WEBVTT - #19 Joey

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<v Speaker 1>Hi, John, Okay. If I were to plan a surprise

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<v Speaker 1>vacation for us, where would you want to go? Did

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<v Speaker 1>you say vacation? Surprise vacation?

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<v Speaker 2>It could just never happen with my work schedule, like

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<v Speaker 2>I can, that can never happen.

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<v Speaker 1>Where would you want to go?

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<v Speaker 2>Why would I want to go?

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<v Speaker 1>For fun in the sun? Listen how stressed you sound.

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<v Speaker 3>The idea of actually being.

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<v Speaker 4>On vacation with you nice idea.

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<v Speaker 1>It wouldn't be vacation. It would be a slight cation

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<v Speaker 1>because we'd do everything on a sleigh. We'd dash through

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<v Speaker 1>the snow and I don't know, like check our phones

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<v Speaker 1>and argue. Occasionally you'd hang up on me and I'd

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<v Speaker 1>start the show. But from Gimblet Media, I'm Jonathan Goldstein

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<v Speaker 1>and this is Heavyweight today's episode. Joey as a young man,

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<v Speaker 1>whenever conflict arose, my go to move was to roll

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<v Speaker 1>up into a fetal ball and pray to go unnoticed.

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<v Speaker 1>Of course, this only made matters worse case. In point

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<v Speaker 1>one afternoon, while riding a trolley, I fell into a

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<v Speaker 1>daydream and missed my stop. Anyone else in my position

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<v Speaker 1>might have yelled I missed my stop, or open the door, please.

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<v Speaker 1>But in imagining all these trolley riding strangers turning around

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<v Speaker 1>to stare at me, my mind went blank. So I

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<v Speaker 1>decided it might be simpler draw less attention if I

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<v Speaker 1>just jumped off. As I landed onto the street, I

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<v Speaker 1>heard a high pitched scream that I would later realize

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<v Speaker 1>was coming from me. Instead of drawing less attention, I

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<v Speaker 1>was now center stage. The trolley conductor skidded to a halt,

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<v Speaker 1>and all the passengers ran to the windows to watch

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<v Speaker 1>as I painfully crawled into a nearby bush. Once in

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<v Speaker 1>the bush, I hid waiting for the trolley to leave.

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<v Speaker 1>For young Jonathan Goldstein, the cost of staying silent that

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<v Speaker 1>day was two twisted ankles and the loss of my pride.

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<v Speaker 5>Hey, Joey, Hey there, it's awesome to hear from you.

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<v Speaker 1>This is young Joey, and he recently had a bad

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<v Speaker 1>day that forced him to realize his fear of being seen,

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<v Speaker 1>his fear of speaking up, was exacting a far greater

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<v Speaker 1>cost than a mere double ankle injury. It was ruining

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<v Speaker 1>his life, and so he's reached out for help from.

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<v Speaker 5>Me and just never get myself in a situation like

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<v Speaker 5>this again.

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<v Speaker 1>I think Joey is twenty two years old, and the

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<v Speaker 1>lead up to his terrible, horrible, no good, very bad

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<v Speaker 1>day begins right after his art school graduation, when he

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<v Speaker 1>moved into an artists loft in downtown.

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<v Speaker 5>LA live in that downtown city life kind of living

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<v Speaker 5>in a communal living style.

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<v Speaker 1>The downside was that the loft had bed sheeets for

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<v Speaker 1>walls in six roommates. But the plus side, the loft

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<v Speaker 1>had bed sheets for walls and six roommates, six super

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<v Speaker 1>cool roommates, a DJ, a dollmaker, a photographer, a guy

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<v Speaker 1>who quote trimmed weed, and super coolest of all, a podcaster.

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<v Speaker 5>And I pictured these cool artist types having great parties

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<v Speaker 5>and a lot of cool people over and all the

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<v Speaker 5>artists in the LA scene would come through, and I

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<v Speaker 5>was going to come in and hopefully fit in immediately.

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<v Speaker 1>But Joey didn't fit in immediately. He never felt comfortable

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<v Speaker 1>just hanging out with everyone, never knew what to say,

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<v Speaker 1>and so he ended up spending most of his time

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<v Speaker 1>alone in his room rehearsing icebreakers. I like your tattoo,

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<v Speaker 1>he'd repeat to himself, your tattoo. I like it, sweet tat,

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<v Speaker 1>he'd say, pointing limply at the mirror like a socially

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<v Speaker 1>crippled Travis Bickle, Unable to come up with anything that

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<v Speaker 1>felt right. Paralysis set in. Joey began spending all day

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<v Speaker 1>in his room, a shadow behind a bedsheet.

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<v Speaker 5>They'd all be in the living room right next to

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<v Speaker 5>my room, hanging out, watching a movie, you know, drinking,

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<v Speaker 5>hanging and doing the thing, and I would be in

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<v Speaker 5>my room, just like making people uncomfortable with by not,

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<v Speaker 5>you know, being out there.

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<v Speaker 1>Joey had been living in the loft several weeks when

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<v Speaker 1>he realized just how isolated he become. One day, will

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<v Speaker 1>waiting outside the bathroom, he ran into one of his

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<v Speaker 1>new roommates.

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<v Speaker 5>She she was like, oh, hi, what's your name? Oh

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<v Speaker 5>where do you live? I was like, uh, here, I'd

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<v Speaker 5>live here.

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<v Speaker 1>Eventually, Joey began avoiding the loft altogether. He'd spend every

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<v Speaker 1>day wandering the streets, only returning in the evening.

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<v Speaker 5>When I was back in my house at night, I

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<v Speaker 5>would sneak into my room and then make and then

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<v Speaker 5>make it drink, make sure I didn't drink too much

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<v Speaker 5>water so that my bladder was empty, so I wouldn't

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<v Speaker 5>have to leave my room to pee. My new goal

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<v Speaker 5>was to just be as unobtrusive as a roommate as possible,

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<v Speaker 5>be invisible, So in this time I would just try

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<v Speaker 5>to spend all my day out of the house out

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<v Speaker 5>on my rollerblades, which I had also recently taken up.

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<v Speaker 1>Everyone needs a hobby, and Joey found one that provided

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<v Speaker 1>both good exercise as well as a way to free

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<v Speaker 1>himself from the oppressive yoke of human dignity. And so

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<v Speaker 1>it was while rollerblading that Joey discovered his new home

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<v Speaker 1>away from home, the pizza parlor. The pizza tarler played

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<v Speaker 1>cool music and had cool art on the walls. It

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<v Speaker 1>even served cool pizza. There was one shape like a

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<v Speaker 1>marijuana leaf and other shape like circles. But because Joey

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<v Speaker 1>was Joey, even a simple thing like ordering pizza was

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<v Speaker 1>a challenge, and so he rehearsed his icebreakers.

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<v Speaker 5>I found myself like making sure I could have something

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<v Speaker 5>to say, like preparing something for the quick interaction while

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<v Speaker 5>I buy my pizza, Like what kind of thing I

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<v Speaker 5>don't know, Like if it's raining out, I would have

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<v Speaker 5>something clever to say about that, or.

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<v Speaker 1>Give me an example of the clever thing that you

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<v Speaker 1>would say when it was raining.

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<v Speaker 5>I'd say, oh, man, bummer, and this is not rollerblading weather, okay,

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<v Speaker 5>like I would or I don't know what I'm trying

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<v Speaker 5>to say.

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<v Speaker 1>Slowly, Joey began making social inroads, even managing to earn

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<v Speaker 1>himself a nickname, that rollerblading guy. His fantasy is fun

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<v Speaker 1>in friendship with his bohemian loft buddies were over, but

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<v Speaker 1>his fantasy is a fun in friendship with his bohemian

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<v Speaker 1>pizza parlor buddies had only just begun.

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<v Speaker 5>I had planned on continuing to visit there and making

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<v Speaker 5>these friendships grow and hopefully progressing them to real life

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<v Speaker 5>friendships outside of the shop.

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<v Speaker 1>And so every morning Joey wood Blade straight to the

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<v Speaker 1>self service refrigerator that housed the day old dollar slices.

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<v Speaker 5>I pretty much exclusively ate pizza from that moment on

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<v Speaker 5>for all your meals pretty much. There was definitely days

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<v Speaker 5>that went by when it was just pizza.

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<v Speaker 1>Like, how many slices a day were you eating.

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<v Speaker 5>Say four or five? Two for breakfast and then stick

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<v Speaker 5>them in my backpack for the rest of the day.

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<v Speaker 1>What were you doing for fruits and vegetables?

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<v Speaker 5>I occasionally got the veggie slice.

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<v Speaker 1>And that was Joey's life, eating za, rolling blades, and

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<v Speaker 1>waiting for old man scurvy until one terrible, horrible, no good,

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<v Speaker 1>very bad day.

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<v Speaker 5>January fourteenth, was like every other day. I woke up

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<v Speaker 5>to go get my pizza, headed into the shop, and

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<v Speaker 5>unfortunately I only found pepperoni in the fridge.

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<v Speaker 1>Joey is a vegetarian, and so without having prepared anything

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<v Speaker 1>clever to say, like pepperoni pizza, Oh man, bummer, Pepperonis

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<v Speaker 1>aren't vegetarian, he instead said nothing and trying to just

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<v Speaker 1>roller blade back out the door without anyone noticing. But

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<v Speaker 1>he'd only bladed a couple blocks when he saw a

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<v Speaker 1>familiar face biking towards him.

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<v Speaker 5>And it's one of the pizza chefs. So I just

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<v Speaker 5>thought he was gonna hell, I don't know. I thought

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<v Speaker 5>he was gonna say, what's up, man, let's hang out.

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<v Speaker 5>What's your name? Will, Let's you know. I thought he

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<v Speaker 5>was just interested in me. So I was excited to

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<v Speaker 5>see him biking towards me, and I took off my

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<v Speaker 5>headphones to greet him, and the first thing he said

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<v Speaker 5>is don't come back. I said, I said, excuse me,

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<v Speaker 5>he said, you're taking slices, I.

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<v Speaker 1>Said, what, and then it clicked, flipping through the dollar

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<v Speaker 1>slices and then abruptly leaving in silence. Looked fishy, like

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<v Speaker 1>Joey was stealing pizza.

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<v Speaker 5>And I was kind of like panicking talking to him,

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<v Speaker 5>like I could feel that I could hear the panic

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<v Speaker 5>in my voice and stuff, but I didn't know what

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<v Speaker 5>to say, so I kind of just I was kind

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<v Speaker 5>of speechless, and I, you know, didn't have the confidence

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<v Speaker 5>to keep fighting. Okay, yeah, and then he he biked away.

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<v Speaker 5>I started crying on the streets, and I I must

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<v Speaker 5>have looked ridiculous, rollerblading down the street while crying.

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<v Speaker 1>At that point, it was a terrible day. It became

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<v Speaker 1>horrible as well as no good and very bad when Joey,

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<v Speaker 1>crying on the street, received a phone call bearing more

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<v Speaker 1>bad news.

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<v Speaker 5>The roommates had been kind of talking and they that

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<v Speaker 5>they used the words I'm getting under their skin.

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<v Speaker 1>The roommates found Joey's silent, sneaky ways unsettling. They wanted

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<v Speaker 1>him out.

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<v Speaker 5>I like went and got my stuff, and I don't know,

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<v Speaker 5>I basically moved out in that moment. I like just

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<v Speaker 5>left without seeing anybody and I kind of ran away.

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<v Speaker 1>As the day came to a close, Joey called called

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<v Speaker 1>the one person he always calls, the person he's leaned

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<v Speaker 1>on his whole life, Elise, his twin sister.

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<v Speaker 5>She gave me the same advice that everyone did, which

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<v Speaker 5>is just you know, go talk to them, be normal.

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<v Speaker 5>But I don't know. I mean, I never was able

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<v Speaker 5>to take that advice from anybody coming from her, though

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<v Speaker 5>it was especially I felt especially bad.

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<v Speaker 6>He was like almost in tears telling me this story.

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<v Speaker 1>Alise knows Joey better than anyone, and he's relied on

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<v Speaker 1>her socially his entire life. When he started dating, Alise

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<v Speaker 1>introduced him to her friends, and when he was too

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<v Speaker 1>anxious to attend family functions, Elise would go in his place.

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<v Speaker 6>And he told me about how he cried, which is

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<v Speaker 6>always he doesn't cry that often. You could tell it

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<v Speaker 6>was a big deal that he expressed that he cried

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<v Speaker 6>about it, and he told the whole story, and I

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<v Speaker 6>was laughing so hard because really funny story, and I

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<v Speaker 6>wanted him to see that it was funny too, and

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<v Speaker 6>he could see the humor in it, but he was

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<v Speaker 6>also pretty clearly devastated.

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<v Speaker 1>When I ask Elise, what's so funny about her brother

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<v Speaker 1>crying on the phone. She makes a pretty strong case,

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<v Speaker 1>casually eviscerating him in the way only a loving sister can.

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<v Speaker 6>Him and his rollerblades and often like funny looking tank tops,

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<v Speaker 6>his like creeper mustache, and his mullet.

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<v Speaker 1>Definitely wait, just the look of him, Hang on a second.

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<v Speaker 1>He has a mullet.

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<v Speaker 6>Full mullet full, full, creepy young child mustache, and his

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<v Speaker 6>shoulders and arms look looks strong, but they're small, and

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<v Speaker 6>same with his legs. His legs are shockingly skinny. They

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<v Speaker 6>do have an incredible shine to them.

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<v Speaker 1>I will admit, does he does he play at.

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<v Speaker 6>I'm not sure that's ointment. I'm guessing that's just his

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<v Speaker 6>oily self.

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<v Speaker 1>I don't want Joey to have to wait years and

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<v Speaker 1>years like I did, just to know the sweet joys

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<v Speaker 1>of uncrippling an abnormality. So I asked Joey's oily self

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<v Speaker 1>what he most wants out of all this, and the

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<v Speaker 1>answer he delivers is pretty to the point, almost like

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<v Speaker 1>he's rehearsed it.

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<v Speaker 5>I want to say sorry that I wasn't able to

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<v Speaker 5>leave my room. I wish they knew how I felt, basically.

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<v Speaker 1>But when I put forward my action plan for Joey

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<v Speaker 1>to fix his bad day by rerollerblading through it, rerollerblading

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<v Speaker 1>back to the pizza parlor to clear his name, and

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<v Speaker 1>rerollerblading to the loft to apologize for being such a creepy,

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<v Speaker 1>sneaky roommate, I can hear the beads of sweat squeak

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<v Speaker 1>out of Joey's hairline and saturate his mullet.

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<v Speaker 5>Right, yeah, I'm definitely yeah, I've definitely been meaning to,

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<v Speaker 5>but the prospect is pretty scary. I just mentioning it.

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<v Speaker 5>I got nervous, for sure.

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<v Speaker 1>Joey still wants to be invisible, but decades of experience

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<v Speaker 1>have taught me that oftentimes the more invisible you try

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<v Speaker 1>to make yourself, the more visible you become. So if

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<v Speaker 1>I have my way, Joey will no longer have to

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<v Speaker 1>hide in the metaphorical bush like a young metaphorical Jonathan Goldstein.

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<v Speaker 1>After the break, helping Joey to stop spinning his wheels. Okay,

0:14:47.480 --> 0:14:49.280
<v Speaker 1>hold the line for a moment, Joey, All right.

0:14:50.040 --> 0:14:53.960
<v Speaker 5>Sounds good. Hang on, I'm practicing my witty retorts anything.

0:14:53.960 --> 0:14:59.360
<v Speaker 1>Don't do that, Okay, During the ad break while you

0:14:59.400 --> 0:15:03.120
<v Speaker 1>were loading up on unbelievable deals, I was considering the

0:15:03.160 --> 0:15:07.680
<v Speaker 1>full extent of Joey's dilemma as much as Jonathan Debonair

0:15:07.800 --> 0:15:12.440
<v Speaker 1>Goldstein wanted to help him. The truth is, Jonathan Stuart

0:15:12.480 --> 0:15:16.360
<v Speaker 1>Goldstein is actually a lot like Joey. And so I

0:15:16.400 --> 0:15:18.880
<v Speaker 1>made a phone call to an old friend, a man

0:15:18.920 --> 0:15:23.640
<v Speaker 1>whose example and critical feedback, some might say overly critical feedback,

0:15:24.160 --> 0:15:30.680
<v Speaker 1>have helped me to become the animalist socialibus. I am today, happy, confident,

0:15:31.280 --> 0:15:34.360
<v Speaker 1>out of the shrubs and loving it. And I was

0:15:34.400 --> 0:15:38.240
<v Speaker 1>hoping you could work the same magic on Joey. Joey,

0:15:38.280 --> 0:15:44.840
<v Speaker 1>this is my friend Gregor. Howdy, Hey, So Joey was

0:15:44.880 --> 0:15:47.720
<v Speaker 1>living in this loft, and he Gregor is the exact

0:15:47.840 --> 0:15:51.360
<v Speaker 1>opposite of Joey and me in any given social interaction.

0:15:51.840 --> 0:15:55.320
<v Speaker 1>He's never afraid to stand out, never afraid to say

0:15:55.320 --> 0:15:58.280
<v Speaker 1>the wrong thing. Case in point, was.

0:15:58.280 --> 0:16:00.000
<v Speaker 2>Johnny kidding when he said you're wearing rollerblade?

0:16:00.040 --> 0:16:02.840
<v Speaker 5>Yes? No, I am a rollerblader.

0:16:03.880 --> 0:16:06.640
<v Speaker 2>But so you rollerbladed into the store wearing your rollerblades.

0:16:06.880 --> 0:16:07.360
<v Speaker 5>That's right.

0:16:08.280 --> 0:16:10.640
<v Speaker 2>I have these very vivid memories of being in Central

0:16:10.640 --> 0:16:13.880
<v Speaker 2>Park and seeing these people, mostly grown men, on rollerblades

0:16:13.920 --> 0:16:16.360
<v Speaker 2>with that folded hands over the lower back and their

0:16:16.400 --> 0:16:19.080
<v Speaker 2>body bent forward like zipping around in like a lycroskin suit.

0:16:19.120 --> 0:16:21.280
<v Speaker 2>The big giant grin as they gasp for breath and

0:16:21.320 --> 0:16:22.040
<v Speaker 2>like goggles on.

0:16:22.640 --> 0:16:23.960
<v Speaker 1>You got all that out of your system.

0:16:24.240 --> 0:16:27.040
<v Speaker 2>I hate rollerbladers, and I hate everything about rollerblades, but

0:16:27.120 --> 0:16:28.840
<v Speaker 2>I think most people don't have the caurage to ask

0:16:28.880 --> 0:16:30.760
<v Speaker 2>for help. It takes a very big man to ask

0:16:30.760 --> 0:16:33.400
<v Speaker 2>for help. Okay, so the guy wants the rollerblade.

0:16:33.400 --> 0:16:33.760
<v Speaker 6>Fine.

0:16:36.120 --> 0:16:40.280
<v Speaker 1>Since Joey feels most comfortable when he's rehearsing social interactions,

0:16:40.720 --> 0:16:44.400
<v Speaker 1>I suggest we do some role playing. Joey plays himself

0:16:44.600 --> 0:16:48.240
<v Speaker 1>and Gregor plays the pizza shop owner. After ten minutes

0:16:48.280 --> 0:16:53.000
<v Speaker 1>deliberating over his character's name, Gregor decides on Carmine.

0:16:52.440 --> 0:16:53.520
<v Speaker 2>Please call me krmine.

0:16:53.520 --> 0:16:56.000
<v Speaker 1>All right, stop just trying to add a little depth

0:16:56.040 --> 0:16:56.640
<v Speaker 1>of the character.

0:16:56.720 --> 0:16:57.400
<v Speaker 7>Don't do that.

0:16:57.520 --> 0:17:01.400
<v Speaker 1>Once I finish offering some helpful direction, we begin. So, okay,

0:17:01.400 --> 0:17:04.520
<v Speaker 1>so you're you're the owner. I'll do the folly work.

0:17:04.560 --> 0:17:09.600
<v Speaker 1>I'll make any necessary sounds. Okay, Joey, you're coming into

0:17:09.640 --> 0:17:11.760
<v Speaker 1>the pizza parlor, tingle, tingle.

0:17:13.240 --> 0:17:18.280
<v Speaker 5>Hey, so it's been a long time. I don't know

0:17:18.280 --> 0:17:27.040
<v Speaker 5>if you heard I. I had a bit of a.

0:17:26.320 --> 0:17:30.520
<v Speaker 1>Joey trails off. Even in a simulation, his nerves get

0:17:30.520 --> 0:17:33.600
<v Speaker 1>the better of him. I try to inspire him with

0:17:33.680 --> 0:17:37.480
<v Speaker 1>more folly work. Tingle, tingle. The place is starting to

0:17:37.480 --> 0:17:39.040
<v Speaker 1>fill up a little, so you might want to spit

0:17:39.080 --> 0:17:41.399
<v Speaker 1>it out. Tingle, tingle, tingle, tingle.

0:17:41.440 --> 0:17:46.760
<v Speaker 2>Oh my god, it's like radio lab. Suddenly a monkey

0:17:46.800 --> 0:17:51.439
<v Speaker 2>came in, Gregor call me Carmen. The whole duration of

0:17:51.480 --> 0:17:53.639
<v Speaker 2>this shoot. I need to be in character. I'm like

0:17:53.720 --> 0:17:56.159
<v Speaker 2>Daniel da Lewis. I will only answer if you call

0:17:56.240 --> 0:17:56.719
<v Speaker 2>me Krma.

0:17:56.880 --> 0:17:58.880
<v Speaker 1>Why did I even have you be the shop owner?

0:17:58.920 --> 0:18:00.160
<v Speaker 1>Why wasn't I the shop.

0:18:00.560 --> 0:18:02.800
<v Speaker 2>I could be your son who's got like bigger dreams.

0:18:02.840 --> 0:18:04.760
<v Speaker 2>I don't want to spend my whole life saying pizza

0:18:04.920 --> 0:18:07.400
<v Speaker 2>derailing that I got big dreams. I want to get

0:18:07.400 --> 0:18:11.480
<v Speaker 2>into real estate, commercial real estate. I want to least laundromats.

0:18:11.560 --> 0:18:13.600
<v Speaker 2>See I'm not like you, you really I want to

0:18:13.600 --> 0:18:17.639
<v Speaker 2>have a self storage unit. They're very profitable, don't you see?

0:18:19.480 --> 0:18:21.320
<v Speaker 2>Now we're gelling as a team right at the very end.

0:18:21.320 --> 0:18:23.040
<v Speaker 2>As you start to fade us down, you can't even

0:18:23.040 --> 0:18:23.959
<v Speaker 2>hear what I'm saying anymore.

0:18:24.920 --> 0:18:27.840
<v Speaker 1>Sure, Gregor was taking none of the work seriously. But

0:18:27.960 --> 0:18:31.920
<v Speaker 1>Joey was enjoying Gregor, and in his own way, Gregor

0:18:32.240 --> 0:18:43.639
<v Speaker 1>was enjoying Joey. It looked like Gregor was in I

0:18:43.720 --> 0:18:46.480
<v Speaker 1>noticed that you like to sit very close to the gate.

0:18:47.600 --> 0:18:49.879
<v Speaker 1>Gregor and I meet at the airport for the flight

0:18:49.920 --> 0:18:53.040
<v Speaker 1>to see Joey in La. While squatting on the floor

0:18:53.240 --> 0:18:57.160
<v Speaker 1>staring fixedly at the gate, Gregor shares some insider tips

0:18:57.200 --> 0:18:58.440
<v Speaker 1>on air travel.

0:18:58.480 --> 0:19:00.600
<v Speaker 2>Because when they say extra time getting on the game

0:19:00.760 --> 0:19:02.560
<v Speaker 2>jet way, you're allowed to run.

0:19:02.440 --> 0:19:03.120
<v Speaker 5>Past those people.

0:19:09.359 --> 0:19:10.800
<v Speaker 1>You're allowed.

0:19:11.840 --> 0:19:14.360
<v Speaker 2>See like I could easily run outrun that little girl

0:19:14.400 --> 0:19:17.560
<v Speaker 2>in the purple. Anyway, Johnny, stick with me. I'm gonna

0:19:17.560 --> 0:19:21.520
<v Speaker 2>show you how to board this big bird. That's what

0:19:21.560 --> 0:19:23.080
<v Speaker 2>I say as the pilot when I bought the play.

0:19:23.560 --> 0:19:26.520
<v Speaker 2>Let's bring this big bird down, brother. But that way

0:19:26.520 --> 0:19:29.680
<v Speaker 2>he knows I'm a member of the free Eternity of Aviation.

0:19:38.760 --> 0:19:40.280
<v Speaker 5>Cross checket where you grow on pompleys.

0:19:41.320 --> 0:19:43.919
<v Speaker 1>Once we've board it, running down the jetway like a

0:19:43.960 --> 0:19:48.240
<v Speaker 1>couple of giggling idiots, Gregor regales me with stories the

0:19:48.320 --> 0:19:51.240
<v Speaker 1>time lou Reid threatened to put an ashtray through his head.

0:19:51.440 --> 0:19:52.920
<v Speaker 2>No, he didn't heavy glass.

0:19:52.960 --> 0:19:55.040
<v Speaker 1>One the time a taxi driver told me he had

0:19:55.119 --> 0:19:56.560
<v Speaker 1>eyes like his dead brothers.

0:19:56.880 --> 0:19:58.120
<v Speaker 5>That's a terrible story.

0:19:58.280 --> 0:20:00.880
<v Speaker 1>The time all dozen or so members of the Wu

0:20:00.960 --> 0:20:03.640
<v Speaker 1>Tang clan squeezed onto his living room.

0:20:03.520 --> 0:20:05.600
<v Speaker 2>Couch, he asked for my seat to tree.

0:20:05.640 --> 0:20:08.960
<v Speaker 1>Then come the aviation stories, all the flights he's been

0:20:09.040 --> 0:20:10.639
<v Speaker 1>on where people have died.

0:20:10.880 --> 0:20:12.760
<v Speaker 2>But then there was another photos on when someone died

0:20:12.880 --> 0:20:14.720
<v Speaker 2>right next to me, and they were literally doing the

0:20:14.760 --> 0:20:16.959
<v Speaker 2>thing on the PA where they're like, there's any doctors

0:20:17.000 --> 0:20:20.359
<v Speaker 2>on board? And I was like, I'm kind of a doctor.

0:20:20.560 --> 0:20:21.879
<v Speaker 1>How are you kind of a doctor?

0:20:21.920 --> 0:20:25.480
<v Speaker 2>I'm a very good diagnostician. Look, we're on twenty five RL.

0:20:25.680 --> 0:20:27.480
<v Speaker 2>It's one of my favorite runways.

0:20:32.160 --> 0:20:34.159
<v Speaker 1>Gregor and I rent a car and meet up with

0:20:34.240 --> 0:20:37.919
<v Speaker 1>Joey at his favorite coffee shop. From here, we planned

0:20:37.920 --> 0:20:41.000
<v Speaker 1>to head to the pizza parlor, get him unbanned, and

0:20:41.040 --> 0:20:44.000
<v Speaker 1>then go to the loft so Joey can apologize to

0:20:44.040 --> 0:20:45.159
<v Speaker 1>his former roommates.

0:20:46.119 --> 0:20:49.560
<v Speaker 5>Morning. Nice to meet hi, How are you hid?

0:20:50.480 --> 0:20:50.960
<v Speaker 8>How are you?

0:20:51.840 --> 0:20:55.879
<v Speaker 1>As well as being rollerblade footed, Joey's just as chopstick legged,

0:20:56.040 --> 0:21:00.119
<v Speaker 1>mustache lipped, and mullet headed, as his sister Relise said, caution.

0:21:00.040 --> 0:21:00.200
<v Speaker 5>And.

0:21:01.680 --> 0:21:03.439
<v Speaker 1>Did it take you a while to decide like what

0:21:03.480 --> 0:21:06.199
<v Speaker 1>you were going to wear today? Joey seems anxious, so

0:21:06.320 --> 0:21:10.439
<v Speaker 1>I asked him, Joey, are you anxious? But before he

0:21:10.480 --> 0:21:12.439
<v Speaker 1>can answer, Gregor steps in.

0:21:12.720 --> 0:21:14.040
<v Speaker 2>Johny, let's take it from here. You don't want to

0:21:14.080 --> 0:21:15.720
<v Speaker 2>make the guy nervous by asking me if he was nervous,

0:21:15.720 --> 0:21:17.440
<v Speaker 2>Why don't you go around in a circle and each say,

0:21:17.440 --> 0:21:20.879
<v Speaker 2>a member of the Wu Tang until we get.

0:21:19.040 --> 0:21:22.800
<v Speaker 1>On with his idiot's game. What Gregor's really doing is

0:21:22.840 --> 0:21:30.119
<v Speaker 1>distracting Joey, protecting him, in this case, protecting him from me. Ready, Okay,

0:21:30.160 --> 0:21:36.440
<v Speaker 1>I'll start the rizza Diu stop is the genius?

0:21:36.560 --> 0:21:36.960
<v Speaker 2>Genius?

0:21:36.960 --> 0:21:44.760
<v Speaker 1>Okay, stop number one? The pizza parlor? Is this the place?

0:21:44.960 --> 0:21:46.080
<v Speaker 2>What time they open? Eleven?

0:21:46.800 --> 0:21:49.320
<v Speaker 5>Oh? I'm getting nervous. My stomach is jumping.

0:21:49.840 --> 0:21:52.160
<v Speaker 1>Oh wait here, Joey, I have some of the creer

0:21:52.240 --> 0:21:55.960
<v Speaker 1>just in case. As Joey's mentor, I know he runs

0:21:56.000 --> 0:21:59.000
<v Speaker 1>a pretty good chance of choking, so I prepared him

0:21:59.040 --> 0:21:59.840
<v Speaker 1>some notes during my.

0:22:00.600 --> 0:22:02.600
<v Speaker 4>Okay, here you go. Read this that.

0:22:04.560 --> 0:22:06.800
<v Speaker 5>You guys were like family to me, and when you

0:22:06.840 --> 0:22:09.439
<v Speaker 5>accuse me of theft. I try it slower.

0:22:09.480 --> 0:22:10.680
<v Speaker 1>You guys were like family.

0:22:12.920 --> 0:22:13.439
<v Speaker 6>Go ahead.

0:22:14.320 --> 0:22:16.359
<v Speaker 5>You guys were like family to me. And when you

0:22:16.400 --> 0:22:21.200
<v Speaker 5>accuse me of theft, I mishandled the situation. I became discombobulated.

0:22:21.400 --> 0:22:23.960
<v Speaker 5>I should have defended myself, told you I'm no thief.

0:22:25.440 --> 0:22:28.720
<v Speaker 1>Although we want to offer Joey help, it's important that

0:22:28.800 --> 0:22:32.080
<v Speaker 1>he do this on his own. No Gregor, no Jonathan,

0:22:32.480 --> 0:22:36.360
<v Speaker 1>no Elise. We'll be there with Q cards and emotional support,

0:22:36.840 --> 0:22:40.280
<v Speaker 1>but ultimately Joey needs to enter the pizza shop and

0:22:40.359 --> 0:22:42.119
<v Speaker 1>make his case solo.

0:22:42.640 --> 0:22:44.400
<v Speaker 2>We're gonna let Joey shine.

0:22:45.440 --> 0:22:47.120
<v Speaker 1>Yeah, I mean I think like you bring.

0:22:46.960 --> 0:22:48.040
<v Speaker 2>Your shine box, Joey.

0:22:48.520 --> 0:22:50.199
<v Speaker 1>Are you getting the reference to the shinebox?

0:22:50.520 --> 0:22:51.800
<v Speaker 5>That would be a you guys got a lot of

0:22:51.840 --> 0:22:53.639
<v Speaker 5>references out on that. Have you seen Good Fellas?

0:22:54.880 --> 0:22:57.040
<v Speaker 1>Do your joe pesci for Joey just to loosen him

0:22:57.080 --> 0:22:57.440
<v Speaker 1>up a little.

0:22:57.680 --> 0:23:00.119
<v Speaker 2>Ed was one tough irishman. I put his hand and

0:23:00.200 --> 0:23:02.720
<v Speaker 2>advice tween days until his eyebowl pop.

0:23:02.800 --> 0:23:10.720
<v Speaker 5>That yet, get two vegetarian pizzas stuff.

0:23:11.280 --> 0:23:14.800
<v Speaker 1>I instruct Joey to order pizza and kombucha's for his roommates.

0:23:15.400 --> 0:23:18.240
<v Speaker 1>This way the pizza parlor crew will see he's not

0:23:18.440 --> 0:23:21.600
<v Speaker 1>just a dollar slice guy, but someone capable of committing

0:23:21.640 --> 0:23:25.240
<v Speaker 1>to an entire pie and a vinegar and bile based beverage.

0:23:25.760 --> 0:23:27.120
<v Speaker 1>It'll show personal growth.

0:23:27.880 --> 0:23:29.480
<v Speaker 2>Just have fun yourself.

0:23:31.960 --> 0:23:37.680
<v Speaker 1>Joey swings open the door and roller blades inside. Remember

0:23:37.680 --> 0:23:43.000
<v Speaker 1>the rollerblading this whole time, Joey's been wheels down wearing

0:23:43.080 --> 0:23:46.520
<v Speaker 1>his blades. You might want to rewind a few minutes

0:23:46.720 --> 0:23:50.119
<v Speaker 1>and re listen with that image in your mind. And

0:23:50.160 --> 0:23:53.399
<v Speaker 1>it's not just the roller blades. Joey is also wearing

0:23:53.440 --> 0:23:57.600
<v Speaker 1>a wire. So standing outside, Gregor and I can eavesdrop

0:23:57.640 --> 0:24:00.760
<v Speaker 1>on how things are going inside the parlor. Do you

0:24:00.800 --> 0:24:01.200
<v Speaker 1>want to hear?

0:24:02.280 --> 0:24:04.480
<v Speaker 2>I can't stand well.

0:24:04.520 --> 0:24:07.600
<v Speaker 1>Gregor paces back and forth on the sidewalk. I cut

0:24:07.680 --> 0:24:10.840
<v Speaker 1>an earphone and listen as Joey rolls up to the counter.

0:24:11.680 --> 0:24:12.720
<v Speaker 5>Hey, how's it going?

0:24:13.920 --> 0:24:15.639
<v Speaker 1>Joey is greeted by a pizza chef.

0:24:16.040 --> 0:24:18.120
<v Speaker 5>Yeah, I don't know if you remember me. I used

0:24:18.160 --> 0:24:21.600
<v Speaker 5>to come here all the time. I was kicked out

0:24:21.600 --> 0:24:24.760
<v Speaker 5>of your shop a couple months back for stealing slices,

0:24:24.960 --> 0:24:27.840
<v Speaker 5>even like I was accused of stealing slices. No, I

0:24:27.880 --> 0:24:29.840
<v Speaker 5>totally know why you thought it was me because it

0:24:30.240 --> 0:24:31.680
<v Speaker 5>looked like I mean, I came.

0:24:31.520 --> 0:24:34.560
<v Speaker 1>In, Gregor and I watch nervously through the storefront window.

0:24:34.800 --> 0:24:38.239
<v Speaker 5>Oh, he's blowing in, rushed to his eight.

0:24:39.600 --> 0:24:42.359
<v Speaker 1>Joey isn't mounting a defense, and he isn't offering a

0:24:42.400 --> 0:24:46.720
<v Speaker 1>counter narrative. Instead, he's exhibiting a level of mealy moothery

0:24:47.080 --> 0:24:50.360
<v Speaker 1>not seen since a young Jonathan Goldstein tried to explain

0:24:50.400 --> 0:24:53.840
<v Speaker 1>to a trolley conductor why he was hiding in a bush.

0:24:53.920 --> 0:24:55.320
<v Speaker 5>And I was kind of hoping I could come back

0:24:55.400 --> 0:24:56.600
<v Speaker 5>just because I.

0:24:56.200 --> 0:24:58.439
<v Speaker 1>Love But as Gregor and I bicker over whether to

0:24:58.480 --> 0:25:01.119
<v Speaker 1>walk inside and rolled your Joe out the door like

0:25:01.160 --> 0:25:05.320
<v Speaker 1>a dessert trolley full of flaming horse manure, we noticed something.

0:25:05.520 --> 0:25:07.399
<v Speaker 5>I know, it's weird that's been so long, but I

0:25:07.520 --> 0:25:10.560
<v Speaker 5>just like felt really bad at her. That was really embarrassed. Really,

0:25:10.680 --> 0:25:12.200
<v Speaker 5>I'm sorry. She's really nice.

0:25:12.440 --> 0:25:15.080
<v Speaker 1>You saw like someone come in and with like bloller seats.

0:25:15.480 --> 0:25:17.080
<v Speaker 5>I remember that day. I was working that day.

0:25:17.240 --> 0:25:19.880
<v Speaker 1>Not only does she remember that day, but she also

0:25:20.000 --> 0:25:20.879
<v Speaker 1>remembers Joey.

0:25:21.160 --> 0:25:23.440
<v Speaker 5>No, I was a guy who came in like several times.

0:25:23.520 --> 0:25:25.199
<v Speaker 5>She's like, yeah, no, I see, I think that was me.

0:25:25.600 --> 0:25:26.880
<v Speaker 1>Kind of remembers Joey.

0:25:27.359 --> 0:25:29.680
<v Speaker 5>I came in. I'm a vegetarian. I saw that you

0:25:29.680 --> 0:25:32.119
<v Speaker 5>guys only had Pepperoni slices because I was like, oh,

0:25:32.280 --> 0:25:34.640
<v Speaker 5>not for me, And I just turned around totally looks

0:25:34.640 --> 0:25:35.440
<v Speaker 5>like I just grab one.

0:25:35.440 --> 0:25:37.600
<v Speaker 1>And since you didn't do it, you know, you don't

0:25:37.600 --> 0:25:38.200
<v Speaker 1>have anything.

0:25:38.000 --> 0:25:39.479
<v Speaker 5>To apologize for it. Yeah, I just want to make

0:25:39.480 --> 0:25:41.040
<v Speaker 5>sure you, like you guys, don't think I did a

0:25:41.400 --> 0:25:43.200
<v Speaker 5>man okay, okay, cool.

0:25:43.320 --> 0:25:47.120
<v Speaker 1>Yeah, if he was willing to come back to face

0:25:47.160 --> 0:25:50.720
<v Speaker 1>his accusers, she says, he probably didn't steal the pizza,

0:25:51.560 --> 0:25:56.679
<v Speaker 1>and with that, Joey orders his pies and kombucha's with

0:25:56.800 --> 0:25:59.920
<v Speaker 1>her faces pressed against the window. Gregor and I watch

0:26:00.080 --> 0:26:03.400
<v Speaker 1>with amazement as Joey waits for his order while engaging

0:26:03.480 --> 0:26:09.920
<v Speaker 1>in some completely unscripted repartee cool song. He says, totally.

0:26:10.040 --> 0:26:15.920
<v Speaker 1>She says this band is so cool. He says yeah.

0:26:16.040 --> 0:26:20.320
<v Speaker 1>She says, we didn't prepare Joey for any of this,

0:26:21.000 --> 0:26:24.280
<v Speaker 1>but here he was riffing and scatting away like some

0:26:24.400 --> 0:26:29.320
<v Speaker 1>kind of improvisational jazz cat Carmine would have been proud,

0:26:29.680 --> 0:26:36.640
<v Speaker 1>thank you very much, and tingle tingle. Joey emerges from

0:26:36.640 --> 0:26:44.040
<v Speaker 1>the restaurant holding our pizzas aloft like trophies. Joey, Oh

0:26:44.119 --> 0:26:44.680
<v Speaker 1>you did it.

0:26:44.720 --> 0:26:45.959
<v Speaker 5>Oh my god, I'm shaking.

0:26:46.160 --> 0:26:46.760
<v Speaker 2>I'm shaking it.

0:26:47.280 --> 0:26:48.320
<v Speaker 5>You did a great job.

0:26:48.680 --> 0:26:51.520
<v Speaker 1>Despite his fear of saying the wrong thing, Joey had

0:26:51.560 --> 0:26:55.560
<v Speaker 1>managed to put himself out there and stumble his way through. Joey,

0:26:55.560 --> 0:26:58.080
<v Speaker 1>that was great, and like, yeah, you really like and

0:26:58.119 --> 0:26:59.719
<v Speaker 1>you did it by yourself. We didn't have to go

0:26:59.760 --> 0:27:00.439
<v Speaker 1>in anything.

0:27:00.520 --> 0:27:04.119
<v Speaker 5>Yah, that's awesome. Oh I really really was nervous though.

0:27:04.160 --> 0:27:06.119
<v Speaker 5>I felt my leg completely shaking. I thought she was

0:27:06.119 --> 0:27:08.600
<v Speaker 5>gonna look down and just see my leg shaking like it.

0:27:08.640 --> 0:27:12.879
<v Speaker 2>Okay, one to ten, how you feel? Did you wrestle

0:27:12.920 --> 0:27:13.200
<v Speaker 2>the bear?

0:27:14.080 --> 0:27:15.920
<v Speaker 5>Because I know I still have to go to the loft.

0:27:15.960 --> 0:27:17.880
<v Speaker 5>That's you know, the relief hasn't come.

0:27:17.920 --> 0:27:25.080
<v Speaker 1>But after the break, Joey tries rolling up a much

0:27:25.119 --> 0:27:29.520
<v Speaker 1>harder hill, apologizing to people. He actually knows.

0:27:31.840 --> 0:27:33.560
<v Speaker 2>Those people you lived with, they actually know the real

0:27:33.600 --> 0:27:35.240
<v Speaker 2>joy I mean maybe they didn't like the real Joys,

0:27:35.400 --> 0:27:36.760
<v Speaker 2>but they knew who you were.

0:27:37.600 --> 0:27:39.120
<v Speaker 5>No, I don't think they did. I mean I hope

0:27:39.160 --> 0:27:39.600
<v Speaker 5>they did it.

0:27:45.960 --> 0:27:47.720
<v Speaker 1>Do you think it's a good sign that the roommates

0:27:47.720 --> 0:27:49.320
<v Speaker 1>did not respond? No?

0:27:49.320 --> 0:27:51.040
<v Speaker 5>No, to be honest, I'm pretty nervous about that.

0:27:53.080 --> 0:27:55.800
<v Speaker 1>Joey had tried to contact his former loft mates via

0:27:55.840 --> 0:27:58.240
<v Speaker 1>group text to let them know he'd be coming by

0:27:58.280 --> 0:28:00.800
<v Speaker 1>to talk. But as we stay and on the street

0:28:00.960 --> 0:28:04.560
<v Speaker 1>in front of the building, our kombucha bubbling and vegetarian

0:28:04.640 --> 0:28:09.600
<v Speaker 1>pizzas congealing, Joey checks and re checks his phone, not

0:28:09.720 --> 0:28:13.399
<v Speaker 1>a single one of his former roommates has responded.

0:28:13.119 --> 0:28:15.520
<v Speaker 2>Not even like any response is not a good sign.

0:28:15.640 --> 0:28:18.840
<v Speaker 1>Well maybe that's better than like responding by saying I'm

0:28:18.880 --> 0:28:21.960
<v Speaker 1>not interested. Right, the loft is on the second floor,

0:28:22.000 --> 0:28:24.320
<v Speaker 1>behind the metal gate, and there's no doorbell.

0:28:24.760 --> 0:28:26.840
<v Speaker 2>All right, let's figure out how to get into this fortress.

0:28:27.600 --> 0:28:30.679
<v Speaker 1>There's no drain pipe to shimmy, no fire escape banister

0:28:30.800 --> 0:28:33.439
<v Speaker 1>to reverse oli. All we can do is wait for

0:28:33.480 --> 0:28:36.359
<v Speaker 1>someone to come in or out. Gregor fills the time

0:28:36.600 --> 0:28:38.360
<v Speaker 1>with yet another aviation story.

0:28:39.200 --> 0:28:41.160
<v Speaker 2>When I was going through the TSA, the lady was like,

0:28:41.320 --> 0:28:42.840
<v Speaker 2>could you pull your pants up a little bit?

0:28:44.320 --> 0:28:45.800
<v Speaker 5>You just told me to take my belt off.

0:28:45.920 --> 0:28:47.280
<v Speaker 2>Now my pants are falling down. You want me to

0:28:47.320 --> 0:28:48.000
<v Speaker 2>pull my pants up?

0:28:48.040 --> 0:28:48.600
<v Speaker 4>Which is it?

0:28:48.880 --> 0:28:50.440
<v Speaker 1>You really get told to play an?

0:28:50.760 --> 0:28:52.280
<v Speaker 2>I get told that every time I go through the tar.

0:28:52.400 --> 0:28:54.520
<v Speaker 1>Where's a belt with a pair of shorts? You wear

0:28:54.520 --> 0:28:55.720
<v Speaker 1>a belt and shorts?

0:28:55.800 --> 0:28:57.320
<v Speaker 5>Yep, I never heard of that.

0:28:57.880 --> 0:28:58.880
<v Speaker 2>How do you think I keep mouth?

0:28:59.040 --> 0:29:02.120
<v Speaker 1>I think someone's coming. Thankfully we're interrupted.

0:29:02.320 --> 0:29:05.320
<v Speaker 5>Oh thank yo, how's it going?

0:29:06.680 --> 0:29:10.040
<v Speaker 1>One of Joey's old roommates emerges. He's a hip young

0:29:10.080 --> 0:29:13.480
<v Speaker 1>man who, if not wearing a straw pork pie hat

0:29:13.520 --> 0:29:17.440
<v Speaker 1>and carrying a gondola paddle, is certainly giving off that vibe,

0:29:17.800 --> 0:29:24.000
<v Speaker 1>a Venetian boatman vibe. Joey, foregoing all social foreplay, dives

0:29:24.080 --> 0:29:24.480
<v Speaker 1>right in.

0:29:25.080 --> 0:29:27.760
<v Speaker 5>Yeah, I'm here because I want to apologize. I don't

0:29:27.760 --> 0:29:30.840
<v Speaker 5>know if you've got the group text. Oh no, yeah,

0:29:31.320 --> 0:29:32.920
<v Speaker 5>I just wanted I felt really bad about how I

0:29:33.000 --> 0:29:35.480
<v Speaker 5>love things here, so I brought some pizza and my

0:29:35.840 --> 0:29:36.959
<v Speaker 5>friends here. Okay.

0:29:37.720 --> 0:29:41.560
<v Speaker 1>Joey gestures over to his friends, two balding middle aged

0:29:41.600 --> 0:29:45.720
<v Speaker 1>men slumping behind him like bald scarecrows stuffed with museley.

0:29:46.640 --> 0:29:50.720
<v Speaker 5>Hey, h okay, all right, well this is really awkward

0:29:50.760 --> 0:29:51.480
<v Speaker 5>in a surprise.

0:29:51.880 --> 0:29:54.600
<v Speaker 4>All right, I was just going out of my car.

0:29:54.840 --> 0:29:59.960
<v Speaker 1>Okay, So the boatman isn't very receptive, but Joey proceed.

0:30:00.880 --> 0:30:02.360
<v Speaker 5>Does anyone else tell him? If you want to ask

0:30:02.400 --> 0:30:04.160
<v Speaker 5>if they are okay with me coming up?

0:30:04.640 --> 0:30:10.840
<v Speaker 1>Okay, thank you so much. It's taken all of Joey's

0:30:10.880 --> 0:30:13.479
<v Speaker 1>courage to return to the place where the coolest art

0:30:13.560 --> 0:30:16.560
<v Speaker 1>kids in La live, and he's still being denied entry.

0:30:17.480 --> 0:30:20.200
<v Speaker 1>As Joey stares in silence at the steel door that's

0:30:20.320 --> 0:30:23.840
<v Speaker 1>just clanged shut in his mustachioed face, I struggle to

0:30:23.840 --> 0:30:29.280
<v Speaker 1>come up with something positive to say. I think you

0:30:29.360 --> 0:30:30.080
<v Speaker 1>handled yourself.

0:30:30.080 --> 0:30:32.719
<v Speaker 5>Well, I'm extremely nervous right now. I don't feel good

0:30:32.720 --> 0:30:33.840
<v Speaker 5>about how this is going.

0:30:35.640 --> 0:30:39.560
<v Speaker 1>Upstairs, the gondolier is saying to his roommate something along

0:30:39.600 --> 0:30:43.760
<v Speaker 1>the lines of, Hey, remember that silent roller skating weirdo

0:30:43.840 --> 0:30:47.880
<v Speaker 1>we kicked out of our art loft. Well, he's downstairs

0:30:48.560 --> 0:30:56.240
<v Speaker 1>with pizza and his two gay dads. But then, yo,

0:30:57.520 --> 0:31:02.959
<v Speaker 1>how you doing. Zach is the unofficial head of the household,

0:31:03.320 --> 0:31:05.680
<v Speaker 1>the guy who takes care of all the square noormy

0:31:05.680 --> 0:31:09.160
<v Speaker 1>stuff like throwing out expired cottage cheese and paying the

0:31:09.200 --> 0:31:14.040
<v Speaker 1>rent on time. He's bearded and shaggy. He turns to Joey.

0:31:14.640 --> 0:31:18.760
<v Speaker 1>Joey stares down at his rollerblades and starts mumbling explanations.

0:31:19.520 --> 0:31:21.800
<v Speaker 5>Yeah, I just thought. I mean, I didn't think it

0:31:21.840 --> 0:31:25.120
<v Speaker 5>was just like I just thought, like.

0:31:25.400 --> 0:31:28.520
<v Speaker 1>I haven't heard this much mealy mouthing since I guess

0:31:28.560 --> 0:31:31.160
<v Speaker 1>an hour ago, when Joey was at the pizza parlor.

0:31:32.360 --> 0:31:37.040
<v Speaker 1>Zach looks at Joey skeptically. His arms are crossed. Nonetheless,

0:31:37.560 --> 0:31:39.360
<v Speaker 1>Joey soldiers on, I.

0:31:39.320 --> 0:31:42.400
<v Speaker 5>Just feel really bad about kind of how how I

0:31:42.480 --> 0:31:45.600
<v Speaker 5>left things here. Huh. Yeah, I know that I wasn't

0:31:45.600 --> 0:31:48.400
<v Speaker 5>the best roommate, and I feel really bad. I'm just

0:31:48.480 --> 0:31:51.600
<v Speaker 5>kind of uncomfortable about like just you know, even just

0:31:51.640 --> 0:31:53.680
<v Speaker 5>how you guys think about me. But I just wanted

0:31:53.720 --> 0:31:55.840
<v Speaker 5>to apologize and make things right.

0:31:59.160 --> 0:32:00.680
<v Speaker 4>There were things like that bugged me.

0:32:00.760 --> 0:32:03.440
<v Speaker 1>Here we go no Whereas the pizza chef had been

0:32:03.480 --> 0:32:06.720
<v Speaker 1>impressed with the mere fact Joey had returned for Zach,

0:32:07.160 --> 0:32:08.080
<v Speaker 1>that wasn't enough.

0:32:09.600 --> 0:32:11.600
<v Speaker 8>You had your headphones on a lot, and you had

0:32:12.040 --> 0:32:13.160
<v Speaker 8>noise canceling headphones.

0:32:13.160 --> 0:32:14.320
<v Speaker 4>You're just like in your world.

0:32:14.600 --> 0:32:16.960
<v Speaker 1>He launches into a laundry list of grievances.

0:32:17.160 --> 0:32:19.840
<v Speaker 4>Didn't clean the bathroom, and I was just like.

0:32:20.400 --> 0:32:24.320
<v Speaker 1>Dude, Joey ignored everybody, never cleaned up after himself, never

0:32:24.360 --> 0:32:25.760
<v Speaker 1>even washed a dish.

0:32:25.720 --> 0:32:28.720
<v Speaker 4>The amount of rent or who's paying what? Or why

0:32:28.760 --> 0:32:31.200
<v Speaker 4>are you paying her and not paying Ah?

0:32:31.440 --> 0:32:35.080
<v Speaker 1>The worst thing Joey could imagine was happening. He was

0:32:35.120 --> 0:32:39.760
<v Speaker 1>being seen and told that he'd always been seen. He

0:32:39.840 --> 0:32:42.800
<v Speaker 1>put all his effort into trying to become invisible and

0:32:42.880 --> 0:32:45.920
<v Speaker 1>absolutely no effort into doing his share of the chores.

0:32:46.680 --> 0:32:49.840
<v Speaker 1>That's why his roommates wanted him out. They'd seen him

0:32:49.880 --> 0:32:53.680
<v Speaker 1>visibly not cleaning the loft, visibly not taking out the garbage,

0:32:54.040 --> 0:32:56.600
<v Speaker 1>trying to hide but not really hiding at all.

0:32:57.080 --> 0:33:00.480
<v Speaker 4>He taking an advantage of And that's what I was like, whoa.

0:33:01.080 --> 0:33:04.080
<v Speaker 1>If ordering a pizza had given Joey the Jimmy legs,

0:33:04.360 --> 0:33:08.000
<v Speaker 1>facing Zach was giving Joey the Joey leg a name

0:33:08.040 --> 0:33:10.960
<v Speaker 1>I've just coined for a condition in which one's entire

0:33:11.000 --> 0:33:15.240
<v Speaker 1>body becomes one single Jimmy leg that is a Joey

0:33:15.360 --> 0:33:18.600
<v Speaker 1>leg that won't stop. Jimmy ing is like a liberty,

0:33:18.760 --> 0:33:22.360
<v Speaker 1>you know. But while Joey is jimmy ing, he isn't folding,

0:33:22.840 --> 0:33:23.960
<v Speaker 1>He's not running away.

0:33:24.320 --> 0:33:28.840
<v Speaker 4>But it was just the way that it was done. Yeah.

0:33:29.240 --> 0:33:34.040
<v Speaker 1>As Zach finishes speaking, Joey maintains eye contact. And what's more,

0:33:34.600 --> 0:33:38.240
<v Speaker 1>as the la breeze whips up the hindquarters of his mullet.

0:33:38.280 --> 0:33:42.120
<v Speaker 1>He does not fall prey to his lifelong crutch, silence,

0:33:43.120 --> 0:33:48.680
<v Speaker 1>without notes, without wittyish rejoinders. He responds all this stuff,

0:33:48.720 --> 0:33:48.880
<v Speaker 1>like the.

0:33:49.120 --> 0:33:51.920
<v Speaker 5>Not paying rent on time, and all the chory stuff,

0:33:52.120 --> 0:33:55.760
<v Speaker 5>all that stems from this shyness, this like the weirdness

0:33:55.760 --> 0:33:58.360
<v Speaker 5>and like just feeling uncomfortable to like, I don't know,

0:33:58.440 --> 0:34:00.880
<v Speaker 5>be in the public space is kind of just because

0:34:00.920 --> 0:34:03.640
<v Speaker 5>I'm weird and shy, and I can't blame it on

0:34:03.680 --> 0:34:06.120
<v Speaker 5>anything but myself. I mean, it was all It's all me.

0:34:06.200 --> 0:34:07.160
<v Speaker 5>It's like my own things.

0:34:08.280 --> 0:34:10.360
<v Speaker 1>Zach looks at you as I wish I was more.

0:34:10.239 --> 0:34:11.960
<v Speaker 5>Able to like be friendly with you guys.

0:34:11.880 --> 0:34:14.960
<v Speaker 1>Sees them struggling, and his face softened.

0:34:17.800 --> 0:34:21.759
<v Speaker 8>I understand like having social anxiety, having like issues where

0:34:21.800 --> 0:34:24.440
<v Speaker 8>you're like you feel something that's like strangling you in

0:34:24.480 --> 0:34:26.440
<v Speaker 8>a position where you have to converse or whatever.

0:34:26.880 --> 0:34:27.960
<v Speaker 4>Like I can understand that.

0:34:28.840 --> 0:34:30.960
<v Speaker 5>Yeah, like I only wanted to just be friends with

0:34:31.000 --> 0:34:31.640
<v Speaker 5>you guys.

0:34:32.120 --> 0:34:34.440
<v Speaker 4>I have I appreciated where were you staying now?

0:34:35.000 --> 0:34:38.600
<v Speaker 1>Awkwardness is just a step along the way to vulnerability

0:34:39.320 --> 0:34:42.960
<v Speaker 1>and being vulnerable, allowing yourself to be seen is the

0:34:42.960 --> 0:34:45.560
<v Speaker 1>only soil from which friendship can grow.

0:34:45.600 --> 0:34:47.319
<v Speaker 4>I love your funky style.

0:34:47.320 --> 0:34:51.399
<v Speaker 1>And what better fertilizer than a mutual love of the mullet.

0:34:51.880 --> 0:34:55.360
<v Speaker 8>I've been contemplating a similar mullet as yours, but I

0:34:55.360 --> 0:34:58.239
<v Speaker 8>don't know if my hair would work as much as yours.

0:34:58.280 --> 0:34:59.320
<v Speaker 4>You have a different volume.

0:34:59.640 --> 0:35:02.480
<v Speaker 1>So as Zach and Joey wax on about the beauty

0:35:02.480 --> 0:35:06.240
<v Speaker 1>of Joey's ape drape, another loft made appears in the stairway.

0:35:06.600 --> 0:35:06.799
<v Speaker 5>Nice.

0:35:08.920 --> 0:35:21.359
<v Speaker 7>Yeah, if that's okay, that's great, Thank you, Holy cow,

0:35:21.760 --> 0:35:23.160
<v Speaker 7>this is a really big space.

0:35:23.920 --> 0:35:24.120
<v Speaker 6>Good.

0:35:25.120 --> 0:35:27.560
<v Speaker 1>Joey leads Gregor and I on a tour through the

0:35:27.600 --> 0:35:31.160
<v Speaker 1>old audio cassettes and dummy heads, past the kickboxing bag

0:35:31.200 --> 0:35:34.160
<v Speaker 1>and vinyl collection, and ends the tour in a truly

0:35:34.239 --> 0:35:38.600
<v Speaker 1>empty V cribs kind of way at his old bedroom

0:35:39.160 --> 0:35:42.719
<v Speaker 1>where the magic happened. And by magic, I mean where

0:35:42.800 --> 0:35:46.759
<v Speaker 1>Joey slept on the floor wrapped in unwashed blankets.

0:35:47.120 --> 0:35:48.480
<v Speaker 5>This is where you used to stay.

0:35:48.680 --> 0:36:00.680
<v Speaker 1>Did you have a mattress? Joey breaks out the pizza

0:36:00.719 --> 0:36:03.320
<v Speaker 1>and kombucha, and we all gathered by the hot plate

0:36:03.400 --> 0:36:04.040
<v Speaker 1>for a toast.

0:36:04.360 --> 0:36:07.080
<v Speaker 2>You're supposed to actually look up, look at each other's eyes.

0:36:11.640 --> 0:36:12.319
<v Speaker 5>The communication.

0:36:18.560 --> 0:36:23.800
<v Speaker 1>After we choke back our kombucha, I suggest a symbolic gesture.

0:36:24.520 --> 0:36:27.000
<v Speaker 1>You want to you want to wash all the glass?

0:36:27.480 --> 0:36:31.280
<v Speaker 5>I do. This is totally ridiculous.

0:36:33.239 --> 0:36:34.879
<v Speaker 1>You're gonna use soap and everything.

0:36:36.760 --> 0:36:37.080
<v Speaker 5>I know.

0:36:38.719 --> 0:36:38.959
<v Speaker 6>Something.

0:36:43.200 --> 0:36:45.840
<v Speaker 1>Just as we're about to leave, Gregor decides he'd like

0:36:45.880 --> 0:36:49.200
<v Speaker 1>to use the bathroom. And whereas a couple of shrinky

0:36:49.239 --> 0:36:52.200
<v Speaker 1>and sneaky violets like Joey and me might just slink

0:36:52.239 --> 0:36:54.520
<v Speaker 1>off looking for it, Gregor does not.

0:36:54.840 --> 0:36:56.400
<v Speaker 2>It might be too much of in a position if

0:36:56.440 --> 0:36:58.520
<v Speaker 2>I was to leave a little urine in your toilet

0:36:58.560 --> 0:36:59.120
<v Speaker 2>on the way out.

0:37:00.600 --> 0:37:04.000
<v Speaker 1>By embracing the awkwardness of life, acknowledging that we are

0:37:04.120 --> 0:37:08.360
<v Speaker 1>creatures who require toilets, Gregor somehow makes things less awkward,

0:37:09.480 --> 0:37:19.200
<v Speaker 1>at least for himself. Gregor has mastered something that Joey

0:37:19.239 --> 0:37:23.360
<v Speaker 1>is still learning the art of saying, here I am,

0:37:23.520 --> 0:37:29.719
<v Speaker 1>even when peeing into a toilet while wearing a lapel microphone.

0:37:40.520 --> 0:37:45.319
<v Speaker 8>You're welcome, Thank you, take it.

0:37:45.320 --> 0:37:49.680
<v Speaker 5>Easy, Thanks you guys.

0:37:48.360 --> 0:37:54.600
<v Speaker 1>After leaving the loft, there's only one thing left to redo.

0:37:55.160 --> 0:37:55.399
<v Speaker 2>Hello.

0:37:56.560 --> 0:38:00.480
<v Speaker 1>Yeah, Joey phones up his twin sister Release, and this

0:38:00.560 --> 0:38:02.480
<v Speaker 1>time he isn't crying.

0:38:03.239 --> 0:38:06.040
<v Speaker 5>It was so good, it was so cool. Yeah, I

0:38:06.080 --> 0:38:09.640
<v Speaker 5>think he genuinely forgave me and I did it all

0:38:09.680 --> 0:38:10.359
<v Speaker 5>on my lone, son.

0:38:11.400 --> 0:38:12.040
<v Speaker 4>No, you did it.

0:38:12.160 --> 0:38:16.839
<v Speaker 5>You needed so much help. Well after I got the help,

0:38:16.880 --> 0:38:18.840
<v Speaker 5>I did it on myself, you know, I mean, but

0:38:18.960 --> 0:38:20.440
<v Speaker 5>now I just feel like I can do it on

0:38:20.480 --> 0:38:21.520
<v Speaker 5>myself by myself.

0:38:22.040 --> 0:38:24.279
<v Speaker 6>I am really proud of you that I know that

0:38:24.239 --> 0:38:25.120
<v Speaker 6>it takes a lot.

0:38:25.360 --> 0:38:25.719
<v Speaker 1>It did.

0:38:26.600 --> 0:38:28.040
<v Speaker 5>It takes a lot from me. Yeah, you know more

0:38:28.080 --> 0:38:30.319
<v Speaker 5>than anyone. Your proudness feels good.

0:38:32.280 --> 0:38:35.280
<v Speaker 1>I'm not surprised that Elise is proud, but I'm taking

0:38:35.320 --> 0:38:38.840
<v Speaker 1>aback to see that. Gregor looks proud too, proud of himself,

0:38:38.880 --> 0:38:42.680
<v Speaker 1>of course, but also with Joey. So once Joey gets

0:38:42.680 --> 0:38:45.880
<v Speaker 1>off the phone, Gregor offers up some fatherly advice.

0:38:46.320 --> 0:38:48.239
<v Speaker 2>I understand what it is to be young. It's a

0:38:48.280 --> 0:38:52.320
<v Speaker 2>tough phase. Until you're about forty five. Life is really difficult, okay,

0:38:52.840 --> 0:38:54.919
<v Speaker 2>and then from there on in it's all just sitting

0:38:54.920 --> 0:38:56.880
<v Speaker 2>in one of those soapbox derby cars, rolling down the

0:38:56.920 --> 0:38:59.240
<v Speaker 2>hill to your senescence and eventual death.

0:39:00.239 --> 0:39:01.200
<v Speaker 1>You're depressing the guy.

0:39:01.440 --> 0:39:04.680
<v Speaker 2>I'm coming to my Hallmark inspirational line. I'd say it's

0:39:04.719 --> 0:39:07.960
<v Speaker 2>a tough fifteen to twenty five year period. It's very

0:39:08.040 --> 0:39:09.719
<v Speaker 2>unpleasant really most of it.

0:39:11.760 --> 0:39:13.399
<v Speaker 5>Could you repeat that Hallmark line again?

0:39:19.040 --> 0:39:22.760
<v Speaker 1>And with that, Joey pulls off his unlikeliest feet, yet

0:39:23.440 --> 0:39:29.240
<v Speaker 1>he gets in a genuine off the cough zinger. Gregor

0:39:29.280 --> 0:39:35.200
<v Speaker 1>and I had brought this big bird down a big

0:39:35.880 --> 0:39:36.640
<v Speaker 1>group hug.

0:39:36.680 --> 0:39:40.759
<v Speaker 5>On Kang Kang, there we go, touching me.

0:39:54.120 --> 0:40:03.640
<v Speaker 3>Now that the furniture's returning to its goodwill home, now

0:40:03.719 --> 0:40:05.120
<v Speaker 3>that the last.

0:40:04.920 --> 0:40:07.480
<v Speaker 5>Month's rant is scheming with.

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<v Speaker 2>The damage to pozzle, take this moment to deserve.

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<v Speaker 3>If we imagine, if we felt for far.

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<v Speaker 1>From things good. Accident Heavyweight is hosted and produced by

0:40:31.520 --> 0:40:34.759
<v Speaker 1>me Jonathan Goldstein, along with Khalila Holt, Peter Bresnan, and

0:40:34.800 --> 0:40:37.759
<v Speaker 1>Stevie Lane. The show is edited by Jorge Just, with

0:40:37.840 --> 0:40:41.600
<v Speaker 1>additional editing by Alex Bloomberg. Special thanks to Emily Condon,

0:40:41.640 --> 0:40:44.799
<v Speaker 1>Flora Lickman, PJ. Vote, say E, TG and Thomas and

0:40:44.920 --> 0:40:48.200
<v Speaker 1>Jackie Cohen. Bobby Lord mixed the episode with music by

0:40:48.239 --> 0:40:52.320
<v Speaker 1>Christine Fellows, John K. Sampson, Blue Dot Sessions, and he himself,

0:40:52.480 --> 0:40:55.759
<v Speaker 1>Bobby Lord. Additional music credits can be found on our

0:40:55.760 --> 0:41:00.279
<v Speaker 1>website Gimltmedia dot com slash Heavyweight. Our theme song is

0:41:00.280 --> 0:41:02.759
<v Speaker 1>by The Weaker Thans courtesy of Epitaph Records, and our

0:41:02.800 --> 0:41:05.880
<v Speaker 1>ad music is by Hailey Shaw. Follow us on Twitter

0:41:05.920 --> 0:41:09.680
<v Speaker 1>at Heavyweight or email us at Heavyweight at gimletmedia dot com.

0:41:09.880 --> 0:41:13.480
<v Speaker 1>We'll have a brand new episode next week ATIOS.

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<v Speaker 2>You're fly Enough, You see it All, Johnny. I've seen

0:41:25.120 --> 0:41:28.560
<v Speaker 2>people get married on planes, people get divorced, babies being

0:41:28.600 --> 0:41:31.000
<v Speaker 2>born a bunch of times, seen a man take another

0:41:31.040 --> 0:41:34.800
<v Speaker 2>man's life. Mar Mitz's Wutkins Vinieires. I've seen on planes,

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<v Speaker 2>seen kittens be born,