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Speaker 1: No, no, no, no worry and no.

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Speaker 2: Yes yes yes we all crack Carl doing his focus.

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Speaker 2: We keep it rolling, go across the kid. This is live,

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Speaker 2: live studio audience. Yes, yes, yes, we got the execs

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Speaker 2: and the control rooms. We have to watch our mouths.

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Speaker 3: Fuck shit, yeah, bitch fucking tea. It's great.

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Speaker 2: Yeah, who the fuck was that? Jesus, we have a

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Speaker 2: COVID free staff. We had a little scare this morning because, uh,

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Speaker 2: because our engineer wanted to be a hussy wow all

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Speaker 2: weekend and just run around and put his mouth in

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Speaker 2: other people's mouths.

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Speaker 3: Yeah, yep.

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Speaker 2: It's nasty fuck smoking hookah with everybody smoking hookahs, spitting

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Speaker 2: in chick's mouths. No, you get down smoking hookah with hookers.

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Speaker 2: That sounds like a good album title, hookah with hookers.

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Speaker 2: There's certain women that use hookah like a pacifier.

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Speaker 3: Certain women just use hooka because they don't want to

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Speaker 3: talk to nobody. I'm hip to that game.

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Speaker 2: No, you could really like shut a lot of them

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Speaker 2: up with hookah like a pacifier, just passing.

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Speaker 3: The tip up. Yeah, I like it is. This is

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Speaker 3: this blue misted. Won't hear a word from them Everga?

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Speaker 3: If who could just disappeared forever. I wouldn't be mad.

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Speaker 2: I mean, why though it's it's disgusting, I still participate.

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Speaker 3: When I see people eating and smoking hook at the

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Speaker 3: same time, I'm like, fam, what are you doing with

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Speaker 3: your where's your life at? Yeah? Like how depression is

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Speaker 3: it at home?

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Speaker 2: To even say the food was bad while you're smoking

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Speaker 2: min hookah? It is the funniest, Like just the eggs

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Speaker 2: weren't They didn't really hit to me. I wonder why

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Speaker 2: you had blue mistole on your tongue.

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Speaker 3: That's why I can.

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Speaker 2: You pass the hot sauce for what? For what? Yeah?

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Speaker 3: I can't taste nothing that we gotten.

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Speaker 2: Mint flavored pancakes right now or anyway something. How you feeling,

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Speaker 2: I'm good. I'm good.

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Speaker 3: I was the weekend, right, you know, there's the place

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Speaker 3: coming along.

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Speaker 2: It's not coming along because we worked to much, we

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Speaker 2: travel too much, and I literally unpacked my clothes and

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Speaker 2: that's it. Yeah, I said, I ordered the couch. It's

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Speaker 2: not coming till fucking twenty twenty three, till March. Yeah.

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Speaker 2: I looked everywhere, finally found one. I was like yes,

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Speaker 2: and then they were like, oh yes, sir, this is

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Speaker 2: we have to literally make this from scratch.

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Speaker 3: But I like that though. I like kind of being

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Speaker 3: in a new empty space and just watching it coming

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Speaker 3: together slowly.

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Speaker 2: Yeah, that shit, it just gets annoying, like once you

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Speaker 2: actually want to relax in a crib and it not

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Speaker 2: feel like you just moved in when you moved in

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Speaker 2: two months ago. Yeah.

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Speaker 3: If you had the couch though, would be easier, because men,

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Speaker 3: we sleep on the couch and that's.

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Speaker 2: Just the couch. All right, what's the song I can

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Speaker 2: start with making?

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Speaker 3: Start with the sh you was playing in the cold

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Speaker 3: ass green room. No, we're gonna get to that. We

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Speaker 3: gotta get take in the crates. Okay, So how you

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Speaker 3: feel on my low bed?

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Speaker 2: Yeah? So lonely This was a sick first single for

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Speaker 2: those that are watching right now playing Acon mister lonely.

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Speaker 3: Yeah, great record.

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Speaker 2: He came out the gate with the sad vibes and

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Speaker 2: that was never sad again.

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Speaker 3: No got rich lonely ever again no never? Yeah, what's

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Speaker 3: up with Acon? Is he's still making music? No, he's

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Speaker 3: making cities and ship Yeah. I guess once you start

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Speaker 3: making cities and civilization better for people.

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Speaker 2: Yeah, I think like I think he invented electricity in

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Speaker 2: certain city, some city. Absolutely, that's kind of crazy, Like

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Speaker 2: how do you get into Acon City regular passport? Do

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Speaker 2: you need a COVID test?

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Speaker 3: For sure, need a COVID test. I think you gotta

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Speaker 3: know like five of his B sides. You gotta name

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Speaker 3: five of his B sides and you can get in.

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Speaker 2: Gotta know his brothers.

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Speaker 3: Yeah, yeah, certain ship like that. You gotta be like, ah, yeah,

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Speaker 3: he good, he one of us. That's funny, well ship.

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Speaker 2: While we were going some some things did happen. We

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Speaker 2: did our Rust interview and just mainly spoke about that,

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Speaker 2: so I know there was a lot of stuff we

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Speaker 2: didn't touch and a lot of stuff that happened after that. Yeah,

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Speaker 2: russ interview was cool. Shout out to a great time

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Speaker 2: talking to russ Man.

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Speaker 3: I thought that was a great album, really good album.

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Speaker 3: Chomped too. If you haven't heard it, go get it.

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Speaker 3: You don't have to go get it.

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Speaker 2: Just a marketing wiz. I see why Rockefeller is still going.

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Speaker 3: That's a good album, really good album.

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Speaker 2: I can't believe you were on the Rockefeller Street team,

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Speaker 2: like you was just standing outside on the street team.

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Speaker 2: Memphis Blake five three four out Now she was crazy when.

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Speaker 3: You had to put all them flies up all over

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Speaker 3: the place.

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Speaker 2: Did you drive in the Benz?

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Speaker 3: No, I was young. I was young as shit.

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Speaker 2: I know I haven't been anything loser. You can steal

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Speaker 2: the Rockefeller Ben's when your game. Man, I stole my

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Speaker 2: mother's Toyota. You can't steal a Rockefeller.

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Speaker 3: The Street Team used to always Lennys had that bens

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Speaker 3: a lot. Yeah, he had that bens a lot at

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Speaker 3: the time.

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Speaker 2: He sounds salty about that.

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Speaker 3: No, I was young, man, I was cool getting on

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Speaker 3: the train When you're fifteen sixteen, the train is the ship.

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Speaker 2: Train is the ship.

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Speaker 3: When you're thirty one. Nah, that she kind of trash. Now,

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Speaker 3: real world problems grown. You're trying to get somewhere, people yelling,

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Speaker 3: everyone's getting right. Everything bothers you. The older you get everything. Oh,

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Speaker 3: I mean it bothered me when I was fifteen. I

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Speaker 3: can imagine that. Well, you've been old since you were fifteen,

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Speaker 3: so and annoyed for sure, I understand.

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Speaker 2: But yes, after the Rust interview, I think that same

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Speaker 2: very night. Let's just get right to it, Kanye Drake. Yeah,

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Speaker 2: what a night the show that you desperately wanted to

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Speaker 2: go to. You had your outfit picked out laid out

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Speaker 2: on the bed.

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Speaker 3: No, I was gonna go shopping when we landed. That's

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Speaker 3: the type of ship I'm on.

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Speaker 2: Now, what would have been the first stoor? When you

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Speaker 2: think Drake and Kanye like, I gotta give him something.

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Speaker 3: Well, it was cold, so you need something sturdy, you

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Speaker 3: need something kind of heavy out there. All black is

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Speaker 3: always safe to do.

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Speaker 2: Would you have bought the Fishermen boots? I mean, because

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Speaker 2: you already had the hat. I feel like Kanye kind

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Speaker 2: of big your style. You came in here with the

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Speaker 2: Dick Sporting Good you know, bast pro shop hat, and

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Speaker 2: then he came on stage with some like he was

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Speaker 2: going fly fishing.

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Speaker 3: Yeah, those those was kind of nasty. I wasn't feelings.

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Speaker 2: I mean listen, every time I said I haven't felt something,

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Speaker 2: it becomes the trend, okay. And then after here, I'm like, nah,

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Speaker 2: I gotta go fly fishing.

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Speaker 3: Nah nah, I'm jeorde was trash okay. I can't get

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Speaker 3: jiggy with those. And I know his feet was hurt.

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Speaker 3: You saw that long ass walk they had to take

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Speaker 3: before they got to the stage. That was a lot

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Speaker 3: which was heavy as ship.

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Speaker 2: That walk was like, you know, in between after the marriage,

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Speaker 2: and then you go into the reception of that ship

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Speaker 2: and then the couple does like that big walk down

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Speaker 2: that felt than that. It felt just like that.

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Speaker 3: It was dope, but I know that with those heavy

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Speaker 3: ass boots, that was a workout.

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Speaker 2: Listen, where do we begin on this? And are you

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Speaker 2: going to be truthful?

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Speaker 3: Yeah? Yeah, very truthful.

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Speaker 2: Do we have to start with we love and respect

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Speaker 2: both of these legends, and we love everything that they've

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Speaker 2: ever done. Ever they've changed the world.

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Speaker 3: We do they did?

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Speaker 2: Do we have to start that way though?

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Speaker 3: No?

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Speaker 2: Okay, was this the verses?

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Speaker 3: No? Why not? Well they didn't do the same amount

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Speaker 3: of songs, so you can't do a versus and not

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Speaker 3: do the same amount of song right half verses? This

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Speaker 3: was ah, this was a purse who got paid more?

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Speaker 2: Larry Hoover.

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Speaker 3: Okay, I'm with you on that, which I hope.

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Speaker 2: So right, Do we want to start with the music

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Speaker 2: or do we want to start with charity and awareness concerts?

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Speaker 3: To begin with?

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Speaker 2: Can we be honest with me?

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Speaker 3: I'm gonna say we gotta save that. Say let's start

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Speaker 3: with the show.

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Speaker 2: Let's start with Kanye West coming out first. For some reason,

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Speaker 2: him and Drake had to walk down like they had

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Speaker 2: just been married and they were people were throwing rice

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Speaker 2: on them, and then Drake veered off to the left

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Speaker 2: and Kanye went on top of the moon, which I

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Speaker 2: believe did they not come out to a Travis Scott song?

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Speaker 2: Talk about a tone death intro of live shows at

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Speaker 2: the moment, Like, I don't know if Travis would be

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Speaker 2: my introes it was either Travis one of Travis's kids.

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Speaker 2: It sounded like Travis to me. I thought it was

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Speaker 2: a key record, Oh Travis. I just feel like that

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Speaker 2: may have not been the time. I just think Travis

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Speaker 2: makes great music, but maybe today isn't the day that

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Speaker 2: we start a live show with a Travis song to

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Speaker 2: really get the crowd hype.

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Speaker 3: Well, you know, Kanye is a godfearing man, and maybe

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Speaker 3: he just felt like it's time for forgiving, forgiving, you

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Speaker 3: know what I mean, Let's forgive Travis. Let's let's pray

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Speaker 3: for him, let's you know, lift him up in these

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Speaker 3: trying times.

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Speaker 2: All right, Well, didn't say that, he said walk out

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Speaker 2: to a Travis Scott song. Three weeks after that live show. Escavating,

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Speaker 2: I mean, I call it escavator tragedy. Yeah, It's not

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Speaker 2: like I was walking out and I'm like, dog, I

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Speaker 2: don't have anything that's gonna hype the crowd up. I'm

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Speaker 2: walking out with Drake. Let's let's play a Travis song.

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Speaker 2: What's the point of that?

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Speaker 3: Definitely was not the song I thought we would hear first,

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Speaker 3: for sure. Definitely wasn't so that that kind of was like, okay,

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Speaker 3: a little different curveball straight out the gate. But visually

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Speaker 3: one of the greatest shows I think I've ever seen.

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Speaker 2: It looked amazing.

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Speaker 3: The setup was amazing, you know, the smoke with the

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Speaker 3: lights and the lights changing the color of the smoke

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Speaker 3: and all of that, looking like they were on top

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Speaker 3: of a spaceship. And then the fans in the background

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Speaker 3: their phones looking like stars, like I see the whole

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Speaker 3: visual thing. That was amazing, I thought. But I didn't

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Speaker 3: expect anything less from Kanye.

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Speaker 2: I mean, I think Cutty made been owed some royalties,

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Speaker 2: but I think it was cool.

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Speaker 3: Yeah, No, it looked great. It looked it looked amazing

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Speaker 3: that the setup was amazing, So that was a that

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Speaker 3: was a plus. Uh. Now, as far as the actual performance,

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Speaker 3: I thought Kanye was off key. A lot of the

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Speaker 3: records are a lot of the performance. He was off

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Speaker 3: key a lot. He definitely performed the right records. He

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Speaker 3: performed the ship he was supposed to perform. Maybe a

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Speaker 3: couple that I thought he would have did that he

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Speaker 3: didn't do. But which we're what can we pull up?

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Speaker 2: Do we have a track list? I'm sure someone at

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Speaker 2: Complex put together a track list show.

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Speaker 3: I saw one of the as soon as it was over.

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Speaker 2: All right, So, yes, Kanye was definitely off key on

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Speaker 2: a lot of records. Yeah, I will shoot some bail

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Speaker 2: with a lot of things that did happen around the

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Speaker 2: time they were playing this concert.

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Speaker 3: I know some focus was elsewhere.

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Speaker 2: So to rehearse a lot of songs that he's probably

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Speaker 2: not performed in quite some time, I'll give you bail there.

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Speaker 2: As far as for getting lyrics too, I'll give you

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Speaker 2: some bail there. Sound Check, the sense and the guitar

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Speaker 2: did whatever the fuck they want. I don't know who

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Speaker 2: did sound check. They whoever was in the booth during

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Speaker 2: soundcheck was like, yo, everyone sounds good. Yo, guitar, synth,

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Speaker 2: do whatever the fuck you want.

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Speaker 3: Yeah, it was a lot. It was loud at times

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Speaker 3: in the show, and.

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Speaker 2: If that was intentional, I don't know, I'm not a

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Speaker 2: musical genius.

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Speaker 3: Maybe it was intentional. Now, it was an amazing performance

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Speaker 3: to me.

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Speaker 2: With all of that, the nostalgia of everything overrode every

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Speaker 2: shit that I didn't like about it. Kanye going through

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Speaker 2: those records, especially as the surprise because he says he's

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Speaker 2: not performing secular music and all that type of stuff.

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Speaker 2: It was great to hear those records again. Now that

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Speaker 2: going into the Drake part, I feel they they dropped

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Speaker 2: the ball. He didn't come out and do say what's

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Speaker 2: real better Find Your Love would have been nice, But

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Speaker 2: I thought it was cool to do a little cover

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Speaker 2: while he's on there. Yeah, like and flash to Drake

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Speaker 2: in the front row singing his own song.

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Speaker 3: In that front row.

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Speaker 2: Draken chose in the front Oh okay, that was a row.

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Speaker 3: It was people in line. You're right, Yeah, they were

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Speaker 3: in a row.

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Speaker 2: That was like Drake's Bob Mitzvah, like Sweet sixteen. The

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Speaker 2: way it was like his father hired Kanye West to

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Speaker 2: perform it as Bob Mitzvood. Because they just kept panning

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Speaker 2: to Drake in the front row singing all the songs, like.

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Speaker 3: Well they wanted to. I guess they wanted the people

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Speaker 3: at home to that's a special guest, like he's he's the.

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Speaker 2: Special guest, I had said. And I had gotten in

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Speaker 2: trouble from a partner that I was working with about

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Speaker 2: one of my tweets that I didn't think was that outrageous.

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Speaker 2: I didn't miss live tweeting. I felt like Twitter was

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Speaker 2: back for the first time in a minute. Everyone was

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Speaker 2: watching the same thing at the same time and tweeting

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Speaker 2: about it. Yeah, I had said, because Kanye is now

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Speaker 2: such a religious man that this felt more like a

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Speaker 2: versus of who the Son of God really is, as

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Speaker 2: Drake is Jewish and Kanye is Christian. Innocent joke that

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Speaker 2: didn't fly over very well, Like, I know, you're not

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Speaker 2: allowed to say anything about Jewish people. I just said

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Speaker 2: it was a verses on who we have to decide

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Speaker 2: who the Son of God is his verses? Yeah, okay,

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Speaker 2: is he a prophet?

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Speaker 3: What do we go down those steps? Like? It looked like,

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Speaker 3: you know.

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Speaker 2: I wanted hi Brihanna and see what she would she thought.

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Speaker 3: But listen, man, it was underwhelming in the sense of

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Speaker 3: the way I thought the performance was going to go

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Speaker 3: before when we first heard about the show, I didn't

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Speaker 3: think that Drake was only going to perform eight records,

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Speaker 3: So that was like, and those eight records, it was

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Speaker 3: kind of like, Okay, I wouldn't have went with that

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Speaker 3: eight all right.

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Speaker 2: I guess he sounded fine. I loved what he did

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Speaker 2: on twenty four. He killed twenty Kanye coming coming out

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Speaker 2: after all those records, once we find the set list

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Speaker 2: was amazing. Then when Drake came on in twenty four

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Speaker 2: and sounded really good, I was like, Oh, this is

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Speaker 2: about to be the greatest concert of all time. We're

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Speaker 2: about to go down memory lane and prove that these

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Speaker 2: two are the icons that we know them to be.

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Speaker 2: Then Drake went on to play me CLB after after

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Speaker 2: I heard a medley of Kanye West's greatest sests. M

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Speaker 2: hm that brought me from fourteen years old to twenty

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Speaker 2: five years old. I'll be honest with you. After I

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Speaker 2: hear it, can't tell me nothing. TSU just doesn't really

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Speaker 2: hit from me. Dog, I'm sorry.

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Speaker 3: Yeah, I didn't want to hear. I didn't want to

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Speaker 3: hear way too sexy?

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Speaker 2: You know, how can you can you explain to me

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Speaker 2: why Drake did that way too sexy? No, just CLB recordsperienced.

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Speaker 3: Well, I guess he you know, the album came out.

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Speaker 3: This was the first time he was I guess performing

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Speaker 3: since the album dropped that I can I think I

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Speaker 3: don't think he's performed since the album drop. No, so

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Speaker 3: maybe that maybe that was kind of like what he

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Speaker 3: wanted to give to people some of his recent work.

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Speaker 2: But that's not what that show was that. It wasn't

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Speaker 2: Donda verse CLB. It wasn't this is the Donda Show

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Speaker 2: mixed with special guests certified lover boy. We saw what

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Speaker 2: time it was, and if it is a Kanye show,

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Speaker 2: I feel like you should probably go with what the.

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Speaker 3: Theme of the person that's throwing the concert is doing.

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Speaker 3: I thought him doing no friends in the industry was hilarious.

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Speaker 3: I don't know if anybody else call it that. I

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Speaker 3: thought that was like the funniest shit of the night.

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Speaker 2: I mean, I felt like they were still unsure, but

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Speaker 2: I saw my man Toopaz tweeted, it looks like Chubbs

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Speaker 2: is still a little unsure of us doing that.

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Speaker 3: Chub was definitely he was. He's the homie that's like, yeah,

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Speaker 3: I know y'all pieced it up, but I'm still on

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Speaker 3: I'm still on point over here in case shit get

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Speaker 3: a little you know what I mean, because it's still

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Speaker 3: some energy of floating around. There's certain guys in it

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Speaker 3: in his camp that might still feel a certain ways.

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Speaker 3: So we got to kind of stay on point. But

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Speaker 3: you got to understand that and respect that. I respect that,

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Speaker 3: all right, But was it respect to do CLB? And

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Speaker 3: I'm not I promise I'm not shitting on CLB? But

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Speaker 3: does that allow Kanye to be the superstar?

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Speaker 2: And does that allow us to not have the debate

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Speaker 2: or make this a versus at all? Because if Drake

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Speaker 2: went down his he of course they were. And then

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Speaker 2: knowing that, did you save yourself people having that combo

339
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Speaker 2: because you said, well, I just wanted to try my

340
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Speaker 2: new shit? Was it kind of a backout move? Now? Granted,

341
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Speaker 2: I think Drake can hang with Kanye.

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Speaker 3: West at a versus show. We know that.

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Speaker 2: So to not go down that road to me looked

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Speaker 2: like you was he was taking the step out, like

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Speaker 2: all right, I'm just gonna do CLB shit, So no

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Speaker 2: one can say that I had to match up against

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Speaker 2: Kanye West, even if I'm only doing half a set.

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Speaker 3: Well, again, I'm just just guessing. Maybe that's his newest work.

349
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Speaker 3: He hasn't performed it. Maybe he felt like that was,

350
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Speaker 3: you know, what people wanted. It's his latest album, he's

351
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Speaker 3: never performed it live. Maybe he figured this is.

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Speaker 2: The perfect time.

353
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Speaker 3: I know how many people are gonna be watching this.

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Speaker 3: I know many people are gonna be at this show.

355
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Speaker 3: I wouldn't have went with those records, some of those records,

356
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Speaker 3: but again, I'm not you know, I'm not one of

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Speaker 3: the biggest artists in the world.

358
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Speaker 2: So but even like even when he did Tyler's Festival,

359
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Speaker 2: and Drake is done pop ups at other festivals, He's

360
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Speaker 2: done his own festival for a very long time. Of

361
00:15:58,200 --> 00:16:01,360
Speaker 2: course those are longer sets, but he's still like Drake

362
00:16:01,480 --> 00:16:04,760
Speaker 2: is very aware of what people want to hear at shows. Like,

363
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Speaker 2: if we're going to the Scorpions tour, I'm going to

364
00:16:07,400 --> 00:16:09,080
Speaker 2: expect to hear a lot of Scorpions stuff, right, but

365
00:16:09,120 --> 00:16:11,200
Speaker 2: he always mixing a lot of other shit. Co when

366
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Speaker 2: he just does festivals, he'll put a new record in,

367
00:16:13,040 --> 00:16:15,440
Speaker 2: but a lot of that will be the joints that

368
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Speaker 2: we want to hear at the show. Especially I'm next

369
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Speaker 2: to Kanye West, who's not performing any records from Donda

370
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Speaker 2: maybe one and it's giving me all his classic shit Drake.

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Speaker 3: Did, he came out to twenty four, did once and

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Speaker 3: needs no friends in the industry? What's next? Life is good?

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Speaker 3: Laughing out cry later, I am y two girls want

374
00:16:36,720 --> 00:16:39,960
Speaker 3: girls in the Bible. Way too sexy, knife talk, God's plan,

375
00:16:43,040 --> 00:16:47,280
Speaker 3: some mediocre said to me. Though, yeah, I definitely could

376
00:16:47,280 --> 00:16:49,840
Speaker 3: have did, but way too sexy. I just don't. That

377
00:16:49,920 --> 00:16:53,160
Speaker 3: record ain't for me. I see what it does. Though

378
00:16:53,200 --> 00:16:55,640
Speaker 3: I've been in the club. I know people love that record.

379
00:16:55,680 --> 00:16:58,840
Speaker 3: I see what it does, but not for me. No

380
00:16:58,920 --> 00:17:02,000
Speaker 3: friends in the industry is justhilarious. I just like after

381
00:17:02,040 --> 00:17:05,320
Speaker 3: squashing the beef and you coming out and like wrapping

382
00:17:05,359 --> 00:17:08,960
Speaker 3: those balls that were directed at at Kanye. That's just

383
00:17:09,040 --> 00:17:09,720
Speaker 3: hilarious to me.

384
00:17:09,920 --> 00:17:12,800
Speaker 2: But I want to know, like where Kanye or maybe

385
00:17:13,600 --> 00:17:15,919
Speaker 2: Drake was not aware of his settlerst. Maybe maybe they

386
00:17:15,920 --> 00:17:18,480
Speaker 2: gave Drake the okie dokee because Kanye said, I'm not

387
00:17:18,480 --> 00:17:21,040
Speaker 2: performing secular music anymore, like I can't. I'll do Jesus

388
00:17:21,040 --> 00:17:24,719
Speaker 2: walks and that's about it. Maybe Drake thought he this

389
00:17:24,800 --> 00:17:26,520
Speaker 2: was a Donna show, so all right, let me do

390
00:17:26,560 --> 00:17:27,680
Speaker 2: my shit, my new my new ship.

391
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Speaker 3: I mean, he did niggas in Paris.

392
00:17:30,040 --> 00:17:32,159
Speaker 2: He did gold Diggers, and granted, I think that was

393
00:17:32,160 --> 00:17:34,399
Speaker 2: appropriate because a lot of pastors are gold Diggers. But

394
00:17:35,640 --> 00:17:38,920
Speaker 2: he went down a rabbit hole secular music.

395
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Speaker 3: Yeah, like looking at the set list like real because

396
00:17:42,880 --> 00:17:44,919
Speaker 3: I don't have it a marathon. He texted you he

397
00:17:44,960 --> 00:17:48,679
Speaker 3: did win in the group I don't. Kanye did Jesus Walks,

398
00:17:49,280 --> 00:17:52,120
Speaker 3: All falls Down, gold Digger, Touched the Sky, Stronger, all

399
00:17:52,119 --> 00:17:55,560
Speaker 3: of the Lights, Black Skinhead, all Day, Mercy, good Life,

400
00:17:55,680 --> 00:17:59,120
Speaker 3: flashing lights, say you will. I wanted to find your love.

401
00:17:59,320 --> 00:18:03,359
Speaker 3: Runaway can tell me nothing. They didn't do Glow, our

402
00:18:03,359 --> 00:18:04,040
Speaker 3: favorite record.

403
00:18:04,680 --> 00:18:06,639
Speaker 2: I actually didn't expect them to blow. That would have

404
00:18:06,680 --> 00:18:08,200
Speaker 2: been the perfect set to do it. I was shocked

405
00:18:08,240 --> 00:18:10,120
Speaker 2: that they ended with Forever. I thought that was dope.

406
00:18:10,280 --> 00:18:14,879
Speaker 2: I really enjoyed that. But other than that, like it

407
00:18:15,000 --> 00:18:17,719
Speaker 2: was kind of a waste to me. It felt like

408
00:18:18,600 --> 00:18:22,040
Speaker 2: when Hove and Nas gave was Black Republican. This was

409
00:18:22,080 --> 00:18:24,360
Speaker 2: Black Republican in visual form.

410
00:18:24,440 --> 00:18:25,480
Speaker 3: This was Black Democrats.

411
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Speaker 2: Well, Kanye is a we don't know party and Drake

412
00:18:29,840 --> 00:18:34,320
Speaker 2: is not even American citizen, so diplomatic community. I don't

413
00:18:34,320 --> 00:18:38,399
Speaker 2: really know which one this would be, but this felt like, like,

414
00:18:38,440 --> 00:18:41,000
Speaker 2: we were happy Jay and O's got back together. We

415
00:18:41,000 --> 00:18:44,399
Speaker 2: anticipated it, and then they played a beat for a

416
00:18:44,440 --> 00:18:47,000
Speaker 2: minute and he was like, yo, just be dancing, give

417
00:18:47,080 --> 00:18:50,280
Speaker 2: us a minute, and then we got a mediocre song

418
00:18:50,560 --> 00:18:54,439
Speaker 2: from two legends that had prior been beefing. Yeah, and

419
00:18:54,520 --> 00:18:58,080
Speaker 2: to me, this was Black Republican. Y'all should have just waited.

420
00:18:58,960 --> 00:19:03,560
Speaker 2: Don't do it just to do it. Not on the

421
00:19:03,600 --> 00:19:06,800
Speaker 2: same page, because I thought Kanye did great as far

422
00:19:06,800 --> 00:19:07,280
Speaker 2: as his set.

423
00:19:07,840 --> 00:19:10,919
Speaker 3: Yeah, the records he performed, yea, Kanye definitely performed the

424
00:19:10,960 --> 00:19:14,040
Speaker 3: records he he he definitely hit checked off the boxes

425
00:19:14,040 --> 00:19:17,959
Speaker 3: as far as records he was supposed to perform. I've

426
00:19:18,000 --> 00:19:20,280
Speaker 3: seen people killing him killing Drake. Though I thought Drake

427
00:19:20,320 --> 00:19:23,160
Speaker 3: sounded better. I thought he did vocally he sounded better

428
00:19:23,200 --> 00:19:26,840
Speaker 3: than Kanye. Again, that's his his version of twenty four.

429
00:19:26,840 --> 00:19:29,440
Speaker 3: I think they need to record that and put that out. Yeah.

430
00:19:29,440 --> 00:19:29,879
Speaker 2: That was sorry.

431
00:19:31,359 --> 00:19:32,960
Speaker 3: Yeah, but it wasn't the records that I thought he

432
00:19:33,000 --> 00:19:35,760
Speaker 3: should have did. Honestly, I was I was expecting to

433
00:19:35,800 --> 00:19:40,119
Speaker 3: hear other records, some joints off of Take Care, some

434
00:19:40,200 --> 00:19:43,720
Speaker 3: joints off of Uh. If you're reading this is too late,

435
00:19:43,920 --> 00:19:46,000
Speaker 3: you know, Like I thought that again, I didn't think

436
00:19:46,000 --> 00:19:47,520
Speaker 3: that it was gonna be I didn't think that Drake

437
00:19:47,640 --> 00:19:49,560
Speaker 3: was and he performed more records than I from this

438
00:19:49,640 --> 00:19:51,600
Speaker 3: track was than I thought. Honestly, I thought he only

439
00:19:51,600 --> 00:19:52,600
Speaker 3: did like eight records.

440
00:19:52,720 --> 00:19:55,280
Speaker 2: And even when they started doing like when he did

441
00:19:55,280 --> 00:19:58,119
Speaker 2: Better find Your Love and say what was Real, I

442
00:19:58,160 --> 00:20:00,879
Speaker 2: thought they were going to get in the bag to

443
00:20:01,000 --> 00:20:03,639
Speaker 2: show how much work they actually had done together in

444
00:20:03,680 --> 00:20:06,960
Speaker 2: the past. Like I know I'm asking for a lot here,

445
00:20:06,960 --> 00:20:08,800
Speaker 2: but when he did All the Lights, it would have

446
00:20:08,840 --> 00:20:11,560
Speaker 2: been able to have Drake do his verse that didn't

447
00:20:11,560 --> 00:20:14,879
Speaker 2: make the album that because Drake is on all the Lights. Honestly,

448
00:20:15,080 --> 00:20:16,440
Speaker 2: his verse is really good on All the Lights.

449
00:20:16,560 --> 00:20:18,760
Speaker 3: Yeah, I was honestly expecting him to do a record

450
00:20:18,760 --> 00:20:21,480
Speaker 3: that we haven't heard. I thought that once they announced

451
00:20:21,520 --> 00:20:23,720
Speaker 3: that they were going to do this show, and they

452
00:20:23,840 --> 00:20:25,960
Speaker 3: were obviously spending some time together, I figured they might

453
00:20:25,960 --> 00:20:28,640
Speaker 3: have jumped in the studio did something that was going

454
00:20:28,600 --> 00:20:30,320
Speaker 3: on debut it that night, and then we would get

455
00:20:30,320 --> 00:20:31,679
Speaker 3: it on DSPs.

456
00:20:32,600 --> 00:20:34,879
Speaker 2: Do you think he's petty for forgetting all the lyrics

457
00:20:34,920 --> 00:20:35,960
Speaker 2: to Better Find My Love?

458
00:20:37,520 --> 00:20:38,439
Speaker 3: Do I think he's petty?

459
00:20:38,560 --> 00:20:41,480
Speaker 2: Yes, The beat player Yaye mumbled through the entire thing,

460
00:20:42,920 --> 00:20:44,840
Speaker 2: and you could see him smiling on this shit like

461
00:20:45,119 --> 00:20:45,840
Speaker 2: I don't know the song.

462
00:20:45,920 --> 00:20:47,960
Speaker 3: Yeah, I mean I was surprised that a lot of

463
00:20:47,960 --> 00:20:49,680
Speaker 3: the old records he did that he knew as many

464
00:20:49,680 --> 00:20:53,159
Speaker 3: of the lyrics that he still still performed, because I

465
00:20:53,200 --> 00:20:55,119
Speaker 3: was like, there's no way he remembers this song even

466
00:20:55,119 --> 00:20:57,800
Speaker 3: though it's your work. He hasn't performed a lot of

467
00:20:57,800 --> 00:20:58,680
Speaker 3: those records in a while.

468
00:20:59,440 --> 00:21:02,800
Speaker 2: Do you think Kanye coming back out dressed in a

469
00:21:02,840 --> 00:21:06,719
Speaker 2: Canadian tuxedo to save the Canadian from the show was

470
00:21:07,200 --> 00:21:09,280
Speaker 2: irony or just coincidence.

471
00:21:09,359 --> 00:21:11,119
Speaker 3: I think it was iron I think it was cold

472
00:21:11,119 --> 00:21:13,240
Speaker 3: in there and he had he had his arms out

473
00:21:13,280 --> 00:21:15,600
Speaker 3: at first, then he realized that was a bad move.

474
00:21:16,160 --> 00:21:19,280
Speaker 3: Let me go put a jacket on. The merch was

475
00:21:19,359 --> 00:21:22,760
Speaker 3: terrible Free Larry Hoover, Yes, absolutely, I agree with that,

476
00:21:23,200 --> 00:21:25,240
Speaker 3: But the merch was it just felt like it was

477
00:21:25,280 --> 00:21:28,680
Speaker 3: just no thought and not get it. It's like it's

478
00:21:28,800 --> 00:21:30,119
Speaker 3: just like, come on, man.

479
00:21:30,040 --> 00:21:33,360
Speaker 2: It just showed the halfway ship that Drake just doing

480
00:21:33,400 --> 00:21:35,400
Speaker 2: that set, and then like his hoodie didn't even say

481
00:21:35,440 --> 00:21:37,119
Speaker 2: free Hoovers like oo just free the guys, bro.

482
00:21:37,080 --> 00:21:41,400
Speaker 3: Freedom man them, Yeah, you free them? Like I get it, man,

483
00:21:41,440 --> 00:21:43,840
Speaker 3: But come on, man, that that just was not like

484
00:21:44,359 --> 00:21:46,320
Speaker 3: I didn't like that. I thought that that they had

485
00:21:46,400 --> 00:21:48,280
Speaker 3: enough time. Well, Kanye had enough time to come up

486
00:21:48,320 --> 00:21:49,160
Speaker 3: with something better than that.

487
00:21:49,560 --> 00:21:52,359
Speaker 2: Tell me if I'm being a hater, I'm trying to understand.

488
00:21:52,400 --> 00:21:55,959
Speaker 2: I'm not trying to hate. If you if these charity

489
00:21:55,960 --> 00:21:59,320
Speaker 2: shows are wearing the shows don't draw the money that's

490
00:21:59,359 --> 00:22:02,879
Speaker 2: gonna go to the cause, what is the point? Like

491
00:22:03,040 --> 00:22:06,560
Speaker 2: do you really think fucking Biden and Kamala Harris were

492
00:22:06,800 --> 00:22:10,360
Speaker 2: in the White House just watching Kanye up there, Like damn,

493
00:22:10,359 --> 00:22:12,159
Speaker 2: I don't even think about Hoover like this, Like we

494
00:22:12,240 --> 00:22:14,840
Speaker 2: got to look into his case. I think it's important,

495
00:22:15,480 --> 00:22:19,679
Speaker 2: but is much happening with it? I hope so I

496
00:22:19,720 --> 00:22:21,480
Speaker 2: do too, But I just don't know. That's something that

497
00:22:21,520 --> 00:22:24,360
Speaker 2: I saw people saying, like, Okay, so how how long?

498
00:22:24,400 --> 00:22:26,359
Speaker 2: How much longer do we have to wait to see

499
00:22:26,400 --> 00:22:29,320
Speaker 2: if enough awareness was brought to this, if enough money

500
00:22:29,359 --> 00:22:32,399
Speaker 2: was raised for whatever, if it's legal fees, if it's whatever,

501
00:22:32,480 --> 00:22:33,720
Speaker 2: Like you know what I'm saying, like, how long do

502
00:22:33,760 --> 00:22:36,359
Speaker 2: we have to wait? I don't know that all that

503
00:22:36,400 --> 00:22:37,480
Speaker 2: ticket money went to anything.

504
00:22:37,520 --> 00:22:39,440
Speaker 3: We don't know, We won't know that that's not that's

505
00:22:39,440 --> 00:22:41,520
Speaker 3: not our business. We'll never know that. But we just

506
00:22:41,520 --> 00:22:43,760
Speaker 3: have to wait and see what comes of this. Like

507
00:22:43,760 --> 00:22:46,600
Speaker 3: what happens now that this is over. Was it just

508
00:22:46,640 --> 00:22:49,439
Speaker 3: like you said, Was it just raising awareness about Larry

509
00:22:49,440 --> 00:22:53,040
Speaker 3: Hoover in his case? Was it something to help out legally,

510
00:22:53,440 --> 00:22:56,120
Speaker 3: you know, as far as help the family things like that,

511
00:22:56,160 --> 00:22:57,840
Speaker 3: Like we know things that we don't know because we're

512
00:22:57,880 --> 00:23:00,520
Speaker 3: not involved in the situation. But for sure, we hope

513
00:23:00,560 --> 00:23:03,439
Speaker 3: that it raised awareness and we hope that, you know,

514
00:23:03,520 --> 00:23:06,680
Speaker 3: it helps to free Larry Hoover. But we gotta wait

515
00:23:06,680 --> 00:23:07,000
Speaker 3: and see it.

516
00:23:07,680 --> 00:23:11,119
Speaker 2: I mean, listen, we've seen Kanye and Kim free people,

517
00:23:11,359 --> 00:23:13,119
Speaker 2: so I'm not going to say that that's not something

518
00:23:13,119 --> 00:23:15,760
Speaker 2: that they know how to do and not succeeded in.

519
00:23:16,400 --> 00:23:20,199
Speaker 2: I just don't understand these sometimes because some money, unfortunately,

520
00:23:20,240 --> 00:23:23,520
Speaker 2: really makes shit move, and I feel like we're not.

521
00:23:23,560 --> 00:23:26,400
Speaker 2: I'm not saying this specifically about Kanye. This whole celebrity

522
00:23:26,520 --> 00:23:30,200
Speaker 2: awareness shit is like a racket. It's not like watching

523
00:23:30,280 --> 00:23:34,199
Speaker 2: during COVID all those celebrities sing that song about COVID

524
00:23:34,640 --> 00:23:38,280
Speaker 2: was like, you don't think people are aware of COVID

525
00:23:38,320 --> 00:23:41,160
Speaker 2: right now? Thank you celebrity from your million dollar home,

526
00:23:41,560 --> 00:23:45,160
Speaker 2: looked in your iPhone and sang one part of fucking joyful, joyful.

527
00:23:46,160 --> 00:23:47,920
Speaker 3: I don't think a lot of Kanye and Drake fans

528
00:23:47,960 --> 00:23:51,040
Speaker 3: knew who Larry Hoover was. That's know who Larry Hoover is.

529
00:23:51,400 --> 00:23:53,439
Speaker 3: I'm sure they do now as a result result of

530
00:23:53,440 --> 00:23:54,760
Speaker 3: the show, and I think that that's more so what

531
00:23:54,800 --> 00:23:57,960
Speaker 3: it's about, raising awareness about the situation in the case.

532
00:23:58,440 --> 00:24:00,359
Speaker 3: My only thing is now, I don't think do we

533
00:24:00,400 --> 00:24:02,840
Speaker 3: get a Kanye Drake tour Because a lot of people

534
00:24:02,920 --> 00:24:04,320
Speaker 3: watched it, it's kind of like we saw it.

535
00:24:06,560 --> 00:24:10,760
Speaker 2: That feels like a lot from both sides that for

536
00:24:10,800 --> 00:24:12,600
Speaker 2: the two of them to agree to that, that's gonna

537
00:24:12,640 --> 00:24:16,560
Speaker 2: take a lot of behind the scenes business, a lot

538
00:24:16,600 --> 00:24:19,760
Speaker 2: of creative, a lot of ego, even if they're still friends.

539
00:24:20,520 --> 00:24:21,880
Speaker 3: I mean, what creative is there?

540
00:24:22,880 --> 00:24:28,120
Speaker 2: What venues you use? Obviously safety laws now that that

541
00:24:28,320 --> 00:24:31,359
Speaker 2: would be a very difficult thing to pull off, very difficult.

542
00:24:32,119 --> 00:24:33,880
Speaker 3: I don't think it's difficult for them to pull it off.

543
00:24:34,720 --> 00:24:36,800
Speaker 3: I think they pulled this off, and this was a

544
00:24:37,640 --> 00:24:39,600
Speaker 3: they only agreed to it what three weeks ago?

545
00:24:40,480 --> 00:24:42,800
Speaker 2: I mean, I think, of course, if Drake does a

546
00:24:42,840 --> 00:24:46,040
Speaker 2: CLB tour, it's gonna sell out every arena and we

547
00:24:46,080 --> 00:24:48,520
Speaker 2: know that already. But as far as impact goes, and

548
00:24:48,760 --> 00:24:51,439
Speaker 2: same with the Donda Show, we saw that already. It

549
00:24:51,480 --> 00:24:53,840
Speaker 2: would be more impactful with those two albums if they

550
00:24:53,840 --> 00:24:56,280
Speaker 2: were together, Yeah, it would be more of a moment,

551
00:24:56,320 --> 00:24:58,880
Speaker 2: It would matter more. I just don't know, even from

552
00:24:58,960 --> 00:25:02,080
Speaker 2: a money perspective. I know he's a billion billionaire and

553
00:25:02,119 --> 00:25:06,760
Speaker 2: a multi multi multimillionaire, that shit still matters to a

554
00:25:06,760 --> 00:25:10,280
Speaker 2: lot of people on their staff and everything that is

555
00:25:10,320 --> 00:25:13,280
Speaker 2: around them, not just so much Drake and Kanye, where

556
00:25:13,600 --> 00:25:16,040
Speaker 2: those tours feed a lot of fucking people. Yeah, and

557
00:25:16,080 --> 00:25:17,840
Speaker 2: if you do the two of them, unless you raise

558
00:25:17,920 --> 00:25:19,960
Speaker 2: that ticket price to some shit that the average person

559
00:25:19,960 --> 00:25:22,760
Speaker 2: can't afford, you may be cutting your whole team's money

560
00:25:22,760 --> 00:25:25,080
Speaker 2: and half. Because if it's just a COLB tour, I

561
00:25:25,119 --> 00:25:28,399
Speaker 2: could feed my entire team based off of what we

562
00:25:28,480 --> 00:25:30,399
Speaker 2: know we make when we go out. You put that

563
00:25:30,440 --> 00:25:31,520
Speaker 2: with Kanye and Drake.

564
00:25:31,680 --> 00:25:33,520
Speaker 3: And then visually everything is going to cost more, so

565
00:25:33,520 --> 00:25:34,640
Speaker 3: it's a whole different thing.

566
00:25:34,840 --> 00:25:37,879
Speaker 2: Yeah, So you know, for the family, I don't know

567
00:25:37,880 --> 00:25:40,119
Speaker 2: if that makes the most sense. I think it'd be

568
00:25:40,119 --> 00:25:43,200
Speaker 2: cool to do some spot dates, like just do MetLife,

569
00:25:43,240 --> 00:25:45,600
Speaker 2: just do some shit like that. That could be really cool,

570
00:25:45,760 --> 00:25:48,960
Speaker 2: But a whole tour from them, that's gonna take a

571
00:25:49,000 --> 00:25:49,760
Speaker 2: lot to move around.

572
00:25:50,240 --> 00:25:53,280
Speaker 3: I mean, besides that, the more important thing again is

573
00:25:53,320 --> 00:25:55,520
Speaker 3: you know, raising awareness for Larry Hoover in his case,

574
00:25:57,200 --> 00:25:59,640
Speaker 3: you know, and I hope that the money is spent

575
00:25:59,720 --> 00:26:04,840
Speaker 3: and shit cargo, building after school programs, fixing the community, uh,

576
00:26:05,200 --> 00:26:07,960
Speaker 3: in honor of Larry Hoover and his family, for sure.

577
00:26:08,119 --> 00:26:09,480
Speaker 3: Like that's something that I think I would want to

578
00:26:09,480 --> 00:26:11,400
Speaker 3: see from this, Like, you know, take that money and

579
00:26:11,720 --> 00:26:14,040
Speaker 3: just put it all into the city of Chicago and

580
00:26:14,320 --> 00:26:16,760
Speaker 3: build up the city and give kids an opportunity and

581
00:26:16,800 --> 00:26:20,399
Speaker 3: outlets to music or whatever it is, create creatively. Just

582
00:26:20,440 --> 00:26:22,320
Speaker 3: build a bunch of which I'm sure they're gonna do.

583
00:26:22,600 --> 00:26:24,360
Speaker 3: I think they've been doing. Yeah, just build a bunch

584
00:26:24,400 --> 00:26:27,360
Speaker 3: of you know, different outlets and places where kids can

585
00:26:27,400 --> 00:26:31,240
Speaker 3: go and just express themselves creatively. So I mean hopefully

586
00:26:31,280 --> 00:26:33,560
Speaker 3: you know, that does happen, And if that does, then

587
00:26:33,760 --> 00:26:35,640
Speaker 3: this show was more than a success.

588
00:26:35,800 --> 00:26:39,479
Speaker 2: I mean, on a lighter, funnier side, I am happy

589
00:26:39,560 --> 00:26:43,359
Speaker 2: to see middle aged white parents scared again because you know,

590
00:26:43,400 --> 00:26:45,119
Speaker 2: their kids watched that show and said mon I get

591
00:26:45,160 --> 00:26:48,119
Speaker 2: the free Larry Hoover merch, and their parents went on

592
00:26:48,160 --> 00:26:51,120
Speaker 2: to buy it, and naturally his parents were Google, who

593
00:26:51,760 --> 00:26:54,800
Speaker 2: is Oh wait, what band is this? He did what

594
00:26:55,480 --> 00:26:56,800
Speaker 2: he's ware right.

595
00:26:56,680 --> 00:26:58,560
Speaker 3: Right, Yeah, that's all I'm gonna get.

596
00:26:58,600 --> 00:26:58,760
Speaker 2: Man.

597
00:26:58,800 --> 00:27:01,200
Speaker 3: I the merch just wasn't and I was looking forward

598
00:27:01,240 --> 00:27:03,199
Speaker 3: to the merch, and then when we got the images

599
00:27:03,240 --> 00:27:05,240
Speaker 3: of it, I was just like, all right, this just

600
00:27:05,280 --> 00:27:09,600
Speaker 3: seems like this took two minutes to think about and

601
00:27:09,640 --> 00:27:12,000
Speaker 3: they just put it on the site. Were you expecting

602
00:27:12,040 --> 00:27:15,119
Speaker 3: mention of Virgil during the show or I thought some

603
00:27:15,200 --> 00:27:18,359
Speaker 3: type of Yeah, visually, some type of tribute or something

604
00:27:18,600 --> 00:27:22,639
Speaker 3: would have would have happened, but it didn't. You know again,

605
00:27:22,680 --> 00:27:25,560
Speaker 3: I don't know if it was something that couldn't be

606
00:27:25,600 --> 00:27:28,200
Speaker 3: done visually. I'm pretty sure they didn't want to botch

607
00:27:28,240 --> 00:27:30,760
Speaker 3: it and rush it and make it look sloppy. I

608
00:27:30,800 --> 00:27:32,320
Speaker 3: know they wanted to on a Virgil the right way,

609
00:27:32,400 --> 00:27:34,160
Speaker 3: So maybe that's just what it was. It just wasn't

610
00:27:34,240 --> 00:27:35,920
Speaker 3: enough time to do something that they wanted to.

611
00:27:35,840 --> 00:27:38,400
Speaker 2: Do and maybe have something already in the works, where

612
00:27:38,680 --> 00:27:40,359
Speaker 2: like I was saying, I thought they jumped the gun

613
00:27:40,600 --> 00:27:43,760
Speaker 2: with this show in their makeup were Virgil too. Yeah,

614
00:27:43,760 --> 00:27:45,280
Speaker 2: maybe it's better not to jump the gun and just

615
00:27:45,320 --> 00:27:47,360
Speaker 2: do something to do it. Yeah, let's do a proper

616
00:27:47,800 --> 00:27:50,720
Speaker 2: shit that involves everyone, not just Kaye and Drake. So

617
00:27:51,359 --> 00:27:52,760
Speaker 2: let's hope that was it. And I'm not going to

618
00:27:52,800 --> 00:27:54,560
Speaker 2: tell people about grief if they didn't want to, if

619
00:27:54,560 --> 00:27:57,679
Speaker 2: they weren't ready to do something. Virgil bro I get it.

620
00:27:58,800 --> 00:28:01,080
Speaker 3: I mean, two of the biggest stars. Like overall, I

621
00:28:01,119 --> 00:28:03,600
Speaker 3: was a little underwhelmed, you know, I'll be honest. Visually,

622
00:28:03,640 --> 00:28:05,840
Speaker 3: it was amazing. It looked it was one of the

623
00:28:05,840 --> 00:28:09,600
Speaker 3: most beautiful sets that I've seen. Like, I just thought

624
00:28:09,600 --> 00:28:11,600
Speaker 3: that that was just super fly. You know, the way

625
00:28:11,640 --> 00:28:14,080
Speaker 3: they had it looking like a space ship or the

626
00:28:14,080 --> 00:28:15,480
Speaker 3: moon or whatever you want to call it. That that

627
00:28:15,480 --> 00:28:17,919
Speaker 3: shit was dope. And the lights and you know, that

628
00:28:17,960 --> 00:28:21,280
Speaker 3: shit was just fire that I wasn't expecting that. I

629
00:28:21,359 --> 00:28:24,760
Speaker 3: honestly was expecting like something fly because it's Kanye creatively,

630
00:28:25,520 --> 00:28:28,320
Speaker 3: but that definitely was something that was over the top. Yeah,

631
00:28:28,400 --> 00:28:28,960
Speaker 3: that was dope.

632
00:28:29,440 --> 00:28:33,280
Speaker 2: Nah, I feel that I guess to keep staying within

633
00:28:33,400 --> 00:28:37,840
Speaker 2: within concerts. Travis Scott said, down sat down with your man's.

634
00:28:37,800 --> 00:28:41,720
Speaker 3: I didn't see it. I saw it would you think.

635
00:28:41,560 --> 00:28:43,440
Speaker 2: I didn't make it all the way through. I'll be

636
00:28:43,480 --> 00:28:45,520
Speaker 2: honest with you. I sat for as much as it

637
00:28:45,720 --> 00:28:50,720
Speaker 2: as I could, mainly for this podcast. I don't really

638
00:28:50,760 --> 00:28:52,560
Speaker 2: know where to begin on it. I'm not going to

639
00:28:52,600 --> 00:28:55,360
Speaker 2: tell anyone what their true intentions are. Back to the

640
00:28:55,400 --> 00:28:58,120
Speaker 2: grieving thing, Travis Scott could very well be grieving about

641
00:28:58,200 --> 00:29:02,080
Speaker 2: what happened, which I'm sure he is. Just that sometimes

642
00:29:02,320 --> 00:29:05,320
Speaker 2: interviews I it's to Catch twenty two where I feel

643
00:29:05,920 --> 00:29:08,760
Speaker 2: I feel celebrities on him in this capacity. Not even celebrities,

644
00:29:08,760 --> 00:29:11,680
Speaker 2: people that just end up in some shit. Everyone is

645
00:29:11,720 --> 00:29:13,880
Speaker 2: forcing you to talk, and then when you talk, they say,

646
00:29:13,880 --> 00:29:16,200
Speaker 2: why the fuck did you just talk? Yeah, so there's

647
00:29:16,240 --> 00:29:18,040
Speaker 2: really no winning in that way.

648
00:29:18,760 --> 00:29:22,160
Speaker 3: I don't know why he's talking, Honestly, I wouldn't if

649
00:29:22,160 --> 00:29:25,360
Speaker 3: I'm Travis. I'm not talking to anybody right now. Yes,

650
00:29:25,440 --> 00:29:28,120
Speaker 3: we would have released a statement after the you know,

651
00:29:28,280 --> 00:29:29,760
Speaker 3: the tragedy happened.

652
00:29:29,480 --> 00:29:30,959
Speaker 2: He did, which didn't go overwhell.

653
00:29:31,080 --> 00:29:35,040
Speaker 3: Yeah, but I'm not sitting down doing any interviews right now.

654
00:29:35,520 --> 00:29:39,760
Speaker 2: Well, he did the one that he could control. He

655
00:29:40,120 --> 00:29:44,360
Speaker 2: did the well h Charlemagne asked the right questions. I'm

656
00:29:44,360 --> 00:29:46,640
Speaker 2: not going to say he didn't, but we know that

657
00:29:46,760 --> 00:29:51,400
Speaker 2: the Jenner and Kardashian family is very comfortable with Charlemagne

658
00:29:51,800 --> 00:29:56,600
Speaker 2: sitting with their family members and asking questions in artie

659
00:29:56,640 --> 00:30:00,400
Speaker 2: living rooms. That was also like it visually it looked

660
00:30:00,400 --> 00:30:02,640
Speaker 2: fucking amazing, and I was like, why does this look

661
00:30:02,680 --> 00:30:05,960
Speaker 2: so amazing for the topic we're talking about, Like, bro,

662
00:30:06,000 --> 00:30:07,600
Speaker 2: it didn't need to be this trendy and ill, like

663
00:30:07,760 --> 00:30:10,160
Speaker 2: the fact that you're sitting in this magnificent living room

664
00:30:10,160 --> 00:30:12,760
Speaker 2: with like a sliver of the curtains showing the greatest

665
00:30:12,920 --> 00:30:15,960
Speaker 2: forest I've ever seen in my life. I'm just not

666
00:30:16,480 --> 00:30:19,400
Speaker 2: while grieving my loved one, like, damn is this in

667
00:30:19,400 --> 00:30:23,120
Speaker 2: four K? Like it just wasn't I get it. It's

668
00:30:23,120 --> 00:30:26,720
Speaker 2: supposed to look ill. Travis wants everything to look good.

669
00:30:26,800 --> 00:30:29,560
Speaker 2: Charlomagne cares about how his interviews look. It just it

670
00:30:29,600 --> 00:30:32,400
Speaker 2: felt like the Kanye interview again, but we're not talking

671
00:30:32,440 --> 00:30:37,400
Speaker 2: about anything uplifting. And Travis, I could tell, was nervous.

672
00:30:38,720 --> 00:30:41,480
Speaker 2: He said, you know, I'm not even exaggerating maybe fifteen

673
00:30:41,520 --> 00:30:44,719
Speaker 2: hundred times, and I know that's because he was nervous.

674
00:30:44,920 --> 00:30:47,160
Speaker 2: But literally after everything's like you know, and we're like, nah,

675
00:30:47,160 --> 00:30:49,000
Speaker 2: I don't know that's why we wanted to talk to you.

676
00:30:51,320 --> 00:30:53,080
Speaker 2: He just kept saying like no, It's like no, no, no,

677
00:30:53,120 --> 00:30:55,640
Speaker 2: that's why you're here because we don't And I know

678
00:30:55,680 --> 00:30:57,719
Speaker 2: he did it because we repeat things more nervous.

679
00:30:57,800 --> 00:31:00,240
Speaker 3: It's nerves, it's not you don't you don't want to

680
00:31:00,280 --> 00:31:04,120
Speaker 3: say the wrong thing. Again, I didn't see it. I

681
00:31:04,120 --> 00:31:06,720
Speaker 3: didn't watch the interview, but I just I don't understand

682
00:31:06,720 --> 00:31:09,200
Speaker 3: why Travis is even doing this. I wouldn't. There's no

683
00:31:09,240 --> 00:31:11,200
Speaker 3: need to sit down and do an interview with anybody

684
00:31:11,400 --> 00:31:12,200
Speaker 3: if I'm Travis.

685
00:31:12,240 --> 00:31:14,520
Speaker 2: Well, why they why? I feel like they that family

686
00:31:14,520 --> 00:31:17,240
Speaker 2: trust Charlat Magne. He asked the right questions and the

687
00:31:17,240 --> 00:31:20,360
Speaker 2: ship that people wanted to know, but he did it

688
00:31:20,480 --> 00:31:25,520
Speaker 2: in a very fucking like fatherly way, like he would

689
00:31:25,680 --> 00:31:29,040
Speaker 2: say something before before he got to the question, like

690
00:31:29,160 --> 00:31:31,960
Speaker 2: he'd be like, listen, Travis, I know you're a man

691
00:31:32,000 --> 00:31:34,240
Speaker 2: of God. How do you feel about them saying you

692
00:31:34,240 --> 00:31:36,640
Speaker 2: had demonic images? And I'm like, Charlat Mane, you do

693
00:31:36,680 --> 00:31:40,600
Speaker 2: not know that he's God? How much Tommy, we all

694
00:31:40,640 --> 00:31:42,680
Speaker 2: know Travis is a man of God, do we?

695
00:31:42,960 --> 00:31:43,160
Speaker 3: Yeah?

696
00:31:43,400 --> 00:31:44,200
Speaker 2: I don't I missed that.

697
00:31:44,280 --> 00:31:46,160
Speaker 3: Yeah, he could be. I just didn't know I'm saying

698
00:31:46,200 --> 00:31:47,680
Speaker 3: he's not. I just don't know.

699
00:31:47,960 --> 00:31:50,680
Speaker 2: Like in the beginning of the interview, Charlwe is like,

700
00:31:50,960 --> 00:31:53,200
Speaker 2: just by sitting next to you, I can feel how

701
00:31:53,280 --> 00:31:55,160
Speaker 2: much you're agreement right now, and I'm like, you've been

702
00:31:55,160 --> 00:31:56,120
Speaker 2: there for thirty seconds.

703
00:31:58,200 --> 00:32:00,200
Speaker 3: That's just like a thing that people that are want

704
00:32:00,240 --> 00:32:02,640
Speaker 3: to conduct the interviews due though, oh for especially Travis

705
00:32:02,640 --> 00:32:06,040
Speaker 3: with Charloamage. Charlamage is going to try to make Travis comfortable. Man,

706
00:32:06,560 --> 00:32:08,360
Speaker 3: I want to seem like he's grilling him. I'm sure

707
00:32:08,400 --> 00:32:10,680
Speaker 3: that were things that Travis said, we're not going to

708
00:32:10,760 --> 00:32:12,560
Speaker 3: talk about and I'm not going to answer. But you know,

709
00:32:12,600 --> 00:32:13,880
Speaker 3: before and he gave him all of that.

710
00:32:13,800 --> 00:32:17,560
Speaker 2: He asked, I don't he didn't hold him accountable or

711
00:32:17,800 --> 00:32:20,240
Speaker 2: not not hold him accountable. He asked the questions and

712
00:32:20,280 --> 00:32:23,000
Speaker 2: then Travis answered, and then they moved on. There was

713
00:32:23,040 --> 00:32:27,360
Speaker 2: no follow up too, And again, from Charlemage's point of view,

714
00:32:27,440 --> 00:32:30,120
Speaker 2: or travis'steen's point of view, or even the family's point

715
00:32:30,160 --> 00:32:33,120
Speaker 2: of view, what is an interview of Charlemagne grilling Travis

716
00:32:33,160 --> 00:32:37,160
Speaker 2: Scott about a tragedy really going to solve? So I

717
00:32:37,160 --> 00:32:39,840
Speaker 2: don't want to say it was pointless. I guess people

718
00:32:39,880 --> 00:32:42,360
Speaker 2: were demanding to hear from Travis Scott. I don't know

719
00:32:42,400 --> 00:32:44,560
Speaker 2: if the families were, because that's all that really fucking matters.

720
00:32:45,040 --> 00:32:47,320
Speaker 2: And listen, I feel for Travis Scott, and we came

721
00:32:47,320 --> 00:32:50,080
Speaker 2: on here and defended him to some degree. I just

722
00:32:50,120 --> 00:32:52,200
Speaker 2: don't think because even some of the questions were about

723
00:32:52,240 --> 00:32:54,320
Speaker 2: like Travis's mental health and he feels about the thing,

724
00:32:54,360 --> 00:32:57,960
Speaker 2: which cool, that's just not what I think is the

725
00:32:58,120 --> 00:33:01,000
Speaker 2: number one thing right now. I think the people that

726
00:33:01,120 --> 00:33:02,880
Speaker 2: lost lives.

727
00:33:03,040 --> 00:33:05,120
Speaker 3: Well, that's why I don't understand why he would do

728
00:33:05,160 --> 00:33:09,120
Speaker 3: interviews because you almost really is there almost really nothing

729
00:33:09,160 --> 00:33:12,800
Speaker 3: you can say, Like everything you say, somebody's gonna find

730
00:33:12,840 --> 00:33:15,320
Speaker 3: something wrong with it. And you could say that that

731
00:33:15,360 --> 00:33:17,280
Speaker 3: could have been the perfect interview. You could have answered

732
00:33:17,280 --> 00:33:22,480
Speaker 3: everything perfectly, said everything correct. The families would still the

733
00:33:22,560 --> 00:33:24,640
Speaker 3: friends of the victims would still feel a way about

734
00:33:24,640 --> 00:33:26,480
Speaker 3: the interview. And that's my point. It's kind of like,

735
00:33:26,560 --> 00:33:27,240
Speaker 3: why even do it.

736
00:33:27,240 --> 00:33:28,800
Speaker 2: Well, let's put ourselves in that position, because I dont

737
00:33:28,800 --> 00:33:30,960
Speaker 2: want to talk. I've never been in this position before.

738
00:33:31,800 --> 00:33:34,280
Speaker 2: What would your decision have been? Because people are demanding,

739
00:33:34,360 --> 00:33:36,680
Speaker 2: especially after you put out a statement that nobody like,

740
00:33:37,160 --> 00:33:39,160
Speaker 2: and to a lot of people came off in sensitive

741
00:33:39,240 --> 00:33:41,920
Speaker 2: and that you didn't care, and people are demanding you

742
00:33:41,960 --> 00:33:45,960
Speaker 2: show your face and take some accountability for this. But

743
00:33:46,000 --> 00:33:48,400
Speaker 2: then also you know them no matter what you say,

744
00:33:48,520 --> 00:33:50,400
Speaker 2: it's not going to be the right accountability. Or people

745
00:33:50,440 --> 00:33:52,440
Speaker 2: on the internet that are they gonna be like, well,

746
00:33:52,520 --> 00:33:55,040
Speaker 2: that came off in genuine. Meanwhile, they have no idea

747
00:33:55,080 --> 00:33:56,880
Speaker 2: how Travis Scott ever speaks in his entire life, so

748
00:33:56,920 --> 00:33:58,600
Speaker 2: that could be him being genuine. We don't know.

749
00:34:00,320 --> 00:34:03,760
Speaker 3: What decision you make. I wouldn't do no interviews, okay,

750
00:34:03,800 --> 00:34:04,320
Speaker 3: I would not do.

751
00:34:04,480 --> 00:34:07,479
Speaker 2: What would be the strategy then to still please And

752
00:34:07,760 --> 00:34:10,600
Speaker 2: on top of that, you have lawsuits out that ass

753
00:34:10,719 --> 00:34:11,920
Speaker 2: or if you say the wrong thing it could be

754
00:34:11,960 --> 00:34:15,640
Speaker 2: used in court. Do you put out another statement, because

755
00:34:15,640 --> 00:34:17,440
Speaker 2: then you look crazier again, like yoah that other statement.

756
00:34:17,480 --> 00:34:18,200
Speaker 2: My bad?

757
00:34:18,360 --> 00:34:20,239
Speaker 3: This is what I'm saying. So it's kind of like

758
00:34:20,280 --> 00:34:22,560
Speaker 3: you almost you have to deal with things. I would

759
00:34:22,600 --> 00:34:25,680
Speaker 3: deal with things, honestly. I would be more in touch

760
00:34:25,719 --> 00:34:29,680
Speaker 3: with the families. I would want my lawyers or whoever

761
00:34:29,719 --> 00:34:32,040
Speaker 3: to deal directly one on one with the families, which

762
00:34:32,080 --> 00:34:34,200
Speaker 3: I believe that they so that they know and understand.

763
00:34:34,280 --> 00:34:36,960
Speaker 3: Like the public is going to always have their opinion,

764
00:34:37,600 --> 00:34:39,560
Speaker 3: but it would be important for me if I was

765
00:34:39,600 --> 00:34:43,239
Speaker 3: traversed that the families know exactly how sorry I am

766
00:34:43,239 --> 00:34:46,200
Speaker 3: that this happened and how you know, unfortunate situation wasn't

767
00:34:46,200 --> 00:34:48,200
Speaker 3: how terrible I feel about it. It would be more

768
00:34:48,239 --> 00:34:50,240
Speaker 3: direct than one on one with the families. It wouldn't

769
00:34:50,239 --> 00:34:54,920
Speaker 3: be interviews or you know, ig posts or stories and shit,

770
00:34:54,960 --> 00:34:56,560
Speaker 3: it wouldn't be none of that. It would be directly

771
00:34:56,600 --> 00:34:59,600
Speaker 3: behind the scenes. Have my my lawyers or whoever get me

772
00:34:59,640 --> 00:35:02,360
Speaker 3: in direct contact with the families so that there's a

773
00:35:02,360 --> 00:35:05,279
Speaker 3: line of communication so that they understand, like, this is

774
00:35:05,360 --> 00:35:07,360
Speaker 3: killing me, This hurts me that this happened, you know

775
00:35:07,400 --> 00:35:07,680
Speaker 3: what I mean.

776
00:35:07,680 --> 00:35:11,319
Speaker 2: But that's that's what's so fucking selfish, just about the

777
00:35:11,320 --> 00:35:14,120
Speaker 2: Internet and fans in the worlds like at the end

778
00:35:14,160 --> 00:35:16,040
Speaker 2: of the day, yes, the number one thing should be

779
00:35:16,120 --> 00:35:20,960
Speaker 2: Travis Scott speaking to the people that lost children. The

780
00:35:21,120 --> 00:35:25,480
Speaker 2: internet feels entitled, like I need Travis to say something

781
00:35:25,520 --> 00:35:28,040
Speaker 2: about this because I'm such a good person that would

782
00:35:28,120 --> 00:35:29,960
Speaker 2: never let that happen. Even though I've never thrown a

783
00:35:29,960 --> 00:35:32,360
Speaker 2: festival in my entire life's ever done anything in my

784
00:35:32,480 --> 00:35:35,160
Speaker 2: entire life I need Travis to tell.

785
00:35:34,920 --> 00:35:38,040
Speaker 3: Me that he saw that, he takes accountability. And that's

786
00:35:38,040 --> 00:35:41,279
Speaker 3: why you can't. That's why doing stuff the interviews like

787
00:35:41,320 --> 00:35:44,600
Speaker 3: this to me is pointless because it's almost like, you know,

788
00:35:44,640 --> 00:35:47,640
Speaker 3: what for what? What is it changing? What is it helping?

789
00:35:47,680 --> 00:35:50,919
Speaker 3: What is it? No matter what I say, somebody's gonna

790
00:35:50,920 --> 00:35:52,440
Speaker 3: find a fault in anything that I sit here and

791
00:35:52,480 --> 00:35:53,000
Speaker 3: say today.

792
00:35:53,280 --> 00:35:55,600
Speaker 2: It's just odd that to me that people feel old

793
00:35:56,120 --> 00:35:58,719
Speaker 2: to situations they literally have nothing to do. You can

794
00:35:58,760 --> 00:36:02,279
Speaker 2: comment on it, empathize with it, feel bad, be like damn,

795
00:36:02,280 --> 00:36:05,040
Speaker 2: I hope he makes it right with the families. I

796
00:36:05,080 --> 00:36:08,440
Speaker 2: hope there's some type of justice in this tragedy. But

797
00:36:08,520 --> 00:36:11,640
Speaker 2: to feel like your ode like, no, Travis needs to

798
00:36:11,680 --> 00:36:13,000
Speaker 2: sit down and he needs to tell me what the

799
00:36:13,040 --> 00:36:13,520
Speaker 2: fuck happened.

800
00:36:13,600 --> 00:36:15,959
Speaker 3: Yeah, he needs to explain it. You weren't even there.

801
00:36:19,480 --> 00:36:21,960
Speaker 3: But again, that's why you can't. To me, you shouldn't

802
00:36:22,000 --> 00:36:22,239
Speaker 3: do that.

803
00:36:22,600 --> 00:36:24,879
Speaker 2: Yeah, I mean, I'll save every I'm.

804
00:36:24,760 --> 00:36:26,840
Speaker 3: Gonna watch it though, just because I want to, you know,

805
00:36:27,000 --> 00:36:29,319
Speaker 3: just just see it and just get more information on

806
00:36:29,400 --> 00:36:30,520
Speaker 3: what he what he spoke about.

807
00:36:30,560 --> 00:36:32,000
Speaker 2: But I mean, I can save you an hour. I

808
00:36:32,000 --> 00:36:37,359
Speaker 2: can save you an hour. He basically said security and

809
00:36:37,560 --> 00:36:42,000
Speaker 2: safety precautions need to be adjusted in festivals moving forward.

810
00:36:42,840 --> 00:36:45,680
Speaker 2: He didn't really have an answer to his accountability on

811
00:36:45,760 --> 00:36:48,799
Speaker 2: it or him to blame, and he feels bad.

812
00:36:49,239 --> 00:36:51,040
Speaker 3: That's really all. It was.

813
00:36:51,600 --> 00:36:53,759
Speaker 2: Okay for an hour, and I'm not saying that in

814
00:36:53,840 --> 00:36:55,000
Speaker 2: a negative.

815
00:36:54,840 --> 00:36:57,480
Speaker 3: Just what it was that in multiple ways went out.

816
00:36:57,320 --> 00:37:00,719
Speaker 2: Every single question God. So, yes, he feels bad. Not

817
00:37:00,800 --> 00:37:03,160
Speaker 2: really sure if any if he takes the blame for it,

818
00:37:03,280 --> 00:37:05,480
Speaker 2: because obviously he's in a lawsuit. So even if he

819
00:37:05,480 --> 00:37:06,919
Speaker 2: does take the blame for it, and then his head

820
00:37:06,960 --> 00:37:10,000
Speaker 2: is like, yeah, that was my fault, he's in a

821
00:37:10,080 --> 00:37:11,560
Speaker 2: lawsuit for a billion dollars.

822
00:37:12,360 --> 00:37:15,759
Speaker 3: I mean, either way, it's unfortunate. And again you know,

823
00:37:15,880 --> 00:37:20,239
Speaker 3: to the families and the victims, prayers, condolences. It's a

824
00:37:20,239 --> 00:37:22,879
Speaker 3: tragedy either way you look at it, it's an event

825
00:37:22,920 --> 00:37:26,640
Speaker 3: that shouldn't have happened. But when do we put the

826
00:37:26,719 --> 00:37:29,600
Speaker 3: time on it? I always asked this, when if somebody's

827
00:37:29,600 --> 00:37:32,360
Speaker 3: truly sorry about something, it has changed behavior, At what

828
00:37:32,480 --> 00:37:37,720
Speaker 3: point are they forgiven to move on to work stuff?

829
00:37:39,280 --> 00:37:41,320
Speaker 3: Because he was just taking off Coachella, which is in April.

830
00:37:42,520 --> 00:37:45,759
Speaker 3: At what point do we finally go Okay, enough is enough.

831
00:37:45,800 --> 00:37:48,640
Speaker 3: We've moved on to the next tragedy. So we feel

832
00:37:48,640 --> 00:37:56,279
Speaker 3: comfortable with Travis Scott performing. I don't know, I mean, unfortunately,

833
00:37:56,280 --> 00:37:59,960
Speaker 3: it would take for something else, maybe tragic, to happen,

834
00:38:00,040 --> 00:38:03,120
Speaker 3: because that's just how society is. Like once another tragedy,

835
00:38:03,120 --> 00:38:06,840
Speaker 3: a more current tragedy happens, people forget about the previous one. Yeah,

836
00:38:06,880 --> 00:38:10,600
Speaker 3: so it'd probably probably be something like that. Unfortunately, that's

837
00:38:10,640 --> 00:38:14,879
Speaker 3: just how this society is. What's the new tragedy, what's

838
00:38:14,920 --> 00:38:16,600
Speaker 3: the new thing we're upset about? What's the new thing?

839
00:38:16,640 --> 00:38:19,200
Speaker 3: We have an opinion about? Who's the new person we're canceling?

840
00:38:19,200 --> 00:38:20,520
Speaker 3: What a boosy tweet today?

841
00:38:20,719 --> 00:38:21,200
Speaker 2: Exactly?

842
00:38:21,280 --> 00:38:22,879
Speaker 3: You know what I mean, Like, who's the new what's

843
00:38:22,920 --> 00:38:24,759
Speaker 3: the new thing we're canceling? What's the new thing we're

844
00:38:24,760 --> 00:38:28,080
Speaker 3: outraged about? Like it's going to take a couple of those.

845
00:38:28,880 --> 00:38:32,040
Speaker 3: And again, you know the families are, they're going to

846
00:38:32,080 --> 00:38:33,520
Speaker 3: de grief for ever for that, losing the look you

847
00:38:33,600 --> 00:38:35,359
Speaker 3: never get for that just you know, time just helps

848
00:38:35,400 --> 00:38:38,759
Speaker 3: you deal with it more. But you know, it's unfortunate, man.

849
00:38:38,760 --> 00:38:40,000
Speaker 3: And like I said, even when we sit on here,

850
00:38:40,040 --> 00:38:42,880
Speaker 3: I don't I don't put blame on Travis. I understand

851
00:38:42,880 --> 00:38:46,520
Speaker 3: how people are blaming him, but you know, again, you

852
00:38:46,560 --> 00:38:48,600
Speaker 3: got to change things at these festivals. You gotta make

853
00:38:48,640 --> 00:38:53,080
Speaker 3: it again. Having a bunch of kids just in the field,

854
00:38:53,680 --> 00:38:55,879
Speaker 3: things can happen, things can get dangerous people.

855
00:38:56,200 --> 00:38:57,320
Speaker 2: There's a lot of people to just be out in

856
00:38:57,320 --> 00:38:59,160
Speaker 2: the field, I would say on a good note, and

857
00:38:59,200 --> 00:39:01,520
Speaker 2: I hope I'm not wrong here. I heard absolutely nothing

858
00:39:01,520 --> 00:39:03,840
Speaker 2: about Rolling Loud at all this weekend, and that warms

859
00:39:03,840 --> 00:39:04,160
Speaker 2: my heart.

860
00:39:04,520 --> 00:39:05,040
Speaker 3: Yeah.

861
00:39:05,080 --> 00:39:07,239
Speaker 2: I didn't hear a single word about it, not one

862
00:39:07,280 --> 00:39:10,440
Speaker 2: thing good, bad and different, nothing at all.

863
00:39:10,440 --> 00:39:13,040
Speaker 3: And I was like, thank fucking gosh. I mean they

864
00:39:13,040 --> 00:39:16,000
Speaker 3: had I've seen some of the performances online, but nothing

865
00:39:16,360 --> 00:39:18,440
Speaker 3: negative as far as the crowd and what happened and

866
00:39:18,480 --> 00:39:19,560
Speaker 3: things like that, because.

867
00:39:19,400 --> 00:39:24,800
Speaker 2: Rowing Loud has had a history of some shit like loud,

868
00:39:24,960 --> 00:39:27,399
Speaker 2: it's loud, It's loud, very loud, it's very loud in there.

869
00:39:27,760 --> 00:39:30,400
Speaker 2: So I was happy, especially in a city like Los Angeles,

870
00:39:30,480 --> 00:39:33,399
Speaker 2: because we know the reputation of Rolling Loud as far

871
00:39:33,400 --> 00:39:37,319
Speaker 2: as other violence, not related to crowd control, just more

872
00:39:37,360 --> 00:39:40,880
Speaker 2: backstage control. So I was happy on that end.

873
00:39:41,239 --> 00:39:43,560
Speaker 3: Well, you know, the security is up at all of

874
00:39:43,600 --> 00:39:45,960
Speaker 3: these festivals now for sure, Yeah, you know.

875
00:39:45,960 --> 00:39:48,960
Speaker 2: That for sure, but especially rolling loud being a younger

876
00:39:49,280 --> 00:39:54,440
Speaker 2: demographic too, and young people not knowing how to behave,

877
00:39:54,920 --> 00:39:58,880
Speaker 2: especially when it comes to Yeah, I was happy about that,

878
00:39:58,960 --> 00:40:02,080
Speaker 2: and just them being in LA and violence that happens

879
00:40:02,120 --> 00:40:04,600
Speaker 2: in Los Angeles with us good, But a purge was happening.

880
00:40:04,600 --> 00:40:06,799
Speaker 2: Can someone give me a background of this. I keep

881
00:40:06,840 --> 00:40:09,120
Speaker 2: seeing this headline that in Los Angeles is a purge

882
00:40:09,120 --> 00:40:12,080
Speaker 2: don't come and I can't tell if that's like a

883
00:40:12,080 --> 00:40:13,600
Speaker 2: fake headliner or it is real, so.

884
00:40:13,719 --> 00:40:16,000
Speaker 3: I believe I'm not sure. Maybe damage could get that.

885
00:40:16,040 --> 00:40:18,120
Speaker 3: I'm not sure if it was the chief of police

886
00:40:18,120 --> 00:40:20,920
Speaker 3: that made a statement or whoever he was, and he

887
00:40:20,960 --> 00:40:24,400
Speaker 3: was saying basically, don't come to LA. It's it's dangerous.

888
00:40:24,400 --> 00:40:25,800
Speaker 3: We can't guarantee his safety.

889
00:40:26,120 --> 00:40:28,880
Speaker 2: It's big you the chief of policeman, Yeah, you.

890
00:40:28,920 --> 00:40:31,799
Speaker 3: Might as well be, which I thought was just like

891
00:40:31,920 --> 00:40:33,440
Speaker 3: stupid for whoever that guy.

892
00:40:33,320 --> 00:40:38,040
Speaker 1: Was, a Los Angeles Police Department detective is warning people

893
00:40:38,120 --> 00:40:40,360
Speaker 1: not to come to the city as incidents of smash

894
00:40:40,440 --> 00:40:43,319
Speaker 1: and grab and follow home robberies have risen in the

895
00:40:43,360 --> 00:40:46,560
Speaker 1: area recently. That was really irresponsible. He was just a

896
00:40:46,600 --> 00:40:48,640
Speaker 1: detective Yeah, he was a detective.

897
00:40:48,719 --> 00:40:50,840
Speaker 3: He's not even like the chief. He just sees just

898
00:40:50,880 --> 00:40:57,279
Speaker 3: some cop. Yeah, he was the supervisors the honest.

899
00:40:57,280 --> 00:40:59,120
Speaker 1: They're being honest. They basically said, we don't think that

900
00:40:59,200 --> 00:41:02,200
Speaker 1: we can keep you safe right now.

901
00:41:02,760 --> 00:41:04,440
Speaker 2: Do you feel like you can't keep me safe right now?

902
00:41:04,520 --> 00:41:05,640
Speaker 2: Give me some of my tax dollars back.

903
00:41:05,880 --> 00:41:07,719
Speaker 3: Yeah, I'm about to say I want my tax dollars

904
00:41:07,719 --> 00:41:10,000
Speaker 3: to rollover, Like I don't even understand why. He's just

905
00:41:10,040 --> 00:41:12,200
Speaker 3: a detective. He's not the chief of police. Nothing.

906
00:41:12,480 --> 00:41:15,640
Speaker 1: No, there's also a director of the Los Angeles Police

907
00:41:15,719 --> 00:41:18,520
Speaker 1: Protective League who also said that. That's who said we

908
00:41:18,560 --> 00:41:20,439
Speaker 1: can't keep you safe right now, Like, don't come visit.

909
00:41:20,520 --> 00:41:21,399
Speaker 1: We can't keep you safe.

910
00:41:22,440 --> 00:41:23,520
Speaker 2: It's like, did he get fired.

911
00:41:25,320 --> 00:41:26,560
Speaker 3: They're not watching enough Dale.

912
00:41:27,000 --> 00:41:28,320
Speaker 1: That was very responsible.

913
00:41:28,360 --> 00:41:29,840
Speaker 3: They got to tune in the Dale more. They're not

914
00:41:29,880 --> 00:41:32,520
Speaker 3: following Dale's account. We'll have it for him soon. Yeah,

915
00:41:32,520 --> 00:41:34,520
Speaker 3: they see. You got to know how to get a

916
00:41:34,560 --> 00:41:39,200
Speaker 3: nigg up off you. She police force laughing. Yeah, you

917
00:41:39,200 --> 00:41:41,319
Speaker 3: gotta send Dale out there. He clean all that shit

918
00:41:41,400 --> 00:41:42,879
Speaker 3: up in ten minutes. Guarantee.

919
00:41:43,040 --> 00:41:45,680
Speaker 2: That's Dale around the sixties, like just talking to coffee.

920
00:41:46,000 --> 00:41:48,240
Speaker 2: Come in, let me show you something.

921
00:41:48,400 --> 00:41:50,799
Speaker 3: Yeah, you gotta send Dale out there. They'll go out

922
00:41:50,840 --> 00:41:52,680
Speaker 3: there clean all that shit up. Tenes worry about it.

923
00:41:52,800 --> 00:41:54,480
Speaker 2: Let Dale link with Big Yu. They both get in

924
00:41:54,520 --> 00:41:54,880
Speaker 2: the hummer.

925
00:41:54,920 --> 00:41:57,239
Speaker 3: Clean that clean the city. The city of La will

926
00:41:57,239 --> 00:42:00,000
Speaker 3: be cleaning in this settlement. Guarantee Big you and Dale

927
00:42:00,560 --> 00:42:01,799
Speaker 3: clean up the streets to l a man.

928
00:42:01,880 --> 00:42:03,440
Speaker 2: That might be part two to what we have to do.

929
00:42:04,040 --> 00:42:04,719
Speaker 3: Sit with Big U.

930
00:42:04,760 --> 00:42:05,680
Speaker 2: But you gotta talk to Big You.

931
00:42:06,160 --> 00:42:07,719
Speaker 3: I'm going to talk to Big U. You could do that.

932
00:42:07,840 --> 00:42:09,279
Speaker 2: But how you want to talk to Big U.

933
00:42:09,400 --> 00:42:12,640
Speaker 3: I talked to the cops. You wouldn't talk to I

934
00:42:12,680 --> 00:42:16,920
Speaker 3: talked to the cops. The white man would talk to

935
00:42:16,960 --> 00:42:19,000
Speaker 3: the police. Yeah, sitting down out there. Let them link

936
00:42:19,040 --> 00:42:21,440
Speaker 3: with Big U. Man, let's get l a street safe, man,

937
00:42:21,440 --> 00:42:23,719
Speaker 3: so people can enjoy themselves again. But that cop is

938
00:42:23,760 --> 00:42:26,040
Speaker 3: a fucking idiot to say that on the news. I

939
00:42:26,040 --> 00:42:29,200
Speaker 3: can't guarantee. You say you're just a detective, and you

940
00:42:29,200 --> 00:42:33,799
Speaker 3: you come after the violences is committed. That's what detectives do.

941
00:42:33,840 --> 00:42:35,319
Speaker 3: They come after the crime and they try to figure

942
00:42:35,360 --> 00:42:35,840
Speaker 3: out what happened.

943
00:42:35,840 --> 00:42:37,600
Speaker 2: The detective has never protected you wanted.

944
00:42:37,560 --> 00:42:39,800
Speaker 3: Not at all. It's it's like the crime has happened

945
00:42:39,800 --> 00:42:41,160
Speaker 3: already much the detective shows up.

946
00:42:41,200 --> 00:42:43,680
Speaker 2: I've seen law and order. They always find about it.

947
00:42:44,040 --> 00:42:47,400
Speaker 3: They never stopped, They never stopped the body from happening.

948
00:42:48,120 --> 00:42:49,400
Speaker 2: All they do is get in the courtroom like we

949
00:42:49,440 --> 00:42:53,320
Speaker 2: need to stop this exactly. Come on, man, were supposed

950
00:42:53,320 --> 00:42:55,479
Speaker 2: to be doing so, I'm trying to detect shit in

951
00:42:55,520 --> 00:42:56,360
Speaker 2: the parking garage.

952
00:42:56,400 --> 00:42:58,480
Speaker 3: I thought that was the supervisor or the chief of police.

953
00:42:58,480 --> 00:43:00,319
Speaker 3: That's crazy that that was just a detective that said that,

954
00:43:00,400 --> 00:43:02,640
Speaker 3: don't they have an HR apartment? At this point, LAPD,

955
00:43:03,640 --> 00:43:06,920
Speaker 3: we can get departments that the LAPD has or doesn't have.

956
00:43:07,880 --> 00:43:10,040
Speaker 2: You figured they would put like money into marketing in

957
00:43:10,200 --> 00:43:12,120
Speaker 2: PR after a few incidents.

958
00:43:12,760 --> 00:43:15,560
Speaker 3: I mean no, no, somebody's getting rich. They live in

959
00:43:15,560 --> 00:43:18,640
Speaker 3: the hills, trust me. A lot of those cops great homes. Listen.

960
00:43:18,719 --> 00:43:21,879
Speaker 2: Mark Furman came and they were just like, eh, it'll

961
00:43:21,920 --> 00:43:26,560
Speaker 2: work itself out. But was that their mission statement? Like, Yo,

962
00:43:26,840 --> 00:43:30,879
Speaker 2: it'll work itself out. Come to LA it'll work itself out.

963
00:43:32,160 --> 00:43:34,960
Speaker 2: If you don't want your detective all up in the prom.

964
00:43:34,800 --> 00:43:37,560
Speaker 3: Your business all up at the dope spot.

965
00:43:37,800 --> 00:43:38,600
Speaker 2: Come to the LAPD.

966
00:43:39,000 --> 00:43:40,640
Speaker 3: Man, Jesus Christ.

967
00:43:40,400 --> 00:43:45,120
Speaker 1: Did you guys see Kanye's freestyle at Rolling Loud, No Future.

968
00:43:44,880 --> 00:43:47,880
Speaker 2: Brought him out right, he freestyleled their rolling out. He

969
00:43:47,920 --> 00:43:52,240
Speaker 2: had the same boots on though, right, he didn't even change. No,

970
00:43:52,280 --> 00:43:54,560
Speaker 2: I have really turned into one of those billionaires. Yeah,

971
00:43:54,640 --> 00:43:57,040
Speaker 2: that's like you know how what's his name, Steve were

972
00:43:57,080 --> 00:43:58,040
Speaker 2: the same ship all the time.

973
00:43:58,120 --> 00:43:58,359
Speaker 3: Yeah.

974
00:43:58,680 --> 00:43:59,799
Speaker 2: Yeah, it is kind of on that wave.

975
00:43:59,840 --> 00:44:03,520
Speaker 3: Now, once you got us, once you want, Once people

976
00:44:03,600 --> 00:44:05,239
Speaker 3: know how much money you're worth, you could wear the

977
00:44:05,239 --> 00:44:07,960
Speaker 3: same shit every day. Nobody cares. That's true because at

978
00:44:07,960 --> 00:44:10,880
Speaker 3: that point you're just you're like a figure. You're like

979
00:44:10,920 --> 00:44:13,520
Speaker 3: a cartoon character. Like you never seen Bugs Bunny change

980
00:44:13,560 --> 00:44:15,520
Speaker 3: the outfit. No, you know what I mean. So it's

981
00:44:15,560 --> 00:44:18,240
Speaker 3: kind of like you never seen Ronald McDonald change his outfit.

982
00:44:18,360 --> 00:44:20,040
Speaker 2: And I feel like the genius that it takes to

983
00:44:20,040 --> 00:44:22,160
Speaker 2: be a billionaire. If you had to decide what you

984
00:44:22,160 --> 00:44:23,919
Speaker 2: wanted to wear every day, you wouldn't leave the house

985
00:44:23,960 --> 00:44:26,520
Speaker 2: till five pm. Yeah, your brain would just go into

986
00:44:26,520 --> 00:44:29,200
Speaker 2: a whole mode that you wouldn't be productive.

987
00:44:29,280 --> 00:44:33,520
Speaker 3: Though at that point, I'm worth for Billy, I've had

988
00:44:33,560 --> 00:44:36,279
Speaker 3: these genes on for a month, man. Yes, if you

989
00:44:36,320 --> 00:44:37,719
Speaker 3: smell anything, that's me. Yeah.

990
00:44:37,719 --> 00:44:39,879
Speaker 2: I went back to that we can get off Kanye. Second,

991
00:44:39,960 --> 00:44:43,200
Speaker 2: I went back to that Andre three thousand Life of

992
00:44:43,280 --> 00:44:45,840
Speaker 2: the Party Kanye record, and they put it out on

993
00:44:45,840 --> 00:44:47,400
Speaker 2: title with the new one, and it's edit. It's got

994
00:44:47,440 --> 00:44:48,680
Speaker 2: beeps in it, So I don't like it. I like

995
00:44:48,719 --> 00:44:51,479
Speaker 2: the rip. So I listened to the rip again and

996
00:44:51,480 --> 00:44:54,640
Speaker 2: Andre had explained that Kanye wouldn't put three stacks verse

997
00:44:54,680 --> 00:44:58,160
Speaker 2: out because he was cursing Kanye's verse on the original

998
00:44:58,200 --> 00:45:01,640
Speaker 2: he curses about ten times. Yeah, Kanye curses more than

999
00:45:01,640 --> 00:45:03,600
Speaker 2: Audrey two thousand on this song. Yeah, if you tell me,

1000
00:45:03,840 --> 00:45:05,800
Speaker 2: bro you cursed, I can't put it out. You listening

1001
00:45:05,800 --> 00:45:06,920
Speaker 2: to the three verses.

1002
00:45:07,000 --> 00:45:10,239
Speaker 3: That's why a lot of that ship is like even

1003
00:45:10,280 --> 00:45:12,319
Speaker 3: on his set, us like secular music. And we go

1004
00:45:12,400 --> 00:45:14,799
Speaker 3: down to the track list, it's like, have you heard

1005
00:45:14,840 --> 00:45:15,880
Speaker 3: the lyrics in these records?

1006
00:45:15,920 --> 00:45:17,239
Speaker 2: Well this I'm trying to tell you the beauty of

1007
00:45:17,280 --> 00:45:19,200
Speaker 2: Christianity being a Catholic more. You can do whatever the

1008
00:45:19,200 --> 00:45:21,640
Speaker 2: fuck you want. Just say, oh yo, my bad god. Yeah,

1009
00:45:21,800 --> 00:45:24,160
Speaker 2: I was wiling. I get it like I was wiling.

1010
00:45:24,320 --> 00:45:25,840
Speaker 3: That's that's the that's the beauty in it. I do

1011
00:45:25,880 --> 00:45:29,480
Speaker 3: a few exactly going in and confessing to somebody behind

1012
00:45:29,480 --> 00:45:29,880
Speaker 3: the screen.

1013
00:45:30,239 --> 00:45:33,640
Speaker 2: It's easy. I tried that. Who's also sinning with children?

1014
00:45:34,440 --> 00:45:35,239
Speaker 1: You tried that?

1015
00:45:35,840 --> 00:45:40,080
Speaker 3: Yeah, behind it with children? No? No, Like my mond's

1016
00:45:40,120 --> 00:45:43,080
Speaker 3: a little different. Like I did some ship and and

1017
00:45:43,160 --> 00:45:45,239
Speaker 3: went to like my my uncle's house in the South.

1018
00:45:45,280 --> 00:45:47,719
Speaker 3: I was fucking up in the summer one time, and wait,

1019
00:45:47,719 --> 00:45:50,880
Speaker 3: holding some trouble. It wasn't a real screen. It was

1020
00:45:50,880 --> 00:45:51,960
Speaker 3: a screen door, not a screen.

1021
00:45:52,360 --> 00:45:53,640
Speaker 2: Listen, I know family members.

1022
00:45:53,840 --> 00:45:54,279
Speaker 3: I'm aware.

1023
00:45:54,320 --> 00:45:56,040
Speaker 2: I've dealt with some of that. Family members can be

1024
00:45:56,080 --> 00:45:58,160
Speaker 2: a little handsy when you're a kid. Is that what

1025
00:45:58,280 --> 00:46:01,839
Speaker 2: you're No? No, no, if no, listen, I mean every never never,

1026
00:46:02,480 --> 00:46:04,360
Speaker 2: all right, So I'm joking now, But when did you

1027
00:46:04,360 --> 00:46:05,120
Speaker 2: have to go down south?

1028
00:46:05,400 --> 00:46:06,760
Speaker 3: No? I used to go down south in the summer.

1029
00:46:07,200 --> 00:46:08,960
Speaker 3: You know, in the South they have screen doors to

1030
00:46:09,040 --> 00:46:12,160
Speaker 3: keep the flys and stuff like that. So I came

1031
00:46:12,239 --> 00:46:13,960
Speaker 3: back later, and I was supposed to.

1032
00:46:13,960 --> 00:46:15,160
Speaker 2: I came back to the house feel like this is

1033
00:46:15,239 --> 00:46:17,920
Speaker 2: every black movie ever exactly.

1034
00:46:17,960 --> 00:46:19,600
Speaker 3: It's part of the culture. And the.

1035
00:46:21,080 --> 00:46:21,600
Speaker 2: Screen door.

1036
00:46:22,239 --> 00:46:24,880
Speaker 3: I'm yelling through the screen door, like you like you

1037
00:46:24,960 --> 00:46:28,239
Speaker 3: want to open the unlock the screen Uncles, like you

1038
00:46:28,280 --> 00:46:29,680
Speaker 3: know what time it is? He told me I could

1039
00:46:29,680 --> 00:46:32,359
Speaker 3: see him. He's on the couch. Okay. He's like, nah,

1040
00:46:32,480 --> 00:46:33,880
Speaker 3: you see the time of this. So I'm like, all right,

1041
00:46:33,880 --> 00:46:37,360
Speaker 3: so I'm just me and the crickets out here. Yeah, snakes.

1042
00:46:38,239 --> 00:46:41,000
Speaker 2: She would add Kanye fly fishing and that.

1043
00:46:41,320 --> 00:46:43,160
Speaker 3: It was really scary for me because I'm from New York.

1044
00:46:43,160 --> 00:46:45,480
Speaker 3: We're from the city. We used to cars building stories.

1045
00:46:46,080 --> 00:46:48,760
Speaker 3: When you're in the Deep South at night, it's quiet

1046
00:46:49,320 --> 00:46:51,279
Speaker 3: and it's like no lights on the road. The only

1047
00:46:51,360 --> 00:46:53,760
Speaker 3: lights on the road are the cars. It's a different

1048
00:46:53,760 --> 00:46:54,360
Speaker 3: type of scary.

1049
00:46:54,800 --> 00:46:58,280
Speaker 2: Yeah, it's it's pretty much the white version of media

1050
00:46:58,320 --> 00:47:00,200
Speaker 2: when they go to the hood. They think everything they're

1051
00:47:00,200 --> 00:47:02,120
Speaker 2: gonna get rib right away. It don't really be the case.

1052
00:47:02,480 --> 00:47:04,160
Speaker 2: That's I feel like people in the city have only

1053
00:47:04,160 --> 00:47:06,600
Speaker 2: seen horror movies with dirt roads that you're gonna get

1054
00:47:06,680 --> 00:47:07,279
Speaker 2: murdered right away.

1055
00:47:07,360 --> 00:47:08,479
Speaker 3: It's crazy to the media.

1056
00:47:09,320 --> 00:47:10,680
Speaker 2: I go to the South, I'm like, oh, there's a

1057
00:47:10,800 --> 00:47:14,320
Speaker 2: thousand serial killers on this just dirt road for sure. Meanwhile, like,

1058
00:47:14,560 --> 00:47:18,120
Speaker 2: it's not just serial killers, just chilling, just waiting for

1059
00:47:18,120 --> 00:47:18,839
Speaker 2: the street lights to.

1060
00:47:18,840 --> 00:47:21,440
Speaker 3: Go off to get me exactly.

1061
00:47:22,239 --> 00:47:25,200
Speaker 2: Oh, We're like, do you think you were cured? Yeah?

1062
00:47:25,239 --> 00:47:27,040
Speaker 3: I never made it back to the house later again,

1063
00:47:27,120 --> 00:47:28,160
Speaker 3: So yeah, I was cured.

1064
00:47:28,400 --> 00:47:30,960
Speaker 2: Well do you think, like, did you go back up

1065
00:47:31,000 --> 00:47:32,919
Speaker 2: north like as a new man, like, oh, I'm gonna

1066
00:47:32,960 --> 00:47:34,840
Speaker 2: conquer the podcast will I think I think that was

1067
00:47:34,840 --> 00:47:37,759
Speaker 2: the last like you hapned last summer or no, hell no,

1068
00:47:37,880 --> 00:47:38,160
Speaker 2: I was.

1069
00:47:38,200 --> 00:47:40,279
Speaker 3: I was real young. I think that was the last

1070
00:47:40,280 --> 00:47:41,719
Speaker 3: time I told my mom I was going down south

1071
00:47:41,760 --> 00:47:43,480
Speaker 3: for the summer. Never doing that again, a.

1072
00:47:43,480 --> 00:47:44,240
Speaker 2: Lot of buck byes.

1073
00:47:44,600 --> 00:47:46,920
Speaker 3: It was just you get to an age where you're like,

1074
00:47:47,000 --> 00:47:48,879
Speaker 3: why am I here? Why am I doing this? Why

1075
00:47:48,920 --> 00:47:50,440
Speaker 3: am I spending my summer like this?

1076
00:47:50,480 --> 00:47:52,759
Speaker 2: Because your mom wants to get a fucking break from

1077
00:47:52,760 --> 00:47:53,560
Speaker 2: thest that's why.

1078
00:47:53,719 --> 00:47:55,640
Speaker 3: Yeah, once you get older, you know what it was about,

1079
00:47:56,320 --> 00:47:59,160
Speaker 3: absolutely get it. Yeah, But it's just like I was

1080
00:47:59,200 --> 00:48:00,960
Speaker 3: getting to that age joy. It was kind of like

1081
00:48:01,000 --> 00:48:03,120
Speaker 3: I was just maybe right before I went to high school,

1082
00:48:03,120 --> 00:48:04,440
Speaker 3: so it was kind of like I'm like, Mom, I'm

1083
00:48:04,480 --> 00:48:04,920
Speaker 3: not doing that.

1084
00:48:05,000 --> 00:48:07,319
Speaker 2: Like, yeah, I think parents getting that mode once you

1085
00:48:07,320 --> 00:48:10,800
Speaker 2: start going to school that they realized you're not around

1086
00:48:10,800 --> 00:48:12,960
Speaker 2: all the time, which they love, and then summertime coming,

1087
00:48:13,000 --> 00:48:15,680
Speaker 2: it's like wait, yeah, you're here all day. That's where

1088
00:48:15,680 --> 00:48:18,040
Speaker 2: summer camp was invented. I think summer camp is for

1089
00:48:18,120 --> 00:48:21,280
Speaker 2: us to like, no, oh, go out in the suburbs

1090
00:48:21,280 --> 00:48:23,440
Speaker 2: and swim, like no, no, no, that's just so your parents

1091
00:48:23,480 --> 00:48:24,360
Speaker 2: can They want a piece of.

1092
00:48:24,560 --> 00:48:26,239
Speaker 3: The want to get you out the house for like

1093
00:48:26,520 --> 00:48:27,399
Speaker 3: three weeks at a time.

1094
00:48:27,800 --> 00:48:30,440
Speaker 2: So summer camp is just a productive way to abandon

1095
00:48:30,440 --> 00:48:32,399
Speaker 2: your children and not take responsibility to parent.

1096
00:48:32,760 --> 00:48:35,520
Speaker 3: And so is basketball camp. At A lot of your

1097
00:48:35,560 --> 00:48:37,000
Speaker 3: kids are not going to make it. I just want

1098
00:48:37,040 --> 00:48:38,560
Speaker 3: to yeah, I just want to put that out.

1099
00:48:38,600 --> 00:48:41,040
Speaker 2: I did overnight basketball camp ten minutes from the house.

1100
00:48:42,400 --> 00:48:43,640
Speaker 2: He's right down the street, right down the.

1101
00:48:45,520 --> 00:48:47,480
Speaker 3: That's like when the girls used to move off your

1102
00:48:47,520 --> 00:48:49,279
Speaker 3: block and you would think you would never see her again.

1103
00:48:49,760 --> 00:48:52,880
Speaker 3: She's moved to Brooklyn. Must not just moved to Brooklyn.

1104
00:48:54,000 --> 00:48:55,839
Speaker 3: But you was a kid crying like I'm never going

1105
00:48:55,880 --> 00:48:58,800
Speaker 3: to see the girl. She lived twenty minutes away from me.

1106
00:48:58,840 --> 00:49:00,239
Speaker 3: It's promised you can see the girl.

1107
00:49:00,600 --> 00:49:04,319
Speaker 2: Oh man, I'm miss summer camp. Have adult summer camps, they.

1108
00:49:04,200 --> 00:49:07,479
Speaker 1: Do, they have them, they do not, and they're really fun.

1109
00:49:07,640 --> 00:49:11,120
Speaker 2: They look at summer camps this is a thing and

1110
00:49:11,120 --> 00:49:12,120
Speaker 2: it's like regular summer.

1111
00:49:12,320 --> 00:49:14,440
Speaker 3: How come we never did adult summer camp be I.

1112
00:49:14,400 --> 00:49:16,359
Speaker 2: Mean, I never. I didn't think you'd want to go

1113
00:49:16,360 --> 00:49:17,640
Speaker 2: to adult summer camp with me. I know how to

1114
00:49:17,680 --> 00:49:18,680
Speaker 2: pose that question to you.

1115
00:49:19,080 --> 00:49:20,040
Speaker 3: Fam Let's do adults?

1116
00:49:20,040 --> 00:49:22,359
Speaker 2: Would you reply to my text? If I said, hey, bro,

1117
00:49:22,400 --> 00:49:23,880
Speaker 2: you want to go upstate to adult summer.

1118
00:49:23,600 --> 00:49:25,600
Speaker 3: Camp, I'll probably tell you get the funk off my phone.

1119
00:49:26,080 --> 00:49:26,880
Speaker 2: Save myself for the hurt.

1120
00:49:26,920 --> 00:49:28,759
Speaker 3: Yeah, but it's a reply. I didn't know that it

1121
00:49:28,840 --> 00:49:29,440
Speaker 3: was a real.

1122
00:49:29,280 --> 00:49:32,120
Speaker 2: Thing, adult summer camp's. I just thought adults go to

1123
00:49:32,200 --> 00:49:36,120
Speaker 2: like turks Bro's. It's summer camp with rose. It's really oldest,

1124
00:49:37,440 --> 00:49:41,839
Speaker 2: that's all. It just adds some wine to whatever after

1125
00:49:41,880 --> 00:49:43,880
Speaker 2: the activities it was archery and alcohol.

1126
00:49:45,480 --> 00:49:46,239
Speaker 3: We should do that.

1127
00:49:46,480 --> 00:49:48,640
Speaker 2: I would love to do that. I'm still like that

1128
00:49:48,680 --> 00:49:51,279
Speaker 2: little kid ship I love. I'll go to sky Zone

1129
00:49:51,719 --> 00:49:53,920
Speaker 2: and still pretend like I'm Duncan like Vince Carter. I

1130
00:49:54,040 --> 00:49:55,080
Speaker 2: enjoy that type of ship. You know.

1131
00:49:55,080 --> 00:49:57,279
Speaker 3: I would definitely do adult summer camp sounds I just

1132
00:49:57,280 --> 00:49:58,879
Speaker 3: did go cards in Jersey City. Yeah.

1133
00:49:59,040 --> 00:50:00,440
Speaker 2: I have fun at that type of stuff. It makes

1134
00:50:00,440 --> 00:50:00,920
Speaker 2: me feel better.

1135
00:50:00,960 --> 00:50:02,920
Speaker 3: Adult. Let's do that. Let's shut that up.

1136
00:50:03,320 --> 00:50:04,479
Speaker 2: I'm gonna do it for the whole team.

1137
00:50:04,640 --> 00:50:10,399
Speaker 3: Yeah, hell yeah, record, Yeah, we should do that. Adult

1138
00:50:10,400 --> 00:50:11,160
Speaker 3: summer camp is fun.

1139
00:50:11,800 --> 00:50:13,640
Speaker 2: The dance contest for sure.

1140
00:50:14,200 --> 00:50:15,879
Speaker 3: None of you can out dance. Call Lets just want

1141
00:50:15,880 --> 00:50:16,839
Speaker 3: you all to know that right now.

1142
00:50:18,200 --> 00:50:19,680
Speaker 2: Did you ever learn summer camp that had girls at

1143
00:50:19,680 --> 00:50:19,960
Speaker 2: it too?

1144
00:50:20,480 --> 00:50:24,239
Speaker 3: Yeah, I mean I was, we were young, I know,

1145
00:50:24,320 --> 00:50:27,759
Speaker 3: but like making out was like that was you might

1146
00:50:27,920 --> 00:50:29,919
Speaker 3: you might as well have a threesome at summer camp

1147
00:50:29,960 --> 00:50:33,560
Speaker 3: when you get Yeah, yo, I like kind of touched

1148
00:50:33,560 --> 00:50:35,879
Speaker 3: the titty a little bit the first time you touched

1149
00:50:35,880 --> 00:50:37,400
Speaker 3: the nipple, and that nipple hard.

1150
00:50:37,600 --> 00:50:40,279
Speaker 2: And mind you, she was young. Shadel titties, but it

1151
00:50:40,360 --> 00:50:43,200
Speaker 2: just wasn't it wasn't my bare chest. So it felt good.

1152
00:50:43,400 --> 00:50:45,200
Speaker 3: I see. I know when I I know I'm going

1153
00:50:45,280 --> 00:50:49,560
Speaker 3: to have daughters, man, because yeah, my car, Oh my god.

1154
00:50:49,400 --> 00:50:50,239
Speaker 2: I want I'm one of them.

1155
00:50:50,239 --> 00:50:51,160
Speaker 3: I want daughters.

1156
00:50:51,760 --> 00:50:53,719
Speaker 2: I'm one of those guys that want daughters. I want

1157
00:50:53,719 --> 00:50:54,879
Speaker 2: your son, but you.

1158
00:50:55,080 --> 00:50:58,960
Speaker 3: But you want daughters. I do why because I think

1159
00:50:59,040 --> 00:51:01,200
Speaker 3: you like pain? You want to you want to cry. No,

1160
00:51:01,360 --> 00:51:07,239
Speaker 3: I'm buying that black man. Yeah, you know he has

1161
00:51:07,280 --> 00:51:07,600
Speaker 3: a daughter.

1162
00:51:07,640 --> 00:51:08,360
Speaker 1: She'll be black.

1163
00:51:09,080 --> 00:51:11,319
Speaker 2: She's gonna date a black man. Why do you say

1164
00:51:11,320 --> 00:51:12,000
Speaker 2: that to mares?

1165
00:51:12,080 --> 00:51:13,480
Speaker 1: Oh?

1166
00:51:13,520 --> 00:51:17,799
Speaker 3: You know you love that chocolate, that cinnamon, you know,

1167
00:51:17,880 --> 00:51:19,960
Speaker 3: you love chocolate, cinnamon or.

1168
00:51:20,239 --> 00:51:22,440
Speaker 2: Am I am I one of those those white guys

1169
00:51:22,440 --> 00:51:25,520
Speaker 2: that dates black girls for their whole life, only black girls.

1170
00:51:25,520 --> 00:51:34,120
Speaker 2: But when it's time, can't record. I know there's a

1171
00:51:34,160 --> 00:51:34,840
Speaker 2: lot of white guys that do.

1172
00:51:35,120 --> 00:51:37,319
Speaker 3: Listen, put this on record. If you have a kid

1173
00:51:37,400 --> 00:51:39,480
Speaker 3: with a white woman, what if she's the world? I'm

1174
00:51:39,520 --> 00:51:42,279
Speaker 3: gonna be fucking crying, bro. That is the funniest ship

1175
00:51:42,320 --> 00:51:42,760
Speaker 3: in the world.

1176
00:51:43,360 --> 00:51:47,160
Speaker 2: It's like, it's no longer a preference, that's a fetish sir.

1177
00:51:48,160 --> 00:51:51,040
Speaker 3: At that point, it's like, oh, you dirty though. That's

1178
00:51:51,120 --> 00:51:53,360
Speaker 3: all he was doing, was just running around dipping in chocolate.

1179
00:51:53,560 --> 00:51:58,480
Speaker 3: But you kept that bloodline pure though, that pure blood,

1180
00:51:59,400 --> 00:52:00,479
Speaker 3: that pure air in blood.

1181
00:52:00,760 --> 00:52:02,759
Speaker 2: That's Rory Jefferson over here.

1182
00:52:04,560 --> 00:52:07,560
Speaker 3: Yo. That's some funny ship. That's it. That's hilarious.

1183
00:52:08,520 --> 00:52:11,799
Speaker 2: But you know that's like a thing though. That's a

1184
00:52:11,800 --> 00:52:14,319
Speaker 2: thing thing. Yeah, so yeah, I can't no matter what.

1185
00:52:14,400 --> 00:52:15,840
Speaker 3: Never already accused you of that online.

1186
00:52:16,320 --> 00:52:19,600
Speaker 1: You're fetishiz fetishizing, fetishizing.

1187
00:52:20,840 --> 00:52:24,080
Speaker 3: Yeah, it's like, when's they say that you love black women?

1188
00:52:24,080 --> 00:52:26,440
Speaker 3: But I know that you really do like black girls.

1189
00:52:26,160 --> 00:52:30,319
Speaker 2: Though I don't see someone still hasn't really told me

1190
00:52:30,360 --> 00:52:32,879
Speaker 2: what fetish and preference. Really difference is so.

1191
00:52:33,320 --> 00:52:38,640
Speaker 1: No, fetish is like it's only sexual, is it? Yeah? Yes?

1192
00:52:38,719 --> 00:52:40,800
Speaker 2: Oh but y'all, but y'all know I be loving my business.

1193
00:52:41,320 --> 00:52:43,759
Speaker 3: Yeah yeah, I mean I know, you know, you know

1194
00:52:43,760 --> 00:52:46,439
Speaker 3: I got your back. It'd be way more than just so.

1195
00:52:46,440 --> 00:52:53,040
Speaker 3: So fetish is usually sexual fetishization meaning all right, I

1196
00:52:53,040 --> 00:52:55,320
Speaker 3: thought of as the act of making someone an object

1197
00:52:55,360 --> 00:52:58,400
Speaker 3: of sexual desire based on some aspect of their identity

1198
00:52:58,560 --> 00:52:58,879
Speaker 3: some more.

1199
00:52:59,200 --> 00:53:03,920
Speaker 2: Every girl's ever slept with these is a fetish. No, well,

1200
00:53:03,960 --> 00:53:06,080
Speaker 2: they were objects of sexual desires. So I think, can

1201
00:53:06,080 --> 00:53:08,839
Speaker 2: you know, can you fetisize your own race? Because I've

1202
00:53:08,840 --> 00:53:10,560
Speaker 2: never dated a white girl, but I fucked the white girl.

1203
00:53:10,600 --> 00:53:12,200
Speaker 2: So does that mean I just fucked because she was white?

1204
00:53:12,280 --> 00:53:14,400
Speaker 1: No, that would be a fetish you would continue. It

1205
00:53:14,440 --> 00:53:16,160
Speaker 1: would be a different I don't know. It would be

1206
00:53:16,239 --> 00:53:17,600
Speaker 1: something you will want to continually do.

1207
00:53:18,080 --> 00:53:23,960
Speaker 2: Okay, all right, well never mind, we'll see how this goes.

1208
00:53:24,000 --> 00:53:24,919
Speaker 1: It'll work itself out.

1209
00:53:25,400 --> 00:53:29,080
Speaker 2: I still want daughters because I've watched so many people

1210
00:53:29,080 --> 00:53:32,360
Speaker 2: around these demise towards their latter days of death, and

1211
00:53:32,400 --> 00:53:35,840
Speaker 2: their sons never took care of them, only their daughters,

1212
00:53:35,880 --> 00:53:38,160
Speaker 2: Like y'all can all these guys can say, y'all just

1213
00:53:38,200 --> 00:53:39,719
Speaker 2: want a son. I want a son. I need my son,

1214
00:53:39,760 --> 00:53:41,560
Speaker 2: carry on my legacy all that shit. Yeah, wait till

1215
00:53:41,560 --> 00:53:43,640
Speaker 2: you in that bed dying, Only your daughters are gonna

1216
00:53:43,640 --> 00:53:45,239
Speaker 2: come to help you. Your son gonna be like, he'll

1217
00:53:45,239 --> 00:53:46,759
Speaker 2: be all right. It's just the reverse of the way

1218
00:53:46,800 --> 00:53:48,879
Speaker 2: your dad treated you. Like, now you'll be fine, bro.

1219
00:53:49,400 --> 00:53:49,600
Speaker 3: Yeah.

1220
00:53:49,680 --> 00:53:51,200
Speaker 2: So so now it's my time to say, oh, you

1221
00:53:51,200 --> 00:53:52,839
Speaker 2: can't get out of bed. You'll be a hright, you tough?

1222
00:53:53,800 --> 00:53:56,080
Speaker 3: Oh man, that's hilarious. But is so demariags was? She

1223
00:53:56,200 --> 00:54:02,000
Speaker 3: was technically right? Fetish is usually sexual. Okay, yeah, but

1224
00:54:02,080 --> 00:54:04,680
Speaker 3: that would be that would be hilarious though, Like if

1225
00:54:04,680 --> 00:54:07,120
Speaker 3: you just had like kids with like a white woman,

1226
00:54:08,480 --> 00:54:10,319
Speaker 3: that would be some funny ship. Man.

1227
00:54:10,520 --> 00:54:13,080
Speaker 2: But what type of white no, like that white white?

1228
00:54:13,160 --> 00:54:14,440
Speaker 2: Like what if what if I had a kid with

1229
00:54:14,480 --> 00:54:15,320
Speaker 2: like Marissa Mendez?

1230
00:54:16,239 --> 00:54:19,279
Speaker 3: Marissa isn't white, Yes, she is Marissas she's white.

1231
00:54:19,320 --> 00:54:23,200
Speaker 1: Her last name, her name is mine white.

1232
00:54:23,200 --> 00:54:25,080
Speaker 2: Bro, that's my people, shout out Tobody, I love you.

1233
00:54:25,120 --> 00:54:26,600
Speaker 3: Madi is not a white girl.

1234
00:54:27,000 --> 00:54:28,480
Speaker 2: We called her Madi. Her name is not Mady.

1235
00:54:28,560 --> 00:54:30,800
Speaker 3: May is not white. Madi would be Spanish.

1236
00:54:30,840 --> 00:54:34,320
Speaker 2: If anything I mean is her last name Mendez.

1237
00:54:34,719 --> 00:54:36,800
Speaker 3: Her last name is Menda. I don't know if is

1238
00:54:36,840 --> 00:54:39,040
Speaker 3: that a stage name.

1239
00:54:40,640 --> 00:54:41,880
Speaker 2: I'm mad I had to bring Madi up in that

1240
00:54:41,880 --> 00:54:43,480
Speaker 2: way when I haven't talked about Mady in a long time.

1241
00:54:43,520 --> 00:54:45,719
Speaker 2: Shout out to Mady. I love you, Hope everything is great.

1242
00:54:45,719 --> 00:54:47,040
Speaker 2: I actually did look at your I G the other

1243
00:54:47,080 --> 00:54:50,840
Speaker 2: day and it looks like things are going amazing. But no,

1244
00:54:50,960 --> 00:54:53,839
Speaker 2: what if I do like the the white girl version of.

1245
00:54:53,800 --> 00:54:56,400
Speaker 3: Me, like another redhead?

1246
00:54:57,440 --> 00:54:59,480
Speaker 2: I also, I also have to I don't know if

1247
00:54:59,520 --> 00:55:01,640
Speaker 2: you guys know that Gingers are going to be extinct

1248
00:55:01,680 --> 00:55:05,680
Speaker 2: one day very soon, So like what, maybe I have

1249
00:55:05,760 --> 00:55:07,680
Speaker 2: to do it for all right? Man, I have to

1250
00:55:07,719 --> 00:55:11,359
Speaker 2: do it for my race. See what if I went

1251
00:55:11,400 --> 00:55:12,840
Speaker 2: with the girl that I really loved and when I

1252
00:55:12,840 --> 00:55:16,520
Speaker 2: have kids with uh and then just donated my sperm

1253
00:55:16,600 --> 00:55:17,840
Speaker 2: just to like the Ginger clan.

1254
00:55:17,800 --> 00:55:20,759
Speaker 3: To save the Ginger race. Yes, I wouldn't be mad

1255
00:55:20,800 --> 00:55:22,239
Speaker 3: at that. If you're doing it for a cause bigger

1256
00:55:22,280 --> 00:55:23,799
Speaker 3: than yourself, Rory, That's what I'm saying.

1257
00:55:23,800 --> 00:55:25,479
Speaker 2: It's not a fetter, you're trying to keep it going.

1258
00:55:25,800 --> 00:55:27,359
Speaker 2: I wouldn't be I wouldn't be mad just I want

1259
00:55:27,360 --> 00:55:29,040
Speaker 2: to create another ginger so he can get bullied.

1260
00:55:29,040 --> 00:55:31,520
Speaker 3: But are they really saying that gingers are going extinct?

1261
00:55:31,560 --> 00:55:33,600
Speaker 2: Are you all for sure? And you know why that is?

1262
00:55:33,960 --> 00:55:37,920
Speaker 2: Because redheads don't like each other, Like when this was

1263
00:55:37,960 --> 00:55:39,719
Speaker 2: a headline of like gingers will be extinct in the

1264
00:55:39,719 --> 00:55:41,720
Speaker 2: next one hundred and fifty years or whatever, just because

1265
00:55:41,719 --> 00:55:43,720
Speaker 2: everyone's fucking everyone And they said that about race period.

1266
00:55:43,719 --> 00:55:45,279
Speaker 3: Boy, how does that work? Does it have to be

1267
00:55:45,320 --> 00:55:48,000
Speaker 3: two redheads to have a redhead? Baby? No, it doesn't.

1268
00:55:48,120 --> 00:55:50,480
Speaker 2: Like my grandmother on my father's side has red hair

1269
00:55:50,520 --> 00:55:52,000
Speaker 2: and my mother has red hair, so I was destined

1270
00:55:52,040 --> 00:55:54,000
Speaker 2: to have red hair, even though my dad did not read. Gotcha,

1271
00:55:54,080 --> 00:55:57,640
Speaker 2: it's a gene thing. But the more fucking we're doing, like,

1272
00:55:57,680 --> 00:56:00,839
Speaker 2: we're racing that gene more and more. Because here's the thing.

1273
00:56:01,000 --> 00:56:03,200
Speaker 2: Redheads are not attracted to each other. We're very self

1274
00:56:03,200 --> 00:56:06,160
Speaker 2: hating people. We're pale, we got made fun of freckles.

1275
00:56:06,200 --> 00:56:08,360
Speaker 2: I don't find that attractive people because everyone told me

1276
00:56:08,360 --> 00:56:09,919
Speaker 2: how attractive it was my entire life.

1277
00:56:09,960 --> 00:56:11,520
Speaker 3: I think all races are self hating.

1278
00:56:13,040 --> 00:56:16,280
Speaker 2: I mean think pretty highly of themselves.

1279
00:56:16,280 --> 00:56:18,959
Speaker 3: I think they got along greade, I think they loved

1280
00:56:18,960 --> 00:56:19,239
Speaker 3: each other.

1281
00:56:19,320 --> 00:56:23,799
Speaker 2: Yea, the British seem to they thought they was like,

1282
00:56:24,040 --> 00:56:24,600
Speaker 2: that's what I'm.

1283
00:56:24,440 --> 00:56:26,160
Speaker 3: Trying to understand. I'm trying to get the knowledge here,

1284
00:56:26,520 --> 00:56:31,359
Speaker 3: all right, So gingers or redheads are going extinct because y'all,

1285
00:56:31,440 --> 00:56:34,080
Speaker 3: y'all don't particularly like each other, or y'all not sexly attractive.

1286
00:56:34,160 --> 00:56:37,319
Speaker 2: And on top of that, where the fact that people

1287
00:56:37,400 --> 00:56:39,799
Speaker 2: on the internet, so you've never seen another ginger that.

1288
00:56:39,760 --> 00:56:43,640
Speaker 3: You was like, damn, she's sexy, very rarely really very

1289
00:56:43,719 --> 00:56:44,240
Speaker 3: very wow.

1290
00:56:45,120 --> 00:56:48,120
Speaker 2: Yes they're either fucking and I'm saying this across the

1291
00:56:48,160 --> 00:56:50,200
Speaker 2: board myself included them on the other side, they're either

1292
00:56:50,200 --> 00:56:56,000
Speaker 2: fucking gorgeous or like just because they could do some sunscreen.

1293
00:56:56,520 --> 00:56:59,440
Speaker 3: Oh okay, okay, And like I've never thought about it.

1294
00:56:59,480 --> 00:57:00,880
Speaker 2: Like here's the other thing too. It's not a fetish.

1295
00:57:00,920 --> 00:57:02,880
Speaker 2: It's on like have you ever seen two pasty thighs

1296
00:57:02,880 --> 00:57:03,480
Speaker 2: next to each other?

1297
00:57:03,600 --> 00:57:04,399
Speaker 3: Doesn't look very good?

1298
00:57:04,520 --> 00:57:06,680
Speaker 2: Like I don't want to see that in my bed. Yeah,

1299
00:57:06,719 --> 00:57:08,760
Speaker 2: I got you just four pasty legs.

1300
00:57:08,840 --> 00:57:10,120
Speaker 3: Yeah, it's nasty.

1301
00:57:10,200 --> 00:57:12,759
Speaker 2: It's a lot. And the amount of sunscreen that's that's

1302
00:57:12,800 --> 00:57:15,879
Speaker 2: a household that yeah, that adds up. I never thought

1303
00:57:15,880 --> 00:57:17,880
Speaker 2: about it that way and on top of that, when

1304
00:57:17,880 --> 00:57:20,320
Speaker 2: you're growing up, redheads don't come into their features until

1305
00:57:20,360 --> 00:57:22,680
Speaker 2: way later in life, Like redheads are ugly as fun

1306
00:57:22,720 --> 00:57:24,640
Speaker 2: when we start and then we kind of get eyed. Okay,

1307
00:57:25,600 --> 00:57:28,240
Speaker 2: people fetishize us. For people to say I have a

1308
00:57:28,240 --> 00:57:32,080
Speaker 2: fetish is offensive because how I started getting pussy was

1309
00:57:32,120 --> 00:57:36,320
Speaker 2: because people were saying, I've never fucked the white white

1310
00:57:36,320 --> 00:57:39,479
Speaker 2: boy at Redhead. Yeah, I landed into too, the black

1311
00:57:39,520 --> 00:57:40,000
Speaker 2: woman thing.

1312
00:57:40,120 --> 00:57:40,280
Speaker 3: Yeah.

1313
00:57:40,600 --> 00:57:41,920
Speaker 2: They were the lae girls that wanted to fuck me.

1314
00:57:42,080 --> 00:57:44,040
Speaker 3: Yeah, you were like a little unicorn in the hood. Yeah,

1315
00:57:44,080 --> 00:57:44,840
Speaker 3: everybody just wanted to.

1316
00:57:45,000 --> 00:57:45,920
Speaker 2: I gotta see what that's like.

1317
00:57:46,040 --> 00:57:48,560
Speaker 3: Yeah, yeah, yeah, I get it. I get it. No demarics,

1318
00:57:48,560 --> 00:57:50,680
Speaker 3: I'm doing the knowledge. I understand what's happening.

1319
00:57:51,000 --> 00:57:53,960
Speaker 2: Carousel sort of. Yeah, like I get it.

1320
00:57:54,240 --> 00:57:55,919
Speaker 3: I could see how Rory would be like the guy

1321
00:57:55,920 --> 00:57:58,000
Speaker 3: in the hood where black girls would be like, I

1322
00:57:58,120 --> 00:58:01,320
Speaker 3: never had sex with a white boy, Like Rory's right outside,

1323
00:58:01,320 --> 00:58:02,200
Speaker 3: he's not doing nothing.

1324
00:58:01,960 --> 00:58:04,880
Speaker 2: Like I was an easy way to lean into it too,

1325
00:58:04,960 --> 00:58:07,880
Speaker 2: so like they didn't have to go straight to like

1326
00:58:07,880 --> 00:58:11,800
Speaker 2: like the real white like frat lacrosse guy. They could

1327
00:58:11,840 --> 00:58:14,919
Speaker 2: like ease into me, like, oh he's listening to geez,

1328
00:58:15,320 --> 00:58:17,680
Speaker 2: and he's wearing cool water cologne and his clothes don't fit.

1329
00:58:17,880 --> 00:58:20,440
Speaker 2: He's like an easy way, let me transition into this

1330
00:58:20,480 --> 00:58:22,560
Speaker 2: white thing before I go right for Brad on the

1331
00:58:22,600 --> 00:58:23,200
Speaker 2: lacrosse team.

1332
00:58:23,480 --> 00:58:25,120
Speaker 3: It was an easier transition. When you have a say,

1333
00:58:25,240 --> 00:58:26,840
Speaker 3: do you have a tell a girl take that turmeric

1334
00:58:26,840 --> 00:58:30,160
Speaker 3: dick like you love you love this turmeric dick. You

1335
00:58:30,160 --> 00:58:30,880
Speaker 3: don't never say that.

1336
00:58:30,920 --> 00:58:34,440
Speaker 2: I can't even pronounce that word, let alone when I'm

1337
00:58:34,440 --> 00:58:41,120
Speaker 2: fucking I can barely pronounce the way I say. You

1338
00:58:43,800 --> 00:58:45,960
Speaker 2: think I can say turmeric? I would say, you have

1339
00:58:46,480 --> 00:58:49,840
Speaker 2: you gotta you gotta come wrong, You gotta get take this.

1340
00:58:50,360 --> 00:58:52,600
Speaker 3: You gotta get that off at least once. Take that

1341
00:58:52,680 --> 00:58:53,439
Speaker 3: turmeric dick.

1342
00:58:54,240 --> 00:58:56,520
Speaker 2: You gotta get that off. Listen because you're a ginger.

1343
00:58:56,720 --> 00:58:57,000
Speaker 3: Why not?

1344
00:58:57,720 --> 00:58:59,439
Speaker 2: I guess I didn't even know what that means.

1345
00:58:59,520 --> 00:59:02,520
Speaker 3: Take that ri dick, man, You get that off, see,

1346
00:59:02,520 --> 00:59:04,440
Speaker 3: because can get off the ship that I can't. I'm

1347
00:59:04,440 --> 00:59:08,400
Speaker 3: not a ginger. I could never get that off if

1348
00:59:08,400 --> 00:59:09,880
Speaker 3: I a girl, take this turmeric dicktion?

1349
00:59:10,160 --> 00:59:12,640
Speaker 2: What a jealous of us that we could do that?

1350
00:59:12,640 --> 00:59:14,600
Speaker 2: That you can say, yo, take this turmeric dick.

1351
00:59:14,920 --> 00:59:17,600
Speaker 3: I could never get that off. I will be getting

1352
00:59:17,640 --> 00:59:19,240
Speaker 3: some shick ship off if I was ginger. I'll let

1353
00:59:19,280 --> 00:59:19,960
Speaker 3: you know that right now.

1354
00:59:20,160 --> 00:59:22,000
Speaker 2: What what is what are the lines you draw when

1355
00:59:22,000 --> 00:59:22,959
Speaker 2: sleeping with a white woman?

1356
00:59:23,480 --> 00:59:24,600
Speaker 3: What do you mean with the lines?

1357
00:59:24,680 --> 00:59:27,720
Speaker 2: There has to be lines of the saying, uh, well,

1358
00:59:27,760 --> 00:59:29,560
Speaker 2: obviously she can't call me a nigga. Well that went

1359
00:59:29,600 --> 00:59:31,600
Speaker 2: without saying that went without saying.

1360
00:59:31,680 --> 00:59:34,400
Speaker 3: Yeah, I mean that's like a thing, you know, that's

1361
00:59:34,400 --> 00:59:36,919
Speaker 3: the thing in porn like they have they have yeah,

1362
00:59:37,000 --> 00:59:39,160
Speaker 3: like they have like scenes with the white girl algorithms

1363
00:59:39,240 --> 00:59:41,480
Speaker 3: is crazy. Yeah, they they'll be talking crazy.

1364
00:59:41,520 --> 00:59:45,680
Speaker 2: I'll be laughing because she probably reality.

1365
00:59:45,840 --> 00:59:48,240
Speaker 3: Yeah, like so that that would be out. But other

1366
00:59:48,320 --> 00:59:50,400
Speaker 3: than that, there's no limits.

1367
00:59:51,040 --> 00:59:54,440
Speaker 2: Okay, no role play that you would be against.

1368
00:59:55,920 --> 00:59:58,440
Speaker 3: Yeah, I'm not going to be the h I'm not

1369
00:59:58,480 --> 01:00:02,360
Speaker 3: gonna get I'm not gonna be outside picking, uh, picking cotton.

1370
01:00:02,400 --> 01:00:03,160
Speaker 3: I'm not gonna be doing that.

1371
01:00:03,160 --> 01:00:07,720
Speaker 2: I'm not saying from a royal reversal standpoint, like her

1372
01:00:07,720 --> 01:00:10,120
Speaker 2: outside picking cotton. Yeah, like you got you gotta do

1373
01:00:10,160 --> 01:00:11,760
Speaker 2: it for the people.

1374
01:00:11,840 --> 01:00:14,040
Speaker 3: Oh yeah, like this is reparation.

1375
01:00:14,200 --> 01:00:22,360
Speaker 2: Yeah, like this is for you dressing. I'm gonna make

1376
01:00:22,360 --> 01:00:24,040
Speaker 2: sure your legacy is a little fun.

1377
01:00:24,720 --> 01:00:28,000
Speaker 3: Now, a white woman. Definitely. She definitely had sex with

1378
01:00:28,040 --> 01:00:29,880
Speaker 3: me only because she never had sex with a black guy.

1379
01:00:29,920 --> 01:00:31,640
Speaker 2: She was like, Yo, you're the first black guy. I'm

1380
01:00:31,640 --> 01:00:32,640
Speaker 2: sure that happens very old.

1381
01:00:32,680 --> 01:00:33,560
Speaker 3: Yeah, yeah, it happens.

1382
01:00:33,600 --> 01:00:34,840
Speaker 2: But does that make you feel weird?

1383
01:00:35,600 --> 01:00:35,800
Speaker 1: Huh?

1384
01:00:35,840 --> 01:00:36,640
Speaker 2: Does that make you feel weird?

1385
01:00:36,640 --> 01:00:39,000
Speaker 3: It makes me feel proud, Rory. Okay, I'm a proud

1386
01:00:39,000 --> 01:00:41,320
Speaker 3: black man. I did it for Malcolm Martin the ones

1387
01:00:41,360 --> 01:00:44,400
Speaker 3: before me. That's what I did it for. Yeah, are

1388
01:00:44,440 --> 01:00:49,160
Speaker 3: you kidding me? I did it for Malcolm. Yeah, Malcolm

1389
01:00:49,240 --> 01:00:51,360
Speaker 3: used to be pimping the white holes. See, I know

1390
01:00:51,440 --> 01:00:53,520
Speaker 3: Detroit Red's history. See y'all like that, y'all liked you

1391
01:00:53,640 --> 01:00:55,680
Speaker 3: raise that from the history books. I mean, we're focused

1392
01:00:55,720 --> 01:00:58,600
Speaker 3: on Malcolm. But yeah, but there will be no Malcolm

1393
01:00:58,600 --> 01:00:59,160
Speaker 3: without Detroit.

1394
01:00:59,520 --> 01:01:01,600
Speaker 2: Just Donna be on they not. Yeah, but there will be.

1395
01:01:01,560 --> 01:01:03,520
Speaker 3: No Malcolm without He had He had fact, you know

1396
01:01:03,560 --> 01:01:05,480
Speaker 3: what I'm saying. So we can't just throw that away.

1397
01:01:05,680 --> 01:01:07,360
Speaker 3: So I know how he felt about white women.

1398
01:01:07,960 --> 01:01:08,680
Speaker 2: He was in love with.

1399
01:01:08,680 --> 01:01:10,360
Speaker 3: He was in love with a white woman at one point.

1400
01:01:10,600 --> 01:01:12,520
Speaker 2: Okay, yeah, allegedly.

1401
01:01:13,480 --> 01:01:15,440
Speaker 3: Well it's in the books. He was reborn, it's in

1402
01:01:15,480 --> 01:01:17,560
Speaker 3: the book. It's in the movie. I mean, that's I've

1403
01:01:17,600 --> 01:01:20,520
Speaker 3: never met the man personally, but yeah, no, I did

1404
01:01:20,520 --> 01:01:22,720
Speaker 3: it for Malcolm, I did it for Martin, I did

1405
01:01:22,760 --> 01:01:26,080
Speaker 3: it for Al Sharpton. Yeah, I get it, Carl, I don't.

1406
01:01:26,240 --> 01:01:28,640
Speaker 3: I don't even want Carl's answer to any of those questions.

1407
01:01:29,040 --> 01:01:31,560
Speaker 3: Calls just a nasty, nasty man. I don't even want

1408
01:01:31,600 --> 01:01:34,240
Speaker 3: to know what Carl is just filthy and is the

1409
01:01:34,280 --> 01:01:34,880
Speaker 3: only woman in here.

1410
01:01:34,920 --> 01:01:35,560
Speaker 2: So that's not fair.

1411
01:01:35,880 --> 01:01:39,960
Speaker 3: The maristle with the white guy before, mm hmm, sound

1412
01:01:40,080 --> 01:01:43,960
Speaker 3: like somebody honest disappointed? Show did show did show? Did

1413
01:01:44,000 --> 01:01:47,960
Speaker 3: turn that white boy out? Turning him out is fucking nuts?

1414
01:01:48,000 --> 01:01:51,000
Speaker 3: You know, the marriage turned that white boy out. He's

1415
01:01:51,040 --> 01:01:52,920
Speaker 3: still he's still hitting the phone.

1416
01:01:52,640 --> 01:01:59,040
Speaker 2: He's still texting Yeah, no good, no good, yep, no

1417
01:01:59,360 --> 01:02:04,600
Speaker 2: not right now, A good time, coach clear ed Jesus,

1418
01:02:05,760 --> 01:02:06,800
Speaker 2: that's funny.

1419
01:02:09,520 --> 01:02:12,320
Speaker 1: Jesus stuff with a white woman before.

1420
01:02:12,560 --> 01:02:15,320
Speaker 2: Yes, that was that was some comment.

1421
01:02:15,840 --> 01:02:17,040
Speaker 3: Yeah you just got out of one.

1422
01:02:17,040 --> 01:02:20,280
Speaker 2: That's where you got the COVID scared. Yeah, all right,

1423
01:02:20,400 --> 01:02:26,320
Speaker 2: all right at the point, they just they just tested

1424
01:02:26,320 --> 01:02:28,840
Speaker 2: me a JP Morgan. She probably called him Eddie. She

1425
01:02:28,840 --> 01:02:29,360
Speaker 2: din't even called them.

1426
01:02:29,600 --> 01:02:35,280
Speaker 3: She definitely called she definitely calls him Eddie or like us, Yeah, Eddie.

1427
01:02:36,480 --> 01:02:38,480
Speaker 3: Oh man, that's great man, yeah, man.

1428
01:02:38,520 --> 01:02:39,919
Speaker 2: But the Spanish man like white women.

1429
01:02:40,640 --> 01:02:44,400
Speaker 3: Yeah, okay, everyone loves everybody. About to say, like you

1430
01:02:44,440 --> 01:02:49,360
Speaker 3: got everybody loves them there, but they're there.

1431
01:02:49,520 --> 01:02:53,080
Speaker 1: Get jazz and they are there, he said, He said,

1432
01:02:53,080 --> 01:02:53,800
Speaker 1: but they're there.

1433
01:02:54,120 --> 01:02:54,880
Speaker 3: What does that mean?

1434
01:02:55,320 --> 01:02:57,920
Speaker 2: Oh my god, this is gonna get canceled. Oh god,

1435
01:02:58,120 --> 01:02:58,640
Speaker 2: just off with.

1436
01:02:58,760 --> 01:02:59,760
Speaker 1: Oh yeah, I'm taking all of this.

1437
01:03:00,160 --> 01:03:01,200
Speaker 3: No, I think that we're having.

1438
01:03:01,040 --> 01:03:03,480
Speaker 2: Well, let's get into Jewish women then and really take

1439
01:03:03,560 --> 01:03:04,320
Speaker 2: us to the cancelation.

1440
01:03:04,800 --> 01:03:05,640
Speaker 3: No, thank you. No.

1441
01:03:07,800 --> 01:03:10,400
Speaker 2: Tumoric is good for like prevent Alzheimer's and shit.

1442
01:03:10,320 --> 01:03:14,920
Speaker 3: Right, I believe it helps with inflammation. Heart like, I'm

1443
01:03:14,960 --> 01:03:18,240
Speaker 3: pretty sure it is. Inflammation is the thing that I

1444
01:03:18,280 --> 01:03:19,680
Speaker 3: know that tumoric really helps with.

1445
01:03:19,760 --> 01:03:21,640
Speaker 2: Even if the dick is trash. You know, you're preventing

1446
01:03:22,440 --> 01:03:23,880
Speaker 2: your chances of Alzheimer's.

1447
01:03:24,000 --> 01:03:25,560
Speaker 3: Yeah. So yeah. There.

1448
01:03:25,720 --> 01:03:29,040
Speaker 2: Have you all been keeping up with the latest meme

1449
01:03:29,960 --> 01:03:31,200
Speaker 2: trend of love languages?

1450
01:03:32,720 --> 01:03:35,000
Speaker 3: Uh no, this.

1451
01:03:34,880 --> 01:03:38,200
Speaker 2: One has had me furious in my house with no furniture.

1452
01:03:38,400 --> 01:03:42,120
Speaker 2: Just to put things in context, Okay, the one that's

1453
01:03:42,120 --> 01:03:44,280
Speaker 2: been going the most viral is I booked us a

1454
01:03:44,360 --> 01:03:49,120
Speaker 2: flight in quotations and then dash my love language. What

1455
01:03:49,280 --> 01:03:52,560
Speaker 2: is your work language? The entitlement in love language is

1456
01:03:52,600 --> 01:03:55,200
Speaker 2: now is the craziest thing on earth to me, how

1457
01:03:55,320 --> 01:03:57,360
Speaker 2: is your love language? How do you think that you're

1458
01:03:57,400 --> 01:03:59,080
Speaker 2: so good at loving that you could go straight to

1459
01:03:59,120 --> 01:04:02,919
Speaker 2: the top of I booked us a flight and that's

1460
01:04:02,920 --> 01:04:03,880
Speaker 2: your love language?

1461
01:04:04,920 --> 01:04:06,880
Speaker 3: Who again, because I feel like we kind of had

1462
01:04:06,920 --> 01:04:10,720
Speaker 3: this talk. You have to know where you're booking the

1463
01:04:10,760 --> 01:04:13,080
Speaker 3: flight to you have. You can't take every girl to

1464
01:04:13,280 --> 01:04:15,280
Speaker 3: That's not what I'm talking about general.

1465
01:04:15,360 --> 01:04:17,440
Speaker 2: I'm talking about for you to run straight to the

1466
01:04:17,480 --> 01:04:21,400
Speaker 2: top of love languages like you skipped every step of

1467
01:04:21,600 --> 01:04:26,520
Speaker 2: asking if you're okay, what can I do for you today?

1468
01:04:25,800 --> 01:04:28,640
Speaker 2: Oh you're trying to Like now, all of a sudden,

1469
01:04:28,960 --> 01:04:31,400
Speaker 2: you think your book a flight lovele what is your like?

1470
01:04:31,640 --> 01:04:33,240
Speaker 2: What have you done for my love language?

1471
01:04:33,240 --> 01:04:35,920
Speaker 3: Well? You know that this, this this generation and this

1472
01:04:36,080 --> 01:04:40,880
Speaker 3: time that we're in is very superficial. It's very give,

1473
01:04:41,600 --> 01:04:43,440
Speaker 3: take and take. It's not even give and take, it's

1474
01:04:43,520 --> 01:04:44,080
Speaker 3: take and take.

1475
01:04:44,440 --> 01:04:47,840
Speaker 2: To me, women on the internet's love language looks like

1476
01:04:50,040 --> 01:04:53,480
Speaker 2: the fucking temper tantrum in the middle of toys r

1477
01:04:53,520 --> 01:04:56,160
Speaker 2: us because they think they deserve every toy in the

1478
01:04:56,320 --> 01:04:59,360
Speaker 2: entire store, yet have not contributed anything to the family

1479
01:04:59,400 --> 01:05:00,720
Speaker 2: except for just their existence.

1480
01:05:01,960 --> 01:05:05,000
Speaker 3: No, women's love languages are whatever love language is their

1481
01:05:05,120 --> 01:05:08,720
Speaker 3: favorite celebrity that they're following. Whatever Dre is doing that day,

1482
01:05:09,800 --> 01:05:12,240
Speaker 3: Dre is on the beach, he's about a pool there

1483
01:05:12,440 --> 01:05:14,320
Speaker 3: is at home. These pictures were taking three months ago.

1484
01:05:14,680 --> 01:05:16,560
Speaker 2: But I just want to know, like where the audacity

1485
01:05:16,560 --> 01:05:18,760
Speaker 2: comes of you just think show I just show up

1486
01:05:19,120 --> 01:05:21,600
Speaker 2: and like I deserve my love language?

1487
01:05:21,600 --> 01:05:23,920
Speaker 3: Can now be a flight? Yeah?

1488
01:05:24,000 --> 01:05:25,720
Speaker 1: But Roy, just to do a call back to two

1489
01:05:25,760 --> 01:05:30,520
Speaker 1: episodes ago, you said that I like flights, so I

1490
01:05:30,560 --> 01:05:36,520
Speaker 1: take bitches on flights. This is what you said. It's

1491
01:05:36,560 --> 01:05:38,320
Speaker 1: just a flight. It's no big deal. I like trips.

1492
01:05:39,040 --> 01:05:41,280
Speaker 1: I like trips. Was it actually direct quote?

1493
01:05:41,600 --> 01:05:45,120
Speaker 2: Flying? Flying them to Jersey City is not a love language.

1494
01:05:46,280 --> 01:05:50,400
Speaker 2: That's number one. Hey, putting somebody on the flight to

1495
01:05:50,480 --> 01:05:54,640
Speaker 2: jus straight the E w R economy, that's right there.

1496
01:05:54,880 --> 01:05:56,200
Speaker 3: That's a nasty flight.

1497
01:05:56,880 --> 01:05:59,080
Speaker 2: Jesus Christ, have you ever seen the meadowlands?

1498
01:05:59,320 --> 01:06:02,800
Speaker 3: As soon as you and the penitentiary is right, it's

1499
01:06:02,880 --> 01:06:08,200
Speaker 3: right across the street, bro. Putting niggas in the penitentiary, right,

1500
01:06:08,240 --> 01:06:10,320
Speaker 3: across from an airport is so disrespectful.

1501
01:06:10,320 --> 01:06:11,480
Speaker 2: I mean, it's a lot of airports like them.

1502
01:06:11,520 --> 01:06:13,480
Speaker 3: Niggas are sitting here just watching flights take off.

1503
01:06:13,520 --> 01:06:19,800
Speaker 2: Every day they watch, they watch a metaphor go over

1504
01:06:19,840 --> 01:06:20,320
Speaker 2: the head.

1505
01:06:20,720 --> 01:06:22,880
Speaker 3: So fucked up, man, I think about that every time

1506
01:06:22,920 --> 01:06:24,360
Speaker 3: I gotta fly to new work. I'm like, this is

1507
01:06:24,360 --> 01:06:24,840
Speaker 3: so fun.

1508
01:06:25,000 --> 01:06:27,280
Speaker 2: So Guardia, the end of the runaway is Rikers.

1509
01:06:28,000 --> 01:06:32,560
Speaker 3: Really, you're right, You're absolutely right. Rikers is right there. Yeah,

1510
01:06:34,240 --> 01:06:37,760
Speaker 3: that's on purpose, that's on purpose. Whoever's building these prisons,

1511
01:06:37,800 --> 01:06:40,120
Speaker 3: they're doing that on purpose. They like, we want your

1512
01:06:40,200 --> 01:06:44,560
Speaker 3: niggas to see people being free, because nothing says free

1513
01:06:44,600 --> 01:06:46,480
Speaker 3: like flights taking off and landed.

1514
01:06:46,560 --> 01:06:48,560
Speaker 2: And then and then the more audacity that I have

1515
01:06:48,560 --> 01:06:51,800
Speaker 2: to see the word spirit. Yeah, you fly over me.

1516
01:06:52,200 --> 01:06:54,200
Speaker 2: You think my spirits is hot right now? Because they're not,

1517
01:06:54,800 --> 01:06:55,440
Speaker 2: and it's yellow.

1518
01:06:55,480 --> 01:06:58,320
Speaker 3: I can't say, my god, man, that's funny as fuck.

1519
01:06:58,920 --> 01:07:01,120
Speaker 2: No. Just listen to your point of me saying I

1520
01:07:01,120 --> 01:07:04,440
Speaker 2: put chicks on flights. I they are not demanding or

1521
01:07:04,480 --> 01:07:07,160
Speaker 2: asking me and saying yeah, that is their love language.

1522
01:07:07,200 --> 01:07:11,680
Speaker 2: It's women that just come out as if everyone deserves

1523
01:07:11,800 --> 01:07:14,440
Speaker 2: the highest thing. Ever, when you're not providing much at all.

1524
01:07:14,680 --> 01:07:17,320
Speaker 2: Please tell me and when you post these, please tell

1525
01:07:17,360 --> 01:07:19,960
Speaker 2: me what you're good at. If I'm poking a flight

1526
01:07:20,000 --> 01:07:21,640
Speaker 2: because your love language is that and I'm doing that.

1527
01:07:21,840 --> 01:07:24,200
Speaker 3: What have you ever offered? Right, Demarris, let me ask

1528
01:07:24,240 --> 01:07:25,560
Speaker 3: you something. You're the only woman in the room.

1529
01:07:26,440 --> 01:07:27,320
Speaker 1: I'm hiring a woman.

1530
01:07:28,040 --> 01:07:30,760
Speaker 3: Listen, No, no, sometimes we just fall into these. I

1531
01:07:30,800 --> 01:07:34,120
Speaker 3: just need a woman's If a guy was the book

1532
01:07:34,120 --> 01:07:37,760
Speaker 3: a vacation right, say, y'all never took it. This is

1533
01:07:37,760 --> 01:07:40,919
Speaker 3: your first vacation together. Y'all hooked up a couple of times,

1534
01:07:40,960 --> 01:07:42,480
Speaker 3: you know what I mean? Like nothing real, too deep.

1535
01:07:42,480 --> 01:07:44,040
Speaker 3: But he's like, yo, I want to take a trip

1536
01:07:44,120 --> 01:07:46,440
Speaker 3: for the weekend. Let's go somewhere. If you go on

1537
01:07:46,480 --> 01:07:50,240
Speaker 3: this trip with this guy, are you expecting him to

1538
01:07:50,360 --> 01:07:52,760
Speaker 3: use protection on vacation like when you have sex?

1539
01:07:54,640 --> 01:07:56,040
Speaker 2: Because there's the only one of these comments we've been

1540
01:07:56,040 --> 01:07:56,640
Speaker 2: through this million time.

1541
01:07:56,680 --> 01:07:57,040
Speaker 1: Yeah I'm not.

1542
01:07:57,440 --> 01:07:59,040
Speaker 3: I'm just saying no. But if I take a woman

1543
01:07:59,080 --> 01:08:03,120
Speaker 3: on a vacation, condumns aren't in my bag, Like this.

1544
01:08:03,000 --> 01:08:05,680
Speaker 2: Is this You can't get pregnant international waters, Raw Island.

1545
01:08:05,760 --> 01:08:07,520
Speaker 2: You ain't know that Raw Island.

1546
01:08:09,280 --> 01:08:15,240
Speaker 3: For a second, right, just right, down the street. Would

1547
01:08:15,240 --> 01:08:18,640
Speaker 3: you would you be expecting to use protection on this

1548
01:08:19,360 --> 01:08:21,200
Speaker 3: on this trip where her love language is not because

1549
01:08:21,200 --> 01:08:22,599
Speaker 3: you know, you want to have sex in the pool,

1550
01:08:22,640 --> 01:08:26,439
Speaker 3: like if he has a private let you not in

1551
01:08:26,560 --> 01:08:28,599
Speaker 3: the water, but like you're on the edge of the pool,

1552
01:08:28,720 --> 01:08:31,240
Speaker 3: like outside of the water, and like you know, he

1553
01:08:31,320 --> 01:08:34,599
Speaker 3: might be on the steps busting that thing open for you. No,

1554
01:08:36,400 --> 01:08:38,680
Speaker 3: all right, you know, do.

1555
01:08:38,720 --> 01:08:40,959
Speaker 1: You talk to your therapist about this, about the things.

1556
01:08:40,720 --> 01:08:41,320
Speaker 2: That you asked?

1557
01:08:41,320 --> 01:08:43,920
Speaker 3: I haven't. I think I found one. I haven't had

1558
01:08:43,960 --> 01:08:46,640
Speaker 3: a session with her yet, but I think I found one.

1559
01:08:46,640 --> 01:08:47,160
Speaker 3: But I would.

1560
01:08:47,400 --> 01:08:49,559
Speaker 1: Yeah, that's talk to her about this.

1561
01:08:49,800 --> 01:08:51,960
Speaker 3: Yeah, I would like listen, I'm about to take a

1562
01:08:52,040 --> 01:08:56,160
Speaker 3: trip with this this young lady. We've we've only used protection,

1563
01:08:56,240 --> 01:08:58,479
Speaker 3: but I don't plan on using protection on this vacation.

1564
01:08:58,560 --> 01:08:59,439
Speaker 3: What do you think.

1565
01:09:01,000 --> 01:09:03,439
Speaker 2: That's what you want to ask your therapist? Yeah, that's

1566
01:09:03,479 --> 01:09:06,840
Speaker 2: the first question, not the first no, the second.

1567
01:09:07,160 --> 01:09:09,040
Speaker 3: No. But I'm just saying, if if a trip is

1568
01:09:09,040 --> 01:09:10,960
Speaker 3: coming up and I have a session with therapist, I

1569
01:09:10,960 --> 01:09:12,519
Speaker 3: would bring it up, Like you should ask your doctor.

1570
01:09:12,520 --> 01:09:13,599
Speaker 2: I don't think you should ask her.

1571
01:09:13,720 --> 01:09:14,439
Speaker 3: She's a doctor.

1572
01:09:15,040 --> 01:09:15,920
Speaker 2: Oh, your clinical doctor.

1573
01:09:16,000 --> 01:09:17,680
Speaker 1: Just let me know when you're ready to book this

1574
01:09:17,720 --> 01:09:19,720
Speaker 1: trip because you asked This isn't the first time I

1575
01:09:19,760 --> 01:09:21,719
Speaker 1: think you've asked about this. I think we've asked about

1576
01:09:21,720 --> 01:09:24,559
Speaker 1: this in pre pro too, on vacation, the trip for

1577
01:09:24,600 --> 01:09:26,599
Speaker 1: you and the girl that you want to take out.

1578
01:09:26,760 --> 01:09:29,600
Speaker 3: All right, I feel like December twenty seventh works for me.

1579
01:09:29,720 --> 01:09:35,360
Speaker 2: Okay, added to the calendar, added to the calendar, fuck

1580
01:09:35,439 --> 01:09:36,400
Speaker 2: it whatever.

1581
01:09:36,479 --> 01:09:36,760
Speaker 3: All right?

1582
01:09:36,800 --> 01:09:41,320
Speaker 2: The love languages have to match, yeah, because what if

1583
01:09:41,360 --> 01:09:49,320
Speaker 2: I'm Spanish, that too, I speak Spanish love language, all right,

1584
01:09:49,320 --> 01:09:55,920
Speaker 2: don't fucking what if my love language is just I

1585
01:09:55,960 --> 01:09:58,960
Speaker 2: would just like to be respected, and I would just

1586
01:09:59,040 --> 01:10:00,519
Speaker 2: like you to be a good listener and someone that

1587
01:10:00,560 --> 01:10:03,040
Speaker 2: I can rely on. That's that's my love language. Words

1588
01:10:03,040 --> 01:10:05,240
Speaker 2: of affirmation are my my love language.

1589
01:10:05,240 --> 01:10:08,240
Speaker 1: That's affirmation means people you like people telling you that

1590
01:10:08,320 --> 01:10:10,160
Speaker 1: they love you, and that's your great and all of

1591
01:10:10,200 --> 01:10:10,719
Speaker 1: these things.

1592
01:10:10,840 --> 01:10:13,479
Speaker 2: So say that's my love language, right, and then her

1593
01:10:13,560 --> 01:10:16,280
Speaker 2: love language is the meme yo, I booked us a

1594
01:10:16,320 --> 01:10:17,799
Speaker 2: trip or traveling.

1595
01:10:18,520 --> 01:10:20,880
Speaker 1: You do know that the means of I booked us

1596
01:10:20,880 --> 01:10:23,679
Speaker 1: a trip. The love language isn't the gift of the trip.

1597
01:10:23,720 --> 01:10:25,600
Speaker 1: The love language is the act of the service that

1598
01:10:25,640 --> 01:10:28,120
Speaker 1: you planned something. You do know that, right, that's.

1599
01:10:27,960 --> 01:10:29,680
Speaker 3: What I knew that, But we were having fun the

1600
01:10:29,720 --> 01:10:30,760
Speaker 3: marriage things. For stepping on the.

1601
01:10:30,800 --> 01:10:34,960
Speaker 2: Joke, do you have to do? You have to be

1602
01:10:34,960 --> 01:10:38,599
Speaker 2: able to afford your own love language, because you can't

1603
01:10:38,600 --> 01:10:39,880
Speaker 2: go to a relationship until you love yourself.

1604
01:10:39,920 --> 01:10:40,559
Speaker 3: Right, that's a fact.

1605
01:10:40,560 --> 01:10:43,160
Speaker 2: You have to love yourself. You have to love yourself

1606
01:10:43,360 --> 01:10:45,080
Speaker 2: or someone else cannot love you until you know how

1607
01:10:45,080 --> 01:10:47,120
Speaker 2: to love yourself. So if your love language is traveling

1608
01:10:47,360 --> 01:10:49,280
Speaker 2: and your bum ass can't buy a ticket for yourself

1609
01:10:49,320 --> 01:10:52,280
Speaker 2: to go travel, I am not part of your love language.

1610
01:10:52,600 --> 01:10:53,840
Speaker 3: I don't speak that language.

1611
01:10:54,600 --> 01:10:56,040
Speaker 2: I am your trick language.

1612
01:10:56,800 --> 01:10:58,960
Speaker 3: Yeah, Oh, women love a good trick. You know that

1613
01:11:01,240 --> 01:11:03,519
Speaker 3: women love nothing more than a trick, except the new trick.

1614
01:11:03,960 --> 01:11:05,840
Speaker 3: Oh yeah, the one that don't know they old tricks.

1615
01:11:05,880 --> 01:11:06,280
Speaker 2: The new trick.

1616
01:11:06,360 --> 01:11:08,240
Speaker 3: Oh God, they love the new trick, the one that

1617
01:11:08,280 --> 01:11:11,960
Speaker 3: don't know that they're the trick. Yet, y'all be spending

1618
01:11:11,960 --> 01:11:16,759
Speaker 3: them niggas like tops. Boy'll be spending them niggas like tops.

1619
01:11:16,880 --> 01:11:18,000
Speaker 2: You gotta know when you the trick.

1620
01:11:18,600 --> 01:11:24,160
Speaker 3: Some niggas don't know. That's not true. They take it

1621
01:11:24,200 --> 01:11:24,519
Speaker 3: from me.

1622
01:11:24,520 --> 01:11:25,840
Speaker 2: That's all they know how to offer. And they feel

1623
01:11:25,840 --> 01:11:26,240
Speaker 2: good about it.

1624
01:11:26,640 --> 01:11:28,720
Speaker 3: Take it from me. Some dudes do not know when

1625
01:11:28,720 --> 01:11:31,840
Speaker 3: they're the trick. They don't. They do not know. I've

1626
01:11:31,840 --> 01:11:32,599
Speaker 3: seen I've seen it.

1627
01:11:32,760 --> 01:11:33,879
Speaker 1: But they think they're a boyfriend.

1628
01:11:34,560 --> 01:11:36,120
Speaker 2: They think that the girl really likes them.

1629
01:11:36,520 --> 01:11:37,800
Speaker 1: You really like your trick.

1630
01:11:38,479 --> 01:11:39,920
Speaker 2: See I agree with my God.

1631
01:11:40,479 --> 01:11:42,519
Speaker 3: Don't like your trick. You like what your trick is

1632
01:11:42,600 --> 01:11:43,840
Speaker 3: doing for you. You don't like him.

1633
01:11:44,080 --> 01:11:47,559
Speaker 1: If any human being, any human interaction you come across,

1634
01:11:47,840 --> 01:11:49,120
Speaker 1: you will always be able to say, I like what

1635
01:11:49,160 --> 01:11:51,479
Speaker 1: this person does for me. This person makes me, whether

1636
01:11:51,479 --> 01:11:53,320
Speaker 1: it's this person is sucking me well, or this person

1637
01:11:53,360 --> 01:11:55,600
Speaker 1: makes me smile, or this person makes me smarter, or

1638
01:11:55,640 --> 01:11:57,519
Speaker 1: this person puts me in a position to get money.

1639
01:11:57,560 --> 01:11:59,280
Speaker 1: You always like people for what they do for you.

1640
01:12:00,240 --> 01:12:04,559
Speaker 1: Actually liking people for who they are is that happens

1641
01:12:05,040 --> 01:12:05,839
Speaker 1: once every lifetime.

1642
01:12:05,960 --> 01:12:08,519
Speaker 2: If you're lucky, people don't even like your parents.

1643
01:12:08,880 --> 01:12:12,000
Speaker 3: People like you for who you are. I like you

1644
01:12:12,040 --> 01:12:12,599
Speaker 3: for who you are.

1645
01:12:13,280 --> 01:12:15,320
Speaker 1: Hmm, mal If I had a list of all the

1646
01:12:15,360 --> 01:12:18,240
Speaker 1: things I do for you and if I didn't do them,

1647
01:12:18,280 --> 01:12:19,360
Speaker 1: how much you wouldn't like me?

1648
01:12:20,760 --> 01:12:23,320
Speaker 3: Like, Let's still like you for who you are? The marriage? Okay,

1649
01:12:23,439 --> 01:12:25,280
Speaker 3: if you if you were if you.

1650
01:12:25,240 --> 01:12:31,440
Speaker 2: Weren't your next stop doing list, you're not.

1651
01:12:31,600 --> 01:12:34,719
Speaker 3: I want to say, just say, if you were doing

1652
01:12:34,720 --> 01:12:37,639
Speaker 3: these things, I would still love you as a person

1653
01:12:37,640 --> 01:12:38,320
Speaker 3: and appreciate you.

1654
01:12:38,400 --> 01:12:43,360
Speaker 1: Okay, would I still have a job, Yeah, you still.

1655
01:12:43,200 --> 01:12:45,280
Speaker 3: Have a job, but I was still I would love

1656
01:12:45,320 --> 01:12:47,280
Speaker 3: you like and wish you luck on your next endeavor.

1657
01:12:47,479 --> 01:12:51,040
Speaker 2: Okay, Yeah, that's all right. That's not loving somebody. Yes,

1658
01:12:51,160 --> 01:12:51,559
Speaker 2: it is.

1659
01:12:53,040 --> 01:12:56,759
Speaker 3: Prayers, it is the marriage.

1660
01:12:56,760 --> 01:12:59,080
Speaker 2: Well are you kidding? You killed it? Like, go ahead

1661
01:12:59,080 --> 01:13:01,479
Speaker 2: and killed it. You're doing your wherever you end up

1662
01:13:01,560 --> 01:13:02,800
Speaker 2: or wherever you land. It was meant to be.

1663
01:13:02,960 --> 01:13:04,400
Speaker 3: I just h yeah, but no, A lot of a

1664
01:13:04,479 --> 01:13:06,040
Speaker 3: lot of a lot of people, a lot of tricks

1665
01:13:06,120 --> 01:13:08,160
Speaker 3: don't know that their tricks though. They think like yet

1666
01:13:08,400 --> 01:13:11,599
Speaker 3: I got bitches, Oh you have bills?

1667
01:13:12,240 --> 01:13:14,600
Speaker 1: Okay, it is what it is, same honestly, if you

1668
01:13:14,680 --> 01:13:15,880
Speaker 1: think same thing.

1669
01:13:16,560 --> 01:13:18,679
Speaker 2: Well, but that's not true because if she's providing a service,

1670
01:13:19,080 --> 01:13:21,640
Speaker 2: it's transactional. Like I don't look at everything. I'm not

1671
01:13:21,800 --> 01:13:24,120
Speaker 2: Verizon's trick. They provide me a service and I give

1672
01:13:24,160 --> 01:13:28,400
Speaker 2: them the money they're sucking out. So you're in turn

1673
01:13:28,520 --> 01:13:32,400
Speaker 2: saying that women are cell phones. Some are just transactional yes,

1674
01:13:32,520 --> 01:13:34,320
Speaker 2: and I think there's plenty of women. It's the oldest

1675
01:13:34,400 --> 01:13:36,120
Speaker 2: job on earth, transactional women.

1676
01:13:37,320 --> 01:13:38,880
Speaker 3: You know what the oldest job on earth is right,

1677
01:13:39,960 --> 01:13:40,800
Speaker 3: selling that ass?

1678
01:13:41,120 --> 01:13:44,120
Speaker 2: So yeah, selling that some ship is not true.

1679
01:13:44,160 --> 01:13:46,280
Speaker 3: They're selling it at a rapid rate. Now, broy, have

1680
01:13:46,360 --> 01:13:48,760
Speaker 3: you seen it? They out there giving it up.

1681
01:13:48,840 --> 01:13:49,200
Speaker 1: I have not.

1682
01:13:49,479 --> 01:13:52,200
Speaker 3: It's a clearance on as want me take any cash

1683
01:13:52,200 --> 01:13:55,240
Speaker 3: on buy ass. That's one thing mall doesn't do. You

1684
01:13:55,320 --> 01:13:56,479
Speaker 3: bought it, though you don't buy.

1685
01:13:56,840 --> 01:14:00,240
Speaker 2: You've had to pay for it than you have not

1686
01:14:00,280 --> 01:14:02,760
Speaker 2: bought pussy. But you've had to pay for it, like

1687
01:14:02,880 --> 01:14:06,200
Speaker 2: eating didn't hope didn't go over your head. Free the

1688
01:14:06,240 --> 01:14:13,719
Speaker 2: two times all right Man saw he re release his album,

1689
01:14:14,280 --> 01:14:16,280
Speaker 2: I went a new album ship. I saw a Casting over.

1690
01:14:16,320 --> 01:14:18,040
Speaker 2: I was like, I know this album. I liked this

1691
01:14:18,120 --> 01:14:22,160
Speaker 2: album album. He re released this Commissary. I just saw

1692
01:14:22,200 --> 01:14:24,320
Speaker 2: it was in on title. It was on new albums

1693
01:14:24,320 --> 01:14:26,400
Speaker 2: and I was like, okay, I'll give you some more streams.

1694
01:14:27,320 --> 01:14:29,880
Speaker 1: Got the title, he signed the title.

1695
01:14:31,960 --> 01:14:34,880
Speaker 2: Yeah, if they didn't put that on title in twenty eighteen,

1696
01:14:34,960 --> 01:14:37,559
Speaker 2: you signed to them. Shout out to cast and over

1697
01:14:37,640 --> 01:14:39,719
Speaker 2: Man for sure, for sure, And I've I've been seeing

1698
01:14:39,760 --> 01:14:42,879
Speaker 2: some stuff about his case, and a lot of objective

1699
01:14:42,920 --> 01:14:44,840
Speaker 2: lawyers seem to think pretty highly of it and think

1700
01:14:44,840 --> 01:14:48,080
Speaker 2: it's a bullshit case as far as Cast goes, and

1701
01:14:48,200 --> 01:14:50,000
Speaker 2: he's just kind of got wrapped up in it, and

1702
01:14:50,040 --> 01:14:53,000
Speaker 2: it's all circumstantial evidence, and they're just trying to arrest

1703
01:14:53,040 --> 01:14:55,599
Speaker 2: as many people as possible to see who is gonna

1704
01:14:55,600 --> 01:14:59,240
Speaker 2: snitch and then from there the game they just grabbed everybody,

1705
01:14:59,320 --> 01:15:02,760
Speaker 2: didn't matter mighty who wants to raise their hand and

1706
01:15:02,880 --> 01:15:04,560
Speaker 2: then that's just all it is. And everything that's on

1707
01:15:04,680 --> 01:15:07,559
Speaker 2: Cast is real circumstantial bullshit. So all right, Well, prayers

1708
01:15:07,640 --> 01:15:11,080
Speaker 2: to him for sure. Sure new music did come out though,

1709
01:15:11,120 --> 01:15:13,160
Speaker 2: speaking of that, it did.

1710
01:15:13,840 --> 01:15:19,200
Speaker 3: Got got that Ross talk to me, it's time to

1711
01:15:19,240 --> 01:15:22,080
Speaker 3: be objective. I like it. I hate the Wiggle record though,

1712
01:15:22,200 --> 01:15:25,400
Speaker 3: got to be on. I know that they're gonna make

1713
01:15:25,439 --> 01:15:27,600
Speaker 3: it work, they're gonna force it on us, but I

1714
01:15:27,760 --> 01:15:30,519
Speaker 3: hate that record, man, I just it's just it's the

1715
01:15:30,760 --> 01:15:33,160
Speaker 3: hook is just too lazy, like I think it was.

1716
01:15:33,439 --> 01:15:33,880
Speaker 3: I think it was.

1717
01:15:34,080 --> 01:15:36,679
Speaker 2: Finally Ross. Ross has been really good at not showing

1718
01:15:36,760 --> 01:15:38,920
Speaker 2: his age his whole career, because Ross came in the game.

1719
01:15:39,920 --> 01:15:43,639
Speaker 3: Like aties for sure, and well when we found out.

1720
01:15:43,960 --> 01:15:46,799
Speaker 2: And whatever his industry ages now. I think Ross is fifty.

1721
01:15:47,760 --> 01:15:49,240
Speaker 2: I just think they got I think they gave.

1722
01:15:49,200 --> 01:15:52,040
Speaker 3: Him age just documented. I mean its document.

1723
01:15:52,320 --> 01:15:54,280
Speaker 2: I think this was when he finally wiggles, when he

1724
01:15:54,320 --> 01:15:56,400
Speaker 2: finally showed his age, because that hook sounds like that

1725
01:15:56,479 --> 01:15:58,960
Speaker 2: creepy uncle at the barbecue, like and girl the girl

1726
01:15:59,000 --> 01:16:02,599
Speaker 2: walked by wiggle. I'm like, all right, I'm coming, Russ.

1727
01:16:02,840 --> 01:16:04,280
Speaker 2: You're finally showing how old you are.

1728
01:16:05,240 --> 01:16:06,880
Speaker 3: Yeah. The hook was too, it was just lazy. I

1729
01:16:07,400 --> 01:16:09,479
Speaker 3: felt like it wasn't much effort in that hook. The

1730
01:16:09,600 --> 01:16:10,960
Speaker 3: beat is hard. I know what it's gonna do in

1731
01:16:11,000 --> 01:16:12,960
Speaker 3: the strip clubs. I know, once they shoot the visual

1732
01:16:13,040 --> 01:16:15,439
Speaker 3: for it and we see ashes shaking, we're gonna fall

1733
01:16:15,479 --> 01:16:17,720
Speaker 3: in love with it. But nah, that's that's not the

1734
01:16:17,760 --> 01:16:18,080
Speaker 3: one for me.

1735
01:16:18,240 --> 01:16:23,479
Speaker 2: Dream Dog came in snitching on Johnny just said the location,

1736
01:16:24,200 --> 01:16:26,840
Speaker 2: like I didn't think she said the fight number. Just

1737
01:16:26,960 --> 01:16:28,920
Speaker 2: landing in Miami, got Johnny on the trap phone. It's

1738
01:16:28,960 --> 01:16:31,719
Speaker 2: Johnny sitting there like, whoa, I gave you that phone

1739
01:16:31,760 --> 01:16:39,559
Speaker 2: for a reason. Dream Dog came and spitting, but all right.

1740
01:16:42,320 --> 01:16:47,559
Speaker 3: Great raps. I love Pulitzer uh rappers states. I think

1741
01:16:47,560 --> 01:16:52,040
Speaker 3: that's what it's called. Benny is hard. The joint. I

1742
01:16:52,080 --> 01:16:53,000
Speaker 3: love the joint of Blast.

1743
01:16:53,840 --> 01:16:54,599
Speaker 2: That's probably my favorite.

1744
01:16:54,640 --> 01:16:56,439
Speaker 3: Yeah, I love that joint. Blast the drum with Jasmine

1745
01:16:56,720 --> 01:16:58,880
Speaker 3: in twenty one is super hard. I still.

1746
01:16:58,880 --> 01:16:59,960
Speaker 2: I mean, that was the first one that came out.

1747
01:17:00,200 --> 01:17:02,160
Speaker 2: I said on this podcast it was underwoman to me.

1748
01:17:02,439 --> 01:17:03,639
Speaker 3: You know, like you don't like that record.

1749
01:17:04,360 --> 01:17:06,120
Speaker 2: I've had it so many times from Ross and I

1750
01:17:06,160 --> 01:17:08,519
Speaker 2: feel like they've executed it so much better.

1751
01:17:08,680 --> 01:17:11,679
Speaker 3: I mean, I mean, ship it works. Jasmine is killing

1752
01:17:11,760 --> 01:17:15,040
Speaker 3: that ship twenty one got off Ross got off Heartbeat.

1753
01:17:15,160 --> 01:17:16,720
Speaker 3: I just saw the video last night. I didn't even

1754
01:17:16,720 --> 01:17:18,080
Speaker 3: know the video was out. That was the first thing

1755
01:17:18,120 --> 01:17:20,280
Speaker 3: that is not for That was the first single. But

1756
01:17:20,520 --> 01:17:23,519
Speaker 3: you know, you gotta like artists like put the videos

1757
01:17:23,560 --> 01:17:25,840
Speaker 3: out on their youtubes now, like we don't even we

1758
01:17:25,960 --> 01:17:26,680
Speaker 3: need that's what we need.

1759
01:17:26,760 --> 01:17:29,920
Speaker 2: We need a new video show. It's called Viva.

1760
01:17:30,680 --> 01:17:32,800
Speaker 3: Yeah, but no, man, I gotta I gotta go to

1761
01:17:32,920 --> 01:17:34,920
Speaker 3: YouTube to see like I want to see, Like I

1762
01:17:34,960 --> 01:17:37,160
Speaker 3: want to watch a show and watch it, like you

1763
01:17:37,200 --> 01:17:39,559
Speaker 3: know what I'm saying, Like people like air the video

1764
01:17:39,680 --> 01:17:41,519
Speaker 3: and shit like that, Like that was part of the culture.

1765
01:17:41,560 --> 01:17:43,320
Speaker 3: That was a huge part of the culture.

1766
01:17:43,439 --> 01:17:45,519
Speaker 2: I could I could see you getting We talked about

1767
01:17:45,560 --> 01:17:48,160
Speaker 2: Carson Elly last time. I could see Molson daily like

1768
01:17:48,240 --> 01:17:51,200
Speaker 2: giving up the Here's here's the new I could go

1769
01:17:51,240 --> 01:17:53,639
Speaker 2: to the window on wave. Here's the new blazing track

1770
01:17:53,760 --> 01:17:56,400
Speaker 2: from Absolute A certain artists that label paid for, Like,

1771
01:17:56,439 --> 01:17:57,439
Speaker 2: I could definitely see you do that.

1772
01:17:57,600 --> 01:17:59,479
Speaker 3: Let's make it happen. Let's do it. Fuck word, put

1773
01:17:59,520 --> 01:18:01,360
Speaker 3: it in the universe. Ge get them on the phone.

1774
01:18:01,439 --> 01:18:01,960
Speaker 3: Let's make it happen.

1775
01:18:02,040 --> 01:18:03,719
Speaker 2: But it would be funny instead of instead of everyone

1776
01:18:03,760 --> 01:18:05,519
Speaker 2: going to Time Square to wave it like the window,

1777
01:18:05,920 --> 01:18:08,680
Speaker 2: like you just go to Saint Nick and they got

1778
01:18:08,800 --> 01:18:09,280
Speaker 2: in the project.

1779
01:18:09,920 --> 01:18:11,639
Speaker 3: In the real way, I gotta open the wind.

1780
01:18:13,200 --> 01:18:15,479
Speaker 2: Like everyone just stands out it waits for you to wave.

1781
01:18:16,120 --> 01:18:19,000
Speaker 2: That's hard for the projects. Hard. We're gonna get a

1782
01:18:19,040 --> 01:18:20,479
Speaker 2: bag and someone's gonna get robbed.

1783
01:18:22,760 --> 01:18:24,360
Speaker 3: Yeah no, but we need that in the culture, man,

1784
01:18:24,439 --> 01:18:26,120
Speaker 3: Like that's why I like to find videos. But I

1785
01:18:26,160 --> 01:18:28,760
Speaker 3: saw the video. The video was dope. Yeah.

1786
01:18:28,760 --> 01:18:29,280
Speaker 2: I liked the album.

1787
01:18:29,320 --> 01:18:30,920
Speaker 3: I liked the album a lot. I was scared. I

1788
01:18:31,000 --> 01:18:33,560
Speaker 3: was nervous, but he delivered. Ross delivered on this.

1789
01:18:35,800 --> 01:18:39,280
Speaker 2: You are I'm looking at him, man, you know what

1790
01:18:39,520 --> 01:18:42,120
Speaker 2: how you feel man about what where does this rank?

1791
01:18:42,160 --> 01:18:45,960
Speaker 2: And ross'es desography. Because you're gonna make me about this album,

1792
01:18:46,040 --> 01:18:46,599
Speaker 2: I can't.

1793
01:18:46,840 --> 01:18:48,680
Speaker 3: Say whatever you you don't like the album, say that

1794
01:18:48,840 --> 01:18:50,760
Speaker 3: I like the album. I don't like Wiggle. I hate

1795
01:18:50,760 --> 01:18:51,200
Speaker 3: that record.

1796
01:18:51,280 --> 01:18:54,200
Speaker 2: I think it matches exactly what we talked about. It

1797
01:18:54,280 --> 01:18:58,000
Speaker 2: matches the rollout. It feels like I'm getting on I need.

1798
01:18:58,040 --> 01:18:59,519
Speaker 2: I need to put this out to get out of

1799
01:18:59,560 --> 01:19:02,360
Speaker 2: a deal. It's not bad as it's gonna be Ross,

1800
01:19:02,600 --> 01:19:03,840
Speaker 2: But to me, that's all.

1801
01:19:03,720 --> 01:19:05,360
Speaker 3: I'm talking about is the music. Is the music good?

1802
01:19:06,280 --> 01:19:09,280
Speaker 3: Like the business behind it? What's happening. I was just

1803
01:19:09,320 --> 01:19:11,200
Speaker 3: scared because I didn't feel like the rollout was like

1804
01:19:11,840 --> 01:19:13,400
Speaker 3: it was something that it was a lot of momentum

1805
01:19:13,439 --> 01:19:13,800
Speaker 3: behind it.

1806
01:19:14,200 --> 01:19:17,479
Speaker 2: That's why I like he didn't put much thought into

1807
01:19:17,560 --> 01:19:21,520
Speaker 2: the music or into this album in general, because.

1808
01:19:21,240 --> 01:19:23,160
Speaker 3: We know how no thought into the music.

1809
01:19:23,960 --> 01:19:27,400
Speaker 2: If it feels like a lazier version of Rather You

1810
01:19:27,520 --> 01:19:28,280
Speaker 2: than Me, Like.

1811
01:19:29,960 --> 01:19:31,880
Speaker 3: Nah, I wouldn't say that the music is a little bit.

1812
01:19:32,280 --> 01:19:34,000
Speaker 2: It's Ross, gonna pick the peace, It's gonna sound great

1813
01:19:34,120 --> 01:19:34,599
Speaker 2: like nobody.

1814
01:19:34,760 --> 01:19:36,960
Speaker 3: Just the music is just different on this album. Different

1815
01:19:38,000 --> 01:19:41,719
Speaker 3: because I didn't expect to hear Future on that type

1816
01:19:41,720 --> 01:19:42,840
Speaker 3: of a track that.

1817
01:19:42,920 --> 01:19:44,760
Speaker 2: Was about to be my biggest compliment of it. I

1818
01:19:44,800 --> 01:19:47,360
Speaker 2: would love to hear that Future more on Marvin Gaye

1819
01:19:47,479 --> 01:19:51,000
Speaker 2: sample drums was the Future is the best version that

1820
01:19:51,040 --> 01:19:54,000
Speaker 2: album only because we've never heard I'm not saying the

1821
01:19:54,080 --> 01:19:56,720
Speaker 2: actual verse itself, because we've never heard Future in that light.

1822
01:19:56,800 --> 01:19:57,400
Speaker 3: It was so different.

1823
01:19:57,600 --> 01:19:59,439
Speaker 2: It came on and it sounded great with Wiley in

1824
01:19:59,479 --> 01:20:00,960
Speaker 2: the middle too. I was like, oh, this is ill.

1825
01:20:01,080 --> 01:20:01,280
Speaker 3: Yeah.

1826
01:20:01,600 --> 01:20:04,880
Speaker 2: But other than that, like it felt even like some

1827
01:20:05,040 --> 01:20:07,360
Speaker 2: of the content. Of course, we know Ross is going

1828
01:20:07,439 --> 01:20:10,320
Speaker 2: to give us the you know, regular Ross content, but

1829
01:20:11,320 --> 01:20:13,040
Speaker 2: tellus some deep dives into some ship and gives us

1830
01:20:13,080 --> 01:20:15,439
Speaker 2: some real insight and a lot of stuff. I didn't

1831
01:20:15,520 --> 01:20:17,599
Speaker 2: get much of that from Ross on this at all,

1832
01:20:18,479 --> 01:20:20,200
Speaker 2: and later in his career he's done a lot of that.

1833
01:20:21,040 --> 01:20:22,960
Speaker 2: It felt like the rollout, it felt like I'm let

1834
01:20:23,000 --> 01:20:24,760
Speaker 2: me just do this because it feels like it's time.

1835
01:20:25,200 --> 01:20:27,080
Speaker 2: It feels like I owe the people some music. Let

1836
01:20:27,160 --> 01:20:28,680
Speaker 2: me do it. And that's not going to be bad

1837
01:20:28,720 --> 01:20:32,240
Speaker 2: from Ross because it's Ross. But I again, as I

1838
01:20:32,280 --> 01:20:34,439
Speaker 2: always say on this podcast, I can only compare artists

1839
01:20:34,439 --> 01:20:36,679
Speaker 2: amongst their desography, and Ross is one of those artists

1840
01:20:36,680 --> 01:20:38,960
Speaker 2: for me that I think has one of the best desographies.

1841
01:20:39,000 --> 01:20:42,200
Speaker 2: I will argue it to so many rappers, a legend.

1842
01:20:43,120 --> 01:20:45,040
Speaker 3: So you know, I just this one.

1843
01:20:46,800 --> 01:20:48,519
Speaker 2: It felt, you know, it felt kind of.

1844
01:20:48,600 --> 01:20:49,559
Speaker 3: Like is the music good?

1845
01:20:50,320 --> 01:20:50,559
Speaker 2: Yeah?

1846
01:20:50,760 --> 01:20:52,400
Speaker 3: I mean, is the raps good?

1847
01:20:53,160 --> 01:20:54,360
Speaker 2: But why can't Why can't shit?

1848
01:20:54,600 --> 01:20:55,880
Speaker 3: I'm just asking you. I'm asking you.

1849
01:20:55,960 --> 01:20:58,200
Speaker 2: Directs the artist great? That's my answer.

1850
01:20:58,240 --> 01:20:59,080
Speaker 3: The artist is great?

1851
01:20:59,280 --> 01:21:01,720
Speaker 2: Yeah, so why should we always settle for good?

1852
01:21:01,760 --> 01:21:03,840
Speaker 3: I'm not expecting to break the mold with every album,

1853
01:21:04,800 --> 01:21:07,880
Speaker 3: but I'm like, if it sounds like Ross, it feels

1854
01:21:08,000 --> 01:21:10,720
Speaker 3: like Ross. He's still rapping at a high level, the

1855
01:21:10,800 --> 01:21:13,559
Speaker 3: production is still at a high level, the features are dope.

1856
01:21:14,760 --> 01:21:16,640
Speaker 3: Then I mean, as consumers, I mean, what else do

1857
01:21:16,760 --> 01:21:17,120
Speaker 3: we want?

1858
01:21:17,640 --> 01:21:20,920
Speaker 2: But here's the thing, I'm not comparing him, And again

1859
01:21:21,040 --> 01:21:23,040
Speaker 2: I'm an idiot behind the mike. Who the fuck am

1860
01:21:23,040 --> 01:21:25,760
Speaker 2: I to say it or demand that an artist that

1861
01:21:25,960 --> 01:21:28,320
Speaker 2: is great put out something great every time? Because that's

1862
01:21:28,439 --> 01:21:30,400
Speaker 2: a very impossible thing.

1863
01:21:30,680 --> 01:21:32,519
Speaker 3: To do and great ist objective Because I've be seeing

1864
01:21:32,520 --> 01:21:33,880
Speaker 3: a lot of these lists it is a great album,

1865
01:21:33,880 --> 01:21:35,000
Speaker 3: and I'll be like, no, that's not a great album.

1866
01:21:35,560 --> 01:21:38,320
Speaker 2: Ross is a great artist. Absolutely, I'll even compare it.

1867
01:21:38,400 --> 01:21:40,880
Speaker 2: Not I'm not even doing that corny like I'm comparing

1868
01:21:40,920 --> 01:21:42,680
Speaker 2: it to his first album. I'll compare it to the

1869
01:21:42,760 --> 01:21:45,920
Speaker 2: last album. Rather you than me. I could play straight

1870
01:21:46,000 --> 01:21:48,840
Speaker 2: through to this day and do often. That is a

1871
01:21:48,920 --> 01:21:53,560
Speaker 2: flawless Ross album late in his career. I still have

1872
01:21:53,640 --> 01:21:55,120
Speaker 2: that hope with Ross. It's not like I've seen a

1873
01:21:55,160 --> 01:21:58,080
Speaker 2: decline with his music. Maybe a decline with his popularity

1874
01:21:58,120 --> 01:22:00,000
Speaker 2: because he started to focus on other things and other arts,

1875
01:22:00,360 --> 01:22:03,200
Speaker 2: but the music has never declined with Ross. Ship is

1876
01:22:03,320 --> 01:22:06,080
Speaker 2: is flawless. So yeah, it felt like this was the

1877
01:22:06,160 --> 01:22:08,639
Speaker 2: first time we got an imperfect Ross album.

1878
01:22:09,479 --> 01:22:11,960
Speaker 3: I mean, besides Wiggle, I don't really know any other

1879
01:22:12,040 --> 01:22:13,800
Speaker 3: songs on there that I just don't want to listen to.

1880
01:22:14,920 --> 01:22:16,160
Speaker 2: What what you rather hear in the club?

1881
01:22:16,200 --> 01:22:16,479
Speaker 3: Wiggle?

1882
01:22:16,840 --> 01:22:18,720
Speaker 2: Or I'm Too Sexy.

1883
01:22:18,720 --> 01:22:22,599
Speaker 3: Wiggle Without a doubt, I don't ever want to hear

1884
01:22:22,600 --> 01:22:23,599
Speaker 3: way too sexy in the club.

1885
01:22:24,840 --> 01:22:29,559
Speaker 2: I mean, I don't know. It just wasn't like crazy

1886
01:22:29,640 --> 01:22:31,720
Speaker 2: standout joints on here to me.

1887
01:22:31,800 --> 01:22:33,720
Speaker 3: I mean, well, it just came out for sure, like

1888
01:22:33,800 --> 01:22:36,960
Speaker 3: we seventy two hours into the album coming out like so,

1889
01:22:37,040 --> 01:22:39,599
Speaker 3: I don't like it, but I'm off the listening over

1890
01:22:39,640 --> 01:22:41,679
Speaker 3: the weekend. I'm not I like the album.

1891
01:22:41,840 --> 01:22:43,799
Speaker 2: I never hit a skip and said that was bullshit.

1892
01:22:44,240 --> 01:22:46,960
Speaker 2: Just everything was kind of like across the.

1893
01:22:47,000 --> 01:22:49,519
Speaker 3: Board saying he played it safe, he didn't take no chance.

1894
01:22:49,520 --> 01:22:51,920
Speaker 3: I don't think he played Oh you think this was

1895
01:22:52,000 --> 01:22:55,000
Speaker 3: just like something that I think Ross can already sleep

1896
01:22:55,080 --> 01:22:59,000
Speaker 3: and he just did it. Yeah, exactly, That's exactly what

1897
01:22:59,000 --> 01:23:00,960
Speaker 3: I'm saying. I mean, he had it had to be

1898
01:23:01,040 --> 01:23:02,800
Speaker 3: some thought though, because, like I said, just off the

1899
01:23:02,880 --> 01:23:06,360
Speaker 3: fucking the Future verse and on that beat, getting them

1900
01:23:06,400 --> 01:23:08,519
Speaker 3: on that track alone, it's something I love. That had

1901
01:23:08,560 --> 01:23:11,200
Speaker 3: to be a thought and I can't help you can't

1902
01:23:11,200 --> 01:23:11,519
Speaker 3: wing that.

1903
01:23:11,680 --> 01:23:13,920
Speaker 2: I hope Future does more of ship like that in

1904
01:23:14,000 --> 01:23:14,400
Speaker 2: the Future.

1905
01:23:14,520 --> 01:23:18,000
Speaker 3: Absolutely put intended. I didn't mean that was corny. I

1906
01:23:18,000 --> 01:23:20,559
Speaker 3: didn't even realize that I was. Sometimes that's how it happened.

1907
01:23:20,560 --> 01:23:21,639
Speaker 3: Sometimes they just come.

1908
01:23:21,560 --> 01:23:28,000
Speaker 2: Off the head. A great artist, You are a great artists. Yeah,

1909
01:23:28,040 --> 01:23:29,519
Speaker 2: I mean, I'm gonna keep listening to it. It's Ross

1910
01:23:29,600 --> 01:23:30,760
Speaker 2: still one of my favorite rappers ever.

1911
01:23:32,680 --> 01:23:35,599
Speaker 3: I liked it, sure, I'm sure, I'm sure it's gonna

1912
01:23:35,640 --> 01:23:38,440
Speaker 3: be I don't know where it ranks in his discography

1913
01:23:38,520 --> 01:23:40,880
Speaker 3: for me, I'm not thinking like that yet, But I

1914
01:23:41,080 --> 01:23:42,720
Speaker 3: was more so scared because I thought the music was

1915
01:23:42,760 --> 01:23:45,840
Speaker 3: going to be suffering a little bit. And once that

1916
01:23:46,080 --> 01:23:47,680
Speaker 3: wasn't the case, I was like, all right, cool, Like

1917
01:23:47,800 --> 01:23:50,240
Speaker 3: I'm happy for that. This this sounds good. The raps

1918
01:23:50,240 --> 01:23:54,400
Speaker 3: are still good. So yeah, we'll see it. So only

1919
01:23:54,439 --> 01:23:57,320
Speaker 3: it's only been a weekend. I'm with you. Ask me

1920
01:23:57,640 --> 01:23:58,640
Speaker 3: Thursday how I feel about it.

1921
01:23:59,640 --> 01:24:01,120
Speaker 2: I think they made it out. A lot of the

1922
01:24:01,160 --> 01:24:02,600
Speaker 2: Blast record is phenomenal.

1923
01:24:02,840 --> 01:24:04,840
Speaker 3: Yeah, I love that warm word Warm.

1924
01:24:04,720 --> 01:24:07,240
Speaker 2: Words in a cold world is great. Of course the

1925
01:24:07,280 --> 01:24:08,120
Speaker 2: Benny shit is great.

1926
01:24:08,400 --> 01:24:11,760
Speaker 3: But you know, and having Willie fol Cone on your

1927
01:24:11,800 --> 01:24:14,400
Speaker 3: album is just a different type of flex. Yeah, that

1928
01:24:14,560 --> 01:24:17,439
Speaker 3: was insane. I mean you can give the listeners to

1929
01:24:17,920 --> 01:24:22,400
Speaker 3: his history Willie Falcon. Yeah, watch it on Netflix. Cocaine Cowboys,

1930
01:24:22,680 --> 01:24:24,120
Speaker 3: It's all there. They put it all there for you.

1931
01:24:25,360 --> 01:24:28,040
Speaker 2: Ros's gonna find him a drug dealer, just just in case.

1932
01:24:28,080 --> 01:24:29,479
Speaker 2: Freeway want to say something but.

1933
01:24:29,600 --> 01:24:31,960
Speaker 3: No but but to be but but but to be fair.

1934
01:24:32,160 --> 01:24:34,880
Speaker 3: Ross has always mentioned Willie fox Com years ago. I

1935
01:24:34,880 --> 01:24:37,680
Speaker 3: remember they was asking him about his uh you know,

1936
01:24:38,160 --> 01:24:39,599
Speaker 3: it was an interview I believe he did, and they

1937
01:24:39,680 --> 01:24:41,479
Speaker 3: was asking him about who are some of the biggest

1938
01:24:41,479 --> 01:24:43,519
Speaker 3: you know people as far as the drug game that

1939
01:24:43,560 --> 01:24:45,880
Speaker 3: he always like looked in their story was like his

1940
01:24:45,960 --> 01:24:48,320
Speaker 3: story is crazy, and yeah, Willie fal Cone has always

1941
01:24:48,320 --> 01:24:51,040
Speaker 3: been number one on his list. Actually that's how I

1942
01:24:51,080 --> 01:24:53,559
Speaker 3: heard about Willie Fox comes from the interview that Rosse

1943
01:24:53,600 --> 01:24:54,479
Speaker 3: did years ago.

1944
01:24:55,160 --> 01:24:57,280
Speaker 2: I feel like this is me outside looking in. I

1945
01:24:57,280 --> 01:24:59,960
Speaker 2: feel like every drug dealer that ever there's a move

1946
01:25:00,040 --> 01:25:02,680
Speaker 2: be your TV show about has the same line. If

1947
01:25:02,960 --> 01:25:05,960
Speaker 2: you purchased coke in this era, you bought it from me.

1948
01:25:07,040 --> 01:25:10,439
Speaker 3: Oh no, no, somebody's lying. That's hilarious. But in this

1949
01:25:10,680 --> 01:25:13,880
Speaker 3: case he ain't lying. Willie ain't lying.

1950
01:25:13,960 --> 01:25:17,640
Speaker 2: I seen it Boston, George and everybody's like, yo, if

1951
01:25:17,680 --> 01:25:18,479
Speaker 2: you bought cocaine.

1952
01:25:19,200 --> 01:25:24,439
Speaker 3: They all know. They are homies, friends, the hoies, They

1953
01:25:24,600 --> 01:25:25,519
Speaker 3: all holies, trust me.

1954
01:25:26,080 --> 01:25:28,599
Speaker 2: You know the way Rockefeller did that tree fancy shirt,

1955
01:25:28,640 --> 01:25:32,439
Speaker 2: which was I we need the Pablo Escobar you might

1956
01:25:32,520 --> 01:25:36,439
Speaker 2: be on it. Someone nose. It's a joke. I don't

1957
01:25:36,479 --> 01:25:38,400
Speaker 2: do cocaine. I know, people really think I do. I

1958
01:25:38,479 --> 01:25:40,519
Speaker 2: really really don't know. I don't. I don't even like

1959
01:25:40,560 --> 01:25:42,320
Speaker 2: eye drops and nose drops. You think I'm putting anything

1960
01:25:42,320 --> 01:25:42,960
Speaker 2: in my fucking nose.

1961
01:25:43,600 --> 01:25:45,080
Speaker 3: It was something else. I wanted to ask you.

1962
01:25:45,720 --> 01:25:47,960
Speaker 2: Uh, Well, in the meantime, while you look for that,

1963
01:25:48,160 --> 01:25:52,800
Speaker 2: there was there was some other music. Big Boys and

1964
01:25:53,080 --> 01:25:56,160
Speaker 2: Sleepy Brown put out of a they snuck out a project.

1965
01:25:56,240 --> 01:25:58,560
Speaker 2: I know they've been talking about it, but there's some

1966
01:25:58,760 --> 01:26:01,840
Speaker 2: joints on that. It's it's for us. If you fucked

1967
01:26:01,880 --> 01:26:04,760
Speaker 2: with Big Boy and Sleepy it's it's exactly what we

1968
01:26:04,920 --> 01:26:07,559
Speaker 2: love them for. They didn't try to do twenty twenty

1969
01:26:07,600 --> 01:26:09,280
Speaker 2: one ship, they didn't try to do ninety six shit.

1970
01:26:09,320 --> 01:26:12,800
Speaker 2: They just did them and it's a phenomenal album. Like,

1971
01:26:12,880 --> 01:26:15,559
Speaker 2: there's really really some joints on there that I mean,

1972
01:26:15,600 --> 01:26:18,120
Speaker 2: we could play just maybe not for you two.

1973
01:26:18,560 --> 01:26:20,600
Speaker 3: You put me onto the Alicia Keys always. He was

1974
01:26:20,600 --> 01:26:21,479
Speaker 3: playing it in the green room.

1975
01:26:21,560 --> 01:26:22,960
Speaker 2: Sounds good, that's good.

1976
01:26:24,080 --> 01:26:26,040
Speaker 1: You've seen her press around where she was like, well,

1977
01:26:26,120 --> 01:26:27,920
Speaker 1: you know, if I was to do it versus, it

1978
01:26:27,960 --> 01:26:29,839
Speaker 1: will probably be with Rihanna or Beyonce.

1979
01:26:30,960 --> 01:26:32,559
Speaker 2: She did a verses already with John Legend.

1980
01:26:33,200 --> 01:26:35,120
Speaker 1: Yeah, but she she thought that she could do with

1981
01:26:35,320 --> 01:26:36,160
Speaker 1: Rihanna or Beyonce.

1982
01:26:36,320 --> 01:26:38,280
Speaker 3: Where she said if I was to do it versus,

1983
01:26:38,320 --> 01:26:38,960
Speaker 3: that's what she said.

1984
01:26:39,120 --> 01:26:40,800
Speaker 1: I don't know if that's what she compared herself to

1985
01:26:40,840 --> 01:26:42,040
Speaker 1: be Beyonce and Rihanna.

1986
01:26:42,280 --> 01:26:45,679
Speaker 3: I don't know direct the mad did she compare herself

1987
01:26:45,720 --> 01:26:47,640
Speaker 3: to Rionce and Rihanno Beyonce.

1988
01:26:50,040 --> 01:26:53,400
Speaker 2: Or did she say that she would do a versus

1989
01:26:53,560 --> 01:26:56,280
Speaker 2: with them? Let's not clickbait this. Did Alicia Keys in

1990
01:26:56,360 --> 01:26:58,559
Speaker 2: fact say she could do a versus? Well, she could

1991
01:26:58,560 --> 01:27:00,280
Speaker 2: do whatever she want. Her husband owns a company, right,

1992
01:27:01,160 --> 01:27:04,040
Speaker 2: Let's let's be totally clear on that. And she probably

1993
01:27:04,080 --> 01:27:06,160
Speaker 2: owns it too, so yeah.

1994
01:27:06,080 --> 01:27:08,680
Speaker 3: That's his wife. She owned it. You never own ship

1995
01:27:08,760 --> 01:27:09,400
Speaker 3: once you're married.

1996
01:27:10,320 --> 01:27:11,760
Speaker 2: Matter of fact, she owned the ship. If you want

1997
01:27:11,760 --> 01:27:14,519
Speaker 2: to get divorced, though, exactly, don't own ship when you

1998
01:27:14,600 --> 01:27:17,240
Speaker 2: get married. Do the opposite of what Russ says to

1999
01:27:17,320 --> 01:27:22,320
Speaker 2: do the moment you get married. Just being employed. Don't

2000
01:27:22,360 --> 01:27:24,759
Speaker 2: own your masters. Make sure someone else owns them.

2001
01:27:24,800 --> 01:27:27,080
Speaker 3: Once you get married. Don't listen to rush anymore because.

2002
01:27:26,840 --> 01:27:28,400
Speaker 2: Then if you get divorced, and then maybe go try

2003
01:27:28,400 --> 01:27:30,240
Speaker 2: to get your master's. But if you have your master's,

2004
01:27:30,280 --> 01:27:30,920
Speaker 2: you get divorced.

2005
01:27:30,960 --> 01:27:32,639
Speaker 3: I don't I can't see at least you keep saying

2006
01:27:32,640 --> 01:27:37,120
Speaker 3: that though okay, I could be wrong, but saying that

2007
01:27:37,760 --> 01:27:38,920
Speaker 3: because like she.

2008
01:27:38,960 --> 01:27:43,760
Speaker 1: Should do her b or re should do one should

2009
01:27:44,040 --> 01:27:44,599
Speaker 1: with one of those.

2010
01:27:44,800 --> 01:27:47,360
Speaker 3: Okay, that's different. She's not comparing herself to Rihano or

2011
01:27:47,400 --> 01:27:49,240
Speaker 3: Beyonce if she said that, versus.

2012
01:27:49,160 --> 01:27:50,760
Speaker 2: If I say I'm doing a versus with somebody, that

2013
01:27:50,840 --> 01:27:52,360
Speaker 2: means I'm either on your level or better.

2014
01:27:53,160 --> 01:27:54,840
Speaker 3: That's not true because we've seen some verses, but we

2015
01:27:54,960 --> 01:27:56,919
Speaker 3: was like, we didn't ask for this, and this ain't.

2016
01:27:57,280 --> 01:27:58,920
Speaker 2: I'm saying if an artist says that, if I say

2017
01:27:58,960 --> 01:28:01,280
Speaker 2: I could do a verses with somebody, I'm saying I'm

2018
01:28:01,320 --> 01:28:03,559
Speaker 2: either on their level or I'm better than them.

2019
01:28:06,960 --> 01:28:09,000
Speaker 3: Is Alicia Keys on the same level?

2020
01:28:09,400 --> 01:28:09,920
Speaker 1: Come on now?

2021
01:28:11,200 --> 01:28:20,519
Speaker 3: Yeah? Yeah, I didn't like it.

2022
01:28:20,560 --> 01:28:22,360
Speaker 2: I don't think anybody liked that one, you know, not

2023
01:28:22,439 --> 01:28:24,920
Speaker 2: that essentials that they put out on these DSPs are

2024
01:28:24,960 --> 01:28:27,679
Speaker 2: really it. I'm gonna come clean because no one saying

2025
01:28:27,680 --> 01:28:29,559
Speaker 2: I love Alicia Keys. I put my pre shot over

2026
01:28:29,840 --> 01:28:32,400
Speaker 2: shouts to Swizz love everyone on Earth. We're just debating music.

2027
01:28:32,479 --> 01:28:34,640
Speaker 2: This is my opinion. Alicia Keys is getting washed by

2028
01:28:34,720 --> 01:28:35,439
Speaker 2: Rihanna ambiance.

2029
01:28:36,680 --> 01:28:39,960
Speaker 3: I mean, I don't know anybody yet would argue that. Yeah,

2030
01:28:39,960 --> 01:28:43,560
Speaker 3: I don't know anything Alicia as she should, though I

2031
01:28:43,960 --> 01:28:48,720
Speaker 3: respect outside of her in Swiss who would argue that no,

2032
01:28:48,960 --> 01:28:50,160
Speaker 3: I love Alsia Keys, but.

2033
01:28:50,200 --> 01:28:53,120
Speaker 1: Man, she didn't mean that she had an album coming out.

2034
01:28:53,320 --> 01:28:55,720
Speaker 2: So you just ten times if she meant that, you said, no,

2035
01:28:55,840 --> 01:28:57,000
Speaker 2: she said that ship, she said it.

2036
01:28:57,040 --> 01:28:58,439
Speaker 1: I don't think she meant that. I think she needed

2037
01:28:58,520 --> 01:28:59,080
Speaker 1: a sound bite.

2038
01:28:59,520 --> 01:29:02,160
Speaker 2: Okay, Well with that said, this Alicia Keys album, it

2039
01:29:02,280 --> 01:29:06,280
Speaker 2: sounded good. I was going into it not really sure

2040
01:29:06,360 --> 01:29:09,360
Speaker 2: what a Aliicia Key's album sounds like right now, and

2041
01:29:09,960 --> 01:29:13,400
Speaker 2: this Ship is hard, Like I was pleasantly surprised. It

2042
01:29:13,520 --> 01:29:14,880
Speaker 2: scared me a little bit because she came in on

2043
01:29:14,960 --> 01:29:17,200
Speaker 2: the intro with pusha T and her on the Beanie

2044
01:29:17,240 --> 01:29:19,479
Speaker 2: Seagull truth beat, and I was like, all right, where

2045
01:29:19,520 --> 01:29:22,200
Speaker 2: are you taking us? Where is this Alicia Key? Is

2046
01:29:22,280 --> 01:29:25,920
Speaker 2: she freestyling? And then it gets into this ship for

2047
01:29:25,960 --> 01:29:29,240
Speaker 2: the people are watching on YouTube and not listening on stitcher,

2048
01:29:29,800 --> 01:29:33,080
Speaker 2: But this is best of me Alicia Keys. She gets

2049
01:29:33,120 --> 01:29:37,000
Speaker 2: in like her boom back bag, like it's cool adult

2050
01:29:38,120 --> 01:29:40,680
Speaker 2: contemporary R and B that you could listen to the crib.

2051
01:29:40,760 --> 01:29:42,920
Speaker 2: And then she gets obviously in her piano records. This

2052
01:29:43,000 --> 01:29:45,040
Speaker 2: Ship is a really good album. I can't front it all.

2053
01:29:45,600 --> 01:29:47,120
Speaker 3: Yeah, it sounded good. We're listening to it in the

2054
01:29:47,160 --> 01:29:49,280
Speaker 3: green room. I was like, Okay, it's definitely vibe. I

2055
01:29:49,320 --> 01:29:51,360
Speaker 3: could roll him and smoke too. It sounds like good

2056
01:29:51,479 --> 01:29:52,400
Speaker 3: Urban Outfit is music.

2057
01:29:52,479 --> 01:29:54,800
Speaker 2: I like Urban out for his music, but you know

2058
01:29:54,840 --> 01:29:59,559
Speaker 2: I'm a sucker for these drums exactly. You know anyone

2059
01:29:59,600 --> 01:30:00,320
Speaker 2: that wears uh.

2060
01:30:00,479 --> 01:30:02,760
Speaker 3: Call your ship called, I ain't see you moonwalk yet today?

2061
01:30:02,760 --> 01:30:03,120
Speaker 3: What you're doing?

2062
01:30:03,120 --> 01:30:07,000
Speaker 2: You slap? You can't wait too slow, you ain't move walking?

2063
01:30:07,120 --> 01:30:07,760
Speaker 3: What do you know?

2064
01:30:07,880 --> 01:30:11,080
Speaker 2: Anyone that ever wore a Jake Dealer changed my life

2065
01:30:11,080 --> 01:30:13,920
Speaker 2: T shirt loves Oh like sure when this comes on with.

2066
01:30:13,960 --> 01:30:16,200
Speaker 3: These are the drum like a coffee shop and they

2067
01:30:16,240 --> 01:30:18,680
Speaker 3: have like a band. Yeah, it's hold mee right here,

2068
01:30:18,720 --> 01:30:19,599
Speaker 3: slamming on the drums.

2069
01:30:20,840 --> 01:30:23,120
Speaker 2: Sample like this ship is good.

2070
01:30:25,720 --> 01:30:27,960
Speaker 3: Mike Well, Mike will executive pluced the album.

2071
01:30:28,280 --> 01:30:30,320
Speaker 1: Okay, that's my kind of music, my burn.

2072
01:30:30,320 --> 01:30:33,080
Speaker 2: Yeah no, please please check out that.

2073
01:30:33,280 --> 01:30:36,120
Speaker 3: Should we get into the burning Sage thing, Sage smells

2074
01:30:36,200 --> 01:30:38,000
Speaker 3: like somebody overcook the grilled cheese.

2075
01:30:38,040 --> 01:30:40,040
Speaker 2: You're a vegan that comes hand in him, you come

2076
01:30:40,120 --> 01:30:40,439
Speaker 2: with Sage.

2077
01:30:40,880 --> 01:30:43,080
Speaker 3: No, I do not. I hate Sage. I hate thought.

2078
01:30:43,200 --> 01:30:46,040
Speaker 3: When you walk into juice spot, get me Sage polo.

2079
01:30:46,400 --> 01:30:48,800
Speaker 1: Yeah, Sage might not agree with your ancestors. You should

2080
01:30:48,800 --> 01:30:49,439
Speaker 1: probably try.

2081
01:30:49,280 --> 01:30:50,240
Speaker 2: To follow so well.

2082
01:30:50,240 --> 01:30:53,639
Speaker 3: I wouldn't Sage agree with my ancestors? How do Sage

2083
01:30:53,640 --> 01:30:55,479
Speaker 3: you know my ancestors? Did you do his ancestry dot com?

2084
01:30:55,520 --> 01:30:57,519
Speaker 3: You don't know his ancestors? Yeah, you don't know what

2085
01:30:58,240 --> 01:31:01,600
Speaker 3: Pelo Santo? How those Why you don't buy me some

2086
01:31:02,800 --> 01:31:06,439
Speaker 3: make my life better? D my job? It is your job.

2087
01:31:06,520 --> 01:31:08,040
Speaker 1: It is not in my job description.

2088
01:31:08,200 --> 01:31:10,439
Speaker 3: Were black, We're supposed to make each other's lives better.

2089
01:31:10,600 --> 01:31:13,920
Speaker 3: See black lives matter. How soon we forget see see

2090
01:31:14,680 --> 01:31:16,240
Speaker 3: cops stop killing y'all stop yelling.

2091
01:31:16,320 --> 01:31:17,880
Speaker 1: See the cops have not stop killing.

2092
01:31:18,240 --> 01:31:18,360
Speaker 3: L A.

2093
01:31:18,400 --> 01:31:20,160
Speaker 1: P D just told y'all they can't protect y'all.

2094
01:31:20,200 --> 01:31:20,240
Speaker 3: Know.

2095
01:31:20,320 --> 01:31:25,559
Speaker 2: They said they were talking to whites. People don't come here.

2096
01:31:28,400 --> 01:31:30,560
Speaker 3: That's exactly where they was talking to white people, do

2097
01:31:30,680 --> 01:31:33,559
Speaker 3: not come These niggas is out here violent, We can't

2098
01:31:33,600 --> 01:31:34,000
Speaker 3: protect you.

2099
01:31:34,479 --> 01:31:36,360
Speaker 2: Uh would you be you be concerned if you walk

2100
01:31:36,400 --> 01:31:37,840
Speaker 2: into a chicks crib and saves was burning?

2101
01:31:38,439 --> 01:31:41,240
Speaker 3: Nah? Because yeah, I wouldn't wouldn't.

2102
01:31:41,280 --> 01:31:44,879
Speaker 2: That's the smell. If I'm giving logic, you guys.

2103
01:31:44,760 --> 01:31:47,800
Speaker 3: Have Yeah, Like if you walk into a chicken house

2104
01:31:47,840 --> 01:31:49,599
Speaker 3: and she said take your shoes off. You know what's next.

2105
01:31:51,600 --> 01:31:55,240
Speaker 3: You know what's next, clean carpets, you know what? You

2106
01:31:55,320 --> 01:31:58,000
Speaker 3: know what else you actually take off? I know, shoes

2107
01:31:58,040 --> 01:32:00,240
Speaker 3: in my house. Okay, no, no problem. Don't you jeans

2108
01:32:00,280 --> 01:32:00,760
Speaker 3: on the couch too?

2109
01:32:00,840 --> 01:32:03,559
Speaker 1: Let me know, because I come right out, no jeans

2110
01:32:03,640 --> 01:32:08,599
Speaker 1: on the couch is sick like you, I'm going.

2111
01:32:08,640 --> 01:32:10,320
Speaker 3: No jeans on the couch. I will no jeans on

2112
01:32:10,400 --> 01:32:11,640
Speaker 3: my couch, be honest with you.

2113
01:32:13,040 --> 01:32:15,040
Speaker 2: I Meanwhile, you can see the denim stains on the couch.

2114
01:32:15,280 --> 01:32:18,439
Speaker 3: That's why I want no more. It's been through enough,

2115
01:32:18,520 --> 01:32:19,839
Speaker 3: Like I don't want anymore.

2116
01:32:20,000 --> 01:32:20,840
Speaker 2: That's fucking sick.

2117
01:32:21,240 --> 01:32:23,360
Speaker 3: Yeah, but that least Keys album sounds good though, Yeah,

2118
01:32:23,439 --> 01:32:25,640
Speaker 3: it's definitely not definitely I definitely didn't even know she

2119
01:32:25,680 --> 01:32:28,519
Speaker 3: put out album. It's it's for us, like you could

2120
01:32:28,520 --> 01:32:31,000
Speaker 3: play that in the crib and I'm definitely downloaded and

2121
01:32:31,120 --> 01:32:32,400
Speaker 3: check it out and even.

2122
01:32:32,240 --> 01:32:33,720
Speaker 2: More on like the adult side, I don't want to

2123
01:32:33,760 --> 01:32:35,720
Speaker 2: call it adult because they're not that old. But you know,

2124
01:32:36,360 --> 01:32:38,439
Speaker 2: music is a young man's game. In two years, the

2125
01:32:38,520 --> 01:32:41,240
Speaker 2: sound changes. So at this point, Big Boy, Sleepy and

2126
01:32:41,320 --> 01:32:44,599
Speaker 2: Alicia Keys are all considered older artists, not by age,

2127
01:32:44,640 --> 01:32:48,240
Speaker 2: but music. If I could get these joints now and

2128
01:32:49,040 --> 01:32:53,720
Speaker 2: at thirty one years old, I'm jamming in the crib

2129
01:32:53,840 --> 01:32:58,439
Speaker 2: of this year. It's all Big Boys album Sleepy Brown

2130
01:32:58,520 --> 01:33:02,599
Speaker 2: see Low Green Intentions. It's called Big Sleepover.

2131
01:33:02,760 --> 01:33:05,879
Speaker 3: Thought that was funny. We should have a big sleepover.

2132
01:33:07,280 --> 01:33:08,280
Speaker 1: Yeah, why is that?

2133
01:33:08,800 --> 01:33:10,760
Speaker 3: That's actually we should have a big, big sleepover just

2134
01:33:10,800 --> 01:33:13,320
Speaker 3: you and I. I said we should have a big sleepover,

2135
01:33:13,520 --> 01:33:16,720
Speaker 3: meaning we should invite people. See, look, we just so.

2136
01:33:16,880 --> 01:33:21,320
Speaker 1: Look why we got to be at rory house.

2137
01:33:21,920 --> 01:33:22,680
Speaker 2: We don't know where you live.

2138
01:33:22,800 --> 01:33:25,280
Speaker 3: No, No, we don't have no, we don't have to

2139
01:33:25,320 --> 01:33:28,000
Speaker 3: be a we could we could know, we could, we

2140
01:33:28,080 --> 01:33:32,760
Speaker 3: could like rent like a cabin somewhere. They have Wi

2141
01:33:32,840 --> 01:33:34,479
Speaker 3: Fi cabins fi.

2142
01:33:35,400 --> 01:33:37,240
Speaker 1: Oh, I thought you guys were going authentic. I didn't

2143
01:33:37,240 --> 01:33:39,160
Speaker 1: know y'all were glamping. Sorry, bad bitches.

2144
01:33:39,439 --> 01:33:41,160
Speaker 3: No, what I'm just saying, Like, you think that me

2145
01:33:41,200 --> 01:33:43,360
Speaker 3: and Rory would be yeah, you know, you're right. Yeah,

2146
01:33:43,400 --> 01:33:44,560
Speaker 3: you think we would be in the woods with no

2147
01:33:44,640 --> 01:33:47,600
Speaker 3: Wi Fi. It's not happening. I've seen enough movies like that.

2148
01:33:47,880 --> 01:33:48,400
Speaker 3: Not happening.

2149
01:33:49,120 --> 01:33:51,680
Speaker 2: Well, I think they call those work retreats. Let's have

2150
01:33:51,760 --> 01:33:55,400
Speaker 2: a work retreat. Work retreats, though, have any y'all worked in.

2151
01:33:55,360 --> 01:33:57,000
Speaker 3: Corporate never mind.

2152
01:33:59,120 --> 01:34:00,960
Speaker 1: We've also drug No, we have not working for.

2153
01:34:01,560 --> 01:34:04,600
Speaker 2: Those corporate those corporate trees. You start finding out some

2154
01:34:04,760 --> 01:34:08,400
Speaker 2: real weird shit about your co workers. You're not even

2155
01:34:08,439 --> 01:34:08,840
Speaker 2: in the room.

2156
01:34:09,000 --> 01:34:11,040
Speaker 3: Yeah, you're in the sky. I can't even see you.

2157
01:34:11,120 --> 01:34:15,040
Speaker 2: I'm not talking to you. You're in the clouds. I'm

2158
01:34:15,080 --> 01:34:17,160
Speaker 2: not praying right now. I'm talking to people in the room.

2159
01:34:18,000 --> 01:34:21,120
Speaker 2: You find out like the drug habits, who's fucking who

2160
01:34:21,200 --> 01:34:22,479
Speaker 2: in the office, Like.

2161
01:34:22,920 --> 01:34:27,040
Speaker 1: Like that Insecure episode with Moley got at the work retreat, but.

2162
01:34:27,120 --> 01:34:28,240
Speaker 2: We don't know she got really wild.

2163
01:34:28,479 --> 01:34:30,960
Speaker 3: She didn't get wild. She was, but she just got

2164
01:34:31,040 --> 01:34:34,000
Speaker 3: drunken and stole a watch. Yeah, she went to sleep.

2165
01:34:34,200 --> 01:34:34,880
Speaker 3: She didn't get wold.

2166
01:34:34,960 --> 01:34:37,720
Speaker 2: I think he held it down. I don't think we

2167
01:34:37,800 --> 01:34:39,400
Speaker 2: got the real story. For those that don't know. An

2168
01:34:39,439 --> 01:34:41,559
Speaker 2: Insecure spoil alert, she goes on a work retreat, finds

2169
01:34:41,600 --> 01:34:44,639
Speaker 2: dude's watch in her bed, her bed, and then does

2170
01:34:44,720 --> 01:34:48,439
Speaker 2: the dumbest woman move ever of thinking she's being in Hey,

2171
01:34:48,479 --> 01:34:51,040
Speaker 2: I found this in the hallway. I found a rolex.

2172
01:34:52,160 --> 01:34:54,800
Speaker 3: Yeah, in the hall everybody just walked past his watch

2173
01:34:54,840 --> 01:34:55,720
Speaker 3: and the white picked it up.

2174
01:34:55,680 --> 01:34:57,080
Speaker 2: And first of all any human being. The fans of

2175
01:34:57,160 --> 01:34:59,400
Speaker 2: roles on the ground, I don't care if you're fucking

2176
01:34:59,680 --> 01:35:02,000
Speaker 2: the you're putting it in your pocket and you're shutting

2177
01:35:02,000 --> 01:35:02,400
Speaker 2: the fuck up.

2178
01:35:02,600 --> 01:35:05,200
Speaker 3: Yeah, that was kind of I didn't I didn't understand

2179
01:35:05,200 --> 01:35:08,960
Speaker 3: that either. Yeah, she's trying to figure out what happened.

2180
01:35:08,960 --> 01:35:10,400
Speaker 3: Who's watches this? I know, Mile.

2181
01:35:10,560 --> 01:35:12,000
Speaker 2: It would have been funny if the girl the table

2182
01:35:12,120 --> 01:35:15,040
Speaker 2: was like, yeah, that's mine, that would have been funny

2183
01:35:15,960 --> 01:35:17,320
Speaker 2: Lisa Molly.

2184
01:35:17,400 --> 01:35:20,200
Speaker 3: But Molly is I felt like when Insecure first started.

2185
01:35:20,000 --> 01:35:20,720
Speaker 2: What was she gay?

2186
01:35:21,120 --> 01:35:21,840
Speaker 3: Was she bought sexual?

2187
01:35:22,360 --> 01:35:23,719
Speaker 1: That was the fantasy you had.

2188
01:35:24,280 --> 01:35:27,479
Speaker 3: That I had. I've never had a fantasy about Molly.

2189
01:35:27,479 --> 01:35:29,360
Speaker 3: I don't think she's a virgin in real life, right.

2190
01:35:29,920 --> 01:35:31,200
Speaker 2: I feel like she went on the Who press run

2191
01:35:31,240 --> 01:35:33,639
Speaker 2: about that about her being a virgin, Like she's still

2192
01:35:33,640 --> 01:35:34,000
Speaker 2: a virgin?

2193
01:35:34,040 --> 01:35:34,600
Speaker 3: Do we believe that?

2194
01:35:34,920 --> 01:35:38,120
Speaker 1: Let's look because like fifteen people last episode.

2195
01:35:38,640 --> 01:35:40,400
Speaker 3: No, we were trying to figure out who was out.

2196
01:35:41,200 --> 01:35:43,880
Speaker 2: I mean, what's wrong with accusing someone of being a virgin? Yeah?

2197
01:35:43,960 --> 01:35:50,040
Speaker 3: Like no, I take dick every product, like we're gonna

2198
01:35:50,040 --> 01:35:51,559
Speaker 3: get canceled and somebody's a verg.

2199
01:35:51,640 --> 01:35:53,120
Speaker 2: At you respecting yourself to marriage?

2200
01:35:54,640 --> 01:35:54,800
Speaker 3: Oh?

2201
01:35:54,880 --> 01:35:56,160
Speaker 1: Wow, no she is.

2202
01:35:57,280 --> 01:36:01,040
Speaker 2: Oh yeah, see Cisco still might be gay, might be

2203
01:36:01,080 --> 01:36:01,479
Speaker 2: still back.

2204
01:36:02,160 --> 01:36:06,439
Speaker 1: Yeah, yeah, she says, really hard being a reversion in

2205
01:36:06,479 --> 01:36:06,960
Speaker 1: real life.

2206
01:36:07,000 --> 01:36:10,880
Speaker 2: And then how old is she never asked women's age?

2207
01:36:11,160 --> 01:36:13,120
Speaker 2: Do we believe that she's really a verse?

2208
01:36:13,160 --> 01:36:16,920
Speaker 1: Thirty two? She was thirty two in twenty sixteen, So yeah.

2209
01:36:17,160 --> 01:36:20,719
Speaker 2: Thirty But why lie about like lie about your BodyCount?

2210
01:36:20,800 --> 01:36:21,000
Speaker 3: Cool?

2211
01:36:21,160 --> 01:36:22,719
Speaker 2: But why why would you lie about being a virgin?

2212
01:36:23,520 --> 01:36:23,960
Speaker 1: Some women?

2213
01:36:24,120 --> 01:36:28,160
Speaker 3: I recently found out a few years ago at a

2214
01:36:28,280 --> 01:36:30,200
Speaker 3: girl that here's the crazy part, I wanted to have

2215
01:36:30,320 --> 01:36:32,840
Speaker 3: sex with her because she was a virgin. No, I

2216
01:36:32,920 --> 01:36:33,880
Speaker 3: wanted to have sex with her.

2217
01:36:34,240 --> 01:36:34,720
Speaker 2: She knew that.

2218
01:36:35,800 --> 01:36:37,679
Speaker 3: And I just found out years ago that she actually

2219
01:36:37,760 --> 01:36:39,519
Speaker 3: told people we had sex and we never had sex.

2220
01:36:40,479 --> 01:36:43,960
Speaker 2: Yeah, it happens, does it? Women lie like on the box? Yes,

2221
01:36:44,439 --> 01:36:45,360
Speaker 2: and when you're a figure like you.

2222
01:36:45,560 --> 01:36:48,360
Speaker 3: I never knew women figure figure eight?

2223
01:36:50,200 --> 01:36:52,080
Speaker 2: Oh, because he was ready to eight. That was a

2224
01:36:52,120 --> 01:36:53,760
Speaker 2: callback to a couple of years ago I said, I

2225
01:36:53,960 --> 01:36:56,000
Speaker 2: never knew that women did that. Yeah, they lie in

2226
01:36:56,080 --> 01:36:56,400
Speaker 2: the box.

2227
01:36:56,920 --> 01:36:57,960
Speaker 3: I never knew women did that.

2228
01:36:58,200 --> 01:37:00,400
Speaker 2: Not only did they lie on the told we try

2229
01:37:00,439 --> 01:37:02,040
Speaker 2: to keep it like low key who they.

2230
01:37:03,600 --> 01:37:06,680
Speaker 3: Got a piece like like you so first of all,

2231
01:37:07,960 --> 01:37:10,679
Speaker 3: pieces and you look me in my eyes and said.

2232
01:37:10,520 --> 01:37:14,240
Speaker 2: A piece like fantasizing, like go do that. Uh, but

2233
01:37:14,360 --> 01:37:16,479
Speaker 2: I told I told you that that a girl I

2234
01:37:16,560 --> 01:37:19,400
Speaker 2: knew had told a girl I knew that y'all had

2235
01:37:19,479 --> 01:37:22,280
Speaker 2: fucking like y'all dated, dated, And then you said I

2236
01:37:22,280 --> 01:37:24,519
Speaker 2: saw the girl one time in a hotel lobby and

2237
01:37:24,600 --> 01:37:25,040
Speaker 2: then I left.

2238
01:37:26,600 --> 01:37:27,640
Speaker 3: That's so weird to me.

2239
01:37:28,720 --> 01:37:31,240
Speaker 2: Clout, that's what what's the cloud?

2240
01:37:31,840 --> 01:37:32,400
Speaker 3: I was great.

2241
01:37:34,040 --> 01:37:36,639
Speaker 1: They think they get clout from dating mall, they think they.

2242
01:37:36,720 --> 01:37:39,400
Speaker 3: I think that she I think what happened was I

2243
01:37:39,479 --> 01:37:41,439
Speaker 3: think that she knew that one of her girls wanted

2244
01:37:41,479 --> 01:37:44,439
Speaker 3: to fuck with me. Ah yeah, And I think that

2245
01:37:44,560 --> 01:37:47,120
Speaker 3: she was kind of low key, like hey and not knowing.

2246
01:37:47,200 --> 01:37:49,040
Speaker 2: Women when you say that, they're gonna want their friends

2247
01:37:49,080 --> 01:37:51,040
Speaker 2: gonna want to fuck you more because women are never

2248
01:37:51,080 --> 01:37:51,640
Speaker 2: mind forget it.

2249
01:37:52,360 --> 01:37:54,439
Speaker 3: Women are horning anything else you can say. Said. I

2250
01:37:54,479 --> 01:37:57,080
Speaker 3: was gonna say pieces of ship, though, that's what's gonna say.

2251
01:37:57,680 --> 01:37:59,559
Speaker 3: What pieces of ship? I can't wait to fuck their

2252
01:37:59,600 --> 01:38:00,080
Speaker 3: friends from.

2253
01:38:02,400 --> 01:38:05,760
Speaker 2: They're not ready for from conversations. They're not having them.

2254
01:38:05,800 --> 01:38:06,080
Speaker 1: They just.

2255
01:38:07,560 --> 01:38:08,000
Speaker 2: We're talking.

2256
01:38:08,080 --> 01:38:11,559
Speaker 3: They they got their cross and sports and mode.

2257
01:38:12,160 --> 01:38:18,120
Speaker 2: They got the double the ugsugs is definitely the some

2258
01:38:18,240 --> 01:38:23,479
Speaker 2: tights and some ugs in a hotel lobby time.

2259
01:38:22,840 --> 01:38:23,559
Speaker 3: Y'all nasty.

2260
01:38:25,120 --> 01:38:26,559
Speaker 2: What were we talking about before that? It was something

2261
01:38:26,640 --> 01:38:29,920
Speaker 2: they want to Molly's a virgin, even before that was

2262
01:38:29,960 --> 01:38:34,080
Speaker 2: the virgin part. Well, forget that, because you ain't taking

2263
01:38:34,160 --> 01:38:34,479
Speaker 2: us nowhere.

2264
01:38:34,520 --> 01:38:37,920
Speaker 3: We knew, Cat, we're gonna now we're going to take

2265
01:38:37,920 --> 01:38:41,000
Speaker 3: a work retreat because because the marriage things were pieces.

2266
01:38:40,760 --> 01:38:44,240
Speaker 2: Of we just just took you to West Hollywood, Detroit.

2267
01:38:44,680 --> 01:38:45,880
Speaker 3: We just took you to Detroit.

2268
01:38:46,000 --> 01:38:46,759
Speaker 1: Take Detroit.

2269
01:38:47,920 --> 01:38:51,479
Speaker 3: You said, no, exactly, we're gonna have a work retreat, though,

2270
01:38:51,520 --> 01:38:53,720
Speaker 3: Let's do it for sure. Let's do it, and we're

2271
01:38:53,720 --> 01:38:55,400
Speaker 3: gonna we're gonna record from the work retreat.

2272
01:38:55,960 --> 01:38:57,719
Speaker 1: So that means Carl doesn't get the retreat.

2273
01:38:58,200 --> 01:39:00,720
Speaker 3: Yeah, he gets to retreat. You know, all Call want

2274
01:39:00,760 --> 01:39:03,719
Speaker 3: to do is move, walk, talk to some girls, and record.

2275
01:39:04,439 --> 01:39:06,880
Speaker 3: That's all Call want to do. Call is the most Yeah,

2276
01:39:07,000 --> 01:39:09,439
Speaker 3: like Call is very low maintenance. Like you give Call

2277
01:39:09,560 --> 01:39:12,519
Speaker 3: some good wood, hardwood floors and let him slide like

2278
01:39:12,600 --> 01:39:15,720
Speaker 3: he was fine. He's just not totally fine, totally fine

2279
01:39:15,760 --> 01:39:15,920
Speaker 3: with that.

2280
01:39:16,120 --> 01:39:18,560
Speaker 2: Yeah, he's easy traveling for sure. Yeah, Ed, and we

2281
01:39:18,600 --> 01:39:20,360
Speaker 2: haven't traveled with yet we don't really know. We haven't

2282
01:39:20,400 --> 01:39:24,760
Speaker 2: traveled with a little nervous and he's a DJ, you know,

2283
01:39:24,920 --> 01:39:27,879
Speaker 2: like traveling with DJs. Have you ever travel with DJs?

2284
01:39:28,040 --> 01:39:31,639
Speaker 3: Yes, unfortunately, DJ is getting a bag when they travel.

2285
01:39:31,720 --> 01:39:34,559
Speaker 3: Oh yeah, like DJs eat all all the food at

2286
01:39:34,560 --> 01:39:37,400
Speaker 3: the hotels, Condon little breakfasts and all that. They be

2287
01:39:37,400 --> 01:39:41,960
Speaker 3: anouncestairs early DJs. Yeah, DJ's being down stairs early with

2288
01:39:42,040 --> 01:39:43,360
Speaker 3: the little box of frost the flakes.

2289
01:39:44,240 --> 01:39:47,080
Speaker 2: Yeah, you know ed if we stayed at the hotel

2290
01:39:47,080 --> 01:39:49,880
Speaker 2: and they had just an auxiliary record anything, he plugging

2291
01:39:50,000 --> 01:39:52,800
Speaker 2: started ship, start asking chicks like, yo want to play

2292
01:39:52,800 --> 01:39:53,360
Speaker 2: you something like.

2293
01:39:55,080 --> 01:39:56,519
Speaker 3: You never see the d in the lobby though, You

2294
01:39:56,560 --> 01:39:59,719
Speaker 3: never see the DJ edit is set up shopping the lobby.

2295
01:40:00,439 --> 01:40:02,400
Speaker 2: You ever see the DJs in the booth like be

2296
01:40:02,520 --> 01:40:04,200
Speaker 2: asking chicks if they need their phone charged.

2297
01:40:04,520 --> 01:40:07,200
Speaker 3: Of course that's a good DJ though, Oh no, that's

2298
01:40:07,240 --> 01:40:08,800
Speaker 3: the phone charges. That's a great thing.

2299
01:40:08,880 --> 01:40:10,320
Speaker 2: I used to tell chicks stop trying to be friends

2300
01:40:10,320 --> 01:40:11,720
Speaker 2: with the promoter. If you look good, you'll get in.

2301
01:40:12,200 --> 01:40:13,600
Speaker 2: You need to be friends with the DJ because your

2302
01:40:13,600 --> 01:40:15,479
Speaker 2: phone is gonna die. Your phones and you can put

2303
01:40:15,479 --> 01:40:18,040
Speaker 2: your purse back there. The DJ is the asshole.

2304
01:40:18,280 --> 01:40:20,439
Speaker 1: It's got everything, and he'll let you.

2305
01:40:20,520 --> 01:40:22,080
Speaker 3: You know, you can get your Instagram off back then

2306
01:40:22,120 --> 01:40:23,479
Speaker 3: make it seem like you're important in the club.

2307
01:40:23,600 --> 01:40:26,640
Speaker 2: Yea, like when the new sexy Yeah song come on?

2308
01:40:26,720 --> 01:40:30,479
Speaker 2: You can sit like this like dj Edden yeah j

2309
01:40:33,880 --> 01:40:36,200
Speaker 2: Why why's always trying to tap in with the DJ?

2310
01:40:36,600 --> 01:40:38,600
Speaker 2: Anytime they put to tell you.

2311
01:40:40,080 --> 01:40:41,360
Speaker 3: They're trying to get tapped by the rapper?

2312
01:40:41,439 --> 01:40:41,640
Speaker 1: You know what?

2313
01:40:41,680 --> 01:40:44,719
Speaker 3: They tapping in with the DJ? No, come on, come on, guys,

2314
01:40:44,840 --> 01:40:45,120
Speaker 3: come on.

2315
01:40:45,880 --> 01:40:47,800
Speaker 2: I want to find Molly and hang out with the virgin.

2316
01:40:48,920 --> 01:40:51,080
Speaker 3: I don't want to hang out. Actually, do I know

2317
01:40:51,160 --> 01:40:52,280
Speaker 3: any virgins in real life?

2318
01:40:52,520 --> 01:40:54,360
Speaker 2: I want to ask a virgin if they find men

2319
01:40:54,439 --> 01:40:58,960
Speaker 2: that want to really sleep with them, like creepy, because

2320
01:40:59,000 --> 01:41:01,120
Speaker 2: I want I want no parts of that. Terrified. I

2321
01:41:01,160 --> 01:41:04,840
Speaker 2: want to she's never fucked someone? Let me that's my type.

2322
01:41:05,080 --> 01:41:07,840
Speaker 3: I wonder know how many times a week of virgin masturbates?

2323
01:41:08,880 --> 01:41:11,320
Speaker 1: Mal you got a thing with masturbation? No, I just

2324
01:41:11,400 --> 01:41:11,720
Speaker 1: want to know.

2325
01:41:11,800 --> 01:41:13,400
Speaker 3: Because we had a young lady here that says she

2326
01:41:13,520 --> 01:41:14,599
Speaker 3: doesn't masturbate.

2327
01:41:14,680 --> 01:41:16,719
Speaker 2: I think that was the funny word in masturbation, thatwasation.

2328
01:41:16,840 --> 01:41:19,200
Speaker 3: No, Because we had we had a guest Brionda. Shout

2329
01:41:19,200 --> 01:41:22,479
Speaker 3: out to Brionda, she says, she doesn't masturbate. That was like, well,

2330
01:41:22,560 --> 01:41:24,320
Speaker 3: that's you don't touch your I gotta stand not touching

2331
01:41:24,360 --> 01:41:26,200
Speaker 3: somebody else, because if you want somebody else to touch you,

2332
01:41:26,960 --> 01:41:28,040
Speaker 3: you don't think Jesus masturbates.

2333
01:41:28,080 --> 01:41:30,160
Speaker 2: She's not going to touch yourself until Larry Whover is free,

2334
01:41:30,439 --> 01:41:31,519
Speaker 2: and that's that's that.

2335
01:41:36,560 --> 01:41:38,320
Speaker 3: So yeah, you don't think. I just think it's weird

2336
01:41:38,360 --> 01:41:41,320
Speaker 3: when people don't touch themselves. Like I could understand not

2337
01:41:42,160 --> 01:41:44,439
Speaker 3: not wanting anybody to touch you and not wanting to

2338
01:41:44,520 --> 01:41:48,680
Speaker 3: have sex with somebody, but like not touching yourself. Come on, man,

2339
01:41:49,000 --> 01:41:50,960
Speaker 3: I'm not a version. I'm master the baby by accident.

2340
01:41:51,080 --> 01:41:53,960
Speaker 3: Sometimes I'm cool. I'm like, I don't even want to

2341
01:41:54,000 --> 01:41:56,120
Speaker 3: do this, Like why am I doing I didn't even

2342
01:41:56,120 --> 01:41:59,360
Speaker 3: want to do this. I wasn't even like horny got

2343
01:41:59,479 --> 01:42:00,280
Speaker 3: to keep the number up.

2344
01:42:01,080 --> 01:42:05,440
Speaker 2: Big Boys, Sleepy Brown album now Big Sleepover, Big Sleepover downloaded.

2345
01:42:07,560 --> 01:42:11,000
Speaker 2: Absolutely from sleeping Over, though I will say we're talking

2346
01:42:11,000 --> 01:42:15,000
Speaker 2: about adult uh summer camps. Big adult sleepovers would be

2347
01:42:15,160 --> 01:42:17,479
Speaker 2: funny with the right people and not even on like

2348
01:42:17,520 --> 01:42:20,280
Speaker 2: amazing some where your brains is going just just a

2349
01:42:20,479 --> 01:42:25,560
Speaker 2: fun fucking sleepover ship game night that extended. Everyone's in

2350
01:42:25,600 --> 01:42:28,720
Speaker 2: their fucking onesie pajamas with the feats, everyone has their

2351
01:42:28,720 --> 01:42:31,680
Speaker 2: own room. That's a fun night. To me, that's I

2352
01:42:31,720 --> 01:42:33,360
Speaker 2: think a great New Year's Because New Year's Eve is.

2353
01:42:33,320 --> 01:42:36,200
Speaker 3: Coming up and plans it's amateur night. I don't go

2354
01:42:36,200 --> 01:42:36,720
Speaker 3: out on New Years.

2355
01:42:37,000 --> 01:42:39,040
Speaker 2: To me, like doing a big sleepover for New Year's

2356
01:42:39,040 --> 01:42:41,200
Speaker 2: Eve would be the wave to do it, because who

2357
01:42:41,280 --> 01:42:42,200
Speaker 2: wants to go out in the city.

2358
01:42:42,080 --> 01:42:44,679
Speaker 3: On New Yearky? Well, I'm thinking about going away.

2359
01:42:45,080 --> 01:42:47,960
Speaker 2: Well, I mean we already know, we know your body. Yeah,

2360
01:42:48,360 --> 01:42:49,479
Speaker 2: only if she let you roll it over.

2361
01:42:51,000 --> 01:42:52,960
Speaker 3: You can't bring in a new year with plastic on it.

2362
01:42:54,680 --> 01:42:59,639
Speaker 2: Everything they say with New Year's is plastic. The glasses, noisemakers.

2363
01:42:59,120 --> 01:43:02,320
Speaker 3: It's all plastic. Yeah this, No, we're not bringing in.

2364
01:43:03,160 --> 01:43:07,080
Speaker 2: We're going to have a fun, wholesome sleepover out for

2365
01:43:07,200 --> 01:43:07,880
Speaker 2: New Year's down.

2366
01:43:08,320 --> 01:43:08,680
Speaker 3: Let's do it.

2367
01:43:08,800 --> 01:43:10,360
Speaker 2: Connor's don't need to be there because no one will

2368
01:43:10,400 --> 01:43:11,160
Speaker 2: be having inters.

2369
01:43:11,160 --> 01:43:12,640
Speaker 3: Oh you want to do it new I can't make it.

2370
01:43:12,880 --> 01:43:17,360
Speaker 3: You have this thing, this thing, I have this thing.

2371
01:43:18,200 --> 01:43:19,920
Speaker 3: See see how the marriage is to a pretty young

2372
01:43:20,000 --> 01:43:22,559
Speaker 3: thing out there. Look see why is he going away

2373
01:43:22,600 --> 01:43:25,800
Speaker 3: to by myself to find myself at the stroke of

2374
01:43:25,840 --> 01:43:29,760
Speaker 3: midnight when a pretty old thing. No, just myself. I

2375
01:43:29,880 --> 01:43:31,200
Speaker 3: need to you know, I want to be centered. I

2376
01:43:31,280 --> 01:43:35,160
Speaker 3: want to be like focused going into twenty twenty two. No,

2377
01:43:35,280 --> 01:43:41,439
Speaker 3: you don't. It's just so yeah, big boy, sleepy brown,

2378
01:43:41,720 --> 01:43:45,200
Speaker 3: big sleepover. We're having a sleepover, a work retreat, the

2379
01:43:45,280 --> 01:43:46,120
Speaker 3: marriage set it up.

2380
01:43:46,479 --> 01:43:48,320
Speaker 2: I have one more question from all, because you know

2381
01:43:48,439 --> 01:43:50,960
Speaker 2: he's all like mister rules, like, Yo, you can't ever

2382
01:43:51,080 --> 01:43:54,400
Speaker 2: do uh, you can't respect the girl unless she's your girlfriend.

2383
01:43:54,439 --> 01:43:57,639
Speaker 2: You can't do anything with the woman unless she's I've

2384
01:43:57,680 --> 01:43:58,840
Speaker 2: never said that, he alluded to it.

2385
01:43:58,840 --> 01:43:59,479
Speaker 3: I've never said so.

2386
01:43:59,520 --> 01:44:00,800
Speaker 2: I have to add. If you're going to go away

2387
01:44:00,840 --> 01:44:02,240
Speaker 2: on New Years or even be with a woman on

2388
01:44:02,320 --> 01:44:03,880
Speaker 2: New Year's and you're saying you already want to sleep

2389
01:44:03,880 --> 01:44:09,920
Speaker 2: with it, when that ball drop, my ball drop? Whoa whoa, whoa?

2390
01:44:10,680 --> 01:44:11,559
Speaker 1: So much for coming?

2391
01:44:11,920 --> 01:44:12,400
Speaker 2: Who who?

2392
01:44:13,280 --> 01:44:14,880
Speaker 1: Do you have a great whoa whoa.

2393
01:44:15,360 --> 01:44:17,400
Speaker 2: You're with a girl and she's a girlfriend on New

2394
01:44:17,439 --> 01:44:19,080
Speaker 2: Year's you have to kiss her when the ball drops.

2395
01:44:19,120 --> 01:44:23,240
Speaker 2: That's the thing. Everyone looks around the room like yells.

2396
01:44:23,760 --> 01:44:26,800
Speaker 2: Now she's gonna expect that kiss at midnight. If I

2397
01:44:26,920 --> 01:44:28,840
Speaker 2: was somewhere away to do some boyfriend ship.

2398
01:44:29,080 --> 01:44:31,720
Speaker 3: If I'm away with a woman on New Year's like

2399
01:44:31,800 --> 01:44:35,120
Speaker 3: on a vacation anywhere, then I'm definitely kissing her at midnight.

2400
01:44:36,000 --> 01:44:38,360
Speaker 3: I'm not bringing in a new Year with somebody that

2401
01:44:38,479 --> 01:44:41,559
Speaker 3: I don't kiss. You're such a hypocrite, because that's boyfriend ship.

2402
01:44:42,280 --> 01:44:44,000
Speaker 2: Lying away on New Year's Eve to make out with

2403
01:44:44,080 --> 01:44:46,040
Speaker 2: you when the ball drops is boyfriend ship. No, he

2404
01:44:46,200 --> 01:44:47,920
Speaker 2: liked trips because he's a trick.

2405
01:44:48,600 --> 01:44:53,160
Speaker 3: No, I like Uh, I like spending time with quality women.

2406
01:44:55,439 --> 01:44:58,040
Speaker 3: Oh my god, Yeah, I hate him. Yeah, I hate

2407
01:44:58,080 --> 01:44:59,880
Speaker 3: that I got quality women in my life. Look at y'all.

2408
01:45:00,400 --> 01:45:02,640
Speaker 3: Y'all want me to date these wholes so bad, Not

2409
01:45:02,720 --> 01:45:04,719
Speaker 3: gonna do it, Not gonna happen.

2410
01:45:04,840 --> 01:45:05,439
Speaker 2: It's yourself.

2411
01:45:06,400 --> 01:45:07,880
Speaker 3: I've all been dating myself for years.

2412
01:45:09,120 --> 01:45:12,599
Speaker 2: To shut up about masturbation. Are you bringing a young

2413
01:45:12,680 --> 01:45:14,280
Speaker 2: lady to our team dinner? They were just saying, we

2414
01:45:14,280 --> 01:45:16,400
Speaker 2: don't bring them nowhere. We're going to a fancy restaurant

2415
01:45:16,439 --> 01:45:17,320
Speaker 2: for a Christmas dinner.

2416
01:45:17,360 --> 01:45:18,879
Speaker 3: I'm not listening to themaris.

2417
01:45:18,960 --> 01:45:20,720
Speaker 2: And after she said all that, guess what happens. We're

2418
01:45:20,720 --> 01:45:21,360
Speaker 2: splitting the check.

2419
01:45:21,479 --> 01:45:22,960
Speaker 3: Yeah, exactly.

2420
01:45:24,920 --> 01:45:27,799
Speaker 2: Each other, all separate bills for everybody.

2421
01:45:27,880 --> 01:45:30,320
Speaker 3: Yeah how many?

2422
01:45:30,360 --> 01:45:32,240
Speaker 2: How many sangree as you had? Yeah, that's how many.

2423
01:45:32,960 --> 01:45:33,200
Speaker 1: That's you.

2424
01:45:33,320 --> 01:45:34,160
Speaker 2: We're going to restaurant.

2425
01:45:37,320 --> 01:45:39,160
Speaker 1: I was white, No problem.

2426
01:45:40,000 --> 01:45:40,840
Speaker 2: Are you bringing anyone?

2427
01:45:42,160 --> 01:45:45,400
Speaker 3: No? I didn't plan on it. No, okay, are you No?

2428
01:45:45,560 --> 01:45:49,280
Speaker 3: I just figured as a team. Anybody I bring wouldn't

2429
01:45:49,280 --> 01:45:51,519
Speaker 3: be part of the team. Fair enough. Yeah, we don't

2430
01:45:51,520 --> 01:45:52,920
Speaker 3: want that energy in our locker room.

2431
01:45:53,760 --> 01:45:58,599
Speaker 2: To maris any pluses. You coordinated it, so we don't.

2432
01:45:58,600 --> 01:46:00,320
Speaker 2: We don't know what you added to maybe the reservation,

2433
01:46:00,400 --> 01:46:01,880
Speaker 2: like yo, put a little chair on the you know

2434
01:46:01,920 --> 01:46:05,639
Speaker 2: that side corner of the table. We get just a stool.

2435
01:46:06,080 --> 01:46:07,400
Speaker 3: The marriage. Let me tell you something.

2436
01:46:09,080 --> 01:46:10,680
Speaker 2: She's not a plus one.

2437
01:46:10,760 --> 01:46:13,120
Speaker 3: She's on the list. Sorry, so you still a plus one?

2438
01:46:13,160 --> 01:46:15,200
Speaker 3: Now you still have your plus one that is available.

2439
01:46:15,439 --> 01:46:18,320
Speaker 1: If I got paid for, I got it.

2440
01:46:19,320 --> 01:46:22,519
Speaker 2: Oh know, he gonna pay for you and your man.

2441
01:46:22,600 --> 01:46:23,040
Speaker 1: I got it.

2442
01:46:23,160 --> 01:46:24,560
Speaker 3: I got it. Don't worry about it.

2443
01:46:25,280 --> 01:46:26,760
Speaker 1: I'm not bringing a plus one. I'm good.

2444
01:46:28,240 --> 01:46:31,559
Speaker 2: I'm excited to spend spend some holiday time. Not Christmas

2445
01:46:31,600 --> 01:46:36,080
Speaker 2: because that's offensive. This Yes, there's an offensive list. There's

2446
01:46:36,080 --> 01:46:40,000
Speaker 2: a war on Christmas. I am my name is Rory Ferrell.

2447
01:46:40,640 --> 01:46:43,400
Speaker 3: Nothing Jewish about that. Sorry, Hey, thank you.

2448
01:46:43,520 --> 01:46:44,240
Speaker 2: Rory is Jewish.

2449
01:46:44,360 --> 01:46:44,680
Speaker 3: He's not.

2450
01:46:46,320 --> 01:46:49,600
Speaker 2: In the world. You're Jewish, aren't you. No, he's not

2451
01:46:50,520 --> 01:46:51,840
Speaker 2: those Catholic fucking name ever.

2452
01:46:54,080 --> 01:46:56,280
Speaker 3: Yeah, it's Pharaoh and in O'Malley, right next to each other.

2453
01:46:57,920 --> 01:46:59,879
Speaker 3: It's right there, O'Malley.

2454
01:47:01,479 --> 01:47:04,320
Speaker 2: My god, I'm excited to spend some time with y'all.

2455
01:47:04,640 --> 01:47:07,840
Speaker 2: We had to alter the menu so you know it

2456
01:47:07,880 --> 01:47:09,240
Speaker 2: won't be as good as we thought it would be.

2457
01:47:10,240 --> 01:47:11,160
Speaker 3: You had to alter the menu.

2458
01:47:11,400 --> 01:47:13,040
Speaker 2: Yeah, we can't get all the things we want because

2459
01:47:13,040 --> 01:47:16,679
Speaker 2: there's there's just even the kale Caesar is made with ship,

2460
01:47:16,840 --> 01:47:19,080
Speaker 2: so we're just getting the bland version.

2461
01:47:20,520 --> 01:47:24,759
Speaker 3: Oh, you had to alter it for me. Okay, but okay,

2462
01:47:24,880 --> 01:47:25,200
Speaker 3: all right.

2463
01:47:25,880 --> 01:47:29,639
Speaker 2: They're doing some Spring Valley vegetables with noodles or something

2464
01:47:31,080 --> 01:47:31,559
Speaker 2: like a lime.

2465
01:47:33,120 --> 01:47:35,240
Speaker 3: You're gonna love it. See we should have we should

2466
01:47:35,280 --> 01:47:37,040
Speaker 3: have planned it out better. But it's okay. We're gonna

2467
01:47:37,040 --> 01:47:37,920
Speaker 3: have fun either way it goes.

2468
01:47:38,280 --> 01:47:41,200
Speaker 2: Everyone wanted to go to carbone or anything with the

2469
01:47:41,280 --> 01:47:43,280
Speaker 2: word bone and meat in it, and I was like, guys,

2470
01:47:43,360 --> 01:47:43,960
Speaker 2: we can't do that.

2471
01:47:44,120 --> 01:47:49,280
Speaker 3: So I love it spot so you like, I mean,

2472
01:47:49,320 --> 01:47:50,680
Speaker 3: I haven't been in I haven't been there in a

2473
01:47:50,720 --> 01:47:52,240
Speaker 3: while though, since I became vegan.

2474
01:47:53,960 --> 01:47:56,639
Speaker 2: Listen when the spot we're going to when the rappers

2475
01:47:56,640 --> 01:47:59,680
Speaker 2: find out about this spot because it rhymes with so

2476
01:47:59,760 --> 01:48:02,320
Speaker 2: much stuff and it's a fancy restaurant that nobody know,

2477
01:48:02,439 --> 01:48:04,200
Speaker 2: and you know, rappers want to be like, oh, I

2478
01:48:04,240 --> 01:48:06,639
Speaker 2: don't do town no more like I do this when

2479
01:48:06,680 --> 01:48:08,439
Speaker 2: they find out because that word.

2480
01:48:08,680 --> 01:48:12,479
Speaker 3: Raps from so much shit restaurants and shit that I like, Yeah,

2481
01:48:12,479 --> 01:48:13,120
Speaker 3: I hate that ship.

2482
01:48:13,320 --> 01:48:16,280
Speaker 2: Remember when Rick ross uh brought Lira to Pergola and

2483
01:48:16,320 --> 01:48:18,640
Speaker 2: it was never the same. It's still it's still a

2484
01:48:18,640 --> 01:48:19,040
Speaker 2: ship show.

2485
01:48:19,080 --> 01:48:19,920
Speaker 3: It's still trying to recover.

2486
01:48:20,080 --> 01:48:23,439
Speaker 2: Seven years later, Ross shut down Pergola for the rest

2487
01:48:23,479 --> 01:48:26,040
Speaker 2: of our lives. That was the cool spot. Now it's

2488
01:48:26,160 --> 01:48:26,639
Speaker 2: just the spot.

2489
01:48:26,960 --> 01:48:29,400
Speaker 3: It's just social media makes the world so small. Like

2490
01:48:29,520 --> 01:48:34,559
Speaker 3: once four of the most popular people post something. It's

2491
01:48:34,600 --> 01:48:35,559
Speaker 3: a rap where.

2492
01:48:35,400 --> 01:48:37,960
Speaker 1: Lia ben to raise her child?

2493
01:48:38,400 --> 01:48:43,880
Speaker 3: Oh good for her, Good for her? Who got her pregnant? Ross? No, p.

2494
01:48:45,920 --> 01:48:48,680
Speaker 2: Oh her too. Yeah, that's a beautiful family. He needs

2495
01:48:48,680 --> 01:48:51,679
Speaker 2: to do a reality show like The Brady Bunch because

2496
01:48:51,720 --> 01:48:53,400
Speaker 2: all his bms love him and that's a great thing.

2497
01:48:53,400 --> 01:48:54,280
Speaker 3: I think that's super healthy.

2498
01:48:54,360 --> 01:48:56,080
Speaker 2: I see all of them put captions of how great

2499
01:48:56,120 --> 01:48:57,720
Speaker 2: of a father he is, how great like P is

2500
01:48:57,760 --> 01:48:59,240
Speaker 2: doing this? From the ones I've seen, I don't know.

2501
01:48:59,360 --> 01:49:01,439
Speaker 2: He's got a lot of kids. He's been doing that

2502
01:49:01,479 --> 01:49:03,080
Speaker 2: ship right, that's a reality show.

2503
01:49:03,400 --> 01:49:05,840
Speaker 3: Well, you know, you should be able to have a good,

2504
01:49:06,120 --> 01:49:08,040
Speaker 3: positive relationship with your your kid's mother.

2505
01:49:08,320 --> 01:49:09,920
Speaker 2: I agree, And that's positive. All that shit I'm talking

2506
01:49:09,920 --> 01:49:13,160
Speaker 2: about some messy shit. P doing the Brady Bunch with

2507
01:49:13,240 --> 01:49:15,479
Speaker 2: all his baby mothers would be the funniest show ever.

2508
01:49:16,320 --> 01:49:18,519
Speaker 2: And think about the soundtrack all the ship he could clear.

2509
01:49:20,040 --> 01:49:25,080
Speaker 2: That's soundtrack to PBM is the show that like yo,

2510
01:49:25,160 --> 01:49:26,400
Speaker 2: But he could clear all the records too.

2511
01:49:27,120 --> 01:49:28,000
Speaker 3: That's what you think about.

2512
01:49:28,000 --> 01:49:31,280
Speaker 2: Okay, he should They seem to like him.

2513
01:49:31,400 --> 01:49:35,080
Speaker 3: Yeah, portray yourself in that way of having multiple baby mamas.

2514
01:49:35,120 --> 01:49:38,920
Speaker 3: But it's still being a positive family though. For sure,

2515
01:49:39,000 --> 01:49:42,479
Speaker 3: like everybody talks communicates, it's not toxic.

2516
01:49:43,720 --> 01:49:44,400
Speaker 2: Money helps with that.

2517
01:49:45,200 --> 01:49:47,280
Speaker 3: I was gonna get to that. It usually does. But

2518
01:49:47,439 --> 01:49:49,560
Speaker 3: we've seen some situations with people that have money in

2519
01:49:50,280 --> 01:49:52,439
Speaker 3: there they don't have a relationship with their kids mother

2520
01:49:52,479 --> 01:49:53,200
Speaker 3: at all. For sure?

2521
01:49:54,040 --> 01:49:54,960
Speaker 2: Are we missing anything?

2522
01:49:55,479 --> 01:49:58,040
Speaker 3: Yes? So did you watch and then there was what

2523
01:49:58,200 --> 01:50:00,800
Speaker 3: is it called, Oh, my lord, just like that. Oh,

2524
01:50:00,920 --> 01:50:03,519
Speaker 3: it's called in just like that. This is the Sex

2525
01:50:03,600 --> 01:50:06,800
Speaker 3: and the City spin off. It's still Sex in the City,

2526
01:50:06,840 --> 01:50:07,120
Speaker 3: but one.

2527
01:50:07,080 --> 01:50:09,080
Speaker 1: Of these Samantha.

2528
01:50:09,439 --> 01:50:12,280
Speaker 3: Yeah, so they can't really say Sex and the City

2529
01:50:12,280 --> 01:50:14,479
Speaker 3: because Samantha's not there. I thought it it would have

2530
01:50:14,479 --> 01:50:17,960
Speaker 3: been cool to just kill Samantha off whatever, but they

2531
01:50:18,000 --> 01:50:21,880
Speaker 3: didn't kill Samantha off, but they killed somebody else off.

2532
01:50:21,920 --> 01:50:23,640
Speaker 2: Now, if you haven't seen it, can't kill people off

2533
01:50:23,680 --> 01:50:27,200
Speaker 2: in Sex and the City. People die in the city.

2534
01:50:28,439 --> 01:50:28,720
Speaker 3: Why not?

2535
01:50:28,840 --> 01:50:30,360
Speaker 2: They have sex in the city and they die where

2536
01:50:30,360 --> 01:50:32,800
Speaker 2: they jump in front of the subway death in the city.

2537
01:50:35,360 --> 01:50:37,719
Speaker 2: Nobody died from syphilis on Sex and the City reboot.

2538
01:50:38,040 --> 01:50:39,000
Speaker 2: Y'all align to me right now?

2539
01:50:39,560 --> 01:50:45,439
Speaker 3: No, man, no, don't listen. So yeah, if you haven't

2540
01:50:45,479 --> 01:50:48,400
Speaker 3: seen it, skip this next three minutes. We're gonna be

2541
01:50:48,439 --> 01:50:52,439
Speaker 3: real quick with this, so just skip this part. Okay. So, uh,

2542
01:50:53,040 --> 01:50:56,960
Speaker 3: what's her name? Carrie? Carrie Bradshaw's husband, big right, mister

2543
01:50:57,000 --> 01:50:58,120
Speaker 3: bigs that's what they call him. Whatever.

2544
01:50:58,280 --> 01:50:58,920
Speaker 2: Your older brother.

2545
01:50:59,120 --> 01:51:01,960
Speaker 3: Yeah, he he died because he was working out on

2546
01:51:02,040 --> 01:51:04,280
Speaker 3: his peloton and when he got off his peloton, he

2547
01:51:04,320 --> 01:51:07,160
Speaker 3: had a heart attack and he passed out laid on

2548
01:51:07,200 --> 01:51:09,960
Speaker 3: the floor by the shower, and Carrie comes in from

2549
01:51:09,960 --> 01:51:12,519
Speaker 3: an event. She sees him on the floor. She starts screaming.

2550
01:51:12,760 --> 01:51:16,639
Speaker 3: He dies in the arms. I say that to say

2551
01:51:16,680 --> 01:51:21,840
Speaker 3: this Peloton stock plummeted after this happened. Stock was already yeah,

2552
01:51:21,840 --> 01:51:23,360
Speaker 3: but this one like put them all the way out

2553
01:51:23,400 --> 01:51:23,920
Speaker 3: the building like.

2554
01:51:24,000 --> 01:51:26,920
Speaker 2: They had that HBO and Sex and the city is

2555
01:51:26,960 --> 01:51:29,599
Speaker 2: doing insider trading. I knew exactly what they were doing.

2556
01:51:29,600 --> 01:51:33,680
Speaker 3: Absolutely one thousand. That's what I'm getting to. So he

2557
01:51:33,800 --> 01:51:37,000
Speaker 3: dies after he gets off his Peloton. Peloton stocked plumbers,

2558
01:51:37,000 --> 01:51:39,000
Speaker 3: even though the matter said they were ready down. I

2559
01:51:39,120 --> 01:51:41,639
Speaker 3: think that people started throwing Pelotons out of the windows

2560
01:51:41,720 --> 01:51:46,879
Speaker 3: once this happened. Uh. Peloton released a video on Instagram,

2561
01:51:47,920 --> 01:51:50,200
Speaker 3: and Mister Big or the guy that plays mister Big,

2562
01:51:50,360 --> 01:51:53,040
Speaker 3: was in the Instagram video with his new girlfriend and

2563
01:51:53,120 --> 01:51:54,519
Speaker 3: they were kind of it kind of alluded to the

2564
01:51:54,560 --> 01:51:56,280
Speaker 3: fact he faked his death so with her.

2565
01:51:57,000 --> 01:51:58,120
Speaker 2: No, no, this was the greatest.

2566
01:51:58,360 --> 01:52:00,919
Speaker 3: This was the greatest rebrand in the history of rebrands.

2567
01:52:01,360 --> 01:52:03,240
Speaker 3: They alluded to the fact that this is his new girl,

2568
01:52:03,280 --> 01:52:05,120
Speaker 3: and he said, oh, you know, like life is short.

2569
01:52:05,520 --> 01:52:08,519
Speaker 3: Let's take another ride, like go with your mistress. It's

2570
01:52:08,560 --> 01:52:11,439
Speaker 3: two pelotons behind them behind the couch, and say you

2571
01:52:11,479 --> 01:52:13,280
Speaker 3: want to take another ride, Life's too short not to.

2572
01:52:14,280 --> 01:52:17,519
Speaker 3: And then the greatest end of the fucking video, the

2573
01:52:17,600 --> 01:52:20,280
Speaker 3: guy with the you know, commercial voice runs off a

2574
01:52:20,320 --> 01:52:23,040
Speaker 3: whole bunch of things of how cycling actually helps your

2575
01:52:23,080 --> 01:52:25,920
Speaker 3: heart and it's great for cardiovascular health for sure, and

2576
01:52:26,000 --> 01:52:28,160
Speaker 3: then ends that with He's alive.

2577
01:52:29,760 --> 01:52:29,960
Speaker 2: Show.

2578
01:52:30,439 --> 01:52:33,280
Speaker 3: People actually thought that, you know, people are listen, bro,

2579
01:52:33,400 --> 01:52:34,560
Speaker 3: people are weird. I'm telling you.

2580
01:52:35,200 --> 01:52:35,240
Speaker 2: So.

2581
01:52:35,640 --> 01:52:37,360
Speaker 3: I just thought that that was amazing. That was great.

2582
01:52:37,360 --> 01:52:39,160
Speaker 3: I don't understand how they're killing people in Sex in

2583
01:52:39,200 --> 01:52:40,880
Speaker 3: the City. Like you said, it's not the leg show.

2584
01:52:41,520 --> 01:52:43,719
Speaker 3: This turned into a soap opera all of a sudden,

2585
01:52:44,800 --> 01:52:47,280
Speaker 3: But I'm gonna keep watching because it's Sex in the City.

2586
01:52:47,360 --> 01:52:50,320
Speaker 3: It's and then there was that and just like that,

2587
01:52:50,560 --> 01:52:53,040
Speaker 3: and just like that, Actually I got it. Imagine they

2588
01:52:53,080 --> 01:52:55,680
Speaker 3: start clipping people off, Seinfeld. That's what I'm saying. It's

2589
01:52:55,760 --> 01:52:57,560
Speaker 3: kind of like it was a little I didn't expect it,

2590
01:52:57,720 --> 01:52:58,840
Speaker 3: especially that soon.

2591
01:52:59,120 --> 01:53:02,320
Speaker 1: Well, granted, they are old as shit, so people got to.

2592
01:53:02,280 --> 01:53:04,280
Speaker 3: Start in their fifties. That's not old as shit.

2593
01:53:05,240 --> 01:53:09,200
Speaker 1: He is they're in their fifties. He was always about

2594
01:53:09,240 --> 01:53:10,360
Speaker 1: ten years older than her.

2595
01:53:10,439 --> 01:53:12,559
Speaker 2: He was also time to die sixty.

2596
01:53:13,200 --> 01:53:16,479
Speaker 1: Yeah, ship and an old white man that does that

2597
01:53:16,680 --> 01:53:19,280
Speaker 1: was in the stock market. Yeah, he didn't have a

2598
01:53:19,320 --> 01:53:20,280
Speaker 1: long life.

2599
01:53:20,640 --> 01:53:22,920
Speaker 3: Oh the stock market. He takes years off your life. Yeah.

2600
01:53:23,400 --> 01:53:24,960
Speaker 2: I have a really good question to ask you on

2601
01:53:25,040 --> 01:53:26,439
Speaker 2: of if I should save it, but it's based off

2602
01:53:26,479 --> 01:53:28,719
Speaker 2: this topic. Maybe we should save for the next episode.

2603
01:53:28,720 --> 01:53:30,880
Speaker 2: But I'll asked the question. Have y'all ever thought about

2604
01:53:31,760 --> 01:53:37,120
Speaker 2: your second partner, your second wife or husband? Yes, no, listen,

2605
01:53:37,160 --> 01:53:37,559
Speaker 2: hear me out.

2606
01:53:37,640 --> 01:53:38,080
Speaker 3: Hear me out.

2607
01:53:38,400 --> 01:53:39,000
Speaker 1: You thought about her?

2608
01:53:40,479 --> 01:53:42,760
Speaker 3: See, but hear me out.

2609
01:53:42,840 --> 01:53:47,320
Speaker 2: At some point, Let's say you get the the perfect scenario.

2610
01:53:47,640 --> 01:53:53,560
Speaker 2: You and your partner grow old and unfortunately your partner.

2611
01:53:53,280 --> 01:53:53,840
Speaker 3: Dies before you.

2612
01:53:53,960 --> 01:53:56,240
Speaker 2: But on their deathbed they're like, hey, live the rest

2613
01:53:56,240 --> 01:53:59,320
Speaker 2: of your years, like we had an amazing marriage. If

2614
01:53:59,360 --> 01:54:02,559
Speaker 2: you want to go out after to you know, feel better,

2615
01:54:03,479 --> 01:54:05,000
Speaker 2: go ahead, Like, don't think that you have to be

2616
01:54:05,040 --> 01:54:07,120
Speaker 2: single for the rest of your life because I'm dead.

2617
01:54:07,640 --> 01:54:09,479
Speaker 3: And then who thinks that that happens?

2618
01:54:09,479 --> 01:54:10,719
Speaker 2: A lot that happens.

2619
01:54:10,760 --> 01:54:13,000
Speaker 3: Often know a single for the rest of their lives

2620
01:54:13,000 --> 01:54:14,160
Speaker 3: after their spouse dies of.

2621
01:54:14,200 --> 01:54:16,320
Speaker 2: Course they're fucking devastated. They think they can never be

2622
01:54:16,400 --> 01:54:18,920
Speaker 2: with somebody. So I've thought about like what type of

2623
01:54:19,520 --> 01:54:21,840
Speaker 2: what type of woman I would go after, And that's

2624
01:54:21,880 --> 01:54:24,439
Speaker 2: where I think my I'm a just trick, Like give

2625
01:54:24,520 --> 01:54:26,880
Speaker 2: me the stupid twenty one year old when I'm seventy.

2626
01:54:27,200 --> 01:54:29,120
Speaker 3: No way, you would not be able to just fuck

2627
01:54:29,200 --> 01:54:32,360
Speaker 3: me to. You would not be able to tolerate a younger,

2628
01:54:32,480 --> 01:54:32,920
Speaker 3: younger woman.

2629
01:54:32,920 --> 01:54:35,600
Speaker 2: I would just throw money at her. No, she'd be

2630
01:54:35,640 --> 01:54:36,520
Speaker 2: a yoga instructor.

2631
01:54:37,480 --> 01:54:37,880
Speaker 3: It's like.

2632
01:54:42,320 --> 01:54:43,080
Speaker 2: She do pilates.

2633
01:54:44,080 --> 01:54:47,200
Speaker 3: I think that if you, you know, if you're an

2634
01:54:47,200 --> 01:54:48,920
Speaker 3: older man and you were married for some years and

2635
01:54:49,120 --> 01:54:53,280
Speaker 3: your wife passes away, I think that the norm is

2636
01:54:53,440 --> 01:54:56,520
Speaker 3: probably that most men once they move on and start dating,

2637
01:54:56,560 --> 01:54:58,880
Speaker 3: and it is a younger woman. I think I think

2638
01:54:58,920 --> 01:55:01,240
Speaker 3: we can we can look get the optics and see,

2639
01:55:01,320 --> 01:55:05,360
Speaker 3: like she's about twenty years younger than you, sir, But I.

2640
01:55:05,360 --> 01:55:08,440
Speaker 2: Could see Demara is going for like a young salsa instructor.

2641
01:55:09,400 --> 01:55:13,160
Speaker 3: Was now Demaras would be sixty five, ready to get

2642
01:55:13,200 --> 01:55:15,880
Speaker 3: that cat up to a young dope dealer, Oh for sure,

2643
01:55:15,960 --> 01:55:19,920
Speaker 3: a good old, good old financial dreams. Yeah, gool dope

2644
01:55:19,960 --> 01:55:23,320
Speaker 3: dealer to come home and just slang dick and dope.

2645
01:55:24,120 --> 01:55:32,520
Speaker 2: Dope that dick on consignment, but not think about it

2646
01:55:32,680 --> 01:55:34,680
Speaker 2: on our break before of just what your your your

2647
01:55:34,760 --> 01:55:35,520
Speaker 2: next partner might be.

2648
01:55:35,800 --> 01:55:37,880
Speaker 3: Yes, and speaking of breaks, we will be going from

2649
01:55:38,320 --> 01:55:45,480
Speaker 3: from December twenty fourth fifth until January fifth. We will

2650
01:55:45,520 --> 01:55:47,600
Speaker 3: be going. We won't be won't be any episodes at

2651
01:55:47,640 --> 01:55:49,120
Speaker 3: the time, although I think we're probably gonna put some

2652
01:55:49,160 --> 01:55:49,760
Speaker 3: stuff out.

2653
01:55:50,120 --> 01:55:52,960
Speaker 1: Put some stuff out on you to show episodes that

2654
01:55:53,080 --> 01:55:56,600
Speaker 1: will be on the streaming services. They will not be

2655
01:55:56,720 --> 01:55:58,600
Speaker 1: available work going on a break. We get a little

2656
01:55:58,600 --> 01:55:59,040
Speaker 1: weak break.

2657
01:55:59,280 --> 01:56:02,760
Speaker 2: Yes, sit your a very nice company that thinks holiday

2658
01:56:02,800 --> 01:56:05,840
Speaker 2: time with your family is important. Not Hey, no, we

2659
01:56:05,920 --> 01:56:09,560
Speaker 2: need six episodes during holiday, So we'll be taking just

2660
01:56:09,640 --> 01:56:12,000
Speaker 2: that Christmas to New Year's break. But that's why we

2661
01:56:12,040 --> 01:56:14,080
Speaker 2: went to Detroit and got our asses whooped, just so

2662
01:56:14,200 --> 01:56:18,240
Speaker 2: y'all would have some great entertainment. Yeah while we are gone.

2663
01:56:18,800 --> 01:56:21,080
Speaker 3: Yeah, because God forbid, we didn't put out anything while

2664
01:56:21,320 --> 01:56:23,440
Speaker 3: we were going. People would think that there's nothing to watch.

2665
01:56:23,840 --> 01:56:25,800
Speaker 2: I mean, we get on Live and start giving away

2666
01:56:26,400 --> 01:56:27,080
Speaker 2: Christmas dinners.

2667
01:56:27,120 --> 01:56:28,880
Speaker 1: Oh, you guys are definitely I have a live schedule

2668
01:56:28,960 --> 01:56:29,120
Speaker 1: for you.

2669
01:56:30,200 --> 01:56:32,360
Speaker 3: And speaking to Live, we'd never heard from the couple

2670
01:56:32,400 --> 01:56:33,280
Speaker 3: that we sent to the show.

2671
01:56:33,360 --> 01:56:35,640
Speaker 2: Oh wait, we need they need to call in next episode. No,

2672
01:56:35,880 --> 01:56:36,440
Speaker 2: write that down.

2673
01:56:38,400 --> 01:56:42,440
Speaker 3: I don't know what. Well the marriage said the young

2674
01:56:42,520 --> 01:56:44,720
Speaker 3: lady had posted when she was at the show. Okay,

2675
01:56:45,240 --> 01:56:48,040
Speaker 3: the gentleman didn't post anything. Well he's real, so we're

2676
01:56:48,120 --> 01:56:49,760
Speaker 3: kind of like, No, we don't know if he actually

2677
01:56:49,760 --> 01:56:51,040
Speaker 3: showed up in that or if he had a wife

2678
01:56:51,040 --> 01:56:51,360
Speaker 3: and kids.

2679
01:56:51,480 --> 01:56:54,280
Speaker 1: Yeah, he didn't respond to when I tagged him and something.

2680
01:56:54,520 --> 01:56:55,600
Speaker 1: I'm gonna do some research.

2681
01:56:56,000 --> 01:56:56,800
Speaker 3: Let's do some research.

2682
01:56:57,360 --> 01:56:58,760
Speaker 2: I want to hear from her. She should call in

2683
01:56:58,840 --> 01:57:01,840
Speaker 2: next episode and we get a full rundown. For those

2684
01:57:01,920 --> 01:57:04,040
Speaker 2: that don't know, we went online. We gave away tickets

2685
01:57:04,040 --> 01:57:06,760
Speaker 2: to the Kanye and Drake show. Yes to two strangers

2686
01:57:06,800 --> 01:57:08,440
Speaker 2: that went on the first date. Mal picked up the

2687
01:57:08,480 --> 01:57:11,280
Speaker 2: bill per usual. Did you pick the up?

2688
01:57:11,600 --> 01:57:13,000
Speaker 3: I think the marriage told me I did.

2689
01:57:13,240 --> 01:57:14,120
Speaker 2: She pocketed the money?

2690
01:57:16,840 --> 01:57:18,480
Speaker 3: No, I told the marriage to set it up. I would.

2691
01:57:18,480 --> 01:57:19,840
Speaker 3: I would send her the money. I was sending her

2692
01:57:19,880 --> 01:57:21,680
Speaker 3: three hundred dollars for dinner. I know she took it.

2693
01:57:21,720 --> 01:57:22,240
Speaker 2: She went to dinner.

2694
01:57:22,320 --> 01:57:23,840
Speaker 3: I didn't send her at three hundred dollar. I don't

2695
01:57:23,840 --> 01:57:25,320
Speaker 3: know if she did it. You didn't do it. Well,

2696
01:57:25,320 --> 01:57:28,160
Speaker 3: we didn't hear from him, so I like what I'm saying, Yeah,

2697
01:57:28,240 --> 01:57:30,440
Speaker 3: fucking okay, not like not like that, but you know,

2698
01:57:31,080 --> 01:57:33,360
Speaker 3: we didn't hear from the dude fans.

2699
01:57:33,480 --> 01:57:35,560
Speaker 2: We don't even know if he went, like because his

2700
01:57:35,680 --> 01:57:37,080
Speaker 2: wife was on the other side of that phone when

2701
01:57:37,080 --> 01:57:37,760
Speaker 2: he was holding that ship.

2702
01:57:37,800 --> 01:57:39,200
Speaker 3: But now he probably couldn't get his hair braided.

2703
01:57:40,280 --> 01:57:42,280
Speaker 1: He probably sold the ticket, honestly.

2704
01:57:42,400 --> 01:57:46,920
Speaker 2: I mean the tickets was those tickets that we bought

2705
01:57:46,920 --> 01:57:49,480
Speaker 2: were way cheaper at the night of Like, yeah, the

2706
01:57:49,560 --> 01:57:52,840
Speaker 2: tickets went down absolutely paid twelve hundred them. She was

2707
01:57:52,840 --> 01:57:53,840
Speaker 2: just three hundred by that time.

2708
01:57:55,920 --> 01:57:57,400
Speaker 3: Yeah, if you want it, it was like one hundred

2709
01:57:57,400 --> 01:58:00,280
Speaker 3: dollars you could have gotten. By the way that stayed up,

2710
01:58:00,360 --> 01:58:02,000
Speaker 3: you could have sat anywhere in there and it would

2711
01:58:02,000 --> 01:58:05,160
Speaker 3: have been a great seat. Yeah, so you know whatever, All.

2712
01:58:05,120 --> 01:58:07,280
Speaker 2: Right, Well, I think we covered everything. We'll see y'all

2713
01:58:07,320 --> 01:58:10,760
Speaker 2: in two days. Shout out to everybody that's been listening.

2714
01:58:10,680 --> 01:58:12,760
Speaker 3: That enjoyed it. Roddy Rich's album comes out this week.

2715
01:58:13,880 --> 01:58:15,880
Speaker 3: I believe so, because he had posted on his Instagram.

2716
01:58:15,880 --> 01:58:17,080
Speaker 3: I don't know if that was supposed to be last

2717
01:58:17,280 --> 01:58:18,160
Speaker 3: Friday or this Friday.

2718
01:58:18,200 --> 01:58:19,960
Speaker 2: Come. I saw him standing on a stool next to

2719
01:58:20,040 --> 01:58:21,720
Speaker 2: Katie and Eddie.

2720
01:58:21,800 --> 01:58:24,800
Speaker 3: Yeah, yeah, yeah. Shout out to Katie. Shout out to Eddie. Yeah,

2721
01:58:24,840 --> 01:58:26,720
Speaker 3: I can't wait for Banks than me. I don't want

2722
01:58:26,760 --> 01:58:28,360
Speaker 3: to that. You know, people get mad you say the

2723
01:58:28,440 --> 01:58:31,080
Speaker 3: government name and know my stage name. Bro So shout

2724
01:58:31,080 --> 01:58:33,560
Speaker 3: out to Bankski. I mean there's already a bank see

2725
01:58:33,600 --> 01:58:35,960
Speaker 3: that's secret. Yeah, well he's one of them.

2726
01:58:36,920 --> 01:58:38,400
Speaker 2: I heard that banks He was a whole collective. It

2727
01:58:38,440 --> 01:58:39,800
Speaker 2: wasn't just one person. I didn't know that he was

2728
01:58:40,560 --> 01:58:41,720
Speaker 2: way though.

2729
01:58:42,560 --> 01:58:45,280
Speaker 3: There's definitely collective. It's a collective that houses artists and

2730
01:58:45,360 --> 01:58:48,360
Speaker 3: it's been West sculptors and stuff. He might be one

2731
01:58:48,400 --> 01:58:51,200
Speaker 3: of them. Very true. Anything else, the Mars will be good.

2732
01:58:51,440 --> 01:58:52,200
Speaker 1: You guys are good.

2733
01:58:52,760 --> 01:58:58,080
Speaker 3: All right, y'all have a great week. We'll be back Friday. Peace, love, health,

2734
01:58:58,200 --> 01:59:00,840
Speaker 3: prosperity and all that other corny shit that people don't

2735
01:59:00,840 --> 01:59:01,480
Speaker 3: wish upon you.

2736
01:59:02,600 --> 01:59:04,520
Speaker 1: Later, No, Worrian now