WEBVTT - Some Time With... Keith Richmond! (Part 1) 0:00:19.680 --> 0:00:22.840 Hey there, Fanarritos, Welcome back to a brand new episode 0:00:22.880 --> 0:00:27.600 of How Rude Tanertos. Today we're chatting with Keith Richmond, 0:00:27.920 --> 0:00:31.840 the assistant director and stage manager throughout the entire series 0:00:31.920 --> 0:00:35.559 of Full House. To put it in perspective, Keith worked 0:00:35.600 --> 0:00:38.720 on one hundred and ninety episodes with us. That's a 0:00:38.760 --> 0:00:41.880 lot of time spent together. He played a big hand 0:00:41.920 --> 0:00:45.280 in Full House's evolution over eight seasons, and we can't 0:00:45.320 --> 0:00:47.960 wait to talk to him about full House and the 0:00:48.000 --> 0:00:51.400 many other projects he's participated in over the years. So 0:00:51.520 --> 0:00:56.240 please welcome Keith key Hie. 0:00:56.320 --> 0:01:01.040 Hi, Oh my goodness, Oh my goodness. I haven't seen 0:01:01.080 --> 0:01:05.000 this face in so long, right I could say this. 0:01:07.120 --> 0:01:10.520 Hi, Oh my gosh. This is so special. We've been 0:01:11.240 --> 0:01:14.600 talking about you, and we've been seeing you, yes, in 0:01:14.640 --> 0:01:17.600 your cameo appearances. 0:01:16.920 --> 0:01:26.120 Wake there for five yeah, right and five. 0:01:27.240 --> 0:01:28.920 Did you just hear that in your sleep? You're like, 0:01:29.280 --> 0:01:31.240 but I can't say one. 0:01:31.160 --> 0:01:37.000 Yeah, I can't say one. No. Parlo used to say phobia, phobia, Yes, 0:01:37.200 --> 0:01:40.360 very exactly. Man. 0:01:40.640 --> 0:01:42.480 We're so excited to have you on the show today 0:01:42.720 --> 0:01:44.920 and we just kind of jump right into the to it. 0:01:45.040 --> 0:01:48.080 So here we are you. 0:01:48.720 --> 0:01:54.320 I mean you basically worked like NonStop since the early 0:01:54.360 --> 0:01:57.280 eighties as stage manager a D. 0:01:57.640 --> 0:02:00.360 Which okay, we have a question, what is Is. 0:02:00.320 --> 0:02:03.200 There a difference between stage manager and a D or 0:02:03.280 --> 0:02:06.840 is it just that they have sort of called it 0:02:06.960 --> 0:02:07.840 something different now? 0:02:08.000 --> 0:02:10.560 No, there is a difference. Oh okay, yeah, the. 0:02:10.440 --> 0:02:13.119 First the first assistant director is responsible for a whole 0:02:13.120 --> 0:02:16.600 lot more. I mean with you know, call sheets, pressure reports, 0:02:16.600 --> 0:02:21.280 which you don't do as a stage manager. But once, 0:02:21.520 --> 0:02:24.040 once we hit the film lots so on Full House, 0:02:24.080 --> 0:02:27.520 I was responsible for that. Right, it's still called at 0:02:27.520 --> 0:02:32.840 a stage manager because it was videotape. Right then they 0:02:33.680 --> 0:02:36.040 changed the category to multi camera first a D. 0:02:36.960 --> 0:02:40.840 Okay, it didn't matter what the media was. Oh okay, okay, 0:02:40.960 --> 0:02:42.640 So that's that's was the evolution. 0:02:42.960 --> 0:02:45.280 But originally if stage manager, if I was doing a 0:02:45.320 --> 0:02:49.760 game show, right, walk in, run the floor, have a 0:02:49.760 --> 0:02:51.800 little bit of interface with some of the departments, but 0:02:51.960 --> 0:02:54.320 not not. 0:02:53.480 --> 0:02:55.600 Not not have to do the nightmare of scheduling and 0:02:56.880 --> 0:02:57.840 the shooting schedule. 0:02:57.880 --> 0:02:58.639 As a first a D. 0:02:59.240 --> 0:03:02.240 You know there reports, hired all the extras, interface with 0:03:02.280 --> 0:03:05.280 all the departments, make sure special effects knew what they 0:03:05.320 --> 0:03:09.520 needed to do, check with all the apartments constantly and 0:03:09.560 --> 0:03:11.840 readjust the schedule and then break down the script. 0:03:12.560 --> 0:03:16.400 Yeah, the first job is yeah, all the work for 0:03:16.440 --> 0:03:21.120 the director. It's fine, glad to be of serros, but. 0:03:21.639 --> 0:03:25.320 You arguably had the hardest job on the entire show. 0:03:25.200 --> 0:03:30.880 Like first first ad, because that's what that gets alone, 0:03:30.919 --> 0:03:32.480 the hardest job. 0:03:32.960 --> 0:03:35.680 We have tony stories about dealing with Bob Poppins. 0:03:36.400 --> 0:03:40.080 I do we are, I can't wait, I just I 0:03:40.120 --> 0:03:43.200 do remember there would be times when finally he was like, 0:03:43.200 --> 0:03:45.000 oh god, Keith has been pushed too. 0:03:44.880 --> 0:03:49.040 Far, just like, just come on the level of potions 0:03:49.080 --> 0:03:50.200 you must have had, you know. 0:03:50.320 --> 0:03:52.040 Bob was always like, I got to get out of here, 0:03:52.040 --> 0:03:52.920 and get out of here. 0:03:53.640 --> 0:03:57.280 Well, Bob stopped flowing around, right, do your job. 0:03:57.560 --> 0:04:02.080 The outtakes we have me having that exchange money, I 0:04:02.120 --> 0:04:08.000 gotta go. Well then stop, yeah, concentrate you. We're asking 0:04:08.200 --> 0:04:09.600 because otherwise I got zwick. 0:04:09.440 --> 0:04:13.680 Yell out in my air and I remember you, Yeah, 0:04:13.720 --> 0:04:14.040 I bet. 0:04:15.160 --> 0:04:16.680 I used to go up and talk to the guys 0:04:17.040 --> 0:04:19.520 and uh, you ask him to do something, can you guys, 0:04:19.800 --> 0:04:22.279 you know, step over here, do this and they would 0:04:22.320 --> 0:04:25.039 look at me and go, We're screaming at the air 0:04:25.120 --> 0:04:28.560 at l because he was and I have Yes, it's 0:04:28.680 --> 0:04:30.640 like that too. You know, I don't need to project 0:04:30.640 --> 0:04:33.200 that to you guys. You know I had to be 0:04:33.279 --> 0:04:37.120 the filter. I still have my hair and I'm still standing, 0:04:37.200 --> 0:04:38.080 so I don't know how. 0:04:38.480 --> 0:04:42.120 Which is impressive for an AD because usually there, Yeah, 0:04:42.200 --> 0:04:45.640 they just stress them out until they're broken. Little piles 0:04:45.680 --> 0:04:46.080 of people. 0:04:46.560 --> 0:04:47.719 Yeah, it's a lot. 0:04:48.160 --> 0:04:51.360 I have huge respect for like stage manager first a 0:04:51.520 --> 0:04:54.080 d because it is you, like the list of things 0:04:54.080 --> 0:04:59.240 that you're responsible for making sure happen is insane, and 0:05:00.240 --> 0:05:03.440 you are the conduit sort of between like you know, 0:05:03.560 --> 0:05:07.240 video village or whatever and what's happening with the actors 0:05:07.320 --> 0:05:10.560 and you're getting screamed at but you can't scream. Yeah, 0:05:11.279 --> 0:05:13.040 you're kind of in a rock, between a rock and 0:05:13.040 --> 0:05:14.080 a hard place in a lot of ways. 0:05:14.360 --> 0:05:14.720 Yeah. 0:05:14.800 --> 0:05:17.200 So well, early on when I started stage ranching, I 0:05:17.240 --> 0:05:20.640 came up with an analogy for the job and I 0:05:21.080 --> 0:05:24.480 still hold it to be a good description, which is 0:05:24.960 --> 0:05:28.640 you have to be part party host and part traffic 0:05:28.680 --> 0:05:32.920 cop and not let people know you're the traffic cop. Right, 0:05:33.279 --> 0:05:35.480 So you're moving them around, you're telling them what to do, 0:05:35.720 --> 0:05:36.919 but you're doing it with a smile. 0:05:36.960 --> 0:05:38.600 On your face and letting them know that you're there 0:05:38.640 --> 0:05:40.960 for them, right and the great analogy. 0:05:41.279 --> 0:05:44.760 Yeah, yeah, it does translate to first ad only then 0:05:44.800 --> 0:05:48.200 you have to add all these other elements of figure 0:05:48.240 --> 0:05:50.720 out the shooting schedule, check with all the departments, make 0:05:50.720 --> 0:05:52.000 sure and go smoothly. 0:05:52.880 --> 0:05:57.200 I'll be ready for any any hiccup that comes your way. Yeah. 0:05:57.240 --> 0:06:00.960 I just remember when we were doing Fuller, especially like 0:06:01.279 --> 0:06:04.400 we would be leaving for the night and poor Adam 0:06:04.880 --> 0:06:07.240 and Chris were like still in the eighty office like 0:06:07.880 --> 0:06:08.880 hashing it out through. 0:06:08.920 --> 0:06:10.440 We can't do run this tomorrow. 0:06:10.520 --> 0:06:12.200 We can't shoot this now because we got to do 0:06:12.240 --> 0:06:15.240 this first, and you know, and they were there long 0:06:15.279 --> 0:06:16.360 before us and long after. 0:06:16.720 --> 0:06:19.120 Yeah, it's a long it's definitely the case. 0:06:19.160 --> 0:06:23.200 And also you know you're chaining the schedule with every rewrite, 0:06:23.279 --> 0:06:27.400 so you know, crew and and now you have to 0:06:27.400 --> 0:06:29.800 redo the schedule because you know, then they do the 0:06:29.880 --> 0:06:31.400 me right, then you have to go back and redo 0:06:31.440 --> 0:06:34.880 the schedule, and you have to have ready for everyone. 0:06:35.160 --> 0:06:36.880 If I was, If I was, we were doing a 0:06:36.920 --> 0:06:39.160 Monday Tuesday shot, which I think we were in pole House. 0:06:39.720 --> 0:06:42.240 No, we did, we were a Thursday, Friday, Friday. Your 0:06:42.279 --> 0:06:43.360 Thursday Friday. 0:06:44.080 --> 0:06:46.599 Then because the kids wouldn't have school the next morning 0:06:46.640 --> 0:06:50.080 on Saturdays, so we stay late Friday. 0:06:51.040 --> 0:06:53.560 Yeah, later for the audience. That's right, guys, are right, 0:06:54.360 --> 0:06:57.839 And I remember now, yeah remember everything? 0:06:58.040 --> 0:07:00.480 I mean I don't. I don't remember hardly anything these days. 0:07:00.920 --> 0:07:05.279 What was your first what was your. 0:07:05.120 --> 0:07:10.400 First like stage managing eighty job? Interesting? 0:07:10.440 --> 0:07:13.520 Yeah, okay, So I started actually started in the carpenter 0:07:13.560 --> 0:07:14.480 shop at NBC. 0:07:15.040 --> 0:07:18.600 Okay, carpenter. I was building eight great walls, twelve hours 0:07:18.640 --> 0:07:21.880 a day. Wow. We would call in every day to 0:07:22.000 --> 0:07:24.040 get the call for the next day. 0:07:24.080 --> 0:07:27.360 Because I was not very high ranking, right, somebody would 0:07:27.360 --> 0:07:29.000 get on the phone, they would dial and once they 0:07:29.040 --> 0:07:33.120 got through, it was before any technology. Yeah, let's they 0:07:33.120 --> 0:07:35.720 would get through, they called the rest of the crew 0:07:35.760 --> 0:07:37.560 over and you find out what you were doing the 0:07:37.600 --> 0:07:38.120 next day. 0:07:39.520 --> 0:07:40.560 Okay, say hey. 0:07:41.240 --> 0:07:44.640 And somebody finally said to me, hey, when they ask 0:07:44.720 --> 0:07:46.320 you if you're a carpenter. 0:07:46.240 --> 0:07:52.120 Say no instead of saying yes, okay, So I. 0:07:52.160 --> 0:07:55.800 Did, and I ended up my first call on a stage, 0:07:56.160 --> 0:08:00.160 not as a carpenter, was twelve oh one prop and. 0:08:00.160 --> 0:08:05.400 Around she going the man okay, oh wow. And that 0:08:05.560 --> 0:08:08.640 was at NBC. And then I got a job on. 0:08:08.680 --> 0:08:12.080 Staff at k T l A as a stage hand 0:08:12.080 --> 0:08:14.160 and we would do lighting one day and we would. 0:08:14.000 --> 0:08:20.480 Do you know, gripping the next day. Right, and uh, 0:08:20.720 --> 0:08:23.760 I eventually moved my way into being a prop person. Okay, 0:08:24.040 --> 0:08:25.480 I didn't know that we had one. 0:08:25.640 --> 0:08:28.120 Who did we have on? That was our we had 0:08:28.120 --> 0:08:31.960 from Fuller. We had Steve Gerard, our Fuller house person. 0:08:32.040 --> 0:08:34.760 Yeah, we had a great problem full House. 0:08:35.400 --> 0:08:35.679 Yeah. 0:08:35.760 --> 0:08:38.320 Oh, Robert Roger Roger. 0:08:38.480 --> 0:08:41.479 Yeah, we had Roger Law not Roger Soger Montesano. 0:08:41.679 --> 0:08:42.760 And Property Bob. 0:08:43.080 --> 0:08:44.880 Yeah, because we had to call him property Bob because 0:08:44.920 --> 0:08:46.240 there was Bob the dog and Bob the. 0:08:46.200 --> 0:08:50.920 Saggat, so it was the saggot. Yeah. And yet so 0:08:50.960 --> 0:08:51.720 it was a lot of Bob's. 0:08:51.800 --> 0:09:03.520 Yes, Halloween is around the corner and your favorite podcaster 0:09:03.720 --> 0:09:07.160 serving up episodes that are so good it's actually scary. 0:09:07.520 --> 0:09:10.120 Sex and the City meet Severance when Adam Scott joins 0:09:10.200 --> 0:09:13.520 Kristin Davis to discuss the haunting relationship between Big and 0:09:13.600 --> 0:09:16.800 Natasha on Are You a Charlotte? And nine one one, 0:09:16.840 --> 0:09:19.280 What's Your Emergency? The new episode of Call It What 0:09:19.360 --> 0:09:22.120 It Is? Of course nine one one Nashville co star 0:09:22.200 --> 0:09:26.560 Kimberly Williams. Paisley joins Jessica Kapshaw and Camilla Ludington to 0:09:26.600 --> 0:09:29.840 talk about her health scare, her superstar Hubby Brad Paisley 0:09:30.120 --> 0:09:32.080 and her memories on the set of Father of the 0:09:32.080 --> 0:09:35.920 Bride with the legendary Diane Keaton. Oscar winner Bree Larsen 0:09:36.080 --> 0:09:38.839 is a work in progress. Sophia Bush finds out why, 0:09:39.000 --> 0:09:42.320 and Walt's right over to daniel With because Danielle Fischel 0:09:42.360 --> 0:09:45.040 has fellow Dancing with the Stars contestant Dylan Efron on 0:09:45.360 --> 0:09:48.320 to talk about the ballroom, the leaderboard and more. Listen 0:09:48.360 --> 0:09:51.520 now on the iHeartRadio app, Apple Podcasts or wherever you 0:09:51.559 --> 0:09:52.480 get your podcast. 0:09:56.400 --> 0:09:59.280 To answer your question, what happened was I started as 0:09:59.520 --> 0:10:01.560 I became prop man. I worked on a talk show 0:10:01.600 --> 0:10:04.680 called Hour Magazine and I did all the food styling. 0:10:05.080 --> 0:10:06.720 Oh, I did all the preparation. 0:10:06.840 --> 0:10:09.160 As a matter of fact, one of the things that 0:10:09.160 --> 0:10:12.200 that got my wife to pay attention to even be 0:10:12.280 --> 0:10:15.280 interested in me is I have a picture of myself 0:10:15.320 --> 0:10:16.240 with Julia Child. 0:10:16.960 --> 0:10:18.760 Oh, that's cool. 0:10:18.880 --> 0:10:22.240 But what happened is is they would send a recipe, 0:10:22.640 --> 0:10:24.920 I would do all the preparation. I would do a 0:10:24.960 --> 0:10:27.240 finished product. You lay out all the bowls they do. 0:10:27.640 --> 0:10:29.520 I want to go this, this, this and this, and 0:10:29.559 --> 0:10:31.079 here's the finished product. Right. 0:10:32.080 --> 0:10:34.280 I've done those before when I've hosted stuff and you're like, 0:10:34.360 --> 0:10:35.120 oh and now we're. 0:10:35.000 --> 0:10:36.839 Making a thing, and you're like, okay. 0:10:36.640 --> 0:10:38.400 Just ignore all the stuff that we just hear the thing, 0:10:38.400 --> 0:10:40.400 because here's the finished one exactly. 0:10:40.520 --> 0:10:42.440 And I was missed firstly because I would make it 0:10:42.440 --> 0:10:45.920 all look real pretty and oh but what happened was 0:10:45.960 --> 0:10:49.840 because you follow the script as a prop man. At 0:10:49.920 --> 0:10:53.280 KTLA at the time, back in the day, stage managers 0:10:53.320 --> 0:10:55.840 were not BGA. They were I A on that onok okay, 0:10:56.480 --> 0:10:58.320 so they were like, hey, you know how to follow 0:10:58.320 --> 0:11:01.400 a script. We're making you a statement here. So some 0:11:01.440 --> 0:11:03.920 of my my my first stage managing job was on 0:11:04.000 --> 0:11:05.720 our magazine and that's when I came. 0:11:05.640 --> 0:11:06.600 Up with that analogy. 0:11:07.200 --> 0:11:09.559 Yeah, they have to have all these people coming through, 0:11:09.880 --> 0:11:14.040 you know, chefs and stars and you know even Kirk 0:11:14.080 --> 0:11:17.040 Douglas and Jimmy Stewart and those kind of people coming through. 0:11:17.920 --> 0:11:20.720 Have some pictures from back then which you don't want 0:11:20.760 --> 0:11:24.960 to see. But anyway, that that was my first stage 0:11:25.000 --> 0:11:27.480 managing job. And then then they would move me around. 0:11:28.679 --> 0:11:29.880 And I did. 0:11:30.000 --> 0:11:35.360 Dance Fever okay, and that was with Danny Terrio just 0:11:35.400 --> 0:11:37.520 way before you guys time. But it was so so 0:11:37.640 --> 0:11:40.240 much fun, and that was the show that I got 0:11:40.880 --> 0:11:41.920 my Gigia carn On. 0:11:42.600 --> 0:11:43.960 Oh that's awesome. 0:11:44.120 --> 0:11:48.520 And then, you know, just fortunate enough to be the 0:11:48.600 --> 0:11:52.000 guy that people could I guess that, you know, I 0:11:52.000 --> 0:11:54.560 look back and I go, what was it? And I 0:11:54.600 --> 0:11:59.320 think it was the guy that people could trust because 0:11:59.360 --> 0:12:01.840 I was committed to it. But I never you know, 0:12:01.880 --> 0:12:04.199 I just I just listened to a podcast which is 0:12:04.400 --> 0:12:07.920 with mister Clip that he did and. 0:12:07.760 --> 0:12:10.280 He kind of had a similar path in that I 0:12:10.320 --> 0:12:15.400 didn't have a goal to be a first ad. It 0:12:15.640 --> 0:12:20.240 just yeah, you know, the opportunities came and you have 0:12:20.320 --> 0:12:20.920 to step up. 0:12:22.360 --> 0:12:22.560 You know. 0:12:23.320 --> 0:12:27.040 I was a pretty shy guy initially, but next thing, 0:12:27.080 --> 0:12:28.559 you know, you're running the production meeting. 0:12:29.240 --> 0:12:31.920 Yeah, better step up. So it kind of brought me 0:12:32.720 --> 0:12:33.959 out from. 0:12:33.760 --> 0:12:36.160 Being Yeah, I mean you definitely learned, you know, and 0:12:36.320 --> 0:12:39.720 being in charge of it, directing, stage managing anything, you're like, oh, 0:12:40.400 --> 0:12:44.800 I have to be official to be shocked to look 0:12:44.840 --> 0:12:46.160 like I know what I'm doing right. 0:12:46.240 --> 0:12:46.520 Yeah. 0:12:46.840 --> 0:12:49.240 I went from game shows. I did Jeopardy the first 0:12:50.280 --> 0:12:51.400 two seasons with. 0:12:51.480 --> 0:12:54.560 Really Yeah, that was so cool, A great guy. I 0:12:54.600 --> 0:12:56.000 did a Wheel of Fortune. 0:12:56.520 --> 0:12:58.640 I was doing a lot of game shows, still doing 0:12:58.679 --> 0:13:02.200 our magazine, and and I got a call from a 0:13:02.240 --> 0:13:06.560 guy who is doing a sitcom on the Disney lot. 0:13:06.720 --> 0:13:10.400 So now you're moving video onto film lots. 0:13:10.520 --> 0:13:14.080 And this goes back question about category change, and which 0:13:14.160 --> 0:13:18.000 is okay, so now I'm doing Now I step into that. 0:13:18.040 --> 0:13:19.680 But once you're on a film lot, they expect you 0:13:19.720 --> 0:13:23.719 to do proction reports and call sheets. 0:13:24.240 --> 0:13:26.200 But they still gave you a stage manager title. But 0:13:26.240 --> 0:13:27.679 the DJA, finally. 0:13:28.520 --> 0:13:31.640 You know, wis up to that, and they changed the category. 0:13:31.400 --> 0:13:34.400 And I was told a couple of times that I 0:13:34.520 --> 0:13:39.319 was a perfect progression of that, moving from stage manager 0:13:39.360 --> 0:13:43.880 to what they now called multi camera first DA dat Right, Okay, 0:13:44.120 --> 0:13:47.400 that was but you know it was interesting. I listened 0:13:47.440 --> 0:13:51.360 to your your podcast with Lenny Reps. Yeah, I totally 0:13:51.400 --> 0:13:56.160 agree with him. I still the thing that people talk 0:13:56.200 --> 0:13:58.559 to me about, and the thing that I talk about the. 0:13:58.520 --> 0:14:00.320 Most is full house. 0:14:01.880 --> 0:14:06.120 It's like when he said, it gets you a good reservation. 0:14:07.880 --> 0:14:12.760 And I even have some cast photos that you know, guys, 0:14:14.440 --> 0:14:16.080 you know that's so cool. Yeah. 0:14:16.160 --> 0:14:18.520 But so what I wanted to say is, you know, 0:14:18.679 --> 0:14:21.160 I have the pleasure of watching you guys grow up 0:14:22.560 --> 0:14:25.240 and being kind of hopefully your dad on the set 0:14:25.280 --> 0:14:28.280 when I could be and protect you from Dave. 0:14:30.640 --> 0:14:37.359 Dave's yeah, yeah and Bob right, guys, stop. 0:14:37.200 --> 0:14:39.520 The kids are there on the set right o. 0:14:39.720 --> 0:14:42.120 Yeah, there was plenty of time when things happened, and 0:14:42.200 --> 0:14:44.800 after the scene I knew it was about to happen, 0:14:44.880 --> 0:14:46.120 and it was the. 0:14:46.080 --> 0:14:52.960 Mom's and walking down the hallway to have words with him. Dave, 0:14:53.920 --> 0:14:57.560 you guys can't do that. You can't do that. I 0:14:57.600 --> 0:14:58.600 will tell you what it was. 0:14:58.680 --> 0:15:03.240 I will five things right now on top of it. 0:15:03.480 --> 0:15:04.200 The not my head. 0:15:04.320 --> 0:15:07.440 Yeah, well, let's just say he would always wait till 0:15:07.520 --> 0:15:10.760 a Maricayter Ashley was standing right next to him, even 0:15:10.800 --> 0:15:11.800 with his butt. 0:15:12.040 --> 0:15:12.240 Yeah. 0:15:12.240 --> 0:15:14.240 Oh yeah, Now we've talked about Yeah, we had Dave 0:15:14.280 --> 0:15:17.680 on the show and we've worn the world that don't 0:15:17.720 --> 0:15:19.200 stand too close behind him. 0:15:20.000 --> 0:15:22.120 It's dangerous taking your own life in your hands. 0:15:22.200 --> 0:15:25.960 Yeah, and actually Mary Kate would have been like five 0:15:26.000 --> 0:15:26.960 to nine, you know. 0:15:27.040 --> 0:15:32.400 But they's just he's stunted their growth. Yeah, it's really unfortunate. 0:15:34.920 --> 0:15:36.920 But what I wanted thinking about it all. 0:15:37.000 --> 0:15:39.200 And what I wanted to tell you guys is that 0:15:39.880 --> 0:15:43.840 I think, looking back, we were a family. 0:15:43.640 --> 0:15:48.240 That did a show about a family. Mmmm. That's that's 0:15:48.240 --> 0:15:48.880 what it became. 0:15:49.160 --> 0:15:52.400 We were absolute close and it was great and I 0:15:52.520 --> 0:15:54.360 know you guys, I'm sure you guys are still close 0:15:54.360 --> 0:15:54.920 with everyone. 0:15:54.960 --> 0:15:58.600 And Warehouse which was fabulous. You got to it was 0:15:58.640 --> 0:16:02.280 so much fun. A lot of seasons which is great too. 0:16:02.480 --> 0:16:05.240 Yeah yeah, I mean not those nice network seasons twenty 0:16:05.240 --> 0:16:07.800 four to twenty six, but but we'll take it. 0:16:07.800 --> 0:16:08.440 We'll take it. 0:16:09.080 --> 0:16:12.120 Yeah, No, it was And I always say that that's 0:16:12.120 --> 0:16:16.040 what That's why I think people fell in love with 0:16:16.520 --> 0:16:20.520 this show and it's stayed around so long, is that 0:16:21.560 --> 0:16:26.760 it wasn't just a show. It was a family doing 0:16:26.800 --> 0:16:31.720 a show together and that love and relationships and all 0:16:31.760 --> 0:16:34.840 of that like it felt, and people fell in love 0:16:34.840 --> 0:16:37.080 with it because it was real, because it wasn't It 0:16:37.160 --> 0:16:39.200 wasn't a bunch of people pretending to be a family 0:16:39.200 --> 0:16:41.240 and care about each other and go through stuff. It 0:16:41.320 --> 0:16:45.520 was legitimately. The adults took care of the kids and 0:16:45.560 --> 0:16:47.280 they loved us, and we let you know, the moms 0:16:47.280 --> 0:16:47.560 were there. 0:16:47.600 --> 0:16:51.000 It was like those guys protected you and you know 0:16:52.960 --> 0:16:54.000 it was it was great. 0:16:54.200 --> 0:16:56.600 And yeah when I tried to predict them, you know, 0:16:57.720 --> 0:16:59.000 from themselves. 0:16:58.520 --> 0:17:04.000 Mostly from themselves, right right from or Jewel. I'm sorry, 0:17:04.160 --> 0:17:07.240 Oh no, go for it. Joel. Joel. By the way, 0:17:08.119 --> 0:17:11.720 who's I still see? Oh yeah, we had him on 0:17:11.760 --> 0:17:17.479 the show Love. Oh yeah. Yeah. And uh also Brian 0:17:18.440 --> 0:17:22.160 Kal Yes, I've emailed him, yes. 0:17:22.080 --> 0:17:25.439 And we're seeing him my wife and we see he 0:17:25.560 --> 0:17:27.480 enjoys constantly. 0:17:29.840 --> 0:17:33.160 Brian Joyce Hello, Yeah, give him a big hug from us. 0:17:33.920 --> 0:17:34.120 Yeah. 0:17:34.119 --> 0:17:36.920 He said he's better behind the camera than in front 0:17:36.920 --> 0:17:39.760 of it, so on the podcast, which I totally respect. 0:17:39.880 --> 0:17:42.400 He could just do like a like an intro announcer 0:17:42.480 --> 0:17:44.119 voice and we could just have to be like the 0:17:44.200 --> 0:17:44.879 voice of God. 0:17:45.119 --> 0:17:47.080 You know, it's just us and he's. 0:17:46.840 --> 0:17:49.320 Off camera and it's just you know, him doing some 0:17:49.400 --> 0:17:52.359 weird announcement or for an airline or something. 0:17:52.880 --> 0:17:53.960 Yeah. 0:17:53.760 --> 0:17:56.280 Yeah. Every time we hear Brian Cale's voice in something, 0:17:56.320 --> 0:17:58.080 we're like, oh, there's Brian. 0:17:57.960 --> 0:18:01.920 There he is he did on the show. Oh yeah, 0:18:02.280 --> 0:18:05.600 every such a great announced ouncer voice. Yeah. 0:18:05.640 --> 0:18:08.120 And I got the stage manager for all the uh 0:18:09.359 --> 0:18:11.119 and Joey commercials. 0:18:12.040 --> 0:18:14.440 Yeah, oh oh the commercials. 0:18:14.600 --> 0:18:16.440 Yeah, so whenever they did that, I was actually in 0:18:16.480 --> 0:18:18.240 front of the camera counting myself in. 0:18:18.680 --> 0:18:20.680 Right, we did. 0:18:20.760 --> 0:18:23.400 We've noticed many a Keith Richmond special there. 0:18:23.520 --> 0:18:23.720 Yeah. 0:18:24.680 --> 0:18:27.800 And you know and my daughter Alice and my oldest 0:18:28.000 --> 0:18:29.880 oh yeah, she was a. 0:18:29.840 --> 0:18:34.720 Honey beeat yeah yeah, yeah, oh yeah, she. 0:18:34.920 --> 0:18:37.160 Was in something that Dave did. 0:18:38.640 --> 0:18:43.000 Something, mister egghead, mister thank you eead yeah yeah. 0:18:43.119 --> 0:18:45.159 Oh and Allison, I remember she was We were like 0:18:45.200 --> 0:18:46.520 the same agent. We were pals. 0:18:46.600 --> 0:18:50.040 She'd come to set, come to my birthday parties, like 0:18:50.240 --> 0:18:53.720 oh yeah. It was again we were all a family 0:18:53.800 --> 0:18:56.159 like we you know, it wasn't just like the cast 0:18:56.400 --> 0:18:59.480 who we were close with. It was everybody and their families. 0:18:59.560 --> 0:19:01.679 Like yep, I can think of Joyce right now. I'm 0:19:01.680 --> 0:19:04.720 like Brian Cale's wife from thirty years ago. But like 0:19:05.920 --> 0:19:09.359 we have like these really cherished, wonderful memories of not 0:19:09.560 --> 0:19:13.200 just the people that we worked with on in front 0:19:13.240 --> 0:19:16.880 of the camera, but everybody and their families behind it too. 0:19:17.119 --> 0:19:20.600 You know, we were and we all together and I 0:19:20.600 --> 0:19:22.920 would spend time and you know, I was fortunate enough 0:19:22.920 --> 0:19:24.520 to spend time with everyone separately. 0:19:24.920 --> 0:19:27.760 Yeah, your folks house, that's right. 0:19:27.840 --> 0:19:32.160 Times and and and Andrew your mom and dad were. 0:19:32.720 --> 0:19:34.720 We were close and we always got along the way. 0:19:34.800 --> 0:19:38.639 It was really fabulous. Please you know, and say hi 0:19:38.760 --> 0:19:40.040 to whoever you can. 0:19:40.800 --> 0:19:42.560 I'm sorry. I'm sorry about your mom. Man. 0:19:42.800 --> 0:19:45.520 Oh, thank you, thank you. No, it's a yeah, she's 0:19:45.560 --> 0:19:47.480 We talk about her a lot on the show and 0:19:47.560 --> 0:19:53.679 her polaroid wall the way. I think I have your 0:19:53.680 --> 0:19:56.640 polaroid downstairs in my garage. I was pipping through them 0:19:56.800 --> 0:19:58.560 a few months ago and I was like, oh, there's Keith, 0:19:58.640 --> 0:19:59.920 so yeah, I still have your pull. 0:20:00.640 --> 0:20:06.280 I did, uh yeah that because I started doing kids shows. 0:20:06.800 --> 0:20:11.360 For Disney after a long run of other things, and 0:20:11.880 --> 0:20:14.680 she came on and was a teacher one day and 0:20:14.800 --> 0:20:16.840 we got to to reminisce a bit. 0:20:18.119 --> 0:20:21.040 We had Adria on the show too. It's been so 0:20:21.119 --> 0:20:21.880 much we did. 0:20:21.920 --> 0:20:25.880 We've had Adrian, Lenny, Joel, We've had We've had such 0:20:25.880 --> 0:20:29.960 an awesome opportunity to have so many. 0:20:29.760 --> 0:20:30.840 People that like. 0:20:32.359 --> 0:20:37.600 We grew up with but never really understood just how like. 0:20:38.080 --> 0:20:39.800 Who we were working with, you know what I mean, 0:20:39.800 --> 0:20:41.080 Like people that were so. 0:20:43.000 --> 0:20:47.479 In this business and like like in so many incredible ways. 0:20:47.520 --> 0:20:49.359 And it was like, oh it was just Lenny, you know, 0:20:49.600 --> 0:20:50.640 Like and you find. 0:20:50.480 --> 0:20:52.359