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Speaker 1: So I you know, I'm twenty five thirty dollars into

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Speaker 1: this fucking claw machine and I'm fading, but I'm getting close.

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Speaker 1: I've actually I've gotten a couple of items out, but

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Speaker 1: as I've said, I need to get out the hypodermic

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Speaker 1: needle that's in there. Yeah, so that so that I

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Speaker 1: can take my medication. And I'm trying and trying, and

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Speaker 1: it's sort of like the you know, the claw only

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Speaker 1: squeeze is tight enough every so many and it's also

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Speaker 1: it's getting buried down under some of the other some

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Speaker 1: good toys. I mean, there was like a truck and

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Speaker 1: there was like a doggy stuff doggie that I liked.

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Speaker 1: But people are called like a crying face. I was like,

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Speaker 1: why is crying? But you know, but I but I'm

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Speaker 1: you know, people are lined up behind me, and Dracula

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Speaker 1: in particular is tapping me on the shoulder and going like, hey, Bud,

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Speaker 1: it's my turn to the claw machine. I'm like, well,

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Speaker 1: that's out how the fucking claw machine works. Like I

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Speaker 1: go till I'm out of quarters and he now he's

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Speaker 1: you know, kind of bucking up and going like you

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Speaker 1: try to get bit here. No I'm not going to

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Speaker 1: do an impression of him. I think he's offensive, but

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Speaker 1: he's like, you know, you're trying to you know, yeah,

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Speaker 1: I don't do it, don't, I won't do it, but

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Speaker 1: he's you know, you try to get bit here, and

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Speaker 1: I go, well, I may be actually if I don't,

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Speaker 1: if I don't get this needle out, you don't stop

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Speaker 1: bothering me, and I'm not able to take my medication.

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Speaker 1: I may need to get bit, yeah, because that's going

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Speaker 1: to be actually my only avenue to remaining animated, you know, because.

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Speaker 2: I'll be you know, i'll be dead better than what's

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Speaker 2: about to happen.

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Speaker 1: So I may want to get bit. But let me

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Speaker 1: get back to you. Well, it wound up being a

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Speaker 1: very lucky thing. And then it's like, you know, it's

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Speaker 1: it was sort of like a suicide by cop situation

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Speaker 1: for me.

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Speaker 2: Yeah, and he's like, why is it in there? And

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Speaker 2: the needle it's a plush needle it is, but very

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Speaker 2: sharp inside, and yes, and so it's like very easy

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Speaker 2: to mistake for something that has to go in there.

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Speaker 2: But like, yeah, it's plush. It's not like the very

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Speaker 2: dangerous kind that people just like carry around. It's like

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Speaker 2: stabbing everyone. It's soft. It's like it's like safe for people.

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Speaker 2: And basically instead of injecting, you have to kind of

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Speaker 2: like eat it to get the stuff, and.

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Speaker 3: You eat it.

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Speaker 1: But I yes, and I had the medicine in like

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Speaker 1: a big jar. You know. It was like and people

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Speaker 1: were going like, that's just gatorade, and I was like, well, no,

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Speaker 1: it's not just gatorad. It's three different kinds of gatorade

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Speaker 1: mixed up in the jar. And I need to in

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Speaker 1: order to get you know, or else I'm gonna die. Yeah, James, James,

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Speaker 1: what's up?

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Speaker 4: Bro? Hey guys?

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Speaker 2: Uh I A.

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Speaker 4: I am such a huge fan SC and HD. It's

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Speaker 4: so cool.

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Speaker 1: Wow, he goes deep. This guy roles D he's very deep.

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Speaker 2: In initials And yeah, that's awesome.

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Speaker 1: Dude, me too. That feels good. I'm a big fan

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Speaker 1: of HD, KB and Jadge love yours.

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Speaker 4: I'm so glad to be here. You guys are so

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Speaker 4: cool listening to your show. You know, I'm in New

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Speaker 4: York now, so.

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Speaker 1: You're listening late.

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Speaker 4: You listen late over there, and I miss La so much,

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Speaker 4: and to put on your podcast, which I haven't listened

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Speaker 4: to in years, but the thought has come. It's come

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Speaker 4: up a lot. It's been coming up a lot, and

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Speaker 4: I'm hearing a lot of people talking about it a lot.

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Speaker 1: Recently, mentioning, and it just takes me back. Yeah, that's

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Speaker 1: the little spark that mentioned people mentioning the show. And

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Speaker 1: at some point it hits kindling, you.

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Speaker 2: Know, when people want to journey back to twenty fourteen.

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Speaker 2: We're here, like, we're always here to like gently, like

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Speaker 2: take you back in time to twenty fourteen. In culture,

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Speaker 2: we haven't changed. We're still doing our thing the world has.

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Speaker 1: You can count on us, you know. And it's yeah,

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Speaker 1: it's a nice respite from the progress that so much

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Speaker 1: of society has made. Progress. Yeah, and I guess, and

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Speaker 1: I use that term very loosely. Okay, everyone having diseases

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Speaker 1: progress If that's what you like.

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Speaker 4: You know what the opposite of I was thinking about

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Speaker 4: this scene. You know what the opposite of progress is?

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Speaker 1: In difference.

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Speaker 4: Exactly love.

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Speaker 1: Yeah, it's it's both of those.

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Speaker 4: It's it's actually congress. Oh, but I mean congress is

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Speaker 4: pretty much a Latin word for indifference as far as

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Speaker 4: you know. Wow, if you open up a newspaper, the

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Speaker 4: New Yorker or something, which I read frequently live on

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Speaker 4: the Upper west Side.

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Speaker 1: No, and my favorite newspaper prog Rock Progress, pro Conrock.

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Speaker 4: Conrock, Conrock, I think is an emerging genre conrock Roburst.

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Speaker 1: Mm hmm. That's what his Flintstones name would be, James, James.

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Speaker 1: Did we have we done your flintstone name yet?

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Speaker 4: I would love one. I'm here, okay, we we've been.

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Speaker 1: We were meaning to do everyone's flintstone name for a

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Speaker 1: little while, and now I see why we didn't do it.

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Speaker 1: It's right, Yeah, it's so hard. I can't think of

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Speaker 1: one for you. Okay, you have it.

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Speaker 4: I think I have it. So I don't really know

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Speaker 4: what you can do with James. So that's your assignment

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Speaker 4: while I say the rest.

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Speaker 1: Of this, you would just be Flinton's just fread.

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Speaker 4: Oh that's right. So it could be James Austin. Gotta

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Speaker 4: be john Stone.

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Speaker 2: Okay. You could also just add a sourus that you

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Speaker 2: could be James Austone Johnson Swords call it a day,

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Speaker 2: you know, and we just go home. We just like

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Speaker 2: get out of here.

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Speaker 1: Let's just say, you know, sometimes they just had you know,

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Speaker 1: you're you're a little younger than I am. Sometimes the

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Speaker 1: kids on there would just be name, like just a

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Speaker 1: one word, so I may maybe.

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Speaker 3: Blinky yeah yeah, blonde, boo boo yeah, boom boo wow

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Speaker 3: wa wah, Bungo Yeah yeah, Bungo.

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Speaker 1: So it's Bungo. We're here with Bungo. Uh and it's

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Speaker 1: and it's triu month. Were you made aware of this, James?

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Speaker 4: Uh No, But once again I'm hearing chatter. Sorry, I

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Speaker 4: told you that in an email in the pre interview.

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Speaker 1: It's just that I guess it probably was with your assistant.

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Speaker 4: I mean, she's she's in Tennessee. She didn't come with me.

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Speaker 2: She's the only ten I see. Yeah, is that where

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Speaker 2: you were saying. I don't think you should have said that.

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Speaker 1: You shouldn't say that, especially not on this show.

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Speaker 2: The interesting historic fact about you, James, Yeah, yeah, is

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Speaker 2: that you booked us and then you booked SNL in

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Speaker 2: immediate sequence.

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Speaker 1: This is true.

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Speaker 4: Yes, it's true, and.

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Speaker 1: It better be true because you canceled on us. Yeah

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Speaker 1: you can't. You canceled on us. Just say it's true,

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Speaker 1: so it has to be true. I can't.

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Speaker 2: I can't do your show because I booked SNL. Oh

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Speaker 2: is there like so you have to like go do

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Speaker 2: something because of that, it's like, seems like you.

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Speaker 1: Could have still done the show. It's okay, it's fine,

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Speaker 1: it's actually good. Booking SNL is not like a yeah,

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Speaker 1: I kind of just you get a phone call or whatever.

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Speaker 4: So here's the thing. So the thing that clinched it,

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Speaker 4: and I want all the young comics to know this,

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Speaker 4: the thing that eventually, like the moment that I knew

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Speaker 4: I finally had gotten the show. I get this big

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Speaker 4: envelope in the mail, I think the post office.

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Speaker 1: That's how you Yeah, I got too thick. I got

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Speaker 1: the head on cards in it mm.

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Speaker 4: Hmm, straight from Wally the Q cards guys. And you

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Speaker 4: think it's going to be written out sort of in

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Speaker 4: a complete thought, you know, and fallon style, and it was.

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Speaker 4: Each word of my approval was printed on a subsequent card,

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Speaker 4: but the font didn't really.

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Speaker 1: Chill in the style.

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Speaker 4: The font was pretty small, yeah, subterranean style. And so

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Speaker 4: I had a lot of cue cards to get through

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Speaker 4: to get to the very end of what it. What

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Speaker 4: I could tell was actually my SNL contract and the

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Speaker 4: entire contract printed word by word on separate, separate quy cards,

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Speaker 4: and and to sort of wrap up the story, even

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Speaker 4: though I know a lot of people are liking it.

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Speaker 4: I just feel it like it's a little indulgent. Maybe

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Speaker 4: it's not the funniest part of the show, but it's

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Speaker 4: a piece of my life and I like to share it.

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Speaker 1: Take the pressure off yourself to be funny. I mean,

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Speaker 1: that's that has opened the show up for Haz and

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Speaker 1: I so much. We used to sit down and go, like,

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Speaker 1: how are we going to be funny to that? You know, yeah,

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Speaker 1: it would wear us out.

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Speaker 2: Now it's just it's all sharing, man, and people prefer it.

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Speaker 1: It's people hated that. I mean, people hated what we thought. Yeah,

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Speaker 1: what we thought was funny.

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Speaker 2: We hated it, and we apologize to our audience and

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Speaker 2: they were like, we hate this too, and we're like, awesome,

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Speaker 2: that's great.

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Speaker 1: Let's just talk. Let's share, man. But do wrap it

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Speaker 1: up for sure, absolutely wrap it up and your story

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Speaker 1: because so much of it is supposed to be that

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Speaker 1: we're talking.

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Speaker 2: I have stuff that I want to do, like but

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Speaker 2: like definitely sure, but do it, like be done soon, quickly,

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Speaker 2: be done with yours.

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Speaker 4: So if you go in my dressing room at thirty Rock,

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Speaker 4: which is sure for thirty Rock, if you look I

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Speaker 4: don't think so anymore. I don't think that's been on

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Speaker 4: not anymore. Yeah, it's not sure for that anymore. It

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Speaker 4: did used to be. It did used to be. If

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Speaker 4: you go in my dressing room, if you look at

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Speaker 4: the the walls in my dressing room, you can dirty

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Speaker 4: rock all of those. I mean, that's pretty good dirty rock. Yeah,

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Speaker 4: I might, I might get that started. I feel like

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Speaker 4: Andrew dis Mutes might think that's pretty funny. If you

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Speaker 4: look at my dressing room, all along the walls, you

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Speaker 4: can see I've stapled up and in some cases nailed

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Speaker 4: those que cards from that from that contract.

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Speaker 1: Yeah.

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Speaker 2: Wow, it's awesome for you, man, like we're thrilled for you.

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Speaker 2: I would never go there.

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Speaker 1: Uh.

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Speaker 2: The first of all, the food sucks in the commissary.

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Speaker 2: If that I mean, like if that's even like what

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Speaker 2: it is. I don't know if the chef is like

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Speaker 2: I don't know what like bad at food, or like

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Speaker 2: if there even is a chef at all.

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Speaker 1: When I was there, the food was so bad. Commissary. Yeah,

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Speaker 1: that commissary is a mess, because what it looked like

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Speaker 1: to me was a public restaurant bathroom exactly my thought,

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Speaker 1: This is the bathroom this is the bathroom. And then

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Speaker 1: I thought, this is supposed to be food. This is disgusting.

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Speaker 1: It tastes like staper, and that was the thing I liked.

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Speaker 1: Tasted like paper. That was my favorite thing I ate

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Speaker 1: in there. Second of all, nobody ever shuts up.

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Speaker 2: I watched the show Somebody's always and I'm like, shut

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Speaker 2: the fuck up.

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Speaker 1: Shut up. I'm trying to look at the sets.

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Speaker 2: And everyone's like, watch me now, and like here I am,

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Speaker 2: someone just finished. Now here, I am doing my moving

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Speaker 2: shot top check out.

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Speaker 1: I think people look so weird. I mean, they really do.

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Speaker 1: Like and I'll see a guy and I'll be ten minutes.

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Speaker 1: I don't know how long these things are. Ten twenty

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Speaker 1: minutes into watching one of these scenes, you do and

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Speaker 1: I'll go, son of a bitch, that's the fucking guy

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Speaker 1: from the other one. Yeah, but I didn't know that, Yeah,

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Speaker 1: am I supposed to? Like That's what makes me honestly

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Speaker 1: throw up.

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Speaker 4: Yes, yeah, that's that. That'll happen a lot when you

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Speaker 4: see someone that you've seen before. And I know that

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Speaker 4: that's very jarring, but that's actually sort of baked into

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Speaker 4: the DNA of the show that you're gonna see you know,

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Speaker 4: since since the show began, they decided that they were

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Speaker 4: going to bring back a lot of the same actors

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Speaker 4: in subsequent sketches. Right, okay, and so you have this

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Speaker 4: SNL tradition, but they don't.

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Speaker 1: Say that, I mean correctly if they're wrong everything else.

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Speaker 2: Basically you know much and they don't.

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Speaker 1: And it's like, well, you're talking so much. Just explain

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Speaker 1: to me. Hey, I'm the guy from before. This is

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Speaker 1: what I'm doing now, this is why. Third of all,

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Speaker 1: you know, you're probably not going to be the host,

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Speaker 1: right right.

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Speaker 4: I've I've you know, I have wondered if that's if

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Speaker 4: that's gonna end up happening. And each week, sweetie Pie,

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Speaker 4: I'm introduced to a new actor honey or singer or something,

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Speaker 4: and sweet and sniped. It's not me, it's yeah, you're

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Speaker 4: probably not gonna be the host.

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Speaker 1: Cookie what unfortunately for you, And I don't want to

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Speaker 1: be the one to tell you this, but I think

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Speaker 1: you need to hear it.

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Speaker 4: Tell me what.

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Speaker 1: You're probably not going to be the host? Baby?

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Speaker 4: Yeah, sure, it's gonna be Zazie Beats or or or

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Speaker 4: image image in Poots or or Billy Billy Blanks or

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Speaker 4: Tray Cyrus or or.

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Speaker 1: M hm Bo Jackson.

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Speaker 4: Or Bo Jacks like, it's gonna be one of those types.

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Speaker 4: And I know it's not.

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Speaker 2: Gonna be me and Jack bo Jackson Horseman, ah we were.

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Speaker 4: It's never gonna and it's never gonna be me And

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Speaker 4: I know that, and.

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Speaker 1: That's unfortunately when Bo hosts, you should do something with that.

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Speaker 4: When Bo Jackson hosts, yes, I don't remember seeing him

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Speaker 4: up on.

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Speaker 2: The he's he's doing both. It's Bo Jackson the baseball

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Speaker 2: player is hosting and Bo Jackson the football players is

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Speaker 2: musical guest.

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Speaker 4: That out I have heard from, you know, I've heard

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Speaker 4: from past cast members like Joe Episcope and some others

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Speaker 4: are friends of mine that when Bo Jackson comes to host,

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Speaker 4: it's always a huge, huge mess and a big production

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Speaker 4: and a lot of drama and a lot of twists.

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Speaker 1: And he brings his own writers, you know, it.

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Speaker 4: Brings his own writers, and he brings various sport implements,

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Speaker 4: helmets and and clubs like that can be hard to

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Speaker 4: that can be hard to navigate, especially.

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Speaker 1: Is there.

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Speaker 4: I got a hair in my mouth And that happens

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Speaker 4: from time to time, like even if even when you're

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Speaker 4: on TV a lot yourself does deal with stuff with

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Speaker 4: stuff like that. Yeah, I okay, So this is a

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Speaker 4: true story about SNL. So you know I played before, No,

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Speaker 4: those were lies. This is a true story for because

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Speaker 4: I know that you guys like me now and obviously

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Speaker 4: you trust me if you believe that shit.

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Speaker 1: But I.

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Speaker 4: Okay. So you know we're switching out wigs all the time.

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Speaker 2: And didn't see her on the show anymore?

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Speaker 4: Yeah you no, no, no, no, no, you don't even see

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Speaker 4: Christin on the show. No, actually I.

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Speaker 1: Do basically every week.

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Speaker 4: But yeah, anyway, Yeah, and so we're going in and

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Speaker 4: out of our wigs and in and out of makeup

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Speaker 4: and prosthetics, you know, to become these new characters. And

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Speaker 4: no lie this morning, so I had to play a

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Speaker 4: bird in the bird sketch last week. This morning, I

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Speaker 4: cough up iconic three four full feathers. Wow, and I said,

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Speaker 4: when did these feathers get in here? And it all

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Speaker 4: comes flooding back on an SNL cast member. Of course

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Speaker 4: I was in the bird sketch last week. That there's

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Speaker 4: Vanity Fair wrote it up. You know, the subreddit was

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Speaker 4: freaking out about the bird sketch and uh, I'm coughing

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Speaker 4: up feathers from this thing, and we must have done

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Speaker 4: it two or three weeks ago, and just the the

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Speaker 4: little smile on my face just thinking about the new

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Speaker 4: friends I've made.

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Speaker 1: So this answers another question I had about the bird sketch. Yeah,

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Speaker 1: so that's not real, right.

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Speaker 4: The hunters or the birds themselves.

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Speaker 1: Well, it's like based on like, yeah, it's based on

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Speaker 1: what's real. Yeah, all.

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Speaker 4: We get newspapers delivered to the writer's room and that's

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Speaker 4: where a lot of our ideas come from. And there

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Speaker 4: was there was a story in USA Today about well

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Speaker 4: what because the USA.

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Speaker 1: Today because of the news getting from the news using

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Speaker 1: a fake the newspapers.

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Speaker 4: Well, whether it's real or not, it's a cute story.

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Speaker 4: Apparently a lot of birds have been sort of interacting

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Speaker 4: with hunters in forests across.

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Speaker 1: America and laptop.

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Speaker 4: Right, Well, I mean, if you want to ruin the

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Speaker 4: sketch for everybody who hasn't seen it. And then we

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Speaker 4: get this sneaker upper where Hunter Biden comes out and

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Speaker 4: the hunters looking this way. He doesn't see that Hunter

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Speaker 4: Biden is coming, and so when the hunter you know,

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Speaker 4: played by Back Bennett, flips around and sees Hunter Biden.

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Speaker 4: It's this crazy moment where it sort of all comes

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Speaker 4: together and I'm playing a Robin in this thing, and

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Speaker 4: you know, I've got a couple of good jokes in it.

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Speaker 1: And Robin Williams.

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Speaker 4: Yeah, I mean that's like the the the name is

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Speaker 4: the name of the bird is Robin Williams. I was

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Speaker 4: specifically a drug well that when I'm introduced is Robin Williams.

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Speaker 4: And then I don't get to do the voice. I

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Speaker 4: mean I was told not to do the voice.

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Speaker 1: No, you weren't doing the voice. But I just thought like,

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Speaker 1: hey go, this guy's Robin Williams.

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Speaker 4: You know.

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Speaker 1: Yeah, yeah that was really good.

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Speaker 4: Some funny ship.

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Speaker 1: That ship was cool man right over there. Ye huh. No,

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Speaker 1: you guys can get it, for sure. You guys can

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Speaker 1: get it.

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Speaker 2: It's except for like, what's up with Tehran?

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Speaker 1: Thank you Tehran? You don't know Tehran.

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Speaker 4: Tron.

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Speaker 1: He plays mister.

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Speaker 4: Pitt, mister Pitt from Seinfeld.

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Speaker 2: No, like he's does all these guys. He's he's like

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00:20:04,119 --> 00:20:10,800
Speaker 2: being very weird. He's like honestly like maybe like like

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Speaker 2: very crazy.

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Speaker 1: Tehron.

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Speaker 2: He plays mister Pitt. He does all this other stuff.

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Speaker 4: You don't know this guy, Seinfeld.

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Speaker 1: I feel like deja vu. There's a glitch of the matrix.

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Speaker 1: Tran turn killed him. Yes, Tron, Yeahron, Okay, sorry.

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Speaker 4: Yeah, he's a friend and uh wow, talk.

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Speaker 2: To him, please please talk to him acting more normal.

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Speaker 4: Yes, Honestly, I don't think you're going to get the

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Speaker 4: result that you're trying to get because a lot of

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Speaker 4: the you know, there's a there's a quote that comes

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Speaker 4: to mind when I think about the SNL cast member.

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Speaker 4: It's the one let me see the people Harawak, the

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00:21:10,800 --> 00:21:14,359
Speaker 4: people familiar, that bens of dream hobos, the angel headed

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Speaker 4: hipsters who yawned in the night, who never say a

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00:21:17,720 --> 00:21:21,359
Speaker 4: commonplace thought, but are always singing, singing, singing madly, madly,

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Speaker 4: madly towards the scientific spinning whatever. And I first read

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Speaker 4: that in high school, and I knew that those were

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Speaker 4: my people. And I knew that Karauac's promise was the

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Speaker 4: not ready for primetime players. You know that that that

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Speaker 4: what he had said, And I think that's Dharma Bums

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Speaker 4: that I found. It's sort of fulfillment that the fulfillment

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Speaker 4: of the beats is really in.

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Speaker 2: The darm Greg Bums, d Greg Bums comes on after

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Speaker 2: Karak in the City.

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Speaker 1: And Tron was singing as well, hamiltr.

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Speaker 4: Tron, So so uh and Tron and I love that quote,

377
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Speaker 4: and you know we're both big Carowac heads, and.

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Speaker 1: So it's so it's you don't get to s and

379
00:22:13,400 --> 00:22:16,760
Speaker 1: L really by following the rules. So but me imposing

380
00:22:16,920 --> 00:22:20,479
Speaker 1: be more normal, what you're saying is that's gonna make

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Speaker 1: him go even weirder, which I don't know if that's possible.

382
00:22:23,200 --> 00:22:25,040
Speaker 1: If he gets even weirder, it might even seem more

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Speaker 1: normal to me.

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Speaker 4: But I think I think what you're not I think

385
00:22:29,280 --> 00:22:32,720
Speaker 4: what you're not getting about the quote is that what

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Speaker 4: is normal to somebody like me or Tron or Philip

387
00:22:36,600 --> 00:22:43,960
Speaker 4: or Lorraine is not the normal that you that you

388
00:22:44,160 --> 00:22:48,960
Speaker 4: use to function in life, and our baseline is actually

389
00:22:50,040 --> 00:22:53,359
Speaker 4: much more poetic and freaky and profound.

390
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Speaker 1: Is David Pumpkins there?

391
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Speaker 4: David Pumpkins is there pretty frequently now. He was named

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Speaker 4: after one of the one of the actually the chefs

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Speaker 4: and the commissary.

394
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Speaker 2: If there even is a chef. Yeah, I certainly didn't

395
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Speaker 2: see you. Honestly, nothing was hot.

396
00:23:07,840 --> 00:23:11,880
Speaker 1: Yeah, well one thing was hot, but it didn't it

397
00:23:11,920 --> 00:23:13,760
Speaker 1: didn't feel like a lot of care was put into

398
00:23:13,760 --> 00:23:21,040
Speaker 1: the preparation of the food. When I was there, did

399
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Speaker 1: we talk about how it was tri Month?

400
00:23:23,720 --> 00:23:25,399
Speaker 4: I want to know about tri Month? And I was

401
00:23:25,440 --> 00:23:26,400
Speaker 4: hoping that you.

402
00:23:26,240 --> 00:23:30,160
Speaker 1: We too, Me too, you and me both pal Our

403
00:23:30,200 --> 00:23:32,600
Speaker 1: feeling is, you know, tri Month traditionally is reserved for

404
00:23:32,640 --> 00:23:34,480
Speaker 1: some of our biggest guests. You, of course, are a

405
00:23:34,480 --> 00:23:40,719
Speaker 1: guest who we booked almost as a favor initially, and

406
00:23:40,760 --> 00:23:42,840
Speaker 1: then in the interim in the which was only a

407
00:23:42,840 --> 00:23:46,639
Speaker 1: few months, you became big enough, almost big enough that

408
00:23:46,720 --> 00:23:48,800
Speaker 1: you would be a good a good get for tri Month.

409
00:23:48,840 --> 00:23:53,800
Speaker 1: I think, like in the range what we were thinking because.

410
00:23:54,440 --> 00:23:59,600
Speaker 2: Historically tri Month, here's the standard feature player. That's great,

411
00:23:59,600 --> 00:24:02,440
Speaker 2: that's awesome, and for a normal episode, historically tri Month

412
00:24:02,560 --> 00:24:06,480
Speaker 2: is the person who walks is not in the cast,

413
00:24:07,000 --> 00:24:11,080
Speaker 2: walks on screen applause right there on site.

414
00:24:13,720 --> 00:24:15,400
Speaker 4: Like a bit like a Billy Crystal or.

415
00:24:16,280 --> 00:24:20,480
Speaker 2: Sure not Billy, Yeah not him, Yeah, not Billy. We

416
00:24:20,520 --> 00:24:21,879
Speaker 2: had John Ham one couldn't.

417
00:24:21,600 --> 00:24:25,160
Speaker 1: Get Jane but sure, but we but we were thinking,

418
00:24:26,400 --> 00:24:29,239
Speaker 1: because you're on this show and you do all this

419
00:24:29,480 --> 00:24:33,560
Speaker 1: crazy stuff and these voices. Uh, there were a couple

420
00:24:33,560 --> 00:24:35,800
Speaker 1: of people who scheduled didn't line up for tri month,

421
00:24:35,840 --> 00:24:41,560
Speaker 1: and Kevin will have the list of nos soft Nose

422
00:24:41,600 --> 00:24:48,199
Speaker 1: that we've received. Uh, soft nose is it a clown?

423
00:24:51,119 --> 00:24:54,240
Speaker 1: But but but we but we were hoping that you

424
00:24:54,280 --> 00:24:59,040
Speaker 1: could perhaps uh in fact, free up their schedules and

425
00:24:59,080 --> 00:25:02,600
Speaker 1: book them on this very day and maybe they would

426
00:25:02,720 --> 00:25:06,320
Speaker 1: join the Zoom. Perhaps we can talk to them. Yeah,

427
00:25:06,359 --> 00:25:09,239
Speaker 1: it's good for your show too. You may learn, you know,

428
00:25:09,320 --> 00:25:11,920
Speaker 1: you may find you can go back to the show

429
00:25:12,000 --> 00:25:16,480
Speaker 1: and say, hey, I what I realized is I your drift?

430
00:25:16,960 --> 00:25:19,440
Speaker 4: Yeah, I think I see where you're going with this. Okay,

431
00:25:19,520 --> 00:25:21,280
Speaker 4: you'll me to email them.

432
00:25:21,720 --> 00:25:24,520
Speaker 1: Well, I don't want to say no to that. Yes,

433
00:25:24,680 --> 00:25:29,280
Speaker 1: I could potentially be more useful for us than anything.

434
00:25:29,400 --> 00:25:34,280
Speaker 2: Coming from you, is it either, Org. We we lay

435
00:25:34,359 --> 00:25:41,680
Speaker 2: down an impression you are sort of becoming them. We're

436
00:25:41,720 --> 00:25:46,960
Speaker 2: inviting them onto the show through your sort of multiple

437
00:25:47,000 --> 00:25:53,800
Speaker 2: personalities you don't even know, like yeah, mister everybody the

438
00:25:55,119 --> 00:25:59,080
Speaker 2: man of a thousands, Yeah, like crazy voices and talking

439
00:25:59,160 --> 00:25:59,600
Speaker 2: like that.

440
00:25:59,520 --> 00:26:04,280
Speaker 1: Do all this like voices that is so nuts. So

441
00:26:04,720 --> 00:26:07,520
Speaker 1: it scares me sometimes on the show because I don't know,

442
00:26:07,840 --> 00:26:10,480
Speaker 1: you know, I don't know why you're doing that.

443
00:26:11,240 --> 00:26:16,240
Speaker 2: And so Kevin can run through some of these people

444
00:26:16,320 --> 00:26:19,199
Speaker 2: that he has emailed in almost every case has not

445
00:26:19,320 --> 00:26:22,040
Speaker 2: received a response from correct or you can say, Kevin,

446
00:26:22,080 --> 00:26:25,400
Speaker 2: if you ever if you ever get exactly what they said, yeah,

447
00:26:25,520 --> 00:26:27,199
Speaker 2: that would be huge.

448
00:26:27,440 --> 00:26:29,720
Speaker 4: Okay.

449
00:26:29,880 --> 00:26:33,000
Speaker 5: This first one's from mister Adam Scott. No response.

450
00:26:34,280 --> 00:26:34,680
Speaker 1: Okay.

451
00:26:34,880 --> 00:26:39,760
Speaker 2: And now this is a guy who we have pretty

452
00:26:39,840 --> 00:26:44,280
Speaker 2: rich history, not like like necessary, like he's never done

453
00:26:44,280 --> 00:26:49,639
Speaker 2: the show, but we both had a Earwolf podcast for

454
00:26:49,680 --> 00:26:52,240
Speaker 2: a long time. Sean of course, is one of the

455
00:26:52,800 --> 00:26:54,760
Speaker 2: one of the main writers on Ghosted.

456
00:26:55,000 --> 00:26:58,760
Speaker 1: Well I did I did, I did Lockdown. I did

457
00:26:58,840 --> 00:27:01,520
Speaker 1: episode one of five Lockdown, so so that you know,

458
00:27:01,600 --> 00:27:04,920
Speaker 1: there's that. So we worked pretty closely. He did listen

459
00:27:05,000 --> 00:27:07,359
Speaker 1: to the podcast at one point too, and and he

460
00:27:07,440 --> 00:27:10,560
Speaker 1: actually said I heard an episode It was you guys

461
00:27:10,600 --> 00:27:11,880
Speaker 1: were talking about a book or.

462
00:27:11,800 --> 00:27:15,760
Speaker 2: Something and we yeah, and like we actually might have

463
00:27:15,800 --> 00:27:18,199
Speaker 2: been that time. So we were, Yeah, we were, We

464
00:27:18,240 --> 00:27:20,720
Speaker 2: actually were. I don't know if we were, we could

465
00:27:20,720 --> 00:27:20,960
Speaker 2: have been.

466
00:27:23,240 --> 00:27:26,159
Speaker 4: I think we have audio of that, right, don't we

467
00:27:26,200 --> 00:27:28,040
Speaker 4: have audio that? Can't you hit play on the audio

468
00:27:28,040 --> 00:27:28,320
Speaker 4: of him?

469
00:27:28,440 --> 00:27:30,600
Speaker 2: Yeah, actually we might have a little audio that Kevin

470
00:27:30,640 --> 00:27:33,520
Speaker 2: pretended to pretend that this is like.

471
00:27:33,520 --> 00:27:34,840
Speaker 5: Sure, let me pull it up.

472
00:27:36,760 --> 00:27:40,640
Speaker 4: Do you really want me to to be on your

473
00:27:41,720 --> 00:27:44,720
Speaker 4: show about a book?

474
00:27:45,520 --> 00:27:46,040
Speaker 1: Wow?

475
00:27:46,359 --> 00:27:50,280
Speaker 2: That was him, madam, Thanks for doing this show. Finally

476
00:27:50,320 --> 00:27:52,440
Speaker 2: get out of him and we got at him on

477
00:27:52,720 --> 00:27:54,680
Speaker 2: now really.

478
00:27:54,680 --> 00:27:59,879
Speaker 4: Wow, that's just that's just off the top of my

479
00:28:00,359 --> 00:28:02,199
Speaker 4: you know, and you.

480
00:28:02,200 --> 00:28:06,560
Speaker 2: Can say that you put it. There's absolutely no shame.

481
00:28:06,600 --> 00:28:08,240
Speaker 2: I've learned this. I used to be like, you're a

482
00:28:08,280 --> 00:28:10,040
Speaker 2: little younger than me, chance, but like I used to

483
00:28:10,080 --> 00:28:11,680
Speaker 2: be like this where I'm just like, oh, I just

484
00:28:11,720 --> 00:28:17,200
Speaker 2: showed up here with like my god given abilities, totally

485
00:28:17,320 --> 00:28:19,520
Speaker 2: untrained and.

486
00:28:19,600 --> 00:28:21,359
Speaker 1: Started doing and I'm doing this.

487
00:28:21,640 --> 00:28:25,600
Speaker 4: Yeah, but well, first of all, I'm a lot younger

488
00:28:25,600 --> 00:28:31,399
Speaker 4: than you, so let's get that fucking straight, okay. And

489
00:28:31,680 --> 00:28:33,480
Speaker 4: second of all, yeah, I agree with everything you said.

490
00:28:33,600 --> 00:28:38,920
Speaker 2: Yeah no, I'm saying you you can't like, yeah, there's

491
00:28:39,000 --> 00:28:40,000
Speaker 2: no shame.

492
00:28:39,760 --> 00:28:44,080
Speaker 1: In having like put in the work that it takes.

493
00:28:44,080 --> 00:28:46,280
Speaker 1: We gave you all the names ahead of time you spent.

494
00:28:46,400 --> 00:28:49,240
Speaker 2: You had to cancel your initial like booking because you

495
00:28:49,280 --> 00:28:52,320
Speaker 2: were so scared about like not having prepped enough.

496
00:28:52,800 --> 00:28:54,800
Speaker 1: I'm gonna pretend to be on SNL. I'm gonna need

497
00:28:54,840 --> 00:28:55,200
Speaker 1: a couple of.

498
00:28:55,200 --> 00:28:58,440
Speaker 4: Months, yeah, yeah, yeah, yeah, yeah, Well.

499
00:28:58,680 --> 00:29:01,400
Speaker 1: This is the new sincerity? Man, Mike y.

500
00:29:01,400 --> 00:29:02,760
Speaker 4: Oh yeah, this is sounding Young America?

501
00:29:02,840 --> 00:29:06,640
Speaker 1: Right, Yes, yes, it sure is, sure as hell is.

502
00:29:07,400 --> 00:29:09,840
Speaker 4: Man, I used to show I used to listen to

503
00:29:09,840 --> 00:29:14,920
Speaker 4: that show and I think, wow, what am I listening to?

504
00:29:18,360 --> 00:29:24,680
Speaker 4: Where did the hours go? And it's and it's a

505
00:29:24,680 --> 00:29:26,240
Speaker 4: little bit of a chuckle to look back on it,

506
00:29:26,280 --> 00:29:28,160
Speaker 4: just because those times are so good in two thousand

507
00:29:28,200 --> 00:29:32,000
Speaker 4: and nine, twenty and ten. But I genuinely, well, you

508
00:29:32,040 --> 00:29:34,600
Speaker 4: can't do it late. That thought a lot.

509
00:29:35,360 --> 00:29:36,240
Speaker 1: You got there late.

510
00:29:36,960 --> 00:29:38,720
Speaker 4: What the hell is this? Why did I just listen

511
00:29:38,760 --> 00:29:40,520
Speaker 4: to so much of it? And what did I get

512
00:29:40,520 --> 00:29:42,719
Speaker 4: out of it? And not really being sure I had

513
00:29:42,720 --> 00:29:44,200
Speaker 4: an answer for myself.

514
00:29:43,800 --> 00:29:46,520
Speaker 2: And something that you got to talk about. You got

515
00:29:46,520 --> 00:29:48,560
Speaker 2: to be able to talk about it at work on Monday.

516
00:29:49,280 --> 00:29:51,920
Speaker 2: Do you remember back then, like if you didn't show

517
00:29:52,040 --> 00:29:58,480
Speaker 2: up having like binged it, you can like you couldn't.

518
00:29:58,320 --> 00:30:00,680
Speaker 1: Think it if everybody said, hey.

519
00:30:00,480 --> 00:30:04,840
Speaker 2: Did you hear yeah you're at the kids table? Then man, yeah,

520
00:30:07,200 --> 00:30:09,360
Speaker 2: boss is coming over for dinner that night.

521
00:30:09,360 --> 00:30:12,080
Speaker 4: Like, which is the thing that happens?

522
00:30:12,200 --> 00:30:15,440
Speaker 2: You're frantically listening to the sound of Young America before.

523
00:30:16,520 --> 00:30:22,240
Speaker 1: Four time speed, you're barely absorbing it. Andy Daly's moves

524
00:30:22,240 --> 00:30:25,720
Speaker 1: in the improv episode that they're doing are coming even faster.

525
00:30:26,440 --> 00:30:26,720
Speaker 1: M h.

526
00:30:29,560 --> 00:30:32,720
Speaker 2: Any did anyone else, anyone else, Kevin that you reach

527
00:30:32,800 --> 00:30:33,080
Speaker 2: out to?

528
00:30:33,200 --> 00:30:33,520
Speaker 1: Who?

529
00:30:33,720 --> 00:30:34,720
Speaker 4: Yeah? Who else do you got?

530
00:30:35,280 --> 00:30:39,280
Speaker 5: Here's another one? Nick Offerman, no response, dang it?

531
00:30:41,040 --> 00:30:43,280
Speaker 2: Oh shoot, you should have We should have like a

532
00:30:43,280 --> 00:30:51,280
Speaker 2: little soundboard like nuts, you know, oh man Barter, someone

533
00:30:51,400 --> 00:30:54,120
Speaker 2: is like pissed or I'm trying. I'm trying to give

534
00:30:54,160 --> 00:30:55,800
Speaker 2: you time. You need a soundboard?

535
00:30:56,000 --> 00:30:58,479
Speaker 1: Do you have right now? Go ahead?

536
00:30:58,960 --> 00:31:04,920
Speaker 4: Do you have a clip saying that he can't do

537
00:31:05,120 --> 00:31:05,959
Speaker 4: the podcast?

538
00:31:06,600 --> 00:31:08,320
Speaker 1: I don't think so. I don't know how we would

539
00:31:08,360 --> 00:31:09,440
Speaker 1: have Kevin. Do we have one?

540
00:31:09,560 --> 00:31:09,760
Speaker 4: Yes?

541
00:31:09,880 --> 00:31:15,040
Speaker 1: Okay? No, no, yeah? This yeah, okay, yes, let me

542
00:31:15,160 --> 00:31:22,440
Speaker 1: pull up actually majorly do have that? Shut up?

543
00:31:22,440 --> 00:31:23,160
Speaker 4: Shut up, shut up.

544
00:31:31,480 --> 00:31:32,760
Speaker 1: You gotta do it.

545
00:31:32,840 --> 00:31:37,880
Speaker 4: I told you I can't do your podcast.

546
00:31:38,920 --> 00:31:39,240
Speaker 1: Wow.

547
00:31:39,560 --> 00:31:43,479
Speaker 2: Thanks Nick for coming by. See yuh hey Yeah, okay,

548
00:31:43,560 --> 00:31:46,760
Speaker 2: so that one's in the books. We have two of

549
00:31:46,800 --> 00:31:50,680
Speaker 2: the main guys from the parks.

550
00:31:51,360 --> 00:31:51,760
Speaker 1: Wow.

551
00:31:51,880 --> 00:31:55,080
Speaker 2: And that's interesting that it was the same show and

552
00:31:55,120 --> 00:31:57,480
Speaker 2: that they just kept doing it, and they said that

553
00:31:57,520 --> 00:32:01,440
Speaker 2: they stopped it, but they actually kept doing it, just.

554
00:32:01,480 --> 00:32:02,040
Speaker 4: Kept doing it.

555
00:32:02,800 --> 00:32:04,720
Speaker 5: Yeah, here's another one.

556
00:32:05,760 --> 00:32:07,240
Speaker 1: Well, you don't have to Kevin.

557
00:32:07,080 --> 00:32:08,959
Speaker 4: Sure No, I want to hear it.

558
00:32:09,600 --> 00:32:13,320
Speaker 5: Bob Odenkirk pass.

559
00:32:12,560 --> 00:32:15,360
Speaker 1: And that was actually how did that want of no respect?

560
00:32:15,600 --> 00:32:16,560
Speaker 1: Active pass?

561
00:32:16,800 --> 00:32:18,040
Speaker 5: That was an active pass?

562
00:32:18,480 --> 00:32:21,040
Speaker 1: Can we hear? Can I just like get the details

563
00:32:21,080 --> 00:32:21,320
Speaker 1: on that?

564
00:32:21,840 --> 00:32:25,440
Speaker 5: Sure, our lovely booker Natalie reached out and responded pass

565
00:32:25,520 --> 00:32:26,440
Speaker 5: from Bob.

566
00:32:27,240 --> 00:32:29,160
Speaker 2: And that was all the text that we got. Like

567
00:32:29,320 --> 00:32:31,360
Speaker 2: I sometimes like to know how these things are freeze,

568
00:32:31,480 --> 00:32:33,480
Speaker 2: just to see if there's like a way in where

569
00:32:33,480 --> 00:32:37,560
Speaker 2: I can engage them in logical debate, like find the

570
00:32:37,840 --> 00:32:39,960
Speaker 2: find the fallacy in their argument.

571
00:32:39,920 --> 00:32:42,560
Speaker 1: And therefore pin them to the show as a guest.

572
00:32:43,000 --> 00:32:47,120
Speaker 5: Yeah, oh, Odinkirk is a pass sadly.

573
00:32:47,600 --> 00:32:52,840
Speaker 1: Oh, and we have it because I've seen I've seen

574
00:32:52,960 --> 00:32:56,600
Speaker 1: him smiling recently m hm, so we know he's not

575
00:32:56,680 --> 00:33:01,280
Speaker 1: sadly passing. Therefore he must be not only not sad

576
00:33:01,680 --> 00:33:04,760
Speaker 1: but actually doing the show. And if you and if

577
00:33:04,800 --> 00:33:07,840
Speaker 1: you want to find the clip, I do believe he

578
00:33:08,000 --> 00:33:11,480
Speaker 1: was at a wedding where I gave a speech a

579
00:33:11,520 --> 00:33:16,040
Speaker 1: few years ago, and I think he had a one

580
00:33:16,160 --> 00:33:20,560
Speaker 1: or two chuckles and probably was telling like his his

581
00:33:20,600 --> 00:33:23,520
Speaker 1: friends and wife afterwards about the funny speech that I gave,

582
00:33:23,640 --> 00:33:25,800
Speaker 1: so he'd probably want to come on the show and

583
00:33:26,120 --> 00:33:26,720
Speaker 1: talk about that.

584
00:33:26,840 --> 00:33:32,479
Speaker 2: At least this was in like twenty seventeen, twenty eighteen.

585
00:33:32,520 --> 00:33:37,080
Speaker 1: Maybe Yeah. I didn't see him laughing, but I'd heard

586
00:33:37,200 --> 00:33:41,080
Speaker 1: from someone that he laughed. I was staring him down,

587
00:33:41,120 --> 00:33:43,800
Speaker 1: you know, I checked. But just say this, so just

588
00:33:43,840 --> 00:33:47,480
Speaker 1: say the speech guy. It's the speech sech speech Guy's show.

589
00:33:48,320 --> 00:33:52,640
Speaker 4: Yeah, yeah, yeah, oh spach guy. Yeah, I bet he.

590
00:33:54,760 --> 00:33:58,200
Speaker 4: I bet he thought you were funny. I'm certain that

591
00:33:58,200 --> 00:33:58,960
Speaker 4: he thought you were funny.

592
00:34:00,080 --> 00:34:02,920
Speaker 1: Do we have a saying that?

593
00:34:03,440 --> 00:34:07,480
Speaker 5: Yeah, let me pull that up. Hey, I thought you

594
00:34:07,560 --> 00:34:10,520
Speaker 5: were really funny at that way.

595
00:34:12,840 --> 00:34:16,160
Speaker 1: Wow, I mean, Sean, do you want to I'm on

596
00:34:16,320 --> 00:34:21,719
Speaker 1: Better Call Saul? Oh my gosh, Bob.

597
00:34:22,400 --> 00:34:24,760
Speaker 4: You find a season a better call Saul?

598
00:34:25,239 --> 00:34:26,360
Speaker 1: Yeah, I know.

599
00:34:27,719 --> 00:34:27,759
Speaker 3: That.

600
00:34:28,040 --> 00:34:37,359
Speaker 1: Foley, Yes, from the Yes thank you? You were kind

601
00:34:37,360 --> 00:34:39,600
Speaker 1: of like Starstreuk a little bit. I saw that was

602
00:34:39,719 --> 00:34:42,600
Speaker 1: I got because I was meeting the real Bob oded

603
00:34:42,680 --> 00:34:44,040
Speaker 1: Kirk again.

604
00:34:45,239 --> 00:34:48,440
Speaker 4: I you know, guys, I also do David Cross.

605
00:34:48,960 --> 00:34:51,759
Speaker 2: Okay, okay, could we give him to quickly pass on

606
00:34:51,840 --> 00:34:53,920
Speaker 2: the show? Did we get him to very quickly not

607
00:34:53,960 --> 00:34:54,760
Speaker 2: want to do the show.

608
00:34:54,920 --> 00:34:55,520
Speaker 1: Let's see.

609
00:34:57,640 --> 00:34:59,480
Speaker 4: Yeah, I just don't. I don't really want to do

610
00:34:59,520 --> 00:34:59,839
Speaker 4: the show.

611
00:35:02,440 --> 00:35:04,680
Speaker 2: Okay, you don't want to, like you don't want to

612
00:35:04,719 --> 00:35:07,040
Speaker 2: go on a rant about it or something, do you?

613
00:35:07,200 --> 00:35:11,120
Speaker 4: Or like, well, like, uh, I think he would have

614
00:35:11,120 --> 00:35:13,400
Speaker 4: gone on a rant, but he would have gotten interrupted

615
00:35:13,440 --> 00:35:16,280
Speaker 4: by I think his arrested development co star Jeffrey Tambour.

616
00:35:17,320 --> 00:35:19,279
Speaker 1: Oh okay, so what would that sound like?

617
00:35:19,360 --> 00:35:24,399
Speaker 2: But both like we could to get him, yeah as

618
00:35:24,400 --> 00:35:25,319
Speaker 2: a guess, but.

619
00:35:26,760 --> 00:35:28,400
Speaker 1: So Ken it had him on a list and you

620
00:35:28,440 --> 00:35:31,280
Speaker 1: said I really want to get Jeffrey and I was like, really,

621
00:35:31,360 --> 00:35:32,080
Speaker 1: please don't.

622
00:35:32,280 --> 00:35:35,400
Speaker 2: But if we could have David going off on a rant,

623
00:35:35,960 --> 00:35:42,360
Speaker 2: Jeffrey tries to like interrupt him and then Kevin shuts

624
00:35:42,360 --> 00:35:46,280
Speaker 2: it down physically, Uh, stops that from happening.

625
00:35:48,400 --> 00:35:48,719
Speaker 1: I don't know.

626
00:35:48,760 --> 00:35:50,239
Speaker 4: I just feel like I'm about to go on a

627
00:35:50,320 --> 00:36:01,120
Speaker 4: rant here. Jeffrey. Oh no, you don't stop it. Ya.

628
00:36:07,000 --> 00:36:10,320
Speaker 1: Wow, you really put him in his place and I

629
00:36:10,400 --> 00:36:11,560
Speaker 1: think changed his ways.

630
00:36:13,760 --> 00:36:17,759
Speaker 4: Give the people what they want. Yeah, that's my motto. Wow,

631
00:36:17,880 --> 00:36:21,040
Speaker 4: to give the people what they want as much as

632
00:36:21,080 --> 00:36:25,200
Speaker 4: I can possibly give of my really good impressions and withhold,

633
00:36:26,600 --> 00:36:30,640
Speaker 4: you know, to the point of almost not even getting

634
00:36:30,680 --> 00:36:33,200
Speaker 4: the chance to do it at all my terrible impressions.

635
00:36:33,800 --> 00:36:37,440
Speaker 2: Okay, do you want to tear off a couple of

636
00:36:37,440 --> 00:36:39,000
Speaker 2: those so one of the bad ones?

637
00:36:39,080 --> 00:36:40,520
Speaker 1: Yeah, and give the people what they want.

638
00:36:40,600 --> 00:36:44,080
Speaker 2: I just want to say like that, some people's approach

639
00:36:44,560 --> 00:36:46,080
Speaker 2: doesn't have to be everyone's.

640
00:36:46,440 --> 00:36:47,799
Speaker 4: You know, you want to hear you want to hear

641
00:36:47,840 --> 00:36:49,880
Speaker 4: a real one. You want to hear a real one.

642
00:36:50,120 --> 00:36:53,600
Speaker 4: This is a new one I've been working on. Uh

643
00:36:53,800 --> 00:36:58,480
Speaker 4: this so this is JK. Simmons oscar winning performance and

644
00:36:58,520 --> 00:37:02,960
Speaker 4: a Farmer's Insurance commercial. Mm hm okay, And I don't

645
00:37:02,960 --> 00:37:04,839
Speaker 4: want to say it again, but with both of you

646
00:37:04,880 --> 00:37:05,399
Speaker 4: say it again.

647
00:37:06,760 --> 00:37:08,400
Speaker 1: This is JK. Simmons.

648
00:37:08,480 --> 00:37:09,879
Speaker 4: Now both of you at the same time, this.

649
00:37:09,840 --> 00:37:14,239
Speaker 1: Is Jims JK. Simmons. You want to say it his No,

650
00:37:14,320 --> 00:37:18,279
Speaker 1: both of you said, both of us, Okay, can we

651
00:37:18,320 --> 00:37:20,000
Speaker 1: get can.

652
00:37:19,880 --> 00:37:24,840
Speaker 4: We get a clap? We're gonna clap on, clap on go? Okay?

653
00:37:25,160 --> 00:37:28,120
Speaker 2: Why would you think that's not you? Why would you

654
00:37:28,160 --> 00:37:29,759
Speaker 2: like start to clap and be like, oh, that can't

655
00:37:29,760 --> 00:37:31,920
Speaker 2: be me that they're talking about. It's you, man, who

656
00:37:32,000 --> 00:37:33,080
Speaker 2: do you think it would be?

657
00:37:33,680 --> 00:37:38,319
Speaker 5: And you said on go on three or three to one?

658
00:37:38,400 --> 00:37:42,719
Speaker 4: Go three to one, go and we'll clap the beat

659
00:37:42,800 --> 00:37:48,000
Speaker 4: after go. Okay, can we get a clap real quick? Yeah?

660
00:37:50,440 --> 00:37:51,880
Speaker 4: To one go.

661
00:37:52,120 --> 00:37:58,080
Speaker 2: This is JK the Simmons talking to you live from

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Speaker 2: New York.

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00:37:59,000 --> 00:38:01,200
Speaker 1: You want to Saturday night.

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Speaker 4: Both of you at the same time. That's why we

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Speaker 4: did the class.

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Speaker 1: The same one, same time.

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Speaker 4: We're sad up now, but because we did the class.

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00:38:08,440 --> 00:38:09,960
Speaker 4: But I want you both to set it up at

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00:38:09,960 --> 00:38:10,399
Speaker 4: the same time.

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Speaker 1: Okay, okay, let's do it.

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Speaker 4: Okay, one two, behind your back.

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Speaker 1: Okay, one two three go, JK, Jake j Simmons with

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Speaker 1: you with the Simmons. This is I'm JAK and with you.

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00:38:31,440 --> 00:38:36,239
Speaker 1: It's me Bill Simmons and it's time for the j K.

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Speaker 4: Simmons Oscar winning performance at a Farmer's Insurance commercial.

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Speaker 1: Mm hmm, this is Jake. Sorry, go, I mean this

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Speaker 1: is JK Simmons Oscar Isaac Performance and Farmers and the

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Speaker 1: farm of in the farm and the farm.

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Speaker 4: Of Hey Hayes. Can you set it up? So I

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Speaker 4: just want to hear Sean your yours was really good,

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Speaker 4: but I just I want.

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Speaker 1: To hear we have both. We have both this way,

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Speaker 1: I got it, Parker, get photos.

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Speaker 4: Of no no, no, no, no, no, No, First of all,

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Speaker 4: it's sort of steps on the premise a little bit

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Speaker 4: because I don't remember him winning an Oscar.

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Speaker 1: For I think you said oscar worthy. What's what's interesting

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00:39:23,160 --> 00:39:30,120
Speaker 1: is is is Hayes's introduction was pretty but Haes' introduction

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Speaker 1: was actually not your tempo? Like is that is that something?

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Speaker 4: Yeah? I mean he did before I was hoping for

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Speaker 4: a for.

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Speaker 1: A class judge.

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Speaker 4: Is totally it totally gets it wrong. And that's sort

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Speaker 4: of that's a.

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Speaker 2: Huge oscar worthy and like the idea that any Spider

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00:39:53,440 --> 00:39:57,880
Speaker 2: Man movie in particular no ways like not oscar worthy

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Speaker 2: because it's something that people actually enjoy. It's like, okay,

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Speaker 2: I don't think those things have to be Let's put

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Speaker 2: him in this like dog ship thing that like nobody watched.

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Speaker 2: Oh now this is worthy of your big your little prize,

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Speaker 2: your little shiny stone that you hand out and you

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Speaker 2: say like, oh now now this has value.

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Speaker 1: And America thinks they have a problem. And the problem

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Speaker 1: rhymes with Farvel mm hmm f West Marvel movies, and

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00:40:35,400 --> 00:40:39,080
Speaker 1: it's and basically it is they have've banned Marvel movies

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Speaker 1: from the oscars, even though Shadow Band they're the best

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Speaker 1: Marvel has been shadow band from.

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Speaker 4: Every year their shadow band because they're right wing coded

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00:40:50,960 --> 00:40:59,000
Speaker 4: and to see things so cooked in our industry. Honestly,

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00:40:59,840 --> 00:41:04,840
Speaker 4: it could be based, it could be goaded with the sauce.

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Speaker 4: And what we have instead is it's quirked up, frankly

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Speaker 4: and it's blurst and it's not a sleigh. And I

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00:41:18,840 --> 00:41:22,719
Speaker 4: think there needs to be more of a ritual. And

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Speaker 4: this is really my philosophy on doing impressions. There needs

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Speaker 4: to be a return in show business too, to content

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Speaker 4: that is based that.

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Speaker 1: Is, well, you said it yourself, it's goaded with the sauce.

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Speaker 2: Yeah, what does that sound like in the form of

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Speaker 2: how does that philosophy express in the form of an impression?

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Speaker 2: Can I see it based impression? Maybe something?

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Speaker 4: Okay? JK JK Soons Oscar winning performance in a Farmer's

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00:41:58,120 --> 00:42:02,160
Speaker 4: insurance commercial. I'll set it up myself, Okay, Okay, So

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Speaker 4: this is so you guys can sit this up. So

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Speaker 4: j JK. Simmons us Farmers only, Yeah, three two JK.

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Speaker 4: Simmons in a Oscar winning performance in a Farmer's insurance

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Speaker 4: worce right here with Farmers Insurance. There's nothing that we

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Speaker 4: have recording stopped ho