WEBVTT - Episode 382 "DJ Hed"

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<v Speaker 1>They get they called me.

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<v Speaker 2>Broadcasts a live from Atlanta, Georgia, rubing to the Ball

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<v Speaker 2>Up Show.

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<v Speaker 1>I go by the name for I go by the name.

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<v Speaker 1>You know, b T Man say man DJ headed the building.

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<v Speaker 1>The West Coast is in the building. Ro we w

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<v Speaker 1>don't even do snap squibble up? Why do you? Why

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<v Speaker 1>do you just put your arms do the same. That's no.

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<v Speaker 1>I've seen you know what. I just seen what you'll do?

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<v Speaker 3>No, bro, I just seen Ryan Coogler put that in

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<v Speaker 3>his Centers movie and it was niggas in White Te's

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<v Speaker 3>and they was doing this ship and.

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<v Speaker 1>I'm bro, but why y'all do that?

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<v Speaker 2>Every guess maybe I've seen people I see snoop dude

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<v Speaker 2>that that.

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<v Speaker 1>Yeah, but what you was doing earlier? No, like no, no,

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<v Speaker 1>you was like this that What the fuck is?

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<v Speaker 2>That's what them boys be doing when they do that?

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<v Speaker 2>That that walk?

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<v Speaker 1>No, the only person that walked like that is r J.

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<v Speaker 1>Mister l a OK. But he be doing his ship though,

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<v Speaker 1>like he he be steady.

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<v Speaker 2>That's one of the most fascinating things on the West Coast.

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<v Speaker 1>Me what that.

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<v Speaker 3>Won't Well when people say West Coast, I don't want

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<v Speaker 3>to say exclusive to l A you know what I'm saying,

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<v Speaker 3>West Coasts includes San Diego to Babe, so you have

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<v Speaker 3>to say la or whatever part. It's like somebody generalizing Georgia.

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<v Speaker 3>It's like, nah, like Atlanta niggas as far as I know, Atlanta,

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<v Speaker 3>like Decater niggas ain't the same thing.

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<v Speaker 4>As Yeah, yeah, same ship. So I want to ask

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<v Speaker 4>you a question. What is some hats to not wear?

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<v Speaker 2>You going straight in?

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<v Speaker 1>Like?

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<v Speaker 2>Yeah, I want to because right now it's a picture

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<v Speaker 2>going viral. This guy had on his shirt and it's

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<v Speaker 2>it has pictures of hats you should not wear in

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<v Speaker 2>l A. One of them is a Florida Marlind's hat.

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<v Speaker 4>Damn, you definitely can't wear astro hat.

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<v Speaker 1>What well, the thing is hat? I mean you can

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<v Speaker 1>what you can. What hats are okay to wear?

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<v Speaker 2>You can lack la.

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<v Speaker 1>Hat, like you said, you can wear anything you want

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<v Speaker 1>to wear. It's just you know, it's not a good

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<v Speaker 1>idea depends on where you are and who you run

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<v Speaker 1>it to, you know what I mean.

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<v Speaker 3>Like, we have certain community leaders that understand that you're

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<v Speaker 3>from out of town and you from Atlanta, or you know,

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<v Speaker 3>you might be from Florida and you might have on

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<v Speaker 3>a Florida Marlin's hat or Atlanta, Georgia's had Atlanta braves hat.

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<v Speaker 2>Atlanta Braves had it, okay.

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<v Speaker 1>And you might be somewhere where you run into a

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<v Speaker 1>community leader and that community leader will be accepting of

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<v Speaker 1>your geography about a falcon's hat on the other side,

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<v Speaker 1>Oh my god, you can't where a falcon's hat on

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<v Speaker 1>the other side.

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<v Speaker 3>If you run into some Wayians that don't get forgot

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<v Speaker 3>none of that, then you know, you may or may

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<v Speaker 3>not have to remove the hat. They might confiscate the hat,

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<v Speaker 3>or you may not have to you know, deal with

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<v Speaker 3>certain politics of not knowing.

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<v Speaker 1>So there's this thing that the misconception about.

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<v Speaker 3>LA specifically LA is like, oh, it's game banging. It

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<v Speaker 3>is that, but it's not about colors and stuff like that.

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<v Speaker 3>Just like how y'all could tell what somebody owned based

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<v Speaker 3>on their temperament, they demeanor, the way they walk, you

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<v Speaker 3>know what I mean. You can kind of feel the

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<v Speaker 3>energy is real. I don't know if you kids know that,

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<v Speaker 3>but energy is real. But so when somebody is presenting

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<v Speaker 3>a certain energy with the hat therein lie is a

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<v Speaker 3>thing that that becomes a thing, then they kind of know. Yeah,

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<v Speaker 3>but you always get in a black LA hat, so

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<v Speaker 3>a blacks feel like the black white Sox hat, which

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<v Speaker 3>I never understood. That's something too though. I would just

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<v Speaker 3>like me, I'm good whatever, I'm good with everybody. I

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<v Speaker 3>still wear black LA hatch. I have a purple and

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<v Speaker 3>gold Kobe Jersey black LA hat. I'll have a blue

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<v Speaker 3>Lakers throwback black LA hat. I just wear black LA

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<v Speaker 3>hats just conditioning, so just growing up, I always wear

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<v Speaker 3>black LA hats.

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<v Speaker 1>This one is a Dodger's hat.

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<v Speaker 4>But you know, is that okay to where a black

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<v Speaker 4>Dodgers hat.

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<v Speaker 1>Well, this one says Dodgers on it, you know what

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<v Speaker 1>I mean?

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<v Speaker 3>So this is but this is also like some limited

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<v Speaker 3>edition ship like it got the dog, it's the Dodgers adverse.

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<v Speaker 3>It's like this is like a limited edition hat. You

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<v Speaker 3>know what I'm saying, Like this this is some shit,

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<v Speaker 3>but like you know, you could, I would For those

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<v Speaker 3>who don't know, I would stick to black l A

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<v Speaker 3>hats and don't do brown, don't do red, don't do burgundy.

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<v Speaker 4>Just black LA, and don't wear solid colors. Like I

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<v Speaker 4>couldn't wear this, you can, well, I mean I.

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<v Speaker 1>Could wear it.

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<v Speaker 2>All depends on the energy of with your.

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<v Speaker 1>With what presenting while you're wearing that? What is that?

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<v Speaker 1>Is that orange? This? This is fashionype of fashion.

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<v Speaker 2>Hey, it's Ferrari Simmons. Is you know b tape the

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<v Speaker 2>Baller Show.

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<v Speaker 1>I'm just letting you know.

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<v Speaker 2>I'm I'm dripped in dipp and fashion over.

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<v Speaker 1>Man, you feel me? Man, you already know what I

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<v Speaker 1>got on fashion over.

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<v Speaker 4>Y'all keep asking me when y'all see my my clothes,

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<v Speaker 4>y'all say, BT, where do you get your clothes from?

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<v Speaker 1>Fashion over? Hey? Look?

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<v Speaker 2>Hat, shades, shirt, shorts, socks, underwear.

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<v Speaker 4>I keep trying to tell y'all, keep trying to tell y'all,

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<v Speaker 4>it ain't the clothes that make the man.

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<v Speaker 1>It's the man to make the clothes. He did what

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<v Speaker 1>I'm saying, No, But then what's the fold? These the

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<v Speaker 1>official fall fold? They shoot peace? Let me see? And

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<v Speaker 1>then I got stars.

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<v Speaker 2>I got this that fashion over.

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<v Speaker 1>To so hold on, stand up. So look right now,

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<v Speaker 1>you look fashionable.

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<v Speaker 3>You don't look like you want no ship, okay, because

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<v Speaker 3>you got the burnt orange and you got the red,

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<v Speaker 3>white and blue like it ain't really fashion.

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<v Speaker 1>Yeah, so you could probably walk down mail roads or

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<v Speaker 1>something like that.

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<v Speaker 3>Or fair fact wherever y'all go, visit LA and nobody

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<v Speaker 3>would even say anything to you. Now if you if

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<v Speaker 3>that was like a bright, if it wasn't more if

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<v Speaker 3>it's a little bit more orange, and then you had

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<v Speaker 3>on the astros hat with it, Oh no, no, it

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<v Speaker 3>might be oh no, like you know, it might be

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<v Speaker 3>oh no, cause for something I know that's a that's

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<v Speaker 3>oh no. I'm not saying it's oh no. It's certain

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<v Speaker 3>it's yes with certain people.

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<v Speaker 4>But I mean, but but but you might not be

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<v Speaker 4>a kin to that energy, right because I don't know

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<v Speaker 4>anything about it.

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<v Speaker 1>Yeah, it's it's just you know, you grew up knowing it, right.

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<v Speaker 2>Okay, So first of aelmost I want to give your flowers, man,

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<v Speaker 2>have a lot of respect for you as a person,

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<v Speaker 2>a brand, an entity within the framework or what you do.

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<v Speaker 1>Want to say that on camera to you.

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<v Speaker 2>I want to start from the beginning. How'd you get

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<v Speaker 2>your start and how'd you get your name?

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<v Speaker 3>I started well, when I finished high school, I went

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<v Speaker 3>to radio. I took radio broadcasting that community college because

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<v Speaker 3>I'm like, I want to be on the radio. I

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<v Speaker 3>just knew I always had a voice. The homies used

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<v Speaker 3>to make fun of me in school, like tenth grade,

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<v Speaker 3>you got two kids in the mortgage because at the

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<v Speaker 3>way my voices are, you know what I'm.

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<v Speaker 2>Saying, but you got an announcing type of voice.

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<v Speaker 1>Yeah. So I always wanted to be on the radio.

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<v Speaker 3>I went to broadcasting school or took broadcasting classes at

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<v Speaker 3>so Rito's College and then but in school, like the

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<v Speaker 3>homies just wouldn't call me Aaron.

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<v Speaker 1>My government name is Aaron Drake. Ironically, you know, that's

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<v Speaker 1>like been a thing. But continue, We'll get into that later.

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<v Speaker 3>But they just wouldn't call me airing. They like, no, nigga,

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<v Speaker 3>your name head, nigga. Look at your ship, you know

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<v Speaker 3>what I'm saying. I'm like, bro, we were the same size.

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<v Speaker 1>Hey, yeah, but your ship is shaped different.

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<v Speaker 3>You know, we just don't call you head. Just so

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<v Speaker 3>I took the A out because like, I'm a nerd.

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<v Speaker 3>I'm a super geek.

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<v Speaker 1>Been good.

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<v Speaker 3>I'm good at video games, right, anybody want the Mario

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<v Speaker 3>car fade. I'm on the call of duty.

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<v Speaker 1>I'm on all that. I'm not good at the two K,

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<v Speaker 1>not good in the wreck. I'm the sixth man, so

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<v Speaker 1>I'm good at two K. I'm not the reck nigga.

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<v Speaker 1>But back in the day, like playing video and street Fighter,

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<v Speaker 1>Mortal Kombat. You know when you at a highest score,

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<v Speaker 1>it's room for you to put three initials. So I

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<v Speaker 1>just took the A out put H G D. So

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<v Speaker 1>that's kind of like I just kept my name.

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<v Speaker 2>And then when did you start DJing?

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<v Speaker 3>I went to college, got my radio certificate ate and

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<v Speaker 3>I watched like DJ he did. He did legendary out

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<v Speaker 3>there and he DJ for the Clippers now him DJ Kelly,

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<v Speaker 3>uh DJ Bad. I was watching him. I was wanting

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<v Speaker 3>to learn the craft, but really I was too like

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<v Speaker 3>timid to fuck with it. My big honey glasses. He

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<v Speaker 3>was like, once he started getting motion, we was promoting him,

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<v Speaker 3>he kind of got big.

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<v Speaker 1>In the city.

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<v Speaker 3>He's like, look, cuz you're gonna be my DJ. I'm like,

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<v Speaker 3>I don't know how to DJ. He's like, well, you

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<v Speaker 3>the smartest nigga. I know you can learn how to DJ.

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<v Speaker 3>So I took a year taking myself out of DJ.

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<v Speaker 3>You know what I'm saying, And my nigga, DJ Kelly

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<v Speaker 3>bought my first needles and my mixer and I just

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<v Speaker 3>just go to the club soon as the club O

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<v Speaker 3>because I couldn't afford equipment, so my homies let me.

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<v Speaker 3>I just fuck they records up, like you know when

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<v Speaker 3>they getting sound checking doors, Just fucking they records up

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<v Speaker 3>until I learned how to blend and shit. Then one

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<v Speaker 3>time we were still I never told this before. We

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<v Speaker 3>was doing a party in Long Beach and I think

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<v Speaker 3>it was the twenties, and the insans had got into it,

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<v Speaker 3>like that's just notorious. They all know each other, they

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<v Speaker 3>related and everything. They got into it. Our DJ packedic

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<v Speaker 3>shit and left. He was like, I'm out of here

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<v Speaker 3>because he was outside throwing them right, so and nobody

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<v Speaker 3>was shooting nothing because they know each other, y'all family.

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<v Speaker 3>But I was like my big bro pool He was

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<v Speaker 3>like DJ, I'm like, so, I just start pulling vinyls

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<v Speaker 3>and just start DJing the party.

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<v Speaker 1>And that's that was it that I start carrying craigs

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<v Speaker 1>for the homie DJ Kelly.

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<v Speaker 3>I couldn't afford a laptop ship that Toroado came later,

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<v Speaker 3>but and I started learning how to DJ, and then

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<v Speaker 3>eventually I got good fast, like a year, year and

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<v Speaker 3>a half, and then I start DJing parties.

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<v Speaker 2>Now a lot of people know you infamously now for

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<v Speaker 2>your commentary and the Drake Kendrick Lamar saga.

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<v Speaker 1>I call it a saga because it's definitely like a

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<v Speaker 1>television show.

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<v Speaker 4>Yeah, and you've definitely been one of the key voices

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<v Speaker 4>on letting us know what's really going on.

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<v Speaker 1>That's what I was talking was at the Black and

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<v Speaker 1>Flair podcast.

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<v Speaker 2>I was like, I know all the updates because of you. Yeah,

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<v Speaker 2>you had you had very insightful, accurate information. So I

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<v Speaker 2>feel like it immediately started putting you in spaces where

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<v Speaker 2>very few people are at correct because now when people

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<v Speaker 2>are coming to you for information and you're providing accurate information,

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<v Speaker 2>now it gives you room for people to critique, judge,

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<v Speaker 2>say oh fuck you, and give you your flowers as well.

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<v Speaker 2>How did that? First and foremost, how did you get

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<v Speaker 2>cool enough or how did you get tapped in enough

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<v Speaker 2>to provide all this information on Kendrick or speak on

0:10:24.520 --> 0:10:29.160
<v Speaker 2>what's going on on your side of the country, because

0:10:29.200 --> 0:10:31.920
<v Speaker 2>it's kind of like you were speaking for him, not really,

0:10:32.280 --> 0:10:33.040
<v Speaker 2>but really.

0:10:33.800 --> 0:10:36.760
<v Speaker 1>Did I tell you that? I said that that black effect.

0:10:37.600 --> 0:10:41.880
<v Speaker 2>But from where we're looking, you know, we're especially in Atlanta.

0:10:41.880 --> 0:10:43.720
<v Speaker 2>I'm not gonna speak for the entire city of Atlanta.

0:10:43.720 --> 0:10:46.679
<v Speaker 2>Because what happens is Drake comes to Atlanta often, so

0:10:46.800 --> 0:10:49.760
<v Speaker 2>he has ties in Atlanta with Future with twenty one Savage,

0:10:49.760 --> 0:10:52.200
<v Speaker 2>which Thug and stuff like that. So Drake like our

0:10:52.320 --> 0:10:54.640
<v Speaker 2>partner in Atlanta, you know what I'm saying. So, but

0:10:55.120 --> 0:10:58.040
<v Speaker 2>when he came to Atlanta or comes to Atlanta, it's cool.

0:10:59.040 --> 0:11:01.880
<v Speaker 2>So he frequented here as it should be, but Atlanta

0:11:02.000 --> 0:11:06.280
<v Speaker 2>always seems it seemed like Atlanta kind of was like wait, wait, wait, ibrow,

0:11:06.640 --> 0:11:07.199
<v Speaker 2>I brow up.

0:11:07.120 --> 0:11:10.719
<v Speaker 1>What's going on? Y'all? Put them on time out? No, no,

0:11:11.280 --> 0:11:11.800
<v Speaker 1>what do you mean?

0:11:12.400 --> 0:11:14.520
<v Speaker 2>No, we'll get to that. But I'm gonna get to

0:11:14.600 --> 0:11:18.600
<v Speaker 2>you because I feel like on your behalf you were

0:11:18.679 --> 0:11:26.920
<v Speaker 2>giving us updated accurate information on k do how, why, if, if?

0:11:27.000 --> 0:11:29.679
<v Speaker 1>When? What? But like how well?

0:11:29.720 --> 0:11:31.599
<v Speaker 3>These is the homies Like people think this ain't on

0:11:31.720 --> 0:11:33.760
<v Speaker 3>industry relations. These are my homies. For these are like

0:11:33.960 --> 0:11:35.280
<v Speaker 3>my friends. You know what I mean.

0:11:35.320 --> 0:11:36.160
<v Speaker 1>We came up together.

0:11:36.360 --> 0:11:40.240
<v Speaker 3>Like if you go back and listen to Halfsold second

0:11:40.400 --> 0:11:43.600
<v Speaker 3>project on TD from twenty and ten, I'm on, I'm

0:11:43.600 --> 0:11:46.200
<v Speaker 3>on a skit on that project like me and Dot

0:11:46.600 --> 0:11:48.760
<v Speaker 3>we was on tour together in twenty ten. You know

0:11:48.800 --> 0:11:50.640
<v Speaker 3>what I'm saying, Like it's footage on the internet right

0:11:50.679 --> 0:11:54.079
<v Speaker 3>now for us, me and him mixed boley, like we

0:11:54.200 --> 0:11:57.240
<v Speaker 3>on tour together in twenty ten, like eating noodles and

0:11:57.320 --> 0:11:59.640
<v Speaker 3>being broke together, like these is my friends in real life,

0:11:59.679 --> 0:12:00.000
<v Speaker 3>These ain't.

0:12:00.720 --> 0:12:02.800
<v Speaker 1>These ain't like people like oh, like a lot of.

0:12:02.800 --> 0:12:05.199
<v Speaker 3>People who took the other side is like fans and

0:12:05.240 --> 0:12:08.679
<v Speaker 3>shit niggas that would never break bread with them in

0:12:08.720 --> 0:12:10.480
<v Speaker 3>a day in they life, or you know, whatever the

0:12:10.520 --> 0:12:14.000
<v Speaker 3>case may be, like these is my homies. And as

0:12:14.040 --> 0:12:16.360
<v Speaker 3>you know, like the lineage where I come from, you

0:12:16.880 --> 0:12:20.080
<v Speaker 3>just you ride with your hommies. You know what I'm saying, good,

0:12:20.160 --> 0:12:22.800
<v Speaker 3>bad and different, wrong whatever. I don't believe in that

0:12:23.000 --> 0:12:25.120
<v Speaker 3>right or wrong shit that the street niggas always preach

0:12:25.200 --> 0:12:27.079
<v Speaker 3>to me, like right or wrong nigga, we riding together.

0:12:27.520 --> 0:12:30.920
<v Speaker 3>I don't necessarily subscribe to that because that's not that

0:12:31.000 --> 0:12:33.959
<v Speaker 3>goes against my moral compass. But if it's not morality

0:12:34.040 --> 0:12:35.960
<v Speaker 3>in question, these is my friends. These are my homies

0:12:35.960 --> 0:12:39.120
<v Speaker 3>I'm riding with. I'm swinging for a and t you

0:12:39.200 --> 0:12:40.760
<v Speaker 3>know what I'm saying, Like, that's just what it is.

0:12:40.920 --> 0:12:41.920
<v Speaker 1>So for me.

0:12:43.679 --> 0:12:45.920
<v Speaker 3>When it all cracked off, it's nobody was saying nothing

0:12:46.679 --> 0:12:49.520
<v Speaker 3>and it's like, bro, y'all know the homie, Like why nobody?

0:12:50.280 --> 0:12:53.319
<v Speaker 3>And so I'm like, I was more surprised that I

0:12:53.520 --> 0:12:55.599
<v Speaker 3>was the only one saying anything. That's where I was

0:12:55.640 --> 0:12:57.360
<v Speaker 3>coming from. I wasn't even tripping on the fact that

0:12:57.440 --> 0:12:59.640
<v Speaker 3>I'm being looked at as the guy. I'm just like,

0:13:00.240 --> 0:13:02.800
<v Speaker 3>bro y'all know the homie for real, Like you know him.

0:13:03.240 --> 0:13:08.000
<v Speaker 3>We all seen him sparring, freestyling, the projects. We notice

0:13:08.080 --> 0:13:10.640
<v Speaker 3>Nigga could rap. We know what he does creatively like

0:13:10.720 --> 0:13:14.439
<v Speaker 3>we and then on outside of that, not to say

0:13:14.480 --> 0:13:20.839
<v Speaker 3>it like that, but you know, like California specifically has

0:13:20.880 --> 0:13:25.520
<v Speaker 3>a reputation for being very disrespectful because and if you

0:13:25.679 --> 0:13:27.679
<v Speaker 3>die sac I'm a music nerd too, So if you

0:13:27.760 --> 0:13:30.560
<v Speaker 3>dissected musically, most people gonna dish you or say something

0:13:30.600 --> 0:13:33.040
<v Speaker 3>to you over some hip hop like what Joey Badass

0:13:33.240 --> 0:13:36.439
<v Speaker 3>is doing, right, they gonna boop the problem the real

0:13:36.640 --> 0:13:38.760
<v Speaker 3>and people can't figure out why the West Coast is

0:13:38.840 --> 0:13:42.480
<v Speaker 3>so inflammatory and why it's so big When it happens,

0:13:42.720 --> 0:13:44.640
<v Speaker 3>it's because we're gonna say some wild shit to you

0:13:45.000 --> 0:13:46.679
<v Speaker 3>and to beat and it's gonna be over some shit

0:13:46.720 --> 0:13:49.760
<v Speaker 3>you're gonna play in the club. That's that's the difference,

0:13:49.840 --> 0:13:51.040
<v Speaker 3>you know what I mean, Like it's gonna be over

0:13:51.120 --> 0:13:54.160
<v Speaker 3>some ship that you're gonna hear nigga, everybody's gonna be

0:13:54.200 --> 0:13:56.199
<v Speaker 3>singing it. It's gonna be a hook to it. You know,

0:13:56.240 --> 0:13:59.400
<v Speaker 3>you're gonna be a joker or whatever. So if you notice,

0:13:59.600 --> 0:14:01.439
<v Speaker 3>if you know that's where he come from, that's he

0:14:01.600 --> 0:14:04.480
<v Speaker 3>really from. He's really from Compton, you know what I'm saying.

0:14:04.520 --> 0:14:06.280
<v Speaker 3>Like my homies is really his homies. You know what

0:14:06.280 --> 0:14:10.839
<v Speaker 3>I'm saying, Like I know, like certain people not from him,

0:14:11.160 --> 0:14:12.880
<v Speaker 3>but that's with him, got it?

0:14:13.040 --> 0:14:13.520
<v Speaker 1>You know what I mean?

0:14:13.679 --> 0:14:15.360
<v Speaker 3>Like these is like people out have been over there

0:14:15.400 --> 0:14:18.240
<v Speaker 3>and DJed in the projects and Neela's and like you know,

0:14:18.400 --> 0:14:20.560
<v Speaker 3>Gweet or he in jail, but like little al like

0:14:20.640 --> 0:14:23.320
<v Speaker 3>these is my real Like I fuck with these dudes,

0:14:23.440 --> 0:14:25.280
<v Speaker 3>you know what I'm saying. But then it's the people

0:14:25.320 --> 0:14:27.000
<v Speaker 3>that people like who are these niggas on to Pip

0:14:27.160 --> 0:14:30.040
<v Speaker 3>Butterfly like? But they not catching it? And that's why

0:14:31.400 --> 0:14:32.400
<v Speaker 3>that's how I got involved.

0:14:32.440 --> 0:14:35.960
<v Speaker 2>It's not more so like you gotta evolve by association.

0:14:36.120 --> 0:14:38.200
<v Speaker 1>It's not it's not a thing that I asserted myself.

0:14:38.240 --> 0:14:38.960
<v Speaker 1>I wasn't trying to.

0:14:38.960 --> 0:14:41.720
<v Speaker 2>Do just that's already it's happening.

0:14:41.800 --> 0:14:43.280
<v Speaker 1>BT. BT is your guy.

0:14:44.040 --> 0:14:46.920
<v Speaker 3>So somebody across the tracks, like, get on the internet,

0:14:47.000 --> 0:14:48.880
<v Speaker 3>get on the on the on the radio station, on

0:14:48.880 --> 0:14:49.320
<v Speaker 3>another radio.

0:14:49.920 --> 0:14:50.880
<v Speaker 2>I'm saying with BT, I got you.

0:14:51.000 --> 0:14:51.520
<v Speaker 1>That's all it is.

0:14:51.520 --> 0:14:54.120
<v Speaker 2>It's all it is, okay. But before that happened, though,

0:14:54.360 --> 0:14:58.760
<v Speaker 2>I got you, BT was everything cool, everything was loved,

0:14:58.800 --> 0:15:00.800
<v Speaker 2>Like where were playing drap when we listening to d

0:15:01.160 --> 0:15:01.960
<v Speaker 2>we're supporting Drake.

0:15:02.080 --> 0:15:04.160
<v Speaker 1>I still play as Worcords on my radio show right now.

0:15:05.120 --> 0:15:08.040
<v Speaker 1>I'm not one of them people who like is delusional.

0:15:08.080 --> 0:15:13.040
<v Speaker 1>I play no kid like I'm not as a DJ

0:15:13.600 --> 0:15:17.240
<v Speaker 1>with y'all should notice, it's not about you. Thank you.

0:15:17.920 --> 0:15:19.120
<v Speaker 1>Most DJ not most.

0:15:19.200 --> 0:15:21.400
<v Speaker 3>A lot of dj is get on them turntables and

0:15:21.480 --> 0:15:23.160
<v Speaker 3>get to plan what they want to hear and be five.

0:15:24.240 --> 0:15:26.240
<v Speaker 1>It's five hundred people, and I hate that. That's play

0:15:26.320 --> 0:15:28.560
<v Speaker 1>what they want, some vain ship. I don't like that.

0:15:28.840 --> 0:15:30.760
<v Speaker 1>Like I'm I'm I'm gonna be honest with you.

0:15:30.840 --> 0:15:35.160
<v Speaker 3>I'm I've been DJing professionally since two thousand and I

0:15:35.200 --> 0:15:41.120
<v Speaker 3>would say nine right, I have never I've dejayed in Vegas, overseas, everywhere.

0:15:41.200 --> 0:15:44.920
<v Speaker 1>I have never prepared a set. I've never prepared a

0:15:45.000 --> 0:15:48.800
<v Speaker 1>DJ set like I'm gonna do this in the crowd.

0:15:48.840 --> 0:15:49.960
<v Speaker 3>That's why it was so hard for me to do

0:15:50.080 --> 0:15:52.160
<v Speaker 3>radio because I don't have a crowd to feed off of.

0:15:52.680 --> 0:15:54.400
<v Speaker 3>So I had to learn a new out of exercise,

0:15:54.400 --> 0:15:58.560
<v Speaker 3>a new muscle and just programming, right, learning programming. But

0:15:58.880 --> 0:16:01.040
<v Speaker 3>I'm a crowd reader. If y'all put me in any

0:16:01.040 --> 0:16:03.440
<v Speaker 3>club in Atlanta, I'm gonna go in there. I'm it's

0:16:03.440 --> 0:16:05.840
<v Speaker 3>gonna take me about twenty minutes to figure out what

0:16:05.960 --> 0:16:07.880
<v Speaker 3>they what they own. And then once I go cause,

0:16:07.880 --> 0:16:10.520
<v Speaker 3>I'll go extreme over here, I'll go Miley Cyrus, you

0:16:10.560 --> 0:16:12.400
<v Speaker 3>know what I'm saying. Oh okay, not Miley, alright. I

0:16:12.440 --> 0:16:14.520
<v Speaker 3>come up to Juicy, all right, Juicy, all right, that's

0:16:14.600 --> 0:16:16.560
<v Speaker 3>my that's this side. And I go over here, I

0:16:16.680 --> 0:16:18.720
<v Speaker 3>go not like, okay, they ain't on that. Or then

0:16:18.760 --> 0:16:21.200
<v Speaker 3>I go up to let me see Gee Perica, Okay,

0:16:21.280 --> 0:16:23.080
<v Speaker 3>y'all not on that? What about the drama mixed to

0:16:23.120 --> 0:16:25.520
<v Speaker 3>a ya? So I once I figure out my bearing,

0:16:26.480 --> 0:16:27.040
<v Speaker 3>I'm locked in.

0:16:27.520 --> 0:16:29.960
<v Speaker 1>That's how DJ and Atlanta just future. If he plays

0:16:29.960 --> 0:16:31.760
<v Speaker 1>the future, I'm not.

0:16:31.960 --> 0:16:34.000
<v Speaker 3>I'm not one of them DJs. Who like just play

0:16:34.080 --> 0:16:35.840
<v Speaker 3>like fuck him and all that kind of shit like that.

0:16:36.040 --> 0:16:38.840
<v Speaker 3>So like, that's not what I'm on now. If it

0:16:39.040 --> 0:16:42.320
<v Speaker 3>was that, it could be that too, but that's not

0:16:42.400 --> 0:16:43.200
<v Speaker 3>what I'm own now.

0:16:43.520 --> 0:16:45.640
<v Speaker 4>The thing, well, I'm most surprised about is like what

0:16:45.800 --> 0:16:49.000
<v Speaker 4>you're saying, Like you were surprised by how nobody was

0:16:49.040 --> 0:16:51.280
<v Speaker 4>saying anything. Do you feel like people wasn't saying anything

0:16:51.360 --> 0:16:54.440
<v Speaker 4>because it kind of started off like a like a

0:16:54.560 --> 0:16:57.920
<v Speaker 4>popularity contest, you know what I'm saying, Like it because

0:16:58.360 --> 0:17:01.560
<v Speaker 4>people was really kind of like, I don't really know

0:17:01.640 --> 0:17:03.680
<v Speaker 4>how this is gonna go, you know what I mean.

0:17:03.800 --> 0:17:07.280
<v Speaker 4>And when you start being vocal about it, you were

0:17:07.400 --> 0:17:09.080
<v Speaker 4>the only person being vocal about it.

0:17:09.320 --> 0:17:11.840
<v Speaker 1>You gotta think I got in the field when it

0:17:11.960 --> 0:17:15.480
<v Speaker 1>wasn't cool that wasn't saying nothing. This after the Push

0:17:15.560 --> 0:17:15.920
<v Speaker 1>Up Ship.

0:17:15.960 --> 0:17:18.160
<v Speaker 3>I mean, this is why Push Ups was the only

0:17:18.240 --> 0:17:20.680
<v Speaker 3>one that at nobody had the record. You didn't have

0:17:20.720 --> 0:17:22.720
<v Speaker 3>the record, I didn't nobody act the only nigga had

0:17:22.760 --> 0:17:26.159
<v Speaker 3>the record. So I'm like, well, if that show again,

0:17:26.920 --> 0:17:29.760
<v Speaker 3>this is always wasn't it Like wasn't like that first

0:17:29.840 --> 0:17:30.439
<v Speaker 3>yeah was.

0:17:30.600 --> 0:17:34.359
<v Speaker 1>That came out? But he engaged. So the thing is

0:17:34.480 --> 0:17:40.320
<v Speaker 1>it's like where I'm from, this is it sounds repetitive,

0:17:40.359 --> 0:17:42.640
<v Speaker 1>but it's just I don't that's the answer. The truth

0:17:42.720 --> 0:17:44.120
<v Speaker 1>is the answer. Were we from?

0:17:44.920 --> 0:17:48.320
<v Speaker 3>You don't like false flag like you don't claim to

0:17:48.400 --> 0:17:50.680
<v Speaker 3>be Like like B two said earlier about what I'm wearing,

0:17:50.720 --> 0:17:52.520
<v Speaker 3>I ain't. That ain't what I'm own like I'm just

0:17:52.560 --> 0:17:55.960
<v Speaker 3>wearing the shirt. You can't false flag where we're from.

0:17:56.040 --> 0:17:58.960
<v Speaker 3>That's an automatic problem and you gotta you know.

0:17:58.960 --> 0:17:59.239
<v Speaker 1>What I mean.

0:17:59.600 --> 0:18:01.920
<v Speaker 3>So the way I'm looking at it, like if BT

0:18:02.119 --> 0:18:04.760
<v Speaker 3>and Rory put out a record, put out a disc record,

0:18:05.800 --> 0:18:08.320
<v Speaker 3>but y'all are only two niggas playing the record or

0:18:08.359 --> 0:18:08.920
<v Speaker 3>have the record?

0:18:09.040 --> 0:18:12.520
<v Speaker 1>Is it real? Why is it not? Why are you

0:18:12.600 --> 0:18:14.280
<v Speaker 1>not putting it out? Where is the record at? And

0:18:14.359 --> 0:18:15.200
<v Speaker 1>so that's where I was.

0:18:15.280 --> 0:18:17.040
<v Speaker 3>I was just and I hadn't even talked to that

0:18:17.160 --> 0:18:20.399
<v Speaker 3>at this point. This is just me speaking just for me, Like, bro,

0:18:20.520 --> 0:18:22.920
<v Speaker 3>if that's your record, put the record out, you know

0:18:22.960 --> 0:18:24.960
<v Speaker 3>what I mean. And then when they started him and

0:18:25.040 --> 0:18:27.320
<v Speaker 3>acting all them, they started to engage. It was it

0:18:27.440 --> 0:18:30.800
<v Speaker 3>became a story. But I wasn't speaking on nobody's behalf.

0:18:31.200 --> 0:18:35.520
<v Speaker 2>Question hindsight looking at how it started, and do you

0:18:35.640 --> 0:18:39.040
<v Speaker 2>think that it could have been resolved or they could

0:18:39.080 --> 0:18:42.920
<v Speaker 2>have squashed this before it went to before it got

0:18:42.960 --> 0:18:45.359
<v Speaker 2>to not like us and family matters and all that.

0:18:47.280 --> 0:18:48.719
<v Speaker 1>Do you wish that that happened?

0:18:48.840 --> 0:18:52.639
<v Speaker 3>No, because this got a chance for the homie to

0:18:52.640 --> 0:18:55.520
<v Speaker 3>prove to the world what he really is, because people don't.

0:18:55.520 --> 0:18:58.520
<v Speaker 3>People always doubted it, like and also not that they

0:18:58.600 --> 0:19:02.280
<v Speaker 3>doubted his greatness. Two things happen. One is they finally

0:19:02.400 --> 0:19:05.280
<v Speaker 3>had to admit their biases. This revealed a lot of

0:19:05.320 --> 0:19:09.200
<v Speaker 3>biases into the world. It's like, people just don't fuck

0:19:09.240 --> 0:19:12.639
<v Speaker 3>with you, and that's okay. But I respect a racist

0:19:12.640 --> 0:19:14.399
<v Speaker 3>white person who say they're racist more so than I

0:19:14.480 --> 0:19:16.640
<v Speaker 3>respect a nigga who say who don't say nothing.

0:19:17.800 --> 0:19:19.800
<v Speaker 1>You know what I'm saying. I just have more respect

0:19:19.840 --> 0:19:20.639
<v Speaker 1>for that because.

0:19:20.359 --> 0:19:22.119
<v Speaker 2>At least you telling me where you at.

0:19:22.160 --> 0:19:25.080
<v Speaker 1>We that's it and where I'm from, Authenticity is number

0:19:25.080 --> 0:19:26.840
<v Speaker 1>one for sure. It's protocols.

0:19:27.640 --> 0:19:30.640
<v Speaker 3>Yeah, so I don't necessarily so if what that's one

0:19:30.720 --> 0:19:34.159
<v Speaker 3>thing is just revealed the truth of the matter, then

0:19:34.200 --> 0:19:36.119
<v Speaker 3>when I spoke to him, he coccurd and then you

0:19:36.240 --> 0:19:39.840
<v Speaker 3>heard it on Euphoria. What I learned he didn't even

0:19:39.960 --> 0:19:43.080
<v Speaker 3>he knew, but he didn't know. I've been saying this.

0:19:43.440 --> 0:19:45.080
<v Speaker 3>If you go back, you can look on my Instagram

0:19:45.119 --> 0:19:47.840
<v Speaker 3>and go back twenty twelve. I got on West Coast shirts.

0:19:48.520 --> 0:19:50.720
<v Speaker 3>I've been pushing the same, Go back, go talk to

0:19:51.960 --> 0:19:54.159
<v Speaker 3>DJO when they first hired me in real nineties. With

0:19:54.200 --> 0:19:56.560
<v Speaker 3>three in La twenty fifteen, I'm yelling, we need to

0:19:56.600 --> 0:19:58.760
<v Speaker 3>be West Coast, we need I've been the same for

0:19:58.840 --> 0:19:59.480
<v Speaker 3>the twenty years.

0:20:00.040 --> 0:20:02.679
<v Speaker 1>I've been biased the whole time. I'm not anti anybody.

0:20:02.720 --> 0:20:05.240
<v Speaker 1>I'm just pro us. It ain't none wrong with that,

0:20:05.320 --> 0:20:06.119
<v Speaker 1>ain't non wrong with that.

0:20:06.280 --> 0:20:11.120
<v Speaker 3>So my thing is what one it showed the biases,

0:20:11.240 --> 0:20:14.520
<v Speaker 3>and then two it showed the world It's like, yeah,

0:20:14.560 --> 0:20:18.840
<v Speaker 3>he's his artsy, fartsy esoteric black revolutionary, but he's still

0:20:18.840 --> 0:20:22.439
<v Speaker 3>a nigga from Compton. And I think that's what shocked everybody.

0:20:22.440 --> 0:20:24.720
<v Speaker 3>It's like, this is when G and X came out.

0:20:24.800 --> 0:20:26.800
<v Speaker 3>It's still Luther just came out as number one, right now,

0:20:26.880 --> 0:20:28.560
<v Speaker 3>still right, g and X came out.

0:20:28.640 --> 0:20:31.119
<v Speaker 1>It's like, what is this? This is too la, this

0:20:31.240 --> 0:20:33.320
<v Speaker 1>is too s coast. DJ is calling me from all

0:20:33.359 --> 0:20:35.200
<v Speaker 1>over rang gonna say who it was, y'all. We ain't

0:20:35.240 --> 0:20:37.200
<v Speaker 1>fucking with this as soon as they dropped this ship

0:20:37.240 --> 0:20:38.080
<v Speaker 1>to West Coast.

0:20:38.119 --> 0:20:40.040
<v Speaker 3>Ain't never gonna it, ain't never gonna go. We ain't

0:20:40.080 --> 0:20:44.000
<v Speaker 3>fucking with it, Okay. But what that showed me is

0:20:44.119 --> 0:20:47.320
<v Speaker 3>that you pre you, you had a predetermined way of feeling.

0:20:47.400 --> 0:20:49.199
<v Speaker 3>You feel a way already, and.

0:20:49.280 --> 0:20:51.359
<v Speaker 4>So what it does is just it just reveals, it

0:20:51.440 --> 0:20:54.359
<v Speaker 4>just amplifies like all the the naysayers and how they

0:20:54.520 --> 0:20:55.879
<v Speaker 4>how they's just like, bro the.

0:20:56.000 --> 0:20:58.280
<v Speaker 3>South, Atlanta's been running ship the South. I've been having

0:20:58.320 --> 0:21:02.080
<v Speaker 3>it for having that away fifteen years plus. Right, you

0:21:02.160 --> 0:21:04.159
<v Speaker 3>can the credit. How you can go with the Dungeon family, go,

0:21:04.600 --> 0:21:09.000
<v Speaker 3>you can go however far back you want to go. Right, Nobody, nobody.

0:21:09.440 --> 0:21:12.920
<v Speaker 3>I've never heard anybody say that something sounds too Atlanta.

0:21:14.119 --> 0:21:17.080
<v Speaker 3>I've been doing this shit twenty years, literally, twenty two

0:21:17.080 --> 0:21:19.200
<v Speaker 3>thousand and five. Yeah, twenty years, two thousand and five,

0:21:19.280 --> 0:21:22.199
<v Speaker 3>so this will be my twentieth year in the music business,

0:21:23.000 --> 0:21:25.439
<v Speaker 3>and I've never heard anybody say this should sound too Atlanta.

0:21:26.119 --> 0:21:28.840
<v Speaker 1>Not one person, have you? Nope? But have you heard

0:21:28.880 --> 0:21:30.840
<v Speaker 1>if you heard the term too West Coast? Yes, I know,

0:21:31.400 --> 0:21:32.560
<v Speaker 1>because that's how niggas feel.

0:21:32.760 --> 0:21:34.880
<v Speaker 3>That's okay, But tell me how that's how you feel

0:21:35.440 --> 0:21:37.280
<v Speaker 3>you know what I'm saying, and so like for me,

0:21:38.600 --> 0:21:40.879
<v Speaker 3>that's why, that's why I've been so vocal, Because I've been,

0:21:41.040 --> 0:21:42.800
<v Speaker 3>I've been, and me and him talked about it too.

0:21:43.200 --> 0:21:46.040
<v Speaker 1>I've been yelling this for the last twenty years.

0:21:47.160 --> 0:21:49.199
<v Speaker 3>Hey, push our line, push our line, push our line,

0:21:49.200 --> 0:21:50.560
<v Speaker 3>because that's what everybody else is gonna do.

0:21:51.080 --> 0:21:51.879
<v Speaker 1>That's just what it is.

0:21:52.320 --> 0:21:55.560
<v Speaker 4>And I feel like even the whole situation is has

0:21:55.720 --> 0:21:59.520
<v Speaker 4>magnified the talent and the essence of you know what

0:21:59.600 --> 0:22:01.880
<v Speaker 4>the West Coast is. I want to ask you, though,

0:22:02.920 --> 0:22:06.720
<v Speaker 4>do you feel like depending on what neighborhood people are from,

0:22:06.760 --> 0:22:08.920
<v Speaker 4>that that kind of hinders with pushing the agenda of

0:22:09.000 --> 0:22:09.880
<v Speaker 4>the West Coast music?

0:22:10.240 --> 0:22:12.160
<v Speaker 1>Do that hinder? What does that hinder?

0:22:12.359 --> 0:22:14.879
<v Speaker 4>Like, Like if somebody's from this neighborhood and you know,

0:22:15.280 --> 0:22:16.360
<v Speaker 4>they can't do music.

0:22:16.240 --> 0:22:21.359
<v Speaker 1>Together because our politics. Our politics is probably number three

0:22:21.480 --> 0:22:23.760
<v Speaker 1>on the list gotta be number one, It's number three

0:22:23.800 --> 0:22:25.480
<v Speaker 1>on the list from things that hold us back? What's

0:22:25.560 --> 0:22:27.400
<v Speaker 1>number one? Number one is demographics?

0:22:27.840 --> 0:22:33.280
<v Speaker 3>Okay, our demographic and not even in California, Western Texas.

0:22:33.760 --> 0:22:35.480
<v Speaker 3>I mean, it do all depend on how much nerding.

0:22:35.880 --> 0:22:39.359
<v Speaker 3>I'm a nerd, so I study like migration routes like

0:22:39.640 --> 0:22:40.760
<v Speaker 3>Oregon Trail type shit.

0:22:40.880 --> 0:22:43.240
<v Speaker 1>You know what I'm saying. You know, if you look

0:22:43.280 --> 0:22:45.800
<v Speaker 1>at land masses. There's this graph on the internet where

0:22:45.800 --> 0:22:45.960
<v Speaker 1>if you.

0:22:45.920 --> 0:22:48.000
<v Speaker 3>Look at where the largest bodies of water are, that's

0:22:48.040 --> 0:22:52.400
<v Speaker 3>what civilization settle, right, because of agriculture and land development

0:22:52.440 --> 0:22:55.040
<v Speaker 3>stuff like that. Not that many black people went west

0:22:56.119 --> 0:22:58.320
<v Speaker 3>because you couldn't afford you have that money to go west. Yeah,

0:22:58.480 --> 0:22:59.720
<v Speaker 3>you know what I'm saying, a lot of y'all stayed

0:22:59.720 --> 0:23:03.160
<v Speaker 3>here south. Even the Midwest was kind of far. That's

0:23:03.280 --> 0:23:04.800
<v Speaker 3>why it's called the Men and West because they thought

0:23:04.840 --> 0:23:08.120
<v Speaker 3>that that was middle way, midway through to the West coast,

0:23:08.119 --> 0:23:10.040
<v Speaker 3>which is not if you know what Chicago is, that's

0:23:10.320 --> 0:23:10.840
<v Speaker 3>not even close.

0:23:10.920 --> 0:23:12.440
<v Speaker 1>That's not that's not close at all. You know what

0:23:12.440 --> 0:23:12.760
<v Speaker 1>I'm saying.

0:23:13.160 --> 0:23:15.359
<v Speaker 3>Ohio, Ohio on three hour time, they were just like, y'all,

0:23:15.920 --> 0:23:17.720
<v Speaker 3>you know what I'm saying, that's not middle or nothing.

0:23:18.160 --> 0:23:18.600
<v Speaker 1>You feel me?

0:23:19.040 --> 0:23:23.680
<v Speaker 3>So anyway, long story short, that's number one is our demographic.

0:23:23.760 --> 0:23:27.640
<v Speaker 3>It's more Meskans, Spaniards, et cetera, not black people. That's

0:23:27.720 --> 0:23:30.160
<v Speaker 3>number one that hold us back because you can't relate

0:23:30.240 --> 0:23:32.280
<v Speaker 3>to that and not not to be like that, but

0:23:32.480 --> 0:23:35.960
<v Speaker 3>white people came and stole that land from the Spaniards.

0:23:36.040 --> 0:23:38.640
<v Speaker 3>Came the Spaniards and the the Caucasians came and stole

0:23:38.680 --> 0:23:41.280
<v Speaker 3>that from the Mesicans and shit like that. So technically

0:23:41.359 --> 0:23:44.040
<v Speaker 3>that's their land. So when people be like all this

0:23:44.119 --> 0:23:46.760
<v Speaker 3>Trump shit sitting niggas back, bro, y'all took it from them.

0:23:47.800 --> 0:23:50.159
<v Speaker 3>You know what I'm saying, Los Angeles, that's not an

0:23:50.200 --> 0:23:53.800
<v Speaker 3>American word. Sandina, that's not a Mexican that's not an

0:23:53.800 --> 0:23:54.520
<v Speaker 3>American word.

0:23:54.880 --> 0:23:56.040
<v Speaker 1>Our ship, all our.

0:23:56.000 --> 0:23:57.960
<v Speaker 3>Ship, all that stuff down there is it's not. That's

0:23:58.040 --> 0:24:00.760
<v Speaker 3>Latin culture, you know what I'm saying. So it's just

0:24:00.840 --> 0:24:04.720
<v Speaker 3>different than yeah saying anything. Yeah, all those streets are

0:24:04.880 --> 0:24:07.640
<v Speaker 3>are are not like if you look at textas same

0:24:07.680 --> 0:24:11.440
<v Speaker 3>thing San Antonio, that's Latin culture. That's no white people

0:24:11.600 --> 0:24:12.800
<v Speaker 3>was like, this is San Antonio.

0:24:16.000 --> 0:24:18.320
<v Speaker 1>You know what I'm saying. I'm just saying, it's it's deeper.

0:24:18.359 --> 0:24:19.520
<v Speaker 2>Thank So it's number two.

0:24:20.440 --> 0:24:27.000
<v Speaker 1>Number two would be sound music. So West Coast music.

0:24:27.440 --> 0:24:31.840
<v Speaker 2>I do think that your music stays there. But I

0:24:31.920 --> 0:24:33.520
<v Speaker 2>still like it though, because when I come.

0:24:33.440 --> 0:24:37.200
<v Speaker 4>There now, I love the West Coast Coast music different.

0:24:37.560 --> 0:24:40.560
<v Speaker 1>So West Coast quote unquote traditional West Coast music. When

0:24:40.600 --> 0:24:41.560
<v Speaker 1>you hear it, you don't know.

0:24:42.080 --> 0:24:44.480
<v Speaker 3>People went like, I got a lot of ship for

0:24:44.560 --> 0:24:46.800
<v Speaker 3>being on DDG streaming because I was talking about this

0:24:46.840 --> 0:24:49.040
<v Speaker 3>ship and he don't know music, and it wasn't this

0:24:49.200 --> 0:24:51.760
<v Speaker 3>he said, he don't know music. I'm a music person first,

0:24:52.200 --> 0:24:55.240
<v Speaker 3>So my problem is I often have music conversations with

0:24:55.400 --> 0:24:59.480
<v Speaker 3>non music niggas. Right, But the music that's the sound

0:25:00.000 --> 0:25:03.160
<v Speaker 3>aditional West Coast music is a derivative of funk.

0:25:04.200 --> 0:25:04.320
<v Speaker 1>Right.

0:25:04.640 --> 0:25:08.720
<v Speaker 3>Funk it's baselines, base lines, and tempo yunk music. So

0:25:09.119 --> 0:25:12.920
<v Speaker 3>Southern music is derived from blues, right, which is why

0:25:12.920 --> 0:25:16.720
<v Speaker 3>it's slow. Y'all think it's fast because all the producers

0:25:16.800 --> 0:25:19.399
<v Speaker 3>producing double time. Most of the producers they producing, they

0:25:19.480 --> 0:25:21.720
<v Speaker 3>able to. They fruity lose they producing and double time.

0:25:21.800 --> 0:25:24.480
<v Speaker 3>So if they say they play a song like Wicked

0:25:24.600 --> 0:25:27.520
<v Speaker 3>is seventy nine bpm, that it was produced that double

0:25:27.600 --> 0:25:29.679
<v Speaker 3>that as opposed to it being like if it's eight

0:25:29.760 --> 0:25:33.119
<v Speaker 3>BPM's produced at one sixty, you feel me there's now

0:25:33.160 --> 0:25:35.240
<v Speaker 3>this is some nerd shit for the for the kids.

0:25:35.320 --> 0:25:39.000
<v Speaker 3>But if you're playing that song most and if you

0:25:39.080 --> 0:25:41.040
<v Speaker 3>look in at DJ's computer, it's probably at one eight

0:25:41.160 --> 0:25:43.640
<v Speaker 3>when it's really seventy nine, you feel.

0:25:43.440 --> 0:25:44.280
<v Speaker 1>Because they speed it up.

0:25:45.240 --> 0:25:47.560
<v Speaker 2>No, it's just produced in double.

0:25:47.400 --> 0:25:50.280
<v Speaker 3>Yeah, because the high hats and the drums and shit

0:25:50.359 --> 0:25:54.280
<v Speaker 3>move faster. So, because Southern music is rooted in blues

0:25:54.880 --> 0:25:59.400
<v Speaker 3>and West Coast music is rooted in funk, it's automatically segregated.

0:25:59.760 --> 0:26:02.480
<v Speaker 3>So when you hear a song you say that sound

0:26:02.560 --> 0:26:03.360
<v Speaker 3>like a West Coast song?

0:26:04.240 --> 0:26:06.200
<v Speaker 1>What what makes you say that? It's always going to

0:26:06.240 --> 0:26:06.960
<v Speaker 1>be the baseline?

0:26:07.359 --> 0:26:09.760
<v Speaker 3>For instance, I had I wanted talking to Joe Budden, right,

0:26:10.240 --> 0:26:12.920
<v Speaker 3>I said, Joe, has anybody ever told you that pump

0:26:12.960 --> 0:26:14.680
<v Speaker 3>it Up sound like a West Coast song? He's like, never,

0:26:15.240 --> 0:26:17.720
<v Speaker 3>I said, I know, But pumping Up is one hundred

0:26:17.760 --> 0:26:21.639
<v Speaker 3>and five bpm, so is most a lot of these

0:26:21.680 --> 0:26:22.320
<v Speaker 3>West Coast This.

0:26:24.160 --> 0:26:25.600
<v Speaker 1>Is one hundred hundred yeah.

0:26:26.000 --> 0:26:29.800
<v Speaker 3>So but when people hear tempo now, they automatically think

0:26:29.840 --> 0:26:33.120
<v Speaker 3>as a West Coast song because of because of Claire

0:26:33.160 --> 0:26:37.359
<v Speaker 3>Drip is one hundred epm metro metro. He's he's a scientist,

0:26:37.400 --> 0:26:39.920
<v Speaker 3>so he's good at what he does, but he produced

0:26:40.040 --> 0:26:42.600
<v Speaker 3>in ours. I said this eight years ago. I said,

0:26:42.600 --> 0:26:45.120
<v Speaker 3>the first person to make a trap song with rhythmic tempo.

0:26:45.200 --> 0:26:47.040
<v Speaker 3>Now I'm using radio terms, it's going to go to

0:26:47.119 --> 0:26:49.640
<v Speaker 3>the bank. Rick Clair Drip still getting played to this day,

0:26:49.880 --> 0:26:52.880
<v Speaker 3>but it's one hundred EPM record producing with trap songs. Dude,

0:26:52.920 --> 0:26:54.639
<v Speaker 3>that sound like a West Coast record to you, not

0:26:54.800 --> 0:26:58.200
<v Speaker 3>really sonically, but it got tempo which automatically is associated

0:26:58.240 --> 0:26:59.200
<v Speaker 3>with West Coast temper.

0:26:59.359 --> 0:27:01.400
<v Speaker 1>And translates over there better too.

0:27:01.840 --> 0:27:04.520
<v Speaker 4>Is what I realized, because even even when you you

0:27:04.800 --> 0:27:07.080
<v Speaker 4>looking at like I remember when I was in LA

0:27:07.440 --> 0:27:10.560
<v Speaker 4>and I was just to the radio. I was like, damn, man, Okay.

0:27:10.800 --> 0:27:12.600
<v Speaker 4>I was like, I was like, damn man, I heard like.

0:27:14.160 --> 0:27:15.639
<v Speaker 1>I was in the cars, like damn. I don't heard

0:27:15.800 --> 0:27:18.880
<v Speaker 1>like five Chris Brown records. Then I did. I get

0:27:18.880 --> 0:27:19.440
<v Speaker 1>to Chris House.

0:27:19.480 --> 0:27:21.600
<v Speaker 4>I'm like, man, you're all on the radio here. But

0:27:22.080 --> 0:27:25.200
<v Speaker 4>I understand he's like an alien in what he does

0:27:25.359 --> 0:27:29.320
<v Speaker 4>because he knows the BPM, the time link, everything that

0:27:29.400 --> 0:27:29.600
<v Speaker 4>he did.

0:27:29.600 --> 0:27:31.639
<v Speaker 1>And I'm like, I never thought that.

0:27:31.920 --> 0:27:33.480
<v Speaker 2>I was like, I never would think that.

0:27:33.560 --> 0:27:36.399
<v Speaker 1>You thought like this. He's like, yeah, that's why he know.

0:27:36.760 --> 0:27:39.160
<v Speaker 3>Yeah, but but here's the secret throw and this would

0:27:39.160 --> 0:27:42.159
<v Speaker 3>always tell people you got Jermaine Duprie. JD is my

0:27:42.240 --> 0:27:46.200
<v Speaker 3>goal Number one on the list best of all time, right, JD.

0:27:46.560 --> 0:27:49.040
<v Speaker 3>You got Doctor Dre, you got Timbaland, you got Swiss,

0:27:49.800 --> 0:27:54.040
<v Speaker 3>you got Little John who do you know could accidentally

0:27:54.119 --> 0:27:55.360
<v Speaker 3>be successful for thirty years?

0:27:56.000 --> 0:27:59.000
<v Speaker 1>Nobody. They know some shit, they know and they know something.

0:27:59.440 --> 0:27:59.960
<v Speaker 1>That's my point.

0:28:00.160 --> 0:28:02.280
<v Speaker 3>They know some music most as much as people go

0:28:02.359 --> 0:28:04.120
<v Speaker 3>in to booth. And I'm for the freestyle and I'm

0:28:04.119 --> 0:28:06.680
<v Speaker 3>feeling music is a formula. It's a recipe, and the

0:28:06.760 --> 0:28:09.320
<v Speaker 3>best recipes is recipes that's been perfected.

0:28:08.960 --> 0:28:11.360
<v Speaker 1>And you cook that motherfucker over and over again. That's

0:28:11.400 --> 0:28:13.600
<v Speaker 1>all this shit is. Yeah, and I and I appreciate.

0:28:13.720 --> 0:28:16.920
<v Speaker 4>Like I was telling Ferrari, I said, man, the things

0:28:16.960 --> 0:28:21.840
<v Speaker 4>that most uh that's fascinating to me is longevity, right

0:28:21.960 --> 0:28:24.720
<v Speaker 4>because even in the spaces that that we're in, like it,

0:28:25.440 --> 0:28:27.960
<v Speaker 4>it's hard to be in this business for for a

0:28:28.040 --> 0:28:33.000
<v Speaker 4>real long time and you see giants collide like what

0:28:33.119 --> 0:28:35.400
<v Speaker 4>you've seen with Kadot and what you've seen with Drake,

0:28:35.480 --> 0:28:37.000
<v Speaker 4>and these guys have been in the game for a

0:28:37.119 --> 0:28:41.840
<v Speaker 4>long time, and I've seen that that Drake is pushing

0:28:41.840 --> 0:28:44.720
<v Speaker 4>the envelope that he felt like that record was like

0:28:44.880 --> 0:28:49.520
<v Speaker 4>amplified against him to to dilute, you know, his his

0:28:49.720 --> 0:28:53.280
<v Speaker 4>negotiation when he going to the label. You you feel

0:28:53.360 --> 0:28:56.680
<v Speaker 4>like that that record was pushed the agenda to, you know,

0:28:56.840 --> 0:28:58.760
<v Speaker 4>to dilute his The record.

0:28:58.560 --> 0:29:02.800
<v Speaker 1>Is a jam, that's a good It's a slap, just

0:29:02.880 --> 0:29:05.360
<v Speaker 1>like when you make a slap. Yeah, everybody gonna play it.

0:29:05.400 --> 0:29:07.320
<v Speaker 3>They're gonna mean it, They're gonna post it, they're gonna

0:29:07.360 --> 0:29:10.200
<v Speaker 3>retweet it like it's just a slap. It's not crazy,

0:29:10.280 --> 0:29:13.880
<v Speaker 3>it's not It's not this consorted effort to to the

0:29:13.960 --> 0:29:16.920
<v Speaker 3>demise of one individual. It's just that what I think

0:29:16.960 --> 0:29:20.520
<v Speaker 3>what's fan in the flames is that people don't want

0:29:20.600 --> 0:29:23.080
<v Speaker 3>to come to grips with the reality of things. The

0:29:23.200 --> 0:29:29.320
<v Speaker 3>reality of things is, hey, bro, we call it coming outside.

0:29:29.360 --> 0:29:30.160
<v Speaker 3>You come off the porch.

0:29:30.320 --> 0:29:33.520
<v Speaker 1>Right When I used to spend summers, I used to

0:29:33.560 --> 0:29:36.240
<v Speaker 1>spend summers and content with my cousin Ian and he

0:29:36.360 --> 0:29:38.719
<v Speaker 1>lived on the street called Chester and right down right

0:29:38.880 --> 0:29:40.960
<v Speaker 1>next down the street, it's south Side Park.

0:29:41.160 --> 0:29:43.480
<v Speaker 3>You know what I'm saying, Shot shout to pun So

0:29:43.800 --> 0:29:46.080
<v Speaker 3>it's south Side Park right there. I used to be

0:29:46.120 --> 0:29:48.120
<v Speaker 3>afraid to go outside because I know I gotta go

0:29:48.160 --> 0:29:53.200
<v Speaker 3>to the park. But what happens is you can't just

0:29:53.320 --> 0:29:55.520
<v Speaker 3>be over there all the time and not go outside.

0:29:56.560 --> 0:29:58.680
<v Speaker 3>I think what happens is the more you get to

0:29:58.720 --> 0:30:01.440
<v Speaker 3>stay inside, reality starts to shift.

0:30:01.240 --> 0:30:02.680
<v Speaker 1>For you, and outside don't become real.

0:30:03.440 --> 0:30:06.480
<v Speaker 3>Right, So I think what happens is the longer you stay,

0:30:06.560 --> 0:30:10.480
<v Speaker 3>you up here and you couldn't possibly fathom not being here.

0:30:11.600 --> 0:30:13.480
<v Speaker 3>And so when our reality started, you go to the

0:30:13.520 --> 0:30:18.120
<v Speaker 3>park and get your ass whooped. You like, but I'm here. No, no, no, no,

0:30:18.840 --> 0:30:21.160
<v Speaker 3>you're not here at the park. At the park, you

0:30:21.200 --> 0:30:25.040
<v Speaker 3>with a nigga who lost the fight. It's simple, it's

0:30:25.080 --> 0:30:26.480
<v Speaker 3>not it's not complicated.

0:30:28.640 --> 0:30:30.000
<v Speaker 1>You make it. You make it a lot of sense.

0:30:30.880 --> 0:30:33.120
<v Speaker 1>You make it, You make it a lot of sense.

0:30:33.440 --> 0:30:34.680
<v Speaker 1>But I do feel like.

0:30:36.840 --> 0:30:39.360
<v Speaker 4>I do feel like these are these are two gigantic

0:30:39.520 --> 0:30:42.080
<v Speaker 4>artists that like, at some point could just come together

0:30:42.120 --> 0:30:44.200
<v Speaker 4>and you know, coexist.

0:30:45.160 --> 0:30:47.520
<v Speaker 1>I don't see that happening. You don't think that you

0:30:47.600 --> 0:30:48.480
<v Speaker 1>mean coming together.

0:30:48.320 --> 0:30:51.800
<v Speaker 4>Like what I mean, not like like we friends, but

0:30:51.960 --> 0:30:53.760
<v Speaker 4>like the in the sense of being like you know,

0:30:54.000 --> 0:30:57.360
<v Speaker 4>like I respect I respect the battle, I respect your craft.

0:30:57.440 --> 0:31:00.120
<v Speaker 4>It could have been that way, but you think it

0:31:00.240 --> 0:31:05.320
<v Speaker 4>got too personal. People start mentioning family member absolutely.

0:31:05.160 --> 0:31:07.880
<v Speaker 1>Something that Glasses told me fifteen years ago.

0:31:07.920 --> 0:31:11.160
<v Speaker 3>Because I'm a jokester. I do pranks on niggas. I'm

0:31:11.240 --> 0:31:14.960
<v Speaker 3>that guy, right, I like to I'm a funny jokester.

0:31:15.760 --> 0:31:17.239
<v Speaker 3>And one thing he set me down. He say, look

0:31:17.320 --> 0:31:20.720
<v Speaker 3>cuz everybody ain't playing. I only have to be told

0:31:20.760 --> 0:31:23.600
<v Speaker 3>that one time. Some people learn by putting a hand

0:31:23.640 --> 0:31:25.760
<v Speaker 3>in the fire over and over again. I learned from

0:31:25.800 --> 0:31:28.400
<v Speaker 3>watching other people crash. I don't have to crash, So

0:31:28.720 --> 0:31:30.640
<v Speaker 3>for me, I only have to be told that one

0:31:30.720 --> 0:31:34.640
<v Speaker 3>time to understand, Oh, everybody ain't playing. So somebody if

0:31:34.720 --> 0:31:38.320
<v Speaker 3>BT if BT is telling me like, hey, bro, like,

0:31:38.400 --> 0:31:40.600
<v Speaker 3>we're gonna go outside and we can get to it.

0:31:41.120 --> 0:31:45.880
<v Speaker 3>But nigga, don't pull my braids. We're gonna It's called

0:31:45.880 --> 0:31:49.680
<v Speaker 3>a friendly, A friendly fake. A friendly is reserved for

0:31:49.760 --> 0:31:52.240
<v Speaker 3>people you have respect for, are you friends with, or

0:31:52.280 --> 0:31:53.240
<v Speaker 3>you have a relationship with.

0:31:53.400 --> 0:31:56.280
<v Speaker 1>That's what a friendly is where I'm from. A friendly

0:31:56.440 --> 0:31:59.080
<v Speaker 1>is not for an OP or an enemy or somebody

0:31:59.120 --> 0:32:04.680
<v Speaker 1>who is as an offender. Right offenders get we call

0:32:04.760 --> 0:32:09.200
<v Speaker 1>it getting packed or maxed out. There's no opportunity for retribution,

0:32:09.280 --> 0:32:11.360
<v Speaker 1>there's no conversation. It's just when I see you as

0:32:11.440 --> 0:32:15.640
<v Speaker 1>own and stuff. Right, So that wasn't that wasn't a thing.

0:32:15.840 --> 0:32:18.200
<v Speaker 1>But if I offer you a friendly and then you

0:32:18.840 --> 0:32:23.560
<v Speaker 1>ship on the friendly, now it's scorched earth. Gotcha. Now,

0:32:23.600 --> 0:32:25.560
<v Speaker 1>it's like one of us getting packed out.

0:32:25.960 --> 0:32:27.960
<v Speaker 3>Now, it don't matter what happened to you. Because I

0:32:28.080 --> 0:32:31.440
<v Speaker 3>offered you the friendly you pull I put you offered

0:32:31.440 --> 0:32:33.840
<v Speaker 3>me the friendly. I did the one thing you told

0:32:33.880 --> 0:32:36.120
<v Speaker 3>me not to do. It's just pull your braids during

0:32:36.200 --> 0:32:38.960
<v Speaker 3>our our friendly. Because a friendly me and you go outside,

0:32:38.960 --> 0:32:40.520
<v Speaker 3>we run the fairy one and then we go eat.

0:32:41.160 --> 0:32:42.280
<v Speaker 3>You know what I'm saying, man, that was that was

0:32:42.280 --> 0:32:46.440
<v Speaker 3>a good ship you whatever, that's a friendly. You told

0:32:46.520 --> 0:32:49.040
<v Speaker 3>me the only thing that's off limits djhed is don't

0:32:49.040 --> 0:32:52.479
<v Speaker 3>pull my braids. And I pull your braids. Now it's

0:32:52.520 --> 0:32:55.080
<v Speaker 3>no longer friendly because you you told me what the

0:32:55.200 --> 0:32:58.560
<v Speaker 3>line was, and I was like, you know what I'm saying.

0:32:58.840 --> 0:33:00.720
<v Speaker 3>So once I crossed that line and at that point,

0:33:01.320 --> 0:33:02.479
<v Speaker 3>whatever happens happens.

0:33:03.840 --> 0:33:06.360
<v Speaker 4>Now, what do you feel about all the stuff with

0:33:06.600 --> 0:33:09.280
<v Speaker 4>Like what you know when you look at like the

0:33:09.320 --> 0:33:11.280
<v Speaker 4>West Coast right, like, well, I see a lot of media.

0:33:11.280 --> 0:33:13.200
<v Speaker 4>I see like a lot of you know, people that

0:33:13.320 --> 0:33:15.920
<v Speaker 4>are gang affiliated talking about certain things on camera and

0:33:15.960 --> 0:33:18.320
<v Speaker 4>stuff like that. Like how you feel about all the

0:33:18.360 --> 0:33:20.840
<v Speaker 4>stuff that's going on with like people are getting locked

0:33:20.920 --> 0:33:23.400
<v Speaker 4>up from doing you know, podcasts and stuff like that.

0:33:23.720 --> 0:33:26.200
<v Speaker 1>I don't participate in it. I don't even. I don't even.

0:33:26.240 --> 0:33:28.400
<v Speaker 3>I don't one thing I always since I started doing

0:33:28.520 --> 0:33:31.240
<v Speaker 3>radio or broadcasting. I don't talk about street shit on

0:33:31.280 --> 0:33:33.680
<v Speaker 3>the air. I don't interview street niggas about street shit.

0:33:33.760 --> 0:33:35.440
<v Speaker 3>That ain't none of my business. I'm a non affiliate.

0:33:35.480 --> 0:33:38.040
<v Speaker 3>What am I doing talking about street shit? M You

0:33:38.080 --> 0:33:40.280
<v Speaker 3>know what I'm saying, Even when like certain things happen,

0:33:40.360 --> 0:33:43.640
<v Speaker 3>like when Nipsey got murdered, right, people wanted me to

0:33:43.760 --> 0:33:46.800
<v Speaker 3>have conversations like that ain't on air conversation you know

0:33:46.840 --> 0:33:48.400
<v Speaker 3>what I'm saying, Like that's that's something.

0:33:48.560 --> 0:33:51.120
<v Speaker 2>Did you want to have a conversation or you just knew? Nah,

0:33:51.120 --> 0:33:52.200
<v Speaker 2>I'm not speaking on that.

0:33:52.480 --> 0:33:56.760
<v Speaker 3>No, it's no reason, it's no point because to me, again,

0:33:57.000 --> 0:33:59.640
<v Speaker 3>like I just told et, like everything everybody ain't playing

0:34:00.520 --> 0:34:03.720
<v Speaker 3>and everything ain't content to me, you know what I'm saying,

0:34:03.760 --> 0:34:06.920
<v Speaker 3>Like Rory got kids, right, that ain't content to me.

0:34:07.240 --> 0:34:09.120
<v Speaker 3>No matter what happened in Rory's life, you ain't never

0:34:09.120 --> 0:34:11.920
<v Speaker 3>gonna see me on the radiol It could be nigga,

0:34:12.000 --> 0:34:15.040
<v Speaker 3>his son got charged with this or his nigga he

0:34:15.080 --> 0:34:16.920
<v Speaker 3>got caught cheating and he got a baby on the

0:34:16.920 --> 0:34:19.319
<v Speaker 3>way over here, and everything ain't content to me.

0:34:19.360 --> 0:34:22.359
<v Speaker 4>Which is never happened, by the way, but I feel

0:34:22.400 --> 0:34:23.840
<v Speaker 4>like you kind of take you kind of take it

0:34:24.200 --> 0:34:25.279
<v Speaker 4>like how we take it.

0:34:25.360 --> 0:34:25.480
<v Speaker 1>Right.

0:34:25.600 --> 0:34:30.399
<v Speaker 4>So we had a conversation with Ray Daniels and yeah,

0:34:30.440 --> 0:34:32.640
<v Speaker 4>shout out, shout out to Ray Daniels and meant to

0:34:32.680 --> 0:34:35.440
<v Speaker 4>tell you know, okay, uh, you know.

0:34:36.360 --> 0:34:37.920
<v Speaker 1>Academics and no.

0:34:38.120 --> 0:34:40.000
<v Speaker 4>Jumper felt a certain type of way about the things

0:34:40.000 --> 0:34:42.160
<v Speaker 4>that he were discussing during our.

0:34:42.080 --> 0:34:46.440
<v Speaker 2>Show, and he basically said, we can't talk like that

0:34:46.560 --> 0:34:49.240
<v Speaker 2>in Atlanta because people are gonna pull.

0:34:49.160 --> 0:34:51.440
<v Speaker 1>Up on you. What was y'all talking about, Well, we

0:34:52.160 --> 0:34:52.520
<v Speaker 1>was talking.

0:34:52.560 --> 0:34:54.960
<v Speaker 4>We was talking about the fact that, like, you know,

0:34:55.680 --> 0:34:58.160
<v Speaker 4>we feel like certain certain cities get away with a

0:34:58.160 --> 0:35:00.400
<v Speaker 4>lot of stuff with like how people talk about certain

0:35:00.600 --> 0:35:02.959
<v Speaker 4>stuff on it you know, like we're not street guys,

0:35:03.320 --> 0:35:05.319
<v Speaker 4>so we don't feel the need we should be talking

0:35:05.320 --> 0:35:06.200
<v Speaker 4>about certain.

0:35:05.960 --> 0:35:07.560
<v Speaker 1>Things on camera.

0:35:08.239 --> 0:35:10.759
<v Speaker 4>And that's basically what Ray Daniels saying, like, Hey, we

0:35:10.800 --> 0:35:14.800
<v Speaker 4>don't do that here because we outside and at some point.

0:35:14.600 --> 0:35:16.920
<v Speaker 2>You can literally find go on my Instagram and know

0:35:17.000 --> 0:35:18.080
<v Speaker 2>where I'm going to be at.

0:35:18.239 --> 0:35:18.439
<v Speaker 1>Yeah.

0:35:18.520 --> 0:35:20.799
<v Speaker 4>Yeah, we're telling people where we're at. Hey, tonight, I'm

0:35:20.840 --> 0:35:21.879
<v Speaker 4>gonna be hosting here.

0:35:22.080 --> 0:35:24.759
<v Speaker 2>Talk about it so people will pull up on you

0:35:24.840 --> 0:35:26.680
<v Speaker 2>because we outside who have a problem with that.

0:35:28.440 --> 0:35:31.560
<v Speaker 1>The people he mentioned mentioned academics. They said, what was

0:35:31.600 --> 0:35:34.239
<v Speaker 1>a problem though they basically said that Atlanta has nothing

0:35:34.280 --> 0:35:34.560
<v Speaker 1>going on?

0:35:34.920 --> 0:35:38.640
<v Speaker 4>Well, No, Jumper basically said Atlanta had no media presence

0:35:38.680 --> 0:35:42.279
<v Speaker 4>going on, and academics felt like that people like media

0:35:42.400 --> 0:35:44.879
<v Speaker 4>personalities were scared to talk about like certain things.

0:35:44.920 --> 0:35:47.200
<v Speaker 3>And he said, but that's easy to talk, that's easy

0:35:47.360 --> 0:35:49.200
<v Speaker 3>to say from people who don't be nowhere.

0:35:49.640 --> 0:35:51.759
<v Speaker 1>Yeah, and that's and that I feel the same type.

0:35:51.760 --> 0:35:55.120
<v Speaker 1>I've ever seen that individual anywhere. Nope, me either.

0:35:56.480 --> 0:35:58.360
<v Speaker 2>I mean, hey, man, I won't I wasn't even tripping

0:35:58.440 --> 0:36:00.440
<v Speaker 2>on their opinion because I'd be outside. So I mean,

0:36:00.520 --> 0:36:02.720
<v Speaker 2>I'm I'm very easy to find.

0:36:03.040 --> 0:36:06.239
<v Speaker 1>It's not about being easy, see but this is my thing.

0:36:06.320 --> 0:36:07.680
<v Speaker 2>Let me, let me, let me finish. I would say

0:36:07.680 --> 0:36:09.920
<v Speaker 2>I'm very easy to find. Therefore, I make sure I'm

0:36:10.120 --> 0:36:13.360
<v Speaker 2>very intelligent with the things I talk about, what I

0:36:13.440 --> 0:36:15.960
<v Speaker 2>talk about, who I talk about, and the things that

0:36:16.080 --> 0:36:21.080
<v Speaker 2>I don't touch on don't concern me. I'm mind my business.

0:36:21.160 --> 0:36:22.799
<v Speaker 2>But then again, you know, I still gotta do my job.

0:36:22.840 --> 0:36:26.520
<v Speaker 2>I do my job with as much respect as possible.

0:36:27.200 --> 0:36:29.239
<v Speaker 2>And I know that there's certain every like you said,

0:36:29.280 --> 0:36:31.919
<v Speaker 2>everybody ain't playing, so therefore certain things I'm not gonna

0:36:31.920 --> 0:36:33.200
<v Speaker 2>speak on period.

0:36:33.480 --> 0:36:35.120
<v Speaker 1>But also it's not even so.

0:36:35.760 --> 0:36:38.839
<v Speaker 3>There's this thing right where Glasses always talks about game

0:36:38.880 --> 0:36:41.439
<v Speaker 3>banging and how people I didn't get it at first.

0:36:41.440 --> 0:36:42.960
<v Speaker 3>He did because I grew up around it, you know

0:36:42.960 --> 0:36:44.359
<v Speaker 3>what I'm saying. I grew up on the East Side.

0:36:44.440 --> 0:36:46.520
<v Speaker 3>There's a lot of gangs over there, and I was

0:36:46.560 --> 0:36:49.120
<v Speaker 3>a product of my environment. Not I'll never join the gang,

0:36:49.200 --> 0:36:51.360
<v Speaker 3>but you know, I got in a little bit of

0:36:51.400 --> 0:36:56.919
<v Speaker 3>trouble early on or whatever. But he always talks about

0:36:56.960 --> 0:36:59.120
<v Speaker 3>like I didn't. I thought game bang was about geography,

0:36:59.560 --> 0:37:01.160
<v Speaker 3>like why would you claim streets you don't own?

0:37:01.480 --> 0:37:04.160
<v Speaker 1>Like I thought very linear. I thought very digital, like

0:37:04.520 --> 0:37:05.600
<v Speaker 1>just black and white.

0:37:06.040 --> 0:37:08.880
<v Speaker 3>And as I start to hang out with the hommies

0:37:08.960 --> 0:37:11.239
<v Speaker 3>more and understand different things, it's not about that it's

0:37:11.239 --> 0:37:14.120
<v Speaker 3>just your bond. It's it's your friend group with your commonality.

0:37:14.200 --> 0:37:16.879
<v Speaker 3>But more importantly, what it teaches you is manhood and accountability.

0:37:17.719 --> 0:37:23.719
<v Speaker 3>Because BT represents the Baller Alert Show. Rory represents the

0:37:23.760 --> 0:37:27.120
<v Speaker 3>Baller Alert Show. So if BT jump out there and

0:37:27.160 --> 0:37:30.320
<v Speaker 3>say fuck them over there on the Baller Alert.

0:37:30.120 --> 0:37:32.479
<v Speaker 1>Show, he represents the collective fact.

0:37:33.080 --> 0:37:36.719
<v Speaker 3>Now one person is responsible for the entire movement, right,

0:37:37.040 --> 0:37:40.000
<v Speaker 3>so now everybody has to answer for this one person.

0:37:41.160 --> 0:37:45.320
<v Speaker 3>People who never played Little league or who never played

0:37:45.400 --> 0:37:48.319
<v Speaker 3>communal sports. I played baseball, I played basketball. People who

0:37:48.360 --> 0:37:50.160
<v Speaker 3>don't go to the park like I talked about, people

0:37:50.520 --> 0:37:53.640
<v Speaker 3>who don't hang out or don't go outside or around around.

0:37:53.440 --> 0:37:56.960
<v Speaker 1>Humans in these ways don't understand that. That's what accountability,

0:37:57.000 --> 0:37:58.040
<v Speaker 1>that's what manhood looks like.

0:37:58.280 --> 0:38:00.560
<v Speaker 3>So yeah, you can just fly for handle and say

0:38:00.560 --> 0:38:03.360
<v Speaker 3>whatever you want to say because there's no accountability stable

0:38:03.400 --> 0:38:06.520
<v Speaker 3>to it. I agree, but also, but also you shouldn't

0:38:06.560 --> 0:38:08.840
<v Speaker 3>waste your time articulating that to people who couldn't understand it.

0:38:09.040 --> 0:38:10.279
<v Speaker 2>And that's why I did. I didn't reply.

0:38:10.560 --> 0:38:13.160
<v Speaker 1>I know he gonna crash.

0:38:15.560 --> 0:38:18.960
<v Speaker 4>I just you know, uh, you know, shout out to Ray.

0:38:19.040 --> 0:38:22.040
<v Speaker 4>But you know, Ray Ray is very much like you know,

0:38:22.120 --> 0:38:24.279
<v Speaker 4>he's proud to be from Atlanta. He's proud, you know,

0:38:25.000 --> 0:38:28.640
<v Speaker 4>and and Ray Ray definitely you know, he he was

0:38:28.680 --> 0:38:31.560
<v Speaker 4>going up and we was all supposed to have a conversation.

0:38:33.120 --> 0:38:34.680
<v Speaker 1>You know, he was gonna go to New York, have

0:38:34.719 --> 0:38:37.400
<v Speaker 1>a conversation, sit down and act. But it never happened.

0:38:38.280 --> 0:38:40.359
<v Speaker 2>But I'm fine. It doesn't matter to me. I'm cool.

0:38:40.440 --> 0:38:42.440
<v Speaker 2>Like I just feel like we're gonna focus on what

0:38:42.520 --> 0:38:44.040
<v Speaker 2>we focusing on, and we're gonna.

0:38:43.880 --> 0:38:45.920
<v Speaker 1>And I feel like certain people do do content the

0:38:45.960 --> 0:38:48.719
<v Speaker 1>way they do content. Look, I like being outside, you

0:38:48.800 --> 0:38:52.440
<v Speaker 1>know what I'm saying. So you are outside, I'm outside. Yeah,

0:38:52.520 --> 0:38:58.000
<v Speaker 1>outside is me. So it's stuff. Don't pretend to speaking

0:38:58.040 --> 0:38:58.239
<v Speaker 1>on it.

0:38:58.719 --> 0:39:00.279
<v Speaker 3>Yeah, But the thing is, that's what I'm trying to

0:39:00.280 --> 0:39:02.560
<v Speaker 3>explain it. It's not about people can find you. It's

0:39:02.640 --> 0:39:04.520
<v Speaker 3>just about moral compass and manhood ship.

0:39:04.719 --> 0:39:07.279
<v Speaker 1>Yeah, accountability, just accountability a man.

0:39:07.680 --> 0:39:11.479
<v Speaker 3>Yeah, I'm not gonna say whatever whatever I have said,

0:39:11.800 --> 0:39:14.000
<v Speaker 3>whatever I have said about anybody, I will say to

0:39:14.080 --> 0:39:17.640
<v Speaker 3>them and probably I probably have already told them facts.

0:39:19.280 --> 0:39:21.840
<v Speaker 2>I always lead with that too, because I feel I

0:39:21.880 --> 0:39:24.680
<v Speaker 2>feel I feel like when we did the r Kelly thing,

0:39:25.040 --> 0:39:28.000
<v Speaker 2>m hm, and I said, I said, I love Nick Cary,

0:39:28.040 --> 0:39:28.520
<v Speaker 2>that's my boy.

0:39:28.960 --> 0:39:29.560
<v Speaker 1>You know what I'm saying.

0:39:29.600 --> 0:39:32.600
<v Speaker 2>But shoot, I've been I've been in settings where people

0:39:32.600 --> 0:39:32.880
<v Speaker 2>play R.

0:39:32.920 --> 0:39:33.120
<v Speaker 1>Kelly.

0:39:33.160 --> 0:39:36.440
<v Speaker 2>It's cool, not tripping, well, I play it. No, that's

0:39:36.520 --> 0:39:38.480
<v Speaker 2>just my personal thing. Everybody got their own personal thing.

0:39:38.920 --> 0:39:40.520
<v Speaker 2>I have no problem hearing R.

0:39:40.600 --> 0:39:40.839
<v Speaker 1>Kelly.

0:39:41.920 --> 0:39:44.880
<v Speaker 2>I just I'm not playing It's okay, that's just me

0:39:45.000 --> 0:39:45.760
<v Speaker 2>bro I'm cool.

0:39:46.200 --> 0:39:49.960
<v Speaker 1>And it's certain people that enjoys the music. But it's

0:39:50.680 --> 0:39:51.040
<v Speaker 1>I'm cool.

0:39:51.320 --> 0:39:52.960
<v Speaker 2>I just don't have it on my laptop to play

0:39:53.000 --> 0:39:54.759
<v Speaker 2>it for you, So don't ask me.

0:39:57.880 --> 0:39:59.839
<v Speaker 1>I think that's cat mm hmm.

0:40:00.040 --> 0:40:02.280
<v Speaker 3>Then cap, you don't have no R. Kelly in your laptop.

0:40:02.360 --> 0:40:04.840
<v Speaker 3>I don't not a feature, not a song or verse.

0:40:04.760 --> 0:40:06.359
<v Speaker 2>Nothing, something that he wrote.

0:40:06.440 --> 0:40:09.400
<v Speaker 1>Yeah, but if he's on it. No, if he's on

0:40:09.600 --> 0:40:11.359
<v Speaker 1>a song, you don't have any of your laptop. I'll

0:40:11.400 --> 0:40:13.720
<v Speaker 1>have to Yeah. I would love to search your Sorado

0:40:13.800 --> 0:40:19.080
<v Speaker 1>for the word Kelly. That's cool. It's a feature of something.

0:40:19.480 --> 0:40:21.759
<v Speaker 1>It's no way you have eradicated all our Kelly from

0:40:21.800 --> 0:40:22.240
<v Speaker 1>your Sorado.

0:40:22.640 --> 0:40:25.440
<v Speaker 2>Longing to take well, you just type in Kelly and

0:40:25.480 --> 0:40:27.799
<v Speaker 2>then you do control a, and then you just hit

0:40:27.880 --> 0:40:33.080
<v Speaker 2>the lead, type in Kelly, even search bar, control A delete.

0:40:34.000 --> 0:40:36.160
<v Speaker 1>Okay, you call it CAP.

0:40:36.320 --> 0:40:37.560
<v Speaker 2>I have my laptop, get it.

0:40:38.120 --> 0:40:43.040
<v Speaker 1>No, man, we have five minutes left. We could do

0:40:43.120 --> 0:40:46.600
<v Speaker 1>some BTS though I have my laptop. It's actually with

0:40:46.680 --> 0:40:49.640
<v Speaker 1>DJing today, yo head. Would you would you ever consider

0:40:49.719 --> 0:40:55.160
<v Speaker 1>going back to radio? I'll do radio, but serious six

0:40:55.320 --> 0:41:00.600
<v Speaker 1>M yeah, serious, but you know format radio show radio.

0:41:00.840 --> 0:41:03.279
<v Speaker 3>Yeah, I would consider it, but at this point, if

0:41:03.320 --> 0:41:06.279
<v Speaker 3>it's if it's not syndicating effective immediately with gene views

0:41:07.520 --> 0:41:13.440
<v Speaker 3>of views Mann, she fine, you're doing a great Jobews

0:41:13.560 --> 0:41:15.000
<v Speaker 3>if it's not that, I'm hold your own too.

0:41:15.040 --> 0:41:15.320
<v Speaker 4>I like that.

0:41:15.480 --> 0:41:20.200
<v Speaker 1>I'm not interested. I just there's nothing there for me

0:41:20.760 --> 0:41:21.879
<v Speaker 1>outside of what I'm doing.

0:41:22.400 --> 0:41:26.040
<v Speaker 4>So with the state of radio in l A, how

0:41:26.080 --> 0:41:27.960
<v Speaker 4>do you how do you feel, like, how do you

0:41:28.000 --> 0:41:30.440
<v Speaker 4>feel about how that's transitioning?

0:41:31.320 --> 0:41:32.400
<v Speaker 1>I mean the state of radios.

0:41:32.520 --> 0:41:34.520
<v Speaker 3>I mean radio is always going to be a loving

0:41:34.600 --> 0:41:36.520
<v Speaker 3>me so I'm not I don't have anything negative to

0:41:36.560 --> 0:41:39.120
<v Speaker 3>say about it, but I think like the state of

0:41:39.200 --> 0:41:42.480
<v Speaker 3>it is always in crisis because the way that radio

0:41:42.600 --> 0:41:44.160
<v Speaker 3>is done is traditionally archaic.

0:41:44.280 --> 0:41:46.000
<v Speaker 1>To me, it's just antiquated.

0:41:46.880 --> 0:41:49.880
<v Speaker 3>It's it's no innovation, it's no you gotta think about it,

0:41:50.000 --> 0:41:52.360
<v Speaker 3>like even right now. Three ways that radio used to

0:41:52.440 --> 0:41:59.160
<v Speaker 3>lead in culture, concerts, records, and personalities. All the biggest

0:41:59.160 --> 0:42:03.800
<v Speaker 3>personalities got on ship right, our biggest concerts for festivals,

0:42:03.880 --> 0:42:07.239
<v Speaker 3>now records. Everybody get the record at nine o'clock or

0:42:07.400 --> 0:42:10.440
<v Speaker 3>midnight out here, so radio is.

0:42:10.440 --> 0:42:10.919
<v Speaker 1>Not doing anything.

0:42:11.080 --> 0:42:12.680
<v Speaker 2>It's nine o'clock, there, is it not?

0:42:12.840 --> 0:42:15.640
<v Speaker 1>Yea, we get the regular Yeah, we get it midnight,

0:42:15.880 --> 0:42:17.000
<v Speaker 1>we get the record at nine.

0:42:16.880 --> 0:42:17.719
<v Speaker 2>So y'all get it first.

0:42:17.840 --> 0:42:21.600
<v Speaker 1>Technically it's the same same time. It's just different time.

0:42:21.680 --> 0:42:22.200
<v Speaker 1>Time works.

0:42:27.760 --> 0:42:29.800
<v Speaker 2>Brain freeze, yeah, brain freeze.

0:42:30.520 --> 0:42:34.080
<v Speaker 1>I forgot in the three ways that radio was radio

0:42:34.160 --> 0:42:36.320
<v Speaker 1>to charge. It doesn't. It doesn't take the lead anymore.

0:42:36.400 --> 0:42:38.279
<v Speaker 1>So I would love to change.

0:42:38.040 --> 0:42:40.680
<v Speaker 2>Those because radio used to be the only source spoil

0:42:40.920 --> 0:42:41.680
<v Speaker 2>for a very long time.

0:42:41.680 --> 0:42:43.560
<v Speaker 3>I like the Internet for a level in the plane,

0:42:43.719 --> 0:42:46.120
<v Speaker 3>the playing field. But at the same time, radio has

0:42:46.160 --> 0:42:47.960
<v Speaker 3>to adapt to the times, not the other way around.

0:42:48.640 --> 0:42:50.480
<v Speaker 1>I always said that we have to go to where

0:42:50.520 --> 0:42:52.040
<v Speaker 1>the people are. You got to meet people where they are,

0:42:52.040 --> 0:42:53.920
<v Speaker 1>because before I can't expect people to come to you.

0:42:54.200 --> 0:42:59.320
<v Speaker 1>Before it used to be newspaper, television, radio, that's it,

0:42:59.640 --> 0:43:03.959
<v Speaker 1>that's it. And then technology took over. If it ain't

0:43:04.000 --> 0:43:04.799
<v Speaker 1>on this right here.

0:43:04.840 --> 0:43:09.080
<v Speaker 3>Now everybody got an app, everybody got extremely service. I

0:43:09.239 --> 0:43:13.920
<v Speaker 3>just think that right now is the well Rail missed it.

0:43:14.680 --> 0:43:16.320
<v Speaker 3>But there's a point in time where it's gonna be

0:43:16.320 --> 0:43:16.640
<v Speaker 3>too late.

0:43:18.160 --> 0:43:20.080
<v Speaker 2>I just think something's gonna buy radio and it's gonna

0:43:20.120 --> 0:43:20.560
<v Speaker 2>be a big.

0:43:20.480 --> 0:43:22.719
<v Speaker 1>Merge one day. I see Amazon buying.

0:43:22.840 --> 0:43:28.479
<v Speaker 3>iHeart I see Serious Cyrus whatever, Serious buy what radio buying?

0:43:28.520 --> 0:43:28.960
<v Speaker 1>What radio?

0:43:29.719 --> 0:43:30.840
<v Speaker 2>It's gonna be some type of merger.

0:43:31.400 --> 0:43:34.160
<v Speaker 1>I think Serious is. I think Serious is that Apple Music.

0:43:34.560 --> 0:43:35.720
<v Speaker 2>Something's gonna happen where.

0:43:37.120 --> 0:43:39.239
<v Speaker 4>Well, yeah, Apple have they own radio now they don't,

0:43:39.280 --> 0:43:41.279
<v Speaker 4>But I think I think what Serious XM is doing.

0:43:41.320 --> 0:43:43.920
<v Speaker 4>What they did with Alex Cooper is something that I

0:43:44.000 --> 0:43:47.359
<v Speaker 4>feel like is a game changes. So Alex Cooper has

0:43:47.360 --> 0:43:50.799
<v Speaker 4>a podcast to call it Daddy Podcast. Uh. They gave

0:43:50.840 --> 0:43:54.200
<v Speaker 4>her one hundred million dollars to acquire her podcast to

0:43:54.360 --> 0:43:57.640
<v Speaker 4>be you know, to have them to you know, be

0:43:57.719 --> 0:43:58.360
<v Speaker 4>the new house for it.

0:43:58.440 --> 0:44:00.640
<v Speaker 3>But it's just distribution at that point. But radio is

0:44:00.680 --> 0:44:01.920
<v Speaker 3>never going to go in here because it's the free

0:44:01.960 --> 0:44:04.239
<v Speaker 3>medium media. And every time you have a free medium,

0:44:04.280 --> 0:44:05.200
<v Speaker 3>it's always going how do.

0:44:05.239 --> 0:44:08.640
<v Speaker 2>You make it entertaining enough to get more listeners?

0:44:08.760 --> 0:44:08.920
<v Speaker 1>Though?

0:44:09.840 --> 0:44:12.359
<v Speaker 3>I think the people in power, the people in power

0:44:12.440 --> 0:44:15.520
<v Speaker 3>need to get innovative and stop being afraid of change

0:44:15.560 --> 0:44:16.400
<v Speaker 3>before a check.

0:44:18.239 --> 0:44:20.920
<v Speaker 1>Like everybody. Everybody is a survival mode. I get it.

0:44:21.320 --> 0:44:23.320
<v Speaker 1>But at the same time, you evolve or die, and

0:44:23.480 --> 0:44:26.600
<v Speaker 1>I think it evolve. I think.

0:44:26.880 --> 0:44:28.800
<v Speaker 3>I think the lack of innovation is where you go

0:44:28.920 --> 0:44:31.400
<v Speaker 3>to die. Like for me, I always like for me,

0:44:31.719 --> 0:44:33.759
<v Speaker 3>I always make people make a decision. I fuck with

0:44:33.840 --> 0:44:35.879
<v Speaker 3>him or don't fuck with him, because indifference is where

0:44:35.920 --> 0:44:38.520
<v Speaker 3>you go to die. It's like, oh, he cool. I

0:44:38.640 --> 0:44:40.279
<v Speaker 3>never want to be all he cool. I either want

0:44:40.320 --> 0:44:41.719
<v Speaker 3>you to fuck with me or don't fuck with me.

0:44:42.080 --> 0:44:44.640
<v Speaker 3>Either way, I got some I gotta positive just some science.

0:44:44.719 --> 0:44:47.520
<v Speaker 3>But I got a positive charge or negative charge. I

0:44:47.640 --> 0:44:52.359
<v Speaker 3>need approachon or new trying to facts one of the two.

0:44:53.560 --> 0:44:55.520
<v Speaker 2>All right, well, listen, man, we appreciate you pulling up

0:44:55.560 --> 0:44:58.319
<v Speaker 2>on his brother Lakers and seven Lakers and seven before

0:44:58.320 --> 0:45:01.359
<v Speaker 2>we go yeah, it's alway went wait when this episode, yeah, yeah,

0:45:01.400 --> 0:45:02.640
<v Speaker 2>this episode comes out before.

0:45:02.680 --> 0:45:04.840
<v Speaker 4>Because you said you said off camera, you said you

0:45:04.920 --> 0:45:07.279
<v Speaker 4>made a certain prediction, and you said this prediction is

0:45:07.360 --> 0:45:08.399
<v Speaker 4>gonna be accurate as well.

0:45:08.920 --> 0:45:12.200
<v Speaker 3>I mean, I'm just, I'm just I'll trust my intuition

0:45:12.320 --> 0:45:13.680
<v Speaker 3>and most of the times I'm shooting from the hip,

0:45:14.000 --> 0:45:15.920
<v Speaker 3>But I'm always I'm never gonna not say Lakers.

0:45:16.239 --> 0:45:19.000
<v Speaker 2>Okay, my biases are about the Clippers, though.

0:45:19.760 --> 0:45:20.480
<v Speaker 1>Fun with the Clippers.

0:45:20.880 --> 0:45:23.600
<v Speaker 3>They're not there right now, but so you don't think

0:45:23.600 --> 0:45:26.200
<v Speaker 3>they can be. Okay, see if they get past the Nuggets.

0:45:26.960 --> 0:45:29.680
<v Speaker 3>I don't the proper see the Nuggets, Bro, I really

0:45:29.719 --> 0:45:32.680
<v Speaker 3>don't fuck with them. Niggas, fuck with I fuck with Denver.

0:45:32.800 --> 0:45:34.440
<v Speaker 3>I just don't fuck with Nuggets. And you're not even

0:45:34.480 --> 0:45:35.719
<v Speaker 3>all of it. I don't funk with Yo Kics.

0:45:36.800 --> 0:45:39.920
<v Speaker 1>I just yeah, he always always giving. And I said this,

0:45:40.480 --> 0:45:42.319
<v Speaker 1>I just don't like his stop him, and Paul Pierce

0:45:42.800 --> 0:45:45.560
<v Speaker 1>said a bigger picture, Bro, it's not about I'm sorry,

0:45:45.600 --> 0:45:47.760
<v Speaker 1>I'm sorry I said this in a bigger picture.

0:45:47.800 --> 0:45:50.080
<v Speaker 3>I just don't like the Yo Kic's just not He

0:45:50.160 --> 0:45:53.239
<v Speaker 3>don't give a fuck about basket like he can't he

0:45:53.360 --> 0:45:56.319
<v Speaker 3>played basketball, he raised horses. He don't even funk about

0:45:56.440 --> 0:45:58.880
<v Speaker 3>like the culture of the game. He don't give a

0:45:58.960 --> 0:45:59.600
<v Speaker 3>fuck about nothing.

0:45:59.640 --> 0:46:02.440
<v Speaker 4>Yeah, it's like after the season is over, he's he's here.

0:46:02.560 --> 0:46:03.600
<v Speaker 1>I'm a hollow at y'all.

0:46:04.600 --> 0:46:06.719
<v Speaker 2>It's almost want to be there. I'm good at this ship.

0:46:06.760 --> 0:46:08.520
<v Speaker 2>I'm here when it's over.

0:46:09.080 --> 0:46:10.359
<v Speaker 1>Peace. It's no for nas.

0:46:10.520 --> 0:46:14.000
<v Speaker 3>It's not like now I said this before, but now

0:46:14.160 --> 0:46:17.440
<v Speaker 3>I totally understand why people don't like Kendrick because it's

0:46:17.600 --> 0:46:21.120
<v Speaker 3>it's a lackluster approach to being a SuperStar's like he

0:46:21.200 --> 0:46:22.840
<v Speaker 3>don't like that, don't even give like you watch the

0:46:22.880 --> 0:46:23.560
<v Speaker 3>squab Lo video.

0:46:23.560 --> 0:46:25.920
<v Speaker 1>He's just like rapping and he don't do interviews. You

0:46:25.920 --> 0:46:26.600
<v Speaker 1>don't give a fuck.

0:46:26.760 --> 0:46:30.799
<v Speaker 3>That's how interviews no more, that's how yok Yokic don't

0:46:30.800 --> 0:46:32.560
<v Speaker 3>give a fuck. He even celebrate with the with the team.

0:46:33.640 --> 0:46:36.319
<v Speaker 2>I remember that, like he just whatever, like you see

0:46:36.960 --> 0:46:37.960
<v Speaker 2>talked about his horses.

0:46:38.239 --> 0:46:40.440
<v Speaker 1>But that's what I'm ready to get back to my horses.

0:46:40.640 --> 0:46:41.080
<v Speaker 1>The same thing.

0:46:41.120 --> 0:46:43.680
<v Speaker 3>When I talked to Dot after the whole ship, He's like, man, whatever,

0:46:43.880 --> 0:46:44.360
<v Speaker 3>like what's up?

0:46:44.480 --> 0:46:46.680
<v Speaker 1>Like we're doing? Like he didn't even give a fuck

0:46:46.719 --> 0:46:48.799
<v Speaker 1>that he like, I'm like, nigg you want he like whatever,

0:46:49.440 --> 0:46:51.160
<v Speaker 1>He didn't even give a fuck. That's why I don't

0:46:51.160 --> 0:46:54.640
<v Speaker 1>like yo Kic. Last question, last question before we go,

0:46:54.800 --> 0:46:58.320
<v Speaker 1>because I think we over time. Do you think that

0:46:59.640 --> 0:47:03.879
<v Speaker 1>that I already asked him that what you be friends? Yeah?

0:47:04.200 --> 0:47:07.000
<v Speaker 3>No, well no, I wouldn't say never. I don't see

0:47:07.000 --> 0:47:10.120
<v Speaker 3>it happening. That's my own personal thing because we yeah,

0:47:10.160 --> 0:47:10.759
<v Speaker 3>we discussed it.

0:47:11.360 --> 0:47:13.200
<v Speaker 1>Got too he said, they got too personal.

0:47:13.360 --> 0:47:16.320
<v Speaker 2>Yeah, once, kids and all this shit, it's already, it's already.

0:47:16.840 --> 0:47:18.520
<v Speaker 2>Will listen, man, tell people how to follow you one

0:47:18.520 --> 0:47:18.839
<v Speaker 2>more time?

0:47:18.920 --> 0:47:21.839
<v Speaker 1>My brother hit me everywhere at dj h ED makes

0:47:21.880 --> 0:47:24.800
<v Speaker 1>you check in with effective immediately on that YouTube, that podcast,

0:47:24.880 --> 0:47:28.000
<v Speaker 1>that radio show everything effective immediately. Just search my name

0:47:28.160 --> 0:47:29.600
<v Speaker 1>dj h ED Effective for me.

0:47:29.760 --> 0:47:32.239
<v Speaker 2>And when we come to La, we're coming on the show, right,

0:47:32.320 --> 0:47:33.200
<v Speaker 2>all black la hat?

0:47:33.440 --> 0:47:35.200
<v Speaker 1>Yeah, okay, I'm gonna wear all black.

0:47:35.239 --> 0:47:36.799
<v Speaker 2>What if I wear like a rari hat? I could

0:47:36.840 --> 0:47:39.080
<v Speaker 2>just wear ririo? Yeah, that's what I do every time

0:47:39.080 --> 0:47:39.640
<v Speaker 2>I go to LA.

0:47:39.719 --> 0:47:41.920
<v Speaker 4>I don't know, man, New gangs pop up every day

0:47:41.920 --> 0:47:42.359
<v Speaker 4>in La.

0:47:44.040 --> 0:47:45.680
<v Speaker 1>Gang, I don't think so.

0:47:46.160 --> 0:47:50.200
<v Speaker 4>All right, damn how many listen? I think you were

0:47:50.200 --> 0:47:52.360
<v Speaker 4>talking about geographically? I think when I looked at I

0:47:52.400 --> 0:47:56.600
<v Speaker 4>think it was like over fifty thousand gangs or something

0:47:56.719 --> 0:47:56.920
<v Speaker 4>like that.

0:47:57.800 --> 0:47:59.719
<v Speaker 1>I don't know the number, but it's a lot, like

0:48:00.040 --> 0:48:02.040
<v Speaker 1>a lot, bro you doing?

0:48:02.080 --> 0:48:04.480
<v Speaker 2>Everyone get locked up in l A either all that? Jesus,

0:48:04.719 --> 0:48:06.640
<v Speaker 2>squabble up, squabble up.

0:48:06.680 --> 0:48:06.960
<v Speaker 4>He man,