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Speaker 1: It's reported that this album of yours helped get Depth

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Speaker 1: Jam out of there. It made over one hundred million dollars.

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Speaker 1: You're like, yeah, damn, it made that much.

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Speaker 2: One hundred million woll No, this is my money.

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Speaker 3: Yeah, All my life, grinding, all my life, sacrifice, Hustle,

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Speaker 3: pet Price, One Slice got the bron geist swap all

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Speaker 3: my life, Poppy grinding all my life, all my life, drowning,

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Speaker 3: all my life, sacrifics, Hustle, pet Price, One Slice got

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Speaker 3: the bronc geist to swap all my life, Poppy grinding

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Speaker 3: all my life.

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Speaker 1: Hello, Welcome to another episode of Club shad Shay. I

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Speaker 1: am your host, Shannon Sharp. I'm also the propriud of

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Speaker 1: Club Shashey stopping by the conversation on the drink today.

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Speaker 1: He's a music icon, a triple platinum selling rapper, a

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Speaker 1: Grammy nominated songwriter, global and groundbreaking record producer, pioneer, and

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Speaker 1: West Coast legend. He helped popularize West Coast hip hop

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Speaker 1: during the nineteen nineties. He's had one of the best

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Speaker 1: rap songs ever recorded, with Regulate, selling over ten million

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Speaker 1: copies worldwide. He helped get Death Jam out of twenty

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Speaker 1: million dollars of debt, a cultural influence, a pitmaster, chef,

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Speaker 1: a husband, father, and a brother all the way from

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Speaker 1: the streets of Long Beach. Everybody say, judge, here he is,

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Speaker 1: ladies and gentlemen, mister Warren, g.

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Speaker 4: Man here do it man, I'm glad man.

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Speaker 2: What we started doing?

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Speaker 1: Warren, Like, when we have such as yourself, we ask him,

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Speaker 1: not only can you sit down and have a conversation

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Speaker 1: and share your story, our audience really like to hear

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Speaker 1: the performers performed, like to do the songs that made

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Speaker 1: them household names, that made them popular that everybody knows

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Speaker 1: who they are, and then give the backdrop of how

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Speaker 1: that story came to be. And that's what you're gonna

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Speaker 1: do today. So we're gonna start it off with this.

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Speaker 1: We're gonna get to started off with this DJ.

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Speaker 2: I was in Long Beach, California, and this DJ was

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Speaker 2: just a song pretty much like a young teen story

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Speaker 2: of a young guy that just wanted to to be

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Speaker 2: something in life and wanted to go in the right direction.

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Speaker 2: So it was a lot of pitfalls and things in

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Speaker 2: a way, but we're still able to manage to, you know,

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Speaker 2: make my way in and Bill right. It's kind of

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Speaker 2: easy when you listen to the gt up sound. Why

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Speaker 2: your near speaker's rumping, Now the smoke on the pan.

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Speaker 2: I got the sound for your ass, and it's easy

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Speaker 2: to see that this DJB Warren she can I get

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Speaker 2: in where I fit in? Sit in, listen, let me

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Speaker 2: come say better yet regularly shake the spot with my

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Speaker 2: not may faye, because I don't.

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Speaker 4: Like to dream about getting paid.

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Speaker 2: I played all through the halls of Cis with Snoop

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Speaker 2: Dogg's big brother, call him dirt and let rack them up,

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Speaker 2: crack him up, stack them up against the gate. The

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Speaker 2: homie is trying to catch me, but they can't wait.

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Speaker 2: Damn the street lights just came home, and my mama's

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Speaker 2: in the street telling me to come home like hit

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Speaker 2: thick gate, and I hop on my swin and I

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Speaker 2: tell my homie's eyes and yeah, it's kind of easy

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Speaker 2: when you listen to the ged up sound. Pin your

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Speaker 2: knier speakers bump and there's a smoke on the pants.

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Speaker 2: I got the sound for your weass, and it cg

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Speaker 2: to see that this DJB vorbren G. It's kind of

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Speaker 2: easy when you listen to the ged up sound. PI

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Speaker 2: your knier speakers bump and there's a smoke on the pant.

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Speaker 2: I got the sound for your wess and it cg

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Speaker 2: to see that.

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Speaker 1: Yes, and Dick, So was the original hook sung by Snoop? Actually, yes, yes,

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Speaker 1: indeed it was.

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Speaker 2: So what happened, Well, he was signing to death Row.

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Speaker 2: I was signing to death Jam and uh, you know,

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Speaker 2: Shive didn't get along with U rustling Lee or he

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Speaker 2: couldn't stand them, so that kind of like made it

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Speaker 2: a conflict, you know, with getting the song cleared. So

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Speaker 2: what I did, I was like, well, you know, if

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Speaker 2: if you, if you, if they gonna do that, let

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Speaker 2: me figure out how I can still record with my

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Speaker 2: friend and not get taxed for the or get sued

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Speaker 2: for it. So what I did was I went ahead

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Speaker 2: and I I recorded you know, the hook, and I

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Speaker 2: still kept Snoop up under me wow, uh doing the

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Speaker 2: back vocals. But what I did to his voice, because

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Speaker 2: that's how it was anywhere, what I did to his voice,

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Speaker 2: I made it uh what we call I called it

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Speaker 2: the g child. It's a it's a an effect that

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Speaker 2: I put on the voice which make you sound like

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Speaker 2: a chipmunk.

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Speaker 4: So I put that.

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Speaker 2: Under Snoop and uh, they didn't even know it. They

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Speaker 2: didn't even know it. They know now they do. That's

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Speaker 2: that's it's it's now. Yes, indeed, So.

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Speaker 1: L like when you when you when you started, like,

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Speaker 1: did you always wanted to be in the rap game?

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Speaker 1: This was this something or you just kind of like

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Speaker 1: stumbled into it?

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Speaker 2: Well, I I uh, I started out in sports. I

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Speaker 2: played football pretty much all my life. But I was

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Speaker 2: still in love with music at the same time. I

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Speaker 2: was in love with all the hip hop artists from

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Speaker 2: the eighties, even like Jimmy Spicer, which you have to

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Speaker 2: dig deep on that one. Jimmy Spiser is a real

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Speaker 2: old g from New York, had a unique style that

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Speaker 2: I fell in love with. So I was a huge

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Speaker 2: fan of him. And just all of the you know,

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Speaker 2: like the the Grand Master, Flas, Furious Five, all of

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Speaker 2: the nw A Eze, all of those.

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Speaker 1: I was just because you being from Long Beach, LA,

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Speaker 1: right up the road. And now, like you mentioned, you

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Speaker 1: got n w A, you got Q, you got Easy Drake,

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Speaker 1: your big bro who we're gonna talk about a little later,

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Speaker 1: you got Snooped. So it's starting to the West Coast

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Speaker 1: thing is starting to get really really big now, is

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Speaker 1: that kind of what made you gravitate towards it because

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Speaker 1: you mentioned long you playing sports long each of the

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Speaker 1: football mecca the.

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Speaker 2: I played with with with long Yes, Indeed, I played

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Speaker 2: with the field of the field of the big dogs.

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Speaker 2: Out of there will be yes. Indeed. What what really

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Speaker 2: got me deep into music was my father. We used

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Speaker 2: to sit my mom. I would go and stay with

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Speaker 2: him on the weekends and uh, we would just sit

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Speaker 2: and listen to jazz, just listen to Chuck Mangione and

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Speaker 2: a bunch of jazz all there, all day. And you know,

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Speaker 2: he would he would be talking on this little bud

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Speaker 2: uh and we would just sit there, you know, and

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Speaker 2: he'd just be turning me on a different you know, jazz.

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Speaker 2: And from there, uh, you know, in the in the household,

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Speaker 2: my mom made me move with my dad to Compton.

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Speaker 2: But even though I moved to compan I was still

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Speaker 2: going back to Loan but she didn't know it. But

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Speaker 2: that's when my relationship started with with with dre Right

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Speaker 2: and Tyree uh and my little sister, Shimika, she was

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Speaker 2: a baby. Then uh and Werner. You know, that's where

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Speaker 2: my relationship started there and I was living with with uh,

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Speaker 2: my dad and uh you know, me, Andre and Tyree,

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Speaker 2: we all s sl slept in the same room, and

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Speaker 2: Drey was DJing. He was a DJ mkay, so you know,

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Speaker 2: we just I'm around all the time and and and

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Speaker 2: you know, Tyree and Andre was my big brothers cause

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Speaker 2: I didn't have no brothers. I only had my sisters,

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Speaker 2: right you know, Felicia, Tracy and Mitzi and just being

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Speaker 2: in and with Andre and Tyree having big brothers, you know,

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Speaker 2: I was inspired by that. Drey was a DJ around

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Speaker 2: that time with the uh think it was the High

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Speaker 2: Power Crew and uh.

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Speaker 1: So that was before the World Class Working Crew.

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Speaker 2: This was uh it was right around the right around

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Speaker 2: in the same the same area there a Actually that

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Speaker 2: was when he left the uh work World Class Wrecking Crew.

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Speaker 2: He got into the High Power Crew, which was him

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Speaker 2: and Easy and and uh Shane and uh Donald and

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Speaker 2: uh uh Kee Low Uh. It was a bunch of

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Speaker 2: guys him Djan You know, I used to see it

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Speaker 2: all day all night. So I asked him to show

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Speaker 2: me how you know, one day and.

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Speaker 4: He showed me.

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Speaker 2: You know, we put on the the shay Hem I

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Speaker 2: think that's what it was called.

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Speaker 4: Uh, you know, the one that it's time. So he

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Speaker 4: was showing me.

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Speaker 2: How to go back and forth with with Uh it's time,

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Speaker 2: you know, d Jan and I fell in love with

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Speaker 2: with you know, I fell I fell in love with

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Speaker 2: Djan and that along with the jazz and then being

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Speaker 2: around Snoop as uh as a young kid and a

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Speaker 2: lot of the the Vultron Crew which I talk about

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Speaker 2: in this dja A absolutely Uh, the twins and all

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Speaker 2: of us just freestyling and rapping. That's the That's what

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Speaker 2: made me fall and love love with me with the

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Speaker 2: hip hop and with music period. My dad, the Vaultron.

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Speaker 4: Crew and drag.

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Speaker 1: You mentioned the Voltron Crew in this. Uh this DJ

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Speaker 1: and bew you guys was selling candy. Yes, did you

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Speaker 1: make a lot of money selling candy?

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Speaker 2: Uh? Yeah, we was making because back then it was

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Speaker 2: it was it was it. Uh you know, we would

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Speaker 2: make like fifty bucks sometimes some people were making a

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Speaker 2: hundred and something bucks.

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Speaker 1: That was a lot.

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Speaker 2: I mean, it was it was. That's what we was.

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Speaker 2: That was our hustle. And the crazy thing about it

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Speaker 2: is we was doing that. I was doing it. My

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Speaker 2: mother didn't even know it, you know what I mean.

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Speaker 2: So when I came home late That's why I was saying.

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Speaker 2: When the street lights come on, old got to be

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Speaker 2: in the house, so I would. When I came in,

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Speaker 2: latetenching cors came out.

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Speaker 1: So I was like, wow, what help me understand this one.

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Speaker 1: How did y'all get the money to get the candy?

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Speaker 2: Uh? What we did? It was a guy named Steve. Okay,

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Speaker 2: he had He was a supplier of the candy. He

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Speaker 2: was pretty much like the big plug. So yeah, he

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Speaker 2: was a plug. And he'd give us the bag right

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Speaker 2: in the sack, right to go to go hustling.

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Speaker 1: And so how much did you get let's just say,

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Speaker 1: for the sake of argument your selling, let's just say

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Speaker 1: fifty cent. How much of that fifty cent did you

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Speaker 1: get to keep from each bar? Uh, for each piece

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Speaker 1: of candidate you sold?

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Speaker 2: What this is how we did it. At the end

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Speaker 2: of the day, we bring back the money and we

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Speaker 2: give it to him, and then he would he would

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Speaker 2: break us off from there. If I made like fifty bucks,

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Speaker 2: I probably would get like maybe twenty twenty five.

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Speaker 4: Okay, that's that's a nice look down.

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Speaker 1: That's a nice little come up. Yeah.

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Speaker 2: Yeah. And then what we would do we would play

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Speaker 2: quarters get like me, Oh yeah, you know with quarters

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Speaker 2: get like me.

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Speaker 4: We're playing that at McDonald's.

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Speaker 2: That's when big MC value packs first came out.

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Speaker 4: Yes, indeed, right, no, yeah, all right.

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Speaker 1: The next song that we're gonna get we're gonna here

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Speaker 1: is I Want it All. So I want it all.

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Speaker 1: I mean a lot of times when people say they

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Speaker 1: wanted all, they want it all. They want they want

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Speaker 1: the nice homes, they want the nice cars, they want

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Speaker 1: to be able to vagucation, they want a nice looking women,

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Speaker 1: or whatever the case may be. So what was the

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Speaker 1: thought process behind I Want it All?

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Speaker 2: That was it right there? I Want it All was

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Speaker 2: a record that you know, I wanted it all. You know,

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Speaker 2: I wanted I wanted to be successful. I wanted to

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Speaker 2: be able to get brand new socks and drugs. I

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Speaker 2: wanted to be able to get cars. I wanted to

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Speaker 2: be able to put my mother in the house. I

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Speaker 2: wanted to be able to help my sisters and help

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Speaker 2: you know, my friends, and just do good things. So

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Speaker 2: getting it all, I wanted it all so I could

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Speaker 2: do those types of things. And like I say in

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Speaker 2: the song the Champagne shit, every damn thing. I wanted

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Speaker 2: all house expenses, my own business.

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Speaker 4: A truck too, and a couple of fenders.

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Speaker 2: I want it all, brand new socks and drums, and

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Speaker 2: I'm balling every time I stop and talk to y'all.

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Speaker 2: I want it all all. I want it all all all.

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Speaker 2: They said that go warming g with the NBA staff.

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Speaker 2: Let this game too much. I wish he'd say this

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Speaker 2: wasn't here. It's a shame. We came too far to

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Speaker 2: turn back. It's a cold world. Gets so hard to

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Speaker 2: learn that from fault, trying to walk from parlers, trying

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Speaker 2: to hustle up from broke to ball and yeah, y'all,

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Speaker 2: in effect, that's on me that chi get jeezy. All

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Speaker 2: my people that keeping reading to do with these Believe me,

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Speaker 2: young fat meat is greasy. It shit stank.

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Speaker 5: So if you mud of look in here the bank

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Speaker 5: and get away, get gaffled the fairy next day, don't cry,

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Speaker 5: hold your head up and remember what you told yourself, Homie,

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Speaker 5: I said, Remember what you told yourself, Homie, I said,

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Speaker 5: remember what you told yourself, Homie, I said.

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Speaker 4: Remember what you told yourself.

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Speaker 2: Boo. I want it all money, fast, card, don a ring,

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Speaker 2: gold change and champagne, shit, every damn thing. I want

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Speaker 2: it all how since expenses my own business, a truck

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Speaker 2: need and a couple of pensions. I wanted all brand

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Speaker 2: new shocks and draws and a ball, and every time

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Speaker 2: I stopped and talking to y'all, I want it all.

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Speaker 2: I want at all.

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Speaker 1: In order to be successful, you first have to taste

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Speaker 1: the feat. Yes, because there are very few instances where

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Speaker 1: you know, you take off and then you just ascend

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Speaker 1: to a height and you never look back, and you

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Speaker 1: have no tumbling, you have no obstacle, you have nothing

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Speaker 1: you have to overcome. And the process of you wanting

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Speaker 1: it all and achieving what you've been able to achieve.

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Speaker 1: What were some of the things that you look back on, like, Damn,

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Speaker 1: I didn't need to buy that. Damn I made a mistake.

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Speaker 1: I wish I would have done this, or I wish

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Speaker 1: I had have done that.

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Speaker 4: I was on tour.

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Speaker 2: It was my first two UH came back home. It

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Speaker 2: was the bove Fest uh uh al I was a

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Speaker 2: Al Hayman bloodfest, and UH did the tour. It was

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Speaker 2: like a three month tour came home. The thing about

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Speaker 2: it is that I didn't really understand royalties. Okay, back then,

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Speaker 2: I was just going just doing whatever I wanted to do.

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Speaker 2: I never did a like a pub deal or anything.

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Speaker 2: And so everything was coming to me. So I was

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Speaker 2: getting checks while I was on the road. In the

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Speaker 2: in the account I had was telling me one this

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Speaker 2: came in, this came and so I'm like, damn, I

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Speaker 2: like this. I I just made me go harder. So

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Speaker 2: when I got off tour, came home and and and cash.

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Speaker 2: We got a six hundred, six hundred uh uh six

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Speaker 2: hundred V twelve Mercedes band dang big cashed it out

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Speaker 2: a hundred and twenty thousand, like five right in right

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Speaker 2: and Loan which the Mercedes. The Mercedes store was right

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Speaker 2: in Loan Beach, California. And I walked right in there

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Speaker 2: and uh, drop the cash right there. And uh, now

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Speaker 2: that I think about it, I could have been dropping

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Speaker 2: that on something real estate or something like that. You know,

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Speaker 2: And but you live and you learn, Yes, living, you learn,

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Speaker 2: And I'm more sharper now, right, Yes, indeed.

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Speaker 1: good to be right. How difficult is it? Because my

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Speaker 1: brother tell the story that you know, coming from Rule

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Speaker 1: South Georgia, and there's really nobody. We never saw anybody

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Speaker 1: go to the NFL. We never saw anyone that looked

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Speaker 1: like us that had become successfu. Yeah, we saw successful

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Speaker 1: people on television, but we didn't know him. We had

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Speaker 1: no personal tie to them. So how difficult was it

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Speaker 1: to you? Because obviously you had started you know, uh

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Speaker 1: uh nwa and Dre was in that was in there,

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Speaker 1: and so you started to see people have a level

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Speaker 1: of success. You're like, damn if they do it? And

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Speaker 1: I that's my brother. I've lived with him and sold

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Speaker 1: you can do it.

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Speaker 2: I can do it.

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Speaker 1: How much? How easy was it for you to say,

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Speaker 1: since he do it, I could do it.

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Speaker 2: Uh? I mean I mean it wasn't easier. I mean, well,

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Speaker 2: I fell in love. I fell in love with with

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Speaker 2: DJing and want to be a producer and rapper. I

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Speaker 2: fell in love with all three and.

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Speaker 6: Uh, it was just, uh, it was just it's pretty

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Speaker 6: much in me already from like I was saying, like

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Speaker 6: from my father with the jazz, right, it made it

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Speaker 6: easier for my ear to understand how good music sounds.

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Speaker 2: And uh, it was some, it was some. It was

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Speaker 2: some hard steps there too with you know, with even

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Speaker 2: with with Dre, just trying to let him hear me

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Speaker 2: and Snoop as kids, Uh we're trying to be like them,

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Speaker 2: and uh that was hard because he wasn't trying to

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Speaker 2: hear that. You know, you got the big the big

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Speaker 2: guy like him.

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Speaker 1: So was it a situation where he felt that if

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Speaker 1: he gave you that opportunity, people gonna say, well, this

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Speaker 1: is nepotism. He ain't really that good. And here he

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Speaker 1: just happens to be my brother. That's what I'm putting

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Speaker 1: him on. And so he really wanted, like, I need

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Speaker 1: someone else to say that my bro, my baby bro

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Speaker 1: is really good before I give him that opportunity.

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Speaker 2: Yeah, and that that's what happened. That actually is right

359
00:18:51,119 --> 00:18:53,680
Speaker 2: what happened. One of his good friends named l a

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Speaker 2: Dre rest in Peace heard are Our Demo two on

361
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Speaker 2: three demo and he was like, have Dre heard this?

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Speaker 2: And I was like, you know, nah, I didn't play

363
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Speaker 2: it for him. The reason why I was around him

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Speaker 2: is cause he was having a a bachelor party. So

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Speaker 2: I talked to Dre and he was like, come on

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Speaker 2: to the come up to the bachelor party. So I

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Speaker 2: came and uh music was being played and it was

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Speaker 2: kind of like the same thing being played. So I

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Speaker 2: gave la Dre to tape, like, man, play this. So

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Speaker 2: he popped it in and played it and everybody was like,

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Speaker 2: this is bang it okay. So they was like so

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Speaker 2: he was like if Dre heard this. He was like,

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Speaker 2: Dray you heard this? And he was like, nah, to

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Speaker 2: here and he was like who is that. He was like,

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Speaker 2: that's that's worn in his home boards and he was

376
00:19:37,880 --> 00:19:39,800
Speaker 2: like that's y'all. I was like, I've been trying to

377
00:19:39,840 --> 00:19:41,959
Speaker 2: tell you it's me Snoop and Nate use. I been

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Speaker 2: trying to tell you they' and he was just like,

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Speaker 2: you guys come to the studio on Monday, and uh,

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Speaker 2: Snoop didn't believe it, you know, and uh, you know,

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Speaker 2: we was kind of beefing a little bit at that time, right,

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Speaker 2: you know, but I didn't let that get in the

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00:19:56,920 --> 00:19:59,920
Speaker 2: way of of us, you know, having a chance to be.

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Speaker 4: Drag so called and me hung up on me.

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00:20:02,400 --> 00:20:05,080
Speaker 2: I'm like, come on, man, So I had to call him,

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00:20:05,200 --> 00:20:08,680
Speaker 2: keep calling him, like, man, let me. I talked to Drake,

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Speaker 2: he wants to come to the studio.

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Speaker 4: Man, let me call him.

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00:20:12,760 --> 00:20:15,760
Speaker 2: On the three way. So I called him and Dre

390
00:20:16,040 --> 00:20:18,000
Speaker 2: was like, yeah, this is this is Drake, this is

391
00:20:18,000 --> 00:20:22,240
Speaker 2: I drag and uh snoop couldn't believe it. And that

392
00:20:22,400 --> 00:20:26,879
Speaker 2: was like the kickoff to start, you know, on the

393
00:20:26,920 --> 00:20:28,760
Speaker 2: whole journey. Right there.

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00:20:29,200 --> 00:20:31,200
Speaker 1: You mentioned that when you got off you you did

395
00:20:31,240 --> 00:20:33,359
Speaker 1: your first tour. You're on tour for like ninety days,

396
00:20:33,600 --> 00:20:35,840
Speaker 1: and the money is coming in, coming, in, coming in.

397
00:20:35,920 --> 00:20:37,840
Speaker 1: You get back home and you got this big old

398
00:20:37,880 --> 00:20:42,680
Speaker 1: summer money and coming from meager beginnings, You're like, man,

399
00:20:42,840 --> 00:20:44,760
Speaker 1: I want a whill you go plunk down.

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Speaker 4: One hundred and twenty bands on a on a B twelve.

401
00:20:48,320 --> 00:20:53,760
Speaker 2: And a sixty four Chevy on gold days. Hey, I

402
00:20:53,840 --> 00:21:00,440
Speaker 2: at the corner on three wheels on him. Everything you do.

403
00:21:00,400 --> 00:21:03,880
Speaker 1: You when you look back with that, and you said earlier,

404
00:21:04,359 --> 00:21:06,720
Speaker 1: instead of propping down one hundred and twenty on the

405
00:21:06,800 --> 00:21:09,600
Speaker 1: V twelve or probably another thirty on a six folk,

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00:21:10,080 --> 00:21:12,199
Speaker 1: I probably could have taken that taken that got a

407
00:21:12,200 --> 00:21:14,840
Speaker 1: piece of property, and that'd have been ten, fifteen, twenty

408
00:21:14,880 --> 00:21:17,240
Speaker 1: times what it is right now as opposed to a

409
00:21:17,280 --> 00:21:20,960
Speaker 1: car that's a depreciating asset. Was one of was that

410
00:21:21,200 --> 00:21:26,520
Speaker 1: probably some of of one of your worst purchases. I'm

411
00:21:26,560 --> 00:21:30,359
Speaker 1: sure you bought some jewelry. You probably got some rags. Yeah,

412
00:21:30,359 --> 00:21:33,680
Speaker 1: I wasn't like I wasn't really a close guy.

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Speaker 7: Now.

414
00:21:34,119 --> 00:21:38,040
Speaker 2: I wasn't a real super closed guy. Even Jerry, I don't.

415
00:21:38,160 --> 00:21:39,960
Speaker 2: I didn't even buy a whole bunch of Jerry. I

416
00:21:40,240 --> 00:21:43,920
Speaker 2: had gphon chains that I bought and passed those out

417
00:21:43,960 --> 00:21:51,160
Speaker 2: to all of my friends. But I say, uh that

418
00:21:51,240 --> 00:21:54,679
Speaker 2: the Mercedes I bought. I bought a bunch of cars.

419
00:21:54,720 --> 00:22:01,040
Speaker 2: I bought the Mercedes, I bought, Yukon trucks I bought.

420
00:22:01,720 --> 00:22:09,199
Speaker 2: Uh had houses to houses. Uh, I bought just just

421
00:22:09,320 --> 00:22:12,080
Speaker 2: I was just buying, just buying and buying for no reason,

422
00:22:12,320 --> 00:22:16,840
Speaker 2: for no reason, for no reason. Uh, you know, I

423
00:22:16,840 --> 00:22:19,439
Speaker 2: I should have took my time a little better not

424
00:22:19,480 --> 00:22:22,600
Speaker 2: saying that I'm downhill now. It's just I'm more smarter

425
00:22:22,760 --> 00:22:26,560
Speaker 2: now and I understand more I was. I wasn't never

426
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Speaker 2: like twenty one years, only twenty one twenty two.

427
00:22:29,320 --> 00:22:31,080
Speaker 1: So I was like I came into a lump sum

428
00:22:31,160 --> 00:22:31,560
Speaker 1: of money.

429
00:22:31,600 --> 00:22:32,399
Speaker 2: Never had that money.

430
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Speaker 1: Had more money than I could even even in my dreams,

431
00:22:34,520 --> 00:22:35,720
Speaker 1: I didn't have this kind of money.

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Speaker 2: Yeah. Yeah, and uh, all the ladies, all of it. Yeah,

433
00:22:40,240 --> 00:22:43,639
Speaker 2: it was, it was, it was. It was uh it

434
00:22:43,680 --> 00:22:47,680
Speaker 2: w it was lovely man. And uh, you know even

435
00:22:47,720 --> 00:22:55,920
Speaker 2: with accountants. I even had a accountant mistake about yeah,

436
00:22:56,000 --> 00:23:01,399
Speaker 2: where I was giving the accountant, uh would get powered

437
00:23:01,400 --> 00:23:04,480
Speaker 2: returning to sign checks for me to do all this stuff.

438
00:23:04,520 --> 00:23:06,960
Speaker 2: So I'm like, damn, why is my money going like

439
00:23:07,560 --> 00:23:08,440
Speaker 2: leaving so fast?

440
00:23:08,680 --> 00:23:09,520
Speaker 1: Like what's going on?

441
00:23:09,640 --> 00:23:09,880
Speaker 8: Right?

442
00:23:10,320 --> 00:23:12,119
Speaker 2: Oh, we had to put this over here for this

443
00:23:12,320 --> 00:23:15,160
Speaker 2: much for taxes, and so you guys taking forty eight

444
00:23:15,240 --> 00:23:18,040
Speaker 2: forty nine percent of my money over here and putting

445
00:23:18,040 --> 00:23:21,240
Speaker 2: it in this account. And I'm like, damn, half of

446
00:23:21,359 --> 00:23:23,639
Speaker 2: everything I was making was going here. But it's like

447
00:23:24,920 --> 00:23:27,439
Speaker 2: where is my money at? Like I'm my money is

448
00:23:27,520 --> 00:23:31,160
Speaker 2: leaving late and leaving. I'm like, So I found out

449
00:23:31,200 --> 00:23:35,080
Speaker 2: that there was some crookedness, And from that point I

450
00:23:35,160 --> 00:23:35,960
Speaker 2: was just like, you know.

451
00:23:35,880 --> 00:23:37,560
Speaker 4: What, I'm not gonna ever do that again.

452
00:23:37,720 --> 00:23:42,360
Speaker 2: I'll mail the checks to me and I'll sign 'em

453
00:23:42,480 --> 00:23:45,560
Speaker 2: and and I'll mail them back. So that's how it

454
00:23:45,600 --> 00:23:47,320
Speaker 2: was going when I was on the road, that it'll

455
00:23:47,400 --> 00:23:50,840
Speaker 2: be sent right back. I'll signed everything fan bills, and

456
00:23:50,920 --> 00:23:51,960
Speaker 2: I mail it back.

457
00:23:53,359 --> 00:23:55,800
Speaker 1: Is it really hard to stay on top of that

458
00:23:55,840 --> 00:23:58,720
Speaker 1: because you wanna focus on making the music aspect of it.

459
00:23:58,880 --> 00:24:01,760
Speaker 1: You wanna focus on being the producer, You want to

460
00:24:01,800 --> 00:24:05,800
Speaker 1: focus on being created. Yeah, But in the meantime, if

461
00:24:05,840 --> 00:24:08,439
Speaker 1: you're not careful and you turn over a power of attorney,

462
00:24:08,480 --> 00:24:11,000
Speaker 1: which you give someone be authority, they're basically Warring g

463
00:24:11,520 --> 00:24:14,080
Speaker 1: anything that he could have signed. They can sign any

464
00:24:14,080 --> 00:24:15,919
Speaker 1: amount of money that Warren can take out the account,

465
00:24:15,960 --> 00:24:21,119
Speaker 1: they can take out. How difficult was that to realize, like, damn,

466
00:24:22,440 --> 00:24:25,359
Speaker 1: I've been got? How soon did you find out that

467
00:24:25,400 --> 00:24:27,560
Speaker 1: you had been got? And then what were the stuff

468
00:24:27,600 --> 00:24:29,600
Speaker 1: that you took to make sure that never happened again?

469
00:24:30,280 --> 00:24:32,920
Speaker 2: It was just times where I was just like looking

470
00:24:32,960 --> 00:24:34,639
Speaker 2: at my account. I would go to the bank and

471
00:24:34,680 --> 00:24:37,720
Speaker 2: look like, damn, why is my money leaving? Like I

472
00:24:37,720 --> 00:24:41,280
Speaker 2: ain't been spending money like that. So I started digging

473
00:24:41,320 --> 00:24:43,880
Speaker 2: and digging and talking to people and they like, did

474
00:24:43,920 --> 00:24:46,880
Speaker 2: you do this? Do that? Do that? You know, power

475
00:24:46,880 --> 00:24:50,280
Speaker 2: of attorney? And I say, yeah, got your problem right there.

476
00:24:50,320 --> 00:24:54,160
Speaker 2: So I had to undo that. I had to undo it.

477
00:24:54,280 --> 00:24:59,439
Speaker 2: And then my uncle came in right around that time.

478
00:25:00,000 --> 00:25:01,680
Speaker 4: He would s fresh out the Marines, and he.

479
00:25:01,680 --> 00:25:04,800
Speaker 2: Came in and you know, got me out of that

480
00:25:04,880 --> 00:25:07,760
Speaker 2: and got me away from from that and and took me,

481
00:25:08,640 --> 00:25:10,760
Speaker 2: you know, guided me on the right path. Said well,

482
00:25:10,880 --> 00:25:12,520
Speaker 2: you got to get an account and you have to

483
00:25:13,080 --> 00:25:16,040
Speaker 2: have that accountant to where you you don't give them

484
00:25:16,080 --> 00:25:16,880
Speaker 2: power of attorney.

485
00:25:16,960 --> 00:25:19,639
Speaker 4: So he was giving me all that knowledge.

486
00:25:19,640 --> 00:25:22,520
Speaker 2: And that's what that's what got me out of it.

487
00:25:22,600 --> 00:25:26,679
Speaker 2: And and it was it was terrible, man, it was.

488
00:25:26,760 --> 00:25:27,560
Speaker 2: It was terrible.

489
00:25:27,640 --> 00:25:31,000
Speaker 4: And how people could just take advantage of people like.

490
00:25:31,000 --> 00:25:34,800
Speaker 2: That, you know, young black cat make you want to

491
00:25:34,840 --> 00:25:40,200
Speaker 2: do something bad to him though, man, definitely, because it's

492
00:25:40,240 --> 00:25:42,360
Speaker 2: hard to come by me here you are the situation

493
00:25:42,520 --> 00:25:45,480
Speaker 2: growing up out the majority of us grew up, especially

494
00:25:45,520 --> 00:25:49,080
Speaker 2: the majority of people that's black professional athletes or entertainers

495
00:25:49,160 --> 00:25:50,879
Speaker 2: or slebs, they didn't grow up.

496
00:25:50,920 --> 00:25:53,480
Speaker 1: They didn't grow up with you know, middle class, upper

497
00:25:53,480 --> 00:25:55,560
Speaker 1: middle class, so they didn't have it like that. And

498
00:25:55,640 --> 00:25:57,359
Speaker 1: to get it and then to have someone try and

499
00:25:57,400 --> 00:26:00,560
Speaker 1: take it. Yeah, well you be thinking like who Yeah,

500
00:26:00,600 --> 00:26:02,439
Speaker 1: it was, it was. It was heavy.

501
00:26:02,680 --> 00:26:06,320
Speaker 2: I Uh, I charged it to the game man. I said,

502
00:26:06,440 --> 00:26:10,359
Speaker 2: you know what, if you know the way I'm working

503
00:26:10,400 --> 00:26:12,520
Speaker 2: and the way I see royalty checks come in, I

504
00:26:12,640 --> 00:26:15,320
Speaker 2: get it back right. So I was, I was. It

505
00:26:15,400 --> 00:26:18,880
Speaker 2: made me work harder to make more and that's what

506
00:26:18,920 --> 00:26:21,720
Speaker 2: I did. And I learned.

507
00:26:21,440 --> 00:26:24,119
Speaker 4: The lesson a heavy one. It cost you a little bit,

508
00:26:24,119 --> 00:26:26,960
Speaker 4: but you learned. Yes, it did this this next song,

509
00:26:27,640 --> 00:26:28,240
Speaker 4: do you see?

510
00:26:28,720 --> 00:26:28,800
Speaker 2: Uh?

511
00:26:28,960 --> 00:26:33,440
Speaker 1: And it's interesting because the Bible Belt they last you

512
00:26:33,520 --> 00:26:36,280
Speaker 1: for that one. Yeah, they put it on war pretty

513
00:26:36,280 --> 00:26:36,880
Speaker 1: good with that one.

514
00:26:36,960 --> 00:26:42,920
Speaker 2: Yes, indeed. Uh uh. The way the way the hook

515
00:26:43,000 --> 00:26:47,480
Speaker 2: went gim me give me one second, fellas.

516
00:26:47,720 --> 00:26:49,960
Speaker 4: The way the hook went on the first one is that.

517
00:26:50,119 --> 00:26:54,600
Speaker 2: Uh, you don't see what I see. They was like,

518
00:26:56,320 --> 00:26:59,359
Speaker 2: I started getting calls from everywhere like one you can't

519
00:26:59,359 --> 00:27:01,520
Speaker 2: do they like on the Bible Bell trip day.

520
00:27:02,119 --> 00:27:05,240
Speaker 4: So I said, oh my god. I was like, I

521
00:27:05,240 --> 00:27:06,000
Speaker 4: don't know what to do.

522
00:27:06,040 --> 00:27:08,199
Speaker 2: So I got on the mic and I was like,

523
00:27:08,600 --> 00:27:11,959
Speaker 2: let me try to change up the melody of it right.

524
00:27:12,119 --> 00:27:14,040
Speaker 2: And then that's when I came in and I was like,

525
00:27:14,560 --> 00:27:21,359
Speaker 2: you don't see what I see. You don't see what

526
00:27:21,680 --> 00:27:25,160
Speaker 2: I see every day as waring Wren Gie, I take

527
00:27:25,200 --> 00:27:27,640
Speaker 2: a look over my shoulder as I get old. They're

528
00:27:27,640 --> 00:27:31,639
Speaker 2: getting tired of mother saying Warren, I told, don't hear

529
00:27:31,840 --> 00:27:34,760
Speaker 2: what I hear, But it's so hard to live through

530
00:27:34,880 --> 00:27:38,640
Speaker 2: these heads with these funny bunnies. Ain't shit changing got

531
00:27:38,640 --> 00:27:40,800
Speaker 2: my mama want them run their pom gang banging, But

532
00:27:40,920 --> 00:27:43,919
Speaker 2: I don't pay attention to those father figures. I just

533
00:27:43,960 --> 00:27:46,760
Speaker 2: handled mine and I'm rolling with my off to the

534
00:27:46,840 --> 00:27:51,560
Speaker 2: d I your see Snoop Dogg and Warren. She unbelievable,

535
00:27:51,720 --> 00:27:54,600
Speaker 2: how time just flies cracking for your eyes, but you

536
00:27:54,680 --> 00:27:55,680
Speaker 2: don't recognize.

537
00:27:55,760 --> 00:27:57,000
Speaker 4: Now, who's the real victim?

538
00:27:57,240 --> 00:28:01,560
Speaker 2: Can he answer? That is jacking all the food getting shot? Yeah,

539
00:28:01,920 --> 00:28:06,119
Speaker 2: you don't see what I see every day as worm

540
00:28:06,280 --> 00:28:06,480
Speaker 2: m G.

541
00:28:07,160 --> 00:28:09,200
Speaker 4: You don't hear what I hear.

542
00:28:09,560 --> 00:28:12,720
Speaker 2: But it's so hard to live through DJs. For you

543
00:28:12,760 --> 00:28:17,040
Speaker 2: don't see what I see every day as worms m G.

544
00:28:17,760 --> 00:28:20,800
Speaker 4: You don't hear what I get, but it's.

545
00:28:20,560 --> 00:28:23,480
Speaker 2: So hard to live through DJs.

546
00:28:24,800 --> 00:28:28,040
Speaker 1: Yes, indeed, one did you spend any time in church.

547
00:28:28,119 --> 00:28:29,840
Speaker 1: I don't know how you thought that would gonna go.

548
00:28:29,920 --> 00:28:30,840
Speaker 2: Do you hear what?

549
00:28:31,160 --> 00:28:34,679
Speaker 1: I I don't know how you thought that wasna?

550
00:28:35,000 --> 00:28:39,000
Speaker 2: Yeah, I grew up in the church. Yeah I thought

551
00:28:39,040 --> 00:28:44,320
Speaker 2: I couldn't you they was on my head, But uh

552
00:28:44,520 --> 00:28:47,320
Speaker 2: it worked out, man, and it became one of my

553
00:28:47,400 --> 00:28:48,320
Speaker 2: biggest singles.

554
00:28:48,480 --> 00:28:50,960
Speaker 1: Yes, what did that? What did that song mean to you?

555
00:28:51,560 --> 00:28:54,840
Speaker 2: It meant a lot, uh because that was that was

556
00:28:55,320 --> 00:28:58,400
Speaker 2: me and Snoops. The things that we was going through

557
00:28:59,400 --> 00:29:03,640
Speaker 2: before we had uh got into the music business. You know,

558
00:29:03,680 --> 00:29:07,240
Speaker 2: it was a lot of uh hustling. Uh a lot

559
00:29:07,280 --> 00:29:09,480
Speaker 2: of people we were still, you know, trying to pursue

560
00:29:09,520 --> 00:29:14,520
Speaker 2: a hip hop. But in between that we was hustling. Uh,

561
00:29:14,600 --> 00:29:18,920
Speaker 2: we was around a lot of gang violence. Uh just

562
00:29:18,920 --> 00:29:24,520
Speaker 2: just going to jail like the county. Uh, just hanging

563
00:29:24,560 --> 00:29:27,080
Speaker 2: out with all with all our our homeboys that was

564
00:29:27,160 --> 00:29:29,480
Speaker 2: gang banging. It was just a bunch of things. Nobody

565
00:29:29,560 --> 00:29:32,480
Speaker 2: wasn't trying to sign us. So we was just going

566
00:29:32,520 --> 00:29:37,760
Speaker 2: through a whole bunch of like pitfalls, like just back

567
00:29:37,800 --> 00:29:41,640
Speaker 2: to back. And so we was doing it so much

568
00:29:41,680 --> 00:29:43,920
Speaker 2: and we were seeing a lot of people go to

569
00:29:44,040 --> 00:29:46,840
Speaker 2: jail get shot a lot of things was happening. So

570
00:29:47,200 --> 00:29:52,000
Speaker 2: I was like, Snoops, why don't we just try this

571
00:29:52,440 --> 00:29:56,320
Speaker 2: and and just straighten up and say forget it, and

572
00:29:56,400 --> 00:30:00,160
Speaker 2: let's just get regular jobs and try to s see

573
00:30:00,200 --> 00:30:02,360
Speaker 2: how that work out for us, and still trying to

574
00:30:02,400 --> 00:30:07,440
Speaker 2: do our hip hop. And so that's what we did.

575
00:30:07,600 --> 00:30:10,520
Speaker 2: You know, Snoop, HA got a job at Lucky's grocery store,

576
00:30:11,040 --> 00:30:13,680
Speaker 2: and I my mom had took me down to a

577
00:30:13,720 --> 00:30:17,240
Speaker 2: place called the Southwest Marine where I got hired as

578
00:30:17,280 --> 00:30:20,800
Speaker 2: a a firewatch and then moved to electrician. You know,

579
00:30:21,080 --> 00:30:22,920
Speaker 2: I did. I We worked, we worked, and.

580
00:30:23,640 --> 00:30:25,760
Speaker 1: All Liotle Snoop, Snoop was that lucky he was at

581
00:30:25,760 --> 00:30:27,200
Speaker 1: the stock You know, he was a bad boy.

582
00:30:27,400 --> 00:30:30,160
Speaker 2: M I I don't I think, I don't know. He

583
00:30:30,280 --> 00:30:32,040
Speaker 2: was in there. He was he he was in there

584
00:30:32,080 --> 00:30:38,320
Speaker 2: looking like special legs with the little airdo. And uh,

585
00:30:38,600 --> 00:30:43,440
Speaker 2: you know, we we we we changed and and still

586
00:30:43,520 --> 00:30:47,360
Speaker 2: kept kept working hard and and all over the city,

587
00:30:47,480 --> 00:30:51,320
Speaker 2: just you know, jumping in the contest. Uh Uh. Roger

588
00:30:51,360 --> 00:30:54,960
Speaker 2: Clayton gave us a shot from uh Uncle Jam's army.

589
00:30:55,080 --> 00:30:57,600
Speaker 2: He had a club called the Toe. Jam would let

590
00:30:57,680 --> 00:31:01,120
Speaker 2: us come in there and perform. You know it was

591
00:31:01,280 --> 00:31:04,040
Speaker 2: it was uh Snoop dogg Warren g Nate Dog two

592
00:31:04,120 --> 00:31:06,840
Speaker 2: one three in the Big Posse which is my homegirls.

593
00:31:06,840 --> 00:31:10,160
Speaker 2: They all was big, so they they was curious, right,

594
00:31:10,200 --> 00:31:12,200
Speaker 2: and they used to they used to regulate, They used

595
00:31:12,240 --> 00:31:14,120
Speaker 2: they used to they hold it down for y'all hold

596
00:31:14,120 --> 00:31:19,160
Speaker 2: it down, and uh, all of that stuff was do

597
00:31:19,320 --> 00:31:21,400
Speaker 2: you see you know I just summed it up.

598
00:31:23,800 --> 00:31:24,400
Speaker 4: In the song.

599
00:31:24,600 --> 00:31:28,040
Speaker 2: You know, should I a go back to slanging dope

600
00:31:28,320 --> 00:31:31,520
Speaker 2: or should I be maintain and try to coke or

601
00:31:31,600 --> 00:31:35,240
Speaker 2: should I see just get crazy and wild? But no,

602
00:31:35,400 --> 00:31:39,240
Speaker 2: I chose d create the g child And that's what

603
00:31:39,400 --> 00:31:41,520
Speaker 2: That's what I did and and what we did is

604
00:31:41,720 --> 00:31:45,080
Speaker 2: musically just working hard, just staying at it.

605
00:31:45,560 --> 00:31:47,440
Speaker 1: How old were you when you were a snoop man

606
00:31:47,480 --> 00:31:49,840
Speaker 1: when you're in you know, junior high grade school?

607
00:31:49,840 --> 00:31:55,000
Speaker 2: How old elementary elementary school? Yep, elementary school. Beverly would

608
00:31:55,040 --> 00:31:58,720
Speaker 2: walk Jerry, Jerry's Snoops, uh dirty left okay, which is

609
00:31:58,800 --> 00:32:02,360
Speaker 2: Jerry's I mean Snoop's oldest brother, okay, is is Jerry

610
00:32:02,560 --> 00:32:05,880
Speaker 2: which I call dirty leftin and uh this DJ right.

611
00:32:06,680 --> 00:32:10,920
Speaker 2: So Beverly would walk Snooping and Jerry across the park

612
00:32:11,280 --> 00:32:15,880
Speaker 2: going to Cis. That's the school we went to elementary school,

613
00:32:16,040 --> 00:32:18,480
Speaker 2: and uh, we would all just meet in the park.

614
00:32:19,000 --> 00:32:21,719
Speaker 2: Sometime we would go play asteroids on the on the

615
00:32:21,760 --> 00:32:24,960
Speaker 2: store at the store on the corner before school start.

616
00:32:25,720 --> 00:32:30,800
Speaker 2: But we always was together from elementary school to King's Park.

617
00:32:31,000 --> 00:32:34,200
Speaker 2: That that was our home base, our like that's where

618
00:32:34,240 --> 00:32:37,400
Speaker 2: it all started to all our friendships as well, right

619
00:32:37,400 --> 00:32:40,480
Speaker 2: there at King's Park. And that's what we did every

620
00:32:40,560 --> 00:32:42,720
Speaker 2: day was going to school right here across the street

621
00:32:42,720 --> 00:32:46,280
Speaker 2: from King's Park. Afterwards, go home, do your homework. Then

622
00:32:46,280 --> 00:32:51,920
Speaker 2: we back to the park playing sports or summertime eating

623
00:32:51,960 --> 00:32:54,600
Speaker 2: the free lunches or going to cal stak and they

624
00:32:54,600 --> 00:32:59,320
Speaker 2: would teach us about football, basketball, tennis, soccer, any every

625
00:32:59,320 --> 00:33:03,840
Speaker 2: sport they would showing us. And so we even played

626
00:33:03,840 --> 00:33:08,160
Speaker 2: sports together. We played Pop Warner football for six seven

627
00:33:08,240 --> 00:33:09,960
Speaker 2: years straight from the seven years.

628
00:33:09,720 --> 00:33:10,800
Speaker 4: Old all the way up.

629
00:33:11,240 --> 00:33:16,240
Speaker 2: Snoop was one team down for me, but we never

630
00:33:16,240 --> 00:33:18,080
Speaker 2: did get a chance to play together. But some of

631
00:33:18,120 --> 00:33:20,600
Speaker 2: his plug guys from his team we got to play together.

632
00:33:21,240 --> 00:33:25,680
Speaker 2: But we just been together like around each other all

633
00:33:25,680 --> 00:33:31,760
Speaker 2: our life. From me, Snooped, the Twins, the whole Boutron crew,

634
00:33:31,960 --> 00:33:34,760
Speaker 2: all of us was just from kids all the way

635
00:33:34,800 --> 00:33:39,160
Speaker 2: from elementary school all the way up to being successful

636
00:33:39,240 --> 00:33:42,719
Speaker 2: right now, even high school. We even went to school

637
00:33:42,720 --> 00:33:47,760
Speaker 2: together and that that uh and we still tight to

638
00:33:47,840 --> 00:33:50,160
Speaker 2: this day, all of us, all all of us me, Snooped,

639
00:33:50,160 --> 00:33:54,280
Speaker 2: the twins, all of us. When did when did you?

640
00:33:54,560 --> 00:33:57,440
Speaker 1: When did you realize that you and Snoop shared the

641
00:33:57,480 --> 00:33:59,840
Speaker 1: same love for music, wanted to be, wanted to be.

642
00:33:59,840 --> 00:34:05,920
Speaker 2: In uh uh being in the voltron crew and then

643
00:34:06,240 --> 00:34:09,960
Speaker 2: going to uh going to the high school football games,

644
00:34:10,040 --> 00:34:15,399
Speaker 2: being on the bus battling people, and at school at

645
00:34:15,400 --> 00:34:19,719
Speaker 2: the rallies, UH football rallies, battling the other artists in

646
00:34:19,800 --> 00:34:22,960
Speaker 2: the schools, going ditching school to go to other schools

647
00:34:23,040 --> 00:34:28,120
Speaker 2: rally to battle they battle them. Yeah, and UH that

648
00:34:28,280 --> 00:34:31,759
Speaker 2: was just showing us like how talented, how talented we work.

649
00:34:32,320 --> 00:34:35,799
Speaker 2: And you know we fell in love with that and

650
00:34:35,840 --> 00:34:41,080
Speaker 2: that it started. Uh. Snoop had got sent up to

651
00:34:41,120 --> 00:34:43,200
Speaker 2: North Long Beach because I was up in North Loan Beach,

652
00:34:44,040 --> 00:34:47,760
Speaker 2: North Loan Beach, right there by Compton, and Uh Snoop

653
00:34:48,440 --> 00:34:51,520
Speaker 2: had moved his mother, Beverly moved the sixty first street,

654
00:34:51,600 --> 00:34:54,319
Speaker 2: so he ended up coming to Jordan because I had

655
00:34:54,360 --> 00:34:55,879
Speaker 2: to go to Jordan, because I was in the North

656
00:34:55,920 --> 00:35:00,640
Speaker 2: Long Beach and at one day at lunch, I hear

657
00:35:00,760 --> 00:35:07,200
Speaker 2: somebody warm and I look and I'm like, Snoop nigga,

658
00:35:07,280 --> 00:35:09,880
Speaker 2: what you doing up here? Like he like me and

659
00:35:09,960 --> 00:35:14,120
Speaker 2: moms moved up here. So he was like, warn, let's start,

660
00:35:14,239 --> 00:35:16,440
Speaker 2: let's go to after school, let's go work. So we

661
00:35:16,480 --> 00:35:19,920
Speaker 2: would after school, we'd go right to my house, hit

662
00:35:19,960 --> 00:35:22,040
Speaker 2: the record on the tape deck, I'll get on the

663
00:35:22,040 --> 00:35:25,680
Speaker 2: turntables and start mixing some beasts together and Snooper Star freestyling,

664
00:35:26,520 --> 00:35:28,719
Speaker 2: and we just kept doing it, just kept doing it

665
00:35:28,800 --> 00:35:31,799
Speaker 2: and doing it and doing it, knocking and sent the

666
00:35:31,840 --> 00:35:37,240
Speaker 2: taps to Carol Lewis and rock Cam airbeing rock Cam

667
00:35:37,920 --> 00:35:40,160
Speaker 2: Run DMC. I mailed him personally me.

668
00:35:40,400 --> 00:35:42,279
Speaker 4: I mailed all our.

669
00:35:42,200 --> 00:35:46,400
Speaker 1: Demos to them. Yeah, did you hear anything back from anybody?

670
00:35:46,520 --> 00:35:49,680
Speaker 2: I didn't. We didn't hear nothing back, nothing back, But

671
00:35:50,480 --> 00:35:51,359
Speaker 2: I mailed them off.

672
00:35:52,080 --> 00:35:54,960
Speaker 1: When you guys finally did make it. Did anybody that

673
00:35:55,000 --> 00:35:59,120
Speaker 1: you had mailed those two, did they reach back out?

674
00:35:59,400 --> 00:36:02,520
Speaker 2: Well, you know, once we made it, you know, we

675
00:36:02,520 --> 00:36:04,200
Speaker 2: was in the same rooms, you know what I mean,

676
00:36:04,280 --> 00:36:09,879
Speaker 2: same shows, same wherever. You know, MTV Awards, right, so

677
00:36:10,360 --> 00:36:15,200
Speaker 2: it was just like it was a dream come true

678
00:36:15,320 --> 00:36:17,360
Speaker 2: just to be in the same room with these guys.

679
00:36:18,120 --> 00:36:21,719
Speaker 2: And we talked, we talked about it, like we sent

680
00:36:21,800 --> 00:36:24,640
Speaker 2: you the demo way back then. I'm gonna tell you this,

681
00:36:24,840 --> 00:36:29,799
Speaker 2: you know. So Uh it was like you guys could

682
00:36:29,800 --> 00:36:33,799
Speaker 2: have had us, uh doing records with you guys, you know,

683
00:36:33,880 --> 00:36:36,440
Speaker 2: but it was all love though we were just huge fans.

684
00:36:37,440 --> 00:36:40,080
Speaker 1: You guys started off in the group, the Boltrock group,

685
00:36:40,160 --> 00:36:45,239
Speaker 1: the two one three. When did you realize or did

686
00:36:45,280 --> 00:36:48,279
Speaker 1: you realize us that Sloop needed to go his way

687
00:36:48,440 --> 00:36:50,160
Speaker 1: and you guys needed to do your own thing?

688
00:36:51,480 --> 00:36:57,640
Speaker 2: Uh? I mean you mean as far as like, uh.

689
00:36:57,960 --> 00:37:00,719
Speaker 1: That he was gonna be solo and you and Nate

690
00:37:01,520 --> 00:37:04,080
Speaker 1: was gonna do your thing or was it?

691
00:37:04,160 --> 00:37:08,440
Speaker 2: Well we we never we never uh, we never like separated.

692
00:37:08,520 --> 00:37:11,480
Speaker 2: We was always we was always two one three, no

693
00:37:11,520 --> 00:37:16,920
Speaker 2: matter what. Right now, it's as far as the the

694
00:37:16,960 --> 00:37:21,279
Speaker 2: record industry that part. Uh they determined that, Yeah, that

695
00:37:21,400 --> 00:37:24,640
Speaker 2: was determined by by the record companies, uh, to where

696
00:37:24,680 --> 00:37:25,279
Speaker 2: we couldn't work.

697
00:37:25,320 --> 00:37:26,560
Speaker 4: But we did finally get.

698
00:37:26,400 --> 00:37:29,239
Speaker 2: A chance to work after all of the smoke, you know,

699
00:37:29,440 --> 00:37:32,400
Speaker 2: that got through all of the the turmoil and and

700
00:37:33,280 --> 00:37:35,879
Speaker 2: we was able was finally we finally able to work.

701
00:37:35,920 --> 00:37:43,840
Speaker 2: But it was never like uh where you know, Snoop

702
00:37:43,880 --> 00:37:48,960
Speaker 2: would be like, y'all, you know what I mean? We always,

703
00:37:49,360 --> 00:37:52,120
Speaker 2: like I said, we was always tight. We always moved together.

704
00:37:54,040 --> 00:37:58,840
Speaker 2: Now as far as myself moving in my own direction,

705
00:37:58,920 --> 00:38:02,319
Speaker 2: where I went to depth gy Man, you know, that

706
00:38:02,680 --> 00:38:06,560
Speaker 2: was because death Row with me, you know what I mean?

707
00:38:06,680 --> 00:38:09,520
Speaker 4: So why I don't know.

708
00:38:09,600 --> 00:38:11,160
Speaker 2: I guess I was just I was.

709
00:38:11,239 --> 00:38:11,560
Speaker 4: I was.

710
00:38:12,440 --> 00:38:15,839
Speaker 1: I mean cause because with was Dre still at death

711
00:38:15,920 --> 00:38:16,600
Speaker 1: Row at this time.

712
00:38:16,920 --> 00:38:18,719
Speaker 2: Yeah, he was at death Bro, Okay.

713
00:38:18,719 --> 00:38:21,719
Speaker 1: But damn. I mean, first of all, they popped the

714
00:38:21,760 --> 00:38:23,520
Speaker 1: tape in. You've been trying to get Dre to look

715
00:38:23,560 --> 00:38:25,640
Speaker 1: at you for a minute, Okay, he doesn't. And then

716
00:38:25,719 --> 00:38:27,520
Speaker 1: somebody else come in. They pop the tape in when

717
00:38:27,520 --> 00:38:29,480
Speaker 1: you had a function with Drake, and it's like, man,

718
00:38:29,520 --> 00:38:32,160
Speaker 1: who is there? He said, Man, this Warren jen is homework, Snoop,

719
00:38:32,160 --> 00:38:35,480
Speaker 1: it's so forting song. So he's there. He knows what

720
00:38:35,520 --> 00:38:38,360
Speaker 1: you guys are capable of. Did you did you feel

721
00:38:38,400 --> 00:38:40,120
Speaker 1: some type of way about they like, damn, bro, you

722
00:38:40,160 --> 00:38:40,799
Speaker 1: can't even look.

723
00:38:40,680 --> 00:38:44,840
Speaker 2: Out for you. Nah, I wasn't. I wasn't. I wasn't

724
00:38:44,960 --> 00:38:50,399
Speaker 2: like tripping, tripping like that. I just was like, I'm

725
00:38:50,400 --> 00:38:52,440
Speaker 2: gonna keep going hard, working hard.

726
00:38:53,400 --> 00:38:55,680
Speaker 4: He actually told me, he's like, Warren, you gotta be

727
00:38:55,719 --> 00:38:56,359
Speaker 4: your own man.

728
00:38:57,320 --> 00:38:59,239
Speaker 2: This was like we's like with Dre.

729
00:38:59,320 --> 00:39:01,120
Speaker 1: I am on man, it's not like you. It'sn't I'm

730
00:39:01,120 --> 00:39:03,520
Speaker 1: I'm good on this thing now. But out of outside

731
00:39:03,640 --> 00:39:05,360
Speaker 1: you gotta go outside of lokay.

732
00:39:05,560 --> 00:39:08,320
Speaker 2: But the reason, the reason I think that the whole

733
00:39:08,840 --> 00:39:12,960
Speaker 2: uh uh you know, I wasn't liked as much was

734
00:39:13,000 --> 00:39:15,920
Speaker 2: because I was. I was on top of things, Like

735
00:39:16,480 --> 00:39:19,080
Speaker 2: I told Snoop and I told everybody that was at

736
00:39:19,120 --> 00:39:22,520
Speaker 2: therethro get lawyers, right, you know, don't just sign any

737
00:39:22,520 --> 00:39:26,160
Speaker 2: of these contracts. Get lawyers. So I guess that upset

738
00:39:26,200 --> 00:39:28,759
Speaker 2: should and he got pissed off about it. So that's

739
00:39:28,760 --> 00:39:32,000
Speaker 2: probably the main reason why, you know, I didn't get

740
00:39:32,000 --> 00:39:34,359
Speaker 2: signed over there, cause I was just as talented as

741
00:39:34,360 --> 00:39:39,760
Speaker 2: everybody else, you know, production wise, artists wise, uh rapping wise,

742
00:39:40,520 --> 00:39:44,680
Speaker 2: even on the DJ right level, I was equal to everybody.

743
00:39:44,760 --> 00:39:48,600
Speaker 2: So it was it was it was pretty crushing to

744
00:39:48,600 --> 00:39:51,040
Speaker 2: to not be able to to be with my best friend,

745
00:39:51,880 --> 00:39:55,120
Speaker 2: uh be with my brother, which is un was like

746
00:39:55,160 --> 00:39:57,880
Speaker 2: a best friend as well, but a big brother.

747
00:39:59,480 --> 00:40:01,200
Speaker 4: I had to do my own thing, man.

748
00:40:01,280 --> 00:40:05,640
Speaker 2: And when I knew that I had to go, when

749
00:40:05,680 --> 00:40:09,040
Speaker 2: I didn't didn't, when when I wasn't able to go

750
00:40:09,080 --> 00:40:12,120
Speaker 2: on tour, when I was like, you know what, I'm cool, I.

751
00:40:12,080 --> 00:40:14,080
Speaker 1: Gotta they didn't take they didn't take you on tour.

752
00:40:14,280 --> 00:40:14,960
Speaker 4: No, I didn't go.

753
00:40:15,880 --> 00:40:19,600
Speaker 2: You want you wanted to go? I showed up my

754
00:40:19,719 --> 00:40:23,160
Speaker 2: bags and everything was already packed. I was packed, ready

755
00:40:23,239 --> 00:40:25,719
Speaker 2: to go, so I didn't even care.

756
00:40:25,880 --> 00:40:28,360
Speaker 1: I would know how this conversation goes. Okay, you packed,

757
00:40:28,360 --> 00:40:30,400
Speaker 1: You're like, yeah, we going on tour. They're like, what

758
00:40:30,520 --> 00:40:31,040
Speaker 1: you mean weak?

759
00:40:31,160 --> 00:40:33,600
Speaker 2: You ain't got no ticket? You don't got a ticket.

760
00:40:33,640 --> 00:40:36,000
Speaker 2: I'm like, where is my ticket? Like you don't got one?

761
00:40:37,160 --> 00:40:38,600
Speaker 2: I was you crushed?

762
00:40:38,760 --> 00:40:39,200
Speaker 1: Crushed?

763
00:40:40,040 --> 00:40:44,520
Speaker 2: Yeah? And uh, I just I was crushed. And from

764
00:40:44,600 --> 00:40:46,200
Speaker 2: that point on, I was just like, you know what,

765
00:40:46,239 --> 00:40:48,960
Speaker 2: I gotta. I gotta, you know, you really gotta. I

766
00:40:49,000 --> 00:40:51,960
Speaker 2: gotta look at my own. Yeah, I'm expecting people. I'm

767
00:40:52,040 --> 00:40:53,560
Speaker 2: expecting people to do something.

768
00:40:54,760 --> 00:40:56,719
Speaker 1: I just got to get it on my own, and

769
00:40:56,760 --> 00:40:59,480
Speaker 1: if it happens, it happens, and if it doesn't, it doesn't.

770
00:41:00,000 --> 00:41:02,359
Speaker 1: But I know that Warren's going to have to get

771
00:41:02,400 --> 00:41:04,560
Speaker 1: this side of the mud himself and nobody's gonna help

772
00:41:04,640 --> 00:41:06,840
Speaker 1: him there, and I should. I've got to stop thinking

773
00:41:06,840 --> 00:41:09,200
Speaker 1: that someone is going to help me. And I think

774
00:41:09,239 --> 00:41:11,520
Speaker 1: that was probably why you was most upset. It's because

775
00:41:11,560 --> 00:41:14,040
Speaker 1: you were expecting somebody to give you a hand well,

776
00:41:14,760 --> 00:41:16,359
Speaker 1: not a hand out, just get your hand.

777
00:41:17,280 --> 00:41:17,480
Speaker 2: Yeah.

778
00:41:17,600 --> 00:41:19,000
Speaker 1: Just I pulled myself up.

779
00:41:19,239 --> 00:41:22,960
Speaker 4: Yeah yeah, and uh, it just wasn't it was.

780
00:41:23,080 --> 00:41:26,600
Speaker 2: It wasn't happening like that, you know, But I just

781
00:41:26,719 --> 00:41:29,160
Speaker 2: I went ahead and just you know, I was. I

782
00:41:29,200 --> 00:41:31,720
Speaker 2: was messed up, you know, but I still I still

783
00:41:31,760 --> 00:41:35,959
Speaker 2: came around, even though I wasn't involved, I still came around.

784
00:41:35,920 --> 00:41:38,640
Speaker 1: And still show love. There was no resentment, there was

785
00:41:38,680 --> 00:41:41,839
Speaker 1: no animosity, A congratulations. Are y'all doing your thing?

786
00:41:41,960 --> 00:41:46,160
Speaker 2: Yeah? Yeah, I was pissed because I wasn't with everybody,

787
00:41:46,920 --> 00:41:50,239
Speaker 2: but uh, you know, I had to do my own thing. Man,

788
00:41:51,800 --> 00:41:52,359
Speaker 2: do you I.

789
00:41:52,280 --> 00:41:54,680
Speaker 1: Mean you was telling guys, look, man, just don't sign

790
00:41:54,719 --> 00:41:56,799
Speaker 1: everything blind man, y'all need to get some lawyers to

791
00:41:56,840 --> 00:41:59,760
Speaker 1: overlook this thing to make sure y'all not signing away everything.

792
00:42:00,360 --> 00:42:02,399
Speaker 1: And then do you do you think some of those

793
00:42:02,400 --> 00:42:05,040
Speaker 1: guys that did sign away everything wish they had to

794
00:42:05,040 --> 00:42:06,160
Speaker 1: listen to you in the beginning.

795
00:42:06,400 --> 00:42:12,960
Speaker 2: Definitely, yeah, because you know you you don't own your publishing,

796
00:42:13,600 --> 00:42:17,560
Speaker 2: you know, and that's the main piece of being a

797
00:42:17,640 --> 00:42:19,920
Speaker 2: musician is to be able to get to have your

798
00:42:19,960 --> 00:42:20,960
Speaker 2: publishing and own it.

799
00:42:21,200 --> 00:42:23,440
Speaker 1: That's good, that's gonna that's gonna help you eat for

800
00:42:23,480 --> 00:42:24,320
Speaker 1: a long time.

801
00:42:24,200 --> 00:42:29,160
Speaker 2: A long time, you know. And uh, you know that's

802
00:42:29,200 --> 00:42:32,880
Speaker 2: what happened, right, you know instead of them getting royalty checks,

803
00:42:32,920 --> 00:42:39,040
Speaker 2: they would get like a monthly stipend or something, yeah,

804
00:42:39,080 --> 00:42:45,560
Speaker 2: like Higo five thousand like that, when they could have

805
00:42:45,560 --> 00:42:50,400
Speaker 2: been getting yeah, a lot, a whole lot, because you

806
00:42:50,400 --> 00:42:53,720
Speaker 2: know that was that was vinyl, Yeah, CDs vinyl.

807
00:42:54,320 --> 00:42:57,200
Speaker 4: There's a lot of money being made, a lot, lot, lot.

808
00:42:58,000 --> 00:43:00,359
Speaker 1: And you you mentioned that that sul got up said

809
00:43:00,360 --> 00:43:02,920
Speaker 1: with you, man, keep your mouth shut. You messing up

810
00:43:02,960 --> 00:43:05,120
Speaker 1: my business.

811
00:43:04,120 --> 00:43:07,880
Speaker 2: Pretty much, Yeah, pretty much.

812
00:43:08,440 --> 00:43:10,240
Speaker 4: And uh but how.

813
00:43:10,080 --> 00:43:13,680
Speaker 1: Did you how did you know that they should get

814
00:43:13,719 --> 00:43:16,399
Speaker 1: representation because no one had hitited you to the game

815
00:43:16,400 --> 00:43:18,400
Speaker 1: at that point in time, because you hadn't been signed.

816
00:43:18,640 --> 00:43:20,640
Speaker 1: So how were you able to be so far so

817
00:43:20,719 --> 00:43:22,759
Speaker 1: far ahead of your time at that time?

818
00:43:23,400 --> 00:43:27,160
Speaker 2: I don't know. It was just something something just just

819
00:43:28,840 --> 00:43:31,680
Speaker 2: ding like in my head, like we can't just sign anything,

820
00:43:31,920 --> 00:43:34,799
Speaker 2: just to sign it. We gotta get it looked at.

821
00:43:34,840 --> 00:43:36,520
Speaker 2: We don't know what we signed it, you know what

822
00:43:36,600 --> 00:43:41,640
Speaker 2: I mean? And uh, it just it was just something

823
00:43:41,680 --> 00:43:43,680
Speaker 2: that I just was like, we need to get lawyers.

824
00:43:44,280 --> 00:43:48,560
Speaker 2: And a whistleblower had told uh that. I said that.

825
00:43:48,920 --> 00:43:51,240
Speaker 1: Oh and uh so did Shell step to you?

826
00:43:51,520 --> 00:43:55,040
Speaker 2: Definitely? He came to me and uh, hey, Blood, we're

827
00:43:55,120 --> 00:43:58,680
Speaker 2: worn out. I took off soon as he said that,

828
00:44:00,239 --> 00:44:04,560
Speaker 2: took up and uh uh it was an elevator, so

829
00:44:04,640 --> 00:44:07,600
Speaker 2: I couldn't. I couldn't get down because the elevator was

830
00:44:07,600 --> 00:44:09,600
Speaker 2: the only way to get done. So I got caught.

831
00:44:09,680 --> 00:44:11,640
Speaker 4: He called me, uh grabbed me.

832
00:44:11,719 --> 00:44:13,480
Speaker 2: I was like, Blood, you told him to get lord.

833
00:44:13,920 --> 00:44:16,560
Speaker 2: I was like, I said, man, if you don't get

834
00:44:16,600 --> 00:44:20,160
Speaker 2: your hands off me, I said, I'm calling all my homeboys.

835
00:44:20,400 --> 00:44:26,160
Speaker 2: And he let me go. And uh that was it.

836
00:44:26,320 --> 00:44:28,279
Speaker 2: You know, that was it. Y'all had been cool fence.

837
00:44:28,400 --> 00:44:31,520
Speaker 2: Huh we had we wasn't. We wasn't on the I

838
00:44:31,520 --> 00:44:34,520
Speaker 2: mean we are still we was well okay, we was. Yeah,

839
00:44:34,520 --> 00:44:39,600
Speaker 2: we was cordial. But I think that's what really was

840
00:44:39,800 --> 00:44:42,320
Speaker 2: why I didn't get signed to death from him, because

841
00:44:42,360 --> 00:44:44,560
Speaker 2: I was I was I was sharp about as far

842
00:44:44,600 --> 00:44:48,239
Speaker 2: as looking at the paperwork, right, you know, and and uh,

843
00:44:48,680 --> 00:44:52,280
Speaker 2: what year was this, like ninety one? That was about

844
00:44:52,400 --> 00:44:57,439
Speaker 2: ninety about ninety about ninety one, yeah, ninety one, yeah,

845
00:44:57,520 --> 00:45:00,680
Speaker 2: ninety one, because I dropped into smoking ninety two, so

846
00:45:00,719 --> 00:45:04,959
Speaker 2: that was like ninety one, right, yes, and dig And.

847
00:45:04,840 --> 00:45:08,080
Speaker 1: Then cause Snoop came out what d dog dog the

848
00:45:08,120 --> 00:45:10,719
Speaker 1: dog pound dog far what that came in ninety four

849
00:45:10,800 --> 00:45:11,719
Speaker 1: ninety okay.

850
00:45:12,160 --> 00:45:16,600
Speaker 2: Yeah, the uh uh dog the uh dog Doggie dog World. Yeah,

851
00:45:16,800 --> 00:45:21,080
Speaker 2: that was a that was nineteen ninety four. Uh doggie

852
00:45:21,080 --> 00:45:23,399
Speaker 2: style dog mat I said, doggy dog.

853
00:45:23,680 --> 00:45:23,879
Speaker 1: Yeah.

854
00:45:23,920 --> 00:45:28,200
Speaker 2: Dog Stack came out in ninety four. Uh yeah, so

855
00:45:28,400 --> 00:45:30,879
Speaker 2: that ninety four, cause I came out in ninety four

856
00:45:30,920 --> 00:45:31,319
Speaker 2: as well.

857
00:45:33,480 --> 00:45:33,719
Speaker 4: Yes.

858
00:45:33,760 --> 00:45:39,879
Speaker 1: Indeed, when Snoop dropped in ninety four, yeah, boy did

859
00:45:39,880 --> 00:45:41,600
Speaker 1: he drop, it exploded?

860
00:45:41,920 --> 00:45:43,200
Speaker 2: Yes, And did I.

861
00:45:43,160 --> 00:45:47,200
Speaker 1: Mean his style, the the the the cadence, the flow

862
00:45:47,680 --> 00:45:51,759
Speaker 1: everything about. I mean, he had the perfect name. He

863
00:45:51,880 --> 00:45:55,360
Speaker 1: looked like Snoopy so ever, I mean it it was perfect.

864
00:45:55,400 --> 00:45:57,799
Speaker 1: It was perfect marketing. It was the perfect time. And

865
00:45:57,840 --> 00:46:01,000
Speaker 1: when you heard it, you like, it ain't ever gonna

866
00:46:01,040 --> 00:46:01,800
Speaker 1: be the same again.

867
00:46:02,360 --> 00:46:07,520
Speaker 2: Yeah, yeah, Uh, I was blown away just and so

868
00:46:07,680 --> 00:46:11,839
Speaker 2: happy to finally see him, you know, get do yeah,

869
00:46:11,920 --> 00:46:15,359
Speaker 2: get get his due, and uh just to see how

870
00:46:15,400 --> 00:46:18,359
Speaker 2: people people was going crazy over how it sold out,

871
00:46:18,520 --> 00:46:22,239
Speaker 2: like in every store it was released. Was was incredible.

872
00:46:22,280 --> 00:46:25,160
Speaker 2: So I felt the same way he did when you know,

873
00:46:25,239 --> 00:46:27,799
Speaker 2: with his success. I was like, I'm successful too because

874
00:46:28,600 --> 00:46:31,480
Speaker 2: I was a part of him and we best friends

875
00:46:31,480 --> 00:46:33,600
Speaker 2: and we getting ready to win together. This is how

876
00:46:33,640 --> 00:46:36,759
Speaker 2: we get in and uh, you know I was. I

877
00:46:36,840 --> 00:46:39,640
Speaker 2: was really happy for him. Yes, indeed, yes.

878
00:46:39,480 --> 00:46:42,919
Speaker 1: Indeed because the Chronic Drey's album dropped in ninety three,

879
00:46:42,960 --> 00:46:44,000
Speaker 1: right that was that was.

880
00:46:44,040 --> 00:46:46,960
Speaker 4: Yeah, that was ninety ninety yeah, ninety.

881
00:46:46,640 --> 00:46:50,040
Speaker 2: Two, Well, no, that was ninety That was ninety one,

882
00:46:50,120 --> 00:46:52,799
Speaker 2: ninety two, Okay, ninety one ninety two, right and there,

883
00:46:52,920 --> 00:46:53,440
Speaker 2: so you're.

884
00:46:53,320 --> 00:46:57,239
Speaker 1: Like, damn, bro bro bro dropped that thing, Like did

885
00:46:57,239 --> 00:47:00,000
Speaker 1: you because he had been a DJ, so did you

886
00:46:59,880 --> 00:47:01,000
Speaker 1: did you know he could rap?

887
00:47:01,840 --> 00:47:02,080
Speaker 8: Yeah?

888
00:47:02,480 --> 00:47:05,200
Speaker 2: Okay, yes, indeed from the World Class Record Crew, right,

889
00:47:05,320 --> 00:47:08,080
Speaker 2: yeah he was. He was rapping way back then. And

890
00:47:09,160 --> 00:47:11,320
Speaker 2: see I don't remember. I just remember turn out the Lights.

891
00:47:14,680 --> 00:47:18,160
Speaker 1: That was that's all was crazy crazy without the colleague.

892
00:47:19,360 --> 00:47:22,080
Speaker 2: He had a song called the Captaine Patch. Yeah, yeah,

893
00:47:22,360 --> 00:47:26,480
Speaker 2: it was actually I actually heard it before everybody. As

894
00:47:26,480 --> 00:47:29,160
Speaker 2: a kid, I used to hear everything. So I actually

895
00:47:29,200 --> 00:47:32,319
Speaker 2: took it one time and wrapped it around Snoop and

896
00:47:32,360 --> 00:47:35,560
Speaker 2: them like I did it.

897
00:47:36,520 --> 00:47:38,399
Speaker 1: They're like where you come up with that from?

898
00:47:38,480 --> 00:47:42,319
Speaker 2: Yeah? It was like, oh that's hard. The song came

899
00:47:42,360 --> 00:47:47,880
Speaker 2: out blew my cover it was cray.

900
00:47:50,080 --> 00:47:53,719
Speaker 1: Yes, so everything and now everything, Okay, dra comes out

901
00:47:53,719 --> 00:47:56,040
Speaker 1: in ninety one, ninety two, you got Snoop coming out,

902
00:47:56,040 --> 00:47:58,839
Speaker 1: and you at ninety four, and then here comes you

903
00:47:58,920 --> 00:48:01,560
Speaker 1: and Nate. Yeah, pop on the scene.

904
00:48:01,719 --> 00:48:06,400
Speaker 2: Yes, Indeed, what happened was I, Uh, I was at

905
00:48:06,440 --> 00:48:10,440
Speaker 2: the studio one day with Snoop and Dre and everybody,

906
00:48:11,000 --> 00:48:15,239
Speaker 2: and uh, Paul Stewart and John Singleton was there right

907
00:48:16,520 --> 00:48:18,960
Speaker 2: to with Dre and Snoop to get some records for

908
00:48:19,000 --> 00:48:23,040
Speaker 2: the uh Porty Justice soundtrack. Okay, so I'm in the

909
00:48:23,080 --> 00:48:25,560
Speaker 2: studio with them, you know, Like I said, I would

910
00:48:25,600 --> 00:48:28,560
Speaker 2: come hang out, so but I was still working, but

911
00:48:28,680 --> 00:48:30,319
Speaker 2: I would come hang out with him, even though I

912
00:48:30,400 --> 00:48:33,640
Speaker 2: was doing my own thing. So I'm inside the studio.

913
00:48:33,800 --> 00:48:37,840
Speaker 2: So I f was like John Singleton and Paul I

914
00:48:37,840 --> 00:48:41,680
Speaker 2: didn't know, so I aksed him. I said, man, y'all

915
00:48:41,719 --> 00:48:44,600
Speaker 2: looking for songs for the soundtrack, and they was like yeah,

916
00:48:44,680 --> 00:48:46,839
Speaker 2: and so I said, you know, can we go talk?

917
00:48:47,160 --> 00:48:49,800
Speaker 2: You know, So we went to the car. I popped

918
00:48:49,800 --> 00:48:53,440
Speaker 2: in a h casette in it was Indo Smoke and

919
00:48:53,520 --> 00:48:57,680
Speaker 2: I played like maybe twenty seconds to that, and uh,

920
00:48:57,880 --> 00:49:01,880
Speaker 2: Paul was like stop. He said, can I take this tape?

921
00:49:01,920 --> 00:49:05,000
Speaker 2: I said cool, So he took it. I said, just

922
00:49:05,000 --> 00:49:07,799
Speaker 2: give me my tape back, so he took it. He

923
00:49:07,880 --> 00:49:12,440
Speaker 2: took it and like maybe like around that maybe Monday, Tuesday,

924
00:49:12,480 --> 00:49:15,480
Speaker 2: somewhere around there. I got a call and they was like,

925
00:49:15,520 --> 00:49:17,680
Speaker 2: we want this to be the first single on the

926
00:49:17,719 --> 00:49:22,000
Speaker 2: poety just the soundtrack wow, which was Endo Smoke. They

927
00:49:22,080 --> 00:49:24,880
Speaker 2: just bypassed everybody else and was like we want this

928
00:49:24,960 --> 00:49:29,160
Speaker 2: to be the single. And that was the record that

929
00:49:29,239 --> 00:49:33,200
Speaker 2: set it off, uh for me, you know as a as.

930
00:49:33,080 --> 00:49:35,600
Speaker 1: A So that was that was Warren G's introduction to

931
00:49:35,640 --> 00:49:37,920
Speaker 1: the world. That was the world's introduction into Warren G.

932
00:49:38,160 --> 00:49:42,000
Speaker 2: Yes, indeed Endo Smoke and uh that record was featuring

933
00:49:42,120 --> 00:49:46,400
Speaker 2: Nate Dog. It was a introduction for Nate as well, right,

934
00:49:46,440 --> 00:49:48,640
Speaker 2: as well as Mr Graham, who was an artist I

935
00:49:48,760 --> 00:49:52,880
Speaker 2: was working under to build up. So that that's where

936
00:49:53,280 --> 00:49:55,440
Speaker 2: our journey started me and Nate as far as a

937
00:49:55,480 --> 00:50:00,160
Speaker 2: combination with making great music, right, and that led to

938
00:50:00,200 --> 00:50:01,839
Speaker 2: me being signed by Depth Jam.

939
00:50:01,880 --> 00:50:03,120
Speaker 4: Okay, they got a call.

940
00:50:03,680 --> 00:50:07,279
Speaker 2: They was like, who was the you know the guy

941
00:50:07,320 --> 00:50:09,440
Speaker 2: that that kind of has like the kind of singing

942
00:50:09,480 --> 00:50:13,520
Speaker 2: melody too to his voice, and so got on the

943
00:50:13,680 --> 00:50:17,400
Speaker 2: I got on a phone call with him. We talked

944
00:50:17,400 --> 00:50:19,279
Speaker 2: about it, and you know, I was like I was

945
00:50:19,320 --> 00:50:23,040
Speaker 2: already prepared, like, let me call Graham and let him

946
00:50:23,080 --> 00:50:24,680
Speaker 2: know that Depth Jam want to sign him.

947
00:50:24,760 --> 00:50:27,880
Speaker 4: So they was like, well, we want the guy on

948
00:50:27,960 --> 00:50:28,560
Speaker 4: the phone call.

949
00:50:28,600 --> 00:50:30,200
Speaker 2: They was like, we want the guy that's got kind

950
00:50:30,200 --> 00:50:32,760
Speaker 2: of like the singing, like kind of like the melody

951
00:50:32,840 --> 00:50:35,440
Speaker 2: rap to him. I said, you know, like the little

952
00:50:35,560 --> 00:50:39,359
Speaker 2: like whoa hey. He said, yeah, that that again. I said,

953
00:50:39,400 --> 00:50:43,800
Speaker 2: that's me. So that's me that y'all want me. So

954
00:50:43,960 --> 00:50:47,040
Speaker 2: I'm like, I'm like, Depth Jam won't me. So I

955
00:50:47,160 --> 00:50:48,920
Speaker 2: was like I'm.

956
00:50:48,840 --> 00:50:50,120
Speaker 1: Right here done.

957
00:50:50,440 --> 00:50:53,520
Speaker 2: Yeah. Le Or Cohn and and Chris Lighty and Tracy

958
00:50:53,560 --> 00:50:56,560
Speaker 2: Wapeless flew out to California, took me out to dinner,

959
00:50:57,360 --> 00:51:01,040
Speaker 2: and uh I signed And that was the beginning of

960
00:51:02,640 --> 00:51:07,200
Speaker 2: you know, me being able to to to start doing

961
00:51:07,280 --> 00:51:09,720
Speaker 2: records in the in in the d and Uh Regulate

962
00:51:09,880 --> 00:51:12,600
Speaker 2: was one of the first records I did, you know,

963
00:51:12,680 --> 00:51:15,839
Speaker 2: cause what I did once I got my advance, which

964
00:51:15,920 --> 00:51:19,320
Speaker 2: was it was like three hundred and fifty thousand dollars advance.

965
00:51:20,080 --> 00:51:22,239
Speaker 2: So what I did was I went and bought all

966
00:51:22,360 --> 00:51:27,080
Speaker 2: studio equipment, bought all studio equipment, went and took it

967
00:51:27,120 --> 00:51:27,960
Speaker 2: to the house.

968
00:51:28,800 --> 00:51:31,160
Speaker 4: Went out and started doing record shopping.

969
00:51:31,600 --> 00:51:34,600
Speaker 2: And so once I was doing the record shopping, I

970
00:51:34,760 --> 00:51:36,680
Speaker 2: once I was, I was getting ready to go home.

971
00:51:36,760 --> 00:51:39,120
Speaker 2: So I stopped by roscos Chicken and Waffles on my

972
00:51:39,160 --> 00:51:42,360
Speaker 2: way home and get that three piece with waffle.

973
00:51:42,520 --> 00:51:43,120
Speaker 1: I w w.

974
00:51:43,400 --> 00:51:46,879
Speaker 2: Was teared the cheese eggs. Oh my god, I used

975
00:51:46,920 --> 00:51:49,759
Speaker 2: to tear it up. So I stopped at Roscoe's and

976
00:51:49,800 --> 00:51:53,200
Speaker 2: it was a dude outside. He was selling records. Okay,

977
00:51:53,280 --> 00:51:54,920
Speaker 2: So I bought the whole.

978
00:51:54,680 --> 00:51:55,839
Speaker 4: Credit records off of him.

979
00:51:55,840 --> 00:51:57,719
Speaker 2: I was like, I get I think I gave him

980
00:51:57,760 --> 00:52:01,080
Speaker 2: like five hundred bucks. Took the whole old Crater records.

981
00:52:01,560 --> 00:52:03,680
Speaker 1: Whether where they were they all new records or were

982
00:52:03,680 --> 00:52:05,000
Speaker 1: they used they was used?

983
00:52:05,040 --> 00:52:08,160
Speaker 2: Okay, Yeah, I took the whole crate. When I got home,

984
00:52:08,239 --> 00:52:10,160
Speaker 2: I was going through the crate and that's when I

985
00:52:10,880 --> 00:52:12,640
Speaker 2: ran across Michael.

986
00:52:12,400 --> 00:52:13,880
Speaker 4: McDonald and the Doobie Brothers.

987
00:52:13,960 --> 00:52:17,680
Speaker 2: I keep forgetting, and when I played it, there was

988
00:52:17,719 --> 00:52:19,799
Speaker 2: a record. I was like, damn, my parents used to

989
00:52:19,840 --> 00:52:22,640
Speaker 2: bang that. Yeah. So I was saying to myself, like,

990
00:52:23,160 --> 00:52:23,880
Speaker 2: if I did a.

991
00:52:27,120 --> 00:52:31,360
Speaker 4: Hip hop song to this, that would be different than

992
00:52:31,400 --> 00:52:32,160
Speaker 4: it would be dope.

993
00:52:32,320 --> 00:52:37,400
Speaker 2: Yes, you know, And I did it. I did it,

994
00:52:37,440 --> 00:52:43,879
Speaker 2: I produced it, I went, I put the I put

995
00:52:43,920 --> 00:52:46,080
Speaker 2: the sample together, I put the drums up under it,

996
00:52:46,160 --> 00:52:50,240
Speaker 2: played a couple of keys up under it, and brought

997
00:52:50,239 --> 00:52:50,920
Speaker 2: it all together.

998
00:52:51,040 --> 00:52:53,720
Speaker 1: And when you start by Roscoe, you get them eggs.

999
00:52:53,760 --> 00:52:55,680
Speaker 1: You know you're feeling good. And the guy happened to

1000
00:52:55,719 --> 00:52:59,200
Speaker 1: be outside said he you got a crate of albums vinyls,

1001
00:52:59,800 --> 00:53:01,879
Speaker 1: and how much you want for the Hey, don't worry

1002
00:53:01,920 --> 00:53:03,520
Speaker 1: about I gotta look. Got a little extra change here,

1003
00:53:03,600 --> 00:53:05,160
Speaker 1: take it. Let me give give me all of them.

1004
00:53:05,560 --> 00:53:07,320
Speaker 1: So in the process you get to create home. You

1005
00:53:07,440 --> 00:53:12,120
Speaker 1: going through them, you're like, damn, Michael Donald's doubIe Brothers. Okay, yes, indeed,

1006
00:53:12,200 --> 00:53:13,560
Speaker 1: let me see you put pop this on.

1007
00:53:14,320 --> 00:53:14,680
Speaker 2: Okay.

1008
00:53:14,760 --> 00:53:21,040
Speaker 1: I keep who kidding like, damn go hard? Yeah, if

1009
00:53:21,080 --> 00:53:23,160
Speaker 1: I could, if I could, if I could really do

1010
00:53:23,239 --> 00:53:28,239
Speaker 1: something in my genre over this, I might be on

1011
00:53:28,360 --> 00:53:28,800
Speaker 1: to something.

1012
00:53:28,880 --> 00:53:33,600
Speaker 2: Yeah, that's the way I was thinking. If I could

1013
00:53:34,480 --> 00:53:38,399
Speaker 2: put a song, a dope song over this this beat

1014
00:53:38,480 --> 00:53:40,800
Speaker 2: right here, I was like, this.

1015
00:53:40,680 --> 00:53:43,319
Speaker 4: Could really be different than they could. They could really

1016
00:53:43,560 --> 00:53:46,520
Speaker 4: really uh you know, put me in and put me

1017
00:53:46,560 --> 00:53:47,080
Speaker 4: in hip.

1018
00:53:46,960 --> 00:53:47,799
Speaker 2: Hop real good.

1019
00:53:48,200 --> 00:53:48,560
Speaker 8: Uh.

1020
00:53:49,120 --> 00:53:49,600
Speaker 4: But I didn't.

1021
00:53:49,640 --> 00:53:52,040
Speaker 2: I didn't. I wasn't thinking of it like it was

1022
00:53:52,080 --> 00:53:54,400
Speaker 2: gonna be one of the biggest records ever, you know.

1023
00:53:54,520 --> 00:53:56,799
Speaker 1: I was just thinking of it, like because even though

1024
00:53:56,880 --> 00:54:00,200
Speaker 1: Endo did what it did on forty Justice, Yeah, this

1025
00:54:00,360 --> 00:54:03,719
Speaker 1: was the one. This was Warren Gee's introduction to the world. Yes,

1026
00:54:04,320 --> 00:54:07,200
Speaker 1: all across you know, France and the UK, in London

1027
00:54:07,239 --> 00:54:10,759
Speaker 1: and Finland and Sweden and all this they knew even

1028
00:54:10,760 --> 00:54:13,839
Speaker 1: though they didn't speak English, they knew this. Yeah, yeah,

1029
00:54:14,080 --> 00:54:14,520
Speaker 1: they knew this.

1030
00:54:14,760 --> 00:54:17,840
Speaker 4: Indead yeah regular.

1031
00:54:39,239 --> 00:54:41,320
Speaker 2: He want to look at there, black night un clear,

1032
00:54:41,400 --> 00:54:44,000
Speaker 2: white n woman. He was on the streets trying take

1033
00:54:44,120 --> 00:54:46,560
Speaker 2: us some skirts, stuff to eat. So about to get

1034
00:54:46,640 --> 00:54:59,480
Speaker 2: some phone, throwing in my ride, killing all alone. So

1035
00:54:59,600 --> 00:55:02,520
Speaker 2: one to left, onto one to do. What's some brothers

1036
00:55:02,520 --> 00:55:04,719
Speaker 2: should and back? So what said, let's do this. I

1037
00:55:04,840 --> 00:55:06,799
Speaker 2: jumped off the ride and said, what's up?

1038
00:55:07,080 --> 00:55:08,839
Speaker 4: Some brothers. What's again, So what's said?

1039
00:55:09,360 --> 00:55:13,319
Speaker 1: Stuck and they.

1040
00:55:13,239 --> 00:55:21,960
Speaker 2: Straight hit the car. I'm getting jack from breaking myself.

1041
00:55:22,160 --> 00:55:25,040
Speaker 2: I can't believe they taking roar race wealth. They took

1042
00:55:25,120 --> 00:55:27,840
Speaker 2: my rings, they took my robtes. I looked at the

1043
00:55:27,920 --> 00:55:40,719
Speaker 2: brother said down, what's next? They got them to my head.

1044
00:55:40,840 --> 00:55:43,560
Speaker 2: I think I'm going down. I can't believe what's happening

1045
00:55:43,600 --> 00:55:47,040
Speaker 2: in my own time wings, I would fly. Let me contemplate.

1046
00:55:47,160 --> 00:55:49,280
Speaker 2: I glanced in the chut and I say my homely

1047
00:55:49,400 --> 00:55:52,120
Speaker 2: name and one in the home.

1048
00:55:57,000 --> 00:55:58,799
Speaker 4: Nay, darling, Warrace ain't have that ready?

1049
00:55:58,840 --> 00:56:29,680
Speaker 8: Get that now.

1050
00:56:29,800 --> 00:56:32,120
Speaker 2: They got the freaks, and that's a known fact. But

1051
00:56:32,280 --> 00:56:34,680
Speaker 2: for what gotcham that was on the same track as

1052
00:56:34,760 --> 00:56:38,440
Speaker 2: back up back Uncovered Toll and Natki and Me, the

1053
00:56:38,520 --> 00:56:39,320
Speaker 2: woman Ship.

1054
00:56:42,000 --> 00:56:43,840
Speaker 8: And Fret.

1055
00:56:44,960 --> 00:56:46,920
Speaker 2: And Naked all get into chat.

1056
00:57:30,040 --> 00:57:33,440
Speaker 9: Taking into a whole new cheek punk. Stop to this,

1057
00:57:33,800 --> 00:57:41,400
Speaker 9: I tell you funk on a whole new level records strength,

1058
00:57:42,160 --> 00:57:47,480
Speaker 9: We bring melody see punk where rhythm is life and.

1059
00:57:47,640 --> 00:57:48,520
Speaker 4: Life is rhythm.

1060
00:58:54,120 --> 00:58:57,720
Speaker 1: There is no possible way that when you picked up

1061
00:58:57,800 --> 00:59:00,360
Speaker 1: this Cradle Vinyls and you pulled out that one with

1062
00:59:00,400 --> 00:59:03,960
Speaker 1: the Doobie Brothers and Michael McDonald that you could have

1063
00:59:04,080 --> 00:59:08,840
Speaker 1: possibly fathom one wildest imagination that that record was going

1064
00:59:08,920 --> 00:59:09,680
Speaker 1: to change your life.

1065
00:59:11,360 --> 00:59:13,240
Speaker 2: I knew it was a good record, yeah, but I

1066
00:59:13,320 --> 00:59:16,960
Speaker 2: didn't know it was gonna be that that at all, right,

1067
00:59:17,160 --> 00:59:21,200
Speaker 2: you know, and even like today, but the new generation,

1068
00:59:21,320 --> 00:59:24,880
Speaker 2: it's like it started over again, and it's yeah, every

1069
00:59:25,000 --> 00:59:27,960
Speaker 2: generation is starting over and over again, and it's like wow,

1070
00:59:29,080 --> 00:59:31,360
Speaker 2: and hey, I love it. But I didn't. I didn't.

1071
00:59:31,920 --> 00:59:34,480
Speaker 2: I didn't think that record was gonna be this big, right,

1072
00:59:35,680 --> 00:59:39,680
Speaker 2: It's it's a it's amazing just to be able to

1073
00:59:39,720 --> 00:59:41,600
Speaker 2: still eat off it.

1074
00:59:44,520 --> 00:59:44,840
Speaker 8: Hear it.

1075
00:59:45,320 --> 00:59:47,600
Speaker 1: I mean, it's it's uh cause it has to be.

1076
00:59:47,880 --> 00:59:50,360
Speaker 1: I mean, you riding in the I mean you're riding

1077
00:59:50,480 --> 00:59:52,960
Speaker 1: and and and and you hear that song come on,

1078
00:59:53,520 --> 00:59:56,520
Speaker 1: and you're like, wow, that's thirty plus that's thirty plus

1079
00:59:56,640 --> 00:59:57,040
Speaker 1: years ago.

1080
00:59:57,120 --> 00:59:59,280
Speaker 2: One, yes, indeed, and it's.

1081
00:59:59,160 --> 01:00:05,040
Speaker 1: Still they played that song. People get up. Yeah, yeah,

1082
01:00:05,360 --> 01:00:07,680
Speaker 1: people still get up thirty years later.

1083
01:00:08,560 --> 01:00:15,240
Speaker 2: Yeah. Uh, It's it's amazing, man. I just you know,

1084
01:00:15,360 --> 01:00:18,960
Speaker 2: I I I didn't. I just didn't know if it

1085
01:00:19,080 --> 01:00:22,440
Speaker 2: was gonna be this big, you know. I mean, in

1086
01:00:22,520 --> 01:00:24,600
Speaker 2: the in the process of doing it, what I did

1087
01:00:24,800 --> 01:00:29,040
Speaker 2: is just even all the way from the samples when

1088
01:00:29,080 --> 01:00:32,040
Speaker 2: I sampled it. You know, I I chopped at each

1089
01:00:32,200 --> 01:00:35,560
Speaker 2: piece in each in the pads on the NPC sixty

1090
01:00:36,280 --> 01:00:39,880
Speaker 2: and I when you hear it's me hitting the pads

1091
01:00:40,000 --> 01:00:45,400
Speaker 2: doom s do doom mum tum m apple boom boom

1092
01:00:46,200 --> 01:00:50,560
Speaker 2: doom doom boom uh um, I'm hitting pads all the

1093
01:00:50,600 --> 01:00:54,240
Speaker 2: way around. So once I once I built the track

1094
01:00:54,320 --> 01:00:59,600
Speaker 2: and had everything in sequence and going away and sounding good,

1095
01:01:00,680 --> 01:01:02,680
Speaker 2: I thought to myself, I said, I need an intro.

1096
01:01:03,600 --> 01:01:07,480
Speaker 2: So I don't know how this happened. I guess it's

1097
01:01:07,640 --> 01:01:11,200
Speaker 2: just how God worked. I just happened to be looking

1098
01:01:11,240 --> 01:01:15,480
Speaker 2: at Young Guns the movie. Yes, And I heard the

1099
01:01:15,600 --> 01:01:21,000
Speaker 2: dude say, regulator, we regulated. We worked for mister Tinsdale's regulator, Yes,

1100
01:01:21,560 --> 01:01:25,440
Speaker 2: uh we. And I took that the whole piece. When

1101
01:01:25,440 --> 01:01:28,480
Speaker 2: you hear that, when you hear the intro on regulate,

1102
01:01:29,120 --> 01:01:31,880
Speaker 2: I took that whole segment and I chopped it up

1103
01:01:31,920 --> 01:01:35,040
Speaker 2: in different pieces. So I took different pieces and I

1104
01:01:35,160 --> 01:01:38,200
Speaker 2: put it the way I wanted to do it. And uh,

1105
01:01:39,240 --> 01:01:45,040
Speaker 2: and you gotta be real handed with seals. You gotta

1106
01:01:45,080 --> 01:01:46,680
Speaker 2: be handed with the steers, you know what I mean.

1107
01:01:46,800 --> 01:01:52,280
Speaker 2: Earn your keep yes, indeed, and uh that just when

1108
01:01:52,360 --> 01:01:54,960
Speaker 2: I when I listened back to it, and I'm like,

1109
01:01:55,440 --> 01:01:58,360
Speaker 2: what the hell, how did I How did I think

1110
01:01:58,440 --> 01:02:01,920
Speaker 2: of this? How did I piece this together? It was

1111
01:02:02,080 --> 01:02:05,160
Speaker 2: like it was a perfect, perfect combination. And then when

1112
01:02:05,240 --> 01:02:07,120
Speaker 2: I call Nate, I was like, Nate, I got a

1113
01:02:07,200 --> 01:02:09,040
Speaker 2: record over here, man, that's incredible.

1114
01:02:09,080 --> 01:02:11,240
Speaker 4: I want you to come get down on it. So

1115
01:02:11,440 --> 01:02:13,800
Speaker 4: Nate came over let him hear it.

1116
01:02:13,920 --> 01:02:16,680
Speaker 2: He was just like, that's hard because I told him

1117
01:02:16,680 --> 01:02:18,160
Speaker 2: I want to do a record with him, Like how

1118
01:02:18,240 --> 01:02:21,040
Speaker 2: Snoop and Drake did just thing. Yoah, let's go back

1119
01:02:21,080 --> 01:02:21,560
Speaker 2: and forth.

1120
01:02:22,120 --> 01:02:24,800
Speaker 4: And you know, Nate was had a he was His

1121
01:02:24,920 --> 01:02:26,240
Speaker 4: style was a singing style.

1122
01:02:26,440 --> 01:02:28,640
Speaker 2: So that's what made it.

1123
01:02:28,720 --> 01:02:33,160
Speaker 1: Even now, if I'm not mistaken, this might have been

1124
01:02:33,240 --> 01:02:37,240
Speaker 1: one of the because Michael McDonald's was with the Doobie

1125
01:02:37,280 --> 01:02:38,880
Speaker 1: Brothers and I think this might have been one on

1126
01:02:39,000 --> 01:02:43,360
Speaker 1: his first his first solo album, and so this was

1127
01:02:43,440 --> 01:02:46,560
Speaker 1: a big gig normous song for him. So to get

1128
01:02:46,640 --> 01:02:48,360
Speaker 1: it cleared, you had to let him hear it.

1129
01:02:48,440 --> 01:02:52,560
Speaker 2: Correct. Yeah, yes, indeed. He Actually he's still getting paid

1130
01:02:52,600 --> 01:02:54,880
Speaker 2: off of yeah for sure. Yeah, he's still getting paid.

1131
01:02:54,920 --> 01:02:59,040
Speaker 2: The Bilbie Brothers are getting paid. Nate still gets paid,

1132
01:02:59,080 --> 01:03:01,120
Speaker 2: I get paid. We still he'll get paid off of it.

1133
01:03:01,440 --> 01:03:03,560
Speaker 1: So when you when when you when you finished the

1134
01:03:03,600 --> 01:03:06,280
Speaker 1: priory used to the Uh, mister McDonald, I would like

1135
01:03:06,360 --> 01:03:08,280
Speaker 1: to I would like to sample this. I got a

1136
01:03:08,360 --> 01:03:10,520
Speaker 1: great track over it and and here it is.

1137
01:03:11,200 --> 01:03:14,440
Speaker 2: Yeah what what did what happened? The company got it cleared? Okay?

1138
01:03:14,840 --> 01:03:17,360
Speaker 2: And I was I used to be in New York

1139
01:03:17,400 --> 01:03:20,240
Speaker 2: a lot, so I'm at Times Square just you know,

1140
01:03:20,400 --> 01:03:22,680
Speaker 2: walking around us. I used to just get out to

1141
01:03:22,760 --> 01:03:26,320
Speaker 2: walk around and I bumped into Michael McDonald walking in

1142
01:03:26,440 --> 01:03:29,320
Speaker 2: Times Square. Damn crazy.

1143
01:03:30,400 --> 01:03:31,560
Speaker 1: It was crazy.

1144
01:03:31,680 --> 01:03:37,000
Speaker 4: I was like Michael, like it's Warren and he was

1145
01:03:37,080 --> 01:03:38,480
Speaker 4: tricking like Warren Geeve.

1146
01:03:38,560 --> 01:03:41,680
Speaker 2: I was like, yeah, it's Warren Jeeves like man. So

1147
01:03:41,840 --> 01:03:45,160
Speaker 2: it was it was, you know, cool to meet him.

1148
01:03:45,360 --> 01:03:48,000
Speaker 2: You know, we didn't talk that much. We didn't talk

1149
01:03:48,120 --> 01:03:50,240
Speaker 2: like long. It was just like yeah yeah, so and

1150
01:03:50,360 --> 01:03:53,480
Speaker 2: then kept pushing. But later on down the line, what

1151
01:03:53,600 --> 01:03:56,520
Speaker 2: I did was he was performing where I lived at

1152
01:03:57,120 --> 01:04:01,000
Speaker 2: and uh so me and my wife went uh to

1153
01:04:01,120 --> 01:04:05,360
Speaker 2: the to the concert and uh I told some of

1154
01:04:05,400 --> 01:04:06,640
Speaker 2: his people that I was there.

1155
01:04:07,360 --> 01:04:10,880
Speaker 4: And so he was out there, you know, doing this

1156
01:04:11,000 --> 01:04:13,680
Speaker 4: thing performing. So he got to Regulate.

1157
01:04:14,080 --> 01:04:19,040
Speaker 2: He was just like, I want to spend a send

1158
01:04:19,080 --> 01:04:21,480
Speaker 2: a special shout out to a young guy out here

1159
01:04:21,520 --> 01:04:26,880
Speaker 2: in the crowd. Thanks to this guy, you guys are

1160
01:04:26,920 --> 01:04:30,480
Speaker 2: still hearing I keep forgetting to this day. And he

1161
01:04:30,640 --> 01:04:34,400
Speaker 2: made the song called Regulate, so I'm getting ready to

1162
01:04:34,480 --> 01:04:37,120
Speaker 2: do my version of it right now and he was

1163
01:04:37,240 --> 01:04:40,280
Speaker 2: like Warren g And then they shine the light over

1164
01:04:40,320 --> 01:04:43,160
Speaker 2: where I was at and them was like, hey, like,

1165
01:04:43,240 --> 01:04:45,840
Speaker 2: how y'all doing? And so he did it, and then

1166
01:04:45,960 --> 01:04:49,720
Speaker 2: afterwards they invited me back there and we had a

1167
01:04:49,840 --> 01:04:52,440
Speaker 2: really great conversation and he was like, man, you you

1168
01:04:52,840 --> 01:04:56,480
Speaker 2: changed my life, like with that record, you changed a

1169
01:04:56,560 --> 01:04:59,560
Speaker 2: lot of lives. And he was like, my son, don't

1170
01:04:59,560 --> 01:05:05,040
Speaker 2: even listen to hes he in love with your version.

1171
01:05:05,080 --> 01:05:08,120
Speaker 2: He don't even listen to mine. And uh, we had

1172
01:05:08,200 --> 01:05:10,800
Speaker 2: we had a really really great conversation. Man. He was

1173
01:05:10,920 --> 01:05:16,600
Speaker 2: just so like appreciative, like of what I did for

1174
01:05:16,760 --> 01:05:20,080
Speaker 2: him and the Dowie Brothers by redoing that record. And

1175
01:05:20,160 --> 01:05:23,520
Speaker 2: I'm just I felt great to be able to to

1176
01:05:23,640 --> 01:05:27,280
Speaker 2: be able to to do a record that put a

1177
01:05:27,480 --> 01:05:33,160
Speaker 2: that put a legend already, like to keep him being legendary,

1178
01:05:33,280 --> 01:05:35,040
Speaker 2: you know, and made.

1179
01:05:34,880 --> 01:05:36,959
Speaker 4: Me a legend at the same time, right.

1180
01:05:37,480 --> 01:05:42,480
Speaker 1: When it's reported that this record, this album of yours,

1181
01:05:42,560 --> 01:05:47,680
Speaker 1: helped get Depth Jam out of there. Yeah, do you

1182
01:05:47,760 --> 01:05:50,200
Speaker 1: think and they says it's made it made over one

1183
01:05:50,240 --> 01:05:53,120
Speaker 1: hundred million dollars, You're like, yeah, damn it made that much.

1184
01:05:54,000 --> 01:05:59,240
Speaker 2: How much I get ship as I was, I was

1185
01:05:59,400 --> 01:06:03,840
Speaker 2: like a hundred million where no, what is my money?

1186
01:06:04,240 --> 01:06:04,439
Speaker 8: Yeah?

1187
01:06:07,200 --> 01:06:08,439
Speaker 4: I was a man.

1188
01:06:09,120 --> 01:06:14,120
Speaker 2: Uh it was it was first time artists. You know,

1189
01:06:14,320 --> 01:06:17,640
Speaker 2: I was only making like, uh, I think it was

1190
01:06:17,760 --> 01:06:22,720
Speaker 2: like twenty five thirty cents of a record. Yeah, so

1191
01:06:22,880 --> 01:06:23,479
Speaker 2: it was cool.

1192
01:06:24,000 --> 01:06:26,400
Speaker 1: It was so you weren't getting that, you weren't getting

1193
01:06:26,440 --> 01:06:29,080
Speaker 1: that big that dollar dollar fifty two dollars a record.

1194
01:06:29,160 --> 01:06:33,920
Speaker 2: Well later after after the success of that record, they

1195
01:06:34,080 --> 01:06:37,560
Speaker 2: was throwing whatever I wanted, doing whatever I wanted to do. Uh,

1196
01:06:37,680 --> 01:06:39,960
Speaker 2: So I went I went from I got all the

1197
01:06:40,000 --> 01:06:45,680
Speaker 2: way to a dollar fifty yeah. Yeah, and that was

1198
01:06:45,960 --> 01:06:49,480
Speaker 2: great back then, like for sure, yeah, yeah it was.

1199
01:06:49,560 --> 01:06:52,680
Speaker 2: It was great. So, you know, things that picked up,

1200
01:06:52,760 --> 01:06:56,240
Speaker 2: but that first time deal was just like it was

1201
01:06:56,360 --> 01:07:02,800
Speaker 2: kind of like like like a uh paying dues. Yeah,

1202
01:07:03,120 --> 01:07:06,960
Speaker 2: they get you the first one. Yeah. And I'm still.

1203
01:07:09,280 --> 01:07:10,760
Speaker 4: Owner of my master publishing.

1204
01:07:11,800 --> 01:07:14,320
Speaker 2: Yeah, I'm still owner of that, which will be reverted

1205
01:07:14,440 --> 01:07:17,680
Speaker 2: back to me in the next four years, and then

1206
01:07:18,320 --> 01:07:20,880
Speaker 2: I can all of that will just be me. It

1207
01:07:20,960 --> 01:07:23,600
Speaker 2: won't go through two or three different companies then get

1208
01:07:23,640 --> 01:07:26,400
Speaker 2: to me, you know, everything and be coming straight to me,

1209
01:07:26,480 --> 01:07:28,920
Speaker 2: and then I can license it out me myself. But

1210
01:07:30,080 --> 01:07:32,600
Speaker 2: it's hard trying to get trying to get your master's

1211
01:07:32,640 --> 01:07:35,400
Speaker 2: back from these companies. It's really hard, and especially if

1212
01:07:35,440 --> 01:07:36,720
Speaker 2: you do it if you don't have it in the

1213
01:07:36,760 --> 01:07:41,680
Speaker 2: contract from the jump. Yeah, it's well, it's that's just

1214
01:07:42,160 --> 01:07:46,120
Speaker 2: standard like after some of them, some people like warn

1215
01:07:46,280 --> 01:07:50,080
Speaker 2: is twenty five years not thirty five, right, and but

1216
01:07:50,800 --> 01:07:54,520
Speaker 2: now I guess it's thirty five, you know. So, but

1217
01:07:54,640 --> 01:07:57,960
Speaker 2: it's hard to get them back, you know. And to me,

1218
01:07:58,120 --> 01:08:01,840
Speaker 2: that's unfair for like a guy like myself because I

1219
01:08:02,000 --> 01:08:06,920
Speaker 2: helped this company that's under this umbrella become a billion

1220
01:08:07,000 --> 01:08:08,480
Speaker 2: dollar business here and.

1221
01:08:08,560 --> 01:08:10,160
Speaker 4: All I'm asking for is my master.

1222
01:08:10,320 --> 01:08:10,520
Speaker 2: Yeah.

1223
01:08:10,520 --> 01:08:12,160
Speaker 1: They you you feel like they should have gave you

1224
01:08:12,240 --> 01:08:14,200
Speaker 1: those things back ten fifteen years ago.

1225
01:08:14,680 --> 01:08:17,160
Speaker 2: Yeah, yeah, cause I mean reward me, right, you know,

1226
01:08:17,280 --> 01:08:21,040
Speaker 2: I I did my part, you know, just reward it back,

1227
01:08:21,160 --> 01:08:21,320
Speaker 2: you know.

1228
01:08:21,479 --> 01:08:24,200
Speaker 4: But you know, I'm I'm working on getting him back.

1229
01:08:24,960 --> 01:08:27,760
Speaker 2: It's supposed to come anyway, So I'm working on it.

1230
01:08:28,400 --> 01:08:29,599
Speaker 1: Try to feed the process up.

1231
01:08:29,880 --> 01:08:33,200
Speaker 2: I yeah, I'm I was like, I want him now, uh, yesterday.

1232
01:08:33,320 --> 01:08:35,600
Speaker 2: I don't wanna wait, not right, Yeah, So I I

1233
01:08:35,720 --> 01:08:39,080
Speaker 2: reached out a few times and it was like no, Wow.

1234
01:08:39,120 --> 01:08:40,920
Speaker 2: I'm like, damn, let me.

1235
01:08:40,960 --> 01:08:42,640
Speaker 1: Ask you this. And and I've heard a lot of

1236
01:08:43,200 --> 01:08:47,960
Speaker 1: you know, when you look at Michael Michael Jackson Thriller,

1237
01:08:49,439 --> 01:08:52,040
Speaker 1: I don't believe in my lifetime there'll never be an

1238
01:08:52,080 --> 01:08:54,040
Speaker 1: album or a song.

1239
01:08:53,960 --> 01:08:54,759
Speaker 2: Bigger than Thriller.

1240
01:08:55,600 --> 01:08:58,439
Speaker 1: Never when you look at it, and it says that

1241
01:08:58,560 --> 01:09:01,200
Speaker 1: he became obsessed because he was trying to replicate that,

1242
01:09:02,080 --> 01:09:05,240
Speaker 1: even though if you for me, as far as musically,

1243
01:09:05,479 --> 01:09:09,599
Speaker 1: Off the Wall was his best work. Now, Thriller was great,

1244
01:09:11,200 --> 01:09:15,719
Speaker 1: Dirty Bad was great, and he had others that were great,

1245
01:09:15,800 --> 01:09:17,760
Speaker 1: but Off the Wall for me, was his best, was

1246
01:09:17,840 --> 01:09:21,240
Speaker 1: his best work. But he wanted to do Thriller. He

1247
01:09:21,280 --> 01:09:25,160
Speaker 1: didn't understand that was a once in a lifetime. It's

1248
01:09:25,240 --> 01:09:28,000
Speaker 1: like somebody in baseball throwing a perfect game. Nobody's ever

1249
01:09:28,080 --> 01:09:31,000
Speaker 1: thrown two perfect games. And that was and he and

1250
01:09:31,080 --> 01:09:34,280
Speaker 1: it's like drove himself crazy trying to replicate that. And

1251
01:09:34,960 --> 01:09:38,080
Speaker 1: sometimes when you don't do what you've done, you feel

1252
01:09:38,160 --> 01:09:41,840
Speaker 1: like you're not as successful. Did you drive yourself crazy

1253
01:09:42,000 --> 01:09:43,639
Speaker 1: trying to do another regulate?

1254
01:09:44,200 --> 01:09:46,760
Speaker 2: No, I just I never.

1255
01:09:47,160 --> 01:09:50,400
Speaker 4: I wasn't trying to outdo it. I just I wanna

1256
01:09:50,400 --> 01:09:51,120
Speaker 4: make great music.

1257
01:09:51,200 --> 01:09:54,200
Speaker 1: And if it's something does regulate or does better than regulate,

1258
01:09:54,320 --> 01:09:56,599
Speaker 1: so be it. But I'm not gonna make myself sick.

1259
01:09:56,640 --> 01:10:00,439
Speaker 1: I'm not gonna drive myself crazy trying to replicate that. Yeah.

1260
01:10:00,520 --> 01:10:03,920
Speaker 2: Nah, I never never try to compete with it. I

1261
01:10:04,080 --> 01:10:06,680
Speaker 2: just I. I I knew I had a formula though

1262
01:10:07,200 --> 01:10:13,560
Speaker 2: of making uh, making great records. And the formula that

1263
01:10:13,680 --> 01:10:17,200
Speaker 2: I had, which is the reason why I had so

1264
01:10:17,320 --> 01:10:19,680
Speaker 2: many records that were successful, like I want it all,

1265
01:10:19,800 --> 01:10:22,719
Speaker 2: do you see regulate like endo smoke. All these records

1266
01:10:22,800 --> 01:10:25,439
Speaker 2: were great because when I work on the project, what

1267
01:10:25,560 --> 01:10:27,560
Speaker 2: I do is I try. Now, I this is what

1268
01:10:28,720 --> 01:10:31,920
Speaker 2: how you make great albums. I try to make every

1269
01:10:32,000 --> 01:10:34,600
Speaker 2: record I do a single M I try to do that,

1270
01:10:35,040 --> 01:10:38,799
Speaker 2: cause that makes you do a lot of good records.

1271
01:10:39,400 --> 01:10:43,040
Speaker 2: So that was my formula with anything I did, I

1272
01:10:43,240 --> 01:10:45,400
Speaker 2: just do a bunch of record, bunch of dope records.

1273
01:10:45,960 --> 01:10:47,680
Speaker 2: I would try to do a a single. But I

1274
01:10:47,840 --> 01:10:50,920
Speaker 2: wasn't trying to compete with Regulate. I was just trying

1275
01:10:50,960 --> 01:10:54,280
Speaker 2: to do a single every time, like d a album

1276
01:10:54,400 --> 01:10:58,160
Speaker 2: full of singles. That was just my my process of uh,

1277
01:10:58,280 --> 01:11:01,599
Speaker 2: my formula when I'm working. And the records that came

1278
01:11:01,680 --> 01:11:05,599
Speaker 2: off of it was was big records. All of them.

1279
01:11:05,640 --> 01:11:09,040
Speaker 2: All of them went gold, platinum, yes indeed, but they

1280
01:11:09,120 --> 01:11:10,240
Speaker 2: didn't go as many as.

1281
01:11:10,160 --> 01:11:12,360
Speaker 1: Regulated, right yeahs.

1282
01:11:12,439 --> 01:11:13,120
Speaker 2: And that's the thing.

1283
01:11:13,320 --> 01:11:15,000
Speaker 1: So you have to you have to be able to

1284
01:11:15,360 --> 01:11:18,360
Speaker 1: be content with the work, yes indeed. And that's like

1285
01:11:18,400 --> 01:11:21,320
Speaker 1: you know what, man, because you know, like you do

1286
01:11:21,439 --> 01:11:24,599
Speaker 1: a deal and it's not twenty million, you do a deal,

1287
01:11:24,640 --> 01:11:26,840
Speaker 1: say let's it's just five or ten? Well, man, I

1288
01:11:26,920 --> 01:11:27,680
Speaker 1: what successful?

1289
01:11:27,800 --> 01:11:30,320
Speaker 2: Damn man, this record wasn't that good? Man?

1290
01:11:30,360 --> 01:11:37,880
Speaker 4: It ain't Regulate, bro, I mean, and I.

1291
01:11:37,960 --> 01:11:41,760
Speaker 2: Mean you just just gotta dust yourself off and try again,

1292
01:11:41,920 --> 01:11:43,479
Speaker 2: just keep going at it.

1293
01:11:43,720 --> 01:11:46,080
Speaker 1: But if you feel like if Warren feels that I'm

1294
01:11:46,320 --> 01:11:49,799
Speaker 1: just listening at this time, this is where I am musically,

1295
01:11:49,880 --> 01:11:52,559
Speaker 1: this is where I am as far as writing. If

1296
01:11:52,600 --> 01:11:55,360
Speaker 1: I'm giving, if I'm doing the absolute best I possibly can,

1297
01:11:55,800 --> 01:11:57,680
Speaker 1: I can live with whatever sound comes off.

1298
01:11:57,760 --> 01:11:58,639
Speaker 2: Once it's overdone.

1299
01:11:58,800 --> 01:12:00,639
Speaker 4: And that's that's exactly how I moved.

1300
01:12:03,600 --> 01:12:03,920
Speaker 2: I don't.

1301
01:12:04,000 --> 01:12:05,720
Speaker 4: I don't, you know, I don't.

1302
01:12:05,800 --> 01:12:11,120
Speaker 2: I don't. I don't like try. I just work.

1303
01:12:11,320 --> 01:12:11,920
Speaker 1: I just work.

1304
01:12:12,000 --> 01:12:12,280
Speaker 2: And just.

1305
01:12:13,920 --> 01:12:17,880
Speaker 1: You don't measure success of one album by the success

1306
01:12:18,040 --> 01:12:18,840
Speaker 1: of another album.

1307
01:12:19,000 --> 01:12:22,880
Speaker 2: Each each is an individual project, yes indeed, Okay, yeah yeah,

1308
01:12:24,040 --> 01:12:29,240
Speaker 2: And uh that's like that's where that formula kicks in,

1309
01:12:29,880 --> 01:12:33,160
Speaker 2: you know it, Uh to where each one of those

1310
01:12:33,240 --> 01:12:37,080
Speaker 2: projects with whatever the next project is or whatever I'm doing.

1311
01:12:37,680 --> 01:12:40,000
Speaker 2: Like I said, I try to make it like it's

1312
01:12:40,040 --> 01:12:42,439
Speaker 2: a single. I try to make these every record on

1313
01:12:42,520 --> 01:12:45,439
Speaker 2: there a single. Is it true that LL came and

1314
01:12:45,479 --> 01:12:45,960
Speaker 2: pick you up?

1315
01:12:46,479 --> 01:12:46,679
Speaker 8: Yeah?

1316
01:12:47,520 --> 01:12:52,519
Speaker 2: Yeah? First time in New York, I didn't. I didn't

1317
01:12:52,640 --> 01:12:57,600
Speaker 2: uh believe it was him, cause I'm like, what what

1318
01:12:57,760 --> 01:13:00,879
Speaker 2: the LL gonna come pick me up for? I ain't nobody,

1319
01:13:01,640 --> 01:13:03,680
Speaker 2: you know, not yet. I'm just signed, you know, new

1320
01:13:03,800 --> 01:13:04,960
Speaker 2: artists sign to death Jam.

1321
01:13:05,600 --> 01:13:07,559
Speaker 1: I mean, it's hard to think about artists on Jeff

1322
01:13:07,640 --> 01:13:10,920
Speaker 1: Jam other than Lell. He built that, He built that company.

1323
01:13:11,080 --> 01:13:16,120
Speaker 1: Yeah yeah, And I was like I couldn't believe it.

1324
01:13:16,200 --> 01:13:20,040
Speaker 2: I was because, first of all, I was a huge fan,

1325
01:13:20,120 --> 01:13:22,240
Speaker 2: because he was one of those artists that I talked

1326
01:13:22,240 --> 01:13:26,400
Speaker 2: about that I looked up to and which inspired us

1327
01:13:27,040 --> 01:13:29,679
Speaker 2: and uh for them to call my room and say,

1328
01:13:30,960 --> 01:13:33,960
Speaker 2: you know Warren, you know Warren, you know.

1329
01:13:34,080 --> 01:13:36,519
Speaker 4: He called up, was like is this Warring? I'm like, yeah,

1330
01:13:36,560 --> 01:13:38,800
Speaker 4: this Warren is like, Yo, this is LLL.

1331
01:13:39,840 --> 01:13:42,479
Speaker 2: I'm downstairs, man, I want to take you around, you know,

1332
01:13:42,600 --> 01:13:44,439
Speaker 2: take you around the city, man, show you New York.

1333
01:13:44,520 --> 01:13:47,240
Speaker 4: So I'm like this ain't God damn man, somebody's playing.

1334
01:13:47,840 --> 01:13:50,840
Speaker 2: So I called. I called one of the twins. I said, twin,

1335
01:13:50,960 --> 01:13:53,320
Speaker 2: one of y'all, come with me downstairs. This this motherfucker

1336
01:13:53,439 --> 01:13:59,320
Speaker 2: downstairs talking about the LF. So we go downstairs. It

1337
01:13:59,520 --> 01:14:03,280
Speaker 2: was him and he had the drop top back. We

1338
01:14:03,479 --> 01:14:06,479
Speaker 2: jumped in and uh. He took us to Queens, He

1339
01:14:06,560 --> 01:14:09,280
Speaker 2: took us, we went shopping. He took us to uh

1340
01:14:09,760 --> 01:14:12,759
Speaker 2: where he did his album, where he wrote his lyrics

1341
01:14:13,960 --> 01:14:17,479
Speaker 2: at his grandmother house. He showed us the how the

1342
01:14:17,560 --> 01:14:19,880
Speaker 2: basement went down. I mean, I ain't never seen that

1343
01:14:20,000 --> 01:14:22,560
Speaker 2: many clothes in my life. Like it was all the

1344
01:14:22,600 --> 01:14:24,720
Speaker 2: way down the stairs, on the walls, all the way

1345
01:14:25,120 --> 01:14:29,040
Speaker 2: the whole downstairs was nothing but clothes but shoes. And

1346
01:14:30,520 --> 01:14:34,000
Speaker 2: he even had the the uh Suzuki Samurai that he

1347
01:14:34,080 --> 01:14:36,240
Speaker 2: had Tina had he did that. Tina got a big

1348
01:14:36,280 --> 01:14:40,439
Speaker 2: old But the that Zuki Samurai was sitting right there

1349
01:14:40,560 --> 01:14:41,200
Speaker 2: in the yard.

1350
01:14:41,400 --> 01:14:44,880
Speaker 4: It was old and dusty, but it was there, and I.

1351
01:14:44,960 --> 01:14:47,120
Speaker 2: Couldn't believe it. But he really showed a lot of

1352
01:14:47,200 --> 01:14:51,400
Speaker 2: love man, and he took us around, got we ate everything,

1353
01:14:51,520 --> 01:14:53,720
Speaker 2: and he showed a lot of love and and that

1354
01:14:54,000 --> 01:14:56,760
Speaker 2: right there, it was like, that was where I was

1355
01:14:56,840 --> 01:14:58,000
Speaker 2: when I was like, you know what.

1356
01:14:58,960 --> 01:15:02,280
Speaker 4: I'm getting ready to put my foot and all this

1357
01:15:02,479 --> 01:15:03,240
Speaker 4: music that I do.

1358
01:15:03,760 --> 01:15:08,120
Speaker 2: You know, that right there really really launched me into

1359
01:15:08,680 --> 01:15:12,240
Speaker 2: saying I'm I'm I didn't really really got far right.

1360
01:15:12,560 --> 01:15:15,320
Speaker 1: Yeah, there was a quote that you said, you feel

1361
01:15:15,360 --> 01:15:17,880
Speaker 1: like you were the the Drake of the nineties. Why

1362
01:15:18,040 --> 01:15:18,760
Speaker 1: why did you say that?

1363
01:15:19,840 --> 01:15:26,200
Speaker 2: Uh because all the ladies like him. Hey, hey, all

1364
01:15:26,240 --> 01:15:29,240
Speaker 2: the ladies loved warm, you know. You know, that's that's

1365
01:15:29,280 --> 01:15:32,200
Speaker 2: how it was. I was like that in the nineties.

1366
01:15:32,400 --> 01:15:34,240
Speaker 2: You know, I was like a lot of all the ladies.

1367
01:15:34,320 --> 01:15:37,840
Speaker 2: I was a solo artist. Looked good, it had a

1368
01:15:37,920 --> 01:15:41,080
Speaker 2: fresh fade up now tow up ball, it got a

1369
01:15:41,120 --> 01:15:50,000
Speaker 2: lott great and uh you know, but back then, uh,

1370
01:15:50,280 --> 01:15:53,479
Speaker 2: you know, a lot of the ladies loved warn to

1371
01:15:53,600 --> 01:15:57,160
Speaker 2: this day. It be you know, i'd be out somewhere,

1372
01:15:57,240 --> 01:16:01,200
Speaker 2: me and my wife, it'll be a ladies or ladies

1373
01:16:01,320 --> 01:16:03,600
Speaker 2: come up like you was my crush and this that.

1374
01:16:03,720 --> 01:16:07,400
Speaker 1: You know, their grandma now a warrant their grandma now.

1375
01:16:08,880 --> 01:16:10,160
Speaker 2: But it's it's even younger.

1376
01:16:10,400 --> 01:16:10,920
Speaker 4: Yeah, younger.

1377
01:16:11,080 --> 01:16:15,360
Speaker 2: I mean it's like, you know, like thirties forties, like

1378
01:16:15,720 --> 01:16:20,400
Speaker 2: you know, not that I'm my antique, you know, my

1379
01:16:20,560 --> 01:16:25,040
Speaker 2: early fifties. Yeah, but yeah it h That's the reason

1380
01:16:25,120 --> 01:16:27,240
Speaker 2: why I said that because a lot of the ladies.

1381
01:16:27,280 --> 01:16:30,479
Speaker 2: I was like the ladies man in that era, and uh,

1382
01:16:30,840 --> 01:16:33,519
Speaker 2: he's a ladies man in this era, right, Yes. Indeed,

1383
01:16:35,360 --> 01:16:38,000
Speaker 2: major label or independent. I just saw.

1384
01:16:38,439 --> 01:16:41,040
Speaker 1: I think it was Steffanie. I think Stephanie Mills. I

1385
01:16:41,160 --> 01:16:44,320
Speaker 1: think it's Shaka Khan, and I think Patty Label. I

1386
01:16:44,360 --> 01:16:47,599
Speaker 1: think they're going on the tour and I think they

1387
01:16:47,760 --> 01:16:51,479
Speaker 1: asked Stephanie you know, and she says independent, she said,

1388
01:16:51,520 --> 01:16:55,080
Speaker 1: because the record company is mainly a marketing. She says,

1389
01:16:55,120 --> 01:16:57,240
Speaker 1: I know what I want, I know what I'm looking for,

1390
01:16:58,080 --> 01:17:00,639
Speaker 1: so for me in the and then is the where

1391
01:17:00,680 --> 01:17:03,240
Speaker 1: to go? So because all that needs to come to

1392
01:17:03,320 --> 01:17:05,240
Speaker 1: me because I'm the one that's doing all the work. Yeah,

1393
01:17:05,280 --> 01:17:07,280
Speaker 1: where are you on that one? You independent or you

1394
01:17:07,400 --> 01:17:10,480
Speaker 1: you record? I'm independent? I'm independent.

1395
01:17:12,800 --> 01:17:17,240
Speaker 2: She right. You know, I can do a lot of

1396
01:17:17,320 --> 01:17:20,640
Speaker 2: the stuff myself, Like I can go. I could do

1397
01:17:21,560 --> 01:17:23,880
Speaker 2: the like some of the new records I got. I

1398
01:17:23,920 --> 01:17:25,840
Speaker 2: could do the record like I got a record with

1399
01:17:25,960 --> 01:17:29,679
Speaker 2: me and whiz Khalif adult record. I think it's gonna

1400
01:17:29,680 --> 01:17:36,000
Speaker 2: be a top forty. Taking that record and doing clips,

1401
01:17:36,200 --> 01:17:39,200
Speaker 2: doing like a video of it and then doing clips

1402
01:17:39,240 --> 01:17:44,120
Speaker 2: and then doing ads with that on TikTok and people

1403
01:17:44,280 --> 01:17:47,000
Speaker 2: taking it and doing their own versions of dancing to

1404
01:17:47,080 --> 01:17:50,320
Speaker 2: it and doing different things. That's TikTok is pretty much

1405
01:17:50,880 --> 01:17:53,240
Speaker 2: your new marketing too, Yes, your new marketing. It's a

1406
01:17:53,320 --> 01:17:58,280
Speaker 2: marketing too at the Instagram, you know, paying for ads

1407
01:17:58,320 --> 01:18:02,760
Speaker 2: on Instagram even Google ads, Facebook ads, you know, with

1408
01:18:03,040 --> 01:18:05,640
Speaker 2: just a bunch of clips, just pushing those clips of

1409
01:18:06,880 --> 01:18:10,280
Speaker 2: what you have, and that drives all of the traffic.

1410
01:18:10,360 --> 01:18:13,200
Speaker 2: It drives your merch up, it drives your streaming up.

1411
01:18:15,560 --> 01:18:20,519
Speaker 2: But I I, I, uh, I'm gonna try something well,

1412
01:18:20,520 --> 01:18:21,920
Speaker 2: I'm not gonna even try I'm gonna do.

1413
01:18:23,760 --> 01:18:26,960
Speaker 4: Something different. It's it's not a whole lot different, but

1414
01:18:27,040 --> 01:18:29,439
Speaker 4: I wanna kind of I wanna try and bring.

1415
01:18:29,479 --> 01:18:35,800
Speaker 2: Back more of vinyl and CDs, cause people ain't got

1416
01:18:35,880 --> 01:18:38,320
Speaker 2: rid of they CD players or they vinyl players. No,

1417
01:18:39,120 --> 01:18:43,880
Speaker 2: So I wanna do a special addition. I'm'na do some

1418
01:18:44,040 --> 01:18:47,559
Speaker 2: special editions. I'm gonna print up maybe five ten thousand

1419
01:18:47,760 --> 01:18:52,800
Speaker 2: vinyls of CDs and sell those to the to the

1420
01:18:53,080 --> 01:18:56,240
Speaker 2: the Truth fan bess, you know what I mean, And

1421
01:18:57,840 --> 01:19:03,080
Speaker 2: just to to get that that nostalgia man exactly, because

1422
01:19:03,120 --> 01:19:08,639
Speaker 2: it's like this the computer world is like, we don't

1423
01:19:08,720 --> 01:19:11,320
Speaker 2: know how they could change numbers, you know what I mean,

1424
01:19:11,520 --> 01:19:14,439
Speaker 2: do all kinds of stuff. So just to do that

1425
01:19:14,640 --> 01:19:19,240
Speaker 2: for the fans and give him that realness again, it'll

1426
01:19:19,280 --> 01:19:22,360
Speaker 2: be different, you know, it'll be different, and I'm sure

1427
01:19:22,400 --> 01:19:24,840
Speaker 2: a lot of people will probably follow that model. Actually,

1428
01:19:24,840 --> 01:19:26,920
Speaker 2: I got a few friends that is using that model

1429
01:19:27,000 --> 01:19:30,519
Speaker 2: already and it's they successful with it.

1430
01:19:31,040 --> 01:19:33,600
Speaker 1: Right where are you On the streaming, I hear a

1431
01:19:33,640 --> 01:19:35,680
Speaker 1: lot of people say, man, hey, Snoop was one of

1432
01:19:35,720 --> 01:19:38,120
Speaker 1: the first that that man that's streaming, he's I can't

1433
01:19:38,200 --> 01:19:40,080
Speaker 1: keep up with it. He's like, they send me a check,

1434
01:19:40,120 --> 01:19:42,160
Speaker 1: you know, four five thousand dollars. And then some people

1435
01:19:42,320 --> 01:19:46,400
Speaker 1: like you know, probably getting I can only imagine what

1436
01:19:46,600 --> 01:19:49,240
Speaker 1: a Drake is getting from streaming because he's doing the

1437
01:19:49,320 --> 01:19:50,439
Speaker 1: Weekend or.

1438
01:19:50,760 --> 01:19:53,320
Speaker 2: Travis Gott or Taylor Swift to Beyonce.

1439
01:19:53,479 --> 01:19:55,600
Speaker 1: I can only imagine because they're doing you know, it

1440
01:19:55,640 --> 01:19:57,960
Speaker 1: seems like every time I turn around, Drake is this,

1441
01:19:58,200 --> 01:20:01,559
Speaker 1: and Drake is that, and yon saying and Taylor Swipt

1442
01:20:01,720 --> 01:20:02,439
Speaker 1: is this and there that.

1443
01:20:02,800 --> 01:20:05,280
Speaker 2: So I can only imagine. But where are you? Where?

1444
01:20:05,360 --> 01:20:06,360
Speaker 2: Where are you on the streaming?

1445
01:20:06,800 --> 01:20:06,960
Speaker 8: Oh?

1446
01:20:09,160 --> 01:20:13,719
Speaker 2: I mean I don't like it because but I gotta

1447
01:20:13,800 --> 01:20:16,160
Speaker 2: deal with it because it's the way the way the

1448
01:20:16,320 --> 01:20:17,599
Speaker 2: business is what it is now.

1449
01:20:17,760 --> 01:20:18,920
Speaker 4: Yes, but I don't.

1450
01:20:18,960 --> 01:20:19,280
Speaker 2: I don't.

1451
01:20:20,040 --> 01:20:23,360
Speaker 4: I don't like it because you can't really monitor you know,

1452
01:20:23,880 --> 01:20:24,639
Speaker 4: those numbers.

1453
01:20:24,720 --> 01:20:27,160
Speaker 2: You can't. We can't. They tell you that it might

1454
01:20:27,240 --> 01:20:30,559
Speaker 2: be more. Yeah, yeah, I'm sure. Yeah, and a lot

1455
01:20:30,640 --> 01:20:34,400
Speaker 2: of cases that it it is more. But it's the

1456
01:20:34,479 --> 01:20:36,400
Speaker 2: way of the game. So you gotta change with the

1457
01:20:36,439 --> 01:20:38,960
Speaker 2: way the game change. But like I was saying, like

1458
01:20:39,640 --> 01:20:44,080
Speaker 2: doing that bringing that vinyl on those CDs back, that'll

1459
01:20:44,120 --> 01:20:48,280
Speaker 2: give you know, the the true fans something to really hardware,

1460
01:20:48,680 --> 01:20:51,080
Speaker 2: you know what I mean that they can they can

1461
01:20:52,280 --> 01:20:55,479
Speaker 2: touch and feel because you can't touch.

1462
01:20:55,320 --> 01:20:56,519
Speaker 4: Streams or do anything.

1463
01:20:56,640 --> 01:20:59,240
Speaker 2: You can't grab that and pop it in your CD player,

1464
01:21:00,040 --> 01:21:02,559
Speaker 2: but you can't pop this CD in here. You can't

1465
01:21:02,600 --> 01:21:06,080
Speaker 2: pop that vinyl on that record player and get that.

1466
01:21:07,040 --> 01:21:09,760
Speaker 1: The last song we're gonna have you to perform is

1467
01:21:09,920 --> 01:21:14,760
Speaker 1: uh ain't no fun? Yeah, how did this?

1468
01:21:15,000 --> 01:21:15,360
Speaker 2: How did this?

1469
01:21:15,520 --> 01:21:16,679
Speaker 1: How did this Ain't no fun?

1470
01:21:16,760 --> 01:21:19,280
Speaker 2: How did that come about? Uh? Ain't no Well? I

1471
01:21:19,439 --> 01:21:24,040
Speaker 2: actually walked in on Ain't no Fun. We was recording

1472
01:21:24,080 --> 01:21:29,639
Speaker 2: that uh village village studio right there in Santa Monica,

1473
01:21:30,479 --> 01:21:35,759
Speaker 2: and uh, I walked in on it. And they was like, Warren,

1474
01:21:35,840 --> 01:21:37,600
Speaker 2: you want to you want to do a verse? And

1475
01:21:37,680 --> 01:21:40,599
Speaker 2: I was like, yeah, I do one. But the concept

1476
01:21:40,680 --> 01:21:45,000
Speaker 2: of ain't no fun was like, ain't no fun if

1477
01:21:45,040 --> 01:21:47,920
Speaker 2: the homies can't have none were just young teens, yeah,

1478
01:21:48,479 --> 01:21:51,960
Speaker 2: uh even the ladies like young teens just having a

1479
01:21:52,000 --> 01:21:56,720
Speaker 2: good time, partying, having a great time, h you know,

1480
01:21:58,040 --> 01:22:04,760
Speaker 2: having fun. Uh and uh and uh, you know I'm

1481
01:22:04,840 --> 01:22:07,120
Speaker 2: not gonna get mad if she danced with you or

1482
01:22:07,160 --> 01:22:09,960
Speaker 2: you guys, you know, kissing or whatever. I ain't gonna

1483
01:22:09,960 --> 01:22:12,200
Speaker 2: get mad. Ain't no fun if the homies can't have nohing.

1484
01:22:12,800 --> 01:22:16,679
Speaker 2: So it's just like not being a hater, a player, hater,

1485
01:22:17,200 --> 01:22:19,600
Speaker 2: you know, just being able to have fun and be

1486
01:22:19,720 --> 01:22:22,760
Speaker 2: around a lot of beautiful ladies and the ladies being

1487
01:22:22,800 --> 01:22:25,200
Speaker 2: around a lot of great looking guys. And ain't no

1488
01:22:25,320 --> 01:22:27,240
Speaker 2: fun if the homies can't have none of the ladies.

1489
01:22:28,240 --> 01:22:30,880
Speaker 2: It's still the same way. They sing it, just like

1490
01:22:31,000 --> 01:22:39,200
Speaker 2: we sing yeah oh yeah when they killed it. Yeah, bab,

1491
01:22:40,720 --> 01:22:44,120
Speaker 2: I can't sing before your old funded up your gap.

1492
01:22:46,720 --> 01:22:52,320
Speaker 2: I have respect for your lady, and but now I

1493
01:22:52,560 --> 01:22:58,240
Speaker 2: take it all back a cause you gave me all

1494
01:22:58,320 --> 01:23:05,719
Speaker 2: your sing. Yeah, and you even let my ball oh wow,

1495
01:23:06,880 --> 01:23:12,800
Speaker 2: leadio number on the cabinet and our promise, babybat, I

1496
01:23:12,960 --> 01:23:17,839
Speaker 2: give you a call. Hey, And next time I'm feeling

1497
01:23:18,040 --> 01:23:22,519
Speaker 2: kind of hope name, you could come on over and

1498
01:23:22,640 --> 01:23:28,120
Speaker 2: I'll break you wall. Hey. And if you can't fuck

1499
01:23:28,360 --> 01:23:35,040
Speaker 2: that bab baby, just lay back and don't find your mouth. Nay,

1500
01:23:36,520 --> 01:23:42,280
Speaker 2: I can't have never man a girl. I hope I

1501
01:23:42,360 --> 01:23:48,200
Speaker 2: got close on that. And uh that was a record.

1502
01:23:49,680 --> 01:23:52,800
Speaker 2: Like I said, it was us having fun, having a

1503
01:23:52,880 --> 01:23:56,559
Speaker 2: good time, and I just hit him with that, hey,

1504
01:23:56,840 --> 01:24:00,360
Speaker 2: now you know, and help exhal with my flow one

1505
01:24:00,520 --> 01:24:03,559
Speaker 2: for the money too, for the three they get ready

1506
01:24:03,640 --> 01:24:05,880
Speaker 2: and foe they hit the switches in my Chevy six

1507
01:24:06,000 --> 01:24:09,080
Speaker 2: foot rag the big exact on my side and on

1508
01:24:09,200 --> 01:24:12,479
Speaker 2: my back. So back up because I'm struggling. Just get

1509
01:24:12,560 --> 01:24:16,200
Speaker 2: on your knees, is it? Then start juggling the nuts

1510
01:24:16,240 --> 01:24:16,800
Speaker 2: in your mouth.

1511
01:24:16,960 --> 01:24:19,080
Speaker 4: It's me woman eating with the crowd.

1512
01:24:19,240 --> 01:24:19,479
Speaker 7: Whoo.

1513
01:24:19,800 --> 01:24:25,920
Speaker 2: Why if the homies came, It ain't no fun if

1514
01:24:26,000 --> 01:24:33,920
Speaker 2: the homies came. Yes, yes, I'm dad some people.

1515
01:24:35,360 --> 01:24:37,760
Speaker 1: Having done this now for five years and talk to

1516
01:24:37,840 --> 01:24:41,120
Speaker 1: a lot of different people that do what you do.

1517
01:24:41,520 --> 01:24:43,680
Speaker 1: Some people they like it quiet in the studio. It's

1518
01:24:43,760 --> 01:24:47,400
Speaker 1: just them got the headset on going. Some people like

1519
01:24:47,520 --> 01:24:49,920
Speaker 1: a lot of people running around, a lot of chaos

1520
01:24:50,000 --> 01:24:52,880
Speaker 1: and rutgers, some people smoking, whatever the case may be.

1521
01:24:53,520 --> 01:24:55,280
Speaker 1: When you going to the studio, how do you want it?

1522
01:24:55,320 --> 01:24:57,360
Speaker 1: You want it nice and quiet. You want chaos, You

1523
01:24:57,479 --> 01:25:01,080
Speaker 1: want women running around, You want the home inspire lot

1524
01:25:01,120 --> 01:25:01,799
Speaker 1: of warm.

1525
01:25:01,600 --> 01:25:09,600
Speaker 2: Wonted chaos, chaos because it's it's when I say that,

1526
01:25:09,760 --> 01:25:12,240
Speaker 2: because you got you know, you have some people that

1527
01:25:12,520 --> 01:25:14,960
Speaker 2: like we shaid running around. Some people they't don't even

1528
01:25:15,040 --> 01:25:17,960
Speaker 2: do music, and this, that and this. But those people

1529
01:25:18,280 --> 01:25:21,080
Speaker 2: and all that chaos in there, they gonna tell you

1530
01:25:21,360 --> 01:25:23,800
Speaker 2: what sounded good and what ain't sounding good. The ladies

1531
01:25:23,920 --> 01:25:26,680
Speaker 2: is gonna be dancing doing their thing. When they when

1532
01:25:26,720 --> 01:25:27,920
Speaker 2: the ladies dancing.

1533
01:25:27,920 --> 01:25:30,360
Speaker 4: You know, you got you got one, and.

1534
01:25:31,920 --> 01:25:34,320
Speaker 2: They gonna tell you the truth, you know. And uh,

1535
01:25:35,040 --> 01:25:36,760
Speaker 2: you know, so I like I like the chaos. I

1536
01:25:36,920 --> 01:25:38,360
Speaker 2: like a bunch of people to be in there. I

1537
01:25:38,520 --> 01:25:41,280
Speaker 2: like for it to be a good party vibe and

1538
01:25:41,680 --> 01:25:44,920
Speaker 2: just feel good, you know. And I like to warm

1539
01:25:45,000 --> 01:25:47,479
Speaker 2: it up. I come in. You know, I have me

1540
01:25:47,840 --> 01:25:51,840
Speaker 2: you know, uh you know a joint road or you know,

1541
01:25:51,960 --> 01:25:55,680
Speaker 2: I'll have me some drinking, you know, by the way,

1542
01:25:56,200 --> 01:25:57,200
Speaker 2: some of this good old.

1543
01:25:58,520 --> 01:26:00,880
Speaker 1: I promise look before you before you drink it. I

1544
01:26:01,040 --> 01:26:04,720
Speaker 1: promise you that is the best kanyac that you're ever

1545
01:26:04,800 --> 01:26:07,559
Speaker 1: gonna taste. I promise you. Now, hey, you keep it real.

1546
01:26:07,720 --> 01:26:09,719
Speaker 2: We're gonna keep the camera roads and saying anything.

1547
01:26:09,800 --> 01:26:13,519
Speaker 1: I promise you. If that's not the best kanyac. No sugars, no,

1548
01:26:13,840 --> 01:26:16,760
Speaker 1: no artificial colors. That brown is from the barrel, the

1549
01:26:16,840 --> 01:26:23,120
Speaker 1: old barrels. That's a sugar from the greats Wow great

1550
01:26:23,160 --> 01:26:25,559
Speaker 1: and the petite champagne. That's the combination that we use

1551
01:26:26,520 --> 01:26:27,920
Speaker 1: magnificent wow.

1552
01:26:28,880 --> 01:26:29,439
Speaker 2: Well, hey.

1553
01:26:31,280 --> 01:26:35,880
Speaker 1: Boy, yeah, I promise you one. I promise you. You're

1554
01:26:35,880 --> 01:26:42,720
Speaker 1: not gonna be disappointed, I promise you. Wow, that is

1555
01:26:42,840 --> 01:26:44,000
Speaker 1: a different Yeah.

1556
01:26:43,920 --> 01:26:44,479
Speaker 8: That is now.

1557
01:26:44,760 --> 01:26:46,280
Speaker 1: You say you're on the green, you say you're on

1558
01:26:46,360 --> 01:26:47,960
Speaker 1: the grill like that, that's what you say. You say

1559
01:26:48,000 --> 01:26:49,880
Speaker 1: you be on the grill hard. That's what I do

1560
01:26:50,439 --> 01:26:54,479
Speaker 1: outside of hip hop. So you're a pit master for real,

1561
01:26:54,560 --> 01:26:57,799
Speaker 1: that hip hop pit master for real? Yes and day yesterday.

1562
01:26:58,040 --> 01:27:00,800
Speaker 1: I got some food for you. Okay, let me ask

1563
01:27:00,840 --> 01:27:03,840
Speaker 1: you this. Of all the videos that you've been in,

1564
01:27:04,520 --> 01:27:06,240
Speaker 1: let's just say that that they weren't.

1565
01:27:06,040 --> 01:27:08,120
Speaker 2: Yours a g than.

1566
01:27:09,560 --> 01:27:11,800
Speaker 1: Jenny Juice, what's your favorite video to be in? What

1567
01:27:11,960 --> 01:27:13,880
Speaker 1: was your favorite one? You had the most fun?

1568
01:27:14,360 --> 01:27:20,719
Speaker 2: Uh, I'll say g thing it was that was young Warren,

1569
01:27:20,920 --> 01:27:24,640
Speaker 2: like that was before Warren g Yes, and I was

1570
01:27:24,760 --> 01:27:28,559
Speaker 2: just there supporting Snoop and Dre and the whole day

1571
01:27:28,720 --> 01:27:31,720
Speaker 2: was just full of fun, full of a bunch of

1572
01:27:31,800 --> 01:27:34,280
Speaker 2: people just you know, we having a real barbecue. We

1573
01:27:34,520 --> 01:27:37,360
Speaker 2: was out there for real, like really like having a

1574
01:27:37,439 --> 01:27:41,760
Speaker 2: real picnic, and it was it was just so much fun.

1575
01:27:41,840 --> 01:27:46,360
Speaker 2: And then they caught me uh in the video rolling

1576
01:27:46,439 --> 01:27:48,560
Speaker 2: a joint and kept it in the video because I

1577
01:27:48,720 --> 01:27:51,759
Speaker 2: was like, I'm trying to smoke, so I'm dancing, I'm partying.

1578
01:27:51,840 --> 01:27:55,439
Speaker 2: They caught me rolling the joint so that and to

1579
01:27:55,560 --> 01:27:58,800
Speaker 2: this day everybody still be like wooing. Wasn't that you

1580
01:27:58,960 --> 01:28:01,640
Speaker 2: rolling that? I'm like, yeah, that was me, you know,

1581
01:28:01,760 --> 01:28:03,479
Speaker 2: but it was it was. Uh, that was the most

1582
01:28:03,520 --> 01:28:06,680
Speaker 2: fun I had, man. And uh because all my homeboys

1583
01:28:06,800 --> 01:28:12,280
Speaker 2: was there. Yeah, uh, Dre d oc Uh, my c

1584
01:28:12,479 --> 01:28:14,160
Speaker 2: our crew was there. Every I mean it was it

1585
01:28:14,280 --> 01:28:16,880
Speaker 2: was just all our long beach buddies was there. It

1586
01:28:17,000 --> 01:28:20,080
Speaker 2: was a bunch of dudes from Compton, Uh, even Inglewood.

1587
01:28:20,160 --> 01:28:22,640
Speaker 2: Everybody was there just having a good time. Man. And

1588
01:28:23,680 --> 01:28:24,960
Speaker 2: was that the first time you had ever been in

1589
01:28:25,000 --> 01:28:29,600
Speaker 2: a video? Uh? You know what I had? I was

1590
01:28:29,680 --> 01:28:30,040
Speaker 2: in Uh.

1591
01:28:30,640 --> 01:28:31,920
Speaker 1: I ain't talking about those kind of video.

1592
01:28:31,960 --> 01:28:32,479
Speaker 2: I'm talking.

1593
01:28:35,960 --> 01:28:36,719
Speaker 1: Ladies and gentlemen.

1594
01:28:36,880 --> 01:28:39,559
Speaker 4: Well you know, uh now, uh I was in uh

1595
01:28:40,960 --> 01:28:42,679
Speaker 4: uh was it easy?

1596
01:28:43,320 --> 01:28:45,719
Speaker 2: Easy? Uh? Was it easy doesn't?

1597
01:28:45,800 --> 01:28:46,000
Speaker 1: Yeah?

1598
01:28:46,080 --> 01:28:48,360
Speaker 2: Not easy? Easy does It? I was in Easy does It? It?

1599
01:28:48,600 --> 01:28:51,840
Speaker 2: Me and my my uh brother Tyree. They flashed on

1600
01:28:51,960 --> 01:28:53,920
Speaker 2: us real quick, but we was. We was in Easy

1601
01:28:54,000 --> 01:28:57,519
Speaker 2: does It right back in the day. Yeah. But uh,

1602
01:28:57,840 --> 01:28:59,960
Speaker 2: the fun the most fun I had was ge thing, man,

1603
01:29:00,000 --> 01:29:02,840
Speaker 2: and it was it was I had a ball, Yes

1604
01:29:02,960 --> 01:29:05,000
Speaker 2: and dig music.

1605
01:29:05,320 --> 01:29:07,719
Speaker 1: You mentioned that you got a song coming out with Wiz,

1606
01:29:08,160 --> 01:29:10,240
Speaker 1: so are you gonna is it just a song? You

1607
01:29:10,320 --> 01:29:13,000
Speaker 1: got an album coming out? So what what's next for Warren?

1608
01:29:13,000 --> 01:29:15,000
Speaker 4: G a lot of good music?

1609
01:29:16,600 --> 01:29:18,800
Speaker 2: Like I said, I got Me and Wiz got a

1610
01:29:18,880 --> 01:29:23,799
Speaker 2: really great record called Mad at All. Me and Snoop

1611
01:29:23,840 --> 01:29:26,400
Speaker 2: got a Me Snoop an Corrupt. Got a really dope record.

1612
01:29:26,520 --> 01:29:31,519
Speaker 2: It's called The Doberman Gang. Right. I got solo records.

1613
01:29:31,520 --> 01:29:33,599
Speaker 2: I got a uh, I got a record that I'm

1614
01:29:33,680 --> 01:29:36,320
Speaker 2: not that's everybody is gonna love this one. It's called

1615
01:29:36,320 --> 01:29:40,320
Speaker 2: We're Gonna Dance Again. Uh, really really dope record. All

1616
01:29:40,439 --> 01:29:43,519
Speaker 2: all the records is dope. I actually got a record

1617
01:29:43,560 --> 01:29:48,400
Speaker 2: with Little Wang called All Along. Working on that one, right,

1618
01:29:48,560 --> 01:29:51,680
Speaker 2: you know, to get the clearance on that Wang he

1619
01:29:51,800 --> 01:29:54,960
Speaker 2: did the record, got the clear buddy, right, my guy,

1620
01:29:55,400 --> 01:29:59,479
Speaker 2: love you, you know, really dope record.

1621
01:30:01,360 --> 01:30:04,600
Speaker 4: Me and Nate got a record called I Found You.

1622
01:30:05,840 --> 01:30:10,000
Speaker 2: That's uh, people gonna really love that combination again, right,

1623
01:30:10,040 --> 01:30:11,880
Speaker 2: you know I'm giving them that again. Me and you

1624
01:30:11,960 --> 01:30:14,720
Speaker 2: know never heard before a record with me and Nate

1625
01:30:15,240 --> 01:30:19,479
Speaker 2: called I Found You. It's a really dope record. And

1626
01:30:19,760 --> 01:30:21,600
Speaker 2: I just I got a bunch of bunch of I

1627
01:30:21,640 --> 01:30:23,640
Speaker 2: don't wanna give everything away, but I got I got

1628
01:30:23,680 --> 01:30:26,880
Speaker 2: a lot of great music coming. I'm still active. I'm

1629
01:30:26,920 --> 01:30:30,280
Speaker 2: not like done with the music, cause you never you

1630
01:30:30,439 --> 01:30:32,280
Speaker 2: never too old to make a hit record, right.

1631
01:30:34,400 --> 01:30:38,280
Speaker 4: Just constantly working. I'm constantly doing work.

1632
01:30:38,120 --> 01:30:41,720
Speaker 2: Outside of hip hop uh as far as you know,

1633
01:30:41,880 --> 01:30:45,280
Speaker 2: my barbecue sauces and rubs. I'm a hip hop pitmaster.

1634
01:30:45,439 --> 01:30:48,560
Speaker 2: I'm I'm doing. I'm actually getting ready to do a

1635
01:30:48,840 --> 01:30:52,880
Speaker 2: cook uh with my team at up in Alabama at

1636
01:30:52,880 --> 01:30:55,960
Speaker 2: the Crimson Tide for twenty five hundred people were gonna

1637
01:30:56,000 --> 01:30:58,760
Speaker 2: go in and and and they're gonna take you come

1638
01:30:58,920 --> 01:31:01,640
Speaker 2: days to get ready for that. Well, I'm just a

1639
01:31:01,720 --> 01:31:04,280
Speaker 2: guy that you know. I'm the guy that tells, you know,

1640
01:31:04,520 --> 01:31:08,920
Speaker 2: everybody manage all my pit man, my other pit man,

1641
01:31:09,160 --> 01:31:11,160
Speaker 2: they gonna do they thing. This is when I get

1642
01:31:11,200 --> 01:31:13,559
Speaker 2: to chail nor like what I did with the food

1643
01:31:13,640 --> 01:31:15,640
Speaker 2: I cooked, and I did test, you know.

1644
01:31:15,800 --> 01:31:18,640
Speaker 4: But I have my team and we get down and

1645
01:31:19,840 --> 01:31:20,040
Speaker 4: I do.

1646
01:31:20,200 --> 01:31:24,240
Speaker 2: I do that outside as well as uh investing in

1647
01:31:24,640 --> 01:31:27,840
Speaker 2: real estate, you know. So just just trying to stay

1648
01:31:27,920 --> 01:31:28,360
Speaker 2: busy and.

1649
01:31:29,920 --> 01:31:31,599
Speaker 4: Do it all because I want it all.

1650
01:31:31,840 --> 01:31:34,880
Speaker 2: Right and I can understand that. Clear this up.

1651
01:31:34,920 --> 01:31:37,640
Speaker 1: I think there's a misunderstanding. The super Bowl was in

1652
01:31:37,840 --> 01:31:42,479
Speaker 1: l a doctor dre snoop, I think fifty m Mary J.

1653
01:31:43,600 --> 01:31:47,200
Speaker 1: And you said you weren't. I don't know if you

1654
01:31:47,280 --> 01:31:48,960
Speaker 1: were you. I mean, I'm sure you would have loved

1655
01:31:49,000 --> 01:31:53,160
Speaker 1: to perform, but you were you. You wanted like tickets

1656
01:31:53,200 --> 01:31:55,240
Speaker 1: to be like have your son, you want to take

1657
01:31:55,280 --> 01:31:57,080
Speaker 1: your son, and you wanted to be on the field

1658
01:31:57,120 --> 01:31:59,160
Speaker 1: so your son could see that up closer. Yeah, and

1659
01:31:59,320 --> 01:32:02,240
Speaker 1: that wasn't able to happen. Was there a misunderstanding? Was

1660
01:32:02,240 --> 01:32:03,320
Speaker 1: there late communication?

1661
01:32:03,760 --> 01:32:09,400
Speaker 2: What what? Claire? What actually happened? Did you did you?

1662
01:32:09,800 --> 01:32:12,880
Speaker 1: Did you put the ticket in a timely manner?

1663
01:32:13,680 --> 01:32:16,879
Speaker 4: You definitely you can't wait till the day before the performer?

1664
01:32:17,040 --> 01:32:17,080
Speaker 8: No?

1665
01:32:17,240 --> 01:32:20,679
Speaker 2: No, no, I uh, I mean you know I talked

1666
01:32:20,720 --> 01:32:23,000
Speaker 2: to some people and and we were supposed to connect.

1667
01:32:23,080 --> 01:32:28,599
Speaker 4: Once I got there and everything just went went blank.

1668
01:32:30,280 --> 01:32:33,000
Speaker 4: And I was sitting in the in the uh in

1669
01:32:33,120 --> 01:32:35,720
Speaker 4: the regular in the stands, and.

1670
01:32:35,760 --> 01:32:37,639
Speaker 2: People was like, what are you doing? What you're doing

1671
01:32:37,760 --> 01:32:41,040
Speaker 2: up here? Like even like like I think I seen

1672
01:32:41,120 --> 01:32:43,599
Speaker 2: Steven A and a couple of other cats, like they

1673
01:32:43,760 --> 01:32:47,439
Speaker 2: was like, what what you're doing up here and uh no,

1674
01:32:47,600 --> 01:32:51,360
Speaker 2: that was Nate Nate Nate bir. He was like, what

1675
01:32:51,479 --> 01:32:53,439
Speaker 2: you're doing up here? You're supposed to be down there performing.

1676
01:32:53,560 --> 01:32:57,479
Speaker 2: I was like, you know, I'm not performing. I'm just

1677
01:32:57,560 --> 01:32:58,559
Speaker 2: here to you know, here.

1678
01:33:00,160 --> 01:33:02,000
Speaker 1: Just here to support brod. Hey, I'm just happy to

1679
01:33:02,040 --> 01:33:02,760
Speaker 1: be in the house, you know.

1680
01:33:02,960 --> 01:33:05,680
Speaker 2: Yeah, and uh but it was just it was just

1681
01:33:05,760 --> 01:33:08,280
Speaker 2: the communication just wasn't right, you know, and uh.

1682
01:33:11,360 --> 01:33:12,800
Speaker 1: In two years, you know it's bad. I think it's

1683
01:33:12,800 --> 01:33:15,080
Speaker 1: back in l A. And next year, yeah, that's dope.

1684
01:33:15,560 --> 01:33:19,240
Speaker 2: But at overall, I wasn't like bitter about performing or

1685
01:33:19,240 --> 01:33:21,160
Speaker 2: anything like that. I was just there to support and

1686
01:33:21,240 --> 01:33:24,600
Speaker 2: I just wanted my son to be yeah, one of

1687
01:33:24,640 --> 01:33:28,640
Speaker 2: your best friends see everybody. And uh, it was just

1688
01:33:28,800 --> 01:33:33,880
Speaker 2: like the ship wasn't happening and I'm hitting everybody. We

1689
01:33:34,080 --> 01:33:36,000
Speaker 2: was talking and ship before all this, and now I

1690
01:33:36,080 --> 01:33:38,240
Speaker 2: can't get everybody.

1691
01:33:38,320 --> 01:33:39,120
Speaker 4: Ship shut down.

1692
01:33:39,160 --> 01:33:43,560
Speaker 2: So I was like I was pissed off, but you know,

1693
01:33:43,680 --> 01:33:46,519
Speaker 2: I got over it. You know, I wasn't you know,

1694
01:33:46,640 --> 01:33:49,840
Speaker 2: I wasn't tripping, But it was just like that was

1695
01:33:49,920 --> 01:33:51,519
Speaker 2: just the one thing that you really would wanted your

1696
01:33:51,560 --> 01:33:52,200
Speaker 2: son to yah.

1697
01:33:52,200 --> 01:33:54,479
Speaker 4: I wanted him to get down there because he was home.

1698
01:33:54,600 --> 01:33:56,559
Speaker 4: He from home from camp.

1699
01:33:56,800 --> 01:33:57,400
Speaker 2: Uh what was it?

1700
01:33:57,560 --> 01:33:57,680
Speaker 8: Uh?

1701
01:33:58,560 --> 01:34:00,880
Speaker 2: Whatever it was, I think they had a by the

1702
01:34:01,080 --> 01:34:03,759
Speaker 2: uh cause he had he played f I with the Bills, Okay,

1703
01:34:03,760 --> 01:34:06,960
Speaker 2: so they had a bys So he was at home

1704
01:34:07,160 --> 01:34:10,280
Speaker 2: or w it whatever it was. He was all for

1705
01:34:10,439 --> 01:34:12,160
Speaker 2: like a I think a f A A a f

1706
01:34:12,240 --> 01:34:14,000
Speaker 2: a week or some a few days something like that.

1707
01:34:14,080 --> 01:34:14,400
Speaker 2: I don't know.

1708
01:34:14,520 --> 01:34:16,760
Speaker 4: But he was at home, so this was happening, so

1709
01:34:16,880 --> 01:34:17,519
Speaker 4: I wanted him.

1710
01:34:17,880 --> 01:34:19,679
Speaker 2: I don't know. It actually couldn't have been a bye,

1711
01:34:19,880 --> 01:34:21,000
Speaker 2: right the season.

1712
01:34:20,760 --> 01:34:24,760
Speaker 4: Was over it, Yeah, so he was home from uh

1713
01:34:25,160 --> 01:34:27,200
Speaker 4: from the from the season, right, and.

1714
01:34:28,880 --> 01:34:31,320
Speaker 2: So just taking him out, just taking him around and

1715
01:34:31,520 --> 01:34:33,799
Speaker 2: letting him hang out, you know, we hanging out together,

1716
01:34:34,080 --> 01:34:36,040
Speaker 2: you know. And I wanted him to really see right,

1717
01:34:36,560 --> 01:34:39,640
Speaker 2: you know, everybody up close, up close and meet everybody

1718
01:34:39,760 --> 01:34:42,400
Speaker 2: and see his is all his family and it the

1719
01:34:42,520 --> 01:34:45,479
Speaker 2: whole nine. And it just didn't happen. But you know,

1720
01:34:45,680 --> 01:34:48,240
Speaker 2: like I said, I'm not I ain't bitter about it, uh,

1721
01:34:49,040 --> 01:34:53,680
Speaker 2: and wasn't bitter about performing or you know, none of that.

1722
01:34:53,880 --> 01:34:56,120
Speaker 2: You know, it would have been good. I would've loved

1723
01:34:56,160 --> 01:34:58,800
Speaker 2: to do it, but hey, it it didn't happen. But uh,

1724
01:34:58,840 --> 01:35:01,040
Speaker 2: you know, I ain't tripping off of it. I was

1725
01:35:01,120 --> 01:35:02,800
Speaker 2: just pissed off. We didn't get the chance to be

1726
01:35:03,760 --> 01:35:06,240
Speaker 2: down there, down and so I was I was mad

1727
01:35:06,320 --> 01:35:10,960
Speaker 2: at everybody but you, but you.

1728
01:35:11,120 --> 01:35:13,000
Speaker 1: But you put that past you now, because then there's

1729
01:35:13,040 --> 01:35:15,640
Speaker 1: too much there's too much great history because a lot

1730
01:35:15,680 --> 01:35:18,120
Speaker 1: of times, one a lot of times people will forget

1731
01:35:18,200 --> 01:35:20,800
Speaker 1: the thirty great years that we've had. In that one

1732
01:35:20,920 --> 01:35:22,960
Speaker 1: instance ruined thirty years.

1733
01:35:23,000 --> 01:35:24,680
Speaker 2: And I'm not for me.

1734
01:35:25,040 --> 01:35:27,680
Speaker 1: I can see if it's thirty years a bad and

1735
01:35:27,880 --> 01:35:30,200
Speaker 1: one good time as a Nah, one good thing can

1736
01:35:30,280 --> 01:35:32,640
Speaker 1: to raise thirty years, but one bad thing can to

1737
01:35:32,680 --> 01:35:33,360
Speaker 1: raise thirty years.

1738
01:35:33,400 --> 01:35:34,920
Speaker 2: In my eyes, Yeah, not at all.

1739
01:35:35,680 --> 01:35:39,160
Speaker 1: Yeah, So I'm gonna get this this. Uh how did

1740
01:35:39,240 --> 01:35:40,040
Speaker 1: you go from.

1741
01:35:41,880 --> 01:35:43,280
Speaker 2: Music to So?

1742
01:35:43,439 --> 01:35:45,519
Speaker 1: You know what I'm gonna do.

1743
01:35:45,640 --> 01:35:48,040
Speaker 2: I'm gonna do. I'm gonna be a cook. I'm gonna

1744
01:35:48,040 --> 01:35:51,240
Speaker 2: be a pit master. I've always did it always, So

1745
01:35:51,360 --> 01:35:53,640
Speaker 2: you've always been in the kitchen like that always. My

1746
01:35:53,800 --> 01:35:57,519
Speaker 2: father he used to just cook. My dad used to

1747
01:35:57,600 --> 01:36:01,679
Speaker 2: cook at a lot of family functions and just watching

1748
01:36:01,760 --> 01:36:05,840
Speaker 2: him and being around and the fun times we would have,

1749
01:36:06,280 --> 01:36:08,840
Speaker 2: you know, with cousins and friends at the reunions and

1750
01:36:09,439 --> 01:36:11,920
Speaker 2: good food we eating good food. It just stuck with me.

1751
01:36:12,040 --> 01:36:16,080
Speaker 2: So even before I was warned, Gee snooper tale you

1752
01:36:16,400 --> 01:36:17,840
Speaker 2: like all of them would tell you. I used to

1753
01:36:18,000 --> 01:36:21,919
Speaker 2: just cook. I would cook everywhere we was at hustling,

1754
01:36:22,280 --> 01:36:25,439
Speaker 2: no matter what it was, just to ease ease the

1755
01:36:25,560 --> 01:36:28,320
Speaker 2: pain of things. I would cook and play good music. Right,

1756
01:36:28,760 --> 01:36:32,720
Speaker 2: And I kept doing it, you know, kept on and

1757
01:36:32,800 --> 01:36:35,160
Speaker 2: kept on. And a lot of my friends was just like, warm,

1758
01:36:35,800 --> 01:36:37,479
Speaker 2: you need to come out with a product. All you

1759
01:36:37,600 --> 01:36:40,080
Speaker 2: do is cook. You a barbecue guy, you a pitmasters.

1760
01:36:40,080 --> 01:36:42,120
Speaker 2: Why don't you come up with some sauces and rubs.

1761
01:36:42,760 --> 01:36:46,599
Speaker 2: So talked to my pops, UH, talked to a few

1762
01:36:46,640 --> 01:36:51,280
Speaker 2: of my other friends that chefs, and they they act.

1763
01:36:51,360 --> 01:36:54,040
Speaker 2: They helped me put everything together from all the way

1764
01:36:54,080 --> 01:36:58,080
Speaker 2: from the saucers to the rugs. Did a few tastings,

1765
01:36:58,479 --> 01:37:02,519
Speaker 2: UH taste a different rub, went into spice companies. UH

1766
01:37:02,640 --> 01:37:06,639
Speaker 2: went in to formulated formulation companies as far as the sauces.

1767
01:37:06,680 --> 01:37:11,040
Speaker 2: To sit down and tasting everything until it came it

1768
01:37:11,200 --> 01:37:12,920
Speaker 2: was to my liking, and.

1769
01:37:15,360 --> 01:37:17,960
Speaker 4: All of that stuff just you know, and food ain't

1770
01:37:18,000 --> 01:37:20,080
Speaker 4: going nowhere. It's a good it's a good business.

1771
01:37:20,960 --> 01:37:25,200
Speaker 2: Ben And I just I just was like, man, this

1772
01:37:25,360 --> 01:37:27,639
Speaker 2: is something I really love to do with And it's

1773
01:37:27,680 --> 01:37:30,400
Speaker 2: a peace of mind for me to barbecue and and

1774
01:37:30,720 --> 01:37:33,360
Speaker 2: and just sit down and listen to good music, have

1775
01:37:33,479 --> 01:37:37,960
Speaker 2: a beer, smoke a joint, barbecue, chill, have a good time.

1776
01:37:38,080 --> 01:37:44,000
Speaker 2: Do you eat pork? Yeah, well, I didn't want to

1777
01:37:44,040 --> 01:37:48,639
Speaker 2: cook no Muslim reserves one weekend out of the money,

1778
01:37:48,680 --> 01:37:53,600
Speaker 2: two weeks. Yes, today.

1779
01:37:55,760 --> 01:37:56,360
Speaker 4: I didn't.

1780
01:37:56,360 --> 01:37:57,559
Speaker 2: I didn't want to get bring.

1781
01:37:57,520 --> 01:37:59,960
Speaker 1: No pork, but you ain't cooked.

1782
01:38:00,479 --> 01:38:02,479
Speaker 2: I pulled it off. I pulled it off. I brought

1783
01:38:02,560 --> 01:38:06,880
Speaker 2: I brought some some Uh it was. I had to

1784
01:38:06,960 --> 01:38:08,719
Speaker 2: go hide and fast, but I made it happen.

1785
01:38:08,800 --> 01:38:09,880
Speaker 4: I got some pork ribs.

1786
01:38:10,000 --> 01:38:13,799
Speaker 1: Yeah yeah, I eat yeah, some pig feet yeah, bacon,

1787
01:38:16,200 --> 01:38:24,439
Speaker 1: yeah yeah, pig oh yeah, pig.

1788
01:38:27,240 --> 01:38:31,679
Speaker 2: No. I ain't gonna lie. Every year I eat some chill.

1789
01:38:33,400 --> 01:38:37,639
Speaker 2: I eat some chiller every every holiday season. My sister

1790
01:38:37,840 --> 01:38:39,479
Speaker 2: cook him and then I eat them.

1791
01:38:40,360 --> 01:38:41,840
Speaker 1: Make you you you were you dry?

1792
01:38:41,960 --> 01:38:42,880
Speaker 2: You like to do this? This?

1793
01:38:43,080 --> 01:38:43,200
Speaker 8: Uh?

1794
01:38:44,080 --> 01:38:45,160
Speaker 2: This is this is uh?

1795
01:38:45,840 --> 01:38:48,040
Speaker 4: This is a dry rub.

1796
01:38:48,240 --> 01:38:51,960
Speaker 2: Yeah, dry rub pretty much that one right? There is

1797
01:38:52,080 --> 01:38:58,720
Speaker 2: more for uh for pork, turkey, chicken, seafood. Yeah yeah,

1798
01:38:58,800 --> 01:39:01,479
Speaker 2: you could put it the seafood as well, and then

1799
01:39:01,560 --> 01:39:03,360
Speaker 2: they not too hot. I mean you you ain't got

1800
01:39:03,400 --> 01:39:08,040
Speaker 2: too hot? Do you not? Sometimes? No that's good.

1801
01:39:08,160 --> 01:39:09,360
Speaker 1: No, I can't taste it.

1802
01:39:09,439 --> 01:39:11,639
Speaker 2: It ain't good if it's too high, it's not it's

1803
01:39:11,680 --> 01:39:15,720
Speaker 2: not soup. It's not like burning hot. I uh, I

1804
01:39:15,800 --> 01:39:18,040
Speaker 2: gotta we bring seat that's got a little kick to it.

1805
01:39:18,120 --> 01:39:21,240
Speaker 2: But it's it's it's really good. So this is so

1806
01:39:21,520 --> 01:39:28,320
Speaker 2: where where can they find this? Sniffing Griffin's BBQ dot com? Okay, yes, indeed, yes,

1807
01:39:28,400 --> 01:39:32,760
Speaker 2: indeed this it's a really good original. Yes, indeed, this

1808
01:39:32,840 --> 01:39:35,480
Speaker 2: is the dry rub, the original barbecue.

1809
01:39:35,800 --> 01:39:38,200
Speaker 1: Yeah, and this one? Uh so which which one is?

1810
01:39:38,640 --> 01:39:40,120
Speaker 1: Which one is your best? Which one do you like

1811
01:39:40,200 --> 01:39:42,360
Speaker 1: the best? This is all purpose rub right here?

1812
01:39:43,040 --> 01:39:43,200
Speaker 9: Uh?

1813
01:39:44,200 --> 01:39:44,760
Speaker 1: All of them.

1814
01:39:44,840 --> 01:39:47,880
Speaker 2: I mean I use this one, the all purpose a lot,

1815
01:39:47,920 --> 01:39:50,400
Speaker 2: because I could put it on in and everything I

1816
01:39:50,479 --> 01:39:54,120
Speaker 2: put it on, even fruit. I put it on fruit,

1817
01:39:54,439 --> 01:39:56,240
Speaker 2: I sweat it out. I put it on my fruit,

1818
01:39:56,320 --> 01:40:05,559
Speaker 2: my egg whites, and that ain't it all vegetables, everything,

1819
01:40:06,240 --> 01:40:07,800
Speaker 2: No matter what I put it on.

1820
01:40:08,160 --> 01:40:10,559
Speaker 1: Everything, So telling, so telling, So tell the people at home,

1821
01:40:10,600 --> 01:40:11,960
Speaker 1: what did you what did you prepare to day?

1822
01:40:12,840 --> 01:40:16,240
Speaker 2: Well? Today I did some uh beef flanking ribs it's

1823
01:40:16,280 --> 01:40:20,719
Speaker 2: a cut instead of having the big giant that Dinald

1824
01:40:22,760 --> 01:40:26,679
Speaker 2: not the dinal one inch cut of the dinald rib,

1825
01:40:26,720 --> 01:40:29,439
Speaker 2: but they wanted one inch cut. And then I did

1826
01:40:29,560 --> 01:40:32,400
Speaker 2: some bonler scalless thigs. And then I did some uh

1827
01:40:33,080 --> 01:40:37,200
Speaker 2: some uh uh spare ribs okay, yes indeed, and some

1828
01:40:37,400 --> 01:40:40,120
Speaker 2: uh mac and cheese t te's mac and cheese. I

1829
01:40:40,200 --> 01:40:44,160
Speaker 2: got some potato salad. Uh some good some good food.

1830
01:40:44,240 --> 01:40:45,880
Speaker 2: We can we can, we get it.

1831
01:40:46,120 --> 01:40:46,920
Speaker 1: We're gonna break it out.

1832
01:40:48,560 --> 01:40:57,559
Speaker 7: Yeah, thank you, yes, indeed, y'all gods, Yeah, all right,

1833
01:40:59,760 --> 01:41:00,320
Speaker 7: that's uh.

1834
01:41:01,160 --> 01:41:03,760
Speaker 2: These are beef flankings, okay, Like I said, the thin

1835
01:41:03,840 --> 01:41:06,400
Speaker 2: cut of the rib, and then you have the spear

1836
01:41:06,520 --> 01:41:08,720
Speaker 2: ribs right here, and then you got the the uh

1837
01:41:09,520 --> 01:41:13,400
Speaker 2: boning scaling stars mac and cheese he tees mac and

1838
01:41:13,520 --> 01:41:18,400
Speaker 2: cheese and potato salad. All right, yes, indeed, let me.

1839
01:41:18,400 --> 01:41:33,519
Speaker 1: Said my grace right quick, mha, oh which one?

1840
01:41:33,640 --> 01:41:34,760
Speaker 2: What's what should I try? First?

1841
01:41:34,960 --> 01:41:35,599
Speaker 4: Mac and cheese?

1842
01:41:36,320 --> 01:41:38,519
Speaker 2: You could try the mac and cheese goad.

1843
01:41:39,520 --> 01:41:49,360
Speaker 1: Oh yeah, I'm get a little bit both right quick.

1844
01:41:56,439 --> 01:41:58,160
Speaker 1: Oh yeah, macon fee, I like it.

1845
01:41:58,720 --> 01:42:00,439
Speaker 4: Oh yeah, mhm hmm.

1846
01:42:03,120 --> 01:42:10,320
Speaker 10: Figure bone skim Oh yeah, yeah, you did it. Oh yeah, yes,

1847
01:42:10,600 --> 01:42:12,000
Speaker 10: mm hmmmmmmm.

1848
01:42:12,800 --> 01:42:16,639
Speaker 2: Oh man, this beef rib the bone slog and bite through,

1849
01:42:16,800 --> 01:42:17,519
Speaker 2: not fight through.

1850
01:42:18,200 --> 01:42:30,479
Speaker 1: Yeah here all right, mm hmm yeah man. I mean

1851
01:42:30,560 --> 01:42:32,320
Speaker 1: like I was on the plantation for a couple of days.

1852
01:42:36,000 --> 01:42:39,519
Speaker 1: I ain't had nothing de sense earlier morning. But you

1853
01:42:39,640 --> 01:42:44,559
Speaker 1: did your things with this nothing know, All things being equal,

1854
01:42:44,960 --> 01:42:48,559
Speaker 1: I like pork ribs better. I like beef ribs because

1855
01:42:48,640 --> 01:42:50,639
Speaker 1: my most everybody and I want to do the din

1856
01:42:50,680 --> 01:42:52,000
Speaker 1: though that's too much.

1857
01:42:52,040 --> 01:42:53,040
Speaker 2: That's too I can't eat that.

1858
01:42:54,080 --> 01:42:56,760
Speaker 1: Yeah, I'm gonna here. It's little pope, but now.

1859
01:43:06,920 --> 01:43:12,040
Speaker 2: I do a little long with it. Let me see.

1860
01:43:12,080 --> 01:43:18,000
Speaker 1: You made the potato side of two. Yeah, I I

1861
01:43:18,040 --> 01:43:19,760
Speaker 1: hat the biggest potato side of fam so.

1862
01:43:21,439 --> 01:43:23,800
Speaker 2: It's it's got a got a twist two of it.

1863
01:43:25,280 --> 01:43:26,120
Speaker 1: I like to look kick.

1864
01:43:26,760 --> 01:43:27,519
Speaker 4: I like a little.

1865
01:43:30,400 --> 01:43:33,000
Speaker 2: Guess what I use in it? Some of it, some

1866
01:43:33,120 --> 01:43:34,160
Speaker 2: one of the ingredients.

1867
01:43:38,520 --> 01:43:40,400
Speaker 1: It do got nice little not a little twain like

1868
01:43:40,439 --> 01:43:44,240
Speaker 1: a little And I hated the bigger potato side of Yeah,

1869
01:43:44,280 --> 01:43:47,479
Speaker 1: but I'll deal with it.

1870
01:43:49,520 --> 01:43:54,080
Speaker 2: Y'all trying to fold Yeah, oh yeah, mm is biggy

1871
01:43:54,160 --> 01:43:54,640
Speaker 2: sauce on it.

1872
01:43:55,320 --> 01:43:59,280
Speaker 4: I'm gonna sauce. I'm good. Yeah, it's it's.

1873
01:44:02,880 --> 01:44:09,280
Speaker 1: Kicking Tato, sally Port ribs, bac and cheese. Like I said,

1874
01:44:09,280 --> 01:44:12,559
Speaker 1: I'm not a big beef. I'm not a big beef. Yes, indeed,

1875
01:44:13,000 --> 01:44:16,040
Speaker 1: but the but the but the beef ribs they're they're

1876
01:44:16,160 --> 01:44:20,639
Speaker 1: very tender. M I mean they're very, very very Yes.

1877
01:44:23,400 --> 01:44:25,519
Speaker 1: So when you when you travel, do you make it

1878
01:44:25,600 --> 01:44:27,320
Speaker 1: a point to try to go to different cities and

1879
01:44:27,400 --> 01:44:28,280
Speaker 1: try their barbecue?

1880
01:44:28,840 --> 01:44:34,240
Speaker 2: Yes? Indeed, every city I go to every s because.

1881
01:44:36,040 --> 01:44:38,360
Speaker 1: Because you want to see if there's something could I

1882
01:44:38,439 --> 01:44:40,920
Speaker 1: do something different, if there's something I could add, maybe

1883
01:44:40,960 --> 01:44:43,720
Speaker 1: I need to take something out. So obviously you know

1884
01:44:44,000 --> 01:44:51,320
Speaker 1: what what what what cities have the best barbecue? Uh, Austin, Austin, Texas.

1885
01:44:51,640 --> 01:44:53,240
Speaker 1: I fear a lot of them on the on the

1886
01:44:53,280 --> 01:44:55,920
Speaker 1: Food Channel. Yeah, but I see them on on i G.

1887
01:44:56,640 --> 01:44:57,759
Speaker 1: People talking about Austin.

1888
01:44:58,080 --> 01:44:59,639
Speaker 2: Yeah, they got a lot of they got a lot

1889
01:44:59,680 --> 01:45:02,760
Speaker 2: of good Uh, they got a lot of good barbecue.

1890
01:45:04,960 --> 01:45:07,040
Speaker 4: It's a spot called Goldies that.

1891
01:45:07,240 --> 01:45:11,160
Speaker 2: That I like. Actually, I met a lot of a

1892
01:45:11,240 --> 01:45:13,960
Speaker 2: lot of these guys. I met him personally, the pitmasters,

1893
01:45:14,040 --> 01:45:17,400
Speaker 2: and I've talked to him. They've gave me pointers on

1894
01:45:18,400 --> 01:45:19,880
Speaker 2: smoking meat and stuff like that.

1895
01:45:20,760 --> 01:45:22,800
Speaker 4: Yeah, So I mean to be good.

1896
01:45:22,880 --> 01:45:27,360
Speaker 1: I mean, for the most part, to be really good

1897
01:45:27,400 --> 01:45:29,760
Speaker 1: at this, you gotta be doing this for some years. Yeah,

1898
01:45:30,200 --> 01:45:32,680
Speaker 1: I'm talking about years and years most of it, and

1899
01:45:32,920 --> 01:45:36,000
Speaker 1: uh most of them. If you're not if you're not overweight,

1900
01:45:36,000 --> 01:45:37,320
Speaker 1: I don't even want. I ain't try to eat no

1901
01:45:37,400 --> 01:45:39,719
Speaker 1: barbecue because, uh, that means you ain't eating your barbecue.

1902
01:45:39,920 --> 01:45:41,840
Speaker 4: Yeah, if you cook it like you say you cook it.

1903
01:45:43,000 --> 01:45:46,200
Speaker 2: Yeah, yes, indeed, I mean it.

1904
01:45:46,360 --> 01:45:47,759
Speaker 4: It's it definitely.

1905
01:45:48,800 --> 01:45:51,120
Speaker 2: It's a lot of it takes, you know, a lot

1906
01:45:51,160 --> 01:45:53,040
Speaker 2: of patience, yeah.

1907
01:45:53,000 --> 01:45:57,280
Speaker 1: Cause you know, you gotta prep it. You gotta let

1908
01:45:57,320 --> 01:46:01,479
Speaker 1: it marinate this long, you know, slow, low and slow.

1909
01:46:01,800 --> 01:46:06,640
Speaker 2: Yes, indeed, so that's why it, like the beef is

1910
01:46:06,680 --> 01:46:07,200
Speaker 2: so tender.

1911
01:46:07,760 --> 01:46:10,920
Speaker 1: Oh yeah, the beef. The beef literally literally literally you

1912
01:46:11,120 --> 01:46:15,360
Speaker 1: just like, yeah, you checking it off the bone. Yeah, chicken,

1913
01:46:16,200 --> 01:46:20,599
Speaker 1: it's all. It's very it's very tend to bite through,

1914
01:46:20,760 --> 01:46:21,360
Speaker 1: not to fight through.

1915
01:46:21,439 --> 01:46:24,559
Speaker 4: That's what I call it. So well, what sauce did

1916
01:46:24,600 --> 01:46:25,360
Speaker 4: you put on the ribs?

1917
01:46:27,040 --> 01:46:31,200
Speaker 2: I put the old g rub on the pork ribs, Okay,

1918
01:46:31,800 --> 01:46:35,000
Speaker 2: I put the all purpose on the the beef flankings

1919
01:46:36,040 --> 01:46:39,439
Speaker 2: and the chicken. I used the old g rub as

1920
01:46:39,479 --> 01:46:43,000
Speaker 2: well okay. And then with the potato salad, I I

1921
01:46:43,439 --> 01:46:46,559
Speaker 2: and put the potato salt together and I I mixed

1922
01:46:47,000 --> 01:46:50,120
Speaker 2: my uh all purpose. Then with the potato salad as well,

1923
01:46:51,240 --> 01:46:54,920
Speaker 2: and then that's TT mac and cheese.

1924
01:46:55,160 --> 01:46:55,360
Speaker 8: Yeah.

1925
01:46:56,479 --> 01:46:59,360
Speaker 1: This concludes the first half of my conversation. Part two

1926
01:46:59,439 --> 01:47:02,439
Speaker 1: is also and you can access it to whichever podcast

1927
01:47:02,520 --> 01:47:05,559
Speaker 1: platform you just listen to part one on. Just simply

1928
01:47:05,640 --> 01:47:08,320
Speaker 1: go back to club Shay profile and I'll see you there.