1 00:00:04,320 --> 00:00:10,959 Speaker 1: So I'm at the soda store with Jason Terry. Yes, 2 00:00:11,160 --> 00:00:14,880 Speaker 1: and he uh is like, Hey, which kind of roof 3 00:00:14,960 --> 00:00:16,919 Speaker 1: beer do we like? A good? I can't remember, like 4 00:00:16,920 --> 00:00:19,280 Speaker 1: which one did we get last time? Was it barrel 5 00:00:19,360 --> 00:00:21,640 Speaker 1: Brute or was it draft Brute? And I'm just like, 6 00:00:22,120 --> 00:00:24,239 Speaker 1: I mean, I don't know, get the one with the 7 00:00:24,320 --> 00:00:28,120 Speaker 1: dog on it, right, but I don't know if it 8 00:00:28,360 --> 00:00:29,720 Speaker 1: was the one with the dog in it, and well 9 00:00:29,720 --> 00:00:31,400 Speaker 1: the spicy kind of sparks, that's the one that has 10 00:00:31,440 --> 00:00:38,440 Speaker 1: by that, but no, no, no dog barks. Yes, that's close, 11 00:00:38,520 --> 00:00:40,720 Speaker 1: but this one is like a different dog, like a 12 00:00:40,840 --> 00:00:46,720 Speaker 1: brown guy. So I am saying, just get that one. Hmmm, 13 00:00:47,200 --> 00:00:57,600 Speaker 1: like like like a chocolate lab. Oh okay, just didn't 14 00:00:57,640 --> 00:00:59,480 Speaker 1: understand what you meant for a second. Yeah, like one 15 00:00:59,520 --> 00:01:03,360 Speaker 1: of my dogs. Okay, Like DMX is always talking about 16 00:01:03,400 --> 00:01:07,840 Speaker 1: his chocolate left. Okay, got it? So anyway, and he's going, 17 00:01:08,040 --> 00:01:10,479 Speaker 1: but I think the one with the professor on it 18 00:01:10,560 --> 00:01:15,440 Speaker 1: is actually the one that I really liked. And I'm like, look, Jet, 19 00:01:16,959 --> 00:01:20,440 Speaker 1: just pick a rupeer already. 20 00:01:21,959 --> 00:01:28,760 Speaker 2: Remember when he got the tattoo of the trophy of 21 00:01:28,840 --> 00:01:31,640 Speaker 2: the basketball trophy mm hmm, and then he have the 22 00:01:31,680 --> 00:01:34,000 Speaker 2: trophy and then he won the trophy, and then he 23 00:01:34,160 --> 00:01:39,000 Speaker 2: get the trophy, and nobody stopped to think about what 24 00:01:39,160 --> 00:01:40,960 Speaker 2: to do with this amazing power. 25 00:01:41,880 --> 00:01:45,160 Speaker 1: Oh well, and also I was like, why don't you 26 00:01:45,160 --> 00:01:46,800 Speaker 1: just get a tattoo of the ruper. You're like, so 27 00:01:46,840 --> 00:01:48,880 Speaker 1: you don't forget it anymore, and then you'll be able 28 00:01:48,880 --> 00:01:50,120 Speaker 1: to hold that up over your head. 29 00:01:50,120 --> 00:01:54,440 Speaker 2: And because if you get that's a real victory, that's 30 00:01:54,280 --> 00:01:55,920 Speaker 2: a that's like memento if it's. 31 00:01:55,720 --> 00:01:58,760 Speaker 1: The professor or whatever. Because then I also remember that 32 00:01:58,840 --> 00:02:00,960 Speaker 1: he got tattoo of a sham rock for the six 33 00:02:01,000 --> 00:02:03,280 Speaker 1: months he was going to play for the Busts and Celtics. Yes, 34 00:02:03,320 --> 00:02:04,960 Speaker 1: and then did he get a sh I assume he 35 00:02:05,040 --> 00:02:08,120 Speaker 1: got a shamra I think that Yeah, lucky the mess 36 00:02:08,120 --> 00:02:10,760 Speaker 1: cut gave it to him. Punch him in the nose. Hey, 37 00:02:11,000 --> 00:02:16,120 Speaker 1: welcome to kicking button dropping names in the red carpet 38 00:02:16,120 --> 00:02:22,200 Speaker 1: lineback hallways of this industry we call show biz. I 39 00:02:22,280 --> 00:02:24,280 Speaker 1: we want to do something a little different today, not 40 00:02:24,400 --> 00:02:27,120 Speaker 1: because of any not because anything else hasn't worked. 41 00:02:27,520 --> 00:02:30,119 Speaker 2: Like everything else is working, fun. 42 00:02:30,000 --> 00:02:32,799 Speaker 1: Going good and big listeners and people like the show, 43 00:02:33,000 --> 00:02:36,360 Speaker 1: people know about it. But one thing we see is 44 00:02:36,480 --> 00:02:40,360 Speaker 1: other shows that people know too, and that seemed better. 45 00:02:41,400 --> 00:02:45,480 Speaker 1: Uh So we're seeing some of these shows, like we've 46 00:02:45,480 --> 00:02:47,800 Speaker 1: talked about before Gilmour guys and then talk about the 47 00:02:47,840 --> 00:02:51,840 Speaker 1: show they like. And then we've seen Pat Walsh, who 48 00:02:51,840 --> 00:02:54,080 Speaker 1: we kind of launched to start him from our show. 49 00:02:55,280 --> 00:02:57,880 Speaker 1: He has a new show, making it weird now make 50 00:02:57,919 --> 00:03:02,959 Speaker 1: a new podcast with fing Eva Fangoria. 51 00:03:03,040 --> 00:03:06,160 Speaker 2: Then he and her talk over movie. 52 00:03:06,280 --> 00:03:08,839 Speaker 1: They watch movies and they talk over him, they talk 53 00:03:08,880 --> 00:03:09,440 Speaker 1: about them. 54 00:03:09,480 --> 00:03:11,120 Speaker 2: So it's like we have all these people on our 55 00:03:11,160 --> 00:03:14,320 Speaker 2: show and then they go off and do another show 56 00:03:14,880 --> 00:03:17,639 Speaker 2: talking about TV show movie. 57 00:03:17,520 --> 00:03:21,240 Speaker 1: Which kind of is our area. And so what if 58 00:03:21,280 --> 00:03:24,919 Speaker 1: we talk over TV show movie and now you know 59 00:03:24,960 --> 00:03:25,680 Speaker 1: how it's good? 60 00:03:25,880 --> 00:03:28,959 Speaker 2: Yes, because so what Gilmour guys don't do They talk 61 00:03:28,960 --> 00:03:31,520 Speaker 2: about the show, but they don't talk about it during 62 00:03:31,560 --> 00:03:34,119 Speaker 2: the show. No, they play a little clip, which means 63 00:03:34,120 --> 00:03:36,200 Speaker 2: I'm supposed to watch the whole show and. 64 00:03:36,080 --> 00:03:38,160 Speaker 1: Then listen to them and then try to rock them. 65 00:03:38,480 --> 00:03:42,280 Speaker 1: And when am I gonna have time for lunch? Mm hmm. 66 00:03:43,400 --> 00:03:47,360 Speaker 2: And this way, if if they were just watching the 67 00:03:47,400 --> 00:03:52,360 Speaker 2: show speaking a lunch during the show, speaking a lunch lunch, Wow, 68 00:03:52,520 --> 00:03:55,440 Speaker 2: I listened to it and watched I did the most 69 00:03:55,480 --> 00:03:56,440 Speaker 2: embarrassing thing. 70 00:03:56,480 --> 00:03:57,800 Speaker 1: And you ever have one of those moments in your 71 00:03:57,800 --> 00:03:59,920 Speaker 1: life you wish you could just hit the undo button. 72 00:04:00,120 --> 00:04:03,480 Speaker 2: Oh yes, so I'm the combination of buttons that does 73 00:04:03,520 --> 00:04:04,080 Speaker 2: that as well. 74 00:04:04,800 --> 00:04:07,160 Speaker 1: I wish I knew that for this, because I'm in 75 00:04:07,320 --> 00:04:10,320 Speaker 1: line at one of these places that has all these foods, 76 00:04:10,400 --> 00:04:15,000 Speaker 1: you know, And as I walk up to the counter, 77 00:04:15,840 --> 00:04:18,560 Speaker 1: I'm sort of seeing they've got him all written down 78 00:04:18,680 --> 00:04:26,920 Speaker 1: on this kind of menu, and I go and I go, oh, 79 00:04:26,960 --> 00:04:29,520 Speaker 1: and I'm trying to pick between the different salads and stuff, 80 00:04:29,520 --> 00:04:31,560 Speaker 1: and I go, you know what, I'm going to get 81 00:04:31,560 --> 00:04:35,320 Speaker 1: this combo, the two soups and a salad. But it 82 00:04:35,440 --> 00:04:39,440 Speaker 1: was actually two salads and a soup. You know, Like 83 00:04:39,560 --> 00:04:41,640 Speaker 1: that's not even so they offer two different bowls of 84 00:04:41,680 --> 00:04:43,600 Speaker 1: soup and a salad. No, you get a little cup 85 00:04:43,640 --> 00:04:47,400 Speaker 1: of soup and you get too salad. Oh my god, 86 00:04:48,000 --> 00:04:51,680 Speaker 1: and the whole place laughed at me. I Mika Kelly 87 00:04:51,760 --> 00:04:55,280 Speaker 1: was there, she laughed at me too, from I didn't 88 00:04:55,279 --> 00:04:59,359 Speaker 1: mean to make Oh that was lunch this week and 89 00:04:59,400 --> 00:05:01,360 Speaker 1: I just and I haven't eaten it since. 90 00:05:03,279 --> 00:05:07,520 Speaker 2: So what we want is to play We're gonna play 91 00:05:07,560 --> 00:05:10,640 Speaker 2: a TV show and we're gonna talk over the show. 92 00:05:10,960 --> 00:05:15,080 Speaker 2: So when you binge, when you want to binge, you 93 00:05:15,120 --> 00:05:18,280 Speaker 2: can listen to you can. It can be like you're 94 00:05:18,320 --> 00:05:19,599 Speaker 2: binging with friends. 95 00:05:20,360 --> 00:05:22,960 Speaker 1: Yeah. So it's like, if it's a show you loved, 96 00:05:22,960 --> 00:05:25,440 Speaker 1: you go back through it and experience it with your buddies, 97 00:05:25,480 --> 00:05:29,080 Speaker 1: Shun Hayes. And if you've never seen the show, what 98 00:05:29,200 --> 00:05:32,279 Speaker 1: a great way in to hear Haes and Sean tell 99 00:05:32,360 --> 00:05:34,560 Speaker 1: you how they're your buddies and they're watching it. 100 00:05:35,040 --> 00:05:38,520 Speaker 2: And we talked about what different shows to do. I 101 00:05:38,600 --> 00:05:43,520 Speaker 2: looked outside and they have they talk about different shows 102 00:05:44,520 --> 00:05:48,719 Speaker 2: on the sign, talk about. 103 00:05:48,640 --> 00:05:52,040 Speaker 1: I called the library and I and I was saying 104 00:05:52,120 --> 00:05:58,880 Speaker 1: how I love shows and and it didn't yield as 105 00:05:58,920 --> 00:06:02,320 Speaker 1: much results as well I want, because what did you 106 00:06:02,320 --> 00:06:04,520 Speaker 1: see outside, Hayes? What signs was there? 107 00:06:04,560 --> 00:06:09,080 Speaker 2: They talk about crazy ex girlfriend, They talk about bastard 108 00:06:09,240 --> 00:06:15,160 Speaker 2: executioner and things like that. It doesn't say where they are, yes, 109 00:06:15,320 --> 00:06:17,120 Speaker 2: And it almost looks like when you look at the 110 00:06:17,120 --> 00:06:19,560 Speaker 2: big sign, like it's about to start. 111 00:06:20,600 --> 00:06:23,000 Speaker 1: Yeah. Well, and I've been I've found myself in front 112 00:06:23,000 --> 00:06:24,080 Speaker 1: of those signs for quite some. 113 00:06:24,040 --> 00:06:27,440 Speaker 2: Time because it looks like a big outside movie and 114 00:06:27,480 --> 00:06:30,120 Speaker 2: it's almost like it's saying here it comes. And I 115 00:06:30,160 --> 00:06:33,360 Speaker 2: don't know if that like if it starts whenever you 116 00:06:33,520 --> 00:06:36,840 Speaker 2: turn around. Mm hmmm, like if it's that, if it's 117 00:06:36,880 --> 00:06:41,800 Speaker 2: only when you're not looking, But it doesn't say anything 118 00:06:41,839 --> 00:06:45,760 Speaker 2: where to find to watch? 119 00:06:46,080 --> 00:06:51,000 Speaker 1: So speaking of outside movie Hayes, So some people may 120 00:06:51,120 --> 00:06:54,800 Speaker 1: know that here in Los Angeles they do these very cool, 121 00:06:55,160 --> 00:06:59,120 Speaker 1: creepy screenings at Hollywood Forever Cemetery where they play movie 122 00:06:59,160 --> 00:07:02,960 Speaker 1: outside and maybe we'll say, oh, it was cat classic, 123 00:07:03,560 --> 00:07:07,839 Speaker 1: like Indiana Jones. So it says, come see Indiana Jones. 124 00:07:08,200 --> 00:07:09,880 Speaker 1: You know, one of these movies you've heard about but 125 00:07:09,920 --> 00:07:13,320 Speaker 1: maybe you've never watched, and come see it in the cemetery. 126 00:07:13,560 --> 00:07:15,800 Speaker 1: So okay, that's a neat idea, and I've heard people 127 00:07:15,880 --> 00:07:18,679 Speaker 1: talk about it. But let me tell you, God forbid 128 00:07:18,760 --> 00:07:21,600 Speaker 1: you go to the wrong cemetery or at the wrong 129 00:07:21,680 --> 00:07:24,960 Speaker 1: time of day, or in the wrong area of it 130 00:07:25,360 --> 00:07:30,720 Speaker 1: and start watching Indiana Jones because people are crying and 131 00:07:30,760 --> 00:07:35,680 Speaker 1: they're being mad, and there's dirt everywhere and it is 132 00:07:35,880 --> 00:07:40,840 Speaker 1: a total nightmare and there's no way to know. I'm 133 00:07:40,840 --> 00:07:42,840 Speaker 1: just trying to watch Anya Jones's Cemetery like all my 134 00:07:42,920 --> 00:07:43,840 Speaker 1: hipster friends. 135 00:07:44,120 --> 00:07:48,880 Speaker 2: But you go in the daytime, and the cemetery in 136 00:07:48,920 --> 00:07:49,840 Speaker 2: the daytime. 137 00:07:49,560 --> 00:07:53,200 Speaker 1: Is for people, yes, because it's nice, it's for Ghules. 138 00:07:54,360 --> 00:07:56,760 Speaker 1: And so I'm not really gonna go watch a movie 139 00:07:56,760 --> 00:07:58,800 Speaker 1: there where Ghules could actually come and get me. And 140 00:07:58,840 --> 00:08:03,840 Speaker 1: there's only portal hotty toilets, imagine. 141 00:08:04,160 --> 00:08:09,360 Speaker 2: So the show we could find we google show m 142 00:08:10,280 --> 00:08:16,400 Speaker 2: We get Niptuck season four, episode eight. We wanted to 143 00:08:16,440 --> 00:08:17,440 Speaker 2: see the first one. 144 00:08:17,600 --> 00:08:21,000 Speaker 1: Yeah, but and then I realized, why, Wow, that's when 145 00:08:21,040 --> 00:08:24,440 Speaker 1: they're still figguring it out. Yes, this one they probably 146 00:08:24,480 --> 00:08:25,920 Speaker 1: really have their feet under them. 147 00:08:26,000 --> 00:08:30,400 Speaker 2: Yes, And so we're gonna watch the whole show and 148 00:08:30,440 --> 00:08:32,600 Speaker 2: we'll talk about it with you, and you can watch 149 00:08:32,640 --> 00:08:35,520 Speaker 2: it too if you like or don't. 150 00:08:35,559 --> 00:08:37,560 Speaker 1: And hopefully you'll be able to hear the show while 151 00:08:37,600 --> 00:08:40,600 Speaker 1: we watch it. But we sometimes have trouble with the volume, 152 00:08:40,640 --> 00:08:43,319 Speaker 1: and also sometimes we're against the law. 153 00:08:45,720 --> 00:08:48,160 Speaker 2: And so we need you need to hear the noise 154 00:08:48,640 --> 00:08:52,080 Speaker 2: to sync up to start the show. But I don't 155 00:08:52,120 --> 00:08:53,680 Speaker 2: know how you have to make the noise while I 156 00:08:53,840 --> 00:08:56,400 Speaker 2: start it, because I can't make a noise and start 157 00:08:56,440 --> 00:08:57,360 Speaker 2: the show at the same time. 158 00:08:57,400 --> 00:09:00,360 Speaker 1: Who me, Yes, So I make a noise to say 159 00:09:00,360 --> 00:09:01,320 Speaker 1: that it starts. 160 00:09:01,480 --> 00:09:05,160 Speaker 2: Yes, so because people they have to start at the 161 00:09:05,200 --> 00:09:09,200 Speaker 2: same time, so we're not talking spoilers. But do you 162 00:09:09,240 --> 00:09:10,480 Speaker 2: seeing something before? 163 00:09:10,559 --> 00:09:12,959 Speaker 1: That's fine? But can you give me a signal when 164 00:09:12,960 --> 00:09:14,920 Speaker 1: you're gonna start it, so I know when you'll. 165 00:09:14,760 --> 00:09:16,600 Speaker 2: Say noise, I'll say start. 166 00:09:16,320 --> 00:09:18,880 Speaker 1: It, uh huh, and then I'll make the noise. Yes. 167 00:09:18,920 --> 00:09:20,839 Speaker 1: And then but when you say start it, can you 168 00:09:20,920 --> 00:09:24,360 Speaker 1: point or something? No, because then I need your hands. 169 00:09:24,400 --> 00:09:26,880 Speaker 1: Can I start it? Yeah? And the other hand is 170 00:09:26,920 --> 00:09:29,800 Speaker 1: holding the clicking hand? Still? Should I make the noise 171 00:09:29,840 --> 00:09:32,360 Speaker 1: of my hand because mine's free? Or should I point 172 00:09:32,360 --> 00:09:34,200 Speaker 1: at you? You say started, I'll point at you, and 173 00:09:34,200 --> 00:09:36,920 Speaker 1: then I'll make the noise. Okay, that's good because then 174 00:09:36,960 --> 00:09:39,800 Speaker 1: that'll tell me when I should go mm hmm. Okay. 175 00:09:40,920 --> 00:09:46,640 Speaker 2: Now this one's called Connor mac namara, which is one 176 00:09:46,640 --> 00:09:49,640 Speaker 2: of the best guys on the show and engineer Connor. 177 00:09:49,679 --> 00:09:52,040 Speaker 2: That's so interesting for you because that's your name as well. 178 00:09:52,120 --> 00:09:55,280 Speaker 1: Mm hmm. And do you want to get to your 179 00:09:55,280 --> 00:09:59,640 Speaker 1: mic so you can thank us. Thanks guys for mentioning 180 00:09:59,640 --> 00:10:02,520 Speaker 1: your name. Huh, yeah, that's my name, thank you, Yeah, 181 00:10:02,559 --> 00:10:03,800 Speaker 1: Engineer Connor. 182 00:10:03,960 --> 00:10:07,360 Speaker 2: And so m and that's just what that's a funny coincidence, 183 00:10:07,360 --> 00:10:10,280 Speaker 2: and we'll probably find more as we go through the show. 184 00:10:10,400 --> 00:10:15,760 Speaker 2: Nip Tuck Season four, episode eight, Okay, start. 185 00:10:15,480 --> 00:10:19,360 Speaker 1: It and okay, and then I make the noise. Yeah, 186 00:10:19,360 --> 00:10:21,520 Speaker 1: I should have picked the noise because I'm doing the 187 00:10:21,559 --> 00:10:24,200 Speaker 1: point and I did try to click, but it hasn't gone. 188 00:10:24,480 --> 00:10:28,480 Speaker 1: What a lucky Now it's going go go a boom 189 00:10:29,679 --> 00:10:30,520 Speaker 1: around his condition? 190 00:10:31,000 --> 00:10:34,559 Speaker 2: Oh, dank Ledgeklie dank Ledge. He's actually very handsome. 191 00:10:35,320 --> 00:10:37,360 Speaker 1: We feel it's his best chance to live a noise. 192 00:10:37,400 --> 00:10:40,720 Speaker 1: You know how girl girls say, like plastics. He's actually 193 00:10:40,800 --> 00:10:46,960 Speaker 1: very handsome. Holy yeah, he looked good to me. Geez. Okay, 194 00:10:47,320 --> 00:10:49,440 Speaker 1: one thing is it looked like the baby's hand is 195 00:10:49,480 --> 00:10:53,439 Speaker 1: in the is a vulcan uh symbol. 196 00:10:53,360 --> 00:10:59,200 Speaker 2: And he called they were doing uh a surgery and 197 00:10:59,280 --> 00:11:02,439 Speaker 2: this is all what happened before, and now we're into 198 00:11:02,440 --> 00:11:04,600 Speaker 2: what's happening now. They're doing a surgery on a woman. 199 00:11:05,440 --> 00:11:09,240 Speaker 2: Oh boy, okay, just catching up. Remember this guy, I've 200 00:11:09,280 --> 00:11:10,400 Speaker 2: seen him in something. 201 00:11:11,040 --> 00:11:16,679 Speaker 1: Maybe this that's precious. No, you can't answer that isn't it. 202 00:11:18,800 --> 00:11:23,920 Speaker 1: I don't think it is. Who is it? It's her 203 00:11:24,000 --> 00:11:27,920 Speaker 1: mom or it's one of her friends. I think it's 204 00:11:27,960 --> 00:11:30,560 Speaker 1: her mom. And I think her name was precious as well. 205 00:11:31,840 --> 00:11:34,400 Speaker 1: It had to. It's my only defense against them. And 206 00:11:34,440 --> 00:11:36,040 Speaker 1: I wonder if this guy's a mean guy or a 207 00:11:36,120 --> 00:11:39,240 Speaker 1: nice guy. It has been a long recovery. Doctor Troy 208 00:11:39,400 --> 00:11:45,240 Speaker 1: a long Okay, Doctor Troy. Okay, Dr Troy, doctor try 209 00:11:45,559 --> 00:11:46,559 Speaker 1: I moved home. 210 00:11:47,160 --> 00:11:48,439 Speaker 2: So that's a big clue. 211 00:11:48,920 --> 00:11:52,120 Speaker 1: So okay, we're starting to piece it together. And his 212 00:11:52,320 --> 00:11:55,760 Speaker 1: name must have been last name was Troy before he 213 00:11:55,800 --> 00:12:00,000 Speaker 1: became a doctor. I haven't seen anyone. I'm so depressed 214 00:12:00,080 --> 00:12:02,320 Speaker 1: about how I looked. I wouldn't even let my own 215 00:12:02,400 --> 00:12:03,160 Speaker 1: daughter visit me. 216 00:12:03,679 --> 00:12:06,079 Speaker 2: And so she must have gotten some kind of surgery before. 217 00:12:06,920 --> 00:12:10,520 Speaker 2: And it's interesting to think she did. She did, is 218 00:12:10,520 --> 00:12:12,240 Speaker 2: that what we saw was that her. 219 00:12:12,360 --> 00:12:14,760 Speaker 1: One of the things is they were going, you're addicted 220 00:12:14,800 --> 00:12:17,480 Speaker 1: to plastic surgery to this woman, and that's one of 221 00:12:17,520 --> 00:12:21,680 Speaker 1: the things they do on the show. And so that's 222 00:12:21,679 --> 00:12:23,920 Speaker 1: one of the things that it's helpful to explain, I think, 223 00:12:23,960 --> 00:12:25,400 Speaker 1: because that is one of the things we do know 224 00:12:25,480 --> 00:12:29,480 Speaker 1: that this is a plastic surgery show. So here's and 225 00:12:29,880 --> 00:12:31,840 Speaker 1: the show will keep going. But I have, I think 226 00:12:31,880 --> 00:12:34,679 Speaker 1: a very good thing to tell you, and it is 227 00:12:34,840 --> 00:12:40,560 Speaker 1: we were talking about lunch before and we're seeing these 228 00:12:40,960 --> 00:12:45,240 Speaker 1: doctors doing hospital stuff in these sort of surgery rooms. 229 00:12:45,600 --> 00:12:47,280 Speaker 1: And so one funny thing that that. 230 00:12:47,400 --> 00:12:49,920 Speaker 2: She had stage four lung cancer. But I heard I 231 00:12:49,920 --> 00:12:52,560 Speaker 2: heard to the show. I heard lunch cancer. We'll get 232 00:12:52,600 --> 00:12:55,280 Speaker 2: back to the show. But this is about what you're 233 00:12:55,320 --> 00:12:55,920 Speaker 2: talking about. 234 00:12:56,240 --> 00:12:58,640 Speaker 1: It is. But here's something funny you can do. Is 235 00:12:58,720 --> 00:13:01,000 Speaker 1: if you're sort of eating your lunch and you and 236 00:13:01,040 --> 00:13:03,480 Speaker 1: you've finished your lunch and you're sort of ready to 237 00:13:03,520 --> 00:13:05,520 Speaker 1: move on and you're done, you've got the empty plate 238 00:13:05,559 --> 00:13:07,640 Speaker 1: in front of you. Yes, here's a funny joke that 239 00:13:07,720 --> 00:13:10,600 Speaker 1: you can do. You can go Okay, time of death 240 00:13:10,760 --> 00:13:12,840 Speaker 1: of an invasive procedure would be too much for you 241 00:13:12,960 --> 00:13:13,320 Speaker 1: right now. 242 00:13:14,360 --> 00:13:17,280 Speaker 2: You might say that, oh, and then someone else says 243 00:13:17,280 --> 00:13:17,920 Speaker 2: what time it is? 244 00:13:18,600 --> 00:13:21,880 Speaker 1: Yeah, like about the meal? You know, like you like 245 00:13:21,920 --> 00:13:24,720 Speaker 1: you're calling it. Oh, you're calling like the meal's over? 246 00:13:26,360 --> 00:13:29,240 Speaker 1: You ate it time of death like they do in 247 00:13:29,240 --> 00:13:34,280 Speaker 1: the hospital. Okay, I'm sorry, I've been trying to they're 248 00:13:34,320 --> 00:13:38,240 Speaker 1: talking it so much on this show. Yeah, Jaja is dead. 249 00:13:39,280 --> 00:13:45,560 Speaker 1: Ship pantss, What do I care? I'll be dead. Okay, 250 00:13:45,600 --> 00:13:50,520 Speaker 1: So the story is I won't be your undertaker. She 251 00:13:51,200 --> 00:13:58,679 Speaker 1: oh she is sick and she wants to be like 252 00:13:59,080 --> 00:14:03,480 Speaker 1: handsome when she dies. I want you to be the 253 00:14:03,600 --> 00:14:08,280 Speaker 1: last man to touch it. Did you see Last Man 254 00:14:08,320 --> 00:14:12,480 Speaker 1: on Earth? Oh? Yeah? Or I started to Which one 255 00:14:12,559 --> 00:14:13,319 Speaker 1: is that? 256 00:14:13,320 --> 00:14:17,560 Speaker 2: That's the one? The sign for that one? 257 00:14:19,360 --> 00:14:23,480 Speaker 1: Hang on, I'm trying to credits. Yeah, credits. So they're 258 00:14:23,600 --> 00:14:26,200 Speaker 1: drawing on the people. Yeah, drawing. I like it at 259 00:14:26,200 --> 00:14:28,720 Speaker 1: the bottom of a of a boon of the things. 260 00:14:28,800 --> 00:14:37,800 Speaker 1: I like it, like mannequins or something. And now these 261 00:14:37,840 --> 00:14:43,920 Speaker 1: are all the people that are in it, but they're 262 00:14:44,280 --> 00:14:50,040 Speaker 1: like robo people. There's Simone versions of the people, you know, Yeah, 263 00:14:50,040 --> 00:14:53,520 Speaker 1: for Simone with al Pacino that is happening now. It's 264 00:14:53,560 --> 00:14:54,960 Speaker 1: so crazy how they are doing. 265 00:14:55,120 --> 00:14:59,600 Speaker 2: How people said when when Simone was on that it 266 00:14:59,640 --> 00:15:05,120 Speaker 2: would never happen, and now today it is happening. 267 00:15:06,160 --> 00:15:09,400 Speaker 1: Well, how often their fiction becomes signed there? Now I 268 00:15:09,400 --> 00:15:16,320 Speaker 1: think there are three Simons. You can have sex with them. 269 00:15:16,600 --> 00:15:18,400 Speaker 1: Did you want to say? I wouldn't because I never 270 00:15:18,440 --> 00:15:20,520 Speaker 1: have to pay. But then they get mad. I never 271 00:15:20,600 --> 00:15:23,640 Speaker 1: have to pay for it. If you do it too much? 272 00:15:23,800 --> 00:15:25,840 Speaker 2: Would If you do it too much, they get mad 273 00:15:25,880 --> 00:15:34,680 Speaker 2: and then they get revenge. That sound is for when 274 00:15:34,680 --> 00:15:36,680 Speaker 2: you're supposed to drink water as well if you're listening, 275 00:15:37,600 --> 00:15:39,120 Speaker 2: so you don't go through the whole thing and don't 276 00:15:39,120 --> 00:15:39,760 Speaker 2: have any water. 277 00:15:40,440 --> 00:15:42,880 Speaker 1: We were supposed to drink like fifteen glasses a day. 278 00:15:43,080 --> 00:15:47,640 Speaker 1: You okay, you got last night. Now all the names have. 279 00:15:50,120 --> 00:15:52,920 Speaker 2: Slash in the middle because this was the first show 280 00:15:53,720 --> 00:15:57,560 Speaker 2: people talk about the history. This was the first show 281 00:15:57,560 --> 00:16:01,320 Speaker 2: that I told you when one word was ending and 282 00:16:01,320 --> 00:16:04,360 Speaker 2: when the other one was supposed to start in the 283 00:16:04,480 --> 00:16:05,200 Speaker 2: name of the show. 284 00:16:06,600 --> 00:16:09,520 Speaker 1: This is one of these camera tricks that make me mad. 285 00:16:09,840 --> 00:16:14,680 Speaker 1: Where she is feeding the baby, yeah, from one of 286 00:16:14,680 --> 00:16:18,360 Speaker 1: her frontal torpedoes. I hate this. Yeah. And they have 287 00:16:18,480 --> 00:16:21,400 Speaker 1: the baby's head in such a way from the camera 288 00:16:21,400 --> 00:16:23,240 Speaker 1: where if I was in this kitchen, i'd be able 289 00:16:23,280 --> 00:16:23,680 Speaker 1: to see. 290 00:16:23,560 --> 00:16:28,680 Speaker 3: Whatever I want, and they have it, but the baby's 291 00:16:28,720 --> 00:16:31,360 Speaker 3: blocking it from so the baby is covering the whole 292 00:16:32,600 --> 00:16:33,960 Speaker 3: the whole thing. 293 00:16:34,200 --> 00:16:37,600 Speaker 1: Yeah, baby's mouth. Move the camera onto the side or something. Yeah. 294 00:16:37,640 --> 00:16:39,640 Speaker 2: And also just like pull the baby's mouth out a 295 00:16:39,640 --> 00:16:41,840 Speaker 2: little bit so just the tip of the mouth is 296 00:16:41,920 --> 00:16:43,960 Speaker 2: on it and I can see everything else. 297 00:16:44,000 --> 00:16:46,040 Speaker 1: Because I won't get rid of the baby. I'll get 298 00:16:46,040 --> 00:16:48,040 Speaker 1: the baby out, get rid of the baby. I want 299 00:16:48,080 --> 00:16:51,880 Speaker 1: a little of the baby's mouth. I want the baby's 300 00:16:51,920 --> 00:16:54,560 Speaker 1: mouth to be just barely touching it. Okay, yeah, but 301 00:16:54,640 --> 00:16:57,720 Speaker 1: I'm yeah, but I'm not. Yeah, so I can imagine that. 302 00:16:57,920 --> 00:17:00,920 Speaker 1: But but you don't. I was saying hurt the baby. 303 00:17:00,960 --> 00:17:02,280 Speaker 1: I was just saying, like, move it. 304 00:17:02,360 --> 00:17:04,960 Speaker 2: I'm not saying I'm not saying hurt the baby either. 305 00:17:05,000 --> 00:17:09,240 Speaker 2: You don't want to move it too fast? 306 00:17:09,320 --> 00:17:12,800 Speaker 1: Oh boy, what is happening? This is like a flashback. 307 00:17:13,440 --> 00:17:16,159 Speaker 1: So this must be season one or whatever. Yeah, this 308 00:17:16,240 --> 00:17:18,840 Speaker 1: must be when the because it looks like the fifth doctor. 309 00:17:18,880 --> 00:17:22,560 Speaker 1: Troy was a was a kid. 310 00:17:23,359 --> 00:17:26,920 Speaker 3: He's being taunted and humiliated and he is suffering. 311 00:17:28,200 --> 00:17:29,280 Speaker 1: See you don't see his face. 312 00:17:29,320 --> 00:17:32,040 Speaker 2: I wonder if there it's if it's like the baby 313 00:17:32,080 --> 00:17:33,159 Speaker 2: has a funny face. 314 00:17:33,359 --> 00:17:38,760 Speaker 1: Yeah, stupid? Did I do this right down? Oh? And 315 00:17:38,800 --> 00:17:41,919 Speaker 1: he's holding the glove. It's he's almost like Wilson Home Improved. 316 00:17:41,960 --> 00:17:44,040 Speaker 2: They use all these camera tricks where they're trying to 317 00:17:44,200 --> 00:17:45,560 Speaker 2: does he have a nip on his face? 318 00:17:45,920 --> 00:17:51,080 Speaker 1: Hitting everything? I hope by the end of the episode 319 00:17:51,160 --> 00:17:53,320 Speaker 1: I see his face. Incredibly lucky. 320 00:17:55,600 --> 00:17:59,840 Speaker 2: Now this is the other doctor, I presume. Now people 321 00:18:00,080 --> 00:18:03,080 Speaker 2: are always asking which one's nip and which ones talk 322 00:18:03,160 --> 00:18:04,119 Speaker 2: in this show. 323 00:18:04,520 --> 00:18:08,600 Speaker 1: I have a guess, Well, good morning for yourself. You 324 00:18:08,680 --> 00:18:12,600 Speaker 1: deserve it is the nip uh huh the one that 325 00:18:13,400 --> 00:18:16,320 Speaker 1: the baby was, you would assume, but the way they 326 00:18:16,359 --> 00:18:21,280 Speaker 1: film it, there's no way to know. And then is 327 00:18:21,320 --> 00:18:23,920 Speaker 1: he tuck because he took it all the way back between? 328 00:18:24,119 --> 00:18:28,679 Speaker 1: Like make it look like doing that, you know? Uh? 329 00:18:29,160 --> 00:18:33,360 Speaker 1: I think playing angina? Yes, playing a trick, being deceitful. 330 00:18:33,920 --> 00:18:37,680 Speaker 1: I love words like this, right, managina where you're combining 331 00:18:37,720 --> 00:18:38,200 Speaker 1: a word. 332 00:18:38,320 --> 00:18:40,760 Speaker 2: I like when they get in the dictionary, isn't it? 333 00:18:40,800 --> 00:18:42,800 Speaker 1: So when you see the new dictionary, what a victory 334 00:18:42,840 --> 00:18:43,680 Speaker 1: for our generation? 335 00:18:45,960 --> 00:18:46,960 Speaker 2: Like drop the mic. 336 00:18:47,280 --> 00:18:50,320 Speaker 1: Well everyone's like, oh, we're done with words, and it's like, well, 337 00:18:50,320 --> 00:18:53,000 Speaker 1: we already proved that we're not, because I just invented 338 00:18:53,080 --> 00:18:55,320 Speaker 1: managina and now everyone has to deal with it in 339 00:18:55,359 --> 00:19:00,800 Speaker 1: the dictionary and uh ginormous, uh ginormous, so we can 340 00:19:00,840 --> 00:19:03,720 Speaker 1: always remember it. Deaf d e f like fom after 341 00:19:03,800 --> 00:19:08,800 Speaker 1: deaf Comedy Jam started. Maybe if you got your nose 342 00:19:08,800 --> 00:19:10,639 Speaker 1: out of that newspaper and paid him some attention, he 343 00:19:10,640 --> 00:19:13,320 Speaker 1: wouldn't be such a little asshole. Don't call my son 344 00:19:13,359 --> 00:19:15,240 Speaker 1: an asshole, but your kids are going to see their 345 00:19:15,240 --> 00:19:19,640 Speaker 1: old man get his ass kicked. Sorry, I got really 346 00:19:19,640 --> 00:19:22,600 Speaker 1: absorbed at the show for he's punching a fat guy 347 00:19:23,280 --> 00:19:27,439 Speaker 1: an asshole as his father. I'm not on the main 348 00:19:27,520 --> 00:19:29,720 Speaker 1: character's side. Yeah, I'm not either. 349 00:19:29,800 --> 00:19:32,800 Speaker 2: I I don't think he should have called the boy 350 00:19:33,080 --> 00:19:33,760 Speaker 2: an asshole. 351 00:19:34,200 --> 00:19:36,320 Speaker 1: Yeah, he should call a little kid an asshole. Then 352 00:19:36,320 --> 00:19:40,880 Speaker 1: he punched his dad and they're making fun of they 353 00:19:40,960 --> 00:19:48,600 Speaker 1: keep talking Murphy. 354 00:19:45,960 --> 00:19:49,359 Speaker 2: So this is I wonder if this is the same. 355 00:19:50,200 --> 00:19:52,200 Speaker 2: This is actually because when I see Ryan Murphy, I 356 00:19:52,280 --> 00:19:53,120 Speaker 2: know they're gonna be. 357 00:19:55,240 --> 00:19:59,200 Speaker 1: Spooky element and well, I'm thinking of something else too, 358 00:19:59,280 --> 00:20:04,600 Speaker 1: because Murphy has precious on his American horror story now, right, 359 00:20:05,400 --> 00:20:15,920 Speaker 1: Is this how he knows her is because he has Yeah, okay, boy, 360 00:20:16,040 --> 00:20:19,919 Speaker 1: I mean so slightly different circumstances from when you were 361 00:20:20,000 --> 00:20:24,600 Speaker 1: last year, doctor Troy. This is where it's very helpful 362 00:20:24,680 --> 00:20:27,800 Speaker 1: that we have worked so much in TV and stories 363 00:20:27,840 --> 00:20:31,840 Speaker 1: that we can piece together what's happening now. A lot 364 00:20:31,880 --> 00:20:33,960 Speaker 1: of people would jump in the middle and go like, well, 365 00:20:34,000 --> 00:20:36,720 Speaker 1: hold on, what about what how do these guys know 366 00:20:36,800 --> 00:20:38,960 Speaker 1: each other? And the fact is I could tell just 367 00:20:39,000 --> 00:20:45,960 Speaker 1: from looking it's doctors, it's plastic surgery, it's doing surgery 368 00:20:45,960 --> 00:20:53,680 Speaker 1: on the people, right, Hey, yes, changing the body, the 369 00:20:53,760 --> 00:20:58,520 Speaker 1: looks of the body. Yes, with only two regrets. Hmmm, 370 00:20:59,400 --> 00:21:02,479 Speaker 1: I didn't sleep with you when I had the chance. 371 00:21:03,400 --> 00:21:07,520 Speaker 1: She's trying to fuck this guy. Was she older? And 372 00:21:07,600 --> 00:21:09,160 Speaker 1: so Rainbow Room. 373 00:21:09,720 --> 00:21:11,760 Speaker 2: She's in bed and he's sitting on the bed. 374 00:21:13,560 --> 00:21:15,840 Speaker 1: Listen to my demo on your way home. You'll see 375 00:21:16,200 --> 00:21:18,040 Speaker 1: listen to my demo on your way home. So she's 376 00:21:18,080 --> 00:21:21,560 Speaker 1: in like a punk band. She has spiky red hair 377 00:21:22,000 --> 00:21:27,680 Speaker 1: like Johnny Rock. So kimono. Yeah, she's maybe Johnny Rotten's mom, 378 00:21:27,720 --> 00:21:28,920 Speaker 1: and she's friends with Precious. 379 00:21:29,000 --> 00:21:32,400 Speaker 2: I hate how Johnny rottens up to no good. Oh gosh, 380 00:21:32,920 --> 00:21:35,320 Speaker 2: you know, go back where you came from. There's a 381 00:21:35,359 --> 00:21:36,680 Speaker 2: certain level of sure. 382 00:21:36,760 --> 00:21:40,680 Speaker 1: I like to, you know, thumb my nose at the 383 00:21:40,720 --> 00:21:44,000 Speaker 1: institutions and powers that be. But also I do it 384 00:21:44,040 --> 00:21:48,000 Speaker 1: in a polite way, not all this spitting and nastiness. 385 00:21:48,080 --> 00:21:51,359 Speaker 2: And it's like he's speaking English, but it sounds like 386 00:21:51,440 --> 00:21:53,600 Speaker 2: it's a from another language. 387 00:21:53,720 --> 00:21:57,320 Speaker 1: Oh gosh, I almost hesitate to call it English, and 388 00:21:57,359 --> 00:22:00,600 Speaker 1: I'd rather call it gutter speak. And the same dey pins, 389 00:22:02,720 --> 00:22:08,040 Speaker 1: what is it with that? Oh? Also sex pistol, I 390 00:22:08,080 --> 00:22:12,480 Speaker 1: know what that means. You're not sneaking it by me 391 00:22:12,760 --> 00:22:18,080 Speaker 1: tricking me like you it's a wiener hayes. Do you 392 00:22:18,080 --> 00:22:19,719 Speaker 1: think about it? I don't know if that's what it 393 00:22:19,760 --> 00:22:26,479 Speaker 1: is really? Really, what do you think it is? Really? 394 00:22:30,119 --> 00:22:32,840 Speaker 1: And be really telling me please? 395 00:22:34,760 --> 00:22:39,439 Speaker 2: I thought it was like you put your hand in 396 00:22:39,480 --> 00:22:44,800 Speaker 2: the shape of a gun. I think that's what it is. 397 00:22:47,600 --> 00:22:49,840 Speaker 1: Have you done that? No? 398 00:22:49,840 --> 00:22:54,440 Speaker 2: No, but it does seem like it would maybe worse. 399 00:22:54,480 --> 00:22:57,720 Speaker 1: Remember Dame Cook would do the one shape of his hand, 400 00:22:58,720 --> 00:23:02,600 Speaker 1: and it's like, think about it, like, where's you know, 401 00:23:02,680 --> 00:23:05,320 Speaker 1: if he's saying what he's actually really gonna do with that, 402 00:23:06,240 --> 00:23:08,680 Speaker 1: Like where's the last one gonna go? 403 00:23:09,840 --> 00:23:13,399 Speaker 2: Yeah, that's right, because yeah, where's the last one gonna go? 404 00:23:14,440 --> 00:23:16,880 Speaker 2: If he's doing because that is what was implied, because 405 00:23:16,920 --> 00:23:18,719 Speaker 2: it was like the two fingers going up? 406 00:23:19,040 --> 00:23:26,520 Speaker 1: Yes, but then where's the thumb? Exactly? It's so and 407 00:23:26,600 --> 00:23:32,720 Speaker 1: the shocker too, Yes, dang Cook was an innovator the 408 00:23:32,800 --> 00:23:35,840 Speaker 1: shocker as well. He changes the way that you finger 409 00:23:36,520 --> 00:23:41,720 Speaker 1: people's bodies. Now is it time to take a break? 410 00:23:42,520 --> 00:23:47,320 Speaker 2: Yeah, we have to do I we're so engaged, but yeah, 411 00:23:47,359 --> 00:23:48,280 Speaker 2: I don't know if we. 412 00:23:50,000 --> 00:23:52,399 Speaker 1: Anyone who thinks that we're thinking about bailing on watching 413 00:23:52,440 --> 00:23:55,040 Speaker 1: the whole show. You're out of your mind. We're really 414 00:23:55,119 --> 00:23:59,160 Speaker 1: committed into this and it's going well. The show's generating 415 00:23:59,160 --> 00:24:00,919 Speaker 1: a lot of stuff for all us to talk about, 416 00:24:01,600 --> 00:24:04,760 Speaker 1: and just watching the show is really getting us somewhere. 417 00:24:05,600 --> 00:24:08,320 Speaker 1: So we're going to call doctor mccotby. I don't think 418 00:24:08,520 --> 00:24:10,760 Speaker 1: you know, because I do know. Sometimes people listen to 419 00:24:10,800 --> 00:24:14,199 Speaker 1: episodes we do like this that are innovative, yes, and 420 00:24:14,240 --> 00:24:16,720 Speaker 1: they go they really didn't know where they were going. 421 00:24:17,240 --> 00:24:21,399 Speaker 1: And I just to those people I get to I 422 00:24:21,560 --> 00:24:25,560 Speaker 1: give you the superfinger. Just wait, buddy, Yeah you wait, 423 00:24:25,920 --> 00:24:29,600 Speaker 1: we come back. No guest on Hollywood Handbook. 424 00:24:37,160 --> 00:24:40,240 Speaker 2: So he's watching the boy play catch. 425 00:24:41,480 --> 00:24:45,159 Speaker 1: And he hit the ball, and he's thinking about his 426 00:24:45,240 --> 00:24:55,000 Speaker 1: own baseball experience. He comes and shun these Dad's saying 427 00:24:55,040 --> 00:24:56,080 Speaker 1: baseball stuff. 428 00:24:57,440 --> 00:25:03,919 Speaker 2: And so what's happened. What I've managed to put together is. 429 00:25:05,520 --> 00:25:11,320 Speaker 1: The boy has funny hands. His son has funny hands, 430 00:25:11,560 --> 00:25:16,240 Speaker 1: well like Spuck when Spock do the symbol for vulcan stuff, 431 00:25:16,320 --> 00:25:18,800 Speaker 1: but not so that's why I do that. So that 432 00:25:19,200 --> 00:25:24,560 Speaker 1: was not almost like dang Cook doing his like his 433 00:25:24,720 --> 00:25:31,560 Speaker 1: son has what herma shocker, Yes, that's what it is okay, 434 00:25:33,400 --> 00:25:37,800 Speaker 1: And so he watched another boy. He goes to a 435 00:25:37,800 --> 00:25:43,240 Speaker 1: little league baseball field to watch other children throw baseball. 436 00:25:43,440 --> 00:25:45,320 Speaker 1: I think he's watching the dad or the kid he 437 00:25:45,440 --> 00:25:51,600 Speaker 1: beat up. It was that that that kid there, he 438 00:25:51,640 --> 00:25:54,119 Speaker 1: is he called the guy's house. 439 00:25:54,600 --> 00:25:56,280 Speaker 2: How did he find the guy's house? 440 00:26:00,520 --> 00:26:05,600 Speaker 1: You are? Oh wow? I got twenty witnesses that they 441 00:26:05,680 --> 00:26:06,959 Speaker 1: know each omer and stuff. 442 00:26:07,720 --> 00:26:09,600 Speaker 2: It seemed like they'd never met before. 443 00:26:09,720 --> 00:26:11,640 Speaker 1: For sure. They were in like a laundromat. 444 00:26:13,040 --> 00:26:15,680 Speaker 2: I think that was because there were a bunch of 445 00:26:15,720 --> 00:26:19,320 Speaker 2: people eating there. I think with that like a lunch place. 446 00:26:19,760 --> 00:26:21,720 Speaker 2: I think it was. And I didn't see I thought 447 00:26:21,720 --> 00:26:23,639 Speaker 2: it was a launderette too at first, but. 448 00:26:23,640 --> 00:26:27,600 Speaker 1: Then I didn't see any clothes, any clothes washing, any. 449 00:26:27,440 --> 00:26:31,080 Speaker 2: Washing machine or dryer and there. But there were lots 450 00:26:31,080 --> 00:26:32,440 Speaker 2: of people eating coins. 451 00:26:32,560 --> 00:26:37,320 Speaker 1: Yeah, yes, okay, and okay, I'll take your word for it. 452 00:26:37,359 --> 00:26:40,520 Speaker 1: But it had the feel of a laundromat, which is 453 00:26:40,520 --> 00:26:43,879 Speaker 1: something I guess some lunch places are doing. According to 454 00:26:43,880 --> 00:26:50,000 Speaker 1: Hayes won the game. And so we're still watching the show. 455 00:26:50,920 --> 00:26:54,200 Speaker 1: Uh huh, it's still our show, but we're watching another one. 456 00:26:54,880 --> 00:26:59,720 Speaker 1: And one thing that I love about TV subtitles. 457 00:26:59,720 --> 00:27:03,840 Speaker 2: Said walk off Home Run and then it says indistinct 458 00:27:04,640 --> 00:27:05,399 Speaker 2: it pread theeses. 459 00:27:05,480 --> 00:27:10,400 Speaker 1: But he said buzzer beater. Hmm. Okay. But one thing 460 00:27:10,440 --> 00:27:13,520 Speaker 1: about why, Brian, why when you were doing the subtitles, 461 00:27:14,800 --> 00:27:17,080 Speaker 1: Brian did the subtitles for this episode, why did you 462 00:27:17,119 --> 00:27:20,919 Speaker 1: say that was indistinct. I didn't make the subtimes. He 463 00:27:21,000 --> 00:27:26,159 Speaker 1: clearly says buzzer beater, Engineer Connor, I just so you 464 00:27:26,200 --> 00:27:34,240 Speaker 1: piss off. Hmm. He said he got very shy now, 465 00:27:34,320 --> 00:27:38,320 Speaker 1: I said, by disabled his microphone. One thing that when 466 00:27:38,359 --> 00:27:43,000 Speaker 1: I'm watching you, when I'm watching web fingers like what 467 00:27:43,160 --> 00:27:48,560 Speaker 1: Spider Man has when I'm watching the show, very funny 468 00:27:49,760 --> 00:27:53,479 Speaker 1: is when we take these little breaks that we have 469 00:27:53,560 --> 00:27:57,520 Speaker 1: to take. I am used to seeing TV with commercials. 470 00:27:57,760 --> 00:28:01,679 Speaker 1: We've talked before about how who is trying to rob 471 00:28:01,800 --> 00:28:06,000 Speaker 1: a or I'm sorry, Hulu's doing it right, and we 472 00:28:06,080 --> 00:28:08,399 Speaker 1: get to pay to see the commercials on whou and 473 00:28:08,880 --> 00:28:10,680 Speaker 1: they're trying to rob us. I was going to say, 474 00:28:10,680 --> 00:28:14,119 Speaker 1: because they're trying to add free now. Yeah, and that 475 00:28:14,160 --> 00:28:16,880 Speaker 1: would make them almost as bad as cable, where it's like, yes, 476 00:28:16,920 --> 00:28:19,240 Speaker 1: there's commercials, but you DVR it and then you have 477 00:28:19,280 --> 00:28:19,760 Speaker 1: to skip it. 478 00:28:20,800 --> 00:28:26,200 Speaker 2: Yes, and so here, we want to watch a commercial Netflix. 479 00:28:26,200 --> 00:28:30,119 Speaker 1: You can't even find them if you want, And why 480 00:28:30,160 --> 00:28:31,080 Speaker 1: don't we watch the commercial? 481 00:28:31,240 --> 00:28:34,560 Speaker 2: Probably the way it should be done, which is during 482 00:28:34,680 --> 00:28:35,280 Speaker 2: the show. 483 00:28:35,640 --> 00:28:38,479 Speaker 1: Yes, on top of the show. Yes, well no, no 484 00:28:38,520 --> 00:28:40,680 Speaker 1: need to stop the show. But let's find If you 485 00:28:40,680 --> 00:28:42,840 Speaker 1: skip it, you're gonna miss some of your favorite show. 486 00:28:43,000 --> 00:28:43,480 Speaker 1: Mm hmmm. 487 00:28:43,720 --> 00:28:46,120 Speaker 2: So we'll find a commercial watch. I kind of like 488 00:28:46,160 --> 00:28:50,320 Speaker 2: sometimes those ones that seem like they're from Europe or 489 00:28:50,880 --> 00:28:51,240 Speaker 2: I was. 490 00:28:51,200 --> 00:28:54,880 Speaker 1: Gonna, oh gosh, I was gonna say, like, oh, yes, 491 00:28:55,040 --> 00:28:57,600 Speaker 1: because they're too naughty. I was going to say, like 492 00:28:58,080 --> 00:29:02,320 Speaker 1: maybe like supporo or something Japanese because they get so 493 00:29:02,600 --> 00:29:06,160 Speaker 1: crazy over there, and you're watching the commercials, like what 494 00:29:06,520 --> 00:29:10,600 Speaker 1: like if you think Skittles is rando, how about Japanese skittle? Yes, 495 00:29:10,640 --> 00:29:14,560 Speaker 1: I'm always seeing those appearing on my various. 496 00:29:14,200 --> 00:29:18,600 Speaker 2: Feeds and big stars according to Okay, so this is 497 00:29:18,760 --> 00:29:21,600 Speaker 2: just the top beer commercial you see loss in translation. 498 00:29:23,720 --> 00:29:28,520 Speaker 1: No, but I heard me. I heard the main god. Yes, yeah, 499 00:29:28,520 --> 00:29:31,880 Speaker 1: I heard the main guy talking about it. Yes. Respect 500 00:29:32,040 --> 00:29:34,440 Speaker 1: Julia asked me to be here today. Julia. 501 00:29:36,720 --> 00:29:39,160 Speaker 2: Now, this is not the commercial we're going to watch 502 00:29:39,520 --> 00:29:42,000 Speaker 2: pre commercial. This is a teaser for point break. 503 00:29:43,680 --> 00:29:48,440 Speaker 1: Yes, extreme sports that's playing ahead of the commercial. Uh, 504 00:29:48,520 --> 00:29:50,920 Speaker 1: and now we can skip it. This looks good and 505 00:29:50,960 --> 00:29:52,360 Speaker 1: I'll leave it up to you. We can we can 506 00:29:52,440 --> 00:29:54,560 Speaker 1: skip it, or we can watch the point break And 507 00:29:54,680 --> 00:29:56,880 Speaker 1: I'm into it. Maybe it's a little more. Watch many 508 00:29:56,920 --> 00:29:58,960 Speaker 1: teaser freezer. We'll watch that on top of the show. 509 00:29:59,080 --> 00:30:04,560 Speaker 1: Splash off the and he's looking with binoculars. All that 510 00:30:04,640 --> 00:30:19,600 Speaker 1: wave's too big. Served ray out of it, narsty. 511 00:30:19,760 --> 00:30:23,400 Speaker 2: He crashed in the seasty wave. 512 00:30:25,680 --> 00:30:29,760 Speaker 1: They called me body like from the other point break. 513 00:30:30,560 --> 00:30:35,360 Speaker 2: Now, what's very interesting a decision in this movie is 514 00:30:35,440 --> 00:30:40,320 Speaker 2: they made the guy who's doing the Keanu part look 515 00:30:40,520 --> 00:30:45,160 Speaker 2: like Patrick Swayzee, and the guy who is doing the 516 00:30:45,200 --> 00:30:49,440 Speaker 2: Patrick Swayze part looks very much like Kean. 517 00:30:51,200 --> 00:30:54,600 Speaker 1: And I wonder if Patrick Swayze is going to play 518 00:30:54,600 --> 00:30:59,000 Speaker 1: his dad in this would that be so cool if 519 00:30:59,040 --> 00:31:03,880 Speaker 1: he came out this morning, like right like sort of 520 00:31:03,920 --> 00:31:07,640 Speaker 1: before the end, where like maybe he was the real 521 00:31:07,840 --> 00:31:13,920 Speaker 1: bad guy. And they're jumping from the plane, and this 522 00:31:14,040 --> 00:31:17,480 Speaker 1: is something that people underestimate. If you're good at surfing 523 00:31:17,800 --> 00:31:21,760 Speaker 1: and skydiving, then you're actually good at every extreme sport. 524 00:31:22,000 --> 00:31:24,240 Speaker 1: The only prerequisite is adrenaline. 525 00:31:24,240 --> 00:31:27,200 Speaker 2: Fearlessness, Yes, fearlessness. 526 00:31:27,800 --> 00:31:32,000 Speaker 1: Because people are bad at surfing because they are scared 527 00:31:32,560 --> 00:31:35,680 Speaker 1: m m. And that's it. And if you're and so 528 00:31:35,800 --> 00:31:40,560 Speaker 1: that's also why you can't steer your squirrel suit properly, yes, 529 00:31:40,960 --> 00:31:44,040 Speaker 1: because you're like, oh what if I mess up? But 530 00:31:44,120 --> 00:31:47,960 Speaker 1: anybody who surfs can then do a big jump with skis, Yes, 531 00:31:48,080 --> 00:31:51,960 Speaker 1: if you just go in with a fearless attitude, fearlessness, 532 00:31:52,200 --> 00:31:54,680 Speaker 1: or ride a dirt bike like we're seeing now and 533 00:31:54,960 --> 00:32:00,800 Speaker 1: do a huge jump off fucking cliff. Okay, so that's 534 00:32:00,840 --> 00:32:03,000 Speaker 1: the first kay. And what you're hearing in the background 535 00:32:03,000 --> 00:32:10,760 Speaker 1: now is niptuckpt Yes, here's there and he's very messed up. 536 00:32:10,840 --> 00:32:18,560 Speaker 1: If it's from Japan, what it looks like a fantasy cave? 537 00:32:19,320 --> 00:32:30,000 Speaker 1: Oh yes, why does that? Ohe it's sin cold with 538 00:32:30,200 --> 00:32:32,600 Speaker 1: water and they have it in Mexico. Is that one 539 00:32:32,640 --> 00:32:37,120 Speaker 1: of your caving terms? Yeah? Well, uh me and STEFFI 540 00:32:37,200 --> 00:32:39,520 Speaker 1: have been doing more caving lately, just as a way 541 00:32:39,560 --> 00:32:45,520 Speaker 1: to connect underground and when it's dark and you can't 542 00:32:45,520 --> 00:32:50,640 Speaker 1: see someone, sometimes you see the real them. I always say, well, 543 00:32:52,040 --> 00:32:56,160 Speaker 1: then it's like seeing them with your fingertipps, you know, 544 00:32:58,320 --> 00:33:02,080 Speaker 1: which is another way. 545 00:33:00,880 --> 00:33:04,600 Speaker 2: To you like map someone's face. And so if you 546 00:33:04,680 --> 00:33:08,080 Speaker 2: just sort of reach out and make sure by the 547 00:33:08,080 --> 00:33:13,479 Speaker 2: way that you're not touching a fish, oh yeah, reaching 548 00:33:13,520 --> 00:33:19,520 Speaker 2: out and gently mapping a fish's face with your fingers, 549 00:33:19,560 --> 00:33:22,360 Speaker 2: because then you'll have trouble looking at your significant other 550 00:33:22,520 --> 00:33:23,640 Speaker 2: the same way anymore. 551 00:33:23,920 --> 00:33:26,040 Speaker 1: Well, and one thing I like to do when we're 552 00:33:26,080 --> 00:33:27,960 Speaker 1: down there is I go, hey, could you feel this 553 00:33:28,160 --> 00:33:30,479 Speaker 1: rock and see if it feels normal? And then what 554 00:33:30,520 --> 00:33:34,520 Speaker 1: I really make her do is touch something else like 555 00:33:35,680 --> 00:33:40,320 Speaker 1: this stroll and it makes you sick. I've tried by 556 00:33:41,160 --> 00:33:43,880 Speaker 1: experience with that is. 557 00:33:44,680 --> 00:33:47,760 Speaker 2: As I say, feel this rock, see if it feels 558 00:33:47,800 --> 00:33:54,120 Speaker 2: normal that it's underwater mmm, and then she feels it 559 00:33:54,160 --> 00:33:58,120 Speaker 2: and she's like, it's not. It feels very soft for 560 00:33:58,240 --> 00:34:02,760 Speaker 2: a rock. Yeah, it's like very squishy, fleshy. It's hard 561 00:34:02,960 --> 00:34:05,600 Speaker 2: to convince that that it's a rock because it is 562 00:34:05,720 --> 00:34:07,600 Speaker 2: so it happening. 563 00:34:07,800 --> 00:34:15,640 Speaker 1: It has so much give. Yeah, and it's buoyant because yes, 564 00:34:15,800 --> 00:34:21,839 Speaker 1: it floats. It floats so much. Okay before you make 565 00:34:21,840 --> 00:34:23,040 Speaker 1: any decisions. 566 00:34:22,560 --> 00:34:26,160 Speaker 2: That it because it's almost like cork, except soft cork, 567 00:34:27,400 --> 00:34:31,200 Speaker 2: and it kind of like brings your whole body to 568 00:34:31,280 --> 00:34:34,200 Speaker 2: the surface, the lower part of your body is like 569 00:34:34,239 --> 00:34:34,880 Speaker 2: on the surface. 570 00:34:35,280 --> 00:34:38,600 Speaker 1: Yeah, so then your head is kind of turning upside down. Yeah, 571 00:34:39,200 --> 00:34:42,960 Speaker 1: and it's dangerous, truly, it's very dangerous to be in 572 00:34:43,000 --> 00:34:46,960 Speaker 1: the water. Yes, it's all that soft, gushy cork. And 573 00:34:47,560 --> 00:34:50,000 Speaker 1: just as a ps the commercial was messed up. Unfortunately 574 00:34:50,040 --> 00:34:53,800 Speaker 1: I had no noise, but it looked like a magic world. 575 00:34:54,760 --> 00:34:59,880 Speaker 1: This lady again, what's happening on niptok it's the same lady, Danklage. 576 00:35:00,160 --> 00:35:05,239 Speaker 1: He's actually very handsome to help me. I can't go 577 00:35:05,360 --> 00:35:08,640 Speaker 1: through this slone. You're my rock, okay. And that's maybe 578 00:35:08,680 --> 00:35:10,640 Speaker 1: a reference to what we were talking about. I wonder 579 00:35:10,640 --> 00:35:15,399 Speaker 1: if they have concrete suggestions on the idea that Dink, 580 00:35:15,400 --> 00:35:20,919 Speaker 1: which is one of the surgeons. I'm not saying that, 581 00:35:21,040 --> 00:35:23,799 Speaker 1: I'm not saying that's bad. If that's what he's doing, 582 00:35:23,880 --> 00:35:28,120 Speaker 1: I actually think that's very interesting. But it seems like 583 00:35:29,360 --> 00:35:32,399 Speaker 1: he would and this is not against like what he's 584 00:35:32,560 --> 00:35:34,160 Speaker 1: like at all, but if you were going to be 585 00:35:34,239 --> 00:35:36,239 Speaker 1: doing that, he would have to be kind of suspended 586 00:35:36,280 --> 00:35:41,320 Speaker 1: from the ceiling mission impossible styles style and doing the surgery, 587 00:35:41,400 --> 00:35:43,640 Speaker 1: and someone is like a secret and someone is like 588 00:35:43,719 --> 00:35:45,920 Speaker 1: guiding just so he could like get a good angle. 589 00:35:46,880 --> 00:35:48,880 Speaker 1: But I think all surgeons should have to do that 590 00:35:50,840 --> 00:35:54,880 Speaker 1: because otherwise sometimes they can't reach for your back. M. 591 00:35:56,719 --> 00:36:01,680 Speaker 1: They kissed. He's kissing him regular woman. 592 00:36:06,080 --> 00:36:09,200 Speaker 2: I believe she's sitting down and he's some. 593 00:36:10,719 --> 00:36:19,319 Speaker 1: Standing up and he must be mega boned out right 594 00:36:19,360 --> 00:36:24,960 Speaker 1: now because it was a very deep kiss and he's 595 00:36:25,000 --> 00:36:31,920 Speaker 1: walking away and effectively giving himself blue balls. So maybe 596 00:36:32,040 --> 00:36:34,359 Speaker 1: that's the worst blue balls you've ever had. 597 00:36:34,480 --> 00:36:36,759 Speaker 2: Well, that's so interesting because maybe that's what he has 598 00:36:36,800 --> 00:36:37,960 Speaker 2: to go to the doctor for. 599 00:36:39,840 --> 00:36:41,960 Speaker 1: I could get sick because I had to go see 600 00:36:41,960 --> 00:36:49,760 Speaker 1: the ert. I had these giant blue balls catch anything 601 00:36:49,880 --> 00:36:56,000 Speaker 1: that's the last time stomach ache? 602 00:36:57,640 --> 00:37:00,239 Speaker 2: Yeah, it was really hurting by stomach and I had 603 00:37:00,239 --> 00:37:02,879 Speaker 2: to like go into the doctor and say, like, doc, 604 00:37:03,280 --> 00:37:07,600 Speaker 2: blue balls and he looked at him and and he 605 00:37:07,680 --> 00:37:10,040 Speaker 2: was like, yeah, we do have to take care of 606 00:37:10,080 --> 00:37:10,720 Speaker 2: this right away. 607 00:37:10,760 --> 00:37:13,480 Speaker 1: I got it so bad that it was like a 608 00:37:13,520 --> 00:37:18,680 Speaker 1: medical emergency m hmm that you had to bust or else. Yeah. 609 00:37:18,800 --> 00:37:21,319 Speaker 1: I had sing Did you know that they had to 610 00:37:21,440 --> 00:37:27,799 Speaker 1: suck the desperate over the nut or whatever juice out 611 00:37:27,880 --> 00:37:28,040 Speaker 1: of me? 612 00:37:28,200 --> 00:37:30,560 Speaker 2: Yeah, And then afterwards I don't know what they did 613 00:37:30,600 --> 00:37:33,440 Speaker 2: with it because they were like I was like, can 614 00:37:33,440 --> 00:37:34,719 Speaker 2: I have just to make sure that. 615 00:37:34,719 --> 00:37:41,160 Speaker 1: It's not out there getting used to super soldiers and 616 00:37:41,200 --> 00:37:43,319 Speaker 1: they were like, oh, we don't know. We just somebody 617 00:37:43,400 --> 00:37:47,359 Speaker 1: must have blushed it or whatever. Meanwhile that you hear 618 00:37:47,400 --> 00:37:50,040 Speaker 1: all the noise in the background of them making these 619 00:37:50,120 --> 00:37:54,359 Speaker 1: rifles physical perfection. At the moment, I'm grateful for every 620 00:37:54,360 --> 00:37:55,839 Speaker 1: single surgery and it's giving me the. 621 00:37:55,800 --> 00:38:01,200 Speaker 2: Skill making rifles to shoot the what if he couldn't 622 00:38:01,239 --> 00:38:06,960 Speaker 2: fix the the special juice? H is that what the 623 00:38:07,080 --> 00:38:10,919 Speaker 2: rifles do? Well, it's for the super soldiers once they're 624 00:38:11,040 --> 00:38:12,719 Speaker 2: oh okay, I thought they would use it. 625 00:38:12,760 --> 00:38:15,080 Speaker 1: They'd fill up the rifles with the juice and then 626 00:38:15,120 --> 00:38:17,799 Speaker 1: you would shoot it on a normal person and they 627 00:38:17,800 --> 00:38:20,000 Speaker 1: would become all if you shoot a woman in the 628 00:38:20,000 --> 00:38:22,520 Speaker 1: stomach with it, also, now she's pregnant with a super 629 00:38:22,560 --> 00:38:25,520 Speaker 1: soldier because you have a basically a bullet with special 630 00:38:25,600 --> 00:38:29,319 Speaker 1: juice on it. Besides, I could use you a long time. 631 00:38:29,360 --> 00:38:31,800 Speaker 1: And if it's because it's being shot in there, it 632 00:38:31,920 --> 00:38:38,360 Speaker 1: makes the baby faster and bigger. M m yeah, because 633 00:38:38,400 --> 00:38:40,600 Speaker 1: that's that's a really bad case of blue ball, the 634 00:38:40,640 --> 00:38:42,600 Speaker 1: faster it goes in there. I was told that when 635 00:38:43,200 --> 00:38:45,440 Speaker 1: how did you get them so bad with some chick 636 00:38:45,680 --> 00:38:46,960 Speaker 1: just teasing you off. 637 00:38:48,160 --> 00:38:50,399 Speaker 2: Yeah, it was I was watching TV. 638 00:38:51,320 --> 00:38:54,160 Speaker 1: Oh no, that's why I don't have one. 639 00:38:54,239 --> 00:39:02,000 Speaker 2: I was watching Wild on e mmm and spending a 640 00:39:02,120 --> 00:39:07,120 Speaker 2: half hour with Jules Asner without being without getting that release, 641 00:39:08,200 --> 00:39:10,040 Speaker 2: and the show's out very late at nights. By the 642 00:39:10,080 --> 00:39:13,400 Speaker 2: time I went to the doctor, there's you know, you 643 00:39:13,520 --> 00:39:14,640 Speaker 2: have to go to the line. 644 00:39:14,800 --> 00:39:17,920 Speaker 1: Oh yeah, yeah, very long line. 645 00:39:21,400 --> 00:39:23,480 Speaker 2: It is the faster that goes in there. It's true 646 00:39:23,880 --> 00:39:29,240 Speaker 2: that faster that you make the baby comes out, because 647 00:39:29,280 --> 00:39:29,920 Speaker 2: the first. 648 00:39:29,680 --> 00:39:35,279 Speaker 1: Time, that's why I don't finish and side. Yes, but 649 00:39:35,719 --> 00:39:37,600 Speaker 1: yours goes very fast. 650 00:39:37,680 --> 00:39:39,480 Speaker 2: I had the opposite problem, too fast. 651 00:39:39,560 --> 00:39:43,280 Speaker 1: I goes extremely fast, extremely slow. 652 00:39:44,040 --> 00:39:48,480 Speaker 2: I have to like carve out some time. 653 00:39:50,960 --> 00:39:59,439 Speaker 1: Afterwards, just all to kind of like a yes, yeah. 654 00:40:00,040 --> 00:40:05,759 Speaker 1: Most if you've ever seen the maple syrup process where 655 00:40:05,760 --> 00:40:08,360 Speaker 1: the saples out of the tree overnight. 656 00:40:08,080 --> 00:40:10,880 Speaker 2: It is, yes, the very the very beginning of the 657 00:40:10,880 --> 00:40:16,160 Speaker 2: maple syrup process, and they attach a metal bucket to 658 00:40:16,160 --> 00:40:21,960 Speaker 2: the sort of my undercarriage, and it's sort. 659 00:40:21,760 --> 00:40:28,879 Speaker 1: Of king dribbler, I mean, you know, but yes, yours 660 00:40:28,960 --> 00:40:31,279 Speaker 1: is very fast. Yeah. But I've and I've never had 661 00:40:31,760 --> 00:40:33,279 Speaker 1: pop perhaps as a result, I don't need to cover 662 00:40:33,320 --> 00:40:34,440 Speaker 1: about time. I've never heard. 663 00:40:34,520 --> 00:40:38,200 Speaker 2: That's why you don't finish inside, you go to like 664 00:40:38,239 --> 00:40:39,040 Speaker 2: the other room. 665 00:40:39,160 --> 00:40:41,239 Speaker 1: I don't finish inside. I always bust and I never 666 00:40:41,280 --> 00:40:45,680 Speaker 1: pay for it, and so I haven't I haven't had something. 667 00:40:45,800 --> 00:40:47,560 Speaker 1: That is why I interview you about this stuff. It's 668 00:40:47,560 --> 00:40:54,319 Speaker 1: so interesting to me. And it's not like faster or 669 00:40:54,360 --> 00:40:56,960 Speaker 1: slower is better. Actually, something in the middle would probably 670 00:40:57,000 --> 00:41:00,680 Speaker 1: be best. One thing about this show now, Nip is 671 00:41:00,719 --> 00:41:03,400 Speaker 1: the lady they're doing the surgery on. Is the lady 672 00:41:03,520 --> 00:41:08,600 Speaker 1: singing while they're doing the same time? Yes, how fucked 673 00:41:08,640 --> 00:41:15,799 Speaker 1: up is that? And Bert Backerat is the guest and 674 00:41:15,880 --> 00:41:24,920 Speaker 1: you remember him from Austin Powers. Yeah, he's one million 675 00:41:25,080 --> 00:41:36,520 Speaker 1: dollars right, Yes, yes, this is gross. I wish they 676 00:41:36,520 --> 00:41:39,440 Speaker 1: didn't have to show him carving up because you know, 677 00:41:39,560 --> 00:41:42,840 Speaker 1: not that long before we were practically almost seeing the 678 00:41:42,960 --> 00:41:48,520 Speaker 1: baby sucking on milk and so, and now to then 679 00:41:48,600 --> 00:41:51,600 Speaker 1: put gross stuff, it's going to create it's going to 680 00:41:51,680 --> 00:41:54,600 Speaker 1: conflate these two things in a way that perhaps makes 681 00:41:54,640 --> 00:41:58,920 Speaker 1: me a pervert. Yeah, but this was a good way. 682 00:41:59,040 --> 00:42:02,240 Speaker 1: I've never seen this show, but I sometimes google image 683 00:42:02,280 --> 00:42:06,680 Speaker 1: it and this was a good way to see because 684 00:42:06,760 --> 00:42:11,160 Speaker 1: you can show a braast on TV if it's fully 685 00:42:11,200 --> 00:42:20,799 Speaker 1: removed from a woman body or man or man and 686 00:42:20,840 --> 00:42:22,799 Speaker 1: so this was a good this. But it can be 687 00:42:22,880 --> 00:42:26,640 Speaker 1: on a rat's back. M it can be part of 688 00:42:26,680 --> 00:42:32,040 Speaker 1: a cabinet. Yes, it can be a funny doorbell. So 689 00:42:33,239 --> 00:42:35,879 Speaker 1: they've managed to find a lot of different ways. I'm 690 00:42:35,880 --> 00:42:43,960 Speaker 1: going to see his face. Do you think is that 691 00:42:44,040 --> 00:42:52,480 Speaker 1: Breaking Bad's brother's wife? Is that actress? I don't think so. 692 00:42:52,640 --> 00:42:53,839 Speaker 1: I think it's Breaking Bad's brothers. 693 00:42:54,040 --> 00:42:55,960 Speaker 2: Well, I'm interested. It doesn't really look like her. I 694 00:42:56,000 --> 00:42:58,480 Speaker 2: guess it could be. What makes you say that because 695 00:42:58,480 --> 00:43:01,440 Speaker 2: she has a baby. But she doesn't have a baby. 696 00:43:01,480 --> 00:43:06,319 Speaker 1: Oh yeah, she does have sort of brown hair. I 697 00:43:06,320 --> 00:43:10,360 Speaker 1: wouldn't even say it's really brown. No, not totally. Parts 698 00:43:10,360 --> 00:43:12,880 Speaker 1: of it are a little brown the middle. 699 00:43:15,400 --> 00:43:18,080 Speaker 2: And I wouldn't say that Breaking Bad's brother's wife really 700 00:43:18,520 --> 00:43:19,680 Speaker 2: had brown hair either. 701 00:43:19,760 --> 00:43:23,839 Speaker 1: This part's unrealistic because my wife could never talk to 702 00:43:23,840 --> 00:43:24,359 Speaker 1: me like that. 703 00:43:27,600 --> 00:43:31,840 Speaker 2: His name's Sean Ship and so we have Oh that 704 00:43:31,920 --> 00:43:39,520 Speaker 2: makes you mad? Yeah, you said you heard that someone 705 00:43:39,520 --> 00:43:42,879 Speaker 2: else had your name? He said, oh Ship, Yeah, why 706 00:43:42,920 --> 00:43:45,560 Speaker 2: does that mess something up for you? 707 00:43:45,600 --> 00:43:50,399 Speaker 1: Come on, I got to compete with every Sean, Dick 708 00:43:50,480 --> 00:43:57,560 Speaker 1: and Harry on TV. I'm the Sewan in this town. 709 00:43:57,760 --> 00:44:00,879 Speaker 2: Okay, just to be the Shawan baby that makes sense. 710 00:44:01,080 --> 00:44:02,720 Speaker 1: Good, I'm gonna see his fucked up face. 711 00:44:03,239 --> 00:44:05,040 Speaker 2: I hope they show it, but I wonder if it's 712 00:44:05,080 --> 00:44:07,719 Speaker 2: just like they've been teasing this in every episode of 713 00:44:07,800 --> 00:44:11,000 Speaker 2: the show, and every time you watch it, you say, 714 00:44:11,040 --> 00:44:14,399 Speaker 2: I'm gonna get to see the boy's face, and then 715 00:44:14,400 --> 00:44:16,200 Speaker 2: you get to the end. 716 00:44:18,680 --> 00:44:19,600 Speaker 1: Oh boy, I. 717 00:44:19,560 --> 00:44:21,960 Speaker 2: Mean, because everyone else on the show gets to see it, 718 00:44:22,000 --> 00:44:23,319 Speaker 2: why do I get to see it? 719 00:44:23,760 --> 00:44:26,440 Speaker 1: Yeah, just because I'm not on the show. I mean, 720 00:44:26,480 --> 00:44:30,719 Speaker 1: the back of this kid's kid's head is great, It's 721 00:44:30,760 --> 00:44:39,520 Speaker 1: like really good. It looks soft, But I do want 722 00:44:39,520 --> 00:44:41,880 Speaker 1: to see the front as I found several dozen ways 723 00:44:41,880 --> 00:44:43,080 Speaker 1: to show me in the back of his head and 724 00:44:43,120 --> 00:44:49,640 Speaker 1: to put him in various hoods and hats. Okay, I'm 725 00:44:49,680 --> 00:44:52,920 Speaker 1: so close. I can see the top part. Oh boy. 726 00:44:53,840 --> 00:44:57,360 Speaker 1: It really is like Wilson, when did you have the surgery? 727 00:44:59,600 --> 00:45:02,279 Speaker 2: So he had a smile train the college money. 728 00:45:02,280 --> 00:45:03,040 Speaker 1: We did it behind my. 729 00:45:03,320 --> 00:45:06,719 Speaker 2: Face, And it makes me wonder if that's what Wilson had. 730 00:45:07,840 --> 00:45:12,400 Speaker 1: Yeah, I think so forgave. He left a few months later, 731 00:45:13,120 --> 00:45:18,400 Speaker 1: that's why he left. You guys. It's such a mystery 732 00:45:18,480 --> 00:45:25,960 Speaker 1: to me. Is this the other doctor? I don't know. 733 00:45:26,200 --> 00:45:31,640 Speaker 2: Was there supposed to be two support us? 734 00:45:32,160 --> 00:45:34,279 Speaker 1: Are you you try to figure out which is the 735 00:45:34,320 --> 00:45:36,480 Speaker 1: other one? No, he's doing surgery with the other one. 736 00:45:36,480 --> 00:45:39,080 Speaker 1: But he just didn't have a story or something this week. 737 00:45:40,200 --> 00:45:42,760 Speaker 2: I know I saw the other one. I remember doctor Troy. 738 00:45:43,280 --> 00:45:46,839 Speaker 2: He said he is a plastic surgeon. So they revealed it. 739 00:45:47,320 --> 00:45:53,799 Speaker 1: Mm hmmm. They solved it. It was him. So when 740 00:45:53,920 --> 00:45:56,479 Speaker 1: they solved this, this might be the last one. Yeah, 741 00:45:56,520 --> 00:46:00,719 Speaker 1: I guess maybe because that wash a news. Does he 742 00:46:00,800 --> 00:46:04,160 Speaker 1: become the Joker because we know he's changed his mouth once, Yes, 743 00:46:04,280 --> 00:46:07,840 Speaker 1: so it does seem like he would be able to 744 00:46:07,920 --> 00:46:13,279 Speaker 1: change it again with the toxin. And they showed him 745 00:46:13,400 --> 00:46:15,839 Speaker 1: basically punched him in for no reason. And that's the 746 00:46:15,960 --> 00:46:21,160 Speaker 1: very beginnings of really starting to embrace chaos. 747 00:46:21,000 --> 00:46:29,000 Speaker 2: Because what I love about all shows is wondering which characters, 748 00:46:29,120 --> 00:46:31,840 Speaker 2: which boy is going to grow up to be Batman 749 00:46:34,400 --> 00:46:36,400 Speaker 2: and which of the other characters are going to be 750 00:46:36,480 --> 00:46:42,239 Speaker 2: the different bad guys from Batman's world, and even in. 751 00:46:42,200 --> 00:46:47,319 Speaker 1: Shows with adults. Mm hmm. So I'm kind of done 752 00:46:47,400 --> 00:46:49,480 Speaker 1: with this do you want to stop it? 753 00:46:49,880 --> 00:46:51,680 Speaker 2: Well, it did go black for a second, and I 754 00:46:51,760 --> 00:46:53,359 Speaker 2: was hoping that's the end. 755 00:46:53,440 --> 00:46:57,279 Speaker 1: That was going to be the end, but it was 756 00:46:57,400 --> 00:47:01,239 Speaker 1: not over. He's only one at the funeral and he 757 00:47:01,320 --> 00:47:06,600 Speaker 1: killed her on the operating table. She did die huh 758 00:47:06,880 --> 00:47:12,239 Speaker 1: m hm, And so she was singing that was her 759 00:47:12,760 --> 00:47:17,759 Speaker 1: Heaven prize when she stop. Yeah, I guess if we 760 00:47:17,800 --> 00:47:30,120 Speaker 1: could just happens when you die? Well, I can thought you. 761 00:47:30,880 --> 00:47:36,959 Speaker 1: I thought you was just gonna say I came. Uh, 762 00:47:36,960 --> 00:47:39,480 Speaker 1: that's such an interesting question to think about. You're bad, 763 00:47:39,560 --> 00:47:43,480 Speaker 1: you're filthy. I'm asking what happens when you die? And 764 00:47:43,560 --> 00:47:45,600 Speaker 1: you just want to go back telling more stories about 765 00:47:45,600 --> 00:47:48,239 Speaker 1: being King Dribbler. I think that. 766 00:47:50,160 --> 00:47:54,600 Speaker 2: I think it's that you start over again. You get 767 00:47:54,680 --> 00:47:59,280 Speaker 2: to decide who. 768 00:47:58,840 --> 00:48:02,200 Speaker 1: You want to be knack and pick it out. Yeah. Yes, 769 00:48:02,280 --> 00:48:03,960 Speaker 1: and you can take a break if you want. You 770 00:48:03,960 --> 00:48:06,640 Speaker 1: can take as long a break as you want and 771 00:48:06,760 --> 00:48:12,239 Speaker 1: watch everyone else make their decisions. But you can also 772 00:48:12,320 --> 00:48:17,440 Speaker 1: reserve somebody so people can't take your choice. Yeah, be 773 00:48:17,560 --> 00:48:21,000 Speaker 1: your guy. Yes, and it can be someone who already lived. 774 00:48:21,040 --> 00:48:28,759 Speaker 1: It can be anyone, and it can even it can 775 00:48:28,800 --> 00:48:32,800 Speaker 1: even be someone who is alive. And you can start 776 00:48:32,840 --> 00:48:36,560 Speaker 1: being them at any point in their life. That's very spiritual. 777 00:48:39,000 --> 00:48:42,480 Speaker 1: So you don't think we're just worm food. No, unless 778 00:48:42,520 --> 00:48:45,239 Speaker 1: you want to be worm food, unless you pick to 779 00:48:45,239 --> 00:48:48,440 Speaker 1: be that. Unless you pick worm food. So do you 780 00:48:48,480 --> 00:48:55,520 Speaker 1: have your eye on anybody to be next time? I 781 00:48:55,560 --> 00:48:59,640 Speaker 1: would like Chapo or anybody el Chapo would be really interesting. 782 00:49:02,040 --> 00:49:04,040 Speaker 1: I guess I would like to have the brains of 783 00:49:04,160 --> 00:49:10,280 Speaker 1: l Choppo because you can combine anybody as well brains 784 00:49:10,280 --> 00:49:20,040 Speaker 1: of l Choppo. Speed of what was the guy not 785 00:49:20,200 --> 00:49:25,920 Speaker 1: Hussein Bolt? That's too fast? Dan and Dave? Remember when 786 00:49:25,960 --> 00:49:30,960 Speaker 1: Dan and Dave we're going to race up Barcelona, but 787 00:49:31,120 --> 00:49:33,080 Speaker 1: then one of them didn't qualify. Yes, I'd like the 788 00:49:33,120 --> 00:49:37,000 Speaker 1: speed of Dan and Dave. Or do you were you 789 00:49:37,040 --> 00:49:41,640 Speaker 1: gonna say Michael Johnson with his gold sneakers, Now that 790 00:49:41,680 --> 00:49:44,880 Speaker 1: would be interesting. Were you Do you get the sneakers 791 00:49:44,880 --> 00:49:46,319 Speaker 1: if you picked to be him? Or do you have 792 00:49:46,400 --> 00:49:48,319 Speaker 1: to go and find them stay? Yes, No, you can 793 00:49:48,360 --> 00:49:52,919 Speaker 1: get you can get his sneakers, he already has them, 794 00:49:53,040 --> 00:49:54,880 Speaker 1: or you have to go find the maze. 795 00:50:00,840 --> 00:50:03,919 Speaker 2: You have to go find him, but he tells you, 796 00:50:04,440 --> 00:50:07,360 Speaker 2: he gives you the initial clue. 797 00:50:08,000 --> 00:50:10,920 Speaker 1: Ah, that's cool. So the speed of him in the 798 00:50:10,960 --> 00:50:17,080 Speaker 1: brains of l Chopo, and then any particular body or face. 799 00:50:18,080 --> 00:50:22,799 Speaker 1: I guess the body of Tim Allen when he is 800 00:50:22,840 --> 00:50:27,080 Speaker 1: becoming the Santa Claus, but he is not all the way. 801 00:50:27,200 --> 00:50:30,000 Speaker 1: He's fighting it. When the woman asks if he got 802 00:50:30,040 --> 00:50:31,880 Speaker 1: stung or he says he got stung by a bee 803 00:50:31,920 --> 00:50:39,239 Speaker 1: at work. That was a funny body, and she's like, 804 00:50:39,280 --> 00:50:39,640 Speaker 1: a be. 805 00:50:41,200 --> 00:50:43,040 Speaker 2: We should do really, and he says, yeah, it was 806 00:50:43,080 --> 00:50:45,160 Speaker 2: a big b that's what I want to do, and 807 00:50:45,160 --> 00:50:55,000 Speaker 2: then be able to run away so fast and have 808 00:50:55,080 --> 00:50:56,200 Speaker 2: the braids of l Chopo. 809 00:50:57,040 --> 00:51:03,520 Speaker 1: We should do so you could hide. We should do 810 00:51:03,640 --> 00:51:07,320 Speaker 1: more of these commentary episodes because it really focuses us nicely, 811 00:51:07,880 --> 00:51:10,320 Speaker 1: because some of our episodes feel kind of aimless and 812 00:51:10,480 --> 00:51:13,360 Speaker 1: we're just like feeling around for something. But this is 813 00:51:13,400 --> 00:51:17,520 Speaker 1: a nice anchor where yes, this guy's a plastic surgeon, Yes, 814 00:51:18,320 --> 00:51:22,279 Speaker 1: this lady's dead, and so that is like a constant 815 00:51:22,280 --> 00:51:24,920 Speaker 1: in the show and you never feel lost. But also 816 00:51:25,000 --> 00:51:28,640 Speaker 1: we stumble onto through talking about the show these great 817 00:51:28,760 --> 00:51:33,360 Speaker 1: things like imagine in having the speed of Michael Johnson 818 00:51:33,560 --> 00:51:35,920 Speaker 1: and a clue to get his shoes, and the brakes 819 00:51:35,960 --> 00:51:38,479 Speaker 1: of elt Choppo and the stung by a b joke 820 00:51:38,640 --> 00:51:44,200 Speaker 1: body of Tim from the Santa Claus the Perfect Man. 821 00:51:44,600 --> 00:51:46,680 Speaker 1: And if you could sort of pick who you wanted 822 00:51:46,680 --> 00:51:50,120 Speaker 1: to be, I mean, who among us wouldn't select those 823 00:51:50,200 --> 00:51:56,080 Speaker 1: type those type of attributes. Oh there's the baby again. 824 00:51:56,120 --> 00:51:57,799 Speaker 1: I hope they do it right. This is this the 825 00:51:57,840 --> 00:52:03,759 Speaker 1: same show? Yeah? Maybe I cannot believe how long a 826 00:52:03,880 --> 00:52:07,640 Speaker 1: show can be. How much time was there? Did you 827 00:52:07,680 --> 00:52:09,759 Speaker 1: see when you did it so fast? Yeah? 828 00:52:09,760 --> 00:52:12,000 Speaker 2: Well that made it even longer. So whatever it would 829 00:52:12,040 --> 00:52:15,160 Speaker 2: have said, it now takes longer. I feel like we're done, 830 00:52:15,200 --> 00:52:16,120 Speaker 2: it says on the top. 831 00:52:17,880 --> 00:52:21,120 Speaker 1: So the subtitle just said George Michael and that's it, 832 00:52:21,200 --> 00:52:32,360 Speaker 1: and then this song started playing. They didn't feel that 833 00:52:32,400 --> 00:52:34,480 Speaker 1: they needed to be any more specific. I think they 834 00:52:34,520 --> 00:52:37,160 Speaker 1: think this is George Michael's most famous song, but it's not. 835 00:52:37,560 --> 00:52:39,480 Speaker 2: Is our guest here for a different episode? 836 00:52:39,920 --> 00:52:44,120 Speaker 1: Uh? He texted cool after I told him the address, 837 00:52:44,120 --> 00:52:45,239 Speaker 1: and that's the last I heard. 838 00:52:45,360 --> 00:52:49,200 Speaker 2: Okay, Well that seems like he's going to be here 839 00:52:49,200 --> 00:52:49,640 Speaker 2: really soon. 840 00:52:49,719 --> 00:52:49,879 Speaker 1: Then. 841 00:52:50,760 --> 00:52:52,680 Speaker 2: So this is a song. See, and this is one 842 00:52:52,680 --> 00:52:55,160 Speaker 2: of those interesting Ryan Murphy things. They're about to do. 843 00:52:55,280 --> 00:52:59,480 Speaker 2: Surgery on a baby in this song is very, very 844 00:52:59,560 --> 00:53:03,439 Speaker 2: sexual because I feel like they're gonna get to see 845 00:53:03,480 --> 00:53:06,440 Speaker 2: all the baby's parts, is what's kind of implied? 846 00:53:06,640 --> 00:53:13,360 Speaker 1: Oh well, if I know this show, we actually won't. 847 00:53:17,880 --> 00:53:24,720 Speaker 2: They'll find some way to like put a baby's mouth 848 00:53:24,760 --> 00:53:31,600 Speaker 2: over it or something. It seems to be the m O. 849 00:53:33,000 --> 00:53:34,920 Speaker 1: You know what, I never asked what kind of face 850 00:53:34,920 --> 00:53:38,560 Speaker 1: would you have? What kind of well? Or is it 851 00:53:38,600 --> 00:53:41,000 Speaker 1: implied that you have Tim Owen's face as well, because 852 00:53:41,000 --> 00:53:43,520 Speaker 1: that kind of makes a stung may be thing wark. 853 00:53:45,440 --> 00:53:48,600 Speaker 2: That is a big part of the joke. I wonder 854 00:53:48,640 --> 00:53:57,319 Speaker 2: if I could have just his funny chin in the 855 00:53:57,360 --> 00:54:01,600 Speaker 2: face of like see it's interesting the phase of lebron 856 00:54:02,200 --> 00:54:03,240 Speaker 2: but like white. 857 00:54:05,280 --> 00:54:12,680 Speaker 1: Does that make sense? Not to me? But I'm piecing 858 00:54:12,760 --> 00:54:16,160 Speaker 1: through it, you know it just but immediately, just being 859 00:54:16,160 --> 00:54:19,120 Speaker 1: totally honest, does that make sense to me? No, because 860 00:54:19,160 --> 00:54:21,120 Speaker 1: I haven't gotten there yet. But I think when I 861 00:54:21,120 --> 00:54:23,399 Speaker 1: get there, it's gonna be worth the trip. 862 00:54:23,440 --> 00:54:29,799 Speaker 2: Right, because I don't want I'm thinking, oh sorry. 863 00:54:29,520 --> 00:54:38,399 Speaker 1: Okay, okay, yeah, yeah, what were you gonna say? 864 00:54:39,360 --> 00:54:41,960 Speaker 2: I just don't want there to be two different colors 865 00:54:41,960 --> 00:54:45,040 Speaker 2: of face and chin, right, I. 866 00:54:45,040 --> 00:54:48,160 Speaker 1: Have no idea how glad I am to see is 867 00:54:48,200 --> 00:54:50,560 Speaker 1: Peter Diglig's married the same lady as the doctor. I 868 00:54:50,600 --> 00:54:53,840 Speaker 1: can't tell these ladies apart. I think that is the 869 00:54:53,880 --> 00:55:02,000 Speaker 1: same lady. But he kiss hur and he left and 870 00:55:02,080 --> 00:55:07,720 Speaker 1: came back, probably to finish the job. The blue balls 871 00:55:07,760 --> 00:55:18,440 Speaker 1: were too much even the way. Maybe he was very slow. Yeah, no, 872 00:55:18,600 --> 00:55:23,759 Speaker 1: Michael Johnson here, what would you do in what situation 873 00:55:24,239 --> 00:55:27,680 Speaker 1: you have when you get to come back? Oh? Well, 874 00:55:27,760 --> 00:55:32,879 Speaker 1: I believe the same thing as you do, so well, 875 00:55:32,920 --> 00:55:36,240 Speaker 1: then what am I gonna be? So I'm putting together 876 00:55:36,280 --> 00:55:49,760 Speaker 1: the perfect man with different parts? Mmmm. Well, Pauly Shoret's 877 00:55:49,800 --> 00:55:58,720 Speaker 1: sense of humor, duh, who's humor? Yeah, that's good. Gavin 878 00:55:58,800 --> 00:56:10,440 Speaker 1: Rossdale's song writing ability. I guess I'd want to be 879 00:56:10,480 --> 00:56:13,120 Speaker 1: able to jump as high as Bruce Jenner, but without 880 00:56:13,239 --> 00:56:15,960 Speaker 1: the and I know I have no problem with what 881 00:56:16,000 --> 00:56:20,160 Speaker 1: he's doing the care because they will trick. It's not 882 00:56:20,280 --> 00:56:21,920 Speaker 1: any I'm just because just. 883 00:56:21,960 --> 00:56:26,439 Speaker 2: The They can just be very tricky with the requests 884 00:56:27,320 --> 00:56:29,960 Speaker 2: because if if you say, like jump as high as 885 00:56:30,000 --> 00:56:31,120 Speaker 2: Bruce Jenner, then. 886 00:56:32,880 --> 00:56:36,160 Speaker 1: It might be that within it has been high heels. 887 00:56:36,440 --> 00:56:41,200 Speaker 1: Oh okay, well okay, uh, And I would like to 888 00:56:42,080 --> 00:56:48,080 Speaker 1: because no, because that's Caitlyn, that's right. That's right, his 889 00:56:48,400 --> 00:56:54,480 Speaker 1: sneakers and it's this is not to start any controversy, 890 00:56:54,480 --> 00:56:57,680 Speaker 1: but I'd like to have the bravery of the of 891 00:56:57,800 --> 00:57:01,000 Speaker 1: the Navy seal man who you would have won the 892 00:57:01,040 --> 00:57:04,000 Speaker 1: Bravery Award this past year that I always am so 893 00:57:04,160 --> 00:57:07,200 Speaker 1: invested in that Bravery Awards, so important to me, I'm 894 00:57:07,239 --> 00:57:10,480 Speaker 1: always talking about it. But not his so the runner up, 895 00:57:10,520 --> 00:57:13,000 Speaker 1: I guess I want his bravery. You want his bravery, 896 00:57:13,040 --> 00:57:17,880 Speaker 1: but not his not his jumping or his leglessness not 897 00:57:17,960 --> 00:57:25,840 Speaker 1: to start no later. Mm hmmm, I think this time 898 00:57:25,840 --> 00:57:32,040 Speaker 1: it really is over. I'd want the uh Keith Stone's 899 00:57:32,120 --> 00:57:36,400 Speaker 1: tasting beverages. Do you remember the keith Stone campaign No 900 00:57:37,240 --> 00:57:40,040 Speaker 1: Keystone Beers. There was a guy named Keith Stone who 901 00:57:40,080 --> 00:57:43,640 Speaker 1: was really cool. Just got me thinking about commercials when 902 00:57:43,640 --> 00:57:48,120 Speaker 1: we watched that Sapporo commercial keith Stone Beers, No Keystone 903 00:57:48,240 --> 00:57:51,640 Speaker 1: Light is a beer. Keith Stone was a real cool 904 00:57:51,640 --> 00:57:53,760 Speaker 1: guy who might be hanging out into seven to eleven. 905 00:57:53,760 --> 00:57:55,600 Speaker 1: Tell you remember to get that one. So you want 906 00:57:55,640 --> 00:57:57,880 Speaker 1: to come back with bitter beers. I know I want 907 00:57:57,960 --> 00:58:01,439 Speaker 1: no bitter beer face. That's the advantage of having Keith 908 00:58:01,480 --> 00:58:07,640 Speaker 1: Stone's good taste, because if you don't specify sometimes they 909 00:58:07,680 --> 00:58:11,120 Speaker 1: will send you back with bitter beer face. Oh don't 910 00:58:11,120 --> 00:58:21,600 Speaker 1: I know it? Hmm. I guess I'd want that prince 911 00:58:21,680 --> 00:58:34,120 Speaker 1: symbol's wardrobe, like when he was the symbol, right, prince again, 912 00:58:34,160 --> 00:58:36,240 Speaker 1: and he was prince before, but when he was. 913 00:58:36,200 --> 00:58:38,320 Speaker 2: The symbol, it was that prince symbol. That's when he 914 00:58:38,400 --> 00:58:44,960 Speaker 2: was dressed. Great, do you have to find those hm? 915 00:58:45,040 --> 00:58:45,960 Speaker 2: Hm the clothes? 916 00:58:47,120 --> 00:58:49,760 Speaker 1: Oh? Okay, Well, I guess what I get is a 917 00:58:51,360 --> 00:58:56,960 Speaker 1: is an Amex black card and a ride to Rodeo. 918 00:58:57,680 --> 00:59:04,600 Speaker 1: Who's Amex black card? His lawrence And then he made 919 00:59:04,600 --> 00:59:12,960 Speaker 1: scrubs undateable live. And then I guess I want my 920 00:59:13,080 --> 00:59:20,520 Speaker 1: sister's old dorm room, okay, because it had some ridicol posters. 921 00:59:21,640 --> 00:59:27,160 Speaker 1: And what else do I want? Is your sister there? 922 00:59:28,760 --> 00:59:30,720 Speaker 1: No where does she get? Where does she have to go? 923 00:59:30,800 --> 00:59:33,240 Speaker 1: I don't care because I'd like to be alone with 924 00:59:33,280 --> 00:59:40,160 Speaker 1: her roommate as well. And then h David Fincher's eye 925 00:59:40,200 --> 00:59:53,760 Speaker 1: for detail, Kelly Clarkson's experience on American Idol, just winning 926 00:59:53,840 --> 00:59:56,800 Speaker 1: and all that, that's the best one of all the 927 00:59:56,840 --> 00:59:58,200 Speaker 1: winners of American Idol. 928 00:59:58,680 --> 01:00:01,400 Speaker 2: That's the best experience to have because it was. 929 01:00:01,320 --> 01:00:10,000 Speaker 1: So new, big Biggie Biggie's flow with Tupac's hardness. I 930 01:00:10,080 --> 01:00:13,040 Speaker 1: chose Philip Phillips' experience on American Idol, and I wish 931 01:00:13,160 --> 01:00:21,840 Speaker 1: I had Choke Yeah Clarkson's experience, Yeah, Biggie's flow, Tupac's hardness, yes, uh? 932 01:00:21,880 --> 01:00:24,720 Speaker 1: And then am I all full up? Do I have 933 01:00:24,760 --> 01:00:28,240 Speaker 1: more stuff? I should ask you? You have two more lines 934 01:00:28,280 --> 01:00:34,760 Speaker 1: on the on the form? Hmm, better choose wisely you 935 01:00:34,840 --> 01:00:38,040 Speaker 1: need a body still, I think, well, I wouldn't mind 936 01:00:38,080 --> 01:00:45,280 Speaker 1: being the mohawk Gremlin from Gremlin's in terms of how 937 01:00:45,800 --> 01:00:52,480 Speaker 1: because he seemed very strong and ferocious. And you say, oh, 938 01:00:52,600 --> 01:00:55,080 Speaker 1: society won't accept you like that, Sean, But I know 939 01:00:55,120 --> 01:00:59,080 Speaker 1: I'm gonna win American Idol, so clearly they have Yes, 940 01:01:00,600 --> 01:01:02,360 Speaker 1: but I don't need to have his face, but I 941 01:01:02,400 --> 01:01:05,280 Speaker 1: want his biby. And you also won the Bravery Award 942 01:01:06,520 --> 01:01:10,240 Speaker 1: you No, no, you just have the runner up. That's right. 943 01:01:10,280 --> 01:01:12,840 Speaker 1: You didn't win, but you had the bravery that should 944 01:01:12,880 --> 01:01:16,000 Speaker 1: have won. I'm not saying should have or shouldn't have. 945 01:01:16,080 --> 01:01:18,480 Speaker 1: I'm just saying that guy seemed pretty brave to me, 946 01:01:19,440 --> 01:01:21,760 Speaker 1: and I really care about that award. I thought you 947 01:01:21,800 --> 01:01:25,439 Speaker 1: did say no, I never said should have. I never 948 01:01:25,480 --> 01:01:29,520 Speaker 1: said that, Hayes. All I said was, if you ask me, 949 01:01:30,000 --> 01:01:36,280 Speaker 1: that guy's mighty brave Snoopy's face. 950 01:01:38,160 --> 01:01:41,960 Speaker 2: Bye. 951 01:01:44,320 --> 01:01:48,240 Speaker 1: Hollywood Handbook is brought to you by Wolf Cool Production 952 01:01:48,400 --> 01:02:02,960 Speaker 1: to subsidiary of Kelvin udobs Ow Baby