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Speaker 1: DP A you our talent, time and tay roll. You know,

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Speaker 1: my life is really a cool life and I get

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Speaker 1: the experience and talk to many different people and no

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Speaker 1: different than the day. And on this episode, Welcome to

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Speaker 1: Money Making Conversation. I'm your host, ro Sean McDonald. Each

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Speaker 1: Money Making Conversation talk shows about entrepreneurship and entertainment. I

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Speaker 1: provide the consumer and business owner access to interviews with celebrities, CEOs,

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Speaker 1: entrepreneurs and industry decision makers. It is important to understand

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Speaker 1: that everybody travels a different path to success. That's because

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Speaker 1: your brand is different. The challenges you face in your

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Speaker 1: life are different. So stop reading other people's success stories

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Speaker 1: and start writing your own. Now you can be motivated

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Speaker 1: by their success. Don't get me wrong, because your story

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Speaker 1: their stories are allow amazing and can offer direction to

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Speaker 1: help you reach your goal through your planning and your

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Speaker 1: committed effort. The Money Making Conversation interview provide relatable information

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Speaker 1: to listen about career and financial planning, entrepreneurship, motivation, leadership,

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Speaker 1: overcoming the arts, and how to live a balanced life.

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Speaker 1: That's what my show is all about. My next guests,

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Speaker 1: um It's an Australian Streuss. She has made her mark

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Speaker 1: in film and television and both Australia and Hollywood. I

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Speaker 1: personally fell in love with her talents from watching her

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Speaker 1: and three of my favorite movies Pitch Black starring Vin

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Speaker 1: diesel Man on Fire starr In Denzel Washington and Dakota Fannie,

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Speaker 1: and the horror movie Silent Hill. She's on the show

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Speaker 1: today discuss the upcoming new movie Dream Catcher. I think

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Speaker 1: that you can catch on right now. You can catch

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Speaker 1: it right now on video on demand. Please welcome to

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Speaker 1: Money Making Conversations, Roda Mitchell. How are you doing? Hey good?

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Speaker 1: Hell are you? I'm doing pretty good? You know, I'm excited.

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Speaker 1: It's really interesting that every week I sit out with

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Speaker 1: my staff and and we go over potential guests for

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Speaker 1: the show. And because my show is my entrepreneurship and

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Speaker 1: entertainment and so basically the looking at my life. I've

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Speaker 1: been in management and corporate uh, corporate marketing and branding,

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Speaker 1: and I try to bring interviews on the show that

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Speaker 1: shows a different lifestyle at different point of view, and

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Speaker 1: I try to get them to tell their story. In

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Speaker 1: your Story, I always felt it was a compelling one

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Speaker 1: because of the fact that you you Australia, Hollywood. That's

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Speaker 1: a that's a major move, that's a transition, so you

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Speaker 1: have to follow your dream. You had to believe in

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Speaker 1: your dream. Can you tell us about the whole aspect

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Speaker 1: of wanting to be Did you want to be a

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Speaker 1: movie star? Did you want to be an actress all

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Speaker 1: your life? Rada? I mean as a kid, I had

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Speaker 1: a few fantasies, and one of them certainly was to

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Speaker 1: be a Hollywood actress. You know. I think that's every

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Speaker 1: little girl's kind of um idea at some point in

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Speaker 1: their life, um, and then pursuing it. I think by

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Speaker 1: the time I finished high school, I kind of knew

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Speaker 1: that I wanted to be an actress, but I kind

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Speaker 1: of wanted to just travel the world and I wanted

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Speaker 1: to be a photographer for a while, um national geographic photographers.

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Speaker 1: I really wanted to keep an open mind. You still

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Speaker 1: have that steal these stills talent that the desire to

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Speaker 1: but do you still have to scale with the camera

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Speaker 1: they want to take those take photos? Yea. I was

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Speaker 1: starting photography in school and I was like doing really well.

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Speaker 1: But then I didn't get into this course that I

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Speaker 1: wanted to get into, and so I was a bit

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Speaker 1: put off by that. But I am went to Indonesia

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Speaker 1: for months and read this book An Actor Prepares Stanislavski

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Speaker 1: and that sort of it was kind of a serious

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Speaker 1: book about you know, serious acting that it got me motivated.

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Speaker 1: And when I was a little kid, i'd done a

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Speaker 1: TV show, so I had an agent from this time

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Speaker 1: when I was twelve doing this TV show for six months.

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Speaker 1: So I went back to this agent and I said, Hi,

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Speaker 1: you know, I finished school now and can you get

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Speaker 1: me a job? It? Hey, can you give me a job?

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Speaker 1: We're back to an agent for Joe that you did

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Speaker 1: one time, only right, Well, it was a six months

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Speaker 1: show and it was like we were kids. But I

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Speaker 1: was not really into it. When I was a kid,

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Speaker 1: I was a bit shy, so I wanted to just

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Speaker 1: finish school, so I did. Then I wanted to like

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Speaker 1: travel the world and you know, take year and just

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Speaker 1: see everything. And my mom was not into it and

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Speaker 1: she wanted me to go to university. So I ended

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Speaker 1: up starting studying media and literature at this university in

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Speaker 1: Melbourne and sort of, uh doing the odd acting job

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Speaker 1: that I was getting through this agent. So you know,

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Speaker 1: I got really weird because my mom decided to go

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Speaker 1: to university the same university as mecom right, mom, at

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Speaker 1: the same school you went, right, mom, at the same school.

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Speaker 1: That was really narrating anyway. So I started doing the

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Speaker 1: night classes and sometimes I'll be acting during the day

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Speaker 1: on this a couple of TV series and stuff at

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Speaker 1: around the time and finishing the degree is arts degree.

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Speaker 1: A film that a friend of mine. Um, it's very

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Speaker 1: little like film and somebody's father put money into it.

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Speaker 1: That it was coming out of this film school in

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Speaker 1: Melbourne and it had like a young director who was

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Speaker 1: just finishing up her her film school degree. And we're

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Speaker 1: all a bunch of us were living in a sharehouse

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Speaker 1: and we ended up making this film and the film

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Speaker 1: ended up getting sold to Fox Searchlight. So a few

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Speaker 1: of us who were in the film were like invited

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Speaker 1: to go to the can Film Festival. So you know

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Speaker 1: when we've never been to I've never been to any

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Speaker 1: film festival, not even the one of the top Dollars.

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Speaker 1: I've been the can that's really nice. Everywhere beautiful you

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Speaker 1: look at fabulous, I'm sure fabulous. Well, we had a

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Speaker 1: great time. There's three girls and we're all like sort

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Speaker 1: of starring in this movie, and um and the director

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Speaker 1: and the producer and so I think It was Anthony Lapolio,

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Speaker 1: this Australian actor who introduced me to my manager or

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Speaker 1: to a manager who I think he was actually leaving.

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Speaker 1: That's right, that's right, that's how you do it now. Okay,

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Speaker 1: look I'm about to go. But I got somebody as

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Speaker 1: for me. It was great. So I met this manager

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Speaker 1: in kan and I think we were there. We were

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Speaker 1: there for like a week, and then I had a

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Speaker 1: ticket around the world ticket, um, so I got to

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Speaker 1: go from there to London and I was invited to

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Speaker 1: audition for something in London which didn't pan out, and

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Speaker 1: then I had the ticket, went to New York and

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Speaker 1: in l A. And then I had a grandmother at

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Speaker 1: the time who was living in l A. Like I've

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Speaker 1: never been to in America. But I had a few

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Speaker 1: phone numbers now from this film festival to like meet

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Speaker 1: people in New York. So you have you have some

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Speaker 1: numbers now, so now you can come at least call somebody,

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Speaker 1: right yeah. Yeah, So I had some phone numbers, um,

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Speaker 1: people that were somewhat related to the film industry, and

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Speaker 1: then just people who were friends with my friends from Melbourne.

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Speaker 1: I stayed at this actually I stayed in this girl's

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Speaker 1: apartment in Harlem for like a week or two in

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Speaker 1: New York. UM, and then I went to l A.

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Speaker 1: UM and that's where I sort of stayed with my mother, UM,

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Speaker 1: who was a bit sort of grumpy butt um said.

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Speaker 1: They got to know each other. We didn't really know

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Speaker 1: each other very well. UM. And and then so that

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Speaker 1: was sort of the trip, and then it was time

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Speaker 1: to go back to Melbourne. The reality of where it

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Speaker 1: comes from. Um. But I had from all of that

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Speaker 1: just this idea. Oh, because I had met Danny Boyle,

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Speaker 1: who was one of my favorite directors in the l

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Speaker 1: A trip, and there was a tasting agent from from

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Speaker 1: here from l A who had sort of contacted the

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Speaker 1: Australian agent. So there was something of an introduction to

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Speaker 1: meet somebody in l A. And that's how I met um,

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Speaker 1: Danny Boyle. So then by the time I got back

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Speaker 1: to Melbourne, I realized, you know, everything was happening over here.

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Speaker 1: If I could just get back right, that's frustrating, right,

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Speaker 1: you know, you know, you know you're back, but it's

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Speaker 1: not back where you need to be. You need to

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Speaker 1: get back to the other back right, which was all

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Speaker 1: a yeah, so that I needed my need. I haven't

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Speaker 1: gonna get there. You know. It was like, you know,

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Speaker 1: I just out of school. So I told this agent, look,

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Speaker 1: I just want to do a soap because I knew

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Speaker 1: that you could. There's this television soap in Melbourne called Neighbors,

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Speaker 1: and it's been known for years or something just never

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Speaker 1: ends and they keep recycling characters. So I, um, I

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Speaker 1: gone on to the show and I had a part

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Speaker 1: for like six months, so that allowed me to, um,

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Speaker 1: come back. And also at that point, this little film

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Speaker 1: that I was telling you about was now going to

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Speaker 1: go to the Sundance Film Festival, so I had to

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Speaker 1: have something to come back to talk about at that time.

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Speaker 1: And so that's sort of how it all began. But

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Speaker 1: you know, the money in your pocket, the Sundance Festival,

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Speaker 1: You're looking good, feeling good. Okay, good, No, Grandma, it

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Speaker 1: was all good of an adventure, you know, um, and

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Speaker 1: most of it just would have planned out of the suitcase.

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Speaker 1: But I didn't really the care whether it worked or didn't.

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Speaker 1: I was sort of you know, it was an adventure

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Speaker 1: in any case. Well, you're the thing about it is

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Speaker 1: that when I hear your story, I just hear just

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Speaker 1: you know, no, you just you just trusted yourself, you

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Speaker 1: wanted to follow your dreams, and a lot of people

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Speaker 1: get caught up in one Yeah, okay, let your mom said,

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Speaker 1: I want you to go to school. Okay, you know

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Speaker 1: my degree is a mathematic I like that and I'm

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Speaker 1: glad I did it because, Um, even as an actor,

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Speaker 1: I think it's interesting to have a more sort of

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Speaker 1: have a broad sort of source of knowledge. You know,

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Speaker 1: you can having studied archaeology and or just obscure things

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Speaker 1: that I studied for this degree. Um, just give me

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Speaker 1: a certain perspective that I might not have had if

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Speaker 1: I had it just focused only on acting. Um. So

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Speaker 1: that's good. So let's talk about Let's talk about some

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Speaker 1: things here about your new project here because I want

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Speaker 1: to because I want to talk about a couple of

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Speaker 1: my favorite movies because I see them all the time.

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Speaker 1: But it's finally here, the season of celebration, and no

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Speaker 1: matter how you celebrate with family and France, whether you're

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Speaker 1: preparing for Reis Magos or Karamu lighting the Manura, are

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Speaker 1: going to midnight mass Coals has just what you need

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Speaker 1: to make those traditions special. Plus you'll find gifts for

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Speaker 1: all your loved ones send warm wishes with cozy fleeces, sweaters, loungeware,

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Speaker 1: blankets and throws. Support minority owned or founded brands by

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Speaker 1: giving gifts from Human Nation and shame moisture, or treat

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Speaker 1: them to everyone's favorite activewear from top brands like Nike, Adidas,

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Speaker 1: E R dot ai dream catch or which I'm assuming

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Speaker 1: is another horror movie. Correct, it is okay? Cool? Now?

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Speaker 1: When I saw you in Silent Heal, basicly, you know,

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Speaker 1: you know you you were traveling in this town with

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Speaker 1: your daughter. You're another ghost like daughter apperiod in front

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Speaker 1: of your car. Your car went into a span and

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Speaker 1: then you stop, you open the door that your daughter's gone,

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Speaker 1: your real daughter's gone, and so you you ventured into

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Speaker 1: this town called solid Here. So the reason I bring

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Speaker 1: it up because it's basically it's basically a movie that's uh,

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Speaker 1: it's carried on your single emotion and your interaction. And

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Speaker 1: that's what made me scary to me because you your

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Speaker 1: quest was to find your daughter, but you were in

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Speaker 1: an environment that you couldn't control. How do you get

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Speaker 1: there emotionally for a role like that, When you're talking

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Speaker 1: about horror, you're talking about characters that don't exist. How

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Speaker 1: do you get there? Right? How do we do that?

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Speaker 1: I mean, yeah, a lot of times we were acting

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Speaker 1: with Cannith Ball there were some amazing um prop, Like

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Speaker 1: there was some amazing monsters were on set and people. Yeah,

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Speaker 1: there was like I don't know if you remember the

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Speaker 1: child monster in the attack sing on the fences, there

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Speaker 1: was a wan who was very small and she was

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Speaker 1: wearing that suit so she had a little hole in

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Speaker 1: the suit to breathe through. So then they multiplied that

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Speaker 1: in special effects. But there was really one of those

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Speaker 1: great children for real, and she this patient woman who

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Speaker 1: sat in that suit all day long for that part

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Speaker 1: of the shoot. So some of it you had to imagine.

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Speaker 1: In other parts of the nightmare were you know, very

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Speaker 1: much visually present um. So it was kind of a

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Speaker 1: mix um. But how to how to get into that

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Speaker 1: frame of mind? I don't know. I think we've all

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Speaker 1: had nightmares. Well, I think that did. You did a

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Speaker 1: good job that you're scared me. You're scared of grown

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Speaker 1: man here? Okay, because I felt sorry for I thought

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Speaker 1: they're gonna snatch you up there, right? You know, you

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Speaker 1: know what they did do there was a technique like

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Speaker 1: for that active surprise and a really hard to fake that.

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Speaker 1: You know. Still we like make loud noises and we

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Speaker 1: get someone on set to like, I don't think they

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Speaker 1: were firing guns, but they were like snacking things together

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Speaker 1: so that we get a real shock. I mean, that's

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Speaker 1: the something you do to create a journal and quickly.

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Speaker 1: But it's really hard to act surprised shocked without having

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Speaker 1: something to trigger it. Okay, now this this new movie,

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Speaker 1: Dream Catcher. You know your your character is forced to

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Speaker 1: come return with your new steps on at a remote

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Speaker 1: country home. Right, there's the dot. Do you know the

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Speaker 1: scary part Remote? Everything you do in scary movies rather

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Speaker 1: is remote. You know when you did when you did

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Speaker 1: Pitch Black, remote, You're just a remote acting person. When

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Speaker 1: you did you know, Land on Fire, you were in Mexico,

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Speaker 1: which was a remote You were captured in a mansion,

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Speaker 1: So you just a remote When I saw you, when

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Speaker 1: I yeah, when I saw you do the Romans, when

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Speaker 1: I saw the episode of Ramoofs that you and you

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Speaker 1: know that when you was what I think your son

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Speaker 1: was was sickly and why right right? That was your

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Speaker 1: character there was isolated. You play those isolated roles very well,

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Speaker 1: rot farewell. Interesting. Yeah, I've never really thought about that. Yeah,

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Speaker 1: that's this is my question to you. This is my

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Speaker 1: question because the movie Dream Catching with just out right now.

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Speaker 1: You can catch it from Lion's Gate Home Entertainment, you

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Speaker 1: can catch it on video on demand. When I look

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Speaker 1: at the talent like you, and because you make it real,

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Speaker 1: I will tell you when Man on Fire, when you

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Speaker 1: realize that Mark Anthony, who played your husband in the movie,

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Speaker 1: was the reason your daughter, he was behind the kidnapping,

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Speaker 1: That moment, for me is one of my favorite moments

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Speaker 1: in the movie because you win. It was that oh

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Speaker 1: my god moment. You know, that was an oh my

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Speaker 1: god moment. You didn't kill if he lived or diet

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Speaker 1: at that point, you know you have been suffering the

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Speaker 1: whole time for your daughter, you know, got lost in

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Speaker 1: the box or Ransom and this fool over here had

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Speaker 1: peddle off your daughter. Well faith Ransom demand that moment

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Speaker 1: right there, I became a fan okay, and then in

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Speaker 1: Pitch Black. With a pitch Black, I always want you

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Speaker 1: to know, here's a script where when you get the script,

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Speaker 1: you know you're gonna die in that script. Correct, yeah, okay?

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Speaker 1: How do you react? Will you know what? You get

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Speaker 1: the script in your hand and debates about this, who's

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Speaker 1: gonna die? Are they gonna die? You want to die?

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Speaker 1: You know you're not gonna make the sequel if it's

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Speaker 1: a blockbuster, you can't. In that movie, I was excited

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Speaker 1: to die. I thought it was cool in retrospect that

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Speaker 1: she just loved to live. But at the time I

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Speaker 1: thought it was cool. I didn't know they were going

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Speaker 1: to make more and more and more because it was

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Speaker 1: so funny. It was so funny. It was just so

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Speaker 1: funny because I was when I out to you know,

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Speaker 1: when when you got confirmed from my show. I went

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Speaker 1: home and I was just going through and then what

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Speaker 1: happened Pitch Black was on. That's why I got to

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Speaker 1: see you first. My remember the first of my member

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Speaker 1: and so and and then God forgotten that you died

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Speaker 1: in the end of that movie and the way you

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Speaker 1: die because because if that movie you you know, you're

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Speaker 1: you're grabbed inn diesel. Get up, Soldier, get up. You're

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Speaker 1: gonna make it. You're not gonna die. You're not gonna die.

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Speaker 1: You know, you know, you're you're, you're, you're tough en up.

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Speaker 1: In the end, you have their fearless leader, and all

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Speaker 1: of a sudden you got snatched up. I went, oh

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Speaker 1: my god, I forgot she died and so and I

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Speaker 1: wanted to ask that question. When you get a script

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Speaker 1: and you know you're gonna die, do you lobby to

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Speaker 1: stick around or you just play out the role? Well,

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Speaker 1: it depends on the project. I don't want to go back. Yeah,

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Speaker 1: if you think that has you know, from in retrospect,

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Speaker 1: if you think the thing is legs, you don't want

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Speaker 1: to die. But yeah, if you know, you know, sometimes

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Speaker 1: it's such a dramatic it's such as from an acting

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Speaker 1: um perspective, it's great, like it's this amazing kind of

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Speaker 1: rehearsal for the inevitable that you know, most of us are,

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Speaker 1: you know, unable to even to talk about. So to

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Speaker 1: like practice your own death is like an amazing experience.

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Speaker 1: I know, it really is. And I think that's that.

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Speaker 1: Here's my whole thing is that and and and in

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Speaker 1: this interview, I just want to get across to you

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Speaker 1: that you obviously you know, you're very talented because you're

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Speaker 1: you're acting resume says that people book you and you

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Speaker 1: you deliver, uh, you know, deliver from the romantic side

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Speaker 1: to the to the to the grieving mom, to the scary,

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Speaker 1: scary mom, to the you know, to the passionate and

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Speaker 1: empowered mom to just a young lady who wants to

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Speaker 1: make a difference in the world today. That's that's the

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Speaker 1: characters you play throughout your career. But what has always

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Speaker 1: been dynamic for me watching you is that you can

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Speaker 1: you know, how to take that isolated moment and make

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Speaker 1: it relatable and whether it's fear, whether it's uh, you know,

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Speaker 1: the unknown, or just the decision making process you know,

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Speaker 1: whether you're you know, Olympus has fallen and all that.

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Speaker 1: There's just so many different projects. So when you when

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Speaker 1: what's what's your what? What what's when you go into

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Speaker 1: a movie when the script is giving to you, is

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Speaker 1: there are there are in particular goals you're trying to achieve,

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Speaker 1: either that role or it's just hey, thank you for

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Speaker 1: the opportunity to act in this movie and do the

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Speaker 1: best job that you can do well. I mean generally,

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Speaker 1: there's that. Yeah, I just want to show up. You know,

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Speaker 1: the circumstances, don't you know, an't perfect? Like I recently

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Speaker 1: did a job right, Yes, ma'am read the script. I

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Speaker 1: was on one side of the world reading a script

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Speaker 1: on the plane, landing on set and starting the warman,

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Speaker 1: you know, with no preparation time and totally jet lagged.

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Speaker 1: And that's not ideal. But in those situations you just

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Speaker 1: have to bring it the best you can what you've got.

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Speaker 1: To accept the secumstances and not use them as an excuse,

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Speaker 1: but just bring it the best you can and trust

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Speaker 1: that what everything inside of you is going to inform

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Speaker 1: the performance, especially after having acted for so long that

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Speaker 1: you just want to Yeah, you want to bring the

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Speaker 1: best to the story, just whatever you have in you

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Speaker 1: and then also have it it's so collaborative that, you know,

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Speaker 1: have a vibe where everybody is bringing the best together,

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Speaker 1: that there's an energy and excitement behind it. Well, you

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00:21:38,080 --> 00:21:40,520
Speaker 1: have disappointed me. You have disappointed me. Tell us about

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Speaker 1: dream Catching. Tell us about that. Well, dream Catch you

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Speaker 1: with a movie that a friend of mine, Well, it

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Speaker 1: sort of amount of super close friend at the time

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Speaker 1: Carrie Harris UM showed to me a while ago and

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Speaker 1: I was like, yeah, interesting and then um, I said,

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Speaker 1: let me know when you get financed. And then UM,

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Speaker 1: it sort of occurred to me as this sort of

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Speaker 1: the cooking win. It would be really really great to

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Speaker 1: do a horror movie again and to have some sort

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Speaker 1: of ownership on it. And I was looking for a

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Speaker 1: project like that case. And then he came back to

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Speaker 1: me and said, hey, we've got the we got some

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Speaker 1: money for this and um, and we've also got Lynn

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Speaker 1: Shay who's this amazing actress and it's sort of really

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Speaker 1: well respected in the genre. UM. So I was like,

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Speaker 1: oh great, yeah, I could read it again. UM. And

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Speaker 1: it's so it's something that we all have a small

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Speaker 1: percentage of ownership in as filmmakers, um, which was kind

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Speaker 1: of a cool thing. And then um, Henry Thomas joined

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Speaker 1: Who's who's the grown up now? But he was the

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Speaker 1: boy in et really cool actor. And then we found

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Speaker 1: this amazing kid. So we had this sort of small

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Speaker 1: cast of characters and a location carry it sort of

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Speaker 1: found all these interesting places upstate New York and a

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Speaker 1: friend of his is where we shot some of the

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Speaker 1: Haunted house where Lynn was staying on the haunted bit

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Speaker 1: her workshop and then this amazing house that we shot

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Speaker 1: the film in. So it was all lined up and

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Speaker 1: it was all very simple, and and that's how it began.

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Speaker 1: I didn't realize that there was going to be no

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Speaker 1: cell phone reception upon arriving Upstanding. We were. We were

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00:23:22,160 --> 00:23:25,960
Speaker 1: isolated in reality as the characters were in the We

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00:23:26,040 --> 00:23:29,399
Speaker 1: had no cellphone reception. We were kind of three hours

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Speaker 1: from New York, but it felt it felt like forever

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Speaker 1: away from New York because of this no cell phone reception.

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Speaker 1: Um and you know, we're in this remote but beautiful

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Speaker 1: part of the state. And to be honest, the real

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Speaker 1: horror was the ticks. I don't know, if you know

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00:23:46,119 --> 00:23:50,919
Speaker 1: anything about ticks in life, there's ticks. You know. The

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00:23:50,960 --> 00:23:53,040
Speaker 1: director got bitten by a tick. That was like the

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00:23:53,080 --> 00:23:57,640
Speaker 1: scariest day on set UM. So that was horror, like

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00:23:57,760 --> 00:23:59,480
Speaker 1: walking in the grass, not knowing if we're going to

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00:23:59,560 --> 00:24:02,520
Speaker 1: get like written by a tick. I'm gonna cut your bar.

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Speaker 1: I've been been by tickets. Not fun. It's not fun,

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00:24:05,520 --> 00:24:12,240
Speaker 1: you know, you know absolutely, I'm texting, did you know,

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00:24:12,720 --> 00:24:15,159
Speaker 1: Oh that's good? Yeah, good good. I mean that's the

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00:24:15,359 --> 00:24:20,040
Speaker 1: that's the thing. It's just what could happen. Yeah, So anyway,

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Speaker 1: my friend, this is really you know the thing about it.

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00:24:24,720 --> 00:24:26,280
Speaker 1: I'm first of all, thank you for doing the show,

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00:24:26,480 --> 00:24:28,520
Speaker 1: and thank you for coming to my show promoting it.

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00:24:28,800 --> 00:24:31,320
Speaker 1: And I just as as a person who looks out

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00:24:31,400 --> 00:24:33,440
Speaker 1: and looks at the person a talent like you over

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00:24:33,480 --> 00:24:35,800
Speaker 1: the years, because you're one of those people where you know,

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00:24:35,880 --> 00:24:39,160
Speaker 1: I'm I'm I got I got Netflix, I got Amazon,

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00:24:39,280 --> 00:24:42,280
Speaker 1: I got Direct TV. If all that goes out, I

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00:24:42,320 --> 00:24:45,600
Speaker 1: got Comcast Infinity, I'm gonna watch the TV. My life

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00:24:45,720 --> 00:24:50,520
Speaker 1: is really I'm so know that. So know that I'm

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00:24:50,560 --> 00:24:53,159
Speaker 1: always scanning through and looking at familiar faces, and I

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00:24:53,160 --> 00:24:55,560
Speaker 1: look at the talent like yours, and I realized that

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00:24:55,600 --> 00:24:58,280
Speaker 1: you know, your body work is tremendous and it's diverse,

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00:24:58,560 --> 00:25:01,119
Speaker 1: and so I just pointed three movies that I like,

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00:25:01,560 --> 00:25:03,760
Speaker 1: I'm just telling my listeners here, but your body of

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00:25:03,840 --> 00:25:06,840
Speaker 1: work is outstanding. And and every time you know disappointed

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00:25:06,880 --> 00:25:09,639
Speaker 1: and when you when they say action, you're there and

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00:25:09,680 --> 00:25:11,960
Speaker 1: you're delivering on a big in a big way. And

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00:25:12,000 --> 00:25:14,639
Speaker 1: the fact that you're now stepping into an ownership portion

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00:25:14,840 --> 00:25:17,760
Speaker 1: of a project called Dream Catcher, which is lines Gate

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00:25:17,840 --> 00:25:20,479
Speaker 1: Home Entertainment. You can go right now online and watch it.

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00:25:20,840 --> 00:25:22,920
Speaker 1: You know, here we're in the middle of the pandemic.

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00:25:23,080 --> 00:25:26,280
Speaker 1: Everybody's watching TV, everybody's downloading thing. This should be one

468
00:25:26,280 --> 00:25:28,479
Speaker 1: of the movies you should be downloading right now. Correct.

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00:25:30,240 --> 00:25:32,959
Speaker 1: Oh yeah, apparently a lot of people are downloading. I'm

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00:25:33,000 --> 00:25:35,640
Speaker 1: not sure the stats that like it's doing quite well,

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00:25:35,640 --> 00:25:39,160
Speaker 1: which was you know, great for everybody involved. And it's

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00:25:39,200 --> 00:25:43,000
Speaker 1: actually really kind of gratifying to be able to contribute

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00:25:43,200 --> 00:25:45,800
Speaker 1: in this moment, Like it feels like, you know, we're

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00:25:45,840 --> 00:25:48,640
Speaker 1: all stuck in our houses, we're all kind of freaking

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00:25:48,640 --> 00:25:51,760
Speaker 1: out on some level. I mean it we've been true.

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00:25:51,840 --> 00:25:54,080
Speaker 1: I mean to me, it's like moments of anxiety and

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00:25:54,119 --> 00:25:56,000
Speaker 1: then it's okay, and then it's like, you know, just

478
00:25:56,040 --> 00:25:59,040
Speaker 1: not knowing what's going on. So it's nice to be

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00:25:59,119 --> 00:26:01,840
Speaker 1: able to give the new to people in that time,

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00:26:01,880 --> 00:26:03,520
Speaker 1: you know, a new a new story of you know,

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00:26:03,600 --> 00:26:07,000
Speaker 1: something fun, something not super serious. Um, just to kind

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00:26:07,000 --> 00:26:11,399
Speaker 1: of contribute during this period. Well, my friend you contributed

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00:26:11,440 --> 00:26:14,879
Speaker 1: on my show, and thank you ending out that little

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00:26:15,000 --> 00:26:17,159
Speaker 1: a little moment with the doorbell that's going to be

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00:26:17,200 --> 00:26:20,800
Speaker 1: removed and we're gonna promote this heavily on my brand, uh,

486
00:26:21,119 --> 00:26:24,600
Speaker 1: my social media followers, my fan club, my podcast, my

487
00:26:24,640 --> 00:26:29,000
Speaker 1: syndicated radio. I'm gonna giving you one support here, Rod,

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00:26:29,440 --> 00:26:42,720
Speaker 1: You're getting it. Thank you very much for thank you. Hi.

489
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