaker 3: What did it?

521
00:25:22,000 --> 00:25:24,479
Speaker 1: Let me see my notes? I like them. I liked

522
00:25:24,480 --> 00:25:27,760
Speaker 1: them eat for different reasons. I think the movie had

523
00:25:27,800 --> 00:25:31,200
Speaker 1: a little more depth to it because it was based

524
00:25:31,240 --> 00:25:34,720
Speaker 1: on real well yeah, yeah, it was ninety minutes, not

525
00:25:34,800 --> 00:25:36,920
Speaker 1: twenty two minutes, right, But it was based on a

526
00:25:37,040 --> 00:25:41,399
Speaker 1: character's real feelings. Lourie had real feelings for Cee Thomas Howell,

527
00:25:41,640 --> 00:25:44,399
Speaker 1: whereas in Full House it was rusty just playing a prank,

528
00:25:44,560 --> 00:25:46,680
Speaker 1: like nobody actually wasn't.

529
00:25:47,160 --> 00:25:50,400
Speaker 2: But there wasn't right, Yeah, the stakes the stakes were

530
00:25:50,440 --> 00:25:57,440
Speaker 2: relatively low in that like it wasn't true, but everyone

531
00:25:57,600 --> 00:26:00,440
Speaker 2: assumed it to be. So that was yes, yes, yeah,

532
00:26:00,440 --> 00:26:02,360
Speaker 2: I liked the Full House episode better.

533
00:26:02,440 --> 00:26:06,960
Speaker 1: Yeah, Okay, I think I think for.

534
00:26:06,840 --> 00:26:13,680
Speaker 2: Me, the letter idea got played out a little bit,

535
00:26:14,880 --> 00:26:16,639
Speaker 2: you know what I mean. I felt like I was like,

536
00:26:16,880 --> 00:26:22,320
Speaker 2: this is a great sitcom episode, but I was kind

537
00:26:22,320 --> 00:26:25,760
Speaker 2: of like, okay, how many we got letters flying everywhere?

538
00:26:25,800 --> 00:26:28,280
Speaker 1: We're how much more were we gonna do? You know

539
00:26:28,320 --> 00:26:28,640
Speaker 1: what I mean?

540
00:26:28,720 --> 00:26:30,600
Speaker 2: And like, I don't know, I think for me, I

541
00:26:30,680 --> 00:26:32,640
Speaker 2: was like kind of by the end.

542
00:26:32,640 --> 00:26:34,240
Speaker 1: I was like, let's get gets the point.

543
00:26:34,600 --> 00:26:37,480
Speaker 2: Yeah, but again, maybe that's just me and my ADHD.

544
00:26:37,560 --> 00:26:41,480
Speaker 2: Maybe it's me and the fact that I've have no

545
00:26:41,680 --> 00:26:42,840
Speaker 2: attention because of phones.

546
00:26:42,880 --> 00:26:47,840
Speaker 1: I don't know, but it felt a little uh yeah,

547
00:26:47,880 --> 00:26:48,280
Speaker 1: I don't know.

548
00:26:48,840 --> 00:26:50,920
Speaker 2: It's like the joke works for a twenty two minute show,

549
00:26:50,920 --> 00:26:52,439
Speaker 2: but does it for ninety?

550
00:26:52,920 --> 00:26:55,000
Speaker 1: Right? They definitely had to stretch, which is why I

551
00:26:55,040 --> 00:26:58,600
Speaker 1: think they added the parents the b storyline sort of

552
00:26:58,840 --> 00:27:00,800
Speaker 1: miscommunicating about the letter.

553
00:27:01,359 --> 00:27:02,320
Speaker 2: Is a whole other thing.

554
00:27:02,359 --> 00:27:04,679
Speaker 1: By the way, Yeah, this is my grape. This is

555
00:27:04,720 --> 00:27:05,280
Speaker 1: my grape.

556
00:27:05,840 --> 00:27:06,840
Speaker 2: When are you?

557
00:27:07,000 --> 00:27:07,720
Speaker 1: Is it the gripe?

558
00:27:07,760 --> 00:27:11,320
Speaker 2: When the when the the nerdy dad kisses the teacher

559
00:27:12,200 --> 00:27:17,280
Speaker 2: and then like basically uh like just assault like just

560
00:27:17,760 --> 00:27:21,800
Speaker 2: makes out with her, totally violates boundaries. She's like, what happened?

561
00:27:22,200 --> 00:27:24,760
Speaker 2: He leaves and then they went but then they're like, no,

562
00:27:24,800 --> 00:27:27,080
Speaker 2: it's a I don't know that. For me, I was like, bro,

563
00:27:27,400 --> 00:27:29,440
Speaker 2: what because she was not into it.

564
00:27:29,920 --> 00:27:32,680
Speaker 1: Well, she was curious. She was curious. She's like should

565
00:27:32,720 --> 00:27:35,159
Speaker 1: we or shouldn't we? But she wasn't willing to cross

566
00:27:35,200 --> 00:27:38,679
Speaker 1: the line, whereas the dad was very much like I

567
00:27:38,720 --> 00:27:42,960
Speaker 1: need to fulfill this fantasy or I'll never forget about this.

568
00:27:43,040 --> 00:27:45,399
Speaker 1: So yeah, it was. It was. I found the parent

569
00:27:45,480 --> 00:27:48,960
Speaker 1: storyline sort of weird. I don't know. Yeah, I felt

570
00:27:48,960 --> 00:27:52,199
Speaker 1: that it was weird that they gave almost as much

571
00:27:52,240 --> 00:27:54,800
Speaker 1: attention to the parent storyline as they did to the

572
00:27:54,880 --> 00:27:58,600
Speaker 1: teen storyline, And I, yeah, that felt unbalanced to me.

573
00:27:58,640 --> 00:28:00,560
Speaker 1: It should have been more. This is a teen age

574
00:28:00,840 --> 00:28:03,560
Speaker 1: rom com, they should have focused more on the teens,

575
00:28:03,560 --> 00:28:06,000
Speaker 1: like eighty percent teens, twenty percent parents. But there was

576
00:28:06,040 --> 00:28:09,280
Speaker 1: so many stench on the parents, and that there's a

577
00:28:09,320 --> 00:28:11,480
Speaker 1: lot higher stakes with the parents, Like we're talking about

578
00:28:11,480 --> 00:28:16,080
Speaker 1: adultery and marriages possibly breaking up. Like that's right, that's

579
00:28:16,119 --> 00:28:16,880
Speaker 1: on high stake.

580
00:28:17,280 --> 00:28:19,560
Speaker 2: They're all just miserable, you know what I mean, Like

581
00:28:19,600 --> 00:28:21,920
Speaker 2: all four of them are like cool. I mean yeah,

582
00:28:22,000 --> 00:28:24,199
Speaker 2: I no, no, I you know, I'm gonna go for it.

583
00:28:24,720 --> 00:28:29,439
Speaker 1: Not communicating bridge the bridge for me, this is the story.

584
00:28:29,520 --> 00:28:32,280
Speaker 2: Okay, let's focus on the Bridge Club, Like what are

585
00:28:32,280 --> 00:28:34,840
Speaker 2: they swingers? You know what I mean? Like maybe that's

586
00:28:34,840 --> 00:28:36,640
Speaker 2: what made it's quote unquote bridge club.

587
00:28:36,720 --> 00:28:39,360
Speaker 1: I don't know. Oh yeah, I see any pineapples siding round,

588
00:28:39,960 --> 00:28:44,680
Speaker 1: but uh sorry, I get it.

589
00:28:44,600 --> 00:28:46,719
Speaker 2: For those that don't know, pineapples, I guess are a

590
00:28:46,760 --> 00:28:49,400
Speaker 2: sign of swingers. So if you see someone with lots

591
00:28:49,400 --> 00:28:54,040
Speaker 2: of pineapples outside of their house, uh.

592
00:28:52,520 --> 00:28:55,320
Speaker 1: What if you just like the fruit? What if you

593
00:28:55,400 --> 00:28:57,960
Speaker 1: just went to Hawaii and you're bringing home some pineapples, like,

594
00:28:58,000 --> 00:29:00,560
Speaker 1: you know, don't misconstrue this. Let's you know, I'm gonna

595
00:29:00,560 --> 00:29:01,560
Speaker 1: defend the pineapple here.

596
00:29:02,880 --> 00:29:05,280
Speaker 2: Look, I have no problem with the pineapple or the swingers.

597
00:29:05,360 --> 00:29:09,120
Speaker 2: I'm just saying that all of these, like all of

598
00:29:09,440 --> 00:29:16,320
Speaker 2: this Bridge club is is a hotbed of potential adulters.

599
00:29:16,520 --> 00:29:19,440
Speaker 1: Oh oh yeah, yeah that was awkward. That was such

600
00:29:19,480 --> 00:29:22,800
Speaker 1: an awkward bridge club Like, oh my gosh, the tension.

601
00:29:22,680 --> 00:29:25,680
Speaker 2: And then and then when it just exploded, I was like, wait, what,

602
00:29:26,480 --> 00:29:30,400
Speaker 2: Like the thought I kept having throughout this whole movie

603
00:29:30,920 --> 00:29:36,240
Speaker 2: is it so many times? Is if you changed the music.

604
00:29:37,000 --> 00:29:39,840
Speaker 2: This entire scene changes tone.

605
00:29:39,920 --> 00:29:42,600
Speaker 3: Oh, if it was more dramatic music, all you had

606
00:29:42,680 --> 00:29:46,000
Speaker 3: to do instead of like going from like eighty synth

607
00:29:46,080 --> 00:29:50,160
Speaker 3: pop yeah, to like some more intense orchestral piece.

608
00:29:50,960 --> 00:29:54,040
Speaker 2: There's a there's like a huge fight that breaks out.

609
00:29:54,480 --> 00:29:57,560
Speaker 2: There's all manner of very serious things that happen.

610
00:29:57,600 --> 00:29:59,600
Speaker 1: There's a salt. Yeah, it's a there's AsSalt.

611
00:29:59,640 --> 00:30:03,160
Speaker 2: There's right the cops like every time he comes on,

612
00:30:03,240 --> 00:30:05,400
Speaker 2: it gets like weirdly dark and he's got.

613
00:30:05,200 --> 00:30:06,520
Speaker 1: A gun, you know what I mean?

614
00:30:06,560 --> 00:30:11,160
Speaker 2: Like there is a lot here. Yeah, there's a lot

615
00:30:11,280 --> 00:30:15,640
Speaker 2: here that I was Yeah, I was like they were playing.

616
00:30:15,400 --> 00:30:17,640
Speaker 1: It last, so it just felt it felt a little

617
00:30:17,680 --> 00:30:21,280
Speaker 1: discombobulated because yeah, there's a lot of assault, violence, rage,

618
00:30:21,760 --> 00:30:24,640
Speaker 1: and they're playing it as like you know, it's sorry

619
00:30:24,720 --> 00:30:27,280
Speaker 1: my printer just turned on. I don't know why you

620
00:30:27,280 --> 00:30:29,400
Speaker 1: need to print. You need to print. Sometimes I didn't

621
00:30:29,440 --> 00:30:31,880
Speaker 1: and it just made a noise for no reason. Sometimes

622
00:30:31,880 --> 00:30:32,800
Speaker 1: they burn like that.

623
00:30:33,360 --> 00:30:39,200
Speaker 2: Yeah, yeah, sorry, that startled me. Uh yeah, I just

624
00:30:39,520 --> 00:30:42,720
Speaker 2: it was a yeah, I want a sequel of The

625
00:30:42,720 --> 00:30:43,400
Speaker 2: Bridge Club, that's all.

626
00:30:43,480 --> 00:30:45,560
Speaker 1: So you just want to see The Bridge Club? Okay, Okay,

627
00:30:45,720 --> 00:30:47,720
Speaker 1: I think the parents they could have shrunk that down

628
00:30:48,400 --> 00:30:51,520
Speaker 1: for sure a lot. Yeah, and made it maybe not

629
00:30:51,600 --> 00:30:55,480
Speaker 1: quite so serious. I don't know. There was a disconnect

630
00:30:55,520 --> 00:30:58,440
Speaker 1: for me with the seriousness of adultery per se.

631
00:30:58,720 --> 00:31:00,920
Speaker 2: Well, I'm saying I think the four of them need

632
00:31:00,960 --> 00:31:03,400
Speaker 2: to talk and work out, because obviously.

633
00:31:03,920 --> 00:31:05,360
Speaker 1: They don't hate each other, you know what I mean.

634
00:31:05,400 --> 00:31:05,760
Speaker 2: I don't know.

635
00:31:05,800 --> 00:31:07,680
Speaker 1: I don't know what they're doing well, because there's no

636
00:31:07,720 --> 00:31:10,560
Speaker 1: Michelle character, so there's no therapist to talk all of

637
00:31:10,600 --> 00:31:12,720
Speaker 1: them that.

638
00:31:12,760 --> 00:31:16,560
Speaker 2: There's not a toddler therapist. These people are flying blind.

639
00:31:16,600 --> 00:31:21,040
Speaker 2: They have no idea. Are they supposed to make rational decisions?

640
00:31:22,320 --> 00:31:24,840
Speaker 1: That makes sense? That makes sense? Okay, now it all

641
00:31:24,880 --> 00:31:27,160
Speaker 1: makes sense now, got it? Okay?

642
00:31:29,400 --> 00:31:33,560
Speaker 2: So I also like when I was watching the movie,

643
00:31:33,800 --> 00:31:38,000
Speaker 2: I could like absolutely see what it was that Jeff

644
00:31:38,040 --> 00:31:40,640
Speaker 2: saw in Laurie that she that he thought would be

645
00:31:40,680 --> 00:31:44,840
Speaker 2: a good compliment to John, which is that like she's

646
00:31:45,320 --> 00:31:48,280
Speaker 2: she is sort of this sweet, fresh faced whatever, but

647
00:31:48,320 --> 00:31:50,800
Speaker 2: like the scene where she goes and just takes a

648
00:31:50,840 --> 00:31:54,360
Speaker 2: baseball bat to the to Roger's band or whatever, you know,

649
00:31:54,840 --> 00:31:58,480
Speaker 2: Like that was exactly and we've talked about this, exactly

650
00:31:58,520 --> 00:32:03,920
Speaker 2: what Jesse needed was sweet, beautiful, kind, lovely, but like

651
00:32:04,920 --> 00:32:08,680
Speaker 2: won't take his crap, right, you know. And I did

652
00:32:08,760 --> 00:32:11,240
Speaker 2: like that about Tony. She finally was like I'm just

653
00:32:11,520 --> 00:32:12,160
Speaker 2: scorched earth.

654
00:32:12,320 --> 00:32:15,320
Speaker 1: Let's go. Oh she was perfect, so perfect. She's your

655
00:32:15,320 --> 00:32:19,520
Speaker 1: classic girl next door, the classic beauty. She's the type

656
00:32:19,560 --> 00:32:21,760
Speaker 1: of girl that doesn't realize just how beautiful she is,

657
00:32:21,840 --> 00:32:25,440
Speaker 1: so that you know, makes her humble, right, Yeah, she's

658
00:32:25,560 --> 00:32:28,719
Speaker 1: She was perfect in this role, almost almost too pretty

659
00:32:28,840 --> 00:32:31,080
Speaker 1: to play, to play the secret Admira role.

660
00:32:33,040 --> 00:32:34,240
Speaker 2: Right, She's kind.

661
00:32:34,320 --> 00:32:36,080
Speaker 1: It was one of those things gorgeous.

662
00:32:36,400 --> 00:32:38,640
Speaker 2: It's like boy and girl like best friendships with you know,

663
00:32:38,680 --> 00:32:40,240
Speaker 2: sometimes it just kind of works. But yeah, it was

664
00:32:40,240 --> 00:32:41,000
Speaker 2: a little hard to be.

665
00:32:40,960 --> 00:32:44,480
Speaker 1: Like, yeah, see Thomas Howe, like get it together, dude,

666
00:32:44,560 --> 00:32:46,080
Speaker 1: Like how do you not see that she's in love

667
00:32:46,080 --> 00:32:49,120
Speaker 1: with you and she's gorgeous. But but I guess that happened.

668
00:32:49,160 --> 00:32:50,680
Speaker 1: So they did. They did try to like dress her

669
00:32:50,720 --> 00:32:52,480
Speaker 1: down a little bit, you know, make her a little

670
00:32:52,520 --> 00:32:53,520
Speaker 1: more dowdy.

671
00:32:53,320 --> 00:32:55,040
Speaker 2: And you know, and you think about it, like maybe

672
00:32:55,040 --> 00:32:57,560
Speaker 2: they've been friends since like elementary school. At that point,

673
00:32:57,560 --> 00:33:00,800
Speaker 2: it's almost more like you know somebody you just know

674
00:33:00,880 --> 00:33:01,560
Speaker 2: and it's not a thing.

675
00:33:01,800 --> 00:33:04,000
Speaker 1: Yeah it was for her. Yeah, when you meet his

676
00:33:04,080 --> 00:33:05,600
Speaker 1: little kids and then you grow up, it could go

677
00:33:05,640 --> 00:33:07,960
Speaker 1: one of two ways, you know, and you just remain friends,

678
00:33:07,960 --> 00:33:11,880
Speaker 1: whether you turn into a swan or not. So no, yeah,

679
00:33:11,920 --> 00:33:17,080
Speaker 1: I can absolutely see what Jeff saw in Laurie. Yeah, yeah,

680
00:33:17,960 --> 00:33:18,440
Speaker 1: if they did.

681
00:33:18,680 --> 00:33:22,120
Speaker 2: If we did a reboot of this movie twenty twenty five,

682
00:33:22,720 --> 00:33:23,200
Speaker 2: making it.

683
00:33:23,160 --> 00:33:27,040
Speaker 1: Again, Uh, what role would you play?

684
00:33:27,480 --> 00:33:27,640
Speaker 2: Oh?

685
00:33:27,640 --> 00:33:31,280
Speaker 1: What role would I play? Yeah? Well I would love

686
00:33:31,320 --> 00:33:34,600
Speaker 1: to What role I would want to play is Lori's role,

687
00:33:34,880 --> 00:33:37,560
Speaker 1: you know, because I'm not I'm not a Kelly Preston type,

688
00:33:37,600 --> 00:33:41,200
Speaker 1: you know, I'm not. I'm not. I just relate more

689
00:33:41,240 --> 00:33:45,360
Speaker 1: to the shy person who's crushing on somebody who doesn't

690
00:33:45,400 --> 00:33:47,480
Speaker 1: like her back. So that's who I want to play.

691
00:33:48,480 --> 00:33:51,600
Speaker 1: I would probably be type cast to play the wacky friend,

692
00:33:51,760 --> 00:33:54,600
Speaker 1: That's right, you know, helping out with all the physical

693
00:33:54,600 --> 00:33:58,000
Speaker 1: comedy and hygiens. So yeah, how about you. Who would

694
00:33:58,040 --> 00:34:02,080
Speaker 1: you want to play the unhinged cop? For sure? Yeah?

695
00:34:02,400 --> 00:34:03,880
Speaker 1: Just so fun.

696
00:34:04,520 --> 00:34:07,560
Speaker 2: Yes, just be the weird you know, just have my

697
00:34:07,680 --> 00:34:09,840
Speaker 2: side arm all the time and just be ready to

698
00:34:10,000 --> 00:34:11,239
Speaker 2: like just lose my mind.

699
00:34:11,360 --> 00:34:14,200
Speaker 1: Yeah. Yes, oh man, you'd be great at that. That

700
00:34:14,200 --> 00:34:17,200
Speaker 1: would be therapeutic to play a role like that where

701
00:34:17,200 --> 00:34:19,480
Speaker 1: you just get to rage and just.

702
00:34:19,440 --> 00:34:23,160
Speaker 2: Rage and sage against the machine. Yeah that would but yeah, no,

703
00:34:23,239 --> 00:34:25,160
Speaker 2: that just as a silly like whatever. I'm like, I

704
00:34:25,360 --> 00:34:28,040
Speaker 2: just switch it up. Make yeah, make the cop of

705
00:34:28,680 --> 00:34:29,880
Speaker 2: Woman in twenty twenty.

706
00:34:29,680 --> 00:34:32,319
Speaker 1: Five, which you have to update things a little bit.

707
00:34:32,360 --> 00:34:35,400
Speaker 1: Oh yeah, for sure, for sure. No, that's you'd be perfect.

708
00:34:35,440 --> 00:34:38,680
Speaker 1: You'd be perfect as unhinged anything unhinged. Really, you'd be

709
00:34:38,680 --> 00:34:44,239
Speaker 1: perfect in that role. It's a compliments compliment great, yes,

710
00:34:44,760 --> 00:34:47,759
Speaker 1: since you're a good actor. That's why. Because I'm not

711
00:34:47,760 --> 00:34:49,759
Speaker 1: saying you stop, just stop.

712
00:34:49,800 --> 00:34:51,520
Speaker 2: Remember what we said earlier, just stop while you're a

713
00:34:51,520 --> 00:34:55,799
Speaker 2: head you're burying yourself. Uh okay, yeah, no.

714
00:34:56,000 --> 00:34:56,920
Speaker 1: Yeah, I think that would be.

715
00:34:56,960 --> 00:34:59,719
Speaker 2: Who are there any people that you would like? Who

716
00:34:59,719 --> 00:35:01,920
Speaker 2: would you you cast like?

717
00:35:02,920 --> 00:35:05,839
Speaker 1: If you were to in a recast the movie. Now,

718
00:35:05,880 --> 00:35:08,600
Speaker 1: who would it be? Okay, Well, it's just this was

719
00:35:08,600 --> 00:35:10,239
Speaker 1: a little hard for me. Where did I put? Where

720
00:35:10,239 --> 00:35:16,080
Speaker 1: are my notes? I I cast them on? Where did

721
00:35:16,120 --> 00:35:19,560
Speaker 1: it go? Sorry, this is really boring. No, that's okay.

722
00:35:19,600 --> 00:35:21,200
Speaker 1: I wrote things down and now I can't find it,

723
00:35:21,320 --> 00:35:24,920
Speaker 1: so I cast That's why I don't write things down. Well,

724
00:35:24,920 --> 00:35:28,239
Speaker 1: I tried to pick teens like today's teens or young

725
00:35:28,280 --> 00:35:30,080
Speaker 1: adults that would play the role, but I'm just not

726
00:35:30,160 --> 00:35:32,799
Speaker 1: as familiar with them. I don't know any of them,

727
00:35:32,880 --> 00:35:36,200
Speaker 1: like I put like they'd all be YouTubers anyway. Yeah, well,

728
00:35:36,360 --> 00:35:39,320
Speaker 1: I would think like Sidney Sweeney as the role Deborah

729
00:35:39,640 --> 00:35:42,160
Speaker 1: Fimple for sure, because she's just kind of like the

730
00:35:42,440 --> 00:35:46,120
Speaker 1: the hot girl that can be materialistic and got a

731
00:35:46,120 --> 00:35:47,720
Speaker 1: little bit of a you know, I mean.

732
00:35:47,800 --> 00:35:51,359
Speaker 2: Yeah, she's kind of yeah, I mean after euphoria, that's

733
00:35:51,400 --> 00:35:52,720
Speaker 2: kind of what we all sort.

734
00:35:52,600 --> 00:35:53,760
Speaker 1: Of see her as. Yeah.

735
00:35:53,840 --> 00:35:56,040
Speaker 2: True, but yeah, no, that would that was a good one.

736
00:35:56,120 --> 00:35:57,920
Speaker 1: Yeah, I would cast her as that. And I don't

737
00:35:57,960 --> 00:36:00,520
Speaker 1: remember who else, but I did cant. I can't people

738
00:36:00,560 --> 00:36:03,040
Speaker 1: who are our age or a little older, even though

739
00:36:03,040 --> 00:36:05,239
Speaker 1: they're not teenagers. Here's who i'd want to see in

740
00:36:05,280 --> 00:36:05,720
Speaker 1: a remake.

741
00:36:05,800 --> 00:36:08,880
Speaker 2: Yeah, no, nothing, I mean this nothing matters.

742
00:36:08,880 --> 00:36:10,120
Speaker 1: It's not nothing. This is real.

743
00:36:10,160 --> 00:36:12,960
Speaker 2: So like, yeah, make them like people our age, I

744
00:36:12,960 --> 00:36:13,680
Speaker 2: don't know whatever.

745
00:36:13,840 --> 00:36:16,920
Speaker 1: Okay, So in the role of Laurie's role, in the

746
00:36:16,960 --> 00:36:20,919
Speaker 1: role of Tony, I would put Carrie Russell. Okay, girl

747
00:36:20,960 --> 00:36:24,040
Speaker 1: next door, sweet, you'd but kind of a badass as well,

748
00:36:24,239 --> 00:36:27,600
Speaker 1: like Felicity Eric Carrie Russell. Yes, that's who she was.

749
00:36:27,640 --> 00:36:30,799
Speaker 1: That's why she was so likable in Felicity because I remember, yeah,

750
00:36:31,120 --> 00:36:33,600
Speaker 1: she doesn't realize, she didn't realize how beautiful she is.

751
00:36:33,640 --> 00:36:36,359
Speaker 1: She's crushing on all these boys and yeah, it's it's

752
00:36:36,760 --> 00:36:41,560
Speaker 1: she'd be perfect. I would put uh in the role

753
00:36:41,600 --> 00:36:47,799
Speaker 1: of Debbie Pimple. Pimple. I put Beverley to Angelo. Bev

754
00:36:47,840 --> 00:36:50,719
Speaker 1: would be great at that. Yeah, Bev. Sorry, we're we're

755
00:36:50,719 --> 00:36:53,120
Speaker 1: on a Bev basis here. I'm sorry.

756
00:36:53,160 --> 00:36:56,799
Speaker 2: I know her so, yeah I do. I had one

757
00:36:56,800 --> 00:36:59,480
Speaker 2: of my baby showers at her house for a bee.

758
00:36:59,560 --> 00:36:59,759
Speaker 1: Yeah.

759
00:36:59,760 --> 00:37:03,000
Speaker 2: We had a lot of mutual friends and anyway, super

760
00:37:03,040 --> 00:37:04,919
Speaker 2: random night together. Cool.

761
00:37:06,080 --> 00:37:08,080
Speaker 1: So you just know her just casually as a friend,

762
00:37:08,200 --> 00:37:11,040
Speaker 1: like you don't through a game night, just through game

763
00:37:11,120 --> 00:37:11,520
Speaker 1: night thing that.

764
00:37:12,000 --> 00:37:13,440
Speaker 2: Yeah, I mean I have God, I haven't seen her

765
00:37:13,440 --> 00:37:16,080
Speaker 2: in years, but yeah, we all like there was a

766
00:37:16,080 --> 00:37:17,080
Speaker 2: group of us that used to.

767
00:37:17,120 --> 00:37:20,120
Speaker 1: Hang out and be friends. Talk to some of them. Yeah,

768
00:37:20,880 --> 00:37:22,560
Speaker 1: time you see her, tell her I'm going to recast

769
00:37:22,560 --> 00:37:23,760
Speaker 1: her as U. I will.

770
00:37:23,880 --> 00:37:28,000
Speaker 2: I will be like, Hey, don't say anything. It's kind

771
00:37:28,000 --> 00:37:29,879
Speaker 2: of the word's not out yet. You know, Variety hasn't

772
00:37:29,920 --> 00:37:33,120
Speaker 2: released it, but we've got an opportunity for you, so

773
00:37:33,160 --> 00:37:34,279
Speaker 2: I want Yeah, yeah, I'll just.

774
00:37:34,239 --> 00:37:36,080
Speaker 1: Okay, sneak it on the slide, make it happen, Make

775
00:37:36,120 --> 00:37:37,799
Speaker 1: it happen. I mean, I haven't seen her in fifteen years.

776
00:37:37,800 --> 00:37:40,719
Speaker 1: That wouldn't be weird. No, not, that wouldn't be of

777
00:37:40,880 --> 00:37:45,560
Speaker 1: place or weird at all. No, as Michael the c

778
00:37:45,719 --> 00:37:50,080
Speaker 1: Thomas Howel. The third role, I would put Andrew McCarthy,

779
00:37:50,280 --> 00:37:52,759
Speaker 1: just because you know, he's sort of just I don't know,

780
00:37:53,040 --> 00:37:55,440
Speaker 1: like he's not like the super hot jock dude, but

781
00:37:55,480 --> 00:37:58,920
Speaker 1: he's he's handsome and he's got a good Sure, Andrew McCarthy.

782
00:37:59,120 --> 00:38:02,160
Speaker 1: Andrew McCarthy, he's from all of these eighties movies.

783
00:38:02,239 --> 00:38:04,520
Speaker 2: He's That's why I can't picture him because I.

784
00:38:04,440 --> 00:38:07,520
Speaker 1: Didn't watch him. Okay, well, he'd sure like if I

785
00:38:07,520 --> 00:38:09,160
Speaker 1: saw a picture of me, like, oh yeah, that guy,

786
00:38:09,320 --> 00:38:11,640
Speaker 1: you would recognize him. You would for sure recognize him.

787
00:38:11,719 --> 00:38:11,960
Speaker 1: I know.

788
00:38:12,080 --> 00:38:12,919
Speaker 2: I mean I know the name.

789
00:38:13,000 --> 00:38:13,239
Speaker 1: I know.

790
00:38:13,400 --> 00:38:14,920
Speaker 2: Like I'm just in my mind right now, I'm like,

791
00:38:14,960 --> 00:38:17,960
Speaker 2: I can't I keep picturing Rob Low like everyone, I'm like,

792
00:38:18,000 --> 00:38:18,839
Speaker 2: oh no, that's Rob Low.

793
00:38:19,320 --> 00:38:21,120
Speaker 1: Yeah no, I think Roblo is too pretty. He's too

794
00:38:21,120 --> 00:38:24,800
Speaker 1: pretty to play this role. But yeah, you need somebody

795
00:38:24,800 --> 00:38:25,640
Speaker 1: that's see.

796
00:38:25,680 --> 00:38:28,560
Speaker 2: Thomas Howell kept reminding me of Stevo from Jacket.

797
00:38:28,920 --> 00:38:31,399
Speaker 1: Oh oh, he looks a lot like him. He does

798
00:38:39,640 --> 00:38:42,799
Speaker 1: justice for see Thomas Howell. You know, how does he

799
00:38:42,840 --> 00:38:44,920
Speaker 1: introduce himself? Do you think does he say, Hi, my

800
00:38:45,000 --> 00:38:48,600
Speaker 1: name is se Thomas or my name is tom My

801
00:38:48,960 --> 00:38:51,839
Speaker 1: you know three three hour tour? Like what how does

802
00:38:51,840 --> 00:38:54,239
Speaker 1: he introduce himself? I mean I don't know.

803
00:38:54,640 --> 00:38:57,799
Speaker 2: I feel like with a name like that, I'd be like, uh,

804
00:38:58,600 --> 00:39:01,200
Speaker 2: you know, call me your howl or some I don't know.

805
00:39:01,200 --> 00:39:04,280
Speaker 1: I make it a like official like your honor or something.

806
00:39:04,600 --> 00:39:06,640
Speaker 2: Oh oh, if you got three names, if you if

807
00:39:06,640 --> 00:39:09,600
Speaker 2: you're going three names and if you have Roman numerals

808
00:39:09,600 --> 00:39:10,400
Speaker 2: after that, forget it.

809
00:39:10,440 --> 00:39:12,800
Speaker 1: You can call yourself whatever you want. Well in an initial.

810
00:39:12,880 --> 00:39:15,600
Speaker 1: It's so like he's he he sounds it's like a lawyer.

811
00:39:15,760 --> 00:39:17,520
Speaker 2: It's a little mysterious.

812
00:39:17,600 --> 00:39:18,080
Speaker 1: You know what I mean?

813
00:39:18,160 --> 00:39:20,640
Speaker 2: You like, oh, yeah, I know, I know your family name,

814
00:39:20,680 --> 00:39:21,720
Speaker 2: but I don't know yours?

815
00:39:22,040 --> 00:39:24,920
Speaker 1: Right? What is he? Why doesn't he? Is it just

816
00:39:24,960 --> 00:39:28,400
Speaker 1: too much? Is it too much to say Christopher Thomas?

817
00:39:28,400 --> 00:39:32,040
Speaker 2: Now it's probably that someone in Sag already had the name,

818
00:39:32,080 --> 00:39:34,160
Speaker 2: and so he had to throw all of his names

819
00:39:34,640 --> 00:39:36,280
Speaker 2: on there and then use an initial.

820
00:39:36,360 --> 00:39:37,279
Speaker 1: That's usually what it is.

821
00:39:37,520 --> 00:39:39,040
Speaker 2: It's like I didn't want to use all three of

822
00:39:39,080 --> 00:39:41,560
Speaker 2: my names, but there was already some guy named Joe

823
00:39:41,640 --> 00:39:44,359
Speaker 2: Schmoe in SAG, so I had to be you know,

824
00:39:44,480 --> 00:39:45,800
Speaker 2: Joe R. Shmo or whatever.

825
00:39:46,000 --> 00:39:49,640
Speaker 1: Got it? Okay, yeah, okay, so it was. It's it's intentional.

826
00:39:49,920 --> 00:39:55,040
Speaker 2: But for again, I cannot speak for for for mister Howel,

827
00:39:55,120 --> 00:39:56,279
Speaker 2: the third, I don't know.

828
00:39:57,640 --> 00:39:59,239
Speaker 1: Well, I thought maybe he's just a busy man. He

829
00:39:59,239 --> 00:40:01,520
Speaker 1: doesn't have time to introduced all three of his names.

830
00:40:01,640 --> 00:40:04,200
Speaker 1: So I mean, do you want to three names? Yeah?

831
00:40:04,239 --> 00:40:05,560
Speaker 2: No, I don't.

832
00:40:05,560 --> 00:40:07,400
Speaker 1: I would want to introduce I would would. That's two.

833
00:40:07,440 --> 00:40:09,320
Speaker 1: It takes too lott tedious, it's tedious.

834
00:40:09,400 --> 00:40:12,399
Speaker 2: I call you a b right, you know what I mean.

835
00:40:12,440 --> 00:40:14,960
Speaker 2: But efficiency I'm just trying to get to the point I'm.

836
00:40:14,800 --> 00:40:16,880
Speaker 1: Gonna change my name. I'm going to legally change my

837
00:40:17,000 --> 00:40:20,000
Speaker 1: name to a B to a B. I ain't got

838
00:40:20,239 --> 00:40:23,319
Speaker 1: time to say Andrea Barber. No, no, but time for that.

839
00:40:23,360 --> 00:40:24,919
Speaker 2: These days, I don't have time for full names.

840
00:40:26,000 --> 00:40:28,720
Speaker 1: You know that everybody gets a nickname or an initial.

841
00:40:28,960 --> 00:40:30,560
Speaker 1: That's it, that's all we have.

842
00:40:30,719 --> 00:40:34,480
Speaker 2: Name. Yeah, yeah, Well I usually prefer nicknames because I

843
00:40:34,480 --> 00:40:35,879
Speaker 2: come up with stupid ones for my friends.

844
00:40:35,880 --> 00:40:38,480
Speaker 1: So you come up with good ones. Did you recast

845
00:40:38,480 --> 00:40:41,279
Speaker 1: anybody or no? This was just or you just don't

846
00:40:41,320 --> 00:40:44,040
Speaker 1: you're not. I didn't because I was I didn't.

847
00:40:44,120 --> 00:40:46,200
Speaker 2: I was thinking along the lines of like young people,

848
00:40:46,200 --> 00:40:48,280
Speaker 2: and I was like, I don't know any young people.

849
00:40:48,320 --> 00:40:49,520
Speaker 1: I don't know young people either.

850
00:40:49,719 --> 00:40:51,960
Speaker 2: I was like, yeah, city. Basically, I just took the

851
00:40:52,040 --> 00:40:56,279
Speaker 2: cast of Euphoria and I recast it. Oh, Mattie just

852
00:40:56,320 --> 00:40:58,920
Speaker 2: gave me a great idea. I choose muppets to recast

853
00:40:58,960 --> 00:40:59,319
Speaker 2: There we go?

854
00:40:59,400 --> 00:41:00,360
Speaker 1: Which muppet would you?

855
00:41:00,360 --> 00:41:04,680
Speaker 2: Okay, here we go? I would pick I would pick

856
00:41:04,920 --> 00:41:09,120
Speaker 2: uh Gonzo as see Thomas.

857
00:41:08,760 --> 00:41:11,759
Speaker 1: Hall okay perfect? Perfect, Because like, like.

858
00:41:11,920 --> 00:41:14,200
Speaker 2: There's some kind of quirky about Gonzo where you're like,

859
00:41:14,320 --> 00:41:16,520
Speaker 2: he's not like a total like he's not a he's

860
00:41:16,600 --> 00:41:20,320
Speaker 2: not like a straight silly muppet. He's got a little

861
00:41:21,320 --> 00:41:23,160
Speaker 2: comedy edge to him. So I think I feel like

862
00:41:23,280 --> 00:41:27,840
Speaker 2: that I would go obviously ms Piggy Deborah Ann Pimple,

863
00:41:28,520 --> 00:41:30,520
Speaker 2: easily obviously fashion.

864
00:41:31,680 --> 00:41:37,759
Speaker 1: Yes, I'm gonna say, uh hm hmm. Secret admirer.

865
00:41:38,680 --> 00:41:43,319
Speaker 2: Secret admirer would probably be Burt of Burton Ernie because

866
00:41:44,000 --> 00:41:45,280
Speaker 2: he kind of keeps.

867
00:41:45,040 --> 00:41:48,560
Speaker 1: To himself, you know, Ernie out there whatever. Which role

868
00:41:48,640 --> 00:41:51,400
Speaker 1: is this for Tony? For Tony?

869
00:41:50,800 --> 00:41:55,759
Speaker 2: Yah? Yeah, I mean you know why muppets can be. Yeah,

870
00:41:55,760 --> 00:41:58,800
Speaker 2: I don't know that's offended if I misgendered them.

871
00:41:59,200 --> 00:42:02,600
Speaker 1: But anything, Yeah, I think I think Bert because he's

872
00:42:02,640 --> 00:42:06,000
Speaker 1: got is he is he an emotional he's an emotional He's.

873
00:42:05,880 --> 00:42:09,359
Speaker 2: Not emotional, but he I mean, first of all, we've

874
00:42:09,400 --> 00:42:12,040
Speaker 2: never addressed his feelings for Ernie, so he might be

875
00:42:12,080 --> 00:42:15,640
Speaker 2: a secret of my Secondly, he's sort of like a

876
00:42:15,719 --> 00:42:19,440
Speaker 2: little more quiet, kind of keeps to himself, you know,

877
00:42:19,760 --> 00:42:22,839
Speaker 2: like he is a little he's got he likes his birds.

878
00:42:23,120 --> 00:42:25,040
Speaker 2: Like I feel like Tony's a little more like that.

879
00:42:25,120 --> 00:42:29,360
Speaker 2: She's kind of a little more stand back shy, not

880
00:42:29,719 --> 00:42:31,000
Speaker 2: the you know, she's more intro.

881
00:42:31,760 --> 00:42:34,080
Speaker 1: And then show see.

882
00:42:36,520 --> 00:42:39,600
Speaker 2: I'm gonna you know, I'm gonna I'm gonna be controversial,

883
00:42:39,680 --> 00:42:43,239
Speaker 2: and I'm gonna cast mister Hooper as the unhinged cop.

884
00:42:43,320 --> 00:42:46,239
Speaker 2: Oh yeah, yeah. Just make it like an like an

885
00:42:46,239 --> 00:42:50,360
Speaker 2: old man that owns the store. And yeah, yeah, so

886
00:42:50,480 --> 00:42:52,919
Speaker 2: mister Hooper is now the unhinged cop because I've always

887
00:42:52,960 --> 00:42:53,920
Speaker 2: wanted to see that side.

888
00:42:53,760 --> 00:42:55,680
Speaker 1: Of him, you know, give him a challenge.

889
00:42:55,800 --> 00:42:58,480
Speaker 2: Yes, this is and then uh, and then I think

890
00:42:58,600 --> 00:43:03,319
Speaker 2: I think Maria is gonna be uh, she's gonna be

891
00:43:03,880 --> 00:43:06,360
Speaker 2: oh no, wait what am I thinking? Oscar the Grouch?

892
00:43:06,520 --> 00:43:07,759
Speaker 2: Oscar the Grouch for the cop.

893
00:43:08,440 --> 00:43:12,960
Speaker 1: Oh for sure, he has that rage that yeah, yeah,

894
00:43:13,120 --> 00:43:16,759
Speaker 1: just that I can see him carrying a revolver, you know,

895
00:43:17,400 --> 00:43:18,800
Speaker 1: totally hid.

896
00:43:20,120 --> 00:43:24,360
Speaker 2: Yes, yes, perfect, good. Yeah, And I think, yeah, I

897
00:43:24,600 --> 00:43:27,879
Speaker 2: would cast Maria then as one of the uh as

898
00:43:27,960 --> 00:43:29,200
Speaker 2: one of the moms.

899
00:43:29,239 --> 00:43:33,359
Speaker 1: I think maybe the teacher. I think the the teacher mom. Yeah,

900
00:43:33,480 --> 00:43:34,799
Speaker 1: not d wall at Stone, but.

901
00:43:36,719 --> 00:43:42,280
Speaker 2: I would cast you know, I'd cast uh the dad

902
00:43:42,400 --> 00:43:45,640
Speaker 2: as Grover because Grover is kind of a little bit

903
00:43:45,640 --> 00:43:48,319
Speaker 2: of like a dork and he's kind of like you know,

904
00:43:48,480 --> 00:43:49,080
Speaker 2: I can see it.

905
00:43:49,360 --> 00:43:50,319
Speaker 1: Yep, yeah, yep.

906
00:43:50,360 --> 00:43:56,560
Speaker 2: I so that would be Grover and uh oh and

907
00:43:56,560 --> 00:44:00,160
Speaker 2: and uh is it? Sam the Eagle would be the

908
00:44:00,360 --> 00:44:04,200
Speaker 2: jock dude, the big blue bird. Oh oh oh okay, yeah,

909
00:44:04,719 --> 00:44:06,520
Speaker 2: he would be the jockeyde because he's just kind of

910
00:44:06,560 --> 00:44:07,200
Speaker 2: always angry.

911
00:44:07,280 --> 00:44:07,480
Speaker 1: Yeah.

912
00:44:07,719 --> 00:44:10,319
Speaker 2: Also, what I'm literally finding out as I'm saying this

913
00:44:10,440 --> 00:44:10,680
Speaker 2: is that.

914
00:44:10,640 --> 00:44:12,759
Speaker 1: I know way too much about the Muppets. This is

915
00:44:13,200 --> 00:44:16,560
Speaker 1: and I have. Yeah, you love the Muppets. I love

916
00:44:16,600 --> 00:44:17,280
Speaker 1: eighties movies.

917
00:44:17,320 --> 00:44:20,960
Speaker 2: This is this, this is eighties Muppet movies. Forget it.

918
00:44:21,120 --> 00:44:27,359
Speaker 2: Muppets Take Manhattan, my god, genius, so hysterical. Yeah, so

919
00:44:27,440 --> 00:44:30,040
Speaker 2: that's yeah, that's what I do.

920
00:44:30,160 --> 00:44:32,279
Speaker 1: Okay, I like it. I'm here for it. You know,

921
00:44:32,880 --> 00:44:36,200
Speaker 1: let I demand a remake right now of I.

922
00:44:36,120 --> 00:44:38,600
Speaker 2: Think everything from the eighties should.

923
00:44:38,400 --> 00:44:41,799
Speaker 1: Be rebaked with muppets. Can you imagine sixteen candles with

924
00:44:41,920 --> 00:44:43,719
Speaker 1: you know, miss Piggy. Well, you wouldn't want to get

925
00:44:43,719 --> 00:44:45,919
Speaker 1: the candles too close, you know? Oh oh yes, true,

926
00:44:46,200 --> 00:44:50,640
Speaker 1: they're flammable. Yeah yeah. Oh well well, well well we

927
00:44:50,640 --> 00:44:53,000
Speaker 1: can use a fake candle. Yeah yeah, well yeah, they've

928
00:44:53,000 --> 00:44:55,040
Speaker 1: got those great fake looking ones. Now here we go.

929
00:44:56,040 --> 00:44:59,520
Speaker 2: H well, I'm glad that we have once again gone

930
00:44:59,560 --> 00:45:04,080
Speaker 2: completely off the rails and somehow wound back at Muppets.

931
00:45:04,120 --> 00:45:07,480
Speaker 1: So I know it always comes back to Muppets, doesn't it.

932
00:45:07,480 --> 00:45:10,200
Speaker 1: It really it does, And I'm okay with that. I'm

933
00:45:10,840 --> 00:45:11,319
Speaker 1: here for it.

934
00:45:11,680 --> 00:45:14,359
Speaker 2: Was I had a secret admirer? Just one random ques,

935
00:45:14,400 --> 00:45:15,520
Speaker 2: Did you ever have a secret admirer?

936
00:45:17,600 --> 00:45:20,600
Speaker 1: Not that I know of, no, a secret admirer. How

937
00:45:20,600 --> 00:45:22,640
Speaker 1: would I know if it's a secret. I've never been

938
00:45:22,640 --> 00:45:24,719
Speaker 1: written like a love letter. Yeah, that's what I like.

939
00:45:24,719 --> 00:45:27,000
Speaker 2: If did you ever get like a card from someone?

940
00:45:27,400 --> 00:45:29,320
Speaker 2: I was gonna say, I was gonna say, fan letters

941
00:45:29,320 --> 00:45:30,200
Speaker 2: don't count those.

942
00:45:30,680 --> 00:45:32,640
Speaker 1: Yeah, I don't think I've ever had one either, not

943
00:45:32,680 --> 00:45:36,479
Speaker 1: that I can work. Just just a random question, I think, Well,

944
00:45:36,520 --> 00:45:39,440
Speaker 1: you know, the letter writing is a lost art. This

945
00:45:39,520 --> 00:45:41,920
Speaker 1: is another thing I loved about the movie was you

946
00:45:41,960 --> 00:45:43,040
Speaker 1: can see hand.

947
00:45:43,200 --> 00:45:46,279
Speaker 2: Hand writing, someone writing by hand, and I was like,

948
00:45:46,360 --> 00:45:48,160
Speaker 2: look at that, oh.

949
00:45:48,080 --> 00:45:50,720
Speaker 1: Ship, it's just oh. I could just smell the paper

950
00:45:50,840 --> 00:45:53,600
Speaker 1: and the number two pencil and oh it was. It

951
00:45:53,680 --> 00:45:57,440
Speaker 1: was glorious. I I miss it. I missed lettering today.

952
00:45:57,480 --> 00:45:59,080
Speaker 1: If you were to remake it today, it would be

953
00:45:59,120 --> 00:46:02,640
Speaker 1: like an anonymous text or something like that.

954
00:46:03,120 --> 00:46:07,000
Speaker 2: Right, it'd be like a burner Instagram account.

955
00:46:07,080 --> 00:46:09,279
Speaker 1: Yeah, yeah, you know what I mean. Yeah, that would

956
00:46:09,320 --> 00:46:10,760
Speaker 1: just kind of lurk totally.

957
00:46:11,360 --> 00:46:14,040
Speaker 2: All right, So overall.

958
00:46:17,719 --> 00:46:21,240
Speaker 1: We get to play critic. It can be either Roger

959
00:46:21,320 --> 00:46:22,279
Speaker 1: or Ebert. I don't care.

960
00:46:24,040 --> 00:46:25,839
Speaker 2: On a scale one to ten, what would you rate

961
00:46:25,880 --> 00:46:27,680
Speaker 2: this movie?

962
00:46:28,040 --> 00:46:33,040
Speaker 1: Ooh, I didn't think about this ahead of time on

963
00:46:33,080 --> 00:46:38,680
Speaker 1: a scale of one to ten, simply because it's Laurie Laughlin. Okay,

964
00:46:39,440 --> 00:46:42,359
Speaker 1: I'm gonna give it an eight. Okay, I'm gonna give

965
00:46:42,360 --> 00:46:46,040
Speaker 1: it an eight because Laurie carries the movie. I mean,

966
00:46:46,080 --> 00:46:48,719
Speaker 1: she is just I think in the hands of a

967
00:46:49,239 --> 00:46:53,480
Speaker 1: less qualified actress or a less charismatic actress, this movie

968
00:46:53,520 --> 00:46:55,680
Speaker 1: would have been even more of a flop it was,

969
00:46:55,920 --> 00:46:59,440
Speaker 1: but it was fantastic, Like I enjoyed it because she

970
00:46:59,560 --> 00:47:02,760
Speaker 1: conveyed so much emotion just with her eyes. Yeah, so good.

971
00:47:03,000 --> 00:47:06,319
Speaker 1: So I'd give it an eight. Okay, Yeah, Now, how

972
00:47:06,360 --> 00:47:08,239
Speaker 1: would you rate it, knowing you're not a huge fan

973
00:47:08,280 --> 00:47:09,399
Speaker 1: of eighties, like.

974
00:47:09,360 --> 00:47:11,439
Speaker 2: I'd give it. I'd give it between like a six

975
00:47:11,480 --> 00:47:12,600
Speaker 2: point five and a seven.

976
00:47:12,800 --> 00:47:15,399
Speaker 1: Oh, okay, it's not a terrible movie.

977
00:47:15,480 --> 00:47:18,040
Speaker 2: I've seen terrible movies, right, right, not more than like

978
00:47:18,080 --> 00:47:20,880
Speaker 2: fifteen minutes. But yeah, this was not that. It was

979
00:47:21,000 --> 00:47:22,600
Speaker 2: just not one of the ones where I'm like, oh this,

980
00:47:22,719 --> 00:47:24,319
Speaker 2: I would watch it again, you know what I mean?

981
00:47:24,360 --> 00:47:26,040
Speaker 1: It was but it was cute, it was good, it

982
00:47:26,080 --> 00:47:29,839
Speaker 1: was it was great. Okay, that's a solid rating. That's

983
00:47:29,920 --> 00:47:32,600
Speaker 1: higher than I was explanding from you. What would you

984
00:47:32,719 --> 00:47:36,200
Speaker 1: rate the full House episode? Oh? Do you remember what

985
00:47:36,239 --> 00:47:37,719
Speaker 1: the fans rate of the full House episode? Is?

986
00:47:37,760 --> 00:47:37,880
Speaker 2: I do?

987
00:47:37,960 --> 00:47:41,319
Speaker 1: Eight point five? Yeah, it's stuck in my CROs. You're

988
00:47:41,360 --> 00:47:42,600
Speaker 1: still bitter about it, aren't you?

989
00:47:42,680 --> 00:47:42,960
Speaker 2: Yeah?

990
00:47:43,080 --> 00:47:47,719
Speaker 1: Very much? So, Okay, is the scale based on other

991
00:47:47,920 --> 00:47:50,800
Speaker 1: Is it compared to other Full House episodes or compared

992
00:47:50,800 --> 00:47:51,680
Speaker 1: to other.

993
00:47:51,800 --> 00:47:55,960
Speaker 2: Just as a standalone episode, as a as an episode

994
00:47:56,239 --> 00:48:02,759
Speaker 2: of Full House representing sit Calm, tropes and family and

995
00:48:02,840 --> 00:48:03,760
Speaker 2: blah blah blah.

996
00:48:03,800 --> 00:48:10,759
Speaker 1: What would you rate that episode? I'm gonna go with nine.

997
00:48:11,640 --> 00:48:13,759
Speaker 1: I'm gonna give it a nine. Not it's not. It's

998
00:48:13,760 --> 00:48:17,359
Speaker 1: not a ten, right, but it deserves higher than an

999
00:48:17,360 --> 00:48:19,200
Speaker 1: eight point five in my opinion, you.

1000
00:48:19,160 --> 00:48:21,080
Speaker 2: Know what I'm gonna You know what I hate to say, though,

1001
00:48:21,200 --> 00:48:22,960
Speaker 2: what I gave it an eight point five.

1002
00:48:23,280 --> 00:48:25,719
Speaker 1: You did see I did see see.

1003
00:48:25,480 --> 00:48:27,919
Speaker 2: And that I found myself giving it an eight point five,

1004
00:48:30,000 --> 00:48:32,520
Speaker 2: and I was like, maybe like an eight point seventy five,

1005
00:48:32,800 --> 00:48:33,080
Speaker 2: just to.

1006
00:48:33,200 --> 00:48:35,920
Speaker 1: Be a little it was a little n budge.

1007
00:48:36,080 --> 00:48:41,280
Speaker 2: Yeah, but yeah, but uh, you know, I I've I

1008
00:48:41,280 --> 00:48:46,960
Speaker 2: I feel like there's there are other really great nine

1009
00:48:47,120 --> 00:48:52,040
Speaker 2: and ten sitcom episodes or full House episodes rather, but

1010
00:48:52,080 --> 00:48:53,200
Speaker 2: that one was it was.

1011
00:48:53,239 --> 00:48:56,320
Speaker 1: Up there, It was up there. It was top rated,

1012
00:48:57,440 --> 00:49:00,480
Speaker 1: top rated episode. No, no, no, no, you willing to

1013
00:49:00,520 --> 00:49:03,840
Speaker 1: share what your top rated episode?

1014
00:49:04,000 --> 00:49:06,359
Speaker 2: You have a top rated Full House episode that I

1015
00:49:06,400 --> 00:49:08,600
Speaker 2: can think of, because I can't remember what episodes?

1016
00:49:08,800 --> 00:49:10,640
Speaker 1: So that's true. Yeah, and you don't know, you haven't

1017
00:49:10,640 --> 00:49:12,080
Speaker 1: seen the ones that are coming.

1018
00:49:11,840 --> 00:49:17,399
Speaker 2: Up as yeah right, I mean okay, yeah, I'm sure

1019
00:49:17,400 --> 00:49:20,400
Speaker 2: there's some out there, probably some of the earlier episodes,

1020
00:49:21,000 --> 00:49:26,400
Speaker 2: even because those were so sweet, sweet and in a

1021
00:49:26,520 --> 00:49:28,400
Speaker 2: perfectly sit commie you know.

1022
00:49:28,840 --> 00:49:31,960
Speaker 1: So yeah anyway, no, I I yeah, no, I do.

1023
00:49:32,400 --> 00:49:35,400
Speaker 1: I love I do my top my top episodes. And

1024
00:49:35,440 --> 00:49:37,480
Speaker 1: again this might change as we go through the series,

1025
00:49:38,000 --> 00:49:40,839
Speaker 1: but right now, my standard answer when people say what's

1026
00:49:40,840 --> 00:49:42,840
Speaker 1: your favorite episode of Full House, my standard answer is

1027
00:49:42,920 --> 00:49:47,960
Speaker 1: sixteen candles. DJ forgets Skimmy's right sixteen birthday. Selfishly, that's

1028
00:49:48,000 --> 00:49:49,759
Speaker 1: my favorite but it's also a great episode. You know,

1029
00:49:49,880 --> 00:49:53,080
Speaker 1: it's not just because it's about me, but it's a

1030
00:49:53,080 --> 00:49:56,080
Speaker 1: great episode. But its secret to myers is up there.

1031
00:49:56,080 --> 00:49:58,800
Speaker 1: It's like probably my top three for four most episodes,

1032
00:49:58,880 --> 00:50:01,320
Speaker 1: so but that could change. Who knows. You know, I

1033
00:50:01,360 --> 00:50:03,680
Speaker 1: didn't know how much I hate and how we watch.

1034
00:50:03,520 --> 00:50:05,120
Speaker 2: Out like three and a half more seasons to get

1035
00:50:05,120 --> 00:50:06,520
Speaker 2: through who knows.

1036
00:50:08,560 --> 00:50:11,680
Speaker 1: Yeah, all right, that was this was fun. This was

1037
00:50:11,680 --> 00:50:12,839
Speaker 1: fun we did.

1038
00:50:13,360 --> 00:50:15,480
Speaker 2: We got to expand our horizons.

1039
00:50:15,080 --> 00:50:16,920
Speaker 1: A little bit. Yeah, it's a little a little different,

1040
00:50:17,120 --> 00:50:19,799
Speaker 1: similar but different. Yeah, and if you.

1041
00:50:19,680 --> 00:50:21,479
Speaker 2: Want to watch it, go check it out on tub

1042
00:50:22,200 --> 00:50:25,480
Speaker 2: Uh yeah, secret admirer, it's very cute.

1043
00:50:25,800 --> 00:50:29,000
Speaker 1: Let us know what you thought of the movie. Yes,

1044
00:50:29,280 --> 00:50:32,520
Speaker 1: let us know if you preferred the movie over the

1045
00:50:32,880 --> 00:50:36,040
Speaker 1: over the full house episode. Oh yeah, yeah, what you

1046
00:50:36,080 --> 00:50:38,200
Speaker 1: liked better? What you liked better? And let us know

1047
00:50:40,200 --> 00:50:42,359
Speaker 1: if this is this is worth your time? Like did

1048
00:50:42,400 --> 00:50:44,040
Speaker 1: you like that one? Do you like?

1049
00:50:44,040 --> 00:50:46,319
Speaker 2: Like you ask them that, but.

1050
00:50:46,280 --> 00:50:47,920
Speaker 1: Like is it? Did you like this? Because we'd like

1051
00:50:47,920 --> 00:50:49,960
Speaker 1: to do this again with Skateboard Kid two or other

1052
00:50:50,040 --> 00:50:53,839
Speaker 1: types of movies. So yeah, if you want to love it.

1053
00:50:53,800 --> 00:50:55,600
Speaker 2: You know, if you if everyone was like shut up

1054
00:50:55,640 --> 00:50:57,600
Speaker 2: and get back to the full house stuff. But okay, okay,

1055
00:50:57,920 --> 00:51:01,000
Speaker 2: you hear you. You know, if you get all thought

1056
00:51:01,000 --> 00:51:03,520
Speaker 2: this was funny, then we'll bring it back for Skateboard

1057
00:51:03,560 --> 00:51:03,960
Speaker 2: Kid too.

1058
00:51:04,360 --> 00:51:06,239
Speaker 1: It's good to switch things up now and then, you know,

1059
00:51:06,360 --> 00:51:08,640
Speaker 1: keep it fresh, keep it exciting.

1060
00:51:09,480 --> 00:51:13,080
Speaker 2: And also I really want to see Skateboard Kid too.

1061
00:51:13,560 --> 00:51:15,480
Speaker 2: It's I mean, I've seen Skateboard Kid one. I had

1062
00:51:15,480 --> 00:51:15,799
Speaker 2: no idea.

1063
00:51:16,480 --> 00:51:18,440
Speaker 1: I've been waiting for years. It has nothing to do

1064
00:51:18,520 --> 00:51:20,720
Speaker 1: with Skateboard Kid one. It is a completely different movie,

1065
00:51:20,880 --> 00:51:23,440
Speaker 1: different cast, different storyline. The only thing so it's a

1066
00:51:23,440 --> 00:51:25,520
Speaker 1: different skateboard Kid. It's a different skateboard and it's a

1067
00:51:25,520 --> 00:51:28,319
Speaker 1: different skateboard Kid. But it's a magical skateboard. That is

1068
00:51:28,360 --> 00:51:34,240
Speaker 1: the only similarity between the two movies. Oh oh, it's

1069
00:51:34,120 --> 00:51:37,839
Speaker 1: a skateboard kid rides the skateboard in the air. It's

1070
00:51:37,880 --> 00:51:41,360
Speaker 1: a what it's like, Yeah, it's a flying skateboard. This

1071
00:51:41,480 --> 00:51:44,080
Speaker 1: is even better than I thought. Oh my god, I

1072
00:51:44,120 --> 00:51:44,520
Speaker 1: can't wait.

1073
00:51:44,600 --> 00:51:48,640
Speaker 2: Okay, yep, Skateboard Kid two, we have to do it

1074
00:51:48,680 --> 00:51:51,680
Speaker 2: on the schedule. There is a kid flying through the

1075
00:51:51,719 --> 00:51:53,439
Speaker 2: air on a skateboard and you're in.

1076
00:51:53,400 --> 00:51:56,720
Speaker 1: It, and I kiss Andrew Keagan in it too. There's much.

1077
00:51:59,200 --> 00:52:02,400
Speaker 2: She Oh, yeah, this is happening. Everyone, this is happening.

1078
00:52:02,480 --> 00:52:05,120
Speaker 1: I don't we don't need to hear if you want

1079
00:52:05,160 --> 00:52:06,200
Speaker 1: it or not, it's happening.

1080
00:52:06,320 --> 00:52:06,600
Speaker 2: Okay.

1081
00:52:06,600 --> 00:52:08,040
Speaker 1: I don't know where to sign it though, I don't

1082
00:52:08,080 --> 00:52:08,880
Speaker 1: think it's anywhere.

1083
00:52:08,960 --> 00:52:11,200
Speaker 2: Don't think it's on to your pretty little head. About that.

1084
00:52:12,320 --> 00:52:17,080
Speaker 2: Maddie will find magical skateboard kid and rope him down

1085
00:52:17,120 --> 00:52:19,759
Speaker 2: from the sky and we'll watch it.

1086
00:52:20,000 --> 00:52:24,000
Speaker 1: Okay, great, Matty says, Yes, it's happening. Yeah, it's happening.

1087
00:52:24,120 --> 00:52:24,839
Speaker 1: It's gonna be great.

1088
00:52:25,520 --> 00:52:28,440
Speaker 2: Well, thank you guys so much for listening to our

1089
00:52:28,600 --> 00:52:33,759
Speaker 2: incredibly well prepared and unhinged episode. We love you, guys.

1090
00:52:33,760 --> 00:52:35,759
Speaker 2: We really have so much fun doing this and we

1091
00:52:35,840 --> 00:52:39,040
Speaker 2: just can't thank you enough for for listening and letting

1092
00:52:39,080 --> 00:52:44,000
Speaker 2: us have the opportunity to be ridiculous friends every week

1093
00:52:44,040 --> 00:52:48,080
Speaker 2: on a podcast. So if you yes, if you also

1094
00:52:48,200 --> 00:52:50,480
Speaker 2: want to wear some of our ridiculous things, you can

1095
00:52:50,560 --> 00:52:54,399
Speaker 2: check out you can check out how rude merch dot

1096
00:52:54,440 --> 00:52:58,279
Speaker 2: com where we've got some fun shirts on there with

1097
00:52:58,520 --> 00:53:01,719
Speaker 2: ridiculous things that from our from our show, some of

1098
00:53:01,719 --> 00:53:03,960
Speaker 2: our fun little quotes, and a really cute full house.

1099
00:53:04,560 --> 00:53:06,480
Speaker 2: The world is small, the house is full one, So

1100
00:53:06,719 --> 00:53:09,279
Speaker 2: you check that out. How merch dot com should we.

1101
00:53:09,320 --> 00:53:12,400
Speaker 1: Put Kelly Breston on a shirt? I'm just saying, we

1102
00:53:12,440 --> 00:53:15,120
Speaker 1: got we want to Pickle Town, we want to do

1103
00:53:15,640 --> 00:53:18,799
Speaker 1: pickle we gotta do is happening right, right? But maybe

1104
00:53:18,880 --> 00:53:21,759
Speaker 1: Kelly Breston, that might be disrespectful to her memory, So

1105
00:53:22,400 --> 00:53:24,640
Speaker 1: maybe not. But it is really freaking It's a great

1106
00:53:24,760 --> 00:53:26,239
Speaker 1: it was a great joke. It was a great joke.

1107
00:53:26,280 --> 00:53:29,640
Speaker 1: But let's leave it as a joke that goes out

1108
00:53:29,640 --> 00:53:30,160
Speaker 1: into the ether.

1109
00:53:31,080 --> 00:53:32,960
Speaker 2: Yeah, exactly, not one that you can wear on your

1110
00:53:32,960 --> 00:53:34,719
Speaker 2: body and then have people see it and be like,

1111
00:53:34,719 --> 00:53:35,360
Speaker 2: that's offensive.

1112
00:53:36,080 --> 00:53:40,600
Speaker 1: Kelly Breston across right, Kel's not, no, no bad idea,

1113
00:53:40,640 --> 00:53:42,600
Speaker 1: scratch it. It's okay, It's okay.

1114
00:53:43,280 --> 00:53:52,880
Speaker 2: But maybe if you put Kelly Breston on a magical skateboard. Okay,

1115
00:53:53,120 --> 00:53:56,800
Speaker 2: I'm sorry.

1116
00:53:55,680 --> 00:53:57,120
Speaker 1: We're so slap happy.

1117
00:53:57,160 --> 00:54:00,960
Speaker 2: Oh completely, this is great, Thank you guys. Yeah, howread

1118
00:54:01,000 --> 00:54:03,480
Speaker 2: meerch dot com. Check it out. Also, you can find

1119
00:54:03,520 --> 00:54:06,399
Speaker 2: us on Instagram at how Rude Podcast. You can also

1120
00:54:06,400 --> 00:54:09,239
Speaker 2: send us an email of all of the things that

1121
00:54:09,280 --> 00:54:12,719
Speaker 2: you you know liked questions skateboard kid too, I don't know,

1122
00:54:13,280 --> 00:54:17,319
Speaker 2: just send us whatever. Uh and our email is how

1123
00:54:17,480 --> 00:54:20,720
Speaker 2: rude tanner Rito's at gmail dot com. See it sounded

1124
00:54:20,760 --> 00:54:21,400
Speaker 2: like I didn't.

1125
00:54:21,160 --> 00:54:24,399
Speaker 1: Know, but I know you do you you? Uh?

1126
00:54:24,440 --> 00:54:26,799
Speaker 2: And yeah and we will We will see you guys

1127
00:54:26,840 --> 00:54:30,200
Speaker 2: next time on how read Tannato's we love you, Thanks

1128
00:54:30,200 --> 00:54:35,000
Speaker 2: for listening, and remember the world is small, but the

1129
00:54:35,040 --> 00:54:38,759
Speaker 2: house is full. I'd see. I want to say, I

1130
00:54:39,160 --> 00:54:42,080
Speaker 2: I know what Preston full of Brestons.

1131
00:54:44,000 --> 00:54:46,520
Speaker 1: It's a very full. No other way to end the show,

1132
00:54:47,640 --> 00:54:53,239
Speaker 1: I'm sure there is. We're not going to do it. Bye.