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Speaker 1: He is drinks Champs, Mother, Bucky podcast man sign.

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Speaker 2: He's a legends every Queens rapper.

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Speaker 3: He's agreed that your boy in O R he's.

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Speaker 2: A Miami hip hop ponere put up his DJ E

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Speaker 2: f N.

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Speaker 1: Together they drink it up with some of the biggest players.

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Speaker 1: You know what I mean in the most professional, unprofessional

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Speaker 1: podcast and your number one source for drunk drink Champs. Mother.

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Speaker 1: Every day is New Years, That's it's time for drink Champs.

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Speaker 1: Drink up. What a good be hoping he's winna should

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Speaker 1: be this your boy in o R E. What up

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Speaker 1: it is?

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Speaker 3: Dj e f N, This mill.

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Speaker 1: Timmy crazy world drink Champs.

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Speaker 3: You have our and what I tell you this man

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Speaker 3: for for us.

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Speaker 1: When I mean that this man is like he is

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Speaker 1: an icon, he is a legend. When you bring up

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Speaker 1: hip hop and you bring up uh uh shaking them

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Speaker 1: them that thing music, he's number one.

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Speaker 3: He's put it on for the South, He's put on for.

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Speaker 2: The whole world.

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Speaker 1: He's went from JODLEH Brown to sitting with the VP

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Speaker 1: of the United motherfucking States. And again we're here to

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Speaker 1: give him his flowers. And so I want to make

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Speaker 1: some noise I want to give him his flowers off top.

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Speaker 1: Let's give him. You know, the last time you was on.

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Speaker 4: The show, we started audition, so we wanted to I

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Speaker 4: appreciated that we wanted to give you your flowers and

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Speaker 4: tell you what you mean to hip hop because you

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Speaker 4: fought for us.

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Speaker 3: So that means that this show, with our vogar language

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Speaker 3: and our vulgar.

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Speaker 5: Behavior, we wouldn't even yeah them off the top, right.

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Speaker 1: You know, we were so excited to get you, right

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Speaker 1: and I'm gonna do her, bigie. So I was so

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Speaker 1: excited to get you. So what we do, we got

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Speaker 1: a tradition is we played the music. So I played

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Speaker 1: the music and in the neighborhood I lived at, and

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Speaker 1: I didn't realize, like how crazy it was. Three white

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Speaker 1: neighbors came out and we're sitting there and I was

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Speaker 1: like it was the first time. I was like, maybe

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Speaker 1: you should turn it down a little bit, Like you

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Speaker 1: know what I'm saying is back then, what made you

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Speaker 1: even take the chance of like making that type of music,

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Speaker 1: like because it was the first, it was the first. Yeah,

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Speaker 1: you know, First off, thanks for allowing me to come back.

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Speaker 1: You know, you know, I'm a big fan of his chest.

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Speaker 1: Oh thank you. Appreciate you guys on all social media,

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Speaker 1: and I love what y'all be doing. Y'all been doing

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Speaker 1: it just like you said, y'all y'all got big time.

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Speaker 1: So I was like, okay, hold on, he got big

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Speaker 1: one day.

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Speaker 3: But then I appreciate y'all hearing me.

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Speaker 1: But yeah, but the answer the question, man, You know,

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Speaker 1: I was the DJ first of all.

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Speaker 6: You know, ghetto style DJs.

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Speaker 1: You know, I'm spending DJing around here, you know, doing parks,

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Speaker 1: doing dances, doing high school dances, skating rinks and all

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Speaker 1: the whole ship, you know, and uh, basically we would

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Speaker 1: start bringing down hip hop artists. You know, we were

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Speaker 1: pretty much. It was a guy named tiny Heads. He

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Speaker 1: brought you know, juckling high down the first time, and

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Speaker 1: then when we saw him doing that with this DJ group,

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Speaker 1: then I started bringing down Tonight Teev Rocken Man Tronics

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Speaker 1: and all kinds of stuff like that, artists like that,

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Speaker 1: I mean, to buying sounds, you name it. And so

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Speaker 1: I ended up, you know, I you know, was embedded

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Speaker 1: into you know, the New York culture of of hip

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Speaker 1: hop and had a clear understanding of what it was

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Speaker 1: all about, you know, it was the stickers, it was

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Speaker 1: the it was a break dancing, it was the whole

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Speaker 1: style you know that was going on. So I'm like, okay,

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Speaker 1: you know, end up with Two Live Crew. They came

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Speaker 1: down and they didn't.

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Speaker 6: Have a label.

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Speaker 3: They were on the Cola Records, the same label.

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Speaker 1: That uh Ice Tea. And he told me something today.

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Speaker 3: He said, the Two Live Crew came out of l A.

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Speaker 1: Yeah, that messed me up. Mister Mix is the only

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Speaker 1: one from Miami. No, none of them, Mister Mix from

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Speaker 1: Sam Bernardino. Mister Mix was the one from Miami. Yeah, no, no,

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Speaker 1: no from Sam Bernardino. Wouldn't let this argument drop. He said,

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Speaker 1: one of them is from New York. Two of them

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Speaker 1: from New York, believe brother Marquisa is from Rochester and

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Speaker 1: from Brooklyn, both of them by yeah. Me listening to

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Speaker 1: the two cool back then, I just all I can

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Speaker 1: see is I thought it was all Miami. I couldn't

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Speaker 1: see La none of that. So when you said that

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Speaker 1: to me outside, I was like, get out of here, man.

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Speaker 2: Well, so, yeah, how does that go from LA to

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Speaker 2: over here to you?

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Speaker 1: So they were in the military, right, they all they

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Speaker 1: all met in the military before it was another young

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Speaker 1: man in the group. It wasn't Marquis Marquese was in

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Speaker 1: Alabama at the time. It was another dude named your Velin.

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Speaker 1: So you had two sides of the record. You know,

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Speaker 1: you had beat Box, which was a kind of dance

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Speaker 1: song that I spent down here, got hot and before

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Speaker 1: you know it, you don't start bringing them down. Then

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Speaker 1: the other side was a Revelation. Revelation was more like

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Speaker 1: a conscience song. So if you can imagine two Live

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Speaker 1: Crews was probably one of the you know, one of

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Speaker 1: the original conscience song groups.

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Speaker 6: And so you know when they.

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Speaker 1: Came down, they were like, Yo, we ain't got no label,

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Speaker 1: were trying to do this and I'm promoting shows. I

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Speaker 1: want to be like fucking Al Hayman. You know, I

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Speaker 1: ain't trying to be no damn record executive. So at

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Speaker 1: the end of the day, I was like, Okay, well

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Speaker 1: let me I know some record companies around here. Let

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Speaker 1: me hook you all up. And then everybody was like,

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Speaker 1: hell no, they don't do no hip hop in the South.

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Speaker 1: You're tripping, you know, they were doing dance music like

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Speaker 1: Trenia and stuff like that. Yeah, wasn't that back then? No? No?

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Speaker 1: What Yeah? This was early.

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Speaker 2: I mean, you're just south of the DJ Cruise.

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Speaker 1: Yeah, just jam. So I ended up make a long

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Speaker 1: story show. I ended up like fuck it, I put

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Speaker 1: the record out. So then it was like we had

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Speaker 1: this song. We had this little thing that we used

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Speaker 1: to create dances in the dance. Like we had one

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Speaker 1: dance called Kettle Jump where everybody we used the wild

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Speaker 1: Wild West theme and everybody get them jump and then

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Speaker 1: they'll jump. And then we had another dance called throw

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Speaker 1: the d So yeah, yeah, it's like so what ended

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Speaker 1: up happening. I was like, Okay, well fuck it, We'll

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Speaker 1: put the record, I'll create we created a dance and

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Speaker 1: everybody was doing anywhere because we were we were doing

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Speaker 1: skating rings. Yeah, we called the pack Jam skating ring.

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Speaker 1: I made the money from the pack Jam and then

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Speaker 1: by the pak Jam, so.

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Speaker 6: We had skating ring.

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Speaker 1: We did Carol City saying Hi, then we did the

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Speaker 1: skate ring, then we did at the Pata. So we

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Speaker 1: were doing these parties and then Sunday we would do

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Speaker 1: African Square parks, so we were in the front of

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Speaker 1: them like almost ten thousand people on the weekend so

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Speaker 1: we would be able to break the record and they

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Speaker 1: all moved over here. Then yeah, yeah, and so at

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Speaker 1: the end of the day, we just you know, I said,

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Speaker 1: fuck it, we'll do this on right in and then

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Speaker 1: we did throw the dick and then that shit was hot.

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Speaker 3: It went crazy, and that was like the first dirty song.

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Speaker 1: And then after we did throw the dick, then it

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Speaker 1: was that was the day's answer song. So the motherfucker

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Speaker 1: mob told me, hey, look at it, man, you uh

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Speaker 1: you know. I was taking the record around, had one distributor,

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Speaker 1: and one distributor was like, yo, you got a I

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Speaker 1: was like, get in my money for this fucking record.

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Speaker 1: I ain't trying to be in this ship. And they

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Speaker 1: were like, yo, you order for you to get your

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Speaker 1: money for that record, you got to give us another record.

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Speaker 1: So then that was the Day's of answer records. You

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Speaker 1: had Roan Tebro, you know, so everybody was doing answers

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Speaker 1: back then. So I ended up I got my little niece,

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Speaker 1: my little cousin. I was like, Yo, you gotta do

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Speaker 1: a fucking song. She ain't no fucking rapper. No, we're

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Speaker 1: gonna write this ship. You're gonna go in there, which

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Speaker 1: is the group and quet and she went in there

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Speaker 1: and did throw the pee yeah, so we did a

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Speaker 1: response song. Then Okay, give me my money for this

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Speaker 1: ship here. This ship hot right here, and so that's

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Speaker 1: how I ended up. And then I was like, well,

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Speaker 1: you know this treat hustle shit ain't ain't really getting it.

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Speaker 3: I need to be hustling some motherfucking records.

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Speaker 1: So at the end of the day and that's when

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Speaker 1: I like flipped over to doing that, and before you know,

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Speaker 1: and we just went from song to song and back

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Speaker 1: then singles was hot, and I was like, fuck that ship,

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Speaker 1: you know, because the thing is we had down here

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Speaker 1: with people don't realize in Miami, which helped me out

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Speaker 1: a lot, was every major record label would press their

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Speaker 1: records down here to go to uh Columbia and all

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Speaker 1: over the islands and ship exactly.

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Speaker 6: So you had record companies here.

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Speaker 1: But then they were they were they were cutting the records,

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Speaker 1: and there were the cassettes and the records and all

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Speaker 1: dirt cheap, so you damn nicker and like, you know,

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Speaker 1: I would get this right here cost me twenty one

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Speaker 1: cent and the cassette was costing me thirty cent. So

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Speaker 1: I'm like, oh, ship, I need all this ship. And

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Speaker 1: then I was like, fuck these singles because the industry

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Speaker 1: was like, yo, it's all about singles. I'm like, hell no,

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Speaker 1: We're gonna do an album and then I'm gonna cut

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Speaker 1: the price on the album and I'm gonna.

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Speaker 3: Cut the single because it was the record label. Yeah,

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Speaker 3: it was the record label.

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Speaker 1: And you know, we was were just pumping this ship

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Speaker 1: all across the country.

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Speaker 3: I mean, it was, uh, it was. It was a

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Speaker 3: great time.

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Speaker 2: One of the first, sorry, but one of the first

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Speaker 2: independence in hip hop.

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Speaker 1: Yeah.

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Speaker 6: Yeah, the first, Yeah, no doubt about it.

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Speaker 2: You guys maybe around the same time.

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Speaker 1: They came out, after after yeah, everybody, everybody basically was

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Speaker 1: out there. And that's what people, you know, people don't

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Speaker 1: give us the credit for. We created hip hop in

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Speaker 1: the South, no question about it wasn't it wasn't No,

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Speaker 1: it was none existent. It wasn't you know, you had

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Speaker 1: you know you had. I mean you you talked to

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Speaker 1: baby Baby, It'll tell you you trying to sign up

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Speaker 1: with us. We signed an artist from New Orleans named

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Speaker 1: bust Down. You know, we signed MC shot out of Atlanta.

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Speaker 1: You know, So it wasn't they didn't have break the companies,

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Speaker 1: you know, nowhere in the South.

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Speaker 3: We went to fucking Houston. I signed up.

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Speaker 1: Ahe town you know, so it was you know, it

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Speaker 1: was a lot of you know, okay, how the funk

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Speaker 1: we do this? And then I was trying to sign

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Speaker 1: up master people when he had the ice Cream Man song.

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Speaker 1: He he told me, now I'm trying to do what

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Speaker 1: the fuck you do? Well, no, I'm trying to. I

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Speaker 1: see what you're doing? Are you moving? Which you know,

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Speaker 1: which was mad respect and that wasn't popular back then,

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Speaker 1: like especially a black man owning his own labels.

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Speaker 3: So what what what made you?

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Speaker 1: I know, you had music that was explicit and all that,

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Speaker 1: but that's still that boss mentality? What made you say

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Speaker 1: you had to because you had to? Because it wasn't

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Speaker 1: no record companies in Miami. I mean it was dance

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Speaker 1: record companies. You saying you got a hip hop record

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Speaker 1: for Miami and it's like you tell and it was like, hell, no,

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Speaker 1: we ain't doing that. You know, it's all either you

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Speaker 1: were from New York and Philly was you know, doing anything,

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Speaker 1: and California was doing itything even at that time. You

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Speaker 1: know most of those guys n W A and everybody else,

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Speaker 1: Egyptian Love and all them draining, all them they was

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Speaker 1: on the Cola Records, the same distribution company that uh

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Speaker 1: that uh that two Live Crew was on all them

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Speaker 1: dudes was over there.

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Speaker 3: At one point. You had a relationship with Atlantic, right.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 3: So when I did band in the USA, I went

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Speaker 3: I did. Uh.

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Speaker 1: I was like, okay, I want to blow this ship

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Speaker 1: up and then you know, okay, I need the big machine.

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Speaker 3: Okay.

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Speaker 6: I cut the deal with Atlantic.

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Speaker 1: That was a that was a real interesting deal because

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Speaker 1: you know, I went in there, I went in there.

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Speaker 6: I mean, it was too Aaron was silvery room.

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Speaker 1: It was it was it was crazy because Doug Marris

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Speaker 1: brought me in the office. It was me, It was

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Speaker 1: it was me, Craig Calvin, and Jimmy Ivean.

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Speaker 6: Wow. And it was all three of us.

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Speaker 1: One was doing music and the other one, uh.

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Speaker 3: Craig had a house label in Chicago.

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Speaker 1: What and so we all was sitting in the fucking

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Speaker 1: the office and in Doug Marris's office. Uh, and he

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Speaker 1: was like, y'all, y'all have three next motherfuckers that's gonna

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Speaker 1: be running the music industry. So before Interscope, it was

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Speaker 1: before all that, it was like, y'all, three motherfuckers is

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Speaker 1: gonna be running ship.

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Speaker 6: And I'm sitting up in there like.

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Speaker 1: Okay, I'm sitting back like y'all, y'all are going to

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Speaker 1: be the industry, you know, like like you know, I

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Speaker 1: leave out the office, I say, not knowing what was

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Speaker 1: going on, because again I'm from Miami. I'm not too

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Speaker 1: familiar with the music business, you know like that, Like,

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Speaker 1: you know, I was impressed.

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Speaker 3: You know.

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Speaker 1: Uh, my lawyers was trying to explain to me who

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Speaker 1: these these big time dudes was. They had this big

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Speaker 1: old five million dollar check that they put in front

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Speaker 1: of me, and you know, I'm a h Street dude, right,

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Speaker 1: so I'm looking at the money like this. But my

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Speaker 1: first instinct was like, you know, hold on, before I do.

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Speaker 6: This deal, I got to go around there.

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Speaker 1: Howland Sylvia own right, and so I said, I need

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Speaker 1: to get her blessing.

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Speaker 6: Now.

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Speaker 1: Mind you, they got this five million dollars check sitting there,

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Speaker 1: and I'm like, no, I need to go all at

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Speaker 1: this black lady. But actually, what Sylvia had Electric at

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Speaker 1: that time or she was at Atlantic. She was she

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Speaker 1: was at Electric Electric. Yeah cool, because that's we are

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Speaker 1: Electric Atlantic. Yeah. Yeah, they were doing but they were

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Speaker 1: doing the marketing okay, everybody. They controlled everybody. And so

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Speaker 1: I looked at her like as if she was the

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Speaker 1: as if she was the dawn. You know what I'm saying,

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Speaker 1: I got to go run this past her because I

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Speaker 1: don't want to be you know, I'm already making money.

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Speaker 1: I don't want to be on this label unless she

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Speaker 1: give me a blessing. And so, you know, I went

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Speaker 1: around there and they was looking. You know, the lady

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Speaker 1: was looking kind of crazy. She was like nah, naw, yeah,

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Speaker 1: yeah yeah. But then at the end of the day,

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Speaker 1: it wasn't really true. She wasn't trying to give me

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Speaker 1: a blessing. Wow, she was.

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Speaker 6: It was all about fucking us, you know.

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Speaker 3: So we signed up, did the deal, we did.

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Speaker 1: The band in the USA album over there, you know

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Speaker 1: it was we did that. You know. Actually, what you

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Speaker 1: probably don't know that was the first downloaded song ever

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Speaker 1: in the history of music. Really, yeah, because what happened

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Speaker 1: is I told him, I said, look, I want to

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Speaker 1: put this record out on fourth of July at twelve o'clock.

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Speaker 1: So I'm assuming that we're gonna ship this motherfucker all right, right,

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Speaker 1: We're gonna ship the record, and we're gonna tell her

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Speaker 1: the record companies, not the record the We're gonna tell

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Speaker 1: the radio station don't play the record until twelve o'clock,

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Speaker 1: you know, because it was for me. It was it

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Speaker 1: was an emotional record we had and we wanted to

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Speaker 1: play it on that on that time. And they were like, Yo,

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Speaker 1: we got a better way to do this, ship And

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Speaker 1: I was like what they said, download? They were like,

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Speaker 1: we're gonna download it. I'm like, huh download? What year

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Speaker 1: it was this? I gotta get this.

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Speaker 3: Even this was pre natural, when Max won't even heard of.

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Speaker 7: How would they convince you that this is something that

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Speaker 7: the masses are.

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Speaker 1: Say he wanted to drop it at that time, I will,

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Speaker 1: But how.

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Speaker 2: Do you know the masses even have access to that?

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Speaker 1: These motherfuckers had access to the computer where they downloaded

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Speaker 1: that motherfucker to.

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Speaker 3: Every radio station because the radio station.

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Speaker 1: My thing was, I wanted the record to be on

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Speaker 1: the on the PD desk and then everybody collectively play

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Speaker 1: that bitch at twelve o'clock, gonna for you, And they say, oh,

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Speaker 1: we got a better way. Wow, We're gonna download this motherfucker.

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Speaker 1: So if you go look through the history books, it

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Speaker 1: says that that record is the first time record in

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Speaker 1: the history of music.

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Speaker 3: Period, and that makes a noise.

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Speaker 1: So so let me ask you, right, one of the

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Speaker 1: pluses pros and carns rather of having this job is

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Speaker 1: people come up to me and no matter where I'm

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Speaker 1: at airports, you know, to just think I'm just drinking

333
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Speaker 1: twenty four hours. People who come up to you and

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Speaker 1: work all day, like the dudes come to me and say, Louke,

335
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Speaker 1: what them all that I can be with?

336
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Speaker 3: I can be with a girl, you know.

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Speaker 1: Lady, and be like a girl, what do you mean?

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Speaker 1: And then and then you and the rolling places and

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Speaker 1: girls go to like this time, I'm like, God, damn

340
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Speaker 1: me here with my son. We're doing right? Yeah, I

341
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Speaker 1: mean I live a beautiful life, I would say, because.

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Speaker 5: You like when I look back at it, I feel

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Speaker 5: like you invented the work?

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Speaker 1: Like, is that is that that? I'm mad at that

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Speaker 1: fucking word? You're mad in the world? Okay, yeah, I'm

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Speaker 1: mad that fucking Drake Trug comes out and do the

347
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Speaker 1: songs them turking and everybody. Then change the mocker's I'm like,

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Speaker 1: hold on, change the dance. No, it's booty shading that

349
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Speaker 1: pussy do the brown That's what is shaken. Took enough

350
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Speaker 1: heat for that ship. You know, we took heat down

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Speaker 1: the South because you know you had, you know, you had,

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Speaker 1: motherfucker like Meth the man in Red. Man, they get

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Speaker 1: on the record, what's up, doll?

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Speaker 3: What's up?

355
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Speaker 1: Dog?

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Speaker 6: Oh man?

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Speaker 3: They do booty music.

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Speaker 1: Them niggas down there side that booty ship. Take you

359
00:18:08,200 --> 00:18:12,359
Speaker 1: got that right, turn down everybody, and all these damn

360
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Speaker 1: girls want to shake that. You want to change our ship?

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Speaker 1: And they put the bitch in the dictionary. Wait a

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Speaker 1: whole hold on you find that now that's crazy. So

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Speaker 1: it's working as a new word in the fucking dictionary.

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Speaker 6: But I didn't know.

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Speaker 1: I thought, damn, you're right, because it was Yeah, that's

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Speaker 1: right man. I'm like, man, bootis shaking around. I'm like,

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00:18:33,359 --> 00:18:38,399
Speaker 1: hold on, man, and something real quick. You want to

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Speaker 1: show him one album couple real quick?

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Speaker 2: He was going to hold off of that. Where is

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Speaker 2: this your baby?

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Speaker 8: You know.

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Speaker 1: You know you're not getting away with this. Listen a

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Speaker 1: person that's that? Listen, man, is that beautiful one cousin

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Speaker 1: up there? Look at that? Look at that? Look at

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Speaker 1: that right man, No mileage on the pussy, but hold on,

376
00:19:12,840 --> 00:19:17,359
Speaker 1: is there's still there and everything that you went to

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Speaker 1: court for.

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Speaker 3: This is after court, after.

379
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Speaker 1: You win, and you just want to throw it back

380
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Speaker 1: in their face. I can do whatever the funk I wanted.

381
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Speaker 1: I was just pushing the emvelope with me. I was like, okay,

382
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Speaker 1: I'm in court, I'm a couple million dollars into this

383
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Speaker 1: ship right now, everybody coming after me. My lawyer basically

384
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Speaker 1: told me, say, and by the way, we created the

385
00:19:38,440 --> 00:19:42,840
Speaker 1: stick or two, just so you know you created it. Yeah, yeah, yeah,

386
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Speaker 1: you don't get that. You get that fucking with me

387
00:19:45,920 --> 00:19:49,000
Speaker 1: right And I'm like, okay, y'all fucking with the wrong one,

388
00:19:49,080 --> 00:19:51,919
Speaker 1: you know, because I came up. I really my you know,

389
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Speaker 1: my dad, my dad Jamaican and my uncle Bahamian man

390
00:19:57,480 --> 00:19:59,879
Speaker 1: I used to live. I used to go back and

391
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Speaker 1: full to my uncle house. And so that you know,

392
00:20:03,200 --> 00:20:05,400
Speaker 1: the motherfuckers, Donna let you look at no cartoons or nothing.

393
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Speaker 1: You gotta sit there and listen to Malcolm X tapes.

394
00:20:07,960 --> 00:20:11,280
Speaker 1: You gotta read by h Trap Brown all this, you know, uh,

395
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Speaker 1: the struggle, the real struggle way back then.

396
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Speaker 3: So I was like, y'all picked the right motherfucker the fuck.

397
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Speaker 1: With you know what I'm saying, because I already know,

398
00:20:19,320 --> 00:20:22,040
Speaker 1: everything goes in circles. They always told me, Yo, you're

399
00:20:22,080 --> 00:20:24,879
Speaker 1: gonna you're gonna have invisible change on you. I'm like,

400
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Speaker 1: what the fuck y'all mean, y'all niggas ain't y'all ain't

401
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Speaker 1: gonna be free.

402
00:20:28,160 --> 00:20:29,919
Speaker 6: You know, they're gonna try to lock your mind up.

403
00:20:30,280 --> 00:20:32,639
Speaker 1: So I was always taught on that, you know, and

404
00:20:32,680 --> 00:20:33,639
Speaker 1: everything going circles.

405
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Speaker 6: It ain't black man with any power, you know.

406
00:20:35,800 --> 00:20:38,800
Speaker 1: And that's the readings and there and and everything that

407
00:20:38,840 --> 00:20:41,480
Speaker 1: I was in and they had me reading up on

408
00:20:41,760 --> 00:20:44,280
Speaker 1: was any black man in power, They're gonna either kill you,

409
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Speaker 1: I'll put you in jail, you know, if you got

410
00:20:46,240 --> 00:20:48,240
Speaker 1: a voice and you're gonna be able to move people

411
00:20:48,560 --> 00:20:50,360
Speaker 1: in a certain type of ways. So then I looked

412
00:20:50,400 --> 00:20:54,720
Speaker 1: at myself like, shit, I'm not macau Scarby, y'all, h

413
00:20:54,760 --> 00:20:56,960
Speaker 1: Trap Brown and one of them dudes. But I'm I'm

414
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Speaker 1: looking at it like, man, I'm doing this music from

415
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Speaker 1: down here. I'm not affiliated with No No No Company.

416
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Speaker 1: You know, I don't got no muscle behind me battling

417
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Speaker 1: the system. I'm battling the system right now. How How

418
00:21:10,680 --> 00:21:17,600
Speaker 1: did this Snoop Dog Doctor dre Beef initiately ship. Mind.

419
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Speaker 7: You we've talked about this the first time, but we

420
00:21:19,240 --> 00:21:22,760
Speaker 7: were you know, we're gonna yeah, stoop dog.

421
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Speaker 3: Mind that's what to this day right now, that's my dog.

422
00:21:25,240 --> 00:21:27,359
Speaker 1: I let him bit to you, Snoop and Shug like

423
00:21:27,560 --> 00:21:30,840
Speaker 1: I think it was at a Miami game. That's when

424
00:21:30,840 --> 00:21:34,160
Speaker 1: we squashed the bet. Yeah, it was at the super Bowl.

425
00:21:34,320 --> 00:21:39,919
Speaker 1: Just imagine it was. It was San Francisco and Cincinnati, right,

426
00:21:40,359 --> 00:21:42,959
Speaker 1: And I tell her the president of the Dolphin by

427
00:21:43,400 --> 00:21:45,560
Speaker 1: this story, I was like, do you know it could

428
00:21:45,600 --> 00:21:49,200
Speaker 1: have been the biggest shootout Super Bowl history in that back.

429
00:21:50,640 --> 00:21:54,440
Speaker 1: I mean, you had everybody but Jimmy, you know, all

430
00:21:54,480 --> 00:21:57,200
Speaker 1: the all the bad guys. You know, you had New

431
00:21:57,280 --> 00:22:00,280
Speaker 1: York and Miami, and it was like some of because

432
00:22:00,320 --> 00:22:02,679
Speaker 1: that couldn't get in the room. And and it was like, yo,

433
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Speaker 1: we need to have a conversation about this ship there.

434
00:22:04,760 --> 00:22:08,040
Speaker 1: But but but it started off, I mean I start

435
00:22:08,320 --> 00:22:13,679
Speaker 1: the beat. It started out I said something, and I

436
00:22:13,720 --> 00:22:17,479
Speaker 1: said something in an interview, and then Snooped just dre

437
00:22:17,680 --> 00:22:20,399
Speaker 1: at first, right, it was just dra yeah, and then Snoop,

438
00:22:20,760 --> 00:22:21,320
Speaker 1: Young Snoop.

439
00:22:21,320 --> 00:22:22,080
Speaker 3: It was young Snoop.

440
00:22:22,200 --> 00:22:24,760
Speaker 1: It was young Snoop, And and so I did Dre

441
00:22:25,280 --> 00:22:28,600
Speaker 1: and then Snoop came and uh, and that's when you

442
00:22:28,600 --> 00:22:31,320
Speaker 1: know Snoop wasn't popular then, And they did the song

443
00:22:31,760 --> 00:22:33,520
Speaker 1: what Deep Couple, No no, No, it was the dra

444
00:22:33,680 --> 00:22:37,920
Speaker 1: Day d d Y. Yeah, was the record that came back.

445
00:22:38,119 --> 00:22:40,399
Speaker 1: So they did the song this and this and.

446
00:22:40,520 --> 00:22:42,960
Speaker 2: Me, you know, and why did you just Dre in

447
00:22:42,960 --> 00:22:43,560
Speaker 2: the first place?

448
00:22:45,000 --> 00:22:48,040
Speaker 1: I don't know what the fuck was going y'all smoking

449
00:22:48,040 --> 00:22:52,840
Speaker 1: that weed I got and them sucking half Jamaican, So you.

450
00:22:52,960 --> 00:22:57,600
Speaker 3: Think so you remember they started at right down.

451
00:22:59,640 --> 00:23:08,240
Speaker 1: Got a god damn because it's an honor to have you, brother. Hey,

452
00:23:08,400 --> 00:23:11,800
Speaker 1: we had to give you your plout man appreciated, appreciated.

453
00:23:12,119 --> 00:23:15,800
Speaker 1: So we ended up with the damn. We ended up

454
00:23:16,600 --> 00:23:19,520
Speaker 1: I just them, they just me, And then we did

455
00:23:19,920 --> 00:23:22,760
Speaker 1: uh Cows in Compton. Uh.

456
00:23:23,200 --> 00:23:25,680
Speaker 3: We did the cows and Compton uh song.

457
00:23:26,400 --> 00:23:29,800
Speaker 1: Uh they had originally they did the you know, the

458
00:23:30,400 --> 00:23:33,159
Speaker 1: Snoop dish and then we did our this I just

459
00:23:33,320 --> 00:23:35,840
Speaker 1: obviously wasn't as popular as this, but it was popular

460
00:23:35,960 --> 00:23:38,600
Speaker 1: down here. Yeah, I'm mad it was you when you

461
00:23:38,640 --> 00:23:42,720
Speaker 1: realized Snoop wasn't from comed It, Yeah, I was like,

462
00:23:42,800 --> 00:23:48,040
Speaker 1: what the fuck CO was? And Compton d like what

463
00:23:48,080 --> 00:23:50,919
Speaker 1: the fun. That's you know, yeah, that's what sucked me

464
00:23:50,960 --> 00:23:53,280
Speaker 1: up because I thought everybody, you know, I didn't realized

465
00:23:53,320 --> 00:23:56,200
Speaker 1: he was from the Loan Beach. It was like, God, damn,

466
00:23:56,240 --> 00:23:58,040
Speaker 1: I supposed to be we suppoted to add Loan Beach

467
00:23:58,040 --> 00:24:01,960
Speaker 1: in this motherfucker song. But then the whole goddamn West

468
00:24:02,040 --> 00:24:04,520
Speaker 1: Coast after us. Then, so at the end, at the

469
00:24:04,600 --> 00:24:06,359
Speaker 1: end of the day, we did we did the beef,

470
00:24:06,520 --> 00:24:07,080
Speaker 1: We did.

471
00:24:06,920 --> 00:24:08,720
Speaker 6: The songs back and forwards.

472
00:24:09,040 --> 00:24:12,439
Speaker 1: You know again again you saw each other though, right

473
00:24:12,480 --> 00:24:13,520
Speaker 1: at Jack the Rappers.

474
00:24:13,640 --> 00:24:15,240
Speaker 3: Yeah, we saw each other at Jack the Rapper.

475
00:24:15,280 --> 00:24:19,040
Speaker 1: I went to Jill, who Jack the Rapper daughter, who

476
00:24:19,119 --> 00:24:21,480
Speaker 1: was really hosting the event because Jack had to got

477
00:24:21,520 --> 00:24:24,000
Speaker 1: left older, and I was like, Yo, y'all, gotta y'all

478
00:24:24,040 --> 00:24:25,080
Speaker 1: gotta chat with this ship.

479
00:24:25,160 --> 00:24:26,080
Speaker 6: We gotta meet.

480
00:24:26,200 --> 00:24:28,080
Speaker 3: We need to meet because the ship gonna go from.

481
00:24:28,080 --> 00:24:31,679
Speaker 1: Zeo to hundred, you know, because all the all the

482
00:24:31,720 --> 00:24:35,040
Speaker 1: tough guys from Miami had to migrate it to Atlanta,

483
00:24:35,800 --> 00:24:38,760
Speaker 1: and it was running the dope game in Atlanta, you

484
00:24:38,840 --> 00:24:39,240
Speaker 1: feel me.

485
00:24:39,600 --> 00:24:41,840
Speaker 3: And so at the end of the day, you know,

486
00:24:41,880 --> 00:24:43,080
Speaker 3: they had to took the game.

487
00:24:42,920 --> 00:24:47,400
Speaker 1: Up there, and so you know, again the life before

488
00:24:47,560 --> 00:24:49,720
Speaker 1: me was a tough guy, you know.

489
00:24:50,400 --> 00:24:52,840
Speaker 6: You know, it was so I know, a whole.

490
00:24:52,600 --> 00:24:54,800
Speaker 1: Bunch of them dudes, you know, and it was kind

491
00:24:54,800 --> 00:24:57,160
Speaker 1: of crazy because you know, the beef was going back

492
00:24:57,200 --> 00:25:01,080
Speaker 1: and forwards. It became some real serious ship because again,

493
00:25:01,200 --> 00:25:04,240
Speaker 1: dudes who I came up with, they're really on that ship,

494
00:25:04,400 --> 00:25:06,439
Speaker 1: and so they ain't know what they ain't know how

495
00:25:06,480 --> 00:25:09,040
Speaker 1: to handle that at the end of the day. You know,

496
00:25:09,119 --> 00:25:12,280
Speaker 1: one day, I h we was up there getting ready

497
00:25:12,320 --> 00:25:15,640
Speaker 1: to go to Jackie rapping and knock on the door

498
00:25:16,160 --> 00:25:19,080
Speaker 1: like twelve motherfuckers from the crib who I used to

499
00:25:19,240 --> 00:25:19,840
Speaker 1: roll with.

500
00:25:20,000 --> 00:25:22,000
Speaker 6: Like, yo, we're here.

501
00:25:21,760 --> 00:25:24,119
Speaker 1: We got a problem, you know what I'm saying, Like,

502
00:25:24,119 --> 00:25:29,000
Speaker 1: what the fuck y'allma fuckers here was too exactly.

503
00:25:29,119 --> 00:25:30,480
Speaker 6: So somebody added, you know, one of the.

504
00:25:30,400 --> 00:25:32,880
Speaker 1: Boys ay man look, and so they ended up coming

505
00:25:32,920 --> 00:25:35,720
Speaker 1: in before you know it. Uh, you know, I'm trying

506
00:25:35,760 --> 00:25:38,879
Speaker 1: to cool these dudes all because they wanted to you know,

507
00:25:38,960 --> 00:25:42,560
Speaker 1: these motherfuckers, they wanted to do something to everybody. So

508
00:25:42,560 --> 00:25:44,120
Speaker 1: at the end of the day we cooled it off

509
00:25:44,160 --> 00:25:47,199
Speaker 1: to a degree where it was just a fight. It

510
00:25:47,320 --> 00:25:50,920
Speaker 1: wasn't really you know, ain't nobody died, but it was

511
00:25:51,000 --> 00:25:53,600
Speaker 1: it was. It was bad, you know, because then if

512
00:25:53,640 --> 00:25:56,080
Speaker 1: you came all the dudes who from Miami it was

513
00:25:56,080 --> 00:25:58,840
Speaker 1: in Atlanta. Then we all ended up at the hotel

514
00:25:59,680 --> 00:26:03,160
Speaker 1: and they and they talked the hotel and and people

515
00:26:03,240 --> 00:26:10,080
Speaker 1: got stabbed. I don't know, it was a lot of

516
00:26:10,560 --> 00:26:14,320
Speaker 1: things going on. Then people had to end up getting

517
00:26:14,320 --> 00:26:17,399
Speaker 1: on the plane and going back home. Uh. But at

518
00:26:17,440 --> 00:26:19,200
Speaker 1: the end of the day, you know, like I said,

519
00:26:19,200 --> 00:26:21,920
Speaker 1: and I gotta tell people all the time, we went

520
00:26:21,960 --> 00:26:26,439
Speaker 1: through those those situations. Yeah, right now, we.

521
00:26:26,480 --> 00:26:27,280
Speaker 6: Got past it.

522
00:26:27,520 --> 00:26:29,280
Speaker 1: And that's why I try to tell these young young

523
00:26:29,359 --> 00:26:31,880
Speaker 1: dudes who out there, you know, they're making these records,

524
00:26:32,320 --> 00:26:35,560
Speaker 1: you know, and they going about that ship for real.

525
00:26:35,680 --> 00:26:37,760
Speaker 1: You know, it's a lot of a lot of real

526
00:26:37,800 --> 00:26:40,679
Speaker 1: ship going on in these streets right now. And I

527
00:26:40,720 --> 00:26:43,320
Speaker 1: tell them, look, man, don't you know, if you you're

528
00:26:43,359 --> 00:26:46,080
Speaker 1: doing good music, just do good music. Lead that ship alone.

529
00:26:46,080 --> 00:26:49,600
Speaker 1: So we all learned from that, you know, me, snoop,

530
00:26:50,000 --> 00:26:53,879
Speaker 1: you know, we all became friends, sug and all that

531
00:26:53,920 --> 00:26:55,200
Speaker 1: ship like that, you.

532
00:26:55,119 --> 00:26:56,080
Speaker 6: Know, we ended up.

533
00:26:56,160 --> 00:26:58,120
Speaker 1: It's like, look, we got squashed this ship, and that's

534
00:26:58,119 --> 00:27:00,320
Speaker 1: how we ended up at this That.

535
00:27:00,280 --> 00:27:02,679
Speaker 3: Was the first day I thought you had squashed it.

536
00:27:02,720 --> 00:27:03,080
Speaker 3: Off the.

537
00:27:04,840 --> 00:27:08,240
Speaker 1: It became yo, yeah, because they had another Jack the

538
00:27:08,280 --> 00:27:09,240
Speaker 1: Wrapper the next year.

539
00:27:09,520 --> 00:27:11,320
Speaker 3: It was in Orlando, and I guess they.

540
00:27:11,840 --> 00:27:14,000
Speaker 1: Brought a whole bunch of motherfuckers and they kind of

541
00:27:14,760 --> 00:27:17,200
Speaker 1: taught that motherfucker up and that was then the Jack

542
00:27:17,240 --> 00:27:17,600
Speaker 1: the Wrapper.

543
00:27:17,720 --> 00:27:20,040
Speaker 3: But then it was like, Yo, let's let's sit down.

544
00:27:20,119 --> 00:27:22,840
Speaker 1: So, you know, I ended up linking with with Sugar

545
00:27:22,880 --> 00:27:25,760
Speaker 1: and we ended up saying, Okay, I'm gonna welcome you

546
00:27:25,800 --> 00:27:28,199
Speaker 1: all down here for the Super Bowl you got San Francisco,

547
00:27:28,680 --> 00:27:31,000
Speaker 1: and then we'll sit down and chop it up and

548
00:27:31,119 --> 00:27:33,600
Speaker 1: work it out. But then it wasn't really it wasn't

549
00:27:33,640 --> 00:27:38,440
Speaker 1: really about working out with just me, because it was

550
00:27:38,640 --> 00:27:42,520
Speaker 1: you had this whole New York thing, you know, so

551
00:27:42,600 --> 00:27:44,960
Speaker 1: you had just imagined in this fucking room you had

552
00:27:46,400 --> 00:27:48,880
Speaker 1: New York gangsters in the room, and it was us,

553
00:27:49,000 --> 00:27:50,920
Speaker 1: and then it was them. And then I'm like, yo,

554
00:27:50,960 --> 00:27:52,760
Speaker 1: we're gonna do this ship in the feast, wait in

555
00:27:52,800 --> 00:27:55,040
Speaker 1: the east coast, West coast. Yeah, it was in between

556
00:27:55,160 --> 00:27:58,280
Speaker 1: all this, so that's on top of it. Yeah. So

557
00:27:58,359 --> 00:28:00,320
Speaker 1: then it was like, hey, look, let me just bring

558
00:28:00,320 --> 00:28:03,240
Speaker 1: everybody to the table. And then we all went in

559
00:28:03,280 --> 00:28:06,960
Speaker 1: the room and and we you know, mother fuckers had

560
00:28:07,000 --> 00:28:10,199
Speaker 1: words and ship, you know, and we say, Okay, we're

561
00:28:10,200 --> 00:28:12,200
Speaker 1: gonna squash this ship. Uh.

562
00:28:12,240 --> 00:28:14,280
Speaker 3: And that's how I kind of it, kind of that,

563
00:28:14,480 --> 00:28:15,160
Speaker 3: and that's why.

564
00:28:14,960 --> 00:28:16,679
Speaker 1: You see the picture of me and Stoopid And if

565
00:28:16,720 --> 00:28:19,280
Speaker 1: you look on the back you see dolphins on the

566
00:28:19,320 --> 00:28:22,159
Speaker 1: wall that was in the damn Dolphins sweet at the

567
00:28:22,160 --> 00:28:27,080
Speaker 1: Super Bowl Cincinnatian and San Francisco.

568
00:28:28,440 --> 00:28:31,719
Speaker 3: What would life would have been like if you had

569
00:28:31,760 --> 00:28:32,720
Speaker 3: a chance to speak to.

570
00:28:32,800 --> 00:28:36,000
Speaker 1: Park and Biggie, which I did, were both together in

571
00:28:36,040 --> 00:28:36,680
Speaker 1: the same room.

572
00:28:36,960 --> 00:28:38,080
Speaker 6: I tried to get them together.

573
00:28:38,280 --> 00:28:42,840
Speaker 1: I mean I would speak to both of them separately, uh,

574
00:28:43,880 --> 00:28:49,160
Speaker 1: because again you know, Park was my guy also, you

575
00:28:49,160 --> 00:28:51,440
Speaker 1: know when he was with Digital on the ground, they

576
00:28:51,440 --> 00:28:54,560
Speaker 1: would do shows together. You know, Man would always end

577
00:28:54,640 --> 00:28:57,680
Speaker 1: up in the room vibing and Ship talking about all

578
00:28:57,760 --> 00:29:01,400
Speaker 1: kinds of shit, you know, largely black history, you know,

579
00:29:01,560 --> 00:29:03,840
Speaker 1: panthers and ship because I wanted to pick his brain

580
00:29:03,920 --> 00:29:07,440
Speaker 1: about his mom, you know, uh, being in that. And

581
00:29:07,480 --> 00:29:10,680
Speaker 1: then same thing with Big Big would come down, you

582
00:29:10,720 --> 00:29:15,120
Speaker 1: know to Miami and uh and and and and chill

583
00:29:15,160 --> 00:29:17,200
Speaker 1: at at my condo, you know, with a bunch of

584
00:29:17,280 --> 00:29:22,240
Speaker 1: naked women and Ship. You always gonna him and Hunt

585
00:29:22,280 --> 00:29:25,880
Speaker 1: got got got stuck in the fucking elevator. Took yeah,

586
00:29:27,760 --> 00:29:30,800
Speaker 1: talking the elevator. That's the funniest ship. So we you know,

587
00:29:30,880 --> 00:29:33,360
Speaker 1: but me and him was down like that, I mean,

588
00:29:33,480 --> 00:29:36,640
Speaker 1: you know, uh, and and that's how you know we

589
00:29:36,720 --> 00:29:38,320
Speaker 1: end up. Anytime I would go to New York, I

590
00:29:38,320 --> 00:29:40,440
Speaker 1: would hang out with Big We did records together and

591
00:29:40,520 --> 00:29:41,120
Speaker 1: ship like that.

592
00:29:41,640 --> 00:29:41,760
Speaker 8: Uh.

593
00:29:41,800 --> 00:29:44,000
Speaker 1: And the same thing with Pop, you know, Pop got

594
00:29:44,000 --> 00:29:47,240
Speaker 1: out of jail. I went and interviewed him, you know. Uh,

595
00:29:47,400 --> 00:29:50,040
Speaker 1: I had to, you know, at the Sugar Nightclub and

596
00:29:50,120 --> 00:29:53,440
Speaker 1: Bacon's you know six six two, you know, and and

597
00:29:53,520 --> 00:29:56,000
Speaker 1: most people were like, yo, them niggas gonna set you

598
00:29:56,040 --> 00:29:56,600
Speaker 1: the funk up.

599
00:29:56,960 --> 00:29:59,480
Speaker 6: You know you're already not at Yeah.

600
00:29:59,280 --> 00:30:00,480
Speaker 3: Yeah, he was like the.

601
00:30:01,000 --> 00:30:03,000
Speaker 1: Little set you up up in that motherfucker. Nah, were

602
00:30:03,040 --> 00:30:06,600
Speaker 1: going in that motherfucker. It was me, He'll go the

603
00:30:06,640 --> 00:30:12,520
Speaker 1: crazy part about there. It was me, Trick Daddy and Mossad.

604
00:30:14,200 --> 00:30:17,440
Speaker 1: So Trick Daddy won't out is before Scard, before Scard

605
00:30:17,520 --> 00:30:20,520
Speaker 1: before Scard. Yeah, Trick Dady just got out of jail.

606
00:30:21,320 --> 00:30:25,880
Speaker 1: He's staying with me at the condo. You know, fucking

607
00:30:25,920 --> 00:30:31,280
Speaker 1: all the girls at the at the goddamn beauty school downstairs.

608
00:30:30,760 --> 00:30:34,560
Speaker 1: But he he was so we it was like, you know,

609
00:30:35,080 --> 00:30:36,960
Speaker 1: I don't want him to go back to jail because

610
00:30:37,120 --> 00:30:39,440
Speaker 1: he just got out of jail. So it was like, no,

611
00:30:39,640 --> 00:30:41,880
Speaker 1: fuck that ship, fuck that shit, Dick, I'm going, what

612
00:30:41,920 --> 00:30:44,920
Speaker 1: you do you know? And Shane most deep like, yo,

613
00:30:45,000 --> 00:30:47,200
Speaker 1: I'm going. We know we're going together. So we went

614
00:30:47,480 --> 00:30:51,480
Speaker 1: to go tape an interview excuse me, with them at

615
00:30:51,480 --> 00:30:53,520
Speaker 1: the sixty sixth two club. That's why if you ever

616
00:30:53,520 --> 00:30:56,239
Speaker 1: see any clips of that interview, Wait a minute, you're

617
00:30:56,240 --> 00:31:01,320
Speaker 1: telling me, Trick Dabby who has all this stuff music.

618
00:31:02,680 --> 00:31:03,000
Speaker 6: Title?

619
00:31:03,160 --> 00:31:05,560
Speaker 1: I think I believe all of his that the titles

620
00:31:05,560 --> 00:31:09,160
Speaker 1: of his album had stuck in it. It's a possibility

621
00:31:09,200 --> 00:31:12,959
Speaker 1: of with the front that he would have went listen.

622
00:31:13,120 --> 00:31:17,160
Speaker 1: I'm just you know, it's a possibility that we would know.

623
00:31:17,200 --> 00:31:18,000
Speaker 6: We ain't listen.

624
00:31:18,880 --> 00:31:22,280
Speaker 3: We didn't go in there without no tools, you know.

625
00:31:22,280 --> 00:31:25,160
Speaker 6: What I'm saying. So, but uh, but it was it

626
00:31:25,200 --> 00:31:25,600
Speaker 6: was it.

627
00:31:25,520 --> 00:31:27,960
Speaker 1: Was it was. It was crazy. It was crazy. I mean,

628
00:31:28,840 --> 00:31:31,080
Speaker 1: but we went in there. It was peaceful, you know,

629
00:31:31,360 --> 00:31:34,000
Speaker 1: motherfuckers was watching their back and all that. Uh in

630
00:31:34,080 --> 00:31:37,280
Speaker 1: the club. We eventually did the interview with him, because

631
00:31:37,280 --> 00:31:39,160
Speaker 1: he had first just got out of jail, and that's

632
00:31:39,160 --> 00:31:43,240
Speaker 1: when you see him. You know, Uh, I'm doing the interview.

633
00:31:43,280 --> 00:31:46,680
Speaker 1: I'm trying to squash the beef also, but shiit, he.

634
00:31:46,760 --> 00:31:48,560
Speaker 3: Just went from zero till a thousands.

635
00:31:49,040 --> 00:31:52,200
Speaker 1: He started talking about you know, faith and all this

636
00:31:52,320 --> 00:31:54,479
Speaker 1: and the girl and all this, and he just was

637
00:31:54,720 --> 00:31:56,760
Speaker 1: on twelve up in that month, we were doing an

638
00:31:56,760 --> 00:32:05,120
Speaker 1: interview for for the Peep Show. Oh wow, that's crazy. Yeah,

639
00:32:05,320 --> 00:32:06,840
Speaker 1: that that ship was.

640
00:32:07,200 --> 00:32:07,960
Speaker 6: That was wild.

641
00:32:08,640 --> 00:32:17,800
Speaker 1: Very seldomly see the people, very seldomly we get people

642
00:32:17,880 --> 00:32:20,960
Speaker 1: that new park. But and when we do get people

643
00:32:21,040 --> 00:32:22,960
Speaker 1: that know Park, we only get people that knew one

644
00:32:23,040 --> 00:32:26,040
Speaker 1: version of park, like the Digital Underground or just the

645
00:32:26,080 --> 00:32:27,320
Speaker 1: Death Row part.

646
00:32:27,600 --> 00:32:29,680
Speaker 3: What was the difference between you when you.

647
00:32:29,640 --> 00:32:33,800
Speaker 1: First met Park, like imagine in the Digital Underground days

648
00:32:33,840 --> 00:32:37,440
Speaker 1: to the to the park that you know, you know,

649
00:32:37,520 --> 00:32:40,560
Speaker 1: became the superstar or was it even even a difference.

650
00:32:41,200 --> 00:32:47,720
Speaker 1: It was really it was when he became big, uh

651
00:32:48,440 --> 00:32:51,440
Speaker 1: Digital Underground days, he was more laid back, you know

652
00:32:51,480 --> 00:32:53,880
Speaker 1: what I'm saying, because it was it was about Humpty,

653
00:32:54,360 --> 00:32:55,120
Speaker 1: you know, so.

654
00:32:55,040 --> 00:32:57,239
Speaker 3: He was he was he was more of a supportive role.

655
00:32:57,800 --> 00:33:01,680
Speaker 1: Guy was no different. It was he was no different,

656
00:33:02,560 --> 00:33:04,640
Speaker 1: you know. And I so I always when I'm around

657
00:33:06,240 --> 00:33:09,080
Speaker 1: the superstars, and then I look at the other people

658
00:33:09,080 --> 00:33:12,360
Speaker 1: who are around, and then those one who's soaking up

659
00:33:12,360 --> 00:33:14,560
Speaker 1: the information, getting the information, they gonna be that guy.

660
00:33:14,920 --> 00:33:17,840
Speaker 1: I mean, same thing with jay Z. You know, Big

661
00:33:17,920 --> 00:33:21,800
Speaker 1: told me he next a while, right, and he was

662
00:33:21,880 --> 00:33:23,800
Speaker 1: just hanging out with Big. He was one of the

663
00:33:23,800 --> 00:33:26,480
Speaker 1: guys in the crew. I was like, I'm thinking, he

664
00:33:26,520 --> 00:33:28,680
Speaker 1: getting ready to say one of the junior mafia guys,

665
00:33:29,120 --> 00:33:33,320
Speaker 1: you know. So Park was so I would always gravitate to.

666
00:33:33,280 --> 00:33:35,480
Speaker 3: Them, young guys who would be sack.

667
00:33:36,480 --> 00:33:36,760
Speaker 6: Yeah.

668
00:33:36,840 --> 00:33:39,440
Speaker 1: Yeah, I knew he had that it, you know, and

669
00:33:40,240 --> 00:33:42,960
Speaker 1: very few people, you know, you can see that. And

670
00:33:43,000 --> 00:33:46,280
Speaker 1: so I'm looking at him vibing, and he really want

671
00:33:46,360 --> 00:33:47,680
Speaker 1: to be in the business. And a lot of people

672
00:33:47,680 --> 00:33:51,160
Speaker 1: don't realize them guys who would be hanging out soaking

673
00:33:51,240 --> 00:33:53,640
Speaker 1: up the information, they ain't really getting no money. They

674
00:33:53,680 --> 00:33:56,240
Speaker 1: really want they really you know, paid, They really putting

675
00:33:56,280 --> 00:33:59,720
Speaker 1: it in network in the business, whether they the roadie

676
00:33:59,840 --> 00:34:02,480
Speaker 1: or other. They just there are trying to you know,

677
00:34:02,600 --> 00:34:06,160
Speaker 1: find their weight. And uh. And so when he became

678
00:34:06,800 --> 00:34:10,480
Speaker 1: this the superstar, uh, and he got big, then you

679
00:34:10,480 --> 00:34:12,480
Speaker 1: know he would come down again, hang out with me,

680
00:34:12,600 --> 00:34:14,959
Speaker 1: go to the to some of my parties and ship

681
00:34:15,680 --> 00:34:15,840
Speaker 1: you know.

682
00:34:15,880 --> 00:34:19,200
Speaker 3: And then it became versus this quiet dude.

683
00:34:19,640 --> 00:34:23,480
Speaker 1: It became like George Jefferson, you know that Napoleon complex.

684
00:34:23,520 --> 00:34:25,799
Speaker 1: He had the big chest, he walked like this and

685
00:34:25,840 --> 00:34:27,560
Speaker 1: you know, and you know a little short dude.

686
00:34:27,560 --> 00:34:30,480
Speaker 3: Then he had it going on, which was which was good.

687
00:34:30,520 --> 00:34:34,160
Speaker 1: He wasn't really part was never really a dude that

688
00:34:34,560 --> 00:34:36,920
Speaker 1: was shipped on nobody or talked bad about nobody. He

689
00:34:37,080 --> 00:34:39,800
Speaker 1: just had, you know, he would feel he just feel itself,

690
00:34:39,960 --> 00:34:42,640
Speaker 1: you know, like that. So those are the two different

691
00:34:43,080 --> 00:34:45,960
Speaker 1: the two different people. And even when I, like I said,

692
00:34:46,000 --> 00:34:49,000
Speaker 1: when I did that interview with him, uh in Vegas,

693
00:34:49,200 --> 00:34:52,880
Speaker 1: it was it was the same thing. You know. He

694
00:34:52,880 --> 00:34:54,799
Speaker 1: he was feeling some kind of weight just getting out

695
00:34:54,800 --> 00:34:57,200
Speaker 1: of jail. You know, he was feeling See you could

696
00:34:57,440 --> 00:35:01,719
Speaker 1: tell the build up was about uh what was what

697
00:35:01,800 --> 00:35:03,880
Speaker 1: potentially became the fucking beef.

698
00:35:08,000 --> 00:35:11,319
Speaker 3: Do you ever watch that jay Z clip?

699
00:35:11,360 --> 00:35:12,399
Speaker 6: You got what.

700
00:35:14,320 --> 00:35:16,399
Speaker 1: You was, go, you go, We're gonna re enact that right.

701
00:35:20,200 --> 00:35:23,000
Speaker 2: For that?

702
00:35:24,200 --> 00:35:29,879
Speaker 1: Do you ever can we get a girl with the times?

703
00:35:30,160 --> 00:35:30,480
Speaker 1: Jay Z?

704
00:35:30,840 --> 00:35:32,120
Speaker 3: We won't marry man?

705
00:35:35,520 --> 00:35:39,160
Speaker 1: Yeah, my wife, my wife yeah, yeah, yeah, my wife

706
00:35:39,200 --> 00:35:42,279
Speaker 1: over there, my wife over there. Yeah, yeah, that's right,

707
00:35:42,680 --> 00:35:51,880
Speaker 1: You've got to be here. We ain't doing no, we

708
00:35:51,920 --> 00:35:59,319
Speaker 1: ain't doing nones. Just talking about pussy that was another name.

709
00:35:59,640 --> 00:36:03,680
Speaker 1: But whenever, now and then I like to see look

710
00:36:03,719 --> 00:36:06,520
Speaker 1: at it because to see jay Z's uncomfortable to this

711
00:36:08,040 --> 00:36:13,799
Speaker 1: because because I've never asked you, this man did he

712
00:36:14,080 --> 00:36:19,839
Speaker 1: know that was gonna happen. I just cripped this crib.

713
00:36:19,920 --> 00:36:22,839
Speaker 1: I can't tell tell people when I did the piece

714
00:36:22,920 --> 00:36:26,880
Speaker 1: show right, it was really about it was you know,

715
00:36:26,960 --> 00:36:28,520
Speaker 1: I was like, I came up with this ship. I'm like,

716
00:36:28,600 --> 00:36:30,480
Speaker 1: I'm gonna do a show because all these mother fuckers

717
00:36:30,480 --> 00:36:34,080
Speaker 1: talking about sex and this and all this wild ship

718
00:36:34,160 --> 00:36:36,879
Speaker 1: on the record. Now that I deliberated everybody and made

719
00:36:36,880 --> 00:36:39,080
Speaker 1: it okay for you to say what then you want

720
00:36:39,080 --> 00:36:41,120
Speaker 1: to say on the record, people just losing their mind.

721
00:36:41,160 --> 00:36:42,719
Speaker 6: I can tell you put it in your mouth.

722
00:36:43,080 --> 00:36:45,560
Speaker 1: Hey, okay, we're gonna interview you and we're gonna have

723
00:36:45,600 --> 00:36:56,759
Speaker 1: some girls sitting here. I keep the whole I can

724
00:36:56,760 --> 00:37:13,960
Speaker 1: never okay you saying you you you freget it? Kenny, Yeah,

725
00:37:14,480 --> 00:37:24,480
Speaker 1: asked Lil Kimp you you you fucking up making all

726
00:37:24,520 --> 00:37:28,600
Speaker 1: these songs Ki Kim, It's crazy. We had she walks

727
00:37:28,640 --> 00:37:31,000
Speaker 1: in there. We got a whole hand going on. We

728
00:37:31,080 --> 00:37:33,880
Speaker 1: got everybody fucking each other and ship Kim walking in

729
00:37:34,080 --> 00:37:36,480
Speaker 1: next year, got no teddes and Ship. She's like, what

730
00:37:36,600 --> 00:37:46,520
Speaker 1: the is going on? We're go ahead, I'm saying, so

731
00:37:46,520 --> 00:37:49,759
Speaker 1: so I'm trying to I'm trying to picture myself because

732
00:37:49,800 --> 00:37:52,680
Speaker 1: you just said, but Jacus Jay is a smooth guy,

733
00:37:52,840 --> 00:37:55,560
Speaker 1: like he's always been smooth. I'm never moving him. I've

734
00:37:55,560 --> 00:37:58,160
Speaker 1: never seen him my school. That's the only time I

735
00:37:58,239 --> 00:38:01,440
Speaker 1: might have seen him a little uncomfortable. So I wanted

736
00:38:01,480 --> 00:38:05,520
Speaker 1: to always know for myself, like did you did he

737
00:38:05,560 --> 00:38:05,920
Speaker 1: know him?

738
00:38:05,960 --> 00:38:07,319
Speaker 3: You say you didn't know to.

739
00:38:07,280 --> 00:38:10,960
Speaker 1: Describe what happened, like, so okay, so the thing is again,

740
00:38:11,920 --> 00:38:15,239
Speaker 1: Big say you know Jay? And Big right then he said,

741
00:38:16,680 --> 00:38:19,279
Speaker 1: and so Big were like, you know, and man, put

742
00:38:19,520 --> 00:38:22,479
Speaker 1: put my guy on the on the show, right, I'm

743
00:38:22,520 --> 00:38:26,719
Speaker 1: just booking Jay z Oh. Okay, he wasn't Jay, and

744
00:38:26,719 --> 00:38:28,279
Speaker 1: I don't think he had a record out of nothing.

745
00:38:28,440 --> 00:38:30,320
Speaker 2: You have this song with Big already, the bust of

746
00:38:30,360 --> 00:38:31,040
Speaker 2: that joint.

747
00:38:32,160 --> 00:38:34,560
Speaker 3: Before we probably did probably did.

748
00:38:34,680 --> 00:38:37,440
Speaker 1: So then it was like, man, put my homeboy on

749
00:38:37,440 --> 00:38:38,000
Speaker 1: on the show.

750
00:38:38,040 --> 00:38:38,600
Speaker 6: And all that.

751
00:38:38,719 --> 00:38:41,800
Speaker 1: Right, Jay was the first one that wasn't had a

752
00:38:41,840 --> 00:38:44,400
Speaker 1: big record, he ain't had no records about doing nothing,

753
00:38:44,880 --> 00:38:47,359
Speaker 1: you feel me. And so I'm like, okay, we're gonna

754
00:38:47,360 --> 00:38:50,480
Speaker 1: interview him. Then we end up interviewing Jay, and so

755
00:38:50,520 --> 00:38:52,239
Speaker 1: I'm like, okay, we're gonna set this ship up. I

756
00:38:52,280 --> 00:38:55,239
Speaker 1: got these two girls and then nigga, you know cause

757
00:38:55,280 --> 00:38:58,600
Speaker 1: I always like throw people mine off. You know. So

758
00:38:58,680 --> 00:39:00,640
Speaker 1: the girls z eating each other out. So if I'm

759
00:39:00,920 --> 00:39:03,319
Speaker 1: they eating each other out, then I'm asking you what.

760
00:39:03,520 --> 00:39:05,600
Speaker 1: I'm ask you a question, like I'm looking at you.

761
00:39:05,600 --> 00:39:08,560
Speaker 1: Actually I get everything because you ain't frona bullshit me

762
00:39:08,680 --> 00:39:14,520
Speaker 1: right now because you distracted. He's like Jay sitting up

763
00:39:14,520 --> 00:39:20,319
Speaker 1: there like yeah, yeah, yeah, everything, the same thing with

764
00:39:20,400 --> 00:39:23,040
Speaker 1: the rest of Little Kim and all like yeah, did

765
00:39:23,080 --> 00:39:28,560
Speaker 1: you fuck me? Oh yeah yeah yeah. So so he

766
00:39:28,719 --> 00:39:32,320
Speaker 1: was sitting there. I mean, it was fucking epic because

767
00:39:32,560 --> 00:39:34,359
Speaker 1: if people I see that clip all the time, I'll

768
00:39:34,360 --> 00:39:37,839
Speaker 1: be laughing. And you know, because I didn't know one

769
00:39:37,840 --> 00:39:39,360
Speaker 1: of the it was that time of the month with

770
00:39:39,440 --> 00:39:42,000
Speaker 1: one of the girls. Oh ship, oh.

771
00:39:41,880 --> 00:39:49,959
Speaker 5: No wait wait wait, left know the girl face came up.

772
00:39:49,880 --> 00:39:59,160
Speaker 1: And did like that. I'm like whoa on the part

773
00:40:00,120 --> 00:40:05,279
Speaker 1: scrump you know. If he got I was like, hey,

774
00:40:05,320 --> 00:40:09,040
Speaker 1: I had to check myself. I'm like, whoa, whoa? You know,

775
00:40:09,080 --> 00:40:12,160
Speaker 1: And obviously she didn't know what was on her face.

776
00:40:14,120 --> 00:40:17,640
Speaker 1: The other girl did and we had cut cut cut

777
00:40:17,760 --> 00:40:18,560
Speaker 1: cut cut.

778
00:40:21,680 --> 00:40:21,719
Speaker 8: That.

779
00:40:23,080 --> 00:40:26,440
Speaker 1: I remember that that you if you really look at

780
00:40:26,440 --> 00:40:26,759
Speaker 1: it on.

781
00:40:26,719 --> 00:40:29,720
Speaker 3: The videotape because he was giving them really looking at you,

782
00:40:29,719 --> 00:40:30,040
Speaker 3: you can.

783
00:40:29,960 --> 00:40:33,439
Speaker 1: See it crazy. Wow. It was. That was the wild ship.

784
00:40:33,520 --> 00:40:36,200
Speaker 1: I was man when we was like why would you

785
00:40:36,239 --> 00:40:39,520
Speaker 1: do this right here? But when you noticed that time

786
00:40:39,560 --> 00:40:47,200
Speaker 1: of month, damn, that was a mess. Yeah. I wasn't ready.

787
00:40:47,960 --> 00:40:50,520
Speaker 1: I wasn't I wasn't ready. You weren't ready for I

788
00:40:51,440 --> 00:40:52,239
Speaker 1: did not know that.

789
00:40:53,840 --> 00:40:54,080
Speaker 4: Smoke.

790
00:40:54,080 --> 00:41:00,400
Speaker 1: Ah yeah that my notes up. Okay, some of you

791
00:41:00,800 --> 00:41:03,240
Speaker 1: get ready something.

792
00:41:04,800 --> 00:41:07,040
Speaker 2: I said this last here and I'm gonna say when

793
00:41:07,040 --> 00:41:09,600
Speaker 2: when how can I be down? Came through? He had

794
00:41:09,640 --> 00:41:13,680
Speaker 2: the boat parties and first of all the promo.

795
00:41:13,360 --> 00:41:14,759
Speaker 7: Items that he was giving out and I brought it

796
00:41:14,840 --> 00:41:16,799
Speaker 7: last time that he was on the show was these

797
00:41:16,800 --> 00:41:18,880
Speaker 7: little view things that you look to and it was

798
00:41:18,960 --> 00:41:21,080
Speaker 7: like a scene the scene he's depicting the scenes like

799
00:41:21,080 --> 00:41:23,359
Speaker 7: that the peep shows the people in the little view,

800
00:41:23,360 --> 00:41:25,120
Speaker 7: I still got the joints. And then you get on

801
00:41:25,160 --> 00:41:28,120
Speaker 7: the boat for how can I be down convention and

802
00:41:28,160 --> 00:41:30,080
Speaker 7: it's chill, and the minute that she takes off from

803
00:41:30,080 --> 00:41:32,680
Speaker 7: base side, there was baseide right yeah, yeah, then the

804
00:41:32,800 --> 00:41:34,720
Speaker 7: music strippers.

805
00:41:34,280 --> 00:41:37,719
Speaker 1: Come out of nowhere. Everything he described is happening on

806
00:41:37,719 --> 00:41:40,480
Speaker 1: the boat. Read Alert was one of the DJs, and

807
00:41:40,800 --> 00:41:45,520
Speaker 1: shit was wild Man wild. So so let mede this

808
00:41:45,640 --> 00:41:48,440
Speaker 1: a little bit, right because we seen the freaking Freaknick

809
00:41:48,760 --> 00:41:52,640
Speaker 1: the documentary. But I'm thinking about that, why we where's the.

810
00:41:52,520 --> 00:41:53,879
Speaker 3: Peep show the documentary?

811
00:41:54,280 --> 00:41:57,120
Speaker 1: Like all I said, because one thing about you, I

812
00:41:57,719 --> 00:42:00,000
Speaker 1: was saying, I will always say to all the people,

813
00:42:00,719 --> 00:42:06,000
Speaker 1: like Instagram wouldn't be alive. Most artis wouldn't be alive

814
00:42:06,080 --> 00:42:08,800
Speaker 1: back then, but if they had Instagram. But the difference

815
00:42:08,840 --> 00:42:11,480
Speaker 1: between you from everyone else is you kind of like

816
00:42:11,640 --> 00:42:12,960
Speaker 1: documented all your ship.

817
00:42:15,760 --> 00:42:18,640
Speaker 3: So your freak was out in the open, right.

818
00:42:19,520 --> 00:42:23,680
Speaker 1: I had to do that because because every city I go,

819
00:42:23,880 --> 00:42:26,080
Speaker 1: like for instance, I went to South Carolina one time,

820
00:42:26,719 --> 00:42:30,959
Speaker 1: and and you know, they would say that I would

821
00:42:31,160 --> 00:42:33,799
Speaker 1: have the girls on stage naked. So then I was

822
00:42:33,800 --> 00:42:36,360
Speaker 1: like gonna get fucked that. I'm gonna just start videoing

823
00:42:36,520 --> 00:42:39,919
Speaker 1: all my shows and everything so people can actually see

824
00:42:39,920 --> 00:42:41,960
Speaker 1: that I ain't got nothing to do with it, you know.

825
00:42:42,000 --> 00:42:44,799
Speaker 1: And I went to South Carolina one time and some

826
00:42:44,920 --> 00:42:47,320
Speaker 1: girl from the military got on stage with my dancers,

827
00:42:47,440 --> 00:42:49,839
Speaker 1: my dancers made love to and all that.

828
00:42:50,360 --> 00:42:52,880
Speaker 3: She ended up going back to the base talking ship.

829
00:42:53,440 --> 00:42:56,960
Speaker 1: Girl dancers, the girl dance they were, they would they

830
00:42:57,040 --> 00:42:59,120
Speaker 1: were the bad guys, right, they were the bad guys.

831
00:42:59,160 --> 00:43:02,000
Speaker 1: The girl that there would there were no freaking red right,

832
00:43:03,000 --> 00:43:05,359
Speaker 1: freaking red was a was an animal. She's on love

833
00:43:05,400 --> 00:43:09,160
Speaker 1: and hip hop? Right, No, no, okay, my dances can't

834
00:43:09,200 --> 00:43:11,360
Speaker 1: be on shows like that.

835
00:43:12,080 --> 00:43:14,839
Speaker 3: The exce ones. Yeah they can't know they can't.

836
00:43:15,840 --> 00:43:17,719
Speaker 1: They would pull our pearls and ship out of there.

837
00:43:17,760 --> 00:43:19,200
Speaker 3: Vagina have babies.

838
00:43:18,840 --> 00:43:22,880
Speaker 1: On Wait telling about Wait, and they was doing that

839
00:43:23,120 --> 00:43:24,040
Speaker 1: on the boat.

840
00:43:25,200 --> 00:43:26,560
Speaker 3: We used to have babies.

841
00:43:27,000 --> 00:43:28,840
Speaker 1: Yeah, they put a little doll baby in them and

842
00:43:28,920 --> 00:43:34,920
Speaker 1: there pick up bottles, bottle. Yeah, there was a lot

843
00:43:34,960 --> 00:43:37,120
Speaker 1: of ship going on. I just had to get get

844
00:43:37,120 --> 00:43:39,759
Speaker 1: a hold of myself. Yeah it was. It was a

845
00:43:39,760 --> 00:43:42,200
Speaker 1: lot of things going on. We were pushing that envelope.

846
00:43:42,239 --> 00:43:47,600
Speaker 1: But say, the least I've never been like is going

847
00:43:47,640 --> 00:43:51,479
Speaker 1: on so eight years of this show. So we would

848
00:43:51,520 --> 00:43:55,080
Speaker 1: go to city to city doing this ship. And that's again,

849
00:43:55,160 --> 00:43:59,319
Speaker 1: that's how that whole freaknick thing started. When we went

850
00:43:59,360 --> 00:44:02,319
Speaker 1: to at it was a nice little party, and we

851
00:44:02,400 --> 00:44:04,920
Speaker 1: just went there and just turned the motherfucker out, no

852
00:44:04,960 --> 00:44:10,920
Speaker 1: different than Galveston. Caston was a nice uh college weekend.

853
00:44:11,760 --> 00:44:12,359
Speaker 6: Turned it out.

854
00:44:12,680 --> 00:44:16,000
Speaker 1: You know. We went to uh Daytona Beach, same thing,

855
00:44:16,280 --> 00:44:19,000
Speaker 1: and so I documented all that I got, all that footage,

856
00:44:19,200 --> 00:44:24,000
Speaker 1: made you document this stuff. It became let me tell you,

857
00:44:24,280 --> 00:44:28,200
Speaker 1: let me tell you. It was. I saw new kids

858
00:44:28,239 --> 00:44:31,640
Speaker 1: on the block, new kids on the block. I never

859
00:44:31,680 --> 00:44:39,920
Speaker 1: thought new kids on the block. God, kids on the block.

860
00:44:41,360 --> 00:44:46,600
Speaker 1: They were doing They were doing backstage footage and selling

861
00:44:46,600 --> 00:44:51,680
Speaker 1: it on DVD on VHS. So I was like, oh Ship.

862
00:44:51,800 --> 00:44:54,840
Speaker 1: So Billboard had a whole chart and the chart was

863
00:44:54,880 --> 00:44:58,600
Speaker 1: filled up with artists doing backstage footage, and I said, well,

864
00:44:58,640 --> 00:45:01,000
Speaker 1: god damn, why won't do something stage footage?

865
00:45:01,280 --> 00:45:01,480
Speaker 6: You know?

866
00:45:01,560 --> 00:45:04,880
Speaker 1: And then at that time Master P was doing his

867
00:45:04,880 --> 00:45:07,759
Speaker 1: his movies and Ship and then I'm like, you know,

868
00:45:07,800 --> 00:45:09,359
Speaker 1: I can make a lot of money doing this ship

869
00:45:09,360 --> 00:45:12,240
Speaker 1: I show. Because everybody always asks what the fuck happened?

870
00:45:12,239 --> 00:45:14,520
Speaker 1: Is we get on on the on tour? You know

871
00:45:14,680 --> 00:45:19,000
Speaker 1: what happened is the whole ass, right, So I start

872
00:45:19,120 --> 00:45:21,839
Speaker 1: documenting it and this is the fourth Girl's gone wall.

873
00:45:21,840 --> 00:45:25,080
Speaker 1: You're the original. Girl's gonna wat original for that? He

874
00:45:25,200 --> 00:45:29,000
Speaker 1: stole that ship. I don't know how we made money.

875
00:45:29,160 --> 00:45:31,279
Speaker 1: We made We made a lot of fucking money. We

876
00:45:31,320 --> 00:45:34,400
Speaker 1: made a license from you exactly exact you know, he

877
00:45:34,440 --> 00:45:40,799
Speaker 1: did the white version. What girl. They went around trying

878
00:45:40,800 --> 00:45:44,760
Speaker 1: to act like he was cool and ship you know, motherfuckers,

879
00:45:44,920 --> 00:45:46,880
Speaker 1: Oh let me do oh ship. I see some ship

880
00:45:46,920 --> 00:45:49,160
Speaker 1: to me trying to do that and imitating this dude.

881
00:45:49,200 --> 00:45:50,719
Speaker 1: So at the end of the day, that's what we

882
00:45:50,719 --> 00:45:52,920
Speaker 1: were doing. So we were documenting it and we were

883
00:45:52,920 --> 00:45:56,160
Speaker 1: putting it out like we did the peep Show.

884
00:45:56,760 --> 00:46:00,360
Speaker 3: I went to, uh and this why this wild? Uh?

885
00:46:01,440 --> 00:46:03,680
Speaker 6: The guy who used to run BT, what his dame?

886
00:46:03,760 --> 00:46:04,839
Speaker 3: He don't like me to this day.

887
00:46:05,360 --> 00:46:10,000
Speaker 1: Stephen Hill hates my guts.

888
00:46:08,400 --> 00:46:10,279
Speaker 3: Because because he wanted to do the brown.

889
00:46:11,920 --> 00:46:12,279
Speaker 1: My bad.

890
00:46:13,040 --> 00:46:20,600
Speaker 3: I don't know that was ahead. I might need a joint.

891
00:46:20,680 --> 00:46:20,719
Speaker 9: No.

892
00:46:23,840 --> 00:46:28,080
Speaker 1: So BT had this network called Action pay per view,

893
00:46:28,600 --> 00:46:30,040
Speaker 1: and they weren't really doing nothing.

894
00:46:29,880 --> 00:46:31,479
Speaker 6: With it, you know what I'm saying.

895
00:46:31,560 --> 00:46:36,400
Speaker 1: So Playboy had he was doing all the uncut videos

896
00:46:36,800 --> 00:46:39,239
Speaker 1: and so I went to Bob Johnson at the time

897
00:46:39,280 --> 00:46:42,080
Speaker 1: and say, look, let me put these peep shows on

898
00:46:42,200 --> 00:46:43,120
Speaker 1: Action pay per view.

899
00:46:43,719 --> 00:46:44,719
Speaker 6: You know, I own them.

900
00:46:44,719 --> 00:46:47,359
Speaker 1: So bt actually was the one who's airing the peep

901
00:46:47,400 --> 00:46:51,720
Speaker 1: show Wow on the on the affiliate that their own.

902
00:46:53,680 --> 00:46:54,760
Speaker 3: Their own Action.

903
00:46:54,640 --> 00:46:55,239
Speaker 6: Pay per view.

904
00:46:55,880 --> 00:46:59,200
Speaker 1: And so when I came in the big boardroom and

905
00:46:59,360 --> 00:47:04,400
Speaker 1: uh and and that's when Steven had just got in there, and.

906
00:47:04,160 --> 00:47:06,160
Speaker 3: Bob was like, fuck that, Now I'm gonna do this.

907
00:47:06,440 --> 00:47:08,920
Speaker 1: You could do this, Luke, and I never got a

908
00:47:09,000 --> 00:47:12,319
Speaker 1: video played on bt UH at that time, so it

909
00:47:12,400 --> 00:47:14,920
Speaker 1: was like almost like a little beef h that I

910
00:47:15,000 --> 00:47:17,000
Speaker 1: was doing that ship on there. And so but I

911
00:47:17,080 --> 00:47:20,040
Speaker 1: owned the peep shows and we would shoot them and

912
00:47:20,080 --> 00:47:22,640
Speaker 1: put them on pay per view make a lot of money.

913
00:47:22,680 --> 00:47:24,200
Speaker 6: And then I just said okay, fuck it.

914
00:47:24,680 --> 00:47:28,040
Speaker 1: After they sold the network, then I didn created the

915
00:47:28,080 --> 00:47:28,840
Speaker 1: freak shows.

916
00:47:29,560 --> 00:47:33,160
Speaker 3: And that was me going around to capturing.

917
00:47:32,800 --> 00:47:36,879
Speaker 1: What we were doing on on on on tour.

918
00:47:37,160 --> 00:47:40,160
Speaker 3: Even BZ cut they didn't play.

919
00:47:40,360 --> 00:47:42,439
Speaker 1: That was the way after I think that was I'm

920
00:47:42,440 --> 00:47:48,879
Speaker 1: saying like they didn't play like the videos on pay

921
00:47:48,920 --> 00:47:49,319
Speaker 1: per view.

922
00:47:49,360 --> 00:47:52,600
Speaker 3: On Action pay per View, I was we programmed that.

923
00:47:53,239 --> 00:47:56,280
Speaker 1: So what I did was I I did the Little Kims,

924
00:47:56,320 --> 00:47:58,759
Speaker 1: the jay Z's and all that stuff like that, and

925
00:47:58,800 --> 00:48:01,759
Speaker 1: then we added the uncut videos in it because what

926
00:48:01,840 --> 00:48:04,480
Speaker 1: I did was basically, I know, I wasn't gonna get

927
00:48:04,480 --> 00:48:08,160
Speaker 1: my videos played, so I used the adult version of

928
00:48:08,239 --> 00:48:14,080
Speaker 1: the lyrics and then did the videos and in the club, yeah,

929
00:48:14,160 --> 00:48:17,040
Speaker 1: and so I just took those videos, and other people

930
00:48:17,080 --> 00:48:20,320
Speaker 1: started doing their videos with the uncut version of it

931
00:48:20,360 --> 00:48:22,680
Speaker 1: and putting it on there. And so it was between

932
00:48:22,840 --> 00:48:26,680
Speaker 1: us and uh in the Playboy channel that was playing

933
00:48:26,760 --> 00:48:27,759
Speaker 1: uncut versions.

934
00:48:27,920 --> 00:48:29,600
Speaker 3: Okay, well cut down.

935
00:48:31,840 --> 00:48:34,960
Speaker 7: I imagine the boardroom meeting when you show the first

936
00:48:34,960 --> 00:48:36,520
Speaker 7: episode he checked this out, guys.

937
00:48:36,600 --> 00:48:40,440
Speaker 1: Yeah, Stephen Hill was like, I like, I hate this motherfucker.

938
00:48:41,280 --> 00:48:44,719
Speaker 1: That's why it wasn't until it wasn't until Connie Johnson

939
00:48:44,920 --> 00:48:49,640
Speaker 1: became the president. When Connie ran that network is when

940
00:48:49,640 --> 00:48:52,759
Speaker 1: I got honored. I never was on until then. I

941
00:48:52,880 --> 00:48:55,520
Speaker 1: was up. I was up first, arnore. It was like

942
00:48:55,560 --> 00:48:58,000
Speaker 1: they was shipping on me ever since then. So it's

943
00:48:58,239 --> 00:49:01,000
Speaker 1: you know, there's always a woman, and that shows me love.

944
00:49:01,400 --> 00:49:02,000
Speaker 3: That's what's up.

945
00:49:02,080 --> 00:49:04,279
Speaker 1: Yeah. Yeah, Now, what happened in the Grammys that you

946
00:49:04,400 --> 00:49:06,720
Speaker 1: didn't go back to the Grammys for like twenty years

947
00:49:06,719 --> 00:49:11,520
Speaker 1: Oh fuck it, I just made up with I just

948
00:49:11,600 --> 00:49:16,759
Speaker 1: made up with them, fucking twenty thirty years later. I mean,

949
00:49:17,000 --> 00:49:18,759
Speaker 1: it was it was. It was crazy because I'm going

950
00:49:18,800 --> 00:49:21,880
Speaker 1: through this ship. I'm going to court. I got three cases.

951
00:49:21,880 --> 00:49:24,360
Speaker 1: People think it was it was one. It was actually

952
00:49:24,400 --> 00:49:27,279
Speaker 1: three cases. One the record was deemed I've scene. The

953
00:49:27,560 --> 00:49:29,719
Speaker 1: other one we went to jail because we went in

954
00:49:30,120 --> 00:49:33,399
Speaker 1: a sung of op scene record. And then the other

955
00:49:33,440 --> 00:49:35,400
Speaker 1: one was the roy obuson well, I was going to

956
00:49:35,440 --> 00:49:38,279
Speaker 1: the Supreme Court. So it was three fucking cases that

957
00:49:38,440 --> 00:49:42,240
Speaker 1: was for free speech. All of them were inter twine.

958
00:49:42,280 --> 00:49:45,880
Speaker 1: Then I had this George Lucas fucking suit from my

959
00:49:45,960 --> 00:49:49,439
Speaker 1: name was Skywalker, you know. And then so I'm getting

960
00:49:49,480 --> 00:49:54,440
Speaker 1: sued all over the fucking place, and and damn, I

961
00:49:54,560 --> 00:49:55,440
Speaker 1: just mentioned all them.

962
00:49:55,480 --> 00:49:57,279
Speaker 6: I lost track of what you asked me.

963
00:49:58,080 --> 00:50:01,000
Speaker 8: See, I'm getting fucking old.

964
00:50:02,920 --> 00:50:06,640
Speaker 1: This is that fucking yeah, the Grammys. So I'm going

965
00:50:06,680 --> 00:50:08,560
Speaker 1: through all this ship. I'm going to all these courts.

966
00:50:08,600 --> 00:50:11,600
Speaker 1: I'm fighting there, motherfucking body. And Nick Grammy's invited me

967
00:50:11,640 --> 00:50:14,360
Speaker 1: to the to the Grammys. So I go to the Grammy's.

968
00:50:14,480 --> 00:50:17,640
Speaker 1: I get dressed up, I got my homeboy Fendsachi. Neil,

969
00:50:18,000 --> 00:50:21,879
Speaker 1: God bless his soldies and lock up again. I love Neil,

970
00:50:22,320 --> 00:50:27,520
Speaker 1: uh Neil was Neil was was was uh Neil was

971
00:50:27,560 --> 00:50:33,359
Speaker 1: Colito and Colido's way, you know, my my dog, Neil,

972
00:50:33,480 --> 00:50:35,480
Speaker 1: Me and Neil. We go to the fucking walls. We

973
00:50:35,520 --> 00:50:36,400
Speaker 1: get on the plane.

974
00:50:36,440 --> 00:50:37,280
Speaker 6: We go there.

975
00:50:38,960 --> 00:50:40,920
Speaker 3: And then you know, and then people get up on

976
00:50:40,960 --> 00:50:41,239
Speaker 3: the thing.

977
00:50:41,280 --> 00:50:43,400
Speaker 1: And we want to take this moment because we know

978
00:50:43,520 --> 00:50:46,680
Speaker 1: artists are going through you know, this free speech and

979
00:50:46,680 --> 00:50:50,160
Speaker 1: and the censorship ship, and we're not gonna be allowed.

980
00:50:50,280 --> 00:50:53,319
Speaker 1: We're not We're gonna support artists that get censored. And

981
00:50:53,400 --> 00:50:56,480
Speaker 1: I want to honor artists today that we brought here

982
00:50:57,080 --> 00:51:05,920
Speaker 1: and ladies and gentlemen. But donnad. I'm like Madonna, not

983
00:51:06,080 --> 00:51:12,560
Speaker 1: this bitch Madonna. She spent one day, motherfucking jail. I

984
00:51:12,640 --> 00:51:15,640
Speaker 1: just got out of jail for music. They put my

985
00:51:15,640 --> 00:51:18,560
Speaker 1: black ass in jail. You know, I'm gonna fighting every

986
00:51:18,560 --> 00:51:21,480
Speaker 1: court in the land Madonna. Right. So I'm sitting there like,

987
00:51:21,960 --> 00:51:24,680
Speaker 1: ain't this a bitch? I had a Rodney danger Phil moment.

988
00:51:26,760 --> 00:51:28,640
Speaker 1: You know what I'm saying. Now, I'm like in shock,

989
00:51:28,760 --> 00:51:33,040
Speaker 1: these talking about Madonna. You know, no disrespecting Madonna she's

990
00:51:33,080 --> 00:51:34,440
Speaker 1: you know, she a freaking everything.

991
00:51:36,320 --> 00:51:38,399
Speaker 3: But god damn Ma.

992
00:51:38,400 --> 00:51:41,840
Speaker 1: Donna, and I'm saying, man, broh man, I got so

993
00:51:41,960 --> 00:51:46,200
Speaker 1: motherfucking hot man. I went and uh hung out in

994
00:51:46,239 --> 00:51:47,920
Speaker 1: the city. I was like, I ain't never going back

995
00:51:47,960 --> 00:51:50,359
Speaker 1: to this ship ever in my life, you know. And

996
00:51:50,360 --> 00:51:52,800
Speaker 1: then later on Betty right, God bless us.

997
00:51:52,640 --> 00:51:56,720
Speaker 3: Older, you know how our queen in Miami.

998
00:51:57,080 --> 00:51:59,680
Speaker 1: She didn't say, Luke, you gotta you gotta fucking we

999
00:51:59,680 --> 00:52:02,719
Speaker 1: gotta down. And so I sat down with some of

1000
00:52:02,760 --> 00:52:04,480
Speaker 1: the guys from the Grammy and and you know, she

1001
00:52:04,560 --> 00:52:06,960
Speaker 1: was on the Grammy board. She was on the board, okay, yeah,

1002
00:52:07,000 --> 00:52:10,200
Speaker 1: and so she was like, yo, you know, we gotta

1003
00:52:10,239 --> 00:52:13,759
Speaker 1: make this ship right. And then I ended up going

1004
00:52:13,880 --> 00:52:17,600
Speaker 1: lobbying for them in Washington, d c uh. And then

1005
00:52:17,640 --> 00:52:19,799
Speaker 1: I still was out. I ain't really fucking with y'

1006
00:52:19,800 --> 00:52:23,160
Speaker 1: all like that, and and so but I, you know,

1007
00:52:23,320 --> 00:52:25,359
Speaker 1: she say do something, I'm gonna do it, and then

1008
00:52:25,400 --> 00:52:28,640
Speaker 1: I kind of chilled, you know, I really didn't get

1009
00:52:28,840 --> 00:52:31,680
Speaker 1: too active. And then they came to me, uh with

1010
00:52:31,800 --> 00:52:34,200
Speaker 1: the fifty for the Yeah, yeah.

1011
00:52:34,360 --> 00:52:36,160
Speaker 3: Like look, we wanted to do something special.

1012
00:52:36,840 --> 00:52:40,080
Speaker 1: We understand, you know, we fucked up, you know, way

1013
00:52:40,160 --> 00:52:42,000
Speaker 1: back then, and we want to make this ship right.

1014
00:52:42,400 --> 00:52:45,200
Speaker 1: And so they ended up kind of, you know, giving

1015
00:52:45,200 --> 00:52:48,160
Speaker 1: me a little tribute in the fifty and then saying

1016
00:52:48,160 --> 00:52:51,520
Speaker 1: some good ship right because at first you felt like

1017
00:52:52,120 --> 00:52:59,120
Speaker 1: they didn't include Miami in the fifty year anniversary overall overall, yeah, oball, yeah, yeah, oball.

1018
00:52:59,200 --> 00:53:00,240
Speaker 6: I was I was high.

1019
00:53:00,719 --> 00:53:03,520
Speaker 1: I was hot because you know, at the same time, man,

1020
00:53:03,640 --> 00:53:06,040
Speaker 1: you know, what we did and what we stood for

1021
00:53:06,120 --> 00:53:09,759
Speaker 1: and what we fought for in the courts, and the

1022
00:53:09,760 --> 00:53:12,000
Speaker 1: amount of money and the shit that we went through.

1023
00:53:12,280 --> 00:53:14,399
Speaker 1: You know, it's hip hop, you know what I'm saying.

1024
00:53:14,840 --> 00:53:16,520
Speaker 1: You know, it was a part of hip hop, whether

1025
00:53:16,560 --> 00:53:19,319
Speaker 1: people like it or not. And so everybody got all

1026
00:53:19,360 --> 00:53:24,640
Speaker 1: this fifty anniversary and fifty that, and not to include

1027
00:53:25,120 --> 00:53:29,080
Speaker 1: Miami into the conversation in any kind of way, you know,

1028
00:53:29,800 --> 00:53:33,040
Speaker 1: you know, because what people didn't realize even way back then,

1029
00:53:33,080 --> 00:53:35,440
Speaker 1: and I told people, you know, I remember going to

1030
00:53:35,520 --> 00:53:39,600
Speaker 1: the New Music seminar saying, you know, hip hop is

1031
00:53:39,600 --> 00:53:41,680
Speaker 1: gonna be global, you know, because one guy was on

1032
00:53:41,680 --> 00:53:43,959
Speaker 1: the panel, I was like, yo, you gues somebody mentioned

1033
00:53:44,000 --> 00:53:45,640
Speaker 1: Two Live Crew, and it was like, oh, that shit

1034
00:53:45,880 --> 00:53:49,160
Speaker 1: is a fad. It's gonna go away. I forget the

1035
00:53:49,200 --> 00:53:51,160
Speaker 1: guy named and then I stood up in the middle

1036
00:53:51,160 --> 00:53:52,880
Speaker 1: of this shit. It was like two thousand people at

1037
00:53:52,880 --> 00:53:54,920
Speaker 1: this hip hop panel. I was like, fuck, that hip

1038
00:53:54,960 --> 00:53:57,640
Speaker 1: hop is gonna be global, you know, and one thing

1039
00:53:57,680 --> 00:54:01,080
Speaker 1: about the South, you know, to catch you on the South,

1040
00:54:01,520 --> 00:54:03,719
Speaker 1: then it's gonna be bigger than just New York.

1041
00:54:03,760 --> 00:54:04,839
Speaker 6: It was no disrespect.

1042
00:54:05,080 --> 00:54:07,880
Speaker 1: It was just gonna be what New York created was

1043
00:54:07,960 --> 00:54:11,359
Speaker 1: going to be global in a major way. And so

1044
00:54:11,640 --> 00:54:15,400
Speaker 1: what I predicted was actually the truth because you know,

1045
00:54:15,480 --> 00:54:20,280
Speaker 1: you didn't have PD Pablo, and you had the Switch House,

1046
00:54:20,360 --> 00:54:22,480
Speaker 1: you had all these guys from all over South.

1047
00:54:22,760 --> 00:54:26,719
Speaker 6: You had you know, uh three three six.

1048
00:54:26,520 --> 00:54:29,280
Speaker 1: Mafia, and then you know, the guys in New Orleans.

1049
00:54:29,360 --> 00:54:32,719
Speaker 1: So it became what what I envisioned it to be,

1050
00:54:32,920 --> 00:54:36,000
Speaker 1: which people didn't realize it. People didn't They didn't think

1051
00:54:36,040 --> 00:54:39,560
Speaker 1: it was gonna be this serious, which you know, when

1052
00:54:39,640 --> 00:54:42,120
Speaker 1: you look at it all and you say, okay, you

1053
00:54:42,160 --> 00:54:44,360
Speaker 1: got fifty you know, we all we need to be

1054
00:54:44,360 --> 00:54:47,240
Speaker 1: in that conversation because we created and started.

1055
00:54:47,320 --> 00:54:50,520
Speaker 3: You've been like thirty seven years, right, how long?

1056
00:54:50,719 --> 00:54:51,000
Speaker 1: Yeah?

1057
00:54:52,440 --> 00:54:53,680
Speaker 3: Fifty thirty?

1058
00:54:54,040 --> 00:54:54,440
Speaker 1: Yeah?

1059
00:54:55,440 --> 00:54:57,479
Speaker 6: Next year, no, next year be our forty if.

1060
00:54:57,440 --> 00:55:01,600
Speaker 1: Your anniversary forty if year, so yeah, like mentally eighties

1061
00:55:01,600 --> 00:55:10,400
Speaker 1: for sure, yeah, next year, next year long and this

1062
00:55:10,480 --> 00:55:12,759
Speaker 1: comes from this comes from from from somewhere. I can't

1063
00:55:12,760 --> 00:55:15,680
Speaker 1: tell you. But did you ever get had on stage? Yeah?

1064
00:55:15,680 --> 00:55:16,000
Speaker 1: I did?

1065
00:55:16,320 --> 00:55:19,200
Speaker 3: What ship?

1066
00:55:19,360 --> 00:55:21,040
Speaker 6: Rick James was even bussy I had.

1067
00:55:25,400 --> 00:55:31,239
Speaker 1: He was practicing when you preach. Oh yeah, I'm not

1068
00:55:31,280 --> 00:55:36,520
Speaker 1: ready for. I was in Japan, Like that makes it bad?

1069
00:55:36,640 --> 00:55:39,399
Speaker 1: Got in Japan? Is that what you got home? Yeah?

1070
00:55:39,600 --> 00:55:40,640
Speaker 6: Like you a long time.

1071
00:55:48,280 --> 00:55:53,960
Speaker 1: The ship? Well yeah that's a big bugge. No, yeah,

1072
00:55:54,000 --> 00:55:56,520
Speaker 1: I did that, and and that's you know. And then

1073
00:55:56,560 --> 00:55:59,440
Speaker 1: I had to the settlement was They gave me fifty

1074
00:55:59,480 --> 00:56:02,080
Speaker 1: thousand was and told me I had to do a

1075
00:56:02,239 --> 00:56:04,759
Speaker 1: song on New Jack City soundtrack. I was like, I

1076
00:56:04,920 --> 00:56:08,480
Speaker 1: take that settlement all day. Yeah. So we did the

1077
00:56:08,560 --> 00:56:11,080
Speaker 1: song Dick and the Dust on there. Okay, I'm bad,

1078
00:56:11,200 --> 00:56:16,560
Speaker 1: wasn't ready for. I got you, boss, I got you.

1079
00:56:16,719 --> 00:56:22,160
Speaker 1: I got you. You know it. That's why you got

1080
00:56:22,200 --> 00:56:26,080
Speaker 1: to get That's why you have to come here to

1081
00:56:26,120 --> 00:56:29,080
Speaker 1: be here, because y'all. Once once i said, I'm like,

1082
00:56:29,080 --> 00:56:31,360
Speaker 1: oh ship, Yeah, I can't go on the fucking Shannon

1083
00:56:31,440 --> 00:56:32,799
Speaker 1: shopping I have this conversation.

1084
00:56:33,440 --> 00:56:35,200
Speaker 3: I can't I can't.

1085
00:56:35,040 --> 00:56:38,759
Speaker 1: Have that conversation. Now, I mean, you lost like a

1086
00:56:38,840 --> 00:56:42,920
Speaker 1: motherfucker dicking the city on.

1087
00:56:43,040 --> 00:56:59,040
Speaker 9: You know, come here hip hop du Paul heaven Man,

1088
00:56:59,160 --> 00:57:01,040
Speaker 9: Paul huh.

1089
00:57:01,600 --> 00:57:02,719
Speaker 1: I forgot what was the question?

1090
00:57:04,360 --> 00:57:06,080
Speaker 2: You know we were talking about the subtle day.

1091
00:57:06,600 --> 00:57:07,440
Speaker 1: It was head on stage.

1092
00:57:07,520 --> 00:57:07,680
Speaker 4: Yeah.

1093
00:57:08,600 --> 00:57:11,560
Speaker 1: It was in Japan. Yeah, so the girls. So we

1094
00:57:11,560 --> 00:57:16,640
Speaker 1: were touring. We are, We're going over the Oska, Yokahoma, Kyoto,

1095
00:57:17,000 --> 00:57:20,360
Speaker 1: we are. We just touring because I basically was staying

1096
00:57:20,360 --> 00:57:23,320
Speaker 1: in Japan, going back and forth. So we set up

1097
00:57:23,320 --> 00:57:28,080
Speaker 1: this big ass tour that was out again. That's after

1098
00:57:28,360 --> 00:57:31,680
Speaker 1: I left two Live Crew and all that. So I'm

1099
00:57:31,680 --> 00:57:35,080
Speaker 1: over there. You know, I didn't embrace the culture and

1100
00:57:35,120 --> 00:57:38,480
Speaker 1: all this ship were doing these shows and these these venues,

1101
00:57:39,120 --> 00:57:42,520
Speaker 1: me and JT. Money, and every night I go to

1102
00:57:42,560 --> 00:57:44,840
Speaker 1: the front of the stage and the girls the stage

1103
00:57:45,120 --> 00:57:48,360
Speaker 1: was like right here, nigga touch you. So all these

1104
00:57:48,360 --> 00:57:51,440
Speaker 1: fucking Japanese girls were just grabbing my dick every night

1105
00:57:53,000 --> 00:57:55,920
Speaker 1: and they were doing this right here. I'm like, so

1106
00:57:56,240 --> 00:57:59,240
Speaker 1: now you mind you. We got like twelve dates over there,

1107
00:57:59,280 --> 00:58:02,360
Speaker 1: and so I'm like, yo, if they fucking grabbed my

1108
00:58:02,400 --> 00:58:04,600
Speaker 1: dick again, one eve, mother gonna come on stage and

1109
00:58:04,600 --> 00:58:05,520
Speaker 1: give me some fucking head.

1110
00:58:05,600 --> 00:58:06,080
Speaker 6: So then.

1111
00:58:07,640 --> 00:58:12,160
Speaker 1: It was not no random Okay, We're going through the

1112
00:58:12,200 --> 00:58:15,640
Speaker 1: shows and they just grabbing all our ship, me and

1113
00:58:15,720 --> 00:58:19,240
Speaker 1: JT Money, right, I'm like so it was like, okay,

1114
00:58:19,920 --> 00:58:22,360
Speaker 1: you know they rode by, we rode by the jail house,

1115
00:58:22,760 --> 00:58:25,440
Speaker 1: and they was like them fucking Japanese jail houses fucked

1116
00:58:25,520 --> 00:58:27,040
Speaker 1: up like a real job.

1117
00:58:29,040 --> 00:58:30,680
Speaker 3: I'm gonna escape artists.

1118
00:58:34,560 --> 00:58:35,600
Speaker 6: Some signed up the jail.

1119
00:58:35,640 --> 00:58:39,240
Speaker 1: I didn't escape from so many goddamn places you can imagine, right,

1120
00:58:39,600 --> 00:58:42,640
Speaker 1: So I'm like, fuck that ship. This is the last show,

1121
00:58:43,400 --> 00:58:46,440
Speaker 1: the last show. Somebody grabbing my ship up here on

1122
00:58:46,520 --> 00:58:49,160
Speaker 1: this stage. I'm bringing them on one stage and we're

1123
00:58:49,160 --> 00:58:53,240
Speaker 1: gonna get our dicks up. You're clear our and I'm

1124
00:58:53,280 --> 00:58:57,880
Speaker 1: hearing about I'm hearing about Rick James got Tina Marie

1125
00:58:57,920 --> 00:59:02,880
Speaker 1: on stage eating a pussy, right, So you ain't know

1126
00:59:02,920 --> 00:59:07,600
Speaker 1: about that man, y'all Instagram now then it was only

1127
00:59:07,600 --> 00:59:10,240
Speaker 1: it was only one channel back then. So I'm like,

1128
00:59:10,320 --> 00:59:12,480
Speaker 1: funk that ship. I gotta do better than Rick James.

1129
00:59:12,680 --> 00:59:15,160
Speaker 3: And then it ended up being that show and the

1130
00:59:15,280 --> 00:59:16,520
Speaker 3: girl come up on stage.

1131
00:59:17,360 --> 00:59:18,920
Speaker 6: We got the girls up on stage.

1132
00:59:18,960 --> 00:59:22,520
Speaker 1: They were you know, they just started giving us heads

1133
00:59:22,760 --> 00:59:28,560
Speaker 1: wild and that was the last song. We didn't have

1134
00:59:28,760 --> 00:59:43,200
Speaker 1: energy to finish. Were completely drained. We didn't ship like

1135
00:59:43,680 --> 00:59:48,280
Speaker 1: that ship ended up on national news and everything. You

1136
00:59:48,360 --> 00:59:52,000
Speaker 1: can find that ship online saying about it.

1137
00:59:52,960 --> 00:59:54,800
Speaker 2: Dad, I'm curious about what did they say were there

1138
00:59:54,800 --> 00:59:55,320
Speaker 2: in Japan?

1139
00:59:56,880 --> 00:59:58,400
Speaker 3: I don't know because I didn't go back.

1140
01:00:00,000 --> 01:00:02,000
Speaker 6: I was like, I'm getting the fun out of internet.

1141
01:00:02,000 --> 01:00:12,960
Speaker 1: Ship relations between them? What relations? I did some things.

1142
01:00:12,960 --> 01:00:17,000
Speaker 1: I'm y'all asked me questions. I'm just realizing that much. Wow, ship,

1143
01:00:17,360 --> 01:00:21,000
Speaker 1: I'm sure there's more than we not even because because

1144
01:00:21,160 --> 01:00:23,320
Speaker 1: last time you was here, I know, she said this

1145
01:00:23,400 --> 01:00:28,000
Speaker 1: lady looking like this crazy. I know the reason you

1146
01:00:28,000 --> 01:00:32,000
Speaker 1: you were here today. I'm sure your dad was.

1147
01:00:36,840 --> 01:00:47,680
Speaker 5: Oh y'all, y'all, the last time we was here, we

1148
01:00:47,680 --> 01:00:49,640
Speaker 5: we didn't play this game that you don't have to

1149
01:00:49,680 --> 01:00:50,160
Speaker 5: take shots.

1150
01:00:50,160 --> 01:00:51,440
Speaker 3: If you don't want, you can take SIPs.

1151
01:00:51,560 --> 01:00:52,200
Speaker 1: We're playing quick.

1152
01:00:52,840 --> 01:00:53,400
Speaker 3: Let's ship.

1153
01:00:53,680 --> 01:00:55,480
Speaker 1: Point somebody out and they'll take us. You want someone

1154
01:00:55,520 --> 01:00:59,520
Speaker 1: here doesignated? Somebody could be designated. Who y'all was doing

1155
01:00:59,520 --> 01:01:01,840
Speaker 1: this with your keys? Oh yeah, we know everybody. We

1156
01:01:01,880 --> 01:01:02,840
Speaker 1: started out ship.

1157
01:01:02,840 --> 01:01:06,880
Speaker 3: We started like I was like, boy, Alicia, she was

1158
01:01:09,440 --> 01:01:14,240
Speaker 3: handling that money pick up to Alicia to Alicia Keys. Okay,

1159
01:01:14,240 --> 01:01:18,000
Speaker 3: oh damn, I've pulled up the wrong wrong list.

1160
01:01:18,120 --> 01:01:20,959
Speaker 7: Okay, so here's the rules. This is our drinking game. Okay,

1161
01:01:21,000 --> 01:01:24,240
Speaker 7: we're gonna give you two choices. You pick one, we

1162
01:01:24,320 --> 01:01:28,280
Speaker 7: don't drink. If you say both are neither meaning the

1163
01:01:28,360 --> 01:01:30,919
Speaker 7: PC answer like you don't want to answer it, then

1164
01:01:30,960 --> 01:01:31,600
Speaker 7: we all drink.

1165
01:01:33,160 --> 01:01:35,840
Speaker 1: So about picked one. If we pick one, nobody drinks.

1166
01:01:35,960 --> 01:01:38,960
Speaker 1: Nobody drinks, you know, because we're all drinking again, We

1167
01:01:39,080 --> 01:01:41,720
Speaker 1: drinking no matter what. Okay, yeah, so and then so

1168
01:01:41,840 --> 01:01:43,920
Speaker 1: I don't answer, but I always answer everything.

1169
01:01:44,520 --> 01:01:44,760
Speaker 2: Cool.

1170
01:01:44,800 --> 01:01:47,360
Speaker 1: But this is a part like people think it's a verse, like, oh,

1171
01:01:47,360 --> 01:01:49,880
Speaker 1: we say, we just want to bring up people's names,

1172
01:01:49,880 --> 01:01:51,360
Speaker 1: any any stories you got with them.

1173
01:01:51,400 --> 01:01:52,520
Speaker 2: It's about bringing things up.

1174
01:01:52,560 --> 01:01:53,600
Speaker 3: You know you've got stories with them.

1175
01:01:53,920 --> 01:01:55,560
Speaker 2: It's not a negative thing. We're not trying to do this.

1176
01:01:55,640 --> 01:01:56,120
Speaker 1: Anybody.

1177
01:01:56,480 --> 01:01:58,520
Speaker 3: You gotta do this because this is Miami.

1178
01:01:58,680 --> 01:02:01,800
Speaker 1: A first one brother Marquis or Fresh Kid Ice resting

1179
01:02:01,800 --> 01:02:05,160
Speaker 1: piece of both, Brother.

1180
01:02:04,960 --> 01:02:06,360
Speaker 6: Marquise are Fresh Kid Ice.

1181
01:02:06,440 --> 01:02:08,919
Speaker 1: Yeah, you can say both. You can say neither.

1182
01:02:08,960 --> 01:02:11,480
Speaker 3: You could say one of them neither.

1183
01:02:12,840 --> 01:02:18,400
Speaker 1: Okay, we drink, we're drinking. You can say if you

1184
01:02:18,400 --> 01:02:20,120
Speaker 1: don't have to take shots. We're going to take shots.

1185
01:02:20,240 --> 01:02:22,560
Speaker 2: Was the fallout that bad that you said neither?

1186
01:02:22,760 --> 01:02:24,680
Speaker 1: No, I said neither because I don't want to pick

1187
01:02:24,720 --> 01:02:29,240
Speaker 1: me to You wouldn't say both of them. It's more yeah, yeah,

1188
01:02:29,240 --> 01:02:33,040
Speaker 1: both of neither. We're drinking anyways, it's the same thing.

1189
01:02:33,120 --> 01:02:34,920
Speaker 3: Yeah, yeah, exactly, both Okay?

1190
01:02:34,960 --> 01:02:45,720
Speaker 1: Okay, Trina or Karsha? Oh ship Trina? Oh okay, she

1191
01:02:45,920 --> 01:02:49,200
Speaker 1: the first, She's the original. She's the original, and Karisha

1192
01:02:49,200 --> 01:02:50,400
Speaker 1: would have appreciate that.

1193
01:02:50,840 --> 01:02:54,200
Speaker 3: I believe you're correct. Jay Prince or Tony Draper.

1194
01:02:56,880 --> 01:03:00,680
Speaker 1: Oh both? Okay?

1195
01:03:00,840 --> 01:03:04,000
Speaker 3: Drink damn y'all going hard up in here?

1196
01:03:06,800 --> 01:03:08,200
Speaker 2: And any stories remember any stories you.

1197
01:03:08,200 --> 01:03:15,280
Speaker 1: Got buddy man? J Prince, My god love you J

1198
01:03:15,520 --> 01:03:21,600
Speaker 1: Prince to have a label together, Yeah, that would be interesting, Jay,

1199
01:03:21,680 --> 01:03:22,520
Speaker 1: that's my guy.

1200
01:03:22,720 --> 01:03:23,360
Speaker 3: I fuck with J.

1201
01:03:25,960 --> 01:03:31,120
Speaker 1: Tupac or DMX dressing piece of booth Tupac. You ever

1202
01:03:31,200 --> 01:03:31,920
Speaker 1: met DMX?

1203
01:03:32,240 --> 01:03:32,479
Speaker 6: Yeah?

1204
01:03:32,560 --> 01:03:36,720
Speaker 2: Okay, yeah, yeah, how was that first interaction with DMX?

1205
01:03:37,440 --> 01:03:40,080
Speaker 1: It was it was it was like we were at

1206
01:03:40,080 --> 01:03:43,680
Speaker 1: an event pass someone really like vibing with him.

1207
01:03:43,600 --> 01:03:44,200
Speaker 6: Anything like that.

1208
01:03:44,840 --> 01:03:48,680
Speaker 1: We had a ben chilling okay, no limit or cash money?

1209
01:03:48,920 --> 01:03:56,200
Speaker 1: Whoa god? Damne? Yes, oh man ship both.

1210
01:03:56,400 --> 01:03:59,400
Speaker 3: Okay, yeah, i'n get my shot ready.

1211
01:04:00,200 --> 01:04:01,680
Speaker 1: She pulled up some shots for you. You want them

1212
01:04:01,720 --> 01:04:05,920
Speaker 1: right there? You got brown brown, madman like a clown.

1213
01:04:06,080 --> 01:04:10,640
Speaker 1: But you're getting brown. No, no, don't give me the brown.

1214
01:04:11,480 --> 01:04:14,400
Speaker 6: What my mother I got. I'm a Jamaican.

1215
01:04:14,760 --> 01:04:16,200
Speaker 2: No no, no, he's drinking, no.

1216
01:04:17,800 --> 01:04:23,600
Speaker 1: Carting them all. We're cutting them brown. No no, no,

1217
01:04:23,600 --> 01:04:35,760
Speaker 1: that's brown baby with cranberry. You trying to be nice? Yeah,

1218
01:04:35,760 --> 01:04:39,600
Speaker 1: that's your drink. Okay, that's gangster, this is Miami. Yeah,

1219
01:04:39,640 --> 01:04:41,920
Speaker 1: so did I was? I supposed to take a shot.

1220
01:04:42,040 --> 01:04:44,240
Speaker 1: Now you got your do you drink some good? Two

1221
01:04:44,280 --> 01:04:45,680
Speaker 1: Life Crew of Poison Clan.

1222
01:04:47,640 --> 01:04:48,680
Speaker 6: Damn boy, y'all.

1223
01:04:48,680 --> 01:04:52,200
Speaker 1: Hardcore Klan is also baby two LIVEE Crew. That's what

1224
01:04:52,200 --> 01:04:53,000
Speaker 1: they were originally known.

1225
01:04:56,040 --> 01:04:56,360
Speaker 6: Both.

1226
01:04:56,800 --> 01:05:01,960
Speaker 3: Okay, cheer old shot shot, I poured you.

1227
01:05:02,000 --> 01:05:09,880
Speaker 1: Hey on. Life's a bitch, so why married one? Being

1228
01:05:09,920 --> 01:05:14,040
Speaker 1: in love with a bitch is very dumb? PC who haters?

1229
01:05:15,200 --> 01:05:18,000
Speaker 1: That's the most classic fucking line I've heard in my life.

1230
01:05:18,000 --> 01:05:22,720
Speaker 1: That's j T. Money here, a fucking legend. Man. That

1231
01:05:22,800 --> 01:05:27,080
Speaker 1: ship school ain't for me, man, That mother man, j

1232
01:05:27,720 --> 01:05:31,200
Speaker 1: that's that's my guy. That motherfucker. Yeah. Well, there you go.

1233
01:05:31,320 --> 01:05:43,560
Speaker 1: J T. Money or Trick Daddy both Big of a

1234
01:05:43,640 --> 01:05:46,400
Speaker 1: j C. Money and trick that Trick Daddy both my family.

1235
01:05:46,520 --> 01:05:50,520
Speaker 1: J T. Money was the first gangster rapper. Let me

1236
01:05:50,560 --> 01:05:54,040
Speaker 1: tell you how me and Big became real good friends

1237
01:05:54,080 --> 01:05:58,400
Speaker 1: because he was a j He was a Poison Clan fan. Wow,

1238
01:05:59,200 --> 01:06:01,560
Speaker 1: And I was surprised that he knew anything about that.

1239
01:06:02,120 --> 01:06:04,320
Speaker 1: He was like, no, no, no, I'm a fucking uh

1240
01:06:04,480 --> 01:06:07,560
Speaker 1: that JT. Money. I'm a fan of his. And I

1241
01:06:07,640 --> 01:06:11,160
Speaker 1: called J up and was like, man, you know, Big

1242
01:06:11,280 --> 01:06:15,160
Speaker 1: like your ship, you know. And and again this was

1243
01:06:15,160 --> 01:06:16,160
Speaker 1: when Big was blown up.

1244
01:06:16,160 --> 01:06:20,120
Speaker 5: Big was big, he said, he listening to willing to

1245
01:06:20,120 --> 01:06:21,120
Speaker 5: influence a lot of people.

1246
01:06:21,560 --> 01:06:23,120
Speaker 2: I felt like there was like the n w A

1247
01:06:23,360 --> 01:06:24,480
Speaker 2: of Miami, of the South.

1248
01:06:24,600 --> 01:06:26,560
Speaker 1: Yeah, I would say the South. You can't just say

1249
01:06:26,600 --> 01:06:27,320
Speaker 1: Miami because.

1250
01:06:27,400 --> 01:06:29,200
Speaker 7: Well, I mean, I'm just saying. Originally, when they first

1251
01:06:29,280 --> 01:06:31,400
Speaker 7: came out, it was very local. But then it grew big.

1252
01:06:31,440 --> 01:06:36,800
Speaker 1: Okay, okay, yeah, I mean yeah, and then they spent

1253
01:06:36,920 --> 01:06:41,000
Speaker 1: off into it was home home team. Yeah, pick it up,

1254
01:06:41,040 --> 01:06:43,000
Speaker 1: pick it up. That was that was a big record. Man.

1255
01:06:44,200 --> 01:06:47,640
Speaker 7: I love society. Society, I mean, that's not society was

1256
01:06:47,920 --> 01:06:50,160
Speaker 7: a part of that time. Yes, indeed, yeah, that was

1257
01:06:50,200 --> 01:06:52,760
Speaker 7: a huge record. But I ain't gonna live with you.

1258
01:06:53,520 --> 01:06:56,040
Speaker 7: Let me tell you something. With Miami, it was New

1259
01:06:56,080 --> 01:07:00,600
Speaker 7: York nigga get out of Yeah, came professor, New York.

1260
01:07:01,440 --> 01:07:04,479
Speaker 7: Society came up here. You know when Griff got kicked

1261
01:07:04,480 --> 01:07:05,400
Speaker 7: out of public and of me.

1262
01:07:05,520 --> 01:07:06,080
Speaker 1: He took him in.

1263
01:07:06,240 --> 01:07:07,880
Speaker 3: I took him in. I was come on, Griff, I

1264
01:07:07,920 --> 01:07:08,360
Speaker 3: got you.

1265
01:07:08,840 --> 01:07:09,080
Speaker 1: Well.

1266
01:07:09,600 --> 01:07:11,400
Speaker 3: Yeah, they were all man at me and ship.

1267
01:07:11,400 --> 01:07:15,000
Speaker 1: Why the fuck did you sign this? Motherfucker? You got

1268
01:07:15,000 --> 01:07:17,160
Speaker 1: here and everything? And then society was in there. But

1269
01:07:17,240 --> 01:07:20,360
Speaker 1: society reped Miami. When he came here, he reapped my society. Good.

1270
01:07:20,480 --> 01:07:23,000
Speaker 3: Yeah, same team with home team. They red miamiep yep.

1271
01:07:23,520 --> 01:07:27,000
Speaker 3: I love when Miami started talking about Miami.

1272
01:07:27,040 --> 01:07:27,400
Speaker 1: I love it.

1273
01:07:27,440 --> 01:07:30,240
Speaker 3: I love it. I love you. Be getting very excited.

1274
01:07:37,080 --> 01:07:40,600
Speaker 1: It's in his blood. I've been here sixteen years, so

1275
01:07:40,640 --> 01:07:44,000
Speaker 1: it's like sixteen Yeah, he'll come here too.

1276
01:07:44,080 --> 01:07:44,720
Speaker 6: Man, Now.

1277
01:07:46,520 --> 01:07:50,960
Speaker 1: I have been you guess yes, okay, you live in

1278
01:07:50,960 --> 01:07:57,280
Speaker 1: the multiple areas, man, Okay, kod or booby trap on

1279
01:07:57,320 --> 01:08:01,280
Speaker 1: the river. You should have asked that question, Oh fucking

1280
01:08:01,360 --> 01:08:02,800
Speaker 1: ko D do we drink what?

1281
01:08:03,400 --> 01:08:03,440
Speaker 8: No?

1282
01:08:03,600 --> 01:08:08,480
Speaker 1: No, no, k D, We don't you if you pick one back, but.

1283
01:08:10,920 --> 01:08:14,600
Speaker 5: Huh, you didn't take it back strip club wise, but

1284
01:08:15,000 --> 01:08:18,320
Speaker 5: you know, watch you pick ko D over when we

1285
01:08:18,360 --> 01:08:18,960
Speaker 5: travel the river.

1286
01:08:19,160 --> 01:08:23,640
Speaker 1: Ko D is the original KOD, the original disco ric

1287
01:08:23,760 --> 01:08:25,719
Speaker 1: he the one started k legend.

1288
01:08:25,720 --> 01:08:27,880
Speaker 2: We got.

1289
01:08:28,520 --> 01:08:33,960
Speaker 1: Hecking legend. Yeah. Ko D set the standards for strip clubs.

1290
01:08:34,479 --> 01:08:39,800
Speaker 1: Even though, even though even though the Rolex that's my

1291
01:08:39,880 --> 01:08:45,240
Speaker 1: next and Cocos and Cocos, Cocos and Rolet gonna say

1292
01:08:45,240 --> 01:08:49,960
Speaker 1: that rolexes before, for sure, roles got rolees got body

1293
01:08:50,040 --> 01:08:54,160
Speaker 1: Take one, take one too, Take one still stayed open.

1294
01:08:54,960 --> 01:09:06,360
Speaker 1: Take what had the juke box take I'm trying to tell.

1295
01:09:08,400 --> 01:09:10,519
Speaker 1: See they get you know, they get Magic City, all

1296
01:09:10,560 --> 01:09:13,360
Speaker 1: the glory, you know, because they're in Atlanta, because you

1297
01:09:13,320 --> 01:09:16,160
Speaker 1: don't Magic City. Okay, yeah, yeah your magic that's my

1298
01:09:16,240 --> 01:09:19,240
Speaker 1: guest shouts out the magic. But that ship started at

1299
01:09:19,240 --> 01:09:23,360
Speaker 1: the Rolex. You know what I'm saying, That ship the

1300
01:09:23,800 --> 01:09:27,240
Speaker 1: Rolex started. You know, it was originally the Climax.

1301
01:09:27,120 --> 01:09:29,800
Speaker 3: That was the original name, original the look.

1302
01:09:29,880 --> 01:09:31,160
Speaker 1: A lot of Atlanta people.

1303
01:09:30,920 --> 01:09:31,760
Speaker 6: Are gonna wash it.

1304
01:09:31,920 --> 01:09:34,760
Speaker 1: I don't give a ship. But they didn't even do

1305
01:09:34,800 --> 01:09:39,800
Speaker 1: full nudity at no. They understand now, see im I'm certified,

1306
01:09:41,320 --> 01:09:43,320
Speaker 1: you know. That's why I was that That's why I

1307
01:09:43,360 --> 01:09:46,000
Speaker 1: was able to produce the freaking Okay, even though they

1308
01:09:46,080 --> 01:09:47,800
Speaker 1: tried to say some other people produce it, but they

1309
01:09:47,840 --> 01:09:48,200
Speaker 1: know how I.

1310
01:09:48,160 --> 01:09:49,960
Speaker 3: Produced it, right, we know.

1311
01:09:50,040 --> 01:09:51,080
Speaker 6: I'm just saying, yeah, we know.

1312
01:09:53,280 --> 01:09:55,240
Speaker 1: But at the end of the day, no, that's the

1313
01:09:55,280 --> 01:09:57,679
Speaker 1: ship started at a lot of people thought I owned

1314
01:09:57,760 --> 01:10:01,439
Speaker 1: the Rolex because what I did was I got the

1315
01:10:01,439 --> 01:10:05,240
Speaker 1: strippers out of the Rolex, some some good ship there,

1316
01:10:05,840 --> 01:10:09,679
Speaker 1: and I was like, everybody got these models on the videos, right,

1317
01:10:10,400 --> 01:10:12,759
Speaker 1: So I would get the models and use their face

1318
01:10:12,960 --> 01:10:18,000
Speaker 1: and then take the strippers and use their ASDs. So

1319
01:10:18,280 --> 01:10:22,040
Speaker 1: looked at my videos, shoot her face and then shoot

1320
01:10:22,040 --> 01:10:30,240
Speaker 1: the ass he's doing some before hide.

1321
01:10:36,520 --> 01:10:36,760
Speaker 9: You know.

1322
01:10:38,000 --> 01:10:40,240
Speaker 1: I'd be like, make love to the camera, like and

1323
01:10:40,240 --> 01:10:41,640
Speaker 1: then you know, every now and then it was a

1324
01:10:41,720 --> 01:10:44,920
Speaker 1: nice you know, not bullet wound stripple, you know, and

1325
01:10:45,000 --> 01:10:47,200
Speaker 1: they would I'd be like, make love to the camera

1326
01:10:47,640 --> 01:10:51,760
Speaker 1: the same way you making love to the just unattractive

1327
01:10:51,800 --> 01:10:54,240
Speaker 1: motherfucker that you want to make get this money out.

1328
01:10:54,120 --> 01:10:55,120
Speaker 3: Of them, and they would dance.

1329
01:10:55,520 --> 01:10:58,840
Speaker 1: And people found those videos to be offensive and they

1330
01:10:59,080 --> 01:11:03,400
Speaker 1: had all they clothes on, right, so go get back

1331
01:11:03,400 --> 01:11:06,920
Speaker 1: to quick time slid right. But let me ask you when,

1332
01:11:07,360 --> 01:11:12,720
Speaker 1: because like like the Strip Club went from like at

1333
01:11:12,760 --> 01:11:14,760
Speaker 1: first it was like a negative place, right, like people

1334
01:11:14,880 --> 01:11:17,200
Speaker 1: just going there or whatever whatever, and then it went

1335
01:11:17,320 --> 01:11:20,880
Speaker 1: from like this is where people kind of hang out

1336
01:11:21,200 --> 01:11:27,720
Speaker 1: right now, me, I'm thinking that it started in the

1337
01:11:27,800 --> 01:11:30,040
Speaker 1: Players Club when Atlanta.

1338
01:11:30,680 --> 01:11:32,160
Speaker 3: No, the movie, the movie The Players.

1339
01:11:32,200 --> 01:11:34,479
Speaker 2: Can you think that that culture started with that movie?

1340
01:11:34,600 --> 01:11:37,639
Speaker 1: No, I'm asking That's what I'm asking, Like, like because

1341
01:11:37,960 --> 01:11:39,960
Speaker 1: remember like hanging out on the strip club, I mean

1342
01:11:40,000 --> 01:11:42,200
Speaker 1: in New York, I'm from New York. In Miami, it

1343
01:11:42,280 --> 01:11:42,920
Speaker 1: was real life.

1344
01:11:43,000 --> 01:11:44,000
Speaker 3: This is what I'm asking.

1345
01:11:45,040 --> 01:11:47,320
Speaker 1: This is this is what I'm asking when I'm asking, Wow,

1346
01:11:47,400 --> 01:11:51,360
Speaker 1: we had to go job but as a Miami in right,

1347
01:11:51,560 --> 01:11:54,080
Speaker 1: as as a when you see it, because that's when

1348
01:11:54,280 --> 01:11:56,360
Speaker 1: like to New York, like when we've seen the Players Club,

1349
01:11:56,400 --> 01:11:59,000
Speaker 1: it's like these guys hang out at a strip club,

1350
01:11:59,240 --> 01:12:03,960
Speaker 1: like we didn't unders standing, right, So was Miami doing

1351
01:12:04,080 --> 01:12:05,400
Speaker 1: that before the Players Club?

1352
01:12:05,600 --> 01:12:07,439
Speaker 3: Oh yeah yeah?

1353
01:12:07,840 --> 01:12:11,400
Speaker 2: In high school, right a passage you go to eat breakfast, lunch.

1354
01:12:11,280 --> 01:12:19,280
Speaker 1: And dinner. Remember, I ain't understand it if you Ice cboy,

1355
01:12:19,360 --> 01:12:22,400
Speaker 1: if you had ice cuboy, you here he will tell

1356
01:12:22,439 --> 01:12:23,920
Speaker 1: you you didn't say that, though it had to be.

1357
01:12:24,880 --> 01:12:27,320
Speaker 1: It was inspired by Miami strip clubs. You know, it

1358
01:12:27,400 --> 01:12:31,160
Speaker 1: was off the rumors that some girl you know, kind

1359
01:12:31,200 --> 01:12:33,360
Speaker 1: of came over the idea and then you know, but

1360
01:12:33,479 --> 01:12:37,360
Speaker 1: because they ain't nobody getting naked in in l A. Nobody,

1361
01:12:37,439 --> 01:12:40,880
Speaker 1: they don't don't have clubs in l A based based

1362
01:12:41,040 --> 01:12:43,600
Speaker 1: based players club at Atlanta, right, So.

1363
01:12:43,680 --> 01:12:45,280
Speaker 6: If he did that, that's fine too.

1364
01:12:45,400 --> 01:12:48,280
Speaker 1: But at the end of the day, it all originated

1365
01:12:48,280 --> 01:12:51,479
Speaker 1: and started here in Miami, in Miami and so and

1366
01:12:51,600 --> 01:12:56,240
Speaker 1: so the thing is, the thing is with the My

1367
01:12:56,400 --> 01:12:59,200
Speaker 1: first strip club I went to was right across the

1368
01:12:59,280 --> 01:13:05,000
Speaker 1: street from the pack Jam skate rink. Wow, my bouncers

1369
01:13:05,160 --> 01:13:08,600
Speaker 1: was white guys. That mom owned the strip club in

1370
01:13:08,680 --> 01:13:12,439
Speaker 1: North Miami, right from Houston's right and so.

1371
01:13:13,960 --> 01:13:16,040
Speaker 6: The Houston Houston restaurant.

1372
01:13:16,120 --> 01:13:18,599
Speaker 3: Oh yeah, yeah, that's it's still it's still a club.

1373
01:13:18,680 --> 01:13:20,160
Speaker 6: It was a strip yeah, okay.

1374
01:13:20,320 --> 01:13:23,560
Speaker 1: So the so my bouncers, like yo, I got to

1375
01:13:23,600 --> 01:13:26,600
Speaker 1: take you over here and cross the street from the

1376
01:13:26,720 --> 01:13:30,679
Speaker 1: skate rink was toutsies, not the tusies, you see nothing.

1377
01:13:31,320 --> 01:13:33,920
Speaker 1: It was the old toussies, okay. And so they took

1378
01:13:34,000 --> 01:13:37,000
Speaker 1: me in this motherfucker right now. This was before Rolex

1379
01:13:37,040 --> 01:13:39,680
Speaker 1: and all that. They took me in this motherfucker and

1380
01:13:39,840 --> 01:13:41,760
Speaker 1: was like yo. I was like, look, black people don't

1381
01:13:41,760 --> 01:13:42,280
Speaker 1: go in no book.

1382
01:13:42,439 --> 01:13:43,960
Speaker 2: How old are you at this time when they're taking you.

1383
01:13:44,160 --> 01:13:50,280
Speaker 3: I had to be fucking uh nineteen. Black people don't

1384
01:13:50,280 --> 01:13:51,360
Speaker 3: go no strip clubs.

1385
01:13:51,720 --> 01:13:53,800
Speaker 1: And it was like, yo, you with us big big

1386
01:13:53,920 --> 01:13:58,920
Speaker 1: white bouncers and ship Rocko and Damien that's what their name.

1387
01:13:58,960 --> 01:14:01,479
Speaker 1: I think one of them died blessed. So they took

1388
01:14:01,520 --> 01:14:04,400
Speaker 1: me in this fucking Tutsis and I saw that ship.

1389
01:14:04,439 --> 01:14:07,360
Speaker 1: I was like, whoa that touses was a white club

1390
01:14:07,520 --> 01:14:09,600
Speaker 1: or white club, you know our way, you know, you

1391
01:14:09,720 --> 01:14:14,679
Speaker 1: see the movies strip club, motorcycle guys, motorcycle, Haryan Nation

1392
01:14:14,960 --> 01:14:20,000
Speaker 1: type ship, strip club.

1393
01:14:20,280 --> 01:14:22,000
Speaker 6: And when I went in that motherfucker right.

1394
01:14:21,960 --> 01:14:25,600
Speaker 1: There and saw that ship, it was like wow, you know,

1395
01:14:25,760 --> 01:14:28,479
Speaker 1: so it kind of added on to everything. And then

1396
01:14:29,040 --> 01:14:33,200
Speaker 1: they started up the Rolex and then you know again

1397
01:14:33,320 --> 01:14:35,680
Speaker 1: that was a part of our culture, and we we

1398
01:14:35,840 --> 01:14:38,800
Speaker 1: had to display that on video because I wasn't getting

1399
01:14:38,800 --> 01:14:41,240
Speaker 1: ready to try to be like New York and have

1400
01:14:41,439 --> 01:14:43,880
Speaker 1: break dances in the video. You know what I'm saying

1401
01:14:44,240 --> 01:14:46,560
Speaker 1: I wasn't gonna put that on an album cover, A

1402
01:14:46,720 --> 01:14:49,960
Speaker 1: train with stickers and ship like that, you know, and

1403
01:14:50,240 --> 01:14:52,040
Speaker 1: you know he look this where the fuck we're from,

1404
01:14:52,640 --> 01:14:55,880
Speaker 1: half naked every mother day. We got strippers, you know

1405
01:14:55,880 --> 01:14:59,920
Speaker 1: what I'm saying this, And that's how you broke records

1406
01:15:00,080 --> 01:15:00,920
Speaker 1: here in the strip club.

1407
01:15:01,040 --> 01:15:02,080
Speaker 2: That's how you broke the records.

1408
01:15:03,439 --> 01:15:05,920
Speaker 1: On the couple of dash on the beach, I'm like, like,

1409
01:15:06,000 --> 01:15:09,080
Speaker 1: what the fuck are you doing? This is where we're from,

1410
01:15:09,880 --> 01:15:19,920
Speaker 1: this is what we're all about, face down, and that's all.

1411
01:15:21,600 --> 01:15:26,920
Speaker 1: That's the way we liked that.

1412
01:15:27,600 --> 01:15:27,880
Speaker 3: We got.

1413
01:15:27,960 --> 01:15:33,880
Speaker 5: We got, Yeah, he was running a politicians lit that time.

1414
01:15:34,040 --> 01:15:35,439
Speaker 5: It was no where the last time we.

1415
01:15:35,479 --> 01:15:40,240
Speaker 1: Got yeah, yeah, you was. He was light, he was running,

1416
01:15:40,360 --> 01:15:45,680
Speaker 1: he was running problem we got.

1417
01:15:46,680 --> 01:15:47,040
Speaker 8: We got.

1418
01:15:49,479 --> 01:15:55,200
Speaker 1: This camp. We had the camp that motherfucker last time.

1419
01:15:55,200 --> 01:15:58,519
Speaker 1: Were almost at BG thirteen. I'll just tell you all

1420
01:15:58,600 --> 01:15:59,720
Speaker 1: right now, fans.

1421
01:15:59,560 --> 01:16:01,240
Speaker 3: We got read it all.

1422
01:16:07,200 --> 01:16:09,400
Speaker 1: Go ahead, let me go to the next one. Man,

1423
01:16:09,720 --> 01:16:10,519
Speaker 1: would you skip one?

1424
01:16:10,720 --> 01:16:14,280
Speaker 3: I thought that was that's Miami ship. I don't even know.

1425
01:16:15,439 --> 01:16:18,839
Speaker 2: Oh, I mean, I know the Lajuana Love or the puppies?

1426
01:16:20,080 --> 01:16:21,559
Speaker 1: Is it la wanna love? Is that's the way he said,

1427
01:16:21,640 --> 01:16:24,400
Speaker 1: lea Wan Love. Yeah, the war Love. I know the puppies,

1428
01:16:24,920 --> 01:16:27,280
Speaker 1: tell me, I don't know about la wan Wan Love.

1429
01:16:27,439 --> 01:16:28,920
Speaker 1: The one love was was.

1430
01:16:29,680 --> 01:16:33,000
Speaker 3: He's a damn state trooper right now. He was one

1431
01:16:33,040 --> 01:16:34,200
Speaker 3: of my artists. You know.

1432
01:16:34,280 --> 01:16:37,519
Speaker 1: Again, I'm trying to build this record company around guys

1433
01:16:37,600 --> 01:16:40,479
Speaker 1: from Miami, you know, and so I'm getting I'm getting

1434
01:16:40,560 --> 01:16:43,360
Speaker 1: the artists, signed them up, and he did this on

1435
01:16:43,960 --> 01:16:47,120
Speaker 1: everybody say yeah, oh yeah, that's a that's a classic.

1436
01:16:47,200 --> 01:16:47,879
Speaker 6: That's a classic.

1437
01:16:48,200 --> 01:16:50,240
Speaker 3: Yeah, And so I hope you get about.

1438
01:16:53,120 --> 01:16:55,280
Speaker 1: And so on and we put that money.

1439
01:16:55,320 --> 01:16:58,680
Speaker 3: I'm telling you that the person that was that was

1440
01:16:58,720 --> 01:16:59,760
Speaker 3: the rapper la Wan Love.

1441
01:17:00,240 --> 01:17:05,400
Speaker 1: So he was probably one of my first solo rapper. Yeah,

1442
01:17:05,439 --> 01:17:05,920
Speaker 1: it's a kid.

1443
01:17:06,320 --> 01:17:07,120
Speaker 6: He was a little kid.

1444
01:17:08,880 --> 01:17:09,160
Speaker 1: Let's go.

1445
01:17:09,400 --> 01:17:11,600
Speaker 3: Uh, okay, I got this one. I got this No, no,

1446
01:17:11,720 --> 01:17:14,559
Speaker 3: you would do this one. Okay, Miami, Yeah you gotta

1447
01:17:14,560 --> 01:17:15,760
Speaker 3: you gotta take all ship.

1448
01:17:15,840 --> 01:17:18,000
Speaker 1: I thought you was give him he was gonna give

1449
01:17:18,040 --> 01:17:26,519
Speaker 1: me a red parrot Rick roster because I mean he

1450
01:17:26,600 --> 01:17:26,920
Speaker 1: was signed.

1451
01:17:27,400 --> 01:17:28,360
Speaker 6: Yeah, I signed him up.

1452
01:17:28,400 --> 01:17:30,960
Speaker 1: I found him, got him off the streets, got his

1453
01:17:31,080 --> 01:17:32,920
Speaker 1: life in order, and put my moms around him.

1454
01:17:33,479 --> 01:17:38,360
Speaker 3: Loved him and uh and how special he was Big Teacher.

1455
01:17:38,600 --> 01:17:42,160
Speaker 1: Yeah, big teach. I mean Pitt was Pitt was you know.

1456
01:17:43,000 --> 01:17:46,400
Speaker 1: Let me tell you how that came about. I saw

1457
01:17:46,560 --> 01:17:48,840
Speaker 1: Fat Joe and what Fat Joe and Big Punk was doing.

1458
01:17:49,280 --> 01:17:53,080
Speaker 1: God bless uh uh that Big Punk. I did a

1459
01:17:53,400 --> 01:17:57,639
Speaker 1: song with Punk, and I said this Puerto Rican rapper

1460
01:17:58,320 --> 01:17:59,320
Speaker 1: you know in New York.

1461
01:18:00,520 --> 01:18:05,560
Speaker 3: Like how you said, said Puerto Rican? Wrong, He'd like

1462
01:18:05,640 --> 01:18:06,400
Speaker 3: mad five.

1463
01:18:09,920 --> 01:18:19,800
Speaker 1: Puerto Rican. So I saw what they were doing with

1464
01:18:20,160 --> 01:18:23,479
Speaker 1: you know, Fat Joe, Big Pun right, and uh, I

1465
01:18:23,600 --> 01:18:25,920
Speaker 1: was like, I live in Miami. I won't I won't

1466
01:18:26,000 --> 01:18:28,920
Speaker 1: be complete because I'm all being complete, you know what

1467
01:18:28,920 --> 01:18:31,879
Speaker 1: I'm saying. I'm like, I gotta fucking do a goddamn

1468
01:18:32,040 --> 01:18:35,600
Speaker 1: Cuban rappers, you know from Miami, and you know we

1469
01:18:36,280 --> 01:18:39,280
Speaker 1: it's Cubans here, you know. And my great great great

1470
01:18:39,320 --> 01:18:42,840
Speaker 1: grandmama's Cuban and my daddy met my mama in fucking Cuba,

1471
01:18:43,200 --> 01:18:43,360
Speaker 1: you know.

1472
01:18:43,479 --> 01:18:46,799
Speaker 3: And one thing we established you every race right now.

1473
01:18:49,240 --> 01:18:58,639
Speaker 1: In Japan, I didn't shoot up, maybe, so you said,

1474
01:19:08,600 --> 01:19:12,960
Speaker 1: maybe it was at the club. You see what one

1475
01:19:13,200 --> 01:19:15,320
Speaker 1: and Joe is doing, so you yeah, I saw what

1476
01:19:15,400 --> 01:19:18,040
Speaker 1: they were doing, and I was like, man, I won't

1477
01:19:18,080 --> 01:19:22,599
Speaker 1: be completed if I don't get a Cuban rapper, right,

1478
01:19:23,080 --> 01:19:25,080
Speaker 1: I got to have a Cuban rapper of Miami. You

1479
01:19:25,160 --> 01:19:29,559
Speaker 1: know all my friends and people. Kid, I already been

1480
01:19:29,600 --> 01:19:33,080
Speaker 1: working with Lives and no he wasn't working with Last No,

1481
01:19:33,240 --> 01:19:36,280
Speaker 1: you had been working with list before that. No no, no,

1482
01:19:36,960 --> 01:19:37,320
Speaker 1: no no no no.

1483
01:19:38,560 --> 01:19:41,280
Speaker 6: I give you so Last. I love Last Death.

1484
01:19:41,360 --> 01:19:41,960
Speaker 1: That's my guy.

1485
01:19:42,520 --> 01:19:43,400
Speaker 3: So I sign.

1486
01:19:43,600 --> 01:19:48,360
Speaker 1: So I told my n R guys Julian boot in them,

1487
01:19:48,520 --> 01:19:50,800
Speaker 1: and I was like, we gotta find At the time,

1488
01:19:51,040 --> 01:19:53,479
Speaker 1: teacher was working for me. You team.

1489
01:19:53,920 --> 01:19:55,719
Speaker 6: It was Jeff.

1490
01:19:55,560 --> 01:19:59,080
Speaker 3: Sanchez, who I had an NBA do NBA Entertainment.

1491
01:19:59,640 --> 01:20:01,519
Speaker 1: Jeff was working for me, all us and all I

1492
01:20:01,600 --> 01:20:04,439
Speaker 1: gotta find a cue the South Beach office, right, we

1493
01:20:04,520 --> 01:20:07,280
Speaker 1: had the South Beach office. Yeah, well everybody, we got

1494
01:20:07,360 --> 01:20:12,479
Speaker 1: no work done. We got mother come in looking for

1495
01:20:12,800 --> 01:20:28,160
Speaker 1: girls and ship. I give you no glory for less stories. Topic.

1496
01:20:31,000 --> 01:20:35,400
Speaker 5: I love this, I love I love my job. So

1497
01:20:36,080 --> 01:20:40,840
Speaker 5: you so you did some research, shopping all day all week.

1498
01:20:41,000 --> 01:20:44,320
Speaker 5: All right, we see you on line. We said give

1499
01:20:44,400 --> 01:20:45,800
Speaker 5: them come on.

1500
01:20:46,960 --> 01:20:47,920
Speaker 6: So we ended up.

1501
01:20:48,080 --> 01:20:52,640
Speaker 5: See we lose track all the time about people. You

1502
01:20:52,720 --> 01:20:54,439
Speaker 5: said you said you wanted to cube it artists.

1503
01:20:54,439 --> 01:20:56,840
Speaker 1: So I wanted a few, and I'm like, yo, I

1504
01:20:56,880 --> 01:20:59,960
Speaker 1: gotta I gotta find a Cuban artist in order to

1505
01:21:00,120 --> 01:21:03,200
Speaker 1: be complete. I didn't. I didn't found the R and

1506
01:21:03,320 --> 01:21:07,360
Speaker 1: B artist in h Town record you know Ship. You know,

1507
01:21:07,479 --> 01:21:10,000
Speaker 1: I want to be a real record label. I don't

1508
01:21:10,000 --> 01:21:12,439
Speaker 1: want to be booty like they said. It's just booty,

1509
01:21:12,560 --> 01:21:15,040
Speaker 1: you know what I'm saying. So I ended up all

1510
01:21:15,120 --> 01:21:18,479
Speaker 1: right finding Pitt. You know, they brought me the tape

1511
01:21:18,640 --> 01:21:21,320
Speaker 1: battle Rapper and Ship, and I'm looking at this dude,

1512
01:21:21,520 --> 01:21:23,439
Speaker 1: just fucking crazy.

1513
01:21:23,560 --> 01:21:25,719
Speaker 2: He was like he was like with the chorn rolls

1514
01:21:25,800 --> 01:21:27,720
Speaker 2: and he was battling raids.

1515
01:21:28,520 --> 01:21:34,000
Speaker 1: Uh and Opelaca, selling everything you name it, like Pitbull,

1516
01:21:34,360 --> 01:21:37,000
Speaker 1: that guy you see right now, it's a nigga. He

1517
01:21:38,479 --> 01:21:57,800
Speaker 1: fucking Julio Ramon Tho Chico came in there with the

1518
01:21:57,880 --> 01:22:04,680
Speaker 1: braids and Ship. I'm like, okay, this motherfucker here, right,

1519
01:22:04,800 --> 01:22:09,439
Speaker 1: I mean, I mean on on twelve you feel me

1520
01:22:09,479 --> 01:22:12,000
Speaker 1: in this dude here, I'm like, okay, what what the

1521
01:22:12,040 --> 01:22:14,839
Speaker 1: fuck is he doing? Well, you know, something like vibing

1522
01:22:14,960 --> 01:22:15,280
Speaker 1: with him?

1523
01:22:17,040 --> 01:22:18,000
Speaker 6: What you're doing? Okay?

1524
01:22:18,120 --> 01:22:20,200
Speaker 1: Well, you know he out there in the streets, he

1525
01:22:20,800 --> 01:22:24,639
Speaker 1: hustling righting in Okay, all right, this fuck got too

1526
01:22:24,800 --> 01:22:25,600
Speaker 1: much fucking.

1527
01:22:25,400 --> 01:22:28,160
Speaker 6: Kind of now, how do this was my first time

1528
01:22:28,280 --> 01:22:28,680
Speaker 6: trying to.

1529
01:22:30,560 --> 01:22:34,160
Speaker 1: Produce a guy that was a battle wrapper to being uh,

1530
01:22:34,600 --> 01:22:37,200
Speaker 1: you know, the battle rapper to just keep going, you

1531
01:22:37,280 --> 01:22:40,559
Speaker 1: know what I'm saying describing no structure.

1532
01:22:40,800 --> 01:22:42,040
Speaker 6: It's like a wild animal.

1533
01:22:42,479 --> 01:22:45,240
Speaker 1: How do I tame this fucking wild animal to get

1534
01:22:45,320 --> 01:22:49,080
Speaker 1: him in there doing uh songs? But then at the

1535
01:22:49,120 --> 01:22:51,000
Speaker 1: same time, I got to get this dude to let

1536
01:22:51,080 --> 01:22:53,960
Speaker 1: him understand that he got a gift, because he like, Yo,

1537
01:22:54,040 --> 01:22:56,320
Speaker 1: I gotta get money, you know what I'm saying. I

1538
01:22:56,320 --> 01:22:58,280
Speaker 1: got to get this money. You know, I got to

1539
01:22:59,200 --> 01:22:59,639
Speaker 1: my family.

1540
01:23:01,040 --> 01:23:01,240
Speaker 9: Yeah.

1541
01:23:01,360 --> 01:23:03,840
Speaker 1: So I'm like, yo, no, no, no, no, no, you know,

1542
01:23:04,000 --> 01:23:08,000
Speaker 1: you got this gift, you know. And so at that time,

1543
01:23:08,160 --> 01:23:12,559
Speaker 1: everything that I put out was like, okay, everything was gold.

1544
01:23:13,040 --> 01:23:15,120
Speaker 3: It was everything was hot, you know.

1545
01:23:15,280 --> 01:23:20,000
Speaker 1: So I was going through the whole, the whole fucking

1546
01:23:20,200 --> 01:23:23,120
Speaker 1: bankruptcy and the court hearings and ship.

1547
01:23:23,479 --> 01:23:26,920
Speaker 3: So I was kind of distracted with the with the music.

1548
01:23:27,240 --> 01:23:30,400
Speaker 1: Uh. And we did a song with him and everything.

1549
01:23:30,479 --> 01:23:33,200
Speaker 1: But then most importantly I took him on tour with me,

1550
01:23:33,600 --> 01:23:37,240
Speaker 1: and I think he yeah, and and that that changed him,

1551
01:23:37,640 --> 01:23:40,760
Speaker 1: you know. Yeah, So when he went on the road

1552
01:23:40,800 --> 01:23:43,439
Speaker 1: with me. It was more like he was in my

1553
01:23:43,560 --> 01:23:47,280
Speaker 1: hip pocket, like learning the business. He wanted to learn

1554
01:23:47,320 --> 01:23:49,080
Speaker 1: the business because I'm like, I got to keep this

1555
01:23:49,240 --> 01:23:53,719
Speaker 1: motherfucker by me, because if I don't have him, if

1556
01:23:53,760 --> 01:23:55,360
Speaker 1: I let him go to the street. So I kept

1557
01:23:55,439 --> 01:23:58,920
Speaker 1: him busy so he can you know, and so he

1558
01:23:59,000 --> 01:24:01,280
Speaker 1: picked up ship. You know, all us street dude, we

1559
01:24:01,320 --> 01:24:03,880
Speaker 1: pick up pick up ship. So he really he picked

1560
01:24:03,960 --> 01:24:06,920
Speaker 1: up everything about the business and then he applied it

1561
01:24:07,000 --> 01:24:10,240
Speaker 1: to himself. So the first record didn't work, and then

1562
01:24:10,320 --> 01:24:13,320
Speaker 1: I was like the lollipop with little saying, and I

1563
01:24:13,520 --> 01:24:17,280
Speaker 1: was like, I'm not I was kind of burnt, burnt

1564
01:24:17,360 --> 01:24:21,360
Speaker 1: out because I had artists who I'm going through the

1565
01:24:21,400 --> 01:24:24,960
Speaker 1: bankrupt see the motherfuckers here talking slick, and I had

1566
01:24:25,040 --> 01:24:28,400
Speaker 1: other artists. You know, it was it became well, I

1567
01:24:28,560 --> 01:24:31,240
Speaker 1: was like, I'm not fucking with this anymore right here.

1568
01:24:31,240 --> 01:24:34,280
Speaker 1: And then that's how you know, he ended up teaching them,

1569
01:24:34,479 --> 01:24:39,160
Speaker 1: ended up working with it with the TVG thing, with

1570
01:24:39,320 --> 01:24:42,080
Speaker 1: my blessing and all that, and so I always like

1571
01:24:42,560 --> 01:24:47,080
Speaker 1: stay in the background, like schooling him about ship. You know,

1572
01:24:47,240 --> 01:24:49,320
Speaker 1: when it came to the business and everything that's to

1573
01:24:49,640 --> 01:24:55,519
Speaker 1: this day, that's like my son. Yeah yeah, no, I

1574
01:24:55,600 --> 01:24:57,240
Speaker 1: love that guy. I love I love that guy.

1575
01:24:57,640 --> 01:24:58,880
Speaker 6: I love that question.

1576
01:24:59,400 --> 01:25:06,479
Speaker 1: Definitely taking this one. Okay, here we go, Ice spice

1577
01:25:07,439 --> 01:25:17,040
Speaker 1: or lott of oh ship, ice spice, damn with ice spice.

1578
01:25:17,280 --> 01:25:19,880
Speaker 1: Okay you see ice spikey little girl turning around. The

1579
01:25:20,000 --> 01:25:27,200
Speaker 1: ass be shaking. Ice spice is certified. I certifier, never

1580
01:25:27,560 --> 01:25:29,479
Speaker 1: in my life. What does that mean when you certify?

1581
01:25:30,080 --> 01:25:32,960
Speaker 1: What are you certifying? You shaking? The ass is shaking

1582
01:25:33,040 --> 01:25:35,639
Speaker 1: the right way and it's moving, and you know that's

1583
01:25:36,240 --> 01:25:39,599
Speaker 1: that's real. It's all you gotta be a pussyologist three

1584
01:25:39,600 --> 01:25:41,519
Speaker 1: steps out in the go to college just to explain

1585
01:25:41,600 --> 01:25:47,799
Speaker 1: it so that I mean no, ice sp ice spice

1586
01:25:47,960 --> 01:25:50,439
Speaker 1: is is the real one. I never met her before.

1587
01:25:51,240 --> 01:25:53,479
Speaker 1: One damn a meter ship.

1588
01:25:53,560 --> 01:25:54,280
Speaker 2: If she come to drinks?

1589
01:25:54,520 --> 01:25:56,200
Speaker 1: You coming through over here? Yeah?

1590
01:25:57,040 --> 01:25:58,080
Speaker 3: Would you guest hosts?

1591
01:25:58,560 --> 01:26:01,720
Speaker 1: Yeah, we have to have any I want to sit

1592
01:26:01,800 --> 01:26:05,960
Speaker 1: over there. Oh now, we give you a mic over there.

1593
01:26:05,920 --> 01:26:07,360
Speaker 3: Yeah, give me when you still have a mic?

1594
01:26:07,600 --> 01:26:09,519
Speaker 1: Yeah yeah, we give him a mic over there, yeah

1595
01:26:09,680 --> 01:26:11,400
Speaker 1: yeah yeah yeah. And then we're gonna have to have

1596
01:26:11,520 --> 01:26:12,960
Speaker 1: polls with some shakes everywhere.

1597
01:26:13,560 --> 01:26:17,160
Speaker 5: Yeah yeah yeah, yeah, yeah, okay, all right, it's gonna

1598
01:26:17,160 --> 01:26:17,880
Speaker 5: be a different drink.

1599
01:26:18,120 --> 01:26:19,439
Speaker 1: We're going to do. You could have came up with.

1600
01:26:20,040 --> 01:26:23,000
Speaker 3: You should say, I spice sexy red.

1601
01:26:23,720 --> 01:26:26,679
Speaker 1: No, we got sexy read coming up, you got sex everything.

1602
01:26:26,720 --> 01:26:28,880
Speaker 1: We don't come up with. These guys are there by

1603
01:26:28,920 --> 01:26:35,840
Speaker 1: the way. Look at cross. I know you'll like Dominican,

1604
01:26:36,400 --> 01:26:40,040
Speaker 1: the goddamn Minican. The Colombian comes up with this, the

1605
01:26:40,920 --> 01:26:45,640
Speaker 1: Columbia right there, and the Colombian and Colombian. Hey Columbia.

1606
01:26:46,400 --> 01:26:46,599
Speaker 6: Yeah.

1607
01:26:46,760 --> 01:26:51,280
Speaker 2: And the guy across the legs, he's Dominican.

1608
01:26:51,720 --> 01:26:55,639
Speaker 1: Here's what's weird. Here's the d R. Here's what's weird.

1609
01:26:56,439 --> 01:26:58,080
Speaker 1: Look at the concho.

1610
01:27:00,200 --> 01:27:02,519
Speaker 3: His what's weird? That's my cousin who is port?

1611
01:27:03,760 --> 01:27:05,639
Speaker 1: What a weekend? Yeah? But I feel like he goes

1612
01:27:06,560 --> 01:27:10,040
Speaker 1: But I feel like he traded his citizenship for being Colombian.

1613
01:27:10,520 --> 01:27:26,480
Speaker 10: So this is why to Columbia, like living traded his citizenship.

1614
01:27:26,640 --> 01:27:30,360
Speaker 1: I don't blame you man. Have you went to the

1615
01:27:30,360 --> 01:27:33,040
Speaker 1: peak show to Columbia because that should be a different

1616
01:27:33,080 --> 01:27:33,720
Speaker 1: kind of peep show?

1617
01:27:34,160 --> 01:27:37,200
Speaker 3: No? Not no, with's diegle he's being from Columbia.

1618
01:27:39,680 --> 01:27:42,400
Speaker 1: Let's let's try to finish quick. Time to finish times

1619
01:27:43,240 --> 01:27:45,000
Speaker 1: the pack jam I mean this is gonna be I

1620
01:27:45,080 --> 01:27:47,400
Speaker 1: know you're gonna answer. Pack Jammer Studio one eighty three.

1621
01:27:51,520 --> 01:27:54,800
Speaker 3: Pak Jammer Studio, one of the three move I.

1622
01:27:54,920 --> 01:27:57,559
Speaker 1: Was said packed, well, dad, both okay, let's drink. I'm

1623
01:27:57,600 --> 01:28:00,439
Speaker 1: gonna tell you why we need to hear it. I'm

1624
01:28:00,479 --> 01:28:02,360
Speaker 1: gonna tell you why. I see a lot of first

1625
01:28:02,439 --> 01:28:03,320
Speaker 1: artists us through your way.

1626
01:28:03,439 --> 01:28:07,679
Speaker 3: Three. There's the deal. So both of them I created.

1627
01:28:08,240 --> 01:28:13,519
Speaker 1: Really there's a story some more bad Carol City scene

1628
01:28:13,680 --> 01:28:16,479
Speaker 1: high doing dances.

1629
01:28:17,120 --> 01:28:19,519
Speaker 3: So I'm making out his fucking money doing dances.

1630
01:28:19,560 --> 01:28:21,800
Speaker 1: Then the next night, Sunday night, I'm going to the

1631
01:28:21,880 --> 01:28:25,160
Speaker 1: Pack jam and so this guy named Zeke comes over

1632
01:28:25,200 --> 01:28:28,840
Speaker 1: to me and say, hey, look, I got this J. C.

1633
01:28:29,040 --> 01:28:33,840
Speaker 1: Penny building. I'm the building manager. What the fuck can

1634
01:28:33,880 --> 01:28:35,880
Speaker 1: you do with this? Can you bring some people in here?

1635
01:28:36,640 --> 01:28:39,200
Speaker 1: So then I got with Zeke and was like, hell, yeah,

1636
01:28:39,280 --> 01:28:41,360
Speaker 1: we can make this out of venue. Put the stage

1637
01:28:41,439 --> 01:28:43,680
Speaker 1: right here, do all this right here, and everything like that.

1638
01:28:44,120 --> 01:28:46,400
Speaker 1: And at the end of the day and not too

1639
01:28:46,439 --> 01:28:47,479
Speaker 1: many people know this story.

1640
01:28:47,760 --> 01:28:48,519
Speaker 2: So that was a J. C.

1641
01:28:48,640 --> 01:28:50,240
Speaker 1: Penny. It was a J. C. Penny.

1642
01:28:50,360 --> 01:28:53,519
Speaker 6: I'm in there with the fucking the ship that Jason

1643
01:28:53,560 --> 01:28:54,320
Speaker 6: Penny left.

1644
01:28:54,240 --> 01:29:01,160
Speaker 1: Users and all talking about the real Jenny. Okay, and

1645
01:29:01,320 --> 01:29:03,920
Speaker 1: that is the and and and that is the first

1646
01:29:04,200 --> 01:29:07,280
Speaker 1: time Park performed here is when I brought him to.

1647
01:29:07,320 --> 01:29:11,840
Speaker 7: That first time outcast, first time the mob, first time, Yeah,

1648
01:29:12,040 --> 01:29:12,559
Speaker 7: the first.

1649
01:29:12,360 --> 01:29:15,639
Speaker 1: Time I see a lot of people there, so quest yeah,

1650
01:29:16,160 --> 01:29:18,760
Speaker 1: so over here, and was like, Yo, what the fuck

1651
01:29:18,800 --> 01:29:19,400
Speaker 1: you can do with this?

1652
01:29:19,800 --> 01:29:21,599
Speaker 6: And so I was like, Yo, do this right here,

1653
01:29:22,000 --> 01:29:22,840
Speaker 6: do that right there.

1654
01:29:23,200 --> 01:29:25,760
Speaker 1: And then before you know, we started doing parties in there,

1655
01:29:26,240 --> 01:29:30,080
Speaker 1: and obviously the ship got big and and uh and

1656
01:29:30,320 --> 01:29:33,559
Speaker 1: uh they started having other people come in there and everything.

1657
01:29:33,640 --> 01:29:35,200
Speaker 6: But we we opened up.

1658
01:29:35,360 --> 01:29:37,720
Speaker 1: I came up with the ideal, you know, based on

1659
01:29:37,880 --> 01:29:40,000
Speaker 1: this guy coming saying, hey, look, I need to know

1660
01:29:40,040 --> 01:29:41,840
Speaker 1: what the fuck to do with this building. And that

1661
01:29:41,880 --> 01:29:44,160
Speaker 1: ship was a J. Penny. It was a fucking J. C.

1662
01:29:44,320 --> 01:29:49,240
Speaker 1: Penny that closed down that story. Most people don't know

1663
01:29:49,400 --> 01:29:54,320
Speaker 1: that story. That's the dope best. That's why I say

1664
01:29:55,240 --> 01:29:57,519
Speaker 1: both of those is I came up with both of

1665
01:29:57,600 --> 01:30:04,160
Speaker 1: the ideas. Yeah, obviously pack Jam was our office, Luke

1666
01:30:04,240 --> 01:30:09,479
Speaker 1: Record's office, and yeah, and new cover the t our Cow.

1667
01:30:09,560 --> 01:30:12,720
Speaker 1: But it's it's just both of them got sentimental.

1668
01:30:12,400 --> 01:30:14,000
Speaker 6: Value for me.

1669
01:30:18,560 --> 01:30:24,160
Speaker 2: Let's see here, this Corecord.

1670
01:30:26,200 --> 01:30:26,919
Speaker 3: Just gonna.

1671
01:30:31,720 --> 01:30:35,599
Speaker 1: That's a good one. I was not gonna say both

1672
01:30:35,600 --> 01:30:42,960
Speaker 1: of them under no circumstances, under no fucking circumstances. You know,

1673
01:30:43,640 --> 01:30:48,240
Speaker 1: y'all sober, y'all might have started drinking. Were not something

1674
01:30:48,280 --> 01:30:49,000
Speaker 1: I'm ready about.

1675
01:30:49,120 --> 01:30:49,360
Speaker 3: I'm not.

1676
01:30:49,520 --> 01:30:54,479
Speaker 1: I'm not. Uh never rapped me up this old I'm like,

1677
01:30:54,680 --> 01:31:01,960
Speaker 1: what ship Cardi B? Or Eve? Ship? For my ship?

1678
01:31:03,400 --> 01:31:06,960
Speaker 3: I've always had a crush on Eve. I just imagine

1679
01:31:07,400 --> 01:31:09,360
Speaker 3: so many nights that I was knocking down.

1680
01:31:12,040 --> 01:31:13,920
Speaker 1: She married the white man. I was like, a rich

1681
01:31:13,960 --> 01:31:17,760
Speaker 1: ass motherfucker motherfucker. I was like, I ain't man like

1682
01:31:17,880 --> 01:31:23,280
Speaker 1: I am man man. Oh, I'm a cardib She cool man.

1683
01:31:23,439 --> 01:31:26,719
Speaker 1: She seemed cool. I'm Cardi B all day, Yeah, cool people.

1684
01:31:27,120 --> 01:31:29,559
Speaker 1: Both of them seemed like he got her a vibe

1685
01:31:29,600 --> 01:31:32,760
Speaker 1: and out of this world. I was just like, what

1686
01:31:32,960 --> 01:31:36,479
Speaker 1: the fuck. But the rich motherfucker, he's a rich motherfucker.

1687
01:31:37,400 --> 01:31:38,880
Speaker 3: How the fuck did you get in England?

1688
01:31:40,400 --> 01:31:41,000
Speaker 1: What happened?

1689
01:31:41,120 --> 01:31:41,280
Speaker 3: Hey?

1690
01:31:41,360 --> 01:31:44,920
Speaker 1: Man? What are you looking like?

1691
01:31:45,040 --> 01:31:45,080
Speaker 3: That?

1692
01:31:46,360 --> 01:31:48,040
Speaker 1: I learned and I have my face.

1693
01:31:52,080 --> 01:31:58,440
Speaker 3: You let me not forget the uncle boy fucking monsters.

1694
01:32:00,000 --> 01:32:00,360
Speaker 1: I got the.

1695
01:32:02,479 --> 01:32:04,760
Speaker 7: Shout out, the shout out, the monster man, show my

1696
01:32:04,800 --> 01:32:06,720
Speaker 7: Homie J in the Building's right, all right, this is

1697
01:32:06,760 --> 01:32:07,680
Speaker 7: gonna be an easy one for you.

1698
01:32:08,160 --> 01:32:08,960
Speaker 1: J Landlord too.

1699
01:32:09,080 --> 01:32:13,559
Speaker 2: That's right, sugar Hill DJs, Jamponi Express.

1700
01:32:16,120 --> 01:32:18,280
Speaker 1: I can't imagine you saying both when you're part of

1701
01:32:18,320 --> 01:32:26,559
Speaker 1: one's right stall Oh, go out, sugar Hill DJs ship,

1702
01:32:28,400 --> 01:32:29,960
Speaker 1: m you can't pick between these.

1703
01:32:31,040 --> 01:32:35,200
Speaker 3: Gotta take a shot, Okay, I gotta go.

1704
01:32:35,600 --> 01:32:39,120
Speaker 1: Jampoon Express from Tampa, right, Jamponi is from Fort loud

1705
01:32:39,120 --> 01:32:43,200
Speaker 1: of them, Okay, I want to say both. Let's let's

1706
01:32:43,600 --> 01:32:45,880
Speaker 1: shut out to boat Man. They legendary.

1707
01:32:46,120 --> 01:32:47,400
Speaker 6: Yeah, because the legendary.

1708
01:32:47,960 --> 01:32:49,160
Speaker 1: I've seen a battle with it.

1709
01:32:50,960 --> 01:32:53,400
Speaker 7: With Sugarhill DJs and Jamponi Express, and it was the

1710
01:32:53,479 --> 01:32:54,519
Speaker 7: craziest battle I ever seen.

1711
01:32:54,560 --> 01:32:57,960
Speaker 1: It had to be crazy. God bless you, Soul, I

1712
01:32:58,040 --> 01:33:03,200
Speaker 1: mean slick big, I mean, I mean, I mean both

1713
01:33:03,280 --> 01:33:05,240
Speaker 1: of the you. You're talking about some deep ship. Yeah,

1714
01:33:05,240 --> 01:33:08,360
Speaker 1: I gotta say both, even though alas a Miami guy,

1715
01:33:08,479 --> 01:33:09,360
Speaker 1: them a Miami guy.

1716
01:33:10,600 --> 01:33:11,760
Speaker 3: But you know, I.

1717
01:33:13,560 --> 01:33:17,080
Speaker 7: Gotta get Are there any other DJ cruise because those

1718
01:33:17,120 --> 01:33:21,400
Speaker 7: are the ghetto style DJs, sugar Hill DJs and uh

1719
01:33:21,880 --> 01:33:24,120
Speaker 7: Jamponi Express. Are there any more crews that we don't

1720
01:33:24,160 --> 01:33:25,200
Speaker 7: ever talk about?

1721
01:33:25,479 --> 01:33:29,120
Speaker 1: International DJ's party down DJs where Rick used to be with.

1722
01:33:29,720 --> 01:33:35,320
Speaker 1: You had uh South Miami DJ's tiny head which was

1723
01:33:35,400 --> 01:33:38,760
Speaker 1: the one I mentioned earlier who brought down Jackel and Hide.

1724
01:33:40,680 --> 01:33:42,200
Speaker 6: Uh you name it?

1725
01:33:42,520 --> 01:33:43,439
Speaker 3: Uh Ship.

1726
01:33:43,760 --> 01:33:46,640
Speaker 1: There was so many DJ crews they were all over

1727
01:33:46,680 --> 01:33:49,479
Speaker 1: the place. I probably missed some people. Uh who is

1728
01:33:50,040 --> 01:33:55,559
Speaker 1: what is voter level with both from the radio station? Yeah,

1729
01:33:55,640 --> 01:33:57,840
Speaker 1: voter level out of DJ group the it's quite a

1730
01:33:57,880 --> 01:33:58,759
Speaker 1: few DJ groups.

1731
01:33:59,320 --> 01:33:59,519
Speaker 3: Yeah.

1732
01:34:00,040 --> 01:34:01,720
Speaker 2: But they wasn't all doing the sound system ship.

1733
01:34:01,960 --> 01:34:06,080
Speaker 1: Yeah yeah, everybody boy Christmas time, Oh ship with all

1734
01:34:06,160 --> 01:34:08,439
Speaker 1: speakers everything up on the park. You had to battle

1735
01:34:09,360 --> 01:34:15,479
Speaker 1: everybody sixty four speakers, Uh, seventy speakers, sixteen speakers up.

1736
01:34:15,600 --> 01:34:17,439
Speaker 3: You got your ass blowed out. Get the fuck out

1737
01:34:17,439 --> 01:34:17,519
Speaker 3: of it.

1738
01:34:17,640 --> 01:34:19,040
Speaker 2: Do you think that's where base?

1739
01:34:19,439 --> 01:34:24,360
Speaker 6: Actually, that's that's that's the reason I created it.

1740
01:34:25,080 --> 01:34:25,200
Speaker 1: Uh.

1741
01:34:25,520 --> 01:34:27,000
Speaker 6: They had a driving base in it.

1742
01:34:27,439 --> 01:34:30,240
Speaker 1: You know, even when we did the records like these records,

1743
01:34:30,320 --> 01:34:33,600
Speaker 1: we will cut the lack of the and the you

1744
01:34:33,680 --> 01:34:35,360
Speaker 1: know if you if you know.

1745
01:34:36,960 --> 01:34:37,559
Speaker 6: How close to.

1746
01:34:37,960 --> 01:34:41,439
Speaker 1: Viny is when it becomes so much hard, driving base

1747
01:34:41,520 --> 01:34:44,720
Speaker 1: would add enhanced the base from what they were having

1748
01:34:44,760 --> 01:34:47,679
Speaker 1: in the studio. So it was it was about having

1749
01:34:47,720 --> 01:34:51,760
Speaker 1: a sound where we're from, right, you know, And it

1750
01:34:51,920 --> 01:34:55,920
Speaker 1: was very little highs but it was all based. People

1751
01:34:56,160 --> 01:34:59,360
Speaker 1: would just sit in the base speakers in the base

1752
01:34:59,439 --> 01:35:02,160
Speaker 1: bends the uh to be able to get the based.

1753
01:35:02,200 --> 01:35:04,880
Speaker 3: Then they base en hands. So we couldn't do nothing

1754
01:35:04,920 --> 01:35:05,840
Speaker 3: but based music.

1755
01:35:07,360 --> 01:35:07,599
Speaker 1: Wow.

1756
01:35:08,200 --> 01:35:08,920
Speaker 6: So now this is.

1757
01:35:10,720 --> 01:35:17,920
Speaker 1: Another curveball Brownwood or day Day all Day. I mean,

1758
01:35:17,960 --> 01:35:22,920
Speaker 1: how's that curveball? Jesus, he's from day Day can all day?

1759
01:35:23,080 --> 01:35:23,400
Speaker 6: Okay?

1760
01:35:24,280 --> 01:35:28,240
Speaker 1: Yeah, made in day that's not you know, we we

1761
01:35:28,360 --> 01:35:29,280
Speaker 1: all got a love affair.

1762
01:35:29,400 --> 01:35:31,280
Speaker 3: Now you'd asked me the ship twenty years ago.

1763
01:35:31,880 --> 01:35:35,320
Speaker 1: Yeah, it was a problem, you know what I'm saying.

1764
01:35:35,400 --> 01:35:38,840
Speaker 6: But but I'm always gonna be day Yeah.

1765
01:35:38,960 --> 01:35:43,600
Speaker 1: Yeah. And Miami typically had a north and south. There

1766
01:35:43,680 --> 01:35:47,560
Speaker 1: was always Weston Barrows, Queens, Brooklyn. Here it's north and

1767
01:35:47,640 --> 01:35:51,400
Speaker 1: south beef always. That's always been that way, even with sports. Yeah,

1768
01:35:51,520 --> 01:35:55,000
Speaker 1: the state is a dick, so it's only going north

1769
01:35:55,040 --> 01:36:03,840
Speaker 1: and south. Okay, you don't know where you live. Don't

1770
01:36:03,880 --> 01:36:07,880
Speaker 1: look at the math because they accorded it to a

1771
01:36:08,000 --> 01:36:12,360
Speaker 1: gun the gun start. No, No, no, that's what that's

1772
01:36:12,400 --> 01:36:17,519
Speaker 1: what game we actually I lived in for the last years.

1773
01:36:25,120 --> 01:36:35,759
Speaker 1: He said, he's a dick. Wrider, ridiculous man key West.

1774
01:36:35,760 --> 01:36:40,439
Speaker 1: It depends. Oh damn, I'm not ready to look at

1775
01:36:40,479 --> 01:36:44,599
Speaker 1: the map. It is, it is, and then something else.

1776
01:36:45,040 --> 01:36:55,360
Speaker 1: So yeah, d J chocolate milk.

1777
01:36:56,000 --> 01:37:01,960
Speaker 5: Yeah, okay, we're represent DJ mother fucking college chocolate milk.

1778
01:37:02,040 --> 01:37:09,400
Speaker 1: He got a fucking NESTLEI Nestley. Hell yeah, we're represented.

1779
01:37:09,439 --> 01:37:09,920
Speaker 1: I'm getting that.

1780
01:37:10,000 --> 01:37:12,080
Speaker 6: Sam, that's another one of my kids.

1781
01:37:12,200 --> 01:37:16,160
Speaker 1: Yeah, you put them on on radio for the first time. Yeah, gems,

1782
01:37:17,400 --> 01:37:19,559
Speaker 1: you know he did make but then you put him

1783
01:37:19,560 --> 01:37:23,639
Speaker 1: on was on the Freak Show first? Really, wait, before

1784
01:37:23,640 --> 01:37:26,400
Speaker 1: you was on the Freak college colleague, don't seem like

1785
01:37:26,439 --> 01:37:29,400
Speaker 1: a freaking nigga though, Wait, how was that Freak show?

1786
01:37:29,479 --> 01:37:31,960
Speaker 1: To be Honestly, what kind of shoe put.

1787
01:37:31,800 --> 01:37:32,320
Speaker 3: This ship out?

1788
01:37:32,439 --> 01:37:34,479
Speaker 1: Put it? I'm to go, I'm aboudy to go get

1789
01:37:34,520 --> 01:37:36,640
Speaker 1: all these so we can put it in this up.

1790
01:37:37,320 --> 01:37:39,879
Speaker 3: I'm gonna get a clip. Okay, what college?

1791
01:37:39,960 --> 01:37:44,200
Speaker 1: What CALLI was? Call it has always been calid.

1792
01:37:44,400 --> 01:37:46,680
Speaker 3: Yeah, he's been the same person for we're trying to

1793
01:37:46,720 --> 01:37:47,439
Speaker 3: figure out what you.

1794
01:37:49,560 --> 01:37:52,760
Speaker 1: Days. He was always same dude. Huh, but call it

1795
01:37:53,040 --> 01:38:00,360
Speaker 1: sold everything typical a rap, Damn, shouts out to my hey,

1796
01:38:00,479 --> 01:38:07,720
Speaker 1: rap bro, justa rap so every fucking thing he been

1797
01:38:07,880 --> 01:38:08,080
Speaker 1: like that.

1798
01:38:08,800 --> 01:38:11,400
Speaker 3: He was a hustler. So so so when you met him,

1799
01:38:11,400 --> 01:38:13,559
Speaker 3: way was he selling brick phones?

1800
01:38:14,360 --> 01:38:17,160
Speaker 2: Yeah, and his family had stores, but yeah, yeah.

1801
01:38:17,520 --> 01:38:22,040
Speaker 3: It Kelly old girl was from New Orleans. Kelly Orlando.

1802
01:38:22,120 --> 01:38:25,960
Speaker 1: And then he didn't move to Orlando, right, and they

1803
01:38:26,000 --> 01:38:28,920
Speaker 1: wouldn't put him on the radio in Orlando, and so

1804
01:38:29,080 --> 01:38:31,840
Speaker 1: he ended up coming down here and he was doing

1805
01:38:31,880 --> 01:38:36,360
Speaker 1: the Mixed ninety six with Butterfo shout out Butterfu. And

1806
01:38:36,439 --> 01:38:38,439
Speaker 1: then I heard him on the on there and then

1807
01:38:38,479 --> 01:38:41,000
Speaker 1: I was putting this mixed show together because we.

1808
01:38:41,080 --> 01:38:43,320
Speaker 3: Had no we never had a mixed Sure, he was

1809
01:38:43,400 --> 01:38:46,160
Speaker 3: way behind and my way behind. So I created this

1810
01:38:46,280 --> 01:38:48,479
Speaker 3: show with Cali because I really thought he was from

1811
01:38:48,560 --> 01:38:50,120
Speaker 3: New York with his.

1812
01:38:50,240 --> 01:38:52,280
Speaker 7: Sling and he was down Terrace Squad already, I think,

1813
01:38:52,320 --> 01:38:55,000
Speaker 7: by yeah, yeah, yeah, yeah Mix ninety six.

1814
01:38:55,040 --> 01:38:56,920
Speaker 3: He was down, he was down, he was down.

1815
01:38:56,840 --> 01:39:00,080
Speaker 1: With he always him in fact, Joe always right. So

1816
01:39:00,240 --> 01:39:03,600
Speaker 1: then uh, and I had a party. I had a

1817
01:39:03,760 --> 01:39:08,160
Speaker 1: Super Bowl party, so Fat Joe and all the guys

1818
01:39:08,320 --> 01:39:11,120
Speaker 1: came to the fucking party, and Catch came and we

1819
01:39:11,800 --> 01:39:14,560
Speaker 1: had the cameras going in. Shipp and Catech comes in

1820
01:39:14,680 --> 01:39:18,080
Speaker 1: with the goddamn uh brick phones trying to sell everybody

1821
01:39:18,120 --> 01:39:20,639
Speaker 1: the fucking brick phone at the party. At the party,

1822
01:39:21,560 --> 01:39:27,479
Speaker 1: I got the footage. It's colding. I got the footage. Hey,

1823
01:39:28,000 --> 01:39:32,479
Speaker 1: while we got pds and and pds and m d's

1824
01:39:32,600 --> 01:39:38,479
Speaker 1: and back rooms screwing women and and the radio guy.

1825
01:39:39,400 --> 01:39:41,400
Speaker 3: Oh, I shouldn't have said that. No, no, you can say,

1826
01:39:41,439 --> 01:39:44,639
Speaker 3: but I was in your car and it was we're

1827
01:39:44,680 --> 01:39:45,439
Speaker 3: trying to get records.

1828
01:39:45,479 --> 01:39:48,000
Speaker 6: Please, that was your.

1829
01:39:49,439 --> 01:39:54,280
Speaker 1: No fucking up people life and ship rolls in there.

1830
01:39:54,360 --> 01:40:00,040
Speaker 1: Y'at shoot that motherfucker right now on the phone. And

1831
01:40:00,479 --> 01:40:04,040
Speaker 1: mushroom man Fat Joe came up. One of the guys

1832
01:40:04,120 --> 01:40:05,920
Speaker 1: in the group. He called a mushroom man. I don't

1833
01:40:05,920 --> 01:40:07,760
Speaker 1: know what the fuck that meant to this day when

1834
01:40:07,800 --> 01:40:08,400
Speaker 1: you'll see.

1835
01:40:08,400 --> 01:40:10,200
Speaker 2: There was a promoter named Mushrooms. I don't know the

1836
01:40:10,240 --> 01:40:10,760
Speaker 2: same he.

1837
01:40:10,800 --> 01:40:12,800
Speaker 1: Called one of the guys mushroom man. Because it was

1838
01:40:13,240 --> 01:40:16,160
Speaker 1: doing all this stuff. Everybody was doing. The girls was

1839
01:40:16,240 --> 01:40:19,519
Speaker 1: in there being the girls. Okay, okay, I don't know

1840
01:40:20,400 --> 01:40:23,800
Speaker 1: just before everybody. Yeah, you speech is a little bit,

1841
01:40:24,080 --> 01:40:26,600
Speaker 1: but I'll see you the video. You can cut up

1842
01:40:26,640 --> 01:40:29,680
Speaker 1: what you need to, because yeah, it was a it

1843
01:40:29,800 --> 01:40:33,880
Speaker 1: was an episode of the People show You really out

1844
01:40:33,920 --> 01:40:34,320
Speaker 1: of control?

1845
01:40:35,560 --> 01:40:38,920
Speaker 2: You've been out of control verb or disclock.

1846
01:40:41,320 --> 01:40:48,240
Speaker 1: Verb, but this line, I gotta go with verb. Okay, Verb,

1847
01:40:48,400 --> 01:40:51,000
Speaker 1: one of the best rappers did not like really blow

1848
01:40:51,120 --> 01:40:56,640
Speaker 1: up like that. Verb was on the on scard. He

1849
01:40:56,760 --> 01:40:58,600
Speaker 1: was supposed to be the next guy because what I

1850
01:40:58,600 --> 01:41:03,600
Speaker 1: would do always piggyback artists Scarter Trick Daddy's breakout right,

1851
01:41:03,760 --> 01:41:07,960
Speaker 1: Yes yeah, and Verb was on there with Treat Daddy. Now,

1852
01:41:08,040 --> 01:41:10,520
Speaker 1: mind you keep in mind, I'm going through fucking bankruptcy.

1853
01:41:10,800 --> 01:41:13,120
Speaker 1: I'm mad at everybody. I'm mad at the fucking two

1854
01:41:13,200 --> 01:41:17,519
Speaker 1: Live crew because they sided with this little toe Pine

1855
01:41:17,840 --> 01:41:19,960
Speaker 1: and I'm fucking pissed off. So then I said, I'm

1856
01:41:19,960 --> 01:41:23,400
Speaker 1: gonna do a bigger mix. I'm gonna do sixty four

1857
01:41:23,520 --> 01:41:26,679
Speaker 1: track mix. We ain't gonna be doing the sixteen ship

1858
01:41:26,960 --> 01:41:29,160
Speaker 1: that we were doing with Two Live Crew, and it's

1859
01:41:29,200 --> 01:41:32,000
Speaker 1: gonna be big, massive mix. I'm gonna go find some

1860
01:41:32,439 --> 01:41:36,320
Speaker 1: two new motherfuckers that nobody ever heard of. I did

1861
01:41:36,360 --> 01:41:40,160
Speaker 1: a big old battle or a rap battle at the

1862
01:41:40,240 --> 01:41:46,880
Speaker 1: pack Jam teen Disco, and I'm gonna find me another

1863
01:41:47,000 --> 01:41:50,040
Speaker 1: motherfucking rapper because I do this shit. You know you

1864
01:41:50,320 --> 01:41:53,360
Speaker 1: motherfuckers don't make me. I make motherfucking music, you know.

1865
01:41:53,520 --> 01:41:56,320
Speaker 1: So I was angry, real, real angry. So I find

1866
01:41:56,400 --> 01:42:00,519
Speaker 1: bird Trick Daddy wins a four week battle that at

1867
01:42:00,560 --> 01:42:03,519
Speaker 1: the pack Jam, and then I get him, put him

1868
01:42:03,560 --> 01:42:05,680
Speaker 1: on the record, and I'm like, yo, I'm gonna show

1869
01:42:05,720 --> 01:42:07,439
Speaker 1: these motherfuckers, and then I did Scar.

1870
01:42:07,840 --> 01:42:09,240
Speaker 6: Scar. Was really angry.

1871
01:42:09,720 --> 01:42:11,479
Speaker 3: It was original, that's the original.

1872
01:42:12,080 --> 01:42:13,280
Speaker 1: Yeah, this is the original, man.

1873
01:42:13,479 --> 01:42:13,639
Speaker 3: Yeah.

1874
01:42:14,280 --> 01:42:21,120
Speaker 1: So I when I did that original fighting, Yeah, when

1875
01:42:21,120 --> 01:42:23,360
Speaker 1: I did that song, it was like, you know, and

1876
01:42:23,720 --> 01:42:26,080
Speaker 1: now I got two brand new artists nobody never heard

1877
01:42:26,160 --> 01:42:31,200
Speaker 1: of but never been out, and probably the biggest mix

1878
01:42:31,360 --> 01:42:35,040
Speaker 1: I ever did, because everything was, you know, eight tracks,

1879
01:42:35,439 --> 01:42:38,040
Speaker 1: sixteen tracks at the most. You know, I got all

1880
01:42:38,280 --> 01:42:41,400
Speaker 1: strings coming in, Barry White and all this shit going on.

1881
01:42:41,600 --> 01:42:44,240
Speaker 1: I'm like, I'm gonna show these fucking two live crew

1882
01:42:44,320 --> 01:42:46,080
Speaker 1: and miss the mix and all the rest of them

1883
01:42:46,360 --> 01:42:49,080
Speaker 1: that who the motherfucker is? And then I ended up

1884
01:42:49,160 --> 01:42:52,800
Speaker 1: doing that song and that shit blew up, and you know,

1885
01:42:52,960 --> 01:42:55,080
Speaker 1: Tricked Daddy got a big career behind that.

1886
01:42:55,640 --> 01:42:56,720
Speaker 3: Where was the record of that?

1887
01:42:57,320 --> 01:42:59,200
Speaker 6: It was recorded at at.

1888
01:43:01,000 --> 01:43:06,120
Speaker 1: It was recorded at at Chris Blackwell Studio in South

1889
01:43:06,200 --> 01:43:09,280
Speaker 1: Beach on South Beach at the Hotel, at the Marlin,

1890
01:43:09,600 --> 01:43:13,759
Speaker 1: Marlin at the Marrow.

1891
01:43:12,120 --> 01:43:17,160
Speaker 7: Tomorrow Marlin is crazy, miss And why did you put

1892
01:43:17,200 --> 01:43:19,719
Speaker 7: these two records together on a record on vinyl?

1893
01:43:21,000 --> 01:43:24,320
Speaker 1: Scart and the Biggie Joint and the big well Scar

1894
01:43:24,520 --> 01:43:27,600
Speaker 1: was on his own and then I did the Biggie.

1895
01:43:27,320 --> 01:43:30,479
Speaker 7: Joint because these are together right a side of the

1896
01:43:30,520 --> 01:43:33,760
Speaker 7: B side. Oh no, this is the full is the

1897
01:43:33,800 --> 01:43:34,200
Speaker 7: fully p.

1898
01:43:35,200 --> 01:43:41,600
Speaker 1: The Biggie Joint? I did, Yeah, but scart was that

1899
01:43:41,800 --> 01:43:44,160
Speaker 1: was that was was crazy. I'll show you motherfucker's who

1900
01:43:44,200 --> 01:43:45,320
Speaker 1: the motherfucking done is.

1901
01:43:45,439 --> 01:43:47,400
Speaker 7: And I feel like it dropped during how can I

1902
01:43:47,479 --> 01:43:48,680
Speaker 7: be down to I don't know if I'm wrong, but

1903
01:43:48,760 --> 01:43:51,639
Speaker 7: it felt like it was a soundtracker one of those comedies.

1904
01:43:51,720 --> 01:43:55,360
Speaker 1: Yeah, always would drop a record around a holiday weekend,

1905
01:43:55,920 --> 01:43:59,720
Speaker 1: especially when a lot of day something like that, when

1906
01:43:59,760 --> 01:44:03,240
Speaker 1: people coming down here, you know, didn't take the ship

1907
01:44:03,320 --> 01:44:04,439
Speaker 1: back to where it came from.

1908
01:44:04,760 --> 01:44:06,800
Speaker 6: Because we make the breakout.

1909
01:44:06,479 --> 01:44:16,559
Speaker 3: Market analog or digital, both both both got shot.

1910
01:44:16,960 --> 01:44:17,880
Speaker 6: Got to take another shot.

1911
01:44:19,600 --> 01:44:20,080
Speaker 1: I think at the.

1912
01:44:20,080 --> 01:44:28,320
Speaker 7: Point your MTV wraps or the box the boxes in

1913
01:44:28,400 --> 01:44:29,839
Speaker 7: South Beach ship.

1914
01:44:31,680 --> 01:44:35,080
Speaker 1: The box music television, you control, Yeah, you control, you

1915
01:44:35,160 --> 01:44:37,880
Speaker 1: paid for it, which box Rap McDaniel's box, the box

1916
01:44:37,960 --> 01:44:43,080
Speaker 1: that was in South Beach order actually uh.

1917
01:44:44,479 --> 01:44:45,679
Speaker 2: Shouts to Rob McDaniel's.

1918
01:44:45,680 --> 01:44:47,760
Speaker 1: But we we we wasn't. We didn't out here, We

1919
01:44:47,800 --> 01:44:50,760
Speaker 1: didn't have that. So no, that's what I'm saying. When

1920
01:44:50,840 --> 01:44:53,200
Speaker 1: y'all talked about it, I'm thinking, I know, respect him,

1921
01:44:53,200 --> 01:44:57,200
Speaker 1: but we didn't have it. Yeah, yea, I said, video

1922
01:44:57,320 --> 01:44:59,200
Speaker 1: mix in the box. And then we had cable TV

1923
01:44:59,320 --> 01:45:03,599
Speaker 1: with with wraps the end and both both both because

1924
01:45:03,760 --> 01:45:05,720
Speaker 1: because it's it's I mean, yeah, we got we.

1925
01:45:05,800 --> 01:45:06,519
Speaker 3: Already took a shot.

1926
01:45:06,560 --> 01:45:15,840
Speaker 1: We took's take another shot another, damn, just because I mean,

1927
01:45:16,240 --> 01:45:18,360
Speaker 1: you got a whole bunch of cups in and the

1928
01:45:18,920 --> 01:45:21,439
Speaker 1: the bot and she waiting to get her ass again.

1929
01:45:22,680 --> 01:45:24,520
Speaker 2: DJ Lads and DJ Keller.

1930
01:45:26,560 --> 01:45:31,000
Speaker 3: DJ Lance, I love Kelly to death, both both.

1931
01:45:31,840 --> 01:45:36,360
Speaker 1: You picked you both. I gotta say both. I gotta

1932
01:45:36,400 --> 01:45:38,920
Speaker 1: say both both. I love both of them. Boy.

1933
01:45:39,840 --> 01:45:41,360
Speaker 7: I was trying to ask you before I thought that

1934
01:45:41,439 --> 01:45:43,640
Speaker 7: you and Last had recorded. He was a part of

1935
01:45:43,760 --> 01:45:45,640
Speaker 7: either production or something early on with you.

1936
01:45:45,800 --> 01:45:48,080
Speaker 1: No, no, no, no, Last, Last was.

1937
01:45:48,080 --> 01:45:50,840
Speaker 3: Doing his own thing on radio, on radio, and he

1938
01:45:51,280 --> 01:45:52,360
Speaker 3: did his music.

1939
01:45:53,560 --> 01:45:54,000
Speaker 1: And you didn't.

1940
01:45:54,080 --> 01:45:55,800
Speaker 2: You didn't put out any of his records.

1941
01:45:55,520 --> 01:45:58,479
Speaker 1: Either no, Las was doing this stuff with who was

1942
01:45:58,520 --> 01:46:02,840
Speaker 1: it paying this or somebody? Uh and uh and I

1943
01:46:03,760 --> 01:46:09,160
Speaker 1: put I did the uh the Pitbull music and everything

1944
01:46:09,320 --> 01:46:12,439
Speaker 1: like that. And it's so crazy how they ended up

1945
01:46:12,479 --> 01:46:14,120
Speaker 1: being together because again them.

1946
01:46:14,000 --> 01:46:18,320
Speaker 3: Two Cuban rappers. You know, Last was the he was

1947
01:46:18,439 --> 01:46:19,800
Speaker 3: the first Cuban rapper and.

1948
01:46:20,320 --> 01:46:25,599
Speaker 2: He was doing base records. Yeah, DJ Last, Yeah, yeah,

1949
01:46:25,920 --> 01:46:27,000
Speaker 2: we need to have him on here too.

1950
01:46:27,360 --> 01:46:30,360
Speaker 6: Yeah, so I did Pitt and uh.

1951
01:46:31,240 --> 01:46:33,360
Speaker 1: You know, it took a little time before they kind

1952
01:46:33,400 --> 01:46:37,120
Speaker 1: of linked up together, but eventually they linked up, and

1953
01:46:37,520 --> 01:46:47,200
Speaker 1: I'm so happy that. Then brothers, Yeah, well we kind

1954
01:46:47,200 --> 01:46:50,800
Speaker 1: of well, rolets to take one. I already know what

1955
01:46:50,840 --> 01:46:54,360
Speaker 1: you're gonna say, both, oh da, I didn't know you

1956
01:46:54,439 --> 01:46:54,920
Speaker 1: want to say that?

1957
01:46:56,800 --> 01:46:59,840
Speaker 3: Fucking us up? So you like the juke box you,

1958
01:47:00,680 --> 01:47:03,240
Speaker 3: I mean, fucking Rolex is a classic to take.

1959
01:47:03,439 --> 01:47:05,760
Speaker 1: Take one's out of control. I had to take.

1960
01:47:06,360 --> 01:47:09,120
Speaker 2: It's a little less part of the jukebox around.

1961
01:47:09,400 --> 01:47:14,960
Speaker 1: Take James On, take one now, Hall of Famer. You

1962
01:47:15,080 --> 01:47:18,640
Speaker 1: don't take one. That's my guy. You got this know

1963
01:47:18,880 --> 01:47:21,800
Speaker 1: the next one. Hold On, I don't even know where

1964
01:47:21,840 --> 01:47:24,320
Speaker 1: I'm at. You can do it. Hold on, I believe

1965
01:47:24,320 --> 01:47:30,720
Speaker 1: in you where we're at, Take one Rolex and then

1966
01:47:30,800 --> 01:47:35,120
Speaker 1: go down. Oh podcast of radio? Uh huh podcasts or

1967
01:47:35,240 --> 01:47:38,280
Speaker 1: radio podcast? God, damn, I got it.

1968
01:47:38,320 --> 01:47:38,600
Speaker 3: I like.

1969
01:47:41,200 --> 01:47:43,240
Speaker 7: You do you feel you never got your fair shaking

1970
01:47:43,360 --> 01:47:45,799
Speaker 7: radio because of the records being.

1971
01:47:45,720 --> 01:47:48,360
Speaker 6: So I'm underground because of my records.

1972
01:47:48,560 --> 01:47:51,360
Speaker 1: I mean, I mean the first record I really got

1973
01:47:51,600 --> 01:47:54,759
Speaker 1: put on the radio was Age Time Knocking the Boots.

1974
01:47:55,400 --> 01:47:59,799
Speaker 1: You got so many, so many, so many record labels

1975
01:48:00,200 --> 01:48:02,120
Speaker 1: be like, yo, we can't play no fucking me so on,

1976
01:48:02,720 --> 01:48:04,880
Speaker 1: we can't play through the d no matter how clean

1977
01:48:05,000 --> 01:48:08,000
Speaker 1: I made the record, they wouldn't play it. So then

1978
01:48:08,120 --> 01:48:11,280
Speaker 1: when I did, when I didn said, okay, let me

1979
01:48:11,320 --> 01:48:13,360
Speaker 1: find an R and B group, And then I went

1980
01:48:13,400 --> 01:48:16,880
Speaker 1: and found as Time and they name was the JITs

1981
01:48:16,960 --> 01:48:18,760
Speaker 1: and ship I had to change that ship. Their name

1982
01:48:18,840 --> 01:48:19,439
Speaker 1: was the JITs.

1983
01:48:21,680 --> 01:48:27,840
Speaker 2: They were saying that in Texas. That name was then

1984
01:48:27,920 --> 01:48:29,840
Speaker 2: didn't mean the same as Miami, like little kid.

1985
01:48:29,720 --> 01:48:31,479
Speaker 6: Like, yeah, and that's Miami.

1986
01:48:32,120 --> 01:48:34,600
Speaker 1: I mean I never knew that any other word. Some

1987
01:48:34,800 --> 01:48:35,360
Speaker 1: Southern ship.

1988
01:48:36,000 --> 01:48:38,120
Speaker 4: J Yeah.

1989
01:48:38,800 --> 01:48:41,559
Speaker 1: I'm like, what the ship ship? That's I'm like, bro,

1990
01:48:41,760 --> 01:48:45,920
Speaker 1: I can't go nowhere with no JITs, So so damn

1991
01:48:46,120 --> 01:48:52,240
Speaker 1: uh you you pop it was yeah, yeah, and I

1992
01:48:52,439 --> 01:48:56,080
Speaker 1: ended up ended up, you know, because Great Street was

1993
01:48:56,120 --> 01:48:58,880
Speaker 1: doing the radio and he was shout out the Green

1994
01:48:58,920 --> 01:49:02,880
Speaker 1: Street Street from Yeah, you're doing radio in Houston.

1995
01:49:02,640 --> 01:49:03,599
Speaker 6: So that's my dog.

1996
01:49:03,720 --> 01:49:06,720
Speaker 1: And all I heard was was uh fucking age town,

1997
01:49:06,800 --> 01:49:09,320
Speaker 1: this tying that he's trying this. And then I was like, Yo,

1998
01:49:09,400 --> 01:49:12,080
Speaker 1: we're gonna name you motherfucker's he town, you know. And

1999
01:49:12,160 --> 01:49:14,960
Speaker 1: that's how the name came about. That was genius. Actually

2000
01:49:16,800 --> 01:49:17,559
Speaker 1: was a terrible name.

2001
01:49:18,040 --> 01:49:18,240
Speaker 3: It was.

2002
01:49:18,680 --> 01:49:20,760
Speaker 1: It was not I wasn't going nowhere with that ship.

2003
01:49:21,840 --> 01:49:23,800
Speaker 1: And that's why the first song was knocking the boots.

2004
01:49:23,800 --> 01:49:27,360
Speaker 1: You know what knocking the boots? Of course, yes, smashing, smashing,

2005
01:49:27,439 --> 01:49:28,599
Speaker 1: that's some Texas ship.

2006
01:49:28,680 --> 01:49:30,080
Speaker 6: So I was like, yo, we gotta have that kind

2007
01:49:30,120 --> 01:49:30,439
Speaker 6: of song.

2008
01:49:30,560 --> 01:49:32,479
Speaker 2: Yeah, okay, well that was what they were saying in

2009
01:49:32,520 --> 01:49:33,280
Speaker 2: Texas regularly.

2010
01:49:33,560 --> 01:49:38,080
Speaker 3: Yeah, that was only heard in Miami. I never listened.

2011
01:49:38,080 --> 01:49:39,439
Speaker 7: I mean, I thought when I was a kid, because

2012
01:49:39,439 --> 01:49:41,200
Speaker 7: I was a jit when I heard that record, and

2013
01:49:41,280 --> 01:49:42,840
Speaker 7: I thought that they were from Miami too.

2014
01:49:42,960 --> 01:49:45,479
Speaker 1: I never knew what the fuck knocking the boost was.

2015
01:49:45,600 --> 01:49:49,639
Speaker 1: Dad explain it to me. They were like, look, look man,

2016
01:49:49,680 --> 01:49:51,760
Speaker 1: you knocked them boots. Man, you knocked them boots down.

2017
01:49:51,760 --> 01:49:53,960
Speaker 1: I'm like, what the fuck is that. It was like, man,

2018
01:49:54,040 --> 01:49:56,160
Speaker 1: that girl right there, you knocked them boots, And I'm like,

2019
01:49:57,040 --> 01:49:59,040
Speaker 1: I get it because boots in Texas, I guess makes

2020
01:49:59,120 --> 01:49:59,519
Speaker 1: more sense.

2021
01:50:00,680 --> 01:50:05,040
Speaker 3: And as a New Yorker, we started timerlings.

2022
01:50:05,840 --> 01:50:09,160
Speaker 5: Oh come on, man, come on, man, get over there.

2023
01:50:09,760 --> 01:50:12,160
Speaker 5: Don't blame my region. You're just the center me as

2024
01:50:12,200 --> 01:50:14,680
Speaker 5: of Miami. And let me just tell y'all how we

2025
01:50:14,800 --> 01:50:17,599
Speaker 5: throw it in New York. We throw everyone wore tims everywhere.

2026
01:50:19,560 --> 01:50:21,439
Speaker 1: Okay, it was a shock to us.

2027
01:50:21,520 --> 01:50:23,960
Speaker 3: There was like, wait a minute, they don't wear tims

2028
01:50:24,040 --> 01:50:24,519
Speaker 3: in Miami.

2029
01:50:27,760 --> 01:50:35,160
Speaker 1: Yeah. Yeah, full the teams, the black ones, Mage ones

2030
01:50:35,400 --> 01:50:40,120
Speaker 1: all the black Ones means you a savage. Like if

2031
01:50:40,160 --> 01:50:40,559
Speaker 1: you wear the.

2032
01:50:40,680 --> 01:50:44,360
Speaker 2: Ten with the Eminem boots, you remember the eminems.

2033
01:50:43,960 --> 01:50:49,439
Speaker 1: And I don't know, remember no fake nobody come out.

2034
01:50:51,960 --> 01:50:54,120
Speaker 3: You want? I know you wore the fake boots.

2035
01:50:56,320 --> 01:50:56,759
Speaker 6: Eminem.

2036
01:50:57,120 --> 01:51:03,280
Speaker 3: You remember, no, you said Marshall mathis not Marshall Math.

2037
01:51:03,520 --> 01:51:05,519
Speaker 1: No, No, no, US one flee Market sold them for

2038
01:51:05,600 --> 01:51:09,960
Speaker 1: sure name No, no flea market boots. There was like

2039
01:51:10,080 --> 01:51:11,200
Speaker 1: Timberland knockoffs.

2040
01:51:11,880 --> 01:51:15,519
Speaker 3: Yeah no, yeah, yeah, yeah, y'all was wild out here.

2041
01:51:17,720 --> 01:51:21,439
Speaker 1: Yeah you go to the next one, Kodak Black or

2042
01:51:21,520 --> 01:51:30,800
Speaker 1: boss Man d Lo, kod Aint Black Gun, Player of Iceberg, Damn.

2043
01:51:30,840 --> 01:51:34,959
Speaker 3: Booth, Okay ship, Oh Ship.

2044
01:51:35,080 --> 01:51:40,800
Speaker 2: On my shot, Slipping Slide or Poor Boy Records.

2045
01:51:43,520 --> 01:51:50,280
Speaker 1: Boof Damn. Look you're making this drink. Fuck you got

2046
01:51:50,400 --> 01:51:52,760
Speaker 1: y'all got these hard ship. Let me let me ask

2047
01:51:52,760 --> 01:51:54,920
Speaker 1: you this though, motherfuckers under the bus. What was your

2048
01:51:54,960 --> 01:51:57,679
Speaker 1: relationship with Ted Lucas and and how did you feel

2049
01:51:57,720 --> 01:52:00,760
Speaker 1: when Trick went to Slipping Slide? Like, how was the relationship?

2050
01:52:01,640 --> 01:52:04,800
Speaker 1: I had no relationship with them at the time, So

2051
01:52:04,960 --> 01:52:07,800
Speaker 1: I was the story behind that. I was in bankruptcy,

2052
01:52:08,840 --> 01:52:10,760
Speaker 1: So you're going through some ship. I was going through

2053
01:52:11,280 --> 01:52:14,880
Speaker 1: some ship right in the bankruptcy score. So I technically

2054
01:52:15,880 --> 01:52:20,000
Speaker 1: when I put Trick out, I was gonna sign him.

2055
01:52:20,720 --> 01:52:23,880
Speaker 1: But my lawyer said, if you sign him, then you

2056
01:52:23,960 --> 01:52:27,120
Speaker 1: would be a property of the estate you tie him up,

2057
01:52:27,560 --> 01:52:30,479
Speaker 1: which he would be in the bankrupts. Yeah, you tie

2058
01:52:30,560 --> 01:52:34,720
Speaker 1: him up, right, So I didn't sign him. So we

2059
01:52:34,880 --> 01:52:40,920
Speaker 1: did the song while I was in bankruptcy. Did the

2060
01:52:41,000 --> 01:52:45,400
Speaker 1: whole album for Island Records? Uh with all that? So

2061
01:52:45,520 --> 01:52:50,920
Speaker 1: I told Island Records, Yeah, it was before depth Jair.

2062
01:52:51,120 --> 01:52:55,960
Speaker 1: It was just Island music. Yeah. So it was him

2063
01:52:56,040 --> 01:53:01,040
Speaker 1: Hicks was the was running Island records. Uh, And I

2064
01:53:01,160 --> 01:53:04,800
Speaker 1: was like, I can't sign you. And so one day

2065
01:53:04,840 --> 01:53:06,599
Speaker 1: he called me up and said I did a single

2066
01:53:06,680 --> 01:53:09,120
Speaker 1: deal with this record company. And I was like, to

2067
01:53:09,160 --> 01:53:10,960
Speaker 1: shoot me the contract, let me look at it. And

2068
01:53:11,000 --> 01:53:13,639
Speaker 1: then it said he had signed. I was like, that's

2069
01:53:13,680 --> 01:53:16,400
Speaker 1: not a single deal. You signed a full fledged contract,

2070
01:53:17,320 --> 01:53:19,240
Speaker 1: you know. And I was like, you know, best of

2071
01:53:19,360 --> 01:53:21,280
Speaker 1: luck to you. I can't really talk to you about

2072
01:53:21,320 --> 01:53:24,360
Speaker 1: it because it'll be tortures and inference of a contract.

2073
01:53:24,680 --> 01:53:25,920
Speaker 1: Oh damn.

2074
01:53:26,040 --> 01:53:29,479
Speaker 3: And so uh we say we say the best of

2075
01:53:29,560 --> 01:53:31,479
Speaker 3: friends even to this day right now.

2076
01:53:35,520 --> 01:53:37,240
Speaker 7: Now he has the most respect for you, just like

2077
01:53:37,600 --> 01:53:40,160
Speaker 7: I said, like you got the everybody that you touched,

2078
01:53:40,240 --> 01:53:43,400
Speaker 7: I think they all feel so much respect for you and.

2079
01:53:43,880 --> 01:53:45,760
Speaker 3: Show you love on this show particularly.

2080
01:53:46,120 --> 01:53:46,280
Speaker 9: Yeah.

2081
01:53:46,360 --> 01:53:49,599
Speaker 1: Yeah, that's that's that's my guy. I mean that mother

2082
01:53:49,640 --> 01:53:53,120
Speaker 1: for again him likee pit. You know, I took him

2083
01:53:53,920 --> 01:53:57,200
Speaker 1: on my side. He actually lived with me, you know

2084
01:53:57,200 --> 01:54:00,439
Speaker 1: what I'm saying. You know trick, yeah, trick cooking all

2085
01:54:00,439 --> 01:54:02,599
Speaker 1: the food and ship. So he lived with me when

2086
01:54:02,640 --> 01:54:05,679
Speaker 1: he got out of jails and cooking, cooking. Yeah, hell yeah,

2087
01:54:05,720 --> 01:54:08,200
Speaker 1: that motherfucker was that motherfucker was cooking back then. I

2088
01:54:08,320 --> 01:54:10,760
Speaker 1: was like, what you cracking cooking? No, he wants telling

2089
01:54:11,960 --> 01:54:17,559
Speaker 1: he might know. No, he came, he came out of jail.

2090
01:54:18,360 --> 01:54:20,040
Speaker 1: When he got out of jail, he was he was

2091
01:54:20,080 --> 01:54:22,840
Speaker 1: staying with me, which he was, he was doing uh

2092
01:54:24,280 --> 01:54:27,840
Speaker 1: he he was doing good? Then good. The next one

2093
01:54:27,920 --> 01:54:36,040
Speaker 1: crazy as full uh ball greasier Billy blue both God, man,

2094
01:54:36,800 --> 01:54:40,040
Speaker 1: she got these shots and the drink and I ain't

2095
01:54:40,240 --> 01:54:42,840
Speaker 1: no food out of my base. Ain't right the hash

2096
01:54:42,920 --> 01:54:43,640
Speaker 1: chef teach.

2097
01:54:44,160 --> 01:54:47,360
Speaker 2: Man would have had something for you got pizza, Stace next.

2098
01:54:47,200 --> 01:54:48,560
Speaker 1: Door got it?

2099
01:54:49,360 --> 01:54:50,200
Speaker 3: Okay, got all right?

2100
01:54:50,560 --> 01:55:00,120
Speaker 2: Sexy reader or Glorrilla, y'all do that to me?

2101
01:55:00,280 --> 01:55:00,920
Speaker 1: Sectary read?

2102
01:55:01,720 --> 01:55:02,040
Speaker 3: Okay?

2103
01:55:02,320 --> 01:55:02,720
Speaker 1: All right?

2104
01:55:03,920 --> 01:55:05,200
Speaker 2: Jlo or Shakira?

2105
01:55:09,960 --> 01:55:10,240
Speaker 3: Damn?

2106
01:55:12,520 --> 01:55:18,320
Speaker 1: I mean times Jaylo was married. They gotta smile on

2107
01:55:18,400 --> 01:55:24,520
Speaker 1: her face. Jaylo is Shakiro. I don't know that.

2108
01:55:26,640 --> 01:55:30,000
Speaker 6: I would say both no, no, no, Jaylo.

2109
01:55:31,720 --> 01:55:36,960
Speaker 1: Jaylo got a nice ass at least at least jail

2110
01:55:37,000 --> 01:55:38,040
Speaker 1: over sucking the brothers.

2111
01:55:39,720 --> 01:55:42,600
Speaker 3: I don't know if Shakira gave no brother no ass.

2112
01:55:46,280 --> 01:55:52,040
Speaker 1: Oh you just sucked it up. Who Shakira? Boy? You

2113
01:55:52,080 --> 01:55:57,280
Speaker 1: got good? What is that Jimmy Butler. She was sucking

2114
01:55:57,320 --> 01:56:01,360
Speaker 1: with Jimmy Butler. Is he black?

2115
01:56:04,200 --> 01:56:05,080
Speaker 6: Jimmy Butler black?

2116
01:56:14,280 --> 01:56:18,280
Speaker 2: All right, so you said, Jaylo it was a room

2117
01:56:18,320 --> 01:56:19,160
Speaker 2: over Jimmy Butler.

2118
01:56:21,280 --> 01:56:22,880
Speaker 1: A right. We don't care about her day left man,

2119
01:56:22,920 --> 01:56:25,720
Speaker 1: So he that don't count you fucking Jimmy Butler.

2120
01:56:25,800 --> 01:56:28,920
Speaker 3: Don't count Jaylou Puff Daddy.

2121
01:56:33,040 --> 01:56:39,320
Speaker 1: Count Jimmy. But she was one of the Wayne brother

2122
01:56:39,440 --> 01:56:41,440
Speaker 1: So she was one of one of Wayne. Yeah, man,

2123
01:56:41,560 --> 01:56:46,120
Speaker 1: Jaylo fucking was a dancer. Wessey snaps. She was a

2124
01:56:46,160 --> 01:56:47,240
Speaker 1: Wessey slips.

2125
01:56:49,560 --> 01:56:56,440
Speaker 11: Jay Loo certified man stamp on that that's been not

2126
01:56:56,600 --> 01:57:01,080
Speaker 11: least that you got. No, just to question this question,

2127
01:57:01,360 --> 01:57:02,080
Speaker 11: we're not doing it.

2128
01:57:03,040 --> 01:57:10,080
Speaker 3: I thought, yeah, I got one the grandma.

2129
01:57:10,680 --> 01:57:11,600
Speaker 6: I can't even find it.

2130
01:57:11,760 --> 01:57:15,800
Speaker 2: I'll tell I'll tell you ready. Loyalty or respect?

2131
01:57:17,360 --> 01:57:25,400
Speaker 1: Both? We always think it should be both. We always

2132
01:57:25,640 --> 01:57:29,040
Speaker 1: I don't understand why people pick one or the other. Both.

2133
01:57:29,280 --> 01:57:32,919
Speaker 3: You gotta you canna have both, kinda have loyalty and respect.

2134
01:57:34,080 --> 01:57:36,160
Speaker 1: Please before you go to before taking picture.

2135
01:57:40,360 --> 01:57:41,200
Speaker 6: You're on the winning ship.

2136
01:57:41,400 --> 01:57:43,240
Speaker 1: Time, No, I got I know it's all I'm going

2137
01:57:43,320 --> 01:57:51,480
Speaker 1: with it. Perfect time you want I g live, man,

2138
01:57:51,920 --> 01:57:54,560
Speaker 1: anybody in the World on I J live with you,

2139
01:57:56,760 --> 01:58:00,960
Speaker 1: and you said, man, these one of the fuckers, owe

2140
01:58:01,000 --> 01:58:10,200
Speaker 1: me a check. And then you start naming names and

2141
01:58:10,480 --> 01:58:12,560
Speaker 1: I'm gonna get I'm gonna it's my personal story.

2142
01:58:13,400 --> 01:58:16,640
Speaker 3: Oh shit, it's before you made it.

2143
01:58:16,760 --> 01:58:20,440
Speaker 1: I'm in Saint Thomas and I'm listening to these artists

2144
01:58:20,480 --> 01:58:25,160
Speaker 1: that you particularly name, and I was just like, I'm

2145
01:58:25,200 --> 01:58:29,839
Speaker 1: listening to them, it's just with the algorithms was playing.

2146
01:58:30,440 --> 01:58:33,600
Speaker 1: I'm in the pool maybe twelve thirty at nine, and

2147
01:58:33,680 --> 01:58:41,760
Speaker 1: I'm like, they just wow, and what they're saying.

2148
01:58:41,800 --> 01:58:53,160
Speaker 3: I'm like, what is going on here? Then I see, yeah,

2149
01:58:53,160 --> 01:58:59,920
Speaker 3: I gli and I know what you're saying. But then

2150
01:59:00,160 --> 01:59:05,320
Speaker 3: I go, did I listen to And I was like,

2151
01:59:05,480 --> 01:59:07,520
Speaker 3: oh shit, I couldn't.

2152
01:59:10,000 --> 01:59:13,240
Speaker 1: I was so like blown away on how much you

2153
01:59:13,320 --> 01:59:17,800
Speaker 1: were accurate on what your statement was delivering.

2154
01:59:18,440 --> 01:59:21,880
Speaker 3: I was like, it was the same. And by the way,

2155
01:59:21,920 --> 01:59:25,000
Speaker 3: it was white people who walked away and walked around,

2156
01:59:25,360 --> 01:59:28,560
Speaker 3: and was like, they're the same shit that I did.

2157
01:59:28,960 --> 01:59:31,560
Speaker 1: And I was like, holy shit, but you had did

2158
01:59:31,600 --> 01:59:35,360
Speaker 1: it so many years before, so in my opinion, now

2159
01:59:35,440 --> 01:59:38,040
Speaker 1: this is my opinion, I thought you was playing with

2160
01:59:38,160 --> 01:59:40,480
Speaker 1: the girls, just telling them like yo, you know, you know,

2161
01:59:40,600 --> 01:59:43,320
Speaker 1: y'all all owe me or whatever, but I need to

2162
01:59:43,520 --> 01:59:46,400
Speaker 1: ask you, face to face, man the man for all

2163
01:59:46,440 --> 01:59:51,080
Speaker 1: the masters, what did you mean by that act post

2164
01:59:51,160 --> 01:59:53,960
Speaker 1: when you said that about you know, all the women

2165
01:59:54,040 --> 01:59:58,840
Speaker 1: who was actually taking your formula. Some know it, but

2166
01:59:59,040 --> 02:00:01,560
Speaker 1: some probably don't. E right right right?

2167
02:00:02,120 --> 02:00:06,880
Speaker 3: So what is your stance to describe that very moment?

2168
02:00:07,320 --> 02:00:12,280
Speaker 3: It was? It was not like Okay, I need a check,

2169
02:00:12,840 --> 02:00:13,640
Speaker 3: I need some money.

2170
02:00:13,680 --> 02:00:16,640
Speaker 1: It was more of it was more of a form

2171
02:00:16,880 --> 02:00:21,520
Speaker 1: of you guys need to understand where this ship came

2172
02:00:21,600 --> 02:00:25,200
Speaker 1: from and who paid his way? You know what I'm saying,

2173
02:00:25,280 --> 02:00:29,960
Speaker 1: because I was called everything but the Charlotte Guard from women,

2174
02:00:31,240 --> 02:00:35,560
Speaker 1: whether it was se Delauri's Tucker or everybody, old misogynistic pig.

2175
02:00:36,560 --> 02:00:38,760
Speaker 1: You this you that you're going to court. You know,

2176
02:00:39,040 --> 02:00:43,360
Speaker 1: can't really do major tours because of the music and

2177
02:00:43,520 --> 02:00:46,040
Speaker 1: the dancing and all this stuff that was going on.

2178
02:00:46,560 --> 02:00:49,560
Speaker 1: And then I'm looking at it and I see a

2179
02:00:49,640 --> 02:00:53,800
Speaker 1: lot of artists, uh not not a new artist, not

2180
02:00:53,920 --> 02:00:56,840
Speaker 1: paying respect to older artists who really paved the way.

2181
02:00:57,160 --> 02:01:00,760
Speaker 1: And I'm like, okay, you know on to this turk

2182
02:01:00,840 --> 02:01:05,120
Speaker 1: and shit, do y'all really know the history behind this?

2183
02:01:06,160 --> 02:01:09,640
Speaker 1: You feel me, and so let me just say this

2184
02:01:10,600 --> 02:01:13,800
Speaker 1: on here, on this platform, so I can give y'all

2185
02:01:13,880 --> 02:01:16,800
Speaker 1: a little history lesson of where the fuck y'all came

2186
02:01:16,880 --> 02:01:19,760
Speaker 1: from and where all this started, because you drop it

2187
02:01:19,800 --> 02:01:22,240
Speaker 1: in like it's hot. Like if you go and pull

2188
02:01:22,360 --> 02:01:24,800
Speaker 1: up any one of my videos, you'll see that the

2189
02:01:24,880 --> 02:01:29,720
Speaker 1: same dancing thirty years ago, forty years ago, you know

2190
02:01:29,760 --> 02:01:33,080
Speaker 1: what I'm saying. So basically saying, y'all need to pay

2191
02:01:33,200 --> 02:01:37,160
Speaker 1: respect to it. Like I've had conversations with Sexy Red,

2192
02:01:37,800 --> 02:01:38,880
Speaker 1: you know, spoke to us.

2193
02:01:39,160 --> 02:01:41,120
Speaker 6: Yeah, I spoke the Sexy.

2194
02:01:40,920 --> 02:01:47,920
Speaker 1: Red and and uh and I Spice hit me up.

2195
02:01:48,640 --> 02:01:51,760
Speaker 1: I was supposed to link up with them, have a conversation.

2196
02:01:52,000 --> 02:01:55,000
Speaker 1: You know, it's more of you know, hey, look y'all,

2197
02:01:55,200 --> 02:01:58,000
Speaker 1: I love I love what they're doing. You know, even

2198
02:01:58,080 --> 02:02:02,200
Speaker 1: when I got the Deal Award, when they honored me

2199
02:02:02,320 --> 02:02:09,040
Speaker 1: here in Miami, and I saw fucking Cardi B sitting there,

2200
02:02:09,480 --> 02:02:12,920
Speaker 1: she going through the same bullshit saying she ain't hip hop,

2201
02:02:13,080 --> 02:02:15,640
Speaker 1: she ain't this because of the music she's doing and

2202
02:02:15,960 --> 02:02:18,800
Speaker 1: the vibe that she was on. You know, that's why

2203
02:02:18,840 --> 02:02:21,640
Speaker 1: I kind of gave her respect at that moment. You know,

2204
02:02:21,840 --> 02:02:24,480
Speaker 1: keep doing you know, like giving uh, you know, words

2205
02:02:24,520 --> 02:02:27,920
Speaker 1: of encouragements. The same thing with these these young ladies.

2206
02:02:28,280 --> 02:02:31,200
Speaker 1: You know, you're doing this music, You're getting criticized from

2207
02:02:31,240 --> 02:02:33,720
Speaker 1: one part of it. People love what you're doing. But

2208
02:02:33,880 --> 02:02:35,840
Speaker 1: at the end of the day, know where this shit

2209
02:02:35,960 --> 02:02:38,440
Speaker 1: came from and who paid away. You know, it's all

2210
02:02:38,480 --> 02:02:42,280
Speaker 1: about history with me. You know, I respect the fuck

2211
02:02:42,320 --> 02:02:45,080
Speaker 1: out of Quincy Jones, you know what I'm saying people

2212
02:02:45,240 --> 02:02:47,560
Speaker 1: like that. You know, I know these you know, I

2213
02:02:47,680 --> 02:02:51,640
Speaker 1: know Sugarhell Records and all these people who who've kind

2214
02:02:51,680 --> 02:02:53,480
Speaker 1: of paved the way for us to do what we're doing.

2215
02:02:53,520 --> 02:02:56,720
Speaker 1: And I just wanted to say that to the lady.

2216
02:02:56,760 --> 02:03:00,600
Speaker 7: But don't you think it's probably less there and more

2217
02:03:01,400 --> 02:03:04,320
Speaker 7: the culture's fault that doesn't want to teach history, doesn't

2218
02:03:04,360 --> 02:03:06,920
Speaker 7: want to keep passing down the history of the culture.

2219
02:03:07,280 --> 02:03:11,360
Speaker 1: It's not really the culture. It's more of the Stephen

2220
02:03:11,440 --> 02:03:13,880
Speaker 1: Hills and people them like the Mother, the media that

2221
02:03:14,000 --> 02:03:15,320
Speaker 1: controls certain things, who.

2222
02:03:15,320 --> 02:03:18,200
Speaker 6: Control media, and whoever told our story.

2223
02:03:19,040 --> 02:03:21,920
Speaker 1: You know, the Source magazine was pretty much one of

2224
02:03:21,960 --> 02:03:25,680
Speaker 1: the only people to tell and the accurate they're pretty accurate,

2225
02:03:26,080 --> 02:03:26,720
Speaker 1: you know what I'm saying.

2226
02:03:27,000 --> 02:03:27,880
Speaker 6: Five by Freddy.

2227
02:03:28,320 --> 02:03:29,960
Speaker 1: I had to tell him I'm not going to New

2228
02:03:30,040 --> 02:03:32,560
Speaker 1: York to do no, goddamn your TV raps. No, you're

2229
02:03:32,560 --> 02:03:35,000
Speaker 1: gonna come down here, he would, And they came down

2230
02:03:35,080 --> 02:03:37,400
Speaker 1: here was the first time to show ever travel just

2231
02:03:37,480 --> 02:03:39,560
Speaker 1: like they went to Compton, just like that. Then they

2232
02:03:39,640 --> 02:03:42,480
Speaker 1: started traveling places them like, look, went to Miami first.

2233
02:03:42,520 --> 02:03:43,440
Speaker 6: They went to Miami first.

2234
02:03:43,480 --> 02:03:45,000
Speaker 2: I didn't know that there was first here. Yeah, no,

2235
02:03:45,120 --> 02:03:45,680
Speaker 2: we were first.

2236
02:03:45,800 --> 02:03:49,520
Speaker 1: And so those embracing the culture and understanding what we're

2237
02:03:49,520 --> 02:03:54,360
Speaker 1: all about, you know, was very is very very It

2238
02:03:54,600 --> 02:03:58,040
Speaker 1: was very important to me even then and at the time.

2239
02:03:58,120 --> 02:04:01,080
Speaker 1: And so it's again, you know, I love what the

2240
02:04:01,440 --> 02:04:03,960
Speaker 1: what these girls are doing because I laugh at it.

2241
02:04:04,360 --> 02:04:06,680
Speaker 1: I think it's fucking brilliant.

2242
02:04:06,360 --> 02:04:09,360
Speaker 3: Because it's like your style has lasted.

2243
02:04:09,360 --> 02:04:13,520
Speaker 1: All all this time. Look at Ja is shaking, y'all ass.

2244
02:04:14,640 --> 02:04:17,160
Speaker 1: They thought you was when they thought you was degrading women.

2245
02:04:17,360 --> 02:04:20,600
Speaker 1: The women took it over. That women took out. That's

2246
02:04:20,640 --> 02:04:25,320
Speaker 1: some fucking brilliant ship that these women. I mean, the

2247
02:04:25,560 --> 02:04:27,960
Speaker 1: women were coming after me. I was the worst motherfucker

2248
02:04:28,000 --> 02:04:30,360
Speaker 1: in the world. And the women have taken over it.

2249
02:04:30,680 --> 02:04:32,960
Speaker 1: And they whooping the men ass right now.

2250
02:04:33,240 --> 02:04:33,440
Speaker 6: Damn.

2251
02:04:34,120 --> 02:04:39,440
Speaker 1: I mean, I mean, you like it don't like it

2252
02:04:40,520 --> 02:04:44,680
Speaker 1: up here in between all yeah, between the woman is

2253
02:04:44,840 --> 02:04:50,480
Speaker 1: fucking kicking ass and yeah, I'm telling women in hip

2254
02:04:50,480 --> 02:04:53,400
Speaker 1: hop and they're winning man. And like even when Sexy

2255
02:04:53,480 --> 02:04:58,080
Speaker 1: Red we did the award show the BT Music War, okay,

2256
02:04:59,280 --> 02:05:05,360
Speaker 1: and my homeboy owns on the label. Uh shout ouside

2257
02:05:05,400 --> 02:05:08,840
Speaker 1: to my man stand damn big up. My man Stan was.

2258
02:05:08,840 --> 02:05:10,440
Speaker 6: Trying to get her on the red copet.

2259
02:05:11,520 --> 02:05:15,800
Speaker 3: Nobody try to get on the red carpetution the original

2260
02:05:16,400 --> 02:05:16,880
Speaker 3: which one.

2261
02:05:16,800 --> 02:05:20,200
Speaker 1: Of the war the year before when I went there

2262
02:05:20,240 --> 02:05:20,560
Speaker 1: when they.

2263
02:05:20,560 --> 02:05:24,400
Speaker 3: Did that fifty okay, okay, fifty yeah, yeah, they were

2264
02:05:24,400 --> 02:05:25,000
Speaker 3: trying to get on it.

2265
02:05:25,200 --> 02:05:26,720
Speaker 6: They were trying to get on the red copet.

2266
02:05:27,400 --> 02:05:29,200
Speaker 1: I couldn't get on the red card and because of

2267
02:05:29,280 --> 02:05:32,800
Speaker 1: her music and what she was representing, they wouldn't let

2268
02:05:32,880 --> 02:05:36,440
Speaker 1: on the red copy. So staying my dog, you feel me?

2269
02:05:37,240 --> 02:05:39,880
Speaker 1: You know that's his artist. I'm like, fuck that ship.

2270
02:05:39,960 --> 02:05:40,840
Speaker 1: Get in the car with me.

2271
02:05:42,240 --> 02:05:45,160
Speaker 3: You sex on the red car with you. Get in

2272
02:05:45,240 --> 02:05:45,760
Speaker 3: the car with me.

2273
02:05:45,880 --> 02:05:46,440
Speaker 1: Fuck that ship.

2274
02:05:46,480 --> 02:05:48,360
Speaker 6: You're going on there. You don't know, I ain't going.

2275
02:05:48,440 --> 02:05:49,320
Speaker 1: This is my dog right here.

2276
02:05:49,360 --> 02:05:50,000
Speaker 6: I fuck with him.

2277
02:05:50,320 --> 02:05:50,800
Speaker 1: You feel me?

2278
02:05:51,720 --> 02:05:52,840
Speaker 3: Did she make car?

2279
02:05:53,440 --> 02:05:55,840
Speaker 1: And so she she's sitting in the in the in

2280
02:05:55,920 --> 02:05:56,520
Speaker 1: the in the truck.

2281
02:05:56,760 --> 02:05:58,040
Speaker 3: I never did this ship in my life.

2282
02:05:58,160 --> 02:05:59,000
Speaker 6: I don't know what this is.

2283
02:05:59,200 --> 02:06:02,080
Speaker 1: I'm nervous as it was, like, look, you're gonna see

2284
02:06:02,080 --> 02:06:04,080
Speaker 1: an ex on the floor, this is where you're staying at.

2285
02:06:04,760 --> 02:06:08,800
Speaker 1: Don't fucking hold my hand whatever you do, I cannot

2286
02:06:08,880 --> 02:06:15,960
Speaker 1: be dating Sexy rede you Red, you come on it.

2287
02:06:16,520 --> 02:06:22,040
Speaker 1: And so eventually they were like, uh, bro, you know, like,

2288
02:06:23,000 --> 02:06:24,920
Speaker 1: she can't come on the red coppet. No, no, no,

2289
02:06:26,840 --> 02:06:29,840
Speaker 1: she with me at the BT War at the BT War.

2290
02:06:30,000 --> 02:06:32,920
Speaker 1: So Sexy Red ended up going on the fucking red copet.

2291
02:06:32,960 --> 02:06:35,400
Speaker 1: If you see the first picture, you'll see me and

2292
02:06:35,480 --> 02:06:38,360
Speaker 1: her in the first picture, and then you know, on

2293
02:06:38,440 --> 02:06:40,440
Speaker 1: the with the first stop, and then we moved in.

2294
02:06:40,520 --> 02:06:42,920
Speaker 1: I said, okay, well you with this other girl, y'all

2295
02:06:43,160 --> 02:06:45,680
Speaker 1: just go and you know, kind of coached up on

2296
02:06:45,800 --> 02:06:49,200
Speaker 1: the red carpet and I took off. Well then I saw, y'all,

2297
02:06:50,560 --> 02:06:53,480
Speaker 1: we just tell you how gangster that story is. To

2298
02:06:53,600 --> 02:06:56,760
Speaker 1: lease to this story, we've seen Sexy Red on the

2299
02:06:56,880 --> 02:06:59,720
Speaker 1: Red carpet last year, and you know what she did

2300
02:06:59,760 --> 02:07:04,400
Speaker 1: on the red She made it rain everywhere she walked

2301
02:07:04,400 --> 02:07:06,040
Speaker 1: through it. I was abbouted to be like, hey, sixty

2302
02:07:06,160 --> 02:07:08,320
Speaker 1: Red and I was like, she started making it, started

2303
02:07:08,360 --> 02:07:08,960
Speaker 1: making it rain.

2304
02:07:09,080 --> 02:07:10,240
Speaker 6: Everybody was like, nah, I.

2305
02:07:10,320 --> 02:07:12,360
Speaker 3: Got that because you don't want to be the nigga

2306
02:07:12,400 --> 02:07:12,680
Speaker 3: in there.

2307
02:07:14,920 --> 02:07:15,640
Speaker 1: I don't want to be.

2308
02:07:19,240 --> 02:07:20,640
Speaker 6: Made rain on you and ship.

2309
02:07:20,840 --> 02:07:22,440
Speaker 1: Yeah, I'm gonna take it. We're gonna take a small

2310
02:07:22,480 --> 02:07:25,320
Speaker 1: piston breaking. If you were like, yeah, oh my god,

2311
02:07:25,320 --> 02:07:25,960
Speaker 1: I'm so happy.

2312
02:07:26,240 --> 02:07:26,880
Speaker 3: I'm so happy.

2313
02:07:27,000 --> 02:07:30,680
Speaker 1: This is everything I thought it would be, and more.

2314
02:07:33,480 --> 02:07:35,520
Speaker 3: So, this is this is another something that I was

2315
02:07:36,080 --> 02:07:43,360
Speaker 3: very interesting to me.

2316
02:07:43,480 --> 02:07:48,640
Speaker 1: See you say, right, you living through the Biggie Pop

2317
02:07:48,920 --> 02:07:53,120
Speaker 1: Tupac thing and then you seeing an incident with Ross

2318
02:07:55,960 --> 02:08:01,760
Speaker 1: in Canada. Now, these individu yous might have, I don't know,

2319
02:08:03,080 --> 02:08:06,240
Speaker 1: been just random individuals, but you spoke on it. He

2320
02:08:06,320 --> 02:08:09,000
Speaker 1: was like, yo, Drake, now you kind of like kind

2321
02:08:09,040 --> 02:08:14,080
Speaker 1: of like gotta gotta ride with that because he posted it.

2322
02:08:14,480 --> 02:08:17,200
Speaker 3: What was the reason why you said that? He liked it?

2323
02:08:17,800 --> 02:08:20,360
Speaker 1: He liked Yeah, he liked it. He liked the picture.

2324
02:08:23,960 --> 02:08:26,760
Speaker 1: Why did Why did you comment? What made you want

2325
02:08:26,840 --> 02:08:31,440
Speaker 1: to speak on that? What the thing is? You know,

2326
02:08:31,680 --> 02:08:36,880
Speaker 1: I'm you know, I'm all about peace in hip hop?

2327
02:08:37,280 --> 02:08:41,760
Speaker 1: Uh number one? Then in Miami, first you feel me,

2328
02:08:42,440 --> 02:08:48,720
Speaker 1: and so, uh, that incident that happened, you know, I

2329
02:08:49,160 --> 02:08:51,120
Speaker 1: you know it was it was. It was fucked up

2330
02:08:51,680 --> 02:08:55,040
Speaker 1: what happened, you know what I'm saying, because it's obvious

2331
02:08:55,120 --> 02:08:57,240
Speaker 1: that ross them didn't go there.

2332
02:08:57,200 --> 02:08:59,920
Speaker 3: Looking for that, you know, you or they want to

2333
02:09:00,080 --> 02:09:00,400
Speaker 3: went there.

2334
02:09:00,560 --> 02:09:02,000
Speaker 1: Yeah, they would have went there, or they would have

2335
02:09:02,040 --> 02:09:03,920
Speaker 1: went there a little more deeper than than what they

2336
02:09:03,960 --> 02:09:06,000
Speaker 1: went there, you feel me. And so at the end

2337
02:09:06,000 --> 02:09:08,360
Speaker 1: of the day, I'm looking at my dog Sam Steve,

2338
02:09:09,080 --> 02:09:12,120
Speaker 1: you know, in the fight, and then I'm looking at

2339
02:09:12,200 --> 02:09:15,240
Speaker 1: this other kid who was brought out there with him

2340
02:09:15,400 --> 02:09:17,880
Speaker 1: from you know, one of the guys who used to

2341
02:09:18,000 --> 02:09:23,200
Speaker 1: roll with him brother who passed. You know, these young

2342
02:09:23,280 --> 02:09:26,360
Speaker 1: guys out there going through this and this shit happening.

2343
02:09:27,000 --> 02:09:30,000
Speaker 1: So it got a little bit deeper, you know, and

2344
02:09:30,080 --> 02:09:34,040
Speaker 1: I'm like, Okay, that ship is fucked up. You know

2345
02:09:34,240 --> 02:09:36,360
Speaker 1: how it went down, It was fucked up. But then

2346
02:09:37,000 --> 02:09:41,520
Speaker 1: when Drake liked it, it became you condoning this shit.

2347
02:09:42,560 --> 02:09:44,880
Speaker 1: So that mean you on that and people saying, oh,

2348
02:09:45,000 --> 02:09:47,520
Speaker 1: this is your crew and know that you fock these

2349
02:09:47,600 --> 02:09:48,720
Speaker 1: dudes and everything like that.

2350
02:09:48,840 --> 02:09:50,800
Speaker 6: I'm like, Yo, that's that's fucked up.

2351
02:09:51,640 --> 02:09:54,240
Speaker 1: Mind you you keep rolling down to Miami thinking it's

2352
02:09:54,800 --> 02:09:58,160
Speaker 1: sweet like that, you feel me with you know, hey,

2353
02:09:58,240 --> 02:10:01,920
Speaker 1: look you ross you know you live in Atlanta. They

2354
02:10:02,000 --> 02:10:05,240
Speaker 1: live all over the place, but you you know, there's

2355
02:10:05,280 --> 02:10:07,320
Speaker 1: some Miami shit. And then you got the same time,

2356
02:10:07,400 --> 02:10:11,840
Speaker 1: you got fifty commenting uh. And so it's a lot

2357
02:10:11,920 --> 02:10:14,440
Speaker 1: of I just took it from the standpoint a lot

2358
02:10:14,480 --> 02:10:18,000
Speaker 1: of motherfuckers is like really thinking we're sweet down here.

2359
02:10:18,040 --> 02:10:19,120
Speaker 6: They ain't really sweet like.

2360
02:10:19,200 --> 02:10:21,960
Speaker 1: That, you know. It's you know, we don't play like that,

2361
02:10:22,640 --> 02:10:25,760
Speaker 1: you know. And so again maybe because a lot of

2362
02:10:25,880 --> 02:10:28,240
Speaker 1: dudes have moved down here and you don't hanging out

2363
02:10:28,320 --> 02:10:31,160
Speaker 1: doing anything, which is okay, which is fine, but then

2364
02:10:32,000 --> 02:10:34,080
Speaker 1: at the end of the day, you know, we ain't

2365
02:10:34,120 --> 02:10:36,960
Speaker 1: on no sucker shit. And so I feel like, you know, okay,

2366
02:10:37,000 --> 02:10:41,200
Speaker 1: all right, you know y'all need y'all need to squash

2367
02:10:41,360 --> 02:10:44,880
Speaker 1: that because again, now you know, I speak for two

2368
02:10:44,920 --> 02:10:46,120
Speaker 1: different worlds around here.

2369
02:10:46,800 --> 02:10:48,880
Speaker 6: You know, it's you know a lot of people like yo.

2370
02:10:49,640 --> 02:10:53,480
Speaker 1: You know that you know, nobody never want nothing bad

2371
02:10:53,560 --> 02:10:56,280
Speaker 1: to happen to nobody. But at the same time, you know,

2372
02:10:57,800 --> 02:10:59,640
Speaker 1: you know, and that's why I'm always the peace maker.

2373
02:11:00,160 --> 02:11:02,920
Speaker 3: No, no, no, let's it ain't like that. Let's let

2374
02:11:02,960 --> 02:11:04,520
Speaker 3: me deal with it, you know.

2375
02:11:04,600 --> 02:11:07,600
Speaker 1: And things like that, and so at the end of

2376
02:11:07,640 --> 02:11:10,480
Speaker 1: the day, I just felt like I needed to say something, uh,

2377
02:11:11,320 --> 02:11:13,760
Speaker 1: you know, more so than anything, because people are taking

2378
02:11:13,800 --> 02:11:17,440
Speaker 1: for a joke, you know, and when you mentioned Miami

2379
02:11:17,520 --> 02:11:20,520
Speaker 1: and three or five gangsters and ship like that and

2380
02:11:21,160 --> 02:11:22,320
Speaker 1: and all that, No, no, we.

2381
02:11:22,320 --> 02:11:22,880
Speaker 6: Ain't doing that.

2382
02:11:23,720 --> 02:11:25,720
Speaker 1: You know. You can have all your jokes and all

2383
02:11:25,800 --> 02:11:29,440
Speaker 1: that all you want, but don't don't don't don't play

2384
02:11:29,480 --> 02:11:32,200
Speaker 1: with don't play with us like that. And so do

2385
02:11:32,280 --> 02:11:32,840
Speaker 1: you think that.

2386
02:11:35,240 --> 02:11:36,200
Speaker 3: That derived from you?

2387
02:11:36,600 --> 02:11:38,800
Speaker 1: You're not forgiving him for when he's kind of like

2388
02:11:39,120 --> 02:11:41,480
Speaker 1: it felt like Drake took a shot that you tell

2389
02:11:41,680 --> 02:11:43,320
Speaker 1: Uncle Luke Wei in Miami too.

2390
02:11:44,680 --> 02:11:49,400
Speaker 3: Well, I looked at even even with that, right, I didn't.

2391
02:11:51,200 --> 02:11:51,640
Speaker 3: I had to.

2392
02:11:54,720 --> 02:11:56,840
Speaker 1: I had to put in my mind that that's you know,

2393
02:11:56,960 --> 02:11:59,840
Speaker 1: that was okay, you just saying you out here. Some

2394
02:12:00,120 --> 02:12:04,640
Speaker 1: people say it was a slight disc and then and

2395
02:12:04,960 --> 02:12:09,320
Speaker 1: you take it. And originally I was like, oh, buddy

2396
02:12:09,400 --> 02:12:14,160
Speaker 1: being slick, right, not the nigga just got broke on

2397
02:12:14,320 --> 02:12:19,520
Speaker 1: broke by puff daddy. Really you feel me? And so

2398
02:12:19,640 --> 02:12:23,600
Speaker 1: I'm like, but then I channeled it again I'm on

2399
02:12:23,720 --> 02:12:26,800
Speaker 1: some piece ship right now. I challeled, Okay, all right,

2400
02:12:26,840 --> 02:12:29,680
Speaker 1: you just saying telling Mama in Miami, because what.

2401
02:12:29,920 --> 02:12:34,760
Speaker 6: Really happened was it was with them dudes moving down here.

2402
02:12:34,920 --> 02:12:38,000
Speaker 1: And me saying that if y'all gonna live here, you

2403
02:12:38,080 --> 02:12:40,720
Speaker 1: got to embrace the culture. You gotta do something in

2404
02:12:40,760 --> 02:12:43,200
Speaker 1: the fucking community. You know what I'm saying. It wasn't

2405
02:12:43,200 --> 02:12:46,240
Speaker 1: nothing hard on them, like y'all got all these motherfuckers.

2406
02:12:46,440 --> 02:12:49,720
Speaker 1: You got to be a part of it, you know,

2407
02:12:50,000 --> 02:12:51,880
Speaker 1: just you know, go to the park and say hello

2408
02:12:52,000 --> 02:12:56,600
Speaker 1: to the kids and read the fucking book public exactly,

2409
02:12:57,040 --> 02:13:00,680
Speaker 1: you know. And so and so. I guess I don't know.

2410
02:13:00,840 --> 02:13:03,440
Speaker 1: He probably felt defended that I didn't mention his name,

2411
02:13:03,560 --> 02:13:06,640
Speaker 1: but you know, I don't know. But I didn't take

2412
02:13:06,720 --> 02:13:10,800
Speaker 1: it as a as a disc because off I took

2413
02:13:10,840 --> 02:13:14,760
Speaker 1: it as a this, then i'd have had a conversation

2414
02:13:14,920 --> 02:13:16,080
Speaker 1: with him, you know.

2415
02:13:16,200 --> 02:13:16,640
Speaker 6: But I ain't.

2416
02:13:16,680 --> 02:13:18,960
Speaker 1: I ain't, you know. I was like, don't take this

2417
02:13:19,080 --> 02:13:22,160
Speaker 1: as a this. Little one little man say, man, niggas

2418
02:13:22,200 --> 02:13:22,880
Speaker 1: tried you just.

2419
02:13:22,960 --> 02:13:25,040
Speaker 6: Now, and then the other little ones say, hey, ain't

2420
02:13:25,080 --> 02:13:26,440
Speaker 6: no man, no.

2421
02:13:27,000 --> 02:13:29,160
Speaker 1: But he just you know, he's just trying to you know,

2422
02:13:30,040 --> 02:13:32,360
Speaker 1: do some comedy ship, you know, and all that, and

2423
02:13:32,480 --> 02:13:35,400
Speaker 1: so I ain't I the little the other the good guy,

2424
02:13:36,360 --> 02:13:37,560
Speaker 1: you know, cooler back guy.

2425
02:13:37,600 --> 02:13:40,800
Speaker 3: All put it that way. I can say it like that,

2426
02:13:41,600 --> 02:13:42,720
Speaker 3: but I didn't, you know.

2427
02:13:43,520 --> 02:13:45,720
Speaker 1: But people would, oh, tell Uncle lucat Miami, and so

2428
02:13:45,800 --> 02:13:49,160
Speaker 1: it became like a thing, you know, people doing Instagram picks.

2429
02:13:49,360 --> 02:13:51,560
Speaker 1: Tell uncle Luke, I'm out of Miami too. Girls and

2430
02:13:51,640 --> 02:13:54,480
Speaker 1: ship tell her Luke, I'm out of Miami too. I'm like, damn,

2431
02:13:54,520 --> 02:13:59,640
Speaker 1: you find as fun. Yeah, it turned into a positive

2432
02:13:59,720 --> 02:14:03,280
Speaker 1: thing because if I have if I have probably you know,

2433
02:14:03,480 --> 02:14:06,640
Speaker 1: had some words with somebody did, it wouldn't have never

2434
02:14:07,160 --> 02:14:10,040
Speaker 1: been a positive. So it turned into a positive, you know,

2435
02:14:10,160 --> 02:14:14,040
Speaker 1: which everybody come down your talent. I love Nami too. Okay, good,

2436
02:14:14,120 --> 02:14:25,040
Speaker 1: thank you Drake. But yeah, good job. So the famous moment, Uh,

2437
02:14:25,560 --> 02:14:31,600
Speaker 1: you're talking about the super Bowl? What what do you

2438
02:14:31,960 --> 02:14:36,040
Speaker 1: actually think about what happened in the super Bowl? Do

2439
02:14:36,120 --> 02:14:41,080
Speaker 1: you think especially the greatest thing about this is your

2440
02:14:41,200 --> 02:14:47,400
Speaker 1: past with cash money and little Wayne. But traditionally you

2441
02:14:47,560 --> 02:14:53,200
Speaker 1: said it, most people that's from that town when the

2442
02:14:53,240 --> 02:14:56,720
Speaker 1: super Bowl happens, it's not that talent.

2443
02:14:57,080 --> 02:14:58,200
Speaker 3: So do you feel like.

2444
02:15:01,240 --> 02:15:04,880
Speaker 1: Wayne was snubbed or do you feel like you know

2445
02:15:05,360 --> 02:15:07,600
Speaker 1: this is this is this is this man job and

2446
02:15:08,240 --> 02:15:12,880
Speaker 1: and most of the time they picked the talent before

2447
02:15:13,040 --> 02:15:15,920
Speaker 1: they picked the city. Sometimes they put the talent based

2448
02:15:15,960 --> 02:15:18,800
Speaker 1: on sometimes sometimes I'm not saying all the time, and

2449
02:15:18,920 --> 02:15:23,760
Speaker 1: sometimes it does aligne. So this is me sitting back

2450
02:15:23,960 --> 02:15:28,840
Speaker 1: and shutting up. I would like to hear nothing. You're

2451
02:15:28,840 --> 02:15:34,360
Speaker 1: a football expert and this part I am not an

2452
02:15:34,400 --> 02:15:35,920
Speaker 1: expert at So.

2453
02:15:38,080 --> 02:15:42,160
Speaker 3: You have an expert no, no, no, not in football.

2454
02:15:42,600 --> 02:15:48,120
Speaker 1: This sporting okay, okay, entertainment okay, this is entertainment part

2455
02:15:48,160 --> 02:15:48,760
Speaker 1: of the football.

2456
02:15:48,760 --> 02:15:49,040
Speaker 6: Okay.

2457
02:15:49,160 --> 02:15:52,400
Speaker 1: So you commented it. So where was you at and

2458
02:15:53,000 --> 02:15:55,280
Speaker 1: how did you feel when you heard that? And I

2459
02:15:55,440 --> 02:15:57,520
Speaker 1: was I just wanted to And that's your response. It

2460
02:15:57,600 --> 02:16:02,800
Speaker 1: brought up fucked up memories of when the simple happened

2461
02:16:02,800 --> 02:16:06,800
Speaker 1: in Miami because I said something. Then okay, you know,

2462
02:16:07,000 --> 02:16:10,720
Speaker 1: and you know I said something. I called Jay out

2463
02:16:11,040 --> 02:16:14,640
Speaker 1: for it, j Lo jay Z it was a part

2464
02:16:14,640 --> 02:16:18,120
Speaker 1: of the Miami and I think that's when he That's

2465
02:16:18,160 --> 02:16:23,839
Speaker 1: when he eventually that's when he eventually took from my understanding,

2466
02:16:23,920 --> 02:16:26,360
Speaker 1: he took over the entertainment part of it and booking

2467
02:16:26,440 --> 02:16:28,920
Speaker 1: the artists and everything, and me and him had a conversation.

2468
02:16:29,560 --> 02:16:31,600
Speaker 1: You know, I loved I love him to depth, you know,

2469
02:16:31,680 --> 02:16:34,200
Speaker 1: that's that's my fucking guy. So we had a we

2470
02:16:34,320 --> 02:16:40,879
Speaker 1: had a conversation behind him and your show. It's cool. Yeah, yeah,

2471
02:16:41,000 --> 02:16:46,240
Speaker 1: So it ended up, uh, and I expressed my feelings

2472
02:16:46,320 --> 02:16:49,680
Speaker 1: toward that. You know, these two girls ain't from Miami,

2473
02:16:50,160 --> 02:16:52,160
Speaker 1: you know what I'm saying. We you know, And he

2474
02:16:52,440 --> 02:16:54,880
Speaker 1: told me his part of it, you know why he

2475
02:16:55,040 --> 02:16:58,240
Speaker 1: thought they you know, I'm like, look, look, Miami is

2476
02:16:58,760 --> 02:17:00,920
Speaker 1: you know, I explained to him, there's a this is

2477
02:17:00,959 --> 02:17:03,440
Speaker 1: a melting pot, you know. And I know y'all doing

2478
02:17:03,480 --> 02:17:06,640
Speaker 1: something globally, but we got some global artists too. You know,

2479
02:17:07,920 --> 02:17:11,440
Speaker 1: pit Bull is global, flow Rider it is global. Rick

2480
02:17:11,600 --> 02:17:15,760
Speaker 1: Ross is global, you feel me. And so you know, uh,

2481
02:17:16,400 --> 02:17:20,200
Speaker 1: those artists should be and it ain't nothing about me,

2482
02:17:20,600 --> 02:17:25,280
Speaker 1: those artists. Somebody should be consulted with somebody around here

2483
02:17:25,840 --> 02:17:28,440
Speaker 1: before doing that, because I only found out when I

2484
02:17:28,440 --> 02:17:31,040
Speaker 1: saw the fucking commercial, you know what I'm saying. You know,

2485
02:17:31,440 --> 02:17:34,480
Speaker 1: So we had that Okay, well we'll work somebody with this.

2486
02:17:34,840 --> 02:17:39,480
Speaker 1: And so that situation where Wayne kind of brought that

2487
02:17:39,720 --> 02:17:44,360
Speaker 1: back up in me. But then moving forward after the

2488
02:17:44,400 --> 02:17:48,240
Speaker 1: Miami ship, then they did it right in LA they

2489
02:17:48,280 --> 02:17:51,720
Speaker 1: did it right right, you know, they did that ship right. Okay,

2490
02:17:52,000 --> 02:17:54,199
Speaker 1: shit in Miami, not the Miami.

2491
02:17:53,920 --> 02:17:56,879
Speaker 6: Because you know, I was fucking hot even before Miami.

2492
02:17:57,360 --> 02:17:59,760
Speaker 1: The dudes in Atlanta felt some kind of way, But

2493
02:17:59,879 --> 02:18:03,880
Speaker 1: I don't think the people were involved Room five in

2494
02:18:04,000 --> 02:18:11,920
Speaker 1: Atlanta exactly. You feel me, Yeah, had had problems at first.

2495
02:18:12,440 --> 02:18:15,400
Speaker 1: So then yeah, if you want to do that, I

2496
02:18:15,480 --> 02:18:16,040
Speaker 1: didn't beat that.

2497
02:18:16,160 --> 02:18:16,840
Speaker 3: I'm so sorry.

2498
02:18:17,040 --> 02:18:21,880
Speaker 1: Exactly if you want to do if you want to

2499
02:18:21,920 --> 02:18:26,440
Speaker 1: do fucking Maroon five and all that ship, book the

2500
02:18:26,520 --> 02:18:32,400
Speaker 1: goddamn game in Buffalo and Kansas City and Denver in Minnesota,

2501
02:18:32,760 --> 02:18:36,280
Speaker 1: you have all that do uh? You want country Western,

2502
02:18:36,560 --> 02:18:41,199
Speaker 1: book the game and fucking uh and and goddamn Nashville. Great.

2503
02:18:41,400 --> 02:18:44,680
Speaker 1: It's like I wouldn't if somebody was called, if somebody

2504
02:18:44,800 --> 02:18:46,760
Speaker 1: was to say, a hip hop artist doing a fucking

2505
02:18:47,200 --> 02:18:50,119
Speaker 1: Super Bowl halftime in Nashville, I would be the first

2506
02:18:50,200 --> 02:18:53,280
Speaker 1: one to say that's funked up, because Nashville is the

2507
02:18:53,320 --> 02:18:59,120
Speaker 1: home of country Western goddamn uh. New Orleans is the

2508
02:18:59,240 --> 02:19:03,720
Speaker 1: home of blues and the home of cash money and

2509
02:19:03,879 --> 02:19:08,120
Speaker 1: master p. So it's only fucking right that you do that,

2510
02:19:08,800 --> 02:19:13,200
Speaker 1: you know, so whoever involved, so that's you know, it's like, look, man,

2511
02:19:13,280 --> 02:19:16,000
Speaker 1: let's do this ship right. You know. I love Kendrick Lamar.

2512
02:19:16,080 --> 02:19:17,680
Speaker 1: I love what the fuck you do? I never met

2513
02:19:17,760 --> 02:19:19,920
Speaker 1: him in my life. I love his music.

2514
02:19:20,280 --> 02:19:23,840
Speaker 3: You know, black and New Orleans is a black motherfucker.

2515
02:19:24,120 --> 02:19:27,880
Speaker 3: I understand that he's black, He's he's everything.

2516
02:19:28,320 --> 02:19:30,400
Speaker 6: How this fucking song, you know?

2517
02:19:30,560 --> 02:19:34,520
Speaker 1: And I don't look at it like a disc to

2518
02:19:34,640 --> 02:19:37,320
Speaker 1: Lil Wayne, I look at it as a snub of

2519
02:19:37,480 --> 02:19:40,240
Speaker 1: all of New Orleans music. I look at it as

2520
02:19:40,280 --> 02:19:45,240
Speaker 1: stuff cash money and no limit. That's and and everything

2521
02:19:45,320 --> 02:19:47,080
Speaker 1: that New Orleans music is all about.

2522
02:19:47,600 --> 02:19:47,800
Speaker 4: You know.

2523
02:19:47,879 --> 02:19:50,920
Speaker 1: I think they could have did a beautiful halftime show

2524
02:19:51,400 --> 02:19:56,400
Speaker 1: with that encompass all of all that we performed. And

2525
02:19:56,520 --> 02:20:02,080
Speaker 1: she was nowhere there from that city who we I

2526
02:20:02,160 --> 02:20:06,880
Speaker 1: forget what super Bowl was, Yeah, San Diego. So for

2527
02:20:07,040 --> 02:20:08,240
Speaker 1: those are places you could do.

2528
02:20:08,680 --> 02:20:09,440
Speaker 6: No, No, they won't.

2529
02:20:09,440 --> 02:20:12,240
Speaker 1: No super Bowl in San Diego. I ain't got no

2530
02:20:12,320 --> 02:20:26,920
Speaker 1: football team. We could drink a million drinks get a

2531
02:20:27,000 --> 02:20:28,000
Speaker 1: team in San Diego.

2532
02:20:28,480 --> 02:20:28,720
Speaker 3: Okay.

2533
02:20:28,879 --> 02:20:33,560
Speaker 1: But but to Jays, he commented on this, he comes

2534
02:20:33,600 --> 02:20:34,320
Speaker 1: a long time ago.

2535
02:20:34,640 --> 02:20:37,640
Speaker 7: He said that we couldn't say, he couldn't stick consistently

2536
02:20:38,120 --> 02:20:40,920
Speaker 7: to picking the artists from the specific city because that

2537
02:20:40,959 --> 02:20:43,960
Speaker 7: would hold him to something we couldn't do consistently because

2538
02:20:44,000 --> 02:20:45,080
Speaker 7: not every city would happen.

2539
02:20:45,360 --> 02:20:48,960
Speaker 1: You can have anybody in Arizona, but no disrespect to

2540
02:20:49,040 --> 02:20:52,520
Speaker 1: the music community in Arizona. But you know, when you

2541
02:20:52,560 --> 02:20:55,680
Speaker 1: look at thirty two teams and thirty two cities, right,

2542
02:20:56,800 --> 02:21:00,440
Speaker 1: you got some country Western cities, you got some black

2543
02:21:00,520 --> 02:21:04,400
Speaker 1: ass cities. You can't really build.

2544
02:21:04,600 --> 02:21:06,240
Speaker 6: The entertainment around that.

2545
02:21:07,080 --> 02:21:10,200
Speaker 1: You go to Tampa, uh, you know, you know, I

2546
02:21:10,320 --> 02:21:13,960
Speaker 1: love some of the Tampa artists, but it's on a

2547
02:21:14,040 --> 02:21:18,240
Speaker 1: global We're talking global, global artists. If you got global

2548
02:21:18,360 --> 02:21:22,680
Speaker 1: artists in that moment, watch television exactly Yeah, around the world,

2549
02:21:22,840 --> 02:21:26,800
Speaker 1: people don't even watch television, no more so exactly. So again,

2550
02:21:28,080 --> 02:21:32,000
Speaker 1: if I'm gonna do the halftime in Tampa, I got anybody.

2551
02:21:32,240 --> 02:21:35,320
Speaker 1: If I'm do the halftime in Minnesota, I anybody. If

2552
02:21:35,320 --> 02:21:38,840
Speaker 1: I'm doing Nashville, I got these are these are NFL

2553
02:21:39,959 --> 02:21:43,040
Speaker 1: NFL cities, you feel me. But then now, when you

2554
02:21:43,160 --> 02:21:46,840
Speaker 1: go into Atlanta, Miami, New.

2555
02:21:46,800 --> 02:21:49,600
Speaker 2: York, culturally, historically these cities have.

2556
02:21:50,480 --> 02:21:54,360
Speaker 1: You go the fucking Buffalo and just whoever the you

2557
02:21:54,400 --> 02:21:56,280
Speaker 1: want to put on that, you know what I'm saying.

2558
02:21:56,320 --> 02:21:59,800
Speaker 1: So I understand the argument that we can't tie to that.

2559
02:22:00,160 --> 02:22:02,600
Speaker 1: Yes you can, because Buffalo getting ready to build a

2560
02:22:02,640 --> 02:22:05,680
Speaker 1: brand new stadium. You need to have a super Bowl there.

2561
02:22:05,800 --> 02:22:07,840
Speaker 1: You had a co ass super Bowl in Jersey.

2562
02:22:08,360 --> 02:22:13,800
Speaker 3: So you take Benning the Butcher and Griselda Blanco on.

2563
02:22:15,400 --> 02:22:19,439
Speaker 1: That's something you I mean, I was Griselda the regular.

2564
02:22:21,800 --> 02:22:27,199
Speaker 2: Those it's a group. It's an artist from from from.

2565
02:22:27,320 --> 02:22:30,000
Speaker 1: Yeah, that's the artist from from from Buffalo, the adult

2566
02:22:30,080 --> 02:22:30,480
Speaker 1: hip hop.

2567
02:22:30,480 --> 02:22:35,160
Speaker 3: Artist Global Niggas. Yeah, yeah, No, that's that's the point.

2568
02:22:35,240 --> 02:22:38,920
Speaker 1: So the point is global and Lil Wayne is global,

2569
02:22:39,280 --> 02:22:44,840
Speaker 1: and absolutely Wayne is global. But it would be Lil Wayne.

2570
02:22:45,240 --> 02:22:46,880
Speaker 1: Let me tell you the moment. I would if it

2571
02:22:47,040 --> 02:22:52,480
Speaker 1: was me little Cash Money Lil Wayne, and then we

2572
02:22:52,600 --> 02:22:57,880
Speaker 1: bring in Kendrick Lamar, right, I know, I know, I

2573
02:22:58,040 --> 02:23:00,520
Speaker 1: know he's on the label with Dre and all that,

2574
02:23:00,760 --> 02:23:02,760
Speaker 1: But then that would be bring peace.

2575
02:23:02,600 --> 02:23:03,440
Speaker 6: To this situation.

2576
02:23:04,640 --> 02:23:07,640
Speaker 3: That's what I think people are thinking and think about

2577
02:23:07,680 --> 02:23:07,920
Speaker 3: it though.

2578
02:23:08,400 --> 02:23:12,640
Speaker 7: Actually bringing Cash Money and No Limit together is like

2579
02:23:12,720 --> 02:23:15,080
Speaker 7: bringing peace to the city because they had issues before

2580
02:23:15,600 --> 02:23:19,720
Speaker 7: and in a bigger situation, of course, they had issues.

2581
02:23:20,280 --> 02:23:22,440
Speaker 1: I'm talking about cash money, no limit. I'm saying bringing

2582
02:23:22,520 --> 02:23:27,640
Speaker 1: those money and cruise together from their own city would

2583
02:23:27,680 --> 02:23:30,119
Speaker 1: be wild. That would be the city would go crazy.

2584
02:23:30,320 --> 02:23:34,480
Speaker 1: That that'd be both You get the same vibe that

2585
02:23:34,600 --> 02:23:35,600
Speaker 1: you got with the l A.

2586
02:23:36,400 --> 02:23:36,800
Speaker 3: And they got.

2587
02:23:37,000 --> 02:23:40,600
Speaker 1: They both got hit records. Kendricks still do that, bring

2588
02:23:41,240 --> 02:23:43,840
Speaker 1: still bele form and bring cash money and no limit.

2589
02:23:44,000 --> 02:23:47,720
Speaker 1: I think I think I think it Kendrick go right

2590
02:23:47,800 --> 02:23:49,520
Speaker 1: in the middle of that, mother. I think I think

2591
02:23:49,600 --> 02:23:51,280
Speaker 1: Kendrick got something up and sleep. To be honest with you,

2592
02:23:51,400 --> 02:23:54,760
Speaker 1: that's gonna make make something hope of this. I hope,

2593
02:23:55,320 --> 02:23:57,720
Speaker 1: I think so. I hope so yeah got me hype

2594
02:23:57,800 --> 02:24:01,680
Speaker 1: right now because Kendrick, both of your opinions, I did

2595
02:24:01,760 --> 02:24:04,959
Speaker 1: not think of what no, Like, how y'all just broke

2596
02:24:05,040 --> 02:24:07,560
Speaker 1: that down, Like I swear to God, I just thought

2597
02:24:08,280 --> 02:24:14,920
Speaker 1: that the NFL commissioner just say give us the hottest artist.

2598
02:24:15,600 --> 02:24:17,840
Speaker 1: And how y'all just broke that down like both of

2599
02:24:17,920 --> 02:24:22,240
Speaker 1: y'all had two different definis. Well, if that was to happen,

2600
02:24:23,879 --> 02:24:29,600
Speaker 1: but then let's just be honest. Can't Kendrick really bring

2601
02:24:29,720 --> 02:24:32,520
Speaker 1: out Lil Wayne at this moment?

2602
02:24:33,080 --> 02:24:36,360
Speaker 2: I mean, I think I'm asking it's not impossible.

2603
02:24:36,879 --> 02:24:37,920
Speaker 1: It's not impossible.

2604
02:24:38,959 --> 02:24:39,680
Speaker 11: I don't.

2605
02:24:41,040 --> 02:24:44,840
Speaker 1: It's not impossible because the thing is, again, everybody have

2606
02:24:44,840 --> 02:24:48,280
Speaker 1: would sit down a conversation. Maybe it's a little rough

2607
02:24:48,440 --> 02:24:52,040
Speaker 1: because Lil Wayne and feels like, you know, okay man,

2608
02:24:52,680 --> 02:24:55,000
Speaker 1: you know I'm some side bitch or something like that

2609
02:24:55,240 --> 02:24:56,120
Speaker 1: and don't want to do it.

2610
02:24:56,720 --> 02:24:58,959
Speaker 3: But then because y'all should, it should have been.

2611
02:24:58,920 --> 02:25:02,920
Speaker 1: Really the other way around me, uh bringing him out.

2612
02:25:03,040 --> 02:25:06,160
Speaker 1: And then now you you know, it ain't gonna be

2613
02:25:07,200 --> 02:25:08,760
Speaker 1: it ain't gonna be a New Orleans thing.

2614
02:25:08,840 --> 02:25:11,600
Speaker 3: It'll be more of a feature. You know you're coming

2615
02:25:11,640 --> 02:25:13,400
Speaker 3: in on, so it'll be.

2616
02:25:16,400 --> 02:25:18,480
Speaker 1: Ship. I've seen a lot of things happen, but.

2617
02:25:20,040 --> 02:25:23,960
Speaker 6: For me, if it was me and it was you know,

2618
02:25:24,120 --> 02:25:24,560
Speaker 6: that would be.

2619
02:25:24,600 --> 02:25:26,440
Speaker 1: Hard for me to go do it. And let's be honest,

2620
02:25:26,560 --> 02:25:28,440
Speaker 1: we don't know until it happens. You don't know it

2621
02:25:29,000 --> 02:25:32,360
Speaker 1: because they might do something that we don't expect that. Yeah,

2622
02:25:32,720 --> 02:25:34,760
Speaker 1: maybe this is all and got us all talking about

2623
02:25:35,480 --> 02:25:36,760
Speaker 1: and we're all like, get.

2624
02:25:37,600 --> 02:25:40,160
Speaker 3: Set up for Kendrick and Drake to squorsched they beef

2625
02:25:40,200 --> 02:25:40,640
Speaker 3: on stage.

2626
02:25:40,680 --> 02:25:47,080
Speaker 1: I doubt that. Yeah, that's wish for thinking it would

2627
02:25:47,080 --> 02:25:49,880
Speaker 1: be amazing rumor right now, that would be amazing. That

2628
02:25:49,920 --> 02:25:53,320
Speaker 1: would be amazing. But that's what and that'll bring you know,

2629
02:25:53,840 --> 02:25:55,880
Speaker 1: could you get drake and squashed and a beef for

2630
02:25:56,000 --> 02:26:00,560
Speaker 1: the sea in the world, Like I'm playing everybody and

2631
02:26:00,840 --> 02:26:04,720
Speaker 1: born and like, what the fuck is that? That's true?

2632
02:26:04,840 --> 02:26:07,560
Speaker 1: That's the thing. We're talking about local ship in a sentence,

2633
02:26:07,600 --> 02:26:09,519
Speaker 1: and this is a global, global.

2634
02:26:09,720 --> 02:26:11,640
Speaker 2: People outside ship.

2635
02:26:11,680 --> 02:26:14,800
Speaker 1: What they talking about? What's their issues? You know what's

2636
02:26:14,800 --> 02:26:20,160
Speaker 1: the craziest ship hip hop? From y'all beef uh to

2637
02:26:21,160 --> 02:26:25,040
Speaker 1: whatever these people beef is. I believe this is what

2638
02:26:25,120 --> 02:26:28,240
Speaker 1: I believe the biggest hip hop beef was there to

2639
02:26:28,440 --> 02:26:32,640
Speaker 1: beef just now because no matter where I went, everyone.

2640
02:26:32,440 --> 02:26:34,920
Speaker 7: Asks because of the Internet, because of the because of

2641
02:26:34,959 --> 02:26:40,320
Speaker 7: the Internet, because and they did. They actually executed everything

2642
02:26:40,760 --> 02:26:43,800
Speaker 7: on the Internet on social media like it was all

2643
02:26:43,879 --> 02:26:48,080
Speaker 7: done live. We could all just watch Twitter, watch my Instagram,

2644
02:26:48,200 --> 02:26:51,600
Speaker 7: and they dropping the disc records in real time by

2645
02:26:51,680 --> 02:26:55,120
Speaker 7: the minute they was executing and four let's go.

2646
02:26:56,360 --> 02:26:58,160
Speaker 6: Mother put out a million records.

2647
02:26:58,160 --> 02:27:00,320
Speaker 1: I remember that night when she was going out. I

2648
02:27:00,480 --> 02:27:03,800
Speaker 1: was there, my wife and my kids. I'm going to

2649
02:27:03,879 --> 02:27:06,240
Speaker 1: my office. I'm not I'm coming out. So it's just done.

2650
02:27:06,640 --> 02:27:08,440
Speaker 3: It makes a noise for how big a house is.

2651
02:27:13,520 --> 02:27:17,480
Speaker 1: So I know it's a cliche question, but I need

2652
02:27:17,600 --> 02:27:20,680
Speaker 1: to ask you, do you ever think that hip hop

2653
02:27:20,720 --> 02:27:23,560
Speaker 1: would make it this far? I always knew it what

2654
02:27:24,120 --> 02:27:27,160
Speaker 1: you knew it was? Yeah, I always knew what. Okay, Now,

2655
02:27:27,240 --> 02:27:33,240
Speaker 1: let me ask you another question, real fat you ever

2656
02:27:33,320 --> 02:27:36,800
Speaker 1: thought your style of hip hop will make it this far?

2657
02:27:36,959 --> 02:27:39,640
Speaker 1: Because it's crazy. One of the things that you said

2658
02:27:39,680 --> 02:27:42,400
Speaker 1: in the blog, it's like, yo, I can tell you

2659
02:27:42,520 --> 02:27:43,920
Speaker 1: it was playing like you like you know what I mean,

2660
02:27:44,040 --> 02:27:44,320
Speaker 1: Like you.

2661
02:27:46,240 --> 02:27:48,280
Speaker 3: Messed with the girls. I can tell I know that,

2662
02:27:49,000 --> 02:27:54,600
Speaker 3: I know that. But for everything you got continued with

2663
02:27:55,920 --> 02:27:59,840
Speaker 3: and yo, I swear to god, I listened to the

2664
02:28:00,160 --> 02:28:05,360
Speaker 3: the other day. I almost counted how many words was clean.

2665
02:28:07,840 --> 02:28:11,360
Speaker 1: It was like fifty two words the whole day. Like no,

2666
02:28:11,400 --> 02:28:13,720
Speaker 1: I'm talking about one record, like one record like it

2667
02:28:13,879 --> 02:28:14,120
Speaker 1: was like.

2668
02:28:17,000 --> 02:28:17,040
Speaker 8: No.

2669
02:28:17,240 --> 02:28:19,760
Speaker 2: And the words that were clean, the phrases were outrageous.

2670
02:28:21,600 --> 02:28:23,480
Speaker 1: I'm like, I'm like goo.

2671
02:28:25,200 --> 02:28:30,720
Speaker 3: Oh, created like you actually have a whole genre of music.

2672
02:28:32,560 --> 02:28:35,240
Speaker 1: That really does hold you. I know you was playing around,

2673
02:28:36,520 --> 02:28:40,840
Speaker 1: but did you think I just asked you ever thought

2674
02:28:40,840 --> 02:28:42,640
Speaker 1: that hip hop would make it there? For you ever

2675
02:28:42,760 --> 02:28:45,840
Speaker 1: thought your version of hip hop that you created with

2676
02:28:46,120 --> 02:28:52,080
Speaker 1: your own mind, your crew would I don't even make it,

2677
02:28:53,160 --> 02:28:58,760
Speaker 1: but it's the forefront years later, you know.

2678
02:28:59,240 --> 02:29:02,039
Speaker 3: I never thought that in a million years. I always

2679
02:29:02,280 --> 02:29:03,160
Speaker 3: when I when I.

2680
02:29:04,760 --> 02:29:07,080
Speaker 1: Took the Business series, I always wanted to be like

2681
02:29:07,160 --> 02:29:11,000
Speaker 1: the Old Jays as an artist, I wanted to be

2682
02:29:11,120 --> 02:29:15,840
Speaker 1: like Frankie Beverly gob That's so because them dudes performed.

2683
02:29:16,120 --> 02:29:18,040
Speaker 1: I know, in order to stay in the test of

2684
02:29:18,120 --> 02:29:20,840
Speaker 1: time as an artist, you got to be a great performer,

2685
02:29:21,800 --> 02:29:25,120
Speaker 1: you know. And so when I do shows, I perform,

2686
02:29:25,440 --> 02:29:27,440
Speaker 1: you know what I'm saying, you know, And that's that's

2687
02:29:27,480 --> 02:29:30,440
Speaker 1: why I love Dougie Fresh and and people like that.

2688
02:29:31,160 --> 02:29:35,200
Speaker 1: They put on fucking shows, you know, And so doing

2689
02:29:35,280 --> 02:29:41,520
Speaker 1: the music, I know, sex sells, right, they would. It

2690
02:29:41,520 --> 02:29:45,280
Speaker 1: would allow me to be able to go down go

2691
02:29:45,400 --> 02:29:50,680
Speaker 1: down the highway with no traffic, because ain't nobody it's

2692
02:29:50,760 --> 02:29:54,280
Speaker 1: my own lane. Even doing these album covers and ship

2693
02:29:54,959 --> 02:29:59,840
Speaker 1: you know, putting them in a sorry yeah they got.

2694
02:30:02,040 --> 02:30:05,400
Speaker 3: Fucking married, guys, I'm the only one that's not married.

2695
02:30:05,440 --> 02:30:09,600
Speaker 1: No more. Oh you're not married. You said, no, no, no,

2696
02:30:09,760 --> 02:30:10,119
Speaker 1: no more.

2697
02:30:10,440 --> 02:30:12,280
Speaker 7: That's why we That's why he was different back then.

2698
02:30:12,320 --> 02:30:14,640
Speaker 7: He was married back then when he was on drink

2699
02:30:14,760 --> 02:30:15,360
Speaker 7: chance earlier.

2700
02:30:15,600 --> 02:30:18,240
Speaker 1: No, I was running for office and some ship married

2701
02:30:18,680 --> 02:30:19,760
Speaker 1: married a politician.

2702
02:30:23,760 --> 02:30:31,120
Speaker 3: Now no, no, no, but but but yeah, it's see

2703
02:30:31,160 --> 02:30:32,560
Speaker 3: we trail off.

2704
02:30:33,240 --> 02:30:35,520
Speaker 2: But it let me ask you, is there any regrets

2705
02:30:35,600 --> 02:30:36,480
Speaker 2: to anything you've done?

2706
02:30:36,680 --> 02:30:36,720
Speaker 1: No?

2707
02:30:37,400 --> 02:30:40,600
Speaker 7: Like you as the because to be honest, you're a

2708
02:30:40,640 --> 02:30:44,879
Speaker 7: family man. You got kids, maybe grandkids.

2709
02:30:45,840 --> 02:30:46,640
Speaker 1: Do you have grandkids?

2710
02:30:47,360 --> 02:30:48,160
Speaker 6: One grandson?

2711
02:30:48,400 --> 02:30:48,720
Speaker 1: Okay?

2712
02:30:49,280 --> 02:30:52,200
Speaker 7: Is there anything that you feel like I regret because

2713
02:30:52,240 --> 02:30:55,040
Speaker 7: of that it reflected on the family in any kind

2714
02:30:55,040 --> 02:30:55,680
Speaker 7: of negative way?

2715
02:30:55,840 --> 02:30:55,880
Speaker 1: No?

2716
02:30:56,120 --> 02:30:58,320
Speaker 2: No, no, Like, how do you how do you separate?

2717
02:30:58,360 --> 02:31:01,720
Speaker 2: How do you separate uncle from family?

2718
02:31:01,800 --> 02:31:04,160
Speaker 1: Luke? Because I know it's two people.

2719
02:31:04,760 --> 02:31:04,960
Speaker 4: I know.

2720
02:31:05,040 --> 02:31:10,200
Speaker 3: I'm an entertainer, right, My job is entertaining.

2721
02:31:10,280 --> 02:31:11,480
Speaker 6: My job is to do music.

2722
02:31:11,840 --> 02:31:15,680
Speaker 1: My job, you know, I'm like fucking Arnold swartze get

2723
02:31:15,720 --> 02:31:18,160
Speaker 1: in the movie I'm shooting up the place, you know?

2724
02:31:18,720 --> 02:31:23,360
Speaker 1: And are you shooting up in a way? I wasn't

2725
02:31:23,360 --> 02:31:24,640
Speaker 1: shooting up club with the girls.

2726
02:31:25,560 --> 02:31:26,160
Speaker 6: So I got.

2727
02:31:26,640 --> 02:31:30,040
Speaker 1: And then it's Luther Campbell, who my mom raising all that.

2728
02:31:30,560 --> 02:31:35,480
Speaker 1: And he's the businessman, he's the record executive. The guy

2729
02:31:35,520 --> 02:31:38,840
Speaker 1: who got has to be creative, uh and be the father,

2730
02:31:39,640 --> 02:31:42,080
Speaker 1: you know, because my kids right now. I mean, my

2731
02:31:42,920 --> 02:31:47,680
Speaker 1: my son fifteen years old. They I've never had a

2732
02:31:47,760 --> 02:31:51,240
Speaker 1: kid ask me about music one of my sols. They

2733
02:31:51,360 --> 02:31:53,520
Speaker 1: never seen the Peep Show or I don't know what

2734
02:31:53,640 --> 02:31:57,000
Speaker 1: the fuck they saw, but they never came and asked

2735
02:31:57,040 --> 02:31:59,480
Speaker 1: me about it. So you keep it separate, Oh, totally

2736
02:31:59,560 --> 02:32:02,120
Speaker 1: keep itself. But now I know this internet ship in

2737
02:32:02,200 --> 02:32:06,240
Speaker 1: these phones, you can't. That's my man and ship.

2738
02:32:06,640 --> 02:32:10,640
Speaker 6: You know, they know that. But they I've never.

2739
02:32:10,600 --> 02:32:13,240
Speaker 1: Had a kid come to me and say, hey, dad,

2740
02:32:13,360 --> 02:32:14,120
Speaker 1: so what the fun was.

2741
02:32:14,120 --> 02:32:14,560
Speaker 6: Thinking about what?

2742
02:32:14,720 --> 02:32:16,279
Speaker 2: You never had that conversation?

2743
02:32:16,360 --> 02:32:17,160
Speaker 1: Would you never had that?

2744
02:32:17,240 --> 02:32:19,680
Speaker 2: So the birth and beats didn't include saying, hey when

2745
02:32:19,760 --> 02:32:21,400
Speaker 2: jay Z and this was.

2746
02:32:21,400 --> 02:32:26,040
Speaker 1: Happening behind that work, never had that. I mean, you know,

2747
02:32:26,200 --> 02:32:28,840
Speaker 1: I'm a I'm a you know, I'm an old school dad.

2748
02:32:29,280 --> 02:32:30,080
Speaker 6: You feel me.

2749
02:32:30,200 --> 02:32:33,400
Speaker 1: I'm like, okay, we're doing this. This is clean your

2750
02:32:33,400 --> 02:32:35,840
Speaker 1: fucking bed, and do this bring me some good grades.

2751
02:32:35,879 --> 02:32:39,000
Speaker 1: I'm gonna throw that PlayStation in that goddamn lake in

2752
02:32:39,080 --> 02:32:39,360
Speaker 1: the back.

2753
02:32:39,680 --> 02:32:39,880
Speaker 3: You know.

2754
02:32:40,080 --> 02:32:43,280
Speaker 1: They they know I'm like, you know, so there we

2755
02:32:43,360 --> 02:32:46,280
Speaker 1: will have I guess they be like, I'm the fucking

2756
02:32:46,280 --> 02:32:48,600
Speaker 1: I'm going up in there talking no ship about no music.

2757
02:32:48,720 --> 02:32:50,640
Speaker 2: But this dude there and they respect you enough to

2758
02:32:50,959 --> 02:32:52,080
Speaker 2: not even question it.

2759
02:32:52,240 --> 02:32:54,440
Speaker 6: Yeah yeah, right, yeah, I don't even know if they

2760
02:32:54,440 --> 02:32:55,480
Speaker 6: even know anything.

2761
02:32:55,200 --> 02:32:56,960
Speaker 1: About it, but you know what I mean, they obviously know.

2762
02:32:57,680 --> 02:32:59,920
Speaker 1: You know, Yeah, my son goes up the bat and

2763
02:33:00,080 --> 02:33:02,119
Speaker 1: they be singing the songs and ship.

2764
02:33:02,440 --> 02:33:04,800
Speaker 2: Yeah they know, they know, but obviously that must.

2765
02:33:04,640 --> 02:33:10,800
Speaker 3: Be the play that way.

2766
02:33:12,240 --> 02:33:16,800
Speaker 1: That's just great, son. But obviously they have so much

2767
02:33:16,840 --> 02:33:18,280
Speaker 1: respect for you that they're not gonna come with you

2768
02:33:19,000 --> 02:33:19,400
Speaker 1: the way that.

2769
02:33:19,440 --> 02:33:21,200
Speaker 2: You made the household and I gonna come with you

2770
02:33:21,280 --> 02:33:21,720
Speaker 2: that bullshit.

2771
02:33:21,800 --> 02:33:24,320
Speaker 6: Yeah, yeah, because you do what you do exactly.

2772
02:33:25,240 --> 02:33:28,160
Speaker 1: I'm like really old school when it comes to that,

2773
02:33:28,840 --> 02:33:32,000
Speaker 1: you know, And I don't put them around ship. I

2774
02:33:32,080 --> 02:33:35,880
Speaker 1: don't talk certain ship around them. The vibes is you

2775
02:33:35,959 --> 02:33:37,480
Speaker 1: know my house, You come to my house.

2776
02:33:37,320 --> 02:33:40,840
Speaker 6: You what you're thinking? Some some some poles and ship going.

2777
02:33:40,879 --> 02:33:41,840
Speaker 6: I mean that's what I think.

2778
02:33:43,840 --> 02:33:47,800
Speaker 1: They came out going on. You'll be like, what the fuck?

2779
02:33:47,920 --> 02:33:50,960
Speaker 1: Most people coming there, like this is your house? Yeah,

2780
02:33:52,040 --> 02:33:54,080
Speaker 1: you know, so there's no houshi mamas.

2781
02:33:54,640 --> 02:33:58,680
Speaker 3: No, No, do you realize that how how popular that

2782
02:33:58,760 --> 02:33:59,160
Speaker 3: word is?

2783
02:33:59,360 --> 02:34:01,880
Speaker 1: Who you know where I got it from?

2784
02:34:02,160 --> 02:34:02,840
Speaker 3: No, we do not.

2785
02:34:03,240 --> 02:34:04,920
Speaker 6: We need to know okay here, so.

2786
02:34:05,280 --> 02:34:10,520
Speaker 1: Ice you send me? It was ice Cube send me.

2787
02:34:10,640 --> 02:34:12,240
Speaker 1: He's like, yo, I need you to do a song

2788
02:34:12,360 --> 02:34:15,440
Speaker 1: for for the Place club.

2789
02:34:15,920 --> 02:34:17,720
Speaker 3: This is when you beefing with death Row.

2790
02:34:18,600 --> 02:34:21,480
Speaker 6: No, that was the way beef.

2791
02:34:21,800 --> 02:34:24,440
Speaker 1: It wasn't being He was like, yo, I got this

2792
02:34:24,879 --> 02:34:27,160
Speaker 1: this movie. No Ice had nothing to do with talk

2793
02:34:27,600 --> 02:34:30,680
Speaker 1: to because whochi mamas just so crazy. Okay, wait a minute.

2794
02:34:31,000 --> 02:34:34,080
Speaker 1: So it wasn't no vandictive ship.

2795
02:34:34,080 --> 02:34:36,800
Speaker 2: It wasn't like no it was he had it death Brow.

2796
02:34:36,840 --> 02:34:38,080
Speaker 2: Remember Ice c was out of this.

2797
02:34:39,200 --> 02:34:43,480
Speaker 1: I'm thinking ice Cube was being vindictive. Oh let me get,

2798
02:34:43,560 --> 02:34:46,800
Speaker 1: let me, let me get because Uncle Luke is beefing

2799
02:34:46,920 --> 02:34:48,040
Speaker 1: with death Row.

2800
02:34:48,120 --> 02:34:52,000
Speaker 3: So that had nothing doing on I went was never

2801
02:34:52,080 --> 02:34:54,959
Speaker 3: beefing with death he was being with ruthless. Oh I'm

2802
02:34:55,000 --> 02:34:55,720
Speaker 3: bugging yes.

2803
02:34:56,080 --> 02:34:58,400
Speaker 1: So he ended up saying he look, man, I need

2804
02:34:58,480 --> 02:34:59,920
Speaker 1: you to do a song, and ain't send me the

2805
02:35:00,120 --> 02:35:03,760
Speaker 1: clip of where he wanted to place the song in

2806
02:35:03,840 --> 02:35:06,560
Speaker 1: the movie. And the girl was and the girl was

2807
02:35:06,640 --> 02:35:09,400
Speaker 1: on there saying oh you who chi mama. Know the

2808
02:35:09,480 --> 02:35:11,200
Speaker 1: dude was calling the girl and who Chi mama and

2809
02:35:11,280 --> 02:35:15,400
Speaker 1: all that, and I was like, oh that is right there,

2810
02:35:16,200 --> 02:35:19,560
Speaker 1: Hoochie mama, and then so who Chi Mama came from

2811
02:35:19,800 --> 02:35:22,800
Speaker 1: l A again. Yeah, it came from the clip it

2812
02:35:22,920 --> 02:35:27,760
Speaker 1: came from. It was man l Miami Yo exactly what

2813
02:35:28,360 --> 02:35:32,000
Speaker 1: it was say that clip that they were calling the

2814
02:35:32,040 --> 02:35:34,320
Speaker 1: girl and who Chi Mama? And I took that and

2815
02:35:34,440 --> 02:35:36,600
Speaker 1: then I made the song Hoochie Mama. And then the

2816
02:35:36,720 --> 02:35:39,400
Speaker 1: crazy part about it. Two Life crew had that went

2817
02:35:39,520 --> 02:35:43,000
Speaker 1: crazy again, and then they came back, Oh, we wanted

2818
02:35:43,000 --> 02:35:46,240
Speaker 1: to do music again together and you know after and

2819
02:35:46,320 --> 02:35:48,920
Speaker 1: then I was like, Okay, if y'all really want to

2820
02:35:49,160 --> 02:35:51,720
Speaker 1: do some ship, we'll do something together. And so I

2821
02:35:51,840 --> 02:35:55,680
Speaker 1: took this song, I think saying that, Okay, we'll do

2822
02:35:55,840 --> 02:35:58,840
Speaker 1: this song. It's gonna be in this big movie. Uh,

2823
02:35:59,120 --> 02:36:00,840
Speaker 1: we'll do this on the other then we'll put an

2824
02:36:00,879 --> 02:36:05,440
Speaker 1: album out afterwards. So we did the song. Boom song

2825
02:36:05,600 --> 02:36:09,680
Speaker 1: came out. The motherfuckers went crazy again. It's like, okay,

2826
02:36:09,720 --> 02:36:12,280
Speaker 1: all right, I get y'all gas again. They went crazy,

2827
02:36:12,320 --> 02:36:15,160
Speaker 1: and I never I never did anything else with them

2828
02:36:15,520 --> 02:36:16,240
Speaker 1: after that point.

2829
02:36:16,520 --> 02:36:18,920
Speaker 2: What was the specific thing with Little Joe? What happened

2830
02:36:18,959 --> 02:36:20,280
Speaker 2: there Little Joe?

2831
02:36:20,560 --> 02:36:23,520
Speaker 1: Little Joe used to work for me as an entertainment

2832
02:36:23,640 --> 02:36:27,119
Speaker 1: How did he get ownership of stuff in my opinion.

2833
02:36:27,360 --> 02:36:31,600
Speaker 6: He conspired with with Richard Wolf.

2834
02:36:32,600 --> 02:36:35,000
Speaker 1: It's my opinion he had conspired with him when we

2835
02:36:35,120 --> 02:36:40,440
Speaker 1: went to college with another lawyer and they then orchestrated

2836
02:36:41,040 --> 02:36:46,120
Speaker 1: bull Ship to uh to steal those masters. You know,

2837
02:36:46,440 --> 02:36:48,199
Speaker 1: he hired a lawyer.

2838
02:36:48,280 --> 02:36:50,279
Speaker 2: Like physically steal the masters.

2839
02:36:50,120 --> 02:36:56,920
Speaker 1: Well not physically legally, legally and so you know, he

2840
02:36:57,480 --> 02:37:01,360
Speaker 1: hired this lawyer named Manzini. Manzini then ended up getting

2841
02:37:01,440 --> 02:37:04,880
Speaker 1: disbarred because he was the worst lawyer ever in my

2842
02:37:05,000 --> 02:37:06,200
Speaker 1: opinion and in the.

2843
02:37:07,720 --> 02:37:08,480
Speaker 6: Court's opinion.

2844
02:37:08,800 --> 02:37:13,160
Speaker 1: And uh and so and then he worked on the

2845
02:37:13,200 --> 02:37:16,240
Speaker 1: two Live Crew and got them, you know, uh, the

2846
02:37:16,360 --> 02:37:19,880
Speaker 1: side with him. They had not they were getting ready

2847
02:37:19,920 --> 02:37:24,120
Speaker 1: to re up with me, and so their contract was over.

2848
02:37:24,440 --> 02:37:26,880
Speaker 1: They never resigned with me. They were supposed to resign

2849
02:37:26,959 --> 02:37:30,520
Speaker 1: with me doing that Hu Chibama record and U two

2850
02:37:30,600 --> 02:37:33,640
Speaker 1: Live Crew, and then they went sided with this guy.

2851
02:37:34,360 --> 02:37:34,480
Speaker 4: Uh.

2852
02:37:34,840 --> 02:37:38,520
Speaker 1: And then I had all these lawsuits going on, uh

2853
02:37:39,080 --> 02:37:42,000
Speaker 1: with this EMC shot d which they were saying, oh,

2854
02:37:42,120 --> 02:37:45,360
Speaker 1: he sold all these records, and then mind you I

2855
02:37:45,480 --> 02:37:46,160
Speaker 1: had Uh.

2856
02:37:46,760 --> 02:37:49,600
Speaker 6: Then I ended up in the involuntary bankruptcy.

2857
02:37:50,200 --> 02:37:54,200
Speaker 1: Love Joe went to different creditors because if you don't know,

2858
02:37:54,440 --> 02:37:57,760
Speaker 1: you can have three creditors say that that you didn't

2859
02:37:57,760 --> 02:38:00,840
Speaker 1: pay him, and you can go and fire. They can

2860
02:38:00,920 --> 02:38:04,360
Speaker 1: put you into an involuntary bankruptcy. All you got to

2861
02:38:04,400 --> 02:38:07,680
Speaker 1: take us If one motherfucker say your light bill, you

2862
02:38:07,720 --> 02:38:10,240
Speaker 1: ain't gonna pay another motherfucker say the mott man and

2863
02:38:10,879 --> 02:38:15,000
Speaker 1: uh the cigarette man. So that I ended up into that.

2864
02:38:15,400 --> 02:38:20,160
Speaker 1: He orchestrated that the court found them, uh guilty for that,

2865
02:38:20,320 --> 02:38:22,840
Speaker 1: for doing that, for doing that, we actually went to

2866
02:38:22,959 --> 02:38:27,480
Speaker 1: court because again it's like, yeah, the dude the file,

2867
02:38:27,640 --> 02:38:30,880
Speaker 1: and so you know, I had all these other all

2868
02:38:30,959 --> 02:38:33,640
Speaker 1: these other cases going with all this other sample ship,

2869
02:38:34,000 --> 02:38:36,080
Speaker 1: and so I was like, okay, how do you spell relief?

2870
02:38:36,520 --> 02:38:40,520
Speaker 1: You know, fucking chapter eleven? And so eventually I ended

2871
02:38:40,600 --> 02:38:44,920
Speaker 1: up going chapter eleven, uh, and then buying my way

2872
02:38:44,959 --> 02:38:48,320
Speaker 1: out of it. But then how in it they then

2873
02:38:48,800 --> 02:38:52,280
Speaker 1: kind of got uh the ownership of the name. I

2874
02:38:52,360 --> 02:38:54,119
Speaker 1: gave it the fresh kid Ice.

2875
02:38:56,160 --> 02:38:56,320
Speaker 6: Yeah.

2876
02:38:56,920 --> 02:38:58,560
Speaker 3: I always say, yeah, I always said.

2877
02:38:59,400 --> 02:39:03,720
Speaker 1: I always said majority rule in the group because I again,

2878
02:39:04,720 --> 02:39:07,160
Speaker 1: you know, I license everything, and I'm like, yo, y'all

2879
02:39:07,200 --> 02:39:09,960
Speaker 1: want to move that direction, y'all good luck, you know

2880
02:39:09,959 --> 02:39:13,000
Speaker 1: what I'm saying. And so they got the name and eventually,

2881
02:39:13,480 --> 02:39:17,800
Speaker 1: when they got the name, they lost their name to

2882
02:39:17,959 --> 02:39:26,600
Speaker 1: him because fresh Kid Ice had to file bankruptcy. Whatever happened.

2883
02:39:26,680 --> 02:39:30,320
Speaker 1: He wasn't getting paid and he ended up filing bankruptcy.

2884
02:39:30,400 --> 02:39:32,680
Speaker 1: Then Joe ended up getting control of the name.

2885
02:39:33,240 --> 02:39:33,720
Speaker 5: And then.

2886
02:39:35,240 --> 02:39:38,840
Speaker 1: Brother Marquise, God bless his soul, he ended up filing

2887
02:39:38,920 --> 02:39:43,360
Speaker 1: bankruptcy because obviously they were on that label and they

2888
02:39:43,440 --> 02:39:46,920
Speaker 1: weren't getting paid for their understanding and they had to

2889
02:39:46,959 --> 02:39:50,600
Speaker 1: eventually file bankruptcy in that case. And right now the

2890
02:39:50,720 --> 02:39:54,440
Speaker 1: most interesting part of it all is how me and

2891
02:39:54,560 --> 02:39:57,600
Speaker 1: Marquise came back together and Chris came back together is

2892
02:39:57,640 --> 02:39:58,600
Speaker 1: through their families.

2893
02:39:59,400 --> 02:40:02,760
Speaker 3: Because where right now going to court to take the.

2894
02:40:02,840 --> 02:40:06,080
Speaker 1: Masters back from Joe from Little Joe because thirty five

2895
02:40:06,200 --> 02:40:11,440
Speaker 1: years of copyright, Yeah, it's supposed to revert. So we

2896
02:40:11,560 --> 02:40:16,800
Speaker 1: got to hear in uh actually in October, uh here

2897
02:40:16,920 --> 02:40:22,400
Speaker 1: in in federal court to get the get the Masters back.

2898
02:40:22,480 --> 02:40:26,320
Speaker 3: And is you know, Marquise was living, We know all

2899
02:40:26,520 --> 02:40:29,080
Speaker 3: what's going on. He sided with us.

2900
02:40:29,760 --> 02:40:34,120
Speaker 1: Mister Mix is over there with them, Fred, Yeah, Rich

2901
02:40:34,200 --> 02:40:40,160
Speaker 1: Kid Ice family is here because uh, mister Mix is

2902
02:40:40,240 --> 02:40:41,000
Speaker 1: running around.

2903
02:40:40,800 --> 02:40:41,800
Speaker 6: As the two Live crew.

2904
02:40:42,360 --> 02:40:44,560
Speaker 1: They book him. So you see a show two Live

2905
02:40:44,640 --> 02:40:46,320
Speaker 1: Crew you think of two Live Crew is coming. No,

2906
02:40:46,840 --> 02:40:50,480
Speaker 1: it's him only and probably some of his other friends

2907
02:40:51,360 --> 02:40:52,840
Speaker 1: on stage singing the songs.

2908
02:40:53,280 --> 02:40:53,920
Speaker 6: You know what I'm saying.

2909
02:40:54,000 --> 02:40:55,920
Speaker 1: So that's what you get. Like, I get a lot

2910
02:40:55,920 --> 02:40:58,920
Speaker 1: of people asking me, like, yo, you're performing in No,

2911
02:41:00,400 --> 02:41:04,800
Speaker 1: you know what I'm saying. So, Uh, he allows him

2912
02:41:04,920 --> 02:41:10,640
Speaker 1: to use the name because he owns the name. Yeah,

2913
02:41:10,720 --> 02:41:13,039
Speaker 1: he allows some to users them. But whatever deal they got,

2914
02:41:13,200 --> 02:41:15,760
Speaker 1: I don't know. But at the end of the day,

2915
02:41:17,640 --> 02:41:21,720
Speaker 1: we'll be in federal court down the street up so hopefully, uh,

2916
02:41:22,560 --> 02:41:25,880
Speaker 1: you know, God willing we get this catalog back. And

2917
02:41:25,920 --> 02:41:29,240
Speaker 1: then the beautiful part about it, because you know, Mark

2918
02:41:29,480 --> 02:41:33,800
Speaker 1: then died, God bless us olds that, you know, getting

2919
02:41:33,800 --> 02:41:37,560
Speaker 1: that catalog back, those their families can be able to,

2920
02:41:37,959 --> 02:41:40,840
Speaker 1: you know, feel they be able to could take care

2921
02:41:40,840 --> 02:41:43,480
Speaker 1: of their family if they decide to sell it or

2922
02:41:43,480 --> 02:41:45,959
Speaker 1: if they decide to let it mature.

2923
02:41:46,200 --> 02:41:47,320
Speaker 6: And do whatever they want to do.

2924
02:41:47,360 --> 02:41:49,120
Speaker 1: Because I mean, there were a couple of times in

2925
02:41:49,240 --> 02:41:52,960
Speaker 1: the in the uh they try to settle in the

2926
02:41:53,879 --> 02:41:56,600
Speaker 1: court proceedings. I was like, nah, fuck that, you know

2927
02:41:56,600 --> 02:41:59,160
Speaker 1: what I'm saying. I was like, look, whatever he offering, y'all,

2928
02:41:59,200 --> 02:42:02,959
Speaker 1: I'll give you that, you know, and and to the family,

2929
02:42:03,160 --> 02:42:06,280
Speaker 1: to Chris family, and and and Mark when he was

2930
02:42:06,360 --> 02:42:09,520
Speaker 1: living and I was like, look, I'll give you double.

2931
02:42:10,120 --> 02:42:11,760
Speaker 1: You know, we're gonna see this ship to the bus

2932
02:42:11,879 --> 02:42:16,000
Speaker 1: out because that music don't belong to him, It belongs

2933
02:42:16,040 --> 02:42:17,160
Speaker 1: to to us.

2934
02:42:17,560 --> 02:42:18,160
Speaker 6: We made it.

2935
02:42:18,840 --> 02:42:24,160
Speaker 1: I mean we fucking was living in in apartments doing music.

2936
02:42:24,480 --> 02:42:27,840
Speaker 1: You know what I'm saying. This fucking guy. Uh, in

2937
02:42:27,959 --> 02:42:32,280
Speaker 1: my opinion, you know, got away with murder. Right, Let's

2938
02:42:32,320 --> 02:42:32,879
Speaker 1: tell what is.

2939
02:42:32,920 --> 02:42:36,320
Speaker 3: Biopic Will Packer? Is it still happening?

2940
02:42:37,160 --> 02:42:39,600
Speaker 1: Yeah? Yeah, I mean the crazy party, But I mean

2941
02:42:39,680 --> 02:42:42,520
Speaker 1: we have a couple of wrinkles that we're working out

2942
02:42:42,560 --> 02:42:46,120
Speaker 1: that I'm pretty much working out on my my my

2943
02:42:46,320 --> 02:42:50,160
Speaker 1: side of it. Uh, you know, because when you get

2944
02:42:50,200 --> 02:42:52,760
Speaker 1: into these biopics, you kind of want to be able

2945
02:42:52,800 --> 02:42:54,800
Speaker 1: to You gotta be there to do it.

2946
02:42:54,920 --> 02:42:56,320
Speaker 6: You gotta have some kind of control.

2947
02:42:58,480 --> 02:43:02,680
Speaker 1: And now the Compton one set the bar you gotta yeah.

2948
02:43:03,240 --> 02:43:07,480
Speaker 3: Yeah, yeah, So you can't be like you can't be

2949
02:43:08,400 --> 02:43:09,320
Speaker 3: you gotta you know.

2950
02:43:09,520 --> 02:43:12,240
Speaker 1: So that's where the sticky parts of it that like

2951
02:43:12,320 --> 02:43:13,960
Speaker 1: I was talking to my lawyer today about it.

2952
02:43:14,600 --> 02:43:16,920
Speaker 3: Uh, but it's still happening. Yeah, still happened.

2953
02:43:17,160 --> 02:43:19,520
Speaker 1: I mean, I got like a couple of different I

2954
02:43:19,560 --> 02:43:22,400
Speaker 1: should sign that contract and know lady in the next

2955
02:43:22,720 --> 02:43:23,279
Speaker 1: two weeks.

2956
02:43:23,959 --> 02:43:26,480
Speaker 6: Uh, you will pack me and Will packer.

2957
02:43:26,600 --> 02:43:29,800
Speaker 1: Yeah. Will packet has been very important for him because

2958
02:43:30,240 --> 02:43:34,040
Speaker 1: he's a director and super talented. And he's from Florida.

2959
02:43:34,640 --> 02:43:38,560
Speaker 1: That's I didn't know that he was Atlanta for some reason. No,

2960
02:43:38,760 --> 02:43:41,160
Speaker 1: he's from reason. I thought he's from Atlanta. Yeah, and

2961
02:43:41,320 --> 02:43:44,800
Speaker 1: he's from Florida. That's so he lived that ship. He

2962
02:43:44,959 --> 02:43:47,320
Speaker 1: understand he went to FAMI. You you know what I'm saying.

2963
02:43:47,480 --> 02:43:51,160
Speaker 1: Will will understand at the party. He was at the party.

2964
02:43:51,320 --> 02:43:54,440
Speaker 1: You understand the party. You know, the culture at he wasn't.

2965
02:43:54,720 --> 02:44:01,280
Speaker 3: His mama was at the man.

2966
02:44:01,640 --> 02:44:04,080
Speaker 6: Will is my man. Yeah.

2967
02:44:04,120 --> 02:44:06,400
Speaker 3: But that that's great, great guy.

2968
02:44:06,600 --> 02:44:09,200
Speaker 1: I mean, so it all makes sense. And then it

2969
02:44:09,280 --> 02:44:12,840
Speaker 1: all makes sense to do that right now. I mean

2970
02:44:12,920 --> 02:44:15,400
Speaker 1: I love the good part about it. I mean we

2971
02:44:15,520 --> 02:44:20,560
Speaker 1: did Freak nickd and Uh Warriors documentary. I did that,

2972
02:44:20,680 --> 02:44:23,920
Speaker 1: what Lebron, I love this, you know, shot him kind

2973
02:44:23,959 --> 02:44:34,240
Speaker 1: of uh push yeah, kind of put it finished me

2974
02:44:35,120 --> 02:44:38,720
Speaker 1: to tell stories on on uh you know, through videos,

2975
02:44:38,840 --> 02:44:39,600
Speaker 1: through visuals.

2976
02:44:39,680 --> 02:44:42,520
Speaker 7: So I've been you have laid down history man it

2977
02:44:42,680 --> 02:44:45,600
Speaker 7: needed because if you don't tell it, nobody else If.

2978
02:44:45,640 --> 02:44:47,760
Speaker 1: If if you don't tell it, nobody, nobody will. And

2979
02:44:47,840 --> 02:44:51,840
Speaker 1: that that's the beautiful part about it. You know, nobody

2980
02:44:51,959 --> 02:44:55,280
Speaker 1: knows our story. Nobody knows it. You know. I used

2981
02:44:55,280 --> 02:44:58,000
Speaker 1: to feel real fucked up some kind of way that

2982
02:44:58,160 --> 02:45:00,360
Speaker 1: we ain't on the cover of Vibe, you know, we

2983
02:45:00,480 --> 02:45:03,920
Speaker 1: only got a source and nobody's talking about us. But

2984
02:45:04,040 --> 02:45:05,840
Speaker 1: then when I look at it right now, I'm like, damn,

2985
02:45:05,879 --> 02:45:08,760
Speaker 1: that's some good ship, because we got so many stories

2986
02:45:08,840 --> 02:45:12,560
Speaker 1: to tell you. I got the ship, you know, I

2987
02:45:12,640 --> 02:45:15,600
Speaker 1: got all the I got the fucking date on the beach,

2988
02:45:15,720 --> 02:45:18,200
Speaker 1: I got you think freak nick was this? And I

2989
02:45:18,280 --> 02:45:21,160
Speaker 1: got all you know, and I got the whole plan

2990
02:45:21,360 --> 02:45:26,480
Speaker 1: in the first Instagram do you think? So you documented

2991
02:45:26,600 --> 02:45:30,400
Speaker 1: order ship? That's deep. So I need a check from

2992
02:45:30,440 --> 02:45:39,560
Speaker 1: Instagram Insta, my mother fucking check. It's better half my money.

2993
02:45:44,440 --> 02:45:50,560
Speaker 1: Everything you've been through. You got kids, got grandchildren, he said,

2994
02:45:50,760 --> 02:45:56,080
Speaker 1: he said one that God damn true.

2995
02:45:56,120 --> 02:45:59,080
Speaker 3: Look fashion, you still never watched Star Wars.

2996
02:45:59,840 --> 02:46:04,560
Speaker 1: I used to watch him. Don't watch him never, No,

2997
02:46:05,160 --> 02:46:07,720
Speaker 1: never watched it that you said you used to those

2998
02:46:08,000 --> 02:46:09,720
Speaker 1: used to before this suite.

2999
02:46:10,480 --> 02:46:15,680
Speaker 6: I was just you know, Star Wars. George Lucas like.

3000
02:46:20,840 --> 02:46:23,080
Speaker 1: He just he's in peace, He's day.

3001
02:46:23,480 --> 02:46:25,680
Speaker 2: No, but nobody knew he was really dark, baby, you

3002
02:46:25,680 --> 02:46:26,120
Speaker 2: know what I'm saying.

3003
02:46:26,480 --> 02:46:29,720
Speaker 1: We knew that. No, but a lot of people out

3004
02:46:29,760 --> 02:46:30,920
Speaker 1: did that black man.

3005
02:46:31,040 --> 02:46:32,360
Speaker 2: You know when the guy took off his mask, he

3006
02:46:32,440 --> 02:46:33,199
Speaker 2: was a British dude.

3007
02:46:33,360 --> 02:46:36,520
Speaker 1: Listen, they put the black man in a black outfit. Yeah,

3008
02:46:37,240 --> 02:46:40,360
Speaker 1: he was the fucking bad guy. He was just a voice.

3009
02:46:40,840 --> 02:46:45,039
Speaker 1: Really was voices who you are? True, it was who

3010
02:46:45,480 --> 02:46:48,960
Speaker 1: he was. Back an fucking George Lucas, I'm not Elles, dude,

3011
02:46:49,160 --> 02:46:53,680
Speaker 1: but let me know, but real real talk. I mean, George,

3012
02:46:53,800 --> 02:46:56,440
Speaker 1: I mean this motherfucker got five hundred thousand dollars from me.

3013
02:46:57,920 --> 02:47:01,160
Speaker 1: You have that back. You had to pay money back.

3014
02:47:01,400 --> 02:47:02,160
Speaker 1: You had to pay that.

3015
02:47:02,600 --> 02:47:04,080
Speaker 6: I want my money back. I ain't playing.

3016
02:47:04,760 --> 02:47:08,400
Speaker 1: Hey, George Lucas, doubt you listen to drinks pay motherfucker, Luke,

3017
02:47:08,920 --> 02:47:12,440
Speaker 1: that's the mother put my money back. He got how

3018
02:47:13,000 --> 02:47:17,480
Speaker 1: Disney from Disney, you got billions, billions his money back,

3019
02:47:18,080 --> 02:47:22,920
Speaker 1: this motherfucker with interest. But why did he sue you?

3020
02:47:23,080 --> 02:47:27,280
Speaker 1: But what we know, Skywalker the breaking down, I'm like,

3021
02:47:28,720 --> 02:47:32,400
Speaker 1: I'm a DJ my DJ name Luke Skywalker. Right, So

3022
02:47:32,840 --> 02:47:35,400
Speaker 1: why'd you pick that name? Just so we know, I

3023
02:47:35,560 --> 02:47:42,560
Speaker 1: kind of got the idea from Kenny Skywalker, the basketball player, right,

3024
02:47:44,800 --> 02:47:47,640
Speaker 1: I think during that time and so it was like

3025
02:47:48,720 --> 02:47:51,840
Speaker 1: nothing started. Sir Luke my first name was Sir Luke.

3026
02:47:51,920 --> 02:47:54,680
Speaker 1: He was he was a British general. No one, no

3027
02:47:54,840 --> 02:47:58,160
Speaker 1: one with a suit, he was a knight. No one

3028
02:47:58,240 --> 02:48:02,560
Speaker 1: I would have got out of that had been what

3029
02:48:02,879 --> 02:48:08,480
Speaker 1: history is, sirt little records, you never know, the muld

3030
02:48:08,520 --> 02:48:15,000
Speaker 1: have been the favorite, like he's time, the JITs, the Queen.

3031
02:48:17,760 --> 02:48:23,520
Speaker 1: So the cool ideas, I mean, no strippers and ship,

3032
02:48:24,480 --> 02:48:27,800
Speaker 1: no no turking, y'all call it, yeah, no bootish shaking.

3033
02:48:28,120 --> 02:48:32,320
Speaker 1: So so at the end of the day, come on,

3034
02:48:32,520 --> 02:48:35,760
Speaker 1: that's my DJ name, Luke Skywalker. Luke Skywalker. It was

3035
02:48:36,400 --> 02:48:38,720
Speaker 1: it was really, I want to say it was before

3036
02:48:41,760 --> 02:48:44,119
Speaker 1: the Star Wars movie. Then the Star Wars movie came.

3037
02:48:44,480 --> 02:48:47,920
Speaker 1: I said, okay, then I started this record company because

3038
02:48:48,000 --> 02:48:52,959
Speaker 1: my DJ name is Sir lukedan uh Luke Skywalker DJ

3039
02:48:53,080 --> 02:48:56,520
Speaker 1: in So then I end up going, what ends up happening?

3040
02:48:57,600 --> 02:49:02,880
Speaker 1: You got this Star Wars ship going on? Actually said, well,

3041
02:49:03,360 --> 02:49:08,199
Speaker 1: you got New York Life, you got this Kenny Skywalker.

3042
02:49:08,240 --> 02:49:10,800
Speaker 1: You got you know you can have you got Miami this,

3043
02:49:11,160 --> 02:49:11,760
Speaker 1: Miami there.

3044
02:49:12,360 --> 02:49:16,000
Speaker 3: You know I'm not doing I'm not the white guy

3045
02:49:16,120 --> 02:49:16,800
Speaker 3: with no ship.

3046
02:49:16,840 --> 02:49:19,320
Speaker 1: I'm not doing a movie, you know. So in my

3047
02:49:19,480 --> 02:49:24,200
Speaker 1: mind I was. I was because I wasn't doing a

3048
02:49:24,400 --> 02:49:26,800
Speaker 1: movie and I was portraying the character and I wasn't

3049
02:49:26,800 --> 02:49:32,280
Speaker 1: in violation of no copyrights in my mind, So this

3050
02:49:32,520 --> 02:49:38,520
Speaker 1: doing the controversy, I still just me because I know

3051
02:49:38,600 --> 02:49:39,600
Speaker 1: how the bullshit work.

3052
02:49:40,320 --> 02:49:45,879
Speaker 6: I still got a letter from George Lucas.

3053
02:49:47,080 --> 02:49:52,320
Speaker 1: Asking for authorization to use the names. He's sending you

3054
02:49:52,440 --> 02:49:52,760
Speaker 1: a letter.

3055
02:49:52,920 --> 02:49:55,200
Speaker 3: I sent him a letter. You sent him a letter,

3056
02:49:55,400 --> 02:49:56,880
Speaker 3: I got authorization.

3057
02:49:58,200 --> 02:50:00,840
Speaker 1: And he give it you. Yes, What the fuck happened?

3058
02:50:01,320 --> 02:50:04,039
Speaker 1: So all the controversy going on, You got the President

3059
02:50:04,080 --> 02:50:07,800
Speaker 1: of the United States Vice president saying all this Two

3060
02:50:07,879 --> 02:50:11,199
Speaker 1: Life Crew music is horrible. You got the Governor Martinez,

3061
02:50:11,280 --> 02:50:14,640
Speaker 1: all this ship the horrible. You got these lawyers writing

3062
02:50:14,760 --> 02:50:16,199
Speaker 1: letters to George Lucas.

3063
02:50:16,320 --> 02:50:17,199
Speaker 6: How the fuck.

3064
02:50:20,000 --> 02:50:21,879
Speaker 1: You got the world coming down on me? And they

3065
02:50:22,040 --> 02:50:26,680
Speaker 1: sending letters to anybody to venues the radio fold and

3066
02:50:26,800 --> 02:50:30,640
Speaker 1: so boomrush fucking George Lucas with letters talking about how

3067
02:50:30,800 --> 02:50:33,199
Speaker 1: dare you let him use the name Luke Scott Walker.

3068
02:50:33,240 --> 02:50:35,520
Speaker 1: You got to suit this motherfucker. So it was about

3069
02:50:35,600 --> 02:50:38,920
Speaker 1: really draining me for all my money to put me

3070
02:50:39,000 --> 02:50:39,640
Speaker 1: out of business.

3071
02:50:39,720 --> 02:50:42,120
Speaker 3: That was the whole plate, you feel me. And so

3072
02:50:42,320 --> 02:50:43,200
Speaker 3: he didn't sue me.

3073
02:50:43,840 --> 02:50:45,440
Speaker 2: But you couldn't used that letter that he gave you

3074
02:50:45,600 --> 02:50:46,360
Speaker 2: the rights to do it.

3075
02:50:46,520 --> 02:50:48,480
Speaker 3: I used the fucking judge say fuck the letter.

3076
02:50:48,879 --> 02:50:53,000
Speaker 1: Oh my gosh, Bro, I was going through so many

3077
02:50:53,120 --> 02:50:56,879
Speaker 1: fucking hearings, even on me, so horney, the girls, who

3078
02:50:57,080 --> 02:50:59,879
Speaker 1: was you know on the beginning of it was.

3079
02:51:01,720 --> 02:51:03,520
Speaker 6: I got sued from everybody. I was in court.

3080
02:51:03,600 --> 02:51:05,600
Speaker 1: The judge was like, yo, only boy I heard just

3081
02:51:06,040 --> 02:51:08,480
Speaker 1: wanted to hear this case was I wanted to see

3082
02:51:08,480 --> 02:51:13,320
Speaker 1: the bitches. My judge brought me in the back. He's like,

3083
02:51:13,400 --> 02:51:16,000
Speaker 1: mister camb I need to see you in my office.

3084
02:51:16,120 --> 02:51:19,080
Speaker 1: What are the lawyers? And I go in the back

3085
02:51:19,120 --> 02:51:20,760
Speaker 1: and he was like, yo, man, what the fucking needs

3086
02:51:20,879 --> 02:51:25,360
Speaker 1: honly bitches? Oh my, I said, mother fuck you got

3087
02:51:25,400 --> 02:51:27,120
Speaker 1: me up in here with the jury sitting now and

3088
02:51:27,240 --> 02:51:30,480
Speaker 1: tell him throw out some cases. He threw it out.

3089
02:51:30,640 --> 02:51:32,520
Speaker 1: Oh he's a good he's a real Nicholas.

3090
02:51:36,600 --> 02:51:39,200
Speaker 3: I been telling my ship, bro, And look it's so

3091
02:51:39,320 --> 02:51:40,359
Speaker 3: much shit I don't forgotten.

3092
02:51:41,040 --> 02:51:44,280
Speaker 1: Now you gotta put in the movie. It's hard. That's

3093
02:51:44,320 --> 02:51:46,240
Speaker 1: why it was hard for me to do a movie

3094
02:51:46,320 --> 02:51:50,000
Speaker 1: because I originally had to deal with Lionsgate to do

3095
02:51:50,160 --> 02:51:53,840
Speaker 1: the movie, and then biopick the bio pick.

3096
02:51:53,920 --> 02:51:56,360
Speaker 6: But I was like doclementary bio pick.

3097
02:51:56,640 --> 02:51:59,320
Speaker 1: I'm like, it's too much ship. So that's why I

3098
02:51:59,440 --> 02:52:03,959
Speaker 1: started cutting up stuff. I did The Warriors with Lebron

3099
02:52:05,200 --> 02:52:06,280
Speaker 1: on my football team.

3100
02:52:06,480 --> 02:52:07,760
Speaker 6: Then I did Freak Nick.

3101
02:52:08,320 --> 02:52:15,039
Speaker 1: Then I have another show that that I have that's

3102
02:52:15,080 --> 02:52:17,200
Speaker 1: a part of my life story. I say, because I

3103
02:52:17,280 --> 02:52:21,240
Speaker 1: can't put it all in one. You know, I could

3104
02:52:21,280 --> 02:52:25,880
Speaker 1: spend a whole movie on the whole censorship part of it.

3105
02:52:26,480 --> 02:52:28,560
Speaker 1: You know what I'm saying, It's difficult. When I started

3106
02:52:28,600 --> 02:52:30,480
Speaker 1: looking at it, I'm like, I may need to do

3107
02:52:30,560 --> 02:52:33,600
Speaker 1: a scripted series because this ship is really difficult, like

3108
02:52:34,920 --> 02:52:39,720
Speaker 1: Wu Tang. Yeah, so I would be crazy, So we

3109
02:52:40,000 --> 02:52:42,680
Speaker 1: kind of. I was able to cut up a lot

3110
02:52:42,760 --> 02:52:44,920
Speaker 1: of stories to be able to get those stories told.

3111
02:52:45,080 --> 02:52:50,000
Speaker 1: I've carved out quite a few other stories that I'm

3112
02:52:50,080 --> 02:52:54,200
Speaker 1: doing as projects in this thing. Because again, you know,

3113
02:52:54,320 --> 02:52:57,760
Speaker 1: when you sign up with Paramount or anybody like that,

3114
02:52:58,080 --> 02:53:00,720
Speaker 1: they want all your fucking rights. And so I did

3115
02:53:00,760 --> 02:53:05,720
Speaker 1: all these carve outs of all these other projects. Yeah yeah, Now,

3116
02:53:06,200 --> 02:53:09,440
Speaker 1: so I did carve outs because I know what the

3117
02:53:09,520 --> 02:53:12,160
Speaker 1: movie is, I know what the strip is. Uh, we

3118
02:53:12,320 --> 02:53:14,760
Speaker 1: know what we're going to accomplish with that. But then

3119
02:53:14,879 --> 02:53:16,440
Speaker 1: I say, okay, I need to be able to do

3120
02:53:16,600 --> 02:53:19,720
Speaker 1: these stories right here. You can't tie my life rights

3121
02:53:19,760 --> 02:53:21,200
Speaker 1: for all these other stories, right.

3122
02:53:22,160 --> 02:53:24,720
Speaker 2: You know, my boy Evan worked with you from that

3123
02:53:24,879 --> 02:53:26,599
Speaker 2: work with Cocaine Cowboys.

3124
02:53:26,200 --> 02:53:27,240
Speaker 1: And yeah we did.

3125
02:53:28,720 --> 02:53:29,119
Speaker 6: Literacy.

3126
02:53:29,320 --> 02:53:32,640
Speaker 1: Yeah yeah, yeah, and he always advocates for everything you're doing. Yeah.

3127
02:53:32,720 --> 02:53:34,560
Speaker 3: Yeah, good dude, yeah Evan good.

3128
02:53:34,600 --> 02:53:34,800
Speaker 1: Yeah.

3129
02:53:37,560 --> 02:53:39,160
Speaker 3: Boot springsteak.

3130
02:53:40,160 --> 02:53:44,280
Speaker 1: Oh band from TV in the US. That's a that's

3131
02:53:44,320 --> 02:53:52,760
Speaker 1: you kick you out of TV? Yeah, kind of what

3132
02:53:52,959 --> 02:53:56,440
Speaker 1: happened because I was following you and you was bad

3133
02:53:56,480 --> 02:53:58,200
Speaker 1: from the USA. He wanted to be just bad from TV,

3134
02:53:58,320 --> 02:54:01,959
Speaker 1: so that on TV. Yeah yeah, so he said second,

3135
02:54:03,840 --> 02:54:06,360
Speaker 1: all right, so so you beat the I never looked

3136
02:54:06,400 --> 02:54:08,880
Speaker 1: at you as that kind of because you this is

3137
02:54:09,000 --> 02:54:19,560
Speaker 1: good because my uncle with Yeah, but everybody realized how

3138
02:54:19,760 --> 02:54:24,800
Speaker 1: big Bruce Springsteen fu it is you get you beat

3139
02:54:24,879 --> 02:54:29,359
Speaker 1: the case? How the fuck.

3140
02:54:30,879 --> 02:54:37,000
Speaker 3: You get Bruce Springsteen to clear the sap or did

3141
02:54:37,040 --> 02:54:40,320
Speaker 3: you not. Yeah, he had cleared.

3142
02:54:41,480 --> 02:54:45,480
Speaker 1: I mean the thing is okay, Well it was that

3143
02:54:45,680 --> 02:54:48,800
Speaker 1: was the time I was signed on Atlanta deal with

3144
02:54:48,879 --> 02:54:55,600
Speaker 1: Atlanta and so uh and so uh. They facilitated that

3145
02:54:55,920 --> 02:54:59,880
Speaker 1: to and facilitated the conversation with me, and I was like, Yo,

3146
02:55:00,000 --> 02:55:02,000
Speaker 1: I want to do this, this on this band in

3147
02:55:02,000 --> 02:55:05,120
Speaker 1: the USA. I'm gonna do this Bruce Springsteen's this ship

3148
02:55:05,240 --> 02:55:07,120
Speaker 1: was born in the US, and she was born in

3149
02:55:07,160 --> 02:55:09,359
Speaker 1: the USA, and you flipped.

3150
02:55:08,959 --> 02:55:09,200
Speaker 8: It to.

3151
02:55:10,720 --> 02:55:14,400
Speaker 1: Bad exactly and I and I didn't want to do it,

3152
02:55:15,160 --> 02:55:18,039
Speaker 1: similar to I didn't want to go down the line

3153
02:55:18,080 --> 02:55:22,800
Speaker 1: of using it without his because his approval and consent,

3154
02:55:23,520 --> 02:55:26,119
Speaker 1: because I could have. I just want the parody case,

3155
02:55:27,200 --> 02:55:29,600
Speaker 1: the Roy Obison Pretty Woman parody case.

3156
02:55:30,240 --> 02:55:32,640
Speaker 6: So I just won that motherfucking.

3157
02:55:32,240 --> 02:55:35,200
Speaker 3: Case in the Supreme Court, and I could clearly say

3158
02:55:35,360 --> 02:55:35,600
Speaker 3: that that.

3159
02:55:35,720 --> 02:55:40,040
Speaker 2: Was a parody because he's you're speaking Chinese force right now.

3160
02:55:40,840 --> 02:55:43,720
Speaker 7: Parody case meaning that you could you could emulate a

3161
02:55:43,760 --> 02:55:45,280
Speaker 7: record a certain way and it's legal.

3162
02:55:45,560 --> 02:55:48,240
Speaker 1: Yeah, the ship, what will this ship that they do

3163
02:55:48,360 --> 02:55:50,840
Speaker 1: every day on Saturday Night Live. Matter of fact, they

3164
02:55:51,240 --> 02:55:54,120
Speaker 1: fried the brief and supported me where they where you

3165
02:55:54,160 --> 02:55:57,600
Speaker 1: could poke fun. I can you know you could be

3166
02:55:57,720 --> 02:56:01,600
Speaker 1: similar to something, but you're just that's the parody exactly,

3167
02:56:01,640 --> 02:56:03,560
Speaker 1: and then you save so.

3168
02:56:04,040 --> 02:56:07,720
Speaker 2: Like what's the weird Al Yankovich, He's doing parodies all day.

3169
02:56:07,640 --> 02:56:11,600
Speaker 1: Long, Bobby, Jimmy and all them, and so those are

3170
02:56:11,920 --> 02:56:16,720
Speaker 1: you know, it's satire, you know, so basically so so

3171
02:56:17,200 --> 02:56:19,520
Speaker 1: when I went, I could have did it like that,

3172
02:56:20,640 --> 02:56:23,320
Speaker 1: but I said, and that's why I say, all these

3173
02:56:23,360 --> 02:56:28,520
Speaker 1: other artists, when you're sampling people voice and ship and

3174
02:56:28,600 --> 02:56:31,800
Speaker 1: putting them on a record, you know, the respectful thing

3175
02:56:31,920 --> 02:56:34,240
Speaker 1: to do is call the person up.

3176
02:56:35,280 --> 02:56:37,400
Speaker 6: You know what I'm saying, you know, call the person up.

3177
02:56:37,480 --> 02:56:37,800
Speaker 6: That's why.

3178
02:56:38,280 --> 02:56:41,360
Speaker 1: That's why, you know, you know, even with the French

3179
02:56:41,480 --> 02:56:44,119
Speaker 1: Montana thing, I was like felt some kind of way

3180
02:56:44,240 --> 02:56:46,039
Speaker 1: like called me up and.

3181
02:56:46,160 --> 02:56:48,400
Speaker 3: Be like, yo, man, I'm using your voice and this ship.

3182
02:56:48,440 --> 02:56:51,560
Speaker 1: Whether you sample it or whether you paid Little Joe

3183
02:56:51,640 --> 02:56:53,920
Speaker 1: or whoever the fuck you paid, you got my voice

3184
02:56:53,959 --> 02:56:54,400
Speaker 1: in this ship.

3185
02:56:54,959 --> 02:56:57,720
Speaker 6: You feel me out of respect, you know.

3186
02:56:57,800 --> 02:57:01,320
Speaker 1: And so I think eventually, because an Frinch is a

3187
02:57:01,360 --> 02:57:06,080
Speaker 1: great girl guy, and he's a frist great friend of minds, right,

3188
02:57:06,520 --> 02:57:12,760
Speaker 1: and eventually somebody's going to example sample French right right exactly,

3189
02:57:12,760 --> 02:57:16,720
Speaker 1: and so I did that with Bruce and like I'm

3190
02:57:16,800 --> 02:57:19,360
Speaker 1: being I had the conversation with her, look at me.

3191
02:57:19,440 --> 02:57:21,080
Speaker 1: I need to speak to this man before I use

3192
02:57:21,200 --> 02:57:22,520
Speaker 1: this ship. You know.

3193
02:57:22,560 --> 02:57:24,520
Speaker 6: I want him to wake up in and.

3194
02:57:24,720 --> 02:57:28,080
Speaker 3: See me on the MTVMP He cleared. That was another

3195
02:57:28,200 --> 02:57:28,560
Speaker 3: bet that.

3196
02:57:28,680 --> 02:57:30,280
Speaker 1: We all do. You think he cleared it because he

3197
02:57:30,360 --> 02:57:32,560
Speaker 1: understood what she was doing with the record. He clear it.

3198
02:57:33,120 --> 02:57:38,720
Speaker 1: He understood the mission that music should not be used, uh,

3199
02:57:39,760 --> 02:57:42,760
Speaker 1: it should not be censored. So he understood the whole

3200
02:57:43,400 --> 02:57:46,480
Speaker 1: the whole vibe and everything that that that I was

3201
02:57:46,560 --> 02:57:47,000
Speaker 1: fighting for.

3202
02:57:47,560 --> 02:57:51,880
Speaker 3: And he was like, Yohama, man, I prove this. And

3203
02:57:52,040 --> 02:57:54,280
Speaker 3: I was him, what you're doing and all that.

3204
02:57:54,800 --> 02:57:54,960
Speaker 4: You know.

3205
02:57:55,000 --> 02:57:57,440
Speaker 1: It was a nice little conversation me and Hi man,

3206
02:57:57,560 --> 02:58:00,360
Speaker 1: and and I was, you know, I was like, Okay,

3207
02:58:00,400 --> 02:58:01,960
Speaker 1: that's some good ship, you know.

3208
02:58:02,080 --> 02:58:05,000
Speaker 3: But I really think it's really important, you know.

3209
02:58:05,040 --> 02:58:07,800
Speaker 1: And I love all these artists when they I'm flattered

3210
02:58:07,959 --> 02:58:11,800
Speaker 1: by the French, Montanas and everybody else who sampled my

3211
02:58:12,000 --> 02:58:15,400
Speaker 1: voice in records. But then at the same time, I

3212
02:58:15,560 --> 02:58:17,760
Speaker 1: think you should get on the phone and call whether

3213
02:58:17,800 --> 02:58:21,000
Speaker 1: it's me or anybody else, and be like yo, you know.

3214
02:58:21,200 --> 02:58:23,040
Speaker 3: I'm I just tapped in.

3215
02:58:23,440 --> 02:58:25,280
Speaker 6: Yeah, I just tapped in. You feel me.

3216
02:58:25,480 --> 02:58:28,240
Speaker 2: Figure out how to use you actually in the record,

3217
02:58:28,440 --> 02:58:29,879
Speaker 2: like in the video or something.

3218
02:58:31,640 --> 02:58:37,040
Speaker 1: That check it in. Check it's not No, it's not

3219
02:58:38,000 --> 02:58:41,520
Speaker 1: paying respect to what you're using. Checking it is when

3220
02:58:41,560 --> 02:58:44,880
Speaker 1: you go somewhere that's not checking. No, they ain't checking in.

3221
02:58:45,560 --> 02:58:47,160
Speaker 1: See back in the days, they used to check in

3222
02:58:47,240 --> 02:58:50,640
Speaker 1: when they come to Miami. But then everybody got us off, right.

3223
02:58:56,400 --> 02:58:59,400
Speaker 1: But if mother had to check in for real, yo

3224
02:59:00,120 --> 02:59:03,240
Speaker 1: up now okay, all right, okay, yeah, but now you

3225
02:59:03,320 --> 02:59:05,920
Speaker 1: know I left some other people in control and they

3226
02:59:06,080 --> 02:59:10,280
Speaker 1: just fucking open their legs up. But I mean you

3227
02:59:10,440 --> 02:59:16,560
Speaker 1: helped them. Look, but any anyway, meanwhile, back at the ranch,

3228
02:59:17,120 --> 02:59:18,519
Speaker 1: back at the drink camp.

3229
02:59:23,959 --> 02:59:28,400
Speaker 12: I'm gonna tell this for my second. You smoked all

3230
02:59:28,440 --> 02:59:30,680
Speaker 12: them fucking joints. That's why you're talking about us right here.

3231
02:59:30,959 --> 02:59:35,560
Speaker 3: That's why you put them. Okay, God, damn well, Uncle

3232
02:59:35,640 --> 02:59:42,480
Speaker 3: lou Man, we really not. I'm not speaking for you.

3233
02:59:43,600 --> 02:59:49,160
Speaker 1: I'm speaking from a fucking all the rappers that say

3234
02:59:49,280 --> 02:59:53,200
Speaker 1: some dumb ship. Not dumb ship, all right, let's say

3235
02:59:53,240 --> 02:59:57,160
Speaker 1: the ship that they relate to. If it wasn't for you,

3236
02:59:58,480 --> 02:59:59,800
Speaker 1: we wouldn't have none of that.

3237
03:00:01,480 --> 03:00:06,520
Speaker 3: Do you realize that I just go about my business

3238
03:00:06,959 --> 03:00:07,560
Speaker 3: doing what I do.

3239
03:00:07,680 --> 03:00:10,800
Speaker 1: And you know, I, you know, like a lot a

3240
03:00:10,840 --> 03:00:13,120
Speaker 1: lot of people tell me that, you know, when they

3241
03:00:13,760 --> 03:00:16,960
Speaker 1: use them legend words and all that, and I don't.

3242
03:00:17,200 --> 03:00:19,879
Speaker 1: I don't know, I don't feel a certain kind of way.

3243
03:00:19,959 --> 03:00:20,080
Speaker 8: You know.

3244
03:00:20,160 --> 03:00:25,080
Speaker 1: I just I'm just I'm humble, you know, I'm respectful

3245
03:00:25,160 --> 03:00:28,400
Speaker 1: for when people think of me in that manner. And

3246
03:00:28,560 --> 03:00:31,760
Speaker 1: I you know, I appreciate it because I've for so

3247
03:00:31,920 --> 03:00:36,280
Speaker 1: many years I've not gotten any credit for anything or

3248
03:00:36,360 --> 03:00:40,360
Speaker 1: any respect. Uh. And my city has not gotten any

3249
03:00:40,560 --> 03:00:43,800
Speaker 1: respect and credit for the things that we've done, you know.

3250
03:00:44,080 --> 03:00:48,240
Speaker 3: And uh, you know, so I appreciate it. You know,

3251
03:00:48,440 --> 03:00:50,400
Speaker 3: I really appreciate it.

3252
03:00:50,480 --> 03:00:54,160
Speaker 1: But I don't. I just I just do the right thing.

3253
03:00:54,560 --> 03:00:54,720
Speaker 1: You know.

3254
03:00:54,760 --> 03:00:55,600
Speaker 6: If I'm gonna fight for.

3255
03:00:56,520 --> 03:00:58,680
Speaker 1: A free speech, I'm ana fight for free speech, I

3256
03:00:59,000 --> 03:01:00,880
Speaker 1: fight for my community, I'm gonna do that.

3257
03:01:01,000 --> 03:01:03,200
Speaker 3: I'm gonna fight for hip hop, I'm gonna do that.

3258
03:01:03,400 --> 03:01:09,039
Speaker 1: And so whether it leads to being, you know, whether

3259
03:01:09,320 --> 03:01:13,120
Speaker 1: whatever it leads me to be where my place in

3260
03:01:13,320 --> 03:01:17,600
Speaker 1: history is, it becomes, you know, all right, that's for

3261
03:01:18,080 --> 03:01:20,840
Speaker 1: other people to determine. That's not for me. And so

3262
03:01:21,040 --> 03:01:24,520
Speaker 1: when you know, when folks say that, like like you

3263
03:01:24,760 --> 03:01:28,520
Speaker 1: and you guys, you know, giving my respect and other people,

3264
03:01:30,480 --> 03:01:31,440
Speaker 1: I'm humble by it.

3265
03:01:31,879 --> 03:01:36,240
Speaker 3: You know, I appreciate it. But at the end of day,

3266
03:01:36,240 --> 03:01:39,320
Speaker 3: I just go about my business trying to be the

3267
03:01:39,400 --> 03:01:41,959
Speaker 3: person that my old girl raised and my dad.

3268
03:01:46,280 --> 03:01:48,920
Speaker 7: Well let me say something, no, no, no, one of

3269
03:01:49,000 --> 03:01:51,440
Speaker 7: the things that I'm most proud of that people they

3270
03:01:51,480 --> 03:01:53,840
Speaker 7: always think that drink Chances was born somewhere else.

3271
03:01:54,440 --> 03:01:56,359
Speaker 2: Is born and bred in Miami, Florida.

3272
03:01:57,080 --> 03:01:58,840
Speaker 6: Oh yeah, yeah, I didn't know that.

3273
03:01:59,400 --> 03:02:03,320
Speaker 7: Yeah, So that's what I'm always proud of, that being

3274
03:02:03,440 --> 03:02:05,160
Speaker 7: from here. Like I always tell you, now, this is

3275
03:02:05,280 --> 03:02:09,200
Speaker 7: from the crib, born here with a legend from New York,

3276
03:02:09,800 --> 03:02:11,320
Speaker 7: but it was born in Miami, Florida.

3277
03:02:11,360 --> 03:02:12,000
Speaker 3: You know what I'm saying that.

3278
03:02:14,280 --> 03:02:15,560
Speaker 1: From New York.

3279
03:02:15,680 --> 03:02:23,200
Speaker 3: Couple of games and you know what, uncle, look truly

3280
03:02:24,120 --> 03:02:26,240
Speaker 3: sincerely love.

3281
03:02:27,680 --> 03:02:33,520
Speaker 1: What you laid down because I was church and kickles

3282
03:02:33,680 --> 03:02:35,800
Speaker 1: or urch ands.

3283
03:02:36,120 --> 03:02:37,040
Speaker 6: You keep going back to.

3284
03:02:37,120 --> 03:02:39,879
Speaker 1: Then he just he just celebrates his birthday.

3285
03:02:41,760 --> 03:02:45,520
Speaker 3: Samet Thomas Love and the ladies.

3286
03:02:45,720 --> 03:02:48,320
Speaker 1: The ladies I had, like you know, all my family

3287
03:02:49,160 --> 03:02:52,240
Speaker 1: and they was they was they was celebrating.

3288
03:02:51,640 --> 03:02:53,440
Speaker 3: And I was like wait a minute, m.

3289
03:02:54,959 --> 03:02:57,280
Speaker 1: Gall listens to their language, and I was like, oh,

3290
03:02:59,160 --> 03:03:04,160
Speaker 1: and then speaking of English though about the language that

3291
03:03:04,600 --> 03:03:07,120
Speaker 1: I was hearing, and I was like, oh, ship, because

3292
03:03:07,160 --> 03:03:11,800
Speaker 1: I'm forty seven now, so I was like, but then

3293
03:03:12,959 --> 03:03:19,320
Speaker 1: I remember the first time that ship. That's my motherfucker.

3294
03:03:24,400 --> 03:03:29,920
Speaker 1: So but but uncle Luke, hold on because what yeah,

3295
03:03:30,480 --> 03:03:32,039
Speaker 1: I got, I got a you got a quick time.

3296
03:03:32,040 --> 03:03:32,440
Speaker 2: It's fine.

3297
03:03:32,680 --> 03:03:35,400
Speaker 1: No, no, no, no, I'm gonna take on by.

3298
03:03:36,080 --> 03:03:39,119
Speaker 3: You gotta say, yeah, man, I'm a pist guy, right,

3299
03:03:40,600 --> 03:03:44,400
Speaker 3: and you we established that you didn't watch Star Wars.

3300
03:03:46,000 --> 03:03:46,400
Speaker 8: I know.

3301
03:03:48,400 --> 03:03:52,680
Speaker 1: I watched it before I got sued, well after. I

3302
03:03:52,760 --> 03:03:57,680
Speaker 1: think I got sued after it came out before I

3303
03:03:57,720 --> 03:03:58,040
Speaker 1: don't know.

3304
03:03:59,640 --> 03:04:05,080
Speaker 8: But I don't even watch that ship because the George

3305
03:04:05,160 --> 03:04:10,119
Speaker 8: Lucas thing I respected. I got someone doing.

3306
03:04:11,680 --> 03:04:24,360
Speaker 3: Monster Energy dream. Yeah, like we wrapped it up that way.

3307
03:04:25,160 --> 03:04:27,720
Speaker 3: Let's see a friends, let's let's see my ass up.

3308
03:04:28,040 --> 03:04:29,360
Speaker 3: You know, I ain't gonna lie.

3309
03:04:29,360 --> 03:04:32,840
Speaker 1: I gotta give you out Miami guys like a little

3310
03:04:32,920 --> 03:04:39,400
Speaker 1: extra time what like, but at the back jam damn

3311
03:04:40,240 --> 03:04:43,160
Speaker 1: get him a long way from them. Goddamn Zigzaggs about

3312
03:04:43,400 --> 03:04:49,840
Speaker 1: how you ever had to the community the generation, Oh man,

3313
03:04:50,240 --> 03:04:53,160
Speaker 1: I mean you know, I think you know. I was

3314
03:04:53,200 --> 03:04:57,560
Speaker 1: a kid growing up. I was a kid growing uprom

3315
03:04:57,600 --> 03:04:59,040
Speaker 1: Liberty City, and I would have to go to the

3316
03:04:59,160 --> 03:05:05,760
Speaker 1: South Beach, uh to play football hoods. Yeah, overtown right there.

3317
03:05:07,040 --> 03:05:09,640
Speaker 1: And then you got Libby City where I'm from. My

3318
03:05:09,840 --> 03:05:13,000
Speaker 1: girl them lived in town. Uh that's where they came from.

3319
03:05:13,920 --> 03:05:14,040
Speaker 8: Uh.

3320
03:05:15,280 --> 03:05:17,800
Speaker 1: And I used to get busted to Miami Beach all

3321
03:05:17,840 --> 03:05:20,560
Speaker 1: the time to play all in ice sports. And uh

3322
03:05:21,440 --> 03:05:24,039
Speaker 1: so I always said, if I would make two cents

3323
03:05:24,040 --> 03:05:27,400
Speaker 1: over my lunch money, you know I would have it

3324
03:05:27,440 --> 03:05:29,560
Speaker 1: where kids don't have to get busted six o'clock in

3325
03:05:29,640 --> 03:05:31,600
Speaker 1: the morning all the way to Miami Beach to go

3326
03:05:31,680 --> 03:05:36,240
Speaker 1: to high school in a city where back then, if

3327
03:05:36,840 --> 03:05:39,120
Speaker 1: if you were black, you had to be off the

3328
03:05:39,200 --> 03:05:41,360
Speaker 1: beach at six o'clock. Other than that you would go

3329
03:05:41,400 --> 03:05:45,520
Speaker 1: to jail for the for overnight. Okay, hold on, some

3330
03:05:45,840 --> 03:05:48,560
Speaker 1: tell on them. We stopped he for us because this

3331
03:05:48,720 --> 03:05:50,960
Speaker 1: is in my notes.

3332
03:05:53,600 --> 03:05:57,920
Speaker 3: And then we all watched golf. If we all looked

3333
03:05:57,920 --> 03:06:03,000
Speaker 3: at scarf face and it was like we was welcome, and.

3334
03:06:03,120 --> 03:06:07,200
Speaker 1: That same beach, this off faces he was on beach

3335
03:06:07,280 --> 03:06:11,199
Speaker 1: that black people wasn't welcome. There no no. Black people

3336
03:06:11,480 --> 03:06:14,000
Speaker 1: at that time had to be off the beach uh.

3337
03:06:14,640 --> 03:06:17,640
Speaker 1: And you couldn't get caught on the beach after six o'clock.

3338
03:06:17,879 --> 03:06:22,119
Speaker 1: You go to jail, spend the night. Even black entertainers

3339
03:06:22,520 --> 03:06:25,640
Speaker 1: would go to South Beach. It's like Sammy Davis and

3340
03:06:25,760 --> 03:06:29,040
Speaker 1: all of them, they would have to leave literally to say,

3341
03:06:29,200 --> 03:06:32,360
Speaker 1: Sammy Davis, Yeah, you're telling me Sammy Davis would the

3342
03:06:32,400 --> 03:06:35,680
Speaker 1: guy arrested? Oh hell, he dealt with a lot. He

3343
03:06:36,200 --> 03:06:38,160
Speaker 1: a lot. Even in Vegas. You couldn't even stay on

3344
03:06:38,280 --> 03:06:42,040
Speaker 1: the beach. You couldn't stay the whole Right now, this

3345
03:06:42,160 --> 03:06:46,840
Speaker 1: is the same Miami Beach South and South SI.

3346
03:06:46,920 --> 03:06:49,720
Speaker 3: The second Miami Beach is still they dead?

3347
03:06:49,760 --> 03:06:53,800
Speaker 1: Is frame break the same place. That's why you see

3348
03:06:53,840 --> 03:06:57,560
Speaker 1: that black break. It used to be there's no break

3349
03:06:57,640 --> 03:07:02,600
Speaker 1: now they dead it black they did it. Yeah. But

3350
03:07:02,800 --> 03:07:05,440
Speaker 1: I mean when you know the history of Miami Beach

3351
03:07:05,600 --> 03:07:09,240
Speaker 1: that that is part of their history of being racist

3352
03:07:09,320 --> 03:07:12,640
Speaker 1: toward African Americans. When you tell the African Americans you're

3353
03:07:12,640 --> 03:07:15,840
Speaker 1: going to go to jail uh and staying in jail

3354
03:07:16,120 --> 03:07:20,280
Speaker 1: overnight and then get out at sunrise, I mean how

3355
03:07:20,480 --> 03:07:21,200
Speaker 1: bad that can be?

3356
03:07:21,640 --> 03:07:24,840
Speaker 3: You know? And so you know, people don't be understanding

3357
03:07:24,879 --> 03:07:26,800
Speaker 3: and knowing those histories.

3358
03:07:27,840 --> 03:07:29,520
Speaker 1: Like you know I did.

3359
03:07:29,800 --> 03:07:32,240
Speaker 3: I opened up a club over there out of spite.

3360
03:07:32,080 --> 03:07:32,640
Speaker 6: Because of that.

3361
03:07:33,000 --> 03:07:34,959
Speaker 1: You took over Coco Bongles.

3362
03:07:34,800 --> 03:07:38,080
Speaker 3: Exactly, and I put the club over there, like well

3363
03:07:38,160 --> 03:07:38,400
Speaker 3: I had.

3364
03:07:38,440 --> 03:07:41,480
Speaker 1: At first it was a strip club actually really yeah,

3365
03:07:41,760 --> 03:07:45,680
Speaker 1: it was a strip club. They were trying to open

3366
03:07:45,760 --> 03:07:48,400
Speaker 1: up a strip club on Miami Beach and then they

3367
03:07:48,560 --> 03:07:51,560
Speaker 1: suckered them into building it and they had to polls

3368
03:07:51,640 --> 03:07:53,280
Speaker 1: and everything, and they was like, oh, by the way,

3369
03:07:53,320 --> 03:07:54,160
Speaker 1: you can't get naked.

3370
03:07:54,879 --> 03:07:57,000
Speaker 3: So it was Luke's before Coco Bongles.

3371
03:07:57,360 --> 03:07:57,600
Speaker 6: Yeah.

3372
03:07:58,440 --> 03:07:58,640
Speaker 3: Yeah.

3373
03:07:58,800 --> 03:08:01,520
Speaker 1: And you did the Players Club there, the Players Boar.

3374
03:08:01,760 --> 03:08:06,120
Speaker 1: I remember Icy was there and everything. Yeah yeah, j

3375
03:08:06,640 --> 03:08:08,200
Speaker 1: oh no, I didn't do the Players Ball that was

3376
03:08:08,320 --> 03:08:12,959
Speaker 1: something Shane. Yeah. And my god, you remember that one. Yeah,

3377
03:08:13,040 --> 03:08:15,680
Speaker 1: that was the first party. It actually fucking went broke.

3378
03:08:16,280 --> 03:08:18,320
Speaker 1: You gotta hear the Mike Garden the story. No, I know,

3379
03:08:18,440 --> 03:08:18,959
Speaker 1: I know them.

3380
03:08:19,120 --> 03:08:20,800
Speaker 6: Yeah, yeah, they did workship.

3381
03:08:22,080 --> 03:08:25,000
Speaker 1: Yeah yeah, I was d jing with with iced tea.

3382
03:08:25,200 --> 03:08:28,000
Speaker 3: Yeah he was. You see Mike's story. You will see

3383
03:08:28,040 --> 03:08:28,240
Speaker 3: him that.

3384
03:08:28,400 --> 03:08:30,320
Speaker 1: It was like, yo, we lost all our fucking money

3385
03:08:30,680 --> 03:08:35,160
Speaker 1: fucking with that party there. We older everybody, but yeah,

3386
03:08:35,680 --> 03:08:40,080
Speaker 1: that was some good ship. I love you niggas, by

3387
03:08:40,120 --> 03:08:42,360
Speaker 1: the way, as a New York nigga that been here

3388
03:08:43,000 --> 03:08:43,760
Speaker 1: sixteen years.

3389
03:08:44,600 --> 03:08:53,800
Speaker 3: This was so great. Well, uncle, look you know your mom.

3390
03:08:58,800 --> 03:09:02,080
Speaker 3: I heard that lyric Luke me in Miami too. I

3391
03:09:02,200 --> 03:09:04,680
Speaker 3: want to say change that lyric and said, Uncle Luke,

3392
03:09:05,560 --> 03:09:07,440
Speaker 3: you are my uncle too.

3393
03:09:08,400 --> 03:09:16,960
Speaker 1: Oh I like that. Hell yeah, we love you and

3394
03:09:17,080 --> 03:09:18,960
Speaker 1: we want you to know that this is this is

3395
03:09:19,040 --> 03:09:22,959
Speaker 1: something that I'm a New York guy. He's a Miami guy.

3396
03:09:23,160 --> 03:09:26,680
Speaker 1: We made this in Miami. This is your this is

3397
03:09:26,760 --> 03:09:29,640
Speaker 1: your platform all the times. If you want to go

3398
03:09:29,800 --> 03:09:33,440
Speaker 1: on Instagram live, you can just come here. But it's

3399
03:09:33,520 --> 03:09:34,520
Speaker 1: better just come here.

3400
03:09:34,520 --> 03:09:38,440
Speaker 3: And I appreciate it. I appreciate it better than come ahead.

3401
03:09:38,560 --> 03:09:39,240
Speaker 3: I appreciate it.

3402
03:09:40,600 --> 03:09:43,119
Speaker 1: Everybody exactly, exactly.

3403
03:09:43,000 --> 03:09:48,000
Speaker 3: Exactly, fucking thank you. All right, before we get about here,

3404
03:09:48,040 --> 03:09:50,680
Speaker 3: we've never done this before. Anybody got a question for

3405
03:09:50,840 --> 03:09:51,320
Speaker 3: Uncle Luke?

3406
03:09:53,440 --> 03:09:57,920
Speaker 1: Go ahead? Sonny Damn? Why the funck y'all call him Sonny?

3407
03:09:57,959 --> 03:10:03,520
Speaker 1: He doggas fuck? Is that like a joke that his

3408
03:10:03,600 --> 03:10:09,640
Speaker 1: real name Sonny Okay? Name is Sonny Okay, Sonny B,

3409
03:10:10,240 --> 03:10:20,640
Speaker 1: Sonny d D. Nobody mentioned the car the conversent.

3410
03:10:20,720 --> 03:10:22,240
Speaker 2: I love the car I used to go to conference

3411
03:10:22,280 --> 03:10:22,720
Speaker 2: all the time.

3412
03:10:24,520 --> 03:10:27,119
Speaker 1: You went to the Carver Center, Sonny, I don't believe you, man,

3413
03:10:30,680 --> 03:10:33,120
Speaker 1: Damn he went to the I don't believe you. Bro.

3414
03:10:36,400 --> 03:10:37,920
Speaker 2: Did you ever do anything at the Corver Center?

3415
03:10:38,240 --> 03:10:38,480
Speaker 1: Yeah?

3416
03:10:38,640 --> 03:10:44,080
Speaker 6: Yeah, yeah, yeah, yeah.

3417
03:10:44,640 --> 03:10:46,080
Speaker 7: I don't know if the cover This is the way

3418
03:10:46,080 --> 03:10:48,480
Speaker 7: I remember the convers It was an abandoned movie theater

3419
03:10:48,600 --> 03:10:52,520
Speaker 7: or a theater of some sort. Yeah, graffiti everywhere, rats

3420
03:10:52,560 --> 03:10:53,440
Speaker 7: in that motherfucker.

3421
03:10:54,360 --> 03:10:56,840
Speaker 3: But we enjoyed every show that happened in that mother.

3422
03:10:57,400 --> 03:11:01,520
Speaker 1: Let me tell you, hey, it's so many Yeah, it's

3423
03:11:01,520 --> 03:11:04,560
Speaker 1: still coldes, there's so many fucking I mean, I'm sure

3424
03:11:04,800 --> 03:11:05,960
Speaker 1: it was condemned.

3425
03:11:06,440 --> 03:11:07,000
Speaker 6: Yep, yep.

3426
03:11:08,480 --> 03:11:11,400
Speaker 1: Did you go to the concert at the baseball stadium,

3427
03:11:13,160 --> 03:11:16,440
Speaker 1: the one where I brought publican in me and iced

3428
03:11:16,520 --> 03:11:19,880
Speaker 1: tea and all of them? Man, let me tell you

3429
03:11:19,959 --> 03:11:22,400
Speaker 1: I did that at the Miami Baseball Stadium.

3430
03:11:22,440 --> 03:11:24,800
Speaker 6: It's tore down. It's a fucking apartment.

3431
03:11:25,120 --> 03:11:29,680
Speaker 1: No, No, the old one Bobby Martinez what it was,

3432
03:11:29,760 --> 03:11:33,360
Speaker 1: Bobby Martinez Stadium where the Orioles used to play the

3433
03:11:33,440 --> 03:11:34,280
Speaker 1: summer games at.

3434
03:11:34,840 --> 03:11:36,760
Speaker 6: And I had this big fucking count that was.

3435
03:11:37,640 --> 03:11:41,640
Speaker 1: That was the first time Chuck d and public Enemy

3436
03:11:41,680 --> 03:11:44,080
Speaker 1: ever rode on a jet because I had a jet

3437
03:11:44,200 --> 03:11:48,760
Speaker 1: then and I and I sent they were doing a

3438
03:11:48,840 --> 03:11:51,600
Speaker 1: show in Atlanta, and then I was like, I need

3439
03:11:51,640 --> 03:11:53,359
Speaker 1: you'all to do this show down here because.

3440
03:11:53,120 --> 03:11:55,680
Speaker 3: I had the baseball stadium back to school jam or

3441
03:11:55,760 --> 03:11:56,359
Speaker 3: some shit.

3442
03:11:58,000 --> 03:12:01,400
Speaker 1: Probably had like forty thousand people in that motherfucker, and uh,

3443
03:12:02,240 --> 03:12:04,280
Speaker 1: I sent my jet to pick them up.

3444
03:12:05,440 --> 03:12:07,120
Speaker 3: And then I thought they had to have been on

3445
03:12:07,400 --> 03:12:08,240
Speaker 3: just before.

3446
03:12:08,680 --> 03:12:10,360
Speaker 1: They had been on, I thought they had been on

3447
03:12:10,720 --> 03:12:13,560
Speaker 1: their mother fucking played and play funny and ship in

3448
03:12:13,640 --> 03:12:15,960
Speaker 1: the world. They hopped out that mother fuer like, look,

3449
03:12:16,160 --> 03:12:17,440
Speaker 1: I never been on this ship like.

3450
03:12:17,480 --> 03:12:18,880
Speaker 6: This in my life, you know.

3451
03:12:19,800 --> 03:12:23,400
Speaker 3: But that was crazy because again back then, you can't

3452
03:12:23,480 --> 03:12:27,320
Speaker 3: have you know, you didn't have social media, right, so

3453
03:12:27,400 --> 03:12:29,280
Speaker 3: you didn't know dealing with So.

3454
03:12:29,760 --> 03:12:33,280
Speaker 1: My brother gave me the jet, and I would do

3455
03:12:33,680 --> 03:12:36,600
Speaker 1: a show here, show there. I would do three shows.

3456
03:12:37,000 --> 03:12:40,320
Speaker 1: I gave you the jets. Yeah's your brother.

3457
03:12:42,120 --> 03:12:42,680
Speaker 6: Something like that.

3458
03:12:44,360 --> 03:12:47,840
Speaker 1: You got two jets right now sitting in there. We

3459
03:12:47,879 --> 03:12:51,240
Speaker 1: don't know. Yeah, Like, motherfucker bought three golf courses and

3460
03:12:51,320 --> 03:12:54,240
Speaker 1: ship still got money. But so he way back then

3461
03:12:54,560 --> 03:12:57,680
Speaker 1: he had a fleet of jets and so he was like, Yo,

3462
03:12:57,760 --> 03:13:00,640
Speaker 1: you got this ship, just pay the fucking money on

3463
03:13:00,800 --> 03:13:03,480
Speaker 1: it and the maintenance and everything. And so I would

3464
03:13:03,520 --> 03:13:06,840
Speaker 1: do shows that you could do it because there wasn't

3465
03:13:06,840 --> 03:13:09,600
Speaker 1: no social media. I can do a show here, show there,

3466
03:13:09,680 --> 03:13:12,200
Speaker 1: and show there. I had to party somewhere else, and

3467
03:13:12,240 --> 03:13:16,080
Speaker 1: I fly to these different places, do three shows tonight. Yeah.

3468
03:13:16,240 --> 03:13:17,840
Speaker 1: So when I did that show, I was like, oh,

3469
03:13:17,920 --> 03:13:20,959
Speaker 1: let me just send my my jet that to pick

3470
03:13:21,040 --> 03:13:23,400
Speaker 1: you up. That's why I be laughing at people right

3471
03:13:23,480 --> 03:13:26,720
Speaker 1: now with these jets and these shots and shit.

3472
03:13:27,200 --> 03:13:27,840
Speaker 6: That's what Big.

3473
03:13:27,959 --> 03:13:29,680
Speaker 1: When me and Big did the song, he was like

3474
03:13:29,800 --> 03:13:32,960
Speaker 1: deep throat on loop boat when the moon rises and

3475
03:13:33,120 --> 03:13:37,119
Speaker 1: coming in your eyes is just the way he plays play.

3476
03:13:38,920 --> 03:13:42,560
Speaker 3: Every day we was on my boat and then we

3477
03:13:42,680 --> 03:13:44,680
Speaker 3: went to New York and then he did the fuck

3478
03:13:44,720 --> 03:13:46,440
Speaker 3: his song. I was like, mother could sit up in

3479
03:13:46,480 --> 03:13:49,320
Speaker 3: there like this. I'm like, okay, we didn't cut this song.

3480
03:13:49,560 --> 03:13:51,720
Speaker 6: When Big gonna go up in this motheruger that.

3481
03:13:51,840 --> 03:13:54,600
Speaker 3: Mother went up in there and hit that shit fucked

3482
03:13:54,640 --> 03:13:55,160
Speaker 3: me all up.

3483
03:13:56,360 --> 03:13:59,000
Speaker 7: One more thing, and I just remember that. I wanted

3484
03:13:59,000 --> 03:14:01,920
Speaker 7: to ask you this, how how much does blowfly have

3485
03:14:02,000 --> 03:14:02,840
Speaker 7: an influence on you?

3486
03:14:03,879 --> 03:14:04,840
Speaker 6: Major? Major?

3487
03:14:05,040 --> 03:14:08,400
Speaker 1: It was more so mister Mix, because mister Mix was

3488
03:14:08,480 --> 03:14:11,560
Speaker 1: the one who was doing the music, but uh and

3489
03:14:11,920 --> 03:14:15,520
Speaker 1: was doing all the samples. I I love that the

3490
03:14:15,640 --> 03:14:19,320
Speaker 1: Leroy skillets in the uh in the and the blowflies

3491
03:14:19,360 --> 03:14:22,760
Speaker 1: of the world. And they were talking crazy because we all,

3492
03:14:23,000 --> 03:14:25,480
Speaker 1: I had the records. Mix had the records. That's why

3493
03:14:25,560 --> 03:14:28,400
Speaker 1: me and him was able to connect. Like how we connected.

3494
03:14:28,800 --> 03:14:31,600
Speaker 1: That's that's what brought y'all together. That's what Yeah, okay,

3495
03:14:32,160 --> 03:14:34,879
Speaker 1: right through that because okay, we was on the same vibe.

3496
03:14:34,879 --> 03:14:39,520
Speaker 1: And then if I'm black man, we're playing from DJing,

3497
03:14:39,760 --> 03:14:43,160
Speaker 1: I'm playing fire Cracker, Man, we need that's a hot

3498
03:14:43,680 --> 03:14:46,400
Speaker 1: song that we dj did you know the break beeat

3499
03:14:46,480 --> 03:14:47,720
Speaker 1: of that? Hey mix?

3500
03:14:48,200 --> 03:14:49,080
Speaker 6: Do this right here?

3501
03:14:49,120 --> 03:14:53,000
Speaker 1: And then I'm looking at this this movie full metal Jacket,

3502
03:14:53,040 --> 03:14:55,240
Speaker 1: this girl on there talking about me. So Horney put

3503
03:14:55,320 --> 03:14:57,640
Speaker 1: that ship on there with the fire cracker and that

3504
03:14:57,720 --> 03:15:00,280
Speaker 1: shit gonna pop, and so he would go cook it up,

3505
03:15:00,640 --> 03:15:02,840
Speaker 1: you know, and all the blow then he would add

3506
03:15:02,840 --> 03:15:05,720
Speaker 1: the blow fly didn't leave skill it done as people

3507
03:15:05,720 --> 03:15:08,800
Speaker 1: didn't know she was on fucking sample and son but

3508
03:15:09,000 --> 03:15:09,879
Speaker 1: cursing like a mother.

3509
03:15:11,160 --> 03:15:19,160
Speaker 3: Yeah, oh happy all we did call it. Man shouts

3510
03:15:19,200 --> 03:15:24,040
Speaker 3: the calid shut we love Kelly doing this motherfucking thing.

3511
03:15:24,160 --> 03:15:28,320
Speaker 1: Man fucking nasty quick. Can't you believe that ship? The

3512
03:15:28,440 --> 03:15:34,840
Speaker 1: motherfucking traveling phone sells that motherfucker said everything.

3513
03:15:35,000 --> 03:15:35,400
Speaker 6: I love it.

3514
03:15:36,000 --> 03:15:36,400
Speaker 1: I love it.

3515
03:15:36,560 --> 03:15:39,640
Speaker 3: That's my God. Come on, everybody makes a noise and

3516
03:15:43,800 --> 03:15:45,000
Speaker 3: you say you tell everything.

3517
03:15:46,480 --> 03:15:50,920
Speaker 1: Cat, that's what Kelly do. Yeah, Cally Challenge sells everything.

3518
03:15:51,200 --> 03:15:56,720
Speaker 1: That another one, another one yes quick, another one. This

3519
03:15:57,000 --> 03:15:57,959
Speaker 1: is another bun.

3520
03:16:00,640 --> 03:16:03,360
Speaker 3: They call it yeah no no no, because because you

3521
03:16:03,440 --> 03:16:04,920
Speaker 3: know first they had the next question.

3522
03:16:05,400 --> 03:16:15,760
Speaker 1: Another. But that's what's gonna lose. I'na be honest. We

3523
03:16:16,040 --> 03:16:20,080
Speaker 1: all owe you and hip hop, anybody who's ever dropped

3524
03:16:20,120 --> 03:16:28,040
Speaker 1: the independent record, anybody who's ever tried to live on

3525
03:16:28,240 --> 03:16:33,240
Speaker 1: their own. You know, I tell my friends all the time, man,

3526
03:16:33,959 --> 03:16:37,760
Speaker 1: live beyond your means the fuck out your motherfucking mother

3527
03:16:37,920 --> 03:16:45,520
Speaker 1: crab exactly and gold motherfucking live. But I get that

3528
03:16:45,680 --> 03:16:52,840
Speaker 1: from you any independent artists in the world. You're the first.

3529
03:16:54,560 --> 03:16:57,480
Speaker 1: We want to give you your flowers, and that's one

3530
03:16:57,520 --> 03:17:01,240
Speaker 1: part of it. It's giving you your flowers physically, but

3531
03:17:01,360 --> 03:17:04,720
Speaker 1: it's always the second part of it is letting you

3532
03:17:04,879 --> 03:17:11,000
Speaker 1: know how much we love you and we are in

3533
03:17:11,640 --> 03:17:17,359
Speaker 1: and respect that path that you paid for us because

3534
03:17:17,600 --> 03:17:22,600
Speaker 1: me and this motherfucker right here, he don't want he

3535
03:17:22,720 --> 03:17:29,720
Speaker 1: want to be the same way, and you are the

3536
03:17:29,920 --> 03:17:37,200
Speaker 1: path of the way of being. Stay stay in your

3537
03:17:37,240 --> 03:17:44,080
Speaker 1: motherfucking ground. Don't don't, don't, don't be nobody different, and

3538
03:17:44,200 --> 03:17:48,279
Speaker 1: that's what we have done, that's what made it successful.

3539
03:17:49,480 --> 03:17:55,360
Speaker 1: But that pathway has been Uncle Luke to live crew,

3540
03:17:56,080 --> 03:17:58,360
Speaker 1: and we want to give you a flowers. We gave it,

3541
03:17:59,080 --> 03:18:01,080
Speaker 1: but we want to can teum to tell you how

3542
03:18:01,200 --> 03:18:07,480
Speaker 1: much it's real. And we love the factor that you

3543
03:18:07,600 --> 03:18:10,840
Speaker 1: can comment on the new generation. We love that ship.

3544
03:18:11,920 --> 03:18:22,520
Speaker 3: That ship is so beautiful and I'm gonna finish your mind.

3545
03:18:22,720 --> 03:18:23,240
Speaker 1: Thank you man.

3546
03:18:25,040 --> 03:18:25,840
Speaker 2: Let's take a flick.

3547
03:18:26,000 --> 03:18:26,680
Speaker 1: Let's be gone.

3548
03:18:27,480 --> 03:18:30,880
Speaker 7: Drink Champs is a drink Champs LLC production hosts and

3549
03:18:31,000 --> 03:18:34,440
Speaker 7: executive producers n O r E and dj E f N.

3550
03:18:35,600 --> 03:18:36,400
Speaker 2: Listen to Drink.

3551
03:18:36,280 --> 03:18:40,560
Speaker 7: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

3552
03:18:40,720 --> 03:18:44,480
Speaker 7: get your podcasts. Thanks for joining us for another episode

3553
03:18:44,520 --> 03:18:47,160
Speaker 7: of Drink Champs hosted by Yours truly, dj E f

3554
03:18:47,320 --> 03:18:49,440
Speaker 7: N and n O r E. Please make sure to

3555
03:18:49,480 --> 03:18:51,960
Speaker 7: follow us on all our socials that's at drink Champs

3556
03:18:52,000 --> 03:18:56,080
Speaker 7: across all platforms at the Real Noriagon, I g at

3557
03:18:56,160 --> 03:18:59,480
Speaker 7: Noriega on Twitter, mineus at Who's Crazy on I g

3558
03:19:00,240 --> 03:19:03,120
Speaker 7: at dj e f N on Twitter, and most importantly,

3559
03:19:03,120 --> 03:19:05,920
Speaker 7: stay up to date with the latest releases, news and

3560
03:19:06,120 --> 03:19:08,440
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