1 00:00:14,680 --> 00:00:17,000 Speaker 1: Your kids haven't lost any teeth yet, right, because they're 2 00:00:17,000 --> 00:00:17,919 Speaker 1: too young at this point. 3 00:00:18,280 --> 00:00:22,320 Speaker 2: No, but we have been to the dentist and Monroe 4 00:00:22,920 --> 00:00:24,160 Speaker 2: loves the dentist. 5 00:00:24,480 --> 00:00:26,520 Speaker 1: Really, Yes, she loves it. 6 00:00:26,680 --> 00:00:27,760 Speaker 3: She loves it. 7 00:00:27,800 --> 00:00:30,600 Speaker 2: We've gone a few times now. She gets excited, they 8 00:00:30,600 --> 00:00:33,280 Speaker 2: get hurt, they give a little treat. It's so much 9 00:00:33,280 --> 00:00:35,560 Speaker 2: better than when we were kids. She's got a flat 10 00:00:35,600 --> 00:00:39,479 Speaker 2: screen above her. She's watching her favorite like Disney movies. 11 00:00:39,640 --> 00:00:42,320 Speaker 2: Whatever she ate. She is chilling and loves it. She 12 00:00:42,400 --> 00:00:45,040 Speaker 2: has not luckily had any cavities or anything like that. 13 00:00:45,080 --> 00:00:46,000 Speaker 1: So good. 14 00:00:46,080 --> 00:00:48,960 Speaker 3: I could change eventually. 15 00:00:48,960 --> 00:00:53,240 Speaker 2: But yeah, she loves it. And I have always hated 16 00:00:53,280 --> 00:00:53,760 Speaker 2: the dentist. 17 00:00:54,160 --> 00:00:57,240 Speaker 1: Oh my kid dentist growing up was awesome. His name 18 00:00:57,320 --> 00:01:00,640 Speaker 1: was doctor Roth in Connecticut. He always had his shirt 19 00:01:00,680 --> 00:01:03,000 Speaker 1: wide open with just this man via hair. 20 00:01:03,600 --> 00:01:04,160 Speaker 3: Oh wow. 21 00:01:04,200 --> 00:01:06,759 Speaker 1: And then they had the like the gold chains hanging down. 22 00:01:06,800 --> 00:01:09,319 Speaker 1: He was tan in the middle of winter. He was like, hey, 23 00:01:09,319 --> 00:01:10,040 Speaker 1: I'm doctor Roth. 24 00:01:10,080 --> 00:01:10,759 Speaker 4: He was that guy. 25 00:01:11,040 --> 00:01:15,280 Speaker 1: Oh it was nice, so funny. Uh, but yeah, you're 26 00:01:15,360 --> 00:01:17,200 Speaker 1: you're child loving the dentist. But I guess if you 27 00:01:17,280 --> 00:01:20,000 Speaker 1: got TV and treats. Yeah, she's different. 28 00:01:20,080 --> 00:01:22,520 Speaker 2: She gets a balloon. She gets to pick two treats 29 00:01:22,560 --> 00:01:25,560 Speaker 2: at the end, like she's living life and yeah, you know, 30 00:01:26,120 --> 00:01:28,640 Speaker 2: like I said, we have only had cleanings and all 31 00:01:28,680 --> 00:01:31,480 Speaker 2: good check ups so far, which is great since she's sore. 32 00:01:32,160 --> 00:01:35,520 Speaker 2: But yeah, it could change, but so far, I'm glad 33 00:01:35,640 --> 00:01:38,200 Speaker 2: so far. So I don't know what I'll do when 34 00:01:38,240 --> 00:01:41,119 Speaker 2: she has anxiety about it, because Mom's right there with 35 00:01:41,160 --> 00:01:46,959 Speaker 2: her anxious says, hell if. 36 00:01:44,959 --> 00:01:46,920 Speaker 1: I get, if they give me gas, I don't care. 37 00:01:47,040 --> 00:01:48,560 Speaker 1: Do whatever you want. Keep me in this chair all 38 00:01:48,600 --> 00:01:52,000 Speaker 1: day long that I know you gotta hunt, you gotta 39 00:01:52,320 --> 00:01:54,480 Speaker 1: find one. I'll just bring my own gas. I just 40 00:01:54,520 --> 00:01:58,920 Speaker 1: do whippets in the parking lot. It's fine. But yeah, no, 41 00:01:59,040 --> 00:02:03,600 Speaker 1: it's uho, it is rough. You know you know what 42 00:02:03,640 --> 00:02:07,600 Speaker 1: else was rough? Yeah, well we'll get into it anyway. Well, 43 00:02:07,680 --> 00:02:10,239 Speaker 1: welcome back to Magical Rewind, the show that makes you 44 00:02:10,240 --> 00:02:12,399 Speaker 1: want to grab your friends, your pjs, and your popcorn 45 00:02:12,440 --> 00:02:13,799 Speaker 1: and go back to a time when all the houses 46 00:02:13,840 --> 00:02:16,760 Speaker 1: were smart, the waves, tsunamis, and the high School's musical. 47 00:02:16,880 --> 00:02:17,840 Speaker 1: I'm Wilford Dell. 48 00:02:18,000 --> 00:02:19,160 Speaker 3: And I'm Sabrina Brian. 49 00:02:19,840 --> 00:02:22,680 Speaker 1: Well, let's start at the molars, travel down to the Canines, 50 00:02:22,840 --> 00:02:25,080 Speaker 1: and end up at the bi cuspids because we're recapping 51 00:02:25,120 --> 00:02:30,000 Speaker 1: nineteen ninety seven's Wonderful World of Disney entry Toothless, no 52 00:02:30,040 --> 00:02:32,200 Speaker 1: doubt the only Disney Channel movie to revolve around the 53 00:02:32,200 --> 00:02:35,640 Speaker 1: profession of dentistry. Toothless first air at October seventh, nineteen 54 00:02:35,720 --> 00:02:38,919 Speaker 1: ninety seven, on ABC, and like many of the movies 55 00:02:38,960 --> 00:02:40,800 Speaker 1: that aired on network TV at the time, it was 56 00:02:40,800 --> 00:02:44,600 Speaker 1: composed of some very familiar faces in the cast. We 57 00:02:44,639 --> 00:02:48,519 Speaker 1: already talked about whether you're afraid of the dentist terrified? Okay? 58 00:02:48,560 --> 00:02:51,360 Speaker 2: And it's embarrassing as an adult, how much anxiety I 59 00:02:51,400 --> 00:02:52,000 Speaker 2: have about it? 60 00:02:52,360 --> 00:02:54,840 Speaker 1: No, that's okay. Some people that it's doctors and dentists 61 00:02:54,880 --> 00:02:56,760 Speaker 1: that's their thing. It's like me and flying. I fly 62 00:02:56,800 --> 00:02:58,760 Speaker 1: all the time and I hate it every single time. 63 00:03:00,360 --> 00:03:00,560 Speaker 4: Yeah. 64 00:03:00,680 --> 00:03:05,480 Speaker 1: Oh well, and a Sabrina vaguely remembered last recap. Toothless 65 00:03:05,560 --> 00:03:08,240 Speaker 1: does involve a Hall of Fame TV star as the 66 00:03:08,240 --> 00:03:10,680 Speaker 1: tooth Fairy, But what did you remember? It's a rare 67 00:03:10,840 --> 00:03:15,079 Speaker 1: entry into the Disney lexicon that deals with death. Yes, 68 00:03:15,200 --> 00:03:17,880 Speaker 1: death right from right, right, Let's start right, and that's 69 00:03:17,919 --> 00:03:21,400 Speaker 1: Susie H. Wheelhouse. We all know and love, one of 70 00:03:21,400 --> 00:03:25,200 Speaker 1: her old of Disney presents dead. Yeah, isn't that wild. 71 00:03:26,680 --> 00:03:27,640 Speaker 3: It's it's deep. 72 00:03:27,720 --> 00:03:28,959 Speaker 2: It gets deep real fast. 73 00:03:29,480 --> 00:03:31,240 Speaker 1: I don't know if deep's the right word I would 74 00:03:31,320 --> 00:03:31,720 Speaker 1: use again. 75 00:03:31,800 --> 00:03:34,480 Speaker 3: I mean, your dad is it's crazy. 76 00:03:34,480 --> 00:03:36,880 Speaker 2: You know, her mom's not dealing with it well already 77 00:03:36,880 --> 00:03:38,480 Speaker 2: from the beginning, and. 78 00:03:38,400 --> 00:03:43,680 Speaker 3: She is a weird little girl, like she's just there's death. 79 00:03:43,480 --> 00:03:46,080 Speaker 1: All over this movie. This is I mean, it's it's 80 00:03:46,280 --> 00:03:51,760 Speaker 1: really strange. By the way, when your kids do lose 81 00:03:51,800 --> 00:03:53,800 Speaker 1: their teeth, what's inflation? Now? What's a kid going to 82 00:03:53,840 --> 00:03:54,680 Speaker 1: get further tooth? 83 00:03:55,040 --> 00:03:57,720 Speaker 3: You know, I've been asking around. I do think we 84 00:03:57,800 --> 00:04:00,800 Speaker 3: are still like a good two years away from doing this. 85 00:04:00,880 --> 00:04:04,240 Speaker 3: But my sister gives her kids twenty five dollars. 86 00:04:04,440 --> 00:04:08,840 Speaker 2: Why wait what I that's insane, Like is that twenty 87 00:04:08,880 --> 00:04:13,200 Speaker 2: five dollars going towards their braces? Like that's putting that 88 00:04:13,320 --> 00:04:14,360 Speaker 2: in a bank account. 89 00:04:14,600 --> 00:04:16,440 Speaker 1: I was just if I was her kid, I would 90 00:04:16,480 --> 00:04:18,839 Speaker 1: just sit in the garage with a hammer and knock 91 00:04:18,960 --> 00:04:20,279 Speaker 1: all my teeth out. Yeah. 92 00:04:20,360 --> 00:04:22,120 Speaker 3: I cannot understand it. 93 00:04:22,240 --> 00:04:25,800 Speaker 2: I mean, twenty five five dollars, you know what? And 94 00:04:25,880 --> 00:04:27,599 Speaker 2: this is not my sister's case. I've asked my friend 95 00:04:27,640 --> 00:04:29,880 Speaker 2: Stephanie because her daughter is right in the midst of 96 00:04:30,000 --> 00:04:32,080 Speaker 2: like I mean, she seems like she's just popping teeth 97 00:04:32,080 --> 00:04:35,400 Speaker 2: out constantly, and she goes. You know, it's crazy because 98 00:04:36,320 --> 00:04:38,640 Speaker 2: we'll remember at the end of the night and my 99 00:04:38,760 --> 00:04:41,720 Speaker 2: husband and I are just going like, what do you got? 100 00:04:41,760 --> 00:04:45,680 Speaker 2: What you got because she's like, we never get cash, 101 00:04:45,760 --> 00:04:50,200 Speaker 2: so she said half twenty dollars before my god, I 102 00:04:50,200 --> 00:04:52,880 Speaker 2: think I got. I want to say, like a dollar 103 00:04:53,120 --> 00:04:55,240 Speaker 2: was maybe maybe two. 104 00:04:55,040 --> 00:04:56,520 Speaker 1: Dollars, me too. 105 00:04:56,720 --> 00:04:59,840 Speaker 2: Can't even imagine a friend getting three dollars growing up 106 00:05:00,160 --> 00:05:00,960 Speaker 2: a fiver I. 107 00:05:00,880 --> 00:05:02,320 Speaker 1: Would that never would have happened. I think I got 108 00:05:02,320 --> 00:05:02,719 Speaker 1: a bucket. 109 00:05:02,680 --> 00:05:06,160 Speaker 2: I do think that nowadays it depends on what you 110 00:05:06,279 --> 00:05:09,600 Speaker 2: got in your wallet because no one has cash anymore. 111 00:05:09,720 --> 00:05:12,039 Speaker 1: I was gonna say, yeah, you have to check. You 112 00:05:12,120 --> 00:05:14,680 Speaker 1: get either a yeah, you get like a gift card. 113 00:05:14,680 --> 00:05:17,280 Speaker 1: It's like I got a nine dollars Nordstrom gift card 114 00:05:17,320 --> 00:05:20,400 Speaker 1: for my tooth. That's really weird. It's like mom has 115 00:05:20,440 --> 00:05:24,280 Speaker 1: whatever's left in her purse like that totally. Now Here's 116 00:05:24,320 --> 00:05:27,400 Speaker 1: the funny thing. We don't normally get into cinematographers on 117 00:05:27,600 --> 00:05:30,000 Speaker 1: these Disney Channel movies, as it's usually not very interesting, 118 00:05:30,040 --> 00:05:32,920 Speaker 1: but during our research we did realize that the cinematographer 119 00:05:32,960 --> 00:05:37,880 Speaker 1: for Toothless was Sandy Sissel, who has some very impressive credits, 120 00:05:38,120 --> 00:05:40,560 Speaker 1: but the one she's most commonly praised for is one 121 00:05:40,600 --> 00:05:44,080 Speaker 1: of my favorite movies of all time, the epic adventure 122 00:05:44,080 --> 00:05:47,480 Speaker 1: film from Peter Weir Master and Commander with Russell Crowe, 123 00:05:47,480 --> 00:05:50,799 Speaker 1: which is just such a good movie. It is amazing, 124 00:05:51,640 --> 00:05:53,720 Speaker 1: And I don't think I could possibly come up with 125 00:05:53,760 --> 00:05:55,880 Speaker 1: a film that is less similar to Master and Commander 126 00:05:55,960 --> 00:05:57,040 Speaker 1: than Toothless. 127 00:05:57,240 --> 00:05:59,359 Speaker 4: But will I have to jump in here? This is 128 00:05:59,400 --> 00:06:01,440 Speaker 4: the weird shot film we have. 129 00:06:02,080 --> 00:06:03,880 Speaker 2: I was just about to say, that's part of my 130 00:06:04,240 --> 00:06:06,520 Speaker 2: I mean, I got a lot sick at something. 131 00:06:06,440 --> 00:06:09,240 Speaker 1: And you're up, like, what's up with the low angles 132 00:06:09,279 --> 00:06:10,880 Speaker 1: on everybody ever. 133 00:06:11,720 --> 00:06:14,719 Speaker 4: Shot holding the cam? Right she's holding? 134 00:06:14,720 --> 00:06:16,279 Speaker 1: It has to be I don't think there was a 135 00:06:16,320 --> 00:06:17,800 Speaker 1: locked off shot in the entire movie. 136 00:06:17,880 --> 00:06:20,240 Speaker 4: I'm just not sure what that does for us. I 137 00:06:20,279 --> 00:06:21,520 Speaker 4: don't It's not really in. 138 00:06:21,600 --> 00:06:24,800 Speaker 1: Plot, no at all. The only thing I was thinking was, 139 00:06:24,839 --> 00:06:27,159 Speaker 1: this is like nineteen ninety seven, and this is right 140 00:06:27,279 --> 00:06:30,680 Speaker 1: in the wheelhouse of NYPD Blue, where moving the camera 141 00:06:30,720 --> 00:06:33,919 Speaker 1: became a thing. So maybe that, But I thought the 142 00:06:33,920 --> 00:06:35,440 Speaker 1: same thing. I was like, why are you moving? 143 00:06:36,800 --> 00:06:37,040 Speaker 3: Yeah? 144 00:06:37,320 --> 00:06:39,720 Speaker 1: Why are you up like this? And it wasn't even steady. 145 00:06:39,720 --> 00:06:42,200 Speaker 1: It was shaky, right, shaky cam. 146 00:06:42,080 --> 00:06:47,120 Speaker 2: But I noticed it definitely was when we were in limbo. Yes, 147 00:06:47,360 --> 00:06:49,479 Speaker 2: and so I feel like it kind of they thought 148 00:06:49,520 --> 00:06:52,200 Speaker 2: it would add to the like chaos of it and. 149 00:06:52,120 --> 00:06:52,839 Speaker 3: It's all you know. 150 00:06:52,920 --> 00:06:56,840 Speaker 2: But or maybe it was so bad that my eyes 151 00:06:56,640 --> 00:07:00,119 Speaker 2: I was getting not like motion sickness, but something of 152 00:07:00,120 --> 00:07:03,320 Speaker 2: that sort like vertigo or whatever. I don't know, like 153 00:07:03,400 --> 00:07:05,320 Speaker 2: something I was not making. 154 00:07:05,040 --> 00:07:07,320 Speaker 3: Me feel good. I didn't like that at all. 155 00:07:07,560 --> 00:07:11,520 Speaker 1: I actually texted producer Jensen last night, I feel like 156 00:07:11,600 --> 00:07:13,000 Speaker 1: this movie is happening to me. 157 00:07:14,680 --> 00:07:16,840 Speaker 4: Maybe that's what she wanted. Maybe that's what there is 158 00:07:16,840 --> 00:07:19,520 Speaker 4: that there's a scene in limbo Land where they're following 159 00:07:19,680 --> 00:07:22,680 Speaker 4: Kirsty ally in kind of the desert. They're following her 160 00:07:22,880 --> 00:07:25,800 Speaker 4: with tailor and they almost bump her. They almost bump 161 00:07:25,840 --> 00:07:26,280 Speaker 4: her back. 162 00:07:26,760 --> 00:07:29,040 Speaker 1: Yes, there's one time they literally go down to her 163 00:07:29,080 --> 00:07:32,720 Speaker 1: butt as they dissolve. It was like, who what is happening? 164 00:07:33,040 --> 00:07:36,600 Speaker 2: And I know with when it comes to budget, using 165 00:07:37,080 --> 00:07:39,800 Speaker 2: a steady camera, it's easier because the setup's fast. You 166 00:07:39,800 --> 00:07:41,640 Speaker 2: can move through like scenes faster. 167 00:07:42,280 --> 00:07:42,920 Speaker 1: So I don't know. 168 00:07:43,000 --> 00:07:44,840 Speaker 2: I was thinking maybe it was that, but then when 169 00:07:44,880 --> 00:07:47,240 Speaker 2: I realized it was only happening in limbo, I'm like, no, 170 00:07:47,400 --> 00:07:51,040 Speaker 2: this is like a chosen a chosen situation that the 171 00:07:51,720 --> 00:07:55,520 Speaker 2: videographer is doing. But I could not realize except for 172 00:07:55,800 --> 00:07:58,360 Speaker 2: it added chaos. That's the only thing I could think 173 00:07:58,400 --> 00:08:01,280 Speaker 2: of why they felt the need to do that. But 174 00:08:01,320 --> 00:08:04,080 Speaker 2: it was not my jam. I'm glad that that's not something. 175 00:08:03,800 --> 00:08:07,640 Speaker 1: That has or limbo limbo. The limbo set was so 176 00:08:08,200 --> 00:08:10,640 Speaker 1: cheap and weak that they thought if we just shake 177 00:08:10,680 --> 00:08:13,000 Speaker 1: the camera, maybe we just won't be landing on the bat. 178 00:08:13,040 --> 00:08:16,000 Speaker 3: But I say I did think it to be creative. 179 00:08:16,200 --> 00:08:18,040 Speaker 2: I thought I thought too, That's what I mean, because 180 00:08:18,040 --> 00:08:20,040 Speaker 2: I didn't mind it either their way to Heaven and 181 00:08:20,720 --> 00:08:23,200 Speaker 2: well we'll talk about the flying in a minute. I 182 00:08:23,240 --> 00:08:25,320 Speaker 2: was afraid that was going to happen again, but when 183 00:08:25,320 --> 00:08:27,360 Speaker 2: he just kind of dissolved into that light, that was 184 00:08:27,400 --> 00:08:31,600 Speaker 2: perfect for me. The hell going down the just like 185 00:08:32,040 --> 00:08:35,120 Speaker 2: janky mobile trailers, all of that. Like I kind of like, 186 00:08:35,240 --> 00:08:36,800 Speaker 2: you know, I. 187 00:08:36,760 --> 00:08:41,520 Speaker 1: Don't know, well, creative anyway, it's yeah, well we'll get 188 00:08:41,520 --> 00:08:43,400 Speaker 1: into all that. Yes, I know, we'll get in all 189 00:08:43,840 --> 00:08:46,000 Speaker 1: This is also a Wonderful World of Disney release, so 190 00:08:46,040 --> 00:08:48,880 Speaker 1: that means it is not on Disney Plus. However, you 191 00:08:48,920 --> 00:08:51,360 Speaker 1: can watch it now for free on youtubees. I think 192 00:08:51,400 --> 00:08:54,320 Speaker 1: I'm saying that right on the youtubes. And one of 193 00:08:54,320 --> 00:08:57,080 Speaker 1: the uploads, which is the one I watched, even includes 194 00:08:57,080 --> 00:08:59,920 Speaker 1: the nineteen ninety seven commercials, which frankly. 195 00:09:00,280 --> 00:09:00,960 Speaker 2: More than the movie. 196 00:09:01,000 --> 00:09:02,160 Speaker 3: Oh no, I didn't. 197 00:09:02,440 --> 00:09:05,240 Speaker 1: Yeah, so watch it now before you listen to us, 198 00:09:05,320 --> 00:09:07,080 Speaker 1: or watch it later, or listen and watch it at 199 00:09:07,080 --> 00:09:10,120 Speaker 1: the same time. But that can't be easy, all right, 200 00:09:10,240 --> 00:09:12,360 Speaker 1: So now that that's out of the way, Sabrina, outside 201 00:09:12,400 --> 00:09:14,240 Speaker 1: of the broad strokes you mentioned last week, what else 202 00:09:14,280 --> 00:09:16,840 Speaker 1: did you know about Toothless before we got into the podcast. 203 00:09:17,080 --> 00:09:20,040 Speaker 2: I remember, and I didn't know his name, but I 204 00:09:20,080 --> 00:09:22,520 Speaker 2: remembered the kid that it was because he was so 205 00:09:22,720 --> 00:09:25,640 Speaker 2: big in that time that at the time, he was huge. 206 00:09:25,679 --> 00:09:28,760 Speaker 2: I remember him Christially, I knew she was the tooth Fairy, 207 00:09:30,120 --> 00:09:30,920 Speaker 2: and that's kind of. 208 00:09:30,880 --> 00:09:33,640 Speaker 3: Where it started and ended. I didn't, okay, but I. 209 00:09:33,600 --> 00:09:37,320 Speaker 2: Do think I most likely saw this while it was 210 00:09:37,360 --> 00:09:39,840 Speaker 2: on the ABC. I do think I saw it. 211 00:09:39,920 --> 00:09:42,880 Speaker 1: Yeah, I knew nothing as per usual. 212 00:09:42,960 --> 00:09:44,959 Speaker 2: Yeah, she was like I wasn't shocked when she came 213 00:09:44,960 --> 00:09:47,199 Speaker 2: out in that big dress, like I was like ready. 214 00:09:46,880 --> 00:09:48,600 Speaker 1: I mean, I knew I had to expect at this point, 215 00:09:48,640 --> 00:09:51,920 Speaker 1: but I didn't know anything about it. And man, halfway through, 216 00:09:51,960 --> 00:09:54,360 Speaker 1: I was like, I think I'm on acid. I think 217 00:09:54,400 --> 00:09:58,040 Speaker 1: someone did feel someone dosed me. And it's kicking in 218 00:09:58,280 --> 00:10:00,920 Speaker 1: right anyway, where you all go out and put a 219 00:10:00,920 --> 00:10:04,120 Speaker 1: tooth under your pillow expecting a shiny silver coin. Let's 220 00:10:04,160 --> 00:10:07,680 Speaker 1: go over the synopsis. A dentist is cast into Limbo 221 00:10:07,760 --> 00:10:09,800 Speaker 1: after her death and has given the assignment to act 222 00:10:09,800 --> 00:10:13,000 Speaker 1: as the Tooth Fairy in order to be admitted into heaven. 223 00:10:14,080 --> 00:10:16,080 Speaker 1: What'd you think of the movie overall, Sabrina. 224 00:10:16,800 --> 00:10:23,160 Speaker 2: Man, At first I would I first dug. I dug 225 00:10:23,200 --> 00:10:25,280 Speaker 2: the music right from the beginning. I loved the old 226 00:10:25,320 --> 00:10:28,640 Speaker 2: school songs that just brought me back to especially it 227 00:10:28,760 --> 00:10:32,080 Speaker 2: being you know about her, you know, missing her dad, 228 00:10:32,160 --> 00:10:35,280 Speaker 2: loving her dad. When I hear that genre of music, 229 00:10:35,360 --> 00:10:38,160 Speaker 2: that's me my dad in the car okay, no jamming out. 230 00:10:38,200 --> 00:10:42,960 Speaker 2: So I did love that. And again, there were a 231 00:10:43,000 --> 00:10:47,920 Speaker 2: lot of iffy moments in the beginning that I just 232 00:10:48,000 --> 00:10:49,920 Speaker 2: didn't like. As soon as she got to Limbo, I 233 00:10:49,920 --> 00:10:52,440 Speaker 2: was like, oh no, where is this going what's happening? 234 00:10:54,080 --> 00:10:59,600 Speaker 2: And I wasn't until probably halfway into the movie. I went, okay, okay, 235 00:10:59,640 --> 00:11:02,000 Speaker 2: I can all right, and I started to sink in 236 00:11:02,320 --> 00:11:04,720 Speaker 2: and I ended up liking it a lot better than 237 00:11:04,720 --> 00:11:05,439 Speaker 2: how I started. 238 00:11:05,559 --> 00:11:08,640 Speaker 1: For sure. I never hit that point. 239 00:11:08,960 --> 00:11:12,040 Speaker 5: No, you didn't, okay, I basically hated this movie. 240 00:11:12,200 --> 00:11:16,839 Speaker 1: Oh wow, I didn't. I did not get anything about it. 241 00:11:16,880 --> 00:11:18,800 Speaker 1: I didn't think it was well written. I didn't think 242 00:11:18,840 --> 00:11:21,400 Speaker 1: it was well shot. I didn't think it was well acted. 243 00:11:21,880 --> 00:11:24,440 Speaker 1: The music, I thought the first song in the beginning 244 00:11:24,520 --> 00:11:26,600 Speaker 1: is fine, but then there's music going throughout this thing 245 00:11:26,640 --> 00:11:29,880 Speaker 1: that made no sense. The kids are yelling at each 246 00:11:29,920 --> 00:11:32,280 Speaker 1: other the whole time during regular scenes that shouldn't be. 247 00:11:32,600 --> 00:11:34,880 Speaker 1: The bully is half the size that. None of this 248 00:11:34,960 --> 00:11:37,360 Speaker 1: movie made sense to me. None of this movie made 249 00:11:37,440 --> 00:11:40,840 Speaker 1: sense to me. I did not get this movie even slightly. 250 00:11:41,000 --> 00:11:45,319 Speaker 1: I don't know how it got made. The choices Christiality 251 00:11:45,360 --> 00:11:48,160 Speaker 1: made throughout the movie, her character just kept changing. It's like, 252 00:11:48,400 --> 00:11:49,480 Speaker 1: are you Jim Carrey? 253 00:11:49,559 --> 00:11:49,760 Speaker 4: Now? 254 00:11:49,840 --> 00:11:55,280 Speaker 1: What's happening now? What were the rules? Some people can see? 255 00:11:54,320 --> 00:11:58,480 Speaker 1: I did not get this movie. 256 00:12:00,280 --> 00:12:03,720 Speaker 3: That felt a little real, especially nowadays. 257 00:12:04,040 --> 00:12:09,000 Speaker 2: Uh were the parents that you know, confront principles and 258 00:12:09,080 --> 00:12:12,360 Speaker 2: you know, just I mean the very end. 259 00:12:12,360 --> 00:12:15,160 Speaker 3: Was so harsh towards towards the kid. 260 00:12:15,520 --> 00:12:18,680 Speaker 2: You know, it just it was very But I did 261 00:12:18,720 --> 00:12:20,679 Speaker 2: there was a there was a moment in the middle 262 00:12:20,720 --> 00:12:23,680 Speaker 2: that I kind of went, Okay, I'm seeing where it's 263 00:12:23,679 --> 00:12:26,199 Speaker 2: going when we saw what her mission was. But that 264 00:12:26,280 --> 00:12:32,120 Speaker 2: mission wasn't very to like to open herself to actually 265 00:12:32,160 --> 00:12:35,160 Speaker 2: love someone else after the death of having her the 266 00:12:35,160 --> 00:12:36,560 Speaker 2: tragic death when she was younger. 267 00:12:36,600 --> 00:12:38,439 Speaker 3: That was the mission. It was accepting love. 268 00:12:39,040 --> 00:12:42,080 Speaker 2: She had been tried to her friends were trying to 269 00:12:42,120 --> 00:12:45,199 Speaker 2: get her to open up and let someone in. And 270 00:12:45,280 --> 00:12:48,000 Speaker 2: even a moment of her being honest with herself that 271 00:12:48,040 --> 00:12:51,160 Speaker 2: she wasn't even really letting her best friend in, that was. 272 00:12:51,080 --> 00:12:53,520 Speaker 1: The That was the So she then loves all the 273 00:12:53,640 --> 00:12:56,360 Speaker 1: kids and creepily falls in love with the dad. 274 00:12:57,200 --> 00:13:01,560 Speaker 2: Yes, that was the thing she realized with I think 275 00:13:01,679 --> 00:13:06,319 Speaker 2: more of their innocence that she could she was able 276 00:13:06,360 --> 00:13:08,240 Speaker 2: to open it up because that was they are the 277 00:13:08,320 --> 00:13:10,840 Speaker 2: age that she lost her dad. So it kind of 278 00:13:10,840 --> 00:13:13,760 Speaker 2: brought her back to that innocence and she at that 279 00:13:13,840 --> 00:13:18,840 Speaker 2: age shut it down because she was so devastated and 280 00:13:18,880 --> 00:13:22,160 Speaker 2: then has been closed off and these kids have opened 281 00:13:22,160 --> 00:13:22,640 Speaker 2: that door. 282 00:13:22,920 --> 00:13:25,360 Speaker 3: What are you talking about, Will, How did you not read? 283 00:13:25,960 --> 00:13:28,439 Speaker 1: Oh no, I I got that's what they were trying 284 00:13:28,520 --> 00:13:32,120 Speaker 1: to do. But yeahful they also every dentist for some 285 00:13:32,160 --> 00:13:36,960 Speaker 1: reason ends up in limbo. Yeah, hell because because why 286 00:13:37,000 --> 00:13:39,440 Speaker 1: because you're helping people with their teeth, which also prevents 287 00:13:39,440 --> 00:13:42,079 Speaker 1: heart disease. Apparently you go to hell for that, right. 288 00:13:42,200 --> 00:13:45,480 Speaker 2: I do think their dentistry I have heard, you know, 289 00:13:45,559 --> 00:13:48,240 Speaker 2: I don't know any stats, but I have heard that 290 00:13:48,240 --> 00:13:52,160 Speaker 2: that that industry and that career leads to a lot 291 00:13:52,160 --> 00:13:54,520 Speaker 2: of mental health issues. 292 00:13:54,679 --> 00:13:57,240 Speaker 1: Yeah, so maybe it's because people know they're. 293 00:13:59,480 --> 00:14:00,400 Speaker 2: I don't even think they were. 294 00:14:00,320 --> 00:14:03,559 Speaker 3: Talking about this at that time in nineteen ninety seven, but. 295 00:14:04,360 --> 00:14:07,480 Speaker 2: That was strange that they were like, oh, of course 296 00:14:07,760 --> 00:14:10,559 Speaker 2: you you inflict pain on everyone, so of course you're 297 00:14:10,640 --> 00:14:12,000 Speaker 2: here and you're going. 298 00:14:11,800 --> 00:14:12,280 Speaker 3: To help her. 299 00:14:12,280 --> 00:14:14,920 Speaker 1: Going with the dad was weird. When she finally says 300 00:14:14,960 --> 00:14:16,160 Speaker 1: I love you to the kid at the end, it 301 00:14:16,240 --> 00:14:17,600 Speaker 1: just came off as creepy. 302 00:14:17,840 --> 00:14:22,200 Speaker 2: Yeah that I didn't get every every. 303 00:14:24,400 --> 00:14:24,600 Speaker 6: To me. 304 00:14:24,920 --> 00:14:28,840 Speaker 2: Yeah, I saw those moments for some reason, And maybe 305 00:14:28,840 --> 00:14:30,880 Speaker 2: as we're talking about it, that scene will come to 306 00:14:30,960 --> 00:14:33,000 Speaker 2: mind of like, oh, this was when it clicked, but 307 00:14:33,040 --> 00:14:37,360 Speaker 2: there was something in the middle that made me just start, okay, 308 00:14:37,440 --> 00:14:39,840 Speaker 2: all right, I see where we're going, and you didn't 309 00:14:39,840 --> 00:14:40,160 Speaker 2: get it. 310 00:14:40,200 --> 00:14:42,640 Speaker 1: That's okay too. I did not get it the. 311 00:14:42,680 --> 00:14:43,600 Speaker 3: First front half. 312 00:14:43,640 --> 00:14:45,480 Speaker 2: I was like, oh great, I got to talk about 313 00:14:45,520 --> 00:14:48,480 Speaker 2: a movie I don't like again the hardest part. Those 314 00:14:48,480 --> 00:14:49,680 Speaker 2: are the hardest episodes for me. 315 00:14:49,720 --> 00:14:50,840 Speaker 3: I think not liking them. 316 00:14:51,040 --> 00:14:54,120 Speaker 1: This was a big miss for me. This was yeah anyway. 317 00:14:54,680 --> 00:14:58,200 Speaker 1: Toothless was directed by Melanie Mayron, a rare female behind 318 00:14:58,200 --> 00:15:00,360 Speaker 1: the camera for these retro films. She began her career 319 00:15:00,360 --> 00:15:03,680 Speaker 1: directing episodes of the TV show thirty Something, which was 320 00:15:03,720 --> 00:15:06,680 Speaker 1: a great show, and had already directed the Disney Freaky 321 00:15:06,760 --> 00:15:10,040 Speaker 1: Friday with Shelley Long and Gabby Hoffman. Mayron is still 322 00:15:10,320 --> 00:15:12,560 Speaker 1: very busy as a TV director, working on a ton 323 00:15:12,560 --> 00:15:16,040 Speaker 1: of great projects, many female focused, including The Fosters, Pretty 324 00:15:16,080 --> 00:15:19,200 Speaker 1: Little Liars, Glow, and the movie Mean Girls Too. She 325 00:15:19,320 --> 00:15:22,200 Speaker 1: also appears in the film as Mindy and Frankly, I 326 00:15:22,200 --> 00:15:24,680 Speaker 1: thought she was one of the best actors of the movie, 327 00:15:24,880 --> 00:15:27,000 Speaker 1: and boy, we're talking about who was in the movie 328 00:15:27,200 --> 00:15:31,720 Speaker 1: stellar cast here, I could argue that this is overall 329 00:15:31,840 --> 00:15:34,920 Speaker 1: one of the best casts, name wise we've ever had, 330 00:15:35,440 --> 00:15:38,840 Speaker 1: so let's get going. So the movie headlines obviously huge 331 00:15:38,880 --> 00:15:42,360 Speaker 1: star at the time nineteen ninety seven, Kirsty Ally playing 332 00:15:42,400 --> 00:15:45,280 Speaker 1: doctor Catherine Lewis Ali was one of the top TV 333 00:15:45,360 --> 00:15:47,440 Speaker 1: stars of the late eighties early nineties, best known as 334 00:15:47,480 --> 00:15:50,840 Speaker 1: Rebecca Howe on Cheers, a role she received Emmy nominations 335 00:15:50,840 --> 00:15:53,000 Speaker 1: for and won once she went I think was five 336 00:15:53,040 --> 00:15:56,520 Speaker 1: Emmy nominations for and one to one. She had a 337 00:15:56,520 --> 00:15:58,800 Speaker 1: bit of a Hollywood reputation for being loose cannon, but 338 00:15:58,880 --> 00:16:01,040 Speaker 1: at the time that might have just been some misogyny. 339 00:16:01,160 --> 00:16:03,080 Speaker 1: In the nineties, a lot of times you heard that 340 00:16:03,360 --> 00:16:06,320 Speaker 1: women were quote unquote difficult to work with, but she 341 00:16:06,480 --> 00:16:08,480 Speaker 1: was apparently a bit of a wild one. This is 342 00:16:08,520 --> 00:16:10,480 Speaker 1: the only Disney movie she's ever worked on, but she 343 00:16:10,520 --> 00:16:13,360 Speaker 1: appeared in films like Summer School, Great Movie, Don't Get 344 00:16:13,360 --> 00:16:16,760 Speaker 1: Me Started, Lover Boy, Droppeded, Gorgeous, and all three Look 345 00:16:16,760 --> 00:16:19,520 Speaker 1: Who's Talking movies. You may also recognize her, Aren't They Great? 346 00:16:19,720 --> 00:16:23,160 Speaker 1: You may also recognize her from her second big role 347 00:16:23,200 --> 00:16:26,320 Speaker 1: on TV, starring in Veronica's Closet as Veronica for three years. 348 00:16:26,400 --> 00:16:29,360 Speaker 1: She was an absolute TV sitcom legend and a big 349 00:16:29,400 --> 00:16:32,000 Speaker 1: casting for Disney here, especially in the nineties. She unfortunately 350 00:16:32,000 --> 00:16:34,240 Speaker 1: passed away in twenty twenty two from colon cancer at 351 00:16:34,240 --> 00:16:37,680 Speaker 1: the age of seventy one. And then Dale Midkiff plays 352 00:16:37,680 --> 00:16:40,920 Speaker 1: Thomas Jamison Don't Get Me started. Midkiff played Elvis in 353 00:16:40,960 --> 00:16:42,680 Speaker 1: the TV movie Elvis and Me and was in the 354 00:16:42,760 --> 00:16:45,640 Speaker 1: original Pet Cemetery movie. He also appeared on TV shows 355 00:16:45,640 --> 00:16:48,400 Speaker 1: like The Magnificent Seven, Without a Trace, the Client List. 356 00:16:48,640 --> 00:16:50,880 Speaker 1: But I'd be doing him a disservice if I didn't mention. 357 00:16:50,960 --> 00:16:54,720 Speaker 1: He also starred in the Airbud soccer movie titled World 358 00:16:54,720 --> 00:16:59,760 Speaker 1: Pop Ross Mallinger. It's either Mallinger or Mallinger. I think 359 00:16:59,760 --> 00:17:03,080 Speaker 1: it's played Little Bobby Jamison. And he two was a 360 00:17:03,080 --> 00:17:05,639 Speaker 1: big ninety star, best known as Jonah Baldwin. He was 361 00:17:05,680 --> 00:17:08,640 Speaker 1: so good in the romcom classic Sleepless in Seattle, playing 362 00:17:08,680 --> 00:17:11,800 Speaker 1: Tom Hanks's son. He was also in Kindergarten Cop Sudden 363 00:17:11,840 --> 00:17:14,919 Speaker 1: Death Who and is one of the voices of Spike 364 00:17:15,080 --> 00:17:19,359 Speaker 1: in Homeward Bound two and TJ on Recess. And so 365 00:17:19,400 --> 00:17:21,680 Speaker 1: we already talked about how we both recognized him right away. 366 00:17:21,880 --> 00:17:23,560 Speaker 3: Yes, absolutely, and. 367 00:17:23,560 --> 00:17:25,880 Speaker 1: The hits don't stop there. Part of the big Legacy 368 00:17:25,880 --> 00:17:30,360 Speaker 1: family for film and TV. Lynn Redgrave unbelievable plays Rogers. 369 00:17:30,640 --> 00:17:33,360 Speaker 1: The British actress was seen in some great A projects 370 00:17:33,400 --> 00:17:37,120 Speaker 1: like Gods and Monsters, Kinsey Shine, and the movie Georgie Girl, 371 00:17:37,160 --> 00:17:40,080 Speaker 1: which earned her an Oscar nomination. She is the sister 372 00:17:40,119 --> 00:17:42,239 Speaker 1: of actress Vanessa Redgrave, which is a name you might 373 00:17:42,280 --> 00:17:45,280 Speaker 1: recognize as well. Lynn passed away as well in twenty 374 00:17:45,320 --> 00:17:48,400 Speaker 1: ten from cancer at the age of sixty seven. Both 375 00:17:48,480 --> 00:17:51,880 Speaker 1: just taken too young and We're still not done. Eileen 376 00:17:51,920 --> 00:17:54,640 Speaker 1: Brennan appears briefly in the movie credited as Joe One, 377 00:17:54,840 --> 00:17:57,440 Speaker 1: most likely as a favorite for the director. She played 378 00:17:57,440 --> 00:18:00,360 Speaker 1: the principal in Disney's nineteen ninety five Freaky Friday from 379 00:18:00,400 --> 00:18:03,639 Speaker 1: Meyron of Course what she directed. And Eileen was an 380 00:18:03,680 --> 00:18:05,800 Speaker 1: Oscar nominee for her role in the nineteen eighty one 381 00:18:05,840 --> 00:18:09,800 Speaker 1: movie Private Benjamin. Great movie, but is probably best known 382 00:18:09,840 --> 00:18:13,080 Speaker 1: as Missus Peacock in the nineteen eighty five movie Clue. 383 00:18:13,200 --> 00:18:15,840 Speaker 1: She also appears in classic movies like Murdered by Death, 384 00:18:16,000 --> 00:18:19,040 Speaker 1: The Sting, and The Last Picture Show and a big 385 00:18:19,080 --> 00:18:21,560 Speaker 1: deal in film and TV all the way around. She 386 00:18:21,800 --> 00:18:25,000 Speaker 1: unfortunately too passed away in twenty thirteen at the age 387 00:18:25,080 --> 00:18:28,359 Speaker 1: of eighty. And then we've got Kimberly Scott, who plays Gwen. 388 00:18:28,600 --> 00:18:33,000 Speaker 1: Scott is legendary as Lisa One Night. Oh I love 389 00:18:33,040 --> 00:18:36,159 Speaker 1: it standing in the Abyss. She was so good. It 390 00:18:36,200 --> 00:18:39,160 Speaker 1: was a James Cameron classic movie. Amazing film. She also 391 00:18:39,200 --> 00:18:42,000 Speaker 1: appears in nineteen nineties Flat Liners, and is the police 392 00:18:42,040 --> 00:18:45,440 Speaker 1: detective in the nineteen ninety three Michael Douglas movie Falling Down. 393 00:18:45,600 --> 00:18:49,160 Speaker 1: Great add In There, Batman Forever, the Client, Guess Who, 394 00:18:49,200 --> 00:18:52,480 Speaker 1: But most importantly two episodes of Boy Meets World where 395 00:18:52,640 --> 00:18:54,840 Speaker 1: she and I worked together for two weeks straight and 396 00:18:55,000 --> 00:18:57,879 Speaker 1: all I did was bugger about shooting the Abyss the 397 00:18:58,040 --> 00:19:01,199 Speaker 1: entire time. And she even signed my laser disc. Go 398 00:19:01,280 --> 00:19:03,199 Speaker 1: look up what a laser disc is, Boys and Girls. 399 00:19:03,800 --> 00:19:05,720 Speaker 1: I still have it and my laser disc player. 400 00:19:06,440 --> 00:19:07,760 Speaker 2: I love that you bugged. 401 00:19:08,080 --> 00:19:10,400 Speaker 1: Of course, Oh my god, I guess I think by 402 00:19:10,400 --> 00:19:14,960 Speaker 1: the end I am not telling you another Abyss story. 403 00:19:15,280 --> 00:19:17,399 Speaker 1: I loved it so much. And then we've got another 404 00:19:17,640 --> 00:19:21,719 Speaker 1: just huge icon. Darryl Chill Mitchell is Raoul. Darryl is 405 00:19:21,760 --> 00:19:24,040 Speaker 1: an amazing character actor who appeared in movies like Ten 406 00:19:24,080 --> 00:19:27,480 Speaker 1: Things I Hate About You, Inside Man, Galaxy Quest, and 407 00:19:27,680 --> 00:19:29,960 Speaker 1: House Party one and two, and it is a very 408 00:19:30,000 --> 00:19:34,000 Speaker 1: recognizable TV actor, best known as Patent Plame is It 409 00:19:34,080 --> 00:19:37,920 Speaker 1: Plain Patton Plain on NCIS New Orleans. You may also 410 00:19:37,960 --> 00:19:41,080 Speaker 1: know him as Eli on Ed Wendel on Fear of 411 00:19:41,080 --> 00:19:45,280 Speaker 1: the Walking Dead, or most importantly for Toothless. He was 412 00:19:45,320 --> 00:19:49,040 Speaker 1: on Kirsty Ali show Veronic's Closet in two thousand and one. Unfortunately, 413 00:19:49,240 --> 00:19:52,600 Speaker 1: post this movie, Mitchell was paralyzed in a motorcycle crash 414 00:19:52,680 --> 00:19:55,040 Speaker 1: in South Carolina and has been confined to a wheelchair 415 00:19:55,040 --> 00:19:57,800 Speaker 1: ever since. He continues to have an amazing acting career 416 00:19:57,800 --> 00:20:01,040 Speaker 1: though working all the time and actively he raises awareness 417 00:20:01,040 --> 00:20:04,000 Speaker 1: and money for spinal cord injuries, starting his own Darryl 418 00:20:04,040 --> 00:20:06,720 Speaker 1: Mitchell Foundation. And you can catch Mitchell as a star 419 00:20:06,840 --> 00:20:09,680 Speaker 1: on the brand new Tim Allen sitcom Shifting Gears. He's 420 00:20:09,760 --> 00:20:12,840 Speaker 1: working all the time and is absolutely phenomenal, and we've 421 00:20:12,880 --> 00:20:15,399 Speaker 1: got a name set on Podmeets World just recently. Child 422 00:20:15,440 --> 00:20:19,600 Speaker 1: actor Marcus Toji plays Trevor. Toji is best known as 423 00:20:19,800 --> 00:20:22,920 Speaker 1: Marcus in Little Giants, but work NonStop in the nineties 424 00:20:22,960 --> 00:20:26,000 Speaker 1: in movies like Karina Karina, Jingle All the Way, Max 425 00:20:26,080 --> 00:20:29,120 Speaker 1: Keeble's Big Move, and TV shows like Hey Arnold, eight 426 00:20:29,160 --> 00:20:32,640 Speaker 1: Simple Rules, Zoe one oh one, and yes, two episodes 427 00:20:32,640 --> 00:20:34,280 Speaker 1: of Boy Meets World. Let's make it all about me 428 00:20:34,520 --> 00:20:38,960 Speaker 1: whenever we can. Honestly, there were some actors that we 429 00:20:39,000 --> 00:20:41,280 Speaker 1: could have mentioned, but it's just such an impressive lineup, 430 00:20:41,280 --> 00:20:45,160 Speaker 1: which is another reason why I was like, what it's happening? Yeah, 431 00:20:45,280 --> 00:20:47,679 Speaker 1: the movie is ninety two minutes long, so close to 432 00:20:47,720 --> 00:20:51,439 Speaker 1: the target, but too too many, and that is in theory, 433 00:20:52,080 --> 00:20:56,639 Speaker 1: too long, too long, That's right, Exa, it was written 434 00:20:56,680 --> 00:20:59,280 Speaker 1: by It was just too long, if we're being honest, 435 00:20:59,280 --> 00:21:02,720 Speaker 1: And yes, it was written by Mark S. Kaufman. This 436 00:21:02,800 --> 00:21:05,440 Speaker 1: was Mark's first writing credit ever, and one of only 437 00:21:05,480 --> 00:21:08,000 Speaker 1: two he would ever have. He would later write the 438 00:21:08,520 --> 00:21:10,879 Speaker 1: two thousand and two TV movie Just a Walk in 439 00:21:10,920 --> 00:21:14,720 Speaker 1: the Park, sharing credit with actor William H. Macy, who 440 00:21:14,800 --> 00:21:16,879 Speaker 1: was not in the movie at all. Strange and also, 441 00:21:16,960 --> 00:21:27,239 Speaker 1: Toothless is the last Hollywood job he apparently had. So 442 00:21:27,880 --> 00:21:30,880 Speaker 1: does Toothless have any bite? Well, let's get into it. 443 00:21:31,240 --> 00:21:34,040 Speaker 1: We open on Sabrina's favorite song and a great song, 444 00:21:34,440 --> 00:21:38,320 Speaker 1: the recognizable Sugar Sugar by the Archies, immediately proving that 445 00:21:38,359 --> 00:21:40,480 Speaker 1: ABC has more of a clearance budget for songs than 446 00:21:40,520 --> 00:21:43,040 Speaker 1: Disney does. We are in the nineteen sixties in a 447 00:21:43,080 --> 00:21:46,359 Speaker 1: busy suburban neighborhood and we get a narrator. She tells 448 00:21:46,480 --> 00:21:48,359 Speaker 1: us that she comes from a very long line of 449 00:21:48,359 --> 00:21:51,760 Speaker 1: successful dentists and that her father died just one year ago. 450 00:21:51,840 --> 00:21:54,920 Speaker 1: Today we see a little girl, Catherine, presumably the narrator, 451 00:21:54,920 --> 00:21:57,000 Speaker 1: on a porch grooming a little dog. When her mom 452 00:21:57,080 --> 00:22:00,040 Speaker 1: rushes out. She has a surprise for Catherine on this 453 00:22:00,200 --> 00:22:04,360 Speaker 1: rough day. She's going to the dentist, and much like Monroe, 454 00:22:04,440 --> 00:22:06,360 Speaker 1: she could not be more happy. 455 00:22:06,760 --> 00:22:11,080 Speaker 2: Weirdest little kid, She is thrilled. 456 00:22:11,400 --> 00:22:13,359 Speaker 1: In the dentist's office. She has a perfect checkup and 457 00:22:13,400 --> 00:22:15,800 Speaker 1: a clean set of teeth to match. She wants another exam, 458 00:22:15,920 --> 00:22:18,520 Speaker 1: though she was hoping for a root canal and has 459 00:22:18,560 --> 00:22:21,359 Speaker 1: been reading her dad's dental books. She wants to follow 460 00:22:21,359 --> 00:22:24,639 Speaker 1: in his footsteps, and even the drill sounds like music 461 00:22:24,680 --> 00:22:30,560 Speaker 1: to her ears. Oh I can't that. When it gets 462 00:22:30,560 --> 00:22:32,400 Speaker 1: in your hand, your whole head becomes a tuning fork 463 00:22:32,440 --> 00:22:35,400 Speaker 1: and hy sorry to everybody out there. Nails on a chalkboard. 464 00:22:36,520 --> 00:22:39,080 Speaker 1: The dentist does point out one last baby tooth and 465 00:22:39,119 --> 00:22:41,159 Speaker 1: tells her to remember to put it under her pillow 466 00:22:41,240 --> 00:22:46,040 Speaker 1: for The Tooth Fairy five shadowing, we transition to current day. 467 00:22:46,160 --> 00:22:48,720 Speaker 1: Catherine has now grown up and her dream came true. 468 00:22:48,760 --> 00:22:51,240 Speaker 1: She is a dentist and a good one. Actually, she 469 00:22:51,320 --> 00:22:54,119 Speaker 1: took over her childhood dentist practice and is helping someone 470 00:22:54,200 --> 00:22:57,280 Speaker 1: named Tiny who is freaking out or we should we 471 00:22:57,320 --> 00:23:02,840 Speaker 1: should say somebody like Sabrina who is freaking out, freaking, 472 00:23:02,840 --> 00:23:05,439 Speaker 1: and then another patient, a very nerdy man tries to 473 00:23:05,480 --> 00:23:08,399 Speaker 1: ask her to the opera, but she has given him 474 00:23:08,440 --> 00:23:10,440 Speaker 1: novacane kohi kaki, Do you want to go to the 475 00:23:10,520 --> 00:23:13,360 Speaker 1: opera with me? But she interrupts him with dental equipment 476 00:23:13,400 --> 00:23:16,199 Speaker 1: before he can even ask her out. Later, we were 477 00:23:16,200 --> 00:23:18,560 Speaker 1: at a sushi bar. Catherine and her friend Mindy, who 478 00:23:18,680 --> 00:23:21,679 Speaker 1: was the movie's director, talk about Catherine's love life, or 479 00:23:21,680 --> 00:23:24,760 Speaker 1: we should say lack thereof. Catherine is fine with being single, 480 00:23:24,800 --> 00:23:29,120 Speaker 1: but her friend wants her to find someone. How old 481 00:23:29,200 --> 00:23:30,960 Speaker 1: do you reckon? She's supposed to be here? 482 00:23:32,400 --> 00:23:38,640 Speaker 2: Okay, I think they were trying to portray her as 483 00:23:38,920 --> 00:23:44,680 Speaker 2: like mid twenties, you think, yeah, like young. I feel 484 00:23:44,680 --> 00:23:47,800 Speaker 2: like she was trying there was like mid twenty five. 485 00:23:47,600 --> 00:23:52,239 Speaker 3: To twenty eight. Really, that's what it seemed like. But 486 00:23:52,280 --> 00:23:53,600 Speaker 3: she wasn't. 487 00:23:53,960 --> 00:23:55,879 Speaker 2: It seemed like that at the beginning, but then at 488 00:23:55,920 --> 00:23:59,400 Speaker 2: the end it was it didn't seem as much. 489 00:23:59,440 --> 00:24:02,120 Speaker 3: It seemed like she was what mid thirties at the end. 490 00:24:02,240 --> 00:24:02,719 Speaker 3: I don't know. 491 00:24:03,000 --> 00:24:04,920 Speaker 2: But at the beginning I thought they were really thinking, 492 00:24:04,960 --> 00:24:07,440 Speaker 2: like trying to make it as if she was really young. 493 00:24:07,840 --> 00:24:11,040 Speaker 1: See. I figured she was probably five or six or 494 00:24:11,080 --> 00:24:13,320 Speaker 1: maybe a little or seven or eight when she was 495 00:24:13,320 --> 00:24:15,879 Speaker 1: a kid at the dentist. Oh, ok and that was 496 00:24:15,920 --> 00:24:18,960 Speaker 1: the sixties. If it's if the Sugar Sugar by the 497 00:24:19,040 --> 00:24:21,600 Speaker 1: Archies is playing, and if this is now the nineties, 498 00:24:21,640 --> 00:24:23,639 Speaker 1: so add thirty years. I figured she was supposed to 499 00:24:23,640 --> 00:24:24,840 Speaker 1: be like late thirties. 500 00:24:25,359 --> 00:24:27,000 Speaker 3: Okay, Yeah, but. 501 00:24:27,080 --> 00:24:29,800 Speaker 1: Maybe you're right, and they were going for mid twenties, 502 00:24:29,800 --> 00:24:31,160 Speaker 1: which doesn't fit. 503 00:24:31,480 --> 00:24:35,600 Speaker 2: No, no, but that wasn't any of the age that 504 00:24:36,119 --> 00:24:37,600 Speaker 2: Christy Ally was doing at that time. 505 00:24:37,720 --> 00:24:39,080 Speaker 3: So maybe I was just seeing that right. 506 00:24:39,119 --> 00:24:41,879 Speaker 1: No, but you're right, I mean maybe the oldest was thirty. 507 00:24:41,920 --> 00:24:43,600 Speaker 1: They were trying. But it was also the nineties where 508 00:24:43,640 --> 00:24:45,320 Speaker 1: it was like you don't have a man, your life 509 00:24:45,359 --> 00:24:45,840 Speaker 1: isn't good. 510 00:24:46,080 --> 00:24:46,280 Speaker 3: Yeah. 511 00:24:46,400 --> 00:24:48,159 Speaker 1: It was one of those things too where it was 512 00:24:48,200 --> 00:24:51,199 Speaker 1: like that's a little odd. She can just be happy 513 00:24:51,240 --> 00:24:53,760 Speaker 1: without a man. But apparently it wasn't right. 514 00:24:54,119 --> 00:24:55,600 Speaker 4: It is sort of I mean this, I know this 515 00:24:55,680 --> 00:24:57,560 Speaker 4: isn't not much of a big change, but Sugar Sugar 516 00:24:57,600 --> 00:24:59,600 Speaker 4: is from nineteen sixty nine, which pushes it. 517 00:25:00,040 --> 00:25:04,200 Speaker 1: Okay, okay, so even say it's nineteen seventy when she's 518 00:25:04,200 --> 00:25:11,800 Speaker 1: supposed to be there at seven years old. So yeah, twenty, yeah, thirty. 519 00:25:12,040 --> 00:25:14,000 Speaker 1: Just then, an attractive man sits down at the bar 520 00:25:14,080 --> 00:25:16,320 Speaker 1: next to him. Catherine says, hi, but he's celebrating his 521 00:25:16,560 --> 00:25:19,639 Speaker 1: bachelor party. Nope, can't have him. Swing and a miss. 522 00:25:19,960 --> 00:25:21,879 Speaker 1: Catherine is starting to feel pathetic. She hasn't been on 523 00:25:21,880 --> 00:25:23,879 Speaker 1: a date in forever. Her friend says she's got to 524 00:25:23,880 --> 00:25:25,960 Speaker 1: get out there or she'll be alone for the rest 525 00:25:25,960 --> 00:25:28,360 Speaker 1: of her life. She invites Catherine to a party she's 526 00:25:28,359 --> 00:25:31,520 Speaker 1: throwing on Saturday night, but Catherine can't make it because 527 00:25:31,520 --> 00:25:34,280 Speaker 1: she has a baseball game to watch. Back at the 528 00:25:34,320 --> 00:25:36,679 Speaker 1: dental office, Catherine is talking to her nurse assistant, who 529 00:25:36,720 --> 00:25:39,639 Speaker 1: realizes that Catherine knows nothing about her long term boyfriend. 530 00:25:39,880 --> 00:25:42,640 Speaker 1: This kind of nonchalant offends the nurse. She's talked about 531 00:25:42,640 --> 00:25:44,320 Speaker 1: her boyfriend for a month, so how is it possible 532 00:25:44,480 --> 00:25:46,960 Speaker 1: that Catherine has not listened to anything she said. This 533 00:25:47,040 --> 00:25:48,560 Speaker 1: is when we're really starting to get the idea that 534 00:25:48,600 --> 00:25:52,360 Speaker 1: Catherine is very self absorbed. But we also find out 535 00:25:52,400 --> 00:25:54,640 Speaker 1: that a patient is canceled, so Catherine decides to run 536 00:25:54,680 --> 00:25:57,320 Speaker 1: to the bank. Now, while crossing the street, she sees 537 00:25:57,359 --> 00:26:01,680 Speaker 1: her friend. Okay, we'll walk through this. She sees her 538 00:26:01,840 --> 00:26:07,040 Speaker 1: friend Mindy, and excitedly they wave to each other. So there, 539 00:26:07,800 --> 00:26:10,399 Speaker 1: she turns around. They both turn around, and then we 540 00:26:10,520 --> 00:26:15,320 Speaker 1: start to get weird close up slow motion shaky cam 541 00:26:15,760 --> 00:26:21,600 Speaker 1: of a bike. Yep, of a bike a bicycle okay. 542 00:26:21,359 --> 00:26:23,960 Speaker 3: Yes, a bicycle, not not a motor bike. 543 00:26:23,880 --> 00:26:28,560 Speaker 1: Bicycle, bicycle that's pedaling at her full speed and the 544 00:26:28,600 --> 00:26:32,320 Speaker 1: guys distracted is what they're going for. Then we get 545 00:26:32,359 --> 00:26:36,960 Speaker 1: shots of a BMW, also shaky. 546 00:26:37,000 --> 00:26:42,480 Speaker 2: And the clips are going fast, right, so bike BMW bike, Yeah. 547 00:26:42,320 --> 00:26:45,439 Speaker 1: Bike BMW bike clips of this, and then Catherine turning 548 00:26:45,480 --> 00:26:49,000 Speaker 1: and giving this kind of shocked look, and so it 549 00:26:49,440 --> 00:26:54,760 Speaker 1: seems like the bike pushes her into the car, which 550 00:26:54,760 --> 00:26:57,320 Speaker 1: we don't really see. It's just like what's happening? And 551 00:26:57,320 --> 00:26:59,840 Speaker 1: then there's close on people's faces, all in slow motion, 552 00:27:00,200 --> 00:27:00,720 Speaker 1: very stream. 553 00:27:00,920 --> 00:27:04,000 Speaker 2: There's really no you don't at all get for me, 554 00:27:04,080 --> 00:27:06,240 Speaker 2: And I rewatched it a couple of times me too, 555 00:27:06,640 --> 00:27:09,200 Speaker 2: because once, you know, once we get into the next 556 00:27:09,200 --> 00:27:12,760 Speaker 2: place that we're getting into, it's like I went, wait, okay, 557 00:27:12,880 --> 00:27:13,399 Speaker 2: I missed it. 558 00:27:13,440 --> 00:27:15,760 Speaker 3: Did she get hit by the bike or did she. 559 00:27:15,680 --> 00:27:18,119 Speaker 2: Get hit by the car? So I went back, didn't 560 00:27:18,160 --> 00:27:21,200 Speaker 2: get it, went back again, still didn't get it, went 561 00:27:21,240 --> 00:27:22,960 Speaker 2: for a third time and went, you know what, I'm 562 00:27:23,000 --> 00:27:25,200 Speaker 2: just gonna have to see if they're gonna Yeah, they're 563 00:27:25,240 --> 00:27:27,800 Speaker 2: going to figure it out, because which they do pretty 564 00:27:27,840 --> 00:27:28,560 Speaker 2: much right away. 565 00:27:28,760 --> 00:27:31,240 Speaker 1: Kind of, we just at least we know that Catherine 566 00:27:31,520 --> 00:27:32,480 Speaker 1: is dead. 567 00:27:32,760 --> 00:27:34,520 Speaker 3: Yes, she's gone. 568 00:27:34,480 --> 00:27:38,080 Speaker 1: Take that, Walt Disney. Yeah, lead characters dead right away. 569 00:27:38,359 --> 00:27:38,719 Speaker 3: Crazy. 570 00:27:38,760 --> 00:27:41,320 Speaker 1: So we fade back in and Catherine is now standing 571 00:27:41,680 --> 00:27:45,640 Speaker 1: very tall in a desert of sorts very clear skies, 572 00:27:45,640 --> 00:27:49,240 Speaker 1: but also there's security guards and a dozen airstream trailers 573 00:27:49,240 --> 00:27:53,520 Speaker 1: with signs like uniform pickup and job placement, training and judgment. 574 00:27:53,880 --> 00:27:58,040 Speaker 1: There's also intimidating cage that reads elevator and a set 575 00:27:58,040 --> 00:28:00,600 Speaker 1: of mobile airplane stairs nearby with a sign that reads 576 00:28:00,600 --> 00:28:03,560 Speaker 1: Stairway to Heaven. Catherine is confused and looks for help. 577 00:28:03,600 --> 00:28:07,480 Speaker 1: This is where they suddenly made the decision all out 578 00:28:07,480 --> 00:28:10,480 Speaker 1: of nowhere to shoot everything from a low angle. So 579 00:28:10,560 --> 00:28:13,320 Speaker 1: from this moment on we are looking up at everybody. 580 00:28:13,400 --> 00:28:18,960 Speaker 1: It's weird and everything shaking. Catherine is confused and looking 581 00:28:19,000 --> 00:28:22,159 Speaker 1: for help, eventually asking questions to a guard. And this 582 00:28:22,200 --> 00:28:24,600 Speaker 1: is another just amazing appearance. I figured this was going 583 00:28:24,680 --> 00:28:26,520 Speaker 1: to be a big introduction of her character, but it wasn't. 584 00:28:26,520 --> 00:28:29,720 Speaker 1: It was just a cameo by Yeard Lee Smith, also 585 00:28:29,880 --> 00:28:34,400 Speaker 1: known as the voice of Lisa Simpson. And then Catherine realizes, 586 00:28:34,680 --> 00:28:38,400 Speaker 1: oh no, I'm dead and is given a map to 587 00:28:38,440 --> 00:28:42,200 Speaker 1: go find her supervisor. And this is where I started 588 00:28:42,240 --> 00:28:44,720 Speaker 1: to get real vibes of one of my favorite and 589 00:28:44,760 --> 00:28:47,280 Speaker 1: one of Daniel Fisher's favorite movies of all time, Defending 590 00:28:47,280 --> 00:28:50,880 Speaker 1: Your Life. Like, Okay, I kind of get what they're doing, 591 00:28:50,960 --> 00:28:55,360 Speaker 1: but Manda defending your Life do it better? So yes, 592 00:28:55,520 --> 00:28:59,040 Speaker 1: After getting lost, she finally finds her drill sergeant, who 593 00:28:59,080 --> 00:29:01,240 Speaker 1: is a high strung British lady with a riding whip 594 00:29:01,280 --> 00:29:05,480 Speaker 1: that's rogers. Catherine is already behind schedule and they watch 595 00:29:05,600 --> 00:29:09,959 Speaker 1: a businessman being sent down to Hell while a marching 596 00:29:10,040 --> 00:29:14,120 Speaker 1: band and all red ominously plays him out. This is 597 00:29:14,160 --> 00:29:18,440 Speaker 1: where I went what is happening in this movie? The 598 00:29:18,480 --> 00:29:21,760 Speaker 1: second hit of acid has kicked in? Who dosed me? 599 00:29:21,840 --> 00:29:23,480 Speaker 1: Because this is crazy pants? 600 00:29:23,800 --> 00:29:27,280 Speaker 2: Yeah, This is when I was going, oh, no, I 601 00:29:27,280 --> 00:29:29,800 Speaker 2: don't think I'm gonna like this one, because it was 602 00:29:30,520 --> 00:29:32,640 Speaker 2: again just already kind of. 603 00:29:32,640 --> 00:29:33,880 Speaker 3: Quite a bit of holes. 604 00:29:34,320 --> 00:29:35,920 Speaker 2: Where are we what? 605 00:29:36,760 --> 00:29:36,880 Speaker 1: Like? 606 00:29:37,000 --> 00:29:40,440 Speaker 2: And the characters were just a little especially when we 607 00:29:40,440 --> 00:29:43,120 Speaker 2: got to limbo, they were just really over the top. 608 00:29:43,880 --> 00:29:48,720 Speaker 2: And this is when Kirsty's character became over the top 609 00:29:48,760 --> 00:29:52,600 Speaker 2: for me. Yeah, gets which she wasn't like that while 610 00:29:52,640 --> 00:29:56,480 Speaker 2: she was in you know, her regular life now and 611 00:29:56,560 --> 00:29:59,600 Speaker 2: I just kind of went, oh, gosh, okay, all right. 612 00:29:59,520 --> 00:29:59,920 Speaker 4: Where are we go? 613 00:30:01,440 --> 00:30:03,440 Speaker 1: And again part of me is like, if you want 614 00:30:03,440 --> 00:30:07,920 Speaker 1: to now go crazy elf cartoony, great, I am all 615 00:30:07,960 --> 00:30:11,800 Speaker 1: for that, but make that decision and do that. This 616 00:30:11,960 --> 00:30:14,920 Speaker 1: came in and out in weird and one scene she 617 00:30:15,040 --> 00:30:16,720 Speaker 1: was like this, and the next scene the kid was 618 00:30:16,760 --> 00:30:18,720 Speaker 1: like that. It was just like they were shooting a 619 00:30:18,720 --> 00:30:20,280 Speaker 1: different movie. Every scene they were doing. 620 00:30:20,320 --> 00:30:23,800 Speaker 2: It was really weird, broken up, and I understand they 621 00:30:23,840 --> 00:30:28,080 Speaker 2: are going through two different worlds, right we're in right, 622 00:30:28,480 --> 00:30:31,280 Speaker 2: we're in regular but she has become the tooth Fairy, 623 00:30:31,320 --> 00:30:34,680 Speaker 2: so she out of everyone really need to need it 624 00:30:34,760 --> 00:30:37,600 Speaker 2: to keep it flat, you know, or the same. 625 00:30:37,520 --> 00:30:41,000 Speaker 1: Something something, or make her wacky at the beginning, so 626 00:30:41,040 --> 00:30:44,400 Speaker 1: she becomes the wacky tooth fairy. I don't know. Yeah. 627 00:30:44,440 --> 00:30:47,120 Speaker 1: So then Rogers explains that Catherine is in limbo land, 628 00:30:47,240 --> 00:30:50,400 Speaker 1: not yet heaven or Hell, about to have her life judged. 629 00:30:51,160 --> 00:30:54,240 Speaker 1: Defending your life. They did this movie already, Albert Brooks, 630 00:30:54,240 --> 00:30:57,120 Speaker 1: go see that. It's amazing. I give it twenty thousand 631 00:30:57,120 --> 00:31:00,360 Speaker 1: stars or whatever you need. So Roger says, a Catherine 632 00:31:00,400 --> 00:31:04,080 Speaker 1: has a glaring blemish on her record. She's a dentist 633 00:31:04,640 --> 00:31:07,400 Speaker 1: who gave pain and suffering to people, and so dentists 634 00:31:07,440 --> 00:31:10,120 Speaker 1: apparently just go to hell. It doesn't matter that they're 635 00:31:10,160 --> 00:31:13,520 Speaker 1: doctors that are actually helping people. You're a dentist, You're 636 00:31:13,560 --> 00:31:18,320 Speaker 1: going to hell, which again I thought, like what what? Why? Yeah? Yeah, 637 00:31:18,520 --> 00:31:21,719 Speaker 1: Catherine can't believe this. Neither can we. And while she 638 00:31:21,760 --> 00:31:23,880 Speaker 1: awaits for her final word, she will have to perform 639 00:31:23,920 --> 00:31:27,840 Speaker 1: community service and will be judged by her actions. Okay, 640 00:31:27,960 --> 00:31:28,720 Speaker 1: interesting story. 641 00:31:29,040 --> 00:31:29,320 Speaker 4: Okay. 642 00:31:29,360 --> 00:31:31,840 Speaker 1: Catherine gets her folder and has offered a very difficult 643 00:31:31,960 --> 00:31:35,280 Speaker 1: job by Cuspid Retrieval. Catherine thinks she can do it 644 00:31:35,320 --> 00:31:38,000 Speaker 1: and signs up. Roger says, great, the little children be 645 00:31:38,040 --> 00:31:40,560 Speaker 1: so pleased to find out you're coming. And Catherine puts 646 00:31:40,560 --> 00:31:43,680 Speaker 1: it all together. Oh no, she's the tooth fairy, and 647 00:31:43,720 --> 00:31:47,040 Speaker 1: she doesn't look happy with that. Catherine jumps out of 648 00:31:47,040 --> 00:31:50,240 Speaker 1: the uniform trailer dressed in a princess's gown and crown. 649 00:31:50,680 --> 00:31:53,120 Speaker 1: She's like the tooth fairy. It's not just going. She's 650 00:31:53,120 --> 00:31:55,680 Speaker 1: got a dress like the tooth fairy. She's the tooth Fairy. 651 00:31:55,800 --> 00:31:57,959 Speaker 1: We get a mention of Cinderella and tinker Bell, two 652 00:31:58,040 --> 00:32:00,480 Speaker 1: names you don't often hear much outside of Disney productions, 653 00:32:00,840 --> 00:32:04,160 Speaker 1: and Catherine can't stand the look. Being a tooth fairy 654 00:32:04,280 --> 00:32:06,480 Speaker 1: is not her idea of a good time, but Rogers 655 00:32:06,560 --> 00:32:09,920 Speaker 1: doesn't care. Catherine needs to get training where she's even 656 00:32:09,960 --> 00:32:14,600 Speaker 1: gonna learn to fly now. Oh boy, If you watch 657 00:32:14,680 --> 00:32:18,360 Speaker 1: the version I watched, it started with another one of 658 00:32:18,400 --> 00:32:22,040 Speaker 1: those Michael Eisner intros, and it was all about the 659 00:32:22,080 --> 00:32:25,160 Speaker 1: most famous flying characters in the history of Disney. And 660 00:32:25,200 --> 00:32:30,120 Speaker 1: it started with Mary Poppins flying around and Tinkerbell flying around, 661 00:32:30,440 --> 00:32:32,960 Speaker 1: and so you're like, you have this feeling of what 662 00:32:33,120 --> 00:32:37,320 Speaker 1: flying in this movie was going to be like, not 663 00:32:37,600 --> 00:32:42,080 Speaker 1: the same, So we are now inside the trailer, which 664 00:32:42,120 --> 00:32:45,120 Speaker 1: is hilariously huge and is clearly just the inside of 665 00:32:45,120 --> 00:32:47,920 Speaker 1: a sound stage at one of these like Disney or 666 00:32:47,920 --> 00:32:49,960 Speaker 1: something like that, which again very clever to go into 667 00:32:49,960 --> 00:32:53,360 Speaker 1: the little jet stream trailers and they become these huge 668 00:32:53,400 --> 00:32:55,080 Speaker 1: things in limbo. I get what they're doing. It saved 669 00:32:55,080 --> 00:32:58,080 Speaker 1: a ton of money. Very clever, and so it's huge. 670 00:32:58,160 --> 00:33:01,560 Speaker 1: And then a choreographer, Raoul who's Daryl chill Miller, is 671 00:33:01,560 --> 00:33:03,680 Speaker 1: teaching a man how to hop this is the new 672 00:33:03,840 --> 00:33:07,480 Speaker 1: Easter Bunny. Raoul meets Catherine and is told not to 673 00:33:07,520 --> 00:33:12,440 Speaker 1: work too hard. Catherine seems destined for quote the big barbecue. 674 00:33:12,960 --> 00:33:16,880 Speaker 1: Oh my god. Like right away they're saying, you're gunn 675 00:33:17,320 --> 00:33:19,480 Speaker 1: don't even worry about it. She's going to hell for 676 00:33:19,560 --> 00:33:20,440 Speaker 1: being a dentist. 677 00:33:20,960 --> 00:33:23,440 Speaker 2: Yep, Like this is a waste of time, is how 678 00:33:23,480 --> 00:33:26,240 Speaker 2: she's being treated. This is really a waste of time. 679 00:33:26,320 --> 00:33:29,400 Speaker 2: Let's just get through this because it's protocol and get 680 00:33:29,440 --> 00:33:33,640 Speaker 2: this move hard, journey on for this this lady, this 681 00:33:33,640 --> 00:33:34,520 Speaker 2: this dentist. 682 00:33:34,760 --> 00:33:37,240 Speaker 1: Yeah so then yeah, this dentist who's going to hell. 683 00:33:37,920 --> 00:33:40,800 Speaker 1: Catherine gets her magic wand and learns the cabbage patch 684 00:33:40,800 --> 00:33:43,640 Speaker 1: from Raoul as he hums the song. Here, we should 685 00:33:43,680 --> 00:33:46,320 Speaker 1: play a clip from that scene because it's pretty great. Okay, 686 00:33:46,400 --> 00:33:48,320 Speaker 1: now this is how you work the magic. Are you ready? 687 00:33:49,760 --> 00:33:57,280 Speaker 1: Don't don't, don't, don't, don't come, don't, don't, don't. Bump bump, 688 00:33:57,760 --> 00:34:05,320 Speaker 1: come on, b bump bump, Well, fight it up, bump bump. 689 00:34:05,960 --> 00:34:12,920 Speaker 2: Okay, the strangest, most unnecessary dance scene I've ever heard 690 00:34:13,040 --> 00:34:17,440 Speaker 2: the movie. I was going this is when I really 691 00:34:17,480 --> 00:34:18,960 Speaker 2: almost was just done. 692 00:34:19,239 --> 00:34:24,520 Speaker 3: I mean I and then it got worse because we 693 00:34:24,760 --> 00:34:26,480 Speaker 3: actually got to the fly. 694 00:34:28,000 --> 00:34:32,280 Speaker 1: Okay, so this is again the person who made Master 695 00:34:32,440 --> 00:34:36,160 Speaker 1: and Commander one of the most beautifully literally one of 696 00:34:36,200 --> 00:34:38,600 Speaker 1: the most beautifully shot films in the last twenty years. 697 00:34:38,680 --> 00:34:43,400 Speaker 1: It's stunning Mastering Commander and this she's just shaking the 698 00:34:43,480 --> 00:34:45,640 Speaker 1: camera all over the place. It looked like it was 699 00:34:45,760 --> 00:34:48,880 Speaker 1: it was just done on the fly, like a reality 700 00:34:48,920 --> 00:34:51,759 Speaker 1: show from the nineties. It was so strange. And again 701 00:34:51,800 --> 00:34:54,239 Speaker 1: I know this. This it also looked bad just because 702 00:34:54,239 --> 00:34:56,080 Speaker 1: it was grainy. That was not how it looked in 703 00:34:56,120 --> 00:34:58,279 Speaker 1: the nineties. I get that, But when you added that 704 00:34:58,360 --> 00:35:00,960 Speaker 1: into how I had to stream it, yeah, it was 705 00:35:01,040 --> 00:35:03,080 Speaker 1: like what am I watching right now? 706 00:35:03,120 --> 00:35:05,839 Speaker 2: Well, and you if you were looking closely and we're 707 00:35:05,920 --> 00:35:10,200 Speaker 2: jumping quickly just to Sabrina seas And I'm sure anyone 708 00:35:10,239 --> 00:35:13,040 Speaker 2: would see this. This wasn't like I saw something no 709 00:35:13,080 --> 00:35:17,279 Speaker 2: one else could ever see anyone. Yeah, anyone can see this. 710 00:35:17,760 --> 00:35:22,400 Speaker 2: You can literally, especially with her poofy dress, see where 711 00:35:22,440 --> 00:35:27,640 Speaker 2: the lines of her getting pulled into the air, like 712 00:35:27,680 --> 00:35:30,120 Speaker 2: from you know, down below, You could see like her 713 00:35:30,440 --> 00:35:31,560 Speaker 2: part of her material. 714 00:35:32,040 --> 00:35:36,040 Speaker 1: Yeah, yeah, yeah, you could see that. Yeah, you could 715 00:35:36,040 --> 00:35:41,000 Speaker 1: totally see you could you could you could see that. 716 00:35:41,280 --> 00:35:43,040 Speaker 1: What are the lines whatever the hell they're called? 717 00:35:43,120 --> 00:35:44,799 Speaker 2: Yeah, I was going to bring this up because I 718 00:35:44,800 --> 00:35:46,399 Speaker 2: know you love Mary Poppin so much. 719 00:35:46,840 --> 00:35:48,040 Speaker 3: The idea when. 720 00:35:47,920 --> 00:35:52,520 Speaker 2: They start flying, how why does everyone take flying to 721 00:35:53,400 --> 00:36:00,000 Speaker 2: swimming without water? Why are we moving our arms? Why 722 00:35:59,400 --> 00:36:01,279 Speaker 2: I ever get a chance to fly? 723 00:36:01,480 --> 00:36:04,480 Speaker 3: That's not what my initial reaction will be. 724 00:36:04,640 --> 00:36:11,360 Speaker 2: Just when without Walter picking the legs and moving around. 725 00:36:12,000 --> 00:36:14,319 Speaker 2: I really wish when she flew into the wall that 726 00:36:14,400 --> 00:36:15,920 Speaker 2: she like just went. 727 00:36:15,800 --> 00:36:17,080 Speaker 1: Scraped down the wall. 728 00:36:17,160 --> 00:36:19,040 Speaker 3: That would have been so great because she just kind 729 00:36:19,040 --> 00:36:19,759 Speaker 3: of landed there. 730 00:36:19,760 --> 00:36:25,680 Speaker 1: But it was yeah, okay, yeah, so Raoul, you know 731 00:36:25,800 --> 00:36:27,880 Speaker 1: tricks Catherine making her flap her arms to fly. But 732 00:36:27,920 --> 00:36:30,120 Speaker 1: eventually Mitch She's just trying. He just has to hold 733 00:36:30,200 --> 00:36:31,960 Speaker 1: up her arms. That's all she has to do. He 734 00:36:31,960 --> 00:36:33,920 Speaker 1: immediately floats about ten feet in the air. Now, this 735 00:36:33,960 --> 00:36:36,440 Speaker 1: one looked good when he did it. It looked good. 736 00:36:36,480 --> 00:36:39,719 Speaker 3: Fine looks so crazy. 737 00:36:40,080 --> 00:36:43,600 Speaker 1: She follows suit. She is now flying. She flies into 738 00:36:43,640 --> 00:36:46,240 Speaker 1: a padded wall, so she ends up leaving the trailer, 739 00:36:46,280 --> 00:36:48,600 Speaker 1: licking her wounds, and is reunited with Rogers, who tells 740 00:36:48,600 --> 00:36:51,520 Speaker 1: her that she can only fly in at night. She 741 00:36:51,600 --> 00:36:54,160 Speaker 1: has to wear the uniform and can only think happy 742 00:36:54,280 --> 00:36:57,080 Speaker 1: thoughts when using the wand But the biggest rule of all, 743 00:36:57,400 --> 00:37:00,520 Speaker 1: she can't mess with any mortals lives. While doing this, 744 00:37:01,360 --> 00:37:03,719 Speaker 1: Catherine is ushered into the Community Service office, where we 745 00:37:03,760 --> 00:37:06,680 Speaker 1: see other signs for the Easter Bunny, Father Time, the Boogeyman, 746 00:37:06,760 --> 00:37:08,319 Speaker 1: and snow White. I don't know why they would have 747 00:37:08,320 --> 00:37:10,120 Speaker 1: a boogeyman. I guess just to scare kids. 748 00:37:10,480 --> 00:37:13,359 Speaker 2: Well, Cinderella, snow White, what did these what do these 749 00:37:13,520 --> 00:37:17,000 Speaker 2: justice the characters have anything to do with Easter Bunny 750 00:37:17,000 --> 00:37:19,000 Speaker 2: to very Santa Claus. 751 00:37:18,800 --> 00:37:22,200 Speaker 1: You know, and noticed that Santa wasn't one of them. 752 00:37:22,280 --> 00:37:24,440 Speaker 1: They specifically were like, no, Santa's a real guy who 753 00:37:24,440 --> 00:37:27,640 Speaker 1: lives in the North pole, but they're walking the halls 754 00:37:27,719 --> 00:37:31,440 Speaker 1: and she's almost shot by Cupid, who was, of course 755 00:37:31,520 --> 00:37:35,520 Speaker 1: a divorce attorney on Earth. Okay, Catherine is brought into 756 00:37:35,560 --> 00:37:37,960 Speaker 1: a room where she will sit during the days watching 757 00:37:38,040 --> 00:37:40,759 Speaker 1: kids lose their teeth on a TV. She also has 758 00:37:40,800 --> 00:37:43,080 Speaker 1: a fax machine that actually looks more like a typewriter, 759 00:37:43,480 --> 00:37:45,560 Speaker 1: and that will tell her where to go every night. 760 00:37:45,800 --> 00:37:47,799 Speaker 1: She's told the longer the list, the more time will 761 00:37:47,800 --> 00:37:49,920 Speaker 1: slow down for her, and she'll go faster to get 762 00:37:49,960 --> 00:37:52,840 Speaker 1: everything done. That is a trick of limbo. They also 763 00:37:52,840 --> 00:37:56,040 Speaker 1: give her a phone that she picks up. There's a 764 00:37:56,080 --> 00:37:59,000 Speaker 1: weird dial tone. It never comes back. They never talk 765 00:37:59,040 --> 00:38:01,759 Speaker 1: about it again. She never gets a call. Nothing ever 766 00:38:01,800 --> 00:38:04,759 Speaker 1: happens with it. It's like, why the hell is the thing there? Yes, 767 00:38:05,400 --> 00:38:09,160 Speaker 1: Rogers leaves, threatening her if she makes one mistake, she's 768 00:38:09,200 --> 00:38:12,399 Speaker 1: going to hell. First day on the job, do one 769 00:38:12,400 --> 00:38:15,920 Speaker 1: thing wrong, You're going to hell. I mean, yikes, good ones. 770 00:38:15,960 --> 00:38:18,160 Speaker 2: I mean, like I told you. They are just trying 771 00:38:18,280 --> 00:38:21,480 Speaker 2: to expedite this time with her and get her act. 772 00:38:21,640 --> 00:38:27,000 Speaker 1: Get her out. You've failed before you've started. Dentist. Catherine 773 00:38:27,000 --> 00:38:28,480 Speaker 1: looks over a list of kids. This is going to 774 00:38:28,520 --> 00:38:30,120 Speaker 1: be a lot of travel and as a printer gives 775 00:38:30,120 --> 00:38:32,239 Speaker 1: her more names. We hear I get around by the 776 00:38:32,320 --> 00:38:35,200 Speaker 1: beach Boys, which is a far cry from the decom 777 00:38:35,280 --> 00:38:37,640 Speaker 1: synergy we hear in movies like Camp Rock. But we 778 00:38:37,719 --> 00:38:44,320 Speaker 1: get then the first flying montage of the film, where 779 00:38:45,160 --> 00:38:47,440 Speaker 1: she's in front of a green screen and she passes 780 00:38:47,480 --> 00:38:51,360 Speaker 1: through landmarks like the Eiffel Tower, Italian gondolas, Japanese billboards, 781 00:38:51,560 --> 00:38:55,719 Speaker 1: and eventually landing her inside an American home. This was 782 00:38:55,840 --> 00:38:58,480 Speaker 1: reminiscent of the bad dream sequence that I did in 783 00:38:58,560 --> 00:39:01,719 Speaker 1: Boy Mets World for the good Look Guy song, where 784 00:39:01,719 --> 00:39:04,760 Speaker 1: it's supposed to look bad and terrible. That's the point. 785 00:39:05,160 --> 00:39:06,840 Speaker 1: This was just like, what are they doing? 786 00:39:07,040 --> 00:39:10,440 Speaker 3: And it happens so many much. 787 00:39:11,920 --> 00:39:15,560 Speaker 2: And it's one thing to have it once, But later 788 00:39:15,640 --> 00:39:18,919 Speaker 2: on I would have liked the montage of some sort. 789 00:39:19,000 --> 00:39:21,800 Speaker 2: Didn't have to be every time they did this flying scene, 790 00:39:21,920 --> 00:39:25,319 Speaker 2: but her going into several of the kid's rooms. They 791 00:39:25,400 --> 00:39:26,919 Speaker 2: don't see that at all. 792 00:39:27,120 --> 00:39:29,760 Speaker 3: You see her just in front of the screen screen 793 00:39:30,200 --> 00:39:34,720 Speaker 3: flying around. She's pointing her wand now I'm asking questions. 794 00:39:34,760 --> 00:39:37,680 Speaker 2: Now you've got me on the stupid kick of asking 795 00:39:37,760 --> 00:39:41,000 Speaker 2: questions of the rules. She pointing out when she's doing 796 00:39:41,080 --> 00:39:43,239 Speaker 2: what is she doing? Like, is she only going to 797 00:39:43,280 --> 00:39:46,800 Speaker 2: some houses, but on some she's pointing and just zipping 798 00:39:46,880 --> 00:39:49,040 Speaker 2: the tooth to her and zipping the coin. 799 00:39:48,840 --> 00:39:49,359 Speaker 3: Back to them. 800 00:39:50,200 --> 00:39:52,960 Speaker 2: No, no, none of it made sense. And it happened 801 00:39:53,040 --> 00:39:54,400 Speaker 2: so many times. 802 00:39:54,080 --> 00:40:03,359 Speaker 1: And they kept cutting back to it. So she lands 803 00:40:03,360 --> 00:40:05,200 Speaker 1: in this American home. We see a woman tucking her 804 00:40:05,239 --> 00:40:07,399 Speaker 1: son in bed, and apparently she can't see the fairy 805 00:40:07,400 --> 00:40:10,200 Speaker 1: at all. Once the mom leaves, Catherine runs up to 806 00:40:10,239 --> 00:40:12,239 Speaker 1: the bed and tries to use her wand to leave 807 00:40:12,280 --> 00:40:15,239 Speaker 1: the money, but instead she accidentally makes the soon to 808 00:40:15,280 --> 00:40:19,359 Speaker 1: be groomed from the sushi bar appear. She says, ron 809 00:40:19,520 --> 00:40:22,760 Speaker 1: kind of happy and then says, you had your chance. 810 00:40:23,320 --> 00:40:25,920 Speaker 1: So the guy said, hey, I'm getting married. Never hit 811 00:40:26,000 --> 00:40:28,759 Speaker 1: on her, but still had a chance. I did. 812 00:40:29,840 --> 00:40:31,520 Speaker 3: Yeah, awake any sense? 813 00:40:31,640 --> 00:40:35,000 Speaker 1: No, so she makes him disappear. Now here's what I understand. 814 00:40:35,440 --> 00:40:37,560 Speaker 1: Check me if I'm wrong. But then the kid wakes 815 00:40:37,640 --> 00:40:40,759 Speaker 1: up and it's Bobby right right, So who was tucking 816 00:40:40,840 --> 00:40:43,960 Speaker 1: him in? Who's the woman his nanny? Okay, thank you, 817 00:40:44,040 --> 00:40:45,359 Speaker 1: I lost that because. 818 00:40:45,080 --> 00:40:49,040 Speaker 2: If that scene didn't happen, because we don't see her again. Right, Ever, 819 00:40:49,200 --> 00:40:52,000 Speaker 2: we don't see this nanny again. Thank god that happened, 820 00:40:52,000 --> 00:40:54,480 Speaker 2: because that would have answered the question later on when 821 00:40:54,560 --> 00:40:58,239 Speaker 2: his dad is he's only ten to eleven, when his 822 00:40:58,360 --> 00:41:00,279 Speaker 2: dad is out working. 823 00:41:00,440 --> 00:41:02,680 Speaker 1: Just leaving the kid by himself. Yet you're right, okay, good, 824 00:41:03,200 --> 00:41:05,319 Speaker 1: good call. So this is the young son Bobby. He 825 00:41:05,360 --> 00:41:08,080 Speaker 1: awakens and he's shocked to see this woman staring standing 826 00:41:08,080 --> 00:41:08,880 Speaker 1: over his bed. 827 00:41:09,000 --> 00:41:09,719 Speaker 2: Ab v H. 828 00:41:10,200 --> 00:41:12,480 Speaker 1: Scared, he thinks she could be a weirdly dressed burglar 829 00:41:12,520 --> 00:41:14,880 Speaker 1: and threatens to go ahead and get his dad. Doctor 830 00:41:14,920 --> 00:41:18,120 Speaker 1: Catherine is shocked he can see her and even calls 831 00:41:18,200 --> 00:41:21,480 Speaker 1: him a snitch. She explains she's the tooth Fairy, and 832 00:41:21,520 --> 00:41:24,520 Speaker 1: he thinks she's an idiot. Catherine is crabby, furious even 833 00:41:24,600 --> 00:41:26,880 Speaker 1: that she has to do this for these snot nosed kids. 834 00:41:26,960 --> 00:41:29,440 Speaker 1: The two bicker back and forth until Catherine just disappears 835 00:41:29,480 --> 00:41:31,200 Speaker 1: into a door in what has to be one of 836 00:41:31,239 --> 00:41:35,240 Speaker 1: the worst special effects in the history of any special effects. 837 00:41:35,680 --> 00:41:37,759 Speaker 1: Bobby finds a coin under his pillow which is so 838 00:41:37,880 --> 00:41:39,600 Speaker 1: large and silver it has to be from a pirate's 839 00:41:39,680 --> 00:41:42,560 Speaker 1: treasure chest, and he starts to wonder, did I just 840 00:41:42,680 --> 00:41:46,560 Speaker 1: meet the tooth Fairy? All right? Also, if you're giving 841 00:41:46,560 --> 00:41:48,560 Speaker 1: out specialty coins. It's supposed to be a silver dollar, 842 00:41:48,640 --> 00:41:50,759 Speaker 1: because where are you going to spend this magical tooth 843 00:41:50,760 --> 00:41:52,960 Speaker 1: fairy money? That's you can't get that at Walgreen? Like, 844 00:41:53,040 --> 00:41:55,000 Speaker 1: what are you going to do with this thing? Yeah, 845 00:41:55,280 --> 00:41:58,360 Speaker 1: give me a dollar now. Back with Raoul, Catherine is 846 00:41:58,440 --> 00:42:02,040 Speaker 1: furious is she invisible or not? And the truth is 847 00:42:02,200 --> 00:42:06,480 Speaker 1: anyone with baby teeth can still see her. And if 848 00:42:06,480 --> 00:42:08,720 Speaker 1: you're ever seen by an adult, that's a real problem. 849 00:42:08,760 --> 00:42:10,480 Speaker 1: So if you lose your baby teeth, you can't see 850 00:42:10,520 --> 00:42:13,560 Speaker 1: her anymore. If any adults heer, you go to hell. 851 00:42:13,880 --> 00:42:17,080 Speaker 1: So she confides in Raoul about Bobby and is reminded 852 00:42:17,200 --> 00:42:20,040 Speaker 1: leave the money and get back to Limboland. Those are 853 00:42:20,120 --> 00:42:23,919 Speaker 1: the rules. Apparently these the rules are changing. I don't 854 00:42:23,960 --> 00:42:26,960 Speaker 1: understand what they are. Please please tell me the rules 855 00:42:27,080 --> 00:42:30,879 Speaker 1: because I don't get them. We're now back at Bobby's house. 856 00:42:31,080 --> 00:42:33,080 Speaker 1: Bobby's getting ready for school. He sits down with his 857 00:42:33,120 --> 00:42:35,880 Speaker 1: businessman dad for breakfast, and we quickly notice that his 858 00:42:35,960 --> 00:42:38,279 Speaker 1: dad is a workaholic who's not at all connected to 859 00:42:38,320 --> 00:42:40,960 Speaker 1: his son. Bobby's got the coin, admitting he found it 860 00:42:41,040 --> 00:42:43,040 Speaker 1: under his pillow, and his dad seems to shame him 861 00:42:43,040 --> 00:42:45,480 Speaker 1: about believing in the Tooth Fairy. Good dad another good 862 00:42:45,480 --> 00:42:49,760 Speaker 1: Disney dad. It's a legend that his mom told him about. 863 00:42:50,200 --> 00:42:52,479 Speaker 1: There also seems to be something emotional about his mom. 864 00:42:52,640 --> 00:42:54,479 Speaker 1: We didn't know if she's left him, if she's dead. 865 00:42:54,560 --> 00:42:56,600 Speaker 1: She might have just smelled that. We don't know. It's 866 00:42:56,719 --> 00:43:00,480 Speaker 1: very strange. But Bobby takes off in a hurry and 867 00:43:00,600 --> 00:43:04,040 Speaker 1: Catherine meets the Easter Bunny and he's just as annoyed 868 00:43:04,040 --> 00:43:05,840 Speaker 1: as she is. She notices that he has a chocolate 869 00:43:05,840 --> 00:43:08,800 Speaker 1: egg in his basket and ridicules him for giving kids 870 00:43:08,880 --> 00:43:12,839 Speaker 1: cavities in a sort of nineteen twenties test. 871 00:43:13,000 --> 00:43:18,000 Speaker 3: She's like, nineteen twenties like gangster, yes kind. 872 00:43:17,800 --> 00:43:20,000 Speaker 1: Of, Oh I see, I got to like it was 873 00:43:20,400 --> 00:43:22,799 Speaker 1: I see your mugs? See yeah, who's giving the kids 874 00:43:22,840 --> 00:43:23,440 Speaker 1: for candy? 875 00:43:23,880 --> 00:43:27,720 Speaker 2: Yes? It was like what I don't know, but every 876 00:43:27,760 --> 00:43:30,880 Speaker 2: time we were in Limbo, I didn't understand what was 877 00:43:30,880 --> 00:43:31,399 Speaker 2: going on. 878 00:43:31,520 --> 00:43:34,040 Speaker 3: It was so strained the Limbo land. 879 00:43:34,680 --> 00:43:36,560 Speaker 1: She ends up comparing his job to that of a 880 00:43:36,680 --> 00:43:38,760 Speaker 1: drug dealer, which doesn't make a whole lot of sense. 881 00:43:39,000 --> 00:43:41,160 Speaker 1: And she's so connected to being the Tooth Fairy. But 882 00:43:41,160 --> 00:43:42,799 Speaker 1: I think she's what she's trying to do because at 883 00:43:42,840 --> 00:43:47,520 Speaker 1: the end she says every dentist's dream, and so what 884 00:43:47,560 --> 00:43:50,040 Speaker 1: she's trying to say is as a dentist, she would 885 00:43:50,120 --> 00:43:52,480 Speaker 1: love to have been able to tell off the Easter 886 00:43:52,560 --> 00:43:56,840 Speaker 1: Bunny or whoever created Halloween, anybody where Candy was involved. 887 00:43:57,080 --> 00:43:59,200 Speaker 1: She would have loved to been able to I think, 888 00:43:59,280 --> 00:44:02,160 Speaker 1: is what they're saying. Okay, And this is where we 889 00:44:02,200 --> 00:44:05,120 Speaker 1: talked again about her character changing so much scene by 890 00:44:05,160 --> 00:44:08,000 Speaker 1: scene that I didn't know. And it was also and 891 00:44:08,040 --> 00:44:10,400 Speaker 1: I again, I don't blame Kristy Alli for this. This 892 00:44:10,600 --> 00:44:13,160 Speaker 1: obviously just happened. But for several of the limbo scenes, 893 00:44:13,440 --> 00:44:17,120 Speaker 1: you could tell her voice was gone. She was really 894 00:44:17,160 --> 00:44:19,520 Speaker 1: had a screech going because I don't think she had 895 00:44:19,520 --> 00:44:19,799 Speaker 1: to see. 896 00:44:19,960 --> 00:44:23,760 Speaker 2: That's how I know Kirstie Ali, like, that's how she sounds. 897 00:44:23,800 --> 00:44:27,440 Speaker 2: Then all of the look who's talking, She's got that. 898 00:44:27,560 --> 00:44:29,520 Speaker 2: There's a part where I felt like, and I put 899 00:44:30,120 --> 00:44:32,759 Speaker 2: there was a few signature things of Christy Ali that 900 00:44:32,800 --> 00:44:34,719 Speaker 2: are in my Sabrina Seas and one of them is 901 00:44:34,719 --> 00:44:37,600 Speaker 2: her like boys, how it cracks up top when she 902 00:44:37,719 --> 00:44:39,800 Speaker 2: gets like a high pitch and it kind of cracks 903 00:44:39,880 --> 00:44:43,400 Speaker 2: like that's for me, because I really again cheers was 904 00:44:43,440 --> 00:44:45,640 Speaker 2: on really before I was watching it, I watched Cheers 905 00:44:45,640 --> 00:44:48,359 Speaker 2: when it was on Nick at Night on reruns, and 906 00:44:48,440 --> 00:44:52,520 Speaker 2: so it was you know that, But then watching Look 907 00:44:52,560 --> 00:44:54,880 Speaker 2: Who's Talking and all of those movies, those are the 908 00:44:54,920 --> 00:44:58,680 Speaker 2: ones where those are like to me iconic moments of 909 00:44:58,880 --> 00:45:02,040 Speaker 2: Kirsty Ali. Yeah, it was a lot in that. I 910 00:45:02,080 --> 00:45:04,880 Speaker 2: don't know if it was the desert and it got. 911 00:45:04,719 --> 00:45:07,439 Speaker 1: Bad, it got bad. Also, I think Luk, he's talking 912 00:45:07,440 --> 00:45:09,319 Speaker 1: about it exactly right. I think all babies, when their 913 00:45:09,360 --> 00:45:11,919 Speaker 1: babies just sound like Bruce Willa's. That's that's my that's 914 00:45:11,920 --> 00:45:13,520 Speaker 1: my guess is. 915 00:45:13,600 --> 00:45:14,560 Speaker 2: The truth of Ledger. 916 00:45:15,160 --> 00:45:18,239 Speaker 3: I think it's I'm in It's hilarious. 917 00:45:18,400 --> 00:45:20,080 Speaker 1: I think boys are girls, doesn't matter. You just sound 918 00:45:20,120 --> 00:45:23,200 Speaker 1: like Bruce Willis. We are now at Bobby's school with 919 00:45:23,239 --> 00:45:25,960 Speaker 1: his friend Trevor, and he's being bullied by the smallest 920 00:45:26,040 --> 00:45:28,960 Speaker 1: child that's ever walked the planet for money? 921 00:45:29,160 --> 00:45:31,839 Speaker 2: Is this bully literally two and a half feet tall, 922 00:45:31,920 --> 00:45:34,040 Speaker 2: he was the smallest. 923 00:45:33,440 --> 00:45:41,120 Speaker 1: Staring up and I'm like, you're gonna give me your money. 924 00:45:38,920 --> 00:45:42,279 Speaker 2: Let's just be like whatever, dude and just stiff arm all. 925 00:45:42,719 --> 00:45:42,919 Speaker 6: Yeah. 926 00:45:43,520 --> 00:45:46,840 Speaker 1: The strangest thing was if you go and watch this movie, 927 00:45:47,280 --> 00:45:49,880 Speaker 1: keep that kid in mind, and then go watch Defending 928 00:45:49,880 --> 00:45:53,320 Speaker 1: Your Life, where there's also a bully and they look identical. 929 00:45:53,800 --> 00:45:55,840 Speaker 3: Oh my gosh, they looked. 930 00:45:55,600 --> 00:45:58,239 Speaker 1: Like But it's the tiniest little kid is bullying him. 931 00:45:58,480 --> 00:46:01,120 Speaker 1: Bobby notices some girls looking though, so he lunges at 932 00:46:01,120 --> 00:46:03,960 Speaker 1: his rival but missus and gets knocked out and robbed. 933 00:46:04,200 --> 00:46:07,719 Speaker 1: He even loses a tooth. So we've got death, we've 934 00:46:07,719 --> 00:46:12,319 Speaker 1: got murder, we've got robbing, we've got assault Disney movie, 935 00:46:12,360 --> 00:46:15,040 Speaker 1: We've got We've got it's awesome. 936 00:46:14,920 --> 00:46:18,800 Speaker 2: Got bribery, yes man. 937 00:46:19,160 --> 00:46:21,560 Speaker 1: Later that night, his dad calls from a dinner meeting. 938 00:46:21,560 --> 00:46:23,399 Speaker 1: He's gonna be late. Bobby tries to tell him about 939 00:46:23,400 --> 00:46:25,640 Speaker 1: getting beaten up, but he's hung up on We've got 940 00:46:25,640 --> 00:46:28,880 Speaker 1: another great dcom dad here. That night, Calf of the 941 00:46:28,880 --> 00:46:32,680 Speaker 1: Tooth Fairy is back out, flying Sabrina's favorite and dancing 942 00:46:32,719 --> 00:46:35,200 Speaker 1: now past the Statue of Liberty. Then what has to 943 00:46:35,200 --> 00:46:38,479 Speaker 1: be the absolute worst effect we have ever seen anywhere ever. 944 00:46:38,840 --> 00:46:42,160 Speaker 1: She dodges an airplane and rapidly spins and cartwheels away 945 00:46:42,880 --> 00:46:44,640 Speaker 1: of the budget. This was nine dollars. 946 00:46:44,920 --> 00:46:52,680 Speaker 3: Yes, at my gosh, it was. And again this is 947 00:46:52,760 --> 00:46:56,120 Speaker 3: probably what the fourth time we've seen this green screen. 948 00:46:56,200 --> 00:46:58,760 Speaker 3: You're just going not again, not again. 949 00:46:58,960 --> 00:47:01,719 Speaker 2: No, this was where's the And he didn't even need it. 950 00:47:02,120 --> 00:47:04,320 Speaker 2: You knew that when she got there, she had already 951 00:47:04,320 --> 00:47:06,239 Speaker 2: gone through the greens green motion and we were good. 952 00:47:06,680 --> 00:47:11,120 Speaker 1: Yes, okay. She eventually crashes in Bobby's front yard and 953 00:47:11,120 --> 00:47:12,960 Speaker 1: attempts to use your wand for the tooth and coin 954 00:47:13,040 --> 00:47:15,799 Speaker 1: exchange in his bedroom. Bobby again wakes up and they 955 00:47:15,840 --> 00:47:18,160 Speaker 1: fight over ownership of the tooth. Chrisciality here has a 956 00:47:18,239 --> 00:47:20,560 Speaker 1: very similar relationship with this kid as she did with 957 00:47:20,640 --> 00:47:23,840 Speaker 1: Ted Danson in Cheers, but Bobby is starting to believe 958 00:47:23,920 --> 00:47:26,680 Speaker 1: she is in fact the tooth Fairy, despite his dad's thoughts. 959 00:47:26,840 --> 00:47:29,520 Speaker 1: To help convince him, she morphs her head into a 960 00:47:29,680 --> 00:47:34,000 Speaker 1: dinosaur and roars at him. Now this effect doesn't look bad, 961 00:47:34,080 --> 00:47:34,759 Speaker 1: but what the. 962 00:47:34,719 --> 00:47:37,440 Speaker 2: Hell was the one that actually was better? 963 00:47:37,560 --> 00:47:39,560 Speaker 1: But it's probably one of the best ones of the movie. 964 00:47:39,719 --> 00:47:41,240 Speaker 3: I think I agree? 965 00:47:41,440 --> 00:47:42,000 Speaker 1: But why? 966 00:47:42,320 --> 00:47:45,319 Speaker 2: But why? And who has ever said that the tooth 967 00:47:45,320 --> 00:47:48,120 Speaker 2: Fairy can be anything but the tooth Fairy? 968 00:47:48,520 --> 00:47:50,400 Speaker 3: No one ever. 969 00:47:49,840 --> 00:47:52,600 Speaker 2: Made that assumption. No one's ever said that she didn't 970 00:47:52,680 --> 00:47:55,359 Speaker 2: learn to do it. Yeah, there was no This came 971 00:47:55,400 --> 00:47:59,360 Speaker 2: out of nowhere. Yeah, and she wouldn't need that special 972 00:47:59,400 --> 00:48:02,200 Speaker 2: power because she's not supposed to be seen by the kids. 973 00:48:02,520 --> 00:48:04,880 Speaker 2: This is supposed to happen in their sleep. She's just 974 00:48:05,000 --> 00:48:08,040 Speaker 2: crappy at her job, and so there's there's no like, oh, 975 00:48:08,120 --> 00:48:10,680 Speaker 2: we're going to give you this special power in case 976 00:48:10,719 --> 00:48:12,480 Speaker 2: you get seen and you need to convince the kid 977 00:48:12,520 --> 00:48:14,359 Speaker 2: that you're the tooth fairy. No, get the hell out 978 00:48:14,360 --> 00:48:14,840 Speaker 2: of the house. 979 00:48:15,080 --> 00:48:15,880 Speaker 3: Not even supposed to. 980 00:48:15,840 --> 00:48:18,759 Speaker 1: See nobody also said that like up in Limbo. Oh, 981 00:48:18,760 --> 00:48:20,200 Speaker 1: by the way, the other power you have is you 982 00:48:20,200 --> 00:48:23,040 Speaker 1: can morph into any other animal. You are an anima. 983 00:48:23,360 --> 00:48:26,920 Speaker 3: Sud what is Yeah, that was weird and not need. 984 00:48:27,120 --> 00:48:28,880 Speaker 1: Do you get an AGAs? Do you get animegus? Do 985 00:48:28,880 --> 00:48:29,600 Speaker 1: you get that reference? 986 00:48:30,040 --> 00:48:33,880 Speaker 3: No? Omegas animegas anime? 987 00:48:34,120 --> 00:48:40,560 Speaker 1: Oh gosh no, where do you think it's from. 988 00:48:38,760 --> 00:48:41,279 Speaker 2: Some kind of weird anime thing like that? 989 00:48:41,360 --> 00:48:41,960 Speaker 3: You see it? 990 00:48:42,080 --> 00:48:48,759 Speaker 1: Come on, Harry Potter. You can change again. When you 991 00:48:48,800 --> 00:48:51,280 Speaker 1: can change from a human into an animal like Mcgonaga 992 00:48:51,400 --> 00:48:57,120 Speaker 1: and the cat, you are an animegus or like like whack, yeah, okay, okay, 993 00:48:57,200 --> 00:48:59,000 Speaker 1: well it. 994 00:48:59,160 --> 00:49:02,120 Speaker 2: Sounds like getting arn Rose sometimes says animal which is 995 00:49:02,160 --> 00:49:04,120 Speaker 2: ammal that's. 996 00:49:05,239 --> 00:49:06,640 Speaker 3: Four year old made up word. 997 00:49:06,800 --> 00:49:08,560 Speaker 1: I'm getting you there. We're going to get there. We're 998 00:49:08,560 --> 00:49:10,160 Speaker 1: going to do this together. I'm taking you by the hand. 999 00:49:10,160 --> 00:49:11,080 Speaker 1: We're going to do this together. 1000 00:49:11,840 --> 00:49:12,120 Speaker 4: Yes. 1001 00:49:12,239 --> 00:49:14,480 Speaker 1: Now, Finally, Bobby and Catherine are starting to calm down 1002 00:49:14,520 --> 00:49:17,240 Speaker 1: and chat about her new job as the tooth Fairy. 1003 00:49:17,520 --> 00:49:21,000 Speaker 1: Bobby even asks for advice for dealing with girls. Catherine 1004 00:49:21,000 --> 00:49:23,600 Speaker 1: makes the tooth exchange, but just then Bobby's dad returns 1005 00:49:23,640 --> 00:49:26,640 Speaker 1: and sees him talking to an imaginary person. He's disturbed 1006 00:49:26,640 --> 00:49:29,400 Speaker 1: at the site his son might be a little bonker's. 1007 00:49:29,920 --> 00:49:32,280 Speaker 1: The next morning, the dad even stops Bobby before school 1008 00:49:32,280 --> 00:49:33,920 Speaker 1: and mentions that he saw him talking to himself, but 1009 00:49:33,960 --> 00:49:36,560 Speaker 1: he assures Bobby that he also sees his mom and 1010 00:49:36,680 --> 00:49:39,040 Speaker 1: sometimes he talks to her too, So she's also dead. 1011 00:49:39,160 --> 00:49:42,279 Speaker 1: We just found out she's dead. So much death, yes, so. 1012 00:49:42,280 --> 00:49:45,960 Speaker 2: Much death, right, Yeah, We've got two parents so far 1013 00:49:46,120 --> 00:49:48,840 Speaker 2: and a dentist and then you know everyone and everybody 1014 00:49:48,880 --> 00:49:49,280 Speaker 2: at Limbo. 1015 00:49:49,480 --> 00:49:52,080 Speaker 1: Yeah, it's just so much dead. But Bobby says it 1016 00:49:52,120 --> 00:49:54,280 Speaker 1: wasn't his mom, it was the tooth Fairy, and Bobby's 1017 00:49:54,360 --> 00:49:56,399 Speaker 1: dad reacts to his son like he just admitted he's 1018 00:49:56,400 --> 00:49:59,520 Speaker 1: addicted to meth. Bobby runs off to school and drives 1019 00:49:59,520 --> 00:50:02,160 Speaker 1: to approach Carrie Cole, a girl he likes, which again 1020 00:50:02,200 --> 00:50:03,920 Speaker 1: would be the most popular girl in the school as 1021 00:50:03,920 --> 00:50:05,640 Speaker 1: we talked to because she has an a literative name 1022 00:50:05,680 --> 00:50:09,279 Speaker 1: like your most popular and Channon Shipley. Now we have 1023 00:50:09,360 --> 00:50:12,040 Speaker 1: Carrie Cole, a girl he likes. Using advice he got 1024 00:50:12,040 --> 00:50:15,359 Speaker 1: from Catherine, he asked to walk her home and she says, yes, 1025 00:50:15,760 --> 00:50:20,120 Speaker 1: things are looking up. For Bobby, his tiny little bully 1026 00:50:20,160 --> 00:50:22,600 Speaker 1: isn't around and he gets the girl and Catholic saw 1027 00:50:22,600 --> 00:50:25,720 Speaker 1: it all on the little TV in her tiny little restroom. 1028 00:50:26,200 --> 00:50:28,600 Speaker 1: So she's just sitting there watching Bobby on TV. 1029 00:50:28,840 --> 00:50:31,440 Speaker 2: See yeah, Which that's not what it seemed like she 1030 00:50:31,560 --> 00:50:32,960 Speaker 2: was going to be able to do on that TV 1031 00:50:33,680 --> 00:50:36,000 Speaker 2: when she was told what the TV was supposed to do. 1032 00:50:36,080 --> 00:50:38,440 Speaker 2: It wasn't really talking about like just checking in on 1033 00:50:38,520 --> 00:50:39,040 Speaker 2: any kid. 1034 00:50:39,440 --> 00:50:41,640 Speaker 1: And we never see what you're supposed to see on 1035 00:50:41,680 --> 00:50:43,760 Speaker 1: the TV. How do they not give us a quick 1036 00:50:43,760 --> 00:50:46,960 Speaker 1: montage because this movie loves montages. How did we not 1037 00:50:47,040 --> 00:50:48,960 Speaker 1: get a montage of a bunch of kids from around 1038 00:50:49,000 --> 00:50:50,160 Speaker 1: the world losing their teeth? 1039 00:50:50,400 --> 00:50:51,759 Speaker 3: That's what it's only supposed to be. 1040 00:50:53,239 --> 00:50:55,399 Speaker 2: How is she able to put the channel and check 1041 00:50:55,440 --> 00:50:56,640 Speaker 2: in on specific kids. 1042 00:50:56,920 --> 00:50:59,080 Speaker 1: You're only supposed to see kids lose their teeth and 1043 00:50:59,320 --> 00:51:03,319 Speaker 1: old random episodes of Room two two seven. M A's 1044 00:51:03,400 --> 00:51:05,560 Speaker 1: an old school reference for you. There you go, look 1045 00:51:05,600 --> 00:51:09,719 Speaker 1: it up kids. So yes. After the little date that 1046 00:51:09,800 --> 00:51:12,360 Speaker 1: happened all off camera and where he actually got to 1047 00:51:12,600 --> 00:51:17,040 Speaker 1: hold her hand, apparently, Bobby sees Trevor, who's also walking home. 1048 00:51:17,120 --> 00:51:19,360 Speaker 1: Trevor lost his back, Moler, and he's gonna hide the 1049 00:51:19,360 --> 00:51:23,800 Speaker 1: tooth in his brother's cereal good Frank Trevor. Instead, Bobby 1050 00:51:23,800 --> 00:51:26,279 Speaker 1: convinces Trevor to give him the tooth and confides in 1051 00:51:26,360 --> 00:51:29,720 Speaker 1: him about the tooth theory. Later that night, Catherine visits 1052 00:51:29,719 --> 00:51:32,239 Speaker 1: Bobby again, only after stopping by Trevor's and figuring out 1053 00:51:32,280 --> 00:51:35,560 Speaker 1: what's going on. Bobby brags about his date and Catherine 1054 00:51:35,560 --> 00:51:38,120 Speaker 1: says next time he should carry her books and rouse 1055 00:51:38,160 --> 00:51:41,560 Speaker 1: off a bunch of other romantic ideas. The tooth exchange occurs, 1056 00:51:41,560 --> 00:51:43,840 Speaker 1: and Catherine says the coin has to get to Trevor. 1057 00:51:44,080 --> 00:51:46,520 Speaker 1: It is very important. Those are the rules. She also 1058 00:51:46,560 --> 00:51:49,160 Speaker 1: realizes Bobby is a neglected kid. His dad has gone again, 1059 00:51:49,239 --> 00:51:51,839 Speaker 1: so she decides to stay around, tuck him in and 1060 00:51:51,920 --> 00:51:54,960 Speaker 1: sing him a lullaby. So the only role you have, 1061 00:51:55,080 --> 00:51:57,600 Speaker 1: you gotta go at night and don't mess with anybody's lives. 1062 00:51:57,600 --> 00:51:59,319 Speaker 1: And she's like, why don't you talk, I'll get into 1063 00:51:59,320 --> 00:52:00,560 Speaker 1: bed and I'll sing you a song. 1064 00:52:01,320 --> 00:52:04,920 Speaker 2: No, but back up, how did she know that Bobby 1065 00:52:05,000 --> 00:52:07,640 Speaker 2: had the tooth? How did she know that? Because because 1066 00:52:07,680 --> 00:52:09,280 Speaker 2: I talked to Trevor, did Trevor? 1067 00:52:09,480 --> 00:52:12,279 Speaker 1: Because then Trevor would have known, right, because that's what 1068 00:52:12,320 --> 00:52:13,800 Speaker 1: I mean. Yeah, he didn't. 1069 00:52:13,840 --> 00:52:14,560 Speaker 2: He never saw. 1070 00:52:14,719 --> 00:52:18,239 Speaker 3: He didn't see her until later on in the movie 1071 00:52:18,280 --> 00:52:19,439 Speaker 3: when the other kids are seen. 1072 00:52:20,440 --> 00:52:22,560 Speaker 2: That was strange to me. I didn't understand. 1073 00:52:22,600 --> 00:52:26,000 Speaker 3: How did she actually knows to go back to Bobby room. 1074 00:52:27,160 --> 00:52:29,479 Speaker 1: No, Oh no, I don't know. Again, it's just a glad. 1075 00:52:29,520 --> 00:52:30,480 Speaker 3: It wasn't explained. 1076 00:52:30,480 --> 00:52:32,760 Speaker 2: It was just a big hole. And then then again 1077 00:52:32,800 --> 00:52:35,240 Speaker 2: we move on to her talking in Tibet and singing 1078 00:52:35,280 --> 00:52:38,480 Speaker 2: him a lullaby. Yes, okay, the kids like eleven, I 1079 00:52:38,560 --> 00:52:40,320 Speaker 2: think we're past lullaby world. 1080 00:52:41,160 --> 00:52:43,680 Speaker 1: Also, how many how many teeth does one kid have 1081 00:52:43,680 --> 00:52:45,759 Speaker 1: to lose in a day before maybe you talk to 1082 00:52:45,800 --> 00:52:47,000 Speaker 1: somebody even has the tooth? 1083 00:52:47,000 --> 00:52:50,560 Speaker 2: Fairy guess worse than that case, I know you've lost 1084 00:52:51,400 --> 00:52:52,680 Speaker 2: guys up. 1085 00:52:54,239 --> 00:52:59,600 Speaker 1: Yes, so Bobby mid dance routine because the little cabbage 1086 00:52:59,640 --> 00:53:02,560 Speaker 1: patches only thing she knows. Bobby falls, falls asleep, and 1087 00:53:02,600 --> 00:53:05,399 Speaker 1: his dad walks in. Catherine watches on as his dad 1088 00:53:05,440 --> 00:53:07,880 Speaker 1: sits down and looks pained. He obviously misses his wife, 1089 00:53:07,880 --> 00:53:11,840 Speaker 1: and for some reason this turns Catherine on. Back in 1090 00:53:11,960 --> 00:53:15,200 Speaker 1: Limbo Land, Catherine sees one of her old colleagues, doctor Green. 1091 00:53:15,360 --> 00:53:17,959 Speaker 1: He had a heart attack while playing golf. He's heard 1092 00:53:18,040 --> 00:53:20,960 Speaker 1: hardly anyone goes to heaven after being the tooth Fairy. 1093 00:53:21,600 --> 00:53:24,240 Speaker 1: He doesn't know why, It's just something he's quote, always 1094 00:53:24,360 --> 00:53:26,920 Speaker 1: heard always. So has he been there since? 1095 00:53:27,160 --> 00:53:27,359 Speaker 6: Yeah? 1096 00:53:27,760 --> 00:53:30,399 Speaker 2: She makes it clear, and he said, well, I've had 1097 00:53:30,400 --> 00:53:32,839 Speaker 2: to work some things out right, So. 1098 00:53:32,800 --> 00:53:33,839 Speaker 1: He's been there a long time. 1099 00:53:34,200 --> 00:53:37,239 Speaker 2: That's the isn't what I thought it was. And I 1100 00:53:37,239 --> 00:53:39,680 Speaker 2: didn't go back and rejex that that's the one he takes. 1101 00:53:39,680 --> 00:53:41,799 Speaker 2: She takes the dentists who she takes over his things. 1102 00:53:41,840 --> 00:53:44,400 Speaker 2: So she had taken it over, taken it over for 1103 00:53:44,440 --> 00:53:47,239 Speaker 2: a while. That's why she is confused, why are you 1104 00:53:47,360 --> 00:53:49,360 Speaker 2: still here in limbo? And he said, I had some 1105 00:53:49,400 --> 00:53:51,960 Speaker 2: things to take care of, gotcha? And then now so 1106 00:53:52,080 --> 00:53:55,520 Speaker 2: he's heard, so he's gone through quite a few tooth fairies. 1107 00:53:55,560 --> 00:53:56,879 Speaker 2: Apparently that all go to hell. 1108 00:53:58,200 --> 00:54:00,320 Speaker 1: Again, he was a dentist too, So why wouldn't maybe 1109 00:54:00,360 --> 00:54:02,200 Speaker 1: the tooth fairy? And why do they all go to hell? 1110 00:54:02,280 --> 00:54:03,120 Speaker 1: All these dentists. 1111 00:54:03,360 --> 00:54:04,760 Speaker 2: Oh, that's a good point. 1112 00:54:04,760 --> 00:54:05,279 Speaker 3: I didn't ask. 1113 00:54:05,440 --> 00:54:07,600 Speaker 2: I didn't think. Why wasn't he the tooth fairy? 1114 00:54:07,719 --> 00:54:09,880 Speaker 1: Why isn't he the tooth fairy? Maybe because he knew. 1115 00:54:09,760 --> 00:54:10,920 Speaker 3: I I don't know. 1116 00:54:11,280 --> 00:54:13,880 Speaker 1: I don't know, but he says not to worry. And 1117 00:54:13,920 --> 00:54:16,040 Speaker 1: she asked if doctor Green ever saw her dad in 1118 00:54:16,120 --> 00:54:19,879 Speaker 1: limbo land. He admits that he did. He blew through 1119 00:54:19,920 --> 00:54:22,399 Speaker 1: it pretty quick. And again, how long has he been there? 1120 00:54:22,440 --> 00:54:24,840 Speaker 1: Because her dad died in the sixties. 1121 00:54:25,719 --> 00:54:29,359 Speaker 3: Right, Oh, so if he blew through pretty quick. 1122 00:54:29,880 --> 00:54:30,839 Speaker 1: Why would he be there? 1123 00:54:30,920 --> 00:54:31,959 Speaker 2: When it makes sense? 1124 00:54:32,760 --> 00:54:36,040 Speaker 3: It makes sense? Okay, none of that incorrect. 1125 00:54:36,080 --> 00:54:39,919 Speaker 1: The logic doesn't make sense. Y, Yeah, everyone loved her dad. 1126 00:54:39,960 --> 00:54:42,040 Speaker 1: He was very kind. But doctor Green has to go. 1127 00:54:42,200 --> 00:54:45,080 Speaker 1: He's on his way up to heaven. It becomes well 1128 00:54:45,239 --> 00:54:47,239 Speaker 1: tries to become a touching scene as he walks up 1129 00:54:47,239 --> 00:54:49,279 Speaker 1: the steps and Catherine says it was so nice to 1130 00:54:49,280 --> 00:54:51,640 Speaker 1: see him. He says he'll see her again soon. He 1131 00:54:51,719 --> 00:54:54,400 Speaker 1: makes at the top grows a terrible pair of wings 1132 00:54:54,880 --> 00:54:58,320 Speaker 1: and is zoomed up into space. It's just so weird. 1133 00:54:58,680 --> 00:55:00,879 Speaker 2: I like that better. I was gonna go, uh oh, 1134 00:55:00,960 --> 00:55:04,640 Speaker 2: Now we got to see this guy fly like they've 1135 00:55:04,680 --> 00:55:08,879 Speaker 2: already shown once again the view from the back of his. 1136 00:55:08,920 --> 00:55:12,959 Speaker 3: Butt going up the stairs. Now we got to see 1137 00:55:13,040 --> 00:55:15,680 Speaker 3: him fly. Okay, No, it's just a beam, all right. 1138 00:55:15,800 --> 00:55:17,680 Speaker 2: I was better with the beam than seeing him do 1139 00:55:18,080 --> 00:55:19,800 Speaker 2: another one of these flying things. 1140 00:55:19,880 --> 00:55:22,319 Speaker 3: But it's in the desert. Was gonna be worse. It 1141 00:55:22,400 --> 00:55:23,120 Speaker 3: was gonna be worse. 1142 00:55:23,280 --> 00:55:25,680 Speaker 1: This is just a bananas movie, though. I mean it 1143 00:55:25,760 --> 00:55:28,600 Speaker 1: is an absolutely bananas movie. 1144 00:55:29,160 --> 00:55:29,880 Speaker 3: Liked that moment. 1145 00:55:29,920 --> 00:55:33,080 Speaker 2: I thought that the but that's that's a stare. 1146 00:55:33,960 --> 00:55:35,680 Speaker 3: It from an airplane. 1147 00:55:35,760 --> 00:55:38,319 Speaker 2: Yeah, like from an airplane when you enter it from 1148 00:55:38,560 --> 00:55:40,640 Speaker 2: I thought that was kind of creative. 1149 00:55:40,719 --> 00:55:44,879 Speaker 1: I did. It's clever, but like it. It's so it's 1150 00:55:45,080 --> 00:55:48,399 Speaker 1: just such a bonkers movie. We are now back on Earth. 1151 00:55:48,480 --> 00:55:50,839 Speaker 1: Catherine's house is being packed up by Mindy and she's 1152 00:55:50,880 --> 00:55:52,840 Speaker 1: watching it all unfold again on our TV. So now 1153 00:55:52,840 --> 00:55:55,040 Speaker 1: apparently she can watch whatever she wants when she wants. 1154 00:55:55,480 --> 00:55:57,799 Speaker 1: Raoul stops buying. Catherine wants to know why she was 1155 00:55:57,880 --> 00:56:00,520 Speaker 1: picked to be the tooth fairy. It can just be 1156 00:56:00,520 --> 00:56:02,840 Speaker 1: because she's a dentist. He says he's not allowed to 1157 00:56:02,880 --> 00:56:04,680 Speaker 1: tell her. Okay, so we're starting to get that there's 1158 00:56:04,719 --> 00:56:07,120 Speaker 1: more here. She knows she was a good person, but 1159 00:56:07,200 --> 00:56:11,160 Speaker 1: Raoul says she's never allowed herself to love anyone. To 1160 00:56:11,239 --> 00:56:14,080 Speaker 1: get into heaven, she needs to love back those who 1161 00:56:14,120 --> 00:56:17,360 Speaker 1: love her, and man, she feels that. One she watches 1162 00:56:17,360 --> 00:56:19,160 Speaker 1: her best friend Mindy cry and say goodbye to her 1163 00:56:19,160 --> 00:56:22,520 Speaker 1: at the house on TV. But it seemed like she 1164 00:56:22,560 --> 00:56:25,360 Speaker 1: loved Mindy. She loved her dad, which she says she 1165 00:56:25,360 --> 00:56:28,000 Speaker 1: loves her knows she she loves her mom, Mendy. 1166 00:56:28,520 --> 00:56:32,120 Speaker 2: She pushes off Mindy. She also saw her mom go 1167 00:56:32,400 --> 00:56:36,479 Speaker 2: into the the closet and didn't like go console her. 1168 00:56:36,920 --> 00:56:39,399 Speaker 3: On the day of the anniversary of her father's death. 1169 00:56:39,480 --> 00:56:41,600 Speaker 1: She kind of the closet, it was the lab. She 1170 00:56:41,640 --> 00:56:42,600 Speaker 1: went to the bathroom. 1171 00:56:42,920 --> 00:56:46,399 Speaker 2: Okay, Well, she was clearly crying and upset, and it's 1172 00:56:46,440 --> 00:56:49,399 Speaker 2: clearly the same day of the death anniversary, so I 1173 00:56:49,440 --> 00:56:53,120 Speaker 2: get that she is kind. Basically, she has these people 1174 00:56:53,160 --> 00:56:55,520 Speaker 2: around her that care about her, and she blows them 1175 00:56:55,520 --> 00:56:58,200 Speaker 2: all off. She blows off her receptionist, She doesn't care 1176 00:56:58,239 --> 00:56:59,960 Speaker 2: it about and it's been going on in her life. 1177 00:57:00,280 --> 00:57:02,600 Speaker 2: This is when I started to click in got it, Okay, 1178 00:57:02,640 --> 00:57:05,640 Speaker 2: I see what's now. We're now for me. It's making 1179 00:57:05,719 --> 00:57:07,279 Speaker 2: sense what her mission is. 1180 00:57:07,920 --> 00:57:09,759 Speaker 1: They could have They should have gone farther. They should 1181 00:57:09,800 --> 00:57:12,200 Speaker 1: have gone she had a ton of friends. She had 1182 00:57:12,239 --> 00:57:15,719 Speaker 1: like another friend called her she you know, yeah, I 1183 00:57:15,880 --> 00:57:17,040 Speaker 1: just right. 1184 00:57:17,120 --> 00:57:19,960 Speaker 2: But that's when this started going. Okay, so it's not 1185 00:57:20,080 --> 00:57:22,280 Speaker 2: just I thought she was having to fall in love. 1186 00:57:22,360 --> 00:57:24,640 Speaker 2: I was starting to put pieces and I was starting 1187 00:57:24,680 --> 00:57:26,400 Speaker 2: to make up things in my head because there was 1188 00:57:26,480 --> 00:57:31,800 Speaker 2: nothing but nothing was really being explained. I'm like, she 1189 00:57:31,840 --> 00:57:35,160 Speaker 2: has to fall in love to not go to hell. 1190 00:57:35,520 --> 00:57:38,360 Speaker 3: That's weird. This was she has to love the people 1191 00:57:38,440 --> 00:57:39,360 Speaker 3: back who love her. 1192 00:57:39,440 --> 00:57:41,520 Speaker 2: She needs to stop pushing off the people that care 1193 00:57:41,560 --> 00:57:43,880 Speaker 2: about her out of her life and not making them 1194 00:57:43,920 --> 00:57:44,600 Speaker 2: a priority. 1195 00:57:45,000 --> 00:57:46,760 Speaker 3: Okay, all right, I'm good with it. 1196 00:57:47,040 --> 00:57:50,880 Speaker 1: Okay, they could have done better. We're now in Bobby's class. 1197 00:57:50,920 --> 00:57:53,120 Speaker 1: The bullies are picking on him again now for dumping 1198 00:57:53,200 --> 00:57:56,280 Speaker 1: carry for the tooth fairy. What a loser? Uh Oh, 1199 00:57:56,400 --> 00:57:58,640 Speaker 1: we appear to have a snitch, because how can they 1200 00:57:58,640 --> 00:58:01,320 Speaker 1: have known? Bobby hunts down Trevor and to some of 1201 00:58:01,360 --> 00:58:04,600 Speaker 1: the worst background music ever. It hackles him in front 1202 00:58:04,600 --> 00:58:06,600 Speaker 1: of the school he's supposed to be his best friend 1203 00:58:06,600 --> 00:58:08,440 Speaker 1: to be able to keep secrets. Trevor says he had 1204 00:58:08,480 --> 00:58:10,560 Speaker 1: to tell someone because the coin is so cool, and 1205 00:58:10,600 --> 00:58:13,960 Speaker 1: that's a terrible excuse to tell anybody, especially your best 1206 00:58:13,960 --> 00:58:14,760 Speaker 1: friend's bully. 1207 00:58:14,840 --> 00:58:18,440 Speaker 3: Best friend. Yeah, and then gets up and walks away 1208 00:58:18,520 --> 00:58:19,000 Speaker 3: with the. 1209 00:58:19,160 --> 00:58:22,439 Speaker 2: Yes, goes with the bullies, none of them and cool 1210 00:58:22,480 --> 00:58:25,080 Speaker 2: with them because of a weird coin. 1211 00:58:25,200 --> 00:58:28,040 Speaker 1: And the kids' performances. They were yelling back and forth 1212 00:58:28,080 --> 00:58:30,880 Speaker 1: at each other most of the times they were. It 1213 00:58:31,000 --> 00:58:34,520 Speaker 1: was just strange. And this kid, if you watch Sleepless 1214 00:58:34,520 --> 00:58:38,800 Speaker 1: in Seattle, he's a good actor. He is very good actor, 1215 00:58:38,880 --> 00:58:41,280 Speaker 1: and in this movie, it was like, what the hell 1216 00:58:41,400 --> 00:58:45,240 Speaker 1: is happening right now? Yeah, the kid's performances, all of them, 1217 00:58:45,600 --> 00:58:47,840 Speaker 1: the direction was just just yell back and forth at 1218 00:58:47,840 --> 00:58:49,240 Speaker 1: each other. Even if it's supposed to be kind of 1219 00:58:49,240 --> 00:58:50,080 Speaker 1: a quiet. 1220 00:58:49,760 --> 00:58:53,640 Speaker 2: Scene, maybe they weren't even really given like anything, just 1221 00:58:53,800 --> 00:58:55,840 Speaker 2: that just kind of like, oh, you guys are just 1222 00:58:55,880 --> 00:58:58,360 Speaker 2: picking on each other. You kind of always just push 1223 00:58:58,440 --> 00:59:01,080 Speaker 2: each other around your bully maybe. 1224 00:59:01,760 --> 00:59:04,200 Speaker 1: But Carrie actually watches all this go down and wants 1225 00:59:04,200 --> 00:59:06,360 Speaker 1: to know about the tooth Fairy from Bobby. He explains 1226 00:59:06,360 --> 00:59:08,520 Speaker 1: how great she is, and Carrie wants to meet her too. 1227 00:59:08,840 --> 00:59:11,360 Speaker 1: So Carrie does the old rope around their tooth attachment 1228 00:59:11,400 --> 00:59:14,360 Speaker 1: to the doorknob trick and when her mom opens the door, bam, 1229 00:59:14,440 --> 00:59:17,120 Speaker 1: tooth comes out and she'll be getting a visit from 1230 00:59:17,120 --> 00:59:20,880 Speaker 1: the tooth Fairy that night. And once Catherine does arrive 1231 00:59:20,920 --> 00:59:23,600 Speaker 1: at Carrie's she wakes up and ooh, they meet. Catherine 1232 00:59:23,600 --> 00:59:26,120 Speaker 1: tells her to read Little Women and stop eating pepperoni 1233 00:59:26,160 --> 00:59:28,400 Speaker 1: pizza before bedtime. This is again where her character just 1234 00:59:28,480 --> 00:59:31,840 Speaker 1: kind of changed again. Yeah, but Carrie is very interested 1235 00:59:31,840 --> 00:59:34,720 Speaker 1: in getting advice because her parents don't care about kid problems. 1236 00:59:35,120 --> 00:59:37,040 Speaker 1: Catherine is in a hurry, but decides to help out 1237 00:59:37,440 --> 00:59:40,600 Speaker 1: with a biology camp plan before doing the rest of 1238 00:59:40,600 --> 00:59:43,000 Speaker 1: her nightly errands. And I find it hard to believe 1239 00:59:43,520 --> 00:59:47,840 Speaker 1: that this kid's parents don't want her to become a doctor. 1240 00:59:48,320 --> 00:59:50,800 Speaker 3: She said that they can't afford to take her to 1241 00:59:50,920 --> 00:59:51,400 Speaker 3: this camp. 1242 00:59:51,560 --> 00:59:54,040 Speaker 2: I get that to go to biology camp she has 1243 00:59:54,080 --> 00:59:55,439 Speaker 2: to like get some kind of. 1244 00:59:55,800 --> 00:59:58,840 Speaker 1: Scholarship, But then why wouldn't her parents help her do that? 1245 00:59:59,600 --> 00:59:59,880 Speaker 3: Right? 1246 01:00:00,680 --> 01:00:02,720 Speaker 1: I mean, once't your parents be like, we can't afford it, 1247 01:00:02,760 --> 01:00:04,360 Speaker 1: but man, there's a way for you to do that. 1248 01:00:04,400 --> 01:00:06,120 Speaker 1: We're going to figure out how to do that. You 1249 01:00:06,200 --> 01:00:10,640 Speaker 1: don't need Kirsty Alley and the Tooth Fairies help. The 1250 01:00:10,680 --> 01:00:13,520 Speaker 1: next morning, maybe I'm irrationally harsh on this movie. 1251 01:00:13,520 --> 01:00:16,960 Speaker 2: That's also possible, kinda harsh I did. 1252 01:00:17,160 --> 01:00:21,000 Speaker 1: I did not like this movie. I know you did 1253 01:00:21,040 --> 01:00:21,880 Speaker 1: not get it. 1254 01:00:21,920 --> 01:00:22,840 Speaker 3: Didn't even want to. 1255 01:00:22,880 --> 01:00:27,320 Speaker 1: Try to under normally normally there's things in that I 1256 01:00:27,360 --> 01:00:29,360 Speaker 1: look at the movie and I'm like, Okay, I didn't 1257 01:00:29,400 --> 01:00:31,640 Speaker 1: like the story, but the singing was good. Or I 1258 01:00:31,680 --> 01:00:33,800 Speaker 1: didn't like this, but the acting was amazing, or I 1259 01:00:33,800 --> 01:00:36,320 Speaker 1: didn't like this, but the story was great. None of 1260 01:00:36,360 --> 01:00:37,040 Speaker 1: this worked for me. 1261 01:00:37,200 --> 01:00:40,680 Speaker 2: This was starting to get very choppy, and yes, adding 1262 01:00:40,720 --> 01:00:43,880 Speaker 2: too many storylines does start to do that. Now we've 1263 01:00:43,880 --> 01:00:46,600 Speaker 2: got additional kids that were trying to care about but 1264 01:00:46,600 --> 01:00:47,720 Speaker 2: we don't have enough information. 1265 01:00:47,840 --> 01:00:50,280 Speaker 1: There's not really care about it there, And and his 1266 01:00:50,480 --> 01:00:53,760 Speaker 1: friend group is like they're his friends, but they're also 1267 01:00:53,840 --> 01:00:55,920 Speaker 1: his bullies. But that's now his friend group, and his 1268 01:00:56,000 --> 01:00:59,160 Speaker 1: girlfriend is in with that. It was so confusing. It 1269 01:00:59,280 --> 01:01:01,400 Speaker 1: just was whatever it needed to be in the moment. 1270 01:01:01,400 --> 01:01:03,840 Speaker 1: It was very I apologize if anybody out there is 1271 01:01:03,920 --> 01:01:06,680 Speaker 1: right now dressed like the tooth Fairy, holding the tooth 1272 01:01:06,680 --> 01:01:10,160 Speaker 1: Fairy like wand with their shirt. I love Toothless so 1273 01:01:10,240 --> 01:01:13,800 Speaker 1: much waiting to hear this podcast. I apologize and flip 1274 01:01:13,800 --> 01:01:17,200 Speaker 1: over and go watch Tea Girls again. That's what that's 1275 01:01:17,240 --> 01:01:18,560 Speaker 1: what you should do. Because I did not. 1276 01:01:18,600 --> 01:01:21,760 Speaker 3: Like we got a movie for you called exactly. 1277 01:01:22,280 --> 01:01:24,880 Speaker 1: I am not going to apologize for my dislike of 1278 01:01:24,920 --> 01:01:35,640 Speaker 1: this film. I just I just didn't get The next morning, 1279 01:01:35,760 --> 01:01:38,960 Speaker 1: Bobby's dad is at breakfast when Catherine crashes into his booth. 1280 01:01:39,120 --> 01:01:42,600 Speaker 1: He can't see her, but now she wants him and 1281 01:01:43,000 --> 01:01:45,600 Speaker 1: like desperately, very badly, is in love with this guy. 1282 01:01:45,720 --> 01:01:47,480 Speaker 1: She bets he was a really good husband and if 1283 01:01:47,520 --> 01:01:49,280 Speaker 1: she was alive, she would have loved to get to 1284 01:01:49,320 --> 01:01:53,800 Speaker 1: know him. So there's quite a new Plow newspaper. 1285 01:01:53,960 --> 01:01:56,400 Speaker 2: And I went back and he was in that same 1286 01:01:56,480 --> 01:01:59,600 Speaker 2: booth while she was at that restaurant. Right, I'm going, Okay, 1287 01:01:59,640 --> 01:02:03,400 Speaker 2: So there was some type of disconnect at some point 1288 01:02:03,400 --> 01:02:05,280 Speaker 2: that they should have met, but they never did. 1289 01:02:05,360 --> 01:02:09,800 Speaker 1: They never did, and yes, so this is now all 1290 01:02:09,880 --> 01:02:12,200 Speaker 1: now part of the new plot that they've just added. 1291 01:02:12,520 --> 01:02:14,560 Speaker 1: It's a big turning point for the movie all of 1292 01:02:14,560 --> 01:02:17,720 Speaker 1: a sudden, as Christy Ally takes on a new Jim 1293 01:02:17,800 --> 01:02:21,040 Speaker 1: Carrey approach, almost acting like Roger Rabbit a bit. I mean, 1294 01:02:21,080 --> 01:02:21,600 Speaker 1: did you know. 1295 01:02:21,560 --> 01:02:24,480 Speaker 2: It's like I mean, yes, this was kind of jarring 1296 01:02:24,880 --> 01:02:29,160 Speaker 2: at this point, but I did see I was having 1297 01:02:29,200 --> 01:02:32,640 Speaker 2: a little bit more clarity of where we were trying 1298 01:02:32,760 --> 01:02:35,400 Speaker 2: to go. So I was trying to like ride this 1299 01:02:35,600 --> 01:02:38,480 Speaker 2: out and see if it was going to end up 1300 01:02:38,640 --> 01:02:39,520 Speaker 2: working out for me. 1301 01:02:39,800 --> 01:02:42,040 Speaker 3: And it was better than it. 1302 01:02:42,040 --> 01:02:47,280 Speaker 1: Started, okay, okay, Whereas to me, it started on the 1303 01:02:47,320 --> 01:02:50,280 Speaker 1: downslope and just kept getting them down and it was 1304 01:02:50,920 --> 01:02:52,760 Speaker 1: a giant ball going down a hill. 1305 01:02:52,840 --> 01:02:55,280 Speaker 2: Once I found her mission and figured that out, then 1306 01:02:55,280 --> 01:02:57,800 Speaker 2: I was I'm able to kind of accept the like 1307 01:02:57,920 --> 01:03:00,640 Speaker 2: the holes and the silly things, okay, just whatever. 1308 01:03:00,680 --> 01:03:01,640 Speaker 3: I'm able to do that. 1309 01:03:01,960 --> 01:03:05,720 Speaker 2: But up until that portion with Raoul, I was starting 1310 01:03:05,760 --> 01:03:07,480 Speaker 2: to really go, oh my gosh, how much longer is 1311 01:03:07,520 --> 01:03:10,240 Speaker 2: this movie? I can't Once I get a mission, now 1312 01:03:10,280 --> 01:03:13,200 Speaker 2: I'm on it. Now I'm wanting I'm rooting for this character. 1313 01:03:13,320 --> 01:03:15,720 Speaker 2: I want her to complete the mission. 1314 01:03:15,880 --> 01:03:17,680 Speaker 1: A part of me just wanted her to end up 1315 01:03:17,680 --> 01:03:22,000 Speaker 1: on the elevator. But anyway, we're back at Limboland, Catherine 1316 01:03:22,040 --> 01:03:24,800 Speaker 1: is abruptly woken up by Raoul, who noticed she got 1317 01:03:24,800 --> 01:03:27,160 Speaker 1: in very late. She asked him why he's not in heaven, 1318 01:03:27,160 --> 01:03:29,240 Speaker 1: and he reveals he died because he got sick for 1319 01:03:29,280 --> 01:03:31,720 Speaker 1: a really long time. He left behind a lot of 1320 01:03:31,720 --> 01:03:34,240 Speaker 1: friends and family that really loved him. That doesn't explain 1321 01:03:34,280 --> 01:03:36,000 Speaker 1: why he's in limbo though, because he got. 1322 01:03:36,080 --> 01:03:37,760 Speaker 3: Sick and we never go back. 1323 01:03:37,920 --> 01:03:39,640 Speaker 1: No, it seems like they should have put him in 1324 01:03:39,720 --> 01:03:41,680 Speaker 1: heaven if he was sick for a very long time. 1325 01:03:42,160 --> 01:03:44,120 Speaker 1: He says she has a chance to make it to heaven, 1326 01:03:44,280 --> 01:03:47,400 Speaker 1: even though she's a sinning dentist. He tells her to 1327 01:03:47,440 --> 01:03:49,360 Speaker 1: do what she thinks is right and she'll make it. 1328 01:03:49,760 --> 01:03:51,360 Speaker 1: Maybe what he meant by I was sick for a 1329 01:03:51,360 --> 01:03:54,120 Speaker 1: long time was like I was evil, But then he 1330 01:03:54,120 --> 01:03:55,800 Speaker 1: would have just gone to hell, so I don't. 1331 01:03:56,480 --> 01:03:59,600 Speaker 2: Yeah, I even went like when the way he was 1332 01:03:59,600 --> 01:04:02,320 Speaker 2: saying sick, I was like, like. 1333 01:04:03,080 --> 01:04:07,800 Speaker 3: Are we maybe relating this to drug? Were you right? 1334 01:04:08,120 --> 01:04:08,480 Speaker 6: Right? 1335 01:04:08,680 --> 01:04:13,720 Speaker 3: Like that that's what I mean, like decision sickness. 1336 01:04:12,560 --> 01:04:15,440 Speaker 1: Like maybe that's what it is. Maybe that's supposed to 1337 01:04:16,720 --> 01:04:17,200 Speaker 1: because the. 1338 01:04:17,120 --> 01:04:20,600 Speaker 2: Way he was saying it definitely was a little more 1339 01:04:20,720 --> 01:04:24,400 Speaker 2: sketchy side than it was. I was sick with cancer. 1340 01:04:24,560 --> 01:04:28,320 Speaker 2: I had to go through you know whatever I dak. 1341 01:04:28,360 --> 01:04:30,120 Speaker 1: You know, maybe you're right, Maybe you're right. Maybe that's 1342 01:04:30,160 --> 01:04:32,440 Speaker 1: what the sick is that he's he was an addict 1343 01:04:32,560 --> 01:04:32,920 Speaker 1: or something. 1344 01:04:33,000 --> 01:04:34,760 Speaker 2: Yeah, something like that, Like it was more of a 1345 01:04:34,840 --> 01:04:37,360 Speaker 2: darker sickness versus it being a right. 1346 01:04:38,520 --> 01:04:41,320 Speaker 1: Okay, maybe you're right. So the next morning, Catherine turns 1347 01:04:41,320 --> 01:04:43,440 Speaker 1: from the real world and Rogers is waiting for her. 1348 01:04:43,480 --> 01:04:45,760 Speaker 1: She wants to know why she keeps visiting the same house. 1349 01:04:46,120 --> 01:04:48,600 Speaker 1: Rogers thinks Catherine is up to something. She'll find out 1350 01:04:48,640 --> 01:04:51,200 Speaker 1: what it is eventually and then send her straight to hell. 1351 01:04:52,040 --> 01:04:54,920 Speaker 1: At school, that little Tiny Bully and his friends start 1352 01:04:54,960 --> 01:04:57,840 Speaker 1: bothering Bobby, Carrie, and Trevor. They all defend the tooth 1353 01:04:57,840 --> 01:05:00,280 Speaker 1: Fairy and show off the coin. The little jer wants 1354 01:05:00,280 --> 01:05:02,040 Speaker 1: a coin too, so the boys all fight each other, 1355 01:05:02,040 --> 01:05:05,280 Speaker 1: are hoping to knock out each other's teeth. This sends 1356 01:05:05,320 --> 01:05:06,800 Speaker 1: him all to the principal's office. 1357 01:05:07,280 --> 01:05:11,640 Speaker 2: Why is Bobby there? What did Bobby do? He was 1358 01:05:11,800 --> 01:05:15,760 Speaker 2: literally just standing there watching the boys fight. No one 1359 01:05:15,800 --> 01:05:19,440 Speaker 2: gets sent to the principal office for watching a fight. 1360 01:05:19,440 --> 01:05:21,959 Speaker 1: But a thought because he's at the principal's office because 1361 01:05:21,960 --> 01:05:24,960 Speaker 1: he's making all the other kids believe in the tooth Fairy. 1362 01:05:25,160 --> 01:05:27,480 Speaker 2: This is when I start to lose it now. And 1363 01:05:27,560 --> 01:05:31,400 Speaker 2: because adults are in on this, and this is like 1364 01:05:31,440 --> 01:05:34,640 Speaker 2: a witch hunt, you cannot just oh, he's making my 1365 01:05:34,880 --> 01:05:38,040 Speaker 2: kids think that the tooth fairries for real. That sounds 1366 01:05:38,040 --> 01:05:40,440 Speaker 2: like a parental problem, not Bobby's problem. 1367 01:05:41,720 --> 01:05:43,280 Speaker 1: Nope, blame the kid. You gotta blame the. 1368 01:05:45,000 --> 01:05:48,600 Speaker 2: Child who cares if he still has an imagination. This 1369 01:05:48,640 --> 01:05:51,960 Speaker 2: is when I at these parents and these adults in 1370 01:05:52,000 --> 01:05:53,000 Speaker 2: this stupid movie. 1371 01:05:53,040 --> 01:05:54,160 Speaker 3: Now I'm getting mad. 1372 01:05:54,520 --> 01:05:55,640 Speaker 2: And heat it over here. 1373 01:05:55,680 --> 01:05:57,720 Speaker 1: Oh I'm glad you're we on the same plane again. 1374 01:05:58,480 --> 01:06:00,440 Speaker 1: I'm glad around the crap plane again together. 1375 01:06:00,520 --> 01:06:03,160 Speaker 2: I love it once again at the adults in the 1376 01:06:03,200 --> 01:06:05,760 Speaker 2: movie that they always make me mad, but you're always you. 1377 01:06:05,760 --> 01:06:07,440 Speaker 1: Jumped off for a while though you were on a 1378 01:06:07,480 --> 01:06:10,000 Speaker 1: new Delta flight. You're back on Spirit Airlines with me. 1379 01:06:10,080 --> 01:06:14,160 Speaker 1: I love it. I love it. Yeah. So this sends 1380 01:06:14,200 --> 01:06:16,479 Speaker 1: all the kids to the principal's office, where Bobby tells 1381 01:06:16,520 --> 01:06:19,840 Speaker 1: mister Norris all about his new fairy friend. This infuriates 1382 01:06:19,880 --> 01:06:23,720 Speaker 1: the administrator and he calls Bobby's dad he calls Bobby's dad, 1383 01:06:23,720 --> 01:06:26,120 Speaker 1: which finally gets him to pay attention to his son. 1384 01:06:26,200 --> 01:06:29,000 Speaker 2: But he also is not saying, also, the three of 1385 01:06:29,000 --> 01:06:31,040 Speaker 2: you who are fighting and put in your hands on 1386 01:06:31,080 --> 01:06:33,520 Speaker 2: each other, No, go ahead and go back to class. 1387 01:06:33,600 --> 01:06:34,160 Speaker 2: You're good. 1388 01:06:34,800 --> 01:06:36,320 Speaker 3: That's the more important part. 1389 01:06:36,440 --> 01:06:41,680 Speaker 2: You're punching, okay, having an imagination. We got to talk 1390 01:06:41,680 --> 01:06:44,200 Speaker 2: about it and ruin your whole life right now, that's 1391 01:06:44,240 --> 01:06:44,880 Speaker 2: what's happening. 1392 01:06:45,000 --> 01:06:48,200 Speaker 3: By the way, Santa Claus isn't real either yet. 1393 01:06:48,280 --> 01:06:51,040 Speaker 1: What yeah, thank you so much for that to everybody 1394 01:06:51,200 --> 01:06:54,560 Speaker 1: was like, what are they doing? Yes, So his dad 1395 01:06:54,640 --> 01:06:56,560 Speaker 1: knows that Bobby misses his mom, but he has to 1396 01:06:56,600 --> 01:06:58,919 Speaker 1: ditch the silly tooth fairy thing. There is no such thing. 1397 01:06:58,960 --> 01:07:02,160 Speaker 1: But Bobby says, yes, she is real and she cares 1398 01:07:02,200 --> 01:07:05,200 Speaker 1: for him, just like his mom did that night. Bobby's 1399 01:07:05,240 --> 01:07:07,040 Speaker 1: dad is so sad that he stares at a picture 1400 01:07:07,040 --> 01:07:09,560 Speaker 1: of his wife and talks to the ceiling asking for advice. 1401 01:07:09,680 --> 01:07:12,040 Speaker 1: Very sad. We pull out to reveal Catherine was there 1402 01:07:12,080 --> 01:07:14,400 Speaker 1: the whole time, listening in because she's now a creepy stalker. 1403 01:07:14,440 --> 01:07:17,000 Speaker 1: He's in love with this man, and we go right 1404 01:07:18,080 --> 01:07:22,720 Speaker 1: from this where he's sitting there just lamenting about his 1405 01:07:22,840 --> 01:07:26,400 Speaker 1: dead wife to her staring at him while he's getting 1406 01:07:26,440 --> 01:07:27,800 Speaker 1: on Christ moment. 1407 01:07:27,920 --> 01:07:29,640 Speaker 2: We've got a pre Magic Mic moment. 1408 01:07:29,680 --> 01:07:32,200 Speaker 3: I was like, oh my god, I couldn't stay. 1409 01:07:32,400 --> 01:07:35,360 Speaker 2: I couldn't because I didn't know how far we were gonna. 1410 01:07:35,920 --> 01:07:38,000 Speaker 1: Oh oh god. 1411 01:07:37,680 --> 01:07:40,120 Speaker 2: Okay, what a wife, Peter, But what kind. 1412 01:07:40,000 --> 01:07:42,400 Speaker 1: Of creepy lady is she? He's sitting there lamenting the 1413 01:07:42,480 --> 01:07:46,280 Speaker 1: death and she's like, take it off, big boy, Like yeah, 1414 01:07:46,320 --> 01:07:48,600 Speaker 1: stripped down as you stare at the picture of your 1415 01:07:48,680 --> 01:07:52,360 Speaker 1: dead and forgotten wife, Like, what the hell is happening? People? 1416 01:07:53,960 --> 01:07:58,040 Speaker 3: It was like a prequel to Magic Mike. I couldn't 1417 01:07:58,040 --> 01:08:00,920 Speaker 3: even handle it Toothy Mike movie of all, but. 1418 01:08:01,240 --> 01:08:05,160 Speaker 1: It was weird, just in time for the Disney censors. Though, 1419 01:08:05,280 --> 01:08:07,960 Speaker 1: Raoul jumps in what is she doing? What is he? 1420 01:08:08,200 --> 01:08:10,000 Speaker 1: What is she doing here? He forces her back to 1421 01:08:10,040 --> 01:08:13,280 Speaker 1: limbo Land to avoid trouble. The next day, in Bobby's class, 1422 01:08:13,360 --> 01:08:16,240 Speaker 1: kids are eating taffy to lose teeth. The boys all 1423 01:08:16,280 --> 01:08:18,360 Speaker 1: decide to sleep at Bobby's with their newly removed teeth, 1424 01:08:18,400 --> 01:08:21,960 Speaker 1: and in no time she arrives. So apparently rules are 1425 01:08:22,000 --> 01:08:24,439 Speaker 1: out the window. I'm gonna show myself to forty thousand 1426 01:08:24,520 --> 01:08:25,280 Speaker 1: kids at a time. 1427 01:08:26,280 --> 01:08:30,200 Speaker 2: Right, and I again, I mean correct me if I'm wrong, 1428 01:08:30,240 --> 01:08:32,800 Speaker 2: But I don't remember the tooth fairy ever happening at 1429 01:08:32,840 --> 01:08:35,439 Speaker 2: anyone else's house. You have to be, It's like that's 1430 01:08:35,439 --> 01:08:37,360 Speaker 2: a I feel like a known rule. You ever be 1431 01:08:37,400 --> 01:08:38,240 Speaker 2: in your own bed? 1432 01:08:38,479 --> 01:08:41,600 Speaker 1: Yes, tooth fairy parties wasn't a thing. No, what you 1433 01:08:41,640 --> 01:08:45,280 Speaker 1: can't do tooth popping up and showing herself to everybody. 1434 01:08:45,360 --> 01:08:49,800 Speaker 1: She's terrible at this job. It's just terrible watching people 1435 01:08:49,840 --> 01:08:52,400 Speaker 1: get undressed creepily with kids. There's now a whole bunch 1436 01:08:53,160 --> 01:08:56,960 Speaker 1: just terrible. Everyone sees her, but one bully who she 1437 01:08:57,080 --> 01:08:59,080 Speaker 1: thinks has lost his innocence. The boy thinks that the 1438 01:08:59,120 --> 01:09:01,360 Speaker 1: boys think that's so cool, and Catherine says not to 1439 01:09:01,400 --> 01:09:04,759 Speaker 1: go there because you know he's They obviously think he's 1440 01:09:04,800 --> 01:09:08,400 Speaker 1: he's boned. This guy's bumped uglies, he's done the hank 1441 01:09:08,400 --> 01:09:12,760 Speaker 1: of chunka and they're like, he's like seven. It's disgusting. 1442 01:09:13,240 --> 01:09:15,240 Speaker 1: What are you people thinking? Like, how is that even 1443 01:09:15,240 --> 01:09:15,880 Speaker 1: a joke? There? 1444 01:09:15,960 --> 01:09:18,920 Speaker 3: Oh my god, I know it was so off putting. 1445 01:09:19,000 --> 01:09:23,000 Speaker 2: It was like it was wait, well, at that age, 1446 01:09:23,080 --> 01:09:28,599 Speaker 2: I guess that free pubscent there. If they have older brothers, 1447 01:09:28,680 --> 01:09:33,880 Speaker 2: maybe they'ne there. It wasn't necessary. It was a silly, silly, 1448 01:09:33,920 --> 01:09:34,920 Speaker 2: unnecessary joke. 1449 01:09:35,120 --> 01:09:37,280 Speaker 1: She says, he must have lost all his baby teeth 1450 01:09:37,320 --> 01:09:39,040 Speaker 1: and that's why he's not seeing her. She trades the 1451 01:09:39,080 --> 01:09:41,639 Speaker 1: silver corn for the tooth and takes off. The next 1452 01:09:41,720 --> 01:09:43,519 Speaker 1: day at school, now Trevor wants to get in on 1453 01:09:43,560 --> 01:09:45,760 Speaker 1: the action because he wants advice on how to lose weight, 1454 01:09:46,200 --> 01:09:48,400 Speaker 1: so we get a montage of seeing the tooth fairy 1455 01:09:48,920 --> 01:09:51,759 Speaker 1: helping Trevor work out, which I love. 1456 01:09:51,640 --> 01:09:55,679 Speaker 2: The actor that is that he's so funny. 1457 01:09:55,720 --> 01:09:56,040 Speaker 4: I like it. 1458 01:09:56,240 --> 01:09:58,200 Speaker 1: He's yelling like everybody else, but he's great. 1459 01:09:58,640 --> 01:10:02,000 Speaker 2: Yes, but these mo this montage moment that he has 1460 01:10:02,040 --> 01:10:04,400 Speaker 2: with her working out is what you think of when 1461 01:10:04,439 --> 01:10:07,200 Speaker 2: you see him, you know, little giants, all those movies 1462 01:10:07,240 --> 01:10:07,679 Speaker 2: that you see. 1463 01:10:07,960 --> 01:10:08,880 Speaker 1: Yes, of course that's. 1464 01:10:08,760 --> 01:10:11,920 Speaker 2: Where he's funny. He's like a funny physical actor and 1465 01:10:12,160 --> 01:10:12,720 Speaker 2: I love that. 1466 01:10:13,120 --> 01:10:16,759 Speaker 1: Great at all that stuff. But she is now helping 1467 01:10:16,840 --> 01:10:20,040 Speaker 1: him lose weight, teaching Carrie about becoming a doctor. We 1468 01:10:20,080 --> 01:10:22,320 Speaker 1: even see headlines about kids in the area losing teeth 1469 01:10:22,320 --> 01:10:25,400 Speaker 1: at record speed and a class photo with everyone missing 1470 01:10:25,439 --> 01:10:28,280 Speaker 1: their chompers all the while Rogers is trying to figure 1471 01:10:28,280 --> 01:10:31,080 Speaker 1: out whatever Shenanigans is going on, and worst case scenario 1472 01:10:31,120 --> 01:10:33,160 Speaker 1: back on Earth, some moms have charged into school for 1473 01:10:33,200 --> 01:10:36,680 Speaker 1: some answers. If the Tooth Theory has a TV that 1474 01:10:36,720 --> 01:10:38,720 Speaker 1: can see whatever she wants, why can't the people in 1475 01:10:38,800 --> 01:10:41,120 Speaker 1: limbo watch her TV to see what she's doing all 1476 01:10:41,120 --> 01:10:44,680 Speaker 1: the time? Right Anyway, at this point, I was like 1477 01:10:44,960 --> 01:10:46,760 Speaker 1: just kind of looking around, going like, oh, that's a 1478 01:10:46,800 --> 01:10:51,839 Speaker 1: cool color. Blue. Yeah. Meanwhile, Carrie has passed her biology 1479 01:10:51,840 --> 01:10:53,280 Speaker 1: tests and is going to be able to go to camp. 1480 01:10:53,520 --> 01:10:56,760 Speaker 1: And just then Catherine arrives at school too. She was 1481 01:10:56,840 --> 01:10:59,639 Speaker 1: watching on the monitor and has come to congratulate Carrie. 1482 01:11:00,000 --> 01:11:03,000 Speaker 1: Bobby gets jealous when he realizes that everyone knows Catherine's 1483 01:11:03,000 --> 01:11:10,200 Speaker 1: real name but him. He storms off. He storms off 1484 01:11:10,240 --> 01:11:15,439 Speaker 1: like a little He storms off like a little whiner. 1485 01:11:16,000 --> 01:11:19,000 Speaker 1: Then all whiners are wieners. Then all the students see 1486 01:11:19,000 --> 01:11:22,559 Speaker 1: the Tooth Fairy and surround her in fury. She tries 1487 01:11:22,560 --> 01:11:25,200 Speaker 1: to apologize, so she's just showing up at schools Now, honey, 1488 01:11:25,280 --> 01:11:28,679 Speaker 1: now we're talking to the entire entire school. 1489 01:11:29,160 --> 01:11:29,400 Speaker 4: YEP. 1490 01:11:29,479 --> 01:11:31,759 Speaker 3: Nineteen ninety seven, yep, middle school. 1491 01:11:31,800 --> 01:11:33,880 Speaker 1: I don't get it. She tries to apologize to Bobby, 1492 01:11:33,920 --> 01:11:37,080 Speaker 1: but he sarcastically calls her too popular now to help. 1493 01:11:37,720 --> 01:11:40,040 Speaker 1: At the same moment, the moms are accosting the principle 1494 01:11:40,040 --> 01:11:42,479 Speaker 1: about this tooth fairy nonsense. He says he's done all 1495 01:11:42,520 --> 01:11:45,080 Speaker 1: he can and is not responsible. But they see they're 1496 01:11:45,120 --> 01:11:49,719 Speaker 1: like talking about, like literally expelling this kid. They see 1497 01:11:49,720 --> 01:11:52,360 Speaker 1: that the energetic circle outside, and they says it's linked 1498 01:11:52,400 --> 01:11:54,760 Speaker 1: to Bobby and they're going to talk to him and 1499 01:11:54,800 --> 01:11:57,920 Speaker 1: his dad one more time. Raoul arrives to take Catherine 1500 01:11:57,920 --> 01:12:01,439 Speaker 1: back to Limboland again because it's judgment Day. When she 1501 01:12:01,520 --> 01:12:07,000 Speaker 1: gets back, she's very scared and horribly overacting. Catherine is 1502 01:12:07,000 --> 01:12:10,080 Speaker 1: sent to the judgment trailer, where she states her case 1503 01:12:10,080 --> 01:12:13,920 Speaker 1: to a panel of judges all named Joe. Joe one 1504 01:12:13,960 --> 01:12:16,240 Speaker 1: asked Katherine if she was ever fully aware of the 1505 01:12:16,320 --> 01:12:18,920 Speaker 1: rules when she took the tooth person job, because she's 1506 01:12:18,960 --> 01:12:21,200 Speaker 1: repeatedly broken so many of them. Although it seems to 1507 01:12:21,200 --> 01:12:23,080 Speaker 1: be an open and shut case, another Joe notes that 1508 01:12:23,160 --> 01:12:26,120 Speaker 1: data makes this case a little more complicated. The tooth 1509 01:12:26,120 --> 01:12:28,920 Speaker 1: Fairy approval rating is at an all time high, but 1510 01:12:29,040 --> 01:12:31,679 Speaker 1: still she's not going to heaven. Catherine is given one 1511 01:12:31,680 --> 01:12:33,759 Speaker 1: more week to clean up her act. If she breaks 1512 01:12:33,800 --> 01:12:37,880 Speaker 1: the rules one more time, it's hell for her. Katherine 1513 01:12:37,960 --> 01:12:41,000 Speaker 1: is very happy about the second chance. Now back in 1514 01:12:41,040 --> 01:12:43,560 Speaker 1: her TV lounge, Catherine watches the parents still complaining to 1515 01:12:43,600 --> 01:12:46,560 Speaker 1: the Principle. Now with Bobby's dad getting the brunt of 1516 01:12:46,600 --> 01:12:49,320 Speaker 1: the anger, he defends Bobby. He now believes his son 1517 01:12:49,400 --> 01:12:52,080 Speaker 1: and thinks the tooth Fairy is real. This very much 1518 01:12:52,200 --> 01:12:55,639 Speaker 1: excites both Catherine and Bobby, who are walking by. In turn, 1519 01:12:55,880 --> 01:13:00,720 Speaker 1: the Principle expels Bobby. He kicks the case out of 1520 01:13:00,880 --> 01:13:03,160 Speaker 1: school for believing in the tooth Fairy. 1521 01:13:03,360 --> 01:13:06,360 Speaker 3: Yes, I'm real, Okay. 1522 01:13:06,360 --> 01:13:08,759 Speaker 1: So Catherine knows she has to act fast. She speeds 1523 01:13:08,800 --> 01:13:11,240 Speaker 1: back to Earth, even though Raoul begs her to stay. 1524 01:13:11,360 --> 01:13:13,280 Speaker 1: She knows it's gonna ruin her chance a heaven, but 1525 01:13:13,320 --> 01:13:16,360 Speaker 1: she needs to be seen by the adults and save Bobby, 1526 01:13:16,479 --> 01:13:19,320 Speaker 1: so she leaves with a mission. Back at school, the students, 1527 01:13:19,360 --> 01:13:21,839 Speaker 1: led by Trevor, stand up for Bobby. If he's expelled, 1528 01:13:21,880 --> 01:13:25,320 Speaker 1: so is everyone else, and then Catherine arrives. The kids 1529 01:13:25,320 --> 01:13:28,120 Speaker 1: all see her, but the adults still see nothing. Bobby 1530 01:13:28,160 --> 01:13:29,920 Speaker 1: has touched that she came back to help, and Bobby's 1531 01:13:29,960 --> 01:13:32,400 Speaker 1: dad is now fully believing everything hook Line and Sinker. 1532 01:13:32,760 --> 01:13:36,920 Speaker 1: Apparently he's even attracted to somebody that he can't see. 1533 01:13:37,800 --> 01:13:41,280 Speaker 5: Yeah, the dad portion was very confusing. At this moment, 1534 01:13:42,640 --> 01:13:44,320 Speaker 5: Catherine knows she has to let her guard down to 1535 01:13:44,360 --> 01:13:48,040 Speaker 5: be seen. I don't know what's happening anymore. She tries 1536 01:13:48,040 --> 01:13:50,479 Speaker 5: her normal song and dance thing. Nothing's working right. 1537 01:13:50,479 --> 01:13:53,680 Speaker 1: As her about to accept the punishment, she passionately hugs Bobby. 1538 01:13:53,960 --> 01:13:56,080 Speaker 1: She says she's sorry and this is a true act 1539 01:13:56,120 --> 01:14:00,679 Speaker 1: of love. So she appears to everyone, which was mentioned nowhere. 1540 01:14:01,160 --> 01:14:04,800 Speaker 2: Nowhere. She's not a rule this, Yeah, it was to 1541 01:14:05,000 --> 01:14:08,960 Speaker 2: be allowed to or allowing people to love her and 1542 01:14:09,040 --> 01:14:10,080 Speaker 2: loving other people. 1543 01:14:10,720 --> 01:14:14,280 Speaker 3: I get it. The hug, the embrace. 1544 01:14:15,280 --> 01:14:17,400 Speaker 2: Okay, I guess I don't know. 1545 01:14:17,800 --> 01:14:21,560 Speaker 1: I don't get it, but yeah, she appears for everybody. 1546 01:14:21,800 --> 01:14:24,439 Speaker 1: The now flabbergasted adults can see her. She nots just 1547 01:14:24,520 --> 01:14:27,120 Speaker 1: she's the tooth Fairy and drops some corny jokes. She 1548 01:14:27,200 --> 01:14:29,280 Speaker 1: tells the adults they aren't listening to their kids and 1549 01:14:29,360 --> 01:14:32,080 Speaker 1: must do something about it. Rogers and Raoul then appear 1550 01:14:32,160 --> 01:14:34,120 Speaker 1: to take her away, presumably to send her to hell, 1551 01:14:34,560 --> 01:14:38,479 Speaker 1: and she's ghost napped. She tells Bobby she loves him 1552 01:14:38,600 --> 01:14:40,519 Speaker 1: and she disappears, and when. 1553 01:14:40,360 --> 01:14:44,120 Speaker 2: She I love you, Bobby, one of the parents has fainted. 1554 01:14:44,360 --> 01:14:49,200 Speaker 1: I hated it away, just oh gosh, we are now returning. 1555 01:14:49,560 --> 01:14:50,519 Speaker 3: Parents were the worst. 1556 01:14:51,400 --> 01:14:54,200 Speaker 1: It's some of the weirdest and worst adults. And not saying. 1557 01:14:54,000 --> 01:14:57,760 Speaker 2: Hated them, hated them. And there's one dad that comes 1558 01:14:57,760 --> 01:15:00,000 Speaker 2: out of nowhere. There's three moms the whole time. Yeah, 1559 01:15:00,000 --> 01:15:04,360 Speaker 2: they are just annoying and just so just ridiculous and 1560 01:15:04,439 --> 01:15:06,680 Speaker 2: over the top. Then there's a dad that when we 1561 01:15:06,720 --> 01:15:10,679 Speaker 2: get in the theater that has joined forces out of nowhere. 1562 01:15:11,040 --> 01:15:12,040 Speaker 1: We just need a dad here. 1563 01:15:12,160 --> 01:15:16,400 Speaker 2: So we just needed ace like that was so strange. 1564 01:15:16,439 --> 01:15:18,600 Speaker 1: We're now returning to limbo land. Rogers is comming to 1565 01:15:18,680 --> 01:15:22,200 Speaker 1: her and Catherine straight to the elevator. Her time has come. 1566 01:15:22,479 --> 01:15:24,599 Speaker 1: Even the marching band is playing. They close the door 1567 01:15:24,640 --> 01:15:27,040 Speaker 1: and she says goodbye to her pal Raoul. They press 1568 01:15:27,080 --> 01:15:29,759 Speaker 1: the button and Catherine is slowly lowered into the fiery 1569 01:15:29,800 --> 01:15:33,759 Speaker 1: depths of Satan's embrace as we see a signature Disney 1570 01:15:33,760 --> 01:15:36,120 Speaker 1: montage of the entire movie. 1571 01:15:36,160 --> 01:15:36,479 Speaker 4: Again. 1572 01:15:37,200 --> 01:15:40,559 Speaker 1: They basically show the whole movie, but it's black and white. 1573 01:15:40,720 --> 01:15:44,479 Speaker 1: We even get some never before seen footage of her tombstone, 1574 01:15:44,600 --> 01:15:47,120 Speaker 1: and when the montage ends, instead of seeing Hell, we 1575 01:15:47,200 --> 01:15:50,559 Speaker 1: see Catherine in the aftermath of that original weird bike 1576 01:15:50,640 --> 01:15:54,559 Speaker 1: BMW crash, laying in the street. She's not dead, but 1577 01:15:54,640 --> 01:15:56,840 Speaker 1: then why did she take the elevator? 1578 01:15:59,120 --> 01:16:03,160 Speaker 2: We we find out from from our buddy in like 1579 01:16:03,280 --> 01:16:07,120 Speaker 2: two seconds after she gets helped. She gets helped up 1580 01:16:07,160 --> 01:16:08,920 Speaker 2: with her friend with Yssie. 1581 01:16:09,160 --> 01:16:12,040 Speaker 1: And helped motorcycleless guy. 1582 01:16:12,280 --> 01:16:17,000 Speaker 2: There's a weird moment and a weird joke about her 1583 01:16:17,160 --> 01:16:18,080 Speaker 2: Missy being. 1584 01:16:19,400 --> 01:16:23,640 Speaker 3: Married, and that was very strange. 1585 01:16:24,200 --> 01:16:27,479 Speaker 2: Yes, that's on a strange note. But Rabul comes out 1586 01:16:27,479 --> 01:16:28,240 Speaker 2: of nowhere and you're. 1587 01:16:28,120 --> 01:16:30,240 Speaker 1: Like, okay, So she thinks it was all a dream, 1588 01:16:30,280 --> 01:16:32,040 Speaker 1: but she makes it back to your office. Raoul, now 1589 01:16:32,120 --> 01:16:34,800 Speaker 1: dressed in normal earth clothes, stops her. He says to 1590 01:16:34,840 --> 01:16:37,160 Speaker 1: make the most of her second chance, gives her flowers, 1591 01:16:37,200 --> 01:16:40,439 Speaker 1: and then leaves. We hear a whistle and it's Rogers, 1592 01:16:40,479 --> 01:16:43,160 Speaker 1: now as a traffic cop. She mouths that she'll be 1593 01:16:43,200 --> 01:16:48,320 Speaker 1: watching Catherine. So she's not in heaven or Hell. She 1594 01:16:48,320 --> 01:16:50,120 Speaker 1: she's now a third option we don't know about. It's 1595 01:16:50,120 --> 01:16:51,439 Speaker 1: not heaven, it's not Hell, it's not limbo. 1596 01:16:51,479 --> 01:16:53,639 Speaker 2: We don't know, and it's not a second choice chance 1597 01:16:53,720 --> 01:16:55,400 Speaker 2: either this is her third chance. 1598 01:16:55,280 --> 01:16:58,639 Speaker 1: Right, but now she has to love but maybe stop 1599 01:16:58,680 --> 01:17:00,640 Speaker 1: being a dentist. Is that's the going to lead her 1600 01:17:00,680 --> 01:17:00,960 Speaker 1: to hell? 1601 01:17:01,600 --> 01:17:02,160 Speaker 2: I don't know. 1602 01:17:02,520 --> 01:17:03,120 Speaker 3: I don't know. 1603 01:17:03,640 --> 01:17:06,360 Speaker 1: Okay, So we're now back at her office. Catherine gives 1604 01:17:06,360 --> 01:17:08,880 Speaker 1: her neglected assistant to Flowers, asked her to bring her 1605 01:17:08,920 --> 01:17:11,320 Speaker 1: boyfriend who she gets his name right, Dan this time 1606 01:17:11,600 --> 01:17:13,439 Speaker 1: over on Sunday night and gives her the rest of 1607 01:17:13,479 --> 01:17:16,400 Speaker 1: the day off. This new Catherine is a completely different person. 1608 01:17:16,680 --> 01:17:20,080 Speaker 1: And guess who her first patient is. It's Bobby. He 1609 01:17:20,160 --> 01:17:23,639 Speaker 1: can't believe it's Catherine. She thanks him for all the help, 1610 01:17:23,720 --> 01:17:26,240 Speaker 1: and she notices his last baby tooth and pulls it 1611 01:17:26,280 --> 01:17:28,240 Speaker 1: so he recognizes her when he's in there, and he's like, 1612 01:17:28,280 --> 01:17:30,720 Speaker 1: thank you for everything. And I was once again like, 1613 01:17:31,160 --> 01:17:35,440 Speaker 1: wait a second. If we go back to the accident, 1614 01:17:36,040 --> 01:17:40,160 Speaker 1: she never met Bobby, no, so how would he remember her. 1615 01:17:40,520 --> 01:17:41,840 Speaker 1: It hasn't happened yet. 1616 01:17:42,200 --> 01:17:47,799 Speaker 2: Oh oh, can you see what I'm saying? 1617 01:17:48,520 --> 01:17:54,000 Speaker 1: Yeah, this happened post accident. Oh so if you go 1618 01:17:54,120 --> 01:17:57,360 Speaker 1: back to the accident, none of the Bobby's stuff ever happened. 1619 01:17:57,680 --> 01:18:02,080 Speaker 2: Oh boy, see I was just going with it like 1620 01:18:02,160 --> 01:18:05,640 Speaker 2: he still had his baby tooth, so this was the 1621 01:18:05,760 --> 01:18:06,439 Speaker 2: last of it. 1622 01:18:06,479 --> 01:18:09,479 Speaker 3: But you're right, this wasn't if it needed to be 1623 01:18:10,600 --> 01:18:14,640 Speaker 3: three months later. It needed to be that later. But 1624 01:18:15,600 --> 01:18:18,840 Speaker 3: I didn't even realize that. But I mean, come on, 1625 01:18:19,200 --> 01:18:20,320 Speaker 3: there was a lot going on. 1626 01:18:20,600 --> 01:18:23,360 Speaker 2: I was used none of it happens, but anyway, I 1627 01:18:23,400 --> 01:18:24,960 Speaker 2: had to give myself a break for this one. 1628 01:18:25,120 --> 01:18:27,960 Speaker 1: She thanks, thanks Bobby one last time, but he just 1629 01:18:28,000 --> 01:18:30,639 Speaker 1: stares at her blankly. What is this lady talking about? 1630 01:18:30,840 --> 01:18:33,360 Speaker 1: Now that he's lost his last baby tooth, the innocence 1631 01:18:33,439 --> 01:18:37,240 Speaker 1: is gone, puberty has apparently taken over. He doesn't remember 1632 01:18:37,280 --> 01:18:39,680 Speaker 1: her at all. She's just his new dentist, and he 1633 01:18:39,760 --> 01:18:42,479 Speaker 1: doesn't believe in the tooth fairy. She goes with this 1634 01:18:42,520 --> 01:18:46,639 Speaker 1: new relationship just as his hot dad walks in, Hey baby, 1635 01:18:46,680 --> 01:18:49,639 Speaker 1: I can't wait to watch you strip tonight. He seems smitten, 1636 01:18:49,760 --> 01:18:53,080 Speaker 1: but doesn't fully remember her. As Bobby and his dad leaves, 1637 01:18:53,080 --> 01:18:54,920 Speaker 1: she invites him to a baseball game on Friday, and 1638 01:18:54,960 --> 01:18:57,240 Speaker 1: then walks them to her car. We see someone sitting 1639 01:18:57,240 --> 01:19:00,000 Speaker 1: in the waiting room covered by a newspaper. It's revealed 1640 01:19:00,080 --> 01:19:03,920 Speaker 1: to be Limbo land Cupid. He's done his job. The 1641 01:19:04,000 --> 01:19:06,519 Speaker 1: narrator then reminds us to go for everything we want 1642 01:19:06,520 --> 01:19:08,320 Speaker 1: in life, because there's no reason to be here if 1643 01:19:08,320 --> 01:19:10,400 Speaker 1: we don't, except if it's a dentist, because that'll send 1644 01:19:10,400 --> 01:19:14,920 Speaker 1: you to hell. Catherine dances again, and that is our movie. 1645 01:19:15,439 --> 01:19:28,120 Speaker 1: Oooh boy, Oh, I'm exhausted. I'm exhaustipated after watching this 1646 01:19:28,200 --> 01:19:30,920 Speaker 1: movie and talking about it. So can we maybe do 1647 01:19:31,000 --> 01:19:33,360 Speaker 1: some real reviews? And you've got the five star review 1648 01:19:33,439 --> 01:19:35,880 Speaker 1: this week, Sabrina and I love the name. I was 1649 01:19:36,160 --> 01:19:38,080 Speaker 1: just good. 1650 01:19:38,320 --> 01:19:43,000 Speaker 2: Love this five star from chrisco White two thousand and three. 1651 01:19:43,840 --> 01:19:46,759 Speaker 1: Love it, christ Go White, great, love it. 1652 01:19:46,640 --> 01:19:50,559 Speaker 2: All right, the cutest movie ever made. Christy Ali is 1653 01:19:50,600 --> 01:19:52,200 Speaker 2: the best due very yet. 1654 01:19:52,560 --> 01:19:55,760 Speaker 3: It's a great movie to boost imaginations and will be 1655 01:19:55,960 --> 01:19:58,120 Speaker 3: in my family for a long time. 1656 01:19:58,960 --> 01:20:01,640 Speaker 1: Very nice, of course. The one star review, which I 1657 01:20:02,960 --> 01:20:07,000 Speaker 1: don't agree with this I don't this is from Jerry. 1658 01:20:07,320 --> 01:20:09,719 Speaker 1: Jerry said, Toothless doesn't look like a dragon. He looks 1659 01:20:09,720 --> 01:20:11,880 Speaker 1: like a flying toad. They should have made this dragon 1660 01:20:11,920 --> 01:20:16,320 Speaker 1: look like an actual dragon. I'm guessing Jerry confuse this 1661 01:20:16,400 --> 01:20:20,080 Speaker 1: with Toothless from How to Train Your Dragon franchise is 1662 01:20:20,120 --> 01:20:20,760 Speaker 1: what I'm say. 1663 01:20:21,240 --> 01:20:24,160 Speaker 2: All right, I didn't know there was more than one How. 1664 01:20:24,000 --> 01:20:24,920 Speaker 3: To Trade Your Dragon. 1665 01:20:26,240 --> 01:20:27,920 Speaker 1: I could argue we won't get into that, but I 1666 01:20:27,960 --> 01:20:29,639 Speaker 1: could argue the How to Train Your Dragon is one 1667 01:20:29,640 --> 01:20:33,280 Speaker 1: of the best trilogies ever made, because one of the 1668 01:20:33,320 --> 01:20:36,320 Speaker 1: old questions is what are your favorite trilogies? Because usually 1669 01:20:36,400 --> 01:20:39,720 Speaker 1: some not all three are good movies, right, and all 1670 01:20:39,760 --> 01:20:41,519 Speaker 1: three of the How To Train Your Dragon movies are 1671 01:20:41,520 --> 01:20:42,320 Speaker 1: pretty darn good. 1672 01:20:42,479 --> 01:20:43,120 Speaker 2: They really are. 1673 01:20:43,439 --> 01:20:45,200 Speaker 3: And this guy didn't like that one either. 1674 01:20:45,160 --> 01:20:51,120 Speaker 1: No, apparently not. And we're gonna go our favorite part 1675 01:20:51,200 --> 01:20:55,400 Speaker 1: of the podcast right now, which is the feature the 1676 01:20:55,439 --> 01:20:57,439 Speaker 1: game we play because Sabrina loves it so so much, 1677 01:20:57,840 --> 01:20:59,879 Speaker 1: and the one we have this week is called Facts 1678 01:21:00,320 --> 01:21:04,000 Speaker 1: and Plaque. This movie brings us into the world of teeth, 1679 01:21:04,439 --> 01:21:06,519 Speaker 1: and as a result, we'll be given some facts about 1680 01:21:06,560 --> 01:21:08,639 Speaker 1: teeth and we have to decide if they are real 1681 01:21:09,200 --> 01:21:11,640 Speaker 1: or just something made up by our producers to trick us. 1682 01:21:11,680 --> 01:21:14,639 Speaker 1: If we get three out of five correct, we win. 1683 01:21:15,280 --> 01:21:18,920 Speaker 1: Are you ready, Sabrina, Yes, here we go. Number one 1684 01:21:19,479 --> 01:21:25,000 Speaker 1: tooth enamel is the hardest substance in the body. True, 1685 01:21:25,400 --> 01:21:26,599 Speaker 1: I'm gonna say true as well. 1686 01:21:27,560 --> 01:21:29,040 Speaker 4: Great start, guys, that is true. 1687 01:21:29,280 --> 01:21:32,320 Speaker 1: Yes, number one? We ever gotten the first? 1688 01:21:34,160 --> 01:21:35,240 Speaker 2: All right, I'm gonna stop there. 1689 01:21:35,240 --> 01:21:39,479 Speaker 1: I just we won and Sabrina one thank you number 1690 01:21:39,520 --> 01:21:44,240 Speaker 1: in a record number two. Early versions of toothpaste used 1691 01:21:44,360 --> 01:21:47,240 Speaker 1: ingredients like crushed eggshells and ox hooves. 1692 01:21:48,640 --> 01:21:51,840 Speaker 2: That seems so ridonculous. It's almost true. 1693 01:21:51,920 --> 01:21:52,920 Speaker 1: I'm gonna say true. 1694 01:21:53,160 --> 01:21:54,040 Speaker 3: I think so too. 1695 01:21:54,680 --> 01:21:56,680 Speaker 4: Oh No, do you guys know stuff about teeth? This 1696 01:21:56,840 --> 01:21:57,719 Speaker 4: is also true. 1697 01:21:58,439 --> 01:22:02,920 Speaker 1: Yes, that's two number three. The first known dentist was 1698 01:22:02,960 --> 01:22:04,599 Speaker 1: recorded in nineteen o three. 1699 01:22:05,760 --> 01:22:06,519 Speaker 3: That's it. 1700 01:22:07,400 --> 01:22:09,160 Speaker 1: No, it has to be false. I can tell you 1701 01:22:09,200 --> 01:22:12,160 Speaker 1: exactly why it's false. It's false because Doc Holiday was 1702 01:22:12,200 --> 01:22:14,240 Speaker 1: a dentist, and that was in the eighteen sixties. 1703 01:22:15,160 --> 01:22:18,559 Speaker 2: Yeah, I can't imagine the nineteen oh three is No, 1704 01:22:18,720 --> 01:22:19,320 Speaker 2: that is false. 1705 01:22:19,320 --> 01:22:20,719 Speaker 3: Long ago, but not long enough. 1706 01:22:20,840 --> 01:22:22,920 Speaker 1: I'm going to say they were a dentist in ancient Egypt. 1707 01:22:23,120 --> 01:22:24,120 Speaker 1: So yeah, that was false. 1708 01:22:24,640 --> 01:22:28,720 Speaker 4: There, Doc Holiday is a dentist. That's so less intimidating it. 1709 01:22:28,920 --> 01:22:30,759 Speaker 1: Yeah, Doc Holiday was a dentist in Georgia. 1710 01:22:31,960 --> 01:22:36,240 Speaker 4: Doctor doctor too. Exactly, you guys three in a row. 1711 01:22:36,280 --> 01:22:37,599 Speaker 4: That's the first time it's ever happened. 1712 01:22:37,920 --> 01:22:40,920 Speaker 1: Yes, the first time ever. We did it. I guess 1713 01:22:40,920 --> 01:22:42,360 Speaker 1: we just know a lot about teeth. 1714 01:22:42,600 --> 01:22:44,280 Speaker 4: I mean, we should just go through the other ones, but. 1715 01:22:44,280 --> 01:22:47,960 Speaker 1: That we should number four and I hope this is true. 1716 01:22:48,400 --> 01:22:55,200 Speaker 1: A dentist invented cotton candy. I'm gonna say false, but 1717 01:22:55,280 --> 01:22:57,639 Speaker 1: I hope it's true. I hope I'm wrong. 1718 01:22:58,000 --> 01:23:00,519 Speaker 3: No, I'm gonna say true, but I just how could 1719 01:23:00,520 --> 01:23:01,160 Speaker 3: that be happening? 1720 01:23:01,240 --> 01:23:02,719 Speaker 1: I'm gonna say false. 1721 01:23:03,439 --> 01:23:07,320 Speaker 4: We're approaching a perfect score by Sabrina. It's true. William 1722 01:23:07,360 --> 01:23:12,559 Speaker 4: Morrison's a dentist in eighteen ninety seven, founded cotton candy. 1723 01:23:12,880 --> 01:23:18,800 Speaker 1: Really wow, and number five, brushing while upside down is 1724 01:23:18,880 --> 01:23:24,240 Speaker 1: forty percent more effective for cleaner and brighter teeth. I'm 1725 01:23:24,240 --> 01:23:24,960 Speaker 1: gonna say false. 1726 01:23:25,520 --> 01:23:26,599 Speaker 3: He's gotta be false. 1727 01:23:26,680 --> 01:23:31,439 Speaker 2: Please be false, because otherwise I just I can't imagine 1728 01:23:31,439 --> 01:23:32,639 Speaker 2: people brushing upside down. 1729 01:23:32,680 --> 01:23:34,880 Speaker 3: That's gotta be No, it's false. 1730 01:23:35,320 --> 01:23:38,000 Speaker 4: Lisa, can we place like fireworks and horns? 1731 01:23:38,040 --> 01:23:38,200 Speaker 6: Here? 1732 01:23:38,280 --> 01:23:40,559 Speaker 4: It is our first five out of five for Sabrina. 1733 01:23:40,640 --> 01:23:42,400 Speaker 1: I'm out of five for Sabrina. 1734 01:23:43,120 --> 01:23:45,479 Speaker 4: Yay, I mean to be. 1735 01:23:45,400 --> 01:23:51,000 Speaker 2: Honest, it's fifty to fifty. But still you I think it. 1736 01:23:51,080 --> 01:23:55,240 Speaker 1: You are the true tooth fairy. Sabrina. Now go and 1737 01:23:55,360 --> 01:23:58,200 Speaker 1: watch a strange man on dress in his room while 1738 01:23:58,240 --> 01:23:59,320 Speaker 1: talking to his kids. 1739 01:24:01,240 --> 01:24:03,519 Speaker 3: Well, as long as that strange man can be my husband, 1740 01:24:03,560 --> 01:24:04,040 Speaker 3: I think I'll go. 1741 01:24:06,000 --> 01:24:08,840 Speaker 1: Well, it's now time. Can we do a Sabrina Ceas. 1742 01:24:08,640 --> 01:24:14,599 Speaker 2: Please yes, and let me tell you it will be 1743 01:24:14,640 --> 01:24:17,920 Speaker 2: short and quick today, you guys, I just wanted to 1744 01:24:17,960 --> 01:24:20,800 Speaker 2: do a quick little highlight on two of the little 1745 01:24:20,800 --> 01:24:25,080 Speaker 2: actors we didn't recognize earlier in the episode. All the 1746 01:24:25,080 --> 01:24:30,519 Speaker 2: rest of my stuff, we basically talked about. 1747 01:24:28,080 --> 01:24:30,479 Speaker 3: What we see. 1748 01:24:30,520 --> 01:24:34,280 Speaker 2: A very young Kaylee Quoco, even younger than Ali Catch 1749 01:24:34,280 --> 01:24:38,800 Speaker 2: straight back. She was the second little girl friend, so 1750 01:24:38,880 --> 01:24:40,519 Speaker 2: not the one he had a crush on, but she 1751 01:24:40,600 --> 01:24:43,840 Speaker 2: had a blonde little bob. I recognized her, went on 1752 01:24:44,280 --> 01:24:51,599 Speaker 2: id IMDb and confirmed she's in the movie, very small, 1753 01:24:51,720 --> 01:24:54,800 Speaker 2: small part. She's adorable, she's super cute in and out, 1754 01:24:56,479 --> 01:24:59,719 Speaker 2: just a few scenes. And then I also I didn't 1755 01:24:59,760 --> 01:25:03,759 Speaker 2: see on the internet on IMDb, but I did confirm 1756 01:25:03,800 --> 01:25:06,519 Speaker 2: it with Lisa, our producer, that R J. 1757 01:25:06,760 --> 01:25:08,760 Speaker 3: Smith, who was a huge. 1758 01:25:08,479 --> 01:25:13,120 Speaker 2: Young Nickelodeon actor for a while. He was one of 1759 01:25:13,160 --> 01:25:15,519 Speaker 2: the three Bullies. He was one of them. He was 1760 01:25:15,560 --> 01:25:20,680 Speaker 2: from the show UH the Journey of Alan Strange on Nickelodeon, 1761 01:25:21,000 --> 01:25:23,639 Speaker 2: and he was a young little actor. Again, he didn't 1762 01:25:23,680 --> 01:25:26,200 Speaker 2: have a ton of lines. He was in there, but 1763 01:25:26,320 --> 01:25:28,639 Speaker 2: he was one of the bullies that's yelling all the time. 1764 01:25:28,680 --> 01:25:30,080 Speaker 3: But he likes stram pushing. 1765 01:25:30,560 --> 01:25:31,160 Speaker 2: It's r J. 1766 01:25:31,400 --> 01:25:33,960 Speaker 1: Smith, Okay, I confused it, No, I I think I'm 1767 01:25:33,960 --> 01:25:36,440 Speaker 1: confusing him with r J. Reynolds used to make my cigarettes. 1768 01:25:36,920 --> 01:25:41,360 Speaker 1: Oh so ye, I've never heard of them. That r J. Smith. 1769 01:25:41,400 --> 01:25:44,000 Speaker 2: He was a really he ended up being a really 1770 01:25:44,080 --> 01:25:47,599 Speaker 2: big young child actor on Nickelodeon. So I just wanted 1771 01:25:47,600 --> 01:25:49,360 Speaker 2: to give some highlights. I love when we get to 1772 01:25:49,439 --> 01:25:52,960 Speaker 2: see those young actors start with the Disney Channel and 1773 01:25:53,000 --> 01:25:55,000 Speaker 2: then go to do just such big things. 1774 01:25:55,040 --> 01:25:55,800 Speaker 1: So too good. 1775 01:25:55,920 --> 01:25:56,800 Speaker 2: That's it for me. 1776 01:25:57,240 --> 01:25:59,400 Speaker 1: That is great, and thank you. And now we must 1777 01:25:59,479 --> 01:26:01,439 Speaker 1: rate our film home. You know, we always do it 1778 01:26:01,439 --> 01:26:03,840 Speaker 1: every week. One out of ten or one yeah, one 1779 01:26:03,840 --> 01:26:05,679 Speaker 1: out of ten, that's the way you say. One being bad, 1780 01:26:05,800 --> 01:26:08,360 Speaker 1: ten being great. And our options this week we have 1781 01:26:08,360 --> 01:26:11,120 Speaker 1: one out of ten pirate coins, one out of ten 1782 01:26:11,320 --> 01:26:15,960 Speaker 1: dead limbo parties, one out of ten small bullies, one 1783 01:26:16,000 --> 01:26:19,080 Speaker 1: out of ten Disney deaths, one out of ten stairways 1784 01:26:19,080 --> 01:26:22,840 Speaker 1: to Heaven, one out of tend Stoker Tooth fairies, or 1785 01:26:22,880 --> 01:26:27,040 Speaker 1: one out of ten cool pranks. Trevor, would you like 1786 01:26:27,080 --> 01:26:28,479 Speaker 1: to pick or do I pick? This week? 1787 01:26:29,760 --> 01:26:32,519 Speaker 2: I will pick because I was a bigger fan of 1788 01:26:32,520 --> 01:26:35,040 Speaker 2: the movie, and I'm gonna keep it positive here. 1789 01:26:35,200 --> 01:26:39,800 Speaker 3: We are gonna pick Disney Days fairways to have it, 1790 01:26:40,280 --> 01:26:43,840 Speaker 3: because I did like that one, and I'll go first. 1791 01:26:43,920 --> 01:26:46,719 Speaker 1: I'll go, Okay, you go first, go ahead again. 1792 01:26:46,840 --> 01:26:49,360 Speaker 2: Well, I should probably add on a positive note, but 1793 01:26:49,520 --> 01:26:53,400 Speaker 2: it's fine. I'm gonna give this. That's not the most 1794 01:26:53,439 --> 01:26:55,439 Speaker 2: positive for me. As you know, I like to rate 1795 01:26:55,520 --> 01:26:58,840 Speaker 2: them as high as I can. Yes, this week, I 1796 01:26:58,880 --> 01:27:01,679 Speaker 2: could not rate it higher than a five point five. 1797 01:27:02,080 --> 01:27:04,599 Speaker 2: And I will tell you the point five was solely 1798 01:27:04,920 --> 01:27:06,440 Speaker 2: because Christy. 1799 01:27:06,120 --> 01:27:09,439 Speaker 3: Ally was in the movie. Okay, point the last point five. 1800 01:27:09,640 --> 01:27:12,599 Speaker 3: I just did it again, the back. 1801 01:27:12,400 --> 01:27:16,479 Speaker 2: And forth, the chaos of the shaky camera action while 1802 01:27:16,520 --> 01:27:19,840 Speaker 2: we were in limbo. I really tried to take that 1803 01:27:19,920 --> 01:27:21,320 Speaker 2: turn in the middle. As you saw. 1804 01:27:21,439 --> 01:27:21,760 Speaker 4: I was. 1805 01:27:22,000 --> 01:27:25,200 Speaker 2: I was fighting to love this movie. I was fighting 1806 01:27:25,240 --> 01:27:27,840 Speaker 2: so hard, and I still at the end came up 1807 01:27:27,920 --> 01:27:29,920 Speaker 2: a little short. So it just was kind of a 1808 01:27:30,080 --> 01:27:34,200 Speaker 2: myth movie for me. So five point five Stairways to Heaven, 1809 01:27:34,560 --> 01:27:34,960 Speaker 2: that's good. 1810 01:27:35,040 --> 01:27:37,800 Speaker 1: Five point five. Hey, there you go. I uh, I 1811 01:27:37,840 --> 01:27:40,040 Speaker 1: am not going to be as generous with this one, 1812 01:27:40,080 --> 01:27:42,759 Speaker 1: and again, everybody out there, I get I am watching 1813 01:27:42,760 --> 01:27:45,120 Speaker 1: this as a forty eight year old man. I totally 1814 01:27:45,160 --> 01:27:48,880 Speaker 1: understand that this one, though I'd like to think even 1815 01:27:48,960 --> 01:27:51,400 Speaker 1: ten year old me would have gone, what the hell 1816 01:27:51,640 --> 01:27:52,400 Speaker 1: is this movie? 1817 01:27:52,680 --> 01:27:53,360 Speaker 2: I believe it. 1818 01:27:53,560 --> 01:27:54,320 Speaker 3: I believe it. 1819 01:27:54,479 --> 01:27:57,880 Speaker 1: Didn't get it. I just didn't get it. I just 1820 01:27:57,920 --> 01:27:59,439 Speaker 1: didn't get it. I wish I had another way to say. 1821 01:27:59,439 --> 01:28:02,320 Speaker 1: I everything about this movie just struck me the wrong way. 1822 01:28:02,360 --> 01:28:07,760 Speaker 1: That being said, great cast in other stuff, like I 1823 01:28:07,800 --> 01:28:10,960 Speaker 1: loved everybody in this movie in other things they've done. 1824 01:28:11,000 --> 01:28:13,920 Speaker 1: So I think I'm gonna very generously give this movie 1825 01:28:14,000 --> 01:28:16,719 Speaker 1: a four Stairways to Heaven. 1826 01:28:17,720 --> 01:28:19,320 Speaker 3: As bad as I thought you might, I could have 1827 01:28:19,360 --> 01:28:20,440 Speaker 3: gone lower. 1828 01:28:20,280 --> 01:28:23,240 Speaker 1: But I'm gonna I'm trying not to be overly. 1829 01:28:24,000 --> 01:28:24,519 Speaker 6: It was just it. 1830 01:28:24,800 --> 01:28:27,000 Speaker 1: I just didn't do it for me. But anyway, there 1831 01:28:27,040 --> 01:28:30,200 Speaker 1: we go. I'm giving it four Stairways to Heaven. Thank 1832 01:28:30,240 --> 01:28:33,200 Speaker 1: you everybody for joining us. And our next movie is 1833 01:28:33,240 --> 01:28:35,320 Speaker 1: helping ring in that time of the year. It's nineteen 1834 01:28:35,360 --> 01:28:38,960 Speaker 1: ninety six, is Wonderful World at Disney wwoh date We're 1835 01:28:38,960 --> 01:28:42,840 Speaker 1: sticking with it. Holiday Fair The Christmas Tree, which I 1836 01:28:42,880 --> 01:28:46,120 Speaker 1: think is a Hanukka movie. It is available for everybody 1837 01:28:46,160 --> 01:28:48,760 Speaker 1: for free on the YouTube's so Go Get It. And 1838 01:28:48,920 --> 01:28:51,920 Speaker 1: this week on our Magical Rewind Parkopper episode, we're talking 1839 01:28:51,920 --> 01:28:54,679 Speaker 1: to author Juliet de Villers. It was her best selling 1840 01:28:54,720 --> 01:28:57,519 Speaker 1: book that was turned into Read It and Weep, and 1841 01:28:57,560 --> 01:28:59,679 Speaker 1: she gave us even more insight on how that movie 1842 01:28:59,720 --> 01:29:01,599 Speaker 1: came together. It is a brand new point of view 1843 01:29:01,600 --> 01:29:03,559 Speaker 1: for the podcast. So let's hear a little clip of 1844 01:29:03,560 --> 01:29:04,600 Speaker 1: what you can expect. 1845 01:29:06,040 --> 01:29:08,479 Speaker 6: They changed a lot in the movie. I didn't have 1846 01:29:08,520 --> 01:29:12,080 Speaker 6: an older brother, I had an older sister. She did 1847 01:29:12,080 --> 01:29:16,920 Speaker 6: not talk to her alter ego in interesting ways. Oh 1848 01:29:16,960 --> 01:29:19,960 Speaker 6: we said flick. I had it like them flicking instead 1849 01:29:20,000 --> 01:29:24,599 Speaker 6: of zapping. Oh okay, when you say flick somebody off, 1850 01:29:24,640 --> 01:29:26,480 Speaker 6: that's probably not the greatest. 1851 01:29:27,880 --> 01:29:29,800 Speaker 1: It was a really fun interview. We even got to 1852 01:29:29,800 --> 01:29:32,920 Speaker 1: hear a little bit about what happened with Sabrina's book 1853 01:29:33,080 --> 01:29:36,240 Speaker 1: with Julia. It was very cool. So make sure that 1854 01:29:36,280 --> 01:29:38,320 Speaker 1: you check it out and remember also to subscribe to 1855 01:29:38,360 --> 01:29:41,080 Speaker 1: our feed. You can just search for Magical Rewind wherever 1856 01:29:41,080 --> 01:29:43,760 Speaker 1: you get your podcasts and subscribe and follow along, and 1857 01:29:43,800 --> 01:29:46,519 Speaker 1: you can follow us at Magical Rewind Pod on the 1858 01:29:46,600 --> 01:29:49,200 Speaker 1: Instagram Machine. Thank you so much everybody, and we'll see 1859 01:29:49,200 --> 01:29:49,720 Speaker 1: you next time. 1860 01:29:49,800 --> 01:30:03,120 Speaker 3: Bye bye