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Speaker 1: Hey, Little Veda in this Bitch. Check me out on

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Speaker 1: the Bootleg keV Podcast. We're gonna rent it up on

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Speaker 1: the game.

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Speaker 2: Oh yo, Boutleg keV Podcast Special guests here. Little Veda

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Speaker 2: is here.

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Speaker 1: Welcome Little Veda in this Bitch.

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Speaker 2: What's up man?

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Speaker 1: What's the deal?

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Speaker 2: Bro? Well, I was just having this conversation with our buddy.

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Speaker 2: I don't know if you know you know Gabe. See,

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Speaker 2: he's blast DJ. He used to be a Power one six.

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Speaker 2: He's uh DJ's on a serious.

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Speaker 1: I might have heard of him.

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Speaker 2: Uh, but we're talking about like la rap. Right, let's

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Speaker 2: say southern California hip hop if you will. And uh,

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Speaker 2: it's been a drought. The only thing in the last

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Speaker 2: year that's popped is you and three and old.

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Speaker 1: Baby yeah three shout out to him.

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Speaker 2: And it's uh is the I mean you've you've kind

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Speaker 2: of like figured out this, uh, this formula of yours.

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Speaker 2: I want to get into it. But first of all,

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Speaker 2: before we do that, like give me kind of some

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Speaker 2: of your background. What part of cal are you from? Uh?

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Speaker 2: How long you've been rapping me? Give me the whole

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Speaker 2: rundown show. Shit, I'm from south central La. Me I'm

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Speaker 2: twenty eight. I've been moving around all throughout LA, like

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Speaker 2: my whole life, like since I was a baby. I

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Speaker 2: don't know if you're familiar with all the streets, but

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Speaker 2: I grew up on third ave of exposition, moved from

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Speaker 2: there to like forty eighth and second half, efty, fourth

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Speaker 2: and third out just like you were moving around.

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Speaker 1: Moving around like every three or four years. My whole life,

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Speaker 1: I was moving, but just all throughout LA. I went

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Speaker 1: to Tom Bradley in elementary, I went to Pond's Middle

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Speaker 1: School in uh Cuver City, and then I graduated high

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Speaker 1: school at Dorsey High School.

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Speaker 2: Okay, yeah, that's what's up? Yeah, And so what about

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Speaker 2: like because I barely maybe heard of you maybe about

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Speaker 2: a year ago. Now you're I think him Beezy came

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Speaker 2: up here where he was supposed to come up here,

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Speaker 2: but his manager was here, and I think he manages

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Speaker 2: you too, or he did, yeah he did yep. And

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Speaker 2: he was like Yolo Vada and I was like I

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Speaker 2: keep hearing that, and you were getting booked in Arizona

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Speaker 2: like little spots. Who the fuck is this guy on me?

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Speaker 2: And I'm not, I mean, I'm on TikTok. You go

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Speaker 2: to my TikTok page. Check out my content. But I'm

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Speaker 2: not on TikTok like that. Yeah, I'm not swiping and oh,

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Speaker 2: what's this song on this?

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Speaker 1: You know?

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Speaker 2: But you're going crazy on TikTok and shit, But how long?

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Speaker 2: Like what's the music journey like for you?

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Speaker 1: Like? Man, I really I've been doing music since twenty

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Speaker 1: seventeen for real, but I didn't take it serious till

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Speaker 1: twenty twenty. That's when I really put my foot on

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Speaker 1: the gas and started getting on around the city. I

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Speaker 1: had this song called Gangsters and Wretcht and I have

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Speaker 1: put like four artists on it, like as Bad, Chef

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Speaker 1: Boy Killer, a Front Fanatics. Then I got Roocie on it,

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Speaker 1: so I can't yeah, shout out Roucie. I came off

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Speaker 1: the rip trying to like be on some like unity

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Speaker 1: right unit, bring everybody together, and I made like a

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Speaker 1: banger and for the whole first minute of the song

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Speaker 1: is just me gassing probably like I think like thirty

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Speaker 1: two bards or something. And then everybody else got like

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Speaker 1: a sixteen And that's what got me buzzing in the

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Speaker 1: city for real in twenty twenty. And then I didn't

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Speaker 1: blow up for real for real until wap it came out, right,

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Speaker 1: That's what changed everything for me, changed my life. But

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Speaker 1: that was just a year ago. That wasn't long ago. No,

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Speaker 1: that was just a year ago. Before that, I was

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Speaker 1: still working nine to five?

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Speaker 2: Where was your last nine?

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Speaker 1: Last line of five? Uh? Stizzy? I worked Stizzy warehouse

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Speaker 1: dispensary at the warehouse.

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Speaker 2: Though Steezy, you know they don't sponsors.

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Speaker 1: They reached out once, right, Yeah, that was just like

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Speaker 1: a little over a year ago probably, Like so.

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Speaker 2: You were like just like helping with the like the package.

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Speaker 1: Yeah, packaging everything, putting the labels on, shit like that.

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Speaker 1: My last job on me just in twenty twenty two.

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Speaker 2: Like at the end, that's fire. Do you still get

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Speaker 2: like Stizzy? Like if you need to know, No.

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Speaker 1: I don't really go there like that. I don't really

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Speaker 1: smoke like that big smoke. Nah. I just stopped drinking too.

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Speaker 1: Oh good for you for the new year.

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Speaker 2: What inspired you to stop drinking?

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Speaker 1: Just I'll be going too crazy? Yeah, I'm a shot

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Speaker 1: of clock every five minutes type of.

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Speaker 2: And you're in the club a lot because you get

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Speaker 2: booked in all the clubs.

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Speaker 1: Now, I've been booked all year.

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Speaker 2: So what was your like drink of choice, tequila, I'm assuming.

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Speaker 1: Yeah, for Cosa Migos red everybody off the Casa always.

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Speaker 2: I just wonder when the tequila era is gonna end.

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Speaker 1: I don't think it's ever going in.

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Speaker 2: Because it went from like the Henny era, so Rock

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Speaker 2: had to run us white boys had Fireball for a

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Speaker 2: little bit.

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Speaker 1: Uh yeah, I never now it tasted that.

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Speaker 2: Fire hose fire. What I was off that ship for

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Speaker 2: like eight years of my life. That's crazy, but but

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Speaker 2: it's it's one hundred percent. The pandemic created the tequila wave,

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Speaker 2: think so oh yeah, because everybody was getting the d

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Speaker 2: D and then they were able to go get that

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Speaker 2: in the nineteen forty the nineteen forty two and the

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Speaker 2: fucking Colossa zool and then Costa Migos just blew the

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Speaker 2: fuck up in the pandemic. So now everyone drinks tequila,

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Speaker 2: which is probably the best liquor health wise you could drink. Yeah,

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Speaker 2: I mean, it's all bullshit. It's liquor. But if you

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Speaker 2: had to pick.

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Speaker 1: One, definitely gonna be.

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Speaker 2: That's what's up? You have f cancer on your face?

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Speaker 2: What inspired that?

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Speaker 1: I lost my dad to cancer in twenty sixteen. Oh,

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Speaker 1: Damn what kind of can pancreatic and then it wind

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Speaker 1: up spread into his liver like later.

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Speaker 2: That's tough. That's tough, man.

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Speaker 1: Yeah, but that's what pretty much inspired me to even

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Speaker 1: wrap for like tell my story and shit like that.

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Speaker 2: It's dope too, because you know, when we think of

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Speaker 2: like LA hip hop, a lot of people who don't

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Speaker 2: live here or who just kind of perceive whatever LA

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Speaker 2: hip hop or the scene is like here. I feel

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Speaker 2: like sometimes they think of negativity first because of some

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Speaker 2: of the politics, some of the gang stuff that happens here.

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Speaker 2: But like, right, you know, I think back to like

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Speaker 2: rewind to like two thousand and eleven, twelve, even twenty ten,

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Speaker 2: the party music that was getting made you know, like

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Speaker 2: YG even before that with the jerk movement, and you

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Speaker 2: know what I'm saying. So it's dope to see like

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Speaker 2: like the stuff we're talking about, like it's fun, it's

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Speaker 2: party music, right, you know what I mean?

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Speaker 1: Like not definitely that uh, that wave like those years

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Speaker 1: that you just mentioned at all, that's inspired my whole

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Speaker 1: career and like you see the samples I'll be doing

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Speaker 1: to be like a lot of songs from back then.

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Speaker 1: That's when I was like in high school and going

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Speaker 1: to the little clubs and ship you feel me here

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Speaker 1: on YG Joe Moses tied out a sign all those

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Speaker 1: I just I'm trying to bring back that type of energy.

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Speaker 2: Just it's missing, feel me.

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Speaker 1: It's definitely missing.

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Speaker 2: It's missing in general in music.

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Speaker 1: Yeah, for show for show, like mostly out here though.

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Speaker 2: I know, like no especially here, but just in general,

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Speaker 2: Like I'm thinking, like damn, like the club records that

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Speaker 2: I could play that are current, that are between like

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Speaker 2: ninety five bpms and like one ten, it's just it's

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Speaker 2: really your ship and three one oh baby, that's current.

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Speaker 2: There's nothing else that's true. There's nothing else I don't

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Speaker 2: even funk with.

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Speaker 1: Under like like one ten no more. I'm should be

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Speaker 1: like one twelve.

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Speaker 2: And no, your ship's up there. Yeah crazy, I gotta

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Speaker 2: beat match. So I'm curious. When I heard your stuff,

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Speaker 2: I was like, there's no way any of these samples

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Speaker 2: are clear.

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Speaker 1: They are now. They are now, but they weren't for

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Speaker 1: a while. Yeah, nah, hell no, because I was like, damn, yeah.

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Speaker 2: This is motherfuckers. He's just running.

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Speaker 1: Yeah, you feel me. I was just I didn't really

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Speaker 1: know much about the business part of the music industry.

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Speaker 1: When I was coming up, I was just young, hungry,

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Speaker 1: and like I said, that era of twenty eleven, twenty twelve,

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Speaker 1: YG and all that, I was like in love with

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Speaker 1: that that era of music. So I just wanted to

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Speaker 1: like put my own taste on those beats. So when

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Speaker 1: I was coming up, you know, I didn't know nothing

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Speaker 1: about clearance samples or anything. That I was just I

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Speaker 1: hear a remix, I turned that motherfucker on and guess up.

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Speaker 1: And then once I started catching some steam and I'm like, okay,

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Speaker 1: I got to learn the business side, right. But that's

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Speaker 1: when I started getting lawyers and you feel me?

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Speaker 2: And why isn't it say, like did anybody anybody hit you? Like,

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Speaker 2: does Tiger reach out to you and be like, hey bro,

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Speaker 2: this is cool, but like I'm gonna need my bag.

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Speaker 1: Tiger definitely reach out to me, and I don't know

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Speaker 1: I'm gonna need my back. Shit. It was more on

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Speaker 1: some let me help on remixed type shit.

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Speaker 2: Okay, okay, okay, I don't know what happened, but that's

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Speaker 2: the thing. It's like, yeah, get on the remix so

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Speaker 2: then we can actually clear it.

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Speaker 1: Right, got to have it. But I don't know, like

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Speaker 1: I feel like all the artists that that's coming up

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Speaker 1: right now is getting remixes with much more ease. I

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Speaker 1: don't know if you notice that, but like like three

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Speaker 1: ten Baby like Boom, he got like five popping, crazy

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Speaker 1: ass artists on the remix, and I feel I haven't

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Speaker 1: had that opportunity yet to.

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Speaker 2: Just I think it's gonna happen. I think, so who

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Speaker 2: I think, I think. I think a lot of it

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Speaker 2: is like, well one like Soolk City. Solk City is

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Speaker 2: a fucking big record. It's huge, huge record. And I

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Speaker 2: think that you know, uh that his team is he's

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Speaker 2: got a good team run. Yeah, for sure, he does

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Speaker 2: have a great team of rush. Shout out to my guy, Gentry.

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Speaker 2: I don't know what your team's like, so I can't

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Speaker 2: speak to your team.

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Speaker 1: Well, I'm independent for sure. I just got a manager,

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Speaker 1: you feel me.

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Speaker 2: Recently you just got a new manager because you told

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Speaker 2: me you had your old manager.

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Speaker 1: Yeah, I have to get rid of that situation. But

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Speaker 1: I do have a new man now. But I'm still independent,

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Speaker 1: like I don't have to.

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Speaker 2: Is your is your stuff just straight? Just ro kid?

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Speaker 1: Yeah?

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Speaker 2: Oh ship? So how hard is it too clear? These

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Speaker 2: big records after they're already out.

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Speaker 1: Well, it just depends on who you know for real.

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Speaker 2: Because okay, what songs all together if you sampled so far.

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Speaker 1: Ship because it's a lot as far all right, So

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Speaker 1: as far as like after I got on wop It,

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Speaker 1: Eat It Up Up, that's another one sample I sample

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Speaker 1: lean back Well, you know the song is, yeah, Rex City,

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Speaker 1: you feel me lean back up to me?

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Speaker 2: The toughest was the toughest. Is the toughest one to

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Speaker 2: clear usher? Yes, it has to be.

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Speaker 1: Yeah, that was the toughest one. We got it all

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Speaker 1: taken care of now, but that was definitely because that's

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Speaker 1: a that's a mega hit, right.

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Speaker 2: There's like one of the biggest songs ever.

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Speaker 1: Me And that's that's one that I was like, I

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Speaker 1: didn't touch it like them there. I think it was

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Speaker 1: like four years into my career that I wanted to

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Speaker 1: do it. I'm like, damn, I want to do yeah,

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Speaker 1: but I'm like, that's too big of a hit. Let

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Speaker 1: me let me chill on that one. As soon as

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Speaker 1: I did it, wop It took off.

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Speaker 2: Damn me.

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Speaker 1: It's like, damn, it'd be like that though, Like songs

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Speaker 1: that I that I want to do, like Rack city.

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Speaker 1: I want to do that beat years ago. I'm like,

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Speaker 1: let me just hold on to it. I gotta do

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Speaker 1: something special.

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Speaker 2: So do you have a producer that knows how to

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Speaker 2: speed up the ship the way you like it?

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Speaker 1: Oh? Yeah, I'm like them. My producer shout out load

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Speaker 1: of great uh scumming Uno. And then my engineer he

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Speaker 1: also producer, his name Marv. He makes a lot of I.

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Speaker 2: Say, for what you do, an engineer really can just

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Speaker 2: do it?

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Speaker 1: Yeah, just my engineer, all right, So drums under it

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Speaker 1: all the beats that I got that y'all hearing it

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Speaker 1: don't sound like that when a producer send it to me.

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Speaker 1: It sounds like some whole other ship.

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Speaker 2: The engineer got to put his hands on here. Yeah,

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Speaker 2: which is producing? Yeah for sure, definitely. Yeah, it's interesting

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Speaker 2: because I liked it. I like it because what you're

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Speaker 2: doing is it is it's just a new taste. It's fun,

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Speaker 2: you know what I'm saying?

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Speaker 1: Right?

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Speaker 2: And is there is is have you decided? Have you

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Speaker 2: have you fucked around with doing anything not that isn't sample? Basic?

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Speaker 1: Yeah, I'm about the I'm about the turn of my

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Speaker 1: album actually today how.

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Speaker 2: Much of it is samples? How much of it is

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Speaker 2: because you're kind of known for that.

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Speaker 1: The only samples are the songs that y'all heard already.

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Speaker 2: Oh nice.

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Speaker 1: Yeah, so it's.

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Speaker 2: Like same bpm range though it's like that you're that's

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Speaker 2: your bag.

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Speaker 1: I'm versatile. I got a whole different range that people

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Speaker 1: don't even know about. That's why I haven't been doing

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Speaker 1: any interviews because I really been one people to just

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Speaker 1: hear a different side of me first. You feel me

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Speaker 1: right now? Everybody think I'm just the club guy. I

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Speaker 1: got all these type of turn up bangers, which I do,

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Speaker 1: but I got a whole nother side to me. So

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Speaker 1: now that I'm about to put this project out, I'm

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Speaker 1: open to like doing interviews, you know, just so people

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Speaker 1: could get a different side of me. First.

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Speaker 2: Well you you obviously you alluded to being fully independent

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Speaker 2: like that can't be. Uh, everyone's got to be on

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Speaker 2: your line though. I mean maybe not everybody, but a

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Speaker 2: lot of people are banging.

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Speaker 1: Their line I'm sure since the beginning.

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Speaker 2: So what has been the reason why you haven't try

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Speaker 2: to go with a label yet?

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Speaker 1: I feel like I haven't reached my full potential yet.

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Speaker 2: Well, yeah, because you're whatever deal you're saying, right, now

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Speaker 2: they're going to fuck you in some capacity. I mean,

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Speaker 2: I don't want to use the word fuck you, but

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Speaker 2: but they might have the leverage you could. You could

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Speaker 2: put this album out, build up a lot more leverage,

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Speaker 2: and then come back to the table and get a

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Speaker 2: much better deal properly. Yeah, definitely, that's crazy. Man. It's

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Speaker 2: wild too, because man, I feel like, you know, there's

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Speaker 2: been so many dope LA artists that I'm going to

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Speaker 2: tell you this, be careful because sometimes I've seen this

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Speaker 2: happen where people will overthink themselves out of being bigger

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Speaker 2: because they want to stay independent a little longer.

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Speaker 1: I see what you're saying.

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Speaker 2: I've seen this happen, and I mean some of the

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Speaker 2: bigger LA names ever had a really big record. I'm

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Speaker 2: not talking about recently. I'm talking about Le's say, the

299
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Speaker 2: last ten or twelve years. I had opportunities to take

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Speaker 2: deals and like maybe elevate things to another level and

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Speaker 2: we're like, nah, not yet. So just be careful with that,

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Speaker 2: you know, because you never know. If the album comes

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Speaker 2: out and it doesn't do what you hope it does,

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Speaker 2: then it can hurt you with your talks.

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Speaker 1: Nobody noticed, but I'm putting my album out through a

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Speaker 1: distribution coming.

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Speaker 2: Oh you're doing distro, yeah, Empire not create, oh create

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Speaker 2: shouts to create creates doing that thing. Yeah, yeah, that's

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Speaker 2: a good creates. You want to partner like that, you

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Speaker 2: know what I'm saying, somebody who's will give me some

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Speaker 2: label services but not fucking exactly.

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Speaker 1: Yes, Oh yeah, that's the way to go right there

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Speaker 1: for sure.

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Speaker 2: Yeah that's smart. So I'm excited to hear what you guys.

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Speaker 2: So is there any remixes being worked on? Uh?

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Speaker 1: Yeah, I got a lot of h I got a

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Speaker 1: lot of remixes on the way. I'm just I've just

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Speaker 1: been saving everything for real, Yeah, just getting ready like

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Speaker 1: for the album.

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Speaker 2: Have you had like like a good experience with some

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Speaker 2: of the OG's on the LA side of hip hop

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Speaker 2: in terms, because you there's no way everyone's in the

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Speaker 2: club here. They all are at fucking uh you know

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Speaker 2: the clubs they're they're all Dragonfly, They're all at Kingpin Monday's,

325
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Speaker 2: They're all here in your records, so they know your ship.

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Speaker 2: Has it been a positive experience with any of these guys,

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Speaker 2: anybody reached out like you said, Hey, I don't know

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Speaker 2: how I you know, like you mentioned earlier like three

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Speaker 2: one old Babies got five of these. He got mustard,

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Speaker 2: blue Bucks, fucking blue face all on the remix.

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Speaker 1: But honestly, I feel like, uh, I'm been having good

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Speaker 1: and bad experiences. I'll say more bad than good for sure.

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Speaker 1: Like a lot of people reach out to me. I'm

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Speaker 1: not gonna throw them names out there, but niggas will

335
00:14:45,880 --> 00:14:47,440
Speaker 1: reach out and be like, fuck with what you're doing

336
00:14:47,800 --> 00:14:52,560
Speaker 1: with your movement, let's do something. And I'm in the

337
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Speaker 1: studio night, I'm at the studio right now. What you're

338
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Speaker 1: trying to do. I'll never hear from them again. Wow ever,

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Speaker 1: And it just kind of make me feel like, damn,

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Speaker 1: Like is it because I'm only doing remixes?

341
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Speaker 2: Mm hmm. Maybe they don't. Maybe they don't think the

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Speaker 2: record will get cleared. That might be it.

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Speaker 1: Maybe, but I got that side handled though, well now

344
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Speaker 1: they know, Yeah, we'll see. Maybe they fuck with me now.

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Speaker 2: Nah. I mean either way though, that's that's that's dishing

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Speaker 2: genuine though, Like, don't reach out to me if like

347
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Speaker 2: we can't go get in and cut.

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Speaker 1: Some I'm really but I'm really like from the slum,

349
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Speaker 1: like I'm from La You feel me? So to get

350
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Speaker 1: hit up by these people that I looked up to.

351
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Speaker 2: It's a big deal.

352
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Speaker 1: It's a big deal to me, Like I don't I

353
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Speaker 1: don't like Hollywood about it or nothing. I'll take that

354
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Speaker 1: ship to heart. When I first started blowing up off

355
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Speaker 1: a whop It and Tiger DM me, I cried, I'm

356
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Speaker 1: not even gonna lie.

357
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Speaker 2: Wow.

358
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Speaker 1: I cried because that was my first not because it

359
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Speaker 1: was Tiger. It was just like, but that was my

360
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Speaker 1: first time getting uh, getting notoriety from somebody.

361
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Speaker 2: Big, and that reaffirms that you're on the right path exactly.

362
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Speaker 1: I'm talking about this at the very beginning of January.

363
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Speaker 1: Whip people up. In December, I lick at my phone.

364
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Speaker 1: I wake up from a nap when my son I

365
00:16:06,800 --> 00:16:10,960
Speaker 1: look up Tiger wop It remix. I'm like, what the fuck?

366
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Speaker 1: I show my mom. I started screaming. I couldn't believe it.

367
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Speaker 1: That's so far because that's a moment that could change

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Speaker 1: somebody life yet.

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Speaker 2: Now, because I mean, even if nothing comes from that,

370
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Speaker 2: it's like, well shit, if Tiger saw it and fucked

371
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Speaker 2: with us, that means I'm on the right path exactly.

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Speaker 2: I'm sure you've had other dms like that.

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Speaker 1: Yeah, it's been a shitload of him, But I'm saying

374
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Speaker 1: that that first one, like that's what really got me

375
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Speaker 1: emotion them for real. But I'm just saying like, throughout

376
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Speaker 1: this process and this path that I've been on, I've

377
00:16:36,680 --> 00:16:38,800
Speaker 1: run into a lot of situations like that, Like people

378
00:16:38,800 --> 00:16:41,440
Speaker 1: will tap in with me and speak positive and then

379
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Speaker 1: I'll never hear from you.

380
00:16:42,520 --> 00:16:44,600
Speaker 2: What about the guys who you do hear from, who

381
00:16:44,680 --> 00:16:47,280
Speaker 2: you have had positive experiences with? Who are they? Man?

382
00:16:47,920 --> 00:16:50,200
Speaker 1: Shout out Tied Dallas Sign. That's like he's the best.

383
00:16:51,000 --> 00:16:53,520
Speaker 1: I fucking love Tight all the Sign. I owe him everything.

384
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Speaker 2: He's actually one of the more like genuine good human

385
00:16:58,880 --> 00:17:05,879
Speaker 2: beings I've known him in twenty ten eleven. Yeah, and uh,

386
00:17:06,280 --> 00:17:08,119
Speaker 2: I mean he just invited me out to Vegas and

387
00:17:09,440 --> 00:17:11,600
Speaker 2: I was hanging out with him and his daughter and

388
00:17:12,040 --> 00:17:15,720
Speaker 2: we were chilling with Kanye all night. He literally was like, man,

389
00:17:15,800 --> 00:17:21,000
Speaker 2: come out, Kanye, and I was like the coolest night

390
00:17:21,040 --> 00:17:22,439
Speaker 2: of my life, to be honest, I'm like in a

391
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Speaker 2: room with like, I mean, you know, I'm there with Tie,

392
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Speaker 2: but Kanye is there, and fucking.

393
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Speaker 1: Legends Tiger's there and she's there, and yeah.

394
00:17:33,000 --> 00:17:37,200
Speaker 2: A little Dirk was there uh Kid Cuddy was there.

395
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Speaker 2: This is the album, This was in the fuck at

396
00:17:40,240 --> 00:17:43,000
Speaker 2: the at the Four Seasons in Vegas and Kanye's Sweet.

397
00:17:44,200 --> 00:17:46,040
Speaker 2: They were finishing the album and then it turned into

398
00:17:46,080 --> 00:17:48,560
Speaker 2: like a party and then somehow India Love started cutting vocal.

399
00:17:49,200 --> 00:17:53,200
Speaker 2: It was so ready, Bro, it was and I'm shrewed

400
00:17:53,200 --> 00:17:55,560
Speaker 2: the fuck out and I'm.

401
00:17:55,359 --> 00:17:57,080
Speaker 1: Like this, I can't fuck with the Strongs. Bro.

402
00:17:57,480 --> 00:17:59,080
Speaker 2: I was like, this ship is crazy, all right? So

403
00:17:59,080 --> 00:18:02,000
Speaker 2: you say Ti, Ti is the greatest shot shout out

404
00:18:02,000 --> 00:18:04,240
Speaker 2: the time. Also one of the most talented human beings

405
00:18:04,520 --> 00:18:05,600
Speaker 2: to ever do anything.

406
00:18:05,680 --> 00:18:11,439
Speaker 1: Yes, legend, Yes, Tye YG for sure. Definitely fuck with

407
00:18:11,480 --> 00:18:14,679
Speaker 1: each other Wiz which is great man. Wi's got a

408
00:18:14,720 --> 00:18:15,840
Speaker 1: real good relationship.

409
00:18:16,720 --> 00:18:17,680
Speaker 2: Love withz Oh.

410
00:18:17,760 --> 00:18:20,080
Speaker 1: Yeah's just a lot of the up and coming, like

411
00:18:20,240 --> 00:18:22,520
Speaker 1: la artist that was on before me, Like I want

412
00:18:22,520 --> 00:18:23,480
Speaker 1: to take Jay's.

413
00:18:23,280 --> 00:18:27,320
Speaker 2: A Yeah, those guys like just I love o GZ

414
00:18:27,400 --> 00:18:30,600
Speaker 2: man Yeah with him, Yeah, Oh, gonna have a long

415
00:18:30,600 --> 00:18:31,800
Speaker 2: career man because he's a good dude.

416
00:18:31,800 --> 00:18:34,920
Speaker 1: Man. Definitely men next four, I got a real good relationship.

417
00:18:35,160 --> 00:18:38,640
Speaker 2: He's great too. I free him free x four because

418
00:18:38,680 --> 00:18:40,439
Speaker 2: we we did an interview and I didn't know what

419
00:18:40,480 --> 00:18:43,640
Speaker 2: to expect. Yeah, and he was like the coolest motherfucker.

420
00:18:43,840 --> 00:18:45,119
Speaker 1: You got the real good sight of him.

421
00:18:45,119 --> 00:18:47,080
Speaker 2: He was so funny and then like he saw I went,

422
00:18:47,280 --> 00:18:49,560
Speaker 2: He saw I went hog hunting in Texas with that

423
00:18:49,640 --> 00:18:51,399
Speaker 2: Mexicano T D D M. He's like, we gotta go

424
00:18:51,440 --> 00:18:55,800
Speaker 2: do this. I was like, bro, let's go. He's like, no,

425
00:18:55,880 --> 00:18:58,359
Speaker 2: for real, let's do it. I was like, let's go hunting,

426
00:18:58,520 --> 00:19:01,360
Speaker 2: like free x four free him. Man, he's got he's

427
00:19:01,359 --> 00:19:04,440
Speaker 2: gonna have if he can get his ship together, He's

428
00:19:04,480 --> 00:19:08,320
Speaker 2: got a bright future most definitely. Oh yeah, damn yeah,

429
00:19:08,400 --> 00:19:09,439
Speaker 2: you know. I want to hear you want a song

430
00:19:09,480 --> 00:19:10,359
Speaker 2: on Blue Face though.

431
00:19:10,400 --> 00:19:12,119
Speaker 1: Oh yeah, we got a song together.

432
00:19:12,560 --> 00:19:13,240
Speaker 2: I haven't heard it.

433
00:19:13,160 --> 00:19:14,760
Speaker 1: It cut, though nobody knows about it.

434
00:19:14,800 --> 00:19:17,160
Speaker 2: I want to hear that that's on the way blue

435
00:19:17,240 --> 00:19:20,040
Speaker 2: Faces again. Cool dude. A lot of people say what

436
00:19:20,160 --> 00:19:22,879
Speaker 2: I want about blue Face. He's master on the internet.

437
00:19:22,960 --> 00:19:28,400
Speaker 2: Though he has mastered the Internet. Man, It's crazy. It's

438
00:19:28,440 --> 00:19:32,720
Speaker 2: really like, since six ' nine, no one has figured

439
00:19:32,720 --> 00:19:34,280
Speaker 2: out the Internet better than him.

440
00:19:34,520 --> 00:19:35,000
Speaker 1: I think so.

441
00:19:35,119 --> 00:19:37,280
Speaker 2: Yeah, in terms of just like I'm not talking about

442
00:19:37,280 --> 00:19:40,680
Speaker 2: anything and whatever you feel about sixth nine, when he was.

443
00:19:40,640 --> 00:19:43,920
Speaker 1: Hot, he had the internet Internet on smash.

444
00:19:45,359 --> 00:19:48,879
Speaker 2: He bro, he broke Man. I interviewed his baby mama

445
00:19:48,920 --> 00:19:51,639
Speaker 2: and him six months ago, and I thought it was

446
00:19:51,640 --> 00:19:54,760
Speaker 2: a joke and the Lightweight was a joke. It was

447
00:19:54,760 --> 00:19:57,440
Speaker 2: like baby Mama music. And she put out the Stewie

448
00:19:57,440 --> 00:19:59,920
Speaker 2: song and I told her to her face her music

449
00:20:00,080 --> 00:20:05,120
Speaker 2: sucked and she got to deal with Columbia Records. God

450
00:20:05,160 --> 00:20:07,480
Speaker 2: in heaven, Bro, who else can do that?

451
00:20:07,600 --> 00:20:10,600
Speaker 1: But I don't think they even believed it was gonna

452
00:20:10,600 --> 00:20:12,760
Speaker 1: be on that level, like when they first start, they didn't.

453
00:20:13,359 --> 00:20:18,359
Speaker 2: But the Barbie record is hot, crazy, and it's like,

454
00:20:18,480 --> 00:20:19,720
Speaker 2: who else could do that?

455
00:20:19,880 --> 00:20:21,280
Speaker 1: Bro, that's insane.

456
00:20:21,560 --> 00:20:24,359
Speaker 2: This is his son's and this is kid's mom. And

457
00:20:24,400 --> 00:20:27,080
Speaker 2: he was like, you know what, I'm gonna show y'all,

458
00:20:27,080 --> 00:20:28,960
Speaker 2: it ain't about her, It's about me, and I'm gonna

459
00:20:28,960 --> 00:20:32,840
Speaker 2: put her on right. It's crazy. Shut out to the

460
00:20:32,920 --> 00:20:37,400
Speaker 2: boothface man for your album is because because you're also

461
00:20:37,440 --> 00:20:38,959
Speaker 2: like I feel like you do make party music, but

462
00:20:39,000 --> 00:20:40,640
Speaker 2: like you could tell in these records that you could

463
00:20:40,640 --> 00:20:43,199
Speaker 2: really wrap for real. We're gonna get a lot of

464
00:20:43,200 --> 00:20:44,640
Speaker 2: bars on this project.

465
00:20:44,720 --> 00:20:47,560
Speaker 1: Hell yeah, I'm spilling my heart out on this motherfucker.

466
00:20:47,960 --> 00:20:50,560
Speaker 2: That's dope, man, because I do feel like like, even

467
00:20:50,600 --> 00:20:53,199
Speaker 2: though these are party records, I could hear it. This

468
00:20:53,240 --> 00:20:53,879
Speaker 2: foe could snap.

469
00:20:54,040 --> 00:20:57,760
Speaker 1: Yeah, you hear you hear the cans? Is there crazy?

470
00:20:58,160 --> 00:20:59,280
Speaker 2: Any features on the album?

471
00:20:59,400 --> 00:21:02,800
Speaker 1: Oh Death, blue Face, crazy Ones, blue Face not on it.

472
00:21:03,320 --> 00:21:05,160
Speaker 1: But I got some. I got some big features. I'm

473
00:21:05,160 --> 00:21:06,879
Speaker 1: not gonna say right now. I'm turning it in today.

474
00:21:07,840 --> 00:21:09,720
Speaker 1: I got some big like global.

475
00:21:09,359 --> 00:21:13,080
Speaker 2: Like shop Dog I got you said global?

476
00:21:13,880 --> 00:21:16,840
Speaker 1: Damn, they're on that level though, Whiz.

477
00:21:17,760 --> 00:21:20,880
Speaker 2: Maybe it's definitely Wize, that's global on that level. Ever

478
00:21:21,000 --> 00:21:28,520
Speaker 2: know it's Wiz. What's on the album? He didn't say. No,

479
00:21:28,800 --> 00:21:30,720
Speaker 2: what's the album coming out?

480
00:21:31,119 --> 00:21:34,280
Speaker 1: I'm pushing for later this month, but I'm gonna get

481
00:21:34,280 --> 00:21:35,639
Speaker 1: the release of Day and Everything today.

482
00:21:36,600 --> 00:21:39,320
Speaker 2: What is your favorite? Because you've been getting booked at

483
00:21:39,320 --> 00:21:42,119
Speaker 2: these clubs and I don't want you to run into

484
00:21:42,160 --> 00:21:46,080
Speaker 2: the same problem I've seen guys. I'll even say A D.

485
00:21:46,520 --> 00:21:48,320
Speaker 2: Who's my brother, so he knows I can I can

486
00:21:48,320 --> 00:21:51,720
Speaker 2: speak about a day like this. When A D was out,

487
00:21:52,480 --> 00:21:57,159
Speaker 2: he did so many clubs that I feel like it

488
00:21:57,280 --> 00:22:01,480
Speaker 2: kind of burnt his brand out a little. I don't

489
00:22:01,480 --> 00:22:04,600
Speaker 2: think you're doing that yet. Yeah, but is that something

490
00:22:04,640 --> 00:22:05,320
Speaker 2: you're aware of?

491
00:22:05,480 --> 00:22:07,520
Speaker 1: Most definitely? I just had this conversation with one of

492
00:22:07,520 --> 00:22:10,800
Speaker 1: my homies. He like, I need to become more exclusive

493
00:22:11,240 --> 00:22:13,560
Speaker 1: because since I just blew up last year, only been

494
00:22:13,600 --> 00:22:16,000
Speaker 1: a year, that's how I've been getting money something.

495
00:22:16,160 --> 00:22:18,200
Speaker 2: Yeah, that's how you're supporting yourself because you're not getting

496
00:22:18,200 --> 00:22:20,440
Speaker 2: because also, I mean, the streams ain't paying.

497
00:22:20,200 --> 00:22:22,320
Speaker 1: Like that ship a lot of streams man.

498
00:22:22,920 --> 00:22:26,080
Speaker 2: But but you, for example, if you if you go

499
00:22:26,119 --> 00:22:28,480
Speaker 2: and pick up a five bands from a club, that's

500
00:22:28,480 --> 00:22:31,480
Speaker 2: like a one point one million streams on Spotify because

501
00:22:31,720 --> 00:22:35,080
Speaker 2: the streams thirty what you mean stream thirty million stream

502
00:22:35,920 --> 00:22:37,119
Speaker 2: you know what I'm saying. So like you could go,

503
00:22:37,320 --> 00:22:39,280
Speaker 2: like I was looking at ship like streaming numbers, like

504
00:22:39,320 --> 00:22:40,560
Speaker 2: all right, we if you can go do this party

505
00:22:40,640 --> 00:22:43,480
Speaker 2: and get three million dollars or three million streams worth

506
00:22:43,520 --> 00:22:45,440
Speaker 2: of money real quick? What the fuck?

507
00:22:45,760 --> 00:22:45,960
Speaker 1: Right?

508
00:22:46,400 --> 00:22:47,879
Speaker 2: But you also, like you said, like you gotta be

509
00:22:47,880 --> 00:22:49,879
Speaker 2: careful because I said with a D when Ad had juice,

510
00:22:49,960 --> 00:22:51,320
Speaker 2: that motherfucker.

511
00:22:50,720 --> 00:22:51,320
Speaker 1: Was every man.

512
00:22:51,440 --> 00:22:53,760
Speaker 2: Oh god, I remember that he lived in the club. Yeah,

513
00:22:54,200 --> 00:22:55,560
Speaker 2: And I don't know if it hurt him or I

514
00:22:55,560 --> 00:22:57,040
Speaker 2: mean him and I have talked about it, so I

515
00:22:57,080 --> 00:22:58,840
Speaker 2: think I think it hurt him a little though.

516
00:22:58,720 --> 00:23:02,040
Speaker 1: Yeah, it can hurt you. I just started turning down

517
00:23:02,040 --> 00:23:04,960
Speaker 1: bookings like for like maybe like in the last three

518
00:23:05,000 --> 00:23:05,760
Speaker 1: or four months.

519
00:23:05,840 --> 00:23:07,399
Speaker 2: And I mean, look to be fair of the LA

520
00:23:07,480 --> 00:23:10,240
Speaker 2: club scene isn't what it was before the pandemic.

521
00:23:10,520 --> 00:23:11,639
Speaker 1: What trust me.

522
00:23:11,720 --> 00:23:17,800
Speaker 2: I know RP to playhouse. But it's still a thing,

523
00:23:17,880 --> 00:23:20,399
Speaker 2: but it's not like what it was. It's not but

524
00:23:20,480 --> 00:23:24,080
Speaker 2: like you can still go hit Scottsdale and Arizona is

525
00:23:24,119 --> 00:23:26,480
Speaker 2: my spot. Yeah, you get booked in Arizona.

526
00:23:26,560 --> 00:23:28,360
Speaker 1: I'm out there, like I've been out there like more

527
00:23:28,400 --> 00:23:29,080
Speaker 1: than any.

528
00:23:29,080 --> 00:23:32,160
Speaker 2: It's pretty crazy. I remember we were talking like early

529
00:23:32,240 --> 00:23:36,200
Speaker 2: on when you were bubbling you know my club group

530
00:23:36,240 --> 00:23:39,040
Speaker 2: check is I own a club out there? And uh

531
00:23:39,320 --> 00:23:41,680
Speaker 2: my boy was like yo, we could do a little Veda.

532
00:23:42,800 --> 00:23:45,600
Speaker 2: Somebody replying there like I saw this motherfucker at a

533
00:23:45,680 --> 00:23:49,120
Speaker 2: brunch of club who collabed the same weekend.

534
00:23:49,480 --> 00:23:51,520
Speaker 1: When I go to Arizona, I'll run it up. I'll

535
00:23:51,520 --> 00:23:56,760
Speaker 1: be everywhere. Yeah, brunch House eleven eleven pretty please, Airbnb parties,

536
00:23:57,160 --> 00:23:57,359
Speaker 1: you know.

537
00:23:57,640 --> 00:24:01,320
Speaker 2: Yeah, he's a vibe man over for sure. Anything else

538
00:24:01,520 --> 00:24:03,800
Speaker 2: you're working on or anything else you want to talk about, man.

539
00:24:03,960 --> 00:24:07,040
Speaker 1: Uh shit, I'm working on my clothing line. My f cancer.

540
00:24:07,280 --> 00:24:09,720
Speaker 1: Oh no, Yeah, I'm trying to set up something on

541
00:24:09,800 --> 00:24:12,880
Speaker 1: my album where percentage of the proceeds that I make

542
00:24:13,280 --> 00:24:15,639
Speaker 1: to go towards like a cancer organization.

543
00:24:16,119 --> 00:24:18,720
Speaker 2: Make sure it's like one that, Like I feel like

544
00:24:18,760 --> 00:24:20,960
Speaker 2: some of the bigger ones, there's so much bureaucracy wrapped

545
00:24:21,000 --> 00:24:22,080
Speaker 2: up and like where the money goes.

546
00:24:22,160 --> 00:24:24,800
Speaker 1: It's a lot. Yeah, you always got to worry about that,

547
00:24:24,840 --> 00:24:27,159
Speaker 1: but it's coming from a genuine place from me.

548
00:24:27,400 --> 00:24:28,439
Speaker 2: No, that's amazing for me.

549
00:24:28,520 --> 00:24:31,120
Speaker 1: So yeah, yeah, my clothing line that should be out

550
00:24:31,200 --> 00:24:33,640
Speaker 1: like around when my album come out. Trying to set

551
00:24:33,720 --> 00:24:36,520
Speaker 1: up everything. Shit, just be ready for my album. It's

552
00:24:36,520 --> 00:24:39,880
Speaker 1: gonna be sixteen songs, twelve of them gonna be brand new,

553
00:24:40,000 --> 00:24:42,720
Speaker 1: a lot of hot features, a lot of styles that

554
00:24:42,800 --> 00:24:44,080
Speaker 1: y'all never heard from me before.

555
00:24:47,160 --> 00:24:49,320
Speaker 2: Not to end the interview on a somber note, but

556
00:24:49,480 --> 00:24:51,760
Speaker 2: obviously that you know you're losing your dad to cancer

557
00:24:51,800 --> 00:24:53,600
Speaker 2: is a big deal to you, a big deal to

558
00:24:53,640 --> 00:24:57,200
Speaker 2: anybody who for you. What would be some advice if

559
00:24:57,200 --> 00:25:00,280
Speaker 2: someone lost a parent, What would be the vice you

560
00:25:00,320 --> 00:25:02,320
Speaker 2: would give to them? How to cope, how to more

561
00:25:02,359 --> 00:25:03,600
Speaker 2: and how to get through it, how to get on

562
00:25:03,640 --> 00:25:04,440
Speaker 2: the other side of it, you know.

563
00:25:05,280 --> 00:25:08,679
Speaker 1: Oh well, first let me explain to you how it

564
00:25:08,760 --> 00:25:13,879
Speaker 1: even happened. First, So pretty much twenty sixteen, I was

565
00:25:13,920 --> 00:25:16,479
Speaker 1: working at FedEx, just to work at the warehouse at

566
00:25:16,560 --> 00:25:21,879
Speaker 1: Lax and you know, when he first got diagnosed with it,

567
00:25:22,680 --> 00:25:26,439
Speaker 1: that shit hurt, you feel me. But he was taking

568
00:25:26,680 --> 00:25:29,960
Speaker 1: all the precautions to get rid of it, like everything

569
00:25:30,000 --> 00:25:33,560
Speaker 1: I'm talking about to a t. Everything wake up at

570
00:25:33,560 --> 00:25:37,200
Speaker 1: this time, take this, you feel me. Coffee, enemas, salads,

571
00:25:37,200 --> 00:25:37,679
Speaker 1: like everything.

572
00:25:37,760 --> 00:25:38,119
Speaker 2: Everything.

573
00:25:38,600 --> 00:25:41,240
Speaker 1: So he got rid of it. He got rid of

574
00:25:41,240 --> 00:25:43,880
Speaker 1: the pancreatic cancer, and he got rid of it for

575
00:25:43,920 --> 00:25:47,080
Speaker 1: about two months. Then he came to my house one day.

576
00:25:47,119 --> 00:25:49,720
Speaker 1: He was like I came back to his livery though.

577
00:25:50,320 --> 00:25:53,680
Speaker 1: So I'm like, damn, here this go again. So after

578
00:25:53,760 --> 00:25:57,400
Speaker 1: that happened, I'm working, I'm working. You know, he's still

579
00:25:57,400 --> 00:26:00,399
Speaker 1: doing the shit he can't. My mom came to my

580
00:26:00,480 --> 00:26:04,840
Speaker 1: job at FedEx. My mom don't go nowhere, like she

581
00:26:05,040 --> 00:26:08,520
Speaker 1: literally don't leave the house. So when my manager like

582
00:26:08,560 --> 00:26:11,040
Speaker 1: my mommy, I'm like, what the fuck, I'll rested the front.

583
00:26:11,359 --> 00:26:15,920
Speaker 1: She's like, oh, they gave him two months. I'm like, wow, damn, yeah,

584
00:26:15,960 --> 00:26:18,440
Speaker 1: that shit hit different. I left the job you feel

585
00:26:18,480 --> 00:26:22,760
Speaker 1: me crying all type of shit. And then after that day,

586
00:26:23,000 --> 00:26:26,240
Speaker 1: it was about two weeks. It was about two weeks.

587
00:26:27,280 --> 00:26:29,800
Speaker 1: My stepmam wind up calling me from the hospital. She's like, yes,

588
00:26:29,880 --> 00:26:33,640
Speaker 1: that time, So I rush up there. When I got there,

589
00:26:33,680 --> 00:26:38,120
Speaker 1: he taking like like a breath, like every forty five

590
00:26:38,200 --> 00:26:42,080
Speaker 1: seconds or thirty seconds, barely hanging on. So what a

591
00:26:42,119 --> 00:26:43,679
Speaker 1: lot of people don't know is I actually got to

592
00:26:43,680 --> 00:26:45,359
Speaker 1: see my dad take his last breath.

593
00:26:45,760 --> 00:26:46,040
Speaker 2: Wow.

594
00:26:46,200 --> 00:26:49,040
Speaker 1: Yeah, like literally the last one. Her whole family standing

595
00:26:49,119 --> 00:26:51,440
Speaker 1: over room like trying to touch him a little bit,

596
00:26:51,520 --> 00:26:53,760
Speaker 1: like make sure he stay up. And once he took

597
00:26:53,800 --> 00:26:56,920
Speaker 1: that last one, he was out. So that right there,

598
00:26:56,960 --> 00:27:00,199
Speaker 1: like seeing that was so detrimental to me. That what

599
00:27:00,320 --> 00:27:03,399
Speaker 1: sparked like me to even do music. You feel me

600
00:27:03,440 --> 00:27:05,200
Speaker 1: so me like growing up and even being able to

601
00:27:05,240 --> 00:27:08,200
Speaker 1: sit right here with you is like like whoa. It's

602
00:27:08,240 --> 00:27:10,240
Speaker 1: like a real testament to my journey. Like I can't

603
00:27:10,240 --> 00:27:11,160
Speaker 1: even believe I'm here.

604
00:27:11,600 --> 00:27:13,960
Speaker 2: You're lucky to have been there with him. No, definitely

605
00:27:14,160 --> 00:27:17,520
Speaker 2: right because because I had it both ways. So my

606
00:27:17,560 --> 00:27:20,040
Speaker 2: grandpa when he passed away, I was holding his hand.

607
00:27:20,640 --> 00:27:22,639
Speaker 2: Well yeah, and I was. It was me and my

608
00:27:22,680 --> 00:27:24,760
Speaker 2: cousin in the room with him because he was in

609
00:27:24,800 --> 00:27:26,800
Speaker 2: hospice and they knew he was gonna die, so they

610
00:27:26,800 --> 00:27:29,159
Speaker 2: brought him back to my family's house. So I was

611
00:27:29,200 --> 00:27:32,919
Speaker 2: holding his hand literally while he died. So I felt,

612
00:27:33,240 --> 00:27:34,560
Speaker 2: I don't want to say I felt good about it,

613
00:27:34,560 --> 00:27:36,679
Speaker 2: but I felt like at peace with it.

614
00:27:36,880 --> 00:27:37,280
Speaker 1: Yeah.

615
00:27:37,640 --> 00:27:41,679
Speaker 2: During COVID, my grandma died of COVID in a nursing

616
00:27:41,720 --> 00:27:43,639
Speaker 2: home and they wouldn't let us be with her because

617
00:27:43,640 --> 00:27:47,879
Speaker 2: of COVID, so she died alone. That shit fucked me

618
00:27:48,040 --> 00:27:51,080
Speaker 2: up because you're like, damn, like we wanted to be there,

619
00:27:51,119 --> 00:27:54,440
Speaker 2: but this COVID bullshit, they wouldn't let anybody in the

620
00:27:54,520 --> 00:27:56,760
Speaker 2: nursing home. So my grandma passed away by herself. We

621
00:27:56,760 --> 00:27:58,399
Speaker 2: don't know what she was thinking. We don't know nothing.

622
00:27:58,440 --> 00:28:01,320
Speaker 2: You know what I'm saying, You're You're lucky to have

623
00:28:01,359 --> 00:28:01,680
Speaker 2: been with you.

624
00:28:02,640 --> 00:28:05,240
Speaker 1: For sure. I don't take that for granted at that moment,

625
00:28:05,359 --> 00:28:08,040
Speaker 1: just like that's like a real you know, I hope

626
00:28:08,080 --> 00:28:08,600
Speaker 1: that ship.

627
00:28:08,480 --> 00:28:10,160
Speaker 2: Right here, Like nah, that s dope is a part

628
00:28:10,160 --> 00:28:11,640
Speaker 2: of your mission now, definitely.

629
00:28:11,680 --> 00:28:15,560
Speaker 1: But as far as advice, I would say, if you

630
00:28:15,960 --> 00:28:18,320
Speaker 1: lost anyone, you feel me for anybody that lost someone,

631
00:28:18,520 --> 00:28:21,440
Speaker 1: Find something to not take your mind off of it,

632
00:28:21,480 --> 00:28:22,640
Speaker 1: because nothing gonna take your mon.

633
00:28:22,600 --> 00:28:24,240
Speaker 2: Pour the pain into something.

634
00:28:24,000 --> 00:28:27,240
Speaker 1: Into something that's exact something for sure, some productive.

635
00:28:27,320 --> 00:28:30,040
Speaker 2: You can pour it into something negative exactly, you know.

636
00:28:32,400 --> 00:28:35,400
Speaker 1: Pour in something positive. You feel me, find something if

637
00:28:35,400 --> 00:28:38,640
Speaker 1: it's going to the gym, whatever, you feel me, find

638
00:28:38,680 --> 00:28:41,440
Speaker 1: something that's gonna feel you and like make you put

639
00:28:41,480 --> 00:28:42,680
Speaker 1: on for your person you lost.

640
00:28:42,760 --> 00:28:43,640
Speaker 2: Well, you've done a good job.

641
00:28:43,680 --> 00:28:44,520
Speaker 1: Man, appreciate you.

642
00:28:44,600 --> 00:28:49,000
Speaker 2: Salute on the success. I look forward to hearing the album.

643
00:28:49,280 --> 00:28:52,960
Speaker 2: And you got an everything album.

644
00:28:51,960 --> 00:28:53,680
Speaker 1: King of Ratch you Ratchet.

645
00:28:53,880 --> 00:28:55,960
Speaker 2: Yeah, that's what we've been missing in l A, y'all.

646
00:28:56,040 --> 00:28:58,600
Speaker 1: Yeah, you're gonna stamp that.

647
00:28:59,200 --> 00:29:03,320
Speaker 2: Yeah, you're gonna make Joe, Moses and YG and everybody proud.

648
00:29:03,320 --> 00:29:06,080
Speaker 1: I got he Oh hell yeah. And I'll be doing

649
00:29:06,120 --> 00:29:07,760
Speaker 1: shows with Joe, Moses and all that. We got a

650
00:29:07,800 --> 00:29:09,080
Speaker 1: show on much fourth now.

651
00:29:09,160 --> 00:29:11,640
Speaker 2: Joe's the greatest, and he's such a nice guy, and

652
00:29:11,680 --> 00:29:13,200
Speaker 2: he's like a real o G. And he got a

653
00:29:13,200 --> 00:29:18,479
Speaker 2: hot record right now. He's got. Joe's good for like

654
00:29:18,760 --> 00:29:20,240
Speaker 2: every three or four years, just a.

655
00:29:20,600 --> 00:29:24,160
Speaker 1: Joint outside of something crazy for sure, Joe Man that

656
00:29:24,240 --> 00:29:25,160
Speaker 1: remix on the way too.

657
00:29:25,720 --> 00:29:27,880
Speaker 2: Oh ship there it is man lit Vader, I appreciate

658
00:29:27,880 --> 00:29:29,320
Speaker 2: you pulling up brother Sirch

659
00:29:29,360 --> 00:29:29,880
Speaker 1: That you for having