WEBVTT - Episode 428 w/ Uncle Luke

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<v Speaker 1>He is drinks Champs, Mother, Bucky podcast man sign.

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<v Speaker 2>He's a legends every Queens rapper.

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<v Speaker 3>He's agreed that your boy in O R he's.

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<v Speaker 2>A Miami hip hop ponere put up his DJ E

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<v Speaker 2>f N.

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<v Speaker 1>Together they drink it up with some of the biggest players.

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<v Speaker 1>You know what I mean in the most professional, unprofessional

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<v Speaker 1>podcast and your number one source for drunk drink Champs. Mother.

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<v Speaker 1>Every day is New Years, That's it's time for drink Champs.

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<v Speaker 1>Drink up. What a good be hoping he's winna should

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<v Speaker 1>be this your boy in o R E. What up

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<v Speaker 1>it is?

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<v Speaker 3>Dj e f N, This mill.

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<v Speaker 1>Timmy crazy world drink Champs.

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<v Speaker 3>You have our and what I tell you this man

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<v Speaker 3>for for us.

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<v Speaker 1>When I mean that this man is like he is

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<v Speaker 1>an icon, he is a legend. When you bring up

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<v Speaker 1>hip hop and you bring up uh uh shaking them

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<v Speaker 1>them that thing music, he's number one.

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<v Speaker 3>He's put it on for the South, He's put on for.

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<v Speaker 2>The whole world.

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<v Speaker 1>He's went from JODLEH Brown to sitting with the VP

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<v Speaker 1>of the United motherfucking States. And again we're here to

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<v Speaker 1>give him his flowers. And so I want to make

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<v Speaker 1>some noise I want to give him his flowers off top.

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<v Speaker 1>Let's give him. You know, the last time you was on.

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<v Speaker 4>The show, we started audition, so we wanted to I

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<v Speaker 4>appreciated that we wanted to give you your flowers and

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<v Speaker 4>tell you what you mean to hip hop because you

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<v Speaker 4>fought for us.

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<v Speaker 3>So that means that this show, with our vogar language

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<v Speaker 3>and our vulgar.

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<v Speaker 5>Behavior, we wouldn't even yeah them off the top, right.

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<v Speaker 1>You know, we were so excited to get you, right

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<v Speaker 1>and I'm gonna do her, bigie. So I was so

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<v Speaker 1>excited to get you. So what we do, we got

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<v Speaker 1>a tradition is we played the music. So I played

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<v Speaker 1>the music and in the neighborhood I lived at, and

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<v Speaker 1>I didn't realize, like how crazy it was. Three white

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<v Speaker 1>neighbors came out and we're sitting there and I was

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<v Speaker 1>like it was the first time. I was like, maybe

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<v Speaker 1>you should turn it down a little bit, Like you

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<v Speaker 1>know what I'm saying is back then, what made you

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<v Speaker 1>even take the chance of like making that type of music,

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<v Speaker 1>like because it was the first, it was the first. Yeah,

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<v Speaker 1>you know, First off, thanks for allowing me to come back.

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<v Speaker 1>You know, you know, I'm a big fan of his chest.

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<v Speaker 1>Oh thank you. Appreciate you guys on all social media,

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<v Speaker 1>and I love what y'all be doing. Y'all been doing

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<v Speaker 1>it just like you said, y'all y'all got big time.

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<v Speaker 1>So I was like, okay, hold on, he got big

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<v Speaker 1>one day.

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<v Speaker 3>But then I appreciate y'all hearing me.

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<v Speaker 1>But yeah, but the answer the question, man, You know,

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<v Speaker 1>I was the DJ first of all.

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<v Speaker 6>You know, ghetto style DJs.

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<v Speaker 1>You know, I'm spending DJing around here, you know, doing parks,

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<v Speaker 1>doing dances, doing high school dances, skating rinks and all

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<v Speaker 1>the whole ship, you know, and uh, basically we would

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<v Speaker 1>start bringing down hip hop artists. You know, we were

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<v Speaker 1>pretty much. It was a guy named tiny Heads. He

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<v Speaker 1>brought you know, juckling high down the first time, and

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<v Speaker 1>then when we saw him doing that with this DJ group,

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<v Speaker 1>then I started bringing down Tonight Teev Rocken Man Tronics

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<v Speaker 1>and all kinds of stuff like that, artists like that,

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<v Speaker 1>I mean, to buying sounds, you name it. And so

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<v Speaker 1>I ended up, you know, I you know, was embedded

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<v Speaker 1>into you know, the New York culture of of hip

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<v Speaker 1>hop and had a clear understanding of what it was

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<v Speaker 1>all about, you know, it was the stickers, it was

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<v Speaker 1>the it was a break dancing, it was the whole

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<v Speaker 1>style you know that was going on. So I'm like, okay,

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<v Speaker 1>you know, end up with Two Live Crew. They came

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<v Speaker 1>down and they didn't.

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<v Speaker 6>Have a label.

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<v Speaker 3>They were on the Cola Records, the same label.

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<v Speaker 1>That uh Ice Tea. And he told me something today.

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<v Speaker 3>He said, the Two Live Crew came out of l A.

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<v Speaker 1>Yeah, that messed me up. Mister Mix is the only

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<v Speaker 1>one from Miami. No, none of them, Mister Mix from

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<v Speaker 1>Sam Bernardino. Mister Mix was the one from Miami. Yeah, no, no,

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<v Speaker 1>no from Sam Bernardino. Wouldn't let this argument drop. He said,

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<v Speaker 1>one of them is from New York. Two of them

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<v Speaker 1>from New York, believe brother Marquisa is from Rochester and

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<v Speaker 1>from Brooklyn, both of them by yeah. Me listening to

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<v Speaker 1>the two cool back then, I just all I can

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<v Speaker 1>see is I thought it was all Miami. I couldn't

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<v Speaker 1>see La none of that. So when you said that

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<v Speaker 1>to me outside, I was like, get out of here, man.

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<v Speaker 2>Well, so, yeah, how does that go from LA to

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<v Speaker 2>over here to you?

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<v Speaker 1>So they were in the military, right, they all they

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<v Speaker 1>all met in the military before it was another young

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<v Speaker 1>man in the group. It wasn't Marquis Marquese was in

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<v Speaker 1>Alabama at the time. It was another dude named your Velin.

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<v Speaker 1>So you had two sides of the record. You know,

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<v Speaker 1>you had beat Box, which was a kind of dance

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<v Speaker 1>song that I spent down here, got hot and before

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<v Speaker 1>you know it, you don't start bringing them down. Then

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<v Speaker 1>the other side was a Revelation. Revelation was more like

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<v Speaker 1>a conscience song. So if you can imagine two Live

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<v Speaker 1>Crews was probably one of the you know, one of

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<v Speaker 1>the original conscience song groups.

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<v Speaker 6>And so you know when they.

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<v Speaker 1>Came down, they were like, Yo, we ain't got no label,

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<v Speaker 1>were trying to do this and I'm promoting shows. I

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<v Speaker 1>want to be like fucking Al Hayman. You know, I

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<v Speaker 1>ain't trying to be no damn record executive. So at

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<v Speaker 1>the end of the day, I was like, Okay, well

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<v Speaker 1>let me I know some record companies around here. Let

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<v Speaker 1>me hook you all up. And then everybody was like,

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<v Speaker 1>hell no, they don't do no hip hop in the South.

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<v Speaker 1>You're tripping, you know, they were doing dance music like

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<v Speaker 1>Trenia and stuff like that. Yeah, wasn't that back then? No? No?

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<v Speaker 1>What Yeah? This was early.

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<v Speaker 2>I mean, you're just south of the DJ Cruise.

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<v Speaker 1>Yeah, just jam. So I ended up make a long

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<v Speaker 1>story show. I ended up like fuck it, I put

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<v Speaker 1>the record out. So then it was like we had

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<v Speaker 1>this song. We had this little thing that we used

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<v Speaker 1>to create dances in the dance. Like we had one

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<v Speaker 1>dance called Kettle Jump where everybody we used the wild

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<v Speaker 1>Wild West theme and everybody get them jump and then

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<v Speaker 1>they'll jump. And then we had another dance called throw

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<v Speaker 1>the d So yeah, yeah, it's like so what ended

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<v Speaker 1>up happening. I was like, Okay, well fuck it, We'll

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<v Speaker 1>put the record, I'll create we created a dance and

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<v Speaker 1>everybody was doing anywhere because we were we were doing

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<v Speaker 1>skating rings. Yeah, we called the pack Jam skating ring.

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<v Speaker 1>I made the money from the pack Jam and then

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<v Speaker 1>by the pak Jam, so.

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<v Speaker 6>We had skating ring.

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<v Speaker 1>We did Carol City saying Hi, then we did the

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<v Speaker 1>skate ring, then we did at the Pata. So we

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<v Speaker 1>were doing these parties and then Sunday we would do

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<v Speaker 1>African Square parks, so we were in the front of

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<v Speaker 1>them like almost ten thousand people on the weekend so

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<v Speaker 1>we would be able to break the record and they

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<v Speaker 1>all moved over here. Then yeah, yeah, and so at

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<v Speaker 1>the end of the day, we just you know, I said,

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<v Speaker 1>fuck it, we'll do this on right in and then

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<v Speaker 1>we did throw the dick and then that shit was hot.

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<v Speaker 3>It went crazy, and that was like the first dirty song.

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<v Speaker 1>And then after we did throw the dick, then it

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<v Speaker 1>was that was the day's answer song. So the motherfucker

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<v Speaker 1>mob told me, hey, look at it, man, you uh

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<v Speaker 1>you know. I was taking the record around, had one distributor,

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<v Speaker 1>and one distributor was like, yo, you got a I

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<v Speaker 1>was like, get in my money for this fucking record.

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<v Speaker 1>I ain't trying to be in this ship. And they

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<v Speaker 1>were like, yo, you order for you to get your

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<v Speaker 1>money for that record, you got to give us another record.

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<v Speaker 1>So then that was the Day's of answer records. You

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<v Speaker 1>had Roan Tebro, you know, so everybody was doing answers

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<v Speaker 1>back then. So I ended up I got my little niece,

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<v Speaker 1>my little cousin. I was like, Yo, you gotta do

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<v Speaker 1>a fucking song. She ain't no fucking rapper. No, we're

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<v Speaker 1>gonna write this ship. You're gonna go in there, which

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<v Speaker 1>is the group and quet and she went in there

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<v Speaker 1>and did throw the pee yeah, so we did a

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<v Speaker 1>response song. Then Okay, give me my money for this

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<v Speaker 1>ship here. This ship hot right here, and so that's

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<v Speaker 1>how I ended up. And then I was like, well,

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<v Speaker 1>you know this treat hustle shit ain't ain't really getting it.

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<v Speaker 3>I need to be hustling some motherfucking records.

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<v Speaker 1>So at the end of the day and that's when

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<v Speaker 1>I like flipped over to doing that, and before you know,

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<v Speaker 1>and we just went from song to song and back

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<v Speaker 1>then singles was hot, and I was like, fuck that ship,

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<v Speaker 1>you know, because the thing is we had down here

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<v Speaker 1>with people don't realize in Miami, which helped me out

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<v Speaker 1>a lot, was every major record label would press their

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<v Speaker 1>records down here to go to uh Columbia and all

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<v Speaker 1>over the islands and ship exactly.

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<v Speaker 6>So you had record companies here.

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<v Speaker 1>But then they were they were they were cutting the records,

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<v Speaker 1>and there were the cassettes and the records and all

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<v Speaker 1>dirt cheap, so you damn nicker and like, you know,

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<v Speaker 1>I would get this right here cost me twenty one

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<v Speaker 1>cent and the cassette was costing me thirty cent. So

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<v Speaker 1>I'm like, oh, ship, I need all this ship. And

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<v Speaker 1>then I was like, fuck these singles because the industry

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<v Speaker 1>was like, yo, it's all about singles. I'm like, hell no,

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<v Speaker 1>We're gonna do an album and then I'm gonna cut

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<v Speaker 1>the price on the album and I'm gonna.

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<v Speaker 3>Cut the single because it was the record label. Yeah,

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<v Speaker 3>it was the record label.

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<v Speaker 1>And you know, we was were just pumping this ship

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<v Speaker 1>all across the country.

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<v Speaker 3>I mean, it was, uh, it was. It was a

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<v Speaker 3>great time.

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<v Speaker 2>One of the first, sorry, but one of the first

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<v Speaker 2>independence in hip hop.

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<v Speaker 1>Yeah.

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<v Speaker 6>Yeah, the first, Yeah, no doubt about it.

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<v Speaker 2>You guys maybe around the same time.

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<v Speaker 1>They came out, after after yeah, everybody, everybody basically was

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<v Speaker 1>out there. And that's what people, you know, people don't

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<v Speaker 1>give us the credit for. We created hip hop in

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<v Speaker 1>the South, no question about it wasn't it wasn't No,

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<v Speaker 1>it was none existent. It wasn't you know, you had

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<v Speaker 1>you know you had. I mean you you talked to

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<v Speaker 1>baby Baby, It'll tell you you trying to sign up

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<v Speaker 1>with us. We signed an artist from New Orleans named

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<v Speaker 1>bust Down. You know, we signed MC shot out of Atlanta.

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<v Speaker 1>You know, So it wasn't they didn't have break the companies,

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<v Speaker 1>you know, nowhere in the South.

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<v Speaker 3>We went to fucking Houston. I signed up.

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<v Speaker 1>Ahe town you know, so it was you know, it

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<v Speaker 1>was a lot of you know, okay, how the funk

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<v Speaker 1>we do this? And then I was trying to sign

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<v Speaker 1>up master people when he had the ice Cream Man song.

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<v Speaker 1>He he told me, now I'm trying to do what

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<v Speaker 1>the fuck you do? Well, no, I'm trying to. I

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<v Speaker 1>see what you're doing? Are you moving? Which you know,

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<v Speaker 1>which was mad respect and that wasn't popular back then,

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<v Speaker 1>like especially a black man owning his own labels.

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<v Speaker 3>So what what what made you?

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<v Speaker 1>I know, you had music that was explicit and all that,

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<v Speaker 1>but that's still that boss mentality? What made you say

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<v Speaker 1>you had to because you had to? Because it wasn't

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<v Speaker 1>no record companies in Miami. I mean it was dance

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<v Speaker 1>record companies. You saying you got a hip hop record

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<v Speaker 1>for Miami and it's like you tell and it was like, hell, no,

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<v Speaker 1>we ain't doing that. You know, it's all either you

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<v Speaker 1>were from New York and Philly was you know, doing anything,

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<v Speaker 1>and California was doing itything even at that time. You

0:11:33.720 --> 0:11:37.040
<v Speaker 1>know most of those guys n W A and everybody else,

0:11:37.080 --> 0:11:39.200
<v Speaker 1>Egyptian Love and all them draining, all them they was

0:11:39.200 --> 0:11:43.079
<v Speaker 1>on the Cola Records, the same distribution company that uh

0:11:43.320 --> 0:11:46.160
<v Speaker 1>that uh that two Live Crew was on all them

0:11:46.200 --> 0:11:47.360
<v Speaker 1>dudes was over there.

0:11:47.600 --> 0:11:49.800
<v Speaker 3>At one point. You had a relationship with Atlantic, right.

0:11:50.000 --> 0:11:50.840
<v Speaker 1>Yeah, yeah, yeah.

0:11:50.920 --> 0:11:52.760
<v Speaker 3>So when I did band in the USA, I went

0:11:52.920 --> 0:11:54.240
<v Speaker 3>I did. Uh.

0:11:54.400 --> 0:11:56.320
<v Speaker 1>I was like, okay, I want to blow this ship

0:11:56.440 --> 0:11:59.360
<v Speaker 1>up and then you know, okay, I need the big machine.

0:11:59.480 --> 0:11:59.760
<v Speaker 3>Okay.

0:12:00.120 --> 0:12:01.880
<v Speaker 6>I cut the deal with Atlantic.

0:12:01.920 --> 0:12:05.560
<v Speaker 1>That was a that was a real interesting deal because

0:12:05.800 --> 0:12:08.679
<v Speaker 1>you know, I went in there, I went in there.

0:12:08.800 --> 0:12:11.800
<v Speaker 6>I mean, it was too Aaron was silvery room.

0:12:12.040 --> 0:12:15.680
<v Speaker 1>It was it was it was crazy because Doug Marris

0:12:15.720 --> 0:12:19.280
<v Speaker 1>brought me in the office. It was me, It was

0:12:19.400 --> 0:12:22.600
<v Speaker 1>it was me, Craig Calvin, and Jimmy Ivean.

0:12:23.320 --> 0:12:25.679
<v Speaker 6>Wow. And it was all three of us.

0:12:26.600 --> 0:12:31.880
<v Speaker 1>One was doing music and the other one, uh.

0:12:31.000 --> 0:12:33.480
<v Speaker 3>Craig had a house label in Chicago.

0:12:34.160 --> 0:12:36.720
<v Speaker 1>What and so we all was sitting in the fucking

0:12:36.800 --> 0:12:40.199
<v Speaker 1>the office and in Doug Marris's office. Uh, and he

0:12:40.360 --> 0:12:43.440
<v Speaker 1>was like, y'all, y'all have three next motherfuckers that's gonna

0:12:43.440 --> 0:12:48.000
<v Speaker 1>be running the music industry. So before Interscope, it was

0:12:48.080 --> 0:12:51.160
<v Speaker 1>before all that, it was like, y'all, three motherfuckers is

0:12:51.160 --> 0:12:51.960
<v Speaker 1>gonna be running ship.

0:12:51.960 --> 0:12:53.000
<v Speaker 6>And I'm sitting up in there like.

0:12:53.960 --> 0:12:57.640
<v Speaker 1>Okay, I'm sitting back like y'all, y'all are going to

0:12:57.679 --> 0:13:01.240
<v Speaker 1>be the industry, you know, like like you know, I

0:13:01.320 --> 0:13:04.040
<v Speaker 1>leave out the office, I say, not knowing what was

0:13:04.080 --> 0:13:07.160
<v Speaker 1>going on, because again I'm from Miami. I'm not too

0:13:07.200 --> 0:13:10.760
<v Speaker 1>familiar with the music business, you know like that, Like,

0:13:11.280 --> 0:13:12.400
<v Speaker 1>you know, I was impressed.

0:13:12.640 --> 0:13:12.840
<v Speaker 3>You know.

0:13:13.120 --> 0:13:16.280
<v Speaker 1>Uh, my lawyers was trying to explain to me who

0:13:16.280 --> 0:13:18.760
<v Speaker 1>these these big time dudes was. They had this big

0:13:18.760 --> 0:13:21.560
<v Speaker 1>old five million dollar check that they put in front

0:13:21.559 --> 0:13:27.160
<v Speaker 1>of me, and you know, I'm a h Street dude, right,

0:13:27.200 --> 0:13:29.280
<v Speaker 1>so I'm looking at the money like this. But my

0:13:29.320 --> 0:13:32.560
<v Speaker 1>first instinct was like, you know, hold on, before I do.

0:13:32.440 --> 0:13:34.480
<v Speaker 6>This deal, I got to go around there.

0:13:34.559 --> 0:13:38.040
<v Speaker 1>Howland Sylvia own right, and so I said, I need

0:13:38.080 --> 0:13:39.000
<v Speaker 1>to get her blessing.

0:13:39.440 --> 0:13:39.600
<v Speaker 6>Now.

0:13:39.640 --> 0:13:42.280
<v Speaker 1>Mind you, they got this five million dollars check sitting there,

0:13:42.480 --> 0:13:44.280
<v Speaker 1>and I'm like, no, I need to go all at

0:13:44.280 --> 0:13:47.320
<v Speaker 1>this black lady. But actually, what Sylvia had Electric at

0:13:47.320 --> 0:13:50.080
<v Speaker 1>that time or she was at Atlantic. She was she

0:13:50.200 --> 0:13:53.439
<v Speaker 1>was at Electric Electric. Yeah cool, because that's we are

0:13:54.480 --> 0:13:57.439
<v Speaker 1>Electric Atlantic. Yeah. Yeah, they were doing but they were

0:13:57.440 --> 0:14:01.920
<v Speaker 1>doing the marketing okay, everybody. They controlled everybody. And so

0:14:02.000 --> 0:14:04.600
<v Speaker 1>I looked at her like as if she was the

0:14:05.720 --> 0:14:08.080
<v Speaker 1>as if she was the dawn. You know what I'm saying,

0:14:08.080 --> 0:14:09.719
<v Speaker 1>I got to go run this past her because I

0:14:09.720 --> 0:14:12.080
<v Speaker 1>don't want to be you know, I'm already making money.

0:14:12.080 --> 0:14:13.880
<v Speaker 1>I don't want to be on this label unless she

0:14:14.000 --> 0:14:16.439
<v Speaker 1>give me a blessing. And so, you know, I went

0:14:16.480 --> 0:14:19.960
<v Speaker 1>around there and they was looking. You know, the lady

0:14:20.040 --> 0:14:22.000
<v Speaker 1>was looking kind of crazy. She was like nah, naw, yeah,

0:14:22.080 --> 0:14:23.840
<v Speaker 1>yeah yeah. But then at the end of the day,

0:14:24.120 --> 0:14:26.240
<v Speaker 1>it wasn't really true. She wasn't trying to give me

0:14:26.280 --> 0:14:27.720
<v Speaker 1>a blessing. Wow, she was.

0:14:27.760 --> 0:14:29.880
<v Speaker 6>It was all about fucking us, you know.

0:14:30.000 --> 0:14:32.400
<v Speaker 3>So we signed up, did the deal, we did.

0:14:34.000 --> 0:14:36.880
<v Speaker 1>The band in the USA album over there, you know

0:14:37.160 --> 0:14:40.960
<v Speaker 1>it was we did that. You know. Actually, what you

0:14:41.000 --> 0:14:43.920
<v Speaker 1>probably don't know that was the first downloaded song ever

0:14:44.360 --> 0:14:47.840
<v Speaker 1>in the history of music. Really, yeah, because what happened

0:14:47.920 --> 0:14:50.360
<v Speaker 1>is I told him, I said, look, I want to

0:14:50.360 --> 0:14:52.680
<v Speaker 1>put this record out on fourth of July at twelve o'clock.

0:14:53.080 --> 0:14:56.000
<v Speaker 1>So I'm assuming that we're gonna ship this motherfucker all right, right,

0:14:56.360 --> 0:14:59.840
<v Speaker 1>We're gonna ship the record, and we're gonna tell her

0:15:00.080 --> 0:15:04.720
<v Speaker 1>the record companies, not the record the We're gonna tell

0:15:04.720 --> 0:15:07.080
<v Speaker 1>the radio station don't play the record until twelve o'clock,

0:15:07.680 --> 0:15:10.320
<v Speaker 1>you know, because it was for me. It was it

0:15:10.360 --> 0:15:14.640
<v Speaker 1>was an emotional record we had and we wanted to

0:15:14.680 --> 0:15:17.640
<v Speaker 1>play it on that on that time. And they were like, Yo,

0:15:17.720 --> 0:15:19.720
<v Speaker 1>we got a better way to do this, ship And

0:15:19.760 --> 0:15:22.040
<v Speaker 1>I was like what they said, download? They were like,

0:15:22.080 --> 0:15:25.800
<v Speaker 1>we're gonna download it. I'm like, huh download? What year

0:15:25.800 --> 0:15:27.960
<v Speaker 1>it was this? I gotta get this.

0:15:29.120 --> 0:15:32.280
<v Speaker 3>Even this was pre natural, when Max won't even heard of.

0:15:32.440 --> 0:15:34.480
<v Speaker 7>How would they convince you that this is something that

0:15:34.520 --> 0:15:35.280
<v Speaker 7>the masses are.

0:15:35.520 --> 0:15:37.360
<v Speaker 1>Say he wanted to drop it at that time, I will,

0:15:37.440 --> 0:15:38.320
<v Speaker 1>But how.

0:15:38.160 --> 0:15:40.320
<v Speaker 2>Do you know the masses even have access to that?

0:15:40.560 --> 0:15:43.960
<v Speaker 1>These motherfuckers had access to the computer where they downloaded

0:15:43.960 --> 0:15:44.720
<v Speaker 1>that motherfucker to.

0:15:44.680 --> 0:15:48.280
<v Speaker 3>Every radio station because the radio station.

0:15:48.480 --> 0:15:51.560
<v Speaker 1>My thing was, I wanted the record to be on

0:15:51.240 --> 0:15:54.640
<v Speaker 1>the on the PD desk and then everybody collectively play

0:15:54.680 --> 0:15:57.840
<v Speaker 1>that bitch at twelve o'clock, gonna for you, And they say, oh,

0:15:57.880 --> 0:16:01.440
<v Speaker 1>we got a better way. Wow, We're gonna download this motherfucker.

0:16:01.600 --> 0:16:04.200
<v Speaker 1>So if you go look through the history books, it

0:16:04.320 --> 0:16:07.840
<v Speaker 1>says that that record is the first time record in

0:16:07.920 --> 0:16:09.880
<v Speaker 1>the history of music.

0:16:09.560 --> 0:16:11.080
<v Speaker 3>Period, and that makes a noise.

0:16:15.440 --> 0:16:17.720
<v Speaker 1>So so let me ask you, right, one of the

0:16:17.760 --> 0:16:22.280
<v Speaker 1>pluses pros and carns rather of having this job is

0:16:22.800 --> 0:16:25.840
<v Speaker 1>people come up to me and no matter where I'm

0:16:25.840 --> 0:16:29.400
<v Speaker 1>at airports, you know, to just think I'm just drinking

0:16:29.440 --> 0:16:33.800
<v Speaker 1>twenty four hours. People who come up to you and

0:16:33.960 --> 0:16:40.560
<v Speaker 1>work all day, like the dudes come to me and say, Louke,

0:16:40.600 --> 0:16:43.680
<v Speaker 1>what them all that I can be with?

0:16:43.800 --> 0:16:45.520
<v Speaker 3>I can be with a girl, you know.

0:16:47.200 --> 0:16:53.560
<v Speaker 1>Lady, and be like a girl, what do you mean?

0:16:55.280 --> 0:16:57.200
<v Speaker 1>And then and then you and the rolling places and

0:16:57.280 --> 0:17:04.160
<v Speaker 1>girls go to like this time, I'm like, God, damn

0:17:04.280 --> 0:17:09.280
<v Speaker 1>me here with my son. We're doing right? Yeah, I

0:17:09.280 --> 0:17:12.440
<v Speaker 1>mean I live a beautiful life, I would say, because.

0:17:12.200 --> 0:17:15.520
<v Speaker 5>You like when I look back at it, I feel

0:17:15.520 --> 0:17:16.920
<v Speaker 5>like you invented the work?

0:17:17.160 --> 0:17:20.240
<v Speaker 1>Like, is that is that that? I'm mad at that

0:17:20.359 --> 0:17:22.760
<v Speaker 1>fucking word? You're mad in the world? Okay, yeah, I'm

0:17:22.800 --> 0:17:25.680
<v Speaker 1>mad that fucking Drake Trug comes out and do the

0:17:25.760 --> 0:17:28.760
<v Speaker 1>songs them turking and everybody. Then change the mocker's I'm like,

0:17:28.760 --> 0:17:33.000
<v Speaker 1>hold on, change the dance. No, it's booty shading that

0:17:33.040 --> 0:17:48.080
<v Speaker 1>pussy do the brown That's what is shaken. Took enough

0:17:48.160 --> 0:17:50.920
<v Speaker 1>heat for that ship. You know, we took heat down

0:17:51.080 --> 0:17:53.520
<v Speaker 1>the South because you know you had, you know, you had,

0:17:53.520 --> 0:17:55.600
<v Speaker 1>motherfucker like Meth the man in Red. Man, they get

0:17:55.600 --> 0:17:56.760
<v Speaker 1>on the record, what's up, doll?

0:17:56.840 --> 0:17:57.239
<v Speaker 3>What's up?

0:17:57.280 --> 0:17:57.480
<v Speaker 1>Dog?

0:17:58.359 --> 0:17:58.760
<v Speaker 6>Oh man?

0:17:58.800 --> 0:17:59.960
<v Speaker 3>They do booty music.

0:18:01.359 --> 0:18:08.080
<v Speaker 1>Them niggas down there side that booty ship. Take you

0:18:08.200 --> 0:18:12.359
<v Speaker 1>got that right, turn down everybody, and all these damn

0:18:12.400 --> 0:18:14.680
<v Speaker 1>girls want to shake that. You want to change our ship?

0:18:14.720 --> 0:18:19.119
<v Speaker 1>And they put the bitch in the dictionary. Wait a

0:18:19.119 --> 0:18:22.679
<v Speaker 1>whole hold on you find that now that's crazy. So

0:18:22.720 --> 0:18:25.840
<v Speaker 1>it's working as a new word in the fucking dictionary.

0:18:26.040 --> 0:18:26.840
<v Speaker 6>But I didn't know.

0:18:26.920 --> 0:18:30.280
<v Speaker 1>I thought, damn, you're right, because it was Yeah, that's

0:18:30.320 --> 0:18:33.280
<v Speaker 1>right man. I'm like, man, bootis shaking around. I'm like,

0:18:33.359 --> 0:18:38.399
<v Speaker 1>hold on, man, and something real quick. You want to

0:18:38.440 --> 0:18:40.560
<v Speaker 1>show him one album couple real quick?

0:18:40.920 --> 0:18:42.840
<v Speaker 2>He was going to hold off of that. Where is

0:18:42.880 --> 0:18:43.600
<v Speaker 2>this your baby?

0:18:47.600 --> 0:18:47.800
<v Speaker 8>You know.

0:18:51.640 --> 0:18:55.359
<v Speaker 1>You know you're not getting away with this. Listen a

0:18:55.440 --> 0:19:03.440
<v Speaker 1>person that's that? Listen, man, is that beautiful one cousin

0:19:03.560 --> 0:19:07.240
<v Speaker 1>up there? Look at that? Look at that? Look at

0:19:07.280 --> 0:19:12.600
<v Speaker 1>that right man, No mileage on the pussy, but hold on,

0:19:12.840 --> 0:19:17.359
<v Speaker 1>is there's still there and everything that you went to

0:19:17.400 --> 0:19:17.760
<v Speaker 1>court for.

0:19:18.560 --> 0:19:20.679
<v Speaker 3>This is after court, after.

0:19:20.440 --> 0:19:23.040
<v Speaker 1>You win, and you just want to throw it back

0:19:23.040 --> 0:19:24.840
<v Speaker 1>in their face. I can do whatever the funk I wanted.

0:19:25.440 --> 0:19:28.720
<v Speaker 1>I was just pushing the emvelope with me. I was like, okay,

0:19:28.720 --> 0:19:31.679
<v Speaker 1>I'm in court, I'm a couple million dollars into this

0:19:31.760 --> 0:19:35.080
<v Speaker 1>ship right now, everybody coming after me. My lawyer basically

0:19:35.160 --> 0:19:38.439
<v Speaker 1>told me, say, and by the way, we created the

0:19:38.440 --> 0:19:42.840
<v Speaker 1>stick or two, just so you know you created it. Yeah, yeah, yeah,

0:19:43.119 --> 0:19:45.840
<v Speaker 1>you don't get that. You get that fucking with me

0:19:45.920 --> 0:19:49.000
<v Speaker 1>right And I'm like, okay, y'all fucking with the wrong one,

0:19:49.080 --> 0:19:51.919
<v Speaker 1>you know, because I came up. I really my you know,

0:19:52.000 --> 0:19:57.440
<v Speaker 1>my dad, my dad Jamaican and my uncle Bahamian man

0:19:57.480 --> 0:19:59.879
<v Speaker 1>I used to live. I used to go back and

0:20:00.040 --> 0:20:03.159
<v Speaker 1>full to my uncle house. And so that you know,

0:20:03.200 --> 0:20:05.400
<v Speaker 1>the motherfuckers, Donna let you look at no cartoons or nothing.

0:20:05.400 --> 0:20:07.560
<v Speaker 1>You gotta sit there and listen to Malcolm X tapes.

0:20:07.960 --> 0:20:11.280
<v Speaker 1>You gotta read by h Trap Brown all this, you know, uh,

0:20:11.480 --> 0:20:14.200
<v Speaker 1>the struggle, the real struggle way back then.

0:20:15.280 --> 0:20:17.640
<v Speaker 3>So I was like, y'all picked the right motherfucker the fuck.

0:20:17.440 --> 0:20:19.280
<v Speaker 1>With you know what I'm saying, because I already know,

0:20:19.320 --> 0:20:22.040
<v Speaker 1>everything goes in circles. They always told me, Yo, you're

0:20:22.080 --> 0:20:24.879
<v Speaker 1>gonna you're gonna have invisible change on you. I'm like,

0:20:24.920 --> 0:20:27.320
<v Speaker 1>what the fuck y'all mean, y'all niggas ain't y'all ain't

0:20:27.320 --> 0:20:27.879
<v Speaker 1>gonna be free.

0:20:28.160 --> 0:20:29.919
<v Speaker 6>You know, they're gonna try to lock your mind up.

0:20:30.280 --> 0:20:32.639
<v Speaker 1>So I was always taught on that, you know, and

0:20:32.680 --> 0:20:33.639
<v Speaker 1>everything going circles.

0:20:33.640 --> 0:20:35.760
<v Speaker 6>It ain't black man with any power, you know.

0:20:35.800 --> 0:20:38.800
<v Speaker 1>And that's the readings and there and and everything that

0:20:38.840 --> 0:20:41.480
<v Speaker 1>I was in and they had me reading up on

0:20:41.760 --> 0:20:44.280
<v Speaker 1>was any black man in power, They're gonna either kill you,

0:20:44.320 --> 0:20:46.199
<v Speaker 1>I'll put you in jail, you know, if you got

0:20:46.240 --> 0:20:48.240
<v Speaker 1>a voice and you're gonna be able to move people

0:20:48.560 --> 0:20:50.360
<v Speaker 1>in a certain type of ways. So then I looked

0:20:50.400 --> 0:20:54.720
<v Speaker 1>at myself like, shit, I'm not macau Scarby, y'all, h

0:20:54.760 --> 0:20:56.960
<v Speaker 1>Trap Brown and one of them dudes. But I'm I'm

0:20:57.000 --> 0:20:59.520
<v Speaker 1>looking at it like, man, I'm doing this music from

0:20:59.600 --> 0:21:03.440
<v Speaker 1>down here. I'm not affiliated with No No No Company.

0:21:03.760 --> 0:21:05.919
<v Speaker 1>You know, I don't got no muscle behind me battling

0:21:05.960 --> 0:21:10.600
<v Speaker 1>the system. I'm battling the system right now. How How

0:21:10.680 --> 0:21:17.600
<v Speaker 1>did this Snoop Dog Doctor dre Beef initiately ship. Mind.

0:21:17.600 --> 0:21:19.240
<v Speaker 7>You we've talked about this the first time, but we

0:21:19.240 --> 0:21:22.760
<v Speaker 7>were you know, we're gonna yeah, stoop dog.

0:21:22.600 --> 0:21:25.160
<v Speaker 3>Mind that's what to this day right now, that's my dog.

0:21:25.240 --> 0:21:27.359
<v Speaker 1>I let him bit to you, Snoop and Shug like

0:21:27.560 --> 0:21:30.840
<v Speaker 1>I think it was at a Miami game. That's when

0:21:30.840 --> 0:21:34.160
<v Speaker 1>we squashed the bet. Yeah, it was at the super Bowl.

0:21:34.320 --> 0:21:39.919
<v Speaker 1>Just imagine it was. It was San Francisco and Cincinnati, right,

0:21:40.359 --> 0:21:42.959
<v Speaker 1>And I tell her the president of the Dolphin by

0:21:43.400 --> 0:21:45.560
<v Speaker 1>this story, I was like, do you know it could

0:21:45.600 --> 0:21:49.200
<v Speaker 1>have been the biggest shootout Super Bowl history in that back.

0:21:50.640 --> 0:21:54.440
<v Speaker 1>I mean, you had everybody but Jimmy, you know, all

0:21:54.480 --> 0:21:57.200
<v Speaker 1>the all the bad guys. You know, you had New

0:21:57.280 --> 0:22:00.280
<v Speaker 1>York and Miami, and it was like some of because

0:22:00.320 --> 0:22:02.679
<v Speaker 1>that couldn't get in the room. And and it was like, yo,

0:22:02.760 --> 0:22:04.720
<v Speaker 1>we need to have a conversation about this ship there.

0:22:04.760 --> 0:22:08.040
<v Speaker 1>But but but it started off, I mean I start

0:22:08.320 --> 0:22:13.679
<v Speaker 1>the beat. It started out I said something, and I

0:22:13.720 --> 0:22:17.479
<v Speaker 1>said something in an interview, and then Snooped just dre

0:22:17.680 --> 0:22:20.399
<v Speaker 1>at first, right, it was just dra yeah, and then Snoop,

0:22:20.760 --> 0:22:21.320
<v Speaker 1>Young Snoop.

0:22:21.320 --> 0:22:22.080
<v Speaker 3>It was young Snoop.

0:22:22.200 --> 0:22:24.760
<v Speaker 1>It was young Snoop, And and so I did Dre

0:22:25.280 --> 0:22:28.600
<v Speaker 1>and then Snoop came and uh, and that's when you

0:22:28.600 --> 0:22:31.320
<v Speaker 1>know Snoop wasn't popular then, And they did the song

0:22:31.760 --> 0:22:33.520
<v Speaker 1>what Deep Couple, No no, No, it was the dra

0:22:33.680 --> 0:22:37.920
<v Speaker 1>Day d d Y. Yeah, was the record that came back.

0:22:38.119 --> 0:22:40.399
<v Speaker 1>So they did the song this and this and.

0:22:40.520 --> 0:22:42.960
<v Speaker 2>Me, you know, and why did you just Dre in

0:22:42.960 --> 0:22:43.560
<v Speaker 2>the first place?

0:22:45.000 --> 0:22:48.040
<v Speaker 1>I don't know what the fuck was going y'all smoking

0:22:48.040 --> 0:22:52.840
<v Speaker 1>that weed I got and them sucking half Jamaican, So you.

0:22:52.960 --> 0:22:57.600
<v Speaker 3>Think so you remember they started at right down.

0:22:59.640 --> 0:23:08.240
<v Speaker 1>Got a god damn because it's an honor to have you, brother. Hey,

0:23:08.400 --> 0:23:11.800
<v Speaker 1>we had to give you your plout man appreciated, appreciated.

0:23:12.119 --> 0:23:15.800
<v Speaker 1>So we ended up with the damn. We ended up

0:23:16.600 --> 0:23:19.520
<v Speaker 1>I just them, they just me, And then we did

0:23:19.920 --> 0:23:22.760
<v Speaker 1>uh Cows in Compton. Uh.

0:23:23.200 --> 0:23:25.680
<v Speaker 3>We did the cows and Compton uh song.

0:23:26.400 --> 0:23:29.800
<v Speaker 1>Uh they had originally they did the you know, the

0:23:30.400 --> 0:23:33.159
<v Speaker 1>Snoop dish and then we did our this I just

0:23:33.320 --> 0:23:35.840
<v Speaker 1>obviously wasn't as popular as this, but it was popular

0:23:35.960 --> 0:23:38.600
<v Speaker 1>down here. Yeah, I'm mad it was you when you

0:23:38.640 --> 0:23:42.720
<v Speaker 1>realized Snoop wasn't from comed It, Yeah, I was like,

0:23:42.800 --> 0:23:48.040
<v Speaker 1>what the fuck CO was? And Compton d like what

0:23:48.080 --> 0:23:50.919
<v Speaker 1>the fun. That's you know, yeah, that's what sucked me

0:23:50.960 --> 0:23:53.280
<v Speaker 1>up because I thought everybody, you know, I didn't realized

0:23:53.320 --> 0:23:56.200
<v Speaker 1>he was from the Loan Beach. It was like, God, damn,

0:23:56.240 --> 0:23:58.040
<v Speaker 1>I supposed to be we suppoted to add Loan Beach

0:23:58.040 --> 0:24:01.960
<v Speaker 1>in this motherfucker song. But then the whole goddamn West

0:24:02.040 --> 0:24:04.520
<v Speaker 1>Coast after us. Then, so at the end, at the

0:24:04.600 --> 0:24:06.359
<v Speaker 1>end of the day, we did we did the beef,

0:24:06.520 --> 0:24:07.080
<v Speaker 1>We did.

0:24:06.920 --> 0:24:08.720
<v Speaker 6>The songs back and forwards.

0:24:09.040 --> 0:24:12.439
<v Speaker 1>You know again again you saw each other though, right

0:24:12.480 --> 0:24:13.520
<v Speaker 1>at Jack the Rappers.

0:24:13.640 --> 0:24:15.240
<v Speaker 3>Yeah, we saw each other at Jack the Rapper.

0:24:15.280 --> 0:24:19.040
<v Speaker 1>I went to Jill, who Jack the Rapper daughter, who

0:24:19.119 --> 0:24:21.480
<v Speaker 1>was really hosting the event because Jack had to got

0:24:21.520 --> 0:24:24.000
<v Speaker 1>left older, and I was like, Yo, y'all, gotta y'all

0:24:24.040 --> 0:24:25.080
<v Speaker 1>gotta chat with this ship.

0:24:25.160 --> 0:24:26.080
<v Speaker 6>We gotta meet.

0:24:26.200 --> 0:24:28.080
<v Speaker 3>We need to meet because the ship gonna go from.

0:24:28.080 --> 0:24:31.679
<v Speaker 1>Zeo to hundred, you know, because all the all the

0:24:31.720 --> 0:24:35.040
<v Speaker 1>tough guys from Miami had to migrate it to Atlanta,

0:24:35.800 --> 0:24:38.760
<v Speaker 1>and it was running the dope game in Atlanta, you

0:24:38.840 --> 0:24:39.240
<v Speaker 1>feel me.

0:24:39.600 --> 0:24:41.840
<v Speaker 3>And so at the end of the day, you know,

0:24:41.880 --> 0:24:43.080
<v Speaker 3>they had to took the game.

0:24:42.920 --> 0:24:47.400
<v Speaker 1>Up there, and so you know, again the life before

0:24:47.560 --> 0:24:49.720
<v Speaker 1>me was a tough guy, you know.

0:24:50.400 --> 0:24:52.840
<v Speaker 6>You know, it was so I know, a whole.

0:24:52.600 --> 0:24:54.800
<v Speaker 1>Bunch of them dudes, you know, and it was kind

0:24:54.800 --> 0:24:57.160
<v Speaker 1>of crazy because you know, the beef was going back

0:24:57.200 --> 0:25:01.080
<v Speaker 1>and forwards. It became some real serious ship because again,

0:25:01.200 --> 0:25:04.240
<v Speaker 1>dudes who I came up with, they're really on that ship,

0:25:04.400 --> 0:25:06.439
<v Speaker 1>and so they ain't know what they ain't know how

0:25:06.480 --> 0:25:09.040
<v Speaker 1>to handle that at the end of the day. You know,

0:25:09.119 --> 0:25:12.280
<v Speaker 1>one day, I h we was up there getting ready

0:25:12.320 --> 0:25:15.640
<v Speaker 1>to go to Jackie rapping and knock on the door

0:25:16.160 --> 0:25:19.080
<v Speaker 1>like twelve motherfuckers from the crib who I used to

0:25:19.240 --> 0:25:19.840
<v Speaker 1>roll with.

0:25:20.000 --> 0:25:22.000
<v Speaker 6>Like, yo, we're here.

0:25:21.760 --> 0:25:24.119
<v Speaker 1>We got a problem, you know what I'm saying, Like,

0:25:24.119 --> 0:25:29.000
<v Speaker 1>what the fuck y'allma fuckers here was too exactly.

0:25:29.119 --> 0:25:30.480
<v Speaker 6>So somebody added, you know, one of the.

0:25:30.400 --> 0:25:32.880
<v Speaker 1>Boys ay man look, and so they ended up coming

0:25:32.920 --> 0:25:35.720
<v Speaker 1>in before you know it. Uh, you know, I'm trying

0:25:35.760 --> 0:25:38.879
<v Speaker 1>to cool these dudes all because they wanted to you know,

0:25:38.960 --> 0:25:42.560
<v Speaker 1>these motherfuckers, they wanted to do something to everybody. So

0:25:42.560 --> 0:25:44.120
<v Speaker 1>at the end of the day we cooled it off

0:25:44.160 --> 0:25:47.199
<v Speaker 1>to a degree where it was just a fight. It

0:25:47.320 --> 0:25:50.920
<v Speaker 1>wasn't really you know, ain't nobody died, but it was

0:25:51.000 --> 0:25:53.600
<v Speaker 1>it was. It was bad, you know, because then if

0:25:53.640 --> 0:25:56.080
<v Speaker 1>you came all the dudes who from Miami it was

0:25:56.080 --> 0:25:58.840
<v Speaker 1>in Atlanta. Then we all ended up at the hotel

0:25:59.680 --> 0:26:03.160
<v Speaker 1>and they and they talked the hotel and and people

0:26:03.240 --> 0:26:10.080
<v Speaker 1>got stabbed. I don't know, it was a lot of

0:26:10.560 --> 0:26:14.320
<v Speaker 1>things going on. Then people had to end up getting

0:26:14.320 --> 0:26:17.399
<v Speaker 1>on the plane and going back home. Uh. But at

0:26:17.440 --> 0:26:19.200
<v Speaker 1>the end of the day, you know, like I said,

0:26:19.200 --> 0:26:21.920
<v Speaker 1>and I gotta tell people all the time, we went

0:26:21.960 --> 0:26:26.439
<v Speaker 1>through those those situations. Yeah, right now, we.

0:26:26.480 --> 0:26:27.280
<v Speaker 6>Got past it.

0:26:27.520 --> 0:26:29.280
<v Speaker 1>And that's why I try to tell these young young

0:26:29.359 --> 0:26:31.880
<v Speaker 1>dudes who out there, you know, they're making these records,

0:26:32.320 --> 0:26:35.560
<v Speaker 1>you know, and they going about that ship for real.

0:26:35.680 --> 0:26:37.760
<v Speaker 1>You know, it's a lot of a lot of real

0:26:37.800 --> 0:26:40.679
<v Speaker 1>ship going on in these streets right now. And I

0:26:40.720 --> 0:26:43.320
<v Speaker 1>tell them, look, man, don't you know, if you you're

0:26:43.359 --> 0:26:46.080
<v Speaker 1>doing good music, just do good music. Lead that ship alone.

0:26:46.080 --> 0:26:49.600
<v Speaker 1>So we all learned from that, you know, me, snoop,

0:26:50.000 --> 0:26:53.879
<v Speaker 1>you know, we all became friends, sug and all that

0:26:53.920 --> 0:26:55.200
<v Speaker 1>ship like that, you.

0:26:55.119 --> 0:26:56.080
<v Speaker 6>Know, we ended up.

0:26:56.160 --> 0:26:58.120
<v Speaker 1>It's like, look, we got squashed this ship, and that's

0:26:58.119 --> 0:27:00.320
<v Speaker 1>how we ended up at this That.

0:27:00.280 --> 0:27:02.679
<v Speaker 3>Was the first day I thought you had squashed it.

0:27:02.720 --> 0:27:03.080
<v Speaker 3>Off the.

0:27:04.840 --> 0:27:08.240
<v Speaker 1>It became yo, yeah, because they had another Jack the

0:27:08.280 --> 0:27:09.240
<v Speaker 1>Wrapper the next year.

0:27:09.520 --> 0:27:11.320
<v Speaker 3>It was in Orlando, and I guess they.

0:27:11.840 --> 0:27:14.000
<v Speaker 1>Brought a whole bunch of motherfuckers and they kind of

0:27:14.760 --> 0:27:17.200
<v Speaker 1>taught that motherfucker up and that was then the Jack

0:27:17.240 --> 0:27:17.600
<v Speaker 1>the Wrapper.

0:27:17.720 --> 0:27:20.040
<v Speaker 3>But then it was like, Yo, let's let's sit down.

0:27:20.119 --> 0:27:22.840
<v Speaker 1>So, you know, I ended up linking with with Sugar

0:27:22.880 --> 0:27:25.760
<v Speaker 1>and we ended up saying, Okay, I'm gonna welcome you

0:27:25.800 --> 0:27:28.199
<v Speaker 1>all down here for the Super Bowl you got San Francisco,

0:27:28.680 --> 0:27:31.000
<v Speaker 1>and then we'll sit down and chop it up and

0:27:31.119 --> 0:27:33.600
<v Speaker 1>work it out. But then it wasn't really it wasn't

0:27:33.640 --> 0:27:38.440
<v Speaker 1>really about working out with just me, because it was

0:27:38.640 --> 0:27:42.520
<v Speaker 1>you had this whole New York thing, you know, so

0:27:42.600 --> 0:27:44.960
<v Speaker 1>you had just imagined in this fucking room you had

0:27:46.400 --> 0:27:48.880
<v Speaker 1>New York gangsters in the room, and it was us,

0:27:49.000 --> 0:27:50.920
<v Speaker 1>and then it was them. And then I'm like, yo,

0:27:50.960 --> 0:27:52.760
<v Speaker 1>we're gonna do this ship in the feast, wait in

0:27:52.800 --> 0:27:55.040
<v Speaker 1>the east coast, West coast. Yeah, it was in between

0:27:55.160 --> 0:27:58.280
<v Speaker 1>all this, so that's on top of it. Yeah. So

0:27:58.359 --> 0:28:00.320
<v Speaker 1>then it was like, hey, look, let me just bring

0:28:00.320 --> 0:28:03.240
<v Speaker 1>everybody to the table. And then we all went in

0:28:03.280 --> 0:28:06.960
<v Speaker 1>the room and and we you know, mother fuckers had

0:28:07.000 --> 0:28:10.199
<v Speaker 1>words and ship, you know, and we say, Okay, we're

0:28:10.200 --> 0:28:12.200
<v Speaker 1>gonna squash this ship. Uh.

0:28:12.240 --> 0:28:14.280
<v Speaker 3>And that's how I kind of it, kind of that,

0:28:14.480 --> 0:28:15.160
<v Speaker 3>and that's why.

0:28:14.960 --> 0:28:16.679
<v Speaker 1>You see the picture of me and Stoopid And if

0:28:16.720 --> 0:28:19.280
<v Speaker 1>you look on the back you see dolphins on the

0:28:19.320 --> 0:28:22.159
<v Speaker 1>wall that was in the damn Dolphins sweet at the

0:28:22.160 --> 0:28:27.080
<v Speaker 1>Super Bowl Cincinnatian and San Francisco.

0:28:28.440 --> 0:28:31.719
<v Speaker 3>What would life would have been like if you had

0:28:31.760 --> 0:28:32.720
<v Speaker 3>a chance to speak to.

0:28:32.800 --> 0:28:36.000
<v Speaker 1>Park and Biggie, which I did, were both together in

0:28:36.040 --> 0:28:36.680
<v Speaker 1>the same room.

0:28:36.960 --> 0:28:38.080
<v Speaker 6>I tried to get them together.

0:28:38.280 --> 0:28:42.840
<v Speaker 1>I mean I would speak to both of them separately, uh,

0:28:43.880 --> 0:28:49.160
<v Speaker 1>because again you know, Park was my guy also, you

0:28:49.160 --> 0:28:51.440
<v Speaker 1>know when he was with Digital on the ground, they

0:28:51.440 --> 0:28:54.560
<v Speaker 1>would do shows together. You know, Man would always end

0:28:54.640 --> 0:28:57.680
<v Speaker 1>up in the room vibing and Ship talking about all

0:28:57.760 --> 0:29:01.400
<v Speaker 1>kinds of shit, you know, largely black history, you know,

0:29:01.560 --> 0:29:03.840
<v Speaker 1>panthers and ship because I wanted to pick his brain

0:29:03.920 --> 0:29:07.440
<v Speaker 1>about his mom, you know, uh, being in that. And

0:29:07.480 --> 0:29:10.680
<v Speaker 1>then same thing with Big Big would come down, you

0:29:10.720 --> 0:29:15.120
<v Speaker 1>know to Miami and uh and and and and chill

0:29:15.160 --> 0:29:17.200
<v Speaker 1>at at my condo, you know, with a bunch of

0:29:17.280 --> 0:29:22.240
<v Speaker 1>naked women and Ship. You always gonna him and Hunt

0:29:22.280 --> 0:29:25.880
<v Speaker 1>got got got stuck in the fucking elevator. Took yeah,

0:29:27.760 --> 0:29:30.800
<v Speaker 1>talking the elevator. That's the funniest ship. So we you know,

0:29:30.880 --> 0:29:33.360
<v Speaker 1>but me and him was down like that, I mean,

0:29:33.480 --> 0:29:36.640
<v Speaker 1>you know, uh, and and that's how you know we

0:29:36.720 --> 0:29:38.320
<v Speaker 1>end up. Anytime I would go to New York, I

0:29:38.320 --> 0:29:40.440
<v Speaker 1>would hang out with Big We did records together and

0:29:40.520 --> 0:29:41.120
<v Speaker 1>ship like that.

0:29:41.640 --> 0:29:41.760
<v Speaker 8>Uh.

0:29:41.800 --> 0:29:44.000
<v Speaker 1>And the same thing with Pop, you know, Pop got

0:29:44.000 --> 0:29:47.240
<v Speaker 1>out of jail. I went and interviewed him, you know. Uh,

0:29:47.400 --> 0:29:50.040
<v Speaker 1>I had to, you know, at the Sugar Nightclub and

0:29:50.120 --> 0:29:53.440
<v Speaker 1>Bacon's you know six six two, you know, and and

0:29:53.520 --> 0:29:56.000
<v Speaker 1>most people were like, yo, them niggas gonna set you

0:29:56.040 --> 0:29:56.600
<v Speaker 1>the funk up.

0:29:56.960 --> 0:29:59.480
<v Speaker 6>You know you're already not at Yeah.

0:29:59.280 --> 0:30:00.480
<v Speaker 3>Yeah, he was like the.

0:30:01.000 --> 0:30:03.000
<v Speaker 1>Little set you up up in that motherfucker. Nah, were

0:30:03.040 --> 0:30:06.600
<v Speaker 1>going in that motherfucker. It was me, He'll go the

0:30:06.640 --> 0:30:12.520
<v Speaker 1>crazy part about there. It was me, Trick Daddy and Mossad.

0:30:14.200 --> 0:30:17.440
<v Speaker 1>So Trick Daddy won't out is before Scard, before Scard

0:30:17.520 --> 0:30:20.520
<v Speaker 1>before Scard. Yeah, Trick Dady just got out of jail.

0:30:21.320 --> 0:30:25.880
<v Speaker 1>He's staying with me at the condo. You know, fucking

0:30:25.920 --> 0:30:31.280
<v Speaker 1>all the girls at the at the goddamn beauty school downstairs.

0:30:30.760 --> 0:30:34.560
<v Speaker 1>But he he was so we it was like, you know,

0:30:35.080 --> 0:30:36.960
<v Speaker 1>I don't want him to go back to jail because

0:30:37.120 --> 0:30:39.440
<v Speaker 1>he just got out of jail. So it was like, no,

0:30:39.640 --> 0:30:41.880
<v Speaker 1>fuck that ship, fuck that shit, Dick, I'm going, what

0:30:41.920 --> 0:30:44.920
<v Speaker 1>you do you know? And Shane most deep like, yo,

0:30:45.000 --> 0:30:47.200
<v Speaker 1>I'm going. We know we're going together. So we went

0:30:47.480 --> 0:30:51.480
<v Speaker 1>to go tape an interview excuse me, with them at

0:30:51.480 --> 0:30:53.520
<v Speaker 1>the sixty sixth two club. That's why if you ever

0:30:53.520 --> 0:30:56.239
<v Speaker 1>see any clips of that interview, Wait a minute, you're

0:30:56.240 --> 0:31:01.320
<v Speaker 1>telling me, Trick Dabby who has all this stuff music.

0:31:02.680 --> 0:31:03.000
<v Speaker 6>Title?

0:31:03.160 --> 0:31:05.560
<v Speaker 1>I think I believe all of his that the titles

0:31:05.560 --> 0:31:09.160
<v Speaker 1>of his album had stuck in it. It's a possibility

0:31:09.200 --> 0:31:12.959
<v Speaker 1>of with the front that he would have went listen.

0:31:13.120 --> 0:31:17.160
<v Speaker 1>I'm just you know, it's a possibility that we would know.

0:31:17.200 --> 0:31:18.000
<v Speaker 6>We ain't listen.

0:31:18.880 --> 0:31:22.280
<v Speaker 3>We didn't go in there without no tools, you know.

0:31:22.280 --> 0:31:25.160
<v Speaker 6>What I'm saying. So, but uh, but it was it

0:31:25.200 --> 0:31:25.600
<v Speaker 6>was it.

0:31:25.520 --> 0:31:27.960
<v Speaker 1>Was it was. It was crazy. It was crazy. I mean,

0:31:28.840 --> 0:31:31.080
<v Speaker 1>but we went in there. It was peaceful, you know,

0:31:31.360 --> 0:31:34.000
<v Speaker 1>motherfuckers was watching their back and all that. Uh in

0:31:34.080 --> 0:31:37.280
<v Speaker 1>the club. We eventually did the interview with him, because

0:31:37.280 --> 0:31:39.160
<v Speaker 1>he had first just got out of jail, and that's

0:31:39.160 --> 0:31:43.240
<v Speaker 1>when you see him. You know, Uh, I'm doing the interview.

0:31:43.280 --> 0:31:46.680
<v Speaker 1>I'm trying to squash the beef also, but shiit, he.

0:31:46.760 --> 0:31:48.560
<v Speaker 3>Just went from zero till a thousands.

0:31:49.040 --> 0:31:52.200
<v Speaker 1>He started talking about you know, faith and all this

0:31:52.320 --> 0:31:54.479
<v Speaker 1>and the girl and all this, and he just was

0:31:54.720 --> 0:31:56.760
<v Speaker 1>on twelve up in that month, we were doing an

0:31:56.760 --> 0:32:05.120
<v Speaker 1>interview for for the Peep Show. Oh wow, that's crazy. Yeah,

0:32:05.320 --> 0:32:06.840
<v Speaker 1>that that ship was.

0:32:07.200 --> 0:32:07.960
<v Speaker 6>That was wild.

0:32:08.640 --> 0:32:17.800
<v Speaker 1>Very seldomly see the people, very seldomly we get people

0:32:17.880 --> 0:32:20.960
<v Speaker 1>that new park. But and when we do get people

0:32:21.040 --> 0:32:22.960
<v Speaker 1>that know Park, we only get people that knew one

0:32:23.040 --> 0:32:26.040
<v Speaker 1>version of park, like the Digital Underground or just the

0:32:26.080 --> 0:32:27.320
<v Speaker 1>Death Row part.

0:32:27.600 --> 0:32:29.680
<v Speaker 3>What was the difference between you when you.

0:32:29.640 --> 0:32:33.800
<v Speaker 1>First met Park, like imagine in the Digital Underground days

0:32:33.840 --> 0:32:37.440
<v Speaker 1>to the to the park that you know, you know,

0:32:37.520 --> 0:32:40.560
<v Speaker 1>became the superstar or was it even even a difference.

0:32:41.200 --> 0:32:47.720
<v Speaker 1>It was really it was when he became big, uh

0:32:48.440 --> 0:32:51.440
<v Speaker 1>Digital Underground days, he was more laid back, you know

0:32:51.480 --> 0:32:53.880
<v Speaker 1>what I'm saying, because it was it was about Humpty,

0:32:54.360 --> 0:32:55.120
<v Speaker 1>you know, so.

0:32:55.040 --> 0:32:57.239
<v Speaker 3>He was he was he was more of a supportive role.

0:32:57.800 --> 0:33:01.680
<v Speaker 1>Guy was no different. It was he was no different,

0:33:02.560 --> 0:33:04.640
<v Speaker 1>you know. And I so I always when I'm around

0:33:06.240 --> 0:33:09.080
<v Speaker 1>the superstars, and then I look at the other people

0:33:09.080 --> 0:33:12.360
<v Speaker 1>who are around, and then those one who's soaking up

0:33:12.360 --> 0:33:14.560
<v Speaker 1>the information, getting the information, they gonna be that guy.

0:33:14.920 --> 0:33:17.840
<v Speaker 1>I mean, same thing with jay Z. You know, Big

0:33:17.920 --> 0:33:21.800
<v Speaker 1>told me he next a while, right, and he was

0:33:21.880 --> 0:33:23.800
<v Speaker 1>just hanging out with Big. He was one of the

0:33:23.800 --> 0:33:26.480
<v Speaker 1>guys in the crew. I was like, I'm thinking, he

0:33:26.520 --> 0:33:28.680
<v Speaker 1>getting ready to say one of the junior mafia guys,

0:33:29.120 --> 0:33:33.320
<v Speaker 1>you know. So Park was so I would always gravitate to.

0:33:33.280 --> 0:33:35.480
<v Speaker 3>Them, young guys who would be sack.

0:33:36.480 --> 0:33:36.760
<v Speaker 6>Yeah.

0:33:36.840 --> 0:33:39.440
<v Speaker 1>Yeah, I knew he had that it, you know, and

0:33:40.240 --> 0:33:42.960
<v Speaker 1>very few people, you know, you can see that. And

0:33:43.000 --> 0:33:46.280
<v Speaker 1>so I'm looking at him vibing, and he really want

0:33:46.360 --> 0:33:47.680
<v Speaker 1>to be in the business. And a lot of people

0:33:47.680 --> 0:33:51.160
<v Speaker 1>don't realize them guys who would be hanging out soaking

0:33:51.240 --> 0:33:53.640
<v Speaker 1>up the information, they ain't really getting no money. They

0:33:53.680 --> 0:33:56.240
<v Speaker 1>really want they really you know, paid, They really putting

0:33:56.280 --> 0:33:59.720
<v Speaker 1>it in network in the business, whether they the roadie

0:33:59.840 --> 0:34:02.480
<v Speaker 1>or other. They just there are trying to you know,

0:34:02.600 --> 0:34:06.160
<v Speaker 1>find their weight. And uh. And so when he became

0:34:06.800 --> 0:34:10.480
<v Speaker 1>this the superstar, uh, and he got big, then you

0:34:10.480 --> 0:34:12.480
<v Speaker 1>know he would come down again, hang out with me,

0:34:12.600 --> 0:34:14.959
<v Speaker 1>go to the to some of my parties and ship

0:34:15.680 --> 0:34:15.840
<v Speaker 1>you know.

0:34:15.880 --> 0:34:19.200
<v Speaker 3>And then it became versus this quiet dude.

0:34:19.640 --> 0:34:23.480
<v Speaker 1>It became like George Jefferson, you know that Napoleon complex.

0:34:23.520 --> 0:34:25.799
<v Speaker 1>He had the big chest, he walked like this and

0:34:25.840 --> 0:34:27.560
<v Speaker 1>you know, and you know a little short dude.

0:34:27.560 --> 0:34:30.480
<v Speaker 3>Then he had it going on, which was which was good.

0:34:30.520 --> 0:34:34.160
<v Speaker 1>He wasn't really part was never really a dude that

0:34:34.560 --> 0:34:36.920
<v Speaker 1>was shipped on nobody or talked bad about nobody. He

0:34:37.080 --> 0:34:39.800
<v Speaker 1>just had, you know, he would feel he just feel itself,

0:34:39.960 --> 0:34:42.640
<v Speaker 1>you know, like that. So those are the two different

0:34:43.080 --> 0:34:45.960
<v Speaker 1>the two different people. And even when I, like I said,

0:34:46.000 --> 0:34:49.000
<v Speaker 1>when I did that interview with him, uh in Vegas,

0:34:49.200 --> 0:34:52.880
<v Speaker 1>it was it was the same thing. You know. He

0:34:52.880 --> 0:34:54.799
<v Speaker 1>he was feeling some kind of weight just getting out

0:34:54.800 --> 0:34:57.200
<v Speaker 1>of jail. You know, he was feeling See you could

0:34:57.440 --> 0:35:01.719
<v Speaker 1>tell the build up was about uh what was what

0:35:01.800 --> 0:35:03.880
<v Speaker 1>potentially became the fucking beef.

0:35:08.000 --> 0:35:11.319
<v Speaker 3>Do you ever watch that jay Z clip?

0:35:11.360 --> 0:35:12.399
<v Speaker 6>You got what.

0:35:14.320 --> 0:35:16.399
<v Speaker 1>You was, go, you go, We're gonna re enact that right.

0:35:20.200 --> 0:35:23.000
<v Speaker 2>For that?

0:35:24.200 --> 0:35:29.879
<v Speaker 1>Do you ever can we get a girl with the times?

0:35:30.160 --> 0:35:30.480
<v Speaker 1>Jay Z?

0:35:30.840 --> 0:35:32.120
<v Speaker 3>We won't marry man?

0:35:35.520 --> 0:35:39.160
<v Speaker 1>Yeah, my wife, my wife yeah, yeah, yeah, my wife

0:35:39.200 --> 0:35:42.279
<v Speaker 1>over there, my wife over there. Yeah, yeah, that's right,

0:35:42.680 --> 0:35:51.880
<v Speaker 1>You've got to be here. We ain't doing no, we

0:35:51.920 --> 0:35:59.319
<v Speaker 1>ain't doing nones. Just talking about pussy that was another name.

0:35:59.640 --> 0:36:03.680
<v Speaker 1>But whenever, now and then I like to see look

0:36:03.719 --> 0:36:06.520
<v Speaker 1>at it because to see jay Z's uncomfortable to this

0:36:08.040 --> 0:36:13.799
<v Speaker 1>because because I've never asked you, this man did he

0:36:14.080 --> 0:36:19.839
<v Speaker 1>know that was gonna happen. I just cripped this crib.

0:36:19.920 --> 0:36:22.839
<v Speaker 1>I can't tell tell people when I did the piece

0:36:22.920 --> 0:36:26.880
<v Speaker 1>show right, it was really about it was you know,

0:36:26.960 --> 0:36:28.520
<v Speaker 1>I was like, I came up with this ship. I'm like,

0:36:28.600 --> 0:36:30.480
<v Speaker 1>I'm gonna do a show because all these mother fuckers

0:36:30.480 --> 0:36:34.080
<v Speaker 1>talking about sex and this and all this wild ship

0:36:34.160 --> 0:36:36.879
<v Speaker 1>on the record. Now that I deliberated everybody and made

0:36:36.880 --> 0:36:39.080
<v Speaker 1>it okay for you to say what then you want

0:36:39.080 --> 0:36:41.120
<v Speaker 1>to say on the record, people just losing their mind.

0:36:41.160 --> 0:36:42.719
<v Speaker 6>I can tell you put it in your mouth.

0:36:43.080 --> 0:36:45.560
<v Speaker 1>Hey, okay, we're gonna interview you and we're gonna have

0:36:45.600 --> 0:36:56.759
<v Speaker 1>some girls sitting here. I keep the whole I can

0:36:56.760 --> 0:37:13.960
<v Speaker 1>never okay you saying you you you freget it? Kenny, Yeah,

0:37:14.480 --> 0:37:24.480
<v Speaker 1>asked Lil Kimp you you you fucking up making all

0:37:24.520 --> 0:37:28.600
<v Speaker 1>these songs Ki Kim, It's crazy. We had she walks

0:37:28.640 --> 0:37:31.000
<v Speaker 1>in there. We got a whole hand going on. We

0:37:31.080 --> 0:37:33.880
<v Speaker 1>got everybody fucking each other and ship Kim walking in

0:37:34.080 --> 0:37:36.480
<v Speaker 1>next year, got no teddes and Ship. She's like, what

0:37:36.600 --> 0:37:46.520
<v Speaker 1>the is going on? We're go ahead, I'm saying, so

0:37:46.520 --> 0:37:49.759
<v Speaker 1>so I'm trying to I'm trying to picture myself because

0:37:49.800 --> 0:37:52.680
<v Speaker 1>you just said, but Jacus Jay is a smooth guy,

0:37:52.840 --> 0:37:55.560
<v Speaker 1>like he's always been smooth. I'm never moving him. I've

0:37:55.560 --> 0:37:58.160
<v Speaker 1>never seen him my school. That's the only time I

0:37:58.239 --> 0:38:01.440
<v Speaker 1>might have seen him a little uncomfortable. So I wanted

0:38:01.480 --> 0:38:05.520
<v Speaker 1>to always know for myself, like did you did he

0:38:05.560 --> 0:38:05.920
<v Speaker 1>know him?

0:38:05.960 --> 0:38:07.319
<v Speaker 3>You say you didn't know to.

0:38:07.280 --> 0:38:10.960
<v Speaker 1>Describe what happened, like, so okay, so the thing is again,

0:38:11.920 --> 0:38:15.239
<v Speaker 1>Big say you know Jay? And Big right then he said,

0:38:16.680 --> 0:38:19.279
<v Speaker 1>and so Big were like, you know, and man, put

0:38:19.520 --> 0:38:22.479
<v Speaker 1>put my guy on the on the show, right, I'm

0:38:22.520 --> 0:38:26.719
<v Speaker 1>just booking Jay z Oh. Okay, he wasn't Jay, and

0:38:26.719 --> 0:38:28.279
<v Speaker 1>I don't think he had a record out of nothing.

0:38:28.440 --> 0:38:30.320
<v Speaker 2>You have this song with Big already, the bust of

0:38:30.360 --> 0:38:31.040
<v Speaker 2>that joint.

0:38:32.160 --> 0:38:34.560
<v Speaker 3>Before we probably did probably did.

0:38:34.680 --> 0:38:37.440
<v Speaker 1>So then it was like, man, put my homeboy on

0:38:37.440 --> 0:38:38.000
<v Speaker 1>on the show.

0:38:38.040 --> 0:38:38.600
<v Speaker 6>And all that.

0:38:38.719 --> 0:38:41.800
<v Speaker 1>Right, Jay was the first one that wasn't had a

0:38:41.840 --> 0:38:44.400
<v Speaker 1>big record, he ain't had no records about doing nothing,

0:38:44.880 --> 0:38:47.359
<v Speaker 1>you feel me. And so I'm like, okay, we're gonna

0:38:47.360 --> 0:38:50.480
<v Speaker 1>interview him. Then we end up interviewing Jay, and so

0:38:50.520 --> 0:38:52.239
<v Speaker 1>I'm like, okay, we're gonna set this ship up. I

0:38:52.280 --> 0:38:55.239
<v Speaker 1>got these two girls and then nigga, you know cause

0:38:55.280 --> 0:38:58.600
<v Speaker 1>I always like throw people mine off. You know. So

0:38:58.680 --> 0:39:00.640
<v Speaker 1>the girls z eating each other out. So if I'm

0:39:00.920 --> 0:39:03.319
<v Speaker 1>they eating each other out, then I'm asking you what.

0:39:03.520 --> 0:39:05.600
<v Speaker 1>I'm ask you a question, like I'm looking at you.

0:39:05.600 --> 0:39:08.560
<v Speaker 1>Actually I get everything because you ain't frona bullshit me

0:39:08.680 --> 0:39:14.520
<v Speaker 1>right now because you distracted. He's like Jay sitting up

0:39:14.520 --> 0:39:20.319
<v Speaker 1>there like yeah, yeah, yeah, everything, the same thing with

0:39:20.400 --> 0:39:23.040
<v Speaker 1>the rest of Little Kim and all like yeah, did

0:39:23.080 --> 0:39:28.560
<v Speaker 1>you fuck me? Oh yeah yeah yeah. So so he

0:39:28.719 --> 0:39:32.320
<v Speaker 1>was sitting there. I mean, it was fucking epic because

0:39:32.560 --> 0:39:34.359
<v Speaker 1>if people I see that clip all the time, I'll

0:39:34.360 --> 0:39:37.839
<v Speaker 1>be laughing. And you know, because I didn't know one

0:39:37.840 --> 0:39:39.360
<v Speaker 1>of the it was that time of the month with

0:39:39.440 --> 0:39:42.000
<v Speaker 1>one of the girls. Oh ship, oh.

0:39:41.880 --> 0:39:49.959
<v Speaker 5>No wait wait wait, left know the girl face came up.

0:39:49.880 --> 0:39:59.160
<v Speaker 1>And did like that. I'm like whoa on the part

0:40:00.120 --> 0:40:05.279
<v Speaker 1>scrump you know. If he got I was like, hey,

0:40:05.320 --> 0:40:09.040
<v Speaker 1>I had to check myself. I'm like, whoa, whoa? You know,

0:40:09.080 --> 0:40:12.160
<v Speaker 1>And obviously she didn't know what was on her face.

0:40:14.120 --> 0:40:17.640
<v Speaker 1>The other girl did and we had cut cut cut

0:40:17.760 --> 0:40:18.560
<v Speaker 1>cut cut.

0:40:21.680 --> 0:40:21.719
<v Speaker 8>That.

0:40:23.080 --> 0:40:26.440
<v Speaker 1>I remember that that you if you really look at

0:40:26.440 --> 0:40:26.759
<v Speaker 1>it on.

0:40:26.719 --> 0:40:29.720
<v Speaker 3>The videotape because he was giving them really looking at you,

0:40:29.719 --> 0:40:30.040
<v Speaker 3>you can.

0:40:29.960 --> 0:40:33.439
<v Speaker 1>See it crazy. Wow. It was. That was the wild ship.

0:40:33.520 --> 0:40:36.200
<v Speaker 1>I was man when we was like why would you

0:40:36.239 --> 0:40:39.520
<v Speaker 1>do this right here? But when you noticed that time

0:40:39.560 --> 0:40:47.200
<v Speaker 1>of month, damn, that was a mess. Yeah. I wasn't ready.

0:40:47.960 --> 0:40:50.520
<v Speaker 1>I wasn't I wasn't ready. You weren't ready for I

0:40:51.440 --> 0:40:52.239
<v Speaker 1>did not know that.

0:40:53.840 --> 0:40:54.080
<v Speaker 4>Smoke.

0:40:54.080 --> 0:41:00.400
<v Speaker 1>Ah yeah that my notes up. Okay, some of you

0:41:00.800 --> 0:41:03.240
<v Speaker 1>get ready something.

0:41:04.800 --> 0:41:07.040
<v Speaker 2>I said this last here and I'm gonna say when

0:41:07.040 --> 0:41:09.600
<v Speaker 2>when how can I be down? Came through? He had

0:41:09.640 --> 0:41:13.680
<v Speaker 2>the boat parties and first of all the promo.

0:41:13.360 --> 0:41:14.759
<v Speaker 7>Items that he was giving out and I brought it

0:41:14.840 --> 0:41:16.799
<v Speaker 7>last time that he was on the show was these

0:41:16.800 --> 0:41:18.880
<v Speaker 7>little view things that you look to and it was

0:41:18.960 --> 0:41:21.080
<v Speaker 7>like a scene the scene he's depicting the scenes like

0:41:21.080 --> 0:41:23.359
<v Speaker 7>that the peep shows the people in the little view,

0:41:23.360 --> 0:41:25.120
<v Speaker 7>I still got the joints. And then you get on

0:41:25.160 --> 0:41:28.120
<v Speaker 7>the boat for how can I be down convention and

0:41:28.160 --> 0:41:30.080
<v Speaker 7>it's chill, and the minute that she takes off from

0:41:30.080 --> 0:41:32.680
<v Speaker 7>base side, there was baseide right yeah, yeah, then the

0:41:32.800 --> 0:41:34.720
<v Speaker 7>music strippers.

0:41:34.280 --> 0:41:37.719
<v Speaker 1>Come out of nowhere. Everything he described is happening on

0:41:37.719 --> 0:41:40.480
<v Speaker 1>the boat. Read Alert was one of the DJs, and

0:41:40.800 --> 0:41:45.520
<v Speaker 1>shit was wild Man wild. So so let mede this

0:41:45.640 --> 0:41:48.440
<v Speaker 1>a little bit, right because we seen the freaking Freaknick

0:41:48.760 --> 0:41:52.640
<v Speaker 1>the documentary. But I'm thinking about that, why we where's the.

0:41:52.520 --> 0:41:53.879
<v Speaker 3>Peep show the documentary?

0:41:54.280 --> 0:41:57.120
<v Speaker 1>Like all I said, because one thing about you, I

0:41:57.719 --> 0:42:00.000
<v Speaker 1>was saying, I will always say to all the people,

0:42:00.719 --> 0:42:06.000
<v Speaker 1>like Instagram wouldn't be alive. Most artis wouldn't be alive

0:42:06.080 --> 0:42:08.800
<v Speaker 1>back then, but if they had Instagram. But the difference

0:42:08.840 --> 0:42:11.480
<v Speaker 1>between you from everyone else is you kind of like

0:42:11.640 --> 0:42:12.960
<v Speaker 1>documented all your ship.

0:42:15.760 --> 0:42:18.640
<v Speaker 3>So your freak was out in the open, right.

0:42:19.520 --> 0:42:23.680
<v Speaker 1>I had to do that because because every city I go,

0:42:23.880 --> 0:42:26.080
<v Speaker 1>like for instance, I went to South Carolina one time,

0:42:26.719 --> 0:42:30.959
<v Speaker 1>and and you know, they would say that I would

0:42:31.160 --> 0:42:33.799
<v Speaker 1>have the girls on stage naked. So then I was

0:42:33.800 --> 0:42:36.360
<v Speaker 1>like gonna get fucked that. I'm gonna just start videoing

0:42:36.520 --> 0:42:39.919
<v Speaker 1>all my shows and everything so people can actually see

0:42:39.920 --> 0:42:41.960
<v Speaker 1>that I ain't got nothing to do with it, you know.

0:42:42.000 --> 0:42:44.799
<v Speaker 1>And I went to South Carolina one time and some

0:42:44.920 --> 0:42:47.320
<v Speaker 1>girl from the military got on stage with my dancers,

0:42:47.440 --> 0:42:49.839
<v Speaker 1>my dancers made love to and all that.

0:42:50.360 --> 0:42:52.880
<v Speaker 3>She ended up going back to the base talking ship.

0:42:53.440 --> 0:42:56.960
<v Speaker 1>Girl dancers, the girl dance they were, they would they

0:42:57.040 --> 0:42:59.120
<v Speaker 1>were the bad guys, right, they were the bad guys.

0:42:59.160 --> 0:43:02.000
<v Speaker 1>The girl that there would there were no freaking red right,

0:43:03.000 --> 0:43:05.359
<v Speaker 1>freaking red was a was an animal. She's on love

0:43:05.400 --> 0:43:09.160
<v Speaker 1>and hip hop? Right, No, no, okay, my dances can't

0:43:09.200 --> 0:43:11.360
<v Speaker 1>be on shows like that.

0:43:12.080 --> 0:43:14.839
<v Speaker 3>The exce ones. Yeah they can't know they can't.

0:43:15.840 --> 0:43:17.719
<v Speaker 1>They would pull our pearls and ship out of there.

0:43:17.760 --> 0:43:19.200
<v Speaker 3>Vagina have babies.

0:43:18.840 --> 0:43:22.880
<v Speaker 1>On Wait telling about Wait, and they was doing that

0:43:23.120 --> 0:43:24.040
<v Speaker 1>on the boat.

0:43:25.200 --> 0:43:26.560
<v Speaker 3>We used to have babies.

0:43:27.000 --> 0:43:28.840
<v Speaker 1>Yeah, they put a little doll baby in them and

0:43:28.920 --> 0:43:34.920
<v Speaker 1>there pick up bottles, bottle. Yeah, there was a lot

0:43:34.960 --> 0:43:37.120
<v Speaker 1>of ship going on. I just had to get get

0:43:37.120 --> 0:43:39.759
<v Speaker 1>a hold of myself. Yeah it was. It was a

0:43:39.760 --> 0:43:42.200
<v Speaker 1>lot of things going on. We were pushing that envelope.

0:43:42.239 --> 0:43:47.600
<v Speaker 1>But say, the least I've never been like is going

0:43:47.640 --> 0:43:51.479
<v Speaker 1>on so eight years of this show. So we would

0:43:51.520 --> 0:43:55.080
<v Speaker 1>go to city to city doing this ship. And that's again,

0:43:55.160 --> 0:43:59.319
<v Speaker 1>that's how that whole freaknick thing started. When we went

0:43:59.360 --> 0:44:02.319
<v Speaker 1>to at it was a nice little party, and we

0:44:02.400 --> 0:44:04.920
<v Speaker 1>just went there and just turned the motherfucker out, no

0:44:04.960 --> 0:44:10.920
<v Speaker 1>different than Galveston. Caston was a nice uh college weekend.

0:44:11.760 --> 0:44:12.359
<v Speaker 6>Turned it out.

0:44:12.680 --> 0:44:16.000
<v Speaker 1>You know. We went to uh Daytona Beach, same thing,

0:44:16.280 --> 0:44:19.000
<v Speaker 1>and so I documented all that I got, all that footage,

0:44:19.200 --> 0:44:24.000
<v Speaker 1>made you document this stuff. It became let me tell you,

0:44:24.280 --> 0:44:28.200
<v Speaker 1>let me tell you. It was. I saw new kids

0:44:28.239 --> 0:44:31.640
<v Speaker 1>on the block, new kids on the block. I never

0:44:31.680 --> 0:44:39.920
<v Speaker 1>thought new kids on the block. God, kids on the block.

0:44:41.360 --> 0:44:46.600
<v Speaker 1>They were doing They were doing backstage footage and selling

0:44:46.600 --> 0:44:51.680
<v Speaker 1>it on DVD on VHS. So I was like, oh Ship.

0:44:51.800 --> 0:44:54.840
<v Speaker 1>So Billboard had a whole chart and the chart was

0:44:54.880 --> 0:44:58.600
<v Speaker 1>filled up with artists doing backstage footage, and I said, well,

0:44:58.640 --> 0:45:01.000
<v Speaker 1>god damn, why won't do something stage footage?

0:45:01.280 --> 0:45:01.480
<v Speaker 6>You know?

0:45:01.560 --> 0:45:04.880
<v Speaker 1>And then at that time Master P was doing his

0:45:04.880 --> 0:45:07.759
<v Speaker 1>his movies and Ship and then I'm like, you know,

0:45:07.800 --> 0:45:09.359
<v Speaker 1>I can make a lot of money doing this ship

0:45:09.360 --> 0:45:12.240
<v Speaker 1>I show. Because everybody always asks what the fuck happened?

0:45:12.239 --> 0:45:14.520
<v Speaker 1>Is we get on on the on tour? You know

0:45:14.680 --> 0:45:19.000
<v Speaker 1>what happened is the whole ass, right, So I start

0:45:19.120 --> 0:45:21.839
<v Speaker 1>documenting it and this is the fourth Girl's gone wall.

0:45:21.840 --> 0:45:25.080
<v Speaker 1>You're the original. Girl's gonna wat original for that? He

0:45:25.200 --> 0:45:29.000
<v Speaker 1>stole that ship. I don't know how we made money.

0:45:29.160 --> 0:45:31.279
<v Speaker 1>We made We made a lot of fucking money. We

0:45:31.320 --> 0:45:34.400
<v Speaker 1>made a license from you exactly exact you know, he

0:45:34.440 --> 0:45:40.799
<v Speaker 1>did the white version. What girl. They went around trying

0:45:40.800 --> 0:45:44.760
<v Speaker 1>to act like he was cool and ship you know, motherfuckers,

0:45:44.920 --> 0:45:46.880
<v Speaker 1>Oh let me do oh ship. I see some ship

0:45:46.920 --> 0:45:49.160
<v Speaker 1>to me trying to do that and imitating this dude.

0:45:49.200 --> 0:45:50.719
<v Speaker 1>So at the end of the day, that's what we

0:45:50.719 --> 0:45:52.920
<v Speaker 1>were doing. So we were documenting it and we were

0:45:52.920 --> 0:45:56.160
<v Speaker 1>putting it out like we did the peep Show.

0:45:56.760 --> 0:46:00.360
<v Speaker 3>I went to, uh and this why this wild? Uh?

0:46:01.440 --> 0:46:03.680
<v Speaker 6>The guy who used to run BT, what his dame?

0:46:03.760 --> 0:46:04.839
<v Speaker 3>He don't like me to this day.

0:46:05.360 --> 0:46:10.000
<v Speaker 1>Stephen Hill hates my guts.

0:46:08.400 --> 0:46:10.279
<v Speaker 3>Because because he wanted to do the brown.

0:46:11.920 --> 0:46:12.279
<v Speaker 1>My bad.

0:46:13.040 --> 0:46:20.600
<v Speaker 3>I don't know that was ahead. I might need a joint.

0:46:20.680 --> 0:46:20.719
<v Speaker 9>No.

0:46:23.840 --> 0:46:28.080
<v Speaker 1>So BT had this network called Action pay per view,

0:46:28.600 --> 0:46:30.040
<v Speaker 1>and they weren't really doing nothing.

0:46:29.880 --> 0:46:31.479
<v Speaker 6>With it, you know what I'm saying.

0:46:31.560 --> 0:46:36.400
<v Speaker 1>So Playboy had he was doing all the uncut videos

0:46:36.800 --> 0:46:39.239
<v Speaker 1>and so I went to Bob Johnson at the time

0:46:39.280 --> 0:46:42.080
<v Speaker 1>and say, look, let me put these peep shows on

0:46:42.200 --> 0:46:43.120
<v Speaker 1>Action pay per view.

0:46:43.719 --> 0:46:44.719
<v Speaker 6>You know, I own them.

0:46:44.719 --> 0:46:47.359
<v Speaker 1>So bt actually was the one who's airing the peep

0:46:47.400 --> 0:46:51.720
<v Speaker 1>show Wow on the on the affiliate that their own.

0:46:53.680 --> 0:46:54.760
<v Speaker 3>Their own Action.

0:46:54.640 --> 0:46:55.239
<v Speaker 6>Pay per view.

0:46:55.880 --> 0:46:59.200
<v Speaker 1>And so when I came in the big boardroom and

0:46:59.360 --> 0:47:04.400
<v Speaker 1>uh and and that's when Steven had just got in there, and.

0:47:04.160 --> 0:47:06.160
<v Speaker 3>Bob was like, fuck that, Now I'm gonna do this.

0:47:06.440 --> 0:47:08.920
<v Speaker 1>You could do this, Luke, and I never got a

0:47:09.000 --> 0:47:12.319
<v Speaker 1>video played on bt UH at that time, so it

0:47:12.400 --> 0:47:14.920
<v Speaker 1>was like almost like a little beef h that I

0:47:15.000 --> 0:47:17.000
<v Speaker 1>was doing that ship on there. And so but I

0:47:17.080 --> 0:47:20.040
<v Speaker 1>owned the peep shows and we would shoot them and

0:47:20.080 --> 0:47:22.640
<v Speaker 1>put them on pay per view make a lot of money.

0:47:22.680 --> 0:47:24.200
<v Speaker 6>And then I just said okay, fuck it.

0:47:24.680 --> 0:47:28.040
<v Speaker 1>After they sold the network, then I didn created the

0:47:28.080 --> 0:47:28.840
<v Speaker 1>freak shows.

0:47:29.560 --> 0:47:33.160
<v Speaker 3>And that was me going around to capturing.

0:47:32.800 --> 0:47:36.879
<v Speaker 1>What we were doing on on on on tour.

0:47:37.160 --> 0:47:40.160
<v Speaker 3>Even BZ cut they didn't play.

0:47:40.360 --> 0:47:42.439
<v Speaker 1>That was the way after I think that was I'm

0:47:42.440 --> 0:47:48.879
<v Speaker 1>saying like they didn't play like the videos on pay

0:47:48.920 --> 0:47:49.319
<v Speaker 1>per view.

0:47:49.360 --> 0:47:52.600
<v Speaker 3>On Action pay per View, I was we programmed that.

0:47:53.239 --> 0:47:56.280
<v Speaker 1>So what I did was I I did the Little Kims,

0:47:56.320 --> 0:47:58.759
<v Speaker 1>the jay Z's and all that stuff like that, and

0:47:58.800 --> 0:48:01.759
<v Speaker 1>then we added the uncut videos in it because what

0:48:01.840 --> 0:48:04.480
<v Speaker 1>I did was basically, I know, I wasn't gonna get

0:48:04.480 --> 0:48:08.160
<v Speaker 1>my videos played, so I used the adult version of

0:48:08.239 --> 0:48:14.080
<v Speaker 1>the lyrics and then did the videos and in the club, yeah,

0:48:14.160 --> 0:48:17.040
<v Speaker 1>and so I just took those videos, and other people

0:48:17.080 --> 0:48:20.320
<v Speaker 1>started doing their videos with the uncut version of it

0:48:20.360 --> 0:48:22.680
<v Speaker 1>and putting it on there. And so it was between

0:48:22.840 --> 0:48:26.680
<v Speaker 1>us and uh in the Playboy channel that was playing

0:48:26.760 --> 0:48:27.759
<v Speaker 1>uncut versions.

0:48:27.920 --> 0:48:29.600
<v Speaker 3>Okay, well cut down.

0:48:31.840 --> 0:48:34.960
<v Speaker 7>I imagine the boardroom meeting when you show the first

0:48:34.960 --> 0:48:36.520
<v Speaker 7>episode he checked this out, guys.

0:48:36.600 --> 0:48:40.440
<v Speaker 1>Yeah, Stephen Hill was like, I like, I hate this motherfucker.

0:48:41.280 --> 0:48:44.719
<v Speaker 1>That's why it wasn't until it wasn't until Connie Johnson

0:48:44.920 --> 0:48:49.640
<v Speaker 1>became the president. When Connie ran that network is when

0:48:49.640 --> 0:48:52.759
<v Speaker 1>I got honored. I never was on until then. I

0:48:52.880 --> 0:48:55.520
<v Speaker 1>was up. I was up first, arnore. It was like

0:48:55.560 --> 0:48:58.000
<v Speaker 1>they was shipping on me ever since then. So it's

0:48:58.239 --> 0:49:01.000
<v Speaker 1>you know, there's always a woman, and that shows me love.

0:49:01.400 --> 0:49:02.000
<v Speaker 3>That's what's up.

0:49:02.080 --> 0:49:04.279
<v Speaker 1>Yeah. Yeah, Now, what happened in the Grammys that you

0:49:04.400 --> 0:49:06.720
<v Speaker 1>didn't go back to the Grammys for like twenty years

0:49:06.719 --> 0:49:11.520
<v Speaker 1>Oh fuck it, I just made up with I just

0:49:11.600 --> 0:49:16.759
<v Speaker 1>made up with them, fucking twenty thirty years later. I mean,

0:49:17.000 --> 0:49:18.759
<v Speaker 1>it was it was. It was crazy because I'm going

0:49:18.800 --> 0:49:21.880
<v Speaker 1>through this ship. I'm going to court. I got three cases.

0:49:21.880 --> 0:49:24.360
<v Speaker 1>People think it was it was one. It was actually

0:49:24.400 --> 0:49:27.279
<v Speaker 1>three cases. One the record was deemed I've scene. The

0:49:27.560 --> 0:49:29.719
<v Speaker 1>other one we went to jail because we went in

0:49:30.120 --> 0:49:33.399
<v Speaker 1>a sung of op scene record. And then the other

0:49:33.440 --> 0:49:35.400
<v Speaker 1>one was the roy obuson well, I was going to

0:49:35.440 --> 0:49:38.279
<v Speaker 1>the Supreme Court. So it was three fucking cases that

0:49:38.440 --> 0:49:42.240
<v Speaker 1>was for free speech. All of them were inter twine.

0:49:42.280 --> 0:49:45.880
<v Speaker 1>Then I had this George Lucas fucking suit from my

0:49:45.960 --> 0:49:49.439
<v Speaker 1>name was Skywalker, you know. And then so I'm getting

0:49:49.480 --> 0:49:54.440
<v Speaker 1>sued all over the fucking place, and and damn, I

0:49:54.560 --> 0:49:55.440
<v Speaker 1>just mentioned all them.

0:49:55.480 --> 0:49:57.279
<v Speaker 6>I lost track of what you asked me.

0:49:58.080 --> 0:50:01.000
<v Speaker 8>See, I'm getting fucking old.

0:50:02.920 --> 0:50:06.640
<v Speaker 1>This is that fucking yeah, the Grammys. So I'm going

0:50:06.680 --> 0:50:08.560
<v Speaker 1>through all this ship. I'm going to all these courts.

0:50:08.600 --> 0:50:11.600
<v Speaker 1>I'm fighting there, motherfucking body. And Nick Grammy's invited me

0:50:11.640 --> 0:50:14.360
<v Speaker 1>to the to the Grammys. So I go to the Grammy's.

0:50:14.480 --> 0:50:17.640
<v Speaker 1>I get dressed up, I got my homeboy Fendsachi. Neil,

0:50:18.000 --> 0:50:21.879
<v Speaker 1>God bless his soldies and lock up again. I love Neil,

0:50:22.320 --> 0:50:27.520
<v Speaker 1>uh Neil was Neil was was was uh Neil was

0:50:27.560 --> 0:50:33.359
<v Speaker 1>Colito and Colido's way, you know, my my dog, Neil,

0:50:33.480 --> 0:50:35.480
<v Speaker 1>Me and Neil. We go to the fucking walls. We

0:50:35.520 --> 0:50:36.400
<v Speaker 1>get on the plane.

0:50:36.440 --> 0:50:37.280
<v Speaker 6>We go there.

0:50:38.960 --> 0:50:40.920
<v Speaker 3>And then you know, and then people get up on

0:50:40.960 --> 0:50:41.239
<v Speaker 3>the thing.

0:50:41.280 --> 0:50:43.400
<v Speaker 1>And we want to take this moment because we know

0:50:43.520 --> 0:50:46.680
<v Speaker 1>artists are going through you know, this free speech and

0:50:46.680 --> 0:50:50.160
<v Speaker 1>and the censorship ship, and we're not gonna be allowed.

0:50:50.280 --> 0:50:53.319
<v Speaker 1>We're not We're gonna support artists that get censored. And

0:50:53.400 --> 0:50:56.480
<v Speaker 1>I want to honor artists today that we brought here

0:50:57.080 --> 0:51:05.920
<v Speaker 1>and ladies and gentlemen. But donnad. I'm like Madonna, not

0:51:06.080 --> 0:51:12.560
<v Speaker 1>this bitch Madonna. She spent one day, motherfucking jail. I

0:51:12.640 --> 0:51:15.640
<v Speaker 1>just got out of jail for music. They put my

0:51:15.640 --> 0:51:18.560
<v Speaker 1>black ass in jail. You know, I'm gonna fighting every

0:51:18.560 --> 0:51:21.480
<v Speaker 1>court in the land Madonna. Right. So I'm sitting there like,

0:51:21.960 --> 0:51:24.680
<v Speaker 1>ain't this a bitch? I had a Rodney danger Phil moment.

0:51:26.760 --> 0:51:28.640
<v Speaker 1>You know what I'm saying. Now, I'm like in shock,

0:51:28.760 --> 0:51:33.040
<v Speaker 1>these talking about Madonna. You know, no disrespecting Madonna she's

0:51:33.080 --> 0:51:34.440
<v Speaker 1>you know, she a freaking everything.

0:51:36.320 --> 0:51:38.399
<v Speaker 3>But god damn Ma.

0:51:38.400 --> 0:51:41.840
<v Speaker 1>Donna, and I'm saying, man, broh man, I got so

0:51:41.960 --> 0:51:46.200
<v Speaker 1>motherfucking hot man. I went and uh hung out in

0:51:46.239 --> 0:51:47.920
<v Speaker 1>the city. I was like, I ain't never going back

0:51:47.960 --> 0:51:50.359
<v Speaker 1>to this ship ever in my life, you know. And

0:51:50.360 --> 0:51:52.800
<v Speaker 1>then later on Betty right, God bless us.

0:51:52.640 --> 0:51:56.720
<v Speaker 3>Older, you know how our queen in Miami.

0:51:57.080 --> 0:51:59.680
<v Speaker 1>She didn't say, Luke, you gotta you gotta fucking we

0:51:59.680 --> 0:52:02.719
<v Speaker 1>gotta down. And so I sat down with some of

0:52:02.760 --> 0:52:04.480
<v Speaker 1>the guys from the Grammy and and you know, she

0:52:04.560 --> 0:52:06.960
<v Speaker 1>was on the Grammy board. She was on the board, okay, yeah,

0:52:07.000 --> 0:52:10.200
<v Speaker 1>and so she was like, yo, you know, we gotta

0:52:10.239 --> 0:52:13.759
<v Speaker 1>make this ship right. And then I ended up going

0:52:13.880 --> 0:52:17.600
<v Speaker 1>lobbying for them in Washington, d c uh. And then

0:52:17.640 --> 0:52:19.799
<v Speaker 1>I still was out. I ain't really fucking with y'

0:52:19.800 --> 0:52:23.160
<v Speaker 1>all like that, and and so but I, you know,

0:52:23.320 --> 0:52:25.359
<v Speaker 1>she say do something, I'm gonna do it, and then

0:52:25.400 --> 0:52:28.640
<v Speaker 1>I kind of chilled, you know, I really didn't get

0:52:28.840 --> 0:52:31.680
<v Speaker 1>too active. And then they came to me, uh with

0:52:31.800 --> 0:52:34.200
<v Speaker 1>the fifty for the Yeah, yeah.

0:52:34.360 --> 0:52:36.160
<v Speaker 3>Like look, we wanted to do something special.

0:52:36.840 --> 0:52:40.080
<v Speaker 1>We understand, you know, we fucked up, you know, way

0:52:40.160 --> 0:52:42.000
<v Speaker 1>back then, and we want to make this ship right.

0:52:42.400 --> 0:52:45.200
<v Speaker 1>And so they ended up kind of, you know, giving

0:52:45.200 --> 0:52:48.160
<v Speaker 1>me a little tribute in the fifty and then saying

0:52:48.160 --> 0:52:51.520
<v Speaker 1>some good ship right because at first you felt like

0:52:52.120 --> 0:52:59.120
<v Speaker 1>they didn't include Miami in the fifty year anniversary overall overall, yeah, oball, yeah, yeah, oball.

0:52:59.200 --> 0:53:00.240
<v Speaker 6>I was I was high.

0:53:00.719 --> 0:53:03.520
<v Speaker 1>I was hot because you know, at the same time, man,

0:53:03.640 --> 0:53:06.040
<v Speaker 1>you know, what we did and what we stood for

0:53:06.120 --> 0:53:09.759
<v Speaker 1>and what we fought for in the courts, and the

0:53:09.760 --> 0:53:12.000
<v Speaker 1>amount of money and the shit that we went through.

0:53:12.280 --> 0:53:14.399
<v Speaker 1>You know, it's hip hop, you know what I'm saying.

0:53:14.840 --> 0:53:16.520
<v Speaker 1>You know, it was a part of hip hop, whether

0:53:16.560 --> 0:53:19.319
<v Speaker 1>people like it or not. And so everybody got all

0:53:19.360 --> 0:53:24.640
<v Speaker 1>this fifty anniversary and fifty that, and not to include

0:53:25.120 --> 0:53:29.080
<v Speaker 1>Miami into the conversation in any kind of way, you know,

0:53:29.800 --> 0:53:33.040
<v Speaker 1>you know, because what people didn't realize even way back then,

0:53:33.080 --> 0:53:35.440
<v Speaker 1>and I told people, you know, I remember going to

0:53:35.520 --> 0:53:39.600
<v Speaker 1>the New Music seminar saying, you know, hip hop is

0:53:39.600 --> 0:53:41.680
<v Speaker 1>gonna be global, you know, because one guy was on

0:53:41.680 --> 0:53:43.959
<v Speaker 1>the panel, I was like, yo, you gues somebody mentioned

0:53:44.000 --> 0:53:45.640
<v Speaker 1>Two Live Crew, and it was like, oh, that shit

0:53:45.880 --> 0:53:49.160
<v Speaker 1>is a fad. It's gonna go away. I forget the

0:53:49.200 --> 0:53:51.160
<v Speaker 1>guy named and then I stood up in the middle

0:53:51.160 --> 0:53:52.880
<v Speaker 1>of this shit. It was like two thousand people at

0:53:52.880 --> 0:53:54.920
<v Speaker 1>this hip hop panel. I was like, fuck, that hip

0:53:54.960 --> 0:53:57.640
<v Speaker 1>hop is gonna be global, you know, and one thing

0:53:57.680 --> 0:54:01.080
<v Speaker 1>about the South, you know, to catch you on the South,

0:54:01.520 --> 0:54:03.719
<v Speaker 1>then it's gonna be bigger than just New York.

0:54:03.760 --> 0:54:04.839
<v Speaker 6>It was no disrespect.

0:54:05.080 --> 0:54:07.880
<v Speaker 1>It was just gonna be what New York created was

0:54:07.960 --> 0:54:11.359
<v Speaker 1>going to be global in a major way. And so

0:54:11.640 --> 0:54:15.400
<v Speaker 1>what I predicted was actually the truth because you know,

0:54:15.480 --> 0:54:20.280
<v Speaker 1>you didn't have PD Pablo, and you had the Switch House,

0:54:20.360 --> 0:54:22.480
<v Speaker 1>you had all these guys from all over South.

0:54:22.760 --> 0:54:26.719
<v Speaker 6>You had you know, uh three three six.

0:54:26.520 --> 0:54:29.280
<v Speaker 1>Mafia, and then you know, the guys in New Orleans.

0:54:29.360 --> 0:54:32.719
<v Speaker 1>So it became what what I envisioned it to be,

0:54:32.920 --> 0:54:36.000
<v Speaker 1>which people didn't realize it. People didn't They didn't think

0:54:36.040 --> 0:54:39.560
<v Speaker 1>it was gonna be this serious, which you know, when

0:54:39.640 --> 0:54:42.120
<v Speaker 1>you look at it all and you say, okay, you

0:54:42.160 --> 0:54:44.360
<v Speaker 1>got fifty you know, we all we need to be

0:54:44.360 --> 0:54:47.240
<v Speaker 1>in that conversation because we created and started.

0:54:47.320 --> 0:54:50.520
<v Speaker 3>You've been like thirty seven years, right, how long?

0:54:50.719 --> 0:54:51.000
<v Speaker 1>Yeah?

0:54:52.440 --> 0:54:53.680
<v Speaker 3>Fifty thirty?

0:54:54.040 --> 0:54:54.440
<v Speaker 1>Yeah?

0:54:55.440 --> 0:54:57.479
<v Speaker 6>Next year, no, next year be our forty if.

0:54:57.440 --> 0:55:01.600
<v Speaker 1>Your anniversary forty if year, so yeah, like mentally eighties

0:55:01.600 --> 0:55:10.400
<v Speaker 1>for sure, yeah, next year, next year long and this

0:55:10.480 --> 0:55:12.759
<v Speaker 1>comes from this comes from from from somewhere. I can't

0:55:12.760 --> 0:55:15.680
<v Speaker 1>tell you. But did you ever get had on stage? Yeah?

0:55:15.680 --> 0:55:16.000
<v Speaker 1>I did?

0:55:16.320 --> 0:55:19.200
<v Speaker 3>What ship?

0:55:19.360 --> 0:55:21.040
<v Speaker 6>Rick James was even bussy I had.

0:55:25.400 --> 0:55:31.239
<v Speaker 1>He was practicing when you preach. Oh yeah, I'm not

0:55:31.280 --> 0:55:36.520
<v Speaker 1>ready for. I was in Japan, Like that makes it bad?

0:55:36.640 --> 0:55:39.399
<v Speaker 1>Got in Japan? Is that what you got home? Yeah?

0:55:39.600 --> 0:55:40.640
<v Speaker 6>Like you a long time.

0:55:48.280 --> 0:55:53.960
<v Speaker 1>The ship? Well yeah that's a big bugge. No, yeah,

0:55:54.000 --> 0:55:56.520
<v Speaker 1>I did that, and and that's you know. And then

0:55:56.560 --> 0:55:59.440
<v Speaker 1>I had to the settlement was They gave me fifty

0:55:59.480 --> 0:56:02.080
<v Speaker 1>thousand was and told me I had to do a

0:56:02.239 --> 0:56:04.759
<v Speaker 1>song on New Jack City soundtrack. I was like, I

0:56:04.920 --> 0:56:08.480
<v Speaker 1>take that settlement all day. Yeah. So we did the

0:56:08.560 --> 0:56:11.080
<v Speaker 1>song Dick and the Dust on there. Okay, I'm bad,

0:56:11.200 --> 0:56:16.560
<v Speaker 1>wasn't ready for. I got you, boss, I got you.

0:56:16.719 --> 0:56:22.160
<v Speaker 1>I got you. You know it. That's why you got

0:56:22.200 --> 0:56:26.080
<v Speaker 1>to get That's why you have to come here to

0:56:26.120 --> 0:56:29.080
<v Speaker 1>be here, because y'all. Once once i said, I'm like,

0:56:29.080 --> 0:56:31.360
<v Speaker 1>oh ship, Yeah, I can't go on the fucking Shannon

0:56:31.440 --> 0:56:32.799
<v Speaker 1>shopping I have this conversation.

0:56:33.440 --> 0:56:35.200
<v Speaker 3>I can't I can't.

0:56:35.040 --> 0:56:38.759
<v Speaker 1>Have that conversation. Now, I mean, you lost like a

0:56:38.840 --> 0:56:42.920
<v Speaker 1>motherfucker dicking the city on.

0:56:43.040 --> 0:56:59.040
<v Speaker 9>You know, come here hip hop du Paul heaven Man,

0:56:59.160 --> 0:57:01.040
<v Speaker 9>Paul huh.

0:57:01.600 --> 0:57:02.719
<v Speaker 1>I forgot what was the question?

0:57:04.360 --> 0:57:06.080
<v Speaker 2>You know we were talking about the subtle day.

0:57:06.600 --> 0:57:07.440
<v Speaker 1>It was head on stage.

0:57:07.520 --> 0:57:07.680
<v Speaker 4>Yeah.

0:57:08.600 --> 0:57:11.560
<v Speaker 1>It was in Japan. Yeah, so the girls. So we

0:57:11.560 --> 0:57:16.640
<v Speaker 1>were touring. We are, We're going over the Oska, Yokahoma, Kyoto,

0:57:17.000 --> 0:57:20.360
<v Speaker 1>we are. We just touring because I basically was staying

0:57:20.360 --> 0:57:23.320
<v Speaker 1>in Japan, going back and forth. So we set up

0:57:23.320 --> 0:57:28.080
<v Speaker 1>this big ass tour that was out again. That's after

0:57:28.360 --> 0:57:31.680
<v Speaker 1>I left two Live Crew and all that. So I'm

0:57:31.680 --> 0:57:35.080
<v Speaker 1>over there. You know, I didn't embrace the culture and

0:57:35.120 --> 0:57:38.480
<v Speaker 1>all this ship were doing these shows and these these venues,

0:57:39.120 --> 0:57:42.520
<v Speaker 1>me and JT. Money, and every night I go to

0:57:42.560 --> 0:57:44.840
<v Speaker 1>the front of the stage and the girls the stage

0:57:45.120 --> 0:57:48.360
<v Speaker 1>was like right here, nigga touch you. So all these

0:57:48.360 --> 0:57:51.440
<v Speaker 1>fucking Japanese girls were just grabbing my dick every night

0:57:53.000 --> 0:57:55.920
<v Speaker 1>and they were doing this right here. I'm like, so

0:57:56.240 --> 0:57:59.240
<v Speaker 1>now you mind you. We got like twelve dates over there,

0:57:59.280 --> 0:58:02.360
<v Speaker 1>and so I'm like, yo, if they fucking grabbed my

0:58:02.400 --> 0:58:04.600
<v Speaker 1>dick again, one eve, mother gonna come on stage and

0:58:04.600 --> 0:58:05.520
<v Speaker 1>give me some fucking head.

0:58:05.600 --> 0:58:06.080
<v Speaker 6>So then.

0:58:07.640 --> 0:58:12.160
<v Speaker 1>It was not no random Okay, We're going through the

0:58:12.200 --> 0:58:15.640
<v Speaker 1>shows and they just grabbing all our ship, me and

0:58:15.720 --> 0:58:19.240
<v Speaker 1>JT Money, right, I'm like so it was like, okay,

0:58:19.920 --> 0:58:22.360
<v Speaker 1>you know they rode by, we rode by the jail house,

0:58:22.760 --> 0:58:25.440
<v Speaker 1>and they was like them fucking Japanese jail houses fucked

0:58:25.520 --> 0:58:27.040
<v Speaker 1>up like a real job.

0:58:29.040 --> 0:58:30.680
<v Speaker 3>I'm gonna escape artists.

0:58:34.560 --> 0:58:35.600
<v Speaker 6>Some signed up the jail.

0:58:35.640 --> 0:58:39.240
<v Speaker 1>I didn't escape from so many goddamn places you can imagine, right,

0:58:39.600 --> 0:58:42.640
<v Speaker 1>So I'm like, fuck that ship. This is the last show,

0:58:43.400 --> 0:58:46.440
<v Speaker 1>the last show. Somebody grabbing my ship up here on

0:58:46.520 --> 0:58:49.160
<v Speaker 1>this stage. I'm bringing them on one stage and we're

0:58:49.160 --> 0:58:53.240
<v Speaker 1>gonna get our dicks up. You're clear our and I'm

0:58:53.280 --> 0:58:57.880
<v Speaker 1>hearing about I'm hearing about Rick James got Tina Marie

0:58:57.920 --> 0:59:02.880
<v Speaker 1>on stage eating a pussy, right, So you ain't know

0:59:02.920 --> 0:59:07.600
<v Speaker 1>about that man, y'all Instagram now then it was only

0:59:07.600 --> 0:59:10.240
<v Speaker 1>it was only one channel back then. So I'm like,

0:59:10.320 --> 0:59:12.480
<v Speaker 1>funk that ship. I gotta do better than Rick James.

0:59:12.680 --> 0:59:15.160
<v Speaker 3>And then it ended up being that show and the

0:59:15.280 --> 0:59:16.520
<v Speaker 3>girl come up on stage.

0:59:17.360 --> 0:59:18.920
<v Speaker 6>We got the girls up on stage.

0:59:18.960 --> 0:59:22.520
<v Speaker 1>They were you know, they just started giving us heads

0:59:22.760 --> 0:59:28.560
<v Speaker 1>wild and that was the last song. We didn't have

0:59:28.760 --> 0:59:43.200
<v Speaker 1>energy to finish. Were completely drained. We didn't ship like

0:59:43.680 --> 0:59:48.280
<v Speaker 1>that ship ended up on national news and everything. You

0:59:48.360 --> 0:59:52.000
<v Speaker 1>can find that ship online saying about it.

0:59:52.960 --> 0:59:54.800
<v Speaker 2>Dad, I'm curious about what did they say were there

0:59:54.800 --> 0:59:55.320
<v Speaker 2>in Japan?

0:59:56.880 --> 0:59:58.400
<v Speaker 3>I don't know because I didn't go back.

1:00:00.000 --> 1:00:02.000
<v Speaker 6>I was like, I'm getting the fun out of internet.

1:00:02.000 --> 1:00:12.960
<v Speaker 1>Ship relations between them? What relations? I did some things.

1:00:12.960 --> 1:00:17.000
<v Speaker 1>I'm y'all asked me questions. I'm just realizing that much. Wow, ship,

1:00:17.360 --> 1:00:21.000
<v Speaker 1>I'm sure there's more than we not even because because

1:00:21.160 --> 1:00:23.320
<v Speaker 1>last time you was here, I know, she said this

1:00:23.400 --> 1:00:28.000
<v Speaker 1>lady looking like this crazy. I know the reason you

1:00:28.000 --> 1:00:32.000
<v Speaker 1>you were here today. I'm sure your dad was.

1:00:36.840 --> 1:00:47.680
<v Speaker 5>Oh y'all, y'all, the last time we was here, we

1:00:47.680 --> 1:00:49.640
<v Speaker 5>we didn't play this game that you don't have to

1:00:49.680 --> 1:00:50.160
<v Speaker 5>take shots.

1:00:50.160 --> 1:00:51.440
<v Speaker 3>If you don't want, you can take SIPs.

1:00:51.560 --> 1:00:52.200
<v Speaker 1>We're playing quick.

1:00:52.840 --> 1:00:53.400
<v Speaker 3>Let's ship.

1:00:53.680 --> 1:00:55.480
<v Speaker 1>Point somebody out and they'll take us. You want someone

1:00:55.520 --> 1:00:59.520
<v Speaker 1>here doesignated? Somebody could be designated. Who y'all was doing

1:00:59.520 --> 1:01:01.840
<v Speaker 1>this with your keys? Oh yeah, we know everybody. We

1:01:01.880 --> 1:01:02.840
<v Speaker 1>started out ship.

1:01:02.840 --> 1:01:06.880
<v Speaker 3>We started like I was like, boy, Alicia, she was

1:01:09.440 --> 1:01:14.240
<v Speaker 3>handling that money pick up to Alicia to Alicia Keys. Okay,

1:01:14.240 --> 1:01:18.000
<v Speaker 3>oh damn, I've pulled up the wrong wrong list.

1:01:18.120 --> 1:01:20.959
<v Speaker 7>Okay, so here's the rules. This is our drinking game. Okay,

1:01:21.000 --> 1:01:24.240
<v Speaker 7>we're gonna give you two choices. You pick one, we

1:01:24.320 --> 1:01:28.280
<v Speaker 7>don't drink. If you say both are neither meaning the

1:01:28.360 --> 1:01:30.919
<v Speaker 7>PC answer like you don't want to answer it, then

1:01:30.960 --> 1:01:31.600
<v Speaker 7>we all drink.

1:01:33.160 --> 1:01:35.840
<v Speaker 1>So about picked one. If we pick one, nobody drinks.

1:01:35.960 --> 1:01:38.960
<v Speaker 1>Nobody drinks, you know, because we're all drinking again, We

1:01:39.080 --> 1:01:41.720
<v Speaker 1>drinking no matter what. Okay, yeah, so and then so

1:01:41.840 --> 1:01:43.920
<v Speaker 1>I don't answer, but I always answer everything.

1:01:44.520 --> 1:01:44.760
<v Speaker 2>Cool.

1:01:44.800 --> 1:01:47.360
<v Speaker 1>But this is a part like people think it's a verse, like, oh,

1:01:47.360 --> 1:01:49.880
<v Speaker 1>we say, we just want to bring up people's names,

1:01:49.880 --> 1:01:51.360
<v Speaker 1>any any stories you got with them.

1:01:51.400 --> 1:01:52.520
<v Speaker 2>It's about bringing things up.

1:01:52.560 --> 1:01:53.600
<v Speaker 3>You know you've got stories with them.

1:01:53.920 --> 1:01:55.560
<v Speaker 2>It's not a negative thing. We're not trying to do this.

1:01:55.640 --> 1:01:56.120
<v Speaker 1>Anybody.

1:01:56.480 --> 1:01:58.520
<v Speaker 3>You gotta do this because this is Miami.

1:01:58.680 --> 1:02:01.800
<v Speaker 1>A first one brother Marquis or Fresh Kid Ice resting

1:02:01.800 --> 1:02:05.160
<v Speaker 1>piece of both, Brother.

1:02:04.960 --> 1:02:06.360
<v Speaker 6>Marquise are Fresh Kid Ice.

1:02:06.440 --> 1:02:08.919
<v Speaker 1>Yeah, you can say both. You can say neither.

1:02:08.960 --> 1:02:11.480
<v Speaker 3>You could say one of them neither.

1:02:12.840 --> 1:02:18.400
<v Speaker 1>Okay, we drink, we're drinking. You can say if you

1:02:18.400 --> 1:02:20.120
<v Speaker 1>don't have to take shots. We're going to take shots.

1:02:20.240 --> 1:02:22.560
<v Speaker 2>Was the fallout that bad that you said neither?

1:02:22.760 --> 1:02:24.680
<v Speaker 1>No, I said neither because I don't want to pick

1:02:24.720 --> 1:02:29.240
<v Speaker 1>me to You wouldn't say both of them. It's more yeah, yeah,

1:02:29.240 --> 1:02:33.040
<v Speaker 1>both of neither. We're drinking anyways, it's the same thing.

1:02:33.120 --> 1:02:34.920
<v Speaker 3>Yeah, yeah, exactly, both Okay?

1:02:34.960 --> 1:02:45.720
<v Speaker 1>Okay, Trina or Karsha? Oh ship Trina? Oh okay, she

1:02:45.920 --> 1:02:49.200
<v Speaker 1>the first, She's the original. She's the original, and Karisha

1:02:49.200 --> 1:02:50.400
<v Speaker 1>would have appreciate that.

1:02:50.840 --> 1:02:54.200
<v Speaker 3>I believe you're correct. Jay Prince or Tony Draper.

1:02:56.880 --> 1:03:00.680
<v Speaker 1>Oh both? Okay?

1:03:00.840 --> 1:03:04.000
<v Speaker 3>Drink damn y'all going hard up in here?

1:03:06.800 --> 1:03:08.200
<v Speaker 2>And any stories remember any stories you.

1:03:08.200 --> 1:03:15.280
<v Speaker 1>Got buddy man? J Prince, My god love you J

1:03:15.520 --> 1:03:21.600
<v Speaker 1>Prince to have a label together, Yeah, that would be interesting, Jay,

1:03:21.680 --> 1:03:22.520
<v Speaker 1>that's my guy.

1:03:22.720 --> 1:03:23.360
<v Speaker 3>I fuck with J.

1:03:25.960 --> 1:03:31.120
<v Speaker 1>Tupac or DMX dressing piece of booth Tupac. You ever

1:03:31.200 --> 1:03:31.920
<v Speaker 1>met DMX?

1:03:32.240 --> 1:03:32.479
<v Speaker 6>Yeah?

1:03:32.560 --> 1:03:36.720
<v Speaker 2>Okay, yeah, yeah, how was that first interaction with DMX?

1:03:37.440 --> 1:03:40.080
<v Speaker 1>It was it was it was like we were at

1:03:40.080 --> 1:03:43.680
<v Speaker 1>an event pass someone really like vibing with him.

1:03:43.600 --> 1:03:44.200
<v Speaker 6>Anything like that.

1:03:44.840 --> 1:03:48.680
<v Speaker 1>We had a ben chilling okay, no limit or cash money?

1:03:48.920 --> 1:03:56.200
<v Speaker 1>Whoa god? Damne? Yes, oh man ship both.

1:03:56.400 --> 1:03:59.400
<v Speaker 3>Okay, yeah, i'n get my shot ready.

1:04:00.200 --> 1:04:01.680
<v Speaker 1>She pulled up some shots for you. You want them

1:04:01.720 --> 1:04:05.920
<v Speaker 1>right there? You got brown brown, madman like a clown.

1:04:06.080 --> 1:04:10.640
<v Speaker 1>But you're getting brown. No, no, don't give me the brown.

1:04:11.480 --> 1:04:14.400
<v Speaker 6>What my mother I got. I'm a Jamaican.

1:04:14.760 --> 1:04:16.200
<v Speaker 2>No no, no, he's drinking, no.

1:04:17.800 --> 1:04:23.600
<v Speaker 1>Carting them all. We're cutting them brown. No no, no,

1:04:23.600 --> 1:04:35.760
<v Speaker 1>that's brown baby with cranberry. You trying to be nice? Yeah,

1:04:35.760 --> 1:04:39.600
<v Speaker 1>that's your drink. Okay, that's gangster, this is Miami. Yeah,

1:04:39.640 --> 1:04:41.920
<v Speaker 1>so did I was? I supposed to take a shot.

1:04:42.040 --> 1:04:44.240
<v Speaker 1>Now you got your do you drink some good? Two

1:04:44.280 --> 1:04:45.680
<v Speaker 1>Life Crew of Poison Clan.

1:04:47.640 --> 1:04:48.680
<v Speaker 6>Damn boy, y'all.

1:04:48.680 --> 1:04:52.200
<v Speaker 1>Hardcore Klan is also baby two LIVEE Crew. That's what

1:04:52.200 --> 1:04:53.000
<v Speaker 1>they were originally known.

1:04:56.040 --> 1:04:56.360
<v Speaker 6>Both.

1:04:56.800 --> 1:05:01.960
<v Speaker 3>Okay, cheer old shot shot, I poured you.

1:05:02.000 --> 1:05:09.880
<v Speaker 1>Hey on. Life's a bitch, so why married one? Being

1:05:09.920 --> 1:05:14.040
<v Speaker 1>in love with a bitch is very dumb? PC who haters?

1:05:15.200 --> 1:05:18.000
<v Speaker 1>That's the most classic fucking line I've heard in my life.

1:05:18.000 --> 1:05:22.720
<v Speaker 1>That's j T. Money here, a fucking legend. Man. That

1:05:22.800 --> 1:05:27.080
<v Speaker 1>ship school ain't for me, man, That mother man, j

1:05:27.720 --> 1:05:31.200
<v Speaker 1>that's that's my guy. That motherfucker. Yeah. Well, there you go.

1:05:31.320 --> 1:05:43.560
<v Speaker 1>J T. Money or Trick Daddy both Big of a

1:05:43.640 --> 1:05:46.400
<v Speaker 1>j C. Money and trick that Trick Daddy both my family.

1:05:46.520 --> 1:05:50.520
<v Speaker 1>J T. Money was the first gangster rapper. Let me

1:05:50.560 --> 1:05:54.040
<v Speaker 1>tell you how me and Big became real good friends

1:05:54.080 --> 1:05:58.400
<v Speaker 1>because he was a j He was a Poison Clan fan. Wow,

1:05:59.200 --> 1:06:01.560
<v Speaker 1>And I was surprised that he knew anything about that.

1:06:02.120 --> 1:06:04.320
<v Speaker 1>He was like, no, no, no, I'm a fucking uh

1:06:04.480 --> 1:06:07.560
<v Speaker 1>that JT. Money. I'm a fan of his. And I

1:06:07.640 --> 1:06:11.160
<v Speaker 1>called J up and was like, man, you know, Big

1:06:11.280 --> 1:06:15.160
<v Speaker 1>like your ship, you know. And and again this was

1:06:15.160 --> 1:06:16.160
<v Speaker 1>when Big was blown up.

1:06:16.160 --> 1:06:20.120
<v Speaker 5>Big was big, he said, he listening to willing to

1:06:20.120 --> 1:06:21.120
<v Speaker 5>influence a lot of people.

1:06:21.560 --> 1:06:23.120
<v Speaker 2>I felt like there was like the n w A

1:06:23.360 --> 1:06:24.480
<v Speaker 2>of Miami, of the South.

1:06:24.600 --> 1:06:26.560
<v Speaker 1>Yeah, I would say the South. You can't just say

1:06:26.600 --> 1:06:27.320
<v Speaker 1>Miami because.

1:06:27.400 --> 1:06:29.200
<v Speaker 7>Well, I mean, I'm just saying. Originally, when they first

1:06:29.280 --> 1:06:31.400
<v Speaker 7>came out, it was very local. But then it grew big.

1:06:31.440 --> 1:06:36.800
<v Speaker 1>Okay, okay, yeah, I mean yeah, and then they spent

1:06:36.920 --> 1:06:41.000
<v Speaker 1>off into it was home home team. Yeah, pick it up,

1:06:41.040 --> 1:06:43.000
<v Speaker 1>pick it up. That was that was a big record. Man.

1:06:44.200 --> 1:06:47.640
<v Speaker 7>I love society. Society, I mean, that's not society was

1:06:47.920 --> 1:06:50.160
<v Speaker 7>a part of that time. Yes, indeed, yeah, that was

1:06:50.200 --> 1:06:52.760
<v Speaker 7>a huge record. But I ain't gonna live with you.

1:06:53.520 --> 1:06:56.040
<v Speaker 7>Let me tell you something. With Miami, it was New

1:06:56.080 --> 1:07:00.600
<v Speaker 7>York nigga get out of Yeah, came professor, New York.

1:07:01.440 --> 1:07:04.479
<v Speaker 7>Society came up here. You know when Griff got kicked

1:07:04.480 --> 1:07:05.400
<v Speaker 7>out of public and of me.

1:07:05.520 --> 1:07:06.080
<v Speaker 1>He took him in.

1:07:06.240 --> 1:07:07.880
<v Speaker 3>I took him in. I was come on, Griff, I

1:07:07.920 --> 1:07:08.360
<v Speaker 3>got you.

1:07:08.840 --> 1:07:09.080
<v Speaker 1>Well.

1:07:09.600 --> 1:07:11.400
<v Speaker 3>Yeah, they were all man at me and ship.

1:07:11.400 --> 1:07:15.000
<v Speaker 1>Why the fuck did you sign this? Motherfucker? You got

1:07:15.000 --> 1:07:17.160
<v Speaker 1>here and everything? And then society was in there. But

1:07:17.240 --> 1:07:20.360
<v Speaker 1>society reped Miami. When he came here, he reapped my society. Good.

1:07:20.480 --> 1:07:23.000
<v Speaker 3>Yeah, same team with home team. They red miamiep yep.

1:07:23.520 --> 1:07:27.000
<v Speaker 3>I love when Miami started talking about Miami.

1:07:27.040 --> 1:07:27.400
<v Speaker 1>I love it.

1:07:27.440 --> 1:07:30.240
<v Speaker 3>I love it. I love you. Be getting very excited.

1:07:37.080 --> 1:07:40.600
<v Speaker 1>It's in his blood. I've been here sixteen years, so

1:07:40.640 --> 1:07:44.000
<v Speaker 1>it's like sixteen Yeah, he'll come here too.

1:07:44.080 --> 1:07:44.720
<v Speaker 6>Man, Now.

1:07:46.520 --> 1:07:50.960
<v Speaker 1>I have been you guess yes, okay, you live in

1:07:50.960 --> 1:07:57.280
<v Speaker 1>the multiple areas, man, Okay, kod or booby trap on

1:07:57.320 --> 1:08:01.280
<v Speaker 1>the river. You should have asked that question, Oh fucking

1:08:01.360 --> 1:08:02.800
<v Speaker 1>ko D do we drink what?

1:08:03.400 --> 1:08:03.440
<v Speaker 8>No?

1:08:03.600 --> 1:08:08.480
<v Speaker 1>No, no, k D, We don't you if you pick one back, but.

1:08:10.920 --> 1:08:14.600
<v Speaker 5>Huh, you didn't take it back strip club wise, but

1:08:15.000 --> 1:08:18.320
<v Speaker 5>you know, watch you pick ko D over when we

1:08:18.360 --> 1:08:18.960
<v Speaker 5>travel the river.

1:08:19.160 --> 1:08:23.640
<v Speaker 1>Ko D is the original KOD, the original disco ric

1:08:23.760 --> 1:08:25.719
<v Speaker 1>he the one started k legend.

1:08:25.720 --> 1:08:27.880
<v Speaker 2>We got.

1:08:28.520 --> 1:08:33.960
<v Speaker 1>Hecking legend. Yeah. Ko D set the standards for strip clubs.

1:08:34.479 --> 1:08:39.800
<v Speaker 1>Even though, even though even though the Rolex that's my

1:08:39.880 --> 1:08:45.240
<v Speaker 1>next and Cocos and Cocos, Cocos and Rolet gonna say

1:08:45.240 --> 1:08:49.960
<v Speaker 1>that rolexes before, for sure, roles got rolees got body

1:08:50.040 --> 1:08:54.160
<v Speaker 1>Take one, take one too, Take one still stayed open.

1:08:54.960 --> 1:09:06.360
<v Speaker 1>Take what had the juke box take I'm trying to tell.

1:09:08.400 --> 1:09:10.519
<v Speaker 1>See they get you know, they get Magic City, all

1:09:10.560 --> 1:09:13.360
<v Speaker 1>the glory, you know, because they're in Atlanta, because you

1:09:13.320 --> 1:09:16.160
<v Speaker 1>don't Magic City. Okay, yeah, yeah your magic that's my

1:09:16.240 --> 1:09:19.240
<v Speaker 1>guest shouts out the magic. But that ship started at

1:09:19.240 --> 1:09:23.360
<v Speaker 1>the Rolex. You know what I'm saying, That ship the

1:09:23.800 --> 1:09:27.240
<v Speaker 1>Rolex started. You know, it was originally the Climax.

1:09:27.120 --> 1:09:29.800
<v Speaker 3>That was the original name, original the look.

1:09:29.880 --> 1:09:31.160
<v Speaker 1>A lot of Atlanta people.

1:09:30.920 --> 1:09:31.760
<v Speaker 6>Are gonna wash it.

1:09:31.920 --> 1:09:34.760
<v Speaker 1>I don't give a ship. But they didn't even do

1:09:34.800 --> 1:09:39.800
<v Speaker 1>full nudity at no. They understand now, see im I'm certified,

1:09:41.320 --> 1:09:43.320
<v Speaker 1>you know. That's why I was that That's why I

1:09:43.360 --> 1:09:46.000
<v Speaker 1>was able to produce the freaking Okay, even though they

1:09:46.080 --> 1:09:47.800
<v Speaker 1>tried to say some other people produce it, but they

1:09:47.840 --> 1:09:48.200
<v Speaker 1>know how I.

1:09:48.160 --> 1:09:49.960
<v Speaker 3>Produced it, right, we know.

1:09:50.040 --> 1:09:51.080
<v Speaker 6>I'm just saying, yeah, we know.

1:09:53.280 --> 1:09:55.240
<v Speaker 1>But at the end of the day, no, that's the

1:09:55.280 --> 1:09:57.679
<v Speaker 1>ship started at a lot of people thought I owned

1:09:57.760 --> 1:10:01.439
<v Speaker 1>the Rolex because what I did was I got the

1:10:01.439 --> 1:10:05.240
<v Speaker 1>strippers out of the Rolex, some some good ship there,

1:10:05.840 --> 1:10:09.679
<v Speaker 1>and I was like, everybody got these models on the videos, right,

1:10:10.400 --> 1:10:12.759
<v Speaker 1>So I would get the models and use their face

1:10:12.960 --> 1:10:18.000
<v Speaker 1>and then take the strippers and use their ASDs. So

1:10:18.280 --> 1:10:22.040
<v Speaker 1>looked at my videos, shoot her face and then shoot

1:10:22.040 --> 1:10:30.240
<v Speaker 1>the ass he's doing some before hide.

1:10:36.520 --> 1:10:36.760
<v Speaker 9>You know.

1:10:38.000 --> 1:10:40.240
<v Speaker 1>I'd be like, make love to the camera, like and

1:10:40.240 --> 1:10:41.640
<v Speaker 1>then you know, every now and then it was a

1:10:41.720 --> 1:10:44.920
<v Speaker 1>nice you know, not bullet wound stripple, you know, and

1:10:45.000 --> 1:10:47.200
<v Speaker 1>they would I'd be like, make love to the camera

1:10:47.640 --> 1:10:51.760
<v Speaker 1>the same way you making love to the just unattractive

1:10:51.800 --> 1:10:54.240
<v Speaker 1>motherfucker that you want to make get this money out.

1:10:54.120 --> 1:10:55.120
<v Speaker 3>Of them, and they would dance.

1:10:55.520 --> 1:10:58.840
<v Speaker 1>And people found those videos to be offensive and they

1:10:59.080 --> 1:11:03.400
<v Speaker 1>had all they clothes on, right, so go get back

1:11:03.400 --> 1:11:06.920
<v Speaker 1>to quick time slid right. But let me ask you when,

1:11:07.360 --> 1:11:12.720
<v Speaker 1>because like like the Strip Club went from like at

1:11:12.760 --> 1:11:14.760
<v Speaker 1>first it was like a negative place, right, like people

1:11:14.880 --> 1:11:17.200
<v Speaker 1>just going there or whatever whatever, and then it went

1:11:17.320 --> 1:11:20.880
<v Speaker 1>from like this is where people kind of hang out

1:11:21.200 --> 1:11:27.720
<v Speaker 1>right now, me, I'm thinking that it started in the

1:11:27.800 --> 1:11:30.040
<v Speaker 1>Players Club when Atlanta.

1:11:30.680 --> 1:11:32.160
<v Speaker 3>No, the movie, the movie The Players.

1:11:32.200 --> 1:11:34.479
<v Speaker 2>Can you think that that culture started with that movie?

1:11:34.600 --> 1:11:37.639
<v Speaker 1>No, I'm asking That's what I'm asking, Like, like because

1:11:37.960 --> 1:11:39.960
<v Speaker 1>remember like hanging out on the strip club, I mean

1:11:40.000 --> 1:11:42.200
<v Speaker 1>in New York, I'm from New York. In Miami, it

1:11:42.280 --> 1:11:42.920
<v Speaker 1>was real life.

1:11:43.000 --> 1:11:44.000
<v Speaker 3>This is what I'm asking.

1:11:45.040 --> 1:11:47.320
<v Speaker 1>This is this is what I'm asking when I'm asking, Wow,

1:11:47.400 --> 1:11:51.360
<v Speaker 1>we had to go job but as a Miami in right,

1:11:51.560 --> 1:11:54.080
<v Speaker 1>as as a when you see it, because that's when

1:11:54.280 --> 1:11:56.360
<v Speaker 1>like to New York, like when we've seen the Players Club,

1:11:56.400 --> 1:11:59.000
<v Speaker 1>it's like these guys hang out at a strip club,

1:11:59.240 --> 1:12:03.960
<v Speaker 1>like we didn't unders standing, right, So was Miami doing

1:12:04.080 --> 1:12:05.400
<v Speaker 1>that before the Players Club?

1:12:05.600 --> 1:12:07.439
<v Speaker 3>Oh yeah yeah?

1:12:07.840 --> 1:12:11.400
<v Speaker 2>In high school, right a passage you go to eat breakfast, lunch.

1:12:11.280 --> 1:12:19.280
<v Speaker 1>And dinner. Remember, I ain't understand it if you Ice cboy,

1:12:19.360 --> 1:12:22.400
<v Speaker 1>if you had ice cuboy, you here he will tell

1:12:22.439 --> 1:12:23.920
<v Speaker 1>you you didn't say that, though it had to be.

1:12:24.880 --> 1:12:27.320
<v Speaker 1>It was inspired by Miami strip clubs. You know, it

1:12:27.400 --> 1:12:31.160
<v Speaker 1>was off the rumors that some girl you know, kind

1:12:31.200 --> 1:12:33.360
<v Speaker 1>of came over the idea and then you know, but

1:12:33.479 --> 1:12:37.360
<v Speaker 1>because they ain't nobody getting naked in in l A. Nobody,

1:12:37.439 --> 1:12:40.880
<v Speaker 1>they don't don't have clubs in l A based based

1:12:41.040 --> 1:12:43.600
<v Speaker 1>based players club at Atlanta, right, So.

1:12:43.680 --> 1:12:45.280
<v Speaker 6>If he did that, that's fine too.

1:12:45.400 --> 1:12:48.280
<v Speaker 1>But at the end of the day, it all originated

1:12:48.280 --> 1:12:51.479
<v Speaker 1>and started here in Miami, in Miami and so and

1:12:51.600 --> 1:12:56.240
<v Speaker 1>so the thing is, the thing is with the My

1:12:56.400 --> 1:12:59.200
<v Speaker 1>first strip club I went to was right across the

1:12:59.280 --> 1:13:05.000
<v Speaker 1>street from the pack Jam skate rink. Wow, my bouncers

1:13:05.160 --> 1:13:08.600
<v Speaker 1>was white guys. That mom owned the strip club in

1:13:08.680 --> 1:13:12.439
<v Speaker 1>North Miami, right from Houston's right and so.

1:13:13.960 --> 1:13:16.040
<v Speaker 6>The Houston Houston restaurant.

1:13:16.120 --> 1:13:18.599
<v Speaker 3>Oh yeah, yeah, that's it's still it's still a club.

1:13:18.680 --> 1:13:20.160
<v Speaker 6>It was a strip yeah, okay.

1:13:20.320 --> 1:13:23.560
<v Speaker 1>So the so my bouncers, like yo, I got to

1:13:23.600 --> 1:13:26.600
<v Speaker 1>take you over here and cross the street from the

1:13:26.720 --> 1:13:30.679
<v Speaker 1>skate rink was toutsies, not the tusies, you see nothing.

1:13:31.320 --> 1:13:33.920
<v Speaker 1>It was the old toussies, okay. And so they took

1:13:34.000 --> 1:13:37.000
<v Speaker 1>me in this motherfucker right now. This was before Rolex

1:13:37.040 --> 1:13:39.680
<v Speaker 1>and all that. They took me in this motherfucker and

1:13:39.840 --> 1:13:41.760
<v Speaker 1>was like yo. I was like, look, black people don't

1:13:41.760 --> 1:13:42.280
<v Speaker 1>go in no book.

1:13:42.439 --> 1:13:43.960
<v Speaker 2>How old are you at this time when they're taking you.

1:13:44.160 --> 1:13:50.280
<v Speaker 3>I had to be fucking uh nineteen. Black people don't

1:13:50.280 --> 1:13:51.360
<v Speaker 3>go no strip clubs.

1:13:51.720 --> 1:13:53.800
<v Speaker 1>And it was like, yo, you with us big big

1:13:53.920 --> 1:13:58.920
<v Speaker 1>white bouncers and ship Rocko and Damien that's what their name.

1:13:58.960 --> 1:14:01.479
<v Speaker 1>I think one of them died blessed. So they took

1:14:01.520 --> 1:14:04.400
<v Speaker 1>me in this fucking Tutsis and I saw that ship.

1:14:04.439 --> 1:14:07.360
<v Speaker 1>I was like, whoa that touses was a white club

1:14:07.520 --> 1:14:09.600
<v Speaker 1>or white club, you know our way, you know, you

1:14:09.720 --> 1:14:14.679
<v Speaker 1>see the movies strip club, motorcycle guys, motorcycle, Haryan Nation

1:14:14.960 --> 1:14:20.000
<v Speaker 1>type ship, strip club.

1:14:20.280 --> 1:14:22.000
<v Speaker 6>And when I went in that motherfucker right.

1:14:21.960 --> 1:14:25.600
<v Speaker 1>There and saw that ship, it was like wow, you know,

1:14:25.760 --> 1:14:28.479
<v Speaker 1>so it kind of added on to everything. And then

1:14:29.040 --> 1:14:33.200
<v Speaker 1>they started up the Rolex and then you know again

1:14:33.320 --> 1:14:35.680
<v Speaker 1>that was a part of our culture, and we we

1:14:35.840 --> 1:14:38.800
<v Speaker 1>had to display that on video because I wasn't getting

1:14:38.800 --> 1:14:41.240
<v Speaker 1>ready to try to be like New York and have

1:14:41.439 --> 1:14:43.880
<v Speaker 1>break dances in the video. You know what I'm saying

1:14:44.240 --> 1:14:46.560
<v Speaker 1>I wasn't gonna put that on an album cover, A

1:14:46.720 --> 1:14:49.960
<v Speaker 1>train with stickers and ship like that, you know, and

1:14:50.240 --> 1:14:52.040
<v Speaker 1>you know he look this where the fuck we're from,

1:14:52.640 --> 1:14:55.880
<v Speaker 1>half naked every mother day. We got strippers, you know

1:14:55.880 --> 1:14:59.920
<v Speaker 1>what I'm saying this, And that's how you broke records

1:15:00.080 --> 1:15:00.920
<v Speaker 1>here in the strip club.

1:15:01.040 --> 1:15:02.080
<v Speaker 2>That's how you broke the records.

1:15:03.439 --> 1:15:05.920
<v Speaker 1>On the couple of dash on the beach, I'm like, like,

1:15:06.000 --> 1:15:09.080
<v Speaker 1>what the fuck are you doing? This is where we're from,

1:15:09.880 --> 1:15:19.920
<v Speaker 1>this is what we're all about, face down, and that's all.

1:15:21.600 --> 1:15:26.920
<v Speaker 1>That's the way we liked that.

1:15:27.600 --> 1:15:27.880
<v Speaker 3>We got.

1:15:27.960 --> 1:15:33.880
<v Speaker 5>We got, Yeah, he was running a politicians lit that time.

1:15:34.040 --> 1:15:35.439
<v Speaker 5>It was no where the last time we.

1:15:35.479 --> 1:15:40.240
<v Speaker 1>Got yeah, yeah, you was. He was light, he was running,

1:15:40.360 --> 1:15:45.680
<v Speaker 1>he was running problem we got.

1:15:46.680 --> 1:15:47.040
<v Speaker 8>We got.

1:15:49.479 --> 1:15:55.200
<v Speaker 1>This camp. We had the camp that motherfucker last time.

1:15:55.200 --> 1:15:58.519
<v Speaker 1>Were almost at BG thirteen. I'll just tell you all

1:15:58.600 --> 1:15:59.720
<v Speaker 1>right now, fans.

1:15:59.560 --> 1:16:01.240
<v Speaker 3>We got read it all.

1:16:07.200 --> 1:16:09.400
<v Speaker 1>Go ahead, let me go to the next one. Man,

1:16:09.720 --> 1:16:10.519
<v Speaker 1>would you skip one?

1:16:10.720 --> 1:16:14.280
<v Speaker 3>I thought that was that's Miami ship. I don't even know.

1:16:15.439 --> 1:16:18.839
<v Speaker 2>Oh, I mean, I know the Lajuana Love or the puppies?

1:16:20.080 --> 1:16:21.559
<v Speaker 1>Is it la wanna love? Is that's the way he said,

1:16:21.640 --> 1:16:24.400
<v Speaker 1>lea Wan Love. Yeah, the war Love. I know the puppies,

1:16:24.920 --> 1:16:27.280
<v Speaker 1>tell me, I don't know about la wan Wan Love.

1:16:27.439 --> 1:16:28.920
<v Speaker 1>The one love was was.

1:16:29.680 --> 1:16:33.000
<v Speaker 3>He's a damn state trooper right now. He was one

1:16:33.040 --> 1:16:34.200
<v Speaker 3>of my artists. You know.

1:16:34.280 --> 1:16:37.519
<v Speaker 1>Again, I'm trying to build this record company around guys

1:16:37.600 --> 1:16:40.479
<v Speaker 1>from Miami, you know, and so I'm getting I'm getting

1:16:40.560 --> 1:16:43.360
<v Speaker 1>the artists, signed them up, and he did this on

1:16:43.960 --> 1:16:47.120
<v Speaker 1>everybody say yeah, oh yeah, that's a that's a classic.

1:16:47.200 --> 1:16:47.879
<v Speaker 6>That's a classic.

1:16:48.200 --> 1:16:50.240
<v Speaker 3>Yeah, And so I hope you get about.

1:16:53.120 --> 1:16:55.280
<v Speaker 1>And so on and we put that money.

1:16:55.320 --> 1:16:58.680
<v Speaker 3>I'm telling you that the person that was that was

1:16:58.720 --> 1:16:59.760
<v Speaker 3>the rapper la Wan Love.

1:17:00.240 --> 1:17:05.400
<v Speaker 1>So he was probably one of my first solo rapper. Yeah,

1:17:05.439 --> 1:17:05.920
<v Speaker 1>it's a kid.

1:17:06.320 --> 1:17:07.120
<v Speaker 6>He was a little kid.

1:17:08.880 --> 1:17:09.160
<v Speaker 1>Let's go.

1:17:09.400 --> 1:17:11.600
<v Speaker 3>Uh, okay, I got this one. I got this No, no,

1:17:11.720 --> 1:17:14.559
<v Speaker 3>you would do this one. Okay, Miami, Yeah you gotta

1:17:14.560 --> 1:17:15.760
<v Speaker 3>you gotta take all ship.

1:17:15.840 --> 1:17:18.000
<v Speaker 1>I thought you was give him he was gonna give

1:17:18.040 --> 1:17:26.519
<v Speaker 1>me a red parrot Rick roster because I mean he

1:17:26.600 --> 1:17:26.920
<v Speaker 1>was signed.

1:17:27.400 --> 1:17:28.360
<v Speaker 6>Yeah, I signed him up.

1:17:28.400 --> 1:17:30.960
<v Speaker 1>I found him, got him off the streets, got his

1:17:31.080 --> 1:17:32.920
<v Speaker 1>life in order, and put my moms around him.

1:17:33.479 --> 1:17:38.360
<v Speaker 3>Loved him and uh and how special he was Big Teacher.

1:17:38.600 --> 1:17:42.160
<v Speaker 1>Yeah, big teach. I mean Pitt was Pitt was you know.

1:17:43.000 --> 1:17:46.400
<v Speaker 1>Let me tell you how that came about. I saw

1:17:46.560 --> 1:17:48.840
<v Speaker 1>Fat Joe and what Fat Joe and Big Punk was doing.

1:17:49.280 --> 1:17:53.080
<v Speaker 1>God bless uh uh that Big Punk. I did a

1:17:53.400 --> 1:17:57.639
<v Speaker 1>song with Punk, and I said this Puerto Rican rapper

1:17:58.320 --> 1:17:59.320
<v Speaker 1>you know in New York.

1:18:00.520 --> 1:18:05.560
<v Speaker 3>Like how you said, said Puerto Rican? Wrong, He'd like

1:18:05.640 --> 1:18:06.400
<v Speaker 3>mad five.

1:18:09.920 --> 1:18:19.800
<v Speaker 1>Puerto Rican. So I saw what they were doing with

1:18:20.160 --> 1:18:23.479
<v Speaker 1>you know, Fat Joe, Big Pun right, and uh, I

1:18:23.600 --> 1:18:25.920
<v Speaker 1>was like, I live in Miami. I won't I won't

1:18:26.000 --> 1:18:28.920
<v Speaker 1>be complete because I'm all being complete, you know what

1:18:28.920 --> 1:18:31.879
<v Speaker 1>I'm saying. I'm like, I gotta fucking do a goddamn

1:18:32.040 --> 1:18:35.600
<v Speaker 1>Cuban rappers, you know from Miami, and you know we

1:18:36.280 --> 1:18:39.280
<v Speaker 1>it's Cubans here, you know. And my great great great

1:18:39.320 --> 1:18:42.840
<v Speaker 1>grandmama's Cuban and my daddy met my mama in fucking Cuba,

1:18:43.200 --> 1:18:43.360
<v Speaker 1>you know.

1:18:43.479 --> 1:18:46.799
<v Speaker 3>And one thing we established you every race right now.

1:18:49.240 --> 1:18:58.639
<v Speaker 1>In Japan, I didn't shoot up, maybe, so you said,

1:19:08.600 --> 1:19:12.960
<v Speaker 1>maybe it was at the club. You see what one

1:19:13.200 --> 1:19:15.320
<v Speaker 1>and Joe is doing, so you yeah, I saw what

1:19:15.400 --> 1:19:18.040
<v Speaker 1>they were doing, and I was like, man, I won't

1:19:18.080 --> 1:19:22.599
<v Speaker 1>be completed if I don't get a Cuban rapper, right,

1:19:23.080 --> 1:19:25.080
<v Speaker 1>I got to have a Cuban rapper of Miami. You

1:19:25.160 --> 1:19:29.559
<v Speaker 1>know all my friends and people. Kid, I already been

1:19:29.600 --> 1:19:33.080
<v Speaker 1>working with Lives and no he wasn't working with Last No,

1:19:33.240 --> 1:19:36.280
<v Speaker 1>you had been working with list before that. No no, no,

1:19:36.960 --> 1:19:37.320
<v Speaker 1>no no no no.

1:19:38.560 --> 1:19:41.280
<v Speaker 6>I give you so Last. I love Last Death.

1:19:41.360 --> 1:19:41.960
<v Speaker 1>That's my guy.

1:19:42.520 --> 1:19:43.400
<v Speaker 3>So I sign.

1:19:43.600 --> 1:19:48.360
<v Speaker 1>So I told my n R guys Julian boot in them,

1:19:48.520 --> 1:19:50.800
<v Speaker 1>and I was like, we gotta find At the time,

1:19:51.040 --> 1:19:53.479
<v Speaker 1>teacher was working for me. You team.

1:19:53.920 --> 1:19:55.719
<v Speaker 6>It was Jeff.

1:19:55.560 --> 1:19:59.080
<v Speaker 3>Sanchez, who I had an NBA do NBA Entertainment.

1:19:59.640 --> 1:20:01.519
<v Speaker 1>Jeff was working for me, all us and all I

1:20:01.600 --> 1:20:04.439
<v Speaker 1>gotta find a cue the South Beach office, right, we

1:20:04.520 --> 1:20:07.280
<v Speaker 1>had the South Beach office. Yeah, well everybody, we got

1:20:07.360 --> 1:20:12.479
<v Speaker 1>no work done. We got mother come in looking for

1:20:12.800 --> 1:20:28.160
<v Speaker 1>girls and ship. I give you no glory for less stories. Topic.

1:20:31.000 --> 1:20:35.400
<v Speaker 5>I love this, I love I love my job. So

1:20:36.080 --> 1:20:40.840
<v Speaker 5>you so you did some research, shopping all day all week.

1:20:41.000 --> 1:20:44.320
<v Speaker 5>All right, we see you on line. We said give

1:20:44.400 --> 1:20:45.800
<v Speaker 5>them come on.

1:20:46.960 --> 1:20:47.920
<v Speaker 6>So we ended up.

1:20:48.080 --> 1:20:52.640
<v Speaker 5>See we lose track all the time about people. You

1:20:52.720 --> 1:20:54.439
<v Speaker 5>said you said you wanted to cube it artists.

1:20:54.439 --> 1:20:56.840
<v Speaker 1>So I wanted a few, and I'm like, yo, I

1:20:56.880 --> 1:20:59.960
<v Speaker 1>gotta I gotta find a Cuban artist in order to

1:21:00.120 --> 1:21:03.200
<v Speaker 1>be complete. I didn't. I didn't found the R and

1:21:03.320 --> 1:21:07.360
<v Speaker 1>B artist in h Town record you know Ship. You know,

1:21:07.479 --> 1:21:10.000
<v Speaker 1>I want to be a real record label. I don't

1:21:10.000 --> 1:21:12.439
<v Speaker 1>want to be booty like they said. It's just booty,

1:21:12.560 --> 1:21:15.040
<v Speaker 1>you know what I'm saying. So I ended up all

1:21:15.120 --> 1:21:18.479
<v Speaker 1>right finding Pitt. You know, they brought me the tape

1:21:18.640 --> 1:21:21.320
<v Speaker 1>battle Rapper and Ship, and I'm looking at this dude,

1:21:21.520 --> 1:21:23.439
<v Speaker 1>just fucking crazy.

1:21:23.560 --> 1:21:25.719
<v Speaker 2>He was like he was like with the chorn rolls

1:21:25.800 --> 1:21:27.720
<v Speaker 2>and he was battling raids.

1:21:28.520 --> 1:21:34.000
<v Speaker 1>Uh and Opelaca, selling everything you name it, like Pitbull,

1:21:34.360 --> 1:21:37.000
<v Speaker 1>that guy you see right now, it's a nigga. He

1:21:38.479 --> 1:21:57.800
<v Speaker 1>fucking Julio Ramon Tho Chico came in there with the

1:21:57.880 --> 1:22:04.680
<v Speaker 1>braids and Ship. I'm like, okay, this motherfucker here, right,

1:22:04.800 --> 1:22:09.439
<v Speaker 1>I mean, I mean on on twelve you feel me

1:22:09.479 --> 1:22:12.000
<v Speaker 1>in this dude here, I'm like, okay, what what the

1:22:12.040 --> 1:22:14.839
<v Speaker 1>fuck is he doing? Well, you know, something like vibing

1:22:14.960 --> 1:22:15.280
<v Speaker 1>with him?

1:22:17.040 --> 1:22:18.000
<v Speaker 6>What you're doing? Okay?

1:22:18.120 --> 1:22:20.200
<v Speaker 1>Well, you know he out there in the streets, he

1:22:20.800 --> 1:22:24.639
<v Speaker 1>hustling righting in Okay, all right, this fuck got too

1:22:24.800 --> 1:22:25.600
<v Speaker 1>much fucking.

1:22:25.400 --> 1:22:28.160
<v Speaker 6>Kind of now, how do this was my first time

1:22:28.280 --> 1:22:28.680
<v Speaker 6>trying to.

1:22:30.560 --> 1:22:34.160
<v Speaker 1>Produce a guy that was a battle wrapper to being uh,

1:22:34.600 --> 1:22:37.200
<v Speaker 1>you know, the battle rapper to just keep going, you

1:22:37.280 --> 1:22:40.559
<v Speaker 1>know what I'm saying describing no structure.

1:22:40.800 --> 1:22:42.040
<v Speaker 6>It's like a wild animal.

1:22:42.479 --> 1:22:45.240
<v Speaker 1>How do I tame this fucking wild animal to get

1:22:45.320 --> 1:22:49.080
<v Speaker 1>him in there doing uh songs? But then at the

1:22:49.120 --> 1:22:51.000
<v Speaker 1>same time, I got to get this dude to let

1:22:51.080 --> 1:22:53.960
<v Speaker 1>him understand that he got a gift, because he like, Yo,

1:22:54.040 --> 1:22:56.320
<v Speaker 1>I gotta get money, you know what I'm saying. I

1:22:56.320 --> 1:22:58.280
<v Speaker 1>got to get this money. You know, I got to

1:22:59.200 --> 1:22:59.639
<v Speaker 1>my family.

1:23:01.040 --> 1:23:01.240
<v Speaker 9>Yeah.

1:23:01.360 --> 1:23:03.840
<v Speaker 1>So I'm like, yo, no, no, no, no, no, you know,

1:23:04.000 --> 1:23:08.000
<v Speaker 1>you got this gift, you know. And so at that time,

1:23:08.160 --> 1:23:12.559
<v Speaker 1>everything that I put out was like, okay, everything was gold.

1:23:13.040 --> 1:23:15.120
<v Speaker 3>It was everything was hot, you know.

1:23:15.280 --> 1:23:20.000
<v Speaker 1>So I was going through the whole, the whole fucking

1:23:20.200 --> 1:23:23.120
<v Speaker 1>bankruptcy and the court hearings and ship.

1:23:23.479 --> 1:23:26.920
<v Speaker 3>So I was kind of distracted with the with the music.

1:23:27.240 --> 1:23:30.400
<v Speaker 1>Uh. And we did a song with him and everything.

1:23:30.479 --> 1:23:33.200
<v Speaker 1>But then most importantly I took him on tour with me,

1:23:33.600 --> 1:23:37.240
<v Speaker 1>and I think he yeah, and and that that changed him,

1:23:37.640 --> 1:23:40.760
<v Speaker 1>you know. Yeah, So when he went on the road

1:23:40.800 --> 1:23:43.439
<v Speaker 1>with me. It was more like he was in my

1:23:43.560 --> 1:23:47.280
<v Speaker 1>hip pocket, like learning the business. He wanted to learn

1:23:47.320 --> 1:23:49.080
<v Speaker 1>the business because I'm like, I got to keep this

1:23:49.240 --> 1:23:53.719
<v Speaker 1>motherfucker by me, because if I don't have him, if

1:23:53.760 --> 1:23:55.360
<v Speaker 1>I let him go to the street. So I kept

1:23:55.439 --> 1:23:58.920
<v Speaker 1>him busy so he can you know, and so he

1:23:59.000 --> 1:24:01.280
<v Speaker 1>picked up ship. You know, all us street dude, we

1:24:01.320 --> 1:24:03.880
<v Speaker 1>pick up pick up ship. So he really he picked

1:24:03.960 --> 1:24:06.920
<v Speaker 1>up everything about the business and then he applied it

1:24:07.000 --> 1:24:10.240
<v Speaker 1>to himself. So the first record didn't work, and then

1:24:10.320 --> 1:24:13.320
<v Speaker 1>I was like the lollipop with little saying, and I

1:24:13.520 --> 1:24:17.280
<v Speaker 1>was like, I'm not I was kind of burnt, burnt

1:24:17.360 --> 1:24:21.360
<v Speaker 1>out because I had artists who I'm going through the

1:24:21.400 --> 1:24:24.960
<v Speaker 1>bankrupt see the motherfuckers here talking slick, and I had

1:24:25.040 --> 1:24:28.400
<v Speaker 1>other artists. You know, it was it became well, I

1:24:28.560 --> 1:24:31.240
<v Speaker 1>was like, I'm not fucking with this anymore right here.

1:24:31.240 --> 1:24:34.280
<v Speaker 1>And then that's how you know, he ended up teaching them,

1:24:34.479 --> 1:24:39.160
<v Speaker 1>ended up working with it with the TVG thing, with

1:24:39.320 --> 1:24:42.080
<v Speaker 1>my blessing and all that, and so I always like

1:24:42.560 --> 1:24:47.080
<v Speaker 1>stay in the background, like schooling him about ship. You know,

1:24:47.240 --> 1:24:49.320
<v Speaker 1>when it came to the business and everything that's to

1:24:49.640 --> 1:24:55.519
<v Speaker 1>this day, that's like my son. Yeah yeah, no, I

1:24:55.600 --> 1:24:57.240
<v Speaker 1>love that guy. I love I love that guy.

1:24:57.640 --> 1:24:58.880
<v Speaker 6>I love that question.

1:24:59.400 --> 1:25:06.479
<v Speaker 1>Definitely taking this one. Okay, here we go, Ice spice

1:25:07.439 --> 1:25:17.040
<v Speaker 1>or lott of oh ship, ice spice, damn with ice spice.

1:25:17.280 --> 1:25:19.880
<v Speaker 1>Okay you see ice spikey little girl turning around. The

1:25:20.000 --> 1:25:27.200
<v Speaker 1>ass be shaking. Ice spice is certified. I certifier, never

1:25:27.560 --> 1:25:29.479
<v Speaker 1>in my life. What does that mean when you certify?

1:25:30.080 --> 1:25:32.960
<v Speaker 1>What are you certifying? You shaking? The ass is shaking

1:25:33.040 --> 1:25:35.639
<v Speaker 1>the right way and it's moving, and you know that's

1:25:36.240 --> 1:25:39.599
<v Speaker 1>that's real. It's all you gotta be a pussyologist three

1:25:39.600 --> 1:25:41.519
<v Speaker 1>steps out in the go to college just to explain

1:25:41.600 --> 1:25:47.799
<v Speaker 1>it so that I mean no, ice sp ice spice

1:25:47.960 --> 1:25:50.439
<v Speaker 1>is is the real one. I never met her before.

1:25:51.240 --> 1:25:53.479
<v Speaker 1>One damn a meter ship.

1:25:53.560 --> 1:25:54.280
<v Speaker 2>If she come to drinks?

1:25:54.520 --> 1:25:56.200
<v Speaker 1>You coming through over here? Yeah?

1:25:57.040 --> 1:25:58.080
<v Speaker 3>Would you guest hosts?

1:25:58.560 --> 1:26:01.720
<v Speaker 1>Yeah, we have to have any I want to sit

1:26:01.800 --> 1:26:05.960
<v Speaker 1>over there. Oh now, we give you a mic over there.

1:26:05.920 --> 1:26:07.360
<v Speaker 3>Yeah, give me when you still have a mic?

1:26:07.600 --> 1:26:09.519
<v Speaker 1>Yeah yeah, we give him a mic over there, yeah

1:26:09.680 --> 1:26:11.400
<v Speaker 1>yeah yeah yeah. And then we're gonna have to have

1:26:11.520 --> 1:26:12.960
<v Speaker 1>polls with some shakes everywhere.

1:26:13.560 --> 1:26:17.160
<v Speaker 5>Yeah yeah yeah, yeah, yeah, okay, all right, it's gonna

1:26:17.160 --> 1:26:17.880
<v Speaker 5>be a different drink.

1:26:18.120 --> 1:26:19.439
<v Speaker 1>We're going to do. You could have came up with.

1:26:20.040 --> 1:26:23.000
<v Speaker 3>You should say, I spice sexy red.

1:26:23.720 --> 1:26:26.679
<v Speaker 1>No, we got sexy read coming up, you got sex everything.

1:26:26.720 --> 1:26:28.880
<v Speaker 1>We don't come up with. These guys are there by

1:26:28.920 --> 1:26:35.840
<v Speaker 1>the way. Look at cross. I know you'll like Dominican,

1:26:36.400 --> 1:26:40.040
<v Speaker 1>the goddamn Minican. The Colombian comes up with this, the

1:26:40.920 --> 1:26:45.640
<v Speaker 1>Columbia right there, and the Colombian and Colombian. Hey Columbia.

1:26:46.400 --> 1:26:46.599
<v Speaker 6>Yeah.

1:26:46.760 --> 1:26:51.280
<v Speaker 2>And the guy across the legs, he's Dominican.

1:26:51.720 --> 1:26:55.639
<v Speaker 1>Here's what's weird. Here's the d R. Here's what's weird.

1:26:56.439 --> 1:26:58.080
<v Speaker 1>Look at the concho.

1:27:00.200 --> 1:27:02.519
<v Speaker 3>His what's weird? That's my cousin who is port?

1:27:03.760 --> 1:27:05.639
<v Speaker 1>What a weekend? Yeah? But I feel like he goes

1:27:06.560 --> 1:27:10.040
<v Speaker 1>But I feel like he traded his citizenship for being Colombian.

1:27:10.520 --> 1:27:26.480
<v Speaker 10>So this is why to Columbia, like living traded his citizenship.

1:27:26.640 --> 1:27:30.360
<v Speaker 1>I don't blame you man. Have you went to the

1:27:30.360 --> 1:27:33.040
<v Speaker 1>peak show to Columbia because that should be a different

1:27:33.080 --> 1:27:33.720
<v Speaker 1>kind of peep show?

1:27:34.160 --> 1:27:37.200
<v Speaker 3>No? Not no, with's diegle he's being from Columbia.

1:27:39.680 --> 1:27:42.400
<v Speaker 1>Let's let's try to finish quick. Time to finish times

1:27:43.240 --> 1:27:45.000
<v Speaker 1>the pack jam I mean this is gonna be I

1:27:45.080 --> 1:27:47.400
<v Speaker 1>know you're gonna answer. Pack Jammer Studio one eighty three.

1:27:51.520 --> 1:27:54.800
<v Speaker 3>Pak Jammer Studio, one of the three move I.

1:27:54.920 --> 1:27:57.559
<v Speaker 1>Was said packed, well, dad, both okay, let's drink. I'm

1:27:57.600 --> 1:28:00.439
<v Speaker 1>gonna tell you why we need to hear it. I'm

1:28:00.479 --> 1:28:02.360
<v Speaker 1>gonna tell you why. I see a lot of first

1:28:02.439 --> 1:28:03.320
<v Speaker 1>artists us through your way.

1:28:03.439 --> 1:28:07.679
<v Speaker 3>Three. There's the deal. So both of them I created.

1:28:08.240 --> 1:28:13.519
<v Speaker 1>Really there's a story some more bad Carol City scene

1:28:13.680 --> 1:28:16.479
<v Speaker 1>high doing dances.

1:28:17.120 --> 1:28:19.519
<v Speaker 3>So I'm making out his fucking money doing dances.

1:28:19.560 --> 1:28:21.800
<v Speaker 1>Then the next night, Sunday night, I'm going to the

1:28:21.880 --> 1:28:25.160
<v Speaker 1>Pack jam and so this guy named Zeke comes over

1:28:25.200 --> 1:28:28.840
<v Speaker 1>to me and say, hey, look, I got this J. C.

1:28:29.040 --> 1:28:33.840
<v Speaker 1>Penny building. I'm the building manager. What the fuck can

1:28:33.880 --> 1:28:35.880
<v Speaker 1>you do with this? Can you bring some people in here?

1:28:36.640 --> 1:28:39.200
<v Speaker 1>So then I got with Zeke and was like, hell, yeah,

1:28:39.280 --> 1:28:41.360
<v Speaker 1>we can make this out of venue. Put the stage

1:28:41.439 --> 1:28:43.680
<v Speaker 1>right here, do all this right here, and everything like that.

1:28:44.120 --> 1:28:46.400
<v Speaker 1>And at the end of the day and not too

1:28:46.439 --> 1:28:47.479
<v Speaker 1>many people know this story.

1:28:47.760 --> 1:28:48.519
<v Speaker 2>So that was a J. C.

1:28:48.640 --> 1:28:50.240
<v Speaker 1>Penny. It was a J. C. Penny.

1:28:50.360 --> 1:28:53.519
<v Speaker 6>I'm in there with the fucking the ship that Jason

1:28:53.560 --> 1:28:54.320
<v Speaker 6>Penny left.

1:28:54.240 --> 1:29:01.160
<v Speaker 1>Users and all talking about the real Jenny. Okay, and

1:29:01.320 --> 1:29:03.920
<v Speaker 1>that is the and and and that is the first

1:29:04.200 --> 1:29:07.280
<v Speaker 1>time Park performed here is when I brought him to.

1:29:07.320 --> 1:29:11.840
<v Speaker 7>That first time outcast, first time the mob, first time, Yeah,

1:29:12.040 --> 1:29:12.559
<v Speaker 7>the first.

1:29:12.360 --> 1:29:15.639
<v Speaker 1>Time I see a lot of people there, so quest yeah,

1:29:16.160 --> 1:29:18.760
<v Speaker 1>so over here, and was like, Yo, what the fuck

1:29:18.800 --> 1:29:19.400
<v Speaker 1>you can do with this?

1:29:19.800 --> 1:29:21.599
<v Speaker 6>And so I was like, Yo, do this right here,

1:29:22.000 --> 1:29:22.840
<v Speaker 6>do that right there.

1:29:23.200 --> 1:29:25.760
<v Speaker 1>And then before you know, we started doing parties in there,

1:29:26.240 --> 1:29:30.080
<v Speaker 1>and obviously the ship got big and and uh and

1:29:30.320 --> 1:29:33.559
<v Speaker 1>uh they started having other people come in there and everything.

1:29:33.640 --> 1:29:35.200
<v Speaker 6>But we we opened up.

1:29:35.360 --> 1:29:37.720
<v Speaker 1>I came up with the ideal, you know, based on

1:29:37.880 --> 1:29:40.000
<v Speaker 1>this guy coming saying, hey, look, I need to know

1:29:40.040 --> 1:29:41.840
<v Speaker 1>what the fuck to do with this building. And that

1:29:41.880 --> 1:29:44.160
<v Speaker 1>ship was a J. Penny. It was a fucking J. C.

1:29:44.320 --> 1:29:49.240
<v Speaker 1>Penny that closed down that story. Most people don't know

1:29:49.400 --> 1:29:54.320
<v Speaker 1>that story. That's the dope best. That's why I say

1:29:55.240 --> 1:29:57.519
<v Speaker 1>both of those is I came up with both of

1:29:57.600 --> 1:30:04.160
<v Speaker 1>the ideas. Yeah, obviously pack Jam was our office, Luke

1:30:04.240 --> 1:30:09.479
<v Speaker 1>Record's office, and yeah, and new cover the t our Cow.

1:30:09.560 --> 1:30:12.720
<v Speaker 1>But it's it's just both of them got sentimental.

1:30:12.400 --> 1:30:14.000
<v Speaker 6>Value for me.

1:30:18.560 --> 1:30:24.160
<v Speaker 2>Let's see here, this Corecord.

1:30:26.200 --> 1:30:26.919
<v Speaker 3>Just gonna.

1:30:31.720 --> 1:30:35.599
<v Speaker 1>That's a good one. I was not gonna say both

1:30:35.600 --> 1:30:42.960
<v Speaker 1>of them under no circumstances, under no fucking circumstances. You know,

1:30:43.640 --> 1:30:48.240
<v Speaker 1>y'all sober, y'all might have started drinking. Were not something

1:30:48.280 --> 1:30:49.000
<v Speaker 1>I'm ready about.

1:30:49.120 --> 1:30:49.360
<v Speaker 3>I'm not.

1:30:49.520 --> 1:30:54.479
<v Speaker 1>I'm not. Uh never rapped me up this old I'm like,

1:30:54.680 --> 1:31:01.960
<v Speaker 1>what ship Cardi B? Or Eve? Ship? For my ship?

1:31:03.400 --> 1:31:06.960
<v Speaker 3>I've always had a crush on Eve. I just imagine

1:31:07.400 --> 1:31:09.360
<v Speaker 3>so many nights that I was knocking down.

1:31:12.040 --> 1:31:13.920
<v Speaker 1>She married the white man. I was like, a rich

1:31:13.960 --> 1:31:17.760
<v Speaker 1>ass motherfucker motherfucker. I was like, I ain't man like

1:31:17.880 --> 1:31:23.280
<v Speaker 1>I am man man. Oh, I'm a cardib She cool man.

1:31:23.439 --> 1:31:26.719
<v Speaker 1>She seemed cool. I'm Cardi B all day, Yeah, cool people.

1:31:27.120 --> 1:31:29.559
<v Speaker 1>Both of them seemed like he got her a vibe

1:31:29.600 --> 1:31:32.760
<v Speaker 1>and out of this world. I was just like, what

1:31:32.960 --> 1:31:36.479
<v Speaker 1>the fuck. But the rich motherfucker, he's a rich motherfucker.

1:31:37.400 --> 1:31:38.880
<v Speaker 3>How the fuck did you get in England?

1:31:40.400 --> 1:31:41.000
<v Speaker 1>What happened?

1:31:41.120 --> 1:31:41.280
<v Speaker 3>Hey?

1:31:41.360 --> 1:31:44.920
<v Speaker 1>Man? What are you looking like?

1:31:45.040 --> 1:31:45.080
<v Speaker 3>That?

1:31:46.360 --> 1:31:48.040
<v Speaker 1>I learned and I have my face.

1:31:52.080 --> 1:31:58.440
<v Speaker 3>You let me not forget the uncle boy fucking monsters.

1:32:00.000 --> 1:32:00.360
<v Speaker 1>I got the.

1:32:02.479 --> 1:32:04.760
<v Speaker 7>Shout out, the shout out, the monster man, show my

1:32:04.800 --> 1:32:06.720
<v Speaker 7>Homie J in the Building's right, all right, this is

1:32:06.760 --> 1:32:07.680
<v Speaker 7>gonna be an easy one for you.

1:32:08.160 --> 1:32:08.960
<v Speaker 1>J Landlord too.

1:32:09.080 --> 1:32:13.559
<v Speaker 2>That's right, sugar Hill DJs, Jamponi Express.

1:32:16.120 --> 1:32:18.280
<v Speaker 1>I can't imagine you saying both when you're part of

1:32:18.320 --> 1:32:26.559
<v Speaker 1>one's right stall Oh, go out, sugar Hill DJs ship,

1:32:28.400 --> 1:32:29.960
<v Speaker 1>m you can't pick between these.

1:32:31.040 --> 1:32:35.200
<v Speaker 3>Gotta take a shot, Okay, I gotta go.

1:32:35.600 --> 1:32:39.120
<v Speaker 1>Jampoon Express from Tampa, right, Jamponi is from Fort loud

1:32:39.120 --> 1:32:43.200
<v Speaker 1>of them, Okay, I want to say both. Let's let's

1:32:43.600 --> 1:32:45.880
<v Speaker 1>shut out to boat Man. They legendary.

1:32:46.120 --> 1:32:47.400
<v Speaker 6>Yeah, because the legendary.

1:32:47.960 --> 1:32:49.160
<v Speaker 1>I've seen a battle with it.

1:32:50.960 --> 1:32:53.400
<v Speaker 7>With Sugarhill DJs and Jamponi Express, and it was the

1:32:53.479 --> 1:32:54.519
<v Speaker 7>craziest battle I ever seen.

1:32:54.560 --> 1:32:57.960
<v Speaker 1>It had to be crazy. God bless you, Soul, I

1:32:58.040 --> 1:33:03.200
<v Speaker 1>mean slick big, I mean, I mean, I mean both

1:33:03.280 --> 1:33:05.240
<v Speaker 1>of the you. You're talking about some deep ship. Yeah,

1:33:05.240 --> 1:33:08.360
<v Speaker 1>I gotta say both, even though alas a Miami guy,

1:33:08.479 --> 1:33:09.360
<v Speaker 1>them a Miami guy.

1:33:10.600 --> 1:33:11.760
<v Speaker 3>But you know, I.

1:33:13.560 --> 1:33:17.080
<v Speaker 7>Gotta get Are there any other DJ cruise because those

1:33:17.120 --> 1:33:21.400
<v Speaker 7>are the ghetto style DJs, sugar Hill DJs and uh

1:33:21.880 --> 1:33:24.120
<v Speaker 7>Jamponi Express. Are there any more crews that we don't

1:33:24.160 --> 1:33:25.200
<v Speaker 7>ever talk about?

1:33:25.479 --> 1:33:29.120
<v Speaker 1>International DJ's party down DJs where Rick used to be with.

1:33:29.720 --> 1:33:35.320
<v Speaker 1>You had uh South Miami DJ's tiny head which was

1:33:35.400 --> 1:33:38.760
<v Speaker 1>the one I mentioned earlier who brought down Jackel and Hide.

1:33:40.680 --> 1:33:42.200
<v Speaker 6>Uh you name it?

1:33:42.520 --> 1:33:43.439
<v Speaker 3>Uh Ship.

1:33:43.760 --> 1:33:46.640
<v Speaker 1>There was so many DJ crews they were all over

1:33:46.680 --> 1:33:49.479
<v Speaker 1>the place. I probably missed some people. Uh who is

1:33:50.040 --> 1:33:55.559
<v Speaker 1>what is voter level with both from the radio station? Yeah,

1:33:55.640 --> 1:33:57.840
<v Speaker 1>voter level out of DJ group the it's quite a

1:33:57.880 --> 1:33:58.759
<v Speaker 1>few DJ groups.

1:33:59.320 --> 1:33:59.519
<v Speaker 3>Yeah.

1:34:00.040 --> 1:34:01.720
<v Speaker 2>But they wasn't all doing the sound system ship.

1:34:01.960 --> 1:34:06.080
<v Speaker 1>Yeah yeah, everybody boy Christmas time, Oh ship with all

1:34:06.160 --> 1:34:08.439
<v Speaker 1>speakers everything up on the park. You had to battle

1:34:09.360 --> 1:34:15.479
<v Speaker 1>everybody sixty four speakers, Uh, seventy speakers, sixteen speakers up.

1:34:15.600 --> 1:34:17.439
<v Speaker 3>You got your ass blowed out. Get the fuck out

1:34:17.439 --> 1:34:17.519
<v Speaker 3>of it.

1:34:17.640 --> 1:34:19.040
<v Speaker 2>Do you think that's where base?

1:34:19.439 --> 1:34:24.360
<v Speaker 6>Actually, that's that's that's the reason I created it.

1:34:25.080 --> 1:34:25.200
<v Speaker 1>Uh.

1:34:25.520 --> 1:34:27.000
<v Speaker 6>They had a driving base in it.

1:34:27.439 --> 1:34:30.240
<v Speaker 1>You know, even when we did the records like these records,

1:34:30.320 --> 1:34:33.600
<v Speaker 1>we will cut the lack of the and the you

1:34:33.680 --> 1:34:35.360
<v Speaker 1>know if you if you know.

1:34:36.960 --> 1:34:37.559
<v Speaker 6>How close to.

1:34:37.960 --> 1:34:41.439
<v Speaker 1>Viny is when it becomes so much hard, driving base

1:34:41.520 --> 1:34:44.720
<v Speaker 1>would add enhanced the base from what they were having

1:34:44.760 --> 1:34:47.679
<v Speaker 1>in the studio. So it was it was about having

1:34:47.720 --> 1:34:51.760
<v Speaker 1>a sound where we're from, right, you know, And it

1:34:51.920 --> 1:34:55.920
<v Speaker 1>was very little highs but it was all based. People

1:34:56.160 --> 1:34:59.360
<v Speaker 1>would just sit in the base speakers in the base

1:34:59.439 --> 1:35:02.160
<v Speaker 1>bends the uh to be able to get the based.

1:35:02.200 --> 1:35:04.880
<v Speaker 3>Then they base en hands. So we couldn't do nothing

1:35:04.920 --> 1:35:05.840
<v Speaker 3>but based music.

1:35:07.360 --> 1:35:07.599
<v Speaker 1>Wow.

1:35:08.200 --> 1:35:08.920
<v Speaker 6>So now this is.

1:35:10.720 --> 1:35:17.920
<v Speaker 1>Another curveball Brownwood or day Day all Day. I mean,

1:35:17.960 --> 1:35:22.920
<v Speaker 1>how's that curveball? Jesus, he's from day Day can all day?

1:35:23.080 --> 1:35:23.400
<v Speaker 6>Okay?

1:35:24.280 --> 1:35:28.240
<v Speaker 1>Yeah, made in day that's not you know, we we

1:35:28.360 --> 1:35:29.280
<v Speaker 1>all got a love affair.

1:35:29.400 --> 1:35:31.280
<v Speaker 3>Now you'd asked me the ship twenty years ago.

1:35:31.880 --> 1:35:35.320
<v Speaker 1>Yeah, it was a problem, you know what I'm saying.

1:35:35.400 --> 1:35:38.840
<v Speaker 6>But but I'm always gonna be day Yeah.

1:35:38.960 --> 1:35:43.600
<v Speaker 1>Yeah. And Miami typically had a north and south. There

1:35:43.680 --> 1:35:47.560
<v Speaker 1>was always Weston Barrows, Queens, Brooklyn. Here it's north and

1:35:47.640 --> 1:35:51.400
<v Speaker 1>south beef always. That's always been that way, even with sports. Yeah,

1:35:51.520 --> 1:35:55.000
<v Speaker 1>the state is a dick, so it's only going north

1:35:55.040 --> 1:36:03.840
<v Speaker 1>and south. Okay, you don't know where you live. Don't

1:36:03.880 --> 1:36:07.880
<v Speaker 1>look at the math because they accorded it to a

1:36:08.000 --> 1:36:12.360
<v Speaker 1>gun the gun start. No, No, no, that's what that's

1:36:12.400 --> 1:36:17.519
<v Speaker 1>what game we actually I lived in for the last years.

1:36:25.120 --> 1:36:35.759
<v Speaker 1>He said, he's a dick. Wrider, ridiculous man key West.

1:36:35.760 --> 1:36:40.439
<v Speaker 1>It depends. Oh damn, I'm not ready to look at

1:36:40.479 --> 1:36:44.599
<v Speaker 1>the map. It is, it is, and then something else.

1:36:45.040 --> 1:36:55.360
<v Speaker 1>So yeah, d J chocolate milk.

1:36:56.000 --> 1:37:01.960
<v Speaker 5>Yeah, okay, we're represent DJ mother fucking college chocolate milk.

1:37:02.040 --> 1:37:09.400
<v Speaker 1>He got a fucking NESTLEI Nestley. Hell yeah, we're represented.

1:37:09.439 --> 1:37:09.920
<v Speaker 1>I'm getting that.

1:37:10.000 --> 1:37:12.080
<v Speaker 6>Sam, that's another one of my kids.

1:37:12.200 --> 1:37:16.160
<v Speaker 1>Yeah, you put them on on radio for the first time. Yeah, gems,

1:37:17.400 --> 1:37:19.559
<v Speaker 1>you know he did make but then you put him

1:37:19.560 --> 1:37:23.639
<v Speaker 1>on was on the Freak Show first? Really, wait, before

1:37:23.640 --> 1:37:26.400
<v Speaker 1>you was on the Freak college colleague, don't seem like

1:37:26.439 --> 1:37:29.400
<v Speaker 1>a freaking nigga though, Wait, how was that Freak show?

1:37:29.479 --> 1:37:31.960
<v Speaker 1>To be Honestly, what kind of shoe put.

1:37:31.800 --> 1:37:32.320
<v Speaker 3>This ship out?

1:37:32.439 --> 1:37:34.479
<v Speaker 1>Put it? I'm to go, I'm aboudy to go get

1:37:34.520 --> 1:37:36.640
<v Speaker 1>all these so we can put it in this up.

1:37:37.320 --> 1:37:39.879
<v Speaker 3>I'm gonna get a clip. Okay, what college?

1:37:39.960 --> 1:37:44.200
<v Speaker 1>What CALLI was? Call it has always been calid.

1:37:44.400 --> 1:37:46.680
<v Speaker 3>Yeah, he's been the same person for we're trying to

1:37:46.720 --> 1:37:47.439
<v Speaker 3>figure out what you.

1:37:49.560 --> 1:37:52.760
<v Speaker 1>Days. He was always same dude. Huh, but call it

1:37:53.040 --> 1:38:00.360
<v Speaker 1>sold everything typical a rap, Damn, shouts out to my hey,

1:38:00.479 --> 1:38:07.720
<v Speaker 1>rap bro, justa rap so every fucking thing he been

1:38:07.880 --> 1:38:08.080
<v Speaker 1>like that.

1:38:08.800 --> 1:38:11.400
<v Speaker 3>He was a hustler. So so so when you met him,

1:38:11.400 --> 1:38:13.559
<v Speaker 3>way was he selling brick phones?

1:38:14.360 --> 1:38:17.160
<v Speaker 2>Yeah, and his family had stores, but yeah, yeah.

1:38:17.520 --> 1:38:22.040
<v Speaker 3>It Kelly old girl was from New Orleans. Kelly Orlando.

1:38:22.120 --> 1:38:25.960
<v Speaker 1>And then he didn't move to Orlando, right, and they

1:38:26.000 --> 1:38:28.920
<v Speaker 1>wouldn't put him on the radio in Orlando, and so

1:38:29.080 --> 1:38:31.840
<v Speaker 1>he ended up coming down here and he was doing

1:38:31.880 --> 1:38:36.360
<v Speaker 1>the Mixed ninety six with Butterfo shout out Butterfu. And

1:38:36.439 --> 1:38:38.439
<v Speaker 1>then I heard him on the on there and then

1:38:38.479 --> 1:38:41.000
<v Speaker 1>I was putting this mixed show together because we.

1:38:41.080 --> 1:38:43.320
<v Speaker 3>Had no we never had a mixed Sure, he was

1:38:43.400 --> 1:38:46.160
<v Speaker 3>way behind and my way behind. So I created this

1:38:46.280 --> 1:38:48.479
<v Speaker 3>show with Cali because I really thought he was from

1:38:48.560 --> 1:38:50.120
<v Speaker 3>New York with his.

1:38:50.240 --> 1:38:52.280
<v Speaker 7>Sling and he was down Terrace Squad already, I think,

1:38:52.320 --> 1:38:55.000
<v Speaker 7>by yeah, yeah, yeah, yeah Mix ninety six.

1:38:55.040 --> 1:38:56.920
<v Speaker 3>He was down, he was down, he was down.

1:38:56.840 --> 1:39:00.080
<v Speaker 1>With he always him in fact, Joe always right. So

1:39:00.240 --> 1:39:03.600
<v Speaker 1>then uh, and I had a party. I had a

1:39:03.760 --> 1:39:08.160
<v Speaker 1>Super Bowl party, so Fat Joe and all the guys

1:39:08.320 --> 1:39:11.120
<v Speaker 1>came to the fucking party, and Catch came and we

1:39:11.800 --> 1:39:14.560
<v Speaker 1>had the cameras going in. Shipp and Catech comes in

1:39:14.680 --> 1:39:18.080
<v Speaker 1>with the goddamn uh brick phones trying to sell everybody

1:39:18.120 --> 1:39:20.639
<v Speaker 1>the fucking brick phone at the party. At the party,

1:39:21.560 --> 1:39:27.479
<v Speaker 1>I got the footage. It's colding. I got the footage. Hey,

1:39:28.000 --> 1:39:32.479
<v Speaker 1>while we got pds and and pds and m d's

1:39:32.600 --> 1:39:38.479
<v Speaker 1>and back rooms screwing women and and the radio guy.

1:39:39.400 --> 1:39:41.400
<v Speaker 3>Oh, I shouldn't have said that. No, no, you can say,

1:39:41.439 --> 1:39:44.639
<v Speaker 3>but I was in your car and it was we're

1:39:44.680 --> 1:39:45.439
<v Speaker 3>trying to get records.

1:39:45.479 --> 1:39:48.000
<v Speaker 6>Please, that was your.

1:39:49.439 --> 1:39:54.280
<v Speaker 1>No fucking up people life and ship rolls in there.

1:39:54.360 --> 1:40:00.040
<v Speaker 1>Y'at shoot that motherfucker right now on the phone. And

1:40:00.479 --> 1:40:04.040
<v Speaker 1>mushroom man Fat Joe came up. One of the guys

1:40:04.120 --> 1:40:05.920
<v Speaker 1>in the group. He called a mushroom man. I don't

1:40:05.920 --> 1:40:07.760
<v Speaker 1>know what the fuck that meant to this day when

1:40:07.800 --> 1:40:08.400
<v Speaker 1>you'll see.

1:40:08.400 --> 1:40:10.200
<v Speaker 2>There was a promoter named Mushrooms. I don't know the

1:40:10.240 --> 1:40:10.760
<v Speaker 2>same he.

1:40:10.800 --> 1:40:12.800
<v Speaker 1>Called one of the guys mushroom man. Because it was

1:40:13.240 --> 1:40:16.160
<v Speaker 1>doing all this stuff. Everybody was doing. The girls was

1:40:16.240 --> 1:40:19.519
<v Speaker 1>in there being the girls. Okay, okay, I don't know

1:40:20.400 --> 1:40:23.800
<v Speaker 1>just before everybody. Yeah, you speech is a little bit,

1:40:24.080 --> 1:40:26.600
<v Speaker 1>but I'll see you the video. You can cut up

1:40:26.640 --> 1:40:29.680
<v Speaker 1>what you need to, because yeah, it was a it

1:40:29.800 --> 1:40:33.880
<v Speaker 1>was an episode of the People show You really out

1:40:33.920 --> 1:40:34.320
<v Speaker 1>of control?

1:40:35.560 --> 1:40:38.920
<v Speaker 2>You've been out of control verb or disclock.

1:40:41.320 --> 1:40:48.240
<v Speaker 1>Verb, but this line, I gotta go with verb. Okay, Verb,

1:40:48.400 --> 1:40:51.000
<v Speaker 1>one of the best rappers did not like really blow

1:40:51.120 --> 1:40:56.640
<v Speaker 1>up like that. Verb was on the on scard. He

1:40:56.760 --> 1:40:58.600
<v Speaker 1>was supposed to be the next guy because what I

1:40:58.600 --> 1:41:03.600
<v Speaker 1>would do always piggyback artists Scarter Trick Daddy's breakout right,

1:41:03.760 --> 1:41:07.960
<v Speaker 1>Yes yeah, and Verb was on there with Treat Daddy. Now,

1:41:08.040 --> 1:41:10.520
<v Speaker 1>mind you keep in mind, I'm going through fucking bankruptcy.

1:41:10.800 --> 1:41:13.120
<v Speaker 1>I'm mad at everybody. I'm mad at the fucking two

1:41:13.200 --> 1:41:17.519
<v Speaker 1>Live crew because they sided with this little toe Pine

1:41:17.840 --> 1:41:19.960
<v Speaker 1>and I'm fucking pissed off. So then I said, I'm

1:41:19.960 --> 1:41:23.400
<v Speaker 1>gonna do a bigger mix. I'm gonna do sixty four

1:41:23.520 --> 1:41:26.679
<v Speaker 1>track mix. We ain't gonna be doing the sixteen ship

1:41:26.960 --> 1:41:29.160
<v Speaker 1>that we were doing with Two Live Crew, and it's

1:41:29.200 --> 1:41:32.000
<v Speaker 1>gonna be big, massive mix. I'm gonna go find some

1:41:32.439 --> 1:41:36.320
<v Speaker 1>two new motherfuckers that nobody ever heard of. I did

1:41:36.360 --> 1:41:40.160
<v Speaker 1>a big old battle or a rap battle at the

1:41:40.240 --> 1:41:46.880
<v Speaker 1>pack Jam teen Disco, and I'm gonna find me another

1:41:47.000 --> 1:41:50.040
<v Speaker 1>motherfucking rapper because I do this shit. You know you

1:41:50.320 --> 1:41:53.360
<v Speaker 1>motherfuckers don't make me. I make motherfucking music, you know.

1:41:53.520 --> 1:41:56.320
<v Speaker 1>So I was angry, real, real angry. So I find

1:41:56.400 --> 1:42:00.519
<v Speaker 1>bird Trick Daddy wins a four week battle that at

1:42:00.560 --> 1:42:03.519
<v Speaker 1>the pack Jam, and then I get him, put him

1:42:03.560 --> 1:42:05.680
<v Speaker 1>on the record, and I'm like, yo, I'm gonna show

1:42:05.720 --> 1:42:07.439
<v Speaker 1>these motherfuckers, and then I did Scar.

1:42:07.840 --> 1:42:09.240
<v Speaker 6>Scar. Was really angry.

1:42:09.720 --> 1:42:11.479
<v Speaker 3>It was original, that's the original.

1:42:12.080 --> 1:42:13.280
<v Speaker 1>Yeah, this is the original, man.

1:42:13.479 --> 1:42:13.639
<v Speaker 3>Yeah.

1:42:14.280 --> 1:42:21.120
<v Speaker 1>So I when I did that original fighting, Yeah, when

1:42:21.120 --> 1:42:23.360
<v Speaker 1>I did that song, it was like, you know, and

1:42:23.720 --> 1:42:26.080
<v Speaker 1>now I got two brand new artists nobody never heard

1:42:26.160 --> 1:42:31.200
<v Speaker 1>of but never been out, and probably the biggest mix

1:42:31.360 --> 1:42:35.040
<v Speaker 1>I ever did, because everything was, you know, eight tracks,

1:42:35.439 --> 1:42:38.040
<v Speaker 1>sixteen tracks at the most. You know, I got all

1:42:38.280 --> 1:42:41.400
<v Speaker 1>strings coming in, Barry White and all this shit going on.

1:42:41.600 --> 1:42:44.240
<v Speaker 1>I'm like, I'm gonna show these fucking two live crew

1:42:44.320 --> 1:42:46.080
<v Speaker 1>and miss the mix and all the rest of them

1:42:46.360 --> 1:42:49.080
<v Speaker 1>that who the motherfucker is? And then I ended up

1:42:49.160 --> 1:42:52.800
<v Speaker 1>doing that song and that shit blew up, and you know,

1:42:52.960 --> 1:42:55.080
<v Speaker 1>Tricked Daddy got a big career behind that.

1:42:55.640 --> 1:42:56.720
<v Speaker 3>Where was the record of that?

1:42:57.320 --> 1:42:59.200
<v Speaker 6>It was recorded at at.

1:43:01.000 --> 1:43:06.120
<v Speaker 1>It was recorded at at Chris Blackwell Studio in South

1:43:06.200 --> 1:43:09.280
<v Speaker 1>Beach on South Beach at the Hotel, at the Marlin,

1:43:09.600 --> 1:43:13.759
<v Speaker 1>Marlin at the Marrow.

1:43:12.120 --> 1:43:17.160
<v Speaker 7>Tomorrow Marlin is crazy, miss And why did you put

1:43:17.200 --> 1:43:19.719
<v Speaker 7>these two records together on a record on vinyl?

1:43:21.000 --> 1:43:24.320
<v Speaker 1>Scart and the Biggie Joint and the big well Scar

1:43:24.520 --> 1:43:27.600
<v Speaker 1>was on his own and then I did the Biggie.

1:43:27.320 --> 1:43:30.479
<v Speaker 7>Joint because these are together right a side of the

1:43:30.520 --> 1:43:33.760
<v Speaker 7>B side. Oh no, this is the full is the

1:43:33.800 --> 1:43:34.200
<v Speaker 7>fully p.

1:43:35.200 --> 1:43:41.600
<v Speaker 1>The Biggie Joint? I did, Yeah, but scart was that

1:43:41.800 --> 1:43:44.160
<v Speaker 1>was that was was crazy. I'll show you motherfucker's who

1:43:44.200 --> 1:43:45.320
<v Speaker 1>the motherfucking done is.

1:43:45.439 --> 1:43:47.400
<v Speaker 7>And I feel like it dropped during how can I

1:43:47.479 --> 1:43:48.680
<v Speaker 7>be down to I don't know if I'm wrong, but

1:43:48.760 --> 1:43:51.639
<v Speaker 7>it felt like it was a soundtracker one of those comedies.

1:43:51.720 --> 1:43:55.360
<v Speaker 1>Yeah, always would drop a record around a holiday weekend,

1:43:55.920 --> 1:43:59.720
<v Speaker 1>especially when a lot of day something like that, when

1:43:59.760 --> 1:44:03.240
<v Speaker 1>people coming down here, you know, didn't take the ship

1:44:03.320 --> 1:44:04.439
<v Speaker 1>back to where it came from.

1:44:04.760 --> 1:44:06.800
<v Speaker 6>Because we make the breakout.

1:44:06.479 --> 1:44:16.559
<v Speaker 3>Market analog or digital, both both both got shot.

1:44:16.960 --> 1:44:17.880
<v Speaker 6>Got to take another shot.

1:44:19.600 --> 1:44:20.080
<v Speaker 1>I think at the.

1:44:20.080 --> 1:44:28.320
<v Speaker 7>Point your MTV wraps or the box the boxes in

1:44:28.400 --> 1:44:29.839
<v Speaker 7>South Beach ship.

1:44:31.680 --> 1:44:35.080
<v Speaker 1>The box music television, you control, Yeah, you control, you

1:44:35.160 --> 1:44:37.880
<v Speaker 1>paid for it, which box Rap McDaniel's box, the box

1:44:37.960 --> 1:44:43.080
<v Speaker 1>that was in South Beach order actually uh.

1:44:44.479 --> 1:44:45.679
<v Speaker 2>Shouts to Rob McDaniel's.

1:44:45.680 --> 1:44:47.760
<v Speaker 1>But we we we wasn't. We didn't out here, We

1:44:47.800 --> 1:44:50.760
<v Speaker 1>didn't have that. So no, that's what I'm saying. When

1:44:50.840 --> 1:44:53.200
<v Speaker 1>y'all talked about it, I'm thinking, I know, respect him,

1:44:53.200 --> 1:44:57.200
<v Speaker 1>but we didn't have it. Yeah, yea, I said, video

1:44:57.320 --> 1:44:59.200
<v Speaker 1>mix in the box. And then we had cable TV

1:44:59.320 --> 1:45:03.599
<v Speaker 1>with with wraps the end and both both both because

1:45:03.760 --> 1:45:05.720
<v Speaker 1>because it's it's I mean, yeah, we got we.

1:45:05.800 --> 1:45:06.519
<v Speaker 3>Already took a shot.

1:45:06.560 --> 1:45:15.840
<v Speaker 1>We took's take another shot another, damn, just because I mean,

1:45:16.240 --> 1:45:18.360
<v Speaker 1>you got a whole bunch of cups in and the

1:45:18.920 --> 1:45:21.439
<v Speaker 1>the bot and she waiting to get her ass again.

1:45:22.680 --> 1:45:24.520
<v Speaker 2>DJ Lads and DJ Keller.

1:45:26.560 --> 1:45:31.000
<v Speaker 3>DJ Lance, I love Kelly to death, both both.

1:45:31.840 --> 1:45:36.360
<v Speaker 1>You picked you both. I gotta say both. I gotta

1:45:36.400 --> 1:45:38.920
<v Speaker 1>say both both. I love both of them. Boy.

1:45:39.840 --> 1:45:41.360
<v Speaker 7>I was trying to ask you before I thought that

1:45:41.439 --> 1:45:43.640
<v Speaker 7>you and Last had recorded. He was a part of

1:45:43.760 --> 1:45:45.640
<v Speaker 7>either production or something early on with you.

1:45:45.800 --> 1:45:48.080
<v Speaker 1>No, no, no, no, Last, Last was.

1:45:48.080 --> 1:45:50.840
<v Speaker 3>Doing his own thing on radio, on radio, and he

1:45:51.280 --> 1:45:52.360
<v Speaker 3>did his music.

1:45:53.560 --> 1:45:54.000
<v Speaker 1>And you didn't.

1:45:54.080 --> 1:45:55.800
<v Speaker 2>You didn't put out any of his records.

1:45:55.520 --> 1:45:58.479
<v Speaker 1>Either no, Las was doing this stuff with who was

1:45:58.520 --> 1:46:02.840
<v Speaker 1>it paying this or somebody? Uh and uh and I

1:46:03.760 --> 1:46:09.160
<v Speaker 1>put I did the uh the Pitbull music and everything

1:46:09.320 --> 1:46:12.439
<v Speaker 1>like that. And it's so crazy how they ended up

1:46:12.479 --> 1:46:14.120
<v Speaker 1>being together because again them.

1:46:14.000 --> 1:46:18.320
<v Speaker 3>Two Cuban rappers. You know, Last was the he was

1:46:18.439 --> 1:46:19.800
<v Speaker 3>the first Cuban rapper and.

1:46:20.320 --> 1:46:25.599
<v Speaker 2>He was doing base records. Yeah, DJ Last, Yeah, yeah,

1:46:25.920 --> 1:46:27.000
<v Speaker 2>we need to have him on here too.

1:46:27.360 --> 1:46:30.360
<v Speaker 6>Yeah, so I did Pitt and uh.

1:46:31.240 --> 1:46:33.360
<v Speaker 1>You know, it took a little time before they kind

1:46:33.400 --> 1:46:37.120
<v Speaker 1>of linked up together, but eventually they linked up, and

1:46:37.520 --> 1:46:47.200
<v Speaker 1>I'm so happy that. Then brothers, Yeah, well we kind

1:46:47.200 --> 1:46:50.800
<v Speaker 1>of well, rolets to take one. I already know what

1:46:50.840 --> 1:46:54.360
<v Speaker 1>you're gonna say, both, oh da, I didn't know you

1:46:54.439 --> 1:46:54.920
<v Speaker 1>want to say that?

1:46:56.800 --> 1:46:59.840
<v Speaker 3>Fucking us up? So you like the juke box you,

1:47:00.680 --> 1:47:03.240
<v Speaker 3>I mean, fucking Rolex is a classic to take.

1:47:03.439 --> 1:47:05.760
<v Speaker 1>Take one's out of control. I had to take.

1:47:06.360 --> 1:47:09.120
<v Speaker 2>It's a little less part of the jukebox around.

1:47:09.400 --> 1:47:14.960
<v Speaker 1>Take James On, take one now, Hall of Famer. You

1:47:15.080 --> 1:47:18.640
<v Speaker 1>don't take one. That's my guy. You got this know

1:47:18.880 --> 1:47:21.800
<v Speaker 1>the next one. Hold On, I don't even know where

1:47:21.840 --> 1:47:24.320
<v Speaker 1>I'm at. You can do it. Hold on, I believe

1:47:24.320 --> 1:47:30.720
<v Speaker 1>in you where we're at, Take one Rolex and then

1:47:30.800 --> 1:47:35.120
<v Speaker 1>go down. Oh podcast of radio? Uh huh podcasts or

1:47:35.240 --> 1:47:38.280
<v Speaker 1>radio podcast? God, damn, I got it.

1:47:38.320 --> 1:47:38.600
<v Speaker 3>I like.

1:47:41.200 --> 1:47:43.240
<v Speaker 7>You do you feel you never got your fair shaking

1:47:43.360 --> 1:47:45.799
<v Speaker 7>radio because of the records being.

1:47:45.720 --> 1:47:48.360
<v Speaker 6>So I'm underground because of my records.

1:47:48.560 --> 1:47:51.360
<v Speaker 1>I mean, I mean the first record I really got

1:47:51.600 --> 1:47:54.759
<v Speaker 1>put on the radio was Age Time Knocking the Boots.

1:47:55.400 --> 1:47:59.799
<v Speaker 1>You got so many, so many, so many record labels

1:48:00.200 --> 1:48:02.120
<v Speaker 1>be like, yo, we can't play no fucking me so on,

1:48:02.720 --> 1:48:04.880
<v Speaker 1>we can't play through the d no matter how clean

1:48:05.000 --> 1:48:08.000
<v Speaker 1>I made the record, they wouldn't play it. So then

1:48:08.120 --> 1:48:11.280
<v Speaker 1>when I did, when I didn said, okay, let me

1:48:11.320 --> 1:48:13.360
<v Speaker 1>find an R and B group, And then I went

1:48:13.400 --> 1:48:16.880
<v Speaker 1>and found as Time and they name was the JITs

1:48:16.960 --> 1:48:18.760
<v Speaker 1>and ship I had to change that ship. Their name

1:48:18.840 --> 1:48:19.439
<v Speaker 1>was the JITs.

1:48:21.680 --> 1:48:27.840
<v Speaker 2>They were saying that in Texas. That name was then

1:48:27.920 --> 1:48:29.840
<v Speaker 2>didn't mean the same as Miami, like little kid.

1:48:29.720 --> 1:48:31.479
<v Speaker 6>Like, yeah, and that's Miami.

1:48:32.120 --> 1:48:34.600
<v Speaker 1>I mean I never knew that any other word. Some

1:48:34.800 --> 1:48:35.360
<v Speaker 1>Southern ship.

1:48:36.000 --> 1:48:38.120
<v Speaker 4>J Yeah.

1:48:38.800 --> 1:48:41.559
<v Speaker 1>I'm like, what the ship ship? That's I'm like, bro,

1:48:41.760 --> 1:48:45.920
<v Speaker 1>I can't go nowhere with no JITs, So so damn

1:48:46.120 --> 1:48:52.240
<v Speaker 1>uh you you pop it was yeah, yeah, and I

1:48:52.439 --> 1:48:56.080
<v Speaker 1>ended up ended up, you know, because Great Street was

1:48:56.120 --> 1:48:58.880
<v Speaker 1>doing the radio and he was shout out the Green

1:48:58.920 --> 1:49:02.880
<v Speaker 1>Street Street from Yeah, you're doing radio in Houston.

1:49:02.640 --> 1:49:03.599
<v Speaker 6>So that's my dog.

1:49:03.720 --> 1:49:06.720
<v Speaker 1>And all I heard was was uh fucking age town,

1:49:06.800 --> 1:49:09.320
<v Speaker 1>this tying that he's trying this. And then I was like, Yo,

1:49:09.400 --> 1:49:12.080
<v Speaker 1>we're gonna name you motherfucker's he town, you know. And

1:49:12.160 --> 1:49:14.960
<v Speaker 1>that's how the name came about. That was genius. Actually

1:49:16.800 --> 1:49:17.559
<v Speaker 1>was a terrible name.

1:49:18.040 --> 1:49:18.240
<v Speaker 3>It was.

1:49:18.680 --> 1:49:20.760
<v Speaker 1>It was not I wasn't going nowhere with that ship.

1:49:21.840 --> 1:49:23.800
<v Speaker 1>And that's why the first song was knocking the boots.

1:49:23.800 --> 1:49:27.360
<v Speaker 1>You know what knocking the boots? Of course, yes, smashing, smashing,

1:49:27.439 --> 1:49:28.599
<v Speaker 1>that's some Texas ship.

1:49:28.680 --> 1:49:30.080
<v Speaker 6>So I was like, yo, we gotta have that kind

1:49:30.120 --> 1:49:30.439
<v Speaker 6>of song.

1:49:30.560 --> 1:49:32.479
<v Speaker 2>Yeah, okay, well that was what they were saying in

1:49:32.520 --> 1:49:33.280
<v Speaker 2>Texas regularly.

1:49:33.560 --> 1:49:38.080
<v Speaker 3>Yeah, that was only heard in Miami. I never listened.

1:49:38.080 --> 1:49:39.439
<v Speaker 7>I mean, I thought when I was a kid, because

1:49:39.439 --> 1:49:41.200
<v Speaker 7>I was a jit when I heard that record, and

1:49:41.280 --> 1:49:42.840
<v Speaker 7>I thought that they were from Miami too.

1:49:42.960 --> 1:49:45.479
<v Speaker 1>I never knew what the fuck knocking the boost was.

1:49:45.600 --> 1:49:49.639
<v Speaker 1>Dad explain it to me. They were like, look, look man,

1:49:49.680 --> 1:49:51.760
<v Speaker 1>you knocked them boots. Man, you knocked them boots down.

1:49:51.760 --> 1:49:53.960
<v Speaker 1>I'm like, what the fuck is that. It was like, man,

1:49:54.040 --> 1:49:56.160
<v Speaker 1>that girl right there, you knocked them boots, And I'm like,

1:49:57.040 --> 1:49:59.040
<v Speaker 1>I get it because boots in Texas, I guess makes

1:49:59.120 --> 1:49:59.519
<v Speaker 1>more sense.

1:50:00.680 --> 1:50:05.040
<v Speaker 3>And as a New Yorker, we started timerlings.

1:50:05.840 --> 1:50:09.160
<v Speaker 5>Oh come on, man, come on, man, get over there.

1:50:09.760 --> 1:50:12.160
<v Speaker 5>Don't blame my region. You're just the center me as

1:50:12.200 --> 1:50:14.680
<v Speaker 5>of Miami. And let me just tell y'all how we

1:50:14.800 --> 1:50:17.599
<v Speaker 5>throw it in New York. We throw everyone wore tims everywhere.

1:50:19.560 --> 1:50:21.439
<v Speaker 1>Okay, it was a shock to us.

1:50:21.520 --> 1:50:23.960
<v Speaker 3>There was like, wait a minute, they don't wear tims

1:50:24.040 --> 1:50:24.519
<v Speaker 3>in Miami.

1:50:27.760 --> 1:50:35.160
<v Speaker 1>Yeah. Yeah, full the teams, the black ones, Mage ones

1:50:35.400 --> 1:50:40.120
<v Speaker 1>all the black Ones means you a savage. Like if

1:50:40.160 --> 1:50:40.559
<v Speaker 1>you wear the.

1:50:40.680 --> 1:50:44.360
<v Speaker 2>Ten with the Eminem boots, you remember the eminems.

1:50:43.960 --> 1:50:49.439
<v Speaker 1>And I don't know, remember no fake nobody come out.

1:50:51.960 --> 1:50:54.120
<v Speaker 3>You want? I know you wore the fake boots.

1:50:56.320 --> 1:50:56.759
<v Speaker 6>Eminem.

1:50:57.120 --> 1:51:03.280
<v Speaker 3>You remember, no, you said Marshall mathis not Marshall Math.

1:51:03.520 --> 1:51:05.519
<v Speaker 1>No, No, no, US one flee Market sold them for

1:51:05.600 --> 1:51:09.960
<v Speaker 1>sure name No, no flea market boots. There was like

1:51:10.080 --> 1:51:11.200
<v Speaker 1>Timberland knockoffs.

1:51:11.880 --> 1:51:15.519
<v Speaker 3>Yeah no, yeah, yeah, yeah, y'all was wild out here.

1:51:17.720 --> 1:51:21.439
<v Speaker 1>Yeah you go to the next one, Kodak Black or

1:51:21.520 --> 1:51:30.800
<v Speaker 1>boss Man d Lo, kod Aint Black Gun, Player of Iceberg, Damn.

1:51:30.840 --> 1:51:34.959
<v Speaker 3>Booth, Okay ship, Oh Ship.

1:51:35.080 --> 1:51:40.800
<v Speaker 2>On my shot, Slipping Slide or Poor Boy Records.

1:51:43.520 --> 1:51:50.280
<v Speaker 1>Boof Damn. Look you're making this drink. Fuck you got

1:51:50.400 --> 1:51:52.760
<v Speaker 1>y'all got these hard ship. Let me let me ask

1:51:52.760 --> 1:51:54.920
<v Speaker 1>you this though, motherfuckers under the bus. What was your

1:51:54.960 --> 1:51:57.679
<v Speaker 1>relationship with Ted Lucas and and how did you feel

1:51:57.720 --> 1:52:00.760
<v Speaker 1>when Trick went to Slipping Slide? Like, how was the relationship?

1:52:01.640 --> 1:52:04.800
<v Speaker 1>I had no relationship with them at the time, So

1:52:04.960 --> 1:52:07.800
<v Speaker 1>I was the story behind that. I was in bankruptcy,

1:52:08.840 --> 1:52:10.760
<v Speaker 1>So you're going through some ship. I was going through

1:52:11.280 --> 1:52:14.880
<v Speaker 1>some ship right in the bankruptcy score. So I technically

1:52:15.880 --> 1:52:20.000
<v Speaker 1>when I put Trick out, I was gonna sign him.

1:52:20.720 --> 1:52:23.880
<v Speaker 1>But my lawyer said, if you sign him, then you

1:52:23.960 --> 1:52:27.120
<v Speaker 1>would be a property of the estate you tie him up,

1:52:27.560 --> 1:52:30.479
<v Speaker 1>which he would be in the bankrupts. Yeah, you tie

1:52:30.560 --> 1:52:34.720
<v Speaker 1>him up, right, So I didn't sign him. So we

1:52:34.880 --> 1:52:40.920
<v Speaker 1>did the song while I was in bankruptcy. Did the

1:52:41.000 --> 1:52:45.400
<v Speaker 1>whole album for Island Records? Uh with all that? So

1:52:45.520 --> 1:52:50.920
<v Speaker 1>I told Island Records, Yeah, it was before depth Jair.

1:52:51.120 --> 1:52:55.960
<v Speaker 1>It was just Island music. Yeah. So it was him

1:52:56.040 --> 1:53:01.040
<v Speaker 1>Hicks was the was running Island records. Uh, And I

1:53:01.160 --> 1:53:04.800
<v Speaker 1>was like, I can't sign you. And so one day

1:53:04.840 --> 1:53:06.599
<v Speaker 1>he called me up and said I did a single

1:53:06.680 --> 1:53:09.120
<v Speaker 1>deal with this record company. And I was like, to

1:53:09.160 --> 1:53:10.960
<v Speaker 1>shoot me the contract, let me look at it. And

1:53:11.000 --> 1:53:13.639
<v Speaker 1>then it said he had signed. I was like, that's

1:53:13.680 --> 1:53:16.400
<v Speaker 1>not a single deal. You signed a full fledged contract,

1:53:17.320 --> 1:53:19.240
<v Speaker 1>you know. And I was like, you know, best of

1:53:19.360 --> 1:53:21.280
<v Speaker 1>luck to you. I can't really talk to you about

1:53:21.320 --> 1:53:24.360
<v Speaker 1>it because it'll be tortures and inference of a contract.

1:53:24.680 --> 1:53:25.920
<v Speaker 1>Oh damn.

1:53:26.040 --> 1:53:29.479
<v Speaker 3>And so uh we say we say the best of

1:53:29.560 --> 1:53:31.479
<v Speaker 3>friends even to this day right now.

1:53:35.520 --> 1:53:37.240
<v Speaker 7>Now he has the most respect for you, just like

1:53:37.600 --> 1:53:40.160
<v Speaker 7>I said, like you got the everybody that you touched,

1:53:40.240 --> 1:53:43.400
<v Speaker 7>I think they all feel so much respect for you and.

1:53:43.880 --> 1:53:45.760
<v Speaker 3>Show you love on this show particularly.

1:53:46.120 --> 1:53:46.280
<v Speaker 9>Yeah.

1:53:46.360 --> 1:53:49.599
<v Speaker 1>Yeah, that's that's that's my guy. I mean that mother

1:53:49.640 --> 1:53:53.120
<v Speaker 1>for again him likee pit. You know, I took him

1:53:53.920 --> 1:53:57.200
<v Speaker 1>on my side. He actually lived with me, you know

1:53:57.200 --> 1:54:00.439
<v Speaker 1>what I'm saying. You know trick, yeah, trick cooking all

1:54:00.439 --> 1:54:02.599
<v Speaker 1>the food and ship. So he lived with me when

1:54:02.640 --> 1:54:05.679
<v Speaker 1>he got out of jails and cooking, cooking. Yeah, hell yeah,

1:54:05.720 --> 1:54:08.200
<v Speaker 1>that motherfucker was that motherfucker was cooking back then. I

1:54:08.320 --> 1:54:10.760
<v Speaker 1>was like, what you cracking cooking? No, he wants telling

1:54:11.960 --> 1:54:17.559
<v Speaker 1>he might know. No, he came, he came out of jail.

1:54:18.360 --> 1:54:20.040
<v Speaker 1>When he got out of jail, he was he was

1:54:20.080 --> 1:54:22.840
<v Speaker 1>staying with me, which he was, he was doing uh

1:54:24.280 --> 1:54:27.840
<v Speaker 1>he he was doing good? Then good. The next one

1:54:27.920 --> 1:54:36.040
<v Speaker 1>crazy as full uh ball greasier Billy blue both God, man,

1:54:36.800 --> 1:54:40.040
<v Speaker 1>she got these shots and the drink and I ain't

1:54:40.240 --> 1:54:42.840
<v Speaker 1>no food out of my base. Ain't right the hash

1:54:42.920 --> 1:54:43.640
<v Speaker 1>chef teach.

1:54:44.160 --> 1:54:47.360
<v Speaker 2>Man would have had something for you got pizza, Stace next.

1:54:47.200 --> 1:54:48.560
<v Speaker 1>Door got it?

1:54:49.360 --> 1:54:50.200
<v Speaker 3>Okay, got all right?

1:54:50.560 --> 1:55:00.120
<v Speaker 2>Sexy reader or Glorrilla, y'all do that to me?

1:55:00.280 --> 1:55:00.920
<v Speaker 1>Sectary read?

1:55:01.720 --> 1:55:02.040
<v Speaker 3>Okay?

1:55:02.320 --> 1:55:02.720
<v Speaker 1>All right?

1:55:03.920 --> 1:55:05.200
<v Speaker 2>Jlo or Shakira?

1:55:09.960 --> 1:55:10.240
<v Speaker 3>Damn?

1:55:12.520 --> 1:55:18.320
<v Speaker 1>I mean times Jaylo was married. They gotta smile on

1:55:18.400 --> 1:55:24.520
<v Speaker 1>her face. Jaylo is Shakiro. I don't know that.

1:55:26.640 --> 1:55:30.000
<v Speaker 6>I would say both no, no, no, Jaylo.

1:55:31.720 --> 1:55:36.960
<v Speaker 1>Jaylo got a nice ass at least at least jail

1:55:37.000 --> 1:55:38.040
<v Speaker 1>over sucking the brothers.

1:55:39.720 --> 1:55:42.600
<v Speaker 3>I don't know if Shakira gave no brother no ass.

1:55:46.280 --> 1:55:52.040
<v Speaker 1>Oh you just sucked it up. Who Shakira? Boy? You

1:55:52.080 --> 1:55:57.280
<v Speaker 1>got good? What is that Jimmy Butler. She was sucking

1:55:57.320 --> 1:56:01.360
<v Speaker 1>with Jimmy Butler. Is he black?

1:56:04.200 --> 1:56:05.080
<v Speaker 6>Jimmy Butler black?

1:56:14.280 --> 1:56:18.280
<v Speaker 2>All right, so you said, Jaylo it was a room

1:56:18.320 --> 1:56:19.160
<v Speaker 2>over Jimmy Butler.

1:56:21.280 --> 1:56:22.880
<v Speaker 1>A right. We don't care about her day left man,

1:56:22.920 --> 1:56:25.720
<v Speaker 1>So he that don't count you fucking Jimmy Butler.

1:56:25.800 --> 1:56:28.920
<v Speaker 3>Don't count Jaylou Puff Daddy.

1:56:33.040 --> 1:56:39.320
<v Speaker 1>Count Jimmy. But she was one of the Wayne brother

1:56:39.440 --> 1:56:41.440
<v Speaker 1>So she was one of one of Wayne. Yeah, man,

1:56:41.560 --> 1:56:46.120
<v Speaker 1>Jaylo fucking was a dancer. Wessey snaps. She was a

1:56:46.160 --> 1:56:47.240
<v Speaker 1>Wessey slips.

1:56:49.560 --> 1:56:56.440
<v Speaker 11>Jay Loo certified man stamp on that that's been not

1:56:56.600 --> 1:57:01.080
<v Speaker 11>least that you got. No, just to question this question,

1:57:01.360 --> 1:57:02.080
<v Speaker 11>we're not doing it.

1:57:03.040 --> 1:57:10.080
<v Speaker 3>I thought, yeah, I got one the grandma.

1:57:10.680 --> 1:57:11.600
<v Speaker 6>I can't even find it.

1:57:11.760 --> 1:57:15.800
<v Speaker 2>I'll tell I'll tell you ready. Loyalty or respect?

1:57:17.360 --> 1:57:25.400
<v Speaker 1>Both? We always think it should be both. We always

1:57:25.640 --> 1:57:29.040
<v Speaker 1>I don't understand why people pick one or the other. Both.

1:57:29.280 --> 1:57:32.919
<v Speaker 3>You gotta you canna have both, kinda have loyalty and respect.

1:57:34.080 --> 1:57:36.160
<v Speaker 1>Please before you go to before taking picture.

1:57:40.360 --> 1:57:41.200
<v Speaker 6>You're on the winning ship.

1:57:41.400 --> 1:57:43.240
<v Speaker 1>Time, No, I got I know it's all I'm going

1:57:43.320 --> 1:57:51.480
<v Speaker 1>with it. Perfect time you want I g live, man,

1:57:51.920 --> 1:57:54.560
<v Speaker 1>anybody in the World on I J live with you,

1:57:56.760 --> 1:58:00.960
<v Speaker 1>and you said, man, these one of the fuckers, owe

1:58:01.000 --> 1:58:10.200
<v Speaker 1>me a check. And then you start naming names and

1:58:10.480 --> 1:58:12.560
<v Speaker 1>I'm gonna get I'm gonna it's my personal story.

1:58:13.400 --> 1:58:16.640
<v Speaker 3>Oh shit, it's before you made it.

1:58:16.760 --> 1:58:20.440
<v Speaker 1>I'm in Saint Thomas and I'm listening to these artists

1:58:20.480 --> 1:58:25.160
<v Speaker 1>that you particularly name, and I was just like, I'm

1:58:25.200 --> 1:58:29.839
<v Speaker 1>listening to them, it's just with the algorithms was playing.

1:58:30.440 --> 1:58:33.600
<v Speaker 1>I'm in the pool maybe twelve thirty at nine, and

1:58:33.680 --> 1:58:41.760
<v Speaker 1>I'm like, they just wow, and what they're saying.

1:58:41.800 --> 1:58:53.160
<v Speaker 3>I'm like, what is going on here? Then I see, yeah,

1:58:53.160 --> 1:58:59.920
<v Speaker 3>I gli and I know what you're saying. But then

1:59:00.160 --> 1:59:05.320
<v Speaker 3>I go, did I listen to And I was like,

1:59:05.480 --> 1:59:07.520
<v Speaker 3>oh shit, I couldn't.

1:59:10.000 --> 1:59:13.240
<v Speaker 1>I was so like blown away on how much you

1:59:13.320 --> 1:59:17.800
<v Speaker 1>were accurate on what your statement was delivering.

1:59:18.440 --> 1:59:21.880
<v Speaker 3>I was like, it was the same. And by the way,

1:59:21.920 --> 1:59:25.000
<v Speaker 3>it was white people who walked away and walked around,

1:59:25.360 --> 1:59:28.560
<v Speaker 3>and was like, they're the same shit that I did.

1:59:28.960 --> 1:59:31.560
<v Speaker 1>And I was like, holy shit, but you had did

1:59:31.600 --> 1:59:35.360
<v Speaker 1>it so many years before, so in my opinion, now

1:59:35.440 --> 1:59:38.040
<v Speaker 1>this is my opinion, I thought you was playing with

1:59:38.160 --> 1:59:40.480
<v Speaker 1>the girls, just telling them like yo, you know, you know,

1:59:40.600 --> 1:59:43.320
<v Speaker 1>y'all all owe me or whatever, but I need to

1:59:43.520 --> 1:59:46.400
<v Speaker 1>ask you, face to face, man the man for all

1:59:46.440 --> 1:59:51.080
<v Speaker 1>the masters, what did you mean by that act post

1:59:51.160 --> 1:59:53.960
<v Speaker 1>when you said that about you know, all the women

1:59:54.040 --> 1:59:58.840
<v Speaker 1>who was actually taking your formula. Some know it, but

1:59:59.040 --> 2:00:01.560
<v Speaker 1>some probably don't. E right right right?

2:00:02.120 --> 2:00:06.880
<v Speaker 3>So what is your stance to describe that very moment?

2:00:07.320 --> 2:00:12.280
<v Speaker 3>It was? It was not like Okay, I need a check,

2:00:12.840 --> 2:00:13.640
<v Speaker 3>I need some money.

2:00:13.680 --> 2:00:16.640
<v Speaker 1>It was more of it was more of a form

2:00:16.880 --> 2:00:21.520
<v Speaker 1>of you guys need to understand where this ship came

2:00:21.600 --> 2:00:25.200
<v Speaker 1>from and who paid his way? You know what I'm saying,

2:00:25.280 --> 2:00:29.960
<v Speaker 1>because I was called everything but the Charlotte Guard from women,

2:00:31.240 --> 2:00:35.560
<v Speaker 1>whether it was se Delauri's Tucker or everybody, old misogynistic pig.

2:00:36.560 --> 2:00:38.760
<v Speaker 1>You this you that you're going to court. You know,

2:00:39.040 --> 2:00:43.360
<v Speaker 1>can't really do major tours because of the music and

2:00:43.520 --> 2:00:46.040
<v Speaker 1>the dancing and all this stuff that was going on.

2:00:46.560 --> 2:00:49.560
<v Speaker 1>And then I'm looking at it and I see a

2:00:49.640 --> 2:00:53.800
<v Speaker 1>lot of artists, uh not not a new artist, not

2:00:53.920 --> 2:00:56.840
<v Speaker 1>paying respect to older artists who really paved the way.

2:00:57.160 --> 2:01:00.760
<v Speaker 1>And I'm like, okay, you know on to this turk

2:01:00.840 --> 2:01:05.120
<v Speaker 1>and shit, do y'all really know the history behind this?

2:01:06.160 --> 2:01:09.640
<v Speaker 1>You feel me, and so let me just say this

2:01:10.600 --> 2:01:13.800
<v Speaker 1>on here, on this platform, so I can give y'all

2:01:13.880 --> 2:01:16.800
<v Speaker 1>a little history lesson of where the fuck y'all came

2:01:16.880 --> 2:01:19.760
<v Speaker 1>from and where all this started, because you drop it

2:01:19.800 --> 2:01:22.240
<v Speaker 1>in like it's hot. Like if you go and pull

2:01:22.360 --> 2:01:24.800
<v Speaker 1>up any one of my videos, you'll see that the

2:01:24.880 --> 2:01:29.720
<v Speaker 1>same dancing thirty years ago, forty years ago, you know

2:01:29.760 --> 2:01:33.080
<v Speaker 1>what I'm saying. So basically saying, y'all need to pay

2:01:33.200 --> 2:01:37.160
<v Speaker 1>respect to it. Like I've had conversations with Sexy Red,

2:01:37.800 --> 2:01:38.880
<v Speaker 1>you know, spoke to us.

2:01:39.160 --> 2:01:41.120
<v Speaker 6>Yeah, I spoke the Sexy.

2:01:40.920 --> 2:01:47.920
<v Speaker 1>Red and and uh and I Spice hit me up.

2:01:48.640 --> 2:01:51.760
<v Speaker 1>I was supposed to link up with them, have a conversation.

2:01:52.000 --> 2:01:55.000
<v Speaker 1>You know, it's more of you know, hey, look y'all,

2:01:55.200 --> 2:01:58.000
<v Speaker 1>I love I love what they're doing. You know, even

2:01:58.080 --> 2:02:02.200
<v Speaker 1>when I got the Deal Award, when they honored me

2:02:02.320 --> 2:02:09.040
<v Speaker 1>here in Miami, and I saw fucking Cardi B sitting there,

2:02:09.480 --> 2:02:12.920
<v Speaker 1>she going through the same bullshit saying she ain't hip hop,

2:02:13.080 --> 2:02:15.640
<v Speaker 1>she ain't this because of the music she's doing and

2:02:15.960 --> 2:02:18.800
<v Speaker 1>the vibe that she was on. You know, that's why

2:02:18.840 --> 2:02:21.640
<v Speaker 1>I kind of gave her respect at that moment. You know,

2:02:21.840 --> 2:02:24.480
<v Speaker 1>keep doing you know, like giving uh, you know, words

2:02:24.520 --> 2:02:27.920
<v Speaker 1>of encouragements. The same thing with these these young ladies.

2:02:28.280 --> 2:02:31.200
<v Speaker 1>You know, you're doing this music, You're getting criticized from

2:02:31.240 --> 2:02:33.720
<v Speaker 1>one part of it. People love what you're doing. But

2:02:33.880 --> 2:02:35.840
<v Speaker 1>at the end of the day, know where this shit

2:02:35.960 --> 2:02:38.440
<v Speaker 1>came from and who paid away. You know, it's all

2:02:38.480 --> 2:02:42.280
<v Speaker 1>about history with me. You know, I respect the fuck

2:02:42.320 --> 2:02:45.080
<v Speaker 1>out of Quincy Jones, you know what I'm saying people

2:02:45.240 --> 2:02:47.560
<v Speaker 1>like that. You know, I know these you know, I

2:02:47.680 --> 2:02:51.640
<v Speaker 1>know Sugarhell Records and all these people who who've kind

2:02:51.680 --> 2:02:53.480
<v Speaker 1>of paved the way for us to do what we're doing.

2:02:53.520 --> 2:02:56.720
<v Speaker 1>And I just wanted to say that to the lady.

2:02:56.760 --> 2:03:00.600
<v Speaker 7>But don't you think it's probably less there and more

2:03:01.400 --> 2:03:04.320
<v Speaker 7>the culture's fault that doesn't want to teach history, doesn't

2:03:04.360 --> 2:03:06.920
<v Speaker 7>want to keep passing down the history of the culture.

2:03:07.280 --> 2:03:11.360
<v Speaker 1>It's not really the culture. It's more of the Stephen

2:03:11.440 --> 2:03:13.880
<v Speaker 1>Hills and people them like the Mother, the media that

2:03:14.000 --> 2:03:15.320
<v Speaker 1>controls certain things, who.

2:03:15.320 --> 2:03:18.200
<v Speaker 6>Control media, and whoever told our story.

2:03:19.040 --> 2:03:21.920
<v Speaker 1>You know, the Source magazine was pretty much one of

2:03:21.960 --> 2:03:25.680
<v Speaker 1>the only people to tell and the accurate they're pretty accurate,

2:03:26.080 --> 2:03:26.720
<v Speaker 1>you know what I'm saying.

2:03:27.000 --> 2:03:27.880
<v Speaker 6>Five by Freddy.

2:03:28.320 --> 2:03:29.960
<v Speaker 1>I had to tell him I'm not going to New

2:03:30.040 --> 2:03:32.560
<v Speaker 1>York to do no, goddamn your TV raps. No, you're

2:03:32.560 --> 2:03:35.000
<v Speaker 1>gonna come down here, he would, And they came down

2:03:35.080 --> 2:03:37.400
<v Speaker 1>here was the first time to show ever travel just

2:03:37.480 --> 2:03:39.560
<v Speaker 1>like they went to Compton, just like that. Then they

2:03:39.640 --> 2:03:42.480
<v Speaker 1>started traveling places them like, look, went to Miami first.

2:03:42.520 --> 2:03:43.440
<v Speaker 6>They went to Miami first.

2:03:43.480 --> 2:03:45.000
<v Speaker 2>I didn't know that there was first here. Yeah, no,

2:03:45.120 --> 2:03:45.680
<v Speaker 2>we were first.

2:03:45.800 --> 2:03:49.520
<v Speaker 1>And so those embracing the culture and understanding what we're

2:03:49.520 --> 2:03:54.360
<v Speaker 1>all about, you know, was very is very very It

2:03:54.600 --> 2:03:58.040
<v Speaker 1>was very important to me even then and at the time.

2:03:58.120 --> 2:04:01.080
<v Speaker 1>And so it's again, you know, I love what the

2:04:01.440 --> 2:04:03.960
<v Speaker 1>what these girls are doing because I laugh at it.

2:04:04.360 --> 2:04:06.680
<v Speaker 1>I think it's fucking brilliant.

2:04:06.360 --> 2:04:09.360
<v Speaker 3>Because it's like your style has lasted.

2:04:09.360 --> 2:04:13.520
<v Speaker 1>All all this time. Look at Ja is shaking, y'all ass.

2:04:14.640 --> 2:04:17.160
<v Speaker 1>They thought you was when they thought you was degrading women.

2:04:17.360 --> 2:04:20.600
<v Speaker 1>The women took it over. That women took out. That's

2:04:20.640 --> 2:04:25.320
<v Speaker 1>some fucking brilliant ship that these women. I mean, the

2:04:25.560 --> 2:04:27.960
<v Speaker 1>women were coming after me. I was the worst motherfucker

2:04:28.000 --> 2:04:30.360
<v Speaker 1>in the world. And the women have taken over it.

2:04:30.680 --> 2:04:32.960
<v Speaker 1>And they whooping the men ass right now.

2:04:33.240 --> 2:04:33.440
<v Speaker 6>Damn.

2:04:34.120 --> 2:04:39.440
<v Speaker 1>I mean, I mean, you like it don't like it

2:04:40.520 --> 2:04:44.680
<v Speaker 1>up here in between all yeah, between the woman is

2:04:44.840 --> 2:04:50.480
<v Speaker 1>fucking kicking ass and yeah, I'm telling women in hip

2:04:50.480 --> 2:04:53.400
<v Speaker 1>hop and they're winning man. And like even when Sexy

2:04:53.480 --> 2:04:58.080
<v Speaker 1>Red we did the award show the BT Music War, okay,

2:04:59.280 --> 2:05:05.360
<v Speaker 1>and my homeboy owns on the label. Uh shout ouside

2:05:05.400 --> 2:05:08.840
<v Speaker 1>to my man stand damn big up. My man Stan was.

2:05:08.840 --> 2:05:10.440
<v Speaker 6>Trying to get her on the red copet.

2:05:11.520 --> 2:05:15.800
<v Speaker 3>Nobody try to get on the red carpetution the original

2:05:16.400 --> 2:05:16.880
<v Speaker 3>which one.

2:05:16.800 --> 2:05:20.200
<v Speaker 1>Of the war the year before when I went there

2:05:20.240 --> 2:05:20.560
<v Speaker 1>when they.

2:05:20.560 --> 2:05:24.400
<v Speaker 3>Did that fifty okay, okay, fifty yeah, yeah, they were

2:05:24.400 --> 2:05:25.000
<v Speaker 3>trying to get on it.

2:05:25.200 --> 2:05:26.720
<v Speaker 6>They were trying to get on the red copet.

2:05:27.400 --> 2:05:29.200
<v Speaker 1>I couldn't get on the red card and because of

2:05:29.280 --> 2:05:32.800
<v Speaker 1>her music and what she was representing, they wouldn't let

2:05:32.880 --> 2:05:36.440
<v Speaker 1>on the red copy. So staying my dog, you feel me?

2:05:37.240 --> 2:05:39.880
<v Speaker 1>You know that's his artist. I'm like, fuck that ship.

2:05:39.960 --> 2:05:40.840
<v Speaker 1>Get in the car with me.

2:05:42.240 --> 2:05:45.160
<v Speaker 3>You sex on the red car with you. Get in

2:05:45.240 --> 2:05:45.760
<v Speaker 3>the car with me.

2:05:45.880 --> 2:05:46.440
<v Speaker 1>Fuck that ship.

2:05:46.480 --> 2:05:48.360
<v Speaker 6>You're going on there. You don't know, I ain't going.

2:05:48.440 --> 2:05:49.320
<v Speaker 1>This is my dog right here.

2:05:49.360 --> 2:05:50.000
<v Speaker 6>I fuck with him.

2:05:50.320 --> 2:05:50.800
<v Speaker 1>You feel me?

2:05:51.720 --> 2:05:52.840
<v Speaker 3>Did she make car?

2:05:53.440 --> 2:05:55.840
<v Speaker 1>And so she she's sitting in the in the in

2:05:55.920 --> 2:05:56.520
<v Speaker 1>the in the truck.

2:05:56.760 --> 2:05:58.040
<v Speaker 3>I never did this ship in my life.

2:05:58.160 --> 2:05:59.000
<v Speaker 6>I don't know what this is.

2:05:59.200 --> 2:06:02.080
<v Speaker 1>I'm nervous as it was, like, look, you're gonna see

2:06:02.080 --> 2:06:04.080
<v Speaker 1>an ex on the floor, this is where you're staying at.

2:06:04.760 --> 2:06:08.800
<v Speaker 1>Don't fucking hold my hand whatever you do, I cannot

2:06:08.880 --> 2:06:15.960
<v Speaker 1>be dating Sexy rede you Red, you come on it.

2:06:16.520 --> 2:06:22.040
<v Speaker 1>And so eventually they were like, uh, bro, you know, like,

2:06:23.000 --> 2:06:24.920
<v Speaker 1>she can't come on the red coppet. No, no, no,

2:06:26.840 --> 2:06:29.840
<v Speaker 1>she with me at the BT War at the BT War.

2:06:30.000 --> 2:06:32.920
<v Speaker 1>So Sexy Red ended up going on the fucking red copet.

2:06:32.960 --> 2:06:35.400
<v Speaker 1>If you see the first picture, you'll see me and

2:06:35.480 --> 2:06:38.360
<v Speaker 1>her in the first picture, and then you know, on

2:06:38.440 --> 2:06:40.440
<v Speaker 1>the with the first stop, and then we moved in.

2:06:40.520 --> 2:06:42.920
<v Speaker 1>I said, okay, well you with this other girl, y'all

2:06:43.160 --> 2:06:45.680
<v Speaker 1>just go and you know, kind of coached up on

2:06:45.800 --> 2:06:49.200
<v Speaker 1>the red carpet and I took off. Well then I saw, y'all,

2:06:50.560 --> 2:06:53.480
<v Speaker 1>we just tell you how gangster that story is. To

2:06:53.600 --> 2:06:56.760
<v Speaker 1>lease to this story, we've seen Sexy Red on the

2:06:56.880 --> 2:06:59.720
<v Speaker 1>Red carpet last year, and you know what she did

2:06:59.760 --> 2:07:04.400
<v Speaker 1>on the red She made it rain everywhere she walked

2:07:04.400 --> 2:07:06.040
<v Speaker 1>through it. I was abbouted to be like, hey, sixty

2:07:06.160 --> 2:07:08.320
<v Speaker 1>Red and I was like, she started making it, started

2:07:08.360 --> 2:07:08.960
<v Speaker 1>making it rain.

2:07:09.080 --> 2:07:10.240
<v Speaker 6>Everybody was like, nah, I.

2:07:10.320 --> 2:07:12.360
<v Speaker 3>Got that because you don't want to be the nigga

2:07:12.400 --> 2:07:12.680
<v Speaker 3>in there.

2:07:14.920 --> 2:07:15.640
<v Speaker 1>I don't want to be.

2:07:19.240 --> 2:07:20.640
<v Speaker 6>Made rain on you and ship.

2:07:20.840 --> 2:07:22.440
<v Speaker 1>Yeah, I'm gonna take it. We're gonna take a small

2:07:22.480 --> 2:07:25.320
<v Speaker 1>piston breaking. If you were like, yeah, oh my god,

2:07:25.320 --> 2:07:25.960
<v Speaker 1>I'm so happy.

2:07:26.240 --> 2:07:26.880
<v Speaker 3>I'm so happy.

2:07:27.000 --> 2:07:30.680
<v Speaker 1>This is everything I thought it would be, and more.

2:07:33.480 --> 2:07:35.520
<v Speaker 3>So, this is this is another something that I was

2:07:36.080 --> 2:07:43.360
<v Speaker 3>very interesting to me.

2:07:43.480 --> 2:07:48.640
<v Speaker 1>See you say, right, you living through the Biggie Pop

2:07:48.920 --> 2:07:53.120
<v Speaker 1>Tupac thing and then you seeing an incident with Ross

2:07:55.960 --> 2:08:01.760
<v Speaker 1>in Canada. Now, these individu yous might have, I don't know,

2:08:03.080 --> 2:08:06.240
<v Speaker 1>been just random individuals, but you spoke on it. He

2:08:06.320 --> 2:08:09.000
<v Speaker 1>was like, yo, Drake, now you kind of like kind

2:08:09.040 --> 2:08:14.080
<v Speaker 1>of like gotta gotta ride with that because he posted it.

2:08:14.480 --> 2:08:17.200
<v Speaker 3>What was the reason why you said that? He liked it?

2:08:17.800 --> 2:08:20.360
<v Speaker 1>He liked Yeah, he liked it. He liked the picture.

2:08:23.960 --> 2:08:26.760
<v Speaker 1>Why did Why did you comment? What made you want

2:08:26.840 --> 2:08:31.440
<v Speaker 1>to speak on that? What the thing is? You know,

2:08:31.680 --> 2:08:36.880
<v Speaker 1>I'm you know, I'm all about peace in hip hop?

2:08:37.280 --> 2:08:41.760
<v Speaker 1>Uh number one? Then in Miami, first you feel me,

2:08:42.440 --> 2:08:48.720
<v Speaker 1>and so, uh, that incident that happened, you know, I

2:08:49.160 --> 2:08:51.120
<v Speaker 1>you know it was it was. It was fucked up

2:08:51.680 --> 2:08:55.040
<v Speaker 1>what happened, you know what I'm saying, because it's obvious

2:08:55.120 --> 2:08:57.240
<v Speaker 1>that ross them didn't go there.

2:08:57.200 --> 2:08:59.920
<v Speaker 3>Looking for that, you know, you or they want to

2:09:00.080 --> 2:09:00.400
<v Speaker 3>went there.

2:09:00.560 --> 2:09:02.000
<v Speaker 1>Yeah, they would have went there, or they would have

2:09:02.040 --> 2:09:03.920
<v Speaker 1>went there a little more deeper than than what they

2:09:03.960 --> 2:09:06.000
<v Speaker 1>went there, you feel me. And so at the end

2:09:06.000 --> 2:09:08.360
<v Speaker 1>of the day, I'm looking at my dog Sam Steve,

2:09:09.080 --> 2:09:12.120
<v Speaker 1>you know, in the fight, and then I'm looking at

2:09:12.200 --> 2:09:15.240
<v Speaker 1>this other kid who was brought out there with him

2:09:15.400 --> 2:09:17.880
<v Speaker 1>from you know, one of the guys who used to

2:09:18.000 --> 2:09:23.200
<v Speaker 1>roll with him brother who passed. You know, these young

2:09:23.280 --> 2:09:26.360
<v Speaker 1>guys out there going through this and this shit happening.

2:09:27.000 --> 2:09:30.000
<v Speaker 1>So it got a little bit deeper, you know, and

2:09:30.080 --> 2:09:34.040
<v Speaker 1>I'm like, Okay, that ship is fucked up. You know

2:09:34.240 --> 2:09:36.360
<v Speaker 1>how it went down, It was fucked up. But then

2:09:37.000 --> 2:09:41.520
<v Speaker 1>when Drake liked it, it became you condoning this shit.

2:09:42.560 --> 2:09:44.880
<v Speaker 1>So that mean you on that and people saying, oh,

2:09:45.000 --> 2:09:47.520
<v Speaker 1>this is your crew and know that you fock these

2:09:47.600 --> 2:09:48.720
<v Speaker 1>dudes and everything like that.

2:09:48.840 --> 2:09:50.800
<v Speaker 6>I'm like, Yo, that's that's fucked up.

2:09:51.640 --> 2:09:54.240
<v Speaker 1>Mind you you keep rolling down to Miami thinking it's

2:09:54.800 --> 2:09:58.160
<v Speaker 1>sweet like that, you feel me with you know, hey,

2:09:58.240 --> 2:10:01.920
<v Speaker 1>look you ross you know you live in Atlanta. They

2:10:02.000 --> 2:10:05.240
<v Speaker 1>live all over the place, but you you know, there's

2:10:05.280 --> 2:10:07.320
<v Speaker 1>some Miami shit. And then you got the same time,

2:10:07.400 --> 2:10:11.840
<v Speaker 1>you got fifty commenting uh. And so it's a lot

2:10:11.920 --> 2:10:14.440
<v Speaker 1>of I just took it from the standpoint a lot

2:10:14.480 --> 2:10:18.000
<v Speaker 1>of motherfuckers is like really thinking we're sweet down here.

2:10:18.040 --> 2:10:19.120
<v Speaker 6>They ain't really sweet like.

2:10:19.200 --> 2:10:21.960
<v Speaker 1>That, you know. It's you know, we don't play like that,

2:10:22.640 --> 2:10:25.760
<v Speaker 1>you know. And so again maybe because a lot of

2:10:25.880 --> 2:10:28.240
<v Speaker 1>dudes have moved down here and you don't hanging out

2:10:28.320 --> 2:10:31.160
<v Speaker 1>doing anything, which is okay, which is fine, but then

2:10:32.000 --> 2:10:34.080
<v Speaker 1>at the end of the day, you know, we ain't

2:10:34.120 --> 2:10:36.960
<v Speaker 1>on no sucker shit. And so I feel like, you know, okay,

2:10:37.000 --> 2:10:41.200
<v Speaker 1>all right, you know y'all need y'all need to squash

2:10:41.360 --> 2:10:44.880
<v Speaker 1>that because again, now you know, I speak for two

2:10:44.920 --> 2:10:46.120
<v Speaker 1>different worlds around here.

2:10:46.800 --> 2:10:48.880
<v Speaker 6>You know, it's you know a lot of people like yo.

2:10:49.640 --> 2:10:53.480
<v Speaker 1>You know that you know, nobody never want nothing bad

2:10:53.560 --> 2:10:56.280
<v Speaker 1>to happen to nobody. But at the same time, you know,

2:10:57.800 --> 2:10:59.640
<v Speaker 1>you know, and that's why I'm always the peace maker.

2:11:00.160 --> 2:11:02.920
<v Speaker 3>No, no, no, let's it ain't like that. Let's let

2:11:02.960 --> 2:11:04.520
<v Speaker 3>me deal with it, you know.

2:11:04.600 --> 2:11:07.600
<v Speaker 1>And things like that, and so at the end of

2:11:07.640 --> 2:11:10.480
<v Speaker 1>the day, I just felt like I needed to say something, uh,

2:11:11.320 --> 2:11:13.760
<v Speaker 1>you know, more so than anything, because people are taking

2:11:13.800 --> 2:11:17.440
<v Speaker 1>for a joke, you know, and when you mentioned Miami

2:11:17.520 --> 2:11:20.520
<v Speaker 1>and three or five gangsters and ship like that and

2:11:21.160 --> 2:11:22.320
<v Speaker 1>and all that, No, no, we.

2:11:22.320 --> 2:11:22.880
<v Speaker 6>Ain't doing that.

2:11:23.720 --> 2:11:25.720
<v Speaker 1>You know. You can have all your jokes and all

2:11:25.800 --> 2:11:29.440
<v Speaker 1>that all you want, but don't don't don't don't play

2:11:29.480 --> 2:11:32.200
<v Speaker 1>with don't play with us like that. And so do

2:11:32.280 --> 2:11:32.840
<v Speaker 1>you think that.

2:11:35.240 --> 2:11:36.200
<v Speaker 3>That derived from you?

2:11:36.600 --> 2:11:38.800
<v Speaker 1>You're not forgiving him for when he's kind of like

2:11:39.120 --> 2:11:41.480
<v Speaker 1>it felt like Drake took a shot that you tell

2:11:41.680 --> 2:11:43.320
<v Speaker 1>Uncle Luke Wei in Miami too.

2:11:44.680 --> 2:11:49.400
<v Speaker 3>Well, I looked at even even with that, right, I didn't.

2:11:51.200 --> 2:11:51.640
<v Speaker 3>I had to.

2:11:54.720 --> 2:11:56.840
<v Speaker 1>I had to put in my mind that that's you know,

2:11:56.960 --> 2:11:59.840
<v Speaker 1>that was okay, you just saying you out here. Some

2:12:00.120 --> 2:12:04.640
<v Speaker 1>people say it was a slight disc and then and

2:12:04.960 --> 2:12:09.320
<v Speaker 1>you take it. And originally I was like, oh, buddy

2:12:09.400 --> 2:12:14.160
<v Speaker 1>being slick, right, not the nigga just got broke on

2:12:14.320 --> 2:12:19.520
<v Speaker 1>broke by puff daddy. Really you feel me? And so

2:12:19.640 --> 2:12:23.600
<v Speaker 1>I'm like, but then I channeled it again I'm on

2:12:23.720 --> 2:12:26.800
<v Speaker 1>some piece ship right now. I challeled, Okay, all right,

2:12:26.840 --> 2:12:29.680
<v Speaker 1>you just saying telling Mama in Miami, because what.

2:12:29.920 --> 2:12:34.760
<v Speaker 6>Really happened was it was with them dudes moving down here.

2:12:34.920 --> 2:12:38.000
<v Speaker 1>And me saying that if y'all gonna live here, you

2:12:38.080 --> 2:12:40.720
<v Speaker 1>got to embrace the culture. You gotta do something in

2:12:40.760 --> 2:12:43.200
<v Speaker 1>the fucking community. You know what I'm saying. It wasn't

2:12:43.200 --> 2:12:46.240
<v Speaker 1>nothing hard on them, like y'all got all these motherfuckers.

2:12:46.440 --> 2:12:49.720
<v Speaker 1>You got to be a part of it, you know,

2:12:50.000 --> 2:12:51.880
<v Speaker 1>just you know, go to the park and say hello

2:12:52.000 --> 2:12:56.600
<v Speaker 1>to the kids and read the fucking book public exactly,

2:12:57.040 --> 2:13:00.680
<v Speaker 1>you know. And so and so. I guess I don't know.

2:13:00.840 --> 2:13:03.440
<v Speaker 1>He probably felt defended that I didn't mention his name,

2:13:03.560 --> 2:13:06.640
<v Speaker 1>but you know, I don't know. But I didn't take

2:13:06.720 --> 2:13:10.800
<v Speaker 1>it as a as a disc because off I took

2:13:10.840 --> 2:13:14.760
<v Speaker 1>it as a this, then i'd have had a conversation

2:13:14.920 --> 2:13:16.080
<v Speaker 1>with him, you know.

2:13:16.200 --> 2:13:16.640
<v Speaker 6>But I ain't.

2:13:16.680 --> 2:13:18.960
<v Speaker 1>I ain't, you know. I was like, don't take this

2:13:19.080 --> 2:13:22.160
<v Speaker 1>as a this. Little one little man say, man, niggas

2:13:22.200 --> 2:13:22.880
<v Speaker 1>tried you just.

2:13:22.960 --> 2:13:25.040
<v Speaker 6>Now, and then the other little ones say, hey, ain't

2:13:25.080 --> 2:13:26.440
<v Speaker 6>no man, no.

2:13:27.000 --> 2:13:29.160
<v Speaker 1>But he just you know, he's just trying to you know,

2:13:30.040 --> 2:13:32.360
<v Speaker 1>do some comedy ship, you know, and all that, and

2:13:32.480 --> 2:13:35.400
<v Speaker 1>so I ain't I the little the other the good guy,

2:13:36.360 --> 2:13:37.560
<v Speaker 1>you know, cooler back guy.

2:13:37.600 --> 2:13:40.800
<v Speaker 3>All put it that way. I can say it like that,

2:13:41.600 --> 2:13:42.720
<v Speaker 3>but I didn't, you know.

2:13:43.520 --> 2:13:45.720
<v Speaker 1>But people would, oh, tell Uncle lucat Miami, and so

2:13:45.800 --> 2:13:49.160
<v Speaker 1>it became like a thing, you know, people doing Instagram picks.

2:13:49.360 --> 2:13:51.560
<v Speaker 1>Tell uncle Luke, I'm out of Miami too. Girls and

2:13:51.640 --> 2:13:54.480
<v Speaker 1>ship tell her Luke, I'm out of Miami too. I'm like, damn,

2:13:54.520 --> 2:13:59.640
<v Speaker 1>you find as fun. Yeah, it turned into a positive

2:13:59.720 --> 2:14:03.280
<v Speaker 1>thing because if I have if I have probably you know,

2:14:03.480 --> 2:14:06.640
<v Speaker 1>had some words with somebody did, it wouldn't have never

2:14:07.160 --> 2:14:10.040
<v Speaker 1>been a positive. So it turned into a positive, you know,

2:14:10.160 --> 2:14:14.040
<v Speaker 1>which everybody come down your talent. I love Nami too. Okay, good,

2:14:14.120 --> 2:14:25.040
<v Speaker 1>thank you Drake. But yeah, good job. So the famous moment, Uh,

2:14:25.560 --> 2:14:31.600
<v Speaker 1>you're talking about the super Bowl? What what do you

2:14:31.960 --> 2:14:36.040
<v Speaker 1>actually think about what happened in the super Bowl? Do

2:14:36.120 --> 2:14:41.080
<v Speaker 1>you think especially the greatest thing about this is your

2:14:41.200 --> 2:14:47.400
<v Speaker 1>past with cash money and little Wayne. But traditionally you

2:14:47.560 --> 2:14:53.200
<v Speaker 1>said it, most people that's from that town when the

2:14:53.240 --> 2:14:56.720
<v Speaker 1>super Bowl happens, it's not that talent.

2:14:57.080 --> 2:14:58.200
<v Speaker 3>So do you feel like.

2:15:01.240 --> 2:15:04.880
<v Speaker 1>Wayne was snubbed or do you feel like you know

2:15:05.360 --> 2:15:07.600
<v Speaker 1>this is this is this is this man job and

2:15:08.240 --> 2:15:12.880
<v Speaker 1>and most of the time they picked the talent before

2:15:13.040 --> 2:15:15.920
<v Speaker 1>they picked the city. Sometimes they put the talent based

2:15:15.960 --> 2:15:18.800
<v Speaker 1>on sometimes sometimes I'm not saying all the time, and

2:15:18.920 --> 2:15:23.760
<v Speaker 1>sometimes it does aligne. So this is me sitting back

2:15:23.960 --> 2:15:28.840
<v Speaker 1>and shutting up. I would like to hear nothing. You're

2:15:28.840 --> 2:15:34.360
<v Speaker 1>a football expert and this part I am not an

2:15:34.400 --> 2:15:35.920
<v Speaker 1>expert at So.

2:15:38.080 --> 2:15:42.160
<v Speaker 3>You have an expert no, no, no, not in football.

2:15:42.600 --> 2:15:48.120
<v Speaker 1>This sporting okay, okay, entertainment okay, this is entertainment part

2:15:48.160 --> 2:15:48.760
<v Speaker 1>of the football.

2:15:48.760 --> 2:15:49.040
<v Speaker 6>Okay.

2:15:49.160 --> 2:15:52.400
<v Speaker 1>So you commented it. So where was you at and

2:15:53.000 --> 2:15:55.280
<v Speaker 1>how did you feel when you heard that? And I

2:15:55.440 --> 2:15:57.520
<v Speaker 1>was I just wanted to And that's your response. It

2:15:57.600 --> 2:16:02.800
<v Speaker 1>brought up fucked up memories of when the simple happened

2:16:02.800 --> 2:16:06.800
<v Speaker 1>in Miami because I said something. Then okay, you know,

2:16:07.000 --> 2:16:10.720
<v Speaker 1>and you know I said something. I called Jay out

2:16:11.040 --> 2:16:14.640
<v Speaker 1>for it, j Lo jay Z it was a part

2:16:14.640 --> 2:16:18.120
<v Speaker 1>of the Miami and I think that's when he That's

2:16:18.160 --> 2:16:23.839
<v Speaker 1>when he eventually that's when he eventually took from my understanding,

2:16:23.920 --> 2:16:26.360
<v Speaker 1>he took over the entertainment part of it and booking

2:16:26.440 --> 2:16:28.920
<v Speaker 1>the artists and everything, and me and him had a conversation.

2:16:29.560 --> 2:16:31.600
<v Speaker 1>You know, I loved I love him to depth, you know,

2:16:31.680 --> 2:16:34.200
<v Speaker 1>that's that's my fucking guy. So we had a we

2:16:34.320 --> 2:16:40.879
<v Speaker 1>had a conversation behind him and your show. It's cool. Yeah, yeah,

2:16:41.000 --> 2:16:46.240
<v Speaker 1>So it ended up, uh, and I expressed my feelings

2:16:46.320 --> 2:16:49.680
<v Speaker 1>toward that. You know, these two girls ain't from Miami,

2:16:50.160 --> 2:16:52.160
<v Speaker 1>you know what I'm saying. We you know, And he

2:16:52.440 --> 2:16:54.880
<v Speaker 1>told me his part of it, you know why he

2:16:55.040 --> 2:16:58.240
<v Speaker 1>thought they you know, I'm like, look, look, Miami is

2:16:58.760 --> 2:17:00.920
<v Speaker 1>you know, I explained to him, there's a this is

2:17:00.959 --> 2:17:03.440
<v Speaker 1>a melting pot, you know. And I know y'all doing

2:17:03.480 --> 2:17:06.640
<v Speaker 1>something globally, but we got some global artists too. You know,

2:17:07.920 --> 2:17:11.440
<v Speaker 1>pit Bull is global, flow Rider it is global. Rick

2:17:11.600 --> 2:17:15.760
<v Speaker 1>Ross is global, you feel me. And so you know, uh,

2:17:16.400 --> 2:17:20.200
<v Speaker 1>those artists should be and it ain't nothing about me,

2:17:20.600 --> 2:17:25.280
<v Speaker 1>those artists. Somebody should be consulted with somebody around here

2:17:25.840 --> 2:17:28.440
<v Speaker 1>before doing that, because I only found out when I

2:17:28.440 --> 2:17:31.040
<v Speaker 1>saw the fucking commercial, you know what I'm saying. You know,

2:17:31.440 --> 2:17:34.480
<v Speaker 1>So we had that Okay, well we'll work somebody with this.

2:17:34.840 --> 2:17:39.480
<v Speaker 1>And so that situation where Wayne kind of brought that

2:17:39.720 --> 2:17:44.360
<v Speaker 1>back up in me. But then moving forward after the

2:17:44.400 --> 2:17:48.240
<v Speaker 1>Miami ship, then they did it right in LA they

2:17:48.280 --> 2:17:51.720
<v Speaker 1>did it right right, you know, they did that ship right. Okay,

2:17:52.000 --> 2:17:54.199
<v Speaker 1>shit in Miami, not the Miami.

2:17:53.920 --> 2:17:56.879
<v Speaker 6>Because you know, I was fucking hot even before Miami.

2:17:57.360 --> 2:17:59.760
<v Speaker 1>The dudes in Atlanta felt some kind of way, But

2:17:59.879 --> 2:18:03.880
<v Speaker 1>I don't think the people were involved Room five in

2:18:04.000 --> 2:18:11.920
<v Speaker 1>Atlanta exactly. You feel me, Yeah, had had problems at first.

2:18:12.440 --> 2:18:15.400
<v Speaker 1>So then yeah, if you want to do that, I

2:18:15.480 --> 2:18:16.040
<v Speaker 1>didn't beat that.

2:18:16.160 --> 2:18:16.840
<v Speaker 3>I'm so sorry.

2:18:17.040 --> 2:18:21.880
<v Speaker 1>Exactly if you want to do if you want to

2:18:21.920 --> 2:18:26.440
<v Speaker 1>do fucking Maroon five and all that ship, book the

2:18:26.520 --> 2:18:32.400
<v Speaker 1>goddamn game in Buffalo and Kansas City and Denver in Minnesota,

2:18:32.760 --> 2:18:36.280
<v Speaker 1>you have all that do uh? You want country Western,

2:18:36.560 --> 2:18:41.199
<v Speaker 1>book the game and fucking uh and and goddamn Nashville. Great.

2:18:41.400 --> 2:18:44.680
<v Speaker 1>It's like I wouldn't if somebody was called, if somebody

2:18:44.800 --> 2:18:46.760
<v Speaker 1>was to say, a hip hop artist doing a fucking

2:18:47.200 --> 2:18:50.119
<v Speaker 1>Super Bowl halftime in Nashville, I would be the first

2:18:50.200 --> 2:18:53.280
<v Speaker 1>one to say that's funked up, because Nashville is the

2:18:53.320 --> 2:18:59.120
<v Speaker 1>home of country Western goddamn uh. New Orleans is the

2:18:59.240 --> 2:19:03.720
<v Speaker 1>home of blues and the home of cash money and

2:19:03.879 --> 2:19:08.120
<v Speaker 1>master p. So it's only fucking right that you do that,

2:19:08.800 --> 2:19:13.200
<v Speaker 1>you know, so whoever involved, so that's you know, it's like, look, man,

2:19:13.280 --> 2:19:16.000
<v Speaker 1>let's do this ship right. You know. I love Kendrick Lamar.

2:19:16.080 --> 2:19:17.680
<v Speaker 1>I love what the fuck you do? I never met

2:19:17.760 --> 2:19:19.920
<v Speaker 1>him in my life. I love his music.

2:19:20.280 --> 2:19:23.840
<v Speaker 3>You know, black and New Orleans is a black motherfucker.

2:19:24.120 --> 2:19:27.880
<v Speaker 3>I understand that he's black, He's he's everything.

2:19:28.320 --> 2:19:30.400
<v Speaker 6>How this fucking song, you know?

2:19:30.560 --> 2:19:34.520
<v Speaker 1>And I don't look at it like a disc to

2:19:34.640 --> 2:19:37.320
<v Speaker 1>Lil Wayne, I look at it as a snub of

2:19:37.480 --> 2:19:40.240
<v Speaker 1>all of New Orleans music. I look at it as

2:19:40.280 --> 2:19:45.240
<v Speaker 1>stuff cash money and no limit. That's and and everything

2:19:45.320 --> 2:19:47.080
<v Speaker 1>that New Orleans music is all about.

2:19:47.600 --> 2:19:47.800
<v Speaker 4>You know.

2:19:47.879 --> 2:19:50.920
<v Speaker 1>I think they could have did a beautiful halftime show

2:19:51.400 --> 2:19:56.400
<v Speaker 1>with that encompass all of all that we performed. And

2:19:56.520 --> 2:20:02.080
<v Speaker 1>she was nowhere there from that city who we I

2:20:02.160 --> 2:20:06.880
<v Speaker 1>forget what super Bowl was, Yeah, San Diego. So for

2:20:07.040 --> 2:20:08.240
<v Speaker 1>those are places you could do.

2:20:08.680 --> 2:20:09.440
<v Speaker 6>No, No, they won't.

2:20:09.440 --> 2:20:12.240
<v Speaker 1>No super Bowl in San Diego. I ain't got no

2:20:12.320 --> 2:20:26.920
<v Speaker 1>football team. We could drink a million drinks get a

2:20:27.000 --> 2:20:28.000
<v Speaker 1>team in San Diego.

2:20:28.480 --> 2:20:28.720
<v Speaker 3>Okay.

2:20:28.879 --> 2:20:33.560
<v Speaker 1>But but to Jays, he commented on this, he comes

2:20:33.600 --> 2:20:34.320
<v Speaker 1>a long time ago.

2:20:34.640 --> 2:20:37.640
<v Speaker 7>He said that we couldn't say, he couldn't stick consistently

2:20:38.120 --> 2:20:40.920
<v Speaker 7>to picking the artists from the specific city because that

2:20:40.959 --> 2:20:43.960
<v Speaker 7>would hold him to something we couldn't do consistently because

2:20:44.000 --> 2:20:45.080
<v Speaker 7>not every city would happen.

2:20:45.360 --> 2:20:48.960
<v Speaker 1>You can have anybody in Arizona, but no disrespect to

2:20:49.040 --> 2:20:52.520
<v Speaker 1>the music community in Arizona. But you know, when you

2:20:52.560 --> 2:20:55.680
<v Speaker 1>look at thirty two teams and thirty two cities, right,

2:20:56.800 --> 2:21:00.440
<v Speaker 1>you got some country Western cities, you got some black

2:21:00.520 --> 2:21:04.400
<v Speaker 1>ass cities. You can't really build.

2:21:04.600 --> 2:21:06.240
<v Speaker 6>The entertainment around that.

2:21:07.080 --> 2:21:10.200
<v Speaker 1>You go to Tampa, uh, you know, you know, I

2:21:10.320 --> 2:21:13.960
<v Speaker 1>love some of the Tampa artists, but it's on a

2:21:14.040 --> 2:21:18.240
<v Speaker 1>global We're talking global, global artists. If you got global

2:21:18.360 --> 2:21:22.680
<v Speaker 1>artists in that moment, watch television exactly Yeah, around the world,

2:21:22.840 --> 2:21:26.800
<v Speaker 1>people don't even watch television, no more so exactly. So again,

2:21:28.080 --> 2:21:32.000
<v Speaker 1>if I'm gonna do the halftime in Tampa, I got anybody.

2:21:32.240 --> 2:21:35.320
<v Speaker 1>If I'm do the halftime in Minnesota, I anybody. If

2:21:35.320 --> 2:21:38.840
<v Speaker 1>I'm doing Nashville, I got these are these are NFL

2:21:39.959 --> 2:21:43.040
<v Speaker 1>NFL cities, you feel me. But then now, when you

2:21:43.160 --> 2:21:46.840
<v Speaker 1>go into Atlanta, Miami, New.

2:21:46.800 --> 2:21:49.600
<v Speaker 2>York, culturally, historically these cities have.

2:21:50.480 --> 2:21:54.360
<v Speaker 1>You go the fucking Buffalo and just whoever the you

2:21:54.400 --> 2:21:56.280
<v Speaker 1>want to put on that, you know what I'm saying.

2:21:56.320 --> 2:21:59.800
<v Speaker 1>So I understand the argument that we can't tie to that.

2:22:00.160 --> 2:22:02.600
<v Speaker 1>Yes you can, because Buffalo getting ready to build a

2:22:02.640 --> 2:22:05.680
<v Speaker 1>brand new stadium. You need to have a super Bowl there.

2:22:05.800 --> 2:22:07.840
<v Speaker 1>You had a co ass super Bowl in Jersey.

2:22:08.360 --> 2:22:13.800
<v Speaker 3>So you take Benning the Butcher and Griselda Blanco on.

2:22:15.400 --> 2:22:19.439
<v Speaker 1>That's something you I mean, I was Griselda the regular.

2:22:21.800 --> 2:22:27.199
<v Speaker 2>Those it's a group. It's an artist from from from.

2:22:27.320 --> 2:22:30.000
<v Speaker 1>Yeah, that's the artist from from from Buffalo, the adult

2:22:30.080 --> 2:22:30.480
<v Speaker 1>hip hop.

2:22:30.480 --> 2:22:35.160
<v Speaker 3>Artist Global Niggas. Yeah, yeah, No, that's that's the point.

2:22:35.240 --> 2:22:38.920
<v Speaker 1>So the point is global and Lil Wayne is global,

2:22:39.280 --> 2:22:44.840
<v Speaker 1>and absolutely Wayne is global. But it would be Lil Wayne.

2:22:45.240 --> 2:22:46.880
<v Speaker 1>Let me tell you the moment. I would if it

2:22:47.040 --> 2:22:52.480
<v Speaker 1>was me little Cash Money Lil Wayne, and then we

2:22:52.600 --> 2:22:57.880
<v Speaker 1>bring in Kendrick Lamar, right, I know, I know, I

2:22:58.040 --> 2:23:00.520
<v Speaker 1>know he's on the label with Dre and all that,

2:23:00.760 --> 2:23:02.760
<v Speaker 1>But then that would be bring peace.

2:23:02.600 --> 2:23:03.440
<v Speaker 6>To this situation.

2:23:04.640 --> 2:23:07.640
<v Speaker 3>That's what I think people are thinking and think about

2:23:07.680 --> 2:23:07.920
<v Speaker 3>it though.

2:23:08.400 --> 2:23:12.640
<v Speaker 7>Actually bringing Cash Money and No Limit together is like

2:23:12.720 --> 2:23:15.080
<v Speaker 7>bringing peace to the city because they had issues before

2:23:15.600 --> 2:23:19.720
<v Speaker 7>and in a bigger situation, of course, they had issues.

2:23:20.280 --> 2:23:22.440
<v Speaker 1>I'm talking about cash money, no limit. I'm saying bringing

2:23:22.520 --> 2:23:27.640
<v Speaker 1>those money and cruise together from their own city would

2:23:27.680 --> 2:23:30.119
<v Speaker 1>be wild. That would be the city would go crazy.

2:23:30.320 --> 2:23:34.480
<v Speaker 1>That that'd be both You get the same vibe that

2:23:34.600 --> 2:23:35.600
<v Speaker 1>you got with the l A.

2:23:36.400 --> 2:23:36.800
<v Speaker 3>And they got.

2:23:37.000 --> 2:23:40.600
<v Speaker 1>They both got hit records. Kendricks still do that, bring

2:23:41.240 --> 2:23:43.840
<v Speaker 1>still bele form and bring cash money and no limit.

2:23:44.000 --> 2:23:47.720
<v Speaker 1>I think I think I think it Kendrick go right

2:23:47.800 --> 2:23:49.520
<v Speaker 1>in the middle of that, mother. I think I think

2:23:49.600 --> 2:23:51.280
<v Speaker 1>Kendrick got something up and sleep. To be honest with you,

2:23:51.400 --> 2:23:54.760
<v Speaker 1>that's gonna make make something hope of this. I hope,

2:23:55.320 --> 2:23:57.720
<v Speaker 1>I think so. I hope so yeah got me hype

2:23:57.800 --> 2:24:01.680
<v Speaker 1>right now because Kendrick, both of your opinions, I did

2:24:01.760 --> 2:24:04.959
<v Speaker 1>not think of what no, Like, how y'all just broke

2:24:05.040 --> 2:24:07.560
<v Speaker 1>that down, Like I swear to God, I just thought

2:24:08.280 --> 2:24:14.920
<v Speaker 1>that the NFL commissioner just say give us the hottest artist.

2:24:15.600 --> 2:24:17.840
<v Speaker 1>And how y'all just broke that down like both of

2:24:17.920 --> 2:24:22.240
<v Speaker 1>y'all had two different definis. Well, if that was to happen,

2:24:23.879 --> 2:24:29.600
<v Speaker 1>but then let's just be honest. Can't Kendrick really bring

2:24:29.720 --> 2:24:32.520
<v Speaker 1>out Lil Wayne at this moment?

2:24:33.080 --> 2:24:36.360
<v Speaker 2>I mean, I think I'm asking it's not impossible.

2:24:36.879 --> 2:24:37.920
<v Speaker 1>It's not impossible.

2:24:38.959 --> 2:24:39.680
<v Speaker 11>I don't.

2:24:41.040 --> 2:24:44.840
<v Speaker 1>It's not impossible because the thing is, again, everybody have

2:24:44.840 --> 2:24:48.280
<v Speaker 1>would sit down a conversation. Maybe it's a little rough

2:24:48.440 --> 2:24:52.040
<v Speaker 1>because Lil Wayne and feels like, you know, okay man,

2:24:52.680 --> 2:24:55.000
<v Speaker 1>you know I'm some side bitch or something like that

2:24:55.240 --> 2:24:56.120
<v Speaker 1>and don't want to do it.

2:24:56.720 --> 2:24:58.959
<v Speaker 3>But then because y'all should, it should have been.

2:24:58.920 --> 2:25:02.920
<v Speaker 1>Really the other way around me, uh bringing him out.

2:25:03.040 --> 2:25:06.160
<v Speaker 1>And then now you you know, it ain't gonna be

2:25:07.200 --> 2:25:08.760
<v Speaker 1>it ain't gonna be a New Orleans thing.

2:25:08.840 --> 2:25:11.600
<v Speaker 3>It'll be more of a feature. You know you're coming

2:25:11.640 --> 2:25:13.400
<v Speaker 3>in on, so it'll be.

2:25:16.400 --> 2:25:18.480
<v Speaker 1>Ship. I've seen a lot of things happen, but.

2:25:20.040 --> 2:25:23.960
<v Speaker 6>For me, if it was me and it was you know,

2:25:24.120 --> 2:25:24.560
<v Speaker 6>that would be.

2:25:24.600 --> 2:25:26.440
<v Speaker 1>Hard for me to go do it. And let's be honest,

2:25:26.560 --> 2:25:28.440
<v Speaker 1>we don't know until it happens. You don't know it

2:25:29.000 --> 2:25:32.360
<v Speaker 1>because they might do something that we don't expect that. Yeah,

2:25:32.720 --> 2:25:34.760
<v Speaker 1>maybe this is all and got us all talking about

2:25:35.480 --> 2:25:36.760
<v Speaker 1>and we're all like, get.

2:25:37.600 --> 2:25:40.160
<v Speaker 3>Set up for Kendrick and Drake to squorsched they beef

2:25:40.200 --> 2:25:40.640
<v Speaker 3>on stage.

2:25:40.680 --> 2:25:47.080
<v Speaker 1>I doubt that. Yeah, that's wish for thinking it would

2:25:47.080 --> 2:25:49.880
<v Speaker 1>be amazing rumor right now, that would be amazing. That

2:25:49.920 --> 2:25:53.320
<v Speaker 1>would be amazing. But that's what and that'll bring you know,

2:25:53.840 --> 2:25:55.880
<v Speaker 1>could you get drake and squashed and a beef for

2:25:56.000 --> 2:26:00.560
<v Speaker 1>the sea in the world, Like I'm playing everybody and

2:26:00.840 --> 2:26:04.720
<v Speaker 1>born and like, what the fuck is that? That's true?

2:26:04.840 --> 2:26:07.560
<v Speaker 1>That's the thing. We're talking about local ship in a sentence,

2:26:07.600 --> 2:26:09.519
<v Speaker 1>and this is a global, global.

2:26:09.720 --> 2:26:11.640
<v Speaker 2>People outside ship.

2:26:11.680 --> 2:26:14.800
<v Speaker 1>What they talking about? What's their issues? You know what's

2:26:14.800 --> 2:26:20.160
<v Speaker 1>the craziest ship hip hop? From y'all beef uh to

2:26:21.160 --> 2:26:25.040
<v Speaker 1>whatever these people beef is. I believe this is what

2:26:25.120 --> 2:26:28.240
<v Speaker 1>I believe the biggest hip hop beef was there to

2:26:28.440 --> 2:26:32.640
<v Speaker 1>beef just now because no matter where I went, everyone.

2:26:32.440 --> 2:26:34.920
<v Speaker 7>Asks because of the Internet, because of the because of

2:26:34.959 --> 2:26:40.320
<v Speaker 7>the Internet, because and they did. They actually executed everything

2:26:40.760 --> 2:26:43.800
<v Speaker 7>on the Internet on social media like it was all

2:26:43.879 --> 2:26:48.080
<v Speaker 7>done live. We could all just watch Twitter, watch my Instagram,

2:26:48.200 --> 2:26:51.600
<v Speaker 7>and they dropping the disc records in real time by

2:26:51.680 --> 2:26:55.120
<v Speaker 7>the minute they was executing and four let's go.

2:26:56.360 --> 2:26:58.160
<v Speaker 6>Mother put out a million records.

2:26:58.160 --> 2:27:00.320
<v Speaker 1>I remember that night when she was going out. I

2:27:00.480 --> 2:27:03.800
<v Speaker 1>was there, my wife and my kids. I'm going to

2:27:03.879 --> 2:27:06.240
<v Speaker 1>my office. I'm not I'm coming out. So it's just done.

2:27:06.640 --> 2:27:08.440
<v Speaker 3>It makes a noise for how big a house is.

2:27:13.520 --> 2:27:17.480
<v Speaker 1>So I know it's a cliche question, but I need

2:27:17.600 --> 2:27:20.680
<v Speaker 1>to ask you, do you ever think that hip hop

2:27:20.720 --> 2:27:23.560
<v Speaker 1>would make it this far? I always knew it what

2:27:24.120 --> 2:27:27.160
<v Speaker 1>you knew it was? Yeah, I always knew what. Okay, Now,

2:27:27.240 --> 2:27:33.240
<v Speaker 1>let me ask you another question, real fat you ever

2:27:33.320 --> 2:27:36.800
<v Speaker 1>thought your style of hip hop will make it this far?

2:27:36.959 --> 2:27:39.640
<v Speaker 1>Because it's crazy. One of the things that you said

2:27:39.680 --> 2:27:42.400
<v Speaker 1>in the blog, it's like, yo, I can tell you

2:27:42.520 --> 2:27:43.920
<v Speaker 1>it was playing like you like you know what I mean,

2:27:44.040 --> 2:27:44.320
<v Speaker 1>Like you.

2:27:46.240 --> 2:27:48.280
<v Speaker 3>Messed with the girls. I can tell I know that,

2:27:49.000 --> 2:27:54.600
<v Speaker 3>I know that. But for everything you got continued with

2:27:55.920 --> 2:27:59.840
<v Speaker 3>and yo, I swear to god, I listened to the

2:28:00.160 --> 2:28:05.360
<v Speaker 3>the other day. I almost counted how many words was clean.

2:28:07.840 --> 2:28:11.360
<v Speaker 1>It was like fifty two words the whole day. Like no,

2:28:11.400 --> 2:28:13.720
<v Speaker 1>I'm talking about one record, like one record like it

2:28:13.879 --> 2:28:14.120
<v Speaker 1>was like.

2:28:17.000 --> 2:28:17.040
<v Speaker 8>No.

2:28:17.240 --> 2:28:19.760
<v Speaker 2>And the words that were clean, the phrases were outrageous.

2:28:21.600 --> 2:28:23.480
<v Speaker 1>I'm like, I'm like goo.

2:28:25.200 --> 2:28:30.720
<v Speaker 3>Oh, created like you actually have a whole genre of music.

2:28:32.560 --> 2:28:35.240
<v Speaker 1>That really does hold you. I know you was playing around,

2:28:36.520 --> 2:28:40.840
<v Speaker 1>but did you think I just asked you ever thought

2:28:40.840 --> 2:28:42.640
<v Speaker 1>that hip hop would make it there? For you ever

2:28:42.760 --> 2:28:45.840
<v Speaker 1>thought your version of hip hop that you created with

2:28:46.120 --> 2:28:52.080
<v Speaker 1>your own mind, your crew would I don't even make it,

2:28:53.160 --> 2:28:58.760
<v Speaker 1>but it's the forefront years later, you know.

2:28:59.240 --> 2:29:02.039
<v Speaker 3>I never thought that in a million years. I always

2:29:02.280 --> 2:29:03.160
<v Speaker 3>when I when I.

2:29:04.760 --> 2:29:07.080
<v Speaker 1>Took the Business series, I always wanted to be like

2:29:07.160 --> 2:29:11.000
<v Speaker 1>the Old Jays as an artist, I wanted to be

2:29:11.120 --> 2:29:15.840
<v Speaker 1>like Frankie Beverly gob That's so because them dudes performed.

2:29:16.120 --> 2:29:18.040
<v Speaker 1>I know, in order to stay in the test of

2:29:18.120 --> 2:29:20.840
<v Speaker 1>time as an artist, you got to be a great performer,

2:29:21.800 --> 2:29:25.120
<v Speaker 1>you know. And so when I do shows, I perform,

2:29:25.440 --> 2:29:27.440
<v Speaker 1>you know what I'm saying, you know, And that's that's

2:29:27.480 --> 2:29:30.440
<v Speaker 1>why I love Dougie Fresh and and people like that.

2:29:31.160 --> 2:29:35.200
<v Speaker 1>They put on fucking shows, you know, And so doing

2:29:35.280 --> 2:29:41.520
<v Speaker 1>the music, I know, sex sells, right, they would. It

2:29:41.520 --> 2:29:45.280
<v Speaker 1>would allow me to be able to go down go

2:29:45.400 --> 2:29:50.680
<v Speaker 1>down the highway with no traffic, because ain't nobody it's

2:29:50.760 --> 2:29:54.280
<v Speaker 1>my own lane. Even doing these album covers and ship

2:29:54.959 --> 2:29:59.840
<v Speaker 1>you know, putting them in a sorry yeah they got.

2:30:02.040 --> 2:30:05.400
<v Speaker 3>Fucking married, guys, I'm the only one that's not married.

2:30:05.440 --> 2:30:09.600
<v Speaker 1>No more. Oh you're not married. You said, no, no, no,

2:30:09.760 --> 2:30:10.119
<v Speaker 1>no more.

2:30:10.440 --> 2:30:12.280
<v Speaker 7>That's why we That's why he was different back then.

2:30:12.320 --> 2:30:14.640
<v Speaker 7>He was married back then when he was on drink

2:30:14.760 --> 2:30:15.360
<v Speaker 7>chance earlier.

2:30:15.600 --> 2:30:18.240
<v Speaker 1>No, I was running for office and some ship married

2:30:18.680 --> 2:30:19.760
<v Speaker 1>married a politician.

2:30:23.760 --> 2:30:31.120
<v Speaker 3>Now no, no, no, but but but yeah, it's see

2:30:31.160 --> 2:30:32.560
<v Speaker 3>we trail off.

2:30:33.240 --> 2:30:35.520
<v Speaker 2>But it let me ask you, is there any regrets

2:30:35.600 --> 2:30:36.480
<v Speaker 2>to anything you've done?

2:30:36.680 --> 2:30:36.720
<v Speaker 1>No?

2:30:37.400 --> 2:30:40.600
<v Speaker 7>Like you as the because to be honest, you're a

2:30:40.640 --> 2:30:44.879
<v Speaker 7>family man. You got kids, maybe grandkids.

2:30:45.840 --> 2:30:46.640
<v Speaker 1>Do you have grandkids?

2:30:47.360 --> 2:30:48.160
<v Speaker 6>One grandson?

2:30:48.400 --> 2:30:48.720
<v Speaker 1>Okay?

2:30:49.280 --> 2:30:52.200
<v Speaker 7>Is there anything that you feel like I regret because

2:30:52.240 --> 2:30:55.040
<v Speaker 7>of that it reflected on the family in any kind

2:30:55.040 --> 2:30:55.680
<v Speaker 7>of negative way?

2:30:55.840 --> 2:30:55.880
<v Speaker 1>No?

2:30:56.120 --> 2:30:58.320
<v Speaker 2>No, no, Like, how do you how do you separate?

2:30:58.360 --> 2:31:01.720
<v Speaker 2>How do you separate uncle from family?

2:31:01.800 --> 2:31:04.160
<v Speaker 1>Luke? Because I know it's two people.

2:31:04.760 --> 2:31:04.960
<v Speaker 4>I know.

2:31:05.040 --> 2:31:10.200
<v Speaker 3>I'm an entertainer, right, My job is entertaining.

2:31:10.280 --> 2:31:11.480
<v Speaker 6>My job is to do music.

2:31:11.840 --> 2:31:15.680
<v Speaker 1>My job, you know, I'm like fucking Arnold swartze get

2:31:15.720 --> 2:31:18.160
<v Speaker 1>in the movie I'm shooting up the place, you know?

2:31:18.720 --> 2:31:23.360
<v Speaker 1>And are you shooting up in a way? I wasn't

2:31:23.360 --> 2:31:24.640
<v Speaker 1>shooting up club with the girls.

2:31:25.560 --> 2:31:26.160
<v Speaker 6>So I got.

2:31:26.640 --> 2:31:30.040
<v Speaker 1>And then it's Luther Campbell, who my mom raising all that.

2:31:30.560 --> 2:31:35.480
<v Speaker 1>And he's the businessman, he's the record executive. The guy

2:31:35.520 --> 2:31:38.840
<v Speaker 1>who got has to be creative, uh and be the father,

2:31:39.640 --> 2:31:42.080
<v Speaker 1>you know, because my kids right now. I mean, my

2:31:42.920 --> 2:31:47.680
<v Speaker 1>my son fifteen years old. They I've never had a

2:31:47.760 --> 2:31:51.240
<v Speaker 1>kid ask me about music one of my sols. They

2:31:51.360 --> 2:31:53.520
<v Speaker 1>never seen the Peep Show or I don't know what

2:31:53.640 --> 2:31:57.000
<v Speaker 1>the fuck they saw, but they never came and asked

2:31:57.040 --> 2:31:59.480
<v Speaker 1>me about it. So you keep it separate, Oh, totally

2:31:59.560 --> 2:32:02.120
<v Speaker 1>keep itself. But now I know this internet ship in

2:32:02.200 --> 2:32:06.240
<v Speaker 1>these phones, you can't. That's my man and ship.

2:32:06.640 --> 2:32:10.640
<v Speaker 6>You know, they know that. But they I've never.

2:32:10.600 --> 2:32:13.240
<v Speaker 1>Had a kid come to me and say, hey, dad,

2:32:13.360 --> 2:32:14.120
<v Speaker 1>so what the fun was.

2:32:14.120 --> 2:32:14.560
<v Speaker 6>Thinking about what?

2:32:14.720 --> 2:32:16.279
<v Speaker 2>You never had that conversation?

2:32:16.360 --> 2:32:17.160
<v Speaker 1>Would you never had that?

2:32:17.240 --> 2:32:19.680
<v Speaker 2>So the birth and beats didn't include saying, hey when

2:32:19.760 --> 2:32:21.400
<v Speaker 2>jay Z and this was.

2:32:21.400 --> 2:32:26.040
<v Speaker 1>Happening behind that work, never had that. I mean, you know,

2:32:26.200 --> 2:32:28.840
<v Speaker 1>I'm a I'm a you know, I'm an old school dad.

2:32:29.280 --> 2:32:30.080
<v Speaker 6>You feel me.

2:32:30.200 --> 2:32:33.400
<v Speaker 1>I'm like, okay, we're doing this. This is clean your

2:32:33.400 --> 2:32:35.840
<v Speaker 1>fucking bed, and do this bring me some good grades.

2:32:35.879 --> 2:32:39.000
<v Speaker 1>I'm gonna throw that PlayStation in that goddamn lake in

2:32:39.080 --> 2:32:39.360
<v Speaker 1>the back.

2:32:39.680 --> 2:32:39.880
<v Speaker 3>You know.

2:32:40.080 --> 2:32:43.280
<v Speaker 1>They they know I'm like, you know, so there we

2:32:43.360 --> 2:32:46.280
<v Speaker 1>will have I guess they be like, I'm the fucking

2:32:46.280 --> 2:32:48.600
<v Speaker 1>I'm going up in there talking no ship about no music.

2:32:48.720 --> 2:32:50.640
<v Speaker 2>But this dude there and they respect you enough to

2:32:50.959 --> 2:32:52.080
<v Speaker 2>not even question it.

2:32:52.240 --> 2:32:54.440
<v Speaker 6>Yeah yeah, right, yeah, I don't even know if they

2:32:54.440 --> 2:32:55.480
<v Speaker 6>even know anything.

2:32:55.200 --> 2:32:56.960
<v Speaker 1>About it, but you know what I mean, they obviously know.

2:32:57.680 --> 2:32:59.920
<v Speaker 1>You know, Yeah, my son goes up the bat and

2:33:00.080 --> 2:33:02.119
<v Speaker 1>they be singing the songs and ship.

2:33:02.440 --> 2:33:04.800
<v Speaker 2>Yeah they know, they know, but obviously that must.

2:33:04.640 --> 2:33:10.800
<v Speaker 3>Be the play that way.

2:33:12.240 --> 2:33:16.800
<v Speaker 1>That's just great, son. But obviously they have so much

2:33:16.840 --> 2:33:18.280
<v Speaker 1>respect for you that they're not gonna come with you

2:33:19.000 --> 2:33:19.400
<v Speaker 1>the way that.

2:33:19.440 --> 2:33:21.200
<v Speaker 2>You made the household and I gonna come with you

2:33:21.280 --> 2:33:21.720
<v Speaker 2>that bullshit.

2:33:21.800 --> 2:33:24.320
<v Speaker 6>Yeah, yeah, because you do what you do exactly.

2:33:25.240 --> 2:33:28.160
<v Speaker 1>I'm like really old school when it comes to that,

2:33:28.840 --> 2:33:32.000
<v Speaker 1>you know, And I don't put them around ship. I

2:33:32.080 --> 2:33:35.880
<v Speaker 1>don't talk certain ship around them. The vibes is you

2:33:35.959 --> 2:33:37.480
<v Speaker 1>know my house, You come to my house.

2:33:37.320 --> 2:33:40.840
<v Speaker 6>You what you're thinking? Some some some poles and ship going.

2:33:40.879 --> 2:33:41.840
<v Speaker 6>I mean that's what I think.

2:33:43.840 --> 2:33:47.800
<v Speaker 1>They came out going on. You'll be like, what the fuck?

2:33:47.920 --> 2:33:50.960
<v Speaker 1>Most people coming there, like this is your house? Yeah,

2:33:52.040 --> 2:33:54.080
<v Speaker 1>you know, so there's no houshi mamas.

2:33:54.640 --> 2:33:58.680
<v Speaker 3>No, No, do you realize that how how popular that

2:33:58.760 --> 2:33:59.160
<v Speaker 3>word is?

2:33:59.360 --> 2:34:01.880
<v Speaker 1>Who you know where I got it from?

2:34:02.160 --> 2:34:02.840
<v Speaker 3>No, we do not.

2:34:03.240 --> 2:34:04.920
<v Speaker 6>We need to know okay here, so.

2:34:05.280 --> 2:34:10.520
<v Speaker 1>Ice you send me? It was ice Cube send me.

2:34:10.640 --> 2:34:12.240
<v Speaker 1>He's like, yo, I need you to do a song

2:34:12.360 --> 2:34:15.440
<v Speaker 1>for for the Place club.

2:34:15.920 --> 2:34:17.720
<v Speaker 3>This is when you beefing with death Row.

2:34:18.600 --> 2:34:21.480
<v Speaker 6>No, that was the way beef.

2:34:21.800 --> 2:34:24.440
<v Speaker 1>It wasn't being He was like, yo, I got this

2:34:24.879 --> 2:34:27.160
<v Speaker 1>this movie. No Ice had nothing to do with talk

2:34:27.600 --> 2:34:30.680
<v Speaker 1>to because whochi mamas just so crazy. Okay, wait a minute.

2:34:31.000 --> 2:34:34.080
<v Speaker 1>So it wasn't no vandictive ship.

2:34:34.080 --> 2:34:36.800
<v Speaker 2>It wasn't like no it was he had it death Brow.

2:34:36.840 --> 2:34:38.080
<v Speaker 2>Remember Ice c was out of this.

2:34:39.200 --> 2:34:43.480
<v Speaker 1>I'm thinking ice Cube was being vindictive. Oh let me get,

2:34:43.560 --> 2:34:46.800
<v Speaker 1>let me, let me get because Uncle Luke is beefing

2:34:46.920 --> 2:34:48.040
<v Speaker 1>with death Row.

2:34:48.120 --> 2:34:52.000
<v Speaker 3>So that had nothing doing on I went was never

2:34:52.080 --> 2:34:54.959
<v Speaker 3>beefing with death he was being with ruthless. Oh I'm

2:34:55.000 --> 2:34:55.720
<v Speaker 3>bugging yes.

2:34:56.080 --> 2:34:58.400
<v Speaker 1>So he ended up saying he look, man, I need

2:34:58.480 --> 2:34:59.920
<v Speaker 1>you to do a song, and ain't send me the

2:35:00.120 --> 2:35:03.760
<v Speaker 1>clip of where he wanted to place the song in

2:35:03.840 --> 2:35:06.560
<v Speaker 1>the movie. And the girl was and the girl was

2:35:06.640 --> 2:35:09.400
<v Speaker 1>on there saying oh you who chi mama. Know the

2:35:09.480 --> 2:35:11.200
<v Speaker 1>dude was calling the girl and who Chi mama and

2:35:11.280 --> 2:35:15.400
<v Speaker 1>all that, and I was like, oh that is right there,

2:35:16.200 --> 2:35:19.560
<v Speaker 1>Hoochie mama, and then so who Chi Mama came from

2:35:19.800 --> 2:35:22.800
<v Speaker 1>l A again. Yeah, it came from the clip it

2:35:22.920 --> 2:35:27.760
<v Speaker 1>came from. It was man l Miami Yo exactly what

2:35:28.360 --> 2:35:32.000
<v Speaker 1>it was say that clip that they were calling the

2:35:32.040 --> 2:35:34.320
<v Speaker 1>girl and who Chi Mama? And I took that and

2:35:34.440 --> 2:35:36.600
<v Speaker 1>then I made the song Hoochie Mama. And then the

2:35:36.720 --> 2:35:39.400
<v Speaker 1>crazy part about it. Two Life crew had that went

2:35:39.520 --> 2:35:43.000
<v Speaker 1>crazy again, and then they came back, Oh, we wanted

2:35:43.000 --> 2:35:46.240
<v Speaker 1>to do music again together and you know after and

2:35:46.320 --> 2:35:48.920
<v Speaker 1>then I was like, Okay, if y'all really want to

2:35:49.160 --> 2:35:51.720
<v Speaker 1>do some ship, we'll do something together. And so I

2:35:51.840 --> 2:35:55.680
<v Speaker 1>took this song, I think saying that, Okay, we'll do

2:35:55.840 --> 2:35:58.840
<v Speaker 1>this song. It's gonna be in this big movie. Uh,

2:35:59.120 --> 2:36:00.840
<v Speaker 1>we'll do this on the other then we'll put an

2:36:00.879 --> 2:36:05.440
<v Speaker 1>album out afterwards. So we did the song. Boom song

2:36:05.600 --> 2:36:09.680
<v Speaker 1>came out. The motherfuckers went crazy again. It's like, okay,

2:36:09.720 --> 2:36:12.280
<v Speaker 1>all right, I get y'all gas again. They went crazy,

2:36:12.320 --> 2:36:15.160
<v Speaker 1>and I never I never did anything else with them

2:36:15.520 --> 2:36:16.240
<v Speaker 1>after that point.

2:36:16.520 --> 2:36:18.920
<v Speaker 2>What was the specific thing with Little Joe? What happened

2:36:18.959 --> 2:36:20.280
<v Speaker 2>there Little Joe?

2:36:20.560 --> 2:36:23.520
<v Speaker 1>Little Joe used to work for me as an entertainment

2:36:23.640 --> 2:36:27.119
<v Speaker 1>How did he get ownership of stuff in my opinion.

2:36:27.360 --> 2:36:31.600
<v Speaker 6>He conspired with with Richard Wolf.

2:36:32.600 --> 2:36:35.000
<v Speaker 1>It's my opinion he had conspired with him when we

2:36:35.120 --> 2:36:40.440
<v Speaker 1>went to college with another lawyer and they then orchestrated

2:36:41.040 --> 2:36:46.120
<v Speaker 1>bull Ship to uh to steal those masters. You know,

2:36:46.440 --> 2:36:48.199
<v Speaker 1>he hired a lawyer.

2:36:48.280 --> 2:36:50.279
<v Speaker 2>Like physically steal the masters.

2:36:50.120 --> 2:36:56.920
<v Speaker 1>Well not physically legally, legally and so you know, he

2:36:57.480 --> 2:37:01.360
<v Speaker 1>hired this lawyer named Manzini. Manzini then ended up getting

2:37:01.440 --> 2:37:04.880
<v Speaker 1>disbarred because he was the worst lawyer ever in my

2:37:05.000 --> 2:37:06.200
<v Speaker 1>opinion and in the.

2:37:07.720 --> 2:37:08.480
<v Speaker 6>Court's opinion.

2:37:08.800 --> 2:37:13.160
<v Speaker 1>And uh and so and then he worked on the

2:37:13.200 --> 2:37:16.240
<v Speaker 1>two Live Crew and got them, you know, uh, the

2:37:16.360 --> 2:37:19.880
<v Speaker 1>side with him. They had not they were getting ready

2:37:19.920 --> 2:37:24.120
<v Speaker 1>to re up with me, and so their contract was over.

2:37:24.440 --> 2:37:26.880
<v Speaker 1>They never resigned with me. They were supposed to resign

2:37:26.959 --> 2:37:30.520
<v Speaker 1>with me doing that Hu Chibama record and U two

2:37:30.600 --> 2:37:33.640
<v Speaker 1>Live Crew, and then they went sided with this guy.

2:37:34.360 --> 2:37:34.480
<v Speaker 4>Uh.

2:37:34.840 --> 2:37:38.520
<v Speaker 1>And then I had all these lawsuits going on, uh

2:37:39.080 --> 2:37:42.000
<v Speaker 1>with this EMC shot d which they were saying, oh,

2:37:42.120 --> 2:37:45.360
<v Speaker 1>he sold all these records, and then mind you I

2:37:45.480 --> 2:37:46.160
<v Speaker 1>had Uh.

2:37:46.760 --> 2:37:49.600
<v Speaker 6>Then I ended up in the involuntary bankruptcy.

2:37:50.200 --> 2:37:54.200
<v Speaker 1>Love Joe went to different creditors because if you don't know,

2:37:54.440 --> 2:37:57.760
<v Speaker 1>you can have three creditors say that that you didn't

2:37:57.760 --> 2:38:00.840
<v Speaker 1>pay him, and you can go and fire. They can

2:38:00.920 --> 2:38:04.360
<v Speaker 1>put you into an involuntary bankruptcy. All you got to

2:38:04.400 --> 2:38:07.680
<v Speaker 1>take us If one motherfucker say your light bill, you

2:38:07.720 --> 2:38:10.240
<v Speaker 1>ain't gonna pay another motherfucker say the mott man and

2:38:10.879 --> 2:38:15.000
<v Speaker 1>uh the cigarette man. So that I ended up into that.

2:38:15.400 --> 2:38:20.160
<v Speaker 1>He orchestrated that the court found them, uh guilty for that,

2:38:20.320 --> 2:38:22.840
<v Speaker 1>for doing that, for doing that, we actually went to

2:38:22.959 --> 2:38:27.480
<v Speaker 1>court because again it's like, yeah, the dude the file,

2:38:27.640 --> 2:38:30.880
<v Speaker 1>and so you know, I had all these other all

2:38:30.959 --> 2:38:33.640
<v Speaker 1>these other cases going with all this other sample ship,

2:38:34.000 --> 2:38:36.080
<v Speaker 1>and so I was like, okay, how do you spell relief?

2:38:36.520 --> 2:38:40.520
<v Speaker 1>You know, fucking chapter eleven? And so eventually I ended

2:38:40.600 --> 2:38:44.920
<v Speaker 1>up going chapter eleven, uh, and then buying my way

2:38:44.959 --> 2:38:48.320
<v Speaker 1>out of it. But then how in it they then

2:38:48.800 --> 2:38:52.280
<v Speaker 1>kind of got uh the ownership of the name. I

2:38:52.360 --> 2:38:54.119
<v Speaker 1>gave it the fresh kid Ice.

2:38:56.160 --> 2:38:56.320
<v Speaker 6>Yeah.

2:38:56.920 --> 2:38:58.560
<v Speaker 3>I always say, yeah, I always said.

2:38:59.400 --> 2:39:03.720
<v Speaker 1>I always said majority rule in the group because I again,

2:39:04.720 --> 2:39:07.160
<v Speaker 1>you know, I license everything, and I'm like, yo, y'all

2:39:07.200 --> 2:39:09.960
<v Speaker 1>want to move that direction, y'all good luck, you know

2:39:09.959 --> 2:39:13.000
<v Speaker 1>what I'm saying. And so they got the name and eventually,

2:39:13.480 --> 2:39:17.800
<v Speaker 1>when they got the name, they lost their name to

2:39:17.959 --> 2:39:26.600
<v Speaker 1>him because fresh Kid Ice had to file bankruptcy. Whatever happened.

2:39:26.680 --> 2:39:30.320
<v Speaker 1>He wasn't getting paid and he ended up filing bankruptcy.

2:39:30.400 --> 2:39:32.680
<v Speaker 1>Then Joe ended up getting control of the name.

2:39:33.240 --> 2:39:33.720
<v Speaker 5>And then.

2:39:35.240 --> 2:39:38.840
<v Speaker 1>Brother Marquise, God bless his soul, he ended up filing

2:39:38.920 --> 2:39:43.360
<v Speaker 1>bankruptcy because obviously they were on that label and they

2:39:43.440 --> 2:39:46.920
<v Speaker 1>weren't getting paid for their understanding and they had to

2:39:46.959 --> 2:39:50.600
<v Speaker 1>eventually file bankruptcy in that case. And right now the

2:39:50.720 --> 2:39:54.440
<v Speaker 1>most interesting part of it all is how me and

2:39:54.560 --> 2:39:57.600
<v Speaker 1>Marquise came back together and Chris came back together is

2:39:57.640 --> 2:39:58.600
<v Speaker 1>through their families.

2:39:59.400 --> 2:40:02.760
<v Speaker 3>Because where right now going to court to take the.

2:40:02.840 --> 2:40:06.080
<v Speaker 1>Masters back from Joe from Little Joe because thirty five

2:40:06.200 --> 2:40:11.440
<v Speaker 1>years of copyright, Yeah, it's supposed to revert. So we

2:40:11.560 --> 2:40:16.800
<v Speaker 1>got to hear in uh actually in October, uh here

2:40:16.920 --> 2:40:22.400
<v Speaker 1>in in federal court to get the get the Masters back.

2:40:22.480 --> 2:40:26.320
<v Speaker 3>And is you know, Marquise was living, We know all

2:40:26.520 --> 2:40:29.080
<v Speaker 3>what's going on. He sided with us.

2:40:29.760 --> 2:40:34.120
<v Speaker 1>Mister Mix is over there with them, Fred, Yeah, Rich

2:40:34.200 --> 2:40:40.160
<v Speaker 1>Kid Ice family is here because uh, mister Mix is

2:40:40.240 --> 2:40:41.000
<v Speaker 1>running around.

2:40:40.800 --> 2:40:41.800
<v Speaker 6>As the two Live crew.

2:40:42.360 --> 2:40:44.560
<v Speaker 1>They book him. So you see a show two Live

2:40:44.640 --> 2:40:46.320
<v Speaker 1>Crew you think of two Live Crew is coming. No,

2:40:46.840 --> 2:40:50.480
<v Speaker 1>it's him only and probably some of his other friends

2:40:51.360 --> 2:40:52.840
<v Speaker 1>on stage singing the songs.

2:40:53.280 --> 2:40:53.920
<v Speaker 6>You know what I'm saying.

2:40:54.000 --> 2:40:55.920
<v Speaker 1>So that's what you get. Like, I get a lot

2:40:55.920 --> 2:40:58.920
<v Speaker 1>of people asking me, like, yo, you're performing in No,

2:41:00.400 --> 2:41:04.800
<v Speaker 1>you know what I'm saying. So, Uh, he allows him

2:41:04.920 --> 2:41:10.640
<v Speaker 1>to use the name because he owns the name. Yeah,

2:41:10.720 --> 2:41:13.039
<v Speaker 1>he allows some to users them. But whatever deal they got,

2:41:13.200 --> 2:41:15.760
<v Speaker 1>I don't know. But at the end of the day,

2:41:17.640 --> 2:41:21.720
<v Speaker 1>we'll be in federal court down the street up so hopefully, uh,

2:41:22.560 --> 2:41:25.880
<v Speaker 1>you know, God willing we get this catalog back. And

2:41:25.920 --> 2:41:29.240
<v Speaker 1>then the beautiful part about it, because you know, Mark

2:41:29.480 --> 2:41:33.800
<v Speaker 1>then died, God bless us olds that, you know, getting

2:41:33.800 --> 2:41:37.560
<v Speaker 1>that catalog back, those their families can be able to,

2:41:37.959 --> 2:41:40.840
<v Speaker 1>you know, feel they be able to could take care

2:41:40.840 --> 2:41:43.480
<v Speaker 1>of their family if they decide to sell it or

2:41:43.480 --> 2:41:45.959
<v Speaker 1>if they decide to let it mature.

2:41:46.200 --> 2:41:47.320
<v Speaker 6>And do whatever they want to do.

2:41:47.360 --> 2:41:49.120
<v Speaker 1>Because I mean, there were a couple of times in

2:41:49.240 --> 2:41:52.960
<v Speaker 1>the in the uh they try to settle in the

2:41:53.879 --> 2:41:56.600
<v Speaker 1>court proceedings. I was like, nah, fuck that, you know

2:41:56.600 --> 2:41:59.160
<v Speaker 1>what I'm saying. I was like, look, whatever he offering, y'all,

2:41:59.200 --> 2:42:02.959
<v Speaker 1>I'll give you that, you know, and and to the family,

2:42:03.160 --> 2:42:06.280
<v Speaker 1>to Chris family, and and and Mark when he was

2:42:06.360 --> 2:42:09.520
<v Speaker 1>living and I was like, look, I'll give you double.

2:42:10.120 --> 2:42:11.760
<v Speaker 1>You know, we're gonna see this ship to the bus

2:42:11.879 --> 2:42:16.000
<v Speaker 1>out because that music don't belong to him, It belongs

2:42:16.040 --> 2:42:17.160
<v Speaker 1>to to us.

2:42:17.560 --> 2:42:18.160
<v Speaker 6>We made it.

2:42:18.840 --> 2:42:24.160
<v Speaker 1>I mean we fucking was living in in apartments doing music.

2:42:24.480 --> 2:42:27.840
<v Speaker 1>You know what I'm saying. This fucking guy. Uh, in

2:42:27.959 --> 2:42:32.280
<v Speaker 1>my opinion, you know, got away with murder. Right, Let's

2:42:32.320 --> 2:42:32.879
<v Speaker 1>tell what is.

2:42:32.920 --> 2:42:36.320
<v Speaker 3>Biopic Will Packer? Is it still happening?

2:42:37.160 --> 2:42:39.600
<v Speaker 1>Yeah? Yeah, I mean the crazy party, But I mean

2:42:39.680 --> 2:42:42.520
<v Speaker 1>we have a couple of wrinkles that we're working out

2:42:42.560 --> 2:42:46.120
<v Speaker 1>that I'm pretty much working out on my my my

2:42:46.320 --> 2:42:50.160
<v Speaker 1>side of it. Uh, you know, because when you get

2:42:50.200 --> 2:42:52.760
<v Speaker 1>into these biopics, you kind of want to be able

2:42:52.800 --> 2:42:54.800
<v Speaker 1>to You gotta be there to do it.

2:42:54.920 --> 2:42:56.320
<v Speaker 6>You gotta have some kind of control.

2:42:58.480 --> 2:43:02.680
<v Speaker 1>And now the Compton one set the bar you gotta yeah.

2:43:03.240 --> 2:43:07.480
<v Speaker 3>Yeah, yeah, So you can't be like you can't be

2:43:08.400 --> 2:43:09.320
<v Speaker 3>you gotta you know.

2:43:09.520 --> 2:43:12.240
<v Speaker 1>So that's where the sticky parts of it that like

2:43:12.320 --> 2:43:13.960
<v Speaker 1>I was talking to my lawyer today about it.

2:43:14.600 --> 2:43:16.920
<v Speaker 3>Uh, but it's still happening. Yeah, still happened.

2:43:17.160 --> 2:43:19.520
<v Speaker 1>I mean, I got like a couple of different I

2:43:19.560 --> 2:43:22.400
<v Speaker 1>should sign that contract and know lady in the next

2:43:22.720 --> 2:43:23.279
<v Speaker 1>two weeks.

2:43:23.959 --> 2:43:26.480
<v Speaker 6>Uh, you will pack me and Will packer.

2:43:26.600 --> 2:43:29.800
<v Speaker 1>Yeah. Will packet has been very important for him because

2:43:30.240 --> 2:43:34.040
<v Speaker 1>he's a director and super talented. And he's from Florida.

2:43:34.640 --> 2:43:38.560
<v Speaker 1>That's I didn't know that he was Atlanta for some reason. No,

2:43:38.760 --> 2:43:41.160
<v Speaker 1>he's from reason. I thought he's from Atlanta. Yeah, and

2:43:41.320 --> 2:43:44.800
<v Speaker 1>he's from Florida. That's so he lived that ship. He

2:43:44.959 --> 2:43:47.320
<v Speaker 1>understand he went to FAMI. You you know what I'm saying.

2:43:47.480 --> 2:43:51.160
<v Speaker 1>Will will understand at the party. He was at the party.

2:43:51.320 --> 2:43:54.440
<v Speaker 1>You understand the party. You know, the culture at he wasn't.

2:43:54.720 --> 2:44:01.280
<v Speaker 3>His mama was at the man.

2:44:01.640 --> 2:44:04.080
<v Speaker 6>Will is my man. Yeah.

2:44:04.120 --> 2:44:06.400
<v Speaker 3>But that that's great, great guy.

2:44:06.600 --> 2:44:09.200
<v Speaker 1>I mean, so it all makes sense. And then it

2:44:09.280 --> 2:44:12.840
<v Speaker 1>all makes sense to do that right now. I mean

2:44:12.920 --> 2:44:15.400
<v Speaker 1>I love the good part about it. I mean we

2:44:15.520 --> 2:44:20.560
<v Speaker 1>did Freak nickd and Uh Warriors documentary. I did that,

2:44:20.680 --> 2:44:23.920
<v Speaker 1>what Lebron, I love this, you know, shot him kind

2:44:23.959 --> 2:44:34.240
<v Speaker 1>of uh push yeah, kind of put it finished me

2:44:35.120 --> 2:44:38.720
<v Speaker 1>to tell stories on on uh you know, through videos,

2:44:38.840 --> 2:44:39.600
<v Speaker 1>through visuals.

2:44:39.680 --> 2:44:42.520
<v Speaker 7>So I've been you have laid down history man it

2:44:42.680 --> 2:44:45.600
<v Speaker 7>needed because if you don't tell it, nobody else If.

2:44:45.640 --> 2:44:47.760
<v Speaker 1>If if you don't tell it, nobody, nobody will. And

2:44:47.840 --> 2:44:51.840
<v Speaker 1>that that's the beautiful part about it. You know, nobody

2:44:51.959 --> 2:44:55.280
<v Speaker 1>knows our story. Nobody knows it. You know. I used

2:44:55.280 --> 2:44:58.000
<v Speaker 1>to feel real fucked up some kind of way that

2:44:58.160 --> 2:45:00.360
<v Speaker 1>we ain't on the cover of Vibe, you know, we

2:45:00.480 --> 2:45:03.920
<v Speaker 1>only got a source and nobody's talking about us. But

2:45:04.040 --> 2:45:05.840
<v Speaker 1>then when I look at it right now, I'm like, damn,

2:45:05.879 --> 2:45:08.760
<v Speaker 1>that's some good ship, because we got so many stories

2:45:08.840 --> 2:45:12.560
<v Speaker 1>to tell you. I got the ship, you know, I

2:45:12.640 --> 2:45:15.600
<v Speaker 1>got all the I got the fucking date on the beach,

2:45:15.720 --> 2:45:18.200
<v Speaker 1>I got you think freak nick was this? And I

2:45:18.280 --> 2:45:21.160
<v Speaker 1>got all you know, and I got the whole plan

2:45:21.360 --> 2:45:26.480
<v Speaker 1>in the first Instagram do you think? So you documented

2:45:26.600 --> 2:45:30.400
<v Speaker 1>order ship? That's deep. So I need a check from

2:45:30.440 --> 2:45:39.560
<v Speaker 1>Instagram Insta, my mother fucking check. It's better half my money.

2:45:44.440 --> 2:45:50.560
<v Speaker 1>Everything you've been through. You got kids, got grandchildren, he said,

2:45:50.760 --> 2:45:56.080
<v Speaker 1>he said one that God damn true.

2:45:56.120 --> 2:45:59.080
<v Speaker 3>Look fashion, you still never watched Star Wars.

2:45:59.840 --> 2:46:04.560
<v Speaker 1>I used to watch him. Don't watch him never, No,

2:46:05.160 --> 2:46:07.720
<v Speaker 1>never watched it that you said you used to those

2:46:08.000 --> 2:46:09.720
<v Speaker 1>used to before this suite.

2:46:10.480 --> 2:46:15.680
<v Speaker 6>I was just you know, Star Wars. George Lucas like.

2:46:20.840 --> 2:46:23.080
<v Speaker 1>He just he's in peace, He's day.

2:46:23.480 --> 2:46:25.680
<v Speaker 2>No, but nobody knew he was really dark, baby, you

2:46:25.680 --> 2:46:26.120
<v Speaker 2>know what I'm saying.

2:46:26.480 --> 2:46:29.720
<v Speaker 1>We knew that. No, but a lot of people out

2:46:29.760 --> 2:46:30.920
<v Speaker 1>did that black man.

2:46:31.040 --> 2:46:32.360
<v Speaker 2>You know when the guy took off his mask, he

2:46:32.440 --> 2:46:33.199
<v Speaker 2>was a British dude.

2:46:33.360 --> 2:46:36.520
<v Speaker 1>Listen, they put the black man in a black outfit. Yeah,

2:46:37.240 --> 2:46:40.360
<v Speaker 1>he was the fucking bad guy. He was just a voice.

2:46:40.840 --> 2:46:45.039
<v Speaker 1>Really was voices who you are? True, it was who

2:46:45.480 --> 2:46:48.960
<v Speaker 1>he was. Back an fucking George Lucas, I'm not Elles, dude,

2:46:49.160 --> 2:46:53.680
<v Speaker 1>but let me know, but real real talk. I mean, George,

2:46:53.800 --> 2:46:56.440
<v Speaker 1>I mean this motherfucker got five hundred thousand dollars from me.

2:46:57.920 --> 2:47:01.160
<v Speaker 1>You have that back. You had to pay money back.

2:47:01.400 --> 2:47:02.160
<v Speaker 1>You had to pay that.

2:47:02.600 --> 2:47:04.080
<v Speaker 6>I want my money back. I ain't playing.

2:47:04.760 --> 2:47:08.400
<v Speaker 1>Hey, George Lucas, doubt you listen to drinks pay motherfucker, Luke,

2:47:08.920 --> 2:47:12.440
<v Speaker 1>that's the mother put my money back. He got how

2:47:13.000 --> 2:47:17.480
<v Speaker 1>Disney from Disney, you got billions, billions his money back,

2:47:18.080 --> 2:47:22.920
<v Speaker 1>this motherfucker with interest. But why did he sue you?

2:47:23.080 --> 2:47:27.280
<v Speaker 1>But what we know, Skywalker the breaking down, I'm like,

2:47:28.720 --> 2:47:32.400
<v Speaker 1>I'm a DJ my DJ name Luke Skywalker. Right, So

2:47:32.840 --> 2:47:35.400
<v Speaker 1>why'd you pick that name? Just so we know, I

2:47:35.560 --> 2:47:42.560
<v Speaker 1>kind of got the idea from Kenny Skywalker, the basketball player, right,

2:47:44.800 --> 2:47:47.640
<v Speaker 1>I think during that time and so it was like

2:47:48.720 --> 2:47:51.840
<v Speaker 1>nothing started. Sir Luke my first name was Sir Luke.

2:47:51.920 --> 2:47:54.680
<v Speaker 1>He was he was a British general. No one, no

2:47:54.840 --> 2:47:58.160
<v Speaker 1>one with a suit, he was a knight. No one

2:47:58.240 --> 2:48:02.560
<v Speaker 1>I would have got out of that had been what

2:48:02.879 --> 2:48:08.480
<v Speaker 1>history is, sirt little records, you never know, the muld

2:48:08.520 --> 2:48:15.000
<v Speaker 1>have been the favorite, like he's time, the JITs, the Queen.

2:48:17.760 --> 2:48:23.520
<v Speaker 1>So the cool ideas, I mean, no strippers and ship,

2:48:24.480 --> 2:48:27.800
<v Speaker 1>no no turking, y'all call it, yeah, no bootish shaking.

2:48:28.120 --> 2:48:32.320
<v Speaker 1>So so at the end of the day, come on,

2:48:32.520 --> 2:48:35.760
<v Speaker 1>that's my DJ name, Luke Skywalker. Luke Skywalker. It was

2:48:36.400 --> 2:48:38.720
<v Speaker 1>it was really, I want to say it was before

2:48:41.760 --> 2:48:44.119
<v Speaker 1>the Star Wars movie. Then the Star Wars movie came.

2:48:44.480 --> 2:48:47.920
<v Speaker 1>I said, okay, then I started this record company because

2:48:48.000 --> 2:48:52.959
<v Speaker 1>my DJ name is Sir lukedan uh Luke Skywalker DJ

2:48:53.080 --> 2:48:56.520
<v Speaker 1>in So then I end up going, what ends up happening?

2:48:57.600 --> 2:49:02.880
<v Speaker 1>You got this Star Wars ship going on? Actually said, well,

2:49:03.360 --> 2:49:08.199
<v Speaker 1>you got New York Life, you got this Kenny Skywalker.

2:49:08.240 --> 2:49:10.800
<v Speaker 1>You got you know you can have you got Miami this,

2:49:11.160 --> 2:49:11.760
<v Speaker 1>Miami there.

2:49:12.360 --> 2:49:16.000
<v Speaker 3>You know I'm not doing I'm not the white guy

2:49:16.120 --> 2:49:16.800
<v Speaker 3>with no ship.

2:49:16.840 --> 2:49:19.320
<v Speaker 1>I'm not doing a movie, you know. So in my

2:49:19.480 --> 2:49:24.200
<v Speaker 1>mind I was. I was because I wasn't doing a

2:49:24.400 --> 2:49:26.800
<v Speaker 1>movie and I was portraying the character and I wasn't

2:49:26.800 --> 2:49:32.280
<v Speaker 1>in violation of no copyrights in my mind, So this

2:49:32.520 --> 2:49:38.520
<v Speaker 1>doing the controversy, I still just me because I know

2:49:38.600 --> 2:49:39.600
<v Speaker 1>how the bullshit work.

2:49:40.320 --> 2:49:45.879
<v Speaker 6>I still got a letter from George Lucas.

2:49:47.080 --> 2:49:52.320
<v Speaker 1>Asking for authorization to use the names. He's sending you

2:49:52.440 --> 2:49:52.760
<v Speaker 1>a letter.

2:49:52.920 --> 2:49:55.200
<v Speaker 3>I sent him a letter. You sent him a letter,

2:49:55.400 --> 2:49:56.880
<v Speaker 3>I got authorization.

2:49:58.200 --> 2:50:00.840
<v Speaker 1>And he give it you. Yes, What the fuck happened?

2:50:01.320 --> 2:50:04.039
<v Speaker 1>So all the controversy going on, You got the President

2:50:04.080 --> 2:50:07.800
<v Speaker 1>of the United States Vice president saying all this Two

2:50:07.879 --> 2:50:11.199
<v Speaker 1>Life Crew music is horrible. You got the Governor Martinez,

2:50:11.280 --> 2:50:14.640
<v Speaker 1>all this ship the horrible. You got these lawyers writing

2:50:14.760 --> 2:50:16.199
<v Speaker 1>letters to George Lucas.

2:50:16.320 --> 2:50:17.199
<v Speaker 6>How the fuck.

2:50:20.000 --> 2:50:21.879
<v Speaker 1>You got the world coming down on me? And they

2:50:22.040 --> 2:50:26.680
<v Speaker 1>sending letters to anybody to venues the radio fold and

2:50:26.800 --> 2:50:30.640
<v Speaker 1>so boomrush fucking George Lucas with letters talking about how

2:50:30.800 --> 2:50:33.199
<v Speaker 1>dare you let him use the name Luke Scott Walker.

2:50:33.240 --> 2:50:35.520
<v Speaker 1>You got to suit this motherfucker. So it was about

2:50:35.600 --> 2:50:38.920
<v Speaker 1>really draining me for all my money to put me

2:50:39.000 --> 2:50:39.640
<v Speaker 1>out of business.

2:50:39.720 --> 2:50:42.120
<v Speaker 3>That was the whole plate, you feel me. And so

2:50:42.320 --> 2:50:43.200
<v Speaker 3>he didn't sue me.

2:50:43.840 --> 2:50:45.440
<v Speaker 2>But you couldn't used that letter that he gave you

2:50:45.600 --> 2:50:46.360
<v Speaker 2>the rights to do it.

2:50:46.520 --> 2:50:48.480
<v Speaker 3>I used the fucking judge say fuck the letter.

2:50:48.879 --> 2:50:53.000
<v Speaker 1>Oh my gosh, Bro, I was going through so many

2:50:53.120 --> 2:50:56.879
<v Speaker 1>fucking hearings, even on me, so horney, the girls, who

2:50:57.080 --> 2:50:59.879
<v Speaker 1>was you know on the beginning of it was.

2:51:01.720 --> 2:51:03.520
<v Speaker 6>I got sued from everybody. I was in court.

2:51:03.600 --> 2:51:05.600
<v Speaker 1>The judge was like, yo, only boy I heard just

2:51:06.040 --> 2:51:08.480
<v Speaker 1>wanted to hear this case was I wanted to see

2:51:08.480 --> 2:51:13.320
<v Speaker 1>the bitches. My judge brought me in the back. He's like,

2:51:13.400 --> 2:51:16.000
<v Speaker 1>mister camb I need to see you in my office.

2:51:16.120 --> 2:51:19.080
<v Speaker 1>What are the lawyers? And I go in the back

2:51:19.120 --> 2:51:20.760
<v Speaker 1>and he was like, yo, man, what the fucking needs

2:51:20.879 --> 2:51:25.360
<v Speaker 1>honly bitches? Oh my, I said, mother fuck you got

2:51:25.400 --> 2:51:27.120
<v Speaker 1>me up in here with the jury sitting now and

2:51:27.240 --> 2:51:30.480
<v Speaker 1>tell him throw out some cases. He threw it out.

2:51:30.640 --> 2:51:32.520
<v Speaker 1>Oh he's a good he's a real Nicholas.

2:51:36.600 --> 2:51:39.200
<v Speaker 3>I been telling my ship, bro, And look it's so

2:51:39.320 --> 2:51:40.359
<v Speaker 3>much shit I don't forgotten.

2:51:41.040 --> 2:51:44.280
<v Speaker 1>Now you gotta put in the movie. It's hard. That's

2:51:44.320 --> 2:51:46.240
<v Speaker 1>why it was hard for me to do a movie

2:51:46.320 --> 2:51:50.000
<v Speaker 1>because I originally had to deal with Lionsgate to do

2:51:50.160 --> 2:51:53.840
<v Speaker 1>the movie, and then biopick the bio pick.

2:51:53.920 --> 2:51:56.360
<v Speaker 6>But I was like doclementary bio pick.

2:51:56.640 --> 2:51:59.320
<v Speaker 1>I'm like, it's too much ship. So that's why I

2:51:59.440 --> 2:52:03.959
<v Speaker 1>started cutting up stuff. I did The Warriors with Lebron

2:52:05.200 --> 2:52:06.280
<v Speaker 1>on my football team.

2:52:06.480 --> 2:52:07.760
<v Speaker 6>Then I did Freak Nick.

2:52:08.320 --> 2:52:15.039
<v Speaker 1>Then I have another show that that I have that's

2:52:15.080 --> 2:52:17.200
<v Speaker 1>a part of my life story. I say, because I

2:52:17.280 --> 2:52:21.240
<v Speaker 1>can't put it all in one. You know, I could

2:52:21.280 --> 2:52:25.880
<v Speaker 1>spend a whole movie on the whole censorship part of it.

2:52:26.480 --> 2:52:28.560
<v Speaker 1>You know what I'm saying, It's difficult. When I started

2:52:28.600 --> 2:52:30.480
<v Speaker 1>looking at it, I'm like, I may need to do

2:52:30.560 --> 2:52:33.600
<v Speaker 1>a scripted series because this ship is really difficult, like

2:52:34.920 --> 2:52:39.720
<v Speaker 1>Wu Tang. Yeah, so I would be crazy, So we

2:52:40.000 --> 2:52:42.680
<v Speaker 1>kind of. I was able to cut up a lot

2:52:42.760 --> 2:52:44.920
<v Speaker 1>of stories to be able to get those stories told.

2:52:45.080 --> 2:52:50.000
<v Speaker 1>I've carved out quite a few other stories that I'm

2:52:50.080 --> 2:52:54.200
<v Speaker 1>doing as projects in this thing. Because again, you know,

2:52:54.320 --> 2:52:57.760
<v Speaker 1>when you sign up with Paramount or anybody like that,

2:52:58.080 --> 2:53:00.720
<v Speaker 1>they want all your fucking rights. And so I did

2:53:00.760 --> 2:53:05.720
<v Speaker 1>all these carve outs of all these other projects. Yeah yeah, Now,

2:53:06.200 --> 2:53:09.440
<v Speaker 1>so I did carve outs because I know what the

2:53:09.520 --> 2:53:12.160
<v Speaker 1>movie is, I know what the strip is. Uh, we

2:53:12.320 --> 2:53:14.760
<v Speaker 1>know what we're going to accomplish with that. But then

2:53:14.879 --> 2:53:16.440
<v Speaker 1>I say, okay, I need to be able to do

2:53:16.600 --> 2:53:19.720
<v Speaker 1>these stories right here. You can't tie my life rights

2:53:19.760 --> 2:53:21.200
<v Speaker 1>for all these other stories, right.

2:53:22.160 --> 2:53:24.720
<v Speaker 2>You know, my boy Evan worked with you from that

2:53:24.879 --> 2:53:26.599
<v Speaker 2>work with Cocaine Cowboys.

2:53:26.200 --> 2:53:27.240
<v Speaker 1>And yeah we did.

2:53:28.720 --> 2:53:29.119
<v Speaker 6>Literacy.

2:53:29.320 --> 2:53:32.640
<v Speaker 1>Yeah yeah, yeah, and he always advocates for everything you're doing. Yeah.

2:53:32.720 --> 2:53:34.560
<v Speaker 3>Yeah, good dude, yeah Evan good.

2:53:34.600 --> 2:53:34.800
<v Speaker 1>Yeah.

2:53:37.560 --> 2:53:39.160
<v Speaker 3>Boot springsteak.

2:53:40.160 --> 2:53:44.280
<v Speaker 1>Oh band from TV in the US. That's a that's

2:53:44.320 --> 2:53:52.760
<v Speaker 1>you kick you out of TV? Yeah, kind of what

2:53:52.959 --> 2:53:56.440
<v Speaker 1>happened because I was following you and you was bad

2:53:56.480 --> 2:53:58.200
<v Speaker 1>from the USA. He wanted to be just bad from TV,

2:53:58.320 --> 2:54:01.959
<v Speaker 1>so that on TV. Yeah yeah, so he said second,

2:54:03.840 --> 2:54:06.360
<v Speaker 1>all right, so so you beat the I never looked

2:54:06.400 --> 2:54:08.880
<v Speaker 1>at you as that kind of because you this is

2:54:09.000 --> 2:54:19.560
<v Speaker 1>good because my uncle with Yeah, but everybody realized how

2:54:19.760 --> 2:54:24.800
<v Speaker 1>big Bruce Springsteen fu it is you get you beat

2:54:24.879 --> 2:54:29.359
<v Speaker 1>the case? How the fuck.

2:54:30.879 --> 2:54:37.000
<v Speaker 3>You get Bruce Springsteen to clear the sap or did

2:54:37.040 --> 2:54:40.320
<v Speaker 3>you not. Yeah, he had cleared.

2:54:41.480 --> 2:54:45.480
<v Speaker 1>I mean the thing is okay, Well it was that

2:54:45.680 --> 2:54:48.800
<v Speaker 1>was the time I was signed on Atlanta deal with

2:54:48.879 --> 2:54:55.600
<v Speaker 1>Atlanta and so uh and so uh. They facilitated that

2:54:55.920 --> 2:54:59.880
<v Speaker 1>to and facilitated the conversation with me, and I was like, Yo,

2:55:00.000 --> 2:55:02.000
<v Speaker 1>I want to do this, this on this band in

2:55:02.000 --> 2:55:05.120
<v Speaker 1>the USA. I'm gonna do this Bruce Springsteen's this ship

2:55:05.240 --> 2:55:07.120
<v Speaker 1>was born in the US, and she was born in

2:55:07.160 --> 2:55:09.359
<v Speaker 1>the USA, and you flipped.

2:55:08.959 --> 2:55:09.200
<v Speaker 8>It to.

2:55:10.720 --> 2:55:14.400
<v Speaker 1>Bad exactly and I and I didn't want to do it,

2:55:15.160 --> 2:55:18.039
<v Speaker 1>similar to I didn't want to go down the line

2:55:18.080 --> 2:55:22.800
<v Speaker 1>of using it without his because his approval and consent,

2:55:23.520 --> 2:55:26.119
<v Speaker 1>because I could have. I just want the parody case,

2:55:27.200 --> 2:55:29.600
<v Speaker 1>the Roy Obison Pretty Woman parody case.

2:55:30.240 --> 2:55:32.640
<v Speaker 6>So I just won that motherfucking.

2:55:32.240 --> 2:55:35.200
<v Speaker 3>Case in the Supreme Court, and I could clearly say

2:55:35.360 --> 2:55:35.600
<v Speaker 3>that that.

2:55:35.720 --> 2:55:40.040
<v Speaker 2>Was a parody because he's you're speaking Chinese force right now.

2:55:40.840 --> 2:55:43.720
<v Speaker 7>Parody case meaning that you could you could emulate a

2:55:43.760 --> 2:55:45.280
<v Speaker 7>record a certain way and it's legal.

2:55:45.560 --> 2:55:48.240
<v Speaker 1>Yeah, the ship, what will this ship that they do

2:55:48.360 --> 2:55:50.840
<v Speaker 1>every day on Saturday Night Live. Matter of fact, they

2:55:51.240 --> 2:55:54.120
<v Speaker 1>fried the brief and supported me where they where you

2:55:54.160 --> 2:55:57.600
<v Speaker 1>could poke fun. I can you know you could be

2:55:57.720 --> 2:56:01.600
<v Speaker 1>similar to something, but you're just that's the parody exactly,

2:56:01.640 --> 2:56:03.560
<v Speaker 1>and then you save so.

2:56:04.040 --> 2:56:07.720
<v Speaker 2>Like what's the weird Al Yankovich, He's doing parodies all day.

2:56:07.640 --> 2:56:11.600
<v Speaker 1>Long, Bobby, Jimmy and all them, and so those are

2:56:11.920 --> 2:56:16.720
<v Speaker 1>you know, it's satire, you know, so basically so so

2:56:17.200 --> 2:56:19.520
<v Speaker 1>when I went, I could have did it like that,

2:56:20.640 --> 2:56:23.320
<v Speaker 1>but I said, and that's why I say, all these

2:56:23.360 --> 2:56:28.520
<v Speaker 1>other artists, when you're sampling people voice and ship and

2:56:28.600 --> 2:56:31.800
<v Speaker 1>putting them on a record, you know, the respectful thing

2:56:31.920 --> 2:56:34.240
<v Speaker 1>to do is call the person up.

2:56:35.280 --> 2:56:37.400
<v Speaker 6>You know what I'm saying, you know, call the person up.

2:56:37.480 --> 2:56:37.800
<v Speaker 6>That's why.

2:56:38.280 --> 2:56:41.360
<v Speaker 1>That's why, you know, you know, even with the French

2:56:41.480 --> 2:56:44.119
<v Speaker 1>Montana thing, I was like felt some kind of way

2:56:44.240 --> 2:56:46.039
<v Speaker 1>like called me up and.

2:56:46.160 --> 2:56:48.400
<v Speaker 3>Be like, yo, man, I'm using your voice and this ship.

2:56:48.440 --> 2:56:51.560
<v Speaker 1>Whether you sample it or whether you paid Little Joe

2:56:51.640 --> 2:56:53.920
<v Speaker 1>or whoever the fuck you paid, you got my voice

2:56:53.959 --> 2:56:54.400
<v Speaker 1>in this ship.

2:56:54.959 --> 2:56:57.720
<v Speaker 6>You feel me out of respect, you know.

2:56:57.800 --> 2:57:01.320
<v Speaker 1>And so I think eventually, because an Frinch is a

2:57:01.360 --> 2:57:06.080
<v Speaker 1>great girl guy, and he's a frist great friend of minds, right,

2:57:06.520 --> 2:57:12.760
<v Speaker 1>and eventually somebody's going to example sample French right right exactly,

2:57:12.760 --> 2:57:16.720
<v Speaker 1>and so I did that with Bruce and like I'm

2:57:16.800 --> 2:57:19.360
<v Speaker 1>being I had the conversation with her, look at me.

2:57:19.440 --> 2:57:21.080
<v Speaker 1>I need to speak to this man before I use

2:57:21.200 --> 2:57:22.520
<v Speaker 1>this ship. You know.

2:57:22.560 --> 2:57:24.520
<v Speaker 6>I want him to wake up in and.

2:57:24.720 --> 2:57:28.080
<v Speaker 3>See me on the MTVMP He cleared. That was another

2:57:28.200 --> 2:57:28.560
<v Speaker 3>bet that.

2:57:28.680 --> 2:57:30.280
<v Speaker 1>We all do. You think he cleared it because he

2:57:30.360 --> 2:57:32.560
<v Speaker 1>understood what she was doing with the record. He clear it.

2:57:33.120 --> 2:57:38.720
<v Speaker 1>He understood the mission that music should not be used, uh,

2:57:39.760 --> 2:57:42.760
<v Speaker 1>it should not be censored. So he understood the whole

2:57:43.400 --> 2:57:46.480
<v Speaker 1>the whole vibe and everything that that that I was

2:57:46.560 --> 2:57:47.000
<v Speaker 1>fighting for.

2:57:47.560 --> 2:57:51.880
<v Speaker 3>And he was like, Yohama, man, I prove this. And

2:57:52.040 --> 2:57:54.280
<v Speaker 3>I was him, what you're doing and all that.

2:57:54.800 --> 2:57:54.960
<v Speaker 4>You know.

2:57:55.000 --> 2:57:57.440
<v Speaker 1>It was a nice little conversation me and Hi man,

2:57:57.560 --> 2:58:00.360
<v Speaker 1>and and I was, you know, I was like, Okay,

2:58:00.400 --> 2:58:01.960
<v Speaker 1>that's some good ship, you know.

2:58:02.080 --> 2:58:05.000
<v Speaker 3>But I really think it's really important, you know.

2:58:05.040 --> 2:58:07.800
<v Speaker 1>And I love all these artists when they I'm flattered

2:58:07.959 --> 2:58:11.800
<v Speaker 1>by the French, Montanas and everybody else who sampled my

2:58:12.000 --> 2:58:15.400
<v Speaker 1>voice in records. But then at the same time, I

2:58:15.560 --> 2:58:17.760
<v Speaker 1>think you should get on the phone and call whether

2:58:17.800 --> 2:58:21.000
<v Speaker 1>it's me or anybody else, and be like yo, you know.

2:58:21.200 --> 2:58:23.040
<v Speaker 3>I'm I just tapped in.

2:58:23.440 --> 2:58:25.280
<v Speaker 6>Yeah, I just tapped in. You feel me.

2:58:25.480 --> 2:58:28.240
<v Speaker 2>Figure out how to use you actually in the record,

2:58:28.440 --> 2:58:29.879
<v Speaker 2>like in the video or something.

2:58:31.640 --> 2:58:37.040
<v Speaker 1>That check it in. Check it's not No, it's not

2:58:38.000 --> 2:58:41.520
<v Speaker 1>paying respect to what you're using. Checking it is when

2:58:41.560 --> 2:58:44.880
<v Speaker 1>you go somewhere that's not checking. No, they ain't checking in.

2:58:45.560 --> 2:58:47.160
<v Speaker 1>See back in the days, they used to check in

2:58:47.240 --> 2:58:50.640
<v Speaker 1>when they come to Miami. But then everybody got us off, right.

2:58:56.400 --> 2:58:59.400
<v Speaker 1>But if mother had to check in for real, yo

2:59:00.120 --> 2:59:03.240
<v Speaker 1>up now okay, all right, okay, yeah, but now you

2:59:03.320 --> 2:59:05.920
<v Speaker 1>know I left some other people in control and they

2:59:06.080 --> 2:59:10.280
<v Speaker 1>just fucking open their legs up. But I mean you

2:59:10.440 --> 2:59:16.560
<v Speaker 1>helped them. Look, but any anyway, meanwhile, back at the ranch,

2:59:17.120 --> 2:59:18.519
<v Speaker 1>back at the drink camp.

2:59:23.959 --> 2:59:28.400
<v Speaker 12>I'm gonna tell this for my second. You smoked all

2:59:28.440 --> 2:59:30.680
<v Speaker 12>them fucking joints. That's why you're talking about us right here.

2:59:30.959 --> 2:59:35.560
<v Speaker 3>That's why you put them. Okay, God, damn well, Uncle

2:59:35.640 --> 2:59:42.480
<v Speaker 3>lou Man, we really not. I'm not speaking for you.

2:59:43.600 --> 2:59:49.160
<v Speaker 1>I'm speaking from a fucking all the rappers that say

2:59:49.280 --> 2:59:53.200
<v Speaker 1>some dumb ship. Not dumb ship, all right, let's say

2:59:53.240 --> 2:59:57.160
<v Speaker 1>the ship that they relate to. If it wasn't for you,

2:59:58.480 --> 2:59:59.800
<v Speaker 1>we wouldn't have none of that.

3:00:01.480 --> 3:00:06.520
<v Speaker 3>Do you realize that I just go about my business

3:00:06.959 --> 3:00:07.560
<v Speaker 3>doing what I do.

3:00:07.680 --> 3:00:10.800
<v Speaker 1>And you know, I, you know, like a lot a

3:00:10.840 --> 3:00:13.120
<v Speaker 1>lot of people tell me that, you know, when they

3:00:13.760 --> 3:00:16.960
<v Speaker 1>use them legend words and all that, and I don't.

3:00:17.200 --> 3:00:19.879
<v Speaker 1>I don't know, I don't feel a certain kind of way.

3:00:19.959 --> 3:00:20.080
<v Speaker 8>You know.

3:00:20.160 --> 3:00:25.080
<v Speaker 1>I just I'm just I'm humble, you know, I'm respectful

3:00:25.160 --> 3:00:28.400
<v Speaker 1>for when people think of me in that manner. And

3:00:28.560 --> 3:00:31.760
<v Speaker 1>I you know, I appreciate it because I've for so

3:00:31.920 --> 3:00:36.280
<v Speaker 1>many years I've not gotten any credit for anything or

3:00:36.360 --> 3:00:40.360
<v Speaker 1>any respect. Uh. And my city has not gotten any

3:00:40.560 --> 3:00:43.800
<v Speaker 1>respect and credit for the things that we've done, you know.

3:00:44.080 --> 3:00:48.240
<v Speaker 3>And uh, you know, so I appreciate it. You know,

3:00:48.440 --> 3:00:50.400
<v Speaker 3>I really appreciate it.

3:00:50.480 --> 3:00:54.160
<v Speaker 1>But I don't. I just I just do the right thing.

3:00:54.560 --> 3:00:54.720
<v Speaker 1>You know.

3:00:54.760 --> 3:00:55.600
<v Speaker 6>If I'm gonna fight for.

3:00:56.520 --> 3:00:58.680
<v Speaker 1>A free speech, I'm ana fight for free speech, I

3:00:59.000 --> 3:01:00.880
<v Speaker 1>fight for my community, I'm gonna do that.

3:01:01.000 --> 3:01:03.200
<v Speaker 3>I'm gonna fight for hip hop, I'm gonna do that.

3:01:03.400 --> 3:01:09.039
<v Speaker 1>And so whether it leads to being, you know, whether

3:01:09.320 --> 3:01:13.120
<v Speaker 1>whatever it leads me to be where my place in

3:01:13.320 --> 3:01:17.600
<v Speaker 1>history is, it becomes, you know, all right, that's for

3:01:18.080 --> 3:01:20.840
<v Speaker 1>other people to determine. That's not for me. And so

3:01:21.040 --> 3:01:24.520
<v Speaker 1>when you know, when folks say that, like like you

3:01:24.760 --> 3:01:28.520
<v Speaker 1>and you guys, you know, giving my respect and other people,

3:01:30.480 --> 3:01:31.440
<v Speaker 1>I'm humble by it.

3:01:31.879 --> 3:01:36.240
<v Speaker 3>You know, I appreciate it. But at the end of day,

3:01:36.240 --> 3:01:39.320
<v Speaker 3>I just go about my business trying to be the

3:01:39.400 --> 3:01:41.959
<v Speaker 3>person that my old girl raised and my dad.

3:01:46.280 --> 3:01:48.920
<v Speaker 7>Well let me say something, no, no, no, one of

3:01:49.000 --> 3:01:51.440
<v Speaker 7>the things that I'm most proud of that people they

3:01:51.480 --> 3:01:53.840
<v Speaker 7>always think that drink Chances was born somewhere else.

3:01:54.440 --> 3:01:56.359
<v Speaker 2>Is born and bred in Miami, Florida.

3:01:57.080 --> 3:01:58.840
<v Speaker 6>Oh yeah, yeah, I didn't know that.

3:01:59.400 --> 3:02:03.320
<v Speaker 7>Yeah, So that's what I'm always proud of, that being

3:02:03.440 --> 3:02:05.160
<v Speaker 7>from here. Like I always tell you, now, this is

3:02:05.280 --> 3:02:09.200
<v Speaker 7>from the crib, born here with a legend from New York,

3:02:09.800 --> 3:02:11.320
<v Speaker 7>but it was born in Miami, Florida.

3:02:11.360 --> 3:02:12.000
<v Speaker 3>You know what I'm saying that.

3:02:14.280 --> 3:02:15.560
<v Speaker 1>From New York.

3:02:15.680 --> 3:02:23.200
<v Speaker 3>Couple of games and you know what, uncle, look truly

3:02:24.120 --> 3:02:26.240
<v Speaker 3>sincerely love.

3:02:27.680 --> 3:02:33.520
<v Speaker 1>What you laid down because I was church and kickles

3:02:33.680 --> 3:02:35.800
<v Speaker 1>or urch ands.

3:02:36.120 --> 3:02:37.040
<v Speaker 6>You keep going back to.

3:02:37.120 --> 3:02:39.879
<v Speaker 1>Then he just he just celebrates his birthday.

3:02:41.760 --> 3:02:45.520
<v Speaker 3>Samet Thomas Love and the ladies.

3:02:45.720 --> 3:02:48.320
<v Speaker 1>The ladies I had, like you know, all my family

3:02:49.160 --> 3:02:52.240
<v Speaker 1>and they was they was they was celebrating.

3:02:51.640 --> 3:02:53.440
<v Speaker 3>And I was like wait a minute, m.

3:02:54.959 --> 3:02:57.280
<v Speaker 1>Gall listens to their language, and I was like, oh,

3:02:59.160 --> 3:03:04.160
<v Speaker 1>and then speaking of English though about the language that

3:03:04.600 --> 3:03:07.120
<v Speaker 1>I was hearing, and I was like, oh, ship, because

3:03:07.160 --> 3:03:11.800
<v Speaker 1>I'm forty seven now, so I was like, but then

3:03:12.959 --> 3:03:19.320
<v Speaker 1>I remember the first time that ship. That's my motherfucker.

3:03:24.400 --> 3:03:29.920
<v Speaker 1>So but but uncle Luke, hold on because what yeah,

3:03:30.480 --> 3:03:32.039
<v Speaker 1>I got, I got a you got a quick time.

3:03:32.040 --> 3:03:32.440
<v Speaker 2>It's fine.

3:03:32.680 --> 3:03:35.400
<v Speaker 1>No, no, no, no, I'm gonna take on by.

3:03:36.080 --> 3:03:39.119
<v Speaker 3>You gotta say, yeah, man, I'm a pist guy, right,

3:03:40.600 --> 3:03:44.400
<v Speaker 3>and you we established that you didn't watch Star Wars.

3:03:46.000 --> 3:03:46.400
<v Speaker 8>I know.

3:03:48.400 --> 3:03:52.680
<v Speaker 1>I watched it before I got sued, well after. I

3:03:52.760 --> 3:03:57.680
<v Speaker 1>think I got sued after it came out before I

3:03:57.720 --> 3:03:58.040
<v Speaker 1>don't know.

3:03:59.640 --> 3:04:05.080
<v Speaker 8>But I don't even watch that ship because the George

3:04:05.160 --> 3:04:10.119
<v Speaker 8>Lucas thing I respected. I got someone doing.

3:04:11.680 --> 3:04:24.360
<v Speaker 3>Monster Energy dream. Yeah, like we wrapped it up that way.

3:04:25.160 --> 3:04:27.720
<v Speaker 3>Let's see a friends, let's let's see my ass up.

3:04:28.040 --> 3:04:29.360
<v Speaker 3>You know, I ain't gonna lie.

3:04:29.360 --> 3:04:32.840
<v Speaker 1>I gotta give you out Miami guys like a little

3:04:32.920 --> 3:04:39.400
<v Speaker 1>extra time what like, but at the back jam damn

3:04:40.240 --> 3:04:43.160
<v Speaker 1>get him a long way from them. Goddamn Zigzaggs about

3:04:43.400 --> 3:04:49.840
<v Speaker 1>how you ever had to the community the generation, Oh man,

3:04:50.240 --> 3:04:53.160
<v Speaker 1>I mean you know, I think you know. I was

3:04:53.200 --> 3:04:57.560
<v Speaker 1>a kid growing up. I was a kid growing uprom

3:04:57.600 --> 3:04:59.040
<v Speaker 1>Liberty City, and I would have to go to the

3:04:59.160 --> 3:05:05.760
<v Speaker 1>South Beach, uh to play football hoods. Yeah, overtown right there.

3:05:07.040 --> 3:05:09.640
<v Speaker 1>And then you got Libby City where I'm from. My

3:05:09.840 --> 3:05:13.000
<v Speaker 1>girl them lived in town. Uh that's where they came from.

3:05:13.920 --> 3:05:14.040
<v Speaker 8>Uh.

3:05:15.280 --> 3:05:17.800
<v Speaker 1>And I used to get busted to Miami Beach all

3:05:17.840 --> 3:05:20.560
<v Speaker 1>the time to play all in ice sports. And uh

3:05:21.440 --> 3:05:24.039
<v Speaker 1>so I always said, if I would make two cents

3:05:24.040 --> 3:05:27.400
<v Speaker 1>over my lunch money, you know I would have it

3:05:27.440 --> 3:05:29.560
<v Speaker 1>where kids don't have to get busted six o'clock in

3:05:29.640 --> 3:05:31.600
<v Speaker 1>the morning all the way to Miami Beach to go

3:05:31.680 --> 3:05:36.240
<v Speaker 1>to high school in a city where back then, if

3:05:36.840 --> 3:05:39.120
<v Speaker 1>if you were black, you had to be off the

3:05:39.200 --> 3:05:41.360
<v Speaker 1>beach at six o'clock. Other than that you would go

3:05:41.400 --> 3:05:45.520
<v Speaker 1>to jail for the for overnight. Okay, hold on, some

3:05:45.840 --> 3:05:48.560
<v Speaker 1>tell on them. We stopped he for us because this

3:05:48.720 --> 3:05:50.960
<v Speaker 1>is in my notes.

3:05:53.600 --> 3:05:57.920
<v Speaker 3>And then we all watched golf. If we all looked

3:05:57.920 --> 3:06:03.000
<v Speaker 3>at scarf face and it was like we was welcome, and.

3:06:03.120 --> 3:06:07.200
<v Speaker 1>That same beach, this off faces he was on beach

3:06:07.280 --> 3:06:11.199
<v Speaker 1>that black people wasn't welcome. There no no. Black people

3:06:11.480 --> 3:06:14.000
<v Speaker 1>at that time had to be off the beach uh.

3:06:14.640 --> 3:06:17.640
<v Speaker 1>And you couldn't get caught on the beach after six o'clock.

3:06:17.879 --> 3:06:22.119
<v Speaker 1>You go to jail, spend the night. Even black entertainers

3:06:22.520 --> 3:06:25.640
<v Speaker 1>would go to South Beach. It's like Sammy Davis and

3:06:25.760 --> 3:06:29.040
<v Speaker 1>all of them, they would have to leave literally to say,

3:06:29.200 --> 3:06:32.360
<v Speaker 1>Sammy Davis, Yeah, you're telling me Sammy Davis would the

3:06:32.400 --> 3:06:35.680
<v Speaker 1>guy arrested? Oh hell, he dealt with a lot. He

3:06:36.200 --> 3:06:38.160
<v Speaker 1>a lot. Even in Vegas. You couldn't even stay on

3:06:38.280 --> 3:06:42.040
<v Speaker 1>the beach. You couldn't stay the whole Right now, this

3:06:42.160 --> 3:06:46.840
<v Speaker 1>is the same Miami Beach South and South SI.

3:06:46.920 --> 3:06:49.720
<v Speaker 3>The second Miami Beach is still they dead?

3:06:49.760 --> 3:06:53.800
<v Speaker 1>Is frame break the same place. That's why you see

3:06:53.840 --> 3:06:57.560
<v Speaker 1>that black break. It used to be there's no break

3:06:57.640 --> 3:07:02.600
<v Speaker 1>now they dead it black they did it. Yeah. But

3:07:02.800 --> 3:07:05.440
<v Speaker 1>I mean when you know the history of Miami Beach

3:07:05.600 --> 3:07:09.240
<v Speaker 1>that that is part of their history of being racist

3:07:09.320 --> 3:07:12.640
<v Speaker 1>toward African Americans. When you tell the African Americans you're

3:07:12.640 --> 3:07:15.840
<v Speaker 1>going to go to jail uh and staying in jail

3:07:16.120 --> 3:07:20.280
<v Speaker 1>overnight and then get out at sunrise, I mean how

3:07:20.480 --> 3:07:21.200
<v Speaker 1>bad that can be?

3:07:21.640 --> 3:07:24.840
<v Speaker 3>You know? And so you know, people don't be understanding

3:07:24.879 --> 3:07:26.800
<v Speaker 3>and knowing those histories.

3:07:27.840 --> 3:07:29.520
<v Speaker 1>Like you know I did.

3:07:29.800 --> 3:07:32.240
<v Speaker 3>I opened up a club over there out of spite.

3:07:32.080 --> 3:07:32.640
<v Speaker 6>Because of that.

3:07:33.000 --> 3:07:34.959
<v Speaker 1>You took over Coco Bongles.

3:07:34.800 --> 3:07:38.080
<v Speaker 3>Exactly, and I put the club over there, like well

3:07:38.160 --> 3:07:38.400
<v Speaker 3>I had.

3:07:38.440 --> 3:07:41.480
<v Speaker 1>At first it was a strip club actually really yeah,

3:07:41.760 --> 3:07:45.680
<v Speaker 1>it was a strip club. They were trying to open

3:07:45.760 --> 3:07:48.400
<v Speaker 1>up a strip club on Miami Beach and then they

3:07:48.560 --> 3:07:51.560
<v Speaker 1>suckered them into building it and they had to polls

3:07:51.640 --> 3:07:53.280
<v Speaker 1>and everything, and they was like, oh, by the way,

3:07:53.320 --> 3:07:54.160
<v Speaker 1>you can't get naked.

3:07:54.879 --> 3:07:57.000
<v Speaker 3>So it was Luke's before Coco Bongles.

3:07:57.360 --> 3:07:57.600
<v Speaker 6>Yeah.

3:07:58.440 --> 3:07:58.640
<v Speaker 3>Yeah.

3:07:58.800 --> 3:08:01.520
<v Speaker 1>And you did the Players Club there, the Players Boar.

3:08:01.760 --> 3:08:06.120
<v Speaker 1>I remember Icy was there and everything. Yeah yeah, j

3:08:06.640 --> 3:08:08.200
<v Speaker 1>oh no, I didn't do the Players Ball that was

3:08:08.320 --> 3:08:12.959
<v Speaker 1>something Shane. Yeah. And my god, you remember that one. Yeah,

3:08:13.040 --> 3:08:15.680
<v Speaker 1>that was the first party. It actually fucking went broke.

3:08:16.280 --> 3:08:18.320
<v Speaker 1>You gotta hear the Mike Garden the story. No, I know,

3:08:18.440 --> 3:08:18.959
<v Speaker 1>I know them.

3:08:19.120 --> 3:08:20.800
<v Speaker 6>Yeah, yeah, they did workship.

3:08:22.080 --> 3:08:25.000
<v Speaker 1>Yeah yeah, I was d jing with with iced tea.

3:08:25.200 --> 3:08:28.000
<v Speaker 3>Yeah he was. You see Mike's story. You will see

3:08:28.040 --> 3:08:28.240
<v Speaker 3>him that.

3:08:28.400 --> 3:08:30.320
<v Speaker 1>It was like, yo, we lost all our fucking money

3:08:30.680 --> 3:08:35.160
<v Speaker 1>fucking with that party there. We older everybody, but yeah,

3:08:35.680 --> 3:08:40.080
<v Speaker 1>that was some good ship. I love you niggas, by

3:08:40.120 --> 3:08:42.360
<v Speaker 1>the way, as a New York nigga that been here

3:08:43.000 --> 3:08:43.760
<v Speaker 1>sixteen years.

3:08:44.600 --> 3:08:53.800
<v Speaker 3>This was so great. Well, uncle, look you know your mom.

3:08:58.800 --> 3:09:02.080
<v Speaker 3>I heard that lyric Luke me in Miami too. I

3:09:02.200 --> 3:09:04.680
<v Speaker 3>want to say change that lyric and said, Uncle Luke,

3:09:05.560 --> 3:09:07.440
<v Speaker 3>you are my uncle too.

3:09:08.400 --> 3:09:16.960
<v Speaker 1>Oh I like that. Hell yeah, we love you and

3:09:17.080 --> 3:09:18.960
<v Speaker 1>we want you to know that this is this is

3:09:19.040 --> 3:09:22.959
<v Speaker 1>something that I'm a New York guy. He's a Miami guy.

3:09:23.160 --> 3:09:26.680
<v Speaker 1>We made this in Miami. This is your this is

3:09:26.760 --> 3:09:29.640
<v Speaker 1>your platform all the times. If you want to go

3:09:29.800 --> 3:09:33.440
<v Speaker 1>on Instagram live, you can just come here. But it's

3:09:33.520 --> 3:09:34.520
<v Speaker 1>better just come here.

3:09:34.520 --> 3:09:38.440
<v Speaker 3>And I appreciate it. I appreciate it better than come ahead.

3:09:38.560 --> 3:09:39.240
<v Speaker 3>I appreciate it.

3:09:40.600 --> 3:09:43.119
<v Speaker 1>Everybody exactly, exactly.

3:09:43.000 --> 3:09:48.000
<v Speaker 3>Exactly, fucking thank you. All right, before we get about here,

3:09:48.040 --> 3:09:50.680
<v Speaker 3>we've never done this before. Anybody got a question for

3:09:50.840 --> 3:09:51.320
<v Speaker 3>Uncle Luke?

3:09:53.440 --> 3:09:57.920
<v Speaker 1>Go ahead? Sonny Damn? Why the funck y'all call him Sonny?

3:09:57.959 --> 3:10:03.520
<v Speaker 1>He doggas fuck? Is that like a joke that his

3:10:03.600 --> 3:10:09.640
<v Speaker 1>real name Sonny Okay? Name is Sonny Okay, Sonny B,

3:10:10.240 --> 3:10:20.640
<v Speaker 1>Sonny d D. Nobody mentioned the car the conversent.

3:10:20.720 --> 3:10:22.240
<v Speaker 2>I love the car I used to go to conference

3:10:22.280 --> 3:10:22.720
<v Speaker 2>all the time.

3:10:24.520 --> 3:10:27.119
<v Speaker 1>You went to the Carver Center, Sonny, I don't believe you, man,

3:10:30.680 --> 3:10:33.120
<v Speaker 1>Damn he went to the I don't believe you. Bro.

3:10:36.400 --> 3:10:37.920
<v Speaker 2>Did you ever do anything at the Corver Center?

3:10:38.240 --> 3:10:38.480
<v Speaker 1>Yeah?

3:10:38.640 --> 3:10:44.080
<v Speaker 6>Yeah, yeah, yeah, yeah.

3:10:44.640 --> 3:10:46.080
<v Speaker 7>I don't know if the cover This is the way

3:10:46.080 --> 3:10:48.480
<v Speaker 7>I remember the convers It was an abandoned movie theater

3:10:48.600 --> 3:10:52.520
<v Speaker 7>or a theater of some sort. Yeah, graffiti everywhere, rats

3:10:52.560 --> 3:10:53.440
<v Speaker 7>in that motherfucker.

3:10:54.360 --> 3:10:56.840
<v Speaker 3>But we enjoyed every show that happened in that mother.

3:10:57.400 --> 3:11:01.520
<v Speaker 1>Let me tell you, hey, it's so many Yeah, it's

3:11:01.520 --> 3:11:04.560
<v Speaker 1>still coldes, there's so many fucking I mean, I'm sure

3:11:04.800 --> 3:11:05.960
<v Speaker 1>it was condemned.

3:11:06.440 --> 3:11:07.000
<v Speaker 6>Yep, yep.

3:11:08.480 --> 3:11:11.400
<v Speaker 1>Did you go to the concert at the baseball stadium,

3:11:13.160 --> 3:11:16.440
<v Speaker 1>the one where I brought publican in me and iced

3:11:16.520 --> 3:11:19.880
<v Speaker 1>tea and all of them? Man, let me tell you

3:11:19.959 --> 3:11:22.400
<v Speaker 1>I did that at the Miami Baseball Stadium.

3:11:22.440 --> 3:11:24.800
<v Speaker 6>It's tore down. It's a fucking apartment.

3:11:25.120 --> 3:11:29.680
<v Speaker 1>No, No, the old one Bobby Martinez what it was,

3:11:29.760 --> 3:11:33.360
<v Speaker 1>Bobby Martinez Stadium where the Orioles used to play the

3:11:33.440 --> 3:11:34.280
<v Speaker 1>summer games at.

3:11:34.840 --> 3:11:36.760
<v Speaker 6>And I had this big fucking count that was.

3:11:37.640 --> 3:11:41.640
<v Speaker 1>That was the first time Chuck d and public Enemy

3:11:41.680 --> 3:11:44.080
<v Speaker 1>ever rode on a jet because I had a jet

3:11:44.200 --> 3:11:48.760
<v Speaker 1>then and I and I sent they were doing a

3:11:48.840 --> 3:11:51.600
<v Speaker 1>show in Atlanta, and then I was like, I need

3:11:51.640 --> 3:11:53.359
<v Speaker 1>you'all to do this show down here because.

3:11:53.120 --> 3:11:55.680
<v Speaker 3>I had the baseball stadium back to school jam or

3:11:55.760 --> 3:11:56.359
<v Speaker 3>some shit.

3:11:58.000 --> 3:12:01.400
<v Speaker 1>Probably had like forty thousand people in that motherfucker, and uh,

3:12:02.240 --> 3:12:04.280
<v Speaker 1>I sent my jet to pick them up.

3:12:05.440 --> 3:12:07.120
<v Speaker 3>And then I thought they had to have been on

3:12:07.400 --> 3:12:08.240
<v Speaker 3>just before.

3:12:08.680 --> 3:12:10.360
<v Speaker 1>They had been on, I thought they had been on

3:12:10.720 --> 3:12:13.560
<v Speaker 1>their mother fucking played and play funny and ship in

3:12:13.640 --> 3:12:15.960
<v Speaker 1>the world. They hopped out that mother fuer like, look,

3:12:16.160 --> 3:12:17.440
<v Speaker 1>I never been on this ship like.

3:12:17.480 --> 3:12:18.880
<v Speaker 6>This in my life, you know.

3:12:19.800 --> 3:12:23.400
<v Speaker 3>But that was crazy because again back then, you can't

3:12:23.480 --> 3:12:27.320
<v Speaker 3>have you know, you didn't have social media, right, so

3:12:27.400 --> 3:12:29.280
<v Speaker 3>you didn't know dealing with So.

3:12:29.760 --> 3:12:33.280
<v Speaker 1>My brother gave me the jet, and I would do

3:12:33.680 --> 3:12:36.600
<v Speaker 1>a show here, show there. I would do three shows.

3:12:37.000 --> 3:12:40.320
<v Speaker 1>I gave you the jets. Yeah's your brother.

3:12:42.120 --> 3:12:42.680
<v Speaker 6>Something like that.

3:12:44.360 --> 3:12:47.840
<v Speaker 1>You got two jets right now sitting in there. We

3:12:47.879 --> 3:12:51.240
<v Speaker 1>don't know. Yeah, Like, motherfucker bought three golf courses and

3:12:51.320 --> 3:12:54.240
<v Speaker 1>ship still got money. But so he way back then

3:12:54.560 --> 3:12:57.680
<v Speaker 1>he had a fleet of jets and so he was like, Yo,

3:12:57.760 --> 3:13:00.640
<v Speaker 1>you got this ship, just pay the fucking money on

3:13:00.800 --> 3:13:03.480
<v Speaker 1>it and the maintenance and everything. And so I would

3:13:03.520 --> 3:13:06.840
<v Speaker 1>do shows that you could do it because there wasn't

3:13:06.840 --> 3:13:09.600
<v Speaker 1>no social media. I can do a show here, show there,

3:13:09.680 --> 3:13:12.200
<v Speaker 1>and show there. I had to party somewhere else, and

3:13:12.240 --> 3:13:16.080
<v Speaker 1>I fly to these different places, do three shows tonight. Yeah.

3:13:16.240 --> 3:13:17.840
<v Speaker 1>So when I did that show, I was like, oh,

3:13:17.920 --> 3:13:20.959
<v Speaker 1>let me just send my my jet that to pick

3:13:21.040 --> 3:13:23.400
<v Speaker 1>you up. That's why I be laughing at people right

3:13:23.480 --> 3:13:26.720
<v Speaker 1>now with these jets and these shots and shit.

3:13:27.200 --> 3:13:27.840
<v Speaker 6>That's what Big.

3:13:27.959 --> 3:13:29.680
<v Speaker 1>When me and Big did the song, he was like

3:13:29.800 --> 3:13:32.960
<v Speaker 1>deep throat on loop boat when the moon rises and

3:13:33.120 --> 3:13:37.119
<v Speaker 1>coming in your eyes is just the way he plays play.

3:13:38.920 --> 3:13:42.560
<v Speaker 3>Every day we was on my boat and then we

3:13:42.680 --> 3:13:44.680
<v Speaker 3>went to New York and then he did the fuck

3:13:44.720 --> 3:13:46.440
<v Speaker 3>his song. I was like, mother could sit up in

3:13:46.480 --> 3:13:49.320
<v Speaker 3>there like this. I'm like, okay, we didn't cut this song.

3:13:49.560 --> 3:13:51.720
<v Speaker 6>When Big gonna go up in this motheruger that.

3:13:51.840 --> 3:13:54.600
<v Speaker 3>Mother went up in there and hit that shit fucked

3:13:54.640 --> 3:13:55.160
<v Speaker 3>me all up.

3:13:56.360 --> 3:13:59.000
<v Speaker 7>One more thing, and I just remember that. I wanted

3:13:59.000 --> 3:14:01.920
<v Speaker 7>to ask you this, how how much does blowfly have

3:14:02.000 --> 3:14:02.840
<v Speaker 7>an influence on you?

3:14:03.879 --> 3:14:04.840
<v Speaker 6>Major? Major?

3:14:05.040 --> 3:14:08.400
<v Speaker 1>It was more so mister Mix, because mister Mix was

3:14:08.480 --> 3:14:11.560
<v Speaker 1>the one who was doing the music, but uh and

3:14:11.920 --> 3:14:15.520
<v Speaker 1>was doing all the samples. I I love that the

3:14:15.640 --> 3:14:19.320
<v Speaker 1>Leroy skillets in the uh in the and the blowflies

3:14:19.360 --> 3:14:22.760
<v Speaker 1>of the world. And they were talking crazy because we all,

3:14:23.000 --> 3:14:25.480
<v Speaker 1>I had the records. Mix had the records. That's why

3:14:25.560 --> 3:14:28.400
<v Speaker 1>me and him was able to connect. Like how we connected.

3:14:28.800 --> 3:14:31.600
<v Speaker 1>That's that's what brought y'all together. That's what Yeah, okay,

3:14:32.160 --> 3:14:34.879
<v Speaker 1>right through that because okay, we was on the same vibe.

3:14:34.879 --> 3:14:39.520
<v Speaker 1>And then if I'm black man, we're playing from DJing,

3:14:39.760 --> 3:14:43.160
<v Speaker 1>I'm playing fire Cracker, Man, we need that's a hot

3:14:43.680 --> 3:14:46.400
<v Speaker 1>song that we dj did you know the break beeat

3:14:46.480 --> 3:14:47.720
<v Speaker 1>of that? Hey mix?

3:14:48.200 --> 3:14:49.080
<v Speaker 6>Do this right here?

3:14:49.120 --> 3:14:53.000
<v Speaker 1>And then I'm looking at this this movie full metal Jacket,

3:14:53.040 --> 3:14:55.240
<v Speaker 1>this girl on there talking about me. So Horney put

3:14:55.320 --> 3:14:57.640
<v Speaker 1>that ship on there with the fire cracker and that

3:14:57.720 --> 3:15:00.280
<v Speaker 1>shit gonna pop, and so he would go cook it up,

3:15:00.640 --> 3:15:02.840
<v Speaker 1>you know, and all the blow then he would add

3:15:02.840 --> 3:15:05.720
<v Speaker 1>the blow fly didn't leave skill it done as people

3:15:05.720 --> 3:15:08.800
<v Speaker 1>didn't know she was on fucking sample and son but

3:15:09.000 --> 3:15:09.879
<v Speaker 1>cursing like a mother.

3:15:11.160 --> 3:15:19.160
<v Speaker 3>Yeah, oh happy all we did call it. Man shouts

3:15:19.200 --> 3:15:24.040
<v Speaker 3>the calid shut we love Kelly doing this motherfucking thing.

3:15:24.160 --> 3:15:28.320
<v Speaker 1>Man fucking nasty quick. Can't you believe that ship? The

3:15:28.440 --> 3:15:34.840
<v Speaker 1>motherfucking traveling phone sells that motherfucker said everything.

3:15:35.000 --> 3:15:35.400
<v Speaker 6>I love it.

3:15:36.000 --> 3:15:36.400
<v Speaker 1>I love it.

3:15:36.560 --> 3:15:39.640
<v Speaker 3>That's my God. Come on, everybody makes a noise and

3:15:43.800 --> 3:15:45.000
<v Speaker 3>you say you tell everything.

3:15:46.480 --> 3:15:50.920
<v Speaker 1>Cat, that's what Kelly do. Yeah, Cally Challenge sells everything.

3:15:51.200 --> 3:15:56.720
<v Speaker 1>That another one, another one yes quick, another one. This

3:15:57.000 --> 3:15:57.959
<v Speaker 1>is another bun.

3:16:00.640 --> 3:16:03.360
<v Speaker 3>They call it yeah no no no, because because you

3:16:03.440 --> 3:16:04.920
<v Speaker 3>know first they had the next question.

3:16:05.400 --> 3:16:15.760
<v Speaker 1>Another. But that's what's gonna lose. I'na be honest. We

3:16:16.040 --> 3:16:20.080
<v Speaker 1>all owe you and hip hop, anybody who's ever dropped

3:16:20.120 --> 3:16:28.040
<v Speaker 1>the independent record, anybody who's ever tried to live on

3:16:28.240 --> 3:16:33.240
<v Speaker 1>their own. You know, I tell my friends all the time, man,

3:16:33.959 --> 3:16:37.760
<v Speaker 1>live beyond your means the fuck out your motherfucking mother

3:16:37.920 --> 3:16:45.520
<v Speaker 1>crab exactly and gold motherfucking live. But I get that

3:16:45.680 --> 3:16:52.840
<v Speaker 1>from you any independent artists in the world. You're the first.

3:16:54.560 --> 3:16:57.480
<v Speaker 1>We want to give you your flowers, and that's one

3:16:57.520 --> 3:17:01.240
<v Speaker 1>part of it. It's giving you your flowers physically, but

3:17:01.360 --> 3:17:04.720
<v Speaker 1>it's always the second part of it is letting you

3:17:04.879 --> 3:17:11.000
<v Speaker 1>know how much we love you and we are in

3:17:11.640 --> 3:17:17.359
<v Speaker 1>and respect that path that you paid for us because

3:17:17.600 --> 3:17:22.600
<v Speaker 1>me and this motherfucker right here, he don't want he

3:17:22.720 --> 3:17:29.720
<v Speaker 1>want to be the same way, and you are the

3:17:29.920 --> 3:17:37.200
<v Speaker 1>path of the way of being. Stay stay in your

3:17:37.240 --> 3:17:44.080
<v Speaker 1>motherfucking ground. Don't don't, don't, don't be nobody different, and

3:17:44.200 --> 3:17:48.279
<v Speaker 1>that's what we have done, that's what made it successful.

3:17:49.480 --> 3:17:55.360
<v Speaker 1>But that pathway has been Uncle Luke to live crew,

3:17:56.080 --> 3:17:58.360
<v Speaker 1>and we want to give you a flowers. We gave it,

3:17:59.080 --> 3:18:01.080
<v Speaker 1>but we want to can teum to tell you how

3:18:01.200 --> 3:18:07.480
<v Speaker 1>much it's real. And we love the factor that you

3:18:07.600 --> 3:18:10.840
<v Speaker 1>can comment on the new generation. We love that ship.

3:18:11.920 --> 3:18:22.520
<v Speaker 3>That ship is so beautiful and I'm gonna finish your mind.

3:18:22.720 --> 3:18:23.240
<v Speaker 1>Thank you man.

3:18:25.040 --> 3:18:25.840
<v Speaker 2>Let's take a flick.

3:18:26.000 --> 3:18:26.680
<v Speaker 1>Let's be gone.

3:18:27.480 --> 3:18:30.880
<v Speaker 7>Drink Champs is a drink Champs LLC production hosts and

3:18:31.000 --> 3:18:34.440
<v Speaker 7>executive producers n O r E and dj E f N.

3:18:35.600 --> 3:18:36.400
<v Speaker 2>Listen to Drink.

3:18:36.280 --> 3:18:40.560
<v Speaker 7>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

3:18:40.720 --> 3:18:44.480
<v Speaker 7>get your podcasts. Thanks for joining us for another episode

3:18:44.520 --> 3:18:47.160
<v Speaker 7>of Drink Champs hosted by Yours truly, dj E f

3:18:47.320 --> 3:18:49.440
<v Speaker 7>N and n O r E. Please make sure to

3:18:49.480 --> 3:18:51.960
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3:19:00.240 --> 3:19:03.120
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3:19:03.120 --> 3:19:05.920
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3:19:06.120 --> 3:19:08.440
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