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Speaker 1: I am all in.

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Speaker 2: I am all in with Scott Patterson and iHeartRadio Podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. I

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Speaker 1: want to love the productions iHeart Radio. I'm joined by

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Speaker 1: my intrepid crew, tarasud Amy, Sugarman. Danielle Romo is at

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Speaker 1: the doc Tari how a check up for her.

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Speaker 2: Pregnant Queen will be here a.

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Speaker 1: Spindle of Joy that's on the way, but she will

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Speaker 1: join us momentarily, and Tara is going to very ablely

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Speaker 1: step in and do the synopsisizations.

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Speaker 2: Before that's yes, Scott.

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Speaker 1: We have hands. Yes, yes.

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Speaker 3: For those I just have.

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Speaker 2: A small little little tidbit to say, mm hmm. For

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Speaker 2: those that instagram message us, I'm not sure if that's

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Speaker 2: how the kids say it. Oh good, Danielle, the Queen

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Speaker 2: is here because I wanted.

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Speaker 1: To hear Welcome Danielle. So for those we didn't even

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Speaker 1: hear the trumpets. Carpet was dirty, so how did you

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Speaker 1: even get in the room?

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Speaker 2: Welcome Queen.

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Speaker 4: I am here and I am ready to go.

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Speaker 2: All right, So I know that you may not read

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Speaker 2: all the comments like I do, but I would just

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Speaker 2: like to say, for those suggesting differently, I am the

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Speaker 2: same age as Matt Zukery. To be perfectly honest, I

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Speaker 2: think I'm two years older than him, maybe two and

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Speaker 2: a half. But there was some comments that kind of

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Speaker 2: hit me where it hurts, saying yes, eluding that it

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Speaker 2: was like creepy that I love him, but I'm like,

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Speaker 2: I'm his eight.

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Speaker 1: Well, glad you took this opportunity to set the record straight.

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Speaker 2: It kind of hurt me. I was like, wait, what,

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Speaker 2: I'm literally the same age as him, two years older,

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Speaker 2: So if that's creepy, then I take it. But he

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Speaker 2: is forty six or forty seven and I am forty nine.

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Speaker 1: So we are listen. I can't even imagine that these

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Speaker 1: are even Gilmore girl fans. We're leaving these comments. They're

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Speaker 1: not Gilmore girls fans. Don't leave comments like this, Oh

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Speaker 1: Scott Gilmore.

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Speaker 5: There's just nothing but love and Gilmore.

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Speaker 1: Really, I mean, I just got back from Corpus Christy

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Speaker 1: at the Christie Comic con. Tell Us about that, tell

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Speaker 1: Us about fantastic. All the fans showed up. We celebrated

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Speaker 1: nothing but nice people and great people and bugs and

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Speaker 1: kisses and who wishes he was right next to me

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Speaker 1: in the booth. Oh I love it, love. We had

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Speaker 1: a good time.

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Speaker 2: Did you ask him about his Winnebago?

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Speaker 1: I didn't come up. It didn't cop touchy subject for me.

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Speaker 1: So you're like, we love you, but that was Listen.

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Speaker 1: You know he's a hoot in a holler, right or

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Speaker 1: we're having a good you know, we had a great

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Speaker 1: time with the fans. And I just can't see. I

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Speaker 1: can't imagine any of them sitting behind a keyboard and issuing,

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Speaker 1: you know, vitriol like this. I just can't imagine. So

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Speaker 1: I don't think that they're Gilmour girls fans. I think I.

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Speaker 2: Think they are, but I think that they just have

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Speaker 2: the mathematics messed up. Because once again, totally appropriate because

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Speaker 2: Matt Zukri and I are literally the same age, and

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Speaker 2: I'm nothing if not honest.

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Speaker 1: And you know what it's it's Matt just walked in,

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Speaker 1: So I'm gonna ask him. He's not coming on the air, Matt,

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Speaker 1: do you think it's creepy that Amy has a big,

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Speaker 1: old high school college esque crush on you that lives

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Speaker 1: to this day. Well also, no, no, he's answering, let

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Speaker 1: him answer. No. He has the most respect for Amy.

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Speaker 1: He doesn't think it's creepy at all. In fact, oh sit,

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Speaker 1: really okay, he kind of wants to hook up. He

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Speaker 1: wants to hook up, he wants to check it out.

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Speaker 5: So here's the thing, good acting, Scott.

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Speaker 1: Hang on, Matt, can you close the door? Please? Thank you?

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Speaker 1: All right, he was just we have video of that.

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Speaker 2: You're acting. You gave it. You're all like you committed

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Speaker 2: to that with the head turning and the oh wait, Tara,

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Speaker 2: let him finish.

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Speaker 1: I mean, because it's real to me. Remember, Jerry, if

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Speaker 1: you believe it, it's not a lie.

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Speaker 2: Is that an acting tip? It's real to you?

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Speaker 1: Actually, it is an acting tip.

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Speaker 2: Oh you know what they loved I will say. You know,

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Speaker 2: you got a lot of props about really was telling

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Speaker 2: the story and they loved this stuff. So if you've

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Speaker 2: got more of it, we want it. How the you

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Speaker 2: bet came from your dad? They yeah, Oh so sweet.

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Speaker 1: So anyway, just let me get a little piece of

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Speaker 1: business over with them. We can get to the synopsisizations

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Speaker 1: and we'll let Danielle and Tara fight it out, because

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Speaker 1: Tara was about to do it, but daniel slipped in

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Speaker 1: the back door. Here she is, I will not get

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Speaker 1: Will it be a synopsisization Battle Royale, who smells the

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Speaker 1: cooking in the kitchen or whatever that wws.

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Speaker 2: What the rock Isokit, listen.

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Speaker 1: I'm gonna be at Indie Popcorn August twenty fifth through

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Speaker 1: twenty seventh, so get your tickets now. I'm also gonna

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Speaker 1: be at Columbus Galaxy Coon Columbus, Ohio December second, I

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Speaker 1: think second and third. Check out their website as well,

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Speaker 1: so come on down. We always have a great time.

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Speaker 1: Gilmore fans are the best, and we just really and

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Speaker 1: they really, we just have the best. They're great. They

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Speaker 1: dress up as a character. They have their Luke shirts

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Speaker 1: on their dragonflying shirts, they have their babies dressed as Luke.

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Speaker 1: It's fantastic.

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Speaker 5: It was a car.

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Speaker 2: I've got to tell you. I meant to text you.

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Speaker 2: I've almost tried to get my camera out. There's a

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Speaker 2: car in front of me the other day with a

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Speaker 2: full Luke's Diner sticker on the car.

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Speaker 3: That's amazing, so legit.

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Speaker 2: I was like, yeah, that's that was cute.

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Speaker 1: That logo, man, I tell you that logo is going

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Speaker 1: to outlive me, and it should.

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Speaker 2: I don't want to be weird, but it will.

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Speaker 1: I don't want to be should my casket have Luke

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Speaker 1: logos all over it? Or maybe just one strategically placed anyway, Danielle,

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Speaker 1: let's stop being morbid and get.

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Speaker 2: If you got buried in a casket, you could put

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Speaker 2: I am all in.

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Speaker 4: I can't.

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Speaker 1: We get the numbers that day, even if you ave podcast,

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Speaker 1: I guess.

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Speaker 5: Even if you wanted to be in an urn, it

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Speaker 5: could say I am.

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Speaker 3: All Oh my god, here.

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Speaker 2: Tell your wife, Tell your wife. We thought of it.

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Speaker 1: Such beautiful thoughts.

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Speaker 2: Why do I I'm sorry, but why do I love

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Speaker 2: us so much?

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Speaker 1: I don't know.

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Speaker 2: I don't even know if other people love us, but

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Speaker 2: I love us.

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Speaker 1: I love us anyway, Danielle. That's let's get the sled

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Speaker 1: out in the snow and let's get it gear all right.

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Speaker 4: This is season five, episode eighteen, to Live and Let Diarama.

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Speaker 4: Air date April nineteen, two thousand and five. The death

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Speaker 4: of old Man took them.

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Speaker 3: I mean, we're we're really going with the.

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Speaker 1: Yeah, listen, it was a good lead and come on

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Speaker 1: break yeah.

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Speaker 2: Well.

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Speaker 4: His death inspires Taylor to turn the deceased house into

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Speaker 4: a museum.

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Speaker 3: With Luke's help.

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Speaker 4: Rory, Parris and Lane drown their guy troubles in Miss

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Speaker 4: Patty's Punch, and Lorlai has second thoughts after ranting about

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Speaker 4: her mother in a magazine article on her In Two

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Speaker 4: fun Notes, Carol King appears as a music shop owner

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Speaker 4: and Jackson directed this episode.

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Speaker 2: Oh that's cool.

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Speaker 1: Oh so you know what we just demonstrated was that

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Speaker 1: we can make light of death. However, I thought in

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Speaker 1: this episode I really was troubled by they were treating

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Speaker 1: old men's welcoms. It was just like, boy, this is

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Speaker 1: is this in bad taste? Is this not funny? It

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Speaker 1: just it wasn't ing pong bowls weren't coming over the net.

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Speaker 5: Scott, I'm really glad you're saying this.

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Speaker 1: Yeah, it was awkward for me.

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Speaker 2: I did not love this episode.

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Speaker 3: Okay, Oh I'm.

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Speaker 4: So happy somebody said it.

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Speaker 3: I watched it twice.

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Speaker 1: It was an odd experience. However, however, I'm trying to

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Speaker 1: put myself. It was very it was like a weird verse.

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Speaker 1: It was like some it was like another all universe

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Speaker 1: version of Gilmour Girls that somebody else wrote after taking

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Speaker 1: some payote buttons or something like that and tripping out

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Speaker 1: and then just sort of writing this stuff.

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Speaker 2: You know who wrote it yeah, I did. I this

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Speaker 2: is the first time in this entire podcast where I

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Speaker 2: can actually say I did not love this thing.

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Speaker 4: I couldn't get through the episodes. I watched it three times.

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Speaker 4: The last ten minutes, great, loved the last ten minutes.

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Speaker 3: All thirty minutes before that.

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Speaker 4: I just had to keep watching it because I was

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Speaker 4: I got what is happening?

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Speaker 1: Every single Sorry Tara, but every single character wasn't themselves.

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Speaker 2: Totally totally. I totally agreed.

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Speaker 1: It was very odd, Tara. What we what we?

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Speaker 3: I was just gonna say.

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Speaker 6: It was the first time where I actually had to

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Speaker 6: skim through the episode again before we jumped on, because

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Speaker 6: I was like, I don't like, I just wasn't into it.

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Speaker 3: I sounds so bad, but like, I skimmed through it

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Speaker 3: again so hard.

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Speaker 2: I feel so bad saying this, And I'm sure people

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Speaker 2: will just like hummel us because I'm sure there's people

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Speaker 2: that love this. My eyeballs closed three times. Eyeballs close, No.

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Speaker 1: You know, I was Actually it actually fascinated me how

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Speaker 1: far off tone it was. That it kind of riveted

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Speaker 1: me because I was I was wondering. You know, I

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Speaker 1: don't really want to say this, but I'm going to

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Speaker 1: say this. I was just kind of fascinated that it

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Speaker 1: kept getting worse and worse and worse. I couldn't believe it.

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Speaker 1: You know. It was almost like watching a slow motion

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Speaker 1: car accident, like is this this this revered show? And

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Speaker 1: like what's happening with the show? And it was just

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Speaker 1: it was just very odd to watch it. But I still,

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Speaker 1: here's the thing, here's the takeaway. I still enjoyed it totally.

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Speaker 1: I watched it with my son. He was all curled

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Speaker 1: up next to me and we watched it, and I agree,

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Speaker 1: and I still got through it, and I was entertained

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Speaker 1: and I felt good during it, and I felt good

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Speaker 1: after it. That's the thing about the show. You just

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Speaker 1: want to hear the voices.

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Speaker 2: You hear the voices, and I like the fashion at

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Speaker 2: its worst, it's still way better than a lot of

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Speaker 2: what's on television. Yeah, yeah, yeah, And I'm glad we

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Speaker 2: all sort of agree. So maybe this will be the

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Speaker 2: one that we all agreed wasn't the best. But it

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Speaker 2: doesn't mean it was like a pile of doo doo.

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Speaker 2: It just wasn't as good as all the others.

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Speaker 1: I'm thinking of Jurassic Park and Jeff Goldblum singing, that's

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Speaker 1: a big pile of dudo. I remember that. I love

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Speaker 1: any Jurassic dinosaur droppings. That's dinosaur.

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Speaker 2: You don't like you're talking to number one Jurassic Park fan.

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Speaker 2: But my favorite line is when the little kids all

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Speaker 2: were back in the car. We're back in the car,

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Speaker 2: you guys.

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Speaker 4: I couldn't even get Oh, I can't even get a

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Speaker 4: best line from this episode.

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Speaker 2: Yes, sorry, we were.

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Speaker 1: Getting just challenge ourselves. Why don't we challenge ourselves and

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Speaker 1: trying to find the positive in this episode and not

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Speaker 1: even talk about the negative anyways?

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Speaker 5: Start but I can't. I have to talk about it.

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Speaker 1: Was in focus anyway. That's it, ladies and gentlemen. Thank you.

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Speaker 1: We'll see you next time.

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Speaker 3: Here tupisode.

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Speaker 2: That was the bakest link that I was like, this

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Speaker 2: is not good. M M tell me if you guys agree, Harris,

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Speaker 2: I actually disagree with you.

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Speaker 5: She was so unhinged that I was like.

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Speaker 3: I kind of like her unhinged though I don't know

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Speaker 3: what it is.

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Speaker 5: It felt so fake to me.

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Speaker 6: I was like, I mean I could have done without

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Speaker 6: like and just we'll get to each scene, but like,

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Speaker 6: I think what bothered me about this episode is there

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Speaker 6: were a lot of moments that I felt were dragged

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Speaker 6: on in multiple scenes when we could have resolved them

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Speaker 6: in like like, for example, like I didn't need to

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Speaker 6: see Paris twice asking for money, or I didn't need

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Speaker 6: to see like two three scenes of Lane trying to

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Speaker 6: figure out where true, you know, Like there was like

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Speaker 6: these like dragged on scenes and I.

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Speaker 2: Was like, the Twitter the house was when my eyes

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Speaker 2: were well.

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Speaker 1: Since since apparently I am admired for my knowledge of

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Speaker 1: old timey films and Ami refers to it. The Paris

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Speaker 1: Barefoot asking for Money was an homage to John Cassavetti's

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Speaker 1: and General Rowland's starring and I believe a film called

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Speaker 1: The Diary of a Madhouse one.

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Speaker 2: Yeah, but it wasn't.

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Speaker 4: It was not.

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Speaker 2: From the top.

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Speaker 1: Yeah. Yeah, I think we have no choice. But that structure.

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Speaker 2: We opened on kind of like maybe a scene that

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Speaker 2: had potential. It fell flat because first of all, she

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Speaker 2: was wearing a beautiful green coat Lorlai. But they are

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Speaker 2: spending so much time talking about trail mix and I

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Speaker 2: couldn't even figure out what they're talking about.

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Speaker 5: I was like, what are they talking about? And then

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Speaker 5: we're having all this conversation he's dead, He's not dead,

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Speaker 5: He's gonna die.

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Speaker 2: He didn't do it too, he was. And then I

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Speaker 2: was mildly amused by Kirk with the souvenirs and the popcorn.

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Speaker 4: Yeah, yeah, the only good part of that scene.

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Speaker 2: But let me tell you that was the fakest baby

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Speaker 2: in that stroller.

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Speaker 4: Yeah, there was no there was no heartbeat in the stroller,

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Speaker 4: so fake.

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Speaker 2: And then a sort of obscure Summerland reference that came

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Speaker 2: up again, Tara, did you you and I are probably

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Speaker 2: Summerland sisters? That I loved summer Land, but it was

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Speaker 2: like did they make them right there?

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Speaker 3: Like the Jesse McCartney Lori law.

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Speaker 2: Just two mentions of it in this show.

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Speaker 6: I love that show, and I honestly did not catch it.

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Speaker 6: I did, and I was like, oh, yeah, no, I

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Speaker 6: caught the first Lori Laughlin one.

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Speaker 3: Yeah, I don't know what the second one.

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Speaker 2: There was two summer Lands, one Lori Laughlin, which we'll

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Speaker 2: get to in pop culture.

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Speaker 3: Because then it started on WB the same year. That's

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Speaker 3: probably why.

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Speaker 5: That's why I think they probably ask can you give

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Speaker 5: a plug?

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Speaker 3: Yeah.

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Speaker 5: Anyway, we were off to the races with.

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Speaker 2: A real slow start m.

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Speaker 1: I agree.

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Speaker 2: Then I finally realized what bothers me about Yale?

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Speaker 1: And what is that?

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Speaker 2: You tell me if I'm wrong. They're making it look

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Speaker 2: like it's outside, but they're clearly shooting it inside.

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Speaker 6: I noticed the people walking in the window in the back.

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Speaker 6: Is that what you're talking about?

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Speaker 2: No, but tell me about that.

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Speaker 6: Oh, I just got distracted by people walking by their

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Speaker 6: window when they were it was the scene when the

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Speaker 6: second time when Paris is on the couch and there's

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Speaker 6: just someone walking outside the window, and it kind of

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Speaker 6: I was like, can you really look into someone's dorm

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Speaker 6: that close? Like are they on the they are on

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Speaker 6: the ground level?

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Speaker 2: Shows you it might not be the best episode if

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Speaker 2: you're staring out the window.

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Speaker 1: May have has been raining that day and they had

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Speaker 1: to move it inside.

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Speaker 2: I don't know. I think they're shooting the exteriors of

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Speaker 2: Yale in the sound studio or stage, I don't know

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Speaker 2: what you call it. Soundstage, sound sound stage? Yes, Whereas like, clearly,

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Speaker 2: when you were at Twickham's you're outside and I'm like,

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Speaker 2: this is great, you're outside, I know where you are.

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Speaker 2: I'm loving it.

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Speaker 5: But when we go to Yale, it's like don't try

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Speaker 5: and trick me.

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Speaker 2: That that's outside. That's not outside. M'm saying, any.

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Speaker 1: That is an email you can send to Warner Brothers,

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Speaker 1: then not be too kind about it.

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Speaker 2: That reminds me so much. This is totally off topic,

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Speaker 2: but for people that don't know, I also worked for

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Speaker 2: Ryan Seacrests, and I used to start telling seacrets, like

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Speaker 2: the most boring stories, right, Like I'd think something was

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Speaker 2: so important and I'd tell him this whole story, and

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Speaker 2: then he'd always go, why don't you put that on

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Speaker 2: your podcast? And like this is like ten years ago,

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Speaker 2: I didn't even have a podcast.

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Speaker 3: Now you're like, here are all my stories.

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Speaker 2: Stories. So anyway, there was a funny line where Rory

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Speaker 2: says how tacky it is that there's souvenirs and then

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Speaker 2: you see the big pile of them in Lorelei's house.

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Speaker 2: That was sort of amusing, but it.

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Speaker 1: Was just where, I don't know, it's hard, you know,

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Speaker 1: when when it doesn't get off the launch pad, it's

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Speaker 1: hard to you know what I mean. It's like there's

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Speaker 1: no ride to take. You're just sort of waiting for

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Speaker 1: it to take off, right, and it's like.

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Speaker 2: Well, and then the same thing happens we go then

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Speaker 2: the same thing happened for me when we go into

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Speaker 2: the music store.

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Speaker 4: And we have like the only thing I will say,

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Speaker 4: the one thing that we do establish in that scene

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Speaker 4: at Yale is that Logan's not calling Rory, right, Yeah,

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Speaker 4: Like that is important to at least point out like

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Speaker 4: I thought at least there that there was gonna I

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Speaker 4: was like, Okay, I'm in for this episode, you know.

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Speaker 2: But yeah, we kind of get a we get a

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Speaker 2: poignant if that's the right word ending where it's like, oh,

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Speaker 2: we're sort of sucked back into the story, but like

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Speaker 2: all this mumbo jumbo in the middle.

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Speaker 3: I was like, oh yeah, yeah, mm hmm.

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Speaker 2: But we go into the record store and then I

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Speaker 2: felt like we m we they It's like Carol King

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Speaker 2: wasn't really used in the way I wanted her to be.

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Speaker 2: It was sort of this weird she's Sophie Bloom, but

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Speaker 2: she's sort of knocking Lane, like saying, if I don't

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Speaker 2: have anything else to do, I'll have coffee with you.

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Speaker 2: And I think it was to be a joke, but

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Speaker 2: it wasn't funny.

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Speaker 1: It was just all warm yeah.

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Speaker 2: And then oh god, I'm so sorry to say this, Scott,

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Speaker 2: but I'm so sorry to say this.

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Speaker 1: Oh you'd be careful.

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Speaker 5: We go into the diner and you seemed weird.

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Speaker 3: It's like more enthusiastic than usual.

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Speaker 4: Questions Scott, when when you're filming something like do you

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Speaker 4: know this is not going to be a good episode,

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Speaker 4: Like after you film this, where you like, that's not

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Speaker 4: our best, like.

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Speaker 3: Do you know?

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Speaker 4: Or are you like, oh, surely they'll color the other

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Speaker 4: scenes around around this one, like do you know?

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Speaker 2: Well, you can't be serious.

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Speaker 1: I don't recall having any feelings about the episode when

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Speaker 1: we were shooting it.

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Speaker 6: Now, like he just picked up the script and you

378
00:19:42,880 --> 00:19:44,359
Speaker 6: were like, this is my my score.

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Speaker 1: I'm just going to do my job. I'm going to

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Speaker 1: do my job and every scene the best I can,

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Speaker 1: and I listen. I enjoyed that first scene. I do

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Speaker 1: know that that's not how we usually see Luke, but

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Speaker 1: I enjoyed that scene because it is because I really

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Speaker 1: had to. Instead of her driving the scene and me reacity,

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Speaker 1: I was driving the scene truth and I don't get

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Speaker 1: to do that a lot, you know, and I that

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Speaker 1: was an opportunity to see Luke, you know, where I

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Speaker 1: got to go into work and I'm driving the scene

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Speaker 1: and she's reacting to me, and.

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Speaker 2: I think, I actually think your acting was good because

391
00:20:21,200 --> 00:20:23,760
Speaker 2: I think they you're supposed to be acting weird.

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Speaker 5: Mm hmmm, Like because you've got this big secret that

393
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Speaker 5: you're trying to buy the house.

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Speaker 1: Right, that could have been that could have been much

395
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Speaker 1: more of a major storyline. Yeah, I mean that's a

396
00:20:35,640 --> 00:20:39,280
Speaker 1: big deal. It was like the last minute, he wants

397
00:20:39,280 --> 00:20:42,040
Speaker 1: to he wants to get married and have children in

398
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Speaker 1: that house. That is a major story.

399
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Speaker 2: It's like a weird thing.

400
00:20:46,880 --> 00:20:47,280
Speaker 1: It's weird.

401
00:20:48,200 --> 00:20:50,880
Speaker 2: It was super weird because I wrote, Luke is acting weird.

402
00:20:50,880 --> 00:20:52,600
Speaker 2: Now I get it that you were supposed to be

403
00:20:52,640 --> 00:20:55,719
Speaker 2: acting weird, but it's also like you're a terrible secret

404
00:20:55,800 --> 00:20:58,879
Speaker 2: keeper because like you're acting so weird that we're like,

405
00:20:59,119 --> 00:21:01,199
Speaker 2: what's the wrong one? Why does he want to go

406
00:21:01,240 --> 00:21:03,760
Speaker 2: to the meeting? And like what's happening? And then we

407
00:21:03,760 --> 00:21:06,960
Speaker 2: don't really find out, Like you're acting so weird and

408
00:21:06,960 --> 00:21:10,040
Speaker 2: we don't really get any clue as to why. And

409
00:21:10,080 --> 00:21:12,760
Speaker 2: then there's the whole bit about the window being broken,

410
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Speaker 2: Like I don't really even understand why was the window.

411
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Speaker 3: I was like, did he throw the pan through the window?

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Speaker 2: That hit.

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Speaker 3: Yeah.

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00:21:19,280 --> 00:21:21,600
Speaker 6: Yeah, it took me as it did take me a

415
00:21:21,640 --> 00:21:23,400
Speaker 6: second though to be like, oh, that's.

416
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Speaker 3: How he threw the pan.

417
00:21:25,200 --> 00:21:28,520
Speaker 4: I'm just still kind of annoyed. I understand we're two

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00:21:28,560 --> 00:21:32,080
Speaker 4: episodes aft, like you know, this is a second episode

419
00:21:32,080 --> 00:21:34,840
Speaker 4: of being reconciled or whatever, but I'm just still kind

420
00:21:34,880 --> 00:21:39,120
Speaker 4: of annoyed that Luke is just like, everything's great, I'm

421
00:21:39,119 --> 00:21:41,280
Speaker 4: going to buy a house for us, Like you know,

422
00:21:41,920 --> 00:21:46,159
Speaker 4: I'm just like still annoyed about it. I'm like, no, Luke, no,

423
00:21:48,720 --> 00:21:49,480
Speaker 4: be a little bit.

424
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Speaker 1: But if we're going to make that choice to make

425
00:21:52,640 --> 00:21:56,679
Speaker 1: him that guy who's who feels that way and is

426
00:21:56,720 --> 00:21:58,960
Speaker 1: going to act in this way and get this house,

427
00:21:59,040 --> 00:22:03,960
Speaker 1: then commit to it. Yeah, make it a meal instead

428
00:22:03,960 --> 00:22:07,800
Speaker 1: of an appetizer, because that is a huge story beat.

429
00:22:07,840 --> 00:22:12,719
Speaker 1: That's a huge I mean, they dwell more and in

430
00:22:12,920 --> 00:22:17,200
Speaker 1: greater detail with Zach and Lane's relationship than they did

431
00:22:17,240 --> 00:22:19,960
Speaker 1: with Luke and Laurela. It was bizarrely the.

432
00:22:19,960 --> 00:22:24,439
Speaker 2: Whole whole episode about the house and why he wants

433
00:22:24,440 --> 00:22:27,159
Speaker 2: that house and how does Lauraaie feel about that and

434
00:22:27,280 --> 00:22:29,360
Speaker 2: you know what a big step and the whole Yeah.

435
00:22:29,240 --> 00:22:31,320
Speaker 4: And then does she feel about moving in with him

436
00:22:31,400 --> 00:22:33,880
Speaker 4: and leaving the house that she raised, you know, like

437
00:22:33,920 --> 00:22:36,680
Speaker 4: that her and Rory live in. Like, yeah, I want

438
00:22:36,760 --> 00:22:37,920
Speaker 4: all of that, you know.

439
00:22:39,119 --> 00:22:43,120
Speaker 2: Messy, and then said I'm like just dozing off during

440
00:22:43,160 --> 00:22:45,760
Speaker 2: the mansion tour. But we'll get to that. So there

441
00:22:46,040 --> 00:22:48,280
Speaker 2: was a favorite line. I do have one.

442
00:22:49,720 --> 00:22:52,840
Speaker 1: We're not ready. We're not ready. We're not ready, We're

443
00:22:52,880 --> 00:22:55,000
Speaker 1: not ready. Red light just went on.

444
00:22:56,320 --> 00:22:57,840
Speaker 5: Don't let me forget, don't let me forget.

445
00:22:57,880 --> 00:22:59,960
Speaker 1: Okay, your house is now being sealed.

446
00:23:00,119 --> 00:23:02,280
Speaker 2: My question is why did you throw the frying pan?

447
00:23:02,800 --> 00:23:03,840
Speaker 2: Am I just an idiot?

448
00:23:03,880 --> 00:23:08,320
Speaker 1: It was never It was never answered weird, He's just

449
00:23:08,440 --> 00:23:10,520
Speaker 1: wacky Luke who can't control himself.

450
00:23:11,800 --> 00:23:14,200
Speaker 3: I was like, it's very aggressive, very frying pan.

451
00:23:14,400 --> 00:23:18,720
Speaker 1: Well that's that's a crime. Actually, you know, could have

452
00:23:18,720 --> 00:23:19,280
Speaker 1: been arrested.

453
00:23:19,840 --> 00:23:24,280
Speaker 2: Also, Luke's not stupid. It's all his building. You own

454
00:23:24,359 --> 00:23:27,240
Speaker 2: the whole thing. You own the ice cream shoppy too,

455
00:23:27,400 --> 00:23:30,120
Speaker 2: So why would you huck o pan at your own

456
00:23:30,160 --> 00:23:31,920
Speaker 2: window that now you have to pay for.

457
00:23:32,480 --> 00:23:35,280
Speaker 1: The only explanation is somebody took a couple of hits

458
00:23:35,280 --> 00:23:39,280
Speaker 1: of pot wrote this episode in the desert, tripping out

459
00:23:40,400 --> 00:23:43,960
Speaker 1: listening to Hendrix. I have no idea it was.

460
00:23:44,440 --> 00:23:46,959
Speaker 2: Weird, and then we're just supposed to be so befuddled

461
00:23:47,040 --> 00:23:49,160
Speaker 2: by why is Luke volunteering?

462
00:23:50,280 --> 00:23:53,040
Speaker 5: And it was like, oh, that's so wacky, and I'm like,

463
00:23:54,760 --> 00:23:55,359
Speaker 5: I don't care.

464
00:23:57,359 --> 00:23:59,639
Speaker 1: Quick, quick, get back to Sophie in the music store.

465
00:24:00,400 --> 00:24:03,800
Speaker 2: Brian is so bad too, and Taylor needs an office,

466
00:24:03,920 --> 00:24:09,320
Speaker 2: like it was just all what. There were two funny

467
00:24:09,320 --> 00:24:11,359
Speaker 2: lines though, I actually have two lines that I'm going to.

468
00:24:11,359 --> 00:24:12,880
Speaker 3: Say, give me one.

469
00:24:13,280 --> 00:24:16,320
Speaker 1: Can't do it, Give one, Give one, give.

470
00:24:16,240 --> 00:24:19,199
Speaker 2: One, Okay. So the first one that I loved was

471
00:24:19,359 --> 00:24:23,040
Speaker 2: he's talking about muzak and how he's gonna have muzak

472
00:24:23,280 --> 00:24:27,399
Speaker 2: and then he says who doesn't love muzak and Suki

473
00:24:27,480 --> 00:24:30,200
Speaker 2: sort of under her breast as music lovers yea.

474
00:24:31,920 --> 00:24:33,959
Speaker 3: Also why musak music?

475
00:24:34,520 --> 00:24:39,760
Speaker 2: He loves elevator musak? Do you know what musach is? No, Taylor,

476
00:24:40,240 --> 00:24:43,320
Speaker 2: Muzak is that crap you hear in the elevator.

477
00:24:43,800 --> 00:24:46,480
Speaker 1: It's like you hear you'll hear a you know, love

478
00:24:46,520 --> 00:24:51,760
Speaker 1: on an elevator Aerosmith song and with violins.

479
00:24:50,640 --> 00:24:54,360
Speaker 3: But like it's called musak. Yes, I did not know that?

480
00:24:54,760 --> 00:24:54,920
Speaker 1: Is it?

481
00:24:54,920 --> 00:24:58,879
Speaker 2: Because it's free? Maybe like it's not. Oh, thanks to

482
00:24:58,920 --> 00:25:01,720
Speaker 2: our producer Easton Muzak is a brand.

483
00:25:03,320 --> 00:25:05,440
Speaker 5: The other one that someone these references.

484
00:25:05,440 --> 00:25:08,760
Speaker 2: Somebody once said to Scott, you'll get this is somebody.

485
00:25:08,960 --> 00:25:11,760
Speaker 2: I was like booking a this is this is one

486
00:25:11,760 --> 00:25:13,840
Speaker 2: of my boring stories. But I was booking sort of

487
00:25:13,880 --> 00:25:16,680
Speaker 2: some music for something, and I said, oh, I want

488
00:25:16,680 --> 00:25:19,840
Speaker 2: to have these people come out and do this song.

489
00:25:20,600 --> 00:25:22,680
Speaker 2: And one of our bosses was like, as long as

490
00:25:22,720 --> 00:25:26,399
Speaker 2: it isn't up with People, So I have to go

491
00:25:26,480 --> 00:25:29,320
Speaker 2: home and google. Do you remember up with People?

492
00:25:30,000 --> 00:25:33,320
Speaker 1: It was? Do you Scott? I recognize the name, but

493
00:25:33,359 --> 00:25:34,200
Speaker 1: I I think it.

494
00:25:34,119 --> 00:25:36,560
Speaker 2: Was sort of like a bunch of kind of corny

495
00:25:36,640 --> 00:25:38,520
Speaker 2: corusy people singing.

496
00:25:38,359 --> 00:25:40,199
Speaker 1: Right right right, right, right, right right.

497
00:25:40,560 --> 00:25:45,159
Speaker 2: It reminds me of muzak. Yeah, anyway, I digress.

498
00:25:46,000 --> 00:25:48,960
Speaker 5: Everyone groaning at my stories, you'll thank me because.

499
00:25:49,480 --> 00:25:54,119
Speaker 3: That's all we got entertainment for the episode.

500
00:25:55,880 --> 00:25:59,520
Speaker 2: Okay. So then we get into the whole thing with

501
00:25:59,560 --> 00:26:03,000
Speaker 2: the with the shirts and your crew members and Gypsy

502
00:26:03,080 --> 00:26:05,240
Speaker 2: and Kyle Kyle.

503
00:26:06,119 --> 00:26:10,239
Speaker 1: Okay, so that was the moment, the funniest moment for me.

504
00:26:10,560 --> 00:26:12,879
Speaker 1: And I'll just you know, since we got nothing today,

505
00:26:12,920 --> 00:26:15,359
Speaker 1: I'm just gonna say when they all had to hold

506
00:26:15,440 --> 00:26:21,480
Speaker 1: hands and Luke grabbed Kyle's hook. Okay, it was hysterical.

507
00:26:21,640 --> 00:26:21,919
Speaker 3: That was.

508
00:26:24,400 --> 00:26:26,920
Speaker 2: All right, I'm here to lend a ham good one.

509
00:26:30,359 --> 00:26:34,200
Speaker 2: That was amusing and a real nice return for Kyle.

510
00:26:35,040 --> 00:26:38,159
Speaker 2: But it was like ker Kyle, Taylor, gypsy you and

511
00:26:38,200 --> 00:26:39,920
Speaker 2: a bunch of few people we didn't know.

512
00:26:41,359 --> 00:26:47,160
Speaker 1: I was like, anyway, how it wasn't that weird that

513
00:26:47,560 --> 00:26:49,399
Speaker 1: Taylor grabbed me like that.

514
00:26:49,880 --> 00:26:52,320
Speaker 3: Your hands on his chest?

515
00:26:52,560 --> 00:26:57,640
Speaker 1: Long? Everybody was out of character. But it's like Luke

516
00:26:57,720 --> 00:27:00,680
Speaker 1: wants that house so badly he was willing to tolerate

517
00:27:00,760 --> 00:27:03,119
Speaker 1: that Taylor.

518
00:27:02,760 --> 00:27:05,720
Speaker 2: Like Lai really wants me to get involved in community things.

519
00:27:06,480 --> 00:27:10,119
Speaker 1: I mean, how's tailor man handling Luke to that the

520
00:27:10,240 --> 00:27:13,000
Speaker 1: great where he's just like, oh, it's just so weird

521
00:27:13,480 --> 00:27:14,280
Speaker 1: my right.

522
00:27:14,080 --> 00:27:18,840
Speaker 2: Hand man that I'm gonna need my hand back, like

523
00:27:18,920 --> 00:27:21,480
Speaker 2: for Yeah, there were some zingers of the line, can

524
00:27:21,520 --> 00:27:22,600
Speaker 2: I just give you guys one more?

525
00:27:23,080 --> 00:27:23,359
Speaker 1: Sure?

526
00:27:23,640 --> 00:27:27,119
Speaker 2: Well, he gives everyone the shirts and he says a

527
00:27:27,160 --> 00:27:38,080
Speaker 2: cold water wash tumble dry below. But then we get

528
00:27:38,119 --> 00:27:43,879
Speaker 2: to this sort of nonsense interview at the Dragonfly that

529
00:27:43,960 --> 00:27:45,960
Speaker 2: she's gonna be on the cover of the magazine, which

530
00:27:46,000 --> 00:27:49,160
Speaker 2: is all great, but then she just that whole story

531
00:27:49,320 --> 00:27:53,439
Speaker 2: wasn't great, Yeah, because why would she do that. No

532
00:27:53,520 --> 00:27:56,800
Speaker 2: one is doing that telling a reporter just hateful things

533
00:27:56,840 --> 00:27:57,640
Speaker 2: about their mother.

534
00:27:57,880 --> 00:28:03,320
Speaker 4: Well, Lorl so smart and this was just again not

535
00:28:03,600 --> 00:28:07,240
Speaker 4: her being her, Like you don't go back and say, actually,

536
00:28:07,240 --> 00:28:08,040
Speaker 4: that was off.

537
00:28:07,840 --> 00:28:11,000
Speaker 6: The record, Like you know, I was also surprised that

538
00:28:11,080 --> 00:28:14,440
Speaker 6: she didn't understand what off the record was, Like She's

539
00:28:14,480 --> 00:28:16,280
Speaker 6: asking Rory like what do you mean?

540
00:28:16,440 --> 00:28:19,240
Speaker 3: And I'm like, right, come a smart yeah right.

541
00:28:19,320 --> 00:28:22,199
Speaker 1: Well, even though it was a very funny line that

542
00:28:22,280 --> 00:28:27,040
Speaker 1: she gave the the editor, Yeah, it was, you know

543
00:28:27,240 --> 00:28:31,359
Speaker 1: funny if you if you take a step back from

544
00:28:31,440 --> 00:28:34,160
Speaker 1: Hitler and then you get you know, get a little nicer,

545
00:28:34,200 --> 00:28:35,840
Speaker 1: and then go to Stalin and then go to maw

546
00:28:35,920 --> 00:28:37,880
Speaker 1: and then you're still a little bit far away from my.

547
00:28:37,880 --> 00:28:40,160
Speaker 2: House's just a mess.

548
00:28:40,600 --> 00:28:43,360
Speaker 1: Yeah. You don't bag on your family in print. I mean,

549
00:28:43,400 --> 00:28:44,880
Speaker 1: that's forever exactly.

550
00:28:45,000 --> 00:28:47,560
Speaker 2: You don't say that to a reporter. Everyone, Yes, that

551
00:28:47,680 --> 00:28:50,120
Speaker 2: it's like interview. You're not going to be like, oh,

552
00:28:50,240 --> 00:28:50,880
Speaker 2: by the way.

553
00:28:50,920 --> 00:28:54,560
Speaker 1: My mom. You know I did that once and I

554
00:28:54,640 --> 00:28:58,320
Speaker 1: did that once and I said, so I just let

555
00:28:58,320 --> 00:29:03,520
Speaker 1: it slip out once about about a family member, and

556
00:29:03,600 --> 00:29:06,480
Speaker 1: my sister called me and lit me up.

557
00:29:06,680 --> 00:29:08,280
Speaker 2: Oh, she just.

558
00:29:08,320 --> 00:29:12,480
Speaker 1: Lit me up. She was pissed and she was rightfully,

559
00:29:12,520 --> 00:29:13,400
Speaker 1: so you know.

560
00:29:13,440 --> 00:29:15,640
Speaker 2: Yeah, because it's like, yeah, it's sort of the off

561
00:29:15,680 --> 00:29:16,320
Speaker 2: limits thing.

562
00:29:16,920 --> 00:29:19,920
Speaker 1: Yeah, you don't do it. Yeah, are your dirty laundry

563
00:29:19,920 --> 00:29:23,160
Speaker 1: in public? You just do not do it? And yeah,

564
00:29:23,200 --> 00:29:25,320
Speaker 1: what possessed me to do that? I think I probably

565
00:29:25,360 --> 00:29:29,520
Speaker 1: was taking the same peote that.

566
00:29:26,680 --> 00:29:32,520
Speaker 6: The storyline for me was kind of like to remind

567
00:29:32,520 --> 00:29:35,160
Speaker 6: everyone that Lorelei still is mad at Emily even though

568
00:29:35,160 --> 00:29:37,040
Speaker 6: they're not in the episode. That's what it felt like.

569
00:29:37,120 --> 00:29:39,480
Speaker 6: It was like, let's just throw this in because Emily

570
00:29:39,480 --> 00:29:40,800
Speaker 6: and Richard aren't in this episode.

571
00:29:40,840 --> 00:29:43,320
Speaker 2: Well, and then I think we're supposed to really take

572
00:29:43,360 --> 00:29:46,680
Speaker 2: to heart that she would rather not have the article

573
00:29:46,960 --> 00:29:49,480
Speaker 2: at all than have it come out. Yeah, it's like

574
00:29:49,560 --> 00:29:52,680
Speaker 2: there is love there, there is respect, there, there is

575
00:29:52,760 --> 00:29:59,640
Speaker 2: all the things, because she would rather sacrifice her you know,

576
00:30:00,160 --> 00:30:05,000
Speaker 2: story in the magazine than have that get out. So

577
00:30:05,040 --> 00:30:09,040
Speaker 2: I thought, okay, there's sort of a that was important. Yeah,

578
00:30:09,120 --> 00:30:10,880
Speaker 2: there were some important things, but just kind of like

579
00:30:10,880 --> 00:30:14,000
Speaker 2: a meandering road to get there. Although did anyone find

580
00:30:14,040 --> 00:30:16,880
Speaker 2: it amusing that that that they had the mannequins fighting,

581
00:30:17,000 --> 00:30:19,480
Speaker 2: because that's totally like funny to ye, but.

582
00:30:21,320 --> 00:30:24,959
Speaker 1: Fight they didn't commit to it. Did you really get

583
00:30:25,000 --> 00:30:26,960
Speaker 1: into a man? Well? I did, like I did like

584
00:30:27,000 --> 00:30:31,200
Speaker 1: the three girls getting drunk, that's funny.

585
00:30:31,480 --> 00:30:33,120
Speaker 5: Yeah, and then but Paris is over the top.

586
00:30:33,560 --> 00:30:36,080
Speaker 2: I have a question if anybody can tell me this answer?

587
00:30:36,760 --> 00:30:38,800
Speaker 2: When we go back to the dorm room. So this

588
00:30:38,880 --> 00:30:40,320
Speaker 2: is back when we're in the dorm room and we

589
00:30:40,400 --> 00:30:43,280
Speaker 2: realize like I think, I think Rory's going to leave

590
00:30:43,320 --> 00:30:46,760
Speaker 2: for the weekend or whatever. There's a poster on the wall.

591
00:30:47,320 --> 00:30:50,000
Speaker 6: I figured out what it is. Oh, thank god, it's

592
00:30:50,120 --> 00:30:53,320
Speaker 6: David Well, no, it's zoomed out. It's David Egger EDG.

593
00:30:53,920 --> 00:30:54,440
Speaker 2: Who is that?

594
00:30:55,120 --> 00:30:56,560
Speaker 3: I don't know, but I saw the name.

595
00:30:56,800 --> 00:30:58,920
Speaker 2: But I'm like, who is that guy? Might they have

596
00:30:58,920 --> 00:30:59,720
Speaker 2: a poster of him?

597
00:31:00,120 --> 00:31:02,320
Speaker 3: That's all I was watching the whole me too.

598
00:31:02,640 --> 00:31:04,400
Speaker 2: I was like, who is that guy?

599
00:31:04,560 --> 00:31:09,920
Speaker 6: He's an American writer apparently of British play.

600
00:31:10,000 --> 00:31:13,920
Speaker 2: Right, so he's an American writer or British play.

601
00:31:13,560 --> 00:31:14,040
Speaker 1: Which one is?

602
00:31:15,160 --> 00:31:15,440
Speaker 3: Right?

603
00:31:16,280 --> 00:31:21,840
Speaker 6: No, it's egg e r s Bakers.

604
00:31:24,640 --> 00:31:27,400
Speaker 2: I think it's actually I wish everyone could see your

605
00:31:27,440 --> 00:31:29,200
Speaker 2: face because Danielle looks so work.

606
00:31:31,920 --> 00:31:34,800
Speaker 4: He's not just like he's kind of cute.

607
00:31:34,960 --> 00:31:39,360
Speaker 2: Which is, oh, let's see, I guess.

608
00:31:39,200 --> 00:31:41,120
Speaker 5: It makes sense that Rory would have that poster.

609
00:31:42,400 --> 00:31:46,640
Speaker 6: Yeah, and also what a weird poster with his feet

610
00:31:46,760 --> 00:31:47,960
Speaker 6: just it's just like weird.

611
00:31:48,320 --> 00:31:49,280
Speaker 3: Yeah.

612
00:31:49,600 --> 00:31:52,920
Speaker 2: But anyway, then we find out, as Danielle has told

613
00:31:53,040 --> 00:31:57,160
Speaker 2: us too, that Logan has not called in two weeks,

614
00:31:57,560 --> 00:32:01,840
Speaker 2: like gnarly what yeah, a long time.

615
00:32:01,920 --> 00:32:05,920
Speaker 5: Harley and Doyle is totally doing the same.

616
00:32:07,520 --> 00:32:09,840
Speaker 6: I do like that part of the storyline where they

617
00:32:09,840 --> 00:32:12,440
Speaker 6: were going through that. At the same time, I wish

618
00:32:12,760 --> 00:32:16,280
Speaker 6: we got a little bit more of it at Yale,

619
00:32:17,040 --> 00:32:20,040
Speaker 6: Like I wanted more between the two of them both

620
00:32:20,120 --> 00:32:23,440
Speaker 6: not getting calls from their boyfriends or you know, whatever

621
00:32:23,440 --> 00:32:24,600
Speaker 6: you considered Logan.

622
00:32:25,640 --> 00:32:29,080
Speaker 3: It was it's relatable, Yeah, it was relatable. We could

623
00:32:29,120 --> 00:32:30,720
Speaker 3: have developed that a little bit more.

624
00:32:31,680 --> 00:32:35,280
Speaker 4: Yeah, like I'm all to do like drive bys.

625
00:32:38,640 --> 00:32:41,760
Speaker 6: Hard to start with, or like go to a bar

626
00:32:41,920 --> 00:32:43,920
Speaker 6: and like try to meet other guys like something.

627
00:32:45,440 --> 00:32:47,680
Speaker 2: Yeah, I agree, And then we go back to the

628
00:32:47,720 --> 00:32:49,960
Speaker 2: sort of thing I don't care about, which was Zach

629
00:32:50,000 --> 00:32:52,200
Speaker 2: and Lane, not that I don't care about them, but

630
00:32:52,280 --> 00:32:55,400
Speaker 2: like we don't. But why right, But why would she

631
00:32:55,520 --> 00:32:58,360
Speaker 2: assume like that Zach, like he's like I'm just gonna

632
00:32:58,360 --> 00:33:00,880
Speaker 2: go out with friends. Why would she He assumed that

633
00:33:01,040 --> 00:33:05,120
Speaker 2: Zach's having a thing with Carol King is.

634
00:33:05,200 --> 00:33:09,760
Speaker 3: So weird, Like literally, it was so weird. And the

635
00:33:09,800 --> 00:33:11,880
Speaker 3: payoff wasn't that exciting either.

636
00:33:12,640 --> 00:33:20,880
Speaker 1: Yeah, it's a bluegrass band. R I couldn't tell you, Lene,

637
00:33:20,960 --> 00:33:21,920
Speaker 1: I just didn't.

638
00:33:22,560 --> 00:33:25,960
Speaker 4: That scenario make him make out with Carol King, you know,

639
00:33:26,080 --> 00:33:32,760
Speaker 4: like give and give me some juice like what.

640
00:33:34,080 --> 00:33:34,480
Speaker 2: She's like.

641
00:33:34,680 --> 00:33:37,720
Speaker 3: And she gave him like, Okay, no worries, I'm fine

642
00:33:37,720 --> 00:33:39,920
Speaker 3: with it, Like we went through all that.

643
00:33:40,480 --> 00:33:42,360
Speaker 2: She was fine with it because he's just playing the

644
00:33:42,400 --> 00:33:42,920
Speaker 2: ban jo.

645
00:33:43,920 --> 00:33:50,440
Speaker 4: Scott, It's just like it's bad.

646
00:33:49,320 --> 00:33:52,960
Speaker 1: It's like trying to play a baseball game and a

647
00:33:53,000 --> 00:33:59,000
Speaker 1: torrential downpour. It's just supposed to play the game. Oh

648
00:33:59,040 --> 00:33:59,480
Speaker 1: my god.

649
00:34:00,240 --> 00:34:02,080
Speaker 2: So I do have one redeeming thing. I really like

650
00:34:02,120 --> 00:34:04,400
Speaker 2: when Laura I wears a shirt with a shirt. You know,

651
00:34:04,480 --> 00:34:06,320
Speaker 2: she's wearing a shirt with a shirt under.

652
00:34:06,120 --> 00:34:08,799
Speaker 4: It on thetuch.

653
00:34:09,200 --> 00:34:13,359
Speaker 2: Yeah, that was a good style. So Kirk's on the

654
00:34:13,360 --> 00:34:15,680
Speaker 2: couch and everyone's trying to find a place for Kirk

655
00:34:15,800 --> 00:34:17,880
Speaker 2: and Rory came.

656
00:34:17,680 --> 00:34:21,840
Speaker 1: Home and everybody's this Paris is there. Kirk's there. He

657
00:34:21,880 --> 00:34:24,120
Speaker 1: comes from downstairs. It was just it was just getting

658
00:34:24,160 --> 00:34:25,799
Speaker 1: weirder and weirder and.

659
00:34:25,880 --> 00:34:31,240
Speaker 2: Weirder, and the conversation.

660
00:34:30,920 --> 00:34:34,160
Speaker 1: You know, why did maybe Emily could have been crashed

661
00:34:34,160 --> 00:34:37,040
Speaker 1: out on the porch and you know, I mean I

662
00:34:37,160 --> 00:34:43,239
Speaker 1: was waiting in the window like ed Herman like upstairs

663
00:34:43,280 --> 00:34:45,719
Speaker 1: snoring it's come on.

664
00:34:47,440 --> 00:34:51,239
Speaker 2: Yeah. And then so then we we do have that

665
00:34:51,280 --> 00:34:54,640
Speaker 2: conversation that Tara talked about between Rory and Laura explaining

666
00:34:54,719 --> 00:34:59,520
Speaker 2: off the record, which is like, okay, what we all

667
00:34:59,560 --> 00:35:03,200
Speaker 2: know this. Then we have the cannonball scene, which was

668
00:35:03,239 --> 00:35:05,480
Speaker 2: sort of supposed to be funny with Luke in the

669
00:35:05,560 --> 00:35:08,399
Speaker 2: truck and that banging around, but it was just sort

670
00:35:08,400 --> 00:35:09,320
Speaker 2: of irritating.

671
00:35:10,040 --> 00:35:12,080
Speaker 6: I think, yeah, with that whole that part of the

672
00:35:12,080 --> 00:35:15,320
Speaker 6: storyline with Dean, I think what bothered me was like

673
00:35:15,360 --> 00:35:17,560
Speaker 6: I was so excited to see Jared's name is like

674
00:35:17,680 --> 00:35:19,399
Speaker 6: the guest star, Like I was so excited to see

675
00:35:19,400 --> 00:35:21,719
Speaker 6: I was like, oh, I don't remember this. I was like, no, one,

676
00:35:21,800 --> 00:35:24,400
Speaker 6: I don't remember because he said like two lines like

677
00:35:24,480 --> 00:35:24,799
Speaker 6: he did.

678
00:35:25,280 --> 00:35:25,960
Speaker 3: He didn't say an.

679
00:35:26,760 --> 00:35:30,120
Speaker 1: He had a big scene with Luke did at the end,

680
00:35:30,360 --> 00:35:32,759
Speaker 1: and we're just who we are. They're never going to

681
00:35:32,840 --> 00:35:34,040
Speaker 1: accept yeah, yeah.

682
00:35:34,600 --> 00:35:37,080
Speaker 4: We got to get into that because that's saved.

683
00:35:37,120 --> 00:35:41,360
Speaker 1: Yeah, the whole.

684
00:35:42,760 --> 00:35:45,279
Speaker 2: Yes, that the end that brought us back to give

685
00:35:45,280 --> 00:35:48,640
Speaker 2: me hope for next week. But before now, I wanted

686
00:35:48,680 --> 00:35:51,840
Speaker 2: to be amused by the scenes where Lorelai is clearly

687
00:35:52,400 --> 00:35:54,600
Speaker 2: mothering Kirk. Do you know what I mean? Do you

688
00:35:54,640 --> 00:35:55,200
Speaker 2: know what time about?

689
00:35:55,239 --> 00:35:57,839
Speaker 5: She's got the cereal and clearly sort of.

690
00:35:58,520 --> 00:36:00,839
Speaker 2: It's funny how she's like talking to him like he's

691
00:36:00,880 --> 00:36:03,479
Speaker 2: a child, But then it's also kind of dumb.

692
00:36:03,920 --> 00:36:06,280
Speaker 1: So it just like it wasn't even yeah, it wasn't

693
00:36:06,360 --> 00:36:11,360
Speaker 1: smart or real. It was weird. It was just very forced.

694
00:36:11,080 --> 00:36:13,840
Speaker 2: Should we skip me? I guess we go through it.

695
00:36:13,880 --> 00:36:14,920
Speaker 2: I guess we keep going through it.

696
00:36:15,160 --> 00:36:18,080
Speaker 1: We're shocked to see these players put in these positions

697
00:36:18,120 --> 00:36:20,520
Speaker 1: because they're so good. They're so good at what they do.

698
00:36:20,760 --> 00:36:25,200
Speaker 2: And the floor hole with the cannon ball, it's like, yeah.

699
00:36:24,840 --> 00:36:27,920
Speaker 1: They weren't given the material to shine. And you know,

700
00:36:27,960 --> 00:36:30,520
Speaker 1: one hundred pounds is not it's heavy, but it's not

701
00:36:30,560 --> 00:36:34,200
Speaker 1: that heavy for Luke to need help Karen.

702
00:36:34,920 --> 00:36:36,080
Speaker 2: A hole through the floor.

703
00:36:36,719 --> 00:36:38,560
Speaker 1: Well it what if it was a super old house,

704
00:36:38,560 --> 00:36:43,120
Speaker 1: but one hundred pounds, But if you have a round cannonball.

705
00:36:43,160 --> 00:36:46,279
Speaker 1: One hundred pounds is fairly heavy, but it's not so

706
00:36:46,480 --> 00:36:49,040
Speaker 1: heavy that Luke can't handle it. It was just, you know,

707
00:36:49,040 --> 00:36:50,759
Speaker 1: make it one hundred and fifty pounds, and then you've

708
00:36:50,800 --> 00:36:51,920
Speaker 1: got a struggle.

709
00:36:53,440 --> 00:36:57,240
Speaker 2: Then we've got the red punch and they're drinking and saying,

710
00:36:57,320 --> 00:36:59,520
Speaker 2: don't call in that whole thing.

711
00:37:01,040 --> 00:37:03,239
Speaker 3: I did like the three of them together, though.

712
00:37:03,600 --> 00:37:05,480
Speaker 5: I do too, but I wanted it to be better.

713
00:37:06,000 --> 00:37:06,480
Speaker 3: Yeah.

714
00:37:06,840 --> 00:37:09,839
Speaker 2: Yeah, I'm so sorry, everybody, I'm so sorry. I did

715
00:37:09,840 --> 00:37:11,880
Speaker 2: think it was funny when they said no lude behavior

716
00:37:11,920 --> 00:37:15,840
Speaker 2: and then Lorealizer's pinching Luke's but that was amusing to me.

717
00:37:19,080 --> 00:37:21,800
Speaker 2: Then we get the bluegrass band payoff, which we already

718
00:37:21,800 --> 00:37:24,400
Speaker 2: talked about. Didn't pay much.

719
00:37:24,640 --> 00:37:25,560
Speaker 1: I didn't pay much.

720
00:37:26,080 --> 00:37:30,480
Speaker 2: Did anyone find the tour of the museum Manshionny House

721
00:37:30,800 --> 00:37:33,040
Speaker 2: to be amusing? This is what I was like?

722
00:37:33,640 --> 00:37:38,880
Speaker 1: Oh, I mean, I enjoyed how well they pulled it off.

723
00:37:39,680 --> 00:37:42,160
Speaker 2: Yeah, yeah, yeah.

724
00:37:42,440 --> 00:37:45,719
Speaker 4: I felt like I was there like a museum. I

725
00:37:45,800 --> 00:37:49,120
Speaker 4: hate museums. I literally felt like I was there being like,

726
00:37:49,440 --> 00:37:50,920
Speaker 4: I need to go home.

727
00:37:52,880 --> 00:37:54,520
Speaker 3: The museum. It's so funny.

728
00:37:54,520 --> 00:37:57,480
Speaker 6: There's there's this thing at at Disney World. There's this

729
00:37:57,600 --> 00:38:02,240
Speaker 6: thing called the carousela progress, and it reminded me almost

730
00:38:02,280 --> 00:38:03,160
Speaker 6: exactly like that.

731
00:38:03,239 --> 00:38:05,680
Speaker 3: And it's it's a ride. I mean, it's not really ride.

732
00:38:05,719 --> 00:38:09,480
Speaker 6: You sit and you watch these like statues like talk

733
00:38:09,760 --> 00:38:12,800
Speaker 6: and Plussing's music. It reminded me exactly that, so listeners

734
00:38:12,840 --> 00:38:14,680
Speaker 6: will probably know. But I was like, this is so

735
00:38:14,800 --> 00:38:17,600
Speaker 6: weird to put I like the Good Museum.

736
00:38:18,160 --> 00:38:20,320
Speaker 1: And then they and then they kept cutting to the

737
00:38:20,360 --> 00:38:22,360
Speaker 1: little boy who had no no lines.

738
00:38:23,320 --> 00:38:27,080
Speaker 2: Oh my god, that was kind of funny.

739
00:38:26,760 --> 00:38:29,319
Speaker 3: I gave it just the light, the light.

740
00:38:30,160 --> 00:38:31,920
Speaker 5: I think that's when my eyes were closed.

741
00:38:34,280 --> 00:38:36,520
Speaker 1: It was like, what's when you started?

742
00:38:36,600 --> 00:38:40,319
Speaker 2: Not in my life have I ever knotted off during

743
00:38:40,360 --> 00:38:41,560
Speaker 2: an episode of Gilmore Girls.

744
00:38:41,920 --> 00:38:45,319
Speaker 1: Never have you ever settled in for an episode, you know,

745
00:38:45,480 --> 00:38:49,840
Speaker 1: strapping in expecting the big, big, deep gut belly laughs

746
00:38:49,880 --> 00:38:52,360
Speaker 1: and then just sort of like getting slammed in the

747
00:38:52,400 --> 00:38:54,960
Speaker 1: face with like nothingness. It's it was weird.

748
00:38:55,480 --> 00:38:56,680
Speaker 3: It was weird. There's a question.

749
00:38:56,719 --> 00:38:57,280
Speaker 1: It was weird.

750
00:38:57,840 --> 00:39:02,239
Speaker 5: Does Laura Lake even know that Luke wants to buy

751
00:39:02,239 --> 00:39:03,000
Speaker 5: the house for her?

752
00:39:03,800 --> 00:39:03,880
Speaker 2: No?

753
00:39:04,080 --> 00:39:04,719
Speaker 3: I don't think so.

754
00:39:04,880 --> 00:39:07,799
Speaker 1: No, No, that was the big reveal at the end.

755
00:39:07,880 --> 00:39:11,760
Speaker 1: She says, hmm, that's a nice looking nice columns, nice bricks.

756
00:39:11,400 --> 00:39:14,120
Speaker 6: Can get I feel like that's a huge that's a

757
00:39:14,280 --> 00:39:16,880
Speaker 6: huge step, like, let me just buy this house for

758
00:39:16,960 --> 00:39:18,840
Speaker 6: me and my girlfriend start a family. But I'm not

759
00:39:18,880 --> 00:39:22,560
Speaker 6: going to talk to her about it.

760
00:39:21,400 --> 00:39:24,840
Speaker 4: Right, And also, we were broken up two weeks ago.

761
00:39:28,400 --> 00:39:30,840
Speaker 4: I still can't get over it, and I will. I

762
00:39:30,920 --> 00:39:33,200
Speaker 4: will get over it, but it's still just like.

763
00:39:35,480 --> 00:39:38,759
Speaker 2: A sticking point for me. So then we get to

764
00:39:38,840 --> 00:39:43,239
Speaker 2: the two things that are good in this episode, the

765
00:39:43,280 --> 00:39:49,680
Speaker 2: conversation between Dean and Luke. Yeah, and Rory bawling with

766
00:39:49,800 --> 00:39:53,560
Speaker 2: Laura Lai. I don't even remember how we got there.

767
00:39:53,600 --> 00:39:55,480
Speaker 2: Oh yeah, because she was drinking.

768
00:39:55,080 --> 00:39:57,080
Speaker 3: And then she's back, Yes, felt sick.

769
00:39:57,360 --> 00:40:01,800
Speaker 2: Both of those were quite important, Yes.

770
00:40:02,239 --> 00:40:02,720
Speaker 3: For sure.

771
00:40:02,960 --> 00:40:06,200
Speaker 1: Well it was good storytelling and it was relevant to

772
00:40:06,320 --> 00:40:10,560
Speaker 1: the overall piece. Right, Yeah, your story it was it

773
00:40:10,600 --> 00:40:14,520
Speaker 1: was it was deeper. It was these deeper storylines that

774
00:40:14,640 --> 00:40:19,640
Speaker 1: had been established long ago. Yeah, all of this weirdo

775
00:40:19,840 --> 00:40:21,680
Speaker 1: stuff that was happening in this episode.

776
00:40:21,880 --> 00:40:24,440
Speaker 2: Right. He says, your situation is no different than mine,

777
00:40:24,560 --> 00:40:27,040
Speaker 2: and it was like, woo, So do you guys agree

778
00:40:27,040 --> 00:40:29,400
Speaker 2: with Dean? No, but I get.

779
00:40:29,280 --> 00:40:32,520
Speaker 5: Where he's coming from here.

780
00:40:32,960 --> 00:40:35,919
Speaker 2: Do you want me to say why I think it's different. Yeah, yeah,

781
00:40:36,040 --> 00:40:43,759
Speaker 2: because Loreli isn't Rory. Lorelei really doesn't want more than

782
00:40:43,840 --> 00:40:50,680
Speaker 2: this town her life, Luke, whereas Rory does. Yeah, that's

783
00:40:50,719 --> 00:40:53,120
Speaker 2: a really good for now and that could change, but

784
00:40:53,200 --> 00:40:53,600
Speaker 2: for now.

785
00:40:58,840 --> 00:41:03,399
Speaker 6: Do you think that Dean is still sad that he's

786
00:41:03,440 --> 00:41:05,400
Speaker 6: not with Rory? Do you think that's why he's holding

787
00:41:05,440 --> 00:41:06,120
Speaker 6: this grudge?

788
00:41:06,760 --> 00:41:08,239
Speaker 1: He's Yeah, he's never going to get over it.

789
00:41:08,320 --> 00:41:10,680
Speaker 4: Well, he's kind of the one that left, right technically,

790
00:41:11,120 --> 00:41:14,600
Speaker 4: you know, like, yeah, he's the one that was like,

791
00:41:14,880 --> 00:41:16,280
Speaker 4: all right, I don't fit anybody.

792
00:41:16,280 --> 00:41:16,520
Speaker 6: You know.

793
00:41:16,920 --> 00:41:20,799
Speaker 1: He's still wounded and he will be for sure. He

794
00:41:20,840 --> 00:41:21,560
Speaker 1: won't get over that.

795
00:41:22,160 --> 00:41:25,680
Speaker 2: Yeah, yeah, because it's like, even though this isn't true,

796
00:41:25,800 --> 00:41:29,240
Speaker 2: in his mind, he's sort of like I'm not enough, yeah.

797
00:41:29,120 --> 00:41:31,800
Speaker 1: Right right, And so he's God, he had to accept

798
00:41:31,840 --> 00:41:35,120
Speaker 1: reality and that's what it hurts. And he'll never forget that.

799
00:41:35,480 --> 00:41:38,480
Speaker 1: He'll never have really much positive to say about it

800
00:41:38,600 --> 00:41:39,359
Speaker 1: or feel about it.

801
00:41:40,200 --> 00:41:44,000
Speaker 4: And it did ruin his life, and I mean, we

802
00:41:44,080 --> 00:41:47,920
Speaker 4: don't it didn't really had an update on Lindsay since

803
00:41:48,040 --> 00:41:50,560
Speaker 4: that all happened, But I'm assuming they're not together.

804
00:41:51,120 --> 00:41:51,920
Speaker 2: No, they are, you.

805
00:41:51,880 --> 00:41:55,160
Speaker 1: Know, Well, he was just one of many sacrificial lamps

806
00:41:55,160 --> 00:42:01,239
Speaker 1: to demonstrate the magnetism and charisma of Rory the character right,

807
00:42:03,520 --> 00:42:05,000
Speaker 1: they needed to sacrifice them.

808
00:42:05,960 --> 00:42:09,640
Speaker 2: Why do you all think, especially Scott and Danielle, that

809
00:42:09,640 --> 00:42:13,080
Speaker 2: that Logan hasn't called in two weeks?

810
00:42:13,960 --> 00:42:18,839
Speaker 1: Because I'm sure he's embarrassed about his little getting into

811
00:42:18,880 --> 00:42:22,279
Speaker 1: a snit and flipping out of it. You know, the

812
00:42:22,320 --> 00:42:25,120
Speaker 1: mask came off? What what you can't put it back on?

813
00:42:26,120 --> 00:42:26,279
Speaker 6: Right?

814
00:42:26,719 --> 00:42:30,520
Speaker 1: You know? He uh, he made a mistake. Yeah, I'm

815
00:42:30,520 --> 00:42:34,799
Speaker 1: sure he's quite embarrassed and humiliated that he allowed himself

816
00:42:34,880 --> 00:42:39,839
Speaker 1: to or he exposed himself to her in that way.

817
00:42:40,080 --> 00:42:43,120
Speaker 4: Yeah, he definitely showed his cards and now he's kind

818
00:42:43,120 --> 00:42:45,600
Speaker 4: of like trying to retract it.

819
00:42:45,560 --> 00:42:48,239
Speaker 2: A little bit, and it's all kind of a goal.

820
00:42:48,400 --> 00:42:51,680
Speaker 4: I'm in control, you know, Like I'm not calling you

821
00:42:51,760 --> 00:42:52,520
Speaker 4: right right?

822
00:42:52,880 --> 00:42:56,400
Speaker 3: If you want to hang out with me, you call me, which.

823
00:42:56,400 --> 00:43:00,120
Speaker 1: Which may only makes him look worse, because maybe be

824
00:43:00,239 --> 00:43:03,000
Speaker 1: the move is to call her and apologize for.

825
00:43:07,040 --> 00:43:09,920
Speaker 2: Call her and say I behave that way because I

826
00:43:09,920 --> 00:43:13,000
Speaker 2: do really have feelings, right, and I was wrong to

827
00:43:13,120 --> 00:43:14,960
Speaker 2: say that he's just day around.

828
00:43:15,239 --> 00:43:18,760
Speaker 1: He's not doing that, And I would like to ask

829
00:43:18,840 --> 00:43:23,080
Speaker 1: you out to dinner and it's just going to be

830
00:43:23,160 --> 00:43:25,719
Speaker 1: the two of us and you know, this kind of

831
00:43:25,719 --> 00:43:28,520
Speaker 1: a thing, and then you know, you could try to

832
00:43:28,560 --> 00:43:32,759
Speaker 1: redeem himself at that time. Yeah, yeah, the relationship put

833
00:43:32,760 --> 00:43:35,080
Speaker 1: it on put it on a track that's you know,

834
00:43:35,160 --> 00:43:36,760
Speaker 1: she's going to respect well.

835
00:43:36,600 --> 00:43:39,919
Speaker 2: And she's in so much pain that obviously she's got

836
00:43:39,920 --> 00:43:44,080
Speaker 2: to realize she was kidding herself thinking she could just

837
00:43:44,600 --> 00:43:48,920
Speaker 2: casually date him. Come on, Yeah, yeah, she knew, We

838
00:43:49,000 --> 00:43:49,520
Speaker 2: knew she could.

839
00:43:49,600 --> 00:43:52,680
Speaker 1: We all knew, right, well, his idea and she.

840
00:43:54,239 --> 00:43:57,720
Speaker 6: Yeah, it's not like I don't I don't like seeing

841
00:43:57,800 --> 00:43:59,920
Speaker 6: Rory cry like that, clearly, Like it's you kind of

842
00:44:00,000 --> 00:44:02,759
Speaker 6: feel for her. But a part of me like the

843
00:44:02,800 --> 00:44:05,720
Speaker 6: scene that she went through that because we've never seen

844
00:44:06,880 --> 00:44:09,879
Speaker 6: that side of her, because everyone's always just want they

845
00:44:09,920 --> 00:44:11,759
Speaker 6: want Rory and for the first time she has to

846
00:44:11,800 --> 00:44:12,319
Speaker 6: work for it.

847
00:44:12,880 --> 00:44:15,000
Speaker 2: Yeah, I mean we've seen it a little bit here

848
00:44:15,040 --> 00:44:18,359
Speaker 2: and there, but like, you're right, she really that could

849
00:44:18,400 --> 00:44:22,600
Speaker 2: be one of the biggest full fledged meltdowns over a boy.

850
00:44:22,800 --> 00:44:26,360
Speaker 2: She's really hat but she is just she's in excruciating pain,

851
00:44:27,840 --> 00:44:29,600
Speaker 2: and yeah, I felt bad for her.

852
00:44:29,840 --> 00:44:32,640
Speaker 1: Well, she's now she's in the big bed real world

853
00:44:33,000 --> 00:44:37,200
Speaker 1: sort of. Yeah, you're right, and you know not everybody's

854
00:44:37,239 --> 00:44:42,200
Speaker 1: all folks seeing chummy and you know, I mean Jess

855
00:44:42,280 --> 00:44:44,480
Speaker 1: was child's play compared to this guy.

856
00:44:44,680 --> 00:44:47,440
Speaker 5: Well right, and she's older too, so the feelings become

857
00:44:47,840 --> 00:44:50,799
Speaker 5: it's not like her high school boyfriend, like she's she's

858
00:44:50,880 --> 00:44:55,400
Speaker 5: four years older now, h ish, Yeah, four years older,

859
00:44:55,480 --> 00:44:56,080
Speaker 5: and it's like.

860
00:44:57,640 --> 00:45:01,880
Speaker 2: Painful. I mean you could everyone could argue this, but

861
00:45:02,040 --> 00:45:05,799
Speaker 2: like your college boyfriend, you like more do you know

862
00:45:05,800 --> 00:45:06,400
Speaker 2: what I'm saying?

863
00:45:07,080 --> 00:45:08,280
Speaker 3: Yeah, it's more real.

864
00:45:08,600 --> 00:45:11,880
Speaker 1: Can I ask you a question with him? Do you

865
00:45:11,920 --> 00:45:14,760
Speaker 1: think that Rory was envisioning a real future with logan

866
00:45:15,920 --> 00:45:19,400
Speaker 1: marriage kids the whole time He's no.

867
00:45:19,360 --> 00:45:23,120
Speaker 6: Maybe don't have kids in marriage, but at least sorry,

868
00:45:23,800 --> 00:45:25,600
Speaker 6: I was gonna say, at least something serious.

869
00:45:26,080 --> 00:45:30,920
Speaker 2: Definitely very serious. College relationship is what she hopes for.

870
00:45:31,120 --> 00:45:35,560
Speaker 4: And like she's not Afcellent's not the right word, but

871
00:45:35,680 --> 00:45:41,200
Speaker 4: like prestigious relationship but in a Huntsburger, you know, like

872
00:45:41,280 --> 00:45:47,040
Speaker 4: she like she sees that like you know, cool factor.

873
00:45:48,600 --> 00:45:52,919
Speaker 2: Yeah, he's popular. He's really popular and like I'm sure

874
00:45:52,960 --> 00:45:55,680
Speaker 2: Dean was popular too, but like this guy is the

875
00:45:55,800 --> 00:45:58,600
Speaker 2: cool kid at Yale. Yale.

876
00:45:58,719 --> 00:46:00,760
Speaker 1: He's a cool kid at Yale and Yale.

877
00:46:01,080 --> 00:46:06,719
Speaker 2: Right, yeah, cool kid stars allow, right, we both thought

878
00:46:06,719 --> 00:46:08,880
Speaker 2: that at the same time. We're like, oh yeah, Yale,

879
00:46:09,080 --> 00:46:10,200
Speaker 2: it's freaking Yale.

880
00:46:10,840 --> 00:46:11,280
Speaker 6: Yeah.

881
00:46:12,320 --> 00:46:14,160
Speaker 3: I will say I missed him this episode. I'm not

882
00:46:14,160 --> 00:46:14,759
Speaker 3: going to lie to you.

883
00:46:15,000 --> 00:46:19,360
Speaker 2: Thank you. Tara, me too, like the same age or

884
00:46:19,400 --> 00:46:23,399
Speaker 2: the same age, but missed him.

885
00:46:23,440 --> 00:46:26,040
Speaker 3: I was like, you know what, I like the banter

886
00:46:26,200 --> 00:46:26,680
Speaker 3: with Logan.

887
00:46:27,160 --> 00:46:28,640
Speaker 2: I miss him every day in my life.

888
00:46:30,000 --> 00:46:37,240
Speaker 1: Yeah, your life is just one long gill More episode.

889
00:46:37,400 --> 00:46:39,640
Speaker 2: Right, Well, it's Gilmore that I went right into the

890
00:46:39,680 --> 00:46:42,279
Speaker 2: Good Wife and then right into the Resident and now

891
00:46:42,280 --> 00:46:46,520
Speaker 2: I have nothing I know, like somebody tell me. And

892
00:46:46,560 --> 00:46:49,560
Speaker 2: then the strike Matt Degree, Oh my god, when you

893
00:46:49,640 --> 00:46:51,719
Speaker 2: won't even be together till twenty twenty four.

894
00:46:52,360 --> 00:46:57,000
Speaker 1: All right, Oh, if you're lucky, I know it can

895
00:46:57,040 --> 00:46:58,680
Speaker 1: be a bad strike. It's gonna be a long one.

896
00:46:58,719 --> 00:47:03,480
Speaker 2: You're gonna have to start the Good Wife again, right Gosh,

897
00:47:04,120 --> 00:47:05,680
Speaker 2: So I.

898
00:47:05,680 --> 00:47:07,880
Speaker 1: Wonder what would bring the studios to their knees.

899
00:47:09,000 --> 00:47:09,440
Speaker 3: Nothing.

900
00:47:09,560 --> 00:47:11,880
Speaker 2: The actors are gonna have to everybody's gonna have to

901
00:47:11,920 --> 00:47:13,560
Speaker 2: like just realize that.

902
00:47:13,719 --> 00:47:17,040
Speaker 1: Maybe somebody in SAG should start monetizing Mickey Mouse.

903
00:47:17,400 --> 00:47:18,759
Speaker 2: What we should realize is that.

904
00:47:19,040 --> 00:47:21,719
Speaker 1: And say, how does it feel to, you know, have

905
00:47:21,760 --> 00:47:24,560
Speaker 1: your copyright stolen in the peep True?

906
00:47:24,800 --> 00:47:27,600
Speaker 2: I understand, true, but the real people paying the real price,

907
00:47:28,640 --> 00:47:32,440
Speaker 2: Amy Tara Danielle, because pretty soon we're gonna have nothing

908
00:47:32,640 --> 00:47:33,560
Speaker 2: to watch.

909
00:47:34,000 --> 00:47:34,359
Speaker 1: I know.

910
00:47:34,480 --> 00:47:36,680
Speaker 6: I'm taking it slow on my shows because I'm like,

911
00:47:36,719 --> 00:47:39,120
Speaker 6: I gotta this out until the ends of the year.

912
00:47:39,239 --> 00:47:42,800
Speaker 2: I'm milking the Walking Dead like you don't even understand.

913
00:47:42,880 --> 00:47:46,319
Speaker 1: But aren't there? But aren't there? Like a bill, there's

914
00:47:46,360 --> 00:47:48,560
Speaker 1: a billion shows out there.

915
00:47:50,560 --> 00:47:56,160
Speaker 3: We still got our Housewives. Those are never ending.

916
00:47:57,120 --> 00:48:00,000
Speaker 2: Suddenly and just like that is the best show on television.

917
00:48:00,200 --> 00:48:01,239
Speaker 2: Oh my god, I love it.

918
00:48:01,400 --> 00:48:05,000
Speaker 3: Oh the summer I turned pretty at least it's a

919
00:48:05,000 --> 00:48:07,200
Speaker 3: week by week now because I'm thinking.

920
00:48:06,880 --> 00:48:10,080
Speaker 2: Of starting Ally McBeal again. Do you guys remember that

921
00:48:10,480 --> 00:48:12,160
Speaker 2: I thought I might go for that again.

922
00:48:12,640 --> 00:48:14,120
Speaker 1: This is going so well that I'm going to take

923
00:48:14,120 --> 00:48:17,320
Speaker 1: a phone call from my wife. Hang on, that'll spice

924
00:48:17,320 --> 00:48:23,000
Speaker 1: it up. Hey, babe, I'm in the middle of the podcast,

925
00:48:23,040 --> 00:48:24,799
Speaker 1: but it's going so well, I thought I'd take a

926
00:48:24,800 --> 00:48:31,160
Speaker 1: phone call. Well, what's up burgers? Yes, we do have buns.

927
00:48:31,239 --> 00:48:33,480
Speaker 3: Yes, Oh, I didn't realize she was actually on the phone.

928
00:48:33,800 --> 00:48:38,719
Speaker 1: Yes, we need everything else. That's correct. I think we're

929
00:48:38,719 --> 00:48:53,160
Speaker 1: good there. Okay, she's still going I think as okay.

930
00:48:54,080 --> 00:48:56,840
Speaker 2: Oh my god, Scott turned to yell at first that

931
00:48:56,960 --> 00:48:59,600
Speaker 2: you were acting.

932
00:49:03,640 --> 00:49:06,560
Speaker 1: I'm so good. You can't tell the difference. You thought

933
00:49:06,640 --> 00:49:08,240
Speaker 1: Matt Zukri was in my house.

934
00:49:08,920 --> 00:49:11,239
Speaker 2: Okay, I got mine, I got mine, I got to

935
00:49:11,880 --> 00:49:12,360
Speaker 2: who wants to?

936
00:49:13,440 --> 00:49:16,040
Speaker 1: What do you got?

937
00:49:16,360 --> 00:49:20,440
Speaker 4: I'm gonna say five out of ten cups of punch,

938
00:49:21,600 --> 00:49:25,000
Speaker 4: and the five came from the Dean and Luke scene.

939
00:49:25,280 --> 00:49:28,040
Speaker 2: So I'm not as mean as you. Six cannonballs.

940
00:49:30,760 --> 00:49:35,319
Speaker 3: I was gonna say four trail mix bags of trail mix.

941
00:49:35,640 --> 00:49:38,960
Speaker 2: Oh god, So I liked it the most.

942
00:49:39,800 --> 00:49:48,680
Speaker 1: I'm going to say three point five caskets filled with cereal?

943
00:49:48,920 --> 00:49:53,959
Speaker 6: Is this the worst episode that we we've seen ever?

944
00:49:54,280 --> 00:49:55,920
Speaker 1: Yeah?

945
00:49:56,000 --> 00:49:56,680
Speaker 4: Or Jackson?

946
00:49:56,880 --> 00:49:59,280
Speaker 2: I know, because it's not in directing. It's not the directing,

947
00:49:59,600 --> 00:50:03,759
Speaker 2: it was the Yeah, it was the storylines. Yeah, what

948
00:50:03,960 --> 00:50:05,919
Speaker 2: when did this air? When did this air?

949
00:50:06,120 --> 00:50:12,960
Speaker 6: Okay, in April April, spring break April, maybe before, and

950
00:50:13,120 --> 00:50:13,800
Speaker 6: maybe it's.

951
00:50:13,680 --> 00:50:15,600
Speaker 2: Just like they had to get some filler in there

952
00:50:15,680 --> 00:50:17,120
Speaker 2: that they didn't have. They couldn't put a lot of

953
00:50:17,160 --> 00:50:20,840
Speaker 2: money into it, and they just climing up on to

954
00:50:20,960 --> 00:50:23,759
Speaker 2: the end. Yeah, which is feeling crazy.

955
00:50:24,560 --> 00:50:27,120
Speaker 6: If you did it minus the last ten minutes, you

956
00:50:27,160 --> 00:50:29,719
Speaker 6: didn't really need the rest of the episode to just

957
00:50:29,840 --> 00:50:31,680
Speaker 6: follow the storyline of Gilmore.

958
00:50:32,080 --> 00:50:34,200
Speaker 2: Just kind of miniesot like our culture.

959
00:50:35,400 --> 00:50:38,200
Speaker 3: Yeah, you really needed the last ten minutes. That was it.

960
00:50:38,360 --> 00:50:41,759
Speaker 4: Maybe the maybe the scene with Paris and Rory like

961
00:50:42,040 --> 00:50:45,319
Speaker 4: saying that they haven't heard back from Doyle, that's it.

962
00:50:45,680 --> 00:50:49,560
Speaker 1: Yeah. And here's the thing about Corpus Christie, Texas. It

963
00:50:49,640 --> 00:50:55,040
Speaker 1: has great sushi. The sushi thing so bad. We went

964
00:50:55,080 --> 00:50:58,720
Speaker 1: to a sushi restaurant there. It was fantastic.

965
00:50:59,160 --> 00:51:02,800
Speaker 5: And here's what I like, as if you disagree.

966
00:51:02,200 --> 00:51:05,520
Speaker 2: With us, tell us why?

967
00:51:05,480 --> 00:51:06,359
Speaker 3: Yeah, do you know what I mean?

968
00:51:06,520 --> 00:51:10,800
Speaker 2: Like, don't just hate me because I suck. Just explain

969
00:51:10,920 --> 00:51:13,719
Speaker 2: to me what I didn't get. Do you know what

970
00:51:13,800 --> 00:51:14,120
Speaker 2: I mean?

971
00:51:14,600 --> 00:51:17,120
Speaker 3: To all of us? All tell us?

972
00:51:17,160 --> 00:51:17,399
Speaker 2: Why?

973
00:51:17,600 --> 00:51:20,640
Speaker 1: Tell us why you think this was a great episode?

974
00:51:21,160 --> 00:51:25,439
Speaker 1: And that and you know, like I said, having this

975
00:51:25,640 --> 00:51:28,000
Speaker 1: on in the background, because that's what people tell me,

976
00:51:28,040 --> 00:51:30,520
Speaker 1: because I you know, I talk to all of these

977
00:51:30,560 --> 00:51:32,960
Speaker 1: people at these cons and it's like, you know, I

978
00:51:33,040 --> 00:51:35,040
Speaker 1: it's a lot of people that come through the lines,

979
00:51:35,080 --> 00:51:36,640
Speaker 1: and every time I do it. It's a lot of

980
00:51:36,680 --> 00:51:38,520
Speaker 1: people coming through the lines, and I'll say the same thing.

981
00:51:38,760 --> 00:51:40,799
Speaker 1: I just have this on in the background. I'm not

982
00:51:40,840 --> 00:51:42,759
Speaker 1: even watching it, you know. I've seen it so many

983
00:51:42,760 --> 00:51:44,640
Speaker 1: times and I've memorized it. I have it on the

984
00:51:44,640 --> 00:51:47,280
Speaker 1: background whenever I'm home, I have it in my aarpods,

985
00:51:47,320 --> 00:51:49,080
Speaker 1: I have it everywhere at work, and it's just.

986
00:51:49,000 --> 00:51:50,960
Speaker 2: Like, Oh, that's a good idea. And their air pods

987
00:51:51,000 --> 00:51:51,560
Speaker 2: on a walk.

988
00:51:52,040 --> 00:51:55,520
Speaker 1: Yeah, that's what they do, and they just it makes

989
00:51:55,560 --> 00:51:58,160
Speaker 1: them happy. In an episode like this, they don't care.

990
00:51:58,760 --> 00:52:01,439
Speaker 1: It's wonderful, wonderful one. Maybe the first time they saw

991
00:52:01,480 --> 00:52:03,360
Speaker 1: it they were like, eh, that's a little lofet, But

992
00:52:03,360 --> 00:52:05,080
Speaker 1: I still loved it, and they still get to spend

993
00:52:05,120 --> 00:52:07,720
Speaker 1: time with my characters. I get to see these people

994
00:52:07,719 --> 00:52:10,440
Speaker 1: and they so much. Yeah, that's kind of the feeling

995
00:52:10,480 --> 00:52:15,120
Speaker 1: I got when I was watching it. Knowing so intellectually right,

996
00:52:15,560 --> 00:52:17,880
Speaker 1: the critic in me was like, eh, you know, not

997
00:52:17,920 --> 00:52:20,640
Speaker 1: the greatest, but you know, emotionally, I was like, yeah,

998
00:52:20,640 --> 00:52:24,800
Speaker 1: I'm with it. I love these characters. It's making me happier.

999
00:52:24,840 --> 00:52:28,200
Speaker 1: I'm cuddling here with my son. And this is what

1000
00:52:28,239 --> 00:52:30,760
Speaker 1: people do when they watch it. They get their families together,

1001
00:52:30,840 --> 00:52:32,560
Speaker 1: and they cuddle with their daughters and their sons and

1002
00:52:32,600 --> 00:52:35,360
Speaker 1: they watch the episodes. I'm you know, there's babies that

1003
00:52:35,400 --> 00:52:37,160
Speaker 1: come up in the line, the babies and they're dressed

1004
00:52:37,160 --> 00:52:39,279
Speaker 1: as Luke and they said, we we watch a show,

1005
00:52:39,320 --> 00:52:43,080
Speaker 1: so it's all good feelings. Yeah, I want to diminish

1006
00:52:43,120 --> 00:52:45,600
Speaker 1: that experience for people. Even though we just spent an

1007
00:52:45,600 --> 00:52:47,359
Speaker 1: hour doing that, I don't want to do.

1008
00:52:49,120 --> 00:52:50,160
Speaker 3: It was still entertaining.

1009
00:52:50,680 --> 00:52:56,600
Speaker 1: We are critical. Tends to be wide open when it

1010
00:52:56,840 --> 00:53:00,279
Speaker 1: just seems so off, and we want I want to

1011
00:53:00,360 --> 00:53:03,680
Speaker 1: understand why, and I think that I think the reason

1012
00:53:03,840 --> 00:53:09,480
Speaker 1: is writing for television in a series television twenty two

1013
00:53:09,520 --> 00:53:14,000
Speaker 1: to twenty four episodes, producing them, it's really hard.

1014
00:53:14,520 --> 00:53:17,520
Speaker 2: I agree, it's really.

1015
00:53:17,160 --> 00:53:20,520
Speaker 1: Hard, and sometimes maybe it doesn't all come together for

1016
00:53:20,600 --> 00:53:24,240
Speaker 1: whatever reason, you know. You know, well the editor poured

1017
00:53:24,280 --> 00:53:26,080
Speaker 1: some tonic on the tape. We're gonna have to do

1018
00:53:26,120 --> 00:53:33,440
Speaker 1: it live, you know, whatever things happen, right, and so anyway,

1019
00:53:33,520 --> 00:53:34,200
Speaker 1: we and.

1020
00:53:34,120 --> 00:53:39,200
Speaker 2: It's still not it's only not the best compared to

1021
00:53:39,280 --> 00:53:42,640
Speaker 2: all the others. I'm not saying it's not great when

1022
00:53:42,640 --> 00:53:45,560
Speaker 2: you take it out and compare it to other TV shows.

1023
00:53:46,600 --> 00:53:50,040
Speaker 2: Do you know what I mean, like, it's still great there,

1024
00:53:50,120 --> 00:53:52,799
Speaker 2: so I'm not mad at us, but other people will.

1025
00:53:53,280 --> 00:53:56,799
Speaker 1: All right, so look, next episode episode is season five,

1026
00:53:56,840 --> 00:54:02,680
Speaker 1: episode nineteen. But I'm a Gilmore. Yeah, and I think

1027
00:54:02,719 --> 00:54:06,759
Speaker 1: that's going to wrap her up. And I think we

1028
00:54:06,880 --> 00:54:08,960
Speaker 1: did favorite lines. There were so many, and yeah, I

1029
00:54:10,000 --> 00:54:16,120
Speaker 1: nailed the best ones. And all right, thanks Gang, Tara, Amy, Danielle,

1030
00:54:16,200 --> 00:54:16,600
Speaker 1: thank you.

1031
00:54:16,800 --> 00:54:18,719
Speaker 2: We'll bring our a game for pop culture this week,

1032
00:54:18,760 --> 00:54:19,360
Speaker 2: don't you worry.

1033
00:54:19,360 --> 00:54:22,239
Speaker 1: Thank you, thank you. That's gonna do it. We're gonna

1034
00:54:22,239 --> 00:54:25,399
Speaker 1: wrap it up. Best fans on the planet. Love you guys.

1035
00:54:25,480 --> 00:54:28,120
Speaker 1: Keep the cards and letters coming, and just remember we

1036
00:54:28,440 --> 00:55:00,880
Speaker 1: I I'm all in. Stay safe, everybody, don't forget. Follow

1037
00:55:00,960 --> 00:55:04,840
Speaker 1: us on Instagram at I Am all In podcast, and

1038
00:55:05,000 --> 00:55:19,000
Speaker 1: email us at Gilmore at iHeartRadio dot com