1 00:00:01,880 --> 00:00:05,359 Speaker 1: Wind Down with Janet Kramer and I'm heart Radio podcast. 2 00:00:06,160 --> 00:00:08,959 Speaker 2: All right, it was a boy band night on the 3 00:00:08,960 --> 00:00:12,799 Speaker 2: mass singer all four group se contestants singing everybody but 4 00:00:12,800 --> 00:00:16,160 Speaker 2: Backstreet Boys. I gotta tell you, I was watching this 5 00:00:16,200 --> 00:00:20,200 Speaker 2: on the treadmill because obviously we get screeners before y'all 6 00:00:20,200 --> 00:00:23,279 Speaker 2: see it, and I was just having a good old 7 00:00:23,320 --> 00:00:25,600 Speaker 2: time in the gym singing all these songs. 8 00:00:26,000 --> 00:00:28,680 Speaker 1: It was so fun. I love boy bands. 9 00:00:28,720 --> 00:00:29,880 Speaker 3: He's singing out load, babe. 10 00:00:30,240 --> 00:00:39,720 Speaker 2: I was, who's your favorite boy band? Probably take that 11 00:00:39,720 --> 00:00:45,120 Speaker 2: that's a band? Yeah, okay, is this a British band? Okay, 12 00:00:45,159 --> 00:00:46,519 Speaker 2: that's why I have no clue. I was like, is 13 00:00:46,520 --> 00:00:47,040 Speaker 2: that a song? 14 00:00:48,080 --> 00:00:48,800 Speaker 3: Younger? Younger? 15 00:00:48,840 --> 00:00:51,880 Speaker 4: But then there was the My first introduction the boy 16 00:00:51,920 --> 00:00:53,800 Speaker 4: band was is it new kids on the Block? 17 00:00:54,080 --> 00:00:54,720 Speaker 1: Yes? 18 00:00:54,560 --> 00:00:58,760 Speaker 4: Yes, They're probably the best, most memorable ones for me 19 00:00:58,960 --> 00:00:59,800 Speaker 4: that I would listen to. 20 00:01:00,120 --> 00:01:04,520 Speaker 2: Well, first up to sing was Nessy and he's clearly 21 00:01:04,560 --> 00:01:07,120 Speaker 2: an artist. He's sang tearing up my Heart by and 22 00:01:07,160 --> 00:01:12,959 Speaker 2: sanc a goodie right there. He's obviously older because his 23 00:01:13,160 --> 00:01:15,280 Speaker 2: the stage clues that he dropped his ARP card, which 24 00:01:15,319 --> 00:01:16,319 Speaker 2: is hilarious. 25 00:01:16,560 --> 00:01:17,560 Speaker 3: It was an ARP cad. 26 00:01:17,800 --> 00:01:18,920 Speaker 1: It's like for old people. 27 00:01:18,920 --> 00:01:20,680 Speaker 3: I googled it's like a travel card thing. 28 00:01:20,760 --> 00:01:22,399 Speaker 2: Oh, I thought it was for old people like your 29 00:01:22,440 --> 00:01:25,720 Speaker 2: AARP Like, No, it's like all I thought I was 30 00:01:25,760 --> 00:01:26,320 Speaker 2: for old people. 31 00:01:26,400 --> 00:01:28,400 Speaker 1: So I thought, I was like, Okay, he's older. 32 00:01:28,520 --> 00:01:31,839 Speaker 2: He's like past his fifties. That's hilarious. Maybe that's something else. 33 00:01:31,959 --> 00:01:35,400 Speaker 2: I don't know, maybe it is, but uh, Jenny Guest, 34 00:01:35,440 --> 00:01:39,040 Speaker 2: Darius Rucker Ken Pat Mahone Rita said Dave Matthews, I 35 00:01:39,080 --> 00:01:41,920 Speaker 2: honestly have no clue. I just know that he's was 36 00:01:41,959 --> 00:01:44,200 Speaker 2: back in the day, obviously a singer from all of that, 37 00:01:44,319 --> 00:01:48,200 Speaker 2: but I would I kind of was thinking like maybe 38 00:01:48,280 --> 00:01:50,480 Speaker 2: Darryl Hall. I definitely older. 39 00:01:51,360 --> 00:01:53,320 Speaker 3: We said they did a lot of love love songs. 40 00:01:53,480 --> 00:01:55,640 Speaker 1: Yeah, so I was thinking maybe Brian Adams. 41 00:01:56,320 --> 00:01:57,080 Speaker 3: That's a good one. 42 00:01:57,240 --> 00:01:58,960 Speaker 1: Uh. And then I was thinking she. 43 00:01:59,000 --> 00:02:01,280 Speaker 3: Is such a recognized he does, I know. 44 00:02:01,360 --> 00:02:02,720 Speaker 2: So I don't know if he was, but I don't know. 45 00:02:02,760 --> 00:02:05,280 Speaker 2: It kind of sounds like Daryl Hall so but I 46 00:02:05,320 --> 00:02:08,960 Speaker 2: thought he was great. Next up was stud Man, a 47 00:02:08,960 --> 00:02:13,880 Speaker 2: stud muffin, and he sang Poisoned by Belle leave da 48 00:02:13,960 --> 00:02:19,680 Speaker 2: VOI again, I mean, he's a Grammy winner. There's just 49 00:02:20,040 --> 00:02:21,799 Speaker 2: no doubt in my mind that it's not method man. 50 00:02:21,880 --> 00:02:24,640 Speaker 2: But I loved his dance moves. Did you like that 51 00:02:24,840 --> 00:02:29,160 Speaker 2: was he broke it down? I was like yes, yeah. 52 00:02:30,240 --> 00:02:33,120 Speaker 4: So when you hear like gold chain brotherhood rapper, that's like, 53 00:02:34,040 --> 00:02:37,359 Speaker 4: where do you start actually try and guessless. 54 00:02:37,240 --> 00:02:37,960 Speaker 1: It's method man. 55 00:02:40,240 --> 00:02:44,040 Speaker 2: Moving on Yorkie. I love Yorkie so much. She just 56 00:02:44,080 --> 00:02:46,800 Speaker 2: puts a smile in my face. She sang step by step. 57 00:02:46,800 --> 00:02:49,680 Speaker 2: But New Kids on the Block that's my Also my 58 00:02:49,680 --> 00:02:51,359 Speaker 2: favorite back in the day boy band. 59 00:02:51,400 --> 00:02:52,720 Speaker 1: It was it was. 60 00:02:54,480 --> 00:02:58,880 Speaker 2: It was New Kids on the Block in sync Backstreet Boys, 61 00:02:58,960 --> 00:03:02,320 Speaker 2: nine d eight degrees and that. Having said that, Christmas 62 00:03:02,400 --> 00:03:06,560 Speaker 2: order is different. Christmas album, Christmas album nine day Degrees 63 00:03:06,600 --> 00:03:09,239 Speaker 2: has a bomb Christmas album from the very beginning. 64 00:03:09,560 --> 00:03:10,040 Speaker 1: Anyways. 65 00:03:10,240 --> 00:03:13,000 Speaker 3: Can you name a Yuk a Uk boyne from the 66 00:03:13,040 --> 00:03:13,840 Speaker 3: eighties on lateties? 67 00:03:13,919 --> 00:03:14,560 Speaker 1: No, not one. 68 00:03:14,760 --> 00:03:15,760 Speaker 3: I had the West Life. 69 00:03:15,840 --> 00:03:17,120 Speaker 1: Oh I love West Life. 70 00:03:17,360 --> 00:03:20,480 Speaker 5: The Savage Garden Is that one? 71 00:03:20,720 --> 00:03:22,040 Speaker 3: I think so? Yeah? 72 00:03:22,360 --> 00:03:26,639 Speaker 2: Yeah, because Savage Garden and West Life Simon Cole put 73 00:03:26,680 --> 00:03:31,600 Speaker 2: them together. I thought there were two thousands were the 74 00:03:32,400 --> 00:03:34,480 Speaker 2: Late Night That's a good one. Oh I have to 75 00:03:34,520 --> 00:03:37,640 Speaker 2: listen to that one. Okay, Oh that's a really West Life. Yeah, 76 00:03:37,680 --> 00:03:38,040 Speaker 2: that was. 77 00:03:38,280 --> 00:03:40,360 Speaker 1: That was a goodie. My name is Yorkie. 78 00:03:40,600 --> 00:03:40,800 Speaker 3: Yep. 79 00:03:42,120 --> 00:03:45,520 Speaker 2: I think it's Erica Jane because of a few reasons. 80 00:03:45,520 --> 00:03:52,280 Speaker 2: I saw Teddy Mellencamp. She was watching and videoing watching it, 81 00:03:52,560 --> 00:03:55,360 Speaker 2: and so they've got a really close relationship. And then 82 00:03:55,360 --> 00:03:57,240 Speaker 2: I started just thinking about the clues and then the 83 00:03:57,280 --> 00:04:01,000 Speaker 2: singing voice, and I think it's Erica Jane, which would 84 00:04:01,080 --> 00:04:01,600 Speaker 2: be so cool. 85 00:04:01,840 --> 00:04:03,640 Speaker 3: So I was thinking Partis Hilton. 86 00:04:04,440 --> 00:04:07,200 Speaker 1: Yeah, Rita has thought Harris, but then. 87 00:04:07,040 --> 00:04:11,160 Speaker 3: She said that she met was it. Now I've got 88 00:04:11,160 --> 00:04:11,520 Speaker 3: that wrong. 89 00:04:11,960 --> 00:04:12,480 Speaker 1: That's okay. 90 00:04:12,680 --> 00:04:16,480 Speaker 4: No, you met Partis Hilton at an event and said, 91 00:04:16,480 --> 00:04:18,320 Speaker 4: oh I was. She said that was on the mass 92 00:04:18,320 --> 00:04:21,920 Speaker 4: thing as she gets zero response, Oh that's funny. 93 00:04:22,880 --> 00:04:24,280 Speaker 3: But I still think it might be her. 94 00:04:24,839 --> 00:04:25,239 Speaker 1: Okay. 95 00:04:26,839 --> 00:04:30,040 Speaker 2: Last up to reform was the mad Scientist Monster met 96 00:04:30,080 --> 00:04:32,480 Speaker 2: his girlfriend at friendsgiving Grandfather Clock. 97 00:04:32,760 --> 00:04:33,920 Speaker 3: You must know this one. 98 00:04:34,200 --> 00:04:38,839 Speaker 2: I still think it's Ronnie Done, But there's a piece 99 00:04:38,880 --> 00:04:43,880 Speaker 2: of me that thinks maybe Scotti McCreary, because he's got 100 00:04:43,920 --> 00:04:48,320 Speaker 2: like that old school sounding voice. But I still just 101 00:04:48,400 --> 00:04:52,359 Speaker 2: think it's Ronnie Done in my heart of hearts, he 102 00:04:52,440 --> 00:04:54,159 Speaker 2: sounds a grind done. Having said that, a lot of 103 00:04:54,200 --> 00:04:57,880 Speaker 2: these younger dudes sound like some of those iconic older guys. 104 00:04:58,440 --> 00:05:00,000 Speaker 3: Yeah, what's the one that you've been lessing to recently? 105 00:05:00,240 --> 00:05:01,279 Speaker 3: It sounds like Kilvis. 106 00:05:02,120 --> 00:05:06,400 Speaker 2: Oh yeah, exactly, So it's just you know, but yeah, 107 00:05:06,440 --> 00:05:08,800 Speaker 2: he's saying I swear by all for one, so good, 108 00:05:09,000 --> 00:05:12,200 Speaker 2: which also, ah, just makes me remind myself of the 109 00:05:12,360 --> 00:05:14,480 Speaker 2: of my other boy band. I liked it was all 110 00:05:14,680 --> 00:05:18,320 Speaker 2: it was well, obviously Boys to Men their boy band 111 00:05:18,320 --> 00:05:22,359 Speaker 2: can you say boy Wand yeah, I wasn't sure if 112 00:05:22,400 --> 00:05:23,680 Speaker 2: it was like it has to be four and over, 113 00:05:23,839 --> 00:05:27,640 Speaker 2: but Boys to Men actually is before Backstreet Boys, So yeah, 114 00:05:27,640 --> 00:05:30,680 Speaker 2: InSync Boys to Men. There was another one though, All 115 00:05:30,760 --> 00:05:33,200 Speaker 2: for One. There was these guys that saying I swear 116 00:05:33,320 --> 00:05:35,080 Speaker 2: all for one. Oh there it is. Oh my gosh, 117 00:05:35,080 --> 00:05:38,599 Speaker 2: I'm so that's what that was. The band All for One. 118 00:05:39,920 --> 00:05:43,960 Speaker 4: Okay, guess is definitely not Tim McGraw, no recognizable. 119 00:05:44,040 --> 00:05:46,800 Speaker 2: Maybe Alan Jackson, but I still again think Ronnie. 120 00:05:46,640 --> 00:05:49,520 Speaker 3: D not Keith Hoben, No. 121 00:05:48,640 --> 00:05:49,120 Speaker 1: No, no, no. 122 00:05:50,279 --> 00:05:53,359 Speaker 2: Last Clue has a whole street named after him and 123 00:05:53,400 --> 00:05:59,599 Speaker 2: his crew. Stud Muffin is a method man. We called it, 124 00:05:59,720 --> 00:06:04,240 Speaker 2: we knew it, good old method man. Yeah, and unfortunately 125 00:06:04,279 --> 00:06:05,160 Speaker 2: we don't have method man. 126 00:06:05,200 --> 00:06:05,479 Speaker 1: Today. 127 00:06:05,520 --> 00:06:11,880 Speaker 2: But we have another icon another diva, Taylor Dane, one 128 00:06:11,880 --> 00:06:14,880 Speaker 2: of my fates. Tell it to my heart, I'll always 129 00:06:15,279 --> 00:06:19,960 Speaker 2: she's saying, prove your love. I mean, love will lead 130 00:06:20,040 --> 00:06:23,680 Speaker 2: you back. She's iconic. She appeared on season four as 131 00:06:23,720 --> 00:06:27,120 Speaker 2: popcorn was revealed in episode ten. She's gonna come and 132 00:06:27,160 --> 00:06:31,120 Speaker 2: tell us all things about her era and what she's 133 00:06:31,160 --> 00:06:47,480 Speaker 2: still up to. Hey, Hi, how are you doing very well? Well, 134 00:06:47,480 --> 00:06:50,080 Speaker 2: we'll just jump right into it. I'm a huge fan. 135 00:06:51,120 --> 00:06:55,200 Speaker 2: I'm like ginormous fan, and I was just going back 136 00:06:55,240 --> 00:06:58,359 Speaker 2: through your songs this morning, and I mean, Jess like 137 00:07:00,120 --> 00:07:02,320 Speaker 2: so good, so so good. It just brought me back 138 00:07:02,360 --> 00:07:04,680 Speaker 2: to some good old childhood memories. We would make up 139 00:07:04,760 --> 00:07:08,080 Speaker 2: dances in my basement with my girlfriends to your songs. 140 00:07:08,440 --> 00:07:13,560 Speaker 5: Yeah, well, I understand, I do, and I appreciate that. 141 00:07:13,640 --> 00:07:15,720 Speaker 5: I love it. I love hearing stories like that. But 142 00:07:15,840 --> 00:07:19,240 Speaker 5: I mean, you know, thirty seven years so something. 143 00:07:19,000 --> 00:07:22,200 Speaker 2: Had some you know, well they're timeless, you know, as 144 00:07:22,280 --> 00:07:24,480 Speaker 2: I'm as I'm singing them now, I mean, they're just 145 00:07:24,560 --> 00:07:25,720 Speaker 2: they're timeless songs. 146 00:07:26,040 --> 00:07:27,640 Speaker 3: They've been on our head the whole morning. 147 00:07:27,680 --> 00:07:30,360 Speaker 4: So she played them and they don't My comment was, 148 00:07:30,400 --> 00:07:33,200 Speaker 4: they just don't make song iconic songs like that anymore. 149 00:07:33,280 --> 00:07:36,400 Speaker 3: I don't stick that, I think so No. 150 00:07:36,680 --> 00:07:39,600 Speaker 5: I think where we're just at now is because you know, 151 00:07:40,280 --> 00:07:42,480 Speaker 5: obviously you guys are a little bit younger, but like 152 00:07:42,600 --> 00:07:45,040 Speaker 5: I mean, I love some of the art, Like you know, 153 00:07:45,240 --> 00:07:48,520 Speaker 5: I was at the Grammy and I really feel like 154 00:07:49,400 --> 00:07:53,360 Speaker 5: they're some incredible artists are coming out and it's. 155 00:07:53,200 --> 00:07:55,480 Speaker 1: True, Like Billie Eilish, she's like she's. 156 00:07:55,640 --> 00:08:01,360 Speaker 5: Like, there's so many Yeah, chap Well goes on just 157 00:08:01,680 --> 00:08:03,560 Speaker 5: when it goes on and goes on, and I feel 158 00:08:03,600 --> 00:08:06,680 Speaker 5: like they're back to songwriting. You know, the song is 159 00:08:06,720 --> 00:08:09,400 Speaker 5: not just the pop world, and it's very classic, and 160 00:08:09,480 --> 00:08:12,200 Speaker 5: I know my records just did the test of time. 161 00:08:12,280 --> 00:08:13,880 Speaker 5: So that's just a lovely thing to be able to 162 00:08:13,920 --> 00:08:16,360 Speaker 5: sit here and chat about. But it's like it's very 163 00:08:17,160 --> 00:08:19,640 Speaker 5: you know, that's what I think they're writing some really 164 00:08:19,720 --> 00:08:22,120 Speaker 5: classic you know, really that is true. 165 00:08:22,160 --> 00:08:25,400 Speaker 2: It is coming back around for sure, and I think 166 00:08:25,560 --> 00:08:30,600 Speaker 2: once we because there are songs I could probably I'd say, 167 00:08:30,640 --> 00:08:32,800 Speaker 2: ten years ago, I really couldn't tell you a song 168 00:08:32,880 --> 00:08:34,920 Speaker 2: that I think started the test of time. But now 169 00:08:34,960 --> 00:08:36,679 Speaker 2: I could go, yeah, okay, like some of the stuff 170 00:08:36,679 --> 00:08:40,920 Speaker 2: Benson's writing and yeah, I think for quite a while, 171 00:08:41,840 --> 00:08:42,400 Speaker 2: I agree. 172 00:08:42,679 --> 00:08:44,680 Speaker 5: So, you know, there's just a lot of our Yeah, 173 00:08:44,720 --> 00:08:49,160 Speaker 5: I just feel like they're really you know, so I 174 00:08:49,240 --> 00:08:55,840 Speaker 5: cherish you know, the iconicness and and the as you say, 175 00:08:56,120 --> 00:09:00,800 Speaker 5: you know, classic songs like you know, having that my repertoire, 176 00:09:00,880 --> 00:09:04,840 Speaker 5: you know, and knowing that time where we just had records. Yeah, 177 00:09:04,920 --> 00:09:06,960 Speaker 5: so it's you know, we had vinyl put that's what 178 00:09:06,960 --> 00:09:07,720 Speaker 5: we put on you know. 179 00:09:08,320 --> 00:09:10,440 Speaker 2: Well, I know, and that's that's a crazy thing too, 180 00:09:10,840 --> 00:09:13,920 Speaker 2: when talking, you know, music with my daughter, it's you know, 181 00:09:14,440 --> 00:09:16,640 Speaker 2: not having this we have Spotify. I'm like, we had 182 00:09:16,800 --> 00:09:19,760 Speaker 2: I still remember my first Janet Jackson tape you know, 183 00:09:19,840 --> 00:09:21,840 Speaker 2: it wasn't it was It wasn't even a CD. And 184 00:09:21,880 --> 00:09:26,640 Speaker 2: it's like, I don't even yeah, I mean it's how 185 00:09:27,200 --> 00:09:29,320 Speaker 2: how was that back in you know, back in the 186 00:09:29,360 --> 00:09:34,040 Speaker 2: eighties nineties, being a pop artist in that era versus today? 187 00:09:34,960 --> 00:09:35,440 Speaker 1: Do you think? 188 00:09:35,679 --> 00:09:38,240 Speaker 5: Well, I think we all know what's versus today. You're 189 00:09:38,280 --> 00:09:41,400 Speaker 5: a mom, so I don't know when you were born, 190 00:09:41,440 --> 00:09:43,319 Speaker 5: but I can guarantee you didn't have a cell. 191 00:09:43,160 --> 00:09:46,320 Speaker 2: Phone eighty three. So no, definitely not until high school 192 00:09:46,600 --> 00:09:46,960 Speaker 2: about that. 193 00:09:47,000 --> 00:09:49,440 Speaker 5: It's great, not until high school. So what's changed so 194 00:09:49,559 --> 00:09:52,520 Speaker 5: much is there you know, the exposure, right, So that's 195 00:09:52,559 --> 00:09:54,600 Speaker 5: a great thing. But when I was making when I 196 00:09:54,640 --> 00:09:57,040 Speaker 5: first started out, I was in New York City. I 197 00:09:57,080 --> 00:09:59,080 Speaker 5: was in the epicenter that that's where I you know, 198 00:09:59,200 --> 00:10:02,800 Speaker 5: I was lucky. I was fortunate. But the writing, the songwriting, 199 00:10:02,880 --> 00:10:05,480 Speaker 5: the collaborations and the people that I ended. I worked 200 00:10:05,520 --> 00:10:07,439 Speaker 5: with the guy that flew who was living, who was 201 00:10:07,520 --> 00:10:10,959 Speaker 5: nineteen years old, living in a basement in a studio 202 00:10:11,520 --> 00:10:14,480 Speaker 5: in Long Island. And because I was going out to 203 00:10:15,840 --> 00:10:19,560 Speaker 5: I was already not just in the clubs, but already 204 00:10:19,720 --> 00:10:23,199 Speaker 5: doing record you know, contracts and record you know, doing 205 00:10:23,280 --> 00:10:25,440 Speaker 5: you know, but there was a small window you were 206 00:10:25,480 --> 00:10:28,520 Speaker 5: at one percent, that half a one percent that even 207 00:10:28,520 --> 00:10:31,480 Speaker 5: got noticed by a record company if you even had 208 00:10:31,520 --> 00:10:35,120 Speaker 5: a release or and so that's how I solved that problem. 209 00:10:35,160 --> 00:10:37,719 Speaker 5: I recorded. You know, when I met Rick Wake who 210 00:10:37,760 --> 00:10:40,400 Speaker 5: was my partner, he was nineteen. I was twenty one, 211 00:10:41,040 --> 00:10:43,800 Speaker 5: and we just started recording singles. But he was already 212 00:10:43,920 --> 00:10:46,040 Speaker 5: like work, you know, he was brought in from the 213 00:10:46,160 --> 00:10:48,880 Speaker 5: UK and the States. And I think you see a 214 00:10:48,880 --> 00:10:53,360 Speaker 5: lot of that brand awareness now of where these these 215 00:10:53,480 --> 00:10:56,840 Speaker 5: artists are understanding that it's not just you know American 216 00:10:56,920 --> 00:10:59,200 Speaker 5: idol or it's not just you know the voice where 217 00:10:59,200 --> 00:11:00,640 Speaker 5: you're going to be discovering did you have to come 218 00:11:00,640 --> 00:11:05,520 Speaker 5: in there? And I had a plethora of clubs and 219 00:11:05,640 --> 00:11:08,280 Speaker 5: bands that I was in before you saw any fame 220 00:11:08,320 --> 00:11:11,600 Speaker 5: out of me. And that's by the age of twenty one, 221 00:11:12,480 --> 00:11:17,520 Speaker 5: right of identifying and working on my craft and my 222 00:11:17,559 --> 00:11:21,400 Speaker 5: writing and my song and my style. 223 00:11:22,600 --> 00:11:26,480 Speaker 2: How was it with the other pop stars in that era? 224 00:11:26,679 --> 00:11:29,800 Speaker 2: Was there a lot of I mean, obviously there's competition, 225 00:11:29,880 --> 00:11:32,680 Speaker 2: but how what was that world like back then? 226 00:11:33,960 --> 00:11:37,200 Speaker 5: Well, it's funny because like if you else, you know, 227 00:11:40,400 --> 00:11:43,360 Speaker 5: the biggest pop star at the time, because I broke 228 00:11:43,400 --> 00:11:45,880 Speaker 5: in nineteen eighty eight, so that would be Madonna. 229 00:11:46,080 --> 00:11:47,760 Speaker 2: I thought, I wasn't sure if it was like Madonna 230 00:11:47,800 --> 00:11:49,520 Speaker 2: or Mariah kind of in that same. 231 00:11:49,480 --> 00:11:52,400 Speaker 5: No, no, no, Mariah I wish came after. And I'll tell 232 00:11:52,440 --> 00:11:55,480 Speaker 5: you how I know that because my management signed her. 233 00:11:55,559 --> 00:11:59,679 Speaker 5: It was Tommy Mottola and Champion. So when Mariah came in, 234 00:11:59,679 --> 00:12:03,200 Speaker 5: that was nineteen ninety and you know, I was pretty 235 00:12:03,480 --> 00:12:07,439 Speaker 5: big shit nineteen eighty seven, nineteen eighty eight, nineteen eighty nine, 236 00:12:07,520 --> 00:12:11,040 Speaker 5: and I was you know what pulled me extracted me 237 00:12:11,080 --> 00:12:13,679 Speaker 5: out of that one, you know, one single it was 238 00:12:13,720 --> 00:12:16,079 Speaker 5: tell It to My Heart. They only signed me for 239 00:12:16,200 --> 00:12:19,559 Speaker 5: single single option album. There was no album in the can. 240 00:12:19,880 --> 00:12:22,440 Speaker 5: But I don't think Ariston nor Clive ever made that 241 00:12:22,520 --> 00:12:25,480 Speaker 5: mistake again. They went on to making sure that they 242 00:12:25,480 --> 00:12:27,720 Speaker 5: had you know, and I was my own production company 243 00:12:27,760 --> 00:12:31,080 Speaker 5: with Rick Wikes. So the big artist then, I would 244 00:12:31,080 --> 00:12:34,559 Speaker 5: say it was Madonna as far as the pop world, 245 00:12:34,559 --> 00:12:37,680 Speaker 5: then of course Janet, you know. And so we were 246 00:12:38,440 --> 00:12:43,120 Speaker 5: watching and working and that first that first vision you 247 00:12:43,200 --> 00:12:46,840 Speaker 5: see of me is literally New York club. I was 248 00:12:46,840 --> 00:12:50,520 Speaker 5: wearing that stuff. That that the stuff that was indicative 249 00:12:50,600 --> 00:12:55,320 Speaker 5: of the cat club and dance ateria, and the music 250 00:12:55,440 --> 00:12:58,880 Speaker 5: I was making was was very you know. What Tell 251 00:12:58,920 --> 00:13:01,560 Speaker 5: It to my Heart was what we called the crossover records, 252 00:13:01,640 --> 00:13:05,920 Speaker 5: something that we could promote in the clubs, get the 253 00:13:06,000 --> 00:13:09,160 Speaker 5: record pools to get on board, and maybe get that 254 00:13:09,240 --> 00:13:11,880 Speaker 5: to the midnight radio station so they'll start to play it. 255 00:13:11,960 --> 00:13:15,160 Speaker 5: Because that's the only place there was was radio, right, 256 00:13:15,240 --> 00:13:18,559 Speaker 5: you had club and radio, club and radio. Now think 257 00:13:18,600 --> 00:13:21,160 Speaker 5: about all the device you know, every place, there's nothing 258 00:13:21,280 --> 00:13:24,640 Speaker 5: like that. So it was our chance to get the 259 00:13:24,720 --> 00:13:27,240 Speaker 5: record companies to take a look at me, I didn't 260 00:13:27,240 --> 00:13:29,400 Speaker 5: have like any you know, show what do they call them, 261 00:13:29,600 --> 00:13:33,840 Speaker 5: you know, showcases, showcases like you know where you know, 262 00:13:33,920 --> 00:13:36,199 Speaker 5: there was one for Whitney because you know obviously your 263 00:13:36,240 --> 00:13:38,800 Speaker 5: mom sissy and all that stuff in her hair, you know, 264 00:13:38,840 --> 00:13:41,000 Speaker 5: but there was no showcase for me of such of 265 00:13:41,040 --> 00:13:44,719 Speaker 5: such thing. I basically broke myself with you know, and 266 00:13:44,720 --> 00:13:47,640 Speaker 5: that's that's a story to be told and that you 267 00:13:47,640 --> 00:13:49,400 Speaker 5: can see that with a lot of artists now doing 268 00:13:49,440 --> 00:13:51,920 Speaker 5: that through their YouTube pages and things like that. But 269 00:13:52,000 --> 00:13:55,360 Speaker 5: the amount you know, I went through the Village Voice 270 00:13:55,400 --> 00:14:00,840 Speaker 5: and found Rick right, Yeah, it was a paper, that's it. 271 00:14:01,080 --> 00:14:04,080 Speaker 5: You know, there's no like, we had no community, no 272 00:14:04,280 --> 00:14:07,440 Speaker 5: online and no it was wild. 273 00:14:08,120 --> 00:14:11,120 Speaker 2: Was it hard when you know, someone like Mariah gets 274 00:14:11,120 --> 00:14:14,319 Speaker 2: signed because I mean when I was on I used 275 00:14:14,360 --> 00:14:17,040 Speaker 2: to be on Warner Records, and when they would sign 276 00:14:17,200 --> 00:14:19,800 Speaker 2: other girls that would come on, it's you know, excited 277 00:14:19,800 --> 00:14:20,720 Speaker 2: for them, but also. 278 00:14:20,800 --> 00:14:21,600 Speaker 1: It's the competition. 279 00:14:22,440 --> 00:14:26,640 Speaker 2: Very well said it's hard because I was also aging Mariah. 280 00:14:26,760 --> 00:14:28,640 Speaker 5: And I'm going to say this, and I hope LAMB 281 00:14:28,720 --> 00:14:31,600 Speaker 5: calls me back. But you know, I know, listen, I 282 00:14:31,640 --> 00:14:34,440 Speaker 5: met Madonna, I met Janet, I you know, but at 283 00:14:34,480 --> 00:14:40,120 Speaker 5: the time you're in a feverish. Nobody said it better 284 00:14:40,120 --> 00:14:42,480 Speaker 5: than Chapel Roam like you are, literally and there are 285 00:14:42,520 --> 00:14:45,160 Speaker 5: no cell phones, there's you physically have to show up 286 00:14:45,200 --> 00:14:47,760 Speaker 5: for every radio station. So when Mariah was signed to 287 00:14:48,560 --> 00:14:51,800 Speaker 5: it was because of her, you know, more than obviously 288 00:14:51,840 --> 00:14:53,760 Speaker 5: it wasn't just because of her. You know, she she 289 00:14:54,320 --> 00:14:58,520 Speaker 5: met Tommy directly and it was this real invasion. And yes, 290 00:14:58,640 --> 00:15:01,240 Speaker 5: I did feel like, wow, all this attention going to 291 00:15:01,320 --> 00:15:03,480 Speaker 5: her for and then of course the music came out. 292 00:15:03,520 --> 00:15:06,600 Speaker 5: Then of course they started using producers within my world 293 00:15:06,600 --> 00:15:09,160 Speaker 5: and I was pissed. And I think that's a natural 294 00:15:09,160 --> 00:15:13,560 Speaker 5: reaction that women are. You know, we are told, we 295 00:15:13,560 --> 00:15:16,360 Speaker 5: were not told and not taught to come together. That's 296 00:15:16,360 --> 00:15:19,600 Speaker 5: for sure. The competition was a little wild. But now 297 00:15:19,640 --> 00:15:21,360 Speaker 5: if you look at my phone and who my my 298 00:15:21,440 --> 00:15:24,680 Speaker 5: girls on the like you know between Belinda Carlisle, Debbie Gibson, 299 00:15:24,720 --> 00:15:27,160 Speaker 5: Tiffany to you know, it just goes on and goes 300 00:15:27,160 --> 00:15:29,800 Speaker 5: on and goes on. Alison Kraus like these are all 301 00:15:30,160 --> 00:15:33,160 Speaker 5: that I've met through yeah, like over the years and 302 00:15:33,400 --> 00:15:37,560 Speaker 5: Whyona And it's very different because you know, we took 303 00:15:37,600 --> 00:15:41,880 Speaker 5: our battle ones very differently Paula, all of us. 304 00:15:42,120 --> 00:15:44,120 Speaker 2: Yeah, and yeah, I feel like it's just hard when 305 00:15:44,120 --> 00:15:45,720 Speaker 2: women do agency in the game. 306 00:15:45,960 --> 00:15:50,200 Speaker 5: Yeah, well in the game now, so imagine you know, 307 00:15:50,280 --> 00:15:52,120 Speaker 5: I've done this now thirty seven years. So it comes 308 00:15:52,160 --> 00:15:53,760 Speaker 5: a point where you're like, ah, should I just pack 309 00:15:53,840 --> 00:15:57,560 Speaker 5: my shit up and go home? But no, that's not 310 00:15:58,640 --> 00:16:03,000 Speaker 5: I you know, no easy answers to that question. 311 00:16:03,200 --> 00:16:05,920 Speaker 1: Your music is your you know, it's it's your life. 312 00:16:05,960 --> 00:16:06,600 Speaker 1: And yes, it's not. 313 00:16:07,160 --> 00:16:08,800 Speaker 2: Maybe you're not on the top of the charts as 314 00:16:08,840 --> 00:16:11,040 Speaker 2: you were, as you were back in the in you know, 315 00:16:11,120 --> 00:16:15,480 Speaker 2: nineteen eighties, nineties, but it's still passion. It's yeah, you're 316 00:16:15,520 --> 00:16:16,080 Speaker 2: still touring. 317 00:16:17,040 --> 00:16:21,800 Speaker 5: That's that's it. You know. So my tour I tour, 318 00:16:22,880 --> 00:16:26,200 Speaker 5: you know, and I've toured over the years tremendously, So 319 00:16:26,320 --> 00:16:29,200 Speaker 5: that is really, you know, the connection with your fans, 320 00:16:29,200 --> 00:16:31,200 Speaker 5: and all that does is build every time you get 321 00:16:31,200 --> 00:16:34,360 Speaker 5: a you know, every time between mass singer and all 322 00:16:34,360 --> 00:16:37,040 Speaker 5: these other you know, rhymes. I'm close to it, you know, 323 00:16:37,080 --> 00:16:39,040 Speaker 5: all of us that have gone through, you know, now 324 00:16:39,160 --> 00:16:43,680 Speaker 5: decades of you know, doing what we do and understanding 325 00:16:43,760 --> 00:16:46,680 Speaker 5: you know, Gwen, you know, Stefani, you know, you really 326 00:16:47,560 --> 00:16:50,480 Speaker 5: it's our job too, and if you look at like 327 00:16:50,560 --> 00:16:52,720 Speaker 5: the last show I just did in Germany, like I 328 00:16:52,760 --> 00:16:55,360 Speaker 5: don't know two weeks ago, you'll understand at the arena there, 329 00:16:55,440 --> 00:16:58,360 Speaker 5: so it me, boy George, You'll be forty Billy Ocean 330 00:16:58,360 --> 00:17:02,040 Speaker 5: Now I've known Billy. He was a label artist on Arista. 331 00:17:02,600 --> 00:17:05,160 Speaker 5: You think about it, but you think about the hits 332 00:17:05,200 --> 00:17:08,000 Speaker 5: he had, so you know, we fill up, you fill 333 00:17:08,080 --> 00:17:08,840 Speaker 5: up rooms. 334 00:17:09,040 --> 00:17:09,560 Speaker 1: I love that. 335 00:17:10,920 --> 00:17:13,320 Speaker 3: So it's like cornic era as well. The Ethees, wasn't it. 336 00:17:13,640 --> 00:17:18,000 Speaker 4: Remember you had to record songs from the radio on 337 00:17:18,040 --> 00:17:18,800 Speaker 4: your cassette flip. 338 00:17:18,960 --> 00:17:22,160 Speaker 1: Yeah, so good, so so so good. 339 00:17:22,920 --> 00:17:23,840 Speaker 5: Oh for sure. 340 00:17:24,080 --> 00:17:26,320 Speaker 4: Yeah the charts on a Sunday, Well, that was in 341 00:17:26,359 --> 00:17:27,879 Speaker 4: the UK. Might be different here. 342 00:17:27,920 --> 00:17:30,880 Speaker 5: But the UK was like everything I broke in the UK, 343 00:17:31,080 --> 00:17:33,919 Speaker 5: I broke in Germany and the UK first they you know, 344 00:17:34,480 --> 00:17:36,879 Speaker 5: music like that, like tell it to my Like that 345 00:17:37,000 --> 00:17:41,040 Speaker 5: wasn't like indicative radio, you know, it really wasn't. You 346 00:17:41,119 --> 00:17:43,600 Speaker 5: had the artists that broke in the very mid eighties 347 00:17:43,640 --> 00:17:47,560 Speaker 5: was Charde, Whitney Houston and then we were like what 348 00:17:47,760 --> 00:17:50,199 Speaker 5: is this because of the pop facil you know, the 349 00:17:50,240 --> 00:17:52,840 Speaker 5: big voice and pop. Everything before that was very like 350 00:17:54,320 --> 00:17:56,920 Speaker 5: you know what we call freestyle now and just small voices, 351 00:17:56,960 --> 00:18:00,440 Speaker 5: but big jams and of course Lisa, Lisa, you can't 352 00:18:00,520 --> 00:18:03,560 Speaker 5: leave that out, you know, but that real drum and 353 00:18:03,640 --> 00:18:06,199 Speaker 5: bassed stuff. But the UK I was. I was on 354 00:18:06,280 --> 00:18:07,000 Speaker 5: Top of the Pops. 355 00:18:07,080 --> 00:18:09,440 Speaker 3: That was my next question. Did you did you ever 356 00:18:09,520 --> 00:18:11,560 Speaker 3: go on to the Times? Yeah? 357 00:18:11,680 --> 00:18:13,960 Speaker 4: Do you have a help of it? What Top of 358 00:18:13,960 --> 00:18:16,920 Speaker 4: the Pops? It was like the most iconic show, and. 359 00:18:18,000 --> 00:18:19,480 Speaker 1: It is that like a TLC. 360 00:18:20,040 --> 00:18:22,840 Speaker 3: It was like the it was what everyone chewed onto. 361 00:18:24,200 --> 00:18:27,760 Speaker 1: Tl was pretty hot on MTV, of. 362 00:18:27,680 --> 00:18:30,679 Speaker 5: Course, but I did that TLC. This was not this. 363 00:18:30,680 --> 00:18:33,639 Speaker 5: This was Top of was. I did Top of the Pops. 364 00:18:33,640 --> 00:18:35,520 Speaker 5: So next to me was Robert Plant when he was 365 00:18:35,520 --> 00:18:38,480 Speaker 5: doing the honey Drippers. Next to me, Sneadan O'Connor, Like, 366 00:18:38,520 --> 00:18:40,439 Speaker 5: you had a hit song, you were on Top of 367 00:18:40,440 --> 00:18:43,960 Speaker 5: the Pops. You're performing it that week with three other artists. Wow, 368 00:18:44,600 --> 00:18:49,800 Speaker 5: whoever it was? You know? Remember, you know my girlfriend 369 00:18:50,000 --> 00:18:52,119 Speaker 5: simply read it just goes on and on and on 370 00:18:52,160 --> 00:18:55,000 Speaker 5: the list. You know. Keith Sweat, I wanted it was 371 00:18:55,000 --> 00:18:57,000 Speaker 5: a huge hit when I broke the same thing for me. 372 00:18:57,440 --> 00:19:02,679 Speaker 5: So we did the entire you know, radio circuit together. 373 00:19:03,160 --> 00:19:04,080 Speaker 3: Goose Bumps. 374 00:19:04,119 --> 00:19:06,280 Speaker 4: Never a top of the pops such a big part 375 00:19:06,320 --> 00:19:08,919 Speaker 4: of your life growing up in the eighties, nineties and 376 00:19:09,160 --> 00:19:11,800 Speaker 4: the UK oh UK. 377 00:19:11,960 --> 00:19:14,280 Speaker 5: But I think about what you what it encompassed, you know, 378 00:19:14,480 --> 00:19:18,640 Speaker 5: you know it was. It was a huge, amazing stuff. 379 00:19:18,840 --> 00:19:19,600 Speaker 5: It's like Dick. 380 00:19:19,600 --> 00:19:22,320 Speaker 2: Bark in there, right, Oh yeah, that makes sense. Okay, 381 00:19:22,400 --> 00:19:23,800 Speaker 2: that's yeah. 382 00:19:24,080 --> 00:19:26,480 Speaker 5: I like solid trained, like quite frankly, like we were 383 00:19:26,520 --> 00:19:32,480 Speaker 5: like Google are like, who's the new star? And believe me. 384 00:19:32,720 --> 00:19:35,800 Speaker 5: Paparazzi how about that? There was nothing in the States, 385 00:19:35,880 --> 00:19:40,000 Speaker 5: not until like late nineties, so paparazzi. I was chased 386 00:19:40,040 --> 00:19:43,560 Speaker 5: everywhere from eighty you know, Michael and then going on 387 00:19:43,600 --> 00:19:44,639 Speaker 5: tour Michael Jackson. 388 00:19:44,640 --> 00:19:46,520 Speaker 1: How is that Michael Jackson tour? 389 00:19:47,240 --> 00:19:49,879 Speaker 5: Well, I went from one single, huge hit single, so 390 00:19:50,320 --> 00:19:53,000 Speaker 5: they were following me around pretty heavy, but nothing, you know, 391 00:19:53,119 --> 00:19:56,200 Speaker 5: like to Michael Jackson where he and he loved the pandemonium, 392 00:19:56,440 --> 00:20:02,640 Speaker 5: did he Okay, like shocked, He's like yeah, so our 393 00:20:02,640 --> 00:20:06,199 Speaker 5: hotels were like just pulling up, you know, just was 394 00:20:06,640 --> 00:20:09,960 Speaker 5: it was like twenty five people thick in security. It's 395 00:20:10,040 --> 00:20:10,800 Speaker 5: just insane. 396 00:20:11,160 --> 00:20:11,400 Speaker 2: Wow. 397 00:20:11,440 --> 00:20:14,159 Speaker 5: But there was a motorcycle following and the driving and 398 00:20:14,200 --> 00:20:16,959 Speaker 5: the chaos. But he loved it. Prince we loved it. 399 00:20:17,000 --> 00:20:18,120 Speaker 5: We loved it. 400 00:20:18,119 --> 00:20:20,479 Speaker 2: It's so interesting that you say he loved it, because 401 00:20:20,680 --> 00:20:24,399 Speaker 2: when I watch certain you know things about him, it 402 00:20:24,440 --> 00:20:26,520 Speaker 2: seems like he's so shy and introverted. 403 00:20:26,760 --> 00:20:29,000 Speaker 5: That doesn't mean he didn't want the light on him. 404 00:20:29,440 --> 00:20:34,760 Speaker 5: His direction was stay humble, stay the course. He was 405 00:20:34,800 --> 00:20:39,760 Speaker 5: so he's it's like saying Taylor Swift, Taylor Swift, Michael Jackson. 406 00:20:40,119 --> 00:20:44,840 Speaker 5: You know, they're so targeted and internal with their you know, 407 00:20:45,000 --> 00:20:47,840 Speaker 5: their brand and also their their style of music. What 408 00:20:48,000 --> 00:20:50,359 Speaker 5: what Michael did on stage was he blew. He wanted 409 00:20:50,359 --> 00:20:53,400 Speaker 5: to blow the lights off the world. Sure, fans, we 410 00:20:53,480 --> 00:20:56,480 Speaker 5: saw production like we never saw before with the Jacksons, 411 00:20:56,600 --> 00:21:01,160 Speaker 5: which hit his intentions, lighting, design, production. Not to mention, 412 00:21:01,240 --> 00:21:03,199 Speaker 5: of course, we can go back to Pink Floyd, but 413 00:21:03,240 --> 00:21:07,239 Speaker 5: they weren't acrobats themselves. They weren't part of the you know, 414 00:21:07,320 --> 00:21:09,320 Speaker 5: it's not like we went to see them, but we 415 00:21:09,400 --> 00:21:12,240 Speaker 5: knew we were coming into a world, the Pink Floyd world, 416 00:21:12,640 --> 00:21:15,040 Speaker 5: and that was my you know what I saw first 417 00:21:15,119 --> 00:21:18,440 Speaker 5: time I saw that kind of acrobatic it was David 418 00:21:18,520 --> 00:21:21,160 Speaker 5: Lee Roth with Van Halen. When I saw that kind 419 00:21:21,200 --> 00:21:26,399 Speaker 5: of stage present, that was probably Robert Plant obviously, you know, 420 00:21:26,480 --> 00:21:29,120 Speaker 5: but they were rockers. It wasn't in the pop world. 421 00:21:29,160 --> 00:21:32,760 Speaker 2: Right, I love that? So how fun was did you 422 00:21:32,800 --> 00:21:33,960 Speaker 2: have fun on mass Singer? 423 00:21:35,320 --> 00:21:38,080 Speaker 5: Oh my god? Imagine because I did it the year 424 00:21:38,080 --> 00:21:38,760 Speaker 5: what is it twice? 425 00:21:38,760 --> 00:21:39,640 Speaker 1: It was season four? 426 00:21:39,840 --> 00:21:40,040 Speaker 2: Right? 427 00:21:41,000 --> 00:21:42,240 Speaker 1: Was that sweeted season four? 428 00:21:43,240 --> 00:21:46,439 Speaker 5: Yeah? But it was that first season they let everything 429 00:21:46,480 --> 00:21:49,280 Speaker 5: go back because of COVID So we were all kind 430 00:21:49,280 --> 00:21:53,760 Speaker 5: of like, I'm like, they called, you know, Dina Kats. 431 00:21:53,880 --> 00:21:56,400 Speaker 5: I can't even she's amazing. She called me up. I'm 432 00:21:56,400 --> 00:21:58,800 Speaker 5: on a beach somewhere in Santa Blah Blarah with my manager, 433 00:21:58,840 --> 00:22:01,080 Speaker 5: like we're going we're going to be doing you know, 434 00:22:01,200 --> 00:22:06,000 Speaker 5: God knows. Anyway, long story short is she called she goes, Comrade, 435 00:22:06,240 --> 00:22:09,479 Speaker 5: what's Taylor doing in the next couple of weeks, We're bringing, 436 00:22:09,560 --> 00:22:11,359 Speaker 5: you know, mask thing or starting up again. We're like, 437 00:22:11,480 --> 00:22:14,560 Speaker 5: is that even possible? Like we didn't even understand, So yeah, 438 00:22:14,640 --> 00:22:18,119 Speaker 5: we did. We did our COVID test daily. We It 439 00:22:18,200 --> 00:22:22,200 Speaker 5: was a real in that was so wild beyond being 440 00:22:22,359 --> 00:22:26,600 Speaker 5: behind a mask, to be behind another mask yet it's. 441 00:22:26,520 --> 00:22:28,840 Speaker 1: So so ridiculous if I can't it. 442 00:22:28,920 --> 00:22:30,960 Speaker 5: Was a mask. We had a wear mask going in, 443 00:22:31,000 --> 00:22:34,439 Speaker 5: but wear that mask set and then another mask on 444 00:22:34,720 --> 00:22:37,280 Speaker 5: a stage and then of course, you know, the segregation 445 00:22:37,440 --> 00:22:39,960 Speaker 5: and not knowing who was. And it's so funny because 446 00:22:40,280 --> 00:22:42,760 Speaker 5: we all talked afterwards because obviously, you know, I knew 447 00:22:42,800 --> 00:22:44,840 Speaker 5: Looney Ann, but they never crossed me up. And I 448 00:22:44,960 --> 00:22:51,000 Speaker 5: certainly Nick Carter. I was like my manager, Nick, she 449 00:22:51,119 --> 00:22:53,320 Speaker 5: was my business matager. She was like, have we thought 450 00:22:53,320 --> 00:22:54,960 Speaker 5: that was you? But I was like, well, no, Nick 451 00:22:55,040 --> 00:22:57,520 Speaker 5: was the crocodile. He would like swipe me across the stage. 452 00:22:57,560 --> 00:22:59,760 Speaker 5: I was like, they kept us as separate as possible. 453 00:23:00,359 --> 00:23:02,520 Speaker 5: And I have to tell you we I know because 454 00:23:02,560 --> 00:23:05,320 Speaker 5: we felt so grateful, and I know because I spoken 455 00:23:05,359 --> 00:23:07,840 Speaker 5: to all of them except all over really as far 456 00:23:07,880 --> 00:23:11,880 Speaker 5: as the last winners, just like how grateful we were, 457 00:23:11,880 --> 00:23:17,480 Speaker 5: and also that it was a really very challenging and 458 00:23:17,560 --> 00:23:20,800 Speaker 5: it's also quite creative because we had every single solitary 459 00:23:21,000 --> 00:23:25,160 Speaker 5: costume designer, lighting director, production. Nobody was on the road. 460 00:23:25,400 --> 00:23:28,520 Speaker 5: They were right there with us and that show was 461 00:23:29,280 --> 00:23:32,680 Speaker 5: and they there was some really creative moments. Every choreographer. 462 00:23:32,680 --> 00:23:36,280 Speaker 5: I could imagine. I had a new choreographer for every song. 463 00:23:36,600 --> 00:23:37,840 Speaker 5: And by the time they knew I was, you know, 464 00:23:37,920 --> 00:23:39,600 Speaker 5: I was in it to win it they were like, 465 00:23:40,080 --> 00:23:42,560 Speaker 5: you know, I take three choreographers a day and we'd 466 00:23:42,680 --> 00:23:45,359 Speaker 5: work out a track and it was just I like 467 00:23:45,440 --> 00:23:48,359 Speaker 5: that stuff. That's high pressure and that's back and that's 468 00:23:48,400 --> 00:23:49,240 Speaker 5: a big pop game. 469 00:23:49,600 --> 00:23:50,960 Speaker 1: Yeah, that's so, that's so cool. 470 00:23:51,119 --> 00:23:51,640 Speaker 5: I love it. 471 00:23:52,080 --> 00:23:54,440 Speaker 3: What made you choose the popcorn costume? 472 00:23:54,920 --> 00:23:59,000 Speaker 5: You don't really choose, you you we had They wanted 473 00:23:59,040 --> 00:24:02,520 Speaker 5: me to either go pretty sexy rocker like cat woman style, 474 00:24:02,600 --> 00:24:07,760 Speaker 5: like real big like b or animal animal esque, and 475 00:24:07,800 --> 00:24:12,320 Speaker 5: then I said, we discussed being something a little bit 476 00:24:12,359 --> 00:24:15,120 Speaker 5: different instead of being that hottie kind of like blah 477 00:24:15,119 --> 00:24:18,520 Speaker 5: blah blah on coming in on a motorcycle, and when 478 00:24:18,640 --> 00:24:21,720 Speaker 5: popcorn they gave me an image and shoes. We've been talking. 479 00:24:21,720 --> 00:24:24,000 Speaker 5: I go, well, what if I kind of like go like, 480 00:24:24,280 --> 00:24:27,200 Speaker 5: you know, really like get into my girl, get into 481 00:24:27,240 --> 00:24:30,160 Speaker 5: like that little place and just be like miss America. 482 00:24:30,560 --> 00:24:32,760 Speaker 5: Nobody knows what's coming tomorrow. Or I just had this 483 00:24:32,880 --> 00:24:36,119 Speaker 5: very Americana feel and I just loved the idea of popcorn. 484 00:24:36,240 --> 00:24:39,040 Speaker 5: People watched me and just being a little girl about it, 485 00:24:39,080 --> 00:24:42,240 Speaker 5: but you know, really kind of that was my challenge 486 00:24:42,240 --> 00:24:44,719 Speaker 5: of changing it up and just being this little like kitten. 487 00:24:45,240 --> 00:24:49,199 Speaker 1: That's fun. Oh, cool, just. 488 00:24:49,320 --> 00:24:51,720 Speaker 5: Insane, and I got to work, you know, working with 489 00:24:51,800 --> 00:24:54,440 Speaker 5: the you know it was the head piece was was nuts. 490 00:24:54,560 --> 00:24:56,800 Speaker 5: But what was going on below was like I was 491 00:24:56,800 --> 00:24:59,040 Speaker 5: in like you know, we represented a lot of popka's. 492 00:24:59,040 --> 00:25:01,760 Speaker 5: I was like umbrella up the bottom of it. We 493 00:25:01,800 --> 00:25:03,359 Speaker 5: had a kind of tore so that up I got 494 00:25:03,400 --> 00:25:05,240 Speaker 5: my legs are this big? Guys don't don't you know 495 00:25:05,480 --> 00:25:08,639 Speaker 5: my couple, but like we have got to work this 496 00:25:08,720 --> 00:25:11,800 Speaker 5: stage And while you're blind and you're looking at one eye, 497 00:25:11,840 --> 00:25:14,399 Speaker 5: I could only see it was so tall. I'm little, 498 00:25:14,440 --> 00:25:17,040 Speaker 5: so I was only looking at my voice hole and 499 00:25:17,080 --> 00:25:21,240 Speaker 5: I'm like one time, you know, you walk off stage. 500 00:25:21,280 --> 00:25:23,520 Speaker 5: I walked right. I was also almost in the pit. 501 00:25:24,080 --> 00:25:27,160 Speaker 5: Production is just they're just genius. They were just such 502 00:25:27,200 --> 00:25:29,119 Speaker 5: pros and like I said, we had the best of 503 00:25:29,200 --> 00:25:31,440 Speaker 5: the vest during that season. 504 00:25:44,160 --> 00:25:49,080 Speaker 2: Okay, Golden Bachelorette, you performed on there and then one 505 00:25:49,080 --> 00:25:51,800 Speaker 2: of the guys said they dated you, which I just find. 506 00:25:51,600 --> 00:25:55,159 Speaker 1: What a shocker, Like You're like, oh did we please? 507 00:25:55,520 --> 00:25:58,040 Speaker 5: Well? Hone? You see like a girl kind of like 508 00:25:58,160 --> 00:26:00,680 Speaker 5: me that, like you know, I'm sure sure you're married 509 00:26:00,720 --> 00:26:02,400 Speaker 5: now and have a child, but like you know, it's 510 00:26:02,400 --> 00:26:04,679 Speaker 5: not like I've not been on the shortlist of dating. 511 00:26:04,960 --> 00:26:07,720 Speaker 5: I've dated my entire life. If I've not been married yet, 512 00:26:08,400 --> 00:26:11,600 Speaker 5: I do have two in twins at twenty three. I've 513 00:26:11,600 --> 00:26:13,720 Speaker 5: had my long term relationships my short term. But I'm 514 00:26:13,760 --> 00:26:16,440 Speaker 5: kind of even that share boat, like, you know, we've 515 00:26:16,440 --> 00:26:19,720 Speaker 5: put things and I might have them. I was like, 516 00:26:19,760 --> 00:26:22,040 Speaker 5: did we I don't remember anything. Yeah, I don't remember. 517 00:26:22,119 --> 00:26:24,080 Speaker 5: You met me on a yacht in Chicago. I'm like, 518 00:26:24,080 --> 00:26:26,840 Speaker 5: first of all, that doesn't even queue up and boat 519 00:26:26,920 --> 00:26:30,560 Speaker 5: during the river. And I was like, I go, yeah, yeah, yeah, 520 00:26:30,640 --> 00:26:33,840 Speaker 5: shouldn't you be focused on Joan? And I'm like, you know, 521 00:26:33,880 --> 00:26:36,520 Speaker 5: pulling my feet off backstage doing hair and makeup. I'm like, 522 00:26:36,600 --> 00:26:38,679 Speaker 5: this guy's you know, would you ever. 523 00:26:38,600 --> 00:26:40,320 Speaker 1: Do the golden if they asked you? 524 00:26:41,560 --> 00:26:44,760 Speaker 5: Oh? God, well, I don't think my boyfriend Johnny would. 525 00:26:44,560 --> 00:26:48,720 Speaker 1: Like that to Oh Johnny would not like that from 526 00:26:49,200 --> 00:26:49,639 Speaker 1: this point. 527 00:26:50,200 --> 00:26:52,200 Speaker 5: That's only you know, we've been together a couple of years. 528 00:26:52,240 --> 00:26:54,920 Speaker 5: But you know, I never say never to anything. 529 00:26:57,200 --> 00:26:59,400 Speaker 1: That is a true diva right there. I mean that 530 00:26:59,480 --> 00:27:00,840 Speaker 1: is that is, It's fantastic. 531 00:27:00,960 --> 00:27:02,800 Speaker 5: I tell it like it is. I never say never 532 00:27:02,880 --> 00:27:05,480 Speaker 5: to anything like it's not really worth the you know, 533 00:27:05,640 --> 00:27:08,960 Speaker 5: things changed so rapidly in one's life daily. But at 534 00:27:08,960 --> 00:27:13,679 Speaker 5: the same time, I'm pretty my quality of life is 535 00:27:13,720 --> 00:27:16,359 Speaker 5: pretty darn good. I've gone through enough ups and downs 536 00:27:16,359 --> 00:27:20,480 Speaker 5: and bumps and beautiful moments, and you know, I live. 537 00:27:21,560 --> 00:27:23,760 Speaker 5: I live in a way where I never say never, 538 00:27:23,840 --> 00:27:26,960 Speaker 5: but you know, I sew have the energy and I'm 539 00:27:27,280 --> 00:27:29,800 Speaker 5: got a lot of things to still to do. 540 00:27:30,119 --> 00:27:32,560 Speaker 2: I love that. Okay, new music, do we did? We 541 00:27:32,600 --> 00:27:34,119 Speaker 2: have some coming or. 542 00:27:35,359 --> 00:27:40,840 Speaker 5: I released Capital Sessions during all that craziness and that 543 00:27:41,000 --> 00:27:43,880 Speaker 5: was pretty new for me. You can look that up. 544 00:27:44,160 --> 00:27:48,120 Speaker 5: And then I am back in the studio now. Starting 545 00:27:48,160 --> 00:27:51,520 Speaker 5: next week, believe it or not, we start writing again. 546 00:27:51,920 --> 00:27:54,879 Speaker 5: And I'm not sure what my direct we you know, 547 00:27:55,000 --> 00:27:56,960 Speaker 5: you know, to me it would it would probably be 548 00:27:57,000 --> 00:28:00,040 Speaker 5: more dancing back to kind of my my roots, but 549 00:28:00,080 --> 00:28:02,760 Speaker 5: that's new music. As far as touring, now, I go 550 00:28:02,880 --> 00:28:07,120 Speaker 5: back to Europe, you know, I'm now May June, I'll 551 00:28:07,160 --> 00:28:09,480 Speaker 5: be in Vienna. I just did Germany. I just did 552 00:28:10,560 --> 00:28:15,600 Speaker 5: Colonne slash Dusseldorf. It was amazing, and uh, you know, 553 00:28:15,720 --> 00:28:17,800 Speaker 5: just check out my tour dates because I tour a lot. 554 00:28:18,240 --> 00:28:20,920 Speaker 2: Love Okay, Well, if you're in the Nashville close area, 555 00:28:20,960 --> 00:28:22,240 Speaker 2: we're coming well. 556 00:28:22,040 --> 00:28:25,560 Speaker 5: I'll be I mean coming up. You could take a 557 00:28:25,640 --> 00:28:27,760 Speaker 5: little road trip, Diva, you could do it too. 558 00:28:29,119 --> 00:28:31,240 Speaker 1: Diva Alder Child. 559 00:28:31,680 --> 00:28:37,920 Speaker 2: We've got seventeen, nine, six and sixteen. 560 00:28:37,480 --> 00:28:43,080 Speaker 1: Months, so seventeen that's it from that's my boy. 561 00:28:43,200 --> 00:28:45,520 Speaker 4: I've got an older boy. There's seventeen. He'll be eighteen 562 00:28:45,600 --> 00:28:46,040 Speaker 4: this year. 563 00:28:46,200 --> 00:28:46,600 Speaker 1: Yeah. 564 00:28:46,760 --> 00:28:51,080 Speaker 2: So but our baby together is sixteen months, so you know, 565 00:28:52,640 --> 00:28:54,840 Speaker 2: forty babies, so exciting. 566 00:28:55,680 --> 00:28:58,440 Speaker 5: It is kind of exciting. It is. I thought about it. 567 00:28:58,600 --> 00:29:00,600 Speaker 5: I mean, I had my but I had mind late too, 568 00:29:00,640 --> 00:29:03,840 Speaker 5: so I get it. Thirty nine, forty my children and 569 00:29:03,920 --> 00:29:07,720 Speaker 5: I get it. These next ten years are going to count. 570 00:29:07,720 --> 00:29:08,920 Speaker 5: But boy, it's hard, right. 571 00:29:08,840 --> 00:29:10,920 Speaker 1: Yeah, yeah, it is. Once you get older, everything just 572 00:29:10,960 --> 00:29:13,600 Speaker 1: kind of changes. But challenge you are. 573 00:29:13,680 --> 00:29:15,719 Speaker 2: You are fantastic. Thank you so much for coming on. 574 00:29:15,880 --> 00:29:19,760 Speaker 2: Appreciate you and it's it's going to keep asking Spotify 575 00:29:19,800 --> 00:29:23,640 Speaker 2: to play taylored Dame because it's right baby fast. Thanks girl, 576 00:29:23,760 --> 00:29:24,600 Speaker 2: pleasure to meet you. 577 00:29:25,640 --> 00:29:26,360 Speaker 1: I love to see you. 578 00:29:26,520 --> 00:29:26,800 Speaker 5: Thanks