1 00:00:00,160 --> 00:00:01,760 Speaker 1: With Stu Gotts and Hawkman. 2 00:00:02,480 --> 00:00:06,880 Speaker 2: The last episode we did of Chuck Norris has received 3 00:00:06,880 --> 00:00:09,640 Speaker 2: some universal praise. I've heard from a lot of people 4 00:00:09,680 --> 00:00:15,040 Speaker 2: on Twitter and Instagram really enjoyed looking back. But I 5 00:00:15,080 --> 00:00:19,759 Speaker 2: did say in the last episode that Dan's question or 6 00:00:19,920 --> 00:00:25,959 Speaker 2: Dan's Chuck Norris fact, Chuck Norris reads Braille, Yes, as 7 00:00:26,000 --> 00:00:28,520 Speaker 2: bad as what you did with Chuck Morris and the 8 00:00:28,640 --> 00:00:30,200 Speaker 2: Jeep and the movie theater. 9 00:00:30,320 --> 00:00:31,639 Speaker 1: What. I don't know whatever you said. 10 00:00:32,040 --> 00:00:33,519 Speaker 3: All right, I don't know what I said, and it 11 00:00:33,560 --> 00:00:35,640 Speaker 3: wasn't my fault. It was Dan's for throwing it to me. 12 00:00:35,720 --> 00:00:37,600 Speaker 2: So there were plenty of people who took issue with 13 00:00:37,640 --> 00:00:39,840 Speaker 2: me saying that Dan's was just as bad as yours, 14 00:00:39,880 --> 00:00:43,040 Speaker 2: because they said yours was a thousand times worse. 15 00:00:44,600 --> 00:00:47,560 Speaker 3: Then Chuck Norris can rebrail. So well, thank you everyone. 16 00:00:47,600 --> 00:00:50,479 Speaker 3: I appreciate that. I agree with that. I do I 17 00:00:50,479 --> 00:00:50,879 Speaker 3: agree with. 18 00:00:50,960 --> 00:00:55,840 Speaker 2: Now, we do have an episode coming up about Steven Segaal. 19 00:00:55,920 --> 00:00:58,680 Speaker 2: I told you that we've got two badasses in a row, 20 00:00:58,760 --> 00:01:00,520 Speaker 2: but I'm going to keep him out of order a 21 00:01:00,520 --> 00:01:00,920 Speaker 2: little bit. 22 00:01:00,960 --> 00:01:03,440 Speaker 1: We'll do Segal next week because do. 23 00:01:03,440 --> 00:01:07,720 Speaker 2: You remember I was reading man some of the Instagram 24 00:01:07,800 --> 00:01:14,119 Speaker 2: messages that I've gotten and or was it just a 25 00:01:14,160 --> 00:01:17,520 Speaker 2: conversation we were having about Roberto Duran. I think I 26 00:01:17,520 --> 00:01:20,000 Speaker 2: may have been asking you if you remember that Roberto Duran. 27 00:01:20,080 --> 00:01:22,240 Speaker 2: I I think I may have read it too, But 28 00:01:22,680 --> 00:01:24,560 Speaker 2: I want to play that for everyone. 29 00:01:24,640 --> 00:01:26,160 Speaker 1: Do you recall it any. 30 00:01:26,640 --> 00:01:29,040 Speaker 2: Better than you did a couple episodes ago when I said, 31 00:01:29,040 --> 00:01:31,320 Speaker 2: do you remember the Roberto durand disaster? 32 00:01:32,280 --> 00:01:35,480 Speaker 1: H No, hands of Stone, by the way, hands of Stone, 33 00:01:35,640 --> 00:01:38,679 Speaker 1: miles a Piedra. Yes, I remember. 34 00:01:38,800 --> 00:01:43,120 Speaker 3: Listen, I remember someone not communicating to Dan that Roberto 35 00:01:43,200 --> 00:01:46,040 Speaker 3: Duran was going to do this in Spanish. 36 00:01:46,120 --> 00:01:49,040 Speaker 2: I don't think anyone did communicate with them. Then I 37 00:01:49,080 --> 00:01:50,800 Speaker 2: remember someone doesn't speak English. 38 00:01:51,080 --> 00:01:51,320 Speaker 4: Yeah. 39 00:01:51,360 --> 00:01:51,440 Speaker 1: No. 40 00:01:52,080 --> 00:01:54,200 Speaker 3: What I meant to say is I don't remember anyone 41 00:01:54,240 --> 00:01:57,000 Speaker 3: communicating that to us, and it made it very uncomfortable 42 00:01:57,040 --> 00:01:57,720 Speaker 3: for both of the right. 43 00:01:57,840 --> 00:02:00,400 Speaker 2: Yes, yeah, I'll get to that in a second. So 44 00:02:00,400 --> 00:02:02,160 Speaker 2: I always tell you if you want to hear something 45 00:02:02,360 --> 00:02:05,120 Speaker 2: on with Stu Gotts and Hawkman, you can always DM 46 00:02:05,120 --> 00:02:08,600 Speaker 2: me on Instagram Radio Mark Hawkman on Instagram. I get 47 00:02:08,600 --> 00:02:10,919 Speaker 2: a ton of dms. Some people just want to say, hey, 48 00:02:11,040 --> 00:02:13,200 Speaker 2: I'm enjoying the podcast. Just wanted to tell you and 49 00:02:13,200 --> 00:02:15,160 Speaker 2: I'm not asking for anything, and I say, oh, that's 50 00:02:15,160 --> 00:02:19,920 Speaker 2: great love that. Here's an interesting DM I got Hak. 51 00:02:20,000 --> 00:02:23,040 Speaker 2: I've rightly complimented you plenty, but I want to add 52 00:02:23,080 --> 00:02:26,640 Speaker 2: how much I enjoyed the stuff about the logistics around 53 00:02:26,680 --> 00:02:30,639 Speaker 2: the show and Radio Wars. It's been an unexpected pleasure 54 00:02:30,720 --> 00:02:35,160 Speaker 2: hearing Stu Gotts reveal himself to be a smart, savvy 55 00:02:35,320 --> 00:02:40,080 Speaker 2: businessman in contrast to his later role on the show. 56 00:02:40,880 --> 00:02:45,120 Speaker 2: It also underscores that for someone often mocked for lack 57 00:02:45,200 --> 00:02:49,200 Speaker 2: of self awareness, he was incredibly self aware to realize 58 00:02:49,240 --> 00:02:51,840 Speaker 2: that the future of the show was best served with 59 00:02:52,040 --> 00:02:54,680 Speaker 2: him as a supporting actor with Dan as the lead. 60 00:02:55,120 --> 00:02:59,080 Speaker 2: Not many people, having set up the station and presumably 61 00:02:59,400 --> 00:03:02,960 Speaker 2: had thought of being the lead radio personality, would have 62 00:03:03,040 --> 00:03:05,440 Speaker 2: supplanted their ego in that way. 63 00:03:06,480 --> 00:03:07,960 Speaker 1: There's some truth to that that. 64 00:03:07,880 --> 00:03:11,799 Speaker 2: People don't know, because Stu Gotts obviously is very good 65 00:03:11,840 --> 00:03:14,320 Speaker 2: at being a radio host and gotten kind of got 66 00:03:14,320 --> 00:03:17,120 Speaker 2: thrust into a role. I mean, if you do know 67 00:03:17,200 --> 00:03:19,960 Speaker 2: the backstory, and we've talked about a lot on this podcast, 68 00:03:20,160 --> 00:03:23,080 Speaker 2: if you know the backstory of him creating seven ninety 69 00:03:23,160 --> 00:03:25,120 Speaker 2: the ticket, there's business savvy there. 70 00:03:25,200 --> 00:03:27,639 Speaker 1: Stu Gotts is not a walking Boob. 71 00:03:28,200 --> 00:03:30,680 Speaker 3: I appreciate that, huk I am now later in life 72 00:03:30,840 --> 00:03:32,079 Speaker 3: or just stopped caring VI. 73 00:03:32,080 --> 00:03:34,320 Speaker 1: But that's my job, right. 74 00:03:34,320 --> 00:03:36,440 Speaker 3: I don't think anyone gets into radio to be the 75 00:03:36,480 --> 00:03:37,680 Speaker 3: wacky sidekick. 76 00:03:37,800 --> 00:03:37,960 Speaker 4: Right. 77 00:03:38,040 --> 00:03:40,080 Speaker 1: I got into radio. I wanted to be a host. 78 00:03:40,120 --> 00:03:42,240 Speaker 1: I wanted to be a sports talk host. 79 00:03:43,560 --> 00:03:45,760 Speaker 3: And I remember setting up the station and Dan was 80 00:03:45,760 --> 00:03:47,440 Speaker 3: doing afternoons and I was doing middays. 81 00:03:47,440 --> 00:03:48,360 Speaker 1: And then Dan called me a. 82 00:03:48,360 --> 00:03:50,000 Speaker 3: Week before we launched the station and said I don't 83 00:03:50,000 --> 00:03:52,640 Speaker 3: want to do the show by myself. And I said, well, okay, 84 00:03:52,640 --> 00:03:53,880 Speaker 3: who you want to do it with? And he said, 85 00:03:53,880 --> 00:03:55,560 Speaker 3: I want to do it with you, because boob get 86 00:03:55,600 --> 00:03:58,880 Speaker 3: suggested that he do it with me. But I appreciate 87 00:03:58,920 --> 00:04:00,800 Speaker 3: them saying that because it took me all of about 88 00:04:00,840 --> 00:04:03,320 Speaker 3: six months to realize we were not doing this thing correctly. 89 00:04:03,320 --> 00:04:05,360 Speaker 3: Where if it's the Dan Levittard Show, it needs to 90 00:04:05,360 --> 00:04:07,920 Speaker 3: be Dan Lebttard and I need to spackle. And it 91 00:04:08,000 --> 00:04:11,040 Speaker 3: served me, well, It's the greatest decision professionally that I 92 00:04:11,080 --> 00:04:13,680 Speaker 3: ever made, even while I was hesitant in doing so. 93 00:04:14,320 --> 00:04:17,440 Speaker 2: And the guy finishes his direct message, he says, sidebar, 94 00:04:17,640 --> 00:04:19,719 Speaker 2: such a shame Dan couldn't do the same when it 95 00:04:19,760 --> 00:04:22,880 Speaker 2: was screamingly obvious the show was better for your increased 96 00:04:22,960 --> 00:04:26,080 Speaker 2: role talking about me, And then he says, anyway, the 97 00:04:26,200 --> 00:04:29,640 Speaker 2: podcast has given me increased respect for Stu Goatts. 98 00:04:29,800 --> 00:04:33,160 Speaker 1: I love it. Thank you Luke from New Zealand. Well, 99 00:04:33,160 --> 00:04:38,919 Speaker 1: thank you, Luke. I could use the respect I'm lacking 100 00:04:39,000 --> 00:04:39,719 Speaker 1: in that's apartment. 101 00:04:39,800 --> 00:04:43,440 Speaker 2: Yes, somebody DMS me and I did DM him back 102 00:04:43,520 --> 00:04:46,560 Speaker 2: with some with a link. Actually, he says, my request 103 00:04:46,600 --> 00:04:49,520 Speaker 2: for the podcast is Frank Caliendo. It's one of my 104 00:04:49,680 --> 00:04:52,800 Speaker 2: core memories of the show. I'd always drive with my 105 00:04:52,880 --> 00:04:55,120 Speaker 2: wife in the car listening to the show. She didn't 106 00:04:55,160 --> 00:04:58,360 Speaker 2: quite get the show, but his appearance changed all that. 107 00:04:59,080 --> 00:05:02,320 Speaker 2: I believe it was Caliendo's first appearance. He was doing 108 00:05:02,360 --> 00:05:05,920 Speaker 2: his al Pacino impression and calling Dan by his first name, 109 00:05:05,960 --> 00:05:09,159 Speaker 2: and the exchange literally had me laughing so hard I 110 00:05:09,320 --> 00:05:13,280 Speaker 2: was crying and my wife was in stitches. Later that year, 111 00:05:13,640 --> 00:05:16,719 Speaker 2: my wife surprised me with tickets to a front table 112 00:05:16,800 --> 00:05:19,800 Speaker 2: for a Frank Caliendo show at the Old Hard Rock 113 00:05:19,880 --> 00:05:24,159 Speaker 2: Comedy Store. Caliendo was interacting with the front row I 114 00:05:24,320 --> 00:05:27,880 Speaker 2: mentioned Dan. He proceeded to do five minutes of show 115 00:05:27,920 --> 00:05:32,000 Speaker 2: content live on stage. Frank is on my personal mount 116 00:05:32,040 --> 00:05:35,159 Speaker 2: rushmore of guests. On a side note to this day, 117 00:05:35,520 --> 00:05:38,320 Speaker 2: I use ed Cody as my alias when dealing with 118 00:05:38,360 --> 00:05:43,120 Speaker 2: telemarket A lot unpacked there. But what I dm this 119 00:05:43,200 --> 00:05:46,039 Speaker 2: guy back was when Stu Gotts and I started doing 120 00:05:46,080 --> 00:05:51,160 Speaker 2: this podcast before we actually launched it, as with stugottson Hawkman, 121 00:05:51,600 --> 00:05:55,000 Speaker 2: we did a couple episodes under the Stugotson Company banner 122 00:05:55,400 --> 00:05:58,760 Speaker 2: and we brought Frank Frank Calliendo on with us. So 123 00:05:58,880 --> 00:06:03,080 Speaker 2: we've done a retro effective with Frank himself and it's 124 00:06:03,240 --> 00:06:05,320 Speaker 2: on I believe the Stu. 125 00:06:05,160 --> 00:06:07,600 Speaker 1: Gottson company listing. 126 00:06:07,800 --> 00:06:10,960 Speaker 2: I don't think it's under with Stugotts and Hawkman wherever 127 00:06:11,040 --> 00:06:13,720 Speaker 2: you get your podcasts or on YouTube, but it's video 128 00:06:14,040 --> 00:06:17,400 Speaker 2: of me, Stugotts and Frank Calliendo, and we talk a 129 00:06:17,400 --> 00:06:19,880 Speaker 2: lot about the monkeys throwing barrels at you, Dan and 130 00:06:19,920 --> 00:06:22,440 Speaker 2: all that stuff. It's out there somewhere on one of 131 00:06:22,440 --> 00:06:23,520 Speaker 2: the Stugotts channels. 132 00:06:23,880 --> 00:06:25,360 Speaker 1: Yeah, and I'm pleased to say that. 133 00:06:25,480 --> 00:06:28,840 Speaker 3: I think for both of us, Frank has again become 134 00:06:28,920 --> 00:06:30,840 Speaker 3: part of your show. He's become a big part of 135 00:06:30,880 --> 00:06:33,440 Speaker 3: our show individually, both our shows. 136 00:06:33,600 --> 00:06:35,360 Speaker 1: He was just on this week and when the wee. 137 00:06:35,360 --> 00:06:38,960 Speaker 3: Ken observations in all his great voices. But Frank was 138 00:06:39,000 --> 00:06:42,280 Speaker 3: a massive part of our show at the very beginning, 139 00:06:42,480 --> 00:06:45,320 Speaker 3: and people fell in love with Frank Calliendo, and we 140 00:06:45,400 --> 00:06:47,839 Speaker 3: fell in love with Frank Calliendo, and dare I say 141 00:06:47,880 --> 00:06:49,600 Speaker 3: Frank Kellendo fell in love with us? 142 00:06:49,680 --> 00:06:50,400 Speaker 1: It was crazy? 143 00:06:50,600 --> 00:06:53,440 Speaker 5: Yes, Hawk for that listener, I'm looking at it right now. 144 00:06:53,480 --> 00:06:57,599 Speaker 5: It's on Stu gottson Company October twenty ninth two Thy 145 00:06:57,839 --> 00:07:01,320 Speaker 5: twenty five set one. The monkey are still throwing barrels 146 00:07:01,320 --> 00:07:01,560 Speaker 5: at you. 147 00:07:02,040 --> 00:07:04,560 Speaker 3: I maintain you can't have enough Caliendo. We should do 148 00:07:04,600 --> 00:07:06,320 Speaker 3: it right here on this show, though, Hawk. We should 149 00:07:06,360 --> 00:07:08,280 Speaker 3: bring Frank back. I know he wants to do it. 150 00:07:08,360 --> 00:07:10,120 Speaker 1: He loves both of us and we should just keep 151 00:07:10,120 --> 00:07:11,720 Speaker 1: going with him. We should have him on every week. 152 00:07:11,760 --> 00:07:12,200 Speaker 1: Let's do that. 153 00:07:12,600 --> 00:07:14,840 Speaker 2: Well, if you want to hear the original one that 154 00:07:14,880 --> 00:07:17,640 Speaker 2: we did, go look at the Stugotts and Company thread, 155 00:07:18,480 --> 00:07:19,160 Speaker 2: go back to. 156 00:07:20,760 --> 00:07:23,880 Speaker 1: October and you can see it there. 157 00:07:24,640 --> 00:07:27,680 Speaker 3: I'm expecting a ton of downloads for that October episode. 158 00:07:27,760 --> 00:07:28,320 Speaker 1: I mean, let's go. 159 00:07:28,440 --> 00:07:33,360 Speaker 2: Somebody says on DM High Hawk for with Stugotts and Hawkman, 160 00:07:33,480 --> 00:07:37,400 Speaker 2: can we reminisce about I Gotta tell You. My brother 161 00:07:37,440 --> 00:07:40,800 Speaker 2: and I listened to that four hour YouTube video compilation 162 00:07:40,880 --> 00:07:43,760 Speaker 2: of I Gotta tell You driving home from Winter Break 163 00:07:43,800 --> 00:07:47,920 Speaker 2: about ten years ago. I was about twelve years old 164 00:07:48,000 --> 00:07:50,760 Speaker 2: living in New England when the show started, so unfortunately 165 00:07:51,200 --> 00:07:54,760 Speaker 2: I missed a lot of the heyday. That's an amazing thing. 166 00:07:54,760 --> 00:07:58,480 Speaker 2: And I hear this all the time kids who listened 167 00:07:58,480 --> 00:08:01,360 Speaker 2: to the show on their way home from school with 168 00:08:01,480 --> 00:08:03,760 Speaker 2: their dad, and now they're adults. 169 00:08:03,960 --> 00:08:06,480 Speaker 1: I know, they're married and they're. 170 00:08:06,640 --> 00:08:10,720 Speaker 2: Living some of their childhood or they're being exposed to 171 00:08:10,760 --> 00:08:13,480 Speaker 2: stuff from the show that they just didn't get because 172 00:08:13,480 --> 00:08:14,280 Speaker 2: they were younger. 173 00:08:14,840 --> 00:08:16,760 Speaker 1: Yes, but Otheresn't that feel good to you? 174 00:08:16,840 --> 00:08:17,360 Speaker 4: Hawk? Yeah? 175 00:08:17,480 --> 00:08:20,080 Speaker 3: You set out to get into radio to have an impact, 176 00:08:20,120 --> 00:08:22,840 Speaker 3: not just get into radio, but to somehow have an 177 00:08:22,840 --> 00:08:25,880 Speaker 3: impact where very few people have impact in this business. 178 00:08:26,360 --> 00:08:28,360 Speaker 1: And we impacted people's lives. 179 00:08:28,400 --> 00:08:31,320 Speaker 3: And I think that's it gives what we do, this 180 00:08:31,480 --> 00:08:34,800 Speaker 3: ridiculous thing we do some meaning, you know, just hear 181 00:08:34,800 --> 00:08:36,720 Speaker 3: in some sort of communications like that. 182 00:08:36,960 --> 00:08:41,640 Speaker 2: I had a so yesterday on my radio show on WQAM, 183 00:08:42,480 --> 00:08:47,560 Speaker 2: was was the first day of my thirteenth year doing 184 00:08:47,600 --> 00:08:49,240 Speaker 2: afternoon drive radio. 185 00:08:49,440 --> 00:08:52,040 Speaker 1: Means a lot to me. It does to Stugot's as well. 186 00:08:52,080 --> 00:08:55,280 Speaker 2: It's not just my livelihoods, but I've been a fan 187 00:08:55,400 --> 00:08:58,199 Speaker 2: of the medium since I was a kid. I used 188 00:08:58,240 --> 00:09:00,720 Speaker 2: to listen to B ninety six in Chicago, and I 189 00:09:00,800 --> 00:09:03,079 Speaker 2: used to listen to the Loop in Chicago, and Steve 190 00:09:03,160 --> 00:09:05,000 Speaker 2: Dahl was a talk show host that I listened to. 191 00:09:05,040 --> 00:09:08,600 Speaker 2: In Kevin Matthews, Larry Lujack did mornings like I was 192 00:09:08,600 --> 00:09:11,520 Speaker 2: a radio guy. And it hit me yesterday, So I'm 193 00:09:11,559 --> 00:09:15,959 Speaker 2: doing the Uh, I'm doing the afternoon drive show with Crowder. 194 00:09:15,600 --> 00:09:19,080 Speaker 1: And Solana and Jimmy. And it's the start of my 195 00:09:19,320 --> 00:09:20,240 Speaker 1: thirteenth year. 196 00:09:20,400 --> 00:09:23,920 Speaker 2: Yes, I start on April Fool's Day, that is appropriate, 197 00:09:24,280 --> 00:09:26,960 Speaker 2: but it's the start of my thirteenth year. And I 198 00:09:27,080 --> 00:09:29,920 Speaker 2: was I had this moment where I was like, did 199 00:09:30,000 --> 00:09:34,079 Speaker 2: Hank do thirteen years in afternoon drive on QAM. 200 00:09:34,480 --> 00:09:39,839 Speaker 3: I'm not certain do thirteen consecutive years in afternoon drive. 201 00:09:39,920 --> 00:09:43,360 Speaker 3: If anyone did thirteen consecutive years other than you at 202 00:09:43,480 --> 00:09:45,760 Speaker 3: WQAM in afternoon Drive, it was Hank. 203 00:09:45,880 --> 00:09:46,280 Speaker 1: That's it. 204 00:09:46,600 --> 00:09:49,920 Speaker 3: I can't imagine someone else. Mandage was not doing that 205 00:09:49,960 --> 00:09:52,520 Speaker 3: for thirteen years. I think Hank was doing it. For 206 00:09:52,600 --> 00:09:56,200 Speaker 3: maybe sixteen seventeen years until we eventually. 207 00:09:56,280 --> 00:09:58,640 Speaker 2: But there were points where he got moved to mornings, 208 00:09:58,720 --> 00:10:00,360 Speaker 2: right that happened during our show. 209 00:10:00,840 --> 00:10:03,560 Speaker 3: Yes he did move to mornings. What a terrible spot 210 00:10:03,559 --> 00:10:06,160 Speaker 3: for Hank. Putting Hank on in the mornings. I mean 211 00:10:06,200 --> 00:10:07,599 Speaker 3: that is just not what you want to hear on 212 00:10:07,640 --> 00:10:09,679 Speaker 3: the winter work. And I say that respectfully for Hank. 213 00:10:09,880 --> 00:10:12,120 Speaker 3: The perfect spot for Hank in his heyday, in his 214 00:10:12,200 --> 00:10:15,720 Speaker 3: prime was afternoon drive. He was great, He was unbelievable. 215 00:10:16,280 --> 00:10:19,000 Speaker 3: But I haven't rolodex. I think you might. 216 00:10:19,160 --> 00:10:20,559 Speaker 1: His Rolodex was ridiculous. 217 00:10:20,600 --> 00:10:23,640 Speaker 3: I still I still call on some of those numbers today. 218 00:10:24,360 --> 00:10:25,240 Speaker 1: It's about to hear. 219 00:10:25,360 --> 00:10:28,200 Speaker 2: Rolodex was like, you know, before you had contact in 220 00:10:28,240 --> 00:10:33,079 Speaker 2: your phone, man, Hank Roldenberg's Rolodex was insane. 221 00:10:33,400 --> 00:10:36,240 Speaker 3: I mean, if you wanted Earnie a Corsi on, I mean, 222 00:10:36,320 --> 00:10:39,320 Speaker 3: Hank had the number for you. 223 00:10:38,160 --> 00:10:41,600 Speaker 2: If you needed beIN O cook at an instant notice, Yes, 224 00:10:41,679 --> 00:10:42,400 Speaker 2: there he was. 225 00:10:42,800 --> 00:10:44,920 Speaker 3: But Hack, doesn't that feel good because I used to 226 00:10:44,920 --> 00:10:46,560 Speaker 3: call I think Taylor is looking up how long Hank 227 00:10:46,640 --> 00:10:48,480 Speaker 3: was at wq AM doing afternoon drives. 228 00:10:48,520 --> 00:10:51,360 Speaker 1: But I used to tell Mike and Chris and it. 229 00:10:51,320 --> 00:10:55,040 Speaker 3: Made them feel so good, Mike Francessa and Christopher mad 230 00:10:55,040 --> 00:10:57,760 Speaker 3: Dog Russo that the reason I got into this industry 231 00:10:57,840 --> 00:11:00,200 Speaker 3: was because of them. I was listening to them on 232 00:11:00,400 --> 00:11:02,839 Speaker 3: car drives home with my father, whether he's picking me 233 00:11:02,920 --> 00:11:05,640 Speaker 3: up from school or just running around town, and that's 234 00:11:05,679 --> 00:11:07,920 Speaker 3: why they were the reasons I decided to get into 235 00:11:07,920 --> 00:11:11,080 Speaker 3: this industry, and it made them feel good. So I 236 00:11:11,120 --> 00:11:13,200 Speaker 3: have to think when you hear stories like that, you 237 00:11:13,240 --> 00:11:15,000 Speaker 3: feel great about it, right, Yeah. 238 00:11:14,840 --> 00:11:17,719 Speaker 2: It's wild, it's awesome when you think. I'm not only 239 00:11:17,760 --> 00:11:20,200 Speaker 2: am I on my thirteenth year now doing afternoon Drive 240 00:11:20,200 --> 00:11:23,800 Speaker 2: on QAM, but I had eight nine years with Dan 241 00:11:23,880 --> 00:11:26,080 Speaker 2: and you, and then I had a couple of years 242 00:11:26,160 --> 00:11:27,559 Speaker 2: doing mornings with Zaslow. 243 00:11:28,120 --> 00:11:31,559 Speaker 1: So you're talking about over twenty. 244 00:11:31,200 --> 00:11:35,480 Speaker 2: Years of being on the air in the Miami market 245 00:11:35,600 --> 00:11:37,880 Speaker 2: without a break. I had a three month break where 246 00:11:37,880 --> 00:11:40,000 Speaker 2: I had to sit out my note compete and my 247 00:11:40,520 --> 00:11:43,360 Speaker 2: contract at seven ninety the ticket when I was moving 248 00:11:43,360 --> 00:11:45,920 Speaker 2: to QAM. My contract at seven ninety the ticket expired 249 00:11:45,960 --> 00:11:48,520 Speaker 2: on December thirty first, so I had to sit out 250 00:11:48,520 --> 00:11:50,319 Speaker 2: the first three months of the year before I started 251 00:11:50,360 --> 00:11:54,640 Speaker 2: afternoon Drive at QAM, which meant I started April. 252 00:11:54,320 --> 00:11:58,559 Speaker 1: First, Yeah, which was wildly appropriate. 253 00:11:58,760 --> 00:12:01,280 Speaker 3: We are very fortunate that is not the norm in 254 00:12:01,320 --> 00:12:03,679 Speaker 3: this industry where guys like us get to do this 255 00:12:03,720 --> 00:12:05,600 Speaker 3: for as long as we've been doing it at the 256 00:12:05,679 --> 00:12:07,839 Speaker 3: levels we've been doing it at, and so I'm very 257 00:12:07,840 --> 00:12:08,439 Speaker 3: grateful for. 258 00:12:08,400 --> 00:12:12,640 Speaker 2: That, especially when some of the stuff we've done is this. 259 00:12:13,080 --> 00:12:18,680 Speaker 2: So Roberto Duran gets booked for the show, and I 260 00:12:18,920 --> 00:12:23,000 Speaker 2: believe it was a fight promoter who had called me. 261 00:12:23,240 --> 00:12:25,480 Speaker 2: He had done a bunch of stuff with Don King before. 262 00:12:25,520 --> 00:12:27,320 Speaker 2: Don King was a very good guest on the show. 263 00:12:27,400 --> 00:12:31,599 Speaker 2: He was always I mean, that guy delivered beyond what 264 00:12:32,080 --> 00:12:35,400 Speaker 2: you would need from any radio guest. 265 00:12:35,760 --> 00:12:39,000 Speaker 1: Don King always delivered. He gave you Max Don King, 266 00:12:39,120 --> 00:12:39,880 Speaker 1: Yes he did. 267 00:12:40,080 --> 00:12:42,199 Speaker 2: He was perfect. Sometimes he would come in studio. I 268 00:12:42,200 --> 00:12:45,000 Speaker 2: remember him coming in studio. Oh absolutely, Yeah. 269 00:12:45,040 --> 00:12:47,560 Speaker 1: So we book Roberto Duran. 270 00:12:47,720 --> 00:12:50,800 Speaker 2: He's coming for some event in Miami, and this is 271 00:12:50,840 --> 00:12:52,640 Speaker 2: a big name, and I know, I think we had 272 00:12:52,800 --> 00:12:55,560 Speaker 2: talked in one of the previous episodes, Taylor, you didn't 273 00:12:55,559 --> 00:13:00,640 Speaker 2: know who Roberto Duran was. But back in the eighties, Hagler, Duran, Chugar, 274 00:13:00,679 --> 00:13:03,199 Speaker 2: Ray Leonard, Tommy Hearns, it. 275 00:13:03,160 --> 00:13:05,120 Speaker 1: Was all about the middleweights. 276 00:13:05,160 --> 00:13:10,400 Speaker 2: Tommy Hearns's nickname hit Man, hit Man Man Hearns. 277 00:13:10,920 --> 00:13:12,040 Speaker 1: Ernie Shavers. 278 00:13:12,600 --> 00:13:14,480 Speaker 2: He really wasn't in that group, but I just wanted 279 00:13:14,480 --> 00:13:16,720 Speaker 2: to mention Ernie Shavers Savers. 280 00:13:17,160 --> 00:13:20,120 Speaker 3: By the way, Hank forty, it says somewhere between fourteen 281 00:13:20,160 --> 00:13:22,960 Speaker 3: and sixteen years as an afternoon drive host at w QA. 282 00:13:23,080 --> 00:13:26,160 Speaker 1: So I'm approaching that, which is a getting wild, man wild. 283 00:13:26,559 --> 00:13:28,239 Speaker 1: If I told you one day. 284 00:13:28,160 --> 00:13:31,440 Speaker 3: That you would host more consecutive years after new Drive 285 00:13:31,559 --> 00:13:33,800 Speaker 3: than the hammer you would out of the room. 286 00:13:34,280 --> 00:13:38,080 Speaker 1: Would not believe it. Literally would not believe it. I know. 287 00:13:38,520 --> 00:13:44,240 Speaker 2: Congratulations man, and much the way that people suggested BAM 288 00:13:44,800 --> 00:13:47,119 Speaker 2: should have come out of the game at eighty points. 289 00:13:47,200 --> 00:13:51,640 Speaker 2: In deference to Code eighty one, I'm going to hang 290 00:13:51,679 --> 00:13:53,800 Speaker 2: it up before I get to that sixteenth year. 291 00:13:54,320 --> 00:13:58,880 Speaker 1: In deference to Hank, are you really it's a lottery. 292 00:13:59,120 --> 00:14:01,360 Speaker 1: If you win the lottery, you're not going to do that. 293 00:14:01,440 --> 00:14:04,800 Speaker 2: I mean, by the way, for those who are big 294 00:14:04,840 --> 00:14:07,640 Speaker 2: you know radio fans from Miami from back in the day. 295 00:14:07,720 --> 00:14:12,520 Speaker 2: Joe Bell is the general manager at WQAM who hired 296 00:14:12,559 --> 00:14:15,719 Speaker 2: me away from seven ninety. The ticket Joe Bell had 297 00:14:15,760 --> 00:14:18,839 Speaker 2: tried to hire you and Dan and Joe Bell was 298 00:14:18,880 --> 00:14:21,240 Speaker 2: a market mainstay at QAM. 299 00:14:21,640 --> 00:14:24,080 Speaker 1: He left and he went. 300 00:14:23,920 --> 00:14:26,280 Speaker 2: To work in the Philadelphia market for a long time, 301 00:14:26,360 --> 00:14:28,360 Speaker 2: and so on and so forth. But I'm still friendly 302 00:14:28,400 --> 00:14:32,280 Speaker 2: with him. I talk with them every April First, because 303 00:14:32,320 --> 00:14:35,040 Speaker 2: we signed my contract. I couldn't even sign a contract 304 00:14:35,120 --> 00:14:38,640 Speaker 2: during my note compete, so we met at midnight at 305 00:14:38,680 --> 00:14:41,680 Speaker 2: a Denny's on April first. I went on the air 306 00:14:41,720 --> 00:14:44,280 Speaker 2: that day at two in the afternoon, but we met 307 00:14:44,320 --> 00:14:47,160 Speaker 2: at midnight at a Denny's to sign my contract. 308 00:14:47,520 --> 00:14:49,400 Speaker 1: So every April First I talked. 309 00:14:49,120 --> 00:14:54,120 Speaker 2: With Joe Bell and we reminisce about that day in 310 00:14:54,160 --> 00:14:55,880 Speaker 2: my career starting at QAM. 311 00:14:56,240 --> 00:14:57,320 Speaker 1: Joe Bell, just as. 312 00:14:57,240 --> 00:15:00,360 Speaker 2: An Aside, suffered a heart attack a couple of weeks ago, 313 00:15:00,920 --> 00:15:04,320 Speaker 2: has had a pacemaker installed, had some corrective surgery. 314 00:15:04,400 --> 00:15:05,440 Speaker 1: He is on the mend. 315 00:15:06,040 --> 00:15:08,400 Speaker 2: So those of you who used to listen to QAM, 316 00:15:08,680 --> 00:15:10,920 Speaker 2: Hank used to call him, or Neil Rodgers used to 317 00:15:10,920 --> 00:15:13,440 Speaker 2: call him Jolly Joe Bell. He used to make fun 318 00:15:13,480 --> 00:15:15,080 Speaker 2: of his weight all the time, and he ended up 319 00:15:15,120 --> 00:15:18,480 Speaker 2: losing a lot of weight. He's been skinny for many 320 00:15:18,480 --> 00:15:22,760 Speaker 2: many years now. But yeah, on the men from a 321 00:15:22,760 --> 00:15:23,440 Speaker 2: little heart. 322 00:15:23,560 --> 00:15:26,040 Speaker 3: Issue, they would make fun of him. That's what hosts do. 323 00:15:26,120 --> 00:15:28,520 Speaker 3: They make fun of management. But Joe Ball was excellent 324 00:15:28,560 --> 00:15:30,840 Speaker 3: at his job. He was very good, right, Yeah, he was. 325 00:15:31,080 --> 00:15:33,920 Speaker 3: So you've spoken to him thirteen times, is what you're saying. 326 00:15:35,600 --> 00:15:39,600 Speaker 1: Once a year. First, what you order at Denny's that night? 327 00:15:39,640 --> 00:15:40,240 Speaker 1: Do you remember? 328 00:15:40,760 --> 00:15:46,240 Speaker 2: So I remember what he ordered? I don't think I 329 00:15:46,280 --> 00:15:47,520 Speaker 2: was very hungry. It was midnight. 330 00:15:47,560 --> 00:15:48,800 Speaker 1: I knew I was gonna have to do my friend 331 00:15:48,880 --> 00:15:51,360 Speaker 1: show on QAM, like, but I couldn't wait till the 332 00:15:51,400 --> 00:15:51,920 Speaker 1: next morning. 333 00:15:52,000 --> 00:15:58,280 Speaker 2: I mean, he ordered a hangar steak right at Denny's 334 00:15:58,720 --> 00:16:02,080 Speaker 2: at midnike. But he was a hillbilly, like Joe Bell 335 00:16:02,200 --> 00:16:05,840 Speaker 2: was a hillbilly. Yes, And he ordered a hangar steak. So, 336 00:16:05,920 --> 00:16:09,720 Speaker 2: this real thin steak, and it looked exactly like you 337 00:16:09,720 --> 00:16:11,560 Speaker 2: would imagine it would look coming out of the kitchen 338 00:16:11,560 --> 00:16:16,280 Speaker 2: at Denny's at midnight, and like nothing you would ever eat. 339 00:16:16,680 --> 00:16:19,480 Speaker 2: And he took a few bites, and then he took 340 00:16:19,520 --> 00:16:22,440 Speaker 2: the salt shaker right and he poured. 341 00:16:22,200 --> 00:16:23,320 Speaker 1: Salt all over it. 342 00:16:24,560 --> 00:16:27,600 Speaker 2: And that's so he wouldn't eat anymore. That's how he 343 00:16:27,760 --> 00:16:28,960 Speaker 2: lost all that weight. 344 00:16:29,280 --> 00:16:32,200 Speaker 1: He so he would so much salt on it. We 345 00:16:32,480 --> 00:16:34,840 Speaker 1: get the enjoyment of eating some of his meal. 346 00:16:35,240 --> 00:16:37,560 Speaker 2: This is because I had several meals with him, and 347 00:16:37,600 --> 00:16:39,880 Speaker 2: then when he wanted to be done eating, he would 348 00:16:40,000 --> 00:16:42,600 Speaker 2: unscrew the top of the salt shaker and pour the 349 00:16:42,600 --> 00:16:45,280 Speaker 2: salt all over whatever he was eating, and then he 350 00:16:45,280 --> 00:16:46,320 Speaker 2: couldn't eat it any longer. 351 00:16:46,360 --> 00:16:48,760 Speaker 3: Well, he would salt it out. He would, he would 352 00:16:48,800 --> 00:16:51,960 Speaker 3: over salt it. That's I'm gonna try that. It's not 353 00:16:52,040 --> 00:16:53,120 Speaker 3: a bad methodology. 354 00:16:53,480 --> 00:16:53,960 Speaker 1: No, it's not. 355 00:16:55,000 --> 00:16:56,480 Speaker 3: I thought you were going to say he just dripped 356 00:16:56,480 --> 00:16:58,840 Speaker 3: it in salt. I was gonna say, hence the ticker issues. 357 00:16:58,920 --> 00:17:06,240 Speaker 1: I mean, but I'm glad away. Well, yes, here it is. 358 00:17:06,359 --> 00:17:09,720 Speaker 2: This is Roberto Durand so now you know, when we'd 359 00:17:09,760 --> 00:17:12,359 Speaker 2: have big guests coming up on the show, there'd be 360 00:17:12,400 --> 00:17:15,840 Speaker 2: a little buzz of activity and Dan would be looking 361 00:17:15,920 --> 00:17:19,120 Speaker 2: back towards the glass because we'd try to time it out. Obviously, 362 00:17:19,119 --> 00:17:21,480 Speaker 2: you come back from a break and then it's like, okay, 363 00:17:21,560 --> 00:17:23,239 Speaker 2: we're ready, do we have him on the phone, And 364 00:17:23,480 --> 00:17:26,159 Speaker 2: I'd be talking to him and I was probably my 365 00:17:26,280 --> 00:17:32,120 Speaker 2: guess is I just said, are you there, Roberto? Yes, okay, 366 00:17:32,200 --> 00:17:34,840 Speaker 2: you're gonna be on. Dan Lebtard is the name of 367 00:17:34,880 --> 00:17:38,720 Speaker 2: the host. His his co host is Stu Gotts. Okay, 368 00:17:39,880 --> 00:17:42,320 Speaker 2: put them on hold. I give you and Dan the 369 00:17:42,359 --> 00:17:44,360 Speaker 2: thumbs up, the yes and the okay. 370 00:17:44,440 --> 00:17:46,720 Speaker 3: He speaks English, you're thinking, I need to tell Dan 371 00:17:46,800 --> 00:17:47,440 Speaker 3: and Stu anything. 372 00:17:47,480 --> 00:17:48,040 Speaker 1: We're good at here. 373 00:17:48,160 --> 00:17:51,120 Speaker 2: So yeah, And because we're already back from commercial break, 374 00:17:51,119 --> 00:17:52,639 Speaker 2: it's not like I'm trying to get him to record 375 00:17:52,640 --> 00:17:55,920 Speaker 2: a drop, so this is quick. He's probably like, hey, 376 00:17:56,080 --> 00:17:58,040 Speaker 2: we got him, all right, let's go, let's go. We've 377 00:17:58,040 --> 00:18:00,760 Speaker 2: been waiting for him to call in and and here's 378 00:18:01,040 --> 00:18:02,320 Speaker 2: what transpires. 379 00:18:02,760 --> 00:18:05,399 Speaker 6: Roberto, how do you react when you're walking around and 380 00:18:05,440 --> 00:18:07,440 Speaker 6: you are a very famous fighter, you are a very 381 00:18:07,520 --> 00:18:11,600 Speaker 6: good fighter, Monos de Piedra hands of Stone. How do 382 00:18:11,640 --> 00:18:15,080 Speaker 6: you react when you're walking around and people shout at you. 383 00:18:17,720 --> 00:18:28,320 Speaker 4: An glaze much? 384 00:18:32,760 --> 00:18:34,399 Speaker 6: Okay, that would have been a good thing to know 385 00:18:34,520 --> 00:18:36,239 Speaker 6: before we started this. Let's play for him. 386 00:18:36,280 --> 00:18:42,320 Speaker 1: You're the way up. Evander Holyfield and l What I 387 00:18:42,359 --> 00:18:43,240 Speaker 1: asked is. 388 00:18:43,600 --> 00:18:45,600 Speaker 6: Evander Holyfield when he was on with us this is 389 00:18:45,640 --> 00:18:49,040 Speaker 6: a disaster. When he was on with us, Evander Holyfield, 390 00:18:49,040 --> 00:18:51,199 Speaker 6: I asked him about his workout regimen. I'm not now 391 00:18:51,280 --> 00:19:02,880 Speaker 6: going to get Roberto Duran to comment on it. Roberto 392 00:19:05,040 --> 00:19:09,480 Speaker 6: my my sentiments exactly. Roberto Durant joins us on seven 393 00:19:09,560 --> 00:19:13,480 Speaker 6: ninety the ticket. I've begun sweating profusely. I am sweating. 394 00:19:14,880 --> 00:19:17,960 Speaker 6: I am sweating through my shirt because nobody told me 395 00:19:18,240 --> 00:19:19,560 Speaker 6: that this was gonna happen. 396 00:19:20,280 --> 00:19:20,920 Speaker 1: Oh my god. 397 00:19:20,960 --> 00:19:23,000 Speaker 6: All right, Roberto, thank you so much for being on. 398 00:19:23,040 --> 00:19:33,000 Speaker 1: What's up? Okay? Thank you? Did you know how silent 399 00:19:33,119 --> 00:19:37,359 Speaker 1: I was? What were you gonna do? It was? 400 00:19:36,359 --> 00:19:39,480 Speaker 2: It was? It was, I mean talk about sweating. We're 401 00:19:39,640 --> 00:19:45,720 Speaker 2: all sweating. And here's the funny thing about Dan. You 402 00:19:45,720 --> 00:19:48,919 Speaker 2: know that Evander Holyfield sound that he played there, We 403 00:19:48,960 --> 00:19:50,240 Speaker 2: had played it a million times. 404 00:19:50,240 --> 00:19:53,080 Speaker 1: Remember we had a vander Vander Holyfield on. He couldn't 405 00:19:53,119 --> 00:19:54,679 Speaker 1: string two sentences together. 406 00:19:55,040 --> 00:19:58,040 Speaker 2: Yeah, he was so messed up, he couldn't string two 407 00:19:58,080 --> 00:20:01,000 Speaker 2: sentences together. And Dana asked him by his workout regimen 408 00:20:01,280 --> 00:20:04,840 Speaker 2: and he answered with this, I know. And we we 409 00:20:04,880 --> 00:20:06,960 Speaker 2: would play that for everyone, and we. 410 00:20:06,920 --> 00:20:09,399 Speaker 1: Would play it for any guest who came on. 411 00:20:09,520 --> 00:20:12,920 Speaker 2: We would say, hey, listen to what Evander Holyfield's exercise 412 00:20:13,040 --> 00:20:15,720 Speaker 2: regimen is and see how it compares to yours. And 413 00:20:15,760 --> 00:20:17,760 Speaker 2: we play that clip and everybody would be like, I 414 00:20:17,760 --> 00:20:20,439 Speaker 2: don't understand what he's saying, which was the joke. The 415 00:20:20,480 --> 00:20:23,200 Speaker 2: fact that Dan went through with it and still did 416 00:20:23,240 --> 00:20:27,399 Speaker 2: it while while the whole interview is up in flames, 417 00:20:28,119 --> 00:20:32,040 Speaker 2: is just a testament to how panicked he was. 418 00:20:32,480 --> 00:20:35,640 Speaker 1: Yes, because he couldn't understand Dan. 419 00:20:36,000 --> 00:20:37,800 Speaker 2: How the hell is he going to get the joke 420 00:20:37,960 --> 00:20:39,679 Speaker 2: of the Evander Holyfield clip. 421 00:20:41,400 --> 00:20:43,439 Speaker 1: But he was reeling. He was in a tough spot, 422 00:20:43,640 --> 00:20:44,840 Speaker 1: and then he went to reset. 423 00:20:44,920 --> 00:20:47,280 Speaker 3: He thought he was going to continue with Duran, and 424 00:20:47,280 --> 00:20:48,639 Speaker 3: then he ended up not doing it. 425 00:20:48,680 --> 00:20:51,639 Speaker 1: But not your listen. I hope it doesn't haunt you. 426 00:20:51,680 --> 00:20:53,119 Speaker 1: I hope it doesn't keep you up at night. He 427 00:20:53,119 --> 00:20:55,359 Speaker 1: did say yes, and okay, I mean and then and 428 00:20:55,400 --> 00:20:56,439 Speaker 1: then Roberto Duran. 429 00:20:56,640 --> 00:20:59,399 Speaker 2: At the end, he realizes this is terrible and he's like, 430 00:20:59,560 --> 00:21:07,239 Speaker 2: I try English, Nah, Jack, We're good. 431 00:21:07,520 --> 00:21:07,920 Speaker 4: Chance. 432 00:21:08,720 --> 00:21:10,480 Speaker 1: Should have played a game of yes or no with them. 433 00:21:10,520 --> 00:21:12,000 Speaker 1: I play it one more time. 434 00:21:12,119 --> 00:21:15,360 Speaker 2: Because the way that Dan just launches into the Evander 435 00:21:15,440 --> 00:21:21,159 Speaker 2: Holyfield sound without having the situational awareness, this is like 436 00:21:22,000 --> 00:21:23,840 Speaker 2: one of the Boozer twins at the end of that 437 00:21:24,000 --> 00:21:27,919 Speaker 2: Duke and Yukotton game the other night, where I feel 438 00:21:27,920 --> 00:21:30,560 Speaker 2: like the situational awareness may have been off a little 439 00:21:30,600 --> 00:21:34,200 Speaker 2: bit Dan's got to have a little more situational awareness. 440 00:21:34,240 --> 00:21:37,159 Speaker 1: Although now that I'm thinking it through, Dan's buying himself 441 00:21:37,200 --> 00:21:40,200 Speaker 1: some time. That's all he was doing. Dan's buyinglf some time. 442 00:21:40,440 --> 00:21:43,240 Speaker 2: I can fire off this sound and give me fifteen 443 00:21:43,359 --> 00:21:47,720 Speaker 2: seconds to recalibrate what I'm doing here, even though there's 444 00:21:47,760 --> 00:21:52,640 Speaker 2: no saving it. Fifteen seconds he learned to speak English, 445 00:21:53,680 --> 00:21:57,679 Speaker 2: or maybe the earth will have exploded and none of 446 00:21:57,720 --> 00:22:01,320 Speaker 2: this will matter one more time because there's so much 447 00:22:01,359 --> 00:22:04,560 Speaker 2: going on here. Dan comes out of the box. Yeah, 448 00:22:04,760 --> 00:22:07,760 Speaker 2: good boxing question, Good Roberto Duran question. 449 00:22:07,920 --> 00:22:10,119 Speaker 1: What's it like to be you? Yes? 450 00:22:10,400 --> 00:22:14,119 Speaker 3: And people need to realize hawk that Dan is a perfectionist, 451 00:22:14,200 --> 00:22:15,880 Speaker 3: which is one of the reasons the show. 452 00:22:15,960 --> 00:22:17,119 Speaker 1: Like he really. 453 00:22:16,800 --> 00:22:20,280 Speaker 3: Cares about this stuff, and he cares about boxing in 454 00:22:20,320 --> 00:22:22,920 Speaker 3: a weird way where he turns into like Larry Merchant 455 00:22:22,960 --> 00:22:25,719 Speaker 3: every time there's a big fight on. He really cares 456 00:22:25,760 --> 00:22:29,480 Speaker 3: about this sport and he's excited to have Roberto Duran on. Yeah, 457 00:22:29,520 --> 00:22:32,480 Speaker 3: at that time, as you pointed out, the middleweights were 458 00:22:32,480 --> 00:22:33,240 Speaker 3: the heavyweights. 459 00:22:33,240 --> 00:22:35,160 Speaker 1: They were the stars of the sport. Well, this one, 460 00:22:35,240 --> 00:22:36,359 Speaker 1: I mean, it wasn't that that. 461 00:22:36,400 --> 00:22:38,240 Speaker 2: I mean at that time, it wasn't because it was 462 00:22:38,240 --> 00:22:40,080 Speaker 2: in the eighties, but this, this is in the early 463 00:22:40,119 --> 00:22:40,639 Speaker 2: two thousands. 464 00:22:40,640 --> 00:22:43,600 Speaker 1: Bus Duran was growing up. Roberto Duran was a hero. 465 00:22:44,160 --> 00:22:47,520 Speaker 3: Yes, definitely, Thomas Hear and Sugar Ray Leonard that that 466 00:22:47,720 --> 00:22:51,399 Speaker 3: entire that entire class, that was the most exciting class. 467 00:22:51,560 --> 00:22:55,480 Speaker 2: But man, it goes south like from the first answer 468 00:22:55,560 --> 00:23:00,520 Speaker 2: he goes, yeah, I don't really speak English and Dan 469 00:23:01,240 --> 00:23:05,200 Speaker 2: as anyone would. By the way, Dan doesn't know. There's 470 00:23:05,400 --> 00:23:08,960 Speaker 2: the Luckily Dan speaks Spanish, right. 471 00:23:08,960 --> 00:23:11,280 Speaker 3: So when Dan says here and the audience is gonna 472 00:23:11,320 --> 00:23:12,720 Speaker 3: hear it would have been nice to know on the 473 00:23:12,720 --> 00:23:15,240 Speaker 3: front end. Did you look through him in the glass 474 00:23:15,280 --> 00:23:16,919 Speaker 3: and say, oh, you're talking English to me? 475 00:23:17,080 --> 00:23:19,879 Speaker 2: I mean one hundred percent that is a that is 476 00:23:19,920 --> 00:23:23,679 Speaker 2: a dart in my forehead. Would have been nice to 477 00:23:23,760 --> 00:23:27,160 Speaker 2: know this beforehand. That is that is an air dart 478 00:23:28,480 --> 00:23:29,680 Speaker 2: right into my forehead. 479 00:23:30,600 --> 00:23:36,040 Speaker 1: He's only speaking to one person. Yeah, play it again, Taylor. 480 00:23:36,160 --> 00:23:38,800 Speaker 6: Roberto, how do you react when you're walking around and 481 00:23:38,880 --> 00:23:42,320 Speaker 6: you are a very famous fighter, You are very good fighter. 482 00:23:42,359 --> 00:23:45,600 Speaker 6: Monos de Piedra Hands of Stone. How do you react 483 00:23:45,640 --> 00:23:48,600 Speaker 6: when you're walking around and people shout. 484 00:23:48,280 --> 00:24:01,720 Speaker 4: At you and no one slam and Glens is too much. 485 00:24:06,160 --> 00:24:07,840 Speaker 6: Okay, that would have been a good thing to know 486 00:24:07,920 --> 00:24:09,920 Speaker 6: before we started this. Let's play for him. You're the 487 00:24:09,960 --> 00:24:15,720 Speaker 6: way I way up. Vander Holyfield and La. What I 488 00:24:15,760 --> 00:24:18,800 Speaker 6: asked is Evander Holyfield when he was on with us, 489 00:24:18,800 --> 00:24:21,240 Speaker 6: this is a disaster. When he was on with US, 490 00:24:21,400 --> 00:24:24,159 Speaker 6: Evander Holyfield, I asked him about his workout regimen. I'm 491 00:24:24,200 --> 00:24:36,399 Speaker 6: not now going to get Roberto Durant to comment on it. Roberto, 492 00:24:38,440 --> 00:24:42,880 Speaker 6: my my sentiments exactly. Roberto Durant joins us on seven 493 00:24:43,000 --> 00:24:46,880 Speaker 6: ninety the ticket. I've begun sweating profusely. I am sweating. 494 00:24:48,280 --> 00:24:51,320 Speaker 6: I am sweating through my shirt because nobody told me 495 00:24:51,640 --> 00:24:52,959 Speaker 6: that this was gonna happen. 496 00:24:53,720 --> 00:24:54,320 Speaker 1: Oh my god. 497 00:24:54,359 --> 00:24:56,400 Speaker 6: All right, Roberto, thank you so much for being on. 498 00:24:56,440 --> 00:24:59,879 Speaker 4: What's okay? Thank you? 499 00:25:00,040 --> 00:25:06,600 Speaker 3: Okay, you are so right about the situational awareness. 500 00:25:08,800 --> 00:25:18,840 Speaker 1: Just hold on to the ball. Just get out a 501 00:25:18,880 --> 00:25:23,000 Speaker 1: couple other dms. You can't understand you, you think. 502 00:25:24,760 --> 00:25:25,200 Speaker 4: Nothing. 503 00:25:26,880 --> 00:25:30,439 Speaker 2: And then he said to him to EXTRACTO, like what 504 00:25:30,560 --> 00:25:31,760 Speaker 2: do you extract from that? 505 00:25:31,880 --> 00:25:36,480 Speaker 1: Sound like what? And he responds with hah, which we 506 00:25:36,680 --> 00:25:37,919 Speaker 1: played on the show. 507 00:25:38,040 --> 00:25:40,800 Speaker 2: A million times. That became part of the Suey montage. 508 00:25:41,200 --> 00:25:45,840 Speaker 2: Roberto Duran saying huh yeah, made it worth it. You 509 00:25:45,880 --> 00:25:47,720 Speaker 2: can DM me if there's something you want to hear 510 00:25:47,720 --> 00:25:51,840 Speaker 2: on this podcast Radio Mark Hackman on Instagram, or you 511 00:25:51,840 --> 00:25:55,439 Speaker 2: can just message me something like this, Mark Greetings. I 512 00:25:55,480 --> 00:25:58,399 Speaker 2: started listening to Levittard when they hit ESPN. I was 513 00:25:58,400 --> 00:26:00,560 Speaker 2: in the army, so I missed your time on the show. 514 00:26:01,000 --> 00:26:03,840 Speaker 2: I am also one of the many listeners missing Stu 515 00:26:03,920 --> 00:26:06,479 Speaker 2: Gotts on the show. I'm living it up in Bali 516 00:26:06,640 --> 00:26:09,320 Speaker 2: for the last Bali for the last ten years, and 517 00:26:09,400 --> 00:26:12,199 Speaker 2: my days driving two hours to different parts of the 518 00:26:12,359 --> 00:26:16,880 Speaker 2: island are made more exciting because you and Stu bring 519 00:26:17,000 --> 00:26:20,880 Speaker 2: back these past bits and they're fantastic. Hearing you talking 520 00:26:20,880 --> 00:26:23,840 Speaker 2: about poop shoes had me laughing so damn hard I 521 00:26:23,880 --> 00:26:27,240 Speaker 2: almost lost control driving my bike down a fucking volcano. 522 00:26:27,720 --> 00:26:31,280 Speaker 1: Thank you for what you do. You appreciate that. Yes, 523 00:26:31,320 --> 00:26:33,400 Speaker 1: we thank you for your service, of course. Yes. 524 00:26:34,560 --> 00:26:36,680 Speaker 2: Oh this is the email for Stu Gotts and Hawkman. 525 00:26:36,760 --> 00:26:40,040 Speaker 2: Is there any backstory worth telling about the Roberto Duran interview. 526 00:26:40,440 --> 00:26:43,359 Speaker 2: I just remember it being a very uncomfortable interview for Dan. 527 00:26:43,480 --> 00:26:45,560 Speaker 2: Those were always some of the funnier moments on the show. 528 00:26:45,600 --> 00:26:49,800 Speaker 2: Well you just got it. 529 00:26:48,640 --> 00:26:54,119 Speaker 1: Not what you asked for man somebody. Yeah, this was 530 00:26:54,160 --> 00:26:55,480 Speaker 1: interesting to me. Mark. 531 00:26:55,600 --> 00:26:57,879 Speaker 2: Been really enjoying the throwback stuff you've been doing with 532 00:26:57,920 --> 00:27:03,520 Speaker 2: Stu Gotts. It's what the Butard Show retrospective tried to be. Anyway, 533 00:27:03,800 --> 00:27:06,639 Speaker 2: when you guys recently did some of your hokey pokey songs, 534 00:27:06,680 --> 00:27:08,800 Speaker 2: you never got to my favorite one, which I think 535 00:27:08,880 --> 00:27:11,840 Speaker 2: is an underrated gem. It was the one about Nick 536 00:27:11,920 --> 00:27:14,640 Speaker 2: Saban not knowing how to throw the challenge flag when 537 00:27:14,640 --> 00:27:15,640 Speaker 2: he was with the Dolphins. 538 00:27:15,640 --> 00:27:17,800 Speaker 1: Can you find it and play it? I do have 539 00:27:17,840 --> 00:27:18,120 Speaker 1: that one. 540 00:27:18,160 --> 00:27:19,720 Speaker 2: I chose not to play it when we did the 541 00:27:19,720 --> 00:27:22,040 Speaker 2: Poke episode because I didn't think that one was very good. 542 00:27:22,440 --> 00:27:23,520 Speaker 1: But we will go back and. 543 00:27:23,480 --> 00:27:25,439 Speaker 2: Play that one because I'll do all the requests that 544 00:27:25,480 --> 00:27:27,240 Speaker 2: we that we do get. 545 00:27:27,840 --> 00:27:30,840 Speaker 3: Yes, your request turns into an episode, so we're good. 546 00:27:31,760 --> 00:27:34,640 Speaker 1: Yeah, roberta Duran thing is funny, all right. 547 00:27:34,720 --> 00:27:38,560 Speaker 2: So we'll get in to the Stephen Sagall at Stephen 548 00:27:38,600 --> 00:27:42,560 Speaker 2: Sagall episode in the next episode because I have some 549 00:27:42,760 --> 00:27:44,800 Speaker 2: great cuts from that. 550 00:27:45,880 --> 00:27:48,159 Speaker 3: But as we said, back to back badasses and you 551 00:27:48,200 --> 00:27:50,480 Speaker 3: were and you were, and you were apologizing for not 552 00:27:50,600 --> 00:27:53,159 Speaker 3: having a second badass on we just had Roberto Duran. 553 00:27:53,600 --> 00:27:54,040 Speaker 1: Yeah, you know. 554 00:27:54,080 --> 00:27:57,080 Speaker 2: To be quite honest, it does fall into the badass theme. 555 00:27:57,680 --> 00:28:01,000 Speaker 3: Yes, I mean Roberto duran Is pro would probably kick 556 00:28:01,040 --> 00:28:02,119 Speaker 3: Steven Segall's ass. 557 00:28:02,160 --> 00:28:04,399 Speaker 1: I don't know, just yeah, he was a real fighter. 558 00:28:04,880 --> 00:28:09,240 Speaker 2: Really well though, it's all I guess, would consider himself 559 00:28:09,240 --> 00:28:11,480 Speaker 2: a real fighter. All right, as we end every with 560 00:28:11,640 --> 00:28:16,200 Speaker 2: Steve gottson Hawkman, you have to name three nicknames from athletes. 561 00:28:16,680 --> 00:28:24,840 Speaker 1: Okay, I'm nervous, stand musual stand the man? Right? Oscar 562 00:28:24,920 --> 00:28:29,600 Speaker 1: de la Joya? Oh the kid? So no, this could 563 00:28:29,600 --> 00:28:36,720 Speaker 1: be a tough one for me. Resets to one. Oh 564 00:28:36,880 --> 00:28:41,480 Speaker 1: we go back. Yeah, you gotta get three in a row. Oscar, 565 00:28:43,360 --> 00:28:47,200 Speaker 1: I don't know it. Golden Boy, the Golden Boy? What 566 00:28:47,240 --> 00:28:48,080 Speaker 1: did I call him? The kid? 567 00:28:48,080 --> 00:28:50,760 Speaker 3: That was Ken Griffy Junior? Jesus, all right, go ahead, 568 00:28:51,800 --> 00:29:00,440 Speaker 3: rayfer Alston sweets something. 569 00:29:01,360 --> 00:29:03,680 Speaker 1: Skip to my lou. Did you know that Taylor too? 570 00:29:04,040 --> 00:29:04,400 Speaker 4: Damn it? 571 00:29:05,160 --> 00:29:07,200 Speaker 3: God, we spent a lot of time on Raypah Austin 572 00:29:07,280 --> 00:29:09,800 Speaker 3: skipped to my Lou. I haven't thought about rayper Austen 573 00:29:09,840 --> 00:29:12,320 Speaker 3: in a long time. Anyway, God, would you? I don't know, 574 00:29:12,600 --> 00:29:16,480 Speaker 3: I mean, Jesus, I'm very disappointed. I'm very disappointed with 575 00:29:16,520 --> 00:29:19,080 Speaker 3: Oscar de la Hoya. If I'm being honest, Pete Rose, 576 00:29:20,160 --> 00:29:23,400 Speaker 3: Charlie Hustle, all right, don't get disappointed. 577 00:29:23,480 --> 00:29:24,800 Speaker 1: You can't go man at myself. 578 00:29:24,880 --> 00:29:32,640 Speaker 3: I mean skip to my fucking loud Jesus Christ, Frank Thomas, 579 00:29:33,120 --> 00:29:38,720 Speaker 3: Big Hurt, and uh Joe Namath Broadway. 580 00:29:38,800 --> 00:29:41,440 Speaker 1: Joey's overrated. I cannot believe I got skipped to my 581 00:29:41,520 --> 00:29:46,440 Speaker 1: lou wrong. I mean rafer Alston Stories next show. We'll 582 00:29:46,480 --> 00:29:51,080 Speaker 1: see you on the next Pod with Stu Gotts and 583 00:29:51,240 --> 00:29:51,640 Speaker 1: Hawkman