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Speaker 1: So I take my turn and it goes well, and

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Speaker 1: uh and I turned to Chow in fact, yes, uh

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Speaker 1: and and son doobie and uh and Chow touches his

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Speaker 1: block and takes his hand away, and some dudy goes

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Speaker 1: u uh ah, no, you.

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Speaker 2: Can't do that.

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Speaker 3: Well, he can do that, but now it's that block

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Speaker 3: he has to.

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Speaker 1: Right, you have You've already selected your block and Chow

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Speaker 1: and Chow says, that's Jenga rules.

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Speaker 3: This is a tumble tower. Did you and Jenga's trademarked

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Speaker 3: did you check the box because the directions are on

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Speaker 3: the box.

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Speaker 2: Well, my dog ate the box.

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Speaker 3: Mm hmm, that's right. It's in a bag you ye,

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Speaker 3: keep the pieces in a bag. Well some of them

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Speaker 3: are Jenga pieces.

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Speaker 1: Yes, well that and that point was made to Sun

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Speaker 1: because they're a little bigger. Yes, Son, through a fit, uh,

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Speaker 1: he knocked the tower, kicked the table over and hayes

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Speaker 1: it landed in a perfect block.

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Speaker 2: Like a complete Yenga tower. Let's start the game again.

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Speaker 2: And even do Be had to laugh. Hey, welcome to Hollywood.

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Speaker 3: Got you kicking butt and dropping names into the recording

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Speaker 3: line by probably said the history we called showbiz it's July,

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Speaker 3: and so politics are on everyone's lips, doing everywhere, and

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Speaker 3: so you read newspapers, oh you can't not. And it's

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Speaker 3: a man of course on the front saying well.

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Speaker 2: Now I want to be and do this now.

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Speaker 3: Yes, and it's me. And so we we think about

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Speaker 3: what can we contribute to the discussion, to the.

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Speaker 2: Dialogue, and what's my access point?

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Speaker 3: Yes, and so we have our area of expertise, uh for.

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Speaker 2: And say what it is? It's Hollywood? Yeah, I think

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Speaker 2: so too.

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Speaker 3: Movies, yes, TV doing movies, yeah, entertainment and Hulu and

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Speaker 3: the web. In Hulu, we have a sort of thought experiment.

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Speaker 2: Did you see the new Deadbeat?

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Speaker 3: Don't please don't tell me. No, I don't want to

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Speaker 3: spoil it because you know I can't watch it the

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Speaker 3: day during the day is released. Yes, it's well because

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Speaker 3: it comes out at night, comes out at night during

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Speaker 3: the day because of the scary Yes.

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Speaker 2: But yeah, you know what hint, Well, do give me

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Speaker 2: a hill. He is unable to help himself, but he

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Speaker 2: is able to help ghosts.

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Speaker 3: Yes, you know, okay, yes, but to give me a

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Speaker 3: hint for this episode, Lula.

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Speaker 2: Beans doing his stuff, okay, And that's and then can

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Speaker 2: you get more specific than that? Well, the ghosts uh is.

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Speaker 3: Uh wants to drive a Cadillac that was his dream

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Speaker 3: and Lubin drives.

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Speaker 2: You've seen it, Yes, that's his famous car. No.

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Speaker 3: Oh, Lubin drives like a fucking Kiah and uh so like,

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Speaker 3: how's he going to get this Cadillac?

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Speaker 2: I see? And he has to blow a cop?

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Speaker 3: So we want we're talking about politics, and uh, we

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Speaker 3: were just thinking what if think about Washington Hollywood two places?

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Speaker 3: But what if Washington were more like Hollywood? Hey?

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Speaker 2: Is that what's interesting?

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Speaker 3: It's all a business, yeah, and it's different ways of

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Speaker 3: doing things, and what if they did it in Washington

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Speaker 3: a little more like they do in Hollywood?

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Speaker 1: And even thinking about it a little bit, I am

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Speaker 1: seeing that they're similar stuff and parts of it is

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Speaker 1: the same.

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Speaker 3: Sure, yeah, and what's one way that that could be?

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Speaker 1: Okay? And just off the top one thing is so

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Speaker 1: what if? And just a thought experiment? So what if

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Speaker 1: Ted Cruise was more like Tom Cruise?

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Speaker 3: Oh?

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Speaker 2: Yeah, I love that. That's so interesting?

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Speaker 3: So then what Tom Cruise movie star doing all of

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Speaker 3: it is now becoming Ted Cruise?

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Speaker 2: Oh?

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Speaker 3: Yes, who is mayor of.

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Speaker 2: Same?

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Speaker 3: Yeah? Well I might be that I might be thinking

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Speaker 3: of just I finally watched Anchorman.

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Speaker 2: And it doesn't matter. Oh right whales Vagina.

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Speaker 1: Yes, but it is uh if you're doing a Freaky Friday?

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Speaker 2: What is Ryan's? Yes, what's look it up? Tell us

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Speaker 2: who Cruise is? Where he's running? Because I want to

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Speaker 2: see how this could work out? Yes, because Tom to

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Speaker 2: know where Tom would fit.

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Speaker 3: The question is is he does he if he's going

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Speaker 3: to be doing politics, does he still have time to

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Speaker 3: do movies? Yes?

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Speaker 2: So Ted who dos.

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Speaker 1: Government will have to be we know that in Mission

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Speaker 1: Impossible now he has to do that. And so that

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Speaker 1: means Tom is doing uh laws.

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Speaker 2: Right?

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Speaker 3: And I would love to know the specific please Ryan,

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Speaker 3: Texas Senator.

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Speaker 2: I believe that's what Hayes said. Well, that makes it.

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Speaker 3: Because he Tom Cruise has no connection to Texas at all.

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Speaker 2: He would there? Don't you have to live there? Oh yeah?

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Speaker 3: And I want this to work so and I don't

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Speaker 3: want this to be confident between you and me, because

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Speaker 3: you know that I'm your biggest supporter in this.

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Speaker 1: Well, and I already have a bump and just a

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Speaker 1: note for myself, which is I would really miss Tom

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Speaker 1: in those movies if he did go to be here?

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Speaker 2: I know so.

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Speaker 3: And if Ted's doing the movies, I don't. First of all,

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Speaker 3: I don't know if that's what he wants to do.

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Speaker 2: Mm hmm. And I don't think he's people are turning

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Speaker 2: out to see him. So is it still bring Tom?

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Speaker 2: Still brings him out? Tell me why this can't work?

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Speaker 1: Ted and Tom is in the movie, Yeah, as partners

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Speaker 1: or even a stuck on you type thing where they're

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Speaker 1: sharing a sweater.

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Speaker 2: Yeah.

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Speaker 3: I just don't know why it doesn't work better with

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Speaker 3: Ted just Tom, with just Tom in the movie? Is

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Speaker 3: that Ted's doing what the governor's stuff? Do we just

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Speaker 3: leave him doing that?

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Speaker 2: I love it.

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Speaker 3: I really want to try and make this work though.

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Speaker 3: I'm really to it when I first heard it, and

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Speaker 3: there must be something there.

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Speaker 2: Ted does the movies, and the movies he gotta do

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Speaker 2: the movies. He packs them in. Still Ted's gonna do

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Speaker 2: the laws?

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Speaker 3: Do they give each other? Maybe they if they switch

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Speaker 3: tould they help each other?

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Speaker 2: If they check? Well, what if Tom gives one of

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Speaker 2: his awards to Ted? Yes?

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Speaker 3: And so then they could say you know what would

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Speaker 3: they say? Well, I've tried to think of an award?

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Speaker 2: Oh, does he has he gotten?

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Speaker 3: This is another Oh god, I think this might be

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Speaker 3: the biggest impediment to this working is that I don't

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Speaker 3: know if Tom has any major awards to give Ted Cruz.

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Speaker 2: Did Jack Reacher not bring home the hardware?

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Speaker 3: I don't know if it if it was a hardware movie.

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Speaker 2: Hmmm, Oh god, I'm that's the main reason so hard Sean.

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Speaker 3: I just can't think of any big awards that Tom

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Speaker 3: Cruise could give Ted Cruz in order to establish Ted Cruise.

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Speaker 2: As for the poster, if you say.

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Speaker 3: Oscar winning Ted Cruise on the poster because Tom Cruise

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Speaker 3: had given an Oscar to Ted is it's some kind

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Speaker 3: of three way deal.

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Speaker 2: Where you go to Hillary Swank, who has two uh huh,

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Speaker 2: she's got extra. She gives one to.

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Speaker 3: Tom Cruise to give to Ted Cruise. She gives another

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Speaker 3: one to Hillary Clinton. Yes, Hillary place.

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Speaker 1: Is with her, So she's Hillary Clinton, Hillary swanks Hillary Clinton,

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Speaker 1: Tom Cruise being Ted Cruise. Ted Cruise is doing movies

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Speaker 1: because he has the oscar winning.

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Speaker 2: Yes, Hillary has.

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Speaker 3: An oscar because he brought home the hard way and

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Speaker 3: then so then but who but is Hillary going to

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Speaker 3: want to do? Is Hillary Clinton.

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Speaker 2: Want to do? If she wants to do like a

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Speaker 2: Clint Eastwood thing. I don't even know.

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Speaker 3: If that's Hillary Swank's next project. Her main thing is

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Speaker 3: not being a movie. Yeah, did the Locust one?

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Speaker 2: And then yes, I don't know focus and I don't

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Speaker 2: think it just an oscar is enough for Hillary to

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Speaker 2: give up? Not enough of a track record. So how

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Speaker 2: about that.

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Speaker 3: I don't think it works on any not one piece

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Speaker 3: of it so far, not one piece of it.

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Speaker 2: It's just finding it. And we can't switch Chris Christy,

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Speaker 2: Chris Penn right, no, Chris Pratt, No, okay, do we

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Speaker 2: scrap the whole thing? Well?

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Speaker 1: I hate to say it, but I think that maybe

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Speaker 1: Hollywood's Hollywood for a reason, and we'll leave d C

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Speaker 1: to the Washington nights.

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Speaker 3: And sometimes you have to you, you know what, this

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Speaker 3: will actually was worthwhile because sometimes you have to do

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Speaker 3: an experiment like this to realize why things are the

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Speaker 3: way they are, because if you never question these things,

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Speaker 3: then it's just the Apple commercial.

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Speaker 1: I say all the time to all these laws and

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Speaker 1: all these other yes, it's just an Apple commercial. And

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Speaker 1: it's not because I'm marching the marching march. Well about yeah,

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Speaker 1: is the age of consent? Is that random you know. Yes,

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Speaker 1: the reason that we don't we don't.

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Speaker 2: Test it out.

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Speaker 3: I want to see, yeah, yes, that's science. Yeah, that's

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Speaker 3: just scientific tests. And you go like okay, well and

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Speaker 3: maybe on the other you go like, I get why

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Speaker 3: this is what it is.

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Speaker 2: First there's a hypothesis.

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Speaker 3: Yes, then you have to test it out, and then

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Speaker 3: sure you can say afterwards, maybe it shouldn't be quite

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Speaker 3: as low as I thought. But it's someone too, Yeah,

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Speaker 3: somewhere between, and I think you land there frequently is

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Speaker 3: it's they're both true. So we want to introduce our

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Speaker 3: guests doing the show. I really wish that had worked

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Speaker 3: the thing.

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Speaker 2: No, don't feel bad for me. My ego can take it.

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Speaker 2: I'm actually having a cool week. Tom Sharpling is here.

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Speaker 2: I found a surfboard.

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Speaker 3: It might neighbor's garage. Oh sorry, you're yeah, but I

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Speaker 3: am having a cool week, as I did find a

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Speaker 3: surfboard in my neighbor's garage.

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Speaker 2: He is he passed on. You were very sad about that.

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Speaker 3: I was bummed out, and I had started sleeping in

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Speaker 3: his garage because I missed him, and I was curling

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Speaker 3: up in his dog bed and just sort of weeping

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Speaker 3: in there, and I don't know if I just hadn't

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Speaker 3: seen it before or if my eyes had been sort

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Speaker 3: of watery and I asess it. But you can telephone

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Speaker 3: mm hmm, No, there's nobody on the other end. No,

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Speaker 3: that's true. And and my dad's been threatening to cut

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Speaker 3: the string because when what he was moaning the lot,

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Speaker 3: he clotheslined himself off. So he has been talking about

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Speaker 3: losing the string. And uh, I'm not quite ready to

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Speaker 3: let it go yet. But this surfboard I think could

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Speaker 3: be a big piece for me, for the new me.

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Speaker 2: But we got a guess.

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Speaker 3: A lot of fun stuff coming up, A very interesting

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Speaker 3: discussion we're going to have with Tom on Hollywood Handbook.

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Speaker 3: So Aroma downy. Yeah, she's giving me the tour of

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Speaker 3: the Starbucks factory. This is what I told this is

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Speaker 3: this is a factory.

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Speaker 2: I'm told La Blange or Starbucks. No, La Boulange is

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Speaker 2: actually I could go into. That's a totally separate operation.

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Speaker 3: Different shipping, whole thing is different, because you know, I'm thinking,

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Speaker 3: you know, franchises are sort of my my portfolio is

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Speaker 3: very franchise, very franchise heavy.

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Speaker 2: Okay, yes, my boulage.

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Speaker 3: And I don't know if this is what a Starbucks

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Speaker 3: is or what she thinks it is. But she was like,

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Speaker 3: here's how we do it. And she put a coffee

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Speaker 3: bean in her mouth and sucked it dry and just

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Speaker 3: sort of let the juice release in this case, onto

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Speaker 3: the onto the ground. But she said, normally there would

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Speaker 3: be a cup up there there to catch it.

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Speaker 2: You did, was that your experience? Roma wasn't there when

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Speaker 2: I did it? Okay?

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Speaker 3: No, Well that's my first red flag because she said

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Speaker 3: that she's the only one who does it.

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Speaker 1: Oh, okay, No, So for me it was a little

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Speaker 1: different and that it wasn't I don't think it was

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Speaker 1: the same location.

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Speaker 3: It wasn't Roma, okay, but I was with uh Gary sneeze. Yeah,

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Speaker 3: and he said this is how we do it. And

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Speaker 3: he took a coffee bean and he put it in

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Speaker 3: his mouth and then he French kissed me and put

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Speaker 3: it into.

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Speaker 2: My mouth.

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Speaker 3: And then he was like, this is how we make coffee. Yeah.

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Speaker 2: I was awake for the rest of the night.

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Speaker 3: Okay, that's interesting. That may have been what she was

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Speaker 3: trying to do. She did a couple of times swallowed

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Speaker 3: it by accident, and she was like, wait, let me

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Speaker 3: do wait wait, wait, I can do it. Let me

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Speaker 3: do it.

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Speaker 2: Yeah, I can do it. Let me do it. Remember, yes,

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Speaker 2: yes I do.

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Speaker 3: Speaking of which, Miss swan Hey, Hollywood Handbook, Insiders, guy

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Speaker 3: to kicking, button dropping names, the red carp line back

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Speaker 3: always of this industry we call showbiz. What our guest

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Speaker 3: today is Tom Sharpling. And now, Tom, let's talk about

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Speaker 3: a little bit how we uh before we get into

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Speaker 3: it with you. Really, let's talk about how we know

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Speaker 3: of you. Yeah. I spent some time in New York recently. Yeah,

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Speaker 3: I'm out on the fire escape. This is how people

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Speaker 3: hang out in New York is on the fire escape.

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Speaker 3: And there's ball, yes, and there's a guy stories below,

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Speaker 3: indigent fella.

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Speaker 2: This isn't Tom. This is a different guy.

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Speaker 3: But he's listening to a transistor radio and he's laughing.

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Speaker 3: He's laughing.

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Speaker 2: That's a good sign.

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Speaker 3: And I listen closer. It's Tom Sharpling's show radio.

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Speaker 2: Yeah. Is this is this the story? I mean like,

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Speaker 2: this is introduction. This is how we first got turned

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Speaker 2: on to you.

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Speaker 1: Okay, okay, yes, the story sharts long before you enter,

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Speaker 1: as so many do.

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Speaker 2: All right, And so you heard somebody listening to to

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Speaker 2: my show on a transistor radio. Yes, yes, And when

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Speaker 2: was this? It was connected to a desktop computer. Well

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Speaker 2: that's not a transistor radio, then that's a speaker No.

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Speaker 3: Well you can actually produce an FM feed from your

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Speaker 3: desktop and then tune into that feed on your transistory just.

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Speaker 2: In case you're not a fan of clarity or is

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Speaker 2: that what that's for.

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Speaker 3: Well, the sound is actually better, Tom, Okay, you know,

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Speaker 3: like we sacrifice, we've sacrificed purity for convenience, and so

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Speaker 3: some people still care about how things sound.

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Speaker 1: And Hayes called me immediately upon hearing this and held

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Speaker 1: the phone up to the feed, which I so I got.

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Speaker 1: Actually the purest version of the sound was a speakerphone

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Speaker 1: listening through it.

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Speaker 3: To it transit the radio that I was about forty

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Speaker 3: feet away from, and the rich depth of the sound

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Speaker 3: of the baritone coming through, and I said, there's something,

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Speaker 3: there's something here. It needs some polishing, It needs cleaning up.

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Speaker 2: So now, oh okay polishing.

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Speaker 3: And let's talk about what it is.

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Speaker 2: Your show?

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Speaker 3: How would you describe your show?

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Speaker 2: Yes, you have a show. I do have a show. Yes, Yes,

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Speaker 2: I've been doing it for a long time. It's called

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Speaker 2: the best show and it's cheeky, thank you, It's it's fun.

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Speaker 2: It's a conversation starter. Because then it's like, is it

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Speaker 2: the best show? I think it's the best show, and

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Speaker 2: it makes it easy to google. I'm sure sure, because

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Speaker 2: then it's like you do, like you write in the

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Speaker 2: best show, and then you do a thing where you

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Speaker 2: like exclude words, and then you write orange is the

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Speaker 2: new black psych Psych, the Borges, the Borges, the Penny Dreadful,

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Speaker 2: like any of those, just the things that like get

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Speaker 2: people talking. We kind of have to eliminate them from it.

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Speaker 2: As Morella was that Cristelda or as Morelda? I think

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Speaker 2: it was Crystelda sounds right, yes, gone before it's time.

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Speaker 2: It was the best show. Yeah, and but a lot

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Speaker 2: of people say that. And now for people to find

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Speaker 2: my show, once you do those excluded terms, then it's

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Speaker 2: just the cleanest path right to it. Okay. Yeah, so

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Speaker 2: it's a marketing thing for you pretty much. It's a

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Speaker 2: it's a little crass, but that's how this works. You

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Speaker 2: got to play the it's a it's a game of

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Speaker 2: inches sometimes and you football.

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Speaker 3: Oh.

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Speaker 2: Speak on that. Yeah, well yeah, but market with yards,

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00:19:01,760 --> 00:19:05,160
Speaker 2: yes they do. But inches make yards did you ever

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Speaker 2: see Any Given Sunday? The movie Any Given Sunday?

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Speaker 3: I saw the one part I saw there's a locker

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Speaker 3: a locker room seeing I saw on Daily Motion?

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Speaker 2: Uh huh is that? Am I thinking of it? It

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Speaker 2: was where Paccino was a coach And then he's like, no, Jamie.

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Speaker 3: Fox, No, it's like a shower, like a wet on

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Speaker 3: Daily Motion.

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Speaker 2: Yeah, safe search, I sent it to you.

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Speaker 1: Yeah, but I couldn't watch it because I can't deactivate

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Speaker 1: the safe search on there.

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Speaker 2: I can't find it anymore. Your dad's password, Yeah, well

336
00:19:42,119 --> 00:19:45,320
Speaker 2: he moved something or the screen. But yeah, you might

337
00:19:45,359 --> 00:19:49,400
Speaker 2: want to just clear the cash on it or the cookies,

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Speaker 2: like I think then you'll have a clean start with

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Speaker 2: that stuff.

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Speaker 3: Okay, the mouse, his dad takes the mouse.

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Speaker 2: With him, Okay to work.

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Speaker 3: Okay, it's a Is it a wireless mouse? Uh, it's

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00:20:05,160 --> 00:20:08,480
Speaker 3: got a long come to think of it. Yeah, it's

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00:20:09,600 --> 00:20:12,000
Speaker 3: there's definitely wires coming out of the thing. Okay, so

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Speaker 3: it's not I couldn't be.

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Speaker 2: Does he unplug the wire? Does it just go all

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Speaker 2: the way to his work?

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Speaker 1: Like?

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Speaker 2: You can still move things around, Like do you ever

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Speaker 2: see the little arrow moving around on the screen when

351
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Speaker 2: he's at work. I guess I have seen that.

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Speaker 3: Well, what I see on the screen when he's at

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Speaker 3: work is mostly these flying toasters.

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Speaker 2: Sure, yeah, and that and that cracks me up.

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Speaker 3: But and we should mention that my dad is a

356
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Speaker 3: retired cop, but he has started working again and he's

357
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Speaker 3: working at Babbage's computer store at the Westfield Mall. That's

358
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Speaker 3: it sounds like a good second act for your father. Yeah,

359
00:20:52,800 --> 00:20:57,840
Speaker 3: free video games for a night, He gets you free ones,

360
00:20:58,280 --> 00:21:02,000
Speaker 3: he gets them for himself, and he plays them by

361
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Speaker 3: himself and then he brings them back. Uh huh. Okay, Wow,

362
00:21:05,680 --> 00:21:08,600
Speaker 3: this isn't about him though, right, I mean, you know,

363
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Speaker 3: we don't need to talk all about my debt. But

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Speaker 3: but you were talking about talking about Sunday, any given Sunday.

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Speaker 2: Yeah, so what's your review of it. It's a pretty

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Speaker 2: good representation of modern day NFL and that movie is

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Speaker 2: just about how on any given Sunday anything can happen?

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Speaker 2: T bo Yes, how about that time? He wins? Oh no,

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Speaker 2: what do you mean you?

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Speaker 3: I don't know if you would like it or dislike it.

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Speaker 3: It's got religious elements.

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Speaker 2: Uh oh, that's a red flag for me. And that's

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Speaker 2: another football thing. Actually, do you oh, do you know

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00:21:52,560 --> 00:21:55,760
Speaker 2: that religion has caused more wars and killed more people

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Speaker 2: than all of the diseases I've heard, I've heard. Uh,

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00:22:03,000 --> 00:22:04,800
Speaker 2: it's a it's a pretty it's it's like one of

377
00:22:04,880 --> 00:22:07,639
Speaker 2: those things. It's just like it's like the girl with

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00:22:07,800 --> 00:22:10,359
Speaker 2: the curl. Right. When it's good, it's really good, but

379
00:22:10,480 --> 00:22:13,440
Speaker 2: when it's bad, it's like the worst. Oh, I don't

380
00:22:13,520 --> 00:22:15,880
Speaker 2: know what that means, but I but it's not I'm

381
00:22:15,920 --> 00:22:18,840
Speaker 2: not just talking about wait wait wait, wait, wait wait.

382
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Speaker 2: You don't know the girl with the curl. No, I

383
00:22:22,320 --> 00:22:23,600
Speaker 2: know a girl with pearl hearing.

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Speaker 3: No, this is when it's good, it's really good, but

385
00:22:26,720 --> 00:22:27,879
Speaker 3: when it's bad, it's the worst.

386
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Speaker 2: You don't know girl with the curl?

387
00:22:30,080 --> 00:22:30,800
Speaker 3: Girl with the curl?

388
00:22:30,880 --> 00:22:33,760
Speaker 2: Now, yeah, this is like a curl. This is like

389
00:22:33,840 --> 00:22:37,479
Speaker 2: a thing. This is everywhere what it's like Santa Claus

390
00:22:37,600 --> 00:22:40,240
Speaker 2: or or it's just a part of the culture. Yes,

391
00:22:40,359 --> 00:22:42,920
Speaker 2: this is like. You didn't grow up with this. No,

392
00:22:43,119 --> 00:22:45,240
Speaker 2: but I grew up in a unique circum You should

393
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Speaker 2: ask your dad. He's not gonna want to hear from it.

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Speaker 3: It's almost like a social experiment that he's doing, not

395
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Speaker 3: teaching you about this.

396
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Speaker 2: I don't know. I don't want to feel bad about

397
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Speaker 2: my dad tonight. Okay, So Tom, you got this show,

398
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Speaker 2: what do you what's the next?

399
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Speaker 3: What's next? What are you trying to do with this thing?

400
00:23:04,080 --> 00:23:05,280
Speaker 3: You're looking for a home.

401
00:23:07,160 --> 00:23:08,400
Speaker 2: Home? What do you mean at home?

402
00:23:08,600 --> 00:23:10,960
Speaker 3: Well, it's like you know, right now, it seems to

403
00:23:11,040 --> 00:23:13,320
Speaker 3: be just floating. You know what I mean, It's just

404
00:23:13,440 --> 00:23:15,600
Speaker 3: kind of floating in space.

405
00:23:15,880 --> 00:23:18,679
Speaker 2: It's like a jellyfish in space.

406
00:23:19,040 --> 00:23:22,840
Speaker 3: And it's if it's it doesn't find a home a spaceship,

407
00:23:23,160 --> 00:23:26,000
Speaker 3: it will starve to death, just like.

408
00:23:26,240 --> 00:23:30,760
Speaker 2: Uh that first astronaut in gravity? Yes, the first one?

409
00:23:31,480 --> 00:23:31,600
Speaker 3: Right?

410
00:23:31,720 --> 00:23:36,359
Speaker 2: Who played that first one? Oh boy, Hector Elizondo? Was

411
00:23:36,440 --> 00:23:39,800
Speaker 2: that him? He got like cut very early and he

412
00:23:39,960 --> 00:23:43,240
Speaker 2: just went out, remember right, that might have been that

413
00:23:43,400 --> 00:23:45,520
Speaker 2: might have been the Ellis ely Zondo.

414
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Speaker 3: Man.

415
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Speaker 2: So does your show it doesn't want to starve without

416
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Speaker 2: a spaceship?

417
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Speaker 3: Is that right? Tom?

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00:23:52,400 --> 00:23:55,600
Speaker 2: Well, no, I don't even understand exactly how it's starving.

419
00:23:55,760 --> 00:23:58,359
Speaker 2: That's this is news to me that it's serving at all.

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00:23:58,560 --> 00:24:05,679
Speaker 2: People survive need food. Yeah, he's almost there with you.

421
00:24:06,000 --> 00:24:14,040
Speaker 3: In the same way podcast needs fan support.

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00:24:14,720 --> 00:24:19,680
Speaker 2: Mmm. Okay, yeah, which I thought I had.

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Speaker 3: Okay, well, is that the problem You've been going along

424
00:24:24,680 --> 00:24:25,720
Speaker 3: thinking that you had fans?

425
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Speaker 2: So don't because I don't know why.

426
00:24:27,720 --> 00:24:31,200
Speaker 3: Because you don't know. Okay, well, well I'm saying, yes

427
00:24:31,320 --> 00:24:34,879
Speaker 3: that you don't. Actually, but you think you do. You

428
00:24:35,000 --> 00:24:35,879
Speaker 3: think that everything is.

429
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Speaker 2: Not only do I not, I'm thinking incorrectly. Yes, I

430
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Speaker 2: have it. Metaphor.

431
00:24:43,320 --> 00:24:46,879
Speaker 3: You are going through the desert and you see a

432
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Speaker 3: hot dog stand, but it's like a rock.

433
00:24:53,080 --> 00:24:54,879
Speaker 2: Yeah, it turns out to be a rock. So I

434
00:24:55,040 --> 00:24:57,399
Speaker 2: just see this thing, and I think I'm going to

435
00:24:57,480 --> 00:24:59,760
Speaker 2: get like a like a milkshake to kind of well

436
00:25:00,000 --> 00:25:02,399
Speaker 2: hot dog a hot dog. In this case, it would

437
00:25:02,440 --> 00:25:05,040
Speaker 2: be a hot dog. Okay, So I see this so

438
00:25:05,240 --> 00:25:08,400
Speaker 2: beat up Tom. It was a stand in your example.

439
00:25:08,520 --> 00:25:09,960
Speaker 2: I mean, if they're just selling it, they have to

440
00:25:10,000 --> 00:25:12,080
Speaker 2: sell some sort of drink at the it's a hot

441
00:25:12,119 --> 00:25:14,840
Speaker 2: dog at milkshakes end. If they sold milkshakes, I would

442
00:25:15,320 --> 00:25:18,960
Speaker 2: Johnny Rockets. Right, let's just say that's what you're making.

443
00:25:19,040 --> 00:25:21,480
Speaker 3: My point for me, it's said a Johnny Rockets, then

444
00:25:21,520 --> 00:25:22,359
Speaker 3: absolutely if we.

445
00:25:22,440 --> 00:25:24,800
Speaker 2: Just say it's a Johnny Rockets to go in the

446
00:25:24,880 --> 00:25:26,600
Speaker 2: middle of the desert.

447
00:25:26,520 --> 00:25:33,120
Speaker 3: Right, So it's in an airport. You're hallucinating at airport

448
00:25:33,800 --> 00:25:36,880
Speaker 3: where you can go. It's buy a ticket and go inside. Sure,

449
00:25:37,080 --> 00:25:38,440
Speaker 3: and go to a Johnny rocket to go.

450
00:25:38,720 --> 00:25:45,200
Speaker 2: So to follow this thing, I'm going through this deserted airport, dying,

451
00:25:45,800 --> 00:25:49,520
Speaker 2: dying of thirst, yes, and hunger, desert, deserted airport.

452
00:25:49,600 --> 00:25:49,800
Speaker 3: Yeah.

453
00:25:50,280 --> 00:25:54,399
Speaker 2: So, and I see this thing in the horizon, I

454
00:25:54,520 --> 00:25:57,919
Speaker 2: crawl to it. I'm assuming I'm at death's door following

455
00:25:58,040 --> 00:26:00,359
Speaker 2: your thing. And if I get to it at the airport,

456
00:26:00,400 --> 00:26:02,280
Speaker 2: what is it? Then? Is it a thing? Your face

457
00:26:02,400 --> 00:26:05,520
Speaker 2: bunks into a rock? Okay, a rock in the airport.

458
00:26:06,080 --> 00:26:09,639
Speaker 2: There's just a rock, the whole thing. Yes, stick a

459
00:26:09,760 --> 00:26:13,080
Speaker 2: straw on a rock. Sure, Okay, well this is then

460
00:26:13,280 --> 00:26:15,919
Speaker 2: you drink it. But what is the goal I'm missing?

461
00:26:17,000 --> 00:26:20,120
Speaker 2: You're taking the long way around, trying to say something

462
00:26:20,160 --> 00:26:22,680
Speaker 2: that seems very pointed. Well, let's go.

463
00:26:23,000 --> 00:26:26,000
Speaker 3: Well, let's make it easy, Tom. What's the name of

464
00:26:26,200 --> 00:26:32,160
Speaker 3: the label you're on? Is it Nerdoue, Feral or wolf cool?

465
00:26:33,880 --> 00:26:36,439
Speaker 2: Well, it's like a standalone thing. There really is no.

466
00:26:38,800 --> 00:26:43,399
Speaker 3: Yes, like a guy in my case, yes, like the

467
00:26:43,480 --> 00:26:46,680
Speaker 3: guy I was speaking of earlier, the fella who lives

468
00:26:46,720 --> 00:26:50,200
Speaker 3: outside where you know he would we would say.

469
00:26:50,359 --> 00:26:51,879
Speaker 2: What home do you live in?

470
00:26:52,560 --> 00:26:55,080
Speaker 3: What home network are part of it? He would say, Oh,

471
00:26:55,119 --> 00:26:57,960
Speaker 3: I'm kind of a freelance. So you're saying that's a

472
00:26:58,080 --> 00:27:02,240
Speaker 3: homeless guy. Is it's like, well as you would put it,

473
00:27:02,359 --> 00:27:04,920
Speaker 3: he would say, yes, I'm I'm kind of a freelance.

474
00:27:05,000 --> 00:27:07,800
Speaker 3: There's maybe a reason he was related home stuff.

475
00:27:08,040 --> 00:27:10,320
Speaker 2: Yeah, So you're just saying like a homeless guy would

476
00:27:10,320 --> 00:27:12,440
Speaker 2: just like, hey, I'm freelance. I just choose not to

477
00:27:12,520 --> 00:27:13,359
Speaker 2: have a home. That's me.

478
00:27:14,000 --> 00:27:17,520
Speaker 3: Yes, okay, and so what but let's talk about finding

479
00:27:17,560 --> 00:27:20,320
Speaker 3: you a home wolf Cool you mentioned earlier. I don't

480
00:27:20,400 --> 00:27:22,639
Speaker 3: know if that's exactly the right fit. Maybe not a

481
00:27:22,680 --> 00:27:24,439
Speaker 3: great fit. I think you'd get swallowed up.

482
00:27:24,560 --> 00:27:28,120
Speaker 2: No, wolf Cool, is your your vanity network?

483
00:27:28,480 --> 00:27:32,879
Speaker 3: M yes, sure, yes, like your imprint tool, it's our

484
00:27:33,119 --> 00:27:36,760
Speaker 3: shingle okay, yes, okay. And I just don't know what

485
00:27:36,880 --> 00:27:39,680
Speaker 3: the stuff we have now. It just bumps for me

486
00:27:40,119 --> 00:27:43,840
Speaker 3: programming wise. I don't know what the lead in is.

487
00:27:45,040 --> 00:27:49,960
Speaker 2: I don't know what works tonally, not really where we

488
00:27:50,000 --> 00:27:52,480
Speaker 2: could slot you in. I don't know if there's room. Sure,

489
00:27:52,560 --> 00:27:55,800
Speaker 2: So you're worried about like a single guy situation, like

490
00:27:56,280 --> 00:28:00,520
Speaker 2: when it was like friends yes, blank sign and Feld.

491
00:28:00,920 --> 00:28:03,960
Speaker 2: What goes in the middle. Yeah, single guy.

492
00:28:03,960 --> 00:28:07,000
Speaker 3: Single guy that turns out not to be a fit.

493
00:28:07,160 --> 00:28:09,960
Speaker 3: So you think I'm oh, and how we've find inside Schwartz.

494
00:28:10,080 --> 00:28:12,440
Speaker 3: Now this is what works. Yeah, So you think I

495
00:28:12,480 --> 00:28:15,680
Speaker 3: would be the breck and Meier of your no podcast.

496
00:28:16,480 --> 00:28:17,200
Speaker 2: That's what worked.

497
00:28:17,800 --> 00:28:20,480
Speaker 1: It would be potentially the MCNA when the Joey Slotnik,

498
00:28:20,560 --> 00:28:24,560
Speaker 1: the Jonathan Silverman. You'd be one of the single guy characters.

499
00:28:24,920 --> 00:28:29,200
Speaker 3: Okay, I understand your eagerness to be the breaker, but

500
00:28:29,440 --> 00:28:32,720
Speaker 3: we are still truly we are still looking ear Wolf.

501
00:28:33,680 --> 00:28:35,920
Speaker 2: On the other hand, they've got some openings.

502
00:28:36,359 --> 00:28:39,360
Speaker 3: Yes, there's a lot of interesting stuff going on there.

503
00:28:40,560 --> 00:28:43,200
Speaker 3: Would that be an interesting home for you if we

504
00:28:43,280 --> 00:28:44,920
Speaker 3: could make the numbers work.

505
00:28:45,040 --> 00:28:47,640
Speaker 2: I want to float wolf Pop out there as well.

506
00:28:49,280 --> 00:28:57,040
Speaker 2: Wolf Pop. Sure. Just you talk about movies sometimes, What

507
00:28:57,120 --> 00:29:02,040
Speaker 2: about debating movies? Oh, you mean, just like rich are

508
00:29:02,120 --> 00:29:04,320
Speaker 2: we just like on the show? Is it kind of

509
00:29:06,360 --> 00:29:09,560
Speaker 2: Star Wars is the best one? Yeah? Or just kind

510
00:29:09,600 --> 00:29:12,640
Speaker 2: of like like the least the worst one is like

511
00:29:12,800 --> 00:29:14,760
Speaker 2: Son of Planet of the Apes like like that kind

512
00:29:14,800 --> 00:29:20,640
Speaker 2: of yes. Oh, yes, that's no. I really don't get deep. Yeah, okay, okay,

513
00:29:21,000 --> 00:29:22,080
Speaker 2: might not be a fit.

514
00:29:22,400 --> 00:29:27,440
Speaker 1: How about this, Denzel Washington is the best actor ever period?

515
00:29:27,640 --> 00:29:30,080
Speaker 2: Agree or disagree? Tom, that's a show.

516
00:29:30,720 --> 00:29:32,320
Speaker 3: I mean, look, I think he's a really wait let's

517
00:29:32,320 --> 00:29:35,240
Speaker 3: see if he agrees. Well, this feels like a trap.

518
00:29:35,400 --> 00:29:36,320
Speaker 3: Agree or disagree?

519
00:29:36,440 --> 00:29:39,960
Speaker 2: Okay, so it's just a straight You don't want any

520
00:29:40,080 --> 00:29:44,640
Speaker 2: kind of any kind of explanation nuance? No, thank you? Well,

521
00:29:44,680 --> 00:29:47,240
Speaker 2: I mean for best what was the thing? Best actor,

522
00:29:47,440 --> 00:29:48,240
Speaker 2: best actor ever?

523
00:29:48,480 --> 00:29:48,920
Speaker 3: Period?

524
00:29:49,600 --> 00:29:52,160
Speaker 2: No, I would disagree with that, Oh you would? Okay?

525
00:29:52,880 --> 00:29:54,200
Speaker 2: Is that that I answer correctly?

526
00:29:54,560 --> 00:29:56,960
Speaker 3: Well, this is approaching the kind of pop culture debate

527
00:29:57,040 --> 00:30:00,960
Speaker 3: that would slide in nice in the neighborhood. Yeah, but no,

528
00:30:01,200 --> 00:30:03,400
Speaker 3: I think that's a that's an episode though, that's not

529
00:30:03,520 --> 00:30:08,200
Speaker 3: a show. I think I'm thinking, yo's this racist Seth

530
00:30:08,280 --> 00:30:12,680
Speaker 3: Godin's startup school, harmer superstar Tom.

531
00:30:13,920 --> 00:30:16,760
Speaker 2: That's a rock block. This fits. It's a rock block.

532
00:30:17,520 --> 00:30:20,240
Speaker 2: It's a rock block. I'm tuning in and I'm and

533
00:30:20,360 --> 00:30:21,160
Speaker 2: I'm checking out.

534
00:30:21,640 --> 00:30:24,880
Speaker 3: What was it again? You said someone goes to school

535
00:30:25,040 --> 00:30:27,240
Speaker 3: or something, startup school.

536
00:30:27,400 --> 00:30:30,800
Speaker 2: Okay, and you got to know about Seth Godon, Tom,

537
00:30:31,120 --> 00:30:34,440
Speaker 2: Oh god he's the professor at the startup school. Tom,

538
00:30:34,880 --> 00:30:36,040
Speaker 2: you're in this world.

539
00:30:36,200 --> 00:30:39,680
Speaker 3: You gotta learn about what doing this show people that

540
00:30:39,760 --> 00:30:42,000
Speaker 3: are successful you can aspire to be.

541
00:30:42,240 --> 00:30:44,560
Speaker 2: Oh, okay, so I need I've only been doing my

542
00:30:44,640 --> 00:30:48,920
Speaker 2: show since I started when Bill Clinton was president of

543
00:30:49,200 --> 00:30:53,400
Speaker 2: doing this, and now I'm watching Obama leave office. But

544
00:30:53,520 --> 00:30:56,560
Speaker 2: I have to aspire to be more like Seth whoever Seth.

545
00:30:56,480 --> 00:31:02,800
Speaker 3: Godon is Seth Godin? Again, no offense at the startup school? Huh.

546
00:31:03,040 --> 00:31:04,520
Speaker 2: I truly don't know who that is.

547
00:31:04,720 --> 00:31:08,000
Speaker 3: He's classes in session and he's teaching the class and

548
00:31:08,680 --> 00:31:11,680
Speaker 3: the startups can't get done unless you've done your homework,

549
00:31:11,720 --> 00:31:12,520
Speaker 3: if you know what I mean?

550
00:31:13,000 --> 00:31:16,160
Speaker 2: Babies fire or leen, what is that? I do not

551
00:31:16,320 --> 00:31:18,920
Speaker 2: know what these things you're saying or not? These like

552
00:31:19,080 --> 00:31:23,520
Speaker 2: songs they sound like like they sound like like guided

553
00:31:23,560 --> 00:31:26,880
Speaker 2: by voices song, totally beverages. I mean, what are we

554
00:31:27,000 --> 00:31:29,800
Speaker 2: talking about here? I don't.

555
00:31:31,480 --> 00:31:35,160
Speaker 3: Yeah, Well, when we go in for the actual pitch,

556
00:31:35,360 --> 00:31:37,120
Speaker 3: we will be up on these things.

557
00:31:37,160 --> 00:31:37,880
Speaker 2: We'll press you.

558
00:31:39,160 --> 00:31:42,640
Speaker 3: I'll go to school on this stuff like Seth Godin.

559
00:31:42,720 --> 00:31:47,320
Speaker 3: Maybe can startups school? Wait, when you say startup school,

560
00:31:47,320 --> 00:31:48,600
Speaker 3: what do you mean? Just kind of like, Hey, I

561
00:31:48,680 --> 00:31:53,400
Speaker 3: have an idea for like a for like a tortilla truck.

562
00:31:53,640 --> 00:31:56,640
Speaker 2: Yes, Okay, so you do know it? Wait, no, I'm

563
00:31:56,680 --> 00:32:02,520
Speaker 2: just the words the episode number one. You clearly heard it.

564
00:32:02,680 --> 00:32:03,080
Speaker 2: Number two.

565
00:32:03,200 --> 00:32:06,000
Speaker 3: You're asking me, do I look like Seth Goden to you?

566
00:32:06,280 --> 00:32:06,960
Speaker 3: I wouldn't know.

567
00:32:07,360 --> 00:32:10,520
Speaker 2: I didn't know what you looked like fifteen minutes ago.

568
00:32:11,800 --> 00:32:15,760
Speaker 3: Okay, okay, Well, how are we going to make this work?

569
00:32:15,920 --> 00:32:19,560
Speaker 2: More work than I thought? So changes? There will be

570
00:32:19,880 --> 00:32:23,000
Speaker 2: changes when we go in for the pitch. Obviously we

571
00:32:23,120 --> 00:32:26,480
Speaker 2: can't have the show as is. How long's your show?

572
00:32:26,600 --> 00:32:28,840
Speaker 1: Yeah, a sculptor doesn't find a piece of wood and

573
00:32:29,080 --> 00:32:32,320
Speaker 1: just go like here, you know that's a Michaelangelo?

574
00:32:32,720 --> 00:32:33,000
Speaker 2: Sure?

575
00:32:33,240 --> 00:32:37,760
Speaker 3: No, well that how long's three hours long? Three hours three?

576
00:32:37,800 --> 00:32:40,080
Speaker 2: It's it was. It started as a radio show on

577
00:32:40,560 --> 00:32:44,160
Speaker 2: the station WFMU, and now it's a it's its own

578
00:32:44,240 --> 00:32:48,240
Speaker 2: show and it we we take calls and it streams live,

579
00:32:48,440 --> 00:32:51,520
Speaker 2: just like an actual radio show, not a part of

580
00:32:51,880 --> 00:32:56,320
Speaker 2: a network though, it's its own thing. Three hours three.

581
00:32:56,480 --> 00:33:00,080
Speaker 2: How often does it come out? Once a week? How

582
00:33:00,080 --> 00:33:04,880
Speaker 2: about this? Seven and seven seven minutes, seven days a week,

583
00:33:06,200 --> 00:33:09,160
Speaker 2: so forty nine minutes of show the seven at seven

584
00:33:10,400 --> 00:33:14,080
Speaker 2: It comes out at seven o'clock. Okay, it is seven

585
00:33:14,160 --> 00:33:17,440
Speaker 2: minutes long? Yeah, it is on. How about that every

586
00:33:17,520 --> 00:33:19,560
Speaker 2: seven days of the week. I think you're gonna like this.

587
00:33:19,800 --> 00:33:22,000
Speaker 1: It comes out at eight oh seven, which is actually

588
00:33:22,080 --> 00:33:23,240
Speaker 1: seven seventy seven.

589
00:33:24,240 --> 00:33:26,600
Speaker 3: No, way, eight seventeen. So it comes out at eight

590
00:33:26,720 --> 00:33:30,160
Speaker 3: seventeen seventeen, so it's seven seventy seven. So okay, that

591
00:33:30,280 --> 00:33:32,560
Speaker 3: checks out. So it's seven days a week, seven minutes

592
00:33:32,600 --> 00:33:36,400
Speaker 3: on the trip sevens. I mean that's a real hook.

593
00:33:37,760 --> 00:33:38,960
Speaker 3: Do you get that, Tom?

594
00:33:39,480 --> 00:33:43,280
Speaker 2: Hey? Yeah, oh no, I'm following you. But this is

595
00:33:43,400 --> 00:33:45,960
Speaker 2: just this is not making any sense for me though.

596
00:33:46,560 --> 00:33:48,240
Speaker 2: I mean, I don't know why you assume my thing

597
00:33:48,360 --> 00:33:53,720
Speaker 2: is just failing. I don't know why you assume it's failing. Well,

598
00:33:53,840 --> 00:33:55,600
Speaker 2: I hadn't heard of it, and then now that we

599
00:33:55,720 --> 00:33:58,280
Speaker 2: found it, I think we've already fixed it. So yeah,

600
00:33:59,520 --> 00:34:01,880
Speaker 2: So what I do with the other two hours and

601
00:34:02,040 --> 00:34:04,920
Speaker 2: fifty three minutes I was doing before? Why, yes, those

602
00:34:05,000 --> 00:34:06,480
Speaker 2: are no longer being done.

603
00:34:07,440 --> 00:34:12,120
Speaker 3: Oh okay, So yeah, I have a good answer for that, okay,

604
00:34:12,600 --> 00:34:14,040
Speaker 3: which I think you're gonna find.

605
00:34:14,200 --> 00:34:16,640
Speaker 1: You really need that extra time to implement some of

606
00:34:16,680 --> 00:34:18,560
Speaker 1: the other changes that we're going to talk about.

607
00:34:18,719 --> 00:34:24,480
Speaker 2: Do you have like a second banana? A second banana? Yes?

608
00:34:25,600 --> 00:34:28,000
Speaker 2: Is there like another person. Well, I do. I do

609
00:34:28,160 --> 00:34:31,719
Speaker 2: stuff with John Worster. We do things where he calls.

610
00:34:31,440 --> 00:34:32,719
Speaker 3: In he's a sexy woman.

611
00:34:33,160 --> 00:34:35,720
Speaker 2: He's no, he's well, he's a you guys are married.

612
00:34:35,960 --> 00:34:41,160
Speaker 2: We're not married. He's a guy. He's my friend. And

613
00:34:41,960 --> 00:34:45,960
Speaker 2: is he stoned at least? No, he's not. He's not stone.

614
00:34:45,960 --> 00:34:49,440
Speaker 2: It's like not a hole. Then you're stoned. No, I'm

615
00:34:49,520 --> 00:34:50,000
Speaker 2: not either.

616
00:34:50,440 --> 00:34:53,000
Speaker 3: It's not a lot of uh. We really don't go

617
00:34:53,080 --> 00:34:55,680
Speaker 3: too deep into like vape culture on the show.

618
00:34:56,800 --> 00:34:59,960
Speaker 2: Who Is Stoned? No one is stoned on the show.

619
00:35:00,000 --> 00:35:05,080
Speaker 3: Show at the beginning, but by the end it's cooling

620
00:35:05,200 --> 00:35:08,400
Speaker 3: by seven minutes of getting stoned. You're not stone at

621
00:35:08,440 --> 00:35:10,120
Speaker 3: the beginning of the show, but by the end of

622
00:35:10,200 --> 00:35:13,600
Speaker 3: the show, by the end, who's getting Who is getting stoned?

623
00:35:13,800 --> 00:35:17,560
Speaker 2: Nobody's getting stoned on the show. It's not that kind

624
00:35:17,600 --> 00:35:19,680
Speaker 2: of show. It's just a show where it is it

625
00:35:19,760 --> 00:35:20,160
Speaker 2: a show?

626
00:35:20,600 --> 00:35:21,160
Speaker 3: No? It is it?

627
00:35:22,120 --> 00:35:24,000
Speaker 2: God damn it. I mean it's just a show with

628
00:35:25,239 --> 00:35:32,440
Speaker 2: phone calls and comedy stuff, and it's phone calls, jerky boys. Hey, okay,

629
00:35:32,560 --> 00:35:40,399
Speaker 2: look I Pablo cranky akers, Yes, cranky anchors what that? So? Yeah?

630
00:35:40,640 --> 00:35:42,680
Speaker 2: So what should I get? Other comedy, like get like

631
00:35:42,800 --> 00:35:45,759
Speaker 2: Jim Florentine in the mix and get you.

632
00:35:46,320 --> 00:35:50,480
Speaker 3: You can get Jim Florentine. I probably could swing something,

633
00:35:50,520 --> 00:35:54,640
Speaker 3: but I'm not interesting. He's taking that call Jim Florentine. Yes, yeah,

634
00:35:55,000 --> 00:35:56,280
Speaker 3: I could get him on the phone.

635
00:35:57,040 --> 00:36:00,960
Speaker 2: Okay, well now we're in business. That's a show. Oh okay,

636
00:36:01,719 --> 00:36:04,160
Speaker 2: so just the wait, the show isn't even him doing

637
00:36:05,360 --> 00:36:09,759
Speaker 2: his his his special ed character him flarantine looks so

638
00:36:09,920 --> 00:36:11,640
Speaker 2: to me on the phone with Jim. So now the

639
00:36:11,680 --> 00:36:16,759
Speaker 2: show is me talking to Jim Florentine every week, every day,

640
00:36:17,200 --> 00:36:19,719
Speaker 2: every day, So every day, seven minutes every day we

641
00:36:19,800 --> 00:36:21,160
Speaker 2: make this eight seventeen am.

642
00:36:21,239 --> 00:36:24,719
Speaker 1: So we can call it Eggs Florentine because to me,

643
00:36:26,560 --> 00:36:29,240
Speaker 1: that's sort of a breakfast y vibe.

644
00:36:29,280 --> 00:36:31,600
Speaker 3: Well, why don't I just change my name to Eggs then,

645
00:36:32,120 --> 00:36:33,920
Speaker 3: and they make it Eggs and Florentine.

646
00:36:33,960 --> 00:36:37,800
Speaker 2: I mean, that's as dumb as anything you're saying. I

647
00:36:37,880 --> 00:36:39,840
Speaker 2: don't know, Eggs feels like a stoned guy to me,

648
00:36:39,960 --> 00:36:43,239
Speaker 2: Are you willing to do that? No, I'm not going

649
00:36:43,320 --> 00:36:47,440
Speaker 2: to start getting stoned for seven minutes at eight in

650
00:36:47,520 --> 00:36:48,959
Speaker 2: the morning. That's not a show.

651
00:36:49,040 --> 00:36:51,400
Speaker 3: Then, Uh huh, Okay, you don't want to get stone

652
00:36:51,400 --> 00:36:53,680
Speaker 3: because you want to be able to recall the details

653
00:36:53,680 --> 00:36:55,560
Speaker 3: when you talk about all the guys you fucked.

654
00:36:56,480 --> 00:37:00,200
Speaker 2: I don't even know. Wait, is that an actual there's

655
00:37:00,239 --> 00:37:00,800
Speaker 2: a show.

656
00:37:00,600 --> 00:37:01,560
Speaker 3: That that is that.

657
00:37:03,280 --> 00:37:07,520
Speaker 2: Guys we fucked? You got to know that's a podcast?

658
00:37:09,760 --> 00:37:10,839
Speaker 2: What network? Who's net?

659
00:37:10,960 --> 00:37:11,440
Speaker 3: Who? Who?

660
00:37:11,840 --> 00:37:12,759
Speaker 2: Who's responsible?

661
00:37:12,880 --> 00:37:12,920
Speaker 1: Like?

662
00:37:13,000 --> 00:37:14,040
Speaker 2: What network is that showing?

663
00:37:14,120 --> 00:37:15,400
Speaker 3: I gotta assume Feral.

664
00:37:15,880 --> 00:37:17,239
Speaker 2: That feels like a Feral show.

665
00:37:17,840 --> 00:37:20,759
Speaker 1: That's I'm just pulling that out of thin air. I

666
00:37:20,880 --> 00:37:23,440
Speaker 1: haven't checked there. They're so big, I don't need to

667
00:37:23,520 --> 00:37:26,520
Speaker 1: know what their label is. And if they're not Feral,

668
00:37:26,680 --> 00:37:29,320
Speaker 1: good on you, Feral, because you've branded yourself such that

669
00:37:29,400 --> 00:37:31,080
Speaker 1: I'm even giving you credit for shows you didn't do.

670
00:37:31,640 --> 00:37:36,360
Speaker 2: What's the engineer situation? I generally run my own board,

671
00:37:36,880 --> 00:37:38,440
Speaker 2: but I have I have people who helped me with

672
00:37:38,520 --> 00:37:40,319
Speaker 2: the tech side of stuff, and I have a call

673
00:37:40,400 --> 00:37:45,120
Speaker 2: screener the Juggies that No, it's not the the Juggies

674
00:37:45,280 --> 00:37:47,360
Speaker 2: you mean, so it's like a man show thing. No,

675
00:37:47,520 --> 00:37:53,160
Speaker 2: I don't have. There's no real kind of element of

676
00:37:53,280 --> 00:37:58,560
Speaker 2: like women in scantily. Oh, I imagine the experience listening

677
00:37:58,719 --> 00:38:00,640
Speaker 2: to you know, sitting.

678
00:38:00,440 --> 00:38:04,279
Speaker 3: At the sounds of some movement of yes, it's eight

679
00:38:04,360 --> 00:38:07,720
Speaker 3: seventeen a MS frontal torpedoes.

680
00:38:08,400 --> 00:38:12,040
Speaker 2: Just yeah, well what a turn on that would be

681
00:38:12,160 --> 00:38:14,920
Speaker 2: for some that's like the saddest thing I've ever heard.

682
00:38:15,000 --> 00:38:16,440
Speaker 2: Just to get people through the drive.

683
00:38:16,680 --> 00:38:19,480
Speaker 3: You know, it's like, you go into work, maybe you

684
00:38:19,520 --> 00:38:23,440
Speaker 3: don't love your job, and you you know, listen to

685
00:38:23,880 --> 00:38:29,279
Speaker 3: uh a show where you know that there are frontal torpedoes,

686
00:38:29,640 --> 00:38:33,600
Speaker 3: thank you in the proximity of my studio.

687
00:38:33,760 --> 00:38:37,400
Speaker 2: Yes, on an audio only show. A little rustling of

688
00:38:37,600 --> 00:38:43,320
Speaker 2: the of the what frontal torpedoes? Yeah, the rustling of

689
00:38:43,440 --> 00:38:47,279
Speaker 2: the frontal torpedoes. M because it's imagine it.

690
00:38:47,400 --> 00:38:47,560
Speaker 3: You know.

691
00:38:47,840 --> 00:38:50,840
Speaker 2: Part of the fun is that it's imaginating. You know,

692
00:38:50,960 --> 00:38:53,320
Speaker 2: you sound like so much fun. You have the sound,

693
00:38:53,480 --> 00:38:55,920
Speaker 2: it's just part of the fun. You have the sound component,

694
00:38:56,040 --> 00:39:01,640
Speaker 2: but the visuals is up to you. So we're playing

695
00:39:01,680 --> 00:39:04,560
Speaker 2: to who now is the audience for this. We're playing

696
00:39:04,640 --> 00:39:10,880
Speaker 2: to like, well, Wall Street quarantines, Army Okay, so just

697
00:39:11,000 --> 00:39:15,520
Speaker 2: kind of like so I'm jumping on his train. Sure, okay,

698
00:39:17,120 --> 00:39:18,000
Speaker 2: well your train.

699
00:39:17,920 --> 00:39:20,680
Speaker 3: Is like you know those guys like each take one

700
00:39:20,840 --> 00:39:27,759
Speaker 3: end of the up and down big It's definitely not

701
00:39:27,840 --> 00:39:28,560
Speaker 3: called a rickshaw.

702
00:39:28,960 --> 00:39:29,959
Speaker 2: It's like the two guys.

703
00:39:30,360 --> 00:39:32,440
Speaker 3: You're anything railroad things.

704
00:39:32,480 --> 00:39:34,480
Speaker 2: Way, you're hammering me on the rickshaw thing, but you're

705
00:39:34,520 --> 00:39:35,400
Speaker 2: not pitching anything.

706
00:39:36,000 --> 00:39:38,520
Speaker 3: You're right, I should have I shouldn't have told you

707
00:39:38,600 --> 00:39:40,120
Speaker 3: that it wasn't a rick show. Well, Tom, this will

708
00:39:40,160 --> 00:39:42,120
Speaker 3: help your show. We have a rule here where you

709
00:39:42,160 --> 00:39:43,080
Speaker 3: don't just say no.

710
00:39:44,040 --> 00:39:45,520
Speaker 2: Yes, you have to have something to pitch.

711
00:39:45,680 --> 00:39:47,120
Speaker 3: You have to have a pitch of your own.

712
00:39:47,160 --> 00:39:50,920
Speaker 2: Okay, So you just aren't if you're gonna say something negative,

713
00:39:51,000 --> 00:39:54,839
Speaker 2: you also have to bring something positive to the table. Yes, okay.

714
00:39:54,840 --> 00:40:01,000
Speaker 3: For example, we say your show should be you get high,

715
00:40:01,280 --> 00:40:02,960
Speaker 3: as Jim Florantine tries.

716
00:40:02,800 --> 00:40:03,560
Speaker 2: To contain you.

717
00:40:03,920 --> 00:40:05,400
Speaker 3: Yeah, your name's ex.

718
00:40:06,800 --> 00:40:11,879
Speaker 2: What's that your name is X? So you're well, you're

719
00:40:11,880 --> 00:40:14,239
Speaker 2: getting high in this verse? Yes, okay. That was one

720
00:40:14,280 --> 00:40:17,239
Speaker 2: of the examples of you something you pitched. Okay, So

721
00:40:17,360 --> 00:40:20,480
Speaker 2: I did bring something to the table, yes, yes, yeah, yeah.

722
00:40:20,960 --> 00:40:23,200
Speaker 3: So the juggies are running the soundboard.

723
00:40:23,480 --> 00:40:27,920
Speaker 2: Yeah, and it's on seven days a week for seven

724
00:40:27,960 --> 00:40:30,800
Speaker 2: minutes in the morning or night. Now where did we

725
00:40:30,920 --> 00:40:32,800
Speaker 2: end up with seven seventy seven am?

726
00:40:33,120 --> 00:40:36,520
Speaker 3: Yes, seven seventy so that's eight o god, Okay, I

727
00:40:36,560 --> 00:40:39,919
Speaker 3: didn't that eluded me that I don't.

728
00:40:39,960 --> 00:40:42,279
Speaker 2: I mean, I don't even know who tells time that way?

729
00:40:42,560 --> 00:40:44,520
Speaker 2: You can do it on a microwave, Sure, well you

730
00:40:44,640 --> 00:40:47,680
Speaker 2: could do it. I mean it's like it's a really

731
00:40:47,800 --> 00:40:50,319
Speaker 2: stupid way of telling time. No, no, look, I brought

732
00:40:50,360 --> 00:40:53,520
Speaker 2: something negative to the table, and so now what time

733
00:40:53,560 --> 00:40:56,320
Speaker 2: would you want to tell time the way that we

734
00:40:56,520 --> 00:41:00,799
Speaker 2: have been telling it, where we don't go past fifty nine,

735
00:41:00,920 --> 00:41:04,280
Speaker 2: where that goes back to to zero. That kind of thinking,

736
00:41:04,719 --> 00:41:07,279
Speaker 2: if we if Einstein what happened to that? We'd have

737
00:41:07,440 --> 00:41:07,759
Speaker 2: no luck?

738
00:41:07,840 --> 00:41:09,880
Speaker 3: What happens if you just put seventy seven into the

739
00:41:09,960 --> 00:41:11,759
Speaker 3: microwave you wanted to just explode?

740
00:41:13,360 --> 00:41:16,040
Speaker 2: Well, I generally don't even pick. I pick like a

741
00:41:16,320 --> 00:41:20,680
Speaker 2: setting on the microwave. You know, you know you're just eating.

742
00:41:20,840 --> 00:41:22,320
Speaker 2: You're only eating the things.

743
00:41:22,640 --> 00:41:28,000
Speaker 3: Yeah, that are your microwave, colleague cook for popcorn, soup,

744
00:41:28,120 --> 00:41:31,640
Speaker 3: baked potato, popcorn soup, baked potato ice.

745
00:41:33,520 --> 00:41:34,239
Speaker 2: Well, no, not ice.

746
00:41:34,400 --> 00:41:34,640
Speaker 3: Ice.

747
00:41:34,840 --> 00:41:37,440
Speaker 2: It's not ice. No that was it? Better not be

748
00:41:38,960 --> 00:41:39,560
Speaker 2: It's not ice.

749
00:41:39,640 --> 00:41:43,960
Speaker 3: It's your microwave has an ice setting. Your turkey turkey?

750
00:41:44,280 --> 00:41:47,600
Speaker 2: Yes, okay, think you confuse your microwave and your refrigerator.

751
00:41:47,840 --> 00:41:51,399
Speaker 3: Once we've gotten this thing off the ground. Yeah, found

752
00:41:51,440 --> 00:41:52,080
Speaker 3: a home for you.

753
00:41:52,400 --> 00:41:55,799
Speaker 2: Yeah, yes, okay, oh, yes, okay, Oh you're gonna oh,

754
00:41:55,840 --> 00:41:58,359
Speaker 2: you're gonna go into these meetings alone. I'm sorry so much.

755
00:41:58,640 --> 00:41:59,000
Speaker 2: I'm sorry.

756
00:41:59,440 --> 00:42:01,960
Speaker 3: You're gonna go to Jeff all right by yourself. I'm

757
00:42:02,080 --> 00:42:06,319
Speaker 3: so sure. Yes, yeah, him and Florentin are both taking

758
00:42:06,400 --> 00:42:11,080
Speaker 3: your call. Huh, tell me another story. Tell me about

759
00:42:11,080 --> 00:42:14,400
Speaker 3: the tooth fairy. Once we, you know, put the training

760
00:42:14,400 --> 00:42:16,400
Speaker 3: wheels on this thing. One of the first things we

761
00:42:16,480 --> 00:42:21,239
Speaker 3: can get you as a microwave with more foods, more

762
00:42:21,360 --> 00:42:24,279
Speaker 3: food settings than you've ever dreamed of.

763
00:42:24,520 --> 00:42:28,960
Speaker 2: Yeah, okay, well I'm not particularly in peas pease.

764
00:42:28,800 --> 00:42:33,160
Speaker 1: Okay, yes, I'm having another brainstorm, and tell me this

765
00:42:33,400 --> 00:42:38,640
Speaker 1: is good. Maybe they're broadcasting from a seven seven seven

766
00:42:38,760 --> 00:42:39,719
Speaker 1: Boeing airplane.

767
00:42:41,080 --> 00:42:43,120
Speaker 2: Yes, well there weren't enough sevens.

768
00:42:43,680 --> 00:42:50,319
Speaker 3: Yes, seven and seven at seven seventy seven on seven seven.

769
00:42:50,640 --> 00:42:52,280
Speaker 3: You want them to be drinking seven and sevens?

770
00:42:52,480 --> 00:42:56,480
Speaker 2: Yes, maybe I should just wear like a Mickey Mantle

771
00:42:56,600 --> 00:43:00,560
Speaker 2: jersey while I'm doing it too, right, because he was

772
00:43:00,640 --> 00:43:04,200
Speaker 2: number seven, he was sixty one, say that he was

773
00:43:04,239 --> 00:43:07,000
Speaker 2: sixty one. He was sixty one. He did a whole

774
00:43:07,080 --> 00:43:08,359
Speaker 2: movie member Okay, then.

775
00:43:08,239 --> 00:43:11,520
Speaker 3: I'm wearing an old Carmelo Anthony jersey.

776
00:43:12,800 --> 00:43:20,239
Speaker 2: What numbers out seven? That could work? Does it smell old? Well,

777
00:43:20,280 --> 00:43:23,120
Speaker 2: it's not game worn. No, it's just one I would

778
00:43:23,120 --> 00:43:25,200
Speaker 2: get from like a Dicks. Wait, what's his number? Now?

779
00:43:26,280 --> 00:43:27,040
Speaker 2: What is his number?

780
00:43:27,160 --> 00:43:29,360
Speaker 3: Now? Is he No?

781
00:43:29,480 --> 00:43:31,760
Speaker 2: I think he's seven now he used to be fifteen.

782
00:43:32,960 --> 00:43:36,040
Speaker 2: So I guess basketball will not be part of Okay,

783
00:43:36,160 --> 00:43:39,719
Speaker 2: so ruled that out, sure, just because I don't memorize

784
00:43:40,560 --> 00:43:45,600
Speaker 2: uniform numbers. That's well, that's the only thing. The only

785
00:43:45,719 --> 00:43:50,759
Speaker 2: thing we've tested the laundry. You guys like the laundry, yes, right, yes,

786
00:43:50,880 --> 00:43:53,839
Speaker 2: you root for laundry. He's one of the main guys. Yeah.

787
00:43:54,280 --> 00:43:58,080
Speaker 2: On look, please, I want to hear more about this

788
00:43:58,360 --> 00:44:01,359
Speaker 2: jet that I'm doing the show on now. Okay, Well,

789
00:44:03,760 --> 00:44:11,080
Speaker 2: it's huge. It's in the sky, and what I mean,

790
00:44:11,120 --> 00:44:12,320
Speaker 2: what do you want to know about? So it's in

791
00:44:12,360 --> 00:44:14,480
Speaker 2: the air. We're doing the show from the air every week.

792
00:44:14,840 --> 00:44:16,680
Speaker 3: No, you're sitting on a plane on the ground.

793
00:44:19,840 --> 00:44:22,480
Speaker 2: What about that'll get people out of bed?

794
00:44:22,880 --> 00:44:31,040
Speaker 3: Talking about therapy? Like you your experience in therapy? Do

795
00:44:31,080 --> 00:44:32,960
Speaker 3: you know about the lizard brain we raise Catholic?

796
00:44:35,520 --> 00:44:38,319
Speaker 2: Yeah, yeah, yes, and yes, yes and yes.

797
00:44:38,520 --> 00:44:41,040
Speaker 3: Okay, now we're getting somewhere.

798
00:44:41,719 --> 00:44:45,279
Speaker 2: Show me a big laugh, ready, because you need to

799
00:44:45,320 --> 00:44:51,799
Speaker 2: be able to do this like nothing. Okay, what am I? One?

800
00:44:52,280 --> 00:44:53,120
Speaker 2: Two three?

801
00:44:54,400 --> 00:44:55,319
Speaker 3: What? What am I.

802
00:44:57,160 --> 00:45:02,120
Speaker 2: Give me something? Every team me up then with the laugh.

803
00:45:02,160 --> 00:45:06,080
Speaker 2: I'll give you a laugh if you team me up. Okay, okay, okay,

804
00:45:06,160 --> 00:45:09,360
Speaker 2: we can handle this. Take it away, Hayes.

805
00:45:10,520 --> 00:45:14,320
Speaker 3: Well, if I'm Jim Florentine, Okay, he's gonna do some

806
00:45:14,400 --> 00:45:14,960
Speaker 3: of his stuff.

807
00:45:16,680 --> 00:45:20,000
Speaker 2: He makes phone calls. Yeah, he's being you know, like

808
00:45:21,040 --> 00:45:21,880
Speaker 2: he started.

809
00:45:22,000 --> 00:45:22,160
Speaker 3: Guy.

810
00:45:22,400 --> 00:45:25,760
Speaker 2: He used to do that character also where he burped

811
00:45:25,840 --> 00:45:28,719
Speaker 2: all the time. Remember he'd be like, yeah, I want

812
00:45:28,800 --> 00:45:31,560
Speaker 2: to ask you what's going on at the dry clean

813
00:45:31,640 --> 00:45:35,520
Speaker 2: up brook? Remember that character? Yes, okay, great, Yes, that's

814
00:45:35,560 --> 00:45:39,040
Speaker 2: a great character. So I'll give that back to you now.

815
00:45:39,920 --> 00:45:42,640
Speaker 2: I uh, I want to ask you what's going on

816
00:45:42,719 --> 00:45:52,840
Speaker 2: with the dry? I want one two two two? This

817
00:45:53,040 --> 00:45:56,480
Speaker 2: is fucking stupid. What are you hold on? He almost

818
00:45:56,600 --> 00:46:00,759
Speaker 2: had it. I never cursed you just drove me to it.

819
00:46:01,000 --> 00:46:06,040
Speaker 2: Shouldn't be you can't. I could do that.

820
00:46:06,880 --> 00:46:11,439
Speaker 3: Bruh rap and that's pretty good. Just let it out, Tom.

821
00:46:11,480 --> 00:46:16,480
Speaker 3: I can see you want to laugh. I rap I

822
00:46:16,640 --> 00:46:20,600
Speaker 3: just did the best one I think I got. Like that,

823
00:46:21,280 --> 00:46:22,680
Speaker 3: that's not nearly huge enough.

824
00:46:22,719 --> 00:46:26,040
Speaker 2: I need you to blow. We have to get a spike.

825
00:46:33,400 --> 00:46:39,160
Speaker 2: That's you want. That's that's that evil And I don't.

826
00:46:39,280 --> 00:46:41,680
Speaker 2: I don't do it because uh huh, you're not a

827
00:46:41,760 --> 00:46:44,520
Speaker 2: big laugher. That's not my role here.

828
00:46:44,719 --> 00:46:47,520
Speaker 3: Uh huh. Yes, you need the big laugh. And I

829
00:46:47,600 --> 00:46:50,720
Speaker 3: know it's not Florentine because he's creating the laps.

830
00:46:51,840 --> 00:46:54,440
Speaker 2: So I'm God. Yeah, of course I couldn't create a

831
00:46:54,640 --> 00:46:57,000
Speaker 2: laugh that would be well, you can create it with

832
00:46:57,120 --> 00:46:59,360
Speaker 2: your mouth. Oh so I wouldn't.

833
00:46:59,600 --> 00:47:02,120
Speaker 3: So you don't think you think I'm incapable of saying

834
00:47:02,120 --> 00:47:05,960
Speaker 3: anything that would create others to laugh. Well, sometimes laughter

835
00:47:07,120 --> 00:47:07,960
Speaker 3: is contagious.

836
00:47:09,160 --> 00:47:12,879
Speaker 2: So laughing at Jim Florantine is get others to laugh.

837
00:47:12,920 --> 00:47:15,640
Speaker 2: We'll get out of the sure. So it's okay, No,

838
00:47:15,760 --> 00:47:18,719
Speaker 2: I follow what that is? Something that will freak your

839
00:47:18,760 --> 00:47:21,319
Speaker 2: bean trip out on this ship home?

840
00:47:21,480 --> 00:47:25,360
Speaker 3: Huh. So you're a Christian, but you know about the

841
00:47:25,440 --> 00:47:30,040
Speaker 3: wizard brain, but you can't believe in uh, the reptile

842
00:47:30,160 --> 00:47:33,120
Speaker 3: dinosaurs because the evolution is Christian.

843
00:47:33,480 --> 00:47:36,680
Speaker 2: So they don't think of that. So is that freaking

844
00:47:36,719 --> 00:47:37,520
Speaker 2: your bean? Homie.

845
00:47:39,000 --> 00:47:41,200
Speaker 3: So you box me in a little bit here, like

846
00:47:41,320 --> 00:47:45,440
Speaker 3: a there's like a game of intellectual chess. We're playing, right,

847
00:47:46,400 --> 00:47:48,279
Speaker 3: and the show is kind of you trying to get out,

848
00:47:48,440 --> 00:47:51,600
Speaker 3: isn't it. Yeah, So this show would alternate between me

849
00:47:52,560 --> 00:47:55,560
Speaker 3: trying to convince Jim Florentine to do the show and

850
00:47:55,719 --> 00:47:58,400
Speaker 3: me trying to get out of the box of saying

851
00:47:58,560 --> 00:48:03,160
Speaker 3: I was raised Catholic. Catholic as yet I acknowledge the

852
00:48:03,239 --> 00:48:08,280
Speaker 3: lizard brain as the basis of humanity, Yes, and also

853
00:48:08,600 --> 00:48:10,759
Speaker 3: using a weed volcano.

854
00:48:11,280 --> 00:48:13,080
Speaker 2: Okay, like a like a.

855
00:48:15,200 --> 00:48:18,879
Speaker 3: Like the big you have all the one of the balloons, Yeah,

856
00:48:19,000 --> 00:48:21,320
Speaker 3: one of the balloon, Yeah, one of the big balloons.

857
00:48:21,400 --> 00:48:24,680
Speaker 3: You got a whole set, whole apparatus, like.

858
00:48:25,040 --> 00:48:29,640
Speaker 2: Jonathan, like the guy who did a board to death, Yes,

859
00:48:29,920 --> 00:48:31,320
Speaker 2: Aim Jonathan Aimes.

860
00:48:31,680 --> 00:48:36,680
Speaker 3: Yes, if you can sniff Ames's sensibility, then I think

861
00:48:36,719 --> 00:48:39,080
Speaker 3: we really have so just like but that's just like

862
00:48:40,280 --> 00:48:43,279
Speaker 3: if they're willing to go the pyramid, if you can

863
00:48:43,400 --> 00:48:50,520
Speaker 3: get that willing to go there to Ames, iowa sure

864
00:48:50,800 --> 00:48:53,759
Speaker 3: so to speak, Okay, then I think we really might

865
00:48:53,840 --> 00:48:54,360
Speaker 3: have something.

866
00:48:54,880 --> 00:48:57,279
Speaker 2: Yeah. Yeah, this is not interesting. None of this is

867
00:48:57,360 --> 00:49:02,480
Speaker 2: interesting to me at all. But my pitch.

868
00:49:02,640 --> 00:49:08,640
Speaker 3: My alternative pitch that is proven to work is that's you.

869
00:49:09,480 --> 00:49:11,520
Speaker 3: You said something, so I said something negative.

870
00:49:11,640 --> 00:49:17,080
Speaker 2: But I'm going to write this evening off as a

871
00:49:17,239 --> 00:49:23,680
Speaker 2: learning lesson that just sometimes you you look back and

872
00:49:23,760 --> 00:49:26,840
Speaker 2: you realize you just flushed a night down the toilet

873
00:49:28,440 --> 00:49:33,160
Speaker 2: getting insulted, just back and forth. It's like getting shot

874
00:49:33,200 --> 00:49:35,600
Speaker 2: at by two pitching machines? Is what this show is?

875
00:49:35,719 --> 00:49:35,759
Speaker 1: Like?

876
00:49:35,960 --> 00:49:40,759
Speaker 3: What you say? Your partner's last name? Is what your

877
00:49:40,840 --> 00:49:43,759
Speaker 3: partner you do the show with? What's his last name?

878
00:49:44,960 --> 00:49:50,000
Speaker 2: Worster? And what's the name of your show? Yeah? I no,

879
00:49:50,239 --> 00:49:50,800
Speaker 2: wait do it?

880
00:49:53,600 --> 00:49:56,520
Speaker 3: There is something here, There is something I who can't.

881
00:49:57,040 --> 00:49:59,839
Speaker 2: I have no idea where you're going with this? Please?

882
00:50:00,160 --> 00:50:04,640
Speaker 2: Then the best show? Oh? Nice?

883
00:50:09,360 --> 00:50:09,480
Speaker 3: Is that?

884
00:50:09,800 --> 00:50:20,440
Speaker 2: And that's the big are you?

885
00:50:21,719 --> 00:50:24,080
Speaker 3: Is it? Like? Are you okay with that? That's like

886
00:50:25,520 --> 00:50:30,040
Speaker 3: that sounds like unhinged. That that's like it hurts, sure,

887
00:50:30,920 --> 00:50:32,600
Speaker 3: but you're not actually laughing.

888
00:50:32,320 --> 00:50:34,880
Speaker 2: When you do that. That seems like No, I'm not

889
00:50:35,160 --> 00:50:39,600
Speaker 2: enjoying anything that's aggressive. No, but it's timing. I just

890
00:50:39,840 --> 00:50:41,240
Speaker 2: know I know where it goes.

891
00:50:41,360 --> 00:50:45,319
Speaker 3: It's uh, you know where people, Hey, you're not having fun?

892
00:50:45,440 --> 00:50:48,760
Speaker 2: Squares peg goes in the square, you know space square

893
00:50:49,080 --> 00:50:51,239
Speaker 2: the square square square space.

894
00:50:51,360 --> 00:50:53,760
Speaker 3: Let's talk about ads. What are you doing for ads?

895
00:50:54,200 --> 00:50:59,160
Speaker 3: Were doing different different ones on the show. We do Vegas,

896
00:50:59,239 --> 00:51:01,480
Speaker 3: dot com and square space and.

897
00:51:01,600 --> 00:51:04,600
Speaker 2: All kinds of and they just come to you. Well,

898
00:51:04,600 --> 00:51:09,320
Speaker 2: there's an arrangement set up. Okay, why what we This

899
00:51:09,520 --> 00:51:12,320
Speaker 2: is more for us mm hmmm yeah, because what we like.

900
00:51:12,400 --> 00:51:14,840
Speaker 2: For example, we'll be like, I'll just do it.

901
00:51:16,560 --> 00:51:17,960
Speaker 3: Hey, guys, watch Minions.

902
00:51:20,120 --> 00:51:24,319
Speaker 2: And so now we go to Minions, we say, hey,

903
00:51:24,440 --> 00:51:28,560
Speaker 2: we did the Minion the ad. Yeah, and they're like, oh,

904
00:51:28,640 --> 00:51:31,040
Speaker 2: what like and they just what they wave you in,

905
00:51:31,280 --> 00:51:34,360
Speaker 2: come on in. Yeah, we say, like, you know, you

906
00:51:34,520 --> 00:51:36,520
Speaker 2: asked us to do. What's you think They're going to

907
00:51:36,640 --> 00:51:39,480
Speaker 2: drop a bag of money with a dollar sign.

908
00:51:39,320 --> 00:51:41,239
Speaker 3: On it in front of you, like forty bucks I

909
00:51:41,280 --> 00:51:43,960
Speaker 3: think I to Minions, I mean a free soda or

910
00:51:44,040 --> 00:51:48,520
Speaker 3: something because and we're saying we literally said go see Minions.

911
00:51:49,480 --> 00:51:52,920
Speaker 2: Yeah, go see Minions. Yeah. And they're not going to

912
00:51:53,040 --> 00:51:57,839
Speaker 2: check every no, they can't every single one. Every time

913
00:51:57,920 --> 00:51:59,799
Speaker 2: someone comes to them and says we did your ad,

914
00:52:00,160 --> 00:52:04,400
Speaker 2: gonna check up on that? Am I whispering? Also, I

915
00:52:04,480 --> 00:52:07,440
Speaker 2: don't know why I started whispering as well well it's

916
00:52:07,480 --> 00:52:13,080
Speaker 2: a secret Minions, so Minions, so whatever studio that is

917
00:52:13,200 --> 00:52:15,239
Speaker 2: is going to be just like Illumination. We need to

918
00:52:15,280 --> 00:52:19,200
Speaker 2: get these two guys who do this this show where

919
00:52:19,280 --> 00:52:23,239
Speaker 2: one guy laughs like he's got serious problems and then

920
00:52:23,280 --> 00:52:27,560
Speaker 2: the other guy, the other guy just never delivers on

921
00:52:27,760 --> 00:52:32,279
Speaker 2: the goods. Yes, and they're gonna that's the ticket to

922
00:52:32,320 --> 00:52:37,399
Speaker 2: this which, well, you both have problems, so you're you're

923
00:52:37,440 --> 00:52:40,960
Speaker 2: both both you both have problems, and neither of you

924
00:52:41,120 --> 00:52:45,000
Speaker 2: deliver the goods. I mean, how is this like a thing?

925
00:52:45,320 --> 00:52:48,920
Speaker 2: This show. All you've done is just insult me the

926
00:52:48,960 --> 00:52:53,399
Speaker 2: whole time with just seven minute thing. And now I'm

927
00:52:53,440 --> 00:52:57,800
Speaker 2: a second banana to Jim Florentine and my name is

928
00:52:57,920 --> 00:53:00,600
Speaker 2: eggs Now, which was my own eye dea, which I

929
00:53:00,680 --> 00:53:04,120
Speaker 2: don't know why I said that, And but I'm doing

930
00:53:04,200 --> 00:53:10,680
Speaker 2: the show from a plane, and I'm also doing what

931
00:53:10,880 --> 00:53:15,400
Speaker 2: else was in there, I don't even care. And of

932
00:53:15,480 --> 00:53:18,000
Speaker 2: course yes we got a lava volcano going. You're talking

933
00:53:18,000 --> 00:53:20,600
Speaker 2: about movies that you didn't like, and how you like that.

934
00:53:20,719 --> 00:53:22,759
Speaker 3: You tell a story about a bong. It's like a

935
00:53:22,840 --> 00:53:23,920
Speaker 3: precious bomb.

936
00:53:24,280 --> 00:53:26,080
Speaker 2: M hmm. Do you but you break it?

937
00:53:26,400 --> 00:53:28,600
Speaker 3: You say how much you love it and then usually

938
00:53:28,719 --> 00:53:29,640
Speaker 3: you break.

939
00:53:29,440 --> 00:53:30,200
Speaker 2: It by accident.

940
00:53:30,320 --> 00:53:34,680
Speaker 3: You know, you're intersecting science, religion, philosophy, all those you know,

941
00:53:34,880 --> 00:53:37,520
Speaker 3: things that you're qualified to talk about and tell people.

942
00:53:37,680 --> 00:53:43,160
Speaker 3: Mm hmm, getting real with high uh huh, yes, with

943
00:53:43,440 --> 00:53:47,600
Speaker 3: high eggs, and it's you know, and so I don't

944
00:53:47,640 --> 00:53:49,120
Speaker 3: think that's necessarily insulting.

945
00:53:49,160 --> 00:53:51,200
Speaker 2: I think it doesn't always feel good for somebody to

946
00:53:51,280 --> 00:53:51,760
Speaker 2: be honest.

947
00:53:52,880 --> 00:53:54,920
Speaker 3: And this is getting you in the door, This is

948
00:53:55,000 --> 00:53:57,680
Speaker 3: getting we make some of these changes that this gets

949
00:53:57,760 --> 00:54:04,000
Speaker 3: you a sit down. Who well, I don't want to promise,

950
00:54:04,719 --> 00:54:05,200
Speaker 3: we don't.

951
00:54:05,040 --> 00:54:09,879
Speaker 2: Want to jinx anything. But Engineer Cody has office hours this, yes,

952
00:54:10,719 --> 00:54:11,920
Speaker 2: and I think.

953
00:54:12,040 --> 00:54:17,520
Speaker 3: Engine Diane Raphael might be interested and okay, you do

954
00:54:17,840 --> 00:54:20,359
Speaker 3: Jun Presents mm hmm.

955
00:54:21,200 --> 00:54:23,840
Speaker 1: She obviously would not be able to be in studio

956
00:54:24,120 --> 00:54:27,320
Speaker 1: with you, but you know, possibly she could even record

957
00:54:27,440 --> 00:54:29,080
Speaker 1: some intro that goes on every week.

958
00:54:29,160 --> 00:54:32,480
Speaker 2: So it would be me on the phone and whoever

959
00:54:32,640 --> 00:54:36,879
Speaker 2: Engineer Cody is with what a clipboard making like doing

960
00:54:37,400 --> 00:54:41,000
Speaker 2: countdowns like five four threat and then pointing like go like.

961
00:54:42,040 --> 00:54:45,400
Speaker 3: Is that what this is? Oh well, it's gonna start.

962
00:54:45,840 --> 00:54:48,880
Speaker 3: Hey guys, it's me June Diane. Thanks so much for

963
00:54:49,000 --> 00:54:54,720
Speaker 3: checking out, Uh, eggs and eggs, eggs and bacon, Florence Florentine.

964
00:54:54,400 --> 00:54:56,640
Speaker 2: Eggs and floor. At least remember your dumb ikee.

965
00:54:56,760 --> 00:54:59,480
Speaker 3: But I've just but I remembering that bacon kind of

966
00:54:59,520 --> 00:55:02,840
Speaker 3: sounds like bacon, Like getting bacon?

967
00:55:03,080 --> 00:55:04,000
Speaker 2: Is that bacon?

968
00:55:04,640 --> 00:55:09,680
Speaker 3: This stuff is on mouse pads, it's on ties on

969
00:55:10,160 --> 00:55:14,440
Speaker 3: bacon tie and a business setting, and it smells like bacon.

970
00:55:14,640 --> 00:55:16,480
Speaker 2: I mean, this is the one. This is the only

971
00:55:16,760 --> 00:55:19,359
Speaker 2: makes everything on the same page for is this bacon thing?

972
00:55:20,120 --> 00:55:23,759
Speaker 2: It makes everything better. I saw a shirt the other

973
00:55:23,880 --> 00:55:26,440
Speaker 2: day and you know what it said on it? You

974
00:55:26,600 --> 00:55:31,040
Speaker 2: had me at Bacon? And was it? Were you looking

975
00:55:31,160 --> 00:55:35,120
Speaker 2: down at your own shirt? No? I was looking at

976
00:55:35,200 --> 00:55:38,120
Speaker 2: it and then just like kind of had my face

977
00:55:38,239 --> 00:55:41,520
Speaker 2: pressed against the T shirt store, just just like a

978
00:55:41,800 --> 00:55:45,360
Speaker 2: like a on like a little mats the kid on

979
00:55:46,320 --> 00:55:53,239
Speaker 2: on Willy Wee willy or whatever the Bob Cratchett screw thing. Yes,

980
00:55:55,640 --> 00:55:56,360
Speaker 2: looking at.

981
00:55:56,239 --> 00:56:00,279
Speaker 3: The thingishing I could have the the you had me

982
00:56:00,320 --> 00:56:01,319
Speaker 3: at Bacon T shirt.

983
00:56:01,640 --> 00:56:03,680
Speaker 2: I got two shirts I've seen and I'll say them

984
00:56:03,719 --> 00:56:11,840
Speaker 2: both now what says the coffee made me do it?

985
00:56:13,360 --> 00:56:15,840
Speaker 2: Mm hmm funny.

986
00:56:16,800 --> 00:56:17,000
Speaker 3: Yeah.

987
00:56:17,760 --> 00:56:21,359
Speaker 2: Another one has the w B logo and it says

988
00:56:21,520 --> 00:56:28,080
Speaker 2: if you see the police Warner brother mm hmm do

989
00:56:28,080 --> 00:56:31,200
Speaker 2: you ever see Carmelo Anthony has that Wes Baltimore tattoo,

990
00:56:31,280 --> 00:56:33,840
Speaker 2: It's like the Warner Brothers logo. That is actually the

991
00:56:33,880 --> 00:56:42,480
Speaker 2: Warner Brothers logo. He was the fourth animaniac okay, and

992
00:56:42,760 --> 00:56:46,239
Speaker 2: actually goes he's in the pilot. Yeah, So that was like,

993
00:56:46,840 --> 00:56:50,480
Speaker 2: so those don't so he did the anime x. Then

994
00:56:50,560 --> 00:56:54,960
Speaker 2: he did stop snitching, like which one came before, which

995
00:56:55,040 --> 00:56:55,560
Speaker 2: came first?

996
00:56:56,800 --> 00:56:59,520
Speaker 3: I believe Animniacs came first, and they did a lot

997
00:56:59,560 --> 00:57:03,480
Speaker 3: of bad stuff, and there was like that guard not

998
00:57:03,600 --> 00:57:06,799
Speaker 3: bonkers d bop gut, although that might have actually been

999
00:57:06,840 --> 00:57:10,320
Speaker 3: a good idea because he was police bonkers, totally nuts,

1000
00:57:11,560 --> 00:57:16,600
Speaker 3: is chasing them around. From that comes a hatred of police.

1001
00:57:17,720 --> 00:57:20,840
Speaker 3: And so then we come to stop snitching on me

1002
00:57:21,680 --> 00:57:27,080
Speaker 3: for uh, you know, bursting into a pitch meeting with Spielberg.

1003
00:57:28,120 --> 00:57:31,760
Speaker 2: So Carmelo Anthony's bursting into a pitch of Spielberg.

1004
00:57:32,400 --> 00:57:33,120
Speaker 3: Any x days.

1005
00:57:33,120 --> 00:57:35,200
Speaker 2: He certainly is known to a burst in just about

1006
00:57:35,240 --> 00:57:39,160
Speaker 2: any door. So who knows back there? You know, you

1007
00:57:39,360 --> 00:57:47,840
Speaker 2: might walk on the seid of the murv Griffin show. Yeah,

1008
00:57:47,880 --> 00:57:49,720
Speaker 2: Carmelo Anthony just walking out on the seade of them.

1009
00:57:49,960 --> 00:57:55,880
Speaker 2: This is the dumbest show I've ever been on. That's yeah,

1010
00:57:56,400 --> 00:57:59,960
Speaker 2: that's what pays baby. Well, well what about how you've

1011
00:58:00,200 --> 00:58:03,600
Speaker 2: already been on your own show? Oh no, wait okay,

1012
00:58:03,720 --> 00:58:11,400
Speaker 2: oh yeah, gosh, well he said he can't take it?

1013
00:58:11,640 --> 00:58:17,080
Speaker 2: Look at him. You didn't positive you You went against

1014
00:58:17,160 --> 00:58:17,920
Speaker 2: your own rules.

1015
00:58:18,280 --> 00:58:24,439
Speaker 3: Well, when presented with a rule violation, one must make

1016
00:58:24,560 --> 00:58:25,680
Speaker 3: rules to break rules.

1017
00:58:25,760 --> 00:58:29,960
Speaker 2: Sure, so it's like the Kobiachi Maru. It's exactly like that.

1018
00:58:30,080 --> 00:58:32,680
Speaker 2: The hot dog man, the one who eats them all

1019
00:58:32,760 --> 00:58:35,440
Speaker 2: so fascinating, dips him in water. Yes, yeah, no, well

1020
00:58:35,480 --> 00:58:40,200
Speaker 2: that's not I'm talking about a thing from Chestnut Joey Chestnut. No,

1021
00:58:40,480 --> 00:58:42,280
Speaker 2: not Joe. He was back to hot dogs with you.

1022
00:58:43,280 --> 00:58:45,240
Speaker 2: I didn't there was that hot dog stand in the

1023
00:58:45,320 --> 00:58:50,320
Speaker 2: desert that you want to eat. Yeah, this show's horseshit.

1024
00:58:51,320 --> 00:58:54,080
Speaker 2: I mean, seriously, it just is. I don't curse on Mike.

1025
00:58:54,880 --> 00:58:56,960
Speaker 2: You got me to say the F word before, but

1026
00:58:57,200 --> 00:58:59,160
Speaker 2: there's no other way to put This show is just

1027
00:58:59,480 --> 00:59:02,960
Speaker 2: straight up horseshit. You said that word, you said the

1028
00:59:03,120 --> 00:59:06,240
Speaker 2: F word, you said GD earlier. Why just go ahead

1029
00:59:06,240 --> 00:59:09,440
Speaker 2: and finish it off? With ass. No, I won't give

1030
00:59:09,480 --> 00:59:13,400
Speaker 2: you that satisfaction you're I'm denying you what you want

1031
00:59:13,440 --> 00:59:19,439
Speaker 2: because all you've done is insult me with whatever God

1032
00:59:19,560 --> 00:59:22,040
Speaker 2: knows where you're getting these ideas. I'm sorry to mention God,

1033
00:59:22,080 --> 00:59:23,960
Speaker 2: and it's probably gonna set you off on a fifteen

1034
00:59:24,000 --> 00:59:27,600
Speaker 2: minute anti religion tyre. I only need one minute.

1035
00:59:29,720 --> 00:59:33,360
Speaker 1: Fifteen minutes, my ass, and now you made me say

1036
00:59:33,440 --> 00:59:37,320
Speaker 1: a bad word. Uh huh, and take that out, Engineer Ryan,

1037
00:59:38,240 --> 00:59:45,120
Speaker 1: I need one minute think about this. How come everyone

1038
00:59:45,400 --> 00:59:48,680
Speaker 1: so mean after they decide about religion?

1039
00:59:52,320 --> 00:59:55,760
Speaker 2: Mean, well, what do you think they're doing?

1040
00:59:55,880 --> 01:00:01,240
Speaker 3: They started all these wars. If it's one guy's holy

1041
01:00:01,400 --> 01:00:03,800
Speaker 3: land and the other guy, then just let them have it,

1042
01:00:03,960 --> 01:00:06,160
Speaker 3: both have it and have a picnic together and not

1043
01:00:06,600 --> 01:00:09,600
Speaker 3: shoot each other with a missile or a torpedo.

1044
01:00:09,760 --> 01:00:11,000
Speaker 2: Not the fun front.

1045
01:00:10,800 --> 01:00:13,320
Speaker 3: Kind that we talked about before, which I would love

1046
01:00:13,400 --> 01:00:16,800
Speaker 3: to hear something like that on the radio, but actually

1047
01:00:16,920 --> 01:00:20,760
Speaker 3: the exploding kind, you know, and not exploding like a

1048
01:00:20,800 --> 01:00:21,560
Speaker 3: weed volcano.

1049
01:00:21,840 --> 01:00:27,760
Speaker 2: Oh go ahead, Yes, it's this guy. He's pointing a

1050
01:00:27,840 --> 01:00:31,280
Speaker 2: tom This guy. What it's like, It's like, you're you're

1051
01:00:31,360 --> 01:00:34,960
Speaker 2: like John McCain when he was like this one. See

1052
01:00:35,000 --> 01:00:36,320
Speaker 2: and this is exactly what I'm talking about.

1053
01:00:36,680 --> 01:00:41,959
Speaker 3: He goes topical, he loves Cussig, He's got famous friends

1054
01:00:42,000 --> 01:00:42,840
Speaker 3: like Jim Florentine.

1055
01:00:43,560 --> 01:00:49,040
Speaker 2: Okay, what if what if we do? By the way,

1056
01:00:49,840 --> 01:00:54,240
Speaker 2: in conversation with Tom Sharplick. By the way, that's the

1057
01:00:54,840 --> 01:00:59,120
Speaker 2: one that Jeff Garland does used too, did We've been

1058
01:00:59,160 --> 01:00:59,920
Speaker 2: looking for someone.

1059
01:01:00,520 --> 01:01:03,800
Speaker 3: He's got all this stuff going on, he's got somebody

1060
01:01:03,800 --> 01:01:08,440
Speaker 3: to cheese with, He's got Goldberg's. We need someone to

1061
01:01:08,560 --> 01:01:12,439
Speaker 3: take over the by the way, in conversation with Sure

1062
01:01:12,720 --> 01:01:16,120
Speaker 3: to be like the like to be like like the

1063
01:01:16,200 --> 01:01:21,200
Speaker 3: way Rogan and and Stanhope took over for for Kimmel

1064
01:01:21,240 --> 01:01:22,520
Speaker 3: and Corolla.

1065
01:01:22,720 --> 01:01:25,400
Speaker 1: Well similar, I mean, and if that was sort of

1066
01:01:27,440 --> 01:01:31,000
Speaker 1: you know, they were both established at the time. It

1067
01:01:31,120 --> 01:01:32,240
Speaker 1: was sort of an equal trade.

1068
01:01:32,360 --> 01:01:36,439
Speaker 2: Can I what if I the old man who drank

1069
01:01:36,480 --> 01:01:42,520
Speaker 2: the no not the sorry, I'm literary world. I've been

1070
01:01:43,080 --> 01:01:45,959
Speaker 2: just gobbling up the famous book words. It's a book

1071
01:01:46,680 --> 01:01:50,840
Speaker 2: by a man, but the old man read it. Oh well,

1072
01:01:50,920 --> 01:01:54,480
Speaker 2: I saw the Equalizer and they talk about what it's about.

1073
01:01:55,440 --> 01:01:57,160
Speaker 2: So they sort of go through a lot of what

1074
01:01:57,960 --> 01:02:01,160
Speaker 2: this is you're talking about it old man who drank

1075
01:02:01,200 --> 01:02:05,120
Speaker 2: the beer something Man, Show the Man, show the old

1076
01:02:05,280 --> 01:02:10,000
Speaker 2: organ playgg he's Uggy's yeah yeah, I mean, if what

1077
01:02:10,120 --> 01:02:13,720
Speaker 2: if I got him? Why am I pitching? I'm actually

1078
01:02:13,840 --> 01:02:17,000
Speaker 2: on your side all of a sudden pitching the him.

1079
01:02:17,760 --> 01:02:21,080
Speaker 2: I'm sure he must be dead that guy, there's no way,

1080
01:02:21,160 --> 01:02:27,880
Speaker 2: that old guy. Very he is dead, extremely, very much

1081
01:02:28,360 --> 01:02:31,640
Speaker 2: like beyond repair. Well then should we? What if we

1082
01:02:31,760 --> 01:02:33,280
Speaker 2: got a version of him.

1083
01:02:33,280 --> 01:02:33,600
Speaker 3: For my.

1084
01:02:36,320 --> 01:02:38,840
Speaker 2: Show where the by the way in conversation.

1085
01:02:38,840 --> 01:02:42,280
Speaker 3: Yeah, to play organ and drink a beer. Yeah, okay,

1086
01:02:43,120 --> 01:02:44,920
Speaker 3: like Reggie Watts or somebody like that.

1087
01:02:45,600 --> 01:02:48,320
Speaker 2: He'd be good. He'd be good. Have you seen these

1088
01:02:48,400 --> 01:02:49,320
Speaker 2: mix him ups he does?

1089
01:02:50,080 --> 01:02:50,120
Speaker 3: No?

1090
01:02:50,720 --> 01:02:54,320
Speaker 2: Oh boy, he's like smashing together. He's like a genius.

1091
01:02:55,000 --> 01:02:58,200
Speaker 3: You're not gonna laugh, you know, you're not gonna laugh

1092
01:02:58,280 --> 01:03:02,800
Speaker 3: out loud. But some of this stuff, it is, it's

1093
01:03:03,040 --> 01:03:03,600
Speaker 3: very funny.

1094
01:03:04,840 --> 01:03:05,960
Speaker 2: It's not ha ha ha.

1095
01:03:06,800 --> 01:03:11,520
Speaker 3: Kaufman. Yes, I mean that's the level. And it's like, okay,

1096
01:03:12,160 --> 01:03:16,960
Speaker 3: you know, yes, what what you have an opinion on him?

1097
01:03:17,560 --> 01:03:22,840
Speaker 2: And Andy Kaufman? Yes, you see a genius or a scoundrel? Oh?

1098
01:03:23,040 --> 01:03:26,720
Speaker 2: I like it. I like Andy Kaufman genius, Yeah, yeah,

1099
01:03:26,880 --> 01:03:31,000
Speaker 2: genius Okay, scoundrel? Over here do you say scoundrel. Yeah, okay,

1100
01:03:31,400 --> 01:03:34,840
Speaker 2: you say it was gad about. How is this show popular?

1101
01:03:35,360 --> 01:03:38,120
Speaker 2: Just how? I don't know how.

1102
01:03:39,200 --> 01:03:44,560
Speaker 3: How badass was Bill Hicks man the ship he would say,

1103
01:03:45,800 --> 01:03:48,480
Speaker 3: not a sacred cow out there for him. He would

1104
01:03:48,520 --> 01:03:52,240
Speaker 3: get that shot at the end of every show. Somebody

1105
01:03:52,360 --> 01:03:54,720
Speaker 3: would assassinate.

1106
01:03:54,040 --> 01:03:58,680
Speaker 2: Him, like I mean those that stand on Billy Ray

1107
01:03:58,800 --> 01:04:01,440
Speaker 2: Cyrus or New Kids on the Block. I mean he

1108
01:04:01,600 --> 01:04:03,959
Speaker 2: really was out on a ledge with that stuff, saying

1109
01:04:04,000 --> 01:04:07,200
Speaker 2: that their music is not very good. Yes, hey, eggs

1110
01:04:07,440 --> 01:04:11,240
Speaker 2: t dog eggs. Okay, so you know what I deserve

1111
01:04:11,480 --> 01:04:13,960
Speaker 2: being called eggs because God helped me. I came up

1112
01:04:14,040 --> 01:04:19,120
Speaker 2: with eggs. I don't know the eggs is appropriate because

1113
01:04:19,480 --> 01:04:25,959
Speaker 2: this show I'm scrambled, is scrambled my head. This he's

1114
01:04:26,080 --> 01:04:26,840
Speaker 2: getting good.

1115
01:04:27,200 --> 01:04:32,520
Speaker 3: So I'm improving by your standards and we just is

1116
01:04:32,600 --> 01:04:34,840
Speaker 3: this a good place to stop because I don't want

1117
01:04:34,920 --> 01:04:38,040
Speaker 3: to lose this the first peek at what maybe this

1118
01:04:38,240 --> 01:04:41,920
Speaker 3: is that like the outline, Okay, that might be good.

1119
01:04:42,040 --> 01:04:46,720
Speaker 3: The idea of we've established the eggs and now the

1120
01:04:46,880 --> 01:04:49,520
Speaker 3: use of scrambled, Yes, that could be great.

1121
01:04:50,440 --> 01:04:52,200
Speaker 1: I was just going to ask a question, have you

1122
01:04:52,320 --> 01:04:56,960
Speaker 1: ever heard the end of someone else's story. No, then

1123
01:04:57,000 --> 01:04:58,880
Speaker 1: you'd be perfect for by the way, a conversation.

1124
01:04:59,080 --> 01:04:59,800
Speaker 3: I think that could be.

1125
01:05:03,400 --> 01:05:05,120
Speaker 2: I think this could be a home run pairing.

1126
01:05:07,360 --> 01:05:12,439
Speaker 3: So this is really good. So ex is feeling scrambled, yes,

1127
01:05:13,880 --> 01:05:18,920
Speaker 3: and we're feeling great. Uh yeah, rate us on iTunes.

1128
01:05:20,000 --> 01:05:23,600
Speaker 2: Yeah, rate us on iTunes and talk to us on

1129
01:05:23,720 --> 01:05:26,440
Speaker 2: our forums. Don't you have like the thing you do

1130
01:05:27,000 --> 01:05:33,520
Speaker 2: the hot dog gallery? Oh, we get questions, there's a

1131
01:05:34,680 --> 01:05:37,640
Speaker 2: prerequisite for that. I don't know why I want to

1132
01:05:37,720 --> 01:05:42,160
Speaker 2: do more of this show. We get, we get, we

1133
01:05:42,240 --> 01:05:46,440
Speaker 2: get Hal Rudnick on the show. We do a popcorn gallery.

1134
01:05:46,560 --> 01:05:51,240
Speaker 2: Sure you know Rudnick, someone of that caliber.

1135
01:05:51,480 --> 01:05:53,600
Speaker 3: Yes, Lauren Greenberg comes on the show.

1136
01:05:54,040 --> 01:05:57,400
Speaker 2: We're going to the popcorn We dig into the popcorn gallery. Yeah,

1137
01:05:57,640 --> 01:05:59,840
Speaker 2: I come on. All you do is just throw go

1138
01:06:00,000 --> 01:06:02,959
Speaker 2: herbage at me for we we What was that five

1139
01:06:03,080 --> 01:06:05,320
Speaker 2: hours worth of show which was certainly felt like it.

1140
01:06:06,440 --> 01:06:08,720
Speaker 3: What do you want to reach into the bag? And

1141
01:06:08,760 --> 01:06:11,280
Speaker 3: there's no question in there do you want to do that? Okay,

1142
01:06:11,360 --> 01:06:12,000
Speaker 3: let's do reach in.

1143
01:06:12,360 --> 01:06:15,080
Speaker 2: Let's do the the popcorn gallery. It's time for the

1144
01:06:15,120 --> 01:06:20,560
Speaker 2: big segment show version prize as well. Yes, we let's

1145
01:06:20,680 --> 01:06:24,320
Speaker 2: reach in the bag. With the question for Tom Sharp. Plain. Yeah,

1146
01:06:24,440 --> 01:06:34,640
Speaker 2: let's hear this. My arm's getting tired. Oh so there's

1147
01:06:34,680 --> 01:06:39,040
Speaker 2: nothing in the okay, and this is your shoulder out.

1148
01:06:39,200 --> 01:06:42,760
Speaker 2: Your friend did this, my friend Mark? Ye, we have

1149
01:06:42,880 --> 01:06:45,320
Speaker 2: one set up for this. We didn't think we're actually

1150
01:06:45,320 --> 01:06:47,240
Speaker 2: gonna be able to use this. It was the button

1151
01:06:47,280 --> 01:06:49,600
Speaker 2: I hoped i'd never press. So there's just a red

1152
01:06:49,680 --> 01:06:52,360
Speaker 2: button over there, and you just finally got a chance

1153
01:06:52,440 --> 01:06:55,960
Speaker 2: to I couldn't imagine anyone says desiring this. He asked

1154
01:06:56,000 --> 01:06:56,240
Speaker 2: for it.

1155
01:06:58,360 --> 01:06:59,800
Speaker 3: Oh God, I'm going on through.

1156
01:07:02,240 --> 01:07:06,160
Speaker 2: Okay, stop stop, I get it, fine, I get it. Stop, No,

1157
01:07:06,400 --> 01:07:12,080
Speaker 2: I get it, stop it stop with the Oh my

1158
01:07:12,360 --> 01:07:15,040
Speaker 2: fingers are all wrong. Someday I will my thing will

1159
01:07:15,080 --> 01:07:17,960
Speaker 2: be as great as whatever this is. You guys do

1160
01:07:18,200 --> 01:07:22,240
Speaker 2: and who I don't have no idea how you're how

1161
01:07:22,320 --> 01:07:30,160
Speaker 2: you've done more than bye. Hollywood Handbook is brought to

1162
01:07:30,200 --> 01:07:35,480
Speaker 2: you by Wolf Cool Production to subsidiary of calvinonhobbs Ow

1163
01:07:36,960 --> 01:07:37,280
Speaker 2: Baby