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Speaker 1: Welcome to the very first episode of Rory and Maul

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Speaker 1: Don't Know Ball, brought to you by our great guys

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Speaker 1: at the Volume, your new partner. Shout out to everyone

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Speaker 1: over there, our label mats everyone.

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Speaker 2: You know the dream come true. I've been waiting. I've

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Speaker 2: been waiting for a platform to get my sports shit

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Speaker 2: off on and.

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Speaker 1: Been waiting for the time I could smoke a wine

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Speaker 1: black and Mouth and sharks all. I podcasted for that. Yeah,

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Speaker 1: you know I was. I was out on the street

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Speaker 1: with the Volume folks uh.

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Speaker 3: In New Orleans.

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Speaker 1: Yeah, I was hellow here and there. Yeah yeah, I

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Speaker 1: was trying to scare them, let him know, we here

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Speaker 1: to shake ship.

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Speaker 3: Yeah.

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Speaker 2: I wasn't even drunk.

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Speaker 1: I was just slamming bottles on Bourbon Street floor, just

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Speaker 1: just to see how they reacted, Just let them know.

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Speaker 1: See the emails that came the next day. Well, he

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Speaker 1: can't wait to meet you in personal Yeah, yeah, don't

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Speaker 1: know what you saw Bourbon Street with two great Danes

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Speaker 1: and a bottle of fucking I'm here, Wow, Turkey.

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Speaker 2: I'm here. Well, this is Don't Know Ball because Rory,

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Speaker 2: we don't know Ball.

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Speaker 1: Yes, I feel like I love the press release shots

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Speaker 1: of ballroom shots.

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Speaker 3: Everyone.

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Speaker 1: I think everyone thought we were about to do a

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Speaker 1: full blown sports show, which isn't the case per se. No,

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Speaker 1: you and I have spent a lot of time around athletes,

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Speaker 1: and every time that they want to talk, they don't

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Speaker 1: want to talk about sports. They want to argue with

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Speaker 1: us about music, group chats, my text Maash, everything is

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Speaker 1: just all about rappers. So we thought maybe we would

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Speaker 1: bring that on air because I can only speak for myself.

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Speaker 1: All athletes have the worst rap takes I've ever heard

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Speaker 1: of my fucking life.

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Speaker 4: Well that's what I was gonna say, Like, we get

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Speaker 4: killed for our sports takes. And you know, obviously we

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Speaker 4: don't know ball, but athletes don't know music, No, some

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Speaker 4: of them. Some of them surprisingly know more than we expect.

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Speaker 4: But this is why we've created this show to kind

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Speaker 4: of show those contrasts of yeah, we don't know ball,

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Speaker 4: but a lot of these athletes they don't know music either.

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Speaker 4: So we let's have a conversation with some of our

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Speaker 4: favorite athletes and famous, favorite people from the sports world,

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Speaker 4: and let's see exactly how much we don't know about ballah.

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Speaker 1: Cause I feel like they go hand in hand. Rappers

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Speaker 1: want to be athletes. Athletes want to be rappers. It's

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Speaker 1: just it's part of the culture, part of it. Forever

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Speaker 1: it goes. I mean shit, even down to the rat

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Speaker 1: beef shit iverson getting brought up in some shit he

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Speaker 1: didn't want to be brought up in every time. I

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Speaker 1: feel like every time there's a rat battle in athlete's

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Speaker 1: name gets brought up somewhere in there, because I was

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Speaker 1: even going back, I think every single battle has that.

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Speaker 4: Well, you can't have too many hip hop bars without

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Speaker 4: it being a sports reference in it. It's just something

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Speaker 4: that has been in Unison since the beginning. A lot

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Speaker 4: of the basketball in particular basketball culture taking office in

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Speaker 4: large part of hip hop becoming such a worldwide phenomenon.

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Speaker 4: So we here to have some fun talk to some

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Speaker 4: some some athletic guests, talk to some guests from the

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Speaker 4: sports world. Yeah, and let's see how much we can

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Speaker 4: we can share with each other.

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Speaker 1: Yeah, media, coaches, personalities, not just always athletes all the time.

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Speaker 1: That was a very mature response that you were saying that.

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Speaker 1: Of course there's metaphors and rat bars about sports, some

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Speaker 1: of them sleeping with the same women, because that's what

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Speaker 1: that's what gets brought up in every single battle.

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Speaker 2: Yeah, that's a whole other conversation that.

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Speaker 1: Every battle, Yo, there's always a rapper that is bringing

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Speaker 1: up someone that they're Eschobo brothers with.

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Speaker 3: Yeah.

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Speaker 2: Absolutely, it happens. They frequent the same places.

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Speaker 1: And that won't really be the consensus of this show.

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Speaker 1: We're not trying to get messy and do that. No,

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Speaker 1: it may come up every now and then, but you

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Speaker 1: know that'll be in pretty production.

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Speaker 4: Depending on who we're with and depending on how much

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Speaker 4: they still work out. We don't want to We don't

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Speaker 4: want to start wrestling on the set. We don't want

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Speaker 4: that to happen.

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Speaker 1: That's when I know shit got really weird when podcasters

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Speaker 1: and athletes that were Eskimo brothers like you too.

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Speaker 4: Yes, different worlds. It's a whole different world out here now.

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Speaker 4: But I am excited because we get to uh, we

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Speaker 4: get to talk. I get to get off some of

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Speaker 4: my I think I have the best, worst takes. I

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Speaker 4: have the best work for it because I could be

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Speaker 4: because I could be wrong.

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Speaker 2: But I could be right, you know what I'm saying.

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Speaker 1: So listen, man, mister Terrence Howard, shit and get Richard

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Speaker 1: I trying.

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Speaker 2: I could have been right. But I could have been wrong. Yeah,

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Speaker 2: and even if I could have been wrong, I'm I'm

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Speaker 2: still right because.

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Speaker 1: I could have been still right, but I'm still right exactly.

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Speaker 1: That that's the approach I take the sports exactly. So

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Speaker 1: I think we're ready for our guests. Yeah, first one,

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Speaker 1: let's do it.

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Speaker 4: Welcome to another episode or a new episode of Don't

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Speaker 4: Know Ball, the show where Rory and Maul don't know Ball,

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Speaker 4: don't know nothing about ball, but we talked to some

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Speaker 4: of our favorite athletes and sports personalities so they can

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Speaker 4: tell us exactly how much we.

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Speaker 2: Don't know ball. And today we are joined by a legend.

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Speaker 4: One of my favorite personality is one of my favorite players,

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Speaker 4: West Virginia Legend, Atlanta GA Legend Adam pac Man pac

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Speaker 4: Man pac Man Jones.

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Speaker 2: How are you feeling, my brother, I'm.

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Speaker 3: Doing good, man. I appreciate y'all for having me.

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Speaker 4: Man, Yo, listen, it's a pleasure. It's a pleasure to

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Speaker 4: talk to you.

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Speaker 3: Man.

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Speaker 4: We haven't met formally, but I'm sure we will one day.

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Speaker 4: But we just want to kick it with you for

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Speaker 4: a few men and want you to tell us exactly how.

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Speaker 2: Much we don't know about ball.

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Speaker 4: What we're gonna find out how much you know about music,

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Speaker 4: because we know listen that for Rari Kit.

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Speaker 2: I'm on it, bro.

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Speaker 3: You got hear some of the new stuff March fifteenth,

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Speaker 3: I'm dropping the whole EP. I got a lot of

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Speaker 3: I don't want to spoil everything, but I got a

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Speaker 3: crazy song with Jimmy Allen. That's a country song. I

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Speaker 3: got Rico Rich on there going back, Welcome through Atlanta.

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Speaker 3: I got a coat up and coming artist that's making

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Speaker 3: a splash, White Kid.

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Speaker 4: Sorry for the interruption, Adam. We had a little somebody

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Speaker 4: on your phone died. You've been you know, he ain't

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Speaker 4: charging your phone and you have PXG getting your I'm.

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Speaker 3: Sorry, bro, because I would be so pissed if I

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Speaker 3: was in the middle of doing my show and your

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Speaker 3: phone fucking died. It's all good, all I want to

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Speaker 3: apologize to y'all because I don't take ship for granted. Yeah,

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Speaker 3: it's a pleasure to even have y'all want me to

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Speaker 3: talk on the show, like, oh, absolutely, people some people

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Speaker 3: take shit for grant it, and then you know that's

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Speaker 3: how they get lost in the fire. But yeah, my bad, bro,

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Speaker 3: it's so good.

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Speaker 4: Brood. We appreciate you taking your time out today.

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Speaker 3: Man.

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Speaker 1: Yeah, good, we're looking for a new project. What age

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Speaker 1: did you start to start start wrapping up?

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Speaker 4: March fifteen, March fifteen, March fifteenth.

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Speaker 3: Like I was saying, I got Jimmy Allen on drop

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Speaker 3: it down a little at the tailgate, Jimmy Allen on

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Speaker 3: the song. I got uh Rico Rich, who is making

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Speaker 3: this move in Atlanta right now. I think he's up next.

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Speaker 3: I got another a white kid named Coke that I'm

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Speaker 3: a part of this on the record. I got a

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Speaker 3: big homie show from Dallas, and I got two more

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Speaker 3: other names that I'm not gonna reveal. Okay, all right

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Speaker 3: until like they hit their songs. Well, yeah, I enjoy it, bro,

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Speaker 3: like I can really wrap like.

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Speaker 2: No listen.

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Speaker 3: Is hard? Do you like that Ferrari Ki?

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Speaker 2: Fucking with that Ferrari K. I always saying better than jail.

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Speaker 3: I got something on the base of that Ferrari and't

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Speaker 3: go like Mad Stepper, Hot Pepper, Big Rolling Missus Rapper

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Speaker 3: and the Demon Red Letter, Mister Grummer, Redder, Rocket Louis

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Speaker 3: Swelled another level that's with the Devil Peeddal to the Metal,

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Speaker 3: put your peak capital letters. I can change the weather.

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Speaker 3: Rain Man money, insane man, maccaine Tan got my own

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Speaker 3: screen bucket. And as for Damn mad Man like herravance,

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Speaker 3: feel like a Gannerstan. Yeah yeah, I ain't to tagging

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Speaker 3: ship Man your bitch mad. I ain't hit bat. I

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Speaker 3: know she's big, said my first class bitch. I got

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Speaker 3: no pack.

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Speaker 2: I believe everything you saying. I believe you. Turn the camera.

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Speaker 2: I want to see all the white people shopping for

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Speaker 2: golf club over right.

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Speaker 3: Now. Let you again shout out no, no, no, I'm

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Speaker 3: plugged in now. Okay, okay, hey give me one shame

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Speaker 3: won't you give me twice? Shame on me.

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Speaker 2: That's a fact.

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Speaker 3: So I'm here at PG right now, and I ain't

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Speaker 3: mean to cut you off, but shout out to PG

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Speaker 3: because that's one of my major sponsors that keep my

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Speaker 3: golf game.

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Speaker 2: Right.

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Speaker 3: You're smelling no, pat listen.

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Speaker 4: Man, I gotta I gotta come to PXG. I gotta

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Speaker 4: go in the shopping I need to get every day.

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Speaker 4: I don't have nothing, but I really do want to

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Speaker 4: get into golf. Like we went golf maybe two years ago,

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Speaker 4: and I'm absolutely terrible, but it is something that I

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Speaker 4: do want to get into. So the fact that you

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Speaker 4: at PXG. I got to get the PXG and get

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Speaker 4: my whole golf shit together, and I ain't Bro.

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Speaker 3: I got some connections though, you know what I'm saying,

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Speaker 3: no more, and I'm starting a golf show getting the

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Speaker 3: damn Hole this summer. I'm gonna be shooting the damn hole.

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Speaker 3: I like that. Get in the damn hole, you know

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Speaker 3: what I mean. We're gonna take four everybody got to

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Speaker 3: take four shots before we start a game. Tom Tom

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Speaker 3: fashion five hole, been big money, smoking a lot of

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Speaker 3: weed and man respecting the culture of golf, but like

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Speaker 3: it's a different culture now when it comes absolutely.

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Speaker 2: Oh no, I gotta, I gotta see that's my type

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Speaker 2: of show. I gotta.

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Speaker 4: I gotta be a guest on that show. Bro, four shot,

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Speaker 4: got you, I need you four shots smoke and then

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Speaker 4: we I'm down, Get in then get in the damn hold.

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Speaker 2: Get the damn I'm down. I'm definitely coming to shoot

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Speaker 2: that with you for sure.

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Speaker 1: You know, Schoolboy Q said he was going to retire

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Speaker 1: rapping and just golf. Have you connected with him yet?

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Speaker 3: No, I haven't. I got it. I know schoolboard with you,

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Speaker 3: but I haven't told to him all since he made

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Speaker 3: that statement. But great, dude, though he golf, he golf

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Speaker 3: for really he was him, what do you shoot?

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Speaker 4: I can't remember what he shot, but we shot out

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Speaker 4: in Calabasas at the Calabasas Club with y'all suck sound like, no,

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Speaker 4: we trashed, But it was some. It was some real

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Speaker 4: golfers out there, like Matt Barnes was there. His golf

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Speaker 4: game look pretty decent.

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Speaker 3: But it was some real golf it was.

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Speaker 4: It was some.

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Speaker 2: It was some golfers out there that really did that thing.

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Speaker 4: But but but Q actually surprised me, like you know,

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Speaker 4: he was, and he's been talking about how much he's

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Speaker 4: he's jumped into golf obviously Jr.

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Speaker 2: Smith everything that he's doing in golf.

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Speaker 3: Golf, Yeah, J Smith could definitely play with That's my boy.

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Speaker 4: Yeah, So I definitely I want to get into it, man,

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Speaker 4: because I think, like you said, it is it is

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Speaker 4: cool that you know, more of us are getting into

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Speaker 4: golf and kind of bringing our culture into golf and

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Speaker 4: having fun with the sport and just making it our own.

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Speaker 2: I think anything we touch, we make it our own,

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Speaker 2: and we make it's.

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Speaker 3: Crazy, bro, Like, where are we at right now? And

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Speaker 3: compared to where we used to be. Like golf was

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Speaker 3: a rich white sport, old rich white. You had to

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Speaker 3: have a lot of money to play golf. Some way,

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Speaker 3: you can compare it to fucking hockey like, well, we

240
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Speaker 3: grew up down have hockey bro Like the goddamn's hockey

241
00:10:42,840 --> 00:10:46,000
Speaker 3: skates costs a thousand dollars. Kids in the hood can't

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Speaker 3: pay for that. These titleist balls, these p XG clubs

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Speaker 3: that I'm hitting, you know what I mean, These are

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Speaker 3: twenty thousand dollars clubs for a set. Damn. So I

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Speaker 3: think now where we're at in the day and the time,

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Speaker 3: it's about what you wanted to do. They making ship

247
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Speaker 3: affordable for what you want. You get what I'm say.

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Speaker 3: Everybody can't get pggs straight off the riff, but if

249
00:11:11,200 --> 00:11:13,199
Speaker 3: you're in that ballpark, you can get the pgg's. But

250
00:11:13,920 --> 00:11:17,240
Speaker 3: like we didn't have we didn't we didn't have the tools.

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Speaker 3: When I grew up from where I'm from, from Bankhead,

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Speaker 3: both Rock Westside, Atlanta, Georgia, uh going and I stayed

253
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Speaker 3: right up the street to East Lake. Yeah, we would

254
00:11:27,200 --> 00:11:28,959
Speaker 3: go up there and pick up balls for money, but

255
00:11:29,120 --> 00:11:31,199
Speaker 3: it was nowhere near and like we was getting a

256
00:11:31,280 --> 00:11:35,280
Speaker 3: chance to play right, and so like, yeah, I enjoyed though, Bro,

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Speaker 3: it's it's me competing against myself, you know what I mean,

258
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Speaker 3: just being that little white ball out that you can't

259
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Speaker 3: get mad at. Noldbody. Yeah, what's yourself?

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Speaker 2: When you playing golf? Is your approach to it?

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Speaker 4: As far as from a music standpoint, on the way

262
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Speaker 4: to the course, are you listening to the same type

263
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Speaker 4: of music you will listen to you on your way

264
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Speaker 4: to the field.

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Speaker 3: Damn, that's a good course. I do listen. I listened

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Speaker 3: to music the whole time I'm playing golf. Like always

267
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Speaker 3: got to speak on my car.

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Speaker 4: What's in your golf car? What's what's one of your

269
00:12:03,040 --> 00:12:05,680
Speaker 4: playlists for your golf car? A lot of jelly bro,

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Speaker 4: I ain't gonna lie, okay, all right, George, just.

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Speaker 3: Because I ain't trying to get all round up. You

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Speaker 3: know what?

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Speaker 2: A different frequency in golf.

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Speaker 3: Yeah, like a lot of jelly roll.

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Speaker 2: Is that what made you want to do the country record?

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Speaker 3: Huh?

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Speaker 2: Is that what made you want to do the country record?

278
00:12:24,559 --> 00:12:28,079
Speaker 3: No? Actually, it just so happened to happen because I'm

279
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Speaker 3: pretty talented, and man, Jimmy was talking one day and

280
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Speaker 3: like Jailer Road was my friend, bro, Like we went

281
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Speaker 3: to college, get like on my couch, like like we're like,

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Speaker 3: I know him, know him?

283
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Speaker 2: I didn't know. I never knew he went to West Virginia.

284
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Speaker 3: Yes, Jairo went to West Virginia. Why Blanco? Wow, Blanco

285
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Speaker 3: is like my best friend. He grew up in the

286
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Speaker 3: same projects I grew up in. That's right.

287
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Speaker 2: I had no idea about that.

288
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Speaker 3: I heard I heard Gonna do the Two Steps six

289
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Speaker 3: years before it came out, like that was my boy, Like, yeah,

290
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Speaker 3: future right up the street.

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Speaker 2: So now I know who the feature is that you

292
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Speaker 2: ain't want to say now I know that I have not.

293
00:13:11,320 --> 00:13:16,199
Speaker 3: Said anything, but that's a good assumption. Yeah, I know,

294
00:13:17,400 --> 00:13:21,040
Speaker 3: yeah right there, Yeah.

295
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Speaker 2: Yeah, yeah. When you met Jelly rolling West Virginia? Was

296
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Speaker 2: he was he making music?

297
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Speaker 3: Yeah?

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Speaker 2: Okay, Rapp, were you making music at that time?

299
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Speaker 3: Too? Well, I would go in rap, but like I

300
00:13:32,760 --> 00:13:36,559
Speaker 3: would always like I've always been in the studio and

301
00:13:36,720 --> 00:13:39,439
Speaker 3: all around the studio. But like them chicks won't like

302
00:13:39,480 --> 00:13:42,240
Speaker 3: football chicks, Maron, no, y, I ain't none of them

303
00:13:42,320 --> 00:13:45,040
Speaker 3: chicks Like, no, absolutely not. I'm cool with like no,

304
00:13:46,400 --> 00:13:49,760
Speaker 3: I'm actually invested in repers and I will not say

305
00:13:49,760 --> 00:13:56,679
Speaker 3: their name. Okay, that are mainstream artists. Yeah, but them

306
00:13:56,800 --> 00:13:58,440
Speaker 3: checks are not like them football chicks.

307
00:13:58,520 --> 00:14:00,760
Speaker 2: No, absolutely not, not even like I'm.

308
00:14:00,640 --> 00:14:03,640
Speaker 3: Making five hundred thousand a week. Like you think I worry.

309
00:14:03,480 --> 00:14:06,720
Speaker 1: About rapping really like you think I want Spotify's penny,

310
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Speaker 1: Like what are we talking about.

311
00:14:10,800 --> 00:14:14,400
Speaker 3: I've always enjoyed doing it. Like I had a label

312
00:14:14,920 --> 00:14:17,040
Speaker 3: that was called NSL when I was in the league

313
00:14:17,120 --> 00:14:20,200
Speaker 3: and NFL made me like change the name because it

314
00:14:20,320 --> 00:14:23,520
Speaker 3: was sound to call the same sign as in FL.

315
00:14:23,640 --> 00:14:28,800
Speaker 3: But it was in SL National Street League. So I've

316
00:14:28,880 --> 00:14:32,400
Speaker 3: always been dibbing and dabbing in the music. I had

317
00:14:32,440 --> 00:14:38,080
Speaker 3: the biggest studio in Atlanta. Everybody came through eight oh

318
00:14:38,120 --> 00:14:46,320
Speaker 3: eight metro. The Future end up selling it in the future.

319
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Speaker 3: After after I was like I'm done with this, this, this, this,

320
00:14:49,760 --> 00:14:53,160
Speaker 3: this side the other game. But yeah, man, like we

321
00:14:53,320 --> 00:14:58,040
Speaker 3: bought it from Dallas Austin back in the day. So like, yeah,

322
00:14:58,240 --> 00:15:02,320
Speaker 3: I've always been around, like t I GZ like I've

323
00:15:02,360 --> 00:15:09,280
Speaker 3: been around, Like I realized, bro, like yeah, football saved

324
00:15:09,320 --> 00:15:11,520
Speaker 3: my life. So I was in the streets, like really

325
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Speaker 3: in the streets like for real or for real. So

326
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Speaker 3: I was young, bro, like fifteen, sixteen years old at

327
00:15:19,280 --> 00:15:20,800
Speaker 3: Magic City at Bellevy.

328
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Speaker 2: Room, fel with room God damn.

329
00:15:23,080 --> 00:15:23,280
Speaker 4: Yeah.

330
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Speaker 3: Like I'm talking about classic dressed up like Chris Cross

331
00:15:26,800 --> 00:15:28,760
Speaker 3: with the jersey on backwards, you know what i mean.

332
00:15:29,560 --> 00:15:32,120
Speaker 3: Like shout out to Kate Wells too. Like but like

333
00:15:32,240 --> 00:15:35,400
Speaker 3: I've been around a long time, bro.

334
00:15:35,800 --> 00:15:38,440
Speaker 4: A long time speaking of the ATL music scene to

335
00:15:38,920 --> 00:15:42,600
Speaker 4: pack Man Jones, who is who is the king of

336
00:15:43,080 --> 00:15:44,600
Speaker 4: the ATL music scene?

337
00:15:45,280 --> 00:15:45,720
Speaker 3: Young thug?

338
00:15:46,000 --> 00:15:49,400
Speaker 2: Young thug? Here Bonna block, you say a period or

339
00:15:49,440 --> 00:15:50,240
Speaker 2: just the new generation?

340
00:15:50,440 --> 00:15:52,480
Speaker 3: None of them niggas would be doing nothing. They was

341
00:15:52,640 --> 00:15:58,920
Speaker 3: the new generation? Okay, little baby future. None of them

342
00:15:59,000 --> 00:16:00,840
Speaker 3: niggas would have been without.

343
00:16:00,640 --> 00:16:04,280
Speaker 2: The mm hmm you feel worry about future?

344
00:16:04,280 --> 00:16:12,280
Speaker 3: To man, did you hear what I so? Young? Gotta

345
00:16:12,280 --> 00:16:16,240
Speaker 3: put respect they gotta put respect on short name even Yeah,

346
00:16:16,280 --> 00:16:18,840
Speaker 3: and like I'm friends with both sides. But like you know,

347
00:16:19,400 --> 00:16:21,520
Speaker 3: like lu wouldn't be Lucha without thought.

348
00:16:21,960 --> 00:16:25,280
Speaker 4: Yeah, yeah, you know we talked about, you know, doing

349
00:16:25,720 --> 00:16:30,200
Speaker 4: during thugs whole trial. Yeah, rest in peace, Rest in peace,

350
00:16:30,280 --> 00:16:32,760
Speaker 4: rich home. Yeah he was absolutely a big figure in

351
00:16:32,800 --> 00:16:33,560
Speaker 4: that scene for sure.

352
00:16:34,720 --> 00:16:39,040
Speaker 3: Y'all knew they like you were talking about, bro.

353
00:16:39,160 --> 00:16:41,160
Speaker 4: Yeah, now you name me you named some names and

354
00:16:41,160 --> 00:16:43,800
Speaker 4: some dudes. That's tied in for sure, definitely.

355
00:16:43,560 --> 00:16:47,160
Speaker 3: Bro like was the member of changing all that ship round.

356
00:16:47,440 --> 00:16:50,120
Speaker 2: Being being from banker? What was what was that time?

357
00:16:50,320 --> 00:16:50,360
Speaker 3: Like?

358
00:16:50,600 --> 00:16:52,480
Speaker 2: Rest in peace to the Shorty Low but the t

359
00:16:52,680 --> 00:16:54,400
Speaker 2: I Shorty Low disagreement.

360
00:16:55,880 --> 00:16:58,600
Speaker 3: I got I was talking about, said our piece of Shaorty,

361
00:16:59,720 --> 00:17:03,240
Speaker 3: our piece of Callos. I can hear shot the sand

362
00:17:03,320 --> 00:17:06,480
Speaker 3: pack gold Dodo. Damn, I missed the old Atlanta the

363
00:17:06,600 --> 00:17:09,080
Speaker 3: niggas so so pop me po a rock? Got me?

364
00:17:09,200 --> 00:17:11,320
Speaker 3: I mean pull me for a walk, got me? When

365
00:17:11,359 --> 00:17:15,160
Speaker 3: were real slow mode? Oh yeah, that was just since

366
00:17:15,240 --> 00:17:19,960
Speaker 3: you said shout out, shout out, shout out the callos man.

367
00:17:20,320 --> 00:17:22,680
Speaker 1: Yeah, rest in pe Shorty Low for sure that man

368
00:17:22,840 --> 00:17:25,720
Speaker 1: man on what side? So what were you listening to

369
00:17:25,840 --> 00:17:27,560
Speaker 1: growing up? I mean outside of going to strip club

370
00:17:27,600 --> 00:17:30,160
Speaker 1: at fifteen? What music was playing around you and banking?

371
00:17:30,720 --> 00:17:32,240
Speaker 3: Now? I won't listen to none of that ship. My

372
00:17:32,320 --> 00:17:34,400
Speaker 3: life was so fast, I ain't get fun about no music.

373
00:17:34,720 --> 00:17:37,960
Speaker 3: I was trying to stay alive, my boy. That music

374
00:17:38,080 --> 00:17:40,440
Speaker 3: ship is this day and age and time, like we

375
00:17:40,520 --> 00:17:43,119
Speaker 3: ain't have all these phones, like we had phones like

376
00:17:43,720 --> 00:17:46,200
Speaker 3: maybe high school, but like you still don't have a phone,

377
00:17:46,280 --> 00:17:48,800
Speaker 3: Like we had my Space, bro, my Space, what was

378
00:17:48,840 --> 00:17:51,600
Speaker 3: the ot ship they had? But like we didn't have

379
00:17:51,720 --> 00:17:56,680
Speaker 3: the platform of of all this ship that we take

380
00:17:56,800 --> 00:17:59,639
Speaker 3: this new technology screaming and all that when when we

381
00:17:59,720 --> 00:18:03,159
Speaker 3: grew up, So like I grew abround like and I

382
00:18:03,200 --> 00:18:05,080
Speaker 3: ain't trying to be boosting and bragging, but like I

383
00:18:05,119 --> 00:18:07,800
Speaker 3: grew up trying to stay alive. Like all thing was

384
00:18:07,920 --> 00:18:10,439
Speaker 3: like I'm gonna keep my head in this football because

385
00:18:11,119 --> 00:18:12,639
Speaker 3: I go out this don't. I don't want that to

386
00:18:12,720 --> 00:18:14,320
Speaker 3: catch up with me, you know what I mean? And

387
00:18:14,520 --> 00:18:19,040
Speaker 3: basketball all sports, I should say, But like I was different,

388
00:18:19,160 --> 00:18:23,080
Speaker 3: like mentally driven, like way different than a lot of

389
00:18:23,200 --> 00:18:26,520
Speaker 3: kids that was in the projects, you get what I'm saying.

390
00:18:26,600 --> 00:18:31,280
Speaker 3: Like my dad was like d man, Like I've seen

391
00:18:31,320 --> 00:18:32,800
Speaker 3: my dad get killed right in front of me. So

392
00:18:32,920 --> 00:18:35,480
Speaker 3: like a lot of things that other people might be

393
00:18:35,760 --> 00:18:40,159
Speaker 3: like looking up to, like that wasn't me. Like like

394
00:18:40,280 --> 00:18:45,000
Speaker 3: I've never had Oh I want to be like Emmy Smith,

395
00:18:45,240 --> 00:18:50,440
Speaker 3: Like no that that that that like mentally I've just

396
00:18:50,560 --> 00:18:53,400
Speaker 3: always been like that. Like and then the last time

397
00:18:53,440 --> 00:18:55,359
Speaker 3: I ever thought that I wanted to be somebody when

398
00:18:55,400 --> 00:18:58,040
Speaker 3: I was growing which was d one sempers, and that

399
00:18:58,200 --> 00:19:00,520
Speaker 3: was just more of the person that D is, you

400
00:19:00,560 --> 00:19:03,600
Speaker 3: know what I mean, as the player. And when I

401
00:19:03,640 --> 00:19:05,119
Speaker 3: got to meet him, I'm like, Damn, this is who

402
00:19:05,200 --> 00:19:08,080
Speaker 3: I need to try to fucking be like. And can't

403
00:19:08,119 --> 00:19:09,879
Speaker 3: be like him because he don't cuss. I cussed all

404
00:19:09,920 --> 00:19:13,440
Speaker 3: the time. But like, I took a lot of characteristics

405
00:19:15,520 --> 00:19:18,440
Speaker 3: from our relationship him, him being in my life and

406
00:19:18,920 --> 00:19:21,879
Speaker 3: being like a big brother, father figure and tried to

407
00:19:22,119 --> 00:19:25,240
Speaker 3: implement that and my day to day basis. So I

408
00:19:25,440 --> 00:19:28,720
Speaker 3: fucking whacking nobody around here.

409
00:19:29,240 --> 00:19:31,639
Speaker 2: Right, Yeah, please don't do that.

410
00:19:31,800 --> 00:19:31,879
Speaker 1: Bro?

411
00:19:32,520 --> 00:19:35,560
Speaker 4: Who was the rapper that you first started listening to

412
00:19:35,720 --> 00:19:37,159
Speaker 4: when you say, you know what, I think that I

413
00:19:37,240 --> 00:19:39,439
Speaker 4: can make music, like, after you really wanted to get

414
00:19:39,480 --> 00:19:41,600
Speaker 4: into it, who was the artist that you was like, Damn,

415
00:19:41,600 --> 00:19:42,240
Speaker 4: I ain't gonna lie.

416
00:19:42,280 --> 00:19:43,960
Speaker 2: I want to do this. This is the ship I

417
00:19:44,000 --> 00:19:44,280
Speaker 2: want to do.

418
00:19:46,119 --> 00:19:46,239
Speaker 5: Hm.

419
00:19:46,920 --> 00:19:50,040
Speaker 3: Well, I really, bro, Like, if you asked me, like,

420
00:19:50,080 --> 00:19:53,320
Speaker 3: who is one of my favorite artists, it would be

421
00:19:53,600 --> 00:20:00,720
Speaker 3: probably Geezy okay, like Jez during our time, Yeah him

422
00:20:00,760 --> 00:20:03,359
Speaker 3: in fifty That wouldn't be my favorite too, you know

423
00:20:03,400 --> 00:20:05,639
Speaker 3: what I mean. I was listening to JZ like when

424
00:20:05,680 --> 00:20:07,960
Speaker 3: I got in the league, doing college. It was never

425
00:20:08,000 --> 00:20:10,200
Speaker 3: but fifty you know what I mean?

426
00:20:10,600 --> 00:20:13,760
Speaker 4: Speaking of Jeezy during the whole versus Jezi Gucci, Man,

427
00:20:13,800 --> 00:20:16,119
Speaker 4: where was packed man at? Because obviously we know the

428
00:20:16,160 --> 00:20:19,360
Speaker 4: story and the history behind those two gentlemen. So during

429
00:20:19,400 --> 00:20:22,119
Speaker 4: the verses, you know, for us, we were sitting at

430
00:20:22,160 --> 00:20:24,720
Speaker 4: home watching it and you could feel the tension of

431
00:20:24,880 --> 00:20:25,199
Speaker 4: those two.

432
00:20:26,320 --> 00:20:29,320
Speaker 3: Hey, listen, man, I don't fuck with none. That's indicator,

433
00:20:29,400 --> 00:20:36,160
Speaker 3: my boy. Fuck you man, No, we can't. We can't

434
00:20:36,240 --> 00:20:38,720
Speaker 3: do that. We can't do that.

435
00:20:38,960 --> 00:20:40,440
Speaker 2: Packed well, No, we can't do that.

436
00:20:40,640 --> 00:20:42,600
Speaker 3: Man. That might be your partner, that ain't mine.

437
00:20:42,800 --> 00:20:43,879
Speaker 2: No, no, no, I don't never met.

438
00:20:44,119 --> 00:20:44,639
Speaker 3: No, we don't know.

439
00:20:44,720 --> 00:20:46,720
Speaker 2: We just listening to the music. You just listened to music.

440
00:20:47,240 --> 00:20:48,840
Speaker 3: You can't control what I'm saying.

441
00:20:49,160 --> 00:20:50,880
Speaker 2: That's that's a fact. That's a fact.

442
00:20:51,280 --> 00:20:53,040
Speaker 3: You talking about nigga? Man?

443
00:20:53,280 --> 00:20:56,040
Speaker 2: What you got it all right?

444
00:20:56,480 --> 00:21:00,359
Speaker 1: When you were when you was going home, uh, you know,

445
00:21:00,760 --> 00:21:03,960
Speaker 1: holidays during college? What was that g Z B MF

446
00:21:04,040 --> 00:21:06,960
Speaker 1: scene like in Atlanta around that time? You any stories

447
00:21:06,960 --> 00:21:07,399
Speaker 1: from back then?

448
00:21:07,960 --> 00:21:12,000
Speaker 3: It was crazy, It was crazy. It was crazy. I realized, bro,

449
00:21:12,080 --> 00:21:15,800
Speaker 3: I was twenty years old, but like I had been

450
00:21:15,840 --> 00:21:19,400
Speaker 3: getting paid like since high school. Like I can't tell

451
00:21:19,440 --> 00:21:19,919
Speaker 3: y'all who was.

452
00:21:19,920 --> 00:21:24,040
Speaker 1: Paying me allexedly, it's allegit I was getting paid before then.

453
00:21:24,920 --> 00:21:31,480
Speaker 3: Yeah and ifore like, oh, I know was making some

454
00:21:31,760 --> 00:21:34,639
Speaker 3: tens fifteens, like and I ain't talking about thousand, right,

455
00:21:34,840 --> 00:21:38,239
Speaker 3: talking about a month just fucking running the football, bro,

456
00:21:38,440 --> 00:21:41,960
Speaker 3: yeah or playing basketball. So like the singing was crazy,

457
00:21:42,040 --> 00:21:47,040
Speaker 3: bro like meach meach Leach had a good good but

458
00:21:47,200 --> 00:21:51,920
Speaker 3: like besides meat stuff, bro, like it was it was

459
00:21:52,359 --> 00:21:55,359
Speaker 3: everybody in Atlanta, bro. Like this was like Atlanta was

460
00:21:55,400 --> 00:21:58,520
Speaker 3: getting a lot of money back then. Bro. Like I

461
00:21:58,600 --> 00:22:01,199
Speaker 3: can name four five niggas that was getting way more

462
00:22:01,280 --> 00:22:05,120
Speaker 3: money than me. Like that's still that that. They ain't

463
00:22:05,160 --> 00:22:08,200
Speaker 3: never went to jail. It's still around here.

464
00:22:08,400 --> 00:22:11,680
Speaker 2: Right, Like we ain't gonna do we ain't gonna do that.

465
00:22:14,600 --> 00:22:15,960
Speaker 3: Yeah no, no, no, we know that. We know that.

466
00:22:16,040 --> 00:22:17,560
Speaker 2: But I said, we ain't gonna say no names.

467
00:22:17,760 --> 00:22:22,199
Speaker 3: We're gonna keeping bill boys. That's what's understood. Don't need

468
00:22:22,240 --> 00:22:22,640
Speaker 3: to be said.

469
00:22:22,920 --> 00:22:26,080
Speaker 2: They know absolutely, they know absolutely. Have you watched the

470
00:22:26,119 --> 00:22:29,639
Speaker 2: BMF show? Yeah, what do you think is it accurate

471
00:22:29,800 --> 00:22:30,480
Speaker 2: from what you knew?

472
00:22:35,640 --> 00:22:37,040
Speaker 3: Which part of you asking me about?

473
00:22:39,920 --> 00:22:43,679
Speaker 2: More so? Season two going in to Atlanta trying to try.

474
00:22:43,560 --> 00:22:47,720
Speaker 3: To throw that portion out there, like yeah, you really

475
00:22:47,800 --> 00:22:49,080
Speaker 3: want to say, bro, Like, come.

476
00:22:48,960 --> 00:22:50,840
Speaker 1: On, no, I'm actually more talking about the party scene

477
00:22:50,880 --> 00:22:53,600
Speaker 1: and everything in Atlanta for that second season. First of all,

478
00:22:53,760 --> 00:22:55,800
Speaker 1: he did his sign Statute of limitations is over. He

479
00:22:55,840 --> 00:22:57,480
Speaker 1: did it time he could. We could all talk about

480
00:22:57,480 --> 00:23:00,199
Speaker 1: it at this point. But when when they arrived did

481
00:23:00,200 --> 00:23:01,840
Speaker 1: in Atlanta? Was that wave really like that?

482
00:23:03,840 --> 00:23:06,720
Speaker 3: The wave was already liked that though, And like you

483
00:23:06,840 --> 00:23:10,920
Speaker 3: got to realize, like, so I grew up in Atlanta,

484
00:23:11,080 --> 00:23:14,359
Speaker 3: then I leave West Virginia and go to California, right,

485
00:23:16,560 --> 00:23:20,000
Speaker 3: I meet TA in California? Okay, do you know what

486
00:23:20,040 --> 00:23:22,280
Speaker 3: I'm saying? That three two one shit was t shit?

487
00:23:22,520 --> 00:23:25,240
Speaker 3: Like what if you look on your phone it's BMF

488
00:23:25,359 --> 00:23:31,280
Speaker 3: on the phone, then you say, right. But like, it

489
00:23:31,440 --> 00:23:33,879
Speaker 3: wasn't nothing different that I didn't know though, bro, Like

490
00:23:33,960 --> 00:23:36,760
Speaker 3: I can tell you ten people that was spending just

491
00:23:36,840 --> 00:23:39,679
Speaker 3: as much money that was going out every night. They

492
00:23:39,720 --> 00:23:42,720
Speaker 3: had same amount of cars, same amount of girls. Like

493
00:23:43,960 --> 00:23:51,320
Speaker 3: it was just he was a little bit more flamboyant

494
00:23:51,400 --> 00:23:52,359
Speaker 3: with it. I just put it like that.

495
00:23:52,680 --> 00:23:56,760
Speaker 4: Yeah that so now it's so about your time in Dallas?

496
00:23:58,280 --> 00:24:01,280
Speaker 4: Did Jerry Jones or the cal always have any clubhouse

497
00:24:02,119 --> 00:24:04,600
Speaker 4: rules that you was just absolutely like, how are we

498
00:24:04,640 --> 00:24:06,280
Speaker 4: supposed to be lose? How were supposed to get ready

499
00:24:06,280 --> 00:24:08,520
Speaker 4: for gaming? Y'all got all these damn rules in this clubhouse.

500
00:24:09,640 --> 00:24:11,720
Speaker 3: Shout out to my team at been online do ag.

501
00:24:12,960 --> 00:24:15,880
Speaker 3: Shout out to the pac Man Jones show. I've never

502
00:24:16,000 --> 00:24:18,080
Speaker 3: had a rub in the rule in the clubhouse.

503
00:24:18,119 --> 00:24:22,560
Speaker 2: Bro, you never had a rule in the clubhouse.

504
00:24:22,960 --> 00:24:27,159
Speaker 4: Doesn't mean rules, doesn't mean it wasn't rules, but you

505
00:24:27,240 --> 00:24:28,680
Speaker 4: ain't never had no rules in the clubhouse.

506
00:24:29,640 --> 00:24:34,000
Speaker 3: Never, nobody. I've never had a problem at the clubhouse, Okay,

507
00:24:34,880 --> 00:24:38,600
Speaker 3: not one. Like my problem is when I leave that motherfucker. Yeah,

508
00:24:39,920 --> 00:24:42,120
Speaker 3: I'm saying all night, you know what I'm saying.

509
00:24:42,760 --> 00:24:43,800
Speaker 2: So now you're been what.

510
00:24:43,880 --> 00:24:47,600
Speaker 3: Time are we supposed to be in for curfew? Let

511
00:24:47,680 --> 00:24:49,399
Speaker 3: my coaches be like, we got a night game. We

512
00:24:49,520 --> 00:24:53,359
Speaker 3: gotta we gotta lock this nigga in the room coming

513
00:24:53,440 --> 00:24:56,119
Speaker 3: back for curfew. Yeah, I'll never forget it. I was playing,

514
00:24:56,200 --> 00:25:00,240
Speaker 3: Uh we played the Eagles when I I was with

515
00:25:00,359 --> 00:25:05,920
Speaker 3: Tennessee in Philly. We had a night game. Coach Fisher

516
00:25:06,040 --> 00:25:09,440
Speaker 3: was like, man, I need you here. Yeah, at least

517
00:25:09,520 --> 00:25:11,280
Speaker 3: by twelve o'clock. I'm like, bro, we don't play the

518
00:25:11,320 --> 00:25:13,119
Speaker 3: eight o'clr. BRO, Like, if you're gonna find me, go

519
00:25:13,119 --> 00:25:15,000
Speaker 3: ahead and find me. I go. I go up the

520
00:25:15,040 --> 00:25:17,440
Speaker 3: script club. I took a couple of teammates with me.

521
00:25:17,960 --> 00:25:20,080
Speaker 3: He finally ship out of them too. I will say

522
00:25:20,119 --> 00:25:22,800
Speaker 3: that I got back at like two thirty. I was

523
00:25:22,880 --> 00:25:26,000
Speaker 3: wasted too. I had a plump for nine eight yards

524
00:25:26,080 --> 00:25:26,680
Speaker 3: to win the game.

525
00:25:29,600 --> 00:25:32,040
Speaker 2: So at that point, just let me do what I

526
00:25:32,160 --> 00:25:34,520
Speaker 2: du because when it's game time, I'm locked in. Trust

527
00:25:34,560 --> 00:25:36,199
Speaker 2: my process, I'm locked up.

528
00:25:36,880 --> 00:25:37,679
Speaker 3: Let me get relaxed.

529
00:25:37,800 --> 00:25:39,560
Speaker 2: So what did the coach? What did the coach after that?

530
00:25:39,680 --> 00:25:39,960
Speaker 3: After that?

531
00:25:40,040 --> 00:25:40,840
Speaker 2: After that touchdown?

532
00:25:40,880 --> 00:25:43,679
Speaker 3: What do you say I want so you can google

533
00:25:43,760 --> 00:25:46,600
Speaker 3: this player. I ran back to the sideline, threw up,

534
00:25:48,760 --> 00:25:51,000
Speaker 3: and went back in the game because it was defense time.

535
00:25:52,960 --> 00:25:54,840
Speaker 3: That was a pump return that I took to the house.

536
00:25:55,000 --> 00:26:00,399
Speaker 3: That that Eagles game. Yeah, but like coach Fisher, coach

537
00:26:00,560 --> 00:26:06,200
Speaker 3: Lewis was by far change uh and coach Rod Reguez.

538
00:26:06,200 --> 00:26:09,239
Speaker 3: I will say that too, my college coach. Okay, they

539
00:26:09,320 --> 00:26:12,320
Speaker 3: player coaches, you know what I mean, and all that shit.

540
00:26:12,560 --> 00:26:15,240
Speaker 3: You treat every player the same. That's a lie. Yeah,

541
00:26:15,960 --> 00:26:16,440
Speaker 3: that's a lot.

542
00:26:16,800 --> 00:26:19,680
Speaker 4: So we see, uh, we see coach Coach Sanders and

543
00:26:19,800 --> 00:26:22,720
Speaker 4: what he did for Colorado as far as bringing the

544
00:26:22,760 --> 00:26:24,480
Speaker 4: culture there and turning that program around.

545
00:26:24,920 --> 00:26:25,040
Speaker 3: Uh.

546
00:26:25,160 --> 00:26:27,920
Speaker 4: The newest one, Deshaun Jackson is now going to Delaware

547
00:26:28,000 --> 00:26:30,520
Speaker 4: State and we'll see, we'll see what he does as

548
00:26:30,560 --> 00:26:31,640
Speaker 4: far as bringing the coature there.

549
00:26:31,960 --> 00:26:34,960
Speaker 2: Has pac Man ever thought about getting to the coaches?

550
00:26:37,240 --> 00:26:42,480
Speaker 3: All? Right? Hey, bro, I'm outside bright right Listen, Bro, listen,

551
00:26:42,560 --> 00:26:44,480
Speaker 3: I'll be I'll tell people this all I done. Got

552
00:26:44,560 --> 00:26:49,920
Speaker 3: offered twenty five fucking d one coaches jobs, twenty five

553
00:26:51,440 --> 00:26:53,560
Speaker 3: I will not take not one of them.

554
00:26:55,240 --> 00:26:57,720
Speaker 2: That's not for me, Bro, Like I respect that, you

555
00:26:57,760 --> 00:26:59,720
Speaker 2: know it's not for you. I respect that. Bro.

556
00:27:00,040 --> 00:27:02,480
Speaker 3: I'm still outside, and like, if I'm gonna coach, somebody's

557
00:27:02,480 --> 00:27:05,399
Speaker 3: gonna be my fucking son. Like I'm not. I've been in.

558
00:27:05,520 --> 00:27:07,680
Speaker 3: I played football fourteen years. You think I want to

559
00:27:07,720 --> 00:27:14,200
Speaker 3: fucking sit in the goddamn film thirteen hours out the day.

560
00:27:14,359 --> 00:27:17,720
Speaker 2: I've retired for a reason. No, you want to be

561
00:27:17,760 --> 00:27:19,560
Speaker 2: a p XG golf and that's where you try to

562
00:27:19,600 --> 00:27:20,040
Speaker 2: be at chill.

563
00:27:20,400 --> 00:27:22,280
Speaker 3: You see what I man, Man, I got new clubs

564
00:27:22,359 --> 00:27:24,199
Speaker 3: to the new ones right here.

565
00:27:24,840 --> 00:27:30,360
Speaker 1: Yeah, between Tennessee, Dallas, Cincinnati. What city had the best

566
00:27:30,400 --> 00:27:33,800
Speaker 1: culture that that kept you from not making that curfew?

567
00:27:35,240 --> 00:27:40,919
Speaker 3: I gotta go Definitely Dallas gonna be here. Dallas was bro.

568
00:27:41,400 --> 00:27:44,600
Speaker 3: Everybody got groups at Dallas. Everybody got two girlfriends. Like

569
00:27:44,760 --> 00:27:47,119
Speaker 3: that ship for real, like all that old cap of

570
00:27:47,119 --> 00:27:50,800
Speaker 3: ass ship. Bro, Like you gotta be honest and right,

571
00:27:51,440 --> 00:27:53,439
Speaker 3: say you what's what? You know? What I mean? All

572
00:27:53,560 --> 00:27:56,760
Speaker 3: that old not having where you got that star on

573
00:27:56,800 --> 00:27:59,080
Speaker 3: your him. Man, you could be the goddamn practice squad

574
00:27:59,480 --> 00:28:02,840
Speaker 3: right man, you're getting a car deal, you're getting closed

575
00:28:03,600 --> 00:28:05,320
Speaker 3: and holes and holes?

576
00:28:05,720 --> 00:28:09,719
Speaker 4: Which one of your former teammates were you most impressed by?

577
00:28:09,880 --> 00:28:11,320
Speaker 4: Like as far as them making music.

578
00:28:11,119 --> 00:28:16,200
Speaker 3: And rapping my teammates that any.

579
00:28:16,040 --> 00:28:18,440
Speaker 2: Former teammate that you heard that music was, like damn

580
00:28:18,440 --> 00:28:18,879
Speaker 2: he all right.

581
00:28:21,800 --> 00:28:24,240
Speaker 3: It's a kid named jam J Moo is really good.

582
00:28:24,320 --> 00:28:27,560
Speaker 3: He played with me in Denver. He got some hot shit.

583
00:28:28,080 --> 00:28:30,760
Speaker 3: I just think I should have probably signed him now

584
00:28:30,840 --> 00:28:35,480
Speaker 3: that I'm thinking about it. And it's just people don't realize,

585
00:28:35,560 --> 00:28:38,800
Speaker 3: like it's content content. So you got a good song,

586
00:28:38,840 --> 00:28:41,320
Speaker 3: it's still got to be some content with the song

587
00:28:41,440 --> 00:28:43,920
Speaker 3: to support it. And that's what I found out early on, Like,

588
00:28:43,920 --> 00:28:45,160
Speaker 3: all right, you can put out a song on the

589
00:28:45,240 --> 00:28:47,920
Speaker 3: song good, but like these motherfuckers want to see something

590
00:28:48,480 --> 00:28:50,360
Speaker 3: that song is going on, you know what I'm saying.

591
00:28:50,480 --> 00:28:54,000
Speaker 3: That's just where we at right now in the world,

592
00:28:54,120 --> 00:28:57,160
Speaker 3: Like everything is click boom. I either want to hear

593
00:28:57,320 --> 00:29:00,240
Speaker 3: or read it. You get what I'm saying. So I

594
00:29:00,320 --> 00:29:04,200
Speaker 3: think that's the biggest part with him. And yeah, I

595
00:29:04,240 --> 00:29:07,920
Speaker 3: think Jamon I will go with jameson. He can he

596
00:29:08,000 --> 00:29:11,680
Speaker 3: can go, he can sing, bro, And Marvin Jones was

597
00:29:11,720 --> 00:29:12,040
Speaker 3: good too.

598
00:29:12,080 --> 00:29:12,160
Speaker 1: Bro.

599
00:29:13,200 --> 00:29:16,000
Speaker 2: Okay, I don't even know Marvin Jones can sing his

600
00:29:16,120 --> 00:29:16,440
Speaker 2: as so.

601
00:29:17,160 --> 00:29:21,000
Speaker 4: Yeah, matter of fact, receiver, Yeah, yeah, yeah, I remember

602
00:29:21,080 --> 00:29:23,800
Speaker 4: that which teammate had the absolute worst taste in music.

603
00:29:23,840 --> 00:29:26,239
Speaker 2: Would not let him touch the auks chord at all.

604
00:29:28,480 --> 00:29:36,960
Speaker 3: Keep bullet, she got that name? Just out what song?

605
00:29:37,840 --> 00:29:38,680
Speaker 3: So well?

606
00:29:38,680 --> 00:29:40,920
Speaker 2: He from New York? He from New York? Yes, Bro,

607
00:29:42,400 --> 00:29:43,160
Speaker 2: what was he playing that?

608
00:29:43,200 --> 00:29:48,280
Speaker 3: You like? Man? Everything? It's anything he plays all New York.

609
00:29:48,400 --> 00:29:50,160
Speaker 3: Some ship that we never heard of either too.

610
00:29:50,360 --> 00:29:52,880
Speaker 2: Okay, by the way, he was playing underground. He made

611
00:29:53,080 --> 00:29:53,680
Speaker 2: one jay Z.

612
00:29:53,880 --> 00:29:57,000
Speaker 3: Song in there. I'm a capo fan. I like Jim Jones.

613
00:29:57,040 --> 00:29:59,000
Speaker 3: He ain't got no Jim Jones on there.

614
00:29:59,040 --> 00:30:00,840
Speaker 2: Okay, so he played underground Ship.

615
00:30:01,600 --> 00:30:07,240
Speaker 3: Yeah, man, what year was this? Uh oh five seven?

616
00:30:07,720 --> 00:30:09,000
Speaker 2: Yeah, I mean New York. It was a tough year.

617
00:30:09,040 --> 00:30:11,200
Speaker 1: It was a really tough time for New York. That

618
00:30:11,320 --> 00:30:14,120
Speaker 1: was it wasn't I mean maybe Mimes was playing. Maybe

619
00:30:14,160 --> 00:30:14,720
Speaker 1: that's what he had on.

620
00:30:14,840 --> 00:30:16,400
Speaker 4: Yeah, but if you ain't playing No j and No

621
00:30:16,560 --> 00:30:20,480
Speaker 4: Jim Jones, No, So we were playing at that time, Bro, Mimes.

622
00:30:20,320 --> 00:30:21,239
Speaker 3: It was bad. Bro.

623
00:30:22,200 --> 00:30:22,400
Speaker 4: Yeah.

624
00:30:23,280 --> 00:30:24,960
Speaker 3: And you know like that. Back then, it was just

625
00:30:26,240 --> 00:30:29,880
Speaker 3: New York rappers, rappers, they all make songs. It's all

626
00:30:29,920 --> 00:30:33,680
Speaker 3: about the lyrics. Down South, we make songs. I want

627
00:30:33,720 --> 00:30:35,480
Speaker 3: you to enjoy yourself, get to where the fuck you

628
00:30:35,640 --> 00:30:38,200
Speaker 3: want to go? Boom boom, boom boo boom. I don't

629
00:30:38,240 --> 00:30:44,960
Speaker 3: need you dissecting every inch a fucking word that I'm saying.

630
00:30:45,040 --> 00:30:48,280
Speaker 3: Do you like the fucking Yeah? All right, listen to

631
00:30:48,400 --> 00:30:50,320
Speaker 3: the fucking song. Get you a Little.

632
00:30:54,080 --> 00:30:57,680
Speaker 4: Twenty fifteen May Pro Bowl. So what was pac Man

633
00:30:57,760 --> 00:30:59,520
Speaker 4: listening to twenty fifteen before the games?

634
00:30:59,560 --> 00:30:59,600
Speaker 3: Like?

635
00:30:59,600 --> 00:31:01,480
Speaker 2: What was your soundtrack? What was your frequency?

636
00:31:02,400 --> 00:31:06,440
Speaker 3: Oh damn, that's a good question. Doug you Doug mhm,

637
00:31:07,760 --> 00:31:08,280
Speaker 3: Big Thugg?

638
00:31:08,960 --> 00:31:09,760
Speaker 2: Which which project?

639
00:31:09,800 --> 00:31:13,080
Speaker 1: What was twenty fifteen twenty fifteen, all that all that

640
00:31:13,120 --> 00:31:14,880
Speaker 1: ship was going on during that time, yeah.

641
00:31:14,680 --> 00:31:18,080
Speaker 2: Twenty fifteen. Yeah, okay, Yeah, when it comes to Thug,

642
00:31:18,600 --> 00:31:22,200
Speaker 2: you like got to listen in the future on the

643
00:31:22,240 --> 00:31:22,760
Speaker 2: way of the game.

644
00:31:23,080 --> 00:31:27,200
Speaker 1: You got to Yeah, come on, man, when it comes

645
00:31:27,240 --> 00:31:29,200
Speaker 1: to thug, you like Jeffrey or BARTI six better.

646
00:31:31,120 --> 00:31:31,680
Speaker 3: BARTI six?

647
00:31:32,960 --> 00:31:35,800
Speaker 2: Who else said bart six? I don't want I'm kind

648
00:31:35,840 --> 00:31:36,600
Speaker 2: of on that side too.

649
00:31:36,680 --> 00:31:38,600
Speaker 1: Bart six to me is what got me into like

650
00:31:38,680 --> 00:31:40,320
Speaker 1: really like Doug you know, I mean, I'll say what

651
00:31:40,400 --> 00:31:42,880
Speaker 1: he's doing with Homie Kwan At the time, like BARTI six,

652
00:31:43,400 --> 00:31:45,040
Speaker 1: I was like, all right, thug is for real.

653
00:31:45,160 --> 00:31:48,240
Speaker 2: This isn't just some yeah some place ship was different.

654
00:31:49,120 --> 00:31:50,640
Speaker 2: That was when like the Melody Ship, I was like,

655
00:31:50,640 --> 00:31:52,400
Speaker 2: oh this is a musician, like this is this is

656
00:31:52,440 --> 00:31:53,080
Speaker 2: a real artist?

657
00:31:53,200 --> 00:31:53,640
Speaker 1: Was bart.

658
00:31:56,440 --> 00:31:59,480
Speaker 3: Hold on? What do you say said?

659
00:32:00,080 --> 00:32:00,640
Speaker 2: To figure that out?

660
00:32:01,360 --> 00:32:05,440
Speaker 3: I done? Got me a chicken? Got I can see that?

661
00:32:05,520 --> 00:32:12,480
Speaker 3: Put it from my mouth the way. Huh what Doug?

662
00:32:12,560 --> 00:32:13,280
Speaker 2: No copyrights?

663
00:32:15,400 --> 00:32:25,080
Speaker 3: No way? Hey? Hey, have I got ship? Yeah? Got me?

664
00:32:25,480 --> 00:32:26,840
Speaker 3: Shat got ship?

665
00:32:28,760 --> 00:32:31,720
Speaker 2: Have you you're spoken to Doug since the trial?

666
00:32:32,880 --> 00:32:34,400
Speaker 3: Yeah? I went to the trial.

667
00:32:34,760 --> 00:32:36,600
Speaker 2: Okay, how's how's his spirits now?

668
00:32:36,600 --> 00:32:54,760
Speaker 1: I mean obviously half time, let's go halftime, half time,

669
00:32:55,920 --> 00:32:58,360
Speaker 1: Like you know what I'm saying, halftime.

670
00:32:59,160 --> 00:33:06,360
Speaker 3: So watch how you coming this thing? Why you like

671
00:33:06,680 --> 00:33:07,640
Speaker 3: really big.

672
00:33:10,200 --> 00:33:15,560
Speaker 5: Niggas like you did?

673
00:33:17,480 --> 00:33:19,960
Speaker 3: Yeah? That that what we was listening to before the game.

674
00:33:20,040 --> 00:33:23,200
Speaker 4: Back then, though, outside of the collapse that you already

675
00:33:23,240 --> 00:33:26,600
Speaker 4: have for your projects, who is the one artist that

676
00:33:26,760 --> 00:33:29,440
Speaker 4: you feel like, I have to get a record.

677
00:33:29,200 --> 00:33:34,160
Speaker 2: With this artist I have to, oh for sure, okay

678
00:33:35,040 --> 00:33:36,720
Speaker 2: when it comes in, Like okay.

679
00:33:37,360 --> 00:33:41,480
Speaker 3: If I had to pick two people, I'm kind of

680
00:33:41,520 --> 00:33:45,560
Speaker 3: bised with the because like we're friends, but like I'll

681
00:33:45,600 --> 00:33:49,160
Speaker 3: be kind of like leaving my music stuff away from him. Yeah,

682
00:33:49,240 --> 00:33:52,600
Speaker 3: I'm waiting for him to be all right, Bro, that's hard, Like, yeah.

683
00:33:52,400 --> 00:33:53,840
Speaker 2: You don't want to use the friend call. You don't

684
00:33:53,840 --> 00:33:54,760
Speaker 2: want to use the friend Cary.

685
00:33:54,880 --> 00:33:56,440
Speaker 3: I don't want to do that. Yeah, I feel I

686
00:33:56,480 --> 00:33:56,920
Speaker 3: don't do that.

687
00:33:57,040 --> 00:33:59,320
Speaker 2: You want to be genuine. You wanted to be genuine,

688
00:34:00,160 --> 00:34:00,840
Speaker 2: right God?

689
00:34:01,040 --> 00:34:04,360
Speaker 3: Like it? Bro? You here and like people here like

690
00:34:04,560 --> 00:34:05,480
Speaker 3: they got phones, like.

691
00:34:07,080 --> 00:34:08,120
Speaker 2: Yeah they can hear you.

692
00:34:08,960 --> 00:34:10,840
Speaker 3: And like I was, I was Wayne fan too, Like

693
00:34:11,239 --> 00:34:14,440
Speaker 3: I opened Wayne up there too, like bro listening to them.

694
00:34:14,480 --> 00:34:18,520
Speaker 4: But but Wayne, did you feel like when they obviously

695
00:34:18,600 --> 00:34:21,279
Speaker 4: they announced the Super Bowl and halftime show. Wayne felt

696
00:34:21,320 --> 00:34:23,080
Speaker 4: a little slighted being that it was in New Orleans.

697
00:34:23,520 --> 00:34:25,239
Speaker 3: Did you feel like a horrible show? Bro?

698
00:34:26,520 --> 00:34:28,160
Speaker 2: You didn't. You didn't enjoy the halftime show?

699
00:34:28,880 --> 00:34:30,160
Speaker 3: Did you like it? No?

700
00:34:30,360 --> 00:34:31,080
Speaker 2: I didn't.

701
00:34:31,560 --> 00:34:34,920
Speaker 3: I did not come to do a Black Power or

702
00:34:36,000 --> 00:34:37,640
Speaker 3: I don't want I don't give a fuck about what

703
00:34:37,719 --> 00:34:40,480
Speaker 3: your beliefs is at the middle of fucking halftime, Bro,

704
00:34:40,560 --> 00:34:43,520
Speaker 3: I want to be entertained. Bro Right, that shit was

705
00:34:43,560 --> 00:34:47,000
Speaker 3: not entertaining, So the only thing was entertaining was seeing

706
00:34:47,560 --> 00:34:50,880
Speaker 3: uh Serena Williams with that blue dress on seawalking. But

707
00:34:51,080 --> 00:34:52,080
Speaker 3: besides that, Like, come on.

708
00:34:52,160 --> 00:34:56,160
Speaker 4: Bro, right, do you feel like other players obviously being

709
00:34:56,200 --> 00:34:58,680
Speaker 4: a player, do you feel like other players probably felt

710
00:34:58,719 --> 00:35:00,000
Speaker 4: the same way? Like that's not the type of muse

711
00:35:00,120 --> 00:35:01,360
Speaker 4: we're trying to hear at the halftime?

712
00:35:03,200 --> 00:35:07,359
Speaker 3: Yeah, you ain't see all the coming bro. Come on, bro,

713
00:35:08,520 --> 00:35:10,960
Speaker 3: Rihanna did a fucking performance and she was pregnant, bro

714
00:35:11,160 --> 00:35:13,440
Speaker 3: running through the air of the motherfucking stadium and you

715
00:35:13,600 --> 00:35:17,440
Speaker 3: picked up by a goddamn a scream, Bro, Like what

716
00:35:17,560 --> 00:35:19,480
Speaker 3: are we talking about? Like like, I don't want to

717
00:35:19,520 --> 00:35:23,040
Speaker 3: see Oh, it's a jail seal, he in the seal,

718
00:35:24,080 --> 00:35:27,960
Speaker 3: great white and Luke oh this symbol bro. First of all,

719
00:35:28,000 --> 00:35:30,759
Speaker 3: that's too much thinking for a football players and any

720
00:35:30,840 --> 00:35:33,480
Speaker 3: fucking fan that is coming to the fucking game to

721
00:35:33,600 --> 00:35:39,400
Speaker 3: see the halftime show. You know myself, tickets cost motherfucking

722
00:35:39,440 --> 00:35:40,880
Speaker 3: tickets twenty thousand dollars.

723
00:35:41,000 --> 00:35:45,680
Speaker 1: My boy at the top right away, and one time

724
00:35:45,719 --> 00:35:46,919
Speaker 1: we got to see Janets titty.

725
00:35:48,280 --> 00:35:52,680
Speaker 3: You know what I'm saying, Come on, man, Like I

726
00:35:52,760 --> 00:35:57,560
Speaker 3: didn't like it, that's just my personal opinion. The halftime

727
00:35:57,640 --> 00:35:59,880
Speaker 3: show of the Super Bowl we should be entertained.

728
00:36:00,160 --> 00:36:03,160
Speaker 1: So you felt like you felt like Wayne Digget slighted

729
00:36:03,200 --> 00:36:04,879
Speaker 1: in New Orleans fucking.

730
00:36:04,680 --> 00:36:08,480
Speaker 3: Right, Like, how do you not bring? Like all right, Kenslam,

731
00:36:08,520 --> 00:36:11,000
Speaker 3: are you got an hour? You don't bring nobody, you

732
00:36:11,000 --> 00:36:13,480
Speaker 3: don't bring master p. I mean like it's a whole

733
00:36:13,560 --> 00:36:19,520
Speaker 3: bunch of fucking New Orleans artists right well on Bourbon Street.

734
00:36:19,520 --> 00:36:21,759
Speaker 3: These motherfucker like dance and drink. That's what New Orleans

735
00:36:21,840 --> 00:36:28,279
Speaker 3: about about giving us these complicated songs. And then you

736
00:36:28,440 --> 00:36:32,960
Speaker 3: only played one fucking song that we know, Okay, right,

737
00:36:34,400 --> 00:36:36,560
Speaker 3: I would have starked the motherfucker out Paul.

738
00:36:37,040 --> 00:36:41,200
Speaker 1: Drinking Super Bowl?

739
00:36:41,239 --> 00:36:43,280
Speaker 2: What are we talking about order a hurricane?

740
00:36:43,880 --> 00:36:44,040
Speaker 1: Man?

741
00:36:45,320 --> 00:36:47,920
Speaker 3: I just looked this dumb though. I just looked at

742
00:36:47,920 --> 00:36:48,440
Speaker 3: this dumb.

743
00:36:49,040 --> 00:36:51,000
Speaker 1: Who would you choose to do the halftime show at

744
00:36:51,480 --> 00:36:54,040
Speaker 1: at an Atlanta super Bowl at the.

745
00:36:55,719 --> 00:36:58,960
Speaker 3: Young Jeezy t I I would, I would go through

746
00:36:59,000 --> 00:37:04,560
Speaker 3: the whole crew from between. Atlanta is like ninety nine

747
00:37:04,680 --> 00:37:07,879
Speaker 3: percent of Atlanta rappers. They stick with each other.

748
00:37:08,320 --> 00:37:11,880
Speaker 2: Yeah, Atlanta supports Atlanta. That's that's why y'all going on someone.

749
00:37:11,719 --> 00:37:13,279
Speaker 3: Right, Like you might have one or two of them

750
00:37:13,360 --> 00:37:16,120
Speaker 3: that motherfuckers don't fuck with, like one of the ones

751
00:37:16,160 --> 00:37:22,920
Speaker 3: I just fucking told y'all. But of Atlanta, Like like

752
00:37:23,239 --> 00:37:25,920
Speaker 3: I ain't nobody coming to Atlanta getting on Atlanta. Like

753
00:37:26,200 --> 00:37:28,480
Speaker 3: Atlanta niggas put it put together. They wanted to get

754
00:37:28,520 --> 00:37:32,279
Speaker 3: your ass a body here. That that's how that going

755
00:37:32,280 --> 00:37:35,000
Speaker 3: in Atlanta. But like I would like to see if

756
00:37:35,040 --> 00:37:37,920
Speaker 3: its in Atlanta, I would like to see everybody. I

757
00:37:37,920 --> 00:37:43,440
Speaker 3: would like to see outcast, big boy, what's the name

758
00:37:43,520 --> 00:37:47,239
Speaker 3: to come out of retirement? I would like, I'm wanna

759
00:37:47,280 --> 00:38:00,600
Speaker 3: pass Detroit, Okay till jez Uh Monica? Oh uh? What's

760
00:38:00,680 --> 00:38:04,120
Speaker 3: Russell Wilson? Girlfriend Sierra Sierra.

761
00:38:07,680 --> 00:38:09,160
Speaker 2: Goodies would go crazy at the Super Bowl.

762
00:38:11,400 --> 00:38:14,320
Speaker 3: I'm missing one person though, ship t l C.

763
00:38:15,719 --> 00:38:21,120
Speaker 2: Luda, what about Luda? No, Luda, Luda, Luda got.

764
00:38:21,080 --> 00:38:24,120
Speaker 3: He got from Atlanta. Bro, he's from Chicago, but he

765
00:38:24,200 --> 00:38:26,120
Speaker 3: got a past. We gave you them a past in Atlanta.

766
00:38:26,239 --> 00:38:30,560
Speaker 1: Okay, Chaka too shock for sure? All right, so it's

767
00:38:30,560 --> 00:38:33,680
Speaker 1: a perfect section of course. No, we know you know,

768
00:38:33,960 --> 00:38:35,200
Speaker 1: we know you got thugg in there. We know you

769
00:38:35,239 --> 00:38:37,560
Speaker 1: got thugg in the perfect Seguey. Did you listen to

770
00:38:37,719 --> 00:38:38,800
Speaker 1: Almaretta's freestyle?

771
00:38:39,360 --> 00:38:39,480
Speaker 3: Uh?

772
00:38:39,880 --> 00:38:42,200
Speaker 2: Sorry not sorry where she said everyone that wasn't from Atlanta?

773
00:38:42,960 --> 00:38:43,160
Speaker 3: Yeah?

774
00:38:44,440 --> 00:38:47,440
Speaker 2: Yeah, it's great freestyle, amazing. Which side are you want

775
00:38:47,480 --> 00:38:47,640
Speaker 2: with that?

776
00:38:50,719 --> 00:38:52,239
Speaker 3: I'm from Atlanta? No, I know that.

777
00:38:52,600 --> 00:38:53,840
Speaker 2: I'm saying, what did you agree?

778
00:38:53,840 --> 00:38:54,719
Speaker 3: Did you? Do?

779
00:38:54,800 --> 00:38:56,520
Speaker 2: You think she got it right? I think that like

780
00:38:56,840 --> 00:38:58,600
Speaker 2: the way she broke it down when she corrected what she.

781
00:38:58,719 --> 00:39:02,080
Speaker 3: Was saying, she she explained it pretty good.

782
00:39:02,280 --> 00:39:03,640
Speaker 2: She did, I thought she did.

783
00:39:03,760 --> 00:39:05,960
Speaker 3: She broke it down, damn near to the t. Bro.

784
00:39:06,200 --> 00:39:08,960
Speaker 2: Yeah, I was surprised. I was surprised that actually at

785
00:39:09,000 --> 00:39:10,279
Speaker 2: how well she she broke that.

786
00:39:10,400 --> 00:39:12,799
Speaker 3: She's really good though, Bro, she's nice.

787
00:39:12,840 --> 00:39:13,480
Speaker 2: Yeah, she's nice.

788
00:39:13,480 --> 00:39:15,920
Speaker 3: She's really good. Yeah, she got really good word play too.

789
00:39:16,520 --> 00:39:17,359
Speaker 3: She's smart as hell.

790
00:39:18,520 --> 00:39:20,440
Speaker 1: Did you listen to the Larry June and Two Chains

791
00:39:20,560 --> 00:39:21,960
Speaker 1: Alchemist project that just came out?

792
00:39:22,719 --> 00:39:23,800
Speaker 2: Nope, I didn't think so.

793
00:39:24,000 --> 00:39:26,719
Speaker 1: But where where does two Chains rank in your your

794
00:39:26,719 --> 00:39:28,439
Speaker 1: Atlanta Atlanta lists?

795
00:39:34,239 --> 00:39:37,800
Speaker 3: But first of all, man to have a relationship. Okay,

796
00:39:37,920 --> 00:39:40,719
Speaker 3: so like that's my boy. So I ain't trying to

797
00:39:40,840 --> 00:39:43,399
Speaker 3: ship on ship like that. But like, what are you saying,

798
00:39:43,440 --> 00:39:45,200
Speaker 3: like in the top rappers out of it?

799
00:39:45,880 --> 00:39:47,520
Speaker 4: I think he's one of the most underround And we

800
00:39:47,600 --> 00:39:50,040
Speaker 4: were saying that he's one of the most underrated rappers

801
00:39:50,120 --> 00:39:52,319
Speaker 4: out of Atlanta as far from just a skills shot.

802
00:39:52,920 --> 00:39:54,360
Speaker 3: How far are you going back? Like when are we

803
00:39:54,440 --> 00:39:56,160
Speaker 3: starting this play playing circle?

804
00:39:56,200 --> 00:39:57,759
Speaker 4: I'll go back, Yeah, I'll go back all the way

805
00:39:57,800 --> 00:39:59,799
Speaker 4: back to the beginning to Teddy Boy the Dumber Boy.

806
00:40:00,120 --> 00:40:04,160
Speaker 3: Yeah, I was in that video. I know.

807
00:40:10,480 --> 00:40:19,200
Speaker 2: Do you feel like he's underrated? I feel like, yes,

808
00:40:22,400 --> 00:40:22,840
Speaker 2: I'm saying I.

809
00:40:22,840 --> 00:40:25,160
Speaker 3: Think you get it. I think you get it pretty

810
00:40:25,239 --> 00:40:29,359
Speaker 3: decent props. Okay, all right, is he top five out

811
00:40:29,360 --> 00:40:29,800
Speaker 3: of Atlanta?

812
00:40:30,920 --> 00:40:30,960
Speaker 5: No?

813
00:40:31,200 --> 00:40:34,760
Speaker 3: No, to get top ten out of Atlanta.

814
00:40:35,920 --> 00:40:36,839
Speaker 2: I'd have to sit and think.

815
00:40:37,040 --> 00:40:39,080
Speaker 3: All right, now, maybe top fifteen.

816
00:40:39,560 --> 00:40:42,160
Speaker 2: He's definitely top fifteen. He's definitely top fifteen. I'd have

817
00:40:42,239 --> 00:40:44,760
Speaker 2: to sit and there he might be play Top fifteen.

818
00:40:45,120 --> 00:40:47,840
Speaker 4: Okay, top ten, bro, Come on, bro, like that's a

819
00:40:48,239 --> 00:40:50,760
Speaker 4: list that's it's tough to be top ten out of Atlanta.

820
00:40:50,800 --> 00:40:54,040
Speaker 4: Atlanta got a season Rappids.

821
00:40:54,280 --> 00:40:57,480
Speaker 3: If you're going like, yeah, depend on how far are

822
00:40:57,480 --> 00:40:59,239
Speaker 3: you going back? Like, because if you go from like

823
00:41:02,040 --> 00:41:04,120
Speaker 3: double Bagges, what two thousand.

824
00:41:03,719 --> 00:41:06,640
Speaker 2: And four or five, five or six?

825
00:41:06,719 --> 00:41:10,400
Speaker 3: Maybe? Yeah, that was like the second album that they

826
00:41:10,480 --> 00:41:10,879
Speaker 3: put out.

827
00:41:14,520 --> 00:41:17,080
Speaker 4: No, I think it got better as he went though, No,

828
00:41:17,239 --> 00:41:20,200
Speaker 4: for sure, for sure, I think so. He definitely coming

829
00:41:20,200 --> 00:41:23,120
Speaker 4: from my listen. This was it was my man, bro,

830
00:41:23,360 --> 00:41:29,759
Speaker 4: like like they had all the weed. Yeah, they pull

831
00:41:29,880 --> 00:41:31,520
Speaker 4: up on the nigga boy, I'm talking.

832
00:41:31,360 --> 00:41:35,480
Speaker 3: About the cap. Yeah.

833
00:41:38,080 --> 00:41:39,799
Speaker 2: When we let's go back to t I Real Quick

834
00:41:39,880 --> 00:41:40,560
Speaker 2: trap music.

835
00:41:40,480 --> 00:41:40,880
Speaker 3: Or King.

836
00:41:43,080 --> 00:41:47,640
Speaker 2: King King Okay g Z saying about it right yeah

837
00:41:47,920 --> 00:41:50,719
Speaker 2: yeah yeah yeah, like he.

838
00:41:50,800 --> 00:41:54,120
Speaker 3: Paid away for the whole side. I got nothing of

839
00:41:54,200 --> 00:41:55,080
Speaker 3: respect you tip.

840
00:41:55,200 --> 00:42:03,600
Speaker 4: Yeah, outcast At Aliens or Quemini O Castling, Ludacris back

841
00:42:03,640 --> 00:42:06,839
Speaker 4: for the first time or Chicken and Beer on past.

842
00:42:09,560 --> 00:42:10,040
Speaker 2: Hi Pack.

843
00:42:11,480 --> 00:42:16,040
Speaker 1: Have you one of your favorite Chicago albums? Future fifty

844
00:42:16,080 --> 00:42:20,040
Speaker 1: six nights or Hendricks fifty sixth nights? What okay, I

845
00:42:20,080 --> 00:42:21,200
Speaker 1: thought you was gonna go Hendricks.

846
00:42:21,200 --> 00:42:23,759
Speaker 3: Okay, no, because I really know what happened about the

847
00:42:23,760 --> 00:42:26,640
Speaker 3: fifty six nights. I was. I was use it on

848
00:42:26,680 --> 00:42:30,080
Speaker 3: the fifty fifty when my boy got locked up. He

849
00:42:30,120 --> 00:42:32,839
Speaker 3: ain't had no fucking picture on the internet. So that's

850
00:42:32,880 --> 00:42:34,759
Speaker 3: how fifty six nights. You don't know if you know

851
00:42:34,880 --> 00:42:36,440
Speaker 3: the real story about Dubai.

852
00:42:37,080 --> 00:42:39,040
Speaker 2: Nah don't. We don't know the real story.

853
00:42:39,440 --> 00:42:47,719
Speaker 3: So yeah, let's go we was I mean, oh in Dubai. Yeah, okay, hey,

854
00:42:47,800 --> 00:42:51,239
Speaker 3: show me a picture of you at this time, this

855
00:42:51,320 --> 00:42:54,120
Speaker 3: nigga etcho ain't got no pictures on Instagram saying that

856
00:42:54,360 --> 00:42:57,719
Speaker 3: like he famous somethhing locked his ands up for fifty

857
00:42:57,760 --> 00:42:59,919
Speaker 3: six nights. They came up with that type.

858
00:43:00,080 --> 00:43:01,960
Speaker 2: Okay.

859
00:43:02,320 --> 00:43:03,799
Speaker 3: Yeah, see, I know a lot of shit that people

860
00:43:03,840 --> 00:43:04,080
Speaker 3: don't know.

861
00:43:04,200 --> 00:43:05,800
Speaker 2: You know what I'm saying, Well, that's what that's what

862
00:43:05,960 --> 00:43:07,000
Speaker 2: we got you on the call today.

863
00:43:07,040 --> 00:43:08,960
Speaker 4: Man, we're trying to get we don't know ball and

864
00:43:09,080 --> 00:43:11,640
Speaker 4: obviously we don't know Atlanta Lanta story buying a lot

865
00:43:11,680 --> 00:43:12,839
Speaker 4: of the music in Atlanta either.

866
00:43:13,000 --> 00:43:15,320
Speaker 2: What was one of your favorite memories on in the studio.

867
00:43:17,520 --> 00:43:23,960
Speaker 3: Uh really just saying all them make it, you know

868
00:43:24,000 --> 00:43:26,759
Speaker 3: what I mean, Like like I'm not lying, like eight

869
00:43:26,920 --> 00:43:30,480
Speaker 3: or eight fucking like that whole list. I just told you,

870
00:43:30,800 --> 00:43:34,120
Speaker 3: Like all them came through a dark studio, bro. Yeah, yeah,

871
00:43:34,360 --> 00:43:36,759
Speaker 3: shout out to my arm my best friend Chrissy ran

872
00:43:36,800 --> 00:43:39,759
Speaker 3: all that shit over there. But like, yeah, twenty one

873
00:43:39,880 --> 00:43:46,760
Speaker 3: Savage Autumn, everybody who popped off from fucking two thousand

874
00:43:48,800 --> 00:43:54,680
Speaker 3: or five, six, eight nine was in our studio. So

875
00:43:54,920 --> 00:43:58,000
Speaker 3: like the best part was like seeing them, Like you

876
00:43:58,040 --> 00:43:59,719
Speaker 3: know what I mean, when I first met thug shit,

877
00:44:00,040 --> 00:44:03,360
Speaker 3: that was really dugging, Like I know, Kiki Ship like

878
00:44:04,480 --> 00:44:07,480
Speaker 3: real c was on for two three days, you get

879
00:44:07,480 --> 00:44:09,880
Speaker 3: what I'm saying. Yeah, just to see what it is now,

880
00:44:10,040 --> 00:44:16,680
Speaker 3: Like it's that's probably the most uh satisfaction I probably

881
00:44:17,760 --> 00:44:19,520
Speaker 3: got on this studio.

882
00:44:20,680 --> 00:44:22,080
Speaker 2: What were some of the big records that came out

883
00:44:22,120 --> 00:44:28,000
Speaker 2: of it? Oh shit, oh shit, that's crazy.

884
00:44:28,120 --> 00:44:33,680
Speaker 3: Everything did twenty one Savage Men, trop Bowman, that ship

885
00:44:33,760 --> 00:44:35,560
Speaker 3: came out of Dark. That's crazy.

886
00:44:35,719 --> 00:44:41,080
Speaker 1: Every fucking record, bro, Damn, that's really what every record, bro, Every.

887
00:44:40,920 --> 00:44:45,719
Speaker 3: Last one of the motherfuckers. I'm every last one of them.

888
00:44:46,080 --> 00:44:48,399
Speaker 4: So now it makes sense why your music sounds so good,

889
00:44:48,920 --> 00:44:51,879
Speaker 4: like now I understand it, like you really like you're

890
00:44:52,080 --> 00:44:54,480
Speaker 4: in the mix, like you're right there next to some

891
00:44:54,640 --> 00:44:57,960
Speaker 4: legendary sound like because when I like, I said the Ferrari,

892
00:44:58,120 --> 00:45:00,000
Speaker 4: when I played that, I was I'm not gonna lie

893
00:45:00,160 --> 00:45:02,680
Speaker 4: bro I was like, oh nah, he this record is dope.

894
00:45:03,239 --> 00:45:06,040
Speaker 4: Like I was not expecting to hear I see Ferrari kid,

895
00:45:06,080 --> 00:45:07,840
Speaker 4: I'm like, let me hear what pac Man talking about.

896
00:45:08,080 --> 00:45:09,880
Speaker 4: But when it came on, so it didn't sound like

897
00:45:09,960 --> 00:45:13,399
Speaker 4: somebody that is just trying to do this music ship.

898
00:45:14,360 --> 00:45:16,799
Speaker 4: It sounds like somebody that's been around it, that has

899
00:45:16,880 --> 00:45:19,680
Speaker 4: come up into music, has been those what sounds to

900
00:45:19,960 --> 00:45:21,920
Speaker 4: listen for and those what sounds good way to put

901
00:45:22,000 --> 00:45:24,840
Speaker 4: what has the right people mixing in and producing it.

902
00:45:25,280 --> 00:45:27,480
Speaker 3: So now that you do all that myself to just

903
00:45:27,600 --> 00:45:33,720
Speaker 3: let you know real, I sit there, record boom clip

904
00:45:34,080 --> 00:45:37,440
Speaker 3: put boom. Listen boom clip boom.

905
00:45:38,040 --> 00:45:39,080
Speaker 2: You record out of protests?

906
00:45:39,880 --> 00:45:41,800
Speaker 3: Yeah, pros way.

907
00:45:41,719 --> 00:45:45,560
Speaker 2: Way wait wait packed hold on, hold on, you recorded.

908
00:45:45,160 --> 00:45:48,880
Speaker 3: They got on the studio and don't know how it

909
00:45:49,000 --> 00:45:51,520
Speaker 3: happens though, being rich and don't know how to check

910
00:45:51,600 --> 00:45:52,560
Speaker 3: my fucking statements.

911
00:45:52,560 --> 00:45:55,080
Speaker 1: Someone, no, no, no, I get what you get that

912
00:45:55,160 --> 00:45:57,120
Speaker 1: Rick what you said, But I was not expecting you

913
00:45:57,200 --> 00:45:59,560
Speaker 1: to say that you record and mix your own ship.

914
00:46:00,480 --> 00:46:03,200
Speaker 3: Yeah that is I know. I know, I know how

915
00:46:03,239 --> 00:46:05,759
Speaker 3: I wanted to sound, and I expect that I don't

916
00:46:05,880 --> 00:46:09,399
Speaker 3: use other people. But like at my studio at home. Yeah,

917
00:46:09,640 --> 00:46:12,160
Speaker 3: like this ship that this new ship that I'm dropping

918
00:46:12,239 --> 00:46:15,520
Speaker 3: right now. Yeah, I wish I could know what I

919
00:46:15,600 --> 00:46:20,000
Speaker 3: got like do it. You're gonna love this beach.

920
00:46:21,320 --> 00:46:22,239
Speaker 2: I love it right, I love it.

921
00:46:26,400 --> 00:46:29,520
Speaker 3: Too many? Ya bitch got me pairing. I'm gonna shoot

922
00:46:29,520 --> 00:46:30,719
Speaker 3: this video going past.

923
00:46:30,520 --> 00:46:36,320
Speaker 5: Pittsburgh Stadium like this, y'all too many bitch got me

924
00:46:36,400 --> 00:46:43,160
Speaker 5: pairing wigs interstitian when I win the same the start even.

925
00:46:43,080 --> 00:46:44,719
Speaker 3: Know I'm out slide like, I'm like.

926
00:46:47,200 --> 00:46:49,720
Speaker 1: Like a nigga like one.

927
00:46:51,640 --> 00:46:57,719
Speaker 3: Like three, get dirty, nigga, make something going. That's what

928
00:46:57,880 --> 00:47:02,560
Speaker 3: we have. Crack some twin niggas. My twin chill came

929
00:47:02,560 --> 00:47:05,000
Speaker 3: out here. Never made it. See the kid are you

930
00:47:05,160 --> 00:47:05,680
Speaker 3: going crazy?

931
00:47:05,719 --> 00:47:12,560
Speaker 2: And the pack man making I'm not just saying this

932
00:47:12,640 --> 00:47:14,719
Speaker 2: because we're talking now. This is hard.

933
00:47:15,880 --> 00:47:18,640
Speaker 1: I got it bro like see you always do right

934
00:47:18,760 --> 00:47:22,840
Speaker 1: now that sweater god like now that sound good.

935
00:47:22,920 --> 00:47:25,319
Speaker 3: So many different flavors though, like the song I did

936
00:47:25,360 --> 00:47:28,680
Speaker 3: with Jim Allen is a country music song. Then I

937
00:47:28,760 --> 00:47:31,640
Speaker 3: got songs like this, Well, I'm just talking ship having

938
00:47:31,760 --> 00:47:34,439
Speaker 3: fun in the studio. And then I got some ship

939
00:47:34,600 --> 00:47:37,360
Speaker 3: like heartfelt, like you know what I mean, like some

940
00:47:37,560 --> 00:47:38,040
Speaker 3: real ship.

941
00:47:38,280 --> 00:47:41,240
Speaker 2: Yeah, who produced the I brother sable?

942
00:47:45,239 --> 00:47:45,359
Speaker 3: Yo?

943
00:47:45,480 --> 00:47:47,120
Speaker 2: Man, getting the funk out of here. But we're not

944
00:47:47,320 --> 00:47:47,920
Speaker 2: doing this man?

945
00:47:48,000 --> 00:47:50,840
Speaker 3: Why god? Bro? No longer it telling me to sample

946
00:47:50,920 --> 00:47:55,560
Speaker 3: that beat and fix it like that. Yo, this is

947
00:47:55,640 --> 00:47:56,160
Speaker 3: what long you're thinking?

948
00:47:56,239 --> 00:47:59,840
Speaker 2: This is crazy? I beat this hard. It's just fucking crazy.

949
00:48:00,480 --> 00:48:00,600
Speaker 3: Yo.

950
00:48:01,000 --> 00:48:04,239
Speaker 1: Wait, how you How is Adam Jones putting all this

951
00:48:04,320 --> 00:48:06,719
Speaker 1: ship on the music side and doing it all by.

952
00:48:06,680 --> 00:48:08,880
Speaker 2: That might be better than NAS's version of good morning Bro.

953
00:48:10,120 --> 00:48:12,560
Speaker 3: Bro, you gotta realized I do everything, Bro, I got

954
00:48:12,600 --> 00:48:15,279
Speaker 3: a TV show, I do music. I'm in the middle

955
00:48:15,320 --> 00:48:18,480
Speaker 3: of doing the documentary and writing a book. Like this

956
00:48:18,560 --> 00:48:20,439
Speaker 3: ship is not that hard, bro. Like if you really

957
00:48:20,560 --> 00:48:23,319
Speaker 3: like I have nothing else to do but get better

958
00:48:23,400 --> 00:48:25,480
Speaker 3: every day that I like that.

959
00:48:25,520 --> 00:48:27,360
Speaker 2: I have nothing else to do but every day.

960
00:48:28,160 --> 00:48:31,040
Speaker 3: And I compete though, Like I'm not doing this ship

961
00:48:31,440 --> 00:48:35,360
Speaker 3: because I know what motherfucker's gonna say. Bro, we just

962
00:48:35,440 --> 00:48:38,040
Speaker 3: get all this money. He's trying just put out some obs.

963
00:48:38,239 --> 00:48:39,480
Speaker 3: No no no no no no no no no no

964
00:48:39,600 --> 00:48:43,360
Speaker 3: no no no no. I am very talented and the

965
00:48:43,480 --> 00:48:45,560
Speaker 3: things that I do, and I'm not doing nothing if

966
00:48:45,600 --> 00:48:48,520
Speaker 3: I know I can't do it. Man, it ain't pretty

967
00:48:48,600 --> 00:48:52,320
Speaker 3: too much of nothing that I can't do when it

968
00:48:52,440 --> 00:48:56,400
Speaker 3: comes to talking, ship, rapping on the beat, performing or

969
00:48:56,600 --> 00:49:00,120
Speaker 3: anything when it comes to content like I can do.

970
00:49:00,760 --> 00:49:03,879
Speaker 4: Yeah, we just had Leangelo Ball at the NBA All

971
00:49:03,880 --> 00:49:05,040
Speaker 4: Star Week and performance record.

972
00:49:05,080 --> 00:49:05,840
Speaker 2: What did you think about that?

973
00:49:06,440 --> 00:49:06,800
Speaker 3: Trash?

974
00:49:07,239 --> 00:49:08,319
Speaker 2: Okay, we're on the same page.

975
00:49:08,320 --> 00:49:11,560
Speaker 1: I mean, I think I think everyone want understand how

976
00:49:11,600 --> 00:49:13,000
Speaker 1: everybody's talking about the song is.

977
00:49:13,120 --> 00:49:15,360
Speaker 2: It's horrible, I said when I said it. When he

978
00:49:15,480 --> 00:49:17,160
Speaker 2: came out, they called me a hater, no.

979
00:49:17,520 --> 00:49:19,600
Speaker 3: Bro because he got that light skinning place and he

980
00:49:19,760 --> 00:49:26,040
Speaker 3: drake bronk. I listened to that. God damn.

981
00:49:26,320 --> 00:49:27,839
Speaker 4: I hated it and they called me a hated When

982
00:49:27,880 --> 00:49:30,520
Speaker 4: the song came out, I said it was trash. I mean,

983
00:49:30,719 --> 00:49:31,799
Speaker 4: I'm just listening to good.

984
00:49:31,960 --> 00:49:34,359
Speaker 3: I would love to get in any studio that he's

985
00:49:34,440 --> 00:49:36,840
Speaker 3: in and me and him go in there just for

986
00:49:37,000 --> 00:49:37,399
Speaker 3: an hour.

987
00:49:38,520 --> 00:49:41,160
Speaker 2: It ain't gonna take me a long and just who

988
00:49:41,200 --> 00:49:44,080
Speaker 2: come up with a better record, or we could just we.

989
00:49:44,120 --> 00:49:46,520
Speaker 3: Can both do a verse and she would come up

990
00:49:46,560 --> 00:49:48,600
Speaker 3: with it. Don't matter to me. We're gonna set that up.

991
00:49:49,160 --> 00:49:52,200
Speaker 4: Packed man and yellow Ball in the studio. Who coming

992
00:49:52,239 --> 00:50:02,799
Speaker 4: out with ship rap writing recording mixed in like Jello?

993
00:50:02,840 --> 00:50:03,640
Speaker 2: Don't stand a chance?

994
00:50:03,719 --> 00:50:03,879
Speaker 3: Man?

995
00:50:04,040 --> 00:50:05,400
Speaker 2: What program you used to produce?

996
00:50:06,920 --> 00:50:11,799
Speaker 3: I can't tell you that I like it. The reason

997
00:50:11,800 --> 00:50:13,279
Speaker 3: why I can't tell you that because I'm in the

998
00:50:13,320 --> 00:50:14,520
Speaker 3: middle of getting paid for that.

999
00:50:14,960 --> 00:50:18,319
Speaker 2: Okay, okay, respect, you know what I'm saying. Respect whatever

1000
00:50:18,400 --> 00:50:20,239
Speaker 2: program since it was a.

1001
00:50:20,960 --> 00:50:24,560
Speaker 3: Two weeks later, you can get it all it because

1002
00:50:24,760 --> 00:50:29,600
Speaker 3: that and another thing okay right here that I'm working

1003
00:50:29,640 --> 00:50:30,880
Speaker 3: on the deal with. So I want to say what

1004
00:50:30,920 --> 00:50:31,960
Speaker 3: I'm using because I might not.

1005
00:50:32,000 --> 00:50:34,600
Speaker 1: Be using that no more respect that I respect the

1006
00:50:34,640 --> 00:50:37,880
Speaker 1: business side of Who are some of your like producer inspirations?

1007
00:50:38,160 --> 00:50:38,960
Speaker 2: Your favorite producers?

1008
00:50:41,360 --> 00:50:52,279
Speaker 3: Oh, Metro the way, m hmm, this is funny. My

1009
00:50:52,400 --> 00:51:01,600
Speaker 3: boy down in Miami. Who's that? Me? Who's the best

1010
00:51:01,600 --> 00:51:03,439
Speaker 3: producer right now in the game in Miami? You should

1011
00:51:03,480 --> 00:51:06,480
Speaker 3: know that, y'all. Y'all following music, you definitely.

1012
00:51:06,719 --> 00:51:08,880
Speaker 2: Best producer in Miami. But so many people be in

1013
00:51:08,960 --> 00:51:12,160
Speaker 2: these city making all the hits right now out of Miami.

1014
00:51:12,160 --> 00:51:12,880
Speaker 2: He's from Miami.

1015
00:51:13,520 --> 00:51:21,680
Speaker 3: No, he's from Chicago south Side. No, south side is Atlanta. Yeah,

1016
00:51:22,960 --> 00:51:25,719
Speaker 3: the south Side is making a lot of hits. You're

1017
00:51:25,800 --> 00:51:28,320
Speaker 3: right by that give you one. I'm gonna give you

1018
00:51:28,360 --> 00:51:33,120
Speaker 3: one more shot. Light Skin used to rap, got the

1019
00:51:33,200 --> 00:51:33,880
Speaker 3: whole we.

1020
00:51:33,920 --> 00:51:38,839
Speaker 1: Talked, talked about. That's our family. Bird hit maker, young

1021
00:51:38,960 --> 00:51:40,319
Speaker 1: bird hit maker.

1022
00:51:40,360 --> 00:51:43,480
Speaker 2: Okay, I thought he was I think I thought he

1023
00:51:43,560 --> 00:51:44,040
Speaker 2: was still in LA.

1024
00:51:44,120 --> 00:51:50,680
Speaker 3: That's what I was like in Miami. He making everything hot, right, family,

1025
00:51:50,719 --> 00:51:52,680
Speaker 3: he need a fucking beat, bro, Like I need what's up?

1026
00:51:52,760 --> 00:51:55,040
Speaker 3: He like bir just coming to Miami and I had

1027
00:51:55,080 --> 00:51:56,440
Speaker 3: to get I ain't had a chance. That's not like

1028
00:51:56,560 --> 00:51:58,600
Speaker 3: one of Like that's that Me and him are like this,

1029
00:51:58,840 --> 00:52:01,320
Speaker 3: like no, No, that's our guy. Like when he was

1030
00:52:01,560 --> 00:52:03,400
Speaker 3: going through all his ship when he was in Atlanta,

1031
00:52:03,600 --> 00:52:05,960
Speaker 3: like of the times he was at my house, you

1032
00:52:06,000 --> 00:52:08,960
Speaker 3: know what I mean, Like I fuck with Bird like

1033
00:52:10,440 --> 00:52:13,560
Speaker 3: one hunted, you know what I mean? Like that's my boy.

1034
00:52:13,840 --> 00:52:18,360
Speaker 2: Yeah what you thought of Antonio Brown's record? Put that

1035
00:52:18,440 --> 00:52:18,759
Speaker 2: ship on?

1036
00:52:19,360 --> 00:52:23,160
Speaker 3: Actually I liked it. I liked was bro. It was

1037
00:52:23,239 --> 00:52:26,120
Speaker 3: it was catchy, The verse was nice, the song, the

1038
00:52:26,200 --> 00:52:29,440
Speaker 3: beat was good. Like, I know, I talk a lot

1039
00:52:29,440 --> 00:52:31,719
Speaker 3: of ship about AB, but like I got a lot

1040
00:52:31,760 --> 00:52:33,960
Speaker 3: of respect for AB. That's my boy. Like, but the

1041
00:52:34,080 --> 00:52:37,520
Speaker 3: music was really good, Like I'm like really good. It

1042
00:52:37,560 --> 00:52:39,839
Speaker 3: a little different than me because he can't rap about

1043
00:52:39,840 --> 00:52:43,480
Speaker 3: what I'm gonna rap about, right, but like, yeah, he

1044
00:52:43,680 --> 00:52:44,000
Speaker 3: was more.

1045
00:52:44,160 --> 00:52:47,600
Speaker 4: He was more bragged. Do its like the Dion sand ship. Yeah,

1046
00:52:47,719 --> 00:52:50,080
Speaker 4: the flash a lot of flash, but yeah, a lot

1047
00:52:50,120 --> 00:52:54,200
Speaker 4: of mind you go he was. His ship was kind

1048
00:52:54,200 --> 00:52:54,800
Speaker 4: of similar to that.

1049
00:52:55,000 --> 00:52:56,520
Speaker 3: I can't do that ship because I don't, like, I

1050
00:52:56,560 --> 00:52:58,239
Speaker 3: don't even want to know how much money I got.

1051
00:52:59,680 --> 00:53:02,400
Speaker 2: I'm not gonna lie packed before we let you go.

1052
00:53:02,640 --> 00:53:05,680
Speaker 4: I did enjoy watching one interview with you and they

1053
00:53:05,800 --> 00:53:08,960
Speaker 4: was asking you what was your first big purchase, and

1054
00:53:09,040 --> 00:53:12,000
Speaker 4: you said you bought sixty acres of land. I just

1055
00:53:12,040 --> 00:53:13,680
Speaker 4: got to salute you on that, because you don't hear

1056
00:53:13,680 --> 00:53:16,200
Speaker 4: a lot of young athletes when they first come into

1057
00:53:16,239 --> 00:53:18,319
Speaker 4: this bag and get this and get this money, saying

1058
00:53:18,360 --> 00:53:20,200
Speaker 4: that they purchased land. So when you said that that

1059
00:53:20,480 --> 00:53:22,840
Speaker 4: was your first big purchase was buying sixty.

1060
00:53:23,320 --> 00:53:25,080
Speaker 3: Something, Fuck that land, because you don't know how much

1061
00:53:25,200 --> 00:53:28,239
Speaker 3: up keeping that ship was. Cutting that all right? Fuck

1062
00:53:28,280 --> 00:53:32,839
Speaker 3: that make a lot of money off of the only

1063
00:53:32,920 --> 00:53:34,640
Speaker 3: reason I made a lot of money off up because

1064
00:53:34,640 --> 00:53:36,600
Speaker 3: I was righting this though to George Jones. Shout out

1065
00:53:36,600 --> 00:53:39,759
Speaker 3: to George Jones and his wife, Like they took unbelievable

1066
00:53:40,160 --> 00:53:46,880
Speaker 3: care of me. Yeah, but like now I'm laying I

1067
00:53:46,920 --> 00:53:48,680
Speaker 3: got them. Well, I do got a lot of land

1068
00:53:48,719 --> 00:53:50,360
Speaker 3: right now. I got a whole fucking thing. But I

1069
00:53:50,400 --> 00:53:52,719
Speaker 3: don't have to take care of that. Like, Okay, at

1070
00:53:52,760 --> 00:53:54,600
Speaker 3: first of all, I was living on you know what

1071
00:53:54,600 --> 00:53:57,880
Speaker 3: I'm saying. Okay, Foe Wheeler Trail. That's one hundred acres

1072
00:53:58,040 --> 00:54:01,200
Speaker 3: up in Hillsborough here since but like I don't have

1073
00:54:01,280 --> 00:54:02,800
Speaker 3: to cut the grass and ship like it's not my

1074
00:54:03,440 --> 00:54:06,880
Speaker 3: responsibility to do those. But yeah, it's a lot. It

1075
00:54:07,000 --> 00:54:09,040
Speaker 3: just depends on what you want. Man. Like now I'm

1076
00:54:09,040 --> 00:54:11,320
Speaker 3: on the golf course, yeah, which I only got like

1077
00:54:11,600 --> 00:54:16,319
Speaker 3: four or five acres, four acres, but like it's it's

1078
00:54:16,440 --> 00:54:19,360
Speaker 3: it's a huge seventeen thousand square feet indo pool, you

1079
00:54:19,400 --> 00:54:22,920
Speaker 3: know what I mean? All right? He and golf balls

1080
00:54:22,960 --> 00:54:24,120
Speaker 3: out the backyard.

1081
00:54:24,880 --> 00:54:26,759
Speaker 4: Anything, all right, So anything else before we let Pat go,

1082
00:54:27,360 --> 00:54:28,279
Speaker 4: We're good, hey man.

1083
00:54:28,320 --> 00:54:29,239
Speaker 3: Shout out to my show.

1084
00:54:29,640 --> 00:54:33,960
Speaker 4: Shout out to your show, Adam pac Man pac Man

1085
00:54:34,080 --> 00:54:38,160
Speaker 4: Jones show on bet Online, go over there and put

1086
00:54:38,239 --> 00:54:39,520
Speaker 4: some money on it better.

1087
00:54:40,440 --> 00:54:43,920
Speaker 3: We only did twenty million views in the last five months.

1088
00:54:44,080 --> 00:54:46,440
Speaker 2: My boy, talk that shit. Salude to that.

1089
00:54:46,440 --> 00:54:48,640
Speaker 3: Shout out to my whole team though like without without

1090
00:54:48,680 --> 00:54:50,600
Speaker 3: my team, I wouldn't be shipped. Like shout out to

1091
00:54:50,680 --> 00:54:52,800
Speaker 3: the shout out my team and bet Online like a

1092
00:54:52,920 --> 00:54:54,799
Speaker 3: g rohm all the people in the back that does

1093
00:54:54,840 --> 00:54:59,240
Speaker 3: the feminine shit, and shout out to me for dealing

1094
00:54:59,320 --> 00:55:06,840
Speaker 3: with myself every they to talk about and doing it politely.

1095
00:55:06,920 --> 00:55:08,719
Speaker 3: Wraw you know what I mean? Like, some people don't

1096
00:55:08,760 --> 00:55:10,560
Speaker 3: want to really tell how they feel. Like me, I'm

1097
00:55:10,600 --> 00:55:14,920
Speaker 3: a no filter. Uh. I do care about what people

1098
00:55:16,200 --> 00:55:19,120
Speaker 3: I think to an extent.

1099
00:55:19,440 --> 00:55:21,120
Speaker 2: To an extent, yeah, I don't.

1100
00:55:21,239 --> 00:55:23,360
Speaker 3: I really don't. Like I don't go out trying to

1101
00:55:23,840 --> 00:55:25,960
Speaker 3: hurt nobody or nothing, but like I'll talk about what

1102
00:55:26,080 --> 00:55:28,200
Speaker 3: I want to talk about. If you're playing bad, I

1103
00:55:28,280 --> 00:55:30,920
Speaker 3: talk about the play, not the person. And if you're

1104
00:55:30,920 --> 00:55:33,160
Speaker 3: a she ass person, I will tell you you a

1105
00:55:33,360 --> 00:55:39,560
Speaker 3: fucked up bad person. Justin Tucker the White Boy get

1106
00:55:39,600 --> 00:55:43,720
Speaker 3: these same charges. We ain't seeing this ship on ESPN

1107
00:55:44,520 --> 00:55:47,800
Speaker 3: N B C A B C, C, B D T

1108
00:55:47,960 --> 00:55:54,480
Speaker 3: B D even them. Yeah, a jacket, this dick on

1109
00:55:54,640 --> 00:55:55,880
Speaker 3: these massages.

1110
00:55:56,239 --> 00:56:01,080
Speaker 4: Everybody was talking about right crazy man, your pack. Listen, man,

1111
00:56:01,160 --> 00:56:03,520
Speaker 4: I definitely want to put it put in a damn hole.

1112
00:56:03,680 --> 00:56:05,680
Speaker 4: I gotta come down for that. We gotta shoot that.

1113
00:56:06,200 --> 00:56:08,360
Speaker 4: That sounds like a fucking time that I need to have.

1114
00:56:08,920 --> 00:56:10,920
Speaker 4: I want to get into the golf ship before we go.

1115
00:56:11,239 --> 00:56:14,160
Speaker 4: You at the golf simulator. Can we see what your

1116
00:56:14,440 --> 00:56:17,400
Speaker 4: past pause? Your drive game looked like?

1117
00:56:17,920 --> 00:56:21,200
Speaker 2: Pause, I said, Paul, and you don't want to say stroke,

1118
00:56:21,239 --> 00:56:22,880
Speaker 2: but you stopped yourself. No, no, no, no no, I

1119
00:56:22,960 --> 00:56:24,400
Speaker 2: wasn't gonna say stroke. That's crazy.

1120
00:56:26,640 --> 00:56:27,640
Speaker 3: So I got to do for.

1121
00:56:29,400 --> 00:56:29,440
Speaker 5: You.

1122
00:56:29,480 --> 00:56:31,560
Speaker 3: Gotta go get you one. It's pretty expensive.

1123
00:56:32,040 --> 00:56:34,319
Speaker 2: I'm not pif pack. I'm not paying twenty thousand dollars

1124
00:56:34,360 --> 00:56:34,839
Speaker 2: for no club.

1125
00:56:34,880 --> 00:56:37,200
Speaker 3: Bro. No, I'm gonna get you a discount.

1126
00:56:37,600 --> 00:56:38,320
Speaker 2: I appreciate you.

1127
00:56:39,239 --> 00:56:41,160
Speaker 3: This club right here is the secret weapon. It's a

1128
00:56:41,400 --> 00:56:45,560
Speaker 3: It's like in between a driver and uh three wood

1129
00:56:45,920 --> 00:56:58,040
Speaker 3: three h three wood? Okay, pretty sweep though, ye oh

1130
00:56:58,440 --> 00:56:58,879
Speaker 3: my god.

1131
00:57:00,160 --> 00:57:02,160
Speaker 4: See you got them diamond turfs on your feet though,

1132
00:57:02,200 --> 00:57:03,479
Speaker 4: I see them DALs on your feet.

1133
00:57:05,840 --> 00:57:09,840
Speaker 3: That's the left on it. Uh huh, I got the

1134
00:57:10,080 --> 00:57:15,800
Speaker 3: sense to that make my Oh, y'all gotta be sprayed

1135
00:57:15,920 --> 00:57:16,800
Speaker 3: for her to go.

1136
00:57:19,280 --> 00:57:23,760
Speaker 2: I what's what's the stat how far that went?

1137
00:57:24,800 --> 00:57:32,280
Speaker 3: I'll be still going. So you twenty five?

1138
00:57:33,400 --> 00:57:37,160
Speaker 2: Damn that looks like a light one too. That's that's

1139
00:57:37,200 --> 00:57:38,080
Speaker 2: that's twenty.

1140
00:57:39,360 --> 00:57:40,600
Speaker 3: I'm not longed up for nothing.

1141
00:57:40,440 --> 00:57:42,560
Speaker 1: But about say that you just walked over there and

1142
00:57:42,680 --> 00:57:45,280
Speaker 1: just got right to it. That's crazy, that's right.

1143
00:57:45,200 --> 00:57:47,960
Speaker 3: Because I got a great team on PXG. That's why

1144
00:57:48,000 --> 00:57:50,320
Speaker 3: you know what I'm saying. These clubs are forgiving. They

1145
00:57:50,360 --> 00:57:51,120
Speaker 3: saved my life.

1146
00:57:51,160 --> 00:57:53,840
Speaker 4: Bro, pat Listen, you think I'm bullshit. I need a

1147
00:57:54,000 --> 00:57:55,960
Speaker 4: whole I'm going. I'm going to p XG. I need

1148
00:57:56,040 --> 00:57:57,680
Speaker 4: a whole, kid, I need a whole setup.

1149
00:57:58,280 --> 00:58:00,200
Speaker 3: All right, Bro, if you show us that you're off,

1150
00:58:00,320 --> 00:58:02,480
Speaker 3: and you at me at least five times where you

1151
00:58:02,560 --> 00:58:05,000
Speaker 3: play nine holes, we'll set you up.

1152
00:58:05,080 --> 00:58:06,040
Speaker 2: Now we're eighteen.

1153
00:58:06,600 --> 00:58:09,760
Speaker 3: Oh we did. I'm just out. You can get y'all

1154
00:58:09,800 --> 00:58:12,040
Speaker 3: to show me five times you shoot eighteen, right, Well,

1155
00:58:12,160 --> 00:58:16,240
Speaker 3: actually that's even better for you. You shoot eighteen three times,

1156
00:58:16,320 --> 00:58:18,960
Speaker 3: then there you go. Yeah, but I gotta see that

1157
00:58:19,000 --> 00:58:22,440
Speaker 3: you're really get off. I want to tell I want

1158
00:58:22,520 --> 00:58:25,440
Speaker 3: to get better. You know, listen, shitt as hell and

1159
00:58:25,960 --> 00:58:29,000
Speaker 3: what you connect with Once you connect with right, it's

1160
00:58:29,080 --> 00:58:30,600
Speaker 3: like that first piece, you know what I mean?

1161
00:58:30,840 --> 00:58:34,800
Speaker 2: Okay, trying to tell you no, listen, I'm in. I'm

1162
00:58:34,840 --> 00:58:35,240
Speaker 2: definitely in.

1163
00:58:35,520 --> 00:58:35,640
Speaker 3: Well.

1164
00:58:35,680 --> 00:58:38,000
Speaker 4: We appreciate you taking some of your time kicking over

1165
00:58:38,120 --> 00:58:41,200
Speaker 4: us pack man Man. Were big fans of yours. Definitely

1166
00:58:41,240 --> 00:58:43,000
Speaker 4: one of my favorite personalities. Glad to have the chance

1167
00:58:43,040 --> 00:58:44,840
Speaker 4: to sit down and kick it with you. We're definitely

1168
00:58:44,880 --> 00:58:47,840
Speaker 4: gonna cross paths again in real, face to face, real time.

1169
00:58:48,480 --> 00:58:50,600
Speaker 2: Love everything that you're doing and keep doing what you're doing.

1170
00:58:50,640 --> 00:58:51,240
Speaker 2: We appreciate you.

1171
00:58:51,480 --> 00:58:52,919
Speaker 3: I looked up y'all show too. You know, I don't

1172
00:58:52,960 --> 00:58:55,080
Speaker 3: talk to everybody man, so we appreciate it.

1173
00:58:55,880 --> 00:59:01,840
Speaker 2: Appreciate you, bro, Thank you, Bro. Peace, I ain't no problem, Peace,

1174
00:59:02,360 --> 00:59:04,000
Speaker 2: no warrant nod