WEBVTT - Golden Hour

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<v Speaker 1>This is the most dramatic podcast ever and iHeartRadio podcast.

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<v Speaker 1>Chris Harrison and Lauren Zema coming to you from the

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<v Speaker 1>home office in Austin, Texas. And you know, can I

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<v Speaker 1>still say happy holidays because it's time for the kids

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<v Speaker 1>and everybody to go back to school. It's time to

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<v Speaker 1>get back to what is This has been the long

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<v Speaker 1>COVID version of the holidays. These holidays will not end.

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<v Speaker 2>No, here's well, here's what it is. I think they're

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<v Speaker 2>on weird days this year, like New Year's Day being

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<v Speaker 2>on a Monday that felt weird Christmas and so it

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<v Speaker 2>made the whole week feel totally thrown How many times

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<v Speaker 2>of us said wait, what day is it? And I think, honey,

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<v Speaker 2>that we just have two kids in college right now.

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<v Speaker 2>They have a month long break. And by the way,

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<v Speaker 2>here's how we're feeling. We love them. We are so

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<v Speaker 2>happy they're at home. It has been an awesome trip.

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<v Speaker 2>I know that they're ready to get rid of us

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<v Speaker 2>at this point. They want to go back to their lives.

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<v Speaker 1>We were talking today in the kitchen and they were

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<v Speaker 1>both like kind of had long faces and they're like

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<v Speaker 1>they were both talking and I walked in on the

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<v Speaker 1>conversation about they're ready to get back that they're not

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<v Speaker 1>exactly excited to get back to school, but they're ready

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<v Speaker 1>to get back to school because that's their lives. And

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<v Speaker 1>I remember, even though it was like back in the

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<v Speaker 1>dark ages, go, you know, so ready to go back

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<v Speaker 1>to school because you've built your life with your friends,

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<v Speaker 1>fraternity brothers sorority sisters, your club, your soccer, your sports,

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<v Speaker 1>whatever it is. And then you kind of get ripped

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<v Speaker 1>out of it. You go home and it's kind of refreshing.

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<v Speaker 1>You're back in your own bed, You're eating some home

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<v Speaker 1>cooked meals, you got a washer and dryer, but man,

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<v Speaker 1>it goes quick.

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<v Speaker 2>Well, it's not good for anybody to go too long

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<v Speaker 2>without a daily routine, and with these breaks especially, I

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<v Speaker 2>think for kids in who have parents who are divorced

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<v Speaker 2>and they have to go to each family and they

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<v Speaker 2>might be in different states. They can't really work during

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<v Speaker 2>the winter break. It's like not enough time to get

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<v Speaker 2>a job, you know, it's not summer. But so then

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<v Speaker 2>they like don't have a routine during the day. How

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<v Speaker 2>long is a high school break, I don't remember.

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<v Speaker 1>They all went back to school, so they everyone pretty

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<v Speaker 1>much got out the fifteenth of December, that that Friday

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<v Speaker 1>whatever that that actually hit well, and then it was

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<v Speaker 1>probably going back this last Monday.

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<v Speaker 2>Here's what I think every school winter break should be

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<v Speaker 2>three weeks. I think that's the right amount.

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<v Speaker 1>Because we're coming up to the Martin Luther King Holiday, right,

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<v Speaker 1>and now our kids are not only off for the holidays,

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<v Speaker 1>they're now off for the next MLK day. Then they're

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<v Speaker 1>going back to school.

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<v Speaker 2>Yeah, and I know.

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<v Speaker 1>Some colleges down in the SEC, down in the South,

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<v Speaker 1>they're going the following week. They're still out another week,

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<v Speaker 1>which is just insane. So and you know when they

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<v Speaker 1>get out for.

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<v Speaker 2>Picture this imagine going to stay home with your parents

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<v Speaker 2>now for a month, no zero. They have to be

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<v Speaker 2>so sick of us.

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<v Speaker 1>Well because I don't get the you know, because I

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<v Speaker 1>don't have the bribe of home cooked meals, the washer

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<v Speaker 1>and dryer being such a novelty. At least we got

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<v Speaker 1>that over the kids. But we had a great holiday

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<v Speaker 1>and it's still going on. You know, it's we're pretty

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<v Speaker 1>much going to get into spring break and we're still

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<v Speaker 1>going to be But we.

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<v Speaker 2>Did something that I'm not sure we've ever done with

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<v Speaker 2>the kids before. Because I don't know if many gen

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<v Speaker 2>z ers do it. We watched some of the Golden

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<v Speaker 2>Globes with Taylor. Yes, like I've never and I think

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<v Speaker 2>that when I was when I know that. When I

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<v Speaker 2>was younger, I watched Awards shows because back then that

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<v Speaker 2>was the only time you saw celebrities. Now they're on

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<v Speaker 2>social media. So the Golden Globes, we watched them with Taylor.

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<v Speaker 2>It was interesting to kind of watch it through her eyes.

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<v Speaker 2>You realize it makes you feel a little old because

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<v Speaker 2>you realize she doesn't know a lot of like the

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<v Speaker 2>older movie stars were.

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<v Speaker 1>We Is it because we've moved out of Hollywood and

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<v Speaker 1>you know, both both you and I worked. I've worked

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<v Speaker 1>the red carpet, so have you. We've been to all

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<v Speaker 1>the parties. One of the last things we did in

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<v Speaker 1>la before we moved was going to the Gold Globes

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<v Speaker 1>parties and all that, and it was fun. It's a

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<v Speaker 1>great of all the parties. I would say the Globes

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<v Speaker 1>are fun because everybody's in the Hilton there and it's

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<v Speaker 1>it's kind of everyone's together. But you and I both

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<v Speaker 1>didn't know they were on. Is it? Is it a

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<v Speaker 1>lack of what's the lack of awareness anymore.

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<v Speaker 2>I was texting with a friend. Apparently CBS just got

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<v Speaker 2>the rights to the Globes because remember the Globes went

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<v Speaker 2>through this controversy in the past couple of years. The

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<v Speaker 2>Hollywood Foreign Press Association was under fire for its lack

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<v Speaker 2>of diversity. They were kind of disbanded. NBC didn't air

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<v Speaker 2>refuse to air the Globes a few years ago. I

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<v Speaker 2>think they went up for sale. Apparently CBS, my former employer,

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<v Speaker 2>got the rights just a few weeks ago, so there

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<v Speaker 2>wasn't a lot of promotion. Joe Koy, the host, said

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<v Speaker 2>he only got the gig ten days beforehand. I heard

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<v Speaker 2>reports that a lot of people turned it down. So overall,

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<v Speaker 2>we watched a little of the Globes. I didn't really

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<v Speaker 2>see the red carpet beforehand, the red carpet coverage.

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<v Speaker 1>Yeah, I saw no red carpet coverage, but we watched

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<v Speaker 1>the monologue on.

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<v Speaker 2>Yes and the Globes are back numbers wise, I mean,

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<v Speaker 2>not back, but a lot better than last year, which

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<v Speaker 2>was a record low. But I feel like the past

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<v Speaker 2>couple of days I've spent discussing what is the future

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<v Speaker 2>of awards shows, like did you think the Globes were good.

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<v Speaker 1>Well, in all fairness, and I'm not getting on this globeuse.

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<v Speaker 1>I think it did a one point four rating in

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<v Speaker 1>the demographic, which is that eighteen to forty nine year

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<v Speaker 1>old coveted demographic. I believe six and a half maybe

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<v Speaker 1>seven million viewers. I mean, that's fine if you're like

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<v Speaker 1>in CIS or something like, if you're a regular show

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<v Speaker 1>a Survivor finale on CBS, one point four would be good.

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<v Speaker 1>An award show, live event like football Football was on

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<v Speaker 1>at the same time Bill's Dolphins. It probably did fourteen

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<v Speaker 1>to eighteen million viewers, so two to three x when

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<v Speaker 1>the Globes did. So that just tells you these shows

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<v Speaker 1>have become I don't know if they've become obsolete, and

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<v Speaker 1>I'm not trying to be mean at all, but they

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<v Speaker 1>have become not the relevant talking point they used to be.

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<v Speaker 2>Well, I think there's a couple of things that aren't

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<v Speaker 2>their fault. Like one, again, this used to be the

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<v Speaker 2>only place you could see celebrities. Now you see them

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<v Speaker 2>on social media everywhere. Two, This award shows used to

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<v Speaker 2>be one of the only places you could see really

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<v Speaker 2>great fashion. Now we see fashion on social media constantly. Three.

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<v Speaker 2>You know, the pandemic didn't help. It accelerated down a

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<v Speaker 2>decline that was already happening. But I also think, and

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<v Speaker 2>I don't know where this starts, the chicken or the

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<v Speaker 2>egg of it all overall, my biggest issue with the

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<v Speaker 2>Globes it just wasn't that fun. These awards shows aren't

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<v Speaker 2>fun anymore. First of all, let's talk about Joe Coy.

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<v Speaker 2>I have a new term for a bad joke. I

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<v Speaker 2>call it a joke Coy.

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<v Speaker 1>He's now become the punchline of a joke. Ironically, he

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<v Speaker 1>is the funny punchline of a joke.

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<v Speaker 2>So the jokes were okay, I'll give him this. People

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<v Speaker 2>say this who have hosted these shows. And Steve Martin

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<v Speaker 2>just came out and defended him a little bit, because

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<v Speaker 2>Steve Martins hosted the Oscars and other awards shows over

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<v Speaker 2>the years. And Steve Martin said, it's a very difficult job.

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<v Speaker 2>Congrats to him because he took on the toughest gig

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<v Speaker 2>in show business. Now I know that it's difficult. But

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<v Speaker 2>the low hanging fruit jokes by Joe Cooy, Yeah, the

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<v Speaker 2>joke about Barbie being a movie about a doll with

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<v Speaker 2>big boobs, the joke about like, I don't know why

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<v Speaker 2>we would there. I think there was a a joke,

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<v Speaker 2>you know, a joke about Barry Keyogan's penis.

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<v Speaker 1>It was just so the Oppenheimer needed to be an

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<v Speaker 1>hour longer. That kind of it was just it was

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<v Speaker 1>so basic.

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<v Speaker 2>And then he turned on his writers in the middle

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<v Speaker 2>of the monologue started blaming them, saying, I didn't write

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<v Speaker 2>the jokes that you're not laughing at.

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<v Speaker 1>You know what I noticed about the whole room just

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<v Speaker 1>to start the look of it, because they changed the room.

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<v Speaker 1>They added that so if you noticed, it was kind

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<v Speaker 1>of in the round. They had the regular stage that

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<v Speaker 1>they're always on. It's the same ballroom. It's at the

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<v Speaker 1>Beverly Hilton there and Beverly Hill as you can drive

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<v Speaker 1>by it at Wilshire and what is that right there?

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<v Speaker 1>Santa Monica right there in Beverly Hill's same hotel forever.

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<v Speaker 1>But they added this circular thing in the round, and

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<v Speaker 1>they the stage. They took away cameramen and women and

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<v Speaker 1>added they just put in electronic cameras. Did you notice

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<v Speaker 1>that there was like three cameras on the stage that

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<v Speaker 1>would electronically come up to either hit the host or

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<v Speaker 1>the presenters or whoever it was. It was a really

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<v Speaker 1>weird thing. So anyway, the point is they took much

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<v Speaker 1>of that lower room where all the big stars usually sit.

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<v Speaker 1>So to me, it looked like ten pounds of you

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<v Speaker 1>know what shoved in a five pound sack.

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<v Speaker 2>The whole room looked so crowded.

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<v Speaker 1>Everybody couldn't get to the stage.

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<v Speaker 2>People knew it was most of the shows. People walking

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<v Speaker 2>around people's chairs. It was so like there, and that

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<v Speaker 2>to me is so basic, Like I get it, CBS,

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<v Speaker 2>you only just got the show. But think about if

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<v Speaker 2>when we were planning our wedding we were thinking about

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<v Speaker 2>how much space there was between tables for people to

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<v Speaker 2>walk around.

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<v Speaker 1>Bradley Cooper looked like he was at a Catholic mass.

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<v Speaker 1>He got up and down out of his seat so

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<v Speaker 1>much it looked like he was praying because he had

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<v Speaker 1>to get up every time someone came back because there

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<v Speaker 1>was no room to just walk to the stage. Rule

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<v Speaker 1>number one, people are gonna win, get them to the stage.

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<v Speaker 1>It looked it just looks so wed, I know, And.

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<v Speaker 2>You know, I was texting my friend and I was

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<v Speaker 2>my friend who used to work at ET and we

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<v Speaker 2>were like are we just burnt out because we worked

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<v Speaker 2>in the industry. But I'm looking at it thinking we've

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<v Speaker 2>done this before. We've been doing the Globes for decades.

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<v Speaker 2>How do we not know space the room out a

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<v Speaker 2>little bit. How do we not know don't make people

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<v Speaker 2>walk along time to the stage because that's just dead air.

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<v Speaker 2>How do we not know the guy doing the monologue

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<v Speaker 2>like it can be a little better. I know that

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<v Speaker 2>it's tough because you're playing to a very varied group

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<v Speaker 2>of people, not only in the room and at home.

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<v Speaker 2>But I actually think it's time for us to be

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<v Speaker 2>done with hosts that award shows. It doesn't work ninety

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<v Speaker 2>percent of the time. The only times I can remember

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<v Speaker 2>the Globes being great were when it was Tina Fey

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<v Speaker 2>and Amy pull her together and some people like Tricky,

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<v Speaker 2>I mean, you were the best.

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<v Speaker 1>We love Ricky Gervais, meaning the rest of America. The

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<v Speaker 1>Hollywood crowd did not like Ricky Gervais because he absolutely

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<v Speaker 1>came for them. He came for them, the Jeffrey Epstein jokes,

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<v Speaker 1>the Weinstein jokes, the I mean he he just would

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<v Speaker 1>shine a big bright light on the hypocrisy that is

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<v Speaker 1>Hollywood and the rest of us loved it because it

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<v Speaker 1>was so fantastic and it was spot on. The glarees

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<v Speaker 1>and the odd looks if I'll never forget like Tom

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<v Speaker 1>Hanks looking around so uncomfortably, and I mean so he

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<v Speaker 1>it was like he just made Hollywood so uncomfortable. But

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<v Speaker 1>it was brilliant. Now, Amy Poehler, Tina Fey a plus plus.

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<v Speaker 2>So they did it the best. I think at this

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<v Speaker 2>point the comedians, because I hear a lot of people

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<v Speaker 2>be like like, for example, Kristin Wigan, Will Ferrell, Oh

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<v Speaker 2>my gosh. I love seeing them together again as presenters.

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<v Speaker 2>They were so funny and I thought to myself, this

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<v Speaker 2>is what the show should be. Just have really good

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<v Speaker 2>presenting pairs, people who know each other. Andrew Day and

0:11:00.240 --> 0:11:03.880
<v Speaker 2>John Batiste were so funny together. Put together people who

0:11:03.960 --> 0:11:06.520
<v Speaker 2>know each other do not do. Kevin Costner and America

0:11:06.520 --> 0:11:10.000
<v Speaker 2>Frera a poor America Frera up. There was drowning happened.

0:11:10.080 --> 0:11:12.200
<v Speaker 2>I don't know what Kevin Costner was doing. I don't

0:11:12.200 --> 0:11:14.040
<v Speaker 2>think he had read through it. I don't think he

0:11:14.080 --> 0:11:16.359
<v Speaker 2>knew what he was saying. Maybe he needed his reading glasses.

0:11:16.480 --> 0:11:20.040
<v Speaker 1>I was so uncomfortable and America Freerrah God bless her

0:11:20.240 --> 0:11:23.400
<v Speaker 1>tried to carry on and still hit her punchlines. It

0:11:23.520 --> 0:11:25.480
<v Speaker 1>was horror. I just wanted music to play and go

0:11:25.480 --> 0:11:28.640
<v Speaker 1>to commercial. It was so horrifying. I don't know what

0:11:28.760 --> 0:11:29.280
<v Speaker 1>happened there.

0:11:29.880 --> 0:11:33.640
<v Speaker 2>So I think pairs of presenters who are friends who

0:11:33.720 --> 0:11:37.920
<v Speaker 2>can do really well together, just because also I like

0:11:37.960 --> 0:11:40.199
<v Speaker 2>I heard like Taylor said to me, Oh my gosh,

0:11:40.200 --> 0:11:42.360
<v Speaker 2>Will Ferrell and Kristen Wig were so funny together. Why

0:11:42.360 --> 0:11:43.400
<v Speaker 2>don't they just get them to host?

0:11:43.480 --> 0:11:47.280
<v Speaker 1>By the way, the Suits reunion, that was great. Loved

0:11:47.280 --> 0:11:49.040
<v Speaker 1>seeing them back on stage, and that was a really

0:11:49.120 --> 0:11:51.640
<v Speaker 1>cute joke about taking so long for a show to

0:11:51.679 --> 0:11:53.920
<v Speaker 1>be recognized. So I agree, But.

0:11:53.880 --> 0:11:56.920
<v Speaker 2>I said to Taylor, Hey, it's not that they haven't

0:11:56.920 --> 0:12:00.199
<v Speaker 2>asked them. These comedians like a Will Ferrell and Kristini,

0:12:00.800 --> 0:12:03.679
<v Speaker 2>it is so much more advantageous to them to say

0:12:03.840 --> 0:12:05.959
<v Speaker 2>we're just going to come out crush our two minutes

0:12:06.000 --> 0:12:08.720
<v Speaker 2>of presenting. We're not going to take the risk of

0:12:08.760 --> 0:12:11.599
<v Speaker 2>being because the Joe Koy job, the host job, is

0:12:11.640 --> 0:12:14.640
<v Speaker 2>a risk. It can be hugely detrimental to your career.

0:12:14.679 --> 0:12:15.960
<v Speaker 2>This was not a win for him.

0:12:16.040 --> 0:12:17.600
<v Speaker 1>I mean, he can still be doing a stand up

0:12:17.640 --> 0:12:18.240
<v Speaker 1>at the Laugh.

0:12:18.080 --> 0:12:19.880
<v Speaker 2>Fame and I've never watched his stand up, but it's

0:12:19.920 --> 0:12:22.320
<v Speaker 2>probably not reflective. He's probably a better stand up comedian

0:12:22.320 --> 0:12:22.600
<v Speaker 2>of the SAE.

0:12:22.640 --> 0:12:24.360
<v Speaker 1>Some comedians have come out and said that, you know,

0:12:24.440 --> 0:12:26.760
<v Speaker 1>this is not indicative of how funny he can be

0:12:26.840 --> 0:12:29.960
<v Speaker 1>and all that. Look. I don't know, but he was

0:12:30.080 --> 0:12:31.920
<v Speaker 1>up against it. Eventually, you're going to get to someone

0:12:31.920 --> 0:12:34.560
<v Speaker 1>who will say yes for the job. Ten days out

0:12:34.920 --> 0:12:37.480
<v Speaker 1>that's an impossible task to come in and try and

0:12:37.520 --> 0:12:41.400
<v Speaker 1>host the Golden Globes. But knowing that you should have

0:12:41.480 --> 0:12:45.760
<v Speaker 1>accepted the loss and just kind of stayed a little straighter,

0:12:46.520 --> 0:12:49.680
<v Speaker 1>hit a couple of jokes and just moved on. It

0:12:49.760 --> 0:12:52.400
<v Speaker 1>was an impossible job, but he really made it worse

0:12:52.440 --> 0:12:55.160
<v Speaker 1>by the jokes he made. And I the other thing

0:12:55.160 --> 0:12:58.560
<v Speaker 1>I would say is we're done with the voiceover, going in.

0:12:58.440 --> 0:13:00.720
<v Speaker 2>And out the voiceovers. We're so it's.

0:13:00.640 --> 0:13:04.000
<v Speaker 1>Usually it Usually it's one of the disc jockey's, one

0:13:04.040 --> 0:13:06.560
<v Speaker 1>of the DJ's radio people from LA that that do it.

0:13:06.760 --> 0:13:09.240
<v Speaker 1>And it's not their fault because somebody writes it. And

0:13:09.400 --> 0:13:11.800
<v Speaker 1>if you don't know what we're talking about, it's coming

0:13:11.880 --> 0:13:16.120
<v Speaker 1>up after the break. Meryl Streep is, you know, sitting

0:13:16.200 --> 0:13:18.960
<v Speaker 1>around waiting to see if if you know, and they

0:13:18.960 --> 0:13:21.479
<v Speaker 1>take a shot at Meryl Streep and it's Martin Scorsese.

0:13:21.760 --> 0:13:24.400
<v Speaker 2>The Martin Scorsese one was the worst one because they'd

0:13:24.440 --> 0:13:26.960
<v Speaker 2>clearly pre planned it. But oh my gosh, we need

0:13:27.000 --> 0:13:30.600
<v Speaker 2>to pivot. The Martin scor Sayse voiceover was coming up.

0:13:30.640 --> 0:13:35.320
<v Speaker 2>Martin Scorsese can't sit still, and he was literally sitting side.

0:13:37.080 --> 0:13:38.160
<v Speaker 2>I think he did fall asleep.

0:13:38.280 --> 0:13:40.800
<v Speaker 1>Look, there are so many stars. That's the beautiful thing

0:13:40.840 --> 0:13:43.360
<v Speaker 1>about the Globes is you do have so many big

0:13:43.400 --> 0:13:46.400
<v Speaker 1>stars in that room. You don't need a voiceover. You

0:13:46.440 --> 0:13:49.400
<v Speaker 1>don't need to tell somebody what's coming up next. We

0:13:49.520 --> 0:13:53.240
<v Speaker 1>know what we're watching. Just show stars, Just show Taylor Swift,

0:13:53.280 --> 0:13:57.000
<v Speaker 1>Jennifer Aniston, Bradley Cooper, you know, Jason Bateman was right there,

0:13:57.240 --> 0:13:59.760
<v Speaker 1>Joaquin Phoenix. You had Timothy Shalome right there.

0:13:59.760 --> 0:14:03.360
<v Speaker 2>Come we have lost the fun. They were so cheesy.

0:14:03.840 --> 0:14:05.719
<v Speaker 2>Let's talk a book. I'm thinking of what you just

0:14:05.760 --> 0:14:10.120
<v Speaker 2>brought up, Joaquin Phoenix. Let's process this. At one table

0:14:10.760 --> 0:14:15.760
<v Speaker 2>was Joaquin Phoenix, Nicholas Cage, and Jared Leto. That is

0:14:15.840 --> 0:14:19.200
<v Speaker 2>the weirdest table the most. I say this with love

0:14:19.240 --> 0:14:19.840
<v Speaker 2>for all of them.

0:14:19.920 --> 0:14:21.920
<v Speaker 1>You know what it is. That's the table and you

0:14:21.920 --> 0:14:24.080
<v Speaker 1>and I just had this issue. You get to your

0:14:24.120 --> 0:14:28.080
<v Speaker 1>wedding and there's like that person that doesn't quite fit

0:14:28.120 --> 0:14:29.640
<v Speaker 1>and you're not sure what to do with them. So

0:14:29.720 --> 0:14:33.160
<v Speaker 1>you have this table that's like table X at your wedding.

0:14:33.400 --> 0:14:34.920
<v Speaker 1>It's like, well, what do we do with Jared Letto?

0:14:34.960 --> 0:14:36.280
<v Speaker 1>I don't know, he's kind of on his own. Well

0:14:36.320 --> 0:14:39.200
<v Speaker 1>there's Nick Cage. All right, Well let's put like, you know,

0:14:39.360 --> 0:14:42.440
<v Speaker 1>Timothy Schalome there too. But it was funny because poor

0:14:42.520 --> 0:14:45.920
<v Speaker 1>uh Joaquin Phoenix wasn't his fault, but he was on

0:14:46.040 --> 0:14:48.280
<v Speaker 1>camera a lot the way they were shooting back towards

0:14:48.360 --> 0:14:51.240
<v Speaker 1>that screen, and he just had his hand, you know,

0:14:51.280 --> 0:14:54.440
<v Speaker 1>his head in his hand, like half asleep, like oh God,

0:14:54.600 --> 0:14:56.360
<v Speaker 1>like just let this be over, Kate.

0:14:56.440 --> 0:14:58.840
<v Speaker 2>But why can the voice of or not be Well

0:14:58.960 --> 0:15:01.600
<v Speaker 2>there's Jared Lettow class Cage walking in Phoenix. What the

0:15:01.640 --> 0:15:03.840
<v Speaker 2>hell are they talking about? Like what a table is that?

0:15:03.960 --> 0:15:07.640
<v Speaker 1>Like? Have writers have late night writers ready to go

0:15:07.680 --> 0:15:11.240
<v Speaker 1>with jokes? Or just my thing is NAT Sound go

0:15:11.320 --> 0:15:14.960
<v Speaker 1>to break with fifteen seconds of nat Sound of stars.

0:15:15.160 --> 0:15:17.680
<v Speaker 1>You're showing ted last because it's the one room I

0:15:17.720 --> 0:15:22.520
<v Speaker 1>will say where you have these amazing get togethers because

0:15:22.600 --> 0:15:25.400
<v Speaker 1>we are so compact in those rooms. It's all of

0:15:25.440 --> 0:15:29.280
<v Speaker 1>a sudden, Ted Lasso Jason Sedeikis is talking to Meryl Streep.

0:15:29.640 --> 0:15:33.160
<v Speaker 1>You never see that, right, you see Meryl Streep hugging

0:15:33.240 --> 0:15:36.000
<v Speaker 1>Jennifer Aniston or you just see these weird kind of

0:15:36.080 --> 0:15:38.600
<v Speaker 1>You're like, oh, I didn't know. Everybody was freaking out

0:15:38.680 --> 0:15:42.680
<v Speaker 1>about Bill Hayter and dating the Alley one Elli Wong.

0:15:42.720 --> 0:15:46.160
<v Speaker 1>Everyone's like, stop the Internet. I didn't know they were dating.

0:15:46.240 --> 0:15:48.480
<v Speaker 1>So show that, just show.

0:15:48.280 --> 0:15:49.760
<v Speaker 2>That, just show it and let it happen.

0:15:49.760 --> 0:15:52.440
<v Speaker 1>I think we don't need something. There was the voiceovers

0:15:52.720 --> 0:15:55.120
<v Speaker 1>really take me back to the seventies.

0:15:54.840 --> 0:15:56.720
<v Speaker 2>And it reeked of like just a lack of it

0:15:56.800 --> 0:16:00.560
<v Speaker 2>said something like love celebrities fanning out for each other.

0:16:00.600 --> 0:16:03.000
<v Speaker 2>I'm like, when was this written? It was so bad,

0:16:03.640 --> 0:16:06.840
<v Speaker 2>And the moments are happening, because what do we get

0:16:07.000 --> 0:16:10.000
<v Speaker 2>Selena Gomez going over to talk to Taylor Swift and

0:16:10.120 --> 0:16:13.240
<v Speaker 2>Kayleie Teller to say whatever gossip she had to say.

0:16:13.280 --> 0:16:16.240
<v Speaker 2>And that moment was probably the biggest moment of the Globes.

0:16:16.320 --> 0:16:18.800
<v Speaker 1>And this is where and I do think it was

0:16:18.840 --> 0:16:20.520
<v Speaker 1>Dick Clark Productions and I've been a part of these

0:16:20.560 --> 0:16:22.840
<v Speaker 1>productions before, because I've gone on and done some stuff

0:16:22.840 --> 0:16:25.840
<v Speaker 1>for the Oscars and the Academy and some of these shows.

0:16:26.760 --> 0:16:30.520
<v Speaker 1>You have very very old school TV people, and I

0:16:30.600 --> 0:16:32.400
<v Speaker 1>mean old.

0:16:31.960 --> 0:16:34.000
<v Speaker 2>School are you talking about.

0:16:33.880 --> 0:16:36.280
<v Speaker 1>They've been doing this, yes, yeah, they were doing this

0:16:36.320 --> 0:16:38.920
<v Speaker 1>when John Wayne was winning Oscars and they're like, this

0:16:39.200 --> 0:16:41.840
<v Speaker 1>is what we're gonna write, and you write it five

0:16:41.920 --> 0:16:45.400
<v Speaker 1>days before it happens. So they don't quite get the

0:16:45.520 --> 0:16:51.080
<v Speaker 1>TikTok Instagram stories world we live in, where all we

0:16:51.120 --> 0:16:54.280
<v Speaker 1>really want to see you're basically showing reels. Show us

0:16:54.320 --> 0:16:57.200
<v Speaker 1>five second reels going to break. Boom, Taylor Swift, Oh

0:16:57.200 --> 0:16:58.520
<v Speaker 1>my god, what are they talking about? I don't know.

0:16:58.720 --> 0:17:01.360
<v Speaker 1>There's is that Jared Leto with Nick Cage, Oh my god?

0:17:01.400 --> 0:17:04.240
<v Speaker 1>Switch over to Jason Bateman hugging on. That's all we

0:17:04.280 --> 0:17:07.239
<v Speaker 1>want is quick reels. I don't need the voiceovers, just

0:17:07.280 --> 0:17:08.399
<v Speaker 1>show that going to break.

0:17:08.600 --> 0:17:11.040
<v Speaker 2>So, having done all the live TV you've done, I

0:17:11.040 --> 0:17:15.040
<v Speaker 2>mean you did live after shows, you did Miss America Live, what.

0:17:15.359 --> 0:17:17.240
<v Speaker 1>I did, the Red Carpets at all of the allshos.

0:17:17.359 --> 0:17:19.360
<v Speaker 2>Yeah, but that's different. I mean I've done those. That's

0:17:19.440 --> 0:17:21.600
<v Speaker 2>very different than like a show because the live Red

0:17:21.600 --> 0:17:24.280
<v Speaker 2>Carpets you're kind of like people are coming and it's

0:17:24.280 --> 0:17:27.359
<v Speaker 2>a little harder. I'm talking a produced show where you

0:17:27.440 --> 0:17:30.240
<v Speaker 2>have a run of show, but it is live. What

0:17:30.760 --> 0:17:33.600
<v Speaker 2>advice would you give to anybody about to undertake something

0:17:33.640 --> 0:17:36.760
<v Speaker 2>like this? What are like three and producing it all

0:17:36.760 --> 0:17:39.760
<v Speaker 2>together or hosting it? What are three takeaways? Three pitfalls

0:17:39.760 --> 0:17:41.800
<v Speaker 2>that live TVs can get into?

0:17:42.000 --> 0:17:45.119
<v Speaker 1>My thing because I produced, I produe executive produce and

0:17:45.200 --> 0:17:47.320
<v Speaker 1>host of The Red Carpets for TV Guide for many years,

0:17:47.359 --> 0:17:51.560
<v Speaker 1>and my thing was, don't forget what the fans want

0:17:51.600 --> 0:17:53.720
<v Speaker 1>to see. And you hit the nail on the head.

0:17:53.800 --> 0:17:57.440
<v Speaker 1>So ten days out, instead of trying to find somebody

0:17:57.680 --> 0:18:00.240
<v Speaker 1>again at one of the local laugh factories of the

0:18:00.240 --> 0:18:02.160
<v Speaker 1>comedy club, just go without a host.

0:18:02.400 --> 0:18:03.840
<v Speaker 2>Guys, you know, not annoyed me? Why didn't they just

0:18:03.880 --> 0:18:05.480
<v Speaker 2>do that? And I know I've been saying this, but

0:18:05.840 --> 0:18:08.600
<v Speaker 2>here's another Well, here's another reason it annoyed me. What

0:18:08.640 --> 0:18:10.560
<v Speaker 2>I actually wanted to see, what you're saying, what the

0:18:10.600 --> 0:18:13.200
<v Speaker 2>fans wanted to see. I would have loved to let

0:18:13.240 --> 0:18:15.000
<v Speaker 2>people's speeches breathe a little bit more.

0:18:15.000 --> 0:18:17.159
<v Speaker 1>What I would have done, I would have said, we

0:18:17.200 --> 0:18:20.480
<v Speaker 1>don't have a host this year. Robert Downey Jr. Will

0:18:20.520 --> 0:18:24.360
<v Speaker 1>you open the show? Jason Bateman, will you open the show?

0:18:24.359 --> 0:18:26.560
<v Speaker 1>Will Ferrell, will you just open the show? Don't don't,

0:18:26.600 --> 0:18:29.560
<v Speaker 1>don't do a monologue thirty seconds. Let's just kick this

0:18:29.600 --> 0:18:32.560
<v Speaker 1>thing off with a big star that is very beloved.

0:18:32.560 --> 0:18:35.439
<v Speaker 1>That's the Steve Martin, that's the Billy Crystal. It's just

0:18:35.440 --> 0:18:37.239
<v Speaker 1>someone we want to you know, that's gonna make us

0:18:37.240 --> 0:18:39.400
<v Speaker 1>feel good. You don't have to rip the room. That's

0:18:39.480 --> 0:18:42.639
<v Speaker 1>Ricky Gervasis thing, Amy Puller and Tina Fey were brilliant

0:18:42.640 --> 0:18:46.080
<v Speaker 1>at what they did. But just let stars be stars.

0:18:46.119 --> 0:18:49.120
<v Speaker 1>That's what we want to see. And you know, bring

0:18:49.160 --> 0:18:51.240
<v Speaker 1>a dynamic duo out. Maybe you open it with Will

0:18:51.280 --> 0:18:52.600
<v Speaker 1>Ferrell and whoever.

0:18:52.760 --> 0:18:55.080
<v Speaker 2>Yeah, I mean Robert Downey Junior's speech made me laugh

0:18:55.119 --> 0:18:57.760
<v Speaker 2>more than anything. Joe Cooy. He said that he crushed

0:18:57.760 --> 0:19:00.960
<v Speaker 2>the room and you saw that natru charisma he has

0:19:01.000 --> 0:19:02.920
<v Speaker 2>and he's probably more comfortable in that room. He's been

0:19:02.920 --> 0:19:04.320
<v Speaker 2>in it, his friends are in it. You need somebody

0:19:04.320 --> 0:19:19.280
<v Speaker 2>who's comfortable. How about that rom com we saw with Taylor.

0:19:19.600 --> 0:19:21.760
<v Speaker 2>Anyone but you has been doing really well at the

0:19:21.760 --> 0:19:25.720
<v Speaker 2>box office. Please let that inspire Hollywood to make rom

0:19:25.800 --> 0:19:28.480
<v Speaker 2>coms again, comedies and romantic movies.

0:19:28.720 --> 0:19:31.040
<v Speaker 1>And we had you know, and the Jennifer Lawrence m

0:19:31.080 --> 0:19:33.040
<v Speaker 1>I know it wasn't being celebrated, but it was like,

0:19:33.160 --> 0:19:33.840
<v Speaker 1>no hard feelings.

0:19:33.840 --> 0:19:35.480
<v Speaker 2>So she was nominated at the Globes.

0:19:35.200 --> 0:19:37.280
<v Speaker 1>And it was fun. It was she was cute when

0:19:37.280 --> 0:19:39.760
<v Speaker 1>she when she had her a little close up. I

0:19:39.760 --> 0:19:40.040
<v Speaker 1>don't win.

0:19:40.119 --> 0:19:42.199
<v Speaker 2>I'm leaving now. I want to talk a little bit

0:19:42.200 --> 0:19:44.280
<v Speaker 2>about the Red Carpet because you mentioned you've done it.

0:19:44.320 --> 0:19:47.200
<v Speaker 2>I've done it. We did not watch it. My old

0:19:47.240 --> 0:19:52.600
<v Speaker 2>home et did a combo carpet with variety because and

0:19:52.640 --> 0:19:54.520
<v Speaker 2>there was no e Red carpet this year.

0:19:54.640 --> 0:19:55.040
<v Speaker 1>Oh really.

0:19:55.080 --> 0:19:56.800
<v Speaker 2>Now, I don't know exactly why that was.

0:19:57.840 --> 0:19:59.840
<v Speaker 1>Must be the first time in a long Yeah.

0:19:59.840 --> 0:20:01.400
<v Speaker 2>I don't know if they just didn't want to pay

0:20:01.440 --> 0:20:03.520
<v Speaker 2>to do it or if I don't know, but so

0:20:03.600 --> 0:20:07.159
<v Speaker 2>there was no cake out. I mean, that's that's it.

0:20:07.680 --> 0:20:08.399
<v Speaker 1>What you think about it.

0:20:08.400 --> 0:20:09.200
<v Speaker 2>That's a missing piece.

0:20:09.800 --> 0:20:12.439
<v Speaker 1>You know. The seacrest has gone. Juliana Ransick did it

0:20:12.440 --> 0:20:15.119
<v Speaker 1>for forever, and yeah, all those people are long gone,

0:20:15.240 --> 0:20:15.840
<v Speaker 1>and I guess so.

0:20:16.760 --> 0:20:22.439
<v Speaker 2>Yeah, it was expensive, yes, and it was critiqued very heavily.

0:20:22.600 --> 0:20:24.560
<v Speaker 2>Everything that I saw, I did not watch any of it,

0:20:24.600 --> 0:20:28.399
<v Speaker 2>but it was critiqued very heavily. It is very difficult.

0:20:29.000 --> 0:20:32.520
<v Speaker 2>But at the same time, I'm also wondering, like, is

0:20:32.640 --> 0:20:38.000
<v Speaker 2>that part of it all dead today? The Red Carpet Reporters,

0:20:38.040 --> 0:20:40.280
<v Speaker 2>Like it used to be fashion police and critiquing and

0:20:40.280 --> 0:20:42.919
<v Speaker 2>all that. There was backlash to that. It was like

0:20:42.960 --> 0:20:45.439
<v Speaker 2>no bullying, no meanness. But the thing is now I

0:20:45.440 --> 0:20:48.199
<v Speaker 2>feel like that just happens on social media, like now

0:20:48.520 --> 0:20:51.159
<v Speaker 2>the Red Carpet Reporters. And I know I personally was

0:20:51.200 --> 0:20:56.520
<v Speaker 2>like very you're almost afraid to even show personality because

0:20:57.040 --> 0:20:59.640
<v Speaker 2>you don't want to upset anybody and so and you're

0:20:59.680 --> 0:21:00.960
<v Speaker 2>just trying to do your job, but you also have

0:21:00.960 --> 0:21:03.360
<v Speaker 2>a bunch of mandates in your head. But now it's

0:21:03.440 --> 0:21:06.200
<v Speaker 2>just everybody on social media is just critiquing everyone. It's

0:21:06.240 --> 0:21:08.480
<v Speaker 2>just moved there. Do you think that in the case

0:21:08.520 --> 0:21:12.760
<v Speaker 2>of a live show, do you go to your monologue

0:21:12.760 --> 0:21:14.159
<v Speaker 2>and then do you go back and like check the

0:21:14.240 --> 0:21:17.960
<v Speaker 2>reactions before you go out again and respond in somewhere

0:21:18.000 --> 0:21:19.639
<v Speaker 2>or do you just power through the live show and

0:21:19.680 --> 0:21:20.600
<v Speaker 2>look at it all after time.

0:21:20.640 --> 0:21:23.600
<v Speaker 1>I was always so you know, we had this battle

0:21:23.640 --> 0:21:26.760
<v Speaker 1>on the Bachelor, there were two guys, and I say guys,

0:21:26.880 --> 0:21:31.640
<v Speaker 1>two men in particular, that lived, ate, drank, and slept.

0:21:31.800 --> 0:21:35.160
<v Speaker 1>Whatever was said on Twitter. I mean, one tweet could

0:21:35.240 --> 0:21:38.200
<v Speaker 1>shape their world. My thought when I was doing live

0:21:38.320 --> 0:21:42.239
<v Speaker 1>TV was we drove social media, not vice versa. We

0:21:42.240 --> 0:21:44.800
<v Speaker 1>would create topics. We want to go viral, we want

0:21:44.840 --> 0:21:48.320
<v Speaker 1>to be talked about. It's very rare that I would

0:21:48.320 --> 0:21:50.439
<v Speaker 1>bring up a topic that I saw on social media,

0:21:50.840 --> 0:21:54.680
<v Speaker 1>and it's very rare that that works. Everyone tried to E.

0:21:55.080 --> 0:21:57.480
<v Speaker 1>I worked at E, I worked at ET, I worked

0:21:57.480 --> 0:21:59.120
<v Speaker 1>at all these places, you name it. I did all

0:21:59.119 --> 0:22:01.560
<v Speaker 1>those places, and everybody's tried to do the same thing.

0:22:01.560 --> 0:22:04.600
<v Speaker 1>And you know this, how do we incorporate social media

0:22:04.640 --> 0:22:07.400
<v Speaker 1>into our red carpet shows? And it never quite worked out.

0:22:07.880 --> 0:22:09.600
<v Speaker 2>I think that's another part of the problem too, is

0:22:09.640 --> 0:22:13.399
<v Speaker 2>like we would always be trying to find trying to

0:22:13.480 --> 0:22:17.720
<v Speaker 2>like It's like they spend the red carpets trying to

0:22:17.760 --> 0:22:20.639
<v Speaker 2>get on top of like this latest thing or create

0:22:20.640 --> 0:22:23.520
<v Speaker 2>a viral moment or whatever, and you can't that's the

0:22:23.560 --> 0:22:26.920
<v Speaker 2>whole thing. You can't make it happen the quote unquote

0:22:27.000 --> 0:22:28.880
<v Speaker 2>viral moment. And I hate even saying the word viral

0:22:28.880 --> 0:22:32.520
<v Speaker 2>because it sounds so dated, But that happens on accident

0:22:32.600 --> 0:22:35.520
<v Speaker 2>when you happen to catch Selena Gomez going over to

0:22:35.600 --> 0:22:38.480
<v Speaker 2>say something gossip via Taylor Swift and you happen to

0:22:38.480 --> 0:22:41.919
<v Speaker 2>get it, and then it's fire. You cannot create it,

0:22:42.440 --> 0:22:45.679
<v Speaker 2>And I think the best thing to do is to

0:22:45.880 --> 0:22:49.160
<v Speaker 2>go for quality content and let the viral stuff happen.

0:22:49.200 --> 0:22:52.600
<v Speaker 2>But everyone's very afraid to do that. Like I was

0:22:52.640 --> 0:22:54.800
<v Speaker 2>always like, we're it's like we're again the tail wagon

0:22:54.840 --> 0:22:58.000
<v Speaker 2>the dog. We're chasing this instead of like, let's ask

0:22:58.040 --> 0:22:59.840
<v Speaker 2>the questions we really want to know the answers to

0:23:00.359 --> 0:23:02.600
<v Speaker 2>and then hopefully the viral the moments will happen out

0:23:02.640 --> 0:23:02.840
<v Speaker 2>of that.

0:23:03.000 --> 0:23:05.680
<v Speaker 1>I used to really enjoy the Red Carpets News. I'll

0:23:05.680 --> 0:23:08.840
<v Speaker 1>take people kind of inside baseball. So when you're doing

0:23:08.880 --> 0:23:11.920
<v Speaker 1>the Grammys, Oscars, all these and I was executive producing

0:23:11.920 --> 0:23:16.359
<v Speaker 1>and hosting, I would have to go meet with the academy.

0:23:16.400 --> 0:23:18.040
<v Speaker 1>So I would go sit down with the academy. It

0:23:18.080 --> 0:23:22.480
<v Speaker 1>was me and our other executives, and you're basically begging, borrowing,

0:23:22.520 --> 0:23:24.760
<v Speaker 1>and stealing. You're doing everything you can to basically bribe

0:23:24.760 --> 0:23:26.560
<v Speaker 1>these people to get a good spot on the carpet,

0:23:26.960 --> 0:23:30.600
<v Speaker 1>so E usually seacrest E would go in first, they'd

0:23:30.640 --> 0:23:32.520
<v Speaker 1>have their meeting. They would usually get spot number one.

0:23:32.560 --> 0:23:35.080
<v Speaker 1>TV Guide was either number two or number three. Then

0:23:35.119 --> 0:23:37.360
<v Speaker 1>it was us and it was big on where your

0:23:37.359 --> 0:23:39.480
<v Speaker 1>spot was on the carpet, how big your stage was

0:23:39.520 --> 0:23:41.800
<v Speaker 1>allowed to be like, it was a big deal. Seacrest

0:23:41.840 --> 0:23:44.440
<v Speaker 1>at the Oscars didn't have to stand behind the hedges.

0:23:44.720 --> 0:23:46.480
<v Speaker 1>There's this row of hedges that we all have to

0:23:46.480 --> 0:23:48.280
<v Speaker 1>stand behind. And at the end of the day, your

0:23:48.320 --> 0:23:51.080
<v Speaker 1>thighs look like a porcupine hit you. And you know,

0:23:51.200 --> 0:23:54.520
<v Speaker 1>Ryan had a little red velvet rope he got to stand.

0:23:54.720 --> 0:23:57.000
<v Speaker 1>It was like little things like that, so you could

0:23:57.000 --> 0:24:00.320
<v Speaker 1>be buddy buddy, and the conversations were great. Eight We

0:24:00.400 --> 0:24:05.280
<v Speaker 1>used to have really good fun stuff. The actors came

0:24:05.320 --> 0:24:07.879
<v Speaker 1>to be funny. You just wanted to set them up

0:24:07.920 --> 0:24:09.600
<v Speaker 1>and have a good time. And you've got a lot

0:24:09.640 --> 0:24:12.399
<v Speaker 1>more viral stuff. And I also think that you have

0:24:12.440 --> 0:24:14.920
<v Speaker 1>to be live. If these shows aren't live, then they're

0:24:14.920 --> 0:24:17.920
<v Speaker 1>meaningless because you're doing a red carpet before the Oscars.

0:24:18.320 --> 0:24:22.920
<v Speaker 1>As soon as the Oscars air, it's obsolete because you're

0:24:22.960 --> 0:24:27.600
<v Speaker 1>asking him about the Oscars and so if it's not live,

0:24:27.640 --> 0:24:28.960
<v Speaker 1>then it really doesn't make sense to me.

0:24:29.840 --> 0:24:32.320
<v Speaker 2>Yeah, the Oscars were the hardest one too, because everybody's

0:24:32.320 --> 0:24:34.479
<v Speaker 2>so done by the end. It's the end of Awards season,

0:24:35.600 --> 0:24:38.080
<v Speaker 2>by the way, I'm just seeing this. Greta Gerwig did

0:24:38.119 --> 0:24:41.040
<v Speaker 2>respond to the Joe Cooy barbie joke. She's doing an

0:24:41.040 --> 0:24:43.720
<v Speaker 2>interview and she just responded to it. She said, well,

0:24:43.760 --> 0:24:46.680
<v Speaker 2>he's not wrong. She's the first doll that was mass

0:24:46.720 --> 0:24:52.240
<v Speaker 2>produced with breasts, so he's right on. Good responds for

0:24:52.400 --> 0:24:55.000
<v Speaker 2>her didn't really draw a line one way or the

0:24:55.040 --> 0:24:56.560
<v Speaker 2>other because it would.

0:24:56.400 --> 0:24:58.120
<v Speaker 1>Have been easy for her to crap on him because

0:24:58.160 --> 0:24:59.960
<v Speaker 1>it's low hanging fruit because everybody's dog.

0:25:00.680 --> 0:25:02.359
<v Speaker 2>Well, I don't think it would have been low hanging

0:25:02.359 --> 0:25:03.560
<v Speaker 2>for for her. I think it would have been fair

0:25:03.600 --> 0:25:04.840
<v Speaker 2>for her because she would have been like, well.

0:25:06.400 --> 0:25:08.679
<v Speaker 1>I like this. She kind of was just yeah, it's funny,

0:25:08.760 --> 0:25:09.879
<v Speaker 1>like that's fine, it's okay.

0:25:10.240 --> 0:25:13.199
<v Speaker 2>I mean, it wasn't funny, but it was there. You

0:25:13.240 --> 0:25:15.080
<v Speaker 2>know what I will say for Joekoy, I don't think

0:25:15.119 --> 0:25:17.240
<v Speaker 2>he's done. I think one thing that these Awards shows

0:25:17.240 --> 0:25:21.160
<v Speaker 2>does drive home to me, Hollywood is such an industry

0:25:21.160 --> 0:25:24.600
<v Speaker 2>and I mean this in a hopeful way, big swings,

0:25:25.080 --> 0:25:28.480
<v Speaker 2>big misses, big ups, big downs. I mean, you're looking there.

0:25:28.520 --> 0:25:30.520
<v Speaker 2>One thing everybody was talking about from the Globes was

0:25:30.520 --> 0:25:33.919
<v Speaker 2>that Bradley Cooper spent like six years on Maestro and

0:25:34.000 --> 0:25:35.919
<v Speaker 2>it is getting shut out. It is not winning. He

0:25:36.000 --> 0:25:38.800
<v Speaker 2>is not winning for it, and or like Joaquin Phoenix

0:25:38.880 --> 0:25:42.159
<v Speaker 2>is there but not for Napoleon. Napoleon is this huge

0:25:42.200 --> 0:25:45.800
<v Speaker 2>epic no one's talking about. And it doesn't mean his

0:25:45.920 --> 0:25:48.280
<v Speaker 2>career is over. It doesn't mean these director's careers are over.

0:25:48.680 --> 0:25:52.600
<v Speaker 2>It is an industry where you can be completely in

0:25:52.640 --> 0:25:55.119
<v Speaker 2>the gutter one minute and then all it takes is

0:25:55.160 --> 0:25:57.920
<v Speaker 2>your next thing to work. So you know, I don't

0:25:57.920 --> 0:26:00.400
<v Speaker 2>want Joekoy's career to be over for this. He did

0:26:00.400 --> 0:26:02.119
<v Speaker 2>his best and it was a really tough job. But

0:26:02.760 --> 0:26:05.520
<v Speaker 2>I am saying I'm done with hosts that awards shows.

0:26:05.680 --> 0:26:09.040
<v Speaker 2>Just give me two great minutes from a Will Farrell

0:26:09.080 --> 0:26:11.160
<v Speaker 2>and a Kristen Wig, two great minutes from a Tina

0:26:11.160 --> 0:26:12.639
<v Speaker 2>Fan and Amy Poehler. Whatever.

0:26:12.760 --> 0:26:15.840
<v Speaker 1>Emmy's are coming up there Monday, but it's weird because

0:26:15.840 --> 0:26:20.720
<v Speaker 1>the Emmys are being replaced from last year, so because

0:26:20.720 --> 0:26:21.440
<v Speaker 1>they didn't.

0:26:21.160 --> 0:26:23.760
<v Speaker 2>Host the place, they're delayed these are the Emmys that

0:26:23.800 --> 0:26:27.600
<v Speaker 2>were supposed to air in like September. Body's mind by

0:26:27.600 --> 0:26:30.600
<v Speaker 2>the way, Yeah, the writer's strike held them off. So

0:26:30.800 --> 0:26:34.600
<v Speaker 2>like Jeremy Allen White was nominated for season two of

0:26:34.680 --> 0:26:37.879
<v Speaker 2>The Bear at the Golden Globes, but a week later

0:26:37.960 --> 0:26:41.240
<v Speaker 2>he's nominated at the Emmys for season one of The Bear.

0:26:41.280 --> 0:26:43.040
<v Speaker 2>I think, yes, I could be right.

0:26:43.160 --> 0:26:44.520
<v Speaker 1>By the way, it was better than season two, so

0:26:44.520 --> 0:26:45.280
<v Speaker 1>he should win both.

0:26:45.400 --> 0:26:47.040
<v Speaker 2>It's screwed up. They were supposed to a This was going.

0:26:47.040 --> 0:26:48.840
<v Speaker 1>To be probably a lot of Ted Lasso, a lot

0:26:48.880 --> 0:26:51.520
<v Speaker 1>of succession, a lot of which, by the way, kudos

0:26:51.560 --> 0:26:54.840
<v Speaker 1>to success I mean that was fantastic. I love seeing

0:26:54.880 --> 0:26:56.480
<v Speaker 1>them being honored because they got there was such a

0:26:56.480 --> 0:26:58.800
<v Speaker 1>good show. But yeah, you're going to see a lot

0:26:58.800 --> 0:27:00.800
<v Speaker 1>of that at the Emmys because we're going back a year,

0:27:01.119 --> 0:27:03.239
<v Speaker 1>which is really weird. Is it even the last year

0:27:03.280 --> 0:27:03.919
<v Speaker 1>of Ted last year?

0:27:03.920 --> 0:27:06.440
<v Speaker 2>I don't know. I was just going to say, I

0:27:06.480 --> 0:27:07.720
<v Speaker 2>don't think you're going to see I don't know about

0:27:07.760 --> 0:27:08.400
<v Speaker 2>a lot of succession.

0:27:08.960 --> 0:27:11.600
<v Speaker 1>God, I don't know, are up And then we have

0:27:11.640 --> 0:27:14.119
<v Speaker 1>the I don't know if anyone's hosting the Emmys, and

0:27:14.160 --> 0:27:16.080
<v Speaker 1>then you have the Oscars, and I think Jimmy Kimmel

0:27:16.080 --> 0:27:18.680
<v Speaker 1>has already been tapped to do the oscars again, which

0:27:18.680 --> 0:27:21.040
<v Speaker 1>will be really interesting to see how he handles the oscars.

0:27:21.080 --> 0:27:23.120
<v Speaker 1>But it's a very friendly room for him. Those are

0:27:23.119 --> 0:27:36.399
<v Speaker 1>his people. We're on a golden theme.

0:27:37.560 --> 0:27:39.960
<v Speaker 2>Well, we wanted to ask you about this because a

0:27:40.000 --> 0:27:42.760
<v Speaker 2>couple people were dming and asking for your thoughts.

0:27:42.840 --> 0:27:44.479
<v Speaker 1>Yeah, I've gotten a few of these people have been

0:27:44.520 --> 0:27:45.560
<v Speaker 1>asking about this moment.

0:27:46.480 --> 0:27:50.159
<v Speaker 2>I guess the Golden Bachelor wedding aired. Yes, Now we

0:27:50.240 --> 0:27:51.800
<v Speaker 2>have not seen it. Neither of us watched it, so

0:27:51.800 --> 0:27:55.280
<v Speaker 2>I want to say that disclaimer. We watch it, but

0:27:55.359 --> 0:27:58.480
<v Speaker 2>people were asking for your thoughts on the fact that

0:27:58.680 --> 0:28:04.720
<v Speaker 2>someone got engaged at the Golden Bachelor wedding. Now, I

0:28:04.760 --> 0:28:07.679
<v Speaker 2>will say I think we did a podcast episode about this.

0:28:07.920 --> 0:28:10.760
<v Speaker 2>We did where we both adamantly said we do not

0:28:10.920 --> 0:28:13.600
<v Speaker 2>think it is okay for people to get engaged at

0:28:13.640 --> 0:28:15.880
<v Speaker 2>other people's weddings. I think it steals the spotlight from

0:28:15.880 --> 0:28:18.960
<v Speaker 2>the bride and groom. There's three hundred and sixty four

0:28:19.000 --> 0:28:21.320
<v Speaker 2>other days of the year you can do this, so

0:28:21.400 --> 0:28:23.600
<v Speaker 2>I am not okay with it, but I don't think

0:28:23.600 --> 0:28:24.840
<v Speaker 2>this was a normal wedding.

0:28:24.720 --> 0:28:31.520
<v Speaker 1>So our genius producer. Easton was there? Easton, you were

0:28:31.560 --> 0:28:35.960
<v Speaker 1>at the wedding, right, I was. I wasn't at the ceremony.

0:28:36.280 --> 0:28:39.400
<v Speaker 1>I was on site at the wedding doing some work. Okay,

0:28:39.160 --> 0:28:41.120
<v Speaker 1>So give us, give us your little play by play

0:28:41.120 --> 0:28:42.560
<v Speaker 1>because I have not seen it and I have not

0:28:42.600 --> 0:28:46.720
<v Speaker 1>seen video. But you're saying they asked permission. I understand

0:28:46.720 --> 0:28:49.880
<v Speaker 1>that they got permission from Gary and Teresa to do that.

0:28:50.200 --> 0:28:53.280
<v Speaker 1>Was that off air or on air? That was off air? Okay?

0:28:53.680 --> 0:28:55.480
<v Speaker 1>On air? It didn't. It looked like it was a

0:28:55.520 --> 0:28:59.520
<v Speaker 1>spur of the moment thing. Yo. Were there cameras, there

0:28:59.560 --> 0:29:05.000
<v Speaker 1>were a camra Okay, okay, so there is nothing spur

0:29:05.040 --> 0:29:07.320
<v Speaker 1>of the moment about this. So look, thank you Easton,

0:29:07.960 --> 0:29:11.480
<v Speaker 1>our intrepid reporter on the scene there breaking news. So okay,

0:29:11.480 --> 0:29:13.560
<v Speaker 1>here's the thing that you need to know about this moment.

0:29:13.720 --> 0:29:15.480
<v Speaker 1>And because I know that this young man, I don't

0:29:15.480 --> 0:29:17.560
<v Speaker 1>know who it was, but he's getting backlash for it

0:29:18.560 --> 0:29:20.800
<v Speaker 1>because oh, how dare you steal the limelight from this

0:29:20.840 --> 0:29:24.360
<v Speaker 1>person that was at their wedding? Guys, this was one

0:29:24.400 --> 0:29:28.160
<v Speaker 1>hundred percent scripted, one hundred percent planned as soon as

0:29:28.400 --> 0:29:31.440
<v Speaker 1>I did not see it. But this is how I

0:29:31.440 --> 0:29:33.880
<v Speaker 1>know it's one hundred percent. They said he pulled out

0:29:33.880 --> 0:29:38.160
<v Speaker 1>a Neil Lane ring. He didn't go buy a Neil

0:29:38.200 --> 0:29:40.560
<v Speaker 1>Laane ring. Nobody, no one from the batchler goes to

0:29:40.640 --> 0:29:43.160
<v Speaker 1>buy a Neil Laane ring. That means it was given

0:29:43.200 --> 0:29:46.400
<v Speaker 1>to him. So that that's the only clue I needed.

0:29:46.400 --> 0:29:48.280
<v Speaker 1>When I heard Neil Lane, I go, okay, they gave

0:29:48.360 --> 0:29:51.080
<v Speaker 1>him a ring. One of the producers, this is their job.

0:29:51.240 --> 0:29:53.520
<v Speaker 1>One of the producers called this young man and said, hey,

0:29:54.480 --> 0:29:56.600
<v Speaker 1>you know, do you think you would propose the wedding?

0:29:56.600 --> 0:29:58.600
<v Speaker 1>This would be really great. We'll get it on camera. Well,

0:29:58.680 --> 0:30:00.560
<v Speaker 1>And I don't know if it aired the wedding, I

0:30:00.640 --> 0:30:04.120
<v Speaker 1>have no idea. If not, it'll air coming up. You'll

0:30:04.120 --> 0:30:06.920
<v Speaker 1>see it at one of the specials or the next

0:30:07.000 --> 0:30:09.200
<v Speaker 1>I don't know what incarnation of the show they're they're

0:30:09.240 --> 0:30:13.760
<v Speaker 1>showing next. But this was set up by the producers.

0:30:15.000 --> 0:30:19.240
<v Speaker 1>The the Golden Bachelor guy and his wife. They were

0:30:19.280 --> 0:30:22.640
<v Speaker 1>told about it so they wouldn't get upset. Everybody knew

0:30:23.040 --> 0:30:26.040
<v Speaker 1>there were cameras there, it was lit, it was staged.

0:30:26.440 --> 0:30:29.040
<v Speaker 1>The director ken Fuchs told him exactly where to be,

0:30:29.240 --> 0:30:32.520
<v Speaker 1>where to stand, where to kneel. Who was behind him,

0:30:33.000 --> 0:30:38.200
<v Speaker 1>the stage was set, everything about that moment was set up.

0:30:38.400 --> 0:30:40.960
<v Speaker 1>Of course, I guess the three cameras, they probably had

0:30:41.000 --> 0:30:43.880
<v Speaker 1>a nice wide shot, maybe even a four with a jib.

0:30:44.080 --> 0:30:45.640
<v Speaker 1>You're going to see a nice when you see it.

0:30:45.640 --> 0:30:47.640
<v Speaker 1>You'll see a jib pull back. You'll see a tight

0:30:47.640 --> 0:30:50.440
<v Speaker 1>shot on him, tight shot on her, the three, the

0:30:50.680 --> 0:30:53.160
<v Speaker 1>two shot, and then you probably have a nice jib shot.

0:30:54.720 --> 0:30:57.280
<v Speaker 1>So we had four cameras for this impromptu moment.

0:30:57.360 --> 0:30:58.840
<v Speaker 2>I need someone to go and check and see if

0:30:58.880 --> 0:30:59.480
<v Speaker 2>he's correct on this.

0:31:00.080 --> 0:31:02.720
<v Speaker 1>To you, that's what it was, which, by the way,

0:31:02.760 --> 0:31:04.760
<v Speaker 1>is fine. By the way, I'm not poopooing on it.

0:31:04.920 --> 0:31:07.000
<v Speaker 1>That's what I would do too. That's why I know

0:31:07.600 --> 0:31:09.280
<v Speaker 1>is I've been a part of these moments, and none

0:31:09.320 --> 0:31:12.360
<v Speaker 1>of these were surprised. Nothing like that would ever happen

0:31:13.080 --> 0:31:15.120
<v Speaker 1>as a surprise at our show because, by the way,

0:31:15.120 --> 0:31:17.720
<v Speaker 1>if it did happen as a surprise, a producer would

0:31:17.720 --> 0:31:21.800
<v Speaker 1>be fired because if you allowed that to sneak in

0:31:21.840 --> 0:31:23.760
<v Speaker 1>and we didn't know and we didn't get it on camera,

0:31:24.320 --> 0:31:26.160
<v Speaker 1>then you failed at your job and you didn't know

0:31:26.200 --> 0:31:26.720
<v Speaker 1>the story.

0:31:27.360 --> 0:31:31.760
<v Speaker 2>We are here in defense of whoever got engaged, because

0:31:32.760 --> 0:31:36.360
<v Speaker 2>of course, like again, if it's a regular wedding, different story.

0:31:36.560 --> 0:31:40.360
<v Speaker 2>This is a televised wedding. This is a show. This

0:31:40.600 --> 0:31:45.800
<v Speaker 2>is a production. Everything that's happened is choreographed, everything is intentional.

0:31:46.200 --> 0:31:49.640
<v Speaker 2>You're creating an entertainment show. I'm not saying it was

0:31:49.640 --> 0:31:52.080
<v Speaker 2>not a real wedding, but it's an entertainment show wedding

0:31:52.560 --> 0:31:55.160
<v Speaker 2>for people. So that was a beat in the story.

0:31:55.240 --> 0:31:56.400
<v Speaker 2>It was a plot point.

0:31:56.640 --> 0:32:01.720
<v Speaker 1>Sean and Catherine's wedding. I hosted Jaden Tanner's I officiate,

0:32:01.800 --> 0:32:05.320
<v Speaker 1>hosted and officiated, you know, same thing with Ashley and JP.

0:32:06.680 --> 0:32:10.600
<v Speaker 1>So the day before, well several days before, we would

0:32:10.640 --> 0:32:13.320
<v Speaker 1>do a run through, just kind of a table read. Basically,

0:32:13.320 --> 0:32:15.000
<v Speaker 1>I would get my book and I would know exactly

0:32:15.000 --> 0:32:18.280
<v Speaker 1>what's going on. The day before we actually have a rehearsal.

0:32:18.360 --> 0:32:20.719
<v Speaker 1>So that's just how that's how technical and lined up

0:32:20.720 --> 0:32:23.240
<v Speaker 1>this is. We would rehearse everything. I would read through

0:32:23.240 --> 0:32:25.640
<v Speaker 1>the prompter to make sure the prompter's good, all the

0:32:25.720 --> 0:32:27.600
<v Speaker 1>lights are good. We would test them because you know,

0:32:27.680 --> 0:32:30.080
<v Speaker 1>usually I would be in different areas. You know, you

0:32:30.080 --> 0:32:31.640
<v Speaker 1>would start as the host that I would go on

0:32:31.680 --> 0:32:34.040
<v Speaker 1>stage and make sure those microphones work, to make sure

0:32:34.080 --> 0:32:38.360
<v Speaker 1>the lines of communication and the lighting look good, and Dennis,

0:32:38.360 --> 0:32:41.040
<v Speaker 1>our amazing lighting director, would make sure that the shadows

0:32:41.080 --> 0:32:43.280
<v Speaker 1>are gone and all that. Then we, you know, often

0:32:43.280 --> 0:32:45.520
<v Speaker 1>we would go inside and have the reception set up.

0:32:45.600 --> 0:32:48.440
<v Speaker 1>So for like Jayden Tanner, it's like okay, Seal came

0:32:48.520 --> 0:32:51.320
<v Speaker 1>and played Okay, make room for Seal and the lighting

0:32:51.400 --> 0:32:54.040
<v Speaker 1>and all that. And so all of this is to

0:32:54.080 --> 0:32:57.440
<v Speaker 1>say that it is very organized. It's like Lauren said,

0:32:57.480 --> 0:33:00.880
<v Speaker 1>it's a television show. We don't just cameras up and

0:33:00.920 --> 0:33:04.600
<v Speaker 1>hope it goes well. You have to produce this stuff.

0:33:04.480 --> 0:33:07.000
<v Speaker 1>If you leave everybody to their own devices, you're not

0:33:07.040 --> 0:33:10.040
<v Speaker 1>Just like if somebody brought cameras to our wedding and said, okay,

0:33:10.120 --> 0:33:12.480
<v Speaker 1>let's just go live. That's not interesting. You don't know

0:33:12.520 --> 0:33:14.680
<v Speaker 1>who you're following. You know, you would need to mike

0:33:14.720 --> 0:33:18.160
<v Speaker 1>everybody know what's going on, and you would create the

0:33:18.200 --> 0:33:20.719
<v Speaker 1>pods of people talking and all that. You would get

0:33:20.760 --> 0:33:22.760
<v Speaker 1>the shot of Jason and Caitlin together.

0:33:23.040 --> 0:33:27.120
<v Speaker 2>It's actually something I loved about our wedding was the well, no, no,

0:33:27.240 --> 0:33:29.000
<v Speaker 2>I mean that you were able to produce it a

0:33:29.000 --> 0:33:33.320
<v Speaker 2>little bit. I did when we went to the location

0:33:33.440 --> 0:33:35.959
<v Speaker 2>the day before, which I think most bride and grooms

0:33:36.000 --> 0:33:37.960
<v Speaker 2>do you have a rehearsal dinner or something. You rehearse

0:33:38.000 --> 0:33:41.000
<v Speaker 2>it a little bit. But we changed the time of

0:33:41.040 --> 0:33:43.400
<v Speaker 2>the wedding a little bit. We did because Chris was

0:33:43.440 --> 0:33:45.760
<v Speaker 2>looking at the way the light was hitting and he's like,

0:33:45.800 --> 0:33:47.960
<v Speaker 2>the light's going to be right in your eyes here,

0:33:48.080 --> 0:33:49.240
<v Speaker 2>or it's going to be right in the eyes of

0:33:49.280 --> 0:33:52.160
<v Speaker 2>the crowd. Like and so you were a good.

0:33:52.120 --> 0:33:54.360
<v Speaker 1>Twenty years of television kicked in because we were going

0:33:54.400 --> 0:33:56.800
<v Speaker 1>to get married right at six o'clock and kind of

0:33:56.800 --> 0:33:59.680
<v Speaker 1>this golden hour. And I hadn't been to the site

0:33:59.760 --> 0:34:01.320
<v Speaker 1>yet at that time of day, and so you and

0:34:01.360 --> 0:34:03.680
<v Speaker 1>I went for that walk through and I stood there

0:34:03.840 --> 0:34:06.880
<v Speaker 1>and yeah, the sun was just above these oak trees

0:34:06.880 --> 0:34:09.240
<v Speaker 1>and it was just slamming, and it was in our face,

0:34:09.280 --> 0:34:11.520
<v Speaker 1>and then it was going to hit everybody watching, because

0:34:11.560 --> 0:34:13.480
<v Speaker 1>you know, we were going to be backlit. And so

0:34:13.520 --> 0:34:15.759
<v Speaker 1>I said, you left because you had something to do.

0:34:15.840 --> 0:34:17.360
<v Speaker 1>I said, I'm going to stay here for another fifteen

0:34:17.360 --> 0:34:20.120
<v Speaker 1>minutes and wait and see when the sun drops just perfectly.

0:34:20.120 --> 0:34:22.520
<v Speaker 1>And so I waited for fifteen minutes, and I delayed

0:34:22.520 --> 0:34:25.040
<v Speaker 1>our wedding. I pushed everything back fifteen to twenty minutes

0:34:25.640 --> 0:34:28.160
<v Speaker 1>just for the lighting. So ken Fuchs Dennis, for all

0:34:28.160 --> 0:34:30.440
<v Speaker 1>the years we worked together, you guys, thank you for

0:34:30.520 --> 0:34:33.880
<v Speaker 1>the wisdom you imparted upon me because it sunk in

0:34:33.920 --> 0:34:38.960
<v Speaker 1>and it made for a beautiful Piffoto definitely produced our wedding,

0:34:39.520 --> 0:34:40.120
<v Speaker 1>and things.

0:34:39.960 --> 0:34:42.280
<v Speaker 2>I didn't think about, like the microphone you were great about.

0:34:42.320 --> 0:34:44.800
<v Speaker 2>I think we were because we did have a videographer,

0:34:45.400 --> 0:34:47.799
<v Speaker 2>which I would recommend some people skip out on it.

0:34:47.840 --> 0:34:49.440
<v Speaker 2>I was really glad we did it, and we kind

0:34:49.480 --> 0:34:50.279
<v Speaker 2>of added it last week.

0:34:50.280 --> 0:34:52.200
<v Speaker 1>I was against it at first, and I'm glad we

0:34:52.239 --> 0:34:52.680
<v Speaker 1>did it too.

0:34:52.719 --> 0:34:53.919
<v Speaker 2>You know why were you against it?

0:34:53.960 --> 0:34:55.760
<v Speaker 1>I don't know. I guess I just because I want pictures.

0:34:55.960 --> 0:34:58.080
<v Speaker 1>I love just good pictures, and so I just didn't

0:34:58.120 --> 0:34:59.399
<v Speaker 1>think of the video of it all.

0:34:59.480 --> 0:35:02.880
<v Speaker 2>But it's expensive. But I think if nothing else, have

0:35:03.080 --> 0:35:06.680
<v Speaker 2>somebody have a friend in the in your audience, assign

0:35:06.760 --> 0:35:09.360
<v Speaker 2>them to whip out their cell phone and film the vows,

0:35:09.680 --> 0:35:12.160
<v Speaker 2>because I know people who didn't do a video and

0:35:12.200 --> 0:35:14.680
<v Speaker 2>they are so bummed that they weren't able to have

0:35:14.800 --> 0:35:17.799
<v Speaker 2>like the vows, and also toasts on camera because you

0:35:17.920 --> 0:35:19.319
<v Speaker 2>kind of black out in the moment and then you

0:35:19.360 --> 0:35:21.680
<v Speaker 2>sort of want to go back and actually process what

0:35:21.680 --> 0:35:22.160
<v Speaker 2>people said.

0:35:22.239 --> 0:35:26.680
<v Speaker 1>They get to see, you know, other people watching, and I,

0:35:26.760 --> 0:35:31.480
<v Speaker 1>you know, especially with Austin, just us walking in together,

0:35:31.840 --> 0:35:34.360
<v Speaker 1>was seeing that video because you get to see you know,

0:35:34.440 --> 0:35:35.759
<v Speaker 1>I kind of looked around a little bit, but you

0:35:35.760 --> 0:35:38.040
<v Speaker 1>don't get to see everybody's faces and you sell people like,

0:35:38.080 --> 0:35:40.360
<v Speaker 1>oh they were right there. No, So that that was

0:35:40.400 --> 0:35:42.080
<v Speaker 1>really special. I was glad we did it.

0:35:42.160 --> 0:35:44.359
<v Speaker 2>That was something I didn't think about, was like the

0:35:44.400 --> 0:35:48.240
<v Speaker 2>microphones that you thought about, like I because in Austin,

0:35:48.280 --> 0:35:52.120
<v Speaker 2>I think you were miked, but I wasn't. And it

0:35:52.160 --> 0:35:54.480
<v Speaker 2>was also about like are we whitch mic is just

0:35:54.520 --> 0:35:57.400
<v Speaker 2>for people to hear versus what's for the videographers? And

0:35:57.480 --> 0:35:59.160
<v Speaker 2>I remember you were like, it's fine because my Michael

0:35:59.200 --> 0:36:00.719
<v Speaker 2>pick her up, and I'm like, God, I'm so glad

0:36:00.760 --> 0:36:04.239
<v Speaker 2>he's here right now. But yeah, what do you think

0:36:04.360 --> 0:36:06.479
<v Speaker 2>is harder to do? Let's wrap it up on this. Yes,

0:36:07.400 --> 0:36:13.080
<v Speaker 2>is it harder to produce a live wedding for television

0:36:13.600 --> 0:36:17.040
<v Speaker 2>with guests and with ceremony and all that, or an

0:36:17.080 --> 0:36:17.680
<v Speaker 2>award show?

0:36:20.760 --> 0:36:26.239
<v Speaker 1>It should be harder to produce a wedding because you

0:36:26.320 --> 0:36:30.080
<v Speaker 1>don't have access to to the stars. I mean the

0:36:30.400 --> 0:36:35.319
<v Speaker 1>award show should be, on its face a layap. You

0:36:35.400 --> 0:36:37.440
<v Speaker 1>have the biggest stars in the world to play with,

0:36:38.680 --> 0:36:43.480
<v Speaker 1>show them, show me stars, let me see stars, let

0:36:43.520 --> 0:36:45.920
<v Speaker 1>me hear stars. It's why the Golden Globes used to

0:36:45.960 --> 0:36:49.520
<v Speaker 1>be the darling of award season. All the stars are

0:36:49.560 --> 0:36:53.520
<v Speaker 1>in one hotel. We're in one ballroom. We have champagne

0:36:53.520 --> 0:36:58.319
<v Speaker 1>and caviat They're loose, they're drinking, they're having fun. Get

0:36:58.360 --> 0:37:03.680
<v Speaker 1>them on stage, television, film, music. Everybody is gathered together

0:37:03.840 --> 0:37:07.560
<v Speaker 1>for one big moment. The Oscars is very niche, the

0:37:07.600 --> 0:37:11.480
<v Speaker 1>Emmys very niche, The Grammy's very niche. The Globes is

0:37:11.480 --> 0:37:13.800
<v Speaker 1>the one that brings them all together. And they don't

0:37:13.840 --> 0:37:16.360
<v Speaker 1>care what used to be the Hollywood Forum Press. They

0:37:16.400 --> 0:37:19.560
<v Speaker 1>would say, we don't care. We want the big stars

0:37:19.560 --> 0:37:22.240
<v Speaker 1>on our red carpet. We're going to celebrate this movie's.

0:37:22.520 --> 0:37:26.000
<v Speaker 1>Movies like Barbie used to not be celebrated. But the

0:37:26.040 --> 0:37:30.080
<v Speaker 1>Globes will embrace that. And I think that that should

0:37:30.120 --> 0:37:35.040
<v Speaker 1>be a layup to produce. So to fail it is

0:37:35.080 --> 0:37:38.240
<v Speaker 1>to me a big injustice because I think it should

0:37:38.280 --> 0:37:41.040
<v Speaker 1>be a great show. Weddings are hard because you only

0:37:41.120 --> 0:37:43.680
<v Speaker 1>you know. You may have kind of stars getting married,

0:37:43.719 --> 0:37:45.640
<v Speaker 1>but then you it's hard to capture and.

0:37:45.680 --> 0:37:47.799
<v Speaker 2>Now it's hard to make somebody's cousin like a really

0:37:47.800 --> 0:37:50.840
<v Speaker 2>great Strea moment. Yeah, and even if it's your funny cousin.

0:37:51.200 --> 0:37:53.759
<v Speaker 1>Sally is funny to us at Thanksgiving, but is she

0:37:53.800 --> 0:37:54.560
<v Speaker 1>funny to the world.

0:37:54.680 --> 0:37:57.120
<v Speaker 2>You know, the best line of the Globes was, and

0:37:57.200 --> 0:38:00.279
<v Speaker 2>I guarantee it was improvised, was when Will Wilfarell said,

0:38:00.360 --> 0:38:04.719
<v Speaker 2>it smells like hot sushi here because it was sent

0:38:05.239 --> 0:38:07.600
<v Speaker 2>because they were serving sushi for the first time someone

0:38:07.600 --> 0:38:10.480
<v Speaker 2>would acknowledge that, and that room looked so crowded. I

0:38:10.520 --> 0:38:13.080
<v Speaker 2>kept thinking, it looks so hot in there. And that's

0:38:13.120 --> 0:38:15.920
<v Speaker 2>the thing. Put too, You have the most talented people

0:38:15.920 --> 0:38:18.160
<v Speaker 2>in the world in that room. Yeah, Will Ferrell's one

0:38:18.200 --> 0:38:20.520
<v Speaker 2>of the funniest people of all time. Give them a

0:38:20.560 --> 0:38:22.880
<v Speaker 2>presenting moment, give them a little bit to play with,

0:38:22.920 --> 0:38:24.640
<v Speaker 2>but don't make them stick to the script too much,

0:38:24.680 --> 0:38:28.400
<v Speaker 2>because those improvised moments are great. Hot sushi. This was

0:38:28.680 --> 0:38:30.800
<v Speaker 2>the Golden Globes this year, summed up in two words,

0:38:30.840 --> 0:38:31.480
<v Speaker 2>hot sushi.

0:38:31.840 --> 0:38:32.560
<v Speaker 1>Hot sushi.

0:38:32.800 --> 0:38:35.799
<v Speaker 2>Like it's not it's you eat it, but it wasn't great.

0:38:36.000 --> 0:38:40.400
<v Speaker 1>Yeah, if you're filling station hot Sushi. But we will

0:38:40.400 --> 0:38:42.400
<v Speaker 1>see how the rest of the word season goes. And

0:38:42.480 --> 0:38:45.480
<v Speaker 1>it is good to be back with everybody. I know

0:38:45.520 --> 0:38:48.120
<v Speaker 1>we're we are already into it. But happy New Year,

0:38:48.160 --> 0:38:52.160
<v Speaker 1>Happy twenty twenty four. I hope it is a fruitful, healthful, wonderful,

0:38:52.280 --> 0:38:54.920
<v Speaker 1>successful year for all of us. Thanks for being with us.

0:38:55.040 --> 0:38:56.520
<v Speaker 1>We will do it again next time. We have a

0:38:56.640 --> 0:38:59.759
<v Speaker 1>lot more to talk about. Thanks for listening. Follow us

0:38:59.760 --> 0:39:02.640
<v Speaker 1>on Instagram at the most dramatic pod ever and make

0:39:02.680 --> 0:39:05.040
<v Speaker 1>sure to write us a review and leave us five stars.

0:39:05.480 --> 0:39:06.560
<v Speaker 1>I'll talk to you next time.