WEBVTT - Part Two: Bread And Puppet: The Dawn of Giant Protest Puppets

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Hello, and welcome to Cool People. Did Cool Stuff your

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<v Speaker 2>weekly reminder that I have a podcast and my name

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<v Speaker 2>is Margaret kildoy and I also, in addition to having

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<v Speaker 2>a podcast, have a guest whose name is Jamie loncas Hi.

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<v Speaker 3>Hi, you left me on a cliffhanger on Monday.

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<v Speaker 2>I know I left you on a cliffhanger, and it's

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<v Speaker 2>going to take a while to get you to the cliffhanger.

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<v Speaker 2>I promised the audience that the most tragic part of

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<v Speaker 2>this story is going to be related to a hot dog,

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<v Speaker 2>and it is true.

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<v Speaker 3>I have a feeling that that's going to be something

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<v Speaker 3>people can say about my life when it ends.

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<v Speaker 2>The tragedy is that your dms are just full of

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<v Speaker 2>hot dog memes that have been for.

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<v Speaker 3>Have been for five years.

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<v Speaker 4>Hey, thought of you?

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<v Speaker 3>Have you seen this one? Sorry?

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<v Speaker 2>I felt very bad. I sent you a hot dog

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<v Speaker 2>thing the other day.

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<v Speaker 3>To your credit, you said me stuff that I usually

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<v Speaker 3>have not seen before.

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<v Speaker 2>Okay, Yeah, Eddie goes a kid selling hot dog on

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<v Speaker 2>the Expressway because the protest had taken it over.

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<v Speaker 3>Oh. That is one of the best parts of LA

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<v Speaker 3>protests is that there are always danger dogs on hand

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<v Speaker 3>and everyone is always so wonderful to whoever selling the

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<v Speaker 3>danger dogs.

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<v Speaker 2>It's just yeah, we must protect the danger dog sellers

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<v Speaker 2>at all costs.

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<v Speaker 3>Absolutely.

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<v Speaker 2>We also have a producer named Sophie.

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<v Speaker 1>Hi, Sophie straight from the Ashes of podcast.

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<v Speaker 4>Hell no, I'm kidding.

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<v Speaker 2>We should just do a podcast. Hell like, that's the

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<v Speaker 2>Halloween reverse episodes. It's just being like weird podcast bros.

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<v Speaker 4>So if you just rose out of a floor, that was amazing.

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<v Speaker 2>I know it's not a visual medium, so y'all didn't

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<v Speaker 2>get to see that. But the flame effect that's not

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<v Speaker 2>a zoom background. Your house is actually on fire.

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<v Speaker 1>Yeah, they're like magical flames that don't harm dogs or

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<v Speaker 1>my furniture.

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<v Speaker 3>So it's just like, looks cool. You have the little

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<v Speaker 3>dog with the coffee cup. That's how I feel most days.

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<v Speaker 3>Actually everything's my Do you think that the artist who

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<v Speaker 3>drew the dog with the coffee cup? Well, actually, I'm

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<v Speaker 3>gonna guess.

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<v Speaker 2>No what to say? Are you going to do an

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<v Speaker 2>episode about this?

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<v Speaker 5>Yeah? I was.

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<v Speaker 3>I guess I'm asking this like this is something I

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<v Speaker 3>should find out, and I feel like, I know you're.

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<v Speaker 1>Kind of the person that I would go to for

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<v Speaker 1>that information.

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<v Speaker 2>But what are you gonna ask.

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<v Speaker 3>Do you think that they are, you know, well compensated

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<v Speaker 3>for having created that art? And how do you think

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<v Speaker 3>they feel about it? I know that the image is

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<v Speaker 3>just like replicated in to infinity, but I wonder how

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<v Speaker 3>they feel about it because I'm sure that it's been

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<v Speaker 3>like fucked with via AI on the scary side, but

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<v Speaker 3>also been illegally reproduced for positive reasons on the other right.

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<v Speaker 3>I would just be curious to know how they feel.

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<v Speaker 2>I agree, And if you, dear listener, think that'd be

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<v Speaker 2>a kind of cool podcast idea. What if you went

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<v Speaker 2>around and you found people who are behind some of

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<v Speaker 2>the most viral hits on social media and the Internet,

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<v Speaker 2>And I would love to hear someone ask them questions

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<v Speaker 2>and then think deeply about these things, not just surface level.

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<v Speaker 2>But what does this say about Oh I can't do

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<v Speaker 2>your tagline? What does it say about the internet and ourselves?

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<v Speaker 2>And if you like that idea, Jamie, do you know

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<v Speaker 2>anything about where they can listen to that?

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<v Speaker 3>Yeah? I guess I did kind of open up by

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<v Speaker 3>quietly plugging my own show by accident. What do we

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<v Speaker 3>think about this, folks? I? Yeah, you should listen to

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<v Speaker 3>sixteenth minute. I wish I could answer that question specifically

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<v Speaker 3>for you, but now I'm like, I'm writing it down.

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<v Speaker 3>It's a question I would like to answer on that show.

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<v Speaker 3>It's by an artist named Casey Green. All right, Casey,

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<v Speaker 3>let's see what you're all about. All right, Well, I

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<v Speaker 3>feel great already great. I feel like I haven't had

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<v Speaker 3>a functioning idea from my brain in weeks.

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<v Speaker 2>That was thrilling, amazing. My favorite version of it is

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<v Speaker 2>the one where the dog is looking in the house

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<v Speaker 2>that's on fire and says, so I have a book

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<v Speaker 2>coming out.

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<v Speaker 5>Yes, that is how I feel all the time. Yeah,

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<v Speaker 5>it's been hard to even like focus on my substock

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<v Speaker 5>because I like, I just like don't want to be

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<v Speaker 5>a like hot topic, like hot, take what's happening right now?

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<v Speaker 2>Person? You know, but so much is happening right now

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<v Speaker 2>that I also am not trying to be like.

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<v Speaker 3>You don't want to avoid it. I hear like it's tricky. Yeah.

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<v Speaker 3>I think about that a lot, where it is just

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<v Speaker 3>like whatever makes people built for that? I lack with

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<v Speaker 3>regards to like the quick like I must have my

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<v Speaker 3>finger on the pulse. Yeah, it's like I need to

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<v Speaker 3>be reactive in my life in that way.

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<v Speaker 4>Yeah, but I don't know.

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<v Speaker 3>Sometimes I need time to process. I don't know.

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<v Speaker 2>And the hotter the take, the less likely it is

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<v Speaker 2>to be true. And like, it's still necessary for people

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<v Speaker 2>to see things that are happening and tell people on

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<v Speaker 2>a pine about it. But it is like I want

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<v Speaker 2>to be a cold take machine as much as possible.

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<v Speaker 3>Yeah, I want to be like guys, this take has

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<v Speaker 3>been marinating, yeah for weeks. Get ready for a well

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<v Speaker 3>soaked take.

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<v Speaker 2>Yeah, exactly.

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<v Speaker 3>Fascism is bad.

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<v Speaker 1>Like, before we jump to the script, I just want

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<v Speaker 1>to say very adorable is that Normally Anderson sleeps through podcasting,

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<v Speaker 1>but because her Auntie Jamie, she can hear you. She's awake,

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<v Speaker 1>she's been a week the time, and just keeps looking around, like,

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<v Speaker 1>what are you?

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<v Speaker 3>I love to haunt her. She's in the box, Anderson,

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<v Speaker 3>She's in the scary box. She's in the scary box.

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<v Speaker 2>Podcast pets are an important part of podcasting.

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<v Speaker 3>Yeah, it's true.

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<v Speaker 2>Yeah, my very reactive dog will sleep quietly at my

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<v Speaker 2>feet as I record on podcasts.

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<v Speaker 3>What is podcasting if there is not a mammal asleep

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<v Speaker 3>on your feet?

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<v Speaker 2>Like, that's maybe what keeps you from a follow We're

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<v Speaker 2>just so much better than all the podcasters. We talked

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<v Speaker 2>shit on everyone else's garbage. We're great.

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<v Speaker 3>If Joe Rogan had three cats in the room, I

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<v Speaker 3>think he would be very different.

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<v Speaker 2>That's actually probably true.

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<v Speaker 3>Yeah, that's just an experiment. Just put a bunch of

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<v Speaker 3>puppies in the room and see what happened.

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<v Speaker 2>So, speaking of experimental the ideas, we are on part

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<v Speaker 2>two of A two parts. Oh wait, I didn't finish

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<v Speaker 2>all the introduction stuff. We also have an audio engineer

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<v Speaker 2>who is named Eva hi Eva hi Eva, and our

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<v Speaker 2>theme music was written for usd by on Woman and

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<v Speaker 2>part two two parter about bread and Puppet, one of

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<v Speaker 2>the more interesting theater things that has a long lineage

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<v Speaker 2>and has had all kinds of impacts that is also interesting.

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<v Speaker 2>I probably already said interesting, And that's one of those

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<v Speaker 2>words that when I was in like fourth grade, my

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<v Speaker 2>teacher was like, you can't use words like that. You

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<v Speaker 2>can't describe things as good or interesting. You actually have

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<v Speaker 2>to use adjectives that I mean things. Who's laughing now.

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<v Speaker 3>Teachers calling it like twenty five cent words. Uh yeah,

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<v Speaker 3>that was what my sixth grade teacher would say. He

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<v Speaker 3>was cool he played opera for us and let us

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<v Speaker 3>read the hobbit.

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<v Speaker 2>So, oh that is cool, Yeah, he us prettymple. Yeah.

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<v Speaker 2>So they start Bread and Puppet on the Lower East Side.

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<v Speaker 2>They name it in nineteen sixty three. It's a thing

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<v Speaker 2>that they've been doing a little bit together for years already.

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<v Speaker 2>And it was Elka who provided most of the political

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<v Speaker 2>underpinning for the project. Like it's an entertainment like artsy

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<v Speaker 2>kind of avant garde a little bit, but also sort

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<v Speaker 2>of medieval like theater troupe doing puppets and you know,

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<v Speaker 2>trying to make this very beautiful stuff. Elka, as best

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<v Speaker 2>as I am able to understand, was the more political

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<v Speaker 2>of the pair, okay, And she essentially radicalized her husband,

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<v Speaker 2>who was a bit more just on the art side

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<v Speaker 2>of things. Elka did more of the administrative behind the

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<v Speaker 2>scene work, including introducing the initial political spark, which is

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<v Speaker 2>what made it stand out. So she doesn't matter anyway.

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<v Speaker 3>Uh God, that's just like magna. Do you feel that

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<v Speaker 3>in your gut? Like I just she radicalized him. Interesting? Interesting, okay.

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<v Speaker 2>And this spark that radicalized her was influenced by her grandfather.

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<v Speaker 2>The back to the Land socialist, feminist vegetarian guy. Yeah,

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<v Speaker 2>and not her ex Bolshevik father. Her father drifted further

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<v Speaker 2>and further to the right after fleeing the Soviet Union,

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<v Speaker 2>which is a pretty common thing. You flee the Soviet

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<v Speaker 2>Union and you start loving right wing American capitalism. I

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<v Speaker 2>think that both the US and the USSR can take

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<v Speaker 2>the blame for that one.

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<v Speaker 3>Mm hmm.

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<v Speaker 2>And he ended up I think friends with like Nixon

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<v Speaker 2>and shit, oh, like he was like influentially right wing.

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<v Speaker 2>I think. Okay, her grandfather never forgave her father, like

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<v Speaker 2>his own son, for turning right wing and did not

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<v Speaker 2>go to his own son's funeral.

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<v Speaker 3>See, people talk about principle, and that is always such

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<v Speaker 3>a diabolical thing to witness when the form of rebellion

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<v Speaker 3>you're offered is going right wing like that, it's like, yeah,

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<v Speaker 3>defying your artist parent by being like, well, I'm going to.

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<v Speaker 4>Become a criminal defense lawyer and.

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<v Speaker 3>You're like, I guess, like yeah, sure, yeah yeah.

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<v Speaker 2>And then like this is the guy who moved to

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<v Speaker 2>the USSR to be like, I'm going to be a

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<v Speaker 2>steel worker for Stalin and bring the worldwide revolution.

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<v Speaker 4>No follow through, no commitment, yeah, right.

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<v Speaker 2>So Alka took after her grandfather and looked up to

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<v Speaker 2>her grandfather, and it was her own politics influenced by

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<v Speaker 2>her grandfathers that infuse bread and puppett Although Peter in

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<v Speaker 2>nineteen sixty eight he's going to say very shockingly and

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<v Speaker 2>clearly inconsistently, he says different things about politics in nineteen

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<v Speaker 2>sixty eight and twenty twenty five, which are the two

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<v Speaker 2>time periods that I've read about his politics most directly. Hey,

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<v Speaker 2>in nineteen sixty eight he's very like, our work isn't

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<v Speaker 2>about ideology, it's this protest theater. In twenty twenty five

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<v Speaker 2>he is like, there is no world left because Gaza

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<v Speaker 2>is being destroyed. And I am a communist and I'm

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<v Speaker 2>obsessed with Peter Kropowkin, you know, like.

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<v Speaker 3>I adore when someone becomes more radical as they which

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<v Speaker 3>I feel like that is what a gift.

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<v Speaker 2>No, totally, I think he's like, oh, we don't have

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<v Speaker 2>an ideology. He's still actively doing direct action protests against

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<v Speaker 2>the Vietnam War by giant puppets, which we'll get me.

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<v Speaker 3>So I also think about this as a wild sixteenth

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<v Speaker 3>minute connection.

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<v Speaker 2>But no, I like these wild connections absolutely.

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<v Speaker 3>When I talked to Taizon day who did Chocolate Rain, Yeah,

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<v Speaker 3>which is like a very political song. For the first

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<v Speaker 3>like ten years that he did interviews about it, he

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<v Speaker 3>really avoided talking about the politics of like really what

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<v Speaker 3>he was like, just listen to it and see what

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<v Speaker 3>you think, and like gave kind of like obfuscating answers,

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<v Speaker 3>and then I think at some point was like, fuck it, Yeah,

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<v Speaker 3>it's obviously.

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<v Speaker 4>A political song, like yeah.

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<v Speaker 3>And was willing to but I think it started from

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<v Speaker 3>whatever the political climate at the time, but also a

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<v Speaker 3>like resentment of like being asked to spell out what

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<v Speaker 3>he felt was very obvious. You're like, oh, I don't know,

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<v Speaker 3>is Chocolate Rain a political song? Like a baby born

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<v Speaker 3>will die before the sin? I don't know, is that

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<v Speaker 3>a chargelaar to you?

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<v Speaker 2>Like, what's funny is that I don't know whether I

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<v Speaker 2>actually listened to the entire song before, Like I knew it, right,

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<v Speaker 2>but so I was like, I don't have no idea

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<v Speaker 2>whether it was political, and then yeah, listening to those

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<v Speaker 2>episodes very direct one of the clearest articulations of like

0:11:19.800 --> 0:11:23.079
<v Speaker 2>kind of like where progressive slash radical politics are kind

0:11:23.080 --> 0:11:24.840
<v Speaker 2>of at about a lot of issues are just like

0:11:25.440 --> 0:11:28.600
<v Speaker 2>wad out really intelligent, like really fucking well.

0:11:28.840 --> 0:11:32.000
<v Speaker 3>It's so wild that everyone and it was everyone in

0:11:32.040 --> 0:11:33.720
<v Speaker 3>like two thousand and six who missed that, Like it

0:11:33.760 --> 0:11:36.040
<v Speaker 3>was very much a skill error on the part of

0:11:36.080 --> 0:11:39.120
<v Speaker 3>the general public. But I'm curious they were doing direct

0:11:39.200 --> 0:11:42.520
<v Speaker 3>action yea. Were the shows themselves political?

0:11:42.920 --> 0:11:45.400
<v Speaker 2>Yes, okay, I actually think that this is kind of

0:11:45.400 --> 0:11:50.360
<v Speaker 2>a like, hey, I'm not like into ideology, okay, and

0:11:50.400 --> 0:11:52.400
<v Speaker 2>also like a little bit of a defense of like

0:11:52.559 --> 0:11:56.040
<v Speaker 2>I really do care about this as art, you know. Yeah, yeah,

0:11:56.160 --> 0:11:58.200
<v Speaker 2>I'll talk about with some of those plays where okay,

0:11:58.559 --> 0:12:01.000
<v Speaker 2>they have this theater now and their friends are helping

0:12:01.080 --> 0:12:02.679
<v Speaker 2>them pay rent on the space to run it in

0:12:03.640 --> 0:12:06.280
<v Speaker 2>Elka started doing her own children's theater as well, and

0:12:06.320 --> 0:12:08.000
<v Speaker 2>she would do art music just as much as her

0:12:08.040 --> 0:12:08.880
<v Speaker 2>husband and.

0:12:09.280 --> 0:12:10.160
<v Speaker 3>But forget about that.

0:12:10.520 --> 0:12:14.640
<v Speaker 2>Yeah, but no she did. Yeah. No, it's funny because

0:12:14.640 --> 0:12:16.640
<v Speaker 2>she like, throughout the whole thing, she's also gonna be

0:12:16.679 --> 0:12:19.800
<v Speaker 2>running her own theater. But they're running this theater on

0:12:19.840 --> 0:12:22.800
<v Speaker 2>a shoe string budget and always have the couple and

0:12:22.840 --> 0:12:24.520
<v Speaker 2>their three kids. At that point, they're gonna end up

0:12:24.520 --> 0:12:27.000
<v Speaker 2>with five all live in a railroad apartment with a

0:12:27.000 --> 0:12:29.640
<v Speaker 2>bathtub in the kitchen, and it shares a toilet with

0:12:29.679 --> 0:12:34.920
<v Speaker 2>all the other apartments, and they are absolutely radical. Through Elka,

0:12:35.040 --> 0:12:37.199
<v Speaker 2>they are involved in some of the earliest protests against

0:12:37.240 --> 0:12:40.280
<v Speaker 2>the US involvement in Vietnam. By nineteen sixty five and

0:12:40.320 --> 0:12:42.760
<v Speaker 2>nineteen sixty six, they were regularly putting on shows that

0:12:42.800 --> 0:12:45.760
<v Speaker 2>talked about the issues that people were facing, like to

0:12:45.920 --> 0:12:50.400
<v Speaker 2>quote Bread Andpuppet dot orgs write up about it, rents, rats,

0:12:50.440 --> 0:12:54.000
<v Speaker 2>police and other problems of the neighborhood. They're talking about

0:12:54.000 --> 0:12:57.599
<v Speaker 2>the issues that people are facing, you know. Yeah, And

0:12:57.640 --> 0:13:00.440
<v Speaker 2>they would lead processions of puppets to the streets protests

0:13:00.440 --> 0:13:02.839
<v Speaker 2>of the Vietnam War. And there are some photos of

0:13:02.880 --> 0:13:05.960
<v Speaker 2>this era where it's just like people wearing black robes

0:13:06.000 --> 0:13:10.760
<v Speaker 2>with like kind of surreal stylized paper mache skull masks

0:13:12.240 --> 0:13:16.719
<v Speaker 2>and it's fairly arresting. I really, okay. I like puppetry

0:13:16.760 --> 0:13:19.440
<v Speaker 2>and like costume because it hits the uncanny valley and

0:13:19.440 --> 0:13:20.880
<v Speaker 2>makes me feel like the world isn't real.

0:13:21.400 --> 0:13:26.400
<v Speaker 3>Yes, I like when puppets are used for well, not

0:13:26.559 --> 0:13:31.320
<v Speaker 3>scary reasons like Chucky, but like when they're used to

0:13:31.800 --> 0:13:36.199
<v Speaker 3>make you feel unsettled and like, yeah, I love that.

0:13:36.679 --> 0:13:39.040
<v Speaker 2>Yeah, And masks are like it's funny because it's a kid.

0:13:39.080 --> 0:13:41.200
<v Speaker 2>You're like, oh, people put on funny masks and every

0:13:41.240 --> 0:13:43.760
<v Speaker 2>now and then, I'm just like, someone walking around with

0:13:43.760 --> 0:13:47.160
<v Speaker 2>a bird mask is terrifying. You're just like, there's a

0:13:47.200 --> 0:13:51.559
<v Speaker 2>bird over there, you know, but it's shaped like a person.

0:13:52.280 --> 0:13:57.959
<v Speaker 3>Why does the bird have such meaty legs? I love it.

0:13:58.480 --> 0:14:03.880
<v Speaker 3>Animatronics are essentially puppetry, Yeah, totally. I love animatronic history

0:14:03.920 --> 0:14:07.520
<v Speaker 3>because you're like, Wow, this art for children that has

0:14:07.600 --> 0:14:13.640
<v Speaker 3>consistently scared children, and that's the history of puppet. Yeah,

0:14:13.760 --> 0:14:19.040
<v Speaker 3>they're kind of puppets and clowns unequivocally all kind of scary.

0:14:19.280 --> 0:14:22.920
<v Speaker 2>Yeah, but also classics. Okay, See the reason I'm so

0:14:23.000 --> 0:14:24.800
<v Speaker 2>interested in this, I've been talking for a while about

0:14:24.840 --> 0:14:26.640
<v Speaker 2>this is completely unrelated to we're talking at actually's not

0:14:26.840 --> 0:14:28.280
<v Speaker 2>you know what I'm going to say. This is related

0:14:28.320 --> 0:14:31.120
<v Speaker 2>to Breton puppet and surrealism and like or not surrealism,

0:14:31.120 --> 0:14:33.600
<v Speaker 2>but the concept of making the world feel surreal. I've

0:14:33.600 --> 0:14:35.760
<v Speaker 2>been thinking about how like, I have a really mixed

0:14:35.800 --> 0:14:38.440
<v Speaker 2>feeling about horror as a genre, like my own engagement

0:14:38.480 --> 0:14:41.960
<v Speaker 2>of watching it, and I like things that make me

0:14:41.960 --> 0:14:45.520
<v Speaker 2>feel like there's a world beneath this world and that like,

0:14:45.680 --> 0:14:48.680
<v Speaker 2>things are different, we can feel and act in really

0:14:48.720 --> 0:14:52.120
<v Speaker 2>different ways, and the easiest way to access that is

0:14:52.120 --> 0:14:56.960
<v Speaker 2>through terror and like death and you know, horrible things

0:14:57.000 --> 0:14:59.760
<v Speaker 2>and rot and whatever, you know. And I've always been like,

0:15:00.360 --> 0:15:02.880
<v Speaker 2>but where are the other genres that give me that feeling?

0:15:03.760 --> 0:15:10.000
<v Speaker 2>And actually puppetry, animatronics like dark crystal, like yeah, yeah,

0:15:10.080 --> 0:15:13.760
<v Speaker 2>the things that are unsettling in that you are like

0:15:14.280 --> 0:15:16.840
<v Speaker 2>going to just feel differently and to tie it back

0:15:16.840 --> 0:15:21.080
<v Speaker 2>into the script, these protests, these people walking down the

0:15:21.120 --> 0:15:25.400
<v Speaker 2>street protesting a war like solemnly as skull people walking

0:15:25.440 --> 0:15:29.880
<v Speaker 2>down the street would actually get bystanders to stop what

0:15:29.920 --> 0:15:33.120
<v Speaker 2>they were doing and look and engage with the protest

0:15:33.160 --> 0:15:35.960
<v Speaker 2>marching by in the way that they don't if it's

0:15:36.200 --> 0:15:44.360
<v Speaker 2>just an anemic chant and one badly played drum dragged them.

0:15:45.280 --> 0:15:47.920
<v Speaker 2>I have sent so many hours of my life in protests.

0:15:48.400 --> 0:15:52.560
<v Speaker 2>Dong dung du. Yeah, I have been the bad drummer

0:15:52.600 --> 0:15:53.200
<v Speaker 2>at protesting.

0:15:54.680 --> 0:15:57.880
<v Speaker 3>Look, we need the bucket drum. We need it. It's

0:15:57.880 --> 0:16:00.320
<v Speaker 3>got its place in history. I don't know that I've

0:16:01.240 --> 0:16:05.800
<v Speaker 3>seen it recently, but it is arresting, and it's arresting

0:16:05.840 --> 0:16:07.840
<v Speaker 3>in a way that I can't think of in a

0:16:07.880 --> 0:16:11.760
<v Speaker 3>way that like a pithy signe is just not.

0:16:12.800 --> 0:16:15.040
<v Speaker 2>Yeah, because you can look and because the pithy sign

0:16:15.480 --> 0:16:17.720
<v Speaker 2>I don't hate one, and it makes people really excited

0:16:17.760 --> 0:16:19.560
<v Speaker 2>to go. They're like, I've got the best sign, and

0:16:19.600 --> 0:16:21.920
<v Speaker 2>so then they actually go out right yes, but yeah,

0:16:21.960 --> 0:16:26.000
<v Speaker 2>there's something about like, no, I want people to notice

0:16:26.040 --> 0:16:28.360
<v Speaker 2>this thing, and like we'll talk about a little bit later.

0:16:28.360 --> 0:16:31.160
<v Speaker 2>Peter actually has really beautiful things to say about puppetry

0:16:31.160 --> 0:16:33.320
<v Speaker 2>and about like this way of like accessing this like

0:16:34.160 --> 0:16:37.720
<v Speaker 2>beauty and this way of creating this like really solemn environment.

0:16:37.840 --> 0:16:40.359
<v Speaker 2>Sometimes you know, well, anyway, okay.

0:16:40.320 --> 0:16:42.840
<v Speaker 3>I also love that like how puppets are. I would

0:16:42.880 --> 0:16:45.840
<v Speaker 3>imagine if they're like on the scale you're describing, like

0:16:45.880 --> 0:16:49.600
<v Speaker 3>they're designed to interact with their environment and they're designed

0:16:49.760 --> 0:16:52.480
<v Speaker 3>to move in a way that I don't know. I

0:16:52.520 --> 0:16:54.680
<v Speaker 3>agree with you on the signs, but sometimes you're just

0:16:54.760 --> 0:16:58.200
<v Speaker 3>like if kamala one, we'd all be at brunch right now.

0:16:58.520 --> 0:17:00.880
<v Speaker 3>Well I don't know about that, but I'm not so

0:17:01.000 --> 0:17:01.760
<v Speaker 3>sure about that.

0:17:02.000 --> 0:17:03.920
<v Speaker 4>Yeah, well what can you do?

0:17:04.119 --> 0:17:07.080
<v Speaker 2>People like, well, actually you probably should have been protesting.

0:17:07.119 --> 0:17:08.919
<v Speaker 2>I mean, yeah, we would.

0:17:08.680 --> 0:17:12.400
<v Speaker 3>Probably be out here if Kamalawa, But all good, glad to.

0:17:12.359 --> 0:17:13.720
<v Speaker 4>Have you here totally.

0:17:13.760 --> 0:17:15.959
<v Speaker 2>And that is the thing. It's like, it is probably

0:17:16.000 --> 0:17:18.760
<v Speaker 2>better to let people do things that you think are

0:17:18.840 --> 0:17:21.200
<v Speaker 2>kind of cringey rather than make people feel the long

0:17:21.200 --> 0:17:22.040
<v Speaker 2>welcome at protesting.

0:17:22.119 --> 0:17:22.960
<v Speaker 4>Yeah exactly, Yeah.

0:17:23.160 --> 0:17:27.320
<v Speaker 2>Yeah. So nineteen sixty seven, Bread and Puppett participates in

0:17:27.480 --> 0:17:32.760
<v Speaker 2>Angry Arts Week and the angry Freaks of the Lower

0:17:32.760 --> 0:17:35.720
<v Speaker 2>East Side were pissed about the Vietnam War. And I'm

0:17:35.720 --> 0:17:38.080
<v Speaker 2>going to paraphrase my own episode, I'm gonna self plagiarize

0:17:38.080 --> 0:17:41.480
<v Speaker 2>again real quick. Wow, Oh no, I can't do the

0:17:41.480 --> 0:17:43.640
<v Speaker 2>same transition twice. Even though it's around AD time, you're

0:17:43.640 --> 0:17:46.320
<v Speaker 2>all gonna have to wait for the ad. Sorry, dear listener,

0:17:46.359 --> 0:17:48.120
<v Speaker 2>it's not yet. You just know it's just weak.

0:17:48.280 --> 0:17:52.080
<v Speaker 1>Plagiarize your own self plagiarizing ad transition just.

0:17:53.600 --> 0:17:57.959
<v Speaker 2>Oh amazing. Well, you know who doesn't self plagiarize unless

0:17:57.960 --> 0:18:03.040
<v Speaker 2>it is certain things but not other things. It's the

0:18:03.040 --> 0:18:08.240
<v Speaker 2>products and services that support this show. And we're back.

0:18:09.880 --> 0:18:12.359
<v Speaker 2>So flyers went up all over town calling for the

0:18:12.440 --> 0:18:15.719
<v Speaker 2>Angry Arts Week and they started having meetings regularly. This

0:18:15.760 --> 0:18:18.040
<v Speaker 2>group called Black Mask that I mentioned earlier, though, like

0:18:18.480 --> 0:18:20.959
<v Speaker 2>artsy surrealists, people who probably did the first Black bloc.

0:18:21.200 --> 0:18:24.920
<v Speaker 2>They show up. There's also a group of quote quasi

0:18:24.960 --> 0:18:29.400
<v Speaker 2>Marxist street theater called the Pageant Players, and I want

0:18:29.400 --> 0:18:32.320
<v Speaker 2>to learn more about them one day. But the life

0:18:32.400 --> 0:18:35.920
<v Speaker 2>is finite and Bred and Poppett are there, and none

0:18:35.920 --> 0:18:38.680
<v Speaker 2>of the famous established art people would go to these meetings,

0:18:38.720 --> 0:18:41.520
<v Speaker 2>just these like working artists, the sort of scrappy scene,

0:18:43.040 --> 0:18:45.679
<v Speaker 2>and everyone at the meeting is like art should mean something,

0:18:46.480 --> 0:18:50.160
<v Speaker 2>Art should direct people towards motion, towards action, towards unfucking

0:18:50.200 --> 0:18:53.120
<v Speaker 2>the world. This was a radical viewpoint within the arts

0:18:53.119 --> 0:18:55.200
<v Speaker 2>scene at the time. The avant garde was really into

0:18:55.200 --> 0:18:58.159
<v Speaker 2>the idea of art for art's sake, that any the

0:18:58.200 --> 0:19:00.919
<v Speaker 2>idea that any art would have a purpose, even if

0:19:00.960 --> 0:19:04.240
<v Speaker 2>that purpose was to arouse like pornography, was not true

0:19:04.400 --> 0:19:06.439
<v Speaker 2>art with a capital T and a capital A.

0:19:07.200 --> 0:19:07.600
<v Speaker 3>Okay.

0:19:07.880 --> 0:19:09.399
<v Speaker 2>And I went to art school for a little bit,

0:19:09.640 --> 0:19:11.320
<v Speaker 2>and I would always get in trouble in sculpture class

0:19:11.320 --> 0:19:16.400
<v Speaker 2>because I wanted to make functional objects like what they were,

0:19:16.400 --> 0:19:19.119
<v Speaker 2>like the famous expansion and contraction. So I made like

0:19:19.160 --> 0:19:22.080
<v Speaker 2>a lace parasol, and I like it. Built the whole

0:19:22.119 --> 0:19:24.840
<v Speaker 2>thing out of wire myself from like scratch I mean

0:19:24.880 --> 0:19:27.840
<v Speaker 2>I bought the lace, I didn't hand tap the lace,

0:19:28.440 --> 0:19:29.960
<v Speaker 2>and I didn't get a good grade on it because

0:19:30.000 --> 0:19:31.639
<v Speaker 2>I like it wasn't an art piece.

0:19:32.119 --> 0:19:34.560
<v Speaker 1>Oh did you not fit in an art school that

0:19:34.640 --> 0:19:38.160
<v Speaker 1>it's so magpie so magfie.

0:19:38.480 --> 0:19:42.480
<v Speaker 3>Yeah, that's also dog shit too. That just like setting

0:19:42.520 --> 0:19:48.919
<v Speaker 3>the boundary that art cannot be functional, that's absurd. But like,

0:19:48.960 --> 0:19:53.440
<v Speaker 3>by by that standard, like a chef cannot be called

0:19:53.480 --> 0:19:57.159
<v Speaker 3>an artist, Like what the fuck do you mean a design?

0:19:57.359 --> 0:19:57.479
<v Speaker 5>Like?

0:19:58.359 --> 0:19:59.879
<v Speaker 2>And I bet you that, like a chef would only

0:19:59.920 --> 0:20:02.880
<v Speaker 2>be considered an artist if they made like deconstructed food

0:20:02.880 --> 0:20:05.280
<v Speaker 2>that has no calories in it, you know, like right,

0:20:05.840 --> 0:20:08.359
<v Speaker 2>and like god forbid, someone want a burrito? Like I

0:20:08.480 --> 0:20:10.720
<v Speaker 2>like fancy food too. But yeah, this idea that you

0:20:10.760 --> 0:20:15.120
<v Speaker 2>can't do art unless you're completely abstracted from the world,

0:20:15.359 --> 0:20:16.000
<v Speaker 2>no oat.

0:20:15.880 --> 0:20:18.760
<v Speaker 3>Right, right, Yeah, like you can't. No, I can't get

0:20:18.760 --> 0:20:22.040
<v Speaker 3>into my feelings on art school and art. But that's bullshit.

0:20:22.359 --> 0:20:25.320
<v Speaker 2>Yeah, and the Angry Art Week people called bullshit on it.

0:20:25.880 --> 0:20:28.040
<v Speaker 2>One of the things that they did. On January twenty third,

0:20:28.119 --> 0:20:31.760
<v Speaker 2>nineteen sixty seven, Angry Artists went to a high mass

0:20:31.800 --> 0:20:35.000
<v Speaker 2>at Saint Patrick's Cathedral. The Archbishop of New York was

0:20:35.040 --> 0:20:37.440
<v Speaker 2>this guy named Francis Spelman who was like all in

0:20:37.480 --> 0:20:39.760
<v Speaker 2>on the war. He was like, fak, yeah, Vietnam War.

0:20:40.440 --> 0:20:42.480
<v Speaker 2>Even the Pope was actually like a chill the fuck

0:20:42.480 --> 0:20:44.720
<v Speaker 2>out about that man. Piece is actually better. It's like

0:20:44.840 --> 0:20:46.000
<v Speaker 2>overall better idea.

0:20:46.160 --> 0:20:48.440
<v Speaker 3>No no, no, yeah, that's not what govild want.

0:20:48.920 --> 0:20:52.200
<v Speaker 2>And so the Archbishop of New York declared quote total

0:20:52.280 --> 0:20:57.040
<v Speaker 2>victory in Vietnam. Oh so the Angry Artist disrupted mass

0:20:57.320 --> 0:20:59.679
<v Speaker 2>unfurling posters in the aisle in the middle of it

0:21:00.480 --> 0:21:02.919
<v Speaker 2>of a named Vietnamese kid with the words Thou Shalt

0:21:02.920 --> 0:21:05.760
<v Speaker 2>Not Kill and Vietnam written on it. Real subtle stuff.

0:21:05.800 --> 0:21:10.040
<v Speaker 2>You know. Cops were on them immediately. The cops have

0:21:10.119 --> 0:21:12.560
<v Speaker 2>been tipped off and the Angry Artist got dragged off

0:21:12.560 --> 0:21:16.480
<v Speaker 2>to jail, to the tombs. But they only spend a

0:21:16.560 --> 0:21:20.200
<v Speaker 2>night or so in jail before they're bailed out. Most

0:21:20.240 --> 0:21:22.720
<v Speaker 2>of the Angry Arts Week was less action oriented and

0:21:22.760 --> 0:21:25.440
<v Speaker 2>more like specific theater and street theater and stuff. About

0:21:25.440 --> 0:21:28.320
<v Speaker 2>five hundred artists participated in total. There's a bunch of

0:21:28.320 --> 0:21:32.560
<v Speaker 2>poetry readings, there's collective murals. There's film screenings, mostly at NYU.

0:21:33.240 --> 0:21:34.720
<v Speaker 2>There was a bunch of cool things they did, Like

0:21:34.760 --> 0:21:37.520
<v Speaker 2>they drove a flatbed truck around with people doing performances

0:21:37.560 --> 0:21:39.800
<v Speaker 2>on the back around the street. They would pass out

0:21:39.880 --> 0:21:42.159
<v Speaker 2>leaflets and poetry. Yeah, like I like the idea of

0:21:42.200 --> 0:21:43.920
<v Speaker 2>like the float is like plays.

0:21:44.680 --> 0:21:47.000
<v Speaker 3>Yeah that rocks.

0:21:47.080 --> 0:21:51.320
<v Speaker 2>Yeah, and bread and puppet's contribution. They did a performance

0:21:51.359 --> 0:21:54.280
<v Speaker 2>that was a play, but it was just a physician

0:21:54.440 --> 0:21:57.320
<v Speaker 2>lecturing a med school class about what napalm does to

0:21:57.359 --> 0:22:01.200
<v Speaker 2>the human body and how to treat it. But then

0:22:01.280 --> 0:22:03.480
<v Speaker 2>just like goes on a tirade for hours about all

0:22:03.520 --> 0:22:05.399
<v Speaker 2>the statistics of how fucked up the war was and

0:22:05.440 --> 0:22:07.239
<v Speaker 2>all the killing and all the sexual violence and all

0:22:07.240 --> 0:22:07.920
<v Speaker 2>the costs of war.

0:22:08.400 --> 0:22:09.679
<v Speaker 3>Would the puppets say it?

0:22:10.040 --> 0:22:12.280
<v Speaker 2>I don't know how puppety this one was. This might

0:22:12.280 --> 0:22:14.239
<v Speaker 2>have been a cost anyway. I actually don't know one

0:22:14.320 --> 0:22:16.240
<v Speaker 2>or the other. It could have been all puppets.

0:22:16.280 --> 0:22:18.320
<v Speaker 3>I was like, I would love if that were a

0:22:18.359 --> 0:22:19.080
<v Speaker 3>puppet piece.

0:22:19.359 --> 0:22:21.199
<v Speaker 2>I would go to a thirty minute of that. I

0:22:21.200 --> 0:22:23.240
<v Speaker 2>would not go to an hour's long of that.

0:22:23.480 --> 0:22:26.960
<v Speaker 3>Personally, Yeah, no, the bit would wear thin after a while.

0:22:27.040 --> 0:22:28.879
<v Speaker 3>But conceptually that rocks.

0:22:29.000 --> 0:22:31.840
<v Speaker 2>Oh, unless you did it where like you know, it's

0:22:31.840 --> 0:22:34.320
<v Speaker 2>actually sort of all intermission like you can come and go,

0:22:35.480 --> 0:22:37.439
<v Speaker 2>you know, like you're like, oh, I'm gonna go back up.

0:22:37.480 --> 0:22:39.919
<v Speaker 2>They're still doing the thing, and it'll create this atmosphere

0:22:39.920 --> 0:22:42.359
<v Speaker 2>of like it's the ever present background. It's the like

0:22:42.520 --> 0:22:44.560
<v Speaker 2>casualties of war, rather than like you have to sit

0:22:44.600 --> 0:22:46.320
<v Speaker 2>there and listen to this and they're mad.

0:22:46.520 --> 0:22:48.439
<v Speaker 3>And then it becomes a durational piece.

0:22:48.840 --> 0:22:53.840
<v Speaker 2>Yeah, okay, so anyway, I could not tell you how

0:22:53.880 --> 0:22:57.040
<v Speaker 2>they handled that. But Bred and puppett is part of

0:22:57.080 --> 0:23:00.200
<v Speaker 2>the movement, and our theater starts growing in popularity. They're

0:23:00.240 --> 0:23:03.159
<v Speaker 2>onto something. By nineteen sixty nine, they're touring around Europe

0:23:03.240 --> 0:23:06.320
<v Speaker 2>bringing their five kids with them. But New York City

0:23:06.359 --> 0:23:09.199
<v Speaker 2>is changing fast. A lot of reputable people who but

0:23:09.280 --> 0:23:11.360
<v Speaker 2>this is me avoiding saying things that I couldn't say

0:23:11.400 --> 0:23:13.679
<v Speaker 2>are totally proven and known in record. There's a lot

0:23:13.680 --> 0:23:16.200
<v Speaker 2>of reputable people who believe that the US government manufactured

0:23:16.240 --> 0:23:18.480
<v Speaker 2>the drug crisis and promoted drug trade in inner cities

0:23:18.480 --> 0:23:20.080
<v Speaker 2>in order to break the power of the Black panthers

0:23:20.119 --> 0:23:24.520
<v Speaker 2>and like black radicalism in general. That seems fairly likely

0:23:24.560 --> 0:23:27.200
<v Speaker 2>to me, But I haven't examined this in depth myself.

0:23:27.800 --> 0:23:31.600
<v Speaker 3>Yeah, I've seen such writings. Yeah, I'm inclined to believe it. Yeah,

0:23:31.640 --> 0:23:35.040
<v Speaker 3>like it seems perfectly plausible. Yeah, but I can say

0:23:35.240 --> 0:23:37.919
<v Speaker 3>that drugs and crime are getting more common in New

0:23:38.000 --> 0:23:41.359
<v Speaker 3>York City and people that have been poor forever but

0:23:41.440 --> 0:23:43.600
<v Speaker 3>now that they are poor and also in danger from

0:23:43.720 --> 0:23:45.680
<v Speaker 3>the drug war. And I want to be clear that

0:23:45.840 --> 0:23:47.639
<v Speaker 3>the drug war is a big part of that or

0:23:47.720 --> 0:23:49.040
<v Speaker 3>the main part of it.

0:23:49.040 --> 0:23:51.800
<v Speaker 2>It's just harder there. And this is also what tore

0:23:51.920 --> 0:23:55.480
<v Speaker 2>part up against the wall motherfuckers around the same time. Basically,

0:23:55.480 --> 0:23:58.639
<v Speaker 2>Elka and Peter and their kids, they're like also kind

0:23:58.640 --> 0:23:59.840
<v Speaker 2>of hippies at heart, and they spend a lot of

0:23:59.840 --> 0:24:03.359
<v Speaker 2>time in Vermont and their kids and the volunteers at

0:24:03.400 --> 0:24:05.399
<v Speaker 2>this theater and all of them. They keep getting mugged

0:24:05.400 --> 0:24:08.960
<v Speaker 2>all the time. Oh, and they're like kids are getting

0:24:08.960 --> 0:24:10.520
<v Speaker 2>held up for their lunch money on the way to

0:24:10.560 --> 0:24:11.600
<v Speaker 2>school sometimes.

0:24:12.440 --> 0:24:13.200
<v Speaker 3>Oh God.

0:24:13.400 --> 0:24:16.959
<v Speaker 2>And they're like, let's go back to Vermont. And they

0:24:17.000 --> 0:24:19.440
<v Speaker 2>take an artist residency at Goddard College in Vermont in

0:24:19.520 --> 0:24:23.240
<v Speaker 2>nineteen seventy and they're doing Bread and Puppet where Peter's

0:24:23.240 --> 0:24:27.000
<v Speaker 2>mostly running again. I don't know entirely divisional labor. I

0:24:27.000 --> 0:24:28.439
<v Speaker 2>just keep hearing that she does all the behind the

0:24:28.440 --> 0:24:31.600
<v Speaker 2>scenes work, but she's also sets up the Dancing Bear

0:24:31.680 --> 0:24:34.600
<v Speaker 2>Theater for kids and would go around and perform at

0:24:34.640 --> 0:24:35.640
<v Speaker 2>schools in the area.

0:24:35.720 --> 0:24:36.520
<v Speaker 3>I love that.

0:24:36.960 --> 0:24:37.200
<v Speaker 2>Yeah.

0:24:37.200 --> 0:24:39.120
<v Speaker 3>Sorry, I don't know why I didn't think of this earlier,

0:24:39.160 --> 0:24:41.840
<v Speaker 3>but I did google Bernie Sanders Bread and Puppet, and.

0:24:41.840 --> 0:24:44.560
<v Speaker 2>Of course he's got some stuff to say.

0:24:44.760 --> 0:24:47.520
<v Speaker 3>Bernie Sanders on State at the Bread and Puppet Circus

0:24:47.600 --> 0:24:48.440
<v Speaker 3>nineteen ninety four.

0:24:48.560 --> 0:24:51.560
<v Speaker 2>Oh yeah, yeah, like no, that makes absolute sense. Yeah,

0:24:51.600 --> 0:24:56.600
<v Speaker 2>really good. I mean Vermont probably friends with Ben and Jerry's, Yeah, exactly.

0:24:56.640 --> 0:24:59.080
<v Speaker 3>I'm like these Vermont I mean they call themselves free,

0:24:59.160 --> 0:25:01.320
<v Speaker 3>these Vermont I love them.

0:25:01.520 --> 0:25:03.240
<v Speaker 4>Yeah.

0:25:03.359 --> 0:25:06.679
<v Speaker 2>And since most of their volunteers didn't come with them

0:25:06.720 --> 0:25:09.480
<v Speaker 2>when they moved to Vermont, they rebuild the organization up

0:25:09.480 --> 0:25:12.240
<v Speaker 2>all over again with folks from the area. Elko was

0:25:12.280 --> 0:25:15.120
<v Speaker 2>always interested in music and starts getting into sacred harp

0:25:15.240 --> 0:25:16.960
<v Speaker 2>choral music, which my friends have told me is like

0:25:17.000 --> 0:25:18.679
<v Speaker 2>really amazing and I need to get really into and

0:25:18.720 --> 0:25:20.239
<v Speaker 2>I have not yet, so I don't know as much

0:25:20.240 --> 0:25:22.800
<v Speaker 2>about it yet. But it's like shape notes singing, and

0:25:22.840 --> 0:25:26.399
<v Speaker 2>it's this early nineteenth century folk tradition, and Bread and

0:25:26.440 --> 0:25:28.320
<v Speaker 2>Puppet helped the revival.

0:25:27.800 --> 0:25:29.560
<v Speaker 4>Of that wow.

0:25:29.760 --> 0:25:30.200
<v Speaker 3>Okay.

0:25:30.840 --> 0:25:33.399
<v Speaker 2>In nineteen seventy five, they moved further north to Elka's

0:25:33.440 --> 0:25:37.520
<v Speaker 2>family's land. I have been upstate Vermont. They rebuild yet again.

0:25:37.880 --> 0:25:40.879
<v Speaker 2>Elko works the homestead and builds it up as a farm.

0:25:41.480 --> 0:25:43.920
<v Speaker 2>They have sheep and apples and all these things, and

0:25:44.040 --> 0:25:48.760
<v Speaker 2>the kids are now also puppeteers. Elka continued to run

0:25:48.760 --> 0:25:52.000
<v Speaker 2>her own puppeteering as well, I believe, doing children's theater specifically,

0:25:52.400 --> 0:25:54.760
<v Speaker 2>and CounterPunch says that she said that it was the

0:25:54.800 --> 0:25:57.640
<v Speaker 2>opposite of Bread and Puppet. That to quote her, we

0:25:57.640 --> 0:25:59.600
<v Speaker 2>were always on time and clean.

0:26:02.080 --> 0:26:06.520
<v Speaker 3>Okay, sounds defensive, Okay.

0:26:06.440 --> 0:26:08.960
<v Speaker 2>Well it's like compared to Bread and Puppet, right.

0:26:08.880 --> 0:26:15.639
<v Speaker 3>Yeah, Look as someone who's been late and dirty many times, Yeah,

0:26:16.080 --> 0:26:16.840
<v Speaker 3>let them cook.

0:26:19.880 --> 0:26:22.439
<v Speaker 2>Bread and Puppet became slowly less popular in Europe, and

0:26:22.480 --> 0:26:25.520
<v Speaker 2>they started touring Latin America more. But they started moving

0:26:25.520 --> 0:26:28.440
<v Speaker 2>their focus to their next big thing, which was called

0:26:29.160 --> 0:26:33.760
<v Speaker 2>Our Domestic Resurrection Circus, which is a free two day

0:26:33.800 --> 0:26:37.720
<v Speaker 2>festival every year of giant puppets out in the woods

0:26:37.880 --> 0:26:38.720
<v Speaker 2>or out in the fields.

0:26:39.400 --> 0:26:39.800
<v Speaker 3>Lovely.

0:26:41.240 --> 0:26:44.320
<v Speaker 2>Having their performances outside instead of in tiny storefronts meant

0:26:44.359 --> 0:26:47.600
<v Speaker 2>that they could go big, like eighteen foot tall puppet. Big.

0:26:48.359 --> 0:26:50.280
<v Speaker 3>That's Bertie Sanders nineteen ninety four.

0:26:50.320 --> 0:26:51.520
<v Speaker 4>I think that's I am.

0:26:51.800 --> 0:26:54.160
<v Speaker 3>It is massive crowd.

0:26:54.400 --> 0:26:57.560
<v Speaker 2>Huge, tens of thousands of people coming to these things.

0:26:57.800 --> 0:27:00.280
<v Speaker 3>It's a Springsteen concert at this puppet.

0:27:00.359 --> 0:27:02.000
<v Speaker 4>Yeah, that's awesome.

0:27:02.240 --> 0:27:06.280
<v Speaker 2>Yeah. And they have a junk band orchestra of amateur

0:27:06.320 --> 0:27:10.040
<v Speaker 2>brass musicians. And they ran from I've read one thing

0:27:10.040 --> 0:27:11.919
<v Speaker 2>since nineteen seventy four, I read one thing that implied

0:27:11.920 --> 0:27:14.800
<v Speaker 2>a couple years earlier. They ran until nineteen ninety eight.

0:27:15.480 --> 0:27:16.000
<v Speaker 3>Awesome.

0:27:16.320 --> 0:27:18.560
<v Speaker 2>Their first performance was a history of the US from

0:27:18.600 --> 0:27:22.320
<v Speaker 2>its origin up to the Vietnam War. The nineteen seventy

0:27:22.359 --> 0:27:25.440
<v Speaker 2>five circus was seven hundred people attending, and by the

0:27:25.520 --> 0:27:27.840
<v Speaker 2>end they were bringing about forty thousand people every year.

0:27:28.480 --> 0:27:30.760
<v Speaker 2>Nearby farmers made a lot of their money for the

0:27:30.840 --> 0:27:34.760
<v Speaker 2>year by renting land to the campers, and even though

0:27:34.800 --> 0:27:37.720
<v Speaker 2>the event was free, the donations from festival goers was

0:27:37.760 --> 0:27:39.760
<v Speaker 2>the main source of income for the whole theater for

0:27:39.800 --> 0:27:44.840
<v Speaker 2>the year. A journalist named Scott strut described the festival

0:27:44.920 --> 0:27:48.760
<v Speaker 2>like this, a little bit grateful dead concert with some

0:27:48.920 --> 0:27:53.639
<v Speaker 2>undeadlike rules no drugs, no dogs, no alcohol, and a

0:27:53.640 --> 0:27:56.639
<v Speaker 2>little bit rainbow gathering and a little bit religious celebration

0:27:56.800 --> 0:27:58.200
<v Speaker 2>and a little bit political being.

0:28:00.600 --> 0:28:04.280
<v Speaker 3>That's amazing. There's a historic I think it opened in

0:28:04.320 --> 0:28:08.560
<v Speaker 3>the forties, but the Bob Baker Marionette Theater and they

0:28:08.600 --> 0:28:12.600
<v Speaker 3>do a huge free outdoor summer event cool similar to this,

0:28:12.800 --> 0:28:15.600
<v Speaker 3>Like I mean, I don't think we're doing forty thousand,

0:28:15.640 --> 0:28:20.479
<v Speaker 3>but like it's yeah, these gigantic public puppet demonstrations that rules.

0:28:21.040 --> 0:28:24.399
<v Speaker 3>It's amazing when I hear about stuff like that, and

0:28:24.520 --> 0:28:27.080
<v Speaker 3>especially like on the breaded puppet scale, It's like, how

0:28:27.160 --> 0:28:29.400
<v Speaker 3>amazing must it have been to get to grow up

0:28:29.440 --> 0:28:29.800
<v Speaker 3>with that?

0:28:30.240 --> 0:28:32.440
<v Speaker 4>I know, Like that's so special.

0:28:32.680 --> 0:28:32.919
<v Speaker 3>I know.

0:28:33.000 --> 0:28:35.000
<v Speaker 2>Actually, one of the people I was talking to between

0:28:35.000 --> 0:28:37.000
<v Speaker 2>writing the script and recording it with Someone's like, oh,

0:28:37.080 --> 0:28:38.880
<v Speaker 2>my friend grew up in Brett and Puppet and I'm like,

0:28:39.880 --> 0:28:41.640
<v Speaker 2>I weekly wish I had more than a week to

0:28:41.720 --> 0:28:47.400
<v Speaker 2>do my episodes and that's so cool, and I'm like, yeah,

0:28:47.440 --> 0:28:49.360
<v Speaker 2>I would love to know more about what it was

0:28:49.360 --> 0:28:51.760
<v Speaker 2>like to grow up in this space. You know. So

0:28:52.960 --> 0:28:57.560
<v Speaker 2>Peter runs the art right people help realize Peter's artistic

0:28:57.680 --> 0:29:02.280
<v Speaker 2>vision with puppetry and things like that, but the whole

0:29:02.440 --> 0:29:06.880
<v Speaker 2>actual organization of this festival is much more democratic. The

0:29:06.920 --> 0:29:09.200
<v Speaker 2>whole thing was organized by committees that would take care

0:29:09.240 --> 0:29:12.520
<v Speaker 2>of the various needs, and so like, the structure that's

0:29:12.560 --> 0:29:16.200
<v Speaker 2>really influencing people's lives is more democratic, even if it's like,

0:29:16.880 --> 0:29:19.000
<v Speaker 2>you know, this is my artistic vision. Helped me create it,

0:29:19.120 --> 0:29:23.640
<v Speaker 2>which is fine as far as I can tell, you know, sure, yeah,

0:29:23.880 --> 0:29:29.560
<v Speaker 2>and thanks audio engineer. And the committees would get together

0:29:29.600 --> 0:29:32.400
<v Speaker 2>and sort out trash pickup and parking and camping. And

0:29:32.560 --> 0:29:34.880
<v Speaker 2>there was too many people to bake bread for everybody,

0:29:35.320 --> 0:29:38.200
<v Speaker 2>even in the ten foot long of it, right.

0:29:38.400 --> 0:29:41.000
<v Speaker 3>Yeah, forty thousand bread slices.

0:29:41.760 --> 0:29:44.200
<v Speaker 2>No, And initially they would do it like kind of

0:29:44.240 --> 0:29:46.280
<v Speaker 2>potluck style when it's like seven hundred people coming right.

0:29:46.920 --> 0:29:48.520
<v Speaker 2>In the end, they were like, all right, people can

0:29:48.560 --> 0:29:51.400
<v Speaker 2>set up food stands. And that was a bit chaotic.

0:29:51.800 --> 0:29:54.680
<v Speaker 2>But it took them into the late nineties to determine

0:29:54.680 --> 0:29:57.120
<v Speaker 2>the no drug policy more formally. I think they were

0:29:57.240 --> 0:29:59.120
<v Speaker 2>a bit afraid of being authoritarian, being like, oh, you

0:29:59.120 --> 0:30:01.160
<v Speaker 2>can't do drugs or whatever. But basically they were like,

0:30:01.200 --> 0:30:03.720
<v Speaker 2>this actually needs to be a family friendly thing. And

0:30:04.320 --> 0:30:07.880
<v Speaker 2>the no drugs thing didn't trickle down to the campgrounds, okay,

0:30:08.000 --> 0:30:10.000
<v Speaker 2>And so you have this like it used to be

0:30:10.040 --> 0:30:14.160
<v Speaker 2>about the puppets, man, but now it's about the They.

0:30:14.280 --> 0:30:17.360
<v Speaker 3>Basically went corporate. Man. There.

0:30:17.760 --> 0:30:19.880
<v Speaker 2>Now there's like because there's people selling food and tied

0:30:19.920 --> 0:30:22.680
<v Speaker 2>ie and hemp clothes and drugs, and there's drum circles

0:30:22.680 --> 0:30:26.400
<v Speaker 2>around the clock, and it becomes more of a specific

0:30:26.520 --> 0:30:30.200
<v Speaker 2>festival that puppets are part of in the average participant's

0:30:30.640 --> 0:30:32.680
<v Speaker 2>point of view. Like I read one piece from like

0:30:32.760 --> 0:30:35.200
<v Speaker 2>a traveling kid in the nineties who was like, oh,

0:30:35.200 --> 0:30:38.160
<v Speaker 2>I went to this amazing thing. There was drum circles

0:30:38.320 --> 0:30:41.680
<v Speaker 2>and drugs and there's puppets, you know, instead of like

0:30:41.720 --> 0:30:45.600
<v Speaker 2>I went to the third Yeah, yeah, exactly, like and

0:30:45.600 --> 0:30:48.680
<v Speaker 2>some people loved this new vibe and some people hated it.

0:30:48.760 --> 0:30:51.680
<v Speaker 2>It started getting absorbed into the mainstream subculture of the

0:30:51.760 --> 0:30:55.360
<v Speaker 2>late nineties, like counterculture stuff. Newspapers covered it like it

0:30:55.440 --> 0:30:57.320
<v Speaker 2>was a sixties nostalgia festival.

0:30:58.320 --> 0:31:02.040
<v Speaker 3>I see, Okay, so it was a grateful that kind of.

0:31:02.000 --> 0:31:04.120
<v Speaker 2>Yeah, And they didn't necessarily want it to be, or

0:31:04.120 --> 0:31:07.320
<v Speaker 2>at least that's the implication I get. And none of

0:31:07.360 --> 0:31:10.000
<v Speaker 2>the newspaper stuff would ever include the like anti capitalist

0:31:10.040 --> 0:31:15.400
<v Speaker 2>critique that was embedded rather unsubtly into the art itself. Yeah,

0:31:15.480 --> 0:31:17.640
<v Speaker 2>it to me reads like they were victims of their

0:31:17.680 --> 0:31:21.080
<v Speaker 2>own success. And then a thing I promised you a

0:31:21.080 --> 0:31:24.800
<v Speaker 2>long time ago. After a cliffhanger, you're gonna have to

0:31:24.840 --> 0:31:30.280
<v Speaker 2>wait for another cliffhanger because now those ads wow violence,

0:31:31.360 --> 0:31:37.280
<v Speaker 2>all podcasters go to hell. I am lit by red

0:31:37.360 --> 0:31:41.160
<v Speaker 2>light as we type this. I'm so used to writing that,

0:31:41.160 --> 0:31:45.080
<v Speaker 2>I said as I type this. Anyway, ads, here they are,

0:31:47.720 --> 0:31:53.600
<v Speaker 2>and we're back. So in nineteen ninety eight, a forty

0:31:53.640 --> 0:31:57.240
<v Speaker 2>one year old logger named Michael Sarahzon, who've been going

0:31:57.240 --> 0:32:00.400
<v Speaker 2>to this festival for years, got into a fight with

0:32:00.480 --> 0:32:04.280
<v Speaker 2>a guy named Junebug over a hot dog.

0:32:05.440 --> 0:32:08.400
<v Speaker 3>Ooh, there's enough to go around, fellas.

0:32:08.480 --> 0:32:13.080
<v Speaker 2>Come on, I know Junebug hits Sarazen, and Sarahson died

0:32:13.120 --> 0:32:16.120
<v Speaker 2>from internal brain hemorrhagon like internal bleeding in the brain.

0:32:16.960 --> 0:32:22.520
<v Speaker 3>Oh my god. And it's not the only hot dog really,

0:32:22.560 --> 0:32:26.520
<v Speaker 3>I yeah, I won't. That's another for another day. But

0:32:26.640 --> 0:32:29.160
<v Speaker 3>that is sad. It's not the saddest.

0:32:28.760 --> 0:32:29.440
<v Speaker 4>Hot dog death.

0:32:30.160 --> 0:32:31.680
<v Speaker 2>Yeah, fair enough.

0:32:31.520 --> 0:32:33.080
<v Speaker 3>And that's how we should view dead.

0:32:33.280 --> 0:32:38.400
<v Speaker 2>Yeah, and so Peter Schumann, the bread and Puppet guy,

0:32:38.560 --> 0:32:42.440
<v Speaker 2>is like, you know what, that's it We're done not

0:32:42.520 --> 0:32:45.800
<v Speaker 2>with bread and Puppet, but with the domestic resurrection circus.

0:32:47.000 --> 0:32:49.280
<v Speaker 2>And so the nineteen ninety eight when was the last one,

0:32:49.280 --> 0:32:51.840
<v Speaker 2>and he was like, this became what it shouldn't be.

0:32:53.840 --> 0:32:56.720
<v Speaker 2>And what they've done since is that they spread out

0:32:56.720 --> 0:32:59.600
<v Speaker 2>their summer performances so that they're more focused on theater

0:32:59.680 --> 0:33:02.280
<v Speaker 2>and less on giant blowout festivals. So you can't just

0:33:02.760 --> 0:33:04.920
<v Speaker 2>show up for all of it and camp out for

0:33:04.960 --> 0:33:07.040
<v Speaker 2>a weekend. You know, if you want to go see

0:33:07.040 --> 0:33:10.920
<v Speaker 2>a piece, you can and it's still beautiful, but it

0:33:10.960 --> 0:33:13.520
<v Speaker 2>focuses it back on the art, which honestly.

0:33:13.520 --> 0:33:16.640
<v Speaker 3>Did it stay a free festival for everybody? Yeah?

0:33:16.720 --> 0:33:19.280
<v Speaker 2>I am under the impression that it continued to be

0:33:19.480 --> 0:33:20.640
<v Speaker 2>free the entire time.

0:33:20.960 --> 0:33:24.160
<v Speaker 3>As frustrating as it is to have become like you're saying,

0:33:24.200 --> 0:33:27.360
<v Speaker 3>a victim of a onestone success. I am very impressed

0:33:27.400 --> 0:33:31.600
<v Speaker 3>with how long they were able to keep the project

0:33:32.000 --> 0:33:36.480
<v Speaker 3>like to their moral standard, especially coming out of New York.

0:33:36.560 --> 0:33:38.840
<v Speaker 3>I mean, it's like, I know that they were a

0:33:38.840 --> 0:33:41.600
<v Speaker 3>part of a very political revolutionary group of artists, but

0:33:41.720 --> 0:33:45.720
<v Speaker 3>like people are trying to capitalize on your shit in

0:33:45.840 --> 0:33:47.720
<v Speaker 3>New York, but they moved to from I just think

0:33:47.760 --> 0:33:51.880
<v Speaker 3>it's very very at ruple that they that they were

0:33:51.920 --> 0:33:53.160
<v Speaker 3>such holdouts at Rocks.

0:33:53.400 --> 0:33:55.760
<v Speaker 2>Well, I'm going to talk now about the way that

0:33:55.800 --> 0:33:59.600
<v Speaker 2>they handled capitalism and art in a very very principled way,

0:34:00.280 --> 0:34:02.240
<v Speaker 2>literally a more principled way than I do it, frankly.

0:34:03.040 --> 0:34:05.360
<v Speaker 2>And at some point around the same time as some

0:34:05.360 --> 0:34:08.239
<v Speaker 2>of the early circuses, they turned their old barn into

0:34:08.280 --> 0:34:10.680
<v Speaker 2>a bread and puppet museum, holding all kinds of puppets

0:34:10.680 --> 0:34:14.359
<v Speaker 2>and masks. And this was such an important place that

0:34:15.120 --> 0:34:17.640
<v Speaker 2>Vermont put it on the official state map, the Bread

0:34:17.640 --> 0:34:21.720
<v Speaker 2>and Puppet Museum. Elka ran a print shop and sold prints,

0:34:22.080 --> 0:34:24.120
<v Speaker 2>and she built an archive of all the ephemera of

0:34:24.160 --> 0:34:26.920
<v Speaker 2>the theater. She made sure that the bills got paid.

0:34:27.600 --> 0:34:29.920
<v Speaker 2>Elka died in twenty twenty one, and in sort of

0:34:29.920 --> 0:34:33.080
<v Speaker 2>an obituary for her, it's written like this quote, she

0:34:33.239 --> 0:34:35.680
<v Speaker 2>was the glue that held the whole enterprise together behind

0:34:35.680 --> 0:34:39.240
<v Speaker 2>the scenes of Peter's manic creative energy. And they started

0:34:39.280 --> 0:34:41.680
<v Speaker 2>really developing their ideas together and putting them out there.

0:34:41.719 --> 0:34:44.720
<v Speaker 2>And Peter put it like this in nineteen eighty seven quote,

0:34:46.239 --> 0:34:50.640
<v Speaker 2>our glorious civilization glorifies itself with what it calls high art.

0:34:51.200 --> 0:34:54.759
<v Speaker 2>Puppeteers have no soul searching trouble in that respect. We

0:34:54.840 --> 0:34:58.080
<v Speaker 2>produce what has no ambition to be high art. Low

0:34:58.239 --> 0:35:00.440
<v Speaker 2>art is what we make and what we you want,

0:35:01.080 --> 0:35:04.080
<v Speaker 2>not the fine arts. The course arts are what we use.

0:35:06.040 --> 0:35:08.480
<v Speaker 3>The course arts. That's terrific.

0:35:08.640 --> 0:35:10.800
<v Speaker 2>And as someone who's done stand up comedy in a garage,

0:35:10.840 --> 0:35:12.800
<v Speaker 2>I feel like you might identify with that a little.

0:35:13.000 --> 0:35:15.759
<v Speaker 3>The course is art. I think what they're doing is

0:35:15.800 --> 0:35:18.160
<v Speaker 3>far cooler than what we're doing, but I do. I

0:35:18.200 --> 0:35:22.319
<v Speaker 3>mean low art rips like and it's also I mean,

0:35:23.360 --> 0:35:26.080
<v Speaker 3>any low art is going to be considered high art

0:35:26.080 --> 0:35:28.120
<v Speaker 3>in one hundred years because it's just a fucking passage.

0:35:28.120 --> 0:35:29.280
<v Speaker 2>Oh absolutely, who cares.

0:35:29.360 --> 0:35:31.440
<v Speaker 3>Yeah, course arts that's gonna stick with me.

0:35:31.560 --> 0:35:35.600
<v Speaker 2>Yeah, that rocks. They would sell these cheap art prints.

0:35:35.600 --> 0:35:38.080
<v Speaker 2>That's like, the whole thing is cheap art, and they

0:35:38.080 --> 0:35:40.600
<v Speaker 2>started taking it really seriously, and in nineteen seventy nine

0:35:40.880 --> 0:35:43.520
<v Speaker 2>they filled a school bus with tiny paintings on scraps

0:35:43.520 --> 0:35:45.719
<v Speaker 2>of cardboard and shit and would sell them for like

0:35:45.800 --> 0:35:49.919
<v Speaker 2>ten cents to ten bucks. And by nineteen eighty three

0:35:50.080 --> 0:35:52.680
<v Speaker 2>they had all cheap Art manifesto and I'm just gonna

0:35:52.680 --> 0:35:56.520
<v Speaker 2>read it. It's good manifesto. Okay, just imagine the words

0:35:56.520 --> 0:35:58.520
<v Speaker 2>that I'm slightly louder on as all caps, because this

0:35:58.600 --> 0:36:00.799
<v Speaker 2>is absolutely a nineteen eighty of course.

0:36:00.960 --> 0:36:02.480
<v Speaker 3>Yeah, and it was written in Vermont.

0:36:02.440 --> 0:36:03.880
<v Speaker 2>And I think it might have been a letter pressed

0:36:05.920 --> 0:36:09.839
<v Speaker 2>the print. Yeah. People have been thinking too long that

0:36:10.040 --> 0:36:13.080
<v Speaker 2>art is a privilege of the museums and the rich.

0:36:13.800 --> 0:36:16.680
<v Speaker 2>Art is not a business. It does not belong to

0:36:16.760 --> 0:36:21.359
<v Speaker 2>banks and fancy investors. Art is food. You can't eat it,

0:36:21.800 --> 0:36:25.040
<v Speaker 2>but it feeds you. Art has to be cheap and

0:36:25.080 --> 0:36:29.600
<v Speaker 2>available to everybody. It needs to be everywhere because it

0:36:29.680 --> 0:36:34.760
<v Speaker 2>is inside of the world. Art soothes pain, Art wakes

0:36:34.840 --> 0:36:40.600
<v Speaker 2>up sleepers. Art fights against war and stupidity. Art sings Hallelujah.

0:36:40.840 --> 0:36:44.719
<v Speaker 2>Art is for kitchens. Art is like good bread. Art

0:36:44.760 --> 0:36:47.759
<v Speaker 2>is like green trees. Art is like white clouds in

0:36:47.800 --> 0:36:49.960
<v Speaker 2>a blue sky. Art is cheap.

0:36:50.719 --> 0:36:56.880
<v Speaker 3>Hurrah ooh, stuck the landing too. I know I haven't

0:36:56.920 --> 0:36:59.400
<v Speaker 3>spent a ton of time in Vermont, but I can

0:36:59.680 --> 0:37:02.960
<v Speaker 3>see and smell that manifesto, and I mean that in

0:37:03.000 --> 0:37:03.759
<v Speaker 3>the best way.

0:37:03.840 --> 0:37:08.320
<v Speaker 2>I love that totally. And like, intersexual feminism has offered

0:37:08.320 --> 0:37:11.040
<v Speaker 2>some critiques of like everyone should be volunteer and everyone

0:37:11.080 --> 0:37:13.480
<v Speaker 2>should be poor, you know, like we've kind of at

0:37:13.480 --> 0:37:16.880
<v Speaker 2>some point been like how self sustained are you? Like?

0:37:17.120 --> 0:37:19.920
<v Speaker 2>You know, like do we want only people with generational

0:37:19.920 --> 0:37:21.720
<v Speaker 2>wealth able to do certain types of things?

0:37:21.840 --> 0:37:22.000
<v Speaker 5>Right?

0:37:22.520 --> 0:37:24.560
<v Speaker 2>And so there is a like getting down in the gutter.

0:37:24.600 --> 0:37:27.000
<v Speaker 2>I actually think part of low art for me, I

0:37:27.040 --> 0:37:29.200
<v Speaker 2>think podcasting is a low art honestly in a way

0:37:29.200 --> 0:37:33.000
<v Speaker 2>that I like is being like, yeah, but sometimes I

0:37:33.040 --> 0:37:36.279
<v Speaker 2>gotta sell it. But they actually they are selling it, right.

0:37:36.520 --> 0:37:38.759
<v Speaker 2>They are making these things and selling it and trying

0:37:38.800 --> 0:37:40.759
<v Speaker 2>to make enough money to feed themselves and stuff like that.

0:37:40.840 --> 0:37:42.960
<v Speaker 3>You know, they're still making a living. I mean they've

0:37:43.000 --> 0:37:44.160
<v Speaker 3>got to sustain the project.

0:37:44.440 --> 0:37:48.000
<v Speaker 2>Yeah, but they're also almost everyone's volunteer their shoe string budget.

0:37:48.000 --> 0:37:51.600
<v Speaker 2>They're very like we're back to the landers and like

0:37:51.680 --> 0:37:54.040
<v Speaker 2>living off the land and stuff, and you know, it

0:37:54.120 --> 0:37:57.080
<v Speaker 2>is like I've read some critiques of Bread and puppett

0:37:57.080 --> 0:38:00.680
<v Speaker 2>around this, Okay, some of which I think we're better

0:38:00.680 --> 0:38:03.560
<v Speaker 2>written than others, but okay, but I think it's important

0:38:03.560 --> 0:38:06.799
<v Speaker 2>that we remember, like, yeah, I really like the cheap

0:38:06.840 --> 0:38:08.960
<v Speaker 2>Art Manifesto. Actually it was one of the first political

0:38:08.960 --> 0:38:11.360
<v Speaker 2>things I saw is that I got a it's probably

0:38:11.360 --> 0:38:14.040
<v Speaker 2>a dollar I bought like a block print of it

0:38:14.160 --> 0:38:16.240
<v Speaker 2>or something. I think when I went to Brand Puppet

0:38:16.280 --> 0:38:18.319
<v Speaker 2>when I was like seventeen, I moved to New York

0:38:18.360 --> 0:38:20.680
<v Speaker 2>City and someone took me to Bread and Puppet and

0:38:20.719 --> 0:38:22.759
<v Speaker 2>it was like kind of weird. I didn't totally understand it,

0:38:23.000 --> 0:38:26.480
<v Speaker 2>but the ours cheap thing was like, that's cool, you know.

0:38:26.680 --> 0:38:30.200
<v Speaker 3>That's incredible. Yeah, and then you could afford to take

0:38:30.239 --> 0:38:31.799
<v Speaker 3>a little bit of their philosophy with you.

0:38:31.880 --> 0:38:37.400
<v Speaker 2>That's awesome. Yeah, yeah, totally. So giant puppets became an

0:38:37.520 --> 0:38:40.120
<v Speaker 2>essential part of street theater. And I don't know that

0:38:40.160 --> 0:38:42.160
<v Speaker 2>this is the true origin of it, but it is the

0:38:42.200 --> 0:38:46.359
<v Speaker 2>origin that I have found of it, and they become

0:38:46.400 --> 0:38:47.960
<v Speaker 2>part of a street theater in a solemn way. As

0:38:47.960 --> 0:38:51.319
<v Speaker 2>we're talking about earlier, Peter said once quote, puppets are

0:38:51.400 --> 0:38:55.920
<v Speaker 2>not cute like muppets. Puppets are effigies and gods and

0:38:56.000 --> 0:38:58.000
<v Speaker 2>meaningful creatures.

0:38:58.760 --> 0:39:03.799
<v Speaker 3>Oh okay, Well, there's many ways to look at a puppet, Peter.

0:39:04.280 --> 0:39:07.759
<v Speaker 3>I mean, I love that. I mean, I'm a pee

0:39:07.800 --> 0:39:11.200
<v Speaker 3>Wee's playhouse, yeah, man, But I like when a puppet

0:39:11.280 --> 0:39:15.320
<v Speaker 3>is a little ugly, Yeah, you know, like a puppet

0:39:15.360 --> 0:39:17.759
<v Speaker 3>should be a little bit uly. Okay, so what does

0:39:17.800 --> 0:39:21.040
<v Speaker 3>he mean when he says that, is he referring to scale?

0:39:21.160 --> 0:39:22.319
<v Speaker 3>What are the puppets look like?

0:39:22.600 --> 0:39:26.440
<v Speaker 2>Well, an awful lot of their puppets are like real sad,

0:39:26.560 --> 0:39:31.240
<v Speaker 2>giant faced people who are like mourning and like moving

0:39:31.280 --> 0:39:33.520
<v Speaker 2>through the streets, where like one person's holding up this

0:39:33.640 --> 0:39:36.160
<v Speaker 2>head with like it'll be like the head is paper mache.

0:39:36.920 --> 0:39:39.600
<v Speaker 2>I'm kind of conflating it with like street protest puppets

0:39:39.600 --> 0:39:41.719
<v Speaker 2>in general at this point, but like a lot of

0:39:41.760 --> 0:39:44.880
<v Speaker 2>their puppets are different. But you know, you have a

0:39:44.920 --> 0:39:48.520
<v Speaker 2>giant paper mache head held up by one puppeteer and

0:39:48.560 --> 0:39:51.000
<v Speaker 2>that the shoulders will be fabric and then the arms

0:39:51.000 --> 0:39:53.080
<v Speaker 2>will be fabric and then there'll be one person on

0:39:53.080 --> 0:39:54.640
<v Speaker 2>each side holding hands out.

0:39:55.160 --> 0:39:58.640
<v Speaker 3>I'm looking at them now, I know this style. Yeah, yeah,

0:39:58.680 --> 0:40:00.520
<v Speaker 3>and it's I mean that's the thing. It's like they

0:40:00.640 --> 0:40:04.440
<v Speaker 3>move with the breeze because they're wearing clothes and oh

0:40:04.440 --> 0:40:05.080
<v Speaker 3>it's incredible.

0:40:05.160 --> 0:40:07.000
<v Speaker 2>Yeah, And they're like often in a crowd marching so

0:40:07.040 --> 0:40:09.319
<v Speaker 2>that the hands and stuff are moving the way that

0:40:09.360 --> 0:40:13.239
<v Speaker 2>the protester puppeteers have to move and like, yeah, there's

0:40:13.239 --> 0:40:15.799
<v Speaker 2>some photos of the circus that I think are worth

0:40:15.800 --> 0:40:18.880
<v Speaker 2>looking up. They look pagan as hell in a really

0:40:18.920 --> 0:40:21.480
<v Speaker 2>beautiful way. Where's this beautiful open field with some people

0:40:21.520 --> 0:40:26.720
<v Speaker 2>watching as these like eighteen foot tall puppets are walking around,

0:40:27.239 --> 0:40:28.920
<v Speaker 2>you know, mm hmm, and.

0:40:29.080 --> 0:40:31.640
<v Speaker 3>That feels good. I also love like in a big

0:40:31.920 --> 0:40:34.920
<v Speaker 3>puppet operation like that, that everyone has to wear a

0:40:34.960 --> 0:40:38.719
<v Speaker 3>little matching outfit and it's a little culty, but it's thrilling.

0:40:38.880 --> 0:40:39.560
<v Speaker 3>I just love it.

0:40:39.719 --> 0:40:42.640
<v Speaker 2>Yeah. Absolutely, I do think that the swipe at Muppets,

0:40:43.040 --> 0:40:45.759
<v Speaker 2>I disagree with you, but that's not you. But with Peter,

0:40:46.040 --> 0:40:47.160
<v Speaker 2>oh yeah.

0:40:47.000 --> 0:40:49.560
<v Speaker 3>I mean it sounds like he's kind of being a hater.

0:40:49.880 --> 0:40:51.759
<v Speaker 2>Yeah, I think he's being a hater. I actually think

0:40:51.760 --> 0:40:54.040
<v Speaker 2>the Muppets are absolutely going to be a subject of

0:40:54.040 --> 0:40:56.640
<v Speaker 2>this show one day because I think that they impacted

0:40:56.640 --> 0:40:59.560
<v Speaker 2>culture in incredibly positive ways. I will always hold the

0:40:59.600 --> 0:41:03.640
<v Speaker 2>Fraggle was like the first anarchist show I ever saw. Yes, Okay,

0:41:03.920 --> 0:41:06.279
<v Speaker 2>they convince a king to not be king, and they

0:41:06.400 --> 0:41:10.040
<v Speaker 2>like all worship a compost heap and like give from

0:41:10.080 --> 0:41:12.200
<v Speaker 2>each according to ability to need to each according to need,

0:41:12.640 --> 0:41:18.400
<v Speaker 2>and sing nice songs. So puppets have a long history

0:41:18.400 --> 0:41:21.080
<v Speaker 2>and political theater. And this is where I almost started

0:41:21.080 --> 0:41:22.520
<v Speaker 2>this whole episode, and then I was like, no, I'm

0:41:22.560 --> 0:41:24.880
<v Speaker 2>going to start where I started. They've been used to

0:41:24.920 --> 0:41:28.239
<v Speaker 2>satirize the powerful a lot. Puppetry has been banned for

0:41:28.280 --> 0:41:30.759
<v Speaker 2>decades at a time throughout history. In seventeen ninety three,

0:41:30.800 --> 0:41:33.799
<v Speaker 2>they were banned in Saxony, to quote author Carrie magg

0:41:34.160 --> 0:41:38.600
<v Speaker 2>quote being itinerant. Puppeteers were regarded with suspicion and accused

0:41:38.600 --> 0:41:41.640
<v Speaker 2>of not only participating in crime, but of perpetuating it

0:41:41.680 --> 0:41:45.560
<v Speaker 2>by attracting crowds of poverty stricken individuals to respectable places

0:41:45.600 --> 0:41:49.920
<v Speaker 2>of business. My god, Okay, yeah, And basically it's like

0:41:50.440 --> 0:41:53.239
<v Speaker 2>puppets are like sketchy, you know, they're low art. Their

0:41:53.239 --> 0:41:58.400
<v Speaker 2>course art right. The bread and puppet model spread, including

0:41:58.440 --> 0:42:00.840
<v Speaker 2>to a group called Art and Revolution that we briefly

0:42:00.880 --> 0:42:03.279
<v Speaker 2>mentioned in our probably last week's episodes about the World

0:42:03.320 --> 0:42:07.600
<v Speaker 2>Trade Organization protests. This was the group Art and Revolution

0:42:08.719 --> 0:42:12.840
<v Speaker 2>got together, the group called Direct Action Network that shut

0:42:12.880 --> 0:42:16.120
<v Speaker 2>down the World Trade Organization in Seattle, which means that

0:42:16.160 --> 0:42:21.560
<v Speaker 2>they dramatically and directly influenced the economic model of the world.

0:42:21.800 --> 0:42:26.520
<v Speaker 2>Because the neoliberal agenda, as a consensus of what everyone

0:42:26.600 --> 0:42:30.440
<v Speaker 2>agrees is what should happen to the world broke as

0:42:30.480 --> 0:42:33.040
<v Speaker 2>a result of the Alt globalization movement, and the big

0:42:33.200 --> 0:42:37.280
<v Speaker 2>first Opening Salvo was a successful shutdown of the meetings

0:42:37.719 --> 0:42:39.600
<v Speaker 2>orchestrated by people who are started by people who are

0:42:39.600 --> 0:42:43.080
<v Speaker 2>inspired directly by Breton. Puppet and art and revolution started

0:42:43.200 --> 0:42:46.240
<v Speaker 2>nineteen ninety six from protests against the Democratic National Convention

0:42:46.280 --> 0:42:49.399
<v Speaker 2>in Chicago. There's so many of these groups that I'm

0:42:49.440 --> 0:42:50.560
<v Speaker 2>not going to name the mom I'm just going to

0:42:50.640 --> 0:42:53.600
<v Speaker 2>name another one. There's Paper Hand Puppet Intervention out of

0:42:53.640 --> 0:42:56.359
<v Speaker 2>North Carolina that made so many puppets for so many

0:42:56.400 --> 0:42:59.600
<v Speaker 2>protests of the Alt Globalization era, many of which meant

0:42:59.600 --> 0:43:02.040
<v Speaker 2>their just dirduction at the hands of police, Like when

0:43:02.080 --> 0:43:05.160
<v Speaker 2>at the Republican National Convention protests in the year two thousand,

0:43:05.840 --> 0:43:09.760
<v Speaker 2>police claiming to look for bombs raided the puppeteer space

0:43:09.840 --> 0:43:11.560
<v Speaker 2>and destroyed three hundred puppets.

0:43:12.840 --> 0:43:18.600
<v Speaker 3>Oh my god, Okay, that undefeated undefeated with I'm like, oh,

0:43:18.680 --> 0:43:21.040
<v Speaker 3>that's a silly one. You just did a silly crime.

0:43:21.440 --> 0:43:25.880
<v Speaker 3>That's so fuck now. I'm like hyper focused on, like

0:43:26.320 --> 0:43:28.680
<v Speaker 3>we got to get these puppets back on this street.

0:43:28.960 --> 0:43:32.560
<v Speaker 2>I know this is thrilling, Like we shouldn't like larp

0:43:32.680 --> 0:43:35.560
<v Speaker 2>the anti globalization air again and do the same stuff.

0:43:35.760 --> 0:43:38.879
<v Speaker 2>But there is some stuff around. We talked last week

0:43:38.920 --> 0:43:41.120
<v Speaker 2>about some of the ways that they built coalition and

0:43:41.160 --> 0:43:45.759
<v Speaker 2>like actually organized like direct action in ways that felt

0:43:45.840 --> 0:43:49.520
<v Speaker 2>very inviting for people to join, and stuff like puppets

0:43:49.560 --> 0:43:52.520
<v Speaker 2>and the way of like breaking the spell that the

0:43:52.640 --> 0:43:55.839
<v Speaker 2>viewers are witnessing. And there's many puppets will break the spell,

0:43:55.880 --> 0:43:57.920
<v Speaker 2>and so will cinder blocks or a truck. But like,

0:43:58.719 --> 0:44:00.560
<v Speaker 2>these don't need to be enemies for me each other.

0:44:00.360 --> 0:44:03.279
<v Speaker 3>To each their own. Yes, these can cooperate. Yeah, made

0:44:03.320 --> 0:44:05.240
<v Speaker 3>the puppet cast the first cinder block.

0:44:05.360 --> 0:44:09.040
<v Speaker 2>Yeah, totally. Although I will say, and maybe I'm wrong

0:44:09.080 --> 0:44:11.800
<v Speaker 2>about this, but the last time I saw giant puppets

0:44:11.880 --> 0:44:13.880
<v Speaker 2>is a big part of these protests. I'm going to

0:44:13.920 --> 0:44:16.560
<v Speaker 2>claim the era of giant protest puppets came to its

0:44:16.680 --> 0:44:18.560
<v Speaker 2>end in the year two thousand and four at the

0:44:18.560 --> 0:44:21.960
<v Speaker 2>Republican National Convention in New York City, when a giant

0:44:22.000 --> 0:44:26.959
<v Speaker 2>green dragon puppet went up in flames in the streets. No,

0:44:28.160 --> 0:44:30.400
<v Speaker 2>I believe that it was set on fire on purpose

0:44:31.040 --> 0:44:33.400
<v Speaker 2>as a way of turning it into like a blockade

0:44:33.440 --> 0:44:36.400
<v Speaker 2>and a statement. Okay, well, I know someone went to

0:44:36.480 --> 0:44:37.000
<v Speaker 2>jail for it.

0:44:37.320 --> 0:44:41.200
<v Speaker 3>Fascinating. Thank you for the political puppet Drauma updates. Yeah, yeah, yeah,

0:44:41.239 --> 0:44:43.719
<v Speaker 3>I did not know. This dragon set a flame.

0:44:43.560 --> 0:44:45.680
<v Speaker 2>Yeah, the green dragon. It was the sound system for

0:44:45.760 --> 0:44:47.560
<v Speaker 2>the march, and then all of a sudden, the sound

0:44:47.560 --> 0:44:50.360
<v Speaker 2>system was evacuated and the puppet went up in flames.

0:44:51.000 --> 0:44:52.640
<v Speaker 2>I think in front of the Convention Center, but I

0:44:52.640 --> 0:44:55.640
<v Speaker 2>actually can't remember. I was distracted because the police attacked,

0:44:56.000 --> 0:44:57.480
<v Speaker 2>and I was like, I don't want to get arrested,

0:44:57.840 --> 0:45:01.000
<v Speaker 2>and I wasn't because I was there. I never did crime.

0:45:02.640 --> 0:45:05.080
<v Speaker 3>You couldn't have been arrested because you weren't there.

0:45:05.160 --> 0:45:05.760
<v Speaker 2>Yeah, exactly.

0:45:05.880 --> 0:45:07.239
<v Speaker 4>Actually, now wait, I'm checking.

0:45:07.400 --> 0:45:09.080
<v Speaker 3>This dragon is mass Oh.

0:45:09.080 --> 0:45:10.279
<v Speaker 2>I want to look at the picture of it too.

0:45:10.280 --> 0:45:10.759
<v Speaker 2>Everyone has to.

0:45:10.840 --> 0:45:14.640
<v Speaker 3>Way, cow just got a picture of its head on fire.

0:45:16.000 --> 0:45:16.800
<v Speaker 3>Really good.

0:45:18.120 --> 0:45:22.880
<v Speaker 2>But puppetry continues, Street theater continues, and Bread and Puppet continues.

0:45:25.239 --> 0:45:27.200
<v Speaker 2>Elka died of a stroke in twenty twenty one. As

0:45:27.200 --> 0:45:29.719
<v Speaker 2>we mentioned a few days before she died, she was

0:45:29.760 --> 0:45:33.000
<v Speaker 2>performing with Bread and Puppet. Because their work is performed outside,

0:45:33.000 --> 0:45:36.160
<v Speaker 2>it was more COVID safe than traditional theater, so they

0:45:36.160 --> 0:45:39.719
<v Speaker 2>were able to keep doing performances. Very much of twenty

0:45:40.040 --> 0:45:43.239
<v Speaker 2>and twenty one, and a few days before she died,

0:45:43.280 --> 0:45:46.080
<v Speaker 2>she played the International on a recorder, and this has

0:45:46.120 --> 0:45:48.440
<v Speaker 2>been one of the main anthems of the left for centuries,

0:45:48.480 --> 0:45:50.400
<v Speaker 2>and the opening lines, at least the version that she

0:45:50.440 --> 0:45:52.279
<v Speaker 2>was playing. I believe she hand wrote these notes and

0:45:52.320 --> 0:45:56.120
<v Speaker 2>handed it to someone who was singing or something. Arise ye,

0:45:56.120 --> 0:45:59.000
<v Speaker 2>prisoners of starvation, A risey, wretched of the earth. For

0:45:59.239 --> 0:46:02.440
<v Speaker 2>justice thunders condemnation. A better world is in birth.

0:46:03.000 --> 0:46:03.400
<v Speaker 3>Wow.

0:46:04.239 --> 0:46:07.160
<v Speaker 2>And she died a few days later with her husband

0:46:07.239 --> 0:46:09.600
<v Speaker 2>and five children next to her. She was buried on

0:46:09.680 --> 0:46:14.040
<v Speaker 2>a pine grove on her farm. I honestly can't imagine

0:46:14.040 --> 0:46:16.799
<v Speaker 2>a better life. I don't know every I'm sure she

0:46:16.840 --> 0:46:20.040
<v Speaker 2>had her shit. I don't know anything about the relationship

0:46:20.040 --> 0:46:22.080
<v Speaker 2>besides what's available in these public sources.

0:46:22.480 --> 0:46:26.000
<v Speaker 3>But it sounds like she lived a long, full life

0:46:27.280 --> 0:46:32.080
<v Speaker 3>making radical art and building community and being loved. That's

0:46:32.160 --> 0:46:32.960
<v Speaker 3>really amazing.

0:46:33.280 --> 0:46:35.600
<v Speaker 2>Yeah, Like I got tiery writing some of this where

0:46:35.600 --> 0:46:39.400
<v Speaker 2>I'm just like she ruled, Like she just changed the

0:46:39.400 --> 0:46:44.680
<v Speaker 2>fucking world by like sticking with what she believed and

0:46:44.800 --> 0:46:48.439
<v Speaker 2>finding a way that, like brick by brick, you build

0:46:48.440 --> 0:46:49.440
<v Speaker 2>a fucking better world.

0:46:50.200 --> 0:46:54.799
<v Speaker 3>And I love that she performed through her life too.

0:46:55.080 --> 0:46:57.120
<v Speaker 3>I know that not everybody's able to, but I just

0:46:57.160 --> 0:46:59.600
<v Speaker 3>love stories like that where it's not a job, it's

0:46:59.600 --> 0:47:02.480
<v Speaker 3>like their passion. Yeah, calling and God that souff.

0:47:02.320 --> 0:47:05.040
<v Speaker 2>Totally like she was probably in her very late eighties.

0:47:05.360 --> 0:47:09.120
<v Speaker 2>She dies, and you know, was playing stuff that ties

0:47:09.120 --> 0:47:14.959
<v Speaker 2>into centuries long legacy a few days before. Like Peter

0:47:15.120 --> 0:47:18.040
<v Speaker 2>continues to work, and his work in the past few years,

0:47:18.080 --> 0:47:20.279
<v Speaker 2>at least since twenty twenty three, has been focused some

0:47:20.360 --> 0:47:23.279
<v Speaker 2>on the Russian anarchist Peter Kopak and the sort of

0:47:23.280 --> 0:47:26.520
<v Speaker 2>founder of the modern understanding of mutual aid, and specifically

0:47:27.080 --> 0:47:30.279
<v Speaker 2>r Peter. Peter Schumann is really excited about talking about

0:47:30.280 --> 0:47:34.120
<v Speaker 2>how to compare cooperative life among humans to trees living

0:47:34.160 --> 0:47:36.600
<v Speaker 2>in the forest, but then also kind of ran into

0:47:36.640 --> 0:47:40.640
<v Speaker 2>the well. He feels very strongly about Gaza, and so

0:47:40.680 --> 0:47:42.880
<v Speaker 2>as soon as the genocide kicked up a notch in

0:47:42.920 --> 0:47:44.960
<v Speaker 2>twenty twenty three, he moved a lot of his work

0:47:45.000 --> 0:47:49.719
<v Speaker 2>to that. Although controversially among some of his collaborators and me,

0:47:50.160 --> 0:47:52.399
<v Speaker 2>his work around Ukraine is mostly critical of the US

0:47:52.400 --> 0:47:56.160
<v Speaker 2>and NATO and Ukraine and not the Russian invasion. But okay,

0:47:56.280 --> 0:47:57.319
<v Speaker 2>he's ninety one years old.

0:47:57.440 --> 0:48:00.960
<v Speaker 3>I don't know, as we're just saying, say, he's sharper

0:48:00.960 --> 0:48:02.680
<v Speaker 3>than most ninety one year olds, but yeah.

0:48:02.480 --> 0:48:04.319
<v Speaker 2>He's a ninety one year old Communists, I don't know.

0:48:04.719 --> 0:48:08.160
<v Speaker 3>You know, yeah, like you're like, I guess we could

0:48:08.200 --> 0:48:09.400
<v Speaker 3>try to move his position.

0:48:10.040 --> 0:48:15.439
<v Speaker 2>It's not gonna happen. Yeah, and yeah, he's still as

0:48:15.560 --> 0:48:17.520
<v Speaker 2>best as I can tell, he's ninety one or so.

0:48:17.560 --> 0:48:21.000
<v Speaker 2>Now he spends his time painting bedsheet backdrops for the theater.

0:48:21.719 --> 0:48:24.560
<v Speaker 2>Interviews with him are entertaining. They're a little bit raving,

0:48:24.920 --> 0:48:27.160
<v Speaker 2>mixing religion and politics and all sorts of things in

0:48:27.200 --> 0:48:30.239
<v Speaker 2>a very interesting way. And I feel like I want

0:48:30.280 --> 0:48:31.600
<v Speaker 2>to end with some of what he said in a

0:48:31.640 --> 0:48:34.680
<v Speaker 2>recent CounterPunch interview. When someone asked him what do we

0:48:34.680 --> 0:48:38.920
<v Speaker 2>do next, he said, quote, my best examples come from

0:48:38.920 --> 0:48:41.560
<v Speaker 2>Gaza and Lebanon, where people from under the rubble are

0:48:41.560 --> 0:48:45.080
<v Speaker 2>declaring that no, we are not giving up. No, my

0:48:45.160 --> 0:48:47.959
<v Speaker 2>family is dead, my grandpa died, my cousins are no more.

0:48:48.640 --> 0:48:52.600
<v Speaker 2>We are not giving up. Amazing when people are like,

0:48:52.719 --> 0:48:54.279
<v Speaker 2>you know, what do you do? What would you tell

0:48:54.320 --> 0:48:58.200
<v Speaker 2>people to do? And he has this quote, immediacy, do

0:48:58.320 --> 0:49:02.880
<v Speaker 2>it immediately to not do planning revolutions, to not do

0:49:03.000 --> 0:49:05.719
<v Speaker 2>lengthy developments of a new type of engineering of this

0:49:05.840 --> 0:49:08.399
<v Speaker 2>and that, but step right into the streets, step right

0:49:08.440 --> 0:49:11.560
<v Speaker 2>into whatever is available, and speak right out in front

0:49:11.560 --> 0:49:16.200
<v Speaker 2>of whatever you have out there, Peter, and hearing that

0:49:16.239 --> 0:49:19.000
<v Speaker 2>from someone who's like, there's an assumption that like, ah,

0:49:19.000 --> 0:49:20.600
<v Speaker 2>a person's older, they'll be like, oh, you know, I

0:49:20.640 --> 0:49:22.759
<v Speaker 2>gotta be real careful, do everything slow, He's like, No,

0:49:23.480 --> 0:49:26.600
<v Speaker 2>what I have learned through my life is you just

0:49:27.080 --> 0:49:31.160
<v Speaker 2>do it. You just see a thing. You go right

0:49:31.200 --> 0:49:33.719
<v Speaker 2>out and you see what's happening, and you speak about it,

0:49:33.800 --> 0:49:37.240
<v Speaker 2>and you step right into trying to make things better.

0:49:37.800 --> 0:49:40.560
<v Speaker 3>And that's what I love about his art forum, and

0:49:40.719 --> 0:49:45.080
<v Speaker 3>just about low art conceptually in general, is that it

0:49:45.200 --> 0:49:49.000
<v Speaker 3>is often, not always, but like often built to be

0:49:49.760 --> 0:49:52.719
<v Speaker 3>reactive and built to be learnable, and built to be

0:49:52.920 --> 0:49:56.440
<v Speaker 3>like I would imagine that, you know, all the puppeteers

0:49:56.480 --> 0:49:59.040
<v Speaker 3>that he's worked with over the years did not start

0:49:59.280 --> 0:50:01.920
<v Speaker 3>being like I want to be a classically trained puppeteer.

0:50:01.920 --> 0:50:04.319
<v Speaker 3>It's like I have something to say, what is the

0:50:04.440 --> 0:50:07.319
<v Speaker 3>vessel to say? And like, what a gift to meet

0:50:07.400 --> 0:50:10.360
<v Speaker 3>some weirdo who's like puppets can do this and be

0:50:10.440 --> 0:50:12.960
<v Speaker 3>like all right, you know, I just that's incredible.

0:50:13.040 --> 0:50:15.080
<v Speaker 2>Yeah, no, totally, And like you know, most puppeteers are

0:50:15.120 --> 0:50:18.160
<v Speaker 2>volunteer and stuff and then go off and do things right,

0:50:18.400 --> 0:50:20.640
<v Speaker 2>you know, It's like by having it sort of focus

0:50:20.680 --> 0:50:22.960
<v Speaker 2>on his artistic vision, it actually kind of also creates

0:50:22.960 --> 0:50:24.960
<v Speaker 2>a space where it's like, yeah, you come here and

0:50:25.000 --> 0:50:28.480
<v Speaker 2>you learn, and then you go do your artistic vision

0:50:28.520 --> 0:50:31.080
<v Speaker 2>also and work with community to make your vision happen.

0:50:31.160 --> 0:50:33.719
<v Speaker 2>And like the idea that can still be a community

0:50:33.760 --> 0:50:36.680
<v Speaker 2>thing is like, really, it's really interesting to me.

0:50:37.800 --> 0:50:38.600
<v Speaker 3>Yeah.

0:50:38.840 --> 0:50:42.040
<v Speaker 2>Yeah, I finished writing this, and I'm just like, I've

0:50:42.120 --> 0:50:45.360
<v Speaker 2>never had any specific desire in my life to make puppets.

0:50:45.400 --> 0:50:47.760
<v Speaker 2>It has never occurred to me. I love making stuff.

0:50:47.800 --> 0:50:50.320
<v Speaker 2>I love telling stories. There's a different version of the

0:50:50.320 --> 0:50:51.759
<v Speaker 2>world where I would have come up and just been

0:50:51.800 --> 0:50:54.120
<v Speaker 2>like a street performing puppet tier and you would have

0:50:54.200 --> 0:50:57.239
<v Speaker 2>run away. But I didn't. And now I'm like looking

0:50:57.280 --> 0:50:58.880
<v Speaker 2>at this and I'm like, there.

0:50:58.880 --> 0:51:02.239
<v Speaker 3>Is a chapter of your life that can and must

0:51:02.280 --> 0:51:06.759
<v Speaker 3>be consumed by puppets. Let's start puppetting, let's start hearing.

0:51:06.840 --> 0:51:08.520
<v Speaker 2>Yeah, we'll do it at your comedy shows.

0:51:08.719 --> 0:51:13.080
<v Speaker 3>But like yes, yeah, like, but not in the annoying way. Yeah, totally,

0:51:13.120 --> 0:51:15.799
<v Speaker 3>that's the all. But sometimes it'll be annoying. I just oh,

0:51:15.840 --> 0:51:21.880
<v Speaker 3>that's so exciting. Yeah, that's so exciting. Well, I feel inspired.

0:51:21.960 --> 0:51:22.520
<v Speaker 3>This is great.

0:51:22.520 --> 0:51:25.160
<v Speaker 2>Thanks thanks for coming to possibly the most PUSI episode

0:51:25.200 --> 0:51:27.799
<v Speaker 2>I've done of the show, at least in a long time.

0:51:29.560 --> 0:51:30.240
<v Speaker 3>This is incredible.

0:51:30.280 --> 0:51:32.920
<v Speaker 2>Yeah, next week, bread and puppets. I know, I know

0:51:33.200 --> 0:51:35.680
<v Speaker 2>two amazing things I'm gonna start.

0:51:35.719 --> 0:51:37.200
<v Speaker 3>I mean, I think the most important thing that I

0:51:37.239 --> 0:51:40.200
<v Speaker 3>learned is I should start giving out bread at my shows.

0:51:40.560 --> 0:51:44.120
<v Speaker 2>Yeah. And there's like something kind of religious about sharing bread,

0:51:44.280 --> 0:51:48.160
<v Speaker 2>but like, yeah, it brings people together. There's a reason

0:51:48.200 --> 0:51:50.879
<v Speaker 2>that that's been going back thousands of years. You're making

0:51:50.920 --> 0:51:51.600
<v Speaker 2>your share bread.

0:51:52.080 --> 0:51:54.359
<v Speaker 3>Yeah, I've been focusing on wine. I should have been

0:51:54.360 --> 0:51:57.320
<v Speaker 3>focusing on bread. You know, comedy shows are focusing on

0:51:57.360 --> 0:51:58.760
<v Speaker 3>the wrong side of the religious equations.

0:51:58.920 --> 0:52:00.400
<v Speaker 2>Not blood anymore, just body.

0:52:00.560 --> 0:52:01.760
<v Speaker 3>It's all about body.

0:52:01.920 --> 0:52:06.880
<v Speaker 2>Yeah, anyway, you got anything you want to plug speed bread?

0:52:07.520 --> 0:52:10.120
<v Speaker 3>Check out Raw Dog The Naked Truth about hot dogs,

0:52:10.160 --> 0:52:11.360
<v Speaker 3>of which bread is a component.

0:52:11.480 --> 0:52:17.080
<v Speaker 2>That's true. I'm so hungry. I haven't even dinner yet. Anyway,

0:52:17.080 --> 0:52:18.200
<v Speaker 2>whatever to do?

0:52:18.600 --> 0:52:20.560
<v Speaker 3>No that's it. Now that I have tempted you with

0:52:20.640 --> 0:52:24.279
<v Speaker 3>the hot Dog conceptually, I release you to the hot

0:52:24.280 --> 0:52:26.600
<v Speaker 3>Dog Wild Wow, and there's a hot dog death that

0:52:26.800 --> 0:52:29.040
<v Speaker 3>changed the course of Bread and Puppets.

0:52:29.440 --> 0:52:32.560
<v Speaker 2>You know, I know. I have a new book out,

0:52:32.600 --> 0:52:34.920
<v Speaker 2>Imagine Me as the Dog in the Burning House. I

0:52:34.960 --> 0:52:37.719
<v Speaker 2>have two new books out, honestly, I have one that

0:52:37.880 --> 0:52:39.920
<v Speaker 2>is the third book in the Daniel Kane series, but

0:52:39.920 --> 0:52:43.360
<v Speaker 2>it's also a standalone called The Immortal Choir Holds Every Voice.

0:52:43.920 --> 0:52:46.520
<v Speaker 2>And I write very short books. If your attention span

0:52:46.560 --> 0:52:51.000
<v Speaker 2>struggles with reading, sometimes people like my books, and that's

0:52:51.040 --> 0:52:53.719
<v Speaker 2>out now through Strangers in Tangled Wilderness. And then I

0:52:53.760 --> 0:52:57.400
<v Speaker 2>also helped write a tabletop role playing game world called

0:52:57.400 --> 0:52:59.160
<v Speaker 2>Defenders of the Wild where if you want to play

0:52:59.239 --> 0:53:03.680
<v Speaker 2>as animals teaming up to defend their forest against giant

0:53:03.719 --> 0:53:07.000
<v Speaker 2>monsters that are coming and destroying everything, you can do that.

0:53:07.160 --> 0:53:10.000
<v Speaker 2>It's a tie in with the board game Defenders of

0:53:10.040 --> 0:53:12.480
<v Speaker 2>the Wild. They have the same name. Well, actually think

0:53:12.520 --> 0:53:15.880
<v Speaker 2>the RPG is actually called The Defender's Almanac, And I

0:53:15.880 --> 0:53:18.879
<v Speaker 2>wrote a lot of the world and so those are

0:53:18.880 --> 0:53:21.120
<v Speaker 2>things you can read if you like. Well, I guess

0:53:21.239 --> 0:53:23.200
<v Speaker 2>my art. I don't know, whatever it doesn't really relate

0:53:23.239 --> 0:53:24.120
<v Speaker 2>to me talking about history.

0:53:24.200 --> 0:53:26.600
<v Speaker 3>It is wild that you haven't done puppeteering yet, because

0:53:26.600 --> 0:53:29.640
<v Speaker 3>you can do everything everything. It's amazing.

0:53:29.760 --> 0:53:33.240
<v Speaker 2>My theory is if something is humanly possible, I'm a human.

0:53:34.320 --> 0:53:36.839
<v Speaker 2>I think everyone should have this theory and not go

0:53:36.880 --> 0:53:41.920
<v Speaker 2>out and do surgery. Right, but like within reason. Yeah,

0:53:41.960 --> 0:53:46.000
<v Speaker 2>like some things take longer to learn and are higher stakes,

0:53:46.360 --> 0:53:49.200
<v Speaker 2>but puppets aren't high stakes at first.

0:53:49.400 --> 0:53:52.040
<v Speaker 3>Yeah. That's the best part about art is if you

0:53:52.120 --> 0:53:54.719
<v Speaker 3>make something bad, usually no one dies.

0:53:54.800 --> 0:53:57.120
<v Speaker 2>Yeah. You know, your job as a beginning artist is

0:53:57.120 --> 0:54:00.319
<v Speaker 2>to fail faster, not to succeed more, but to fail aster.

0:54:00.560 --> 0:54:01.640
<v Speaker 2>That is your job.

0:54:02.480 --> 0:54:04.879
<v Speaker 3>Thanks, felt, you're the coolest. Thank you. We're happy.

0:54:04.960 --> 0:54:06.279
<v Speaker 2>Yes, thanks for coming on.

0:54:06.360 --> 0:54:08.520
<v Speaker 3>This is the best. Let's start a puppet commune.

0:54:08.600 --> 0:54:10.040
<v Speaker 2>We're doing it. And Sophie, you want to be in

0:54:10.040 --> 0:54:13.359
<v Speaker 2>the puppet commune? Yeah? Hell yeah. Now we have someone

0:54:13.440 --> 0:54:15.439
<v Speaker 2>who actually knows it to organize things.

0:54:18.640 --> 0:54:21.000
<v Speaker 3>I actually have an amazing fun mixed puppets.

0:54:21.120 --> 0:54:25.759
<v Speaker 2>Oh amazing, that's cool. Yeah, all right, see y'all next week.

0:54:28.760 --> 0:54:31.200
<v Speaker 1>Cool People Who Did Cool Stuff is a production of

0:54:31.280 --> 0:54:34.400
<v Speaker 1>cool Zone Media. For more podcasts and cool Zone Media,

0:54:34.520 --> 0:54:37.920
<v Speaker 1>visit our website goolzonemedia dot com. Check us out on

0:54:38.480 --> 0:54:42.560
<v Speaker 1>her radio app, Apple podcasts, or wherever you get your podcasts.