WEBVTT - Thou Shalt Break Down Borders

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<v Speaker 1>Hi, and welcome to Everywhere, a production of I Heart Radio.

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<v Speaker 1>I am your host Daniel Shaffler. This week's commandment thou

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<v Speaker 1>shalt break down borders, Robert Frost said, before I build

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<v Speaker 1>a wall, I'd asked to know what I was walling

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<v Speaker 1>in or walling out and to whom I was like

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<v Speaker 1>to give offense. Traveling is all about borders. They are

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<v Speaker 1>physical or literal ones, those metaphorical ones, and then those

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<v Speaker 1>deep spiritual ones. As a traveler, I'm always considering borders.

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<v Speaker 1>Can I cross this? Who will I be when I

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<v Speaker 1>am on the other side of this border? Why do

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<v Speaker 1>we have these borders in the first place? And right

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<v Speaker 1>now we the people are having to rethink borders altogether.

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<v Speaker 1>The ancient Greek saw unrestrained movement as one of the

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<v Speaker 1>four freedoms, distinguishing liberty from slavery. An influx of migrants

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<v Speaker 1>added to wealth and taxes in local defense. And I

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<v Speaker 1>think those things sound like assets to me. But this

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<v Speaker 1>thinking is apparently now all gone. We've had wars, excessive poverty,

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<v Speaker 1>terrorist attacks, and environmental changes forcing people to move, and

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<v Speaker 1>as a result, walls are being erected everywhere. My girl

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<v Speaker 1>AOC recently went to the American southern border to see

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<v Speaker 1>what the real situation is like, and she was fucking horrified.

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<v Speaker 1>It's humanity at its lowest vibration. But for some reason,

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<v Speaker 1>humans like borders. As a species, we like to make

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<v Speaker 1>sure things aren't too blurry or too complex. That to

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<v Speaker 1>our idiotic mind's eye, keeps it all under control. And

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<v Speaker 1>so since World War Two, national leaders have said, let's delineate,

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<v Speaker 1>let's give this globe higher walls and longer borders, all

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<v Speaker 1>to pretend that they offering citizens extra safety. Countries all

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<v Speaker 1>over the world have done this and have lied about

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<v Speaker 1>the value of borders. So I'm not saying that borders

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<v Speaker 1>should be totally open. There should be reasonable checks and restrictions,

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<v Speaker 1>and in most of the world that is the way

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<v Speaker 1>it is, in spite of the conservative media telling you otherwise.

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<v Speaker 1>What we're really saying is that there should also be reasonable, compassionate,

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<v Speaker 1>and respectful, common sense flexibility. In the nineties, the big

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<v Speaker 1>talk was globalization and living and traveling in a borderless society. Finally,

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<v Speaker 1>a moment to challenge orders had come. The European Union

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<v Speaker 1>was created to facilitate this concept and had rapidly expanded

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<v Speaker 1>its reach eastwards since the African continent was establishing a

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<v Speaker 1>Pan African agreement to facilitate ease of movement, and even

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<v Speaker 1>the US, Mexico and Canada once try to keep things

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<v Speaker 1>breezy and easy to scurry through, but as expected, it

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<v Speaker 1>was all too loose and hippie dippy ideal for the

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<v Speaker 1>power elite. Just look at the happy travelers buying fantasy

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<v Speaker 1>World passports who thought they could finally explore this glow freely.

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<v Speaker 1>Most recently, musician Moss Deaf was arrested in South Africa

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<v Speaker 1>for trying to leave the country with his World passport.

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<v Speaker 1>So fast forward thirty years later, we know that the

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<v Speaker 1>border free dream has finally collapsed, but we should hold

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<v Speaker 1>onto some variant of it to its best principles. As

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<v Speaker 1>we speak, new Chinese imperialists are laying down borders in Africa.

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<v Speaker 1>Mother Russia has expanded her reach in America is cruelly

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<v Speaker 1>raising its drawbridge and turning its back on a legitimate

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<v Speaker 1>asylum seeker. What a turn of events now that cheery

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<v Speaker 1>Canada is showing the world how to handle migrants, how

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<v Speaker 1>to document them thoroughly and integrate them into Canadian bliss.

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<v Speaker 1>A maple leaf tattoo is always optional. Germany, out of

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<v Speaker 1>guilt or perhaps some confusion, forgot the integration and documentation

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<v Speaker 1>part of rightfully letting in millions of hard up migrants,

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<v Speaker 1>and now there's a glut of people not quite fitting

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<v Speaker 1>into that Deutsche lifestyle. As a German citizen, I know

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<v Speaker 1>how complex things are as a result, Shall we bring

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<v Speaker 1>up Brexit and the humanitarian crisis in the Middle East?

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<v Speaker 1>No wonder, the system that is Europe is calling foul.

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<v Speaker 1>If you missed the travel news of the last few months,

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<v Speaker 1>well let me brief you. Decided that he's shameless. Wall

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<v Speaker 1>facing Mexico isn't enough. What is of more importance to

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<v Speaker 1>him is to make sure that immigrants are kept out

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<v Speaker 1>at all costs, resulting in the internationally watched scandal of

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<v Speaker 1>splitting up families at the border and detaining them in

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<v Speaker 1>wartime like internment camps. Then the Supreme Court upheld forty

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<v Speaker 1>five long argued travel ban, accepting the government's argument that

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<v Speaker 1>the ban was within presidential power to craft in national

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<v Speaker 1>security policy and thus his authority to suspend entry of

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<v Speaker 1>aliens into the United States, for instance, Iranian nationals and

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<v Speaker 1>their families who are perhaps American citizens or even dual

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<v Speaker 1>citizens or even green card holders are all unfairly discriminatedly

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<v Speaker 1>affected through this restricted travel. I call it unconstitutional. So

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<v Speaker 1>there are over sixty million migrants and refugees currently on

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<v Speaker 1>the move around the world. Many of course, are from Syria,

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<v Speaker 1>with Canada working to settle twenty five thousand Syrians across

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<v Speaker 1>the country by the end of this year. We can

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<v Speaker 1>know what but displaced people are also leaving Haiti, Afghanistan, Jordan, Lebanon, Iraq,

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<v Speaker 1>North Korea, and all over Northern Africa, fleeing conflict zones,

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<v Speaker 1>forever wars, failed states, and the effects of climate change.

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<v Speaker 1>I have met many of these people on my travels

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<v Speaker 1>and their stories are breaking. But what they have in

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<v Speaker 1>common is the simple human need for belonging, the hope

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<v Speaker 1>for a safer, better life. But it's all because of

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<v Speaker 1>the concept of border that is now evolved. So remember

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<v Speaker 1>follow the Money in the six film or the President's Men. Well,

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<v Speaker 1>I think it would be wise to heat that now.

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<v Speaker 1>Border control and infrastructure are big business, And besides the

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<v Speaker 1>negative effects borders can sometimes have on humanity, corporations are

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<v Speaker 1>profiting of our often manufactured fears that boogeyman fear of

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<v Speaker 1>the other. Capital oh race, religious beliefs, sexual expression, and

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<v Speaker 1>gender identity belonged to the unpleasant club of the other.

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<v Speaker 1>So fear drives countries to build ever stricter and more

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<v Speaker 1>expensive to manage for orders and corporations. Then probably some

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<v Speaker 1>compliant politicians profit from this imaginary enemy. Some powers around

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<v Speaker 1>the world seem to think that grinding down minorities will

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<v Speaker 1>keep them in check. But a Simone de Beauvoir, who

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<v Speaker 1>wrote Second Sex, said all oppression creates a state of war.

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<v Speaker 1>This is no exception. Blessed be the fruit. A dark

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<v Speaker 1>war is being berthed. The Handmaids know all about borders,

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<v Speaker 1>and it isn't pretty for them either, And that's why

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<v Speaker 1>Margaret Edward's Handmaid's Tale is the greatest show on television

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<v Speaker 1>of the century. It depicts a world where borders are

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<v Speaker 1>both physical and between genders. The show helps understand the

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<v Speaker 1>disturbing reality of this current administration's racist policies, a new

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<v Speaker 1>Supreme Court justice, as well as add One's recent victory

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<v Speaker 1>in Turkey. If you want more, you can also get

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<v Speaker 1>the sequel, Margaret atwards new book, The Testaments. But with

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<v Speaker 1>pointing out problems, I also feel like we need to

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<v Speaker 1>offer some solutions. Remember the nineteen seventy two educational television

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<v Speaker 1>series Free to Be You and Me, Folks like ROBERTA. Flack,

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<v Speaker 1>Michael Jackson, and Diana Ross remind America that gender and

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<v Speaker 1>racial stereotypes can in fact be broken. And it's now

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<v Speaker 1>nearly half a century later and we need a new

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<v Speaker 1>version of this Free to Be Here. The message is simple,

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<v Speaker 1>Americas shouldn't judge you because unless you're Native American, you've

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<v Speaker 1>come from somewhere else. A catchy jingle on every radio

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<v Speaker 1>station across the country would never do better public good

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<v Speaker 1>if radio can magically make you hum ed. Shearon and

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<v Speaker 1>Taylor Swift Well orthodoptr Rhys Jones, in his book Violent Borders,

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<v Speaker 1>Refugees and the Right to Move, argues that getting rid

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<v Speaker 1>of borders is in fact simply a human rights issue

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<v Speaker 1>because let's face it, the border is in fact only

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<v Speaker 1>inside you, and it's time to rethink how you're living, voting,

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<v Speaker 1>and being in this world. Are they keeping them out

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<v Speaker 1>or they're keeping you in? Under his eye, let's take

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<v Speaker 1>a breather and we'll be right back with everywhere after

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<v Speaker 1>a word from our sponsors. Thanks for sticking around. Here's

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<v Speaker 1>more of everywhere. For my next interview, I'm with my

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<v Speaker 1>friend Sasha Fung, who happens to work at the u N.

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<v Speaker 1>But more interestingly, we met on an aeroplane to Jordan's

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<v Speaker 1>and stayed up all night talking. Sasha, I met you

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<v Speaker 1>on a plane heading to Amn and I started chatting

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<v Speaker 1>to you, and I offered you something to sleep, which

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<v Speaker 1>you refused, But we ended up being friends anyway and

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<v Speaker 1>spent the most magical time in Aman. And now we

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<v Speaker 1>are fast friends, and I've met your kids, and I'm

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<v Speaker 1>so grateful that we are friends, because you are one

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<v Speaker 1>of the smartest people I've ever met, and I feel

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<v Speaker 1>privileged to be in your realm. So thanks for being

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<v Speaker 1>in studio with me today. And Ella, who snapping peacefully

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<v Speaker 1>in your arms. It's amazing to be here. I mean,

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<v Speaker 1>considering the people I've sat next to, this was like

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<v Speaker 1>the winning lottery ticket. I felt the same. And when

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<v Speaker 1>you walked down the aisle and you plumped yourself next

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<v Speaker 1>to me, I had that split second of oh, I

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<v Speaker 1>was hoping the seat next to me would stay free.

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<v Speaker 1>But then you started, and you launched into this conversation.

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<v Speaker 1>Zero notion of small talk. It was right to the essence, like,

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<v Speaker 1>let's not waste time. We only have a twelve hour

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<v Speaker 1>flight ahead of us, and we needed to sleep on

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<v Speaker 1>that flight. I was getting up to work and you

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<v Speaker 1>were presenting to some fancy director board, not very fancy.

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<v Speaker 1>But so the thing that got us talking was you

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<v Speaker 1>mentioned Eritrea to me, and you had been stationed working

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<v Speaker 1>for the u N in Eritrea for two years almost

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<v Speaker 1>and we got talking about this incredible country. So perhaps

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<v Speaker 1>start with telling me how that happened and how you

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<v Speaker 1>found yourself in this magical place, which I don't think

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<v Speaker 1>a lot of people know about. It is a magical place.

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<v Speaker 1>I was only there for one year, but would have

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<v Speaker 1>gladly stayed longer, except that I had my husband and

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<v Speaker 1>my kids in San Francisco and the commute between Asmara

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<v Speaker 1>and the Bay area of California is a tricky one,

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<v Speaker 1>and I would have otherwise loved to stay. It's a

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<v Speaker 1>place that I always had a craving to go see.

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<v Speaker 1>When I was at university, my roommate across the corridor

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<v Speaker 1>launched an aery Trea independence support organization and we were

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<v Speaker 1>sending all sorts of things to ery Trea because they

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<v Speaker 1>had just become independent, and it was this huge deal.

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<v Speaker 1>And then I nearly had a chance to go earlier

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<v Speaker 1>in my career but couldn't, and so it was like

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<v Speaker 1>this itch I needed to scratch. I had this q

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<v Speaker 1>curiosity for this place that continued to be so mysterious,

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<v Speaker 1>and so when I got the chance to go a

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<v Speaker 1>second time, I just knew, this is it. This is

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<v Speaker 1>actually an experience I want to have, and it's one

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<v Speaker 1>that I'm willing to leave my husband and kids for.

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<v Speaker 1>I want to go to Eritrea. I want to see it.

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<v Speaker 1>I want to work there. So you flew in and

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<v Speaker 1>you arrive and what is it? What is the country

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<v Speaker 1>which is in the horn of Africa and not on

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<v Speaker 1>the heart list of anyone traveling? Well, you know, that

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<v Speaker 1>was the amazing part about it, because how many places

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<v Speaker 1>do you go to in today's globalized world, where we

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<v Speaker 1>have so much information about everything, and you have Google

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<v Speaker 1>maps and you can see everything and sort of form

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<v Speaker 1>an opinion. But about Eritrea, I had barely any opinion

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<v Speaker 1>at all, except a few books that I had read

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<v Speaker 1>and a few things that I'd heard from friends and colleagues.

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<v Speaker 1>Whould work there, So I came with this completely blank

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<v Speaker 1>slate and a lot of expectations and a little bit

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<v Speaker 1>of trepidation, you know, going completely into the unknown. And

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<v Speaker 1>there was something about just landing there. Remember being picked

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<v Speaker 1>up at the airport and some people came to greet me,

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<v Speaker 1>and I felt this affinity. It's kind of hard to describe,

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<v Speaker 1>but I think that happens to all of us. You know,

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<v Speaker 1>there are places where you instantly somehow feel more at

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<v Speaker 1>home than in others. And I can't quite describe it,

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<v Speaker 1>but it's a feeling that sort of grew quite quickly,

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<v Speaker 1>and it just made me feel a lot more at

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<v Speaker 1>home than I had any rights of feeding because it

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<v Speaker 1>was pretty alien in some ways. But they'd put me

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<v Speaker 1>up in this sort of one big hotel in town.

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<v Speaker 1>And I decided the next day that I was going

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<v Speaker 1>to go explore, and so I went off with my

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<v Speaker 1>sneakers on a dusty track and someone had said, oh, yeah,

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<v Speaker 1>i'll just follow this road and you'll find the cathedral.

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<v Speaker 1>Of course, I didn't find the cathedral. I walked for

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<v Speaker 1>ages and I was getting really thirsty, and I realized

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<v Speaker 1>I had no NUCKFI, didn't have the local currency, and

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<v Speaker 1>it's really quite tricky to change naka because you're only

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<v Speaker 1>allowed to change it in certain government locations. And so

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<v Speaker 1>I realized I had no no nakfa, no water, no

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<v Speaker 1>working phone, and I was trapesing along on this beautiful

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<v Speaker 1>sunny day. And then this little group of kids picked

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<v Speaker 1>me up and they said, China, China, because that's what

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<v Speaker 1>they call for. And I don't think I look particularly Asian,

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<v Speaker 1>but all I could hear was China, China. You lost.

0:16:31.000 --> 0:16:33.440
<v Speaker 1>And I said, yeah, I think China has lost. And

0:16:33.480 --> 0:16:35.000
<v Speaker 1>they're like, what do you want to go see? And

0:16:35.080 --> 0:16:38.960
<v Speaker 1>I said cathedral and they say, we take you. It

0:16:39.000 --> 0:16:41.480
<v Speaker 1>was a band of little kids, and they had this

0:16:41.600 --> 0:16:45.200
<v Speaker 1>sort of dried injera, which is the staple in their pockets,

0:16:45.760 --> 0:16:47.680
<v Speaker 1>and they were trying to give me bits of India

0:16:47.720 --> 0:16:50.160
<v Speaker 1>because you know, they're very hospitable air trey and so

0:16:50.240 --> 0:16:52.160
<v Speaker 1>he wanted to make sure I wasn't about to keel

0:16:52.200 --> 0:16:56.240
<v Speaker 1>over from starvation. And then they took me to the

0:16:56.320 --> 0:17:01.280
<v Speaker 1>cathedral and they said, here's cathedral. Here cathedral, And I

0:17:01.320 --> 0:17:06.600
<v Speaker 1>was suddenly in the middle of Asmara, which honestly looks

0:17:06.920 --> 0:17:09.560
<v Speaker 1>as though you've traveled in time to the nineteen fifties.

0:17:10.080 --> 0:17:13.280
<v Speaker 1>I don't think it has changed very much. There are

0:17:13.359 --> 0:17:18.680
<v Speaker 1>these Italian buildings. There's a stone cathedral, this wide avenue

0:17:18.680 --> 0:17:22.119
<v Speaker 1>with palm trees, Bouginvilia everywhere. Because the Italians brought a

0:17:22.160 --> 0:17:25.280
<v Speaker 1>lot of that. There's a lot of local erritray and

0:17:25.320 --> 0:17:28.359
<v Speaker 1>masonry that's kind of blended in. And then you see

0:17:28.400 --> 0:17:32.040
<v Speaker 1>these old gentlemen walking with their Borsellino hats and their

0:17:32.240 --> 0:17:35.080
<v Speaker 1>coats that are far too big for them, and and

0:17:35.160 --> 0:17:38.040
<v Speaker 1>you have sort of quite Italianate names, and you have

0:17:38.119 --> 0:17:42.320
<v Speaker 1>these ancient cars, and it really feels like you've gone

0:17:42.320 --> 0:17:46.239
<v Speaker 1>back in time. It felt so magical. And so I

0:17:46.280 --> 0:17:49.399
<v Speaker 1>was standing in front of this cathedral looking down at

0:17:49.400 --> 0:17:51.959
<v Speaker 1>this sort of nineteen fifties city scape. You know, it's

0:17:52.000 --> 0:17:55.520
<v Speaker 1>a small sleepy town Asmara, with this little group of

0:17:55.640 --> 0:17:58.480
<v Speaker 1>kids who are kind of waiting for me to take

0:17:58.480 --> 0:18:02.479
<v Speaker 1>in the beauty of their case Edril. And then I

0:18:02.520 --> 0:18:06.040
<v Speaker 1>wanted to thank them for having gone out of their

0:18:06.119 --> 0:18:07.879
<v Speaker 1>way like it didn't want them to get in trouble.

0:18:08.359 --> 0:18:10.360
<v Speaker 1>And I said, can I buy you a little pastry?

0:18:10.640 --> 0:18:13.360
<v Speaker 1>Because I had heard that there was some fantastic pastry

0:18:13.359 --> 0:18:16.359
<v Speaker 1>and as matter, you know, old Sicilian cookies that they

0:18:16.359 --> 0:18:20.160
<v Speaker 1>stopped making in Sicily decades ago, but old grandmother still

0:18:20.200 --> 0:18:24.399
<v Speaker 1>make them and as mater and they said, yeah, sure.

0:18:24.560 --> 0:18:27.960
<v Speaker 1>So we went to the little pastry shop and I'd

0:18:27.960 --> 0:18:30.159
<v Speaker 1>managed by that point to change a few nakfa. I

0:18:30.160 --> 0:18:32.600
<v Speaker 1>had no idea exactly how many, but I figured a

0:18:32.600 --> 0:18:36.160
<v Speaker 1>few pastries so it would probably be okay. And then

0:18:36.200 --> 0:18:39.000
<v Speaker 1>they said, now you buy yourself pastries, but we don't

0:18:39.000 --> 0:18:41.520
<v Speaker 1>want any, and I said, what do you mean your kids?

0:18:41.640 --> 0:18:44.800
<v Speaker 1>Of course you want pastries, and they said no. And

0:18:44.840 --> 0:18:46.880
<v Speaker 1>there was something that I then got to learn quite

0:18:46.920 --> 0:18:51.760
<v Speaker 1>quickly in Eritrea. This pride, you know, this self reliance.

0:18:52.240 --> 0:18:54.520
<v Speaker 1>You don't just take what's given to you. You feel

0:18:54.560 --> 0:18:57.760
<v Speaker 1>like you have to deserve it. And they somehow felt

0:18:58.240 --> 0:19:02.520
<v Speaker 1>that they didn't need to be rewarded. And coming from

0:19:02.640 --> 0:19:05.680
<v Speaker 1>the States or you know, from northern Europe, where everybody

0:19:05.680 --> 0:19:09.280
<v Speaker 1>has such a built in expectation to be rewarded for anything,

0:19:09.440 --> 0:19:11.960
<v Speaker 1>this was like and I had to literally stand there

0:19:11.960 --> 0:19:15.520
<v Speaker 1>on the street corner and negotiate with them, these five

0:19:15.640 --> 0:19:18.680
<v Speaker 1>six seven year olds, please, will you accept a pastry?

0:19:19.560 --> 0:19:21.879
<v Speaker 1>And by the way, just the fact that with English

0:19:21.920 --> 0:19:24.360
<v Speaker 1>I could negotiate with them already tells you a lot

0:19:24.400 --> 0:19:26.920
<v Speaker 1>about this country. I think, you know, they spoke English

0:19:26.960 --> 0:19:29.639
<v Speaker 1>well enough to be involved in this conversation with this

0:19:29.840 --> 0:19:33.080
<v Speaker 1>random person they'd sort of picked up. So I kind

0:19:33.080 --> 0:19:37.840
<v Speaker 1>of reckon. I'm a pretty good negotiator, but but I

0:19:37.880 --> 0:19:40.720
<v Speaker 1>didn't have a patch on those kids, and so in

0:19:40.760 --> 0:19:42.680
<v Speaker 1>the end, the best I could get out of them

0:19:42.800 --> 0:19:46.040
<v Speaker 1>was their agreement that the youngest in the group I

0:19:46.119 --> 0:19:48.720
<v Speaker 1>was allowed to buy a pastry for, not the others,

0:19:48.720 --> 0:19:53.400
<v Speaker 1>just the baby. And this happened day two, depending how

0:19:53.480 --> 0:19:56.640
<v Speaker 1>you count. I'd arrived the night before, and that's sort

0:19:56.680 --> 0:19:59.719
<v Speaker 1>of what set me up for my year there. That experience,

0:20:00.000 --> 0:20:03.160
<v Speaker 1>it's beautiful. It's a beautiful lesson. If only we could

0:20:03.160 --> 0:20:08.440
<v Speaker 1>apply that lesson in Western civilization. Do you think we

0:20:08.560 --> 0:20:11.400
<v Speaker 1>call Africa the West? It's like a weird thing being

0:20:11.400 --> 0:20:15.760
<v Speaker 1>from South Africa, Like people call us western and I'm like, well,

0:20:16.359 --> 0:20:18.320
<v Speaker 1>Erry Tree, it feels very Eastern to me at the

0:20:18.359 --> 0:20:21.680
<v Speaker 1>same time, very European. It's been such a melting pot

0:20:21.720 --> 0:20:24.680
<v Speaker 1>of cultures, and I think that's why I also felt

0:20:24.680 --> 0:20:28.720
<v Speaker 1>that affinity. They identify with a lot of different cultures,

0:20:29.320 --> 0:20:31.800
<v Speaker 1>so it makes it easier for you to identify with them.

0:20:31.920 --> 0:20:33.400
<v Speaker 1>But so it's a good question. I would not call

0:20:33.520 --> 0:20:36.600
<v Speaker 1>erry Tree of the West. I mean, there's no McDonald's,

0:20:36.800 --> 0:20:39.920
<v Speaker 1>there's no three G, there's no diet Coke. I would

0:20:39.920 --> 0:20:44.159
<v Speaker 1>not call it the West. Let's talk about the food,

0:20:45.200 --> 0:20:49.719
<v Speaker 1>because I know that I've never woken up and been like,

0:20:49.960 --> 0:20:52.840
<v Speaker 1>can't wait to go eat some error trained food tonight.

0:20:53.560 --> 0:20:57.280
<v Speaker 1>There's every culture you could possibly imagine in my city.

0:20:57.480 --> 0:20:59.760
<v Speaker 1>I don't know of the error train restaurant. I'm sure

0:20:59.800 --> 0:21:02.280
<v Speaker 1>it's here, and I will find it and we will

0:21:02.320 --> 0:21:05.120
<v Speaker 1>go there, but it's not something I think many people

0:21:05.160 --> 0:21:10.359
<v Speaker 1>know about. Erytrain food, at least in a matter where

0:21:10.400 --> 0:21:14.359
<v Speaker 1>I spent most of my time, is very similar to Ethiopian,

0:21:14.480 --> 0:21:18.560
<v Speaker 1>but there's some really important differences. Essentially, it's in Gera

0:21:19.320 --> 0:21:22.360
<v Speaker 1>is the sort of staple and it's that big, sort

0:21:22.400 --> 0:21:26.679
<v Speaker 1>of spongy flatbread, and it's made out of what the

0:21:26.720 --> 0:21:29.760
<v Speaker 1>Ethiopians called deaf and we in Eritrea are called tough,

0:21:29.960 --> 0:21:32.840
<v Speaker 1>and it's supposed to be a superfood. It might be

0:21:32.880 --> 0:21:35.600
<v Speaker 1>gluten free or very low in gluten, has a really

0:21:35.680 --> 0:21:38.560
<v Speaker 1>high iron content, and the air tray and swear by it.

0:21:38.560 --> 0:21:43.439
<v Speaker 1>It's like there's something about national identity, and in Gera

0:21:44.160 --> 0:21:46.359
<v Speaker 1>people carry it around with them, and some people have

0:21:46.359 --> 0:21:48.160
<v Speaker 1>actually said to me, I don't know what I would do.

0:21:48.640 --> 0:21:50.400
<v Speaker 1>I don't know how it could live anywhere else where.

0:21:50.440 --> 0:21:52.920
<v Speaker 1>They don't make injera, and the funny thing is that

0:21:53.160 --> 0:21:56.520
<v Speaker 1>there's a big air tray in diaspora and many of

0:21:56.560 --> 0:21:58.720
<v Speaker 1>them go out to other places, like this woman was

0:21:58.760 --> 0:22:01.560
<v Speaker 1>telling me she went to Angola and made a little

0:22:01.560 --> 0:22:04.159
<v Speaker 1>bit of money by making injera for airy trains that

0:22:04.240 --> 0:22:06.639
<v Speaker 1>were at the time working in Angola. Like India is

0:22:06.680 --> 0:22:10.360
<v Speaker 1>the symbol for so much of the country, and it's

0:22:10.359 --> 0:22:13.280
<v Speaker 1>really fantastic because you can add all these extra sort

0:22:13.320 --> 0:22:15.320
<v Speaker 1>of bits to it. And it's very communal, so you

0:22:15.400 --> 0:22:19.400
<v Speaker 1>eat with your hands and people take their time. Nobody's

0:22:19.480 --> 0:22:21.600
<v Speaker 1>checking their phone, and you couldn't anyway, would be far

0:22:21.680 --> 0:22:24.280
<v Speaker 1>too messy because you're eating with your hands. You don't

0:22:24.280 --> 0:22:28.160
<v Speaker 1>sit there with your carefully guarded plates and knife and fork.

0:22:28.320 --> 0:22:30.359
<v Speaker 1>You know, there's a big platter in the middle, and

0:22:30.440 --> 0:22:33.160
<v Speaker 1>everybody piles in and you learn all the different things

0:22:33.200 --> 0:22:36.920
<v Speaker 1>that go into the Injia, and my favorites were actually

0:22:36.960 --> 0:22:40.960
<v Speaker 1>the fasting food. So many erry trains are very devout

0:22:41.600 --> 0:22:46.480
<v Speaker 1>and food and religion are closely intertwined. They have many

0:22:46.560 --> 0:22:50.800
<v Speaker 1>periods where they're observing fasting and they will be absolutely rigorous,

0:22:50.800 --> 0:22:53.280
<v Speaker 1>and the fasting food just means without meat, and so

0:22:53.359 --> 0:22:55.879
<v Speaker 1>that's when you get all these creative vegetarian dishes. So

0:22:55.920 --> 0:22:59.160
<v Speaker 1>I actually always quite like the fasting food. There's one

0:22:59.240 --> 0:23:03.080
<v Speaker 1>thing I didn't, and unfortunately, that's the one dish that

0:23:03.119 --> 0:23:05.240
<v Speaker 1>people prepare for you when you're a guest of honor

0:23:05.280 --> 0:23:10.560
<v Speaker 1>in someone's house. And it's called AT and it's basically

0:23:10.640 --> 0:23:14.160
<v Speaker 1>a porridge, but you eat it with melted butter and

0:23:14.280 --> 0:23:19.520
<v Speaker 1>chili powder and yogurt and it's incredibly rich. When you're

0:23:19.520 --> 0:23:22.000
<v Speaker 1>expecting a baby, you're supposed to eat it because there's

0:23:22.040 --> 0:23:26.800
<v Speaker 1>a a belief that that's good for young expectant mothers,

0:23:28.200 --> 0:23:32.120
<v Speaker 1>not for me. It looks beautiful, like this sort of mountain,

0:23:32.240 --> 0:23:35.800
<v Speaker 1>and presenting a AT is such a sign of welcome

0:23:36.000 --> 0:23:41.760
<v Speaker 1>to my home. That was difficult, and I would try

0:23:41.760 --> 0:23:44.320
<v Speaker 1>and find ways of saying, I know your wife is

0:23:44.480 --> 0:23:46.840
<v Speaker 1>very busy. Please tell her she doesn't have to do

0:23:47.080 --> 0:23:49.680
<v Speaker 1>AT for me, or I will just come from lunch.

0:23:49.760 --> 0:23:52.320
<v Speaker 1>You know, no need for AT. Coffee is fine, because

0:23:52.320 --> 0:23:55.680
<v Speaker 1>the one thing I loved is the eritrey and coffee ceremony.

0:23:56.040 --> 0:23:59.600
<v Speaker 1>That is something for the senses. I'm Austrian, so I

0:23:59.640 --> 0:24:03.160
<v Speaker 1>love coffee. I'm obsessed with coffee. But it's about as

0:24:03.240 --> 0:24:06.959
<v Speaker 1>far away as you could get from your caramel latte

0:24:07.200 --> 0:24:10.359
<v Speaker 1>Grunde with sprinkles on top in Starbucks as you could

0:24:10.359 --> 0:24:13.560
<v Speaker 1>possibly imagine. You know, this is the real thing. Where

0:24:14.400 --> 0:24:18.040
<v Speaker 1>you hear the coffee beans being roasted in this old

0:24:18.160 --> 0:24:21.880
<v Speaker 1>metal pan over the fire, so you hear the click,

0:24:21.880 --> 0:24:24.680
<v Speaker 1>click click click click of the beans and then they

0:24:24.760 --> 0:24:27.800
<v Speaker 1>start smelling good, and you're supposed to wave your hand

0:24:28.560 --> 0:24:31.399
<v Speaker 1>over the smoke of the beans towards your nose, and

0:24:31.400 --> 0:24:33.960
<v Speaker 1>that's a sort of respect sign of respect to the

0:24:33.960 --> 0:24:37.800
<v Speaker 1>person who's preparing the coffee. And then the coffee comes,

0:24:37.840 --> 0:24:40.080
<v Speaker 1>and there's always a little bit of popcorn and in

0:24:40.240 --> 0:24:44.280
<v Speaker 1>gerra and other things with it. And you sit and

0:24:44.320 --> 0:24:46.919
<v Speaker 1>you have the first round, and then you have the

0:24:47.000 --> 0:24:49.800
<v Speaker 1>second round, and then you have the third, which is

0:24:49.800 --> 0:24:55.000
<v Speaker 1>called baraka means blessing. And maybe after the third round

0:24:55.440 --> 0:24:58.639
<v Speaker 1>you can be on your way, but maybe not, because

0:24:58.640 --> 0:25:00.960
<v Speaker 1>then sometimes there's a fourth throat out and there's a

0:25:01.000 --> 0:25:04.399
<v Speaker 1>fifth round. And this is a sort of centerpiece of

0:25:04.440 --> 0:25:07.600
<v Speaker 1>people's life. You know, this is how they communicate. They

0:25:07.600 --> 0:25:12.960
<v Speaker 1>communicate over coffee, and it's perfectly acceptable for life to

0:25:13.040 --> 0:25:17.320
<v Speaker 1>just stop because you're having coffee. And then I think,

0:25:17.359 --> 0:25:19.600
<v Speaker 1>you know, when you stand here in the line for

0:25:19.720 --> 0:25:22.359
<v Speaker 1>your take out and you're rushing off with it to

0:25:22.440 --> 0:25:26.960
<v Speaker 1>some meeting, how different we have evolved around this ancient

0:25:27.000 --> 0:25:29.880
<v Speaker 1>tradition of coffee and there it's still ancient. I think

0:25:29.960 --> 0:25:32.679
<v Speaker 1>there's a century old thing as far as I know,

0:25:33.240 --> 0:25:36.600
<v Speaker 1>and you feel that, you know. That's why I booked

0:25:36.760 --> 0:25:40.320
<v Speaker 1>a counterculture barista to come and spend the afternoon with

0:25:40.440 --> 0:25:43.879
<v Speaker 1>us and slowly make coffee for the last five hours

0:25:43.880 --> 0:25:47.600
<v Speaker 1>in studio. I knew that you were going to tell

0:25:47.640 --> 0:25:53.399
<v Speaker 1>me some slow, beautiful Eritrey and coffee story. What is

0:25:53.440 --> 0:25:56.840
<v Speaker 1>the thing that touched you the most? What is the

0:25:56.840 --> 0:25:59.200
<v Speaker 1>thing that sticks with you that you just can't stop

0:25:59.240 --> 0:26:04.119
<v Speaker 1>thinking about. I think the thing that touched me the

0:26:04.280 --> 0:26:13.760
<v Speaker 1>most is realizing this thirst for opportunity and willingness to

0:26:13.960 --> 0:26:18.040
<v Speaker 1>make something out of opportunities that I saw, especially in

0:26:18.080 --> 0:26:24.280
<v Speaker 1>young people. For example, there's a quite a vibrant music scene,

0:26:25.440 --> 0:26:29.640
<v Speaker 1>which is a bit counterintuitive because Eritrea is a country

0:26:29.680 --> 0:26:33.160
<v Speaker 1>that struggled for thirty years to gain its independence against

0:26:33.200 --> 0:26:38.359
<v Speaker 1>overwhelming odds where promoting the arts was not exactly a

0:26:38.359 --> 0:26:43.240
<v Speaker 1>top priority. And then with the isolation and the sanctions,

0:26:44.200 --> 0:26:46.840
<v Speaker 1>certain things just remained out of reach that wouldn't be

0:26:46.880 --> 0:26:50.800
<v Speaker 1>out of reach elsewhere. For example, I really like to

0:26:50.880 --> 0:26:55.960
<v Speaker 1>know how many pianos are there in Eritrea. I know

0:26:56.040 --> 0:26:57.920
<v Speaker 1>of a few, and in fact I spent a day

0:26:57.920 --> 0:27:00.399
<v Speaker 1>in San Francisco trying to find a spep heart for

0:27:00.440 --> 0:27:02.439
<v Speaker 1>one of them, because there wasn't a spare part in

0:27:02.440 --> 0:27:08.160
<v Speaker 1>the country to be had. And yet I met virtuoso pianists.

0:27:09.280 --> 0:27:12.520
<v Speaker 1>I met a jazz singer who sounded as though she

0:27:13.200 --> 0:27:17.720
<v Speaker 1>grown up in the Bronx. I met an opera singer

0:27:18.320 --> 0:27:23.280
<v Speaker 1>who can perform in Italian and German. And when I

0:27:23.320 --> 0:27:25.800
<v Speaker 1>asked him, so, when it's the first time you actually

0:27:25.800 --> 0:27:31.399
<v Speaker 1>ever heard opera, he said, Tom and Jerry cartoon. And

0:27:31.480 --> 0:27:37.040
<v Speaker 1>so how do you become a virtuoso musician in a

0:27:37.160 --> 0:27:41.600
<v Speaker 1>context where it's not that easy to get materials or

0:27:41.640 --> 0:27:46.479
<v Speaker 1>sheet music or instruments. And so we were discussing this

0:27:46.520 --> 0:27:50.480
<v Speaker 1>one night after a beautiful concert, and these Eritrean musicians

0:27:50.480 --> 0:27:53.439
<v Speaker 1>they said, you know something, Shasha, because I often got cold, Shasha,

0:27:53.760 --> 0:27:57.280
<v Speaker 1>you know something, Shasha. We're always so pleased when we

0:27:57.359 --> 0:28:01.440
<v Speaker 1>hear that eritreans in some in Cisco or in New York,

0:28:02.160 --> 0:28:05.880
<v Speaker 1>or in Berlin or wherever have come top of their

0:28:05.920 --> 0:28:09.920
<v Speaker 1>class or top of their PhD program, or have excelled

0:28:09.920 --> 0:28:13.480
<v Speaker 1>in a business, because we really think that if you

0:28:13.600 --> 0:28:19.080
<v Speaker 1>give eritreans two centimeters of opportunity, they will make two

0:28:19.119 --> 0:28:25.080
<v Speaker 1>kilometers of opportunity out of that. And that's an attitude

0:28:25.119 --> 0:28:29.159
<v Speaker 1>that's just really impressive. It's an impressive attitude to life.

0:28:29.800 --> 0:28:32.359
<v Speaker 1>And you saw that throughout. I mean the musicians were

0:28:32.359 --> 0:28:35.359
<v Speaker 1>sort of one example, but you could sort of see

0:28:35.400 --> 0:28:39.120
<v Speaker 1>that throughout in the mentality and that was I think,

0:28:39.160 --> 0:28:41.800
<v Speaker 1>to me, a sort of lesson that I hope I'll

0:28:41.800 --> 0:28:45.920
<v Speaker 1>never forget. I've told my kids, I've told my husband.

0:28:46.120 --> 0:28:48.280
<v Speaker 1>You know, it's something that I think will always stick

0:28:48.320 --> 0:28:50.959
<v Speaker 1>with me, and I hope, I hope the error traans

0:28:51.000 --> 0:28:54.600
<v Speaker 1>never lose it. I mean, it's something very precious. I

0:28:54.640 --> 0:28:58.520
<v Speaker 1>hope that stays in their culture. I really do, as

0:28:58.560 --> 0:29:01.880
<v Speaker 1>they open up and as they are opening up to

0:29:01.960 --> 0:29:05.120
<v Speaker 1>the world in a way that has never been that way.

0:29:05.160 --> 0:29:08.760
<v Speaker 1>I mean, I grew up parting in Africa and Eritrea

0:29:08.920 --> 0:29:11.480
<v Speaker 1>was always one of the places that wasn't as well

0:29:11.520 --> 0:29:14.640
<v Speaker 1>known as the others. Kenya was up and coming always,

0:29:15.080 --> 0:29:18.520
<v Speaker 1>my parents were always talking about Nairobi. They were always

0:29:18.520 --> 0:29:23.120
<v Speaker 1>talking about, of course, Angola and the potential in these countries,

0:29:23.160 --> 0:29:25.560
<v Speaker 1>and Eritrea was not on the list. And now it

0:29:25.680 --> 0:29:28.480
<v Speaker 1>is in a way, and I think that's so amazing,

0:29:29.400 --> 0:29:32.240
<v Speaker 1>and I love that there's an idea that it's the

0:29:32.320 --> 0:29:37.040
<v Speaker 1>little guy that can inspire somehow, like the unexpected place

0:29:37.120 --> 0:29:39.840
<v Speaker 1>is always the place that teaches me this lesson that

0:29:39.960 --> 0:29:44.880
<v Speaker 1>I'm like, shit, that's spectacular. Let me take that. And

0:29:44.920 --> 0:29:47.760
<v Speaker 1>I think what I wish for people to hear is

0:29:48.440 --> 0:29:53.440
<v Speaker 1>if you travel, you are able to learn these lessons

0:29:53.480 --> 0:29:56.880
<v Speaker 1>if you're open to them, because the country, the place,

0:29:57.040 --> 0:30:01.040
<v Speaker 1>the town, the people will give you these lessons. The

0:30:01.200 --> 0:30:06.400
<v Speaker 1>moments are there if you're willing to open yourself. Most

0:30:06.440 --> 0:30:09.400
<v Speaker 1>people are not. But if you open yourself up just

0:30:09.440 --> 0:30:13.360
<v Speaker 1>a little bit, just a fraction, just too sameting meters,

0:30:14.040 --> 0:30:19.480
<v Speaker 1>perhaps there's two kilometers of beauty and inspiration and wisdom

0:30:19.520 --> 0:30:23.640
<v Speaker 1>that's ready for you. I think that's beautifully said. I

0:30:23.680 --> 0:30:29.840
<v Speaker 1>think that's exactly right. And maybe because a place like

0:30:30.000 --> 0:30:37.680
<v Speaker 1>eric Trea you come to without preconceived ideas. Everybody knows

0:30:37.720 --> 0:30:39.360
<v Speaker 1>what they want to see when they go to Tokyo

0:30:39.480 --> 0:30:42.520
<v Speaker 1>right or Paris, or I've got friends staying with me

0:30:42.640 --> 0:30:45.280
<v Speaker 1>right now, they've got a list for New York City.

0:30:45.520 --> 0:30:50.760
<v Speaker 1>And given that we have such a surplus of information

0:30:50.840 --> 0:30:55.800
<v Speaker 1>usually about everything these days, it's just so refreshing to

0:30:55.920 --> 0:31:00.520
<v Speaker 1>go with a deficit of information and information, and deficit

0:31:00.560 --> 0:31:02.760
<v Speaker 1>you can't even fill by googling the crap out of

0:31:02.760 --> 0:31:06.440
<v Speaker 1>it because it doesn't exist in that way. That's kind

0:31:06.440 --> 0:31:09.520
<v Speaker 1>of a pioneer thing. You feel that you might as

0:31:09.560 --> 0:31:13.560
<v Speaker 1>well be the only person discovering this. To be honest,

0:31:13.560 --> 0:31:15.960
<v Speaker 1>it was a rush for me in that year. I

0:31:15.960 --> 0:31:20.680
<v Speaker 1>mean there were moments I would feel it and on Eritrea,

0:31:21.080 --> 0:31:24.440
<v Speaker 1>you know, there's like a secret handshake of internationals who

0:31:24.480 --> 0:31:28.040
<v Speaker 1>have been there, and actually handshake is the wrong word.

0:31:28.080 --> 0:31:31.400
<v Speaker 1>It's more like a shoulder bump, because traditionally the old

0:31:31.520 --> 0:31:35.000
<v Speaker 1>fighters when they meet, they don't shake hands. They bump

0:31:35.040 --> 0:31:38.680
<v Speaker 1>their right shoulders together three times. It's a bit awkward

0:31:38.720 --> 0:31:40.200
<v Speaker 1>at first, but you kind of get used to it.

0:31:40.280 --> 0:31:43.000
<v Speaker 1>And at first I wasn't sure whether I was allowed

0:31:43.040 --> 0:31:45.320
<v Speaker 1>to do that, given that I'm not exactly a fighter.

0:31:45.320 --> 0:31:48.360
<v Speaker 1>I didn't exactly earn my spurs, but you know, they're

0:31:48.400 --> 0:31:52.760
<v Speaker 1>quite open, so you sort of shoulder bump. And there's

0:31:53.000 --> 0:31:55.680
<v Speaker 1>a sort of community of people who have been to Eritrea,

0:31:56.560 --> 0:31:59.920
<v Speaker 1>and so there's something quite special about that. That is

0:32:00.040 --> 0:32:05.680
<v Speaker 1>the beauty of going off the beaten track. So I

0:32:05.680 --> 0:32:10.280
<v Speaker 1>would love to challenge people to go and find the

0:32:10.400 --> 0:32:13.720
<v Speaker 1>other error trials of the world in the most respectful,

0:32:14.400 --> 0:32:20.200
<v Speaker 1>most appropriate way. I mean, perhaps it's somewhere in Ohio,

0:32:21.360 --> 0:32:24.680
<v Speaker 1>some part of Greenland that you could go and learn

0:32:24.760 --> 0:32:28.600
<v Speaker 1>something similar. The world is open, it's ready, you just

0:32:28.640 --> 0:32:32.400
<v Speaker 1>have to go. Totally agree. Thank you for spending time

0:32:32.440 --> 0:32:36.360
<v Speaker 1>with me. This was spectacular. Do you tell such beautiful stories.

0:32:37.160 --> 0:32:40.920
<v Speaker 1>Thank you for wanting to hear them. This is a

0:32:40.920 --> 0:32:44.600
<v Speaker 1>great moment for us to travel to advertising Land and

0:32:44.680 --> 0:32:50.120
<v Speaker 1>we'll be right back with Everywhere. Welcome once again to Everywhere.

0:32:50.680 --> 0:32:56.880
<v Speaker 1>Let's hop back to it. For my next interview, I'm

0:32:56.880 --> 0:33:01.240
<v Speaker 1>with my friend Nancy Silverton the Share of Los Angeles.

0:33:02.400 --> 0:33:05.960
<v Speaker 1>We talk about how bord is are not just physical

0:33:06.400 --> 0:33:12.000
<v Speaker 1>but metaphysical and emotional. Okay, so what I wanted us

0:33:12.000 --> 0:33:15.640
<v Speaker 1>to really talk about is my show is about funk

0:33:15.720 --> 0:33:18.880
<v Speaker 1>the list. Don't chank off anything. Food is a way

0:33:19.320 --> 0:33:23.120
<v Speaker 1>to take you into humanity, and travel is an equal

0:33:23.160 --> 0:33:27.200
<v Speaker 1>way away to touch humanity. You've made a carea of food,

0:33:27.640 --> 0:33:31.400
<v Speaker 1>I've made a careat of travel. But essentially we're looking

0:33:31.400 --> 0:33:34.160
<v Speaker 1>for the same thing. We're looking to find ways to

0:33:34.280 --> 0:33:38.840
<v Speaker 1>be with humanity, right, absolutely, So tell me how that

0:33:39.640 --> 0:33:42.920
<v Speaker 1>feels to you and what you think about. Well, I'll

0:33:42.960 --> 0:33:46.680
<v Speaker 1>tell you. I live for food. I live to eat,

0:33:47.080 --> 0:33:51.400
<v Speaker 1>I live to make food. All of it is very interconnected.

0:33:52.200 --> 0:33:54.640
<v Speaker 1>I love to cook because, first of all, I love

0:33:54.640 --> 0:33:56.920
<v Speaker 1>to use my hands. So the cooking that I do

0:33:57.040 --> 0:34:00.240
<v Speaker 1>is very simple cooking where I use rolling pins to

0:34:00.320 --> 0:34:03.640
<v Speaker 1>roll out does and I use knives to chop and

0:34:03.680 --> 0:34:06.640
<v Speaker 1>I use my favorite wooden spoons to stir. Right, And

0:34:06.680 --> 0:34:10.960
<v Speaker 1>there's something that I connect with those very very basic tools.

0:34:12.320 --> 0:34:16.759
<v Speaker 1>I am so inspired most of all with produce. That

0:34:17.040 --> 0:34:21.239
<v Speaker 1>is what really gets me thinking. That's where I start

0:34:21.320 --> 0:34:25.560
<v Speaker 1>to create a dish is from produce, and from that

0:34:25.680 --> 0:34:29.080
<v Speaker 1>it turns into whether it's a salad or a vegetable

0:34:29.360 --> 0:34:34.440
<v Speaker 1>or a compliment to a protein, it always starts with produce,

0:34:34.480 --> 0:34:37.239
<v Speaker 1>and it always starts with myself. No matter where I

0:34:37.280 --> 0:34:39.399
<v Speaker 1>am and what country, no matter what city, no matter

0:34:39.440 --> 0:34:42.239
<v Speaker 1>what state, it starts at the farmer's market, and that's

0:34:42.280 --> 0:34:45.920
<v Speaker 1>my way of connecting with the city. So first and

0:34:45.960 --> 0:34:49.719
<v Speaker 1>foremost my pleasure when it comes to food is actually

0:34:50.160 --> 0:34:53.719
<v Speaker 1>being able to prepare the food. I get so much

0:34:53.800 --> 0:34:59.120
<v Speaker 1>joy when I make food that makes people happy. And

0:34:59.239 --> 0:35:02.680
<v Speaker 1>then so it's the preparing, it's the joy that I bring.

0:35:03.320 --> 0:35:08.840
<v Speaker 1>But it's being at the table with friends. There's nowhere

0:35:08.840 --> 0:35:11.120
<v Speaker 1>else I would want to be then at that table,

0:35:11.640 --> 0:35:17.959
<v Speaker 1>if it's two or fifty with delicious food. That's where

0:35:17.960 --> 0:35:22.520
<v Speaker 1>all my friends always gravitated because there was such interesting

0:35:22.600 --> 0:35:25.799
<v Speaker 1>conversation at my dinner table. You know. I grew up

0:35:25.920 --> 0:35:31.160
<v Speaker 1>in an era where there was definitely um most mothers

0:35:31.160 --> 0:35:34.360
<v Speaker 1>were non working mothers, right, they were working in the household,

0:35:34.360 --> 0:35:37.040
<v Speaker 1>but not out of the household. The father would come

0:35:37.120 --> 0:35:41.240
<v Speaker 1>home a little cocktail hour down to a very sterile dinner.

0:35:41.239 --> 0:35:43.759
<v Speaker 1>And I didn't grow up that way. Um my mother did.

0:35:44.360 --> 0:35:47.040
<v Speaker 1>She was a homemaker, but she was also a writer,

0:35:47.160 --> 0:35:48.960
<v Speaker 1>so she wrote from the house. And my father was

0:35:49.000 --> 0:35:51.400
<v Speaker 1>a lawyer and they were very very political, and they

0:35:51.440 --> 0:35:55.560
<v Speaker 1>had very interesting friends. And always at the dinner table

0:35:55.960 --> 0:36:00.000
<v Speaker 1>at my house was just a whole lot of how

0:36:00.000 --> 0:36:06.839
<v Speaker 1>healthy conversation. Just the being fed, the comfort just brought

0:36:06.920 --> 0:36:11.319
<v Speaker 1>out so many wonderful conversations. And my parents were just

0:36:11.440 --> 0:36:17.440
<v Speaker 1>so well read and so opinionated. That's really where I

0:36:17.520 --> 0:36:21.239
<v Speaker 1>learned everything, you know, I really learned so much more

0:36:21.280 --> 0:36:25.160
<v Speaker 1>at that table than I did at school. But see,

0:36:25.200 --> 0:36:28.920
<v Speaker 1>like these conversations with my parents, they wouldn't have happened

0:36:29.000 --> 0:36:31.440
<v Speaker 1>if one of my parents said let's sit down and

0:36:31.480 --> 0:36:34.520
<v Speaker 1>talk and there was no food, right, an empty table

0:36:35.080 --> 0:36:38.720
<v Speaker 1>could be the same, sitting nothing in front of them.

0:36:38.800 --> 0:36:41.759
<v Speaker 1>I don't think there would have been that conversation because

0:36:41.800 --> 0:36:47.600
<v Speaker 1>I think so much goes on with each bite because

0:36:47.600 --> 0:36:50.279
<v Speaker 1>it's a story. You know, food is a story, And

0:36:50.400 --> 0:36:53.200
<v Speaker 1>when I taste people's food that I can't taste their story.

0:36:54.000 --> 0:36:57.879
<v Speaker 1>It's just so one note. Half the time, you don't

0:36:57.920 --> 0:37:01.080
<v Speaker 1>even need to know who's cooking it. You taste it

0:37:01.120 --> 0:37:05.000
<v Speaker 1>and you taste the story of that of whoever that is.

0:37:05.080 --> 0:37:08.640
<v Speaker 1>That's responsible and that's the best kind of food. Right.

0:37:09.320 --> 0:37:11.600
<v Speaker 1>So I have this little thing that I always say.

0:37:11.719 --> 0:37:16.040
<v Speaker 1>I say that travel is a way to lose yourself

0:37:16.760 --> 0:37:20.040
<v Speaker 1>to find yourself. Maybe you want to tell me a

0:37:20.080 --> 0:37:24.560
<v Speaker 1>little bit about how you see that if that rings truth, well,

0:37:24.600 --> 0:37:27.120
<v Speaker 1>I think it also has to do with what kind

0:37:27.120 --> 0:37:31.520
<v Speaker 1>of travel you do. So if you are a somebody

0:37:31.560 --> 0:37:35.800
<v Speaker 1>that from your comfort comfort of your own home city,

0:37:36.000 --> 0:37:40.239
<v Speaker 1>plan out a trip where every minute is accounted for,

0:37:40.239 --> 0:37:44.000
<v Speaker 1>for instance, being met at the airport in whatever city

0:37:44.040 --> 0:37:47.040
<v Speaker 1>it is, being driven to whatever hotel that you've planned,

0:37:47.440 --> 0:37:50.640
<v Speaker 1>being picked up for whatever meal. Some people that's the

0:37:50.640 --> 0:37:53.319
<v Speaker 1>way they have to travel, as every step has to

0:37:53.360 --> 0:37:58.879
<v Speaker 1>be because they are afraid of the unknown. But if

0:37:58.920 --> 0:38:01.239
<v Speaker 1>you can travel, this is thing that I definitely learned

0:38:01.239 --> 0:38:04.520
<v Speaker 1>from my father. If you can pack a suitcase and

0:38:04.560 --> 0:38:07.239
<v Speaker 1>make a plane ticket and pack your passport and just

0:38:07.280 --> 0:38:10.120
<v Speaker 1>go and probably have a hotel because that helps to

0:38:10.160 --> 0:38:13.600
<v Speaker 1>have a hotel, But sort of the rest is just

0:38:14.000 --> 0:38:18.279
<v Speaker 1>the excitement of the unknown and exploring. It's a whole

0:38:18.320 --> 0:38:21.279
<v Speaker 1>different kind of trip. And that's the only way I

0:38:21.320 --> 0:38:23.600
<v Speaker 1>know how to travel. I've never been on a guided

0:38:23.640 --> 0:38:27.279
<v Speaker 1>tour or anything like that. Um, sometimes if I'm going

0:38:27.320 --> 0:38:29.520
<v Speaker 1>to a city that I know, there are a couple

0:38:29.520 --> 0:38:31.520
<v Speaker 1>of restaurants that are hard to get into, and it's

0:38:31.640 --> 0:38:34.919
<v Speaker 1>it helps to have a reservation before I will do that.

0:38:35.520 --> 0:38:38.480
<v Speaker 1>But most of it is open because you never know

0:38:38.560 --> 0:38:42.840
<v Speaker 1>what's down that alley? Right, tell me a story about

0:38:42.880 --> 0:38:45.960
<v Speaker 1>what you found. You went down an alley somewhere, you

0:38:46.120 --> 0:38:48.319
<v Speaker 1>turned left someway where you were going to turn right.

0:38:48.600 --> 0:38:52.080
<v Speaker 1>That's like every experience that I have traveling is like

0:38:52.200 --> 0:38:56.040
<v Speaker 1>that really is going out the door and turning right. Um.

0:38:56.640 --> 0:39:00.000
<v Speaker 1>I love to collect antique. I don't know if they're

0:39:00.000 --> 0:39:03.759
<v Speaker 1>a wuntics, but old coffee grinders, which I use for

0:39:03.840 --> 0:39:07.440
<v Speaker 1>pepper grinders or pepper mills. So they're square boxes with

0:39:07.480 --> 0:39:10.960
<v Speaker 1>a drawer and a grinder. But when I cook, I

0:39:11.040 --> 0:39:15.000
<v Speaker 1>love to cook with very coarse, crack black pepper, and

0:39:15.200 --> 0:39:18.560
<v Speaker 1>the only way to get that coarseness is to break

0:39:18.680 --> 0:39:22.480
<v Speaker 1>the peppercorns with the back of a um frying pan

0:39:22.719 --> 0:39:24.920
<v Speaker 1>to crack them because I like them that course, especially

0:39:24.960 --> 0:39:27.600
<v Speaker 1>on steaks, so you really crunch into them. But with

0:39:27.719 --> 0:39:32.759
<v Speaker 1>these coffee grinders, you can turn the grinder to a

0:39:32.880 --> 0:39:36.719
<v Speaker 1>very coarse grind, and just by turning the crank and

0:39:36.800 --> 0:39:38.719
<v Speaker 1>opening up the drawer, you have a whole lot of

0:39:38.760 --> 0:39:40.880
<v Speaker 1>pepper to season with. And I love them and they're beautiful.

0:39:41.160 --> 0:39:46.239
<v Speaker 1>So um, there's just so many examples I just don't

0:39:46.280 --> 0:39:49.360
<v Speaker 1>have on the top of my head of just pulling

0:39:49.440 --> 0:39:52.960
<v Speaker 1>up to a tiny hilltop town in my own region

0:39:52.960 --> 0:39:55.240
<v Speaker 1>of Umbria where you know, where I have a house

0:39:55.760 --> 0:40:00.439
<v Speaker 1>and just getting out and whether it's a a full

0:40:01.000 --> 0:40:04.359
<v Speaker 1>cheese store, a bakery, you know, those are the kinds

0:40:04.400 --> 0:40:07.080
<v Speaker 1>of things. A beautiful church that you opened the door.

0:40:07.200 --> 0:40:12.040
<v Speaker 1>You know, it's all that discovery. That's what travel is

0:40:12.320 --> 0:40:16.400
<v Speaker 1>for me. Right. Travel has a way that it offers

0:40:16.400 --> 0:40:20.279
<v Speaker 1>you an opportunity to try everything right. So, like, if

0:40:20.280 --> 0:40:22.480
<v Speaker 1>you're willing to right, well, that's why I want you

0:40:22.520 --> 0:40:24.680
<v Speaker 1>to tell me, you know, I mean, you've got to

0:40:24.719 --> 0:40:26.919
<v Speaker 1>go with the punches. You know, it's not all gonna

0:40:27.000 --> 0:40:30.120
<v Speaker 1>be success, and there's gonna be some setbacks and some difficulty.

0:40:30.160 --> 0:40:33.200
<v Speaker 1>You know, Like last time I was in Mexico City, right,

0:40:33.360 --> 0:40:39.200
<v Speaker 1>I was in a very uh crowded actually bakery, and

0:40:39.560 --> 0:40:43.160
<v Speaker 1>I got my wallet stolen out of my purse. So

0:40:43.280 --> 0:40:46.279
<v Speaker 1>it could have ruined my trip, or I could have

0:40:46.320 --> 0:40:48.799
<v Speaker 1>had a great time the last two days that I

0:40:48.840 --> 0:40:50.839
<v Speaker 1>was there, and that's what I chose, you know, So

0:40:50.880 --> 0:40:53.040
<v Speaker 1>you have to expect that things can happen. You know.

0:40:53.080 --> 0:40:54.640
<v Speaker 1>I have some friends that I travel with, and I

0:40:54.680 --> 0:40:56.560
<v Speaker 1>have to say they're a lot pickier than I am,

0:40:56.600 --> 0:40:58.440
<v Speaker 1>and so We'll go to a hotel that they hadn't

0:40:58.719 --> 0:41:01.440
<v Speaker 1>already checked out online to see the rooms, and when

0:41:01.440 --> 0:41:03.920
<v Speaker 1>they get there, some of them have to change rooms

0:41:03.960 --> 0:41:06.000
<v Speaker 1>two or three or four. You know, it's like, I

0:41:06.080 --> 0:41:08.839
<v Speaker 1>really don't care. You know, You're like, I'm going out,

0:41:08.920 --> 0:41:13.080
<v Speaker 1>you know. Yeah, So I think there's you have to

0:41:13.160 --> 0:41:19.600
<v Speaker 1>have that willingness to accept the unknown, except that it's

0:41:19.719 --> 0:41:22.880
<v Speaker 1>not going to be seamless. But that's part of the adventure.

0:41:23.600 --> 0:41:30.000
<v Speaker 1>And sometimes adventures are the memories. They always I mean,

0:41:30.200 --> 0:41:32.759
<v Speaker 1>I don't think you come back and you say, oh, yes,

0:41:32.800 --> 0:41:34.880
<v Speaker 1>I stayed at this lovely hotel, like oh in the hotel,

0:41:34.920 --> 0:41:39.640
<v Speaker 1>the hotel hotel, that's boring thing. Oh my god, No,

0:41:39.800 --> 0:41:43.279
<v Speaker 1>you tell me about I met this pusson and we

0:41:43.280 --> 0:41:46.160
<v Speaker 1>went on this wild adventure. I met them randomly at

0:41:46.160 --> 0:41:49.239
<v Speaker 1>the coffee shop, said saying, they were like, come to

0:41:49.280 --> 0:41:52.160
<v Speaker 1>a dinner, and I said, my god, of course. And

0:41:52.200 --> 0:41:54.799
<v Speaker 1>the next thing, I'm at a fucking crazy party at

0:41:54.840 --> 0:41:58.560
<v Speaker 1>someone's house, right, And you you know what, you wouldn't

0:41:58.600 --> 0:42:02.600
<v Speaker 1>get that experience at of a guide book. Can't can't

0:42:02.719 --> 0:42:07.760
<v Speaker 1>put down the book please. Um, I guess we should

0:42:07.760 --> 0:42:10.759
<v Speaker 1>talk about a little bit of Los Angeles because you

0:42:10.880 --> 0:42:14.560
<v Speaker 1>are so quintessentially Los Angeles and from Los Angeles. But

0:42:15.040 --> 0:42:17.400
<v Speaker 1>I think if people think about the food scene of

0:42:17.520 --> 0:42:21.799
<v Speaker 1>Los Angeles, it's you like you my first person who

0:42:21.840 --> 0:42:25.080
<v Speaker 1>comes to mind. Um, and l A was never a

0:42:25.080 --> 0:42:28.000
<v Speaker 1>food town. As much as it had the best what

0:42:28.080 --> 0:42:31.400
<v Speaker 1>it was, it was just not recognized because when okay,

0:42:31.440 --> 0:42:36.120
<v Speaker 1>so when people thought about food, they thought about food

0:42:36.600 --> 0:42:42.120
<v Speaker 1>being cooked by a foodie. Does that make sense to

0:42:42.120 --> 0:42:47.400
<v Speaker 1>our listeners? Okay, they didn't think about all of the

0:42:47.520 --> 0:42:52.400
<v Speaker 1>neighborhoods that Los Angeles has more than anywhere else in

0:42:52.400 --> 0:42:58.879
<v Speaker 1>the country where the people are cooking their food. I mean,

0:42:59.239 --> 0:43:04.640
<v Speaker 1>so many ethnic neighborhoods in Los Angeles where the food

0:43:04.800 --> 0:43:10.080
<v Speaker 1>has always been so wonderful. And so I think when

0:43:10.440 --> 0:43:18.040
<v Speaker 1>people started recognizing the food of immigrants as food, all

0:43:18.040 --> 0:43:21.359
<v Speaker 1>of a sudden, people started looking at Los Angeles, where

0:43:21.360 --> 0:43:25.600
<v Speaker 1>we always supported that food and that food culture. Well,

0:43:25.640 --> 0:43:28.520
<v Speaker 1>because in some ways, they did this offensive thing in

0:43:28.560 --> 0:43:33.279
<v Speaker 1>America where they called food that wasn't in parentheses American,

0:43:33.719 --> 0:43:39.360
<v Speaker 1>they called it exotic, exotic you, I mean, to me,

0:43:39.480 --> 0:43:45.839
<v Speaker 1>that's racists. But I think that Los Angeles to me,

0:43:45.960 --> 0:43:50.839
<v Speaker 1>and I was a closet lover of Los Angeles if

0:43:50.880 --> 0:43:53.160
<v Speaker 1>you had to be a closet lover. And by the way,

0:43:53.200 --> 0:43:55.879
<v Speaker 1>I never I never defended it. When you know, when

0:43:55.880 --> 0:43:57.560
<v Speaker 1>people would ask me that you know, where are you from,

0:43:57.560 --> 0:43:59.880
<v Speaker 1>and I would say Los Angeles. I hate Los Angeles,

0:44:00.000 --> 0:44:02.920
<v Speaker 1>horrible city, I wouldn't. I wouldn't defend it because I

0:44:03.000 --> 0:44:06.520
<v Speaker 1>understood why people had that feeling, because this is a

0:44:06.600 --> 0:44:10.439
<v Speaker 1>city you have to spend time in to get to know. Yeah,

0:44:10.520 --> 0:44:15.040
<v Speaker 1>even just the distance, and just just because of that. Yes,

0:44:15.280 --> 0:44:17.640
<v Speaker 1>I feel like Los Angeles is on the up. It's

0:44:17.640 --> 0:44:21.080
<v Speaker 1>a city that's moving up and that I love it.

0:44:21.120 --> 0:44:24.480
<v Speaker 1>When I come, I find myself mesmerized every time and

0:44:24.760 --> 0:44:26.759
<v Speaker 1>sort of a little sad that I'm leaving. But I'm

0:44:26.760 --> 0:44:28.879
<v Speaker 1>in New Yorker, which is you know, we were never

0:44:28.920 --> 0:44:32.400
<v Speaker 1>supposed to love Los Angeles. We were supposed to deny

0:44:33.080 --> 0:44:37.080
<v Speaker 1>Los Angeles. You were supposed to hate it Los Angeles. Yeah,

0:44:37.160 --> 0:44:40.439
<v Speaker 1>it feels like every time I'm like, God, I'm someone new,

0:44:40.920 --> 0:44:45.000
<v Speaker 1>Like what is the smell? Yeah? Of course it's gentrifying. Yeah,

0:44:45.960 --> 0:44:49.640
<v Speaker 1>and it's a natural poblicity. And there's obviously two sides

0:44:49.680 --> 0:44:53.719
<v Speaker 1>to that, um, but hopefully we have It's California, so

0:44:53.760 --> 0:44:57.560
<v Speaker 1>there's an overside hand that's not an overside, there's a

0:44:57.680 --> 0:45:00.960
<v Speaker 1>over rule hand that's positive right where it's like, we're

0:45:00.960 --> 0:45:04.359
<v Speaker 1>going to try and make this as sustainable and ecologically

0:45:04.400 --> 0:45:07.919
<v Speaker 1>as possible in a major city. I think the mayor

0:45:07.960 --> 0:45:10.359
<v Speaker 1>has done an amazing job. I think that he's doing

0:45:10.440 --> 0:45:12.880
<v Speaker 1>his best. I mean, they could do something about the homeless.

0:45:12.920 --> 0:45:17.799
<v Speaker 1>I was gonna say, the homelessness is it was. I

0:45:17.800 --> 0:45:21.560
<v Speaker 1>wish it was sad, simple, you know, but it's just

0:45:23.400 --> 0:45:27.680
<v Speaker 1>out of control now, right. But I'm tired of saying that,

0:45:27.960 --> 0:45:29.759
<v Speaker 1>Like that's the thing that I'm like, I'm kind of saying, like,

0:45:30.040 --> 0:45:32.680
<v Speaker 1>the homeless is, what a problem? I'm like, we need

0:45:32.719 --> 0:45:35.799
<v Speaker 1>to do smash shootings. It's terrible, right. Are we sick

0:45:35.840 --> 0:45:39.000
<v Speaker 1>of hearing that? I'm sick hearing. Yeah. No, it is true,

0:45:39.480 --> 0:45:43.440
<v Speaker 1>and it's not happening fast enough, is the problem. And

0:45:43.480 --> 0:45:45.360
<v Speaker 1>it's getting worse. And I have to say, I haven't

0:45:45.400 --> 0:45:51.359
<v Speaker 1>seen homeless, the homeless situation at this grandeur anywhere else

0:45:51.560 --> 0:45:53.399
<v Speaker 1>in the country. It is the worst here right now.

0:45:54.960 --> 0:45:57.960
<v Speaker 1>Maybe what I want to end the chap with is

0:45:58.400 --> 0:46:00.560
<v Speaker 1>maybe I want you to tell me something really personal

0:46:00.600 --> 0:46:03.480
<v Speaker 1>about you, something that you're not sharing that's been in

0:46:03.520 --> 0:46:06.719
<v Speaker 1>your hand and just something that you like no one's

0:46:06.760 --> 0:46:09.200
<v Speaker 1>ever cost, but no one's ever asked me, and I

0:46:09.239 --> 0:46:11.799
<v Speaker 1>don't I have to say, I don't feel like I'm

0:46:11.920 --> 0:46:16.359
<v Speaker 1>unique in this feeling. I obviously have gotten a lot

0:46:16.400 --> 0:46:20.319
<v Speaker 1>of notoriety. I've gotten a lot of awards, I have

0:46:20.560 --> 0:46:25.200
<v Speaker 1>successful businesses, people's taught me on the street, all those

0:46:25.320 --> 0:46:29.280
<v Speaker 1>kinds of acknowledgement, and yet like, not even deep down,

0:46:30.040 --> 0:46:33.680
<v Speaker 1>just a little bit down, I'm always thinking, like, when

0:46:33.719 --> 0:46:36.160
<v Speaker 1>are they going to find out that I'm really an imposter,

0:46:36.440 --> 0:46:39.520
<v Speaker 1>that I'm not that talented and I don't really know

0:46:39.920 --> 0:46:43.239
<v Speaker 1>what I'm doing and somehow I make it work and

0:46:43.320 --> 0:46:47.080
<v Speaker 1>I've been fooling them all And you can't shake that feeling.

0:46:49.239 --> 0:46:52.680
<v Speaker 1>I have that feelings too, Yeah, and I am in

0:46:52.719 --> 0:46:58.200
<v Speaker 1>no ways as you are, but the age remember, but

0:46:58.680 --> 0:47:02.080
<v Speaker 1>I have it too. I think, what is that? It's

0:47:02.120 --> 0:47:05.480
<v Speaker 1>a deep insecurity that people have that we allow others

0:47:05.520 --> 0:47:08.680
<v Speaker 1>to check our value system. You know, now I'm putting

0:47:08.840 --> 0:47:12.320
<v Speaker 1>a podcast, I'm putting a creative project into the world,

0:47:12.440 --> 0:47:15.840
<v Speaker 1>and for the first time, it's not a magazine or

0:47:15.880 --> 0:47:19.120
<v Speaker 1>The New York Times or whoever I'm writing for directing

0:47:19.120 --> 0:47:22.960
<v Speaker 1>it I'm directing this with my wonderful producer and we

0:47:23.520 --> 0:47:27.799
<v Speaker 1>he's my creative ally, but I'm scripting it. It's it's

0:47:27.840 --> 0:47:31.719
<v Speaker 1>my thing. So here I'm putting my soul everything out

0:47:31.760 --> 0:47:36.640
<v Speaker 1>into the world, and I'm going, how do we value this? Oh,

0:47:36.719 --> 0:47:42.799
<v Speaker 1>it's downloads and streams and advertising dollar And that's petrifying

0:47:42.840 --> 0:47:48.719
<v Speaker 1>to me because I'm only interested in the construction and

0:47:48.760 --> 0:47:52.240
<v Speaker 1>destruction of the creative process. The rest of the stuff

0:47:52.320 --> 0:47:54.680
<v Speaker 1>is like, I've never had to think of myself like

0:47:54.719 --> 0:47:59.839
<v Speaker 1>that and value myself like that because I've probably constructed

0:47:59.840 --> 0:48:02.840
<v Speaker 1>a world around me that I didn't have to because funk,

0:48:02.880 --> 0:48:05.719
<v Speaker 1>what if I'm not good enough? And what does that mean?

0:48:05.840 --> 0:48:09.200
<v Speaker 1>You know, I think it's hard to put a value

0:48:09.239 --> 0:48:14.120
<v Speaker 1>on a creative expression. And you've taken your creativity and

0:48:14.320 --> 0:48:16.920
<v Speaker 1>people pay money for it, so of course you have

0:48:17.040 --> 0:48:19.600
<v Speaker 1>to be like, oh, we am I worth a hundred

0:48:19.600 --> 0:48:23.480
<v Speaker 1>dollar ticket at lunch? And am I worth the bill?

0:48:24.440 --> 0:48:29.280
<v Speaker 1>And that's fucking scary, it is, But maybe it's okay

0:48:30.960 --> 0:48:35.880
<v Speaker 1>because every day when when I feel like, oh my god,

0:48:36.000 --> 0:48:39.160
<v Speaker 1>like what is this now, I just have to stand

0:48:39.160 --> 0:48:42.560
<v Speaker 1>in my posture and say, only you want the answer,

0:48:42.640 --> 0:48:46.680
<v Speaker 1>judge this the rest of all doesn't matter. But it's

0:48:46.719 --> 0:48:50.120
<v Speaker 1>fucking tough. It is, and I am my harshest critic

0:48:51.239 --> 0:48:53.960
<v Speaker 1>for myself. But I don't feel like I'm ake a

0:48:54.080 --> 0:48:58.719
<v Speaker 1>judgmental person and I'm always looking to judge people. I'm not,

0:48:59.120 --> 0:49:02.480
<v Speaker 1>but I do judge to myself. But you're a success,

0:49:02.480 --> 0:49:04.640
<v Speaker 1>and you're so wonderful, and you so Sweden, and you

0:49:05.040 --> 0:49:11.680
<v Speaker 1>screw me, So what is that to judge? I'll let

0:49:11.680 --> 0:49:14.120
<v Speaker 1>you know what I am on your show next time.

0:49:14.560 --> 0:49:16.600
<v Speaker 1>If I figured out what that was, you can ask

0:49:16.640 --> 0:49:20.719
<v Speaker 1>me that I will make a notes. Well, thank you

0:49:20.760 --> 0:49:24.920
<v Speaker 1>for thank you. What a pleasure. Yeah, what a pleasure

0:49:25.000 --> 0:49:28.439
<v Speaker 1>that you didn't ask me what my last meal would be?

0:49:29.120 --> 0:49:32.600
<v Speaker 1>Or if I had to design my perfect dinner party

0:49:33.280 --> 0:49:36.279
<v Speaker 1>alive or Dad? You know who would those be? You know,

0:49:36.360 --> 0:49:39.920
<v Speaker 1>it's like really, or would it like to be a

0:49:39.960 --> 0:49:50.560
<v Speaker 1>woman in the kitchen? It's like, you're a woman. So

0:49:50.680 --> 0:49:52.640
<v Speaker 1>I have a plan to catch but if you'd still

0:49:52.680 --> 0:49:57.000
<v Speaker 1>like to reach us, go to Everywhere Podcast on Instagram,

0:49:57.080 --> 0:50:00.840
<v Speaker 1>Everywhere Pod on Twitter, all the website at everywhere podcast

0:50:00.920 --> 0:50:05.400
<v Speaker 1>dot com. Thanks for hanging out. I'm Daniel Shaffler and

0:50:05.480 --> 0:50:24.480
<v Speaker 1>I'll see you everywhere for more podcasts from I heart Radio,

0:50:24.719 --> 0:50:27.800
<v Speaker 1>visit the i heart Radio app, Apple podcasts, or wherever

0:50:27.840 --> 0:50:29.160
<v Speaker 1>you listen to your favorite shows.