1 00:00:08,520 --> 00:00:11,959 Speaker 1: Hey, there're folks. It is Tuesday, October the twenty eight. 2 00:00:12,080 --> 00:00:16,000 Speaker 1: We are in our top five on our horror hit list. 3 00:00:16,040 --> 00:00:21,760 Speaker 1: Today's movie is number four. It is a classic. It 4 00:00:21,840 --> 00:00:26,479 Speaker 1: is scary, it is goofy, it is silly, it is gross, 5 00:00:27,360 --> 00:00:32,519 Speaker 1: and it's PG thirteen. Welcome to this episode of Amy 6 00:00:32,600 --> 00:00:35,559 Speaker 1: and TJ as we continue our deep cuts giving you 7 00:00:35,600 --> 00:00:38,880 Speaker 1: our countdown to some of the best horror movies. Maybe 8 00:00:38,880 --> 00:00:42,000 Speaker 1: you've never heard of Roll. This is absolutely one of 9 00:00:42,040 --> 00:00:48,440 Speaker 1: our most endearing yes horror movies and it's PG thirteen. 10 00:00:48,640 --> 00:00:50,320 Speaker 2: I can't believe it's PG thirteen. 11 00:00:50,400 --> 00:00:53,720 Speaker 3: Yeah, And honestly, we've rewatched it, and I am standing 12 00:00:53,760 --> 00:00:54,600 Speaker 3: by that statement. 13 00:00:54,720 --> 00:00:58,400 Speaker 2: I can't believe it's PG thirteen. I'm shocked by it. 14 00:00:58,520 --> 00:01:02,360 Speaker 3: This thing is scary and it's fun, and those two 15 00:01:02,360 --> 00:01:06,160 Speaker 3: things don't always go together because it's never deliberately campy 16 00:01:06,360 --> 00:01:13,360 Speaker 3: or ridiculous. It's just good entertainment and it's just scary 17 00:01:13,480 --> 00:01:15,440 Speaker 3: enough that you keep going back to it. 18 00:01:15,520 --> 00:01:17,280 Speaker 1: We have been watching this movie for years and years 19 00:01:17,319 --> 00:01:19,440 Speaker 1: and years and years and years, and we did not 20 00:01:19,480 --> 00:01:23,240 Speaker 1: realize it was PG thirteen until we started putting this together. 21 00:01:23,319 --> 00:01:25,560 Speaker 1: So yesterday essentially, and I said it to you, and 22 00:01:25,600 --> 00:01:28,199 Speaker 1: you said, what the hell? Because we have you announced. 23 00:01:28,520 --> 00:01:32,479 Speaker 1: Very early on we started doing this list. TJ completely 24 00:01:32,560 --> 00:01:34,920 Speaker 1: checks out. If you tell him a movie is PG thirteen, 25 00:01:35,000 --> 00:01:37,520 Speaker 1: he will not watch a PG thirteen horror movie. And 26 00:01:37,560 --> 00:01:38,000 Speaker 1: here we are. 27 00:01:38,160 --> 00:01:40,520 Speaker 2: Here, we are two in our top five. 28 00:01:41,360 --> 00:01:42,360 Speaker 4: I'm embarrassed, all right. 29 00:01:42,360 --> 00:01:46,120 Speaker 3: So number four is Drag Me to Hell. And I 30 00:01:46,160 --> 00:01:48,800 Speaker 3: have to tell you. When this first came out, the 31 00:01:48,920 --> 00:01:51,000 Speaker 3: name of it turned me off. I thought this is 32 00:01:51,040 --> 00:01:52,960 Speaker 3: going to be stupid. I thought it was going to 33 00:01:53,000 --> 00:01:56,600 Speaker 3: be over the top, ridiculous, not anything I'd want to watch. 34 00:01:56,760 --> 00:02:01,360 Speaker 2: This movie is amazing. It just I think it nails 35 00:02:01,400 --> 00:02:01,760 Speaker 2: it in. 36 00:02:01,760 --> 00:02:05,040 Speaker 3: Terms of course how scary it is, how fun it is, 37 00:02:05,360 --> 00:02:10,160 Speaker 3: how entertaining it is, how much I love the main characters, 38 00:02:10,680 --> 00:02:13,600 Speaker 3: and of course we love us some justin long long. 39 00:02:14,120 --> 00:02:17,440 Speaker 1: This one came out in May of two thousand and nine. 40 00:02:17,560 --> 00:02:21,040 Speaker 1: It's an hour and thirty nine minutes again, this one 41 00:02:21,120 --> 00:02:25,400 Speaker 1: PG thirteen, But it is strictly in that horror genre. 42 00:02:25,480 --> 00:02:26,400 Speaker 4: So what is this one about? 43 00:02:26,760 --> 00:02:29,680 Speaker 3: Christine Brown has a loving boyfriend and a good job 44 00:02:29,760 --> 00:02:33,680 Speaker 3: at an LA bank. Her heavenly life becomes hellish when, 45 00:02:33,800 --> 00:02:36,639 Speaker 3: in an effort to impress her boss, she denies an 46 00:02:36,680 --> 00:02:39,680 Speaker 3: old woman's request for an extension on her home loan. 47 00:02:40,080 --> 00:02:44,240 Speaker 3: In retaliation, the crone places a curse on Christine, threatening 48 00:02:44,240 --> 00:02:48,560 Speaker 3: her soul with eternal damnation. Christine seeks a psychic's help 49 00:02:48,639 --> 00:02:51,200 Speaker 3: to break the curse, but the price to save her 50 00:02:51,240 --> 00:02:54,919 Speaker 3: soul may be more than she can pay. This movie 51 00:02:55,120 --> 00:02:59,520 Speaker 3: is so damn good. It changed how I feel in 52 00:02:59,560 --> 00:03:03,560 Speaker 3: a park garage. It changed how I feel about even 53 00:03:03,760 --> 00:03:07,200 Speaker 3: turning someone down or upsetting someone. And you and I 54 00:03:07,360 --> 00:03:10,760 Speaker 3: actually had a moment in our relationship that was a 55 00:03:10,800 --> 00:03:13,880 Speaker 3: game changer based on this movie. 56 00:03:14,120 --> 00:03:18,160 Speaker 1: But yeah, yes, I remember. There are some things in 57 00:03:18,280 --> 00:03:21,160 Speaker 1: references you can make in your life that are so 58 00:03:21,280 --> 00:03:24,200 Speaker 1: subtle that they are only a handful of people anywhere 59 00:03:24,200 --> 00:03:26,600 Speaker 1: that would get it. And I, yes made a reference 60 00:03:26,680 --> 00:03:30,720 Speaker 1: and you completely. I didn't have to explain anything. And 61 00:03:30,800 --> 00:03:32,680 Speaker 1: when you all see this movie, you will understand what 62 00:03:32,680 --> 00:03:35,280 Speaker 1: we're talking about. There is an opening scene that will 63 00:03:35,320 --> 00:03:38,880 Speaker 1: stay with you that essentially sets up the entire movie. 64 00:03:38,960 --> 00:03:40,920 Speaker 1: So that's what we're talking about. This one rolls I 65 00:03:41,000 --> 00:03:44,640 Speaker 1: did not realize did this well at the box office 66 00:03:44,800 --> 00:03:48,280 Speaker 1: forty two million dollars domestically another forty eight point seven 67 00:03:48,320 --> 00:03:52,600 Speaker 1: million Internationally. This thing made ninety one million dollars on 68 00:03:52,640 --> 00:03:55,800 Speaker 1: a reportedly thirty million dollar budget. Wow, that's a that's 69 00:03:55,840 --> 00:03:56,640 Speaker 1: a hit of a movie. 70 00:03:56,680 --> 00:03:58,040 Speaker 2: And in two thousand and nine too. 71 00:03:58,120 --> 00:04:01,520 Speaker 3: I don't know how Look, obviously, horror movies have been 72 00:04:01,800 --> 00:04:05,320 Speaker 3: around since as long as I can remember, right, But 73 00:04:05,480 --> 00:04:08,560 Speaker 3: I do feel like this type of horror movie this 74 00:04:08,760 --> 00:04:13,880 Speaker 3: was unique at that time. I think people are now directors, producers, 75 00:04:13,920 --> 00:04:19,360 Speaker 3: writers understanding the multifaceted genres that horror can take, including 76 00:04:19,520 --> 00:04:23,640 Speaker 3: entertaining and being kind of funny or this. I felt 77 00:04:23,680 --> 00:04:25,160 Speaker 3: like it was almost ahead of its time. 78 00:04:25,320 --> 00:04:27,719 Speaker 1: Yeah, and it was over the top at times to 79 00:04:27,760 --> 00:04:30,640 Speaker 1: a way that you still appreciate it and you seem 80 00:04:30,680 --> 00:04:32,279 Speaker 1: to be in on the gag as long. Now, of 81 00:04:32,279 --> 00:04:34,680 Speaker 1: course we talked about our guy, so I'm gonna go 82 00:04:34,920 --> 00:04:36,880 Speaker 1: we have to go back into account of how many 83 00:04:37,200 --> 00:04:39,200 Speaker 1: movies justin Long is in in our top thirty. 84 00:04:39,240 --> 00:04:40,040 Speaker 2: I had that same thought. 85 00:04:40,120 --> 00:04:41,840 Speaker 1: I had no idea that he was in as many 86 00:04:41,960 --> 00:04:42,840 Speaker 1: that we love asiot. 87 00:04:43,000 --> 00:04:45,279 Speaker 3: We weren't using that as a factor, But it turns 88 00:04:45,279 --> 00:04:47,280 Speaker 3: out it could have been an algorithm. 89 00:04:47,480 --> 00:04:50,080 Speaker 1: But he is once again, and you know what he is. 90 00:04:50,160 --> 00:04:52,520 Speaker 1: We anytime we were discussing this. Anytime we see Justin 91 00:04:52,560 --> 00:04:55,039 Speaker 1: Long and he's not the boy next door being a 92 00:04:55,080 --> 00:04:58,400 Speaker 1: little self deprecating, being the charming guy, it upsets us. 93 00:04:58,440 --> 00:04:59,760 Speaker 4: He is all of that in this one. 94 00:05:00,000 --> 00:05:05,279 Speaker 3: He's like the Knight, the Knight in shining armor who 95 00:05:05,320 --> 00:05:08,400 Speaker 3: comes to the rescue and you're just so rooting for 96 00:05:08,560 --> 00:05:10,960 Speaker 3: him and them. Alison Lohman, I don't know if you 97 00:05:11,000 --> 00:05:13,479 Speaker 3: know her name, but you definitely know her face. She's 98 00:05:13,600 --> 00:05:17,600 Speaker 3: the the Angenu. She's the female lead in this and 99 00:05:18,040 --> 00:05:21,279 Speaker 3: the girlfriend to Justin Long, the director of Sam Raimi 100 00:05:21,839 --> 00:05:23,640 Speaker 3: and Rotten Tomato score? 101 00:05:24,760 --> 00:05:27,200 Speaker 1: Is this the biggest disparity I think on our list 102 00:05:27,240 --> 00:05:30,000 Speaker 1: in terms of critics versus audience score? 103 00:05:30,000 --> 00:05:30,960 Speaker 2: I am shocked by this. 104 00:05:31,680 --> 00:05:35,360 Speaker 3: I would have thought that the Rotten Tomato score, what 105 00:05:35,400 --> 00:05:37,400 Speaker 3: we're going to read to you would be flipped in 106 00:05:37,440 --> 00:05:40,640 Speaker 3: the direction that it is. So. The critics gave this 107 00:05:40,760 --> 00:05:44,640 Speaker 3: a ninety two percent on Rotten Tomatoes. That's about as 108 00:05:44,640 --> 00:05:50,039 Speaker 3: good as it gets. Audience score sixty two percent. Why 109 00:05:50,200 --> 00:05:52,480 Speaker 3: did there there was some group of people get together 110 00:05:52,560 --> 00:05:54,760 Speaker 3: to try and bring this score down. I don't understand. 111 00:05:55,040 --> 00:05:57,560 Speaker 2: How could you what this is such a. 112 00:05:57,480 --> 00:06:00,360 Speaker 3: Great audience pleaser That's why I could see how the 113 00:06:00,400 --> 00:06:03,960 Speaker 3: critics might not have taken it as seriously, or maybe 114 00:06:04,000 --> 00:06:05,080 Speaker 3: took it too seriously. 115 00:06:05,640 --> 00:06:06,360 Speaker 2: So I'm shocked. 116 00:06:06,400 --> 00:06:08,839 Speaker 1: What are your thoughts in reading through it? A lot 117 00:06:08,880 --> 00:06:11,640 Speaker 1: of folks, and I find this and I stop including 118 00:06:11,680 --> 00:06:14,240 Speaker 1: a lot of negative reviews because so many of them 119 00:06:14,320 --> 00:06:19,200 Speaker 1: are seem personal and contrariant, like my only reaction. Sometimes 120 00:06:19,200 --> 00:06:22,080 Speaker 1: the thing is to just oppose and to be outraged, 121 00:06:22,200 --> 00:06:24,599 Speaker 1: and so it's not even a good criticism. It just 122 00:06:24,720 --> 00:06:27,520 Speaker 1: I don't know why people are so crazy about this movie. 123 00:06:27,560 --> 00:06:30,240 Speaker 1: You almost be crazy. You got caught like just attacking 124 00:06:30,279 --> 00:06:33,839 Speaker 1: people for liking it. You know, that's not that's not 125 00:06:33,960 --> 00:06:37,520 Speaker 1: a criategic criticism. But the critics, at least their consensus 126 00:06:37,520 --> 00:06:39,640 Speaker 1: on this one is Sam Raimi. Now, the director, Sam 127 00:06:39,720 --> 00:06:41,960 Speaker 1: Raimi actually mentioned he has some big credits to his name, 128 00:06:42,040 --> 00:06:44,240 Speaker 1: Evil Dead, a couple of Evil Dead movies. He did 129 00:06:44,240 --> 00:06:45,920 Speaker 1: a couple of Spider Man movies. This is a big 130 00:06:45,960 --> 00:06:48,520 Speaker 1: time director that knows what he's doing. But the critic consensus. 131 00:06:48,600 --> 00:06:52,400 Speaker 1: Sam Raimi returns to top form with Drag Me to Hell, 132 00:06:52,520 --> 00:06:56,880 Speaker 1: a frightening, hilarious, delightfully can't be throwright. 133 00:06:56,960 --> 00:06:57,960 Speaker 4: That's a good way to put it. 134 00:06:58,080 --> 00:07:01,120 Speaker 3: I agree with that, and we have some critic reviews, 135 00:07:01,160 --> 00:07:04,760 Speaker 3: and again ninety two percent did really really well. Drag 136 00:07:04,800 --> 00:07:08,760 Speaker 3: Me to Hell is sometimes funny and often startling horror movie. 137 00:07:09,120 --> 00:07:11,240 Speaker 2: That is what it wants to be, and that is 138 00:07:11,400 --> 00:07:12,000 Speaker 2: what it is. 139 00:07:12,480 --> 00:07:12,800 Speaker 4: It does. 140 00:07:12,880 --> 00:07:14,840 Speaker 1: It throws you off, like you're yelling at the screen 141 00:07:14,840 --> 00:07:17,400 Speaker 1: what they have to do that. There's a couple of 142 00:07:17,400 --> 00:07:18,120 Speaker 1: those in This. 143 00:07:18,080 --> 00:07:22,600 Speaker 3: Movie stands as the latest in a line of occasional, 144 00:07:22,840 --> 00:07:27,000 Speaker 3: much needed reminders that the horror genre isn't going completely 145 00:07:27,040 --> 00:07:28,480 Speaker 3: downhill anytime soon. 146 00:07:28,600 --> 00:07:29,440 Speaker 4: That's a good way to put it. 147 00:07:29,520 --> 00:07:33,600 Speaker 1: Yep, the next one here a gooey, frenetic, raucous and 148 00:07:33,880 --> 00:07:38,720 Speaker 1: mind meltingly clever delight. That's a that's okay, very descriptive, 149 00:07:39,040 --> 00:07:41,800 Speaker 1: but that's kind of right. It is frenetic. This fabulously 150 00:07:41,920 --> 00:07:45,920 Speaker 1: compacked little morality tale is the most fun you'll ever have. 151 00:07:46,200 --> 00:07:50,119 Speaker 1: Analyzing our economic collapse, yeah, that comes into it as well, 152 00:07:50,360 --> 00:07:53,160 Speaker 1: But the morality part of it, you do ask yourselves 153 00:07:53,200 --> 00:07:57,120 Speaker 1: some questions. Good people getting caught up and sometimes in 154 00:07:57,160 --> 00:08:01,120 Speaker 1: their own world and their own ambitions, and you leave 155 00:08:01,200 --> 00:08:04,120 Speaker 1: some of your morals at the door. And it does 156 00:08:04,160 --> 00:08:05,040 Speaker 1: have some of those questions. 157 00:08:05,040 --> 00:08:07,800 Speaker 3: I do agree, you do ask yourself what would I 158 00:08:07,840 --> 00:08:11,840 Speaker 3: have done? She's trying in the storyline, she's trying to 159 00:08:11,840 --> 00:08:15,760 Speaker 3: get a big raise at her bank, and so she's 160 00:08:16,680 --> 00:08:20,560 Speaker 3: basically incentivized, or she assumes she's being incentivized to turn 161 00:08:20,720 --> 00:08:23,280 Speaker 3: down risky loans basically. 162 00:08:23,400 --> 00:08:24,680 Speaker 2: So, Yes, there is a. 163 00:08:24,560 --> 00:08:29,000 Speaker 3: Big moral dilemma in the central part of this story. 164 00:08:29,160 --> 00:08:33,360 Speaker 1: She goes against what she knows to be the right 165 00:08:33,440 --> 00:08:36,840 Speaker 1: thing for the sake of career. Yes, and hey, who 166 00:08:36,880 --> 00:08:39,200 Speaker 1: hasn't had some question or something like it? 167 00:08:39,200 --> 00:08:41,040 Speaker 4: Does? It's a core moral question. 168 00:08:41,320 --> 00:08:44,040 Speaker 3: It's almost as if she unknowingly made a deal with 169 00:08:44,080 --> 00:08:47,920 Speaker 3: the devil. Yes, Drag me to Hell is the most 170 00:08:47,920 --> 00:08:50,360 Speaker 3: fun you'll have being scared for a long time. 171 00:08:50,520 --> 00:08:52,280 Speaker 2: Agreed, That is a really good way to put it. 172 00:08:52,320 --> 00:08:53,080 Speaker 4: The next one is good. 173 00:08:53,320 --> 00:08:57,440 Speaker 3: Not only is it genuinely scary, it's also outrageously funny, 174 00:08:57,480 --> 00:08:59,199 Speaker 3: and for once, it's intentional. 175 00:09:00,360 --> 00:09:02,720 Speaker 1: Put it this negative one here, this next one. I 176 00:09:02,800 --> 00:09:04,120 Speaker 1: just threw this in here for you because I knew 177 00:09:04,120 --> 00:09:07,680 Speaker 1: you'd like it. It's background mythology is both totally ridiculous 178 00:09:07,720 --> 00:09:09,439 Speaker 1: and almost impossible to understand. 179 00:09:10,000 --> 00:09:15,640 Speaker 3: Yeah, obviously demonology isn't some serious scientific cause like we 180 00:09:15,720 --> 00:09:16,120 Speaker 3: get it. 181 00:09:16,240 --> 00:09:19,600 Speaker 1: Like, yeah, an old woman who wants a loan puts 182 00:09:19,600 --> 00:09:22,920 Speaker 1: a curse on the young loan officer, and you want 183 00:09:22,960 --> 00:09:25,679 Speaker 1: an understanding of the background mythology. 184 00:09:26,360 --> 00:09:30,559 Speaker 3: Okay, that's someone who doesn't watch enough horror movies. 185 00:09:30,640 --> 00:09:32,840 Speaker 1: Hey, you do your thing. Some of the audience reviews 186 00:09:32,840 --> 00:09:35,440 Speaker 1: we'll get into here. A lighthearted take on horror that 187 00:09:35,559 --> 00:09:37,800 Speaker 1: hits the features of the genre and has a few 188 00:09:38,160 --> 00:09:41,559 Speaker 1: camp moments that make it an homage to horror films. 189 00:09:42,160 --> 00:09:42,880 Speaker 2: That's so true. 190 00:09:43,760 --> 00:09:47,600 Speaker 3: Great half half horror, thriller, dark comedy, must watch. Just 191 00:09:47,760 --> 00:09:50,680 Speaker 3: keep your keep an open mind. Basically, yes, a. 192 00:09:50,679 --> 00:09:53,720 Speaker 1: Nothing one said, it's so messed up and I absolutely 193 00:09:53,920 --> 00:09:57,360 Speaker 1: love it. Another one here, extremely comedic and extremely scary 194 00:09:57,400 --> 00:09:59,439 Speaker 1: at the same time. But then this last one here, 195 00:09:59,440 --> 00:10:01,880 Speaker 1: you could take this negative one. I just want to 196 00:10:01,880 --> 00:10:03,679 Speaker 1: throw in there again. I can't make a lot of 197 00:10:03,720 --> 00:10:04,719 Speaker 1: sense out of the negative one. 198 00:10:04,880 --> 00:10:08,800 Speaker 3: Silly, completely unhinged, disgusting, bad special effects. 199 00:10:08,840 --> 00:10:10,400 Speaker 2: In short, a lot of fun if you're in the 200 00:10:10,480 --> 00:10:10,960 Speaker 2: right mood. 201 00:10:11,160 --> 00:10:15,040 Speaker 1: What I mean, all of those for us, silly check, 202 00:10:15,280 --> 00:10:19,520 Speaker 1: completely unhinged, check disgusting, check bad special effeense. Those are 203 00:10:19,520 --> 00:10:21,000 Speaker 1: all in the pro column for us. 204 00:10:21,120 --> 00:10:25,160 Speaker 2: Yes, right. They did it on purpose. It is so deliberate, but. 205 00:10:25,080 --> 00:10:27,480 Speaker 3: It is a lot of fun if you're in and 206 00:10:27,520 --> 00:10:29,200 Speaker 3: it's hard to not be in the right mood. 207 00:10:29,240 --> 00:10:31,520 Speaker 2: Honestly, I would say you could watch this. 208 00:10:31,520 --> 00:10:33,920 Speaker 3: Movie going into any mood you're in, and you will 209 00:10:33,920 --> 00:10:35,000 Speaker 3: come out in a better mood. 210 00:10:35,080 --> 00:10:37,480 Speaker 1: That is a very good This is a if there 211 00:10:37,520 --> 00:10:41,800 Speaker 1: ever is one. This is a mood boosting horror film. 212 00:10:41,960 --> 00:10:47,640 Speaker 3: There is a reason why I cannot count how many times, personally, individually, 213 00:10:47,720 --> 00:10:50,679 Speaker 3: on my own I have turned this movie on and 214 00:10:50,760 --> 00:10:55,760 Speaker 3: it immediately puts you in a lighthearted mood. You laugh 215 00:10:55,880 --> 00:10:58,720 Speaker 3: and are scared at the same time, and genuinely scary 216 00:10:58,960 --> 00:11:02,360 Speaker 3: like genuinely scary like. 217 00:11:03,760 --> 00:11:05,559 Speaker 4: But you know what we have to say, and we'll 218 00:11:05,559 --> 00:11:07,520 Speaker 4: get into this a little more. But we have to say. 219 00:11:07,400 --> 00:11:13,760 Speaker 1: Scary without being violent and gory, hence the PG thirteen. 220 00:11:14,200 --> 00:11:17,760 Speaker 1: So exactly who is this movie made for, who is 221 00:11:17,800 --> 00:11:20,480 Speaker 1: it not for? And why it made our list. We'll 222 00:11:20,480 --> 00:11:22,120 Speaker 1: get into all that when we come back. And I 223 00:11:22,240 --> 00:11:26,320 Speaker 1: know the moment you all are anticipating most Robock puts 224 00:11:26,400 --> 00:11:28,760 Speaker 1: all of a heart and soul into coming up with 225 00:11:28,840 --> 00:11:31,280 Speaker 1: a food and drink pairing for all of our movies. 226 00:11:31,720 --> 00:11:34,640 Speaker 1: What goes with a movie called Drag Me the Hell? 227 00:11:34,720 --> 00:11:46,800 Speaker 3: Stay here, welcome back, as we talk about number four 228 00:11:46,920 --> 00:11:50,800 Speaker 3: on our Halloween Horror hit list, drag Me to Hell. 229 00:11:51,000 --> 00:11:54,199 Speaker 3: But it is a fun ride on your way down. 230 00:11:54,360 --> 00:11:58,480 Speaker 3: We love this movie why it made our list. It's 231 00:11:58,880 --> 00:12:04,520 Speaker 3: just an unforgettably good time that we revisit and have 232 00:12:04,640 --> 00:12:07,440 Speaker 3: continued to over the years. It's never a bad time 233 00:12:07,480 --> 00:12:11,840 Speaker 3: to put this movie on. The opening scene, basically where 234 00:12:12,760 --> 00:12:15,800 Speaker 3: everything goes wrong for this young woman in the movie, 235 00:12:16,480 --> 00:12:22,520 Speaker 3: is just so damn good. Again, the parking garage scene 236 00:12:23,360 --> 00:12:27,120 Speaker 3: is one of my favorite scenes ever in a horror movie. 237 00:12:27,760 --> 00:12:30,640 Speaker 1: Okay, the bank scene, at the open, there's a funeral scene. 238 00:12:30,960 --> 00:12:34,360 Speaker 1: There's a lot of stuff. There's a lot of stuff 239 00:12:34,400 --> 00:12:38,160 Speaker 1: to this movie, and you're right, roes it. This is 240 00:12:38,200 --> 00:12:41,400 Speaker 1: a even the parts that are uncomfortable or meant to 241 00:12:41,400 --> 00:12:44,520 Speaker 1: be scary, you still find yourself almost laughing at the joke. 242 00:12:44,559 --> 00:12:45,600 Speaker 4: But oh, come on. 243 00:12:45,840 --> 00:12:48,079 Speaker 2: You've gotta smile on your face while you're horrified. 244 00:12:48,200 --> 00:12:49,760 Speaker 4: It's a lot of that stuff. 245 00:12:49,760 --> 00:12:52,280 Speaker 1: And the woman, there's an older lady that plays central 246 00:12:52,320 --> 00:12:57,680 Speaker 1: to this even in death. She's funny. She plays such 247 00:12:57,720 --> 00:13:01,040 Speaker 1: a central role in getting you to react. 248 00:13:01,080 --> 00:13:03,400 Speaker 2: Even is it missus Goodush? Is that her name? I 249 00:13:03,440 --> 00:13:04,480 Speaker 2: believe missus Goodness. 250 00:13:04,559 --> 00:13:07,840 Speaker 4: It's her. Everything about her is just perfect. 251 00:13:07,880 --> 00:13:11,280 Speaker 1: So again another reason it's on our list, even though 252 00:13:11,320 --> 00:13:13,560 Speaker 1: we didn't think about it, it does when we see 253 00:13:13,679 --> 00:13:16,480 Speaker 1: justin Long, we are put at ease about whether or 254 00:13:16,480 --> 00:13:18,440 Speaker 1: not this is going to be a good film. We 255 00:13:18,480 --> 00:13:20,320 Speaker 1: know we're in good hounds, but also we know at 256 00:13:20,320 --> 00:13:22,200 Speaker 1: this point he doesn't do a lot of bullshit now 257 00:13:22,640 --> 00:13:26,200 Speaker 1: like he does quality. You can argue about jeepers, creepers 258 00:13:26,240 --> 00:13:28,800 Speaker 1: or whatever else. It's not Oscar worthy stuff, but these 259 00:13:28,840 --> 00:13:32,880 Speaker 1: are quality horror movies and some even are cult classics. 260 00:13:33,040 --> 00:13:34,760 Speaker 2: Correct. All right, So who's this for? 261 00:13:35,160 --> 00:13:39,120 Speaker 3: Anyone who is looking for fun, anyone who's looking to 262 00:13:39,160 --> 00:13:42,760 Speaker 3: have a good, entertaining and scary movie. I really think 263 00:13:42,800 --> 00:13:44,839 Speaker 3: this is the movie that has it all. There's something 264 00:13:44,840 --> 00:13:45,640 Speaker 3: in it for everyone. 265 00:13:46,440 --> 00:13:49,680 Speaker 1: I agree, and this is a can we recommend this 266 00:13:49,720 --> 00:13:53,280 Speaker 1: one for Kisses pg. Thirteen But I wouldn't be worried. 267 00:13:53,720 --> 00:13:57,079 Speaker 1: You know, it has a lot of the almost Nickelodeon 268 00:13:57,160 --> 00:13:58,280 Speaker 1: type grossness. 269 00:13:58,640 --> 00:13:59,680 Speaker 2: I would also make sense. 270 00:13:59,760 --> 00:14:03,400 Speaker 3: Yes, yes, there is that one hundred percent, but there's 271 00:14:03,480 --> 00:14:06,880 Speaker 3: also the only thing I would caution about younger kids 272 00:14:06,960 --> 00:14:09,960 Speaker 3: is that there is there is some scary enough imagery 273 00:14:10,000 --> 00:14:11,880 Speaker 3: that it would stay with you, like in terms of 274 00:14:11,880 --> 00:14:15,200 Speaker 3: a nightmare, like seeing some of what you see in 275 00:14:15,240 --> 00:14:17,920 Speaker 3: that movie is a little scary. But you know, I 276 00:14:17,920 --> 00:14:20,160 Speaker 3: mean my kids are watching horror movies starting at eight, 277 00:14:20,280 --> 00:14:22,760 Speaker 3: so they were fine with this, but I would. 278 00:14:22,480 --> 00:14:25,200 Speaker 2: Just there it is scary, like it's scared me. 279 00:14:25,280 --> 00:14:28,400 Speaker 1: And there's a witchcraft element that could creep some folks, 280 00:14:28,400 --> 00:14:29,240 Speaker 1: some adults. 281 00:14:28,880 --> 00:14:32,760 Speaker 3: Out, yes, so and who it's not for if if 282 00:14:32,800 --> 00:14:35,480 Speaker 3: you want some traditional horror movie, if you don't want 283 00:14:35,520 --> 00:14:38,280 Speaker 3: to if you just want to be scared, uncomfortable and 284 00:14:38,400 --> 00:14:42,160 Speaker 3: uneasy and you don't want to laugh, which seems weird 285 00:14:42,200 --> 00:14:43,680 Speaker 3: to me because I love doing both. 286 00:14:43,720 --> 00:14:45,000 Speaker 2: It's nice when you can do both. 287 00:14:45,080 --> 00:14:48,680 Speaker 3: But if you're looking for a traditional horror movie, this 288 00:14:48,840 --> 00:14:49,960 Speaker 3: might not be for you. 289 00:14:49,960 --> 00:14:50,480 Speaker 4: Go ah, have right. 290 00:14:50,520 --> 00:14:53,640 Speaker 1: I don't think this one's classified as a horror comedy. 291 00:14:53,760 --> 00:14:54,720 Speaker 2: I think it's just a horror. 292 00:14:55,080 --> 00:14:57,600 Speaker 1: Yeah, but it does have camping moment, but it's not 293 00:14:57,800 --> 00:15:03,280 Speaker 1: meant to be a goofy, throat away silly even throw 294 00:15:03,280 --> 00:15:07,800 Speaker 1: away cliche lines are necessarily throughout this movie. 295 00:15:07,840 --> 00:15:11,160 Speaker 2: It's it hits the right note, it really does. 296 00:15:11,360 --> 00:15:15,040 Speaker 3: I have not met anyone who doesn't love this movie, 297 00:15:15,080 --> 00:15:17,320 Speaker 3: so it's hard for I can't think of who it 298 00:15:17,320 --> 00:15:19,200 Speaker 3: wouldn't be for like truly. 299 00:15:19,080 --> 00:15:21,480 Speaker 1: As long as you are open minded and accept it 300 00:15:21,520 --> 00:15:24,560 Speaker 1: for what it is. It is a fun rise start 301 00:15:24,560 --> 00:15:27,000 Speaker 1: to finish, and it is a fun horror movie that's 302 00:15:27,040 --> 00:15:29,680 Speaker 1: not meant to be funny, but it is fun. 303 00:15:29,920 --> 00:15:32,400 Speaker 2: Yes, exactly all right, food drink pairing. 304 00:15:32,680 --> 00:15:35,360 Speaker 3: Obviously, this is a great movie to watch in a 305 00:15:35,400 --> 00:15:38,920 Speaker 3: party with a party with a group, but I also 306 00:15:38,920 --> 00:15:41,200 Speaker 3: think you can watch it by yourself. I have watched 307 00:15:41,200 --> 00:15:45,000 Speaker 3: it in group settings with you, just the two of us, 308 00:15:45,080 --> 00:15:47,440 Speaker 3: and certainly on my own, and I've enjoyed it each 309 00:15:47,480 --> 00:15:49,200 Speaker 3: and every time for different reasons. 310 00:15:49,240 --> 00:15:53,320 Speaker 2: Now, what's a parrot with duh? There is? 311 00:15:53,360 --> 00:15:55,880 Speaker 3: We talked about all of the wonderful scenes in this movie. 312 00:15:56,080 --> 00:15:58,440 Speaker 3: One of my favorites that we haven't mentioned yet is 313 00:15:58,440 --> 00:16:01,880 Speaker 3: her meeting her potential future in laws. What does she 314 00:16:02,040 --> 00:16:08,920 Speaker 3: bring the harvest cake? And it plays a role at 315 00:16:08,920 --> 00:16:11,400 Speaker 3: the family dinner? And what is a harvest cake? So 316 00:16:11,400 --> 00:16:13,520 Speaker 3: some folks who have actually had dragged Me to Hell 317 00:16:13,560 --> 00:16:16,600 Speaker 3: parties have talked about putting together the harvest cake it's 318 00:16:16,600 --> 00:16:19,200 Speaker 3: a rustic style cake filled with fruit and nuts. 319 00:16:19,440 --> 00:16:20,480 Speaker 4: Rustic cakes, so. 320 00:16:20,440 --> 00:16:21,880 Speaker 2: You can add like an apple cake. 321 00:16:21,960 --> 00:16:24,680 Speaker 3: Bas you can add pecans and cranberries, but you can 322 00:16:24,720 --> 00:16:27,360 Speaker 3: really make it your own with walnuts and currants, chopped 323 00:16:27,440 --> 00:16:29,960 Speaker 3: up dried figs. What can personalize it. But it's an 324 00:16:30,000 --> 00:16:33,440 Speaker 3: autumnal cake. It's called a harvest cake. You don't remember 325 00:16:33,480 --> 00:16:35,080 Speaker 3: the scene when she brings the cake. 326 00:16:34,960 --> 00:16:35,520 Speaker 4: Or the seams. 327 00:16:36,000 --> 00:16:38,120 Speaker 1: I'm back on a cultural issue now. I have never 328 00:16:38,120 --> 00:16:41,160 Speaker 1: heard of a harvest cake. And the ingredients you described, 329 00:16:41,200 --> 00:16:45,160 Speaker 1: I've never had in one cake before you said pecans 330 00:16:45,160 --> 00:16:45,920 Speaker 1: and cranberries. 331 00:16:46,000 --> 00:16:48,600 Speaker 3: Oh yeah, And it's like an apple cake basically, and 332 00:16:48,600 --> 00:16:50,400 Speaker 3: you can put some dried fruits and nuts in it. 333 00:16:50,400 --> 00:16:54,120 Speaker 3: It's basically what people would put together with whatever they 334 00:16:54,160 --> 00:16:56,080 Speaker 3: had left over from the harvest and put it in 335 00:16:56,120 --> 00:16:57,880 Speaker 3: a like an apple based cake. 336 00:16:57,960 --> 00:16:59,640 Speaker 4: What's the Christmas cake? Fruitcake? 337 00:17:00,120 --> 00:17:03,440 Speaker 3: Thinking about similar different, I mean, it's a it's a variant, 338 00:17:03,480 --> 00:17:05,840 Speaker 3: but it's a it's an apple cake bas as much better. 339 00:17:05,960 --> 00:17:08,320 Speaker 3: But yes, she brings it much to the discuss of 340 00:17:08,320 --> 00:17:09,560 Speaker 3: her potential future mother. 341 00:17:09,560 --> 00:17:10,760 Speaker 4: I learned so much from you. 342 00:17:12,800 --> 00:17:14,800 Speaker 3: But it's a central part in the movie. So if 343 00:17:14,800 --> 00:17:16,800 Speaker 3: you watch the movie and you have the cake. It 344 00:17:16,800 --> 00:17:18,119 Speaker 3: would be a fun pairing. 345 00:17:18,240 --> 00:17:19,520 Speaker 4: Are the raisins in there as well? 346 00:17:19,560 --> 00:17:21,200 Speaker 3: You can put them in there if you choose. I'm 347 00:17:21,200 --> 00:17:22,960 Speaker 3: not a big fan of raisins other than I do 348 00:17:23,080 --> 00:17:25,199 Speaker 3: like a carrot cake. You know that's kind of a 349 00:17:25,280 --> 00:17:26,560 Speaker 3: version of an autumnal cake. 350 00:17:26,680 --> 00:17:27,360 Speaker 4: A carrot cake. 351 00:17:27,440 --> 00:17:28,280 Speaker 2: Yeah, it is. 352 00:17:28,400 --> 00:17:31,800 Speaker 3: It's a Yes, a carrot cake is a similar part 353 00:17:31,800 --> 00:17:32,040 Speaker 3: of it. 354 00:17:32,119 --> 00:17:33,720 Speaker 4: Okay, this was not supposed to be a big part. 355 00:17:33,760 --> 00:17:34,440 Speaker 4: Please continue. 356 00:17:35,200 --> 00:17:37,560 Speaker 2: No, So where do you watch Drag Me to Hell? 357 00:17:37,680 --> 00:17:38,679 Speaker 2: Right now? You can find it? 358 00:17:38,960 --> 00:17:40,560 Speaker 4: What you're done with the food picke just the harvest cake? 359 00:17:40,600 --> 00:17:41,680 Speaker 2: What do you drink the harvest cake? 360 00:17:42,080 --> 00:17:44,720 Speaker 3: Uh? You could do a mold like you do, like 361 00:17:44,720 --> 00:17:48,240 Speaker 3: like a mold wine or an apple cider drink. 362 00:17:48,640 --> 00:17:50,720 Speaker 2: Yes, keep it with the theme. 363 00:17:51,560 --> 00:17:52,200 Speaker 4: That's awesome. 364 00:17:53,640 --> 00:17:55,640 Speaker 2: What would you watch with Drag Me to Hell? 365 00:17:55,640 --> 00:17:57,080 Speaker 1: None of that stuff because it was never in my 366 00:17:57,119 --> 00:18:02,240 Speaker 1: household growing up. I'm not familiar with mold mold wine. Yes, 367 00:18:02,440 --> 00:18:04,239 Speaker 1: it's so good, given from right. 368 00:18:04,440 --> 00:18:07,160 Speaker 3: Yeah, mold wine is is a German tradition in October 369 00:18:07,160 --> 00:18:11,160 Speaker 3: Fest alongside some beer. So you could add some fun 370 00:18:11,560 --> 00:18:16,199 Speaker 3: beer to it as well. Okay, you want to move 371 00:18:16,240 --> 00:18:18,639 Speaker 3: on to where you can watch it. Yes, okay, we 372 00:18:18,680 --> 00:18:21,760 Speaker 3: can watch it on HBO Max or on Peacock, so 373 00:18:21,840 --> 00:18:23,080 Speaker 3: two different options for you. 374 00:18:23,119 --> 00:18:26,639 Speaker 2: And of course this is one that I prefer. I 375 00:18:26,680 --> 00:18:28,120 Speaker 2: think we should purchase this. 376 00:18:28,520 --> 00:18:29,159 Speaker 4: You know, I. 377 00:18:29,119 --> 00:18:33,000 Speaker 1: Highly, highly highly recommend all the ones in our top five. 378 00:18:33,040 --> 00:18:35,880 Speaker 1: But I love that we are actually presenting something that's 379 00:18:35,920 --> 00:18:36,360 Speaker 1: not so. 380 00:18:37,920 --> 00:18:38,320 Speaker 4: They're not. 381 00:18:39,880 --> 00:18:43,919 Speaker 1: No brainers, right, there's like disagreement on the one that 382 00:18:43,960 --> 00:18:45,879 Speaker 1: we love. I like that they called a little debate, 383 00:18:45,920 --> 00:18:47,960 Speaker 1: but I like that we are actually picked some that 384 00:18:47,960 --> 00:18:50,280 Speaker 1: are really good, not so obvious movies. 385 00:18:50,400 --> 00:18:53,080 Speaker 3: Yes, and this one is one of our all time favorites. 386 00:18:53,080 --> 00:18:54,680 Speaker 3: We hope you love it as much as we do 387 00:18:55,160 --> 00:18:59,639 Speaker 3: our next movie it'll be number three on the list. 388 00:19:00,160 --> 00:19:04,359 Speaker 3: We've been watching this in the background and actually watched 389 00:19:04,359 --> 00:19:08,160 Speaker 3: it through. It's the shortest movie on our list and 390 00:19:08,280 --> 00:19:10,439 Speaker 3: one of the best. And you said this is going 391 00:19:10,480 --> 00:19:12,359 Speaker 3: to be so good. You actually asked me not to 392 00:19:12,400 --> 00:19:14,600 Speaker 3: read all of the prep material you did for this one. 393 00:19:14,720 --> 00:19:14,920 Speaker 4: Yes. 394 00:19:15,200 --> 00:19:17,800 Speaker 1: I learned so much about this and this one, including 395 00:19:17,880 --> 00:19:22,399 Speaker 1: why the performances from these actors are as real and 396 00:19:22,400 --> 00:19:27,760 Speaker 1: authentic as they seem to be, and also this movie 397 00:19:28,119 --> 00:19:31,320 Speaker 1: out of the top five. This is the only other 398 00:19:31,400 --> 00:19:33,960 Speaker 1: one I think Robes that's not number one that I 399 00:19:34,000 --> 00:19:37,560 Speaker 1: would make a legitimate argument for being number one. This 400 00:19:37,600 --> 00:19:40,800 Speaker 1: one I could make an argument. Hmm, maybe this should 401 00:19:40,840 --> 00:19:43,040 Speaker 1: have been at the top. This is a special movie. 402 00:19:43,160 --> 00:19:44,879 Speaker 2: It really is, all right. And with that, thank you 403 00:19:44,920 --> 00:19:48,240 Speaker 2: for listening everyone. I'm Ade Roboch alongside TJ. Holmes. We 404 00:19:48,280 --> 00:19:49,360 Speaker 2: will be talking to you soon.