WEBVTT - Vicki-TIMIZED! | UGT Recap with Dustin Ross

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<v Speaker 1>Reality with the King is hosted by me, Carlos King.

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<v Speaker 1>I'm an executive producer who have produced some of your

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<v Speaker 1>favorite shows from the Real Housewives in Atlanta, New Jersey

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<v Speaker 1>and my own creation, The Love and Marriage Franchise and

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<v Speaker 1>Bell Collective. Every episode, we recap reality television from the

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<v Speaker 1>Real Housewives Franchise to The Bachelor or Selling Sunset, in

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<v Speaker 1>addition to celebrity guests, whether in the unscripted space or

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<v Speaker 1>scripted as well.

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<v Speaker 2>So Ray Drowns.

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<v Speaker 3>The reason why you're hearing me laugh at the top

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<v Speaker 3>of the supporting as Dustin Raws and I are going

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<v Speaker 3>to recap episode two of The Real Housewives Ultimate Girls

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<v Speaker 3>Trip is because I'm like, hey, Dustin, how's your weekend?

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<v Speaker 2>He said, better than Vicki's.

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<v Speaker 4>Better than much better than her, since I know they've

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<v Speaker 4>been tearing her ass up. I see the comments. Okay,

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<v Speaker 4>not the comments, but the tweets. That's what I see.

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<v Speaker 4>I see the tweets about this, and I'm not the

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<v Speaker 4>only person that feels like Vicky had a totally different

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<v Speaker 4>energy for Teresa than she did for Gizelle in that

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<v Speaker 4>sprinter van. The minute that Giselle brought something up to

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<v Speaker 4>the surface Vicky was confrontational. She was combative, She was argumentative, clipped, snipped, nasty,

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<v Speaker 4>sitting up there looking like a cockatoo. You know how

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<v Speaker 4>she does, sitting up there, oh, doing all of that shit.

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<v Speaker 4>But when Teresa said, and when you're done with that,

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<v Speaker 4>you were mean to me yesterday too, Vicky softened.

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<v Speaker 5>What did I do?

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<v Speaker 4>Oh no, no, I never wanted to explain herself, wants

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<v Speaker 4>to add context to her actions and shit, she had

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<v Speaker 4>totally different energy for Teresa.

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<v Speaker 5>I thought that was noteworthy.

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<v Speaker 2>So let's get right into it, cause you starting off strong.

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<v Speaker 4>Brother, Let's get to it. I caught it, and everybody

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<v Speaker 4>else know they caught it too. You want a fight

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<v Speaker 4>in battle and you're ready to just go there and

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<v Speaker 4>be just getting to with Gazelle boll and Teresa raises

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<v Speaker 4>an issue. You want to soften up and be receptive

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<v Speaker 4>to it and all that other shit.

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<v Speaker 3>So when you saw the rain drops as you watch

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<v Speaker 3>Aultimcgirl's trail, what Dustin is referring to. If the ladies

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<v Speaker 3>are in Orange County, they are now as printer van

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<v Speaker 3>hit it to Beverly Hills, right, and Gizelle look, Gizelle

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<v Speaker 3>doing her job right Dustinell.

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<v Speaker 4>Doing what she's there to do, doing what she said

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<v Speaker 4>she was actually looking forward to doing before she knew

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<v Speaker 4>that her foolishness would be usurped and trumped pun intended

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<v Speaker 4>by VICKI.

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<v Speaker 5>So she didn't know. Gizilla just doing her job.

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<v Speaker 4>Man, she punched that client and went on and clocked in,

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<v Speaker 4>did her job. Vicky is making it personal. I think

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<v Speaker 4>that's the difference.

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<v Speaker 2>So here is what's going on.

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<v Speaker 3>So Giselle learned from Lisa Barlow, which, by the way,

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<v Speaker 3>I don't know if you know this about me, and

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<v Speaker 3>I never even ask you this.

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<v Speaker 2>I know you watched Salt Lake City, but you know

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<v Speaker 2>I am Carlos. I love all the girls king.

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<v Speaker 5>Yes, I get it.

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<v Speaker 2>I love more.

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<v Speaker 3>But when it comes to Salt Lake City, I will

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<v Speaker 3>go on the record saying that Lisa Barlow is my

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<v Speaker 3>number one. I love her and I'm not gonna shy

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<v Speaker 3>away from it. I think I think she There's certain

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<v Speaker 3>people who was born to be reality star, and I

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<v Speaker 3>will I will go to the farm Lisa television.

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<v Speaker 4>She's a quintessential real housewife, and by by textbook definition,

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<v Speaker 4>if you look at the characteristics that are similar amongst housewives,

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<v Speaker 4>and she just was born to be a housewife. I

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<v Speaker 4>would also like to add Meredith Marx into that conversation.

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<v Speaker 4>I feel like so like as a couple of people

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<v Speaker 4>that are natural born like ball busting housewives. Meredith Mars

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<v Speaker 4>is definitely one, and she's one of my favorites men

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<v Speaker 4>are in person.

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<v Speaker 5>She was loved.

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<v Speaker 2>I never I met.

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<v Speaker 3>Okay, I met all the girls except Heather and Meredith.

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<v Speaker 2>How is Meredith Marx?

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<v Speaker 4>I'm cool as hell, super cool, so much fun.

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<v Speaker 5>God rest.

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<v Speaker 4>My best friend Frank Watson soul but him and I.

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<v Speaker 4>Frank was a huge Housewives fan. He watched any city.

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<v Speaker 4>He didn't give it damn what it was. He just

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<v Speaker 4>loved the Housewives. He knew it like how I do.

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<v Speaker 4>And so anytime we were anytime we would running too

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<v Speaker 4>any of the Housewives, he would be just it would

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<v Speaker 4>be like a fever dream for him.

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<v Speaker 5>He would be so excited.

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<v Speaker 4>And so when we went to Bravo Khan one year,

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<v Speaker 4>we were at the after party for that night of

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<v Speaker 4>Bravo Khan and I got videos of him dancing with

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<v Speaker 4>Job and we hung out with Meredith Marks. And then

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<v Speaker 4>one time I was sitting at I was actually on

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<v Speaker 4>the date at at a restaurant that won't be named

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<v Speaker 4>in New York City and I'm sitting at the bar

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<v Speaker 4>discussing Real Housewives of Atlanta and the person I was.

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<v Speaker 5>With was like, ain't that one of the housewives behind you?

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<v Speaker 4>And Whitney Rose was literally sitting next to me at

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<v Speaker 4>the bar at this restaurant downtown in New York and

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<v Speaker 4>met Packing District, and so yes, that's where I.

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<v Speaker 5>Ran in through her at yeah.

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<v Speaker 6>Talking about yeah, yeah, yeah, you know.

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<v Speaker 5>New York ship.

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<v Speaker 4>But yeah, so those are my Salt Lake connection. So

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<v Speaker 4>I definitely am enjoying Lisa Barlow on this cast. I

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<v Speaker 4>think that they made a great choice, and really they

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<v Speaker 4>could have went three different ways. Really they could have

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<v Speaker 4>went Heather, Meredith or Lisa. To be honest with you,

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<v Speaker 4>I think that Lisa for the for for a show

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<v Speaker 4>where your personality and quirkiness and you know, those sort

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<v Speaker 4>of things that would make it fun.

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<v Speaker 5>I think Lisa was a good choice.

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<v Speaker 3>No, I do too, I do too, I do too,

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<v Speaker 3>and I kind of agree more and rain drops before

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<v Speaker 3>I continue on the what happened?

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<v Speaker 2>As Dustin's talking about what Vicky did, because I think

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<v Speaker 2>I'm picking up with the dropping.

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<v Speaker 3>And and I really want to dive into the the undertoned.

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<v Speaker 3>I think, okay, okay, so, but I have to continue

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<v Speaker 3>with what you're saying now about Bravo could have went,

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<v Speaker 3>let's be real, Heather, Meredith or Lisa to represent Saltake City.

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<v Speaker 3>They are the ogs. Lisa us the right choice based

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<v Speaker 3>on everything doesn't said. And I will say this. I

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<v Speaker 3>know there was a jarring reaction to Porsche Williams representing

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<v Speaker 3>Atlanta because she's a five girly among Season one ogs

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<v Speaker 3>on this particular cast. And what I will say this is,

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<v Speaker 3>while I understood that everybody, even Porsche, will say yes,

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<v Speaker 3>Niini was is the one you would think about representing.

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<v Speaker 2>Because we know that Nini Is, you.

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<v Speaker 5>Know, is compromised.

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<v Speaker 2>That's a good way of you think it.

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<v Speaker 3>With that, brother, I can't see them doing anyone else

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<v Speaker 3>but Porsche.

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<v Speaker 2>And it's what you said about Lisa.

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<v Speaker 3>Porsche is bringing so much youthfulness, fun comedy to this

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<v Speaker 3>that and I'm not gonna name names because y'all messy,

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<v Speaker 3>but y'all can name names for me in the comments,

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<v Speaker 3>and I may respond to it.

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<v Speaker 2>If you think about any other alant of housewife.

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<v Speaker 3>I just don't see anyone else providing the comedy, the fun,

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<v Speaker 3>youthfulness that that cast needs.

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<v Speaker 2>Desperately, right, yes, thank you, okay.

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<v Speaker 4>Yes, desperately need her energy. Her and Gazelle are kind

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<v Speaker 4>of leading that ship over there with Kyle. I say,

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<v Speaker 4>it's a Gazelle, Porsche and Kyle trifecta with honorable mention

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<v Speaker 4>of Luyne that are kind of running the show over

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<v Speaker 4>there right now.

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<v Speaker 2>Yeah, oh, I can't wait to talk to you more

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<v Speaker 2>about this.

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<v Speaker 4>Yeah, yeah, so, I mean I think again, great choice

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<v Speaker 4>in Porsche.

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<v Speaker 5>She's bringing great, incredible fashion.

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<v Speaker 4>I love them Tom for pajama she had on at

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<v Speaker 4>the it was just it's exactly what you want. She

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<v Speaker 4>was sitting up there, she knew she had to step

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<v Speaker 4>in Beverly Hills. As far as the fashion is concerned,

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<v Speaker 4>she's sitting it at Sudden's table. Scaparelli down, you know

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<v Speaker 4>what I'm saying, like, yeah, you've seen that, the earring

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<v Speaker 4>and stuff, all that shit.

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<v Speaker 5>Yeah, so.

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<v Speaker 4>Said her fashion this season, and this is just another

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<v Speaker 4>example of why she was the right choice.

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<v Speaker 2>Yep, No, she was, she was.

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<v Speaker 3>She was Okay, back to Vicki on the bus. Okay,

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<v Speaker 3>so they're on their way to Beverly Hills. Kyle mentions

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<v Speaker 3>that this is the thirty year wedding anniversary of her Mauricio,

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<v Speaker 3>and she's crying and and.

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<v Speaker 2>Vicky look Vicky. Even before they got on the sprinter bus,

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<v Speaker 2>Vicky was a little.

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<v Speaker 3>Off putting to Yeah, as she's crying about her marriage,

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<v Speaker 3>and Vickie telling Kyle, you let your family down and

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<v Speaker 3>your kids down, and you're telling them it's okay to

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<v Speaker 3>lead when things get bad in your marriage.

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<v Speaker 4>And I'm like, I think that's a great message to

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<v Speaker 4>give your children. Should you tell them to stay and

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<v Speaker 4>suffer through it and be stunned and stifled in other

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<v Speaker 4>areas it their life?

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<v Speaker 5>Hell no, you should encourage.

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<v Speaker 4>You should set an example, especially Kyle with all those daughters.

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<v Speaker 4>I think she should set an example that, hey, young

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<v Speaker 4>woman of the world of today, you don't have to

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<v Speaker 4>stick and stay no matter how long you been with

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<v Speaker 4>a motherfucker. If the shit ain't healthy and it's toxic

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<v Speaker 4>for you, you can end it. Personally, I think this

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<v Speaker 4>is just people's personal choice and their views, and I

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<v Speaker 4>respect everybody's. I think that is the example to set.

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<v Speaker 4>You should teach your young ladies to stand up for themselves.

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<v Speaker 4>If shit ain't right. So I actually disagree with Vicki.

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<v Speaker 4>But that's not a surprise, now.

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<v Speaker 5>Is it.

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<v Speaker 2>You know what it is?

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<v Speaker 3>It's and listen, maybe I was calling some bubbo because

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<v Speaker 3>she's been gone off the show for so many years.

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<v Speaker 3>On this season of OC, Emily's calling her Debbie Downer

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<v Speaker 3>and I'm seeing and this is Dustin. What we're watching

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<v Speaker 3>is before they started shooting season twenty.

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<v Speaker 2>Vicky is a Debbie Downer.

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<v Speaker 3>And it's interesting because on one hand, I'm entertained by

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<v Speaker 3>the girls going at her because I love it.

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<v Speaker 5>But on the.

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<v Speaker 3>Second hand, I'm like, I don't know if I want

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<v Speaker 3>to watch his weekly. I think if you have that

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<v Speaker 3>attitude once every blue moon, that's one thing. But to

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<v Speaker 3>tell a woman who's crying she made a bad decision

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<v Speaker 3>and you wish somebody would have told you that.

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<v Speaker 2>Okay, that's fine, but that's not what Kyle.

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<v Speaker 3>Needed right now, Like that's something that you're giving her

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<v Speaker 3>unsolicited advice. Now, On one hand, I did appreciate Vicky

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<v Speaker 3>being honest that, yes, I was a reality star.

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<v Speaker 2>The show was hot.

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<v Speaker 3>I'm hot, you know, it's life camera action. I'm famous,

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<v Speaker 3>And how she thought that would last forever. That's one

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<v Speaker 3>thing that I did enjoy listening to because what I

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<v Speaker 3>can say to you, Dustin is I know a lot

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<v Speaker 3>of women feel that way right now, as somebody who's

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<v Speaker 3>been around since day one, that ninety nine point nine

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<v Speaker 3>percent of the girls never thought this show.

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<v Speaker 2>Would go away.

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<v Speaker 5>Yeah you can till you can tell.

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<v Speaker 3>Yeah, So that part I appreciate it, But Vicky's nastiness

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<v Speaker 3>is not enjoyable to me. No.

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<v Speaker 4>What has happened is the housewives have evolved. The show

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<v Speaker 4>and what it is has changed. There's levels of accountability

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<v Speaker 4>that these ladies face amongst each other and coming from

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<v Speaker 4>the fandom as well. These women move differently, so it's

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<v Speaker 4>no longer sufficient. It's actually now insufficient to just yell

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<v Speaker 4>and belch and bucket her eyes and bourb and gurgle

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<v Speaker 4>and grunt and get drunk as hell full of vodka,

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<v Speaker 4>you know, whooping it up. It takes more than that.

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<v Speaker 4>Now you have to actually have some personality, something to say,

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<v Speaker 4>something to bring to the table, and the areas based

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<v Speaker 4>on a little bit I do know about Vicki's personal

0:13:22.640 --> 0:13:25.719
<v Speaker 4>life as a mom and stuff, and you know, her

0:13:25.800 --> 0:13:26.760
<v Speaker 4>dating life or whatever.

0:13:26.840 --> 0:13:28.480
<v Speaker 5>In order for her to really be real.

0:13:28.600 --> 0:13:30.400
<v Speaker 4>I don't think she'd be willing to do that to

0:13:30.480 --> 0:13:34.560
<v Speaker 4>talk about the complexities of the relationship between her and

0:13:34.600 --> 0:13:36.760
<v Speaker 4>our son, are even between our son and her daughter,

0:13:36.840 --> 0:13:39.160
<v Speaker 4>you know, related to their political views all that kind

0:13:39.160 --> 0:13:41.360
<v Speaker 4>of stuff. Yeah, she's not going to go there and

0:13:41.400 --> 0:13:43.360
<v Speaker 4>talk about that, which I don't really think she has

0:13:43.520 --> 0:13:46.079
<v Speaker 4>the I think she's a smart woman when it comes

0:13:46.160 --> 0:13:49.040
<v Speaker 4>to the business that she's conducted as an insurance agent

0:13:49.120 --> 0:13:53.760
<v Speaker 4>and owning and an insurance agency and really seeing success

0:13:53.800 --> 0:13:57.680
<v Speaker 4>with that. I think there's a level of brilliance that

0:13:57.840 --> 0:14:01.600
<v Speaker 4>is specifically focused on that space. But I don't think

0:14:01.640 --> 0:14:05.800
<v Speaker 4>that she has the depth and capacity to really articulate

0:14:05.840 --> 0:14:09.400
<v Speaker 4>the nuances of some of the relationships in her life

0:14:09.520 --> 0:14:13.120
<v Speaker 4>that would actually make her a relevant, interesting housewife. At

0:14:13.160 --> 0:14:15.640
<v Speaker 4>the time, VICKI just wants to come back on TV

0:14:15.760 --> 0:14:19.760
<v Speaker 4>and yell and burp and belch and shit, you know,

0:14:20.240 --> 0:14:24.560
<v Speaker 4>and ride around, leaning all over everything, yelling in people's face.

0:14:25.080 --> 0:14:28.600
<v Speaker 4>And Tamra's brand of Housewives has been similar to that,

0:14:28.680 --> 0:14:31.360
<v Speaker 4>but it's evolved as the show has evolved, and when

0:14:31.360 --> 0:14:34.120
<v Speaker 4>Tamor came back, she was able to jump back into

0:14:34.200 --> 0:14:38.840
<v Speaker 4>the new rhythm that the housewarks have established, she evolved,

0:14:38.880 --> 0:14:41.160
<v Speaker 4>she grew, she talked about different things. She's got a

0:14:41.200 --> 0:14:44.800
<v Speaker 4>podcast talking about the other housewives. She shows her personality

0:14:45.040 --> 0:14:50.400
<v Speaker 4>tamor is. She's a polarizing character, so either you love

0:14:50.400 --> 0:14:51.960
<v Speaker 4>her or hate her, but a lot of people love

0:14:52.040 --> 0:14:55.520
<v Speaker 4>her for that reason. So I think there's just an

0:14:55.680 --> 0:15:05.400
<v Speaker 4>unwillingness to explore and just make things substantive that I

0:15:05.440 --> 0:15:09.400
<v Speaker 4>think that Vicky is going to be handicapped by because

0:15:09.400 --> 0:15:15.480
<v Speaker 4>it's gonna take more than, like I said, drunk burping, belching, uh,

0:15:15.920 --> 0:15:18.560
<v Speaker 4>you know, stomach bubbling on camera, all of that. It's

0:15:18.560 --> 0:15:20.840
<v Speaker 4>going to take a lot more than that to be interesting.

0:15:20.920 --> 0:15:22.120
<v Speaker 4>It's a different ball game.

0:15:22.880 --> 0:15:24.480
<v Speaker 2>So no, it is. It is.

0:15:24.520 --> 0:15:27.000
<v Speaker 3>It is, And it's one of those things where it's

0:15:27.120 --> 0:15:28.960
<v Speaker 3>when you've been out of the game for so long

0:15:29.080 --> 0:15:31.200
<v Speaker 3>and the coach puts you back in and you're still

0:15:31.240 --> 0:15:34.040
<v Speaker 3>doing plays that work seven years ago and I and

0:15:34.120 --> 0:15:36.760
<v Speaker 3>I am seeing that this season. So getting back to

0:15:36.760 --> 0:15:40.040
<v Speaker 3>what you mentioned at the top of the show, you're

0:15:40.480 --> 0:15:44.800
<v Speaker 3>talking about when Giselle brought up what Lisa Bralo told

0:15:44.880 --> 0:15:47.880
<v Speaker 3>her that, Hey, Vicky, you told Lisa.

0:15:47.600 --> 0:15:49.240
<v Speaker 2>Barlow that.

0:15:50.560 --> 0:15:53.320
<v Speaker 5>I wasn't ship basically and use the box.

0:15:53.560 --> 0:15:59.200
<v Speaker 3>Yeah, you know, Vicky's on her laptop working. It was

0:15:59.320 --> 0:16:01.600
<v Speaker 3>very dismissive to Gazelle, and Gazelle's like, look, bitch, I'm

0:16:01.600 --> 0:16:04.160
<v Speaker 3>clocked in. I'm hunting my job because we're not gonna

0:16:04.200 --> 0:16:05.760
<v Speaker 3>sit the them and sprint her for a two hour

0:16:05.880 --> 0:16:08.680
<v Speaker 3>drive to La crying about Colin Marisia.

0:16:08.920 --> 0:16:11.440
<v Speaker 2>Well, Brobaly paying us to do that.

0:16:11.920 --> 0:16:16.520
<v Speaker 3>Gill's clocked in. Vickie's dismissed up. She wasn't to Teresa.

0:16:16.960 --> 0:16:23.160
<v Speaker 3>Are you intimating Dustin that you believe that Vicky was

0:16:23.240 --> 0:16:30.080
<v Speaker 3>dismissive to Giselle based on race and stature in Vickie's

0:16:30.120 --> 0:16:34.000
<v Speaker 3>mind versus you know Teresa Judais where she kind of

0:16:34.440 --> 0:16:38.080
<v Speaker 3>not kinda She softened her message and apologized to her instantly.

0:16:39.000 --> 0:16:42.160
<v Speaker 4>One I think that it is, and I'm not gonna

0:16:42.200 --> 0:16:45.160
<v Speaker 4>just say I do think it is because of race,

0:16:45.200 --> 0:16:46.760
<v Speaker 4>but I think it is because of a lack of

0:16:46.840 --> 0:16:51.880
<v Speaker 4>respect as well, based on her not even making an

0:16:51.920 --> 0:16:56.560
<v Speaker 4>effort to know any about Jesse or Porsche. Right, she

0:16:56.680 --> 0:17:00.600
<v Speaker 4>knows Teresa, and she knows Teresa's history with the household.

0:17:00.680 --> 0:17:03.480
<v Speaker 4>She has a different amount of respect for Teresa, it

0:17:03.520 --> 0:17:06.639
<v Speaker 4>appears through her engagement with her than she does for

0:17:06.720 --> 0:17:10.720
<v Speaker 4>Gizelle and even Porsche. But Porscha showed her very early

0:17:10.800 --> 0:17:15.280
<v Speaker 4>on in the first episode, I will get with your ass, okay,

0:17:15.480 --> 0:17:17.680
<v Speaker 4>before we even have to take it there, I want

0:17:17.720 --> 0:17:20.480
<v Speaker 4>you to know up front, I am that girl who

0:17:20.480 --> 0:17:22.600
<v Speaker 4>will do that. She did it, and I think that

0:17:22.720 --> 0:17:26.000
<v Speaker 4>Vicky kind of she understood that that's a danger zone.

0:17:26.560 --> 0:17:29.840
<v Speaker 4>I think that she doesn't have so that's a fear

0:17:29.880 --> 0:17:32.720
<v Speaker 4>based respect almost, but she doesn't have any general respect

0:17:32.760 --> 0:17:35.320
<v Speaker 4>for Gizel. That's why she was, like you said, dismissive,

0:17:35.800 --> 0:17:39.680
<v Speaker 4>not even looking at her in her computer, unwilling to talk.

0:17:39.880 --> 0:17:42.560
<v Speaker 4>Literally said okay, well I'm over here working y'all. Fight

0:17:44.160 --> 0:17:46.639
<v Speaker 4>did her hand like that and everything. But when Teresa says,

0:17:46.640 --> 0:17:49.479
<v Speaker 4>well when you're done with that two days later, mind you,

0:17:49.760 --> 0:17:52.400
<v Speaker 4>When she says, well, when you're doing that, you mean

0:17:52.480 --> 0:17:56.560
<v Speaker 4>to me too yesterday with what you did what I do,

0:17:57.720 --> 0:17:58.240
<v Speaker 4>it was an.

0:17:58.119 --> 0:18:01.240
<v Speaker 5>Immediate shift in the energies. And I'm like, hmm.

0:18:01.320 --> 0:18:04.000
<v Speaker 4>They usually is equated to a lack of respect. Now

0:18:04.080 --> 0:18:06.840
<v Speaker 4>the question is why don't you respect them?

0:18:07.040 --> 0:18:08.880
<v Speaker 5>You know what I'm saying. And that's where we start

0:18:08.920 --> 0:18:10.600
<v Speaker 5>to talk about it. Look at her life.

0:18:12.240 --> 0:18:14.520
<v Speaker 4>I think it's just telling you know what I'm saying,

0:18:14.560 --> 0:18:16.639
<v Speaker 4>And it's fine for people to feel how they feel

0:18:16.640 --> 0:18:18.960
<v Speaker 4>and like what they like. When you start fucking treating

0:18:18.960 --> 0:18:22.480
<v Speaker 4>other people differently, that's where you fuck up. Be who

0:18:22.520 --> 0:18:24.399
<v Speaker 4>you are, like what you like, believe what you believe,

0:18:24.440 --> 0:18:27.960
<v Speaker 4>but don't disrespect other people based on that, because that

0:18:28.160 --> 0:18:31.440
<v Speaker 4>right there. Shout out to Tammy Roman, that can really

0:18:31.480 --> 0:18:32.320
<v Speaker 4>get you popped.

0:18:33.280 --> 0:18:41.240
<v Speaker 3>You can't, so you know, yeah, yes, basketball around President school, Sammy.

0:18:41.800 --> 0:18:47.720
<v Speaker 4>Yeah, when you do this, that could really get you pop.

0:18:47.840 --> 0:18:49.560
<v Speaker 5>That's how it is, you know what I'm saying.

0:18:49.680 --> 0:18:52.600
<v Speaker 2>So yeah, yeah, no, it was.

0:18:52.640 --> 0:18:55.960
<v Speaker 3>It was very interesting because you know, Teresa's like you said,

0:18:56.000 --> 0:18:59.440
<v Speaker 3>I changed the most after they saw their poster boards

0:18:59.880 --> 0:19:02.800
<v Speaker 3>or cut out of their season each of their.

0:19:02.680 --> 0:19:06.280
<v Speaker 2>Season one looks yeah, and you know she was like, no,

0:19:06.359 --> 0:19:08.040
<v Speaker 2>I wasn't even talking about that. I think you look good.

0:19:08.520 --> 0:19:10.760
<v Speaker 3>And then to Reason brought up taxes and VICKI said,

0:19:11.040 --> 0:19:13.119
<v Speaker 3>I want to talk about you. I was talking about

0:19:13.119 --> 0:19:16.520
<v Speaker 3>someone else on my show, and I'm like, well, that

0:19:16.560 --> 0:19:19.320
<v Speaker 3>doesn't make any sense because from my understanding, and I

0:19:19.359 --> 0:19:22.560
<v Speaker 3>watched OC like you do, I think oh C has

0:19:22.640 --> 0:19:23.520
<v Speaker 3>tax issues.

0:19:23.880 --> 0:19:29.879
<v Speaker 4>Yeah you talking about right, So I just you know, Vicky.

0:19:30.160 --> 0:19:33.760
<v Speaker 4>Nice try, but actually bad try because you didn't even

0:19:34.040 --> 0:19:36.000
<v Speaker 4>That's what I mean. She doesn't even give a funk

0:19:36.119 --> 0:19:39.600
<v Speaker 4>enough about these women to even make an effort to

0:19:39.800 --> 0:19:43.080
<v Speaker 4>just try to eat you know what I mean, do anything.

0:19:43.119 --> 0:19:45.280
<v Speaker 4>She just is dismissive in a way that is not

0:19:45.520 --> 0:19:46.480
<v Speaker 4>entertaining to me.

0:19:47.320 --> 0:19:50.840
<v Speaker 5>You know. Yeah, that's just got to.

0:19:50.840 --> 0:19:52.720
<v Speaker 2>Be Listen, you know, I love Vicky.

0:19:52.800 --> 0:19:53.359
<v Speaker 5>I love Yeah.

0:19:55.000 --> 0:19:57.520
<v Speaker 2>I had my podcast, you know, going over the word

0:19:59.359 --> 0:19:59.920
<v Speaker 2>Windy stuff.

0:20:00.000 --> 0:20:02.760
<v Speaker 4>That's when she first kissed me off, and she was

0:20:02.800 --> 0:20:05.080
<v Speaker 4>talking about Wendy stuff. You remember that, I ain't you

0:20:05.160 --> 0:20:07.280
<v Speaker 4>on the side, like I ain't like that ship because

0:20:07.320 --> 0:20:09.800
<v Speaker 4>I didn't like the way she was discussing that and she,

0:20:10.040 --> 0:20:13.679
<v Speaker 4>I mean, this is so bad and she's for me.

0:20:14.160 --> 0:20:16.680
<v Speaker 5>Is that what you can't you can't just you can't,

0:20:16.960 --> 0:20:17.560
<v Speaker 5>you can't.

0:20:17.359 --> 0:20:19.919
<v Speaker 4>Just that's what she was doing, and she she just

0:20:19.960 --> 0:20:23.200
<v Speaker 4>makes me so. I didn't like how she was discussing

0:20:23.240 --> 0:20:24.560
<v Speaker 4>that black woman's situation.

0:20:25.000 --> 0:20:26.520
<v Speaker 5>Sorry, everything about that.

0:20:26.560 --> 0:20:30.520
<v Speaker 4>But I noticed it then, and that's why when you

0:20:30.560 --> 0:20:34.120
<v Speaker 4>hit me up on the side, I said, you very.

0:20:33.960 --> 0:20:37.440
<v Speaker 3>Honestly, like honestly that way, I said, but hey, I

0:20:38.280 --> 0:20:39.320
<v Speaker 3>just heard you're coming from.

0:20:39.400 --> 0:20:44.480
<v Speaker 2>Yeah, and even watching her this episode.

0:20:44.600 --> 0:20:49.359
<v Speaker 3>So two, Mike, my concern for Vicki is this, and

0:20:49.400 --> 0:20:52.560
<v Speaker 3>this is me speaking as a producer, not a viewer.

0:20:53.640 --> 0:20:57.080
<v Speaker 3>M I'm concerned that she would not get asked back

0:20:57.119 --> 0:21:00.600
<v Speaker 3>to season twenty one, and I'm concerned this would be

0:21:00.600 --> 0:21:02.280
<v Speaker 3>the last time you see her on Bravo.

0:21:02.720 --> 0:21:03.720
<v Speaker 2>And the reason why I'm.

0:21:03.600 --> 0:21:07.320
<v Speaker 3>Concerned is because one thing I know about that network.

0:21:07.400 --> 0:21:09.680
<v Speaker 2>At the end of the day, yes, drama.

0:21:09.359 --> 0:21:12.000
<v Speaker 3>Is whatever it is, what it is, but that network

0:21:12.080 --> 0:21:17.520
<v Speaker 3>prize itself on women having fun, and Vicky isn't having fun.

0:21:17.640 --> 0:21:21.119
<v Speaker 3>And the one cardinal rule that you said, Dustin that

0:21:21.200 --> 0:21:25.359
<v Speaker 3>I can confirm that means a lot to Bravo is

0:21:25.400 --> 0:21:29.360
<v Speaker 3>getting to know women and establishing friendships. Yeah, and that's

0:21:29.400 --> 0:21:33.600
<v Speaker 3>the reason why we get to Atlanta Housewives tonight see

0:21:33.640 --> 0:21:37.919
<v Speaker 3>on YouTube. But if you don't try to foster a

0:21:38.000 --> 0:21:42.040
<v Speaker 3>friendship with these women, it is not something that the

0:21:42.080 --> 0:21:44.760
<v Speaker 3>audience or the network wants to buy into because they're

0:21:45.240 --> 0:21:47.840
<v Speaker 3>because that they're going to be like, well, you don't

0:21:47.840 --> 0:21:49.960
<v Speaker 3>have any friends, so I'm sorry, Like you don't have.

0:21:49.920 --> 0:21:52.360
<v Speaker 4>Any friends, we don't have a reason to care. Therefore

0:21:52.480 --> 0:21:55.000
<v Speaker 4>we will no longer have a reason to care. So

0:21:55.080 --> 0:21:59.119
<v Speaker 4>it is detrimental to the whole program when you do that,

0:21:59.520 --> 0:22:03.359
<v Speaker 4>and it's not funny, be funny. I remember her back

0:22:03.400 --> 0:22:06.720
<v Speaker 4>in early oh C days. I had never never seen

0:22:07.320 --> 0:22:09.359
<v Speaker 4>someone that acted like her, and it was funny the

0:22:09.400 --> 0:22:11.399
<v Speaker 4>things that she would do and say, and just watching

0:22:11.400 --> 0:22:14.520
<v Speaker 4>these ladies act the fool was funny. You didn't got

0:22:14.560 --> 0:22:17.160
<v Speaker 4>too old for that. It just don't even look right

0:22:17.200 --> 0:22:20.960
<v Speaker 4>no more. That's the thing is, it's not even entertaining anymore.

0:22:21.520 --> 0:22:23.520
<v Speaker 4>On top of the fact that you're laying that. When

0:22:23.560 --> 0:22:28.560
<v Speaker 4>you do decide to get personal, you tell this can't

0:22:28.640 --> 0:22:32.119
<v Speaker 4>troop Beverly Hills ass eighth grade ass story about somebody

0:22:32.160 --> 0:22:36.480
<v Speaker 4>calling you miss Piggy or.

0:22:36.240 --> 0:22:38.240
<v Speaker 5>Leu Ayne knew exactly what she was doing when she

0:22:38.359 --> 0:22:39.320
<v Speaker 5>said that ship too.

0:22:39.920 --> 0:22:46.360
<v Speaker 4>I was like, Luayne, they chose the right New York

0:22:46.400 --> 0:22:48.880
<v Speaker 4>City housewife, absolutely did.

0:22:50.680 --> 0:22:55.200
<v Speaker 3>Like Luenne is the white Jazell. Knows exactly what she's doing.

0:22:55.560 --> 0:22:59.040
<v Speaker 3>She's she's even on the phone with her manner, She's like, so.

0:23:00.520 --> 0:23:01.640
<v Speaker 5>What do you yeah?

0:23:03.520 --> 0:23:04.200
<v Speaker 2>Get the gig?

0:23:04.760 --> 0:23:07.359
<v Speaker 4>She knows what to do and on a on a

0:23:07.640 --> 0:23:12.840
<v Speaker 4>a From a social perspective, Luyne has long standing relationships

0:23:12.880 --> 0:23:14.920
<v Speaker 4>with a lot of these women. You know, what I'm saying,

0:23:14.960 --> 0:23:17.720
<v Speaker 4>Like Luyne and Cynthia in France for years off the

0:23:17.760 --> 0:23:22.080
<v Speaker 4>show type ship Luyanne she has, She has long standing

0:23:22.119 --> 0:23:24.200
<v Speaker 4>relationships with a lot of these women. And if you

0:23:24.520 --> 0:23:26.960
<v Speaker 4>think back to like different Bravo conflotage and stuff, you

0:23:27.000 --> 0:23:29.119
<v Speaker 4>would see Luanne engaging with everybody.

0:23:29.400 --> 0:23:30.000
<v Speaker 5>She's social.

0:23:30.040 --> 0:23:32.879
<v Speaker 4>People like her, you know what I'm saying, Like she's connected.

0:23:33.200 --> 0:23:34.840
<v Speaker 4>So she was the who else was they gonna send

0:23:34.880 --> 0:23:41.600
<v Speaker 4>from New York. You and I do like Dorinda, yeah, Derinda,

0:23:41.640 --> 0:23:43.480
<v Speaker 4>But during the Soul Book, to be honest with you,

0:23:43.520 --> 0:23:46.800
<v Speaker 4>because not only do you and I like Dernda, everybody

0:23:46.880 --> 0:23:49.240
<v Speaker 4>likes Drenda. She was out there with the hey you

0:23:49.359 --> 0:23:52.560
<v Speaker 4>ship in Australia with Cynthia. You know what I'm saying,

0:23:52.920 --> 0:23:55.280
<v Speaker 4>These are the ones that they that that get big.

0:23:55.600 --> 0:23:55.960
<v Speaker 5>She is.

0:23:56.480 --> 0:23:59.280
<v Speaker 4>She is a very popular Bravo celebrity. So I do

0:23:59.359 --> 0:24:03.160
<v Speaker 4>love Drenda. But she came later, you know what I'm saying.

0:24:03.240 --> 0:24:05.400
<v Speaker 4>She wasn't.

0:24:05.600 --> 0:24:08.480
<v Speaker 3>Yeah, you can't do jail, you can't do Ramona Beth

0:24:08.520 --> 0:24:09.520
<v Speaker 3>to me, forget about it.

0:24:09.560 --> 0:24:13.200
<v Speaker 2>Alice mccortnell, thank you. You're right. It's Lou. It's Lou.

0:24:13.280 --> 0:24:15.160
<v Speaker 2>You're right. It could only be.

0:24:15.560 --> 0:24:18.040
<v Speaker 4>And shout out to her for still having that relevance

0:24:18.119 --> 0:24:19.160
<v Speaker 4>that many years later.

0:24:19.400 --> 0:24:22.040
<v Speaker 5>You know what I'm saying, that's that's something to be said.

0:24:22.359 --> 0:24:25.639
<v Speaker 4>Leuenne is still employable by the network and other networks.

0:24:26.000 --> 0:24:29.040
<v Speaker 5>Ain't she on that other what's the other show, the

0:24:29.080 --> 0:24:29.800
<v Speaker 5>Golden Years?

0:24:30.280 --> 0:24:34.720
<v Speaker 4>Yeah, that one, Hot Water Bottles and Mustard Plaster and

0:24:35.560 --> 0:24:37.800
<v Speaker 4>Icy Hot. That's that show. We should call that show

0:24:38.040 --> 0:24:43.000
<v Speaker 4>Icy Hot. You know what I'm saying, Liniment. You know

0:24:43.080 --> 0:24:46.399
<v Speaker 4>what I'm saying, Sanda belt slacks. You know, it's just

0:24:46.440 --> 0:24:49.400
<v Speaker 4>an old ass show. You know what I'm saying, moth

0:24:49.480 --> 0:24:53.600
<v Speaker 4>Balls and ship. You know, she's on that show. And

0:24:53.640 --> 0:24:56.520
<v Speaker 4>then she also was on Love Hotel, right, and now

0:24:56.560 --> 0:25:00.920
<v Speaker 4>she's on she's doing this like Luayanne is still she's

0:25:00.920 --> 0:25:04.000
<v Speaker 4>the white Now she's very valuable.

0:25:04.240 --> 0:25:07.920
<v Speaker 3>I just realized that, no, she's not even when so

0:25:07.920 --> 0:25:11.439
<v Speaker 3>So they get to Beverly Hills, obviously Dustin Darling.

0:25:11.480 --> 0:25:15.840
<v Speaker 2>They're staying at the Hill to the hotel. Yes, yep, yep,

0:25:16.520 --> 0:25:21.600
<v Speaker 2>Kathie and Rick Hilton. So they're eating.

0:25:24.440 --> 0:25:28.919
<v Speaker 3>Lewayne is eating a kebob and puts the kabob that

0:25:29.040 --> 0:25:34.360
<v Speaker 3>she have eaten onto Vicky's plate. He gets mad Lewenne

0:25:34.359 --> 0:25:40.440
<v Speaker 3>calls her control freak. Luanne told Giselle Vicky needs some dick.

0:25:41.920 --> 0:25:45.359
<v Speaker 3>Gizelle tells Vicky what Luyne said, child because Giselle's clocked in,

0:25:45.920 --> 0:25:49.600
<v Speaker 3>and Lewenne says, just because you haven't, man, Vicky, are

0:25:49.640 --> 0:25:54.080
<v Speaker 3>you having any good orgasms? And do you think the

0:25:54.200 --> 0:26:00.359
<v Speaker 3>uptightness from Vicky is that she's not getting what the

0:26:00.480 --> 0:26:03.280
<v Speaker 3>girls want her to get because she's so uptight?

0:26:04.920 --> 0:26:07.640
<v Speaker 4>No, because I would have got just as mad as

0:26:07.680 --> 0:26:09.679
<v Speaker 4>Vicky did that. You know, I always tell the truth.

0:26:09.920 --> 0:26:11.639
<v Speaker 4>I would have got just as mad as Vicky did

0:26:11.640 --> 0:26:14.240
<v Speaker 4>if somebody put a half eaten cabab on my goddamn

0:26:14.280 --> 0:26:17.720
<v Speaker 4>plate too. That's nasty And I don't even that's just nasty.

0:26:17.800 --> 0:26:20.800
<v Speaker 4>So yes, I would have gotten mad. I ain't you know.

0:26:22.480 --> 0:26:24.880
<v Speaker 4>I don't have that issue that she that they say

0:26:25.040 --> 0:26:27.800
<v Speaker 4>she needed, so I don't think it was correlated to

0:26:28.000 --> 0:26:29.880
<v Speaker 4>a lack of sex.

0:26:30.359 --> 0:26:32.560
<v Speaker 5>I just think that was just nasty. You know what

0:26:32.560 --> 0:26:33.080
<v Speaker 5>I'm saying.

0:26:33.640 --> 0:26:38.400
<v Speaker 2>I do want Vicky to get late. If she's not well, she's.

0:26:37.920 --> 0:26:41.240
<v Speaker 3>The thing is she's I just feel like I don't

0:26:41.280 --> 0:26:43.679
<v Speaker 3>know the women that I know that said you like me,

0:26:43.800 --> 0:26:47.160
<v Speaker 3>you have a lot of bad chicks, okay, who are gorgous,

0:26:48.880 --> 0:26:50.440
<v Speaker 3>and we know when our girl is in a good

0:26:50.480 --> 0:26:53.639
<v Speaker 3>boob because she's got good you know, like she's me

0:26:53.800 --> 0:26:54.760
<v Speaker 3>and all those things.

0:26:55.280 --> 0:26:59.560
<v Speaker 4>But those are beautiful women who have beautiful energies, beautiful

0:26:59.600 --> 0:27:05.760
<v Speaker 4>heart and they have wonderful spirits that are invited and welcoming,

0:27:05.760 --> 0:27:08.320
<v Speaker 4>and they feel so good about life and about other

0:27:08.359 --> 0:27:11.560
<v Speaker 4>people that they fix themselves up and they look going

0:27:11.640 --> 0:27:14.960
<v Speaker 4>into the world reflecting their inner beauty on the outside.

0:27:15.560 --> 0:27:18.680
<v Speaker 5>Vicky, I think it's.

0:27:18.520 --> 0:27:21.720
<v Speaker 4>Having a different lived experience because she don't feel good

0:27:21.720 --> 0:27:24.880
<v Speaker 4>about herself and so she shows up frazzled.

0:27:25.200 --> 0:27:27.120
<v Speaker 5>You know what I'm saying, she's erratic.

0:27:27.240 --> 0:27:30.240
<v Speaker 4>I thought she something there was an issue because of

0:27:30.280 --> 0:27:34.080
<v Speaker 4>the shakiness and the sporadic movements and stuff. And that's

0:27:34.080 --> 0:27:36.399
<v Speaker 4>a lot for people to take, especially a man, you

0:27:36.440 --> 0:27:38.240
<v Speaker 4>know what I'm saying, That's a lot for people to take.

0:27:38.680 --> 0:27:42.240
<v Speaker 4>So maybe, but I also know that Vicky's had partners.

0:27:41.800 --> 0:27:42.280
<v Speaker 5>On this show.

0:27:42.320 --> 0:27:45.000
<v Speaker 4>She was with she was divorced from Don, and you

0:27:45.080 --> 0:27:48.240
<v Speaker 4>know what I'm saying, she's dated other people. Yeah, yeah,

0:27:48.320 --> 0:27:52.199
<v Speaker 4>it's so, you know, I mean, yeah, somebody's holding her

0:27:52.280 --> 0:27:53.200
<v Speaker 4>Koto umbrella.

0:27:53.640 --> 0:27:54.440
<v Speaker 5>But we don't know.

0:27:54.600 --> 0:27:57.240
<v Speaker 4>You know, I just don't think it's happening as much

0:27:57.280 --> 0:27:59.479
<v Speaker 4>as it should for her to be happy.

0:28:00.560 --> 0:28:01.880
<v Speaker 2>One moment that happens.

0:28:01.920 --> 0:28:04.399
<v Speaker 3>Speaking of beautiful women, whether or not they're having good sex,

0:28:06.880 --> 0:28:12.560
<v Speaker 3>are well one our proud lesbian. Porsia Williams, I can

0:28:12.680 --> 0:28:14.720
<v Speaker 3>say my girl is proud to be a lesbian because

0:28:14.720 --> 0:28:19.000
<v Speaker 3>it's still very secret to secrets top excuse me, Cole Richard's.

0:28:19.600 --> 0:28:24.520
<v Speaker 3>So they're in the bed right, Kyle says she sleeps

0:28:24.560 --> 0:28:28.280
<v Speaker 3>with a pillow between her legs. Dustin and Porscha got

0:28:28.320 --> 0:28:31.040
<v Speaker 3>on top of Kyle and says, look, I have a

0:28:31.119 --> 0:28:32.040
<v Speaker 3>housewife between my.

0:28:32.080 --> 0:28:35.159
<v Speaker 2>Legs, and then I'm like, huh.

0:28:35.880 --> 0:28:39.680
<v Speaker 3>Porscha, who's out of her own mouth, says she's gay,

0:28:39.840 --> 0:28:43.920
<v Speaker 3>that she's the g in lgbt Q. Plus I has

0:28:44.000 --> 0:28:49.160
<v Speaker 3>yet to admit fully that she's gay. She says she's experimenting.

0:28:49.720 --> 0:28:52.240
<v Speaker 3>We don't know what that means, but at that moment, I.

0:28:52.440 --> 0:28:53.440
<v Speaker 2>Know what you means.

0:28:55.720 --> 0:28:59.680
<v Speaker 5>She's you. You know what I means. You know, her.

0:28:59.560 --> 0:29:02.880
<v Speaker 2>Fingern are very much the size of mine.

0:29:02.960 --> 0:29:06.760
<v Speaker 4>Okay, little bush bumping going on, that's what that means.

0:29:06.840 --> 0:29:10.640
<v Speaker 5>You know what I'm saying, That's what that means okay.

0:29:12.120 --> 0:29:20.959
<v Speaker 2>Delivery same day. Do you think this is what I hope?

0:29:21.200 --> 0:29:26.080
<v Speaker 3>I hope we get to see Porsche talk to Kyle

0:29:26.360 --> 0:29:30.920
<v Speaker 3>about Look, I've seen some things and I'm not here

0:29:30.920 --> 0:29:33.400
<v Speaker 3>to confirm anything or ask you to. But what I

0:29:33.440 --> 0:29:37.000
<v Speaker 3>will say, as a woman who is now dating a woman,

0:29:37.760 --> 0:29:41.120
<v Speaker 3>I will say, I'm proud I brought home the show

0:29:41.320 --> 0:29:42.360
<v Speaker 3>and we're having a good time.

0:29:42.400 --> 0:29:43.320
<v Speaker 2>Blah blah blah boom.

0:29:43.560 --> 0:29:46.960
<v Speaker 3>Because it wasn't until that moment, Dustin, I realized they

0:29:47.120 --> 0:29:49.600
<v Speaker 3>have a lot in common when it comes to both

0:29:49.680 --> 0:29:56.280
<v Speaker 3>women married to men and how they're now been with women.

0:29:56.520 --> 0:29:57.640
<v Speaker 2>And I think there's something.

0:29:58.240 --> 0:30:01.400
<v Speaker 3>I think there could be something very interesting if they

0:30:01.480 --> 0:30:03.480
<v Speaker 3>ever this season addressed that parallel.

0:30:03.800 --> 0:30:04.840
<v Speaker 5>Both of them like women.

0:30:04.840 --> 0:30:07.520
<v Speaker 4>They slipped their thumb through the belt loops in their

0:30:07.560 --> 0:30:08.840
<v Speaker 4>jeans when they stand up.

0:30:08.760 --> 0:30:11.880
<v Speaker 5>There, Kyle and Kyle, and.

0:30:14.800 --> 0:30:16.920
<v Speaker 4>Yeah, because they like a woman slip her thumb through

0:30:16.960 --> 0:30:21.360
<v Speaker 4>her through her belt loops and the jeans and.

0:30:20.120 --> 0:30:22.840
<v Speaker 5>Lean back on the hill. You know what I'm saying.

0:30:22.840 --> 0:30:25.080
<v Speaker 5>When she talked to you about serious subjects, that's what

0:30:25.120 --> 0:30:25.520
<v Speaker 5>they like.

0:30:25.760 --> 0:30:28.280
<v Speaker 4>And I ain't mad at we know Kyle alluded to,

0:30:29.000 --> 0:30:31.000
<v Speaker 4>you know, being attracted to women on the show, but

0:30:31.080 --> 0:30:33.560
<v Speaker 4>she never confirmed it. Porscha flat I said, I love

0:30:33.640 --> 0:30:35.920
<v Speaker 4>the touch of a woman, and I was so happy

0:30:35.960 --> 0:30:40.320
<v Speaker 4>she did that because it neutralized any type of of

0:30:40.320 --> 0:30:44.480
<v Speaker 4>of of of leverage that anybody could take with that information.

0:30:44.960 --> 0:30:48.360
<v Speaker 4>She she took that from them and empowered herself. And

0:30:48.400 --> 0:30:52.680
<v Speaker 4>I think, and as a gay person, you know, I

0:30:52.720 --> 0:30:54.800
<v Speaker 4>think that you know what I'm saying, I think that

0:30:54.800 --> 0:30:57.280
<v Speaker 4>that's how you have to do it. And I admire

0:30:57.360 --> 0:31:00.000
<v Speaker 4>portion and respect her for that. I really really respect

0:31:00.120 --> 0:31:02.840
<v Speaker 4>toy Porscha stood in it. I also know that it's

0:31:02.880 --> 0:31:06.280
<v Speaker 4>not that easy for everybody to do so we have

0:31:06.320 --> 0:31:08.880
<v Speaker 4>to give space for room and room for people to

0:31:09.000 --> 0:31:11.040
<v Speaker 4>do things in their own time, even when you know

0:31:11.120 --> 0:31:14.120
<v Speaker 4>that they're gay, like you Richards, you know what I'm saying.

0:31:14.760 --> 0:31:17.240
<v Speaker 4>We still have to just allow her to come to

0:31:17.320 --> 0:31:19.080
<v Speaker 4>us with that information in her own time.

0:31:22.480 --> 0:31:23.880
<v Speaker 2>Yes, no, and that's why.

0:31:23.960 --> 0:31:24.800
<v Speaker 5>But it's time.

0:31:25.720 --> 0:31:27.800
<v Speaker 2>No, it's definitely time, and that's.

0:31:29.440 --> 0:31:37.120
<v Speaker 3>It's I I really hope that she finds the I'm

0:31:37.200 --> 0:31:40.120
<v Speaker 3>gonna if I when I say this word, I hope

0:31:40.120 --> 0:31:42.360
<v Speaker 3>it's not coming across offensive ball.

0:31:53.920 --> 0:31:54.560
<v Speaker 2>That was good.

0:31:54.720 --> 0:32:00.040
<v Speaker 3>That was goodness, actually thinking courage, but hey, courage.

0:31:59.720 --> 0:32:02.640
<v Speaker 5>Ball yeah, that's right.

0:32:03.080 --> 0:32:05.160
<v Speaker 2>But you're the well with the good comedic jokes. That's

0:32:06.040 --> 0:32:08.080
<v Speaker 2>that's your that's actually good.

0:32:08.760 --> 0:32:12.680
<v Speaker 3>That's why my hope is that I hope she sees

0:32:12.840 --> 0:32:16.880
<v Speaker 3>how Portia is thriving and happy and.

0:32:16.840 --> 0:32:20.400
<v Speaker 2>The fact that guess what, dusted, no one cares.

0:32:20.480 --> 0:32:22.800
<v Speaker 4>You know what I'm saying, Like, damn, don't nobody give

0:32:22.800 --> 0:32:25.480
<v Speaker 4>a damn for real? And if they do, fuck them

0:32:25.680 --> 0:32:28.920
<v Speaker 4>for real, for real, it doesn't even matter if they do, hopefully,

0:32:28.960 --> 0:32:31.479
<v Speaker 4>and she I'm sure she has support, you know what

0:32:31.480 --> 0:32:31.960
<v Speaker 4>I'm saying.

0:32:32.280 --> 0:32:35.080
<v Speaker 5>It's just she's just nervous to tell y'all. She's like pussy,

0:32:35.160 --> 0:32:37.760
<v Speaker 5>that's all. You know. That's something that you might not

0:32:37.800 --> 0:32:42.440
<v Speaker 5>want to tell everybody, Princess. Maybe maybe maybe maybe that's

0:32:42.440 --> 0:32:50.080
<v Speaker 5>her thing. Touch me not. Look more on that on

0:32:50.160 --> 0:32:51.400
<v Speaker 5>the other Patriarch show.

0:32:52.560 --> 0:32:58.600
<v Speaker 3>Yeah we darky by the way, guys, y'all. So one

0:32:58.640 --> 0:33:01.960
<v Speaker 3>of my favorite moments as were in their hotel suite.

0:33:02.400 --> 0:33:06.400
<v Speaker 3>The girls are having fun, they're doing they split. One

0:33:06.440 --> 0:33:10.880
<v Speaker 3>thing I always tell my reality stars is this, yes again,

0:33:11.200 --> 0:33:13.400
<v Speaker 3>love the drama, love the mess, all the things. But

0:33:13.560 --> 0:33:17.200
<v Speaker 3>I think what's underestimated is the funny in the comedy.

0:33:17.640 --> 0:33:20.400
<v Speaker 3>Yes see, these women have fun and we'll get to

0:33:20.440 --> 0:33:25.600
<v Speaker 3>Atlanta Housewives reunion over on YouTube tonight, because that was

0:33:25.640 --> 0:33:29.960
<v Speaker 3>my favorite moment at the reunion, seeing these girls do

0:33:30.080 --> 0:33:34.080
<v Speaker 3>splits on the couch, sex movements, having fun. And then

0:33:34.160 --> 0:33:37.320
<v Speaker 3>the biggest surprise to me that I as a producer,

0:33:37.400 --> 0:33:40.760
<v Speaker 3>I was shocked they played it honestly, is when Lisa

0:33:40.800 --> 0:33:46.200
<v Speaker 3>Barlow started crying and saying she doesn't remember ever having

0:33:46.240 --> 0:33:50.200
<v Speaker 3>fun on her own on her own show the way

0:33:50.240 --> 0:33:53.160
<v Speaker 3>she's having fun with these girls, and I was shocked

0:33:53.160 --> 0:33:53.840
<v Speaker 3>they kept that in.

0:33:56.400 --> 0:33:59.360
<v Speaker 2>Oh I loved it. I love the fact what I

0:33:59.720 --> 0:34:00.080
<v Speaker 2>again and.

0:34:00.240 --> 0:34:04.120
<v Speaker 3>I am day one Bravo producer, so I have all

0:34:04.120 --> 0:34:08.520
<v Speaker 3>of the education that they inside of my brain for years.

0:34:09.280 --> 0:34:13.480
<v Speaker 3>And why the reason why I was shocked is because

0:34:14.920 --> 0:34:18.560
<v Speaker 3>it exposed that huh, because I thought about it too.

0:34:18.640 --> 0:34:22.240
<v Speaker 3>Doesn't like y'all don't have fun.

0:34:23.040 --> 0:34:23.239
<v Speaker 5>Yep.

0:34:23.440 --> 0:34:27.160
<v Speaker 4>They don't yep, And they don't ever have fun on

0:34:27.239 --> 0:34:28.680
<v Speaker 4>Salt Lake City and.

0:34:28.600 --> 0:34:29.759
<v Speaker 2>That's why we like it.

0:34:30.040 --> 0:34:34.200
<v Speaker 4>But but I felt bad for her, and I'm so

0:34:34.280 --> 0:34:37.600
<v Speaker 4>glad they left that in because Lisa Barlow has such

0:34:37.640 --> 0:34:45.160
<v Speaker 4>a a unique personality that they can almost be be

0:34:45.239 --> 0:34:49.000
<v Speaker 4>perceived as performative, almost so her in that moment made

0:34:49.040 --> 0:34:52.040
<v Speaker 4>her very very human. And I was laughing because when

0:34:52.080 --> 0:34:54.480
<v Speaker 4>they were dancing and having such a good time a

0:34:54.560 --> 0:34:57.560
<v Speaker 4>Porsche was really turning up the energy and making sure

0:34:57.560 --> 0:35:00.720
<v Speaker 4>that the ladies were having fun and laughing. And Lisa

0:35:00.800 --> 0:35:02.880
<v Speaker 4>Barlow looked up at Porsche she said.

0:35:03.200 --> 0:35:06.560
<v Speaker 5>Were you always like this? So fun?

0:35:07.080 --> 0:35:10.200
<v Speaker 4>And Porsa's like, but I was laughing because it's like

0:35:10.239 --> 0:35:14.319
<v Speaker 4>when you see like you've ever seen, like you've ever

0:35:14.360 --> 0:35:16.800
<v Speaker 4>seen when a person has never had soul food before

0:35:16.960 --> 0:35:20.960
<v Speaker 4>and they eat like like black people's food for the

0:35:21.000 --> 0:35:26.200
<v Speaker 4>first time, and they'd be like, oh my god, Like

0:35:26.360 --> 0:35:29.040
<v Speaker 4>I just didn't know it could be like that. That's

0:35:29.120 --> 0:35:32.320
<v Speaker 4>exactly what that was like, man, And I loved that moment.

0:35:32.320 --> 0:35:35.200
<v Speaker 4>It was so funny to me and Porsche. Really, you

0:35:35.239 --> 0:35:39.359
<v Speaker 4>could tell Porscha went into this with the good with

0:35:39.440 --> 0:35:44.399
<v Speaker 4>good intentions on really like like being fun and.

0:35:44.400 --> 0:35:46.800
<v Speaker 5>A girl's girl on this trip and on this show.

0:35:47.120 --> 0:35:49.880
<v Speaker 4>You can tell that was her intention because she she's

0:35:50.360 --> 0:35:53.240
<v Speaker 4>just has her arm around these ladies in a different

0:35:53.239 --> 0:35:56.799
<v Speaker 4>way on this sit on this cast. She's always fun

0:35:56.800 --> 0:35:59.640
<v Speaker 4>and brings that, but her energy is very much no,

0:36:00.200 --> 0:36:02.439
<v Speaker 4>we're all gonna have fun. I'm gonna celebrate the good

0:36:02.440 --> 0:36:05.120
<v Speaker 4>things about everybody. We're gonna have a good time together

0:36:05.560 --> 0:36:07.360
<v Speaker 4>and thank God for that. And you can see it

0:36:07.400 --> 0:36:12.319
<v Speaker 4>rupped off even on Lisa because, like I said, she said, there,

0:36:13.880 --> 0:36:16.560
<v Speaker 4>it's just like this, you know what I'm saying, Like

0:36:16.640 --> 0:36:22.760
<v Speaker 4>that was I thought that was funny.

0:36:19.840 --> 0:36:22.840
<v Speaker 3>Hard and I thought it was sweet and Portia to

0:36:22.880 --> 0:36:24.760
<v Speaker 3>be like, I watch.

0:36:24.600 --> 0:36:28.240
<v Speaker 5>You, ladies, Yeah.

0:36:26.920 --> 0:36:28.960
<v Speaker 2>Before the show, you're new not you.

0:36:29.040 --> 0:36:37.160
<v Speaker 3>But and again that camaraderie was dope. But that was

0:36:37.239 --> 0:36:43.359
<v Speaker 3>honestly my favorite moment this episode. So the next day,

0:36:44.000 --> 0:36:47.239
<v Speaker 3>sun And throws at ugly leather pants party, which is

0:36:47.239 --> 0:36:48.320
<v Speaker 3>the old Crystal.

0:36:49.320 --> 0:36:52.240
<v Speaker 2>Shout out to Crystal and humble, bractic love Crystal.

0:36:52.320 --> 0:36:53.320
<v Speaker 5>Shout out to Crystal.

0:36:53.560 --> 0:36:55.480
<v Speaker 4>Definitely shout out to say there, but yes, shout out

0:36:55.480 --> 0:36:56.600
<v Speaker 4>to Crystal, love her.

0:36:56.960 --> 0:37:01.400
<v Speaker 2>Love Crystal. She wore let her ugly leather pants, but

0:37:02.120 --> 0:37:03.839
<v Speaker 2>she looks the exact same.

0:37:03.800 --> 0:37:06.239
<v Speaker 4>The same, had them clothes been in shape, they've been

0:37:06.320 --> 0:37:09.080
<v Speaker 4>hanging up archives somewhere, cursl ain't been wearing that shit.

0:37:09.560 --> 0:37:11.920
<v Speaker 4>She kept that whole outfit archived and winning got it

0:37:11.960 --> 0:37:13.439
<v Speaker 4>and I love that she did.

0:37:14.160 --> 0:37:16.120
<v Speaker 2>Yeah, No, she looked good.

0:37:16.640 --> 0:37:20.360
<v Speaker 3>Yeah, what to me is Bickie arriving and saying like, oh,

0:37:20.400 --> 0:37:22.000
<v Speaker 3>thank you so much for inviting me to your home

0:37:22.000 --> 0:37:22.800
<v Speaker 3>and happiness party.

0:37:23.000 --> 0:37:28.280
<v Speaker 2>And it was chrystalizing that it is not Crystal, you.

0:37:28.120 --> 0:37:28.680
<v Speaker 5>Know what I mean.

0:37:29.160 --> 0:37:32.640
<v Speaker 4>It goes see what I mean, She don't even give

0:37:32.680 --> 0:37:36.960
<v Speaker 4>a fuck to She just doesn't even know that anything

0:37:36.960 --> 0:37:40.960
<v Speaker 4>outside of her bubble exists. Yes, that's not a sustainable

0:37:41.400 --> 0:37:43.680
<v Speaker 4>life model, you know what I'm saying. And it's definitely

0:37:43.680 --> 0:37:48.040
<v Speaker 4>not sustainable model for a real housewife, especially a real

0:37:48.080 --> 0:37:52.320
<v Speaker 4>housewife's Ultimate Girls Trip cast member. That's all about connecting

0:37:52.320 --> 0:37:55.680
<v Speaker 4>with people outside of your normal group. Like so her

0:37:55.719 --> 0:37:59.000
<v Speaker 4>whole approach to the situation, this is the wrong show

0:37:59.040 --> 0:37:59.359
<v Speaker 4>for that.

0:37:59.800 --> 0:38:01.759
<v Speaker 5>But you have it. She didn't even know that.

0:38:02.440 --> 0:38:05.680
<v Speaker 4>By the way, Big Sudden, not the Little One, shout

0:38:05.680 --> 0:38:07.759
<v Speaker 4>out to Sudden having a scene in this in the

0:38:08.080 --> 0:38:10.720
<v Speaker 4>Ultimate Girls Trip that they shot just at her home.

0:38:12.280 --> 0:38:14.800
<v Speaker 4>This ain't even the Beverly Hills event. The Beverly Hills

0:38:14.800 --> 0:38:16.800
<v Speaker 4>event is the white party that's coming.

0:38:16.640 --> 0:38:22.359
<v Speaker 2>Up way not to get to. But that ship looked,

0:38:23.280 --> 0:38:25.080
<v Speaker 2>oh it looked amazing. But that's to your point.

0:38:25.160 --> 0:38:29.520
<v Speaker 4>I thought this was it me too, me too, Big Sudden,

0:38:29.719 --> 0:38:33.160
<v Speaker 4>not the Little One, don't sleep on Sudden. Sudden is

0:38:33.280 --> 0:38:36.760
<v Speaker 4>one of the for real, for real at this point,

0:38:37.080 --> 0:38:39.960
<v Speaker 4>Sudden is one of them anchors over there in Beverly Hills,

0:38:40.040 --> 0:38:43.040
<v Speaker 4>flat out anytime, anytime they give you a scene like

0:38:43.080 --> 0:38:45.200
<v Speaker 4>this in your house. And this ain't even the Beverly

0:38:45.239 --> 0:38:47.680
<v Speaker 4>Hills event. This is just some ship they did.

0:38:49.200 --> 0:38:50.239
<v Speaker 2>That. She took care of us.

0:38:50.280 --> 0:38:55.719
<v Speaker 3>She paid for eight servers eight eight eight. And the

0:38:55.800 --> 0:38:59.440
<v Speaker 3>fact that calesbie real. You know the black folks, you know,

0:38:59.560 --> 0:39:03.239
<v Speaker 3>we be like like, oh ship, like that porter said,

0:39:03.480 --> 0:39:06.600
<v Speaker 3>you've been the spot. They black folks walking to a

0:39:06.640 --> 0:39:08.720
<v Speaker 3>house with a service, We're like.

0:39:08.520 --> 0:39:12.240
<v Speaker 5>Get down, like what the.

0:39:11.280 --> 0:39:18.080
<v Speaker 4>Yeah, huh okay, so we don't have to turn Atlanta

0:39:18.120 --> 0:39:18.719
<v Speaker 4>the fuck up.

0:39:18.840 --> 0:39:24.400
<v Speaker 2>Yeah, house, I'm in it. Bro. Porsia's house is bigger

0:39:24.440 --> 0:39:25.319
<v Speaker 2>than Signs.

0:39:26.520 --> 0:39:26.920
<v Speaker 5>Period.

0:39:27.840 --> 0:39:33.800
<v Speaker 2>It's crazy. Now. Porscha did have two people, That's what

0:39:33.920 --> 0:39:37.280
<v Speaker 2>I was their child. Uh you have two people working

0:39:37.280 --> 0:39:38.200
<v Speaker 2>at it one.

0:39:42.280 --> 0:39:45.160
<v Speaker 4>You gotta have that hand. That's a big ass house. Ship,

0:39:45.800 --> 0:39:48.279
<v Speaker 4>Chase Pollard, wipe up the ship. Somebody got to do

0:39:48.320 --> 0:39:50.680
<v Speaker 4>one of them, you know what I'm saying. I hope

0:39:50.680 --> 0:39:53.200
<v Speaker 4>they filmed. I hope they filmed something more. I know

0:39:53.239 --> 0:39:57.720
<v Speaker 4>they filmed. They opened the series with filming Porsia Andini packing.

0:39:58.160 --> 0:39:59.920
<v Speaker 4>But when I was looking at them in sudden cre

0:40:00.080 --> 0:40:02.120
<v Speaker 4>I was like, damn, I hope they shoot some importious

0:40:02.120 --> 0:40:04.440
<v Speaker 4>house when they go to Atlanta. She has all the

0:40:04.520 --> 0:40:07.799
<v Speaker 4>ladies over for something at that home. I would love

0:40:07.840 --> 0:40:09.600
<v Speaker 4>to see that. But you know, but I know they're

0:40:09.600 --> 0:40:10.880
<v Speaker 4>gonna turn Atlanta up anyway.

0:40:10.920 --> 0:40:12.319
<v Speaker 2>You know what happened. I'm not gonna spoil it for you.

0:40:12.480 --> 0:40:17.839
<v Speaker 4>Okay, good, thank you, We'll talk after words.

0:40:18.120 --> 0:40:22.120
<v Speaker 3>I know thought herself, okay, to get six added to

0:40:22.200 --> 0:40:22.640
<v Speaker 3>my two?

0:40:23.640 --> 0:40:26.680
<v Speaker 2>What the bitch gotta do? No something? Is that girl

0:40:26.880 --> 0:40:30.160
<v Speaker 2>the way something welcome them to the home. She had

0:40:30.200 --> 0:40:35.040
<v Speaker 2>the servers and in this setting.

0:40:36.600 --> 0:40:40.680
<v Speaker 4>Clocked into because immediately and shout out to the producers

0:40:40.680 --> 0:40:43.480
<v Speaker 4>that told her to watch that clip of what Gazelle said.

0:40:44.239 --> 0:40:45.960
<v Speaker 5>Shout out to them producers because.

0:40:45.760 --> 0:40:48.239
<v Speaker 4>She said, I just found out about that last night.

0:40:48.560 --> 0:40:50.759
<v Speaker 4>That means somebody told her to watch that ship Yeah

0:40:51.800 --> 0:40:52.239
<v Speaker 4>shot out.

0:40:52.239 --> 0:40:55.600
<v Speaker 3>Okay, So listen, Darren, I'm not gonna say you did

0:40:55.600 --> 0:40:57.040
<v Speaker 3>it anyway.

0:40:57.080 --> 0:41:01.120
<v Speaker 2>The showrunner is Darren Ward. Okay, work on Atlanta.

0:41:01.160 --> 0:41:03.680
<v Speaker 3>He worked on Atlanta with me Alunt of the Housewives

0:41:03.680 --> 0:41:07.040
<v Speaker 3>back in the day. He also showing ran Beverly Hills.

0:41:07.560 --> 0:41:09.360
<v Speaker 3>He I want to say, he's probably done all of

0:41:09.360 --> 0:41:15.160
<v Speaker 3>the Ultimate Girls Trip federations, so he Darren shout out

0:41:15.200 --> 0:41:18.920
<v Speaker 3>to you. Because, like Dustin said, when Kyle said, I

0:41:19.000 --> 0:41:22.319
<v Speaker 3>did not see that clip on your Spotomac because she

0:41:22.360 --> 0:41:27.360
<v Speaker 3>doesn't watch shit, okay, and Kyle has said so Dustin

0:41:27.600 --> 0:41:32.799
<v Speaker 3>word on the Bravo Kahn Streets is the girls have

0:41:33.000 --> 0:41:36.840
<v Speaker 3>said that when they because Kyle is the queen of

0:41:36.880 --> 0:41:40.279
<v Speaker 3>Beverly Hills right for sure that when they go up

0:41:40.280 --> 0:41:50.719
<v Speaker 3>to Kyle, Kyle doesn't know them, and Kyle thinks they're fans.

0:41:48.680 --> 0:41:51.960
<v Speaker 2>And they they take it as Kyle. They dismissed up.

0:41:52.560 --> 0:41:55.759
<v Speaker 3>So somebody interview Colin said, somebody said you were mean

0:41:55.800 --> 0:41:58.200
<v Speaker 3>to them, and she said, I don't watch the other show,

0:41:58.360 --> 0:41:59.680
<v Speaker 3>so I don't know these women like that.

0:41:59.719 --> 0:42:02.360
<v Speaker 2>I'm so I'm sorry. I don't mean anything. So to

0:42:02.480 --> 0:42:06.279
<v Speaker 2>Dustin's point, the producer gave her the Potomac clip. She

0:42:06.400 --> 0:42:09.359
<v Speaker 2>doesn't watch it. It is what it is. She saw it.

0:42:09.680 --> 0:42:15.080
<v Speaker 3>That's the job of producer. And I have never seen

0:42:15.480 --> 0:42:17.960
<v Speaker 3>Giselle be so gagged.

0:42:18.080 --> 0:42:19.000
<v Speaker 2>She had no response.

0:42:19.960 --> 0:42:22.160
<v Speaker 3>She's like, well, you said you want to do horizontal

0:42:22.760 --> 0:42:24.360
<v Speaker 3>with my husband.

0:42:25.440 --> 0:42:28.759
<v Speaker 4>And gave it to her talking about when I saw

0:42:28.880 --> 0:42:35.120
<v Speaker 4>Mauricio I text you. She was tearing, tearing, Uh, Shannon up?

0:42:36.120 --> 0:42:37.480
<v Speaker 5>Who Shannon right?

0:42:37.840 --> 0:42:40.080
<v Speaker 2>Shannon, Yes, with the yes yes, with the.

0:42:40.120 --> 0:42:44.239
<v Speaker 4>Love Hotel ship, yes, and and the whole time she's

0:42:44.480 --> 0:42:47.000
<v Speaker 4>bringing up the Mauricio ship to substance. She had her point.

0:42:47.920 --> 0:42:52.399
<v Speaker 4>Kyle was like, well, actually, didn't you say you want

0:42:52.400 --> 0:42:54.480
<v Speaker 4>to fuck him? I was like, oh my god. And

0:42:54.560 --> 0:42:59.600
<v Speaker 4>Jaselle was like, look, I apologize for the joke she

0:43:00.160 --> 0:43:02.759
<v Speaker 4>to do, but retreat that was it and shout out

0:43:02.800 --> 0:43:06.040
<v Speaker 4>to Giselle. She's good sport about it. She just you know,

0:43:06.280 --> 0:43:08.000
<v Speaker 4>that was it. She knew she had lost the look

0:43:08.040 --> 0:43:09.600
<v Speaker 4>you win some you lose, you know.

0:43:10.960 --> 0:43:12.399
<v Speaker 2>She she owned it.

0:43:12.640 --> 0:43:15.279
<v Speaker 3>She apologized, and she knew I'm not gonna win this

0:43:15.360 --> 0:43:19.400
<v Speaker 3>one because I am caught in a contradiction and my

0:43:19.680 --> 0:43:20.920
<v Speaker 3>vie to the Potomac girls.

0:43:21.200 --> 0:43:23.360
<v Speaker 2>Not that y'all need any because y'all are great.

0:43:23.520 --> 0:43:26.400
<v Speaker 3>But the one way, if you want to gag Gazelle

0:43:26.960 --> 0:43:30.680
<v Speaker 3>and you really want to contradict her, that's that's how

0:43:30.760 --> 0:43:31.719
<v Speaker 3>you kind of kind of do it.

0:43:31.760 --> 0:43:34.640
<v Speaker 2>You have to say, Mary, calmly, no, this is what

0:43:34.680 --> 0:43:38.040
<v Speaker 2>you said. At the moment, she realizes, all right, that

0:43:38.200 --> 0:43:40.000
<v Speaker 2>was kind of fucked up. I had nothing for you.

0:43:40.880 --> 0:43:43.400
<v Speaker 2>That's how you went and that's why for me shout

0:43:43.400 --> 0:43:44.640
<v Speaker 2>off to Stacey Rush.

0:43:45.600 --> 0:43:50.600
<v Speaker 4>Like Stacey Rush, we love you, Stacy.

0:43:51.280 --> 0:43:54.600
<v Speaker 3>I literally said to somebody recently, I said, when the

0:43:54.640 --> 0:43:59.160
<v Speaker 3>new season of Potomac starts, I don't care what Stacey does.

0:43:59.200 --> 0:44:03.040
<v Speaker 4>I'm defending it. No, you know, I'll be honest about

0:44:03.040 --> 0:44:05.440
<v Speaker 4>sh like that. I have a list, y'all know how

0:44:05.480 --> 0:44:07.600
<v Speaker 4>it is. You can call it what you but to

0:44:07.719 --> 0:44:10.520
<v Speaker 4>make it on my list, you have to have shown

0:44:10.560 --> 0:44:14.480
<v Speaker 4>yourself forth right, you know what I'm saying, and she has.

0:44:14.640 --> 0:44:17.239
<v Speaker 4>So we love Stacy, and yeah, we're defending the funk

0:44:17.280 --> 0:44:21.320
<v Speaker 4>out of her. I can't wait till Monday night, Okay, starts.

0:44:21.360 --> 0:44:23.600
<v Speaker 4>I can't wait. I love Stacy.

0:44:24.360 --> 0:44:28.000
<v Speaker 2>Got good at that. I do feel like listen, ray Drop.

0:44:28.400 --> 0:44:33.160
<v Speaker 2>I'm telling y'all now, I'm very fair episode. Yes, I

0:44:33.200 --> 0:44:36.640
<v Speaker 2>love Stacey Rushed so much and doctor Wendy and.

0:44:38.480 --> 0:44:41.600
<v Speaker 3>But the reason why I gotta defend Stacy is because

0:44:41.640 --> 0:44:45.600
<v Speaker 3>Stacy is like no other black woman I've seen on

0:44:45.680 --> 0:44:49.279
<v Speaker 3>reality television, and I like whatever she did, she didn't

0:44:49.320 --> 0:44:49.640
<v Speaker 3>mean it.

0:44:49.680 --> 0:44:52.040
<v Speaker 5>And it's the truth. It's the truth.

0:44:52.080 --> 0:44:54.959
<v Speaker 4>And when she does mean, when she when she does

0:44:55.080 --> 0:44:58.840
<v Speaker 4>mean something, you can tell because she's blatant. Unless we

0:44:58.920 --> 0:45:03.920
<v Speaker 4>forget the point the way she tore Cookie up. She said, no,

0:45:03.960 --> 0:45:05.480
<v Speaker 4>I'm gonna go stand over here because I do I

0:45:05.560 --> 0:45:09.279
<v Speaker 4>want with my finger on the point where I want.

0:45:09.480 --> 0:45:12.920
<v Speaker 4>So let's not get Stacey fucked up. Stacey is willing.

0:45:13.080 --> 0:45:15.000
<v Speaker 4>She just does stakes her own way, and that's why

0:45:15.080 --> 0:45:18.400
<v Speaker 4>we love her. It's original, it's fresh, it's authentic, it's real.

0:45:18.920 --> 0:45:20.799
<v Speaker 4>That's what we want. We don't want somebody to just

0:45:20.840 --> 0:45:22.880
<v Speaker 4>come in here and win every argument. That's not what

0:45:22.880 --> 0:45:25.200
<v Speaker 4>this is. That's not what this is about.

0:45:25.880 --> 0:45:27.920
<v Speaker 2>Yeah, no, no, no.

0:45:29.640 --> 0:45:35.160
<v Speaker 3>So after that moment, Sutton once again, great job producing,

0:45:35.239 --> 0:45:36.520
<v Speaker 3>great job she.

0:45:36.600 --> 0:45:39.080
<v Speaker 2>Had this you know this game Savenger Hunt.

0:45:40.000 --> 0:45:44.400
<v Speaker 3>Let the mouse go and to see the two separate

0:45:44.440 --> 0:45:49.600
<v Speaker 3>teams do the scavenger hunt around the house, led by

0:45:50.080 --> 0:45:52.239
<v Speaker 3>moments from the show and.

0:45:52.239 --> 0:45:54.840
<v Speaker 2>Of course the Black Girls, the Zelle imports.

0:45:54.920 --> 0:45:58.600
<v Speaker 3>The team wants because one thing about black people, we

0:45:58.920 --> 0:46:01.919
<v Speaker 3>love to win a game, very competitive and we will

0:46:01.960 --> 0:46:04.000
<v Speaker 3>literally push you out the way.

0:46:04.120 --> 0:46:07.520
<v Speaker 4>To make it happen. Yeah, we always had to prove

0:46:07.560 --> 0:46:11.239
<v Speaker 4>our fucking selves. So they're competing for recognition. Shit, we

0:46:11.280 --> 0:46:13.400
<v Speaker 4>got that, you know what I'm saying. But no, it

0:46:13.520 --> 0:46:16.000
<v Speaker 4>was a great fun game, great way to throw a

0:46:16.120 --> 0:46:19.000
<v Speaker 4>nine to and pay your mind to those great moments

0:46:19.000 --> 0:46:22.040
<v Speaker 4>from the show Beverly Hills. And is what sixteen? Seventeen

0:46:22.080 --> 0:46:25.800
<v Speaker 4>seasons in? Now, you know what I'm saying. And so sixteen,

0:46:25.800 --> 0:46:28.839
<v Speaker 4>this is going to be their sixteenth season, right coming up?

0:46:29.400 --> 0:46:31.480
<v Speaker 5>Let me seventeen either way?

0:46:31.600 --> 0:46:35.279
<v Speaker 2>Go they deep seventeen if I'm not mistaken.

0:46:35.040 --> 0:46:35.640
<v Speaker 5>They're deep.

0:46:35.719 --> 0:46:38.520
<v Speaker 4>And so that there's been so many moments. I love

0:46:38.560 --> 0:46:40.680
<v Speaker 4>that they put them all in a little cannon like that.

0:46:40.880 --> 0:46:43.560
<v Speaker 4>And you know what I'm saying, made that game to

0:46:43.719 --> 0:46:46.360
<v Speaker 4>honor those moments. I thought that was really really cool

0:46:46.440 --> 0:46:49.520
<v Speaker 4>and good producing. Very Yeah.

0:46:49.560 --> 0:46:53.040
<v Speaker 2>By the way, No, Dustin season sixteen.

0:46:52.680 --> 0:46:56.920
<v Speaker 3>Is underway, underway, okay, perfect, it's what they're filming right

0:46:56.960 --> 0:47:00.320
<v Speaker 3>now with Erica, James Bows Kyle's.

0:47:01.800 --> 0:47:02.440
<v Speaker 5>And who else.

0:47:05.719 --> 0:47:07.759
<v Speaker 2>So Dustin on monthy.

0:47:13.080 --> 0:47:18.719
<v Speaker 4>Won't be a Marie Wiley. Maybe we have to get

0:47:18.719 --> 0:47:20.719
<v Speaker 4>into that on another night. Let me just let me

0:47:20.800 --> 0:47:23.600
<v Speaker 4>just keep it here, let me that we have so.

0:47:23.640 --> 0:47:26.520
<v Speaker 3>Dustin, We're going to have a special because you know,

0:47:27.440 --> 0:47:30.439
<v Speaker 3>mother Alive is the View, so remember on the View.

0:47:30.480 --> 0:47:34.080
<v Speaker 2>But have a day of hot topic. So there'll there

0:47:34.080 --> 0:47:37.160
<v Speaker 2>will be a night of hot topics just for Mother

0:47:37.160 --> 0:47:37.560
<v Speaker 2>and Alive.

0:47:39.239 --> 0:47:41.640
<v Speaker 5>Hot Topics night, good hot topic night.

0:47:42.040 --> 0:47:45.120
<v Speaker 4>Let's go there. Make sure you put her in Marcelli's ass.

0:47:45.600 --> 0:47:50.160
<v Speaker 4>What's his name, Marcus or Marcelli's Yeah, put the asses

0:47:50.200 --> 0:47:52.719
<v Speaker 4>on the list, because I have a lot to fucking say.

0:47:53.640 --> 0:47:54.200
<v Speaker 5>Continue.

0:47:54.680 --> 0:47:57.400
<v Speaker 2>Okay, so Rain draws, my patron, Rain draws.

0:47:57.440 --> 0:47:59.799
<v Speaker 3>That's why you must also subscribe to you too, because

0:48:00.239 --> 0:48:03.160
<v Speaker 3>talking about that on a future episode.

0:48:03.040 --> 0:48:04.600
<v Speaker 2>Of Monday Night Live.

0:48:04.800 --> 0:48:10.160
<v Speaker 3>But tonight, dustin myself, Claudia Jordan, Blue Centric, we will

0:48:10.160 --> 0:48:13.280
<v Speaker 3>be recapping part two of the Royal Housemonds Atlante Reunion.

0:48:14.520 --> 0:48:17.040
<v Speaker 3>Tune into that. We have a lot to say. Claudia

0:48:17.120 --> 0:48:18.920
<v Speaker 3>Jordan name got brought up yours.

0:48:19.000 --> 0:48:22.120
<v Speaker 4>Yeah, I mean listen, y'all know what it is. Y'all

0:48:22.120 --> 0:48:25.200
<v Speaker 4>know what the fuck going on? King Reality TV, Kingdom

0:48:25.360 --> 0:48:28.399
<v Speaker 4>and Entertainment. Y'all know what it is. It's ain't no shit.

0:48:28.440 --> 0:48:32.719
<v Speaker 4>We just talked. As you can see, it's not even

0:48:32.800 --> 0:48:35.400
<v Speaker 4>something that we have to try to push out, push

0:48:35.440 --> 0:48:35.879
<v Speaker 4>to the front.

0:48:35.920 --> 0:48:36.160
<v Speaker 5>Nothing.

0:48:36.200 --> 0:48:40.120
<v Speaker 4>It's gonna do what it does. That's real motion, authentic,

0:48:40.480 --> 0:48:46.800
<v Speaker 4>you know, homegrown, organic, connecting with an audience that manifests

0:48:46.840 --> 0:48:49.680
<v Speaker 4>itself in that way. So all I'm saying is respect

0:48:49.680 --> 0:48:51.719
<v Speaker 4>the game. You know what I'm saying. You gotta just

0:48:51.719 --> 0:48:52.960
<v Speaker 4>don't hate, That's all.

0:48:53.000 --> 0:48:53.799
<v Speaker 5>I just don't hate.

0:48:53.800 --> 0:48:55.960
<v Speaker 4>When the shit do what to do, it's always gonna

0:48:55.960 --> 0:48:59.319
<v Speaker 4>do that. So you know, I felt so good. I

0:48:59.400 --> 0:49:01.200
<v Speaker 4>just was sitting there smile and watching that ship.

0:49:04.880 --> 0:49:08.640
<v Speaker 2>Does I have the biggest grid on my face? And listen, guys,

0:49:08.680 --> 0:49:10.759
<v Speaker 2>we'll get into that tonight. We're gonna have a great

0:49:10.800 --> 0:49:11.400
<v Speaker 2>time tonight.

0:49:12.600 --> 0:49:16.799
<v Speaker 3>Listen Episode two, Ultimate Girls Trip, Dustin, Listen, we have

0:49:17.239 --> 0:49:21.920
<v Speaker 3>something more to go. This episode so far my favorite.

0:49:21.080 --> 0:49:24.680
<v Speaker 2>Yes, I loved every single frame of it.

0:49:24.840 --> 0:49:28.040
<v Speaker 4>This is an incredible, incredible Ultimate Girls Trip. I hope

0:49:28.080 --> 0:49:29.400
<v Speaker 4>we get more, and I hope we get in an

0:49:29.440 --> 0:49:30.919
<v Speaker 4>Atlanta Legacy one.

0:49:31.320 --> 0:49:32.040
<v Speaker 5>That would be great.

0:49:33.480 --> 0:49:40.480
<v Speaker 2>Okay, some phone calls Dustin tonight on YouTube range all right,

0:49:40.520 --> 0:49:41.080
<v Speaker 2>see you, brother.

0:49:44.160 --> 0:49:48.359
<v Speaker 3>Reality with the King is executive produced by me Carlos King,

0:49:48.760 --> 0:49:52.239
<v Speaker 3>produced by Jamie Schaeffer in partnership with the Black to

0:49:52.239 --> 0:49:55.640
<v Speaker 3>Effect podcast Network. You can also find us at our

0:49:55.680 --> 0:49:59.680
<v Speaker 3>YouTube channel at the Carlos King Underscore I'm also dropping

0:49:59.760 --> 0:50:04.279
<v Speaker 3>to of exclusive episodes on Patreon, which you don't want

0:50:04.320 --> 0:50:04.720
<v Speaker 3>to miss.

0:50:05.160 --> 0:50:07.040
<v Speaker 2>Make sure to subscribe to that too,