1 00:00:10,760 --> 00:00:13,039 Speaker 1: Yes, Brendan Bang and I Am wrap Port Stereo podcast 2 00:00:13,160 --> 00:00:15,880 Speaker 1: is here. He haf no fear. On today's Iron wrapp 3 00:00:15,880 --> 00:00:19,600 Speaker 1: Portstereo podcast, Deuced Colouns, Deuced Patino is in the place 4 00:00:19,640 --> 00:00:23,599 Speaker 1: to be. We're still talking about the oscars. We're trying 5 00:00:23,640 --> 00:00:27,840 Speaker 1: to figure out, break down and understand everything everywhere all 6 00:00:27,880 --> 00:00:31,040 Speaker 1: at once. Do you like it? Is it over your head? 7 00:00:31,160 --> 00:00:35,400 Speaker 1: It was way over my head. Plus we're still talking 8 00:00:35,520 --> 00:00:40,520 Speaker 1: about the disrespect of Paul Cervino and others and so 9 00:00:40,640 --> 00:00:43,760 Speaker 1: much more on a museum quality, hard hitting I Am 10 00:00:43,800 --> 00:00:47,680 Speaker 1: wrapp Reports Stereo podcats where Deuced Patino shares his secret 11 00:00:48,280 --> 00:00:52,000 Speaker 1: fried chicken recipe. You heard it, Miles joining gave the 12 00:00:52,000 --> 00:00:53,880 Speaker 1: beach mother. Start this puppy off of top, real nice. 13 00:00:54,240 --> 00:00:56,960 Speaker 1: Start this puppy offtop, real loud, but most apportly, start 14 00:00:57,040 --> 00:01:00,400 Speaker 1: this I Am wrap Portstereo podcast off something real funky. 15 00:01:00,440 --> 00:01:19,720 Speaker 1: I am Rapporterio Poggy, Let's go boom boom. Have no 16 00:01:19,840 --> 00:01:24,679 Speaker 1: fear of the Igginty. I Am Rappaport Stereo podcast is here. 17 00:01:25,120 --> 00:01:27,640 Speaker 1: Welcome to the Iron Dome of Disruption. Welcome to the 18 00:01:27,720 --> 00:01:32,679 Speaker 1: Ziggity the Ziggity Zone of Disruption. My name is Michael 19 00:01:32,720 --> 00:01:36,399 Speaker 1: rappaport Ak the Gringo man Dingo aka the Inflamed Oshka 20 00:01:36,480 --> 00:01:43,240 Speaker 1: nazi ak A Captain Collidis a k a. The Raging Bullshitter. 21 00:01:44,520 --> 00:01:47,400 Speaker 1: Hope everybody's feeling good. Hope everybody's feeling safe. Hope every 22 00:01:47,440 --> 00:01:53,920 Speaker 1: body is feeling sane. And we say part times sometime 23 00:01:54,000 --> 00:01:58,160 Speaker 1: we do not play around because today Boom, we have 24 00:01:58,240 --> 00:02:02,760 Speaker 1: the part time sometime I'm co host with the most 25 00:02:03,280 --> 00:02:09,640 Speaker 1: The Young Shooter is in Sucasa. Dean Collins Deuce Piccino 26 00:02:09,800 --> 00:02:13,880 Speaker 1: aka Deuce Collins, he's here. How are you, my friend? 27 00:02:13,919 --> 00:02:17,720 Speaker 1: Mi amigo? Thank you Michael. I'm doing really well. How 28 00:02:17,840 --> 00:02:20,240 Speaker 1: how are you doing? I just said I was doing good. 29 00:02:20,880 --> 00:02:24,799 Speaker 1: I mean, I went on for about two minutes saying 30 00:02:24,800 --> 00:02:27,840 Speaker 1: how good I was. I know, I'm just making conversation 31 00:02:27,880 --> 00:02:29,760 Speaker 1: with you. I didn't ask you how how you were doing. 32 00:02:29,800 --> 00:02:31,840 Speaker 1: I felt like that was just to the audience. I'm 33 00:02:31,880 --> 00:02:33,880 Speaker 1: just checking in see how everything was going with you. 34 00:02:34,120 --> 00:02:39,240 Speaker 1: How how are you? I just I just said that 35 00:02:39,320 --> 00:02:41,480 Speaker 1: I was I was doing good. I welcomed everybody to 36 00:02:41,520 --> 00:02:43,680 Speaker 1: the Iron Dome of Disruption. I welcomed everybody to the 37 00:02:43,720 --> 00:02:47,920 Speaker 1: Ziggindy Zone of Disruption. But are you ever like in 38 00:02:47,960 --> 00:02:49,799 Speaker 1: the in the intro are like, I know that's been 39 00:02:49,840 --> 00:02:52,680 Speaker 1: your intro like for as long as I can remember, 40 00:02:52,680 --> 00:02:54,520 Speaker 1: But like, have you ever been like welcome to the 41 00:02:54,560 --> 00:02:57,680 Speaker 1: Ziggindy zone, Like I'm not doing good? Oh yeah, I 42 00:02:57,720 --> 00:03:01,280 Speaker 1: don't feel good? Like oh yeah, I've said that a 43 00:03:01,280 --> 00:03:04,200 Speaker 1: few times. I've said it a few times. I mean 44 00:03:04,320 --> 00:03:07,799 Speaker 1: normally when I I'm podcasting, when I'm in the Ziggity 45 00:03:07,880 --> 00:03:10,120 Speaker 1: Zone of disruption and then the and the eiggitty Iron 46 00:03:10,200 --> 00:03:16,760 Speaker 1: Dome of disruption, normally, like you know, intrinsically sell your Literally, 47 00:03:17,880 --> 00:03:20,600 Speaker 1: I feel good because I'm so happy to be in 48 00:03:20,639 --> 00:03:24,919 Speaker 1: the Iron Dome of disruption and in the Ziggity Zone 49 00:03:24,919 --> 00:03:28,880 Speaker 1: of disruption. But but more importantly, more importantly, how are you? 50 00:03:29,480 --> 00:03:31,680 Speaker 1: The last time you were here, you had gone through 51 00:03:31,720 --> 00:03:34,680 Speaker 1: some construction with your big move. How's that move? How's 52 00:03:34,720 --> 00:03:38,200 Speaker 1: that big move going? Um? It's going well, man, I 53 00:03:38,240 --> 00:03:40,960 Speaker 1: mean I like, look, I yeah, I'm still doing it. 54 00:03:41,000 --> 00:03:44,320 Speaker 1: I mean, it's this isn't It's obviously like boring conversation. 55 00:03:44,360 --> 00:03:45,800 Speaker 1: No one really wants to hear about the big move. 56 00:03:45,840 --> 00:03:47,960 Speaker 1: It's been nice for me. I'm in a bigger space. 57 00:03:48,040 --> 00:03:50,320 Speaker 1: I really love it. I'm trying to design it. I'm 58 00:03:50,320 --> 00:03:58,440 Speaker 1: trying to like my ha Why why is that funny? 59 00:03:58,440 --> 00:03:59,920 Speaker 1: I don't understand what what did I say that was 60 00:04:00,040 --> 00:04:02,280 Speaker 1: so funny? I'm trying to design it. I mean, I'm 61 00:04:02,320 --> 00:04:03,880 Speaker 1: trying to make the space of my own. Why is 62 00:04:03,920 --> 00:04:11,840 Speaker 1: that funny? You use the D word design? Why is 63 00:04:11,880 --> 00:04:13,760 Speaker 1: that so funny? I mean, I'm trying to like put 64 00:04:13,800 --> 00:04:18,080 Speaker 1: my own like taste into this, and I've just I've 65 00:04:18,080 --> 00:04:20,960 Speaker 1: come to realize that I'm not an interior designer like 66 00:04:21,040 --> 00:04:23,840 Speaker 1: I thought I had good taste, and I've like selected 67 00:04:23,880 --> 00:04:25,640 Speaker 1: a lot of things online and then when it all 68 00:04:25,680 --> 00:04:28,159 Speaker 1: gets here, it doesn't look the way that I thought 69 00:04:28,200 --> 00:04:29,719 Speaker 1: it was gonna look like. It looks like just like 70 00:04:29,720 --> 00:04:31,880 Speaker 1: a cluster fuck a shit, Like I need someone to 71 00:04:32,000 --> 00:04:35,240 Speaker 1: like help me like make decisions because it doesn't look good. 72 00:04:35,400 --> 00:04:37,880 Speaker 1: What gave you the impression that you were an interior 73 00:04:37,960 --> 00:04:40,680 Speaker 1: designer because you said I thought I was an interior designer? Like, 74 00:04:41,240 --> 00:04:44,520 Speaker 1: what prompted you to think that you the young shooter 75 00:04:44,920 --> 00:04:49,839 Speaker 1: you do Spaccino or some sort of interior designer type. Well, 76 00:04:49,880 --> 00:04:51,599 Speaker 1: my mom is an interior designer. I don't know if 77 00:04:51,640 --> 00:04:54,280 Speaker 1: that's something that you knew or that I know that. Yes, 78 00:04:55,000 --> 00:04:56,640 Speaker 1: So I just thought that maybe that was kind of 79 00:04:56,640 --> 00:04:58,600 Speaker 1: in like my bloodline, like maybe that was a part 80 00:04:58,640 --> 00:05:00,240 Speaker 1: of my genes, Like, oh my mom's an in tear, 81 00:05:00,640 --> 00:05:03,040 Speaker 1: maybe I have that, you know, maybe I have some 82 00:05:03,120 --> 00:05:07,400 Speaker 1: of that. So I don't and you know, I'm just 83 00:05:07,440 --> 00:05:09,560 Speaker 1: I'm working on it, man, I'm working on it. I'm 84 00:05:09,600 --> 00:05:11,240 Speaker 1: trying to find the right artwork. I'm trying to find 85 00:05:11,279 --> 00:05:13,799 Speaker 1: all the right things. But like it's not coming together 86 00:05:13,920 --> 00:05:15,920 Speaker 1: quite the way that I want it. But it's it's 87 00:05:15,920 --> 00:05:18,680 Speaker 1: it's a slow climb. So I appreciate you you asking 88 00:05:18,720 --> 00:05:21,000 Speaker 1: about it, though, but it does feel nice to be here, 89 00:05:21,320 --> 00:05:23,960 Speaker 1: and like I have a big kitchen now, and I'm 90 00:05:24,000 --> 00:05:26,640 Speaker 1: like trying to utilize my kitchen as like a grown up, 91 00:05:26,680 --> 00:05:28,760 Speaker 1: like an adult, like you're supposed to like cook things 92 00:05:28,760 --> 00:05:31,120 Speaker 1: and make things. And like I've started making chicken, which 93 00:05:31,120 --> 00:05:33,320 Speaker 1: has been really cool. I have my own secret chicken recipe. 94 00:05:33,440 --> 00:05:37,680 Speaker 1: There's like lemon and garlic powder and lemon pepper and 95 00:05:37,920 --> 00:05:41,159 Speaker 1: I put rosemary in time like the Simon and Garfunkele song. 96 00:05:41,400 --> 00:05:43,560 Speaker 1: I've been putting that in the skillet. But other than 97 00:05:43,560 --> 00:05:47,200 Speaker 1: my chicken recipe, I find myself still just like make 98 00:05:47,240 --> 00:05:49,359 Speaker 1: an easy mac in the kitchen, Like it's not like 99 00:05:49,360 --> 00:05:51,280 Speaker 1: a great look, Like I'm still trying to grow up 100 00:05:51,279 --> 00:05:55,400 Speaker 1: over here. And your secret chicken recipe, did you come 101 00:05:55,480 --> 00:05:57,039 Speaker 1: up with that on your own? Or is that something 102 00:05:57,120 --> 00:05:59,359 Speaker 1: you found on Reddit? Or like where'd you get that 103 00:05:59,720 --> 00:06:03,640 Speaker 1: secret chicken recipe? Because you said you said secret, like 104 00:06:03,640 --> 00:06:09,800 Speaker 1: you're very prominent about that, Like it's a secret chicken recipe, yes, 105 00:06:09,920 --> 00:06:13,200 Speaker 1: my secret chicken recipe. Um, it's like kind of a mission, Masha. 106 00:06:13,600 --> 00:06:15,360 Speaker 1: I have taken a little bit from Gordon Ramsay, you 107 00:06:15,400 --> 00:06:17,159 Speaker 1: have taken a little bit from some people on YouTube, 108 00:06:17,200 --> 00:06:19,760 Speaker 1: and like then I've kind of made it my own thing, 109 00:06:19,920 --> 00:06:21,640 Speaker 1: you know what I mean. So that's something that I'll 110 00:06:21,680 --> 00:06:23,680 Speaker 1: be making for you when we go on the road, 111 00:06:24,000 --> 00:06:27,320 Speaker 1: because I'm coming to Indianapolis. So I was thinking, you know, 112 00:06:27,360 --> 00:06:29,599 Speaker 1: I don't know if I should like put the skillet 113 00:06:29,640 --> 00:06:32,440 Speaker 1: in my carry on or maybe they have a skillet 114 00:06:32,440 --> 00:06:34,560 Speaker 1: at the Airbnb, but like I do have my own 115 00:06:34,600 --> 00:06:36,320 Speaker 1: skillet that I was thinking about bringing. But as long 116 00:06:36,360 --> 00:06:38,919 Speaker 1: as we can get the ingredients wallum out there, the rosemary, 117 00:06:39,040 --> 00:06:42,719 Speaker 1: the time, the garlic cloves, the lemon pepper, and and 118 00:06:42,880 --> 00:06:44,880 Speaker 1: I just need you to like have the timer for me, 119 00:06:44,960 --> 00:06:48,000 Speaker 1: like after three to four minutes, that's when I flip. Okay, 120 00:06:48,120 --> 00:06:50,800 Speaker 1: I have no problem with that. I have a feeling that, um, 121 00:06:52,000 --> 00:06:53,640 Speaker 1: you're not going to be cooking for me on the 122 00:06:53,720 --> 00:06:56,719 Speaker 1: road in Indianapolis. I have a feeling that that that somehow, 123 00:06:56,800 --> 00:06:59,880 Speaker 1: some way that will will not work out, whether it 124 00:07:00,240 --> 00:07:03,120 Speaker 1: skill it problem, whether it's an airbnb. By the way, 125 00:07:03,160 --> 00:07:07,279 Speaker 1: have you secured our airbnb for our trip the twenty third, 126 00:07:07,320 --> 00:07:10,800 Speaker 1: twenty fourth, and twenty fifth in Indianapolis? Have you have 127 00:07:10,880 --> 00:07:13,480 Speaker 1: you zeroed in on a place for us? Oh? Well, 128 00:07:13,520 --> 00:07:16,400 Speaker 1: I've narrowed it down. I created a wish list on Airbnb. 129 00:07:16,400 --> 00:07:18,040 Speaker 1: But that's something I'm so glad you reminded me of 130 00:07:18,040 --> 00:07:20,120 Speaker 1: that because I need to send that wish list out 131 00:07:20,160 --> 00:07:22,520 Speaker 1: to you. Um. But it just seems like there's not 132 00:07:22,560 --> 00:07:24,000 Speaker 1: a lot of like I thought I was going to 133 00:07:24,080 --> 00:07:26,880 Speaker 1: be like, oh, we're on your budget, we're on your dime. 134 00:07:26,960 --> 00:07:29,120 Speaker 1: Like maybe we're like looking into some castles or some 135 00:07:29,160 --> 00:07:31,840 Speaker 1: houses or some like many like mini mansions, you know, 136 00:07:31,960 --> 00:07:34,600 Speaker 1: like that that you know. But I all I've been 137 00:07:34,600 --> 00:07:38,440 Speaker 1: finding is like apartment complexes where it's like it's it's 138 00:07:38,440 --> 00:07:40,960 Speaker 1: so hard to just find like two beds in an apartment, 139 00:07:41,000 --> 00:07:44,760 Speaker 1: and so I'm finding two beds. Otherwise, are you be 140 00:07:44,840 --> 00:07:49,560 Speaker 1: on that couch? You be on that couch? You feel me? Well, 141 00:07:49,600 --> 00:07:52,000 Speaker 1: I'm not flying all the way to Indianapolis, coach, and 142 00:07:52,240 --> 00:07:54,080 Speaker 1: I also have a layover, by the way, like somehow 143 00:07:54,080 --> 00:07:56,160 Speaker 1: you managed to get me a layover. Ye, So I'm 144 00:07:56,200 --> 00:07:59,640 Speaker 1: actually I'm actually stopping in Dallas for about four hours 145 00:08:00,120 --> 00:08:01,880 Speaker 1: and I'm gonna be at the back of the plane again. 146 00:08:01,920 --> 00:08:03,920 Speaker 1: But I am stopping in Dallas for like four hours, 147 00:08:03,920 --> 00:08:06,480 Speaker 1: and so I don't want to go to the airbnbn 148 00:08:06,520 --> 00:08:08,040 Speaker 1: be sleeping on a couch like I might as well 149 00:08:08,080 --> 00:08:10,880 Speaker 1: just do all that in my house in bed. It's 150 00:08:10,880 --> 00:08:13,520 Speaker 1: gonna be good. Now, let me ask you something we 151 00:08:13,760 --> 00:08:20,320 Speaker 1: talked off podcast about Everything. Well, how do you say 152 00:08:20,320 --> 00:08:25,520 Speaker 1: the film Everything Everywhere, all at once? That's it, which 153 00:08:25,720 --> 00:08:30,160 Speaker 1: I just watched last night. Now, you mentioned on the 154 00:08:30,160 --> 00:08:34,240 Speaker 1: podcast that you liked it. I watched it last night 155 00:08:34,520 --> 00:08:43,280 Speaker 1: and it was ridiculously, incredibly creative. I actually read a pamphlet. 156 00:08:44,160 --> 00:08:47,680 Speaker 1: It should come with a pamphlet like a reference book, 157 00:08:48,240 --> 00:08:51,280 Speaker 1: because it's so in my opinion, and I don't mean 158 00:08:51,280 --> 00:08:54,880 Speaker 1: this in any disrespectful way. Because after reading about it, 159 00:08:54,960 --> 00:09:00,720 Speaker 1: I want to watch it again. But everything every everywhere? 160 00:09:00,920 --> 00:09:05,080 Speaker 1: What is it? Everything everywhere all at once, everything everywhere, 161 00:09:05,120 --> 00:09:10,280 Speaker 1: all at once, Like I said, incredibly creative and has 162 00:09:10,400 --> 00:09:15,480 Speaker 1: just so many subliminal meanings. I felt like you should 163 00:09:15,520 --> 00:09:19,320 Speaker 1: read the pamphlet and read the sort of like it 164 00:09:19,320 --> 00:09:21,880 Speaker 1: should come with, like some sort of like manual like 165 00:09:21,880 --> 00:09:25,280 Speaker 1: a Direction's Kid or something like that, because I found 166 00:09:25,320 --> 00:09:28,720 Speaker 1: it extremely confusing. And me and my wife we shut 167 00:09:28,760 --> 00:09:32,199 Speaker 1: the phones, we shut the curtains, we shut everything down, 168 00:09:32,160 --> 00:09:33,880 Speaker 1: and we were like, we need to watch this movie 169 00:09:33,880 --> 00:09:36,800 Speaker 1: that you know obviously, you know, so many people love 170 00:09:36,880 --> 00:09:39,160 Speaker 1: and have been talking about it, and they swept up 171 00:09:39,160 --> 00:09:43,120 Speaker 1: the oscars. And like I said, after reading the article 172 00:09:43,280 --> 00:09:45,760 Speaker 1: with all the Easter aids and all that stuff, I 173 00:09:45,880 --> 00:09:48,920 Speaker 1: was able to make better understanding of it if and 174 00:09:49,000 --> 00:09:53,120 Speaker 1: when I do watch it one more time. What were 175 00:09:53,120 --> 00:09:55,360 Speaker 1: you able to take away from that film? Were you 176 00:09:55,400 --> 00:09:57,960 Speaker 1: able to understand what the fuck was going on? Yeah? 177 00:09:57,960 --> 00:10:01,000 Speaker 1: Oh no, honestly, I'm not gonna lie like I just 178 00:10:01,120 --> 00:10:03,720 Speaker 1: I've realized I wanted to be like, oh yes, I 179 00:10:03,760 --> 00:10:06,360 Speaker 1: absolutely loved it. I loved it because that's it seems 180 00:10:06,360 --> 00:10:08,679 Speaker 1: like everyone has been saying that they're just like, this 181 00:10:08,760 --> 00:10:11,520 Speaker 1: is the greatest movie, best movie of the year. I 182 00:10:12,120 --> 00:10:15,640 Speaker 1: liked it. I thought it was very creative. Obviously super 183 00:10:15,679 --> 00:10:18,560 Speaker 1: fucking creative. The directors are so talented. They come from 184 00:10:18,559 --> 00:10:22,080 Speaker 1: a music video world, so they have that edge on them, 185 00:10:22,160 --> 00:10:24,280 Speaker 1: like over a lot of other directors and stuff, and 186 00:10:24,320 --> 00:10:28,520 Speaker 1: so they're very creative. But I just don't like the 187 00:10:28,640 --> 00:10:32,040 Speaker 1: multiverse world. It's like, I'm trying to escape these Marvel 188 00:10:32,520 --> 00:10:35,760 Speaker 1: movies and all these superhero movies where it's all the multiverse. 189 00:10:36,800 --> 00:10:40,439 Speaker 1: And this movie it was cool because it was very 190 00:10:40,440 --> 00:10:43,720 Speaker 1: creative and everything, but it's still touched upon that whole 191 00:10:43,880 --> 00:10:47,160 Speaker 1: you know, different universes and how she's got to save 192 00:10:48,120 --> 00:10:51,400 Speaker 1: existence by exploring other universes and all that stuff, and 193 00:10:51,440 --> 00:10:54,480 Speaker 1: I just I don't love that. Like topic, I don't 194 00:10:54,480 --> 00:10:57,000 Speaker 1: love that, but I still thought it was very creative. 195 00:10:57,040 --> 00:10:59,040 Speaker 1: I thought that the acting was really great. I love 196 00:10:59,120 --> 00:11:02,480 Speaker 1: seeing hua Quan. I think I'm pronouncing it right, but 197 00:11:03,120 --> 00:11:05,720 Speaker 1: Data from the Goonies. I grew up on the Goonies, 198 00:11:05,720 --> 00:11:08,240 Speaker 1: and I think everybody did. Everyone loves that movie, and 199 00:11:08,240 --> 00:11:12,080 Speaker 1: so seeing him and from Indiana Jones make a crazy 200 00:11:12,120 --> 00:11:14,040 Speaker 1: comeback and he was great in it. I mean, he was. 201 00:11:14,360 --> 00:11:15,920 Speaker 1: He was honestly great in it. I thought he was 202 00:11:15,960 --> 00:11:18,839 Speaker 1: so good. Everybody was good. But I don't. I didn't 203 00:11:18,880 --> 00:11:21,120 Speaker 1: love the movie, and I have to agree with you. 204 00:11:21,200 --> 00:11:23,079 Speaker 1: I liked it, but I have to agree with you. 205 00:11:23,120 --> 00:11:26,280 Speaker 1: I thought it was super confusing. It was just like 206 00:11:26,360 --> 00:11:28,760 Speaker 1: it was a trip. It was a fucking trip. Yeah. 207 00:11:28,760 --> 00:11:30,559 Speaker 1: I mean, some of these people that say they love 208 00:11:30,600 --> 00:11:34,120 Speaker 1: it so much, I would love it if they came 209 00:11:34,280 --> 00:11:37,920 Speaker 1: on the podcast and explain what the fucking movie was about. Because, 210 00:11:37,920 --> 00:11:41,360 Speaker 1: like I said, after reading like the little pamphlet, the 211 00:11:41,679 --> 00:11:45,880 Speaker 1: Guide to Everywhere, everything all at once, I was able 212 00:11:45,880 --> 00:11:48,719 Speaker 1: to make sense of it. But while I was watching it, 213 00:11:48,760 --> 00:11:51,840 Speaker 1: I was like, what the fuck is going on? And 214 00:11:51,960 --> 00:11:55,320 Speaker 1: it's interesting because so many films and so many television 215 00:11:55,360 --> 00:12:00,040 Speaker 1: shows today are dealing with the metaverse, the multiverse, the 216 00:12:00,800 --> 00:12:05,640 Speaker 1: subliminal and all this, like the TV show Severance and yeah, 217 00:12:05,679 --> 00:12:09,040 Speaker 1: you know, identity and switching identity and you know in 218 00:12:09,120 --> 00:12:12,240 Speaker 1: reality and you're not in reality. And I don't know 219 00:12:12,360 --> 00:12:17,400 Speaker 1: what that's about. But for me, you know, historically and traditionally, 220 00:12:17,440 --> 00:12:20,920 Speaker 1: when it comes to movies that I respond to and 221 00:12:20,920 --> 00:12:23,800 Speaker 1: that resonate with me, none of them take place in 222 00:12:23,840 --> 00:12:29,800 Speaker 1: the multiverse, multiverse, the subliminal. They all take place in reality. 223 00:12:30,160 --> 00:12:36,960 Speaker 1: Because if I asked you Young Shooter, Duced Patino, Deuce Collins, hey, 224 00:12:37,040 --> 00:12:39,400 Speaker 1: what's this movie about? Where you would you be even 225 00:12:39,440 --> 00:12:41,920 Speaker 1: able to make an explanation of what this movie's about? 226 00:12:42,200 --> 00:12:45,000 Speaker 1: Like honestly, like if somebody said to you, what's this 227 00:12:45,040 --> 00:12:47,480 Speaker 1: movie about? Are you able to art? Because I'd be like, 228 00:12:47,880 --> 00:12:50,480 Speaker 1: I have no fucking idea. No, I have a hard 229 00:12:50,480 --> 00:12:53,679 Speaker 1: time articulating like basic movies. And to throw that one 230 00:12:53,720 --> 00:12:55,320 Speaker 1: at me, I mean that's like, fuck, I need to 231 00:12:55,400 --> 00:12:57,560 Speaker 1: I need to do my research. But yeah, it's just 232 00:12:57,600 --> 00:13:00,000 Speaker 1: like a mind fuck. I don't know all these different universes. 233 00:13:00,240 --> 00:13:02,360 Speaker 1: It was creative, it was cool. I do have a 234 00:13:02,360 --> 00:13:04,319 Speaker 1: little tidbit. I wasn't even going to bring it up 235 00:13:04,320 --> 00:13:06,280 Speaker 1: on the podcast, but I thought it was a cool story. 236 00:13:06,559 --> 00:13:09,960 Speaker 1: I thought, I think it's inspiring. The only reason that 237 00:13:10,040 --> 00:13:12,760 Speaker 1: I'm like kind of attached to this movie even though 238 00:13:12,760 --> 00:13:15,600 Speaker 1: I didn't love it, And I'm attached to those directors, 239 00:13:15,640 --> 00:13:19,880 Speaker 1: the Daniels who won everything at the Oscars. They won 240 00:13:20,200 --> 00:13:24,400 Speaker 1: Best Picture, Best Director, all the acting, everything. So I've 241 00:13:24,440 --> 00:13:29,080 Speaker 1: been following their career for since twenty twelve and basically, 242 00:13:29,360 --> 00:13:33,200 Speaker 1: when I was doing music with my band Pacific back 243 00:13:33,200 --> 00:13:35,600 Speaker 1: in the day in twenty twelve, they had not done 244 00:13:35,720 --> 00:13:38,319 Speaker 1: a movie. They hadn't done their feature film at all, 245 00:13:38,360 --> 00:13:41,320 Speaker 1: and they had only done music videos. And I watched 246 00:13:41,360 --> 00:13:44,760 Speaker 1: a music video that they directed for the band The Shins, 247 00:13:45,200 --> 00:13:48,080 Speaker 1: and I ended up finding their email and I emailed 248 00:13:48,120 --> 00:13:52,280 Speaker 1: them and I just wrote to them, which is crazy 249 00:13:52,320 --> 00:13:54,640 Speaker 1: because I looked at this email. I found it eleven 250 00:13:54,720 --> 00:13:57,480 Speaker 1: years ago. I wrote to the Daniels and it was 251 00:13:57,600 --> 00:14:01,640 Speaker 1: on March twelfth, twenty twelve, which was the day of 252 00:14:01,679 --> 00:14:05,640 Speaker 1: the Oscars that they would win Best Picture, Best Directors 253 00:14:05,720 --> 00:14:08,719 Speaker 1: the day. Eleven years to the day, I wrote them 254 00:14:08,880 --> 00:14:10,600 Speaker 1: and I said, I wanted to let you guys know. 255 00:14:10,760 --> 00:14:12,920 Speaker 1: You know, I loved the work that you did for 256 00:14:12,960 --> 00:14:15,840 Speaker 1: this music video was amazing. I can't stop watching it. 257 00:14:15,880 --> 00:14:18,800 Speaker 1: And as a young musician and an aspiring filmmaker, I 258 00:14:18,800 --> 00:14:21,120 Speaker 1: think you guys are awesome and I'm in this band 259 00:14:21,160 --> 00:14:22,880 Speaker 1: and I would it would mean the world to me 260 00:14:22,920 --> 00:14:25,200 Speaker 1: if you listen to this new song that we're putting 261 00:14:25,200 --> 00:14:27,240 Speaker 1: out at the end of this month, we're putting out 262 00:14:27,240 --> 00:14:29,160 Speaker 1: an EP. I would love to hear what you guys think. 263 00:14:29,160 --> 00:14:32,080 Speaker 1: And I found this email of that day of the 264 00:14:32,120 --> 00:14:34,600 Speaker 1: Oscars eleven years ago that they wrote me back and 265 00:14:34,640 --> 00:14:38,240 Speaker 1: they said, Hey, man, we're so glad you're into our stuff. 266 00:14:38,240 --> 00:14:40,240 Speaker 1: It's surreal to be at a place in our lives 267 00:14:40,280 --> 00:14:43,920 Speaker 1: where people are taking inspiration from us. Listen to your track. 268 00:14:44,000 --> 00:14:47,280 Speaker 1: It's really solid. Man. You guys have a cool, nice 269 00:14:47,320 --> 00:14:50,440 Speaker 1: throwback sound. Good luck with the release and everything. Keep 270 00:14:50,480 --> 00:14:53,960 Speaker 1: at it. And I just was tripped out by the 271 00:14:53,960 --> 00:14:57,240 Speaker 1: fact that I wrote that to them eleven years to 272 00:14:57,320 --> 00:15:00,760 Speaker 1: the day that they would win all all these awards. 273 00:15:00,800 --> 00:15:03,160 Speaker 1: So I've I've been following their career since back then, 274 00:15:03,160 --> 00:15:05,160 Speaker 1: and I think they're extremely talented and I think they 275 00:15:05,200 --> 00:15:08,160 Speaker 1: deserve everything. But I just thought that was a cool 276 00:15:08,200 --> 00:15:11,040 Speaker 1: little tidbit. So I've been following them. Have they made 277 00:15:11,080 --> 00:15:13,200 Speaker 1: another film or was this the first film they made. 278 00:15:13,800 --> 00:15:17,080 Speaker 1: They made a movie before this called Swiss Army Men, 279 00:15:17,400 --> 00:15:21,840 Speaker 1: starring Daniel Radcliffe and Paul Dano, and that was the 280 00:15:21,880 --> 00:15:24,360 Speaker 1: only other movie. It was a weird movie. It was 281 00:15:24,400 --> 00:15:26,920 Speaker 1: like it was like Daniel Radcliff's like a dead body 282 00:15:27,000 --> 00:15:29,960 Speaker 1: and Paul Dano's like using his body. It's so weird. 283 00:15:30,120 --> 00:15:32,440 Speaker 1: But that was their only other movie. But I just 284 00:15:32,440 --> 00:15:36,160 Speaker 1: remember them being extremely talented music video directors and like 285 00:15:36,480 --> 00:15:39,320 Speaker 1: their work was awesome, so it was cool to see them, 286 00:15:39,440 --> 00:15:42,480 Speaker 1: you know, win everything. I didn't particularly love the movie, 287 00:15:42,520 --> 00:15:44,360 Speaker 1: but I still thought it was you can't deny it 288 00:15:44,400 --> 00:16:04,240 Speaker 1: was super creative. It's been a few days since the Oscars, 289 00:16:04,280 --> 00:16:06,760 Speaker 1: and I gotta tell you, Um, obviously I went super 290 00:16:06,840 --> 00:16:11,320 Speaker 1: viral because I was really upset, and I truly was upset, 291 00:16:11,440 --> 00:16:16,320 Speaker 1: like truly truly was upset about the in memorium people 292 00:16:16,320 --> 00:16:20,560 Speaker 1: that they forgot. They forgot so many people at the 293 00:16:20,640 --> 00:16:25,440 Speaker 1: Oscars to give them their their farewell on the biggest 294 00:16:25,480 --> 00:16:29,680 Speaker 1: stage that you could get during the Academy Awards. And 295 00:16:30,440 --> 00:16:32,440 Speaker 1: you know, on last time on the podcast I was 296 00:16:32,480 --> 00:16:35,560 Speaker 1: talking about I didn't even realize that they didn't even 297 00:16:35,600 --> 00:16:39,960 Speaker 1: have Gilbert Godfried wasn't in there, um, which I think 298 00:16:40,040 --> 00:16:45,479 Speaker 1: is crazy. And I realized last year they forgot Bob Saggett. Yeah, 299 00:16:45,520 --> 00:16:48,120 Speaker 1: they forgot Bob Saggett last year, which is also crazy, 300 00:16:48,120 --> 00:16:51,240 Speaker 1: but yeah, I mean they forgot. Look, they do this 301 00:16:51,280 --> 00:16:55,040 Speaker 1: every year. There's always people that have forgotten I don't know, 302 00:16:55,080 --> 00:16:57,880 Speaker 1: and they they've stood by their decisions. They're like, you know, 303 00:16:57,960 --> 00:17:01,880 Speaker 1: look these people we can only fit into a certain 304 00:17:01,920 --> 00:17:04,360 Speaker 1: amount of time. But they live on our website. If 305 00:17:04,359 --> 00:17:06,119 Speaker 1: you go to our website, they're up here. But it's like, 306 00:17:06,200 --> 00:17:09,080 Speaker 1: that's horseshit. You know, they forgot Tom size More, they 307 00:17:09,200 --> 00:17:13,639 Speaker 1: forgot William Hurt, they forgot Gilbert Godfried, they forgot Paul Sorvino, 308 00:17:15,000 --> 00:17:16,879 Speaker 1: who else or you know who else they forgot. They 309 00:17:16,920 --> 00:17:22,800 Speaker 1: forgot Barbara Walters. Yo, they live on on the website. 310 00:17:22,840 --> 00:17:25,800 Speaker 1: Nobody's going to the website, you know. And now the 311 00:17:25,920 --> 00:17:30,040 Speaker 1: story about Paul Sorvino is somehow about Mirror Sorvino because 312 00:17:30,080 --> 00:17:34,800 Speaker 1: she tweeted something out very sweet and tasteful, and I'm like, no, 313 00:17:34,880 --> 00:17:37,080 Speaker 1: it shouldn't be about Mirror Savino. It should be about 314 00:17:37,080 --> 00:17:42,200 Speaker 1: the person who's responsible for forgetting Paul Sorvino. That's who 315 00:17:42,240 --> 00:17:44,600 Speaker 1: I want to see. I don't want this story to 316 00:17:44,640 --> 00:17:46,879 Speaker 1: be about Mirror Sorvino. I don't want the story to 317 00:17:46,880 --> 00:17:48,600 Speaker 1: be about me. I want about be about the person 318 00:17:48,640 --> 00:17:51,399 Speaker 1: who got fired for fucking up, because that's just a 319 00:17:51,520 --> 00:17:54,120 Speaker 1: fuck up. They don't just live on them. Oh, I'm 320 00:17:54,119 --> 00:17:58,040 Speaker 1: gonna go to the Academy Award website to do like 321 00:17:58,080 --> 00:18:02,560 Speaker 1: a deep dig on who you forgot. No, it's it's ridiculous. 322 00:18:02,600 --> 00:18:06,640 Speaker 1: They need a committee that's like dedicated to that, like 323 00:18:06,760 --> 00:18:09,640 Speaker 1: the in memorium section, not like production assistance and all 324 00:18:09,640 --> 00:18:12,000 Speaker 1: these people. But I mean, yeah, it's crazy. They forgot 325 00:18:12,040 --> 00:18:14,840 Speaker 1: so many people, and they always do, they always do. 326 00:18:14,960 --> 00:18:17,720 Speaker 1: But they you know, apparently they stand by their decision. 327 00:18:17,760 --> 00:18:19,680 Speaker 1: But I was shocked. I was. I noticed that too. 328 00:18:19,720 --> 00:18:22,119 Speaker 1: There were a ton of people in that in that 329 00:18:22,160 --> 00:18:26,040 Speaker 1: broadcast that just weren't included, which was super disrespectful. They've 330 00:18:26,080 --> 00:18:29,560 Speaker 1: dedicated their whole lives to their craft and to that industry. 331 00:18:29,680 --> 00:18:31,720 Speaker 1: And like I said on the last podcast, and I'm 332 00:18:31,800 --> 00:18:36,400 Speaker 1: holding your feet to the fire, Dean, if and when 333 00:18:36,480 --> 00:18:40,679 Speaker 1: I ever do pass away, if they forget me at 334 00:18:40,680 --> 00:18:45,320 Speaker 1: the Academy Awards, I want blood in the fucking streets. 335 00:18:45,920 --> 00:18:52,119 Speaker 1: I want bodies in the streets. I want fucking bodies 336 00:18:52,680 --> 00:18:56,440 Speaker 1: outside the Academy Award building. And I'm holding you responsible 337 00:18:56,480 --> 00:18:59,480 Speaker 1: for that. Say I will make sure that there's blood 338 00:18:59,480 --> 00:19:02,160 Speaker 1: in the street and bodies piled up. Say it right now. 339 00:19:02,720 --> 00:19:04,919 Speaker 1: I promise you. I will do whatever I can to 340 00:19:05,080 --> 00:19:07,959 Speaker 1: make sure that you get up in that immemorium section. 341 00:19:08,240 --> 00:19:10,479 Speaker 1: But I don't want to have anything to do with 342 00:19:10,520 --> 00:19:12,840 Speaker 1: blood on the streets, blood in the streets. I'm not 343 00:19:12,920 --> 00:19:15,359 Speaker 1: a fighter, and like, if they forget you, they forget you, 344 00:19:15,440 --> 00:19:17,240 Speaker 1: Like that's I don't know what to tell you. I 345 00:19:17,240 --> 00:19:19,040 Speaker 1: can There's only so much I could do on my 346 00:19:19,200 --> 00:19:21,600 Speaker 1: end to push that campaign for you to get in 347 00:19:21,640 --> 00:19:23,919 Speaker 1: that immemorium. But I mean, let's face it, if they 348 00:19:23,960 --> 00:19:28,280 Speaker 1: forgot Paul Sorvino and Anne Haje and Barbara Walters, I 349 00:19:28,400 --> 00:19:30,560 Speaker 1: have there's just like a strong inkling that I could 350 00:19:30,600 --> 00:19:34,040 Speaker 1: feel that they're probably gonna forget you. And I don't 351 00:19:34,080 --> 00:19:35,760 Speaker 1: want to be rude about it, and that's not me. 352 00:19:35,960 --> 00:19:38,320 Speaker 1: I totally would include you. I'd put you right there. 353 00:19:38,720 --> 00:19:41,159 Speaker 1: You would have been where Olivia Newton John was. It 354 00:19:41,200 --> 00:19:44,240 Speaker 1: would have opened with you, Michael Rappaport, and it would 355 00:19:44,240 --> 00:19:47,920 Speaker 1: have been you little motherfuck? Are you No, I'm saying 356 00:19:47,920 --> 00:19:49,560 Speaker 1: I have your back. I'm saying I have your back. 357 00:19:49,600 --> 00:19:52,280 Speaker 1: I'm just saying I just have a feeling that maybe 358 00:19:52,320 --> 00:19:56,879 Speaker 1: you'd be forgotten in that category. I hope not. I 359 00:19:56,960 --> 00:19:59,639 Speaker 1: hope that I'm completely wrong about that, But you know 360 00:19:59,680 --> 00:20:01,720 Speaker 1: that I'll I'll go to bat for you, always have always, 361 00:20:01,720 --> 00:20:03,520 Speaker 1: So what are you willing to do. You just said 362 00:20:03,520 --> 00:20:06,600 Speaker 1: you're not willing to ensure that there will be blood 363 00:20:06,600 --> 00:20:09,800 Speaker 1: in the streets and bodies piled up. So how far 364 00:20:09,840 --> 00:20:12,880 Speaker 1: are you willing to take things. I'm willing to hop 365 00:20:12,880 --> 00:20:15,800 Speaker 1: on the on a phone call and call the academy 366 00:20:16,040 --> 00:20:18,720 Speaker 1: or call the production assistance or the office and say, hey, like, 367 00:20:19,200 --> 00:20:21,359 Speaker 1: it'd be awesome if you can include him. But I 368 00:20:21,359 --> 00:20:24,040 Speaker 1: don't know what more I could do than that. I'm 369 00:20:24,040 --> 00:20:26,840 Speaker 1: not gonna like fucking protest on the streets about it. Wow. 370 00:20:28,359 --> 00:20:30,199 Speaker 1: I would hope that that I wouldn't even have to 371 00:20:30,240 --> 00:20:32,080 Speaker 1: make that phone call. I would have hoped that your 372 00:20:32,119 --> 00:20:36,480 Speaker 1: peers would would gladly accept you in that immemorium section. 373 00:20:36,520 --> 00:20:38,360 Speaker 1: But we don't need to talk about that because that's 374 00:20:38,400 --> 00:20:42,200 Speaker 1: not happening anytime soon, anytime soon, anytime soon, because I'm 375 00:20:42,200 --> 00:20:46,640 Speaker 1: only fifty two, which brings me I'm only fifty two, 376 00:20:47,280 --> 00:20:50,480 Speaker 1: but in a few days I will be fifty three. 377 00:20:50,720 --> 00:20:54,680 Speaker 1: I am turning fifty three years old on March twentieth. 378 00:20:54,680 --> 00:20:58,360 Speaker 1: As everybody knows, we do the podcast every year. It's 379 00:20:58,400 --> 00:21:03,240 Speaker 1: my birthday. Every year's Dean's birthday. I said the other day, 380 00:21:03,320 --> 00:21:06,879 Speaker 1: I'm not that thrilled to be the number fifty three. 381 00:21:07,600 --> 00:21:10,920 Speaker 1: It doesn't sound good because I realized my inner child 382 00:21:11,040 --> 00:21:14,440 Speaker 1: is still like a fourteen year old boy, and then 383 00:21:14,680 --> 00:21:18,920 Speaker 1: my brain is the brain of a ninety one year old, 384 00:21:19,640 --> 00:21:29,200 Speaker 1: flammed up, frustrated, back, aching, foot, swollen, ninety one year old. 385 00:21:30,119 --> 00:21:33,159 Speaker 1: So I'm fucked up. It's crazy because this is the 386 00:21:33,200 --> 00:21:36,040 Speaker 1: first day that you've mentioned that it's almost your birthday. 387 00:21:36,240 --> 00:21:38,199 Speaker 1: And I was thinking about that the other day. I 388 00:21:38,240 --> 00:21:40,000 Speaker 1: was like, oh my god, your birthday is coming up 389 00:21:40,000 --> 00:21:43,400 Speaker 1: and you haven't said a word about it, And it 390 00:21:43,440 --> 00:21:45,800 Speaker 1: was so strange to me because you've always you've mentioned 391 00:21:45,800 --> 00:21:48,840 Speaker 1: your birthday coming up, like a month prior. It'll be 392 00:21:48,840 --> 00:21:51,119 Speaker 1: like February twenty to be like, guess who's birthday is 393 00:21:51,119 --> 00:21:53,600 Speaker 1: coming up in one month, in five hours from now, 394 00:21:53,800 --> 00:21:55,840 Speaker 1: it's my birthday. Don't forget a gift. And it's like 395 00:21:55,960 --> 00:21:57,600 Speaker 1: it's already like it isn't a couple of days and 396 00:21:57,640 --> 00:21:59,480 Speaker 1: you haven't said a word about it. And I found 397 00:21:59,520 --> 00:22:01,879 Speaker 1: that really fascinating. And I don't know what that was about, 398 00:22:01,880 --> 00:22:04,040 Speaker 1: but you're just seeming a little bit more humble this year. 399 00:22:04,240 --> 00:22:06,920 Speaker 1: Do you have anything planned? Are you getting me a gift? 400 00:22:06,920 --> 00:22:09,640 Speaker 1: Are you bringing me a gift to Indianapolis. Because when 401 00:22:09,640 --> 00:22:13,160 Speaker 1: we're in Indianapolis at the Helium improv they four twenty fifth, 402 00:22:13,640 --> 00:22:16,480 Speaker 1: I will have been fifty three. It'll be a few 403 00:22:16,560 --> 00:22:19,680 Speaker 1: days after my birthday. Do you have any surprises? You 404 00:22:19,720 --> 00:22:21,040 Speaker 1: don't have to give this surprise now, but do you 405 00:22:21,119 --> 00:22:23,240 Speaker 1: have anything planned? Let's just put it that way. Do 406 00:22:23,280 --> 00:22:25,879 Speaker 1: you have anything planned that you you might want to 407 00:22:25,880 --> 00:22:29,520 Speaker 1: just sort of hint at for the week in Indianapolis. 408 00:22:30,240 --> 00:22:33,640 Speaker 1: I mean, look, I've thought about this long and hard, 409 00:22:33,720 --> 00:22:36,080 Speaker 1: and it's like, what do you get a man who 410 00:22:36,160 --> 00:22:39,040 Speaker 1: has everything? You know what I'm saying, like what you 411 00:22:39,119 --> 00:22:42,120 Speaker 1: have it all? You got it all? Like what do 412 00:22:42,280 --> 00:22:44,719 Speaker 1: you want? And you tell me what you want and 413 00:22:44,760 --> 00:22:46,359 Speaker 1: I will get it. And I know that kind of 414 00:22:46,359 --> 00:22:48,080 Speaker 1: defeats the purpose of like like I want to get 415 00:22:48,119 --> 00:22:51,119 Speaker 1: you something special, um, but you know it like I did. 416 00:22:51,160 --> 00:22:53,399 Speaker 1: Remember I got you that candle? Remember I got you 417 00:22:53,440 --> 00:22:55,199 Speaker 1: that candle? That one that one year? I got you 418 00:22:55,240 --> 00:23:00,360 Speaker 1: that really nice candle. Yeah you might you remember that? Though? 419 00:23:00,560 --> 00:23:02,760 Speaker 1: When what when was it? Was that when I moved 420 00:23:02,840 --> 00:23:04,880 Speaker 1: or was that when I turned fifty? What when was that? 421 00:23:04,880 --> 00:23:08,159 Speaker 1: That was years ago? That was Bob'm just saying that 422 00:23:08,240 --> 00:23:11,920 Speaker 1: was no that was no fucking years ago. Mom, Listen, 423 00:23:11,920 --> 00:23:13,560 Speaker 1: I don't give a fuck about what you got me 424 00:23:13,600 --> 00:23:17,679 Speaker 1: in the past. You fuck I. I'm concerned about what 425 00:23:17,800 --> 00:23:22,120 Speaker 1: you're going to get me for turning fifty three because 426 00:23:22,119 --> 00:23:24,840 Speaker 1: I'm not happy about it. Man, I'm not. I'm not 427 00:23:24,880 --> 00:23:28,960 Speaker 1: happy because my image, Like, I'm just starting to get 428 00:23:29,160 --> 00:23:32,080 Speaker 1: get concerned because I'm like, do you know how like 429 00:23:32,160 --> 00:23:34,320 Speaker 1: you know older men now, like you see them, they're 430 00:23:34,359 --> 00:23:36,159 Speaker 1: in their little suits, in their hats, Like, am I 431 00:23:36,160 --> 00:23:39,480 Speaker 1: supposed to just suddenly start dressing like that? Or what 432 00:23:39,560 --> 00:23:42,200 Speaker 1: do I do? Can I no longer wear Jordan's? Should 433 00:23:42,240 --> 00:23:44,760 Speaker 1: I hand in all my fancy kashmere? Do I not 434 00:23:44,840 --> 00:23:46,280 Speaker 1: like what am I supposed to do? How do you 435 00:23:46,400 --> 00:23:48,639 Speaker 1: dress appropriately as a fifty three year old man in 436 00:23:48,640 --> 00:23:51,520 Speaker 1: twenty twenty three? Fuck? No, man, don't don't let that 437 00:23:51,520 --> 00:23:53,600 Speaker 1: ship into your head. I think I think your fashion 438 00:23:53,640 --> 00:23:56,480 Speaker 1: sense has gotten way better than when you were fucking 439 00:23:56,520 --> 00:23:58,920 Speaker 1: in your thirties. I think you've become like somewhat of 440 00:23:58,960 --> 00:24:01,320 Speaker 1: a fashion icon. Now. People are snapping photos of you 441 00:24:01,400 --> 00:24:04,840 Speaker 1: in the row jackets and your Kashmir and Captain Kashmir 442 00:24:04,920 --> 00:24:07,359 Speaker 1: and King of Kashmir and all that stuff, and I 443 00:24:07,359 --> 00:24:08,840 Speaker 1: think what you're doing is great. I don't think that 444 00:24:08,880 --> 00:24:11,919 Speaker 1: you should stop any of that. I think it's inspiring 445 00:24:11,960 --> 00:24:14,440 Speaker 1: to other people. It's inspiring to someone who's in their thirties, 446 00:24:14,480 --> 00:24:16,800 Speaker 1: who's gonna be thirty three in a few months, someone 447 00:24:16,880 --> 00:24:19,440 Speaker 1: like me. I think that maybe you know, your outfits 448 00:24:19,480 --> 00:24:21,720 Speaker 1: don't change, your style doesn't change, but maybe you look 449 00:24:21,720 --> 00:24:27,280 Speaker 1: into start transitioning into different kind of acting work. You know. 450 00:24:27,320 --> 00:24:29,679 Speaker 1: I was thinking about that recently. It's like, you know, 451 00:24:29,720 --> 00:24:32,160 Speaker 1: a lot of famous people start going into those commercials 452 00:24:32,160 --> 00:24:36,360 Speaker 1: where they're like, you know, hey, you have dick problems. 453 00:24:36,880 --> 00:24:38,880 Speaker 1: You should try viagraa you know, like you know, when 454 00:24:38,880 --> 00:24:41,199 Speaker 1: they start doing those infomercials and things like that, for like, 455 00:24:41,600 --> 00:24:43,879 Speaker 1: your cholesterol could start going up at this age, and 456 00:24:43,960 --> 00:24:45,960 Speaker 1: I'm taking this medication, and I think that you should 457 00:24:45,960 --> 00:24:49,840 Speaker 1: take this medication. I think it's something to explore. Time out. Motherfucker. 458 00:24:50,400 --> 00:24:53,720 Speaker 1: I don't have no dick problems. Motherfucker. I know I'm 459 00:24:53,760 --> 00:24:58,879 Speaker 1: not saying hocking dick pills when I don't have actual 460 00:24:59,000 --> 00:25:02,080 Speaker 1: dick problems. The fuck are you talking about? I mean, 461 00:25:02,080 --> 00:25:03,919 Speaker 1: if I'm gonna do, if I'm gonna do something like 462 00:25:03,960 --> 00:25:06,479 Speaker 1: age appropriate, I'm gonna be like, hey, I wake up 463 00:25:06,720 --> 00:25:09,800 Speaker 1: and I plank. Okay, Hey, I wake up and I 464 00:25:09,920 --> 00:25:12,639 Speaker 1: do a five minute sit up routine. Do you okay? 465 00:25:12,680 --> 00:25:14,399 Speaker 1: I like that. I see that's that's a part of 466 00:25:14,440 --> 00:25:16,600 Speaker 1: brainstorming the ideas, you know what I mean. Like that's 467 00:25:16,640 --> 00:25:18,399 Speaker 1: that's a part of the whole thing. Like that's what 468 00:25:18,440 --> 00:25:20,040 Speaker 1: I wanted to talk to you about. Like that's that's 469 00:25:20,040 --> 00:25:22,080 Speaker 1: a much better idea than the viagra pills. I think 470 00:25:22,080 --> 00:25:24,160 Speaker 1: that doing the sit ups and the planks, like maybe 471 00:25:24,160 --> 00:25:25,800 Speaker 1: that could be your niche, you know, but I just 472 00:25:25,800 --> 00:25:27,959 Speaker 1: don't think that there's anything wrong with going down that 473 00:25:28,040 --> 00:25:30,720 Speaker 1: road at your age. Like Brian Cox from a succession, 474 00:25:30,760 --> 00:25:33,040 Speaker 1: he's doing the voice of McDonald's. You know, he says, 475 00:25:33,080 --> 00:25:35,120 Speaker 1: butt up, Up, up up. It's just maybe you don't 476 00:25:35,119 --> 00:25:40,359 Speaker 1: do McDonald's. Maybe you do health things. Um, maybe you 477 00:25:40,880 --> 00:25:43,880 Speaker 1: just just trying to inspire the people that, hey, at 478 00:25:43,920 --> 00:25:45,760 Speaker 1: my age, if I could, like you said, if I 479 00:25:45,760 --> 00:25:47,600 Speaker 1: can do it, you can fucking do it. Maybe those 480 00:25:47,600 --> 00:25:49,479 Speaker 1: are your commercials And now I don't think you need 481 00:25:49,480 --> 00:25:53,399 Speaker 1: to change your style. Oh man, that's that's Uh. I 482 00:25:53,440 --> 00:26:13,000 Speaker 1: gotta figure it out. Have you been watching anything besides 483 00:26:13,000 --> 00:26:16,359 Speaker 1: everything everywhere all at once. Have you watched any other movies, 484 00:26:16,680 --> 00:26:21,359 Speaker 1: any documentaries, What have you been seeing Shooter, Well, I 485 00:26:21,400 --> 00:26:23,720 Speaker 1: haven't been watching everything everywhere all at once. I only 486 00:26:23,720 --> 00:26:26,320 Speaker 1: saw that once in theaters, and I'm good on that movie. 487 00:26:26,400 --> 00:26:30,960 Speaker 1: I'm but I have been watching I've been rewatching Breaking 488 00:26:31,000 --> 00:26:33,880 Speaker 1: Bad for the third time now, going through it all. 489 00:26:34,359 --> 00:26:38,520 Speaker 1: I'm rewatching Breaking Bad, and it is so fucking incredible. 490 00:26:38,760 --> 00:26:40,960 Speaker 1: I just it really is. Like I know, everyone's like 491 00:26:41,040 --> 00:26:43,280 Speaker 1: the Sopranos, Breaking Bad, like it is one of the 492 00:26:43,280 --> 00:26:46,480 Speaker 1: greatest shows on TV. I mean we're like ten years past, 493 00:26:46,720 --> 00:26:49,440 Speaker 1: you know, the final episode when it came out, But god, 494 00:26:49,480 --> 00:26:53,120 Speaker 1: it's just so good. Brian Cranston, Aaron Paul. Everyone knows 495 00:26:53,119 --> 00:26:56,120 Speaker 1: about Breaking Bad. I'm on season four now, I'm almost done. 496 00:26:58,200 --> 00:27:02,400 Speaker 1: So fucking good. You watch and all the episodes, all 497 00:27:02,400 --> 00:27:04,320 Speaker 1: of them. This is my third time going through it, 498 00:27:04,400 --> 00:27:06,600 Speaker 1: and you know, there's there's five seasons of this, but 499 00:27:06,720 --> 00:27:09,439 Speaker 1: like it's just takeaway, Like what is your takeaway from 500 00:27:09,480 --> 00:27:12,720 Speaker 1: watching it? It's incredible. I Mean it's one of the greatest, 501 00:27:12,840 --> 00:27:16,560 Speaker 1: if not the greatest show on TV that I've ever seen. 502 00:27:17,160 --> 00:27:20,000 Speaker 1: Brian Kranson, Aaron Paul, Everyone on it is so fucking good. 503 00:27:20,200 --> 00:27:21,840 Speaker 1: It's kind of sad, like I mean, I wonder if 504 00:27:21,880 --> 00:27:25,199 Speaker 1: Aaron Paul feels like like bummed in his career that 505 00:27:25,240 --> 00:27:27,240 Speaker 1: he hasn't crossed over to like doing movies and stuff. 506 00:27:27,240 --> 00:27:28,600 Speaker 1: But it's like, at the same time, you don't ever 507 00:27:28,680 --> 00:27:30,640 Speaker 1: have to do anything for the rest of your life. 508 00:27:30,640 --> 00:27:33,359 Speaker 1: The guy probably made thirty million dollars on that fucking show. 509 00:27:33,720 --> 00:27:36,760 Speaker 1: I would assume he made millions on that show. But 510 00:27:37,000 --> 00:27:38,960 Speaker 1: you know all the Emmys that they want, Like, that's 511 00:27:38,960 --> 00:27:41,160 Speaker 1: a great show to be a part of. But Brian Kranston, 512 00:27:41,240 --> 00:27:44,679 Speaker 1: I mean, god, he's so fucking good. But they're amazing together. 513 00:27:44,800 --> 00:27:49,719 Speaker 1: The other thing that I'm watching, which is definitely added 514 00:27:49,720 --> 00:27:52,639 Speaker 1: to the sick fuck lists of documentaries. I don't know 515 00:27:52,680 --> 00:27:57,040 Speaker 1: if you've seen it, but it's called Jared from Subway. 516 00:27:57,080 --> 00:28:01,320 Speaker 1: Everybody knows Jared from Subway. Obviously when Subway was kicking 517 00:28:01,359 --> 00:28:06,200 Speaker 1: those iconic commercials with Jared holding up those fucking blue 518 00:28:06,280 --> 00:28:08,720 Speaker 1: jeans and those pants that he wore that you know 519 00:28:09,040 --> 00:28:12,920 Speaker 1: he's mister skinny guy now and he was interacting with 520 00:28:12,960 --> 00:28:15,080 Speaker 1: all sorts of celebrities. I mean they were saying like 521 00:28:15,200 --> 00:28:17,119 Speaker 1: it was like he was Michael Jackson at one point. 522 00:28:17,200 --> 00:28:21,159 Speaker 1: Everyone knew Jared from Subway, and obviously we know what 523 00:28:21,160 --> 00:28:22,840 Speaker 1: happened to Jared from Subway. And if you don't know 524 00:28:22,880 --> 00:28:25,200 Speaker 1: what happened to Jared from Subway and why Subway stopped 525 00:28:25,200 --> 00:28:30,359 Speaker 1: making those commercials was because he got caught with child 526 00:28:30,440 --> 00:28:33,520 Speaker 1: porn and like hooking up with children and molesting and 527 00:28:33,680 --> 00:28:35,960 Speaker 1: assaulting children. He's been in jail or you got like 528 00:28:35,960 --> 00:28:39,080 Speaker 1: an eighteen year jail sentence or whatever. So they're doing 529 00:28:39,080 --> 00:28:41,280 Speaker 1: this documentary on him and how this all came about. 530 00:28:41,560 --> 00:28:46,800 Speaker 1: And they have all these disturbing, disturbing audio calls and 531 00:28:47,000 --> 00:28:50,280 Speaker 1: voicemails from this woman who befriends him and then becomes 532 00:28:50,320 --> 00:28:54,320 Speaker 1: an informant for the FBI and is taking like years 533 00:28:54,360 --> 00:28:56,160 Speaker 1: off of her life to try and you know, get 534 00:28:56,240 --> 00:29:00,320 Speaker 1: him indicted on all these like disgusting charges and the 535 00:29:00,400 --> 00:29:05,080 Speaker 1: audio is so disturbing and it's definitely a sick fuck 536 00:29:05,160 --> 00:29:09,200 Speaker 1: watch is there's three parts. It's on Discovery Plus. That's 537 00:29:09,200 --> 00:29:11,360 Speaker 1: what I'm watching it on. But if you haven't seen it, 538 00:29:12,200 --> 00:29:14,960 Speaker 1: I recommend watching Jared from Subway. How many how many 539 00:29:14,960 --> 00:29:18,240 Speaker 1: episodes are there? Three parts? I think there are three parts. 540 00:29:18,240 --> 00:29:20,320 Speaker 1: I just finished part two, But it is like it's 541 00:29:20,960 --> 00:29:24,720 Speaker 1: it's disgusting. Is he is it or is it archival footage? 542 00:29:24,720 --> 00:29:26,680 Speaker 1: He's not in it now, is he? No? No, no, no, 543 00:29:26,760 --> 00:29:28,720 Speaker 1: he's in jail now. I mean, I think he gets 544 00:29:28,720 --> 00:29:31,000 Speaker 1: out in twenty twenty seven or something like that. But 545 00:29:31,040 --> 00:29:32,720 Speaker 1: I think they I think they beat the shit out 546 00:29:32,720 --> 00:29:34,640 Speaker 1: of him, like over like in the past, in the 547 00:29:34,680 --> 00:29:36,760 Speaker 1: recent years, they definitely beat the shit out of him 548 00:29:36,800 --> 00:29:39,040 Speaker 1: in jail. Oh, they probably gave him their six inch 549 00:29:39,040 --> 00:29:42,280 Speaker 1: snobs or their twelve inch stobs one hundred percent, and 550 00:29:42,360 --> 00:29:44,600 Speaker 1: he deserves all of it. It is really disturbing shit, 551 00:29:44,720 --> 00:29:48,640 Speaker 1: But I recommend watching that. Still watching Milf Manner with 552 00:29:48,720 --> 00:29:52,840 Speaker 1: Disco Mommy, I can't stop watching that. We and Disco Mommy, 553 00:29:54,040 --> 00:29:55,719 Speaker 1: have you experienced this? But like, I don't know if 554 00:29:55,720 --> 00:29:58,080 Speaker 1: we talked about this, but Disco Mommy and like three 555 00:29:58,160 --> 00:29:59,760 Speaker 1: of the other MILFs from that show, we're all in 556 00:29:59,800 --> 00:30:04,920 Speaker 1: my ms like trying to like they're they're protecting Disco Mommy. 557 00:30:05,000 --> 00:30:06,600 Speaker 1: Like I feel like I really fucked up and like 558 00:30:06,840 --> 00:30:10,200 Speaker 1: really insulted the milf community out there. Yes, I saw 559 00:30:10,240 --> 00:30:13,560 Speaker 1: that Disco Mommy and some of her cohorts were offended. 560 00:30:14,440 --> 00:30:16,240 Speaker 1: I mean, they should be so lucky that they get 561 00:30:16,280 --> 00:30:20,200 Speaker 1: mentioned by anybody, let alone the Iron Rappaport stereo podcast. 562 00:30:20,720 --> 00:30:23,719 Speaker 1: Some of them wanted to challenge just to a fitness competition. 563 00:30:23,800 --> 00:30:26,040 Speaker 1: Did you see that? That's what I saw. I saw 564 00:30:26,080 --> 00:30:27,960 Speaker 1: he was tagging me, and I'm like, I feel bad 565 00:30:27,960 --> 00:30:29,640 Speaker 1: for saying anything against her because I kind of wanted 566 00:30:29,640 --> 00:30:31,160 Speaker 1: to take her up on that. I haven't worked out 567 00:30:31,160 --> 00:30:33,160 Speaker 1: in like six months, and I was thinking, like, maybe 568 00:30:33,160 --> 00:30:35,600 Speaker 1: I do drive to Orange County and do some kind 569 00:30:35,600 --> 00:30:38,040 Speaker 1: of fitness routine with Disco Mommy. It doesn't sound like 570 00:30:38,080 --> 00:30:39,959 Speaker 1: a bad thing. She made it sound like a bad thing. 571 00:30:40,000 --> 00:30:42,440 Speaker 1: I'm like, I would love a free personal training session 572 00:30:42,520 --> 00:30:45,360 Speaker 1: and to get I'll get in the ring with Disco Mommy. 573 00:30:45,400 --> 00:30:46,440 Speaker 1: She wants to get in the ring. I'll get in 574 00:30:46,440 --> 00:30:49,040 Speaker 1: the ring with her. Do some Andy Kaufman shit. Yeah, 575 00:30:49,120 --> 00:30:53,760 Speaker 1: I mean, listen, we have nothing. We're celebrating Disco Mommy. 576 00:30:53,800 --> 00:30:57,040 Speaker 1: We're celebrating all the MILFs from Milf Manor, and we 577 00:30:57,120 --> 00:31:01,200 Speaker 1: have nothing against him. We just were taken aback by 578 00:31:01,200 --> 00:31:03,880 Speaker 1: the show when it first came on, as as is 579 00:31:03,880 --> 00:31:06,480 Speaker 1: everybody else. And you've continued to watch it. I haven't 580 00:31:06,480 --> 00:31:10,320 Speaker 1: continued to watch it. Where are things going on? Manner. 581 00:31:11,360 --> 00:31:15,400 Speaker 1: There was one disturbing scene, a really disturbing scene where 582 00:31:15,440 --> 00:31:20,800 Speaker 1: all the MILFs are blindfolded and they're on massage beds 583 00:31:20,880 --> 00:31:22,840 Speaker 1: and they're all next to each other, side by side, 584 00:31:23,160 --> 00:31:26,400 Speaker 1: and the kids who are all their sons. Mind you, 585 00:31:26,520 --> 00:31:30,400 Speaker 1: they're all their sons. Okay. All the women's children who 586 00:31:30,400 --> 00:31:33,480 Speaker 1: are like twenty and look like they're sixteen. They don't 587 00:31:33,480 --> 00:31:36,000 Speaker 1: even look like they're in their early twenties. They look 588 00:31:36,080 --> 00:31:39,560 Speaker 1: like they're sixteen, seventeen years old. All the kids have 589 00:31:39,680 --> 00:31:43,880 Speaker 1: to massage each other's mothers, and some of them are 590 00:31:43,960 --> 00:31:47,960 Speaker 1: like required to massage their own mother and and the 591 00:31:48,000 --> 00:31:51,920 Speaker 1: women are blindfolded, and there's like one scene where this 592 00:31:52,040 --> 00:31:55,800 Speaker 1: mom is getting massaged by her son and the son 593 00:31:55,960 --> 00:31:57,960 Speaker 1: is like, oh, this is so weird, Like in his head, 594 00:31:57,960 --> 00:31:59,479 Speaker 1: he's like kind of looking at the camera like this 595 00:31:59,560 --> 00:32:03,160 Speaker 1: is so weird, and she's like, oh yeah, yeah, baby, 596 00:32:03,360 --> 00:32:06,440 Speaker 1: Oh that feels so good. And it is. It is 597 00:32:06,520 --> 00:32:11,280 Speaker 1: so fucking disturbing. It is so disturbing. Hold on, hold on, 598 00:32:12,040 --> 00:32:15,880 Speaker 1: hold on. Do you know what episode number that is? 599 00:32:16,040 --> 00:32:17,680 Speaker 1: I don't know off the top of my head, but 600 00:32:17,760 --> 00:32:20,120 Speaker 1: I will absolutely try and pull that clip from you 601 00:32:20,160 --> 00:32:22,440 Speaker 1: because that has been haunting my dreams for weeks. Then 602 00:32:22,480 --> 00:32:25,640 Speaker 1: you continue to watch die. How can you not? I 603 00:32:25,680 --> 00:32:28,080 Speaker 1: mean it's like a fucking it's like a car wreck. 604 00:32:28,800 --> 00:32:31,479 Speaker 1: You can't turn away from it. That is crazy, That 605 00:32:31,640 --> 00:32:34,480 Speaker 1: is insane. And they got the nerve to be offended 606 00:32:34,520 --> 00:32:41,880 Speaker 1: by us breaking down their show Disco Mommy in her Chords, right, No, 607 00:32:42,040 --> 00:32:44,920 Speaker 1: it's wild ship, but they're all like, they're really horny women. 608 00:32:44,960 --> 00:32:48,040 Speaker 1: They're really horny. But yeah, it's milf Man or Monday's Man. 609 00:32:48,080 --> 00:32:50,880 Speaker 1: You gotta you gotta get on board with it. Um Finally, 610 00:32:51,040 --> 00:32:52,880 Speaker 1: I want to say, you know what I'm going through 611 00:32:52,960 --> 00:33:01,920 Speaker 1: right now, shooter. I am depression? What depression? No? Anxiety? No, no, no, 612 00:33:02,320 --> 00:33:04,880 Speaker 1: what are you going through? I am in a cook 613 00:33:05,040 --> 00:33:09,800 Speaker 1: a chocolate chip cookie spiral. Oh you know, I love 614 00:33:09,840 --> 00:33:13,640 Speaker 1: my chocolate chip cookies. And yeah, there's so many really 615 00:33:13,680 --> 00:33:17,000 Speaker 1: good chocolate chip cookie spots in New York City and 616 00:33:17,080 --> 00:33:20,920 Speaker 1: I'm having problems avoiding them. And I don't know what 617 00:33:20,960 --> 00:33:24,200 Speaker 1: to do because I was doing well avoiding them or 618 00:33:24,520 --> 00:33:27,560 Speaker 1: sort of rashing them out. But there's like, there's a 619 00:33:27,560 --> 00:33:30,040 Speaker 1: handful of really good chocolate chip cookie places in New 620 00:33:30,080 --> 00:33:33,240 Speaker 1: York that I'm having problems, you know, like I think 621 00:33:33,280 --> 00:33:36,640 Speaker 1: about them. Yeah, where are you at with your eating 622 00:33:36,640 --> 00:33:39,200 Speaker 1: and your sweets and all that? Oh my god, man, 623 00:33:39,320 --> 00:33:41,440 Speaker 1: Well I've been really I've been trying the past like 624 00:33:41,480 --> 00:33:43,080 Speaker 1: two days, and I mean it's like a it's like 625 00:33:43,080 --> 00:33:45,240 Speaker 1: a crack addict. It's like two days is like a 626 00:33:45,360 --> 00:33:47,960 Speaker 1: lifetime for me. That's like I'm doing really well by 627 00:33:48,040 --> 00:33:51,200 Speaker 1: doing that within two days. But the crazy thing is 628 00:33:51,200 --> 00:33:53,200 Speaker 1: is I'll like eat good for two days and I'll 629 00:33:53,240 --> 00:33:55,960 Speaker 1: lose like five pounds, Like I'll notice like I'm skinnier. 630 00:33:56,000 --> 00:33:59,320 Speaker 1: Maybe it's just like a placebo effect. But no, because 631 00:33:59,320 --> 00:34:00,920 Speaker 1: I got on the scale was one thirty five and 632 00:34:00,960 --> 00:34:03,040 Speaker 1: then two days later I was one thirty. But I 633 00:34:03,080 --> 00:34:06,360 Speaker 1: did crack yesterday. I'm the wrong person to talk to 634 00:34:06,480 --> 00:34:11,239 Speaker 1: about how to curb those cravings. Um I. I mean, 635 00:34:11,280 --> 00:34:12,799 Speaker 1: if it were up to me, all I would tell 636 00:34:12,840 --> 00:34:15,640 Speaker 1: you is stay away from those chocolate chip cookies on 637 00:34:15,680 --> 00:34:18,000 Speaker 1: the streets and go home and get yourself some mini 638 00:34:18,400 --> 00:34:20,640 Speaker 1: nestlely cookies and make that shit yourself. But I don't 639 00:34:20,640 --> 00:34:22,600 Speaker 1: think that's good advice because That's what I'm doing in 640 00:34:22,680 --> 00:34:25,120 Speaker 1: my It's it's like a problem. So what I do 641 00:34:25,200 --> 00:34:27,799 Speaker 1: is I have it in my refrigerator, the cookie dough, 642 00:34:27,840 --> 00:34:29,560 Speaker 1: and I'm like, I'm not gonna make the cookies. I'm 643 00:34:29,560 --> 00:34:31,279 Speaker 1: gonna be good, but then I end up eating all 644 00:34:31,280 --> 00:34:34,240 Speaker 1: the raw dough. So it's just it's like a fucking 645 00:34:34,320 --> 00:34:35,920 Speaker 1: you have to stay away from it for a period 646 00:34:35,960 --> 00:34:38,919 Speaker 1: of time and those cravings will disappear. All right, Well, 647 00:34:39,000 --> 00:34:42,000 Speaker 1: I appreciate that coming from somebody that is in the 648 00:34:42,040 --> 00:34:44,520 Speaker 1: throes of it. Oh and then when you, when you 649 00:34:44,560 --> 00:34:46,480 Speaker 1: and I get to Indianapolis, it's gonna be like, who 650 00:34:46,520 --> 00:34:49,920 Speaker 1: the fucking knows what's gonna happen? No? I, oh man? Who? 651 00:34:50,280 --> 00:34:52,600 Speaker 1: Especially when because we're not good together. It's like two 652 00:34:52,640 --> 00:34:55,480 Speaker 1: atticts together. It's like we're talking about bringing your skillet 653 00:34:55,520 --> 00:34:59,279 Speaker 1: and making your your special fried chicken. I'll leave that 654 00:34:59,320 --> 00:35:01,000 Speaker 1: at home. We can inge out on cookies over there. 655 00:35:01,000 --> 00:35:03,120 Speaker 1: It's gonna be like a fucking meth den where we 656 00:35:03,160 --> 00:35:06,920 Speaker 1: are that Airbnb with with sweets? All right, shooter, um 657 00:35:07,160 --> 00:35:13,120 Speaker 1: came saw disrupted, came Saw disrupted. We'll be in Indianapolis 658 00:35:13,280 --> 00:35:16,719 Speaker 1: twenty third, twenty fourth to twenty fifth. Deuce Collins Duce 659 00:35:16,760 --> 00:35:23,160 Speaker 1: Pacino aka the Rappaport Security Team, the one man security team, 660 00:35:23,160 --> 00:35:25,719 Speaker 1: will be with me all tickets. All information for all 661 00:35:25,760 --> 00:35:28,839 Speaker 1: the shows are available in Michael Rapport Comedy dot com. 662 00:35:28,880 --> 00:35:31,560 Speaker 1: Miles Jordan aka The Bleach Brothers a k a. The 663 00:35:31,680 --> 00:35:35,239 Speaker 1: Dust Brothers. Take me Autie with something real nice, Take 664 00:35:35,280 --> 00:35:37,960 Speaker 1: me Autie with something real out. But most importantly and this, 665 00:35:38,280 --> 00:35:42,880 Speaker 1: I am Rappaport stereo podcast with something real funky. I 666 00:35:42,960 --> 00:36:14,360 Speaker 1: am Rapports Stereo podcast Done.