Speaker 1: This is Alec Baldwin and you're listening to Here's the
Speaker 1: thing from iHeart Radio. The signature howl, hard driving rock, licks,
Speaker 1: intricate harmonies. That sound is, of course, the band Hearts,
Speaker 1: fronted by sisters Anne and Nancy Wilson. Here they are
Speaker 1: with straight On from their nineteen seventy eight album Dog
Speaker 1: and Butterfly. The Ann's power and dynamism helped sell over
Speaker 1: thirty five million records, produced seven top ten albums, and
Speaker 1: earned four Grammy nominations. They were inducted into the Rock
Speaker 1: and Roll Hall of Fame in twenty thirteen, and just
Speaker 1: last year, the Wilson sisters received a Grammy Lifetime Achievement Award,
Speaker 1: and now.
Speaker 2: They're headed out on a world tour.
Speaker 1: Last week I spoke with guitarist and vocalist Nancy Wilson.
Speaker 1: My guest today is Heart's lead singer Ann Wilson. Anne
Speaker 1: Wilson's signature vocals have solidified her place in rock history.
Speaker 1: She's a true pioneer, with her wide range, strength and control,
Speaker 1: giving Robert Plant a run for his money at the
Speaker 1: Kennedy Center Honors. I wanted to know when Anne discovered
Speaker 1: that she had the.
Speaker 3: Voice well It wasn't until much later, like when I
Speaker 3: was about twenty two, I think, yeah, just like in
Speaker 3: band practice. And I'd been in bands, but I was
Speaker 3: always like the chick singer who just did the ballads,
Speaker 3: you know. And then we got to this place in
Speaker 3: the band where we wanted to do led Zeppelin stuff
Speaker 3: and right, you're doing covers deep yeah and deep purple stuff,
Speaker 3: and the guys, the guys in the band could not
Speaker 3: master that. So I tried it, and it's up in
Speaker 3: my range and it kind of cut me loose in
Speaker 3: a way.
Speaker 2: Right.
Speaker 1: It's amazing because I mean, obviously you've been redefined again
Speaker 1: and again during your career. We were all talking about this,
Speaker 1: my producers and huh, we were talking about what that
Speaker 1: was like back then, seventies eighties. Roseanne Cash came on
Speaker 1: the show and said her producer sat her down in
Speaker 1: the early days and said, we got to sex this
Speaker 1: up a bit. You got to pop another button, you
Speaker 1: gotta do this, You got to do that. Is that
Speaker 1: what they did to you?
Speaker 4: Oh?
Speaker 3: Of course. Yeah. It was always wet your lips and
Speaker 3: you know, undo the top button and where a French
Speaker 3: maid's outfit, you know.
Speaker 1: Right, you and Nancy. Yeah, they wanted this just everything
Speaker 1: sexed up all the time. Oh yeah, yeah, how did
Speaker 1: that make you feel back then?
Speaker 3: Mad? Worthless? So yeah, A couple of good songs came
Speaker 3: out of those emotions, like Barracuda and a few of
Speaker 3: the other ones that are pretty angry stuff, you.
Speaker 1: Know, But when you are there, does that eventually change?
Speaker 1: Like I see some young actresses I've always said this,
Speaker 1: where they want them to pop another button and do
Speaker 1: this and do that, and once they make a couple
Speaker 1: of hit movies, they're like, no, no, no, never again.
Speaker 2: They button that button all the way to the top
Speaker 2: and like we're done with that. Now.
Speaker 3: That's like a phase, right, And that's very very smart
Speaker 3: because if only we're brave enough at the very beginning
Speaker 3: to know that, right and just like keep it buttoned up,
Speaker 3: you know, and so and so it doesn't want to
Speaker 3: cast us, then so be it.
Speaker 5: Right.
Speaker 1: Barry GiB came on the show and we had a
Speaker 1: wonderful interview with Barry. But the Beg's and a solo
Speaker 1: career and so forth.
Speaker 2: I love oh And I.
Speaker 1: Think even in the documentary that they had an HBO,
Speaker 1: they talked about DNA harmony. Yes, they're your siblings. So
Speaker 1: you sing, you can really sing together in a kind
Speaker 1: of unique way. Did you and Nancy have that?
Speaker 3: Yes, we did, and we still do, and it's it's
Speaker 3: just something that is unnameable. It's just I don't know.
Speaker 3: Maybe it comes from the family, from riding in the
Speaker 3: car as little kids and just harmonizing in the back
Speaker 3: seat or whatever, but it's just this way of knowing
Speaker 3: what to do when and the other person knows exactly
Speaker 3: that too at the same moment.
Speaker 1: You know, your dad was in the military, Yes, and
Speaker 1: you grew up for a lot of big chunk of
Speaker 1: your childhood before you you headed to the Washington suburbs.
Speaker 1: You went to Bellevue when you know.
Speaker 2: How old eleven. So before that, it was San Diego, It.
Speaker 3: Was many places, but it was yeah, Camp Pendleton, Quantico, Kemp, Lajun, Panama, Taiwan.
Speaker 1: So your dad sounds like he was a pretty straight
Speaker 1: guy and you know, no nonsense guy.
Speaker 2: Is that true?
Speaker 1: Or was he a little bit more of a free spirit?
Speaker 1: What did he think of the music you eventually made
Speaker 1: with Nancy?
Speaker 2: What was his attitude?
Speaker 3: He was a free spirit and he he wasn't really
Speaker 3: cut out for the Marine Corps. In fact, he walked
Speaker 3: away from the UH. He retired during the Vietnam War
Speaker 3: because he did not believe in it, and he became
Speaker 3: a teacher and loved to read poetry at parties and
Speaker 3: sing and all that kind of stuff. Yeah, so he
Speaker 3: actually did. Really he loved the fact that Nancy and
Speaker 3: I were doing it. Our mother wasn't so sure. She
Speaker 3: was a little bit more ambivalent because it was two
Speaker 3: of the three daughters, you know, going into showbiz.
Speaker 1: Now, when did the two of you decide this is
Speaker 1: something you wanted to do professional was the setting of that.
Speaker 1: When that becomes other people beckoned you, other people summoned
Speaker 1: you and said you got to do this legit, or
Speaker 1: you both pursued it.
Speaker 3: Mostly it was me pursuing it. I had this thing
Speaker 3: inside my chest that was just like this burning coal,
Speaker 3: and I was kind of driven. I just wanted to
Speaker 3: be in bands from the time I was fourteen, and
Speaker 3: folk groups, any cocktail party, any church service, anywhere I
Speaker 3: could get up in front of people, you know, And
Speaker 3: one thing led to another, and pretty soon it was
Speaker 3: real bands, and then it was more professional sounding bands,
Speaker 3: and then it was bands.
Speaker 2: And it was you alone and Nancy came along later,
Speaker 2: or both of you together. From the start, I dragged her.
Speaker 2: You didn't know. Why did you have to drag? Or
Speaker 2: is she shy?
Speaker 3: She's shy and she's more college material. She was in
Speaker 3: university and she wanted to study, and I was like, no, no, no, no,
Speaker 3: come on, I need you to harmonize it.
Speaker 2: Yeah, you're not doing that, you're not going to college.
Speaker 2: What was your first band?
Speaker 3: The very first one she and I had was called
Speaker 3: The Viewpoints in Bellevue, when we were living just this
Speaker 3: comfortable life at our parents' house, but yet writing all
Speaker 3: these protest songs against culture and mister Jones, you know,
Speaker 3: and the man the Man, Yeah, the man reeling against
Speaker 3: the man.
Speaker 2: Yeah.
Speaker 1: And then when do you start to get closer to
Speaker 1: what you're most known for. She's playing guitar, she's harmonizing,
Speaker 1: and you're just ripping these rock songs. When does that start?
Speaker 3: She went to college and I went off and got
Speaker 3: into a rock band. I ripped her out of college,
Speaker 3: said get up here. That was maybe four years later.
Speaker 1: When she came and joined you. Did she just fold
Speaker 1: right in? Did she even realize herself it was meant
Speaker 1: to be this way?
Speaker 3: She did, you know, in spite of herself, she was torn.
Speaker 3: I think she has a dichotomous nature where she wants
Speaker 3: to study and read Gerta and all this kind of stuff,
Speaker 3: but she also wants to play acoustic guitar and sing
Speaker 3: folk songs. And so we took that and we folded
Speaker 3: it and made it into the songs that we first
Speaker 3: wrote for Heart.
Speaker 1: Musician Ann Wilson. If you enjoyed conversations with some of
Speaker 1: rock and roll's greatest lead vocalists, be sure to catch
Speaker 1: my episode with Roger Daltrey of The Who.
Speaker 5: Can you imagine what it felt like to be presented
Speaker 5: with those songs for the first time, to see what
Speaker 5: you can do with this? We just slammed away. We
Speaker 5: used to go into the studio and we used to
Speaker 5: have to mate those records in probably two hours.
Speaker 2: Max.
Speaker 5: Yeah, you know, you made the whole album in four hours,
Speaker 5: But that's how it well. And then it was only
Speaker 5: once I got presented with Happy Jack I had to
Speaker 5: think totally different about how I, as a singer, was
Speaker 5: going to sing Townsend songs and present them in any
Speaker 5: kind of way that I could hold my head up
Speaker 5: in the streets.
Speaker 1: Hear more of my conversation with Roger Daltrey that hears
Speaker 1: Thething dot Org. After the Break. Anne Wilson shares how
Speaker 1: finding love changed everything for her, including her approach to music.
Speaker 1: I'm Alec Baldwin and you're listening to Here's the.
Speaker 6: Thing Inside a Hurricane.
Speaker 4: Win and.
Speaker 2: Live Good Child.
Speaker 4: No.
Speaker 3: Other Way Tass to.
Speaker 2: High Can.
Speaker 1: This is Ann Wilson and the band Trip Sitter, with
Speaker 1: the song Trip Sitter from the twenty twenty three album
Speaker 1: Another Door. Wilson is a performing and recording veteran, having
Speaker 1: showcased her powerhouse voice since Heart's debut in nineteen seventy five.
Speaker 1: I wondered what was the very first song she recorded
Speaker 1: with the band?
Speaker 3: That was probably crazy on you?
Speaker 2: Right? That was your first song recorded.
Speaker 3: Professionally, Yes, up in Vancouver.
Speaker 2: So when you recorded that, how did you feel you?
Speaker 2: Did it feel right?
Speaker 3: It was really exciting and I knew nothing. I knew
Speaker 3: absolutely nothing. I'd never been in front of a mic
Speaker 3: in a studio before, and I didn't know anything about
Speaker 3: it or how to confront the mic or anything like that.
Speaker 2: Did somebody teach you?
Speaker 6: Yeah?
Speaker 3: Our first producer, Mike Flicker was really patient.
Speaker 2: He was helpful.
Speaker 3: Oh yeah, he gave me confidence, and he just said, yeah,
Speaker 3: do more like that? You know.
Speaker 1: And when you did more like that, did you start
Speaker 1: to access parts of yourself that you didn't even know
Speaker 1: you had.
Speaker 2: Did you just start becoming somebody else?
Speaker 3: No? I think I didn't become somebody else. I think
Speaker 3: I just kind of shed one skin and stood there
Speaker 3: in another. It was let's shed the folk music skin
Speaker 3: and sort of stand there in a rock skin.
Speaker 2: You know. Did you like one? Did you like them both?
Speaker 2: Did you like one one more than the other?
Speaker 3: I liked them both, you And in fact, I think
Speaker 3: that's what was always different about Heart and cool about
Speaker 3: Heart is that it had both. It had softness and
Speaker 3: it had this acoustic center, but yet it could go
Speaker 3: just as hard as you please, you know.
Speaker 1: And what about I mean, I'm assuming that all the
Speaker 1: songs that I would know of the most famous of
Speaker 1: your recordings, you guys wrote them, or you wrote them
Speaker 1: with other people, Like who wrote Dog and Butterfly?
Speaker 3: Oh, Nancy and I wrote that, You wrote that?
Speaker 2: Uh huh?
Speaker 3: And then Nancy and I and Roger Fisher wrote Barkuda.
Speaker 3: But the two songs oddly fit together, the Dog and
Speaker 3: the Butterfly, you know, right.
Speaker 2: The dog, the butterfly and the barracuda, right, yeah, yeah,
Speaker 2: right now? Who wrote Dreamboat?
Speaker 4: Annie?
Speaker 3: I did.
Speaker 2: God, that's a beautiful song.
Speaker 3: Thank you.
Speaker 1: You play that song and you're like, wow, man, that's
Speaker 1: so pretty. And then this is this range thing of yours.
Speaker 1: My producers and I were reading about your if you
Speaker 1: want to call it homage to Robert Plant and you
Speaker 1: trying to kind of take on and learn some of
Speaker 1: his vocal approaches, you know what I mean. And then
Speaker 1: here you are, years later, this is where I last
Speaker 1: saw you at the Kennedy Center Honors.
Speaker 2: Oh yes, yes, And isn't it magical?
Speaker 1: That is whatever you felt about Plants and wanted to
Speaker 1: emulate about Plant.
Speaker 2: Here you go on.
Speaker 1: Stage and sing a Stairway to Heaven and I think
Speaker 1: I've seen one other person in my life try to
Speaker 1: sing that music the way you did, and you blew
Speaker 1: the roof off the building, you know I mean. And
Speaker 1: even those guys are sitting up there in the box
Speaker 1: with the President, I think even they were like, holy shit,
Speaker 1: you know, this is the person that could sing this
Speaker 1: song in the world.
Speaker 2: How did you feel going out.
Speaker 3: There to do that song that experience had the potential
Speaker 3: of being extremely nervous, and it would have been easy
Speaker 3: to take my eye off the wall and just get
Speaker 3: all nervous and lose it, you know. So I made
Speaker 3: up my mind just to only be in the song.
Speaker 3: Just be in the song. That's it, and no other
Speaker 3: world existed in that seven minutes.
Speaker 2: Is that what it takes? Is that what it takes?
Speaker 3: Yeah? It does for me.
Speaker 1: Do you sometimes go do a show. I'll never forget
Speaker 1: when I would perform live and do Broadway. Not a lot,
Speaker 1: but there was sometimes I'd sit there and go, oh God,
Speaker 1: please don't make me go do this.
Speaker 2: Show right now?
Speaker 1: Yeah, yeah, I want to lay down and take a nap,
Speaker 1: you know. But you got to find a way to
Speaker 1: get your seat draggers. You got to become the guy
Speaker 1: that drags yourself out there, you know.
Speaker 3: That's right. Yeah, and just you've got to show up
Speaker 3: and actually be there.
Speaker 2: Yeah, put it out there.
Speaker 3: Otherwise it's not fair to the people that are sitting
Speaker 3: there watching you. I mean, you ask them to come
Speaker 3: and sit and watch you, and then you phone it in.
Speaker 3: I mean that's really lame. O. You know, don't do that.
Speaker 1: You're a mother. You adopt the two kids, but you're
Speaker 1: nonetheless on the road. And I always feel like, whether
Speaker 1: you have the kid yourself or they're surrogate so they're adopted,
Speaker 1: you're still a mother. What did you have to do
Speaker 1: to kind of protect all that when you.
Speaker 2: Were working and you're on the road? Old? I mean,
Speaker 2: your kids are how old now?
Speaker 3: Twenty five and thirty three, so.
Speaker 1: They're still young, but there were they But when they've
Speaker 1: been around you and in the business, what did you
Speaker 1: try to protect them from or teach them about who
Speaker 1: you are and what you do.
Speaker 3: I shielded them from public view. I didn't want pictures
Speaker 3: of them going up on the internet or anything like that,
Speaker 3: and I'm glad I did because they have a chance
Speaker 3: of being normal people. Now my son is a corrections
Speaker 3: officer and my daughter is a mother of six.
Speaker 2: No, she has six kids.
Speaker 3: She just kept on going, yeah.
Speaker 2: Yeah, I got seven kids. Wow.
Speaker 1: Did you find that in your life that songwriting was
Speaker 1: something you enjoyed or was it?
Speaker 2: Was it an effort?
Speaker 3: For me? It was always an effort. It was until recently,
Speaker 3: and I think it was because in the past I
Speaker 3: always wrote with other people, and so I was always
Speaker 3: secretly trying.
Speaker 2: To please them, you know, and did and did right.
Speaker 3: But now I write by myself, and like the last
Speaker 3: bunch of songs I wrote for Another Door, it's just
Speaker 3: a joy. It's so fun. Just write everything down that
Speaker 3: you're feeling, and then go back and tweak it and
Speaker 3: lift out the good stuff and get rid of the
Speaker 3: bad stuff.
Speaker 1: You know, you're married now, when you're married before, this
Speaker 1: is your one marriage. This is my one marriage. So
Speaker 1: all those years, I mean, I'm gonna put the cards
Speaker 1: on the table. You're one of the most smoking hot
Speaker 1: women in all of rock and roll who's also talented.
Speaker 1: Ps is also mega talented. How did you resist all
Speaker 1: the men just ladling jewelry at your feet and begging
Speaker 1: you to marry them?
Speaker 3: God, if that had been the case, I don't know
Speaker 3: whether you mean it wasn't like that ladling jewelry. Wow,
Speaker 3: you know I had my fair share of flings, you know.
Speaker 2: Yeah, but you didn't. But that didn't fit into your plan, No,
Speaker 2: it didn't.
Speaker 3: I was always more mission oriented about the band and
Speaker 3: about music and everything until this one guy came along
Speaker 3: and just suddenly that was irrelevant. Really, it's just like
Speaker 3: everything just changed, you know, I'm sure you know what
Speaker 3: I mean. It's it's it's just like the thing that
Speaker 3: happens when the person comes along. When do we ever
Speaker 3: think smart when we're in love? I mean, does that exist?
Speaker 2: Hearts Ann Wilson.
Speaker 1: If you're enjoying this conversation, tell a friend and be
Speaker 1: sure to follow Here's the Thing on the iHeartRadio app,
Speaker 1: Spotify or wherever you get your podcasts. After the Break,
Speaker 1: Anne Wilson shares what it was like to be estranged
Speaker 1: from her sister for a time and how they were
Speaker 1: able to come back together. I'm Alec Baldwin and you're
Speaker 1: listening to Here's the.
Speaker 2: Thing bar and wait.
Speaker 6: Started pleaseing my song always Top.
Speaker 1: This is Ann Wilson with Miss One and Only, from
Speaker 1: her twenty twenty three album Another Door with her band Tripsetter.
Speaker 1: Anne Wilson has been praised as one of the greatest
Speaker 1: singers in the history of rock, and thanks to her
Speaker 1: legendary voice, found decades of success with her band Hearts. However,
Speaker 1: Wilson revealed in the autobiography Kicking and Screaming a story
Speaker 1: of heart, soul and rock and roll, but she has
Speaker 1: been sober since two thousand and nine. I was curious
Speaker 1: if there was something about the rock and roll lifestyle
Speaker 1: that was connected to her addictions.
Speaker 3: A feeling of alienation. The drug itself has magnetic properties, yeah,
Speaker 3: but above and beyond that, it was the thing to do.
Speaker 3: And if you're a cool person, you did it. It
Speaker 3: gave you this feeling of super confidence, blows up your
Speaker 3: ego to this huge.
Speaker 2: Did you energy?
Speaker 3: Yeah?
Speaker 1: And then when when it came time to stop, was
Speaker 1: it enormously difficult or did you stop? And because it
Speaker 1: all kind of came together and you knew that was
Speaker 1: right as well.
Speaker 3: Well, I'll tell you it's kind of funny now. At
Speaker 3: the time, it was probably scary to other people. But
Speaker 3: Nancy and I decided to stop doing cocaine, and so
Speaker 3: we stepped down onto ecstasy and we did that for
Speaker 3: a little bit, down shifted, yeah, yeah, right, and then
Speaker 3: after a while that wore within and so then it
Speaker 3: was just no more.
Speaker 1: Many of the biggest bands in the world, I mean,
Speaker 1: obviously the Beatles and things like that, they go for
Speaker 1: whatever period of time.
Speaker 2: In the Beatles case, you know, not that long, you know,
Speaker 2: eight years.
Speaker 1: Yeah, they crank out all that unique music in eight years.
Speaker 1: But for you, your sister is your partner and then
Speaker 1: for a while your sister is not partner.
Speaker 3: Was that difficults It was difficult because we've always been tight.
Speaker 3: We never allowed other people to come into our relationship
Speaker 3: until then, and then we had we had other people saying, well,
Speaker 3: she says this, and she says that, You know, so
Speaker 3: it got to be a little bit of a drama.
Speaker 3: Things have really straightened themselves out now.
Speaker 2: Right when you got back together with her, did it
Speaker 2: seemed like it was? Right?
Speaker 3: Yeah, it's feeling more and more righteous all the time
Speaker 3: because she's been places too, so she has to soften
Speaker 3: up too. It's not just me, right, of course, we
Speaker 3: both have to soften back into our relationship together.
Speaker 1: Talk about your solo work. When you started doing solo work,
Speaker 1: was that all you did?
Speaker 2: You say?
Speaker 1: Did you want to stop for a while and take
Speaker 1: a breath, or and did other people say to you, no, man,
Speaker 1: you got to get back out there and keep doing this,
Speaker 1: or did you know you had to go out there
Speaker 1: and keep doing it?
Speaker 3: Well? You know hard it come to a natural stopping point,
Speaker 3: not a breakup point, but just like a point where
Speaker 3: it was out of gas right right, and I wasn't
Speaker 3: gonna let it just become a jukebox. So that was
Speaker 3: my cue to go out there and do something on
Speaker 3: my own and get some new chops, you know, and
Speaker 3: sing some news songs and figure some new stuff out.
Speaker 3: You got to do that, I'm sure you know that.
Speaker 3: As an actor, I mean, you can't just rehash the
Speaker 3: same old ideas again and again and again.
Speaker 1: Well also can as an actor. The condition is about
Speaker 1: the quality of the material. Where you might go do
Speaker 1: a revival of a famous play and put your touches
Speaker 1: on that of that role.
Speaker 2: And the interesting thing is, you know the material works
Speaker 2: like this is classic literature.
Speaker 1: Williams shaw Miller, and you want to get out there
Speaker 1: and have a whack at that material because in the movies,
Speaker 1: you know, they're in the potato chip business man. There
Speaker 1: are not that many serious roles and there aren't that
Speaker 1: many serious projects. Did you ever contemplate doing something for
Speaker 1: a living ever in your entire life since you became
Speaker 1: a musician, a professional musician.
Speaker 3: That's what I wanted to do.
Speaker 2: Yeah, that's it.
Speaker 3: Yeah, there was a time when I considered trying to
Speaker 3: act a little bit. But I don't have that. I
Speaker 3: don't have that in me. For me, music is the thing,
Speaker 3: because that's the that's my literature.
Speaker 2: You know.
Speaker 1: I look at videos of you when you're younger and
Speaker 1: you're singing crazy on you and you're singing Barracuda and
Speaker 1: you're flicking that hair, you're tossing that hair and like
Speaker 1: a little banshee. It'she You're this gorgeous little banshee. And
Speaker 1: what would Anne Wilson now tell that girl back then?
Speaker 4: Oh?
Speaker 3: I would say do what you're doing, I mean your gut.
Speaker 4: You know.
Speaker 3: I may have seemed one way, but I felt ways
Speaker 3: that were really strong back then, right, such as, you
Speaker 3: don't treat us this way, right because we're girls. You
Speaker 3: don't just you know, drop us by the door.
Speaker 2: No, you had to fight.
Speaker 1: You had to fight, Yeah, you had to fight the
Speaker 1: way you were treated by a male centric business.
Speaker 2: Correct.
Speaker 3: Yes, but the type of fighting was very careful, because
Speaker 3: you don't just want to alienate people and have them
Speaker 3: just hate you.
Speaker 1: When you talk about putting into your music some of
Speaker 1: these feelings you had. Do you think your audience got that?
Speaker 1: I think they picked up or you didn't really care?
Speaker 1: You got it and that's all that mattered. Did the
Speaker 1: audience pick up on it?
Speaker 4: Well?
Speaker 3: I always really hoped that the audience got it, and
Speaker 3: I think they did from things people have said to
Speaker 3: me in later years, you know, like men and women alike.
Speaker 3: I think that when they look back on some of
Speaker 3: the songs, you know, and some of the stuff we did.
Speaker 3: There were no other women out there except Suzi Quattro
Speaker 3: when we started. She was the only one and she
Speaker 3: was awesome. But that's one, you know.
Speaker 1: My last question for you is you write songs about
Speaker 1: what you wrote about back then? What songs do you
Speaker 1: want to write about now when you sit down, whether
Speaker 1: you succeed at it yet or not, or these songs
Speaker 1: are yet to come during your solo years, what do
Speaker 1: you want to write about now?
Speaker 3: Well? I wrote one called This is Now. I wrote
Speaker 3: one called Reign of Hell, which is an anti Wars creed.
Speaker 3: Just all different kinds of subjects, like I wrote one
Speaker 3: about a botched back alley abortion. Wow, it's kind of
Speaker 3: gently it is poetic, but that's what it's about, you know.
Speaker 3: It's called the Little Things. When are you going down
Speaker 3: on tour in April?
Speaker 2: Where are you going?
Speaker 3: Everywhere?
Speaker 2: Man?
Speaker 3: Everywhere?
Speaker 2: Everywhere?
Speaker 1: Man, I gotta tell you something. You're so great, Thank you,
Speaker 1: thank you. You're such a great singer. You blow my
Speaker 1: mind when I watch you, I listen to you, I
Speaker 1: mean you blow. You can do everything, you can do
Speaker 1: everything my best you and thanks for doing this with me.
Speaker 3: Oh well, thanks for having me. I really really had.
Speaker 1: Fun my thanks to Ann Wilson. You can find more
Speaker 1: information about Heart's world tour at heartdash music dot com.
Speaker 1: I'll leave you with a little more of straight on
Speaker 1: from their nineteen seventy eight album Dog and Butterfly.
Speaker 2: I'm Alec Baldwin.
Speaker 1: Here's the thing is brought to you by iHeart Radio.
Speaker 4: Man, Stay down, stand up for use me, stay.
Speaker 2: Say up, Stay up.
Speaker 4: You need
Speaker 2: Stay up.