WEBVTT - #403 - Lil Vada

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<v Speaker 1>Hey, Little Veda in this Bitch. Check me out on

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<v Speaker 1>the Bootleg keV Podcast. We're gonna rent it up on

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<v Speaker 1>the game.

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<v Speaker 2>Oh yo, Boutleg keV Podcast Special guests here. Little Veda

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<v Speaker 2>is here.

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<v Speaker 1>Welcome Little Veda in this Bitch.

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<v Speaker 2>What's up man?

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<v Speaker 1>What's the deal?

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<v Speaker 2>Bro? Well, I was just having this conversation with our buddy.

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<v Speaker 2>I don't know if you know you know Gabe. See,

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<v Speaker 2>he's blast DJ. He used to be a Power one six.

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<v Speaker 2>He's uh DJ's on a serious.

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<v Speaker 1>I might have heard of him.

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<v Speaker 2>Uh, but we're talking about like la rap. Right, let's

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<v Speaker 2>say southern California hip hop if you will. And uh,

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<v Speaker 2>it's been a drought. The only thing in the last

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<v Speaker 2>year that's popped is you and three and old.

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<v Speaker 1>Baby yeah three shout out to him.

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<v Speaker 2>And it's uh is the I mean you've you've kind

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<v Speaker 2>of like figured out this, uh, this formula of yours.

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<v Speaker 2>I want to get into it. But first of all,

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<v Speaker 2>before we do that, like give me kind of some

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<v Speaker 2>of your background. What part of cal are you from? Uh?

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<v Speaker 2>How long you've been rapping me? Give me the whole

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<v Speaker 2>rundown show. Shit, I'm from south central La. Me I'm

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<v Speaker 2>twenty eight. I've been moving around all throughout LA, like

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<v Speaker 2>my whole life, like since I was a baby. I

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<v Speaker 2>don't know if you're familiar with all the streets, but

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<v Speaker 2>I grew up on third ave of exposition, moved from

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<v Speaker 2>there to like forty eighth and second half, efty, fourth

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<v Speaker 2>and third out just like you were moving around.

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<v Speaker 1>Moving around like every three or four years. My whole life,

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<v Speaker 1>I was moving, but just all throughout LA. I went

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<v Speaker 1>to Tom Bradley in elementary, I went to Pond's Middle

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<v Speaker 1>School in uh Cuver City, and then I graduated high

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<v Speaker 1>school at Dorsey High School.

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<v Speaker 2>Okay, yeah, that's what's up? Yeah, And so what about

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<v Speaker 2>like because I barely maybe heard of you maybe about

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<v Speaker 2>a year ago. Now you're I think him Beezy came

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<v Speaker 2>up here where he was supposed to come up here,

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<v Speaker 2>but his manager was here, and I think he manages

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<v Speaker 2>you too, or he did, yeah he did yep. And

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<v Speaker 2>he was like Yolo Vada and I was like I

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<v Speaker 2>keep hearing that, and you were getting booked in Arizona

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<v Speaker 2>like little spots. Who the fuck is this guy on me?

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<v Speaker 2>And I'm not, I mean, I'm on TikTok. You go

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<v Speaker 2>to my TikTok page. Check out my content. But I'm

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<v Speaker 2>not on TikTok like that. Yeah, I'm not swiping and oh,

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<v Speaker 2>what's this song on this?

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<v Speaker 1>You know?

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<v Speaker 2>But you're going crazy on TikTok and shit, But how long?

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<v Speaker 2>Like what's the music journey like for you?

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<v Speaker 1>Like? Man, I really I've been doing music since twenty

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<v Speaker 1>seventeen for real, but I didn't take it serious till

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<v Speaker 1>twenty twenty. That's when I really put my foot on

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<v Speaker 1>the gas and started getting on around the city. I

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<v Speaker 1>had this song called Gangsters and Wretcht and I have

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<v Speaker 1>put like four artists on it, like as Bad, Chef

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<v Speaker 1>Boy Killer, a Front Fanatics. Then I got Roocie on it,

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<v Speaker 1>so I can't yeah, shout out Roucie. I came off

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<v Speaker 1>the rip trying to like be on some like unity

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<v Speaker 1>right unit, bring everybody together, and I made like a

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<v Speaker 1>banger and for the whole first minute of the song

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<v Speaker 1>is just me gassing probably like I think like thirty

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<v Speaker 1>two bards or something. And then everybody else got like

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<v Speaker 1>a sixteen And that's what got me buzzing in the

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<v Speaker 1>city for real in twenty twenty. And then I didn't

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<v Speaker 1>blow up for real for real until wap it came out, right,

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<v Speaker 1>That's what changed everything for me, changed my life. But

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<v Speaker 1>that was just a year ago. That wasn't long ago. No,

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<v Speaker 1>that was just a year ago. Before that, I was

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<v Speaker 1>still working nine to five?

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<v Speaker 2>Where was your last nine?

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<v Speaker 1>Last line of five? Uh? Stizzy? I worked Stizzy warehouse

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<v Speaker 1>dispensary at the warehouse.

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<v Speaker 2>Though Steezy, you know they don't sponsors.

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<v Speaker 1>They reached out once, right, Yeah, that was just like

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<v Speaker 1>a little over a year ago probably, Like so.

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<v Speaker 2>You were like just like helping with the like the package.

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<v Speaker 1>Yeah, packaging everything, putting the labels on, shit like that.

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<v Speaker 1>My last job on me just in twenty twenty two.

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<v Speaker 2>Like at the end, that's fire. Do you still get

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<v Speaker 2>like Stizzy? Like if you need to know, No.

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<v Speaker 1>I don't really go there like that. I don't really

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<v Speaker 1>smoke like that big smoke. Nah. I just stopped drinking too.

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<v Speaker 1>Oh good for you for the new year.

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<v Speaker 2>What inspired you to stop drinking?

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<v Speaker 1>Just I'll be going too crazy? Yeah, I'm a shot

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<v Speaker 1>of clock every five minutes type of.

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<v Speaker 2>And you're in the club a lot because you get

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<v Speaker 2>booked in all the clubs.

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<v Speaker 1>Now, I've been booked all year.

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<v Speaker 2>So what was your like drink of choice, tequila, I'm assuming.

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<v Speaker 1>Yeah, for Cosa Migos red everybody off the Casa always.

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<v Speaker 2>I just wonder when the tequila era is gonna end.

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<v Speaker 1>I don't think it's ever going in.

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<v Speaker 2>Because it went from like the Henny era, so Rock

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<v Speaker 2>had to run us white boys had Fireball for a

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<v Speaker 2>little bit.

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<v Speaker 1>Uh yeah, I never now it tasted that.

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<v Speaker 2>Fire hose fire. What I was off that ship for

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<v Speaker 2>like eight years of my life. That's crazy, but but

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<v Speaker 2>it's it's one hundred percent. The pandemic created the tequila wave,

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<v Speaker 2>think so oh yeah, because everybody was getting the d

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<v Speaker 2>D and then they were able to go get that

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<v Speaker 2>in the nineteen forty the nineteen forty two and the

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<v Speaker 2>fucking Colossa zool and then Costa Migos just blew the

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<v Speaker 2>fuck up in the pandemic. So now everyone drinks tequila,

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<v Speaker 2>which is probably the best liquor health wise you could drink. Yeah,

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<v Speaker 2>I mean, it's all bullshit. It's liquor. But if you

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<v Speaker 2>had to pick.

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<v Speaker 1>One, definitely gonna be.

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<v Speaker 2>That's what's up? You have f cancer on your face?

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<v Speaker 2>What inspired that?

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<v Speaker 1>I lost my dad to cancer in twenty sixteen. Oh,

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<v Speaker 1>Damn what kind of can pancreatic and then it wind

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<v Speaker 1>up spread into his liver like later.

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<v Speaker 2>That's tough. That's tough, man.

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<v Speaker 1>Yeah, but that's what pretty much inspired me to even

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<v Speaker 1>wrap for like tell my story and shit like that.

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<v Speaker 2>It's dope too, because you know, when we think of

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<v Speaker 2>like LA hip hop, a lot of people who don't

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<v Speaker 2>live here or who just kind of perceive whatever LA

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<v Speaker 2>hip hop or the scene is like here. I feel

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<v Speaker 2>like sometimes they think of negativity first because of some

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<v Speaker 2>of the politics, some of the gang stuff that happens here.

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<v Speaker 2>But like, right, you know, I think back to like

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<v Speaker 2>rewind to like two thousand and eleven, twelve, even twenty ten,

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<v Speaker 2>the party music that was getting made you know, like

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<v Speaker 2>YG even before that with the jerk movement, and you

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<v Speaker 2>know what I'm saying. So it's dope to see like

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<v Speaker 2>like the stuff we're talking about, like it's fun, it's

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<v Speaker 2>party music, right, you know what I mean?

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<v Speaker 1>Like not definitely that uh, that wave like those years

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<v Speaker 1>that you just mentioned at all, that's inspired my whole

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<v Speaker 1>career and like you see the samples I'll be doing

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<v Speaker 1>to be like a lot of songs from back then.

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<v Speaker 1>That's when I was like in high school and going

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<v Speaker 1>to the little clubs and ship you feel me here

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<v Speaker 1>on YG Joe Moses tied out a sign all those

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<v Speaker 1>I just I'm trying to bring back that type of energy.

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<v Speaker 2>Just it's missing, feel me.

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<v Speaker 1>It's definitely missing.

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<v Speaker 2>It's missing in general in music.

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<v Speaker 1>Yeah, for show for show, like mostly out here though.

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<v Speaker 2>I know, like no especially here, but just in general,

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<v Speaker 2>Like I'm thinking, like damn, like the club records that

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<v Speaker 2>I could play that are current, that are between like

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<v Speaker 2>ninety five bpms and like one ten, it's just it's

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<v Speaker 2>really your ship and three one oh baby, that's current.

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<v Speaker 2>There's nothing else that's true. There's nothing else I don't

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<v Speaker 2>even funk with.

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<v Speaker 1>Under like like one ten no more. I'm should be

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<v Speaker 1>like one twelve.

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<v Speaker 2>And no, your ship's up there. Yeah crazy, I gotta

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<v Speaker 2>beat match. So I'm curious. When I heard your stuff,

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<v Speaker 2>I was like, there's no way any of these samples

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<v Speaker 2>are clear.

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<v Speaker 1>They are now. They are now, but they weren't for

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<v Speaker 1>a while. Yeah, nah, hell no, because I was like, damn, yeah.

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<v Speaker 2>This is motherfuckers. He's just running.

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<v Speaker 1>Yeah, you feel me. I was just I didn't really

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<v Speaker 1>know much about the business part of the music industry.

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<v Speaker 1>When I was coming up, I was just young, hungry,

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<v Speaker 1>and like I said, that era of twenty eleven, twenty twelve,

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<v Speaker 1>YG and all that, I was like in love with

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<v Speaker 1>that that era of music. So I just wanted to

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<v Speaker 1>like put my own taste on those beats. So when

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<v Speaker 1>I was coming up, you know, I didn't know nothing

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<v Speaker 1>about clearance samples or anything. That I was just I

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<v Speaker 1>hear a remix, I turned that motherfucker on and guess up.

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<v Speaker 1>And then once I started catching some steam and I'm like, okay,

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<v Speaker 1>I got to learn the business side, right. But that's

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<v Speaker 1>when I started getting lawyers and you feel me?

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<v Speaker 2>And why isn't it say, like did anybody anybody hit you? Like,

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<v Speaker 2>does Tiger reach out to you and be like, hey bro,

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<v Speaker 2>this is cool, but like I'm gonna need my bag.

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<v Speaker 1>Tiger definitely reach out to me, and I don't know

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<v Speaker 1>I'm gonna need my back. Shit. It was more on

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<v Speaker 1>some let me help on remixed type shit.

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<v Speaker 2>Okay, okay, okay, I don't know what happened, but that's

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<v Speaker 2>the thing. It's like, yeah, get on the remix so

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<v Speaker 2>then we can actually clear it.

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<v Speaker 1>Right, got to have it. But I don't know, like

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<v Speaker 1>I feel like all the artists that that's coming up

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<v Speaker 1>right now is getting remixes with much more ease. I

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<v Speaker 1>don't know if you notice that, but like like three

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<v Speaker 1>ten Baby like Boom, he got like five popping, crazy

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<v Speaker 1>ass artists on the remix, and I feel I haven't

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<v Speaker 1>had that opportunity yet to.

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<v Speaker 2>Just I think it's gonna happen. I think, so who

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<v Speaker 2>I think, I think. I think a lot of it

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<v Speaker 2>is like, well one like Soolk City. Solk City is

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<v Speaker 2>a fucking big record. It's huge, huge record. And I

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<v Speaker 2>think that you know, uh that his team is he's

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<v Speaker 2>got a good team run. Yeah, for sure, he does

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<v Speaker 2>have a great team of rush. Shout out to my guy, Gentry.

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<v Speaker 2>I don't know what your team's like, so I can't

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<v Speaker 2>speak to your team.

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<v Speaker 1>Well, I'm independent for sure. I just got a manager,

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<v Speaker 1>you feel me.

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<v Speaker 2>Recently you just got a new manager because you told

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<v Speaker 2>me you had your old manager.

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<v Speaker 1>Yeah, I have to get rid of that situation. But

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<v Speaker 1>I do have a new man now. But I'm still independent,

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<v Speaker 1>like I don't have to.

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<v Speaker 2>Is your is your stuff just straight? Just ro kid?

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<v Speaker 1>Yeah?

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<v Speaker 2>Oh ship? So how hard is it too clear? These

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<v Speaker 2>big records after they're already out.

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<v Speaker 1>Well, it just depends on who you know for real.

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<v Speaker 2>Because okay, what songs all together if you sampled so far.

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<v Speaker 1>Ship because it's a lot as far all right, So

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<v Speaker 1>as far as like after I got on wop It,

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<v Speaker 1>Eat It Up Up, that's another one sample I sample

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<v Speaker 1>lean back Well, you know the song is, yeah, Rex City,

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<v Speaker 1>you feel me lean back up to me?

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<v Speaker 2>The toughest was the toughest. Is the toughest one to

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<v Speaker 2>clear usher? Yes, it has to be.

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<v Speaker 1>Yeah, that was the toughest one. We got it all

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<v Speaker 1>taken care of now, but that was definitely because that's

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<v Speaker 1>a that's a mega hit, right.

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<v Speaker 2>There's like one of the biggest songs ever.

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<v Speaker 1>Me And that's that's one that I was like, I

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<v Speaker 1>didn't touch it like them there. I think it was

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<v Speaker 1>like four years into my career that I wanted to

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<v Speaker 1>do it. I'm like, damn, I want to do yeah,

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<v Speaker 1>but I'm like, that's too big of a hit. Let

0:10:01.240 --> 0:10:03.160
<v Speaker 1>me let me chill on that one. As soon as

0:10:03.160 --> 0:10:05.240
<v Speaker 1>I did it, wop It took off.

0:10:06.040 --> 0:10:06.840
<v Speaker 2>Damn me.

0:10:07.600 --> 0:10:10.000
<v Speaker 1>It's like, damn, it'd be like that though, Like songs

0:10:10.000 --> 0:10:12.199
<v Speaker 1>that I that I want to do, like Rack city.

0:10:12.679 --> 0:10:15.480
<v Speaker 1>I want to do that beat years ago. I'm like,

0:10:15.559 --> 0:10:16.920
<v Speaker 1>let me just hold on to it. I gotta do

0:10:16.960 --> 0:10:17.559
<v Speaker 1>something special.

0:10:18.080 --> 0:10:19.840
<v Speaker 2>So do you have a producer that knows how to

0:10:19.840 --> 0:10:21.360
<v Speaker 2>speed up the ship the way you like it?

0:10:21.559 --> 0:10:24.360
<v Speaker 1>Oh? Yeah, I'm like them. My producer shout out load

0:10:24.360 --> 0:10:28.040
<v Speaker 1>of great uh scumming Uno. And then my engineer he

0:10:28.160 --> 0:10:30.560
<v Speaker 1>also producer, his name Marv. He makes a lot of I.

0:10:30.800 --> 0:10:32.720
<v Speaker 2>Say, for what you do, an engineer really can just

0:10:32.720 --> 0:10:33.080
<v Speaker 2>do it?

0:10:33.440 --> 0:10:39.559
<v Speaker 1>Yeah, just my engineer, all right, So drums under it

0:10:40.080 --> 0:10:43.120
<v Speaker 1>all the beats that I got that y'all hearing it

0:10:43.120 --> 0:10:45.120
<v Speaker 1>don't sound like that when a producer send it to me.

0:10:45.200 --> 0:10:46.480
<v Speaker 1>It sounds like some whole other ship.

0:10:46.600 --> 0:10:48.440
<v Speaker 2>The engineer got to put his hands on here. Yeah,

0:10:48.840 --> 0:10:53.720
<v Speaker 2>which is producing? Yeah for sure, definitely. Yeah, it's interesting

0:10:53.720 --> 0:10:56.160
<v Speaker 2>because I liked it. I like it because what you're

0:10:56.200 --> 0:11:01.280
<v Speaker 2>doing is it is it's just a new taste. It's fun,

0:11:01.520 --> 0:11:02.199
<v Speaker 2>you know what I'm saying?

0:11:02.559 --> 0:11:02.800
<v Speaker 1>Right?

0:11:03.200 --> 0:11:07.200
<v Speaker 2>And is there is is have you decided? Have you

0:11:07.320 --> 0:11:11.320
<v Speaker 2>have you fucked around with doing anything not that isn't sample? Basic?

0:11:11.440 --> 0:11:12.920
<v Speaker 1>Yeah, I'm about the I'm about the turn of my

0:11:13.040 --> 0:11:15.240
<v Speaker 1>album actually today how.

0:11:15.240 --> 0:11:16.679
<v Speaker 2>Much of it is samples? How much of it is

0:11:17.080 --> 0:11:18.120
<v Speaker 2>because you're kind of known for that.

0:11:18.160 --> 0:11:20.320
<v Speaker 1>The only samples are the songs that y'all heard already.

0:11:20.400 --> 0:11:20.880
<v Speaker 2>Oh nice.

0:11:20.960 --> 0:11:21.959
<v Speaker 1>Yeah, so it's.

0:11:21.800 --> 0:11:24.280
<v Speaker 2>Like same bpm range though it's like that you're that's

0:11:24.280 --> 0:11:24.640
<v Speaker 2>your bag.

0:11:25.040 --> 0:11:27.600
<v Speaker 1>I'm versatile. I got a whole different range that people

0:11:27.640 --> 0:11:29.720
<v Speaker 1>don't even know about. That's why I haven't been doing

0:11:29.760 --> 0:11:32.760
<v Speaker 1>any interviews because I really been one people to just

0:11:34.000 --> 0:11:36.760
<v Speaker 1>hear a different side of me first. You feel me

0:11:36.880 --> 0:11:38.760
<v Speaker 1>right now? Everybody think I'm just the club guy. I

0:11:38.760 --> 0:11:40.760
<v Speaker 1>got all these type of turn up bangers, which I do,

0:11:41.200 --> 0:11:42.920
<v Speaker 1>but I got a whole nother side to me. So

0:11:42.960 --> 0:11:45.080
<v Speaker 1>now that I'm about to put this project out, I'm

0:11:45.120 --> 0:11:47.320
<v Speaker 1>open to like doing interviews, you know, just so people

0:11:47.320 --> 0:11:48.760
<v Speaker 1>could get a different side of me. First.

0:11:49.040 --> 0:11:51.960
<v Speaker 2>Well you you obviously you alluded to being fully independent

0:11:52.040 --> 0:11:55.040
<v Speaker 2>like that can't be. Uh, everyone's got to be on

0:11:55.080 --> 0:11:57.319
<v Speaker 2>your line though. I mean maybe not everybody, but a

0:11:57.320 --> 0:11:58.439
<v Speaker 2>lot of people are banging.

0:11:58.160 --> 0:11:59.880
<v Speaker 1>Their line I'm sure since the beginning.

0:12:00.240 --> 0:12:03.600
<v Speaker 2>So what has been the reason why you haven't try

0:12:03.640 --> 0:12:05.200
<v Speaker 2>to go with a label yet?

0:12:05.720 --> 0:12:07.920
<v Speaker 1>I feel like I haven't reached my full potential yet.

0:12:08.720 --> 0:12:10.560
<v Speaker 2>Well, yeah, because you're whatever deal you're saying, right, now

0:12:10.600 --> 0:12:13.280
<v Speaker 2>they're going to fuck you in some capacity. I mean,

0:12:13.320 --> 0:12:16.120
<v Speaker 2>I don't want to use the word fuck you, but

0:12:15.600 --> 0:12:18.480
<v Speaker 2>but they might have the leverage you could. You could

0:12:18.520 --> 0:12:20.600
<v Speaker 2>put this album out, build up a lot more leverage,

0:12:20.600 --> 0:12:22.000
<v Speaker 2>and then come back to the table and get a

0:12:22.080 --> 0:12:27.679
<v Speaker 2>much better deal properly. Yeah, definitely, that's crazy. Man. It's

0:12:27.720 --> 0:12:31.120
<v Speaker 2>wild too, because man, I feel like, you know, there's

0:12:31.160 --> 0:12:38.360
<v Speaker 2>been so many dope LA artists that I'm going to

0:12:38.440 --> 0:12:42.200
<v Speaker 2>tell you this, be careful because sometimes I've seen this

0:12:42.280 --> 0:12:49.840
<v Speaker 2>happen where people will overthink themselves out of being bigger

0:12:50.400 --> 0:12:52.800
<v Speaker 2>because they want to stay independent a little longer.

0:12:53.600 --> 0:12:54.480
<v Speaker 1>I see what you're saying.

0:12:54.640 --> 0:12:57.240
<v Speaker 2>I've seen this happen, and I mean some of the

0:12:57.240 --> 0:13:01.679
<v Speaker 2>bigger LA names ever had a really big record. I'm

0:13:01.720 --> 0:13:03.240
<v Speaker 2>not talking about recently. I'm talking about Le's say, the

0:13:03.280 --> 0:13:06.240
<v Speaker 2>last ten or twelve years. I had opportunities to take

0:13:06.280 --> 0:13:09.800
<v Speaker 2>deals and like maybe elevate things to another level and

0:13:09.880 --> 0:13:12.640
<v Speaker 2>we're like, nah, not yet. So just be careful with that,

0:13:12.720 --> 0:13:15.600
<v Speaker 2>you know, because you never know. If the album comes

0:13:15.640 --> 0:13:18.240
<v Speaker 2>out and it doesn't do what you hope it does,

0:13:19.160 --> 0:13:20.520
<v Speaker 2>then it can hurt you with your talks.

0:13:20.800 --> 0:13:22.800
<v Speaker 1>Nobody noticed, but I'm putting my album out through a

0:13:22.840 --> 0:13:23.520
<v Speaker 1>distribution coming.

0:13:23.520 --> 0:13:26.600
<v Speaker 2>Oh you're doing distro, yeah, Empire not create, oh create

0:13:26.640 --> 0:13:29.679
<v Speaker 2>shouts to create creates doing that thing. Yeah, yeah, that's

0:13:29.679 --> 0:13:31.800
<v Speaker 2>a good creates. You want to partner like that, you

0:13:31.800 --> 0:13:33.520
<v Speaker 2>know what I'm saying, somebody who's will give me some

0:13:33.600 --> 0:13:35.800
<v Speaker 2>label services but not fucking exactly.

0:13:36.000 --> 0:13:38.240
<v Speaker 1>Yes, Oh yeah, that's the way to go right there

0:13:38.280 --> 0:13:38.680
<v Speaker 1>for sure.

0:13:38.880 --> 0:13:41.320
<v Speaker 2>Yeah that's smart. So I'm excited to hear what you guys.

0:13:41.320 --> 0:13:44.400
<v Speaker 2>So is there any remixes being worked on? Uh?

0:13:44.480 --> 0:13:46.679
<v Speaker 1>Yeah, I got a lot of h I got a

0:13:46.679 --> 0:13:49.400
<v Speaker 1>lot of remixes on the way. I'm just I've just

0:13:49.440 --> 0:13:52.800
<v Speaker 1>been saving everything for real, Yeah, just getting ready like

0:13:52.840 --> 0:13:53.360
<v Speaker 1>for the album.

0:13:53.600 --> 0:13:56.760
<v Speaker 2>Have you had like like a good experience with some

0:13:56.880 --> 0:13:59.280
<v Speaker 2>of the OG's on the LA side of hip hop

0:13:59.280 --> 0:14:01.800
<v Speaker 2>in terms, because you there's no way everyone's in the

0:14:01.800 --> 0:14:05.800
<v Speaker 2>club here. They all are at fucking uh you know

0:14:06.559 --> 0:14:10.320
<v Speaker 2>the clubs they're they're all Dragonfly, They're all at Kingpin Monday's,

0:14:10.800 --> 0:14:14.160
<v Speaker 2>They're all here in your records, so they know your ship.

0:14:15.400 --> 0:14:18.240
<v Speaker 2>Has it been a positive experience with any of these guys,

0:14:18.640 --> 0:14:21.400
<v Speaker 2>anybody reached out like you said, Hey, I don't know

0:14:21.440 --> 0:14:24.360
<v Speaker 2>how I you know, like you mentioned earlier like three

0:14:24.400 --> 0:14:27.200
<v Speaker 2>one old Babies got five of these. He got mustard,

0:14:27.240 --> 0:14:30.320
<v Speaker 2>blue Bucks, fucking blue face all on the remix.

0:14:30.440 --> 0:14:35.400
<v Speaker 1>But honestly, I feel like, uh, I'm been having good

0:14:35.440 --> 0:14:40.720
<v Speaker 1>and bad experiences. I'll say more bad than good for sure.

0:14:41.360 --> 0:14:43.360
<v Speaker 1>Like a lot of people reach out to me. I'm

0:14:43.360 --> 0:14:45.840
<v Speaker 1>not gonna throw them names out there, but niggas will

0:14:45.880 --> 0:14:47.440
<v Speaker 1>reach out and be like, fuck with what you're doing

0:14:47.800 --> 0:14:52.560
<v Speaker 1>with your movement, let's do something. And I'm in the

0:14:52.560 --> 0:14:54.680
<v Speaker 1>studio night, I'm at the studio right now. What you're

0:14:54.680 --> 0:14:59.000
<v Speaker 1>trying to do. I'll never hear from them again. Wow ever,

0:15:00.120 --> 0:15:02.240
<v Speaker 1>And it just kind of make me feel like, damn,

0:15:02.360 --> 0:15:05.200
<v Speaker 1>Like is it because I'm only doing remixes?

0:15:06.040 --> 0:15:08.600
<v Speaker 2>Mm hmm. Maybe they don't. Maybe they don't think the

0:15:08.680 --> 0:15:11.840
<v Speaker 2>record will get cleared. That might be it.

0:15:12.440 --> 0:15:15.200
<v Speaker 1>Maybe, but I got that side handled though, well now

0:15:15.240 --> 0:15:18.320
<v Speaker 1>they know, Yeah, we'll see. Maybe they fuck with me now.

0:15:18.720 --> 0:15:21.160
<v Speaker 2>Nah. I mean either way though, that's that's that's dishing

0:15:21.240 --> 0:15:23.400
<v Speaker 2>genuine though, Like, don't reach out to me if like

0:15:23.440 --> 0:15:24.640
<v Speaker 2>we can't go get in and cut.

0:15:24.560 --> 0:15:28.640
<v Speaker 1>Some I'm really but I'm really like from the slum,

0:15:28.720 --> 0:15:32.240
<v Speaker 1>like I'm from La You feel me? So to get

0:15:32.280 --> 0:15:34.000
<v Speaker 1>hit up by these people that I looked up to.

0:15:34.440 --> 0:15:35.120
<v Speaker 2>It's a big deal.

0:15:35.320 --> 0:15:37.560
<v Speaker 1>It's a big deal to me, Like I don't I

0:15:37.600 --> 0:15:40.280
<v Speaker 1>don't like Hollywood about it or nothing. I'll take that

0:15:40.280 --> 0:15:44.120
<v Speaker 1>ship to heart. When I first started blowing up off

0:15:44.160 --> 0:15:47.760
<v Speaker 1>a whop It and Tiger DM me, I cried, I'm

0:15:47.760 --> 0:15:48.480
<v Speaker 1>not even gonna lie.

0:15:48.760 --> 0:15:49.040
<v Speaker 2>Wow.

0:15:49.240 --> 0:15:51.280
<v Speaker 1>I cried because that was my first not because it

0:15:51.320 --> 0:15:53.720
<v Speaker 1>was Tiger. It was just like, but that was my

0:15:53.760 --> 0:15:57.280
<v Speaker 1>first time getting uh, getting notoriety from somebody.

0:15:56.920 --> 0:16:00.600
<v Speaker 2>Big, and that reaffirms that you're on the right path exactly.

0:16:00.760 --> 0:16:02.720
<v Speaker 1>I'm talking about this at the very beginning of January.

0:16:02.800 --> 0:16:05.200
<v Speaker 1>Whip people up. In December, I lick at my phone.

0:16:05.200 --> 0:16:06.760
<v Speaker 1>I wake up from a nap when my son I

0:16:06.800 --> 0:16:10.960
<v Speaker 1>look up Tiger wop It remix. I'm like, what the fuck?

0:16:11.040 --> 0:16:13.520
<v Speaker 1>I show my mom. I started screaming. I couldn't believe it.

0:16:13.560 --> 0:16:15.560
<v Speaker 1>That's so far because that's a moment that could change

0:16:15.600 --> 0:16:16.600
<v Speaker 1>somebody life yet.

0:16:16.800 --> 0:16:18.920
<v Speaker 2>Now, because I mean, even if nothing comes from that,

0:16:18.960 --> 0:16:21.200
<v Speaker 2>it's like, well shit, if Tiger saw it and fucked

0:16:21.200 --> 0:16:23.720
<v Speaker 2>with us, that means I'm on the right path exactly.

0:16:24.080 --> 0:16:25.800
<v Speaker 2>I'm sure you've had other dms like that.

0:16:25.880 --> 0:16:28.200
<v Speaker 1>Yeah, it's been a shitload of him, But I'm saying

0:16:28.240 --> 0:16:30.720
<v Speaker 1>that that first one, like that's what really got me

0:16:30.800 --> 0:16:34.320
<v Speaker 1>emotion them for real. But I'm just saying like, throughout

0:16:34.320 --> 0:16:36.600
<v Speaker 1>this process and this path that I've been on, I've

0:16:36.680 --> 0:16:38.800
<v Speaker 1>run into a lot of situations like that, Like people

0:16:38.800 --> 0:16:41.440
<v Speaker 1>will tap in with me and speak positive and then

0:16:41.480 --> 0:16:42.280
<v Speaker 1>I'll never hear from you.

0:16:42.520 --> 0:16:44.600
<v Speaker 2>What about the guys who you do hear from, who

0:16:44.680 --> 0:16:47.280
<v Speaker 2>you have had positive experiences with? Who are they? Man?

0:16:47.920 --> 0:16:50.200
<v Speaker 1>Shout out Tied Dallas Sign. That's like he's the best.

0:16:51.000 --> 0:16:53.520
<v Speaker 1>I fucking love Tight all the Sign. I owe him everything.

0:16:53.800 --> 0:16:58.840
<v Speaker 2>He's actually one of the more like genuine good human

0:16:58.880 --> 0:17:05.879
<v Speaker 2>beings I've known him in twenty ten eleven. Yeah, and uh,

0:17:06.280 --> 0:17:08.119
<v Speaker 2>I mean he just invited me out to Vegas and

0:17:09.440 --> 0:17:11.600
<v Speaker 2>I was hanging out with him and his daughter and

0:17:12.040 --> 0:17:15.720
<v Speaker 2>we were chilling with Kanye all night. He literally was like, man,

0:17:15.800 --> 0:17:21.000
<v Speaker 2>come out, Kanye, and I was like the coolest night

0:17:21.040 --> 0:17:22.439
<v Speaker 2>of my life, to be honest, I'm like in a

0:17:22.520 --> 0:17:25.560
<v Speaker 2>room with like, I mean, you know, I'm there with Tie,

0:17:26.119 --> 0:17:28.600
<v Speaker 2>but Kanye is there, and fucking.

0:17:28.400 --> 0:17:32.520
<v Speaker 1>Legends Tiger's there and she's there, and yeah.

0:17:33.000 --> 0:17:37.200
<v Speaker 2>A little Dirk was there uh Kid Cuddy was there.

0:17:37.600 --> 0:17:40.240
<v Speaker 2>This is the album, This was in the fuck at

0:17:40.240 --> 0:17:43.000
<v Speaker 2>the at the Four Seasons in Vegas and Kanye's Sweet.

0:17:44.200 --> 0:17:46.040
<v Speaker 2>They were finishing the album and then it turned into

0:17:46.080 --> 0:17:48.560
<v Speaker 2>like a party and then somehow India Love started cutting vocal.

0:17:49.200 --> 0:17:53.200
<v Speaker 2>It was so ready, Bro, it was and I'm shrewed

0:17:53.200 --> 0:17:55.560
<v Speaker 2>the fuck out and I'm.

0:17:55.359 --> 0:17:57.080
<v Speaker 1>Like this, I can't fuck with the Strongs. Bro.

0:17:57.480 --> 0:17:59.080
<v Speaker 2>I was like, this ship is crazy, all right? So

0:17:59.080 --> 0:18:02.000
<v Speaker 2>you say Ti, Ti is the greatest shot shout out

0:18:02.000 --> 0:18:04.240
<v Speaker 2>the time. Also one of the most talented human beings

0:18:04.520 --> 0:18:05.600
<v Speaker 2>to ever do anything.

0:18:05.680 --> 0:18:11.439
<v Speaker 1>Yes, legend, Yes, Tye YG for sure. Definitely fuck with

0:18:11.480 --> 0:18:14.679
<v Speaker 1>each other Wiz which is great man. Wi's got a

0:18:14.720 --> 0:18:15.840
<v Speaker 1>real good relationship.

0:18:16.720 --> 0:18:17.680
<v Speaker 2>Love withz Oh.

0:18:17.760 --> 0:18:20.080
<v Speaker 1>Yeah's just a lot of the up and coming, like

0:18:20.240 --> 0:18:22.520
<v Speaker 1>la artist that was on before me, Like I want

0:18:22.520 --> 0:18:23.480
<v Speaker 1>to take Jay's.

0:18:23.280 --> 0:18:27.320
<v Speaker 2>A Yeah, those guys like just I love o GZ

0:18:27.400 --> 0:18:30.600
<v Speaker 2>man Yeah with him, Yeah, Oh, gonna have a long

0:18:30.600 --> 0:18:31.800
<v Speaker 2>career man because he's a good dude.

0:18:31.800 --> 0:18:34.920
<v Speaker 1>Man. Definitely men next four, I got a real good relationship.

0:18:35.160 --> 0:18:38.640
<v Speaker 2>He's great too. I free him free x four because

0:18:38.680 --> 0:18:40.439
<v Speaker 2>we we did an interview and I didn't know what

0:18:40.480 --> 0:18:43.640
<v Speaker 2>to expect. Yeah, and he was like the coolest motherfucker.

0:18:43.840 --> 0:18:45.119
<v Speaker 1>You got the real good sight of him.

0:18:45.119 --> 0:18:47.080
<v Speaker 2>He was so funny and then like he saw I went,

0:18:47.280 --> 0:18:49.560
<v Speaker 2>He saw I went hog hunting in Texas with that

0:18:49.640 --> 0:18:51.399
<v Speaker 2>Mexicano T D D M. He's like, we gotta go

0:18:51.440 --> 0:18:55.800
<v Speaker 2>do this. I was like, bro, let's go. He's like, no,

0:18:55.880 --> 0:18:58.359
<v Speaker 2>for real, let's do it. I was like, let's go hunting,

0:18:58.520 --> 0:19:01.360
<v Speaker 2>like free x four free him. Man, he's got he's

0:19:01.359 --> 0:19:04.440
<v Speaker 2>gonna have if he can get his ship together, He's

0:19:04.480 --> 0:19:08.320
<v Speaker 2>got a bright future most definitely. Oh yeah, damn yeah,

0:19:08.400 --> 0:19:09.439
<v Speaker 2>you know. I want to hear you want a song

0:19:09.480 --> 0:19:10.359
<v Speaker 2>on Blue Face though.

0:19:10.400 --> 0:19:12.119
<v Speaker 1>Oh yeah, we got a song together.

0:19:12.560 --> 0:19:13.240
<v Speaker 2>I haven't heard it.

0:19:13.160 --> 0:19:14.760
<v Speaker 1>It cut, though nobody knows about it.

0:19:14.800 --> 0:19:17.160
<v Speaker 2>I want to hear that that's on the way blue

0:19:17.240 --> 0:19:20.040
<v Speaker 2>Faces again. Cool dude. A lot of people say what

0:19:20.160 --> 0:19:22.879
<v Speaker 2>I want about blue Face. He's master on the internet.

0:19:22.960 --> 0:19:28.400
<v Speaker 2>Though he has mastered the Internet. Man, It's crazy. It's

0:19:28.440 --> 0:19:32.720
<v Speaker 2>really like, since six ' nine, no one has figured

0:19:32.720 --> 0:19:34.280
<v Speaker 2>out the Internet better than him.

0:19:34.520 --> 0:19:35.000
<v Speaker 1>I think so.

0:19:35.119 --> 0:19:37.280
<v Speaker 2>Yeah, in terms of just like I'm not talking about

0:19:37.280 --> 0:19:40.680
<v Speaker 2>anything and whatever you feel about sixth nine, when he was.

0:19:40.640 --> 0:19:43.920
<v Speaker 1>Hot, he had the internet Internet on smash.

0:19:45.359 --> 0:19:48.879
<v Speaker 2>He bro, he broke Man. I interviewed his baby mama

0:19:48.920 --> 0:19:51.639
<v Speaker 2>and him six months ago, and I thought it was

0:19:51.640 --> 0:19:54.760
<v Speaker 2>a joke and the Lightweight was a joke. It was

0:19:54.760 --> 0:19:57.440
<v Speaker 2>like baby Mama music. And she put out the Stewie

0:19:57.440 --> 0:19:59.920
<v Speaker 2>song and I told her to her face her music

0:20:00.080 --> 0:20:05.120
<v Speaker 2>sucked and she got to deal with Columbia Records. God

0:20:05.160 --> 0:20:07.480
<v Speaker 2>in heaven, Bro, who else can do that?

0:20:07.600 --> 0:20:10.600
<v Speaker 1>But I don't think they even believed it was gonna

0:20:10.600 --> 0:20:12.760
<v Speaker 1>be on that level, like when they first start, they didn't.

0:20:13.359 --> 0:20:18.359
<v Speaker 2>But the Barbie record is hot, crazy, and it's like,

0:20:18.480 --> 0:20:19.720
<v Speaker 2>who else could do that?

0:20:19.880 --> 0:20:21.280
<v Speaker 1>Bro, that's insane.

0:20:21.560 --> 0:20:24.359
<v Speaker 2>This is his son's and this is kid's mom. And

0:20:24.400 --> 0:20:27.080
<v Speaker 2>he was like, you know what, I'm gonna show y'all,

0:20:27.080 --> 0:20:28.960
<v Speaker 2>it ain't about her, It's about me, and I'm gonna

0:20:28.960 --> 0:20:32.840
<v Speaker 2>put her on right. It's crazy. Shut out to the

0:20:32.920 --> 0:20:37.400
<v Speaker 2>boothface man for your album is because because you're also

0:20:37.440 --> 0:20:38.959
<v Speaker 2>like I feel like you do make party music, but

0:20:39.000 --> 0:20:40.640
<v Speaker 2>like you could tell in these records that you could

0:20:40.640 --> 0:20:43.199
<v Speaker 2>really wrap for real. We're gonna get a lot of

0:20:43.200 --> 0:20:44.640
<v Speaker 2>bars on this project.

0:20:44.720 --> 0:20:47.560
<v Speaker 1>Hell yeah, I'm spilling my heart out on this motherfucker.

0:20:47.960 --> 0:20:50.560
<v Speaker 2>That's dope, man, because I do feel like like, even

0:20:50.600 --> 0:20:53.199
<v Speaker 2>though these are party records, I could hear it. This

0:20:53.240 --> 0:20:53.879
<v Speaker 2>foe could snap.

0:20:54.040 --> 0:20:57.760
<v Speaker 1>Yeah, you hear you hear the cans? Is there crazy?

0:20:58.160 --> 0:20:59.280
<v Speaker 2>Any features on the album?

0:20:59.400 --> 0:21:02.800
<v Speaker 1>Oh Death, blue Face, crazy Ones, blue Face not on it.

0:21:03.320 --> 0:21:05.160
<v Speaker 1>But I got some. I got some big features. I'm

0:21:05.160 --> 0:21:06.879
<v Speaker 1>not gonna say right now. I'm turning it in today.

0:21:07.840 --> 0:21:09.720
<v Speaker 1>I got some big like global.

0:21:09.359 --> 0:21:13.080
<v Speaker 2>Like shop Dog I got you said global?

0:21:13.880 --> 0:21:16.840
<v Speaker 1>Damn, they're on that level though, Whiz.

0:21:17.760 --> 0:21:20.880
<v Speaker 2>Maybe it's definitely Wize, that's global on that level. Ever

0:21:21.000 --> 0:21:28.520
<v Speaker 2>know it's Wiz. What's on the album? He didn't say. No,

0:21:28.800 --> 0:21:30.720
<v Speaker 2>what's the album coming out?

0:21:31.119 --> 0:21:34.280
<v Speaker 1>I'm pushing for later this month, but I'm gonna get

0:21:34.280 --> 0:21:35.639
<v Speaker 1>the release of Day and Everything today.

0:21:36.600 --> 0:21:39.320
<v Speaker 2>What is your favorite? Because you've been getting booked at

0:21:39.320 --> 0:21:42.119
<v Speaker 2>these clubs and I don't want you to run into

0:21:42.160 --> 0:21:46.080
<v Speaker 2>the same problem I've seen guys. I'll even say A D.

0:21:46.520 --> 0:21:48.320
<v Speaker 2>Who's my brother, so he knows I can I can

0:21:48.320 --> 0:21:51.720
<v Speaker 2>speak about a day like this. When A D was out,

0:21:52.480 --> 0:21:57.159
<v Speaker 2>he did so many clubs that I feel like it

0:21:57.280 --> 0:22:01.480
<v Speaker 2>kind of burnt his brand out a little. I don't

0:22:01.480 --> 0:22:04.600
<v Speaker 2>think you're doing that yet. Yeah, but is that something

0:22:04.640 --> 0:22:05.320
<v Speaker 2>you're aware of?

0:22:05.480 --> 0:22:07.520
<v Speaker 1>Most definitely? I just had this conversation with one of

0:22:07.520 --> 0:22:10.800
<v Speaker 1>my homies. He like, I need to become more exclusive

0:22:11.240 --> 0:22:13.560
<v Speaker 1>because since I just blew up last year, only been

0:22:13.600 --> 0:22:16.000
<v Speaker 1>a year, that's how I've been getting money something.

0:22:16.160 --> 0:22:18.200
<v Speaker 2>Yeah, that's how you're supporting yourself because you're not getting

0:22:18.200 --> 0:22:20.440
<v Speaker 2>because also, I mean, the streams ain't paying.

0:22:20.200 --> 0:22:22.320
<v Speaker 1>Like that ship a lot of streams man.

0:22:22.920 --> 0:22:26.080
<v Speaker 2>But but you, for example, if you if you go

0:22:26.119 --> 0:22:28.480
<v Speaker 2>and pick up a five bands from a club, that's

0:22:28.480 --> 0:22:31.480
<v Speaker 2>like a one point one million streams on Spotify because

0:22:31.720 --> 0:22:35.080
<v Speaker 2>the streams thirty what you mean stream thirty million stream

0:22:35.920 --> 0:22:37.119
<v Speaker 2>you know what I'm saying. So like you could go,

0:22:37.320 --> 0:22:39.280
<v Speaker 2>like I was looking at ship like streaming numbers, like

0:22:39.320 --> 0:22:40.560
<v Speaker 2>all right, we if you can go do this party

0:22:40.640 --> 0:22:43.480
<v Speaker 2>and get three million dollars or three million streams worth

0:22:43.520 --> 0:22:45.440
<v Speaker 2>of money real quick? What the fuck?

0:22:45.760 --> 0:22:45.960
<v Speaker 1>Right?

0:22:46.400 --> 0:22:47.879
<v Speaker 2>But you also, like you said, like you gotta be

0:22:47.880 --> 0:22:49.879
<v Speaker 2>careful because I said with a D when Ad had juice,

0:22:49.960 --> 0:22:51.320
<v Speaker 2>that motherfucker.

0:22:50.720 --> 0:22:51.320
<v Speaker 1>Was every man.

0:22:51.440 --> 0:22:53.760
<v Speaker 2>Oh god, I remember that he lived in the club. Yeah,

0:22:54.200 --> 0:22:55.560
<v Speaker 2>And I don't know if it hurt him or I

0:22:55.560 --> 0:22:57.040
<v Speaker 2>mean him and I have talked about it, so I

0:22:57.080 --> 0:22:58.840
<v Speaker 2>think I think it hurt him a little though.

0:22:58.720 --> 0:23:02.040
<v Speaker 1>Yeah, it can hurt you. I just started turning down

0:23:02.040 --> 0:23:04.960
<v Speaker 1>bookings like for like maybe like in the last three

0:23:05.000 --> 0:23:05.760
<v Speaker 1>or four months.

0:23:05.840 --> 0:23:07.399
<v Speaker 2>And I mean, look to be fair of the LA

0:23:07.480 --> 0:23:10.240
<v Speaker 2>club scene isn't what it was before the pandemic.

0:23:10.520 --> 0:23:11.639
<v Speaker 1>What trust me.

0:23:11.720 --> 0:23:17.800
<v Speaker 2>I know RP to playhouse. But it's still a thing,

0:23:17.880 --> 0:23:20.399
<v Speaker 2>but it's not like what it was. It's not but

0:23:20.480 --> 0:23:24.080
<v Speaker 2>like you can still go hit Scottsdale and Arizona is

0:23:24.119 --> 0:23:26.480
<v Speaker 2>my spot. Yeah, you get booked in Arizona.

0:23:26.560 --> 0:23:28.360
<v Speaker 1>I'm out there, like I've been out there like more

0:23:28.400 --> 0:23:29.080
<v Speaker 1>than any.

0:23:29.080 --> 0:23:32.160
<v Speaker 2>It's pretty crazy. I remember we were talking like early

0:23:32.240 --> 0:23:36.200
<v Speaker 2>on when you were bubbling you know my club group

0:23:36.240 --> 0:23:39.040
<v Speaker 2>check is I own a club out there? And uh

0:23:39.320 --> 0:23:41.680
<v Speaker 2>my boy was like yo, we could do a little Veda.

0:23:42.800 --> 0:23:45.600
<v Speaker 2>Somebody replying there like I saw this motherfucker at a

0:23:45.680 --> 0:23:49.120
<v Speaker 2>brunch of club who collabed the same weekend.

0:23:49.480 --> 0:23:51.520
<v Speaker 1>When I go to Arizona, I'll run it up. I'll

0:23:51.520 --> 0:23:56.760
<v Speaker 1>be everywhere. Yeah, brunch House eleven eleven pretty please, Airbnb parties,

0:23:57.160 --> 0:23:57.359
<v Speaker 1>you know.

0:23:57.640 --> 0:24:01.320
<v Speaker 2>Yeah, he's a vibe man over for sure. Anything else

0:24:01.520 --> 0:24:03.800
<v Speaker 2>you're working on or anything else you want to talk about, man.

0:24:03.960 --> 0:24:07.040
<v Speaker 1>Uh shit, I'm working on my clothing line. My f cancer.

0:24:07.280 --> 0:24:09.720
<v Speaker 1>Oh no, Yeah, I'm trying to set up something on

0:24:09.800 --> 0:24:12.880
<v Speaker 1>my album where percentage of the proceeds that I make

0:24:13.280 --> 0:24:15.639
<v Speaker 1>to go towards like a cancer organization.

0:24:16.119 --> 0:24:18.720
<v Speaker 2>Make sure it's like one that, Like I feel like

0:24:18.760 --> 0:24:20.960
<v Speaker 2>some of the bigger ones, there's so much bureaucracy wrapped

0:24:21.000 --> 0:24:22.080
<v Speaker 2>up and like where the money goes.

0:24:22.160 --> 0:24:24.800
<v Speaker 1>It's a lot. Yeah, you always got to worry about that,

0:24:24.840 --> 0:24:27.159
<v Speaker 1>but it's coming from a genuine place from me.

0:24:27.400 --> 0:24:28.439
<v Speaker 2>No, that's amazing for me.

0:24:28.520 --> 0:24:31.120
<v Speaker 1>So yeah, yeah, my clothing line that should be out

0:24:31.200 --> 0:24:33.640
<v Speaker 1>like around when my album come out. Trying to set

0:24:33.720 --> 0:24:36.520
<v Speaker 1>up everything. Shit, just be ready for my album. It's

0:24:36.520 --> 0:24:39.880
<v Speaker 1>gonna be sixteen songs, twelve of them gonna be brand new,

0:24:40.000 --> 0:24:42.720
<v Speaker 1>a lot of hot features, a lot of styles that

0:24:42.800 --> 0:24:44.080
<v Speaker 1>y'all never heard from me before.

0:24:47.160 --> 0:24:49.320
<v Speaker 2>Not to end the interview on a somber note, but

0:24:49.480 --> 0:24:51.760
<v Speaker 2>obviously that you know you're losing your dad to cancer

0:24:51.800 --> 0:24:53.600
<v Speaker 2>is a big deal to you, a big deal to

0:24:53.640 --> 0:24:57.200
<v Speaker 2>anybody who for you. What would be some advice if

0:24:57.200 --> 0:25:00.280
<v Speaker 2>someone lost a parent, What would be the vice you

0:25:00.320 --> 0:25:02.320
<v Speaker 2>would give to them? How to cope, how to more

0:25:02.359 --> 0:25:03.600
<v Speaker 2>and how to get through it, how to get on

0:25:03.640 --> 0:25:04.440
<v Speaker 2>the other side of it, you know.

0:25:05.280 --> 0:25:08.679
<v Speaker 1>Oh well, first let me explain to you how it

0:25:08.760 --> 0:25:13.879
<v Speaker 1>even happened. First, So pretty much twenty sixteen, I was

0:25:13.920 --> 0:25:16.479
<v Speaker 1>working at FedEx, just to work at the warehouse at

0:25:16.560 --> 0:25:21.879
<v Speaker 1>Lax and you know, when he first got diagnosed with it,

0:25:22.680 --> 0:25:26.439
<v Speaker 1>that shit hurt, you feel me. But he was taking

0:25:26.680 --> 0:25:29.960
<v Speaker 1>all the precautions to get rid of it, like everything

0:25:30.000 --> 0:25:33.560
<v Speaker 1>I'm talking about to a t. Everything wake up at

0:25:33.560 --> 0:25:37.200
<v Speaker 1>this time, take this, you feel me. Coffee, enemas, salads,

0:25:37.200 --> 0:25:37.679
<v Speaker 1>like everything.

0:25:37.760 --> 0:25:38.119
<v Speaker 2>Everything.

0:25:38.600 --> 0:25:41.240
<v Speaker 1>So he got rid of it. He got rid of

0:25:41.240 --> 0:25:43.880
<v Speaker 1>the pancreatic cancer, and he got rid of it for

0:25:43.920 --> 0:25:47.080
<v Speaker 1>about two months. Then he came to my house one day.

0:25:47.119 --> 0:25:49.720
<v Speaker 1>He was like I came back to his livery though.

0:25:50.320 --> 0:25:53.680
<v Speaker 1>So I'm like, damn, here this go again. So after

0:25:53.760 --> 0:25:57.400
<v Speaker 1>that happened, I'm working, I'm working. You know, he's still

0:25:57.400 --> 0:26:00.399
<v Speaker 1>doing the shit he can't. My mom came to my

0:26:00.480 --> 0:26:04.840
<v Speaker 1>job at FedEx. My mom don't go nowhere, like she

0:26:05.040 --> 0:26:08.520
<v Speaker 1>literally don't leave the house. So when my manager like

0:26:08.560 --> 0:26:11.040
<v Speaker 1>my mommy, I'm like, what the fuck, I'll rested the front.

0:26:11.359 --> 0:26:15.920
<v Speaker 1>She's like, oh, they gave him two months. I'm like, wow, damn, yeah,

0:26:15.960 --> 0:26:18.440
<v Speaker 1>that shit hit different. I left the job you feel

0:26:18.480 --> 0:26:22.760
<v Speaker 1>me crying all type of shit. And then after that day,

0:26:23.000 --> 0:26:26.240
<v Speaker 1>it was about two weeks. It was about two weeks.

0:26:27.280 --> 0:26:29.800
<v Speaker 1>My stepmam wind up calling me from the hospital. She's like, yes,

0:26:29.880 --> 0:26:33.640
<v Speaker 1>that time, So I rush up there. When I got there,

0:26:33.680 --> 0:26:38.120
<v Speaker 1>he taking like like a breath, like every forty five

0:26:38.200 --> 0:26:42.080
<v Speaker 1>seconds or thirty seconds, barely hanging on. So what a

0:26:42.119 --> 0:26:43.679
<v Speaker 1>lot of people don't know is I actually got to

0:26:43.680 --> 0:26:45.359
<v Speaker 1>see my dad take his last breath.

0:26:45.760 --> 0:26:46.040
<v Speaker 2>Wow.

0:26:46.200 --> 0:26:49.040
<v Speaker 1>Yeah, like literally the last one. Her whole family standing

0:26:49.119 --> 0:26:51.440
<v Speaker 1>over room like trying to touch him a little bit,

0:26:51.520 --> 0:26:53.760
<v Speaker 1>like make sure he stay up. And once he took

0:26:53.800 --> 0:26:56.920
<v Speaker 1>that last one, he was out. So that right there,

0:26:56.960 --> 0:27:00.199
<v Speaker 1>like seeing that was so detrimental to me. That what

0:27:00.320 --> 0:27:03.399
<v Speaker 1>sparked like me to even do music. You feel me

0:27:03.440 --> 0:27:05.200
<v Speaker 1>so me like growing up and even being able to

0:27:05.240 --> 0:27:08.200
<v Speaker 1>sit right here with you is like like whoa. It's

0:27:08.240 --> 0:27:10.240
<v Speaker 1>like a real testament to my journey. Like I can't

0:27:10.240 --> 0:27:11.160
<v Speaker 1>even believe I'm here.

0:27:11.600 --> 0:27:13.960
<v Speaker 2>You're lucky to have been there with him. No, definitely

0:27:14.160 --> 0:27:17.520
<v Speaker 2>right because because I had it both ways. So my

0:27:17.560 --> 0:27:20.040
<v Speaker 2>grandpa when he passed away, I was holding his hand.

0:27:20.640 --> 0:27:22.639
<v Speaker 2>Well yeah, and I was. It was me and my

0:27:22.680 --> 0:27:24.760
<v Speaker 2>cousin in the room with him because he was in

0:27:24.800 --> 0:27:26.800
<v Speaker 2>hospice and they knew he was gonna die, so they

0:27:26.800 --> 0:27:29.159
<v Speaker 2>brought him back to my family's house. So I was

0:27:29.200 --> 0:27:32.919
<v Speaker 2>holding his hand literally while he died. So I felt,

0:27:33.240 --> 0:27:34.560
<v Speaker 2>I don't want to say I felt good about it,

0:27:34.560 --> 0:27:36.679
<v Speaker 2>but I felt like at peace with it.

0:27:36.880 --> 0:27:37.280
<v Speaker 1>Yeah.

0:27:37.640 --> 0:27:41.679
<v Speaker 2>During COVID, my grandma died of COVID in a nursing

0:27:41.720 --> 0:27:43.639
<v Speaker 2>home and they wouldn't let us be with her because

0:27:43.640 --> 0:27:47.879
<v Speaker 2>of COVID, so she died alone. That shit fucked me

0:27:48.040 --> 0:27:51.080
<v Speaker 2>up because you're like, damn, like we wanted to be there,

0:27:51.119 --> 0:27:54.440
<v Speaker 2>but this COVID bullshit, they wouldn't let anybody in the

0:27:54.520 --> 0:27:56.760
<v Speaker 2>nursing home. So my grandma passed away by herself. We

0:27:56.760 --> 0:27:58.399
<v Speaker 2>don't know what she was thinking. We don't know nothing.

0:27:58.440 --> 0:28:01.320
<v Speaker 2>You know what I'm saying, You're You're lucky to have

0:28:01.359 --> 0:28:01.680
<v Speaker 2>been with you.

0:28:02.640 --> 0:28:05.240
<v Speaker 1>For sure. I don't take that for granted at that moment,

0:28:05.359 --> 0:28:08.040
<v Speaker 1>just like that's like a real you know, I hope

0:28:08.080 --> 0:28:08.600
<v Speaker 1>that ship.

0:28:08.480 --> 0:28:10.160
<v Speaker 2>Right here, Like nah, that s dope is a part

0:28:10.160 --> 0:28:11.640
<v Speaker 2>of your mission now, definitely.

0:28:11.680 --> 0:28:15.560
<v Speaker 1>But as far as advice, I would say, if you

0:28:15.960 --> 0:28:18.320
<v Speaker 1>lost anyone, you feel me for anybody that lost someone,

0:28:18.520 --> 0:28:21.440
<v Speaker 1>Find something to not take your mind off of it,

0:28:21.480 --> 0:28:22.640
<v Speaker 1>because nothing gonna take your mon.

0:28:22.600 --> 0:28:24.240
<v Speaker 2>Pour the pain into something.

0:28:24.000 --> 0:28:27.240
<v Speaker 1>Into something that's exact something for sure, some productive.

0:28:27.320 --> 0:28:30.040
<v Speaker 2>You can pour it into something negative exactly, you know.

0:28:32.400 --> 0:28:35.400
<v Speaker 1>Pour in something positive. You feel me, find something if

0:28:35.400 --> 0:28:38.640
<v Speaker 1>it's going to the gym, whatever, you feel me, find

0:28:38.680 --> 0:28:41.440
<v Speaker 1>something that's gonna feel you and like make you put

0:28:41.480 --> 0:28:42.680
<v Speaker 1>on for your person you lost.

0:28:42.760 --> 0:28:43.640
<v Speaker 2>Well, you've done a good job.

0:28:43.680 --> 0:28:44.520
<v Speaker 1>Man, appreciate you.

0:28:44.600 --> 0:28:49.000
<v Speaker 2>Salute on the success. I look forward to hearing the album.

0:28:49.280 --> 0:28:52.960
<v Speaker 2>And you got an everything album.

0:28:51.960 --> 0:28:53.680
<v Speaker 1>King of Ratch you Ratchet.

0:28:53.880 --> 0:28:55.960
<v Speaker 2>Yeah, that's what we've been missing in l A, y'all.

0:28:56.040 --> 0:28:58.600
<v Speaker 1>Yeah, you're gonna stamp that.

0:28:59.200 --> 0:29:03.320
<v Speaker 2>Yeah, you're gonna make Joe, Moses and YG and everybody proud.

0:29:03.320 --> 0:29:06.080
<v Speaker 1>I got he Oh hell yeah. And I'll be doing

0:29:06.120 --> 0:29:07.760
<v Speaker 1>shows with Joe, Moses and all that. We got a

0:29:07.800 --> 0:29:09.080
<v Speaker 1>show on much fourth now.

0:29:09.160 --> 0:29:11.640
<v Speaker 2>Joe's the greatest, and he's such a nice guy, and

0:29:11.680 --> 0:29:13.200
<v Speaker 2>he's like a real o G. And he got a

0:29:13.200 --> 0:29:18.479
<v Speaker 2>hot record right now. He's got. Joe's good for like

0:29:18.760 --> 0:29:20.240
<v Speaker 2>every three or four years, just a.

0:29:20.600 --> 0:29:24.160
<v Speaker 1>Joint outside of something crazy for sure, Joe Man that

0:29:24.240 --> 0:29:25.160
<v Speaker 1>remix on the way too.

0:29:25.720 --> 0:29:27.880
<v Speaker 2>Oh ship there it is man lit Vader, I appreciate

0:29:27.880 --> 0:29:29.320
<v Speaker 2>you pulling up brother Sirch

0:29:29.360 --> 0:29:29.880
<v Speaker 1>That you for having