WEBVTT - Mango Recommends: Afghan Star, hosted by John Legend

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<v Speaker 1>Let me tell you a little something about Afghan music.

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<v Speaker 1>Back in the day. It was mainly classical and folk tunes,

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<v Speaker 1>influenced by traditional music from places like India and Persia.

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<v Speaker 1>It was poetic and romantic. You know what you need

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<v Speaker 1>to hear it? Can I get some percussion? I'm thinking tabla.

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<v Speaker 1>Now give me a little down, down, down, down on

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<v Speaker 1>the rhubarb. Yeah, that's it. Now layer in some harmonium. Ooh,

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<v Speaker 1>that's sweet. So music sounded like that for a while,

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<v Speaker 1>but then this guy came along and he started mixing

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<v Speaker 1>it up. His name was Akhmad Sayer and he came

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<v Speaker 1>from a prestigious Afghan family, the son of a prime minister.

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<v Speaker 1>So music that wasn't supposed to be his career path

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<v Speaker 1>shoved off, but Akhmad Zahir didn't care. He rocked a

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<v Speaker 1>pompadour and sideburns. He traveled the world seeking out musicians.

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<v Speaker 1>He met saxophonists and trumpeters. He learned to play accordion.

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<v Speaker 1>He listened to rock and jazz and flamenco, and he

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<v Speaker 1>started to write songs that were like mad mashups of

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<v Speaker 1>different genres.

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<v Speaker 2>Indian raga and Western pop, folk and rock, jazz and poetry.

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<v Speaker 1>He sang in Dari and Pashto and Russian and Urdu

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<v Speaker 1>and even English, and the more people heard Akmanzayre's music,

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<v Speaker 1>the more they fell in love. Women with Jane Fonda hairstyles,

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<v Speaker 1>dangly earrings and mini skirts would shimmy and twist, and

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<v Speaker 1>he sold out concerts. People would line up outside record

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<v Speaker 1>stores to hear his latest release. Kabul in the seventies

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<v Speaker 1>was Akman Zahir's city, and he became known as something else.

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<v Speaker 1>The sideburns, the leather jacket he transformed into the Afghan elvis.

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<v Speaker 1>And then in nineteen seventy nine, on his thirty third birthday,

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<v Speaker 1>Zahir died. He got into a car crash. Mini and

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<v Speaker 1>Afghanistan think he was murdered, murdered by the newly installed

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<v Speaker 1>Soviet backed government who did not appreciate his songs about freedom,

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<v Speaker 1>his vision of the future. And on this tragic night,

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<v Speaker 1>instead of fans flooding the street to celebrate their idol's birthday,

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<v Speaker 1>they marched through the city carrying his body. But Afghans

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<v Speaker 1>never stopped listening. Even years later under the Taliban, when

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<v Speaker 1>music it had been outlawed by the religious police, people

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<v Speaker 1>would gather together in secret rooms and dance to Akhmad

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<v Speaker 1>Zahir's music, Dance with their shirts sticking to their bodies,

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<v Speaker 1>Dance as if the only thing that mattered at that

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<v Speaker 1>moment was dancing. And although Akhmed Zahir would never know it,

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<v Speaker 1>he became a beacon, an inspiration to a new generation

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<v Speaker 1>of Afghans, a spark that lived inside them that could

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<v Speaker 1>not be extinguished, however hard the Taliban try. I'm John Legend,

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<v Speaker 1>I'm from Kaleidoscope, and iHeart podcasts. This is Afghan Stock.

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<v Speaker 1>Previously Daoud Sidiki is hired to produce a show unlike

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<v Speaker 1>any Afghanistan has ever seen. It's a nationwide singing competition

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<v Speaker 1>for Afghans.

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<v Speaker 3>I'm so thirsty and so angry and so exhausted that

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<v Speaker 3>I can't think about anything.

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<v Speaker 1>He works day and night to get the show on air,

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<v Speaker 1>convincing judges to take part and traveling all around the

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<v Speaker 1>country to audition singers Zindigiicasafer, But he has no idea

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<v Speaker 1>if the public is ready for something like this, if

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<v Speaker 1>they'll be outraged or excited. Because it was just a

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<v Speaker 1>few years ago, making a show like Afghan Star could

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<v Speaker 1>get you killed. Chapter one Cinema Paradiso.

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<v Speaker 4>Un.

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<v Speaker 1>Daoud Sidiki, the man who is the host and producer

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<v Speaker 1>of Afghan Star, sits alone in his home office in America.

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<v Speaker 1>He often pulls an Akhma Zahir cassette and slots it

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<v Speaker 1>into the player on his desk models for hours, he

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<v Speaker 1>just sits and listens and thinks of his old life

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<v Speaker 1>in Kabble.

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<v Speaker 4>By card.

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<v Speaker 5>Zitch And.

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<v Speaker 1>As a kid, Daoud was obsessed with music and movies.

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<v Speaker 1>He would spend all day either listening to tapes or

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<v Speaker 1>glued to the screen.

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<v Speaker 3>The vcor was kind of a magical box fermit.

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<v Speaker 1>Daoud tore through every record and VHS tape in his

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<v Speaker 1>family's collection multiple times. But when he wasn't watching or

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<v Speaker 1>rewatching videos, you could find him at the local cinema.

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<v Speaker 1>He remembers the short walk from his house, the bustling shops,

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<v Speaker 1>the neighbors who would wave or get give him a

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<v Speaker 1>little pat on the back, and he remembers the cinema itself,

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<v Speaker 1>big windows, heavy curtains, and ice cream shop next door.

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<v Speaker 1>It's his favorite place in the world. With his feet

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<v Speaker 1>barely touching the floor, this is where Daoud would see

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<v Speaker 1>his first Bollywood movie, Captivated for three straight hours by

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<v Speaker 1>the colorful saris and plot twists and perfectly choreographed dance numbers,

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<v Speaker 1>and in years that followed, each time he emerged from

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<v Speaker 1>that little cinema, he'd been.

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<v Speaker 3>I grew up watching lots of Bollywood movies and I

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<v Speaker 3>loved him. I love Amitabachan movies. I love like Metan

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<v Speaker 3>Chickut renting movies big stars, and we will talk about

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<v Speaker 3>it for the entire week, maybe monson, we will buy

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<v Speaker 3>the music and go and buy the posters and find

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<v Speaker 3>the clothes and style. And still sometimes I believe like

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<v Speaker 3>I kind of imagine myself as a Bollywood actor, or

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<v Speaker 3>I hear it in a movie.

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<v Speaker 1>So that's Daoud's cobo. It's Bollywood have sensed. But it

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<v Speaker 1>isn't just Hindi music that fills his memories. To hear

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<v Speaker 1>Daoud tell it, afternoons were scored by harmoniums wafting from

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<v Speaker 1>the playground, kids played drums in the streets. Open shop

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<v Speaker 1>windows piped the sounds of the Afghan elvis to the

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<v Speaker 1>delight of passers by. But it isn't long before those

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<v Speaker 1>magical sounds that Daoud loves so much are replaced.

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<v Speaker 3>When the bullets camped. It has a very interesting sounding

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<v Speaker 3>zip zip zip zip.

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<v Speaker 1>By the time Daoud is in his early teens, he's

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<v Speaker 1>grown accustomed to falling asleep to the sound of bullets

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<v Speaker 1>being sprayed into the night, the sounds of civil war.

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<v Speaker 3>The war was a kind of a jungle low war.

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<v Speaker 1>In the nineties, war had broken out between groups of

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<v Speaker 1>rebel fighters called the Mujahideen.

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<v Speaker 3>These are the mujah Hadeen, the fighters of the Jihad,

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<v Speaker 3>the Muslim Holy War.

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<v Speaker 6>They are men of faith of Islam.

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<v Speaker 1>The Mujahadeen was made up of regular people who rose

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<v Speaker 1>up to defend their country against a Soviet invasion.

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<v Speaker 3>Of Soviet bloodshed and battle into five minutes ahead of

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<v Speaker 3>schedule as the Soviet army completed its retreat.

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<v Speaker 1>But then the Mujahideen fighters turned on each other.

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<v Speaker 3>Early this morning, the airport was shelved.

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<v Speaker 1>Throughout the day, heavy artillery thundered in the hills around Kabo,

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<v Speaker 1>and the streets descended into a battlefield.

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<v Speaker 3>Kobl was not a safe place to live. You will

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<v Speaker 3>be killed very easily. Just someone will come and should you.

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<v Speaker 1>Some shops have reopened today, however, most people are staying

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<v Speaker 1>off the streets, saying it's still too dangerous to leave home.

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<v Speaker 3>Even that is risky.

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<v Speaker 5>Many rockets are landing in residential neighborhoods.

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<v Speaker 1>Families across Kable were terrified. They couldn't lead their homes

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<v Speaker 1>for fear of getting caught in the crossfire. So anyone

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<v Speaker 1>with means moved to a different part of the city,

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<v Speaker 1>trying to outrun the fighting. But as Daoud's family quickly discovered,

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<v Speaker 1>the war was always right behind them them.

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<v Speaker 3>No one is talking. There's no conversation that house. Even

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<v Speaker 3>the kids were quite. Everyone was quite. This quietness was

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<v Speaker 3>kind of a hardest time of my life.

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<v Speaker 1>The days are long, no one really talks. Plus there's

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<v Speaker 1>nothing more to talk about. A silence fills the house.

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<v Speaker 1>Thou doesn't have much to keep him occupied, so most

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<v Speaker 1>days he sits by a small window in the attic alone.

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<v Speaker 1>From the right angle, he can just about see into

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<v Speaker 1>his favorite cinema, the chairs, the curtains. It feels so

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<v Speaker 1>close he could just about touch it.

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<v Speaker 3>I was watching the sward from the small window. That

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<v Speaker 3>rocket came from the mountain. I can see this rocket

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<v Speaker 3>with like a fire behind it. He came and hit

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<v Speaker 3>the cinema.

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<v Speaker 1>Daoud leaps forward to get a better look. His forehead

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<v Speaker 1>pressed hard against the window, his breath fogging up the.

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<v Speaker 3>Glass, and I saw the inside the window. There fire started.

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<v Speaker 3>Maybe if it gets the curtains, it will destroy the

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<v Speaker 3>entire cinema. Sits paralyzed, and I'm watching, just watching my

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<v Speaker 3>memories the city. The seat that I grew up. The

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<v Speaker 3>cinema was kind of an image that I can't forget

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<v Speaker 3>that I always in my heart. Leg It was kind

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<v Speaker 3>of symbol of art, music, cinema. Just it was so

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<v Speaker 3>painful to see my past life was destroyed in front

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<v Speaker 3>of my eyes.

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<v Speaker 1>Chapter two, Angels of Peace. It's nineteen ninety six and

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<v Speaker 1>Cabo has suffered years of civil war. To Doude, everything

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<v Speaker 1>feels lost. His home has been destroyed by rockets, his

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<v Speaker 1>town reduced to rubble. And that's when a group of

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<v Speaker 1>people come barreling down the dusty streets.

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<v Speaker 3>People called Toliban Angels of Peace.

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<v Speaker 1>Taliban means students in Pashta, and its members are quite

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<v Speaker 1>literally students from traditional religious.

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<v Speaker 6>Schools, Muslim seminarists trained in the madrasas the Kuranic Institute

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<v Speaker 6>of Western Pakistan.

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<v Speaker 1>Formed in Kandahar. The Taliban resisted the Mujahideen and took control.

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<v Speaker 6>After sweeping across the country. The Taliban now controlled three

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<v Speaker 6>quarters of Afghanistan and have long claimed to be the

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<v Speaker 6>only force to bring stability to a country to rent

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<v Speaker 6>asunder by factional fighting.

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<v Speaker 1>And now here they are wearing white and wielding white flags.

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<v Speaker 1>Come to save Kabu.

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<v Speaker 5>Taliban militia moved into the city shortly after one o'clock

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<v Speaker 5>this morning. They just swept into the city. Most government

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<v Speaker 5>soldiers and commanders led to the north.

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<v Speaker 3>People were so happy. Oh my god, Western forgot I've

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<v Speaker 3>one son.

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<v Speaker 1>The Taliban promised to restore peace and law and to

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<v Speaker 1>rid the city of corruption and crime.

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<v Speaker 4>So people are incredibly tired and they want and into

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<v Speaker 4>the fighting. I've talked to dozens of people so far

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<v Speaker 4>today on the street, and they just keep saying, maybe

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<v Speaker 4>this seems is an end to the fighting.

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<v Speaker 1>Like so many people in the region, Daoud is overjoyed.

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<v Speaker 1>He's just finished school and can finally go back to

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<v Speaker 1>being a teenager obsessing over how to style his hair

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<v Speaker 1>and what to study at university, and for a while,

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<v Speaker 1>life actually feels normal. Dawoud's family has food on the table.

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<v Speaker 1>They aren't dodging bullets or cowering in the basement, and

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<v Speaker 1>everyone is obsessed with a new movie called Titanic. There

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<v Speaker 1>are Titanic shaped wedding cakes on sale gum package with

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<v Speaker 1>photos of the movie on it, and long lines of

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<v Speaker 1>boys wanting a floppy haircut like Leonardo DiCaprio trailing out

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<v Speaker 1>of barbershop doors. Everyone loves Leo, but Daoud quickly realizes

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<v Speaker 1>that these angels of peace aren't quite what they see.

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<v Speaker 3>What tollibuns bring with them pure religious fanaticism.

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<v Speaker 1>They execute the former president the.

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<v Speaker 4>Haltim out of the un compound and to the Presidential Palace,

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<v Speaker 4>and he was beaten and there were several bullets booths.

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<v Speaker 5>To his lower body.

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<v Speaker 1>They bring in their own leader and before long they

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<v Speaker 1>remodel the country around their own interpretation of Islam.

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<v Speaker 3>They say, you need to have a long here, very

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<v Speaker 3>long or very sharp. This is a two wist.

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<v Speaker 1>They don't want any fancy hairstyles, no fades, no perms,

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<v Speaker 1>no pompadoors, and absolutely no Leonardo DiCaprio cuts.

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<v Speaker 3>You need to have a long beer, traditional clothes.

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<v Speaker 1>They start banning everything fun kite flying, pigeon racing, dancing.

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<v Speaker 1>Before long, Daoud's sisters are pulled out of school because

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<v Speaker 1>women are no longer allowed access to an education. They

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<v Speaker 1>can't even go outside without a male chaperone. And then

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<v Speaker 1>Daoud hears the latest band. The Taliban declares.

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<v Speaker 3>No TV, no music, no sound.

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<v Speaker 1>Daoud feels like all the air has been knocked out

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<v Speaker 1>of him. He realizes this means no more Afghan Elvis,

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<v Speaker 1>no more Bollywood movies. The music which once was his

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<v Speaker 1>lifeblood has been replaced by the constant drone of Taliban chants,

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<v Speaker 1>hymns in praise of the Taliban's leaders and cars. To Daude,

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<v Speaker 1>this band feels heavy, stifling.

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<v Speaker 7>Talibhasan Kisu the shy Fuckermani bestudo sada sunny sunny dena sound.

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<v Speaker 1>Daoud watches as the Taliban set up checkpoints to stop

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<v Speaker 1>cars and carry out inspections.

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<v Speaker 3>They will come and check the dash forth you have

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<v Speaker 3>a tip, and if they do, they will beat the

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<v Speaker 3>driver or the passenger in the car.

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<v Speaker 1>And then they'll confiscate the cassette, unspool the black tape

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<v Speaker 1>and string it up like Christmas lights for all to see.

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<v Speaker 3>Music instruments like guitar, tabla, roubaub TVs VCRs, they will

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<v Speaker 3>break them and hang them above their checkpoint.

0:20:21.680 --> 0:20:26.600
<v Speaker 1>Anything that produces sound or provides entertainment is gutted and

0:20:26.720 --> 0:20:29.200
<v Speaker 1>hung from trees by its internal wiring.

0:20:29.520 --> 0:20:32.200
<v Speaker 3>That was kind of a symbol of their achievement.

0:20:32.840 --> 0:20:36.320
<v Speaker 1>Daoude keeps his head down, terrified of bumping into the

0:20:36.359 --> 0:20:41.399
<v Speaker 1>Taliban in the street and being assaulted. He spends most

0:20:41.480 --> 0:20:45.400
<v Speaker 1>days studying for his medical degree at university and then

0:20:45.480 --> 0:20:49.840
<v Speaker 1>going straight home as fast as he can, until one

0:20:49.920 --> 0:20:52.480
<v Speaker 1>day when he sees a crowd in the middle of

0:20:52.520 --> 0:20:53.040
<v Speaker 1>the square.

0:20:53.680 --> 0:20:57.080
<v Speaker 3>I was coming from the university and everyone is watching

0:20:57.680 --> 0:21:09.520
<v Speaker 3>up happening in the sky.

0:21:09.640 --> 0:21:11.920
<v Speaker 1>He weaves his way through, trying to get a peek.

0:21:12.320 --> 0:21:15.160
<v Speaker 1>The people around him are muttering to each other, their

0:21:15.240 --> 0:21:17.520
<v Speaker 1>necks extended, trying to get a better view.

0:21:19.480 --> 0:21:23.920
<v Speaker 3>I'm also watching the sky. I tried to find what's

0:21:23.960 --> 0:21:29.160
<v Speaker 3>going on. I can't see anything. Then I realized, oh

0:21:29.240 --> 0:21:32.640
<v Speaker 3>my god, people are watching something hanging.

0:21:35.359 --> 0:21:38.320
<v Speaker 1>THOU can't quite figure out what he's looking at.

0:21:39.200 --> 0:21:40.879
<v Speaker 3>I just saw a glimpse of it.

0:21:41.520 --> 0:21:46.720
<v Speaker 1>He squints a little harder, and then his stomach twists.

0:21:47.520 --> 0:21:57.200
<v Speaker 3>Feets and hands are hanging. Catted feets and hands. Maybe

0:21:57.200 --> 0:22:00.560
<v Speaker 3>I watched it for five or ten seconds, and then

0:22:00.560 --> 0:22:01.000
<v Speaker 3>I left.

0:22:06.920 --> 0:22:11.600
<v Speaker 1>The image of the severed limbs is etched into Daoud's brain.

0:22:15.080 --> 0:22:18.160
<v Speaker 1>It's a warning to him of what can happen if

0:22:18.200 --> 0:22:24.959
<v Speaker 1>someone tries to break the rules. Fundamentalist groups like the

0:22:25.000 --> 0:22:27.800
<v Speaker 1>Taliban will give a load of reasons why they bring

0:22:27.880 --> 0:22:32.360
<v Speaker 1>in bands like these bands on television and blue jeans

0:22:32.400 --> 0:22:37.119
<v Speaker 1>and music. I've seen something like it myself. When I

0:22:37.200 --> 0:22:40.040
<v Speaker 1>was a kid, I wasn't allowed to listen to secular

0:22:40.160 --> 0:22:42.920
<v Speaker 1>music for a time because it was considered to be

0:22:43.240 --> 0:22:46.479
<v Speaker 1>the devil's music by the Pentecostal church I belong to.

0:22:47.080 --> 0:22:54.120
<v Speaker 1>They wanted us to be different, distinct, sanctified. The generous

0:22:54.119 --> 0:22:59.040
<v Speaker 1>interpretation is that they want you to be holy. But really,

0:22:59.600 --> 0:23:03.640
<v Speaker 1>I think all of these fundamentalist religious groups recognize how

0:23:03.800 --> 0:23:09.000
<v Speaker 1>powerful music can be, and it might scare them a little.

0:23:11.040 --> 0:23:15.879
<v Speaker 1>It's all about control, controlling the information you get, controlling

0:23:15.920 --> 0:23:20.320
<v Speaker 1>how you express yourself, because they don't want to lose

0:23:20.359 --> 0:23:30.040
<v Speaker 1>you to the world. In Kabbo, Daoud watches as the

0:23:30.080 --> 0:23:34.720
<v Speaker 1>Taliban set up checkpoints to stop cars and carry out inspections.

0:23:37.840 --> 0:23:41.479
<v Speaker 1>When Daoud gets home, he sees his neighbors getting ahead

0:23:41.520 --> 0:23:46.000
<v Speaker 1>of any suspicion, showing that they are following the Taliban.

0:23:45.640 --> 0:23:51.000
<v Speaker 3>Code, they destroyed and burned their own media stuff in

0:23:51.000 --> 0:23:51.919
<v Speaker 3>front of the people.

0:23:53.800 --> 0:24:00.000
<v Speaker 1>The fire crackles as it devours cassette tapes and violins,

0:24:00.240 --> 0:24:06.760
<v Speaker 1>watches as everything melts, the smell stinging in his nostrils.

0:24:08.800 --> 0:24:09.040
<v Speaker 4>Liked.

0:24:09.119 --> 0:24:12.800
<v Speaker 3>They just get rid of them. We cannot take this risk,

0:24:13.080 --> 0:24:15.720
<v Speaker 3>And some families put them under the ground, or some

0:24:15.880 --> 0:24:19.439
<v Speaker 3>there that no one can find them.

0:24:20.480 --> 0:24:25.119
<v Speaker 1>The ground becomes a graveyard of Afghan culture. Everything that

0:24:25.240 --> 0:24:33.280
<v Speaker 1>Daoud loves most is buried six feet under radios, TVs, vhs, tapes, cassettes,

0:24:34.240 --> 0:24:38.640
<v Speaker 1>all covered in dirt and purged from their owner's minds.

0:24:41.440 --> 0:24:46.639
<v Speaker 1>But Daoud, he isn't interested in bearing his identity. He's

0:24:46.680 --> 0:24:58.560
<v Speaker 1>got a plan. Hey, it's John Legend. If you've been listening,

0:24:58.800 --> 0:25:02.000
<v Speaker 1>you already know that Afghan Star is a tale of

0:25:02.160 --> 0:25:07.399
<v Speaker 1>resistance and hope. For fifteen years, Afghan Star was a beacon,

0:25:08.000 --> 0:25:11.119
<v Speaker 1>But when the Taliban returned to power, they shut the

0:25:11.160 --> 0:25:15.320
<v Speaker 1>show down along with so many Afghan rights. They band

0:25:15.480 --> 0:25:19.399
<v Speaker 1>music education for girls and women, and they continue to

0:25:19.480 --> 0:25:23.760
<v Speaker 1>clamp down on everyone's freedoms. But there are ways to

0:25:23.840 --> 0:25:27.800
<v Speaker 1>show your support. We've teamed up with a WA Studios

0:25:27.880 --> 0:25:31.439
<v Speaker 1>and their incredible graphic artists to illustrate some of the

0:25:31.440 --> 0:25:36.240
<v Speaker 1>most extraordinary moments in this podcast. There is a unique

0:25:36.280 --> 0:25:40.639
<v Speaker 1>print for each episode, bringing to life powerful moments that

0:25:40.720 --> 0:25:46.080
<v Speaker 1>are moving and inspiring. And there's an unforgettable print based

0:25:46.119 --> 0:25:50.440
<v Speaker 1>on a painting from superstar artist Raza that represents the

0:25:50.480 --> 0:25:55.160
<v Speaker 1>spirit of hope embodied by the show. Art and music

0:25:55.400 --> 0:25:59.199
<v Speaker 1>have the power to uplift us all, and ordering a

0:25:59.320 --> 0:26:03.560
<v Speaker 1>work for yourself or as a gift help support Afghans.

0:26:03.920 --> 0:26:07.320
<v Speaker 1>With every purchase, we'll be donating to the Nore Initiative,

0:26:07.560 --> 0:26:11.760
<v Speaker 1>a nonprofit working to ensure that every Afghan girl has

0:26:11.800 --> 0:26:17.680
<v Speaker 1>access to education and opportunity. For more information on our

0:26:17.720 --> 0:26:22.560
<v Speaker 1>collaboration with AWA, the artworks available to listeners, and to

0:26:22.680 --> 0:26:26.920
<v Speaker 1>learn more about the Nore Initiative's efforts to educate, support

0:26:27.000 --> 0:26:31.600
<v Speaker 1>independent media, and transform lives across the region, head to

0:26:31.680 --> 0:26:41.200
<v Speaker 1>the link in our show notes below. Chapter three the

0:26:41.240 --> 0:26:47.160
<v Speaker 1>Rebels Handbook, How to Get Away with Music and Movies

0:26:47.240 --> 0:26:51.760
<v Speaker 1>Under the Taliban. It's a cultural wasteland out here. If

0:26:51.800 --> 0:26:54.800
<v Speaker 1>you miss flying kites and blasting music until three am,

0:26:54.840 --> 0:26:57.040
<v Speaker 1>like da who does? This is how you do it

0:26:57.080 --> 0:27:01.560
<v Speaker 1>without being killed or tortured. One get a group of

0:27:01.560 --> 0:27:05.080
<v Speaker 1>friends together. Friends you can trust, rebels who want to

0:27:05.160 --> 0:27:08.280
<v Speaker 1>party and find a secret clubhouse.

0:27:10.080 --> 0:27:14.080
<v Speaker 3>We have this area in Kabul called Mcruraean. There are

0:27:14.359 --> 0:27:18.320
<v Speaker 3>apartment buildings six floor, seventh floor, eighth floor.

0:27:19.160 --> 0:27:22.000
<v Speaker 1>A lot of these apartments are empty since residents fled

0:27:22.040 --> 0:27:24.960
<v Speaker 1>the country to escape the Mujaiden, So it's a good

0:27:25.000 --> 0:27:28.680
<v Speaker 1>spot for a clubhouse. Plus, the apartments are so high

0:27:28.800 --> 0:27:31.960
<v Speaker 1>up that you can blast music without fear of getting caught.

0:27:33.320 --> 0:27:36.160
<v Speaker 3>I listened to live music a lot. I partied a lot.

0:27:38.840 --> 0:27:41.919
<v Speaker 3>We went to this building and we were have live music.

0:27:42.359 --> 0:27:44.919
<v Speaker 3>We have preparing a food for us. That was party.

0:27:45.960 --> 0:27:49.160
<v Speaker 3>How if I tell you that I listened to more

0:27:49.280 --> 0:27:52.160
<v Speaker 3>live music during the Taller One than my entire life,

0:27:52.200 --> 0:27:52.800
<v Speaker 3>you will laugh.

0:27:58.480 --> 0:28:02.560
<v Speaker 1>Step two, make friends with a smuggler. If you love movies,

0:28:02.640 --> 0:28:05.399
<v Speaker 1>you're gonna need a guy on the inside. You can't

0:28:05.440 --> 0:28:08.000
<v Speaker 1>just go out and buy VHS tapes from the store.

0:28:08.600 --> 0:28:12.800
<v Speaker 3>People were bringing it from Boston, mostly moving a VC

0:28:13.000 --> 0:28:16.320
<v Speaker 3>or moving a TV. It was kind of like you

0:28:16.520 --> 0:28:20.520
<v Speaker 3>moving a truck full of drugs in the United States.

0:28:20.600 --> 0:28:22.080
<v Speaker 3>That's how hard it was.

0:28:22.840 --> 0:28:27.280
<v Speaker 1>Dawood's friends put him onto a smuggler. They tell him.

0:28:27.320 --> 0:28:29.960
<v Speaker 3>Here's a house you need to go to the evening times.

0:28:30.119 --> 0:28:35.040
<v Speaker 3>Knock the door. Special v you have had like secret

0:28:35.080 --> 0:28:36.880
<v Speaker 3>word password correct.

0:28:39.440 --> 0:28:42.600
<v Speaker 1>Go into the smuggler's house and shut the door behind you.

0:28:43.080 --> 0:28:44.160
<v Speaker 1>He'll give you the movie.

0:28:44.840 --> 0:28:48.840
<v Speaker 3>You put the cassette behind your belt, put the shirt

0:28:48.920 --> 0:28:51.520
<v Speaker 3>about it, give the guy the money.

0:28:51.640 --> 0:28:53.920
<v Speaker 1>You might think that's the hardest part of the whole thing.

0:28:54.400 --> 0:28:58.000
<v Speaker 1>Well you'd be wrong. What comes next is the hard part.

0:28:58.320 --> 0:29:01.800
<v Speaker 1>You need to get home without being caught by the Taliban.

0:29:02.280 --> 0:29:05.760
<v Speaker 3>These VCR tapes were so big, and when you walk,

0:29:05.920 --> 0:29:08.000
<v Speaker 3>it has some purses, makes noise.

0:29:08.320 --> 0:29:11.040
<v Speaker 1>Tighten your belt around the tape. You don't want it

0:29:11.080 --> 0:29:14.080
<v Speaker 1>to slip out. It's going to make a sound every

0:29:14.120 --> 0:29:18.080
<v Speaker 1>time you take a step. Walk fast, but not too fast.

0:29:18.280 --> 0:29:20.000
<v Speaker 1>You don't want to look like you're in a hurry

0:29:20.040 --> 0:29:23.080
<v Speaker 1>to get somewhere. If a member of the Taliban spots

0:29:23.120 --> 0:29:42.080
<v Speaker 1>you run step three infiltrate the smuggler network. Daoud is

0:29:42.120 --> 0:29:45.760
<v Speaker 1>an electronics guy, and the Resistance needs more of them.

0:29:45.960 --> 0:29:48.640
<v Speaker 1>Daud has been fixing stuff since he was in high school,

0:29:49.000 --> 0:29:52.320
<v Speaker 1>and since the Taliban have been destroying TV antennas and

0:29:52.480 --> 0:29:55.920
<v Speaker 1>VCRs always break. Having a guy like him around is

0:29:55.960 --> 0:29:59.640
<v Speaker 1>pretty handy. The smuggler hooks Daoud up with his customers,

0:29:59.720 --> 0:30:02.840
<v Speaker 1>and just like that, he's got a thriving business.

0:30:03.400 --> 0:30:07.000
<v Speaker 3>We have our own style of doing business, like how

0:30:07.080 --> 0:30:09.240
<v Speaker 3>what times you should come, how you should come.

0:30:09.880 --> 0:30:12.360
<v Speaker 1>You need to give your clients a cover story just

0:30:12.360 --> 0:30:14.240
<v Speaker 1>in case they're questioned by the Taliban.

0:30:14.880 --> 0:30:17.680
<v Speaker 3>You should just know my name of my father, my brother,

0:30:17.800 --> 0:30:20.360
<v Speaker 3>and if someone comes, you should say this, yea is

0:30:20.400 --> 0:30:22.400
<v Speaker 3>my relative. I'm coming to my reltive house. It's not

0:30:22.440 --> 0:30:24.840
<v Speaker 3>a big deal or something like. This was the situation,

0:30:24.960 --> 0:30:27.120
<v Speaker 3>like it was so scary, honestly.

0:30:33.840 --> 0:30:41.600
<v Speaker 1>Step four, Stay cool. Things are gonna get hairy. Like

0:30:41.800 --> 0:30:44.680
<v Speaker 1>one day you might be in your repair then surrounded

0:30:44.680 --> 0:30:47.920
<v Speaker 1>by BCRs and broken cassettes and you hear a pounding

0:30:47.960 --> 0:31:00.520
<v Speaker 1>at the door. Don't panic, Oh.

0:31:00.320 --> 0:31:04.280
<v Speaker 3>My god, there's no time for me to clean up

0:31:04.320 --> 0:31:11.360
<v Speaker 3>this mess. It's no time, just impossible. When this happened,

0:31:11.480 --> 0:31:14.040
<v Speaker 3>I went to a shock. I don't know what to

0:31:14.080 --> 0:31:17.520
<v Speaker 3>do and what happened to me? Now I imagine O come

0:31:18.080 --> 0:31:21.000
<v Speaker 3>and take me, destroy everything but me and the jail

0:31:21.120 --> 0:31:26.000
<v Speaker 3>kill me. What happened? I'm thinking about this second time.

0:31:27.720 --> 0:31:31.920
<v Speaker 3>The door is kind of like crazy knocking. I'm lost.

0:31:32.040 --> 0:31:36.960
<v Speaker 3>I am here. I accepted the consequence of my work

0:31:37.080 --> 0:31:42.360
<v Speaker 3>and said, I can't move even I can move, run put,

0:31:42.680 --> 0:31:45.600
<v Speaker 3>go to the neighbor house, something, do something, run at least,

0:31:45.960 --> 0:31:46.960
<v Speaker 3>but I can't do it.

0:31:57.200 --> 0:32:00.920
<v Speaker 1>So that would sit ready to accept this. Paid the handcuffs,

0:32:01.040 --> 0:32:08.840
<v Speaker 1>the lashes, all of it. But when the door opens,

0:32:08.960 --> 0:32:16.680
<v Speaker 1>he hears giggling. It's not the Taliban, it's his kid nephews.

0:32:17.200 --> 0:32:19.400
<v Speaker 3>You're so eager to come to our house. Both of

0:32:19.440 --> 0:32:22.000
<v Speaker 3>them with hand them and foot. They are knocking out

0:32:22.000 --> 0:32:29.720
<v Speaker 3>our door. Oh my god. When my haird this sack,

0:32:30.200 --> 0:32:33.120
<v Speaker 3>I became with my own switch, and I said for

0:32:33.360 --> 0:32:34.880
<v Speaker 3>thirty minutes without.

0:32:34.680 --> 0:32:54.080
<v Speaker 1>Moving like I said, don't panic. Chapter four Freedom. It's

0:32:54.120 --> 0:32:57.720
<v Speaker 1>November two thousand and one, six am. The food is

0:32:57.760 --> 0:33:03.040
<v Speaker 1>startled by the commotion outside. It's music. Someone is playing

0:33:03.240 --> 0:33:07.720
<v Speaker 1>music in the street. No one has played music in

0:33:07.760 --> 0:33:12.280
<v Speaker 1>the streets for five years. Daoud rips the covers off,

0:33:12.640 --> 0:33:16.240
<v Speaker 1>gets dressed, and practically tumbles down the stairs to see

0:33:16.240 --> 0:33:22.880
<v Speaker 1>where the noise is coming from.

0:33:23.000 --> 0:33:27.000
<v Speaker 3>They had this big giant cars with the big speakers,

0:33:27.080 --> 0:33:28.280
<v Speaker 3>high quality speakers.

0:33:28.560 --> 0:33:31.840
<v Speaker 1>People are hanging out of their car windows blasting tunes

0:33:31.880 --> 0:33:34.560
<v Speaker 1>while they drive through the city music daoud used to

0:33:34.640 --> 0:33:37.600
<v Speaker 1>listen to in secret alone.

0:33:37.880 --> 0:33:40.959
<v Speaker 3>Lots of people on the street. People are celebrating your

0:33:41.040 --> 0:33:44.920
<v Speaker 3>music are loud. Some people are shaving their beards, They're

0:33:44.960 --> 0:33:46.400
<v Speaker 3>making their rear styles.

0:33:47.120 --> 0:33:50.440
<v Speaker 1>Daoude feels disoriented. It's like he's woken up in a

0:33:50.440 --> 0:33:54.719
<v Speaker 1>different country. What on earth is going on? Where are

0:33:54.760 --> 0:33:55.360
<v Speaker 1>the Taliban?

0:33:55.920 --> 0:33:59.480
<v Speaker 3>I see some people with jeans. Most of the restaurants

0:33:59.480 --> 0:34:02.280
<v Speaker 3>and story are playing loud music.

0:34:03.520 --> 0:34:06.479
<v Speaker 1>He walks around in a daze. Speakers are hooked up

0:34:06.480 --> 0:34:10.279
<v Speaker 1>in the streets competing for attention. Radio sit proudly on

0:34:10.400 --> 0:34:11.240
<v Speaker 1>window ledges.

0:34:11.600 --> 0:34:17.400
<v Speaker 3>I was enjoying going outside, cobble and see the city

0:34:17.480 --> 0:34:22.319
<v Speaker 3>that was coming back to life.

0:34:23.560 --> 0:34:27.360
<v Speaker 1>And that's when he figures out what's happening. They're gone,

0:34:28.440 --> 0:34:33.359
<v Speaker 1>the Taliban are gone. And only if I'm gon sing

0:34:33.440 --> 0:34:37.799
<v Speaker 1>in the city last night, last night, this is God

0:34:37.920 --> 0:34:47.279
<v Speaker 1>no problems. And if the Taliban are really gone, if

0:34:47.280 --> 0:34:52.000
<v Speaker 1>they've really fled like everyone says, then it's finally safe

0:34:52.320 --> 0:34:54.680
<v Speaker 1>to do the thing he's been waiting to do.

0:34:56.680 --> 0:35:00.160
<v Speaker 3>I tried to shave my there, but I didn't know

0:35:00.160 --> 0:35:00.799
<v Speaker 3>how to do it.

0:35:01.360 --> 0:35:06.200
<v Speaker 1>He runs straight home and grabs a razor. Daoud was

0:35:06.239 --> 0:35:08.719
<v Speaker 1>only a kid when the Taliban came to power with

0:35:08.840 --> 0:35:12.120
<v Speaker 1>barely a few whiskers on his chin, and ever since

0:35:12.320 --> 0:35:15.880
<v Speaker 1>he's been forced to grow out his beard. But now

0:35:16.200 --> 0:35:19.400
<v Speaker 1>he can finally shave it off. The only problem is

0:35:19.880 --> 0:35:22.439
<v Speaker 1>he's never learned how to work a razor. I mean,

0:35:22.600 --> 0:35:25.200
<v Speaker 1>dud could line up at the local barbershop, but he

0:35:25.239 --> 0:35:27.799
<v Speaker 1>doesn't have the patience for that. So he stands in

0:35:27.840 --> 0:35:31.680
<v Speaker 1>front of the mirror, razor in hand and starts running

0:35:31.680 --> 0:35:32.760
<v Speaker 1>it all over his face.

0:35:34.520 --> 0:35:37.400
<v Speaker 3>And I like, cut it my face so many visa

0:35:40.680 --> 0:35:43.759
<v Speaker 3>when I went outside, my friends were laughing at me.

0:35:43.880 --> 0:35:47.120
<v Speaker 3>What you did to your face? Oh my god, why

0:35:47.280 --> 0:35:50.080
<v Speaker 3>you're not going to a barber shop or sambia or

0:35:50.120 --> 0:35:54.080
<v Speaker 3>what you did to your face? You just almost killed yourself.

0:35:56.680 --> 0:35:59.960
<v Speaker 1>But Doud doesn't care. He just wants to walk around

0:36:00.280 --> 0:36:05.680
<v Speaker 1>and drink in the sounds of freedom. The chatter in

0:36:05.719 --> 0:36:12.160
<v Speaker 1>the barbershop lives, the laughter and squeals as friends reunite

0:36:12.160 --> 0:36:16.560
<v Speaker 1>in the street, the shouts of parents as their kids

0:36:16.640 --> 0:36:23.520
<v Speaker 1>run off into the playground to play again. Daoud is

0:36:23.600 --> 0:36:28.120
<v Speaker 1>reveling in it all, a huge smile plastered across his face.

0:36:28.800 --> 0:36:32.960
<v Speaker 1>He closes his eyes and lets the music lead him

0:36:33.239 --> 0:36:34.360
<v Speaker 1>down the street.

0:36:37.200 --> 0:36:44.600
<v Speaker 3>People are running toward freedom.

0:36:44.800 --> 0:36:50.360
<v Speaker 1>In the absence of the Taliban, music seeps through. Before

0:36:50.480 --> 0:36:54.600
<v Speaker 1>long there will be concerts and radio shows. And yes,

0:36:55.320 --> 0:37:00.000
<v Speaker 1>Afghan Star Kabbo is on the cusp of a culture

0:37:00.480 --> 0:37:05.520
<v Speaker 1>revolution and Daou doesn't know it yet, but he'll be

0:37:05.600 --> 0:37:09.920
<v Speaker 1>the face of that revolution. He'll change the country.

0:37:10.360 --> 0:37:12.759
<v Speaker 3>Yesterday I was driving in the streets and no one

0:37:13.360 --> 0:37:17.120
<v Speaker 3>noticed me. But today everyone is talking about my show

0:37:17.200 --> 0:37:19.759
<v Speaker 3>and me, and they even recognized me.

0:37:20.800 --> 0:37:25.280
<v Speaker 1>But he'll also put the lives of everyone he knows

0:37:25.640 --> 0:37:30.120
<v Speaker 1>at risk. The bomb was placed in a taxi which

0:37:30.200 --> 0:37:36.960
<v Speaker 1>then crashed into the minibus. Definitely this bomb, that's next

0:37:36.960 --> 0:37:55.040
<v Speaker 1>time on Afghan Star. Afghan Star is a Kaleidoscope production

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<v Speaker 1>in collaboration with iHeart Podcasts, produced by Thomas d Audio

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<v Speaker 1>and hosted by me John Legend from samas dot Audio.

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<v Speaker 1>The series producer is Mira Kumar. Our executive producers are

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<v Speaker 1>Joe Sikes and Dasha Lissitsina. Mix and sound designed by

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<v Speaker 1>Jeff Imptman, story editing by Joe Sikes, with original composition

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<v Speaker 1>by Kyle Murdoch, Recording engineer Tim McClain. Chapter artwork by

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<v Speaker 1>A w A Studios from Kaleidoscope, The executive producers are

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<v Speaker 1>Kate Osborne, Mengesh hatikadur Oz Volisian and Costas Linos. From iHeart,

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<v Speaker 1>the executive producers are Ali Perry and Katrina Norvel. Social

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<v Speaker 1>Media by Darra Patts and by Heiney Shorey. Special thanks

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<v Speaker 1>to Tom Freston, Lizzie Jacobs, Will Pearson, Carrie Lieberman, Niki Etore,

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<v Speaker 1>Bob Pittman, John Saik, conn O Byrne Sad Mosenni and

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<v Speaker 1>the Mossenne Family Matthew Anderson and Axe Alonzo