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Speaker 1: Hey there, Fanarritos, Welcome back to a brand new episode

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Speaker 1: of How Rude Tanertos. Today we're chatting with Keith Richmond,

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Speaker 1: the assistant director and stage manager throughout the entire series

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Speaker 1: of Full House. To put it in perspective, Keith worked

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Speaker 1: on one hundred and ninety episodes with us. That's a

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Speaker 1: lot of time spent together. He played a big hand

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Speaker 1: in Full House's evolution over eight seasons, and we can't

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Speaker 1: wait to talk to him about full House and the

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Speaker 1: many other projects he's participated in over the years. So

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Speaker 1: please welcome Keith key Hie.

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Speaker 2: Hi, Oh my goodness, Oh my goodness. I haven't seen

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Speaker 2: this face in so long, right I could say this.

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Speaker 1: Hi, Oh my gosh. This is so special. We've been

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Speaker 1: talking about you, and we've been seeing you, yes, in

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Speaker 1: your cameo appearances.

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Speaker 2: Wake there for five yeah, right and five.

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Speaker 3: Did you just hear that in your sleep? You're like,

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Speaker 3: but I can't say one.

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Speaker 2: Yeah, I can't say one. No. Parlo used to say phobia, phobia, Yes,

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Speaker 2: very exactly. Man.

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Speaker 3: We're so excited to have you on the show today

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Speaker 3: and we just kind of jump right into the to it.

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Speaker 2: So here we are you.

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Speaker 3: I mean you basically worked like NonStop since the early

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Speaker 3: eighties as stage manager a D.

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Speaker 2: Which okay, we have a question, what is Is.

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Speaker 3: There a difference between stage manager and a D or

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Speaker 3: is it just that they have sort of called it

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Speaker 3: something different now?

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Speaker 2: No, there is a difference. Oh okay, yeah, the.

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Speaker 4: First the first assistant director is responsible for a whole

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Speaker 4: lot more. I mean with you know, call sheets, pressure reports,

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Speaker 4: which you don't do as a stage manager. But once,

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Speaker 4: once we hit the film lots so on Full House,

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Speaker 4: I was responsible for that. Right, it's still called at

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Speaker 4: a stage manager because it was videotape. Right then they

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Speaker 4: changed the category to multi camera first a D.

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Speaker 2: Okay, it didn't matter what the media was. Oh okay, okay,

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Speaker 2: So that's that's was the evolution.

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Speaker 4: But originally if stage manager, if I was doing a

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Speaker 4: game show, right, walk in, run the floor, have a

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Speaker 4: little bit of interface with some of the departments, but

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Speaker 4: not not.

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Speaker 3: Not not have to do the nightmare of scheduling and

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Speaker 3: the shooting schedule.

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Speaker 2: As a first a D.

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Speaker 4: You know there reports, hired all the extras, interface with

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Speaker 4: all the departments, make sure special effects knew what they

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Speaker 4: needed to do, check with all the apartments constantly and

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Speaker 4: readjust the schedule and then break down the script.

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Speaker 2: Yeah, the first job is yeah, all the work for

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Speaker 2: the director. It's fine, glad to be of serros, but.

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Speaker 1: You arguably had the hardest job on the entire show.

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Speaker 3: Like first first ad, because that's what that gets alone,

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Speaker 3: the hardest job.

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Speaker 2: We have tony stories about dealing with Bob Poppins.

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Speaker 3: I do we are, I can't wait, I just I

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Speaker 3: do remember there would be times when finally he was like,

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Speaker 3: oh god, Keith has been pushed too.

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Speaker 1: Far, just like, just come on the level of potions

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Speaker 1: you must have had, you know.

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Speaker 2: Bob was always like, I got to get out of here,

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Speaker 2: and get out of here.

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Speaker 4: Well, Bob stopped flowing around, right, do your job.

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Speaker 2: The outtakes we have me having that exchange money, I

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Speaker 2: gotta go. Well then stop, yeah, concentrate you. We're asking

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Speaker 2: because otherwise I got zwick.

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Speaker 3: Yell out in my air and I remember you, Yeah,

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Speaker 3: I bet.

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Speaker 4: I used to go up and talk to the guys

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Speaker 4: and uh, you ask him to do something, can you guys,

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Speaker 4: you know, step over here, do this and they would

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Speaker 4: look at me and go, We're screaming at the air

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Speaker 4: at l because he was and I have Yes, it's

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Speaker 4: like that too. You know, I don't need to project

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Speaker 4: that to you guys. You know I had to be

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Speaker 4: the filter. I still have my hair and I'm still standing,

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Speaker 4: so I don't know how.

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Speaker 3: Which is impressive for an AD because usually there, Yeah,

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Speaker 3: they just stress them out until they're broken. Little piles

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Speaker 3: of people.

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Speaker 2: Yeah, it's a lot.

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Speaker 3: I have huge respect for like stage manager first a

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Speaker 3: d because it is you, like the list of things

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Speaker 3: that you're responsible for making sure happen is insane, and

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Speaker 3: you are the conduit sort of between like you know,

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Speaker 3: video village or whatever and what's happening with the actors

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Speaker 3: and you're getting screamed at but you can't scream. Yeah,

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Speaker 3: you're kind of in a rock, between a rock and

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Speaker 3: a hard place in a lot of ways.

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Speaker 2: Yeah.

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Speaker 4: So well, early on when I started stage ranching, I

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Speaker 4: came up with an analogy for the job and I

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Speaker 4: still hold it to be a good description, which is

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Speaker 4: you have to be part party host and part traffic

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Speaker 4: cop and not let people know you're the traffic cop. Right,

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Speaker 4: So you're moving them around, you're telling them what to do,

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Speaker 4: but you're doing it with a smile.

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Speaker 2: On your face and letting them know that you're there

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Speaker 2: for them, right and the great analogy.

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Speaker 4: Yeah, yeah, it does translate to first ad only then

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Speaker 4: you have to add all these other elements of figure

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Speaker 4: out the shooting schedule, check with all the departments, make

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Speaker 4: sure and go smoothly.

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Speaker 2: I'll be ready for any any hiccup that comes your way. Yeah.

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Speaker 3: I just remember when we were doing Fuller, especially like

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Speaker 3: we would be leaving for the night and poor Adam

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Speaker 3: and Chris were like still in the eighty office like

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Speaker 3: hashing it out through.

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Speaker 2: We can't do run this tomorrow.

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Speaker 3: We can't shoot this now because we got to do

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Speaker 3: this first, and you know, and they were there long

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Speaker 3: before us and long after.

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Speaker 2: Yeah, it's a long it's definitely the case.

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Speaker 4: And also you know you're chaining the schedule with every rewrite,

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Speaker 4: so you know, crew and and now you have to

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Speaker 4: redo the schedule because you know, then they do the

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Speaker 4: me right, then you have to go back and redo

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Speaker 4: the schedule, and you have to have ready for everyone.

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Speaker 4: If I was, If I was, we were doing a

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Speaker 4: Monday Tuesday shot, which I think we were in pole House.

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Speaker 2: No, we did, we were a Thursday, Friday, Friday. Your

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Speaker 2: Thursday Friday.

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Speaker 1: Then because the kids wouldn't have school the next morning

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Speaker 1: on Saturdays, so we stay late Friday.

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Speaker 4: Yeah, later for the audience. That's right, guys, are right,

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Speaker 4: And I remember now, yeah remember everything?

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Speaker 2: I mean I don't. I don't remember hardly anything these days.

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Speaker 3: What was your first what was your.

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Speaker 2: First like stage managing eighty job? Interesting?

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Speaker 4: Yeah, okay, So I started actually started in the carpenter

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Speaker 4: shop at NBC.

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Speaker 2: Okay, carpenter. I was building eight great walls, twelve hours

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Speaker 2: a day. Wow. We would call in every day to

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Speaker 2: get the call for the next day.

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Speaker 4: Because I was not very high ranking, right, somebody would

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Speaker 4: get on the phone, they would dial and once they

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Speaker 4: got through, it was before any technology. Yeah, let's they

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Speaker 4: would get through, they called the rest of the crew

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Speaker 4: over and you find out what you were doing the

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Speaker 4: next day.

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Speaker 2: Okay, say hey.

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Speaker 4: And somebody finally said to me, hey, when they ask

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Speaker 4: you if you're a carpenter.

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Speaker 2: Say no instead of saying yes, okay, So I.

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Speaker 4: Did, and I ended up my first call on a stage,

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Speaker 4: not as a carpenter, was twelve oh one prop and.

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Speaker 2: Around she going the man okay, oh wow. And that

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Speaker 2: was at NBC. And then I got a job on.

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Speaker 4: Staff at k T l A as a stage hand

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Speaker 4: and we would do lighting one day and we would.

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Speaker 2: Do you know, gripping the next day. Right, and uh,

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Speaker 2: I eventually moved my way into being a prop person. Okay,

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Speaker 2: I didn't know that we had one.

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Speaker 3: Who did we have on? That was our we had

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Speaker 3: from Fuller. We had Steve Gerard, our Fuller house person.

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Speaker 2: Yeah, we had a great problem full House.

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Speaker 4: Yeah.

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Speaker 2: Oh, Robert Roger Roger.

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Speaker 3: Yeah, we had Roger Law not Roger Soger Montesano.

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Speaker 2: And Property Bob.

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Speaker 3: Yeah, because we had to call him property Bob because

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Speaker 3: there was Bob the dog and Bob the.

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Speaker 2: Saggat, so it was the saggot. Yeah. And yet so

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Speaker 2: it was a lot of Bob's.

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Speaker 4: To answer your question, what happened was I started as

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Speaker 4: I became prop man. I worked on a talk show

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Speaker 4: called Hour Magazine and I did all the food styling.

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Speaker 2: Oh, I did all the preparation.

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Speaker 4: As a matter of fact, one of the things that

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Speaker 4: that got my wife to pay attention to even be

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Speaker 4: interested in me is I have a picture of myself

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Speaker 4: with Julia Child.

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Speaker 2: Oh, that's cool.

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Speaker 4: But what happened is is they would send a recipe,

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Speaker 4: I would do all the preparation. I would do a

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Speaker 4: finished product. You lay out all the bowls they do.

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Speaker 4: I want to go this, this, this and this, and

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Speaker 4: here's the finished product. Right.

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Speaker 3: I've done those before when I've hosted stuff and you're like,

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Speaker 3: oh and now we're.

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Speaker 2: Making a thing, and you're like, okay.

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Speaker 3: Just ignore all the stuff that we just hear the thing,

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Speaker 3: because here's the finished one exactly.

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Speaker 4: And I was missed firstly because I would make it

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Speaker 4: all look real pretty and oh but what happened was

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Speaker 4: because you follow the script as a prop man. At

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Speaker 4: KTLA at the time, back in the day, stage managers

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Speaker 4: were not BGA. They were I A on that onok okay,

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Speaker 4: so they were like, hey, you know how to follow

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Speaker 4: a script. We're making you a statement here. So some

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Speaker 4: of my my my first stage managing job was on

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Speaker 4: our magazine and that's when I came.

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Speaker 2: Up with that analogy.

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Speaker 4: Yeah, they have to have all these people coming through,

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Speaker 4: you know, chefs and stars and you know even Kirk

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Speaker 4: Douglas and Jimmy Stewart and those kind of people coming through.

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Speaker 4: Have some pictures from back then which you don't want

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Speaker 4: to see. But anyway, that that was my first stage

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Speaker 4: managing job. And then then they would move me around.

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Speaker 2: And I did.

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Speaker 4: Dance Fever okay, and that was with Danny Terrio just

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Speaker 4: way before you guys time. But it was so so

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Speaker 4: much fun, and that was the show that I got

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Speaker 4: my Gigia carn On.

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Speaker 2: Oh that's awesome.

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Speaker 4: And then, you know, just fortunate enough to be the

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Speaker 4: guy that people could I guess that, you know, I

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Speaker 4: look back and I go, what was it? And I

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Speaker 4: think it was the guy that people could trust because

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Speaker 4: I was committed to it. But I never you know,

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Speaker 4: I just I just listened to a podcast which is

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Speaker 4: with mister Clip that he did and.

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Speaker 6: He kind of had a similar path in that I

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Speaker 6: didn't have a goal to be a first ad. It

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Speaker 6: just yeah, you know, the opportunities came and you have

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Speaker 6: to step up.

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Speaker 2: You know.

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Speaker 4: I was a pretty shy guy initially, but next thing,

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Speaker 4: you know, you're running the production meeting.

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Speaker 2: Yeah, better step up. So it kind of brought me

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Speaker 2: out from.

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Speaker 3: Being Yeah, I mean you definitely learned, you know, and

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Speaker 3: being in charge of it, directing, stage managing anything, you're like, oh,

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Speaker 3: I have to be official to be shocked to look

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Speaker 3: like I know what I'm doing right.

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Speaker 5: Yeah.

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Speaker 4: I went from game shows. I did Jeopardy the first

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Speaker 4: two seasons with.

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Speaker 2: Really Yeah, that was so cool, A great guy. I

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Speaker 2: did a Wheel of Fortune.

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Speaker 4: I was doing a lot of game shows, still doing

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Speaker 4: our magazine, and and I got a call from a

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Speaker 4: guy who is doing a sitcom on the Disney lot.

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Speaker 2: So now you're moving video onto film lots.

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Speaker 4: And this goes back question about category change, and which

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Speaker 4: is okay, so now I'm doing Now I step into that.

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Speaker 4: But once you're on a film lot, they expect you

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Speaker 4: to do proction reports and call sheets.

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Speaker 2: But they still gave you a stage manager title. But

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Speaker 2: the DJA, finally.

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Speaker 4: You know, wis up to that, and they changed the category.

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Speaker 4: And I was told a couple of times that I

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Speaker 4: was a perfect progression of that, moving from stage manager

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Speaker 4: to what they now called multi camera first DA dat Right, Okay,

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Speaker 4: that was but you know it was interesting. I listened

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Speaker 4: to your your podcast with Lenny Reps. Yeah, I totally

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Speaker 4: agree with him. I still the thing that people talk

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Speaker 4: to me about, and the thing that I talk about the.

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Speaker 2: Most is full house.

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Speaker 4: It's like when he said, it gets you a good reservation.

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Speaker 2: And I even have some cast photos that you know, guys,

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Speaker 2: you know that's so cool. Yeah.

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Speaker 4: But so what I wanted to say is, you know,

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Speaker 4: I have the pleasure of watching you guys grow up

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Speaker 4: and being kind of hopefully your dad on the set

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Speaker 4: when I could be and protect you from Dave.

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Speaker 3: Dave's yeah, yeah and Bob right, guys, stop.

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Speaker 1: The kids are there on the set right o.

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Speaker 4: Yeah, there was plenty of time when things happened, and

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Speaker 4: after the scene I knew it was about to happen,

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Speaker 4: and it was the.

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Speaker 2: Mom's and walking down the hallway to have words with him. Dave,

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Speaker 2: you guys can't do that. You can't do that. I

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Speaker 2: will tell you what it was.

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Speaker 3: I will five things right now on top of it.

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Speaker 2: The not my head.

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Speaker 4: Yeah, well, let's just say he would always wait till

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Speaker 4: a Maricayter Ashley was standing right next to him, even

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Speaker 4: with his butt.

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Speaker 2: Yeah.

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Speaker 3: Oh yeah, Now we've talked about Yeah, we had Dave

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Speaker 3: on the show and we've worn the world that don't

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Speaker 3: stand too close behind him.

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Speaker 2: It's dangerous taking your own life in your hands.

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Speaker 3: Yeah, and actually Mary Kate would have been like five

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Speaker 3: to nine, you know.

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Speaker 2: But they's just he's stunted their growth. Yeah, it's really unfortunate.

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Speaker 2: But what I wanted thinking about it all.

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Speaker 4: And what I wanted to tell you guys is that

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Speaker 4: I think, looking back, we were a family.

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Speaker 2: That did a show about a family. Mmmm. That's that's

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Speaker 2: what it became.

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Speaker 4: We were absolute close and it was great and I

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Speaker 4: know you guys, I'm sure you guys are still close

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Speaker 4: with everyone.

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Speaker 2: And Warehouse which was fabulous. You got to it was

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Speaker 2: so much fun. A lot of seasons which is great too.

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Speaker 3: Yeah yeah, I mean not those nice network seasons twenty

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Speaker 3: four to twenty six, but but we'll take it.

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Speaker 2: We'll take it.

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Speaker 3: Yeah, No, it was And I always say that that's

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Speaker 3: what That's why I think people fell in love with

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Speaker 3: this show and it's stayed around so long, is that

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Speaker 3: it wasn't just a show. It was a family doing

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Speaker 3: a show together and that love and relationships and all

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Speaker 3: of that like it felt, and people fell in love

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Speaker 3: with it because it was real, because it wasn't It

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Speaker 3: wasn't a bunch of people pretending to be a family

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Speaker 3: and care about each other and go through stuff. It

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Speaker 3: was legitimately. The adults took care of the kids and

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Speaker 3: they loved us, and we let you know, the moms

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Speaker 3: were there.

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Speaker 2: It was like those guys protected you and you know

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Speaker 2: it was it was great.

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Speaker 4: And yeah when I tried to predict them, you know,

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Speaker 4: from themselves.

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Speaker 2: Mostly from themselves, right right from or Jewel. I'm sorry,

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Speaker 2: Oh no, go for it. Joel. Joel. By the way,

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Speaker 2: who's I still see? Oh yeah, we had him on

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Speaker 2: the show Love. Oh yeah. Yeah. And uh also Brian

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Speaker 2: Kal Yes, I've emailed him, yes.

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Speaker 4: And we're seeing him my wife and we see he

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Speaker 4: enjoys constantly.

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Speaker 1: Brian Joyce Hello, Yeah, give him a big hug from us.

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Speaker 2: Yeah.

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Speaker 1: He said he's better behind the camera than in front

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Speaker 1: of it, so on the podcast, which I totally respect.

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Speaker 3: He could just do like a like an intro announcer

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Speaker 3: voice and we could just have to be like the

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Speaker 3: voice of God.

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Speaker 2: You know, it's just us and he's.

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Speaker 3: Off camera and it's just you know, him doing some

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Speaker 3: weird announcement or for an airline or something.

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Speaker 2: Yeah.

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Speaker 3: Yeah. Every time we hear Brian Cale's voice in something,

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Speaker 3: we're like, oh, there's Brian.

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Speaker 2: There he is he did on the show. Oh yeah,

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Speaker 2: every such a great announced ouncer voice. Yeah.

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Speaker 4: And I got the stage manager for all the uh

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Speaker 4: and Joey commercials.

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Speaker 2: Yeah, oh oh the commercials.

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Speaker 4: Yeah, so whenever they did that, I was actually in

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Speaker 4: front of the camera counting myself in.

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Speaker 2: Right, we did.

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Speaker 3: We've noticed many a Keith Richmond special there.

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Speaker 2: Yeah.

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Speaker 4: And you know and my daughter Alice and my oldest

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Speaker 4: oh yeah, she was a.

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Speaker 3: Honey beeat yeah yeah, yeah, oh yeah, she.

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Speaker 2: Was in something that Dave did.

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Speaker 3: Something, mister egghead, mister thank you eead yeah yeah.

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Speaker 2: Oh and Allison, I remember she was We were like

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Speaker 2: the same agent. We were pals.

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Speaker 3: She'd come to set, come to my birthday parties, like

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Speaker 3: oh yeah. It was again we were all a family

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Speaker 3: like we you know, it wasn't just like the cast

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Speaker 3: who we were close with. It was everybody and their families.

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Speaker 3: Like yep, I can think of Joyce right now. I'm

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Speaker 3: like Brian Cale's wife from thirty years ago. But like

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Speaker 3: we have like these really cherished, wonderful memories of not

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Speaker 3: just the people that we worked with on in front

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Speaker 3: of the camera, but everybody and their families behind it too.

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Speaker 4: You know, we were and we all together and I

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Speaker 4: would spend time and you know, I was fortunate enough

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Speaker 4: to spend time with everyone separately.

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Speaker 2: Yeah, your folks house, that's right.

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Speaker 4: Times and and and Andrew your mom and dad were.

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Speaker 4: We were close and we always got along the way.

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Speaker 4: It was really fabulous. Please you know, and say hi

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Speaker 4: to whoever you can.

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Speaker 2: I'm sorry. I'm sorry about your mom. Man.

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Speaker 1: Oh, thank you, thank you. No, it's a yeah, she's

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Speaker 1: We talk about her a lot on the show and

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Speaker 1: her polaroid wall the way. I think I have your

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Speaker 1: polaroid downstairs in my garage. I was pipping through them

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Speaker 1: a few months ago and I was like, oh, there's Keith,

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Speaker 1: so yeah, I still have your pull.

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Speaker 2: I did, uh yeah that because I started doing kids shows.

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Speaker 4: For Disney after a long run of other things, and

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Speaker 4: she came on and was a teacher one day and

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Speaker 4: we got to to reminisce a bit.

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Speaker 2: We had Adria on the show too. It's been so

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Speaker 2: much we did.

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Speaker 3: We've had Adrian, Lenny, Joel, We've had We've had such

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Speaker 3: an awesome opportunity to have so many.

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Speaker 2: People that like.

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Speaker 3: We grew up with but never really understood just how like.

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Speaker 2: Who we were working with, you know what I mean,

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Speaker 2: Like people that were so.

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Speaker 3: In this business and like like in so many incredible ways.

399
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Speaker 2: And it was like, oh it was just Lenny, you know,

400
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Speaker 2: Like and you find.

401
00:20:50,480 --> 00:20:52,359
Speaker 3: Out like all this stuff he was writing and you know,

402
00:20:52,560 --> 00:20:56,000
Speaker 3: Joan Rivers and you're like, oh my god, that's you know,

403
00:20:56,200 --> 00:20:59,600
Speaker 3: like the comedy writing. And uh, it's been really fun

404
00:20:59,640 --> 00:21:02,800
Speaker 3: to have everybody come back, because it's like getting to

405
00:21:02,840 --> 00:21:05,000
Speaker 3: know the adults in your family once you've reached a

406
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Speaker 3: certain age and you're like, yeah, really happened.

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Speaker 4: Ye have your own and you understand maybe what some

408
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Speaker 4: people have been going through that.

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Speaker 2: Yeah, oh exactly, exactly. I love that you guys are

410
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Speaker 2: doing this. I think it's great.

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Speaker 3: It's been so much fun and the show is so

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Speaker 3: ridiculous to go back and watch and so much fun,

413
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Speaker 3: and we just you.

414
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Speaker 2: Know, it's so popular, so popular. Yeah, it's really lucky.

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00:21:29,720 --> 00:21:30,960
Speaker 2: It's really held.

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Speaker 4: Up because because they can watch it all again and

417
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Speaker 4: the new generation can still watch it.

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Speaker 1: Yeah, a lot of those lessons are timeless, you know,

419
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Speaker 1: the parenting lessons, the feel good moments, the heart scenes,

420
00:21:42,600 --> 00:21:46,160
Speaker 1: those are all timeless. Yeah, yeah, it really is held up.

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Speaker 3: You were with us for one through eight, right, we're

422
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Speaker 3: all seasons. Well, I try to remember.

423
00:22:00,359 --> 00:22:06,080
Speaker 4: So I left at one point to go to Florida, Okay,

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Speaker 4: and opened the Disney m M studios.

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Speaker 2: I had an opportunity.

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Speaker 4: I was, you know, they they you know, sourced me

427
00:22:15,680 --> 00:22:18,399
Speaker 4: out and was like, hey, can you come and help?

428
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Speaker 4: And I did the first one hundred and fifty Mackey

429
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Speaker 4: Mouse Clubs before Brittainy and them.

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Speaker 3: Okay, yeah, yeah I did. I did the Making Mouse Club.

431
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Speaker 3: But when Britney and Christina and all them were on it, oh.

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Speaker 2: Very for towards the end of the of Full House,

433
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Speaker 2: we did. We did. It was a group called The Party.

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Speaker 2: It was okay, they had like a music group.

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Speaker 4: And it was before, like I said, before, right before

436
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Speaker 4: Brittany and stuff.

437
00:22:42,800 --> 00:22:45,200
Speaker 2: And uh so I left.

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Speaker 4: I did do that and we opened up the Disney

439
00:22:47,160 --> 00:22:50,960
Speaker 4: m M studios at the time, and then I got

440
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Speaker 4: a call.

441
00:22:52,280 --> 00:22:56,440
Speaker 2: From Phyllis and down right it was like, hey, how's

442
00:22:56,480 --> 00:22:57,160
Speaker 2: it going there?

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Speaker 4: Uh would you you know because apparently you guys all

444
00:23:01,520 --> 00:23:06,159
Speaker 4: kind of had a little bit of a protest. Uh.

445
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Speaker 2: And I come back and so yeah, we've.

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Speaker 1: We wanted our Keith, you know us, you know, like

447
00:23:12,680 --> 00:23:13,920
Speaker 1: we needed you to steer the ship.

448
00:23:14,119 --> 00:23:16,479
Speaker 3: Yeah, it's I mean, it was it was like when

449
00:23:16,560 --> 00:23:18,560
Speaker 3: Chrystals on our ship, Like do you just there was

450
00:23:18,560 --> 00:23:20,720
Speaker 3: wasn't there a season that or something that christ wasn't

451
00:23:20,800 --> 00:23:22,080
Speaker 3: or they weren't going to be there or something, and

452
00:23:22,119 --> 00:23:24,680
Speaker 3: we were like, no, we need Chris and Adam back.

453
00:23:24,720 --> 00:23:29,560
Speaker 2: Like we were like, you're a D. Teams like, Chris

454
00:23:29,640 --> 00:23:32,320
Speaker 2: is great. I know him, and he's a fabulous guy,

455
00:23:32,359 --> 00:23:33,440
Speaker 2: and you've got Lucky.

456
00:23:33,320 --> 00:23:35,520
Speaker 3: Super fabulous him and him and Adam are first and

457
00:23:35,520 --> 00:23:36,040
Speaker 3: seconds on.

458
00:23:36,000 --> 00:23:36,680
Speaker 2: Folder were great.

459
00:23:36,720 --> 00:23:39,000
Speaker 3: But but I get it, like why we had a

460
00:23:39,000 --> 00:23:42,000
Speaker 3: little protest because once you find someone that is good

461
00:23:42,920 --> 00:23:47,399
Speaker 3: at steering the ship, particularly with that group of people,

462
00:23:48,560 --> 00:23:52,080
Speaker 3: you know, it's like you kind of can't. It's it's

463
00:23:52,640 --> 00:23:54,639
Speaker 3: throwing anybody else in kind of in the middle of

464
00:23:54,680 --> 00:23:57,560
Speaker 3: it is it's like, well, who are you're new.

465
00:23:59,040 --> 00:24:01,359
Speaker 1: The show? To get ad a D on a show

466
00:24:01,400 --> 00:24:05,359
Speaker 1: that could absolutely just tank the show, Yeah.

467
00:24:04,840 --> 00:24:07,520
Speaker 2: So it was a real blessing to be able to

468
00:24:07,520 --> 00:24:08,680
Speaker 2: come back and finish it out.

469
00:24:09,920 --> 00:24:12,600
Speaker 1: Do you have a favorite season of the ones you

470
00:24:12,640 --> 00:24:15,800
Speaker 1: were on? The earlier ones the later ones?

471
00:24:16,320 --> 00:24:19,760
Speaker 4: I remember early on. The things I remember are things like,

472
00:24:21,200 --> 00:24:23,560
Speaker 4: we need a crying baby and we need a not

473
00:24:23,680 --> 00:24:27,480
Speaker 4: crying baby. You know, Mary Kate would cry if we

474
00:24:27,600 --> 00:24:29,439
Speaker 4: brought it on the set, so we needed that. And

475
00:24:29,480 --> 00:24:33,520
Speaker 4: then we'd switch out to Ashley and then they reversed roles.

476
00:24:34,640 --> 00:24:36,960
Speaker 4: Then the other would cry, and so we had to

477
00:24:37,000 --> 00:24:40,360
Speaker 4: switch that out, and you know, we were fortunate.

478
00:24:40,000 --> 00:24:43,440
Speaker 2: Enough to be able to juggle that a little bit.

479
00:24:43,800 --> 00:24:47,000
Speaker 3: Yeah, I mean they did pretty well with one being

480
00:24:47,119 --> 00:24:49,919
Speaker 3: you know, Mary Kay was not having it that first season.

481
00:24:51,320 --> 00:24:53,920
Speaker 2: But yeah, whenever you needed a crying baby, it was great. Yeah.

482
00:24:54,359 --> 00:24:57,919
Speaker 2: So I remember, I remember things like that, and I

483
00:24:58,000 --> 00:25:01,680
Speaker 2: remember horse getting loose.

484
00:25:02,000 --> 00:25:04,680
Speaker 3: Yes, I remember the horse getting loose. We talked about

485
00:25:04,680 --> 00:25:08,359
Speaker 3: this episode and I got yeah, I brought that up.

486
00:25:08,400 --> 00:25:10,320
Speaker 3: I was like, remember when the horse got loose and

487
00:25:10,359 --> 00:25:12,320
Speaker 3: went running down the camera aisle.

488
00:25:12,400 --> 00:25:15,320
Speaker 4: Yeah, and everyone and everyone was like jumping to pull

489
00:25:15,359 --> 00:25:16,360
Speaker 4: you guys out of the way.

490
00:25:16,800 --> 00:25:23,919
Speaker 2: Yeah that was yeah. Yeah, and everything was great, you know,

491
00:25:24,080 --> 00:25:28,600
Speaker 2: and any the Beach Boys of course, Yeah, amazing Beach.

492
00:25:28,400 --> 00:25:30,960
Speaker 4: Boys of course was fabulous having them on the show

493
00:25:30,960 --> 00:25:33,960
Speaker 4: and then doing any episode at the coliseum.

494
00:25:33,800 --> 00:25:37,200
Speaker 2: That's right. So what is it like when you take

495
00:25:37,400 --> 00:25:38,160
Speaker 2: I mean, you know, the.

496
00:25:38,160 --> 00:25:40,040
Speaker 3: Joke is always don't take the sitcom out of the

497
00:25:40,040 --> 00:25:42,200
Speaker 3: stage because everything falls apart.

498
00:25:42,480 --> 00:25:45,520
Speaker 2: Not a joke, it's not a no, we've we've done it.

499
00:25:46,800 --> 00:25:48,960
Speaker 3: You're like, oh, this is why would sitcoms need a stage.

500
00:25:50,480 --> 00:25:53,520
Speaker 4: Well, having you know, having grown up on the stages,

501
00:25:54,119 --> 00:25:56,520
Speaker 4: you know, it was not my favorite thing, even even

502
00:25:56,560 --> 00:26:00,280
Speaker 4: though you know, right a first ad which is really

503
00:26:00,480 --> 00:26:03,960
Speaker 4: you know, has location there, but you know, is not

504
00:26:04,320 --> 00:26:04,680
Speaker 4: not fun.

505
00:26:04,720 --> 00:26:07,960
Speaker 2: But we did a lot. I mean we went to Vegas, yeah,

506
00:26:08,880 --> 00:26:10,119
Speaker 2: Wayne Newton and all that.

507
00:26:10,800 --> 00:26:13,359
Speaker 3: Do you remember me getting lost in Vegas? Were you

508
00:26:13,400 --> 00:26:15,520
Speaker 3: part of that where I got I took the wrong

509
00:26:15,560 --> 00:26:18,359
Speaker 3: elevator and I went down to the casino floor and

510
00:26:18,400 --> 00:26:20,119
Speaker 3: my mom wasn't in the elevator. We were up in

511
00:26:20,160 --> 00:26:22,960
Speaker 3: the Elvis suite and I got in the elevator with

512
00:26:22,960 --> 00:26:24,520
Speaker 3: a bunch of people and went all the way down

513
00:26:24,960 --> 00:26:26,760
Speaker 3: and got out of the elevator and then realized my.

514
00:26:26,720 --> 00:26:29,959
Speaker 2: Mom wasn't there, and it was she was panicked. It

515
00:26:30,000 --> 00:26:36,600
Speaker 2: was a whole big thing. Everyone would remember. But I

516
00:26:36,640 --> 00:26:39,239
Speaker 2: did at one point have a have a picture. I

517
00:26:39,280 --> 00:26:39,879
Speaker 2: can't find it.

518
00:26:39,920 --> 00:26:42,280
Speaker 4: I wish I could of you guys on stage at

519
00:26:42,280 --> 00:26:47,720
Speaker 4: the coliseum, me down and standing at the bottom of

520
00:26:47,760 --> 00:26:54,040
Speaker 4: the stage. Cute. And that was a foundulous experiences, you know, right,

521
00:26:54,160 --> 00:26:56,080
Speaker 4: All we had a lot of stuff.

522
00:26:56,080 --> 00:26:56,320
Speaker 2: We had.

523
00:26:56,359 --> 00:26:59,639
Speaker 4: We had Micky Rooney on the show, remember, yeah, Supper

524
00:27:00,080 --> 00:27:02,800
Speaker 4: that was a challenge and wasn't it.

525
00:27:02,880 --> 00:27:05,159
Speaker 3: John and Dave called him Topper, didn't they, because that

526
00:27:05,280 --> 00:27:10,240
Speaker 3: was the person he kept topping stories like oh yeah, yeah,

527
00:27:10,280 --> 00:27:14,960
Speaker 3: that's what Dave called it. Well, that was the end

528
00:27:15,160 --> 00:27:18,240
Speaker 3: of our first part of our interview with Keith Richmond,

529
00:27:18,320 --> 00:27:19,840
Speaker 3: but there's so much more to talk about that We

530
00:27:19,880 --> 00:27:21,600
Speaker 3: are definitely going to be back with him, so make

531
00:27:21,640 --> 00:27:23,840
Speaker 3: sure and check that out. In the meantime, you can

532
00:27:23,880 --> 00:27:26,560
Speaker 3: find us on Instagram at how Rude podcast or you

533
00:27:26,560 --> 00:27:28,479
Speaker 3: can send his emails at how rud tan Rito's at

534
00:27:28,480 --> 00:27:29,359
Speaker 3: gmail dot com.

535
00:27:29,760 --> 00:27:32,120
Speaker 2: Uh visit our merch store how rudemerch.

536
00:27:31,800 --> 00:27:35,520
Speaker 3: Dot com and uh, I think that's it, So we

537
00:27:35,600 --> 00:27:38,680
Speaker 3: will see you guys next time. And remember the world

538
00:27:38,720 --> 00:27:44,120
Speaker 3: is small, but the house is full of crying babies,

539
00:27:45,080 --> 00:27:48,679
Speaker 3: full of holding babies, crying babies. They're all crying. The

540
00:27:48,760 --> 00:27:50,719
Speaker 3: minute you take one that's not crying, you put them

541
00:27:50,720 --> 00:27:51,280
Speaker 3: there crying.

542
00:27:51,600 --> 00:27:55,280
Speaker 2: Just full of crying babies. So many babies, too many babies.

543
00:27:57,440 --> 00:28:01,720
Speaker 2: Bye on