WEBVTT - The State of Rory McIlroy with Shane Ryan

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<v Speaker 1>I miss a green, for example, I'm already upset. When

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<v Speaker 1>I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my ball.

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<v Speaker 2>In a fried egg Friday egg, the dreaded Frida egg,

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<v Speaker 2>Friday Egg, Frida Egg Egg, Frida Egg, Bride egg.

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<v Speaker 1>Lie, I'm about ready to run off of the hump.

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<v Speaker 3>Welcome to the Friday Egg at Golf podcast. I'm Garrett Morrison,

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<v Speaker 3>and today I'm bringing on Shane Ryan of Golf Digest

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<v Speaker 3>to talk about the state of Rory McElroy. As well know,

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<v Speaker 3>Rory just came runner up in the US Open at Pinehurst,

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<v Speaker 3>losing to bryceon de Shambau by one stroke and heartbreaking fashion.

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<v Speaker 3>So I thought it would be a good time to

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<v Speaker 3>assess the broader arc of R's career. And I can't

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<v Speaker 3>think of any media member I'd rather discuss this with

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<v Speaker 3>than Shane Ryan. Shane has been covering Rory in depth

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<v Speaker 3>for the better part of Rory's career in the professional limelight,

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<v Speaker 3>starting with Shane's excellent book Slaying the Tiger, which was

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<v Speaker 3>about the twenty fourteen season of Majors and PGA Tour events,

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<v Speaker 3>and Shane also wrote an outstanding story on Rory's final

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<v Speaker 3>round at Pinehurst, which we'll talk about in depth in

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<v Speaker 3>this episode, in which you can read at golfdigest dot com.

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<v Speaker 3>Shane is always such a delight to talk to one

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<v Speaker 3>of my favorite writers and people in golf journalism. But

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<v Speaker 3>before we get to that, let's talk briefly about Golf Forever.

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<v Speaker 3>code egg egg. All right, let's get to Shane. All right,

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<v Speaker 3>I'm here with Shane Ryan, Shane, how are you doing today, Garret?

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<v Speaker 1>I am so good.

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<v Speaker 2>Just to see your face again is lifting my spirits

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<v Speaker 2>on this Thursday morning.

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<v Speaker 3>Absolutely Likewise, the feelings are mutual. You're back home after

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<v Speaker 3>covering the US Open at Pinehurst. This is kind of

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<v Speaker 3>a home game for you, right, Yeah.

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<v Speaker 2>Pinehurst is about an hour fifteen away, just long enough

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<v Speaker 2>that I came home like one night I wasn't going

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<v Speaker 2>to commute. Stayed with Luke and Joel Luke Virginian Joel Biale,

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<v Speaker 2>my good buddies from Digest. But yeah, it was nice

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<v Speaker 2>and nice and close. And I love Pinehurst. Man. Pinehurst

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<v Speaker 2>is like, you know, the way people feel about Augusta

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<v Speaker 2>is how I feel about Pinehurst. It's sort of magical

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<v Speaker 2>to me. I'm not a very like romantic person around

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<v Speaker 2>golf courses, but Pinehurst, I'll kind of I'll get there.

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<v Speaker 1>I'll get there.

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<v Speaker 3>Do you get out to Pinehurst a fair amount?

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<v Speaker 2>I So it's one of those funny things where I

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<v Speaker 2>know the social the media relations guy Alex is a

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<v Speaker 2>wonderful guy, and so sometimes I go golf there very

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<v Speaker 2>job oh Man insanely good at his job, and I like,

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<v Speaker 2>you know, I said on Twitter and everything, just because

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<v Speaker 2>he was so helpful this week on like four or

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<v Speaker 2>five different projects I did and he was having I

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<v Speaker 2>assume it incredibly busy week, but would always DM me

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<v Speaker 2>back anyway. I try not to take advantage of that

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<v Speaker 2>by going too much, do you know what I mean? Like,

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<v Speaker 2>I try to go once in a while, and I

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<v Speaker 2>don't have to play number two because number two kicks

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<v Speaker 2>the kicks my teeth in, so I'm happy. Like once

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<v Speaker 2>a year I'll go down and play number eight or something,

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<v Speaker 2>you know, and I'm like, that's great. So no, I

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<v Speaker 2>don't get down there is that much, but when I do,

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<v Speaker 2>it's just I don't know, just kind of like. So

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<v Speaker 2>I grew up in Upstate New York where they used

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<v Speaker 2>to send tuberculosis patients because the mountain air was supposed

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<v Speaker 2>to clear back before they had a cure for tuberculosis.

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<v Speaker 2>They're like, the best thing we can do is send

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<v Speaker 2>you to a place with good air. And that's what

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<v Speaker 2>they did with pineers in the beginning, because there was

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<v Speaker 2>this idea that somehow the pine trees created this atmosphere.

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<v Speaker 2>It ended up not being true, but it feels like

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<v Speaker 2>it's true. It won't cure your consumption like Sarenac Lake,

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<v Speaker 2>New York will if you get consumption. I'm sorry for you.

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<v Speaker 2>Don't go to pinehers, go to Upstate New York. But

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<v Speaker 2>it feels like it would cure your consumption.

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<v Speaker 1>And so that's my.

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<v Speaker 3>Pitch for it ended up not being the best idea

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<v Speaker 3>to build a resort around the idea of come here

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<v Speaker 3>if you have tuberculosis. And so I think they abandoned

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<v Speaker 3>that idea pretty early on, but that is kind of

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<v Speaker 3>a funny origin story for the resort, and you.

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<v Speaker 2>Know, it's nuts. So quickly they pivoted to golf. As

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<v Speaker 2>we pivot to video, they pivoted to golf. But we

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<v Speaker 2>were looking I did a piece on the history of

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<v Speaker 2>putter Boy, the little putter Boy statue, and we were

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<v Speaker 2>looking at the original flyers that they made back in

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<v Speaker 2>like nineteen oh five. Would they call it like the

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<v Speaker 2>golf flat which became putter Boy. But on the flyers

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<v Speaker 2>in the fine print below, it's like the only county

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<v Speaker 2>in the South that doesn't allow consumptives. So they didn't

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<v Speaker 2>just pivot away from it. They went from being a

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<v Speaker 2>resort for people at tuberculosis and consumption to advertising the

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<v Speaker 2>things like if you come here, you don't have to

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<v Speaker 2>worry about those filthy tuberculosis patients. Seriously, it was like

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<v Speaker 2>it was on all other things, like no consumptives, you're

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<v Speaker 2>safe here, because apparently that was a real concern. Then

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<v Speaker 2>you want so it's like a great thing, like, hey,

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<v Speaker 2>if we go here, we don't have to have people

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<v Speaker 2>coughing on our face and killing us.

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<v Speaker 3>That's what we call a hard rebranding there. That's that's interesting.

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<v Speaker 3>I didn't know that part.

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<v Speaker 2>It's the Rory of its time where he was anti

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<v Speaker 2>live and now he wants to merger.

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<v Speaker 1>They were doing that way before.

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<v Speaker 3>Hey, look at that segue. Our topic today is actually

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<v Speaker 3>Rory McElroy. I thought i'd bring you on for this

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<v Speaker 3>kind of later week episode after the US Opened, because

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<v Speaker 3>now we've had a little bit of time to process

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<v Speaker 3>what happened and to kind of get used to the

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<v Speaker 3>idea that what happened on those last several holes at

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<v Speaker 3>Pinehurst actually occurred, and I thought it would be a

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<v Speaker 3>good moment to dive deep into Rory McElroy. Maybe we

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<v Speaker 3>could just start by talking about your Sunday at the

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<v Speaker 3>US Open. As you were going out to cover the tournament,

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<v Speaker 3>you were on site for the week, obviously, what was

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<v Speaker 3>your basic plan for the day.

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<v Speaker 2>So, yeah, basic plan for Sunday. First of all, I

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<v Speaker 2>was healthy for the first time all week. I was

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<v Speaker 2>sick for the first five days, which sucked, but so

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<v Speaker 2>finally I was like feeling good about going out, Like,

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<v Speaker 2>you know, I wasn't going to be tired after twenty minutes.

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<v Speaker 2>I think originally the plan was to walk within the

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<v Speaker 2>entire round, but we sort of didn't have a broader

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<v Speaker 2>plan about who was writing what early on in the day,

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<v Speaker 2>so we walked with them the first seven holes, which is,

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<v Speaker 2>you know, very good, like a perfect appetizer.

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<v Speaker 1>Things were kind of tightening up. It was it was you.

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<v Speaker 1>Rory looked really really good.

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<v Speaker 2>Bryson looked okay, but like there was evidence of the

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<v Speaker 2>shakiness that would kind of emerge later.

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<v Speaker 1>So he came in after seven holes, got some lunch.

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<v Speaker 2>And the way Pineers works, like the seventh hole is

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<v Speaker 2>actually closest to the clubhouse instead of the ninth. So anyway,

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<v Speaker 2>Joel and I, Joel Biel and I were like, well,

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<v Speaker 2>who's gonna write Rory and who's gonna write Bryson?

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<v Speaker 1>Because those are the two big stories today.

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<v Speaker 2>It already looked like Cantley probably wouldn't factor, even though

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<v Speaker 2>he did hang in and Joel it.

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<v Speaker 1>Just so happened.

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<v Speaker 2>Joel had written Rory the day before and he said, okay,

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<v Speaker 2>you write Rory, which was really generous of him because

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<v Speaker 2>it looked at that time talking about ten to eleventh

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<v Speaker 2>hole now like Rory was going to break his major drought,

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<v Speaker 2>and so it was kind of like a benevolent Joel.

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<v Speaker 2>You know, it's been there longer, and he could choose

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<v Speaker 2>whatever he wanted. So he's like, no, you get him,

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<v Speaker 2>You take Rory, which is really nice and I'm glad

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<v Speaker 2>he did because the story that ended up happening was

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<v Speaker 2>even better in some ways than if he had one.

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<v Speaker 2>I mean in terms of like being able to like

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<v Speaker 2>write the story.

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<v Speaker 1>Yeah.

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<v Speaker 3>So anyways, this, by the way, is the first nice

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<v Speaker 3>thing that Joel Beale has ever done.

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<v Speaker 1>Right. He's not a good guy. He's a mean, mean,

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<v Speaker 1>cruel person.

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<v Speaker 2>Just reach over and slap me randomly. I brought it

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<v Speaker 2>up with HR char I brought it up with HR

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<v Speaker 2>Golf Digest. They say, there's our hands are tied. He's

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<v Speaker 2>too good a writer. If we can't do anything, you're

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<v Speaker 2>just gonna have to accept. You're gonna have to accept

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<v Speaker 2>the physical blows. But yeah, so he did. It was

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<v Speaker 2>a first nice thing. I don't know what he was thinking.

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<v Speaker 2>But we caught up with him again on fourteen, and

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<v Speaker 2>it's kind of funny when I remember it because while

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<v Speaker 2>I was gone, Rory went on a tear right. So

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<v Speaker 2>from eight to thirteen he made five birdies.

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<v Speaker 1>Or something like that.

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<v Speaker 2>Then the minute I caught him on fourteen, I'd literally

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<v Speaker 2>got there right for his drive.

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<v Speaker 1>It was back. It was back to best. It was

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<v Speaker 1>my fault in.

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<v Speaker 2>Other words, that Rory lost any time I was there,

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<v Speaker 2>he didn't play that well. But yeah, so we got

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<v Speaker 2>him on fourteen. You know, he cranked that drive to

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<v Speaker 2>the left. I will shay the mindset. Everybody like has

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<v Speaker 2>a mindset, right, everybody's kind of you. You're making predictions

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<v Speaker 2>and you're trying to read the tea leaves. Very much

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<v Speaker 2>felt like Rory was going to win this tournament to me,

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<v Speaker 2>and that was being fully cognizant of the fact that

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<v Speaker 2>I have been a sucker to that same thought for

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<v Speaker 2>a decade over and over at major championships.

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<v Speaker 3>And Joel.

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<v Speaker 2>Joel would do this thing this is actually true, where

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<v Speaker 2>every time I would be like, you know, I honestly

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<v Speaker 2>think this is as weak I think it's gonna happen,

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<v Speaker 2>he would start casting a casting like a fake fishing

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<v Speaker 2>line as I was, and like reeling it in as

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<v Speaker 2>if I was, you know, biting at the big fish again.

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<v Speaker 2>And so I would but yeah, down fourteen, like he

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<v Speaker 2>drove it left. But he then he made part from

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<v Speaker 2>there I think his Yeah, his approach shot went a

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<v Speaker 2>little bit left of the green, but he went up

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<v Speaker 2>and down. At that point, I believe Bryson was making

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<v Speaker 2>birdie really on the just on the previous hole. Which

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<v Speaker 2>that's another crazy thing about Pinehurst. These holes are right

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<v Speaker 2>next to each other all through the end, so they

0:10:38.880 --> 0:10:41.520
<v Speaker 2>saw each other over and over, which added a certain

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<v Speaker 2>amount of drama and aura to the whole thing. So

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<v Speaker 2>Bryson was one shot back. Rory makes bogie on fifteen.

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<v Speaker 2>Then you're like, oh God, they're tired. I guess, you know,

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<v Speaker 2>it still felt like he was gonna win, but it's like, okay, okay.

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<v Speaker 2>Then the big, the big moment, the last good moment

0:10:56.679 --> 0:10:59.600
<v Speaker 2>for Rory in terms of how everybody was feeling the perception,

0:10:59.760 --> 0:11:02.480
<v Speaker 2>came after that bogie on fifteen. He hits a good

0:11:02.559 --> 0:11:06.680
<v Speaker 2>drive on sixteen, right before he hit his approach. Adam

0:11:06.720 --> 0:11:08.960
<v Speaker 2>Schupack from Golf wereek who I was with. He had

0:11:09.000 --> 0:11:10.920
<v Speaker 2>the head piece where he was listening to the radio feed,

0:11:10.960 --> 0:11:14.040
<v Speaker 2>so I was kind of just begging him for news,

0:11:14.080 --> 0:11:16.839
<v Speaker 2>and that was when Bryson three putted to fifteenth. So

0:11:16.880 --> 0:11:19.840
<v Speaker 2>Bryson goes down one and I'm telling you a split

0:11:19.920 --> 0:11:22.160
<v Speaker 2>second after he told me it was just like boom, boom.

0:11:22.280 --> 0:11:24.360
<v Speaker 2>Rory hits his approach onto the green, a good approach

0:11:24.400 --> 0:11:26.920
<v Speaker 2>on sixteen, So you're like, this is it. I mean,

0:11:26.960 --> 0:11:28.880
<v Speaker 2>this is like he's gonna make par here at worst,

0:11:29.320 --> 0:11:30.079
<v Speaker 2>and you're gonna go this.

0:11:30.200 --> 0:11:30.320
<v Speaker 1>You know.

0:11:30.360 --> 0:11:32.000
<v Speaker 2>Then he's just got to survive these last two holes

0:11:32.040 --> 0:11:34.280
<v Speaker 2>trying to make par. Even if he makes bogie, he's

0:11:34.280 --> 0:11:36.120
<v Speaker 2>got a great chance because Bryson is all over the

0:11:36.160 --> 0:11:40.600
<v Speaker 2>place right now. And then yeah, then things turned. The

0:11:40.600 --> 0:11:43.640
<v Speaker 2>big turn, the dramatic turn that I still think is

0:11:43.679 --> 0:11:46.720
<v Speaker 2>the most confounding thing maybe I've ever seen on a

0:11:46.720 --> 0:11:50.480
<v Speaker 2>golf course came at sixteen when he hit a good

0:11:50.480 --> 0:11:52.280
<v Speaker 2>first putt to two feet six inches.

0:11:52.880 --> 0:11:54.880
<v Speaker 1>And then you're the way I was.

0:11:54.840 --> 0:11:56.880
<v Speaker 2>Thinking of it is like you're kind of plotting out

0:11:57.160 --> 0:11:58.960
<v Speaker 2>the rest, like what are the big moments to come? Well,

0:11:59.040 --> 0:12:00.960
<v Speaker 2>Rory's t shawan sevent is gonna be really big if

0:12:00.960 --> 0:12:03.280
<v Speaker 2>he gets on the green. Bryson's approach on sixteen is

0:12:03.280 --> 0:12:05.280
<v Speaker 2>really big. You're thinking in the future of what the

0:12:05.280 --> 0:12:07.280
<v Speaker 2>big moments are going to be, and you don't realize

0:12:07.320 --> 0:12:10.120
<v Speaker 2>the big moment is just about to happen and he

0:12:10.160 --> 0:12:12.640
<v Speaker 2>misses that putt and you're like, holy shit, are you

0:12:12.720 --> 0:12:16.320
<v Speaker 2>kidding me? Like like genuinely, like are you fucking kidding me?

0:12:16.440 --> 0:12:18.280
<v Speaker 2>Is like the only words that in thoughts that come

0:12:18.320 --> 0:12:20.560
<v Speaker 2>into your head. Everybody's just staring at each other. The

0:12:20.559 --> 0:12:22.400
<v Speaker 2>crowd is gasping. All the media people are looking at

0:12:22.400 --> 0:12:25.520
<v Speaker 2>each other like this can't be real life, because, as

0:12:25.559 --> 0:12:28.920
<v Speaker 2>you allude to earlier, you're like, it's like some Sikkah

0:12:29.000 --> 0:12:31.160
<v Speaker 2>was writing the script, you know what I mean, it's

0:12:31.200 --> 0:12:35.000
<v Speaker 2>like some it's like Joel Bale, the real sicko real

0:12:35.080 --> 0:12:37.760
<v Speaker 2>say this, like Bale is writing the script of this

0:12:37.880 --> 0:12:40.280
<v Speaker 2>of this round, and you're and I knew, I mean,

0:12:40.400 --> 0:12:42.120
<v Speaker 2>I say, I knew. I didn't know anything. But in

0:12:42.120 --> 0:12:43.719
<v Speaker 2>my head, I'm like, he's done. There's no way you

0:12:43.760 --> 0:12:45.800
<v Speaker 2>can win after that, Like you can't win after this,

0:12:45.840 --> 0:12:48.200
<v Speaker 2>it's now a tie ball game. Right after he misses that,

0:12:48.720 --> 0:12:50.960
<v Speaker 2>forget it, he's just not gonna do it. Then he

0:12:51.000 --> 0:12:54.560
<v Speaker 2>goes to seventeen. Of course, you know, and stop stop

0:12:54.600 --> 0:12:56.200
<v Speaker 2>me at any point if I'm being too detailed, But

0:12:56.240 --> 0:12:58.280
<v Speaker 2>it's just like it's so vivid in my head.

0:12:58.440 --> 0:13:00.480
<v Speaker 1>No, no, let's do it. Yeah, this is yes. So

0:13:00.480 --> 0:13:01.280
<v Speaker 1>he goes to seventeen.

0:13:01.360 --> 0:13:02.960
<v Speaker 2>He hits a bad t shot, but he makes an

0:13:02.960 --> 0:13:05.120
<v Speaker 2>incredible up and down, which didn't seem likely at all.

0:13:06.400 --> 0:13:08.240
<v Speaker 2>You know, Bryson's doing his thing, but I think Bryson

0:13:08.280 --> 0:13:10.319
<v Speaker 2>had a good shot on seventeen. So now you're like, boy,

0:13:10.400 --> 0:13:13.319
<v Speaker 2>the moment it was really changed. Rory gets to eighteen,

0:13:14.679 --> 0:13:16.679
<v Speaker 2>hits that drive, has to kind of bump it over

0:13:16.720 --> 0:13:18.920
<v Speaker 2>the wire ground like he couldn't take really, he couldn't

0:13:18.920 --> 0:13:20.080
<v Speaker 2>get a full swing on it, but he did a

0:13:20.080 --> 0:13:22.320
<v Speaker 2>pretty good job from there, and then hits a splendid

0:13:22.320 --> 0:13:24.840
<v Speaker 2>ship from the front of the green and then Bryson

0:13:25.200 --> 0:13:28.320
<v Speaker 2>yanks his his ball so far left where My first

0:13:28.320 --> 0:13:30.200
<v Speaker 2>thought was, he's gonna get relief and people are gonna

0:13:30.200 --> 0:13:32.480
<v Speaker 2>be so pissed. I was like, he's gonna take some

0:13:32.559 --> 0:13:34.520
<v Speaker 2>he's gonna get some weird relief from the stands and

0:13:34.520 --> 0:13:38.080
<v Speaker 2>people are gonna be furious. And he did try and

0:13:38.160 --> 0:13:41.240
<v Speaker 2>to his crib who wouldn't, but that didn't happen. But yeah,

0:13:41.280 --> 0:13:43.520
<v Speaker 2>then Rory misses that putt and you're thinking, this is

0:13:43.760 --> 0:13:47.680
<v Speaker 2>just unbelievable. And because I was on the Rory beat,

0:13:47.679 --> 0:13:50.520
<v Speaker 2>I followed him into the clubhouse, followed him into scoring.

0:13:50.600 --> 0:13:52.160
<v Speaker 2>You know, the door shut behind him, So we're just

0:13:52.200 --> 0:13:54.680
<v Speaker 2>kind of standing there. And at this point it's like,

0:13:55.520 --> 0:13:57.000
<v Speaker 2>as a fan, you're almost there's almost the thought like

0:13:57.040 --> 0:13:59.160
<v Speaker 2>should I just go back and watch suit Bryson does,

0:13:59.200 --> 0:14:00.640
<v Speaker 2>But I'm like, no, I'm gonna sta with Rory.

0:14:00.920 --> 0:14:01.600
<v Speaker 1>That's the job.

0:14:01.840 --> 0:14:04.640
<v Speaker 2>And we're kind of watching on YouTube TV on our phones,

0:14:04.640 --> 0:14:07.720
<v Speaker 2>but everything. Obviously we're right underneath the grandstand, so you

0:14:07.720 --> 0:14:13.920
<v Speaker 2>can hear everything happened ten seconds before it does and Bryson, Yeah,

0:14:13.960 --> 0:14:16.160
<v Speaker 2>Bryson went up and down from that bunker obviously. And

0:14:17.280 --> 0:14:20.920
<v Speaker 2>Rory once he hit it, you could see on the

0:14:20.920 --> 0:14:22.960
<v Speaker 2>TV feed like he leaves the room right away. He

0:14:23.000 --> 0:14:25.240
<v Speaker 2>goes down the hallway to the locker room. The Netflix

0:14:25.320 --> 0:14:28.000
<v Speaker 2>crew is there following him. Mike Wand comes up at

0:14:28.040 --> 0:14:29.360
<v Speaker 2>one point and is like, do we want them there?

0:14:29.400 --> 0:14:30.800
<v Speaker 2>Do we want them there? I think I think talking

0:14:30.840 --> 0:14:33.320
<v Speaker 2>about the Netflix crew, like maybe we should kick them

0:14:33.360 --> 0:14:34.880
<v Speaker 2>out or whatever, or maybe like we're not doing a

0:14:34.880 --> 0:14:39.760
<v Speaker 2>good job protecting Rory from them or something. Then Rory

0:14:39.800 --> 0:14:42.360
<v Speaker 2>comes out after a few minutes. The other funny detail

0:14:42.360 --> 0:14:45.440
<v Speaker 2>that I think people would enjoy is that after that

0:14:45.440 --> 0:14:47.760
<v Speaker 2>point Bryson had finished and come into scoring and someone

0:14:47.760 --> 0:14:49.760
<v Speaker 2>from his team had to bring his bag to the

0:14:49.760 --> 0:14:50.480
<v Speaker 2>locker room.

0:14:50.600 --> 0:14:52.080
<v Speaker 1>And he walked by us and I don't know who

0:14:52.160 --> 0:14:52.400
<v Speaker 1>it was.

0:14:52.440 --> 0:14:54.640
<v Speaker 2>It wasn't his cad or anything, but he looked at

0:14:54.720 --> 0:14:56.480
<v Speaker 2>us before he goes in, and he goes is Rory

0:14:56.480 --> 0:14:58.560
<v Speaker 2>in there, like pointing to the locker room, and we're

0:14:58.560 --> 0:15:01.200
<v Speaker 2>like yeah, and the guy his face just felt like,

0:15:01.240 --> 0:15:02.960
<v Speaker 2>you tell, the last thing in the world this guy

0:15:02.960 --> 0:15:05.040
<v Speaker 2>wanted to do is to bring Bryson Toto Shamba's bag

0:15:05.400 --> 0:15:07.000
<v Speaker 2>into the locker room where Rory.

0:15:06.880 --> 0:15:08.840
<v Speaker 1>Was, you know, experiencing the pain of his life.

0:15:09.240 --> 0:15:11.560
<v Speaker 2>Just like the word ashen when you describe somebody's face

0:15:11.640 --> 0:15:12.560
<v Speaker 2>was made for that moment.

0:15:12.760 --> 0:15:14.480
<v Speaker 1>It just fell over him. So he went in.

0:15:14.840 --> 0:15:17.400
<v Speaker 2>Rory comes out eventually the next Netflix cruise following him.

0:15:17.400 --> 0:15:19.160
<v Speaker 2>All of a sudden, there's a bunch of people following him,

0:15:19.400 --> 0:15:21.880
<v Speaker 2>one of whom is Sergio Garcia, who I don't even

0:15:21.920 --> 0:15:23.800
<v Speaker 2>think got to him, but was kind of like smiling

0:15:23.800 --> 0:15:27.040
<v Speaker 2>and talking to people. Yeah, and then Rory just from

0:15:27.080 --> 0:15:29.960
<v Speaker 2>a short walk there out into the parking lot loaded

0:15:30.000 --> 0:15:31.720
<v Speaker 2>up the bags. None of us were obviously going to

0:15:31.760 --> 0:15:32.960
<v Speaker 2>go up and talk to him, and we were just

0:15:33.040 --> 0:15:36.880
<v Speaker 2>kind of watching and then yeah, then pulled out and

0:15:37.040 --> 0:15:40.280
<v Speaker 2>was gone and that was the end of the story

0:15:40.400 --> 0:15:40.880
<v Speaker 2>right there.

0:15:41.200 --> 0:15:42.720
<v Speaker 1>That's it, man, that's it. Yeah.

0:15:42.760 --> 0:15:45.560
<v Speaker 2>It was truly one of them, I think, the most

0:15:45.560 --> 0:15:49.200
<v Speaker 2>acutely painful thing I've ever personally seen on a golf course.

0:15:49.240 --> 0:15:50.560
<v Speaker 1>No, definitely, it definitely was.

0:15:52.000 --> 0:15:58.960
<v Speaker 3>All right, So what is so sick about what happened

0:15:59.400 --> 0:16:04.320
<v Speaker 3>on those last few holes, I think is that there

0:16:04.520 --> 0:16:07.480
<v Speaker 3>was a push in a poll with each shot that

0:16:07.600 --> 0:16:11.640
<v Speaker 3>Rory hit. He hit his approach into sixteen, the thought

0:16:11.720 --> 0:16:16.400
<v Speaker 3>is he has won the tournament. He misses that shorty

0:16:17.040 --> 0:16:19.640
<v Speaker 3>on the sixteenth green and the thought is he can't

0:16:19.680 --> 0:16:25.640
<v Speaker 3>possibly win this tournament. He misses the green on seventeen

0:16:25.720 --> 0:16:28.680
<v Speaker 3>and you think, all right, this is over. And then

0:16:28.720 --> 0:16:31.440
<v Speaker 3>he hits a great recovery from the bunker and your

0:16:31.480 --> 0:16:34.640
<v Speaker 3>thought is, oh, he could actually do this. And then

0:16:34.680 --> 0:16:37.120
<v Speaker 3>he misses the fairway on eighteen and kind of draws

0:16:37.160 --> 0:16:42.000
<v Speaker 3>a funky lie and you think, Okay, nope, this isn't happening.

0:16:42.560 --> 0:16:44.600
<v Speaker 3>And then he hits a pretty good approach from there

0:16:44.920 --> 0:16:47.920
<v Speaker 3>and a pretty good chip and you're like, he could

0:16:47.920 --> 0:16:49.920
<v Speaker 3>get to a playoff. He could win it outright if

0:16:49.960 --> 0:16:53.800
<v Speaker 3>Bryson makes a mistake. Yeah, and then he misses that putt,

0:16:54.600 --> 0:16:57.880
<v Speaker 3>and at that point Bryson just has to make par

0:16:58.000 --> 0:17:00.320
<v Speaker 3>on the last hole, which was by no means a

0:17:00.400 --> 0:17:06.959
<v Speaker 3>foregone conclusion. But there was a kind of cruel, you know,

0:17:07.480 --> 0:17:11.280
<v Speaker 3>back and forth with each of those shots, and I

0:17:11.280 --> 0:17:15.000
<v Speaker 3>think that's part of what made it so painful. Yeah,

0:17:15.040 --> 0:17:20.160
<v Speaker 3>we've seen other meltdowns, other major losses, Jean van Derveld.

0:17:21.160 --> 0:17:23.920
<v Speaker 3>You know Adam Scott at that one open that Ernie

0:17:23.960 --> 0:17:27.879
<v Speaker 3>El's won. There have been obviously Greg Norman at the

0:17:28.680 --> 0:17:32.640
<v Speaker 3>ninety six Masters, but there was something about this sequence

0:17:32.680 --> 0:17:39.160
<v Speaker 3>of events that was specifically agonizing. So that's one theory

0:17:39.160 --> 0:17:41.600
<v Speaker 3>as to why it was so painful. Yeah, what are

0:17:41.600 --> 0:17:45.960
<v Speaker 3>some of your other thoughts as to why this had

0:17:46.040 --> 0:17:48.639
<v Speaker 3>such an impact seeing Rory go through this.

0:17:49.560 --> 0:17:51.640
<v Speaker 1>Yeah, the sort of.

0:17:51.600 --> 0:17:53.720
<v Speaker 2>Yo yo of hope that was dangled in front of

0:17:53.800 --> 0:17:56.200
<v Speaker 2>us is you're one hundred percent right. The other thing

0:17:56.200 --> 0:17:59.399
<v Speaker 2>I thought about I didn't see it spoken about as

0:17:59.480 --> 0:18:02.080
<v Speaker 2>much in the app math, but if Rory makes that

0:18:02.160 --> 0:18:04.840
<v Speaker 2>putt on eighteen, that up and down is so much

0:18:04.840 --> 0:18:07.600
<v Speaker 2>harder for Bryson because you're talking about, yeah, okay, he's

0:18:07.600 --> 0:18:09.800
<v Speaker 2>got to make a par to win. That's not easy,

0:18:09.840 --> 0:18:12.040
<v Speaker 2>and he did a wonderful job. But he also had

0:18:12.040 --> 0:18:14.680
<v Speaker 2>the security of knowing if I two Putt were going

0:18:14.680 --> 0:18:16.920
<v Speaker 2>to a playoff, it's not it's not dead. What about

0:18:16.960 --> 0:18:18.840
<v Speaker 2>what about that same situation where if you don't make

0:18:18.880 --> 0:18:20.720
<v Speaker 2>par you lose, you know what I mean? Like, that's

0:18:20.960 --> 0:18:25.919
<v Speaker 2>a completely different can of worms. So yes, I like

0:18:25.960 --> 0:18:30.480
<v Speaker 2>your theory. Certainly, the the idea of and this works

0:18:30.480 --> 0:18:31.760
<v Speaker 2>into the idea of, you know, should he stayed for

0:18:31.760 --> 0:18:33.920
<v Speaker 2>the media, should he not have? The fact that there's

0:18:33.960 --> 0:18:36.439
<v Speaker 2>ten years building up to this is another thing of

0:18:36.440 --> 0:18:39.119
<v Speaker 2>what makes it so painful. John van Develt, you know,

0:18:39.400 --> 0:18:42.000
<v Speaker 2>I watched the Netflix show with him yesterday, which, by

0:18:42.040 --> 0:18:43.880
<v Speaker 2>the way, John Van Develt is awesome, Like he really

0:18:43.920 --> 0:18:46.320
<v Speaker 2>seems like a cool guy. Really, he really liked him

0:18:46.560 --> 0:18:49.399
<v Speaker 2>both at the time the way he spoke and in

0:18:49.440 --> 0:18:51.119
<v Speaker 2>the present the way he spoke about it. I'm like,

0:18:51.200 --> 0:18:53.520
<v Speaker 2>nobody in the world could have handled that better than

0:18:53.560 --> 0:18:53.880
<v Speaker 2>he did.

0:18:54.680 --> 0:18:56.760
<v Speaker 3>He came out really well in that documentary.

0:18:57.119 --> 0:19:00.480
<v Speaker 2>Oh yeah, And like I guess I didn't the memory

0:19:00.520 --> 0:19:02.800
<v Speaker 2>of what he was like contemporaneously at the time, and

0:19:02.960 --> 0:19:05.399
<v Speaker 2>even then he seemed like very cool, but yeah, so

0:19:05.440 --> 0:19:08.280
<v Speaker 2>I forget who it was. Oh, Jimmy Roberts was saying,

0:19:08.720 --> 0:19:10.840
<v Speaker 2>I covered Golfer a living and I honestly hadn't heard

0:19:10.880 --> 0:19:13.840
<v Speaker 2>of Jean van Devilt before that Open Championship, so that

0:19:14.040 --> 0:19:17.040
<v Speaker 2>like something like that, it's over and done. You don't

0:19:17.040 --> 0:19:18.400
<v Speaker 2>hear this guy like all a sudden. He's a tragic

0:19:18.440 --> 0:19:20.439
<v Speaker 2>figure and then it's over with Rory. We've had ten

0:19:20.480 --> 0:19:22.840
<v Speaker 2>years of build up for this, So then you compare

0:19:22.920 --> 0:19:25.760
<v Speaker 2>him to I don't know Adam Scott or you know,

0:19:25.800 --> 0:19:28.679
<v Speaker 2>Greg Norman or things like that, but he does exist,

0:19:28.720 --> 0:19:31.720
<v Speaker 2>even since Adam Scott does exist in a different media

0:19:31.720 --> 0:19:35.320
<v Speaker 2>world where there's like more discourse around it and just

0:19:35.359 --> 0:19:39.320
<v Speaker 2>more attention all the time, and the fact of the

0:19:39.400 --> 0:19:42.919
<v Speaker 2>Yo Yo of Hope, combined with the expectations of ten

0:19:43.000 --> 0:19:46.520
<v Speaker 2>years and the letdowns before it create this completely novel

0:19:46.600 --> 0:19:50.359
<v Speaker 2>situation that we've never seen before. The Again, the closest

0:19:50.359 --> 0:19:52.840
<v Speaker 2>comparison is Norman, but it doesn't it doesn't really compare

0:19:52.880 --> 0:19:53.960
<v Speaker 2>even still, I think.

0:19:54.680 --> 0:19:57.080
<v Speaker 3>The yo Yo of hope that is the phrase that

0:19:57.160 --> 0:20:00.080
<v Speaker 3>I was searching for as I was describing.

0:20:00.560 --> 0:20:01.119
<v Speaker 1>I needed you.

0:20:01.359 --> 0:20:02.919
<v Speaker 2>I just thought of it now, I needed you to

0:20:03.000 --> 0:20:07.560
<v Speaker 2>kind of likes ham an egg moment.

0:20:09.040 --> 0:20:11.399
<v Speaker 3>So as you were out on the course watching this,

0:20:13.080 --> 0:20:16.960
<v Speaker 3>were you formulating the story that you ended up writing. Obviously,

0:20:16.960 --> 0:20:19.000
<v Speaker 3>you didn't know what the outcome would be and and

0:20:19.040 --> 0:20:24.639
<v Speaker 3>that would determine what the story would be obviously, But

0:20:25.600 --> 0:20:28.560
<v Speaker 3>how did you come up with the idea for that

0:20:28.640 --> 0:20:29.440
<v Speaker 3>story in the end?

0:20:30.280 --> 0:20:32.080
<v Speaker 2>Yeah, that was I think I'm a big one for

0:20:32.119 --> 0:20:34.800
<v Speaker 2>always formulating the story no matter.

0:20:34.600 --> 0:20:35.160
<v Speaker 1>What I'm doing.

0:20:35.240 --> 0:20:37.000
<v Speaker 2>Sometimes it's I think there's like people like this you

0:20:37.080 --> 0:20:41.960
<v Speaker 2>might be one two where you're always kind of there's

0:20:42.000 --> 0:20:43.760
<v Speaker 2>the part of you that's experiencing life and then the

0:20:43.760 --> 0:20:45.440
<v Speaker 2>part of you that's narrating that experience.

0:20:45.640 --> 0:20:51.760
<v Speaker 3>Absolutely, and it's the anxious mindset, right, the constant future orientation,

0:20:52.400 --> 0:20:55.119
<v Speaker 3>and when your job is to be out there to

0:20:55.160 --> 0:20:57.800
<v Speaker 3>write a story about these events, I think it's almost

0:20:57.800 --> 0:21:03.040
<v Speaker 3>inevitable to think, wow, you're having those experiences, what the

0:21:03.080 --> 0:21:06.080
<v Speaker 3>story might be and how it could be good exactly.

0:21:06.200 --> 0:21:08.879
<v Speaker 2>Yeah, yeah, And sometimes like it's a storyteller's mindset too.

0:21:08.880 --> 0:21:11.400
<v Speaker 2>But you're right that it's it's good in some cases

0:21:11.440 --> 0:21:13.880
<v Speaker 2>like this one. In other cases you're like, I will

0:21:13.880 --> 0:21:16.040
<v Speaker 2>show us in doing this, But yeah, I mean, but yeah,

0:21:16.080 --> 0:21:21.440
<v Speaker 2>so I was thinking about it, but I do think

0:21:21.480 --> 0:21:23.159
<v Speaker 2>a lot of you idly think about it. But a

0:21:23.160 --> 0:21:26.760
<v Speaker 2>lot of it is like I've been in enough situations

0:21:26.800 --> 0:21:29.399
<v Speaker 2>where you form narratives and then dispatch them and then

0:21:29.400 --> 0:21:31.439
<v Speaker 2>start to like you know, be based on things changing

0:21:31.480 --> 0:21:33.919
<v Speaker 2>that you almost treat it like a game. It's not

0:21:33.960 --> 0:21:35.879
<v Speaker 2>like you're really playing the story. It's more like you're

0:21:35.920 --> 0:21:40.240
<v Speaker 2>just entertaining. You know, you're like a debutante entertaining quarters

0:21:40.400 --> 0:21:44.280
<v Speaker 2>that are coming out party, and the.

0:21:44.280 --> 0:21:45.560
<v Speaker 1>Quarters are the stories.

0:21:49.200 --> 0:21:52.360
<v Speaker 2>So yeah, no, it's like I'm trying to so I'm

0:21:52.359 --> 0:21:54.480
<v Speaker 2>trying to think of this particular instance when I thought,

0:21:54.520 --> 0:21:58.040
<v Speaker 2>for example, of like the first little scene, probably not

0:21:58.119 --> 0:22:01.360
<v Speaker 2>until I sat down and was like, oh, that's interesting,

0:22:01.480 --> 0:22:02.720
<v Speaker 2>like what happened at sixteen?

0:22:02.760 --> 0:22:03.600
<v Speaker 1>That seems to me.

0:22:04.920 --> 0:22:07.800
<v Speaker 2>That's like my only philosophy as a storyteller now is

0:22:07.840 --> 0:22:09.400
<v Speaker 2>start with the most interesting thing.

0:22:09.960 --> 0:22:10.119
<v Speaker 1>Like that.

0:22:10.600 --> 0:22:12.440
<v Speaker 2>It's all boiled down to that, Like I've read books

0:22:12.440 --> 0:22:14.600
<v Speaker 2>and or people, you know, seen people talk about it.

0:22:14.840 --> 0:22:19.320
<v Speaker 2>To me, it's like, just find the most interesting thing

0:22:19.320 --> 0:22:21.239
<v Speaker 2>and start with it instantly. And like when you're doing

0:22:21.280 --> 0:22:23.359
<v Speaker 2>a podcast or whether you're writing a story, it's like period,

0:22:23.400 --> 0:22:25.199
<v Speaker 2>that's it. That's the only and then everything else will

0:22:25.240 --> 0:22:27.919
<v Speaker 2>kind of follow from that hopefully. So that yeah, that

0:22:28.000 --> 0:22:30.359
<v Speaker 2>I thought was when I boiled it down, it's like,

0:22:30.400 --> 0:22:33.720
<v Speaker 2>that's the most interesting that put on sixteen, because the

0:22:33.760 --> 0:22:36.360
<v Speaker 2>put on eighteen is sort of understandable. That's a difficult,

0:22:36.440 --> 0:22:39.320
<v Speaker 2>like downhill put under pressure, It's one I would never

0:22:39.440 --> 0:22:42.720
<v Speaker 2>make under those circumstances. But the putt on sixteen, it's

0:22:42.760 --> 0:22:44.880
<v Speaker 2>like I hadn't even seen the stat at that point

0:22:44.960 --> 0:22:46.560
<v Speaker 2>until after I with the story. But the thing where

0:22:46.600 --> 0:22:48.560
<v Speaker 2>he was four hundred and ninety six for four hundred

0:22:48.560 --> 0:22:51.280
<v Speaker 2>and ninety six on those it's unthinkable that he would

0:22:51.320 --> 0:22:53.200
<v Speaker 2>miss that putt, And so that to me, you hone

0:22:53.240 --> 0:22:55.600
<v Speaker 2>in and you go, this is the point where if

0:22:55.600 --> 0:22:58.160
<v Speaker 2>you're like, if you think he's a choker, you're gonna

0:22:58.200 --> 0:22:59.280
<v Speaker 2>like really seize on that.

0:22:59.320 --> 0:23:02.000
<v Speaker 1>If you think he's you're gonna seize on that, you

0:23:02.080 --> 0:23:03.800
<v Speaker 1>know what I mean, or whatever your thing is.

0:23:03.800 --> 0:23:05.840
<v Speaker 2>If you just think he's unlucky, you're gonna be like,

0:23:05.880 --> 0:23:07.320
<v Speaker 2>how unlucky is it to miss that putt?

0:23:07.320 --> 0:23:09.720
<v Speaker 1>There? How do you do it? It doesn't make sense,

0:23:09.760 --> 0:23:10.800
<v Speaker 1>It doesn't compute right.

0:23:10.840 --> 0:23:13.399
<v Speaker 2>If you're a computer program, you're breaking down at that

0:23:13.400 --> 0:23:15.080
<v Speaker 2>point because he can't miss that putt.

0:23:15.280 --> 0:23:16.520
<v Speaker 1>He can't miss that putt.

0:23:16.240 --> 0:23:19.120
<v Speaker 2>And he did, so that I just decided to start

0:23:19.160 --> 0:23:19.520
<v Speaker 2>from there.

0:23:19.560 --> 0:23:21.920
<v Speaker 1>And then I think with that story.

0:23:22.800 --> 0:23:25.240
<v Speaker 2>A lot of people have said what you said earlier

0:23:25.280 --> 0:23:27.960
<v Speaker 2>is just like like it was written really quickly, and

0:23:28.040 --> 0:23:30.479
<v Speaker 2>I was very happy with it how quickly it came together.

0:23:30.600 --> 0:23:32.760
<v Speaker 2>But what I would say to that is I've always

0:23:32.800 --> 0:23:35.040
<v Speaker 2>been a fast writer, but the emotion of that moment

0:23:35.160 --> 0:23:37.480
<v Speaker 2>kind of carries you when you're writing. The emotion and

0:23:37.520 --> 0:23:39.000
<v Speaker 2>the pain was so strong that.

0:23:38.960 --> 0:23:40.280
<v Speaker 1>It was like fuel for the writing.

0:23:40.760 --> 0:23:42.679
<v Speaker 2>So if you had given me people like, oh, it's

0:23:42.680 --> 0:23:44.560
<v Speaker 2>amazing you wrote that so quickly, if you had given

0:23:44.600 --> 0:23:45.880
<v Speaker 2>me three days to write it, I think it would

0:23:45.880 --> 0:23:47.199
<v Speaker 2>have been worse, you know what I mean. It's like

0:23:47.400 --> 0:23:49.639
<v Speaker 2>it could only be done in ninety minutes or whatever

0:23:49.640 --> 0:23:52.119
<v Speaker 2>it took me. And so again not to pat myself

0:23:52.119 --> 0:23:53.800
<v Speaker 2>on the back, but it's very happy with that story.

0:23:53.840 --> 0:23:55.720
<v Speaker 2>When I wrote it, I was like, fuck, I this

0:23:55.800 --> 0:23:58.320
<v Speaker 2>is really good. And I was like a very like

0:23:58.560 --> 0:24:01.679
<v Speaker 2>very happy when you feel that way, very happy when

0:24:01.680 --> 0:24:05.440
<v Speaker 2>people respond that way, and so it was cool. But yeah,

0:24:05.440 --> 0:24:06.960
<v Speaker 2>it was just it was the emotion of the moment

0:24:07.040 --> 0:24:09.760
<v Speaker 2>really it was just like like you feel like you're

0:24:09.800 --> 0:24:12.879
<v Speaker 2>tapped in almost into some greater thing, and you just

0:24:12.880 --> 0:24:15.399
<v Speaker 2>got all you gotta do. You're like transcribing as quickly

0:24:15.440 --> 0:24:15.880
<v Speaker 2>as you can.

0:24:16.880 --> 0:24:18.439
<v Speaker 3>And part of what you do at the beginning of

0:24:18.480 --> 0:24:21.680
<v Speaker 3>the story to narrate the mist putt is to kind

0:24:21.680 --> 0:24:25.639
<v Speaker 3>of focus on this flower that's right near you and

0:24:25.720 --> 0:24:28.480
<v Speaker 3>figure out what that flower is. And then the mist

0:24:28.480 --> 0:24:31.879
<v Speaker 3>putt happens, and it you know, your your attention obviously

0:24:31.880 --> 0:24:35.240
<v Speaker 3>moves away from the flower, and so there it's you know,

0:24:35.240 --> 0:24:39.320
<v Speaker 3>I'm describing it right now, and people need to read

0:24:39.359 --> 0:24:41.880
<v Speaker 3>it as it's written, because it's not going to come

0:24:41.920 --> 0:24:45.320
<v Speaker 3>across the way it does in the article. But I

0:24:45.359 --> 0:24:47.800
<v Speaker 3>wanted to mention that because there's another moment in the

0:24:47.880 --> 0:24:52.480
<v Speaker 3>article when you look away from Rory as he's passing

0:24:52.520 --> 0:24:57.639
<v Speaker 3>by you and clearly in agony, and it strikes me

0:24:57.680 --> 0:25:03.080
<v Speaker 3>that this article is in a way about looking away

0:25:03.119 --> 0:25:06.720
<v Speaker 3>from pain or keeping a distance from pain.

0:25:07.320 --> 0:25:09.520
<v Speaker 1>Yeah, and yeah.

0:25:09.280 --> 0:25:11.280
<v Speaker 3>And the and the pain at the center of it,

0:25:11.400 --> 0:25:15.760
<v Speaker 3>Rory's pain is is kind of like, uh, I don't

0:25:15.800 --> 0:25:18.000
<v Speaker 3>know if politely is the word, but it's at it

0:25:18.000 --> 0:25:21.320
<v Speaker 3>it's at a remove from us. It's something we can't

0:25:21.400 --> 0:25:26.080
<v Speaker 3>quite know, and so is that how you were processing

0:25:26.119 --> 0:25:28.520
<v Speaker 3>it in the moment there's this kind of awkwardness or

0:25:28.560 --> 0:25:32.880
<v Speaker 3>this hesitation to even go to the core of what

0:25:33.960 --> 0:25:34.840
<v Speaker 3>he must be feeling.

0:25:35.400 --> 0:25:37.080
<v Speaker 2>I think so, and I think yeah, and I think

0:25:37.680 --> 0:25:39.679
<v Speaker 2>as I was writing it, the thought with the flower

0:25:39.760 --> 0:25:43.439
<v Speaker 2>especially was the idea that now when I see this flower,

0:25:43.440 --> 0:25:46.040
<v Speaker 2>I'm going to associate it with Rory McElroy because just

0:25:46.080 --> 0:25:48.359
<v Speaker 2>because of the random thing of like, I didn't think

0:25:48.400 --> 0:25:49.960
<v Speaker 2>anything big was happening here, so I just used my

0:25:50.000 --> 0:25:51.760
<v Speaker 2>picture this app to figure out what this flower was.

0:25:52.080 --> 0:25:54.439
<v Speaker 2>But now that thing is forever tied to Rory the

0:25:54.480 --> 0:25:57.560
<v Speaker 2>same way that you know, if you ask, like our parents' generation,

0:25:57.640 --> 0:26:00.359
<v Speaker 2>like where were you when JFK was assassinated, It's like, well,

0:26:00.359 --> 0:26:02.480
<v Speaker 2>I was getting a you know, a hamburger at McDonald's,

0:26:02.480 --> 0:26:04.240
<v Speaker 2>And now every time you get a hamburger McDonald's, you

0:26:04.240 --> 0:26:05.200
<v Speaker 2>think of JFK being shot.

0:26:05.200 --> 0:26:06.680
<v Speaker 1>In doubts or where were you for nine to eleven?

0:26:06.760 --> 0:26:10.080
<v Speaker 2>Right, not comparing what Rory did to nine to eleven,

0:26:10.119 --> 0:26:14.080
<v Speaker 2>but no, the idea of association of something big being

0:26:14.119 --> 0:26:17.280
<v Speaker 2>attached to something like almost ridiculous or something completely different.

0:26:17.640 --> 0:26:19.960
<v Speaker 2>But now they live together forever in your head. But

0:26:20.040 --> 0:26:22.960
<v Speaker 2>I thought of that in the broader thing. You're right,

0:26:23.280 --> 0:26:27.280
<v Speaker 2>the concept of looking away from pain with Rory is

0:26:27.320 --> 0:26:30.520
<v Speaker 2>partly because it's so intense, but also you don't know

0:26:30.560 --> 0:26:33.960
<v Speaker 2>what his associations are. The great question is how is

0:26:34.040 --> 0:26:35.480
<v Speaker 2>Rory going to deal with this? What is he going

0:26:35.560 --> 0:26:39.320
<v Speaker 2>to feel? It's so unknowable. It's the best question and

0:26:39.359 --> 0:26:41.800
<v Speaker 2>it's the one you can't answer. And the idea is like,

0:26:42.000 --> 0:26:45.080
<v Speaker 2>just like I'm associating with a flower or other painful

0:26:45.080 --> 0:26:47.960
<v Speaker 2>moments in my life, you're associating with things that you

0:26:47.960 --> 0:26:51.240
<v Speaker 2>know nobody would understand because you're not me. Same with Rory,

0:26:51.240 --> 0:26:52.639
<v Speaker 2>it's like what it feels to him and what it

0:26:52.680 --> 0:26:55.080
<v Speaker 2>means to him are so tied up in his experience

0:26:55.080 --> 0:26:58.000
<v Speaker 2>as a human and his associations and everything like that

0:26:58.000 --> 0:26:59.879
<v Speaker 2>that we can't know it. And so I wanted that

0:27:00.080 --> 0:27:03.600
<v Speaker 2>level of ambiguity. I think tied into the looking away

0:27:03.640 --> 0:27:07.240
<v Speaker 2>from the pain because that's another human phenomenon of when

0:27:07.240 --> 0:27:09.560
<v Speaker 2>someone's in intense pain. There's a couple of ways to react,

0:27:09.560 --> 0:27:11.600
<v Speaker 2>but kind of a human way to react is to

0:27:11.800 --> 0:27:14.640
<v Speaker 2>sort of like back away from it because it makes

0:27:14.720 --> 0:27:16.720
<v Speaker 2>us think of our own pain, and sometimes people don't

0:27:16.760 --> 0:27:16.919
<v Speaker 2>do it.

0:27:16.960 --> 0:27:17.720
<v Speaker 1>Like if you have a friend.

0:27:18.119 --> 0:27:20.119
<v Speaker 2>We've all had this phenomena where a friend who's just like,

0:27:20.200 --> 0:27:22.760
<v Speaker 2>bad things are happening to them, and you kind of

0:27:23.560 --> 0:27:25.480
<v Speaker 2>if you're a good friend, you stick with them, but

0:27:25.520 --> 0:27:26.960
<v Speaker 2>there's part of you that's like, God, I don't want

0:27:26.960 --> 0:27:27.879
<v Speaker 2>to deal with this, you know what I mean? I

0:27:27.960 --> 0:27:30.040
<v Speaker 2>just like cause I'm my things are going fine in

0:27:30.040 --> 0:27:31.719
<v Speaker 2>my own life, and then it's like, and things are

0:27:31.760 --> 0:27:34.080
<v Speaker 2>not going fine in my life. I'm cognizant of not

0:27:34.119 --> 0:27:36.439
<v Speaker 2>wanting to flood my friends with it, right, because who

0:27:36.520 --> 0:27:39.360
<v Speaker 2>wants to hear that all the time? So I guess

0:27:39.440 --> 0:27:42.200
<v Speaker 2>it's all that's a big word salad to say that, yes,

0:27:42.480 --> 0:27:44.960
<v Speaker 2>you're exactly right, look away from the pain, and then

0:27:45.080 --> 0:27:48.119
<v Speaker 2>the bigger unknowability of what it would mean to rory

0:27:48.920 --> 0:27:51.720
<v Speaker 2>and not even worth prognosticating except to say, we can't know,

0:27:51.800 --> 0:27:53.080
<v Speaker 2>but it's got to be pretty intense.

0:27:53.960 --> 0:27:58.439
<v Speaker 3>And I think golfers know the feeling or no aversion

0:27:58.720 --> 0:28:03.240
<v Speaker 3>of that feeling where your body just doesn't do the

0:28:03.320 --> 0:28:05.480
<v Speaker 3>right thing. It's like a glitch. You compared it to

0:28:05.720 --> 0:28:10.080
<v Speaker 3>a computer program malfunctioning earlier. It is like a glitch

0:28:10.160 --> 0:28:14.159
<v Speaker 3>where just there's something weird happening in the matrix and

0:28:14.240 --> 0:28:17.280
<v Speaker 3>you just miss a six inch put or something like that,

0:28:17.840 --> 0:28:24.960
<v Speaker 3>and it's almost unavoidable or something. But even an amateur

0:28:25.000 --> 0:28:28.439
<v Speaker 3>golfer has had this experience of making a mistake like

0:28:28.520 --> 0:28:32.160
<v Speaker 3>that or experiencing a glitch like that, and there's this

0:28:32.240 --> 0:28:38.240
<v Speaker 3>kind of feeling of, you know, like you're everything swirling

0:28:38.280 --> 0:28:42.520
<v Speaker 3>around you and you get this ache in your gut.

0:28:43.240 --> 0:28:48.160
<v Speaker 3>We've all felt that, except that now we've seen Rory

0:28:48.240 --> 0:28:54.120
<v Speaker 3>experience it, and he did it on a massively bigger stage,

0:28:54.240 --> 0:28:58.520
<v Speaker 3>and so I think golfers look at that and think like, well,

0:28:58.600 --> 0:29:01.640
<v Speaker 3>I've gone through that and it was pretty hard. I

0:29:01.640 --> 0:29:04.880
<v Speaker 3>can't even imagine what that was like to do that

0:29:05.560 --> 0:29:08.520
<v Speaker 3>in this kind of context, and that might be part

0:29:08.600 --> 0:29:10.760
<v Speaker 3>of why it's so kind of hard to relate to.

0:29:10.920 --> 0:29:13.680
<v Speaker 3>But at the same time, you are relating to it.

0:29:14.320 --> 0:29:15.960
<v Speaker 2>And that's the thing. It's like when you can kind

0:29:15.960 --> 0:29:17.680
<v Speaker 2>of relate to something and then you can start to

0:29:17.720 --> 0:29:20.320
<v Speaker 2>imagine the scope of it that's different from what you did.

0:29:20.320 --> 0:29:22.760
<v Speaker 2>So earlier this year, we did a thing for Digest

0:29:22.840 --> 0:29:25.040
<v Speaker 2>where it was the concept was we're going to send

0:29:25.040 --> 0:29:27.200
<v Speaker 2>Shane down to Florida to play a round of golf

0:29:27.240 --> 0:29:30.360
<v Speaker 2>with Paul Tasri as his caddy, and the idea is like,

0:29:30.360 --> 0:29:32.800
<v Speaker 2>how does a really great caddy who's won majors and

0:29:32.840 --> 0:29:34.680
<v Speaker 2>everything help an average golfer?

0:29:35.280 --> 0:29:37.719
<v Speaker 1>And I had this like pretty okay start.

0:29:37.760 --> 0:29:39.560
<v Speaker 2>Then they kind of blew up a little on the

0:29:39.680 --> 0:29:40.880
<v Speaker 2>end of the back nine, but then I had a

0:29:40.880 --> 0:29:43.120
<v Speaker 2>really good back nine and we were close to like,

0:29:43.160 --> 0:29:45.200
<v Speaker 2>I'm a very average golfer, but I was going to

0:29:45.440 --> 0:29:49.280
<v Speaker 2>had a chance to break ninety, and leading into seventeen,

0:29:49.320 --> 0:29:50.600
<v Speaker 2>I was just starting to hit a lot of good

0:29:50.600 --> 0:29:53.560
<v Speaker 2>shots and all that stuff. We get to eighteen, which

0:29:53.600 --> 0:29:55.800
<v Speaker 2>is a par five, probably the easiest hole on the course,

0:29:56.320 --> 0:30:00.000
<v Speaker 2>and it was I think I needed a six maybe,

0:30:00.120 --> 0:30:02.760
<v Speaker 2>or maybe I needed a par but very doable, you know,

0:30:02.880 --> 0:30:06.240
<v Speaker 2>like if I long story short, I hit the ball

0:30:06.400 --> 0:30:09.280
<v Speaker 2>like I'd been driving beautifully. I drove it so far

0:30:09.400 --> 0:30:12.080
<v Speaker 2>right that it almost seems absurd. It's like, physically, how

0:30:12.120 --> 0:30:14.320
<v Speaker 2>could I do that? And it went out of bounds

0:30:14.320 --> 0:30:16.520
<v Speaker 2>by about a yard. You know. It went on with

0:30:16.520 --> 0:30:18.200
<v Speaker 2>the stakes and we didn't see it, and we had

0:30:18.200 --> 0:30:20.040
<v Speaker 2>like our film grew up ahead radio and back being

0:30:20.080 --> 0:30:21.280
<v Speaker 2>like a ton of bounds like.

0:30:21.600 --> 0:30:24.240
<v Speaker 1>And it was so devastating. It was so fucking devastating.

0:30:24.280 --> 0:30:26.680
<v Speaker 2>And that's to break an eighty nine on a video

0:30:26.720 --> 0:30:28.720
<v Speaker 2>where nobody's gonna care or judge me because I'm not

0:30:28.760 --> 0:30:31.240
<v Speaker 2>a good golfer, and where actually it makes the story

0:30:31.360 --> 0:30:33.760
<v Speaker 2>kind of better to have that moment, but it did it.

0:30:33.920 --> 0:30:36.160
<v Speaker 2>Like I was like whoa, And I had that thought

0:30:36.200 --> 0:30:38.280
<v Speaker 2>in the moment of am I gonna think about this forever?

0:30:39.160 --> 0:30:40.960
<v Speaker 2>You know, just like you had this like because you're

0:30:41.000 --> 0:30:43.080
<v Speaker 2>on camera and this is the only time I've ever

0:30:43.080 --> 0:30:46.280
<v Speaker 2>played golf on camera. And then you're like quickly because

0:30:46.280 --> 0:30:47.880
<v Speaker 2>the stakes are so low, you're like, yeah, well I

0:30:47.880 --> 0:30:49.960
<v Speaker 2>probably will think about it forever, but it's gonna be fine.

0:30:49.960 --> 0:30:52.960
<v Speaker 2>It's not gonna torture me. But yeah, but that moment

0:30:53.000 --> 0:30:56.239
<v Speaker 2>when you're like in that sense of god, I just

0:30:56.800 --> 0:30:58.320
<v Speaker 2>I just had a lot of pressure on me. I

0:30:58.320 --> 0:31:00.600
<v Speaker 2>had a moment where it was all me and I

0:31:00.640 --> 0:31:04.120
<v Speaker 2>blew it and it's so it's like personally devastating. Then

0:31:04.160 --> 0:31:05.640
<v Speaker 2>you look at Rory like to do that like the

0:31:05.680 --> 0:31:07.560
<v Speaker 2>put On sixteen, I think I wrote this in the piece.

0:31:07.920 --> 0:31:10.360
<v Speaker 2>He immediately like puts his hand out as in like

0:31:10.440 --> 0:31:11.120
<v Speaker 2>a stop like.

0:31:11.440 --> 0:31:14.080
<v Speaker 3>Slow down, slow down that it's sort of like, yeah,

0:31:14.360 --> 0:31:16.920
<v Speaker 3>it's kind of a funny gesture because it's the gesture

0:31:16.960 --> 0:31:21.040
<v Speaker 3>that golfers make when a downhill putt is running past

0:31:21.080 --> 0:31:24.360
<v Speaker 3>the hole too far, exactly. And it was an interesting

0:31:24.440 --> 0:31:27.160
<v Speaker 3>gesture at the time because that putt was not running

0:31:27.200 --> 0:31:30.920
<v Speaker 3>past the hole too far. It wasn't that kind of situation.

0:31:31.560 --> 0:31:33.480
<v Speaker 3>It was just a missed shorty and he would have

0:31:33.480 --> 0:31:36.280
<v Speaker 3>a tap in next. But he made that gesture.

0:31:36.360 --> 0:31:38.040
<v Speaker 2>He did, and it almost like I felt like it

0:31:38.080 --> 0:31:41.680
<v Speaker 2>doubled as a calm down, like calm down gesture because

0:31:41.720 --> 0:31:44.120
<v Speaker 2>I think in that moment, I'm mind meeting a little

0:31:44.120 --> 0:31:46.440
<v Speaker 2>bit here, but I probably you would think it would

0:31:46.440 --> 0:31:49.440
<v Speaker 2>be accurate. He's probably running away in his head like

0:31:49.520 --> 0:31:53.360
<v Speaker 2>all of his future thinkers, going this is this is

0:31:53.400 --> 0:31:56.160
<v Speaker 2>the you know, this is devastating what I did, having

0:31:56.200 --> 0:31:58.040
<v Speaker 2>all the thoughts like I not only did I maybe

0:31:58.080 --> 0:31:59.840
<v Speaker 2>blow the US Open, but people are gonna talk about

0:31:59.880 --> 0:32:02.040
<v Speaker 2>this forever. I can't believe I did it. How is

0:32:02.080 --> 0:32:03.200
<v Speaker 2>it possible to miss this putt?

0:32:03.240 --> 0:32:03.720
<v Speaker 1>You know what I mean?

0:32:03.760 --> 0:32:05.560
<v Speaker 2>Like I almost felt like he was trying to slow

0:32:05.640 --> 0:32:07.560
<v Speaker 2>down his own brain and stay in the moment because

0:32:07.600 --> 0:32:08.600
<v Speaker 2>the tournament wasn't over.

0:32:11.040 --> 0:32:13.440
<v Speaker 1>Yeah, all this talk makes me think it's like.

0:32:15.080 --> 0:32:16.920
<v Speaker 2>Everything that we're talking about now, and a lot of

0:32:16.920 --> 0:32:19.040
<v Speaker 2>the coverage is based on the pain of one lonely

0:32:19.120 --> 0:32:20.360
<v Speaker 2>human being out on a golf.

0:32:20.240 --> 0:32:21.160
<v Speaker 1>Course, and.

0:32:22.680 --> 0:32:24.720
<v Speaker 2>It speaks to like he's gonna come back and play

0:32:24.720 --> 0:32:26.200
<v Speaker 2>the Open. I mean, he's got to be a pretty

0:32:26.360 --> 0:32:28.440
<v Speaker 2>You gotta be a pretty resilient person to keep putting

0:32:28.480 --> 0:32:31.040
<v Speaker 2>yourself in those positions, because this was not the first

0:32:31.080 --> 0:32:34.240
<v Speaker 2>time that happened to him, right, It's happened a bunch before,

0:32:34.400 --> 0:32:36.800
<v Speaker 2>and he's gonna keep coming back. Norman kept coming back.

0:32:37.480 --> 0:32:39.640
<v Speaker 2>There's you gotta admire it. You have to say, like

0:32:40.240 --> 0:32:42.880
<v Speaker 2>you admire the strength, because there's always that part of

0:32:42.960 --> 0:32:44.480
<v Speaker 2>you that's like I wonder if I would just quit

0:32:44.480 --> 0:32:47.400
<v Speaker 2>golf after that, just.

0:32:46.840 --> 0:32:48.560
<v Speaker 1>Just go full time into gardening or something.

0:32:49.040 --> 0:32:51.360
<v Speaker 3>That's that's the first thought you have, especially when you

0:32:51.400 --> 0:32:55.760
<v Speaker 3>remember that Roy McElroy is rich and doesn't have to

0:32:55.800 --> 0:32:58.600
<v Speaker 3>do any of this. He could just you know, buy

0:32:58.600 --> 0:33:01.360
<v Speaker 3>an island in the Caribbean and live there for the

0:33:01.400 --> 0:33:03.680
<v Speaker 3>rest of his life if he wanted. But I think

0:33:03.680 --> 0:33:06.440
<v Speaker 3>pretty clearly he's not going to do that. So one

0:33:06.440 --> 0:33:09.600
<v Speaker 3>more question about the story you know, in a way,

0:33:09.640 --> 0:33:12.560
<v Speaker 3>it is a rite around, right. It's like one of

0:33:12.600 --> 0:33:15.880
<v Speaker 3>those stories that a journalist writes when they don't have

0:33:16.160 --> 0:33:20.120
<v Speaker 3>access to the central subject of the story. Frank Sinatra

0:33:20.160 --> 0:33:23.120
<v Speaker 3>has a call by Gaytalise, Right, that's the famous example

0:33:23.120 --> 0:33:25.920
<v Speaker 3>of that kind of story, where Gaytalise wasn't able to

0:33:26.200 --> 0:33:29.720
<v Speaker 3>interview Frank Sinatra, and so he had to write this

0:33:29.800 --> 0:33:33.360
<v Speaker 3>story where he basically talked to everybody around Frank Sinatra

0:33:33.440 --> 0:33:36.560
<v Speaker 3>and ended up with this really rich portrait of who

0:33:36.800 --> 0:33:41.120
<v Speaker 3>he was. This story is kind of like that because

0:33:42.120 --> 0:33:45.560
<v Speaker 3>you didn't get an interview with the main subject of it. Afterwards,

0:33:45.640 --> 0:33:49.520
<v Speaker 3>you didn't get his answers to those questions that we

0:33:49.640 --> 0:33:52.960
<v Speaker 3>have about how it felt to miss the put On sixteen,

0:33:53.480 --> 0:33:56.400
<v Speaker 3>to miss the put On eighteen, and to kick away

0:33:56.520 --> 0:33:59.560
<v Speaker 3>a chance at winning his first major in ten years.

0:33:59.720 --> 0:34:02.200
<v Speaker 3>Those are the questions. Those are the main questions that

0:34:02.200 --> 0:34:04.720
<v Speaker 3>would have been asked and that he would have addressed

0:34:05.120 --> 0:34:08.920
<v Speaker 3>had he spoken to the media. You say in the

0:34:08.960 --> 0:34:12.839
<v Speaker 3>story that you understand why he got out of there.

0:34:14.440 --> 0:34:16.759
<v Speaker 3>Why don't we unpack that a little bit? What did

0:34:16.800 --> 0:34:19.800
<v Speaker 3>you make of Rory leaving without talking to the media.

0:34:20.320 --> 0:34:22.560
<v Speaker 2>It's funny because it's in the moment you're like, I

0:34:22.600 --> 0:34:24.920
<v Speaker 2>understand it because it's so intense and you just want

0:34:24.960 --> 0:34:25.480
<v Speaker 2>to escape.

0:34:25.600 --> 0:34:26.080
<v Speaker 1>I'm sure.

0:34:26.920 --> 0:34:29.040
<v Speaker 2>Then afterward you're a little bit like, well, all the

0:34:29.120 --> 0:34:32.440
<v Speaker 2>other people who did this stuck around, and if it

0:34:32.440 --> 0:34:34.520
<v Speaker 2>were me, you can only judge by yourself. And it's

0:34:34.600 --> 0:34:36.279
<v Speaker 2>very It's almost silly to say if it were me,

0:34:36.400 --> 0:34:38.920
<v Speaker 2>because how can you put yourself in that person's position.

0:34:38.960 --> 0:34:42.600
<v Speaker 2>You no, you're nothing like them. But what I would

0:34:42.600 --> 0:34:45.320
<v Speaker 2>hope is that I would have done it, as painful

0:34:45.320 --> 0:34:48.600
<v Speaker 2>as it was. I would have hoped, especially the biggest

0:34:48.600 --> 0:34:50.399
<v Speaker 2>thing for me was I would have hoped for him

0:34:50.400 --> 0:34:54.480
<v Speaker 2>that he would have congratulated Bryson. It almost makes me

0:34:54.520 --> 0:34:56.200
<v Speaker 2>like old fashion because people will say to that and

0:34:56.200 --> 0:34:58.640
<v Speaker 2>they have said in response, well, what does it matter.

0:34:58.680 --> 0:35:00.640
<v Speaker 2>Bryson doesn't need it, He'll just say it the next day.

0:35:01.080 --> 0:35:03.760
<v Speaker 2>But for something, for me, there's something about the ceremony

0:35:03.760 --> 0:35:06.560
<v Speaker 2>and the ritual of showing sportsmanship in that moment, even

0:35:06.600 --> 0:35:09.960
<v Speaker 2>though it hurts like crazy, that I find valuable. Maybe

0:35:09.960 --> 0:35:13.759
<v Speaker 2>I'm a sentimentalist or something, but it seemed beneath him

0:35:13.800 --> 0:35:14.359
<v Speaker 2>not to do it.

0:35:14.560 --> 0:35:15.480
<v Speaker 1>I'd like That's the thing.

0:35:15.640 --> 0:35:17.560
<v Speaker 2>The media is the secondary thing, not as big a

0:35:17.600 --> 0:35:20.920
<v Speaker 2>deal as that, but still there's again, there's something like

0:35:20.960 --> 0:35:23.560
<v Speaker 2>dignified and noble about understanding what your job is and

0:35:23.640 --> 0:35:26.280
<v Speaker 2>understanding what the rituals are even when you're really hurting

0:35:26.600 --> 0:35:30.080
<v Speaker 2>and stepping up and doing those that. I think, so

0:35:30.120 --> 0:35:31.960
<v Speaker 2>the two things are. I understand why he didn't, but

0:35:32.040 --> 0:35:34.600
<v Speaker 2>I think in a perfect world he would have. But

0:35:34.640 --> 0:35:36.200
<v Speaker 2>I also don't feel like lecturing him over it, do

0:35:36.200 --> 0:35:39.080
<v Speaker 2>you know what I mean? Like it's yeah, it's like

0:35:39.080 --> 0:35:40.600
<v Speaker 2>he should have done it, probably, and I wish he

0:35:40.600 --> 0:35:41.600
<v Speaker 2>would have, and I wonder if.

0:35:41.520 --> 0:35:42.400
<v Speaker 1>He wishes he would have.

0:35:42.760 --> 0:35:45.440
<v Speaker 2>He didn't, but that's also understandable, and I don't think

0:35:45.440 --> 0:35:47.560
<v Speaker 2>anybody should really judge him too harshly for it.

0:35:48.440 --> 0:35:50.799
<v Speaker 3>I love the way you put that, because if we

0:35:50.920 --> 0:35:55.600
<v Speaker 3>get too self righteous about it, specifically about the media thing,

0:35:55.800 --> 0:36:00.000
<v Speaker 3>you know, greeting and congratulating Bryce, and he ended up

0:36:00.120 --> 0:36:02.959
<v Speaker 3>doing that in a statement later, but obviously it would

0:36:03.000 --> 0:36:04.880
<v Speaker 3>have been nice if he had done it in the

0:36:04.920 --> 0:36:07.719
<v Speaker 3>moment and then skipped out and not talked to the media.

0:36:07.760 --> 0:36:10.840
<v Speaker 3>I think this story probably would have been different after that.

0:36:11.000 --> 0:36:16.160
<v Speaker 3>But if we lecture him about it, then we're sort

0:36:16.200 --> 0:36:22.080
<v Speaker 3>of attributing to ourselves a kind of importance that maybe

0:36:22.800 --> 0:36:26.399
<v Speaker 3>we don't really have anymore in these situations, because we're

0:36:26.400 --> 0:36:28.000
<v Speaker 3>always going to have a lot of venues and a

0:36:28.000 --> 0:36:31.160
<v Speaker 3>lot of opportunities to talk about this experience in the

0:36:31.200 --> 0:36:37.839
<v Speaker 3>future that don't involve a traditional press conference. And I'm

0:36:37.880 --> 0:36:40.400
<v Speaker 3>of two minds about that. As somebody who makes podcasts,

0:36:41.120 --> 0:36:45.959
<v Speaker 3>I'm glad that we have access to players to talk

0:36:46.000 --> 0:36:48.640
<v Speaker 3>to them in this kind of long form format and

0:36:48.680 --> 0:36:51.319
<v Speaker 3>get to know them in that way. At the same time,

0:36:51.480 --> 0:36:55.560
<v Speaker 3>the press conference is a pretty important institution and it's

0:36:55.600 --> 0:36:58.399
<v Speaker 3>there for a reason. And if we let players off

0:36:58.719 --> 0:37:04.200
<v Speaker 3>relatively easy for skipping the press conference, then you know,

0:37:04.440 --> 0:37:06.759
<v Speaker 3>in the future, what does the press conference mean?

0:37:06.800 --> 0:37:09.840
<v Speaker 1>I suppose totally. Yeah, And so a couple thoughts on that.

0:37:09.719 --> 0:37:12.200
<v Speaker 2>The thing you said about it being a rite around,

0:37:13.239 --> 0:37:15.680
<v Speaker 2>I think is a sign of the times a little

0:37:15.680 --> 0:37:18.359
<v Speaker 2>bit in the sense that even if he had done

0:37:18.400 --> 0:37:20.040
<v Speaker 2>a press conference, I don't know how much we were

0:37:20.040 --> 0:37:21.359
<v Speaker 2>going to get he would have been would have been

0:37:21.360 --> 0:37:23.719
<v Speaker 2>like very quick. The thing he probably would have done

0:37:23.719 --> 0:37:26.880
<v Speaker 2>if he stayed for the media was like I'm going

0:37:26.920 --> 0:37:28.839
<v Speaker 2>to talk to TV for two questions that I'm out

0:37:28.880 --> 0:37:30.560
<v Speaker 2>of here, and that would have changed the narrative too,

0:37:30.600 --> 0:37:32.080
<v Speaker 2>would have been that easy, but he wouldn't have done

0:37:32.160 --> 0:37:35.360
<v Speaker 2>much anyway. And so for me the whole time it

0:37:35.440 --> 0:37:38.520
<v Speaker 2>was like, and not just at the uscus open, but broadly,

0:37:38.880 --> 0:37:41.200
<v Speaker 2>it's like, when you're writing, what is the unique way

0:37:41.320 --> 0:37:43.000
<v Speaker 2>that you're going to do it? And the answer not

0:37:43.040 --> 0:37:45.239
<v Speaker 2>just for writing his voice, right. So this is why

0:37:45.280 --> 0:37:47.360
<v Speaker 2>podcasts are thriving, because you can bring your voice to

0:37:47.360 --> 0:37:50.360
<v Speaker 2>it and your personality and people like listening to videos

0:37:50.480 --> 0:37:52.920
<v Speaker 2>or you know, YouTube content or whatever, and with writing

0:37:52.960 --> 0:37:54.360
<v Speaker 2>it's the same thing of how am I going to

0:37:54.400 --> 0:37:58.520
<v Speaker 2>distinguish this? And so even going into that, I didn't

0:37:58.520 --> 0:38:00.480
<v Speaker 2>even have to tell myself it's just on conscious at

0:38:00.480 --> 0:38:03.080
<v Speaker 2>this point, if you're counting on good quotes and the

0:38:03.120 --> 0:38:05.040
<v Speaker 2>presser to write a good story, you're dead.

0:38:05.239 --> 0:38:06.640
<v Speaker 1>You know you're not going to get them.

0:38:06.680 --> 0:38:09.200
<v Speaker 2>Like, so your story has to be good, and in

0:38:09.239 --> 0:38:10.799
<v Speaker 2>this case, like you want it to rise to the

0:38:10.840 --> 0:38:14.280
<v Speaker 2>emotional occasion because the emotions are so strong. And so

0:38:14.280 --> 0:38:16.200
<v Speaker 2>so that's probably like a little bit about the right

0:38:16.320 --> 0:38:18.640
<v Speaker 2>round of why it seems like that, because even with

0:38:18.680 --> 0:38:20.480
<v Speaker 2>the press conference, it was always going to be like

0:38:20.560 --> 0:38:23.200
<v Speaker 2>that a little bit, and maybe it would be different

0:38:23.200 --> 0:38:25.080
<v Speaker 2>with the with the winner with Bryson, where you get

0:38:25.080 --> 0:38:26.520
<v Speaker 2>a bunch of quotes and you can watch him and

0:38:26.520 --> 0:38:27.040
<v Speaker 2>follow him.

0:38:27.080 --> 0:38:28.440
<v Speaker 1>But with a loser like.

0:38:28.400 --> 0:38:30.560
<v Speaker 2>That, it's like you better have something unique to bring

0:38:30.680 --> 0:38:34.560
<v Speaker 2>to the table, and then yeah, oh yeah. So with

0:38:34.600 --> 0:38:37.479
<v Speaker 2>the media thing, the only point I would emphasize because

0:38:37.480 --> 0:38:40.200
<v Speaker 2>this is a common thing where people are like, oh,

0:38:40.280 --> 0:38:42.479
<v Speaker 2>the media is whining because he didn't like, he didn't

0:38:42.480 --> 0:38:44.680
<v Speaker 2>pay his respects. But like, we don't like the media,

0:38:44.760 --> 0:38:47.399
<v Speaker 2>you know, I mean people you know exactly who I'm

0:38:47.400 --> 0:38:48.840
<v Speaker 2>talking about, the kind of people who are like that.

0:38:49.000 --> 0:38:51.239
<v Speaker 3>But oh yeah, yeah, I mean, well they're they're they're

0:38:51.239 --> 0:38:52.600
<v Speaker 3>on they're all on Twitter, right.

0:38:52.440 --> 0:38:54.080
<v Speaker 1>They're all on Twitter, they all blue checks.

0:38:55.320 --> 0:38:57.800
<v Speaker 2>They But no, I think, uh, I think the point

0:38:57.960 --> 0:39:00.960
<v Speaker 2>is it's not for me anyway. It's not about like

0:39:01.080 --> 0:39:02.719
<v Speaker 2>my feelings are hurt as a media member that he

0:39:02.719 --> 0:39:06.560
<v Speaker 2>wouldn't talk to me, right, Like we know who we are,

0:39:06.600 --> 0:39:08.560
<v Speaker 2>Like we're not like that's that's not the issue.

0:39:08.600 --> 0:39:09.560
<v Speaker 1>The issue is.

0:39:12.120 --> 0:39:14.520
<v Speaker 2>It's hard to say this to that sounding high and mighty,

0:39:14.560 --> 0:39:17.640
<v Speaker 2>but the issue is there are ways to conduct yourself

0:39:19.239 --> 0:39:22.280
<v Speaker 2>in these situations that pay respect, not just to the media,

0:39:22.360 --> 0:39:25.120
<v Speaker 2>but to the whole infrastructure of the game as entertainment,

0:39:25.680 --> 0:39:28.879
<v Speaker 2>and these things you go through, and it's almost more

0:39:28.920 --> 0:39:32.760
<v Speaker 2>important to observe these rituals and these and these acts

0:39:32.760 --> 0:39:35.759
<v Speaker 2>of respect when you're when it's hard to do so,

0:39:36.239 --> 0:39:38.000
<v Speaker 2>because if you only observe them when it's easy, then

0:39:38.040 --> 0:39:39.920
<v Speaker 2>it's not really even a thing, right. It's just like

0:39:40.160 --> 0:39:41.759
<v Speaker 2>it's like if you're in a relationship with someone and

0:39:41.760 --> 0:39:43.560
<v Speaker 2>you're like, yeah, ninety percent of the time he's loving

0:39:43.600 --> 0:39:46.279
<v Speaker 2>and kind, but when he's mad, he's horrible, You're like, well,

0:39:46.320 --> 0:39:47.920
<v Speaker 2>then it's he's not really loving.

0:39:47.960 --> 0:39:48.480
<v Speaker 1>And god, you're right.

0:39:48.520 --> 0:39:52.040
<v Speaker 2>I mean, it's like I'm speaking in weird metaphors here,

0:39:52.080 --> 0:39:54.560
<v Speaker 2>But the idea is there's something meaningful about doing that

0:39:54.640 --> 0:39:56.560
<v Speaker 2>in that moment and going through it as painful as

0:39:56.560 --> 0:39:58.640
<v Speaker 2>it is, because it shows what kind of human being

0:39:58.719 --> 0:40:01.279
<v Speaker 2>you are. It shows that you have an ability to

0:40:01.320 --> 0:40:04.480
<v Speaker 2>absorb pain and to understand the bigger picture, and and

0:40:04.520 --> 0:40:07.000
<v Speaker 2>it makes you a good role model as well. And

0:40:07.040 --> 0:40:08.719
<v Speaker 2>we go back to van Derveldt. He just like sat

0:40:08.760 --> 0:40:10.560
<v Speaker 2>there talking, you know, and that he just sat there

0:40:10.600 --> 0:40:13.959
<v Speaker 2>talking to the media in intense pain, probably but keeping

0:40:14.040 --> 0:40:15.960
<v Speaker 2>in perspective, and there's just something about it.

0:40:15.960 --> 0:40:17.920
<v Speaker 1>That makes me like people who do that.

0:40:18.520 --> 0:40:21.279
<v Speaker 2>And that doesn't mean I don't like Rory because he's

0:40:21.280 --> 0:40:23.640
<v Speaker 2>done it forever and he just had one bad moment

0:40:23.920 --> 0:40:25.200
<v Speaker 2>that's entirely forgivable.

0:40:25.440 --> 0:40:27.000
<v Speaker 1>I'm just making the point of why I wish he

0:40:27.000 --> 0:40:27.440
<v Speaker 1>had done it.

0:40:27.920 --> 0:40:30.279
<v Speaker 3>Yeah, Yeah, And you know what do we think of

0:40:30.480 --> 0:40:34.680
<v Speaker 3>when we think of the nineteen ninety six Masters. Greg

0:40:34.719 --> 0:40:38.400
<v Speaker 3>Norman had the advantage of having played with Nick Faldough

0:40:38.440 --> 0:40:41.919
<v Speaker 3>and so he was able to stand there and congratulate

0:40:42.040 --> 0:40:45.400
<v Speaker 3>him in the moment. But when I think of that tournament,

0:40:45.880 --> 0:40:50.680
<v Speaker 3>I think of those two men embracing afterwards and kind

0:40:50.680 --> 0:40:52.760
<v Speaker 3>of starting the healing process.

0:40:53.400 --> 0:40:53.600
<v Speaker 1>Right.

0:40:53.680 --> 0:40:58.840
<v Speaker 3>There was something really fulfilling about seeing that after what

0:40:59.239 --> 0:41:02.280
<v Speaker 3>was a part hard to watch day of golf.

0:41:02.920 --> 0:41:05.560
<v Speaker 1>And yeah, and we.

0:41:05.360 --> 0:41:09.319
<v Speaker 3>Were kind of missing that this time, but maybe it's

0:41:09.360 --> 0:41:17.160
<v Speaker 3>coming in the future. Hey, I wanted to take a

0:41:17.239 --> 0:41:20.840
<v Speaker 3>quick break here to talk about Ores and Alps. Ores

0:41:20.840 --> 0:41:24.400
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0:41:24.680 --> 0:41:27.920
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0:41:28.000 --> 0:41:33.640
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0:41:33.680 --> 0:41:37.080
<v Speaker 3>facts for you here. Skin cancer rates have risen fifty

0:41:37.120 --> 0:41:41.839
<v Speaker 3>five percent among men in the past decade. Golfers particularly

0:41:42.120 --> 0:41:45.080
<v Speaker 3>are two hundred and fifty percent more likely to develop

0:41:45.160 --> 0:41:50.800
<v Speaker 3>skin cancers. Yet only fourteen percent of men wear sunscreen daily,

0:41:51.000 --> 0:41:53.960
<v Speaker 3>even though wearing sunscreen daily will reduce your risk of

0:41:54.040 --> 0:41:58.360
<v Speaker 3>melanoma by fifty percent. Ores and Alps products are designed

0:41:58.440 --> 0:42:00.839
<v Speaker 3>to take some of the barriers that prevent men from

0:42:00.920 --> 0:42:05.120
<v Speaker 3>wearing sunscreen away. You won't smell like a coconut or

0:42:05.120 --> 0:42:09.320
<v Speaker 3>a banana, you won't get super greasy hands, no weird residues.

0:42:09.840 --> 0:42:12.799
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0:42:12.840 --> 0:42:17.040
<v Speaker 3>of them are travel friendly. One specific Orison Apps product

0:42:17.040 --> 0:42:21.200
<v Speaker 3>that I'd like to highlight is the hydrating SPF fifty spray.

0:42:21.840 --> 0:42:23.920
<v Speaker 3>This is a top seller for Oros and Alps. It

0:42:23.960 --> 0:42:27.400
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0:42:27.800 --> 0:42:30.640
<v Speaker 3>and it has become a standard for me. So many

0:42:30.640 --> 0:42:33.279
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0:43:01.680 --> 0:43:06.359
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0:43:06.640 --> 0:43:09.040
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0:43:09.600 --> 0:43:10.360
<v Speaker 1>Check him out.

0:43:16.320 --> 0:43:19.640
<v Speaker 3>In any case, I want to go back ten years

0:43:19.680 --> 0:43:22.920
<v Speaker 3>now to twenty fourteen when you were out on tour

0:43:23.800 --> 0:43:27.120
<v Speaker 3>writing articles and preparing for your books Slaying the Tiger,

0:43:27.200 --> 0:43:29.360
<v Speaker 3>which I go back to all the time and steal

0:43:29.400 --> 0:43:31.600
<v Speaker 3>from all the time. So thank you for writing it,

0:43:31.680 --> 0:43:36.120
<v Speaker 3>because such a great document of the state of men's

0:43:36.160 --> 0:43:40.720
<v Speaker 3>professional golf at that moment in history. Rory was clearly

0:43:40.840 --> 0:43:43.719
<v Speaker 3>a huge part of that book and the story of

0:43:43.760 --> 0:43:47.040
<v Speaker 3>that season. What was your first impression of Rory when

0:43:47.080 --> 0:43:50.759
<v Speaker 3>you started covering the tour in person day to day

0:43:51.440 --> 0:43:53.960
<v Speaker 3>in twenty fourteen. Do you remember how you first kind

0:43:53.960 --> 0:43:54.919
<v Speaker 3>of responded to him.

0:43:55.640 --> 0:43:57.560
<v Speaker 2>Yeah, I think always like a lot of people respond

0:43:57.560 --> 0:44:01.000
<v Speaker 2>to him, where he is very charming, very smart. It's

0:44:01.040 --> 0:44:04.080
<v Speaker 2>really fun to watch press conferences with him. Always has

0:44:04.080 --> 0:44:07.839
<v Speaker 2>a thoughtful answer. And one thing, as you know, as

0:44:07.880 --> 0:44:10.560
<v Speaker 2>we develop our long long theory of Rory, as we

0:44:10.840 --> 0:44:12.920
<v Speaker 2>as the years pass and we and we get our

0:44:13.800 --> 0:44:15.839
<v Speaker 2>you know, our consummate idea of what this man is.

0:44:17.040 --> 0:44:19.479
<v Speaker 2>One thing I keep going back to recently, but which

0:44:19.480 --> 0:44:21.560
<v Speaker 2>I didn't have in my mind then, is.

0:44:21.520 --> 0:44:23.200
<v Speaker 1>I think he's a very good actor.

0:44:24.239 --> 0:44:26.439
<v Speaker 2>And that that makes it sound like I'm saying he's

0:44:26.440 --> 0:44:28.120
<v Speaker 2>insincere in some way, And I don't mean that. I

0:44:28.120 --> 0:44:30.400
<v Speaker 2>think he's very sincere. But I think he's got a

0:44:30.440 --> 0:44:32.719
<v Speaker 2>face that people like and a voice that people like,

0:44:32.960 --> 0:44:35.120
<v Speaker 2>just naturally gifted with that in the way some people aren't.

0:44:35.640 --> 0:44:39.120
<v Speaker 2>And he is good at projecting sincerity, and he is

0:44:39.160 --> 0:44:42.759
<v Speaker 2>good at sort of seeming like a very nice guy. Uh,

0:44:43.680 --> 0:44:45.839
<v Speaker 2>and that, and again I'm not saying he's not any

0:44:45.880 --> 0:44:48.439
<v Speaker 2>of those things. But let's be real about how much

0:44:48.520 --> 0:44:52.560
<v Speaker 2>the image matters and how much somebody's face matters, right,

0:44:52.600 --> 0:44:54.920
<v Speaker 2>I mean some things that are superficial, that are baked

0:44:54.920 --> 0:44:57.239
<v Speaker 2>into us from years of evolution for some reason. As

0:44:57.320 --> 0:44:58.799
<v Speaker 2>human beings, we look at a face and a voice

0:44:58.800 --> 0:45:00.880
<v Speaker 2>like Rory's and we're like, bumbs up, you pass the

0:45:00.880 --> 0:45:03.359
<v Speaker 2>smell test or whatever. So I think like that when

0:45:03.360 --> 0:45:06.479
<v Speaker 2>I think back now, it's like you fall under Rory's spell.

0:45:06.520 --> 0:45:10.759
<v Speaker 2>As a journalist, I think pretty pretty easily. And it

0:45:10.760 --> 0:45:12.759
<v Speaker 2>didn't mean I didn't cover him fairly or anything like that,

0:45:12.840 --> 0:45:15.600
<v Speaker 2>but it's just that that human impulse of this. I

0:45:15.640 --> 0:45:17.480
<v Speaker 2>really like this guy, and I really like the way

0:45:17.480 --> 0:45:20.640
<v Speaker 2>he carries himself. I like everything about him, and you know,

0:45:20.920 --> 0:45:22.759
<v Speaker 2>that's why he has so much attention on him. That

0:45:22.840 --> 0:45:25.400
<v Speaker 2>and the fact that he's a great golfer, obviously, But

0:45:25.440 --> 0:45:27.359
<v Speaker 2>there's a combination of elements there.

0:45:28.360 --> 0:45:31.560
<v Speaker 3>What's the Rory win in twenty fourteen that you find

0:45:31.600 --> 0:45:32.880
<v Speaker 3>yourself thinking about the most?

0:45:33.320 --> 0:45:35.080
<v Speaker 1>Definitely Valhalla the most.

0:45:35.200 --> 0:45:38.800
<v Speaker 2>It's that was the day where and it paints a

0:45:38.840 --> 0:45:41.000
<v Speaker 2>perfect contrast to to what it is now. That's a

0:45:41.080 --> 0:45:44.960
<v Speaker 2>day where he started in the lead. You know, he

0:45:44.960 --> 0:45:46.600
<v Speaker 2>had won the British Open that year, he had won

0:45:47.200 --> 0:45:51.319
<v Speaker 2>the Firestone WGC in Akron a week before. Comes in

0:45:51.680 --> 0:45:53.640
<v Speaker 2>and he has a bad start to Sunday and it's

0:45:53.640 --> 0:45:56.799
<v Speaker 2>this brutally hot, humid day in the Ohio River Valley

0:45:56.800 --> 0:46:00.920
<v Speaker 2>in Louisville, and he, yeah, has a bad He falls behind.

0:46:01.000 --> 0:46:03.560
<v Speaker 2>Ricky and Phil are a group ahead, high fiving, having

0:46:03.560 --> 0:46:05.239
<v Speaker 2>the time of their lives, like they're both playing well.

0:46:05.280 --> 0:46:06.000
<v Speaker 1>They go in the lead.

0:46:06.600 --> 0:46:09.280
<v Speaker 2>He's with Burn Wisberger who's kind of just frittering it away,

0:46:10.160 --> 0:46:13.440
<v Speaker 2>and Rory is. It gets to a point on the

0:46:13.480 --> 0:46:16.319
<v Speaker 2>sixth tee, I think, where everything's backed up because there

0:46:16.320 --> 0:46:18.680
<v Speaker 2>had been rained earlier in the day, and so backed

0:46:18.760 --> 0:46:20.960
<v Speaker 2>up that he he and burn Visberg get on the

0:46:20.960 --> 0:46:22.879
<v Speaker 2>tee with Ricky and Phil. Ricky and Phil haven't teed

0:46:22.880 --> 0:46:25.400
<v Speaker 2>off either, so they're just standing there and Ricky and

0:46:25.440 --> 0:46:28.600
<v Speaker 2>Phil are attempting this awkward conversation and with Berne Weisberger

0:46:28.600 --> 0:46:30.920
<v Speaker 2>and all that stuff. Rory just goes and sits by

0:46:30.960 --> 0:46:33.759
<v Speaker 2>himself and stares ahead with the most fierce look I've

0:46:33.800 --> 0:46:36.680
<v Speaker 2>ever seen. Doesn't say word one for them, including hello.

0:46:37.160 --> 0:46:38.520
<v Speaker 2>And I wrote about this in the book, and he

0:46:38.600 --> 0:46:40.960
<v Speaker 2>later Paul Kimmaged, the Irish writer later asked him about

0:46:41.000 --> 0:46:42.359
<v Speaker 2>it in an interview and he was like, yeah, that's

0:46:42.360 --> 0:46:44.960
<v Speaker 2>exactly right. So it wasn't just me. It wasn't just

0:46:45.000 --> 0:46:47.960
<v Speaker 2>me mind reading or anything. So we have independent confirmation.

0:46:48.400 --> 0:46:51.960
<v Speaker 2>But it was just such a fierce competitive look and

0:46:52.000 --> 0:46:54.520
<v Speaker 2>you're like, man, this guy is like this guy is intense.

0:46:54.640 --> 0:46:56.880
<v Speaker 2>And so it goes on, and you know, things that

0:46:57.000 --> 0:46:59.080
<v Speaker 2>continue to go. So so he gets to the tenth hole,

0:46:59.440 --> 0:47:02.520
<v Speaker 2>and this is an other thing I think about a lot.

0:47:02.840 --> 0:47:04.839
<v Speaker 2>Tenth hole is a par five that nobody has reached

0:47:04.880 --> 0:47:05.440
<v Speaker 2>in two all day.

0:47:05.440 --> 0:47:05.960
<v Speaker 1>It's very long.

0:47:06.000 --> 0:47:08.279
<v Speaker 2>He has a great drive and he's gonna go for

0:47:08.360 --> 0:47:10.959
<v Speaker 2>it because Ricky Birdie's ahead. So now he's down three

0:47:11.040 --> 0:47:12.799
<v Speaker 2>or something like that, or two, I think down three,

0:47:13.440 --> 0:47:15.160
<v Speaker 2>so he's like, I gotta go for it. Takes out

0:47:15.200 --> 0:47:17.120
<v Speaker 2>a three wood, and what he's trying to do.

0:47:17.080 --> 0:47:17.680
<v Speaker 1>Is draw it.

0:47:17.840 --> 0:47:19.799
<v Speaker 2>But he yanks the ball left, and there's a road

0:47:19.880 --> 0:47:21.239
<v Speaker 2>on the left, and so if you draw the ball

0:47:21.239 --> 0:47:23.080
<v Speaker 2>after you yank it left, obviously that's going right into

0:47:23.080 --> 0:47:26.360
<v Speaker 2>the road. Instead, the ball cuts and it fades and

0:47:26.400 --> 0:47:28.680
<v Speaker 2>it comes to rest whatever ten feet from the hole,

0:47:29.040 --> 0:47:29.720
<v Speaker 2>and he makes.

0:47:29.560 --> 0:47:30.360
<v Speaker 1>The eagle putt.

0:47:30.600 --> 0:47:33.239
<v Speaker 2>And I think about that now because it's like, those

0:47:33.280 --> 0:47:35.120
<v Speaker 2>are the days when the gods were on your side,

0:47:35.360 --> 0:47:36.000
<v Speaker 2>do you know what I mean?

0:47:36.040 --> 0:47:36.359
<v Speaker 1>And there were.

0:47:36.400 --> 0:47:38.960
<v Speaker 2>You can think of a billion examples, and everybody, unless

0:47:39.000 --> 0:47:41.279
<v Speaker 2>you're Tiger winning by fifteen strokes or Rory, you know,

0:47:41.360 --> 0:47:45.319
<v Speaker 2>winning at his US Open, unless you're that, you need

0:47:45.400 --> 0:47:47.840
<v Speaker 2>luck on your side. But sometimes it seems like that,

0:47:47.960 --> 0:47:50.360
<v Speaker 2>like there's an active decision, like it's actively accruing to

0:47:50.400 --> 0:47:52.960
<v Speaker 2>one person where it's like the gods were on his

0:47:53.000 --> 0:47:55.080
<v Speaker 2>side in that moment, and he made that eagle putt

0:47:55.120 --> 0:47:56.759
<v Speaker 2>and then he did the rest himself, you know, or

0:47:56.960 --> 0:47:58.759
<v Speaker 2>like he had a great back nine and he goes

0:47:58.800 --> 0:48:01.319
<v Speaker 2>and he wills his way into eight, that whole story

0:48:01.320 --> 0:48:02.960
<v Speaker 2>where it's going to be dark, and he forces his

0:48:03.000 --> 0:48:05.160
<v Speaker 2>way and everybody has to bow to his will because

0:48:05.200 --> 0:48:06.920
<v Speaker 2>he's going to hit up and he wins his major

0:48:07.239 --> 0:48:09.319
<v Speaker 2>and he's like the dominant force, like he's just bent

0:48:09.360 --> 0:48:12.000
<v Speaker 2>this place to his will. He's crushed his competitors, He's

0:48:12.000 --> 0:48:15.480
<v Speaker 2>Genghis Khan, He's everything. And then you fast forward to

0:48:15.560 --> 0:48:18.320
<v Speaker 2>yesterday and it's like every time Bryson hit in the

0:48:18.680 --> 0:48:21.600
<v Speaker 2>wiregrass he got a perfect lie. Every time Roy did,

0:48:21.680 --> 0:48:23.799
<v Speaker 2>or at least the last time Roy did, he gets that,

0:48:23.880 --> 0:48:25.759
<v Speaker 2>you know, he misses the two foot pot, which is

0:48:25.800 --> 0:48:26.480
<v Speaker 2>kind of unlucky.

0:48:26.680 --> 0:48:28.880
<v Speaker 1>There has to be a little bit unlucky. It's just

0:48:28.920 --> 0:48:32.000
<v Speaker 1>like it's like something changed in twenty fourteen. Man.

0:48:32.160 --> 0:48:34.279
<v Speaker 2>The gods were with him in Valhalla and then they

0:48:34.360 --> 0:48:36.120
<v Speaker 2>kind of then they abandoned him or something.

0:48:37.320 --> 0:48:37.960
<v Speaker 1>Do you see it.

0:48:37.920 --> 0:48:44.520
<v Speaker 3>As something outside him has changed, or do you think

0:48:44.800 --> 0:48:50.440
<v Speaker 3>that that edge that he had in twenty fourteen mentally

0:48:51.080 --> 0:48:55.480
<v Speaker 3>has not necessarily gone away, but just changed. I'm curious

0:48:55.480 --> 0:48:59.439
<v Speaker 3>about the evolution of Rory's personality, not just you know, luck,

0:48:59.480 --> 0:49:03.600
<v Speaker 3>which is part of it, but ultimately you can't know

0:49:03.680 --> 0:49:08.040
<v Speaker 3>anything about it. Is there something about that that fierceness

0:49:08.080 --> 0:49:11.200
<v Speaker 3>that you saw on the six t at Valhalla and

0:49:11.239 --> 0:49:16.919
<v Speaker 3>that alpha dog mentality to use the horrible cliched term,

0:49:17.120 --> 0:49:19.799
<v Speaker 3>that he demonstrated on the eighteenth hole, playing playing up,

0:49:20.120 --> 0:49:23.680
<v Speaker 3>making sure that he finished that night. Is there something

0:49:23.719 --> 0:49:26.520
<v Speaker 3>in there that's shifted in him in the past ten years.

0:49:26.680 --> 0:49:29.439
<v Speaker 2>You'd have to think so, because while on one hand,

0:49:29.520 --> 0:49:31.759
<v Speaker 2>you can say this guy, you know all winning, Clark

0:49:31.880 --> 0:49:34.080
<v Speaker 2>just had to have one double bogie, Bryson Deshambo just

0:49:34.080 --> 0:49:36.400
<v Speaker 2>had to have one double bogie and he's winning. You know,

0:49:36.440 --> 0:49:38.640
<v Speaker 2>while you could say that, and that's true. So there's

0:49:38.640 --> 0:49:41.359
<v Speaker 2>that luck element involved. We also have seen I feel

0:49:41.360 --> 0:49:45.960
<v Speaker 2>like a ton of classic more classic Roory things that

0:49:46.160 --> 0:49:48.399
<v Speaker 2>so I felt the USO Miners wasn't a classic Roy

0:49:48.400 --> 0:49:50.120
<v Speaker 2>thing that was a brand new thing that we've ever seen.

0:49:50.280 --> 0:49:54.000
<v Speaker 2>The classic Roory thing is you fade on an earlier day,

0:49:54.280 --> 0:49:57.359
<v Speaker 2>or you fade on an earlier day, or you can't

0:49:57.360 --> 0:50:00.359
<v Speaker 2>make a putt all Sunday right like St. Andrew's, or

0:50:01.680 --> 0:50:04.040
<v Speaker 2>you fade and then on Sunday you shoot a sixty three.

0:50:04.120 --> 0:50:06.000
<v Speaker 1>But it's never really like a threat, you know what

0:50:06.040 --> 0:50:06.239
<v Speaker 1>I mean.

0:50:06.280 --> 0:50:09.040
<v Speaker 2>Those are the kind of like the prototypical. These are

0:50:09.320 --> 0:50:13.560
<v Speaker 2>like the patterns that you see, and those, to some

0:50:13.680 --> 0:50:15.560
<v Speaker 2>degree they have to speak of losing your edge a

0:50:15.600 --> 0:50:20.600
<v Speaker 2>little bit. But even then I'm cautious because nobody else

0:50:20.719 --> 0:50:22.120
<v Speaker 2>is winning a ton of majors in a row, you

0:50:22.160 --> 0:50:24.640
<v Speaker 2>know what I mean. Like it's it's not easy to

0:50:24.680 --> 0:50:27.240
<v Speaker 2>win a major, and so like we're so hyper focused

0:50:27.280 --> 0:50:29.160
<v Speaker 2>on Rory that we're like, oh, look how many bad

0:50:29.200 --> 0:50:31.759
<v Speaker 2>Saturday rounds he's had. Well, if we're hyper focused on

0:50:31.800 --> 0:50:33.719
<v Speaker 2>anyone else, we probably say the same thing if we

0:50:33.760 --> 0:50:36.120
<v Speaker 2>really drill down. It's just that we notice more about

0:50:36.200 --> 0:50:39.920
<v Speaker 2>Rory because he's such a you know, magnetic kind of figure.

0:50:41.080 --> 0:50:42.680
<v Speaker 2>So it's hard to answer that question. I guess I'm

0:50:42.760 --> 0:50:46.560
<v Speaker 2>being wobbly here, but surely the proof is in the

0:50:46.600 --> 0:50:48.839
<v Speaker 2>pudding to some extent, Like he won a bunch, now

0:50:48.840 --> 0:50:50.920
<v Speaker 2>he hasn't. I mean, you can't find a way to

0:50:50.960 --> 0:50:53.640
<v Speaker 2>win that has to overtime and over the larger and

0:50:53.719 --> 0:50:56.680
<v Speaker 2>larger sample size. That has to mean something, I think.

0:50:57.000 --> 0:50:58.040
<v Speaker 1>Sure you know.

0:50:58.239 --> 0:51:04.319
<v Speaker 3>And there's also a possibly less romantic story to tell

0:51:04.360 --> 0:51:10.360
<v Speaker 3>here about Rory's game, what his edge was in twenty fourteen,

0:51:10.760 --> 0:51:14.920
<v Speaker 3>just in terms of driving off the tea performance, and

0:51:14.960 --> 0:51:18.840
<v Speaker 3>your colleague Luke Herdnien probably would have some kind of

0:51:18.880 --> 0:51:24.440
<v Speaker 3>smart answer to this. But watching Valhalla in twenty fourteen,

0:51:24.719 --> 0:51:29.040
<v Speaker 3>or even Hoylake in twenty fourteen where Rory won the

0:51:29.120 --> 0:51:34.239
<v Speaker 3>Open as well, you know, it jumps out how much

0:51:34.320 --> 0:51:36.840
<v Speaker 3>of an advantage he had off the tea. He was

0:51:37.520 --> 0:51:40.400
<v Speaker 3>longer than pretty much everybody else, and anybody that he

0:51:40.680 --> 0:51:45.920
<v Speaker 3>wasn't longer than he was straighter than yep. And it

0:51:46.000 --> 0:51:51.680
<v Speaker 3>seems like that advantage has evaporated over the past ten years,

0:51:51.719 --> 0:51:57.600
<v Speaker 3>probably because of a combination of equipment changes and instruction

0:51:58.000 --> 0:52:02.280
<v Speaker 3>track man stuff. Everybody's being hot to hit their driver

0:52:03.080 --> 0:52:05.920
<v Speaker 3>like Rory was hitting his driver when he came on

0:52:05.960 --> 0:52:10.040
<v Speaker 3>the scene and the early twenty tens, and so obviously

0:52:10.080 --> 0:52:13.440
<v Speaker 3>that advantage isn't there as much anymore. Do you think

0:52:13.520 --> 0:52:16.080
<v Speaker 3>there's something there that has that has changed as well,

0:52:16.120 --> 0:52:18.880
<v Speaker 3>where his competition has caught up a little bit and

0:52:18.920 --> 0:52:22.440
<v Speaker 3>he hasn't found an extra thing to differentiate himself.

0:52:22.960 --> 0:52:23.719
<v Speaker 1>No, I think you're right.

0:52:23.840 --> 0:52:26.120
<v Speaker 2>It's funny about it, though, is that if you look

0:52:26.160 --> 0:52:28.360
<v Speaker 2>at him, if you look at the stats, he is

0:52:28.440 --> 0:52:30.200
<v Speaker 2>still always really high.

0:52:29.960 --> 0:52:32.640
<v Speaker 1>And like strokes gained off the tee. That's really point to.

0:52:32.600 --> 0:52:34.960
<v Speaker 3>The point of that he was still like super dominant

0:52:35.000 --> 0:52:37.440
<v Speaker 3>and super like he's always at the top of the leaderboard.

0:52:37.880 --> 0:52:39.560
<v Speaker 2>But I think your point is right of like you

0:52:39.600 --> 0:52:41.759
<v Speaker 2>can still be number one, but the gap can be

0:52:42.200 --> 0:52:45.560
<v Speaker 2>has has shrunk, right, so the difference I think your

0:52:45.600 --> 0:52:47.759
<v Speaker 2>point is exactly right of like what would be like

0:52:47.760 --> 0:52:49.959
<v Speaker 2>the gap between one and number ten back in twenty

0:52:50.040 --> 0:52:52.680
<v Speaker 2>fourteen would be profound and worth a couple of strokes

0:52:52.680 --> 0:52:55.000
<v Speaker 2>a tournament, where now it's a matter of you know,

0:52:55.239 --> 0:52:58.480
<v Speaker 2>it's a matter of smaller margins and that reduces your advantage.

0:52:58.640 --> 0:53:00.320
<v Speaker 2>We just had a conversation today and I think we

0:53:00.400 --> 0:53:03.600
<v Speaker 2>might do a piece about it where it's like Rory says,

0:53:03.600 --> 0:53:05.319
<v Speaker 2>he's a better player now than he was then, and

0:53:05.360 --> 0:53:07.359
<v Speaker 2>so it's like, let's check it out, like let's look

0:53:07.360 --> 0:53:09.799
<v Speaker 2>at the numbers, and I think the conclusion was he

0:53:09.960 --> 0:53:12.640
<v Speaker 2>was better off the tee then, but he's actually better

0:53:12.680 --> 0:53:14.800
<v Speaker 2>now in close inside one hundred and twenty yards or

0:53:14.840 --> 0:53:18.480
<v Speaker 2>something like that. So it's but again, even then, I

0:53:18.520 --> 0:53:20.400
<v Speaker 2>think the margins are really small and it's hard to

0:53:20.520 --> 0:53:21.920
<v Speaker 2>draw like a definite conclusion.

0:53:22.640 --> 0:53:23.719
<v Speaker 1>So yeah, I don't.

0:53:23.760 --> 0:53:25.759
<v Speaker 2>I think there's there's probably stuff about his game, but

0:53:25.760 --> 0:53:27.560
<v Speaker 2>my god, when you look at his Wikipedia right, the

0:53:27.600 --> 0:53:31.239
<v Speaker 2>Wikipedia yellow, he's always there. It's like, it's not like

0:53:31.280 --> 0:53:33.279
<v Speaker 2>the guy has fallen off the map, right, It's not

0:53:33.320 --> 0:53:34.879
<v Speaker 2>like he's Keith and Bradley, where you win a major

0:53:34.880 --> 0:53:37.200
<v Speaker 2>and then you're not quite the same after that. He's

0:53:37.560 --> 0:53:40.600
<v Speaker 2>he's been elite. He's continued to be elite. The only

0:53:40.600 --> 0:53:43.759
<v Speaker 2>comparison point is like Tony Final, except without majors. You

0:53:43.760 --> 0:53:45.920
<v Speaker 2>remember Tony Final. For the longest time, couldn't win, but

0:53:45.960 --> 0:53:47.760
<v Speaker 2>he kept coming back and coming back, and he's always

0:53:47.760 --> 0:53:50.080
<v Speaker 2>finishing top ten and then he broke through. It's like

0:53:50.239 --> 0:53:52.080
<v Speaker 2>that's the only thing you can look at where it's

0:53:52.120 --> 0:53:57.359
<v Speaker 2>like the sheer consistency of continuing to be good despite

0:53:57.760 --> 0:54:01.880
<v Speaker 2>having really traumatic is too strong a word, but really

0:54:01.960 --> 0:54:03.720
<v Speaker 2>tough situations where you can't close.

0:54:04.440 --> 0:54:06.279
<v Speaker 3>Yeah, I mean, maybe one way to put it is

0:54:06.280 --> 0:54:09.839
<v Speaker 3>that he's giving himself just as many chances to win

0:54:10.080 --> 0:54:14.000
<v Speaker 3>as he used to, but those like six seven shot

0:54:14.120 --> 0:54:17.000
<v Speaker 3>victories that he used to get where he would just

0:54:17.080 --> 0:54:19.719
<v Speaker 3>run away and hide, those don't seem to happen as

0:54:19.800 --> 0:54:23.680
<v Speaker 3>much anymore. Those weeks where he's just in totally dominant

0:54:23.680 --> 0:54:26.920
<v Speaker 3>form off the tee, there's usually somebody else or a

0:54:26.920 --> 0:54:30.000
<v Speaker 3>couple of other people who are in kind of similar

0:54:30.080 --> 0:54:34.480
<v Speaker 3>form with their driving. And so, you know, ten years ago,

0:54:34.760 --> 0:54:37.720
<v Speaker 3>some of these majors that he has been close to winning,

0:54:38.200 --> 0:54:42.480
<v Speaker 3>maybe those would have been situations where nobody would have

0:54:42.480 --> 0:54:45.120
<v Speaker 3>been in his area on the leaderboard.

0:54:45.640 --> 0:54:45.879
<v Speaker 1>See.

0:54:45.920 --> 0:54:48.560
<v Speaker 2>But it's so funny because I think it was Friday

0:54:48.600 --> 0:54:50.880
<v Speaker 2>or Saturday night. I was watching the Golf Channel. McGinley

0:54:50.880 --> 0:54:54.719
<v Speaker 2>and Page McKenzie were talking and it was I think

0:54:54.960 --> 0:54:57.959
<v Speaker 2>it might have been Page McKenzie who said, I feel

0:54:57.960 --> 0:55:00.800
<v Speaker 2>like we haven't seen a Rory final round that's felt perfect,

0:55:00.920 --> 0:55:03.000
<v Speaker 2>or a major round that's felt perfect.

0:55:02.920 --> 0:55:04.040
<v Speaker 1>And I mean it's high standard.

0:55:04.080 --> 0:55:07.040
<v Speaker 2>But I took her point and McGinley then said, he's

0:55:07.200 --> 0:55:08.480
<v Speaker 2>you're right, and he's got to do what he did

0:55:08.480 --> 0:55:09.160
<v Speaker 2>at the Wells.

0:55:08.960 --> 0:55:10.800
<v Speaker 1>Fargo this year where he was just perfect, you know

0:55:10.840 --> 0:55:11.160
<v Speaker 1>what I mean.

0:55:11.200 --> 0:55:13.600
<v Speaker 2>It was like any blew Sanders Shoffley out of the

0:55:13.600 --> 0:55:17.319
<v Speaker 2>water and what's nuts is that through thirteen holes, that

0:55:17.480 --> 0:55:20.759
<v Speaker 2>was Sunday at Pinehurst, he was making potts, right, he

0:55:20.800 --> 0:55:23.239
<v Speaker 2>remember the puts he couldn't make at lacc or at St.

0:55:23.280 --> 0:55:26.480
<v Speaker 1>Andrews. He was making those potts. He was biden. You know,

0:55:26.600 --> 0:55:27.240
<v Speaker 1>nothing's perfect.

0:55:27.239 --> 0:55:28.920
<v Speaker 2>We know we use that word with quotes around it,

0:55:28.960 --> 0:55:32.160
<v Speaker 2>but he was perfect through thirteen holes and then it unraveled.

0:55:32.239 --> 0:55:34.319
<v Speaker 2>And that the thing is the unraveling, you know, right,

0:55:34.840 --> 0:55:37.040
<v Speaker 2>that's the difference, and that's where you have to say,

0:55:37.040 --> 0:55:39.919
<v Speaker 2>there's something tangible there that didn't used to be there.

0:55:41.520 --> 0:55:46.080
<v Speaker 3>Looking at this historically, obviously, just looking at majors is

0:55:46.120 --> 0:55:48.960
<v Speaker 3>a limited way to look at a player's career and

0:55:49.000 --> 0:55:53.400
<v Speaker 3>to assess their place in the pantheon of golfers. But

0:55:54.520 --> 0:55:57.480
<v Speaker 3>it is interesting to look at other four time major

0:55:57.520 --> 0:56:01.719
<v Speaker 3>winners in the modern era. You've got Raymond Floyd and

0:56:01.800 --> 0:56:09.040
<v Speaker 3>Ernie Els Okay, five time major winners, Sevy Biastero's Brooks Koepka.

0:56:10.440 --> 0:56:14.680
<v Speaker 3>Six time major winners would be Lee Trevino, Nick Faldo,

0:56:15.400 --> 0:56:19.280
<v Speaker 3>Phil Nicholson, yep Is there a group there that feels

0:56:19.400 --> 0:56:22.560
<v Speaker 3>right for Rory Will Will it just kind of feel

0:56:22.600 --> 0:56:27.240
<v Speaker 3>wrong if he finishes out his career with four majors

0:56:27.280 --> 0:56:29.560
<v Speaker 3>in the way that it kind of felt wrong for

0:56:29.680 --> 0:56:32.160
<v Speaker 3>Greg Norman to finish out his career with with two.

0:56:32.760 --> 0:56:35.480
<v Speaker 2>Yeah, right, doesn't it doesn't the sixth group feel more

0:56:35.560 --> 0:56:36.160
<v Speaker 2>correct to you?

0:56:36.480 --> 0:56:39.759
<v Speaker 3>I mean it does, Nick Faldo, Phil Nicholson, Lee Trevina. Yeah,

0:56:39.760 --> 0:56:41.719
<v Speaker 3>it seems almost almost like he's better than them, but

0:56:41.760 --> 0:56:44.120
<v Speaker 3>not that much better. But but but yeah, I mean no,

0:56:44.239 --> 0:56:46.200
<v Speaker 3>that that's the one that feels right, and it is

0:56:46.320 --> 0:56:48.040
<v Speaker 3>contextually it's important keep in mind a lot of those

0:56:48.040 --> 0:56:50.000
<v Speaker 3>guys want a lot of majors after thirty five, which

0:56:50.040 --> 0:56:52.279
<v Speaker 3>is where Rory is now, so he's not done or

0:56:52.320 --> 0:56:55.839
<v Speaker 3>anything like that. But yeah, yeah, to end up four,

0:56:55.960 --> 0:56:59.480
<v Speaker 3>I mean, it's funny where you're like, you're justin Rose,

0:56:59.480 --> 0:57:00.880
<v Speaker 3>Adam Scott, maybe Sergio.

0:57:01.360 --> 0:57:02.920
<v Speaker 1>You know, it's weird to finish it one.

0:57:02.960 --> 0:57:05.200
<v Speaker 2>It feels like you now four is a It's like,

0:57:05.760 --> 0:57:07.879
<v Speaker 2>it's funny to be like four doesn't feel like enough

0:57:07.920 --> 0:57:10.160
<v Speaker 2>because four is a lot, right, But it doesn't. But

0:57:10.200 --> 0:57:12.080
<v Speaker 2>you're right, it doesn't feel like enough for him and

0:57:12.080 --> 0:57:14.000
<v Speaker 2>it's not enough frankly, and he would agree with that.

0:57:14.080 --> 0:57:17.240
<v Speaker 2>I think, Yeah, that's so that six group feels he

0:57:17.280 --> 0:57:19.160
<v Speaker 2>definitely feels better than Brooks and who is the other guy?

0:57:19.240 --> 0:57:21.400
<v Speaker 1>Five? Oh Sevy? I mean, yea.

0:57:21.800 --> 0:57:24.760
<v Speaker 3>Sevy maybe didn't win as many as uh yeah and

0:57:24.800 --> 0:57:27.320
<v Speaker 3>such people might recall given his stature.

0:57:27.440 --> 0:57:29.920
<v Speaker 2>Totally and he and he was you know, he had

0:57:29.920 --> 0:57:33.120
<v Speaker 2>a share of heartbreaks as well, a couple of augusta

0:57:33.200 --> 0:57:36.640
<v Speaker 2>but yeah, so yeah, yeah, I think that that sixth

0:57:36.640 --> 0:57:40.080
<v Speaker 2>group makes the most sense. There's time left, but it's

0:57:40.160 --> 0:57:42.720
<v Speaker 2>been It's funny to keep saying it year after year.

0:57:43.600 --> 0:57:46.800
<v Speaker 3>It's been. It's been a while. So is it is

0:57:46.840 --> 0:57:49.360
<v Speaker 3>it over dramatic at this point to to ask how

0:57:49.400 --> 0:57:53.080
<v Speaker 3>he can move forward from here? Like what he what

0:57:53.120 --> 0:57:54.760
<v Speaker 3>he can do? Or is he just going to come

0:57:54.800 --> 0:57:58.040
<v Speaker 3>back and it's going to feel like you know, we

0:57:58.040 --> 0:58:01.040
<v Speaker 3>were we were just being too melodramatic after that loss.

0:58:01.280 --> 0:58:05.280
<v Speaker 3>People come back, people forget, memories fade and we can

0:58:05.880 --> 0:58:08.440
<v Speaker 3>move on. Or is there do you think there's like

0:58:08.520 --> 0:58:11.560
<v Speaker 3>harder work to be done on his part to get

0:58:11.600 --> 0:58:15.000
<v Speaker 3>back into major championship contending form.

0:58:15.680 --> 0:58:17.880
<v Speaker 2>That gets yeah, and that gets into like the boy

0:58:17.880 --> 0:58:19.840
<v Speaker 2>it's so tough to say, right, I mean, it gets

0:58:19.880 --> 0:58:21.840
<v Speaker 2>into where it's very difficult to know because a lot

0:58:21.840 --> 0:58:24.400
<v Speaker 2>depends on him, and you know, I think In his statement,

0:58:24.400 --> 0:58:26.200
<v Speaker 2>he talked about how resilient he is and he's gonna

0:58:26.240 --> 0:58:27.240
<v Speaker 2>he'll probably need some of that.

0:58:27.640 --> 0:58:28.600
<v Speaker 1>The only thing I would.

0:58:28.360 --> 0:58:29.840
<v Speaker 2>Say is that I think I do think as you

0:58:29.880 --> 0:58:33.760
<v Speaker 2>get older and things like this happen among professional golfers,

0:58:33.800 --> 0:58:35.440
<v Speaker 2>I think scar tissue builds up a little bit.

0:58:35.560 --> 0:58:35.880
<v Speaker 1>And so.

0:58:38.280 --> 0:58:40.280
<v Speaker 2>Just like there would have been Scar's issue for him

0:58:40.280 --> 0:58:43.320
<v Speaker 2>to overcome had he won at Pinehurst and he didn't

0:58:43.320 --> 0:58:45.880
<v Speaker 2>overcome it, there's going to be the same thing at

0:58:45.880 --> 0:58:47.400
<v Speaker 2>the next time he has to do this.

0:58:47.800 --> 0:58:50.120
<v Speaker 1>It's never going to be easy, and he can do it.

0:58:50.160 --> 0:58:51.120
<v Speaker 1>All it takes is a good shot.

0:58:51.160 --> 0:58:53.720
<v Speaker 2>All it takes is some luck, right, Like you know

0:58:53.760 --> 0:58:55.800
<v Speaker 2>the guy, the guy that you're competing with makes a

0:58:55.840 --> 0:58:58.000
<v Speaker 2>quad or something, you know, just just a little break

0:58:58.000 --> 0:59:02.160
<v Speaker 2>from the universe, which he doesn't seem to get anymore. Yeah,

0:59:02.200 --> 0:59:04.560
<v Speaker 2>but he'll there's it's just not it's just never gonna

0:59:04.600 --> 0:59:06.280
<v Speaker 2>be easy after this. He's gonna have to work really

0:59:06.320 --> 0:59:10.960
<v Speaker 2>hard for it. And yeah, but I yeah, it's his willpower, right,

0:59:11.000 --> 0:59:12.280
<v Speaker 2>It's it comes down to Will.

0:59:13.760 --> 0:59:14.120
<v Speaker 1>Shane.

0:59:14.520 --> 0:59:16.520
<v Speaker 3>Thank you for coming on the podcast. It's always fun

0:59:16.560 --> 0:59:19.280
<v Speaker 3>to talk to you, and let's do it again sometime

0:59:19.320 --> 0:59:20.600
<v Speaker 3>maybe in another year or so.

0:59:21.080 --> 0:59:22.680
<v Speaker 1>Awesome. Thank you Garrett, it's been great.

0:59:35.320 --> 0:59:39.320
<v Speaker 3>This episode of the Friday Golf Podcast was produced by

0:59:39.360 --> 0:59:44.080
<v Speaker 3>PJ Clark. Thank you, PJ. If you could do something

0:59:44.440 --> 0:59:47.680
<v Speaker 3>real quick, big favor for me, Go to wherever you're

0:59:47.760 --> 0:59:51.640
<v Speaker 3>listening to this and leave a rating or review. If

0:59:51.640 --> 0:59:55.040
<v Speaker 3>you're listening to this and Spotify, go there Apple Podcasts.

0:59:55.280 --> 0:59:58.400
<v Speaker 3>That's great. Just give us a little bit of feedback

0:59:58.640 --> 1:00:01.440
<v Speaker 3>and a rating. It helps us find new listeners and

1:00:01.480 --> 1:00:04.840
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1:00:04.920 --> 1:00:07.640
<v Speaker 3>think about as we try to make this podcast better

1:00:07.960 --> 1:00:10.640
<v Speaker 3>and better. Thank you for listening, and we'll be back

1:00:10.640 --> 1:00:33.520
<v Speaker 3>again soon with another episode.