1 00:00:04,000 --> 00:00:04,720 Speaker 1: Stay tuned. 2 00:00:05,000 --> 00:00:16,040 Speaker 2: We'll get into the conversation right after these quick ads. 3 00:00:16,079 --> 00:00:18,720 Speaker 3: All rain drops. I know, I know, I know, I know, 4 00:00:18,800 --> 00:00:19,040 Speaker 3: I know. 5 00:00:19,239 --> 00:00:22,159 Speaker 2: Listen, It's not my fault that the holidays approach in 6 00:00:22,480 --> 00:00:27,960 Speaker 2: the middle of one of the most explosive episodes. 7 00:00:27,440 --> 00:00:30,040 Speaker 3: Of the Real Housewives of Potomac history. 8 00:00:30,880 --> 00:00:36,680 Speaker 2: Not since the Monique and Candae altercation during Season five 9 00:00:37,080 --> 00:00:43,199 Speaker 2: of Potomac Housewives has there been a messier situation to 10 00:00:43,280 --> 00:00:48,479 Speaker 2: where black Twitter and social media has had a debate 11 00:00:48,600 --> 00:00:53,040 Speaker 2: over who's right and who's wrong. So, without further ado, 12 00:00:53,880 --> 00:00:58,920 Speaker 2: you all are about to hear my opinion or facts 13 00:00:58,960 --> 00:01:06,600 Speaker 2: about the infamous drink tossing that Mia did on Doctor Wendy. 14 00:01:07,080 --> 00:01:09,959 Speaker 2: But I could not do this episode alone, so I'm 15 00:01:10,080 --> 00:01:15,399 Speaker 2: joined by my good friend and also listen, fellow YouTube 16 00:01:15,400 --> 00:01:20,520 Speaker 2: podcaster himself, in addition to one of the favorites guests 17 00:01:20,560 --> 00:01:22,240 Speaker 2: we've had on Reality. 18 00:01:21,800 --> 00:01:24,800 Speaker 3: With the King. You know it, I'm talking about DJ 19 00:01:25,640 --> 00:01:26,319 Speaker 3: Richie Sky. 20 00:01:27,160 --> 00:01:28,120 Speaker 1: What's going on? 21 00:01:28,200 --> 00:01:29,680 Speaker 3: Hey Richie? 22 00:01:30,440 --> 00:01:31,080 Speaker 1: Are you doing? 23 00:01:31,440 --> 00:01:32,920 Speaker 3: I'm good. How it was for holiday? 24 00:01:33,640 --> 00:01:34,880 Speaker 1: It was amazing. 25 00:01:35,080 --> 00:01:36,920 Speaker 4: I got to spend some time with my family, so 26 00:01:37,040 --> 00:01:38,160 Speaker 4: you know that was always good? 27 00:01:38,800 --> 00:01:41,360 Speaker 2: Yes, yes, yes, Likewise, so look, we got to just 28 00:01:41,440 --> 00:01:44,760 Speaker 2: jump right into it, because the rain Drops have been 29 00:01:45,040 --> 00:01:48,560 Speaker 2: asking me for two weeks to do this episode, and 30 00:01:48,760 --> 00:01:53,000 Speaker 2: now that the holidadays is over with and we get 31 00:01:53,040 --> 00:01:56,880 Speaker 2: an opportunity to just talk about not just the fight, 32 00:01:57,080 --> 00:02:01,240 Speaker 2: but in addition to that, that insane mid season trailer 33 00:02:01,320 --> 00:02:04,000 Speaker 2: that we're also going to get into. So let's get 34 00:02:04,000 --> 00:02:07,400 Speaker 2: things started here. I am sitting in my living room 35 00:02:07,720 --> 00:02:11,440 Speaker 2: on a Sunday night. I just got home from shopping 36 00:02:11,720 --> 00:02:13,760 Speaker 2: for Thanksgiving, and you. 37 00:02:13,680 --> 00:02:16,120 Speaker 3: Know, I had a lot of people over, so I 38 00:02:16,160 --> 00:02:20,680 Speaker 3: had to prepare for that. I'm watching the episode. I'm 39 00:02:20,720 --> 00:02:22,400 Speaker 3: gonna be very honest. Uh oh. 40 00:02:23,240 --> 00:02:29,680 Speaker 2: I was triggered that entire episode, and it took everything 41 00:02:29,800 --> 00:02:33,600 Speaker 2: in me not to go on Instagram Live, you know how, 42 00:02:33,639 --> 00:02:38,560 Speaker 2: Like Beyonce says she has Sasha Fears, and sometimes Sasha 43 00:02:38,680 --> 00:02:41,320 Speaker 2: Fears wants to come out alive and like do her thing, 44 00:02:41,960 --> 00:02:45,920 Speaker 2: and Beyonce has to control her. So Carlos King Sasha 45 00:02:45,960 --> 00:02:52,720 Speaker 2: fears is Cortz. He's messy, and Cortz wanted to come out. 46 00:02:52,840 --> 00:02:55,680 Speaker 2: But of course, I'm like, you're a businessman. You got 47 00:02:55,680 --> 00:02:57,080 Speaker 2: to say this for the podcast chop. 48 00:02:57,280 --> 00:03:05,200 Speaker 4: So but I was tried, you know, I want to 49 00:03:05,240 --> 00:03:07,080 Speaker 4: know what triggered you the most? 50 00:03:07,520 --> 00:03:10,560 Speaker 2: What triggered me was this, and I'm going to I'm 51 00:03:10,560 --> 00:03:13,440 Speaker 2: going to explain it in two situations. I'm going to 52 00:03:13,480 --> 00:03:17,320 Speaker 2: explain it as Carlos King the human being and as 53 00:03:17,400 --> 00:03:26,200 Speaker 2: Cortz the executive producer. Come on CV, how the Cortes 54 00:03:26,320 --> 00:03:29,880 Speaker 2: is a mess. So I'll explain it in this way. 55 00:03:30,280 --> 00:03:34,360 Speaker 2: I was triggered by how no one had Wendy's back 56 00:03:35,000 --> 00:03:38,760 Speaker 2: because at the end of the day, that's not reality. 57 00:03:39,040 --> 00:03:41,320 Speaker 2: And I'm going to explain to you guys why I 58 00:03:41,400 --> 00:03:44,000 Speaker 2: worked on Atlanta Housewives. As everyone knows, I worked on 59 00:03:44,000 --> 00:03:47,960 Speaker 2: New Jersey Housewives. I have never in my life or 60 00:03:48,080 --> 00:03:52,800 Speaker 2: career have been around a group of people in this case. 61 00:03:53,160 --> 00:03:54,800 Speaker 2: The casts are full of. 62 00:03:54,760 --> 00:04:01,600 Speaker 3: Women where someone nuts and no one bucks up to 63 00:04:02,160 --> 00:04:03,400 Speaker 3: diffuse the situation. 64 00:04:04,160 --> 00:04:10,800 Speaker 2: I was disturbed by Robin taking her iPhone and recording 65 00:04:10,840 --> 00:04:16,200 Speaker 2: a video of it, because that's not as someone who 66 00:04:16,279 --> 00:04:22,440 Speaker 2: minored in psychology in college. So sorry, doctor Drew, is 67 00:04:22,440 --> 00:04:26,880 Speaker 2: doctor Lowe's here. That's not human. That's not natural human behavior, 68 00:04:27,000 --> 00:04:30,359 Speaker 2: like when when when you're when you're friends? Right, And 69 00:04:30,400 --> 00:04:33,919 Speaker 2: I know in the case of Housewives that word is 70 00:04:34,000 --> 00:04:37,640 Speaker 2: used loosely, but if you're in a situation and you 71 00:04:37,760 --> 00:04:43,400 Speaker 2: see a group of your friends and air quotes having 72 00:04:43,440 --> 00:04:47,200 Speaker 2: the situation, why is your natural instinct to pull out 73 00:04:47,240 --> 00:04:49,839 Speaker 2: a camera phone? And I know you guys about to say, 74 00:04:49,880 --> 00:04:54,960 Speaker 2: but Carlos. In real life people do that in worse situations. However, 75 00:04:55,960 --> 00:04:59,680 Speaker 2: in those situations there's not a full time camera crew 76 00:04:59,720 --> 00:05:06,080 Speaker 2: also filming it. Okay, So if I'm across from somebody 77 00:05:06,160 --> 00:05:08,040 Speaker 2: getting a drink thrown in their face, I'm not gonna 78 00:05:08,040 --> 00:05:11,960 Speaker 2: put on my phone and laugh and take video of 79 00:05:12,000 --> 00:05:15,520 Speaker 2: the hysteria that ensued. I'm going to diffuse it. I 80 00:05:15,600 --> 00:05:19,320 Speaker 2: was disappointed in Robin. I was also disappointed in Gazelle. 81 00:05:20,520 --> 00:05:21,760 Speaker 2: I don't care if you guys are mad at me 82 00:05:21,880 --> 00:05:24,840 Speaker 2: or not. I likes to keep it all the way real. 83 00:05:25,839 --> 00:05:29,640 Speaker 2: Giselle Bryant is the force multiplier, the queen be the 84 00:05:29,760 --> 00:05:33,560 Speaker 2: face of the Real Housewives Hopotomac. It's to the point 85 00:05:33,560 --> 00:05:35,400 Speaker 2: now where she may be one of the faces of Bravo. 86 00:05:36,080 --> 00:05:39,280 Speaker 2: The Real Housewives of Potomac is Gaselle Bryant's show. Lover 87 00:05:39,440 --> 00:05:43,240 Speaker 2: Hate Her is her show. And when you are the 88 00:05:43,320 --> 00:05:47,640 Speaker 2: force multiplier of the show, that means you control the 89 00:05:47,800 --> 00:05:51,360 Speaker 2: energy in the room. And I was disappointed that Giselle 90 00:05:51,440 --> 00:05:54,640 Speaker 2: Kobe Bryant, as the queen be of the show did 91 00:05:54,640 --> 00:05:56,880 Speaker 2: not say Okay, this is getting. 92 00:05:56,680 --> 00:06:00,640 Speaker 3: Too far and tried to defy use it. 93 00:06:01,560 --> 00:06:06,320 Speaker 2: And that just left me disappointed because I felt like 94 00:06:06,600 --> 00:06:11,839 Speaker 2: those ladies chose a good scene versus trying to be 95 00:06:11,880 --> 00:06:12,560 Speaker 2: a good person. 96 00:06:15,440 --> 00:06:17,320 Speaker 1: But was it a good scene? Oh? 97 00:06:18,080 --> 00:06:22,880 Speaker 2: Oh, y're tired, Richie, preach go ahead, let me hear 98 00:06:22,920 --> 00:06:23,800 Speaker 2: your thoughts how they go? 99 00:06:24,200 --> 00:06:25,080 Speaker 3: Now I'm gagging. 100 00:06:26,000 --> 00:06:28,880 Speaker 4: I always say we watched reality TV, you know, to 101 00:06:28,920 --> 00:06:32,280 Speaker 4: be entertained, right, and we also watch it to feel something. 102 00:06:32,360 --> 00:06:34,480 Speaker 4: And I and I say that a lot when I'm 103 00:06:34,480 --> 00:06:36,640 Speaker 4: when I'm recapping the shows. I want to feel something. 104 00:06:36,960 --> 00:06:40,080 Speaker 4: I want to feel, you know, either laughter or you know, 105 00:06:40,160 --> 00:06:42,279 Speaker 4: I might feel a little triggered and a little angry 106 00:06:42,320 --> 00:06:45,440 Speaker 4: about something about the way that someone is treating someone else, 107 00:06:45,520 --> 00:06:48,880 Speaker 4: but in general, I shouldn't be triggered in this way, 108 00:06:48,960 --> 00:06:50,719 Speaker 4: and this whole scene to me was triggering. 109 00:06:51,200 --> 00:06:52,279 Speaker 1: I felt the same as you. 110 00:06:52,360 --> 00:06:55,200 Speaker 4: Honestly, I felt like doctor Wendy in that instance did 111 00:06:55,279 --> 00:06:58,560 Speaker 4: not have a friend in that room, because I felt 112 00:06:58,600 --> 00:07:01,960 Speaker 4: like a real friend would have taken the moment that 113 00:07:02,040 --> 00:07:04,160 Speaker 4: drink was thrown at her, they would have taken her 114 00:07:04,240 --> 00:07:05,920 Speaker 4: out of the room. I would have taken her out 115 00:07:05,920 --> 00:07:07,960 Speaker 4: of that situation. We would have gotten the car and 116 00:07:07,960 --> 00:07:10,680 Speaker 4: we would have went home if that was my friend, 117 00:07:11,040 --> 00:07:14,760 Speaker 4: Because I'm looking at doctor Wendy, and I know, I'm like, girl, 118 00:07:15,680 --> 00:07:20,040 Speaker 4: similar to you, what you said, you leave Cortes at home, okay, 119 00:07:20,560 --> 00:07:24,920 Speaker 4: And so in that instance, we don't need Cortes, okay, 120 00:07:24,920 --> 00:07:28,280 Speaker 4: because Carlos got things to do, similar to doctor Wendy. 121 00:07:28,480 --> 00:07:28,680 Speaker 1: Right. 122 00:07:29,000 --> 00:07:31,480 Speaker 4: So as if I'm her friend, I know, okay, I 123 00:07:31,520 --> 00:07:33,760 Speaker 4: can't let you be in a situation like this. Let 124 00:07:33,800 --> 00:07:35,840 Speaker 4: me get you out of here, because this whole thing 125 00:07:35,920 --> 00:07:39,520 Speaker 4: is escalating. Robin picking up the phone and recording that, 126 00:07:39,560 --> 00:07:41,720 Speaker 4: to me, was the one of the most disgusting things 127 00:07:41,720 --> 00:07:45,440 Speaker 4: I've ever seen, especially when we see this happen a 128 00:07:45,440 --> 00:07:48,000 Speaker 4: lot on social media. You know, people pick up the 129 00:07:48,040 --> 00:07:50,600 Speaker 4: phone and record fights. It ain't like they sending it 130 00:07:50,640 --> 00:07:51,280 Speaker 4: to the police. 131 00:07:51,400 --> 00:07:51,800 Speaker 1: Okay. 132 00:07:52,040 --> 00:07:55,480 Speaker 4: If that's the case, then I mean it felt to 133 00:07:55,520 --> 00:07:58,640 Speaker 4: me like it was going to World Star, Okay, Like 134 00:07:58,760 --> 00:08:00,800 Speaker 4: what are you picking up the phone for at this point? 135 00:08:00,920 --> 00:08:02,840 Speaker 4: And she only picked it up when Wendy got up 136 00:08:02,840 --> 00:08:05,640 Speaker 4: out of her seat, So to me, it was looking 137 00:08:05,760 --> 00:08:10,400 Speaker 4: very much like Giselle and Robin Jaselle, what Kobe Bryant, 138 00:08:10,440 --> 00:08:16,680 Speaker 4: Robin and Robin, you know them people. I was disappointed 139 00:08:16,680 --> 00:08:19,560 Speaker 4: in them because I felt like they had so much 140 00:08:19,600 --> 00:08:20,160 Speaker 4: to say. 141 00:08:20,400 --> 00:08:22,080 Speaker 1: It was so agrageous. 142 00:08:22,800 --> 00:08:26,480 Speaker 4: You know, when Monique and Candace got into it, Oh God, 143 00:08:26,560 --> 00:08:29,480 Speaker 4: I can't be associated with this. And all of a 144 00:08:29,560 --> 00:08:32,640 Speaker 4: sudden you see Robin with a phone now smiling and 145 00:08:32,720 --> 00:08:35,600 Speaker 4: laughing and basically telling Wendy to fight or not to fight. 146 00:08:35,920 --> 00:08:36,600 Speaker 1: And then you got. 147 00:08:37,040 --> 00:08:39,880 Speaker 4: The thing about Gazelle that bothered me so much was 148 00:08:39,920 --> 00:08:41,800 Speaker 4: not so much what she did, it was what she 149 00:08:41,920 --> 00:08:44,400 Speaker 4: did not do, similar to what you said. She was 150 00:08:44,720 --> 00:08:47,720 Speaker 4: very flipping about the whole thing and just like ready 151 00:08:47,760 --> 00:08:50,560 Speaker 4: for dessert and just kind of watching all the action 152 00:08:50,720 --> 00:08:54,720 Speaker 4: go down, not recognizing, Okay, you know what, this is 153 00:08:54,760 --> 00:08:58,440 Speaker 4: probably going a little bit too far because it was 154 00:08:58,480 --> 00:09:00,200 Speaker 4: too far before, but suddenly it's not. 155 00:09:01,200 --> 00:09:01,360 Speaker 1: No. 156 00:09:01,760 --> 00:09:03,400 Speaker 3: I could not agree more. I could not agree more. 157 00:09:03,840 --> 00:09:08,200 Speaker 2: And as someone who used to work on Atlanta housewise, 158 00:09:08,240 --> 00:09:12,040 Speaker 2: and I'm going to bring up a few examples, I 159 00:09:12,120 --> 00:09:17,720 Speaker 2: remember having a conversation with Nini Leaks, because let's be clear, 160 00:09:18,559 --> 00:09:21,280 Speaker 2: the real housewoves of Atlanta is and always will be 161 00:09:21,480 --> 00:09:26,800 Speaker 2: Niini Leak's show period. So this was during season six 162 00:09:27,679 --> 00:09:31,160 Speaker 2: and Kenya Moore was on an Island and if you 163 00:09:31,200 --> 00:09:35,160 Speaker 2: guys remember season six, episode one, Cynthy had a white 164 00:09:35,160 --> 00:09:41,520 Speaker 2: party to celebrate another venture and all the ladies and 165 00:09:41,559 --> 00:09:44,079 Speaker 2: the husbands and all of Atlanta was at this party 166 00:09:44,400 --> 00:09:47,439 Speaker 2: and Kenya Moore was bad at Niini for inviting her 167 00:09:47,480 --> 00:09:50,920 Speaker 2: ex boyfriend Walter to the wedding. Kinga did not show 168 00:09:51,000 --> 00:09:54,000 Speaker 2: up to the wedding, but she was disappointed that Nini 169 00:09:54,320 --> 00:09:57,400 Speaker 2: would invite Walter, knowing that Kenya Walter had history and 170 00:09:57,440 --> 00:09:59,680 Speaker 2: God for big Kenya and Walter ran into each other 171 00:10:00,440 --> 00:10:04,280 Speaker 2: and that's when Nini told Kenya, nubbitch is going to 172 00:10:04,360 --> 00:10:06,640 Speaker 2: tell me who I can and cannot invite to my wedding. Right, 173 00:10:07,280 --> 00:10:12,120 Speaker 2: So that was episode one. Fast forward, Kenya Morri was 174 00:10:12,160 --> 00:10:16,480 Speaker 2: on an Island season six. I had a conversation with 175 00:10:16,600 --> 00:10:21,120 Speaker 2: Nini and I said, look, this is your show. I 176 00:10:21,200 --> 00:10:24,840 Speaker 2: cannot produce a show where one woman is being isolated 177 00:10:24,840 --> 00:10:25,640 Speaker 2: from the tire group. 178 00:10:27,240 --> 00:10:29,280 Speaker 3: Well you and Kenya are going through. Ain't that deep? 179 00:10:29,600 --> 00:10:31,120 Speaker 3: She didn't fuck your man. 180 00:10:31,200 --> 00:10:34,920 Speaker 2: She didn't harm your children, she didn't do anything to 181 00:10:35,040 --> 00:10:39,840 Speaker 2: warrant her being did to you. I said, I need 182 00:10:39,840 --> 00:10:42,960 Speaker 2: for you to make amends with Kenya because at the 183 00:10:43,040 --> 00:10:45,160 Speaker 2: end of the day, is not that serious. Now, if 184 00:10:45,160 --> 00:10:47,760 Speaker 2: you want to tell me it is serious, then let's 185 00:10:47,760 --> 00:10:48,559 Speaker 2: have a conversation. 186 00:10:48,720 --> 00:10:50,160 Speaker 3: And Nini said it ain't that deep. 187 00:10:50,200 --> 00:10:54,040 Speaker 2: I said, okay, fine, I said, I know human behavior. 188 00:10:55,200 --> 00:11:01,120 Speaker 2: If the other housewives see you throw Kenya bone, they're 189 00:11:01,160 --> 00:11:03,880 Speaker 2: also going to throw her bone because the queen bee 190 00:11:03,920 --> 00:11:09,120 Speaker 2: of the show brought on this woman who they don't 191 00:11:09,120 --> 00:11:13,800 Speaker 2: get along with, to say to everybody, let's all have peace. 192 00:11:14,240 --> 00:11:16,720 Speaker 2: And that's when I believe it was episode two or three. 193 00:11:17,800 --> 00:11:23,600 Speaker 2: That's when Nini brought Kenya to this lounge and the 194 00:11:23,679 --> 00:11:28,120 Speaker 2: ladies had this ponder. Rosa and Fadria says, phaedr Ward 195 00:11:28,160 --> 00:11:32,319 Speaker 2: like this funeral tire and she said, you claim my 196 00:11:32,400 --> 00:11:35,319 Speaker 2: husband had aids. It's that seen, guys. So if you 197 00:11:35,360 --> 00:11:40,920 Speaker 2: guys remember, Nini brought Kenya to face the fire, but 198 00:11:41,440 --> 00:11:44,040 Speaker 2: in an attempt to make sure that all the girls 199 00:11:44,040 --> 00:11:46,960 Speaker 2: can at leavest move forward. And that's what you do 200 00:11:47,559 --> 00:11:51,280 Speaker 2: when you are the queen bee of the show. I 201 00:11:51,320 --> 00:11:56,240 Speaker 2: wanted Giselle Bryant at minimum to get up and say, 202 00:11:56,280 --> 00:11:57,880 Speaker 2: all right, guys, enough is enough. 203 00:11:58,160 --> 00:12:00,800 Speaker 3: It's gone too far. This is not what we do. 204 00:12:01,240 --> 00:12:05,480 Speaker 2: Because you cannot sit up here on your podium season 205 00:12:05,559 --> 00:12:09,280 Speaker 2: five and call everything I'm sorry and call Monique everything 206 00:12:09,320 --> 00:12:12,040 Speaker 2: but a child of God for what she did. And 207 00:12:12,080 --> 00:12:15,880 Speaker 2: what Monique did was wrong, and Monique admitted Candace did 208 00:12:15,880 --> 00:12:18,120 Speaker 2: not deserve that. That came out of Monique's own mouth, 209 00:12:18,200 --> 00:12:20,040 Speaker 2: So I'm not saying things that she didn't say. She 210 00:12:20,120 --> 00:12:24,400 Speaker 2: said that I thought it was a healthy conversation. To 211 00:12:24,480 --> 00:12:27,800 Speaker 2: see that Wendy was not giving that same grace was disappointing, 212 00:12:28,480 --> 00:12:31,760 Speaker 2: and I'm gonna go a bit further. I also want 213 00:12:31,760 --> 00:12:36,160 Speaker 2: the production to step in more because I didn't like 214 00:12:36,280 --> 00:12:41,720 Speaker 2: the whole comedic elements of calling Robin RMZ like TMZ 215 00:12:42,600 --> 00:12:48,280 Speaker 2: like you can't. You can't editorialize your opinion when there's 216 00:12:48,360 --> 00:12:51,760 Speaker 2: a scene that is disturbing. You have to let the 217 00:12:51,800 --> 00:12:57,160 Speaker 2: reality play out. You doing that makes it appear. And 218 00:12:57,200 --> 00:12:59,480 Speaker 2: I'm not saying they felt this way. I'm saying as 219 00:12:59,480 --> 00:13:02,840 Speaker 2: a viewer, and this is where Carlos King the Human 220 00:13:02,880 --> 00:13:07,000 Speaker 2: Being steps in as a viewer, it made it seem 221 00:13:07,040 --> 00:13:08,920 Speaker 2: like you guys also thought it was funny, and there 222 00:13:08,920 --> 00:13:09,439 Speaker 2: was nothing. 223 00:13:09,320 --> 00:13:10,760 Speaker 3: Funny about that moment. 224 00:13:11,480 --> 00:13:16,840 Speaker 2: And as somebody who has seen Porsche get into situations, 225 00:13:17,200 --> 00:13:18,880 Speaker 2: a lot of people know me Richie. 226 00:13:18,760 --> 00:13:20,680 Speaker 3: Because I was the security guard. 227 00:13:21,280 --> 00:13:25,199 Speaker 2: I prevented Porsche from getting in trouble a lot of times. 228 00:13:25,520 --> 00:13:29,920 Speaker 2: Season seven, you guys remember being on the Girls, being 229 00:13:29,920 --> 00:13:32,679 Speaker 2: on the boat, Porsia and Cynthia had this intense moment. 230 00:13:33,280 --> 00:13:39,960 Speaker 2: I Carlos King, a producer, saw Porsche almost lunch at Cynthia. 231 00:13:40,559 --> 00:13:45,880 Speaker 2: I ran and tackled Porsche because I love Porscha so 232 00:13:46,040 --> 00:13:48,280 Speaker 2: much that I was like, I don't want you to 233 00:13:48,320 --> 00:13:50,480 Speaker 2: do anything that you're going to regret. 234 00:13:51,400 --> 00:13:52,319 Speaker 3: I don't want that for you. 235 00:13:53,080 --> 00:13:55,760 Speaker 2: I did not decide to just stand there and say, 236 00:13:55,760 --> 00:13:57,440 Speaker 2: well girl, let me just see what you do and 237 00:13:57,480 --> 00:14:01,040 Speaker 2: we'll follow it and let's make a funny moment. As 238 00:14:01,080 --> 00:14:05,520 Speaker 2: a producer, you have the responsibility to make sure that 239 00:14:05,760 --> 00:14:09,480 Speaker 2: at best, you prevent your cash from dangering themselves. And 240 00:14:09,520 --> 00:14:12,520 Speaker 2: my last example is going to be Richie Love and 241 00:14:12,559 --> 00:14:15,800 Speaker 2: Marriage Hunts Bill. This current season had a big moment 242 00:14:15,840 --> 00:14:19,640 Speaker 2: between its Wanda, Melody Martell and the men and one 243 00:14:19,680 --> 00:14:22,360 Speaker 2: thing that I gave my producers props on is they 244 00:14:22,400 --> 00:14:24,880 Speaker 2: all stepped in in order for it not to be 245 00:14:24,960 --> 00:14:28,640 Speaker 2: worse and when you watched that episode of the Love 246 00:14:28,640 --> 00:14:31,960 Speaker 2: and Marriage hunts Bill Melee again, nobody punched each other 247 00:14:32,040 --> 00:14:34,000 Speaker 2: or anything, but it was a big sort of like 248 00:14:34,440 --> 00:14:40,160 Speaker 2: pushing around. We as producers did not editorialize that moment 249 00:14:40,240 --> 00:14:43,920 Speaker 2: and made things funny in terms of adding our two 250 00:14:44,000 --> 00:14:47,440 Speaker 2: cents into it. So I'm with you. I was disappointed 251 00:14:47,520 --> 00:14:50,360 Speaker 2: in a lot of people. And whether or not you 252 00:14:50,480 --> 00:14:53,360 Speaker 2: like Wendy is neither here nor there is to the 253 00:14:53,400 --> 00:14:55,880 Speaker 2: point where I wouldn't wish that of my worst enemy. 254 00:14:56,080 --> 00:15:00,040 Speaker 4: I wouldn't either. I definitely wouldn't either. And I I 255 00:15:00,080 --> 00:15:03,000 Speaker 4: did think about the moment on Love and Marriage Huntsville 256 00:15:03,040 --> 00:15:06,280 Speaker 4: this season because I knew that these are at least 257 00:15:06,320 --> 00:15:09,200 Speaker 4: as far as we've seen thus far on Huntsville. 258 00:15:09,200 --> 00:15:10,440 Speaker 1: That was a big moment. 259 00:15:11,160 --> 00:15:14,120 Speaker 4: But the thing about it was each person had someone 260 00:15:14,320 --> 00:15:16,000 Speaker 4: there to cover them. 261 00:15:16,920 --> 00:15:17,640 Speaker 1: On Huntsville. 262 00:15:17,920 --> 00:15:22,240 Speaker 4: Yeah, they had family, whether it was Melody and Martel, 263 00:15:22,320 --> 00:15:25,440 Speaker 4: whether it was the Scots. You know, they had people 264 00:15:25,520 --> 00:15:29,680 Speaker 4: there to if somebody else was thinking illogically, someone was 265 00:15:29,680 --> 00:15:32,800 Speaker 4: thinking logically, no, we can't do this, let's get this, 266 00:15:33,080 --> 00:15:35,360 Speaker 4: let's get this person out of here. There was really 267 00:15:35,600 --> 00:15:40,560 Speaker 4: none of that for Wendy. Okay, and to be quite honest, 268 00:15:40,640 --> 00:15:43,160 Speaker 4: when you really think about it, there was really nobody 269 00:15:43,240 --> 00:15:46,560 Speaker 4: like that for me either. I mean, like to really 270 00:15:46,640 --> 00:15:49,960 Speaker 4: really they can accept Jacqueline, but I felt like even 271 00:15:50,080 --> 00:15:52,640 Speaker 4: she didn't do a good enough job. If that's my 272 00:15:52,760 --> 00:15:56,400 Speaker 4: girl of fifteen years, no say to you, miss Jacqueline. 273 00:15:56,640 --> 00:15:58,480 Speaker 4: But if that's my girl of fifteen years and I 274 00:15:58,560 --> 00:16:02,320 Speaker 4: see you like hurnt all the way up, Okay, I'm 275 00:16:02,320 --> 00:16:04,520 Speaker 4: gonna go ahead and get I'm gonna get you out 276 00:16:04,560 --> 00:16:07,000 Speaker 4: of there regardless. That's just my thing in general, like 277 00:16:07,120 --> 00:16:09,960 Speaker 4: we can't. I can't have you on a situation, Carlos. 278 00:16:10,000 --> 00:16:11,760 Speaker 4: I'm never gonna let you. If I'm sitting here and 279 00:16:11,760 --> 00:16:14,080 Speaker 4: we at dinner something you going at it with somebody 280 00:16:14,160 --> 00:16:16,360 Speaker 4: like that, and I feel like Cortez is about to 281 00:16:16,360 --> 00:16:19,800 Speaker 4: come out. We gotta go, bro, we gotta go. We 282 00:16:19,880 --> 00:16:21,560 Speaker 4: gonna go get drinks somebody else. 283 00:16:21,720 --> 00:16:23,280 Speaker 3: Because I have too much to lose. 284 00:16:23,320 --> 00:16:25,200 Speaker 2: And that's why I agree with you in terms of 285 00:16:25,680 --> 00:16:30,000 Speaker 2: doctor Wendy has so much to lose, and somebody should 286 00:16:30,040 --> 00:16:32,800 Speaker 2: have said and listen, I'm not just gonna say Gizelle 287 00:16:32,840 --> 00:16:35,880 Speaker 2: and Robin already said my opinions about them. 288 00:16:36,040 --> 00:16:37,840 Speaker 3: I'm gonna get Karen. Karen. 289 00:16:38,480 --> 00:16:41,320 Speaker 2: At least what we saw this season, it appears you, 290 00:16:41,440 --> 00:16:45,000 Speaker 2: like doctor Wendy, you didn't do anything either. You got 291 00:16:45,080 --> 00:16:47,640 Speaker 2: them Oh my gosh, did this really happen? Did water 292 00:16:47,640 --> 00:16:51,320 Speaker 2: get on me? None of it was so fake. And 293 00:16:51,720 --> 00:16:54,000 Speaker 2: the one thing that I think. 294 00:16:54,080 --> 00:16:55,440 Speaker 3: Oh, I can't believe I'm saying this. 295 00:16:55,840 --> 00:16:58,680 Speaker 2: Don't get me wrong, I love Potomac, but I gotta 296 00:16:58,720 --> 00:17:03,040 Speaker 2: be honest. This season isn't hitting as past seasons have 297 00:17:03,160 --> 00:17:06,320 Speaker 2: been because I feel like all of the women are 298 00:17:06,359 --> 00:17:10,240 Speaker 2: having unlikable moments and I just don't believe these women 299 00:17:10,280 --> 00:17:11,240 Speaker 2: want to be around each other. 300 00:17:12,440 --> 00:17:16,720 Speaker 3: And I think I gotta be real. 301 00:17:17,240 --> 00:17:20,879 Speaker 2: I think this cast is more interested in trying to 302 00:17:20,960 --> 00:17:25,800 Speaker 2: make a moment versus being in the moment, and it's 303 00:17:25,880 --> 00:17:30,080 Speaker 2: not coming across real and the executive producer of the podcast, 304 00:17:30,119 --> 00:17:32,560 Speaker 2: Jazmine She tweeted recently that. 305 00:17:34,000 --> 00:17:35,680 Speaker 3: She's not sure if she. 306 00:17:35,640 --> 00:17:40,959 Speaker 2: Can continue Potomac because these women are all unlikable and 307 00:17:41,000 --> 00:17:43,840 Speaker 2: she doesn't believe for her, second, their friends. And this 308 00:17:44,000 --> 00:17:50,240 Speaker 2: is my warning to Potomac and everyone involved. Be very careful, 309 00:17:51,320 --> 00:17:56,120 Speaker 2: be very careful, because there's a balance between all right, girl, 310 00:17:56,440 --> 00:18:00,600 Speaker 2: I'm about to get a moment versus not living in 311 00:18:00,640 --> 00:18:04,120 Speaker 2: the moment and allowing the reality to happen. And if 312 00:18:04,119 --> 00:18:07,520 Speaker 2: you're not careful, you are going to have the same 313 00:18:07,600 --> 00:18:14,040 Speaker 2: situation like other reality shows who shall remain nameless to 314 00:18:14,119 --> 00:18:21,240 Speaker 2: where it's so unbelievable that they're friends, and it's going 315 00:18:21,280 --> 00:18:25,520 Speaker 2: to result in the show receiving low ratings and not 316 00:18:25,760 --> 00:18:27,080 Speaker 2: being the talk of the town. 317 00:18:27,440 --> 00:18:29,120 Speaker 3: And I'm not gonna say what Sean I'm talking. 318 00:18:28,920 --> 00:18:33,800 Speaker 2: About, but there's another show where it's ob be us 319 00:18:34,119 --> 00:18:36,920 Speaker 2: and I don't care what y'all say. It's ob be 320 00:18:37,359 --> 00:18:42,400 Speaker 2: us that those women are invested, and it's obvious that 321 00:18:42,480 --> 00:18:46,240 Speaker 2: there aren't women on that show who care to really 322 00:18:46,240 --> 00:18:50,640 Speaker 2: be around each other. So look, Giselle, I'm gonna put 323 00:18:50,680 --> 00:18:55,959 Speaker 2: all the responsibility on you. It's your show. You're the 324 00:18:56,000 --> 00:18:59,720 Speaker 2: force multiplier, and if you don't get this train back on, 325 00:18:59,760 --> 00:19:04,199 Speaker 2: tract is going to fall off the motherfucking station. 326 00:19:09,960 --> 00:19:13,600 Speaker 4: Can I ask you a question as a producer, and 327 00:19:13,720 --> 00:19:16,560 Speaker 4: I know that you kind of answered this earlier, but 328 00:19:16,840 --> 00:19:20,399 Speaker 4: like when you see a situation playing out, when do 329 00:19:20,520 --> 00:19:24,320 Speaker 4: you determine if the energy is hot? 330 00:19:24,680 --> 00:19:25,840 Speaker 1: When do you determine? 331 00:19:26,400 --> 00:19:29,800 Speaker 4: All right, we got to cut this scene and or 332 00:19:30,440 --> 00:19:31,680 Speaker 4: we gotta let this play out. 333 00:19:31,800 --> 00:19:32,919 Speaker 3: No, that's a very good question. 334 00:19:33,080 --> 00:19:35,639 Speaker 2: So one thing about my listeners, they like me to 335 00:19:35,680 --> 00:19:38,360 Speaker 2: go down memory lane and provide examples. 336 00:19:38,600 --> 00:19:40,120 Speaker 3: I'm going to provide examples of. 337 00:19:40,440 --> 00:19:43,600 Speaker 2: Jersey Housewives and and Atlanta Housewives and the Love and 338 00:19:43,640 --> 00:19:47,199 Speaker 2: Marriage franchise that I created, so you know, when it 339 00:19:47,200 --> 00:19:51,000 Speaker 2: comes to Jersey. We saw how Teresa flip the table 340 00:19:51,000 --> 00:19:56,880 Speaker 2: on Danielle and how Danielle was on an island, and 341 00:19:57,160 --> 00:19:59,040 Speaker 2: it was a challenge to get them in the same 342 00:19:59,160 --> 00:19:59,840 Speaker 2: room together. 343 00:20:00,640 --> 00:20:07,879 Speaker 3: But because Danielle at that time, at that time could not. 344 00:20:09,520 --> 00:20:12,960 Speaker 2: Danielle let me say, I could not. Danielle did not 345 00:20:13,080 --> 00:20:16,240 Speaker 2: want to make amends with them. I know for a 346 00:20:16,320 --> 00:20:20,639 Speaker 2: fact that Teresa didn't give a shit. Teresa was like, honestly, Carlos, 347 00:20:21,000 --> 00:20:23,919 Speaker 2: I don't give a shit, like whatever, Like if she 348 00:20:23,960 --> 00:20:26,040 Speaker 2: wants me to be around, we could be around. We 349 00:20:26,119 --> 00:20:28,560 Speaker 2: won't be friends, but I don't mind being around the bitch. 350 00:20:28,680 --> 00:20:33,160 Speaker 2: That was Teresa Corporatum. Jacqueline and Danielle were best friends. 351 00:20:33,400 --> 00:20:35,879 Speaker 2: But I knew that if I could, I could convince 352 00:20:35,920 --> 00:20:39,520 Speaker 2: them to possibly get back together. Danielle was adamant about 353 00:20:39,520 --> 00:20:41,399 Speaker 2: not doing it, and that's why you didn't see Danielle 354 00:20:41,400 --> 00:20:42,320 Speaker 2: after season two. 355 00:20:42,800 --> 00:20:45,240 Speaker 3: That's just real talk. She could not get past the 356 00:20:45,280 --> 00:20:49,400 Speaker 3: fact that I don't know how to get past the situation. 357 00:20:50,160 --> 00:20:52,520 Speaker 2: And it didn't make sense anymore because again it would 358 00:20:52,560 --> 00:20:54,760 Speaker 2: be unbelievable to think that Danielle would come back and 359 00:20:54,760 --> 00:20:59,719 Speaker 2: be around these women. That's that Atlanta Housewives Portia versus Kenya, 360 00:21:00,320 --> 00:21:03,480 Speaker 2: Kenya Versus Phaedra. I never told anyone this season eight, 361 00:21:04,000 --> 00:21:07,040 Speaker 2: when the cast of Atlanta Housewives went to the Philippines, 362 00:21:08,200 --> 00:21:13,240 Speaker 2: Kenya and Phaedra had this very tearful moment in Phaedra's 363 00:21:13,320 --> 00:21:17,320 Speaker 2: room where that season Apollo Reville that he lied about 364 00:21:17,400 --> 00:21:22,560 Speaker 2: Kenya wanting to meet him at the hotel. I had 365 00:21:22,560 --> 00:21:27,480 Speaker 2: a conversation with Kenya and Phedra separately, and I said, 366 00:21:27,560 --> 00:21:31,240 Speaker 2: I'm no longer interested. And if I'm not interested, I 367 00:21:31,280 --> 00:21:35,119 Speaker 2: know my audience is said. I'm over this, Phaedra versus Kenya. 368 00:21:35,240 --> 00:21:35,800 Speaker 3: I'm bored. 369 00:21:36,200 --> 00:21:40,199 Speaker 2: It was great season five, six and half of seven 370 00:21:40,760 --> 00:21:44,359 Speaker 2: when Phaedra almost Fadra had an unest the moment and 371 00:21:44,400 --> 00:21:45,200 Speaker 2: wound up her purse. 372 00:21:45,520 --> 00:21:47,160 Speaker 3: It was about to you, yes. 373 00:21:47,960 --> 00:21:50,560 Speaker 2: Come on, sap and the son weave the I'm about 374 00:21:50,600 --> 00:21:53,720 Speaker 2: to join your honey, Come on honey, yes for my 375 00:21:53,840 --> 00:21:54,640 Speaker 2: old hands. 376 00:21:54,720 --> 00:21:55,720 Speaker 3: Yes, son. 377 00:21:56,640 --> 00:22:00,080 Speaker 2: So I talked to them and I said, I I 378 00:22:00,119 --> 00:22:03,200 Speaker 2: cannot do another season where it's Phaedra versus Kenya. I 379 00:22:03,240 --> 00:22:07,040 Speaker 2: am literally bored. You guys have to get past this. 380 00:22:07,520 --> 00:22:10,120 Speaker 2: And that's where you saw the conversation. So to answer 381 00:22:10,160 --> 00:22:14,280 Speaker 2: your question, you have to let the reality play out. 382 00:22:14,480 --> 00:22:17,560 Speaker 2: But you also have to be mindfest producer when the 383 00:22:17,640 --> 00:22:21,920 Speaker 2: reality is played. If you get what I'm saying, like 384 00:22:22,000 --> 00:22:25,199 Speaker 2: it's and Phedra versus Kenya was played out, child, I 385 00:22:25,240 --> 00:22:30,280 Speaker 2: was like, girl, I'm over it. Apollo admitted he lied, Phaedra, 386 00:22:30,520 --> 00:22:33,600 Speaker 2: you gotta get this woman some grace period, and Kenya, 387 00:22:33,880 --> 00:22:36,480 Speaker 2: you gotta allow her to explain to you why it 388 00:22:36,520 --> 00:22:38,920 Speaker 2: was hard for her. And then you saw season nine, 389 00:22:39,840 --> 00:22:41,640 Speaker 2: at least the beginning of season nine. 390 00:22:41,800 --> 00:22:48,120 Speaker 3: They were good because I stepped in. So that's why 391 00:22:48,240 --> 00:22:49,160 Speaker 3: I have to talk to. 392 00:22:50,640 --> 00:22:54,399 Speaker 2: The production side of Atomac to where they got to 393 00:22:54,440 --> 00:22:56,840 Speaker 2: step in and say, Giselle is your show, get this 394 00:22:56,880 --> 00:23:01,000 Speaker 2: shit back together and let's have fun with it. You 395 00:23:01,040 --> 00:23:03,880 Speaker 2: and Karen Bee think it's hilarious because it's not that deep. 396 00:23:04,680 --> 00:23:07,520 Speaker 2: This whole thing with Chris having a me too moment. 397 00:23:08,600 --> 00:23:14,840 Speaker 2: In my opinion, comes across as produced. I don't think 398 00:23:14,880 --> 00:23:19,800 Speaker 2: it has enough merit to the story my opinion, and 399 00:23:18,680 --> 00:23:22,800 Speaker 2: I'm I'm kind of disappointed we've been talking about it 400 00:23:22,840 --> 00:23:25,000 Speaker 2: for these past three episodes. I think let's move on. 401 00:23:26,640 --> 00:23:30,600 Speaker 2: There's no merit to it, in my opinion. So I'm 402 00:23:30,720 --> 00:23:37,240 Speaker 2: hopeful that Potomac can get past this dark space they're in. 403 00:23:38,040 --> 00:23:40,119 Speaker 2: And when I say dark, I'm gonna be very clear. 404 00:23:40,600 --> 00:23:44,680 Speaker 2: What Mia did to me is like, Okay, you had 405 00:23:44,680 --> 00:23:47,040 Speaker 2: a moment, Let's move on. I work with women on 406 00:23:47,080 --> 00:23:49,200 Speaker 2: all these shows. They had a moment. I don't think 407 00:23:49,320 --> 00:23:52,680 Speaker 2: it makes you a bad person. You had a moment, 408 00:23:52,760 --> 00:23:56,200 Speaker 2: Let's move on from it. I'm more talking about how 409 00:23:56,280 --> 00:23:59,960 Speaker 2: other people reacted to it that made it more unfortunate. 410 00:24:00,920 --> 00:24:04,280 Speaker 2: And I think that is a conversation that I don't 411 00:24:04,320 --> 00:24:06,159 Speaker 2: think anyone's having that we should have. 412 00:24:06,560 --> 00:24:08,560 Speaker 1: I agree, I said it. 413 00:24:08,600 --> 00:24:11,359 Speaker 4: I think when I reviewed it, I hate the idea 414 00:24:11,520 --> 00:24:14,600 Speaker 4: that a lot of times, you know, black women and 415 00:24:14,680 --> 00:24:18,439 Speaker 4: black men on these shows get categorized as ghetto for 416 00:24:18,560 --> 00:24:21,919 Speaker 4: taking actions that people on other shows have taken. 417 00:24:22,000 --> 00:24:22,880 Speaker 1: Plenty of times. 418 00:24:23,160 --> 00:24:26,040 Speaker 4: I literally just saw Jen Shaw pour a drink on 419 00:24:26,080 --> 00:24:28,760 Speaker 4: a girl's head, literally because she didn't like that the 420 00:24:28,760 --> 00:24:31,480 Speaker 4: girl had took her room on a trip and nobody 421 00:24:31,600 --> 00:24:32,919 Speaker 4: was really complaining about it. 422 00:24:32,960 --> 00:24:34,040 Speaker 1: But I feel like we. 423 00:24:33,920 --> 00:24:36,919 Speaker 4: Sometimes do that to ourselves, and I don't want us 424 00:24:36,920 --> 00:24:39,919 Speaker 4: to do that because I oftentimes feel like, yes, she 425 00:24:40,000 --> 00:24:43,040 Speaker 4: had a moment, whether it was a calculated moment or 426 00:24:43,080 --> 00:24:45,439 Speaker 4: whether it was a moment out of the heat of 427 00:24:45,720 --> 00:24:48,200 Speaker 4: passion or whatever like that, I felt like, we also 428 00:24:48,280 --> 00:24:50,280 Speaker 4: have to keep in mind that you know, these are 429 00:24:50,320 --> 00:24:53,600 Speaker 4: people and they're going to mess up, right, But the 430 00:24:53,680 --> 00:24:57,240 Speaker 4: triggering thing, like you said, was not just what she did, 431 00:24:57,280 --> 00:25:01,040 Speaker 4: but it was the things that surrounded and everyone else's 432 00:25:01,119 --> 00:25:03,600 Speaker 4: reaction to it, like it just never even happened. 433 00:25:05,760 --> 00:25:08,440 Speaker 3: I hate to interrupt, but stay tuned for more. 434 00:25:08,880 --> 00:25:19,399 Speaker 2: We'll be right back after these quick ads. This is 435 00:25:19,480 --> 00:25:22,800 Speaker 2: Reality with the King and I'm Carlos King. Let's get 436 00:25:22,840 --> 00:25:27,600 Speaker 2: back into the show. Yeah, it was just it was 437 00:25:27,640 --> 00:25:30,200 Speaker 2: just a bad moment. So we'll see what happens at 438 00:25:30,200 --> 00:25:34,560 Speaker 2: the reunion while it's addressed. You saw that Mia and 439 00:25:34,640 --> 00:25:39,480 Speaker 2: Wendy's mother are going at it on Twitter. Wendy's mother 440 00:25:39,800 --> 00:25:45,480 Speaker 2: is the Mama Joyce, the Miss Wanda Potomac I'm here 441 00:25:45,520 --> 00:25:51,520 Speaker 2: for it, and Wendy's mom read Miss Milla for Philed 442 00:25:51,640 --> 00:25:54,919 Speaker 2: called her everything but a child of the High Power, 443 00:25:55,280 --> 00:26:00,320 Speaker 2: God Lord, Jesus Christ and Latterday Saints. So this has 444 00:26:00,400 --> 00:26:03,200 Speaker 2: potential to become sicker. 445 00:26:04,160 --> 00:26:05,640 Speaker 3: But based on. 446 00:26:05,760 --> 00:26:11,440 Speaker 2: The mid season trailer that dropped, it looks like Karen 447 00:26:11,840 --> 00:26:16,760 Speaker 2: and Charis are going to have an epic showdown and 448 00:26:17,040 --> 00:26:23,000 Speaker 2: that to me is going to be comedy and conflict. 449 00:26:23,480 --> 00:26:29,720 Speaker 2: So we saw Richie that Charis because a lot of 450 00:26:29,720 --> 00:26:32,320 Speaker 2: people felt like, Okay, Scharise, why. 451 00:26:32,160 --> 00:26:32,880 Speaker 3: Are you on this show? 452 00:26:32,880 --> 00:26:36,919 Speaker 2: You haven't done anything but wore heavy eyelashes. That's what 453 00:26:36,960 --> 00:26:37,760 Speaker 2: the fans are saying. 454 00:26:38,440 --> 00:26:42,480 Speaker 3: And I love and I love Sharise. 455 00:26:43,080 --> 00:26:45,960 Speaker 2: And Charise is on the upcoming episode Reality the King 456 00:26:46,080 --> 00:26:49,600 Speaker 2: and she drops all teeth, love you, Shariz. But the 457 00:26:49,640 --> 00:26:52,520 Speaker 2: girls are saying, Charise, all you're doing is giving us 458 00:26:52,560 --> 00:26:55,919 Speaker 2: heavy eyelashes, why are you here? And we get to 459 00:26:55,960 --> 00:26:58,359 Speaker 2: see Wendy clock in I'm not Wendy. We get to 460 00:26:58,400 --> 00:27:04,320 Speaker 2: see Shari's clock in and pretty much alleged that Karen 461 00:27:04,480 --> 00:27:10,320 Speaker 2: has a boyfriend she sleeps with the help Chari's words, 462 00:27:10,400 --> 00:27:16,439 Speaker 2: not mine, and that Karen is having an affair with 463 00:27:16,600 --> 00:27:18,760 Speaker 2: other man. What do you think, Richie? 464 00:27:19,640 --> 00:27:23,199 Speaker 4: Oh, well, this is nothing different from the tune that 465 00:27:23,320 --> 00:27:27,560 Speaker 4: Charise was singing when she left, so I'm not surprised 466 00:27:27,600 --> 00:27:30,440 Speaker 4: that this is picked back up on And I wonder 467 00:27:30,480 --> 00:27:33,639 Speaker 4: if this is also what Candace was referring to in 468 00:27:33,680 --> 00:27:37,160 Speaker 4: her meet up with Ashley, remember in that scene where 469 00:27:37,200 --> 00:27:39,879 Speaker 4: her at which I thought was phenomen Can I actually 470 00:27:39,960 --> 00:27:44,639 Speaker 4: let me pause to say this real quick. Candace is probably, 471 00:27:45,080 --> 00:27:49,359 Speaker 4: in my opinion right now, she and Karen are coming 472 00:27:49,400 --> 00:27:52,280 Speaker 4: across as the most likable people on the show right now. 473 00:27:53,640 --> 00:27:57,760 Speaker 2: To me, this is kandas season. Candace is so likable 474 00:27:57,960 --> 00:28:01,880 Speaker 2: this season. And as you know, I love Candy Gal. 475 00:28:02,160 --> 00:28:05,919 Speaker 2: I'm a Candy Gal fan, and I'm I'm proof that 476 00:28:06,000 --> 00:28:10,479 Speaker 2: you could love Candace, Monique, Jaselle, and Karen absolute at 477 00:28:10,480 --> 00:28:14,480 Speaker 2: the same time. Absolutely, Okay, yes, this is this. This 478 00:28:14,480 --> 00:28:17,840 Speaker 2: this season belongs to Candace and producers. 479 00:28:17,920 --> 00:28:19,520 Speaker 3: I know you're listening. Wink wink. 480 00:28:20,480 --> 00:28:24,560 Speaker 2: I need Candace to have first seat. Candace and Jaselle, 481 00:28:24,640 --> 00:28:24,960 Speaker 2: thank you. 482 00:28:25,480 --> 00:28:26,080 Speaker 1: It makes sense. 483 00:28:26,480 --> 00:28:28,960 Speaker 4: I just got chills when she was in the studio 484 00:28:29,080 --> 00:28:31,200 Speaker 4: with Trina. It just it just felt it was. It 485 00:28:31,240 --> 00:28:33,840 Speaker 4: was the best moment of the last episode to me, 486 00:28:34,000 --> 00:28:38,440 Speaker 4: in my opinion. But I wonder if that's where Candace 487 00:28:38,480 --> 00:28:41,120 Speaker 4: got that rumor from in that scene with her and 488 00:28:41,160 --> 00:28:45,440 Speaker 4: Ashley sitting there kicking about Karen in the in the kitchen, right, so, 489 00:28:45,760 --> 00:28:47,440 Speaker 4: but we also got the grand dab. 490 00:28:47,360 --> 00:28:51,320 Speaker 2: Bub Remind remind the listeners. Remind the listeners, Kachie what 491 00:28:51,440 --> 00:28:54,320 Speaker 2: they said in that scene, Honey, okay. The rumor was, 492 00:28:54,360 --> 00:28:58,520 Speaker 2: according to Candace, allegedly Karen was sneaking out of town 493 00:28:58,760 --> 00:29:02,640 Speaker 2: with somebody else, meeting up with somebody else for dinners 494 00:29:02,640 --> 00:29:06,200 Speaker 2: and things like that, and then somebody was not Ray okay. 495 00:29:07,320 --> 00:29:12,440 Speaker 4: So I wonder if she heard this from Sharise. That's 496 00:29:12,520 --> 00:29:16,080 Speaker 4: number one, But number two, I don't know if you 497 00:29:16,120 --> 00:29:18,280 Speaker 4: picked up on the trailer, but there was a lot 498 00:29:18,320 --> 00:29:22,960 Speaker 4: of talk surrounding Robin and Wan as well. 499 00:29:23,960 --> 00:29:26,280 Speaker 3: Speak on it, go Henry Ti, let the girls know. 500 00:29:26,720 --> 00:29:31,120 Speaker 4: So in the trailer we see Robin talking about maybe 501 00:29:31,120 --> 00:29:35,280 Speaker 4: doing some type of private destination wedding, and then Karen 502 00:29:35,360 --> 00:29:39,760 Speaker 4: revealing some rumors about, you know, one having another woman 503 00:29:39,880 --> 00:29:43,880 Speaker 4: allegedly that looks similar to her, And I was like, 504 00:29:44,120 --> 00:29:45,480 Speaker 4: what now, say. 505 00:29:45,360 --> 00:29:48,480 Speaker 1: What not another blonde? Give it to us, Karen. 506 00:29:51,560 --> 00:29:54,440 Speaker 3: The blonde have more fun and Potomac. 507 00:29:54,480 --> 00:29:57,760 Speaker 4: Honey, guys, it seems like it half of the cast 508 00:29:57,880 --> 00:29:58,600 Speaker 4: is blood. 509 00:30:00,840 --> 00:30:05,280 Speaker 3: And there you have it. No, I caught that, and listen, listen, listen. 510 00:30:06,120 --> 00:30:10,280 Speaker 2: There's been tons of rumors that Karen has allegedly fooled 511 00:30:10,360 --> 00:30:15,520 Speaker 2: around with other men on Ray. Charis is on next 512 00:30:15,520 --> 00:30:19,280 Speaker 2: week's episode of Reality with the King, and all I 513 00:30:19,280 --> 00:30:20,000 Speaker 2: can say. 514 00:30:20,000 --> 00:30:25,200 Speaker 3: Is Charis reveals a lot without rebuilding a lot. 515 00:30:25,280 --> 00:30:32,440 Speaker 2: If you catch my drift, I have heard also. 516 00:30:33,640 --> 00:30:33,720 Speaker 1: That. 517 00:30:34,920 --> 00:30:36,600 Speaker 3: Listen. I don't know if it's true or not. I'm 518 00:30:36,600 --> 00:30:39,880 Speaker 3: just talking about her, you know, I know everybody in 519 00:30:39,960 --> 00:30:42,320 Speaker 3: reality TV. I know everyone right. 520 00:30:43,520 --> 00:30:45,960 Speaker 2: People have been in my ear telling me the same 521 00:30:46,000 --> 00:30:50,720 Speaker 2: things for a while. I again don't know if it's 522 00:30:50,720 --> 00:30:54,880 Speaker 2: true or not. That's Karen's story to tell. As an 523 00:30:54,920 --> 00:31:00,200 Speaker 2: avid viewer, I think if there is something going on, 524 00:31:00,960 --> 00:31:02,840 Speaker 2: I think this is my opinion. 525 00:31:02,960 --> 00:31:06,280 Speaker 3: I think allegedly Ray is cool with it. 526 00:31:06,920 --> 00:31:11,120 Speaker 2: I think Ray knows that the biographase of his life has. 527 00:31:13,120 --> 00:31:13,760 Speaker 3: Expired. 528 00:31:14,720 --> 00:31:19,080 Speaker 2: I think one thing I know about older married couples. 529 00:31:19,000 --> 00:31:20,440 Speaker 3: And this is some tea for y'all. 530 00:31:21,000 --> 00:31:21,720 Speaker 1: Give it to us. 531 00:31:22,240 --> 00:31:26,120 Speaker 2: When a when an older man marries a younger woman 532 00:31:26,480 --> 00:31:30,760 Speaker 2: in their prime, right when he gets older to where 533 00:31:31,040 --> 00:31:33,880 Speaker 2: the get up won't stay up. If you know what 534 00:31:33,960 --> 00:31:37,600 Speaker 2: I mean, let's just let's just have a mental picture 535 00:31:37,640 --> 00:31:42,600 Speaker 2: off pieces. Come on, Ray, the get up won't stay 536 00:31:42,640 --> 00:31:43,360 Speaker 2: up by. 537 00:31:43,240 --> 00:31:44,000 Speaker 3: Yes, right. 538 00:31:45,120 --> 00:31:48,720 Speaker 2: I have been told that oftentimes when a man reaches 539 00:31:48,760 --> 00:31:53,280 Speaker 2: his sexual peak, that he sometimes is fine with his 540 00:31:53,440 --> 00:31:56,720 Speaker 2: much younger wife having. 541 00:31:58,280 --> 00:31:59,200 Speaker 3: Rendezvous. 542 00:32:00,040 --> 00:32:03,200 Speaker 2: That's what I heard of in terms of other older 543 00:32:03,600 --> 00:32:06,360 Speaker 2: relationships where the man is older the woman's younger. 544 00:32:06,720 --> 00:32:08,760 Speaker 3: So there could. 545 00:32:08,520 --> 00:32:14,480 Speaker 2: Be that understanding that Karen and Ray may have, if 546 00:32:14,640 --> 00:32:18,479 Speaker 2: allegedly this is true. Now you live in DC, honey, 547 00:32:19,000 --> 00:32:23,280 Speaker 2: what have you heard streets? Cause you're not get away 548 00:32:23,320 --> 00:32:23,920 Speaker 2: with this baby? 549 00:32:24,520 --> 00:32:25,360 Speaker 1: You know what's funny? 550 00:32:25,400 --> 00:32:30,440 Speaker 4: Surprisingly, I have never heard anything about Karen and Ray. 551 00:32:30,800 --> 00:32:36,120 Speaker 4: I've never heard anything about Karen and Ray. Never, Honestly, 552 00:32:36,200 --> 00:32:39,080 Speaker 4: I never have. So anytime somebody mentions it on camera, 553 00:32:39,520 --> 00:32:44,840 Speaker 4: I'm like, no, one, I don't see Karen out like, 554 00:32:44,920 --> 00:32:47,880 Speaker 4: actually that's a lot. I saw Karen the other night. Okay, 555 00:32:48,240 --> 00:32:51,959 Speaker 4: let me not lie, but Karen, Karen was in and 556 00:32:51,960 --> 00:32:55,080 Speaker 4: out of that right, No, she was. She was by herself. 557 00:32:55,080 --> 00:32:57,560 Speaker 4: Actually I think she was by herself. She came to 558 00:32:57,560 --> 00:33:01,320 Speaker 4: see my friend Rileigh perform at her show. Karen was 559 00:33:01,360 --> 00:33:02,840 Speaker 4: in and out. I didn't even get a chance to 560 00:33:02,840 --> 00:33:06,640 Speaker 4: see or speak to her. So that's always how I've 561 00:33:06,640 --> 00:33:09,640 Speaker 4: seen Karen. She's in and out okay, and if she's 562 00:33:09,640 --> 00:33:12,400 Speaker 4: got a drink in her hands, she's a ton of fun. 563 00:33:12,720 --> 00:33:14,480 Speaker 4: And that's about it. That's what I can tell you. 564 00:33:15,240 --> 00:33:18,640 Speaker 4: I have heard more about the Robin and Wan of 565 00:33:18,680 --> 00:33:20,320 Speaker 4: it than anything else. 566 00:33:21,600 --> 00:33:22,640 Speaker 1: That's what I've heard more. 567 00:33:22,840 --> 00:33:26,840 Speaker 2: We've heard that wine has a babby of beauties on standby. 568 00:33:28,440 --> 00:33:32,120 Speaker 4: That's what's alleged, and that's what the people are saying 569 00:33:32,160 --> 00:33:34,840 Speaker 4: in the streets. Now, have I seen it with my 570 00:33:34,960 --> 00:33:38,560 Speaker 4: own two eyes? As Nini says, No, I've never seen 571 00:33:38,600 --> 00:33:40,719 Speaker 4: that with my own two eyes. I've never even come 572 00:33:40,760 --> 00:33:42,720 Speaker 4: across those folks. I think they live so far out 573 00:33:42,720 --> 00:33:44,480 Speaker 4: from here that I would not even come. 574 00:33:44,560 --> 00:33:46,320 Speaker 1: I wouldn't even run into them. 575 00:33:46,680 --> 00:33:49,760 Speaker 2: Someone said that Robin and Wann lives in Baltimore. 576 00:33:50,120 --> 00:33:56,600 Speaker 4: I think it's just about there. I think it's just 577 00:33:56,640 --> 00:33:58,760 Speaker 4: about there. And listen, you know what people think that 578 00:33:58,800 --> 00:34:00,720 Speaker 4: I have like some type of issue with Robin because 579 00:34:00,760 --> 00:34:01,880 Speaker 4: you know, she did block me. 580 00:34:03,320 --> 00:34:04,680 Speaker 1: And I don't really. 581 00:34:04,600 --> 00:34:05,880 Speaker 3: Hold up, hold up, hold. 582 00:34:05,760 --> 00:34:08,280 Speaker 2: Up, hold on, hold up, hold that wait up minute, 583 00:34:08,280 --> 00:34:11,880 Speaker 2: back that thing gotta do the brown wait Robin blocked you. 584 00:34:12,239 --> 00:34:16,840 Speaker 3: What did you do? Do they You're like the nicest person, yam. 585 00:34:17,160 --> 00:34:19,640 Speaker 4: And that's the thing I don't understand, you know what 586 00:34:19,680 --> 00:34:22,440 Speaker 4: it was. I think for me, I've always just wanted 587 00:34:22,719 --> 00:34:26,080 Speaker 4: Robin to step out on her own and be her 588 00:34:26,120 --> 00:34:29,080 Speaker 4: own person, because sometimes I kind of feel like she stands. 589 00:34:28,760 --> 00:34:30,040 Speaker 1: In the shadow of Giselle. 590 00:34:30,560 --> 00:34:34,200 Speaker 4: And I was more interested in Robbin seasons one and two, 591 00:34:34,760 --> 00:34:39,000 Speaker 4: and I felt like then there was an urgency to 592 00:34:39,600 --> 00:34:42,960 Speaker 4: the storyline that she had with her and one it 593 00:34:43,000 --> 00:34:45,920 Speaker 4: felt fresh at that time. You know, Ashley was all 594 00:34:46,000 --> 00:34:48,600 Speaker 4: up in her business. She was forced to defend herself 595 00:34:48,640 --> 00:34:51,600 Speaker 4: against you know, Ashley and Katie, and so I felt 596 00:34:51,680 --> 00:34:55,440 Speaker 4: like that Robin, to me, was was more authentic and 597 00:34:55,480 --> 00:34:57,440 Speaker 4: I want to see more of that Robin. 598 00:34:57,920 --> 00:34:59,799 Speaker 1: This Robin here it almost. 599 00:34:59,600 --> 00:35:01,640 Speaker 4: Just feels it's like, how girl, how long we're going 600 00:35:01,680 --> 00:35:03,959 Speaker 4: to stretch this Wan and you storyline? 601 00:35:04,120 --> 00:35:05,120 Speaker 1: Because I ain't interested. 602 00:35:05,200 --> 00:35:08,000 Speaker 4: I'm not interested in you selling hats, I'm not interested 603 00:35:08,040 --> 00:35:10,600 Speaker 4: in you doing you know, picking up on the real estate. 604 00:35:10,840 --> 00:35:13,920 Speaker 4: I'm interested in the real Robin. Like, where is she 605 00:35:14,080 --> 00:35:16,200 Speaker 4: bring her back? That's what I want to see. 606 00:35:16,520 --> 00:35:19,959 Speaker 2: So instead of Robin reading Wendy like she did last 607 00:35:20,000 --> 00:35:22,800 Speaker 2: season about becoming this different person. 608 00:35:23,440 --> 00:35:24,799 Speaker 3: The gag is you. 609 00:35:24,760 --> 00:35:29,120 Speaker 2: Feel like it's really Robin who has become a different person, 610 00:35:29,200 --> 00:35:30,399 Speaker 2: and you want the old Robin back. 611 00:35:30,520 --> 00:35:30,880 Speaker 1: Yeah. 612 00:35:30,960 --> 00:35:33,840 Speaker 4: Yeah, I mean because if you honest, Carlos, if you 613 00:35:34,520 --> 00:35:38,000 Speaker 4: avid viewers of this show, remember Robin, you know, pulling 614 00:35:38,040 --> 00:35:41,800 Speaker 4: out that wedding dress and you know, going down memory 615 00:35:41,880 --> 00:35:44,200 Speaker 4: lane and I think might have been her first scene 616 00:35:44,239 --> 00:35:47,560 Speaker 4: on the show, and she was just so relatable in 617 00:35:47,680 --> 00:35:50,239 Speaker 4: terms of, you know, things that were going on with 618 00:35:50,280 --> 00:35:52,719 Speaker 4: their finances. I want to hear how they got back 619 00:35:52,760 --> 00:35:54,520 Speaker 4: on track with all of that, you know what I'm 620 00:35:54,560 --> 00:35:57,680 Speaker 4: saying to me, that's the interesting part. How do you 621 00:35:57,800 --> 00:36:01,880 Speaker 4: and Wan make a co parent relationship work between the 622 00:36:01,920 --> 00:36:05,319 Speaker 4: two of you when things we know that things aren't 623 00:36:05,360 --> 00:36:07,600 Speaker 4: what they used to be. I would rather see the 624 00:36:07,640 --> 00:36:11,840 Speaker 4: truth of that than anything else, because at times he 625 00:36:11,920 --> 00:36:16,120 Speaker 4: comes across as very uninterested in where she's trying to 626 00:36:16,160 --> 00:36:18,840 Speaker 4: take the story, and so to meet that's bothersome to 627 00:36:18,880 --> 00:36:22,160 Speaker 4: see because it feels inauthentic, and I want authenticity when 628 00:36:22,200 --> 00:36:25,200 Speaker 4: I watch my shows. I do, especially from somebody that 629 00:36:25,239 --> 00:36:25,840 Speaker 4: I feel. 630 00:36:25,640 --> 00:36:27,440 Speaker 1: Like has the potential to be great. 631 00:36:27,880 --> 00:36:30,320 Speaker 2: Yes, I could not agree more so Robbin, if you're listening, 632 00:36:31,040 --> 00:36:33,399 Speaker 2: we appreciate that you felt the need to step it up, 633 00:36:33,840 --> 00:36:37,040 Speaker 2: but again, you got to be in the moment versus 634 00:36:37,040 --> 00:36:41,400 Speaker 2: trying to have a moment, and you are coming across 635 00:36:41,600 --> 00:36:43,040 Speaker 2: very unlikable this season. 636 00:36:43,840 --> 00:36:45,320 Speaker 3: Again, love that you're. 637 00:36:45,160 --> 00:36:47,960 Speaker 2: Clocked in, but make sure that the math is mathing 638 00:36:48,200 --> 00:36:48,680 Speaker 2: when you do. 639 00:36:48,800 --> 00:36:48,840 Speaker 1: So. 640 00:36:49,360 --> 00:36:53,200 Speaker 2: Okay, Now, before I let you go, Richie, we got 641 00:36:53,200 --> 00:36:54,879 Speaker 2: to talk about Love and Marriage DC. 642 00:36:55,680 --> 00:36:57,480 Speaker 3: Yes, I'm sure you're gag and you're like, oh, the 643 00:36:57,600 --> 00:37:01,920 Speaker 3: we bitch for going there. So I didn't know if 644 00:37:01,920 --> 00:37:05,400 Speaker 3: he was okay? Why not? 645 00:37:06,200 --> 00:37:11,920 Speaker 2: So as the world knows Monique Samuel's and Chris Samuels, 646 00:37:11,920 --> 00:37:13,000 Speaker 2: who I both love and. 647 00:37:12,920 --> 00:37:13,680 Speaker 3: We love each other. 648 00:37:13,719 --> 00:37:17,560 Speaker 2: There is no beef between Carlos King and Monique Samuels. 649 00:37:17,600 --> 00:37:21,279 Speaker 2: And I want you all to know that Monique Samuels 650 00:37:22,040 --> 00:37:25,960 Speaker 2: will not be appearing in the second installments of Love 651 00:37:26,000 --> 00:37:26,600 Speaker 2: and Marriage DC. 652 00:37:27,640 --> 00:37:32,880 Speaker 3: And we are, you know, moving forward with the show. 653 00:37:33,440 --> 00:37:36,400 Speaker 2: I have to say, and this is no cap because 654 00:37:36,400 --> 00:37:42,000 Speaker 2: you know, I don't lie, baby. This season is explosive, 655 00:37:42,719 --> 00:37:53,680 Speaker 2: it's fan fantastic. Ashley is Ashley, so you're gonna see 656 00:37:53,760 --> 00:37:59,520 Speaker 2: a lot of Ashley and Winter. You're also going to 657 00:37:59,640 --> 00:38:04,880 Speaker 2: see a lot of the Tylers, Jamie and Arena dealing 658 00:38:04,960 --> 00:38:09,759 Speaker 2: with their son, little Jamie. The first episode dives right 659 00:38:09,840 --> 00:38:12,760 Speaker 2: into it and this is one of the best season 660 00:38:12,800 --> 00:38:13,800 Speaker 2: premieeres I've seen. 661 00:38:14,719 --> 00:38:16,800 Speaker 3: It is really good. 662 00:38:17,640 --> 00:38:22,320 Speaker 2: And who knows, maybe by the time this podcast drops 663 00:38:22,320 --> 00:38:25,319 Speaker 2: for a few days after that, you all will know 664 00:38:26,239 --> 00:38:32,640 Speaker 2: who officially is the new couple on Love and Marriage DC. 665 00:38:33,400 --> 00:38:34,239 Speaker 2: And that's all I say. 666 00:38:34,360 --> 00:38:40,200 Speaker 4: I cannot wait because you know the streets are a talker. 667 00:38:42,640 --> 00:38:46,360 Speaker 2: Yeah, and I'm the one who likes to confirm things, 668 00:38:46,840 --> 00:38:53,200 Speaker 2: So just know, once it gets announced officially, I will 669 00:38:53,239 --> 00:38:57,200 Speaker 2: talk about more stuff about Love and Marriage DC and 670 00:38:57,239 --> 00:38:58,040 Speaker 2: what to expect. 671 00:38:58,080 --> 00:38:58,960 Speaker 3: The show does. 672 00:38:58,760 --> 00:39:04,120 Speaker 2: Premiere in January of twenty twenty three, and guys, look, 673 00:39:04,280 --> 00:39:05,680 Speaker 2: I know that a lot of you guys were like, 674 00:39:06,080 --> 00:39:06,759 Speaker 2: do we like DC? 675 00:39:06,920 --> 00:39:08,640 Speaker 3: Do we not? Because when you have a. 676 00:39:08,560 --> 00:39:12,200 Speaker 2: New franchise, it gets compared to its predecessor. So a 677 00:39:12,200 --> 00:39:15,239 Speaker 2: lot of people compared it to the monster hit of Huntsville. 678 00:39:16,160 --> 00:39:18,960 Speaker 2: But a lot of people also do love DC. I'll 679 00:39:19,000 --> 00:39:23,800 Speaker 2: say this much. I will say this, This upcoming season 680 00:39:24,040 --> 00:39:27,280 Speaker 2: of Love and Marriage DC feels like a brand new show. 681 00:39:27,600 --> 00:39:29,520 Speaker 1: Wow, I was going to ask you about that. 682 00:39:29,760 --> 00:39:31,520 Speaker 3: It feels like I was going to ask you about 683 00:39:31,520 --> 00:39:32,920 Speaker 3: like Bell Collector. 684 00:39:33,600 --> 00:39:34,480 Speaker 1: Yeah, I was going to. 685 00:39:34,520 --> 00:39:38,160 Speaker 4: Ask you about the feeling of this new season, Like 686 00:39:38,320 --> 00:39:42,240 Speaker 4: I know you can't give us a date or anything 687 00:39:42,280 --> 00:39:44,920 Speaker 4: like that, but I wanted to know how it felt 688 00:39:45,080 --> 00:39:47,520 Speaker 4: as a viewer, to like put it all together and 689 00:39:47,560 --> 00:39:48,560 Speaker 4: to edit it. 690 00:39:48,560 --> 00:39:51,920 Speaker 2: It's listen, it's an amazing season because at the end 691 00:39:51,920 --> 00:39:55,640 Speaker 2: of the day, this cast is super strong and they 692 00:39:55,640 --> 00:39:59,440 Speaker 2: were born to be in reality television, and when you 693 00:39:59,520 --> 00:40:03,719 Speaker 2: bring in new faces, there's new dynamics and Bell Collective. 694 00:40:03,880 --> 00:40:07,480 Speaker 2: Season two felt like a brand new show, and that's 695 00:40:07,520 --> 00:40:10,719 Speaker 2: what I'll compare it to even the reboots, if you 696 00:40:11,480 --> 00:40:13,719 Speaker 2: want to call a reboot of The Real Housewives of 697 00:40:13,760 --> 00:40:16,759 Speaker 2: Miami on Peacock out that this past season felt like 698 00:40:16,760 --> 00:40:20,239 Speaker 2: a like the other four did not exist. Love and 699 00:40:20,320 --> 00:40:22,960 Speaker 2: Marriage DC feels like a brand new show. So if 700 00:40:22,960 --> 00:40:26,040 Speaker 2: you did not watch last season, tune in. You're going 701 00:40:26,080 --> 00:40:30,000 Speaker 2: to love it. And if you did watch last season again, 702 00:40:30,160 --> 00:40:34,040 Speaker 2: still watch this one. But just know it's amplified in 703 00:40:34,080 --> 00:40:40,560 Speaker 2: a way to where it's definitely more organic because you 704 00:40:40,600 --> 00:40:43,520 Speaker 2: don't have to spend a lot of time explaining the 705 00:40:43,560 --> 00:40:44,960 Speaker 2: backstory to the audience. 706 00:40:45,400 --> 00:40:46,960 Speaker 3: We're diving right. 707 00:40:46,760 --> 00:40:51,320 Speaker 2: Into what's happening in these people's lives, and the last 708 00:40:51,600 --> 00:40:55,880 Speaker 2: five minutes of the season premiere is going to make 709 00:40:56,440 --> 00:40:57,000 Speaker 2: you gag. 710 00:40:57,480 --> 00:41:01,200 Speaker 3: And that's all I'm going Tuesday. 711 00:41:02,719 --> 00:41:04,640 Speaker 1: I cannot what Ritchie. 712 00:41:06,360 --> 00:41:08,640 Speaker 3: I know, baby, and I'll bring listen. 713 00:41:09,280 --> 00:41:12,560 Speaker 2: I will invite you back so that we can recap 714 00:41:12,600 --> 00:41:15,040 Speaker 2: the season premiere, because I want you to hold me accountable, 715 00:41:15,080 --> 00:41:17,320 Speaker 2: like Carlos, you over hyped it, or like. 716 00:41:17,640 --> 00:41:19,360 Speaker 3: No Bit, you actually was telling the truth. 717 00:41:19,440 --> 00:41:23,280 Speaker 2: So I will invite you back and we will dissect 718 00:41:23,320 --> 00:41:27,480 Speaker 2: the season premiere of Love and Marriage DC, which again 719 00:41:27,840 --> 00:41:33,000 Speaker 2: premiere is January of twenty twenty three on the Oprah 720 00:41:33,120 --> 00:41:34,320 Speaker 2: Winfrey Network. 721 00:41:34,680 --> 00:41:37,160 Speaker 3: Saturday nights are back to being lit up. Baby. 722 00:41:37,239 --> 00:41:39,759 Speaker 4: I cannot wait, And I just want to say this too, 723 00:41:39,960 --> 00:41:43,680 Speaker 4: just also in defense of DC. You know, people slept 724 00:41:44,040 --> 00:41:48,160 Speaker 4: or didn't know about Huntsville for like at least almost 725 00:41:48,160 --> 00:41:51,040 Speaker 4: to that second season, and then it blew up and 726 00:41:51,040 --> 00:41:53,919 Speaker 4: then you had to go back and catch up. Don't 727 00:41:53,960 --> 00:41:57,040 Speaker 4: be catching up. You can start this right now on 728 00:41:57,080 --> 00:41:59,760 Speaker 4: the ground level. Get in on the ground level, because 729 00:42:00,280 --> 00:42:02,319 Speaker 4: you don't want to miss a single second of this 730 00:42:03,080 --> 00:42:04,920 Speaker 4: DC is. I mean, I'm gonna tell y'all. DC is 731 00:42:04,960 --> 00:42:06,960 Speaker 4: litt and I don't know what he got just yet 732 00:42:07,000 --> 00:42:09,239 Speaker 4: in terms of footage, but I can tell you that 733 00:42:09,800 --> 00:42:12,279 Speaker 4: if Potomac is anything to go by, you already know 734 00:42:12,360 --> 00:42:13,359 Speaker 4: DC got it going on. 735 00:42:13,680 --> 00:42:17,279 Speaker 3: Period. Yes, okay, Ritchie? Where can people find you and 736 00:42:17,360 --> 00:42:19,080 Speaker 3: follow you and support y. 737 00:42:19,600 --> 00:42:24,000 Speaker 4: You guys can follow me at dj Richie Scott on Instagram, Facebook, 738 00:42:24,160 --> 00:42:27,560 Speaker 4: and on the YouTube streets. And I have a book 739 00:42:27,600 --> 00:42:28,520 Speaker 4: coming out soon. 740 00:42:28,760 --> 00:42:31,400 Speaker 2: Oh congratulations, it's fiction. 741 00:42:31,520 --> 00:42:34,960 Speaker 4: It's like it's Housewives meets Bridgeton meets Scandal. 742 00:42:35,600 --> 00:42:39,120 Speaker 2: I'll give you that ooh oh honeyway when it's done, 743 00:42:39,120 --> 00:42:40,759 Speaker 2: come back and promote that you child. 744 00:42:40,840 --> 00:42:43,279 Speaker 3: Well, We thank you, Richie, and I'll talk to you 745 00:42:43,320 --> 00:42:43,600 Speaker 3: see in. 746 00:42:43,600 --> 00:42:44,920 Speaker 1: My list some thanks for having me. 747 00:42:49,719 --> 00:42:53,000 Speaker 2: Thank you for listening to Reality with the King. New 748 00:42:53,080 --> 00:42:59,880 Speaker 2: episodes drop every Wednesday and Friday. Share, comment, follow, and 749 00:43:00,080 --> 00:43:04,480 Speaker 2: subscribe to Reality with the King Wherever you get your podcast, 750 00:43:05,239 --> 00:43:08,600 Speaker 2: visit Reality withthe King dot com and be sure to 751 00:43:08,680 --> 00:43:14,160 Speaker 2: follow me at the Carlos King Underscore on Instagram and Twitter. 752 00:43:14,680 --> 00:43:18,239 Speaker 2: Tweak me your thoughts and hot takes about this episode 753 00:43:18,600 --> 00:43:21,560 Speaker 2: using the hashtag Reality. 754 00:43:21,280 --> 00:43:21,879 Speaker 3: With the King. 755 00:43:23,280 --> 00:43:26,080 Speaker 2: Reality with the King is a production of Mark Sauce 756 00:43:26,200 --> 00:43:30,600 Speaker 2: by Stitcher. It is executive produced by me Carlos King, 757 00:43:30,920 --> 00:43:34,640 Speaker 2: and Jasmine Heilly Brown. We are also produced by Lashik 758 00:43:34,760 --> 00:43:36,840 Speaker 2: Lotus Lee and Brandon Nix. 759 00:43:37,280 --> 00:43:48,280 Speaker 3: Engineering and music by Marcus hamm More Sauce