WEBVTT - Sowing Seed Stories w/ Hudson Valley Seed Company

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<v Speaker 1>Citizen Chef is a production of I Heart Radio. So

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<v Speaker 1>you know it sounds like seeds can tell almost the

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<v Speaker 1>entire human story. Oh yeah, Hi, I'm Tom. Click you

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<v Speaker 1>and you're listening to Citizen Chef. Yeah, so my my

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<v Speaker 1>interesting seeds kind of happened around five or six years ago.

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<v Speaker 1>I actually started gardening, and um, obviously obviously go from gardening.

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<v Speaker 1>I have like like twenty or so raised beds five

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<v Speaker 1>by seven raised beds and kind of fell down that

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<v Speaker 1>rabbit hole and really got into it, and um started

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<v Speaker 1>looking at seed Catalogus. I used to joke around and

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<v Speaker 1>I started looking at seed catalog with the way I

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<v Speaker 1>looked at Playboy when I was fifteen. Um, it's just fascinating. Um,

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<v Speaker 1>the amount of breeds and then the stories behind all

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<v Speaker 1>these seeds. And this year were all talking about seeds. Seed. Yeah,

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<v Speaker 1>we're talking about the seed shed. Um. What does seed

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<v Speaker 1>shed do? So I'm Ken Green. I run a nonprofit

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<v Speaker 1>called seed Shed, and I'm the founder and creative director

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<v Speaker 1>of a seed company called Hutson Valley Seed Company. Seed

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<v Speaker 1>Shed focuses on seed justice issues and so we work

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<v Speaker 1>with communities, um that are facing challenges around their seed

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<v Speaker 1>and we also do seed literacy education UM and work

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<v Speaker 1>to improve UH seed culture UM. That is people's understanding

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<v Speaker 1>of seeds and the role of seeds in their lives.

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<v Speaker 1>So let's start there. I guess people don't have a

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<v Speaker 1>deep understanding of seed um. They don't understand I guess

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<v Speaker 1>what it means to them. And so someone someone listening

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<v Speaker 1>in today I would think like, well, why should I

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<v Speaker 1>care about seeds? How do I interact with seeds? And

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<v Speaker 1>what would you tell them? Well, you know, seeds are

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<v Speaker 1>this invisible part of our lives that UM, we don't

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<v Speaker 1>even think about day to day, but are affecting us

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<v Speaker 1>day to day. They're an essential and yet invisible part

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<v Speaker 1>of our everyday lives. UH. And when we think about

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<v Speaker 1>some of the bigger issues that we're facing globally, seeds

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<v Speaker 1>many times are at the root of that, whether that's

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<v Speaker 1>about how seeds are grown, how seeds are shared, how

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<v Speaker 1>seeds are commodified UM. And so that's part of my

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<v Speaker 1>work is how do we pull back that curtain and

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<v Speaker 1>get people to understand UM where they intersect with seeds.

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<v Speaker 1>You know, if people understood that four companies control about

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<v Speaker 1>six of the seed UM, that would probably be alarming

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<v Speaker 1>and if they are alarmed by that, why should they

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<v Speaker 1>be alarmed by that? Well, it's yeah, it's a really

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<v Speaker 1>interesting statistics. So there's a I'm not sure if we've

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<v Speaker 1>seen the graphic that Phil Howard from ms YOU created

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<v Speaker 1>that's called consolidation of seed resources, and so it shows

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<v Speaker 1>how over time there's been a consolidation in the industry

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<v Speaker 1>UM by fewer and fewer corporations controlling more and more

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<v Speaker 1>of the planet's commercial seed resources. So right now we

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<v Speaker 1>have three multinational corporations UM really in control of the

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<v Speaker 1>bulk of seed resources on the planet UM and they're

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<v Speaker 1>all pharmaceutical and biotech corporations. So that's concerning because you know,

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<v Speaker 1>they're not nutrition focused or food access focused UM or

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<v Speaker 1>thinking about you know, regional adaptation or climate change or

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<v Speaker 1>all of these issues that we're facing that are connected

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<v Speaker 1>to seeds and our ability as communities to feed ourselves.

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<v Speaker 1>They're focused on a very specific type of profit, which

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<v Speaker 1>is either bundling UM seeds and seed breeding with pharmaceutical

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<v Speaker 1>delivery or bundling seeds and seed breeding with chemical inputs UM.

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<v Speaker 1>So you know, for many of us, we think that's

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<v Speaker 1>not the right kind of folks to be controlling seeds

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<v Speaker 1>and seed access and food and food access. Right, and

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<v Speaker 1>we're talking about the seeds that we're talking about is corn,

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<v Speaker 1>soy uh, what else? I mean, We're not talking about

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<v Speaker 1>you know, someone growing carrots in their garden. Yeah, But

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<v Speaker 1>that's the thing. So that that graphic, the consolidation of

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<v Speaker 1>seed versus graphic. You know a lot of people look

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<v Speaker 1>at and look at that and feel really alarmed, and

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<v Speaker 1>there are reasons to feel really alarmed, But that graphic

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<v Speaker 1>doesn't show all of the amazing, inspiring, good work that's

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<v Speaker 1>happening within communities and small regional seed companies and seed

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<v Speaker 1>nonprofits and seed advocacy organizations and community seed initiatives. There's

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<v Speaker 1>this whole entire landscape of seed happening UM, which recognized

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<v Speaker 1>that we have this loss of genetic diversity and that

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<v Speaker 1>there's something we can actually do about it by working together.

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<v Speaker 1>And so more and more there's gardeners who are growing

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<v Speaker 1>things that are not attached to that map UM. But

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<v Speaker 1>it's still a very small percentage compared to the global

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<v Speaker 1>seed industry. Because I think this was a quarter true

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<v Speaker 1>to that good food comes from good seeds. Can you

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<v Speaker 1>can you explain that what is a good seed? Wow?

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<v Speaker 1>I mean that's a loaded question, and you know you're

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<v Speaker 1>going to get different answers from different folks. For me,

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<v Speaker 1>when I think about good seed, you have to think

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<v Speaker 1>about all the interactions and interconnections of that seed. So

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<v Speaker 1>where did that seed come from? Who grew it? How

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<v Speaker 1>has it grown? How was it shared? Um? Who gets

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<v Speaker 1>to tell that seed story? Is? Is it being told

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<v Speaker 1>by the community? Um? That represents the origins of that seed?

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<v Speaker 1>Or was that seed appropriated in some way at a

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<v Speaker 1>certain time? Are stolen at a certain time? Uh? And

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<v Speaker 1>we're only hearing part of the story. So to me,

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<v Speaker 1>a good seed is where you know, you know the story,

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<v Speaker 1>You have a respect and understanding of the origins of

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<v Speaker 1>that variety. UM. And that the the system that that

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<v Speaker 1>part that seed is part of. And what I mean

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<v Speaker 1>by that is you know how who grew it, how

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<v Speaker 1>it was grown, and how it was shared. That you

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<v Speaker 1>feel like all of the people involved in that chain

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<v Speaker 1>of sharing that seed hand to hand to hand to

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<v Speaker 1>hand until it gets to your garden, that you feel

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<v Speaker 1>good about all of those practices, um. And the values

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<v Speaker 1>of those folks match your values And it doesn't always

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<v Speaker 1>line up that well. You know, you do the best

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<v Speaker 1>you can. But you know, even when we're looking at

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<v Speaker 1>just you know, one piece of this, say organic, you

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<v Speaker 1>know that you want to have an organic garden, and

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<v Speaker 1>you know treating the earth a certain way, uh through

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<v Speaker 1>using organic practices is part of your values of of

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<v Speaker 1>how you want to garden. Why aren't you buying certified

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<v Speaker 1>organic seed? And people say, well, you know, I'm only

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<v Speaker 1>worried about organic because you know, for things I'm putting

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<v Speaker 1>in my body, things I'm eating. But of course organic

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<v Speaker 1>is really a practice. So if you're buying seeds that

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<v Speaker 1>aren't certified organic or used you know, grown using organic practices,

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<v Speaker 1>then you're actually supporting someone treating the earth in a

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<v Speaker 1>way that isn't aligned with your values. But we can

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<v Speaker 1>look at race, we can look at gender, we can

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<v Speaker 1>look at access, we can look at food justice, we

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<v Speaker 1>can look at social justice, we can look at environmental justice,

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<v Speaker 1>we can look at all of these different ways where

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<v Speaker 1>that act of putting the seed into the soil and

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<v Speaker 1>growing it involved many, many, many people, not just for

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<v Speaker 1>that particular seed. But you know, going back in history

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<v Speaker 1>and do all those values line up for you, And

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<v Speaker 1>it's hard to know sometimes there's not a lot of

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<v Speaker 1>transparency in the commercial seed industry. We'll be back with

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<v Speaker 1>more citizens Chef, take me through one of those stories.

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<v Speaker 1>I mean, is there a particular seed or particularly breeder,

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<v Speaker 1>uh that you want to highlight? You know, is there

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<v Speaker 1>a seed in your catalog from Hutla Valley Seed Company

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<v Speaker 1>that you can tell that story? I just love love

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<v Speaker 1>to hear its story about one particular seed, one that

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<v Speaker 1>excites you. Um, give me sell me that seed. Yeah. Well,

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<v Speaker 1>so there's so many different stories and different kinds of stories.

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<v Speaker 1>One that I've been sharing more is about auto Phile

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<v Speaker 1>flint corn. Okay, it's a I mean, the corn is

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<v Speaker 1>just gorgeous. The ears have this golden, rich, deep golden

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<v Speaker 1>glow to glow to them. It's not just that sort

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<v Speaker 1>of you think of like a yellow corn sort of

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<v Speaker 1>that pail. It's there's you can tell, there's something special

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<v Speaker 1>about it. And it makes the most amazing polenta, Like

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<v Speaker 1>I have never had better polenta than is made from

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<v Speaker 1>Auto Phile. And we carry that we being huts of

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<v Speaker 1>Valley Seed Company, we carry that in our catalog. Um,

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<v Speaker 1>and we have been telling the story of that seed

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<v Speaker 1>as it was past to us that it's an Italian

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<v Speaker 1>heirloom variety that was developed in Italy, specifically for polenta Uh.

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<v Speaker 1>It was brought over here and given to someone who

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<v Speaker 1>gave it to someone else who I happened to know

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<v Speaker 1>the farmer, and he gave it to us, and we've

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<v Speaker 1>been doing our own selections to make sure it stays

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<v Speaker 1>adapted to the Northeast. And we also have our own

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<v Speaker 1>particular feelings about what the colors should be, and what

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<v Speaker 1>the size should be, and what the texture should be

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<v Speaker 1>when it's when it's ground. So we've been telling that

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<v Speaker 1>story of this Italian heirloom. But then in my work

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<v Speaker 1>with the nonprofit, the story totally changed, and so I

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<v Speaker 1>was having a gathering. We work with the Aquasas Mohawk

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<v Speaker 1>community in northern New York, in the indigenous community up

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<v Speaker 1>near Canada, Yes, exactly. So we work with them, supporting

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<v Speaker 1>them and growing some of their uh indigenous varieties that

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<v Speaker 1>are disappearing. And they came down for an and we

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<v Speaker 1>were cleaning seed together, and I wanted to give them

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<v Speaker 1>a gift while they were here, and I gave them

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<v Speaker 1>some ears of the Auto phile A And I'm telling

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<v Speaker 1>them the story and my friend Rowan White, who's an

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<v Speaker 1>indigenous seakeeper who runs the Indigenous SeaKeepers Network, was there

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<v Speaker 1>and she looked at it and she said, this is

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<v Speaker 1>our corn. This is eight row flint corn. This is

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<v Speaker 1>the corn of my people. And so, you know, these

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<v Speaker 1>stories that are past us, you know what part of

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<v Speaker 1>that story are we telling and retelling? We can go

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<v Speaker 1>further back with these stories and really think, oh, yes,

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<v Speaker 1>of course corn came from here European Uh. Colonists took

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<v Speaker 1>many of those varieties back to Europe where they continued

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<v Speaker 1>to change and be adapted and be selected, and then

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<v Speaker 1>they came back with immigrants, um from those European communities.

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<v Speaker 1>But there's this longer story here of sharing seeds between cultures.

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<v Speaker 1>And so now you know, we had to go back

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<v Speaker 1>and say, okay, we want to tell the full story

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<v Speaker 1>of this variety and not just the latest story that

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<v Speaker 1>was past us. All right, Does this particular variety express

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<v Speaker 1>itself differently? Say in Italy? Are in in in New York? Uh?

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<v Speaker 1>Sorry I couldn't there a regionality too, is there? Does

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<v Speaker 1>this this particular seed express itself differently, say in Italy

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<v Speaker 1>versus uh, you know New York State? Uh, is there

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<v Speaker 1>a regionalities even though it's the same seed in the

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<v Speaker 1>same variety, does it does it? Does it express itself

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<v Speaker 1>differently in different regions? It does better or worse than

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<v Speaker 1>different regions? Yeah? Yeah, all varieties have some amount of

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<v Speaker 1>of ability to be resilient and adapt to different areas. Um.

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<v Speaker 1>But there's a varying degree. Corn happens to be very

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<v Speaker 1>widely adaptable. Um. But like I said, when we got

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<v Speaker 1>the corn um and started growing it, we saw things

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<v Speaker 1>that we thought we could improve by doing selections in

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<v Speaker 1>the field so that it would be more regionally adapted.

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<v Speaker 1>All right, So when the average person hears, you know, heirloom,

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<v Speaker 1>the word airloom, whether it's tomato or the other heirlooms,

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<v Speaker 1>what what what does that mean? Which? What should they

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<v Speaker 1>know about that word? Visa the particular variety of tomato

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<v Speaker 1>are are you know p or something like? Yeah? A

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<v Speaker 1>lot of misconception around that words. Yeah, and my my,

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<v Speaker 1>it's almost used as a marketing word now it doesn't

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<v Speaker 1>seem mean Yeah, it's changed so much over time, and

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<v Speaker 1>my feelings about the value of the word have changed.

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<v Speaker 1>When I first got involved in seeds, people like I

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<v Speaker 1>would say heirloom seed, and people would be like, what

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<v Speaker 1>does that mean? They had never heard something a plant

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<v Speaker 1>called an heirloom before. UM. And when I first started

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<v Speaker 1>using the term, what I really was trying to communicate

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<v Speaker 1>was that there's more value to a seed than just

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<v Speaker 1>its commodity value. You know, what, what am I going

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<v Speaker 1>to harvest? How much am I going to harvest from

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<v Speaker 1>this plant? And just like when we passed down objects

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<v Speaker 1>in a family from generation to generation, and that object

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<v Speaker 1>may have a lot of cultural or sentimental or nostalgic

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<v Speaker 1>uh and family history value to it, but not actually

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<v Speaker 1>be valuable, like if you try to sell it an

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<v Speaker 1>eBay kind of thing. Um, it's a way of saying

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<v Speaker 1>seeds are also passed down generation to generation, hand to

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<v Speaker 1>hand that way, and that there's more value than just

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<v Speaker 1>what is going to grow it. It comes with all

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<v Speaker 1>of the history and all of these stories. So you know,

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<v Speaker 1>it was a like a value, but it's really changed

0:13:55.600 --> 0:14:00.880
<v Speaker 1>over time, um, how people are using it and UM.

0:14:00.920 --> 0:14:03.600
<v Speaker 1>And also part of it for me was feeling that

0:14:05.200 --> 0:14:07.199
<v Speaker 1>all of these stories, and this is related to the

0:14:07.240 --> 0:14:10.280
<v Speaker 1>auto pheela, many of the stories that we're being told

0:14:10.280 --> 0:14:20.360
<v Speaker 1>about heirlooms were specifically European UH stories UH. And many

0:14:20.400 --> 0:14:25.640
<v Speaker 1>of the indigenous stories UM or diasporic stories of these

0:14:25.640 --> 0:14:29.200
<v Speaker 1>seeds were not being told because they didn't fit into

0:14:29.200 --> 0:14:35.800
<v Speaker 1>people's idea of this sort of romantic heirloom UM. And

0:14:35.880 --> 0:14:39.120
<v Speaker 1>so I don't use the term as much. The other

0:14:39.200 --> 0:14:43.360
<v Speaker 1>limitation of it is people started getting confused. You know,

0:14:43.680 --> 0:14:46.840
<v Speaker 1>some people think heirloom means organic, which you know, it

0:14:46.880 --> 0:14:49.760
<v Speaker 1>doesn't have anything to do with the growing practices. Um.

0:14:49.840 --> 0:14:53.880
<v Speaker 1>Some people just think of heirloom as like good um.

0:14:53.880 --> 0:15:00.440
<v Speaker 1>And not all heirlooms are are amazing. So some are

0:15:00.560 --> 0:15:04.000
<v Speaker 1>way better than anything else you can get. So it's

0:15:04.040 --> 0:15:09.160
<v Speaker 1>there's a limitation to it. And I also people started

0:15:09.280 --> 0:15:11.600
<v Speaker 1>using it almost as a way of freezing things in

0:15:11.680 --> 0:15:15.000
<v Speaker 1>time of saying like here's the history of this overcity,

0:15:15.080 --> 0:15:19.120
<v Speaker 1>let's preserve it. Um, Like what what actually preserves it?

0:15:19.120 --> 0:15:22.480
<v Speaker 1>Preserves diversity? I mean, if we only grew one tomato,

0:15:22.520 --> 0:15:24.520
<v Speaker 1>I never want to be boring as hell. But number two,

0:15:24.920 --> 0:15:28.080
<v Speaker 1>if if there was something that was that was particular

0:15:28.480 --> 0:15:32.240
<v Speaker 1>pest are bacteria that was affecting that one particular tomato,

0:15:32.280 --> 0:15:36.000
<v Speaker 1>we can lose tomato. Yeah, I mean I guess I

0:15:36.000 --> 0:15:39.000
<v Speaker 1>can be simplifying things obviously, but but how important is

0:15:39.000 --> 0:15:43.000
<v Speaker 1>that diversity in in in seeds? Yeah, I mean heirloom. Really,

0:15:43.080 --> 0:15:45.600
<v Speaker 1>that term, once it caught on, really did help people

0:15:45.600 --> 0:15:49.360
<v Speaker 1>think about genetic diversity and the importance of having lots

0:15:49.400 --> 0:15:52.440
<v Speaker 1>and lots of different varieties with different tastes and different

0:15:52.680 --> 0:15:57.360
<v Speaker 1>adaptations and different colors and different histories. It really helped

0:15:57.600 --> 0:16:02.560
<v Speaker 1>UM spur this whole movement around diversity. But we want

0:16:02.560 --> 0:16:07.640
<v Speaker 1>to continue to increase that diversity, not just like you know, oh,

0:16:07.720 --> 0:16:09.800
<v Speaker 1>this is all we have left, just like freeze everything

0:16:09.800 --> 0:16:14.880
<v Speaker 1>in time. There's so much work being done to increased diversity,

0:16:15.000 --> 0:16:18.640
<v Speaker 1>to create new varieties UM. And there's very ethical and

0:16:18.680 --> 0:16:21.760
<v Speaker 1>responsible ways to do that, and there's unethical and irresponsible

0:16:21.800 --> 0:16:25.720
<v Speaker 1>ways to do that UM. And so you know, I

0:16:25.800 --> 0:16:30.040
<v Speaker 1>like thinking about the heirlooms of tomorrow. What varieties are

0:16:30.080 --> 0:16:34.720
<v Speaker 1>we creating today that sixty hundred years from now someone

0:16:34.800 --> 0:16:38.040
<v Speaker 1>will be like, this is an heirloom variety that's worth

0:16:38.600 --> 0:16:42.680
<v Speaker 1>hanging on to um and tells the story, tell the

0:16:42.800 --> 0:16:46.920
<v Speaker 1>story of that, right, and the honey nuts, the honey

0:16:46.960 --> 0:16:49.960
<v Speaker 1>nut squash comes to mind, which is kind of a

0:16:49.960 --> 0:16:52.440
<v Speaker 1>new type squash. Yeah, if it is something, do I

0:16:52.440 --> 0:16:55.160
<v Speaker 1>have my do I have my my, Do I have

0:16:55.240 --> 0:16:56.960
<v Speaker 1>that right? It's it was a new a new breed

0:16:56.960 --> 0:17:01.080
<v Speaker 1>of squash that was produced by Michael ms Eric. Yeah,

0:17:01.080 --> 0:17:05.440
<v Speaker 1>so that's a yeah, yeah, that's a really that's a

0:17:05.480 --> 0:17:07.880
<v Speaker 1>story I've been working on for a little while now.

0:17:08.480 --> 0:17:11.720
<v Speaker 1>Um and again, like the auto phile a, people are

0:17:11.720 --> 0:17:16.720
<v Speaker 1>telling you know, the latest slice, most recent slice of

0:17:16.760 --> 0:17:22.320
<v Speaker 1>that story. Um. You know it's being popularized by the

0:17:22.440 --> 0:17:28.000
<v Speaker 1>use of celebrity and a specific breeder at Cornell. Just

0:17:28.040 --> 0:17:30.280
<v Speaker 1>to just give the background of Cellar being Dan Barber,

0:17:30.680 --> 0:17:35.040
<v Speaker 1>chef who was uh it is considered one of the

0:17:35.119 --> 0:17:38.080
<v Speaker 1>best restaurants in the world, and this is uh sort

0:17:38.080 --> 0:17:40.600
<v Speaker 1>of his mission was to look at the way uh

0:17:41.080 --> 0:17:44.640
<v Speaker 1>plant breeders were breeding for traits that weren't necessarily making

0:17:44.640 --> 0:17:47.720
<v Speaker 1>food delicious, but we're used for other reasons and so

0:17:47.840 --> 0:17:51.320
<v Speaker 1>that's that's UH. I just wanted a little background on that, right. Um.

0:17:51.359 --> 0:17:55.040
<v Speaker 1>When you talk about ethics, ethics in in uh creating

0:17:56.280 --> 0:18:00.240
<v Speaker 1>new hybrid what what are the ethics behind that or

0:18:00.240 --> 0:18:03.000
<v Speaker 1>where should they be? What are your ethics? Well, I

0:18:03.000 --> 0:18:05.520
<v Speaker 1>mean the honey nut is a good example of sort

0:18:05.560 --> 0:18:10.119
<v Speaker 1>of thinking about a certain part of ethics, um, which

0:18:10.160 --> 0:18:12.679
<v Speaker 1>is you know, who gets credit, who gets to take credit?

0:18:13.880 --> 0:18:18.399
<v Speaker 1>And looking at honey nut, you know, very close, you know,

0:18:18.520 --> 0:18:22.320
<v Speaker 1>not very far behind. Michael Mazourik's breeder at Cornell is

0:18:22.359 --> 0:18:25.879
<v Speaker 1>Molly John who started that whole breeding project which was

0:18:25.920 --> 0:18:29.800
<v Speaker 1>actually a participatory project, UM that involved a lot of people,

0:18:30.000 --> 0:18:32.400
<v Speaker 1>you know, creating that variety. And then if we look

0:18:32.440 --> 0:18:36.600
<v Speaker 1>behind that, we actually see that there's breeding lines from

0:18:36.800 --> 0:18:43.040
<v Speaker 1>indigenous communities, from Turkey, from the Sephardic people. Um. You know,

0:18:43.080 --> 0:18:46.879
<v Speaker 1>there's all these other stories that are not being told. UM.

0:18:46.920 --> 0:18:49.199
<v Speaker 1>And it's interesting, you know when we look at it

0:18:49.240 --> 0:18:53.119
<v Speaker 1>and the most recent story being told is um, you know,

0:18:53.880 --> 0:18:58.040
<v Speaker 1>from white men. UM, when there's women and people of

0:18:58.080 --> 0:19:01.639
<v Speaker 1>color and indigenous communities that are all part of that story.

0:19:01.880 --> 0:19:06.040
<v Speaker 1>And why isn't that being told? Um? But in terms

0:19:06.080 --> 0:19:09.680
<v Speaker 1>of hybrids, a lot of people want to set up this.

0:19:10.160 --> 0:19:12.720
<v Speaker 1>You know, open pollinated is good and hybrid is bad.

0:19:14.200 --> 0:19:18.600
<v Speaker 1>Open pollinated being a variety that if you know what

0:19:18.640 --> 0:19:20.639
<v Speaker 1>you're doing as a seed saver, you can grow it.

0:19:21.280 --> 0:19:24.040
<v Speaker 1>You can save seeds, you can plant them again and

0:19:24.119 --> 0:19:25.879
<v Speaker 1>it will grow true to type. It will grow the

0:19:25.920 --> 0:19:29.760
<v Speaker 1>same plant, the same fruit, the same taste, the same

0:19:29.880 --> 0:19:33.320
<v Speaker 1>days to maturity all of that, Whereas a hybrid is

0:19:33.359 --> 0:19:37.280
<v Speaker 1>something that was created using you know, very specifically bred

0:19:37.320 --> 0:19:40.240
<v Speaker 1>parent lines that are then crossed to create a first

0:19:40.240 --> 0:19:44.840
<v Speaker 1>generation offspring which has the specific traits that the breeder

0:19:45.040 --> 0:19:49.320
<v Speaker 1>was looking for. Uh, And if you save seeds from that,

0:19:49.400 --> 0:19:52.280
<v Speaker 1>it reverts back to random characteristics of the parent plant.

0:19:53.119 --> 0:19:57.199
<v Speaker 1>So you've taken away that kind of ability to have independence. Right,

0:19:57.240 --> 0:19:58.680
<v Speaker 1>So if you were if you were to save those

0:19:58.680 --> 0:20:00.600
<v Speaker 1>seeds as a farmer, as a garden shave those seeds

0:20:00.600 --> 0:20:02.240
<v Speaker 1>and plants on the following year, you're not going to

0:20:02.280 --> 0:20:04.919
<v Speaker 1>get the same right, the same food direction. So it

0:20:04.920 --> 0:20:08.040
<v Speaker 1>creates a dependence on the commercial seed source. But that

0:20:08.080 --> 0:20:11.000
<v Speaker 1>commercial seed source also put a lot of resources into

0:20:11.040 --> 0:20:14.520
<v Speaker 1>creating something that potentially is going to perform really well

0:20:14.560 --> 0:20:17.920
<v Speaker 1>for you on your farm. So it's not on average

0:20:18.320 --> 0:20:20.720
<v Speaker 1>on yeah, on average, how long does a breeder work

0:20:20.760 --> 0:20:25.359
<v Speaker 1>on that particular breed that hybrids on average? Yeah, it

0:20:25.640 --> 0:20:28.040
<v Speaker 1>sort of depends on what, you know, what part of

0:20:28.040 --> 0:20:32.720
<v Speaker 1>that process you want to stop the time clock on um,

0:20:32.760 --> 0:20:38.280
<v Speaker 1>but it can be a few years to a decade

0:20:38.680 --> 0:20:43.720
<v Speaker 1>or more um depending on the plant family and depending

0:20:43.760 --> 0:20:47.840
<v Speaker 1>on the traits that they're actually working on UM and

0:20:47.880 --> 0:20:52.200
<v Speaker 1>also the processes that they're using UM. Whether there's more

0:20:52.840 --> 0:20:57.040
<v Speaker 1>technologically drifven processes UM for creating that like being able

0:20:57.040 --> 0:20:59.879
<v Speaker 1>to map out the genetics and UM you know, pin

0:21:00.080 --> 0:21:04.359
<v Speaker 1>point um genes and processes to create traits, or if

0:21:04.400 --> 0:21:08.359
<v Speaker 1>you're doing it more through selection and growing large populations

0:21:08.560 --> 0:21:13.160
<v Speaker 1>and so it really depends on the process and what

0:21:13.240 --> 0:21:17.080
<v Speaker 1>tools you have access to and what traits you're trying

0:21:17.119 --> 0:21:26.200
<v Speaker 1>to change or improve. It's sort of like the concept

0:21:26.280 --> 0:21:31.040
<v Speaker 1>of seed sovereignty UM. I think we hear that thrown

0:21:31.040 --> 0:21:33.120
<v Speaker 1>around a lot. What what does what does that mean

0:21:33.119 --> 0:21:35.840
<v Speaker 1>to you? I mean, there's food sovereignty, this idea that

0:21:36.040 --> 0:21:39.240
<v Speaker 1>the people who produce food UM, who are toiling in

0:21:39.280 --> 0:21:42.960
<v Speaker 1>the fields should have more control over that that that

0:21:43.119 --> 0:21:46.600
<v Speaker 1>process have seed sovereignty work into that as well. Yeah,

0:21:46.640 --> 0:21:49.200
<v Speaker 1>so there's a whole bunch of terms that seed shed

0:21:50.160 --> 0:21:54.280
<v Speaker 1>the nonprofit that I run have we've been really trying

0:21:54.320 --> 0:21:59.359
<v Speaker 1>to dig into seed ethics, seed justice, and seed sovereignty.

0:22:00.560 --> 0:22:05.680
<v Speaker 1>There is no hard and fast definition, I would say

0:22:05.760 --> 0:22:11.240
<v Speaker 1>right now, what we're looking at and thinking about is

0:22:12.600 --> 0:22:17.040
<v Speaker 1>what do communities need to grow towards seed sovereignty? With

0:22:17.119 --> 0:22:21.000
<v Speaker 1>seed sovereignty being a goal of canna see can a

0:22:21.080 --> 0:22:30.520
<v Speaker 1>community actually manage its own seed source using the cultural

0:22:30.600 --> 0:22:35.800
<v Speaker 1>values of that community? UM? So that can look different

0:22:35.840 --> 0:22:38.520
<v Speaker 1>depending on what type of community that we're looking at,

0:22:39.640 --> 0:22:44.200
<v Speaker 1>but it would require setting up seeds systems within that community,

0:22:44.800 --> 0:22:49.880
<v Speaker 1>UM that give that community independence in what varieties are

0:22:49.920 --> 0:22:53.840
<v Speaker 1>they growing and saving seed from? What are the practices

0:22:53.920 --> 0:22:56.240
<v Speaker 1>that are being used to grow and save those seeds,

0:22:56.280 --> 0:22:58.040
<v Speaker 1>and what are the systems that are in place for

0:22:58.080 --> 0:23:04.280
<v Speaker 1>sharing those seeds within that community. It's fascinating, UM. I

0:23:04.720 --> 0:23:08.280
<v Speaker 1>guess before before we leave ums, the last question is

0:23:08.840 --> 0:23:12.360
<v Speaker 1>started out by asking this question why should people care um?

0:23:12.400 --> 0:23:14.720
<v Speaker 1>And how they how would they interact with this and so?

0:23:15.480 --> 0:23:20.240
<v Speaker 1>UM the average person whether they're shopping at a supermarket

0:23:20.320 --> 0:23:23.640
<v Speaker 1>are I mean you think about chefs that are writing menus,

0:23:24.080 --> 0:23:25.879
<v Speaker 1>what should they be focused on? Should they be focused

0:23:25.920 --> 0:23:28.760
<v Speaker 1>on the because I started thinking about this a lot recently.

0:23:29.040 --> 0:23:31.679
<v Speaker 1>Should we start talking about the variety of that character

0:23:31.800 --> 0:23:35.280
<v Speaker 1>that squash are? Are that p as opposed to just

0:23:35.840 --> 0:23:38.399
<v Speaker 1>well it's a leak? What what kind of leak is it?

0:23:38.440 --> 0:23:40.760
<v Speaker 1>And should should that be on menus? And and is

0:23:40.800 --> 0:23:44.159
<v Speaker 1>that a way to sort of get the idea across

0:23:44.280 --> 0:23:47.719
<v Speaker 1>that that it's it's the varieties are so much more

0:23:47.760 --> 0:23:51.280
<v Speaker 1>important than the actual you know, vegetal itself. Yeah, when

0:23:51.280 --> 0:23:54.920
<v Speaker 1>I so part of se Chaid, we do see literacy education,

0:23:56.040 --> 0:24:01.800
<v Speaker 1>and I've gone to restaurants and done he literacy education

0:24:02.080 --> 0:24:06.280
<v Speaker 1>in the restaurant with the chefs and the cooks and

0:24:06.320 --> 0:24:10.280
<v Speaker 1>the servers and everyone who works there to really talk

0:24:10.280 --> 0:24:15.119
<v Speaker 1>about where do seeds come from? What kind of choice

0:24:15.160 --> 0:24:19.199
<v Speaker 1>do you really have in terms of varieties, what do

0:24:19.280 --> 0:24:23.359
<v Speaker 1>those choices limit in terms of what you're able to

0:24:23.400 --> 0:24:27.159
<v Speaker 1>serve people? And what is the value of putting the

0:24:27.280 --> 0:24:30.880
<v Speaker 1>name of the variety on your menu instead of just broccoli?

0:24:32.280 --> 0:24:34.840
<v Speaker 1>Because there's so many different kinds of broccoli, and there

0:24:34.880 --> 0:24:37.840
<v Speaker 1>are differences between all of them, and there's different histories

0:24:37.840 --> 0:24:41.120
<v Speaker 1>and stories that come with them. So you're sharing that

0:24:41.200 --> 0:24:44.679
<v Speaker 1>story just as much as you're sharing the flavor. The

0:24:44.760 --> 0:24:48.119
<v Speaker 1>story is coming through that. So Yeah, my fantasy world

0:24:48.160 --> 0:24:53.840
<v Speaker 1>absolutely menus of the names of varieties on them uh

0:24:53.880 --> 0:25:00.040
<v Speaker 1>as just a regular practice, uh for sure. Um. And

0:25:00.080 --> 0:25:06.119
<v Speaker 1>I think that the other piece to me, that the

0:25:06.200 --> 0:25:08.160
<v Speaker 1>other part of your question to me, you know, why

0:25:08.200 --> 0:25:12.640
<v Speaker 1>should people care about seeds? And sometimes it's really hard

0:25:12.720 --> 0:25:15.560
<v Speaker 1>to just talk about it and get people to care.

0:25:16.040 --> 0:25:19.359
<v Speaker 1>When we do seed saving workshops or when I do

0:25:19.440 --> 0:25:23.560
<v Speaker 1>see literacy education, and I get people touching seeds and

0:25:23.600 --> 0:25:26.960
<v Speaker 1>looking at the seeds and having a sensory experience with

0:25:27.040 --> 0:25:30.679
<v Speaker 1>the seeds. Uh and you know, slowing down and taking

0:25:30.680 --> 0:25:36.720
<v Speaker 1>that time to be with seeds. Something really transformative happens

0:25:36.760 --> 0:25:41.360
<v Speaker 1>every time. And it's not something I can teach, it's

0:25:41.359 --> 0:25:46.760
<v Speaker 1>not something I can write about. It's really this relationship,

0:25:46.880 --> 0:25:52.400
<v Speaker 1>this moment of connecting with the seed as yourself and

0:25:52.440 --> 0:25:56.440
<v Speaker 1>all the stories that are embodied in you, your personally

0:25:56.480 --> 0:26:01.000
<v Speaker 1>history and your family history and your ancestors with this

0:26:01.720 --> 0:26:06.600
<v Speaker 1>tiny what looks like an inanimate object that's actually a

0:26:06.680 --> 0:26:12.119
<v Speaker 1>living organism sitting in your hand. And when people start

0:26:12.160 --> 0:26:15.000
<v Speaker 1>to make that connection that this little tiny thing is

0:26:15.040 --> 0:26:20.679
<v Speaker 1>alive and that we all come from seed savers. We

0:26:20.840 --> 0:26:25.200
<v Speaker 1>all come from ancestors who had their own varieties based

0:26:25.240 --> 0:26:28.280
<v Speaker 1>on where they were in the world, that they had

0:26:28.320 --> 0:26:31.399
<v Speaker 1>that relationship with that plant and save those seeds and

0:26:31.440 --> 0:26:36.080
<v Speaker 1>pass them on generation to generation. Doesn't matter who you are.

0:26:36.440 --> 0:26:40.280
<v Speaker 1>Your ancestors saved seeds, and you can start doing that

0:26:40.400 --> 0:26:44.439
<v Speaker 1>again or make decisions that support other people doing that again.

0:26:45.480 --> 0:26:49.400
<v Speaker 1>That moment is when people start to care. And so

0:26:49.440 --> 0:26:53.640
<v Speaker 1>the more we can get people touching seeds and being

0:26:53.680 --> 0:26:57.920
<v Speaker 1>able to have that direct relationship, uh, maybe that will

0:26:58.000 --> 0:27:03.840
<v Speaker 1>lead to menus with the names of righties on them eventually, UM,

0:27:03.880 --> 0:27:07.680
<v Speaker 1>and a whole lot of other wonderful transformative things. I'll

0:27:07.680 --> 0:27:09.400
<v Speaker 1>try to do my part. So you have all these

0:27:09.440 --> 0:27:12.560
<v Speaker 1>these art illustrations on your packets, your seed packets, can

0:27:12.560 --> 0:27:15.920
<v Speaker 1>you just describe one and why you're why you're doing this.

0:27:16.560 --> 0:27:19.720
<v Speaker 1>So if you go to Hudson Valley Seed dot com, uh,

0:27:19.760 --> 0:27:22.880
<v Speaker 1>and you click on the link that says art packs, Oh,

0:27:22.920 --> 0:27:24.919
<v Speaker 1>that's where that's what we call the seeds, that feature

0:27:24.920 --> 0:27:26.960
<v Speaker 1>of the art, and then you'll just see them because

0:27:26.960 --> 0:27:29.480
<v Speaker 1>the rest of the catalog, you know, just has the

0:27:30.680 --> 0:27:33.320
<v Speaker 1>images of the variety of photos of that. Right, why

0:27:33.359 --> 0:27:35.640
<v Speaker 1>don't you describe Let me let me let me pick one.

0:27:35.880 --> 0:27:40.720
<v Speaker 1>This is great. Who does the illustrations. So every one

0:27:40.760 --> 0:27:43.159
<v Speaker 1>of our packs that we call art packs with the

0:27:43.240 --> 0:27:46.359
<v Speaker 1>Hutson Valley Seed Company are they're created by a different artist.

0:27:46.760 --> 0:27:50.200
<v Speaker 1>So we have a call for art and artists apply

0:27:50.520 --> 0:27:53.600
<v Speaker 1>and then I play matchmaker and I think that artist

0:27:53.720 --> 0:27:56.320
<v Speaker 1>totally needs to meet that plant. This plant story or

0:27:56.359 --> 0:27:58.920
<v Speaker 1>something about this variety has a lot in common with

0:27:58.960 --> 0:28:01.280
<v Speaker 1>this artist in the way they create art and see

0:28:01.280 --> 0:28:05.240
<v Speaker 1>the world. Hell, come up. I tell the artists the

0:28:05.280 --> 0:28:08.199
<v Speaker 1>story of that seed. The artist interprets it through their art,

0:28:08.240 --> 0:28:11.119
<v Speaker 1>and then that gets put on this special kind of

0:28:11.160 --> 0:28:15.240
<v Speaker 1>oregonmy folding seed pack that we offer. That's fantastic. So

0:28:15.240 --> 0:28:19.479
<v Speaker 1>I'm looking at the um can you can you can

0:28:19.520 --> 0:28:22.600
<v Speaker 1>you walk us through that illustration? Yeah? So every plant

0:28:22.640 --> 0:28:26.800
<v Speaker 1>story is different, and some have like real deep, you know,

0:28:27.720 --> 0:28:32.520
<v Speaker 1>stories about history and you know, understanding of the world.

0:28:32.600 --> 0:28:38.320
<v Speaker 1>And uh, that one, the artist really was thinking about

0:28:39.080 --> 0:28:43.000
<v Speaker 1>the experience of being near the plant, So instead of

0:28:43.000 --> 0:28:45.320
<v Speaker 1>thinking about the history of it or where it came from,

0:28:45.440 --> 0:28:50.120
<v Speaker 1>it was really she wanted to capture this in the moment, uh, feeling,

0:28:50.600 --> 0:28:54.200
<v Speaker 1>and so she created this whole garden setting. What's happening

0:28:54.200 --> 0:28:58.800
<v Speaker 1>in the garden? UM when you're sitting near the and

0:28:58.880 --> 0:29:02.840
<v Speaker 1>you're you know how this very distinct smell to it.

0:29:02.840 --> 0:29:06.720
<v Speaker 1>It attracts hummingbirds. So you get to observe um the

0:29:06.800 --> 0:29:10.480
<v Speaker 1>natural world, um and invite the natural world into your garden.

0:29:11.320 --> 0:29:14.720
<v Speaker 1>It's a very relaxing plant in terms of the scent,

0:29:14.800 --> 0:29:17.840
<v Speaker 1>in terms of the tea that's made from it. Um.

0:29:17.920 --> 0:29:20.320
<v Speaker 1>And so I think that's what the artist was trying

0:29:20.320 --> 0:29:24.120
<v Speaker 1>to capture, is just that in the moment experience of

0:29:24.200 --> 0:29:26.720
<v Speaker 1>having that plant in your garden. H the visual there's

0:29:26.720 --> 0:29:28.920
<v Speaker 1>some wicker furniture and there's a little tea set up,

0:29:29.000 --> 0:29:30.840
<v Speaker 1>so it's like tea time and you have to sit

0:29:30.880 --> 0:29:33.840
<v Speaker 1>back and watch the garden. You know. My my histor

0:29:33.840 --> 0:29:36.920
<v Speaker 1>story had a whole box filled filled with the anisissup

0:29:36.960 --> 0:29:38.920
<v Speaker 1>And it was the first year I had bees, and

0:29:38.960 --> 0:29:43.040
<v Speaker 1>my honey tastes like it had a very very pronounced

0:29:43.200 --> 0:29:46.040
<v Speaker 1>its flavor. It was fantastic. And the following year I

0:29:46.080 --> 0:29:48.360
<v Speaker 1>didn't have as much hissip and I actually moved the

0:29:48.400 --> 0:29:50.880
<v Speaker 1>bees a little bit because they were in a in

0:29:50.920 --> 0:29:53.600
<v Speaker 1>a bed. Uh. Anyway, I had a move in the

0:29:53.600 --> 0:29:56.240
<v Speaker 1>sound of and I haven't only captured that again. Um,

0:29:56.360 --> 0:29:58.840
<v Speaker 1>but anyway, UM, kind of thanks a lot. This is

0:29:58.920 --> 0:30:03.120
<v Speaker 1>this has been a has the conversation. Yeah, thanks for chatting. Happy, Thanks,

0:30:03.200 --> 0:30:06.320
<v Speaker 1>happy to meet you. And I'm always game to talk

0:30:06.360 --> 0:30:10.160
<v Speaker 1>about anytime. You don't want to talk about seats some more.

0:30:10.840 --> 0:30:19.800
<v Speaker 1>You're all right, Thanks, okay, Thanks everyone. Citizen Chef is

0:30:19.800 --> 0:30:23.440
<v Speaker 1>executive produced by Chris Brass, Jodas, produced by Gabby Collins,

0:30:23.600 --> 0:30:25.400
<v Speaker 1>and it's always a special thanks to a place to

0:30:25.440 --> 0:30:29.080
<v Speaker 1>the table. Citizen Chef is a production of High Heart Radio.

0:30:29.520 --> 0:30:32.240
<v Speaker 1>For more podcasts like this, this I Heart Radio app,

0:30:32.440 --> 0:30:35.000
<v Speaker 1>Apple podcast, or wherever you get your favorite shows.