WEBVTT - Setting The Record Straight: A Convo With The Creator of MF DOOM's Mask

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<v Speaker 1>Quest Left Show is a production of iHeart Radio, Ladies

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<v Speaker 1>and gentlemen.

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<v Speaker 2>Welcome to a q OLS short, not exactly in all

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<v Speaker 2>the way Full Epp of Quest Left Supreme. We know

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<v Speaker 2>my penchant for talking, so I'll say it's just short

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<v Speaker 2>and then next thing you know, it's four hours later

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<v Speaker 2>and uh we're still talking. First of all, thank you

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<v Speaker 2>for all the feedback that we've gotten on the shows

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<v Speaker 2>in the past year. And there's a particular episode ThunderCats.

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<v Speaker 1>Yo.

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<v Speaker 2>Man, I'm still falling down the anime rabbit hole. By

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<v Speaker 2>the way, I'm here joined by the one that only

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<v Speaker 2>opened my ego, So say a load to the people

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<v Speaker 2>of Mike.

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<v Speaker 3>Hey.

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<v Speaker 2>All right, So basically we were speaking of ThunderCats, Shane

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<v Speaker 2>his MF Doom Cheam, and you know he praised Hans

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<v Speaker 2>Solo for designing his jewelry, and yes he misspoke about

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<v Speaker 2>the creator of the MF Doom mask and uh, Dante

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<v Speaker 2>Ross and classic Dante Ross.

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<v Speaker 1>Oh my god.

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<v Speaker 2>I felt like I was bringing a home of bad

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<v Speaker 2>report cards and I was like, wait, what did I do?

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<v Speaker 4>What did I do?

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<v Speaker 2>Yeah, but you know, Dante Ross and others to pointed out,

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<v Speaker 2>and you know, I'm big on correcting history and speaking

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<v Speaker 2>of history, So of course I immediately wanted to perhaps

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<v Speaker 2>do a correction episode. And of course there was no

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<v Speaker 2>mause or harmon foul in our misinformation.

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<v Speaker 1>And you know, we're living in a time where a.

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<v Speaker 2>Lot of misinformation gets passed on and no one ever

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<v Speaker 2>corrects it. So yes, even us at the Quest Left

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<v Speaker 2>Show are big enough to say, hey, are bad.

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<v Speaker 1>We want to make it right. So as a result,

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<v Speaker 1>we want to bring.

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<v Speaker 2>The actual creator of the do Mask and hopefully in

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<v Speaker 2>this little mini episode, really really get proper context on

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<v Speaker 2>an item that we've talked about and heard about for years.

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<v Speaker 2>First of all, Kiels, good sir, welcome to this short

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<v Speaker 2>How are you today?

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<v Speaker 4>Thank you man, It's an honor to be here. I'm man,

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<v Speaker 4>I'm blessed to be alive. I'm grateful. You know what

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<v Speaker 4>I mean.

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<v Speaker 1>Thank you, thank you, Thank.

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<v Speaker 4>You guys as well as well.

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<v Speaker 1>Absolutely we are. So where should we start, Mike.

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<v Speaker 3>I mean so I think we should start where you

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<v Speaker 3>just sort of set the table. Thundercap misattributed the creation

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<v Speaker 3>of the mask, and it's such an iconic design, recognizable everywhere,

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<v Speaker 3>and as much as you know you remember, I would

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<v Speaker 3>love to just hear about how that all came together

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<v Speaker 3>to begin with.

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<v Speaker 4>So first of all, let me just start by saying, yeah,

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<v Speaker 4>I worked on the Mask, both the early version and

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<v Speaker 4>the later Gladiator version that most people know. But bigger

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<v Speaker 4>than that doing was my brother Man. I loved that Cat.

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<v Speaker 4>I did his first album cover as MF Doom, which

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<v Speaker 4>is called Operation Doomsday. I designed his logo I did.

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<v Speaker 4>The next one we did was recreate kmd's Black Bastard.

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<v Speaker 4>We did the all the special herbs, basically anything on

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<v Speaker 4>Metal Face Records. And I'm talking about MF Grim's down

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<v Speaker 4>Fall of v bleas the Monster Island Czars rot Dan's

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<v Speaker 4>first album. All of that I was blessed to be

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<v Speaker 4>a part of. And Doom stayed in my house. I

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<v Speaker 4>later stayed at his crib in Atlanta, and when he

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<v Speaker 4>was overseas, he knew my daughter, I know his kids.

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<v Speaker 4>You know what I mean. That's family. So I don't

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<v Speaker 4>want to argue with anyone about who did what or

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<v Speaker 4>you know what I mean. There's no real status in that. Yeah,

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<v Speaker 4>because I'm doing new things. I'm currently and I still

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<v Speaker 4>work with Jasmine, Doom's widow and the estate, and you know,

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<v Speaker 4>like we just did this and then the next one. Yes,

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<v Speaker 4>you know what I'm saying. So these were things that

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<v Speaker 4>Doom and I planned while he was still here in

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<v Speaker 4>the physical. We talked about certain color ways and he okay, okay,

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<v Speaker 4>we're gonna do the blue and orange, and we're gonna

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<v Speaker 4>do the black and silver, and we're gonna keep it

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<v Speaker 4>like you know what I mean. And then we had

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<v Speaker 4>alternative so we discussed rollout for albums and merch and

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<v Speaker 4>things that are still in the works. So it's bigger

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<v Speaker 4>than just the mask. But yes, I had a hand

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<v Speaker 4>in conceiving of his first mask because he knew that

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<v Speaker 4>he wanted to like a graffiti writer, and he came

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<v Speaker 4>from a graffiti background and mentality. He wanted to keep

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<v Speaker 4>a level of anonymity, so you recognize the artwork, you're

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<v Speaker 4>a fan, but you I don't know the personality behind it.

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<v Speaker 4>At the time, when Barbito was putting together the album

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<v Speaker 4>and Bob had never done artwork before. He always had

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<v Speaker 4>white label, Fondulum was just singles in a white sleep.

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<v Speaker 4>This was a new thing, a special thing. Around that time,

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<v Speaker 4>the WU had come out and ghost Face was seen

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<v Speaker 4>wearing a white stocking mask. A Cantyhope, you know, like

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<v Speaker 4>you would rob a banquet, and Doom was like, Yo,

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<v Speaker 4>that's fly. I need something like.

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<v Speaker 3>That because in Doom's early appearances at like New yurekn

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<v Speaker 3>he covered his face similarly with a stocking correct.

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<v Speaker 4>Yeah, sometimes he wore a bandana, like you know Jesse

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<v Speaker 4>James robbing a train. Sometimes he wore a stocking mask.

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<v Speaker 4>But we were actively working to develop something unique to

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<v Speaker 4>Doom and his persona that would allow him because he

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<v Speaker 4>liked to go to the bar and sit there and

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<v Speaker 4>and be a regular dude. And then when he jumped

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<v Speaker 4>on stage, all of a sudden, people are cheering and

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<v Speaker 4>they know the lyrics. But he's sitting next to you

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<v Speaker 4>the whole night and nobody bothers. Now. I don't know

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<v Speaker 4>if that's because he achieved some level of fame and

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<v Speaker 4>notoriety as a little kid with KMD, and he had

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<v Speaker 4>a taste of what that's like, but you know, fame

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<v Speaker 4>without fortune. I grew up seeing a lot of my

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<v Speaker 4>hip hop heroes riding on a subway train with me. Right,

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<v Speaker 4>somebody assumes you're a star. They may be jealous, they

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<v Speaker 4>might want to try you. They think you have money

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<v Speaker 4>or jewelry that you don't even have, and now you

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<v Speaker 4>have to fight every day or people, you know, even

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<v Speaker 4>as a graffiti writer. And I'm not a famous dude.

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<v Speaker 4>I'm relatively like under the radar. I don't have a

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<v Speaker 4>Wikipedia page or anything. I walk down the street and

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<v Speaker 4>people call me out by my name that I don't know.

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<v Speaker 4>They're like, yo, I follow you on instan Gram and

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<v Speaker 4>I'm like, okay, well, what's your name? State your name?

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<v Speaker 4>You know what I mean, Like, let's start with that.

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<v Speaker 4>Introduce yourself. It's awkward. So I understand Doom's desire to

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<v Speaker 4>just be able to create, produce music without being a

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<v Speaker 4>public figure the target. Yeah, and he's still to this

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<v Speaker 4>day people want to deify him and speculate on you know, try.

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<v Speaker 4>I get questions all the time, and I'm just like, yo, man,

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<v Speaker 4>he was a regular dude. That's my man. Like, you know,

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<v Speaker 4>he was about feeding his family and all the things

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<v Speaker 4>that you know, when we deify somebody, we almost separate ourselves.

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<v Speaker 4>You know what Doom did, You can do? You know

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<v Speaker 4>what quest love does you And I'm talking to the

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<v Speaker 4>kids watching out there, mhmm. You can create your own

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<v Speaker 4>universe and artwork and do all these amazing things and

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<v Speaker 4>still be a regular guy.

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<v Speaker 1>Man.

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<v Speaker 4>You know, I grew up in hip hop, and a

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<v Speaker 4>lot of the cats that I knew and worked with,

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<v Speaker 4>whether through graffiti, m seeing, dancing, they went on to

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<v Speaker 4>start them.

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<v Speaker 1>Right.

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<v Speaker 4>So I went to high School of Music and Art

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<v Speaker 4>request I believe he went to a similar school.

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<v Speaker 1>In Philly, Yes, Philly, right.

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<v Speaker 4>So it's a public school, it's poor kids, it's kids

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<v Speaker 4>from middle class backgrounds, kids from the project, but everyone

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<v Speaker 4>had a talent and a creativity.

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<v Speaker 1>Was this in New York City, Harlem?

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<v Speaker 4>Yeah, one hundred and thirty seventh at Convent Avenue.

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<v Speaker 1>Oh so it wasn't.

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<v Speaker 2>I wasn't then impression that Laguardio was the only performing

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<v Speaker 2>arts school in New York.

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<v Speaker 1>There was one in Harlem as well.

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<v Speaker 4>It was originally two sister schools, one called Performing Arts,

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<v Speaker 4>about which the movie and television show Fame was made

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<v Speaker 4>with more about stage and dancing, all those kind of things.

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<v Speaker 4>And then the sister school, which was up on City

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<v Speaker 4>College campus, was called Music and Art, and we had

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<v Speaker 4>a fine arts program, and we had an instrumental and

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<v Speaker 4>vocal music program. So ard Wright went there. The drummer

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<v Speaker 4>Mackie from the Crow Mags was their scheme. You know,

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<v Speaker 4>the Kango Crew. My brothers, Dana, Dane, like Rick, they

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<v Speaker 4>were in class with me. We used to battle every

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<v Speaker 4>day in the lunch they went there. Damn the fresh

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<v Speaker 4>three mcs f r s. They were just ones to

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<v Speaker 4>have records out of that school. Okay, you know a

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<v Speaker 4>jazz musician's famous old manner of creatives were there.

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<v Speaker 1>I never knew that.

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<v Speaker 4>Bernard Wright went to my high school. What rest in peace. Yeah,

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<v Speaker 4>he was a little older than me. He was vacating

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<v Speaker 4>when I was coming in as a freshman because I

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<v Speaker 4>got there in nineteen eighty eighty to eighty one, Planning

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<v Speaker 4>got murdered. Okay, So mc searched talks about seeing me

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<v Speaker 4>battling the Kango Crew at the lunch table and it

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<v Speaker 4>inspiring him to believe that he could do this thing.

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<v Speaker 4>Before he was empcy search. He didn't have a name.

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<v Speaker 4>He was just Michael Baron and okay, he always bigs

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<v Speaker 4>me up for inspiring him. So I want people to

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<v Speaker 4>understand that whatever Doom did, he's a regular cat and

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<v Speaker 4>you can do that too. Don't don't disqualify yourself because

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<v Speaker 4>in the era I came from we were all just creating.

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<v Speaker 4>We didn't have social media, we didn't have institutions behind us,

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<v Speaker 4>money back in corporate nothing. We just made art for

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<v Speaker 4>art's sake.

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<v Speaker 2>How many versions of that mask were like as far

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<v Speaker 2>as the evolution of it were there four different stages

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<v Speaker 2>of that mask or so.

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<v Speaker 4>The first mask which you see in the first three

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<v Speaker 4>music videos which were shot might buy a cat name

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<v Speaker 4>Adam Baala Lowe okay, and he went on to be

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<v Speaker 4>a big documentary filmmaker. You can check him out. I

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<v Speaker 4>know you're a documentary okay yourself. So he was at

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<v Speaker 4>NYU film student at the time. I don't know where

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<v Speaker 4>Doom met him, but you know, Doom had a way

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<v Speaker 4>of attracting talent and getting cats on board. So they

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<v Speaker 4>did these first three music videos for free question Mark

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<v Speaker 4>with featuring Curious, which we shot in in Sunset Park

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<v Speaker 4>in Brooklyn. That mask was cheap plastic, like one of

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<v Speaker 4>these halloween things you had when you were a kid,

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<v Speaker 4>with a rubber band in the back. And I spray

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<v Speaker 4>painted it with rustolium aluminum spray paint, and I drew

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<v Speaker 4>the details with a marker and I cut it with

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<v Speaker 4>a razor blade to the right shape. That one did

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<v Speaker 4>not last. In fact, at that video shoot in Sunset

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<v Speaker 4>Part after they cut, he set it on the bench

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<v Speaker 4>next to him. Everyone was drinking Jack Daniels, right, someone,

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<v Speaker 4>I'm not gonna mention the name sat on the mask

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<v Speaker 4>and the things it split across the nose and eyebrow.

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<v Speaker 4>So Doom brought it back to me to my studio

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<v Speaker 4>which is in Sunset Park, Brooklyn, and he wanted me

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<v Speaker 4>to try and repair it, and we began discussing. He

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<v Speaker 4>was like, yo, I need something solid man.

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<v Speaker 3>Sorry to interrupt that there is a new design. You know,

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<v Speaker 3>the perception of it was that that one was more

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<v Speaker 3>directly informed by Doctor Doom. The Doctor Doom mass from Marvel.

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<v Speaker 3>Is that is that correct?

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<v Speaker 4>Yeah, that was my inspiration. I drew little rivets on

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<v Speaker 4>it and certain shading. You know. Jack Kirby had a

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<v Speaker 4>way of very simply illustrating metal and mechanical thing that

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<v Speaker 4>you know, people still try to get to this day.

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<v Speaker 4>And it resonated with graffiti riders because it was thick

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<v Speaker 4>black outlines and it was something you could do with

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<v Speaker 4>spray paint, you understand. So yeah, there was a lot

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<v Speaker 4>of that in there on Marvel, Disney please do not

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<v Speaker 4>come from me. We created own. This was a unique construction. Okay,

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<v Speaker 4>it's Mikey Mouse, it ain't Mickey got you. So after

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<v Speaker 4>that one split, we got the idea that you know,

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<v Speaker 4>we were running around Lower Manhattan. Barbito used to live

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<v Speaker 4>on fourteenth Street and the shop was on ninth Street,

0:13:34.200 --> 0:13:38.280
<v Speaker 4>and we shot my favorite Ladies video on Second Avenue.

0:13:38.320 --> 0:13:40.559
<v Speaker 4>It was all the East Village we were running around.

0:13:40.640 --> 0:13:43.440
<v Speaker 4>You know, they were the first show's doom ever did.

0:13:43.480 --> 0:13:47.880
<v Speaker 4>Were at Brownies and the Pyramid, these little l e

0:13:48.080 --> 0:13:52.200
<v Speaker 4>s alphabet city punk rock clubs. Right. They had a

0:13:52.200 --> 0:13:55.920
<v Speaker 4>lot of antique stores over there, and curio shops and

0:13:56.000 --> 0:13:59.560
<v Speaker 4>shops that sold you know. There was an entire place

0:14:00.160 --> 0:14:04.120
<v Speaker 4>on Houseton where it comes to a triangle near first

0:14:04.559 --> 0:14:07.920
<v Speaker 4>that was an outdoor you know, it was covered like

0:14:07.960 --> 0:14:11.600
<v Speaker 4>a tent and they had everything, signs from the subway

0:14:11.679 --> 0:14:15.280
<v Speaker 4>and basically whatever you could want. So I said, maybe

0:14:15.280 --> 0:14:18.280
<v Speaker 4>we can find a suit of armor. Somebody's got an

0:14:18.400 --> 0:14:22.040
<v Speaker 4>actual medieval suit of armor and we could use that

0:14:22.040 --> 0:14:25.360
<v Speaker 4>that as the basis. While we were running around, we

0:14:25.400 --> 0:14:30.200
<v Speaker 4>didn't find anything suitable. We passed a place called Forbidden Planet,

0:14:30.400 --> 0:14:35.800
<v Speaker 4>which is a huge comic book store on Broadway, like

0:14:35.920 --> 0:14:39.360
<v Speaker 4>twelve or thirteenth when you're going uptown towards Union Square.

0:14:39.400 --> 0:14:41.720
<v Speaker 4>They got the whole block with a wrap around window.

0:14:43.080 --> 0:14:45.720
<v Speaker 4>Me and Doom were both comic book heads, you know

0:14:45.720 --> 0:14:49.960
<v Speaker 4>what I mean, since kids, and a movie had just

0:14:50.080 --> 0:14:54.680
<v Speaker 4>come out with Russell Crowe called Gladiator, and we had

0:14:54.760 --> 0:14:56.840
<v Speaker 4>never seen the film. We didn't know anything about it.

0:14:56.880 --> 0:14:59.160
<v Speaker 4>We didn't know who Russell Crowe was, but we saw

0:14:59.200 --> 0:15:03.280
<v Speaker 4>the mask. It was like a souvenir of a gladiator

0:15:03.320 --> 0:15:05.760
<v Speaker 4>helmet which had a big fin on the top and

0:15:05.920 --> 0:15:08.600
<v Speaker 4>spikes sticking out that metal. You know. It was a

0:15:08.640 --> 0:15:13.040
<v Speaker 4>full full helmet, and it was wouldn't stand in the window,

0:15:13.200 --> 0:15:18.080
<v Speaker 4>and I was like, yo, that. So we bagged that

0:15:18.280 --> 0:15:21.560
<v Speaker 4>up and I took the face plate off, which was

0:15:21.680 --> 0:15:24.880
<v Speaker 4>hinged right here so it could swing like a motorcycle helmet,

0:15:24.920 --> 0:15:29.440
<v Speaker 4>you know what I mean, and discarded the rest and

0:15:29.520 --> 0:15:32.960
<v Speaker 4>we just worked with that metal face plate. And I

0:15:33.000 --> 0:15:35.280
<v Speaker 4>took it to a cat I knew who did sculpture

0:15:35.320 --> 0:15:38.840
<v Speaker 4>and had some welding tools, and we made certain modifications

0:15:38.880 --> 0:15:42.720
<v Speaker 4>so that he could wear it comfortably. And it had

0:15:43.320 --> 0:15:46.640
<v Speaker 4>the inside of a construction worker's helmet. There's like a

0:15:46.680 --> 0:15:49.160
<v Speaker 4>fitted plastic you know, like in the back of a

0:15:49.160 --> 0:15:56.040
<v Speaker 4>fitted cap adjustable, there's this webbing that your construction helmet

0:15:56.080 --> 0:15:59.040
<v Speaker 4>sits on it, so it doesn't actually sit on your head.

0:15:59.040 --> 0:16:02.120
<v Speaker 4>It floats, right. So we just took that webing and

0:16:02.200 --> 0:16:06.080
<v Speaker 4>we put two school holes and we have fixed the

0:16:06.120 --> 0:16:10.720
<v Speaker 4>first version of the metal mask to that, and Doom

0:16:10.880 --> 0:16:14.720
<v Speaker 4>rocked with that for a long time. And it also

0:16:14.840 --> 0:16:16.920
<v Speaker 4>served as a weapon. You could hold it, you know

0:16:17.080 --> 0:16:22.200
<v Speaker 4>when we start going to bigger venues sobs and bb

0:16:22.400 --> 0:16:25.560
<v Speaker 4>Kings which is no longer raven They used to metal

0:16:25.960 --> 0:16:28.600
<v Speaker 4>detect you. They used to search you to get in.

0:16:29.440 --> 0:16:31.720
<v Speaker 1>I was going to ask about airports, but good.

0:16:32.080 --> 0:16:35.080
<v Speaker 4>Yeah, exactly. So he had a case made for the

0:16:35.120 --> 0:16:37.560
<v Speaker 4>mask and he could listen, I'm performing this is part

0:16:37.560 --> 0:16:40.000
<v Speaker 4>of my boom boom boom. They would let him in.

0:16:40.200 --> 0:16:41.960
<v Speaker 4>But if you held that thing by the back of

0:16:41.960 --> 0:16:45.120
<v Speaker 4>the straps and you caught somebody with it, it not

0:16:45.200 --> 0:16:48.400
<v Speaker 4>only weighed about seven pounds, it was stainless steel and

0:16:48.440 --> 0:16:53.920
<v Speaker 4>those two tusks were sharp, right, So I've seen dudes

0:16:53.960 --> 0:16:56.880
<v Speaker 4>try to jump on stage and Doom catch him with

0:16:56.920 --> 0:17:01.640
<v Speaker 4>that and boom. It's a rap. So it served many purposes,

0:17:03.120 --> 0:17:06.159
<v Speaker 4>And there were days when and I don't want to

0:17:06.240 --> 0:17:09.480
<v Speaker 4>snitch doom. It is no longer here, so he's immune

0:17:09.560 --> 0:17:13.080
<v Speaker 4>to prosecution. You know. He was a creative dude, but

0:17:13.119 --> 0:17:17.280
<v Speaker 4>he wasn't soft by any means. Okay, that's a lot

0:17:17.320 --> 0:17:20.600
<v Speaker 4>of people think nerd rap or something. No, a nerd

0:17:20.680 --> 0:17:23.560
<v Speaker 4>is a sucker. You can be well read, you can

0:17:23.600 --> 0:17:27.919
<v Speaker 4>be into many many aspects of culture and history and

0:17:27.960 --> 0:17:33.720
<v Speaker 4>religion and sciences and mathematics and still not be soft. Okay.

0:17:34.119 --> 0:17:36.520
<v Speaker 4>So there were times when we had to sneak weapons

0:17:36.560 --> 0:17:39.440
<v Speaker 4>into the club, and he made a case with a phone.

0:17:39.680 --> 0:17:41.880
<v Speaker 4>You know, if you purchased the gun, what it would

0:17:41.880 --> 0:17:45.280
<v Speaker 4>come in a hard case as a microphone is carried

0:17:45.280 --> 0:17:47.680
<v Speaker 4>that way or an instrument. It has a foam cut

0:17:47.680 --> 0:17:50.879
<v Speaker 4>out for the mask. So the weapons went under the

0:17:50.960 --> 0:17:53.960
<v Speaker 4>mask so we could get through the metal detector and say,

0:17:54.000 --> 0:17:58.280
<v Speaker 4>hey man, it's just it's my costume. Understanding there'd be

0:17:58.280 --> 0:18:03.160
<v Speaker 4>a little twenty five automatic inside of BB King's Okay.

0:18:04.880 --> 0:18:07.760
<v Speaker 4>So yeah, the mass served many purposes. What happened it

0:18:07.800 --> 0:18:09.880
<v Speaker 4>became totally corroded and rusted.

0:18:10.320 --> 0:18:12.680
<v Speaker 3>The second version did it became the metal?

0:18:13.440 --> 0:18:17.720
<v Speaker 4>Yeah, So first he got it re chrome and he

0:18:17.800 --> 0:18:20.879
<v Speaker 4>purchased a couple more so he had backup versions. He

0:18:20.960 --> 0:18:24.800
<v Speaker 4>put a ruby right here at the third eye. He

0:18:24.840 --> 0:18:29.040
<v Speaker 4>also added on the interior a whole lot of different

0:18:29.119 --> 0:18:33.520
<v Speaker 4>minerals and uh, crystals and things which which held certain

0:18:33.600 --> 0:18:38.760
<v Speaker 4>power to him. Okay, okay, and herbs and he was

0:18:38.880 --> 0:18:45.120
<v Speaker 4>very into you know, esoteric sciences and natural you know. Yeah,

0:18:45.320 --> 0:18:48.120
<v Speaker 4>so he told me the mask was uncomfortable the rock

0:18:48.200 --> 0:18:50.520
<v Speaker 4>for hours. So he puts some copper in there, and

0:18:50.600 --> 0:18:54.879
<v Speaker 4>copper has a a healing property. I don't know a

0:18:54.920 --> 0:18:58.439
<v Speaker 4>lot about these things. Wow, So yeah, he made he

0:18:58.480 --> 0:19:03.160
<v Speaker 4>made a lot of modifications, as a gold plated one. Okay,

0:19:03.359 --> 0:19:06.600
<v Speaker 4>there was the silver version which he got re chromed

0:19:07.080 --> 0:19:11.919
<v Speaker 4>and added a ruby. So there've probably been at least

0:19:12.400 --> 0:19:20.080
<v Speaker 4>four versions of the metal mask, which was based on Gladiator.

0:19:20.760 --> 0:19:24.439
<v Speaker 4>It was okay mask, but the original mask I still

0:19:24.520 --> 0:19:31.080
<v Speaker 4>have the We attempted to repair it, but it's it's broken.

0:19:31.600 --> 0:19:34.840
<v Speaker 4>But that's that's the first dum Masking to me, was

0:19:34.880 --> 0:19:40.560
<v Speaker 4>a superior visual. Maybe it wasn't as thirty, but it

0:19:40.680 --> 0:19:55.000
<v Speaker 4>is amazing, you know what I mean. So the funny

0:19:55.040 --> 0:20:00.439
<v Speaker 4>thing now, they just made a reboot of Gladiator, the

0:20:00.480 --> 0:20:04.959
<v Speaker 4>movie they made A part two and all the younger

0:20:05.040 --> 0:20:09.320
<v Speaker 4>kids who don't remember were like, yo, he's wearing a.

0:20:09.400 --> 0:20:11.480
<v Speaker 1>Doom right now.

0:20:12.200 --> 0:20:15.159
<v Speaker 4>Stole that mask from MF Doom. And I'm thinking, like

0:20:15.280 --> 0:20:17.600
<v Speaker 4>jay Z said he could make a Yankee hat more

0:20:17.680 --> 0:20:21.600
<v Speaker 4>famous than a Yankee cab, right, Yeah, we made that

0:20:21.760 --> 0:20:27.200
<v Speaker 4>mask more popular than a big fucking budget Hollywood studio

0:20:27.440 --> 0:20:31.119
<v Speaker 4>film with stars, and nobody remembers that bullshit.

0:20:30.840 --> 0:20:36.240
<v Speaker 2>Well alog culture, man, it's the absolute like genius marketing device.

0:20:36.320 --> 0:20:39.520
<v Speaker 2>It's so weird because when I first started going to

0:20:39.600 --> 0:20:43.360
<v Speaker 2>Fat Beats and they were trying to give me, They're like, no, man,

0:20:43.480 --> 0:20:46.040
<v Speaker 2>zebha VX has a new character out and this was

0:20:46.600 --> 0:20:48.880
<v Speaker 2>and I was like, why would he? Like I came

0:20:48.880 --> 0:20:52.399
<v Speaker 2>from the school of like, you know, a big giant

0:20:52.480 --> 0:20:58.040
<v Speaker 2>kmdfen and was wondering, like, why is this shrouded in mystery?

0:20:58.119 --> 0:21:01.320
<v Speaker 1>Like show us your face and whatnot? I do have

0:21:01.359 --> 0:21:01.840
<v Speaker 1>to ask.

0:21:02.160 --> 0:21:07.359
<v Speaker 2>So I believe I was witnessed once to a Doom

0:21:07.400 --> 0:21:11.680
<v Speaker 2>show that wasn't a Doom show. Air quotes the specs

0:21:11.760 --> 0:21:16.360
<v Speaker 2>on that look so unique and specific as a one

0:21:16.400 --> 0:21:21.080
<v Speaker 2>off art piece, Howard Katz getting and I'm talking about

0:21:21.080 --> 0:21:25.640
<v Speaker 2>the occasional Doom impostures that were out there.

0:21:26.520 --> 0:21:29.800
<v Speaker 4>So what I know is that Doom had legal issues

0:21:29.840 --> 0:21:32.040
<v Speaker 4>that didn't allow him to travel.

0:21:31.880 --> 0:21:33.119
<v Speaker 1>The travel I get it.

0:21:33.160 --> 0:21:39.159
<v Speaker 4>Okay, he had his man who was this basically his

0:21:39.280 --> 0:21:41.560
<v Speaker 4>same physical stature, right.

0:21:41.600 --> 0:21:46.560
<v Speaker 5>Gotcha, and taught him how to Millie Vanilli this shit

0:21:47.280 --> 0:21:50.440
<v Speaker 5>so that he could appear with the mask on and

0:21:50.720 --> 0:21:51.600
<v Speaker 5>get that money.

0:21:52.080 --> 0:21:56.320
<v Speaker 2>Because that's almost that's almost as legendary as within him

0:21:56.440 --> 0:21:58.040
<v Speaker 2>just being M F.

0:21:58.119 --> 0:21:58.399
<v Speaker 4>Doom.

0:21:58.600 --> 0:22:01.640
<v Speaker 1>But also, you know, right, but.

0:22:01.600 --> 0:22:04.240
<v Speaker 4>We've all gone to shows where half the Wu Tang

0:22:04.280 --> 0:22:09.119
<v Speaker 4>didn't show up, or you know, Lauren Hill was seven

0:22:09.160 --> 0:22:14.080
<v Speaker 4>hours late. So he just found a way to circumvent that.

0:22:14.160 --> 0:22:17.040
<v Speaker 4>If the powers that be didn't want to let him

0:22:17.040 --> 0:22:20.560
<v Speaker 4>into the country, he'd send this man and still get

0:22:20.600 --> 0:22:24.800
<v Speaker 4>that paycheck and two shows on the same night, and

0:22:24.840 --> 0:22:27.040
<v Speaker 4>the fans are happy.

0:22:29.040 --> 0:22:33.240
<v Speaker 2>I was at a couple of and we was not happy.

0:22:34.240 --> 0:22:37.800
<v Speaker 3>But I do so I certainly understand, though, I certainly.

0:22:37.800 --> 0:22:40.560
<v Speaker 4>When I was a kid. When I was a kid,

0:22:40.640 --> 0:22:43.280
<v Speaker 4>I used to go to the Latin Quarters and cats

0:22:43.320 --> 0:22:46.239
<v Speaker 4>had singles out and you never knew what they look like,

0:22:46.920 --> 0:22:53.160
<v Speaker 4>right video, right, So other dudes would show up it's

0:22:53.200 --> 0:22:58.399
<v Speaker 4>your money and promote themselves as being you and I've

0:22:58.440 --> 0:22:59.000
<v Speaker 4>seen it.

0:22:59.720 --> 0:23:02.679
<v Speaker 2>Yeah, I just did a day Last solo episode in

0:23:02.720 --> 0:23:08.080
<v Speaker 2>which Macio shares a story about dealing with the fake,

0:23:09.880 --> 0:23:13.840
<v Speaker 2>the fake and the fake BDP.

0:23:14.280 --> 0:23:16.440
<v Speaker 1>So no, I know that can happen.

0:23:16.960 --> 0:23:19.359
<v Speaker 4>My man at the time, and we're talking eighty six.

0:23:20.560 --> 0:23:22.960
<v Speaker 4>My running partner, he was from Brooklyn, but he was cool.

0:23:23.040 --> 0:23:27.680
<v Speaker 4>Keith's cousin right. His name was Roman Geo, so he

0:23:27.760 --> 0:23:30.879
<v Speaker 4>had a lot of game and he got us into

0:23:31.000 --> 0:23:34.840
<v Speaker 4>Club Free, didn't I wasn't even aware he had told

0:23:35.520 --> 0:23:40.199
<v Speaker 4>Mike Goldberg, who owned the Latin Quarters, that I was

0:23:40.320 --> 0:23:44.000
<v Speaker 4>Mike D from the Beastie Boys, so that we could

0:23:44.040 --> 0:23:46.920
<v Speaker 4>get in free. I didn't even know he had done this.

0:23:47.280 --> 0:23:50.000
<v Speaker 4>Now in eighty six, the Beastis have the biggest record

0:23:50.040 --> 0:23:52.880
<v Speaker 4>on the planet, you understand. You know this is why

0:23:52.880 --> 0:23:57.640
<v Speaker 4>I'm so protective today of my IP because I come

0:23:57.680 --> 0:24:03.800
<v Speaker 4>from a time when we didn't have any podcasts, videos, books, There.

0:24:03.680 --> 0:24:06.840
<v Speaker 3>Were no no way to tell y'all story. Really, there were.

0:24:06.680 --> 0:24:11.840
<v Speaker 4>No institutions teaching hip hop. We had to police ourselves.

0:24:12.880 --> 0:24:15.280
<v Speaker 4>I'm very grateful for all all the people that jumped

0:24:15.280 --> 0:24:18.520
<v Speaker 4>into comments and it's like, nah, that was Keio because

0:24:19.840 --> 0:24:23.240
<v Speaker 4>your name was all you had, right, especially as a

0:24:23.280 --> 0:24:29.480
<v Speaker 4>graffiti writer. So we could parody Marvel comics or the

0:24:29.560 --> 0:24:33.480
<v Speaker 4>Kung Fu flicks or even real life historical figure. You

0:24:33.520 --> 0:24:37.159
<v Speaker 4>could claim to be Frank Nitti or Al Capone, but

0:24:37.280 --> 0:24:41.600
<v Speaker 4>you couldn't say you were rock him, right, you understand.

0:24:41.760 --> 0:24:45.200
<v Speaker 4>So in graffiti we would take Mickey Mouse and redraw

0:24:45.280 --> 0:24:47.800
<v Speaker 4>him and give him a blunt and a baseball hat

0:24:47.920 --> 0:24:51.520
<v Speaker 4>or whatever, a gold chain, and that was fly. We

0:24:51.560 --> 0:24:55.960
<v Speaker 4>could bite off of the Disney Corporation or comedy lettering

0:24:56.040 --> 0:24:59.600
<v Speaker 4>from the Serial box or comic or Ajax, right, but

0:24:59.720 --> 0:25:03.680
<v Speaker 4>I could and copy lettering from Dondie. Somebody would call

0:25:03.760 --> 0:25:06.280
<v Speaker 4>me out on it. They say, yo, you bit that?

0:25:07.320 --> 0:25:10.680
<v Speaker 4>Now that seems to go out the window. There's actually

0:25:10.720 --> 0:25:15.080
<v Speaker 4>two rock Kims. Now there's two No, Yes, there's a

0:25:15.160 --> 0:25:19.320
<v Speaker 4>rock Kim who is a reggaetone performer.

0:25:20.800 --> 0:25:21.960
<v Speaker 1>Oh google, Yeah.

0:25:22.640 --> 0:25:25.720
<v Speaker 4>There's two Nazas. There's Little Nas and Big Nas. They're

0:25:25.720 --> 0:25:28.840
<v Speaker 4>both making fucking records at the same time. In my day,

0:25:29.960 --> 0:25:32.480
<v Speaker 4>that would have gone to blows and possibly you know,

0:25:34.320 --> 0:25:39.760
<v Speaker 4>even worse. You would fight to defend your name. Yeah,

0:25:39.800 --> 0:25:44.280
<v Speaker 4>So when somebody comes on and says they created the mask,

0:25:44.440 --> 0:25:49.520
<v Speaker 4>I immediately go to a place of ego and pride

0:25:49.880 --> 0:25:53.600
<v Speaker 4>that I is instilled in me from a kid we battle,

0:25:54.359 --> 0:25:55.000
<v Speaker 4>you know what I mean.

0:25:55.160 --> 0:25:57.280
<v Speaker 3>That's perfectly understandable.

0:25:56.600 --> 0:25:59.240
<v Speaker 4>Too, But I'm trying to be a little more humble

0:25:59.320 --> 0:26:02.040
<v Speaker 4>and adult about life these days.

0:26:02.119 --> 0:26:04.280
<v Speaker 2>We just wanted to give your flowers, man, and you know,

0:26:04.800 --> 0:26:08.800
<v Speaker 2>definitely correct history and let our let our listeners out there.

0:26:08.760 --> 0:26:12.159
<v Speaker 4>Know because AI is a dangerous thing now. It just

0:26:12.240 --> 0:26:15.840
<v Speaker 4>skims whatever the is on the internet. So if I

0:26:15.960 --> 0:26:19.280
<v Speaker 4>google who made the doom Mask, They're gonna find your

0:26:19.359 --> 0:26:22.960
<v Speaker 4>podcast and it'll say Hancholo created the doom Mask.

0:26:23.040 --> 0:26:26.479
<v Speaker 2>Right, I'm like, Okay, I doubt that's gonna happen now

0:26:26.560 --> 0:26:29.560
<v Speaker 2>because the right way we got dealt.

0:26:31.560 --> 0:26:35.480
<v Speaker 4>But listen, people don't understand how we grew up. Fat

0:26:35.560 --> 0:26:39.000
<v Speaker 4>Joe has a podcast now and all I see is

0:26:39.040 --> 0:26:42.640
<v Speaker 4>people calling a cap and he no way you did

0:26:42.680 --> 0:26:47.119
<v Speaker 4>these things right now. I happen to know Fat Joe was.

0:26:47.280 --> 0:26:49.760
<v Speaker 4>You know, they stuck up my man, Him and Brim

0:26:49.880 --> 0:26:52.600
<v Speaker 4>jumped out the van with a Soto shotgun and took

0:26:52.640 --> 0:26:55.120
<v Speaker 4>their spray paint. This is one Joe had records out.

0:26:55.560 --> 0:26:59.480
<v Speaker 4>He was dudes for spray paint. So when he tells

0:26:59.480 --> 0:27:04.399
<v Speaker 4>the story. I believe him. I know now there's no

0:27:04.480 --> 0:27:07.960
<v Speaker 4>beef anymore. I love Tad's crew by OBG Terror Squad.

0:27:08.000 --> 0:27:12.639
<v Speaker 4>Those are my people, But back then they were dangerous motherfuckers.

0:27:12.640 --> 0:27:12.800
<v Speaker 1>Bro.

0:27:13.359 --> 0:27:16.320
<v Speaker 4>But when I go to tell my own life story,

0:27:16.440 --> 0:27:18.800
<v Speaker 4>it sounds crazy that we could leave the house with

0:27:18.880 --> 0:27:23.280
<v Speaker 4>thirty five cents, hop the Turnstown steal spray, paint, rack

0:27:23.400 --> 0:27:27.920
<v Speaker 4>up some forty ounces, rub somebody for their weed coming

0:27:27.960 --> 0:27:30.120
<v Speaker 4>out of the weed spot on myrtle app and then

0:27:30.160 --> 0:27:32.679
<v Speaker 4>wind up the end of the night at the World

0:27:32.800 --> 0:27:36.919
<v Speaker 4>or the Tunnel, partying with Grace Jones and Madonald And

0:27:36.960 --> 0:27:39.879
<v Speaker 4>that was all in one day. I battled, you know,

0:27:41.119 --> 0:27:43.440
<v Speaker 4>I tell people will Yo, I battle Big Daddy Kane

0:27:43.800 --> 0:27:46.640
<v Speaker 4>in Albi Square Mall while Biz was doing the beat

0:27:46.640 --> 0:27:49.920
<v Speaker 4>Box before he had records, and they go, yeah, right,

0:27:51.000 --> 0:27:51.680
<v Speaker 4>sure you did.

0:27:52.200 --> 0:27:52.720
<v Speaker 1>I believe you.

0:27:53.000 --> 0:27:59.359
<v Speaker 4>And I battled Napoleon it fucking water because we didn't

0:27:59.400 --> 0:28:01.040
<v Speaker 4>have a camera the film everything.

0:28:01.680 --> 0:28:04.040
<v Speaker 3>I did want to ask you one more question. I

0:28:04.080 --> 0:28:07.359
<v Speaker 3>know you mentioned for Doom as a person as an artist,

0:28:07.359 --> 0:28:10.800
<v Speaker 3>the importance of the mask is him being able to

0:28:10.840 --> 0:28:13.600
<v Speaker 3>sort of separate his identity as a regular person versus

0:28:13.640 --> 0:28:16.320
<v Speaker 3>who he is on stage. But also think of this, right,

0:28:16.440 --> 0:28:18.920
<v Speaker 3>Like I started listening to Doom when I was seventeen.

0:28:19.240 --> 0:28:21.680
<v Speaker 3>I got a seventeen year old son now, and the

0:28:21.720 --> 0:28:25.200
<v Speaker 3>only artist that I rock with he rock with is Doom,

0:28:25.320 --> 0:28:27.760
<v Speaker 3>you know what I'm saying. So in a sense, my grandson,

0:28:28.160 --> 0:28:30.480
<v Speaker 3>my grandson is five and loves Doming.

0:28:30.640 --> 0:28:33.160
<v Speaker 4>I didn't put him on and so he found out.

0:28:34.040 --> 0:28:36.919
<v Speaker 3>Doom is one of those few artists that is bigger

0:28:36.920 --> 0:28:39.680
<v Speaker 3>than life, and I do feel like the mask is

0:28:39.720 --> 0:28:42.600
<v Speaker 3>an important part of that. So I'm curious, what do

0:28:42.640 --> 0:28:47.000
<v Speaker 3>you think is the importance of the mask to Doom's legacy.

0:28:47.080 --> 0:28:50.400
<v Speaker 4>You have to understand the current popular climate at that

0:28:50.600 --> 0:28:54.360
<v Speaker 4>time was a lot of pretty boys and really slick,

0:28:54.440 --> 0:28:58.440
<v Speaker 4>high budget videos, dude stancing with their shirt off and

0:28:58.520 --> 0:29:00.880
<v Speaker 4>Doom to him it was like, oh, that's not what

0:29:00.960 --> 0:29:05.160
<v Speaker 4>this is about. It's about wreck, right, how nice you are,

0:29:05.240 --> 0:29:08.520
<v Speaker 4>how nasty you are with the skills. So there were

0:29:08.600 --> 0:29:12.840
<v Speaker 4>dudes who looked a certain way who maybe weren't as skillful.

0:29:13.720 --> 0:29:16.520
<v Speaker 4>You know the story of Martha wash the big woman

0:29:16.560 --> 0:29:21.680
<v Speaker 4>who sang right. Because she was a large sized woman,

0:29:21.800 --> 0:29:26.000
<v Speaker 4>they put models to lip sync for her in the video,

0:29:26.760 --> 0:29:30.720
<v Speaker 4>so that was happening in hip hop. It became more

0:29:30.760 --> 0:29:35.560
<v Speaker 4>about your appearance than your skills. And again, Doom is

0:29:35.600 --> 0:29:38.560
<v Speaker 4>old enough, even though he was far younger than I.

0:29:39.000 --> 0:29:41.880
<v Speaker 4>He remembers an era when you didn't know what you'd

0:29:41.920 --> 0:29:45.400
<v Speaker 4>hear the record, you didn't know what cats looked like.

0:29:45.640 --> 0:29:51.040
<v Speaker 4>It didn't happen. So he wanted to be judged on

0:29:51.240 --> 0:29:54.720
<v Speaker 4>his creative skills, not what he looked like. But honestly,

0:29:54.760 --> 0:29:57.959
<v Speaker 4>and he says it himself, he wasn't a Tom Cruise

0:29:58.000 --> 0:30:00.840
<v Speaker 4>looking dude. He was not a movie star handsome kind

0:30:00.880 --> 0:30:05.320
<v Speaker 4>of cat, and he made no bones about that. Girls

0:30:05.400 --> 0:30:07.880
<v Speaker 4>loved him. He was charming. He had a way to

0:30:07.920 --> 0:30:11.400
<v Speaker 4>talk to females that blew my mind. But you know,

0:30:11.520 --> 0:30:15.480
<v Speaker 4>he says it. A rather ugly brother would flows this

0:30:15.640 --> 0:30:20.240
<v Speaker 4>gorgeous so that he told you why he wears a mask.

0:30:20.640 --> 0:30:24.320
<v Speaker 4>People want to make it something it isn't. It's real simple,

0:30:24.920 --> 0:30:27.480
<v Speaker 4>you know what I mean. It's about the creativity, about

0:30:27.480 --> 0:30:30.400
<v Speaker 4>being allowed to be creative, because you got to remember,

0:30:31.280 --> 0:30:38.240
<v Speaker 4>the image on his KMD album cover is the excuse

0:30:38.360 --> 0:30:42.520
<v Speaker 4>that they used to cancel him and his younger brother

0:30:42.680 --> 0:30:46.720
<v Speaker 4>Rest in Peace of Robin because of what it looked like.

0:30:46.880 --> 0:30:50.760
<v Speaker 4>Without ever listening to that, so he wanted to take

0:30:50.800 --> 0:30:52.880
<v Speaker 4>that out. Yo, I might be a black dude, the

0:30:52.960 --> 0:30:55.320
<v Speaker 4>Spanish dude, I might be Chinese under this mask. I

0:30:55.400 --> 0:30:56.360
<v Speaker 4>don't fucking matter.

0:30:56.560 --> 0:30:58.560
<v Speaker 3>I'm so glad we was able to have you in

0:31:00.080 --> 0:31:03.040
<v Speaker 3>hear from you directly, to hear these stories. I mean,

0:31:03.200 --> 0:31:05.000
<v Speaker 3>you know what I'm saying, like do It means a

0:31:05.040 --> 0:31:07.480
<v Speaker 3>lot to me, It means a lot to us, And

0:31:07.800 --> 0:31:11.760
<v Speaker 3>it's dope to meet you having contributed such an iconic

0:31:11.920 --> 0:31:15.080
<v Speaker 3>piece of like hip hop art to the world that

0:31:15.080 --> 0:31:16.760
<v Speaker 3>I feel like is gonna outlive all of us.

0:31:17.560 --> 0:31:19.480
<v Speaker 4>May I shout out. What I'm working on right now

0:31:19.520 --> 0:31:22.920
<v Speaker 4>is before we rap. Absolutely So we're doing the Team

0:31:23.000 --> 0:31:26.560
<v Speaker 4>one documentary right now. Stay tuned for that. We're nice,

0:31:27.040 --> 0:31:33.400
<v Speaker 4>Starlene and Redman is in there. Everybody, everybody is.

0:31:33.360 --> 0:31:55.120
<v Speaker 1>In of course. The show is a production of iHeart Radio.