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Speaker 1: So I have all the glasses laid out and doing

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Speaker 1: a taste test for.

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Speaker 2: The ptist.

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Speaker 1: You know how much I love the like to find

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Speaker 1: the patiest juice, the pitiest I love like a fruit

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Speaker 1: that is so also so peaty and smoky.

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Speaker 3: And I've been humiliated before at restaurants. I've taken you

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Speaker 3: to like my favorite restaurants, and you'll and you'll say,

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Speaker 3: before they even put a menu down, you say, bring.

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Speaker 4: Me your ptious juice. And you know, every.

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Speaker 3: Single time, no matter what they put down in front

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Speaker 3: of you, it's one sip, huge spit take and not

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Speaker 3: pet enough.

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Speaker 4: And then you leave.

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Speaker 3: I'll tell you, hey, it happened so many times.

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Speaker 4: I've got PTSD.

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Speaker 2: And so hey, yeah from it happening and so ahead.

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Speaker 1: And then I remember, oh, we have Griffin on the

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Speaker 1: show today. Is this the movies thing? And we like,

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Speaker 1: I can't. I cannot do movies today.

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Speaker 4: Absolutely not, no, nothing to do with movies. And I'll

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Speaker 4: know this.

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Speaker 3: I think, I don't know how long your PDJUW story

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Speaker 3: was going to be. Yeah, I think in the interest

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Speaker 3: of kind of setting a good example for what our

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Speaker 3: task is today.

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Speaker 2: I had actually already ended it.

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Speaker 1: You were ending it by the time you said you

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Speaker 1: don't know, actually you did know how long it was

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Speaker 1: going to be, because you'd heard the entire thing and

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Speaker 1: it was over.

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Speaker 4: Okay, I guess what threw me.

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Speaker 1: I guess you already had in mind to say you

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Speaker 1: don't know how long it's going to be, but in

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Speaker 1: fact you did know.

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Speaker 5: Yeah.

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Speaker 3: It was a little confusing because it didn't feel at

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Speaker 3: all like a story to me. It felt like the

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Speaker 3: sentence from a story and then you're just abandoning it.

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Speaker 3: So I thought like, oh, is he gonna wrap this

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Speaker 3: back around? But no, you're right, I do know. I

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Speaker 3: don't know how long it was.

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Speaker 1: It was totally was a story, and that was me,

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Speaker 1: and that was me setting a great example. You called

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Speaker 1: it a story, not me. That was me setting a

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Speaker 1: great example, which is clarity, brevity, focus on the idea,

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Speaker 1: mention like like like get to just like the absolute

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Speaker 1: core of what you're doing at any given time, and

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Speaker 1: that is the lesson that we want to teach today.

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Speaker 4: But arelessly efficient.

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Speaker 1: It is Griffin, It is Griffin. We're not doing movie today.

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Speaker 1: I'm thinking to myself, like, are we honestly still are

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Speaker 1: we still even doing this?

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Speaker 3: We're gonna talk about fucking movies again and for so dogshow.

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Speaker 6: Exactly so long. I have a tough time getting to

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Speaker 6: the point I ramble.

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Speaker 1: Yes, but this is another Griffin project. Mmmm, And it's

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Speaker 1: a project when he's here too. He's never been here

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Speaker 1: for the same product Griffin.

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Speaker 3: Y'all do too much, but it's never the same project.

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Speaker 3: And he's here and he's got his friends with them.

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Speaker 6: I'm gonna say I disagree. This is not a Griffin project.

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Speaker 6: This is a Connor Ratliffe project, project that I'm proud

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Speaker 6: to be a part.

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Speaker 1: Of, and he has it, but like he has his

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Speaker 1: own projects as well that he's many.

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Speaker 3: He's a cunnor.

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Speaker 4: Yeah, y'all do too much.

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Speaker 5: I agree. I think I think we do too much.

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Speaker 3: Right and even pressure to create always, but we never

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Speaker 3: just rest never.

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Speaker 5: Yeah, what are we trying to prove with all these projects?

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Speaker 3: We're not going to fill that hole with more podcasts.

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Speaker 6: And I'll say we we hired a producer, Patrick Cottner

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Speaker 6: to try to help us, like stay focused, get to

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Speaker 6: the point, keep things lean, Yeah, and he has not helped.

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Speaker 6: In fact, things have got longer and much worse.

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Speaker 2: Yeah.

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Speaker 3: Yeah, So I think it's smart that you brought on

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Speaker 3: some EPs and some fresh eyes on this thing, and

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Speaker 3: basically they do the George.

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Speaker 4: Lucas talk show.

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Speaker 3: These guys, you got to see him. They're pretty out there.

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Speaker 3: They're really funny.

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Speaker 7: Uh.

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Speaker 4: The episodes can be.

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Speaker 3: A little long, and I don't think I'm telling tales

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Speaker 3: out of school to say the episodes have gotten kind

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Speaker 3: of long.

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Speaker 1: I've done it. It was a blast. I had so

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Speaker 1: much fun. It was way too long. Took like took forever.

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Speaker 8: The buy in is large.

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Speaker 6: That's a problem we've had in terms of we think

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Speaker 6: this thing could really be mainstream. We think it has

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Speaker 6: like really broad appeal, and we're trying to find a

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Speaker 6: way to make it a kind of cleaner entry point

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Speaker 6: for new.

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Speaker 3: Viewers and people who think I'm going to go down

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Speaker 3: some crazy rabbit hole about how Hayes has done the show.

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Speaker 3: I've never been contacted or invited in any way. Although

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Speaker 3: Hayes is sort of like my counterpart, that's not what.

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Speaker 4: This is about. I don't give a fuck did that happen?

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Speaker 3: You know. It's like, I got my own stuff. I

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Speaker 3: do stuff without Hayes. I have a fucking family.

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Speaker 5: Yeah, I gotta say, y'all do too. Much.

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Speaker 8: You do too much.

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Speaker 4: It's true, true, and.

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Speaker 2: I've been you'll do too much family.

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Speaker 5: My family.

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Speaker 9: It's also you didn't work on Big Lake. That's why

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Speaker 9: Hayes was there.

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Speaker 1: That Yeah, that is that has long been an issue

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Speaker 1: that like kind of the one thing that has sort

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Speaker 1: of separated us.

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Speaker 3: Regret, my one regret when I look back on this,

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Speaker 3: my topsy turvy ride through this business of show, and

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Speaker 3: I say, is there anything I do differently? Yeah, I

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Speaker 3: would have kicked down the fucking door of the Big

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Speaker 3: Lake offices and I would have not left. I would

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Speaker 3: have chained myself to the writer's room table until they

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Speaker 3: let me pitch on ideas for Josh and Dylan Blue

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Speaker 3: and whoever else, you know, everyone uninvolved in that funny show.

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Speaker 8: I mean I did.

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Speaker 6: I did an episode of Big Lake, and it's one

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Speaker 6: of those checklist things for me where I'm like, I'm

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Speaker 6: glad I got in there before it ended, Like I'm

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Speaker 6: glad I still got to shoot a project that was

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Speaker 6: on film before everything went digital, you know, like some

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Speaker 6: of the things you want to accomplish in your career

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Speaker 6: before they go the way of the dinosaur.

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Speaker 3: Well, anyone who was on Big Lake has said to me,

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Speaker 3: You know, while you were there, you had this feeling

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Speaker 3: of I am living the first line of my obituary.

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Speaker 4: I am living out the first sentence.

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Speaker 3: Whatever I've done before, whatever I do after, it's all

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Speaker 3: you know, it's all gravy. But this is the number one.

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Speaker 5: Yeah, let me ask this question, how how how long

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Speaker 5: until the copyright on Big Lake runs out? And it's

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Speaker 5: it's fair game.

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Speaker 4: I don't know if they have one.

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Speaker 5: Oh do you think they didn't copyright the show?

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Speaker 9: It's in Night of the Living Dead thing. Anyone can

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Speaker 9: release it.

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Speaker 8: Yeah, take one of those time and money.

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Speaker 1: Interest they were, but it's an open source show like

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Speaker 1: that was always our goal going in. We were hoping

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Speaker 1: that like people just like take this and run with it,

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Speaker 1: keep making more.

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Speaker 3: Yeah, Big Lake is uh. I mean I believe it's

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Speaker 3: a crypto at this point. I don't even think it

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Speaker 3: is media that you watch. I think it is like correct.

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Speaker 5: I actually think the viewership might have been low enough

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Speaker 5: that each episode might have been an NFT because you.

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Speaker 4: Yeah, we should have.

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Speaker 6: I want to formally though, apologize on behalf of Connor

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Speaker 6: and Patrick and I that we we did have haze

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Speaker 6: on when we did a marathon where we watched all

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Speaker 6: of Big Lake, and we have not gotten to the

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Speaker 6: Alan Gregory marathon yet, but it's it's like on it's

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Speaker 6: on the spread my number.

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Speaker 3: Yeah, that one will be something special and I'll be

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Speaker 3: impressed if you get a hold of that show.

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Speaker 2: Oh oh, is this a challenge?

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Speaker 9: Is that what that is?

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Speaker 3: M h. I'll be front and center cheering on Hayes's

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Speaker 3: episode one night in Gottlieb.

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Speaker 1: I believe no, my episode was called interracial McAdams.

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Speaker 3: That's right, that's right, and mine was called Mom Size More.

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Speaker 6: I haven't checked in a while, but I think Alan

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Speaker 6: Gregory is streaming on Silk Road plus I believe. I'm

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Speaker 6: not sure about that if it still is, they had

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Speaker 6: it for a while.

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Speaker 2: But you gotta we want to talk about your prime.

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Speaker 3: We talk about your show because we're naming all these

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Speaker 3: shows that were Yeah, you know, all these shows that

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Speaker 3: we remember were.

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Speaker 4: Very concise, weren't they?

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Speaker 2: Yeah?

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Speaker 3: Tight, Big Lake, I think minus commercials. Big Lake was

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Speaker 3: sixteen minutes an episode.

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Speaker 1: Each Each show lasted for a total of fewer minutes

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Speaker 1: than one episode of George Luca.

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Speaker 4: M Isn't that interesting?

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Speaker 2: Moving on?

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Speaker 3: Yeah, you can see the entire series of Alan Gregory,

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Speaker 3: his entire story, Richard Patrick, the whole gang. You could

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Speaker 3: get all of their story and you wouldn't even be

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Speaker 3: a third of the way.

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Speaker 4: Through an episode of the George Lucas.

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Speaker 3: Thing.

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Speaker 4: So what we're here to do?

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Speaker 3: And I think it's always smart to say, Hey, this

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Speaker 3: is where I'm weak. Can I hire someone to be

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Speaker 3: my strength? We're just gonna check out the most recent

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Speaker 3: episode and see And I don't know if there will.

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Speaker 4: Be, but is there any fat to trim?

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Speaker 3: Can we identify a soft spot? Because that will you know,

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Speaker 3: it will improve the listener experience. I think you might

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Speaker 3: have more fun. I think you guys get a little

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Speaker 3: tired sometimes.

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Speaker 6: And I'll say to you like we're coming to you

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Speaker 6: hat in hand, like we're we're asking for help, you know,

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Speaker 6: And we we have not been able to handle this

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Speaker 6: on our own. We realized it was time to like

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Speaker 6: outsource and go to the best and as you said,

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Speaker 6: get fresh eyes on it. But we've been conscious of

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Speaker 6: this for a while, so I do think this most

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Speaker 6: recent episode is the tightest one we've done yet.

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Speaker 3: Great, but I'm so fucking proud of you for saying

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Speaker 3: I need help.

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Speaker 8: Thank you.

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Speaker 9: Thank you.

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Speaker 6: People don't do that, and it's it's tough, it's hard,

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Speaker 6: and it.

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Speaker 9: Was definitely we slowed down earlier in the year doing episodes,

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Speaker 9: and it was because we didn't know what to do,

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Speaker 9: how to fix these problems that we were running into.

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Speaker 9: And it's really it's taken until now. So I'm glad

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Speaker 9: that we figured out that you guys are the ones

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Speaker 9: who could help us.

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Speaker 3: People are gonna say admitting that as cowardly, it's not.

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Speaker 3: It's brave.

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Speaker 5: It's brave. Yeah, that's courage. That's what courage. This is

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Speaker 5: what courage sounds like, Please please help me. That's the

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Speaker 5: sound of courage.

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Speaker 1: Fix it.

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Speaker 2: Uh yeah, that's you know, the bravest soldier.

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Speaker 3: Being brave is it never being scared. Being brave is

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Speaker 3: not knowing what the fuck your show isn't doing it anyway.

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Speaker 2: A lot of the troops are saying, you know, are

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Speaker 2: saying that a lot.

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Speaker 5: I do hear the troops saying that more often these days.

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Speaker 2: And that's my role in the writer's room.

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Speaker 1: Too, is Sean can attest to this.

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Speaker 2: I am mister Cutts.

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Speaker 1: I will go through and at the end of that,

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Speaker 1: like I don't pitch a lot. It's actually totally antithetical

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Speaker 1: to what I'm trying to accomplish here is making the

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Speaker 1: project as short as possible.

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Speaker 2: But at the end I will go through and just

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Speaker 2: be like.

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Speaker 8: Hazy scissor hands. I've heard you called.

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Speaker 6: I don't know if that's behind your back or to

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Speaker 6: your face or tacksaw.

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Speaker 3: Hayes gets in there, just starts chopping pieces off. Hayes

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Speaker 3: will walk in and he'll go and will go, hey,

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Speaker 3: did you notice anything that you thought maybe could be

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Speaker 3: tightened up? And he goes, well, Act two. You go, oh,

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Speaker 3: you found some cuts in Act two? He goes, no,

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Speaker 3: I cut act too, and that's it, and you look.

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Speaker 4: At me, you go, son of a bitch.

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Speaker 3: He's right, we need a little chiron to explain what happened.

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Speaker 3: Like usually there'll be something on screen that'll say a

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Speaker 3: couple of the story beats that we're missing, but you

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Speaker 3: really don't feel it.

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Speaker 8: It's all shoe leather.

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Speaker 6: When you when you actually are able to step back,

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Speaker 6: you realize, like, should we need to.

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Speaker 8: See this or is it what you don't need?

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Speaker 2: Famously in a shoe all the leather honestly, just go.

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Speaker 3: That's extra pieces what you need is laces and rubber.

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Speaker 3: You just if you just tie a piece of rubber

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Speaker 3: to your foot, you're gonna be good to go.

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Speaker 6: And much like making art, the thing that's most important

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Speaker 6: is that you have a soul. You know that there's

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Speaker 6: a real soul to what you're doing. You know what

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Speaker 6: I'm saying, Griffin, You know what I'm saying.

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Speaker 5: Yeah, that's gorgeous.

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Speaker 8: Really, thank you, thank you.

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Speaker 9: Sometimes you just have these things, Griffin.

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Speaker 8: Okay, should we watch this episode?

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Speaker 4: I mean some of it? Yeah, let's check it out.

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Speaker 8: Which and once again, this isn't a problem episode.

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Speaker 6: So if you're watching and you feel like I can't

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Speaker 6: find anything to cut, that's not on you, like you

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Speaker 6: guys are the best.

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Speaker 8: This just might be the best tightest episode we do.

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Speaker 4: You've addressed a lot of it.

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Speaker 5: Okay, Yeah, and.

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Speaker 9: This one is this one is tight because it's three hours,

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Speaker 9: fifty three minutes and fifteen seconds.

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Speaker 3: Okay, Okay, so you got in even under the fore mark,

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Speaker 3: which we.

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Speaker 9: Got in under the foremart goal.

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Speaker 4: Who's our guest?

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Speaker 9: This is Sam Richardson and Veronico Sorio.

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Speaker 8: Okay, two big stars.

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Speaker 6: Yeah, and does Sam Richardson had a heart out? He

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Speaker 6: told us you only had thirty minutes. So that's how

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Speaker 6: we were able to keep the show so tight.

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Speaker 5: But we also ran along with him. Didn't we go

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Speaker 5: forty five?

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Speaker 9: We did.

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Speaker 5: He had a heart out at thirty and we were

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Speaker 5: able to keep that to a tight forty five.

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Speaker 1: Yeah, it's always I mean, Griffin says he has our

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Speaker 1: heart out.

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Speaker 4: Yeah, Griffin's got a heart out.

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Speaker 2: But obviously little paste we want to.

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Speaker 3: There's not a fucking asshole. He's not gonna leave in

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Speaker 3: the middle of the show. He's got a heart out

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Speaker 3: his friend.

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Speaker 1: This is my job, this is in my whole life.

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Speaker 1: Sean has a family. Whatever you have to do is yeah,

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Speaker 1: he's got no No, I'm thrying baby in the other.

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Speaker 3: Whether I was doing too much family wise is that's

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Speaker 3: the problem for another day.

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Speaker 4: Today.

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Speaker 3: The problem is it does Griffin have any respect for

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Speaker 3: us at all?

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Speaker 4: Or himself?

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Speaker 5: Yeah?

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Speaker 8: I got too much going on.

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Speaker 6: Yeah, I'm trying to work on it. It's another thing

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Speaker 6: I'm trying to address. But should we dig into the episode?

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Speaker 6: Would we like to start at the beginning or a clip?

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Speaker 4: Let's at the beginning, open the beginning. I don't want

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Speaker 4: to hear any filmmaker.

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Speaker 8: George Lucas even that.

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Speaker 7: Honestly, what do we by, Hello and welcome to the

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Speaker 7: George Lucas Talk shows.

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Speaker 5: Just a Halloween What don't we from me? Because well

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Speaker 5: we didn't.

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Speaker 6: Yes, stinks a fit Patrick record on the pail there.

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Speaker 10: Well we all did it and we had Halloween fun

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Speaker 10: with our Halloween costumes.

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Speaker 5: Of course, that was beyond.

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Speaker 10: ViRGE Lucas, creator of Star Wars.

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Speaker 5: That was just a watto mask, a practical mask.

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Speaker 10: So it doesn't look as good as obviously the real

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Speaker 10: digital mask that we designed for Watas that there it

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Speaker 10: is that you can tell the difference between look at

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Speaker 10: that that is pure digital face.

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Speaker 5: Yeah, looks real.

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Speaker 7: Yeah, I got to say, these these masks are tragedies

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Speaker 7: against Pydari.

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Speaker 1: It's hard, okay, okay, okay, let's sing a break, let's

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Speaker 1: think a break.

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Speaker 2: I'm having fun. I'm enjoying it. Yes, I think we

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Speaker 2: could have just said it's Halloween.

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Speaker 5: Mm hmm yeah, right, are.

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Speaker 1: We accomplishing the same goal. So, like what we saw

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Speaker 1: was everyone's wearing a mask. It's a it's a it's

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Speaker 1: a triptych.

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Speaker 2: Right, sure, where like it goes.

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Speaker 1: The the artificial Wado who ends up being George Lucas

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Speaker 1: then real, Wato in the middle, who's wearing a Wadow mask?

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Speaker 1: I would if we had time for all this, which

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Speaker 1: we don't, I would have put him at the end,

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Speaker 1: saying like.

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Speaker 2: Hey, what do you guy?

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Speaker 4: The most surprising.

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Speaker 1: Yeah, him being in the middle is a little I

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Speaker 1: guess I did think it was done.

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Speaker 2: And then and then Patrick came.

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Speaker 4: In and bailed.

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Speaker 8: Immediately he entered bailing.

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Speaker 2: Yeah, yeah he did. But that instinct inst caught himself.

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Speaker 5: That would be a great That's gonna be the title

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Speaker 5: of Patrick's memoir enter Bailing.

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Speaker 3: Now.

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Speaker 9: To be fair to me, I did not know that

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Speaker 9: Griffin also had a Wato mask.

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Speaker 1: That'd be another good title for your bedmark to.

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Speaker 8: I just want to clarify this.

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Speaker 6: It is true Patrick saying he did not know that

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Speaker 6: I also had a Watto mask. I should also mention

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Speaker 6: that last year for Halloween, we opened doing the exact

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Speaker 6: same thing. Okay, the most word for word, unplanned. It

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Speaker 6: was not a heighten and it was not like we

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Speaker 6: were like, this would be funny if we did it again.

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Speaker 6: All three of us independently thought it would be funny,

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Speaker 6: did not confer with each other, and then just did

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Speaker 6: the same bit, we have three minutes of arguing over

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Speaker 6: who's really Wato and complaining about the mask being hot.

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Speaker 4: Wow group mind. Yeah, so that's pretty powerful.

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Speaker 3: I guess what I would say is we have this

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Speaker 3: great moment later on in the bit we were watching

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Speaker 3: where you know, George Lucas kind of holds up the

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Speaker 3: Watto mask and says like, hey, I'm George Lucas and

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Speaker 3: this is just like a mask.

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Speaker 5: Sure, right?

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Speaker 4: Do we need anything before that?

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Speaker 2: Do we just do that? Yeah?

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Speaker 3: Do we need anything before that? And so far, I'm

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Speaker 3: not sure we need anything after that.

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Speaker 6: I Mean, the one thing I just want to push

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Speaker 6: back on a little bit is I know you guys

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Speaker 6: saying the two things that need to get communicated are

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Speaker 6: this is a mask and it's Halloween.

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Speaker 2: Right, Yes.

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Speaker 6: I think the one other layer we're missing is is

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Speaker 6: sort of where those two things overlap in the ven diagram,

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Speaker 6: which is we we call Halloween hollow Watto.

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Speaker 8: Okay, And that's sort of it's like a sort of

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Speaker 8: fly joke that we want to make sure.

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Speaker 5: It's a it's a play on words. It's a little

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Speaker 5: bit of word play, holiday word play. We think we

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Speaker 5: think it will be delightful, like it's just a little

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Speaker 5: moment of delight.

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Speaker 3: I just don't ween yes, yeah, correct, although I do

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Speaker 3: mistakenly say wattoween one time.

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Speaker 4: Some say ween yeah, which.

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Speaker 3: Is why I was confused when he told me what

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Speaker 3: it was called, because it's not what you called it.

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Speaker 6: No, not what I called it a year before, and

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Speaker 6: a bit that we acidentally replicated it almost.

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Speaker 5: Be for bid right. And one of the things that

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Speaker 5: I think is crucial to this because it's not a

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Speaker 5: scripted show, and so everything that we were doing is improvised,

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Speaker 5: and famously that there are there are no mistakes in

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Speaker 5: improv there's just terrible improv Sometimes sometimes it's just bad.

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Speaker 3: There's just there's just huge chunks of it.

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Speaker 2: You must do a job.

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Speaker 5: Yeah, there's no mistake, no mistakes. That's just what happened.

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Speaker 5: And it was bad.

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Speaker 2: Wrong is not bad.

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Speaker 9: Bad can be wrong, but wrong is not bad.

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Speaker 5: Another great title for Patrick's memoir.

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Speaker 9: Bad can be wrong, Wrong is not bad.

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Speaker 5: Bad can be wrong, but wrong is not bad. A

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Speaker 5: memoir by Patrick Cottner.

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Speaker 2: So I I.

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Speaker 1: Am delighted by it. I'm obsessed with it'sessed. I wonder

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Speaker 1: if I'm thinking about the wasted real estate. Just in

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Speaker 1: the beginning where you say, like, please welcome, what's it say?

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Speaker 9: Yeah, Amy Pohler says, please welcome retired filmmaker George Lucas.

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Speaker 2: Yeah, can we lose her?

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Speaker 8: She's just a she's a big name.

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Speaker 5: It's a big name, and it's also it's also all

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Speaker 5: three hosts are Men's your your first note there is

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Speaker 5: to cut the one female voice in the show. It

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Speaker 5: feels like, I don't. I don't think it's our business

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Speaker 5: is silence women.

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Speaker 1: I also think it's the role of women to just

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Speaker 1: like throw rose pedals on our path.

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Speaker 3: This is what I'm identifying as well, is that the

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Speaker 3: issue is it doesn't pass the Bechdel test, does it?

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Speaker 3: She's only talking about the men who are going to

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Speaker 3: do the show. Now you say she's a big name.

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Speaker 3: I actually did not immediately identify the voice. If you're

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Speaker 3: going to have her say anything, I would ever say,

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Speaker 3: I'm Amy Pohlar M.

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Speaker 5: Yeah, the one.

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Speaker 11: This may be.

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Speaker 5: I'm gonna praise this as a blind item for legal

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Speaker 5: for legal reasons, all right, this isn't about what we're

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Speaker 5: talking about. So this is a blind item. Can I

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Speaker 5: do that?

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Speaker 9: Okay?

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Speaker 1: So this is where completely resetting. This has nothing to

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Speaker 1: do with what we're talking nothing.

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Speaker 4: To interesting blind items.

454
00:21:08,160 --> 00:21:11,040
Speaker 5: Okay, yeah, I want to be clear for legal reasons.

455
00:21:11,040 --> 00:21:12,640
Speaker 5: It has nothing to do with what we're talking about.

456
00:21:12,640 --> 00:21:15,840
Speaker 5: It's a blind item. Uh. There was a streaming service

457
00:21:15,880 --> 00:21:20,840
Speaker 5: a few years ago called cisow and there were and

458
00:21:20,840 --> 00:21:24,240
Speaker 5: and coincidentally, I did the George Lucas character on an

459
00:21:24,280 --> 00:21:28,920
Speaker 5: episode of the short lived The UCB Show. I hosted

460
00:21:28,960 --> 00:21:36,680
Speaker 5: it as retired filmaker. George canceled soon BBC and I, uh,

461
00:21:37,720 --> 00:21:39,080
Speaker 5: and now we'll get into the blind item.

462
00:21:39,080 --> 00:21:44,719
Speaker 4: So crazy to say.

463
00:21:44,280 --> 00:21:46,720
Speaker 2: I just wanted to make the blind item is beginning now.

464
00:21:49,240 --> 00:21:52,640
Speaker 5: I paid, uh, quadruple digits.

465
00:21:53,800 --> 00:21:56,240
Speaker 2: Okay, that's four.

466
00:21:56,080 --> 00:21:59,280
Speaker 5: Digits, so everything but as we say in the industry,

467
00:21:59,320 --> 00:22:03,960
Speaker 5: that's everything but the thumb. Wow, that's a good That's what.

468
00:22:04,000 --> 00:22:06,760
Speaker 5: That's what we say. Whenever whenever you're paid a four

469
00:22:06,800 --> 00:22:09,360
Speaker 5: digit salary, they say, oh, how how much were you paid?

470
00:22:09,400 --> 00:22:12,240
Speaker 5: You say, everything but the thumb and.

471
00:22:13,000 --> 00:22:17,040
Speaker 1: So but both Baby, when we get that thumb in there, yikes,

472
00:22:18,320 --> 00:22:20,600
Speaker 1: we get to five big digits.

473
00:22:20,640 --> 00:22:22,719
Speaker 2: Oh we wee, wee wee all the way.

474
00:22:22,880 --> 00:22:24,800
Speaker 5: That's if you have, if you have good reps, you'll

475
00:22:24,880 --> 00:22:28,360
Speaker 5: they'll be, Hey, my reps got me the thumb cost.

476
00:22:28,160 --> 00:22:30,280
Speaker 4: Me, He goes, you're gonna get fisted by this next

477
00:22:30,320 --> 00:22:34,720
Speaker 4: day check you open up cheap.

478
00:22:36,280 --> 00:22:38,719
Speaker 6: So I've told my reps that my my quote is

479
00:22:38,760 --> 00:22:39,919
Speaker 6: just scale plus thumb.

480
00:22:40,800 --> 00:22:42,160
Speaker 2: I don't because I don't.

481
00:22:42,520 --> 00:22:44,280
Speaker 6: I do it for the love of it, you know,

482
00:22:44,400 --> 00:22:46,159
Speaker 6: but I need to be worth me getting out of

483
00:22:46,200 --> 00:22:47,280
Speaker 6: bad scale plus thumb.

484
00:22:47,280 --> 00:22:48,520
Speaker 8: This is what gets me there.

485
00:22:48,680 --> 00:22:50,840
Speaker 1: That's what your thumb on the scale means. It means

486
00:22:50,840 --> 00:22:52,119
Speaker 1: you make ten thousand dollars.

487
00:22:52,280 --> 00:22:57,080
Speaker 5: Yeah, So here's the blind item starts. Now, some shows

488
00:22:57,200 --> 00:23:02,119
Speaker 5: record audio that doesn't make it into the actual episodes,

489
00:23:02,800 --> 00:23:06,760
Speaker 5: and then sometimes people who work for those streaming services

490
00:23:07,520 --> 00:23:11,560
Speaker 5: leak that audio to people, and then the streaming service

491
00:23:11,600 --> 00:23:13,880
Speaker 5: goes out of business, and you're kind of like, well,

492
00:23:13,920 --> 00:23:16,560
Speaker 5: why don't we just use this? And when I say we,

493
00:23:16,800 --> 00:23:21,480
Speaker 5: I mean just other people. And for a while those

494
00:23:21,480 --> 00:23:23,720
Speaker 5: people are like, well, what's the harm. We're just doing

495
00:23:23,800 --> 00:23:27,399
Speaker 5: it a little show at an unnamed theater in Manhattan

496
00:23:27,920 --> 00:23:29,840
Speaker 5: and it's a midnight show, and who will care?

497
00:23:33,560 --> 00:23:34,600
Speaker 8: It's the Wild West?

498
00:23:35,640 --> 00:23:38,160
Speaker 5: Are we really doing anything wrong using a little piece

499
00:23:38,200 --> 00:23:40,800
Speaker 5: of stolen audio that was never used for a show.

500
00:23:40,840 --> 00:23:43,280
Speaker 5: For a streaming service that no longer exists. Who's the

501
00:23:43,359 --> 00:23:48,240
Speaker 5: victim here? And then a pandemic hits and you start

502
00:23:48,280 --> 00:23:50,399
Speaker 5: to think, well, let's use the audio on this live stream.

503
00:23:50,440 --> 00:23:52,920
Speaker 5: We're doing it for charity. What's the harm in that?

504
00:23:53,000 --> 00:23:55,800
Speaker 5: What's the harm in that? And before you know it,

505
00:23:55,880 --> 00:23:58,240
Speaker 5: you're on someone else's show and you're talking about it

506
00:23:58,280 --> 00:24:01,160
Speaker 5: as a blind item. That's the end of the blind item.

507
00:24:01,720 --> 00:24:04,880
Speaker 6: Uh, and I think the sort of yeah, like no, sorry,

508
00:24:04,880 --> 00:24:06,679
Speaker 6: I was just gonna say, sort of unrelated to what

509
00:24:06,760 --> 00:24:10,280
Speaker 6: Connor just said. Uh, it might be hard to get

510
00:24:10,320 --> 00:24:13,760
Speaker 6: Amy back for a take two if we have rewrites.

511
00:24:13,880 --> 00:24:14,680
Speaker 8: That's the problem.

512
00:24:14,840 --> 00:24:15,920
Speaker 2: Yeah, okay, we didn't.

513
00:24:15,920 --> 00:24:19,960
Speaker 9: We didn't put a pickup day in the SISO contract hypothetically.

514
00:24:19,920 --> 00:24:22,800
Speaker 1: Or kind of a take one for this project because

515
00:24:23,840 --> 00:24:30,280
Speaker 1: it was for well okay, that's interesting. It's hard to

516
00:24:30,280 --> 00:24:33,440
Speaker 1: know even what the blind edit this happens so off.

517
00:24:33,480 --> 00:24:35,560
Speaker 1: I mean, we've I mean, even if it's SISA, we

518
00:24:35,600 --> 00:24:38,840
Speaker 1: have used so many bajillion cues at this point, like.

519
00:24:39,920 --> 00:24:42,719
Speaker 3: Yeah, no, we got a whole we got a big dropboard.

520
00:24:42,840 --> 00:24:44,280
Speaker 4: That's just true.

521
00:24:44,280 --> 00:24:46,359
Speaker 1: They've leaked though, I mean, like the way they were

522
00:24:46,440 --> 00:24:51,360
Speaker 1: leaking stuff, stuff, that I like, never like the I'm

523
00:24:51,400 --> 00:24:55,080
Speaker 1: getting leaked all these like Cyanide and happiness, like terabytes

524
00:24:55,119 --> 00:24:57,240
Speaker 1: of cyanide and happiness.

525
00:24:57,320 --> 00:24:59,880
Speaker 2: Yeah, wavefile.

526
00:25:00,920 --> 00:25:04,439
Speaker 5: Yeah yeah, there was a real there was Yeah, there

527
00:25:04,480 --> 00:25:06,199
Speaker 5: was a real there were a real gold rash at

528
00:25:06,200 --> 00:25:08,880
Speaker 5: the end of CISO where we're just all those treasures

529
00:25:08,880 --> 00:25:11,040
Speaker 5: were just leaking out so many files.

530
00:25:11,480 --> 00:25:12,560
Speaker 2: Yes, I saw.

531
00:25:12,720 --> 00:25:14,720
Speaker 1: Tim was saying the other day that, like someone is

532
00:25:14,760 --> 00:25:16,320
Speaker 1: doing a show very similar to Shrink.

533
00:25:16,359 --> 00:25:19,040
Speaker 2: It's like, well they they they leave the entire thing.

534
00:25:19,680 --> 00:25:22,840
Speaker 3: Yeah, all the sounds just exists for anyone to enjoy it.

535
00:25:22,840 --> 00:25:24,439
Speaker 3: I mean I got caught up in and I grabbed

536
00:25:24,440 --> 00:25:26,760
Speaker 3: a briefcase full of take my wife's sound clips and

537
00:25:26,840 --> 00:25:28,000
Speaker 3: just bolted for the door.

538
00:25:29,760 --> 00:25:31,440
Speaker 5: Yeah.

539
00:25:31,440 --> 00:25:34,720
Speaker 3: So that's you know, and and and that's a blind item.

540
00:25:34,760 --> 00:25:36,399
Speaker 3: By the way, I don't want to get ensued by

541
00:25:36,400 --> 00:25:36,800
Speaker 3: the post.

542
00:25:38,760 --> 00:25:42,240
Speaker 6: Do you remember that day when when Aaron Schwartz leaked

543
00:25:42,400 --> 00:25:46,560
Speaker 6: all of here's Johnny just like how the sort of

544
00:25:46,640 --> 00:25:49,840
Speaker 6: title waves that sent throughout the Internet, I mean, and

545
00:25:49,840 --> 00:25:51,439
Speaker 6: and and he was persecuted for it.

546
00:25:51,600 --> 00:25:53,800
Speaker 2: That was the end of the open Internet. That was

547
00:25:54,119 --> 00:25:54,760
Speaker 2: that was the end.

548
00:25:55,280 --> 00:25:56,320
Speaker 4: Yeah mm hmm.

549
00:25:56,720 --> 00:25:58,600
Speaker 9: So apart from that, you guys are fine with it.

550
00:25:59,320 --> 00:26:01,960
Speaker 2: Uh No, I I think it'd beaut I think it

551
00:26:01,960 --> 00:26:03,280
Speaker 2: should be completely.

552
00:26:03,119 --> 00:26:03,840
Speaker 8: The whole segment.

553
00:26:04,560 --> 00:26:06,359
Speaker 4: You can lose this, Kevin.

554
00:26:06,359 --> 00:26:07,760
Speaker 3: Do you want to show us another clip and we

555
00:26:07,840 --> 00:26:09,920
Speaker 3: can just kind of see if this one is more

556
00:26:10,200 --> 00:26:11,400
Speaker 3: essential to the product.

557
00:26:11,600 --> 00:26:13,960
Speaker 2: Yes, yeah, the show is called There's Johnny.

558
00:26:15,320 --> 00:26:16,000
Speaker 8: Oh, I'm sorry.

559
00:26:16,040 --> 00:26:17,320
Speaker 5: I'm sorry, Sam.

560
00:26:17,680 --> 00:26:21,280
Speaker 11: You it feels like and this is just a hunch,

561
00:26:22,520 --> 00:26:25,520
Speaker 11: you've been so productive recently.

562
00:26:27,119 --> 00:26:31,160
Speaker 5: On a tear. On a tear, this is a multi

563
00:26:31,160 --> 00:26:31,720
Speaker 5: part question.

564
00:26:33,240 --> 00:26:36,680
Speaker 11: A man with so many pals and so many jobs

565
00:26:37,080 --> 00:26:40,919
Speaker 11: that take up his time, do you ever feel like

566
00:26:40,960 --> 00:26:43,520
Speaker 11: you are neglectful of your friendships because you have to

567
00:26:43,560 --> 00:26:44,280
Speaker 11: work so much.

568
00:26:44,640 --> 00:26:48,720
Speaker 12: Yes, I'm out of town so often that I don't

569
00:26:49,080 --> 00:26:51,000
Speaker 12: that I miss out on things. I feel like I'm

570
00:26:51,040 --> 00:26:53,119
Speaker 12: a I'm an absent parent, you know.

571
00:26:53,800 --> 00:26:56,800
Speaker 11: Would you like to record a message to your friends

572
00:26:57,280 --> 00:27:00,280
Speaker 11: that they can We can, you can send it to

573
00:27:00,480 --> 00:27:02,679
Speaker 11: we can clip it out, whatever you want. Just a

574
00:27:02,680 --> 00:27:05,679
Speaker 11: little message for all your pals when you're too busy.

575
00:27:06,160 --> 00:27:15,920
Speaker 12: Yeah, hey you, happy birthday, anniversary, commencement, good day or bad?

576
00:27:16,080 --> 00:27:18,560
Speaker 12: Sorry about your bad day. I wish I could be

577
00:27:18,560 --> 00:27:22,239
Speaker 12: there with you, but I'm there in spirit. And you know,

578
00:27:22,359 --> 00:27:28,360
Speaker 12: I'm off doing stuff for us, really, and I'll see

579
00:27:28,400 --> 00:27:30,359
Speaker 12: you when i'm back. But in the meantime, have a

580
00:27:30,400 --> 00:27:33,240
Speaker 12: good have a great time or you know, I'm sorry

581
00:27:33,280 --> 00:27:35,440
Speaker 12: about your bad time. Now, I'll see you soon.

582
00:27:35,480 --> 00:27:38,120
Speaker 5: I love you, wonderful.

583
00:27:38,119 --> 00:27:39,640
Speaker 11: You got it in one take at the wonner.

584
00:27:41,440 --> 00:27:46,680
Speaker 4: Okay, let's stop, let's stop. M interesting. Interesting.

585
00:27:46,840 --> 00:27:49,159
Speaker 3: So I loved when we pushed in for this single

586
00:27:49,240 --> 00:27:52,240
Speaker 3: on Sam because it was very distracting to have all

587
00:27:52,280 --> 00:27:56,960
Speaker 3: these different screens. But I wonder, instead of Sam, who

588
00:27:57,080 --> 00:27:59,399
Speaker 3: I already am aware of his present because he's talking,

589
00:27:59,640 --> 00:28:02,600
Speaker 3: could we he had just pushed in on Patrick by himself.

590
00:28:03,760 --> 00:28:06,239
Speaker 9: Now here's the confusing thing. I was the one who

591
00:28:06,320 --> 00:28:08,080
Speaker 9: made the choice to push in on Sam.

592
00:28:09,000 --> 00:28:09,440
Speaker 2: Wow.

593
00:28:10,119 --> 00:28:12,960
Speaker 6: So I don't think confused by that at all.

594
00:28:12,280 --> 00:28:14,439
Speaker 4: I think was confusing about that.

595
00:28:14,960 --> 00:28:18,480
Speaker 9: Well well, I mean if I pushed it on myself,

596
00:28:18,520 --> 00:28:20,480
Speaker 9: it would have felt a little weird to be like, hey, Sam,

597
00:28:20,520 --> 00:28:22,480
Speaker 9: do that, you know, Like I just think it would

598
00:28:22,520 --> 00:28:23,240
Speaker 9: have looked bad on me.

599
00:28:23,720 --> 00:28:26,879
Speaker 8: So this is the problem. We've identified.

600
00:28:26,880 --> 00:28:29,080
Speaker 6: An issue here, though, is that Patrick doesn't have enough

601
00:28:29,080 --> 00:28:32,040
Speaker 6: confidence in himself. He thinks that he should always seed

602
00:28:32,400 --> 00:28:34,840
Speaker 6: the spotlight to whoever our celebrity guest is or the

603
00:28:34,840 --> 00:28:38,040
Speaker 6: people who sensibly have more experience as performers, and we're

604
00:28:39,440 --> 00:28:40,680
Speaker 6: great title.

605
00:28:41,120 --> 00:28:44,720
Speaker 5: Great title for Patrick's memoir, Seeding the Spotlight M.

606
00:28:45,840 --> 00:28:48,240
Speaker 3: I think a good title would be here's the confusing thing,

607
00:28:49,480 --> 00:28:53,840
Speaker 3: and then the whole the whole memoir is him trying

608
00:28:53,840 --> 00:28:56,400
Speaker 3: to explain to me what exactly he thought I was

609
00:28:56,440 --> 00:28:57,200
Speaker 3: confused about.

610
00:28:58,120 --> 00:29:01,040
Speaker 1: No, we wanted to see Patrick there. We wanted to

611
00:29:01,080 --> 00:29:05,240
Speaker 1: see We want to see reactric that in that moment

612
00:29:06,080 --> 00:29:10,760
Speaker 1: you wanted h And also like that also allows you

613
00:29:10,800 --> 00:29:15,000
Speaker 1: to cut within what Sam is. I mean, that's that's

614
00:29:15,000 --> 00:29:17,959
Speaker 1: the purpose of a reaction shot, really sure, And so

615
00:29:18,000 --> 00:29:19,680
Speaker 1: you can cut within Sam's things, so.

616
00:29:19,760 --> 00:29:21,880
Speaker 3: That buys us a little time, so that Sam who

617
00:29:21,920 --> 00:29:24,120
Speaker 3: got ambushed, Sam.

618
00:29:23,880 --> 00:29:26,280
Speaker 5: Bushed, M sambushed.

619
00:29:27,520 --> 00:29:30,280
Speaker 3: He stuck the landing, but he was finding it for

620
00:29:30,320 --> 00:29:32,160
Speaker 3: a little while. What we do on our show, and

621
00:29:32,200 --> 00:29:34,719
Speaker 3: you probably feel this, we only set our guests up

622
00:29:34,720 --> 00:29:35,280
Speaker 3: to succeed.

623
00:29:36,920 --> 00:29:42,760
Speaker 5: Oh that's so nice. I mean, that's so sweet. That's sweet.

624
00:29:42,960 --> 00:29:45,200
Speaker 6: I think you're also sensing part of our problem, which

625
00:29:45,240 --> 00:29:48,960
Speaker 6: is we don't know how to do that right. Yeah,

626
00:29:49,000 --> 00:29:53,000
Speaker 6: and Sam is like fucking floundering in that second he's.

627
00:29:52,920 --> 00:29:54,520
Speaker 3: Drowning for the first half and when I say, you

628
00:29:54,560 --> 00:29:56,120
Speaker 3: stuck being really.

629
00:29:55,880 --> 00:29:59,120
Speaker 6: Generous and then Connor, you know, as George Lucas says,

630
00:29:59,120 --> 00:30:00,880
Speaker 6: we got it in won that's a woner. And it's

631
00:30:00,920 --> 00:30:02,840
Speaker 6: because we feel so bad we didn't set him up

632
00:30:02,880 --> 00:30:06,080
Speaker 6: to succeed that we want to retroactively make him think

633
00:30:06,120 --> 00:30:08,959
Speaker 6: it was a success. But we're actually hurting the product

634
00:30:08,960 --> 00:30:12,320
Speaker 6: of the show by not going in for second, third, fourth.

635
00:30:12,040 --> 00:30:12,640
Speaker 8: Fifth takes.

636
00:30:13,160 --> 00:30:13,480
Speaker 4: Mm hm.

637
00:30:14,040 --> 00:30:15,360
Speaker 8: We were trying to keep it moving.

638
00:30:15,520 --> 00:30:17,400
Speaker 3: You know, I would have rather What I would have

639
00:30:17,520 --> 00:30:20,640
Speaker 3: rather had is that you got I imagine you probably

640
00:30:20,640 --> 00:30:22,880
Speaker 3: would have had a dozen or so takes to get

641
00:30:22,880 --> 00:30:26,640
Speaker 3: this right, and then all you release to the public

642
00:30:26,760 --> 00:30:30,520
Speaker 3: is the final take without context. And you know, we

643
00:30:30,560 --> 00:30:34,360
Speaker 3: put clips out on the internet sometimes, and what we

644
00:30:34,480 --> 00:30:37,960
Speaker 3: like to do is take a moment that really only

645
00:30:38,000 --> 00:30:40,800
Speaker 3: makes sense to someone who's heard not only the entire

646
00:30:40,840 --> 00:30:46,400
Speaker 3: episode that it's from, but also every episode prior. We'll

647
00:30:46,400 --> 00:30:48,520
Speaker 3: put that on his little clip, and usually it's us

648
00:30:48,600 --> 00:30:54,080
Speaker 3: laughing really hard at it as well. That lets people know, hey,

649
00:30:54,080 --> 00:30:57,240
Speaker 3: we're having fun and you're on the outside of something

650
00:30:57,280 --> 00:30:59,760
Speaker 3: pretty cool.

651
00:30:59,640 --> 00:31:02,280
Speaker 1: As an opportunity, I saw a recent clip where Paul F.

652
00:31:02,320 --> 00:31:07,480
Speaker 1: Tompkins is calling some of his very famous friends. This

653
00:31:07,520 --> 00:31:09,400
Speaker 1: clip went insanely viral.

654
00:31:10,440 --> 00:31:14,480
Speaker 8: Kirk Oswalt, Yeah.

655
00:31:14,280 --> 00:31:19,360
Speaker 1: And so you have an opportunity there and to say like, hey,

656
00:31:19,480 --> 00:31:22,200
Speaker 1: you want to like send a message to your friends, right,

657
00:31:22,320 --> 00:31:26,640
Speaker 1: like sorry you missed this special thing. And instead of

658
00:31:27,600 --> 00:31:33,000
Speaker 1: having him call a famous person, we're just leaving that

659
00:31:33,120 --> 00:31:36,560
Speaker 1: on the table, like even like what messages are.

660
00:31:36,400 --> 00:31:40,720
Speaker 6: We talk audience, We should have made him pick a friend.

661
00:31:40,760 --> 00:31:42,840
Speaker 6: We should have made him pick a friend and and

662
00:31:42,840 --> 00:31:45,520
Speaker 6: and reach for a high level one like Chris in

663
00:31:45,520 --> 00:31:46,240
Speaker 6: the Zoom.

664
00:31:46,440 --> 00:31:48,080
Speaker 2: Yeah, right, Chris.

665
00:31:48,640 --> 00:31:54,520
Speaker 8: Chris, Chris Pratt comes to mind obviously those.

666
00:31:54,520 --> 00:31:57,040
Speaker 1: Even Pally you can sneak right in the middle there

667
00:31:57,400 --> 00:32:02,200
Speaker 1: then get Chris Pally. Is that the Middle's it's like

668
00:32:02,200 --> 00:32:04,280
Speaker 1: an it's like an animorph.

669
00:32:04,360 --> 00:32:05,520
Speaker 4: Yeah, you have a picture.

670
00:32:06,760 --> 00:32:08,520
Speaker 3: You got to picture all the right of Chris Brad

671
00:32:08,640 --> 00:32:10,640
Speaker 3: on the left of Mitch and you put Pali in

672
00:32:10,680 --> 00:32:11,360
Speaker 3: between them.

673
00:32:11,960 --> 00:32:13,000
Speaker 4: No one's confused.

674
00:32:21,520 --> 00:32:25,920
Speaker 1: And so I you know, it's like I think we

675
00:32:25,960 --> 00:32:33,040
Speaker 1: can lose potentially the whole thing. I is there any

676
00:32:33,280 --> 00:32:36,280
Speaker 1: like is there other stuff for us to look at?

677
00:32:36,440 --> 00:32:38,720
Speaker 1: Kevin and maybe like else, Yeah.

678
00:32:38,560 --> 00:32:40,280
Speaker 6: I mean with with the cuts we've made so far,

679
00:32:40,320 --> 00:32:42,800
Speaker 6: which I think are really strong. We should go into

680
00:32:42,840 --> 00:32:45,320
Speaker 6: this next clip trying to view it through the prism

681
00:32:45,360 --> 00:32:46,880
Speaker 6: of what if this was the cold open?

682
00:32:47,240 --> 00:32:47,400
Speaker 3: Right?

683
00:32:47,680 --> 00:32:50,240
Speaker 2: Yeah, exactly this I started.

684
00:32:50,360 --> 00:32:52,480
Speaker 5: I don't I don't remember any time codes, but I

685
00:32:52,520 --> 00:32:54,880
Speaker 5: have a feeling that's somewhere around minute fifty nine or

686
00:32:54,960 --> 00:32:57,400
Speaker 5: sixty the show gets incredibly tight.

687
00:32:57,760 --> 00:32:58,720
Speaker 8: Yeah, let's let's try.

688
00:32:58,720 --> 00:32:59,520
Speaker 4: It's really good.

689
00:32:59,800 --> 00:33:01,400
Speaker 8: Let's say the whole first hour.

690
00:33:01,320 --> 00:33:03,800
Speaker 6: Was warm up, and let's pretend that the show starts

691
00:33:03,840 --> 00:33:06,080
Speaker 6: at Sometimes you just don't retard.

692
00:33:05,800 --> 00:33:08,960
Speaker 9: Them, Yeah, Kevin, just go to minute fifty nine exactly.

693
00:33:10,560 --> 00:33:15,800
Speaker 1: Let's say zero zero, which is coincidentally what nights, But

694
00:33:15,880 --> 00:33:18,440
Speaker 1: those are the four digits that the Connor made for.

695
00:33:20,520 --> 00:33:35,200
Speaker 2: Yeah, Griffin, can you can you narrate this?

696
00:33:35,680 --> 00:33:35,920
Speaker 3: Yeah?

697
00:33:36,000 --> 00:33:38,720
Speaker 6: Okay, So once again this was our holoato episode. So

698
00:33:38,720 --> 00:33:43,720
Speaker 6: we introduced a few new characters, Scale a Pig, SkELL

699
00:33:43,760 --> 00:33:47,440
Speaker 6: a Bat, Skella Cat, and Scale of Duck. They were

700
00:33:47,520 --> 00:33:51,240
Speaker 6: ten dollars purchases at CVS and we decided to haunt

701
00:33:51,280 --> 00:33:55,480
Speaker 6: Patrick with them. So we were filming in a studio,

702
00:33:55,520 --> 00:33:59,120
Speaker 6: but in separate rooms for the name of COVID safety.

703
00:33:59,520 --> 00:34:01,960
Speaker 6: And then Connor and I got up from those rooms

704
00:34:02,040 --> 00:34:06,680
Speaker 6: and followed Patrick in and just silently held these toy

705
00:34:07,520 --> 00:34:09,080
Speaker 6: skeleton animals behind his head.

706
00:34:09,600 --> 00:34:11,600
Speaker 3: Talk a little bit about the choice to be silent

707
00:34:11,840 --> 00:34:13,240
Speaker 3: on the show.

708
00:34:15,640 --> 00:34:18,080
Speaker 1: Well, I don't know if scoll a Duck is actually

709
00:34:18,120 --> 00:34:19,799
Speaker 1: putting in the work, that's the thing.

710
00:34:19,880 --> 00:34:22,840
Speaker 8: Yeah, I was trying to sort of give him a moment, Yeah.

711
00:34:22,719 --> 00:34:24,399
Speaker 4: Respect and respect for skelet Duck.

712
00:34:25,560 --> 00:34:27,279
Speaker 5: One of the phrases that we were sort of thinking

713
00:34:27,280 --> 00:34:29,000
Speaker 5: about is and I don't know if you're familiar with this,

714
00:34:29,120 --> 00:34:31,600
Speaker 5: but if you ever heard of the phrase silence is golden.

715
00:34:32,960 --> 00:34:35,080
Speaker 5: I believe it was a popular song that was once

716
00:34:35,120 --> 00:34:37,480
Speaker 5: written that was like sort of expressed that. And we

717
00:34:37,600 --> 00:34:41,560
Speaker 5: really do feel like there's truth in there, Okay, and

718
00:34:41,680 --> 00:34:44,600
Speaker 5: so sometimes we will we will sort of issue like

719
00:34:45,640 --> 00:34:48,200
Speaker 5: you know, it's a talk show, but we'll sometimes let

720
00:34:48,400 --> 00:34:52,320
Speaker 5: noises sort of take fill the space where language normally

721
00:34:52,400 --> 00:34:55,879
Speaker 5: would thrive, just a sort of a palette cleanser. Because

722
00:34:55,880 --> 00:34:57,759
Speaker 5: we talked with Sam for the full forty.

723
00:34:57,480 --> 00:34:59,040
Speaker 8: Five, Yeah, that was a lot.

724
00:35:00,120 --> 00:35:01,920
Speaker 5: Yeah, and so it really was a moment we thought,

725
00:35:01,960 --> 00:35:05,799
Speaker 5: let's let the Scala pals come in here and make

726
00:35:05,880 --> 00:35:06,480
Speaker 5: their noise.

727
00:35:07,719 --> 00:35:12,000
Speaker 6: I also I don't like talking, Like I generally, as

728
00:35:12,040 --> 00:35:14,960
Speaker 6: an artist, relish the opportunity to sort of just step

729
00:35:15,000 --> 00:35:17,560
Speaker 6: back and let other people because I don't want to

730
00:35:17,560 --> 00:35:21,120
Speaker 6: be the one steering the ship, interrupting, talking over other people.

731
00:35:22,040 --> 00:35:25,920
Speaker 2: Smolder. That's what you're really known for, is smolder.

732
00:35:26,080 --> 00:35:26,719
Speaker 8: It's the look.

733
00:35:26,920 --> 00:35:27,280
Speaker 4: Yeah.

734
00:35:27,600 --> 00:35:30,040
Speaker 8: Yeah, I'm more a physical actor than anything.

735
00:35:30,200 --> 00:35:30,520
Speaker 5: Yeah.

736
00:35:30,600 --> 00:35:33,479
Speaker 9: I think we also recognize that it's rare that a show,

737
00:35:33,600 --> 00:35:35,239
Speaker 9: you know, you can just sit around for a couple

738
00:35:35,200 --> 00:35:37,040
Speaker 9: of minutes without talking, like you guys don't get that

739
00:35:37,080 --> 00:35:39,200
Speaker 9: opportunity on this show. You guys have to talk to

740
00:35:39,239 --> 00:35:40,120
Speaker 9: fill the time, you know.

741
00:35:41,280 --> 00:35:43,960
Speaker 3: But on our show, it's not to fill the time, Patrick,

742
00:35:45,520 --> 00:35:46,399
Speaker 3: what is it, poor Sean.

743
00:35:48,200 --> 00:35:54,600
Speaker 4: It is to educate the viewers and the guests. Yeah,

744
00:35:54,680 --> 00:35:55,840
Speaker 4: it was just to fill the time.

745
00:35:56,640 --> 00:35:59,400
Speaker 3: I'd actually hang it up right now if that's what

746
00:35:59,440 --> 00:36:01,120
Speaker 3: I ever thought I was doing, was like trying to

747
00:36:01,200 --> 00:36:03,480
Speaker 3: fill time to meet some quota, just so we had

748
00:36:03,520 --> 00:36:07,319
Speaker 3: an episode to release. The day, I feel myself doing that,

749
00:36:08,000 --> 00:36:09,880
Speaker 3: we fold up the whole fucking shop.

750
00:36:10,200 --> 00:36:13,919
Speaker 13: Sure that day, that day, that very day, that day,

751
00:36:14,080 --> 00:36:16,960
Speaker 13: probably bye bye by end of day.

752
00:36:17,120 --> 00:36:17,960
Speaker 4: It's not instant.

753
00:36:18,080 --> 00:36:22,439
Speaker 3: It's probably at night because I yeah, yeah, I think

754
00:36:22,480 --> 00:36:24,640
Speaker 3: this is another problem.

755
00:36:24,680 --> 00:36:28,080
Speaker 6: Really it speaks to Patrick's sort of outlook as a producer.

756
00:36:28,200 --> 00:36:32,920
Speaker 6: Is he really thinks that shows are measured exclusively in quantity.

757
00:36:33,040 --> 00:36:36,200
Speaker 6: That he does think the more we fill the time,

758
00:36:36,280 --> 00:36:38,920
Speaker 6: the better the show will will sort of be viewed

759
00:36:38,920 --> 00:36:40,759
Speaker 6: in the public eye quantity.

760
00:36:40,760 --> 00:36:43,439
Speaker 5: I don't want yeah, I don't want to. I don't

761
00:36:43,440 --> 00:36:45,839
Speaker 5: want to point fingers. But for when I started doing

762
00:36:45,840 --> 00:36:48,400
Speaker 5: the show, it was before Griffin or Patrick were officially

763
00:36:48,480 --> 00:36:49,600
Speaker 5: involved with the show.

764
00:36:49,840 --> 00:36:52,600
Speaker 6: It was originally a rat lift distant to hander. Just

765
00:36:52,640 --> 00:36:54,520
Speaker 6: so you guys know your origin, it was a ratlift

766
00:36:54,560 --> 00:36:57,120
Speaker 6: distant two hander. It was really developed a playoff of

767
00:36:57,160 --> 00:36:58,040
Speaker 6: their chemistry.

768
00:36:58,400 --> 00:37:01,440
Speaker 5: Okay, yeah, And and the shows would be on average

769
00:37:01,440 --> 00:37:06,120
Speaker 5: around an hour and the very first show. Patrick worked

770
00:37:06,120 --> 00:37:08,520
Speaker 5: on the on the stage show for a number of years,

771
00:37:08,520 --> 00:37:11,960
Speaker 5: and so did Griffin. But then when Patrick first became

772
00:37:12,000 --> 00:37:16,040
Speaker 5: an on screen presence, the show balloon from roughly sixty

773
00:37:16,040 --> 00:37:19,400
Speaker 5: minutes to over thirty one hours in our first episode.

774
00:37:19,440 --> 00:37:20,600
Speaker 8: That was the immediate jump.

775
00:37:20,640 --> 00:37:24,040
Speaker 6: That was the immediate jump was from like that most

776
00:37:24,160 --> 00:37:31,160
Speaker 6: eighty to thirty one Yeah yeah, holy hours, holy.

777
00:37:31,239 --> 00:37:32,759
Speaker 4: Yeah, holy shikeys.

778
00:37:33,080 --> 00:37:36,080
Speaker 3: What I'm wondering is is.

779
00:37:36,080 --> 00:37:37,000
Speaker 4: This a TikTok?

780
00:37:40,200 --> 00:37:44,319
Speaker 3: You know, you guys probably know I'm I'm pretty young,

781
00:37:46,520 --> 00:37:50,200
Speaker 3: and one thing that me and some of my buddies

782
00:37:50,239 --> 00:37:50,520
Speaker 3: have been.

783
00:37:50,520 --> 00:37:55,400
Speaker 4: Looking at is this TikTok. Yeah, and these things aren't

784
00:37:55,440 --> 00:37:56,200
Speaker 4: that low.

785
00:37:57,000 --> 00:38:02,799
Speaker 3: It really forces you to be clear, concise, efficient just

786
00:38:02,840 --> 00:38:04,160
Speaker 3: by virtue of the medium.

787
00:38:04,520 --> 00:38:06,279
Speaker 4: So I think the fact that you even.

788
00:38:06,120 --> 00:38:10,719
Speaker 3: Have, you know, the sort of natural gas law right

789
00:38:10,920 --> 00:38:13,600
Speaker 3: is like it will expand to fill the size of

790
00:38:13,680 --> 00:38:18,520
Speaker 3: the container. So you know, however big that unit is.

791
00:38:18,560 --> 00:38:20,799
Speaker 3: If you have just sort of this infinite you know,

792
00:38:21,000 --> 00:38:25,200
Speaker 3: streaming opportunity on a zoom, you're going to take whatever

793
00:38:25,239 --> 00:38:28,520
Speaker 3: amount of creativity you have available, which might only be

794
00:38:28,600 --> 00:38:32,640
Speaker 3: this much, and spread it across the entire.

795
00:38:33,440 --> 00:38:35,120
Speaker 4: You know, multiple hour show.

796
00:38:35,520 --> 00:38:38,440
Speaker 3: Whereas if we took that little bit of creativity and

797
00:38:38,480 --> 00:38:42,400
Speaker 3: we put that in a TikTok, maybe you're doing a

798
00:38:42,480 --> 00:38:46,120
Speaker 3: choreographed dance to a fancy like a new country song.

799
00:38:48,400 --> 00:38:54,040
Speaker 3: Now I'm thinking, hey, this George Lucas show is pretty good.

800
00:38:54,880 --> 00:38:58,040
Speaker 3: So I just wonder if you've even considered that.

801
00:38:58,560 --> 00:39:00,960
Speaker 5: Well, it's funny you shoul mention that because George Lucas Talk

802
00:39:01,000 --> 00:39:03,520
Speaker 5: Show does have a TikTok account and our first ticko.

803
00:39:03,600 --> 00:39:05,440
Speaker 8: This is sort of Connor's baby project.

804
00:39:05,480 --> 00:39:10,120
Speaker 5: Also, yeah, our very first TikTok was the George Lucas

805
00:39:10,200 --> 00:39:14,040
Speaker 5: adjacent it was, it was pulling from the George Lucas

806
00:39:14,040 --> 00:39:19,319
Speaker 5: adjacent Disney film Returned to Oz, which Lucas consulted on,

807
00:39:19,400 --> 00:39:21,800
Speaker 5: has a special thanks in it. And there's a character

808
00:39:21,840 --> 00:39:24,239
Speaker 5: named TikTok. And and so we didn't put out of

809
00:39:24,239 --> 00:39:27,280
Speaker 5: TikTok featuring No, no, no, I'm not saying this for you, Sean.

810
00:39:27,360 --> 00:39:29,239
Speaker 5: I know you know this. I know every word that

811
00:39:29,280 --> 00:39:31,640
Speaker 5: comes out of my mouth. You already know this is

812
00:39:31,680 --> 00:39:34,000
Speaker 5: to help educate your viewers. Because I thought that was

813
00:39:34,000 --> 00:39:35,920
Speaker 5: the point of this. That is why we make it.

814
00:39:36,000 --> 00:39:39,680
Speaker 1: Yeah, it is educating. He's educating the viewers that he knows.

815
00:39:39,680 --> 00:39:41,359
Speaker 1: So you are both playing the same role.

816
00:39:41,400 --> 00:39:48,400
Speaker 3: And uh, hey, hey, this ain't some fucking dick measuring contest.

817
00:39:48,520 --> 00:39:48,719
Speaker 9: Man.

818
00:39:49,239 --> 00:39:52,120
Speaker 5: No, no, no, I love it. No, we're not measuring.

819
00:39:52,160 --> 00:39:53,000
Speaker 5: We're not going to measure.

820
00:39:53,400 --> 00:39:57,560
Speaker 3: Come on, man, let's just let's do this. You've finished

821
00:39:57,560 --> 00:40:00,440
Speaker 3: the TikTok story, then I'll tell you it's.

822
00:40:00,280 --> 00:40:03,960
Speaker 5: Already No, no, it already happened, it's done. I actually already

823
00:40:04,000 --> 00:40:08,040
Speaker 5: finished it. The second you started telling you it is, Yeah,

824
00:40:08,640 --> 00:40:11,600
Speaker 5: I had already finished that was the TikTok story.

825
00:40:11,840 --> 00:40:13,560
Speaker 4: Okay. Feel so it's.

826
00:40:13,480 --> 00:40:17,040
Speaker 1: Clear that that we're not just filling time. Like, if

827
00:40:17,040 --> 00:40:21,439
Speaker 1: this weren't important, obviously we would let Griffin go hard.

828
00:40:22,800 --> 00:40:26,000
Speaker 4: But I just don't think we can afford.

829
00:40:26,080 --> 00:40:28,719
Speaker 3: I mean, the product would suffer because Griffin, I mean,

830
00:40:29,239 --> 00:40:32,120
Speaker 3: he's still got to tell us more about this TikTok stuff.

831
00:40:32,600 --> 00:40:34,799
Speaker 6: No, I do, I do, and I do want to say.

832
00:40:34,840 --> 00:40:37,279
Speaker 6: I mean, you're giving us such valuable information. Then not

833
00:40:37,320 --> 00:40:39,000
Speaker 6: only do I feel like I need to say for

834
00:40:39,040 --> 00:40:41,360
Speaker 6: the entire time, but I also feel like after I

835
00:40:41,440 --> 00:40:43,480
Speaker 6: say the next thing I'm going to say, I might

836
00:40:43,560 --> 00:40:45,600
Speaker 6: just decide to step back and listen for the rest

837
00:40:45,600 --> 00:40:48,359
Speaker 6: of the episode. Okay, you know, so I'm very much

838
00:40:48,400 --> 00:40:51,640
Speaker 6: going to stay here. So we're on the show.

839
00:40:51,600 --> 00:40:55,319
Speaker 1: Griffin is learning, yes of the stuff we're teaching, and

840
00:40:55,360 --> 00:41:00,000
Speaker 1: that he is cutting his vocal involvement in the show

841
00:41:00,080 --> 00:41:04,560
Speaker 1: show and just gonna be kind of yeah.

842
00:41:03,960 --> 00:41:06,280
Speaker 6: But I'm gonna I'm gonna, I'm gonna stay. I'm gonna

843
00:41:06,280 --> 00:41:09,440
Speaker 6: stay here on the show if I can just quickly

844
00:41:09,480 --> 00:41:12,239
Speaker 6: tell my own TikTok story as you said.

845
00:41:12,960 --> 00:41:14,680
Speaker 2: Really quick would be so great.

846
00:41:14,760 --> 00:41:18,120
Speaker 6: Yes, yeah, So I don't know if you know about this,

847
00:41:18,239 --> 00:41:22,920
Speaker 6: but Connor actually has been experimenting with doing TikTok's for

848
00:41:23,000 --> 00:41:24,320
Speaker 6: the George Lucas talk show.

849
00:41:24,680 --> 00:41:27,640
Speaker 2: I did, yes, right, I did know that.

850
00:41:27,800 --> 00:41:31,600
Speaker 6: And he made a TikTok of TikTok, who is a

851
00:41:31,680 --> 00:41:34,840
Speaker 6: character from Returned to Oz, which you know, I know

852
00:41:34,920 --> 00:41:36,560
Speaker 6: you guys know this, but your listeners might not.

853
00:41:36,600 --> 00:41:39,799
Speaker 8: George Lucas didn't work on I know who that is, right.

854
00:41:40,040 --> 00:41:42,960
Speaker 6: Walter Merch, who he's worked with, have been friends with

855
00:41:43,000 --> 00:41:45,680
Speaker 6: over the years, directed That's his only directing project, so

856
00:41:45,760 --> 00:41:48,200
Speaker 6: that was he's sort of the film's sort of George

857
00:41:48,280 --> 00:41:51,120
Speaker 6: Lucas adjacent. And there's a character in it named TikTok,

858
00:41:51,520 --> 00:41:54,520
Speaker 6: and so Connor took a picture of TikTok and put

859
00:41:54,520 --> 00:41:58,520
Speaker 6: it on TikTok and soundtracked it with TikTok by Kesha.

860
00:41:58,719 --> 00:42:02,560
Speaker 6: So that's like an example of what you're saying, Sean,

861
00:42:03,120 --> 00:42:06,160
Speaker 6: A really exciting avenue for us of like, can we

862
00:42:06,239 --> 00:42:09,759
Speaker 6: have a very simple joke, you know, something that's very

863
00:42:09,800 --> 00:42:14,080
Speaker 6: clean and accessible and immediate and that really caters to

864
00:42:14,160 --> 00:42:15,480
Speaker 6: a younger audience.

865
00:42:16,120 --> 00:42:19,680
Speaker 3: Awards repeat viewers, and it encourages research as well.

866
00:42:19,719 --> 00:42:21,200
Speaker 4: Hey what's the name of this song? Hey?

867
00:42:21,239 --> 00:42:24,680
Speaker 3: Wait a minute, Hey, hey did Walter Merch direct this?

868
00:42:24,920 --> 00:42:25,360
Speaker 4: Okay?

869
00:42:25,560 --> 00:42:28,719
Speaker 3: And so you're creating new readers and curious minds. And

870
00:42:28,760 --> 00:42:32,360
Speaker 3: if you could get TikTok, let's say, doing a choreographed

871
00:42:32,400 --> 00:42:37,160
Speaker 3: dance to the country song, fancy, Like sure, you know now?

872
00:42:37,239 --> 00:42:40,279
Speaker 3: I think also we've got this other element where I

873
00:42:40,800 --> 00:42:42,160
Speaker 3: would really like to see that.

874
00:42:43,280 --> 00:42:46,480
Speaker 6: I mean, it's interesting because I think there's definitely room

875
00:42:46,600 --> 00:42:50,160
Speaker 6: to do a lot more with the character of TikTok

876
00:42:50,360 --> 00:42:52,200
Speaker 6: in this space. We think he's got a lot of

877
00:42:52,200 --> 00:42:56,399
Speaker 6: potential there. But I'll say, you know, even before these

878
00:42:56,400 --> 00:42:59,239
Speaker 6: suggestions from you guys, we had submitted this episode to

879
00:42:59,400 --> 00:42:59,799
Speaker 6: a couple of.

880
00:43:01,640 --> 00:43:03,560
Speaker 8: Focus groups to.

881
00:43:03,560 --> 00:43:06,520
Speaker 6: Really sort of see how different things were scoring. And

882
00:43:06,960 --> 00:43:09,800
Speaker 6: skelet Duck has been off the charts with jack Z.

883
00:43:10,160 --> 00:43:10,879
Speaker 2: Yeah.

884
00:43:12,800 --> 00:43:15,839
Speaker 1: Yes, I was about to say the exact thing, like,

885
00:43:16,280 --> 00:43:19,719
Speaker 1: skelet Duck is really resonating with me.

886
00:43:19,960 --> 00:43:21,279
Speaker 5: He's a star.

887
00:43:21,080 --> 00:43:22,719
Speaker 3: Skelet Duck has it.

888
00:43:23,320 --> 00:43:25,360
Speaker 9: Skele ducks numbers are so much higher than my numbers.

889
00:43:25,360 --> 00:43:26,640
Speaker 9: That's just what I wanted to put out there.

890
00:43:26,600 --> 00:43:27,839
Speaker 8: Skelet Duck, it's a big mood.

891
00:43:27,920 --> 00:43:29,560
Speaker 6: I mean, that's the thing we keep on hearing from

892
00:43:29,680 --> 00:43:32,560
Speaker 6: kids is that skele Duck is a big mood.

893
00:43:33,080 --> 00:43:34,040
Speaker 4: He's testing bait.

894
00:43:34,120 --> 00:43:36,759
Speaker 3: You know, you put a happy pop song or a

895
00:43:36,840 --> 00:43:38,799
Speaker 3: dog in the first scene of your pilot to get

896
00:43:38,840 --> 00:43:41,640
Speaker 3: those dials turning. I think skelet Duck is going to

897
00:43:41,680 --> 00:43:43,120
Speaker 3: be the new version of that. If you have a

898
00:43:43,160 --> 00:43:46,279
Speaker 3: scene that's scoring low, just have skele Duck quack his

899
00:43:46,400 --> 00:43:48,680
Speaker 3: way across the bottom of the screen and you're going

900
00:43:48,760 --> 00:43:51,359
Speaker 3: to find that. Now that's people's favorite part of the

901
00:43:51,880 --> 00:43:55,239
Speaker 3: of the project. So you have stumbled onto something very

902
00:43:55,320 --> 00:43:57,560
Speaker 3: powerful there. And I'm wondering, do we need any of

903
00:43:57,560 --> 00:44:01,799
Speaker 3: this George Lucas stuff that I don't totally get No

904
00:44:01,880 --> 00:44:05,160
Speaker 3: Offense and the Skeleton show.

905
00:44:05,840 --> 00:44:07,560
Speaker 2: I think there's a role. I think there's a role

906
00:44:07,600 --> 00:44:08,360
Speaker 2: for George.

907
00:44:08,560 --> 00:44:12,840
Speaker 1: I thought I was very engrossed by being scared that skele.

908
00:44:12,760 --> 00:44:13,880
Speaker 2: Duck was going to fall.

909
00:44:15,160 --> 00:44:18,800
Speaker 1: And if we have George who's kind of like running

910
00:44:18,840 --> 00:44:21,919
Speaker 1: around with skelea duck and like maybe gonna like drop

911
00:44:22,000 --> 00:44:22,960
Speaker 1: him or something like if.

912
00:44:22,920 --> 00:44:27,359
Speaker 3: We established George's clumsy early on, yeah, and show him

913
00:44:27,400 --> 00:44:29,839
Speaker 3: drop a couple of things that are not precious to us,

914
00:44:29,880 --> 00:44:32,759
Speaker 3: and then when he's holding skele Duc, the amount of

915
00:44:32,800 --> 00:44:34,759
Speaker 3: tension that he created by that.

916
00:44:36,320 --> 00:44:38,840
Speaker 5: Yeah, I tell you the thing that I'm concerned about,

917
00:44:38,880 --> 00:44:40,839
Speaker 5: because I do agree with you that the skele Duck

918
00:44:40,920 --> 00:44:43,960
Speaker 5: has it. The only thing I would push back on

919
00:44:44,239 --> 00:44:50,520
Speaker 5: slightly is if we were to change the title. From

920
00:44:50,560 --> 00:44:54,040
Speaker 5: a dv R perspective, when you change the title of

921
00:44:54,080 --> 00:45:00,160
Speaker 5: a show, those subscriptions vanish now are searchable now was

922
00:45:00,239 --> 00:45:05,320
Speaker 5: on Twitch. So this is perhaps unrelated, but I still

923
00:45:05,320 --> 00:45:10,040
Speaker 5: have the concern just those DVR numbers. Yeah, because it'll

924
00:45:10,080 --> 00:45:12,359
Speaker 5: regard it as a new show. We'll lose that with

925
00:45:12,520 --> 00:45:14,160
Speaker 5: all those subscriptions will be gone.

926
00:45:15,840 --> 00:45:20,520
Speaker 3: Counterpoint connor do we believe that the number of viewers

927
00:45:20,640 --> 00:45:25,359
Speaker 3: we lose would be offset by just random people who

928
00:45:25,400 --> 00:45:29,560
Speaker 3: were searching for Skeleduc independently and now would be discovering

929
00:45:29,640 --> 00:45:30,120
Speaker 3: your show.

930
00:45:31,120 --> 00:45:34,920
Speaker 5: Yes, yes, that is also I would say a valid

931
00:45:35,000 --> 00:45:38,440
Speaker 5: point just from a just thinking of it on a

932
00:45:38,480 --> 00:45:41,080
Speaker 5: pure numbers level, totally valid.

933
00:45:41,400 --> 00:45:43,160
Speaker 8: And I just quickly, I'm just.

934
00:45:43,120 --> 00:45:44,000
Speaker 5: Talking about the numbers.

935
00:45:44,920 --> 00:45:46,319
Speaker 4: I just want to talk about.

936
00:45:46,320 --> 00:45:48,040
Speaker 8: I want to hear what you have to say about it.

937
00:45:48,040 --> 00:45:50,600
Speaker 6: I'm just gonna quickly say, I definitely canceled the thing

938
00:45:50,600 --> 00:45:52,640
Speaker 6: that was causing my heart out. So I'm gonna stay

939
00:45:52,640 --> 00:45:54,359
Speaker 6: on for the whole episode and not leave.

940
00:45:54,680 --> 00:45:56,880
Speaker 2: We don't have too much longer.

941
00:45:57,760 --> 00:46:01,279
Speaker 6: I'm gonna I'm just gonna step back and let you

942
00:46:01,320 --> 00:46:04,120
Speaker 6: guys talk and listen.

943
00:46:03,760 --> 00:46:06,640
Speaker 8: And not say anything. But I'm not leaving the episode.

944
00:46:06,680 --> 00:46:08,600
Speaker 2: That's good to watch the last clip.

945
00:46:09,600 --> 00:46:11,440
Speaker 8: Yeah, and I'm gonna watch.

946
00:46:11,239 --> 00:46:13,920
Speaker 9: It really now, this last clip that Kevin brought up,

947
00:46:13,960 --> 00:46:16,880
Speaker 9: it's definitely another thing where like we know we have

948
00:46:17,000 --> 00:46:18,959
Speaker 9: this time to breathe, We know we have this time

949
00:46:19,000 --> 00:46:21,000
Speaker 9: to like sit and languish in it. So this is

950
00:46:21,040 --> 00:46:23,640
Speaker 9: something that we're able to do, you know, not on

951
00:46:23,680 --> 00:46:25,359
Speaker 9: something if the show is only forty five minutes long

952
00:46:25,400 --> 00:46:33,360
Speaker 9: or an hour long cap Okay, now, since Griffin is

953
00:46:33,360 --> 00:46:36,640
Speaker 9: taking a second, I just want to say, this is

954
00:46:36,640 --> 00:46:39,120
Speaker 9: a shot of the George Motto and Patrick all taking

955
00:46:39,160 --> 00:46:45,480
Speaker 9: a nap on a couch together. I'm squeezing a toy

956
00:46:45,520 --> 00:46:49,360
Speaker 9: that came from Star Wars Galaxy's Edge in a snoring

957
00:46:49,800 --> 00:46:51,919
Speaker 9: make it sound like he's snoring, but we're all taking

958
00:46:51,920 --> 00:46:53,640
Speaker 9: a nap a.

959
00:46:54,840 --> 00:46:58,320
Speaker 5: Weird way, a weird away were.

960
00:46:58,200 --> 00:47:02,920
Speaker 2: Away like Gahalira, like.

961
00:47:13,719 --> 00:47:16,600
Speaker 3: Okay, I'm gonna call it on this clip.

962
00:47:19,480 --> 00:47:20,720
Speaker 4: This was really good.

963
00:47:21,520 --> 00:47:25,040
Speaker 1: Yeah, it was nice. It was nice seeing them all

964
00:47:25,120 --> 00:47:29,840
Speaker 1: be friends. It was nice seeing Patrick. Well he's like

965
00:47:29,920 --> 00:47:32,319
Speaker 1: pretending to take a nap, but he's also just like

966
00:47:32,719 --> 00:47:33,799
Speaker 1: opening his eyes.

967
00:47:33,600 --> 00:47:37,239
Speaker 2: A lot and checking on his friends.

968
00:47:37,239 --> 00:47:39,280
Speaker 4: Such an interesting performance technique.

969
00:47:39,320 --> 00:47:42,040
Speaker 1: It felt like it took me back to like doing

970
00:47:42,120 --> 00:47:44,920
Speaker 1: being at a sleepover and like waking up before my

971
00:47:45,120 --> 00:47:47,920
Speaker 1: friend whose house it is, and like obviously I can't

972
00:47:47,960 --> 00:47:51,239
Speaker 1: go downstairs or like do anything, so I just have

973
00:47:51,360 --> 00:47:54,480
Speaker 1: to like lie there with my eyes open. Like that

974
00:47:54,560 --> 00:47:57,040
Speaker 1: was a sense memory of that that Patrick was giving.

975
00:47:57,760 --> 00:48:00,440
Speaker 9: It's like, it's like how Edgar Bergan used to do

976
00:48:00,560 --> 00:48:04,600
Speaker 9: Charlie McCarthy the Venturyloquist dummy, but completely move his mouth

977
00:48:04,640 --> 00:48:06,640
Speaker 9: the whole time. It was it was hearkening back to that.

978
00:48:06,640 --> 00:48:07,719
Speaker 9: That's what I was going for at.

979
00:48:07,719 --> 00:48:11,120
Speaker 5: Least mm hm oh, nothing like herkening back to Edgar Bergen.

980
00:48:11,440 --> 00:48:13,880
Speaker 5: I mean talk about we were talking about relating to

981
00:48:13,920 --> 00:48:17,320
Speaker 5: the youth culture before. What is more relatable than hearkening

982
00:48:17,400 --> 00:48:21,440
Speaker 5: back to Edgar Bergen and his Van Trailoquist dummy Charlie McCarthy.

983
00:48:21,600 --> 00:48:23,120
Speaker 5: I mean, while we're at it, why don't we mention

984
00:48:23,200 --> 00:48:26,480
Speaker 5: his other puppet, Mortimer Snurd. Now we're really hearkening back.

985
00:48:26,719 --> 00:48:30,960
Speaker 5: Oh I really, I'm so glad you harkened back to that. Patrick.

986
00:48:31,600 --> 00:48:34,000
Speaker 3: Yeah, yeah, that really harkens me back.

987
00:48:35,280 --> 00:48:39,360
Speaker 4: I think. I think as I look at the entirety

988
00:48:39,400 --> 00:48:41,960
Speaker 4: of what we watched, Huh, this.

989
00:48:41,880 --> 00:48:45,759
Speaker 3: Clip was so effective and so good, and we're moved

990
00:48:45,800 --> 00:48:50,040
Speaker 3: from the context of the earlier clips, I don't know

991
00:48:50,120 --> 00:48:54,200
Speaker 3: that it would have been as impactful. And now I'm wondering,

992
00:48:56,160 --> 00:48:58,160
Speaker 3: is there an ounce of fat to trim on the

993
00:48:58,320 --> 00:48:59,080
Speaker 3: entire episode?

994
00:48:59,120 --> 00:49:02,000
Speaker 4: And I'm thinking no, Oh, I.

995
00:49:02,200 --> 00:49:05,719
Speaker 5: I have to say that I agree. I also think

996
00:49:05,840 --> 00:49:07,960
Speaker 5: this is the first of the clips that really made

997
00:49:08,000 --> 00:49:11,439
Speaker 5: me feel like the rest of the industry could take

998
00:49:11,560 --> 00:49:14,880
Speaker 5: a cue from what we're doing, like I think, and

999
00:49:14,920 --> 00:49:16,879
Speaker 5: I think the industry is paying attention at this point.

1000
00:49:16,920 --> 00:49:18,600
Speaker 5: I think we're finally going to that point where we're

1001
00:49:18,600 --> 00:49:20,640
Speaker 5: starting to get industry eyeballs, so we're looking at the

1002
00:49:20,640 --> 00:49:22,759
Speaker 5: show and saying, what can we learn from this. I

1003
00:49:22,880 --> 00:49:26,239
Speaker 5: don't know that you could name a single show, either

1004
00:49:26,320 --> 00:49:30,640
Speaker 5: on primetime network or streaming that would not benefit in

1005
00:49:30,680 --> 00:49:33,520
Speaker 5: each episode from a lengthy segment in which all of

1006
00:49:33,560 --> 00:49:37,520
Speaker 5: the main characters took a nap together, well.

1007
00:49:37,320 --> 00:49:41,200
Speaker 3: And it's it's it's about making things more authentic and

1008
00:49:41,239 --> 00:49:44,239
Speaker 3: having it feel real, because certainly we're not saying these

1009
00:49:44,320 --> 00:49:45,640
Speaker 3: characters never sleep.

1010
00:49:46,320 --> 00:49:48,640
Speaker 4: Certainly we're not nobody. Don't take a nobody.

1011
00:49:49,480 --> 00:49:53,080
Speaker 13: Like I feel like most shows imply that exactly no, yes,

1012
00:49:53,120 --> 00:49:55,439
Speaker 13: we're yeah, we're we're saying the same thing, because it's

1013
00:49:56,040 --> 00:49:58,480
Speaker 13: if you were only to sort of cherry pick the

1014
00:49:58,520 --> 00:50:01,400
Speaker 13: most interesting moments for these people's lives.

1015
00:50:01,880 --> 00:50:04,879
Speaker 3: That is what some of these shows are attempting to do,

1016
00:50:05,520 --> 00:50:08,440
Speaker 3: and that's not real. When I live my life, I

1017
00:50:08,480 --> 00:50:11,120
Speaker 3: have to take a nap, I have to, Sorry, guys,

1018
00:50:11,239 --> 00:50:12,160
Speaker 3: go to the bathroom.

1019
00:50:12,280 --> 00:50:13,280
Speaker 4: I do have to worry.

1020
00:50:13,880 --> 00:50:16,880
Speaker 3: And the fact that we're not seeing TV characters do

1021
00:50:17,000 --> 00:50:21,200
Speaker 3: that up close and in detail is basically a lie

1022
00:50:21,239 --> 00:50:23,560
Speaker 3: that you tell the audience, and it breaks the trust

1023
00:50:23,600 --> 00:50:24,360
Speaker 3: with the audience.

1024
00:50:25,080 --> 00:50:28,440
Speaker 5: Sorry, sorry, I'm sorry.

1025
00:50:28,600 --> 00:50:29,319
Speaker 2: I'm sorry too.

1026
00:50:29,640 --> 00:50:31,120
Speaker 3: I'm sorry that I use the bathroom.

1027
00:50:31,600 --> 00:50:33,840
Speaker 9: So do you guys want to be credited? Do you

1028
00:50:33,880 --> 00:50:36,040
Speaker 9: guys want to be credited as executive producers? Is that

1029
00:50:36,080 --> 00:50:37,440
Speaker 9: what this whole thing has been about?

1030
00:50:37,640 --> 00:50:39,799
Speaker 4: It fucking credit for me?

1031
00:50:39,960 --> 00:50:40,800
Speaker 9: From now on?

1032
00:50:41,440 --> 00:50:43,719
Speaker 1: Is there a credit situation. I guess I would kind

1033
00:50:43,719 --> 00:50:46,120
Speaker 1: of have to know, like what it looks like like you.

1034
00:50:46,360 --> 00:50:50,200
Speaker 5: I mean, I know we could offer up associated producer.

1035
00:50:50,600 --> 00:50:54,360
Speaker 2: Okay, and I rolling at the end of the episode,

1036
00:50:54,560 --> 00:50:55,480
Speaker 2: like me.

1037
00:50:56,560 --> 00:50:57,680
Speaker 9: If you really want to say.

1038
00:50:57,520 --> 00:51:01,080
Speaker 3: It, because consulting producer kind of exists as a credit

1039
00:51:01,200 --> 00:51:06,080
Speaker 3: outside the normal hierarchy. That would optically that helps me

1040
00:51:06,280 --> 00:51:07,759
Speaker 3: consulting rather than associate.

1041
00:51:09,280 --> 00:51:11,520
Speaker 9: I mean, that's good consulting producer. I feel like it's

1042
00:51:11,560 --> 00:51:14,680
Speaker 9: like when you're not w g A, you know, and

1043
00:51:14,719 --> 00:51:16,280
Speaker 9: you want to give the writers credits.

1044
00:51:16,800 --> 00:51:17,200
Speaker 5: We're not.

1045
00:51:17,600 --> 00:51:19,879
Speaker 9: We're we're not involved in the wj A. And it's

1046
00:51:19,880 --> 00:51:22,480
Speaker 9: not because you know, we're not pro union. It's just

1047
00:51:22,520 --> 00:51:25,560
Speaker 9: because we don't have writers, right, So yeah.

1048
00:51:25,280 --> 00:51:27,560
Speaker 5: And to quote to w credit.

1049
00:51:27,560 --> 00:51:28,880
Speaker 4: But I understand what you're saying.

1050
00:51:30,320 --> 00:51:35,400
Speaker 5: Paraphrase to paraphrase the popular song busting makes us feel

1051
00:51:35,400 --> 00:51:39,560
Speaker 5: good in this case union busting. M hm mm hmm.

1052
00:51:40,320 --> 00:51:42,800
Speaker 1: What can we see, Kevin, what the what the credits

1053
00:51:42,800 --> 00:51:46,400
Speaker 1: look like and to see if there's wow, okay, wow

1054
00:51:46,480 --> 00:51:50,680
Speaker 1: it really is that could be my name? It really

1055
00:51:50,760 --> 00:51:52,839
Speaker 1: is a full credits.

1056
00:51:52,440 --> 00:51:58,560
Speaker 9: It's a fuse are full font yeah, okay, starring me

1057
00:51:59,320 --> 00:52:00,040
Speaker 9: and you know, you'll.

1058
00:52:00,000 --> 00:52:03,440
Speaker 5: Notice here we have different sizes for the names versus

1059
00:52:03,520 --> 00:52:08,520
Speaker 5: the sub credit. We use different sizes. We do a

1060
00:52:08,560 --> 00:52:12,120
Speaker 5: fully formatted closing credits for each episode, and your names

1061
00:52:12,160 --> 00:52:14,040
Speaker 5: could be in there. All it takes is for you

1062
00:52:14,080 --> 00:52:14,720
Speaker 5: to ask.

1063
00:52:16,200 --> 00:52:18,800
Speaker 3: I'd have to see my name as a consulting producer

1064
00:52:19,480 --> 00:52:22,040
Speaker 3: on the next four episodes, and I think beyond that

1065
00:52:22,080 --> 00:52:23,600
Speaker 3: my influence will probably be.

1066
00:52:24,560 --> 00:52:25,600
Speaker 5: A four episode arc.

1067
00:52:26,520 --> 00:52:29,600
Speaker 3: Yeah, as a consulting producer. So I say, this is

1068
00:52:29,640 --> 00:52:33,520
Speaker 3: what I contributed to. And then obviously, you.

1069
00:52:33,120 --> 00:52:36,120
Speaker 5: Know, and the scuttle butt I think, particularly if the

1070
00:52:36,160 --> 00:52:37,880
Speaker 5: episodes get a little bit better over the course of

1071
00:52:37,880 --> 00:52:39,680
Speaker 5: those four is that you came in and kind of

1072
00:52:39,719 --> 00:52:41,080
Speaker 5: save the show. You know'd be one of those things

1073
00:52:41,120 --> 00:52:42,640
Speaker 5: where it's like they knew they were in a little

1074
00:52:42,640 --> 00:52:47,359
Speaker 5: bit of trouble and then you came. I came in

1075
00:52:47,600 --> 00:52:51,200
Speaker 5: and kind of steered at the ship, got us back

1076
00:52:51,239 --> 00:52:51,800
Speaker 5: on course.

1077
00:52:52,120 --> 00:52:52,680
Speaker 4: The fixer.

1078
00:52:52,840 --> 00:52:57,799
Speaker 1: Huh, yeah, I'll take I don't need on screen anything,

1079
00:52:59,160 --> 00:53:03,880
Speaker 1: don't need posts pre like whatever. I'll take the r

1080
00:53:04,080 --> 00:53:10,239
Speaker 1: L And that's a Hayesdavinport dot com is how you

1081
00:53:10,280 --> 00:53:13,560
Speaker 1: get to the show. That's that's honestly all I've got

1082
00:53:13,600 --> 00:53:15,799
Speaker 1: it my dad got it for me.

1083
00:53:16,239 --> 00:53:18,960
Speaker 9: Okay, are using us? Are you using it currently?

1084
00:53:20,920 --> 00:53:25,960
Speaker 1: I've pretty much sold all the like the my web

1085
00:53:26,000 --> 00:53:30,640
Speaker 1: store is like pretty much out of uh merch at

1086
00:53:30,640 --> 00:53:35,040
Speaker 1: this point. Ye, and so like I'm actually looking for

1087
00:53:35,080 --> 00:53:36,840
Speaker 1: a new use for it selling vitamins.

1088
00:53:36,960 --> 00:53:38,759
Speaker 9: So yeah, I mean listen, if you want to have

1089
00:53:38,800 --> 00:53:41,240
Speaker 9: any page on your website redirect to our YouTube channel,

1090
00:53:41,239 --> 00:53:42,920
Speaker 9: that's totally fine. If that's what you're saying.

1091
00:53:43,120 --> 00:53:45,560
Speaker 2: I'm saying the u r L for the channel.

1092
00:53:45,920 --> 00:53:48,560
Speaker 3: The only way to possibly find your show, yeah, to

1093
00:53:48,640 --> 00:53:50,800
Speaker 3: type in Haydavenport dot com.

1094
00:53:50,880 --> 00:53:53,520
Speaker 1: Yeah, and it's the host too. I'm sure we can

1095
00:53:53,719 --> 00:53:56,120
Speaker 1: like figure out a way. Like I don't want like

1096
00:53:56,200 --> 00:53:59,279
Speaker 1: YouTube and beds. I want when people try to link

1097
00:53:59,320 --> 00:54:01,480
Speaker 1: to it from others, they are not allowed to watch that,

1098
00:54:01,520 --> 00:54:03,720
Speaker 1: they have to go to Hayes Deven.

1099
00:54:03,760 --> 00:54:07,359
Speaker 3: It just only can live in that one location. Just

1100
00:54:07,400 --> 00:54:11,240
Speaker 3: makes it simpler, just centralizes it you don't and easier

1101
00:54:11,239 --> 00:54:13,600
Speaker 3: for you to track to who's hitting the page, like

1102
00:54:13,640 --> 00:54:16,440
Speaker 3: who's watching rather than right now, I feel like your dad.

1103
00:54:16,320 --> 00:54:19,120
Speaker 5: Is the analytics or just a nightmare.

1104
00:54:19,200 --> 00:54:22,359
Speaker 1: Yeah, and some of the vitamins obviously, there there will

1105
00:54:22,400 --> 00:54:24,920
Speaker 1: be some vitamins still on there, like I haven't sold

1106
00:54:24,920 --> 00:54:26,399
Speaker 1: like every single one yet, so.

1107
00:54:26,640 --> 00:54:28,799
Speaker 3: Yeah, you'd be taking the vitamins probably on the show.

1108
00:54:28,960 --> 00:54:31,879
Speaker 1: Like yeah, you would have to out buy and eat

1109
00:54:31,880 --> 00:54:33,000
Speaker 1: a lot of the vitamins.

1110
00:54:33,200 --> 00:54:35,160
Speaker 9: Okay, yeah, I mean I can't make this call.

1111
00:54:35,200 --> 00:54:35,560
Speaker 2: I have to.

1112
00:54:35,640 --> 00:54:39,400
Speaker 1: They're chewable gel. They are liquid gels, but they but

1113
00:54:39,400 --> 00:54:40,520
Speaker 1: but you chew them.

1114
00:54:40,440 --> 00:54:43,200
Speaker 3: You gotta chomp them and they stick to your like

1115
00:54:43,400 --> 00:54:44,120
Speaker 3: teeth and roof.

1116
00:54:43,960 --> 00:54:46,280
Speaker 4: Of your mouth pretty good, so it's like a gusher.

1117
00:54:46,440 --> 00:54:51,280
Speaker 3: You may also a hot beverage.

1118
00:54:49,680 --> 00:54:56,000
Speaker 1: Yea, yeah, and hotter. It's the liquid inside the gel

1119
00:54:56,080 --> 00:54:58,560
Speaker 1: is hot too. That's why really a hot beverage to

1120
00:54:58,719 --> 00:55:03,760
Speaker 1: kind of like yeah, just to feel yeah.

1121
00:55:03,320 --> 00:55:04,680
Speaker 9: I mean, Connor, are you fine with that?

1122
00:55:05,600 --> 00:55:08,120
Speaker 5: I mean the problem is it's a server issue.

1123
00:55:09,560 --> 00:55:12,080
Speaker 2: The Joe will get on the servers, yes.

1124
00:55:12,400 --> 00:55:16,640
Speaker 5: Yeah, yeah. But other than that, it sounds totally doable,

1125
00:55:16,800 --> 00:55:21,000
Speaker 5: Like I don't see like that. That feels like, uh,

1126
00:55:21,200 --> 00:55:23,120
Speaker 5: it's at this point. I think it's really just a

1127
00:55:23,160 --> 00:55:26,480
Speaker 5: matter of dotting the i's and crossing the t's more

1128
00:55:26,520 --> 00:55:27,280
Speaker 5: than anything else.

1129
00:55:28,520 --> 00:55:29,040
Speaker 2: M hmm.

1130
00:55:30,000 --> 00:55:30,279
Speaker 11: I think.

1131
00:55:32,239 --> 00:55:34,359
Speaker 1: And we're gonna need it because we're going to need

1132
00:55:34,480 --> 00:55:37,560
Speaker 1: both of those letters because of skelduc who has it,

1133
00:55:38,719 --> 00:55:42,280
Speaker 1: and so that like we're like, imagine how many times

1134
00:55:42,280 --> 00:55:47,359
Speaker 1: we're gonna need we only really need that, I t yeah,

1135
00:55:47,440 --> 00:55:49,200
Speaker 1: we only need those two letters.

1136
00:55:49,960 --> 00:55:53,200
Speaker 5: Yeah. Yeah, So I'm willing to make this a handshake

1137
00:55:53,280 --> 00:56:02,280
Speaker 5: deal if that's if that's fine with You're.

1138
00:55:58,840 --> 00:56:00,719
Speaker 2: Not really shaking right now?

1139
00:56:00,880 --> 00:56:05,920
Speaker 3: Yeah, yes, because of right, probably throw you a kiss

1140
00:56:05,960 --> 00:56:07,399
Speaker 3: on the zoom.

1141
00:56:07,520 --> 00:56:09,399
Speaker 5: Okay, kiss blow the deal, kiss blood deal.

1142
00:56:09,680 --> 00:56:12,560
Speaker 9: Yeah, kiss blow deal. It's the class of Hollywood. Kiss

1143
00:56:12,560 --> 00:56:12,960
Speaker 9: blow deal.

1144
00:56:13,239 --> 00:56:15,759
Speaker 1: Okay, but who goes for like I hate like so

1145
00:56:15,800 --> 00:56:18,920
Speaker 1: many deals now in Hollywood. But don't wait set and

1146
00:56:19,120 --> 00:56:24,000
Speaker 1: like this is many many times that was like we

1147
00:56:24,120 --> 00:56:27,520
Speaker 1: blow the kiss and then they pretended the zoom is

1148
00:56:27,560 --> 00:56:28,800
Speaker 1: broken or whatever.

1149
00:56:29,320 --> 00:56:30,439
Speaker 4: Oh you're freezing up.

1150
00:56:32,840 --> 00:56:35,719
Speaker 9: Connor did set this up earlier when his I was

1151
00:56:35,760 --> 00:56:39,960
Speaker 9: not working. We remember now, is this just a Connor

1152
00:56:40,000 --> 00:56:42,880
Speaker 9: and Hayes kiss? Is this a Connor Sean Hayes kisses?

1153
00:56:42,960 --> 00:56:46,000
Speaker 9: Is Patrick Sean Hayes Connor kiss? What's the deal?

1154
00:56:46,440 --> 00:56:50,279
Speaker 3: Very clear you wanted to be a Patrick thing. I

1155
00:56:50,280 --> 00:56:52,920
Speaker 3: think Patrick and Kevin probably makes the most sense just

1156
00:56:52,960 --> 00:56:54,880
Speaker 3: to p the talent.

1157
00:56:55,440 --> 00:57:00,600
Speaker 1: Yeah, we could said the most represent those are. Yeah,

1158
00:57:00,680 --> 00:57:05,160
Speaker 1: he's kissing, kissing the edge of his different of his

1159
00:57:05,200 --> 00:57:05,720
Speaker 1: own screen.

1160
00:57:05,760 --> 00:57:07,200
Speaker 5: You're just kissing the edge of your on screen.

1161
00:57:07,200 --> 00:57:09,200
Speaker 9: That's not in my position.

1162
00:57:09,320 --> 00:57:14,879
Speaker 1: I'm right next to Kevin, but yeah, yeah, in mine,

1163
00:57:14,920 --> 00:57:19,280
Speaker 1: he's straight above you, Kevin, and you got to blow

1164
00:57:19,640 --> 00:57:20,320
Speaker 1: you have to blow it.

1165
00:57:20,680 --> 00:57:23,680
Speaker 5: Blowho you.

1166
00:57:23,720 --> 00:57:27,320
Speaker 3: But then I'm legally binding myself. Yeah okay.

1167
00:57:30,280 --> 00:57:32,800
Speaker 8: And then the handshake from parent trap after.

1168
00:57:35,840 --> 00:57:37,200
Speaker 4: We got it.

1169
00:57:37,320 --> 00:57:41,160
Speaker 3: Okay, great sitting on that parent trap thing, right, all right?

1170
00:57:41,360 --> 00:57:43,880
Speaker 4: Uh well, this was so cool.

1171
00:57:45,280 --> 00:57:47,760
Speaker 3: Look forward to the Alan Gregory marathon of course.

1172
00:57:48,560 --> 00:57:48,680
Speaker 1: Uh.

1173
00:57:48,720 --> 00:57:50,320
Speaker 3: I can't wait to see my name on the next

1174
00:57:50,320 --> 00:57:54,240
Speaker 3: four episodes. And in the meantime, y'all do too much

1175
00:57:54,320 --> 00:57:57,920
Speaker 3: anything else? You want to send people to Dead Eyes podcast?

1176
00:57:58,120 --> 00:58:01,560
Speaker 3: Very good, everyone loves it.

1177
00:58:02,360 --> 00:58:04,160
Speaker 5: Oh, thank you for saying so.

1178
00:58:04,480 --> 00:58:04,880
Speaker 4: Patrick.

1179
00:58:04,920 --> 00:58:09,120
Speaker 3: Your memoir is being uh random house grab that.

1180
00:58:09,240 --> 00:58:11,200
Speaker 9: Yeah, it was a Penguin random house.

1181
00:58:11,440 --> 00:58:11,560
Speaker 11: Uh.

1182
00:58:11,680 --> 00:58:13,640
Speaker 9: But then it's also being released by Simon and Schuster.

1183
00:58:13,680 --> 00:58:15,080
Speaker 9: I don't know why they're doing it, but it's going

1184
00:58:15,120 --> 00:58:16,240
Speaker 9: out a couple different places.

1185
00:58:16,720 --> 00:58:16,840
Speaker 4: Uh.

1186
00:58:16,920 --> 00:58:19,080
Speaker 9: Yeah, get the memoir. I don't know. Follow me on

1187
00:58:19,160 --> 00:58:23,240
Speaker 9: Twitter at Patrick Cottner. I'm trying to get more followers

1188
00:58:23,320 --> 00:58:24,440
Speaker 9: than the kids at NBC.

1189
00:58:26,480 --> 00:58:30,000
Speaker 8: This week on the Patreon, Carl and Issan discussed making spaghetti,

1190
00:58:30,240 --> 00:58:33,520
Speaker 8: The Boys do a teaser freezer for Sonic the Hedgehog two,

1191
00:58:33,800 --> 00:58:37,360
Speaker 8: and The Flagrant Ones are mostly talking all things basketball.

1192
00:58:37,800 --> 00:58:41,160
Speaker 8: Check out these bonus podcasts and videos of the full episodes,

1193
00:58:41,320 --> 00:58:45,240
Speaker 8: including today's with Connor Griffin and Patrick at patreon dot

1194
00:58:45,240 --> 00:58:46,880
Speaker 8: com Slash The Flagrant Ones