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Speaker 1: Who do you who?

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Speaker 2: Glamour Girls. It's Sam here with a quick reminder that

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Speaker 2: we are going on tour. That's right, a podcast can

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Speaker 2: go on tour to now I've seen everything. We are

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Speaker 2: going mid August to mid September, and we are going

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Speaker 2: to Boston, Philadelphia, DC, Minneapolis, Chicago, Seattle, Portland, San Francisco,

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Speaker 2: and Los Angeles, California. So if you live in any

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Speaker 2: of those cities, get tickets now. You can go to

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Speaker 2: our Instagram bio. The link is linktree dot com Slash

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Speaker 2: Radio Lab. We are so excited to see you all

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Speaker 2: out there on the damn road.

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Speaker 1: We're road dogs. Now.

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Speaker 2: Okay, enjoy the episode. XXO Sam.

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Speaker 3: This is a special live recording of Stradio Lab. Please

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Speaker 3: welcome your host George and Sam.

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Speaker 1: Oh my god, wow, wow, Oh my god. About live show.

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Speaker 1: Live show starts now. Okay, oh my wow wow. Welcome

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Speaker 1: to Breakout Session b Yeah.

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Speaker 2: We can't wait to hear what your ideas are for

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Speaker 2: Synergy this quarter.

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Speaker 1: If for anyone listening at home, you know what we're

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Speaker 1: referencing is that we're enough to tell I would say

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Speaker 1: events space, conference room. What I would say, I would

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Speaker 1: say it's I would say it's breakout session B.

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Speaker 2: Sorry, you're right. I don't know if it's as much

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Speaker 2: experience in businesses.

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Speaker 1: A breakout session B. We're not at C yet. Like,

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Speaker 1: it's definitely one of the better ones, it's not the

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Speaker 1: main one. This is crazy.

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Speaker 2: The way that the space creates like a serious energy

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Speaker 2: is scary to me.

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Speaker 1: Also, again, not to call anyone now, no, no, no,

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Speaker 1: we love it. But there is a headlighting. Wait, there's

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Speaker 1: a what overhead lighting which we're not used to, right,

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Speaker 1: it's a little severance on Apple TV plus.

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Speaker 2: Yeah, which, and just for the record, we're trying to

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Speaker 2: lean into you.

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Speaker 1: We're wearing we're wearing branded caps. I don't know if

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Speaker 1: anyone can tell. If we don't leave this festival during

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Speaker 1: a double stripe with an overall deal at at the

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Speaker 1: very least showtime, we are going to be very busy. Yeah,

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Speaker 1: we're worth it. We have these. We have these. Yeah.

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Speaker 1: And by the way, this is a joke. We would

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Speaker 1: never do that, ever do this. We would never. I

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Speaker 1: haven't put this on one. It's Halloween. Yeah, it's drag

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Speaker 1: even Yeah, I don't want anyone. Yeah, it's true, it's drag.

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Speaker 1: It's it's this season of all starts specifically and that

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Speaker 1: it's okay. Yeah, oh my god, no offense to the

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Speaker 1: Canadian winner. Where does respect we love? Actually? Do we?

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Speaker 1: I do? Okay? How do we feel about Jimbo? Yeah?

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Speaker 1: I love Jimbo. Sam hates Jimbo. I didn't know. No,

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Speaker 1: there's a lot of space between love and hate. Total.

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Speaker 2: I feel just like medium about Jimbo. Look, we're not

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Speaker 2: a drag race. Ye, I'm sorry, I'm sorry.

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Speaker 1: This is so crazy.

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Speaker 2: You're panicking and you're bringing up drag race. Well, no,

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Speaker 2: they hate me, they hate me, they hate me. What

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Speaker 2: do gay people talk about? What do gay people talk about?

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Speaker 1: Okay? Anyone read any good books lately?

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Speaker 2: No, we're loving Canada feels incredible. The vibes are immaculate, and.

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Speaker 1: We're not even kidding genuinely. I'm like, I'm like when

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Speaker 1: I'm in when I'm in the Hilton, that's international waters,

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Speaker 1: of course, But then when I step out and I'm

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Speaker 1: in Montreal, I'm like, yeah, No.

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Speaker 2: A woman this morning actually said bongo to me and

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Speaker 2: guess what I said it back? She said yeah, And

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Speaker 2: coming from someone that took Spanish in high school, that

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Speaker 2: was really difficult.

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Speaker 1: I've also you know when someone says chal say is

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Speaker 1: morrel and it's very American. I think to say bongours

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Speaker 1: with a lot of confidence, but then have nothing else

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Speaker 1: to back it up, like boneous, and then they starts

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Speaker 1: speaking doing in French. You're like, what are you doing? Yeah?

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Speaker 1: I mean I will say that.

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Speaker 2: When I was being cute, I did say bonjeour back

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Speaker 2: with glee. But then I went to the coffee shop

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Speaker 2: where you just order iced coffee. It was on the

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Speaker 2: menus ice coffee, and I was like that one, and

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Speaker 2: it's like you can just say ice coffee.

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Speaker 1: Yeah. Also, there does need to be an international UN

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Speaker 1: tribunal on we need to get coffee standardized across the globe.

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Speaker 1: Do you agree one hundred percent? One hundred percent. I

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Speaker 1: never know what you're gonna get. I've actually had a

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Speaker 1: pretty good experience so far here, but you really never

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Speaker 1: know when someone's gonna whip out wipped cream for no reason.

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Speaker 2: I want to say there is like a power imbalance

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Speaker 2: between the two of us here. Why because you took

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Speaker 2: French in high school and in fact ap French, and

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Speaker 2: you were hiding that and you actually did well on

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Speaker 2: the exam and you were.

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Speaker 1: Okay first of all you did well. I don't know

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Speaker 1: what AP is because I actually went to high school

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Speaker 1: in Europe and I wouldn't have that. But I did

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Speaker 1: take the French SAT subject test, that's it, and I

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Speaker 1: did do very well on it. But I have forgotten.

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Speaker 1: I genuinely could not parse a single word of French

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Speaker 1: if someone spoke to me, although someone said and I

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Speaker 1: was like, well, I know what that is. Reach charge, right, Okay.

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Speaker 2: Can I say I'm kind of confused on the level

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Speaker 2: of commitment, not to be like, I know it's like

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Speaker 2: hack to be like a home American guy.

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Speaker 1: No, no, it's actually original.

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Speaker 2: But it's like I am confused on the level of

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Speaker 2: commitment to French in this particular place in time where it's.

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Speaker 1: Sort of like more yeah, yeah, yeah.

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Speaker 2: I am confused on the commitment because some people are

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Speaker 2: so so committed and some people couldn't care less.

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Speaker 1: Right well, at the Hilton, no one cares at I

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Speaker 1: used to speak French or like get out of.

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Speaker 2: Here, and yeah, in some places I feel like it's

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Speaker 2: I feel like it's pretty French.

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Speaker 1: No, I feel like it's pretty French. No, No, that's

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Speaker 1: what like, I'm even like that's French coming Yeah, that

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Speaker 1: was my answer to the essay portion was pretty French. No,

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Speaker 1: this is very sad. No, do you mean, like I

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Speaker 1: guess you mean that when we went to l'astude, the

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Speaker 1: gay bar that we went to last night, that bartender

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Speaker 1: spoke to us in English with a sort of American accent. Yeah.

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Speaker 2: And it's sort of like I'm like, you know, when

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Speaker 2: you're in a foreign country, you want to like commit

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Speaker 2: a little bit and you want to be like, okay,

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Speaker 2: like I'm gonna do it as best I can, and

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Speaker 2: here it's very much like, well, I'm not gonna do

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Speaker 2: the best I can if you guys don't really care.

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Speaker 1: Yeah, no, absolutely. Also, we keep blaming ourselves, you know.

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Speaker 1: He was like, it's cash only. We went to the ATM.

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Speaker 1: It didn't work. We were like, well, it's our fault.

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Speaker 1: We should go back to America. It turns up the

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Speaker 1: ATM was broken, so no, we were so respectful.

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Speaker 2: He was like, it doesn't work, and we were like,

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Speaker 2: maybe it's our cards, both of our cards.

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Speaker 1: Yeah, yeah, okay, where's Grimes? Is she here? We need

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Speaker 1: to discuss the fallout of Grimes going to McGill. I

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Speaker 1: feel like the entire Montreal for me is mostly about

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Speaker 1: Grimes going to Miguil.

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Speaker 2: The thing is, we need to talk about Montreal in

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Speaker 2: two thousand and nine specifically, yeah, and what that did

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Speaker 2: to everyone today.

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Speaker 1: Yeah, you guys were indie music and then what yeah,

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Speaker 1: what happened. It's like Grimes graduate and then you're like,

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Speaker 1: don't rest on your laurels is all I'm saying. Yeah,

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Speaker 1: Rhymes and you Grimes. Who was the last Montreal based

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Speaker 1: musician that hit a big Catchnada? But see that was

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Speaker 1: Grimes era. I feel like that was like.

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Speaker 2: Right, George, you're being so mean to them arcade fire

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Speaker 2: even before what You're being so rude to them?

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Speaker 1: Why they're like, this is our favorite sitting. I love you. Oh,

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Speaker 1: I love her. She's my favorite Canadian artist. Yeah, I

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Speaker 1: guess my favorite Montreal based artist is Azalia Banks.

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Speaker 2: Yeah, it's a tie between Azilia Banks and Lady Gaga.

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Speaker 1: Oh yeah, well the Montreal tapes. We'll never forget the groundbreaking, groundbreaking.

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Speaker 1: She's a French language singer. People forget that it was

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Speaker 1: actually originally a pop when she with that art pop.

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Speaker 2: No, that was good, It's just the French doesn't speak

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Speaker 2: to me. I don't have the ear for it.

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Speaker 1: Yet I feel like you are so like worried about

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Speaker 1: the French element. No, I'm not so fine.

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Speaker 2: No, I do think this is something I'm I panic

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Speaker 2: in both directions and where I'm like, Okay, try really hard,

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Speaker 2: and it's like stop it. You're being disrespectful, and it's

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Speaker 2: like don't try it all. It's like shut up, you're

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Speaker 2: being so rude. And so I kind of feel like

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Speaker 2: I can't.

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Speaker 1: Winother American archetype because there's like the last stupid American

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Speaker 1: just like drooling but also yelling, and then there's the

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Speaker 1: other architect that's like the liberal progressive wants to be

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Speaker 1: good American, that's like stopping everyone on the street and

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Speaker 1: being like, am I appropriating your culture? You can say

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Speaker 1: if I am, is it appropriate if I say buncho? Yeah,

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Speaker 1: yeah bu no offense, like that's your ordering coffee this morning.

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Speaker 1: But I think you're doing a really good job. Thank you.

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Speaker 1: I think everyone assumes you're French, well French Canadian who

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Speaker 1: French Canadian? Of course? Do what else is going on?

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Speaker 1: What else is going on? Yeah? Well we went to

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Speaker 1: the gay bars. We went to the gay bars, We

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Speaker 1: went to stud and then another one that we don't

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Speaker 1: know is lit Stud considered good. We liked it, to

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Speaker 1: be clear, but is it is that one of the

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Speaker 1: good ones or did we just like google it and

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Speaker 1: then click the first one that came up and think

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Speaker 1: it was funny that it was called listud load loaded question?

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Speaker 1: Would you say lust Stud is more like India mainstream

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Speaker 1: older Yeah, we caught that bog. But we loved everyone there. No,

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Speaker 1: they were our family. They were our family, specifically our grandfathers.

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Speaker 4: No.

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Speaker 2: George was a really good sport about it because I

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Speaker 2: was having no because you hate old people, right.

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Speaker 1: Well, I'm very agist and that's part of a big

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Speaker 1: part of my act is I say, if you're old,

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Speaker 1: get out. Yeah, the doors right there? Yeah, no one

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Speaker 1: gets up, but sorry go ahead.

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Speaker 2: Well no, I feel like it was like, well, it's

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Speaker 2: it's sort of like an eagerly like New York leather, yeah,

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Speaker 2: which can be kind of fun. I enjoyed it, and

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Speaker 2: you were a very good sport and you were like,

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Speaker 2: this is cute.

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Speaker 1: It was again me being a good sport. I was

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Speaker 1: having fun. You were like, it's random but fun. I like, no, yeah, No,

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Speaker 1: I liked it. I think it's very fun that everyone's

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Speaker 1: constantly gambling. That's true. It's like how we have looking

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Speaker 1: at our phones in Montreal, they have gambling like you're

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Speaker 1: just like on a slot machine. I would I would

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Speaker 1: be playing wordle or something. Yeah, yeah, well, I mean

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Speaker 1: I think it is healthier.

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Speaker 2: I think they have better body image because they're gambling

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Speaker 2: all the times they look at Instagram.

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Speaker 1: I think there should be more just like bigger. We're

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Speaker 1: looking at small screens too much and we need to

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Speaker 1: look at larger screens. I guess that's all I'm saying.

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Speaker 1: Do you agree?

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Speaker 2: I one hundred percent agree. I think looking at your

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Speaker 2: phone is toxic, but looking at your computer is healthy.

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Speaker 1: I also think there need to be pinball machines pretty

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Speaker 1: much in every room, just so you can have something

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Speaker 1: to do if your bore. You know what it is.

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Speaker 2: It's we're trying to teach like abstinence only when it

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Speaker 2: comes to tech, and we actually need to teach healthy ways.

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Speaker 1: To interact with it. Genius. And it's like the condom

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Speaker 1: is the desktop computer, yes, and the dental damn is

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Speaker 1: the pinball machine exactly. Okay. The other thing about lu

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Speaker 1: stud is that they were, you know a lot of

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Speaker 1: times at Gay bars. They will play porn on TVs.

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Speaker 1: You guys probably don't know this, like for anyone here,

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Speaker 1: you know, for anyone here who's traditionally married with children.

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Speaker 1: Sometimes I'll play a gay porn and it's like, oh,

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Speaker 1: how fun, how you know how sort of a throwback

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Speaker 1: to a different era. Yeah, last night, the point they

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Speaker 1: were playing was like too hot, to the point where

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Speaker 1: I'm like, okay, how do I react to this? My

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Speaker 1: eyes kept going up at it. I'm like, you have

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Speaker 1: to play ironic vintage porn that's like grainy. So it

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Speaker 1: just creates a vibe. You can't be doing something where

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Speaker 1: I'm like, it's more interesting what my friend was not

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Speaker 1: you are, you know, it's more interesting than what's going

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Speaker 1: on in front of me. I was taking some really

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Speaker 1: awesome stuff last night. You were. For the record, I

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Speaker 1: was making some amazing as you were like, everyone here

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Speaker 1: is French, but also not French. Okay, that's a good point.

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Speaker 1: It's true. Well, you know, we're sort of pointing to

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Speaker 1: Montreal as a liminal space, not to use a sort

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Speaker 1: of cliche word, where it's like it's both America and Europe. Yeah, yeah,

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Speaker 1: thank you. Yeah. People are clapping, people are clapping. Everyone

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Speaker 1: is the sam Wow.

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Speaker 2: Yeah, no, I thought it was kind of nice that

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Speaker 2: you were getting horny by the porn.

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Speaker 4: Yeah.

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Speaker 1: I had a visible erection. I had to be kicked

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Speaker 1: out of the bar by all the daddies. They were like, listen,

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Speaker 1: we've seen a lot and this is not We've never

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Speaker 1: seen this. Okay, wait, we need to address one more thing. Yeah, please,

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Speaker 1: do you know what I'm gonna say?

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Speaker 2: There was something I wanted to bring up, but I

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Speaker 2: don't know if it's appropriate.

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Speaker 1: So actually, okay, then bringing up when Robbie is here. Okay, okay,

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Speaker 1: I want to address the fact that it is twelve

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Speaker 1: thirty PM on a Thursday. Thank you for bringing that

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Speaker 1: up this whole trip.

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Speaker 2: You know, we were like, we will be on vacation,

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Speaker 2: so I kind of kept even telling people our show

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Speaker 2: is on Saturday, because why would a show would be

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Speaker 2: at twelve thirty on a Thursday.

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Speaker 1: I mean, I was like, at first time I saw

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Speaker 1: twelve thirty, I was like, oh, random, but surely it's

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Speaker 1: a weekend. And until this morning, I hadn't like digested

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Speaker 1: that it was a Thursday. But then they were like,

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Speaker 1: you know, this show sold really well and actually it's

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Speaker 1: like a lot of normal, like non industry and roll.

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Speaker 1: When people came and I was like, so does anyone

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Speaker 1: that listened to our podcasts have a job? No, we're

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Speaker 1: performing exclusively for Broke. I don't want to know who

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Speaker 1: is anyone here like on their lunch break? Whoao? So

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Speaker 1: it really that's crazy? Are you guys checking slack? Did

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Speaker 1: you lie about not a lot of people are nodding

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Speaker 1: that you lie. People think you're out to get a

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Speaker 1: mantra amarele bagel with a side of all that is crazy. Yeah,

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Speaker 1: I'm I love that. I love that, Gus. Guess what

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Speaker 1: our listeners they are just punk rock enough to have

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Speaker 1: a desk job, but lie about their lunch breaks.

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Speaker 2: I'm also like, okay, this is the difference between Canada

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Speaker 2: and America. Is Canada chiller with lunch breaks?

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Speaker 1: Well that's the Europe coming out. The Europe jumped out.

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Speaker 1: The Europe jumped out. You're like, I'm gonna take all

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Speaker 1: of August off because I have to go to a

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Speaker 1: podcast reporting. It's a really long lunch. It's a really

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Speaker 1: long lunch and it's at the Double Tree.

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Speaker 2: Wow, I had forgotten where we were. Yeah, look at that.

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Speaker 2: I want you to look at that space that is

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Speaker 2: so powerful. Yeah, the circles come.

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Speaker 1: On the esthetics of hotel rugs. Someone should do an

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Speaker 1: art show where it's like found art framed hotel rugs.

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Speaker 1: It would sell. I'm telling you, Larry Gogoshin, if you're listening,

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Speaker 1: this is your time.

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Speaker 2: No, I love that, thank you, No, I love a

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Speaker 2: Larry Egoshin shout out. Well, it's an arts festival for

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Speaker 2: crying out loud. Crying out loud comedy is art.

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Speaker 1: Comedy is art.

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Speaker 2: Well, and this was programmed by Larry comedy his art,

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Speaker 2: especially at the Double Tree. Should we like bring in

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Speaker 2: our guests. Yeah, I think that's a great idea. Okay,

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Speaker 2: normally people will be like yeah, but I think that

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Speaker 2: was the europe jumping out.

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Speaker 1: Yeah, well that Europe was coming out because in Europe

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Speaker 1: they sort of like nod rather than clapping. Wooing is

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Speaker 1: very it's too obvious, it's very American. Yeah, in Europe

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Speaker 1: they'll just be like, oh, well, okay, well I we

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Speaker 1: were sent a list of people that would be that

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Speaker 1: were at the festival, and we were told you're gonna

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Speaker 1: have your pick of the litter. Yeah, they said, name

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Speaker 1: a name. The name Jimmy Fallon, Jimmy Kimmel, Jimmy Cordon,

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Speaker 1: Chelsea Handler, and we were like, how perfect I have

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Speaker 1: a Canadian icon do our Canadian debut show. Yeah, one

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Speaker 1: of our one of our favorite episodes of all time

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Speaker 1: were the topic. Robbie's topic, Robi's straight topic was society

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Speaker 1: when she did our podcast for the first time. And

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Speaker 1: I think we all learned quite a bit.

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Speaker 2: So please, without further ado, welcome to the stage, Robbie Hoppen,

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Speaker 2: and now we're going to retire to the chairs.

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Speaker 4: Wow, well, what was it? Society? I happened to be

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Speaker 4: one of the greatest podcast guests of all time.

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Speaker 1: Yeah.

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Speaker 4: Have you guys seen me on this circuit?

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Speaker 1: It really is true. I mean the way that you

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Speaker 1: you confidently drink that water before speaking. I was like,

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Speaker 1: that's a pro.

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Speaker 4: You know, I've been through this now two years, okay,

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Speaker 4: and you get to learn a bit. I love this.

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Speaker 1: I mean you again, for everyone at home, Robbie, I

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Speaker 1: would stay sitting like a rapper would.

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Speaker 4: I do have rapper mentality and rapper vised because the

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Speaker 4: thing is is, like I know all of you grew

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Speaker 4: up rich in my story is that I'm the only

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Speaker 4: one who grew up poor and nobody else was going

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Speaker 4: to poor but me.

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Speaker 1: I've never heard of the luxury.

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Speaker 4: Yeah exactly. But the luxury of growing up poor and

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Speaker 4: having money now is I could like flex out. Like

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Speaker 4: if I was in like a green Lamborghini, You're like, okay,

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Speaker 4: Robbie Hoffman. But if you grew up rich, you can't

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Speaker 4: be in a green lamb But you gotta be in

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Speaker 4: a Prius. You gotta be with a bus pass, you

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Speaker 4: gotta be with this. You got to keep it low.

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Speaker 4: But I keep it rapper. I'm gonna be chained out.

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Speaker 4: I show up like this. I do what I want

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Speaker 4: when I want. It's one of the greatest privileges of

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Speaker 4: growing up poor. It's really the only one.

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Speaker 1: Yeah wow, Yeah. I feel like, especially in an environment

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Speaker 1: like this, you can really lead into that. You can

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Speaker 1: be like, oh, I'm I have to do a hard

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Speaker 1: six to seven minutes, I'm doing twenty five.

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Speaker 4: Oh yeah. I told her, They said, uh, oh, you know,

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Speaker 4: do you want the clock tonight for you show? I said, now,

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Speaker 4: what are you gonna do? I'm already on stage. You're

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Speaker 4: gonna cut the You're gonna cut a queer young woman.

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Speaker 4: So you're gonna silence. You're gonna silence on meet too,

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Speaker 4: this whole fucking festival. I'm gonna ship. I'll say he

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Speaker 4: raped me and he raped me? What all they dead?

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Speaker 4: They did? You don't believe me? Believe women. What people

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Speaker 4: forget about gay men is the still men.

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Speaker 1: Yeah such a no, no, they won't let us forget that.

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Speaker 1: Oh yeah, no.

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Speaker 2: Well, I want to say I appreciated the seating style

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Speaker 2: because I've actually been or a podcast about a podcast,

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Speaker 2: of course, and I've been seeing like the most iroll

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Speaker 2: tiktoks ever are of people sitting as weird as possible

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Speaker 2: and doing a podcast. I think people are so desperate

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Speaker 2: to project a casualness, oh really, that they're giving themselves

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Speaker 2: back problems because they want to project something so deeply casual.

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Speaker 4: See. I wouldn't even consider myself to be a casual individual.

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Speaker 4: I'm quite formal. I have a decorum, I have a

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Speaker 4: nineteen thirty zero about mate. So I'm sitting like this,

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Speaker 4: But at the same time, I like a tablecloth, right,

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Speaker 4: I like because to date me is a privilege. Okay,

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Speaker 4: and my girlfriend right now, listen, you don't think I

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Speaker 4: bought a small country house an hour and a half

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Speaker 4: from my house with that, okay, and we're still setting

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Speaker 4: it up. So I have a coffee table where we're

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Speaker 4: eating on. I don't just put the plate on the table, clank, clank.

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Speaker 4: I lay a little cloth down and it creates an air.

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Speaker 4: So even though I'm casual, I'm also formal. It's a nuance.

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Speaker 4: You understand nuance. Okay, it's not black and white.

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Speaker 2: I want to point to the fact that you said

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Speaker 2: my girlfriend right now.

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Speaker 1: I'm sure she live is being referred to that does

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Speaker 1: she enjoy the sort of threat of you going away

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Speaker 1: at all times?

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Speaker 4: No? I meant like right now in our lives, we

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Speaker 4: just did that. Don't fucking tis my shit? Sick of

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Speaker 4: this shit? Twelve thirty fucking Thursday.

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Speaker 1: Wow? Interesting? Okay, So we're talking to and I.

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Speaker 4: Never wear sweatpants. Say this was at five, I wouldn't

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Speaker 4: be in these. But it's like a sandal. You know.

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Speaker 4: A sandal for me is you're on a boat, right, Okay,

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Speaker 4: there's no if you have a sandal, but you have

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Speaker 4: glosshes on what are.

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Speaker 1: It's raining now incorrectly sandals?

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Speaker 4: Yeah, sandals is a boat shorts is up?

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Speaker 1: So you would never wear a nice leather sand.

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Speaker 4: That's an ox. Nice.

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Speaker 1: Nice, I think you could even nobody.

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Speaker 4: Needs to see a man's toes or dyke's toes.

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Speaker 2: Okay, okay, yeah, that's Robbie, rob get that. So you're

402
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Speaker 2: arguing for nuance. But it's either a sandals.

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Speaker 4: Or you're on a boat or I was black and

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Speaker 4: white and nuanced.

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Speaker 1: Wow, it's everything.

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Speaker 4: I'm not gonna like my topic today either.

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Speaker 1: Oh god, that's your topic. Wait, we don't. We can't

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Speaker 1: get into it. We won't get into it, but we

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Speaker 1: have to rush into our first let's our first segment, Robbie,

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Speaker 1: talk about nuance. Yes, thet segment is it's called straight Shooters.

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Speaker 1: And in this segment week.

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Speaker 4: Taking a picture, okay, go ahead, and.

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Speaker 1: Then this, and in this segment we gauge your familiarity

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Speaker 1: with and complicity and straight culture by asking you a

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Speaker 1: series what complicity Robbie, tighten your sandal, go ahead.

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00:23:01,720 --> 00:23:03,400
Speaker 4: Say the sentence, slow and clearly.

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Speaker 1: We are basically asking you a series of completely nonsensical,

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Speaker 1: rapid fire questions to choose one thing or another thing.

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Speaker 1: And the one rule is you can't ask any follow

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Speaker 1: up questions about how the game works. You have to

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Speaker 1: enter a dream like state of play, and if you

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Speaker 1: exit it for even one second, you will be kicked

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Speaker 1: out of conference room. Seem do you.

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Speaker 4: See what gay men have been doing? Slowly but surely

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Speaker 4: go ahead.

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Speaker 1: Women had more rights before we started this show. I agree, Okay, Sam,

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Speaker 1: take it away? Okay, Robbie, wait, can I have a

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Speaker 1: sip of water? I mean, I guess on a technicality

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Speaker 1: will allow that? Well it was a question though, so yeah,

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Speaker 1: but she's queer.

431
00:23:49,200 --> 00:23:53,120
Speaker 4: And I stopped right before. Okay, go ahead, I'm good now, Robbie.

432
00:23:53,320 --> 00:23:56,600
Speaker 2: Yes, giving compliments to the chef or wishing them nothing

433
00:23:56,640 --> 00:23:57,320
Speaker 2: short of death?

434
00:23:58,359 --> 00:24:05,400
Speaker 4: I don't know what compliments is? Is so death that one?

435
00:24:05,920 --> 00:24:07,840
Speaker 4: Is it just a saying like this is perfect?

436
00:24:09,240 --> 00:24:09,480
Speaker 1: Chef?

437
00:24:09,560 --> 00:24:13,639
Speaker 4: Is like you broke your own role, you took my bait. Okay,

438
00:24:13,640 --> 00:24:15,240
Speaker 4: go ahead, I'm already.

439
00:24:16,040 --> 00:24:17,240
Speaker 1: I'm already, Like.

440
00:24:17,480 --> 00:24:20,879
Speaker 4: Can I say something about this? Can I say something?

441
00:24:21,560 --> 00:24:22,879
Speaker 1: Podcast? And guess what?

442
00:24:23,359 --> 00:24:26,119
Speaker 4: Can I say something? There are people, there are people

443
00:24:26,119 --> 00:24:28,960
Speaker 4: who have dinner at a house. This is what really

444
00:24:28,960 --> 00:24:34,240
Speaker 4: irks me. Like, fine, I hated my mother's I hated

445
00:24:34,280 --> 00:24:36,400
Speaker 4: my mother's cooking growing up, but God, while she cooked

446
00:24:36,440 --> 00:24:40,160
Speaker 4: every day, okay, and sometimes to go to somebody's house

447
00:24:40,160 --> 00:24:43,200
Speaker 4: where a mother cooks, or somebody cooks, typically a mother,

448
00:24:43,760 --> 00:24:46,120
Speaker 4: and people will sit down and they don't give a

449
00:24:46,160 --> 00:24:49,119
Speaker 4: massive compliment to the person. I immediately, I don't care

450
00:24:49,119 --> 00:24:51,560
Speaker 4: if it's a dog. Should I go, this is wonderful?

451
00:24:51,640 --> 00:24:56,040
Speaker 4: Thank you so much that I don't understand. People will

452
00:24:56,040 --> 00:24:58,399
Speaker 4: wait halfway to a meal and they'll only say thank you.

453
00:24:58,440 --> 00:25:00,000
Speaker 4: If I do it, I have to start to try

454
00:25:00,000 --> 00:25:01,520
Speaker 4: and then the go it's lovely, thank you. It's like

455
00:25:01,680 --> 00:25:05,320
Speaker 4: the bitch was up here all day doing this ship

456
00:25:05,359 --> 00:25:07,320
Speaker 4: for you. It's like, what does it take to use

457
00:25:07,359 --> 00:25:08,400
Speaker 4: a little words.

458
00:25:08,119 --> 00:25:10,000
Speaker 2: So you don't understand the phrase compiments of the chef

459
00:25:10,000 --> 00:25:12,200
Speaker 2: because to you it is so inherent that you would

460
00:25:12,280 --> 00:25:13,480
Speaker 2: never even have that phrase.

461
00:25:13,600 --> 00:25:16,119
Speaker 4: Well at a restaurant, I don't see what's the restaurant.

462
00:25:16,160 --> 00:25:17,960
Speaker 1: The chef is a man. He doesn't need compliments.

463
00:25:18,119 --> 00:25:25,240
Speaker 4: Yeah, he's not coming to the table they're serving.

464
00:25:25,480 --> 00:25:27,600
Speaker 1: Yeah. Also, by the way, what a sick power move.

465
00:25:27,640 --> 00:25:29,560
Speaker 1: It's like, bring him here. He's in the middle of

466
00:25:29,600 --> 00:25:33,080
Speaker 1: his job, by the way, he's literally dying, and bring

467
00:25:33,160 --> 00:25:35,439
Speaker 1: him here so that I can performatively come.

468
00:25:35,600 --> 00:25:38,240
Speaker 4: And it's multiple people we've seen this show. It's not

469
00:25:38,320 --> 00:25:39,000
Speaker 4: one chef.

470
00:25:39,280 --> 00:25:40,600
Speaker 1: That's right, it's multiple.

471
00:25:40,320 --> 00:25:44,200
Speaker 4: The community, it's all yeah, okay, next question.

472
00:25:44,200 --> 00:25:47,080
Speaker 1: Next question is quick and by the way, I'm deciding

473
00:25:47,119 --> 00:25:48,160
Speaker 1: it's time for the next question.

474
00:25:49,640 --> 00:25:51,439
Speaker 4: You have to make men think it's their idea.

475
00:25:51,520 --> 00:25:56,680
Speaker 1: So sure, Robbie having an analog watch or being a digital.

476
00:25:56,320 --> 00:25:58,919
Speaker 4: Creator analog to the day I die?

477
00:25:59,440 --> 00:26:03,600
Speaker 1: Okay, Robbie selling your soul to the devil or buying

478
00:26:03,640 --> 00:26:05,040
Speaker 1: Cardia to go up a level.

479
00:26:06,440 --> 00:26:07,959
Speaker 4: Uh kartiay, I love Kartia.

480
00:26:08,560 --> 00:26:11,920
Speaker 1: Exploiting your workforce or over sharing about your divorce.

481
00:26:13,840 --> 00:26:15,760
Speaker 4: Exploiting your workforce. Yeah, you gotta.

482
00:26:15,880 --> 00:26:17,560
Speaker 1: Nobody wants to work in this economy.

483
00:26:17,680 --> 00:26:19,600
Speaker 2: No what he wants to work? I mean it's so expensive.

484
00:26:19,680 --> 00:26:23,320
Speaker 2: You're not explaining you can't pay it. Okay, Robbie. Mourning

485
00:26:23,320 --> 00:26:26,240
Speaker 2: the loss of your childhood innocence or sucking the cocks

486
00:26:26,280 --> 00:26:27,679
Speaker 2: of your sluttiest insta friends.

487
00:26:29,480 --> 00:26:32,160
Speaker 4: You know what, I still have my childlike innocence. I'm

488
00:26:32,240 --> 00:26:33,880
Speaker 4: either seven or seventy three.

489
00:26:34,440 --> 00:26:35,240
Speaker 1: That's nuance.

490
00:26:35,600 --> 00:26:38,200
Speaker 4: Yeah, that's that's that's where I live. I'm either those

491
00:26:38,200 --> 00:26:41,919
Speaker 4: two ages. So uh no, I haven't warned anything and

492
00:26:41,920 --> 00:26:43,000
Speaker 4: I haven't done the other one either.

493
00:26:43,320 --> 00:26:46,399
Speaker 1: Yeah, yeah, you haven't sucked a cock of your Insta friends.

494
00:26:46,640 --> 00:26:48,840
Speaker 4: No, I don't have any Insta friends. Move on.

495
00:26:48,920 --> 00:26:50,040
Speaker 1: Oh that's the problem with that.

496
00:26:50,200 --> 00:26:53,240
Speaker 4: Okay, what's an Insta friends? A followers?

497
00:26:54,359 --> 00:26:55,360
Speaker 1: Instagram? No?

498
00:26:55,760 --> 00:26:59,520
Speaker 2: Someone you someone who post close friends stories and you

499
00:26:59,520 --> 00:27:00,479
Speaker 2: respond to fire.

500
00:27:00,800 --> 00:27:02,480
Speaker 4: Yeah, I don't have a close friends story.

501
00:27:04,840 --> 00:27:08,200
Speaker 1: That's confidence you're saying. If I if I want people

502
00:27:08,200 --> 00:27:09,760
Speaker 1: to see something, everyone can see it.

503
00:27:09,800 --> 00:27:11,840
Speaker 4: Yeah. Of course I don't like anyone on there.

504
00:27:12,040 --> 00:27:13,640
Speaker 1: Yeah. Well, I value my private life.

505
00:27:13,680 --> 00:27:16,840
Speaker 4: So saying, well, why what's going on in your private life?

506
00:27:16,840 --> 00:27:17,520
Speaker 4: You have a boyfriend?

507
00:27:18,520 --> 00:27:23,760
Speaker 1: Maybe? Okay, wait, diagnosed.

508
00:27:23,280 --> 00:27:25,080
Speaker 4: You you're using protection because I know the gays are

509
00:27:25,119 --> 00:27:26,080
Speaker 4: getting crazy again?

510
00:27:26,560 --> 00:27:27,440
Speaker 1: Oh yeah, protection.

511
00:27:29,000 --> 00:27:32,320
Speaker 4: I'm worried sick about you. I hear it bubbling up.

512
00:27:32,320 --> 00:27:34,480
Speaker 1: I don't want to have made your community.

513
00:27:34,560 --> 00:27:37,800
Speaker 4: Yeah, the prep and everything, Get it together? Get it together.

514
00:27:38,480 --> 00:27:41,960
Speaker 4: You feel like prep is not more than when you

515
00:27:41,960 --> 00:27:43,440
Speaker 4: want to be a medication the rest of your life.

516
00:27:43,440 --> 00:27:45,840
Speaker 4: What does it take a Condon pull out? Be normal?

517
00:27:45,960 --> 00:27:46,240
Speaker 4: Come on?

518
00:27:46,520 --> 00:27:50,399
Speaker 1: Okay, So Robbie's message to gay men is be normal.

519
00:27:50,440 --> 00:27:56,880
Speaker 1: Come on. And by the way, co sign Ultimately I'm

520
00:27:56,880 --> 00:27:59,080
Speaker 1: gonna have to push back on that one. Okay, okay, okay,

521
00:27:59,240 --> 00:28:01,000
Speaker 1: sam is such a social justice world.

522
00:28:01,000 --> 00:28:03,639
Speaker 4: We will not use a condom, for fuck's sake, and

523
00:28:03,720 --> 00:28:05,800
Speaker 4: we're doing PSA's in school. It's like all for not

524
00:28:06,600 --> 00:28:07,840
Speaker 4: it's like not using them.

525
00:28:08,080 --> 00:28:11,240
Speaker 1: Okay, are you using dental damns, Robbie.

526
00:28:12,200 --> 00:28:13,640
Speaker 4: No, but it's not the same thing.

527
00:28:13,720 --> 00:28:15,320
Speaker 1: Oh it is, And I won that argument.

528
00:28:16,400 --> 00:28:18,840
Speaker 4: I think prep and birth control the same thing I

529
00:28:18,840 --> 00:28:22,040
Speaker 4: think women. I think men should be using condoms in

530
00:28:22,160 --> 00:28:25,560
Speaker 4: all classics so that when women should not control, No,

531
00:28:25,800 --> 00:28:27,480
Speaker 4: if they don't, if they don't want to be no.

532
00:28:27,480 --> 00:28:29,600
Speaker 1: Well yeah I'm not. Yeah, No, one's forcing them.

533
00:28:29,640 --> 00:28:32,679
Speaker 4: A lot of that. People force them. Men. Believe me,

534
00:28:32,680 --> 00:28:33,919
Speaker 4: because I don't want to wear condom.

535
00:28:34,520 --> 00:28:35,000
Speaker 1: I agree.

536
00:28:35,080 --> 00:28:38,080
Speaker 4: Okay, all right. Do I know what's happening in every

537
00:28:38,240 --> 00:28:42,080
Speaker 4: sexual community, not just dyke world. I know what's happening

538
00:28:42,080 --> 00:28:43,960
Speaker 4: in your ship and in your ship.

539
00:28:44,160 --> 00:28:45,680
Speaker 1: Wow, the walls of comfort.

540
00:28:45,720 --> 00:28:47,920
Speaker 4: Okay, and I'm telling it. I'm telling you I'm not

541
00:28:47,920 --> 00:28:49,640
Speaker 4: going to be sweet about it. This is what we're

542
00:28:49,680 --> 00:28:53,400
Speaker 4: calling tough love and we need to bring it back. Okay,

543
00:28:53,600 --> 00:28:56,200
Speaker 4: you're being unsafe, and let's figure it out.

544
00:28:56,440 --> 00:28:59,560
Speaker 1: You twisted gay men be normal into being about like

545
00:29:00,520 --> 00:29:02,240
Speaker 1: a feminist argument about what I.

546
00:29:02,160 --> 00:29:07,360
Speaker 4: Do that's what I do, okay, And that's the problem

547
00:29:07,400 --> 00:29:09,880
Speaker 4: with me and I wish is I'm never wrong somehow.

548
00:29:11,360 --> 00:29:16,200
Speaker 1: Really, it's really diagnosing yourself with ADHD or microdosing and

549
00:29:16,240 --> 00:29:17,680
Speaker 1: forgetting about your meeting at three.

550
00:29:18,800 --> 00:29:21,360
Speaker 4: Both ADHD is for kids. I don't want to hear

551
00:29:21,880 --> 00:29:25,600
Speaker 4: that you're a grown up with ADHD. Just please let

552
00:29:25,080 --> 00:29:29,000
Speaker 4: you don't have nothing. Shut up, read a book.

553
00:29:29,120 --> 00:29:31,320
Speaker 1: Yeah, get a job, then you won't have a go

554
00:29:31,360 --> 00:29:31,920
Speaker 1: to Russia.

555
00:29:32,320 --> 00:29:37,440
Speaker 4: Okay, and then tell me how your ADHD is at

556
00:29:37,480 --> 00:29:39,120
Speaker 4: the internment camp in Russia.

557
00:29:39,240 --> 00:29:41,000
Speaker 1: That could maybe work for your gay problem too.

558
00:29:41,040 --> 00:29:43,000
Speaker 4: Okay. What was the other thing, the micro dosing?

559
00:29:43,080 --> 00:29:44,600
Speaker 1: Yeah, micro dosing. How do you feel about that?

560
00:29:44,760 --> 00:29:45,240
Speaker 4: It's gay?

561
00:29:45,640 --> 00:29:51,160
Speaker 2: I don't know period, Okay, Okay, Robbie, Yes, don't talk

562
00:29:51,200 --> 00:29:53,520
Speaker 2: to me until I've had my coffee or text me

563
00:29:53,560 --> 00:29:54,360
Speaker 2: if you need anything.

564
00:29:54,480 --> 00:29:56,080
Speaker 1: My name is Amy.

565
00:29:57,360 --> 00:30:01,920
Speaker 4: I mean, who's Amy? You know I got a text

566
00:30:01,920 --> 00:30:04,880
Speaker 4: like this from Amy. I'd be thrilled exactly because I

567
00:30:04,920 --> 00:30:05,640
Speaker 4: might need something.

568
00:30:05,800 --> 00:30:07,640
Speaker 1: Yeah, you want an Amy, you want an Amanda?

569
00:30:08,120 --> 00:30:10,160
Speaker 4: I might need something right well, and not to I

570
00:30:10,200 --> 00:30:11,360
Speaker 4: would not hesitate in.

571
00:30:11,320 --> 00:30:14,240
Speaker 2: The scenario Amy speaking to you in person. She hasn't

572
00:30:14,240 --> 00:30:14,960
Speaker 2: texted you yet.

573
00:30:15,120 --> 00:30:16,880
Speaker 1: Oh yeah, what's this? Yeah.

574
00:30:16,920 --> 00:30:20,480
Speaker 2: In this scenario, she's holding a clipboard and she's saying,

575
00:30:20,720 --> 00:30:22,320
Speaker 2: and by the way, text me, if you think.

576
00:30:22,200 --> 00:30:28,400
Speaker 4: I'm Amy, what's the number? How am I gonna get

577
00:30:28,400 --> 00:30:31,360
Speaker 4: this bitch on the on the line if I need something?

578
00:30:31,440 --> 00:30:34,040
Speaker 1: Well, that's the thing. Maybe maybe she's being fake, that's

579
00:30:34,040 --> 00:30:36,360
Speaker 1: the thing. Maybe it's like Amy is sort of two faces,

580
00:30:36,400 --> 00:30:39,320
Speaker 1: two faced bitch, she's offering fake help. She's being like,

581
00:30:39,320 --> 00:30:40,120
Speaker 1: feel free to text.

582
00:30:40,040 --> 00:30:42,680
Speaker 4: Me call her motherfucking bluff. I don't move a fuck.

583
00:30:42,920 --> 00:30:45,920
Speaker 1: You're gonna steal her phone and give yourself her number, bitch.

584
00:30:45,760 --> 00:30:48,200
Speaker 4: I need toothpaste. I don't know what I need. I

585
00:30:48,240 --> 00:30:48,640
Speaker 4: don't know.

586
00:30:49,320 --> 00:30:53,960
Speaker 1: Okay, Robbie calling a penis a hog, calling a vagina

587
00:30:54,040 --> 00:30:56,920
Speaker 1: a beaver, or calling your senator to demand they do

588
00:30:56,960 --> 00:31:00,800
Speaker 1: something about climate change. This is a crisis, the dick hog?

589
00:31:00,880 --> 00:31:01,440
Speaker 1: Who cares?

590
00:31:04,240 --> 00:31:06,760
Speaker 4: Why do we have Kevin James and Adam Sandler looking

591
00:31:06,760 --> 00:31:06,960
Speaker 4: at me?

592
00:31:07,160 --> 00:31:09,320
Speaker 1: So, Kevin James and Adam Sandler are sort of the

593
00:31:09,320 --> 00:31:11,920
Speaker 1: patron saints of this podcast because they are gay men.

594
00:31:12,640 --> 00:31:13,360
Speaker 1: And that one.

595
00:31:14,680 --> 00:31:16,880
Speaker 4: I think he's so funny and King of Queens.

596
00:31:17,120 --> 00:31:19,680
Speaker 1: Oh yeah, he's an American treasure to be called.

597
00:31:19,760 --> 00:31:23,440
Speaker 4: How fun is that show? Leah REMONI I might do

598
00:31:23,480 --> 00:31:25,680
Speaker 4: a rewatch. I'm thinking about it.

599
00:31:26,080 --> 00:31:27,800
Speaker 2: You know, I actually think you might have brought this

600
00:31:27,920 --> 00:31:29,600
Speaker 2: up on your episode of our podcast.

601
00:31:29,840 --> 00:31:31,400
Speaker 4: Oh I brought it up. Yeah, I love that show.

602
00:31:31,480 --> 00:31:35,040
Speaker 1: Yeah, Kevin James. Do you think between Kevin James Adam

603
00:31:35,080 --> 00:31:37,280
Speaker 1: Sandler if you had to choose, which would.

604
00:31:37,000 --> 00:31:39,240
Speaker 4: You Adam Sandler? He's such a cutie.

605
00:31:39,560 --> 00:31:40,440
Speaker 1: Yeah, you gotta.

606
00:31:40,520 --> 00:31:42,720
Speaker 4: He's a cutie. But he reminds my brother LaVey, who's

607
00:31:42,760 --> 00:31:43,520
Speaker 4: not such a cutie.

608
00:31:43,840 --> 00:31:44,320
Speaker 1: Well, you don't.

609
00:31:44,360 --> 00:31:46,080
Speaker 4: It's an alternate universe thing.

610
00:31:46,120 --> 00:31:49,000
Speaker 1: We talk about nuance. Yeah, you want someone to remind

611
00:31:49,040 --> 00:31:50,400
Speaker 1: you of your brother just a little bit.

612
00:31:51,520 --> 00:31:53,880
Speaker 4: Not my brother's was the reason I'm gay?

613
00:31:54,080 --> 00:31:59,280
Speaker 1: Oh she spilled? Are we done? We're done? Okay, Okay, Robbie,

614
00:31:59,360 --> 00:32:00,880
Speaker 1: we have to rain on a scale of zero to

615
00:32:00,880 --> 00:32:03,160
Speaker 1: one thousand doves. I have a feeling this is not

616
00:32:03,200 --> 00:32:04,440
Speaker 1: going to end well for any of us.

617
00:32:05,640 --> 00:32:08,480
Speaker 2: Well, I actually am This is a fear based decision.

618
00:32:08,600 --> 00:32:09,640
Speaker 2: I want you to go first.

619
00:32:11,960 --> 00:32:14,200
Speaker 1: You know, I'm torn because on the one hand, I

620
00:32:14,240 --> 00:32:17,000
Speaker 1: feel like there's tension and I want to be on

621
00:32:17,080 --> 00:32:21,480
Speaker 1: Robbie's good side. Because we're only halfway done. But on

622
00:32:21,520 --> 00:32:23,680
Speaker 1: the other hand, I'm like, at what point do I

623
00:32:23,720 --> 00:32:25,600
Speaker 1: have to put my foot downe and stick up for myself?

624
00:32:26,000 --> 00:32:27,880
Speaker 4: No? No, yeah, well this is sort.

625
00:32:27,720 --> 00:32:31,000
Speaker 1: Of running theme of the weekend. You know, anything we do,

626
00:32:31,200 --> 00:32:34,120
Speaker 1: Robbie will say, oh, there's men oppressing me again. An

627
00:32:34,160 --> 00:32:35,320
Speaker 1: LGBTQ plus woman.

628
00:32:35,560 --> 00:32:38,160
Speaker 2: Well, if we give her a high score, it's they're

629
00:32:38,200 --> 00:32:40,200
Speaker 2: condescending to me. They don't treat me like a man.

630
00:32:40,400 --> 00:32:42,040
Speaker 2: If it's a low score, it's like you think I'm

631
00:32:42,040 --> 00:32:43,320
Speaker 2: stupid because I'm Yeah.

632
00:32:43,360 --> 00:32:46,160
Speaker 1: Well, it all comes down to, you know, you have

633
00:32:46,240 --> 00:32:51,520
Speaker 1: to treat people based on what their gender is. That's

634
00:32:51,560 --> 00:32:53,440
Speaker 1: what it all based on. That. I would say, I'm

635
00:32:53,480 --> 00:32:55,360
Speaker 1: going to give Robbie eight hundred doves.

636
00:32:56,200 --> 00:32:57,360
Speaker 4: I lost two hundred doves.

637
00:32:57,640 --> 00:32:59,000
Speaker 1: Yeah, no, I didn't.

638
00:32:59,160 --> 00:33:03,160
Speaker 4: You're wrong, You're insecure. You can't. Men can't give a compliment.

639
00:33:03,280 --> 00:33:07,880
Speaker 4: I had a guy. I had a guy literally like

640
00:33:08,080 --> 00:33:10,120
Speaker 4: leap up to me. He was so excited to see me.

641
00:33:10,160 --> 00:33:14,680
Speaker 4: This happened in La my girlfriend now could vouch Okay.

642
00:33:15,080 --> 00:33:16,840
Speaker 4: He came up. He's like, oh, you're a comedian. I

643
00:33:16,840 --> 00:33:19,520
Speaker 4: saw you here and then I go, oh, thank you.

644
00:33:19,520 --> 00:33:21,360
Speaker 4: You know how was it just I don't know what

645
00:33:21,480 --> 00:33:23,680
Speaker 4: to say? And he goes, oh, you know, you did

646
00:33:23,720 --> 00:33:27,880
Speaker 4: a lot of pedophile material, And then he said he

647
00:33:27,880 --> 00:33:30,680
Speaker 4: wouldn't give a compliment, like he was so excited to

648
00:33:30,680 --> 00:33:33,920
Speaker 4: see me, but then wouldn't. Then his girlfriend comes out,

649
00:33:33,960 --> 00:33:35,480
Speaker 4: she goes, oh my god, we thought you were the

650
00:33:35,520 --> 00:33:39,640
Speaker 4: funniest at that show. So of course she gave a compliment.

651
00:33:40,040 --> 00:33:42,520
Speaker 4: But could you imagine this man like already gave up

652
00:33:42,520 --> 00:33:44,200
Speaker 4: that he was so excited to see me, yeah, but

653
00:33:44,200 --> 00:33:47,440
Speaker 4: then couldn't follow it up with an actual nice thing,

654
00:33:48,200 --> 00:33:50,440
Speaker 4: when clearly the whole car right home they were like

655
00:33:50,520 --> 00:33:56,080
Speaker 4: Robbie Hoffins medopial shit, I'm so sick of it, Like

656
00:33:56,160 --> 00:33:58,880
Speaker 4: cutting off this two hundred, like skimming from the top

657
00:33:59,280 --> 00:34:02,440
Speaker 4: is so a man thing. It's like eight hundred. I'm

658
00:34:02,440 --> 00:34:04,480
Speaker 4: gonna give a minus just because she's a woman.

659
00:34:06,280 --> 00:34:08,440
Speaker 2: Yeah, well, first of all, I have to be percent.

660
00:34:08,520 --> 00:34:12,239
Speaker 2: I was gonna say a thousand of thank you, thank you.

661
00:34:12,600 --> 00:34:15,080
Speaker 4: This is a motherfucking ally over here.

662
00:34:16,120 --> 00:34:17,800
Speaker 1: I just want to say I stand by my score.

663
00:34:18,719 --> 00:34:19,880
Speaker 1: I also want to say, Robbie, to.

664
00:34:19,880 --> 00:34:21,680
Speaker 2: Your point of people not being able to give a compliment,

665
00:34:21,800 --> 00:34:24,440
Speaker 2: I got an egged in the biggest way. At a

666
00:34:24,600 --> 00:34:28,080
Speaker 2: very chet restaurant in Brooklyn, this little twink was the

667
00:34:28,080 --> 00:34:30,800
Speaker 2: waiter and he was like, hey, are you Sam Taggart

668
00:34:31,120 --> 00:34:35,640
Speaker 2: And I was like, oh yeah. And then and he

669
00:34:35,760 --> 00:34:39,080
Speaker 2: was like mm hmm, my friends listen to your podcast?

670
00:34:39,320 --> 00:34:43,240
Speaker 2: Like what is that so rude? I've never felt smaller

671
00:34:43,280 --> 00:34:43,879
Speaker 2: in my life.

672
00:34:44,160 --> 00:34:46,960
Speaker 4: I feel fine. I told us. I go, oh, you

673
00:34:47,000 --> 00:34:49,359
Speaker 4: can't give a compliment. That's what I told that guy.

674
00:34:50,320 --> 00:34:52,239
Speaker 4: I will destroy Like you're running up to me. I

675
00:34:52,239 --> 00:34:55,120
Speaker 4: didn't even want the compliment. If you're gonna run up

676
00:34:55,160 --> 00:34:56,080
Speaker 4: to me, just give it.

677
00:34:56,120 --> 00:34:59,480
Speaker 1: And lead is one of the most stigmatized things in

678
00:34:59,520 --> 00:35:01,799
Speaker 1: our society, saying nothing, and people are afraid of it.

679
00:35:01,840 --> 00:35:03,400
Speaker 1: So they are like, well, I have to say something,

680
00:35:03,440 --> 00:35:05,880
Speaker 1: But then they don't stick the landing. They're like, well

681
00:35:05,880 --> 00:35:07,640
Speaker 1: I have to start talking. Oh no, now I'm talking.

682
00:35:07,880 --> 00:35:10,120
Speaker 1: What comes now? It's like, remember we were somewhere and

683
00:35:10,160 --> 00:35:12,000
Speaker 1: someone's like, are you guys podcasting? And we were like yeah,

684
00:35:12,040 --> 00:35:16,000
Speaker 1: and she was like bye no.

685
00:35:16,400 --> 00:35:18,839
Speaker 2: I remember that so vividly because also we were with

686
00:35:18,920 --> 00:35:20,560
Speaker 2: our dear friends trolier were Day and Natalie d Are

687
00:35:20,560 --> 00:35:22,440
Speaker 2: like yes, and and then the person was like, and

688
00:35:22,480 --> 00:35:25,200
Speaker 2: are you guys stand ups. One our stand up comedy

689
00:35:25,200 --> 00:35:26,759
Speaker 2: background was being erased in front of us.

690
00:35:27,440 --> 00:35:30,239
Speaker 1: So we're just podcasts. So we're just podcasting. None of

691
00:35:30,280 --> 00:35:32,880
Speaker 1: the four of us got compliments. We were just clocked

692
00:35:32,920 --> 00:35:34,160
Speaker 1: for our career paths.

693
00:35:34,960 --> 00:35:40,280
Speaker 4: Yeah, it's such a bizarrow. And you know what that twink? Amen?

694
00:35:41,360 --> 00:35:48,480
Speaker 2: Yeah, I'm bringing back dykes and time in because for

695
00:35:48,520 --> 00:35:51,000
Speaker 2: a while we did, Oh we like men.

696
00:35:50,960 --> 00:35:55,280
Speaker 4: We don't, okay, And I'm throwing the gays in there too. Yeah,

697
00:35:55,320 --> 00:35:57,200
Speaker 4: but I will be cordial and work with them. And

698
00:35:57,280 --> 00:35:59,120
Speaker 4: I am and I And the reason why you cut

699
00:35:59,120 --> 00:36:02,719
Speaker 4: off two hundred is because, first of all, it's for

700
00:36:02,760 --> 00:36:05,560
Speaker 4: sure a thousand because I was your best guest. That's

701
00:36:05,640 --> 00:36:08,080
Speaker 4: the episode to the point that you brought me back

702
00:36:08,080 --> 00:36:09,240
Speaker 4: on your life for these twenties.

703
00:36:09,280 --> 00:36:11,440
Speaker 1: Yeah, well, so.

704
00:36:11,440 --> 00:36:13,160
Speaker 4: The proof is in the pudding.

705
00:36:14,600 --> 00:36:18,120
Speaker 1: But have you thought about almost reclaiming the eight hundred,

706
00:36:18,280 --> 00:36:21,000
Speaker 1: being like, that's right, I got eight hundred.

707
00:36:20,800 --> 00:36:23,160
Speaker 4: I got a thousand, I know the real score. It's like,

708
00:36:23,560 --> 00:36:25,560
Speaker 4: I know, I got a thousand, and that's you. The

709
00:36:25,560 --> 00:36:26,640
Speaker 4: two hundred is you.

710
00:36:27,040 --> 00:36:29,560
Speaker 1: But may do many people have gotten a thousand before,

711
00:36:29,719 --> 00:36:31,880
Speaker 1: some of the men, even people who you would not

712
00:36:31,960 --> 00:36:33,000
Speaker 1: respect artistically.

713
00:36:33,040 --> 00:36:33,480
Speaker 4: I would give.

714
00:36:33,719 --> 00:36:35,120
Speaker 1: Do you want to be in that club? Because I

715
00:36:35,239 --> 00:36:36,480
Speaker 1: just not claim eight.

716
00:36:36,400 --> 00:36:39,240
Speaker 4: Hundred, because because I just know I'm the only one thousand.

717
00:36:39,440 --> 00:36:42,839
Speaker 4: Otherwise they would be sitting here during the live. Well,

718
00:36:42,920 --> 00:36:45,279
Speaker 4: let me see, I give a score and it's going

719
00:36:45,320 --> 00:36:47,720
Speaker 4: to be right. You guys, he knows how to score.

720
00:36:47,960 --> 00:36:51,440
Speaker 4: You have an insecurity in your scory totally. I'm not

721
00:36:51,480 --> 00:36:52,320
Speaker 4: taking that personally.

722
00:36:52,719 --> 00:36:54,560
Speaker 1: Should we get into our topic, let's get into the

723
00:36:54,880 --> 00:36:57,719
Speaker 1: we haven't. We don't know what it is. And yeah,

724
00:36:57,760 --> 00:36:59,960
Speaker 1: it's a surprise for us too, so we would love

725
00:37:00,160 --> 00:37:01,319
Speaker 1: to hear what topic you run in.

726
00:37:03,000 --> 00:37:08,120
Speaker 4: Yeah, so my topic last time you said society. That's

727
00:37:08,160 --> 00:37:08,800
Speaker 4: straight culture.

728
00:37:08,880 --> 00:37:09,600
Speaker 1: Yes, exactly.

729
00:37:10,040 --> 00:37:16,320
Speaker 4: My topic today is everything. Wow to today it's everything.

730
00:37:17,040 --> 00:37:19,719
Speaker 4: I'm sorry, you tell me where I'm from?

731
00:37:20,719 --> 00:37:21,160
Speaker 1: Everything?

732
00:37:21,640 --> 00:37:31,000
Speaker 4: It is everything. It is everything. It is everything. No, no, no,

733
00:37:31,440 --> 00:37:34,200
Speaker 4: look at everything. Let's take this from Let's start from

734
00:37:34,239 --> 00:37:36,560
Speaker 4: the vantage point of ourselves. Look at the room, the

735
00:37:36,600 --> 00:37:42,080
Speaker 4: carpet straight, the decore straight, and thank god, because gays

736
00:37:42,080 --> 00:37:43,719
Speaker 4: were trying, try and trying, and then they went too

737
00:37:43,719 --> 00:37:47,640
Speaker 4: far with Quirai. Everything looks bad. So just now I'm

738
00:37:47,680 --> 00:37:49,400
Speaker 4: into shitty straight rooms.

739
00:37:50,040 --> 00:37:53,399
Speaker 1: You're one hundred. You're so correct. With the assessment. See,

740
00:37:53,560 --> 00:37:56,680
Speaker 1: you actually have to we have to give up on

741
00:37:57,080 --> 00:38:02,440
Speaker 1: gay interior deal horrendous into this exact carpet. I want

742
00:38:02,440 --> 00:38:03,840
Speaker 1: your homes to have this carpet.

743
00:38:04,200 --> 00:38:07,640
Speaker 4: You know what it's like. It's like going to a

744
00:38:07,800 --> 00:38:11,520
Speaker 4: rich house versus a poorhouse. Okay, And of course here

745
00:38:11,560 --> 00:38:15,040
Speaker 4: I am woe is me again? Classic classic, Okay, But

746
00:38:15,239 --> 00:38:17,920
Speaker 4: let's just think about it for a second. Rich houses

747
00:38:17,960 --> 00:38:21,439
Speaker 4: have no chill. Okay. Oftentimes they have great toys or whatever.

748
00:38:21,480 --> 00:38:23,600
Speaker 4: But you can't go in the fridge, you can't go

749
00:38:23,640 --> 00:38:25,880
Speaker 4: in this room, you can't go in that room, you

750
00:38:25,920 --> 00:38:29,960
Speaker 4: can't Okay. A poorhouse sometimes I like seeing old friends. Hey,

751
00:38:29,960 --> 00:38:32,040
Speaker 4: I feel better about where I am. Of course would be.

752
00:38:33,120 --> 00:38:36,080
Speaker 4: I go in there and they got like coke, you know,

753
00:38:36,200 --> 00:38:39,560
Speaker 4: like Coca cola on the table, Coca cola, we got,

754
00:38:39,560 --> 00:38:42,520
Speaker 4: the ritos we got. It's a beautiful sunny day. The

755
00:38:42,520 --> 00:38:46,600
Speaker 4: blinds are fucking down. Nobody we're not enjoying the sunny day.

756
00:38:47,040 --> 00:38:50,640
Speaker 4: The fuck in this den, we're watching ninety Day and

757
00:38:50,680 --> 00:38:53,600
Speaker 4: we're fucking chilling. You can smoke, you can do whatever

758
00:38:53,640 --> 00:38:57,560
Speaker 4: the fuck you want. And there's nothing like a poor chill. Okay,

759
00:38:57,719 --> 00:38:59,080
Speaker 4: you go to a rich house. I got the pool,

760
00:38:59,080 --> 00:39:03,520
Speaker 4: I got everything, but nobody's chilling's bright. It's like it's

761
00:39:03,520 --> 00:39:07,840
Speaker 4: a beautiful day. Shut the fucking blinds. Okay, there's a

762
00:39:07,880 --> 00:39:10,000
Speaker 4: fucking glare on the TV. I can't see nothing.

763
00:39:10,120 --> 00:39:13,920
Speaker 1: So you're saying, riches straight, poor is gay. No, no,

764
00:39:15,520 --> 00:39:20,640
Speaker 1: every gay rich is gay. If anything rich is gay

765
00:39:20,719 --> 00:39:21,520
Speaker 1: and gay is bad.

766
00:39:22,719 --> 00:39:25,080
Speaker 4: Gay is bad, right, Okay, I just wanted to make

767
00:39:25,080 --> 00:39:27,399
Speaker 4: it gay is bad for sure. But but straights made

768
00:39:27,440 --> 00:39:30,839
Speaker 4: gay good. But anybody who's gay going it sucks, right,

769
00:39:31,400 --> 00:39:33,520
Speaker 4: we're not doing like people like, how do you funk?

770
00:39:33,560 --> 00:39:37,239
Speaker 4: I'm like, we don't really, like, you know, like I'm

771
00:39:37,280 --> 00:39:41,600
Speaker 4: missing a lot, you know, like I'm happy, I'm rolling around.

772
00:39:41,680 --> 00:39:46,000
Speaker 4: It's fine, but it's like it's not a better scenario,

773
00:39:47,120 --> 00:39:49,000
Speaker 4: you know. But then but but straights are like, but

774
00:39:49,040 --> 00:39:51,520
Speaker 4: it's cool to be gay. It's like, not really, you

775
00:39:51,600 --> 00:39:54,839
Speaker 4: made it cool to make it okay, and and and

776
00:39:55,000 --> 00:39:57,279
Speaker 4: that's gay. I don't know it gets gay again quick.

777
00:39:57,400 --> 00:39:59,680
Speaker 1: You're saying it's cyclical where it's like you almost can't

778
00:39:59,680 --> 00:40:01,600
Speaker 1: be gay because you're gonna cycle back to straight at

779
00:40:01,600 --> 00:40:02,000
Speaker 1: some point.

780
00:40:02,120 --> 00:40:04,799
Speaker 4: I think the new gay is the dike and hear

781
00:40:04,840 --> 00:40:08,719
Speaker 4: me out if anything, If anything, dykes are coming up

782
00:40:08,880 --> 00:40:14,560
Speaker 4: style wise, true, Okay, the gaze they've oversaturated that queer eye.

783
00:40:14,920 --> 00:40:16,799
Speaker 4: One is worse than the next. I should be the

784
00:40:16,840 --> 00:40:18,120
Speaker 4: sixth queer eye if we're honest.

785
00:40:18,160 --> 00:40:23,239
Speaker 1: Yeah, you should be all of them. Yeah, go in there.

786
00:40:23,280 --> 00:40:28,200
Speaker 4: I fix up your fucking financials. Print a visa statement. Okay,

787
00:40:28,680 --> 00:40:32,040
Speaker 4: figure print a visa statement. How many fucking door dashes

788
00:40:32,080 --> 00:40:33,839
Speaker 4: are you getting? And then you wonder why the fuck

789
00:40:33,880 --> 00:40:37,120
Speaker 4: you're single? Okay, I will rough them up, but we're

790
00:40:37,120 --> 00:40:39,920
Speaker 4: not ready for that. They're not ready for the dykes

791
00:40:39,960 --> 00:40:42,560
Speaker 4: to come in and bust your shit open. They need

792
00:40:42,640 --> 00:40:45,600
Speaker 4: friendly fake gaze the dykes. We're not going to be friendly.

793
00:40:45,640 --> 00:40:47,879
Speaker 4: We're coming in with fucking AK forty seven. So we're

794
00:40:47,920 --> 00:40:51,000
Speaker 4: flowing your ship up. So that's the queer eye, that's

795
00:40:51,040 --> 00:40:55,000
Speaker 4: the HBO max queer, it's not.

796
00:40:55,800 --> 00:40:58,279
Speaker 2: I would argue that gay guys also feel that way

797
00:40:58,320 --> 00:41:00,000
Speaker 2: about queer eye for the most part.

798
00:41:00,160 --> 00:41:04,880
Speaker 1: I know you'd be surprised that's true, but yeah, do you.

799
00:41:05,120 --> 00:41:07,200
Speaker 1: I do agree with you that at this point in

800
00:41:07,320 --> 00:41:13,320
Speaker 1: history and time, queer women are esthetically way more advanced

801
00:41:13,360 --> 00:41:16,080
Speaker 1: than gay men, and gay men are regressing by the

802
00:41:16,120 --> 00:41:17,320
Speaker 1: out they are regressing.

803
00:41:17,760 --> 00:41:20,000
Speaker 4: Yeah, they're regressing. They used to be smart. I don't

804
00:41:20,040 --> 00:41:23,600
Speaker 4: know what happened. Yeah, I don't know where that went.

805
00:41:24,000 --> 00:41:26,760
Speaker 4: That was like out. They used to be like cool, smart,

806
00:41:26,920 --> 00:41:27,960
Speaker 4: kind of low key, and.

807
00:41:28,000 --> 00:41:30,200
Speaker 1: Do you feel like straight people have not caught on

808
00:41:30,520 --> 00:41:33,200
Speaker 1: that they now need to be taking orders from lesbians.

809
00:41:34,160 --> 00:41:38,640
Speaker 4: So because we don't push, we're like Jews like Jews.

810
00:41:38,719 --> 00:41:40,239
Speaker 1: And thank you because I was going to bring that up.

811
00:41:41,960 --> 00:41:45,160
Speaker 4: Jews, we don't what's the word proselytize? Okay, we don't

812
00:41:45,200 --> 00:41:48,200
Speaker 4: want you to convert, We don't care. We're just here

813
00:41:48,239 --> 00:41:52,879
Speaker 4: being better okay, and everybody's mad about it, but we didn't.

814
00:41:53,120 --> 00:41:55,359
Speaker 4: We're not inviting you. We don't give a fuck. If

815
00:41:55,400 --> 00:41:57,959
Speaker 4: you want to do it, fucking work and do it, okay,

816
00:41:58,000 --> 00:41:59,960
Speaker 4: it's gonna take you eleven months, and you fucking do

817
00:42:00,080 --> 00:42:02,920
Speaker 4: the work. I'm not helping you. I'm not holding your hand. Okay,

818
00:42:02,960 --> 00:42:04,480
Speaker 4: you prove to me that's what dykes are like.

819
00:42:04,560 --> 00:42:06,160
Speaker 1: Yeah, so you're never stoop as low as to be

820
00:42:06,200 --> 00:42:09,759
Speaker 1: a fab five going around, you know, you and the

821
00:42:09,760 --> 00:42:11,720
Speaker 1: indigo girlds house by house.

822
00:42:12,440 --> 00:42:14,319
Speaker 4: No, they could come to me and I could give

823
00:42:14,320 --> 00:42:15,919
Speaker 4: it to them real I'd sit like on a pope

824
00:42:16,000 --> 00:42:19,160
Speaker 4: chair like this and I beg print. What you would

825
00:42:19,160 --> 00:42:20,720
Speaker 4: have to bring me is a few things. A visa

826
00:42:20,760 --> 00:42:26,640
Speaker 4: statement going through okay, your favorite outfit okay, uh, you know,

827
00:42:26,800 --> 00:42:28,440
Speaker 4: and a picture of your house because I don't want

828
00:42:28,440 --> 00:42:32,640
Speaker 4: to go in there. All right, there's no way I'm

829
00:42:32,640 --> 00:42:36,319
Speaker 4: stepping into that COVID infested fucking Yeah.

830
00:42:36,400 --> 00:42:40,560
Speaker 1: Then do you think do you think we'll have a

831
00:42:40,600 --> 00:42:41,400
Speaker 1: lesbian president?

832
00:42:42,320 --> 00:42:46,320
Speaker 4: I hope not. I don't wanna. I I I don't vote,

833
00:42:46,400 --> 00:42:49,080
Speaker 4: I don't do nothing. I'm not that whole thing, the government,

834
00:42:49,120 --> 00:42:52,680
Speaker 4: the weird big company that we're calling the government. I'm

835
00:42:52,719 --> 00:42:55,120
Speaker 4: just trying to stash as much money as I can

836
00:42:55,239 --> 00:42:56,360
Speaker 4: and just live my life.

837
00:42:58,239 --> 00:42:58,640
Speaker 1: I want to.

838
00:43:00,239 --> 00:43:03,320
Speaker 4: I want to do this. I'm not. I'm not somebody.

839
00:43:03,560 --> 00:43:04,800
Speaker 4: They said, do you vote locally?

840
00:43:04,800 --> 00:43:05,239
Speaker 1: You say what?

841
00:43:07,640 --> 00:43:09,080
Speaker 4: And then this ship came to the house and I

842
00:43:09,080 --> 00:43:11,480
Speaker 4: said for the school. I said, fuck the school, fuck this,

843
00:43:11,920 --> 00:43:15,480
Speaker 4: fuck this. I don't care about none of it. I don't.

844
00:43:18,000 --> 00:43:21,080
Speaker 1: Go right up to truly, everyone's like laughing at everything

845
00:43:21,160 --> 00:43:23,640
Speaker 1: you're saying. They're eating out of the palm of your hand. Suddenly,

846
00:43:23,960 --> 00:43:25,600
Speaker 1: don't care about local politics, never vote.

847
00:43:25,440 --> 00:43:29,360
Speaker 2: To I'm like I'm like, I want to push it, Robbie,

848
00:43:29,360 --> 00:43:30,440
Speaker 2: where do you stay on guns?

849
00:43:31,080 --> 00:43:35,520
Speaker 4: Pro gun program? But I think we give them to mothers.

850
00:43:37,040 --> 00:43:39,880
Speaker 4: If you're a mother, I think if only mothers had guns,

851
00:43:39,920 --> 00:43:45,120
Speaker 4: the world would be a better places. Yeah. Yeah, if

852
00:43:45,160 --> 00:43:46,480
Speaker 4: you're a mother and you want a gun, I don't

853
00:43:46,520 --> 00:43:51,240
Speaker 4: question a mother does Okay, she kills, My mother kills somebody,

854
00:43:51,280 --> 00:43:55,520
Speaker 4: believe me, they ought to die, okay. But we gave

855
00:43:55,560 --> 00:43:57,759
Speaker 4: them to men who shoot cans. What the can do.

856
00:43:57,920 --> 00:44:00,759
Speaker 4: I don't understand why men had them, but I think

857
00:44:00,800 --> 00:44:04,080
Speaker 4: it should be like some like basic law that like

858
00:44:04,080 --> 00:44:09,279
Speaker 4: like even if a man holds a gun, it doesn't work. Okay, well,

859
00:44:09,280 --> 00:44:12,120
Speaker 4: because you think of everything, it's like again everything is straight.

860
00:44:12,160 --> 00:44:13,719
Speaker 4: But it's like it's like when you think of the

861
00:44:13,880 --> 00:44:16,080
Speaker 4: Ukraine and you think of Russia. You heard about this,

862
00:44:19,960 --> 00:44:23,680
Speaker 4: it's a big story where I am okay, anyway you

863
00:44:23,680 --> 00:44:25,719
Speaker 4: think about this, it's like if women were doing that,

864
00:44:25,840 --> 00:44:27,680
Speaker 4: you think we'd be like, let's go bash them in

865
00:44:27,719 --> 00:44:28,040
Speaker 4: the head.

866
00:44:28,560 --> 00:44:32,960
Speaker 5: Like nobody like women wouldn't organized to do we wouldn't

867
00:44:32,960 --> 00:44:34,360
Speaker 5: be like you know what we're gonna We're gonna go

868
00:44:34,440 --> 00:44:36,200
Speaker 5: bash all those people in the head.

869
00:44:36,600 --> 00:44:38,880
Speaker 4: So the guns wouldn't even really be used. It'd be

870
00:44:38,920 --> 00:44:41,319
Speaker 4: one cycle bitch who have to take some dude out

871
00:44:41,320 --> 00:44:44,240
Speaker 4: and be like, bitch, Yeah, okay, you know we would

872
00:44:44,320 --> 00:44:49,759
Speaker 4: use it with a sophistication. Huh, a sophistication. It's kind

873
00:44:49,760 --> 00:44:53,200
Speaker 4: of the way that Dyke supply masculinity I have. I

874
00:44:53,239 --> 00:44:58,319
Speaker 4: have a sophisticated essence of masculinity. Have too much?

875
00:44:58,640 --> 00:45:02,320
Speaker 1: Did you see the bart People always say that about it.

876
00:45:02,560 --> 00:45:07,640
Speaker 2: Yeah, too much masculinity, Robbiely, What you're describing sounds a

877
00:45:07,640 --> 00:45:09,399
Speaker 2: lot like sort of the plot of the Barbie movie

878
00:45:09,400 --> 00:45:10,040
Speaker 2: to me, did you see it?

879
00:45:10,120 --> 00:45:11,400
Speaker 1: Yeah? Did you see the Barbie movie?

880
00:45:11,480 --> 00:45:15,120
Speaker 4: The Barbie movie was so messy. Okay, here's the whole thing.

881
00:45:15,280 --> 00:45:17,080
Speaker 4: Did they get out of the vortex? Did they get

882
00:45:17,080 --> 00:45:18,719
Speaker 4: out of the thing, like, we don't even know? They

883
00:45:18,719 --> 00:45:22,359
Speaker 4: didn't clean it up? Okay, he was his he he

884
00:45:22,400 --> 00:45:26,719
Speaker 4: They needed to botox the main guy, Ryan Gosling. They

885
00:45:26,719 --> 00:45:29,520
Speaker 4: should have. They should have uncanceled Armie Hammer and put

886
00:45:29,560 --> 00:45:32,440
Speaker 4: him as the ken. He was too points he to

887
00:45:32,480 --> 00:45:35,600
Speaker 4: be ken. Okay, he was due pointed. He almost had

888
00:45:35,600 --> 00:45:37,960
Speaker 4: a Jewish disposition in his face about him, which is

889
00:45:38,000 --> 00:45:42,680
Speaker 4: not my God, I understand. No Ken's a Nazi. I mean,

890
00:45:42,719 --> 00:45:46,279
Speaker 4: come on, like, we'll see Kent Armie Hammer playing a

891
00:45:46,360 --> 00:45:49,000
Speaker 4: Jew not once but twice is more offensive than him

892
00:45:49,000 --> 00:45:54,600
Speaker 4: being accountable. Because they had him in the Ruth Bader

893
00:45:54,600 --> 00:45:59,279
Speaker 4: Ginsburg movie Okay as as the husband, and they had

894
00:45:59,360 --> 00:46:03,200
Speaker 4: him in the comedy By Your Name as a Jew

895
00:46:03,239 --> 00:46:06,000
Speaker 4: in the thirties. It's like if Jews look like that,

896
00:46:06,040 --> 00:46:10,360
Speaker 4: there would be no Holocaust, Like, what are you talking about?

897
00:46:10,440 --> 00:46:11,200
Speaker 4: Wake up?

898
00:46:11,640 --> 00:46:15,720
Speaker 1: So he should have been Ken.

899
00:46:15,800 --> 00:46:17,640
Speaker 4: Yeah, and the cannibal thing it actually works out for

900
00:46:17,680 --> 00:46:22,239
Speaker 4: the character. And then and the Barbie Barbie was good.

901
00:46:22,239 --> 00:46:25,680
Speaker 4: But I thought they had such a missed opportunity with

902
00:46:25,800 --> 00:46:27,959
Speaker 4: the dance numbers. First of all, they gave two dance

903
00:46:28,000 --> 00:46:31,160
Speaker 4: numbers to Ken, not to Barbie. Very strange Barbie dance

904
00:46:31,239 --> 00:46:33,000
Speaker 4: at some point, but no singing. They could have done

905
00:46:33,040 --> 00:46:35,320
Speaker 4: something with the feet and the limitations of the body

906
00:46:35,320 --> 00:46:38,279
Speaker 4: of a Barbie. But they fucking missed the opportunity. And

907
00:46:38,320 --> 00:46:43,080
Speaker 4: the dancing choreography was horrendous and poorly executed, and they

908
00:46:43,080 --> 00:46:45,799
Speaker 4: should have just had the choreographers should have stayed with

909
00:46:45,880 --> 00:46:50,080
Speaker 4: all these non dancers until they got every step fucking perfect.

910
00:46:50,360 --> 00:46:52,120
Speaker 4: But the fact that I don't know dance, and I

911
00:46:52,120 --> 00:46:54,799
Speaker 4: saw the miss stepping is like wild to me, Well,

912
00:46:54,840 --> 00:46:57,160
Speaker 4: this is so imagine you're a dancer. I feel back

913
00:46:57,160 --> 00:47:01,120
Speaker 4: to the dance community because it dance community, and there

914
00:47:01,200 --> 00:47:04,759
Speaker 4: is a community. I don't know them, but I have

915
00:47:04,840 --> 00:47:07,320
Speaker 4: to imagine. It's like when I'm watching something hyper Jewish

916
00:47:07,320 --> 00:47:09,000
Speaker 4: and they get it wrong, I go, I feel bad

917
00:47:09,040 --> 00:47:11,680
Speaker 4: for the Jewish community. Wow, so the dance community is

918
00:47:11,719 --> 00:47:13,240
Speaker 4: watching and going, what's this mess?

919
00:47:13,640 --> 00:47:16,040
Speaker 1: Yeah, what do you think is worse call me by

920
00:47:16,040 --> 00:47:18,560
Speaker 1: your name being offensive to the Jewish community or Barbie

921
00:47:18,600 --> 00:47:20,440
Speaker 1: being offensive to the dance community.

922
00:47:20,840 --> 00:47:23,080
Speaker 4: The dance community is really let down with Barbie.

923
00:47:23,160 --> 00:47:26,240
Speaker 1: Yeah, yeah, yeah, yeah.

924
00:47:25,640 --> 00:47:27,640
Speaker 4: I will say that. I will say that because they

925
00:47:27,640 --> 00:47:31,080
Speaker 4: could have done something with the toes. Remember the toes? Yeah,

926
00:47:31,200 --> 00:47:33,720
Speaker 4: like imagine and then Barbie moves kind of like fucked.

927
00:47:34,040 --> 00:47:35,600
Speaker 4: Look you know, when you're playing with Barbie and you

928
00:47:35,640 --> 00:47:38,400
Speaker 4: wanted to release better legs you can't or something just

929
00:47:38,480 --> 00:47:42,120
Speaker 4: me so yeah yeah, or like her arm is like

930
00:47:42,239 --> 00:47:45,320
Speaker 4: fucking dislocated. Like they could have done some good shit

931
00:47:45,920 --> 00:47:48,400
Speaker 4: with Barbie as a doll and they just didn't do it.

932
00:47:48,440 --> 00:47:50,640
Speaker 4: And then they fucking killed off the one teenager that

933
00:47:50,680 --> 00:47:53,520
Speaker 4: had some shit to say she said some shit at

934
00:47:53,560 --> 00:47:55,160
Speaker 4: the beginning and then she like disappeared.

935
00:47:55,600 --> 00:47:59,080
Speaker 2: Yeah, well i'd like to this is gonna be uncomfortable

936
00:47:59,120 --> 00:48:01,320
Speaker 2: to bring out our next guest, please welcome Credit Gerwick.

937
00:48:01,360 --> 00:48:07,280
Speaker 1: Everybody. Her straight topic is coming of age.

938
00:48:08,960 --> 00:48:10,600
Speaker 4: Set design spectacular.

939
00:48:10,880 --> 00:48:13,719
Speaker 1: Yeah, you can't deny that the set design A huge

940
00:48:13,719 --> 00:48:17,279
Speaker 1: shout out to the set design, huge shout out. Do

941
00:48:17,360 --> 00:48:21,000
Speaker 1: you think that set designer was a lesbian or a gay?

942
00:48:21,760 --> 00:48:24,240
Speaker 4: It was probably just a great woman.

943
00:48:24,120 --> 00:48:29,080
Speaker 1: Straight woman. Yeah, yeah, definitely a mother with a gun.

944
00:48:29,320 --> 00:48:31,319
Speaker 4: Yeah, the set design was really good. You know, when

945
00:48:31,360 --> 00:48:33,279
Speaker 4: I was a kid, I didn't have real barbie again,

946
00:48:33,320 --> 00:48:36,040
Speaker 4: I grew up poor for those. Okay, we had the

947
00:48:36,080 --> 00:48:38,840
Speaker 4: barbies that came from like Dalorama or whatever, you know,

948
00:48:38,920 --> 00:48:41,280
Speaker 4: so they were they were real, you know, they were hollow.

949
00:48:42,400 --> 00:48:46,200
Speaker 4: The bitch was hollow. Okay, like they weren't like thick.

950
00:48:46,480 --> 00:48:49,239
Speaker 4: And then like also you know, and I kind of

951
00:48:49,280 --> 00:48:51,960
Speaker 4: like you knew, but I had this fake barbie horse

952
00:48:52,520 --> 00:48:54,640
Speaker 4: also they had the accouterm, you know, but the horse

953
00:48:54,719 --> 00:48:58,239
Speaker 4: was hollow. But the horse I love the horse because

954
00:48:58,239 --> 00:49:01,480
Speaker 4: it did have the hair on it that little brush

955
00:49:01,560 --> 00:49:05,040
Speaker 4: and and the horse's name. I don't know if I

956
00:49:05,160 --> 00:49:07,120
Speaker 4: name this, so she came like this. Her name was Cindy,

957
00:49:07,200 --> 00:49:09,439
Speaker 4: and I just thought Cindy was the most gorgeous name.

958
00:49:10,640 --> 00:49:13,440
Speaker 4: I remember thinking, like, my god, look at my horse Cindy.

959
00:49:14,440 --> 00:49:17,279
Speaker 4: And I tell people, I'm like, this is Cindy, Like

960
00:49:17,360 --> 00:49:20,319
Speaker 4: she's a fucking stallion. Look at this ship. Okay. My

961
00:49:20,360 --> 00:49:21,879
Speaker 4: mother would come into the room. She'd be like, why

962
00:49:21,880 --> 00:49:25,200
Speaker 4: are your barbies? You know they were always naked, right,

963
00:49:25,320 --> 00:49:27,920
Speaker 4: you know? And I'd be like, first of all, don't

964
00:49:27,920 --> 00:49:33,000
Speaker 4: call them barbies. Okayn't afford but she but why are

965
00:49:33,000 --> 00:49:35,719
Speaker 4: they always naked? Can't you do something? Can't you? I'm like,

966
00:49:35,760 --> 00:49:39,960
Speaker 4: they have nothing to wear. They are sick of everything.

967
00:49:40,800 --> 00:49:43,319
Speaker 4: Because the bitch comes in one outfit, she's done with it.

968
00:49:43,360 --> 00:49:46,040
Speaker 4: But then you know, there was separate outfits you could

969
00:49:46,080 --> 00:49:49,000
Speaker 4: buy that. My mother wouldn't go out and buy, but

970
00:49:49,040 --> 00:49:52,000
Speaker 4: I really want. I was like, she's sick of everything.

971
00:49:52,640 --> 00:49:54,439
Speaker 4: And now I'm lesbian, So you.

972
00:49:54,400 --> 00:49:56,360
Speaker 1: Don't know, I mean, I do think playing with barbies

973
00:49:56,360 --> 00:49:58,400
Speaker 1: in the takeaway, being my horse Cindy is a fucking

974
00:49:58,440 --> 00:50:01,600
Speaker 1: stallion is one of the the most lesbian things I've heard.

975
00:50:01,880 --> 00:50:03,759
Speaker 4: So that that's my one note for the movie. I

976
00:50:03,800 --> 00:50:04,959
Speaker 4: wish they had the Barbie Horse.

977
00:50:05,160 --> 00:50:07,000
Speaker 1: Yea one note was like a half hour long.

978
00:50:07,360 --> 00:50:11,279
Speaker 4: Yeah, I want to know, well to fucking note. I'll

979
00:50:11,280 --> 00:50:13,080
Speaker 4: tell you something. If they brought me into the Barbie

980
00:50:13,120 --> 00:50:15,240
Speaker 4: movie two years ago, we'd be seeing a better movie.

981
00:50:15,560 --> 00:50:17,840
Speaker 4: You better believe that choreography would be pop.

982
00:50:17,880 --> 00:50:20,560
Speaker 1: You would be the choreographer. I would watch.

983
00:50:20,600 --> 00:50:22,840
Speaker 4: I'd be like, do it again, do it again again,

984
00:50:23,080 --> 00:50:23,640
Speaker 4: do it again?

985
00:50:25,520 --> 00:50:31,719
Speaker 1: Wow? Wow, huh wow, jeez. I have a question. Oh,

986
00:50:32,400 --> 00:50:34,799
Speaker 1: I have a question for your topic, which is like

987
00:50:34,880 --> 00:50:38,520
Speaker 1: everything is straight, okay, So my question for you is like,

988
00:50:38,719 --> 00:50:41,360
Speaker 1: is there hope can anything ever not be straight?

989
00:50:41,560 --> 00:50:43,800
Speaker 4: I want everything to be straighter. I think the games

990
00:50:43,800 --> 00:50:52,560
Speaker 4: have been given too much queer culture is straight, like

991
00:50:52,600 --> 00:50:54,560
Speaker 4: they like now they're like in on it. It's like,

992
00:50:54,640 --> 00:50:57,440
Speaker 4: let's go back to being secret, Let's go back to

993
00:50:57,640 --> 00:51:00,319
Speaker 4: abolishing everything. Let's just go back to a little lives.

994
00:51:00,360 --> 00:51:02,080
Speaker 4: I don't even want to be known. It's like when

995
00:51:02,080 --> 00:51:04,439
Speaker 4: this whole day THEMN thing happened and I'm just living

996
00:51:04,480 --> 00:51:07,640
Speaker 4: my life and I'm like, what why does everybody know me?

997
00:51:07,960 --> 00:51:10,000
Speaker 4: The fuck is going on? So now I'm the last

998
00:51:10,040 --> 00:51:12,719
Speaker 4: she hear on the motherfucking planet. Go back to not

999
00:51:12,800 --> 00:51:17,360
Speaker 4: knowing me, who cares? Okay, I look weird, It's fine, Okay.

1000
00:51:17,520 --> 00:51:20,400
Speaker 4: I don't want everybody looking at me like that. Okay,

1001
00:51:20,480 --> 00:51:23,520
Speaker 4: So we got to go back to a fully straight world.

1002
00:51:23,719 --> 00:51:28,359
Speaker 4: It was a lot calmer. I'm saying the Clinton era now,

1003
00:51:31,000 --> 00:51:33,960
Speaker 4: everything else fine, we can fix politically all that, but

1004
00:51:34,000 --> 00:51:36,960
Speaker 4: I'm saying for the straightness of that era, that's what

1005
00:51:37,000 --> 00:51:41,240
Speaker 4: I want. The president's getting his dick suck, but bah bah,

1006
00:51:41,680 --> 00:51:44,919
Speaker 4: all that straight stuff, let's just keep it okay and let.

1007
00:51:44,840 --> 00:51:48,680
Speaker 1: Me be the fringe sexual maniacs.

1008
00:51:49,080 --> 00:51:51,120
Speaker 4: I want the straight people to be mainstream again, and

1009
00:51:51,160 --> 00:51:52,240
Speaker 4: I want to be gay.

1010
00:51:52,080 --> 00:51:57,440
Speaker 1: Free in the shadow shadows, in the shadows, in the

1011
00:51:57,840 --> 00:51:58,760
Speaker 1: shadows hidden.

1012
00:51:59,200 --> 00:51:59,480
Speaker 4: That's it.

1013
00:52:00,080 --> 00:52:03,560
Speaker 1: Yeah, maybe we can rather than coming out of the shadows,

1014
00:52:03,560 --> 00:52:06,640
Speaker 1: we can reclaim the shadows, like bash or anything.

1015
00:52:06,640 --> 00:52:09,600
Speaker 4: I just want the straight element of that era to understand.

1016
00:52:09,800 --> 00:52:11,920
Speaker 4: Don't start getting into the weeds of this and that

1017
00:52:12,239 --> 00:52:14,759
Speaker 4: we understand what I'm saying. I want the straightness of

1018
00:52:14,840 --> 00:52:18,360
Speaker 4: that era back, and let the dykes just live in

1019
00:52:18,440 --> 00:52:21,680
Speaker 4: some area of the city and the gays do this,

1020
00:52:21,840 --> 00:52:24,680
Speaker 4: they do that, and nobody knows, and we're not on

1021
00:52:24,719 --> 00:52:27,880
Speaker 4: every show, and there's no shows about us. That's the

1022
00:52:27,880 --> 00:52:28,480
Speaker 4: way I like it.

1023
00:52:28,760 --> 00:52:30,840
Speaker 1: So we're not on every show, and there are no shows.

1024
00:52:30,920 --> 00:52:34,719
Speaker 4: There's no shows. There's no shows about were's maybe one

1025
00:52:34,719 --> 00:52:36,160
Speaker 4: gay kid and he's weird on the show.

1026
00:52:36,160 --> 00:52:41,240
Speaker 1: Okayunches, so you're okay with like gay receptionist archetype coming

1027
00:52:41,280 --> 00:52:43,840
Speaker 1: back lesbian lesbian.

1028
00:52:43,960 --> 00:52:47,200
Speaker 4: Yeah, she's a car mechanic, she's it's just let straights

1029
00:52:47,239 --> 00:52:49,040
Speaker 4: have their one gay there and then we do our

1030
00:52:49,080 --> 00:52:51,279
Speaker 4: own ship and we don't vote, and we're not a

1031
00:52:51,280 --> 00:52:52,799
Speaker 4: part of society.

1032
00:52:53,719 --> 00:52:56,640
Speaker 1: And we were stuck on No.

1033
00:52:56,719 --> 00:52:58,919
Speaker 4: We're not voting in that world. We don't know what's

1034
00:52:58,960 --> 00:53:02,239
Speaker 4: going on. That's the straight thing that they did, this

1035
00:53:02,320 --> 00:53:06,400
Speaker 4: weird voting system. Ye, the gays, we just yeah, you

1036
00:53:06,440 --> 00:53:08,160
Speaker 4: want a beer, I'll have a beer. Sure. We don't

1037
00:53:08,160 --> 00:53:11,560
Speaker 4: really need a whole system like that. Dykes, it's like

1038
00:53:11,640 --> 00:53:13,279
Speaker 4: so easy you go to Dykes. I mean it's a

1039
00:53:13,320 --> 00:53:19,800
Speaker 4: scary place for you. Okay, you've been to a lesbian's house. Okay,

1040
00:53:19,840 --> 00:53:22,480
Speaker 4: this is this is a serious affair. Take your shoes off,

1041
00:53:22,520 --> 00:53:23,640
Speaker 4: shut up and pay attention.

1042
00:53:24,719 --> 00:53:27,000
Speaker 1: Yeah, take your shoes off. Very violent dog is about

1043
00:53:27,000 --> 00:53:27,840
Speaker 1: to attack you.

1044
00:53:27,960 --> 00:53:31,719
Speaker 4: Yes, we're gonna be talking about colonialism and we have

1045
00:53:31,760 --> 00:53:36,320
Speaker 4: beers in the fridge, but nobody has a problem, like, okay, colonialism.

1046
00:53:36,640 --> 00:53:38,920
Speaker 1: See this is interesting. You do want to have conversations

1047
00:53:38,920 --> 00:53:42,919
Speaker 1: about colonialism, but you don't want to vote. Yeah, okay,

1048
00:53:43,600 --> 00:53:46,640
Speaker 1: you want politics and be a sort of theoretical like

1049
00:53:46,960 --> 00:53:48,480
Speaker 1: something fun to do at a dinner party.

1050
00:53:50,960 --> 00:53:52,799
Speaker 4: You know, for me, it's always been about and this

1051
00:53:52,840 --> 00:53:55,840
Speaker 4: is not the gay thing, this is the this is

1052
00:53:55,880 --> 00:53:59,400
Speaker 4: the poor thing again, what was me? But you know,

1053
00:53:59,680 --> 00:54:02,200
Speaker 4: it's always been rich versus port for me. So I

1054
00:54:02,239 --> 00:54:07,799
Speaker 4: never saw Democrat, Republican, conservative, liberal, they're all rich. It

1055
00:54:07,880 --> 00:54:10,400
Speaker 4: never trickled back down to us. We never saw nothing.

1056
00:54:10,960 --> 00:54:15,560
Speaker 4: I'm rich now I don't see nothing. So it doesn't work.

1057
00:54:16,320 --> 00:54:19,719
Speaker 4: So it's it's a whole This is just a game.

1058
00:54:19,800 --> 00:54:22,280
Speaker 4: It's sports. I don't even know. I don't follow sports.

1059
00:54:22,320 --> 00:54:24,400
Speaker 4: I don't fall government. It's not liberal.

1060
00:54:24,440 --> 00:54:24,560
Speaker 1: You know.

1061
00:54:24,640 --> 00:54:27,959
Speaker 4: Hillary Clinton is the same to me as Trump. Maybe

1062
00:54:27,960 --> 00:54:30,960
Speaker 4: there's small nuanced differences. I don't feel those differences down here.

1063
00:54:31,840 --> 00:54:37,439
Speaker 4: So it's the whole thing. Yeah, yeah, but they're both

1064
00:54:37,520 --> 00:54:40,239
Speaker 4: they both saw I don't know that they're both rich.

1065
00:54:40,840 --> 00:54:44,000
Speaker 4: And that's it. I want some you know, I want

1066
00:54:44,040 --> 00:54:46,839
Speaker 4: like we just promote like some you know you're working

1067
00:54:46,880 --> 00:54:49,360
Speaker 4: at McDonald's whatever. You're like, you're the president. Now, great,

1068
00:54:49,880 --> 00:54:52,799
Speaker 4: i'd fucking pay attention, like what is this guy?

1069
00:54:52,840 --> 00:54:53,040
Speaker 1: And what?

1070
00:54:53,080 --> 00:54:55,960
Speaker 4: The country probably fall apart, but at least I could. Okay,

1071
00:54:56,040 --> 00:54:58,799
Speaker 4: I saw it fall apart. I understand what happened here.

1072
00:54:59,000 --> 00:55:01,680
Speaker 4: I don't know the whole. The government is a straight

1073
00:55:01,760 --> 00:55:06,320
Speaker 4: weird thing that got too big and and it it

1074
00:55:06,920 --> 00:55:10,080
Speaker 4: got bizarre. It's like a company and you're expecting the

1075
00:55:10,120 --> 00:55:12,800
Speaker 4: company to work. Like like if you're at a company

1076
00:55:12,920 --> 00:55:15,120
Speaker 4: and you're on slack or something, you're like, oh, this

1077
00:55:15,920 --> 00:55:18,680
Speaker 4: the boss is. She doesn't know what the hell.

1078
00:55:18,600 --> 00:55:22,560
Speaker 1: Is going if.

1079
00:55:20,760 --> 00:55:23,560
Speaker 4: You're working, if you're working at the government, you're probably like,

1080
00:55:23,600 --> 00:55:25,560
Speaker 4: they don't know what they're doing. It's a disaster here,

1081
00:55:25,600 --> 00:55:28,160
Speaker 4: Like it's a company where you probably think a lot

1082
00:55:28,239 --> 00:55:30,239
Speaker 4: of people don't know what they're doing. He doesn't do

1083
00:55:30,280 --> 00:55:32,120
Speaker 4: his job, she doesn't do his job. So it cannot

1084
00:55:32,160 --> 00:55:32,919
Speaker 4: work right.

1085
00:55:32,960 --> 00:55:34,520
Speaker 2: Well, now, when we start the Q and a push,

1086
00:55:34,560 --> 00:55:36,120
Speaker 2: who would like to respond to Robbie.

1087
00:55:37,000 --> 00:55:39,560
Speaker 4: The only real solution, and this is if we're ready

1088
00:55:39,560 --> 00:55:43,040
Speaker 4: to have a conversation is I would be president, but

1089
00:55:43,160 --> 00:55:45,680
Speaker 4: I don't want to voting. You just you elect we

1090
00:55:45,840 --> 00:55:47,919
Speaker 4: just say you're the president, and I would at least

1091
00:55:47,920 --> 00:55:49,160
Speaker 4: fix some shit, give me one year.

1092
00:55:49,400 --> 00:55:50,799
Speaker 1: Yeah, no, I actually agree with that.

1093
00:55:50,840 --> 00:55:53,480
Speaker 2: I've actually always kind of wanted a benevolent dictator.

1094
00:55:53,880 --> 00:55:59,040
Speaker 1: Yeah, that's the issue. So Robb, it's so easy.

1095
00:55:59,080 --> 00:56:00,480
Speaker 4: I would go a house to how, go to every

1096
00:56:00,560 --> 00:56:02,799
Speaker 4: rich neighborhood. I say, you have this much money, we're

1097
00:56:02,840 --> 00:56:04,960
Speaker 4: taking this much money. Oh okay. Then I would put

1098
00:56:05,000 --> 00:56:06,720
Speaker 4: it all in a pile in the middle of the city,

1099
00:56:07,040 --> 00:56:09,640
Speaker 4: and everybody who you get, you get a little piece.

1100
00:56:09,800 --> 00:56:11,759
Speaker 4: Everybody gets a package of money, and we don't talk

1101
00:56:11,800 --> 00:56:14,320
Speaker 4: about it. There's no taxes, you don't do nothing. Everybody

1102
00:56:14,360 --> 00:56:16,360
Speaker 4: just takes it. We don't have to file to filing

1103
00:56:16,440 --> 00:56:18,320
Speaker 4: taxes is a weird thing where it's like the government

1104
00:56:18,400 --> 00:56:20,840
Speaker 4: knows how much we owe but then makes us guess it.

1105
00:56:21,760 --> 00:56:24,520
Speaker 4: And then I'm like, what, so what kind of a system?

1106
00:56:24,600 --> 00:56:27,000
Speaker 4: Just take what you need leave me the rest, Like

1107
00:56:27,080 --> 00:56:30,560
Speaker 4: I don't want to I don't understand. So, yeah, there's

1108
00:56:30,560 --> 00:56:32,759
Speaker 4: no taxes, you just we I do the taxes. I

1109
00:56:32,840 --> 00:56:35,439
Speaker 4: just take some musome. And it's kind of like when

1110
00:56:35,440 --> 00:56:38,759
Speaker 4: I moved to Canada, we moved in such a you know,

1111
00:56:38,800 --> 00:56:41,680
Speaker 4: not without my daughter but placidic way where we just

1112
00:56:41,719 --> 00:56:43,160
Speaker 4: had to come in the middle of the year or nothing.

1113
00:56:43,360 --> 00:56:45,000
Speaker 4: And we had four rows on the plane. I have

1114
00:56:45,080 --> 00:56:48,439
Speaker 4: nine siblings, wake up, okay. And I had my mother

1115
00:56:48,480 --> 00:56:50,719
Speaker 4: in the front and my grandfather in the back. And

1116
00:56:50,760 --> 00:56:54,560
Speaker 4: we were kosher. So my mother bought us Frido's for

1117
00:56:54,640 --> 00:56:58,600
Speaker 4: the plane, right six hours? Why not? Okay? So, but

1118
00:56:58,680 --> 00:57:00,200
Speaker 4: there was one bag of Fritos and ever. But I

1119
00:57:00,239 --> 00:57:02,440
Speaker 4: had to take a take and pass it, take and

1120
00:57:02,480 --> 00:57:04,160
Speaker 4: pass it. I sitting in the back row. I didn't

1121
00:57:04,160 --> 00:57:07,320
Speaker 4: get no fridos. I start freaking out on the planet.

1122
00:57:08,880 --> 00:57:11,759
Speaker 4: I'm like, see, I didn't get fridos. Do everybody dooke?

1123
00:57:11,800 --> 00:57:14,000
Speaker 4: I don't have no fredos. My grandfather went and he

1124
00:57:14,080 --> 00:57:16,240
Speaker 4: took two fredos from everyone. Make me a little pile

1125
00:57:16,280 --> 00:57:18,040
Speaker 4: of fredos. That's what I would do for the government.

1126
00:57:19,480 --> 00:57:21,400
Speaker 2: I mean that was literally she's n.

1127
00:57:26,760 --> 00:57:30,080
Speaker 1: He's resigning and fish and Robbie is officially president. Wow.

1128
00:57:30,200 --> 00:57:32,120
Speaker 1: I mean that was literally a speech. That is really

1129
00:57:32,200 --> 00:57:34,800
Speaker 1: how a moment. I've never been more pumped to go

1130
00:57:34,920 --> 00:57:35,960
Speaker 1: out there and not vote.

1131
00:57:36,040 --> 00:57:38,520
Speaker 4: Yeah, don't vote folks.

1132
00:57:39,000 --> 00:57:43,840
Speaker 1: Wow. We yeah, you have my nothing. Yeah, yeah, you

1133
00:57:43,880 --> 00:57:46,560
Speaker 1: have my promise that I will not take a little bit.

1134
00:57:46,560 --> 00:57:48,400
Speaker 4: It's so easy. It's an easy system and it works.

1135
00:57:48,440 --> 00:57:51,840
Speaker 4: Everybody had fritos and everybody's happy. You one person's crying,

1136
00:57:51,880 --> 00:57:54,000
Speaker 4: so don't make them cry. Help them out.

1137
00:57:55,040 --> 00:57:58,320
Speaker 1: It is ultimately a pro social system that you are preparing.

1138
00:57:58,760 --> 00:58:02,720
Speaker 1: Like underneath it all, underneath the underney.

1139
00:58:03,240 --> 00:58:09,080
Speaker 4: What was that song? Underneath it there's a Duneka.

1140
00:58:09,360 --> 00:58:12,200
Speaker 1: Oh yeah, yeah, underneath.

1141
00:58:11,760 --> 00:58:14,640
Speaker 4: Your it was a song. I chose something.

1142
00:58:14,360 --> 00:58:15,800
Speaker 1: Like that as an endless story.

1143
00:58:16,200 --> 00:58:19,040
Speaker 4: There's an endless story. Yeah, you got to give it

1144
00:58:19,080 --> 00:58:20,240
Speaker 4: up for the gaze and us.

1145
00:58:20,680 --> 00:58:22,920
Speaker 1: That's so true, so true.

1146
00:58:22,680 --> 00:58:24,560
Speaker 4: Because sometimes I need to know a song and there's

1147
00:58:24,600 --> 00:58:31,400
Speaker 4: no gays around. Yeah, they the original Shazam exactly exactly. See,

1148
00:58:31,440 --> 00:58:33,600
Speaker 4: I put you guys in charge of music easy. Spotify

1149
00:58:33,720 --> 00:58:34,120
Speaker 4: is yours.

1150
00:58:34,400 --> 00:58:36,960
Speaker 1: Oh I love that. That's nice.

1151
00:58:37,880 --> 00:58:40,000
Speaker 4: You delegate, you delegate.

1152
00:58:41,040 --> 00:58:49,800
Speaker 1: Past the awks well, Robbie. So this has been a

1153
00:58:49,840 --> 00:58:53,240
Speaker 1: sort of you know, live recording. One could say we're

1154
00:58:53,280 --> 00:58:54,960
Speaker 1: doing like a short of normal episode of the podcast,

1155
00:58:55,080 --> 00:58:57,120
Speaker 1: but we wanted to bring in a little hint of

1156
00:58:57,160 --> 00:59:00,800
Speaker 1: our famous rock as live shows Tamal al Kanada, and

1157
00:59:00,840 --> 00:59:02,400
Speaker 1: so we're going to do a final segment. That's something

1158
00:59:02,440 --> 00:59:03,960
Speaker 1: we do at our live shows, and it's a segment

1159
00:59:04,000 --> 00:59:08,840
Speaker 1: called issue there Yet? And should I explain you're so

1160
00:59:08,880 --> 00:59:10,520
Speaker 1: good at this. You know this is actually a Canada

1161
00:59:10,560 --> 00:59:15,400
Speaker 1: coded story. So the story behind this segment. So our

1162
00:59:15,400 --> 00:59:19,000
Speaker 1: good friend Celestium Pasted, a guest of this podcast and

1163
00:59:19,080 --> 00:59:23,040
Speaker 1: also Canada native, told us the story once about being

1164
00:59:23,040 --> 00:59:28,720
Speaker 1: at the Toronto Film Festival TIFF and Toronto International Film Festival,

1165
00:59:28,720 --> 00:59:31,600
Speaker 1: thank you. And they were at the talk back for

1166
00:59:31,720 --> 00:59:36,200
Speaker 1: the Grace Jones documentary and someone and there was a

1167
00:59:36,320 --> 00:59:39,520
Speaker 1: Q and a portion and someone on stage, director, producer,

1168
00:59:39,600 --> 00:59:41,960
Speaker 1: someone said, you know, they just don't make icons like

1169
00:59:42,000 --> 00:59:44,520
Speaker 1: Grace Jones anymore. They don't make icons like that anymore.

1170
00:59:44,800 --> 00:59:47,240
Speaker 1: And someone in the audience said, what about Janelle Manet?

1171
00:59:48,240 --> 00:59:50,320
Speaker 4: And then both are not that famous?

1172
00:59:50,360 --> 00:59:50,960
Speaker 1: All right?

1173
00:59:51,280 --> 00:59:55,120
Speaker 4: Come on, come on, no an icon to me Celindion Canadian?

1174
00:59:55,840 --> 00:59:58,520
Speaker 2: Well hold on, hold on.

1175
00:59:59,000 --> 01:00:01,120
Speaker 1: So then so you know what about gentleman? And then

1176
01:00:01,120 --> 01:00:03,480
Speaker 1: the person in the in the panel said she's not

1177
01:00:03,520 --> 01:00:06,520
Speaker 1: there yet, and so that sort of that was the

1178
01:00:06,560 --> 01:00:09,120
Speaker 1: genesis of this called issue there Yet, where we give

1179
01:00:09,160 --> 01:00:12,160
Speaker 1: you a series of people, concepts, things, and we need

1180
01:00:12,200 --> 01:00:13,800
Speaker 1: you to tell us issue there Yet?

1181
01:00:13,840 --> 01:00:14,880
Speaker 4: Perfect. I love this.

1182
01:00:15,840 --> 01:00:19,080
Speaker 1: I had a feeling you would, And so we're doing

1183
01:00:19,160 --> 01:00:21,160
Speaker 1: because we're in Canada, we wanted to do a sort

1184
01:00:21,200 --> 01:00:23,640
Speaker 1: of Canadian version of Issue There Yet, where we're gonna

1185
01:00:23,640 --> 01:00:27,680
Speaker 1: give you all Canadian things, all right? Yeah, so yeah, Sam.

1186
01:00:27,480 --> 01:00:30,000
Speaker 2: Go ahead, Okay, and you already said it Sleandy on

1187
01:00:30,240 --> 01:00:31,120
Speaker 2: Issue there Yet.

1188
01:00:31,880 --> 01:00:40,480
Speaker 1: She invented it, all right, Robbie alanis Morissett Issue There Yet?

1189
01:00:42,080 --> 01:00:42,600
Speaker 4: She's there?

1190
01:00:43,320 --> 01:00:44,919
Speaker 1: Yeah, she's there.

1191
01:00:45,040 --> 01:00:48,240
Speaker 4: That album. Wow, I just started listening again to that.

1192
01:00:48,280 --> 01:00:51,240
Speaker 1: We're talking Jagged Little Pill, bet And is.

1193
01:00:51,200 --> 01:00:55,520
Speaker 4: It in ironic? Don't you think a little too ironic?

1194
01:00:55,680 --> 01:00:55,880
Speaker 1: Yeah?

1195
01:00:55,880 --> 01:00:57,920
Speaker 4: I really do think. Ah Killsman.

1196
01:00:58,080 --> 01:01:00,920
Speaker 1: Remember that period where everyone was like, that's not what

1197
01:01:01,000 --> 01:01:07,160
Speaker 1: irony is. Sit down. That was the h one talking

1198
01:01:07,200 --> 01:01:07,760
Speaker 1: head period.

1199
01:01:07,960 --> 01:01:12,080
Speaker 2: That was every single comedian from video, every single comedian

1200
01:01:12,120 --> 01:01:13,520
Speaker 2: being like, isn't it funny that that's.

1201
01:01:13,360 --> 01:01:15,520
Speaker 1: Not actually what ironic means? Yeah? I guess what, No,

1202
01:01:15,560 --> 01:01:18,800
Speaker 1: it's not funny. Meanwhile, they own a home. Yeah, don't

1203
01:01:18,800 --> 01:01:25,080
Speaker 1: get me started. Uh, Okay, Trudeau, I'm terrible, she's not

1204
01:01:25,280 --> 01:01:26,120
Speaker 1: she's not there yet.

1205
01:01:26,800 --> 01:01:31,160
Speaker 4: There is a neo baby Yeah, and he's Trudeau. He

1206
01:01:31,400 --> 01:01:40,040
Speaker 4: is Jay? Who is he? No, Who's Who's Cuba? Wait?

1207
01:01:40,240 --> 01:01:43,440
Speaker 4: Is it cha? Evera, that's his that's his son. You've

1208
01:01:43,440 --> 01:01:49,400
Speaker 4: seen this picture a Castro, it's Castro's son, identical uncanny.

1209
01:01:49,400 --> 01:01:51,080
Speaker 4: And then people go, it's not true. It's the timing

1210
01:01:51,080 --> 01:01:53,680
Speaker 4: didn't work out back then. It's not like that paparazzi

1211
01:01:53,720 --> 01:01:55,840
Speaker 4: like they have now. It was only print so that

1212
01:01:55,880 --> 01:01:58,680
Speaker 4: you could fudge the timing. Okay. So then I go

1213
01:01:58,760 --> 01:02:01,000
Speaker 4: to I go to them. I'm like, okay, let me look,

1214
01:02:01,480 --> 01:02:03,520
Speaker 4: let me look at let me look at Trudeau, and

1215
01:02:03,600 --> 01:02:06,800
Speaker 4: let me look at Okay, they're identical uncanny. Okay, uh huh.

1216
01:02:06,840 --> 01:02:10,160
Speaker 4: And then sure enough you find Margaret the wife, Margaret Trudeau,

1217
01:02:10,360 --> 01:02:13,960
Speaker 4: hanging out with Castro with the baby. I'm like, this

1218
01:02:14,040 --> 01:02:17,320
Speaker 4: shit happened, Like wake up, I would you just care?

1219
01:02:17,560 --> 01:02:19,760
Speaker 1: But it happened. Castro is there yet?

1220
01:02:20,560 --> 01:02:25,000
Speaker 2: Oh yeah, I'm just I mean icons and icon I'm

1221
01:02:25,040 --> 01:02:28,400
Speaker 2: just so impressed that you're this segment so light, so fluffy,

1222
01:02:28,520 --> 01:02:29,760
Speaker 2: and spread conspiracy theories.

1223
01:02:29,760 --> 01:02:33,160
Speaker 4: But it's not a conspiracy theory. It's literally the truth.

1224
01:02:34,280 --> 01:02:36,960
Speaker 4: It's so weird that people want to like go through

1225
01:02:36,960 --> 01:02:39,680
Speaker 4: the mental gymnastics of will. The timing of this is.

1226
01:02:39,640 --> 01:02:44,800
Speaker 5: Like the bitch had an affair, he looks identical wake

1227
01:02:44,960 --> 01:02:47,200
Speaker 5: up like only if you're blind.

1228
01:02:47,280 --> 01:02:52,760
Speaker 4: Well, I accept that, like it's just the truth. But

1229
01:02:52,880 --> 01:02:59,800
Speaker 4: you trust the government. Oh my okay, is that Okay,

1230
01:03:00,000 --> 01:03:03,120
Speaker 4: that's the next one. I'm so sick of this poutine.

1231
01:03:03,160 --> 01:03:07,240
Speaker 4: Is she there yet? I love poutina. Oh this leffler

1232
01:03:07,360 --> 01:03:10,200
Speaker 4: right here, it's the first because my sister, my sister,

1233
01:03:10,280 --> 01:03:13,000
Speaker 4: door shout out. She just got onto usc S. Master's

1234
01:03:13,000 --> 01:03:16,160
Speaker 4: her social work, okay, and she's a much better person

1235
01:03:16,280 --> 01:03:18,120
Speaker 4: I am. She did the cutest thing when I got

1236
01:03:18,160 --> 01:03:20,360
Speaker 4: into the festival. I've been in the festival now a

1237
01:03:20,360 --> 01:03:23,240
Speaker 4: few times. Okay, maybe at the beginning I was overlooked,

1238
01:03:23,680 --> 01:03:27,800
Speaker 4: but I'm there now. Okay. People love having me at

1239
01:03:27,800 --> 01:03:30,720
Speaker 4: this festival, and I love being here. But my sister,

1240
01:03:30,880 --> 01:03:32,840
Speaker 4: I time took it for granted. I'm coming back. I'm

1241
01:03:32,880 --> 01:03:35,680
Speaker 4: coming back. Sure, I'm going to Montreal. My sister under

1242
01:03:35,720 --> 01:03:38,680
Speaker 4: my She just got back from Canada from Vancouver visiting

1243
01:03:38,680 --> 01:03:41,160
Speaker 4: my other sister, and she had an extra fifty dollars

1244
01:03:41,240 --> 01:03:45,440
Speaker 4: Canadian two twenties two five okay, the blue fives. So

1245
01:03:45,480 --> 01:03:49,760
Speaker 4: it's nothing like a blue five. Okay, twenties are green.

1246
01:03:49,840 --> 01:03:53,280
Speaker 4: It's just it's nice. And she puts it in an envelope.

1247
01:03:53,280 --> 01:03:54,760
Speaker 4: She sticks it in my door before I go with

1248
01:03:54,760 --> 01:03:56,920
Speaker 4: a little heart sticker. She's still a sticker. I'm like,

1249
01:03:57,080 --> 01:03:59,280
Speaker 4: did she buy the sticker? And she just said, look

1250
01:03:59,320 --> 01:04:02,080
Speaker 4: what you did, because that's something that we always say

1251
01:04:02,120 --> 01:04:03,680
Speaker 4: to each other. When she got into school, I said,

1252
01:04:03,680 --> 01:04:06,120
Speaker 4: no connections, no money. I'm like, look what you fucking did.

1253
01:04:06,720 --> 01:04:09,040
Speaker 4: You did this shit. So she said, look what you did,

1254
01:04:09,120 --> 01:04:10,880
Speaker 4: and she gave me and she said, just you know,

1255
01:04:11,200 --> 01:04:13,680
Speaker 4: have have a poutine when you get there. First thing

1256
01:04:13,720 --> 01:04:14,760
Speaker 4: I did, I said, you know what, I'm going to

1257
01:04:14,800 --> 01:04:18,000
Speaker 4: take her fifty I went to the floor about a poutine,

1258
01:04:18,240 --> 01:04:22,360
Speaker 4: a hot dog, old dress okay, an orange crush okay,

1259
01:04:22,920 --> 01:04:26,520
Speaker 4: and and a glass of wine from a hotel. And

1260
01:04:26,600 --> 01:04:30,000
Speaker 4: I went back to my fucking room. It was just delightful.

1261
01:04:30,840 --> 01:04:36,120
Speaker 2: Turn emotionally, I cannot believe I'm losing them with castres.

1262
01:04:36,440 --> 01:04:41,240
Speaker 1: I'm gonna literally emotionally manipulate that. That is so toxic

1263
01:04:42,080 --> 01:04:46,480
Speaker 1: story about my sister, only child. Oh my god. Okay.

1264
01:04:46,600 --> 01:04:50,440
Speaker 1: And to follow up on that, Robbie McDonald's poutine, I

1265
01:04:50,480 --> 01:04:50,800
Speaker 1: love it.

1266
01:04:50,840 --> 01:04:53,560
Speaker 4: Also, Wow, I think McDonald's is the greatest restaurant that

1267
01:04:53,560 --> 01:04:54,960
Speaker 4: ever was. That's why there's so many of them.

1268
01:04:55,320 --> 01:04:58,040
Speaker 1: Any disagreements from from us there, Well.

1269
01:04:57,880 --> 01:04:59,680
Speaker 4: You know, if something else was the best restaurant to

1270
01:04:59,680 --> 01:05:04,600
Speaker 4: be a mill of them period, there's a reason because

1271
01:05:04,600 --> 01:05:07,440
Speaker 4: it's the best restaurant in the world taste wise.

1272
01:05:07,720 --> 01:05:16,960
Speaker 1: Degrassi huh, Degrassi as a cultural phenomenon, is there yet? Now? Yeah?

1273
01:05:17,440 --> 01:05:19,919
Speaker 4: But can I tell you my Degrassi story. I think

1274
01:05:19,920 --> 01:05:24,720
Speaker 4: you're gonna you don't think. They came to my school.

1275
01:05:24,760 --> 01:05:28,600
Speaker 4: They wanted me to audition for the Redhead Girl. Okay,

1276
01:05:28,760 --> 01:05:31,440
Speaker 4: and I know Saycy Farberna, and she's lovely. Okay, we

1277
01:05:31,440 --> 01:05:34,240
Speaker 4: almost wrote something together, but she kind of I lost

1278
01:05:34,280 --> 01:05:36,000
Speaker 4: her in the divorce to my ex. Anyway, it is

1279
01:05:36,000 --> 01:05:41,320
Speaker 4: what it is. Fine. I don't cross lines, are very loyal, so.

1280
01:05:43,440 --> 01:05:43,720
Speaker 1: I go.

1281
01:05:43,960 --> 01:05:46,160
Speaker 4: So I do well in some play. I don't know.

1282
01:05:46,520 --> 01:05:50,320
Speaker 4: I'm a natural, Okay, But my mother was the kind

1283
01:05:50,400 --> 01:05:54,200
Speaker 4: my mother. It's really amazing, like like a Michael Jackson

1284
01:05:54,280 --> 01:05:56,720
Speaker 4: never could have happened to anybody in my family because

1285
01:05:56,720 --> 01:05:59,840
Speaker 4: my mother didn't trust no one, like she begged my

1286
01:06:00,040 --> 01:06:02,920
Speaker 4: it's not going anywhere, thanks, Okay. She wouldn't Michael, So

1287
01:06:02,960 --> 01:06:04,920
Speaker 4: she wouldn't care what happened like my mother would. She

1288
01:06:04,920 --> 01:06:07,720
Speaker 4: would give me a bath. Even if my great uncle

1289
01:06:07,800 --> 01:06:09,600
Speaker 4: or my grandfather took me swimming, she'd be like, where'd

1290
01:06:09,640 --> 01:06:11,680
Speaker 4: your grandfather put on his swim trunks. I'm like, I

1291
01:06:11,720 --> 01:06:15,400
Speaker 4: don't fucking know. She's asking about her own father. That's

1292
01:06:15,440 --> 01:06:18,040
Speaker 4: how alert she was. He was the greatest man that

1293
01:06:18,080 --> 01:06:20,320
Speaker 4: ever was. We were very close. But she would be like, well,

1294
01:06:20,360 --> 01:06:22,280
Speaker 4: where'd he I'm like, I don't know. Whe this man

1295
01:06:22,360 --> 01:06:25,320
Speaker 4: fucking gets dressed. What are you sick? Thinking she's sick,

1296
01:06:25,640 --> 01:06:29,160
Speaker 4: But she asked the tough questions. She did tough love okay,

1297
01:06:29,160 --> 01:06:32,680
Speaker 4: and guess who wasn't fucking molested as a child. Okay,

1298
01:06:33,000 --> 01:06:38,800
Speaker 4: let me continue, Let me continue. No, it's not the end.

1299
01:06:39,480 --> 01:06:40,520
Speaker 4: It's not the end.

1300
01:06:40,720 --> 01:06:43,600
Speaker 1: So at school, you're breaking at school.

1301
01:06:43,360 --> 01:06:47,040
Speaker 4: This director says, Oh, Robbie did very well in the audition.

1302
01:06:47,160 --> 01:06:48,440
Speaker 4: We want her to go to Toronto.

1303
01:06:49,160 --> 01:06:49,480
Speaker 1: Okay.

1304
01:06:49,600 --> 01:06:51,360
Speaker 4: She has to meet with the director and they're doing

1305
01:06:51,400 --> 01:06:53,880
Speaker 4: like chemistry like all the other kids are cast. This

1306
01:06:54,040 --> 01:06:55,560
Speaker 4: is like one of the last kids that we need.

1307
01:06:55,560 --> 01:06:57,680
Speaker 4: This redhead. I had gorgeous red hair at the time.

1308
01:06:57,960 --> 01:06:59,800
Speaker 4: I pull a back, sleep back. But you you can't

1309
01:06:59,800 --> 01:07:04,520
Speaker 4: really tell this a hint. Anyway, My mother, my mother

1310
01:07:04,560 --> 01:07:07,320
Speaker 4: picked up the phone and they said, eh, she's not

1311
01:07:07,400 --> 01:07:13,080
Speaker 4: going nowhere. Okay, I'll tell you where she's going nowhere. Okay.

1312
01:07:13,600 --> 01:07:15,479
Speaker 4: My mother came into a room. She said, you're staying

1313
01:07:15,560 --> 01:07:18,160
Speaker 4: right fucking here. Okay, you're not doing that acting program

1314
01:07:18,200 --> 01:07:20,120
Speaker 4: no more either, And that was the end of that.

1315
01:07:20,720 --> 01:07:23,240
Speaker 4: She was so freaked out that a grown man wanted

1316
01:07:23,240 --> 01:07:26,000
Speaker 4: to take me somewhere. She you're not doing that acting program.

1317
01:07:26,040 --> 01:07:27,920
Speaker 4: You want to act, you do play right here in

1318
01:07:27,960 --> 01:07:28,720
Speaker 4: your room.

1319
01:07:29,400 --> 01:07:29,960
Speaker 1: She said, you.

1320
01:07:29,880 --> 01:07:32,080
Speaker 4: Could print out scenes and you can do them right here.

1321
01:07:32,160 --> 01:07:33,200
Speaker 4: That's the end of that program.

1322
01:07:33,480 --> 01:07:37,840
Speaker 1: You're doing a podcast this look at this, but you

1323
01:07:37,880 --> 01:07:39,560
Speaker 1: look at Amanda Barnes and you go, you know what.

1324
01:07:39,640 --> 01:07:40,520
Speaker 4: My mother had a point.

1325
01:07:40,680 --> 01:07:47,000
Speaker 2: Wow, and now we said it. Okay, Robbie. French fur traders?

1326
01:07:47,240 --> 01:07:49,680
Speaker 2: Are they there yet? What French fur traders?

1327
01:07:52,720 --> 01:07:53,000
Speaker 1: You know?

1328
01:07:53,200 --> 01:07:54,720
Speaker 4: Hudson's bad. It's too expensive.

1329
01:07:55,080 --> 01:07:59,360
Speaker 1: I don't know period. Okay, final, I want to blanket

1330
01:07:59,360 --> 01:08:04,960
Speaker 1: but at what all? Right? That the final The final

1331
01:08:05,080 --> 01:08:09,920
Speaker 1: thing is Shawn Mendes and other celebrities that hide being Canadian.

1332
01:08:11,200 --> 01:08:15,600
Speaker 4: Shawn Mendes is absolutely there yet I think he's also gay.

1333
01:08:16,120 --> 01:08:18,519
Speaker 1: Well, he's closeted. He hides his Canadians and yeah, he's

1334
01:08:18,560 --> 01:08:20,000
Speaker 1: doing what you want. He's back in the shadows.

1335
01:08:20,120 --> 01:08:23,440
Speaker 4: Yeah, I love that. I love that. That is classy.

1336
01:08:25,760 --> 01:08:27,200
Speaker 4: That is classy.

1337
01:08:28,960 --> 01:08:37,520
Speaker 1: Wow, well that's classic. Oh chic of course. Finally some class.

1338
01:08:37,560 --> 01:08:41,240
Speaker 4: Finally he actually could save the gay community by never

1339
01:08:41,240 --> 01:08:41,720
Speaker 4: coming out.

1340
01:08:43,560 --> 01:08:45,160
Speaker 1: And would you be willing to go back in the

1341
01:08:45,160 --> 01:08:47,360
Speaker 1: closet for the greater good?

1342
01:08:47,880 --> 01:08:50,120
Speaker 4: Some people it's like the genie so they can't put

1343
01:08:50,120 --> 01:08:50,519
Speaker 4: it back in.

1344
01:08:54,160 --> 01:09:01,320
Speaker 1: Wowow Robbie any final words, No, give it up for

1345
01:09:01,400 --> 01:09:03,320
Speaker 1: Robbie hoff and everybody. Everybody.

1346
01:09:03,880 --> 01:09:08,080
Speaker 4: Wow, come see me Saturday. We have like ten tickets left.

1347
01:09:08,439 --> 01:09:11,759
Speaker 4: Peter Saint Catherine, come see me, follow me on everything

1348
01:09:11,760 --> 01:09:15,080
Speaker 4: if you're not already, I have a new podcast coming out.

1349
01:09:15,120 --> 01:09:18,160
Speaker 4: But please put this in your thing too far Robbie

1350
01:09:18,160 --> 01:09:21,120
Speaker 4: Hoffman and Rachel Cally. The point of the podcast is nothing,

1351
01:09:21,720 --> 01:09:23,240
Speaker 4: and give it a listen.

1352
01:09:24,040 --> 01:09:34,719
Speaker 1: Wow. Wow, all right, and thank you all for coming.

1353
01:09:34,760 --> 01:09:35,639
Speaker 1: That was Jane al