WEBVTT - Singer's Maz Fawaz and Rob Dickinson

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<v Speaker 1>Bloomberg Audio Studios, Podcasts, radio News. I'm Hannah Elliott and

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<v Speaker 1>I'm Matt Miller.

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<v Speaker 2>This is Hot Pursuit.

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<v Speaker 1>Coming up on today's podcast. Now, we admit we have

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<v Speaker 1>held this week's podcast over the weekend because we want

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<v Speaker 1>to give you the most up to date impressions and

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<v Speaker 1>thoughts that we have from Pebble Beach. I'm still in Monterey,

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<v Speaker 1>and Matt has graciously agreed to do this from paternity

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<v Speaker 1>leave on a random Monday.

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<v Speaker 2>I'm decamped to camp.

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<v Speaker 1>Yes, yes, decamped at the lake, which.

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<v Speaker 3>I'm up at Squam Lake in beautiful, rainy New Hampshire,

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<v Speaker 3>and it is like the perfect place to be on

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<v Speaker 3>the other side of the country from you. But how

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<v Speaker 3>was Monterey? I mean, just in general, I know you're

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<v Speaker 3>getting ready to drive the new Audi Supercar and so

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<v Speaker 3>it's still going on for you, which I want to

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<v Speaker 3>hear about. But in general, I guess the the big

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<v Speaker 3>part of it's over, right, Yeah.

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<v Speaker 1>The big part of it ended yesterday morning. Of course.

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<v Speaker 1>That's with the Pebble Beach Concord Elegance, the big car

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<v Speaker 1>show of two hundred plus cars parked out on the fairway.

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<v Speaker 1>That was sort of the end of the official week.

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<v Speaker 1>And I really and this is really true, there were

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<v Speaker 1>a couple big themes I think that people were talking about.

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<v Speaker 1>One of them was, of course the singer partnership with LVMH,

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<v Speaker 1>which we'll get to in a minute with our guests interview.

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<v Speaker 1>And the other really big thing that everyone was talking

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<v Speaker 1>about was this forty million dollar Ferrari Luce sale, which

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<v Speaker 1>was a charity sale. And we do know who bought

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<v Speaker 1>the vehicle.

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<v Speaker 4>Who.

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<v Speaker 1>It's a billionaire basically optimologist inventor named Herbert Weretime, and

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<v Speaker 1>he is in his eighties. It has been acknowledged that

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<v Speaker 1>he purchased a vehicle. From what I hear speaking with

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<v Speaker 1>some of my sources here in Monterey, he is new

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<v Speaker 1>to buying Ferraris. This is only his second Ferrari he's

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<v Speaker 1>ever purchased. And a big, a big reason for him

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<v Speaker 1>to buy the car, of course, is the charity. Also

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<v Speaker 1>it's a great, great place to put money for tax purposes.

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<v Speaker 2>Of course, what is the charity? What was the charity?

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<v Speaker 1>This charity is Ferrari's own charity. It's like a youth

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<v Speaker 1>charity that is operated through Ferrari. So it's all a

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<v Speaker 1>bit insular and Frankly, when I see the auction results

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<v Speaker 1>from the weekend, the ones that include this Ferrari sale,

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<v Speaker 1>I think we should kind of remove this charity Ferrari

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<v Speaker 1>sale from any auction takeaways, just because it's kind of

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<v Speaker 1>its own thing. But we should say, while I'm on

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<v Speaker 1>the topic, the cumulative total, according to Haggerty, from all

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<v Speaker 1>of the auctions was so forty eight million dollars for

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<v Speaker 1>the week which is really really wild, and I think

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<v Speaker 1>that speaks to this the bigger takeaway from this weekend,

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<v Speaker 1>which is that things are really on a really rapid

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<v Speaker 1>expansion explosion. The amount of supercars, the amount of money,

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<v Speaker 1>the amount of even if they're not supercars, uh, seven

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<v Speaker 1>figure collectibles unprecedented. We have not seen this level of

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<v Speaker 1>just money infused everywhere.

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<v Speaker 3>And I mean this is just like Wall Street bets

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<v Speaker 3>and retail investors are lining the pockets.

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<v Speaker 2>Of like tech bigwigs.

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<v Speaker 3>If you worked at SpaceX, you just did the IPO,

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<v Speaker 3>all of a sudden, you have a few dozen more

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<v Speaker 3>million dollars than you had before, So why not go

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<v Speaker 3>to Monterey and buy some supercars? I mean, this is

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<v Speaker 3>stock market at all time highs. The top half of

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<v Speaker 3>the CA has never had it better, and they are

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<v Speaker 3>buying everything, I mean, paying forty million dollars for Ferrari Luci.

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<v Speaker 3>I know you want to set that aside, but makes

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<v Speaker 3>no sense at all. It would if you were going

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<v Speaker 3>to give it, if you were saying, like this is

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<v Speaker 3>going to Saint Jude's cancer research, right, yeah, but this

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<v Speaker 3>is kind of a weird mill ground because it's going

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<v Speaker 3>to Ferrari's own charity.

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<v Speaker 1>Yes, yeah, I totally agree. And even if you know,

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<v Speaker 1>like you said, even if we remove the Ferrari charity thing.

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<v Speaker 1>I spoke with Mata Ramac, one of our favorite folks

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<v Speaker 1>to speak with. We spoke with them last year from Monterey.

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<v Speaker 1>I caught up with him again this year. He tells

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<v Speaker 1>me Bugatti order books are full through twenty thirty. You know,

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<v Speaker 1>he was just saying, it's unbelievable. People call him and say,

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<v Speaker 1>I know your order books are closed, but can you

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<v Speaker 1>just make this extra one car just for me? And

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<v Speaker 1>it doesn't matter what you charge me. It seems it's

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<v Speaker 1>reaching a bit of a fever pitch. I don't know

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<v Speaker 1>when it's gonna nothing lasts forever, but yeah, it is

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<v Speaker 1>very noticeable. The other thing that I noticed just driving

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<v Speaker 1>around in Monterey is you know this I think is

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<v Speaker 1>my seventeenth year coming. And when I first started coming,

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<v Speaker 1>you'd see a lot of people just driving a special

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<v Speaker 1>Mustang or a special old Camaro, or a special old

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<v Speaker 1>you know, Triumph, or you know, some of just an

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<v Speaker 1>old Lotus, just obscure. I don't know, one hundred thousand

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<v Speaker 1>or less dollar cars that were obviously just the prize

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<v Speaker 1>possession of hobbyists, and you really are not seeing that anymore.

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<v Speaker 1>The cars on the road are serious supercars and serious

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<v Speaker 1>you know, multiple million dollar vehicles. This like cute little

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<v Speaker 1>sort of special classic car middle ground is not it's disappearing.

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<v Speaker 1>It's not anymore.

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<v Speaker 2>That's a little bit depressing.

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<v Speaker 3>And I have to say that we'll get to the

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<v Speaker 3>singer Louis Vaton collab. That's kind of feeding into the

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<v Speaker 3>anger about this from your average car enthusiast. The fact

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<v Speaker 3>that everything that used to be, you know, thirty thousand

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<v Speaker 3>dollars is now three million dollars.

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<v Speaker 2>It's just absolutely insane.

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<v Speaker 3>By the way, just before you get off the mate

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<v Speaker 3>Rimac note Bugatti had killed the W sixteen and now

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<v Speaker 3>they're bringing back the W sixteen. Yeah, to make a

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<v Speaker 3>one off for the same kind of person you were

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<v Speaker 3>just mentioning, like I'll pay anything whatever it is. And

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<v Speaker 3>we're seeing this across the industry. Carmakers that have canceled

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<v Speaker 3>stuff are resurrecting them. Things like Porsche had canceled the

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<v Speaker 3>seven eighteen, like the gas version, and now apparently they're saying, no.

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<v Speaker 2>Wait, we're bringing it back.

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<v Speaker 3>Plus the most I think that for me, the most

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<v Speaker 3>exciting thing that I've seen is Porsche putting a stick

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<v Speaker 3>shift in the Career E s and selling a special

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<v Speaker 3>manual version that also comes with rear wheel steering and

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<v Speaker 3>center lock wheels as fas.

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<v Speaker 1>Yes, I have to say I did have like this

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<v Speaker 1>weird feeling of like I'm kind of proud of automakers

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<v Speaker 1>because I'm sensing that they're really trying. They are trying

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<v Speaker 1>to make things that consumers want. Sometimes they hit the

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<v Speaker 1>mark and sometimes they don't, and there are things that

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<v Speaker 1>they can't control. And you know, obviously there are many

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<v Speaker 1>factors involved in these decisions, but they are trying legitimately

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<v Speaker 1>to make vehicles customers will buy. Obviously, they want to

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<v Speaker 1>make money, you know. Talking with Stefan Winklman, another one

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<v Speaker 1>of our favorites to talk to this. Lamborghini unveiled the

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<v Speaker 1>Ravelto s V, which is their super viloch version of

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<v Speaker 1>the Rovelto, which we love. Wow, you know it's a

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<v Speaker 1>V twelve. It's this By the way, the Rovelto is

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<v Speaker 1>their best selling V twelve ever, obvious, and and they're

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<v Speaker 1>they're very unapologetic. And it's interesting because that company had

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<v Speaker 1>always said, even back during the boom days of evs,

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<v Speaker 1>our customers are telling our they don't want EV's and

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<v Speaker 1>we're going to listen to that as much as we

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<v Speaker 1>possibly can. And at the time, they looked a little

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<v Speaker 1>behind the times, they looked a little maybe over conservative

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<v Speaker 1>about adopting some of this new stuff, but they just

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<v Speaker 1>kept saying, our customers don't want it, and as long

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<v Speaker 1>as we're able, we're not going to put it in

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<v Speaker 1>the cars. Obviously, things change the change wel to of

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<v Speaker 1>course as a hybrid, but.

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<v Speaker 3>To your point, but not to save money on gas.

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<v Speaker 1>Correct, No, no, no, certainly not.

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<v Speaker 3>But by the way, you know what, I heard a

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<v Speaker 3>really cool interview with Tim Kiniskus from Dodge and he

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<v Speaker 3>was talking about the new like Copperhead supercar that they've made,

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<v Speaker 3>and somebody asked him why it isn't a hybrid, Why

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<v Speaker 3>why is it just a gas gonna be a gas

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<v Speaker 3>powered motor. I don't think, I don't think the powertrain

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<v Speaker 3>has been made official yet. But his point was, you

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<v Speaker 3>know what, putting batteries, putting electric motors in these cars

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<v Speaker 3>in thirty years, it's going to be like we put

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<v Speaker 3>the eight track in, which I think is an interesting

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<v Speaker 3>thing to think about because I'm a huge we both

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<v Speaker 3>are big fans of automakers using hybrid platforms to make

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<v Speaker 3>cars more fun to drive, faster, higher performance. But it

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<v Speaker 3>could be that in that there's something new comes out

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<v Speaker 3>and eventually it's just so defunct that you're not able

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<v Speaker 3>to get your battery or your electric motor service in

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<v Speaker 3>thirty or forty years, you know.

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<v Speaker 2>Totally total.

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<v Speaker 1>That's very believable.

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<v Speaker 3>Yeah, so fat ish, Yeah, I love that that Porsche

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<v Speaker 3>put the stick back in the carera ass. By the way,

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<v Speaker 3>in the last couple of months you've had Ferrari putting

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<v Speaker 3>a manual transmission of sorts in a car, pors manual transmission.

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<v Speaker 3>And John Hennessy did he did you see his Blackbird there?

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<v Speaker 3>He has a new supercar called the Blackbird which is

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<v Speaker 3>naturally aspirated rear wheel drive.

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<v Speaker 2>Stick shift, thanks you, John Hennessy. And no screens. Apparently

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<v Speaker 2>there's going to be no screens in that.

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<v Speaker 1>Thing completely, which is great. Also, let's not forget McLaren

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<v Speaker 1>announced they're going to bring back this crue sort of

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<v Speaker 1>a manual of sorts again type new supercar. McLaren is

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<v Speaker 1>bringing back, or actually debuting their first manual transmission since

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<v Speaker 1>the F one of the early nineties. So to your point, Matt,

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<v Speaker 1>automakers are listening.

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<v Speaker 2>Yeah, I love it. I love it. Well, except for now.

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<v Speaker 3>I think it's a great time to transition to the

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<v Speaker 3>to thea that Singer and Louis Vatant have gotten Singer

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<v Speaker 3>especially right. I mean, so we recorded this interview with

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<v Speaker 3>the founder, really the founder and his partner at Singer,

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<v Speaker 3>Robin Maz last week, and they were telling us all

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<v Speaker 3>about this Louis Vuitton partnership, and I initially had a

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<v Speaker 3>thought like that's kind of cheesy, but then they totally

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<v Speaker 3>sold me because of all the engineering and all the

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<v Speaker 3>incredible detailed work that went into it, and I was

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<v Speaker 3>just totally fascinated by the fact that they would, you know,

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<v Speaker 3>individually machine the Locke Pokers or that they you know,

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<v Speaker 3>had the rubber gaskets and seals all made in a

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<v Speaker 3>special Louis Vuitton blue and had to go back three times.

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<v Speaker 3>So that kind of drew me away from the fact

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<v Speaker 3>that hang on a second Louis Vauton. That's like the

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<v Speaker 3>Paris Hilton of brands. This is like something for Kim Kardashian,

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<v Speaker 3>and they should be making cars for Steve McLean.

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<v Speaker 1>Yeah. You know, My interesting servation about that is I

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<v Speaker 1>have actually never covered Singer for pursuits at Bloomberg really,

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<v Speaker 1>and the reason for that is to editors, my editors

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<v Speaker 1>who are not car people, half of them don't have

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<v Speaker 1>driver's license, they don't really understand that a singer is

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<v Speaker 1>not a portie and also a singer is not just

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<v Speaker 1>a resto mod and I think that's that's fine. That

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<v Speaker 1>actually indicates for most readers, for most people, even car people,

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<v Speaker 1>it's difficult to describe what singer is doing. But the

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<v Speaker 1>minute you put Singer and LVMH together, while people understand

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<v Speaker 1>Louis Vaton, of course they know that, and so that

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<v Speaker 1>is really what had that partnership is what has made

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<v Speaker 1>Singer compelling for us now to look at and we

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<v Speaker 1>did do some TV with Singer last week as well

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<v Speaker 1>here from Mona Rey and I do think the partnership,

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<v Speaker 1>although you're right it's a bit of an unusual, unexpected

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<v Speaker 1>pairing for reaching a larger audience, and they certainly did that,

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<v Speaker 1>and we can talk about that. They certainly reached a

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<v Speaker 1>new and larger and non car audience. LVMH makes sense. LVMH,

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<v Speaker 1>of course, is moving into the car world in multiple ways.

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<v Speaker 2>I don't know.

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<v Speaker 3>I mean, I have always loved Singer and I've had

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<v Speaker 3>Rob on TV in the past, you know, because to me,

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<v Speaker 3>what Singer does is exactly what I would want to

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<v Speaker 3>do if I had basically an unlimited budget. And my

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<v Speaker 3>favorite Portia nine to eleven of all the generations would

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<v Speaker 3>probably be the nine to six four because it's the

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<v Speaker 3>last of the what do you call it, the G body,

0:13:50.320 --> 0:13:56.360
<v Speaker 3>you know, look, and they make everything modern and fun

0:13:56.440 --> 0:13:59.240
<v Speaker 3>to drive. They don't care about the performance figures. I

0:13:59.240 --> 0:14:03.080
<v Speaker 3>don't care either about now I would I don't even

0:14:03.120 --> 0:14:05.000
<v Speaker 3>want that. I want to drive a fun car. And

0:14:05.040 --> 0:14:09.880
<v Speaker 3>they make they're so beautiful, They're so intricately produced. There's

0:14:09.960 --> 0:14:12.800
<v Speaker 3>so there's such incredible works of art that to me,

0:14:13.720 --> 0:14:17.480
<v Speaker 3>a Singer has always been like the ultimate car. If

0:14:17.480 --> 0:14:19.720
<v Speaker 3>I could choose any car in the world, it would

0:14:19.760 --> 0:14:21.040
<v Speaker 3>be the Singer, no problem.

0:14:21.080 --> 0:14:23.360
<v Speaker 1>Wow, Oh I'm shocked. I'm shocked.

0:14:23.440 --> 0:14:28.160
<v Speaker 3>Sure, because everything is exactly I mean, you can make

0:14:28.200 --> 0:14:29.320
<v Speaker 3>it work with rob.

0:14:29.120 --> 0:14:32.240
<v Speaker 1>And can choose the Singer over a Roof.

0:14:32.680 --> 0:14:37.480
<v Speaker 3>I sure would, absolutely, because I think they're far better

0:14:37.520 --> 0:14:40.480
<v Speaker 3>pieces of art and I don't really care about the

0:14:40.600 --> 0:14:43.040
<v Speaker 3>performance as much. I want it to be amazingly fun

0:14:43.080 --> 0:14:44.760
<v Speaker 3>to drive, and both of them, I'm sure to make

0:14:44.800 --> 0:14:46.840
<v Speaker 3>cars that would be amazingly fun for me to drive.

0:14:47.120 --> 0:14:49.600
<v Speaker 1>You know, I'm very surprised.

0:14:50.040 --> 0:14:53.640
<v Speaker 3>No, I to me, Singer is like the ultimate piece

0:14:53.680 --> 0:14:57.920
<v Speaker 3>of driveable art you could ever ever purchase. And but

0:14:59.080 --> 0:15:03.440
<v Speaker 3>louis the Tom and Gucci and these you know, big

0:15:03.600 --> 0:15:06.840
<v Speaker 3>mall brands. I realize that they do other stuff, but

0:15:06.880 --> 0:15:09.960
<v Speaker 3>they're basically the kind of stores that make me unhappy

0:15:09.960 --> 0:15:13.200
<v Speaker 3>about shopping around the world because they're there every place

0:15:13.280 --> 0:15:16.720
<v Speaker 3>I go, you know. And it's also not the kind

0:15:16.720 --> 0:15:20.440
<v Speaker 3>of I don't want to be associated with those logos

0:15:20.520 --> 0:15:25.760
<v Speaker 3>and the total consumerism like unabashed, you know, all about

0:15:25.800 --> 0:15:28.240
<v Speaker 3>the label. It's not really about the quality when you

0:15:28.280 --> 0:15:31.440
<v Speaker 3>buy a Louis Vuitton bag. Right, It's not some incredible leather.

0:15:31.520 --> 0:15:33.960
<v Speaker 3>It's not some horse hide that's tanned in Japan at

0:15:33.960 --> 0:15:38.880
<v Speaker 3>the Shanky, you know, Tannery. It's some kind of plastic

0:15:38.960 --> 0:15:41.440
<v Speaker 3>that they've made up, and the only reason it costs.

0:15:41.240 --> 0:15:43.120
<v Speaker 2>More is because they put their logo over it.

0:15:43.360 --> 0:15:45.720
<v Speaker 3>That's not what I want from a car. It's not

0:15:45.760 --> 0:15:48.960
<v Speaker 3>what I want from a Singer, So I can understand

0:15:48.960 --> 0:15:51.400
<v Speaker 3>the backlash, and of course it adds to the fact

0:15:51.440 --> 0:15:55.480
<v Speaker 3>that before Singer, you could buy a nine sixty four

0:15:55.560 --> 0:15:59.240
<v Speaker 3>for thirty or forty thousand dollars in excellent shape.

0:16:00.160 --> 0:16:01.760
<v Speaker 2>Now it's double or triple that.

0:16:02.320 --> 0:16:07.040
<v Speaker 1>Well, singers are selling for more than actual at auction,

0:16:07.160 --> 0:16:09.040
<v Speaker 1>which is a testament to everything you've said.

0:16:09.080 --> 0:16:10.880
<v Speaker 3>So of course, yeah, well I would rather have a

0:16:10.920 --> 0:16:13.760
<v Speaker 3>Singer than any actual Porsche as well, because I love

0:16:14.200 --> 0:16:16.120
<v Speaker 3>what they do to it. They make a big, naturally

0:16:16.160 --> 0:16:18.800
<v Speaker 3>aspirated lump, they put a stick shift in there, and

0:16:18.840 --> 0:16:23.080
<v Speaker 3>they make it, you know, for me, as much fun

0:16:23.120 --> 0:16:25.720
<v Speaker 3>to drive as any GT three that Pronier makes himself.

0:16:25.880 --> 0:16:29.760
<v Speaker 1>So you know, well, I will say, you know, of course,

0:16:29.800 --> 0:16:32.640
<v Speaker 1>through the weekend I have executives asking me what I

0:16:32.680 --> 0:16:35.560
<v Speaker 1>think about it. I'm asking them. Everyone's talking about it,

0:16:35.600 --> 0:16:39.560
<v Speaker 1>including a couple extremely wealthy and well known investors I'm

0:16:39.600 --> 0:16:45.240
<v Speaker 1>not going to name, but the online reaction is one thing.

0:16:45.560 --> 0:16:48.120
<v Speaker 1>But I do think it's interesting that when you talk

0:16:48.280 --> 0:16:51.440
<v Speaker 1>to people who are in positions of power here on

0:16:51.480 --> 0:16:55.080
<v Speaker 1>the ground in Monterey, many of them were of the

0:16:55.160 --> 0:16:59.080
<v Speaker 1>mind that all press is good press, and that the

0:16:59.160 --> 0:17:05.240
<v Speaker 1>bad reaction to how these cars look is not enough

0:17:05.280 --> 0:17:10.640
<v Speaker 1>to offset the value added proposition of working with this

0:17:10.760 --> 0:17:14.720
<v Speaker 1>company LVMH, more specifically LVMH than just Louis Vaton.

0:17:15.040 --> 0:17:17.320
<v Speaker 2>I see, I see it the other way around.

0:17:17.920 --> 0:17:21.919
<v Speaker 3>I think the cars look fantastic. I think they're I

0:17:21.960 --> 0:17:27.080
<v Speaker 3>think the engineering and design is amazing. I mean they're

0:17:27.200 --> 0:17:31.320
<v Speaker 3>just there's nothing else that's made to that standard, to

0:17:31.400 --> 0:17:31.960
<v Speaker 3>that level.

0:17:32.080 --> 0:17:34.520
<v Speaker 2>It's absolute perfection. To me.

0:17:34.680 --> 0:17:37.840
<v Speaker 3>The the problem is the collaboration with this you know,

0:17:38.040 --> 0:17:45.600
<v Speaker 3>multinational uh, you know, luxury handbag maker. It just doesn't

0:17:45.680 --> 0:17:49.960
<v Speaker 3>make any sense at all. And I hate myself for

0:17:50.080 --> 0:17:52.960
<v Speaker 3>not having said that to Robin maz Well.

0:17:53.520 --> 0:17:56.800
<v Speaker 1>That was an early conversation we had, and I think

0:17:56.800 --> 0:17:59.800
<v Speaker 1>it's great that we they're they're happy to talk about it,

0:17:59.800 --> 0:18:02.479
<v Speaker 1>they're happy to talk about how the partnership came together.

0:18:03.280 --> 0:18:06.159
<v Speaker 1>You know, this is this is one thing. They're going

0:18:06.240 --> 0:18:08.760
<v Speaker 1>to move on to something else. I know they've already

0:18:08.760 --> 0:18:13.639
<v Speaker 1>got things in the pipeline, so you know, to me,

0:18:13.760 --> 0:18:17.040
<v Speaker 1>it's kind of like, oh, right, this this The cars

0:18:17.560 --> 0:18:20.760
<v Speaker 1>weren't a hit, but you can move on well.

0:18:20.760 --> 0:18:22.800
<v Speaker 3>I also I was also thinking, as soon as the

0:18:22.960 --> 0:18:26.600
<v Speaker 3>bad backlash came out on the internet, whoever buys these

0:18:26.640 --> 0:18:31.800
<v Speaker 3>cars and banks some is a smarty because in twenty

0:18:31.880 --> 0:18:34.600
<v Speaker 3>years or thirty years, maybe they'll have the bad rep.

0:18:34.880 --> 0:18:38.679
<v Speaker 3>But there's still there's still such amazing works of art,

0:18:38.760 --> 0:18:44.159
<v Speaker 3>and I mean they're just incredibly well designed and made,

0:18:44.720 --> 0:18:48.640
<v Speaker 3>and having that black eye of the internet backlash can

0:18:48.680 --> 0:18:50.000
<v Speaker 3>only add value to them.

0:18:50.040 --> 0:18:52.200
<v Speaker 2>I think, Yeah, it's different for me.

0:18:52.119 --> 0:18:56.440
<v Speaker 3>Than the Luce which is which which I think could actually.

0:18:56.240 --> 0:18:58.560
<v Speaker 2>Hurt Ferrari's brand if it hasn't already.

0:18:58.880 --> 0:19:02.080
<v Speaker 3>I mean, the Lucha taking away the forty million dollars

0:19:02.119 --> 0:19:06.560
<v Speaker 3>sale was a horrible decision at every level.

0:19:07.240 --> 0:19:11.679
<v Speaker 1>I think there are many people and maybe myself included,

0:19:11.800 --> 0:19:14.400
<v Speaker 1>who think the opposite, that think it was actually kind

0:19:14.400 --> 0:19:19.800
<v Speaker 1>of a masterstroke on Ferrari to do that. To clearly

0:19:19.880 --> 0:19:24.520
<v Speaker 1>they arranged for this. We don't know the conversations that

0:19:24.600 --> 0:19:28.040
<v Speaker 1>happened behind the scenes, but it does set a certain benchmark.

0:19:28.400 --> 0:19:32.040
<v Speaker 1>It does prove that someone's willing to spend sixty times

0:19:32.080 --> 0:19:37.000
<v Speaker 1>the cost of the vehicle. It generates a ton of buzz.

0:19:37.480 --> 0:19:43.000
<v Speaker 1>It dominated conversations this weekend on concourse Sunday. It's sort

0:19:43.040 --> 0:19:48.040
<v Speaker 1>of to me it's Ferrari leaning into this. As we

0:19:48.119 --> 0:19:50.040
<v Speaker 1>know they don't have to sell many Luchs at all.

0:19:50.040 --> 0:19:52.280
<v Speaker 1>They've said they've already sold out. They weren't making that

0:19:52.359 --> 0:19:57.000
<v Speaker 1>many of them anyway, And anecdotally, I've heard multiple Ferrari

0:19:57.040 --> 0:20:01.359
<v Speaker 1>owners say, yeah, I'll buy one, it's not a big deal.

0:20:02.119 --> 0:20:05.200
<v Speaker 1>This goes back to our conversation about wealth Matt because

0:20:06.200 --> 0:20:10.160
<v Speaker 1>their under attitude is I'm going to get strong armed

0:20:10.160 --> 0:20:12.919
<v Speaker 1>into buying one, and that's fine, but it's you know,

0:20:12.960 --> 0:20:16.080
<v Speaker 1>they're willing to take the that to take that hit

0:20:16.119 --> 0:20:18.639
<v Speaker 1>in order to stay in Ferrari's good graces.

0:20:18.840 --> 0:20:21.000
<v Speaker 3>I just think it's bad for Ferrari's image. I mean,

0:20:21.040 --> 0:20:27.919
<v Speaker 3>they were the masters of handbuilt, you know, mechanical vehicles,

0:20:28.000 --> 0:20:31.080
<v Speaker 3>and now they're selling Now they're selling computers on wheels

0:20:31.600 --> 0:20:35.240
<v Speaker 3>designed by Apple, which is the ultimate consumer brand, which

0:20:35.280 --> 0:20:39.320
<v Speaker 3>is the ultimate sort of Oi POLLOI vox popular consumer brand,

0:20:39.640 --> 0:20:39.800
<v Speaker 3>you know.

0:20:39.840 --> 0:20:41.920
<v Speaker 1>I mean, we have to really look at the lou

0:20:42.000 --> 0:20:43.280
<v Speaker 1>Jas separate.

0:20:42.920 --> 0:20:45.200
<v Speaker 2>From the rest of the Apple car. They said, let's

0:20:45.240 --> 0:20:46.200
<v Speaker 2>make an Apple car.

0:20:46.440 --> 0:20:50.399
<v Speaker 1>Why if anybody who was at the Ferrari the Kassa

0:20:50.600 --> 0:20:56.040
<v Speaker 1>Ferrari Cossa this weekend, there were dozens of new old

0:20:56.080 --> 0:20:59.720
<v Speaker 1>classic Ferraris on the lawn. I mean, Ferrari was the

0:20:59.800 --> 0:21:03.560
<v Speaker 1>do dominant presence, I would say here in Monterey in

0:21:03.640 --> 0:21:06.160
<v Speaker 1>terms of cars on the road, cars on the lawn,

0:21:06.440 --> 0:21:10.159
<v Speaker 1>cars on the auction block. Even still, yes, the lucha

0:21:10.280 --> 0:21:13.760
<v Speaker 1>is polarizing. It's to me, it's sort of like this,

0:21:14.240 --> 0:21:16.800
<v Speaker 1>It's like the planet Pluto way out in the universe

0:21:16.800 --> 0:21:20.879
<v Speaker 1>of Ferrari. It's not anywhere near what's happening in the

0:21:20.880 --> 0:21:23.920
<v Speaker 1>main orbiting of everything in the Ferrari universe.

0:21:24.400 --> 0:21:24.840
<v Speaker 2>I don't know.

0:21:25.000 --> 0:21:28.600
<v Speaker 3>I mean, polarizing usually means there's split opinion, And I

0:21:28.640 --> 0:21:31.960
<v Speaker 3>think everybody has a negative opinion of the lads, except

0:21:31.960 --> 0:21:36.439
<v Speaker 3>for this eighty year old guy who maybe forty dollars

0:21:36.480 --> 0:21:39.800
<v Speaker 3>to a charity. I don't think that that really represents

0:21:40.240 --> 0:21:41.040
<v Speaker 3>Herbie's new.

0:21:41.359 --> 0:21:43.480
<v Speaker 1>He's new, He's just getting into it. He's got the

0:21:43.720 --> 0:21:44.800
<v Speaker 1>enthusiasm of.

0:21:45.359 --> 0:21:47.600
<v Speaker 3>Herbie was like, let me buy a luch so that

0:21:47.840 --> 0:21:50.479
<v Speaker 3>in five years they let me buy when I turned ninety,

0:21:50.520 --> 0:21:52.040
<v Speaker 3>they'll let me buy, you know.

0:21:52.040 --> 0:21:53.000
<v Speaker 2>The real supercar.

0:21:53.440 --> 0:21:57.920
<v Speaker 3>Sure, the real supercar is also going to have it's

0:21:57.920 --> 0:22:03.160
<v Speaker 3>got already a synthetic gear shift, and it'll have any

0:22:03.160 --> 0:22:06.720
<v Speaker 3>synthetic throttle and a synthetic handbrake, and eventually it's going

0:22:06.800 --> 0:22:11.240
<v Speaker 3>to have like augmented reality wheels and you won't even

0:22:11.280 --> 0:22:13.600
<v Speaker 3>need a road to drive it. I mean, that's not

0:22:13.720 --> 0:22:15.680
<v Speaker 3>what it's supposed.

0:22:15.359 --> 0:22:15.760
<v Speaker 2>To be about.

0:22:15.760 --> 0:22:17.720
<v Speaker 3>Maybe that's maybe that's the future of cars, and it

0:22:17.720 --> 0:22:19.159
<v Speaker 3>seems like it's the future of Ferrari.

0:22:19.720 --> 0:22:22.720
<v Speaker 1>I disagree. I don't think Ferrari. I don't think that's

0:22:22.720 --> 0:22:25.240
<v Speaker 1>the future of Ferrari. I think if anyone brand, I'll

0:22:25.240 --> 0:22:27.640
<v Speaker 1>take the posing view, if anyone brand is actually big

0:22:27.720 --> 0:22:32.399
<v Speaker 1>enough to withstand a massive hit against against the brand,

0:22:32.440 --> 0:22:34.719
<v Speaker 1>and the Lucha did was a big blow. I mean,

0:22:34.760 --> 0:22:37.680
<v Speaker 1>look at their stock prices that have jump bounced back

0:22:37.720 --> 0:22:41.720
<v Speaker 1>to quite a bit. It's Ferrari. I think they can

0:22:41.720 --> 0:22:44.199
<v Speaker 1>withstand this blow and keep keep moving forward.

0:22:44.320 --> 0:22:48.040
<v Speaker 3>All right, Well, uh, let's agree to disagree on that

0:22:48.400 --> 0:22:51.440
<v Speaker 3>as well as the singer. By the way, I would

0:22:51.520 --> 0:22:53.880
<v Speaker 3>choose a Singer over a Ferrari, even if we're talking

0:22:53.880 --> 0:22:57.960
<v Speaker 3>about what if we're talking about class Yes, yeah, no,

0:22:58.240 --> 0:23:00.600
<v Speaker 3>worn't for the price tag. I'd rather have a singer

0:23:00.600 --> 0:23:03.800
<v Speaker 3>classic then at two fifty you know, Gto.

0:23:04.200 --> 0:23:06.200
<v Speaker 1>I'm happy to let you have the singer and I'll

0:23:06.240 --> 0:23:06.560
<v Speaker 1>have all.

0:23:07.480 --> 0:23:10.120
<v Speaker 2>Yeah. Of course I make a lot of bad decisions

0:23:10.119 --> 0:23:10.520
<v Speaker 2>in life.

0:23:11.000 --> 0:23:14.239
<v Speaker 1>Let's talk with Mas Flaws and Rob Dickinson. They are

0:23:14.280 --> 0:23:18.640
<v Speaker 1>the key executive leaders and creative forces behind Singer, which

0:23:18.680 --> 0:23:23.960
<v Speaker 1>is the renowned Portia nine to eleven reimagined company making

0:23:24.119 --> 0:23:25.639
<v Speaker 1>cars out here in California.

0:23:26.640 --> 0:23:28.119
<v Speaker 3>Rob, you want to kick it off and tell us

0:23:28.160 --> 0:23:28.760
<v Speaker 3>what you've got.

0:23:29.680 --> 0:23:33.480
<v Speaker 5>Well, perhaps Mas is best at setting this up because

0:23:33.480 --> 0:23:37.080
<v Speaker 5>Mas has very much been at the at the epicenter

0:23:37.160 --> 0:23:44.240
<v Speaker 5>of of nurturing this, this relationship with Louis Vitel. And

0:23:43.960 --> 0:23:46.040
<v Speaker 5>as you know, we're about to we're on the on

0:23:46.080 --> 0:23:49.640
<v Speaker 5>the precipice of showing the world two cars that we've

0:23:49.680 --> 0:23:53.720
<v Speaker 5>done with them, which are which are which are seriously

0:23:53.760 --> 0:23:58.680
<v Speaker 5>special and unprecedented for us, a little bit unprecedented for

0:23:59.760 --> 0:24:05.240
<v Speaker 5>the Veto as well. But it's been you know, we're

0:24:05.280 --> 0:24:08.480
<v Speaker 5>going to be showing the product of almost two or

0:24:08.920 --> 0:24:10.919
<v Speaker 5>maybe even three years, two and a half years work

0:24:11.960 --> 0:24:17.240
<v Speaker 5>with them quietly behind the scenes, and math can certainly

0:24:17.440 --> 0:24:20.680
<v Speaker 5>tell you a little bit more about how it started, all.

0:24:20.720 --> 0:24:25.840
<v Speaker 6>Right, Matt, Yeah, so yeah, it's uh we we You know,

0:24:25.880 --> 0:24:30.119
<v Speaker 6>we made friends with some of the folks over in Paris,

0:24:30.160 --> 0:24:37.040
<v Speaker 6>just through friends of friends, and got to discussing the

0:24:37.080 --> 0:24:42.320
<v Speaker 6>idea of of of a very mildly Louis Vuitton themed

0:24:43.440 --> 0:24:47.320
<v Speaker 6>a thing, a clock, and then a bit more of

0:24:47.320 --> 0:24:49.080
<v Speaker 6>the car, and a bit more of the car, and

0:24:49.119 --> 0:24:50.040
<v Speaker 6>a bit more of the car.

0:24:50.840 --> 0:24:53.480
<v Speaker 1>And second, I'm going to interject here because I want

0:24:53.480 --> 0:24:55.879
<v Speaker 1>to talk specifics. When you say you made friends with

0:24:55.960 --> 0:24:58.680
<v Speaker 1>friends of a friends, it sounds like you just said

0:24:58.720 --> 0:25:02.520
<v Speaker 1>this actually started out with an idea around the time piece.

0:25:03.200 --> 0:25:05.159
<v Speaker 1>Is that what you just said, and then expand it

0:25:05.200 --> 0:25:07.560
<v Speaker 1>expanded to a whole car. Let's talk specifics here. Or

0:25:07.680 --> 0:25:10.960
<v Speaker 1>was this you became friends with Nicholas and he wanted

0:25:11.000 --> 0:25:14.720
<v Speaker 1>to do some you know, luggage or interiors. Let's let's

0:25:14.720 --> 0:25:15.480
<v Speaker 1>get specific.

0:25:16.119 --> 0:25:24.439
<v Speaker 6>He came much later, Okay, so uh a senior person

0:25:24.480 --> 0:25:30.359
<v Speaker 6>over there who who Yes, I had an idea actually

0:25:30.400 --> 0:25:34.920
<v Speaker 6>around the clock. There there in the time, the time

0:25:34.960 --> 0:25:37.560
<v Speaker 6>piece business and the watch business. That was just the

0:25:37.600 --> 0:25:40.280
<v Speaker 6>beginning of a conversation we never even got really. The

0:25:40.600 --> 0:25:41.680
<v Speaker 6>clock ended up coming.

0:25:41.560 --> 0:25:46.040
<v Speaker 1>Much later, and this is the iconic Louis Vuitton tambour Yes.

0:25:46.280 --> 0:25:49.720
<v Speaker 6>And about turning that into a larger format. So in

0:25:49.720 --> 0:25:52.680
<v Speaker 6>the nine to eleven far right, there's a there's a clock,

0:25:54.240 --> 0:25:56.679
<v Speaker 6>well not in all of them, but but in a

0:25:56.680 --> 0:26:00.560
<v Speaker 6>bunch of them, and so doing a larger format piece

0:26:00.560 --> 0:26:05.720
<v Speaker 6>there that that clock conversation was very short. It all

0:26:05.720 --> 0:26:09.840
<v Speaker 6>of a sudden became a conversation about approaching sort of

0:26:10.080 --> 0:26:15.200
<v Speaker 6>from a design perspective, the entire car of our classics.

0:26:15.200 --> 0:26:18.639
<v Speaker 6>So the original thing that Rob started with in two

0:26:18.680 --> 0:26:23.639
<v Speaker 6>thousand and nine, and it really just sort of snowballed

0:26:23.680 --> 0:26:26.159
<v Speaker 6>into you know, why don't we collaborate to do a

0:26:26.200 --> 0:26:33.680
<v Speaker 6>car that has design cues from Louis Vuitton's history, which

0:26:33.680 --> 0:26:37.680
<v Speaker 6>is one hundred and seventy two years of sort of tradition.

0:26:38.760 --> 0:26:41.560
<v Speaker 6>But it wasn't meant to be public, which was just

0:26:41.840 --> 0:26:42.080
<v Speaker 6>you know.

0:26:42.000 --> 0:26:45.720
<v Speaker 1>It's just made for a private client, and it would.

0:26:45.480 --> 0:26:49.040
<v Speaker 6>Have been made for a private client. Yeah, yeah, which

0:26:49.080 --> 0:26:52.280
<v Speaker 6>is how all of our things work, right. So we entertained,

0:26:52.280 --> 0:26:55.399
<v Speaker 6>you know, our customers' ideas, which can be you know,

0:26:58.040 --> 0:27:00.479
<v Speaker 6>very exciting, sometimes very private though, so they can come

0:27:00.520 --> 0:27:02.400
<v Speaker 6>and design what they want to design. It's their thing,

0:27:02.600 --> 0:27:06.960
<v Speaker 6>you know, we ex important. Yeah, yeah, So that's really

0:27:06.960 --> 0:27:09.679
<v Speaker 6>how it started. And then the really the sort of

0:27:10.200 --> 0:27:14.840
<v Speaker 6>mind blowing moment was when actually they showed up. We

0:27:14.880 --> 0:27:17.960
<v Speaker 6>had we just happened to be in town in my

0:27:18.040 --> 0:27:21.879
<v Speaker 6>office and then just decided that they would tell me

0:27:21.920 --> 0:27:24.280
<v Speaker 6>that they had some meetings in Paris and they would

0:27:24.320 --> 0:27:28.200
<v Speaker 6>like this to be a public endeavor. So immediately called ron.

0:27:29.480 --> 0:27:31.359
<v Speaker 6>I mean, we didn't see that coming, right. It's not

0:27:31.520 --> 0:27:34.760
<v Speaker 6>something that we've ever done. So okay. We've done some

0:27:34.920 --> 0:27:37.879
<v Speaker 6>very mild things with some suppliers that are very important

0:27:37.920 --> 0:27:42.120
<v Speaker 6>to us, like Bosh or Michelin a long time ago,

0:27:42.119 --> 0:27:44.800
<v Speaker 6>people really sort of helping us out on you know,

0:27:44.840 --> 0:27:49.080
<v Speaker 6>some development Williams F one and some other things, but

0:27:49.240 --> 0:27:53.600
<v Speaker 6>never really like the idea that we would partner with

0:27:53.640 --> 0:27:57.239
<v Speaker 6>a brand to go on a mission publicly. We've been

0:27:57.480 --> 0:28:02.200
<v Speaker 6>very conservative over the years and remain very conservative about

0:28:02.320 --> 0:28:04.639
<v Speaker 6>what we say, how we say it, where we say it.

0:28:05.880 --> 0:28:10.159
<v Speaker 6>You know, we're generally, I think relatively conservative as a brand.

0:28:11.400 --> 0:28:13.919
<v Speaker 6>And so it was.

0:28:14.119 --> 0:28:14.320
<v Speaker 4>It was.

0:28:14.480 --> 0:28:16.520
<v Speaker 6>It was a big brave step. And bear in mind

0:28:16.520 --> 0:28:24.520
<v Speaker 6>they're a very obvious, very powerful, globally understood luxury brand,

0:28:24.800 --> 0:28:28.840
<v Speaker 6>right and and they might have very strong feelings about

0:28:28.840 --> 0:28:31.800
<v Speaker 6>how things look, you know, in my in my head, initially,

0:28:32.200 --> 0:28:35.119
<v Speaker 6>you know, I'm imagining a Louis Vuitton car with you know,

0:28:35.240 --> 0:28:41.200
<v Speaker 6>lv's and things all over it, which perhaps yeah, yeah, right,

0:28:41.280 --> 0:28:43.920
<v Speaker 6>So but what I have is Rob, who would never

0:28:44.000 --> 0:28:48.560
<v Speaker 6>let any you know, not something garbage is not going

0:28:48.600 --> 0:28:52.720
<v Speaker 6>to leave this building. So it's not a thing with

0:28:52.920 --> 0:28:55.239
<v Speaker 6>Rob around. I know, it's not going to happen if

0:28:55.280 --> 0:28:59.680
<v Speaker 6>it's if it's an embarrassment or very difficult that you know,

0:28:59.760 --> 0:29:04.000
<v Speaker 6>to to to to deal with. So it turned out

0:29:04.040 --> 0:29:07.520
<v Speaker 6>that after you know, a pretty lengthy design process, that

0:29:07.520 --> 0:29:10.000
<v Speaker 6>that's that's not what they did. It's the furthest thing

0:29:10.040 --> 0:29:13.800
<v Speaker 6>from it. It it's kind of brilliant. I'd leave it

0:29:13.920 --> 0:29:16.720
<v Speaker 6>to Rob to to suggest, but it isn't. I mean,

0:29:16.880 --> 0:29:20.040
<v Speaker 6>you wouldn't know from a distance that there's anything Louis

0:29:20.080 --> 0:29:21.640
<v Speaker 6>Vuitton on there. You'd have to go, you know, quite

0:29:22.120 --> 0:29:26.680
<v Speaker 6>up close. And it was it was pretty and pretty cool.

0:29:26.720 --> 0:29:29.040
<v Speaker 6>I mean, they're they have a very bold vision. I mean,

0:29:29.040 --> 0:29:33.560
<v Speaker 6>they're obviously sort of steeped in history and colors and

0:29:33.600 --> 0:29:36.680
<v Speaker 6>traditions and all this other stuff. But the way they

0:29:36.720 --> 0:29:40.560
<v Speaker 6>applied it was really pretty incredible. But it did, you know,

0:29:41.760 --> 0:29:46.280
<v Speaker 6>very challenging to get done though. There's a lot of

0:29:46.440 --> 0:29:49.080
<v Speaker 6>a lot of sort of very technical challenges and physical challenges.

0:29:49.120 --> 0:29:50.920
<v Speaker 6>But anyway, so that that's really how it's sort of

0:29:51.120 --> 0:29:55.560
<v Speaker 6>snowballed into this like whole car thing. And then then

0:29:55.680 --> 0:29:59.680
<v Speaker 6>they wanted to develop a bunch of products, co branded

0:30:00.160 --> 0:30:05.200
<v Speaker 6>off products related to that car. That first car, which

0:30:05.280 --> 0:30:10.800
<v Speaker 6>was we had only very minimal involvement and suggestions on

0:30:10.840 --> 0:30:13.280
<v Speaker 6>what some of the products could be, but they showed

0:30:13.360 --> 0:30:16.640
<v Speaker 6>up with stuff that is just super humbling, really incredible.

0:30:16.680 --> 0:30:20.520
<v Speaker 6>And then a second car, the idea to do a

0:30:20.520 --> 0:30:24.960
<v Speaker 6>second car, which was which was the design process was

0:30:25.040 --> 0:30:28.840
<v Speaker 6>run by Nikola Jescare who's the head of the head

0:30:28.840 --> 0:30:30.800
<v Speaker 6>of women's fashion, or is the head of women's fashion

0:30:31.440 --> 0:30:34.320
<v Speaker 6>at Louis Vuitton for a line in decades I think,

0:30:34.880 --> 0:30:40.240
<v Speaker 6>brilliant guy, fabulous guy. And so Car two took shape,

0:30:40.280 --> 0:30:42.600
<v Speaker 6>which really has a very different point of view from

0:30:42.640 --> 0:30:46.480
<v Speaker 6>Car one. Similarly, a bunch of products and so on,

0:30:46.560 --> 0:30:50.720
<v Speaker 6>all one off, like only one of everything is being

0:30:50.720 --> 0:30:55.680
<v Speaker 6>made and those are the two things that were showing.

0:30:56.160 --> 0:31:00.000
<v Speaker 3>So wait, tell us, maybe Rob, tell us about the car,

0:31:01.600 --> 0:31:03.120
<v Speaker 3>because you know, Portia.

0:31:02.840 --> 0:31:03.600
<v Speaker 2>Has two cars.

0:31:03.800 --> 0:31:04.760
<v Speaker 1>We should be clear.

0:31:04.680 --> 0:31:05.400
<v Speaker 2>About the cars.

0:31:05.640 --> 0:31:09.959
<v Speaker 3>Portia has has a long history of doing like fashionable

0:31:10.040 --> 0:31:13.600
<v Speaker 3>things right in a in a sense Pepita and Pasha

0:31:13.840 --> 0:31:15.520
<v Speaker 3>and the Tartans.

0:31:15.560 --> 0:31:18.200
<v Speaker 2>You know. The design stuff.

0:31:19.480 --> 0:31:23.840
<v Speaker 3>That you do as well is like really interesting as

0:31:23.840 --> 0:31:26.400
<v Speaker 3>far as design, but in terms of the engineering side

0:31:26.400 --> 0:31:28.360
<v Speaker 3>of it, like what are the what are the basis

0:31:28.400 --> 0:31:33.360
<v Speaker 3>for these vehicles like classic turbo wide body, what tell

0:31:33.400 --> 0:31:35.400
<v Speaker 3>us those car guy details?

0:31:35.680 --> 0:31:41.320
<v Speaker 5>Well, the first cars as alluded to, there was was

0:31:41.320 --> 0:31:46.840
<v Speaker 5>was was was an a vision of the first car

0:31:46.960 --> 0:31:52.160
<v Speaker 5>that we that we that we presented back in sixteen

0:31:52.160 --> 0:31:55.640
<v Speaker 5>seventeen years ago, which which has been which has subsequently

0:31:55.680 --> 0:31:58.320
<v Speaker 5>been known to become known as the classic, which is

0:31:58.400 --> 0:32:02.440
<v Speaker 5>our celebration of the early Portion ninet eleven air called

0:32:02.480 --> 0:32:06.520
<v Speaker 5>Portion nine eleven from the nineteen nineteen sixty five to

0:32:06.600 --> 0:32:08.320
<v Speaker 5>nineteen seventy three period.

0:32:09.480 --> 0:32:15.840
<v Speaker 1>We can say, yeah, it's everything.

0:32:15.880 --> 0:32:18.200
<v Speaker 5>Everything we've done so far has been based upon the

0:32:18.280 --> 0:32:20.560
<v Speaker 5>ninety six form model, which is a nineteen which is

0:32:20.600 --> 0:32:22.800
<v Speaker 5>the nine eleven that emerged in the in the early

0:32:22.880 --> 0:32:25.920
<v Speaker 5>nineteen nineties, a very very good starting point for us,

0:32:25.960 --> 0:32:30.000
<v Speaker 5>which has you know, quintessential elements of the air called

0:32:30.040 --> 0:32:35.360
<v Speaker 5>car but but but brought into the new era with

0:32:35.720 --> 0:32:38.360
<v Speaker 5>excellent power, steering and abs, breaks and all sorts of

0:32:38.360 --> 0:32:41.280
<v Speaker 5>things that make it a little bit more contemporary. A

0:32:41.280 --> 0:32:45.640
<v Speaker 5>great starting point for us to to to.

0:32:43.840 --> 0:32:48.640
<v Speaker 4>To reimagine it as an earlier car.

0:32:49.320 --> 0:32:52.840
<v Speaker 5>Perhaps is the car and its most purest, most beautiful,

0:32:52.920 --> 0:32:57.800
<v Speaker 5>some might argue state, as you know from from back

0:32:57.840 --> 0:33:01.720
<v Speaker 5>in the early seventies and late sixties, and you know

0:33:01.800 --> 0:33:04.720
<v Speaker 5>that that was the idea to to in two thousand

0:33:04.760 --> 0:33:07.840
<v Speaker 5>and nine, to prevent to present certainly my vision of a.

0:33:07.920 --> 0:33:11.160
<v Speaker 4>Perfect Porsche Air called Portion ninety.

0:33:10.880 --> 0:33:13.400
<v Speaker 5>Eleven, not just in in its in its esthetics, but

0:33:13.440 --> 0:33:17.400
<v Speaker 5>also in it's the way it performed, with every detail

0:33:17.440 --> 0:33:19.479
<v Speaker 5>being chased and optimized.

0:33:18.840 --> 0:33:21.200
<v Speaker 4>And and and improved.

0:33:20.720 --> 0:33:24.280
<v Speaker 5>Where necessary and left well alone when we didn't when

0:33:24.320 --> 0:33:27.959
<v Speaker 5>we couldn't improve it. So so for Louisviton to come

0:33:28.000 --> 0:33:35.400
<v Speaker 5>along and you know, talk to us about imprinting their

0:33:36.080 --> 0:33:43.600
<v Speaker 5>sensibilities onto, onto, onto this icon of cars. Overused word,

0:33:43.880 --> 0:33:47.400
<v Speaker 5>it's an overused word, is icon. But the nine eleven

0:33:47.600 --> 0:33:53.200
<v Speaker 5>certainly deserves. The description is pretty amazing, you know. I mean,

0:33:53.200 --> 0:33:55.760
<v Speaker 5>we're we're the Singer sat there in the middle with

0:33:55.960 --> 0:34:04.040
<v Speaker 5>two towering powerhouses of style and industry and success from

0:34:04.080 --> 0:34:09.239
<v Speaker 5>the last one hundred years, Portie and Louis Vito, and

0:34:09.960 --> 0:34:12.440
<v Speaker 5>we're the odd little company in California that's kind of

0:34:12.480 --> 0:34:14.400
<v Speaker 5>brought these two things clashing together.

0:34:14.640 --> 0:34:17.600
<v Speaker 1>Can I ask, and I mean this in the most

0:34:17.640 --> 0:34:23.680
<v Speaker 1>genuine way, why did Louis Vitan want to work with Singer? Why?

0:34:24.239 --> 0:34:29.360
<v Speaker 1>I mean there are other others out there. What appealed

0:34:29.920 --> 0:34:32.560
<v Speaker 1>about Singer for this collapse?

0:34:33.440 --> 0:34:39.520
<v Speaker 5>Well, I mean, we spent seventeen years trying to present

0:34:40.160 --> 0:34:46.560
<v Speaker 5>the idea that changing something that is sacred to many

0:34:47.920 --> 0:34:53.400
<v Speaker 5>is and putting a third party touch on it can

0:34:54.280 --> 0:34:57.399
<v Speaker 5>be legitimate, and it can be authentic, and it can

0:34:57.440 --> 0:35:01.120
<v Speaker 5>be sincere, and it can be fantastic, it can be magnificent.

0:35:01.200 --> 0:35:04.200
<v Speaker 5>And that's that was always my vision for for want

0:35:04.200 --> 0:35:06.960
<v Speaker 5>of a better term, when I started in that you

0:35:07.040 --> 0:35:10.880
<v Speaker 5>can get under the skin of something that's dearly beloved

0:35:10.920 --> 0:35:15.200
<v Speaker 5>by many people and and attempt to represent it in

0:35:15.239 --> 0:35:17.480
<v Speaker 5>a way which which is as I say, sincere and

0:35:17.520 --> 0:35:21.080
<v Speaker 5>authentic to to the to the original, but benefits from

0:35:21.080 --> 0:35:25.240
<v Speaker 5>the from from from hindsight and new materials and modern

0:35:25.239 --> 0:35:29.240
<v Speaker 5>perspectives and everything else. And could can you touch something

0:35:29.280 --> 0:35:33.879
<v Speaker 5>that's genuinely iconic and classic and old and and bring

0:35:33.920 --> 0:35:36.239
<v Speaker 5>it into the new world in a in a way

0:35:36.280 --> 0:35:42.000
<v Speaker 5>which is believable And and and and I think I'm

0:35:42.080 --> 0:35:47.240
<v Speaker 5>done with finesse, done with ridiculous amounts of attention to detail,

0:35:47.360 --> 0:35:53.560
<v Speaker 5>done with you know, spectacular levels of ambition and hopefully

0:35:53.560 --> 0:35:57.160
<v Speaker 5>execution success. And I think this is what Louis This

0:35:57.239 --> 0:35:58.960
<v Speaker 5>is a long winded way of saying, this is what

0:35:59.000 --> 0:36:04.000
<v Speaker 5>Louis Vito have noticed. And I think this is why

0:36:04.040 --> 0:36:08.080
<v Speaker 5>they came to see us, because they appreciated that. And

0:36:08.120 --> 0:36:10.879
<v Speaker 5>I think they saw something of themselves in that, as

0:36:10.960 --> 0:36:14.600
<v Speaker 5>we see something of ourselves in Louis Viton as well.

0:36:14.640 --> 0:36:17.360
<v Speaker 5>So it's and we got to know them, we established

0:36:17.360 --> 0:36:23.680
<v Speaker 5>some trust, and you know, the creative collaboration was quite

0:36:23.719 --> 0:36:27.600
<v Speaker 5>a thing of joy really, because we're working obviously, we

0:36:27.640 --> 0:36:30.640
<v Speaker 5>work with clients on our cars that some have more

0:36:30.640 --> 0:36:33.000
<v Speaker 5>of a specific vision of what they want than others.

0:36:33.440 --> 0:36:37.600
<v Speaker 5>We hold the hands of our clients sometimes more than

0:36:37.640 --> 0:36:38.400
<v Speaker 5>other clients.

0:36:38.880 --> 0:36:40.520
<v Speaker 4>Louis Eton came in with.

0:36:42.000 --> 0:36:46.600
<v Speaker 5>A pretty powerful sense of what they stand for and

0:36:46.719 --> 0:36:50.080
<v Speaker 5>what as you can imagine that they're a brand that

0:36:50.160 --> 0:36:53.480
<v Speaker 5>knowed themselves extremely well, but they hadn't that this was

0:36:53.520 --> 0:36:56.719
<v Speaker 5>the first time they had imprinted their sensibilities on a car.

0:36:57.360 --> 0:36:59.879
<v Speaker 4>And of course we were the people.

0:36:59.640 --> 0:37:04.440
<v Speaker 5>Chose to to to orchestrate that through through the lens

0:37:04.520 --> 0:37:08.719
<v Speaker 5>of some of the techniques I just mentioned, and that

0:37:08.960 --> 0:37:12.279
<v Speaker 5>was of course very we're very proud of that. It's

0:37:12.320 --> 0:37:16.720
<v Speaker 5>quite humbling that such a such an organized organization would

0:37:16.760 --> 0:37:21.920
<v Speaker 5>would notice this. And you know, the the the creative

0:37:21.920 --> 0:37:26.160
<v Speaker 5>collaboration was was was was a was a thing of

0:37:26.160 --> 0:37:29.080
<v Speaker 5>of great joy. We learned a lot from it and

0:37:29.239 --> 0:37:34.120
<v Speaker 5>we've certainly benefited hugely from watching this amazing operation work

0:37:34.880 --> 0:37:45.360
<v Speaker 5>over in Paris. Yeah, it's been quite the journey.

0:37:43.280 --> 0:37:47.000
<v Speaker 1>That it took a year to develop the time piece alone.

0:37:48.480 --> 0:37:50.400
<v Speaker 1>The time piece is you can take it out of

0:37:50.480 --> 0:37:53.000
<v Speaker 1>the dash right and and it's be its own.

0:37:54.600 --> 0:37:58.800
<v Speaker 6>Actually, all the gauges, all the gauges are removable. No, no,

0:37:58.960 --> 0:38:00.680
<v Speaker 6>just the clock is removable and you can kind of

0:38:00.719 --> 0:38:03.640
<v Speaker 6>stick it on your you know, there's like a desk mount.

0:38:05.280 --> 0:38:09.560
<v Speaker 6>But all of the gauges were developed, uh by them,

0:38:09.800 --> 0:38:10.920
<v Speaker 6>and it took.

0:38:10.880 --> 0:38:12.960
<v Speaker 1>It took over a year simply.

0:38:12.719 --> 0:38:17.880
<v Speaker 6>Oh yeah, yeah, yeah, well there's a lot so what

0:38:18.520 --> 0:38:20.840
<v Speaker 6>you know, just rewinding a minute to what, you know,

0:38:20.840 --> 0:38:24.640
<v Speaker 6>why would they want to do this with us, you know,

0:38:26.440 --> 0:38:29.319
<v Speaker 6>having we spend a lot of time in Paris at

0:38:29.320 --> 0:38:31.799
<v Speaker 6>their places and and sort of kind of hanging out.

0:38:31.800 --> 0:38:34.759
<v Speaker 6>We did we did that, actually make make friends with

0:38:34.880 --> 0:38:39.359
<v Speaker 6>the with with that group. They really they really are

0:38:39.400 --> 0:38:42.439
<v Speaker 6>a creative company almost I don't want to say artists led,

0:38:42.520 --> 0:38:47.640
<v Speaker 6>you know, administratively artists led, but they let their artists.

0:38:47.680 --> 0:38:51.440
<v Speaker 6>Really they take risks. They allow their creative team to

0:38:51.480 --> 0:38:54.440
<v Speaker 6>take risks, you know, for a season or for the

0:38:54.560 --> 0:38:57.399
<v Speaker 6>products or whatever, and if you know, if it's a miss,

0:38:57.400 --> 0:39:00.200
<v Speaker 6>it's a miss. But they really are quite committed that

0:39:00.239 --> 0:39:03.960
<v Speaker 6>they're a very creative business. They're not just they're not

0:39:04.080 --> 0:39:07.359
<v Speaker 6>some you know, just giant company churning out stuff that

0:39:07.480 --> 0:39:11.440
<v Speaker 6>you know, just they really aren't there there, which I

0:39:11.520 --> 0:39:14.319
<v Speaker 6>think maybe if you aren't on, you know, you don't

0:39:15.239 --> 0:39:17.799
<v Speaker 6>get to go you know, backstage, you don't really know that.

0:39:18.280 --> 0:39:22.120
<v Speaker 6>So that that's how they do a lot of things.

0:39:22.840 --> 0:39:25.799
<v Speaker 6>It was pretty mind blowing to see kind of how

0:39:25.840 --> 0:39:28.879
<v Speaker 6>they function, how they operate, and how much really uh

0:39:30.440 --> 0:39:35.320
<v Speaker 6>you know, uh uh. They they sort of hold their artists,

0:39:35.840 --> 0:39:38.279
<v Speaker 6>you know, at a very high level, and so that

0:39:38.520 --> 0:39:42.920
<v Speaker 6>was something, you know that we give them an opportunity

0:39:42.960 --> 0:39:46.080
<v Speaker 6>to some degree to really go into detail. I don't

0:39:46.080 --> 0:39:48.040
<v Speaker 6>know that it would be that easy to do kind

0:39:48.040 --> 0:39:51.799
<v Speaker 6>of with other folks. We we have, you know, if

0:39:52.000 --> 0:39:54.279
<v Speaker 6>we're known for anything, it might be we have a

0:39:54.280 --> 0:39:57.120
<v Speaker 6>little O, C. D or or or something like that,

0:39:57.400 --> 0:40:00.680
<v Speaker 6>you know here here at Singer And I think that

0:40:00.680 --> 0:40:04.360
<v Speaker 6>that's a that's a there's a door open to going

0:40:04.520 --> 0:40:08.200
<v Speaker 6>really really into the details. There's a there's a There's

0:40:08.200 --> 0:40:11.279
<v Speaker 6>this other thing though, which is not obvious in the

0:40:11.320 --> 0:40:17.400
<v Speaker 6>outside about Louis Vuitton is they have a line of

0:40:17.960 --> 0:40:21.480
<v Speaker 6>products across all of their product lines, which is really vast.

0:40:21.600 --> 0:40:21.759
<v Speaker 4>Right.

0:40:21.800 --> 0:40:24.680
<v Speaker 6>There's bags, there's you know, sort of purses, there's travel,

0:40:24.800 --> 0:40:29.279
<v Speaker 6>there's makeup, there's perfume, and there's watches that they have

0:40:29.520 --> 0:40:33.000
<v Speaker 6>a line of things that aren't necessarily publicly available that

0:40:33.120 --> 0:40:38.160
<v Speaker 6>are so incredible, so exquisitely done, the details down to

0:40:38.239 --> 0:40:41.080
<v Speaker 6>the millimeter on some of this stuff. Obviously, there's a

0:40:41.080 --> 0:40:42.759
<v Speaker 6>cost that goes with it. These aren't things that you

0:40:42.880 --> 0:40:45.799
<v Speaker 6>just walk into a store and find their sort of

0:40:45.800 --> 0:40:49.200
<v Speaker 6>invitation only and they are invitation only, and we were

0:40:49.200 --> 0:40:51.400
<v Speaker 6>able to see a lot of that stuff. And it

0:40:51.440 --> 0:40:55.680
<v Speaker 6>is it is very much how we think at Singer

0:40:55.800 --> 0:40:59.480
<v Speaker 6>that when you're you're talking about, you know, putting on

0:40:59.520 --> 0:41:02.279
<v Speaker 6>a you know, working through a giant magnifying glass on

0:41:02.440 --> 0:41:05.200
<v Speaker 6>tiny tiny details that are pretty hard to see unless

0:41:05.239 --> 0:41:11.000
<v Speaker 6>you know, you know they're there, right, They live in

0:41:11.000 --> 0:41:13.040
<v Speaker 6>that world. They have lived in that world for a

0:41:13.120 --> 0:41:14.919
<v Speaker 6>very long time. I think it started back with their

0:41:14.960 --> 0:41:17.719
<v Speaker 6>trunk making, which is how the play started, where they

0:41:17.719 --> 0:41:21.799
<v Speaker 6>are really into these very very intricate, handmade details. And

0:41:22.440 --> 0:41:25.640
<v Speaker 6>it's something that we could they've seen that we've done

0:41:25.680 --> 0:41:30.240
<v Speaker 6>other places. I don't not to give us any credit,

0:41:30.239 --> 0:41:31.560
<v Speaker 6>but I don't see it. We don't see a ton

0:41:31.600 --> 0:41:36.480
<v Speaker 6>of that at other you know, sort of other outfits.

0:41:36.520 --> 0:41:40.200
<v Speaker 6>And and that was that that was almost easy for us.

0:41:40.200 --> 0:41:42.280
<v Speaker 6>We were all very excited to get into those details.

0:41:42.320 --> 0:41:45.759
<v Speaker 6>So isn't just the clocks, it's the entire thing, knows

0:41:45.840 --> 0:41:48.839
<v Speaker 6>to tail. It started with the clocks, and when you're

0:41:48.960 --> 0:41:51.080
<v Speaker 6>you know, in the watchmaking business, I mean they work

0:41:51.080 --> 0:41:55.560
<v Speaker 6>in very very extravagant, tiny tiny detail. Obviously we did

0:41:55.560 --> 0:42:00.759
<v Speaker 6>that nose to tail on two cars, which was you know, fascinating,

0:42:01.160 --> 0:42:05.080
<v Speaker 6>very difficult in some cases a lot of like rejecting

0:42:05.280 --> 0:42:11.040
<v Speaker 6>parts and uh you know, finding suppliers very specialists to

0:42:11.080 --> 0:42:14.120
<v Speaker 6>dive into something that was you know, quite quite difficult.

0:42:14.160 --> 0:42:18.080
<v Speaker 6>Our level of quality requirements that seeing our make our

0:42:18.200 --> 0:42:21.719
<v Speaker 6>we make our lives quite difficult as it is, and

0:42:21.760 --> 0:42:24.160
<v Speaker 6>that of our any suppliers that we have. But this

0:42:24.280 --> 0:42:26.879
<v Speaker 6>was this was a giant step further in a lot

0:42:26.880 --> 0:42:28.240
<v Speaker 6>of cases, mats.

0:42:28.239 --> 0:42:32.279
<v Speaker 3>Can you uh so this is an audio only podcast, right,

0:42:32.400 --> 0:42:36.680
<v Speaker 3>people listening can't see, but can you describe some of

0:42:36.719 --> 0:42:41.400
<v Speaker 3>the more interesting details about maybe the clock, the gauges,

0:42:41.680 --> 0:42:44.640
<v Speaker 3>anything else in these cars that I'm sure people are

0:42:44.640 --> 0:42:46.480
<v Speaker 3>going to go on the web and look at the pictures, right,

0:42:46.600 --> 0:42:49.160
<v Speaker 3>but what what was the most interesting to you that

0:42:49.200 --> 0:42:50.759
<v Speaker 3>you can kind of illustrate for us.

0:42:51.480 --> 0:42:56.680
<v Speaker 6>So the so imagine, so a watch, a you know whatever,

0:42:57.080 --> 0:43:00.520
<v Speaker 6>A nice watch is a very small thing, like it's

0:43:00.600 --> 0:43:02.560
<v Speaker 6>you know, size of a quarter on your wrist. And

0:43:03.200 --> 0:43:07.279
<v Speaker 6>in those watches they fit so much detail in fine watchmaking,

0:43:07.400 --> 0:43:11.239
<v Speaker 6>and it's really microscopic, and they when they manufacture them,

0:43:11.280 --> 0:43:13.400
<v Speaker 6>they you know, the guys that put them together use

0:43:13.440 --> 0:43:17.239
<v Speaker 6>these giant magnifying glasses to do this. So the gauges

0:43:17.400 --> 0:43:20.759
<v Speaker 6>are you know, like built like that, but they're large,

0:43:20.840 --> 0:43:25.280
<v Speaker 6>large format, so they're exploded large format things. So every number,

0:43:25.520 --> 0:43:29.840
<v Speaker 6>every little you know, indices, they're all applied. You know,

0:43:29.880 --> 0:43:33.080
<v Speaker 6>they're all physical items. They're not printed or you know,

0:43:33.120 --> 0:43:36.120
<v Speaker 6>screen printed or whatever, or certainly a digital gauge or

0:43:36.160 --> 0:43:38.480
<v Speaker 6>anything along those lines is totally the opposite. So you're

0:43:38.520 --> 0:43:41.680
<v Speaker 6>looking at you know, five, it feels like five watch

0:43:41.719 --> 0:43:44.719
<v Speaker 6>faces right just in sort of large format, and even

0:43:44.760 --> 0:43:47.439
<v Speaker 6>the bezels around there. So the entire thing was done

0:43:47.480 --> 0:43:50.920
<v Speaker 6>that way. Even we have, you know, in a nine

0:43:50.920 --> 0:43:53.000
<v Speaker 6>to eleven. They're these you know door lock pulls, the

0:43:53.000 --> 0:43:57.120
<v Speaker 6>little you know, pencil thickness thing that sticks up out

0:43:57.160 --> 0:44:01.360
<v Speaker 6>of the door that has tiny engravings of the L

0:44:01.440 --> 0:44:04.759
<v Speaker 6>v uh that say lv on them, which you can't

0:44:04.800 --> 0:44:07.400
<v Speaker 6>tell if you're looking from a distance. You need to actually,

0:44:07.400 --> 0:44:10.120
<v Speaker 6>you know, put glasses on them result as I am,

0:44:10.160 --> 0:44:14.239
<v Speaker 6>I need them. But you know, the whole car has

0:44:14.320 --> 0:44:18.440
<v Speaker 6>that these these tiny, tiny, intricate details across the entire thing.

0:44:19.120 --> 0:44:25.400
<v Speaker 6>There's some bigger, bigger ones this the the window and door,

0:44:25.480 --> 0:44:28.799
<v Speaker 6>windscreen and rear window seals on the nine sixty four

0:44:28.960 --> 0:44:32.520
<v Speaker 6>are Porsche Porsche parts that we buy. They're they're black,

0:44:32.880 --> 0:44:35.720
<v Speaker 6>and they hold all these windows in. They're actually seals

0:44:35.760 --> 0:44:39.520
<v Speaker 6>are a really complicated item that people maybe don't know that,

0:44:39.560 --> 0:44:43.040
<v Speaker 6>but they tend to be extremely complex, uh, you know,

0:44:43.920 --> 0:44:47.399
<v Speaker 6>seals and and gaskets that hold windows in. We had

0:44:47.440 --> 0:44:50.719
<v Speaker 6>to redesign and retool all of them to make one

0:44:50.800 --> 0:44:56.880
<v Speaker 6>set in blue, and that it was. It was unbelievably complex.

0:44:57.760 --> 0:45:01.880
<v Speaker 5>Every every every piece of rubber on the car, Guys

0:45:02.120 --> 0:45:06.480
<v Speaker 5>is in Louis Viton blue, and I mean every every piece,

0:45:06.680 --> 0:45:11.960
<v Speaker 5>so that it's not you can't you can't well, you

0:45:12.000 --> 0:45:14.560
<v Speaker 5>can't paint rubber, but it's it's it's rather tricky. So

0:45:14.880 --> 0:45:17.880
<v Speaker 5>a lot of it had to be literally retooled, working

0:45:17.920 --> 0:45:21.960
<v Speaker 5>with a supplier who spent three months trying to match

0:45:22.160 --> 0:45:23.640
<v Speaker 5>the blue perfectly.

0:45:24.480 --> 0:45:28.560
<v Speaker 1>And then that horrible at the same time, and.

0:45:30.920 --> 0:45:32.879
<v Speaker 5>Then the pass came back and they weren't quite right,

0:45:32.920 --> 0:45:34.600
<v Speaker 5>so we went and did it again, and then we

0:45:34.640 --> 0:45:39.480
<v Speaker 5>did it again, and so so so the Classic that

0:45:39.600 --> 0:45:42.600
<v Speaker 5>was the first car we did. Every single piece of

0:45:42.680 --> 0:45:44.839
<v Speaker 5>rubber you can see on the car is in Louis

0:45:44.880 --> 0:45:45.600
<v Speaker 5>Viton blue.

0:45:46.840 --> 0:45:48.759
<v Speaker 4>And you know these kind of.

0:45:50.560 --> 0:45:55.239
<v Speaker 5>We These were big, swaggering, audacious decisions that we kind

0:45:55.239 --> 0:45:58.399
<v Speaker 5>of made together but were certainly led by by by

0:45:58.400 --> 0:46:01.040
<v Speaker 5>the Louis Viton team, and we just said, you know,

0:46:01.120 --> 0:46:03.399
<v Speaker 5>well why not. I mean, this is, you know, these

0:46:03.440 --> 0:46:06.000
<v Speaker 5>cars are unlike anything we've done before. They are they

0:46:06.000 --> 0:46:08.520
<v Speaker 5>are art pieces in the truest sense of the word.

0:46:09.200 --> 0:46:17.320
<v Speaker 5>They're not practical, but they they evoke a ci and

0:46:17.320 --> 0:46:21.759
<v Speaker 5>and you know, the the Savoir Fair, as as as

0:46:21.800 --> 0:46:26.640
<v Speaker 5>the as the design houses in Italy and Wels in France,

0:46:27.120 --> 0:46:31.799
<v Speaker 5>um and and and and and maybe that's what luxury is.

0:46:31.840 --> 0:46:34.799
<v Speaker 5>Something that's that's that could be seen by many to

0:46:34.840 --> 0:46:39.480
<v Speaker 5>be utterly useless, but of course it's not useless. It's

0:46:39.480 --> 0:46:44.840
<v Speaker 5>incredibly fabulous to to to to to display this level

0:46:44.960 --> 0:46:51.680
<v Speaker 5>of of of of vision and and you know, romanticizing

0:46:51.760 --> 0:46:55.479
<v Speaker 5>this sense of travel and adventure in in a way

0:46:55.560 --> 0:46:59.880
<v Speaker 5>which is which is so extreme but so on point

0:47:01.920 --> 0:47:05.600
<v Speaker 5>why you know, I was there was a certain amount

0:47:05.640 --> 0:47:08.719
<v Speaker 5>of of head scratching for me as to whether this

0:47:08.880 --> 0:47:11.439
<v Speaker 5>was something that was appropriate for us, but I soon

0:47:11.520 --> 0:47:14.160
<v Speaker 5>got over it and the sense that this is this

0:47:14.239 --> 0:47:18.960
<v Speaker 5>is just like another client of ours, you know, visioning

0:47:19.000 --> 0:47:22.040
<v Speaker 5>their perfect ninety eleven through their lens with the help

0:47:22.080 --> 0:47:25.759
<v Speaker 5>of us. And and this is this, this is how

0:47:25.880 --> 0:47:29.399
<v Speaker 5>we've all viewed, viewed this wonderful relationship with the VITA

0:47:29.520 --> 0:47:33.440
<v Speaker 5>as being another client that just happens to have this

0:47:33.440 --> 0:47:34.680
<v Speaker 5>this towering vision.

0:47:35.640 --> 0:47:38.120
<v Speaker 3>What they do hang on if they went that far,

0:47:38.480 --> 0:47:41.960
<v Speaker 3>if they went that far for the rubber, seals and gaskets,

0:47:42.200 --> 0:47:46.560
<v Speaker 3>what about the leather and the carpet and the gear they.

0:47:46.480 --> 0:47:50.680
<v Speaker 4>Didn't care about that hand.

0:47:51.160 --> 0:47:54.880
<v Speaker 5>Now, as you can imagine everything else. If the rubbers

0:47:55.160 --> 0:47:57.799
<v Speaker 5>seen as being that important, you can only guess how

0:47:58.480 --> 0:48:02.160
<v Speaker 5>important the leather is. And and the type of aluminium

0:48:02.200 --> 0:48:05.239
<v Speaker 5>or the type of stainless steel, or the type of

0:48:05.400 --> 0:48:09.080
<v Speaker 5>silver silver rodium plating. All the all the bright wear

0:48:09.239 --> 0:48:13.160
<v Speaker 5>on the on the classic is is plaited in silver rodium,

0:48:13.280 --> 0:48:17.799
<v Speaker 5>which is this exquisite silver color which has this this

0:48:17.920 --> 0:48:22.800
<v Speaker 5>wonderful kind of texture almost kind of you know, mute mute, muted,

0:48:23.239 --> 0:48:28.000
<v Speaker 5>muted machine to it. And of course getting a consistent

0:48:28.520 --> 0:48:31.560
<v Speaker 5>finish on all the metal parts. Asked me if that

0:48:31.680 --> 0:48:33.680
<v Speaker 5>was easy, and I'll tell you it. I'll tell you

0:48:33.719 --> 0:48:34.560
<v Speaker 5>that that it wasn't.

0:48:35.000 --> 0:48:36.680
<v Speaker 6>So if you sit at nine to eleven and you

0:48:36.760 --> 0:48:41.239
<v Speaker 6>have sorry rubbed and all the events. We had to

0:48:41.280 --> 0:48:45.120
<v Speaker 6>completely re engineer all of them, which are flexible normally,

0:48:45.160 --> 0:48:47.279
<v Speaker 6>and that's how they function, that's how event will hold

0:48:47.320 --> 0:48:49.799
<v Speaker 6>its its position at you. We had to remake them

0:48:49.800 --> 0:48:51.960
<v Speaker 6>in metal to play them. And what Rob was just

0:48:52.000 --> 0:48:54.880
<v Speaker 6>talking about, so that it was every single There was

0:48:55.960 --> 0:49:00.080
<v Speaker 6>bree thousand new components in each of the cars, and

0:49:00.239 --> 0:49:03.000
<v Speaker 6>many of them had to be remade in a completely

0:49:03.040 --> 0:49:05.200
<v Speaker 6>different material from what they were originally.

0:49:05.239 --> 0:49:09.840
<v Speaker 5>I often and found found myself when we started to

0:49:10.080 --> 0:49:12.520
<v Speaker 5>seventeen years ago, I often found myself using the word

0:49:12.640 --> 0:49:15.880
<v Speaker 5>indulgent in what we were doing in the in the

0:49:16.040 --> 0:49:21.880
<v Speaker 5>indulgence suggests a certain amount of unnecessariness, but for me

0:49:22.600 --> 0:49:25.759
<v Speaker 5>it wasn't unnecessary at all. It's absolutely essential. Now when

0:49:25.760 --> 0:49:27.680
<v Speaker 5>lous Etho walked through the door, they just took that

0:49:28.080 --> 0:49:32.760
<v Speaker 5>to the next level plus ten and in in in

0:49:32.760 --> 0:49:38.799
<v Speaker 5>indulgence in that these things don't need to be like this,

0:49:39.280 --> 0:49:42.360
<v Speaker 5>with the with the with the tortuous path to a

0:49:42.480 --> 0:49:46.640
<v Speaker 5>spectacular part. But we can do it because we're capable

0:49:46.680 --> 0:49:49.400
<v Speaker 5>of doing it, and we want to do it, and

0:49:49.400 --> 0:49:53.080
<v Speaker 5>and and and the result is something that's you know,

0:49:53.320 --> 0:49:56.719
<v Speaker 5>unique and hasn't been seen before and will challenge.

0:49:56.960 --> 0:49:58.000
<v Speaker 4>I'm sure there'll be that.

0:49:58.080 --> 0:50:02.200
<v Speaker 5>There'll be some some head scratching and some joy and

0:50:02.239 --> 0:50:06.480
<v Speaker 5>some and some some divisiveness with with with these cars,

0:50:06.520 --> 0:50:10.560
<v Speaker 5>but of course that's that's what makes it fun. And

0:50:10.560 --> 0:50:12.840
<v Speaker 5>and you know, for Louisvison to push out to be

0:50:13.000 --> 0:50:15.440
<v Speaker 5>more indulge in that we think than we think we

0:50:15.520 --> 0:50:18.720
<v Speaker 5>already have been in the celebrating the portion ninety eleven

0:50:19.239 --> 0:50:22.400
<v Speaker 5>is quite something and I think it's I think it's

0:50:22.480 --> 0:50:26.759
<v Speaker 5>utterly appropriate, and I think the portion ninety eleven, which

0:50:26.760 --> 0:50:30.240
<v Speaker 5>we've been celebrating now for nearly twenty years, deserves such

0:50:30.719 --> 0:50:35.480
<v Speaker 5>such attention from one of the world's pre eminent creative

0:50:36.640 --> 0:50:37.520
<v Speaker 5>luxury houses.

0:50:37.719 --> 0:50:40.239
<v Speaker 1>It sounds like you're, you know, you're you're kind of

0:50:40.280 --> 0:50:45.359
<v Speaker 1>describing Louis Vuton as the client here. What is the

0:50:45.360 --> 0:50:48.480
<v Speaker 1>future of this car? Is this car going to be sold?

0:50:48.880 --> 0:50:52.279
<v Speaker 1>Is it was it made for a person? Or is

0:50:52.400 --> 0:50:58.160
<v Speaker 1>Louis Viton the ultimate client? And also will you make

0:50:58.400 --> 0:51:03.440
<v Speaker 1>more of them? And also what is the general price

0:51:03.560 --> 0:51:05.520
<v Speaker 1>tag of something like this?

0:51:06.600 --> 0:51:09.440
<v Speaker 6>Well, that's stuff, that's stuff we don't discuss like we.

0:51:09.400 --> 0:51:12.360
<v Speaker 1>Would talk about it here. Actually, no one listens to

0:51:12.400 --> 0:51:14.560
<v Speaker 1>this podcast, so this is a safe space.

0:51:15.920 --> 0:51:18.120
<v Speaker 6>It's well, just to be just to be clear, we

0:51:18.120 --> 0:51:21.160
<v Speaker 6>don't talk about that for any but.

0:51:21.960 --> 0:51:25.160
<v Speaker 1>This car is sold. This car, this car is already

0:51:25.600 --> 0:51:27.760
<v Speaker 1>sold to somebody.

0:51:28.280 --> 0:51:32.879
<v Speaker 6>It's like it's a it's uh, these are these these

0:51:32.920 --> 0:51:35.879
<v Speaker 6>are the agreements we have on any of our you know,

0:51:36.120 --> 0:51:38.160
<v Speaker 6>cars we do with anyone that we we never we

0:51:38.280 --> 0:51:42.360
<v Speaker 6>never discussed ownership price, any of that with anyone paid

0:51:42.480 --> 0:51:46.359
<v Speaker 6>or where they're going, which we don't necessarily know. There's

0:51:46.360 --> 0:51:50.640
<v Speaker 6>no there's no plans to do uh, you know, further

0:51:51.280 --> 0:51:54.440
<v Speaker 6>cars with them, but we would totally do it. I

0:51:54.480 --> 0:51:59.239
<v Speaker 6>mean we we It is a fascinating, very very fascinating,

0:52:00.000 --> 0:52:02.560
<v Speaker 6>fascinating thing, and we are totally humbled by it. I

0:52:02.600 --> 0:52:04.759
<v Speaker 6>mean we you know, we feel quite privileged, I think

0:52:05.200 --> 0:52:06.960
<v Speaker 6>to have have done this.

0:52:07.520 --> 0:52:11.000
<v Speaker 1>Have you spent the most time on these two cars

0:52:11.000 --> 0:52:13.399
<v Speaker 1>of any of your creations? I mean, when you're talking

0:52:13.400 --> 0:52:18.040
<v Speaker 1>about re redoing everything, are these the most most people

0:52:18.120 --> 0:52:20.640
<v Speaker 1>hours that you've put into any car?

0:52:21.560 --> 0:52:24.600
<v Speaker 6>So there's well, there's a well, we put.

0:52:24.440 --> 0:52:27.239
<v Speaker 5>Six we put six years into into the Dynamic Light

0:52:27.280 --> 0:52:30.760
<v Speaker 5>Waiting Study d LS with with with Williams. So perhaps

0:52:30.760 --> 0:52:34.640
<v Speaker 5>perhaps that Trump's it, but certainly in an intensive period hand.

0:52:34.680 --> 0:52:36.920
<v Speaker 5>I mean we we've worked on both of these cars

0:52:36.920 --> 0:52:39.239
<v Speaker 5>over two years, master two and a half years.

0:52:39.360 --> 0:52:39.440
<v Speaker 4>And.

0:52:41.320 --> 0:52:45.279
<v Speaker 5>The intensity and the and the content of them as

0:52:45.280 --> 0:52:48.960
<v Speaker 5>opposed to our other regular our regular work, if you

0:52:48.960 --> 0:52:51.719
<v Speaker 5>can call it that, it was was was was through

0:52:51.760 --> 0:52:52.160
<v Speaker 5>the roof.

0:52:52.280 --> 0:52:54.000
<v Speaker 4>Yeah, for sure, there's.

0:52:53.840 --> 0:52:57.000
<v Speaker 6>A product development you know cycle that we have. We're engineering,

0:52:57.080 --> 0:52:59.960
<v Speaker 6>you know, sort of the next thing that a custom

0:53:00.200 --> 0:53:05.680
<v Speaker 6>wance when you're you know, approaching really complex things like

0:53:06.000 --> 0:53:10.360
<v Speaker 6>you know an you know, like redeveloping an engine or

0:53:10.600 --> 0:53:14.640
<v Speaker 6>transmission or any of that. Those yeah, those take years.

0:53:15.320 --> 0:53:17.879
<v Speaker 6>Those are obviously quite detailed. But in terms of you know,

0:53:18.560 --> 0:53:21.880
<v Speaker 6>one of the existing sort of styles of commissions that

0:53:21.920 --> 0:53:26.239
<v Speaker 6>we do, yeah, this was this was way beyond what

0:53:25.960 --> 0:53:29.000
<v Speaker 6>what what what I think any anyone else had done.

0:53:29.960 --> 0:53:32.359
<v Speaker 6>Just to be clear, we wouldn't just do that if

0:53:32.400 --> 0:53:35.560
<v Speaker 6>anyone asked. We had to think long and hard about

0:53:35.560 --> 0:53:37.799
<v Speaker 6>this because we knew the size of the mission. But

0:53:37.840 --> 0:53:43.160
<v Speaker 6>it was because of you know, working with these folks

0:53:43.200 --> 0:53:45.200
<v Speaker 6>that have, like I said, all this history. It was

0:53:45.239 --> 0:53:49.080
<v Speaker 6>such a sort of such a privilege, right well, but

0:53:49.239 --> 0:53:51.440
<v Speaker 6>normally if someone wanted to do this much stuff and

0:53:51.480 --> 0:53:56.600
<v Speaker 6>distract distract us for years, we we wouldn't we would decline.

0:53:57.080 --> 0:53:59.880
<v Speaker 1>Well, that is that's part of like a bigger philis

0:54:00.040 --> 0:54:03.200
<v Speaker 1>offical question that I've really thought about for you guys,

0:54:03.360 --> 0:54:08.080
<v Speaker 1>which is considering where you started to now where I

0:54:08.080 --> 0:54:10.680
<v Speaker 1>think you have over seven hundred employees, you're doing these

0:54:10.960 --> 0:54:14.320
<v Speaker 1>major collaborations with the biggest luxury brands in the world.

0:54:15.239 --> 0:54:18.880
<v Speaker 1>How has it been adapting just for you guys in

0:54:18.920 --> 0:54:22.120
<v Speaker 1>your daily life and your daily psychology. How has it

0:54:22.160 --> 0:54:25.320
<v Speaker 1>been adapting from you guys were like the upstart underdog

0:54:25.400 --> 0:54:29.439
<v Speaker 1>in a way, and now you're you are really this

0:54:29.480 --> 0:54:34.239
<v Speaker 1>is big, big stuff on a big level with public companies.

0:54:34.680 --> 0:54:36.319
<v Speaker 1>How has that been for you?

0:54:37.960 --> 0:54:41.520
<v Speaker 6>Rob has the answer to that, because it's puzzling.

0:54:42.560 --> 0:54:45.640
<v Speaker 5>Well, yeah, yeah, I mean we don't really like to

0:54:45.640 --> 0:54:50.200
<v Speaker 5>be reminded of it, but thank you for we kind

0:54:50.320 --> 0:54:52.160
<v Speaker 5>we kind of bury our head in the sand and

0:54:52.200 --> 0:54:55.160
<v Speaker 5>we kind of get we kind of get British so brittily.

0:54:56.040 --> 0:54:59.200
<v Speaker 5>I don't know where the weather perhaps again, I know

0:54:59.239 --> 0:55:01.879
<v Speaker 5>we're here to talk about these fabulous movies on cars,

0:55:01.880 --> 0:55:04.520
<v Speaker 5>but we have just returned from England where we were

0:55:05.360 --> 0:55:10.279
<v Speaker 5>we were celebra we were somewhat celebrated to a ridiculous level.

0:55:10.040 --> 0:55:11.120
<v Speaker 4>At the Goodwood Festival.

0:55:11.400 --> 0:55:14.800
<v Speaker 5>At the Goodwood Festival of Speed, you know, our cars

0:55:14.800 --> 0:55:17.600
<v Speaker 5>were on this amazing sculpture in front of the Goodwood

0:55:17.680 --> 0:55:20.920
<v Speaker 5>House and there were fireworks and there was loud music

0:55:20.960 --> 0:55:24.279
<v Speaker 5>and everything else. And I think, I think, I think

0:55:24.360 --> 0:55:27.200
<v Speaker 5>Mas and I much to the surprise of all the

0:55:27.200 --> 0:55:29.480
<v Speaker 5>people around us who work for us, although seven hundred

0:55:29.520 --> 0:55:35.560
<v Speaker 5>people who work with with us somewhat nonplussed or confounded,

0:55:35.640 --> 0:55:38.279
<v Speaker 5>that we deal with it apparently such a it's such

0:55:38.320 --> 0:55:42.040
<v Speaker 5>a non excited, non excited way. We are extremely excited

0:55:42.080 --> 0:55:44.360
<v Speaker 5>about it. I think, I think, you know, it's amazing.

0:55:44.400 --> 0:55:46.239
<v Speaker 5>I think we have a valve that allows us to

0:55:46.280 --> 0:55:49.080
<v Speaker 5>kind of cope with it, you know, to to to

0:55:49.480 --> 0:55:53.640
<v Speaker 5>be center of attention to that degree in England last

0:55:53.640 --> 0:55:55.279
<v Speaker 5>week or whenever it was a few weeks ago, it

0:55:55.560 --> 0:55:58.400
<v Speaker 5>was just ridiculous. But it's like, you know, and the

0:55:58.440 --> 0:56:00.239
<v Speaker 5>next day we wake up and we're not even thinking

0:56:00.239 --> 0:56:04.640
<v Speaker 5>about it. We're worrying about the next problem. And we're

0:56:04.680 --> 0:56:07.480
<v Speaker 5>not very good at victory lapse, and and so so

0:56:07.680 --> 0:56:09.600
<v Speaker 5>and the and the Louis Etal thing is the same thing.

0:56:09.640 --> 0:56:14.000
<v Speaker 5>It's it's just like this is our journey. As as

0:56:14.040 --> 0:56:17.200
<v Speaker 5>I'm proud to say, there was no fucking plan for

0:56:17.239 --> 0:56:20.440
<v Speaker 5>this company whatsoever. When I started it. It was like,

0:56:20.560 --> 0:56:23.080
<v Speaker 5>this is a this is a really good idea. I

0:56:23.120 --> 0:56:26.720
<v Speaker 5>think my vision of what the best portion ninety eleven

0:56:27.239 --> 0:56:30.080
<v Speaker 5>should be will be loved by everybody else. That was

0:56:30.120 --> 0:56:33.279
<v Speaker 5>the stupidity and the faith that this company was launched on,

0:56:33.840 --> 0:56:36.880
<v Speaker 5>and everything else, from the people, to the cars, to

0:56:36.960 --> 0:56:40.200
<v Speaker 5>the plaudits, to the Louis Vitos, to the Goodwoods, to

0:56:40.239 --> 0:56:42.759
<v Speaker 5>everything else, have just has just come along. And it's

0:56:42.800 --> 0:56:47.160
<v Speaker 5>all without wanting to appear appear arrogant, which we are not.

0:56:47.719 --> 0:56:50.440
<v Speaker 5>We are very humble. It just it's just like, well,

0:56:51.000 --> 0:56:54.040
<v Speaker 5>of course, yeah, all right, that's all right, Yeah, that

0:56:54.120 --> 0:56:58.000
<v Speaker 5>makes sense. Next, yeah, that makes sense next. And it's

0:56:58.040 --> 0:57:06.160
<v Speaker 5>all based on this sturdy foundation, guys, of of relentless quality,

0:57:06.280 --> 0:57:10.799
<v Speaker 5>which we have tried to implement from day one when

0:57:10.800 --> 0:57:15.000
<v Speaker 5>we were making one car year to whatever we are now,

0:57:15.000 --> 0:57:17.440
<v Speaker 5>when we're obviously making many more cars than.

0:57:17.280 --> 0:57:20.760
<v Speaker 4>That a year, and this ruthless.

0:57:22.520 --> 0:57:29.640
<v Speaker 5>Sense that quality is all, quality is everything, and quality

0:57:29.680 --> 0:57:31.600
<v Speaker 5>isn't just in the execution of the work we do,

0:57:31.680 --> 0:57:37.920
<v Speaker 5>but in the design and the philosophy and everything. And

0:57:38.320 --> 0:57:45.360
<v Speaker 5>I think from such ridiculously audacious and ambitious, foundational, uh

0:57:47.280 --> 0:57:53.080
<v Speaker 5>building blocks. These good things just happen around you. Surround

0:57:53.120 --> 0:57:55.440
<v Speaker 5>yourself with good people, You try and do good work.

0:57:55.880 --> 0:58:00.640
<v Speaker 5>You don't have an end, a death the nation in

0:58:00.720 --> 0:58:02.880
<v Speaker 5>mind for what success will look like. I don't know

0:58:02.920 --> 0:58:05.560
<v Speaker 5>whether we're successful. I guess we're successful to a degree

0:58:05.600 --> 0:58:08.600
<v Speaker 5>in someone's terms, because of everything we've just talked about.

0:58:08.640 --> 0:58:10.720
<v Speaker 5>But we don't really see it like that, and we

0:58:10.760 --> 0:58:13.160
<v Speaker 5>don't really see it as being as being oh no,

0:58:13.160 --> 0:58:15.560
<v Speaker 5>now we've made it, or you know, now we're important

0:58:15.600 --> 0:58:18.360
<v Speaker 5>and everything else. It was never the point we are.

0:58:18.880 --> 0:58:21.400
<v Speaker 5>This is art for me. I mean I started as

0:58:21.400 --> 0:58:24.120
<v Speaker 5>a as a you know, as a musical artist, and

0:58:24.480 --> 0:58:27.120
<v Speaker 5>for me, this is art. And for me, the biggest

0:58:27.160 --> 0:58:29.800
<v Speaker 5>thing I'm proud of is protecting that as a As

0:58:29.840 --> 0:58:32.000
<v Speaker 5>the company has got bigger and bigger, and you know,

0:58:33.040 --> 0:58:38.840
<v Speaker 5>our works has has has become more in demand, but

0:58:39.000 --> 0:58:42.080
<v Speaker 5>you protect the thing that's important, right And as I

0:58:42.120 --> 0:58:45.840
<v Speaker 5>think as we get older, we do recognize the indelible

0:58:45.920 --> 0:58:48.640
<v Speaker 5>facts of who we are and what we do and

0:58:48.680 --> 0:58:53.080
<v Speaker 5>what why what we do resonates with certain folks and

0:58:53.160 --> 0:58:56.200
<v Speaker 5>I think I think that's what Lousviton has spotted and then,

0:58:56.240 --> 0:58:58.640
<v Speaker 5>and it's also the safety valve that lets us not

0:58:58.760 --> 0:59:02.360
<v Speaker 5>get get to get us over our skis. In terms

0:59:02.400 --> 0:59:05.280
<v Speaker 5>of something you know, the notion that you were you

0:59:05.320 --> 0:59:07.640
<v Speaker 5>were asking us about at the beginning of your question, Hannah,

0:59:08.000 --> 0:59:09.200
<v Speaker 5>it is.

0:59:10.200 --> 0:59:11.360
<v Speaker 4>It is a big deal.

0:59:11.240 --> 0:59:14.120
<v Speaker 5>What's going on at the moment, but we we we

0:59:14.240 --> 0:59:18.520
<v Speaker 5>deal with it in a very English Arabian way.

0:59:24.320 --> 0:59:30.040
<v Speaker 3>I want to ask about Mass because you are clearly passionate, relentless, ruthless, audacious.

0:59:30.120 --> 0:59:36.680
<v Speaker 3>You're chasing not only quality, but you know unique, you know,

0:59:37.600 --> 0:59:41.520
<v Speaker 3>superb like the the absolute best of what you can achieve,

0:59:41.600 --> 0:59:43.680
<v Speaker 3>what we can achieve as a as a human race,

0:59:43.760 --> 0:59:46.200
<v Speaker 3>right in terms of art and industry.

0:59:46.320 --> 0:59:47.720
<v Speaker 4>I'm with saving lives as well.

0:59:48.160 --> 0:59:51.720
<v Speaker 3>Fantastic, But you brought in Mass like I don't know what,

0:59:51.880 --> 0:59:55.160
<v Speaker 3>like fifteen years ago or so now to be able

0:59:55.200 --> 0:59:55.560
<v Speaker 3>to make.

0:59:55.920 --> 0:59:58.439
<v Speaker 5>Brought I didn't bring mave math kind of Mass kind

0:59:58.440 --> 0:59:59.960
<v Speaker 5>of decided that he was going to write.

1:00:01.920 --> 1:00:04.960
<v Speaker 3>But if you continue that kind of ruthless, relentless chase,

1:00:05.160 --> 1:00:10.160
<v Speaker 3>it could end in tears. And what we hope is

1:00:10.160 --> 1:00:14.560
<v Speaker 3>that this is a sustainable, right, Can you can you

1:00:14.640 --> 1:00:16.760
<v Speaker 3>keep this thing going mad?

1:00:16.920 --> 1:00:21.640
<v Speaker 6>I mean, or we are not running out of steam

1:00:21.880 --> 1:00:24.680
<v Speaker 6>in any in any way. But I mean Rob was

1:00:24.720 --> 1:00:28.600
<v Speaker 6>in a band forever. I don't play any music, but

1:00:28.680 --> 1:00:32.320
<v Speaker 6>I do imagine Rob you can correct me, is it?

1:00:32.480 --> 1:00:34.640
<v Speaker 6>If this must be? What like being in a band

1:00:34.680 --> 1:00:38.040
<v Speaker 6>is when you're really focused on the music, you have

1:00:38.120 --> 1:00:41.040
<v Speaker 6>to then do all this work to to to to

1:00:41.640 --> 1:00:43.760
<v Speaker 6>uh record it and get it out in the world.

1:00:43.800 --> 1:00:47.360
<v Speaker 6>There's all this sort of the work part of being

1:00:47.520 --> 1:00:49.840
<v Speaker 6>in a you know, being in the music business. But

1:00:49.880 --> 1:00:55.200
<v Speaker 6>there's this music part, which I imagine there's a love there, right,

1:00:55.240 --> 1:00:57.680
<v Speaker 6>you're doing stuff that you love. I think there's a

1:00:57.720 --> 1:01:00.200
<v Speaker 6>lot of music in the world that sucks, but I

1:01:00.240 --> 1:01:03.000
<v Speaker 6>bet the artists really love it, right, the people that

1:01:03.040 --> 1:01:05.280
<v Speaker 6>are making it that they're sort of poorting themselves out

1:01:05.280 --> 1:01:07.720
<v Speaker 6>into these things, they probably love it. It just doesn't

1:01:07.760 --> 1:01:10.640
<v Speaker 6>maybe resonate with a lot of people. What I've found,

1:01:11.280 --> 1:01:15.560
<v Speaker 6>I think with Rob, is that we make music, it

1:01:15.760 --> 1:01:18.480
<v Speaker 6>turns out people like it. Like it's not like we

1:01:18.520 --> 1:01:22.040
<v Speaker 6>have some team of marketing there's a floor of marketing

1:01:22.040 --> 1:01:24.440
<v Speaker 6>people that are going figuring out how many units of

1:01:24.480 --> 1:01:26.040
<v Speaker 6>things we can sell, and we're going to go make

1:01:26.080 --> 1:01:29.240
<v Speaker 6>those units. We don't have great fucking idea, like we

1:01:29.640 --> 1:01:34.800
<v Speaker 6>just know what we want, I imagine like maybe making music,

1:01:35.000 --> 1:01:37.720
<v Speaker 6>and it seems to really really resonate. And that's not

1:01:37.840 --> 1:01:42.959
<v Speaker 6>something that was designed or business planned or anything. It's

1:01:43.040 --> 1:01:45.600
<v Speaker 6>just sort of occurred and it continues to occur. There

1:01:45.680 --> 1:01:50.320
<v Speaker 6>is an element that is a sort of towering importance

1:01:51.200 --> 1:01:53.960
<v Speaker 6>which I think you guys can understand, is we've been

1:01:53.960 --> 1:02:00.240
<v Speaker 6>able to hire and surround ourselves with people who are

1:02:00.360 --> 1:02:04.760
<v Speaker 6>so passionate there. They're so passionate about what we do.

1:02:04.960 --> 1:02:10.320
<v Speaker 6>Our employees, our team, our teammates, uh, you know, people

1:02:10.440 --> 1:02:13.960
<v Speaker 6>that seem to really like cars, really like like their

1:02:13.960 --> 1:02:16.440
<v Speaker 6>whole you know, it's part of their lives, right. I

1:02:16.440 --> 1:02:18.240
<v Speaker 6>mean it certainly is for me and Rob, but we're

1:02:18.240 --> 1:02:22.000
<v Speaker 6>not alone, you know. And so we managed to have

1:02:22.240 --> 1:02:26.400
<v Speaker 6>in our buildings people who are super passionate about we're

1:02:26.400 --> 1:02:30.360
<v Speaker 6>doing and really talented. So that's the sort of wave

1:02:30.440 --> 1:02:32.480
<v Speaker 6>that we ride to be able to get anything done.

1:02:33.040 --> 1:02:35.800
<v Speaker 6>Are are the people that are here in our buildings

1:02:35.880 --> 1:02:41.120
<v Speaker 6>doing this work at this level. It's not so much

1:02:41.160 --> 1:02:43.240
<v Speaker 6>we have to force them into it. And you know,

1:02:43.280 --> 1:02:47.200
<v Speaker 6>we're sort of walking around as OCD tyrants. It's like

1:02:47.320 --> 1:02:50.560
<v Speaker 6>part of the thing here. Everyone understands that, you know,

1:02:50.600 --> 1:02:53.520
<v Speaker 6>we're working at this level and they really like it.

1:02:53.680 --> 1:02:56.440
<v Speaker 6>You know, there's a ton of evidence. There's a lot

1:02:56.440 --> 1:02:59.600
<v Speaker 6>of folks in the world who have spent so much

1:02:59.640 --> 1:03:03.000
<v Speaker 6>time forocusing on these things and as you would on

1:03:03.040 --> 1:03:05.800
<v Speaker 6>a piece of art, not on Okay, there's people that

1:03:05.840 --> 1:03:08.080
<v Speaker 6>are racing cars and they're trying to set lap times

1:03:08.120 --> 1:03:10.040
<v Speaker 6>and all that stuff that it can be very mechanical.

1:03:10.320 --> 1:03:12.880
<v Speaker 6>But there's people like magnets, right, they are like really

1:03:13.400 --> 1:03:17.560
<v Speaker 6>extracting the soul of these things, right, And that's that's

1:03:17.560 --> 1:03:20.520
<v Speaker 6>the thing that we that's kind of the world we

1:03:20.560 --> 1:03:25.840
<v Speaker 6>live in. And like I said, you know, it's uh,

1:03:26.160 --> 1:03:28.560
<v Speaker 6>it's just keep it's just keep going. And it's not

1:03:28.640 --> 1:03:31.040
<v Speaker 6>like I said, this was not this was not planned.

1:03:32.080 --> 1:03:34.320
<v Speaker 6>We have to make some difficult decisions and we have

1:03:34.400 --> 1:03:37.000
<v Speaker 6>to be responsible. We have a lot of people, that's

1:03:37.040 --> 1:03:39.880
<v Speaker 6>a lot of families. You know, it's not just you

1:03:39.920 --> 1:03:42.000
<v Speaker 6>know how many employees to have, it's actually everybody. You

1:03:42.000 --> 1:03:45.600
<v Speaker 6>know a lot of the employees have children and all.

1:03:45.720 --> 1:03:49.919
<v Speaker 6>You have to really be a responsible business to your

1:03:50.000 --> 1:03:52.680
<v Speaker 6>your people, right, it's a yes, that's a that's a

1:03:52.960 --> 1:03:55.800
<v Speaker 6>that's that's it's not just Rob and I playing with

1:03:55.840 --> 1:03:58.720
<v Speaker 6>our toys. You know, we get to do that, but

1:03:58.960 --> 1:04:01.600
<v Speaker 6>there's this whole other part now. In order for us

1:04:01.640 --> 1:04:03.840
<v Speaker 6>to play with our toys, we have to be sort of,

1:04:04.080 --> 1:04:06.000
<v Speaker 6>you know, good citizens and take.

1:04:06.040 --> 1:04:08.320
<v Speaker 3>Wait, Matts, has Rob made you a singer?

1:04:08.480 --> 1:04:15.760
<v Speaker 6>Have you made you a singer? We we kind of,

1:04:16.320 --> 1:04:17.600
<v Speaker 6>we don't. We just don't.

1:04:18.280 --> 1:04:19.400
<v Speaker 2>You're not talking about it.

1:04:19.760 --> 1:04:22.760
<v Speaker 6>No, No, isn't there a it's just saying about a

1:04:22.760 --> 1:04:24.280
<v Speaker 6>shoemaker's something or other.

1:04:24.680 --> 1:04:29.160
<v Speaker 1>Yeah, Coppler's children have no shoes something.

1:04:29.200 --> 1:04:30.880
<v Speaker 4>If we could, if.

1:04:30.720 --> 1:04:35.760
<v Speaker 6>We could stop and like build cars for ourselves. I

1:04:35.800 --> 1:04:38.360
<v Speaker 6>mean it's hard enough when we go to a you know,

1:04:38.640 --> 1:04:40.200
<v Speaker 6>we have an event coming up and we're going to

1:04:40.280 --> 1:04:42.200
<v Speaker 6>put a car on display. I mean, picking a color

1:04:42.400 --> 1:04:47.560
<v Speaker 6>is like months of toil. And you know what Rob

1:04:47.600 --> 1:04:50.040
<v Speaker 6>does in the studio, He's got you know, whatever, if

1:04:50.040 --> 1:04:52.760
<v Speaker 6>it's going to be blue, he's got ninety eight blues

1:04:52.800 --> 1:04:55.440
<v Speaker 6>there that I can't tell the difference between. Right, So

1:04:56.320 --> 1:05:01.560
<v Speaker 6>we haven't all the fundamentally the cars behave for us.

1:05:02.760 --> 1:05:06.760
<v Speaker 6>We really are drivers like you, right, Like the Liuviton

1:05:06.840 --> 1:05:09.440
<v Speaker 6>thing is incredible. It's we're a little out of our

1:05:09.560 --> 1:05:14.840
<v Speaker 6>depth in terms of, you know that approach. But how

1:05:14.880 --> 1:05:18.440
<v Speaker 6>the cars drive how they sound, how they're constructed, with

1:05:18.480 --> 1:05:22.680
<v Speaker 6>what materials and what suppliers, with what expertise is really

1:05:23.000 --> 1:05:24.920
<v Speaker 6>something really core. So I.

1:05:26.640 --> 1:05:28.760
<v Speaker 1>Have a question about that that makes me think you

1:05:28.840 --> 1:05:32.280
<v Speaker 1>mentioned track earlier, and I know you guys are involved

1:05:32.320 --> 1:05:36.600
<v Speaker 1>with the sort of reimagining of Willow Springs, but I

1:05:36.640 --> 1:05:41.440
<v Speaker 1>also know Singer sort of famously doesn't do benchmark track times,

1:05:41.480 --> 1:05:45.840
<v Speaker 1>that doesn't really do performance figures, or hasn't in the past.

1:05:46.640 --> 1:05:51.760
<v Speaker 1>Now that you are part of a track, does this

1:05:51.920 --> 1:05:55.200
<v Speaker 1>mean and I know you were talking about making beautiful objects,

1:05:55.240 --> 1:05:57.760
<v Speaker 1>but now that you're part of a track, does this

1:05:57.880 --> 1:06:01.640
<v Speaker 1>mean in the future you will be doing more performance

1:06:01.680 --> 1:06:05.360
<v Speaker 1>benchmarks racing? Even will there be a Singer race team?

1:06:05.800 --> 1:06:07.720
<v Speaker 1>I mean, race teams are very cool right now?

1:06:08.600 --> 1:06:14.320
<v Speaker 6>Yeah, we look, we are passionate about motorsport, and I

1:06:14.440 --> 1:06:17.720
<v Speaker 6>race a couple of things. And obviously you're focused on

1:06:17.840 --> 1:06:19.680
<v Speaker 6>lap times and all that kind of stuff. But the

1:06:19.720 --> 1:06:23.080
<v Speaker 6>things that we do when we take these old nine

1:06:23.080 --> 1:06:24.640
<v Speaker 6>elevens apart and put them back together them and there

1:06:24.680 --> 1:06:28.040
<v Speaker 6>are road cars, and to us, what a car does

1:06:28.040 --> 1:06:30.760
<v Speaker 6>at you know, forty miles an hour as important or

1:06:30.800 --> 1:06:34.120
<v Speaker 6>even when it's parked is as important as it is

1:06:34.160 --> 1:06:35.840
<v Speaker 6>at one hundred and forty miles an hour. We don't

1:06:35.840 --> 1:06:40.160
<v Speaker 6>care about the lap time with those things. And you know,

1:06:40.160 --> 1:06:42.720
<v Speaker 6>it's a weird sort of arms race that I feel

1:06:42.720 --> 1:06:45.520
<v Speaker 6>like no one will ever win because they just get more,

1:06:45.640 --> 1:06:47.960
<v Speaker 6>you know, they get faster and more amazing, and there's

1:06:48.200 --> 1:06:51.560
<v Speaker 6>engineering endeavors to make things go around, you know, in

1:06:51.600 --> 1:06:55.480
<v Speaker 6>circles quickly. Is fun to watch, but that's not it's

1:06:55.520 --> 1:06:59.800
<v Speaker 6>not really our thing, right We're it really isn't the circuit.

1:07:02.160 --> 1:07:07.440
<v Speaker 6>For us, Willow Springs is about sort of the joy

1:07:07.440 --> 1:07:11.000
<v Speaker 6>of driving. It's not about so much we're going to

1:07:11.040 --> 1:07:13.600
<v Speaker 6>go racing, right, It's about being able to go out

1:07:13.600 --> 1:07:16.160
<v Speaker 6>to this. You know, it's kind of an alien landscape, right,

1:07:16.200 --> 1:07:21.400
<v Speaker 6>The desert is always so very different experience, and to

1:07:21.560 --> 1:07:26.600
<v Speaker 6>go and connect with a car, you know, in an

1:07:26.680 --> 1:07:30.600
<v Speaker 6>environment like that is absolutely it's kind of life altering,

1:07:30.640 --> 1:07:33.000
<v Speaker 6>I mean, is very very cool. And that's the thing

1:07:33.040 --> 1:07:35.800
<v Speaker 6>for us, It really is about sort of the joy

1:07:35.800 --> 1:07:38.640
<v Speaker 6>of driving. You know, we do like racing, but that's

1:07:38.720 --> 1:07:42.240
<v Speaker 6>not the point of Willow Springs at all. You know,

1:07:42.360 --> 1:07:44.760
<v Speaker 6>having access to a track that's an hour and ten

1:07:44.760 --> 1:07:48.760
<v Speaker 6>minutes from my house anyway closer to Rob's is a fantasy.

1:07:48.800 --> 1:07:50.880
<v Speaker 6>I mean, it's crazy. I can't believe it. Like I'm

1:07:51.080 --> 1:07:54.600
<v Speaker 6>absolutely stunned. And I've been there nine hundred times since

1:07:54.720 --> 1:07:57.280
<v Speaker 6>and it will take years to develop. But the idea

1:07:57.320 --> 1:08:00.000
<v Speaker 6>that we're a part of that, certainly for Southern Californa

1:08:00.520 --> 1:08:04.240
<v Speaker 6>to have, I mean it's a little puzzling. So La

1:08:04.720 --> 1:08:07.480
<v Speaker 6>Orange County, San Diego, it's like twenty three million people,

1:08:08.760 --> 1:08:11.080
<v Speaker 6>probably the biggest I have nothing to prove this, but

1:08:11.160 --> 1:08:15.160
<v Speaker 6>biggest car culture in the world is I could guess,

1:08:15.280 --> 1:08:18.160
<v Speaker 6>and if I'm wrong, it's not by much. It doesn't

1:08:18.160 --> 1:08:20.639
<v Speaker 6>have a race track and it doesn't have a place

1:08:21.080 --> 1:08:24.320
<v Speaker 6>where you can have an annual event. Imagine an annual

1:08:24.439 --> 1:08:28.599
<v Speaker 6>historic race or an annual you know, a festival speed

1:08:29.000 --> 1:08:32.200
<v Speaker 6>style thing like that's just not I don't know.

1:08:32.360 --> 1:08:35.680
<v Speaker 1>The thermal is a different thing. Thermal thermal does meet

1:08:35.680 --> 1:08:37.360
<v Speaker 1>a need, but it's a it's a different thing.

1:08:38.200 --> 1:08:40.080
<v Speaker 6>Yeah, it's a different it's it's a it's you know,

1:08:40.120 --> 1:08:42.520
<v Speaker 6>it's exclusive, it's private.

1:08:42.800 --> 1:08:44.800
<v Speaker 1>It's not historic. It's new ish.

1:08:45.160 --> 1:08:47.559
<v Speaker 6>Yeah, it's new. It's also are for what it's worth.

1:08:47.600 --> 1:08:48.960
<v Speaker 6>You can't really go there for the day. I mean

1:08:49.000 --> 1:08:53.400
<v Speaker 6>you can, but that's a strategy, but it's not for everybody.

1:08:53.439 --> 1:08:56.479
<v Speaker 6>I'm talking about a place where you know, you know,

1:08:56.600 --> 1:08:59.719
<v Speaker 6>Portia Club folks can go meet or Mustang Club folks

1:08:59.720 --> 1:09:01.639
<v Speaker 6>and go and do some driving and kind of hang

1:09:01.640 --> 1:09:04.519
<v Speaker 6>out and then go back home. I mean it's you know,

1:09:04.520 --> 1:09:06.920
<v Speaker 6>it's an hour hour and a half away. It's always

1:09:06.920 --> 1:09:10.280
<v Speaker 6>puzzled me that there isn't you know, if you'd think

1:09:10.280 --> 1:09:12.800
<v Speaker 6>if there is demand anywhere in the world, it's here

1:09:13.360 --> 1:09:16.479
<v Speaker 6>and it's an La Metro. So the idea that we

1:09:16.520 --> 1:09:20.960
<v Speaker 6>can be part of reviving that and then future events,

1:09:21.000 --> 1:09:24.640
<v Speaker 6>like I said, imagine a fabulous historic race which I

1:09:24.720 --> 1:09:29.320
<v Speaker 6>think you may or may not have seen any announcement coming. Yeah, yeah,

1:09:29.400 --> 1:09:31.920
<v Speaker 6>that was we So Goodwin's part of our history for sure.

1:09:31.920 --> 1:09:35.400
<v Speaker 6>We've been doing that for Rob I don't remember twenty

1:09:36.000 --> 1:09:39.200
<v Speaker 6>fifteen or twenty fourteen. We've become very close to the

1:09:40.600 --> 1:09:43.840
<v Speaker 6>family there, and that's that's how a lot of the

1:09:43.880 --> 1:09:47.120
<v Speaker 6>conversation happens. So it'll take time. It'll take some years,

1:09:47.640 --> 1:09:49.519
<v Speaker 6>and that's really kind of what we're all about. We're

1:09:49.560 --> 1:09:51.000
<v Speaker 6>not it's not like we're going to go on and

1:09:51.120 --> 1:09:56.719
<v Speaker 6>keep doing you know, luxury brand partnerships. This was hopefully

1:09:56.720 --> 1:09:58.400
<v Speaker 6>it continues. We'll see it's kind of a once in

1:09:58.439 --> 1:10:00.120
<v Speaker 6>a once in a lifetime thing for us. But we

1:10:00.200 --> 1:10:03.280
<v Speaker 6>really are you know drivers. We will have some stuff

1:10:03.320 --> 1:10:07.160
<v Speaker 6>that is more you know, inspired by having access to

1:10:07.360 --> 1:10:10.960
<v Speaker 6>a track, but yeah, we're not. It's not gonna sing

1:10:11.000 --> 1:10:13.240
<v Speaker 6>a race team at least anytime soon that we know,

1:10:13.360 --> 1:10:13.880
<v Speaker 6>but you never know.

1:10:15.160 --> 1:10:16.760
<v Speaker 3>Well, there doesn't really have to be right. I mean,

1:10:16.760 --> 1:10:20.400
<v Speaker 3>you're involved also with Tom Wagner and Nighthead and they

1:10:20.400 --> 1:10:24.799
<v Speaker 3>have other racing ventures. It's like a whole I'm starting

1:10:24.800 --> 1:10:29.160
<v Speaker 3>to see like the whole master plan or the empire

1:10:29.360 --> 1:10:33.080
<v Speaker 3>kind of come together and it's so genius robbed. Isn't

1:10:33.120 --> 1:10:35.640
<v Speaker 3>it like mind blowing that this is all.

1:10:35.800 --> 1:10:39.960
<v Speaker 4>Turning into Well, it may look like some kind of

1:10:40.000 --> 1:10:40.519
<v Speaker 4>master plan.

1:10:40.760 --> 1:10:43.360
<v Speaker 2>It looks like a Disney style empire.

1:10:43.560 --> 1:10:46.040
<v Speaker 5>Like you know, I'm sure you I can assure you

1:10:46.120 --> 1:10:48.439
<v Speaker 5>there is no master plan. It just like these these

1:10:48.479 --> 1:10:51.600
<v Speaker 5>opportunities fall into our lap. As I've said, because I

1:10:51.640 --> 1:10:55.160
<v Speaker 5>think of the work, you know, because how we are

1:10:55.920 --> 1:10:59.680
<v Speaker 5>and none of this was planned, guys, absolutely, none of

1:10:59.680 --> 1:11:02.200
<v Speaker 5>it just comes along. And we didn't go to leave

1:11:02.240 --> 1:11:03.599
<v Speaker 5>Vitel and said do you want to do a car?

1:11:04.560 --> 1:11:08.680
<v Speaker 5>They came to us. Willow Springs just was there as

1:11:08.960 --> 1:11:13.000
<v Speaker 5>this obvious opportunity, and we had the ability because of

1:11:13.040 --> 1:11:16.320
<v Speaker 5>the friends and the people that we know, to participate

1:11:16.800 --> 1:11:19.200
<v Speaker 5>in it, in saving the bloody place. To be honest

1:11:19.240 --> 1:11:22.000
<v Speaker 5>with you, it's one of the first places I went

1:11:22.040 --> 1:11:24.479
<v Speaker 5>to in two thousand and three when I started building

1:11:24.479 --> 1:11:26.559
<v Speaker 5>my own car, which became the genesis of Singer.

1:11:26.600 --> 1:11:29.560
<v Speaker 4>I was at Willow Springs.

1:11:29.560 --> 1:11:32.800
<v Speaker 5>Once a month, twice a month at track day, isn't it,

1:11:33.240 --> 1:11:36.439
<v Speaker 5>and just hanging out there, And it was a pivotal

1:11:36.479 --> 1:11:40.680
<v Speaker 5>part of the of the of my love affair with

1:11:40.800 --> 1:11:45.160
<v Speaker 5>the California car culture, which is absolutely where Singer, why

1:11:45.280 --> 1:11:47.760
<v Speaker 5>Singer exists. Singer would never have existed ef I hadn't

1:11:47.760 --> 1:11:52.120
<v Speaker 5>moved to Los Angeles and California. You know, this sense

1:11:52.160 --> 1:11:57.120
<v Speaker 5>that anything is possible in this town. Stupid though, that

1:11:57.439 --> 1:12:00.200
<v Speaker 5>notion is. And there's the reason that everyone you know

1:12:00.280 --> 1:12:03.639
<v Speaker 5>comes to Los Angeles to try and fulfill their dreams

1:12:04.200 --> 1:12:07.160
<v Speaker 5>is because it encourages it. And you're allowed to dream

1:12:07.200 --> 1:12:10.439
<v Speaker 5>here and the sun's out every day, and you know,

1:12:11.920 --> 1:12:14.240
<v Speaker 5>you get out of bed and life is there as

1:12:14.280 --> 1:12:19.040
<v Speaker 5>a fabulous possibility. And this this is what's driven us

1:12:19.600 --> 1:12:23.120
<v Speaker 5>and and and these opportunities have come to us, and

1:12:23.160 --> 1:12:25.960
<v Speaker 5>it looks like we're building some kind of well well

1:12:26.000 --> 1:12:26.879
<v Speaker 5>planned empire.

1:12:27.200 --> 1:12:30.200
<v Speaker 4>We're not. And I don't know where it's going to end.

1:12:30.400 --> 1:12:34.120
<v Speaker 5>I do know that, as Mas alluded to, I'm sixty one,

1:12:35.040 --> 1:12:37.439
<v Speaker 5>there's going to be a limit to my energy and

1:12:37.479 --> 1:12:41.960
<v Speaker 5>my ability to want to prove this stat and the

1:12:42.000 --> 1:12:44.120
<v Speaker 5>other We have a lot of work to get to

1:12:44.160 --> 1:12:46.760
<v Speaker 5>get through, and I'm just thinking about the stuff, the

1:12:46.800 --> 1:12:49.559
<v Speaker 5>particular cars and the cops. Of course, in my world

1:12:49.720 --> 1:12:52.720
<v Speaker 5>is all about the cars. There is just a lot

1:12:52.760 --> 1:12:54.200
<v Speaker 5>of cars that I need to get through in the

1:12:54.280 --> 1:12:57.879
<v Speaker 5>next ten years before I either die or want to retire,

1:12:58.320 --> 1:13:01.280
<v Speaker 5>to retire or maybe go back to music or anything.

1:13:01.720 --> 1:13:04.000
<v Speaker 5>And so it is a it is a I hate

1:13:04.040 --> 1:13:05.760
<v Speaker 5>this word relentless. We use it a lot, but it's

1:13:05.800 --> 1:13:09.519
<v Speaker 5>a relentless pace and and but it's because it's driven

1:13:09.560 --> 1:13:10.960
<v Speaker 5>by stuff that I want to get out of my

1:13:11.000 --> 1:13:13.760
<v Speaker 5>head and and either you know, onto onto the road.

1:13:14.200 --> 1:13:16.880
<v Speaker 5>And that's and that's the only marketing that we do

1:13:17.040 --> 1:13:20.680
<v Speaker 5>is like do we want it on our driveway? And

1:13:21.000 --> 1:13:23.000
<v Speaker 5>the Louis to bring it back to the Louis. Eto

1:13:23.160 --> 1:13:25.800
<v Speaker 5>thing is that this this was We're out of our

1:13:25.840 --> 1:13:29.240
<v Speaker 5>comfort zone to a degree here, but working with a

1:13:29.320 --> 1:13:34.600
<v Speaker 5>you know, a creative empire which knows its ship and

1:13:34.600 --> 1:13:37.560
<v Speaker 5>and as as and as has picked us to to

1:13:37.800 --> 1:13:41.280
<v Speaker 5>to present a vision of their ship through through through

1:13:41.280 --> 1:13:44.240
<v Speaker 5>the portion ninet eleven and and and you don't say

1:13:44.280 --> 1:13:47.679
<v Speaker 5>no to that. You you you take it on and

1:13:47.840 --> 1:13:51.280
<v Speaker 5>you learn from it, and you you're going to we're

1:13:51.280 --> 1:13:53.040
<v Speaker 5>going to challenge some people with it, and we're going

1:13:53.080 --> 1:13:54.880
<v Speaker 5>to move on and get on with the day job

1:13:54.920 --> 1:13:59.479
<v Speaker 5>as well. It's it's I'm a lucky, lucky boy. I

1:13:59.479 --> 1:14:02.920
<v Speaker 5>am blessed. I am surrounded by wonderful people that humor

1:14:03.000 --> 1:14:07.000
<v Speaker 5>me and allow me to allow me to dream. I

1:14:07.000 --> 1:14:09.960
<v Speaker 5>think I speak for mass as well in that sense.

1:14:10.120 --> 1:14:13.400
<v Speaker 5>And we just put our heads down and we get

1:14:13.439 --> 1:14:17.400
<v Speaker 5>on with it. So the size of whatever we're becoming,

1:14:17.760 --> 1:14:19.639
<v Speaker 5>I try not to think about it because it becomes a.

1:14:19.560 --> 1:14:23.000
<v Speaker 4>Bit scary if we do that. And everything else.

1:14:23.040 --> 1:14:28.160
<v Speaker 5>So I'm good at I'm getting increasingly good at delegating,

1:14:28.200 --> 1:14:30.600
<v Speaker 5>increasingly good at understanding what I'm good at and what

1:14:30.680 --> 1:14:33.200
<v Speaker 5>I'm lousy and terrible at. And I get out of

1:14:33.200 --> 1:14:35.439
<v Speaker 5>the way and let other people do that. And I

1:14:35.560 --> 1:14:39.760
<v Speaker 5>try and nurture and protect this little bubble of creativity

1:14:39.800 --> 1:14:42.120
<v Speaker 5>at the design studio where we come up with the

1:14:42.160 --> 1:14:44.120
<v Speaker 5>new stuff, and that's where I'm going.

1:14:44.520 --> 1:14:47.559
<v Speaker 1>If you guys are a band, I'd be careful using

1:14:47.560 --> 1:14:49.880
<v Speaker 1>the word retire, because I'm pretty sure the Stones are

1:14:49.960 --> 1:14:51.320
<v Speaker 1>still touring, and.

1:14:51.360 --> 1:14:53.439
<v Speaker 4>You know, I don't think I'll ever retire. I hope

1:14:53.479 --> 1:14:53.960
<v Speaker 4>I never do.

1:14:54.400 --> 1:14:56.360
<v Speaker 5>I hope I get out of bed wanting to create

1:14:56.400 --> 1:15:00.000
<v Speaker 5>stuff because that's the biggest joy in the world, whether

1:15:00.040 --> 1:15:02.559
<v Speaker 5>it's music or whether it's cars. For me, there these

1:15:02.560 --> 1:15:05.599
<v Speaker 5>have been my two passions of a lifetime. And I've

1:15:05.640 --> 1:15:08.280
<v Speaker 5>been lucky enough to be able to surround myself with

1:15:08.320 --> 1:15:10.640
<v Speaker 5>people that are prepared to support me and and and

1:15:11.000 --> 1:15:15.360
<v Speaker 5>putting my stuff out And I, as I say, that

1:15:16.280 --> 1:15:19.280
<v Speaker 5>is not lost on me. The blessing of being able

1:15:19.320 --> 1:15:22.280
<v Speaker 5>to do that quite however that or how it's dropped

1:15:22.280 --> 1:15:23.720
<v Speaker 5>into my lap, I don't know. I don't want to

1:15:23.760 --> 1:15:27.160
<v Speaker 5>think about that too much. But it's amazing. We employ

1:15:27.200 --> 1:15:30.800
<v Speaker 5>a lot of people, which is amazing, and we do

1:15:30.880 --> 1:15:33.840
<v Speaker 5>beautiful stuff, which is amazing, and people want to buy it,

1:15:33.920 --> 1:15:37.639
<v Speaker 5>which is amazing, and I appreciate it all.

1:15:37.840 --> 1:15:38.719
<v Speaker 4>None of it is boring.

1:15:39.600 --> 1:15:42.920
<v Speaker 1>Very lucky to have, Yeah, thank you, congrats on the cars.

1:15:43.360 --> 1:15:44.280
<v Speaker 1>That's really aod try.

1:15:44.360 --> 1:15:47.200
<v Speaker 5>Thank you, Thank you so much, guys, and thanks for

1:15:47.280 --> 1:15:49.720
<v Speaker 5>noticing and supporting us.

1:15:49.720 --> 1:15:50.320
<v Speaker 4>It's brilliant.

1:15:50.640 --> 1:15:53.760
<v Speaker 3>So that was Rob and Maz talking about the Louis

1:15:53.800 --> 1:15:56.360
<v Speaker 3>Vuitton car that's gotten so much backlash on the internet.

1:15:56.439 --> 1:15:59.320
<v Speaker 3>I feel I can't wait to see them in person.

1:15:59.680 --> 1:16:03.679
<v Speaker 3>And I still have a ton of respect for Singer

1:16:04.400 --> 1:16:07.599
<v Speaker 3>and and would give my right arm to drive one

1:16:07.640 --> 1:16:10.960
<v Speaker 3>on a regular basis, but because I'm left handed. But

1:16:12.120 --> 1:16:14.599
<v Speaker 3>having having discussed that and be done with it, let's

1:16:14.640 --> 1:16:18.200
<v Speaker 3>talk about what you're still doing at Monterey, because you're

1:16:18.240 --> 1:16:21.880
<v Speaker 3>about to drive the Audi Nouvalaure.

1:16:22.320 --> 1:16:29.719
<v Speaker 1>Yes right, neu Valari. Yes, yes, this is the hybrid

1:16:29.760 --> 1:16:35.479
<v Speaker 1>sports car that Audi debuted earlier this summer. And I've

1:16:35.560 --> 1:16:38.280
<v Speaker 1>stayed in an extra day in order to be able

1:16:38.320 --> 1:16:42.320
<v Speaker 1>to drive this to talk to mister Doner, the Audi executive,

1:16:42.439 --> 1:16:45.200
<v Speaker 1>about the decision to make this hybrid car and what

1:16:45.200 --> 1:16:47.840
<v Speaker 1>it means for Audi and help how it can help

1:16:47.880 --> 1:16:51.840
<v Speaker 1>the brand move forward. So yeah, that I'm excited. I'm

1:16:51.840 --> 1:16:53.280
<v Speaker 1>going to go drive it up in the hills sort

1:16:53.280 --> 1:16:55.599
<v Speaker 1>of outside Monterey in a few hours.

1:16:55.720 --> 1:16:57.680
<v Speaker 2>I mean, are they making a hybrid car.

1:16:57.800 --> 1:17:03.040
<v Speaker 3>Are they just putting sheet metal over a Lamborghini Temorio.

1:17:04.240 --> 1:17:07.000
<v Speaker 1>Well, it's it's common knowledge that it does share the

1:17:07.040 --> 1:17:10.120
<v Speaker 1>platform with the Lamborghini of course. Yes.

1:17:10.840 --> 1:17:13.479
<v Speaker 3>By the way, what what was the purple Lambeau that

1:17:13.520 --> 1:17:14.120
<v Speaker 3>I saw you?

1:17:14.520 --> 1:17:14.720
<v Speaker 4>Oh?

1:17:14.800 --> 1:17:19.320
<v Speaker 1>Man, that's the Rivelto. This is the Lamborghinia River. I mean,

1:17:19.800 --> 1:17:21.479
<v Speaker 1>this is the one we've talked about. This is the

1:17:21.479 --> 1:17:25.680
<v Speaker 1>one I famuously got the ticket in this year. They

1:17:25.680 --> 1:17:28.559
<v Speaker 1>were able to get me inside a purple one. The

1:17:28.560 --> 1:17:31.120
<v Speaker 1>purple ones I think faster than the black one, pretty sure.

1:17:31.160 --> 1:17:34.879
<v Speaker 3>And I mean it's way better looking. It's absolutely beautiful.

1:17:34.920 --> 1:17:38.639
<v Speaker 3>It's like a lilac purple. What a cool supercar color.

1:17:39.360 --> 1:17:41.320
<v Speaker 1>I have to say driving that thing. I drove it

1:17:41.400 --> 1:17:43.120
<v Speaker 1>quite a bit on Saturday and then took it out

1:17:43.160 --> 1:17:47.120
<v Speaker 1>this morning for some photos. That car. I've never been

1:17:47.160 --> 1:17:49.839
<v Speaker 1>in a in a jet point. I mean, I've never flown,

1:17:50.080 --> 1:17:53.479
<v Speaker 1>you know, in a jet jet. But it's what I

1:17:53.479 --> 1:17:57.280
<v Speaker 1>would imagine being in a fighter jet feels like. And

1:17:57.320 --> 1:17:59.679
<v Speaker 1>when you're in that thing and you're just passing every

1:17:59.760 --> 1:18:03.840
<v Speaker 1>other Porsche things on the road, it just feels like

1:18:03.920 --> 1:18:08.519
<v Speaker 1>it's in its own complete universe. It's really it's it's

1:18:08.600 --> 1:18:12.160
<v Speaker 1>really big and it just it's a whole different animal.

1:18:12.439 --> 1:18:15.120
<v Speaker 3>What a is the ballpark price tag on that rivelto

1:18:15.320 --> 1:18:15.960
<v Speaker 3>the purple one?

1:18:16.600 --> 1:18:19.080
<v Speaker 1>Right? Well, actually I did see the MSRP for the

1:18:19.080 --> 1:18:21.920
<v Speaker 1>purple one, but the ravelto itself is around six hundred

1:18:21.920 --> 1:18:23.360
<v Speaker 1>thousand worth it.

1:18:24.040 --> 1:18:25.720
<v Speaker 2>Yeah, definitely worth it.

1:18:25.920 --> 1:18:28.200
<v Speaker 3>By the way, when you when you pull up that

1:18:28.280 --> 1:18:32.479
<v Speaker 3>little red ignition guard to go weapons hot and push

1:18:32.520 --> 1:18:33.920
<v Speaker 3>the button, does it make a noise?

1:18:34.760 --> 1:18:38.160
<v Speaker 1>Yes, yes it does because at this well at least

1:18:38.680 --> 1:18:42.360
<v Speaker 1>this morning, it did because the electric battery hadn't been recharged.

1:18:42.680 --> 1:18:46.920
<v Speaker 1>And the funny thing is we went to Carmel, we

1:18:46.960 --> 1:18:49.519
<v Speaker 1>had breakfast, We took the car. Where we're getting into

1:18:49.520 --> 1:18:53.320
<v Speaker 1>the car and these two adorable older ladies say leaving,

1:18:54.000 --> 1:18:57.080
<v Speaker 1>like hopefully are you leaving town? Like get out of

1:18:57.080 --> 1:19:00.479
<v Speaker 1>here in your pace. They were so sweet though, and

1:19:00.520 --> 1:19:02.960
<v Speaker 1>so we were chatting with them and they did really

1:19:03.040 --> 1:19:05.599
<v Speaker 1>actually love the car. They didn't know what it was,

1:19:05.680 --> 1:19:11.320
<v Speaker 1>but they were very entranced by the purple And when

1:19:11.360 --> 1:19:13.800
<v Speaker 1>we pulled away, I did lean out the window and

1:19:13.840 --> 1:19:15.560
<v Speaker 1>I said, just be careful because it's going to be

1:19:15.600 --> 1:19:18.720
<v Speaker 1>really loud. And then they were taught to aloud. It

1:19:18.880 --> 1:19:20.120
<v Speaker 1>was just turning it on.

1:19:21.080 --> 1:19:23.479
<v Speaker 2>So yeah, that it should be.

1:19:23.880 --> 1:19:25.479
<v Speaker 1>I know, I agree.

1:19:25.640 --> 1:19:28.120
<v Speaker 3>All right, Well, have a fantastic time. Give my best

1:19:28.120 --> 1:19:30.320
<v Speaker 3>to garn out donor that does.

1:19:30.280 --> 1:19:33.320
<v Speaker 1>It for this week's show. Remember to follow and subscribe

1:19:33.360 --> 1:19:37.519
<v Speaker 1>to Hot Pursuit on Apple, Spotify, and anywhere else you listen.

1:19:37.840 --> 1:19:40.720
<v Speaker 1>You can also send us your comments email us at

1:19:40.760 --> 1:19:43.479
<v Speaker 1>hot Pursuit at Bloomberg dot net. And I also want

1:19:43.520 --> 1:19:45.360
<v Speaker 1>to say thank you to everybody who came up and

1:19:45.400 --> 1:19:48.400
<v Speaker 1>said hello this weekend. Thank you to those who said

1:19:48.400 --> 1:19:50.880
<v Speaker 1>you actually listened to our podcast and who asked where

1:19:50.880 --> 1:19:54.759
<v Speaker 1>Matt was. We hear you, and we appreciate all the feedback.

1:19:55.320 --> 1:19:57.679
<v Speaker 3>And check out Hannah's columns and stories if you don't

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<v Speaker 3>already on Bloomberg dot com and on the Bloomberg Business app,

1:20:01.160 --> 1:20:04.240
<v Speaker 3>go there for car reviews, events and stories you won't

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<v Speaker 3>find anywhere else. Find it all at Bloomberg dot com,

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<v Speaker 3>splash Pursuit, slash Autos.

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<v Speaker 2>I'm Matt Miller and

1:20:10.320 --> 1:20:13.040
<v Speaker 1>I'm Hannah Elliott will be back in your podcast feed

1:20:13.080 --> 1:20:13.840
<v Speaker 1>again next week