WEBVTT - STBYM Listener Mail: The Bog

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey you, welcome to Stuff to Blow your Mind. Listener Mail.

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<v Speaker 2>This is Robert Lamb.

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<v Speaker 3>And this is Joe McCormick again. Listener mail, of course,

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<v Speaker 3>is what it sounds like. This is the type of

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<v Speaker 2>All right, let's dig into the old mail bag here.

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<v Speaker 3>All right, This first message is in response to our

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<v Speaker 3>series on Manta rays. Rob, would you like to take

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<v Speaker 3>this or should.

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<v Speaker 2>I sure I can do it? This one comes to

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<v Speaker 2>us from Graham. Graham says, Hi, Joe, Rob and the team.

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<v Speaker 2>After listening to your Manta ray episode, I had a

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<v Speaker 2>couple of very quick thoughts for you both. Joe, you

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<v Speaker 2>tried to recall a film with a glowing manta ray

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<v Speaker 2>tighte being. Could you have been thinking of the creature

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<v Speaker 2>in The Abyss? I seem to remember that being ray shaped.

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<v Speaker 3>Well, Graham, absolutely, that is exactly what I was thinking of.

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<v Speaker 3>I was thinking of the I think it's sometimes called

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<v Speaker 3>the NTI, the non terrestrial intelligence in James Cameron's The Abyss.

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<v Speaker 3>This is, of course the sort of the top shelf

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<v Speaker 3>of was it nineteen eighty nine, the year of the

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<v Speaker 3>Underwater movies, where that we also got Leviathan and Deep

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<v Speaker 3>Star six and like all came out at the same time.

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<v Speaker 3>But this was like the biggest budget of them and

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<v Speaker 3>probably the most the most serious minded of them. This

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<v Speaker 3>was a James Cameron film that I don't know, I

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<v Speaker 3>think is remembered less than like the Terminator movies and

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<v Speaker 3>Aliens and some of his other stuff, but it has

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<v Speaker 3>a lot of virtues. There's good stuff about the Abyss.

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<v Speaker 2>Yeah, I've been meaning to check it out. Last time

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<v Speaker 2>I really got into nineteen ninety nine underwater films. I

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<v Speaker 2>don't think it had been released on Blu ray, or

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<v Speaker 2>if it had, it was just like standard blue ray.

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<v Speaker 2>And I think it's received a little bit better treatment

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<v Speaker 2>since then anyway.

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<v Speaker 3>But yes, Graham, I looked up this image and there

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<v Speaker 3>is one of the glowing underwater entities is absolutely manta

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<v Speaker 3>ray shaped. Rob. I put a picture of it here

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<v Speaker 3>in the outline for you to look at that. That

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<v Speaker 3>is one hundred percent what I had in mind and

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<v Speaker 3>couldn't remember.

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<v Speaker 2>Yeah, yeah, it's very mantilike. Obviously they're jellyfish shades to

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<v Speaker 2>it as well. It's illuminated. It's great. I do not

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<v Speaker 2>really remember it that much though. Anyway. Graham continues and says, Rob,

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<v Speaker 2>have you tried bog Snorkeling? Could be a fun day

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<v Speaker 2>out for the family. Images attached all the best Graham

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<v Speaker 2>from the South Dorset coast in the UK and the

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<v Speaker 2>images here, And I believe these are now that I

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<v Speaker 2>look at the tag on and these are Getty Images shots,

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<v Speaker 2>and they are of people snorkeling in an English bog,

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<v Speaker 2>so very brown water, not unlike the brown water sho'll

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<v Speaker 2>encounter in non bog environments such as many lakes and

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<v Speaker 2>so forth. So I've you know, I've definitely gone swimming

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<v Speaker 2>in waters this murky looking before, but I did not

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<v Speaker 2>even know that bog snorkeling was a thing.

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<v Speaker 3>We talked about this in another episode, and I think

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<v Speaker 3>we were a little confused at first, like is this

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<v Speaker 3>a joke. It sounds contradictory, because I rob, you're the

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<v Speaker 3>snorkeler here. I don't know what I'm talking about, really,

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<v Speaker 3>but I assumed snorkeling was primarily a sight seeing activity

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<v Speaker 3>that like, while you're snorkeling, you are, you know, you

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<v Speaker 3>have the mask on and the snorkel on so that

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<v Speaker 3>you can keep your eyes fixed underwater and look around

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<v Speaker 3>and take in the sights of what's happening down there.

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<v Speaker 3>Is that the basically your experience.

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<v Speaker 2>That's my experience, that's the way we do it. And

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<v Speaker 2>I I like a lot of sunlight. I like being

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<v Speaker 2>able to see all the colors and if it gets

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<v Speaker 2>a little flolly, you know, I'm kind of like, well,

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<v Speaker 2>maybe it's time to get out of the water. But

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<v Speaker 2>I also have to realize there's a lot of different

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<v Speaker 2>types of snorkeling evidently, and a lot of different types

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<v Speaker 2>of diving. Like I hear when I go do these

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<v Speaker 2>these excursions, will end up chatting with divers, and I

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<v Speaker 2>hear about some of the crazy places some of these

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<v Speaker 2>divers go diving, and and so I'm surprised but not

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<v Speaker 2>but also not surprised that there is bog snorkeling.

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<v Speaker 3>But so yeah, so if you look up bug snorkeling,

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<v Speaker 3>you will see people with snorkel and mask on, face down,

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<v Speaker 3>swimming in a trench cut in a peat bog and

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<v Speaker 3>rob if I can correct you, I think this is

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<v Speaker 3>not in England. I think this is in Wales. But yeah,

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<v Speaker 3>so it's in like there's one main place where I've

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<v Speaker 3>seen like the multiple videos of this happening. I don't

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<v Speaker 3>know how more widespread it is. It might be in

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<v Speaker 3>other places too, but in this like Welsh competition, they've

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<v Speaker 3>got this trench dug and it's just this gross looking

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<v Speaker 3>muddy water in the trench and people are snorkeling. They're

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<v Speaker 3>essentially racing, so that's the answer to like, why would

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<v Speaker 3>you snorkel in this bog. They're not actually seeing the sites.

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<v Speaker 3>They're not trying to like glimpse the life at the

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<v Speaker 3>bottom of the trench, because that would be impossible. The

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<v Speaker 3>water is totally opaque. It's a racing activity that seems

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<v Speaker 3>to be done with some lightheartedness, like it looks like

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<v Speaker 3>a cheese rolling kind of kind of spirit thing. The

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<v Speaker 3>people are dressing up in costumes doing interviews beforehand. We

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<v Speaker 3>watched a video of people who were doing I think

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<v Speaker 3>it was like the twenty twenty four Bog Snorkeling Chainchampionships,

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<v Speaker 3>and so there were people dressed up as shrimps and

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<v Speaker 3>people dressed up as Kermit the Frog, and one guy

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<v Speaker 3>who was like towing a big banana float. It seemed

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<v Speaker 3>only like half serious as an athletic competition and mostly

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<v Speaker 3>like a chance to get out and have fun and

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<v Speaker 3>do a kind of yurukyara spirit type activity.

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<v Speaker 2>My family and I recently traveled to Wales. Nobody mentioned

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<v Speaker 2>this to us, and we did not, of course think

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<v Speaker 2>to ask about snorkeling in Wales. But when you do

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<v Speaker 2>a search for Welsh snorkeling, this is the main thing

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<v Speaker 2>that comes up.

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<v Speaker 3>Yeah, I guess the Welsh coast is not known for

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<v Speaker 3>like its blue water coral reefs.

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<v Speaker 2>I believe.

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<v Speaker 1>So.

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<v Speaker 2>Now if I look a little deeper, I do see

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<v Speaker 2>some other things popping up that are not bog related.

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<v Speaker 2>So I think there is some scuba diving and snorkeling

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<v Speaker 2>in Wales that is not in a bog. But this

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<v Speaker 2>is a new area for me, so I'm gonna have

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<v Speaker 2>to learn more.

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<v Speaker 3>So to answer the question, is this a joke? No,

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<v Speaker 3>but it's jokey like it is a real thing that

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<v Speaker 3>people do. But it seems there's a lot of humor

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<v Speaker 3>involved in the in the doing of it.

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<v Speaker 2>Yeah, it seems gleeful.

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<v Speaker 3>All right, you ready for the next message?

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<v Speaker 2>Yeah, let's see what we are.

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<v Speaker 3>This one comes from Michelle. This is a response to

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<v Speaker 3>a long ago Invention episode on Spoons. I barely remember that.

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<v Speaker 3>Michelle says, Hi, Robert and Joe, I wanted to say

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<v Speaker 3>thank you for a probably unanticipated parenting tip from a

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<v Speaker 3>very old episode many years ago, I think during the

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<v Speaker 3>Invention days. During an episode on Spoons, Robert mentioned that

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<v Speaker 3>he has a competition between various items in his dishwasher.

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<v Speaker 3>I have been listening since the five minute episode days

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<v Speaker 3>and had and have no idea why this particular tidbit

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<v Speaker 3>stuck in my mind, but it has proved extremely helpful.

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<v Speaker 3>My recently turned four year old seems to have moved

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<v Speaker 3>out of the phase of wanting to quote hell, but

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<v Speaker 3>it's gotten more interested in counting. I remembered the dishwasher

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<v Speaker 3>competition and have implemented it with my daughter, who will

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<v Speaker 3>now happily empty the silverware caddy to count forks, knives,

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<v Speaker 3>and spoons to see who will win. I'm starting to

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<v Speaker 3>introduce some simple math with it, like how many more

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<v Speaker 3>spoons than forks. It's not as much of a competition

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<v Speaker 3>now that it's hot an ice cream season has it,

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<v Speaker 3>but she still enjoys it. Thank you again for the

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<v Speaker 3>unintended parenting hack, Michelle rob I barely remember what this

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<v Speaker 3>is responding to. What's this competition thing?

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<v Speaker 2>Ah, this is the thing that I used to do it,

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<v Speaker 2>and I guess I still do it every now and then,

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<v Speaker 2>where in order to sort of get through the boredom

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<v Speaker 2>or tedium of emptying the dishwasher in the morning, I

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<v Speaker 2>will think of it as a competition which are there

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<v Speaker 2>more spoons or more forks or more knives in the dishwasher.

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<v Speaker 2>Whichever team has the most representation in the dishwasher has won.

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<v Speaker 2>So it's just the way of sort of keeping tabs

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<v Speaker 2>as I loove the dishwasher and mildly amuse myself with

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<v Speaker 2>who's winning. And then if you think deeper about it,

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<v Speaker 2>it's like you then you ask yourself, well, why did

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<v Speaker 2>the spoons win? What did we have to eat yesterday?

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<v Speaker 2>What did we have for dinner? Did we have a

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<v Speaker 2>dessert that required spoons? And so forth. We do use

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<v Speaker 2>a lot of spoons in our households. So on average,

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<v Speaker 2>team spoon was the winner, but occasionally you know that

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<v Speaker 2>the team knives would come out ahead, or even team forks. Yeah,

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<v Speaker 2>you never know exactly what's going to happen in this sport.

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<v Speaker 3>I feel like it would be boring at our house

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<v Speaker 3>because it would always be spoons. We just always have

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<v Speaker 3>more spoons in there.

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<v Speaker 2>It's just I prefer the spoon. I used the spoon

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<v Speaker 2>when I should use the fork. But I'm glad that

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<v Speaker 2>not only was someone else able to find some amusement

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<v Speaker 2>in this practice, but they were able to employ it

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<v Speaker 2>in their daily life.

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<v Speaker 3>In fact, I would say I probably used chopsticks more

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<v Speaker 3>than forks. I think my ranking would go spoon, chopsticks fork.

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<v Speaker 2>Yeah. Yeah, we do use a lot of chopsticks, and

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<v Speaker 2>I'm sometimes inclined to use chopsticks when some might think

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<v Speaker 2>I shouldn't. But it I don't know if Team Chopstick

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<v Speaker 2>ever won because that, you know, you have to have

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<v Speaker 2>to build up a lot of chopsticks. Really, I don't

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<v Speaker 2>know if we have enough chopsticks to beat Team Spoon. Also,

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<v Speaker 2>there's a I don't know, you can get really casual

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<v Speaker 2>and even cavalier whether you use of spoons. At least

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<v Speaker 2>I find myself doing that. You know, you get a

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<v Speaker 2>spoon out, single use and then he goes to the dishwasher.

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<v Speaker 2>You're cooking, you need to taste what you've been cooking,

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<v Speaker 2>while you just whip out a spoon, use it for tasting,

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<v Speaker 2>and now you know, I'm not going to double dip,

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<v Speaker 2>I'm going to put it in the dishwasher, and so

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<v Speaker 2>by the time I'm done, it's like that's five spoons

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<v Speaker 2>just from cooking.

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<v Speaker 3>Yeah, Rachel and I were talking about exactly this just

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<v Speaker 3>the other day, about how like we'll be cooking and

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<v Speaker 3>find ourselves in need of a spoon and realize we

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<v Speaker 3>just dropped a spoon in the in the dish pile

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<v Speaker 3>like four seconds earlier. I don't know, there's this habit

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<v Speaker 3>to instinct to get rid of it when you're gonna

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<v Speaker 3>need it again almost immediately.

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<v Speaker 2>You know. And I like putting peanut butter on things,

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<v Speaker 2>but sometimes there's nothing to spread it on. I am

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<v Speaker 2>not too proud to take a spoon, put it in

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<v Speaker 2>the peanut butter and then just have the peanut butter plane.

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<v Speaker 2>But again, I'm not going to double dip. I'm going

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<v Speaker 2>to get a fresh spoon, even if it means that

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<v Speaker 2>I'm going to go through five spoons just in the

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<v Speaker 2>course of a snack. And I'm not going to use

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<v Speaker 2>a knife. And what lick the knife? Gary oldman? Vampire

0:11:25.240 --> 0:11:29.040
<v Speaker 2>style bloody peanut butter.

0:11:30.400 --> 0:11:32.400
<v Speaker 3>All right, let's see. You want to get into some

0:11:32.480 --> 0:11:34.440
<v Speaker 3>of the responses about ice skates.

0:11:34.880 --> 0:11:38.520
<v Speaker 2>Yeah, let's do take your pick. All right, let's see,

0:11:38.559 --> 0:11:40.120
<v Speaker 2>we'd just start at the top here. This one comes

0:11:40.160 --> 0:11:42.600
<v Speaker 2>to us from Quinn on the subject of ice skating

0:11:42.679 --> 0:11:51.120
<v Speaker 2>on frozen lakes. In your ice skate episode, you pondered

0:11:51.160 --> 0:11:55.080
<v Speaker 2>about skating at a slower speed on frozen water bodies

0:11:55.120 --> 0:11:57.080
<v Speaker 2>because of a fear of going through the ice.

0:11:57.480 --> 0:11:59.640
<v Speaker 3>Yeah, we were wondering about that because we didn't know,

0:12:00.400 --> 0:12:03.120
<v Speaker 3>like if there is more of like a variable thickness

0:12:03.160 --> 0:12:05.000
<v Speaker 3>in the ice on a lake, and like, would there

0:12:05.080 --> 0:12:06.839
<v Speaker 3>be a danger that would make you kind of have

0:12:07.200 --> 0:12:10.080
<v Speaker 3>to tread more carefully, like slow down because you don't

0:12:10.120 --> 0:12:11.959
<v Speaker 3>know what's ahead of you. We didn't know because we

0:12:12.000 --> 0:12:14.760
<v Speaker 3>don't have experience ice skating on natural bodies of water.

0:12:15.480 --> 0:12:18.120
<v Speaker 2>Well, Quinn chimes in here and says, most of the

0:12:18.200 --> 0:12:20.559
<v Speaker 2>time this is not a factor at all. Ice s

0:12:20.559 --> 0:12:23.680
<v Speaker 2>gets deep in cold places fairly quickly after freezing over,

0:12:24.120 --> 0:12:26.960
<v Speaker 2>and you can clearly see how deep it is, similar

0:12:27.040 --> 0:12:29.880
<v Speaker 2>to the way ice cubes crack when dropped into water,

0:12:30.200 --> 0:12:33.719
<v Speaker 2>but do not come apart. Lake ice cracks. If you

0:12:33.880 --> 0:12:36.480
<v Speaker 2>see the cracks go three inches deep, you're good to go.

0:12:37.000 --> 0:12:40.120
<v Speaker 2>Most of the time, it's more like ten plus inches plus.

0:12:40.200 --> 0:12:43.080
<v Speaker 2>Pickup trucks dragging ice fishing houses on the lake are

0:12:43.200 --> 0:12:47.199
<v Speaker 2>very reassuring. Pressure ridges can make local danger zones, But

0:12:47.320 --> 0:12:50.559
<v Speaker 2>I have skated for miles without such obstacles. I'm fairly

0:12:50.640 --> 0:12:53.959
<v Speaker 2>comfortable on skates, but lack sharp turning and fast stopping

0:12:54.000 --> 0:12:57.439
<v Speaker 2>skills displayed by hockey and figure skaters. So the wide

0:12:57.480 --> 0:13:00.280
<v Speaker 2>open spaces of a whole lake means I am not

0:13:00.480 --> 0:13:04.120
<v Speaker 2>impeded by slower ice skaters and constant turns that are

0:13:04.200 --> 0:13:07.640
<v Speaker 2>normal at indoor rinks, so I can skate faster. Lake

0:13:07.760 --> 0:13:11.280
<v Speaker 2>skating is not, however, easier. It is quite rare that

0:13:11.400 --> 0:13:14.679
<v Speaker 2>the ice forms without any wind. The result is little

0:13:14.800 --> 0:13:17.960
<v Speaker 2>ripples that you do glide over, but with a little

0:13:18.120 --> 0:13:22.400
<v Speaker 2>chatter that is not as efficient as smooth ice. Also,

0:13:22.640 --> 0:13:26.040
<v Speaker 2>it is common to have thin collections of snow that

0:13:26.200 --> 0:13:29.599
<v Speaker 2>you can usually skate through, but with more drag, and

0:13:29.720 --> 0:13:32.640
<v Speaker 2>occasionally those snow spots are deep enough to bring you

0:13:32.760 --> 0:13:35.840
<v Speaker 2>to a quick but manageable stop. Of course, there can

0:13:35.880 --> 0:13:39.280
<v Speaker 2>be exceptions to the normal. Once the lake had frozen deep,

0:13:39.720 --> 0:13:42.360
<v Speaker 2>then there were a few warm days with rain before

0:13:42.440 --> 0:13:45.680
<v Speaker 2>going cold again. The rain mostly smoothed out the lake,

0:13:45.960 --> 0:13:48.600
<v Speaker 2>but here and there were puddles that had not quite

0:13:48.679 --> 0:13:51.600
<v Speaker 2>frozen through to the base layer of ice. Hit one

0:13:51.640 --> 0:13:55.120
<v Speaker 2>of those and your skate breaks through The ice blade

0:13:55.160 --> 0:13:57.760
<v Speaker 2>then has to either rip through the top ice sheet

0:13:58.280 --> 0:14:01.240
<v Speaker 2>or come to a sudden stop. The ice would generally

0:14:01.320 --> 0:14:03.800
<v Speaker 2>not give way. If you were on one skate, you

0:14:03.880 --> 0:14:07.480
<v Speaker 2>could stumble through to solid ice, but if both stopped

0:14:07.520 --> 0:14:09.800
<v Speaker 2>at once, there was nothing you could do to prevent

0:14:09.920 --> 0:14:13.000
<v Speaker 2>going down. On a totally different note back on the

0:14:13.080 --> 0:14:16.040
<v Speaker 2>cotton candy episode, you commented that cotton candy is not

0:14:16.160 --> 0:14:19.520
<v Speaker 2>that great tasting, as it is always the same sickening

0:14:19.560 --> 0:14:22.640
<v Speaker 2>sweet flavor. There is a local vendor who shows up

0:14:22.640 --> 0:14:24.720
<v Speaker 2>at my kids after school events who has a full

0:14:24.840 --> 0:14:28.360
<v Speaker 2>menu of flavors. Not liking standard cotton candy that much,

0:14:28.480 --> 0:14:32.560
<v Speaker 2>I have tried both chaiki and earl gray flavors. Sweet, yes,

0:14:33.160 --> 0:14:34.440
<v Speaker 2>but quite enjoyable.

0:14:34.920 --> 0:14:38.520
<v Speaker 3>Oh thanks, Quinn. I'm honestly having a hard time imagining

0:14:38.680 --> 0:14:40.280
<v Speaker 3>a tea flavored cotton candy.

0:14:41.680 --> 0:14:44.000
<v Speaker 2>Yeah, I don't know. I mean, it does make sense

0:14:44.000 --> 0:14:45.560
<v Speaker 2>that it would still be sweet. I mean, I don't

0:14:45.560 --> 0:14:49.400
<v Speaker 2>think you can have anything but sweet cotton candy.

0:14:49.800 --> 0:14:51.360
<v Speaker 3>As it made of the sugar.

0:14:51.600 --> 0:14:56.080
<v Speaker 2>Yeah, having savory cotton candy, but but yeah, I hadn't

0:14:56.080 --> 0:14:59.560
<v Speaker 2>really thought about there being any additional flavor profile to it,

0:14:59.640 --> 0:15:01.440
<v Speaker 2>So I don't. No, I don't know if it's enough

0:15:01.520 --> 0:15:05.280
<v Speaker 2>for me to actually try cotton candy again. But I

0:15:05.320 --> 0:15:08.840
<v Speaker 2>don't know if there was somebody doing upscale bespoke cotton candy,

0:15:08.880 --> 0:15:12.280
<v Speaker 2>I guess I would perhaps give into the temptation cotton candy.

0:15:12.400 --> 0:15:13.640
<v Speaker 3>Earl Gray hot.

0:15:14.920 --> 0:15:15.040
<v Speaker 2>Oh.

0:15:15.120 --> 0:15:17.760
<v Speaker 3>But also thank you Quinn for the feedback on what

0:15:17.880 --> 0:15:20.120
<v Speaker 3>it's like to skate on lake ice. Yeah. Yeah, we

0:15:20.200 --> 0:15:23.400
<v Speaker 3>have no experience here, so that's interesting. And we have

0:15:23.480 --> 0:15:27.560
<v Speaker 3>another message on this subject from Taylor, who says a

0:15:27.800 --> 0:15:36.800
<v Speaker 3>subject line here the freedom of lake ice. Hello, Robert

0:15:36.880 --> 0:15:39.520
<v Speaker 3>and Joe. I enjoyed your recent episode on the Invention

0:15:39.640 --> 0:15:42.360
<v Speaker 3>of ice skating, just as I've enjoyed all your episodes

0:15:42.400 --> 0:15:45.520
<v Speaker 3>for the past six years or so. In the episode,

0:15:45.560 --> 0:15:48.720
<v Speaker 3>Joe speculated that a skater might feel more confident on

0:15:48.840 --> 0:15:51.400
<v Speaker 3>a rink than on lake ice because the danger of

0:15:51.480 --> 0:15:54.720
<v Speaker 3>thin ice is controlled. I have found just the opposite

0:15:54.760 --> 0:15:57.480
<v Speaker 3>to be true. I grew up in Utah, where I

0:15:57.640 --> 0:16:00.240
<v Speaker 3>only had access to a handful of ice rinks, and

0:16:00.560 --> 0:16:04.640
<v Speaker 3>these were always thoroughly congested with skaters. My experience with

0:16:04.800 --> 0:16:08.840
<v Speaker 3>ice skating was stalled permanently in that always remembering how

0:16:08.920 --> 0:16:12.400
<v Speaker 3>it's done zone, and consisted mostly of trying to stay

0:16:12.520 --> 0:16:16.440
<v Speaker 3>vertical and not run into anybody on the densely packed rink. Frankly,

0:16:16.520 --> 0:16:19.400
<v Speaker 3>I found ice skating miserable and never understood the appeal.

0:16:19.760 --> 0:16:22.640
<v Speaker 3>Then last year, my wife and I moved to Minnesota.

0:16:23.080 --> 0:16:26.080
<v Speaker 3>In Utah, I was a big downhill skier, but have

0:16:26.240 --> 0:16:29.080
<v Speaker 3>traded my mountains for lakes. I have had to find

0:16:29.120 --> 0:16:31.600
<v Speaker 3>a new way to stay active and enjoy the outdoors

0:16:31.680 --> 0:16:34.840
<v Speaker 3>in the long winter months. My wife and friends suggested

0:16:34.920 --> 0:16:37.720
<v Speaker 3>ice skating, and at first I was hesitant, having only

0:16:37.920 --> 0:16:41.560
<v Speaker 3>had my packed like sardines Utah rinks to inform my experience.

0:16:42.160 --> 0:16:45.560
<v Speaker 3>But eventually I relented and tried my first skate on

0:16:45.720 --> 0:16:49.960
<v Speaker 3>lake ice. It was a completely different experience. Without being

0:16:50.040 --> 0:16:52.600
<v Speaker 3>crowded by bodies on every side, I felt free to

0:16:52.720 --> 0:16:54.800
<v Speaker 3>explore my movement on the ice in a way I

0:16:55.000 --> 0:16:57.840
<v Speaker 3>had never been able to on a public rink. I

0:16:57.960 --> 0:17:01.400
<v Speaker 3>progressed rapidly past the plateau skill I'd always been stuck

0:17:01.480 --> 0:17:05.040
<v Speaker 3>at before, and experienced the euphoria of gliding fast and

0:17:05.160 --> 0:17:09.359
<v Speaker 3>frictionless over frozen water. Now granted, these experiences were on

0:17:09.600 --> 0:17:13.359
<v Speaker 3>well tested, thoroughly frozen lakes with little danger of falling

0:17:13.440 --> 0:17:16.840
<v Speaker 3>through the ice. Many lakes in Minnesota also have sections

0:17:16.960 --> 0:17:20.880
<v Speaker 3>conditioned by small hand pushed to Zamboni's to smooth out

0:17:20.920 --> 0:17:24.639
<v Speaker 3>the skating surface. But if you have never experienced skating

0:17:24.800 --> 0:17:27.119
<v Speaker 3>on an open lake and you have the opportunity to

0:17:27.200 --> 0:17:30.159
<v Speaker 3>do so safely, I would highly recommend it. I am

0:17:30.240 --> 0:17:33.600
<v Speaker 3>thoroughly snobbish about rinks now and will shamelessly say that

0:17:33.680 --> 0:17:37.080
<v Speaker 3>the experience doesn't even compare as always. Thank you for

0:17:37.200 --> 0:17:39.200
<v Speaker 3>filling so many hours of my life with your thought

0:17:39.240 --> 0:17:42.040
<v Speaker 3>provoking ruminations. I get a little spike of joy every

0:17:42.080 --> 0:17:45.640
<v Speaker 3>time I see a new Mainline or Weird House episode

0:17:45.680 --> 0:17:49.840
<v Speaker 3>in the feed, Thanks tailor ps. I think the big

0:17:50.040 --> 0:17:53.879
<v Speaker 3>factor here is the alleviation of social pressures created by

0:17:53.920 --> 0:17:56.000
<v Speaker 3>a rink. If you take a spill on a rink,

0:17:56.119 --> 0:18:00.359
<v Speaker 3>at best you embarrass yourself and inconvenience others, and worst

0:18:00.480 --> 0:18:03.320
<v Speaker 3>you injure someone else. But on a lake you have

0:18:03.480 --> 0:18:06.600
<v Speaker 3>enough space that messing up only means hurting yourself. That

0:18:06.760 --> 0:18:09.440
<v Speaker 3>freedom to fail allowed me to enjoy the sport in

0:18:09.520 --> 0:18:10.879
<v Speaker 3>a way I never could before.

0:18:12.400 --> 0:18:14.760
<v Speaker 2>Hmmm, Oh that's a good point.

0:18:15.000 --> 0:18:18.600
<v Speaker 3>Yeah, thanks Taylor, great perspective. I can totally see that.

0:18:19.240 --> 0:18:24.040
<v Speaker 2>Yeah. Like when I have I skated recently here in Atlanta,

0:18:25.520 --> 0:18:28.440
<v Speaker 2>it is not only the fear of falling down, but

0:18:28.640 --> 0:18:32.960
<v Speaker 2>falling into people or in front of people. And the

0:18:33.040 --> 0:18:34.520
<v Speaker 2>only kind of ringks, to my knowledge that we have

0:18:34.600 --> 0:18:36.840
<v Speaker 2>around here that we get during the colder months are

0:18:36.960 --> 0:18:39.240
<v Speaker 2>going to be just your basic going around in a circle.

0:18:39.840 --> 0:18:41.640
<v Speaker 2>And yeah, there are going to be a bunch of kids.

0:18:41.760 --> 0:18:43.280
<v Speaker 2>Many of them are going to be using those little

0:18:43.359 --> 0:18:48.560
<v Speaker 2>trainer props you know, which can is good. It helps

0:18:48.640 --> 0:18:52.239
<v Speaker 2>kids from falling down, but it also creates this kind

0:18:52.280 --> 0:18:55.520
<v Speaker 2>of like additional obstacle that you might crash into.

0:18:55.600 --> 0:18:58.840
<v Speaker 3>In my experience, and I've gone in circles before.

0:19:00.040 --> 0:19:02.240
<v Speaker 2>I mean it's going in circles is great once you

0:19:02.320 --> 0:19:06.040
<v Speaker 2>get it going though. Oddly enough, now coming back to Wales,

0:19:06.080 --> 0:19:08.720
<v Speaker 2>when we were when we visited Wales, we did see

0:19:08.760 --> 0:19:11.520
<v Speaker 2>some ice outdoor ice rinks there that were a lot

0:19:11.560 --> 0:19:14.760
<v Speaker 2>more elaborate, like almost they kind of reminded me of

0:19:15.119 --> 0:19:17.480
<v Speaker 2>some of the race tracks for hot wheels or whatever,

0:19:17.520 --> 0:19:20.480
<v Speaker 2>the motocross, Yeah, that sort of thing, and I was

0:19:20.520 --> 0:19:22.959
<v Speaker 2>really impressed. We did not really have time to check

0:19:23.040 --> 0:19:25.240
<v Speaker 2>it out, but I was like, man, I kind of

0:19:25.240 --> 0:19:28.240
<v Speaker 2>wish we had ice skating like this back home. All right.

0:19:28.320 --> 0:19:30.920
<v Speaker 2>This next one comes to us from l and this

0:19:31.720 --> 0:19:34.159
<v Speaker 2>again is in response to our episode on roller skates.

0:19:34.880 --> 0:19:37.960
<v Speaker 2>The listener here begins by mentioning that they were listening

0:19:38.000 --> 0:19:39.840
<v Speaker 2>to our show. Then they listened to a different show,

0:19:40.200 --> 0:19:42.919
<v Speaker 2>and then they came back to ours, and they were

0:19:42.960 --> 0:19:45.600
<v Speaker 2>delighted to see that we had an episode on roller skates.

0:19:46.400 --> 0:19:49.879
<v Speaker 2>And they have the following to share. Personally, I remember

0:19:50.000 --> 0:19:53.480
<v Speaker 2>going to roller skating rinks as a summer camp excursion

0:19:53.680 --> 0:19:56.600
<v Speaker 2>in the very early nineties and always feeling a sort

0:19:56.640 --> 0:20:00.879
<v Speaker 2>of dread whilst attempting to skate upon tiny va. The

0:20:00.960 --> 0:20:05.280
<v Speaker 2>stopping mechanisms were always completely beyond my comprehension. Later, I

0:20:05.400 --> 0:20:09.280
<v Speaker 2>remember roller skating rink birthday parties being a mild fad

0:20:09.400 --> 0:20:13.199
<v Speaker 2>in late elementary school. I actually really enjoyed them because

0:20:13.280 --> 0:20:16.719
<v Speaker 2>I was then wearing far more intuitive roller blades, as

0:20:16.800 --> 0:20:20.000
<v Speaker 2>they seem to function more like ice skates. Anyways, the

0:20:20.119 --> 0:20:22.920
<v Speaker 2>main reason for my male is to bring to light

0:20:23.240 --> 0:20:27.080
<v Speaker 2>a weird Shakespearean reference. Towards the end of the episode,

0:20:27.200 --> 0:20:30.320
<v Speaker 2>you read a passage from Ja Harwood's Rinks and Rollers

0:20:30.400 --> 0:20:33.680
<v Speaker 2>in which he states these violent beginnings have violent ends

0:20:33.960 --> 0:20:36.879
<v Speaker 2>fifty eight to twenty. I include the time stampley the

0:20:36.960 --> 0:20:38.119
<v Speaker 2>detail this.

0:20:38.359 --> 0:20:40.160
<v Speaker 3>Are you a librarian well.

0:20:42.640 --> 0:20:46.080
<v Speaker 2>Or perhaps a podcaster? Yeah themselves. This is a reference,

0:20:46.240 --> 0:20:49.720
<v Speaker 2>perhaps unintentional, to Romeo and Juliet, when the character Friar

0:20:49.840 --> 0:20:53.879
<v Speaker 2>Lawrence says these violent delights have violent ends, commenting on

0:20:54.000 --> 0:20:58.120
<v Speaker 2>how Romeo and Juliet's intense passion slash love will ultimately

0:20:58.280 --> 0:21:02.840
<v Speaker 2>lead to a tragedy of equal intensity spoiler for Romeo

0:21:02.840 --> 0:21:06.879
<v Speaker 2>and Juliet, they continued. When I heard you read his lines,

0:21:06.960 --> 0:21:09.760
<v Speaker 2>I thought, Jesus, surely roller skating will not result in

0:21:09.840 --> 0:21:13.760
<v Speaker 2>such genre defining tragedy. Best of luck in your continuous

0:21:13.800 --> 0:21:16.800
<v Speaker 2>pursuit of knowledge. This is a great point, because yes,

0:21:16.920 --> 0:21:21.320
<v Speaker 2>that quote was ludicrous. I mean there was that whole

0:21:21.480 --> 0:21:24.239
<v Speaker 2>article was got kind of ludicrous, and that's why that's

0:21:24.280 --> 0:21:27.280
<v Speaker 2>why I had to read it, because, Yeah, this idea

0:21:27.400 --> 0:21:31.359
<v Speaker 2>that like this frenzy, this this lust for roller skating

0:21:31.520 --> 0:21:34.240
<v Speaker 2>was just like unhealthy for the general public.

0:21:34.280 --> 0:21:36.840
<v Speaker 3>Because it would exhaust the body. Wasn't that one of

0:21:36.880 --> 0:21:39.240
<v Speaker 3>the reasons they gave, like people shouldn't be getting this

0:21:39.400 --> 0:21:40.240
<v Speaker 3>much exercise.

0:21:40.520 --> 0:21:42.800
<v Speaker 2>Well, yeah, and the argument too is I think the

0:21:42.920 --> 0:21:46.160
<v Speaker 2>roller skating rinks are not open long enough for the rinkers,

0:21:46.560 --> 0:21:48.280
<v Speaker 2>and so they're just getting in there and they're working

0:21:48.320 --> 0:21:51.400
<v Speaker 2>way too hard. If you just remain open longer. Then

0:21:51.560 --> 0:21:53.720
<v Speaker 2>they won't tire themselves out, so they won't just throw

0:21:53.760 --> 0:21:54.920
<v Speaker 2>themselves at it so hard.

0:21:55.400 --> 0:21:57.400
<v Speaker 3>That is odd logic to say the least.

0:21:57.800 --> 0:21:58.000
<v Speaker 2>Yeah.

0:21:59.440 --> 0:22:02.040
<v Speaker 3>Well, yeah, so this. I don't think this came up

0:22:02.080 --> 0:22:04.720
<v Speaker 3>when we were talking about our own experiences with roller

0:22:04.760 --> 0:22:07.640
<v Speaker 3>skating rinks, But I just had a random memory now

0:22:07.760 --> 0:22:11.360
<v Speaker 3>that the main roller skating rink that you know, where

0:22:11.400 --> 0:22:13.879
<v Speaker 3>all the birthday parties in my elementary school were. So

0:22:13.960 --> 0:22:16.119
<v Speaker 3>I was going to this thing all the time. Uh

0:22:16.359 --> 0:22:18.920
<v Speaker 3>it It had a roller skating section, but it also

0:22:19.080 --> 0:22:22.680
<v Speaker 3>had an arcade with like, you know, cabinet arcade games

0:22:22.720 --> 0:22:25.159
<v Speaker 3>like it had I think Mortal Kombat two or something,

0:22:25.240 --> 0:22:29.000
<v Speaker 3>and I remember being in there and playing those arcade

0:22:29.080 --> 0:22:32.080
<v Speaker 3>games with skates on, which was funny because you'd be

0:22:32.240 --> 0:22:34.520
<v Speaker 3>standing there at the machine like trying to you know,

0:22:34.640 --> 0:22:36.600
<v Speaker 3>press the buttons but losing your balance.

0:22:36.640 --> 0:22:38.760
<v Speaker 2>Also, yeah, it's still like that. I've been to a

0:22:38.880 --> 0:22:43.760
<v Speaker 2>number of local Atlanta roller rinks and yeah, there's there's

0:22:43.800 --> 0:22:45.840
<v Speaker 2>still going to be a line of arcade machines over

0:22:45.960 --> 0:22:48.240
<v Speaker 2>on one side of the roller rank.

0:22:48.440 --> 0:22:50.600
<v Speaker 3>The kids can't be bothered to take the skates off

0:22:50.680 --> 0:22:51.240
<v Speaker 3>to play them.

0:22:51.880 --> 0:22:54.000
<v Speaker 2>Yeah, yeah, yeah, there some du some, don't you know.

0:22:56.720 --> 0:22:59.200
<v Speaker 3>Yeah, But anyway, I thought of that because the violent

0:22:59.240 --> 0:23:01.400
<v Speaker 3>delights have violent ends. I mean, there was some real

0:23:01.480 --> 0:23:04.800
<v Speaker 3>violence at my roller skating rinks, but it was of

0:23:04.920 --> 0:23:06.840
<v Speaker 3>the sort of cartoon video game variety.

0:23:16.880 --> 0:23:18.680
<v Speaker 2>All Right, what else do we have here, Joe in

0:23:18.760 --> 0:23:19.560
<v Speaker 2>the old mail bag?

0:23:19.920 --> 0:23:22.280
<v Speaker 3>Okay, let's see, I'm going to do this message from

0:23:22.359 --> 0:23:26.560
<v Speaker 3>Bow about phishing emails. And this has been a recurring

0:23:26.640 --> 0:23:30.000
<v Speaker 3>subject on listener Mail since our episodes earlier this year

0:23:30.080 --> 0:23:35.080
<v Speaker 3>on cynicism. The context was we talked in those episodes

0:23:35.160 --> 0:23:39.240
<v Speaker 3>about how I think digital scams like these text message

0:23:39.280 --> 0:23:43.600
<v Speaker 3>and email scams are more damaging than is often realized

0:23:44.240 --> 0:23:47.480
<v Speaker 3>because they don't only hurt the people who get scammed

0:23:47.520 --> 0:23:50.520
<v Speaker 3>and lose the money. I think the kind of constant

0:23:50.680 --> 0:23:53.919
<v Speaker 3>hum of ongoing scam threats in the background of our

0:23:54.000 --> 0:23:58.320
<v Speaker 3>lives undermines general social trust, which is terrible for us

0:23:58.359 --> 0:24:02.000
<v Speaker 3>in so many ways. So that's what we were talking about.

0:24:02.000 --> 0:24:05.960
<v Speaker 3>And then Bo comes in here about these fishing emails. Hi, guys,

0:24:06.160 --> 0:24:08.440
<v Speaker 3>after listening to your recent listener Mail episode where you

0:24:08.520 --> 0:24:11.600
<v Speaker 3>touched on the subject of phishing fishing with a pH,

0:24:11.960 --> 0:24:14.640
<v Speaker 3>I have to write you about a couple of experiences.

0:24:14.800 --> 0:24:17.720
<v Speaker 3>A few weeks ago, I received an email from FedEx

0:24:18.200 --> 0:24:21.680
<v Speaker 3>stating that I was receiving a reimbursement payment click on

0:24:21.720 --> 0:24:25.040
<v Speaker 3>the link for details. Obviously a phishing attempt, I thought

0:24:25.320 --> 0:24:28.480
<v Speaker 3>and deleted the mail. However, a couple of weeks later

0:24:28.640 --> 0:24:32.240
<v Speaker 3>I received a payment from FedEx of about two hundred

0:24:32.240 --> 0:24:35.840
<v Speaker 3>and fifty dollars on my credit card. What but the

0:24:35.920 --> 0:24:38.879
<v Speaker 3>amount did ring a bell. Several months earlier, I had

0:24:38.920 --> 0:24:41.840
<v Speaker 3>helped some colleagues in Greenland with a shipment of some

0:24:42.119 --> 0:24:46.040
<v Speaker 3>tires bought in the US for their flying club SESNA.

0:24:46.560 --> 0:24:49.440
<v Speaker 3>Shipping from the US to Greenland is expensive, so the

0:24:49.520 --> 0:24:52.240
<v Speaker 3>plan was to send the tires to Canada, where I

0:24:52.359 --> 0:24:56.440
<v Speaker 3>was attending an air Greenland aircraft in for heavy maintenance,

0:24:56.640 --> 0:25:00.600
<v Speaker 3>and then put them on that aircraft when returning Greenland.

0:25:01.040 --> 0:25:04.280
<v Speaker 3>Good plan, except there was a hefty customs fee charged

0:25:04.320 --> 0:25:07.800
<v Speaker 3>by FedEx. I did the paperwork and payment not thinking

0:25:07.920 --> 0:25:11.119
<v Speaker 3>much more about it. But as the tires were re exported,

0:25:11.320 --> 0:25:14.040
<v Speaker 3>the fee was reimbursed, although it took a long time

0:25:14.119 --> 0:25:16.399
<v Speaker 3>and I had forgotten all about it. The moral of

0:25:16.480 --> 0:25:18.440
<v Speaker 3>the story is that what looks like a duck and

0:25:18.600 --> 0:25:21.680
<v Speaker 3>quacks like a duck may actually not always be a duck.

0:25:22.160 --> 0:25:24.840
<v Speaker 3>In this case, what clearly looked like a phishing attempt

0:25:25.200 --> 0:25:28.720
<v Speaker 3>was actually legit, but doing nothing did not hurt the situation.

0:25:29.119 --> 0:25:31.840
<v Speaker 3>In any case, do not click on links, log into

0:25:31.880 --> 0:25:35.399
<v Speaker 3>the company page separately, or call you know, Bo. It's funny.

0:25:35.560 --> 0:25:38.120
<v Speaker 3>This kind of illustrates exactly what I was talking about

0:25:38.119 --> 0:25:41.040
<v Speaker 3>with the undermining of general trust because of our awareness

0:25:41.119 --> 0:25:43.720
<v Speaker 3>of scams. Like, you see something that kind of looks

0:25:43.800 --> 0:25:45.600
<v Speaker 3>like it could be a scam, so you just delete

0:25:45.640 --> 0:25:47.920
<v Speaker 3>it and don't think a second thing about it. In

0:25:48.000 --> 0:25:50.159
<v Speaker 3>the case, in some cases it actually turns out to

0:25:50.200 --> 0:25:52.879
<v Speaker 3>be a real communication. Though you're right that you know,

0:25:52.960 --> 0:25:55.080
<v Speaker 3>there's not a whole lot that seems to be gained

0:25:55.119 --> 0:25:58.399
<v Speaker 3>from like actually clicking links and following through and you know,

0:25:58.600 --> 0:26:01.320
<v Speaker 3>especially not going through a line to enter any information,

0:26:02.560 --> 0:26:04.960
<v Speaker 3>even if it is a real point of contact. You know,

0:26:05.119 --> 0:26:09.119
<v Speaker 3>you can go the outside in way that Bo mentions,

0:26:09.160 --> 0:26:11.280
<v Speaker 3>like you go to the company's website and you you know,

0:26:11.440 --> 0:26:15.320
<v Speaker 3>contact them. But Bo goes on to say, the second

0:26:15.400 --> 0:26:18.800
<v Speaker 3>thing is about active training to spot phishing or other

0:26:18.960 --> 0:26:22.520
<v Speaker 3>malware distributed by email. There are plug in apps that

0:26:22.680 --> 0:26:25.360
<v Speaker 3>companies can put on their mail server that allow any

0:26:25.480 --> 0:26:28.840
<v Speaker 3>user to report suspected malware by one click on an icon.

0:26:29.240 --> 0:26:32.280
<v Speaker 3>The brilliant thing is that the app sends out simulated

0:26:32.359 --> 0:26:35.200
<v Speaker 3>malware mails once in a while. If you spot it

0:26:35.280 --> 0:26:38.760
<v Speaker 3>and report it, you get points and eventually quote batches

0:26:39.320 --> 0:26:41.879
<v Speaker 3>and a ranking within your company. If you click it,

0:26:41.960 --> 0:26:43.920
<v Speaker 3>you get a short instruction on how to spot it

0:26:44.040 --> 0:26:47.000
<v Speaker 3>next time. It actually becomes a challenge like a game,

0:26:47.320 --> 0:26:50.080
<v Speaker 3>where you are incentivized to constantly be on the out,

0:26:50.400 --> 0:26:53.840
<v Speaker 3>on the lookout for suspect mails. Hawks Hunt is the

0:26:53.880 --> 0:26:58.280
<v Speaker 3>one I'm familiar with, but there are certainly others out there. Sorry,

0:26:58.359 --> 0:27:00.680
<v Speaker 3>this mail became too long, but a shout out to

0:27:00.800 --> 0:27:03.720
<v Speaker 3>encourage the use of mail training programs would be nice.

0:27:03.840 --> 0:27:06.879
<v Speaker 3>Phishing slash malware is an increasing problem that can be

0:27:06.960 --> 0:27:11.040
<v Speaker 3>devastating for companies, and such apps can help preventing it. Also,

0:27:11.160 --> 0:27:13.920
<v Speaker 3>if your company does it, everyone becomes more alert, even

0:27:14.040 --> 0:27:19.360
<v Speaker 3>on their private channels of communication. Best regards, BO from Copenhagen, Denmark,

0:27:19.520 --> 0:27:24.359
<v Speaker 3>sometimes Greenland and Canada. Well, BO, I assume many listeners

0:27:24.440 --> 0:27:26.280
<v Speaker 3>are having the same thoughts Rob and I are here,

0:27:26.320 --> 0:27:28.239
<v Speaker 3>which is like, oh, yeah, my company does this all

0:27:28.280 --> 0:27:31.080
<v Speaker 3>the time. I don't know if we use a software

0:27:31.160 --> 0:27:33.320
<v Speaker 3>tool like the one you're talking about. But you know,

0:27:33.440 --> 0:27:36.520
<v Speaker 3>people in all kinds of corporate environments are probably constantly

0:27:36.560 --> 0:27:40.600
<v Speaker 3>getting from their local information security officer, getting little tricky

0:27:40.680 --> 0:27:46.200
<v Speaker 3>emails that look like one of these various scam attempts,

0:27:46.800 --> 0:27:48.600
<v Speaker 3>and you know, if you click the link, you'll get

0:27:48.640 --> 0:27:50.920
<v Speaker 3>a little gentle like, hey, that's why you know you

0:27:50.960 --> 0:27:54.119
<v Speaker 3>shouldn't do this. But they try to train you to

0:27:54.200 --> 0:27:57.280
<v Speaker 3>be suspicious of them, and you know what, that's a

0:27:57.320 --> 0:28:00.200
<v Speaker 3>good thing to do. It certainly is. But at the

0:28:00.240 --> 0:28:04.119
<v Speaker 3>same time, it does make me ignore legitimate emails. This

0:28:04.240 --> 0:28:05.280
<v Speaker 3>has happened to me before.

0:28:06.040 --> 0:28:09.400
<v Speaker 2>I mean, basically the whole situation makes me assume all

0:28:09.440 --> 0:28:12.600
<v Speaker 2>email is is a scam of some sort. Unfortunately, as

0:28:12.640 --> 0:28:14.360
<v Speaker 2>we've been discussing, it just sort of like breaks down

0:28:14.400 --> 0:28:16.919
<v Speaker 2>your trust. But but yeah, I do agree that these

0:28:16.960 --> 0:28:21.040
<v Speaker 2>training programs are good. I you know, sometimes it might

0:28:21.320 --> 0:28:22.840
<v Speaker 2>make me roll my eyes a little bit, but at

0:28:22.840 --> 0:28:24.760
<v Speaker 2>the end of the day, it's like I it makes

0:28:24.800 --> 0:28:28.760
<v Speaker 2>me a little sharper that oftentimes will break down the

0:28:29.119 --> 0:28:31.600
<v Speaker 2>the email that they sent afterwards and say like, these

0:28:31.640 --> 0:28:34.760
<v Speaker 2>were the fishy parts. How many of these these these

0:28:35.640 --> 0:28:39.200
<v Speaker 2>these suspect aspects of the email that you pick up on,

0:28:39.400 --> 0:28:41.320
<v Speaker 2>and I think I find that pretty helpful.

0:28:41.560 --> 0:28:44.840
<v Speaker 3>But then it's also hilarious when, like the company actually

0:28:45.000 --> 0:28:48.120
<v Speaker 3>does send you an email from an external address that

0:28:48.280 --> 0:28:50.520
<v Speaker 3>has typos in it and wants you to click a link.

0:28:51.480 --> 0:28:53.640
<v Speaker 2>Yeah, and that's kind of what BO is referring to here, right, Like,

0:28:53.760 --> 0:28:56.480
<v Speaker 2>eventually an official email email is going to come to

0:28:56.560 --> 0:28:59.600
<v Speaker 2>you that has that is going to light up your

0:29:00.160 --> 0:29:03.360
<v Speaker 2>suspicions one way or another. There'll be something weird about it,

0:29:04.000 --> 0:29:07.800
<v Speaker 2>and it may be legit, but you know, it's kind

0:29:07.800 --> 0:29:09.720
<v Speaker 2>of on them for making it look fishy to begin with.

0:29:11.600 --> 0:29:14.200
<v Speaker 2>All right, let's move on to a little bit of

0:29:14.320 --> 0:29:15.520
<v Speaker 2>weird house cinema, shall we.

0:29:15.960 --> 0:29:16.600
<v Speaker 3>Sounds great?

0:29:17.000 --> 0:29:24.840
<v Speaker 2>This one comes to us from Ariel Ariel Wrights and

0:29:24.960 --> 0:29:28.920
<v Speaker 2>and says, I'm Ariel he from Argentina, writing to you

0:29:29.080 --> 0:29:31.240
<v Speaker 2>for the second time. The first time you read my

0:29:31.320 --> 0:29:33.800
<v Speaker 2>email on the show, it completely made my year. Stuff

0:29:33.840 --> 0:29:36.640
<v Speaker 2>to Blow Your Mind remains my favorite podcast, especially because

0:29:36.680 --> 0:29:39.200
<v Speaker 2>of your in depth explorations from multiple viewpoints and your

0:29:39.240 --> 0:29:43.480
<v Speaker 2>eloquent ways of expressing complex ideas. I recently finished reading HG.

0:29:43.640 --> 0:29:47.200
<v Speaker 2>Wells classic eighteen ninety five book The Time machine, and

0:29:47.400 --> 0:29:50.120
<v Speaker 2>I thoroughly enjoyed it. I'd love to hear your perspectives,

0:29:50.240 --> 0:29:53.640
<v Speaker 2>especially regarding a particular aspect that caught my attention, the

0:29:53.800 --> 0:29:55.560
<v Speaker 2>method of time travel itself.

0:29:56.120 --> 0:29:58.520
<v Speaker 3>We've talked about this novel multiple times on the show.

0:29:58.560 --> 0:30:01.280
<v Speaker 3>I'm sorry, I don't remember exactly all the episodes that's

0:30:01.280 --> 0:30:03.680
<v Speaker 3>come up, but we've done fairly deep dives on it

0:30:03.760 --> 0:30:06.320
<v Speaker 3>in the past. I think we certainly talked about it

0:30:06.360 --> 0:30:09.600
<v Speaker 3>a bit in our Weird House Cinema episode on Time

0:30:09.640 --> 0:30:12.960
<v Speaker 3>after Time, which is a fictionalized version of HG. Well's

0:30:13.040 --> 0:30:16.400
<v Speaker 3>chasing Jack the Ripper through time in a time machine.

0:30:16.880 --> 0:30:20.520
<v Speaker 3>But we've also talked about it in core episodes going

0:30:20.600 --> 0:30:23.280
<v Speaker 3>back many years now. But yeah, this is a book

0:30:23.320 --> 0:30:25.480
<v Speaker 3>I've I read when I was in high school, and

0:30:25.520 --> 0:30:28.080
<v Speaker 3>I remember being very interested in at the time, and

0:30:29.440 --> 0:30:31.360
<v Speaker 3>I come back to it every few years and think

0:30:31.400 --> 0:30:32.560
<v Speaker 3>about it in some new ways.

0:30:32.880 --> 0:30:36.480
<v Speaker 2>Yeah, it's a very readable book. It's quite short as well.

0:30:37.640 --> 0:30:40.800
<v Speaker 2>Sometimes we might be a little suspicious of older books

0:30:40.840 --> 0:30:42.200
<v Speaker 2>and we think they're going to be a little too

0:30:42.280 --> 0:30:46.240
<v Speaker 2>crunchy for easy consumption, but this one goes down rather

0:30:46.400 --> 0:30:49.480
<v Speaker 2>easily and has a lot of thought provoking ideas. And

0:30:49.560 --> 0:30:53.520
<v Speaker 2>some wonderful world building in it. Yeah, anyway, Aeriel continues

0:30:53.720 --> 0:30:56.200
<v Speaker 2>and says, this is the earliest story I've encountered where

0:30:56.200 --> 0:31:00.160
<v Speaker 2>the time traveler literally travels through time, experiencing it like

0:31:00.200 --> 0:31:03.840
<v Speaker 2>a sort of accelerated fast forward, rather than instantly teleporting

0:31:03.960 --> 0:31:09.200
<v Speaker 2>into another era. Often wondered why in teleportation style time travel,

0:31:09.560 --> 0:31:12.800
<v Speaker 2>the traveler doesn't reappear floating in space, given that the

0:31:12.920 --> 0:31:16.760
<v Speaker 2>Earth itself has moved. Wells's method neatly addresses the issue.

0:31:17.000 --> 0:31:20.600
<v Speaker 2>The character remains physically anchored as he moves forward in time,

0:31:21.000 --> 0:31:23.280
<v Speaker 2>akin to tossing a ball straight up into the air

0:31:23.640 --> 0:31:26.960
<v Speaker 2>and catching it on a rapidly moving plane. After finishing

0:31:27.000 --> 0:31:29.600
<v Speaker 2>the book, I began looking into adaptations and learned that

0:31:29.640 --> 0:31:32.320
<v Speaker 2>at least three films have been made based on this story.

0:31:32.680 --> 0:31:35.960
<v Speaker 2>And he's about to list these movies. These are all

0:31:36.680 --> 0:31:39.400
<v Speaker 2>films that we could potentially cover on Weird House Cinema. Obviously,

0:31:40.360 --> 0:31:43.560
<v Speaker 2>the nineteen sixty film, directed by George Powell, celebrated for

0:31:43.640 --> 0:31:46.760
<v Speaker 2>its visual effects and closeness to the original novel. I

0:31:46.840 --> 0:31:49.560
<v Speaker 2>should also add this film is responsible for giving us

0:31:49.800 --> 0:31:52.960
<v Speaker 2>what we might think of as the iconic cinematic morlocks

0:31:54.000 --> 0:31:56.720
<v Speaker 2>and then there's the nineteen seventy eight television film adaptation

0:31:56.920 --> 0:32:00.800
<v Speaker 2>by Sun Classic Pictures. Not sure I've seen this one myself.

0:32:01.360 --> 0:32:04.640
<v Speaker 2>I haven't either, And then we just referenced this one

0:32:04.680 --> 0:32:06.720
<v Speaker 2>on a recent episode of Weird House. The two thousand

0:32:06.760 --> 0:32:09.480
<v Speaker 2>and two film, directed by Simon Wells, h G. Wells's

0:32:09.560 --> 0:32:13.720
<v Speaker 2>own great grandson, which notably introduces major narrative changes, such

0:32:13.760 --> 0:32:17.920
<v Speaker 2>as a romantic storyline and a different cause of civilization's collapse.

0:32:18.200 --> 0:32:20.640
<v Speaker 3>I think I've only seen the nineteen sixty film, and

0:32:20.720 --> 0:32:23.120
<v Speaker 3>that was a long long time ago, so I basically

0:32:23.240 --> 0:32:25.120
<v Speaker 3>have not seen any of these as an adult.

0:32:26.040 --> 0:32:27.440
<v Speaker 2>I saw the two thousand and two and when it

0:32:27.480 --> 0:32:29.840
<v Speaker 2>came out, and I remember enjoying it. It's it's wild,

0:32:30.800 --> 0:32:33.280
<v Speaker 2>but you get to see Jeremy Irons as an uber Morlock.

0:32:33.400 --> 0:32:36.840
<v Speaker 2>So that's that's worth worth the ticket right there. Hey Yeah,

0:32:38.160 --> 0:32:40.160
<v Speaker 2>So anyway, he continues and says, I decided to watch

0:32:40.200 --> 0:32:43.400
<v Speaker 2>the nineteen sixty adaptation, but upon viewing the trailer, I

0:32:43.520 --> 0:32:46.000
<v Speaker 2>realized there's only one way for me to truly enjoy

0:32:46.080 --> 0:32:48.920
<v Speaker 2>it as part of a Weird House Cinema episode. Once

0:32:49.000 --> 0:32:51.840
<v Speaker 2>I saw how the Morlocks the monstrous subterranean creatures of

0:32:51.880 --> 0:32:54.680
<v Speaker 2>the future were portrayed. It seemed perfect for a Weird

0:32:54.680 --> 0:32:57.520
<v Speaker 2>House discussion. Thank you once again for your brilliant content.

0:32:57.560 --> 0:32:59.760
<v Speaker 2>I hope you consider covering this fascinating story in It's

0:32:59.760 --> 0:33:03.240
<v Speaker 2>a Aaptation sometime warm regards Ariel Argentina.

0:33:03.560 --> 0:33:07.440
<v Speaker 3>Thank you, Ariel. Yeah, great suggestion. I would be shocked

0:33:07.480 --> 0:33:09.280
<v Speaker 3>if we don't come back to at least one of

0:33:09.320 --> 0:33:11.320
<v Speaker 3>these time machine adaptations at some point.

0:33:11.720 --> 0:33:15.040
<v Speaker 2>Yeah. Yeah, we need to, so stay tuned, all right.

0:33:15.120 --> 0:33:18.800
<v Speaker 3>This next message comes from Maya. Maya says, Dear Robin Joe,

0:33:19.560 --> 0:33:22.640
<v Speaker 3>since I listened to your episode on La Caabina. The

0:33:22.720 --> 0:33:27.040
<v Speaker 3>original email here said I think Lacaeseta, but I'm positive

0:33:27.080 --> 0:33:30.320
<v Speaker 3>Miamin's Lacabina, the telephone box movie that we covered on

0:33:30.400 --> 0:33:33.520
<v Speaker 3>Weird House, the Spanish film and Lia says, since I

0:33:33.600 --> 0:33:35.760
<v Speaker 3>listened to your episode on Lacabina a few months back,

0:33:36.040 --> 0:33:39.720
<v Speaker 3>I've been meaning to write about El Angel Exterminador The

0:33:39.840 --> 0:33:44.440
<v Speaker 3>Exterminating Angel, a classic by Luis Bouniel filmed in Mexico.

0:33:44.520 --> 0:33:46.880
<v Speaker 3>It explores many of the same themes and has the

0:33:47.000 --> 0:33:51.840
<v Speaker 3>same aura of incomprehensible oppression as Lacabina that I guess

0:33:51.920 --> 0:33:55.240
<v Speaker 3>many Spaniards felt after the Civil War and Franco's regime.

0:33:55.760 --> 0:33:59.280
<v Speaker 3>It has many levels of weirdness that you might enjoy also,

0:33:59.480 --> 0:34:01.640
<v Speaker 3>and just for your eyes, since I don't think it

0:34:01.720 --> 0:34:05.040
<v Speaker 3>was ever dubbed, I recommend the short La Puerta The Door,

0:34:05.240 --> 0:34:08.680
<v Speaker 3>also by Bouniell. It has a transcript that I guess

0:34:08.719 --> 0:34:11.440
<v Speaker 3>can be translated, but in the end it can be

0:34:11.600 --> 0:34:15.480
<v Speaker 3>understood even without it. Perhaps you find it entertaining. Many

0:34:15.600 --> 0:34:18.640
<v Speaker 3>other bouniel films have the same weird texture to them,

0:34:18.719 --> 0:34:23.200
<v Speaker 3>for instance, Unpero and de Luz an Andalusian Dog. I'm

0:34:23.280 --> 0:34:25.520
<v Speaker 3>sure that's come up on the show before. He and

0:34:25.680 --> 0:34:29.439
<v Speaker 3>other Spanish refugees represent another side of Mexico's golden age

0:34:29.480 --> 0:34:32.960
<v Speaker 3>of cinema, more serious perhaps, but not totally devoid of

0:34:33.160 --> 0:34:35.960
<v Speaker 3>alien Fem's fatale best maya.

0:34:36.800 --> 0:34:41.560
<v Speaker 2>Oh yeah, this is this is interesting that that this

0:34:41.719 --> 0:34:44.560
<v Speaker 2>listener should bring up The Exterminating Angel. I've never seen it,

0:34:44.640 --> 0:34:46.640
<v Speaker 2>but it's it's been, always been. It's been on my

0:34:46.760 --> 0:34:49.400
<v Speaker 2>radar for a while because in a supporting role. It

0:34:49.440 --> 0:34:52.880
<v Speaker 2>does feature Claudio Brook, who continues to be I think

0:34:52.920 --> 0:34:54.680
<v Speaker 2>one of my favorite Mexican actors.

0:34:54.920 --> 0:34:58.879
<v Speaker 3>Yeah, this has been on my list to check out

0:34:59.000 --> 0:35:01.040
<v Speaker 3>for a while. I I haven't seen it yet either,

0:35:01.080 --> 0:35:04.000
<v Speaker 3>though I had the classic experience of my freshman year

0:35:04.080 --> 0:35:07.239
<v Speaker 3>of college was when I saw I learned it as

0:35:07.280 --> 0:35:10.359
<v Speaker 3>in chin Andalou, the French name I guess the Andalusian dog.

0:35:11.160 --> 0:35:14.520
<v Speaker 3>The film Bouniel I think, made with Salvador Dali, is

0:35:14.600 --> 0:35:17.920
<v Speaker 3>that right where they There are many famous shots in it.

0:35:18.040 --> 0:35:21.400
<v Speaker 3>The most famous is the cutting open of the eyeball

0:35:21.800 --> 0:35:24.360
<v Speaker 3>where they substitute in. I think it was actually like

0:35:24.440 --> 0:35:26.640
<v Speaker 3>a sheep's eyeball that they slice open. You see the

0:35:26.719 --> 0:35:29.000
<v Speaker 3>jelly come out, so it's like one of the original

0:35:29.120 --> 0:35:34.279
<v Speaker 3>Gore films. But also has I remember just being very

0:35:34.360 --> 0:35:35.520
<v Speaker 3>interesting in a lot of ways.

0:35:36.040 --> 0:35:39.759
<v Speaker 2>It is often that clip is often featured in any

0:35:39.840 --> 0:35:42.400
<v Speaker 2>content that's talking about sort of like the power of cinema.

0:35:43.840 --> 0:35:46.799
<v Speaker 2>So I've seen that clip multiple times without ever having

0:35:47.000 --> 0:35:49.760
<v Speaker 2>actually watched the original production.

0:35:50.400 --> 0:35:53.640
<v Speaker 3>But yeah, absolutely. Once again, thank you for the recommendation, Maya,

0:35:53.680 --> 0:35:54.560
<v Speaker 3>and thanks for writing in.

0:35:54.920 --> 0:35:57.319
<v Speaker 2>All right, here's another one. This one comes to us

0:35:57.480 --> 0:36:04.799
<v Speaker 2>from a listener by the name of Chuck. Chuck says, Hello,

0:36:04.960 --> 0:36:07.480
<v Speaker 2>Robin Joe. I have written in before, but again I

0:36:07.600 --> 0:36:09.560
<v Speaker 2>wanted to say that the amount of care and attention

0:36:09.840 --> 0:36:11.839
<v Speaker 2>to detail to the subject matter you bring to each

0:36:11.880 --> 0:36:14.959
<v Speaker 2>episode or series of episodes is impressive. You have trained

0:36:15.000 --> 0:36:17.200
<v Speaker 2>me quite well to reserve my judgment on topics where

0:36:17.200 --> 0:36:19.360
<v Speaker 2>I initially think I will have little interest, because you

0:36:19.400 --> 0:36:22.759
<v Speaker 2>always managed to bring up interesting facets or divergent conversation

0:36:22.960 --> 0:36:26.320
<v Speaker 2>threads that end up making excellent party conversation starters. So

0:36:26.480 --> 0:36:29.480
<v Speaker 2>thanks for what you do. It is appreciated. However, I

0:36:29.560 --> 0:36:32.400
<v Speaker 2>am writing today about several Weird House Cinema episodes and

0:36:32.560 --> 0:36:36.080
<v Speaker 2>I was curious to know your thoughts. Most importantly, though

0:36:36.120 --> 0:36:38.600
<v Speaker 2>it is quite late to say at this point, and

0:36:38.760 --> 0:36:41.520
<v Speaker 2>I add it's never too late write in any episodes. One,

0:36:42.760 --> 0:36:46.960
<v Speaker 2>but thank you for covering a John Carpenter directed film,

0:36:47.160 --> 0:36:49.880
<v Speaker 2>Prince of Darkness. I am old enough to remember the

0:36:49.920 --> 0:36:52.919
<v Speaker 2>newspaper movie ads for it, and despite the poster really

0:36:53.080 --> 0:36:55.400
<v Speaker 2>having so little to do with the actual content of

0:36:55.440 --> 0:36:58.759
<v Speaker 2>the film, it definitely hyped my interest. My friends and

0:36:58.840 --> 0:37:01.680
<v Speaker 2>I all went to see the movie on opening weekend.

0:37:02.000 --> 0:37:04.680
<v Speaker 2>We were not yet seventeen, but my friend's mother, who

0:37:04.719 --> 0:37:07.440
<v Speaker 2>thought the movie was a Christian film about avoiding the

0:37:07.480 --> 0:37:10.279
<v Speaker 2>temptations of the devil and that the R rating was

0:37:10.360 --> 0:37:13.480
<v Speaker 2>due to a graphic depiction of the Crucifixion, bought our

0:37:13.560 --> 0:37:15.320
<v Speaker 2>tickets and dropped us off at the theater.

0:37:15.640 --> 0:37:17.080
<v Speaker 3>Wow, that is a switcheroo.

0:37:18.719 --> 0:37:21.239
<v Speaker 2>I mean, I do have questions about the train of

0:37:21.280 --> 0:37:24.719
<v Speaker 2>thought that led to that specific interpretation or the misinformation

0:37:24.840 --> 0:37:26.759
<v Speaker 2>that led her towards that. But at the same time,

0:37:27.400 --> 0:37:32.120
<v Speaker 2>I mean, when you have promotionary promotional material for films,

0:37:33.000 --> 0:37:36.520
<v Speaker 2>especially without access to IMDb in the old days, you know,

0:37:36.920 --> 0:37:39.680
<v Speaker 2>you ended up building these narratives out about what this

0:37:39.840 --> 0:37:43.560
<v Speaker 2>film was, what its values were, and what kind of

0:37:43.680 --> 0:37:45.520
<v Speaker 2>experience it would be. So, I mean I did that

0:37:45.600 --> 0:37:46.080
<v Speaker 2>all the time.

0:37:46.400 --> 0:37:48.759
<v Speaker 3>But the mom bought them all tickets, thinking she was

0:37:48.800 --> 0:37:51.280
<v Speaker 3>sending them in to see like an R rated left Behind.

0:37:51.920 --> 0:37:54.440
<v Speaker 2>Yes, I mean I know plenty of I've heard I

0:37:54.440 --> 0:37:56.360
<v Speaker 2>think I mentioned this in our RoboCop episode. You know,

0:37:56.440 --> 0:37:59.960
<v Speaker 2>I know plenty of people whose moms were like, oh, yeah, RoboCop.

0:38:00.040 --> 0:38:01.759
<v Speaker 2>This sounds like it's the kid's movie. Here, you go,

0:38:02.000 --> 0:38:04.320
<v Speaker 2>rented it four years you kids, just watch it tonight,

0:38:04.400 --> 0:38:07.239
<v Speaker 2>you know, without even without looking deeper and just thinking like,

0:38:07.360 --> 0:38:09.600
<v Speaker 2>it's a film about it's called RoboCop. How could that

0:38:09.719 --> 0:38:12.560
<v Speaker 2>not be appropriate for children? All Right? I'll continue with

0:38:12.640 --> 0:38:16.400
<v Speaker 2>Chuck se okay okay. Chuck says, anyway, we love the

0:38:16.480 --> 0:38:18.680
<v Speaker 2>film with all its weird mix of sci fi and horror.

0:38:18.760 --> 0:38:21.359
<v Speaker 2>The science concepts went over our heads, but we loved

0:38:21.360 --> 0:38:24.759
<v Speaker 2>the cast and sprinkled humor throughout. The final shot of

0:38:24.840 --> 0:38:27.399
<v Speaker 2>the protagonist reaching out to touch the mirror and maybe

0:38:27.480 --> 0:38:30.760
<v Speaker 2>about to really be able to reach through it, before

0:38:30.800 --> 0:38:33.640
<v Speaker 2>the scene cutting to black sent a loud gas through

0:38:33.680 --> 0:38:36.480
<v Speaker 2>the theater. As we walked home from the theater back

0:38:36.520 --> 0:38:40.160
<v Speaker 2>to our subdivision, we passed by a small man made pond.

0:38:40.680 --> 0:38:43.719
<v Speaker 2>The night was windless, so the surface was you guessed it,

0:38:44.200 --> 0:38:47.600
<v Speaker 2>like a mirror. We wondered how big the anti god

0:38:47.680 --> 0:38:50.080
<v Speaker 2>of the film really was. Did the entity need a

0:38:50.120 --> 0:38:53.360
<v Speaker 2>mirror surface this large to actually come through or was

0:38:53.400 --> 0:38:56.480
<v Speaker 2>the entity going to come through the wall mirror like

0:38:56.600 --> 0:38:59.800
<v Speaker 2>toothpaste from a tube. After all, the initial attempt with

0:38:59.840 --> 0:39:03.240
<v Speaker 2>the makeup mirror was unsuccessful for being too small a portal,

0:39:03.600 --> 0:39:05.440
<v Speaker 2>and did the entity need a mirror or just a

0:39:05.560 --> 0:39:09.160
<v Speaker 2>mirror surface? But we were all wigged out by that

0:39:09.400 --> 0:39:12.680
<v Speaker 2>pond and by bathroom mirrors for a long while after

0:39:12.760 --> 0:39:15.560
<v Speaker 2>we saw Prince of Darkness, and for many years afterwards,

0:39:15.760 --> 0:39:18.680
<v Speaker 2>and many subsequent viewings. One of our in jokes is

0:39:18.760 --> 0:39:21.040
<v Speaker 2>to refer to people we've met by saying that was

0:39:21.080 --> 0:39:26.520
<v Speaker 2>Susan who radiologists classes. I totally, I totally get all

0:39:26.560 --> 0:39:30.640
<v Speaker 2>of these these thoughts about the mirrors. I love mirror

0:39:30.800 --> 0:39:35.000
<v Speaker 2>based speculative fiction, horror, sci fi, and I I guess

0:39:35.040 --> 0:39:38.480
<v Speaker 2>most of its horror and supernatural because, as I think

0:39:38.480 --> 0:39:40.760
<v Speaker 2>we've discussed in the show before, it like digs into

0:39:41.560 --> 0:39:46.680
<v Speaker 2>some basic human inabilities to understand mirrors at times, and

0:39:48.080 --> 0:39:52.160
<v Speaker 2>when I watched something like Prince of Darkness or Oculus,

0:39:52.320 --> 0:39:55.960
<v Speaker 2>or I read say Stephen King's The Reaper's Image or

0:39:56.000 --> 0:39:58.200
<v Speaker 2>something like that, it does kind of mess with my

0:39:58.280 --> 0:40:00.839
<v Speaker 2>perceptions of mirrors for a while. And I may even

0:40:00.920 --> 0:40:04.400
<v Speaker 2>think things like these mirrors we have today are irresponsibly large.

0:40:05.440 --> 0:40:08.320
<v Speaker 2>Who knows what could crawl through? Borges being another, and

0:40:08.440 --> 0:40:10.280
<v Speaker 2>he has some wonderful works about mirrors.

0:40:11.440 --> 0:40:14.080
<v Speaker 3>The mirrors are somewhat potent for me as a horror

0:40:14.440 --> 0:40:17.040
<v Speaker 3>image for all of those reasons. Certainly, I mean, yeah,

0:40:17.200 --> 0:40:20.560
<v Speaker 3>like the counterintuitive aspects of a mirror that you look

0:40:20.640 --> 0:40:22.279
<v Speaker 3>in them all the time so you think you fully

0:40:22.400 --> 0:40:24.560
<v Speaker 3>understand them. But as we've talked about on the show,

0:40:24.680 --> 0:40:30.440
<v Speaker 3>like people actually intuitively incorrectly predict how mirrors work and

0:40:30.560 --> 0:40:34.319
<v Speaker 3>kind of unfamiliar scenarios, like they misunderstand how the light

0:40:34.440 --> 0:40:36.880
<v Speaker 3>reflects on them and how the angles work and everything.

0:40:39.280 --> 0:40:41.759
<v Speaker 3>So there is definitely all that. But also when I

0:40:41.880 --> 0:40:43.720
<v Speaker 3>was a kid, when I was like in elementary school,

0:40:43.760 --> 0:40:45.759
<v Speaker 3>I went through a mirror phobia phase. I think this

0:40:46.040 --> 0:40:48.960
<v Speaker 3>was started by a kid at like a summer camp

0:40:49.040 --> 0:40:51.880
<v Speaker 3>telling me about the Bloody Mary Party game, and I

0:40:52.400 --> 0:40:54.520
<v Speaker 3>got freaked out, Like I was scared of that for

0:40:54.600 --> 0:40:57.280
<v Speaker 3>a while. I don't still have any of that fear,

0:40:57.440 --> 0:41:00.239
<v Speaker 3>but I think the mirror retains some horror potent, see,

0:41:00.239 --> 0:41:01.759
<v Speaker 3>because I can kind of remember that.

0:41:02.600 --> 0:41:04.200
<v Speaker 2>Yeah, well, I'm not going to ask you to say

0:41:04.239 --> 0:41:07.000
<v Speaker 2>your name two more times, so don't bring all right,

0:41:07.080 --> 0:41:09.239
<v Speaker 2>Chuck continues and says, I also wanted to add a

0:41:09.280 --> 0:41:12.840
<v Speaker 2>short comment and a brief board game suggestion based on

0:41:12.920 --> 0:41:16.680
<v Speaker 2>your coverage and discussion of Akira Krissawa's Dreams. Specifically, you

0:41:16.800 --> 0:41:19.040
<v Speaker 2>said that one of the film's main themes is respect

0:41:19.120 --> 0:41:22.919
<v Speaker 2>for and attunement to nature through contemplation, meditation, and joy.

0:41:23.480 --> 0:41:26.520
<v Speaker 2>This theme seems to be all throughout Nyazaki's work as well,

0:41:26.680 --> 0:41:29.239
<v Speaker 2>so I am curious how much influence came from that

0:41:29.520 --> 0:41:31.400
<v Speaker 2>or if that was the general vibe in Japan at

0:41:31.440 --> 0:41:32.480
<v Speaker 2>the time of production.

0:41:34.200 --> 0:41:35.880
<v Speaker 3>I don't know if you'd say it was the general

0:41:36.040 --> 0:41:40.680
<v Speaker 3>vibe in Japan, but I would say that environmentalism and

0:41:40.840 --> 0:41:46.400
<v Speaker 3>ecological consciousness is a popular theme with many artists in

0:41:46.920 --> 0:41:49.000
<v Speaker 3>filmmakers in twentieth century Japan.

0:41:49.560 --> 0:41:53.480
<v Speaker 2>Yeah, and I have seen interviews with Nyazaki where he

0:41:53.680 --> 0:41:57.919
<v Speaker 2>does refer fondly to Kurasawa's work and praises Kurisawa's work,

0:41:58.000 --> 0:42:01.600
<v Speaker 2>so there's some connection there as well. Yeah, Chuck continues.

0:42:01.800 --> 0:42:04.759
<v Speaker 2>Also because the game is amazing and follows the theme

0:42:05.239 --> 0:42:07.840
<v Speaker 2>of respect for and attunement to nature as well, I

0:42:07.960 --> 0:42:12.480
<v Speaker 2>heartily recommend earth Born Rangers by Earthborn Games, now in

0:42:12.560 --> 0:42:16.080
<v Speaker 2>its second printing. Earthborn Rangers is an open world adventure

0:42:16.239 --> 0:42:19.360
<v Speaker 2>card set I guess a card games set in a

0:42:19.640 --> 0:42:23.600
<v Speaker 2>post post apocalyptic Earth of the far future. Players take

0:42:23.640 --> 0:42:26.000
<v Speaker 2>on the role of rangers who patrol a valley and

0:42:26.239 --> 0:42:30.640
<v Speaker 2>encounter strange plants, animals, and eclectic people, artifacts and settlements.

0:42:30.960 --> 0:42:34.680
<v Speaker 2>The game's environment interacts with itself in very interesting ways

0:42:34.719 --> 0:42:37.959
<v Speaker 2>as the players explore. Additionally, all the art is highly

0:42:38.040 --> 0:42:41.440
<v Speaker 2>reminiscent of Studio Ghibli films. Now, I have no stake

0:42:41.480 --> 0:42:43.959
<v Speaker 2>in Earthborn Rangers. I'm just a player, but I can't

0:42:44.000 --> 0:42:46.120
<v Speaker 2>say enough good things about it. Between the art, the

0:42:46.200 --> 0:42:48.480
<v Speaker 2>sci fi theme, and the way the game sticks with

0:42:48.600 --> 0:42:50.719
<v Speaker 2>you after you play, It's like being in your own

0:42:50.800 --> 0:42:54.040
<v Speaker 2>Miazaki film. My eleven year old loves it as much

0:42:54.040 --> 0:42:56.239
<v Speaker 2>as I do. As a bonus, the entire game is

0:42:56.280 --> 0:42:59.680
<v Speaker 2>sustainably produced. Thanks again for your time and your work

0:42:59.719 --> 0:43:01.560
<v Speaker 2>since early Chuck, Well.

0:43:01.520 --> 0:43:03.640
<v Speaker 3>Thank you, Chuck. I never heard of this game, but

0:43:03.719 --> 0:43:05.000
<v Speaker 3>it sounds interesting.

0:43:04.880 --> 0:43:06.800
<v Speaker 2>All right. I'm just good. I had never heard of

0:43:06.880 --> 0:43:09.040
<v Speaker 2>this game either. I'm pulling it up here. I'm just

0:43:09.600 --> 0:43:12.640
<v Speaker 2>scanning some of the art in Yeah, I'm getting getting

0:43:12.640 --> 0:43:16.239
<v Speaker 2>a kind of relaxed Miyazaki inspired vibe, you know, from

0:43:16.280 --> 0:43:18.880
<v Speaker 2>all of this, So I'm gonna have to check it out.

0:43:18.880 --> 0:43:20.720
<v Speaker 2>We're always looking for good games in this household.

0:43:21.239 --> 0:43:23.880
<v Speaker 3>Yeah, I'll keep this in mind as well. On the

0:43:23.920 --> 0:43:26.080
<v Speaker 3>subject of Miyazaki Robot, I don't know if I told

0:43:26.120 --> 0:43:28.920
<v Speaker 3>you this yet, but just the past couple of weeks,

0:43:29.040 --> 0:43:33.000
<v Speaker 3>we showed my daughter Kiki's delivery service and it was

0:43:33.040 --> 0:43:36.320
<v Speaker 3>a big hit, and so she's she's riding her broom

0:43:36.360 --> 0:43:37.919
<v Speaker 3>around the house right now, she's a witch.

0:43:38.320 --> 0:43:41.479
<v Speaker 2>Oh that's awesome. You know, my kiddo was really into

0:43:41.680 --> 0:43:45.560
<v Speaker 2>two Kiki, maybe around the same age. Now refresh my memory.

0:43:46.760 --> 0:43:48.880
<v Speaker 2>Your kids watched Totoro already, right?

0:43:48.960 --> 0:43:52.799
<v Speaker 3>Yes, basically the only two full movies she's seen are

0:43:52.840 --> 0:43:55.640
<v Speaker 3>My Neighbor Totoro and Kiki's Delivery Service. And she's watched

0:43:55.719 --> 0:43:56.879
<v Speaker 3>part of Rock and Roll Wolf.

0:43:58.480 --> 0:44:01.160
<v Speaker 2>Yeah. Well, just speaking for me as Acui films, I think,

0:44:01.280 --> 0:44:03.120
<v Speaker 2>in my opinion, those are definitely the two to start

0:44:03.200 --> 0:44:07.680
<v Speaker 2>with and from there, I don't know. We switched on

0:44:08.120 --> 0:44:11.359
<v Speaker 2>to nausicaa pretty early, just because I love it so much,

0:44:11.480 --> 0:44:13.640
<v Speaker 2>and I felt like every kid's different obviously, but I

0:44:13.680 --> 0:44:15.040
<v Speaker 2>felt like mine could handle it.

0:44:15.840 --> 0:44:18.279
<v Speaker 3>But I can't wait to show Nausica to her though

0:44:18.320 --> 0:44:20.800
<v Speaker 3>I know it's that one's got some scary stuff in it.

0:44:20.880 --> 0:44:22.520
<v Speaker 3>I think I need to wait till she's a bit older.

0:44:22.920 --> 0:44:25.680
<v Speaker 2>Pontio was another one that we watched pretty early, but

0:44:26.239 --> 0:44:29.000
<v Speaker 2>like with all of these, they touched on some serious elements,

0:44:29.040 --> 0:44:31.520
<v Speaker 2>and you know, every kid's different. Again. When we showed

0:44:31.680 --> 0:44:36.800
<v Speaker 2>Ponio to our kid, initially they were not into Ponto's

0:44:36.840 --> 0:44:39.239
<v Speaker 2>father at all. Who's voiced by Liam Neeson in the

0:44:39.360 --> 0:44:41.600
<v Speaker 2>Dutch version. They were like, he's way too serious, He's

0:44:41.640 --> 0:44:42.320
<v Speaker 2>way too serious.

0:44:42.520 --> 0:44:45.719
<v Speaker 3>Yeah, I never get tired of the Small Child as

0:44:45.840 --> 0:44:49.680
<v Speaker 3>movie critic routine. I mean, I'm interested in their opinions.

0:44:49.880 --> 0:44:53.719
<v Speaker 2>Yeah, but back to Keiki, Yeah it's terrific. I love

0:44:53.800 --> 0:44:55.319
<v Speaker 2>the dub and just love the film.

0:44:55.800 --> 0:44:56.800
<v Speaker 3>Yeah, just beautiful.

0:44:56.960 --> 0:45:06.520
<v Speaker 2>So good. All right, let's see what do we else

0:45:06.560 --> 0:45:08.319
<v Speaker 2>do we have? Looks like we have just a couple

0:45:08.360 --> 0:45:11.840
<v Speaker 2>of quick emails where people are pleading with us to

0:45:11.920 --> 0:45:13.480
<v Speaker 2>cover certain pictures. Do you want to take one of

0:45:13.520 --> 0:45:14.960
<v Speaker 2>these and then I'll take the other? Oh? Sure?

0:45:15.040 --> 0:45:18.560
<v Speaker 3>Yeah. So the first short one is from Louisa. Luisa says, Hi, guys,

0:45:18.680 --> 0:45:21.520
<v Speaker 3>as always, you are my favorite company for my chore

0:45:21.640 --> 0:45:24.680
<v Speaker 3>doing time, both your Core episodes and Weird House. I

0:45:24.800 --> 0:45:27.400
<v Speaker 3>recently came across this movie and immediately thought of you

0:45:27.520 --> 0:45:32.279
<v Speaker 3>two Colossus the Forbin Project. I didn't write the year,

0:45:32.320 --> 0:45:34.480
<v Speaker 3>but I think this was from nineteen seventy if I

0:45:34.560 --> 0:45:37.880
<v Speaker 3>remember correctly, Luisa says, let me know if you've watched

0:45:37.920 --> 0:45:41.160
<v Speaker 3>it already. Lots of love. Well, Louisa, thank you for

0:45:41.200 --> 0:45:44.520
<v Speaker 3>the recommendation. This is already on my list, and I

0:45:44.719 --> 0:45:47.160
<v Speaker 3>do hope to get around to it sometime. Though it

0:45:47.400 --> 0:45:51.520
<v Speaker 3>is about a I think a giant killer artificial intelligence

0:45:51.640 --> 0:45:54.440
<v Speaker 3>or supercomputer, which is a subject that I don't know.

0:45:54.680 --> 0:45:56.680
<v Speaker 3>Just a few years ago I thought was a lot

0:45:56.760 --> 0:45:59.320
<v Speaker 3>more fun and feel good, And now that's the subject

0:45:59.360 --> 0:46:01.759
<v Speaker 3>to that genuinely kind of freaks me out.

0:46:03.480 --> 0:46:06.400
<v Speaker 2>Yeah yeah, yeah, So maybe that means it's it's the

0:46:06.440 --> 0:46:08.920
<v Speaker 2>wrong time or it's the absolutely the right time to

0:46:09.080 --> 0:46:12.839
<v Speaker 2>discuss Colusus the Foreman Project. It's not one that I've seen,

0:46:12.920 --> 0:46:14.840
<v Speaker 2>but I've long been familiar with it. I would I

0:46:14.840 --> 0:46:16.640
<v Speaker 2>could be misremembering here, but what I want to say

0:46:16.680 --> 0:46:19.040
<v Speaker 2>that Joel Hodgson of m ST three K was a

0:46:19.120 --> 0:46:21.880
<v Speaker 2>fan of this film, though you know, I don't think

0:46:21.920 --> 0:46:23.239
<v Speaker 2>it was ever rifted or anything like that.

0:46:23.760 --> 0:46:25.480
<v Speaker 3>Well, either way, it is on the list and I

0:46:25.719 --> 0:46:27.720
<v Speaker 3>hope to check it out sometime in the near future.

0:46:33.200 --> 0:46:36.120
<v Speaker 2>All right, And then Aaron writes it and says, this

0:46:36.239 --> 0:46:38.279
<v Speaker 2>may be a type of and I'm going to read

0:46:38.280 --> 0:46:42.800
<v Speaker 2>it as written. Hell Robin, Joe Poulder, guys, please pretty

0:46:42.880 --> 0:46:46.960
<v Speaker 2>please do Poulter, guys. Thanks warm regards, Aaron.

0:46:47.360 --> 0:46:49.359
<v Speaker 3>The regards have got to be warm. They're coming from Hell.

0:46:51.800 --> 0:46:54.960
<v Speaker 2>Yeah, we we've referenced Polder Guys before. I have a

0:46:55.040 --> 0:46:57.400
<v Speaker 2>lot of thoughts about Poulder Guy. I don't know. I

0:46:57.640 --> 0:46:59.439
<v Speaker 2>don't know. I have a lot of thoughts about Polar Guys.

0:46:59.480 --> 0:47:02.640
<v Speaker 2>But it was perhaps the film that scared me the

0:47:02.719 --> 0:47:04.919
<v Speaker 2>most as a child. Somehow I was able to watch

0:47:05.000 --> 0:47:07.880
<v Speaker 2>part of polter Geist as a child, like on a

0:47:07.960 --> 0:47:12.440
<v Speaker 2>VHS tape, and it just really wigged me out, and

0:47:13.640 --> 0:47:15.880
<v Speaker 2>I've gone. I was resistant to returning to it for

0:47:15.920 --> 0:47:18.680
<v Speaker 2>a long time. Then I rewatched it and I found

0:47:18.680 --> 0:47:20.320
<v Speaker 2>a lot to love about it. Some of the effects

0:47:20.320 --> 0:47:22.960
<v Speaker 2>didn't hold quite as well, but some of the effects

0:47:22.960 --> 0:47:27.840
<v Speaker 2>are amazing. There's we could easily do a Poltergeist episode

0:47:27.880 --> 0:47:30.760
<v Speaker 2>for sure. Yeah, even if we did, like there's Polder

0:47:30.800 --> 0:47:32.279
<v Speaker 2>Geist is. I feel like it's a film that is

0:47:32.320 --> 0:47:36.799
<v Speaker 2>sometimes overshadowed by various stories about its production and speculation

0:47:37.040 --> 0:47:39.080
<v Speaker 2>of like, oh, did Toby Hooper direct it? Or did

0:47:39.960 --> 0:47:43.480
<v Speaker 2>Steven Spielberg secretly directed and so forth? And I don't know.

0:47:43.640 --> 0:47:47.160
<v Speaker 2>I feel like if we would have to acknowledge that discussion,

0:47:47.640 --> 0:47:49.800
<v Speaker 2>but I think we would probably focus more on the

0:47:49.840 --> 0:47:53.840
<v Speaker 2>picture itself and all the amazing, weird and sometimes stupid

0:47:53.920 --> 0:47:55.120
<v Speaker 2>things that happen in that movie.

0:47:55.760 --> 0:47:58.080
<v Speaker 3>I think we've briefly talked about the kind of roller

0:47:58.160 --> 0:48:01.000
<v Speaker 3>coaster tone that some elements of it or are more

0:48:01.280 --> 0:48:04.520
<v Speaker 3>like a have more of that Spielberghia kind of the

0:48:04.600 --> 0:48:07.799
<v Speaker 3>family focused, a little bit more family friendly of a story,

0:48:07.840 --> 0:48:09.879
<v Speaker 3>even if it gets a little scary. And then you've

0:48:09.880 --> 0:48:13.160
<v Speaker 3>got these little stabbing moments like the face melting in

0:48:13.200 --> 0:48:15.960
<v Speaker 3>the mirror scene that I just feel like they're from

0:48:16.080 --> 0:48:16.680
<v Speaker 3>something else.

0:48:17.239 --> 0:48:19.760
<v Speaker 2>Yeah, yeah, and then oh like just like the weird

0:48:19.880 --> 0:48:22.680
<v Speaker 2>white dragon from the other side, and then the little

0:48:22.719 --> 0:48:25.279
<v Speaker 2>girl getting stuck into television. There's so many, so many

0:48:25.360 --> 0:48:27.839
<v Speaker 2>things in that that that really did creep me out

0:48:27.880 --> 0:48:29.879
<v Speaker 2>as a kid. And you know, when you're a kid,

0:48:30.360 --> 0:48:32.279
<v Speaker 2>you're I don't know, you're you're more susceptible to some

0:48:32.400 --> 0:48:35.120
<v Speaker 2>of these things and gets in your gets in your mind,

0:48:35.239 --> 0:48:39.279
<v Speaker 2>it embeds itself. And yeah, so Poultry Guys has has

0:48:39.280 --> 0:48:44.000
<v Speaker 2>a special place in my heart for being weirdly traumatized.

0:48:44.480 --> 0:48:46.040
<v Speaker 2>All Right, We're gonna go and close up the mail

0:48:46.080 --> 0:48:47.960
<v Speaker 2>bag for now, but keep it coming right in about

0:48:48.040 --> 0:48:52.480
<v Speaker 2>anything we discussed in this episode, anything we've covered in

0:48:52.640 --> 0:48:56.440
<v Speaker 2>recent episodes of stuff to blow your Mind, short form episodes,

0:48:56.480 --> 0:48:59.160
<v Speaker 2>and certainly Weird howse Cinema right in We would love

0:48:59.200 --> 0:49:01.400
<v Speaker 2>to hear from you. Just a reminder that Stuff to

0:49:01.400 --> 0:49:04.000
<v Speaker 2>Blow Your Mind is primarily a science and culture podcast,

0:49:04.040 --> 0:49:06.720
<v Speaker 2>with core episodes on Tuesdays and Thursdays, short form episodes

0:49:06.760 --> 0:49:09.360
<v Speaker 2>on Wednesdays and on Fridays. We set aside most serious

0:49:09.400 --> 0:49:11.480
<v Speaker 2>concerns to just talk about a weird film on Weird

0:49:11.520 --> 0:49:12.040
<v Speaker 2>House Cinema.

0:49:12.280 --> 0:49:15.920
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

0:49:16.239 --> 0:49:17.719
<v Speaker 3>If you would like to get in touch with us

0:49:17.760 --> 0:49:20.200
<v Speaker 3>with feedback on this episode or any other, to suggest

0:49:20.200 --> 0:49:22.600
<v Speaker 3>a topic for the future, or just to say hello,

0:49:22.760 --> 0:49:25.680
<v Speaker 3>you can email us at contact at stuff to Blow

0:49:25.719 --> 0:49:26.680
<v Speaker 3>your Mind dot com.

0:49:34.040 --> 0:49:36.960
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

0:49:37.120 --> 0:49:39.839
<v Speaker 1>more podcasts from my Heart Radio, visit the iHeartRadio app,

0:49:40.040 --> 0:49:42.760
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.