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Speaker 1: The setup, Episode four.

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Speaker 2: It's not you, it's me.

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Speaker 3: The train is approaching the next station.

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Speaker 4: Please watch your stuff.

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Speaker 5: He literally slept on the floor.

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Speaker 6: I screw it up, like I screw everything up, and

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Speaker 6: now I feel like this huge wall between us.

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Speaker 4: This is precisely what I was concerned about when you

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Speaker 4: decided to rush into a romantic getaway.

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Speaker 7: Done.

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Speaker 4: You and Fernando are still learning each other's emotional boundaries.

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Speaker 2: You're right, okay, he can really look at me. He's

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Speaker 2: just I don't know, he's fixated on his computer.

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Speaker 5: He's icing me out.

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Speaker 1: Oh God, what I do?

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Speaker 4: Perhaps we should try another strategy to break down Fernando's

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Speaker 4: emotional walls. If he won't express himself to you on

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Speaker 4: his own, maybe you can coax an emotional expression from him.

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Speaker 4: Why do you encourage him to be vulnerable?

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Speaker 2: You mean like asking him what's wrong? I've already tried that.

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Speaker 7: He won't budget.

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Speaker 2: It's getting awkward for me to keep asking the same Ope.

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Speaker 4: Uncomfortable moments are a natural part for getting to know someone.

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Speaker 4: But remember, everything is infinitely more complicated when you add

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Speaker 4: in the prospect of sexual.

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Speaker 8: Creations, sexual relation. God, what was that?

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Speaker 7: What?

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Speaker 8: Nothing?

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Speaker 6: Now? I was just was talking to a boiler about

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Speaker 6: her new sectional that's being delivered.

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Speaker 8: Because when you're done, I have a lead.

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Speaker 4: Remember one dent in Fernando Zo could open the relationship.

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Speaker 6: Can I tell you back in a bits, Please use

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Speaker 6: caution as you Okay, So.

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Speaker 9: About last night and Clara Livingston's after she leases a

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Speaker 9: studio apartment in Dumbo.

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Speaker 8: Wow, you're pretty incredible at this. I hope you know.

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Speaker 10: I really value everything that you know.

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Speaker 11: Listen, I need you to do a deep dive on

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Speaker 11: Clara's socials.

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Speaker 8: Anyone connected to.

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Speaker 6: Her is fair game, right, because it's those personal connections

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Speaker 6: that really give you insight into someone, what they care about,

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Speaker 6: who they canfide in and.

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Speaker 11: Wet with Clara's TikTok TikTok.

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Speaker 6: I just feel like maybe talking to her in person

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Speaker 6: might be you know better, and give her a better

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Speaker 6: chance to let down her guard with us and then

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Speaker 6: we know, be vulnerable.

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Speaker 11: And by tomorrow afternoon for lunch, that's just over twenty

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Speaker 11: four hours to find Clara and secure Vietrice.

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Speaker 8: This is my last chance.

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Speaker 12: Right right?

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Speaker 6: Yes, of course, Okay, I have Claire's TikTok and well

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Speaker 6: mainly just videos of her dancing, her cat. Oh wait, wait, wait,

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Speaker 6: this is her at that party.

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Speaker 2: Call Let.

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Speaker 13: Palladium is everything tonight, friends, everyone who has anyone in.

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Speaker 1: The art world is here and you don't want to

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Speaker 1: miss it.

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Speaker 13: I'm here with my best friend and fellow Galla Rena Stephanie.

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Speaker 14: Say okay, Unicorn.

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Speaker 3: Party is a literal laundry list of the biggest names

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Speaker 3: in art o.

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Speaker 15: Fashion and culture.

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Speaker 3: I recreated disruptor in the city. Would kill for the

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Speaker 3: password to get it?

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Speaker 12: Me too?

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Speaker 8: Oh, the Unicorn Party is all it. Now we have

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Speaker 8: to find actually half an I need the password?

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Speaker 10: How the helloween the baskett?

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Speaker 8: What the neo expressionist painter? Yes, how do you well?

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Speaker 6: It's an invite to the Unicorn Party. Clara left it

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Speaker 6: at missus Levingston.

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Speaker 8: Can I see that?

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Speaker 2: Yes?

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Speaker 8: Save a horse riding unicorn doors at eleven? Password is

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Speaker 8: basket yet? Why did you say anything?

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Speaker 6: Well, I've tried, but we're moving so fast and I

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Speaker 6: can really get a word.

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Speaker 8: It's great.

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Speaker 2: One.

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Speaker 11: I'm I'm sorry, Okay, I've been kind of been kind

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Speaker 11: of a dick.

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Speaker 8: I'm under a lot of pressure. You may just have

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Speaker 8: scored us the delato.

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Speaker 10: Yeah, I guess I did so.

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Speaker 2: Yeah, what what do you do now?

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Speaker 8: You have Stephanie's number?

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Speaker 16: Right?

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Speaker 10: Yeah?

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Speaker 15: Hey girl, Hey, I have to say Quan hitting me

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Speaker 15: up to Ray during your medical sabbatical. Very it's amure,

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Speaker 15: very mindful, very cute.

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Speaker 6: Yeah, thanks, thanks for meeting.

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Speaker 2: That's Stephanie.

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Speaker 14: Good news, bad news.

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Speaker 3: Clara's going through a breakup right now and has a

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Speaker 3: lot of feelings. So I told you just to meet

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Speaker 3: us there.

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Speaker 14: But she'll be there.

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Speaker 15: Oh, Clara would never miss a Unicorn party. It's a

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Speaker 15: secret in for every up and coming artist.

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Speaker 10: What exactly does secret in mean?

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Speaker 15: Okay, if you're gonna be rolling with me, I'm gonna

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Speaker 15: need you both to stop acting brand new?

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Speaker 3: Come on, let's get a matcha. I'll fill you in.

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Speaker 12: Sorry one, I have to take this.

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Speaker 8: I will be right there.

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Speaker 10: Are you sure I can go and I'll catch up?

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Speaker 12: Okay, what do you want?

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Speaker 11: Stop wasting my time unless you have something valuable to contribute.

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Speaker 8: I have to get back to.

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Speaker 4: Ex because remember the Leonard meeting is tomorrow.

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Speaker 8: At noon and the painting is secure. Oh more, that's

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Speaker 8: all you need to know.

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Speaker 14: Goodbye, repeat after me.

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Speaker 3: The fit is on point, but is the fabric ethically sourced?

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Speaker 8: Translation?

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Speaker 3: I like your outfit, but did the manufacturer follow fair

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Speaker 3: wage guidelines?

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Speaker 6: I'm sorry, seriously, the fit is on point, but is

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Speaker 6: the fabric ethically sourced?

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Speaker 12: Okay?

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Speaker 10: What amazing one?

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Speaker 3: You're actually passing right now? Okay, now you try, Fernando.

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Speaker 11: Yeah, I got it already.

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Speaker 8: Thanks.

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Speaker 3: You asked me for help. The least you could do

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Speaker 3: is make an effort.

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Speaker 10: Well, we just need to you out for Nando.

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Speaker 8: I'm pretty loose, thank you.

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Speaker 3: Actually, you know what.

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Speaker 2: Here for Nando?

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Speaker 1: Take one?

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Speaker 10: Oh my god? Are those drugs?

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Speaker 16: Oh?

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Speaker 1: For Christ's sake, Swan, it's literally a core of a xanax.

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Speaker 14: It's literally a chill pilt.

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Speaker 9: I'm not sure that I should you know. You know what, Fine,

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Speaker 9: we'll call it research for tonight.

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Speaker 8: Give it to me.

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Speaker 3: I wouldn't called xanax a party.

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Speaker 14: Drug, but whatever.

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Speaker 8: Another.

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Speaker 2: Are you sure about that? All right?

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Speaker 8: Stephanie? Pretty women without the whole prostitution thing.

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Speaker 3: Firstly, I stand on our nation sex workers.

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Speaker 14: Sex is work, right, Sorry, it's true.

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Speaker 15: And secondly, yeah, there's no way I'm introducing you to

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Speaker 15: my friends wearing what you're wearing?

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Speaker 2: What what do you mean? What's what's the matter with

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Speaker 2: what I'm wearing?

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Speaker 3: It's a cardigan. One a cardigan.

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Speaker 2: I don't think I like where this is going.

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Speaker 6: Actually in the card again, it looks also a great band.

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Speaker 8: Sunglasses. Isn't it a isn't it a warehouse at night?

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Speaker 3: Clearly you're no Andy Warhole.

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Speaker 10: Next, how many zippers?

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Speaker 6: It's too many zippers?

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Speaker 8: Question, we wouldn't even.

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Speaker 10: Call that a.

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Speaker 3: And Juan, you are showing way too much chess here

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Speaker 3: right now.

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Speaker 1: Next, I like it.

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Speaker 8: This is actually comfortable. I don't think I think that.

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Speaker 2: The leather is that a left hardness?

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Speaker 15: Honestly, you're giving Robbert Maplethorpe Daddy vibes right now.

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Speaker 1: I think this is it fun your turn, I don't know.

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Speaker 6: I feel like this is this is too bad as

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Speaker 6: far as overalls go.

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Speaker 14: The baseball cap is giving to you herman.

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Speaker 8: What about a bucket?

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Speaker 7: Half good call?

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Speaker 14: Fernando very buquet.

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Speaker 9: Yes, maybe it's the sad X offing, but I think

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Speaker 9: this is it.

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Speaker 7: Yeah, this is good stuff. Good.

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Speaker 8: Okay, this line is ridiculous. I'm gonna go talk to

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Speaker 8: the bouncer.

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Speaker 3: Absolutely not here a total movie. You just got a

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Speaker 3: wait for clear.

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Speaker 15: This one time she gave me the contact info and

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Speaker 15: then I got into the party by myself.

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Speaker 13: TikTok, Stephanie, can you please get us inside?

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Speaker 16: Now?

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Speaker 2: Are you okay? You look a little pale.

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Speaker 15: Okay, I think you both need a chill pill this time. Here,

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Speaker 15: take this Andy's and I'll go talk to the bouncer.

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Speaker 8: Wait.

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Speaker 2: What color was that?

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Speaker 8: I don't know why it was blue? I think it

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Speaker 8: was it was blue. Sure, they're all the same.

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Speaker 2: You set a quarterbar only for them.

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Speaker 8: It's fine. I barely felt it this well.

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Speaker 10: Should I take one?

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Speaker 12: I don't know.

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Speaker 8: I'm just making a decision and stick to.

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Speaker 2: It, right, Okay, fine, okay, I can do that. I can.

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Speaker 2: I'm making a decision right now in this moment. Done.

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Speaker 2: See you look at home.

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Speaker 1: I took a hole one because you took a whole one.

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Speaker 1: So it's done, guys, Let's go. Clara's already inside.

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Speaker 12: Okay, game face one, right, right?

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Speaker 6: Game face?

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Speaker 8: Okay?

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Speaker 2: Wait, what's the game face?

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Speaker 16: Right? Let's go.

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Speaker 2: Let's go.

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Speaker 13: Yes, Clara, text you back.

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Speaker 8: It's been it's been like a half an hour. Maybe

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Speaker 8: we should take a lap.

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Speaker 2: Hook for her.

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Speaker 1: She told me to meet her at the board.

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Speaker 13: Okay, wow, why does anyone want another bottle of water?

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Speaker 1: It's really really warm, and you're right.

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Speaker 2: And right, it isn't like restrictedly warm because everyone.

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Speaker 13: Else feels does anyone else feel that it's warm?

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Speaker 16: Right?

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Speaker 2: It's warm?

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Speaker 1: Okay, you're both too intense right now? Did you take

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Speaker 1: the sandace?

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Speaker 2: Yes? You did. I'm just I'm just so sweaty. Are

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Speaker 2: you guys sweating right now?

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Speaker 6: I just I'm beginning to like I'm butting these over us,

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Speaker 6: you know, free my undercar and very.

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Speaker 13: Hot, so hot, and the music is incredibly long.

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Speaker 2: Now and I know you don't even have a shirt.

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Speaker 12: You're right?

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Speaker 8: Why am I sweating?

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Speaker 11: It's just one simple strap of leather and another strap

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Speaker 11: of leather and a metal buckle.

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Speaker 7: And oh wow, the.

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Speaker 8: Leather feels so smooth.

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Speaker 13: Feel the leather water, it feels incredibly smooth. Oh and

236
00:10:22,800 --> 00:10:26,160
Speaker 13: it's it's glowing, you can see that, right.

237
00:10:26,240 --> 00:10:27,640
Speaker 5: Wow, it's not the leather.

238
00:10:28,559 --> 00:10:30,040
Speaker 2: It's not the leather that's glowing.

239
00:10:30,080 --> 00:10:31,360
Speaker 10: It's you.

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00:10:31,360 --> 00:10:32,120
Speaker 2: You're glowing.

241
00:10:32,280 --> 00:10:33,440
Speaker 16: How are you glowing?

242
00:10:34,000 --> 00:10:34,200
Speaker 10: Oh?

243
00:10:34,280 --> 00:10:34,800
Speaker 7: My god?

244
00:10:34,920 --> 00:10:36,000
Speaker 1: Both of you? Stop?

245
00:10:36,280 --> 00:10:38,320
Speaker 13: What what colored pill?

246
00:10:38,400 --> 00:10:39,080
Speaker 1: Does you take?

247
00:10:39,320 --> 00:10:41,040
Speaker 13: The blue one?

248
00:10:41,640 --> 00:10:42,040
Speaker 2: What?

249
00:10:42,040 --> 00:10:42,120
Speaker 6: What?

250
00:10:42,320 --> 00:10:42,960
Speaker 16: Why are you?

251
00:10:43,080 --> 00:10:45,480
Speaker 2: Why are you laughing? Right now? You're making me nervous?

252
00:10:45,520 --> 00:10:46,520
Speaker 15: Right, no one is right?

253
00:10:46,600 --> 00:10:47,480
Speaker 8: And why are you nervous.

254
00:10:47,800 --> 00:10:49,120
Speaker 7: How is that impossible?

255
00:10:49,200 --> 00:10:50,400
Speaker 8: We took aholds out of steam.

256
00:10:50,760 --> 00:10:55,160
Speaker 1: Okay, palm down, both of you close your eyes. Listen

257
00:10:55,320 --> 00:10:56,360
Speaker 1: to the music.

258
00:10:57,480 --> 00:11:09,800
Speaker 16: Rights he as.

259
00:11:12,320 --> 00:11:20,600
Speaker 2: It's like I'm painting on the answer is you see

260
00:11:20,720 --> 00:11:21,880
Speaker 2: the brush feet.

261
00:11:23,880 --> 00:11:27,640
Speaker 16: Your blas.

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00:11:28,240 --> 00:11:31,000
Speaker 11: It's almost like I could see the music, like the

263
00:11:31,120 --> 00:11:33,120
Speaker 11: music is doing the paintings.

264
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Speaker 16: That's yeah.

265
00:11:35,720 --> 00:11:36,679
Speaker 10: I think I love this.

266
00:11:38,000 --> 00:11:39,280
Speaker 2: I think I might pay.

267
00:11:41,760 --> 00:11:42,679
Speaker 7: But having fun?

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00:11:44,720 --> 00:11:48,160
Speaker 1: Sure you are the blue pills are guys?

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00:11:48,920 --> 00:11:49,160
Speaker 2: Guys?

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00:11:49,200 --> 00:11:49,560
Speaker 10: Hold up?

271
00:11:49,559 --> 00:11:50,320
Speaker 7: Where are you going?

272
00:11:53,160 --> 00:11:53,319
Speaker 17: Come?

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00:11:53,520 --> 00:11:58,200
Speaker 13: Dance stuffing the dance music, the color it's.

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00:11:58,120 --> 00:12:01,959
Speaker 1: Incredible, probou Yeah, you guys can take me later.

275
00:12:09,600 --> 00:12:11,199
Speaker 2: I want to feel like this forever.

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Speaker 16: Oh d ecuse me?

277
00:12:12,760 --> 00:12:12,960
Speaker 12: One?

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00:12:14,360 --> 00:12:23,560
Speaker 8: Why can't you see that? Holy crap, we're changing colors together? One?

279
00:12:24,040 --> 00:12:25,400
Speaker 2: Can I can?

280
00:12:25,440 --> 00:12:25,920
Speaker 13: I kiss you?

281
00:12:28,840 --> 00:12:30,480
Speaker 7: What you want to?

282
00:12:31,400 --> 00:12:33,160
Speaker 13: You want to kiss me all the time?

283
00:12:33,920 --> 00:12:34,240
Speaker 2: Whatever?

284
00:12:34,280 --> 00:12:34,640
Speaker 16: I'm with you.

285
00:12:34,720 --> 00:12:35,640
Speaker 13: That's all I can think about.

286
00:12:36,840 --> 00:12:37,760
Speaker 16: What are you waiting for?

287
00:12:38,559 --> 00:12:38,880
Speaker 8: I can? I?

288
00:12:38,960 --> 00:12:39,080
Speaker 9: Can?

289
00:12:39,120 --> 00:12:39,520
Speaker 13: I kiss you?

290
00:12:39,760 --> 00:12:39,960
Speaker 16: Yeah?

291
00:12:40,520 --> 00:12:40,679
Speaker 10: Yeah?

292
00:12:40,840 --> 00:12:41,199
Speaker 16: Kiss me?

293
00:12:49,559 --> 00:12:51,959
Speaker 2: Here they are day.

294
00:12:53,320 --> 00:12:53,840
Speaker 8: Stephaning.

295
00:12:54,040 --> 00:12:57,400
Speaker 18: Wait wait wait wait wait wait it over the colors?

296
00:12:57,640 --> 00:12:58,720
Speaker 2: Should I keep kissing?

297
00:12:58,840 --> 00:13:01,160
Speaker 1: Didn't mean to inter rap. I just want to introduce

298
00:13:01,200 --> 00:13:04,439
Speaker 1: you to Clara. Oh my god, you guys are so

299
00:13:04,880 --> 00:13:05,640
Speaker 1: cute together.

300
00:13:06,120 --> 00:13:06,720
Speaker 2: It's true.

301
00:13:07,120 --> 00:13:12,400
Speaker 13: I can tell that's where we're just we're new.

302
00:13:12,760 --> 00:13:14,640
Speaker 16: Noah, oh my god.

303
00:13:14,640 --> 00:13:21,360
Speaker 1: That is so beautiful. Well, Clara, are you okay? She's

304
00:13:21,400 --> 00:13:25,160
Speaker 1: had a lot to drink. Oh yeah, I'm fine, just

305
00:13:25,960 --> 00:13:29,560
Speaker 1: too Yeah, I feel I feel not great right now,

306
00:13:31,160 --> 00:13:33,559
Speaker 1: So that you let's go to the bathroom.

307
00:13:34,559 --> 00:13:37,679
Speaker 2: I think you want to go. Hold it's probably.

308
00:13:39,080 --> 00:13:41,599
Speaker 1: Yeah, okay, I'm definitely time to go.

309
00:13:42,080 --> 00:13:46,520
Speaker 11: Okay it, Luber, I'm a certified most practitioner.

310
00:13:46,760 --> 00:13:49,719
Speaker 7: You are, I should stay with you.

311
00:13:49,800 --> 00:13:51,800
Speaker 8: Okay, she's clearly not well.

312
00:13:52,080 --> 00:13:52,400
Speaker 16: Clara.

313
00:13:52,440 --> 00:13:53,040
Speaker 12: Where you live?

314
00:13:57,080 --> 00:13:59,240
Speaker 8: Well, my place isn't too far from there.

315
00:13:59,320 --> 00:14:00,959
Speaker 2: Actually, what do I can do?

316
00:14:01,160 --> 00:14:02,440
Speaker 12: But I love how my lead.

317
00:14:02,760 --> 00:14:04,040
Speaker 1: I can totally take her home.

318
00:14:04,480 --> 00:14:06,240
Speaker 2: Why am I really thinking I'm going?

319
00:14:06,480 --> 00:14:09,599
Speaker 11: Actually, we'll be thinking you're getting out of you My guys, No,

320
00:14:09,920 --> 00:14:10,439
Speaker 11: it's fine.

321
00:14:10,600 --> 00:14:12,400
Speaker 19: Seventy they're in love.

322
00:14:12,840 --> 00:14:15,679
Speaker 15: It's like their duty to help you since snow one

323
00:14:15,800 --> 00:14:16,920
Speaker 15: loves me anymore.

324
00:14:17,640 --> 00:14:19,560
Speaker 1: Oh no, I'm gonna.

325
00:14:20,160 --> 00:14:23,080
Speaker 12: Yeah, all right, time to go take her off.

326
00:14:23,240 --> 00:14:23,960
Speaker 8: Hey, I got the other.

327
00:14:24,960 --> 00:14:26,200
Speaker 2: I can see your nerves.

328
00:14:26,320 --> 00:14:29,000
Speaker 1: Yeah, gon go take up? Take Okay, let's go.

329
00:14:50,920 --> 00:14:53,200
Speaker 2: How is there not a single uber in all of

330
00:14:53,320 --> 00:14:55,320
Speaker 2: New York? City right now here.

331
00:14:55,440 --> 00:14:57,800
Speaker 8: Just set it down on this bench for saying, Oh,

332
00:14:57,840 --> 00:15:06,280
Speaker 8: I need rest. Wow, this is the first What the

333
00:15:07,320 --> 00:15:10,240
Speaker 8: the Prokland Bridge? It's sunrise? Did you know that?

334
00:15:11,360 --> 00:15:15,800
Speaker 6: The architect John Roebling hired his son Washington as head engineer,

335
00:15:15,880 --> 00:15:18,040
Speaker 6: and in Washington passed.

336
00:15:18,320 --> 00:15:20,400
Speaker 10: His wife Emily completed it.

337
00:15:20,880 --> 00:15:22,000
Speaker 6: It was a real family affair.

338
00:15:22,800 --> 00:15:23,840
Speaker 8: So wholesome.

339
00:15:25,320 --> 00:15:31,080
Speaker 19: Families aren't all so simple, you know. Mine's complicated and vicious.

340
00:15:32,680 --> 00:15:35,200
Speaker 19: I guess it's why I've never brought anyone all right.

341
00:15:35,560 --> 00:15:38,160
Speaker 19: My family would scare them away in a second. Oh

342
00:15:38,200 --> 00:15:40,480
Speaker 19: my god, what your hand is freezing?

343
00:15:40,640 --> 00:15:41,800
Speaker 2: Oh I'm sorry.

344
00:15:41,840 --> 00:15:44,520
Speaker 8: I just I wanted to No, no, no, it's it's okay.

345
00:15:45,480 --> 00:15:46,200
Speaker 8: I'll warm it up for you.

346
00:15:49,160 --> 00:15:51,680
Speaker 6: You know, I've lived in this city my entire life,

347
00:15:51,720 --> 00:15:55,000
Speaker 6: and I don't think I've ever seen the sunrise over

348
00:15:55,080 --> 00:15:58,440
Speaker 6: the East River. Isn't that pathetic? Oh?

349
00:15:58,560 --> 00:15:59,800
Speaker 8: Nothing about you as pathetic one.

350
00:16:00,880 --> 00:16:04,120
Speaker 10: Thank thanks for also being here with me.

351
00:16:06,440 --> 00:16:07,960
Speaker 8: There is nowhere I read.

352
00:16:09,520 --> 00:16:12,440
Speaker 2: Okay, you're awake, I got you here.

353
00:16:15,880 --> 00:16:19,240
Speaker 8: Okay, let's get her home. We said us your.

354
00:16:30,240 --> 00:16:31,200
Speaker 12: Okay, here we'll go.

355
00:16:31,840 --> 00:16:34,760
Speaker 2: I'll watch your head door all right through the threshold

356
00:16:34,840 --> 00:16:36,000
Speaker 2: on the frames and.

357
00:16:36,200 --> 00:16:38,040
Speaker 13: Cool, use your links.

358
00:16:38,880 --> 00:16:41,640
Speaker 8: Okay, here Clark, take a seat.

359
00:16:41,640 --> 00:16:43,400
Speaker 2: Though, where do we I guess on the floor?

360
00:16:44,360 --> 00:16:44,560
Speaker 6: Wait?

361
00:16:44,600 --> 00:16:45,560
Speaker 8: Where is your furniture?

362
00:16:46,320 --> 00:16:47,320
Speaker 5: Why didn't you have a movie?

363
00:16:47,400 --> 00:16:49,040
Speaker 18: D wan?

364
00:16:49,120 --> 00:16:50,760
Speaker 8: Can you get Clari some water?

365
00:16:51,000 --> 00:16:51,160
Speaker 16: Yes?

366
00:16:52,480 --> 00:16:53,560
Speaker 1: I don't need water.

367
00:16:57,320 --> 00:16:58,600
Speaker 2: There's nothing here except something.

368
00:16:58,800 --> 00:17:01,360
Speaker 8: But use the vas one.

369
00:17:01,920 --> 00:17:12,040
Speaker 2: Okay, Hey, girly, here Clara, key drink.

370
00:17:12,359 --> 00:17:16,200
Speaker 7: Oh my god, it is so heavy, Clara, Clara, I

371
00:17:16,240 --> 00:17:16,960
Speaker 7: need you to look at me.

372
00:17:18,040 --> 00:17:19,480
Speaker 8: Where is all of your stuff?

373
00:17:19,560 --> 00:17:23,920
Speaker 1: He took everything and he left. He just he loved me.

374
00:17:24,560 --> 00:17:24,760
Speaker 2: Woo.

375
00:17:25,720 --> 00:17:27,560
Speaker 7: Mike, my boyfriend.

376
00:17:28,280 --> 00:17:30,600
Speaker 1: He said, I owed it to him for all this

377
00:17:30,800 --> 00:17:31,879
Speaker 1: shit he put up with.

378
00:17:32,920 --> 00:17:33,920
Speaker 13: You just let him take it.

379
00:17:34,320 --> 00:17:36,840
Speaker 1: Well, I mean, I thought like if he took some stuff,

380
00:17:36,880 --> 00:17:38,879
Speaker 1: it would give me a reason to see him again.

381
00:17:38,960 --> 00:17:41,520
Speaker 1: But I mean I didn't think he was gonna take everything.

382
00:17:42,080 --> 00:17:42,359
Speaker 8: Did you?

383
00:17:42,520 --> 00:17:43,439
Speaker 2: Did you call the police?

384
00:17:43,760 --> 00:17:47,960
Speaker 1: Think he even took a bunch of my family heirloom stuff.

385
00:17:48,320 --> 00:17:50,560
Speaker 2: Your grandma gave you all.

386
00:17:50,440 --> 00:17:54,480
Speaker 1: These books like old family albums and a couple of paintings.

387
00:17:54,200 --> 00:17:55,600
Speaker 8: Clara, Mike took the paintings.

388
00:17:56,160 --> 00:17:57,320
Speaker 16: Look around, do.

389
00:17:57,400 --> 00:18:02,080
Speaker 1: You see any paintings? Oh my god, he even took

390
00:18:02,119 --> 00:18:03,440
Speaker 1: my fucking crossbit pass.

391
00:18:03,480 --> 00:18:06,240
Speaker 13: I mean that was our thing, six am sunrise CrossFit

392
00:18:06,359 --> 00:18:06,920
Speaker 13: Union Square.

393
00:18:07,280 --> 00:18:12,120
Speaker 18: God, Clara, try some deep reading, okay, in for four,

394
00:18:14,080 --> 00:18:17,159
Speaker 18: out for aid. Oh you're doing that, friend and I

395
00:18:17,280 --> 00:18:18,480
Speaker 18: are gonna use the bathroom.

396
00:18:19,880 --> 00:18:20,399
Speaker 12: Can I talk to you?

397
00:18:20,720 --> 00:18:21,440
Speaker 2: Oh my god?

398
00:18:21,640 --> 00:18:24,000
Speaker 1: Hey, guys are actually like the bets.

399
00:18:24,600 --> 00:18:25,800
Speaker 16: Thank you so much.

400
00:18:26,760 --> 00:18:27,960
Speaker 2: Yeah, the best.

401
00:18:28,160 --> 00:18:31,080
Speaker 8: This is a fucking disaster. You need to calm down.

402
00:18:31,119 --> 00:18:32,880
Speaker 2: Okay, you need to try and calm down.

403
00:18:32,920 --> 00:18:35,480
Speaker 18: I just text Stephanie and we can actually cares about stuff.

404
00:18:35,480 --> 00:18:35,680
Speaker 12: Okay.

405
00:18:35,680 --> 00:18:36,600
Speaker 10: I'm just trying to help.

406
00:18:36,720 --> 00:18:38,800
Speaker 8: Okay, if we can figure this out. No, no, no,

407
00:18:38,920 --> 00:18:41,199
Speaker 8: I am meeting the buyer at noon today.

408
00:18:41,320 --> 00:18:44,840
Speaker 11: Remember I'm supposed to arrive with the painting in hand once.

409
00:18:46,000 --> 00:18:48,800
Speaker 14: TikTok, TikTok.

410
00:18:50,119 --> 00:18:52,000
Speaker 6: Well, let's go to lunch and and we'll figure it

411
00:18:52,040 --> 00:18:54,080
Speaker 6: out a way to buy more time, right, and then

412
00:18:54,119 --> 00:18:56,800
Speaker 6: we can stick out the boyfriend's CrossFit class tomorrow morning

413
00:18:56,840 --> 00:18:57,840
Speaker 6: and we can do that together.

414
00:18:57,880 --> 00:19:00,359
Speaker 2: Oh no, what we can't h.

415
00:19:06,960 --> 00:19:10,200
Speaker 8: I am sorry. I just I don't think I want

416
00:19:10,200 --> 00:19:11,199
Speaker 8: you involved in this anymore.

417
00:19:13,520 --> 00:19:15,000
Speaker 2: But I.

418
00:19:16,600 --> 00:19:20,480
Speaker 6: Thought we were well, I mean, what about the bridge

419
00:19:20,880 --> 00:19:24,080
Speaker 6: and the dance scene. We're partners.

420
00:19:24,440 --> 00:19:28,440
Speaker 8: I thought just get Clark settled. Please want then go home.

421
00:19:30,440 --> 00:19:31,040
Speaker 8: I will text you.

422
00:19:31,080 --> 00:19:44,320
Speaker 12: Later, Okay, more Caviard Leonards.

423
00:19:45,000 --> 00:19:48,080
Speaker 17: I'm surprised we're meeting in such a public place, but

424
00:19:48,200 --> 00:19:50,639
Speaker 17: I imagine that Delano was secured somewhere nearby.

425
00:19:51,560 --> 00:19:53,480
Speaker 2: Maybe a Leonard.

426
00:19:53,760 --> 00:19:57,320
Speaker 4: Petronzen is known for its caviar, but their bakery is secondary.

427
00:19:57,359 --> 00:19:59,680
Speaker 17: No, thank you, I want to see the Delano.

428
00:20:00,280 --> 00:20:01,440
Speaker 5: Now where is it?

429
00:20:01,800 --> 00:20:05,120
Speaker 12: Well, that is a question for my son, Fernando. He's

430
00:20:05,240 --> 00:20:06,879
Speaker 12: running point on this transaction.

431
00:20:07,680 --> 00:20:10,639
Speaker 4: Fernando, kat got your tongue, cousin.

432
00:20:10,880 --> 00:20:12,080
Speaker 8: I'm fine, thank you.

433
00:20:12,480 --> 00:20:14,360
Speaker 17: This is in my only engagement today, young man.

434
00:20:14,440 --> 00:20:16,200
Speaker 8: I'd like to inspect the merchandise.

435
00:20:16,640 --> 00:20:20,199
Speaker 11: Of course, mister Burton, the painting is in fact at

436
00:20:20,240 --> 00:20:21,280
Speaker 11: a secure location.

437
00:20:21,840 --> 00:20:24,000
Speaker 2: Sh nah, Shall we get to check?

438
00:20:24,080 --> 00:20:24,199
Speaker 17: Then?

439
00:20:24,800 --> 00:20:28,359
Speaker 11: My driver is outside and actually, mister Leonard, is it

440
00:20:28,440 --> 00:20:32,359
Speaker 11: mister Burton, mister Leonard, is miss Burton? Actually, mister Burton,

441
00:20:32,400 --> 00:20:35,560
Speaker 11: the painting is nearby, but not accessible.

442
00:20:35,040 --> 00:20:35,920
Speaker 5: At this exact moment.

443
00:20:36,440 --> 00:20:39,480
Speaker 17: Excuse me, Well, the delivery date is two days from now, correct,

444
00:20:39,560 --> 00:20:43,720
Speaker 17: But today's meeting was agreed upon well in advance. I'm

445
00:20:43,760 --> 00:20:46,200
Speaker 17: not keen on purchasing something that I've never seen in person.

446
00:20:47,080 --> 00:20:48,440
Speaker 17: I think your father would.

447
00:20:48,240 --> 00:20:51,800
Speaker 12: Have Fernando knows that, of course, Leonard, and I'm sure

448
00:20:51,960 --> 00:20:54,880
Speaker 12: he has a reasonable explanation for not bringing the peace

449
00:20:54,960 --> 00:20:56,240
Speaker 12: with him here today.

450
00:20:56,880 --> 00:21:00,160
Speaker 4: Yes, cousin, I'd love to hear your explanation.

451
00:21:00,400 --> 00:21:03,840
Speaker 5: Young man. Time is sticking, Doc.

452
00:21:08,800 --> 00:21:11,240
Speaker 11: I'm sure you understand that Delano is over four hundred

453
00:21:11,320 --> 00:21:14,399
Speaker 11: years old, mister Burton. Bringing such a delicate painting out

454
00:21:14,400 --> 00:21:17,800
Speaker 11: of a climate control museum and into Central Manhattan's deeply

455
00:21:18,000 --> 00:21:23,159
Speaker 11: polluted elements would be reckless, to say the least. But

456
00:21:23,720 --> 00:21:25,840
Speaker 11: I can assure you that it is in my possession,

457
00:21:26,119 --> 00:21:28,439
Speaker 11: in our family secure facility on the island.

458
00:21:28,760 --> 00:21:32,240
Speaker 1: So why are we meeting here then, Yes, Fernando, Why here?

459
00:21:32,640 --> 00:21:33,919
Speaker 8: Well, Leonard, As.

460
00:21:33,800 --> 00:21:36,399
Speaker 11: My father and I begin the transition of power, I

461
00:21:36,520 --> 00:21:39,240
Speaker 11: have decided to make some subtle changes to how we operate.

462
00:21:40,240 --> 00:21:43,080
Speaker 8: This meeting serves as a confirmation of that transition.

463
00:21:44,240 --> 00:21:47,040
Speaker 11: The delivery date is in forty eight hours to your yacht,

464
00:21:47,119 --> 00:21:49,280
Speaker 11: docked on the twenty third Street Pier at four o'clock

465
00:21:49,320 --> 00:21:52,520
Speaker 11: on Tuesday. Just as you are not keen on purchasing

466
00:21:52,600 --> 00:21:55,119
Speaker 11: something you've never seen in person, I'm not keen on

467
00:21:55,200 --> 00:21:57,640
Speaker 11: doing business with someone I've never personally met face to face.

468
00:21:57,840 --> 00:22:02,879
Speaker 11: And as I take control of our family enterprise. I

469
00:22:02,920 --> 00:22:05,159
Speaker 11: would ask that you respect a new way of working.

470
00:22:06,960 --> 00:22:09,440
Speaker 5: This is disappointing, to say the least.

471
00:22:09,920 --> 00:22:13,399
Speaker 12: Mister Burton, I must sincerely apologize for my.

472
00:22:13,520 --> 00:22:16,840
Speaker 17: Son, but I do understand the young man's desire to

473
00:22:17,000 --> 00:22:21,640
Speaker 17: establish himself on his own. That being said, my agreement

474
00:22:21,680 --> 00:22:24,560
Speaker 17: with your father has always been clear. I make sure

475
00:22:24,640 --> 00:22:29,800
Speaker 17: your enterprise stays off Interpol's radar. And when I want something, I.

476
00:22:29,920 --> 00:22:34,359
Speaker 5: Get it on my turns and you will, mister Burton.

477
00:22:34,480 --> 00:22:38,119
Speaker 17: Enough, Ignacio, now, young man, that's Fernando.

478
00:22:38,359 --> 00:22:40,520
Speaker 5: Sir Fernando.

479
00:22:41,200 --> 00:22:44,400
Speaker 17: Now, you wouldn't want our little family agreement to change, now,

480
00:22:44,520 --> 00:22:47,879
Speaker 17: would you, No, sir? And you wouldn't want any harm

481
00:22:48,440 --> 00:22:52,360
Speaker 17: to come to anyone involved with an unsatisfactory delivery, say

482
00:22:52,400 --> 00:22:53,160
Speaker 17: a family.

483
00:22:52,920 --> 00:22:58,720
Speaker 5: Member or an associate. Perhaps no, sir, excellent.

484
00:22:59,480 --> 00:23:02,280
Speaker 17: Then I respect your admirable attempt at a power plane

485
00:23:02,400 --> 00:23:07,560
Speaker 17: this time, but I expect they prompt secure, uneventful delivery

486
00:23:07,560 --> 00:23:10,160
Speaker 17: on Tuesday afternoon, seamless and discreet.

487
00:23:10,880 --> 00:23:14,600
Speaker 5: Do you understand? Yes, sir? Understood?

488
00:23:15,000 --> 00:23:15,280
Speaker 2: Good?

489
00:23:16,119 --> 00:23:17,480
Speaker 8: Now I think i'd better go.

490
00:23:18,680 --> 00:23:20,119
Speaker 5: Seems I've lost my appetite.

491
00:23:20,920 --> 00:23:21,680
Speaker 17: I'll be in touch.

492
00:23:21,720 --> 00:23:24,879
Speaker 5: I Nacio Gigi A vision in.

493
00:23:26,520 --> 00:23:35,440
Speaker 8: A pleasure, Leonard, Dad, I was just taking a Fernando.

494
00:23:35,680 --> 00:23:39,800
Speaker 12: Not another goddamn word out of your mouth, or I

495
00:23:39,880 --> 00:23:42,600
Speaker 12: will drown you in the Hudson River myself.

496
00:23:46,000 --> 00:23:49,080
Speaker 5: I don't know what you're playing at, Fernando, but it

497
00:23:49,240 --> 00:23:50,000
Speaker 5: stops now.

498
00:23:51,080 --> 00:23:52,320
Speaker 8: I thought you better than this.

499
00:23:53,080 --> 00:23:56,720
Speaker 12: Secure the painting and close the deer.

500
00:24:00,080 --> 00:24:03,080
Speaker 8: Don't even start, Ggi. I'm exhausted and I.

501
00:24:03,119 --> 00:24:06,920
Speaker 4: Have smell sweat. Excuse me, bags under your eyes, clammy skin,

502
00:24:07,440 --> 00:24:10,239
Speaker 4: that throbbing vein in your neck? What did you get

503
00:24:10,320 --> 00:24:11,040
Speaker 4: up to last night?

504
00:24:11,160 --> 00:24:11,360
Speaker 10: Hard?

505
00:24:12,480 --> 00:24:12,760
Speaker 8: Nothing.

506
00:24:12,880 --> 00:24:14,200
Speaker 10: I have a job to do, Gigi.

507
00:24:14,280 --> 00:24:15,200
Speaker 8: Get the check, will you?

508
00:24:31,680 --> 00:24:34,440
Speaker 4: You're hiding something someone.

509
00:24:34,400 --> 00:24:38,000
Speaker 8: Stop making a se Gi. You are compromising the job,

510
00:24:38,119 --> 00:24:39,800
Speaker 8: and you're already a target.

511
00:24:39,560 --> 00:24:43,320
Speaker 4: In that fucking red coat and anyone you involved in

512
00:24:43,400 --> 00:24:46,440
Speaker 4: this transaction will be an even bigger target. But you're

513
00:24:46,480 --> 00:24:48,920
Speaker 4: still doing it. So what's your excuse this time?

514
00:24:49,040 --> 00:24:50,320
Speaker 8: No, no, no no excuses.

515
00:24:50,400 --> 00:24:54,040
Speaker 11: Dad's right, Secure the goods, close the deal, No more games,

516
00:24:54,119 --> 00:24:56,359
Speaker 11: no more distractions.

517
00:24:57,920 --> 00:25:01,280
Speaker 4: Oh cousin, you're just so oh simple.

518
00:25:01,359 --> 00:25:02,600
Speaker 11: All right, I'm calling a car.

519
00:25:04,920 --> 00:25:07,560
Speaker 4: Thinking you can hide the cracks in your marble fasage

520
00:25:07,600 --> 00:25:12,840
Speaker 4: two minutes, but just know I see them Fernando, and

521
00:25:12,880 --> 00:25:16,160
Speaker 4: they're only getting bigger with each passing minute, and soon

522
00:25:17,320 --> 00:25:20,080
Speaker 4: they're going to crack wide open, and you're going to

523
00:25:20,200 --> 00:25:23,320
Speaker 4: have to deal with the fallout, Except this time I

524
00:25:23,400 --> 00:25:24,960
Speaker 4: won't be there to pick up your pieces.

525
00:25:25,200 --> 00:25:26,160
Speaker 8: You never really were.

526
00:25:27,640 --> 00:25:30,240
Speaker 5: TikTok ttuk.

527
00:25:45,280 --> 00:25:45,879
Speaker 8: West Village.

528
00:25:45,920 --> 00:25:56,040
Speaker 11: Please record voice note, Hey one, I uh look, I

529
00:25:56,080 --> 00:25:58,080
Speaker 11: had a really great time last night, but this whole

530
00:25:58,160 --> 00:26:01,480
Speaker 11: thing us the con It was.

531
00:26:01,520 --> 00:26:02,560
Speaker 8: A huge mistake.

532
00:26:03,119 --> 00:26:05,440
Speaker 11: I should not have involved you for either of our six.

533
00:26:07,840 --> 00:26:11,240
Speaker 11: Please don't try to call or do text. I have

534
00:26:11,320 --> 00:26:12,000
Speaker 11: a job to do it.

535
00:26:13,160 --> 00:26:13,800
Speaker 5: I'm sorry you.

536
00:26:13,840 --> 00:26:16,320
Speaker 8: Won, but I gotta do this alone.

537
00:26:35,320 --> 00:26:39,160
Speaker 1: The setup was produced by Sonro in partnership with Iheart'smichael

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00:26:39,200 --> 00:26:43,440
Speaker 1: Tura podcast Network. Created and written by Ivy Marie and

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00:26:43,520 --> 00:26:50,680
Speaker 1: Philippe Baujan, directed by Bettina Lopez, Produced by Luis Luardo Castillo,

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00:26:51,720 --> 00:26:57,960
Speaker 1: developed by Bettina Lopez, story editing by Nick Milanes. Executive

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00:26:58,000 --> 00:27:00,439
Speaker 1: produced by Harvey Gien and Christian Navarro.

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00:27:01,160 --> 00:27:05,119
Speaker 15: Connel Byrne and Giselle Bances for iHeart and Camilla Victoriano

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00:27:05,200 --> 00:27:10,240
Speaker 15: and Joshua Weinstein for Sonorro. Performances in this episode by

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00:27:11,040 --> 00:27:18,000
Speaker 15: Harvey Gillen, Christian Navarro, Daniela Alonso, J. D. Garfield, Sofina

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00:27:18,040 --> 00:27:24,760
Speaker 15: de Jesus, Jessica, Ruth Bell, Philippe Baugan, Jackson Gutierrez, and

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00:27:24,960 --> 00:27:25,639
Speaker 15: Aaron Leedock.

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00:27:26,520 --> 00:27:30,240
Speaker 1: Our production and supervising managers are Gustavua Riler and quern

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00:27:30,320 --> 00:27:30,960
Speaker 1: Sa Chaids.

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00:27:32,040 --> 00:27:36,400
Speaker 15: Recording engineering and sound designed by Eduin Irigoying, Juan Dias

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00:27:36,480 --> 00:27:37,520
Speaker 15: and Andres Bayena.

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00:27:38,840 --> 00:27:42,520
Speaker 6: Casting and coordination by Ansley Martinez and Alex Gonzialez.

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00:27:43,840 --> 00:27:47,200
Speaker 15: Voices recorded at The Invisible Studios in Los Angeles, The

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00:27:47,320 --> 00:27:50,840
Speaker 15: Relic Room in New York, and Cabby Sound Studios.

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00:27:50,359 --> 00:27:55,480
Speaker 1: In Albuquerque, New Mexico, with engineering by Lester Danglar, Brett Tubin,

555
00:27:55,720 --> 00:28:01,480
Speaker 1: and Colin Ungerlier. If you're enjoying The Up, please subscribe, rate,

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00:28:01,560 --> 00:28:03,679
Speaker 1: and review our show wherever you're listening