WEBVTT - Tori Enters Her No Era with Deepali Vyas

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<v Speaker 1>Misspelling with Tori Spelling and iHeartRadio Podcast.

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<v Speaker 2>Hi? Hi?

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<v Speaker 1>How are you?

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<v Speaker 2>I'm doing well? I got the memo. We both have

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<v Speaker 2>our glasses on.

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<v Speaker 1>I know. I actually was trying to choose from so

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<v Speaker 1>many that I got here, so I have to tell you, honestly,

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<v Speaker 1>fangirl moment and the Donna Martin it's just I was

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<v Speaker 1>sitting in my in my you know, room in Denver, Colorado,

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<v Speaker 1>growing up, watching you, which is just it's just insane.

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<v Speaker 2>Oh my gosh. Well, after this whole thing with you,

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<v Speaker 2>I'm going to be able to chant Donna Martin five

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<v Speaker 2>hundred fortune eates? Is that right?

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<v Speaker 3>There?

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<v Speaker 1>You go?

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<v Speaker 2>You're gonna get me there, gonna get me up. Well,

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<v Speaker 2>thank you for taking this time with me today. My

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<v Speaker 2>name is and I'm a people pleaser, but I'm also

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<v Speaker 2>a bomb ass business bitch. So can you help me

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<v Speaker 2>get to where I need to be?

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<v Speaker 1>Yes? Of course we're gonna We're going to get you

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<v Speaker 1>there for sure.

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<v Speaker 2>Oh boy, where do where do we even start? How

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<v Speaker 2>did you start? Let's go with let's talk about you first?

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<v Speaker 1>Wow? Thank you. Honestly, I got my start in executive

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<v Speaker 1>search by accident. I knew that when I graduated college.

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<v Speaker 1>I grew up in Denver, and I said, I think

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<v Speaker 1>I'm bigger than Denver and I need to move to

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<v Speaker 1>a big city. And I was a finance major and

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<v Speaker 1>all of that, and I came to New York City

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<v Speaker 1>and I had, you know, a bit of gall on

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<v Speaker 1>me to ask, you know, when I was interviewing, Hey,

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<v Speaker 1>I want to be on Wall Street, Like I want

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<v Speaker 1>to be close to the action, like get me, put

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<v Speaker 1>me in there. But I fell into recruiting by accident,

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<v Speaker 1>and you know, it was just the luck of the draw.

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<v Speaker 1>I was sitting across from a recruiter and they were

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<v Speaker 1>pitching me all of these jobs and I'm like, I

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<v Speaker 1>don't want to do any of those. And then they said, well,

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<v Speaker 1>if you want to be a people person, right, you

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<v Speaker 1>were in the people business as well, why don't you

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<v Speaker 1>try recruiting. I'm like, I don't know what that is,

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<v Speaker 1>and so I kind of just dismissed it. And then

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<v Speaker 1>they kept coming back to me and saying, I think

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<v Speaker 1>you want to try this, and so I kind of

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<v Speaker 1>just threw out my hands and said, fine, what do

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<v Speaker 1>I have to lose. I was so young, and I

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<v Speaker 1>knew I was smart, and I was like, okay, I'll

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<v Speaker 1>figure it out. And that's where I got started. And

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<v Speaker 1>I was recruiting quants on Wall Street, which is like

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<v Speaker 1>the nerdiest thing you can ever do in your entire life.

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<v Speaker 1>And then I ended up, you know, getting starting my

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<v Speaker 1>own firm, and then I sold it to a larger

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<v Speaker 1>like public executive search firm, which was like the holy

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<v Speaker 1>Grail of executive search. Now you're in the boardroom, you

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<v Speaker 1>are with CEOs and boards and doing all.

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<v Speaker 2>Of your boardroom Sorry, I have to make a movie reference. Yeah,

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<v Speaker 2>I digress for one second. Mommy dearest, did you see it?

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<v Speaker 2>Of course in the boardroom, don't fuck with me, fellas,

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<v Speaker 2>that's right.

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<v Speaker 1>So, by the way, like as a woman in the boardroom,

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<v Speaker 1>it's it is such a different experience, right because a

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<v Speaker 1>there's not many of us in there, and not many

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<v Speaker 1>people that look like me in there, so you're kind

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<v Speaker 1>of dismissed in the beginning, even though, as you said,

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<v Speaker 1>we're badass bitches, you know, running businesses, and you kind

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<v Speaker 1>of get overlooked or sidelined and you're just doing things.

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<v Speaker 1>I found myself early on doing a bit of that

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<v Speaker 1>people pleasing or just you know, kind of nodding and

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<v Speaker 1>going along with things as opposed to life voicing my opinion.

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<v Speaker 2>And what is it like now in the boardroom?

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<v Speaker 1>Now?

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<v Speaker 2>I am all filled with women? Oh, I mean not you.

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<v Speaker 2>I wish I was still not there.

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<v Speaker 1>It's not like that. It's still not like that. It's

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<v Speaker 1>not full parody yet. But I think it's getting a

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<v Speaker 1>lot better. I think a lot of executive search. There's

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<v Speaker 1>a lot of women in executive search, which is freaking awesome.

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<v Speaker 1>But I would say boardroom wise, we're certainly not there.

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<v Speaker 1>But I've come to a point in my career, like

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<v Speaker 1>I'm forty seven years old. I've done a lot of

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<v Speaker 1>things and I'm just like, you know what, I don't

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<v Speaker 1>give a shit. I'm saying what I want to say.

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<v Speaker 1>That's it. And see, the art toy is about how

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<v Speaker 1>you communicate, right, the art of communicating with polish and

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<v Speaker 1>with gravity and with gravitas, And that's what really puts

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<v Speaker 1>you in a different league. Right then they know not

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<v Speaker 1>to mess with you because you're coming with facts, you're

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<v Speaker 1>articulating it well, you're super polished. They know that they

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<v Speaker 1>can't pull the wool over your eyes. That's what I

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<v Speaker 1>want for.

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<v Speaker 2>You, That's what I want you to want from me

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<v Speaker 2>that I want for me. And did you ever feel

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<v Speaker 2>at a certain point in your career that, for lack

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<v Speaker 2>of a better wording, you had to use your feminine

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<v Speaker 2>wiles to kind of get noticed and heard.

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<v Speaker 1>Yeah, I think, you know, the thing about women is

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<v Speaker 1>that we have this female intuition that there's a little

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<v Speaker 1>bit of that, and there's a little bit of just

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<v Speaker 1>you know, kind of playing up the femininity of being

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<v Speaker 1>in business that you know, men end up kind of

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<v Speaker 1>succumbing to, so you can use it to your advantage, right,

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<v Speaker 1>there's a little bit of the last thing they want

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<v Speaker 1>is like the super aggressive type. And I would say

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<v Speaker 1>that what's worked for me is a lot of humor,

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<v Speaker 1>right Like, humor in the right spots makes you more

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<v Speaker 1>human and it's a very neutralizing factor. It's not like

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<v Speaker 1>you can be humorous as a female or a male,

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<v Speaker 1>right and so like. But if women are funny and witty,

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<v Speaker 1>it just there's a different dynamic because there's also this intuitiveness.

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<v Speaker 2>About us because we're so powerful.

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<v Speaker 1>That's true, That is so true.

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<v Speaker 2>It is.

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<v Speaker 1>I think we understall ourselves for sure, you know, in

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<v Speaker 1>that respect, I.

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<v Speaker 2>Know for myself that it was a lot about finding

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<v Speaker 2>my worth and realizing it coming to groups. I'm fifty

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<v Speaker 2>two years old this year. This year. I don't know

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<v Speaker 2>why I said this year because not really, because I'll

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<v Speaker 2>be fifty three this year, but fifty two sounds a

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<v Speaker 2>lot better.

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<v Speaker 1>For me.

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<v Speaker 2>I know, when I was younger, I mean the way

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<v Speaker 2>I grew up, I grew up on a set. I

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<v Speaker 2>grew up on a TV show that not only I

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<v Speaker 2>felt like I had to prove my worth because it

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<v Speaker 2>was my father's show, but it was also the biggest

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<v Speaker 2>show globally, you know, it was in everyone's house, and

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<v Speaker 2>so it was a huge responsibility. And I was came

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<v Speaker 2>into it the quietest, you know, the shyest, definitely the funniest.

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<v Speaker 2>And that's the part that I started to use as

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<v Speaker 2>my way in to fit in with the group and

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<v Speaker 2>fit into my surroundings. Was I found. You know, I

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<v Speaker 2>was the youngest of the group. Brian, Austin Green and

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<v Speaker 2>I were the youngest. The others just a little bit older.

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<v Speaker 2>Some I'm a lot older. But to get into conversations

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<v Speaker 2>and stuff, you know, I would use a little funny

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<v Speaker 2>joke or a little eye roll or a little physical

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<v Speaker 2>you know, action and they would start laughing, and slowly

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<v Speaker 2>they were like, oh, this girl's funny. So that was

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<v Speaker 2>my in and then it became just so hard to

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<v Speaker 2>figure out where my brain fit in, if that makes sense, Like, okay,

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<v Speaker 2>so I can make them laugh, but can I communicate

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<v Speaker 2>with them on their level? Am I smart enough? And

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<v Speaker 2>I grew up not believing I was smart enough. I

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<v Speaker 2>think sometimes our education system fails us in ways when

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<v Speaker 2>they're so an archaic, waste, so boxed into putting everyone

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<v Speaker 2>in the same room, on the same level, and it's

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<v Speaker 2>just a way for everyone to just not succeed. So

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<v Speaker 2>I thought, oh my gosh, I'm terrible at math, I'm

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<v Speaker 2>terrible at history. Oh my gosh. So I can't talk numbers,

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<v Speaker 2>I can't talk politics, I can't what can I talk about?

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<v Speaker 2>I could talk about fashion, real good talking about fashion.

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<v Speaker 2>But I did notice when I was young, I would

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<v Speaker 2>use my humor and I would use my sexuality and not.

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<v Speaker 2>I was never like that, like prowess on set, like

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<v Speaker 2>overtly sexual. But I did notice, you know, if I

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<v Speaker 2>wore the cute tops and the mid drifts and the

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<v Speaker 2>boys would comment they'd want to talk to me more.

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<v Speaker 2>So then all of a sudden, you know, you do

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<v Speaker 2>a show like nine O two and oh, and you're

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<v Speaker 2>kind of a baby bird pushed out of your nest

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<v Speaker 2>at twenty six years old, go into the world. You

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<v Speaker 2>suddenly realize very fast that not every product you put

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<v Speaker 2>out there becomes a you know, sensation like nine O

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<v Speaker 2>two and oh. And then you're out there, you know,

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<v Speaker 2>auditioning every day, trying to get the next thing, trying

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<v Speaker 2>to stay relevant, all while learning kind of how do

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<v Speaker 2>I fend for myself in this world? At twenty six

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<v Speaker 2>the humor didn't worry, they sexuality didn't work, and it's like,

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<v Speaker 2>what is next? And that's when I started really sorry,

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<v Speaker 2>am I talking too much?

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<v Speaker 1>No?

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<v Speaker 2>No, please, I feel really comfortable with you for some reason.

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<v Speaker 2>And that's when I started to realize that I had

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<v Speaker 2>a very creative brain and my dad was a big producer.

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<v Speaker 2>I always say the apple don't fall far from the tree.

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<v Speaker 2>I don't. I know it's a silly saying, but it's

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<v Speaker 2>really really true. I grew up just watching him. I mean,

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<v Speaker 2>on weekends when I was five years old, I didn't

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<v Speaker 2>want to be outside playing. I was going through his scripts.

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<v Speaker 2>My mom had his office in leather bound scripts of

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<v Speaker 2>every script he had done. It was like covering Wallda

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<v Speaker 2>wall and I would go and pull down ones and

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<v Speaker 2>start to look at them, have someone read them to

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<v Speaker 2>me until I could read myself, and then I would

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<v Speaker 2>sit there for hours by myself and just read and

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<v Speaker 2>read and read and be like, I like this, here's

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<v Speaker 2>the characters I like. So I knew that I had

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<v Speaker 2>a brain to create. And I found once I went

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<v Speaker 2>out there and kind of proved myself to people, got

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<v Speaker 2>myself into rooms and let them understand where I was

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<v Speaker 2>coming from, it was a game changer. And I realize

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<v Speaker 2>now at fifty two that I'm a total people pleaser,

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<v Speaker 2>but a people pleaser in like life or if I

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<v Speaker 2>am a hired hired gun so that sounds terrible an employee.

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<v Speaker 2>When I am at the Helm, though, and I am

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<v Speaker 2>running things and I am in a room, I can

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<v Speaker 2>be in there and often you know, I'm in writer's rooms,

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<v Speaker 2>I'm in network rooms, and there's some women, but sometimes

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<v Speaker 2>it can be the same predominantly male. When my business

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<v Speaker 2>brain is on in those rooms, I like, you can't

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<v Speaker 2>stop me, and I like, I can hear myself and

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<v Speaker 2>I'm like, you're really very intelligent. You're really you deserve

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<v Speaker 2>to be here, You're really creative. But then I leave

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<v Speaker 2>that room and I'm like walking down the street and

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<v Speaker 2>I'm like, oh, I'm sorry I bump into you. Oh

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<v Speaker 2>I'm sorry, sorry, sorry, sorry, every other word. So my

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<v Speaker 2>two sides find it hard to become one. So we're like, oh, no,

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<v Speaker 2>it's it's it's in a nutshell you.

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<v Speaker 1>I think your experience is, while it's unique, there's pattern recognition, right.

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<v Speaker 1>My job is to recognize patterns. And as I was

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<v Speaker 1>listening to your story, you just happened to get an

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<v Speaker 1>earlier start than everybody else. The stuff that you experienced

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<v Speaker 1>in terms of your auditioning and this and that. It's

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<v Speaker 1>the same as people coming out of college and interviewing.

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<v Speaker 1>We're auditioning, right, We're auditioning for that job, that first job,

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<v Speaker 1>that second job, that third job. People are still auditioning

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<v Speaker 1>right once your mid career, etc. And I think the

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<v Speaker 1>brilliant part of what you said, which I think again,

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<v Speaker 1>like every story is relatable. Right, I grew up in

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<v Speaker 1>the motel business. I was running a motel since I

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<v Speaker 1>was thirteen years old, and toory, can I tell you

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<v Speaker 1>I was embarrassed of that experience. Embarrassed. And when I

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<v Speaker 1>fast forward twenty years later, I was in the boardroom

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<v Speaker 1>with the CEO of SMP Global talking about his succession plan,

0:13:08.800 --> 0:13:11.560
<v Speaker 1>and I brought up the fact that I was, you know,

0:13:12.520 --> 0:13:17.160
<v Speaker 1>running my parents' motel at thirteen years old, watching nine

0:13:17.200 --> 0:13:21.079
<v Speaker 1>O two to zero in the background. Right, that's serious.

0:13:21.120 --> 0:13:23.480
<v Speaker 1>That is that God's honest truth. My sister would die

0:13:23.559 --> 0:13:25.680
<v Speaker 1>if I if I told her that I was talking

0:13:25.760 --> 0:13:30.559
<v Speaker 1>to But that's when I said that in the boardroom,

0:13:30.920 --> 0:13:34.400
<v Speaker 1>their jaws dropped because they were like, wait what. And

0:13:34.520 --> 0:13:39.360
<v Speaker 1>so the admiration of grit and that experience in that

0:13:39.440 --> 0:13:42.400
<v Speaker 1>boardroom is something that they valued that I didn't think

0:13:42.440 --> 0:13:46.000
<v Speaker 1>they valued. Now, relating back to your story, you being

0:13:46.040 --> 0:13:50.120
<v Speaker 1>in your dad's office seeing all of this, you have

0:13:50.280 --> 0:13:53.240
<v Speaker 1>had this gift of experience. So when you are in

0:13:53.320 --> 0:13:56.640
<v Speaker 1>that boardroom, you feel very confident because you have all

0:13:56.679 --> 0:14:00.000
<v Speaker 1>of this skills that have been stacked as your gift

0:14:00.280 --> 0:14:03.480
<v Speaker 1>of experience, and that's why you feel so good. The

0:14:03.520 --> 0:14:06.360
<v Speaker 1>reframe that I would say is that you know, it's

0:14:06.400 --> 0:14:10.320
<v Speaker 1>not about you not being good at math or history

0:14:10.400 --> 0:14:14.320
<v Speaker 1>or whatever. You have a different edge, right, And what

0:14:14.400 --> 0:14:18.400
<v Speaker 1>you did was you outgrew your strategy right when you

0:14:18.480 --> 0:14:21.160
<v Speaker 1>left nine OZHO two and zero. The game changed, but

0:14:21.280 --> 0:14:25.400
<v Speaker 1>your early strategies weren't translating, so now you're translating them

0:14:25.440 --> 0:14:28.600
<v Speaker 1>in the boardroom. Right. But in terms of like the

0:14:29.080 --> 0:14:33.440
<v Speaker 1>people pleasing part, I think where you have to really

0:14:33.480 --> 0:14:38.200
<v Speaker 1>think about is just anchoring in that experience and saying

0:14:38.480 --> 0:14:41.400
<v Speaker 1>I'm a strong person. I know where my boundaries are.

0:14:41.600 --> 0:14:43.720
<v Speaker 1>I don't need to say sorry to everybody, and I

0:14:43.720 --> 0:14:45.440
<v Speaker 1>don't need to be sorry about, you know, the things

0:14:45.440 --> 0:14:47.520
<v Speaker 1>that I bring to the table, even if it is

0:14:47.600 --> 0:14:50.160
<v Speaker 1>kind of bumping into somebody on the street or whatever.

0:14:50.280 --> 0:14:52.920
<v Speaker 1>That's not your fault, right, maybe they were walking crooked,

0:14:53.320 --> 0:14:56.240
<v Speaker 1>they bumped into you. And I think just going to.

0:14:56.200 --> 0:14:58.480
<v Speaker 2>That how I apologize for taking a breath of air.

0:14:59.080 --> 0:15:00.720
<v Speaker 2>It's it's really bad.

0:15:01.480 --> 0:15:06.400
<v Speaker 1>Yeah, yeah, yeah. And I think like redefining sort of

0:15:06.440 --> 0:15:09.680
<v Speaker 1>your identity internally. Tori is right. You're not trying to

0:15:09.760 --> 0:15:13.120
<v Speaker 1>prove you belong. You already know you do. You've just

0:15:13.160 --> 0:15:15.480
<v Speaker 1>been treating it like it's been a temporary state.

0:15:18.120 --> 0:15:22.280
<v Speaker 2>I tend to keep myself really small because I don't

0:15:22.480 --> 0:15:29.680
<v Speaker 2>want to bother I don't know, I don't if I

0:15:29.760 --> 0:15:33.960
<v Speaker 2>keep myself small, then everyone will like me because they

0:15:33.960 --> 0:15:35.240
<v Speaker 2>won't feel left behind.

0:15:36.240 --> 0:15:40.480
<v Speaker 1>No, that is your moment to not do that. Listen,

0:15:40.760 --> 0:15:44.560
<v Speaker 1>you have had this sort of very public history, right

0:15:44.720 --> 0:15:49.200
<v Speaker 1>in the sense of having that acclaimed fame and going

0:15:49.280 --> 0:15:55.040
<v Speaker 1>through your life very publicly, and that is your opportunity

0:15:55.080 --> 0:15:58.120
<v Speaker 1>to double down and say I am owning this.

0:15:58.200 --> 0:16:02.320
<v Speaker 2>I'm really good at Blackjack thinks so different numbers like

0:16:02.840 --> 0:16:03.560
<v Speaker 2>you know, like.

0:16:03.840 --> 0:16:07.040
<v Speaker 1>It's your time to again. Like I said the word anchor,

0:16:08.160 --> 0:16:12.200
<v Speaker 1>you have so much experience, like you, you should be

0:16:12.320 --> 0:16:14.720
<v Speaker 1>leading the charge in that. You should not. You should

0:16:14.800 --> 0:16:19.080
<v Speaker 1>be unapologetic in that right. No one has the experience

0:16:19.120 --> 0:16:22.200
<v Speaker 1>that you do. Why are you apologizing for it?

0:16:23.120 --> 0:16:26.000
<v Speaker 2>I don't know. That's why I'm here with you. I

0:16:26.040 --> 0:16:35.480
<v Speaker 2>don't know. No I do, I must know.

0:16:35.680 --> 0:16:37.840
<v Speaker 1>I must let me ask you this. When that happens

0:16:37.960 --> 0:16:41.160
<v Speaker 1>right in the room, when you're in power, you're not

0:16:41.240 --> 0:16:44.280
<v Speaker 1>thinking about anybody else, are you? Or you just you're

0:16:44.320 --> 0:16:46.400
<v Speaker 1>just thinking about the work. The idea is the outcome?

0:16:46.520 --> 0:16:47.000
<v Speaker 1>Is that right?

0:16:47.400 --> 0:16:49.600
<v Speaker 2>Yeah? It's all about the process, yeah right.

0:16:49.920 --> 0:16:54.720
<v Speaker 1>So why is it that afterwards you feel like you

0:16:54.920 --> 0:16:57.880
<v Speaker 1>need to regulate other people's You know.

0:16:59.880 --> 0:17:06.160
<v Speaker 2>I think I feel a lot I feel others feelings,

0:17:06.160 --> 0:17:09.240
<v Speaker 2>Like as soon as someone can walks in a room,

0:17:09.560 --> 0:17:13.840
<v Speaker 2>I can feel how they're feeling, and I adapt to that,

0:17:14.000 --> 0:17:17.119
<v Speaker 2>and I think sometimes not in a good way, or

0:17:17.160 --> 0:17:22.080
<v Speaker 2>I overcompensate to make them okay for whatever is going on,

0:17:22.840 --> 0:17:24.960
<v Speaker 2>which it's none of my business. So I don't know

0:17:25.000 --> 0:17:26.000
<v Speaker 2>why I do that.

0:17:27.560 --> 0:17:28.440
<v Speaker 1>Because you're a feeler.

0:17:28.840 --> 0:17:33.560
<v Speaker 2>Yeah, I'm a feeler and I am intuitive. So I say,

0:17:33.600 --> 0:17:36.800
<v Speaker 2>I don't know how to play the board game of chess,

0:17:36.840 --> 0:17:41.280
<v Speaker 2>but I play the life's game of Chess brilliantly like

0:17:42.040 --> 0:17:46.119
<v Speaker 2>leader of the Board because I know how to handle people.

0:17:46.560 --> 0:17:48.960
<v Speaker 2>I know what they can hear and they can't hear.

0:17:49.040 --> 0:17:51.879
<v Speaker 2>And in a business situation, that has behooved me a

0:17:51.920 --> 0:17:57.400
<v Speaker 2>lot because in my field, I deal with a lot

0:17:57.440 --> 0:18:01.760
<v Speaker 2>of actors and not just on sets as a fellow actor,

0:18:01.960 --> 0:18:07.680
<v Speaker 2>but when I'm producing a project in writing, I have

0:18:07.800 --> 0:18:12.800
<v Speaker 2>to deal with talent, and talent comes with ego, and

0:18:12.880 --> 0:18:16.600
<v Speaker 2>that's okay. Humans come with ego. There's different forms of it.

0:18:16.600 --> 0:18:19.200
<v Speaker 2>It doesn't always have to be negative. But I have

0:18:19.359 --> 0:18:24.959
<v Speaker 2>really tapped into how to approach each person differently to

0:18:25.000 --> 0:18:27.920
<v Speaker 2>get the best outcome for them and the project. So

0:18:28.000 --> 0:18:30.640
<v Speaker 2>I think That's why when I deal with actors a lot,

0:18:30.760 --> 0:18:35.080
<v Speaker 2>and especially females, I will tend to take a back seat.

0:18:35.160 --> 0:18:37.080
<v Speaker 2>But then I don't know how to pull myself back

0:18:37.160 --> 0:18:38.680
<v Speaker 2>up to sit side by side.

0:18:39.359 --> 0:18:41.679
<v Speaker 1>So what I would say with that is that, look,

0:18:42.440 --> 0:18:45.120
<v Speaker 1>we need to flip what you think, which is what

0:18:45.160 --> 0:18:49.480
<v Speaker 1>you're saying is over accommodating into sort of your executive superpower,

0:18:49.600 --> 0:18:53.040
<v Speaker 1>but with a boundary. So I can tell you right

0:18:53.080 --> 0:18:57.119
<v Speaker 1>now what you're experiencing is not weakness. It's high EQ.

0:18:57.560 --> 0:19:01.080
<v Speaker 1>But you don't have a control system. So what you're

0:19:01.119 --> 0:19:03.959
<v Speaker 1>starting what is emotional intelligence?

0:19:04.400 --> 0:19:04.560
<v Speaker 2>Oh?

0:19:04.640 --> 0:19:08.000
<v Speaker 1>Thanks, right, you have a high degree of emotional intelligence

0:19:08.040 --> 0:19:12.640
<v Speaker 1>because you're feeling what other people are. You know your audience.

0:19:13.240 --> 0:19:17.520
<v Speaker 1>The best high EQ people understand their audience, and then

0:19:17.560 --> 0:19:20.399
<v Speaker 1>you tailor your message and your delivery to what that

0:19:20.520 --> 0:19:25.119
<v Speaker 1>audience wants. That's super high EQ. And then also self

0:19:25.119 --> 0:19:28.320
<v Speaker 1>awareness like who am I in that room versus you

0:19:28.359 --> 0:19:30.399
<v Speaker 1>know who everybody else is?

0:19:30.520 --> 0:19:30.680
<v Speaker 3>Right?

0:19:31.119 --> 0:19:33.199
<v Speaker 1>But I think what you just described at sort of

0:19:33.240 --> 0:19:36.680
<v Speaker 1>like elite level emotional intelligence is that most people can't

0:19:36.720 --> 0:19:39.440
<v Speaker 1>read the room, and you're reading individuals inside the room.

0:19:39.880 --> 0:19:42.719
<v Speaker 1>So you're not just a feeler, You're an operator. So

0:19:42.760 --> 0:19:45.720
<v Speaker 1>now you're adjusting your approach to what each person needs.

0:19:46.000 --> 0:19:50.040
<v Speaker 1>That's not people pleasing, that's influence. And that's what I

0:19:50.080 --> 0:19:53.760
<v Speaker 1>want to reframe for you today, Right, your people pleasing

0:19:53.840 --> 0:19:57.600
<v Speaker 1>moment is actually your ability to influence them. The only

0:19:57.720 --> 0:20:03.160
<v Speaker 1>difference is that between influence and self abandonment is intention.

0:20:05.000 --> 0:20:10.480
<v Speaker 1>Hm When when you're in a writer's room, that's that's where

0:20:10.520 --> 0:20:12.679
<v Speaker 1>I wanted to land. Right, So when you're in a

0:20:12.720 --> 0:20:17.920
<v Speaker 1>writer's room or producing, you're using that skill on purpose. Right.

0:20:18.160 --> 0:20:22.200
<v Speaker 1>You're reading the ego, you're calibrating the language, you're managing outcomes.

0:20:22.480 --> 0:20:26.480
<v Speaker 1>That's power. But when you're walking down the street apologizing,

0:20:26.520 --> 0:20:30.159
<v Speaker 1>you're using that same skill unconsciously to make other people

0:20:30.200 --> 0:20:35.040
<v Speaker 1>feel uncomfortable. So the goal is to isn't to stop

0:20:35.080 --> 0:20:38.520
<v Speaker 1>being intuitive. The goal is to decide when it's a

0:20:38.560 --> 0:20:40.359
<v Speaker 1>tool and when it's a habit.

0:20:43.480 --> 0:20:53.760
<v Speaker 2>I think in Tory in the Wild is people know

0:20:53.800 --> 0:20:58.640
<v Speaker 2>who I am and I don't know. You know, when

0:20:58.680 --> 0:21:00.320
<v Speaker 2>I pass them on the street and they look me,

0:21:00.440 --> 0:21:02.840
<v Speaker 2>you know, it's a split second that they get one moment,

0:21:03.119 --> 0:21:05.280
<v Speaker 2>you know of who do we think she is? And

0:21:05.320 --> 0:21:08.639
<v Speaker 2>who is she when we encountered her? And I always

0:21:08.680 --> 0:21:14.399
<v Speaker 2>smile just because that's who I am. But I just

0:21:14.480 --> 0:21:17.200
<v Speaker 2>feel like I don't want them to think I still am.

0:21:17.640 --> 0:21:21.120
<v Speaker 2>There's still an old story in my head of preconceived

0:21:21.200 --> 0:21:24.760
<v Speaker 2>notion from coming on to the set of nine at sixteen,

0:21:25.320 --> 0:21:29.200
<v Speaker 2>of people thinking, oh, well, her father's you know rich,

0:21:29.600 --> 0:21:31.679
<v Speaker 2>you know she's probably going to be a bitch. You

0:21:31.720 --> 0:21:36.600
<v Speaker 2>know she she's all very spoiled. All the assumptions. I

0:21:36.720 --> 0:21:38.760
<v Speaker 2>know none of that's true. Anyone that works with me

0:21:38.840 --> 0:21:42.119
<v Speaker 2>knows none of that is true. But I still carry

0:21:42.119 --> 0:21:45.160
<v Speaker 2>that old story and go above and beyond to prove

0:21:45.240 --> 0:21:49.639
<v Speaker 2>to people on a daily basis that probably not that

0:21:49.720 --> 0:21:53.640
<v Speaker 2>strangers don't matter, but strangers don't matter. Like I'm trying

0:21:53.640 --> 0:21:55.880
<v Speaker 2>to prove to every single person I encounter, like, look

0:21:55.880 --> 0:21:57.680
<v Speaker 2>at me, I'm so nice. I'm nice, nice, nice.

0:21:57.960 --> 0:22:01.800
<v Speaker 1>Yeah. Yeah, here's what I say to you know, I'm

0:22:01.840 --> 0:22:05.880
<v Speaker 1>going to talk to the to the the boss part

0:22:05.920 --> 0:22:13.040
<v Speaker 1>of you right now. I think that when I coach

0:22:13.080 --> 0:22:16.280
<v Speaker 1>my executives, the one thing that I do tell them

0:22:16.440 --> 0:22:19.520
<v Speaker 1>is to own your narrative, and I'll break down what

0:22:19.560 --> 0:22:26.600
<v Speaker 1>that actually means. Right, anytime you run into somebody, or

0:22:26.800 --> 0:22:31.359
<v Speaker 1>anytime anybody encounters you, there's a split second assumption about you,

0:22:31.400 --> 0:22:33.320
<v Speaker 1>whether they can read it on your face, you happen

0:22:33.400 --> 0:22:35.520
<v Speaker 1>to be more public than the others. I totally get

0:22:35.560 --> 0:22:37.399
<v Speaker 1>it right. I mean I've had a little bit of

0:22:37.680 --> 0:22:39.960
<v Speaker 1>a glimpse of that, given you know, all the stuff

0:22:40.000 --> 0:22:42.960
<v Speaker 1>that's happening on my Instagram. I'll go into Grand Central

0:22:42.960 --> 0:22:45.320
<v Speaker 1>station and someone will recognize me, and if I happen

0:22:45.400 --> 0:22:47.960
<v Speaker 1>to have a you know, not so great, you know,

0:22:48.040 --> 0:22:51.640
<v Speaker 1>bitch face on, it stops me too. So I've I've

0:22:51.680 --> 0:22:54.520
<v Speaker 1>had one iota of what you've experienced, and it's like

0:22:54.840 --> 0:22:58.280
<v Speaker 1>you catch yourself sometimes. But going back to like owning

0:22:58.320 --> 0:23:02.399
<v Speaker 1>your narrative right again, you said it yourself that people

0:23:02.440 --> 0:23:04.920
<v Speaker 1>on the street, it doesn't matter. You might be having

0:23:04.920 --> 0:23:06.320
<v Speaker 1>a bad day, you might be having a good day.

0:23:06.400 --> 0:23:08.040
<v Speaker 1>You might not be smiling as much, you may be

0:23:08.080 --> 0:23:10.600
<v Speaker 1>smiling too much, whatever it is. But when you're in

0:23:10.600 --> 0:23:13.040
<v Speaker 1>a room when people are you're going to encounter people

0:23:13.080 --> 0:23:16.160
<v Speaker 1>now one on one, when I say own your narrative

0:23:16.320 --> 0:23:19.120
<v Speaker 1>is get in front of it, because what you're experiencing

0:23:19.200 --> 0:23:23.720
<v Speaker 1>is they've made assumptions, they're questioning toy and then you

0:23:23.760 --> 0:23:26.280
<v Speaker 1>feel like you're in a hole and you're digging yourself

0:23:26.320 --> 0:23:30.040
<v Speaker 1>out to get to neutral. Yes, when you don't own

0:23:30.160 --> 0:23:32.640
<v Speaker 1>your narrative and get in front of it, saying, hey,

0:23:33.200 --> 0:23:35.320
<v Speaker 1>this is what I'm here to do today, this is

0:23:35.560 --> 0:23:37.760
<v Speaker 1>you know, whatever it is that you're trying to accomplish,

0:23:38.160 --> 0:23:41.080
<v Speaker 1>get in front of it. So now when you own it,

0:23:41.480 --> 0:23:44.000
<v Speaker 1>there's no question from behind.

0:23:45.400 --> 0:23:48.480
<v Speaker 2>Okay. So let's say I'm walking down the street. I'm

0:23:48.520 --> 0:23:53.760
<v Speaker 2>owning my narrative. What is going to keep me from

0:23:53.800 --> 0:23:57.360
<v Speaker 2>when someone's walking straight on and they don't move aside

0:23:57.760 --> 0:23:59.919
<v Speaker 2>me going oh, I'm sorry and moving aside.

0:24:01.840 --> 0:24:05.400
<v Speaker 1>I think that part is just what if you didn't move?

0:24:06.520 --> 0:24:10.000
<v Speaker 2>I think about it all the time all the time,

0:24:10.400 --> 0:24:12.439
<v Speaker 2>and I'll see them coming and I'm like, what if

0:24:12.520 --> 0:24:15.760
<v Speaker 2>today Today is the day where I'm going to hold

0:24:15.800 --> 0:24:17.879
<v Speaker 2>my power and I'm just going to keep walking and

0:24:17.920 --> 0:24:20.080
<v Speaker 2>they're going to have to move around me, and then

0:24:20.440 --> 0:24:22.720
<v Speaker 2>I will wait to the last second and I go oh,

0:24:23.080 --> 0:24:25.399
<v Speaker 2>and I veeer off. I can't do it. I'm like

0:24:25.480 --> 0:24:28.080
<v Speaker 2>nervous thinking about it. Right now, girl, I'll do it.

0:24:28.280 --> 0:24:33.479
<v Speaker 1>I saw the emotion in what you just said, and honestly, okay,

0:24:34.400 --> 0:24:38.720
<v Speaker 1>because you haven't done it, do it once and it's

0:24:38.720 --> 0:24:42.280
<v Speaker 1>going to make you madly uncomfortable, and then you're going

0:24:42.359 --> 0:24:44.040
<v Speaker 1>to do it again, and then you're going to do

0:24:44.080 --> 0:24:46.479
<v Speaker 1>it again, and then that's going to become your new normal.

0:24:47.080 --> 0:24:51.840
<v Speaker 1>Like doing something uncomfortable is where you grow. And if

0:24:51.920 --> 0:24:55.720
<v Speaker 1>you can't get past this one thing about you know,

0:24:55.840 --> 0:24:59.240
<v Speaker 1>not stepping aside, I never step aside. It's like you

0:24:59.359 --> 0:25:02.040
<v Speaker 1>go on me right, Like you know, I got so

0:25:02.119 --> 0:25:04.639
<v Speaker 1>much stuff going on. I'm like on the phone, I

0:25:04.680 --> 0:25:08.159
<v Speaker 1>have all the bags, all the things whatever, like it

0:25:08.240 --> 0:25:11.040
<v Speaker 1>is what it is right. I am the same way

0:25:11.560 --> 0:25:15.119
<v Speaker 1>in the boardroom. I am bringing all of me. And

0:25:15.320 --> 0:25:18.840
<v Speaker 1>if you're gonna have all of these machinations of what

0:25:18.880 --> 0:25:20.879
<v Speaker 1>you want to discuss, but I know what I have

0:25:20.920 --> 0:25:24.760
<v Speaker 1>to focus on. That's what we're gonna do right now.

0:25:24.960 --> 0:25:28.480
<v Speaker 1>I have enough of emotional awareness of like, yeah, you know,

0:25:28.560 --> 0:25:31.200
<v Speaker 1>I have to do the right thing from a professional standpoint,

0:25:31.520 --> 0:25:35.119
<v Speaker 1>But at the same time, like ten toes down, Tori,

0:25:35.760 --> 0:25:36.680
<v Speaker 1>ten toes down.

0:25:38.600 --> 0:25:43.240
<v Speaker 2>Other time, grip my toes. Don't tiptoe around it.

0:25:43.320 --> 0:25:46.359
<v Speaker 1>Don't tiptoe around. What are you tiptoeing for? What are

0:25:46.359 --> 0:25:47.119
<v Speaker 1>you so afraid of?

0:25:48.960 --> 0:25:49.879
<v Speaker 2>I don't know. Tell me.

0:25:51.440 --> 0:25:53.560
<v Speaker 1>I mean, I think it's just more about.

0:25:53.560 --> 0:25:55.480
<v Speaker 2>I keep giving you the same example, but I'm sure

0:25:55.480 --> 0:25:57.680
<v Speaker 2>there's a billion other examples in my day.

0:25:57.800 --> 0:26:01.400
<v Speaker 1>It's the over compensation part. I think what you're.

0:26:01.240 --> 0:26:03.320
<v Speaker 2>Not doing is you're not so what if they don't

0:26:03.400 --> 0:26:03.679
<v Speaker 2>like me?

0:26:04.200 --> 0:26:07.000
<v Speaker 1>Right? But why do you care about that so much?

0:26:07.040 --> 0:26:09.880
<v Speaker 2>I don't know. That's the problem. That's the real problem.

0:26:10.320 --> 0:26:15.400
<v Speaker 2>And I keep myself small and not equal with partners

0:26:16.000 --> 0:26:18.160
<v Speaker 2>and business people so I can.

0:26:18.119 --> 0:26:18.920
<v Speaker 1>Exercise for you.

0:26:19.080 --> 0:26:20.560
<v Speaker 2>I don't want them to not like me.

0:26:28.160 --> 0:26:31.119
<v Speaker 1>I have a I have two sort of tips and

0:26:31.160 --> 0:26:31.760
<v Speaker 1>tricks for you.

0:26:32.040 --> 0:26:32.320
<v Speaker 2>Okay.

0:26:33.359 --> 0:26:36.080
<v Speaker 1>One is the first sort of tool that I can

0:26:36.119 --> 0:26:39.680
<v Speaker 1>give you is play out your fears. What I mean

0:26:39.720 --> 0:26:44.760
<v Speaker 1>by that is, go in your head, imagine that scenario

0:26:45.119 --> 0:26:48.080
<v Speaker 1>and play the fear all the way out, right, Like

0:26:48.280 --> 0:26:50.280
<v Speaker 1>if I do this, if I say this, then they'll

0:26:50.320 --> 0:26:52.680
<v Speaker 1>do this, then they'll do this. Okay, fine, now you've

0:26:52.720 --> 0:26:55.679
<v Speaker 1>gotten it out of your system. I guarantee you whatever

0:26:55.760 --> 0:26:58.560
<v Speaker 1>is in your head that's the worst case scenario is

0:26:58.560 --> 0:27:01.159
<v Speaker 1>not going to happen. It's just not going to happen

0:27:01.320 --> 0:27:03.880
<v Speaker 1>the way that you think it's going to happen. So

0:27:03.920 --> 0:27:05.879
<v Speaker 1>that's what I say, play out your fears so you

0:27:05.920 --> 0:27:09.239
<v Speaker 1>just kind of like release it from you And the

0:27:09.280 --> 0:27:12.920
<v Speaker 1>second tool that I'll give you is that I call

0:27:12.960 --> 0:27:16.639
<v Speaker 1>it the so what filter, like okay, and you do

0:27:16.680 --> 0:27:20.800
<v Speaker 1>it three times, right, like Okay, I am in this situation,

0:27:21.640 --> 0:27:24.439
<v Speaker 1>so what? And then you go a layer above that

0:27:24.840 --> 0:27:27.359
<v Speaker 1>and say, okay, well if that happens, then this will happen.

0:27:27.640 --> 0:27:29.840
<v Speaker 1>So what. And then you get to the third one.

0:27:30.680 --> 0:27:33.520
<v Speaker 1>There is where you need to concentrate, right, It's that

0:27:33.680 --> 0:27:36.639
<v Speaker 1>third level where you need to concentrate and say, that's

0:27:36.680 --> 0:27:39.200
<v Speaker 1>what matters to me, that's the impact that I need

0:27:39.240 --> 0:27:42.520
<v Speaker 1>to make. So I don't know why I'm worrying about

0:27:42.720 --> 0:27:46.440
<v Speaker 1>this part, right, So you reverse engineer into it. So

0:27:46.480 --> 0:27:49.400
<v Speaker 1>those are kind of like the tools that I can

0:27:49.440 --> 0:27:53.240
<v Speaker 1>give you in that whatever scenario you're facing, you don't

0:27:53.280 --> 0:27:58.040
<v Speaker 1>get paralyzed or stuck or in the same loop of

0:27:58.160 --> 0:27:59.440
<v Speaker 1>people pleasing.

0:28:00.880 --> 0:28:03.600
<v Speaker 2>Right, because I tend to then once I'm in that

0:28:03.680 --> 0:28:07.600
<v Speaker 2>loop of people pleasing, I keep energetically bringing the same

0:28:07.760 --> 0:28:10.840
<v Speaker 2>type of people in and then it's a no win.

0:28:11.800 --> 0:28:15.000
<v Speaker 1>Because look, the woman you are in those rooms, you

0:28:15.000 --> 0:28:18.119
<v Speaker 1>don't have to apologize for existing. Jesus Christ, you know

0:28:18.680 --> 0:28:21.480
<v Speaker 1>this is bringing you into everyday life.

0:28:21.880 --> 0:28:23.919
<v Speaker 2>And yes, honestly, half.

0:28:23.640 --> 0:28:26.640
<v Speaker 1>The time, half the time in your scenario, that other

0:28:26.680 --> 0:28:27.760
<v Speaker 1>person will move.

0:28:29.800 --> 0:28:31.640
<v Speaker 2>Oh my gosh. But then I'll feel bad the rest

0:28:31.640 --> 0:28:36.679
<v Speaker 2>of the day, don't you dare. I'll be cooking dinner thinking, oh,

0:28:37.200 --> 0:28:41.640
<v Speaker 2>she met at me. Oh man. I mean, so there

0:28:41.720 --> 0:28:44.840
<v Speaker 2>is the personal side, but I still find myself doing it.

0:28:46.040 --> 0:28:49.760
<v Speaker 2>I mean bullying, Like it's so weird to talk about

0:28:49.800 --> 0:28:54.120
<v Speaker 2>bullying at our age. You're younger than me, but yeah,

0:28:54.160 --> 0:28:57.320
<v Speaker 2>but it exists. Maybe not, you know, we can redefine

0:28:57.320 --> 0:28:58.880
<v Speaker 2>the word. Maybe it's not the way we found it

0:28:58.920 --> 0:29:02.400
<v Speaker 2>in high school or you know, growing up, but it

0:29:02.520 --> 0:29:09.160
<v Speaker 2>does live in our lives. And I get really scared

0:29:09.160 --> 0:29:12.400
<v Speaker 2>of bullies because I feel like I can read bullies.

0:29:13.600 --> 0:29:19.240
<v Speaker 2>I sometimes with them it's about I do back down

0:29:19.240 --> 0:29:22.040
<v Speaker 2>fully because I can't navigate them. I can tell them

0:29:22.040 --> 0:29:24.360
<v Speaker 2>what they need to hear so they understand the situation.

0:29:25.400 --> 0:29:29.000
<v Speaker 2>I end up apologizing to them and really making myself small.

0:29:29.040 --> 0:29:30.880
<v Speaker 2>And I found this in my personal life. I've found

0:29:30.880 --> 0:29:37.080
<v Speaker 2>this in my business life, and it's it's tricky and

0:29:37.120 --> 0:29:41.080
<v Speaker 2>there's always I feel like, going to be people in

0:29:41.080 --> 0:29:44.080
<v Speaker 2>your workplace that you work with that are going to

0:29:44.120 --> 0:29:46.440
<v Speaker 2>be that way, and it's about finding the way to

0:29:46.520 --> 0:29:50.760
<v Speaker 2>navigate it and own it, so I belong there as well.

0:29:51.240 --> 0:29:52.920
<v Speaker 2>And that's a real tough one for me.

0:29:53.720 --> 0:29:56.000
<v Speaker 1>Yeah, And I think like taking your scenario and kind

0:29:56.000 --> 0:29:57.880
<v Speaker 1>of putting it in the workplace, there's always like the

0:29:58.320 --> 0:30:02.760
<v Speaker 1>toxic worksplace, and you probably of like a bullying manager

0:30:03.120 --> 0:30:06.120
<v Speaker 1>or whatever. And I think the bully dynamic, it looks

0:30:06.160 --> 0:30:08.120
<v Speaker 1>like you can read those bullies, you can kind of

0:30:08.160 --> 0:30:10.680
<v Speaker 1>anticipate them. You can probably even manage them.

0:30:10.920 --> 0:30:14.160
<v Speaker 2>I can manage them, But I think, but it hurts

0:30:14.200 --> 0:30:16.400
<v Speaker 2>my soul, like it's really wears on.

0:30:17.120 --> 0:30:20.240
<v Speaker 1>Because you're still giving them control of the interaction.

0:30:22.240 --> 0:30:23.320
<v Speaker 2>But they need control.

0:30:24.560 --> 0:30:25.720
<v Speaker 1>Who cares what they need?

0:30:27.160 --> 0:30:29.840
<v Speaker 2>Because because.

0:30:31.520 --> 0:30:35.240
<v Speaker 1>Because the moment you start adjusting to keep them calm,

0:30:35.440 --> 0:30:36.960
<v Speaker 1>they've already set the rules of the game.

0:30:37.800 --> 0:30:41.040
<v Speaker 2>Right, So what if they've set the rules for decades

0:30:41.080 --> 0:30:43.720
<v Speaker 2>and then you can't unset those rules.

0:30:44.200 --> 0:30:48.120
<v Speaker 1>No, there's never any okay, there's never any rules that

0:30:48.240 --> 0:30:51.880
<v Speaker 1>can't be bent or broken or rewritten. I just don't

0:30:51.880 --> 0:31:00.600
<v Speaker 1>believe that our constitution, right, we are still doing amendments

0:31:00.880 --> 0:31:05.719
<v Speaker 1>and we're still passing different laws. Like there's nothing that

0:31:05.840 --> 0:31:10.479
<v Speaker 1>is just set in stone, let's be honest, right, And

0:31:10.600 --> 0:31:13.840
<v Speaker 1>so if you think about it that way, dealing with

0:31:13.920 --> 0:31:17.680
<v Speaker 1>like these difficult personalities or bullies or whatever. Your goal

0:31:17.920 --> 0:31:20.080
<v Speaker 1>is not to win them over. Your goal is to

0:31:20.160 --> 0:31:21.720
<v Speaker 1>hold your position right.

0:31:22.000 --> 0:31:24.720
<v Speaker 2>And what that's you can't do those two. See that's

0:31:24.720 --> 0:31:26.200
<v Speaker 2>where I fall short.

0:31:26.000 --> 0:31:29.040
<v Speaker 1>But what that looks like is that you are calm,

0:31:29.560 --> 0:31:34.560
<v Speaker 1>you're neutral, and you're direct. So I'll give you an example.

0:31:35.360 --> 0:31:38.040
<v Speaker 1>You say, so if they they're bullying you, you know, victorium,

0:31:38.080 --> 0:31:39.960
<v Speaker 1>we need to do this, or they're bulldozing you. Whatever,

0:31:41.840 --> 0:31:45.360
<v Speaker 1>you say something like, I hear you, here's how I

0:31:45.400 --> 0:31:45.760
<v Speaker 1>see it.

0:31:46.920 --> 0:31:47.480
<v Speaker 2>I'm good at that.

0:31:48.240 --> 0:31:53.880
<v Speaker 1>Good another one. That's one perspective, here's the direction we're taking,

0:31:57.440 --> 0:32:00.719
<v Speaker 1>or I'm not aligned with that approach.

0:32:01.720 --> 0:32:01.760
<v Speaker 3>You?

0:32:01.880 --> 0:32:04.760
<v Speaker 1>But did you notice what I did? There? There's no apology,

0:32:05.240 --> 0:32:08.560
<v Speaker 1>there's no over explaining, and there's no shrinking.

0:32:10.160 --> 0:32:12.280
<v Speaker 2>See I would say what you said and then i'd

0:32:12.280 --> 0:32:14.400
<v Speaker 2>probably afterwards go sorry, is that okay?

0:32:14.440 --> 0:32:15.160
<v Speaker 1>Yeah? Exact?

0:32:15.160 --> 0:32:17.840
<v Speaker 2>Okay? Are you okay? I said that right now?

0:32:18.240 --> 0:32:22.960
<v Speaker 1>Now you just open them up to Hey, there's room

0:32:23.040 --> 0:32:26.560
<v Speaker 1>for us to like challenge her again, there's room for

0:32:26.680 --> 0:32:29.600
<v Speaker 1>us to because what you're doing is you're not making

0:32:29.680 --> 0:32:35.520
<v Speaker 1>up a statement. You're leaving room for them to do more. Right,

0:32:35.640 --> 0:32:38.480
<v Speaker 1>or you're leaving room for them to bully you in

0:32:38.560 --> 0:32:45.000
<v Speaker 1>some other capacity. Right, And so bullies don't respect accommodation, right,

0:32:45.120 --> 0:32:51.520
<v Speaker 1>they respect clarity. And so you're if your fear, your

0:32:51.520 --> 0:32:55.240
<v Speaker 1>fear isn't actually the bully, it's the discomfort of not

0:32:55.480 --> 0:32:56.480
<v Speaker 1>accommodating them.

0:32:56.880 --> 0:33:00.800
<v Speaker 2>Yes, oh my god, you just solved my whole life.

0:33:03.200 --> 0:33:04.560
<v Speaker 2>Now how do I do it?

0:33:04.920 --> 0:33:07.240
<v Speaker 1>I mean you're going to practice. That's how you're going

0:33:07.320 --> 0:33:11.160
<v Speaker 1>to do it. You're going to make these very short

0:33:11.320 --> 0:33:15.360
<v Speaker 1>statements and you are going to, I don't know, press

0:33:15.440 --> 0:33:18.400
<v Speaker 1>your finger into your thigh every single time you want

0:33:18.400 --> 0:33:22.520
<v Speaker 1>to say sorry or something else beyond that what I

0:33:22.680 --> 0:33:25.640
<v Speaker 1>just told you. I hear you. But we're going to

0:33:25.680 --> 0:33:28.200
<v Speaker 1>move in this direction, press your finger into your thigh,

0:33:28.240 --> 0:33:32.640
<v Speaker 1>saying don't you Tory, don't you dare say sorry? You're done? Finished,

0:33:33.320 --> 0:33:37.160
<v Speaker 1>Sit in that awkward silence, let them squirm, and I

0:33:37.200 --> 0:33:39.360
<v Speaker 1>guarantee you're going to feel even more powerful after that.

0:33:40.840 --> 0:33:47.560
<v Speaker 2>Now, what if I hypothetical I'm in a situation where

0:33:48.480 --> 0:33:51.240
<v Speaker 2>it's an ensemble like like nine oh two and zero was,

0:33:52.360 --> 0:33:55.440
<v Speaker 2>or it can be a partnership, you know, and I'm

0:33:55.480 --> 0:33:58.560
<v Speaker 2>not the only quote unquote talent I hate referring to

0:33:58.600 --> 0:34:02.040
<v Speaker 2>myself that way, but the on camera on air whatever

0:34:02.440 --> 0:34:09.000
<v Speaker 2>personality I tend to sometimes get treated less than with

0:34:09.120 --> 0:34:15.880
<v Speaker 2>accommodations than other people who have a stronger voice. How

0:34:15.920 --> 0:34:19.120
<v Speaker 2>do I achieve where it's like, well, fair is fair.

0:34:19.200 --> 0:34:21.040
<v Speaker 2>But you know they say, you know the person that

0:34:21.040 --> 0:34:23.200
<v Speaker 2>doesn't ask for it, The person goes along with everything

0:34:23.400 --> 0:34:26.279
<v Speaker 2>sometimes tends to kind of get pushed aside, and it's

0:34:26.320 --> 0:34:28.319
<v Speaker 2>the person that's like, no, I'm doing it this way.

0:34:28.360 --> 0:34:33.040
<v Speaker 2>That way, the strong personality gets more, How can the

0:34:33.120 --> 0:34:34.040
<v Speaker 2>nice one get more?

0:34:35.239 --> 0:34:36.160
<v Speaker 1>Do you ask for it?

0:34:41.520 --> 0:34:42.040
<v Speaker 2>Sometimes?

0:34:42.080 --> 0:34:42.160
<v Speaker 3>No?

0:34:43.800 --> 0:34:47.720
<v Speaker 2>Sometimes no, because I have to like believe that people

0:34:47.760 --> 0:34:48.720
<v Speaker 2>treat people fairly.

0:34:51.120 --> 0:34:54.200
<v Speaker 1>So the important question here is because what you're describing

0:34:54.239 --> 0:34:57.040
<v Speaker 1>again has nothing to do with fairness and everything to

0:34:57.080 --> 0:35:02.800
<v Speaker 1>do with signal in group environment, ensembles, partnerships, teams, whatever.

0:35:03.239 --> 0:35:05.440
<v Speaker 1>People don't get treated based on what's fair. They get

0:35:05.480 --> 0:35:09.480
<v Speaker 1>treated on what signal they will accept. And in all

0:35:09.560 --> 0:35:11.960
<v Speaker 1>of that stuff that you just told me, you needn't

0:35:11.960 --> 0:35:12.520
<v Speaker 1>ask for it.

0:35:16.080 --> 0:35:21.279
<v Speaker 2>Yeah, yeah, I guess so, But I guess how do

0:35:21.400 --> 0:35:23.880
<v Speaker 2>I make my voice? So it seems to me and

0:35:23.920 --> 0:35:27.280
<v Speaker 2>this is all I've ever seen, and I'm trying to unhear.

0:35:27.400 --> 0:35:31.959
<v Speaker 2>That part is the person that's not nice gets more

0:35:32.320 --> 0:35:34.880
<v Speaker 2>the person that you know.

0:35:35.360 --> 0:35:39.200
<v Speaker 1>Yes, what you're talking about delivery there, right, Because I

0:35:39.239 --> 0:35:43.239
<v Speaker 1>think here's here's the misconsumption is that if you say

0:35:43.280 --> 0:35:47.239
<v Speaker 1>it in a short like no is a complete answer, right,

0:35:48.160 --> 0:35:53.120
<v Speaker 1>no is a complete answer. Yeah, that's it. And so

0:35:53.320 --> 0:35:57.680
<v Speaker 1>what you're what you're struggling with is that you are

0:35:59.000 --> 0:36:01.719
<v Speaker 1>you don't want to sound bitchy or you don't want

0:36:01.760 --> 0:36:05.200
<v Speaker 1>to sound aggressive. You don't want to sound the thing

0:36:05.280 --> 0:36:10.000
<v Speaker 1>is because your delivery is it's all in the delivery

0:36:10.040 --> 0:36:13.760
<v Speaker 1>of how you say it, right. So I'm not asking

0:36:13.800 --> 0:36:18.640
<v Speaker 1>you to take all of your incredibly valuable experience and

0:36:18.880 --> 0:36:22.359
<v Speaker 1>anchor it into something that's very loud and aggressive, right,

0:36:22.920 --> 0:36:26.400
<v Speaker 1>because you're saying to me louder personalities kind of becomes

0:36:26.480 --> 0:36:28.920
<v Speaker 1>sort of the default decision makers. And you don't want

0:36:28.920 --> 0:36:31.719
<v Speaker 1>to do that, you don't want to be difficult. But

0:36:32.239 --> 0:36:34.720
<v Speaker 1>what you have to do, Tori, And remember we started

0:36:34.719 --> 0:36:38.640
<v Speaker 1>this conversation about it's the art of communication, right, It's

0:36:38.680 --> 0:36:41.720
<v Speaker 1>the art of polish and delivery and how you deliver

0:36:41.880 --> 0:36:44.959
<v Speaker 1>that information and how you communicate it. So I think

0:36:45.040 --> 0:36:49.000
<v Speaker 1>where the missing link here is you need to become

0:36:49.160 --> 0:36:54.520
<v Speaker 1>very clear. That's not about being difficult, it's about clarity. Right,

0:36:54.920 --> 0:36:57.520
<v Speaker 1>And this is what it sounds like in real life. Right,

0:36:57.880 --> 0:37:00.040
<v Speaker 1>you're going to say something like I'm good with what

0:36:59.880 --> 0:37:03.719
<v Speaker 1>I ever works, right, Instead, here's what works best for me.

0:37:06.320 --> 0:37:15.239
<v Speaker 1>That's not bitchy, no nice, or it's not. But but

0:37:15.400 --> 0:37:19.920
<v Speaker 1>you're still in this position of like, I want to

0:37:19.960 --> 0:37:25.919
<v Speaker 1>be nice. Yeah, being nice is not the same as

0:37:25.960 --> 0:37:30.560
<v Speaker 1>being professional or clear. It could be, but it doesn't

0:37:30.640 --> 0:37:32.960
<v Speaker 1>have to be. And you keep relating it back to

0:37:32.960 --> 0:37:36.319
<v Speaker 1>the nice cities that you want to inject in everybody. Right,

0:37:36.680 --> 0:37:40.120
<v Speaker 1>So instead of saying sure, I can adjust, maybe say

0:37:40.120 --> 0:37:42.680
<v Speaker 1>something like I can do that. Here's what I would

0:37:42.760 --> 0:37:43.520
<v Speaker 1>need in return.

0:37:46.560 --> 0:37:47.640
<v Speaker 2>It's in my business.

0:37:48.239 --> 0:37:50.680
<v Speaker 1>While you're doing it, you're you're smiling while you're talking

0:37:50.719 --> 0:37:53.000
<v Speaker 1>to me, smiling, right, but like you're having a very

0:37:53.040 --> 0:37:57.120
<v Speaker 1>difficult conversation. This is a you know, yes, you're you know.

0:37:57.280 --> 0:38:01.319
<v Speaker 1>I'm listening intently to you. And I think that these

0:38:01.320 --> 0:38:04.080
<v Speaker 1>are still very difficult conversations to have, right because you're

0:38:04.560 --> 0:38:09.880
<v Speaker 1>being very vulnerable here. But I think that it's okay

0:38:10.000 --> 0:38:13.879
<v Speaker 1>not to preface or gift wrap all of your language

0:38:13.960 --> 0:38:17.719
<v Speaker 1>in this like shiny wrapper because at the end of

0:38:17.760 --> 0:38:20.360
<v Speaker 1>the day, what's important to you the gift or the

0:38:20.480 --> 0:38:26.640
<v Speaker 1>rapper the gift, right, So the gift is making sure

0:38:26.680 --> 0:38:30.960
<v Speaker 1>that your messaging and your communication is clear, not the

0:38:31.000 --> 0:38:33.560
<v Speaker 1>smile or bitchiness that you're putting on the wrapper to

0:38:33.600 --> 0:38:34.400
<v Speaker 1>get it across.

0:38:35.920 --> 0:38:38.280
<v Speaker 2>I do find a lot of times that is broken

0:38:38.320 --> 0:38:41.600
<v Speaker 2>down with the communication of text because people can't see

0:38:41.640 --> 0:38:45.120
<v Speaker 2>the emotional intent that you're putting forth. It can be misread,

0:38:46.120 --> 0:38:47.000
<v Speaker 2>and so the.

0:38:46.960 --> 0:38:48.160
<v Speaker 1>Text needs to be a call.

0:38:48.320 --> 0:38:51.920
<v Speaker 2>And now all definitely, businesses are changing so much, sometimes

0:38:51.960 --> 0:38:55.359
<v Speaker 2>so much of it is on text, and I grew

0:38:55.440 --> 0:39:01.080
<v Speaker 2>up terrified of the phone. I don't know why. Yeah, fine, yeah,

0:39:01.080 --> 0:39:03.560
<v Speaker 2>but I'm now getting back to the place where it's like, gosh,

0:39:03.600 --> 0:39:06.120
<v Speaker 2>if so much is going to be lost in translation

0:39:06.239 --> 0:39:08.800
<v Speaker 2>with the written word, I would rather have the spoken

0:39:08.840 --> 0:39:11.400
<v Speaker 2>word to clarify what is going on.

0:39:11.880 --> 0:39:15.080
<v Speaker 1>Yeah, I agree with you. And like I said, sometimes

0:39:15.200 --> 0:39:19.960
<v Speaker 1>you know, a text is just as good as anything

0:39:20.000 --> 0:39:21.480
<v Speaker 1>that you really need to get your point across. I

0:39:21.520 --> 0:39:24.360
<v Speaker 1>think here's what's going to happen. I guarantee if I

0:39:24.400 --> 0:39:27.040
<v Speaker 1>look through your phone, there's a lot of over explaining

0:39:27.040 --> 0:39:32.680
<v Speaker 1>over text as well. You have to be honest instead

0:39:32.719 --> 0:39:37.440
<v Speaker 1>of just like one sentence. I couldn't actually do this exercise.

0:39:37.480 --> 0:39:40.719
<v Speaker 1>When when we get off this cale, go back through

0:39:40.719 --> 0:39:44.279
<v Speaker 1>your phone. If someone asked you for something, how many

0:39:44.320 --> 0:39:49.239
<v Speaker 1>messages did you send instead of just one sentence, like.

0:39:49.239 --> 0:39:56.320
<v Speaker 2>If they ask me a favor or ask huh? I

0:39:56.640 --> 0:39:59.399
<v Speaker 2>also passive aggressive, so that comes into play too.

0:39:59.520 --> 0:40:03.400
<v Speaker 1>You are yeah, I don't believe you, but okay.

0:40:03.160 --> 0:40:04.360
<v Speaker 2>I can't passive aggressive.

0:40:04.760 --> 0:40:05.600
<v Speaker 1>I can't see that?

0:40:05.920 --> 0:40:10.399
<v Speaker 2>Is that an old story? But everyone keeps telling me

0:40:10.480 --> 0:40:11.799
<v Speaker 2>that my whole life.

0:40:14.120 --> 0:40:16.880
<v Speaker 1>I think you're too busy people pleasing to be passive aggressive.

0:40:24.560 --> 0:40:27.480
<v Speaker 2>Well, sometimes when I'm too busy over explaining and people

0:40:27.480 --> 0:40:29.799
<v Speaker 2>pleasing them, they stay back to me. Stop being so

0:40:29.840 --> 0:40:32.319
<v Speaker 2>passive aggressive with me, my friend does. She says it

0:40:32.320 --> 0:40:35.839
<v Speaker 2>all the time to me, and I'm like, my heart, like,

0:40:36.640 --> 0:40:40.160
<v Speaker 2>I get like that because growing up my family was

0:40:40.239 --> 0:40:42.680
<v Speaker 2>very passive aggressive, so I always never want it to

0:40:42.719 --> 0:40:45.239
<v Speaker 2>be that. So like when she says that, when I'm

0:40:45.320 --> 0:40:47.960
<v Speaker 2>like saying, oh, I'm sorry, never mind, I'll do it

0:40:48.080 --> 0:40:51.600
<v Speaker 2>or something, She's like stopping cut the passive aggressive, and

0:40:51.640 --> 0:40:54.200
<v Speaker 2>I'm like, oh, I didn't think I was being Well.

0:40:54.080 --> 0:40:58.839
<v Speaker 1>You know why right there, Tori? Because you decided that

0:40:58.920 --> 0:41:01.880
<v Speaker 1>you were going to again say sorry and all that

0:41:01.960 --> 0:41:04.600
<v Speaker 1>they think you're hiding behind your stories of like what

0:41:04.640 --> 0:41:09.360
<v Speaker 1>you really mean, and that's what's translating into passive aggressive right. Oh,

0:41:09.520 --> 0:41:12.839
<v Speaker 1>Passive aggressive communication usually just comes from one thing. You

0:41:12.920 --> 0:41:18.839
<v Speaker 1>have a preference, but you're not stating it directly. Yes, right,

0:41:19.520 --> 0:41:24.680
<v Speaker 1>so it comes out sideways, through over explaining, apologizing, or

0:41:24.719 --> 0:41:28.080
<v Speaker 1>backing off mid sentence and to the other person that

0:41:28.239 --> 0:41:32.080
<v Speaker 1>just doesn't feel nice, it feels unclear, which again going

0:41:32.160 --> 0:41:36.279
<v Speaker 1>back to my point around you know, the more clarity

0:41:36.400 --> 0:41:39.799
<v Speaker 1>and succinctness you have without the apologizing at the end,

0:41:39.880 --> 0:41:42.400
<v Speaker 1>drop the apology at the end, tory, just drop it,

0:41:42.840 --> 0:41:46.280
<v Speaker 1>Just drop it from your vocabulary. You said your point,

0:41:46.920 --> 0:41:49.840
<v Speaker 1>You're done, and I guarantee you people will start shifting.

0:41:50.120 --> 0:41:53.240
<v Speaker 1>You start shifting your behavior. You watch where other people

0:41:53.280 --> 0:41:57.000
<v Speaker 1>shift their behavior because you've made the shift. You are

0:41:57.040 --> 0:41:59.880
<v Speaker 1>now different. That allows them to be different with you.

0:42:00.840 --> 0:42:01.000
<v Speaker 2>Right.

0:42:01.280 --> 0:42:04.319
<v Speaker 1>You said you grew up around a passive aggressive communication household. Right,

0:42:04.360 --> 0:42:07.400
<v Speaker 1>so you're not trying to be that, but instead of

0:42:07.440 --> 0:42:11.640
<v Speaker 1>going direct, you're going softer, and softer isn't clearer? Yeah,

0:42:12.400 --> 0:42:15.040
<v Speaker 1>so I think in your mind what I'm trying to

0:42:15.080 --> 0:42:18.440
<v Speaker 1>reframe with you. If I am allowed to be your

0:42:18.960 --> 0:42:25.400
<v Speaker 1>executive coach for a minute, please, direct communication is not aggressive.

0:42:25.440 --> 0:42:31.360
<v Speaker 1>It's respectful because now I don't have to second guess

0:42:31.719 --> 0:42:36.160
<v Speaker 1>what the f is Toys telling me? Does she mean it?

0:42:36.200 --> 0:42:38.680
<v Speaker 1>Is she? You know, just saying it just to you know,

0:42:39.719 --> 0:42:46.239
<v Speaker 1>be a passive aggressive leader? Right. Clarity is kindness. Ambiguity

0:42:46.560 --> 0:42:50.480
<v Speaker 1>creates tension. You don't want to be in that business, Toy.

0:42:51.000 --> 0:42:53.600
<v Speaker 1>I don't want to be in the business of ambiguity. No,

0:42:54.280 --> 0:42:57.560
<v Speaker 1>So instead of catching yourself saying, oh, sorry, never mind,

0:42:57.600 --> 0:43:00.279
<v Speaker 1>I'll just do it, you just say, actually, here's what

0:43:00.360 --> 0:43:05.600
<v Speaker 1>I prefer, say it with a smile. By the way,

0:43:05.640 --> 0:43:09.400
<v Speaker 1>I guarantee your friend will appreciate it, because now she

0:43:09.520 --> 0:43:14.080
<v Speaker 1>won't go back thinking she passive aggressive? Is that what

0:43:14.200 --> 0:43:17.000
<v Speaker 1>she really meant? Am I right?

0:43:17.400 --> 0:43:17.680
<v Speaker 3>Yeah?

0:43:18.080 --> 0:43:23.960
<v Speaker 2>It sounds correct. Just how do you undo fifty two

0:43:24.040 --> 0:43:25.440
<v Speaker 2>years of saying sorry?

0:43:25.840 --> 0:43:28.399
<v Speaker 3>I get I get the undoing right, But I think

0:43:28.719 --> 0:43:32.000
<v Speaker 3>I think that my practical rule for you is say

0:43:32.040 --> 0:43:36.560
<v Speaker 3>the thing, say it once, say it cleanly, without apology.

0:43:37.200 --> 0:43:39.880
<v Speaker 1>When you try that on one person, you're going to

0:43:39.960 --> 0:43:42.160
<v Speaker 1>try it on the next, and the next, and the

0:43:42.200 --> 0:43:46.520
<v Speaker 1>next and that'll be your new normal. You rehearse lines

0:43:46.640 --> 0:43:50.319
<v Speaker 1>right right for a living, that's what you did. How

0:43:50.320 --> 0:43:52.040
<v Speaker 1>many times did you have to rehearse those lines?

0:43:54.080 --> 0:43:56.359
<v Speaker 2>Not many? Because I have a photographic memory.

0:43:57.320 --> 0:43:59.440
<v Speaker 1>Well freaking excellent. I'm about to send you an email

0:43:59.440 --> 0:44:01.200
<v Speaker 1>about all your little practical tools.

0:44:03.360 --> 0:44:04.759
<v Speaker 2>Look to see that.

0:44:05.719 --> 0:44:09.319
<v Speaker 1>But I would say, for for the most time, you

0:44:09.320 --> 0:44:13.319
<v Speaker 1>have fat photographic memory. But there's a rehearsal, and so

0:44:13.440 --> 0:44:14.680
<v Speaker 1>you do it again and.

0:44:14.680 --> 0:44:16.600
<v Speaker 2>Two or three times, right, and you do you know?

0:44:17.120 --> 0:44:20.840
<v Speaker 1>And so with this, the stuff that we're talking about

0:44:21.160 --> 0:44:25.680
<v Speaker 1>is I don't expect you to be perfect every single time, right,

0:44:25.800 --> 0:44:28.840
<v Speaker 1>at least out of the gate. But you're going to

0:44:28.920 --> 0:44:31.719
<v Speaker 1>practice this and you're going to do it again and

0:44:31.760 --> 0:44:35.920
<v Speaker 1>again and again, and then that dialogue is going to

0:44:36.000 --> 0:44:37.000
<v Speaker 1>become your new normal.

0:44:38.360 --> 0:44:43.200
<v Speaker 2>Oh, that new normal would be great. I just wanted

0:44:43.239 --> 0:44:45.760
<v Speaker 2>to imprint on my soul, my being.

0:44:47.520 --> 0:44:51.960
<v Speaker 1>Well, you're a you're a good person. And as as

0:44:52.040 --> 0:44:56.479
<v Speaker 1>most people are innately good people, for the most part,

0:44:56.480 --> 0:44:58.960
<v Speaker 1>we have to give the benefit to humanity. Right of

0:44:59.360 --> 0:45:02.640
<v Speaker 1>there's there's good intent, or you have to receive people

0:45:02.680 --> 0:45:07.399
<v Speaker 1>with positive intent, which is how you want to be perceived. Yes, well, yes, right,

0:45:07.880 --> 0:45:11.360
<v Speaker 1>So even if you just know that there's positive intent

0:45:11.560 --> 0:45:14.479
<v Speaker 1>and that's how you want to approach it. That's why

0:45:14.480 --> 0:45:19.480
<v Speaker 1>it's really really important to be very clear, right and

0:45:19.560 --> 0:45:23.400
<v Speaker 1>so you're saying it with positive intent, and if you

0:45:23.520 --> 0:45:26.080
<v Speaker 1>know that that's coming from a good place, you don't

0:45:26.160 --> 0:45:28.879
<v Speaker 1>need to be in the prove it game. I don't

0:45:29.239 --> 0:45:30.600
<v Speaker 1>need you to prove it to me that you're a

0:45:30.640 --> 0:45:32.480
<v Speaker 1>good person. I can see that we've had a really

0:45:32.480 --> 0:45:36.520
<v Speaker 1>wonderful conversation. True, But for you, I want you to

0:45:37.120 --> 0:45:39.360
<v Speaker 1>hold your power in that room.

0:45:40.080 --> 0:45:41.640
<v Speaker 2>I know I want to hold my head up, hie,

0:45:42.000 --> 0:45:43.799
<v Speaker 2>especially because I'm getting older and the more I hold

0:45:43.800 --> 0:45:45.840
<v Speaker 2>it down, it's just getting more wrinkly. Got it, I

0:45:45.880 --> 0:45:48.640
<v Speaker 2>got it? We hold it up, pie right now now on.

0:45:49.120 --> 0:45:51.600
<v Speaker 1>All the creams and all the yeah, I hear you.

0:45:53.120 --> 0:45:53.960
<v Speaker 1>I agree.

0:45:54.880 --> 0:45:57.160
<v Speaker 2>But I feel like I have so much that I

0:45:57.239 --> 0:45:59.560
<v Speaker 2>want to do in this world. My dad was such

0:45:59.600 --> 0:46:05.479
<v Speaker 2>an amazing, unique human in the sense that he was kind,

0:46:05.719 --> 0:46:09.560
<v Speaker 2>like so kind, would talk to anyone and everyone, and

0:46:09.680 --> 0:46:13.840
<v Speaker 2>really liked people. And I really like people. I love people,

0:46:13.880 --> 0:46:17.680
<v Speaker 2>and I'm interested in people and their stories. And at

0:46:17.680 --> 0:46:20.720
<v Speaker 2>the end of the day, he just wanted to entertain them,

0:46:21.680 --> 0:46:24.879
<v Speaker 2>make them smile. That's it, And that's really my big

0:46:24.920 --> 0:46:27.920
<v Speaker 2>goal in this world is with so much going on,

0:46:28.000 --> 0:46:30.400
<v Speaker 2>we all have such hard lives within our lives that

0:46:31.640 --> 0:46:33.520
<v Speaker 2>no one knows about, you know. I just want people

0:46:33.520 --> 0:46:35.200
<v Speaker 2>to be entertained. I used to say that was by

0:46:35.480 --> 0:46:38.200
<v Speaker 2>giving them TV shows. No one really watches TV anymore,

0:46:38.280 --> 0:46:40.959
<v Speaker 2>but you know, whether it's in the theater, whether it's

0:46:41.000 --> 0:46:45.279
<v Speaker 2>on your television, on your computer, on your phone. I

0:46:45.320 --> 0:46:47.360
<v Speaker 2>want to be able to deliver that. I think I

0:46:47.440 --> 0:46:53.360
<v Speaker 2>have a lot to offer. I think my one of

0:46:53.400 --> 0:46:56.960
<v Speaker 2>my superpowers is I don't know why I feel so

0:46:57.080 --> 0:46:59.359
<v Speaker 2>confident talking to you look at me. I would never

0:46:59.400 --> 0:47:02.000
<v Speaker 2>talk this way anyone else. I'd be like, don't let

0:47:02.040 --> 0:47:07.040
<v Speaker 2>them know. I'm smarter worthy. But I think one of

0:47:07.080 --> 0:47:10.440
<v Speaker 2>my superpowers is being, like I said, to read people,

0:47:10.480 --> 0:47:14.959
<v Speaker 2>but also being able to change with the times. I'm

0:47:15.120 --> 0:47:18.920
<v Speaker 2>able to be a forward thinker of what is to

0:47:18.960 --> 0:47:21.560
<v Speaker 2>come next, and I think that's a really special tool.

0:47:23.080 --> 0:47:24.520
<v Speaker 2>So I just need to get out of my own

0:47:24.520 --> 0:47:26.680
<v Speaker 2>way and out of the way of the people that

0:47:26.880 --> 0:47:29.960
<v Speaker 2>want to keep me down to get to that so

0:47:30.040 --> 0:47:31.040
<v Speaker 2>I can rule the world.

0:47:31.320 --> 0:47:36.719
<v Speaker 1>But can I tell you you doing You're doing it now? Right?

0:47:37.120 --> 0:47:41.160
<v Speaker 1>Like what you just said is actually incredibly clear. You

0:47:41.239 --> 0:47:45.520
<v Speaker 1>just need to own it up here. And if your

0:47:45.520 --> 0:47:49.560
<v Speaker 1>goal is to it, I would say, actually, your goal

0:47:49.880 --> 0:47:53.919
<v Speaker 1>isn't just to entertain people, it's to move people, right.

0:47:54.120 --> 0:47:58.759
<v Speaker 1>Entertainment is the vehicle. Yes, connection is the outcome. And

0:47:58.800 --> 0:48:02.080
<v Speaker 1>what you described on reading people and adapting and seeing

0:48:02.080 --> 0:48:06.920
<v Speaker 1>what's coming next, that's not just intuition, that's taste, it's timing.

0:48:06.960 --> 0:48:10.600
<v Speaker 1>It's emotional intelligence. And I think what great creators and

0:48:10.680 --> 0:48:13.920
<v Speaker 1>producers and executives, that's what they're built on. And so

0:48:14.640 --> 0:48:17.560
<v Speaker 1>for you, it's not a capability gap. You have a

0:48:17.560 --> 0:48:20.520
<v Speaker 1>permission gap. And I don't know who's permission you're waiting for,

0:48:20.800 --> 0:48:23.640
<v Speaker 1>but if it's everybody else's, the answer.

0:48:23.440 --> 0:48:30.680
<v Speaker 2>Is yes, whose permission am I waiting for? I don't know,

0:48:30.920 --> 0:48:31.520
<v Speaker 2>is it my own?

0:48:33.200 --> 0:48:37.879
<v Speaker 1>Probably you're doing all of this stuff right like if

0:48:37.880 --> 0:48:41.759
<v Speaker 1>you're waiting for few, if you're waiting to feel like

0:48:41.920 --> 0:48:47.839
<v Speaker 1>this is the version of you everywhere you already have it.

0:48:48.200 --> 0:48:53.239
<v Speaker 1>You are accessing it selectively, But you said it yourself.

0:48:53.520 --> 0:48:56.680
<v Speaker 1>You can just sit in room, speak clearly, lead the conversations,

0:48:56.719 --> 0:49:01.480
<v Speaker 1>own your ideas. This podcast, like this is the modality

0:49:01.680 --> 0:49:06.160
<v Speaker 1>in which you are putting all of this into the world.

0:49:06.360 --> 0:49:10.560
<v Speaker 1>And so I feel like, you know, listening to you,

0:49:10.760 --> 0:49:13.759
<v Speaker 1>I've connected those dots. It's not about being more confidence.

0:49:13.840 --> 0:49:17.440
<v Speaker 1>It's about stopping that on off switch right of like

0:49:17.800 --> 0:49:22.240
<v Speaker 1>my people pleasing am I not your ceiling isn't your talent.

0:49:22.360 --> 0:49:25.640
<v Speaker 1>It's where you stop letting your self show up fully.

0:49:25.880 --> 0:49:28.600
<v Speaker 1>And I think in this modality, like I said, if

0:49:28.600 --> 0:49:31.360
<v Speaker 1>I were coaching you, I'd focus on one thing. Same

0:49:31.440 --> 0:49:34.040
<v Speaker 1>voice in the room, as on the street, as on

0:49:34.120 --> 0:49:35.320
<v Speaker 1>this podcast.

0:49:35.880 --> 0:49:39.600
<v Speaker 2>That's it so okay to still giggle?

0:49:40.080 --> 0:49:45.440
<v Speaker 1>Yeah, it is, it is. I Like I said, we

0:49:45.480 --> 0:49:50.279
<v Speaker 1>started this conversation with you know, the humor in the boardroom.

0:49:50.840 --> 0:49:53.879
<v Speaker 1>Humor goes a long way, and you know, people want

0:49:53.920 --> 0:49:55.960
<v Speaker 1>to be with nice people. People want to talk to

0:49:56.080 --> 0:50:01.040
<v Speaker 1>like fun people, right, like being comfortable. You're comfortable with me.

0:50:01.200 --> 0:50:06.880
<v Speaker 1>I'm listening intently. And trust is a superpower. Right, We

0:50:06.960 --> 0:50:10.879
<v Speaker 1>had a very honest, vulnerable conversation. That's part of your superpower.

0:50:12.440 --> 0:50:17.759
<v Speaker 2>Thank you. Where can my listeners find you? Oh, what's

0:50:17.800 --> 0:50:19.919
<v Speaker 2>your address? I'll be over in the next hour.

0:50:21.640 --> 0:50:26.399
<v Speaker 1>Well, I'm the elite recruiter on Instagram and TikTok and

0:50:26.480 --> 0:50:30.400
<v Speaker 1>all of their and yeah, depolybias dot com. But yeah,

0:50:29.920 --> 0:50:33.120
<v Speaker 1>we're helping all kinds of people just kind of get

0:50:33.120 --> 0:50:36.800
<v Speaker 1>out of their own way and get unstuck and move forward.

0:50:37.800 --> 0:50:39.359
<v Speaker 2>And do you believe it's never too late to get

0:50:39.440 --> 0:50:41.080
<v Speaker 2>unstuck and move forward? Oh?

0:50:41.520 --> 0:50:41.840
<v Speaker 1>Never?

0:50:42.560 --> 0:50:45.680
<v Speaker 2>Ever, What is the oldest client you ever had come

0:50:45.719 --> 0:50:47.760
<v Speaker 2>to you and say I want to change?

0:50:48.640 --> 0:50:52.919
<v Speaker 1>Gosh, I've coached people well into their seventies.

0:50:53.320 --> 0:51:00.400
<v Speaker 2>Wow, very cool. Yeah, I love that I'm going to

0:51:00.480 --> 0:51:02.480
<v Speaker 2>change in my fifties, so you won't have to coach

0:51:02.520 --> 0:51:03.240
<v Speaker 2>me in my seventies.

0:51:03.280 --> 0:51:10.200
<v Speaker 1>How's that? But look, I'm glad to be your personal cheerleader.

0:51:10.320 --> 0:51:13.160
<v Speaker 1>I think you already have what it takes. You just

0:51:13.200 --> 0:51:18.719
<v Speaker 1>needed that that extra nudge and clarity on And you

0:51:18.719 --> 0:51:23.520
<v Speaker 1>don't need my permission, just permission yourself right to know

0:51:23.600 --> 0:51:25.080
<v Speaker 1>that no is a full sentence.

0:51:26.320 --> 0:51:29.359
<v Speaker 2>I love that My thing that I tell people is

0:51:29.840 --> 0:51:35.400
<v Speaker 2>no is the first word towards yes. Because in entertainment

0:51:35.440 --> 0:51:37.319
<v Speaker 2>a lot you get the word no, no, no, And

0:51:37.360 --> 0:51:38.920
<v Speaker 2>I always say, just get me in the room, get

0:51:38.920 --> 0:51:41.759
<v Speaker 2>me in the room, al convince someone sees very good

0:51:41.760 --> 0:51:42.040
<v Speaker 2>at that.

0:51:42.480 --> 0:51:47.040
<v Speaker 1>And that's true for that scenario. If you if you've

0:51:47.080 --> 0:51:51.000
<v Speaker 1>read the book by Chris Voss. Never split the difference,

0:51:51.120 --> 0:51:55.160
<v Speaker 1>right like never never take no as your first answer, right,

0:51:55.560 --> 0:51:59.359
<v Speaker 1>There's always a negotiation. There's an avenue for that when

0:51:59.360 --> 0:52:01.719
<v Speaker 1>you know you want to do something with intent, right like,

0:52:01.800 --> 0:52:04.480
<v Speaker 1>don't take the first no. But I think when people

0:52:04.480 --> 0:52:07.520
<v Speaker 1>are asking something of you that you know you can't

0:52:07.520 --> 0:52:10.520
<v Speaker 1>deliver on, then know is a complete sentence.

0:52:12.280 --> 0:52:16.799
<v Speaker 2>Oh, and not no ish or not no.

0:52:17.120 --> 0:52:18.920
<v Speaker 1>Correct, not no sorry, But.

0:52:19.320 --> 0:52:22.200
<v Speaker 2>I know I have to be okay saying no, and

0:52:22.239 --> 0:52:23.480
<v Speaker 2>I'm still a nice person.

0:52:23.760 --> 0:52:26.839
<v Speaker 1>You are a nice person. That's a fact.

0:52:29.320 --> 0:52:31.080
<v Speaker 2>Can I say I'm going to tell you right now

0:52:31.360 --> 0:52:36.480
<v Speaker 2>with absolution it's a nice note. Can I say that?

0:52:36.840 --> 0:52:37.560
<v Speaker 1>Yes, you can.

0:52:38.560 --> 0:52:39.719
<v Speaker 2>That's not clear though, but.

0:52:39.680 --> 0:52:44.160
<v Speaker 1>Then full stop, or say I'm saying no but nicely.

0:52:46.680 --> 0:52:50.879
<v Speaker 2>Oh okay, Right. If you feel like you have.

0:52:50.840 --> 0:52:54.000
<v Speaker 1>To justify a rapper, if you have to put a

0:52:54.040 --> 0:52:58.680
<v Speaker 1>little rapper on it, then say it out loud. It's okay,

0:52:59.200 --> 0:53:01.480
<v Speaker 1>I'm saying no, but it's a nice no. Thank you.

0:53:02.239 --> 0:53:04.839
<v Speaker 2>I'm saying thank you. Helps I'm saying no, but it's

0:53:04.840 --> 0:53:06.520
<v Speaker 2>a nice no. I'm saying no nicely.

0:53:07.880 --> 0:53:10.680
<v Speaker 1>That's the new Tory way. That's that's what you're going

0:53:10.760 --> 0:53:14.960
<v Speaker 1>to do. If that's what makes you feel comfortable saying no,

0:53:15.400 --> 0:53:18.040
<v Speaker 1>do it that way. Everyone has a style that's going

0:53:18.120 --> 0:53:18.760
<v Speaker 1>to be your style.

0:53:19.160 --> 0:53:22.719
<v Speaker 2>Watch out world. Saying no when she's sticking to it