1 00:00:00,560 --> 00:00:04,000 Speaker 1: Taking a walk. When you know you've got something, go 2 00:00:04,080 --> 00:00:04,400 Speaker 1: for it. 3 00:00:04,559 --> 00:00:08,440 Speaker 2: Keep going because we all worry about what other people think. 4 00:00:09,000 --> 00:00:11,240 Speaker 2: But if you know in your heart there's something great, 5 00:00:11,400 --> 00:00:13,720 Speaker 2: you keep going moving forward. And that was a great 6 00:00:13,800 --> 00:00:14,280 Speaker 2: lesson to me. 7 00:00:14,520 --> 00:00:16,759 Speaker 3: Well, welcome to the Taking a Walk podcast and we 8 00:00:16,840 --> 00:00:19,480 Speaker 3: have Adam reed Or, the Professor of Rock. We are 9 00:00:19,520 --> 00:00:23,360 Speaker 3: going to break down the amazing led Zeppelin documentary. But 10 00:00:23,560 --> 00:00:25,639 Speaker 3: before we get started at him, you know, since the 11 00:00:25,680 --> 00:00:27,760 Speaker 3: podcast is called taking a Walk, I do want to 12 00:00:27,760 --> 00:00:31,160 Speaker 3: ask you, could you tell me if there was someone 13 00:00:31,200 --> 00:00:31,840 Speaker 3: you could take. 14 00:00:31,720 --> 00:00:34,120 Speaker 4: A walk with, living or dead, who would you like 15 00:00:34,159 --> 00:00:35,080 Speaker 4: to take a walk with? 16 00:00:35,360 --> 00:00:39,680 Speaker 3: And where might you want to walk with them? 17 00:00:39,720 --> 00:00:42,440 Speaker 2: You know, thinking about it, there's three names that come up, 18 00:00:42,479 --> 00:00:43,720 Speaker 2: and I'll choose one of the three. 19 00:00:43,720 --> 00:00:46,000 Speaker 1: But the three of them meily come to mind are 20 00:00:47,000 --> 00:00:50,159 Speaker 1: Dan Fogelberg, Prince, and Elvis Presley. 21 00:00:52,400 --> 00:00:56,720 Speaker 2: Then Frank Sinatra just came into my head. But you know, 22 00:00:56,840 --> 00:01:00,360 Speaker 2: I love Dan Fogelberg and that's a dream interview. Prince 23 00:01:00,400 --> 00:01:03,760 Speaker 2: is just so interesting. But I think I think I 24 00:01:03,760 --> 00:01:05,840 Speaker 2: would have to go with Elvis. 25 00:01:06,319 --> 00:01:07,720 Speaker 1: I'd have to go with the King. 26 00:01:09,200 --> 00:01:11,560 Speaker 2: Because and I think I would take a walk with 27 00:01:11,680 --> 00:01:14,959 Speaker 2: him honestly on the grounds of Graceland. I've been there 28 00:01:15,000 --> 00:01:20,800 Speaker 2: many times, and I've interviewed Mark Cohane about walking to 29 00:01:20,840 --> 00:01:24,360 Speaker 2: Memphis and so, I you know, I just think that 30 00:01:24,480 --> 00:01:27,080 Speaker 2: it's a special place, a sacred place. When I went 31 00:01:27,880 --> 00:01:31,440 Speaker 2: actually spent a few months in Memphis, Tennessee a long 32 00:01:31,480 --> 00:01:34,000 Speaker 2: time ago, when I was doing totally different things. 33 00:01:34,240 --> 00:01:35,440 Speaker 1: I was traveling for. 34 00:01:35,480 --> 00:01:38,920 Speaker 2: Business and I was opening up a business center there, 35 00:01:39,360 --> 00:01:41,520 Speaker 2: and so spent a few months there, and I mean 36 00:01:41,640 --> 00:01:46,120 Speaker 2: every week I was at Graceland and Bill Street. But 37 00:01:46,520 --> 00:01:50,320 Speaker 2: you know, it was It's an incredible place. But I 38 00:01:50,600 --> 00:01:54,559 Speaker 2: just think Elvis is so fascinating. I would love to 39 00:01:54,600 --> 00:01:58,640 Speaker 2: just pick his brain and hear his his take on 40 00:01:59,840 --> 00:02:02,480 Speaker 2: It's interesting. We're very blessed to be able to do 41 00:02:02,560 --> 00:02:04,600 Speaker 2: what we do buzz, you know, to be able to 42 00:02:04,640 --> 00:02:07,640 Speaker 2: talk about music and talk to some of these heroes 43 00:02:07,680 --> 00:02:09,480 Speaker 2: of ours people have written some of the great songs 44 00:02:09,480 --> 00:02:13,200 Speaker 2: of all time. Elvis. I always find when I'm interviewing 45 00:02:13,240 --> 00:02:19,000 Speaker 2: somebody like like a Lamont Dozer from Hollandozer Holland or somebody, 46 00:02:20,480 --> 00:02:22,520 Speaker 2: you know, Henry Dilts, the great photographer. 47 00:02:22,600 --> 00:02:24,680 Speaker 1: I interviewed him a few weeks ago. He was an. 48 00:02:24,840 --> 00:02:27,840 Speaker 2: Official photographer of Woodstock and took so many great photos 49 00:02:27,880 --> 00:02:31,320 Speaker 2: at Laurel Canyon. Sometimes you feel like you're interviewing somebody 50 00:02:31,880 --> 00:02:34,680 Speaker 2: and it's like you know, or like Brian Wilson the 51 00:02:34,840 --> 00:02:37,799 Speaker 2: Washington Monument, you're like sitting down with the Washington Monument. 52 00:02:37,840 --> 00:02:41,640 Speaker 2: There's so much history there. And to me, I'm fascinated 53 00:02:41,639 --> 00:02:45,000 Speaker 2: by the early early rock and roll fifties and sixties, 54 00:02:45,040 --> 00:02:49,120 Speaker 2: when when it was barely registering with people and they said, oh, 55 00:02:49,120 --> 00:02:51,040 Speaker 2: it's a flash in the pan, it'll never last. And 56 00:02:51,680 --> 00:02:54,799 Speaker 2: Elvis was right there. I mean, he's the one that 57 00:02:56,400 --> 00:02:58,760 Speaker 2: started that fire, along with you know, Chuck Berry and 58 00:02:58,760 --> 00:03:02,480 Speaker 2: Little Richard and so to me that would be, uh, 59 00:03:02,680 --> 00:03:04,639 Speaker 2: that would be a treat to be able to really 60 00:03:05,600 --> 00:03:10,639 Speaker 2: the magic of his voice and and. 61 00:03:09,200 --> 00:03:10,440 Speaker 1: And just what he created. 62 00:03:12,320 --> 00:03:14,519 Speaker 3: And as we're going to talk about led Zeppelin and 63 00:03:14,880 --> 00:03:18,200 Speaker 3: Becoming led Zeppelin, the Great documentary, you know, there's no 64 00:03:18,320 --> 00:03:21,560 Speaker 3: doubt for so many of the Brits, you know, the 65 00:03:21,639 --> 00:03:26,000 Speaker 3: road started with people like Elvis, right that really it 66 00:03:26,080 --> 00:03:30,640 Speaker 3: really just began there, and uh, it still is a 67 00:03:30,680 --> 00:03:34,200 Speaker 3: great starting point to you know, talking about Elvis. 68 00:03:34,240 --> 00:03:37,080 Speaker 2: So Robert Plant talked about Little Richard, you know, on 69 00:03:37,160 --> 00:03:40,200 Speaker 2: the documentary, and of course in the interview with David Letterman. 70 00:03:41,520 --> 00:03:43,680 Speaker 1: He talked about the King. Of course, the King, you know, 71 00:03:43,720 --> 00:03:45,120 Speaker 1: he threw that out there, so you. 72 00:03:45,080 --> 00:03:48,760 Speaker 4: Know, yeah, that's that's that's a good one. 73 00:03:48,960 --> 00:03:52,440 Speaker 3: So what stood out to you most about the approach 74 00:03:52,560 --> 00:03:55,640 Speaker 3: that they took for becoming led Zeppelin compared to other 75 00:03:55,840 --> 00:04:00,360 Speaker 3: documentaries you know that you've seen, whether about Zeppelin or 76 00:04:00,480 --> 00:04:02,120 Speaker 3: just in general documentaries. 77 00:04:03,320 --> 00:04:07,480 Speaker 2: I I loved the origin story. I mean I start 78 00:04:07,520 --> 00:04:10,280 Speaker 2: off every interview I've ever done with that an origin 79 00:04:10,760 --> 00:04:12,720 Speaker 2: question about you know, what was the moment that kicked 80 00:04:12,800 --> 00:04:15,160 Speaker 2: open the door to your mind and made you want 81 00:04:15,200 --> 00:04:19,400 Speaker 2: to pursue music like that moment, like where everything changed 82 00:04:19,440 --> 00:04:23,160 Speaker 2: for you? And I love to know about people's history 83 00:04:23,160 --> 00:04:25,240 Speaker 2: because I mean, the origin story is so important. I mean, 84 00:04:25,720 --> 00:04:28,320 Speaker 2: if comic book movies are any indication. 85 00:04:28,040 --> 00:04:29,200 Speaker 1: I mean they're hitting. 86 00:04:29,320 --> 00:04:31,800 Speaker 2: You know, they were ruled the box office for for 87 00:04:31,839 --> 00:04:34,559 Speaker 2: a decade, and it's always the origin story. 88 00:04:34,560 --> 00:04:36,960 Speaker 1: Why did spider Man? How did Spider Man become Spider Man? 89 00:04:37,040 --> 00:04:40,600 Speaker 2: And and what what motivated that Batman? That kind of thing, 90 00:04:40,640 --> 00:04:42,479 Speaker 2: And I think the same thing with artists, you know, 91 00:04:42,520 --> 00:04:45,560 Speaker 2: what what was it? And I love how Robert Plant, 92 00:04:46,120 --> 00:04:49,839 Speaker 2: John Paul Jones, and Jimmy Page. 93 00:04:50,080 --> 00:04:52,640 Speaker 1: It was just so cool to feel like. 94 00:04:52,520 --> 00:04:54,280 Speaker 2: You had him in your living room there and then 95 00:04:54,360 --> 00:04:59,360 Speaker 2: telling about what started out, you know, and Jimmy Jimmy 96 00:04:59,360 --> 00:05:02,799 Speaker 2: Page talk about he always had a guitar in his hand, 97 00:05:02,960 --> 00:05:05,280 Speaker 2: and you know, he took it to school and they'd 98 00:05:05,320 --> 00:05:07,960 Speaker 2: take it away from him. And when he would go 99 00:05:08,000 --> 00:05:10,240 Speaker 2: into school and his dad kind of said, okay, well 100 00:05:10,279 --> 00:05:12,120 Speaker 2: I'll support you, but you make sure you keep your 101 00:05:12,120 --> 00:05:15,039 Speaker 2: grades up, you know. And it was just great to 102 00:05:15,040 --> 00:05:18,640 Speaker 2: to I was fascinated by that. And then of course 103 00:05:18,640 --> 00:05:23,159 Speaker 2: to get you know, John Bonham, to get Bonzo, to 104 00:05:23,160 --> 00:05:25,680 Speaker 2: get that that interview that had never been. 105 00:05:25,600 --> 00:05:29,520 Speaker 1: Shared, and it was really a treat to watch Robert. 106 00:05:29,160 --> 00:05:33,200 Speaker 2: Plant and well all of them, you know, just listening 107 00:05:33,279 --> 00:05:37,400 Speaker 2: to John Bonham and smiling, and I thought that was 108 00:05:37,440 --> 00:05:41,680 Speaker 2: a really cool approach. And the origin story just took 109 00:05:41,760 --> 00:05:43,960 Speaker 2: him from there and then how they all met and 110 00:05:43,960 --> 00:05:46,680 Speaker 2: and you got to see that, you know, Robert Plant talked. 111 00:05:46,839 --> 00:05:48,440 Speaker 2: You could see the pain in his face. He went 112 00:05:48,480 --> 00:05:50,720 Speaker 2: through some hard times. He was homeless, you know, he 113 00:05:50,839 --> 00:05:54,839 Speaker 2: was he had a little suitcase he'd carry around, and 114 00:05:54,880 --> 00:05:55,960 Speaker 2: he had some tough times. 115 00:05:56,200 --> 00:05:57,719 Speaker 1: Trying to figure out what he was going to do, 116 00:05:57,760 --> 00:05:58,360 Speaker 1: who he was. 117 00:05:59,120 --> 00:06:01,440 Speaker 2: And we all look at these guys as rock gods 118 00:06:01,440 --> 00:06:04,400 Speaker 2: and we don't see them as human, and when we 119 00:06:04,440 --> 00:06:09,479 Speaker 2: see them in human it makes them even more precious touffs. 120 00:06:09,480 --> 00:06:13,160 Speaker 2: At least it does to me, because they come. 121 00:06:12,720 --> 00:06:13,560 Speaker 1: Down to that level. 122 00:06:13,640 --> 00:06:18,039 Speaker 2: I mean, you know, I know we shouldn't worship that 123 00:06:18,080 --> 00:06:20,680 Speaker 2: type of thing, but you know, as a little kid, 124 00:06:20,720 --> 00:06:23,039 Speaker 2: when you see led Zeppelin, the golden gods of rock, 125 00:06:23,120 --> 00:06:26,200 Speaker 2: up there on the stage, you hear those records, it's mystical, 126 00:06:26,240 --> 00:06:31,160 Speaker 2: it's magical, it's like a it's almost indescribable, you know. 127 00:06:31,440 --> 00:06:33,840 Speaker 2: And then you see them and then they come down 128 00:06:33,880 --> 00:06:36,360 Speaker 2: in their mere mortals. You would think that that would 129 00:06:36,400 --> 00:06:39,360 Speaker 2: take something away, but it doesn't. For me, it strengthens 130 00:06:39,680 --> 00:06:40,240 Speaker 2: that bond. 131 00:06:40,279 --> 00:06:46,440 Speaker 3: I think I loved how there really was no external commentary. 132 00:06:46,560 --> 00:06:49,560 Speaker 4: It was really just the band members themselves. 133 00:06:51,440 --> 00:06:55,760 Speaker 3: How do you think that choice that they made in 134 00:06:55,800 --> 00:07:00,520 Speaker 3: creating the documentary impacts us as viewers and our connection 135 00:07:00,640 --> 00:07:01,800 Speaker 3: to the story. 136 00:07:02,000 --> 00:07:05,279 Speaker 2: Because I think that they're holding us by the hand 137 00:07:05,279 --> 00:07:06,680 Speaker 2: and tanking gets along for the ride. 138 00:07:06,720 --> 00:07:08,800 Speaker 1: And I love that too. I love that aspect. There 139 00:07:08,839 --> 00:07:09,680 Speaker 1: was no voice over. 140 00:07:09,760 --> 00:07:11,600 Speaker 2: There was no Okay, now we're going to give you 141 00:07:11,760 --> 00:07:13,800 Speaker 2: some exposition here, and we're going to take you to 142 00:07:13,840 --> 00:07:16,000 Speaker 2: the next here, you know, here's this year. 143 00:07:16,120 --> 00:07:19,160 Speaker 1: And I loved how they let the music also. 144 00:07:18,960 --> 00:07:21,840 Speaker 2: Breathe life into it, where you'd see a live performance, 145 00:07:21,840 --> 00:07:23,680 Speaker 2: and they'd let the live performance go on, where you'd 146 00:07:23,720 --> 00:07:26,280 Speaker 2: see the full performance, and then you also see what 147 00:07:26,400 --> 00:07:30,880 Speaker 2: was going on in those years, which was impacting Zeppelins music, 148 00:07:30,920 --> 00:07:33,240 Speaker 2: and Zeppelin was impacting what was going on. And I 149 00:07:33,320 --> 00:07:35,720 Speaker 2: love that too, with that aspect of it, you know, 150 00:07:36,000 --> 00:07:37,960 Speaker 2: And I would have given it a perfect ten. 151 00:07:38,080 --> 00:07:40,480 Speaker 1: The only thing that. 152 00:07:40,640 --> 00:07:43,480 Speaker 2: I didn't like about it is I feel like there 153 00:07:43,520 --> 00:07:46,920 Speaker 2: was a huge missed opportunity at the end. And we 154 00:07:47,040 --> 00:07:50,800 Speaker 2: learned this from a Star Wars trilogy. How could you 155 00:07:50,840 --> 00:07:53,360 Speaker 2: not bring the characters together at the end, you know, 156 00:07:53,400 --> 00:07:55,720 Speaker 2: and let them be in the room. It would have 157 00:07:55,760 --> 00:07:59,360 Speaker 2: been so perfect to end with Jimmy Page, John Paul Jones, 158 00:07:59,440 --> 00:08:03,120 Speaker 2: Robert Plant sitting together in that room where you know, 159 00:08:03,480 --> 00:08:05,600 Speaker 2: it looked like even they were being interviewed in the 160 00:08:05,600 --> 00:08:08,880 Speaker 2: same room, some of them, but at least that John 161 00:08:08,880 --> 00:08:11,000 Speaker 2: Paul Jones or Robert Plant looked like the same room 162 00:08:11,040 --> 00:08:13,240 Speaker 2: to me. Maybe I'm mistaken, but it would have been 163 00:08:13,240 --> 00:08:14,960 Speaker 2: great to have them sitting in that like kind of 164 00:08:15,040 --> 00:08:20,080 Speaker 2: den together, listening to John Bonham and them kind of together, 165 00:08:20,200 --> 00:08:22,920 Speaker 2: the four of them one last time and and give 166 00:08:23,080 --> 00:08:24,040 Speaker 2: give the last word. 167 00:08:24,600 --> 00:08:25,600 Speaker 1: Uh. You know. 168 00:08:25,760 --> 00:08:28,480 Speaker 2: I like how Jimmy Page had the last word because 169 00:08:28,520 --> 00:08:30,920 Speaker 2: it was his band, he started it. But it would 170 00:08:30,920 --> 00:08:33,559 Speaker 2: have been cool to see that that's my only that's 171 00:08:33,600 --> 00:08:34,360 Speaker 2: my only hiccup. 172 00:08:35,040 --> 00:08:38,280 Speaker 3: I wondered the same thing, and I wondered whether it 173 00:08:38,360 --> 00:08:40,760 Speaker 3: was too painful in a way for them to go 174 00:08:40,880 --> 00:08:43,440 Speaker 3: through that in terms of the ride that would have 175 00:08:43,480 --> 00:08:48,000 Speaker 3: taken them on emotionally. But I definitely had that same feeling, 176 00:08:48,200 --> 00:08:50,640 Speaker 3: and I wish it went you know, I wish the 177 00:08:50,679 --> 00:08:54,720 Speaker 3: whole thing went on further further down the road, you know, 178 00:08:54,920 --> 00:08:58,000 Speaker 3: like a good tease of an interview, which you're so 179 00:08:58,160 --> 00:09:01,280 Speaker 3: great at, Uh, you leave people wanting more. 180 00:09:01,360 --> 00:09:03,199 Speaker 4: I think they left us wanting more. 181 00:09:03,559 --> 00:09:06,560 Speaker 2: Definitely, I would love to see you know, I mean, 182 00:09:07,400 --> 00:09:10,320 Speaker 2: who doesn't want to hear their take on Steroid to Heaven, 183 00:09:10,360 --> 00:09:12,720 Speaker 2: even though Robert Plan doesn't want to talk about it 184 00:09:12,760 --> 00:09:16,200 Speaker 2: really from other interviews, but it would have been great 185 00:09:16,360 --> 00:09:19,240 Speaker 2: to see, you know, for example, my I mean, my 186 00:09:19,360 --> 00:09:22,720 Speaker 2: favorite song of all time by Zeppelin is ten years gone, 187 00:09:22,760 --> 00:09:26,240 Speaker 2: and I would love to have heard their take on 188 00:09:26,320 --> 00:09:30,319 Speaker 2: that immigrant song and so on and so forth. And 189 00:09:30,640 --> 00:09:33,600 Speaker 2: I loved how you got little stories behind the songs. 190 00:09:33,600 --> 00:09:36,079 Speaker 2: But yeah, it seemed like Zeppel one and two and 191 00:09:36,800 --> 00:09:39,160 Speaker 2: they left us. But maybe there'll be a sequel. We 192 00:09:39,200 --> 00:09:40,920 Speaker 2: can only hope. 193 00:09:41,920 --> 00:09:47,680 Speaker 3: I love how Jimmy Page talked about his specific decision 194 00:09:47,800 --> 00:09:53,800 Speaker 3: to steer Zeppelin away from mainstream singles, you know, toward 195 00:09:53,920 --> 00:09:59,000 Speaker 3: these more ambitious albums. How in your mind, how pivotal 196 00:09:59,040 --> 00:10:01,280 Speaker 3: do you think that the vision was in shaping the 197 00:10:01,320 --> 00:10:02,400 Speaker 3: band's legacy. 198 00:10:03,480 --> 00:10:07,160 Speaker 1: Oh, it was monumental because. 199 00:10:08,400 --> 00:10:11,640 Speaker 2: I remember there was a part where Jimmy Page talked 200 00:10:11,679 --> 00:10:15,320 Speaker 2: about that he saw the future in America. They were 201 00:10:15,360 --> 00:10:18,160 Speaker 2: playing full sides of albums, you know, they were trying 202 00:10:18,200 --> 00:10:21,280 Speaker 2: to push him for a cut for AM radio Pop radio, 203 00:10:21,840 --> 00:10:23,960 Speaker 2: and he could see where the future was going with 204 00:10:23,960 --> 00:10:27,319 Speaker 2: with FM and with them playing entire sides of albums, 205 00:10:27,360 --> 00:10:28,040 Speaker 2: and that's where. 206 00:10:27,840 --> 00:10:28,480 Speaker 1: He wanted to be. 207 00:10:29,200 --> 00:10:34,280 Speaker 2: And I think that they influenced everybody came after, I mean, 208 00:10:35,200 --> 00:10:38,080 Speaker 2: Pink Floyd and you know, the great albums. 209 00:10:38,240 --> 00:10:41,240 Speaker 1: I always say that the sixties to me are the greatest, 210 00:10:41,600 --> 00:10:41,760 Speaker 1: you know. 211 00:10:41,760 --> 00:10:44,720 Speaker 2: I've been doing this project for like the last six months, 212 00:10:44,760 --> 00:10:48,040 Speaker 2: where every Saturday I camped down the top ten, or 213 00:10:48,600 --> 00:10:50,679 Speaker 2: in my case, I've been doing eleven songs because it's 214 00:10:50,760 --> 00:10:54,920 Speaker 2: so difficult for every year in music from so far, 215 00:10:54,920 --> 00:10:57,760 Speaker 2: I've done nineteen sixty four to about nineteen eighty nine, 216 00:10:57,800 --> 00:11:00,439 Speaker 2: and I planned to probably do a few few years 217 00:11:00,480 --> 00:11:03,440 Speaker 2: from the nineties in the fifties, but it is so 218 00:11:03,720 --> 00:11:07,800 Speaker 2: hard because in the sixties is impossible, because you go 219 00:11:07,880 --> 00:11:11,079 Speaker 2: from sixty five to sixty nine and there's fifty songs 220 00:11:11,080 --> 00:11:13,720 Speaker 2: that could be in the top ten easy. So to me, 221 00:11:13,880 --> 00:11:16,959 Speaker 2: the sixties are the greatest, and nothing comes close as 222 00:11:16,960 --> 00:11:21,360 Speaker 2: far as singles go, you know, their own individual songs. 223 00:11:22,000 --> 00:11:23,640 Speaker 2: But when you get in the seventies, I think the 224 00:11:23,679 --> 00:11:27,240 Speaker 2: seventies are the greatest decade by far for albums, for 225 00:11:27,320 --> 00:11:31,560 Speaker 2: a full picture and thematically, you know, and Zeppelin certainly 226 00:11:32,160 --> 00:11:36,120 Speaker 2: had that, and Eagles followed that, and a lot of 227 00:11:36,160 --> 00:11:40,000 Speaker 2: bands in the seventies who were trying to create full albums, 228 00:11:40,000 --> 00:11:42,840 Speaker 2: full experiences. We're missing that, you know. 229 00:11:43,160 --> 00:11:45,439 Speaker 1: In the New Age. That's a bit of a lost art. 230 00:11:45,480 --> 00:11:48,080 Speaker 2: The album is going away in some ways, it is 231 00:11:48,120 --> 00:11:51,000 Speaker 2: coming back in some ways with vinyl being so exciting 232 00:11:51,040 --> 00:11:55,480 Speaker 2: for younger people. So there's no question that Zeppelin had 233 00:11:55,720 --> 00:11:59,800 Speaker 2: a massive impact on that. And they were writing, they 234 00:11:59,800 --> 00:12:01,920 Speaker 2: were looking at as a as a full album. They 235 00:12:01,960 --> 00:12:04,480 Speaker 2: were They're never a band that was sitting down and saying, 236 00:12:05,080 --> 00:12:07,600 Speaker 2: all right, what's going to be the leadoff single? 237 00:12:07,600 --> 00:12:08,840 Speaker 1: What's going to be the second single? 238 00:12:09,400 --> 00:12:12,400 Speaker 2: And and that's the mentality that we all have, I 239 00:12:12,480 --> 00:12:15,640 Speaker 2: mean that the record executives have, and that that most 240 00:12:15,760 --> 00:12:17,600 Speaker 2: artists have is how were we going to I mean 241 00:12:17,640 --> 00:12:20,960 Speaker 2: today it's about grabbing them that first five seconds. That 242 00:12:21,080 --> 00:12:24,000 Speaker 2: was never on their mind. They were it was art 243 00:12:24,120 --> 00:12:27,520 Speaker 2: first and commerce came a distant second. 244 00:12:28,679 --> 00:12:33,440 Speaker 3: The filmmakers mentioned that there's a bit of a message 245 00:12:33,480 --> 00:12:37,320 Speaker 3: in the doc about following your passion and not listening 246 00:12:37,360 --> 00:12:41,880 Speaker 3: to naysayers. How do you think that theme resonates with 247 00:12:42,640 --> 00:12:45,200 Speaker 3: musicians and the general broad audience. 248 00:12:46,240 --> 00:12:48,400 Speaker 1: We we live in a time where. 249 00:12:49,600 --> 00:12:54,240 Speaker 2: Social media has taken over and a lot of these 250 00:12:54,400 --> 00:12:55,679 Speaker 2: younger kids are. 251 00:12:57,200 --> 00:13:01,040 Speaker 1: In some ways are there's there. Their value of. 252 00:13:01,040 --> 00:13:06,839 Speaker 2: Themselves is tied to likes and comments. And I can 253 00:13:06,960 --> 00:13:10,240 Speaker 2: understand that as a having a YouTube channel. You know, 254 00:13:10,440 --> 00:13:12,520 Speaker 2: if I'm having a bad day, on YouTube where it's 255 00:13:12,600 --> 00:13:16,959 Speaker 2: not resonating. You know, I'm beating myself up, like maybe 256 00:13:16,960 --> 00:13:19,840 Speaker 2: I shouldn't this or whatever. You can't worry about what 257 00:13:19,880 --> 00:13:22,400 Speaker 2: others think of you if you know you've got something. 258 00:13:22,400 --> 00:13:25,000 Speaker 2: There was an artist that taught me something really incredible. 259 00:13:25,520 --> 00:13:28,440 Speaker 2: Kenny Loggins. Actually, Kenny Loggins was telling a story about 260 00:13:28,480 --> 00:13:31,800 Speaker 2: how he and Michael McDonald had just written what a 261 00:13:31,840 --> 00:13:35,000 Speaker 2: Fool Beliefs, huge hit for the Dewbie Brothers. Of course, 262 00:13:35,200 --> 00:13:37,199 Speaker 2: you know, one record of the year, and it was 263 00:13:37,200 --> 00:13:40,920 Speaker 2: a number one hit and massive, and so they really 264 00:13:40,920 --> 00:13:44,440 Speaker 2: had a great connection as writers. So Kenny wrote Whenever 265 00:13:44,480 --> 00:13:46,719 Speaker 2: I Call You Friend, and he thought this is man, 266 00:13:46,760 --> 00:13:48,680 Speaker 2: I think this is a great song. And he took 267 00:13:48,679 --> 00:13:51,160 Speaker 2: it to Michael McDonald. Is their next song to do together? 268 00:13:52,040 --> 00:13:54,400 Speaker 2: And he said, man, I think we should do this 269 00:13:54,440 --> 00:13:56,319 Speaker 2: next one together. And Michael McDonald listened to it and 270 00:13:56,360 --> 00:13:59,240 Speaker 2: he said, nah, I don't hear it. I don't care 271 00:13:59,280 --> 00:14:02,520 Speaker 2: for it. I don't think it's a great song. Kenny's 272 00:14:02,600 --> 00:14:07,520 Speaker 2: like what And so Kenny Stevie Nix at the time 273 00:14:07,559 --> 00:14:10,000 Speaker 2: he used tour with her. She said let's do adet together, 274 00:14:10,360 --> 00:14:12,160 Speaker 2: and he said, let's do this song and she loved it, 275 00:14:12,160 --> 00:14:14,839 Speaker 2: and they recorded and it became his first massive solo hit, 276 00:14:15,559 --> 00:14:17,880 Speaker 2: and he said, you know, my lesson from that is 277 00:14:17,920 --> 00:14:21,280 Speaker 2: when you know you've got something, go for it. Keep 278 00:14:21,320 --> 00:14:24,880 Speaker 2: going because we all worry about what other people think. 279 00:14:25,440 --> 00:14:27,680 Speaker 2: But if you know in your heart does something great, 280 00:14:27,880 --> 00:14:30,200 Speaker 2: you keep going moving forward. And that was a great 281 00:14:30,280 --> 00:14:33,840 Speaker 2: lesson to me that you know we got to do. 282 00:14:33,920 --> 00:14:36,360 Speaker 2: And I think Zeppelin's a great example of that. I mean, 283 00:14:36,920 --> 00:14:40,000 Speaker 2: they have their struggles, you know, it shows that. That's 284 00:14:40,000 --> 00:14:42,640 Speaker 2: what I love about this documentary is that shows all 285 00:14:42,680 --> 00:14:45,440 Speaker 2: of their ups and downs getting to the point where 286 00:14:45,480 --> 00:14:47,480 Speaker 2: they were the greatest man of all time. 287 00:14:48,240 --> 00:14:52,280 Speaker 3: After watching Becoming Led Zeppelin, did you come away with 288 00:14:52,360 --> 00:14:55,880 Speaker 3: any new insights or questions that you would like to 289 00:14:55,960 --> 00:14:58,120 Speaker 3: explore further in your own work. 290 00:14:59,120 --> 00:15:02,320 Speaker 2: Gosh, I probably haven't had enough time to reflect on 291 00:15:02,360 --> 00:15:04,520 Speaker 2: it because I just barely watched it last night. 292 00:15:05,360 --> 00:15:07,240 Speaker 1: I've been so crazy busy the last few months. 293 00:15:07,280 --> 00:15:13,480 Speaker 2: But yeah, I think I love their example of they 294 00:15:13,520 --> 00:15:18,400 Speaker 2: were creating without worrying about what an audience wanted. And 295 00:15:20,040 --> 00:15:23,720 Speaker 2: I think sometimes as a podcaster, as an interviewer, as 296 00:15:24,360 --> 00:15:26,680 Speaker 2: content creators, I guess is what they call it now, 297 00:15:27,760 --> 00:15:31,320 Speaker 2: Sometimes we're worried about really tying it into your last 298 00:15:31,400 --> 00:15:34,680 Speaker 2: question what others are thinking, or maybe I should cover 299 00:15:34,720 --> 00:15:38,040 Speaker 2: this because it's the popular thing and forego our own 300 00:15:38,120 --> 00:15:41,720 Speaker 2: ideas of what our heart is telling us a direction 301 00:15:41,840 --> 00:15:44,880 Speaker 2: to go. And I think that Zeppelin's a great example 302 00:15:44,920 --> 00:15:48,800 Speaker 2: of you follow your heart and your passions. And a 303 00:15:48,880 --> 00:15:51,440 Speaker 2: couple of days ago, you know, my son, I've got 304 00:15:51,440 --> 00:15:52,880 Speaker 2: a seventeen year old and he had a bunch of 305 00:15:52,880 --> 00:15:53,400 Speaker 2: friends over here. 306 00:15:53,480 --> 00:15:55,040 Speaker 1: We're putting together a puzzle of. 307 00:15:55,240 --> 00:15:59,480 Speaker 2: Rock albums, and we were talking about music, and I 308 00:15:59,560 --> 00:16:02,440 Speaker 2: was showing them different songs that they weren't aware of. 309 00:16:02,560 --> 00:16:04,280 Speaker 2: Either are like, what's this album? And they said, oh, 310 00:16:04,280 --> 00:16:06,920 Speaker 2: it's you know, it's General Tall And I showed them 311 00:16:07,000 --> 00:16:09,760 Speaker 2: or Jefferson Airplane, and I was showing them different things 312 00:16:09,760 --> 00:16:11,480 Speaker 2: and they never heard it, and their mine was being 313 00:16:11,520 --> 00:16:14,560 Speaker 2: blown and I thought, this is so fun, so to 314 00:16:14,680 --> 00:16:17,880 Speaker 2: share something new with these kids that they've never heard 315 00:16:18,440 --> 00:16:21,680 Speaker 2: that they're like, wow, how did they how did what. 316 00:16:21,680 --> 00:16:23,600 Speaker 1: Instrument is that? And how did they do this? 317 00:16:23,720 --> 00:16:26,520 Speaker 2: And and I thought, I need to get back to 318 00:16:26,680 --> 00:16:29,840 Speaker 2: that a little bit more of I'm not worrying so 319 00:16:30,000 --> 00:16:33,200 Speaker 2: much about I got to do a video that's gonna 320 00:16:33,200 --> 00:16:36,280 Speaker 2: get you know, that's gonna get clicks or views. It's 321 00:16:36,320 --> 00:16:41,960 Speaker 2: about creating something that that resonates and and I think 322 00:16:42,000 --> 00:16:43,440 Speaker 2: for the most part I do that. But it is 323 00:16:43,480 --> 00:16:46,160 Speaker 2: a good reminder that we need to follow our heart. 324 00:16:46,200 --> 00:16:48,600 Speaker 2: We need to follow where the mus is taking as 325 00:16:48,800 --> 00:16:53,440 Speaker 2: as opposed to what you know, the marketing plan is. 326 00:16:55,280 --> 00:16:57,800 Speaker 3: It's great advice for all of us, great advice for me. 327 00:16:58,200 --> 00:17:04,760 Speaker 3: I couldn't agree more. Highly recommend Becoming led Zeppelin a 328 00:17:04,800 --> 00:17:09,159 Speaker 3: great documentary, and I highly recommend you check out The 329 00:17:09,240 --> 00:17:13,480 Speaker 3: Professor of Rock because it's chock full of behind the 330 00:17:13,520 --> 00:17:17,520 Speaker 3: scenes stories with some of the greats from the music business. 331 00:17:17,600 --> 00:17:21,240 Speaker 3: So Adam, thank you for being on Taking a Walk Buzz, 332 00:17:21,240 --> 00:17:21,600 Speaker 3: Thank you. 333 00:17:21,680 --> 00:17:23,400 Speaker 1: I appreciate it, love it. 334 00:17:24,880 --> 00:17:27,320 Speaker 2: Thanks for listening to this episode of the Taking a 335 00:17:27,359 --> 00:17:28,240 Speaker 2: Walk Podcast. 336 00:17:28,720 --> 00:17:31,919 Speaker 3: Share this and other episodes with your friends and follow 337 00:17:32,000 --> 00:17:35,240 Speaker 3: us so you never miss an episode. Taking a Walk 338 00:17:35,320 --> 00:17:39,920 Speaker 3: is available on the iHeartRadio app, Apple Podcasts, and wherever 339 00:17:40,000 --> 00:17:41,280 Speaker 3: you get your podcasts.