1 00:00:02,320 --> 00:00:04,720 Speaker 1: I'm a homegrowl that knows a little bit about everything 2 00:00:04,800 --> 00:00:05,640 Speaker 1: and everybody. 3 00:00:05,640 --> 00:00:08,240 Speaker 2: You know, if you don't lie about that, right, Lauren 4 00:00:08,320 --> 00:00:08,640 Speaker 2: came in. 5 00:00:10,320 --> 00:00:12,840 Speaker 1: All right, Clap it up, clap it up, get the 6 00:00:12,960 --> 00:00:16,600 Speaker 1: energy going. By the time we do this, it's been 7 00:00:16,640 --> 00:00:19,040 Speaker 1: a full day. And whenever y'all see us in here, 8 00:00:19,120 --> 00:00:21,360 Speaker 1: that means we are still at the radio station. 9 00:00:22,600 --> 00:00:24,080 Speaker 3: We got branding with me today. 10 00:00:24,280 --> 00:00:26,400 Speaker 2: It's nice to be back. Thank you for inviting me back. 11 00:00:26,440 --> 00:00:28,480 Speaker 3: So I'm Laura the Rosa. This is the latest with 12 00:00:28,520 --> 00:00:29,200 Speaker 3: Laura the Rosea. 13 00:00:29,240 --> 00:00:31,760 Speaker 1: This is your daily dig on everything pop culture and 14 00:00:31,840 --> 00:00:34,199 Speaker 1: all of the conversations that shake the room. I'm a 15 00:00:34,200 --> 00:00:36,760 Speaker 1: homegrowl that knows a bit about everything and everybody. 16 00:00:37,280 --> 00:00:38,959 Speaker 3: All right, So y'all know we check in. 17 00:00:39,600 --> 00:00:42,360 Speaker 1: Before we get say anything, because when you grinding, somebody 18 00:00:42,400 --> 00:00:43,960 Speaker 1: gotta ask you, how are you feeling? 19 00:00:44,000 --> 00:00:46,839 Speaker 3: How you doing? But for real, so Brandon, how you feeling? 20 00:00:50,360 --> 00:00:53,440 Speaker 2: I'm feeling. I'm doing the best I can what I got. 21 00:00:54,000 --> 00:00:56,480 Speaker 2: But yeah, no, Well this weekend was amazing weekend. We 22 00:00:56,520 --> 00:00:59,760 Speaker 2: celebrate my boys' birthday in Houston. Of course, my flight 23 00:00:59,800 --> 00:01:01,120 Speaker 2: got late, like four. 24 00:01:00,880 --> 00:01:02,520 Speaker 3: Hours going there or coming back. 25 00:01:02,560 --> 00:01:04,440 Speaker 2: I'm back, sorry coming back, So I landed at like 26 00:01:04,440 --> 00:01:06,000 Speaker 2: two am. I had to wake up, of course at 27 00:01:06,000 --> 00:01:09,040 Speaker 2: four am for work to get here at five. It 28 00:01:09,040 --> 00:01:11,440 Speaker 2: was hotest on that plane. I was on the plane 29 00:01:11,440 --> 00:01:13,280 Speaker 2: film like you've been on a plane and you felt 30 00:01:13,319 --> 00:01:16,959 Speaker 2: like they was driving to I feel like he was 31 00:01:17,000 --> 00:01:18,080 Speaker 2: hitting curves and shick. 32 00:01:18,200 --> 00:01:21,800 Speaker 1: I was like, airline, you died it, okay, okay. 33 00:01:21,959 --> 00:01:24,480 Speaker 2: I was like, yo, please slow down. I'm fan. 34 00:01:25,120 --> 00:01:26,320 Speaker 3: And it was no air conditioning. 35 00:01:26,920 --> 00:01:30,000 Speaker 2: Uh no, it was hot. My chest was sweat. 36 00:01:30,040 --> 00:01:32,360 Speaker 1: That sounded like a tariff ticket to me. Something something 37 00:01:32,560 --> 00:01:36,920 Speaker 1: right some day. Right, Well, we're glad you're back from Houston. 38 00:01:37,959 --> 00:01:40,560 Speaker 1: I'm also I feel like I'm feeling better from the 39 00:01:40,760 --> 00:01:44,360 Speaker 1: coming back Monday from the podcast festival, but I still 40 00:01:44,400 --> 00:01:47,200 Speaker 1: feel like I need a little bit more sleep. Like Wednesday, 41 00:01:47,200 --> 00:01:49,120 Speaker 1: I'm gonna be fully out of the Oh my god, 42 00:01:49,240 --> 00:01:51,160 Speaker 1: this was a long weekend. So it's probably gonna take 43 00:01:51,160 --> 00:01:53,520 Speaker 1: you into like Thursday. Did you get back outside Friday? 44 00:01:53,600 --> 00:01:55,920 Speaker 2: Yeah, I was. I was my best self out there, 45 00:01:56,000 --> 00:01:58,840 Speaker 2: you know, your best self. Yeah, but I'll leave it there, 46 00:01:58,880 --> 00:02:00,840 Speaker 2: but best sEH. Yes. 47 00:02:00,880 --> 00:02:03,320 Speaker 1: I love Houston, all right, y'all, So let's get to 48 00:02:03,520 --> 00:02:06,520 Speaker 1: the latest, because y'all know I love to take y'aull 49 00:02:06,520 --> 00:02:06,880 Speaker 1: of court. 50 00:02:07,040 --> 00:02:09,040 Speaker 3: Let it take y'all a court. 51 00:02:09,639 --> 00:02:13,880 Speaker 1: But today in an exclusive interview, this literally just happened 52 00:02:13,919 --> 00:02:17,520 Speaker 1: moments before night, before we were recording. It happened the 53 00:02:17,600 --> 00:02:21,240 Speaker 1: moment that we pressed record to start the podcast. I 54 00:02:21,280 --> 00:02:23,880 Speaker 1: had reached out and if you guys watched Breakfast Club, 55 00:02:23,919 --> 00:02:27,360 Speaker 1: I told you on yesterday's episode of The Breakfast Club 56 00:02:27,360 --> 00:02:30,840 Speaker 1: about a lawsuit. Mesa Hilton, who is the mother of 57 00:02:31,480 --> 00:02:36,320 Speaker 1: Diddy Sean Combs's son Christian Combs, is suing her. 58 00:02:36,560 --> 00:02:40,360 Speaker 3: Long long, long, long, long, long long time by best 59 00:02:40,400 --> 00:02:43,880 Speaker 3: friend Mary J. Blige. Y'all know Mary J. Blige, y'all know. 60 00:02:44,320 --> 00:02:46,680 Speaker 3: On top of being like you know, R and B singer, 61 00:02:47,240 --> 00:02:50,119 Speaker 3: Mary Go, Mary Go Mary. 62 00:02:49,960 --> 00:02:53,680 Speaker 1: She's also super super close with Puff. They all came 63 00:02:53,800 --> 00:02:57,320 Speaker 1: up together, Mesa. You know, it's respect the architect. Misa 64 00:02:57,360 --> 00:03:01,440 Speaker 1: was stylist. She was putting the looks together for Mary Kim, 65 00:03:01,639 --> 00:03:04,359 Speaker 1: all the girls you know in that orbit, Mary J. Blise, 66 00:03:04,440 --> 00:03:07,040 Speaker 1: the artist under Puff. It was like the dream team. 67 00:03:07,560 --> 00:03:10,800 Speaker 1: Their relationship began in the early night. She begins styling 68 00:03:10,840 --> 00:03:12,640 Speaker 1: her in the early nineties and it's been you know, 69 00:03:13,200 --> 00:03:14,440 Speaker 1: freaking frack every since. 70 00:03:14,720 --> 00:03:16,320 Speaker 3: So when this lawsuit dropped today. 71 00:03:16,760 --> 00:03:19,720 Speaker 1: I'm not gonna hold you shout out to a grouchy 72 00:03:19,760 --> 00:03:22,600 Speaker 1: greg at all hip hop, but I thought, I'm like, yo, 73 00:03:22,639 --> 00:03:24,640 Speaker 1: it's no way they have to have this story wrong, 74 00:03:24,720 --> 00:03:27,880 Speaker 1: Like there is no way that Mesa Hilton is suing 75 00:03:27,960 --> 00:03:31,000 Speaker 1: Mary J. Blige like at all. But they had it right. 76 00:03:31,680 --> 00:03:34,200 Speaker 1: And you know, I did talk to them as well 77 00:03:34,240 --> 00:03:35,520 Speaker 1: on some of the covers they did, and we talked 78 00:03:35,560 --> 00:03:38,520 Speaker 1: about that on the Breakfast Club before background really quickly 79 00:03:38,560 --> 00:03:41,680 Speaker 1: because we were able to talk to the attorney for 80 00:03:41,880 --> 00:03:45,760 Speaker 1: Mesa Hilton. His name is Nicholas trim Sharitar and he 81 00:03:47,200 --> 00:03:50,800 Speaker 1: is representing Misa Hilton in this lawsuit. So he gave us, 82 00:03:51,040 --> 00:03:54,440 Speaker 1: you know, some some exclusive details on like when the 83 00:03:55,040 --> 00:03:57,640 Speaker 1: friendship and when things fell apart. We're gonna get to that, 84 00:03:57,720 --> 00:04:00,480 Speaker 1: but I once you got to understand what's happening. So 85 00:04:01,160 --> 00:04:05,160 Speaker 1: in this lawsuit, Mesa Hilton and her company are alleging 86 00:04:05,160 --> 00:04:05,680 Speaker 1: that Mary J. 87 00:04:05,840 --> 00:04:07,040 Speaker 3: Blige and Mary J. 88 00:04:07,120 --> 00:04:10,280 Speaker 1: Blige's company tried to block Mesa out of an artist 89 00:04:10,320 --> 00:04:11,240 Speaker 1: deal that they had together. 90 00:04:11,600 --> 00:04:15,560 Speaker 3: New York rapper Vodo speaking in tongues, he's in the 91 00:04:15,560 --> 00:04:15,960 Speaker 3: middle of this. 92 00:04:16,080 --> 00:04:19,600 Speaker 1: So basically, Mesa Hilton in these documents, is alleging that 93 00:04:19,720 --> 00:04:22,839 Speaker 1: she was said manager for Vodo. She was receiving twenty 94 00:04:22,880 --> 00:04:25,920 Speaker 1: percent off of his bookings and things like that. Mary 95 00:04:26,000 --> 00:04:29,320 Speaker 1: J Blige and her company allegedly were the label and 96 00:04:29,360 --> 00:04:31,080 Speaker 1: they were the way that his music was getting out, 97 00:04:31,279 --> 00:04:34,120 Speaker 1: and they were platforming him because she is Mary J. Blige, 98 00:04:34,120 --> 00:04:36,760 Speaker 1: So he's, you know, according to these docs, you know, 99 00:04:36,839 --> 00:04:40,440 Speaker 1: doing bookings through via, you know, being around Mary on 100 00:04:40,520 --> 00:04:42,280 Speaker 1: tour with Mary, things of that nature. I know that 101 00:04:42,520 --> 00:04:44,560 Speaker 1: I saw a song they did together sometime back. That's 102 00:04:44,560 --> 00:04:48,080 Speaker 1: how I even knew that he was signed to her. Basically, 103 00:04:48,120 --> 00:04:50,880 Speaker 1: mesas like, look, when that whole business thing was going down, allegedly, 104 00:04:50,880 --> 00:04:53,240 Speaker 1: Mary J Blige tried to block me so out. It 105 00:04:53,279 --> 00:04:56,839 Speaker 1: got to the point where Mary J Blige allegedly in 106 00:04:56,960 --> 00:04:59,640 Speaker 1: her boyfriend, who was also the head of her security, 107 00:05:00,200 --> 00:05:04,000 Speaker 1: coming to Vado behind Missa's back, according to Mesa these 108 00:05:04,040 --> 00:05:07,240 Speaker 1: docs and basically telling Vodo, yo, if you come over 109 00:05:07,240 --> 00:05:09,839 Speaker 1: here with just us and leave her as management, we 110 00:05:09,880 --> 00:05:12,040 Speaker 1: can get you more money. But on top of that, 111 00:05:12,279 --> 00:05:17,440 Speaker 1: Messa Hillon also alleges that Mary J Blige shelved Vado's music, 112 00:05:17,680 --> 00:05:19,520 Speaker 1: so he has the current project and some songs that 113 00:05:19,520 --> 00:05:22,119 Speaker 1: he's been wanting to put out. And according to Missa 114 00:05:22,200 --> 00:05:25,240 Speaker 1: Hillon and some of the conversations that they put in 115 00:05:25,279 --> 00:05:27,480 Speaker 1: these documents, it's alleged that Mary J. 116 00:05:27,640 --> 00:05:29,479 Speaker 3: Blige is like, I'm not releasing no music. 117 00:05:29,800 --> 00:05:31,560 Speaker 1: Not only is she not releasing music, not only is 118 00:05:31,600 --> 00:05:34,440 Speaker 1: she no longer platforming him, and you know, not allowing 119 00:05:34,440 --> 00:05:36,560 Speaker 1: any bookings that would have come through her to happen. 120 00:05:36,880 --> 00:05:39,359 Speaker 1: But Missa Hillon is also alleging that there would be 121 00:05:39,400 --> 00:05:41,719 Speaker 1: things like they would do like yacht parties and just 122 00:05:41,760 --> 00:05:45,320 Speaker 1: different gatherings where it would be very intimate and conversations 123 00:05:45,320 --> 00:05:48,680 Speaker 1: would be flowing about Vado having to leave Mesa in 124 00:05:48,800 --> 00:05:51,960 Speaker 1: order to move forward in a strong way with Mary J. 125 00:05:51,960 --> 00:05:54,280 Speaker 1: E Oblige and her boyfriend, and Mesa wouldn't even be 126 00:05:54,279 --> 00:05:56,440 Speaker 1: invited to these things, right, And this is her friend, 127 00:05:56,440 --> 00:05:58,880 Speaker 1: this is her front friend, it's her sister. More So, 128 00:05:58,960 --> 00:06:00,560 Speaker 1: I was kind of feeling like, Yo, this must be 129 00:06:00,880 --> 00:06:04,599 Speaker 1: like a fake AI situation, because I don't know what 130 00:06:04,640 --> 00:06:07,719 Speaker 1: the play is because Vado no shade to Vado, but 131 00:06:07,920 --> 00:06:13,000 Speaker 1: Vado in his career, in the conversation about what's happening 132 00:06:13,080 --> 00:06:15,320 Speaker 1: versus what's not happening for either ladies in this situation. 133 00:06:15,360 --> 00:06:17,640 Speaker 1: When it comes to his career, it's no way near 134 00:06:17,680 --> 00:06:19,239 Speaker 1: bigger than the history that they've done together. 135 00:06:19,360 --> 00:06:22,279 Speaker 2: Yeah, and it's just not like the most active, you 136 00:06:22,279 --> 00:06:24,680 Speaker 2: know rapper right now. So it's interesting that like to 137 00:06:24,720 --> 00:06:27,320 Speaker 2: take this this route with the relationship. 138 00:06:27,400 --> 00:06:32,480 Speaker 1: We're going to find out because we spoke to Nicktar. Okay, listen, 139 00:06:32,560 --> 00:06:35,120 Speaker 1: we spoke to Nick who is Missa Hillton's attorney, and 140 00:06:35,160 --> 00:06:37,479 Speaker 1: we asked us questions. He gave us the rundown, So 141 00:06:37,800 --> 00:06:39,640 Speaker 1: take a listen to this, Okay. So we were on 142 00:06:39,680 --> 00:06:42,839 Speaker 1: the line with Nicholas ram Charatar, who is the attorney 143 00:06:42,839 --> 00:06:46,600 Speaker 1: for Mesa Hillton. In the filing that dropped today. Mesa 144 00:06:46,680 --> 00:06:50,200 Speaker 1: Hillon is currently suing Mary J. Blige for five million 145 00:06:50,279 --> 00:06:53,279 Speaker 1: dollars for a breach of contract when it comes to 146 00:06:53,440 --> 00:06:56,440 Speaker 1: music artist Vado, who both at the time I were 147 00:06:56,480 --> 00:06:59,359 Speaker 1: working with Vado, Misa was on the management side and 148 00:06:59,400 --> 00:07:02,359 Speaker 1: in marriage and her company came in on the record 149 00:07:02,400 --> 00:07:04,120 Speaker 1: label side and distribution of music side. 150 00:07:04,120 --> 00:07:06,080 Speaker 3: Correct, Absolutely, that's correct. 151 00:07:06,200 --> 00:07:08,560 Speaker 1: So when I got the filing, first of all, before 152 00:07:08,560 --> 00:07:11,440 Speaker 1: we even get into what is being alleged, when I 153 00:07:11,440 --> 00:07:14,000 Speaker 1: got the filing and saw the headline, my first thought was, 154 00:07:14,760 --> 00:07:17,120 Speaker 1: there is no way Mysa Hillton. 155 00:07:16,960 --> 00:07:18,520 Speaker 3: And Mary J. Blige are like family. 156 00:07:18,840 --> 00:07:21,680 Speaker 1: They have been that way for decades now, like since 157 00:07:21,720 --> 00:07:24,160 Speaker 1: before I was even born, and I'm thirty three years old. 158 00:07:24,680 --> 00:07:26,560 Speaker 3: What happened? When did the friendship die out? 159 00:07:26,840 --> 00:07:28,840 Speaker 4: I mean, that's that's that's a fact. I mean, that's 160 00:07:28,840 --> 00:07:30,280 Speaker 4: a fact that the world knows. And it was a 161 00:07:30,280 --> 00:07:33,840 Speaker 4: fact that I knew before this came across our table. Unfortunately, 162 00:07:33,880 --> 00:07:37,480 Speaker 4: and you're right, Misa Hilton and Mary J. Blige, they're 163 00:07:37,480 --> 00:07:41,400 Speaker 4: not just friends. Their non biological family probably closer than 164 00:07:41,440 --> 00:07:44,960 Speaker 4: blood family. And it's very unfortunate that this had to 165 00:07:45,000 --> 00:07:48,920 Speaker 4: go down like this because Misa tried every possible revenue 166 00:07:49,520 --> 00:07:53,240 Speaker 4: in terms of trying to amicably resolve this with Mary 167 00:07:53,360 --> 00:07:57,080 Speaker 4: directly with Mary's camp. But unfortunately, and it's unbeknownst to 168 00:07:57,200 --> 00:08:01,400 Speaker 4: us why Mary J. Blige and why came completely cut off. 169 00:08:01,800 --> 00:08:03,880 Speaker 4: You know, Miss Hilton, and I can tell you that 170 00:08:04,520 --> 00:08:08,440 Speaker 4: this vital lawsuit isn't why their friendship died, and I'm 171 00:08:08,480 --> 00:08:12,480 Speaker 4: sure you know that, but more importantly, it's it's the reason, 172 00:08:12,640 --> 00:08:15,080 Speaker 4: or really the cherry on top of this whole thing. Missus, 173 00:08:15,520 --> 00:08:19,440 Speaker 4: missus confused, and we've tried, niece's tried to reach out 174 00:08:19,480 --> 00:08:22,080 Speaker 4: to Mary. We did not want this in the media. 175 00:08:22,200 --> 00:08:24,400 Speaker 4: We wanted to We wanted to do what families do. 176 00:08:24,640 --> 00:08:26,360 Speaker 4: We wanted to sit at the dinner table. We wanted 177 00:08:26,400 --> 00:08:29,000 Speaker 4: to talk this out, ash this out, screaming, yell if 178 00:08:29,040 --> 00:08:31,720 Speaker 4: you have to, but keep this private. That's what family does. 179 00:08:31,800 --> 00:08:34,319 Speaker 4: But unfortunately Lisa was backed into the corner and had 180 00:08:34,320 --> 00:08:35,199 Speaker 4: no other choice. 181 00:08:35,600 --> 00:08:38,760 Speaker 1: Well, you say that the cutoff happened, and Mesa's confused 182 00:08:38,760 --> 00:08:40,480 Speaker 1: about it because she doesn't know why. She just started 183 00:08:40,480 --> 00:08:43,959 Speaker 1: receiving phone calls and texts. So when did that allegedly happen. 184 00:08:44,120 --> 00:08:45,920 Speaker 4: It's a good question. I mean, it's hard to really 185 00:08:45,960 --> 00:08:48,800 Speaker 4: pinpoint a time frame. I would I would probably point 186 00:08:48,840 --> 00:08:51,720 Speaker 4: to maybe you're on the Super Bowl of when this 187 00:08:51,840 --> 00:08:55,720 Speaker 4: all started, probably roughly around around I would say, maybe 188 00:08:56,000 --> 00:08:59,400 Speaker 4: late August of probably last year, when all of this 189 00:09:00,160 --> 00:09:03,360 Speaker 4: kind of started to pop off. Mary was was with 190 00:09:03,480 --> 00:09:07,480 Speaker 4: Mesa in the Amalfi Coast for an extended period of time. 191 00:09:07,520 --> 00:09:09,400 Speaker 4: They were together, they would have a great time and 192 00:09:09,640 --> 00:09:13,120 Speaker 4: their friendship was the same as as it always was. Fortunately, 193 00:09:13,160 --> 00:09:16,640 Speaker 4: at that point moving forward, things started to take a 194 00:09:16,679 --> 00:09:19,000 Speaker 4: turn for the worst, and again it was a little 195 00:09:19,200 --> 00:09:22,720 Speaker 4: ambiguous as to why. So Mary just thought, excuse me, 196 00:09:22,760 --> 00:09:24,840 Speaker 4: Mesa just thought that Mary may have been busy or 197 00:09:25,080 --> 00:09:27,160 Speaker 4: you know, there were other things going on and that's 198 00:09:27,200 --> 00:09:29,000 Speaker 4: why maybe she couldn't reach out to me. Mary is 199 00:09:29,040 --> 00:09:31,679 Speaker 4: a wonderful person and a very busy a very busy artist, 200 00:09:31,679 --> 00:09:34,280 Speaker 4: so it made sense. But when Nessa stopped getting phone 201 00:09:34,320 --> 00:09:37,240 Speaker 4: calls and text messages and not being included on the 202 00:09:37,240 --> 00:09:39,360 Speaker 4: normal things that they do in the daily, weekly, monthly 203 00:09:39,400 --> 00:09:41,959 Speaker 4: beats is you know, her antennas went up and we 204 00:09:42,040 --> 00:09:44,880 Speaker 4: tried to figure out, well, what's going on here, and 205 00:09:44,880 --> 00:09:47,120 Speaker 4: that's really when we started to figure out that the 206 00:09:47,160 --> 00:09:48,560 Speaker 4: relationship wasn't the same. 207 00:09:49,720 --> 00:09:52,719 Speaker 1: And you mentioned that there was a correspondence before this 208 00:09:52,880 --> 00:09:55,120 Speaker 1: lawsuit was filed. So you guys tried to go to 209 00:09:55,200 --> 00:09:58,160 Speaker 1: Mary Jay and what Margie oblige you do? What settle 210 00:09:58,400 --> 00:10:00,679 Speaker 1: or just tell her a united mean like the things 211 00:10:00,679 --> 00:10:02,800 Speaker 1: you're legend of lawsuit is that Mary J. Blige and 212 00:10:02,920 --> 00:10:08,040 Speaker 1: her company allegedly, uh they're blocking Bito from money in 213 00:10:08,160 --> 00:10:11,160 Speaker 1: advancement in his career, so they're not providing him with 214 00:10:11,240 --> 00:10:12,719 Speaker 1: bookings and allowing him to. 215 00:10:12,679 --> 00:10:14,080 Speaker 3: Release certain music. 216 00:10:14,559 --> 00:10:17,120 Speaker 1: They're misrepresenting him allegedly by you know, showing up to 217 00:10:17,160 --> 00:10:19,400 Speaker 1: places and saying they're their manager and not including me 218 00:10:19,720 --> 00:10:23,679 Speaker 1: on any of this based on your documents. Right, So, 219 00:10:24,600 --> 00:10:26,520 Speaker 1: before it got to this point where you're saying that 220 00:10:26,559 --> 00:10:29,280 Speaker 1: this is happening, how much correspondence and what did you 221 00:10:29,280 --> 00:10:31,880 Speaker 1: guys want out of that correspondence. That's a good question. 222 00:10:32,040 --> 00:10:34,800 Speaker 4: So the first thing that we always do in situations 223 00:10:34,800 --> 00:10:37,560 Speaker 4: like this is we'll send over a letter what we 224 00:10:37,640 --> 00:10:40,920 Speaker 4: call an l I a letter of incent Before we 225 00:10:41,000 --> 00:10:43,640 Speaker 4: did that, though, what we did was we reached out personally. 226 00:10:43,720 --> 00:10:46,160 Speaker 4: I reached out to her legal team, we know who 227 00:10:46,160 --> 00:10:50,640 Speaker 4: they are, and we tried via email, the incis message, 228 00:10:50,679 --> 00:10:53,080 Speaker 4: whatever phone numbers we can get from other people in 229 00:10:53,080 --> 00:10:57,720 Speaker 4: our orbit in the industry, and we got absolutely zero response. 230 00:10:58,679 --> 00:11:01,000 Speaker 4: Nissa tried to reach out for personally to marry a 231 00:11:01,000 --> 00:11:05,520 Speaker 4: few times, and unfortunately she got zero response. And the 232 00:11:05,559 --> 00:11:08,000 Speaker 4: way that we wanted to do this was yes, in 233 00:11:08,080 --> 00:11:10,760 Speaker 4: terms of a settlement. I mean, let's be honest here, Vado. 234 00:11:10,920 --> 00:11:15,040 Speaker 4: I understand that maybe in twenty twenty five, on whatever 235 00:11:15,120 --> 00:11:18,000 Speaker 4: day today is, April twenty nine, twenty twenty five, that 236 00:11:18,080 --> 00:11:20,760 Speaker 4: maybe he's not as relevant as he was prior. But 237 00:11:21,160 --> 00:11:24,319 Speaker 4: let's be honest. He's not signed to independent label. He 238 00:11:24,440 --> 00:11:27,920 Speaker 4: signed to Mary J. Blige. Being on tour with Mary, 239 00:11:28,280 --> 00:11:33,000 Speaker 4: for any artist is not just epic, but huge boost. 240 00:11:32,720 --> 00:11:33,440 Speaker 2: For their career. 241 00:11:34,000 --> 00:11:36,640 Speaker 4: And that's one of the main parts of this lawsuit, 242 00:11:36,679 --> 00:11:38,400 Speaker 4: not the whole thing, but the main part is that 243 00:11:38,880 --> 00:11:43,559 Speaker 4: why would she stifle her own artist. And in fact, 244 00:11:43,640 --> 00:11:47,280 Speaker 4: from what I understand, the allegations go as far as 245 00:11:47,400 --> 00:11:52,200 Speaker 4: that they told allegedly Misa, well, if you stop managing him, 246 00:11:52,520 --> 00:11:55,320 Speaker 4: then we'll put him back on, which is a complete 247 00:11:55,320 --> 00:11:58,520 Speaker 4: material breach of the contract. And again we found that 248 00:11:58,640 --> 00:12:03,360 Speaker 4: very strange of their long standing family relationship. So we 249 00:12:03,360 --> 00:12:06,320 Speaker 4: were reaching out with the hope said hey, listen, let's 250 00:12:06,360 --> 00:12:09,800 Speaker 4: just settle this, let's just figure this out. More importantly, 251 00:12:09,840 --> 00:12:12,720 Speaker 4: the one who's suffering here, besides Mesa's relationship with her 252 00:12:12,800 --> 00:12:16,800 Speaker 4: sister is Vodal. Unfortunately, what is he doing is the 253 00:12:16,920 --> 00:12:19,920 Speaker 4: entire career has now been stifled. He has no exposure, 254 00:12:19,960 --> 00:12:22,400 Speaker 4: he's not on tour with Mary, he's not getting paid 255 00:12:22,440 --> 00:12:25,400 Speaker 4: by Mary, he's not recording anything that was he was 256 00:12:25,400 --> 00:12:29,559 Speaker 4: contractedly obligated to record, and so it's it's terrible for 257 00:12:29,640 --> 00:12:30,679 Speaker 4: him in his career. 258 00:12:32,040 --> 00:12:35,000 Speaker 1: And what about today's twenty ninth. It's one twenty pm, 259 00:12:35,000 --> 00:12:37,160 Speaker 1: so it's in the process of happening. But she's aware 260 00:12:37,200 --> 00:12:40,120 Speaker 1: that the lawsuits filed, I mean even before the headlines 261 00:12:40,600 --> 00:12:42,680 Speaker 1: right or wrong one hundred percent. 262 00:12:42,760 --> 00:12:45,000 Speaker 4: I mean her I believe that her camp and her 263 00:12:45,080 --> 00:12:48,280 Speaker 4: team were aware for this for months, and they had 264 00:12:48,320 --> 00:12:50,960 Speaker 4: our letter of intent and no one bothered to reach out. 265 00:12:51,679 --> 00:12:54,480 Speaker 3: Got you okay, an't got any questions? 266 00:12:54,920 --> 00:12:57,400 Speaker 2: Yeah, So from my understanding, she was pretty much trying 267 00:12:57,400 --> 00:13:02,079 Speaker 2: to box means out and so she can manage a 268 00:13:02,120 --> 00:13:04,520 Speaker 2: bottle herself, correct and take a bigger portion of the 269 00:13:04,720 --> 00:13:15,920 Speaker 2: profits allegedly, allegedly. 270 00:13:11,800 --> 00:13:15,160 Speaker 4: Allegedly that that is what we're Those are the allegations 271 00:13:15,200 --> 00:13:15,559 Speaker 4: that that. 272 00:13:15,480 --> 00:13:16,160 Speaker 1: We're putting forth. 273 00:13:16,240 --> 00:13:19,000 Speaker 4: Now listen again, guys, this is Marry J. Blige. Do 274 00:13:19,080 --> 00:13:20,719 Speaker 4: I think that this contract with Voto is going to 275 00:13:20,760 --> 00:13:23,720 Speaker 4: make a Rachel Maker poor? No? And that was really 276 00:13:24,400 --> 00:13:27,320 Speaker 4: what kind of perked up everybody's ears on Lisa's camp 277 00:13:27,880 --> 00:13:30,959 Speaker 4: was that we know this isn't about Faddo, even though 278 00:13:31,000 --> 00:13:33,960 Speaker 4: it is directly about Fado. This is more to do 279 00:13:34,120 --> 00:13:37,959 Speaker 4: with Lisa Hilton and whatever reasons, the deterioration of the 280 00:13:38,040 --> 00:13:42,440 Speaker 4: relationship happened and the reasons as for why. But yes, 281 00:13:42,640 --> 00:13:45,320 Speaker 4: Vato is obviously directly in the middle of this. But again, 282 00:13:45,440 --> 00:13:47,840 Speaker 4: I wouldn't say that Mary did this for monetary purposes. 283 00:13:48,160 --> 00:13:51,200 Speaker 4: I believe there are other issues again that are either 284 00:13:51,280 --> 00:13:54,040 Speaker 4: unresolved or unknown to us as to why she put 285 00:13:54,080 --> 00:13:55,480 Speaker 4: the pressure on Lisa the boxer out. 286 00:13:56,000 --> 00:13:57,800 Speaker 3: Yeah, like what happened that you said they were wear 287 00:13:57,840 --> 00:14:04,800 Speaker 3: it on the a Mafi Coast there Coles getting money? 288 00:14:05,600 --> 00:14:07,440 Speaker 3: What the hell the coast do to the friend group? 289 00:14:08,160 --> 00:14:09,079 Speaker 3: I heard her girls not. 290 00:14:09,040 --> 00:14:11,480 Speaker 1: Making it back from Miami as friends. But Mafi Coast 291 00:14:11,480 --> 00:14:12,319 Speaker 1: is a little crazy. 292 00:14:12,360 --> 00:14:15,600 Speaker 2: Now, it's a little crazy, a little crazy. 293 00:14:15,640 --> 00:14:17,720 Speaker 4: But no, I know they had a wonderful time together. 294 00:14:17,800 --> 00:14:20,000 Speaker 4: I mean, there was no way issues. Dang I was speaking, 295 00:14:20,080 --> 00:14:21,960 Speaker 4: I was speaking with me, so while she was with Mary, 296 00:14:21,960 --> 00:14:24,360 Speaker 4: and you know, they just had the wonderful relationship that 297 00:14:24,360 --> 00:14:26,560 Speaker 4: they always had and it really was a beautiful thing. 298 00:14:26,600 --> 00:14:28,920 Speaker 4: And it's really it's really more sad for me, said 299 00:14:28,960 --> 00:14:30,520 Speaker 4: that she had to go down this road, but more 300 00:14:30,560 --> 00:14:32,280 Speaker 4: sad that she lost her sister. 301 00:14:32,720 --> 00:14:35,280 Speaker 1: How's Misa feeling today with the lawsuit, you know, being 302 00:14:35,280 --> 00:14:37,600 Speaker 1: picked up in headlines and you said she's been going 303 00:14:37,640 --> 00:14:39,400 Speaker 1: through this for some months. She also has a lot 304 00:14:39,440 --> 00:14:41,520 Speaker 1: of other things going on, you know, puff her child's 305 00:14:41,520 --> 00:14:44,120 Speaker 1: father is currently locked up. She's watching her kids go 306 00:14:44,200 --> 00:14:45,960 Speaker 1: back and forth to try and you know, fight for 307 00:14:46,000 --> 00:14:47,840 Speaker 1: their dad. How's she feeling right now? 308 00:14:47,840 --> 00:14:52,560 Speaker 4: Absolutely, I mean she's upset. There's a lot going on. 309 00:14:52,760 --> 00:14:54,640 Speaker 4: I mean, listen at the end of the day. You 310 00:14:54,640 --> 00:14:58,080 Speaker 4: know Sean Combs and what's going on with him. It's unfortunate, 311 00:14:58,080 --> 00:15:00,360 Speaker 4: but it affects everybody. You know, me, this is a 312 00:15:00,400 --> 00:15:04,680 Speaker 4: wonderful woman. You know, Sean's kids are wonderful, wonderful kids. 313 00:15:04,840 --> 00:15:08,040 Speaker 4: I can't say more about them. They really were raised 314 00:15:08,080 --> 00:15:12,000 Speaker 4: as gentlemen and I deal with them on a consistent basis. 315 00:15:12,080 --> 00:15:15,160 Speaker 4: But she's upset, and again, she's more upset of the relationship. 316 00:15:15,200 --> 00:15:16,960 Speaker 4: It's like it's like all of a sudden, you have 317 00:15:17,000 --> 00:15:20,440 Speaker 4: a sister that you've been with forever, and forty years later, 318 00:15:20,560 --> 00:15:22,200 Speaker 4: all of a sudden and your sister stops talking to you, 319 00:15:22,240 --> 00:15:24,800 Speaker 4: and you have no reason why. It's gonna be upsetting 320 00:15:24,880 --> 00:15:26,800 Speaker 4: on all sorts of different levels. 321 00:15:27,040 --> 00:15:29,040 Speaker 2: Yeah, we've been talking about the relationship. So is their 322 00:15:29,080 --> 00:15:32,280 Speaker 2: business with Bato the only business ties they have together 323 00:15:32,320 --> 00:15:33,119 Speaker 2: at the moment. 324 00:15:33,280 --> 00:15:35,080 Speaker 4: That's a good question. To the best of my knowledge, 325 00:15:35,120 --> 00:15:39,360 Speaker 4: I'm not involved with any other business transactions between Missa 326 00:15:39,400 --> 00:15:41,600 Speaker 4: Hilton and miss Mary J. Blige at this time, so 327 00:15:41,920 --> 00:15:42,360 Speaker 4: I can. 328 00:15:42,200 --> 00:15:43,920 Speaker 2: Only comment on this, okay. 329 00:15:44,000 --> 00:15:46,040 Speaker 1: And then how did Misa find out about all the 330 00:15:46,080 --> 00:15:48,760 Speaker 1: like the alleged back dooring that was that you guys 331 00:15:48,800 --> 00:15:51,360 Speaker 1: are a legend was happening from marriage Bige's And did 332 00:15:51,400 --> 00:15:52,720 Speaker 1: battle come to her or. 333 00:15:54,120 --> 00:15:56,400 Speaker 4: I believe it was more of a collective conversation and 334 00:15:56,400 --> 00:15:58,920 Speaker 4: a collective effort that kind of was just a bunch 335 00:15:58,960 --> 00:16:01,200 Speaker 4: of random puzzle pieces there and we're trying to put 336 00:16:01,240 --> 00:16:03,000 Speaker 4: them all together and figure out, Wait a minute, why 337 00:16:03,040 --> 00:16:07,480 Speaker 4: is this happening? Is Mary just busy? Is are they 338 00:16:07,600 --> 00:16:10,920 Speaker 4: just not pursuing the Bottle contract anymore? But it came 339 00:16:11,080 --> 00:16:14,840 Speaker 4: readily apparent as time went on that Misa was purposely 340 00:16:14,880 --> 00:16:18,320 Speaker 4: getting boxed out and unfortunately that was directly affecting Bottle 341 00:16:18,360 --> 00:16:20,560 Speaker 4: and this contractual relationship with Mary J. 342 00:16:20,640 --> 00:16:21,400 Speaker 3: Blood got you. 343 00:16:22,040 --> 00:16:23,720 Speaker 1: Well, I don't know if there's anything that we have 344 00:16:23,880 --> 00:16:26,080 Speaker 1: not asked you that you know you want to get 345 00:16:26,080 --> 00:16:29,920 Speaker 1: out or Lisa wants out now. But if so, now's 346 00:16:29,960 --> 00:16:32,040 Speaker 1: the time let me know, because I'm a lot of questions. 347 00:16:32,080 --> 00:16:34,360 Speaker 1: I think you've provided a lot of contexts. I appreciate that. 348 00:16:36,360 --> 00:16:37,920 Speaker 4: It's my pleasure. The one thing that we want to 349 00:16:37,920 --> 00:16:40,240 Speaker 4: put out there is that this is not something that 350 00:16:40,280 --> 00:16:43,760 Speaker 4: we wanted to happen. This is a relationship that was 351 00:16:43,880 --> 00:16:48,200 Speaker 4: a beautiful relationship between miss Hillton and miss Mary J. Blige, 352 00:16:48,240 --> 00:16:51,040 Speaker 4: and unfortunately it's come to this point. I mean, we 353 00:16:51,200 --> 00:16:54,120 Speaker 4: hope that this can be resolved in an amicable fashion 354 00:16:54,160 --> 00:16:56,760 Speaker 4: and that we hope that they will understand where we're 355 00:16:56,760 --> 00:17:01,400 Speaker 4: coming from. This is not coming from Lisa hill Then aggressively. 356 00:17:01,680 --> 00:17:04,080 Speaker 4: In fact, even though a lawsuit is a very aggressive 357 00:17:04,119 --> 00:17:06,439 Speaker 4: way to deal with something. We tried our best. We 358 00:17:06,480 --> 00:17:08,840 Speaker 4: try to do everything that we could to put it 359 00:17:08,880 --> 00:17:12,000 Speaker 4: out there, and unfortunately, through our best efforts, they were 360 00:17:12,040 --> 00:17:12,520 Speaker 4: not met. 361 00:17:12,600 --> 00:17:15,160 Speaker 3: And here we are, Okay, Well, thank you so much. 362 00:17:15,200 --> 00:17:16,000 Speaker 3: I'll be in contact. 363 00:17:17,320 --> 00:17:20,600 Speaker 1: First of all, I just appreciate attorneys who are always 364 00:17:20,640 --> 00:17:23,560 Speaker 1: down to provide context because it helps to paint the 365 00:17:23,560 --> 00:17:25,800 Speaker 1: picture of a narrative. But he sound just as confused, 366 00:17:25,800 --> 00:17:30,240 Speaker 1: and Mesa Nick Mesa's attorney in Mesa Hilton sound just 367 00:17:30,320 --> 00:17:31,840 Speaker 1: as confused about what happened as we did. 368 00:17:31,960 --> 00:17:34,199 Speaker 2: We did one thing that stoted out to me was 369 00:17:34,280 --> 00:17:37,320 Speaker 2: him talking about how Messa's taken every other route besides 370 00:17:37,400 --> 00:17:39,439 Speaker 2: suing her, and like we said, we're all surprised, like 371 00:17:39,440 --> 00:17:41,760 Speaker 2: why did Mesa sue marry if they're that close? But 372 00:17:41,840 --> 00:17:44,359 Speaker 2: she's it sounds like she's tried everything, And this is 373 00:17:44,440 --> 00:17:46,000 Speaker 2: always tough. I don't know if you've tried it, Like 374 00:17:46,080 --> 00:17:48,760 Speaker 2: just doing business with friends and stuff like that, there's 375 00:17:48,800 --> 00:17:53,199 Speaker 2: always that teetering between friendship and business and business, and 376 00:17:53,240 --> 00:17:54,800 Speaker 2: like you could love somebody like that they were just 377 00:17:54,840 --> 00:17:57,200 Speaker 2: on trade. You could love somebody to death, but sometimes 378 00:17:57,200 --> 00:17:59,280 Speaker 2: the business you want it kind of done your way, 379 00:17:59,520 --> 00:18:01,879 Speaker 2: you know, or what you feel is the right way. 380 00:18:02,240 --> 00:18:06,240 Speaker 2: So it's always tough to like put that aside, especially 381 00:18:06,320 --> 00:18:10,199 Speaker 2: like how much energy you dedicate to something. So I 382 00:18:10,240 --> 00:18:12,000 Speaker 2: know that's a tough situation there in right now. 383 00:18:11,840 --> 00:18:13,840 Speaker 1: I think too well for me when it comes to 384 00:18:15,160 --> 00:18:18,199 Speaker 1: doing business with friends, what I've learned is is like 385 00:18:18,520 --> 00:18:20,480 Speaker 1: I said, I don't, but that's not true. I do, 386 00:18:20,600 --> 00:18:23,600 Speaker 1: and you can, but you gotta, like I like, you 387 00:18:23,680 --> 00:18:25,560 Speaker 1: just approach it and stand off a bit differently, Like 388 00:18:25,600 --> 00:18:27,760 Speaker 1: I would rather be like an investor in something that 389 00:18:27,800 --> 00:18:31,560 Speaker 1: my friend is doing versus like an active not silent partner, 390 00:18:31,560 --> 00:18:33,760 Speaker 1: because you know what I mean, coming to heads about things, 391 00:18:33,920 --> 00:18:36,119 Speaker 1: or if I have a friend that like, you know, 392 00:18:36,160 --> 00:18:39,440 Speaker 1: I decide like works for me, it's like I put 393 00:18:39,440 --> 00:18:42,119 Speaker 1: them in a position where I can't empower them. But 394 00:18:42,160 --> 00:18:44,000 Speaker 1: like I also have to know you know your friends 395 00:18:44,000 --> 00:18:46,000 Speaker 1: as well too. Yeah, I also have to know that 396 00:18:46,000 --> 00:18:47,560 Speaker 1: this friend is a friend that like really wants to 397 00:18:47,560 --> 00:18:49,200 Speaker 1: do the job, is willing to learn, so that when 398 00:18:49,200 --> 00:18:51,159 Speaker 1: I come to them like yo, that's not right, you 399 00:18:51,160 --> 00:18:52,600 Speaker 1: did it wrong, blah blah blah. You know, I mean, 400 00:18:52,600 --> 00:18:54,280 Speaker 1: they're not taking it personal. It don't make it weird 401 00:18:54,280 --> 00:18:56,080 Speaker 1: for us. It's like now I'm here to learn type 402 00:18:56,080 --> 00:18:58,840 Speaker 1: of vibe. But I just another thing for me is 403 00:18:58,840 --> 00:18:59,879 Speaker 1: how do they come out of this? 404 00:19:00,520 --> 00:19:01,960 Speaker 2: Yeah, that's why I want to ask you. How do 405 00:19:02,000 --> 00:19:04,520 Speaker 2: you how would you handle business that has gone wrong 406 00:19:04,560 --> 00:19:07,320 Speaker 2: with somebody very close to you? Like what would you do? 407 00:19:07,359 --> 00:19:10,320 Speaker 2: Would you scrap the business and say the friendship? Or 408 00:19:10,760 --> 00:19:13,080 Speaker 2: take this route? And you know what, like let me, 409 00:19:13,480 --> 00:19:15,240 Speaker 2: I have to take her to court because this we 410 00:19:15,320 --> 00:19:17,720 Speaker 2: have paperwork and all this stuff. Like what route would 411 00:19:17,720 --> 00:19:19,280 Speaker 2: you take? I mean those are not the only two routes, 412 00:19:19,320 --> 00:19:19,760 Speaker 2: but listen. 413 00:19:19,840 --> 00:19:22,120 Speaker 1: I don't blame me Sahilla for handling her business in court. 414 00:19:22,200 --> 00:19:24,040 Speaker 1: She felt like that's what she needed to do. But 415 00:19:24,080 --> 00:19:26,800 Speaker 1: I think for me, I would just I wouldn't. 416 00:19:27,000 --> 00:19:28,760 Speaker 3: I wouldn't. I wouldn't go this route. I wouldn't follow 417 00:19:28,760 --> 00:19:29,240 Speaker 3: a lawsuit. 418 00:19:29,480 --> 00:19:31,119 Speaker 1: Not because it's like, oh my god, girl, that was 419 00:19:31,119 --> 00:19:32,919 Speaker 1: supposed to be your friend, but just because it's like 420 00:19:33,359 --> 00:19:36,320 Speaker 1: I heard, I heard, I hear you, right, Yeah, I 421 00:19:36,359 --> 00:19:40,280 Speaker 1: see what you're doing. I'm cool, I'm here. Look wido, 422 00:19:40,400 --> 00:19:43,080 Speaker 1: look go ahead, go be man. Yeah, it's not worth 423 00:19:43,080 --> 00:19:45,959 Speaker 1: a headache for you. Yeah, And we don't know everything 424 00:19:46,000 --> 00:19:48,280 Speaker 1: that happened here. I have reached out to Mary J. 425 00:19:48,400 --> 00:19:51,200 Speaker 1: Blige's side, I have not heard back from them yet. 426 00:19:51,280 --> 00:19:53,240 Speaker 1: And I've also reached out to Baddo as well now too. 427 00:19:53,400 --> 00:19:55,720 Speaker 1: We got to get some more like you know, painting 428 00:19:56,040 --> 00:19:58,240 Speaker 1: on the or color on the paintings and our context. 429 00:19:58,680 --> 00:20:02,040 Speaker 1: But from what it seems like Misa was expecting certain 430 00:20:02,119 --> 00:20:04,840 Speaker 1: things of her friend in business and didn't get it. 431 00:20:04,880 --> 00:20:08,520 Speaker 1: And because of that, and you know, in real time, 432 00:20:08,520 --> 00:20:11,480 Speaker 1: they're losing money because of these things that they set 433 00:20:11,560 --> 00:20:13,000 Speaker 1: up for this artist to be able to do. 434 00:20:13,720 --> 00:20:15,280 Speaker 3: She decided to do lawsuit. So we're just gonna have 435 00:20:15,320 --> 00:20:16,760 Speaker 3: to see where flow, see where it goes. 436 00:20:16,960 --> 00:20:18,800 Speaker 2: Yeah, I mean I hope they can make up and 437 00:20:18,920 --> 00:20:22,199 Speaker 2: you know, handle this amicable. So I wantch you none 438 00:20:22,240 --> 00:20:22,920 Speaker 2: the best for sure. 439 00:20:23,200 --> 00:20:24,520 Speaker 3: Who are you telling now? 440 00:20:24,640 --> 00:20:27,159 Speaker 1: Taking it to the streets, because y'all know we be outside, 441 00:20:27,200 --> 00:20:30,640 Speaker 1: We be outside. You call the dreams we outside, we outside, 442 00:20:30,680 --> 00:20:36,320 Speaker 1: we outside? To the tweets. So Philip Lewis, who works 443 00:20:36,359 --> 00:20:40,440 Speaker 1: for Huffington Posts. So Philip Lewis, who works for Huffington Post, 444 00:20:40,520 --> 00:20:43,159 Speaker 1: he's a deputy editor over there. He tweeted out the 445 00:20:43,320 --> 00:20:47,040 Speaker 1: lawsuit and he said, silas Misa Hill and is suing 446 00:20:47,080 --> 00:20:50,680 Speaker 1: marriage you oblige for allegedly refusing to drop Ropervado's completed 447 00:20:50,720 --> 00:20:53,840 Speaker 1: album until he cuts sides with the fashion professional. Now 448 00:20:54,040 --> 00:20:57,040 Speaker 1: this the Twitter. You know, comments are going to Twitter. 449 00:20:57,840 --> 00:21:02,560 Speaker 1: So somebody responded and said Dominice Korn. I am dominic Korn, 450 00:21:02,640 --> 00:21:05,640 Speaker 1: said Mary J. Blige trying to tell person from Harlem 451 00:21:05,640 --> 00:21:08,280 Speaker 1: to cut ties with Misa Hilton because bottles from Harlem. 452 00:21:08,600 --> 00:21:11,440 Speaker 1: It's like telling Max b telling the Max Beefan to 453 00:21:11,480 --> 00:21:14,400 Speaker 1: stop thinking he's coming home soon. That is a very 454 00:21:14,440 --> 00:21:17,320 Speaker 1: New York, New Jersey tweet. It's like you gotta yeah, 455 00:21:17,359 --> 00:21:19,879 Speaker 1: like you gotta understand. I'm not even from here, but 456 00:21:20,000 --> 00:21:21,720 Speaker 1: I have so many friends from New York, and I 457 00:21:21,760 --> 00:21:23,439 Speaker 1: also have a lot of friends from Harlem, and I 458 00:21:23,520 --> 00:21:26,280 Speaker 1: just know how particular people are about being from Harlem 459 00:21:26,440 --> 00:21:29,520 Speaker 1: and about Mysa, and I know how particular New York 460 00:21:29,520 --> 00:21:32,919 Speaker 1: peop are very delusional about Max b y'all, max. 461 00:21:32,680 --> 00:21:33,439 Speaker 2: By went home. 462 00:21:33,960 --> 00:21:36,240 Speaker 1: Oh the wave been home and free for a long time. 463 00:21:36,840 --> 00:21:42,119 Speaker 1: Up to y'all, y'all keep doing songs with him the 464 00:21:42,240 --> 00:21:43,320 Speaker 1: quick dis okay? 465 00:21:43,720 --> 00:21:44,120 Speaker 3: Uh? 466 00:21:44,640 --> 00:21:49,000 Speaker 1: Quinn Faz said, So, basically, allegedly, Mary is doing the 467 00:21:49,000 --> 00:21:51,080 Speaker 1: same thing that Puff did to her. This is whack 468 00:21:51,119 --> 00:21:53,760 Speaker 1: of her, and she's done some whack things that people 469 00:21:53,800 --> 00:21:55,040 Speaker 1: dismissed because she's married. 470 00:21:55,359 --> 00:21:57,320 Speaker 3: What Mary then did as wag. I don't know nothing 471 00:21:57,359 --> 00:21:58,440 Speaker 3: that Mary has done as wag. 472 00:21:58,920 --> 00:22:02,760 Speaker 2: Yeah, I mean, I mean, I hope they don't misconstrue this, 473 00:22:02,840 --> 00:22:04,159 Speaker 2: but she seems to be the victim and a lot 474 00:22:04,200 --> 00:22:05,159 Speaker 2: of things that for her. 475 00:22:06,520 --> 00:22:09,399 Speaker 3: Yeah, it's right, she's still paying at me. 476 00:22:09,520 --> 00:22:11,600 Speaker 2: Yeah, she was just. 477 00:22:11,520 --> 00:22:14,040 Speaker 3: On stage talking about how the men don't be worth her. 478 00:22:13,880 --> 00:22:16,040 Speaker 2: Time and she gotta work hard. You know, she's like 479 00:22:16,119 --> 00:22:16,800 Speaker 2: doing so. 480 00:22:16,760 --> 00:22:20,159 Speaker 1: Much everything about Mary be given all my life, I 481 00:22:20,200 --> 00:22:21,679 Speaker 1: had to fight, and I hate that for her. I 482 00:22:21,720 --> 00:22:24,679 Speaker 1: really always looked at Mary like she is the like 483 00:22:24,800 --> 00:22:28,760 Speaker 1: literally like the like the the architects of the hip 484 00:22:28,800 --> 00:22:30,560 Speaker 1: hop R and B waiting, you know what I'm saying. 485 00:22:30,600 --> 00:22:32,640 Speaker 1: Like she deserves to enjoy her money in her time, 486 00:22:32,640 --> 00:22:35,560 Speaker 1: and it seems like she's always just having a carry. 487 00:22:35,240 --> 00:22:36,240 Speaker 3: This way to things. 488 00:22:36,760 --> 00:22:38,560 Speaker 2: Maybe it's yeah, maybe. 489 00:22:38,400 --> 00:22:40,040 Speaker 3: It' because her music feels like that too. 490 00:22:41,400 --> 00:22:46,000 Speaker 1: I'll do one more so, Rod Wayne said it, tweeted, 491 00:22:46,240 --> 00:22:48,800 Speaker 1: Mary don't need any more else in the courtroom, please 492 00:22:48,840 --> 00:22:51,560 Speaker 1: work this out. I think what Rod is referring to 493 00:22:52,000 --> 00:22:55,120 Speaker 1: is a divorce with Mary J. Blige's ex husband where 494 00:22:55,320 --> 00:22:56,919 Speaker 1: she had to pay him all. 495 00:22:56,800 --> 00:23:00,040 Speaker 2: That money thirty. 496 00:22:58,880 --> 00:23:02,119 Speaker 1: Thousand dollars a month and spousal support was the ruling. 497 00:23:02,680 --> 00:23:05,560 Speaker 1: This was significantly less than the one hundred and twenty 498 00:23:05,640 --> 00:23:09,639 Speaker 1: nine thousand dollars that he actually requested. Additionally, Blige was 499 00:23:09,760 --> 00:23:12,640 Speaker 1: ordered to cover Isaac's legal feeds, which total to two 500 00:23:12,840 --> 00:23:16,639 Speaker 1: hundred and thirty five thousand dollars, and she had to 501 00:23:16,680 --> 00:23:19,600 Speaker 1: pay retroactive spousal support, so she had to pay spousal 502 00:23:19,680 --> 00:23:24,359 Speaker 1: for spousal support for the time before the time before 503 00:23:24,400 --> 00:23:28,040 Speaker 1: the judge awarded him this like from. 504 00:23:28,200 --> 00:23:33,359 Speaker 2: The Yeah, listen, I'm for makeetting alimony as well, but 505 00:23:33,720 --> 00:23:37,240 Speaker 2: this is that this is a bias depending on who's too. 506 00:23:37,280 --> 00:23:38,480 Speaker 2: I don't like this happening to Mary at. 507 00:23:38,440 --> 00:23:41,159 Speaker 1: All, so I hope they figure it out. But in 508 00:23:41,200 --> 00:23:43,560 Speaker 1: the meantime, until they don't, y'all know, we'll be right 509 00:23:43,600 --> 00:23:47,560 Speaker 1: here giving you the latest, because that's just what I do. 510 00:23:47,600 --> 00:23:49,960 Speaker 1: You know what I'm saying. Thank you guys for tuning 511 00:23:50,000 --> 00:23:51,640 Speaker 1: in Brandon, thank you for joining. 512 00:23:51,440 --> 00:23:53,440 Speaker 2: Me, thank you for having me on again. 513 00:23:53,760 --> 00:23:54,520 Speaker 3: You going to be back. 514 00:23:54,800 --> 00:23:56,399 Speaker 2: I'll be back. Yeah, I'll be back. Yeah, as long 515 00:23:56,440 --> 00:23:57,400 Speaker 2: as you have me, I'll be back. 516 00:23:57,480 --> 00:23:59,680 Speaker 3: Thank you for joining me. Brandon will be back, y'all, 517 00:23:59,680 --> 00:24:00,919 Speaker 3: And I appreciate you guys. 518 00:24:00,960 --> 00:24:02,520 Speaker 1: At the end of the day, there is always a 519 00:24:02,520 --> 00:24:04,480 Speaker 1: lot to talk about, and I tell y'all every single 520 00:24:04,480 --> 00:24:07,240 Speaker 1: time how much I appreciate you for being right here 521 00:24:07,280 --> 00:24:09,240 Speaker 1: with me to talk about it, because y'all could be 522 00:24:09,320 --> 00:24:12,640 Speaker 1: anywhere listening to anybody, but you're right here with the latest. 523 00:24:12,320 --> 00:24:13,159 Speaker 3: With Laura Rosa. 524 00:24:13,480 --> 00:24:15,280 Speaker 1: I'm your host, Laura Rosa, and I will see you 525 00:24:15,280 --> 00:24:16,840 Speaker 1: guys in my next episode.