WEBVTT - Climax Change: Annie Sprinkle, Beth Stephens, and Ecosexuality

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<v Speaker 1>It's weird sitting down to the mic again. Yeah, let

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<v Speaker 1>me just up right at the top. I will throw

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<v Speaker 1>for the listeners. I almost say, the viewers. The viewers,

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<v Speaker 1>that's how that's how disconnected I am from the audio

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<v Speaker 1>world right now.

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<v Speaker 2>In their mind's eye, I'm sure they're picturing it.

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<v Speaker 1>Oh, they're picturing much better than what than reality.

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<v Speaker 2>I don't like to share pictures of ourselves. We prefer

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<v Speaker 2>whatever you're thinking.

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<v Speaker 1>But I will say we continue to be scattered and

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<v Speaker 1>sporadic for various reasons. But I am still very excited.

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<v Speaker 1>We will have news for you guys soon about you know,

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<v Speaker 1>our schedules lately and how everything's been going one way

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<v Speaker 1>or another. I think the you know, the fires of industry.

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<v Speaker 1>They burn slow, but we're on the break.

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<v Speaker 2>They burn fast, but they warm slow. Yeah, maybe something.

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<v Speaker 1>We're on the brink of cool new news. But until then,

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<v Speaker 1>got to.

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<v Speaker 2>Say, we appreciate your patience. Really sorry to be so

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<v Speaker 2>spotty with our recordings out, but we really really enjoy

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<v Speaker 2>making this show. We promise we are working on it,

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<v Speaker 2>and we miss you guys. So I'm missing us, guys.

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<v Speaker 1>We've gotten some messages checking in, are you guys?

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<v Speaker 2>Okay, how nice to we are people to care you.

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<v Speaker 1>Are, and I'll be worth it. I'm so, I'm so

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<v Speaker 1>very excited. But part of recently we did go out

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<v Speaker 1>of town.

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<v Speaker 2>We did go out of town. We're reacted, of course,

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<v Speaker 2>the promised land Las Vegas.

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<v Speaker 1>Baby.

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<v Speaker 2>We got offered some free rooms because of our last

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<v Speaker 2>trip to Vegas.

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<v Speaker 1>It doesn't take much.

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<v Speaker 2>Apparently, Eli just kind of turned me. It's like, hey,

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<v Speaker 2>I don't know, do you want to go stay? Do

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<v Speaker 2>you want to go back to Vegas? And we hadn't

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<v Speaker 2>planned a trip for this year, so I was like, fine.

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<v Speaker 1>If I may say, I got that email offering us

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<v Speaker 1>three free nights at Park MGM, and I turned to

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<v Speaker 1>you very much expecting an eye roll, and what yeah, sure, great,

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<v Speaker 1>No I'm not going back to Vegas. And I distinctly

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<v Speaker 1>remember you saying, you know what, let's do it. And

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<v Speaker 1>I was shocked, right, I was like, well, if you

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<v Speaker 1>want to, then we're definitely going, because I always want

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<v Speaker 1>to well, I want to go somewhere.

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<v Speaker 2>I don't want all our vacations to just be Vegas.

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<v Speaker 1>I don't either.

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<v Speaker 2>That is not going to work.

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<v Speaker 1>This one ended up being a full seven days, really

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<v Speaker 1>crazy and I'm good for a minute, and.

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<v Speaker 2>I'm going to tell y'all seven days is too long.

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<v Speaker 2>It's too much Vegas. But I mean, we usually take

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<v Speaker 2>a trip for anniversary. It's the anniversary next week actually,

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<v Speaker 2>And we hadn't really planned anything this year because of

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<v Speaker 2>all the reasons. We're so scattered, we're not really sure

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<v Speaker 2>what's going on right now. So a lot of things

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<v Speaker 2>up in the air, a lot of balls up in

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<v Speaker 2>the air. So we were like, I was just like,

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<v Speaker 2>I don't know what else we're going to plan for

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<v Speaker 2>this year, so we may as well just go for it.

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<v Speaker 2>I mean, I feel like free stuff. I'm fine to

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<v Speaker 2>accept free stuff. And we did accept a lot of

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<v Speaker 2>free stuff.

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<v Speaker 1>Oh did we? And I'll tell you well, we'll give

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<v Speaker 1>a little brief recap of the trip in the in

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<v Speaker 1>the upfront here. We got in the park MGM. They

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<v Speaker 1>gave us a nice upgrade to our room, which was

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<v Speaker 1>very kind of them. They put us up on the

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<v Speaker 1>twenty third floor, which had been recently renovated, and they

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<v Speaker 1>put us in a stay well room which has a

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<v Speaker 1>air purifier and hypoallergenic pillows and a vitamin C infused shower.

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<v Speaker 1>Whatever that means, it means nothing. What it is is

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<v Speaker 1>you go in there and the hose of the shower

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<v Speaker 1>has this little it looks like the Ninja Turtles two

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<v Speaker 1>secret of the loose canister except the orange and the

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<v Speaker 1>shower water is going through that before it comes out

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<v Speaker 1>the shower heads. You're like, some tang is being applied

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<v Speaker 1>to our skin right now in this shower there. The

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<v Speaker 1>room itself, however, did not appeal to us. It was

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<v Speaker 1>an accessibility room, which is wonderful and helpful I'm sure

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<v Speaker 1>for someone who needs it, but like, for example, are

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<v Speaker 1>the closet rod was set very low, so Diana couldn't

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<v Speaker 1>hang the dresses that she brought up in the closet.

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<v Speaker 1>And there's no furniture because obviously they want the walkways

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<v Speaker 1>to be so there was no drawers to put our

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<v Speaker 1>clothes in some of these things that or or for example,

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<v Speaker 1>we really liked the standing shower that we had last

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<v Speaker 1>time when we stayed there, and this time there was

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<v Speaker 1>a tub with some you know, accessibility features handrails and

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<v Speaker 1>a sitting tub with a bench and things like that,

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<v Speaker 1>which is all cool, but it wasn't for us.

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<v Speaker 2>Yeah, we didn't need it. Yeah, So it was just like,

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<v Speaker 2>you know, a little bit disappointing. But I thought it

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<v Speaker 2>was very strange that a lot of the decor was

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<v Speaker 2>just gone. And you know, it was like some of

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<v Speaker 2>the stuff on the wall, I feel like it shouldn't

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<v Speaker 2>have an effect, or even painting the wall or something

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<v Speaker 2>just so that has some vibes in there. It's still

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<v Speaker 2>a nice hotel room. The view was great. It was

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<v Speaker 2>like a pool view.

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<v Speaker 1>Oh pools had view lovely.

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<v Speaker 2>But yeah, in a lot of ways, I'm just kind

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<v Speaker 2>of I was sort of like, well, I'm angry for

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<v Speaker 2>my accessibility friends who are getting this kind of like

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<v Speaker 2>dingy room, but I'm glad that they. Of course, it's

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<v Speaker 2>very important to have those accommodations. Yeah, that's more important

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<v Speaker 2>that you can your room is functional than pretty.

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<v Speaker 1>So the next day, Diana had treated herself to a

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<v Speaker 1>Belagio massage spa package, and I know you had questioned

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<v Speaker 1>it do I you know, I don't want to spend

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<v Speaker 1>this money, and I was like, do it. We're here,

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<v Speaker 1>We're making this as cheap a vacation as we can

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<v Speaker 1>have your one splurge thing.

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<v Speaker 2>It's true.

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<v Speaker 1>And while she was gone, I thought, well, maybe I'll

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<v Speaker 1>see if I can get our room changed. And so

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<v Speaker 1>you tell them your SPA experience.

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<v Speaker 2>Which I was. I'm already looking into like a mister

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<v Speaker 2>Bean clown school or something, because I really want to

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<v Speaker 2>make anxious girl it goes to the spa clown routine

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<v Speaker 2>because there were many things about it that were very

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<v Speaker 2>anxiety inducing in some ways. And I told him right

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<v Speaker 2>up front, A very bad at relaxing, so we're here

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<v Speaker 2>to learn. But there are lots of things like the

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<v Speaker 2>shower was incredibly hot and I couldn't I couldn't change

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<v Speaker 2>the temperature because there's too many knobs. So it's just

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<v Speaker 2>various little things like that. It was totally making me

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<v Speaker 2>laugh though otherwise it was just a beautiful experience. I mean,

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<v Speaker 2>they were really nice there. They really weren't sneery at all.

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<v Speaker 2>Don't I don't go to spas, so I didn't know

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<v Speaker 2>what to do. I don't know if the policy protocols

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<v Speaker 2>or protocols or how you move around that space looking

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<v Speaker 2>like you belong, right, but they were so so nice.

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<v Speaker 2>It was really beautiful facility. The massage was amazing. I

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<v Speaker 2>also got this like CBD body scrub treatment thing that

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<v Speaker 2>was really nice, and so I was I came out.

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<v Speaker 2>Like when I went back out to leave, this other

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<v Speaker 2>lady was like, did you get a facial today? And

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<v Speaker 2>I was like, no, I didn't. I got, you know,

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<v Speaker 2>my my two treatments. She's like, well, you are just glowing,

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<v Speaker 2>and I was like, well, I feel like I'm glowing.

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<v Speaker 2>And maybe she says that to everybody, but it worked

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<v Speaker 2>for me. So it was just a lovely experience. I

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<v Speaker 2>was like, I'm so glad I did it. It was

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<v Speaker 2>so so wonderful.

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<v Speaker 1>Cut to me, I'm like sweating. I did move the room.

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<v Speaker 1>So I'm hauling all of our bags up and down

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<v Speaker 1>elevators three days.

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<v Speaker 2>But yes, I called him. I was like, I'm done

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<v Speaker 2>at the Bellagio and he's like, I'm just moving us

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<v Speaker 2>to our new room. So I'll come, you know, come

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<v Speaker 2>on through and I'll show it to you. And Eli

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<v Speaker 2>meets me down a lobby and he's he was like,

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<v Speaker 2>all right, so yeah, I asked about a room upgrade

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<v Speaker 2>or switching the room, and and you know, it's it's

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<v Speaker 2>a better room. It's definitely a bit it's worth moving.

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<v Speaker 2>I'm glad that we moved. Don't have, you know, lower

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<v Speaker 2>your expectations. And I was like, okay, it's just better.

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<v Speaker 2>So I was like, it's a standard room whatever. And

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<v Speaker 2>we go up to the twenty eighth floor, this time

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<v Speaker 2>higher than before. Oh that's nice. He's like the views

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<v Speaker 2>not as good and stuff, but whatever, it's fine, and

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<v Speaker 2>he's walking me to the room and it's like right

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<v Speaker 2>there by the elevators. Didn't realize he was filming me.

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<v Speaker 2>That would have been a real giveaway because he opened

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<v Speaker 2>the door and it was like the most amazing suite

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<v Speaker 2>that I've ever been in. I was like, what am

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<v Speaker 2>I looking at?

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<v Speaker 1>Was closet?

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<v Speaker 2>We had a walk in closet. The bathroom is amazing,

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<v Speaker 2>so cute and had all of the little decor and

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<v Speaker 2>details that I had been looking for, and it was

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<v Speaker 2>so lovely, and I was just like.

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<v Speaker 1>Wow, it was it was a worse view.

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<v Speaker 2>It was a worse view, but who cares better? Oh man,

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<v Speaker 2>it was just so such a nice surprise. So I

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<v Speaker 2>was just like, I'm already feeling so good, and then

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<v Speaker 2>he had spent all this time to make me feel

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<v Speaker 2>even better. It was really nice.

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<v Speaker 1>Well look at me, look at you, sweating and dragon

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<v Speaker 1>and I know you had the very opposite of relaxing experience.

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<v Speaker 1>But but then bullet points, let's see lots of money,

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<v Speaker 1>want some money, saw caw it struck to Sole, which

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<v Speaker 1>is really cool. We saw a fantasy at Luxur which

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<v Speaker 1>was so we went for like, oh, we'll see like

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<v Speaker 1>a strip tease sexy girls show. It was hilarious. The

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<v Speaker 1>MC was just killer. She's an incredible singer and comedian.

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<v Speaker 1>And there was a stand up that was awesome. It

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<v Speaker 1>was just a great show. Really loved it.

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<v Speaker 2>Yeah, I was so surprised because it's one of the

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<v Speaker 2>cheaper shows that we went to, and I was like,

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<v Speaker 2>this one's actually really good. And then girls were very

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<v Speaker 2>pretty and they danced really well, and I mean everything

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<v Speaker 2>was really fun. So I was just like, I don't know,

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<v Speaker 2>this is great. And we were like right in the

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<v Speaker 2>front row too. It's kind of freaky, but fortunately nobody

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<v Speaker 2>bothered us. They had other people. They had drunker people

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<v Speaker 2>to make fun of.

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<v Speaker 1>We saw Piff the Magic Dragon from America's Got Talent.

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<v Speaker 1>He was hilarious. And then and then yeah, and then

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<v Speaker 1>we were gonna leave Friday, and Caesar's Properties offered us

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<v Speaker 1>two more free nights at the Horseshoe. I don't know

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<v Speaker 1>why we're not high rollers. We're not big spenders. I

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<v Speaker 1>guess they just like us.

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<v Speaker 2>We just said why not and.

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<v Speaker 1>Then we left. We checked out the day that MGM

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<v Speaker 1>got hacked, but we were we had moved over to

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<v Speaker 1>a Caesar's property so we didn't have to deal with it.

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<v Speaker 1>We didn't even know what was happening until we until

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<v Speaker 1>we left.

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<v Speaker 2>Yeah, we also were there when Ed Sheeran canceled the concert,

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<v Speaker 2>just like an hour or something before it was supposed

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<v Speaker 2>to go on. God and I had gone up to

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<v Speaker 2>the room and seeing these five girls leaving their room

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<v Speaker 2>at the Horseshoe dressed like Ed Sheeran, like they had

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<v Speaker 2>full on Weasley red wigs, I was like, they're either

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<v Speaker 2>Weasley's or Ed Sheeran, I don't know which one. And

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<v Speaker 2>when I realized Ed Seron was playing, it was like

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<v Speaker 2>that's definitely what it was. All were in the same outfit,

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<v Speaker 2>they had like uh drawn on facial hair and everything,

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<v Speaker 2>and I was just like so excited for them because

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<v Speaker 2>I was like, what an amazing night they're going to

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<v Speaker 2>have it Ed Sheeran.

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<v Speaker 1>And then he canceled, and I was just.

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<v Speaker 2>Thinking about them all weekend, like I hope they went

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<v Speaker 2>to karaoke and all saying shape of You together or something.

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<v Speaker 1>People were mad, but I were mad. I heard it

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<v Speaker 1>was a legit safety issue.

0:10:19.640 --> 0:10:22.280
<v Speaker 2>Yes it was. It sounded like it was the right

0:10:22.320 --> 0:10:24.200
<v Speaker 2>thing to do. But I definitely felt sorry because we

0:10:24.200 --> 0:10:28.000
<v Speaker 2>were talking about some people had the worst, very worst

0:10:28.040 --> 0:10:31.120
<v Speaker 2>possible Vegas vacation that they could have had because they

0:10:31.200 --> 0:10:35.320
<v Speaker 2>flew in to stay at an MGM property and see

0:10:35.440 --> 0:10:38.480
<v Speaker 2>Ed Sheeran and instead they did not see Ed Sheerant,

0:10:38.559 --> 0:10:42.559
<v Speaker 2>and they got their credit card information compromise and couldn't.

0:10:42.280 --> 0:10:44.640
<v Speaker 1>Play anything slot like hours to check out of your.

0:10:44.840 --> 0:10:48.400
<v Speaker 2>Anyway, crazy situation. So we got very Maybe we didn't

0:10:48.440 --> 0:10:51.200
<v Speaker 2>make our fortune in Vegas, but I still feel like

0:10:51.240 --> 0:10:52.680
<v Speaker 2>we were very, very lucky.

0:10:52.880 --> 0:10:55.600
<v Speaker 1>Yes, yes, we had a really nice time.

0:10:55.760 --> 0:10:57.080
<v Speaker 2>It was wonderful, some good food.

0:10:57.320 --> 0:10:59.679
<v Speaker 1>So that's the bullet point. We won't spend the whole

0:10:59.679 --> 0:11:02.439
<v Speaker 1>episodisode recounting like we did last year when we went

0:11:02.480 --> 0:11:06.360
<v Speaker 1>to Vegas with Cherry and Jason. But uh, but we're back.

0:11:07.080 --> 0:11:10.760
<v Speaker 1>We're in our in our in our house. Yay. Not

0:11:10.840 --> 0:11:11.680
<v Speaker 1>a sweet, not a.

0:11:11.679 --> 0:11:13.679
<v Speaker 2>Sweet that does not get turned down every naw.

0:11:13.880 --> 0:11:15.760
<v Speaker 1>Yeah, No one comes in here and cleans when we

0:11:15.800 --> 0:11:16.520
<v Speaker 1>go out to work.

0:11:16.640 --> 0:11:18.560
<v Speaker 2>Who's responsible for this bathroom?

0:11:18.679 --> 0:11:21.960
<v Speaker 1>Right? And uh, none of the games I'm playing even

0:11:22.040 --> 0:11:24.760
<v Speaker 1>have the possibility of paying me money anymore.

0:11:24.920 --> 0:11:31.040
<v Speaker 2>You're paying them. Yeah, so but onward you're different out here.

0:11:31.120 --> 0:11:35.319
<v Speaker 1>Yeah. But I am excited to be back to this

0:11:35.360 --> 0:11:37.480
<v Speaker 1>because I do love doing this so much more than

0:11:38.280 --> 0:11:40.719
<v Speaker 1>sitting around and waiting to do this, which is what

0:11:40.840 --> 0:11:43.920
<v Speaker 1>I spend the rest of my time doing. Well.

0:11:43.920 --> 0:11:46.680
<v Speaker 2>Also, this one's really interesting. Yeah, this is fun because

0:11:46.720 --> 0:11:50.000
<v Speaker 2>I get last episode we were talking about fuck for Forrest.

0:11:50.240 --> 0:11:52.880
<v Speaker 1>If you can remember way back, ask your grandparents if

0:11:52.880 --> 0:11:54.160
<v Speaker 1>they remember that episode.

0:11:55.120 --> 0:11:59.000
<v Speaker 2>Yeah, go back to the ancestry decades ago. But yeah,

0:11:59.000 --> 0:12:01.600
<v Speaker 2>one of our story, and that one was about the

0:12:01.720 --> 0:12:04.560
<v Speaker 2>non well I guess it's not really technically a nonprofit,

0:12:04.640 --> 0:12:10.199
<v Speaker 2>but they're trying to basically make pornography to raise money

0:12:10.320 --> 0:12:14.320
<v Speaker 2>to give to environmental causes, and they sometimes have sex

0:12:14.400 --> 0:12:17.680
<v Speaker 2>with vegetables, okay, and so it's like, hmm, and apparently

0:12:17.679 --> 0:12:20.080
<v Speaker 2>that is part of being an eco sexual, which is

0:12:20.080 --> 0:12:22.280
<v Speaker 2>this whole sexual identity. I had never heard of this,

0:12:22.840 --> 0:12:25.640
<v Speaker 2>even doing this show for two years, had not this

0:12:25.679 --> 0:12:27.679
<v Speaker 2>had not come up for us. So this was really exciting.

0:12:28.000 --> 0:12:31.959
<v Speaker 2>And it turns out that the pioneers of ecosexuality are

0:12:32.000 --> 0:12:35.800
<v Speaker 2>a married lesbian couple who have spent decades making art

0:12:36.000 --> 0:12:41.079
<v Speaker 2>around female sexuality, gender identity, queer identity, and environmental action.

0:12:41.840 --> 0:12:45.079
<v Speaker 2>So all lots of things that we're interested in, especially

0:12:45.120 --> 0:12:48.760
<v Speaker 2>at this show. So let's talk about Annie Sprinkle, Beth

0:12:48.840 --> 0:12:52.720
<v Speaker 2>Stevens and the eco sexual identity that proclaims that Earth

0:12:52.960 --> 0:13:00.400
<v Speaker 2>is not our mother but our love. Oh okay, let's go, yay.

0:13:00.280 --> 0:13:04.040
<v Speaker 3>Come listen. Well, Eli and Diana got some stories to tell.

0:13:04.400 --> 0:13:08.440
<v Speaker 3>There's no matchmaking a romantic tips. It's just about ridiculous

0:13:08.480 --> 0:13:09.640
<v Speaker 3>relations ships.

0:13:09.800 --> 0:13:10.120
<v Speaker 1>I love.

0:13:10.120 --> 0:13:12.520
<v Speaker 3>There might be any type of person at all, an

0:13:12.600 --> 0:13:15.719
<v Speaker 3>abstract concept or a concrete wall. But if there's a

0:13:15.800 --> 0:13:20.839
<v Speaker 3>story where the Second clans ridiculous romance.

0:13:20.400 --> 0:13:21.760
<v Speaker 1>A production of iHeartRadio.

0:13:23.360 --> 0:13:28.240
<v Speaker 2>Elizabeth Stevens was born in nineteen sixty in Montgomery, West Virginia,

0:13:28.440 --> 0:13:32.360
<v Speaker 2>deep in coal country, to a coal company owning family,

0:13:32.480 --> 0:13:35.960
<v Speaker 2>which must be an interesting thing for her to deal

0:13:35.960 --> 0:13:39.240
<v Speaker 2>with now that she's such an environmental you know, activists, right.

0:13:40.120 --> 0:13:43.240
<v Speaker 2>She went to lots of great schools, Tufts, the Museum's School,

0:13:43.280 --> 0:13:46.360
<v Speaker 2>and Rutgers, earning fine arts degrees, and then she was

0:13:46.440 --> 0:13:49.439
<v Speaker 2>hired at the University of California in Santa Cruz UC

0:13:49.600 --> 0:13:54.040
<v Speaker 2>Santa Cruz in nineteen ninety three, where as outsiderfest dot

0:13:54.120 --> 0:13:58.160
<v Speaker 2>Org writes, she was quote a feisty, punk, dyke, playboy,

0:13:58.440 --> 0:14:05.080
<v Speaker 2>interdisciplinary artist and professor exploring themes of gender, queerness and feminism.

0:14:05.360 --> 0:14:08.520
<v Speaker 1>I know that that was my crowd in college. Hell yeah,

0:14:08.520 --> 0:14:08.959
<v Speaker 1>I honest.

0:14:09.800 --> 0:14:11.320
<v Speaker 2>I don't know. If I could have hung out with them,

0:14:11.480 --> 0:14:13.240
<v Speaker 2>I would have felt not cool enough, but I would

0:14:13.280 --> 0:14:14.560
<v Speaker 2>have been like, they're so cool.

0:14:15.240 --> 0:14:18.000
<v Speaker 1>Oh. I was just like sitting like, just keep your

0:14:18.000 --> 0:14:22.560
<v Speaker 1>mouth shut. Just it's cool that you're here. Just to live,

0:14:22.840 --> 0:14:25.120
<v Speaker 1>to be included. Just live in it. Don't say, don't

0:14:25.160 --> 0:14:25.760
<v Speaker 1>ruin it.

0:14:26.480 --> 0:14:28.440
<v Speaker 2>Just let it happen. Just happy to be in the

0:14:28.520 --> 0:14:32.840
<v Speaker 2>room exactly. One of Beth's earliest projects is a film

0:14:32.880 --> 0:14:36.680
<v Speaker 2>from nineteen eighty nine called Women Eating, and another from

0:14:36.720 --> 0:14:39.560
<v Speaker 2>the same year where she interviews Wahawk and women and then.

0:14:39.560 --> 0:14:42.240
<v Speaker 2>She would eventually chair the art department at UC Santa

0:14:42.280 --> 0:14:45.280
<v Speaker 2>Cruz twice, once between two thousand and six and two

0:14:45.280 --> 0:14:47.920
<v Speaker 2>thousand and nine and then again from twenty seventeen until

0:14:47.920 --> 0:14:48.640
<v Speaker 2>twenty twenty.

0:14:49.200 --> 0:14:52.920
<v Speaker 1>You know, it's very rude to watch women eating and

0:14:52.960 --> 0:14:54.480
<v Speaker 1>women talking at the same time.

0:14:55.960 --> 0:14:56.320
<v Speaker 2>You can't.

0:14:56.320 --> 0:14:58.440
<v Speaker 1>You want to make sure you've finished women eating and

0:14:58.480 --> 0:14:59.720
<v Speaker 1>then you can go into women talking.

0:15:00.160 --> 0:15:02.960
<v Speaker 2>But don't then watch women swallowing. That's a very different film.

0:15:03.040 --> 0:15:06.720
<v Speaker 2>Oh nope, the in between film is not the same.

0:15:06.800 --> 0:15:07.800
<v Speaker 2>It's not part of the series.

0:15:08.840 --> 0:15:12.840
<v Speaker 1>All right, So the other woman here, Annie Sprinkle. She's

0:15:12.880 --> 0:15:15.320
<v Speaker 1>going to take a little bit longer to introduce. She

0:15:15.560 --> 0:15:19.520
<v Speaker 1>was born Ellen f Steinberg in Philly in nineteen fifty four,

0:15:19.560 --> 0:15:21.920
<v Speaker 1>and then her family moved to la and then they

0:15:21.960 --> 0:15:24.160
<v Speaker 1>moved to Panama during her teen years, and when she

0:15:24.320 --> 0:15:27.840
<v Speaker 1>was eighteen, she was working at a movie theater in Tucson,

0:15:27.920 --> 0:15:35.080
<v Speaker 1>Arizona that was showing the seminole porn film Deep Throat,

0:15:35.360 --> 0:15:39.240
<v Speaker 1>Ah the classic. Ellen here was working at the Deep

0:15:39.280 --> 0:15:41.720
<v Speaker 1>Throat screening and the movie theater she was working at

0:15:41.840 --> 0:15:44.560
<v Speaker 1>got busted for showing an adult movie. Oh we swear

0:15:44.600 --> 0:15:48.240
<v Speaker 1>we thought it was about the Nixon tapes. Well. Ellen

0:15:48.480 --> 0:15:51.200
<v Speaker 1>was called as a witness during this case, and when

0:15:51.200 --> 0:15:54.120
<v Speaker 1>she went to the courthouse, she met and fell head

0:15:54.120 --> 0:15:58.680
<v Speaker 1>over heels for Deep Throats director Gerard Damiano.

0:15:59.000 --> 0:15:59.440
<v Speaker 2>Wow.

0:16:00.040 --> 0:16:02.280
<v Speaker 1>She became his mistress and she followed him to New

0:16:02.320 --> 0:16:05.720
<v Speaker 1>York City and Not long after, she of course naturally

0:16:05.800 --> 0:16:10.000
<v Speaker 1>started doing porn herself under the name Annie Sprinkle. Her

0:16:10.160 --> 0:16:13.280
<v Speaker 1>best known porn you all know and love. It's one

0:16:13.320 --> 0:16:17.720
<v Speaker 1>that she co directed. It's called Deep Inside Annie Sprinkle,

0:16:18.160 --> 0:16:21.440
<v Speaker 1>and it was the second highest grossing porn film of

0:16:21.560 --> 0:16:23.960
<v Speaker 1>nineteen eighty one. Did you happen to find the first?

0:16:24.120 --> 0:16:24.480
<v Speaker 2>I did?

0:16:24.520 --> 0:16:24.560
<v Speaker 1>Not?

0:16:25.000 --> 0:16:26.000
<v Speaker 2>I should find it.

0:16:26.120 --> 0:16:29.480
<v Speaker 1>You know, it doesn't even matter because who inside Annie Sprinkle?

0:16:29.680 --> 0:16:31.680
<v Speaker 1>I mean, come on, really, get me a lot of

0:16:32.480 --> 0:16:35.520
<v Speaker 1>I assume it's about an introspective look, yeah, exactly into

0:16:35.520 --> 0:16:37.280
<v Speaker 1>the soul of Annie Sprinkle and not.

0:16:38.000 --> 0:16:40.000
<v Speaker 2>It's basically beat poetry.

0:16:40.120 --> 0:16:43.359
<v Speaker 1>Sure, beat your meat poetry.

0:16:43.840 --> 0:16:47.520
<v Speaker 2>Beat your meat poetry. You know, Annie would probably approve

0:16:47.880 --> 0:16:50.080
<v Speaker 2>of that. I think she'd be like, I'm down for

0:16:50.120 --> 0:16:52.520
<v Speaker 2>beat your meat poetry. Let's get this going.

0:16:53.040 --> 0:16:58.600
<v Speaker 1>Bongo drums, Jack carra whass Jack Carroll whack off.

0:16:58.720 --> 0:17:02.400
<v Speaker 2>Jack Carroll whack off. Yeah, doing beat the meat poetry.

0:17:02.000 --> 0:17:03.240
<v Speaker 1>Jack off carohakoff.

0:17:03.800 --> 0:17:06.440
<v Speaker 2>Oh my god, we should do that meat poetry. Okay,

0:17:06.440 --> 0:17:08.280
<v Speaker 2>I'm the work on anxious girl going to the spa,

0:17:08.400 --> 0:17:10.960
<v Speaker 2>but you need to work on jack off kro whakhoff

0:17:11.040 --> 0:17:12.200
<v Speaker 2>doing beat your meat poetry?

0:17:12.280 --> 0:17:15.480
<v Speaker 1>All right, that's it everyone ridiculous from it's canceled. We're

0:17:15.520 --> 0:17:16.920
<v Speaker 1>focused on this project.

0:17:16.920 --> 0:17:18.359
<v Speaker 2>Now we have some art.

0:17:18.280 --> 0:17:19.960
<v Speaker 1>To make, all right. Well.

0:17:19.960 --> 0:17:23.560
<v Speaker 2>Anny then started getting into sex education as well as entertainment.

0:17:24.000 --> 0:17:28.080
<v Speaker 2>She created a Sluts and Goddesses workshop about female pleasure

0:17:28.160 --> 0:17:32.280
<v Speaker 2>in nineteen ninety one that then became a video workshop series.

0:17:33.240 --> 0:17:36.560
<v Speaker 2>In nineteen ninety six, she became the first known porn

0:17:36.640 --> 0:17:40.199
<v Speaker 2>star to earn a doctorate degree, which she got in

0:17:40.280 --> 0:17:44.680
<v Speaker 2>human sexuality. And I love the qualifier. They're like, lots

0:17:44.680 --> 0:17:47.880
<v Speaker 2>of people have doctorate degrees, lots of people are porn stars.

0:17:48.800 --> 0:17:50.679
<v Speaker 2>A lot of people with doctors don't tell you if

0:17:50.720 --> 0:17:53.359
<v Speaker 2>they ever did porn. Oh, they don't let you know.

0:17:53.440 --> 0:17:56.560
<v Speaker 2>But she's like, I'm just the first body who said it. Yeah, yeah, I'm.

0:17:56.480 --> 0:17:56.919
<v Speaker 1>Proud of it.

0:17:56.960 --> 0:17:59.320
<v Speaker 2>I want you to know. Okay, I bet there's a

0:17:59.359 --> 0:18:02.399
<v Speaker 2>lot more people now that have like doctorates that are

0:18:02.400 --> 0:18:03.520
<v Speaker 2>on OnlyFans house.

0:18:03.520 --> 0:18:05.640
<v Speaker 1>Do you think they paid for medical exactly right?

0:18:06.560 --> 0:18:08.800
<v Speaker 2>But anyway, at the time, this was a real surprise.

0:18:10.160 --> 0:18:14.359
<v Speaker 2>And then she pioneered feminist pornography or porn based on

0:18:14.520 --> 0:18:17.840
<v Speaker 2>women's desires, which she kind of created because she wanted

0:18:17.880 --> 0:18:21.200
<v Speaker 2>to defy a feminist group that operated in the seventies

0:18:21.240 --> 0:18:27.800
<v Speaker 2>and eighties that was hilariously called WOP Women Against Pornography.

0:18:27.840 --> 0:18:30.480
<v Speaker 2>What but I kind of love the idea of Cardi

0:18:30.520 --> 0:18:32.480
<v Speaker 2>b and Megan thee Stallion being like, you know what,

0:18:32.640 --> 0:18:37.480
<v Speaker 2>I'm taking it back. WOP now means wet ass pussy.

0:18:37.520 --> 0:18:38.120
<v Speaker 2>How about that?

0:18:38.840 --> 0:18:41.440
<v Speaker 1>Wow, women against Pornography? You get a bucket and a mop.

0:18:44.080 --> 0:18:45.719
<v Speaker 1>We're going to clean up this town. What if that

0:18:45.720 --> 0:18:47.479
<v Speaker 1>have been their slogan is like, We're going to get

0:18:47.480 --> 0:18:49.680
<v Speaker 1>a bucket and a mop and clean up this town.

0:18:50.320 --> 0:18:53.400
<v Speaker 2>Oh my god, I love it so much. Uh, Annie's

0:18:53.400 --> 0:18:57.600
<v Speaker 2>Beinka also made lesbian porn and a transgender love story

0:18:57.680 --> 0:19:00.800
<v Speaker 2>film Okay, which you know again she's she's making movies

0:19:00.800 --> 0:19:03.399
<v Speaker 2>in the nineties. This was a real boundary that she

0:19:03.520 --> 0:19:04.040
<v Speaker 2>was pushing.

0:19:05.000 --> 0:19:05.119
<v Speaker 1>Uh.

0:19:05.240 --> 0:19:07.879
<v Speaker 2>Some other genres that she has been at the for scanna,

0:19:08.000 --> 0:19:16.040
<v Speaker 2>I mean forefront of Wow whoops em uh are include

0:19:16.080 --> 0:19:22.560
<v Speaker 2>genres like edgy porn, triple X docu drama, gonzo porn, okay,

0:19:22.800 --> 0:19:25.560
<v Speaker 2>art porn, and feminist erotica.

0:19:25.640 --> 0:19:30.440
<v Speaker 1>All right, gonzo porn more like gonzo journalism, not muppets.

0:19:31.040 --> 0:19:31.680
<v Speaker 1>I'm assuming.

0:19:32.000 --> 0:19:36.720
<v Speaker 2>Well, look, you know what, there's something everybody with pornography,

0:19:37.160 --> 0:19:40.320
<v Speaker 2>but gonzo porn like gonzo journalism. It kind of sounds

0:19:40.359 --> 0:19:43.720
<v Speaker 2>like you run up on somebody.

0:19:42.800 --> 0:19:46.280
<v Speaker 1>Like yeah, Wikipedia tells me it's the style of pornographic

0:19:46.280 --> 0:19:49.280
<v Speaker 1>film that attempts to place the viewer directly into the scene.

0:19:49.520 --> 0:19:51.159
<v Speaker 2>Oh so it's like POV porn.

0:19:51.600 --> 0:19:54.479
<v Speaker 1>Yeah kind of maybe so yeah, yeah, POV is what

0:19:54.520 --> 0:19:55.680
<v Speaker 1>they get into here. Yeah.

0:19:55.760 --> 0:20:00.720
<v Speaker 2>So, well, apparently any VR, porn, VR, early VR. I'm

0:20:00.760 --> 0:20:02.639
<v Speaker 2>surprised she's not working on so maybe she is.

0:20:02.720 --> 0:20:03.680
<v Speaker 1>She may be. Well.

0:20:03.680 --> 0:20:07.000
<v Speaker 2>Annie Spinkle one of the first to do POV porn.

0:20:07.240 --> 0:20:10.880
<v Speaker 2>I yes, she also worked as a prostitute. She got

0:20:10.880 --> 0:20:13.800
<v Speaker 2>into burless, she did live sex shows, and she wrote

0:20:13.800 --> 0:20:16.640
<v Speaker 2>for sex magazines. So she's just all over the sex industry.

0:20:17.280 --> 0:20:21.520
<v Speaker 1>Annie also started doing performance art. Naturally, she needed every

0:20:21.520 --> 0:20:24.080
<v Speaker 1>outlet she could find to get this. She clearly a

0:20:24.119 --> 0:20:29.240
<v Speaker 1>lot of performance hey now. This included her best known piece,

0:20:29.800 --> 0:20:36.280
<v Speaker 1>public cervix Announcement, where where she lets the audience view

0:20:36.400 --> 0:20:40.280
<v Speaker 1>her cervix with a speculum and a flashlight to quote

0:20:40.760 --> 0:20:44.600
<v Speaker 1>celebrate the female body. And I mean I celebrate a

0:20:44.600 --> 0:20:47.639
<v Speaker 1>lot of things that I don't need a very close

0:20:47.680 --> 0:20:51.920
<v Speaker 1>look at. Don't tell me what's in that cake for example,

0:20:52.359 --> 0:20:54.439
<v Speaker 1>I'm good with the big picture.

0:20:55.240 --> 0:20:57.520
<v Speaker 4>Well it doesn't know, won't hurt me? Yeah exactly, but

0:20:57.560 --> 0:21:00.679
<v Speaker 4>I don't know won't hurt me. Another formance piece she

0:21:00.680 --> 0:21:04.720
<v Speaker 4>did was called The Legend of the Ancient Sacred Prostitute,

0:21:04.960 --> 0:21:08.600
<v Speaker 4>where she does something called a quote sex magic masturbation

0:21:08.840 --> 0:21:10.120
<v Speaker 4>ritual on stage.

0:21:10.320 --> 0:21:12.600
<v Speaker 2>Sex magic sounds like a very White song to me,

0:21:12.800 --> 0:21:19.320
<v Speaker 2>Oh yeah, baby, ooh, I'm gonna turn you on with

0:21:19.560 --> 0:21:21.480
<v Speaker 2>my six magic.

0:21:21.680 --> 0:21:22.200
<v Speaker 3>Uh huh.

0:21:22.520 --> 0:21:25.320
<v Speaker 5>Give it to us, very if it don't work for

0:21:25.520 --> 0:21:32.960
<v Speaker 5>you to bear that movie tragy, because we was made

0:21:33.119 --> 0:21:39.639
<v Speaker 5>for a low murderer, were made for to Juny of

0:21:39.880 --> 0:21:43.000
<v Speaker 5>those books and wed a lowe.

0:21:43.600 --> 0:21:46.160
<v Speaker 1>Wow, very very.

0:21:47.760 --> 0:21:48.240
<v Speaker 2>Journy.

0:21:48.720 --> 0:21:54.000
<v Speaker 1>Other book, Very, how did you get in here?

0:21:55.400 --> 0:21:59.640
<v Speaker 5>You gonna pull a scarf, ride out on my hat

0:22:00.119 --> 0:22:02.080
<v Speaker 5>and then you jump in the box.

0:22:02.200 --> 0:22:05.760
<v Speaker 2>And I was ritual and half straight or blow out

0:22:05.840 --> 0:22:08.000
<v Speaker 2>the back, but out there.

0:22:10.080 --> 0:22:14.600
<v Speaker 1>Us up. Okay, he tied the magic back in. I

0:22:15.520 --> 0:22:16.240
<v Speaker 1>see that's good.

0:22:16.320 --> 0:22:18.720
<v Speaker 2>Okaye. He's a sex.

0:22:18.520 --> 0:22:19.640
<v Speaker 1>Magician, sex magician.

0:22:19.720 --> 0:22:21.200
<v Speaker 2>Yeah, he's pulling things out of his sack.

0:22:21.600 --> 0:22:26.639
<v Speaker 1>He's pulling things out of somewhere. All right, Well, thanks

0:22:26.680 --> 0:22:31.520
<v Speaker 1>for stopping by special guest star Very White today's episode.

0:22:31.280 --> 0:22:34.000
<v Speaker 2>I'm doing a real bad job, David.

0:22:35.800 --> 0:22:40.400
<v Speaker 1>All Right. So Annie also has toured internationally for years

0:22:40.440 --> 0:22:43.840
<v Speaker 1>doing her performance art. She is often presented as a

0:22:43.920 --> 0:22:47.240
<v Speaker 1>visiting artist at universities and colleges all over the US

0:22:47.280 --> 0:22:51.200
<v Speaker 1>and Europe, and her work is also studied in courses

0:22:51.240 --> 0:22:56.119
<v Speaker 1>all over in colleges like women's studies, queer studies, film history,

0:22:56.560 --> 0:23:03.520
<v Speaker 1>human sexuality, courses like that, the history of World War Two. Sure,

0:23:04.240 --> 0:23:08.919
<v Speaker 1>home economics, I'm sure ap calculus. That's high school, but

0:23:09.040 --> 0:23:10.320
<v Speaker 1>you know it's an advanced class.

0:23:10.400 --> 0:23:16.040
<v Speaker 2>So making taught again with Annie Sprinkle, Now that would work,

0:23:17.000 --> 0:23:19.520
<v Speaker 2>I mean maybe it would. Well, that's pretty cool. I

0:23:19.520 --> 0:23:23.240
<v Speaker 2>mean that's cool to first of all, get get get

0:23:23.240 --> 0:23:26.600
<v Speaker 2>a doctorate in human sexuality and then start adding so

0:23:26.720 --> 0:23:30.320
<v Speaker 2>much to the study of human sexuality with your own

0:23:30.359 --> 0:23:31.800
<v Speaker 2>work and your own art and everything.

0:23:31.960 --> 0:23:35.160
<v Speaker 1>I mean, in such a school, no pun intended, untapped field,

0:23:35.840 --> 0:23:37.560
<v Speaker 1>I mean, there is a lot of room for new

0:23:37.760 --> 0:23:41.720
<v Speaker 1>movement and new ideas and stuff. There's barely anybody focused

0:23:41.720 --> 0:23:44.320
<v Speaker 1>and studying it. So you come in and it's kind

0:23:44.359 --> 0:23:47.000
<v Speaker 1>of the you know, it's the world's your playground, right, Yeah,

0:23:47.160 --> 0:23:49.600
<v Speaker 1>you can got to say, no one's it now it's

0:23:49.680 --> 0:23:52.679
<v Speaker 1>up to new scholars to contest what you said. But

0:23:52.840 --> 0:23:55.720
<v Speaker 1>you've got no rules you want.

0:23:55.960 --> 0:23:58.880
<v Speaker 2>I guess that's true. She also was saying, she said

0:23:58.920 --> 0:24:01.000
<v Speaker 2>in some interview that she was like a lot of

0:24:02.040 --> 0:24:04.960
<v Speaker 2>sex workers don't care about the art world, but I

0:24:05.119 --> 0:24:08.640
<v Speaker 2>found it to be more free, Like I was able

0:24:08.640 --> 0:24:10.919
<v Speaker 2>to be more free with my sexuality and with my

0:24:11.880 --> 0:24:15.639
<v Speaker 2>with my creative expression in the art world than I

0:24:15.760 --> 0:24:17.840
<v Speaker 2>was in the sex world. And I thought that was

0:24:17.880 --> 0:24:21.120
<v Speaker 2>interesting because the art world can be very stuffy, the.

0:24:21.160 --> 0:24:23.240
<v Speaker 1>Art world can be very excluding.

0:24:23.840 --> 0:24:26.679
<v Speaker 2>Yeah, So that was a cool thing to read from.

0:24:26.520 --> 0:24:29.679
<v Speaker 1>Her, because artists are kind of sometimes artists I have

0:24:29.760 --> 0:24:33.360
<v Speaker 1>found dabbling in the art world ourselves a little bit.

0:24:34.040 --> 0:24:36.960
<v Speaker 1>I sort of feel like if you're not also an artist,

0:24:37.000 --> 0:24:38.880
<v Speaker 1>if you don't speak the language, if you don't understand,

0:24:39.320 --> 0:24:43.000
<v Speaker 1>you're less invited, yeah than us. Yeah, But with sex,

0:24:43.680 --> 0:24:47.560
<v Speaker 1>like everybody is invited, Like you can't exclude like literally everyone,

0:24:48.200 --> 0:24:52.560
<v Speaker 1>almost everybody, everybody, but you know, as a as a

0:24:52.640 --> 0:24:55.359
<v Speaker 1>general rule, most people are involved in sex in some

0:24:55.440 --> 0:24:58.120
<v Speaker 1>way in their lives, if nothing else. It's what brought

0:24:58.119 --> 0:24:58.480
<v Speaker 1>them here.

0:24:58.560 --> 0:25:01.440
<v Speaker 2>So it's hard to exclude very true.

0:25:01.480 --> 0:25:03.440
<v Speaker 1>You know, anyone from that very.

0:25:03.200 --> 0:25:06.760
<v Speaker 2>True, and it's hard to I mean, you can put

0:25:06.800 --> 0:25:08.960
<v Speaker 2>a lot of academic language on the human body and

0:25:08.960 --> 0:25:11.320
<v Speaker 2>stuff like that, but there's still a lot of room

0:25:11.480 --> 0:25:14.280
<v Speaker 2>for a lack of pretension because it is I mean,

0:25:14.320 --> 0:25:17.119
<v Speaker 2>we make funny faces that, we make funny noises, you

0:25:17.119 --> 0:25:19.400
<v Speaker 2>know what I mean. It's a joyous expression a lot

0:25:19.480 --> 0:25:23.000
<v Speaker 2>of time. So anyway, it's hard to get too stuffy

0:25:23.040 --> 0:25:24.480
<v Speaker 2>about it, right, getting stuffed.

0:25:26.320 --> 0:25:28.720
<v Speaker 1>Don't get stuffy about getting stuffed.

0:25:29.119 --> 0:25:33.560
<v Speaker 2>Annie Sprinkleway. Well, anyway, maybe it's no surprise to anyone

0:25:33.600 --> 0:25:36.880
<v Speaker 2>that when these two radical queer, sex positive art making

0:25:36.960 --> 0:25:40.680
<v Speaker 2>feminists met each other, they like immediately fell head over

0:25:40.720 --> 0:25:44.320
<v Speaker 2>heels for one another, and they started collaborating together, and

0:25:44.320 --> 0:25:46.679
<v Speaker 2>in two thousand and four they committed to seven years

0:25:46.680 --> 0:25:50.440
<v Speaker 2>of art projects about love called the Love Art Laboratory,

0:25:51.640 --> 0:25:55.159
<v Speaker 2>and these projects always included a wedding. Okay, Now, at

0:25:55.160 --> 0:25:58.119
<v Speaker 2>the time, this was really pushing some boundaries because marriage

0:25:58.160 --> 0:26:00.639
<v Speaker 2>equality was a really big issue. Kind of hard to

0:26:00.680 --> 0:26:03.720
<v Speaker 2>remember how crazy this was now and we were there

0:26:03.720 --> 0:26:06.439
<v Speaker 2>for it, you know what I mean. But there was

0:26:06.480 --> 0:26:08.800
<v Speaker 2>such a tug of war going on in the US

0:26:08.920 --> 0:26:13.240
<v Speaker 2>about whether or not same sex marriage was okay. Basically

0:26:13.800 --> 0:26:16.640
<v Speaker 2>so over the seven years that these ladies were doing

0:26:16.720 --> 0:26:20.960
<v Speaker 2>these projects, many states would legalize same sex marriage in

0:26:21.000 --> 0:26:23.320
<v Speaker 2>their own state and then have it overturned by a

0:26:23.359 --> 0:26:26.919
<v Speaker 2>constitutional amendment, kind of like with California's Prop eight or

0:26:27.000 --> 0:26:31.720
<v Speaker 2>Prop eight as we called it. Between especially twenty four

0:26:31.760 --> 0:26:34.639
<v Speaker 2>and twenty fifteen, people were getting the right to have

0:26:34.720 --> 0:26:38.199
<v Speaker 2>domestic or civil unions instead of marriage. It was just

0:26:38.240 --> 0:26:42.000
<v Speaker 2>like a different word, so stupid, So they were getting

0:26:42.040 --> 0:26:45.600
<v Speaker 2>permission for that, while other states were at the same

0:26:45.640 --> 0:26:48.840
<v Speaker 2>time defining marriage as being between a man and woman,

0:26:49.000 --> 0:26:51.760
<v Speaker 2>no one else can get married. Many places were issuing

0:26:51.800 --> 0:26:54.119
<v Speaker 2>marriage licenses so people would get married, and then they

0:26:54.119 --> 0:26:56.560
<v Speaker 2>would later invalidate the marriage license, so now you're not

0:26:56.600 --> 0:27:00.560
<v Speaker 2>married anymore. Just a really chaotic situation going on for

0:27:00.600 --> 0:27:05.480
<v Speaker 2>many years until finally, finally SCOTUS ruled same sex marriage

0:27:05.480 --> 0:27:10.919
<v Speaker 2>bands unconstitutional in twenty fifteen. Boom, Now we barely remember relish.

0:27:11.359 --> 0:27:13.200
<v Speaker 1>I know, well it's wild and you know, and it's

0:27:13.200 --> 0:27:16.040
<v Speaker 1>not like it's not coming up again because people are

0:27:16.080 --> 0:27:18.240
<v Speaker 1>still real sensitive about it for some reason. And I'm

0:27:18.280 --> 0:27:20.919
<v Speaker 1>sitting here after you know how many years we've been

0:27:20.920 --> 0:27:23.679
<v Speaker 1>doing this show and thinking, y'all, can you can we

0:27:23.760 --> 0:27:26.080
<v Speaker 1>just ignore that. We got people out here trying to

0:27:26.080 --> 0:27:31.160
<v Speaker 1>marry computer programs and buildings and shit and this, and

0:27:31.280 --> 0:27:32.959
<v Speaker 1>you know, personally, I'm like, there's nothing wrong with that,

0:27:33.000 --> 0:27:35.000
<v Speaker 1>but at least can y'all just get away from when

0:27:35.040 --> 0:27:37.119
<v Speaker 1>two humans are marrying each other? Just let it be.

0:27:37.280 --> 0:27:38.240
<v Speaker 2>It's fine, it's.

0:27:38.080 --> 0:27:41.320
<v Speaker 1>Fine, it's great. It's actually real nice, right, it's a

0:27:41.359 --> 0:27:45.680
<v Speaker 1>real nice thing that people do, and to be nice,

0:27:45.960 --> 0:27:47.600
<v Speaker 1>you know, like, what the hell is your problem?

0:27:47.680 --> 0:27:50.000
<v Speaker 2>It's a wonderful expression of I'd like to stand by

0:27:50.040 --> 0:27:54.520
<v Speaker 2>your side forever. Holy shit, how beautiful, you know. But

0:27:55.400 --> 0:27:59.560
<v Speaker 2>people were like feeling somehow like their marriage was lessened

0:28:00.000 --> 0:28:03.080
<v Speaker 2>i same sex marriage or something, even though literally it

0:28:03.119 --> 0:28:05.320
<v Speaker 2>was just so they could have legal protections had nothing

0:28:05.359 --> 0:28:08.199
<v Speaker 2>to do with anything sacred. It had something to do

0:28:08.280 --> 0:28:10.360
<v Speaker 2>with whether or not you could leave somebody something when

0:28:10.359 --> 0:28:12.479
<v Speaker 2>you died, or if they could have custody of their

0:28:12.560 --> 0:28:15.480
<v Speaker 2>kids together and stuff like that. So it was kind

0:28:15.480 --> 0:28:17.960
<v Speaker 2>of it was just such a stupid temper tantrum that

0:28:18.080 --> 0:28:20.440
<v Speaker 2>lasted literally like eleven years.

0:28:22.600 --> 0:28:26.280
<v Speaker 1>So Annie and Beth, their actual legal domestic partnership, was

0:28:26.320 --> 0:28:29.800
<v Speaker 1>in San Francisco. This happened alongside thirty three other couples,

0:28:30.280 --> 0:28:35.480
<v Speaker 1>a spectrum of LGBTQ and straight couples as well. Annie

0:28:35.520 --> 0:28:39.880
<v Speaker 1>wore a silver disco dress and a feather trimmed duster,

0:28:40.360 --> 0:28:44.440
<v Speaker 1>and Beth wore a silver tuxedo. And the San Francisco

0:28:44.520 --> 0:28:48.400
<v Speaker 1>Gay Men's Chorus and the Transgender Choir the Believers performed

0:28:48.400 --> 0:28:50.920
<v Speaker 1>at this ceremony. This is when they thought of this

0:28:51.040 --> 0:28:55.600
<v Speaker 1>idea of wedding as a performance art and they started

0:28:55.600 --> 0:28:56.880
<v Speaker 1>the Love Art Laboratory.

0:28:57.160 --> 0:28:59.280
<v Speaker 2>Yeah, Beth was saying, you know, it is a lot

0:28:59.360 --> 0:29:01.080
<v Speaker 2>like a play. I think we said the same when

0:29:01.080 --> 0:29:02.960
<v Speaker 2>we had our wedding, because it was very much you

0:29:02.960 --> 0:29:05.640
<v Speaker 2>need a stage manager our day of planner. You have

0:29:05.680 --> 0:29:09.240
<v Speaker 2>to think about the audience, you have to think about

0:29:09.480 --> 0:29:13.920
<v Speaker 2>there's speeches to give monologues basically to prepare. There's cues.

0:29:14.200 --> 0:29:17.160
<v Speaker 2>I mean, everything about it is very performance based. Oh yeah,

0:29:17.280 --> 0:29:18.720
<v Speaker 2>So they were like, hmm.

0:29:18.760 --> 0:29:21.160
<v Speaker 1>The only thing we missed was repelling down from helicopter

0:29:21.200 --> 0:29:23.400
<v Speaker 1>to the beginning of ours. There was a lot well,

0:29:23.520 --> 0:29:25.120
<v Speaker 1>there was a lot more performance. There was an idea

0:29:25.160 --> 0:29:27.120
<v Speaker 1>for our wedding at one point that we were going

0:29:27.160 --> 0:29:30.320
<v Speaker 1>to record a video message from ourselves from the future

0:29:31.000 --> 0:29:34.520
<v Speaker 1>and pop in and say something and we were going

0:29:34.560 --> 0:29:36.280
<v Speaker 1>to have to time it out so that us at

0:29:36.280 --> 0:29:38.040
<v Speaker 1>the altar would have to like speak to them.

0:29:38.120 --> 0:29:39.600
<v Speaker 2>That's right. That's why we didn't do it.

0:29:39.680 --> 0:29:41.720
<v Speaker 1>Like an old talk show bit man, it would have

0:29:41.720 --> 0:29:42.080
<v Speaker 1>been great.

0:29:44.000 --> 0:29:46.240
<v Speaker 2>Yeah, when we knew the vows, it will have more

0:29:46.280 --> 0:29:48.080
<v Speaker 2>money and it's going to be amazing.

0:29:48.120 --> 0:29:50.719
<v Speaker 1>We'll be in front of four hundred thousand people and

0:29:50.760 --> 0:29:52.480
<v Speaker 1>it'll be it'll be the new greatest.

0:29:52.640 --> 0:29:55.240
<v Speaker 2>You'll have costume changes, there will be helicopter.

0:29:55.800 --> 0:29:59.920
<v Speaker 1>So it's a wedding performance art idea. And each year

0:30:00.080 --> 0:30:03.440
<v Speaker 1>of the Love Art Laboratory was assigned a color based

0:30:03.440 --> 0:30:07.360
<v Speaker 1>on a chakra and a theme. Right, So everyone is

0:30:07.400 --> 0:30:10.280
<v Speaker 1>welcome to take their vows with these two and apparently

0:30:10.320 --> 0:30:14.080
<v Speaker 1>the ceremony would also always include an objection to the wedding,

0:30:14.440 --> 0:30:17.360
<v Speaker 1>where a friend would get up and read the top

0:30:17.400 --> 0:30:21.240
<v Speaker 1>ten reasons why marriage should be abolished about how it's

0:30:21.240 --> 0:30:23.800
<v Speaker 1>outdated and unequal, you know, just to make sure that

0:30:23.840 --> 0:30:27.080
<v Speaker 1>there is some perspective in the space in the conversation,

0:30:27.280 --> 0:30:27.560
<v Speaker 1>you know.

0:30:27.720 --> 0:30:29.840
<v Speaker 2>Right, Because they were like, you know, we're having fun

0:30:29.880 --> 0:30:33.520
<v Speaker 2>experimenting with the performance of a wedding, the performance of love.

0:30:33.680 --> 0:30:36.280
<v Speaker 2>Who gets to get married in the country and stuff

0:30:36.320 --> 0:30:39.080
<v Speaker 2>like that. But of course lots of people find marriage

0:30:39.120 --> 0:30:42.960
<v Speaker 2>to be a very outdated institution that does nothing for anybody.

0:30:43.080 --> 0:30:46.320
<v Speaker 1>So they were like, why not, It's just inclusivity, you know,

0:30:46.480 --> 0:30:49.560
<v Speaker 1>like your perspective is part of this too, but we're

0:30:49.560 --> 0:30:50.320
<v Speaker 1>also going to do it.

0:30:50.400 --> 0:30:51.080
<v Speaker 2>But we're going.

0:30:52.920 --> 0:30:54.840
<v Speaker 1>Going to so we kind of felt, you know, it's

0:30:54.960 --> 0:30:58.360
<v Speaker 1>like there's a real silliness to the idea of marriage,

0:30:58.440 --> 0:31:00.760
<v Speaker 1>the institution of marriage and the history we have marriage,

0:31:01.040 --> 0:31:04.760
<v Speaker 1>and also like we want to do that our own way.

0:31:04.920 --> 0:31:07.880
<v Speaker 2>Yeah, it was. It was just there's something nice about

0:31:07.920 --> 0:31:10.080
<v Speaker 2>having a party where everybody gets to come together and

0:31:10.120 --> 0:31:11.560
<v Speaker 2>be excited that you found each other.

0:31:11.680 --> 0:31:12.000
<v Speaker 1>Yeah.

0:31:12.320 --> 0:31:16.400
<v Speaker 2>That, and then there's something lovely too, at least for us,

0:31:16.400 --> 0:31:18.880
<v Speaker 2>since we liked each other's families. I guess I don't

0:31:18.880 --> 0:31:21.840
<v Speaker 2>know about others, but there's something too about that feeling of, oh,

0:31:21.920 --> 0:31:24.040
<v Speaker 2>you're part of my family now, so you need to

0:31:24.040 --> 0:31:26.680
<v Speaker 2>meet everybody, or you're all mixed together. I need to

0:31:26.680 --> 0:31:29.960
<v Speaker 2>meet your family. We're all one family, so it's important

0:31:30.280 --> 0:31:33.479
<v Speaker 2>for us to you know, share this space, break bread together,

0:31:33.960 --> 0:31:36.120
<v Speaker 2>you know what I mean? Say the magic words the

0:31:36.160 --> 0:31:40.440
<v Speaker 2>incantation right that creates a valve which which is real.

0:31:40.520 --> 0:31:43.520
<v Speaker 2>I think there is something magical about your promises.

0:31:43.080 --> 0:31:45.000
<v Speaker 1>Right, Yeah, yeah, I think so. And then the cool

0:31:45.040 --> 0:31:48.800
<v Speaker 1>trip afterwards, and then of course shout out to the sologamists,

0:31:48.840 --> 0:31:51.480
<v Speaker 1>who I think deserve that party too, whether if you're

0:31:51.480 --> 0:31:54.080
<v Speaker 1>going to you know, just marry yourself or whatever.

0:31:53.960 --> 0:31:56.960
<v Speaker 2>Find your true love in your own mirror if you

0:31:57.000 --> 0:32:00.880
<v Speaker 2>need to so. According to CNN, the first love art

0:32:00.960 --> 0:32:04.040
<v Speaker 2>laboratory wedding was in two thousand and four. It was

0:32:04.080 --> 0:32:08.960
<v Speaker 2>the Red Year, featuring quote a series of public cuddling

0:32:09.040 --> 0:32:15.280
<v Speaker 2>performances and hours long kissing sessions. They hosted sidewalk sex clinics,

0:32:15.600 --> 0:32:19.200
<v Speaker 2>and they held their red wedding at a former burlesque club.

0:32:20.120 --> 0:32:22.240
<v Speaker 2>Just a quick note, very different red wedding from the

0:32:22.280 --> 0:32:23.960
<v Speaker 2>game of their own's red wedding. Yeah, a lot of

0:32:24.000 --> 0:32:28.920
<v Speaker 2>these terms mean a lot of different things. Now, No,

0:32:30.920 --> 0:32:34.240
<v Speaker 2>back to CNN quote. In the Orange Year, they married

0:32:34.240 --> 0:32:39.200
<v Speaker 2>their community and guests came dressed as orange juicers and carrots.

0:32:39.240 --> 0:32:42.680
<v Speaker 2>All right, But it was Annie and Beth's fourth Green

0:32:42.840 --> 0:32:45.600
<v Speaker 2>wedding when they came out to the world as eco

0:32:45.640 --> 0:32:49.400
<v Speaker 2>sexuals and they started incorporating the environment more into not

0:32:49.440 --> 0:32:52.200
<v Speaker 2>only their artwork but into their love lives, and we

0:32:52.240 --> 0:32:55.560
<v Speaker 2>will tell you all about that right after this quick break.

0:33:01.880 --> 0:33:03.040
<v Speaker 2>Welcome back, everybody.

0:33:03.320 --> 0:33:07.040
<v Speaker 1>So the Green Wedding to the Earth took place in

0:33:07.080 --> 0:33:10.560
<v Speaker 1>the woods, obviously where else. It had more than one

0:33:10.680 --> 0:33:15.000
<v Speaker 1>hundred and fifty collaborators and four hundred guests, and they

0:33:15.040 --> 0:33:19.120
<v Speaker 1>were all given bags of soil to breathe from deeply

0:33:19.320 --> 0:33:20.240
<v Speaker 1>during the ceremony.

0:33:20.600 --> 0:33:24.520
<v Speaker 2>Oh sorry, all I could picture somebody breathing deeply and oh.

0:33:24.440 --> 0:33:26.840
<v Speaker 1>Absolutely everywhere I need a breathe dirt.

0:33:27.080 --> 0:33:28.960
<v Speaker 2>I guess I'm still on my mister bean tip, but

0:33:29.960 --> 0:33:31.240
<v Speaker 2>that's what I see if my head.

0:33:32.960 --> 0:33:37.320
<v Speaker 1>During this, a soprano did an operatic strip tease. Some

0:33:37.360 --> 0:33:40.040
<v Speaker 1>guy got drenched in green paint and wrapped up in

0:33:40.080 --> 0:33:43.200
<v Speaker 1>a sheet, and a girl with a snake around her

0:33:43.240 --> 0:33:47.120
<v Speaker 1>neck read poetry. There was a floutist. Someone got spanked

0:33:47.120 --> 0:33:50.480
<v Speaker 1>with a bouquet of flowers, all very exciting, sort of

0:33:50.560 --> 0:33:53.240
<v Speaker 1>earthy kind of stuff. You can watch a compilation of

0:33:53.240 --> 0:33:56.200
<v Speaker 1>all these eco weddings on their website, which is Sprinkle

0:33:56.280 --> 0:34:01.080
<v Speaker 1>Stevens dot UCSC dot edu if you're interested, and if

0:34:01.080 --> 0:34:04.080
<v Speaker 1>you never thought you'd see an edu website where you

0:34:04.120 --> 0:34:08.160
<v Speaker 1>get to watch someone get spanked flowers or whatever. Well,

0:34:08.200 --> 0:34:08.640
<v Speaker 1>now you can.

0:34:09.000 --> 0:34:11.680
<v Speaker 2>It's quite quite interesting. You should check it out.

0:34:12.080 --> 0:34:16.200
<v Speaker 1>And what would you call it safe for work? Actually, yeah, yeah.

0:34:16.040 --> 0:34:19.239
<v Speaker 2>It's not pornographic at all. It's really not like that.

0:34:19.600 --> 0:34:21.400
<v Speaker 1>I hope the guy got drenched in green paint. It

0:34:21.520 --> 0:34:25.040
<v Speaker 1>was like an ecologically sound green paint, you know, you

0:34:25.080 --> 0:34:25.680
<v Speaker 1>know a paint.

0:34:25.680 --> 0:34:28.400
<v Speaker 2>Great question, it's everytirement latex paint right now.

0:34:28.280 --> 0:34:31.960
<v Speaker 1>Or who knows well? Who knows, not us. That's not

0:34:32.000 --> 0:34:36.720
<v Speaker 1>what we're here for, not us information. Okay. So Annie

0:34:36.760 --> 0:34:40.040
<v Speaker 1>and Beth then dressed all in green with big feathers

0:34:40.040 --> 0:34:42.600
<v Speaker 1>and flowers, and anyone else at the wedding who cared

0:34:42.640 --> 0:34:46.040
<v Speaker 1>to would repeat the vows to take the Earth as

0:34:46.080 --> 0:34:50.120
<v Speaker 1>their lover, and they took the Eco sex pledge, which

0:34:50.160 --> 0:34:54.200
<v Speaker 1>is quote, I promise to love, honor, and cherish you

0:34:54.320 --> 0:34:59.719
<v Speaker 1>Earth until death brings us closer together forever, which does

0:34:59.760 --> 0:35:03.400
<v Speaker 1>make Earth kind of pretty great partner. Do you know

0:35:04.040 --> 0:35:06.400
<v Speaker 1>human's gonna shove off eventually?

0:35:06.880 --> 0:35:11.360
<v Speaker 2>They they that's true. Eventually the Earth will reclaim you.

0:35:12.320 --> 0:35:14.080
<v Speaker 1>I suppose all of us.

0:35:14.880 --> 0:35:18.400
<v Speaker 2>There's a whole Eco sex manifesto, and this is just

0:35:18.480 --> 0:35:20.680
<v Speaker 2>the pledge. At the end, the.

0:35:20.640 --> 0:35:22.920
<v Speaker 1>Earth will reclaim all of us except for me, who,

0:35:23.040 --> 0:35:27.399
<v Speaker 1>as you know, my plans, Diana Postport is to be

0:35:27.520 --> 0:35:30.200
<v Speaker 1>frozen and shot into space so the aliens can find

0:35:30.200 --> 0:35:33.640
<v Speaker 1>me and either reanimate me or you know, learn about

0:35:33.680 --> 0:35:36.640
<v Speaker 1>humans and come here and you know, do their thing.

0:35:36.680 --> 0:35:38.239
<v Speaker 1>Whatever that is. I assume it.

0:35:38.360 --> 0:35:39.040
<v Speaker 2>Whatever it is.

0:35:39.600 --> 0:35:41.440
<v Speaker 1>My assumptions of aliens is that they would do good.

0:35:42.520 --> 0:35:45.080
<v Speaker 2>Well, that's nice, that's nice. I will have to ask

0:35:45.120 --> 0:35:46.080
<v Speaker 2>our friends bleed.

0:35:45.880 --> 0:35:49.160
<v Speaker 1>Blop, you know, they do need to make an appearance.

0:35:49.400 --> 0:35:52.000
<v Speaker 1>But I'm listening. I don't hear them coming now, So

0:35:52.000 --> 0:35:55.359
<v Speaker 1>maybe next episodion. We've been going for a while. They

0:35:55.719 --> 0:35:56.839
<v Speaker 1>clearly know that we don't have time.

0:35:56.960 --> 0:35:59.000
<v Speaker 2>I know we don't have time for that, but right now,

0:35:59.760 --> 0:36:03.680
<v Speaker 2>So what is eco sexuality?

0:36:03.800 --> 0:36:06.560
<v Speaker 1>Oh? Yes, the subject of the episode.

0:36:06.560 --> 0:36:12.120
<v Speaker 2>We should finally get to that, because partly for Annie

0:36:12.200 --> 0:36:14.200
<v Speaker 2>and Beth, it's kind of a way to make environmental

0:36:14.239 --> 0:36:15.720
<v Speaker 2>activism a little more fun.

0:36:15.840 --> 0:36:16.360
<v Speaker 1>Okay.

0:36:16.480 --> 0:36:19.560
<v Speaker 2>They feel like it's usually pretty stuffy and moralistic and

0:36:19.680 --> 0:36:24.680
<v Speaker 2>very like you know, oh, shame, shame, shame, right whoa

0:36:25.000 --> 0:36:27.920
<v Speaker 2>and fear you know around it, and there should be

0:36:27.960 --> 0:36:30.000
<v Speaker 2>a healthy amount of fear around that sort of thing.

0:36:30.080 --> 0:36:33.600
<v Speaker 2>But they call it like al gore stuff, the alfect

0:36:34.040 --> 0:36:34.400
<v Speaker 2>or something.

0:36:34.400 --> 0:36:37.880
<v Speaker 1>Don't get me started. I honestly like an Inconvenient Truth.

0:36:38.239 --> 0:36:40.960
<v Speaker 1>There's the lamest title for a movie that everyone should

0:36:40.960 --> 0:36:43.200
<v Speaker 1>be paying attention to. Like, by the time you finish

0:36:43.280 --> 0:36:46.040
<v Speaker 1>the word inconvenient, I'm asleep. I don't care, and I

0:36:46.080 --> 0:36:48.520
<v Speaker 1>don't need what. I don't know what this movie's about.

0:36:49.239 --> 0:36:51.399
<v Speaker 1>It doesn't sound like it's for me. It doesn't sound

0:36:51.440 --> 0:36:58.680
<v Speaker 1>interesting or important or an truth. Okay, right, take up everybody.

0:36:58.840 --> 0:37:00.719
<v Speaker 1>The Earth is dying right e.

0:37:00.719 --> 0:37:03.600
<v Speaker 2>Xach was kind of a horrible death knell that you're

0:37:03.719 --> 0:37:08.239
<v Speaker 2>sounding with a very boring bell. But anyway, so they

0:37:08.320 --> 0:37:09.799
<v Speaker 2>kind of were like, you know, this way we can

0:37:09.840 --> 0:37:13.200
<v Speaker 2>bring a little humor, a little absurdism into the environmental

0:37:13.200 --> 0:37:16.680
<v Speaker 2>move make it a little more accessible and fun. But

0:37:17.080 --> 0:37:21.080
<v Speaker 2>mostly the idea is about changing our mindset. They kind

0:37:21.120 --> 0:37:23.880
<v Speaker 2>of feel like, since we see Earth as a mother,

0:37:24.640 --> 0:37:26.960
<v Speaker 2>we maybe take it for granted, like we might do

0:37:27.040 --> 0:37:29.719
<v Speaker 2>with our own mother. We expect it to take care

0:37:29.800 --> 0:37:33.680
<v Speaker 2>of us and need nothing in return, sort of unconditional

0:37:34.320 --> 0:37:36.600
<v Speaker 2>you know, I can take my laundry to her and

0:37:36.640 --> 0:37:39.360
<v Speaker 2>she'll clean it, but I can forget her birthday and

0:37:39.400 --> 0:37:43.000
<v Speaker 2>she'll forgive me wow. Kind of kind of relationship. But

0:37:43.040 --> 0:37:46.040
<v Speaker 2>they say a lover is a partner, and they require respect,

0:37:46.239 --> 0:37:49.040
<v Speaker 2>they require give and take, they require love and care,

0:37:49.360 --> 0:37:51.920
<v Speaker 2>and if you don't, they will leave you. They won't

0:37:51.960 --> 0:37:55.799
<v Speaker 2>just keep loving you forever. So Annie Sprinkle told teen

0:37:55.920 --> 0:37:59.200
<v Speaker 2>Vogue that by making Earth your lover, it's quote putting

0:37:59.239 --> 0:38:03.239
<v Speaker 2>the responsibility on you to uphold your side of the relationship.

0:38:03.480 --> 0:38:06.960
<v Speaker 2>It's revolutionary. I kind of like it, to be honest.

0:38:07.120 --> 0:38:09.000
<v Speaker 1>Yeah, no, I really like that. It makes me think

0:38:09.040 --> 0:38:13.839
<v Speaker 1>that maybe people should start treating their mothers a little well,

0:38:13.920 --> 0:38:16.920
<v Speaker 1>and maybe not you know, their lovers, but certainly like

0:38:16.920 --> 0:38:17.440
<v Speaker 1>a partner.

0:38:17.880 --> 0:38:20.640
<v Speaker 2>But yeah, I think more how you treat them when

0:38:20.640 --> 0:38:23.280
<v Speaker 2>you're When you're grown, you know, you start to understand

0:38:23.320 --> 0:38:25.200
<v Speaker 2>what it takes to be a mom, whether you have

0:38:25.280 --> 0:38:27.400
<v Speaker 2>kids or not. You're kind of like, wow, it turns

0:38:27.400 --> 0:38:30.920
<v Speaker 2>out that was really a really crazy thing somebody did

0:38:31.000 --> 0:38:31.239
<v Speaker 2>for me.

0:38:31.600 --> 0:38:33.279
<v Speaker 1>I do try to pop into my parents now and

0:38:33.320 --> 0:38:38.760
<v Speaker 1>then and say, ah, wow, you know, you know, thanks,

0:38:38.800 --> 0:38:41.719
<v Speaker 1>because you don't recognize what they're doing when you're a kid,

0:38:41.840 --> 0:38:46.200
<v Speaker 1>not right, because of course they are. Somebody's gonna put

0:38:46.200 --> 0:38:48.160
<v Speaker 1>food in front of you, and somebody's gonna you know,

0:38:48.280 --> 0:38:50.920
<v Speaker 1>make sure you get to school on time and become

0:38:50.960 --> 0:38:54.920
<v Speaker 1>a decent person hopefully hopefully, and uh you know, and

0:38:54.920 --> 0:38:57.040
<v Speaker 1>then you're grown up and you're like, we who have

0:38:57.120 --> 0:38:59.879
<v Speaker 1>no children, I'm like, how the hell, oh my god,

0:39:00.080 --> 0:39:03.200
<v Speaker 1>I have the time and energy to devote to making

0:39:03.239 --> 0:39:06.880
<v Speaker 1>sure a person okay, becomes not the worst person right now?

0:39:07.080 --> 0:39:10.400
<v Speaker 1>I don't. I do not have no the focus for that,

0:39:10.480 --> 0:39:11.480
<v Speaker 1>let alone anything else.

0:39:11.800 --> 0:39:17.160
<v Speaker 2>Or sometimes, like you know, my cousin who's like eleven,

0:39:17.719 --> 0:39:20.120
<v Speaker 2>will ask me a question about something, I'm like, how

0:39:20.320 --> 0:39:25.120
<v Speaker 2>the hell could I answer this without a making you

0:39:25.200 --> 0:39:30.000
<v Speaker 2>very cynical or or I don't know, just well, kid,

0:39:30.680 --> 0:39:34.080
<v Speaker 2>I know I tell you something about life. Well, I'm like,

0:39:34.120 --> 0:39:36.759
<v Speaker 2>sometimes you just want the kid to vent, right, You're like, ah, man,

0:39:36.800 --> 0:39:38.640
<v Speaker 2>that sucks whatever. And then other times you're like should

0:39:38.640 --> 0:39:40.279
<v Speaker 2>I be giving advice? You'd be like, people, don't think

0:39:40.280 --> 0:39:41.920
<v Speaker 2>about it this way, think about it this way, or

0:39:41.960 --> 0:39:44.960
<v Speaker 2>like what about what about that bully maybe is going

0:39:45.000 --> 0:39:47.120
<v Speaker 2>on at home? And we want to be compassionate, you

0:39:47.200 --> 0:39:50.040
<v Speaker 2>know whatever. It's just hard to figure out which way

0:39:50.080 --> 0:39:52.120
<v Speaker 2>to go and how to again just how to mold

0:39:52.120 --> 0:39:54.719
<v Speaker 2>a person, I guess. And then sometimes you're tired and

0:39:54.719 --> 0:39:56.600
<v Speaker 2>you're like, I don't care about your weird thing at school.

0:39:56.640 --> 0:39:58.640
<v Speaker 2>You won't care about this you're eleven, Like you're gonna

0:39:58.640 --> 0:40:00.440
<v Speaker 2>forget about this by the time you're in call. But

0:40:00.480 --> 0:40:03.160
<v Speaker 2>at the time when you're eleven feels huge. I remember

0:40:03.200 --> 0:40:06.239
<v Speaker 2>that being eleven and something feeling like it's going to

0:40:06.320 --> 0:40:08.040
<v Speaker 2>last forever and it's not going to ever be any

0:40:08.040 --> 0:40:10.160
<v Speaker 2>different than this, and I'm very scared and I'm very

0:40:10.200 --> 0:40:13.040
<v Speaker 2>afraid of how it's going to turn out. Anyway, Well,

0:40:13.560 --> 0:40:14.479
<v Speaker 2>parenting is hard.

0:40:14.600 --> 0:40:18.400
<v Speaker 1>What take if your parents or your mentors or whoever

0:40:18.760 --> 0:40:20.919
<v Speaker 1>you owe that to is out there and you're close

0:40:20.960 --> 0:40:23.480
<v Speaker 1>to them, you know, say hey, say what's up?

0:40:23.680 --> 0:40:25.839
<v Speaker 2>Say hey, thanks a lot, yeah, you.

0:40:25.800 --> 0:40:28.200
<v Speaker 1>Know, yeah, minor listening, so I don't have to, or

0:40:28.200 --> 0:40:29.600
<v Speaker 1>at least my mom is she'll tell my dad.

0:40:29.640 --> 0:40:31.720
<v Speaker 2>She'll say, by the way Eli's things, Eli.

0:40:31.840 --> 0:40:35.880
<v Speaker 1>He cares, we'll see them on linesday, We're going to

0:40:35.920 --> 0:40:37.480
<v Speaker 1>a movie.

0:40:38.480 --> 0:40:42.759
<v Speaker 2>By the way Elisa's things anyway. So basically, yes, they're like,

0:40:42.880 --> 0:40:45.160
<v Speaker 2>you take your parents for granted, but it's harder to

0:40:45.160 --> 0:40:47.319
<v Speaker 2>take your lovers for granted. We should see the earth

0:40:47.360 --> 0:40:49.319
<v Speaker 2>more as a partner in life, and that we need

0:40:49.360 --> 0:40:52.840
<v Speaker 2>to cherish and let them know how much we appreciate

0:40:52.880 --> 0:40:55.160
<v Speaker 2>them and all that stuff, or they're going to leave

0:40:55.239 --> 0:40:59.840
<v Speaker 2>us high and dry. And the eco Sexual Manifesto includes

0:41:00.080 --> 0:41:04.640
<v Speaker 2>conservation principles like buying less and then only buying local,

0:41:04.840 --> 0:41:09.320
<v Speaker 2>organic and sustainable products, as well as working towards world

0:41:09.440 --> 0:41:14.960
<v Speaker 2>peace because, as the manifesto says, quote, bombs hurt. Oh

0:41:14.960 --> 0:41:18.080
<v Speaker 2>and that's true, right, yeah, I scar the earth as

0:41:18.080 --> 0:41:18.680
<v Speaker 2>well as.

0:41:18.520 --> 0:41:24.120
<v Speaker 1>People right now. Ecosexuality is a sexual identity, but it

0:41:24.160 --> 0:41:26.799
<v Speaker 1>doesn't have to be your main sexual identity. And how

0:41:26.880 --> 0:41:29.440
<v Speaker 1>far you take it if you are an ecosexual is

0:41:29.480 --> 0:41:33.760
<v Speaker 1>totally up to you. Vice News spoke to Amanda Morgan,

0:41:33.760 --> 0:41:38.600
<v Speaker 1>who's an ecosexual and she's faculty at the UNLV School

0:41:38.640 --> 0:41:42.880
<v Speaker 1>of Community Health Sciences. She told WECE that it's it's

0:41:42.960 --> 0:41:46.239
<v Speaker 1>kind of like the Kinsey scale, right. Some ecosexuals they

0:41:46.920 --> 0:41:48.919
<v Speaker 1>keep it real simple. They're just like, I just get

0:41:49.880 --> 0:41:54.440
<v Speaker 1>a sustainable, environmentally sound sex toys, right, This was not

0:41:54.600 --> 0:41:57.680
<v Speaker 1>this is not covered in blood, diamonds and the skin

0:41:57.760 --> 0:41:59.000
<v Speaker 1>of an endangered creature.

0:41:59.280 --> 0:42:05.360
<v Speaker 2>I want to look made sure, although I don't know

0:42:05.400 --> 0:42:08.719
<v Speaker 2>what that does for the bees actually probably not not

0:42:09.200 --> 0:42:12.040
<v Speaker 2>eco sexual approved bees and a gorge.

0:42:12.040 --> 0:42:14.960
<v Speaker 1>But other people also keep it kind of simple. They

0:42:15.000 --> 0:42:18.680
<v Speaker 1>might enjoy skinny dipping or naked sunbathings. They're just kind

0:42:18.680 --> 0:42:21.879
<v Speaker 1>of feeling the elements on them. Now. On the other

0:42:21.960 --> 0:42:24.080
<v Speaker 1>end of the scale, of course, is the people we

0:42:24.120 --> 0:42:26.239
<v Speaker 1>all think of when we hear the word ecosexual.

0:42:26.320 --> 0:42:26.520
<v Speaker 6>Right.

0:42:27.560 --> 0:42:30.520
<v Speaker 1>She says that there's people who quote roll around in

0:42:30.560 --> 0:42:34.040
<v Speaker 1>the dirt having an orgasm covered in potting soil. They

0:42:34.080 --> 0:42:37.560
<v Speaker 1>are people who fuck trees or masturbate under a waterfall.

0:42:37.840 --> 0:42:40.600
<v Speaker 2>Oh right, they fuck trees.

0:42:41.080 --> 0:42:46.120
<v Speaker 1>Yeah, we'll just leave that to your imaginations. These people

0:42:46.200 --> 0:42:49.120
<v Speaker 1>might also have sex with vegetables like our friends. And

0:42:49.160 --> 0:42:51.200
<v Speaker 1>for the last episode in Fuck for Forest and I

0:42:51.239 --> 0:42:54.200
<v Speaker 1>was going to ask you what you think is the

0:42:54.280 --> 0:42:55.480
<v Speaker 1>sexiest vegetable.

0:42:56.520 --> 0:42:59.160
<v Speaker 2>I don't find the vegetables very sexual.

0:42:59.200 --> 0:43:01.920
<v Speaker 1>I don't mean, what vegetable are you sexually attracted to?

0:43:02.680 --> 0:43:04.799
<v Speaker 1>But like, you know, if you were going to cast

0:43:04.800 --> 0:43:07.440
<v Speaker 1>a vegetable in a leading role in a movie, right,

0:43:07.680 --> 0:43:11.319
<v Speaker 1>they're just like, that's one sexy vegetable? Can you do

0:43:11.360 --> 0:43:11.800
<v Speaker 1>you have.

0:43:11.760 --> 0:43:15.920
<v Speaker 2>One's funny is that I think melons and cucumbers, the

0:43:16.080 --> 0:43:19.400
<v Speaker 2>zucchini have been common, right, the ones that you usually

0:43:19.680 --> 0:43:22.279
<v Speaker 2>but thanks to emojis, it's now peaches and eggplants.

0:43:22.440 --> 0:43:26.440
<v Speaker 1>Oh sure, so I don't know. Yeah, boobs emoji? Is

0:43:26.440 --> 0:43:28.239
<v Speaker 1>there peaches butts? Right?

0:43:28.280 --> 0:43:30.680
<v Speaker 2>Peaches, melons, melons or boobs?

0:43:30.719 --> 0:43:33.520
<v Speaker 1>Right? We don't. I don't think there's a two melons emoji.

0:43:33.719 --> 0:43:35.680
<v Speaker 1>There should be a bundle of melons.

0:43:35.680 --> 0:43:37.719
<v Speaker 2>Wonder what the boob emoji is?

0:43:37.960 --> 0:43:40.880
<v Speaker 1>Well, regardless of emoji.

0:43:41.400 --> 0:43:43.640
<v Speaker 2>Maybe there's a blue footed booby emoji and they just

0:43:43.640 --> 0:43:44.760
<v Speaker 2>say show me your boob.

0:43:44.600 --> 0:43:47.399
<v Speaker 1>Oh, show me your boobies. Yeah, I hope.

0:43:47.480 --> 0:43:49.880
<v Speaker 2>So I don't think we got that to the emoji makers.

0:43:50.040 --> 0:43:52.960
<v Speaker 2>Make a blue footed booby emoji, and I promise it

0:43:53.040 --> 0:43:53.799
<v Speaker 2>will get some use.

0:43:54.200 --> 0:43:56.239
<v Speaker 1>I will say there was a at the grocery store

0:43:56.280 --> 0:43:58.280
<v Speaker 1>the other day we got back from our trip, hadn't

0:43:58.280 --> 0:44:00.600
<v Speaker 1>cooked a home cooked meal in a while, really wanted

0:44:00.600 --> 0:44:04.320
<v Speaker 1>a salad. Yeah, And I went and got a cucumber.

0:44:04.360 --> 0:44:08.600
<v Speaker 1>And if I may say, this particular batch of cucumbers

0:44:09.000 --> 0:44:15.879
<v Speaker 1>were not only huge, but cooler. Straight. No, no, they

0:44:15.880 --> 0:44:18.799
<v Speaker 1>were just the straightest cucumbers I've ever seen.

0:44:19.200 --> 0:44:20.600
<v Speaker 2>So you could really do something with that.

0:44:20.560 --> 0:44:23.120
<v Speaker 1>I guess. So there was. I picked one up and

0:44:23.200 --> 0:44:26.960
<v Speaker 1>a part of me was like, what what cucumbers make

0:44:27.080 --> 0:44:29.920
<v Speaker 1>me think? Some kinds of things I'm not comfortable with.

0:44:34.040 --> 0:44:38.040
<v Speaker 2>I don't appreciate the thoughts this cucumber may have Kroger.

0:44:38.920 --> 0:44:42.440
<v Speaker 1>Anyway, the answer is pomegranate, which is I guess, a fruit,

0:44:42.600 --> 0:44:43.320
<v Speaker 1>not a vegetable.

0:44:43.960 --> 0:44:46.239
<v Speaker 2>Well, there you go. That's why I didn't say it.

0:44:46.880 --> 0:44:48.920
<v Speaker 1>Well, it's a very uh that that goes back in

0:44:49.280 --> 0:44:52.720
<v Speaker 1>art history. The pomegranate was all about fertility and sex.

0:44:52.840 --> 0:44:54.120
<v Speaker 2>Sure I lost seeds.

0:44:55.040 --> 0:44:57.360
<v Speaker 1>Yeah, I guess, so gross. Now I don't like the

0:44:57.360 --> 0:45:04.600
<v Speaker 1>pomegran onwards. All right, Well, the manifesto does include the

0:45:04.680 --> 0:45:08.520
<v Speaker 1>quote we hold these truths to be self evident that

0:45:08.560 --> 0:45:12.879
<v Speaker 1>we are all part of, not separate from nature. Thus,

0:45:13.480 --> 0:45:17.560
<v Speaker 1>all sex is eco sex. And I get that. I've

0:45:17.600 --> 0:45:20.120
<v Speaker 1>I've kind of set myself in the past like, well,

0:45:20.239 --> 0:45:22.359
<v Speaker 1>you know, we talk about what we do is unnatural,

0:45:22.440 --> 0:45:26.200
<v Speaker 1>but we're we're animals kind of everything we do is

0:45:26.280 --> 0:45:27.080
<v Speaker 1>natural in a way.

0:45:27.560 --> 0:45:31.040
<v Speaker 2>I guess. So, yeah, maybe this is the human animal.

0:45:31.200 --> 0:45:35.319
<v Speaker 1>Yeah, I mean birds and beavers tear apart plants to

0:45:35.400 --> 0:45:38.160
<v Speaker 1>build their homes and things. You know, it's not we do.

0:45:38.280 --> 0:45:40.879
<v Speaker 2>There are there are bugs that eat other things from

0:45:40.880 --> 0:45:44.160
<v Speaker 2>the inside out, sometimes to live, so it can be

0:45:44.200 --> 0:45:48.239
<v Speaker 2>a brutal world out there in the animal kingdom, hard past,

0:45:48.280 --> 0:45:50.320
<v Speaker 2>and we are part of the animal kingdom, and I

0:45:50.360 --> 0:45:53.080
<v Speaker 2>think we forget that a lot. So yeah, it's it's

0:45:53.120 --> 0:45:57.160
<v Speaker 2>a again. I like a lot of the underlying principles

0:45:57.160 --> 0:45:59.000
<v Speaker 2>of this. I don't think I could fuck a zucchini

0:45:59.080 --> 0:46:01.160
<v Speaker 2>or anything, but like I'm not about to start like

0:46:01.200 --> 0:46:04.080
<v Speaker 2>rubbing up on a tree. But I do love trees.

0:46:04.080 --> 0:46:06.440
<v Speaker 2>I enjoy looking at them, as you know, we've we've

0:46:06.640 --> 0:46:08.640
<v Speaker 2>we have stood an admiration.

0:46:08.239 --> 0:46:12.400
<v Speaker 1>Of a tree in Atlanta. We're surrounded by beautiful trees.

0:46:12.680 --> 0:46:14.640
<v Speaker 1>I like that all sex is eco sex. You might

0:46:14.680 --> 0:46:17.840
<v Speaker 1>you might, uh you've had eco sex, then maybe you

0:46:18.160 --> 0:46:19.799
<v Speaker 1>might be having eco sex right now.

0:46:22.280 --> 0:46:28.760
<v Speaker 2>Reason Well, after the green Wedding to the Earth, Annie

0:46:28.800 --> 0:46:31.839
<v Speaker 2>and Beth had even larger and more theatrical weddings all

0:46:31.880 --> 0:46:34.640
<v Speaker 2>over the world. They were always collaborating with different artists,

0:46:35.000 --> 0:46:37.960
<v Speaker 2>so these are, like you know, often dozens to hundreds

0:46:38.000 --> 0:46:41.399
<v Speaker 2>of people working on these weddings. In the Blue Year,

0:46:41.680 --> 0:46:44.560
<v Speaker 2>they performed a wedding to the Adriatic Sea at the

0:46:44.640 --> 0:46:49.080
<v Speaker 2>Venice Biennial, and then they married the Sky in Oxford, UK.

0:46:49.760 --> 0:46:53.320
<v Speaker 2>In their Purple year, they had a nighttime rave marriage

0:46:53.320 --> 0:46:56.359
<v Speaker 2>to the Moon in l a. Annie and Best both

0:46:56.440 --> 0:46:58.719
<v Speaker 2>dressed like aliens. I think a lot of people did

0:46:58.800 --> 0:47:01.160
<v Speaker 2>sort of like an outer speed alien thing, and it

0:47:01.200 --> 0:47:03.600
<v Speaker 2>looked really fun. I would go to that party. They

0:47:03.600 --> 0:47:07.480
<v Speaker 2>also did a daytime ceremony with the Appalachian Mountains. In

0:47:07.520 --> 0:47:10.360
<v Speaker 2>the White Year, they married the Snow in Ottawa, Canada,

0:47:10.440 --> 0:47:13.840
<v Speaker 2>right after a huge snowstorm. Get line listen, and it

0:47:13.920 --> 0:47:16.279
<v Speaker 2>was in this beautiful like cathedral like church, and so

0:47:16.360 --> 0:47:19.440
<v Speaker 2>it was really pretty. In the Golden Year, they married

0:47:19.440 --> 0:47:22.480
<v Speaker 2>the Sun in San Francisco, and it's like it looks

0:47:22.520 --> 0:47:23.920
<v Speaker 2>like they're at the top of a mountain and its

0:47:23.920 --> 0:47:26.640
<v Speaker 2>sunset and it's all very beautiful. Of course, everyone is

0:47:26.680 --> 0:47:30.839
<v Speaker 2>wearing the colors, you know, of the theme and everything too,

0:47:30.920 --> 0:47:32.320
<v Speaker 2>so everybody's very on theme.

0:47:32.560 --> 0:47:37.319
<v Speaker 1>Can I say I would marry the Sun at sunrise

0:47:36.200 --> 0:47:39.560
<v Speaker 1>because otherwise as soon as you get married, it's gone,

0:47:39.640 --> 0:47:42.400
<v Speaker 1>it's gone. Well, San Francisco, probably sunset because they're in

0:47:42.440 --> 0:47:44.480
<v Speaker 1>the west, so you wouldn't really have a good sunrise,

0:47:44.920 --> 0:47:46.080
<v Speaker 1>but you'd have a great sunset.

0:47:46.480 --> 0:47:48.640
<v Speaker 2>That's probably so. But yeah, well, and then you can

0:47:48.640 --> 0:47:49.839
<v Speaker 2>go right into the wedding night.

0:47:50.000 --> 0:47:53.360
<v Speaker 1>Sure, but where's the groom he disappears.

0:47:52.920 --> 0:47:54.680
<v Speaker 2>I mean he passed out because he got too drunk.

0:47:55.560 --> 0:48:00.359
<v Speaker 2>It's not the first time. Even after there's seven year

0:48:00.480 --> 0:48:05.480
<v Speaker 2>Love Art Lab project ended, the weddings continued. They had

0:48:05.520 --> 0:48:10.280
<v Speaker 2>a punk, rock, all black wedding to coal in Spain,

0:48:10.520 --> 0:48:13.560
<v Speaker 2>in Spain's Coal Country, and they also had a dirty

0:48:13.600 --> 0:48:16.880
<v Speaker 2>wedding to the Soil in Austria, where like literally everybody

0:48:16.960 --> 0:48:20.560
<v Speaker 2>is like rolling around in dirt, they're wearing brown, they

0:48:20.560 --> 0:48:23.200
<v Speaker 2>look like they're rocks through something. It's very crazy, all right.

0:48:23.800 --> 0:48:26.399
<v Speaker 1>Well, in twenty thirteen, Beth Stevens went back to her

0:48:26.400 --> 0:48:30.520
<v Speaker 1>hometown in coal country to make a documentary about mountaintop

0:48:30.560 --> 0:48:35.120
<v Speaker 1>removal in West Virginia. A mountaintop removal or MTR is

0:48:35.120 --> 0:48:37.839
<v Speaker 1>also called mountaintop mining or MTM. You might have heard

0:48:37.880 --> 0:48:41.560
<v Speaker 1>it either ways. And it came about because tunneling underground

0:48:41.600 --> 0:48:45.000
<v Speaker 1>to get to coal seams is dangerous and expensive, and

0:48:45.040 --> 0:48:47.920
<v Speaker 1>people figured, all right, well, instead of going through the mountain,

0:48:48.880 --> 0:48:51.560
<v Speaker 1>why don't we just use explosives to take off whatever

0:48:51.680 --> 0:48:54.160
<v Speaker 1>is on top of the seam and expose the coal.

0:48:54.520 --> 0:48:57.720
<v Speaker 1>Right now, it is a lot safer, but it also destroys,

0:48:57.840 --> 0:49:00.880
<v Speaker 1>you know, a huge amount of habitat for for animals,

0:49:00.880 --> 0:49:05.960
<v Speaker 1>for plants, as well as obviously ruining the mountainous skyline.

0:49:06.239 --> 0:49:08.160
<v Speaker 1>Nobody wants a bunch of flat mountains.

0:49:08.560 --> 0:49:10.320
<v Speaker 2>They're not mountains anymore, they're.

0:49:10.120 --> 0:49:14.960
<v Speaker 1>Buttes, right. Plus, whatever they remove from the top of

0:49:15.000 --> 0:49:19.480
<v Speaker 1>the mountain often exposing four hundred vertical feet, so we're

0:49:19.520 --> 0:49:22.279
<v Speaker 1>talking about like a lot of rock and toxic byproduct

0:49:22.600 --> 0:49:26.839
<v Speaker 1>ends up getting dumped into neighboring valleys or hollers if

0:49:26.880 --> 0:49:32.080
<v Speaker 1>you know anything about most hollers are very important cultural

0:49:32.080 --> 0:49:33.000
<v Speaker 1>systems right.

0:49:33.000 --> 0:49:36.000
<v Speaker 2>Right, well, and people live in them. You know, it's

0:49:36.120 --> 0:49:38.320
<v Speaker 2>not great to dump toxic waste anywhere.

0:49:38.440 --> 0:49:40.520
<v Speaker 1>No, and there these are people who've had these homes

0:49:40.560 --> 0:49:45.840
<v Speaker 1>for you know, hundreds of years. Basically, the documentary itself

0:49:45.880 --> 0:49:49.600
<v Speaker 1>is called Goodbye Gaully Mountain, where Beth shows the struggle

0:49:49.760 --> 0:49:52.680
<v Speaker 1>of a community who who love their natural mountain environment,

0:49:52.719 --> 0:49:56.680
<v Speaker 1>but also they rely on mountaintop removal for the local economy.

0:49:56.680 --> 0:49:59.600
<v Speaker 1>It's kind of trapped between two worlds there. Now. After

0:49:59.640 --> 0:50:03.280
<v Speaker 1>a screen of the film, Beth and Annie married Golly Mountain,

0:50:03.760 --> 0:50:07.920
<v Speaker 1>Beth explained to one interviewer quote eco sexuality inserts an

0:50:07.920 --> 0:50:11.759
<v Speaker 1>erotic humor that plays against the horrific subject matter so far,

0:50:11.840 --> 0:50:14.560
<v Speaker 1>the feedback that I've received at film previews makes me

0:50:14.640 --> 0:50:18.080
<v Speaker 1>realize that these are effective strategies for creating space to

0:50:18.120 --> 0:50:21.880
<v Speaker 1>briefly cut the feeling of despair the MTR evokes.

0:50:22.520 --> 0:50:26.319
<v Speaker 2>This is interesting to me because actually, your mom just

0:50:26.400 --> 0:50:29.360
<v Speaker 2>shared on Facebook this morning an article from I Believe

0:50:29.520 --> 0:50:35.560
<v Speaker 2>Forbes about sol nostalgia, which is the feeling of depression

0:50:35.600 --> 0:50:39.880
<v Speaker 2>and anxiety that comes from knowing that your environment is

0:50:39.880 --> 0:50:44.080
<v Speaker 2>in danger basically, so it was like the kind of

0:50:44.120 --> 0:50:47.359
<v Speaker 2>deep grief that you can feel when a natural landscape

0:50:47.440 --> 0:50:50.480
<v Speaker 2>that you're used to is changing dramatically around you. That

0:50:50.560 --> 0:50:53.839
<v Speaker 2>kind of thing, which is interesting that there's a word

0:50:53.880 --> 0:50:56.399
<v Speaker 2>for it. But also like the fact that they were

0:50:56.440 --> 0:51:01.200
<v Speaker 2>tapping into early on that climate change and global warming,

0:51:01.560 --> 0:51:06.319
<v Speaker 2>you know, environmental disaster, impending doom kind of stuff is

0:51:06.360 --> 0:51:08.800
<v Speaker 2>really depressing. It's very hard to look at it because

0:51:08.840 --> 0:51:11.799
<v Speaker 2>it makes you feel so hopeless and impotent. If the

0:51:11.840 --> 0:51:14.319
<v Speaker 2>world is ending, what are you supposed to do? You

0:51:14.320 --> 0:51:16.239
<v Speaker 2>know what I mean? So I think they're kind of

0:51:16.280 --> 0:51:19.000
<v Speaker 2>tapped into that a little early on, and we're now

0:51:19.200 --> 0:51:22.160
<v Speaker 2>just now kind of talking about it a little more.

0:51:22.840 --> 0:51:26.800
<v Speaker 1>Reminds me of on Reddit recently, I read someone talking

0:51:26.800 --> 0:51:30.040
<v Speaker 1>about the concept of sonder. It's sort of the opposite

0:51:30.080 --> 0:51:32.960
<v Speaker 1>of sollipsism, like where you're very internally focused in your

0:51:33.000 --> 0:51:35.080
<v Speaker 1>world is the center of all things, and sounder is

0:51:35.120 --> 0:51:39.399
<v Speaker 1>sort of like, oh, there's storms happening on Venus right now.

0:51:39.760 --> 0:51:42.360
<v Speaker 1>You know, there's a guy in Spain eating a sandwich

0:51:42.400 --> 0:51:45.640
<v Speaker 1>and live in his life. It's this recognition that every

0:51:45.760 --> 0:51:48.800
<v Speaker 1>random person and even places where there are no people,

0:51:49.080 --> 0:51:53.279
<v Speaker 1>are experiencing time passing. Stuff is happening outside of your

0:51:53.320 --> 0:51:58.799
<v Speaker 1>perception of it. Yeah, and I find it both kind

0:51:58.800 --> 0:52:01.920
<v Speaker 1>of overwhelming to think about that because it's huge and

0:52:01.960 --> 0:52:03.799
<v Speaker 1>it makes you feel very It can make you feel

0:52:03.840 --> 0:52:06.960
<v Speaker 1>very insignificant. But someone also pointed out it can have

0:52:07.000 --> 0:52:10.880
<v Speaker 1>the opposite effect, where you feel there's so much existing

0:52:11.000 --> 0:52:15.280
<v Speaker 1>out there in the universe, your existence is very unique

0:52:15.280 --> 0:52:19.600
<v Speaker 1>and special, so it's kind of amazing feel the same time.

0:52:19.840 --> 0:52:22.359
<v Speaker 2>You know who had a butt ton of sonder is

0:52:22.440 --> 0:52:25.800
<v Speaker 2>Kurt Vonnegut. Oh yeah, if you read any of his books,

0:52:26.040 --> 0:52:28.320
<v Speaker 2>he loves to do that where he'll just have someone

0:52:28.360 --> 0:52:30.560
<v Speaker 2>bump into somebody and then he'll tell you who they

0:52:30.600 --> 0:52:32.960
<v Speaker 2>bumped into his whole life yea, Like he'll just kind

0:52:32.960 --> 0:52:34.920
<v Speaker 2>of be like and then eventually they you know, whatever

0:52:34.960 --> 0:52:37.640
<v Speaker 2>happens to them, and they're not important to the story,

0:52:37.760 --> 0:52:40.080
<v Speaker 2>but he just tells you everything about them. And I

0:52:40.120 --> 0:52:42.480
<v Speaker 2>remember reading one of his books and being like, man,

0:52:42.520 --> 0:52:44.399
<v Speaker 2>how many people have I bumped into? And I haven't

0:52:44.400 --> 0:52:46.759
<v Speaker 2>thought about what they did after that? Like they cease

0:52:46.840 --> 0:52:49.200
<v Speaker 2>to exist for me basically, and I cease to exist

0:52:49.200 --> 0:52:51.920
<v Speaker 2>for them. But we both went on to continue to

0:52:51.960 --> 0:52:54.480
<v Speaker 2>do shit, right, Yeah, so that's really crazy.

0:52:54.800 --> 0:52:57.760
<v Speaker 1>Yeah, A butt ton of Sounder by Kurt Vonnegut.

0:52:57.880 --> 0:52:59.359
<v Speaker 2>He would write, he would write it, and he would

0:52:59.360 --> 0:53:02.800
<v Speaker 2>do this little ass drawing right on top. Well, both

0:53:02.840 --> 0:53:06.920
<v Speaker 2>in Annie's weddings. These eco sex weddings really struck a

0:53:07.000 --> 0:53:09.040
<v Speaker 2>chord with the art world and with a lot of

0:53:09.040 --> 0:53:12.480
<v Speaker 2>people because even after they stopped organizing the weddings themselves,

0:53:12.560 --> 0:53:16.040
<v Speaker 2>they kept getting married. Right before the pandemic, a group

0:53:16.080 --> 0:53:20.800
<v Speaker 2>called Future Farmers organized a wedding for them to marry

0:53:20.840 --> 0:53:24.719
<v Speaker 2>the fog at Uc Santa Cruz and then I bet

0:53:24.760 --> 0:53:26.359
<v Speaker 2>they used a lot of tool you know what I mean,

0:53:26.440 --> 0:53:29.520
<v Speaker 2>like something, oh, sure like that. And then in twenty

0:53:29.520 --> 0:53:32.880
<v Speaker 2>twenty one and artists married them to the brine shrimp

0:53:33.080 --> 0:53:37.040
<v Speaker 2>of Great Salt Lake in Utah. All told, they've apparently

0:53:37.040 --> 0:53:41.160
<v Speaker 2>performed something like nineteen weddings and nine countries. They've also

0:53:41.280 --> 0:53:43.960
<v Speaker 2>toured two person shows all over the world, and then

0:53:44.000 --> 0:53:46.279
<v Speaker 2>in twenty seventeen they were part of a German art

0:53:46.360 --> 0:53:51.600
<v Speaker 2>festival called Documenta fourteen. This is a really interesting arts festival.

0:53:51.600 --> 0:53:53.760
<v Speaker 2>I would love to attend one day in my life

0:53:53.840 --> 0:53:58.200
<v Speaker 2>because it happens every five years and it lasts nine months.

0:53:58.760 --> 0:54:01.640
<v Speaker 2>So the selection process, I think you get like like

0:54:01.800 --> 0:54:04.960
<v Speaker 2>three years to work on your projects and then you

0:54:04.960 --> 0:54:07.560
<v Speaker 2>have a whole nine months to work with with your project.

0:54:07.960 --> 0:54:11.560
<v Speaker 2>So people do various different performances and installations. They can

0:54:11.600 --> 0:54:15.120
<v Speaker 2>do some really large scale stuff at Documenta and Beth

0:54:15.160 --> 0:54:16.719
<v Speaker 2>and Annie were no different. They did a bunch of

0:54:16.760 --> 0:54:19.799
<v Speaker 2>shit document To fourteen. They screened their newest film, which

0:54:19.840 --> 0:54:24.239
<v Speaker 2>is called Water Makes Us Wet. Love it All their

0:54:24.280 --> 0:54:27.440
<v Speaker 2>titles are amazing. They set up a bed in a

0:54:27.560 --> 0:54:30.279
<v Speaker 2>museum lobby where they would cuddle people between them for

0:54:30.320 --> 0:54:34.520
<v Speaker 2>seven minutes, which Annie called quote an anti Trump Wall

0:54:34.680 --> 0:54:38.560
<v Speaker 2>protest of sorts. And they also did an eco sex

0:54:38.760 --> 0:54:41.560
<v Speaker 2>walking tour. The idea of that is just being like

0:54:41.680 --> 0:54:44.120
<v Speaker 2>you would walk around and you'd have your attention called

0:54:44.160 --> 0:54:48.200
<v Speaker 2>to stamens, you know, and like, oh, yes, erotic flower,

0:54:48.280 --> 0:54:50.320
<v Speaker 2>you know, like just look at the look at that flower,

0:54:50.360 --> 0:54:52.600
<v Speaker 2>begging for your attention kind of kind of thing, just

0:54:52.600 --> 0:54:53.799
<v Speaker 2>to call your attention to.

0:54:53.880 --> 0:54:55.400
<v Speaker 1>The next flowers thirsty.

0:54:55.680 --> 0:55:00.680
<v Speaker 2>Oh that flower is for you, baby. But Annie and

0:55:00.800 --> 0:55:04.759
<v Speaker 2>Beth are far from the only ecosexuals out there. We've

0:55:04.760 --> 0:55:07.839
<v Speaker 2>talked about a couple already, but there's several more and

0:55:07.880 --> 0:55:12.120
<v Speaker 2>we will fill you in, fill you up all right

0:55:12.320 --> 0:55:21.319
<v Speaker 2>right after this, welcome back, all right.

0:55:21.320 --> 0:55:26.800
<v Speaker 1>According to The Guardian, right before document, Annie and Beth

0:55:26.920 --> 0:55:31.200
<v Speaker 1>hosted their fourth and largest ecosexual symposium, and this included

0:55:31.640 --> 0:55:35.520
<v Speaker 1>three hundred ecosexuals from all over the world and performances

0:55:35.520 --> 0:55:40.640
<v Speaker 1>that included quote eco sexy Shakespeare from Luke Dixon, the

0:55:40.680 --> 0:55:44.840
<v Speaker 1>founder of Theaterre Nomad in the UK, a demonstration of

0:55:45.280 --> 0:55:48.600
<v Speaker 1>grass Lingus by Annie Sprinkle on the law of you

0:55:48.680 --> 0:55:54.000
<v Speaker 1>see Santa Cruz, and a very eco sexy poem which

0:55:54.080 --> 0:55:57.560
<v Speaker 1>we'll of course read for you right now. So let's

0:55:57.640 --> 0:55:59.879
<v Speaker 1>go down to poetry Corner and.

0:55:59.800 --> 0:56:05.320
<v Speaker 7>Read maybe one of the most poetry corner poems, Dirt,

0:56:05.920 --> 0:56:10.680
<v Speaker 7>which was originally written and performed by the musician Peaches.

0:56:11.920 --> 0:56:12.280
<v Speaker 1>Dirt.

0:56:12.960 --> 0:56:18.000
<v Speaker 2>Dirt Dirty, dirt, dirt. Stay away from the dirt. You'll

0:56:18.040 --> 0:56:22.880
<v Speaker 2>get dirty. It's a mess. Yes, Yes, we want to

0:56:22.920 --> 0:56:26.560
<v Speaker 2>get down and dirty. Hit the dirt, dig in the dirt.

0:56:27.760 --> 0:56:32.319
<v Speaker 7>Dirt is a wonder. Dirt is real, Dirt is precious.

0:56:32.640 --> 0:56:37.880
<v Speaker 7>Dirt gives us breath. Dirt will sustain us. Dirt makes life.

0:56:38.160 --> 0:56:41.480
<v Speaker 7>Dirt is life. We need to be dirty.

0:56:41.840 --> 0:56:48.160
<v Speaker 6>We neeed dirt, break it down, earthworm, break it down,

0:56:48.440 --> 0:56:55.480
<v Speaker 6>break it down, fungy, love me, humble, humous, all hail bacteria,

0:56:56.040 --> 0:57:02.280
<v Speaker 6>the criteria, release the nutrients, release, fertilize us.

0:57:02.719 --> 0:57:06.480
<v Speaker 2>Treat us like dirt. Give us dirt.

0:57:07.480 --> 0:57:12.640
<v Speaker 7>We want to be soiled, richly soiled in sand, silt

0:57:12.760 --> 0:57:13.360
<v Speaker 7>and clay.

0:57:13.760 --> 0:57:15.720
<v Speaker 1>We will lay, We will lay.

0:57:16.280 --> 0:57:19.920
<v Speaker 7>Let's get dirt on our hands. Cover us in dirt,

0:57:20.320 --> 0:57:21.960
<v Speaker 7>make us dirty.

0:57:22.160 --> 0:57:26.240
<v Speaker 1>Dirt is the shit. Dirt is the shit.

0:57:28.840 --> 0:57:33.760
<v Speaker 2>All right, Peaches, that sounds like a Peacha song. I

0:57:33.760 --> 0:57:35.600
<v Speaker 2>would listen to her do it, because you know she

0:57:35.640 --> 0:57:38.560
<v Speaker 2>would do so cootiou oh yeah, oh yeah.

0:57:38.560 --> 0:57:40.840
<v Speaker 1>It's probably got insane backing tracks.

0:57:41.080 --> 0:57:45.080
<v Speaker 2>Oh my god, insane stuff. Also eco sexy Shakespeare. I

0:57:45.120 --> 0:57:48.280
<v Speaker 2>wish I could find some text for that, but right

0:57:48.520 --> 0:57:52.800
<v Speaker 2>it's nowhere. So Luke Dixon. If you're listening, I want

0:57:52.800 --> 0:57:57.080
<v Speaker 2>to transcri. Is it like two bees or not? Two bees?

0:57:57.520 --> 0:57:58.440
<v Speaker 1>Oh? Two bees?

0:57:58.920 --> 0:58:01.880
<v Speaker 2>Or is it like? Shall I compare thee to a

0:58:01.960 --> 0:58:07.160
<v Speaker 2>summer's day? Thou art more sexy?

0:58:07.320 --> 0:58:13.480
<v Speaker 1>I don't know, uh I just every Shakespeare quote I

0:58:13.560 --> 0:58:17.720
<v Speaker 1>ever learned just vanished from my mind. And I I've

0:58:17.760 --> 0:58:24.280
<v Speaker 1>done three Shakespeare plays in my life. You sure have, yep, nothing.

0:58:24.920 --> 0:58:28.160
<v Speaker 2>The quality of booty is not straight.

0:58:28.320 --> 0:58:28.800
<v Speaker 1>There we go.

0:58:29.040 --> 0:58:38.320
<v Speaker 2>It droppeth gentle rain hot like it is hot. It

0:58:38.480 --> 0:58:43.520
<v Speaker 2>droppeth like it is hot. In Interview magazine, Annie Sprinkle

0:58:43.760 --> 0:58:47.600
<v Speaker 2>also mentions a Chinese artist who made like ecosexual art.

0:58:48.040 --> 0:58:51.680
<v Speaker 2>Their name is Xiangbo and they have an ongoing film

0:58:51.760 --> 0:58:56.720
<v Speaker 2>series since twenty sixteen called Terra Doophilia, where he showcases

0:58:56.840 --> 0:58:59.680
<v Speaker 2>a sexual act with a terra do fight or a

0:59:00.320 --> 0:59:03.520
<v Speaker 2>dispersing plants in a forest in Taiwan.

0:59:03.720 --> 0:59:04.000
<v Speaker 1>Okay.

0:59:04.520 --> 0:59:08.680
<v Speaker 2>ARTnews dot Com describes the videos as showing quote close

0:59:08.760 --> 0:59:13.200
<v Speaker 2>up shots of men, some of them BDSM performers stroking

0:59:13.240 --> 0:59:17.840
<v Speaker 2>their penises with ferns, rubbing their nipples against spikey stern,

0:59:18.600 --> 0:59:24.160
<v Speaker 2>rubbing their nipples against spiky stems, or ejaculating onto tendrils

0:59:24.200 --> 0:59:27.360
<v Speaker 2>that then drip with semen. All right, I know. I

0:59:27.400 --> 0:59:29.240
<v Speaker 2>was like, this is not a movie I would spend

0:59:29.280 --> 0:59:31.000
<v Speaker 2>a last time watching, probably myself.

0:59:31.240 --> 0:59:35.360
<v Speaker 1>Well, I'm thinking about the one brief time I tried

0:59:35.400 --> 0:59:38.520
<v Speaker 1>gardening and I pulled some some some of these little

0:59:38.520 --> 0:59:41.600
<v Speaker 1>clover looking plants out of the ground and came back

0:59:41.600 --> 0:59:44.680
<v Speaker 1>and my hand just turned red. They were all it

0:59:44.720 --> 0:59:46.680
<v Speaker 1>was like I was having some kind of reaction. And

0:59:46.720 --> 0:59:49.120
<v Speaker 1>then I was told by our friend Sammy, who's you know,

0:59:49.240 --> 0:59:54.320
<v Speaker 1>professional landscaper gardener. She said, oh, no, one's allergic to those. Oh.

0:59:54.520 --> 0:59:57.959
<v Speaker 1>I was like, well, I something happened here, so it's

0:59:58.000 --> 1:00:00.200
<v Speaker 1>just me. So maybe I'm hyper reactive to every thing.

1:00:00.240 --> 1:00:02.320
<v Speaker 1>And I don't want to rub my deck on any ferns.

1:00:03.200 --> 1:00:04.720
<v Speaker 2>I don't want you to rub your deck on any

1:00:04.720 --> 1:00:05.640
<v Speaker 2>ferns either, Babe.

1:00:05.720 --> 1:00:07.479
<v Speaker 1>Done well.

1:00:07.680 --> 1:00:10.600
<v Speaker 2>Zang isn't just making these for your shits and giggles

1:00:10.680 --> 1:00:13.920
<v Speaker 2>or anything. He feels it. By showing queer men having

1:00:13.960 --> 1:00:18.400
<v Speaker 2>relations with ferns, which are kind of common undervalued plants,

1:00:19.920 --> 1:00:25.520
<v Speaker 2>he is quote emphasizing structures of marginalization across species and

1:00:25.680 --> 1:00:30.040
<v Speaker 2>proposes possibilities of intimacy between them. So kind of you know,

1:00:30.560 --> 1:00:33.840
<v Speaker 2>ferns are lesser than our orchids, but who says and why?

1:00:33.960 --> 1:00:37.080
<v Speaker 2>And you know, and so like who is lesser person?

1:00:37.120 --> 1:00:39.280
<v Speaker 2>And who says and why? Okay, And this is kind

1:00:39.280 --> 1:00:41.840
<v Speaker 2>of reminiscent of Annie's work. Annie Sprinkle's work in the

1:00:41.840 --> 1:00:45.040
<v Speaker 2>post porn movements, where she's she was very concerned with

1:00:45.160 --> 1:00:49.960
<v Speaker 2>stereotypes in pornography, representation and porn. That's why she was

1:00:50.000 --> 1:00:52.760
<v Speaker 2>trying to make transgender porn and stuff like that. She

1:00:52.920 --> 1:00:55.480
<v Speaker 2>was kind of and you know, which bodies are allowed

1:00:55.520 --> 1:00:59.240
<v Speaker 2>to be portrayed as sexual bodies? Okay, So I'm sure

1:00:59.280 --> 1:01:02.560
<v Speaker 2>she also was thinking about plus size women and plus

1:01:02.600 --> 1:01:06.240
<v Speaker 2>size men and you know, just what we consider to

1:01:06.320 --> 1:01:08.800
<v Speaker 2>be sexy and sexual and stuff like that.

1:01:09.480 --> 1:01:13.360
<v Speaker 1>Xeng has a less graphic, sixteen minute dance video that

1:01:13.400 --> 1:01:17.000
<v Speaker 1>came out in twenty twenty one called Le Sacre de prentopes,

1:01:17.520 --> 1:01:21.520
<v Speaker 1>which means The Right of Spring, where quote naked men

1:01:21.720 --> 1:01:26.240
<v Speaker 1>gyrate passionately against trees in a verdant forest. They writhe

1:01:26.280 --> 1:01:30.080
<v Speaker 1>and moan in ecstasy. At midpoint, the camera turns upside

1:01:30.080 --> 1:01:32.560
<v Speaker 1>down as the men dropped to the ground. What was

1:01:32.600 --> 1:01:36.400
<v Speaker 1>a frenzy dissipates into serenity. As they lie still, their

1:01:36.400 --> 1:01:40.480
<v Speaker 1>bodies melting into the mossy floor. What the artist calls

1:01:40.800 --> 1:01:45.200
<v Speaker 1>an eco sexual courtship. So a little less, you know,

1:01:45.240 --> 1:01:48.720
<v Speaker 1>ejaculating on plants and more just kind of a becoming

1:01:48.760 --> 1:01:50.760
<v Speaker 1>one with the earth and a dance yet.

1:01:50.840 --> 1:01:52.760
<v Speaker 2>More of a dance film than a sex film, I.

1:01:52.680 --> 1:01:57.040
<v Speaker 1>Guess into it. Much like Annie and Beth. Jang sees

1:01:57.160 --> 1:02:01.160
<v Speaker 1>sexuality as this sort of mundane fact of life and nature, right,

1:02:01.320 --> 1:02:05.040
<v Speaker 1>like it just happens, He told Art News. Quote, sex

1:02:05.200 --> 1:02:08.280
<v Speaker 1>is everywhere in nature and interspecies. Sex is not a

1:02:08.360 --> 1:02:11.720
<v Speaker 1>human invention. He pointed to things like orchids that evolved

1:02:11.720 --> 1:02:15.360
<v Speaker 1>to look like bees visually, and that of course tempts

1:02:15.400 --> 1:02:18.560
<v Speaker 1>bees and to coming in and trying to hump a flower,

1:02:19.160 --> 1:02:22.320
<v Speaker 1>and that helps ponate them. Right. So a Sierra Club

1:02:22.360 --> 1:02:24.760
<v Speaker 1>even suggests that our old friend Walt Whitman might have

1:02:24.760 --> 1:02:27.800
<v Speaker 1>been an eco sexual. They quoted this passage in song

1:02:27.880 --> 1:02:31.680
<v Speaker 1>of Myself quote, it is for my mouth forever. I

1:02:31.720 --> 1:02:33.640
<v Speaker 1>am in love with it. I will go to the

1:02:33.680 --> 1:02:37.600
<v Speaker 1>bank by the wood and become undisguised and naked. I

1:02:37.640 --> 1:02:39.840
<v Speaker 1>am mad for it to be in contact with me.

1:02:41.400 --> 1:02:44.120
<v Speaker 2>Actually, yeah, that does kind of make him sound like

1:02:44.120 --> 1:02:44.959
<v Speaker 2>an ecosexual.

1:02:45.120 --> 1:02:48.480
<v Speaker 1>I certainly would lean more towards that he was a

1:02:48.680 --> 1:02:53.560
<v Speaker 1>poet who was good with metaphor, rather than like him

1:02:53.800 --> 1:02:56.640
<v Speaker 1>literally saying I want to fuck this river, yeah, you

1:02:56.640 --> 1:02:57.360
<v Speaker 1>know or whatever.

1:02:58.000 --> 1:03:02.280
<v Speaker 2>Well, several of our subjects have loved some naked sunbathing.

1:03:03.040 --> 1:03:06.280
<v Speaker 2>Harry Crosby, for example, who was married to Caress Crosby,

1:03:06.360 --> 1:03:09.960
<v Speaker 2>who invented the bra than the modern bra, he loved

1:03:10.000 --> 1:03:13.480
<v Speaker 2>to sunbathe naked, and Ben Franklin liked to liked an

1:03:13.480 --> 1:03:16.440
<v Speaker 2>air bath. Sure, so I don't know how much that

1:03:16.600 --> 1:03:21.600
<v Speaker 2>is ecosexuality and how much that was like Ben Franklin

1:03:21.760 --> 1:03:24.720
<v Speaker 2>literally thought there was some medicinal property to it, or

1:03:24.760 --> 1:03:29.600
<v Speaker 2>like people who sun their assholes whatever that's called. People

1:03:29.640 --> 1:03:32.320
<v Speaker 2>do still doing that, I think, And whereas.

1:03:32.000 --> 1:03:34.600
<v Speaker 1>Me like, I want to dress like a Jawa every

1:03:34.600 --> 1:03:40.800
<v Speaker 1>time I go outside, cloak, no sand or sun or

1:03:41.400 --> 1:03:43.400
<v Speaker 1>little gold eyes.

1:03:43.360 --> 1:03:45.560
<v Speaker 2>Golden goggles. I'll help you see in.

1:03:45.520 --> 1:03:47.200
<v Speaker 1>A tub storm, I'm good.

1:03:48.880 --> 1:03:52.840
<v Speaker 2>More recently, Annie was a consultant on the HBO series

1:03:52.880 --> 1:03:55.280
<v Speaker 2>The Deuce. That show. That's the show that shows the

1:03:55.360 --> 1:03:57.200
<v Speaker 2>rise of the sex industry in New York in the

1:03:57.240 --> 1:03:59.960
<v Speaker 2>seventies and eighties, what some people call The Golden Age

1:04:00.080 --> 1:04:03.400
<v Speaker 2>d of Porn. I didn't either. It stars Jane James

1:04:03.480 --> 1:04:06.760
<v Speaker 2>Franco and Maggie Jillen Hall. I know, I was like,

1:04:08.240 --> 1:04:10.840
<v Speaker 2>but Maggie Jillen Hall is great. Annie apparently, I guess,

1:04:10.960 --> 1:04:13.480
<v Speaker 2>was giving her most of the consultation. There was a

1:04:13.720 --> 1:04:16.760
<v Speaker 2>lot about the mindset around sex, sex work and stuff

1:04:16.800 --> 1:04:20.200
<v Speaker 2>like that, and so that's that's definitely very interesting, especially

1:04:20.200 --> 1:04:21.920
<v Speaker 2>if you're someone like me, who is who is a

1:04:21.920 --> 1:04:23.520
<v Speaker 2>little bit of a prude. When it comes to my

1:04:23.600 --> 1:04:25.960
<v Speaker 2>own body, I don't care about what anybody else is doing,

1:04:26.000 --> 1:04:29.040
<v Speaker 2>but when it comes to my own body, it's very particular.

1:04:29.080 --> 1:04:32.080
<v Speaker 2>People are allowed to touch and stuff of steam naked

1:04:32.160 --> 1:04:35.360
<v Speaker 2>or something like that. So I think Maggie maybe has

1:04:35.920 --> 1:04:37.840
<v Speaker 2>you know, she was sort of like saying it was

1:04:37.880 --> 1:04:40.280
<v Speaker 2>hard to get into that mindset, and Annie gave her

1:04:40.360 --> 1:04:43.000
<v Speaker 2>for some real help with that or whatever. Beth and

1:04:43.040 --> 1:04:46.000
<v Speaker 2>Annie updated the Eco Sex Manifesto to respond to COVID

1:04:46.040 --> 1:04:49.760
<v Speaker 2>policies like social distancing and masking, and there's even like

1:04:49.840 --> 1:04:52.840
<v Speaker 2>pictures of some eco sexuals wearing masks that have like

1:04:52.920 --> 1:04:56.160
<v Speaker 2>grass sprouting from it, and so you know, they kept

1:04:56.160 --> 1:04:59.080
<v Speaker 2>the they kept the vibes going all right during the pandemic.

1:05:00.040 --> 1:05:03.000
<v Speaker 2>And Annie is also in recovery from both lung cancer

1:05:03.200 --> 1:05:07.560
<v Speaker 2>and breast cancer, which said at least in twenty nineteen

1:05:07.720 --> 1:05:10.840
<v Speaker 2>or twenty twenty when she gave this interview magazine interview.

1:05:10.960 --> 1:05:13.800
<v Speaker 2>She says, she's doing fine now, but of course that

1:05:14.120 --> 1:05:15.959
<v Speaker 2>you know, took them away from art for a minute.

1:05:15.960 --> 1:05:19.280
<v Speaker 2>They had more important things to do. And she also

1:05:19.360 --> 1:05:21.920
<v Speaker 2>thinks that maybe the breast cancer may have been a

1:05:21.920 --> 1:05:24.920
<v Speaker 2>result of some toxic permanent ink that she used in

1:05:24.960 --> 1:05:28.680
<v Speaker 2>the nineties. She used to make these tit prints, she

1:05:28.800 --> 1:05:31.200
<v Speaker 2>called them, and they had like cubists or heart shaped

1:05:31.280 --> 1:05:34.560
<v Speaker 2>or like cone shaped boobs, you know, different with like

1:05:34.680 --> 1:05:37.800
<v Speaker 2>kind of it almost looks like tin types or something

1:05:37.840 --> 1:05:42.160
<v Speaker 2>like that. But anyway, they're fun, and she says, you

1:05:42.200 --> 1:05:45.400
<v Speaker 2>know a lot of artists, you know, they get killed

1:05:45.400 --> 1:05:47.840
<v Speaker 2>by their materials because people use toxic pains, so they

1:05:47.840 --> 1:05:50.160
<v Speaker 2>have films or whatever. And she's like, that's just that's

1:05:50.200 --> 1:05:51.080
<v Speaker 2>part of the life.

1:05:51.240 --> 1:05:51.439
<v Speaker 1>Yeah.

1:05:52.200 --> 1:05:54.720
<v Speaker 2>But she's also trying to get her body of work archived,

1:05:54.720 --> 1:05:57.600
<v Speaker 2>including all her tit prints and all her writing and

1:05:57.640 --> 1:06:00.760
<v Speaker 2>all these amazing photos that she's taken over the years,

1:06:01.360 --> 1:06:04.520
<v Speaker 2>tons of her educational material and stuff, like that, so

1:06:04.520 --> 1:06:08.760
<v Speaker 2>she's working to get that archived, hopefully at Harvard. She

1:06:08.920 --> 1:06:12.200
<v Speaker 2>mentioned in the Interview magazine that their Schlessinger Library has

1:06:12.280 --> 1:06:14.520
<v Speaker 2>a sex worker archive. Oh nice, which I think is

1:06:14.560 --> 1:06:17.840
<v Speaker 2>really cool. So kind of maintaining some of that history, right,

1:06:17.920 --> 1:06:20.560
<v Speaker 2>people who actually lived that history, instead of from the

1:06:20.600 --> 1:06:22.640
<v Speaker 2>perspective of people who are judging it from one way

1:06:22.680 --> 1:06:24.960
<v Speaker 2>or another. Right, So I think that's really cool. Hopefully

1:06:25.000 --> 1:06:27.120
<v Speaker 2>she does get her It seems like she would deserve

1:06:27.320 --> 1:06:29.000
<v Speaker 2>a place in the Schlessinger Library.

1:06:29.120 --> 1:06:33.479
<v Speaker 1>That's awesome, man, good for good for them and still

1:06:33.520 --> 1:06:35.800
<v Speaker 1>at it, which I love too. They must be what

1:06:35.920 --> 1:06:41.480
<v Speaker 1>nineteen fifty four, so almost seventy now, yeah, actually she's

1:06:41.840 --> 1:06:45.640
<v Speaker 1>sixty nine.

1:06:44.920 --> 1:06:48.360
<v Speaker 2>Do you know? Nice?

1:06:49.920 --> 1:06:52.840
<v Speaker 1>That's cool? Wow, yeah, I think I mean, what do

1:06:52.920 --> 1:06:56.240
<v Speaker 1>I think? Well? On one hand, I like the sentiment

1:06:56.280 --> 1:06:58.360
<v Speaker 1>that we're all eco sexuals, right because we're all having

1:06:58.360 --> 1:07:04.240
<v Speaker 1>sex with natural living things of the earth. That's fine.

1:07:05.400 --> 1:07:07.160
<v Speaker 1>I don't need to roll around in the dirt as

1:07:07.280 --> 1:07:11.760
<v Speaker 1>was previous previously explained. I'm good with excluding the elements

1:07:11.760 --> 1:07:13.520
<v Speaker 1>for my life as much as possible. I'm a very

1:07:13.800 --> 1:07:17.640
<v Speaker 1>comfortable indoors. Well, I love the outdoors. I love camping,

1:07:18.040 --> 1:07:21.640
<v Speaker 1>of going out things like that. But but I don't

1:07:21.760 --> 1:07:27.360
<v Speaker 1>like bugs. So that's the main things. I just don't

1:07:27.440 --> 1:07:31.520
<v Speaker 1>like bugs. Keep them off of me. So I do

1:07:31.640 --> 1:07:35.680
<v Speaker 1>like a lot of clothes because they are to be

1:07:35.720 --> 1:07:36.520
<v Speaker 1>in my defense.

1:07:37.360 --> 1:07:40.920
<v Speaker 2>Bugs love me, they do.

1:07:41.120 --> 1:07:44.440
<v Speaker 1>And I've had a long history of like other beings

1:07:44.520 --> 1:07:46.720
<v Speaker 1>being really attracted to me that I'm that I have

1:07:46.760 --> 1:07:48.560
<v Speaker 1>to kind of fend off. It's been sort of the

1:07:48.600 --> 1:07:49.400
<v Speaker 1>story of my life.

1:07:50.680 --> 1:07:52.560
<v Speaker 2>Now, this is actually a good point that you've just

1:07:52.600 --> 1:07:54.840
<v Speaker 2>brought up. Oh yeah, because of all nineteen at the

1:07:54.840 --> 1:07:58.640
<v Speaker 2>weddings that we looked into, not a single one of

1:07:58.680 --> 1:07:59.920
<v Speaker 2>them was to bugs.

1:08:00.120 --> 1:08:01.800
<v Speaker 1>Hell no, why would you marry bugs? Bug?

1:08:02.360 --> 1:08:04.560
<v Speaker 2>They're part of the natural world. Well, you know, if

1:08:04.600 --> 1:08:07.360
<v Speaker 2>there weren't bugs, lots of things wouldn't eat, lots of

1:08:07.440 --> 1:08:10.720
<v Speaker 2>things would not pro create, lots of things would not pollenate.

1:08:10.800 --> 1:08:12.480
<v Speaker 1>That's great, But you know what I want to do.

1:08:12.560 --> 1:08:15.560
<v Speaker 1>I want to hold a mass ceremony of divorce against

1:08:15.560 --> 1:08:21.320
<v Speaker 1>the bugs. I want to kick them out. No longer welcome. Here.

1:08:22.040 --> 1:08:24.559
<v Speaker 1>Take here's a box full of your stuff, Get out

1:08:24.560 --> 1:08:26.679
<v Speaker 1>and don't come back. Restraighting or to file.

1:08:26.840 --> 1:08:31.639
<v Speaker 2>Full of your stuff. Here's the silk from your cobweb.

1:08:31.080 --> 1:08:32.960
<v Speaker 1>You bastard. I love spiders.

1:08:33.040 --> 1:08:35.839
<v Speaker 2>I know spiders are great and not bugs, so technically

1:08:35.880 --> 1:08:37.200
<v Speaker 2>don't eat bugs.

1:08:36.880 --> 1:08:38.840
<v Speaker 1>And that's why spiders are dope. And they're all welcome

1:08:38.840 --> 1:08:40.160
<v Speaker 1>to my house as long as they stay up in

1:08:40.160 --> 1:08:41.839
<v Speaker 1>the corners and inside the walls.

1:08:41.680 --> 1:08:45.280
<v Speaker 2>Supposed to go. But yeah, I just think that's interesting.

1:08:45.439 --> 1:08:48.080
<v Speaker 2>I wonder why, why not if we could get them

1:08:48.120 --> 1:08:50.160
<v Speaker 2>to marry mosquitoes or something that is.

1:08:50.200 --> 1:08:53.519
<v Speaker 1>Less uh, because they said they're trying.

1:08:53.320 --> 1:08:54.920
<v Speaker 2>Pretty and less nice about nature.

1:08:55.040 --> 1:08:57.240
<v Speaker 1>Because they said they're also trying to have fun, true

1:08:58.760 --> 1:09:01.439
<v Speaker 1>and silly, and that's no what he wants. Who would

1:09:01.479 --> 1:09:04.040
<v Speaker 1>come to that wedding, the mosquito marriage, Like what are

1:09:04.040 --> 1:09:06.240
<v Speaker 1>you going to walk out naked into a swamp, like,

1:09:06.280 --> 1:09:09.559
<v Speaker 1>cover yourself in honey and say, have at it, mosquitos,

1:09:12.000 --> 1:09:14.160
<v Speaker 1>let's become one. No, I'm going to end up in

1:09:14.160 --> 1:09:14.679
<v Speaker 1>the hospital.

1:09:14.760 --> 1:09:18.000
<v Speaker 2>Oh well, they can marry bees. Bees are very important.

1:09:18.320 --> 1:09:21.280
<v Speaker 1>Bees are very important, and I think that bees really

1:09:21.320 --> 1:09:24.040
<v Speaker 1>like their space and I don't want to I do

1:09:24.080 --> 1:09:26.360
<v Speaker 1>not want to impose on a bee's space. Okay for

1:09:26.479 --> 1:09:30.479
<v Speaker 1>any stinging insect.

1:09:29.000 --> 1:09:31.759
<v Speaker 2>To say about an animal that lives like really packed

1:09:31.760 --> 1:09:34.040
<v Speaker 2>in with other bees that's why they're.

1:09:33.840 --> 1:09:36.679
<v Speaker 1>Like, we don't need any giant human bodies coming near us.

1:09:36.720 --> 1:09:38.320
<v Speaker 2>True, you take it up a lot of space.

1:09:38.479 --> 1:09:38.719
<v Speaker 1>Huh.

1:09:40.240 --> 1:09:42.960
<v Speaker 2>Would I would go to any of these weddings one

1:09:43.000 --> 1:09:45.720
<v Speaker 2>hundred per I think they're probably really easy to laugh at.

1:09:45.840 --> 1:09:47.680
<v Speaker 2>I'm sure a lot of people are laughing because it's

1:09:47.760 --> 1:09:51.720
<v Speaker 2>very hippie and very art this and that, and you

1:09:51.760 --> 1:09:54.639
<v Speaker 2>know it's it's it is easy to laugh at, for sure.

1:09:55.200 --> 1:09:57.280
<v Speaker 2>Would I like, I really like the vibe of it

1:09:57.360 --> 1:10:01.479
<v Speaker 2>and at ways, and the I like the foundation of it,

1:10:01.560 --> 1:10:03.400
<v Speaker 2>which is we need to find a different way to

1:10:03.439 --> 1:10:06.559
<v Speaker 2>think about the world that makes us respect it more. Yeah,

1:10:06.640 --> 1:10:09.080
<v Speaker 2>and cherish it more. Obviously calling it our mother is

1:10:09.120 --> 1:10:11.840
<v Speaker 2>not working, right, We are not taking care of it, yep.

1:10:11.960 --> 1:10:14.120
<v Speaker 2>So we need to think about different language around it

1:10:14.240 --> 1:10:18.960
<v Speaker 2>or different mindset around it. That's that's huge, right, changing mindset,

1:10:19.000 --> 1:10:20.080
<v Speaker 2>that's everything.

1:10:20.400 --> 1:10:22.920
<v Speaker 1>And we talk in the last episode about Sexy Gaya

1:10:23.000 --> 1:10:24.120
<v Speaker 1>from Captain Planet.

1:10:24.360 --> 1:10:25.080
<v Speaker 2>Oh, we sure did.

1:10:25.200 --> 1:10:27.000
<v Speaker 1>Yeah, I'd take her as a lover.

1:10:27.200 --> 1:10:27.680
<v Speaker 2>There you go.

1:10:29.320 --> 1:10:33.160
<v Speaker 1>I was gonna say. We recently talked about the perception

1:10:33.280 --> 1:10:37.320
<v Speaker 1>of artistic things like this as being pretentious and serious

1:10:37.360 --> 1:10:39.320
<v Speaker 1>and and I really like something like this that I

1:10:39.560 --> 1:10:42.560
<v Speaker 1>think they want you to laugh. Yeah, right, Like obviously

1:10:42.640 --> 1:10:47.160
<v Speaker 1>it's silly that I'm marrying the sun, you know. Yeah,

1:10:47.479 --> 1:10:50.040
<v Speaker 1>there's like there's a realness to it, like there's something

1:10:50.120 --> 1:10:52.479
<v Speaker 1>that we want you to take from this. But also

1:10:52.560 --> 1:10:55.000
<v Speaker 1>like if you're taking it so serious layers like this

1:10:55.160 --> 1:10:57.000
<v Speaker 1>is art and but you know, then you're doing it wrong.

1:10:57.040 --> 1:10:58.439
<v Speaker 1>You're kind of the whole point is kind of be

1:10:58.520 --> 1:11:00.960
<v Speaker 1>lighthearted about it. Yeah, have a good time. So I

1:11:00.960 --> 1:11:03.200
<v Speaker 1>imagine there's a lot of silliness and laughing and like,

1:11:03.560 --> 1:11:07.800
<v Speaker 1>look we're doing isn't it Isn't it ridiculous Because ridiculousness

1:11:08.640 --> 1:11:09.679
<v Speaker 1>is also joyful?

1:11:09.960 --> 1:11:12.000
<v Speaker 2>Yes, today, I really think that's so true.

1:11:12.160 --> 1:11:13.080
<v Speaker 1>Yeah, and I do.

1:11:13.160 --> 1:11:16.240
<v Speaker 2>I like that too, joy around loving the environment instead

1:11:16.280 --> 1:11:21.040
<v Speaker 2>of fear and moralistic shaming of others. You know, it's

1:11:21.040 --> 1:11:23.080
<v Speaker 2>more about like we love it out, go out and

1:11:23.160 --> 1:11:27.200
<v Speaker 2>touch grass. It's the touch grass movement basically of like

1:11:27.640 --> 1:11:30.240
<v Speaker 2>stop being inside on your screens, go out, look at

1:11:30.240 --> 1:11:34.640
<v Speaker 2>this miraculous world full of unpredictable surprises and beauty and

1:11:34.800 --> 1:11:36.519
<v Speaker 2>everything I do. I do. I like that.

1:11:36.680 --> 1:11:37.360
<v Speaker 1>I do like that.

1:11:37.479 --> 1:11:40.800
<v Speaker 2>Yeah, me too, fucking a vegetable too far from me,

1:11:41.320 --> 1:11:45.559
<v Speaker 2>too far? But you know what, I guess I don't

1:11:45.600 --> 1:11:46.640
<v Speaker 2>care as long as you're not doing it in the

1:11:46.680 --> 1:11:47.680
<v Speaker 2>grocery store in front of me.

1:11:49.640 --> 1:11:51.680
<v Speaker 1>And if you are, just make sure you buy that

1:11:51.720 --> 1:11:56.160
<v Speaker 1>one and don't put it back. I do. I'm really conscious.

1:11:56.240 --> 1:11:58.879
<v Speaker 2>This is another layer that is upsetting.

1:12:00.240 --> 1:12:02.240
<v Speaker 1>No one's fucking them in the grocery store. They are

1:12:03.320 --> 1:12:07.680
<v Speaker 1>purchasing them first. I've been very conscious lately about uh,

1:12:08.560 --> 1:12:11.000
<v Speaker 1>trying not to touch any produce that I'm not that

1:12:11.040 --> 1:12:12.680
<v Speaker 1>I don't put my cart. You know, I really like

1:12:12.720 --> 1:12:16.000
<v Speaker 1>sometimes you really have to pick up an avocado and

1:12:16.080 --> 1:12:18.400
<v Speaker 1>like give it a little grope and stuff, but it's

1:12:18.760 --> 1:12:20.920
<v Speaker 1>you know, like bell peppers. I really try to look

1:12:20.960 --> 1:12:23.000
<v Speaker 1>at it. Which ones looked rubbery. I don't want to

1:12:23.200 --> 1:12:26.200
<v Speaker 1>pick everyone up because you know, hey, everybody else is

1:12:26.200 --> 1:12:28.599
<v Speaker 1>doing that, and b let me just reduce the number

1:12:28.680 --> 1:12:30.640
<v Speaker 1>of hands that went out of this.

1:12:30.800 --> 1:12:34.200
<v Speaker 2>I mean, but you wash the vegetables before you cook them, right, No?

1:12:34.200 --> 1:12:37.240
<v Speaker 1>No, I put them in the cart bare naked. I

1:12:37.360 --> 1:12:40.080
<v Speaker 1>roll them down the conveyor belt at the grocery store

1:12:41.080 --> 1:12:44.080
<v Speaker 1>and then I and I just well, I'll rinse them

1:12:44.080 --> 1:12:46.160
<v Speaker 1>off in a puddle in the parking lot.

1:12:46.720 --> 1:12:50.080
<v Speaker 2>For a home and a stranger sneeze on them.

1:12:50.160 --> 1:12:51.680
<v Speaker 1>I just assume that they have. I don't know. I

1:12:51.720 --> 1:12:54.439
<v Speaker 1>can make more of an effort for that if you want, Okay, yeah,

1:12:54.439 --> 1:13:01.000
<v Speaker 1>no problem, just to make sure, yeah, I didn't assume. Yeah.

1:13:01.160 --> 1:13:03.120
<v Speaker 1>So that's the state of artists.

1:13:03.439 --> 1:13:05.160
<v Speaker 2>I will never eat another vegetable in.

1:13:09.720 --> 1:13:11.120
<v Speaker 1>Because I cook and I'm vegetarian.

1:13:11.240 --> 1:13:14.120
<v Speaker 2>We don't need a lot of me. I am screwed.

1:13:14.840 --> 1:13:18.040
<v Speaker 2>Thank you for tuning into my final episode before I

1:13:18.400 --> 1:13:25.000
<v Speaker 2>become closer to the Earth forever. I would love to

1:13:25.000 --> 1:13:27.320
<v Speaker 2>hear what y'all think about eco sex. Definitely, this is

1:13:27.360 --> 1:13:29.639
<v Speaker 2>a different one for us. It's a you know, usually

1:13:30.320 --> 1:13:34.800
<v Speaker 2>our our weird sexualities. They're they're pretty honestly into the

1:13:34.880 --> 1:13:37.400
<v Speaker 2>sex part, really like having sex with the cars or

1:13:38.000 --> 1:13:40.479
<v Speaker 2>marrying the buildings and stuff like. They're very much feeling

1:13:40.479 --> 1:13:43.479
<v Speaker 2>a romantic connection. And I'm not saying they're not, but

1:13:43.560 --> 1:13:46.680
<v Speaker 2>I feel like it's more of a more of a

1:13:46.680 --> 1:13:47.439
<v Speaker 2>political artist.

1:13:47.520 --> 1:13:48.559
<v Speaker 1>Ye. Message driven.

1:13:48.880 --> 1:13:52.120
<v Speaker 2>More message driven is a good way to put it. So,

1:13:52.520 --> 1:13:54.800
<v Speaker 2>but I don't know. I think they're very interesting women,

1:13:54.880 --> 1:13:55.439
<v Speaker 2>that's for sure.

1:13:55.560 --> 1:13:57.800
<v Speaker 1>I certainly would not be bored having a conversation with them.

1:13:57.960 --> 1:13:59.760
<v Speaker 2>I don't think you would do it well. We would

1:13:59.800 --> 1:14:03.679
<v Speaker 2>love to hear what you think about ecosexuality, about Annie Sprinkle?

1:14:04.280 --> 1:14:09.519
<v Speaker 2>Have you seen deep inside Annie Sprinkle? You see you know?

1:14:09.560 --> 1:14:11.639
<v Speaker 2>Do you know anything about Beth Stevens, I mean, any

1:14:11.640 --> 1:14:13.680
<v Speaker 2>any of this that struck a chord with you. We

1:14:13.720 --> 1:14:17.280
<v Speaker 2>would love to hear from you. As always, our email

1:14:17.320 --> 1:14:19.599
<v Speaker 2>address is ridict Romance at gmail dot com.

1:14:19.600 --> 1:14:21.760
<v Speaker 1>That's right. You can find us on Instagram. I'm at

1:14:21.760 --> 1:14:22.840
<v Speaker 1>Oh great, it's Eli.

1:14:23.080 --> 1:14:27.240
<v Speaker 4>I'm at Dianamite Boom and the show is at redict Romance.

1:14:27.120 --> 1:14:29.960
<v Speaker 2>And we love y'all very much. Thanks so much for

1:14:30.000 --> 1:14:33.000
<v Speaker 2>your patience between episodes. Hopefully it was worth the wait

1:14:33.720 --> 1:14:35.880
<v Speaker 2>and we will see you soon with more. All right, Bobbie,

1:14:36.000 --> 1:14:37.559
<v Speaker 2>love you bye.

1:14:37.439 --> 1:14:41.479
<v Speaker 3>Solong friends, it's time to go. Thanks so listening to

1:14:41.680 --> 1:14:45.360
<v Speaker 3>our show. Tell you your friends names, uncles, and to

1:14:45.439 --> 1:14:47.680
<v Speaker 3>listen to a show Ridiculous Romance.