1
00:00:05,480 --> 00:00:08,280
Speaker 1: Hi am Kate Hudson, and my name is Oliver Hudson.

2
00:00:08,480 --> 00:00:11,160
Speaker 2: We wanted to do something that highlighted our.

3
00:00:11,080 --> 00:00:19,440
Speaker 1: Relationship and what it's like to be siblings. We are

4
00:00:19,680 --> 00:00:21,000
Speaker 1: a sibling railvalry.

5
00:00:21,720 --> 00:00:26,960
Speaker 3: No, no, sibling, you don't do that with your mouth.

6
00:00:30,920 --> 00:00:31,920
Speaker 4: Revelry.

7
00:00:33,640 --> 00:00:40,120
Speaker 5: That's good, ladies and gentlemen. This is part two of

8
00:00:40,159 --> 00:00:41,040
Speaker 5: sibling rivalry.

9
00:00:41,840 --> 00:00:49,680
Speaker 1: Fine, I guess, okay, sibling comedy.

10
00:00:49,720 --> 00:00:50,519
Speaker 6: You're doing a comedy.

11
00:00:50,800 --> 00:00:53,880
Speaker 1: How much did you actually dive into sort of the

12
00:00:53,920 --> 00:00:58,440
Speaker 1: emotional aspects of what the show was in the relationships,

13
00:00:58,480 --> 00:01:01,400
Speaker 1: you know, because did you talk about that? Did you

14
00:01:01,400 --> 00:01:05,280
Speaker 1: have to track that at all? Or was just pure funny?

15
00:01:05,319 --> 00:01:05,560
Speaker 6: You know?

16
00:01:06,480 --> 00:01:08,360
Speaker 1: Was there was there moments where you have to talk

17
00:01:08,400 --> 00:01:11,560
Speaker 1: about this is what I feel like, there's deeper shit.

18
00:01:11,760 --> 00:01:13,480
Speaker 6: Well maybe not coming out on them.

19
00:01:13,560 --> 00:01:16,280
Speaker 3: I mean, let me give you an example of I

20
00:01:16,319 --> 00:01:18,759
Speaker 3: think that it wasn't necessarily talked about as much as

21
00:01:18,760 --> 00:01:20,560
Speaker 3: it was what was happening.

22
00:01:21,440 --> 00:01:23,280
Speaker 2: I'm going to say how I feel about it.

23
00:01:23,520 --> 00:01:27,200
Speaker 3: Like when we started, we immediately went deep into the

24
00:01:27,240 --> 00:01:33,400
Speaker 3: things in our life personally together, whether it be you know,

25
00:01:34,120 --> 00:01:37,120
Speaker 3: over our dinners or having drinks like we would go there,

26
00:01:37,240 --> 00:01:40,720
Speaker 3: whether it be because relationships, family stuff, Like there was

27
00:01:40,760 --> 00:01:45,520
Speaker 3: always sort of a balance of fun and like the

28
00:01:45,600 --> 00:01:48,120
Speaker 3: real things that were going on in our in our

29
00:01:48,160 --> 00:01:52,000
Speaker 3: lives or have gone on our lives on set, the

30
00:01:52,000 --> 00:01:55,320
Speaker 3: moments that were important to us was like everything could

31
00:01:55,360 --> 00:01:57,760
Speaker 3: be funny, but the things that we were trying to

32
00:01:57,800 --> 00:02:01,080
Speaker 3: figure to discover with each other were the beats that

33
00:02:01,480 --> 00:02:04,680
Speaker 3: I think are the most important things, which is, you know,

34
00:02:04,880 --> 00:02:08,520
Speaker 3: the connective tissue. Yes, who really are we together? What

35
00:02:08,680 --> 00:02:11,440
Speaker 3: is the overall you know, what are we trying?

36
00:02:11,520 --> 00:02:11,600
Speaker 1: Like?

37
00:02:11,680 --> 00:02:14,040
Speaker 3: What what are we really trying to achieve? And for

38
00:02:14,160 --> 00:02:19,000
Speaker 3: all of us, it's like being validated by the other person.

39
00:02:19,040 --> 00:02:20,440
Speaker 3: I mean, I know for me it was like I

40
00:02:20,560 --> 00:02:23,000
Speaker 3: just wanted them to love me and to see that

41
00:02:23,080 --> 00:02:23,920
Speaker 3: I could do.

42
00:02:24,120 --> 00:02:31,280
Speaker 5: Your Yeah, it was like eight years before they figured

43
00:02:31,280 --> 00:02:33,480
Speaker 5: out his hook and his finally was he just wanted

44
00:02:33,480 --> 00:02:34,480
Speaker 5: to hug Yeah.

45
00:02:34,520 --> 00:02:37,799
Speaker 2: Just like right. But we had this moment.

46
00:02:39,240 --> 00:02:42,120
Speaker 3: We had this moment after the pool scene, which for

47
00:02:42,280 --> 00:02:44,200
Speaker 3: people who haven't seen it, don't want to ruin it,

48
00:02:44,240 --> 00:02:47,160
Speaker 3: but we're we're sitting at the bar and we're shooting

49
00:02:47,200 --> 00:02:50,440
Speaker 3: this scene and it's this really sweet scene and it's

50
00:02:50,480 --> 00:02:52,600
Speaker 3: sort of like, you know, I have a line that said,

51
00:02:52,680 --> 00:02:55,880
Speaker 3: Dad really did a number on us, didn't he. But

52
00:02:56,120 --> 00:02:59,560
Speaker 3: in that moment between the takes not to put anybody

53
00:02:59,560 --> 00:03:02,000
Speaker 3: in any like, you know, we had a moment where

54
00:03:02,000 --> 00:03:05,960
Speaker 3: we talked about family, our own families growing up, and

55
00:03:06,120 --> 00:03:09,120
Speaker 3: I started to cry, and then Scotti started. We all

56
00:03:09,200 --> 00:03:12,280
Speaker 3: just basically started to cry. But in the scene you're

57
00:03:12,320 --> 00:03:15,360
Speaker 3: crying right right. But next thing you know, we had

58
00:03:15,440 --> 00:03:19,760
Speaker 3: this thing, at least for me, which was a very profound,

59
00:03:19,960 --> 00:03:25,799
Speaker 3: deep connection of we've all had a certain level of

60
00:03:26,000 --> 00:03:30,160
Speaker 3: trauma that you would never think we would tap into

61
00:03:30,280 --> 00:03:30,919
Speaker 3: in the show.

62
00:03:31,040 --> 00:03:31,320
Speaker 4: You know what.

63
00:03:31,440 --> 00:03:33,560
Speaker 1: You know what that does though, if it's not on screen,

64
00:03:33,600 --> 00:03:36,320
Speaker 1: It allows you to be safe that's right on the

65
00:03:36,360 --> 00:03:39,680
Speaker 1: screen and saying and doing whatever I feel because you've

66
00:03:39,680 --> 00:03:40,960
Speaker 1: had an experience off.

67
00:03:40,920 --> 00:03:46,240
Speaker 3: And energetically you can feel it because there's a closeness

68
00:03:46,760 --> 00:03:47,160
Speaker 3: Yeah and.

69
00:03:48,640 --> 00:03:51,640
Speaker 6: Yeah, I think to step that out.

70
00:03:52,120 --> 00:03:53,920
Speaker 5: I kind of wish it was more like that in

71
00:03:53,960 --> 00:03:56,600
Speaker 5: our day to day lives with everybody, which is like, listen,

72
00:03:56,680 --> 00:03:59,360
Speaker 5: I don't know what your experience is, you don't know

73
00:03:59,360 --> 00:04:02,920
Speaker 5: what my experienperiences. I don't want to play the game

74
00:04:02,960 --> 00:04:05,760
Speaker 5: of who's had it worse by any stretch. I personally

75
00:04:05,760 --> 00:04:08,080
Speaker 5: feel like, I've probably had it really really great. Yeah,

76
00:04:08,120 --> 00:04:10,600
Speaker 5: but I've still had some shit that that fucks me up.

77
00:04:11,000 --> 00:04:13,760
Speaker 5: And whether it fucks me up, I mean, my brother

78
00:04:13,760 --> 00:04:15,920
Speaker 5: and I grew up in the same household, Like we're

79
00:04:15,960 --> 00:04:18,840
Speaker 5: different human beings, right, the things that I you know,

80
00:04:18,920 --> 00:04:21,359
Speaker 5: the moments I remember, I'm like, that was a really

81
00:04:21,400 --> 00:04:23,320
Speaker 5: tricky night. He'd be like, what are you talking about?

82
00:04:23,440 --> 00:04:24,280
Speaker 6: Yeah, But then.

83
00:04:24,200 --> 00:04:26,440
Speaker 5: The ship that he has, I'm like, I don't even

84
00:04:26,440 --> 00:04:29,280
Speaker 5: remember that. So let's start with the baseline of like,

85
00:04:29,960 --> 00:04:32,880
Speaker 5: you've just all gone through some shit and I'm going

86
00:04:32,960 --> 00:04:36,160
Speaker 5: to cut you some slack until I realize you're consciously

87
00:04:36,279 --> 00:04:39,680
Speaker 5: trying to hurt or offend me on a routine level,

88
00:04:40,279 --> 00:04:42,240
Speaker 5: and then I'm gonna be like, hey man, we're not

89
00:04:42,279 --> 00:04:43,719
Speaker 5: good and I'm out. Yeah.

90
00:04:43,880 --> 00:04:46,200
Speaker 1: It's a thing that we've experienced on this whole show,

91
00:04:46,600 --> 00:04:49,560
Speaker 1: which is each sibling has a completely different perspective on

92
00:04:49,680 --> 00:04:53,200
Speaker 1: how they were raised. Just like you said, writing like

93
00:04:53,560 --> 00:04:55,159
Speaker 1: that fucked me up. I don't know what the fuck

94
00:04:55,200 --> 00:04:57,120
Speaker 1: you're talking about. I don't even know what you're saying.

95
00:04:57,320 --> 00:05:01,400
Speaker 3: You know, I had a completely different perception manifested completely

96
00:05:01,400 --> 00:05:02,920
Speaker 3: differently from me than it did for.

97
00:05:02,880 --> 00:05:05,200
Speaker 6: All of them, Yeah, because we're not really here.

98
00:05:05,520 --> 00:05:12,240
Speaker 7: Yeah, it's all an illusion, yes, ye like it will

99
00:05:12,320 --> 00:05:14,480
Speaker 7: say like, I think there was a there was a

100
00:05:14,520 --> 00:05:19,920
Speaker 7: softness immediately despite us like doing you know, giving each

101
00:05:19,960 --> 00:05:21,440
Speaker 7: other ship and stuff.

102
00:05:21,480 --> 00:05:25,680
Speaker 8: I there was like a tenderness I mean to the

103
00:05:27,120 --> 00:05:30,599
Speaker 8: to the characters too. They're trying to get whoever to

104
00:05:30,640 --> 00:05:33,920
Speaker 8: take them seriously, whether it's you, us, me, the you know,

105
00:05:34,160 --> 00:05:35,000
Speaker 8: entire family.

106
00:05:35,839 --> 00:05:36,279
Speaker 4: Uh.

107
00:05:36,320 --> 00:05:40,440
Speaker 8: And I think you know you're you kinda hold on

108
00:05:40,680 --> 00:05:44,680
Speaker 8: to that. You're pushing that through the entire season, and

109
00:05:44,720 --> 00:05:47,400
Speaker 8: then moments where the characters like they can't do it

110
00:05:47,440 --> 00:05:50,520
Speaker 8: anymore and they just break down like or it's too hard.

111
00:05:50,560 --> 00:05:53,400
Speaker 8: I'm gonna like I have to show some vulnerability with

112
00:05:53,440 --> 00:05:55,880
Speaker 8: my family right here, and they're gonna, you know, like

113
00:05:56,279 --> 00:05:59,719
Speaker 8: this particular family is like okay, like you know a little,

114
00:06:00,120 --> 00:06:02,680
Speaker 8: whether they accept it or not. I think like the

115
00:06:02,720 --> 00:06:04,960
Speaker 8: writing was so good that it was like, Okay, I'm

116
00:06:05,000 --> 00:06:07,400
Speaker 8: clearly like trying to hold onto it. Trying to hold

117
00:06:07,440 --> 00:06:10,480
Speaker 8: onto it. You're basically just like not trying to cry

118
00:06:10,520 --> 00:06:13,320
Speaker 8: the entire season. That's like you're just like I'm not

119
00:06:13,320 --> 00:06:13,680
Speaker 8: gonna cry.

120
00:06:13,680 --> 00:06:15,440
Speaker 6: I'm not gonna cry. I'm not gonna I'm not gonna.

121
00:06:15,200 --> 00:06:17,760
Speaker 8: Cry and then like your your character is done, like

122
00:06:17,880 --> 00:06:20,800
Speaker 8: you can't he can't like hold it or she can't.

123
00:06:20,520 --> 00:06:21,360
Speaker 6: Hold it anymore.

124
00:06:21,400 --> 00:06:25,719
Speaker 1: It's funny because I saw Scotty get welling up and

125
00:06:25,920 --> 00:06:29,800
Speaker 1: inappropriate situations and the show flagged on that, did you

126
00:06:29,880 --> 00:06:33,119
Speaker 1: actually we're coming to because I'm not making a joke.

127
00:06:33,240 --> 00:06:35,480
Speaker 1: Like there's moments where I'm looking because it's like a

128
00:06:35,560 --> 00:06:37,280
Speaker 1: three of you or something, and all of a sudden,

129
00:06:37,279 --> 00:06:38,440
Speaker 1: Scotty is sort of in the background.

130
00:06:38,440 --> 00:06:39,120
Speaker 6: I'm like, this.

131
00:06:42,560 --> 00:06:43,599
Speaker 2: Doesn't seem right.

132
00:06:44,120 --> 00:06:46,760
Speaker 1: It's awesome to watch the emotion, but I'm like, what

133
00:06:46,920 --> 00:06:49,560
Speaker 1: is going on for me?

134
00:06:49,839 --> 00:06:52,880
Speaker 3: My biggest my biggest laugh in the show is in

135
00:06:52,920 --> 00:06:54,960
Speaker 3: the conference room with the cocoa line.

136
00:06:56,520 --> 00:06:59,200
Speaker 5: It's just they flew that line and that you know,

137
00:06:59,240 --> 00:07:01,360
Speaker 5: they flew that in like take five. But I think

138
00:07:01,400 --> 00:07:03,560
Speaker 5: it's partly there were some takes of that where the

139
00:07:03,600 --> 00:07:07,480
Speaker 5: crying was too real. There was something that Fabrizzeo said, Jackie,

140
00:07:08,360 --> 00:07:10,760
Speaker 5: and I mean talk about someone who just like really

141
00:07:11,000 --> 00:07:18,080
Speaker 5: just puts their heart out there, he breaks something and

142
00:07:18,560 --> 00:07:20,320
Speaker 5: this makes it sound like, I mean, I can you

143
00:07:20,320 --> 00:07:23,480
Speaker 5: know dad, mom, stepdad, like big family people always around,

144
00:07:23,560 --> 00:07:25,920
Speaker 5: like the whole thing. He the way he would say

145
00:07:26,040 --> 00:07:28,720
Speaker 5: every time he did this take, and he would say like,

146
00:07:29,240 --> 00:07:32,640
Speaker 5: you know, like it's just for for a long time,

147
00:07:32,760 --> 00:07:34,520
Speaker 5: I guess my whole life or somebody was just me

148
00:07:34,560 --> 00:07:35,080
Speaker 5: and my mom.

149
00:07:35,400 --> 00:07:36,840
Speaker 6: Every time he said it.

150
00:07:36,920 --> 00:07:40,320
Speaker 5: Every time he said it, it could it genuinely made

151
00:07:40,320 --> 00:07:43,360
Speaker 5: me cross vulnerable and you know, like you know, I

152
00:07:43,400 --> 00:07:45,520
Speaker 5: mean we're all at this the night before when you

153
00:07:45,560 --> 00:07:48,240
Speaker 5: read like Alli cries, you think like fuck, how am

154
00:07:48,280 --> 00:07:50,480
Speaker 5: I going to do this right? And I you know,

155
00:07:50,680 --> 00:07:53,080
Speaker 5: like that's that's just always a concern. And then at

156
00:07:53,080 --> 00:07:55,520
Speaker 5: some point you're like, well I can I can trust

157
00:07:55,560 --> 00:07:58,520
Speaker 5: the process or there could be a menthol sting like

158
00:07:58,600 --> 00:08:00,040
Speaker 5: you never want to call for menthol.

159
00:08:01,000 --> 00:08:06,000
Speaker 2: And calling for a moment you don't as smoke.

160
00:08:06,360 --> 00:08:08,960
Speaker 5: But yeah, you just will find different ways in you

161
00:08:08,960 --> 00:08:11,640
Speaker 5: know whatever that thing is. Yeah, fuck it it's boring

162
00:08:11,680 --> 00:08:14,200
Speaker 5: to talk about, but it never has happened to me

163
00:08:14,240 --> 00:08:17,960
Speaker 5: where it was always one actor saying the same phrase

164
00:08:18,480 --> 00:08:20,520
Speaker 5: like eight takes in a row broke me every time. Yeah,

165
00:08:20,920 --> 00:08:23,160
Speaker 5: what was the line? It was like, you know, it

166
00:08:23,200 --> 00:08:24,640
Speaker 5: was just me and my mom, It was just the

167
00:08:24,680 --> 00:08:25,280
Speaker 5: two of us.

168
00:08:25,560 --> 00:08:28,640
Speaker 3: There is a cut of that scene that we had

169
00:08:28,680 --> 00:08:29,880
Speaker 3: to cut down because it was.

170
00:08:29,840 --> 00:08:34,199
Speaker 2: Just it just the the episode was getting too long.

171
00:08:34,800 --> 00:08:35,559
Speaker 6: That is so.

172
00:08:37,559 --> 00:08:40,200
Speaker 3: Like if he's great and in what you see and

173
00:08:40,240 --> 00:08:43,520
Speaker 3: you feel it, there's one cut that is just this

174
00:08:44,040 --> 00:08:49,680
Speaker 3: we cut that perform his performance, it's like so amazing and.

175
00:08:52,200 --> 00:08:54,400
Speaker 2: It still is, it still is still good. But you know,

176
00:08:54,520 --> 00:08:57,720
Speaker 2: like any edit, you know you have to cut the fat.

177
00:08:58,120 --> 00:09:00,200
Speaker 3: But like if you were just if we could do,

178
00:09:00,320 --> 00:09:03,280
Speaker 3: like if you could do an edit of certain scenes

179
00:09:03,320 --> 00:09:05,120
Speaker 3: that we had to cut down that to one of them.

180
00:09:05,160 --> 00:09:08,880
Speaker 3: That was just hard to cut as much fat as we.

181
00:09:08,880 --> 00:09:09,719
Speaker 2: Had to out of it.

182
00:09:10,040 --> 00:09:13,600
Speaker 3: You know, he he's so good in that scene.

183
00:09:14,040 --> 00:09:15,360
Speaker 2: Everybody's great in that scene.

184
00:09:15,480 --> 00:09:17,640
Speaker 3: And then when I was going through the edit of

185
00:09:17,679 --> 00:09:20,240
Speaker 3: that There's There's I was laughing as you were talking

186
00:09:20,280 --> 00:09:25,200
Speaker 3: because Justin's single There's on it. Watching it while he's

187
00:09:25,400 --> 00:09:30,600
Speaker 3: Fabrizio's doing the thing is so funny because he's just.

188
00:09:30,720 --> 00:09:33,440
Speaker 8: It's so funny in the cut where there's like I

189
00:09:33,440 --> 00:09:35,360
Speaker 8: saw it looked like a Bentley dealership.

190
00:09:34,920 --> 00:09:35,560
Speaker 5: And you guys.

191
00:09:35,360 --> 00:09:40,720
Speaker 9: Like it is it kind of is It's like watching

192
00:09:40,920 --> 00:09:43,800
Speaker 9: everybody's singles and that what is.

193
00:09:44,200 --> 00:09:47,520
Speaker 3: Was just I can't even I wish, I wish we

194
00:09:47,559 --> 00:09:50,160
Speaker 3: could show that to. You know, once you get to

195
00:09:50,200 --> 00:09:52,880
Speaker 3: know the characters, it's like you fall in love with them.

196
00:09:52,920 --> 00:09:55,120
Speaker 3: Then you can just watch the single on them the

197
00:09:55,160 --> 00:09:59,080
Speaker 3: whole time. It's just everyone's so in the pocket, you.

198
00:09:59,160 --> 00:10:02,760
Speaker 5: Know, even when when the scene when he when he

199
00:10:02,840 --> 00:10:05,760
Speaker 5: walks up to you and he his character really breaks

200
00:10:06,240 --> 00:10:08,160
Speaker 5: and your character finds out for the first time that

201
00:10:08,200 --> 00:10:12,400
Speaker 5: he's had a boyfriend. Yeah, right there, there I had

202
00:10:12,600 --> 00:10:15,120
Speaker 5: because we've just gone to the pool in which your

203
00:10:15,240 --> 00:10:19,240
Speaker 5: sister I'm pointing at Oliver. It's hard to say Oliver

204
00:10:19,280 --> 00:10:21,640
Speaker 5: because he's wearing a unicorn suit, takes in some sort

205
00:10:21,679 --> 00:10:25,120
Speaker 5: of the ward jumpsuit with them like criscross jeans over

206
00:10:25,160 --> 00:10:27,800
Speaker 5: the time, and Drew and I look like normal accountants.

207
00:10:28,520 --> 00:10:30,600
Speaker 5: These are the two accountants. This is the one where

208
00:10:30,600 --> 00:10:33,720
Speaker 5: she interviews the accountants. But we're walking up where our

209
00:10:33,800 --> 00:10:36,600
Speaker 5: characters have just been in a pool, and I was

210
00:10:36,720 --> 00:10:39,440
Speaker 5: soaking wet, and there I said, let's call back the

211
00:10:39,440 --> 00:10:41,760
Speaker 5: fact that I get called out for having European underwear

212
00:10:41,800 --> 00:10:44,200
Speaker 5: earlier in the season. So I put on this like

213
00:10:44,240 --> 00:10:48,040
Speaker 5: little red speedo and I get myself drenched, and then

214
00:10:48,080 --> 00:10:51,200
Speaker 5: I look over and Drew's quiet, and he's, you know,

215
00:10:51,280 --> 00:10:53,360
Speaker 5: taking a moment before this scene where he's gonna happen,

216
00:10:53,920 --> 00:10:57,320
Speaker 5: and I became very conscious of like I can't self

217
00:10:57,360 --> 00:10:59,640
Speaker 5: conscious of, like I don't want to take him out

218
00:10:59,679 --> 00:11:03,040
Speaker 5: of his thing, right, But then maybe the real of

219
00:11:03,080 --> 00:11:05,520
Speaker 5: this would be, like, I don't think ness would give

220
00:11:05,520 --> 00:11:08,079
Speaker 5: a shit that his brother's in a thing, and how

221
00:11:08,120 --> 00:11:10,840
Speaker 5: do you do this? And a credit to Drew is

222
00:11:10,840 --> 00:11:13,840
Speaker 5: he was he was private and then we got going.

223
00:11:13,880 --> 00:11:15,240
Speaker 5: In the first couple of takes, I think I just

224
00:11:15,240 --> 00:11:17,960
Speaker 5: had my robe open to my speedo and Drew just

225
00:11:18,040 --> 00:11:20,240
Speaker 5: kind of turned and I don't know if he clocked

226
00:11:20,240 --> 00:11:22,280
Speaker 5: it or not, but it didn't take him out right,

227
00:11:22,800 --> 00:11:26,160
Speaker 5: you know, because he's this improviser, like to this ump

228
00:11:26,240 --> 00:11:29,000
Speaker 5: degree where it's like yes, and it's not gonna be like, dude,

229
00:11:29,040 --> 00:11:30,679
Speaker 5: your speedo took me out of my thing with the

230
00:11:30,800 --> 00:11:33,520
Speaker 5: fuck yeah right. So it's that kind of trust of

231
00:11:33,640 --> 00:11:36,480
Speaker 5: like and if it does, then then I would never

232
00:11:36,520 --> 00:11:40,680
Speaker 5: do it, right, that trust of performers, I think. So

233
00:11:40,720 --> 00:11:43,560
Speaker 5: it started as people and then it goes to performers

234
00:11:43,679 --> 00:11:45,160
Speaker 5: and then it comes out as characters.

235
00:11:45,240 --> 00:11:46,360
Speaker 6: Yeah yeah, yeah.

236
00:11:46,400 --> 00:11:49,720
Speaker 1: But it's interesting because you're witnessing a process that you

237
00:11:49,720 --> 00:11:52,559
Speaker 1: haven't really witnessed because usually it's all funny and funny

238
00:11:52,559 --> 00:11:53,920
Speaker 1: and funny, but now you have to get into a

239
00:11:53,960 --> 00:11:57,320
Speaker 1: space and now you're like, oh, i'ven't dealt with this yet,

240
00:11:57,440 --> 00:11:58,000
Speaker 1: Like how.

241
00:11:57,840 --> 00:12:01,079
Speaker 6: Do I deal with That's always my cool? Yeah I

242
00:12:01,160 --> 00:12:03,360
Speaker 6: still joke with you totally.

243
00:12:03,440 --> 00:12:06,880
Speaker 8: Yeah, yeah, yeah, it's definitely like I mean, but the

244
00:12:07,440 --> 00:12:11,000
Speaker 8: I think I want in that scene if I can

245
00:12:11,080 --> 00:12:13,240
Speaker 8: like Okay, I'm gonna go try to get to this place.

246
00:12:13,320 --> 00:12:18,119
Speaker 6: You know, it's a difficult thing. You walk in you.

247
00:12:16,840 --> 00:12:19,240
Speaker 8: You have to like and you're also trying to figure

248
00:12:19,280 --> 00:12:22,880
Speaker 8: out the tone like should I how you know, should

249
00:12:22,880 --> 00:12:23,679
Speaker 8: this be like.

250
00:12:25,720 --> 00:12:28,079
Speaker 6: Full real? Will that be too much? Is it?

251
00:12:28,160 --> 00:12:28,400
Speaker 5: You know?

252
00:12:28,679 --> 00:12:31,440
Speaker 8: What's how does is this gonna look in the whole

253
00:12:31,480 --> 00:12:32,520
Speaker 8: big picture of everything?

254
00:12:32,520 --> 00:12:33,200
Speaker 6: But it's like I don't know.

255
00:12:33,240 --> 00:12:35,640
Speaker 8: I just like I trust everybody who's making this show,

256
00:12:35,679 --> 00:12:38,880
Speaker 8: and they'll find it like or they'll tell me if

257
00:12:38,960 --> 00:12:40,520
Speaker 8: like they'll walk in and be like that was too

258
00:12:40,600 --> 00:12:42,000
Speaker 8: much or that's not enough or whatever.

259
00:12:42,080 --> 00:12:42,839
Speaker 6: But I think, like the.

260
00:12:43,559 --> 00:12:47,640
Speaker 8: It was so funny to me, like to really do

261
00:12:47,720 --> 00:12:50,800
Speaker 8: it and then have you guys kind of like pat

262
00:12:50,920 --> 00:12:53,920
Speaker 8: me and you're like if you're in a stupid speedo

263
00:12:54,040 --> 00:12:59,160
Speaker 8: it's funnier like all of that ads too, because that's

264
00:12:59,160 --> 00:13:01,440
Speaker 8: what it feels like in real life. You know, you're

265
00:13:01,520 --> 00:13:05,040
Speaker 8: crying at these times where it's like, oh my god,

266
00:13:05,400 --> 00:13:09,320
Speaker 8: I'm crying now, like and it's so funny you don't.

267
00:13:09,160 --> 00:13:10,160
Speaker 6: Break, you know, like.

268
00:13:10,120 --> 00:13:14,400
Speaker 8: You want all those you know, like those laughs right

269
00:13:14,480 --> 00:13:17,559
Speaker 8: next to the cries are so good.

270
00:13:17,679 --> 00:13:21,360
Speaker 3: It's so important, so and they're so hard like that's

271
00:13:21,480 --> 00:13:23,160
Speaker 3: I think that's the tone.

272
00:13:22,880 --> 00:13:24,160
Speaker 2: That's hard to capture.

273
00:13:25,840 --> 00:13:29,200
Speaker 3: And you know, it's like what you're all, it's my

274
00:13:29,440 --> 00:13:34,200
Speaker 3: favorite tone, you know. It's like when you're laughing through

275
00:13:34,600 --> 00:13:37,640
Speaker 3: tears that actually pull at you in a real way,

276
00:13:37,800 --> 00:13:40,000
Speaker 3: not in a like fake and not you know, not

277
00:13:40,120 --> 00:13:44,360
Speaker 3: in like a not in like a contrived way, you know.

278
00:13:44,600 --> 00:13:49,000
Speaker 5: And narratively though, that is our families, right. I think

279
00:13:50,160 --> 00:13:53,040
Speaker 5: most people feel like, I remember my dad. When my

280
00:13:53,160 --> 00:13:56,160
Speaker 5: dad hears a national anthem, he cries. Yeah, you could

281
00:13:56,160 --> 00:13:57,640
Speaker 5: listen to it six times in a row. He's gonna

282
00:13:57,640 --> 00:14:00,480
Speaker 5: cry six times in a row. And most people, like

283
00:14:00,520 --> 00:14:03,080
Speaker 5: if you're at a ballgame or something and you're with them,

284
00:14:03,080 --> 00:14:04,880
Speaker 5: most people will look over and see it. He's a

285
00:14:04,880 --> 00:14:06,920
Speaker 5: giant man, and they'll look over and they'll be like,

286
00:14:06,960 --> 00:14:11,800
Speaker 5: oh my god, when my mom is with us, you know,

287
00:14:11,840 --> 00:14:14,280
Speaker 5: people will be like Jelly. You know, they've been divorced

288
00:14:14,280 --> 00:14:17,440
Speaker 5: for forty one years, but they'll be like, oh my god, Shelly,

289
00:14:17,520 --> 00:14:25,160
Speaker 5: is he crising. She'll be like, oh Jesus Christ, a

290
00:14:25,600 --> 00:14:29,440
Speaker 5: family right, or familiarity to the level of family right.

291
00:14:30,240 --> 00:14:33,440
Speaker 5: And I think to capture that on screen, I think

292
00:14:33,480 --> 00:14:35,480
Speaker 5: the writing, and then I think, you know, hopefully it

293
00:14:35,480 --> 00:14:37,040
Speaker 5: comes through, because that's what it felt like when we

294
00:14:37,040 --> 00:14:46,800
Speaker 5: were making Drew.

295
00:14:46,800 --> 00:14:50,760
Speaker 8: Where are you from Georgia, Georgia outside of Savannah, rural,

296
00:14:51,480 --> 00:14:53,239
Speaker 8: small town r Tell.

297
00:14:53,000 --> 00:14:55,600
Speaker 2: Oliver what your family does.

298
00:14:55,880 --> 00:15:00,960
Speaker 6: My dad runs a candy factory. Oh my god, yeah

299
00:15:00,960 --> 00:15:03,360
Speaker 6: that's right. Yeah, we were in Greece together.

300
00:15:04,000 --> 00:15:10,760
Speaker 1: Yes, we didn't tell Scotty.

301
00:15:09,000 --> 00:15:16,320
Speaker 6: Restaurant on sunset. We didn't even tell let's get on

302
00:15:17,520 --> 00:15:19,600
Speaker 6: at the restaurant or you were literally sitting at the

303
00:15:19,680 --> 00:15:20,480
Speaker 6: tub of Greece.

304
00:15:22,400 --> 00:15:25,880
Speaker 8: But yeah, like my granddad started it. My dad took

305
00:15:25,960 --> 00:15:29,120
Speaker 8: it over like I maybe should have.

306
00:15:30,520 --> 00:15:34,000
Speaker 6: Probably was like you're leaving to do what are you insane?

307
00:15:35,320 --> 00:15:38,920
Speaker 3: But it is so so as someone who was married

308
00:15:39,160 --> 00:15:44,160
Speaker 3: to someone from Georgia. Rider's grandpa Dutch God rest his

309
00:15:44,280 --> 00:15:50,160
Speaker 3: soul used to send me the those pecan caramel chocolates

310
00:15:50,560 --> 00:15:55,280
Speaker 3: every Christmas, and this Christmas was the first time I

311
00:15:55,360 --> 00:15:59,120
Speaker 3: had gotten sent again or or was it Christmas? Yeah,

312
00:16:00,160 --> 00:16:05,040
Speaker 3: I got sent again the same you know, chocolates from

313
00:16:05,240 --> 00:16:07,680
Speaker 3: your family's Yeah, what did.

314
00:16:07,560 --> 00:16:10,440
Speaker 1: Your family think when you're like, no candy, I'm gonna

315
00:16:10,440 --> 00:16:11,160
Speaker 1: go be an actor.

316
00:16:11,880 --> 00:16:13,520
Speaker 6: I think they were worried.

317
00:16:14,040 --> 00:16:20,200
Speaker 8: My little sister, Caitlin, she had she was like my

318
00:16:20,360 --> 00:16:22,760
Speaker 8: sisters were the talented ones of the family, and they

319
00:16:22,760 --> 00:16:25,200
Speaker 8: were like singers, dancers in every pageant, like.

320
00:16:26,880 --> 00:16:27,280
Speaker 6: Performer.

321
00:16:27,400 --> 00:16:31,960
Speaker 3: Yeah, like my yeah, his dad really is secretly my performer.

322
00:16:32,280 --> 00:16:34,680
Speaker 6: Yeah yeah yeah. But my dad's like a painter, like

323
00:16:35,080 --> 00:16:36,040
Speaker 6: my grandma was a painter.

324
00:16:36,160 --> 00:16:39,200
Speaker 8: Like there's something in there that like, you know, you're

325
00:16:39,280 --> 00:16:43,000
Speaker 8: so remote in these this southern town that you're like

326
00:16:43,080 --> 00:16:46,840
Speaker 8: that's crazy, Like we I'm just going to work for dad,

327
00:16:47,000 --> 00:16:50,480
Speaker 8: like eventually, like I'm gonna make I'm a make candy too,

328
00:16:52,880 --> 00:16:57,359
Speaker 8: which was great, Like that's unbelievable. But my sister auditioned

329
00:16:57,960 --> 00:17:01,840
Speaker 8: for a show the year after American Idol called American Juniors,

330
00:17:02,080 --> 00:17:04,760
Speaker 8: which was a spin off of American Idol. After Kelly

331
00:17:04,760 --> 00:17:09,119
Speaker 8: Clarkson won and she like made it to Hollywood and

332
00:17:09,359 --> 00:17:11,440
Speaker 8: they flew the whole family out here and we all

333
00:17:11,480 --> 00:17:15,040
Speaker 8: sat side stage while she sang every week, and I

334
00:17:15,119 --> 00:17:17,600
Speaker 8: was just kind of like we were all looking like

335
00:17:17,640 --> 00:17:20,960
Speaker 8: we got to see the industry, and we were like, wait, wait,

336
00:17:21,000 --> 00:17:23,320
Speaker 8: so I can like be loud and talk for a living,

337
00:17:23,440 --> 00:17:25,959
Speaker 8: Like I kind of do that already at bonfires, Like

338
00:17:26,000 --> 00:17:30,439
Speaker 8: I'm always lunchline, you know, lunchline. Like I was definitely

339
00:17:30,520 --> 00:17:31,600
Speaker 8: like I was like if I can kill in the

340
00:17:31,680 --> 00:17:34,879
Speaker 8: lunch line, like I could maybe do this. So I

341
00:17:34,960 --> 00:17:37,600
Speaker 8: think they were primed a little bit and they had

342
00:17:37,880 --> 00:17:40,560
Speaker 8: they had seen how it was real, got it, so

343
00:17:40,800 --> 00:17:43,120
Speaker 8: it was le They were like, let's but I think

344
00:17:43,160 --> 00:17:46,520
Speaker 8: you know, like once you're five six years into it

345
00:17:46,600 --> 00:17:50,600
Speaker 8: and you're doing fine, it's a little bit you know there.

346
00:17:50,800 --> 00:17:53,120
Speaker 8: My mom was like, y'all go follow you dreams now.

347
00:17:53,160 --> 00:17:55,199
Speaker 8: And then it's like six years in and they're like,

348
00:17:55,800 --> 00:17:57,960
Speaker 8: y'all still think about these dreams, Like what are we

349
00:17:57,960 --> 00:18:01,600
Speaker 8: thinking about these dreams? You know, like dreams should like

350
00:18:01,680 --> 00:18:06,440
Speaker 8: you know, like dreams seem hard, and I'm like, yeah,

351
00:18:06,480 --> 00:18:09,480
Speaker 8: so like but they were always you know, they were

352
00:18:09,560 --> 00:18:11,440
Speaker 8: never like stop doing, but.

353
00:18:11,400 --> 00:18:15,480
Speaker 1: They would maybe not push you but sort of bring

354
00:18:15,520 --> 00:18:17,320
Speaker 1: it back into your yeah.

355
00:18:17,560 --> 00:18:18,960
Speaker 6: Just I mean like my own.

356
00:18:18,880 --> 00:18:21,640
Speaker 8: Brain would like they would you know, do you ever

357
00:18:21,680 --> 00:18:22,880
Speaker 8: think about quitting?

358
00:18:24,480 --> 00:18:27,280
Speaker 6: I mean I think I started.

359
00:18:27,520 --> 00:18:31,280
Speaker 8: I saw uc B, the Upright Citizen's Brigade, Like I

360
00:18:31,359 --> 00:18:36,560
Speaker 8: saw a show there, and I was like, oh, I

361
00:18:36,560 --> 00:18:39,040
Speaker 8: I just want to do Once I saw that, I

362
00:18:39,119 --> 00:18:41,919
Speaker 8: never thought about it again because I was like, I

363
00:18:42,000 --> 00:18:43,920
Speaker 8: just want to do the Monday night show, yeah, which

364
00:18:43,960 --> 00:18:46,399
Speaker 8: is like the student you know show if I can

365
00:18:46,440 --> 00:18:49,040
Speaker 8: get on Monday nights, which took me like three or

366
00:18:49,040 --> 00:18:52,439
Speaker 8: four years of like constant sort of like banging on

367
00:18:52,520 --> 00:18:56,600
Speaker 8: that door being like lunchline, you know, she thinks I'm

368
00:18:56,640 --> 00:18:58,600
Speaker 8: funny and they're like you're not ready yet or whatever.

369
00:18:58,640 --> 00:19:03,640
Speaker 8: But like I think just the goal was pretty you know, local,

370
00:19:03,880 --> 00:19:05,919
Speaker 8: I guess. So it was just kind of like if

371
00:19:05,960 --> 00:19:07,959
Speaker 8: I can get on Monday nights, and people on Monday

372
00:19:08,040 --> 00:19:12,680
Speaker 8: nights and Friday nights are working comedically and the writers

373
00:19:12,840 --> 00:19:17,160
Speaker 8: or actors or whatever like, so I think once I

374
00:19:17,200 --> 00:19:19,240
Speaker 8: saw that, I was like, I think I can get

375
00:19:19,280 --> 00:19:19,920
Speaker 8: on Monday nights.

376
00:19:20,000 --> 00:19:20,200
Speaker 5: Yeah.

377
00:19:20,320 --> 00:19:21,640
Speaker 6: So that gave me enough.

378
00:19:21,560 --> 00:19:25,520
Speaker 8: Validation in the classes at sort of like the indie

379
00:19:25,560 --> 00:19:28,120
Speaker 8: comedy Nights where it's like, oh, I bombed like six

380
00:19:28,119 --> 00:19:30,000
Speaker 8: weeks in a row, but then I had that great

381
00:19:30,200 --> 00:19:31,719
Speaker 8: if I could just do that thing I did on

382
00:19:31,760 --> 00:19:33,720
Speaker 8: week seven again, you know you're like.

383
00:19:34,119 --> 00:19:35,359
Speaker 6: Yeah, one great shot.

384
00:19:36,359 --> 00:19:41,040
Speaker 1: Yeah, And were you working I wasting money?

385
00:19:41,440 --> 00:19:48,000
Speaker 8: I was working on a food truck. I like would

386
00:19:48,040 --> 00:19:50,560
Speaker 8: go to an office and like get.

387
00:19:50,400 --> 00:19:50,960
Speaker 5: On a too.

388
00:19:51,400 --> 00:19:53,959
Speaker 8: There was like a room of commercial actors and we

389
00:19:54,000 --> 00:19:55,960
Speaker 8: all kind of did it and you would like buy

390
00:19:56,080 --> 00:19:58,920
Speaker 8: concert tickets on multiple computers and some guys coming over

391
00:19:58,960 --> 00:20:01,720
Speaker 8: with like a booklet of credit cards being like, yeah,

392
00:20:01,760 --> 00:20:04,800
Speaker 8: buy those Zach Bryan's no, don't worry about.

393
00:20:04,560 --> 00:20:10,960
Speaker 6: You know, yeah exactly.

394
00:20:11,080 --> 00:20:11,280
Speaker 2: Yeah.

395
00:20:11,320 --> 00:20:13,240
Speaker 6: So I did that for a while definitely.

396
00:20:13,480 --> 00:20:17,280
Speaker 8: Like also like I can't like my I had my

397
00:20:17,440 --> 00:20:20,679
Speaker 8: dad would like if I was really struggling, like he

398
00:20:20,720 --> 00:20:26,040
Speaker 8: would step in, which was like you know, it's it's

399
00:20:26,080 --> 00:20:28,520
Speaker 8: it's my parents would just be kind of be like

400
00:20:29,040 --> 00:20:31,639
Speaker 8: we need to send him five hundred dollars for dreams.

401
00:20:31,640 --> 00:20:35,199
Speaker 6: You know, And it was like that was, you know,

402
00:20:36,240 --> 00:20:36,880
Speaker 6: very helpful.

403
00:20:38,160 --> 00:20:38,760
Speaker 2: Scottie.

404
00:20:38,960 --> 00:20:41,760
Speaker 3: Give the listeners out there a little bit like you

405
00:20:41,800 --> 00:20:43,640
Speaker 3: come from where you come from, no one.

406
00:20:43,560 --> 00:20:48,160
Speaker 1: Knows who you are, great and just like Joe knows

407
00:20:48,160 --> 00:20:48,840
Speaker 1: where you came from.

408
00:20:48,840 --> 00:20:51,879
Speaker 3: You're from Chicago news.

409
00:20:50,760 --> 00:20:53,640
Speaker 5: Now it's been built up, which is weird.

410
00:20:53,680 --> 00:20:54,760
Speaker 6: Look, I'm from Chicago.

411
00:20:54,800 --> 00:20:57,520
Speaker 5: I come from a very large family in Chicago, and

412
00:20:57,600 --> 00:21:00,680
Speaker 5: that family is involved in a lot of different one

413
00:21:00,720 --> 00:21:03,720
Speaker 5: of which is professional sports management the black Hawks, and

414
00:21:04,920 --> 00:21:07,840
Speaker 5: you know other industries of you know, there's banking, there's liquor.

415
00:21:07,840 --> 00:21:11,480
Speaker 5: It's all online. So you're right, there's no like I

416
00:21:11,520 --> 00:21:14,160
Speaker 5: think for me in the in the reason and maybe now,

417
00:21:14,400 --> 00:21:17,080
Speaker 5: particularly honestly after this show, because this is the first

418
00:21:17,119 --> 00:21:19,560
Speaker 5: time I'm ever really playing a character that has any

419
00:21:19,600 --> 00:21:26,360
Speaker 5: means that's not like borderline a psycho, even on the mix.

420
00:21:26,240 --> 00:21:32,800
Speaker 2: Which we do season two, can go down.

421
00:21:33,280 --> 00:21:34,360
Speaker 6: So it took.

422
00:21:35,720 --> 00:21:38,960
Speaker 5: You know, I mean it took oh god, it was

423
00:21:39,080 --> 00:21:41,920
Speaker 5: ten ten plus years where before I could really get

424
00:21:42,000 --> 00:21:44,760
Speaker 5: in the door. And when I finally got in the

425
00:21:44,760 --> 00:21:46,159
Speaker 5: door was as a writer on The Mick. And then

426
00:21:46,160 --> 00:21:48,399
Speaker 5: I became a character who was playing this low life

427
00:21:48,400 --> 00:21:51,960
Speaker 5: degenerate who never went to high school, who lived in

428
00:21:51,960 --> 00:21:53,840
Speaker 5: his van, and there I lived in a van for

429
00:21:53,880 --> 00:21:56,320
Speaker 5: a while, and I guess, depending on who you'd ask,

430
00:21:56,640 --> 00:21:59,560
Speaker 5: there are times that I have been a degenerate, like

431
00:22:00,359 --> 00:22:05,119
Speaker 5: Saturday night and night. But I think, you know, once

432
00:22:05,200 --> 00:22:08,119
Speaker 5: that happened and I was like, okay, I finally broke

433
00:22:08,160 --> 00:22:13,199
Speaker 5: through because it took whatever it be casting or you know,

434
00:22:13,680 --> 00:22:17,320
Speaker 5: production people, studios, writers showing to see me in a way.

435
00:22:17,600 --> 00:22:19,840
Speaker 5: It's like they're like, well, this guy can play degenerate,

436
00:22:20,119 --> 00:22:23,800
Speaker 5: he can play low life degenerate, and somehow I guess

437
00:22:23,880 --> 00:22:26,080
Speaker 5: I'm fangless when I get angry. So it's like he

438
00:22:26,119 --> 00:22:29,560
Speaker 5: can also be really angry, but it's still funny. I

439
00:22:29,720 --> 00:22:33,720
Speaker 5: then became absolutely terrified to change that perception because I'm like,

440
00:22:33,920 --> 00:22:35,800
Speaker 5: this is my lane. I will stick in it.

441
00:22:35,840 --> 00:22:38,320
Speaker 6: Interesting. And so then to talk.

442
00:22:38,119 --> 00:22:42,880
Speaker 5: About coming from a you know, a bigger family with means,

443
00:22:43,280 --> 00:22:46,639
Speaker 5: and to talk about going to you know, some good schools,

444
00:22:46,800 --> 00:22:50,480
Speaker 5: and I'm like, that is against the very thing that

445
00:22:50,560 --> 00:22:57,280
Speaker 5: I'm now selling. I'm selling degenerously fangless, swamp dwelling guy.

446
00:22:57,520 --> 00:23:00,520
Speaker 6: Right still but still well still.

447
00:23:00,480 --> 00:23:02,280
Speaker 5: I think and that was a combination, and there was

448
00:23:02,280 --> 00:23:03,399
Speaker 5: a question mark at the end of that.

449
00:23:04,600 --> 00:23:07,399
Speaker 6: Still I still still.

450
00:23:08,920 --> 00:23:14,440
Speaker 1: Still still still sibling siblings.

451
00:23:14,960 --> 00:23:17,080
Speaker 6: It's the first problem.

452
00:23:18,359 --> 00:23:21,119
Speaker 5: Yeah, So that then that becomes protective and it's not

453
00:23:22,720 --> 00:23:25,480
Speaker 5: it's not necessarily ego based. And I've done a lot

454
00:23:25,520 --> 00:23:30,639
Speaker 5: of work on this in my garage late at night, the.

455
00:23:35,440 --> 00:23:36,679
Speaker 2: Messages she won't come up.

456
00:23:37,040 --> 00:23:41,120
Speaker 3: It's not sure you know, three thirty am voice message

457
00:23:41,160 --> 00:23:43,439
Speaker 3: that he is in his garage.

458
00:23:44,440 --> 00:23:46,159
Speaker 6: My garage is my last safe space.

459
00:23:48,440 --> 00:23:50,680
Speaker 1: But do you feel like with this role you're still

460
00:23:50,920 --> 00:23:53,639
Speaker 1: walking down, that you're still in that lane deviated?

461
00:23:53,720 --> 00:23:56,040
Speaker 5: It's a weird thing because it's it's it's full of contradiction,

462
00:23:56,359 --> 00:23:59,280
Speaker 5: which is how I feel my own psyche is all

463
00:23:59,320 --> 00:23:59,640
Speaker 5: the time.

464
00:24:00,160 --> 00:24:03,760
Speaker 3: Is is you like really went in on the craft

465
00:24:03,960 --> 00:24:07,240
Speaker 3: with your writing. You went to Russia and were in

466
00:24:07,280 --> 00:24:10,239
Speaker 3: like dramas, going to dance. You did things that were

467
00:24:10,320 --> 00:24:13,840
Speaker 3: so outside of what you knew as your foundation so

468
00:24:14,080 --> 00:24:17,200
Speaker 3: that it mattered so much. I think if I could

469
00:24:17,240 --> 00:24:20,639
Speaker 3: speak for you as somebody who also understands like you

470
00:24:20,680 --> 00:24:25,000
Speaker 3: want people to know how much the craft, if you're.

471
00:24:24,840 --> 00:24:33,480
Speaker 5: Going to speak for me, do the voice.

472
00:24:33,720 --> 00:24:36,440
Speaker 3: But I but but I think that that also probably

473
00:24:36,480 --> 00:24:39,159
Speaker 3: is why you have always been hesitant to like share,

474
00:24:40,000 --> 00:24:41,760
Speaker 3: because it's better to not.

475
00:24:42,359 --> 00:24:43,720
Speaker 2: It's it's like you don't want.

476
00:24:43,680 --> 00:24:47,960
Speaker 3: That to overshadow ever, what you're doing, how important the

477
00:24:48,000 --> 00:24:48,439
Speaker 3: craft is.

478
00:24:49,640 --> 00:24:57,480
Speaker 5: Maybe the verb you used was breakaway. And I think

479
00:24:57,560 --> 00:25:01,040
Speaker 5: if if and anyone in Chicago. Who knows my family

480
00:25:01,080 --> 00:25:03,280
Speaker 5: both on my mom and dad's side, right, because I'm

481
00:25:03,280 --> 00:25:05,640
Speaker 5: actually talking about one side or the other.

482
00:25:06,080 --> 00:25:07,040
Speaker 6: Is there's so.

483
00:25:07,160 --> 00:25:11,199
Speaker 5: Many artists, I mean genuine like you know, but they

484
00:25:11,560 --> 00:25:14,880
Speaker 5: they haven't necessarily gone to make their trade on their art.

485
00:25:15,280 --> 00:25:18,320
Speaker 5: But it is a very artistic family, which is interesting

486
00:25:18,359 --> 00:25:20,840
Speaker 5: given that Drew's both of his sisters are in it.

487
00:25:21,000 --> 00:25:24,280
Speaker 5: And then obviously your entire extended fan. I mean when

488
00:25:24,280 --> 00:25:26,720
Speaker 5: I was with you guys in the desert once, I

489
00:25:26,760 --> 00:25:30,080
Speaker 5: think I was talking to Kate about while they're going

490
00:25:30,080 --> 00:25:31,720
Speaker 5: to do the movie with you, and I was like,

491
00:25:31,760 --> 00:25:33,840
Speaker 5: are you guys flagging this stuff? Like do you want

492
00:25:34,040 --> 00:25:38,359
Speaker 5: yet another generation of people going into it as a trade?

493
00:25:38,520 --> 00:25:39,880
Speaker 6: Like you know, like is that that?

494
00:25:40,200 --> 00:25:40,879
Speaker 2: What are you gonna do?

495
00:25:40,880 --> 00:25:42,520
Speaker 6: You know, what are you gonna do? Right?

496
00:25:42,520 --> 00:25:45,280
Speaker 1: Well, hey, you got your brother, Yeah, I just went

497
00:25:45,320 --> 00:25:46,880
Speaker 1: into it, right Have you been?

498
00:25:47,680 --> 00:25:48,240
Speaker 5: Have you been.

499
00:25:48,160 --> 00:25:49,200
Speaker 6: Jealous of his career?

500
00:25:49,320 --> 00:25:49,560
Speaker 9: Ever?

501
00:25:50,040 --> 00:25:52,680
Speaker 1: No? Never, is he jealous of yours? Now that you're

502
00:25:52,760 --> 00:25:53,640
Speaker 1: kind of something good.

503
00:25:53,760 --> 00:25:57,800
Speaker 5: So we've also been out here long enough that people

504
00:25:57,800 --> 00:26:00,679
Speaker 5: get hot and people get cold, and it comes around

505
00:26:00,680 --> 00:26:03,720
Speaker 5: and it goes around. You just got to you got

506
00:26:03,720 --> 00:26:05,280
Speaker 5: to put your head down and keep it in the work,

507
00:26:05,280 --> 00:26:08,119
Speaker 5: and I really do. I really do think that, and

508
00:26:08,160 --> 00:26:13,360
Speaker 5: I think my brother and his wife were very helpful

509
00:26:13,400 --> 00:26:14,520
Speaker 5: to me when because.

510
00:26:14,600 --> 00:26:15,920
Speaker 6: I was out here, it's the same thing.

511
00:26:15,960 --> 00:26:18,760
Speaker 5: It's like, where are you putting your goal posts to

512
00:26:19,760 --> 00:26:25,080
Speaker 5: keep yourself intrinsically motivated? And you don't take those goalposts

513
00:26:25,080 --> 00:26:27,480
Speaker 5: away from yourself. So like the goal you know, just

514
00:26:27,480 --> 00:26:30,159
Speaker 5: to hear that's such a clean, external specific goal, like

515
00:26:30,200 --> 00:26:32,800
Speaker 5: I want to be part of the Monday night show, right,

516
00:26:32,880 --> 00:26:34,919
Speaker 5: and and and then getting it gives you purpose, It

517
00:26:34,920 --> 00:26:38,359
Speaker 5: gives you drive, and it gives you yardage. Right. The

518
00:26:38,600 --> 00:26:40,560
Speaker 5: thing that I found, given that I did spend so

519
00:26:40,640 --> 00:26:43,520
Speaker 5: much time in academics, was like the yardage was the grades. Right,

520
00:26:43,600 --> 00:26:45,359
Speaker 5: you get the AA it means as you then you

521
00:26:45,400 --> 00:26:48,359
Speaker 5: go to art school or for me, theater school, well

522
00:26:48,400 --> 00:26:51,000
Speaker 5: the yardage starts changing. Like the artist is like can

523
00:26:51,040 --> 00:26:53,679
Speaker 5: you lie on your back and cry on cue? It's like, well,

524
00:26:54,160 --> 00:26:56,080
Speaker 5: but everybody in the room could do that. I could

525
00:26:56,240 --> 00:26:59,000
Speaker 5: never do them right. So like then you start getting

526
00:26:59,000 --> 00:27:00,720
Speaker 5: into a nebulous thing of like how am I quote

527
00:27:00,800 --> 00:27:04,399
Speaker 5: unquote doing well or being successful? You come out here

528
00:27:05,160 --> 00:27:08,960
Speaker 5: unless you do those external in things for yourself if

529
00:27:09,000 --> 00:27:12,040
Speaker 5: the only yardage is you get a role, you're fucked

530
00:27:12,760 --> 00:27:15,040
Speaker 5: because you have no control over whether you get the role.

531
00:27:15,320 --> 00:27:17,840
Speaker 5: You have control whether you're ready for the role, but

532
00:27:17,880 --> 00:27:19,840
Speaker 5: you don't have control over whether you get them now.

533
00:27:20,240 --> 00:27:22,920
Speaker 5: And that took a while. And on top of it,

534
00:27:23,119 --> 00:27:25,720
Speaker 5: I was out here with a medium length haircut crossing

535
00:27:25,720 --> 00:27:26,520
Speaker 5: my fucking.

536
00:27:26,240 --> 00:27:28,959
Speaker 6: Tips for like ten years. Oh yeah, because I was like,

537
00:27:29,200 --> 00:27:31,280
Speaker 6: what's the role I have to play? You know, like,

538
00:27:31,320 --> 00:27:33,880
Speaker 6: what how do I have to get tips when it's

539
00:27:33,960 --> 00:27:34,600
Speaker 6: medium length?

540
00:27:34,720 --> 00:27:45,280
Speaker 9: That's true, that's short.

541
00:27:49,680 --> 00:27:52,440
Speaker 1: After you've hit that sort of benchmark of Monday nights, yeah,

542
00:27:52,520 --> 00:27:56,119
Speaker 1: did you set yourself another goal after that?

543
00:27:56,640 --> 00:27:58,760
Speaker 5: It's weird, I'm gonna say, but he showed me and

544
00:27:58,800 --> 00:28:01,320
Speaker 5: his journal he said, I will be Kate Hudson's brother.

545
00:28:02,480 --> 00:28:06,639
Speaker 6: Well, truly, it's very exciting.

546
00:28:06,760 --> 00:28:12,159
Speaker 8: Like I didn't know coming through UCB, You're like, Okay,

547
00:28:12,240 --> 00:28:14,400
Speaker 8: a lot of people, I think the one to one

548
00:28:14,600 --> 00:28:19,520
Speaker 8: here for doing live sketch is SNL, Like let's I

549
00:28:20,119 --> 00:28:23,600
Speaker 8: loved SNL. I was like, oh, I think I could

550
00:28:23,640 --> 00:28:27,440
Speaker 8: do that because I'm doing it here in a small way.

551
00:28:29,119 --> 00:28:33,399
Speaker 8: I know that's much more difficult, but I think like

552
00:28:33,640 --> 00:28:36,800
Speaker 8: that was sort of once I was doing Monday Nights.

553
00:28:36,800 --> 00:28:38,800
Speaker 8: I was like, there's a lot of people, or like,

554
00:28:38,920 --> 00:28:41,520
Speaker 8: this is a way to gun for SNL, so you

555
00:28:41,640 --> 00:28:45,479
Speaker 8: like try that. And I think through you know, throwing

556
00:28:45,520 --> 00:28:48,840
Speaker 8: your hat in the ring every couple years and trying

557
00:28:48,840 --> 00:28:50,840
Speaker 8: to get into a showcase and maybe you'll make it

558
00:28:50,840 --> 00:28:53,080
Speaker 8: to New York and you're like, you know, friends of

559
00:28:53,120 --> 00:28:54,920
Speaker 8: yours are going and they're getting on and you're like,

560
00:28:55,000 --> 00:28:57,640
Speaker 8: this is so cool, Like it was so cool to

561
00:28:57,640 --> 00:29:03,240
Speaker 8: be part of the group that was getting to try

562
00:29:03,280 --> 00:29:07,000
Speaker 8: and I was like, this is crazy that I'm in

563
00:29:07,160 --> 00:29:12,160
Speaker 8: the group that's getting considered. Yeah, but I think, like,

564
00:29:12,480 --> 00:29:14,760
Speaker 8: you know, obviously that's a very tough show to get on,

565
00:29:15,240 --> 00:29:25,400
Speaker 8: so you know, but Lorne produced the other two the

566
00:29:26,080 --> 00:29:30,840
Speaker 8: last show I did, which was unbelievable. Like so I

567
00:29:30,880 --> 00:29:33,360
Speaker 8: think you're just you're trying to knock at that door

568
00:29:33,440 --> 00:29:35,400
Speaker 8: and you end up at other doors and you're like

569
00:29:35,480 --> 00:29:38,080
Speaker 8: this is actually better for me or.

570
00:29:38,040 --> 00:29:39,760
Speaker 6: Right for me now or whatever.

571
00:29:40,040 --> 00:29:43,280
Speaker 8: So I think you're just kind of it was always

572
00:29:43,320 --> 00:29:45,520
Speaker 8: just sort of like okay, what's the next one year

573
00:29:45,600 --> 00:29:49,280
Speaker 8: or two years, whether that was like by design or

574
00:29:49,360 --> 00:29:52,840
Speaker 8: just self preservation or just sort of like and.

575
00:29:52,720 --> 00:29:55,360
Speaker 6: Support well, yeah, like what you were saying like that.

576
00:29:55,800 --> 00:29:58,800
Speaker 5: I think that funny thing is like I always felt

577
00:29:58,920 --> 00:30:02,520
Speaker 5: very supported by everybody in Chicago. It wasn't like fuck you,

578
00:30:02,520 --> 00:30:04,600
Speaker 5: you're going to go out there, then fuck you. It

579
00:30:04,680 --> 00:30:06,880
Speaker 5: was like, hey man, we are all here rooting for you. Yeah,

580
00:30:07,000 --> 00:30:09,239
Speaker 5: And and support can mean many things that financial can

581
00:30:09,280 --> 00:30:13,360
Speaker 5: mean emotional, but truthfully, like having people root for you

582
00:30:13,480 --> 00:30:15,560
Speaker 5: while you're trying to do something means everything.

583
00:30:16,080 --> 00:30:17,800
Speaker 2: Yeah, and also because they know you love it. But

584
00:30:17,800 --> 00:30:19,640
Speaker 2: I think it's like I'm sitting here.

585
00:30:19,560 --> 00:30:21,920
Speaker 3: Listening to you both, and then I think about how

586
00:30:21,920 --> 00:30:25,080
Speaker 3: many people we've interviewed on this podcast, and it's so

587
00:30:25,640 --> 00:30:31,280
Speaker 3: like the journey of a performer is so fucking weird

588
00:30:31,480 --> 00:30:35,640
Speaker 3: and fucked up and wild because you love it so

589
00:30:35,800 --> 00:30:38,040
Speaker 3: much and you want it so bad, and it's the

590
00:30:38,040 --> 00:30:45,280
Speaker 3: most like destabilizing, insecure, like tumultuous career you could seek

591
00:30:46,000 --> 00:30:50,600
Speaker 3: because you're at the whim of somebody wanting you to

592
00:30:50,640 --> 00:30:53,960
Speaker 3: be doing something. You're constantly putting yourself out there. You're

593
00:30:53,960 --> 00:30:56,280
Speaker 3: constantly trying to get in in different ways that you

594
00:30:56,320 --> 00:30:59,480
Speaker 3: can because you really actually love to perform. And when

595
00:30:59,520 --> 00:31:03,200
Speaker 3: you get that bug or you have that bug, you

596
00:31:03,280 --> 00:31:06,200
Speaker 3: can't explain it to anyone who doesn't have it, how

597
00:31:06,280 --> 00:31:08,360
Speaker 3: much it means to you, you know what I mean? Like,

598
00:31:08,600 --> 00:31:12,080
Speaker 3: if you don't have that thing where you're like, oh

599
00:31:12,080 --> 00:31:14,960
Speaker 3: my god, I love this so much and have to

600
00:31:15,000 --> 00:31:19,760
Speaker 3: do this, nobody would ever understand why you would seek

601
00:31:19,800 --> 00:31:24,040
Speaker 3: it out. It's so painful and rejecting, and you know,

602
00:31:25,040 --> 00:31:28,400
Speaker 3: complicated and and and but I love when you hear

603
00:31:28,440 --> 00:31:33,120
Speaker 3: people's drive to do the very thing that a lot

604
00:31:33,160 --> 00:31:35,160
Speaker 3: of people just are like, I mean, don't you just

605
00:31:35,200 --> 00:31:37,680
Speaker 3: want to get a real job, you know, and have

606
00:31:37,720 --> 00:31:57,160
Speaker 3: that stability and.

607
00:31:42,200 --> 00:31:51,280
Speaker 1: Its hold on Before we finished this, what do you

608
00:31:51,320 --> 00:31:54,760
Speaker 1: have acting notes for Scotty?

609
00:31:55,400 --> 00:31:56,880
Speaker 2: He really means Scotty.

610
00:31:59,000 --> 00:32:06,200
Speaker 1: Scotty No, no, meaning like if you could give that,

611
00:32:06,560 --> 00:32:08,400
Speaker 1: was there anything you would say, Man, if you could

612
00:32:08,440 --> 00:32:09,720
Speaker 1: let go of this, or if you could add a

613
00:32:09,720 --> 00:32:11,960
Speaker 1: little bit more of this? As someone who is you know,

614
00:32:12,120 --> 00:32:15,480
Speaker 1: Kate Hudson looking at would you say you can.

615
00:32:15,480 --> 00:32:17,800
Speaker 6: Just let go more here? Or if you could do

616
00:32:17,880 --> 00:32:19,600
Speaker 6: this we're just two young guys, would.

617
00:32:22,080 --> 00:32:24,120
Speaker 1: To be totally honest and candidate You're like, no, you

618
00:32:24,160 --> 00:32:25,080
Speaker 1: just can't know what you're doing.

619
00:32:28,720 --> 00:32:30,000
Speaker 6: I will think about this for.

620
00:32:34,960 --> 00:32:39,920
Speaker 2: Initial. This is so great. I love this because I'm

621
00:32:39,960 --> 00:32:40,800
Speaker 2: only going to talk.

622
00:32:40,720 --> 00:32:44,320
Speaker 3: About Scotty because I don't really have many initial things

623
00:32:44,320 --> 00:32:44,720
Speaker 3: for Drew.

624
00:32:45,640 --> 00:32:47,800
Speaker 2: But Scotty has this thing I have to go.

625
00:32:47,880 --> 00:32:49,040
Speaker 5: It's been so much fun.

626
00:32:50,400 --> 00:32:52,920
Speaker 2: You're gonna love this. You're gonna love it.

627
00:32:52,960 --> 00:32:57,120
Speaker 3: Scotty cares more than people would maybe think he does.

628
00:32:57,320 --> 00:33:00,440
Speaker 3: Like and if you saw him out or talk, like,

629
00:33:00,480 --> 00:33:04,080
Speaker 3: if you didn't know him, you would think he was nonchalant.

630
00:33:03,520 --> 00:33:07,400
Speaker 2: About his craft. But it's the opposite.

631
00:33:07,400 --> 00:33:10,280
Speaker 3: He cares so much about the craft that sometimes you

632
00:33:10,320 --> 00:33:12,560
Speaker 3: want to be like, you don't have to.

633
00:33:12,640 --> 00:33:17,040
Speaker 2: Work so hard right for this? Right now?

634
00:33:17,360 --> 00:33:17,800
Speaker 6: Love it?

635
00:33:18,280 --> 00:33:20,520
Speaker 5: And yeah, I went on this one.

636
00:33:20,400 --> 00:33:23,520
Speaker 3: And and with and I think that, like, you know,

637
00:33:24,240 --> 00:33:28,520
Speaker 3: Ness his character on this tonally, if he has to

638
00:33:28,600 --> 00:33:31,000
Speaker 3: walk a line that has been you know, I mean,

639
00:33:31,040 --> 00:33:34,240
Speaker 3: I've had everyone has their favorite characters, crazy like people

640
00:33:34,520 --> 00:33:37,000
Speaker 3: I come up to me and they're like, oh, oh god,

641
00:33:37,400 --> 00:33:38,760
Speaker 3: your brother Sandy's so funny.

642
00:33:38,800 --> 00:33:41,360
Speaker 2: Oh my god, Ness is my favorite. Like oh, just

643
00:33:41,480 --> 00:33:42,320
Speaker 2: like a you know.

644
00:33:42,400 --> 00:33:46,160
Speaker 3: Cam, everyone has the person that they connect to so

645
00:33:46,160 --> 00:33:49,640
Speaker 3: so it resonates in it and you did it so well.

646
00:33:49,720 --> 00:33:53,520
Speaker 3: But in the process of doing it, sometimes it it

647
00:33:53,840 --> 00:33:56,600
Speaker 3: weighs on him and you want to like if I

648
00:33:56,640 --> 00:33:58,640
Speaker 3: was to say the thing that we say to to

649
00:34:00,200 --> 00:34:02,600
Speaker 3: like the siblings, which I think we should do at

650
00:34:02,640 --> 00:34:05,480
Speaker 3: the end of this. But my thing to alleviate for

651
00:34:05,600 --> 00:34:09,439
Speaker 3: him is the pressure he puts on himself to get

652
00:34:09,440 --> 00:34:10,040
Speaker 3: it right.

653
00:34:10,760 --> 00:34:13,239
Speaker 2: Like I would say, get take I.

654
00:34:13,200 --> 00:34:16,120
Speaker 3: Would I would try to alleviate that from him.

655
00:34:16,600 --> 00:34:20,239
Speaker 6: Wow and nothing that.

656
00:34:22,200 --> 00:34:22,560
Speaker 5: Was good?

657
00:34:22,680 --> 00:34:27,000
Speaker 8: Yeah, because naturally you are so dead on always yeah,

658
00:34:27,040 --> 00:34:30,160
Speaker 8: like it wouldn't ring. Nothing you did would ring untrue

659
00:34:30,200 --> 00:34:35,360
Speaker 8: to me, and then you would be like, fuck, that

660
00:34:35,480 --> 00:34:38,279
Speaker 8: was amazing.

661
00:34:39,360 --> 00:34:41,799
Speaker 6: You're not a mess on set. I'm not saying that

662
00:34:41,920 --> 00:34:44,680
Speaker 6: like you're like, yeah.

663
00:34:44,600 --> 00:34:47,120
Speaker 5: Yeah, it's a great note to hear because I have

664
00:34:47,239 --> 00:34:52,560
Speaker 5: no defense against that note, and I don't if I'm

665
00:34:52,600 --> 00:34:55,799
Speaker 5: being totally honest, I hear it, I agree with you,

666
00:34:55,880 --> 00:34:58,400
Speaker 5: and I don't know if I necessarily want to change it.

667
00:34:58,840 --> 00:35:00,960
Speaker 2: You don't have to write well you are.

668
00:35:05,160 --> 00:35:05,360
Speaker 10: I know.

669
00:35:05,600 --> 00:35:08,959
Speaker 5: I think it's interesting when I think of performers, which

670
00:35:08,960 --> 00:35:11,560
Speaker 5: is why I love sitting with you and you and

671
00:35:11,680 --> 00:35:13,920
Speaker 5: and talk because you guys, obviously, having grown up in

672
00:35:13,960 --> 00:35:18,279
Speaker 5: the entertainment world, you crossed paths with just you know,

673
00:35:18,719 --> 00:35:21,960
Speaker 5: some all timers, and so I'm always curious about that

674
00:35:23,080 --> 00:35:26,640
Speaker 5: I'm obsessed with process. I'm not one who's gonna sit

675
00:35:26,680 --> 00:35:28,520
Speaker 5: there and pull his fingernails out, because I think you

676
00:35:28,680 --> 00:35:31,760
Speaker 5: have to go through pain or discomfort to get some Actually,

677
00:35:31,760 --> 00:35:33,560
Speaker 5: I think the realization I made with the help of

678
00:35:33,600 --> 00:35:36,960
Speaker 5: a acting teacher, Sharon Chatton once, which is it's about

679
00:35:36,960 --> 00:35:39,000
Speaker 5: the let go, it's about the release, it's about the

680
00:35:39,040 --> 00:35:43,760
Speaker 5: relaxation into it. But prior to the let go release

681
00:35:43,800 --> 00:35:46,680
Speaker 5: and relaxation, Yeah, there's consternation and strife for.

682
00:35:46,640 --> 00:35:48,400
Speaker 6: Me, right, Yeah, I think that's interesting.

683
00:35:48,480 --> 00:35:52,920
Speaker 8: I think I would note myself similarly. I don't know

684
00:35:52,960 --> 00:35:55,520
Speaker 8: how I come off, but like coming up, I would

685
00:35:56,400 --> 00:36:00,680
Speaker 8: be so intense about memorization and then also so within

686
00:36:00,800 --> 00:36:04,880
Speaker 8: that doing comedy stuff, being like okay, so maybe like

687
00:36:04,960 --> 00:36:07,600
Speaker 8: I've done a ton of improv which you can't think about,

688
00:36:07,640 --> 00:36:10,960
Speaker 8: which I love because you just have to throw yourself

689
00:36:10,960 --> 00:36:14,080
Speaker 8: out there and fall down the hill and it either

690
00:36:14,120 --> 00:36:17,760
Speaker 8: goes well or it doesn't. But you're like, you can't

691
00:36:17,800 --> 00:36:21,960
Speaker 8: plan anything. But then when you start to put you know,

692
00:36:22,000 --> 00:36:24,759
Speaker 8: start doing scripted stuff and doing lines and doing you know,

693
00:36:24,760 --> 00:36:28,520
Speaker 8: whether it be sketches or whatever, You're like, you want

694
00:36:28,520 --> 00:36:30,680
Speaker 8: to be loose still, so you kind of like I

695
00:36:30,680 --> 00:36:35,359
Speaker 8: would be super in set, like like a little bit

696
00:36:35,560 --> 00:36:39,560
Speaker 8: too much, a little too intense about the memorization. So

697
00:36:39,600 --> 00:36:42,640
Speaker 8: I wasn't loose at times. So I would be like,

698
00:36:43,280 --> 00:36:44,840
Speaker 8: my next line is this, My next line is this?

699
00:36:45,080 --> 00:36:48,520
Speaker 8: Like and then I would also kind of be like, oh,

700
00:36:48,560 --> 00:36:50,799
Speaker 8: if they say that and they improvise that way, I'll

701
00:36:50,840 --> 00:36:51,680
Speaker 8: go that way too.

702
00:36:51,719 --> 00:36:54,640
Speaker 6: So I would have like even.

703
00:36:55,160 --> 00:37:00,120
Speaker 8: That were like way too much and I wasn't listening anymore,

704
00:37:00,680 --> 00:37:04,080
Speaker 8: and that would that that like is even though you

705
00:37:04,160 --> 00:37:06,759
Speaker 8: knew you knew the lines, Yeah, I didn't realize that

706
00:37:06,800 --> 00:37:09,480
Speaker 8: when you were Sometimes in a scene.

707
00:37:10,040 --> 00:37:14,319
Speaker 6: Letting go is what makes it so good because.

708
00:37:14,040 --> 00:37:19,200
Speaker 5: Your background as an improvisers you listen right like as

709
00:37:19,239 --> 00:37:21,719
Speaker 5: an actor, Like day two, I'm looking at him, I'm like,

710
00:37:21,719 --> 00:37:23,160
Speaker 5: oh fuck, he's really listening.

711
00:37:23,680 --> 00:37:25,439
Speaker 6: He's not waiting to say.

712
00:37:25,920 --> 00:37:34,600
Speaker 3: Which is listening different about well?

713
00:37:35,920 --> 00:37:37,959
Speaker 5: People are like, what's it like to work with Kate?

714
00:37:38,080 --> 00:37:40,800
Speaker 5: And what is it the Muppet Babies or Charlie Brown.

715
00:37:40,800 --> 00:37:42,759
Speaker 5: But it's like someone the principal's voice comes on and

716
00:37:42,800 --> 00:37:43,160
Speaker 5: goes like.

717
00:37:46,440 --> 00:37:50,800
Speaker 6: It was kind of like, do you have any notes

718
00:37:50,840 --> 00:37:51,200
Speaker 6: for Kate?

719
00:37:54,440 --> 00:37:55,120
Speaker 2: I'll take him.

720
00:37:55,480 --> 00:37:55,960
Speaker 6: I don't.

721
00:37:56,120 --> 00:37:59,440
Speaker 5: I mean, I have observations of both of them and

722
00:37:59,719 --> 00:38:03,560
Speaker 5: Drew it was listening. I thought, uh, I, I thought

723
00:38:03,719 --> 00:38:06,120
Speaker 5: your thing was really interesting. I've you know, we've all

724
00:38:06,120 --> 00:38:08,680
Speaker 5: been around now a bit. I thought her thing was wild.

725
00:38:09,120 --> 00:38:11,719
Speaker 5: And I was like, oh, I I't seen that thing before,

726
00:38:11,800 --> 00:38:15,920
Speaker 5: which is like take one is finding it, you know,

727
00:38:16,560 --> 00:38:19,759
Speaker 5: as as as your wing person in that scene, I'm like, fuck,

728
00:38:19,800 --> 00:38:22,879
Speaker 5: does she know this scene? Are we gonna find this?

729
00:38:22,920 --> 00:38:25,600
Speaker 5: It's gonna take eighty eight takes and then it's like

730
00:38:25,640 --> 00:38:28,319
Speaker 5: take two, like and you're like, oh, what the fuck

731
00:38:28,440 --> 00:38:31,520
Speaker 5: is that? That's a different thing, you know, like you

732
00:38:31,560 --> 00:38:34,000
Speaker 5: know having you know, we've all studied it, and but

733
00:38:34,560 --> 00:38:38,080
Speaker 5: you know, yeah, that was unique and it's great. It's

734
00:38:38,160 --> 00:38:41,160
Speaker 5: organic and it's it's like you know, So that's what

735
00:38:41,200 --> 00:38:43,920
Speaker 5: I love about this job is you know, like if

736
00:38:43,960 --> 00:38:46,920
Speaker 5: you were a doctor and I am medically I've read

737
00:38:46,960 --> 00:38:51,960
Speaker 5: every page of WEMBD so medical License, I would say

738
00:38:51,960 --> 00:38:56,120
Speaker 5: what I like, you know, if you go in, if

739
00:38:56,160 --> 00:38:59,959
Speaker 5: you go in, if you're U Cardiac pedeology, pediatric cardio,

740
00:39:01,480 --> 00:39:03,560
Speaker 5: and you went in and and you we were going

741
00:39:03,640 --> 00:39:07,839
Speaker 5: to get into the like you know, a order, and

742
00:39:07,880 --> 00:39:11,160
Speaker 5: I saw him cut the in a weird new way.

743
00:39:11,320 --> 00:39:13,120
Speaker 5: I want to be like, oh, this is so interesting

744
00:39:13,160 --> 00:39:15,120
Speaker 5: the way that doctor Drew cuts into the A order.

745
00:39:15,840 --> 00:39:19,520
Speaker 5: For the most part, everyone like within a small err, yeah,

746
00:39:19,520 --> 00:39:22,480
Speaker 5: that procedure is the same, right, that's it's so opposite

747
00:39:22,480 --> 00:39:24,560
Speaker 5: of this man. You go on sets, like every time

748
00:39:24,600 --> 00:39:26,400
Speaker 5: you get to work with someone.

749
00:39:26,200 --> 00:39:27,440
Speaker 6: It's all different.

750
00:39:27,640 --> 00:39:29,799
Speaker 5: And then it's wild when like people who have worked

751
00:39:29,800 --> 00:39:32,319
Speaker 5: a lot like you, I'm like, oh, I've never seen

752
00:39:32,320 --> 00:39:35,640
Speaker 5: someone cut like that, and it's wild because the result

753
00:39:35,760 --> 00:39:38,000
Speaker 5: is a result, and and you know, I think it's

754
00:39:38,000 --> 00:39:39,279
Speaker 5: for itself and it's.

755
00:39:39,280 --> 00:39:43,040
Speaker 8: Yeah, I think a was great with like, uh, like

756
00:39:43,400 --> 00:39:45,200
Speaker 8: is this in the voice of the character.

757
00:39:45,360 --> 00:39:47,319
Speaker 6: And I think like on a sitcom it can.

758
00:39:47,280 --> 00:39:50,120
Speaker 8: Be like joke joke, joke, joke, joke, joke, joke, joke,

759
00:39:50,160 --> 00:39:53,840
Speaker 8: page joke per minute, like and I think Kate would

760
00:39:55,200 --> 00:39:57,560
Speaker 8: you know, And I would sometimes, as somebody who like

761
00:39:57,560 --> 00:39:59,319
Speaker 8: performed a lot on stage, I would be like, give

762
00:39:59,320 --> 00:40:01,640
Speaker 8: me as many oaks as I can that I can

763
00:40:01,680 --> 00:40:05,239
Speaker 8: swing from, so I'm not out there being unfunny for

764
00:40:05,280 --> 00:40:10,239
Speaker 8: two lines or whatever. And Kate, Kate did such a

765
00:40:11,239 --> 00:40:14,239
Speaker 8: you were such a good like monitor on like why

766
00:40:14,280 --> 00:40:15,040
Speaker 8: am I saying this?

767
00:40:15,200 --> 00:40:16,399
Speaker 6: Why is he saying that?

768
00:40:16,600 --> 00:40:18,719
Speaker 8: Like that doesn't make sense for the other stuff that

769
00:40:18,760 --> 00:40:21,160
Speaker 8: we've set up for his character, like the joke needs

770
00:40:21,160 --> 00:40:23,160
Speaker 8: to change or it needs to be like more in line.

771
00:40:23,640 --> 00:40:26,200
Speaker 8: And I thought that was like super helpful and like

772
00:40:26,640 --> 00:40:29,520
Speaker 8: gave us all like very clear directions. So we all

773
00:40:29,560 --> 00:40:32,080
Speaker 8: just kind of kind of weren't just yelling. The funniest

774
00:40:32,080 --> 00:40:32,920
Speaker 8: thing you could write.

775
00:40:33,120 --> 00:40:35,680
Speaker 6: You're thinking, you're thinking, you're thinking, and.

776
00:40:35,719 --> 00:40:37,640
Speaker 5: My number one on the call sheet is the opposite

777
00:40:37,680 --> 00:40:39,560
Speaker 5: of that. You just just say the fucking jokes so

778
00:40:39,560 --> 00:40:41,560
Speaker 5: we can all get home. Yes, it puts you in

779
00:40:41,600 --> 00:40:43,719
Speaker 5: a bad spot when you're below that, and you're like,

780
00:40:44,440 --> 00:40:48,520
Speaker 5: I will, that's my job, but I think like this

781
00:40:48,520 --> 00:40:52,120
Speaker 5: this should have some investigation. Yeah, and so that's really

782
00:40:52,120 --> 00:40:54,400
Speaker 5: helpful and then you feel taken care of as performance.

783
00:40:54,480 --> 00:40:58,160
Speaker 1: When I read there the script, my biggest concern for

784
00:40:58,280 --> 00:41:03,040
Speaker 1: Kate was just making sure that all the basketball lingos

785
00:41:03,080 --> 00:41:06,680
Speaker 1: seemed real, because you are a fucking queen here, you

786
00:41:06,719 --> 00:41:09,640
Speaker 1: know basketball like wrack your fucking hand. And when I

787
00:41:09,680 --> 00:41:11,640
Speaker 1: watched it, I'm like, oh my god, you're so money

788
00:41:11,640 --> 00:41:13,759
Speaker 1: with it, because that was my biggest concern was.

789
00:41:13,960 --> 00:41:18,160
Speaker 3: Well, you have Assassin is such a huge Baskepel and

790
00:41:18,520 --> 00:41:22,359
Speaker 3: Brenda so like Brenda, I could just ask Brenda.

791
00:41:22,200 --> 00:41:24,520
Speaker 1: Right, but even your delivery, it was very easy. It

792
00:41:24,560 --> 00:41:26,480
Speaker 1: was as if you had said it a thousand times.

793
00:41:26,520 --> 00:41:28,680
Speaker 1: Oh good, because when I was reading the script, I'm like,

794
00:41:28,719 --> 00:41:31,040
Speaker 1: oh my god, Like Kate's amazing and anything she does,

795
00:41:31,080 --> 00:41:33,239
Speaker 1: but is she going to be able to is it

796
00:41:33,280 --> 00:41:36,480
Speaker 1: going to be believable when she's talking shop? Yeah, you

797
00:41:36,520 --> 00:41:37,000
Speaker 1: know what I mean?

798
00:41:37,680 --> 00:41:42,640
Speaker 5: And it was yeah, rights, yeah, yeah, they're on time.

799
00:41:42,640 --> 00:41:44,680
Speaker 5: You know what you're going to say and have an idea, right,

800
00:41:44,760 --> 00:41:45,279
Speaker 5: that's right.

801
00:41:45,520 --> 00:41:47,120
Speaker 2: I love that. That's my favorite thing.

802
00:41:47,200 --> 00:41:47,880
Speaker 6: That's the best.

803
00:41:48,120 --> 00:41:50,080
Speaker 3: You said that, and then and it came I think

804
00:41:50,120 --> 00:41:52,279
Speaker 3: we were too. We're all having drinks and you said

805
00:41:52,280 --> 00:41:54,799
Speaker 3: that when we were having drinks at one point, and

806
00:41:54,840 --> 00:41:56,480
Speaker 3: then it came up on my feed.

807
00:41:57,160 --> 00:41:58,239
Speaker 2: It's not weird like.

808
00:41:58,280 --> 00:42:00,560
Speaker 5: The actual click because it's listening. That's why I don't

809
00:42:00,600 --> 00:42:02,319
Speaker 5: like to talk about you thing.

810
00:42:04,320 --> 00:42:07,000
Speaker 3: Okay, guys, we could talk about this. I mean, this

811
00:42:07,080 --> 00:42:08,839
Speaker 3: has been a long time. I love you.

812
00:42:10,360 --> 00:42:24,120
Speaker 10: Okay, brothers, Yes, we're going to do a rapid fire

813
00:42:25,080 --> 00:42:25,520
Speaker 10: mm hmm.

814
00:42:25,680 --> 00:42:30,000
Speaker 3: Ollie, maybe you become the interviewer as show siblings.

815
00:42:30,040 --> 00:42:33,840
Speaker 2: Okay, so, but and then make things up Okay, So.

816
00:42:33,920 --> 00:42:36,440
Speaker 1: Wait, so you want me to ask them what they

817
00:42:36,480 --> 00:42:38,960
Speaker 1: think of? Like if I say, okay, it's Kate early

818
00:42:39,000 --> 00:42:43,279
Speaker 1: bird er, night out both, I mean.

819
00:42:44,200 --> 00:42:47,000
Speaker 2: Yes, but what do I prefer.

820
00:42:49,680 --> 00:42:49,960
Speaker 4: Now?

821
00:42:50,480 --> 00:42:50,680
Speaker 5: Right?

822
00:42:51,440 --> 00:42:54,360
Speaker 2: I am a morning personally in the morning.

823
00:42:55,480 --> 00:43:00,680
Speaker 6: Wrong, She's wrong. That's it. That's good game.

824
00:43:00,760 --> 00:43:04,000
Speaker 1: That's a good game because you want are you your

825
00:43:04,040 --> 00:43:06,279
Speaker 1: TV brothers will say what they think and then I'll

826
00:43:06,320 --> 00:43:08,560
Speaker 1: see what I think and see who's who gets more.

827
00:43:08,840 --> 00:43:14,160
Speaker 3: I like I if I didn't have kids, I probably

828
00:43:14,200 --> 00:43:15,200
Speaker 3: would be more of a night owl.

829
00:43:15,400 --> 00:43:16,360
Speaker 6: Yeah, you don't really like it.

830
00:43:16,480 --> 00:43:19,200
Speaker 8: It's like four am, Like you're like, no, you know,

831
00:43:19,480 --> 00:43:21,640
Speaker 8: I like my bed when she was little, She's like

832
00:43:21,760 --> 00:43:22,719
Speaker 8: ready for bed, you know.

833
00:43:23,480 --> 00:43:25,960
Speaker 3: Yeah, Like I could have a party and rage by

834
00:43:26,040 --> 00:43:29,719
Speaker 3: like eleven forty five minute. I'm like, I'm like in bed,

835
00:43:30,080 --> 00:43:31,439
Speaker 3: I just let the party.

836
00:43:31,160 --> 00:43:32,480
Speaker 6: Go right, big time night out.

837
00:43:32,719 --> 00:43:34,680
Speaker 5: Yeah. In fact, the last time I was with both

838
00:43:34,680 --> 00:43:38,960
Speaker 5: of you and we were imbibing, you disappeared at eleven.

839
00:43:39,400 --> 00:43:40,719
Speaker 5: Oh yeah, I stayed out with you.

840
00:43:41,320 --> 00:43:45,120
Speaker 1: It was nine for Kate had a good thirty eight

841
00:43:45,120 --> 00:43:46,960
Speaker 1: minutes of being hammered and then she's like.

842
00:43:47,520 --> 00:43:51,719
Speaker 5: A fucking party, get the poker, and then we're like,

843
00:43:51,719 --> 00:43:55,319
Speaker 5: where's Kate and was like, I'm heading back and I

844
00:43:55,360 --> 00:43:58,000
Speaker 5: was like, oh you are, and she's like, well everyone inside,

845
00:43:58,080 --> 00:44:00,279
Speaker 5: like you know, it's petering out. Kate went to bed.

846
00:44:00,320 --> 00:44:01,520
Speaker 5: I was like, what do you mean? Kate went to bed.

847
00:44:01,560 --> 00:44:05,040
Speaker 5: It's like nine thirty and you can stay. And I

848
00:44:05,080 --> 00:44:07,400
Speaker 5: just looked over at Oliver, who just looking at me.

849
00:44:07,440 --> 00:44:09,600
Speaker 5: He's like, you can stay as long as you want.

850
00:44:11,280 --> 00:44:12,799
Speaker 6: I want to say, man, this guy wants someone.

851
00:44:15,560 --> 00:44:19,279
Speaker 3: No, but yeah, okay, next sweet, but what we gotta

852
00:44:19,320 --> 00:44:20,160
Speaker 3: do to everybody else?

853
00:44:22,760 --> 00:44:30,560
Speaker 6: Drew the night Scott Scott established sweeter savory.

854
00:44:31,400 --> 00:44:33,400
Speaker 2: Oh oh interesting.

855
00:44:33,000 --> 00:44:37,360
Speaker 6: It's a Kate is savory? Yeah, I'm no.

856
00:44:37,480 --> 00:44:39,960
Speaker 2: I'm going to guess you you're a savory.

857
00:44:39,960 --> 00:44:45,960
Speaker 5: Yes, and you're I don't know what savory means. You're lying.

858
00:44:46,640 --> 00:44:52,280
Speaker 2: I'm going to say you're Oh.

859
00:44:52,400 --> 00:44:53,400
Speaker 6: I think he's sweet.

860
00:44:53,680 --> 00:44:56,560
Speaker 2: I think he's savory because of his drink choices.

861
00:44:57,680 --> 00:44:58,720
Speaker 6: He's just sweet drinks.

862
00:44:58,760 --> 00:44:59,480
Speaker 2: Are you a sweet?

863
00:45:02,040 --> 00:45:05,680
Speaker 3: I'm gonna say savory, although I want to my gut

864
00:45:05,719 --> 00:45:06,440
Speaker 3: is saying sweet.

865
00:45:06,920 --> 00:45:09,960
Speaker 5: I kind of like them both. Yeah, I mean I'm

866
00:45:10,000 --> 00:45:12,480
Speaker 5: not like sacred about that kind of and your savory.

867
00:45:12,320 --> 00:45:12,920
Speaker 2: I'm savory?

868
00:45:13,080 --> 00:45:20,920
Speaker 1: Yeah, okay, okay a weird.

869
00:45:21,600 --> 00:45:26,439
Speaker 2: Use your wonderful ideas. Yeah, just make up for us.

870
00:45:26,600 --> 00:45:28,839
Speaker 6: Okay, Bruce Springsteen or the.

871
00:45:28,760 --> 00:45:33,279
Speaker 2: Beatles, don't say what do we say what each other is?

872
00:45:33,440 --> 00:45:35,160
Speaker 6: Right? You're Bruce.

873
00:45:35,960 --> 00:45:37,799
Speaker 5: I'm gonna venture to say. I think everybody in this

874
00:45:37,880 --> 00:45:38,560
Speaker 5: room is Bruce.

875
00:45:38,800 --> 00:45:40,000
Speaker 2: I think everybody is a Bruce.

876
00:45:40,800 --> 00:45:42,640
Speaker 5: No way, I don't know that.

877
00:45:43,560 --> 00:45:44,040
Speaker 6: I don't know that.

878
00:45:47,600 --> 00:45:52,480
Speaker 2: Okay, fine, that's interesting. Oliver is definitely a Beatle.

879
00:45:53,800 --> 00:45:56,160
Speaker 6: I'm better in a group. I'm Beatle, like.

880
00:45:58,640 --> 00:46:03,279
Speaker 5: Bruce or Beetle or do you who would?

881
00:46:05,400 --> 00:46:05,600
Speaker 9: Yeah?

882
00:46:05,640 --> 00:46:07,600
Speaker 3: I put on Bruce, but I but I also put

883
00:46:07,680 --> 00:46:09,480
Speaker 3: on the Beatles. I mean, I love that they're the Beatles,

884
00:46:09,520 --> 00:46:10,879
Speaker 3: but but I'd put on Bruce.

885
00:46:10,960 --> 00:46:12,720
Speaker 2: It just makes me weepy.

886
00:46:12,800 --> 00:46:14,520
Speaker 1: It makes me want to write, yeah.

887
00:46:14,560 --> 00:46:16,640
Speaker 5: Bruce makes I looked at Bruce Springsteen as a kid.

888
00:46:16,680 --> 00:46:18,600
Speaker 5: I was like, that motherfucker be dead if he wasn't

889
00:46:18,600 --> 00:46:22,319
Speaker 5: doing this, it was this or death. And that was

890
00:46:22,360 --> 00:46:24,600
Speaker 5: like an early flag where I was like I want

891
00:46:24,640 --> 00:46:26,839
Speaker 5: to do something like that. Yeah, and if I could

892
00:46:26,880 --> 00:46:28,320
Speaker 5: do that, I would have, but I cannot.

893
00:46:28,760 --> 00:46:33,200
Speaker 3: So true, and it's just like you just feel his soul.

894
00:46:32,600 --> 00:46:34,680
Speaker 5: And there's and it's it doesn't even matter whether or

895
00:46:34,719 --> 00:46:37,239
Speaker 5: not you like them musically. There's other artists that are

896
00:46:37,280 --> 00:46:39,719
Speaker 5: like that where I don't necessarily like to listen to him.

897
00:46:40,080 --> 00:46:41,799
Speaker 5: I don't even like what they do. But I'm like,

898
00:46:41,840 --> 00:46:42,640
Speaker 5: it was this or death.

899
00:46:43,360 --> 00:46:47,040
Speaker 3: Okay, ready you're going I'm going to ask one for

900
00:46:47,080 --> 00:46:52,560
Speaker 3: everybody to guess. But every theater concert, I mean.

901
00:46:52,480 --> 00:46:53,480
Speaker 6: What would you rather go to?

902
00:46:54,360 --> 00:46:57,440
Speaker 2: I mean, I know yours, you're your concert.

903
00:46:57,840 --> 00:47:00,839
Speaker 6: Your concert, I think you might be.

904
00:47:02,640 --> 00:47:03,959
Speaker 2: Theater is musical theater?

905
00:47:04,040 --> 00:47:04,239
Speaker 5: Two?

906
00:47:04,840 --> 00:47:06,919
Speaker 1: Yeah, and comedy?

907
00:47:07,080 --> 00:47:09,360
Speaker 5: You did love that Moana I put on my garage

908
00:47:09,400 --> 00:47:12,000
Speaker 5: for you. It wasn't I did a one man show

909
00:47:12,040 --> 00:47:14,879
Speaker 5: of concert. For sure.

910
00:47:15,000 --> 00:47:17,160
Speaker 6: I would like to see music where the seats are

911
00:47:17,239 --> 00:47:18,640
Speaker 6: laid out. You know what I mean.

912
00:47:18,719 --> 00:47:21,439
Speaker 2: You're a theater guy. I feel like you like more

913
00:47:21,560 --> 00:47:23,200
Speaker 2: stage things.

914
00:47:22,680 --> 00:47:23,400
Speaker 6: Like I do.

915
00:47:23,760 --> 00:47:24,000
Speaker 5: Yeah.

916
00:47:24,040 --> 00:47:26,759
Speaker 8: I do like stage stuff for sure, but I also like,

917
00:47:26,840 --> 00:47:29,759
Speaker 8: I love music, and I probably know more about music

918
00:47:29,800 --> 00:47:30,439
Speaker 8: than I do theater.

919
00:47:30,560 --> 00:47:30,919
Speaker 5: What about?

920
00:47:30,960 --> 00:47:31,279
Speaker 6: What about?

921
00:47:31,360 --> 00:47:36,319
Speaker 1: What about this one's it's three Amigos or Annie Hall?

922
00:47:37,360 --> 00:47:40,799
Speaker 1: Oh three amigos Because I'm only saying that because yes,

923
00:47:40,840 --> 00:47:42,920
Speaker 1: it's the movies, but it sort of dictates like.

924
00:47:42,960 --> 00:47:44,640
Speaker 6: It totally imprinted on me in a way.

925
00:47:46,120 --> 00:47:46,359
Speaker 4: Yeah.

926
00:47:46,400 --> 00:47:48,319
Speaker 6: Three amigos looked at all.

927
00:47:48,040 --> 00:47:50,160
Speaker 5: Intellectually as I got to be an adult.

928
00:47:49,840 --> 00:47:50,680
Speaker 2: And you're older.

929
00:47:50,760 --> 00:47:52,960
Speaker 3: But three megos like yeah, three yeah, three of me

930
00:47:53,080 --> 00:47:55,120
Speaker 3: gooes like I know all the line.

931
00:47:55,200 --> 00:47:55,399
Speaker 6: Yeah.

932
00:47:55,760 --> 00:47:57,759
Speaker 5: It's like when people talk about your influences and of

933
00:47:57,760 --> 00:47:59,680
Speaker 5: course you want to say like it's Brando or something

934
00:48:00,320 --> 00:48:02,759
Speaker 5: like you just gotta get real. And I remember Trey Anastagio,

935
00:48:02,800 --> 00:48:04,319
Speaker 5: the lead singer Fish Guitars.

936
00:48:04,520 --> 00:48:06,399
Speaker 2: I was just with him like a couple of days ago.

937
00:48:06,480 --> 00:48:08,000
Speaker 5: Oh, we're gonna I gotta hear about that.

938
00:48:08,080 --> 00:48:10,960
Speaker 2: No, I forgot about it. I was like, I amazing

939
00:48:10,960 --> 00:48:16,520
Speaker 2: And that's the time. I literally it was like, oh

940
00:48:16,560 --> 00:48:18,279
Speaker 2: my god. Scotty, Scotty was here.

941
00:48:18,480 --> 00:48:19,440
Speaker 6: He talks about there.

942
00:48:19,480 --> 00:48:23,600
Speaker 5: There was a documentary, Bittersweet Motel made about them, made

943
00:48:23,640 --> 00:48:27,839
Speaker 5: by the guy who made Joker Phillips, and Trey's talking

944
00:48:27,880 --> 00:48:29,440
Speaker 5: about He's sitting in the front seat his station wag.

945
00:48:29,520 --> 00:48:31,720
Speaker 5: He's talking about the influences of Fish. He's talking about

946
00:48:31,719 --> 00:48:34,360
Speaker 5: being a mall kid growing up in the seventies, like

947
00:48:34,440 --> 00:48:36,920
Speaker 5: hanging out the malls and like the music that influenced

948
00:48:37,000 --> 00:48:38,920
Speaker 5: him was The Grateful Dead. But it was also like

949
00:48:39,000 --> 00:48:42,560
Speaker 5: weird eighties, like you know, Divo and shit, and I'm like,

950
00:48:42,800 --> 00:48:44,920
Speaker 5: you know that kind of truth that he had, Like,

951
00:48:45,000 --> 00:48:46,200
Speaker 5: of course you want to sit there being like my

952
00:48:46,280 --> 00:48:49,640
Speaker 5: influences are cold trained you see it. No, He's like,

953
00:48:49,719 --> 00:48:51,759
Speaker 5: it was Devo, it was the dead, it was all

954
00:48:52,120 --> 00:48:57,000
Speaker 5: and so three of me makes me think, yeah, all

955
00:48:57,080 --> 00:49:00,600
Speaker 5: that right, one of the most influentials of your life

956
00:49:00,680 --> 00:49:02,440
Speaker 5: real quick, as fast as you can think about.

957
00:49:02,200 --> 00:49:06,440
Speaker 6: It, I can major league, Yes, major league, like that major.

958
00:49:09,200 --> 00:49:17,719
Speaker 10: Rocky rock Clueless, okay, clueless, okay too far?

959
00:49:18,800 --> 00:49:21,600
Speaker 2: Oh oh oh, my favorite one ever?

960
00:49:21,920 --> 00:49:26,960
Speaker 9: Oh my gosh, some babysitting Ghostbusters, Ghostbusters like that just

961
00:49:27,080 --> 00:49:31,360
Speaker 9: et No, oh my god, last rapid fire.

962
00:49:31,200 --> 00:49:36,160
Speaker 5: Spoon or fork. That's exactly how I would have thought

963
00:49:36,160 --> 00:49:39,360
Speaker 5: it broke for I'm serious. I used to so, I

964
00:49:39,400 --> 00:49:42,560
Speaker 5: used to Tony Robbins, rapid fire for the rest of

965
00:49:42,600 --> 00:49:44,799
Speaker 5: your life. You can only use one, Yeah, you get

966
00:49:44,840 --> 00:49:49,920
Speaker 5: one utensive paper plastic? Yeah, well paper paper kind of

967
00:49:49,960 --> 00:49:51,120
Speaker 5: maniac would say plastic.

968
00:49:51,160 --> 00:49:53,160
Speaker 6: At this point I was thinking about it. Yeah, I

969
00:49:53,640 --> 00:49:54,480
Speaker 6: changed my paper.

970
00:49:54,719 --> 00:49:56,080
Speaker 2: What did Tony Robins say?

971
00:49:56,400 --> 00:49:57,120
Speaker 6: You rapid fire?

972
00:49:57,239 --> 00:49:59,600
Speaker 5: Somebody gets them out of their ability to like think

973
00:49:59,600 --> 00:50:02,719
Speaker 5: about how am I going to come off and say this?

974
00:50:03,120 --> 00:50:05,080
Speaker 5: You start doing. So those are the things spoon or

975
00:50:05,120 --> 00:50:11,279
Speaker 5: for orange orangea cat or dog, and people have to

976
00:50:11,320 --> 00:50:12,600
Speaker 5: go boom boom boom.

977
00:50:12,719 --> 00:50:15,400
Speaker 3: The question is always if there's one thing that you

978
00:50:15,400 --> 00:50:19,319
Speaker 3: could alleviate from that person to make their life eat

979
00:50:19,360 --> 00:50:21,480
Speaker 3: better or easier, what would that be? And then if

980
00:50:21,480 --> 00:50:23,960
Speaker 3: there's one thing you could emulate, what would it be.

981
00:50:24,080 --> 00:50:26,720
Speaker 2: To take toilf that you wish.

982
00:50:26,600 --> 00:50:27,440
Speaker 1: You had more.

983
00:50:28,719 --> 00:50:31,960
Speaker 3: I am going to say like what I said for

984
00:50:32,000 --> 00:50:34,920
Speaker 3: Scotty to begin with, which was you know, just not

985
00:50:35,080 --> 00:50:36,920
Speaker 3: having to you know, is your.

986
00:50:36,800 --> 00:50:39,760
Speaker 5: Thing almost applicable to my life, not just my work.

987
00:50:40,320 --> 00:50:41,520
Speaker 2: Yeah, that's what we're talking about.

988
00:50:41,600 --> 00:50:44,080
Speaker 5: Yeah, yeah, were saying earlier you were talking about my work.

989
00:50:44,080 --> 00:50:47,160
Speaker 5: I think it's also how you feel about Yeah, exactly.

990
00:50:47,680 --> 00:50:51,880
Speaker 3: And then the one thing that I wish I had

991
00:50:52,200 --> 00:51:00,480
Speaker 3: maybe a little bit more going to be I had

992
00:51:00,480 --> 00:51:05,480
Speaker 3: more of Gootti. I think that one of the things

993
00:51:05,520 --> 00:51:09,120
Speaker 3: that I wish I had more of that you have

994
00:51:09,560 --> 00:51:12,759
Speaker 3: is like what Olliver has, which is you have like

995
00:51:12,760 --> 00:51:16,880
Speaker 3: a dedication to your kids where you just will.

996
00:51:16,760 --> 00:51:19,839
Speaker 2: Drive to the end of the earth's for them. I

997
00:51:20,320 --> 00:51:20,839
Speaker 2: will not.

998
00:51:23,480 --> 00:51:27,680
Speaker 3: I will not sit outside in Marvista for five hours

999
00:51:27,680 --> 00:51:29,560
Speaker 3: while my kids are playing a game.

1000
00:51:29,840 --> 00:51:30,439
Speaker 2: That's not true.

1001
00:51:30,480 --> 00:51:34,560
Speaker 3: I will, but but there's a certain type of character

1002
00:51:34,920 --> 00:51:38,239
Speaker 3: that will just always like go to the end of

1003
00:51:38,280 --> 00:51:40,960
Speaker 3: the earth for their kids. And that's something I admire

1004
00:51:41,040 --> 00:51:51,160
Speaker 3: by you. You true my favorite human, right.

1005
00:51:51,520 --> 00:51:53,479
Speaker 5: I guess right in front of you, I.

1006
00:51:53,400 --> 00:51:57,319
Speaker 3: Guess The one thing is that I guess I would

1007
00:51:57,440 --> 00:52:04,040
Speaker 3: sort of what would relieve for you is any question

1008
00:52:04,160 --> 00:52:06,279
Speaker 3: that you're not exactly where you're supposed to be in

1009
00:52:06,280 --> 00:52:09,880
Speaker 3: your life, like that you are exactly where you're supposed

1010
00:52:09,880 --> 00:52:12,799
Speaker 3: to be, that you don't need to overthink any of it.

1011
00:52:13,960 --> 00:52:22,400
Speaker 3: And and again the whimsical part of it, just being

1012
00:52:22,520 --> 00:52:29,200
Speaker 3: present and enjoying the things that you have in the

1013
00:52:29,200 --> 00:52:32,799
Speaker 3: moment and not thinking you would alleviate. Well, this is

1014
00:52:32,800 --> 00:52:34,600
Speaker 3: the one thing that Yes, it's like I would give

1015
00:52:34,680 --> 00:52:38,640
Speaker 3: him more of, like feeling like present in the situations

1016
00:52:38,640 --> 00:52:41,520
Speaker 3: that he's in his whole thing with bringing more whimsy

1017
00:52:41,760 --> 00:52:44,960
Speaker 3: and whimsical into his life, which I think you've been

1018
00:52:44,960 --> 00:52:45,840
Speaker 3: doing a lot more of.

1019
00:52:46,080 --> 00:52:47,880
Speaker 8: Yes, Well, that's what I was gonna say about you,

1020
00:52:48,000 --> 00:52:50,919
Speaker 8: is like I would want some of your whimsy. Yeah,

1021
00:52:51,000 --> 00:52:55,080
Speaker 8: being in the present, I forecast a lot I'm living

1022
00:52:55,120 --> 00:52:56,920
Speaker 8: in the future or I'm living in the past.

1023
00:52:57,040 --> 00:52:59,240
Speaker 6: You are very good at being right there.

1024
00:52:59,120 --> 00:53:06,160
Speaker 8: In the moment and your yeah, whimsical, mischievous, payful like

1025
00:53:06,440 --> 00:53:09,040
Speaker 8: I have those, but I catch glimpses of them and.

1026
00:53:09,040 --> 00:53:09,680
Speaker 6: Then they're gone.

1027
00:53:09,760 --> 00:53:12,680
Speaker 2: Yeah, I'd give you more fox fox animal energy.

1028
00:53:12,880 --> 00:53:16,400
Speaker 8: Yes, like I'm less beaver, I'm less like building house,

1029
00:53:17,560 --> 00:53:21,080
Speaker 8: kind of like walking with sticks.

1030
00:53:21,080 --> 00:53:26,759
Speaker 3: And then I would want to emulate your like I

1031
00:53:27,440 --> 00:53:34,719
Speaker 3: like your ability to your quick wittedness, like your ability

1032
00:53:34,840 --> 00:53:40,080
Speaker 3: to to to always be like wonderful and pleasant and

1033
00:53:40,200 --> 00:53:44,200
Speaker 3: kind in a room, but also like just make everyone

1034
00:53:44,360 --> 00:53:47,080
Speaker 3: laugh because you just have this quick witted brain that

1035
00:53:47,239 --> 00:53:51,120
Speaker 3: can it's like writing on the spot. But your humor

1036
00:53:51,560 --> 00:53:54,840
Speaker 3: is so like like even you could you could probably

1037
00:53:54,840 --> 00:53:57,520
Speaker 3: say the nastiest thing and it would just feel like

1038
00:53:58,080 --> 00:54:00,960
Speaker 3: a teddy bear, like a warm like hug or like

1039
00:54:01,000 --> 00:54:03,480
Speaker 3: a blanket. You're like, oh my god, you just completely,

1040
00:54:04,280 --> 00:54:07,200
Speaker 3: like you know, assassinated my character in a funny way,

1041
00:54:07,400 --> 00:54:08,719
Speaker 3: and it feels like.

1042
00:54:08,760 --> 00:54:16,840
Speaker 6: Love all that at work, and then he's mean to

1043
00:54:16,920 --> 00:54:17,439
Speaker 6: us at home.

1044
00:54:18,480 --> 00:54:23,160
Speaker 3: Seriously, you are just like you're you are maybe the

1045
00:54:23,200 --> 00:54:26,160
Speaker 3: funniest human, but you're also the most loving and so

1046
00:54:26,719 --> 00:54:29,440
Speaker 3: you know, I wish I could have a little bit

1047
00:54:29,440 --> 00:54:33,080
Speaker 3: more of that like brain, that kind of brain, that whit.

1048
00:54:34,120 --> 00:54:37,480
Speaker 6: That's that's nice, really nice. Yeah, that's nice.

1049
00:54:38,160 --> 00:54:41,520
Speaker 4: I love you guys. This is this is too much fun.

1050
00:54:43,480 --> 00:54:46,480
Speaker 4: Hopefully we'll do it again.

1051
00:54:47,520 --> 00:54:48,040
Speaker 9: It's like a.

1052
00:54:48,040 --> 00:54:51,320
Speaker 2: Four part episode.

1053
00:55:00,080 --> 00:55:02,400
Speaker 5: Yeahm mmmmmmmmm.

1054
00:55:05,840 --> 00:55:09,200
Speaker 4: I love you guys. This is this is too much fun.