1 00:00:08,640 --> 00:00:14,520 Speaker 1: Alaska. Welcome back. Heck, we got another week. I got 2 00:00:14,520 --> 00:00:18,040 Speaker 1: a great guest, one of my favorite new artists, Madeline Edwards. 3 00:00:18,320 --> 00:00:20,400 Speaker 1: Big piano getting set up in the room right now. 4 00:00:20,400 --> 00:00:22,239 Speaker 1: I think you're gonna love her. Let me say this 5 00:00:22,640 --> 00:00:24,560 Speaker 1: more of the studio morning. Let's go around the room 6 00:00:24,560 --> 00:00:27,240 Speaker 1: and see what's up. Here's the question question of the day. 7 00:00:27,240 --> 00:00:32,080 Speaker 1: Everybody answered this question, something you're looking forward to A 8 00:00:32,080 --> 00:00:36,120 Speaker 1: pretty broad generic question. Can't be anything. The answer Eddie 9 00:00:36,120 --> 00:00:37,879 Speaker 1: for you can't be a retirement. I know you keep 10 00:00:37,920 --> 00:00:40,120 Speaker 1: saying looking forward to that. I know you are, but 11 00:00:40,200 --> 00:00:43,480 Speaker 1: it's a little bit more short term, Eddie. Your first 12 00:00:43,479 --> 00:00:46,960 Speaker 1: what's something you're looking forward to? Man? So every kid 13 00:00:47,000 --> 00:00:48,640 Speaker 1: that I have, we made a promise that we have 14 00:00:48,720 --> 00:00:51,120 Speaker 1: four boys. When they turned thirteen, we're gonna take him 15 00:00:51,120 --> 00:00:53,960 Speaker 1: on a trip. Well, my son's fifteen, and when he 16 00:00:54,000 --> 00:00:55,840 Speaker 1: was thirteen, it was twenty twenty and it was the 17 00:00:55,840 --> 00:00:58,400 Speaker 1: whole COVID thing, so we really couldn't travel. He wanted 18 00:00:58,440 --> 00:01:00,319 Speaker 1: to go to La So we're gonna do it. This here. 19 00:01:00,640 --> 00:01:02,320 Speaker 1: We just bought the flights. I need to check on 20 00:01:02,360 --> 00:01:04,880 Speaker 1: the day of that. I don't know what do you 21 00:01:04,920 --> 00:01:06,839 Speaker 1: do with him? Because he loves does he still love movies? 22 00:01:06,920 --> 00:01:08,920 Speaker 1: He loves movies, so we're gonna take him, of course, 23 00:01:08,959 --> 00:01:11,280 Speaker 1: to Hollywood. But then he wants to go to Disneyland, 24 00:01:12,000 --> 00:01:14,000 Speaker 1: so we're gonna do that too. Yeah. It's cool, especially 25 00:01:14,000 --> 00:01:16,000 Speaker 1: if you can go on like a Tuesday or a Wednesday. 26 00:01:16,319 --> 00:01:19,160 Speaker 1: It's like when's there and there's still people there, especially 27 00:01:19,200 --> 00:01:21,200 Speaker 1: in the summer. But that's fun. I like that. I 28 00:01:21,240 --> 00:01:24,000 Speaker 1: cannot wait for that lunchbox we're coming over to you. 29 00:01:24,360 --> 00:01:27,800 Speaker 1: What are you looking forward to our next vacation? Like, 30 00:01:27,880 --> 00:01:29,640 Speaker 1: I feel like we haven't been on vacation a long time. 31 00:01:29,680 --> 00:01:34,120 Speaker 1: I literally just had days off last week two weeks ago. Yeah, 32 00:01:34,160 --> 00:01:36,720 Speaker 1: but I mean I feel like that was so long ago. 33 00:01:36,840 --> 00:01:38,600 Speaker 1: I feel like we've worked so much since then. The 34 00:01:38,680 --> 00:01:41,319 Speaker 1: stress I'm so, I'm just looking forward. I don't know 35 00:01:41,319 --> 00:01:42,800 Speaker 1: when it is, Like it's not even on the calendar. 36 00:01:42,800 --> 00:01:47,160 Speaker 1: We don't have an email saying summer summertime. Probably like 37 00:01:47,840 --> 00:01:49,520 Speaker 1: you just got a free week's vacation that you don't 38 00:01:49,520 --> 00:01:52,000 Speaker 1: even have in your contract. In the last week. Yeah, man, 39 00:01:52,040 --> 00:01:55,200 Speaker 1: I worked a lot that week. Did Lunchbox work at 40 00:01:55,240 --> 00:01:58,480 Speaker 1: all the week of You'd be shocked to hear the answer. 41 00:01:58,520 --> 00:02:01,080 Speaker 1: He was actually up here more than anyone else doing 42 00:02:01,240 --> 00:02:03,320 Speaker 1: doing what though for the show or for his own 43 00:02:03,360 --> 00:02:05,600 Speaker 1: stuff he was doing? He had his own stuff. Okay, Well, 44 00:02:05,600 --> 00:02:08,880 Speaker 1: then the commercials recording calls. I did stuff from home 45 00:02:08,919 --> 00:02:10,919 Speaker 1: though I wasn't physically here. Yes, yes, I guess you 46 00:02:11,000 --> 00:02:13,040 Speaker 1: want to say these physically here? It was lunch. Well, 47 00:02:13,040 --> 00:02:15,280 Speaker 1: he doesn't set up at home, so he has to 48 00:02:16,280 --> 00:02:18,840 Speaker 1: by default everyone was working. But he was here working 49 00:02:19,000 --> 00:02:22,880 Speaker 1: huh a lot, not as much as like Ray or 50 00:02:22,919 --> 00:02:25,360 Speaker 1: myself or Kevin or somebody. Okay, but did you have 51 00:02:25,360 --> 00:02:28,720 Speaker 1: any days off? Um? Yeah, yes, he had days off. 52 00:02:28,720 --> 00:02:31,000 Speaker 1: How many days you get off, like full days, like 53 00:02:31,120 --> 00:02:33,880 Speaker 1: never coming here at all? Probably at least one or two. 54 00:02:34,360 --> 00:02:36,320 Speaker 1: Well that's okay. Well I hope you look forward to 55 00:02:36,320 --> 00:02:38,480 Speaker 1: your vacation. Yeah, yeah, I mean I grandulations on the 56 00:02:38,480 --> 00:02:40,400 Speaker 1: free couple days off that were was he never supposed 57 00:02:40,400 --> 00:02:41,919 Speaker 1: to happen, That's what I'm saying. Like the stress this 58 00:02:42,080 --> 00:02:44,360 Speaker 1: job gets me sometimes, who's the least stressed out of 59 00:02:44,360 --> 00:02:48,200 Speaker 1: this whole operation? Let's stress more life over here? Ray? 60 00:02:49,440 --> 00:02:51,760 Speaker 1: That's no way, no way, because Ray gets here at 61 00:02:51,760 --> 00:02:57,799 Speaker 1: one in the morning. Ray's gonna die tomorrow. Stress probably 62 00:02:57,800 --> 00:02:59,760 Speaker 1: the least stress, Like, who's the least stress when it 63 00:02:59,760 --> 00:03:01,679 Speaker 1: comes to working, has less the least amount to do 64 00:03:01,840 --> 00:03:04,320 Speaker 1: and has to worry about the least amount. I mean, 65 00:03:04,360 --> 00:03:06,240 Speaker 1: we all have a decent amount of our plates. I 66 00:03:06,280 --> 00:03:09,840 Speaker 1: can't name one. You don't think it's lunchbox? Okay? Getting 67 00:03:09,840 --> 00:03:13,280 Speaker 1: in Fox? What the words that supposed to be? Bro? 68 00:03:14,520 --> 00:03:17,160 Speaker 1: He does get a lot of assistance, a lot and 69 00:03:17,520 --> 00:03:20,040 Speaker 1: his job is just to come in here and during 70 00:03:20,040 --> 00:03:24,960 Speaker 1: the show, yeah, dink around. There's pressure on. He has 71 00:03:25,000 --> 00:03:27,120 Speaker 1: to run videos, Morgan has to run social media. Ray 72 00:03:27,120 --> 00:03:29,320 Speaker 1: has to run a board to type about a couple 73 00:03:29,320 --> 00:03:33,520 Speaker 1: of tweets, running a show, trying to be compelling, and 74 00:03:33,639 --> 00:03:36,680 Speaker 1: talking to Ray, organizing a show. The whole time Mike 75 00:03:36,840 --> 00:03:42,000 Speaker 1: is doing everybody Mike's hanging out, hanging it out. What's 76 00:03:42,000 --> 00:03:43,640 Speaker 1: he looking at the camera? Put the camera on. My 77 00:03:43,680 --> 00:03:47,800 Speaker 1: point is it looks like out to me hanging out 78 00:03:47,840 --> 00:03:49,839 Speaker 1: in the corner. Man. You had to put a role 79 00:03:49,880 --> 00:03:52,680 Speaker 1: on yourself to stay off Facebook Messenger all show. You 80 00:03:52,800 --> 00:03:55,000 Speaker 1: have not done a good job of it. My point 81 00:03:55,080 --> 00:03:58,160 Speaker 1: is when it comes to stress, here you probably have 82 00:03:58,240 --> 00:04:02,440 Speaker 1: the least ballid point. Now that's my point. Look at 83 00:04:02,480 --> 00:04:04,360 Speaker 1: a mean, she doesn't look stressed to me, what's she's 84 00:04:04,360 --> 00:04:07,280 Speaker 1: stressing about? I do. I record way more things than 85 00:04:07,320 --> 00:04:09,640 Speaker 1: you do and come up with different segments during the 86 00:04:09,680 --> 00:04:15,280 Speaker 1: show for things, And if you come up with it 87 00:04:15,480 --> 00:04:21,920 Speaker 1: and it gets rejected, it doesn't matter. I don't know 88 00:04:21,960 --> 00:04:24,320 Speaker 1: everybody's super importing. I just thought it was funny that 89 00:04:24,360 --> 00:04:25,680 Speaker 1: he was like, I need more vacation. I mean, he 90 00:04:25,720 --> 00:04:27,359 Speaker 1: just has a couple of days off for free. I 91 00:04:27,360 --> 00:04:29,200 Speaker 1: don't know where I'm just saying, and I don't even 92 00:04:29,200 --> 00:04:31,400 Speaker 1: where I'm gonna go, and I don't have any plans, 93 00:04:31,440 --> 00:04:33,919 Speaker 1: but just to have a week off will be amazing. 94 00:04:34,360 --> 00:04:36,240 Speaker 1: Do you want to know when it is? Do you 95 00:04:36,279 --> 00:04:38,760 Speaker 1: like to know way ahead? Like, oh, yeah you do. 96 00:04:40,000 --> 00:04:41,360 Speaker 1: I don't know, but I could probably figure it out. 97 00:04:41,440 --> 00:04:45,800 Speaker 1: That'd be great, man. But but some people like to 98 00:04:45,800 --> 00:04:48,279 Speaker 1: have something to look forward to, like a specific date. Yeah, 99 00:04:48,320 --> 00:04:49,719 Speaker 1: that's what I'm saying. So, like, if if you could 100 00:04:49,720 --> 00:04:53,080 Speaker 1: tell me, like, may fit through the thirtieth I'd be great. 101 00:04:53,480 --> 00:04:57,360 Speaker 1: That's a heck of a vacation. May fit through thirtieth. Wow, 102 00:04:57,440 --> 00:05:00,240 Speaker 1: that he wants the whole one five day vacation gonna 103 00:05:00,200 --> 00:05:03,040 Speaker 1: be an iHeart Country Festival. Okay, thank you? Lunch blocks. 104 00:05:03,120 --> 00:05:06,320 Speaker 1: You're welcome. I can't wait for your vacation. Let's go 105 00:05:06,320 --> 00:05:07,760 Speaker 1: over to Amy, Amy. What are you looking forward to? 106 00:05:08,040 --> 00:05:10,960 Speaker 1: I'm looking forward to April when my daughter turned sixteen 107 00:05:11,560 --> 00:05:14,520 Speaker 1: because she'll be able to drive. Oh yeah, and it's 108 00:05:14,640 --> 00:05:17,920 Speaker 1: one less thing or play or you know, pick up 109 00:05:18,000 --> 00:05:19,640 Speaker 1: drop off all the things we have to do, and 110 00:05:20,000 --> 00:05:21,920 Speaker 1: she'll be able to help out, like with things of 111 00:05:21,920 --> 00:05:27,279 Speaker 1: our son. So yours is you won't free labor. That 112 00:05:27,320 --> 00:05:29,240 Speaker 1: doesn't stress you out that your daughter is gonna be 113 00:05:29,320 --> 00:05:32,240 Speaker 1: driving like that to me seems like so stressful. I 114 00:05:32,240 --> 00:05:33,719 Speaker 1: don't know if that's a look forward. I mean, we 115 00:05:33,760 --> 00:05:36,360 Speaker 1: all hear, we all turned sixteen, we all hit the road, 116 00:05:36,520 --> 00:05:38,680 Speaker 1: so I mean I just kind of have to rethro 117 00:05:38,720 --> 00:05:40,200 Speaker 1: it know that it happens. I think I will when 118 00:05:40,240 --> 00:05:42,479 Speaker 1: she's on the highway. But most of this driving that 119 00:05:42,560 --> 00:05:44,960 Speaker 1: I'm talking about is within a mile radius of our house. 120 00:05:45,080 --> 00:05:50,400 Speaker 1: But most accidents happen with I know. I told her that, Okay, 121 00:05:50,440 --> 00:05:52,120 Speaker 1: thank you very much, I'll go. What am I looking 122 00:05:52,120 --> 00:05:55,000 Speaker 1: forward to? One thing that I can't? I look forward 123 00:05:55,040 --> 00:05:57,760 Speaker 1: to the NCAA basketball tournament, and especially if arkinsaw I 124 00:05:57,800 --> 00:05:59,240 Speaker 1: gets in because it's my favorite thing to go do 125 00:05:59,320 --> 00:06:01,640 Speaker 1: is to go watch ark of basketball and football games. 126 00:06:01,640 --> 00:06:04,120 Speaker 1: So I already I don't know where they're gonna be 127 00:06:04,360 --> 00:06:05,800 Speaker 1: or even if they're gonna make it at this point, 128 00:06:05,800 --> 00:06:07,160 Speaker 1: but I think they have a good shot. But I'm 129 00:06:07,200 --> 00:06:08,800 Speaker 1: looking at the weekends and making sure that on those 130 00:06:08,800 --> 00:06:11,120 Speaker 1: weekends I don't have anything down so I can go 131 00:06:11,200 --> 00:06:13,120 Speaker 1: to the games, like I really look forward to that, 132 00:06:13,640 --> 00:06:15,800 Speaker 1: even if it's just one game, because sometimes I can't 133 00:06:15,839 --> 00:06:20,039 Speaker 1: stay at weekend all three days. So there's that. And 134 00:06:20,080 --> 00:06:22,560 Speaker 1: then I have something coming up that i'm like sixty 135 00:06:22,600 --> 00:06:24,919 Speaker 1: to seventy percent on and just a few weeks that 136 00:06:25,000 --> 00:06:26,800 Speaker 1: I can't mention yet. But if it does go through 137 00:06:26,839 --> 00:06:29,840 Speaker 1: and I'm allowed to do it, I'm very much looking 138 00:06:29,839 --> 00:06:31,800 Speaker 1: forward to it and a little nervous about it. And 139 00:06:31,839 --> 00:06:33,479 Speaker 1: that's the best thing, and I'll be able to share 140 00:06:33,480 --> 00:06:36,240 Speaker 1: it if it happens. But it's something that I didn't 141 00:06:36,240 --> 00:06:39,320 Speaker 1: think i'd be allowed to do. I don't get paid 142 00:06:39,320 --> 00:06:43,200 Speaker 1: to do it, but if it's I actually turned down 143 00:06:43,240 --> 00:06:45,280 Speaker 1: money when they said can we pay you to do it? 144 00:06:45,920 --> 00:06:47,200 Speaker 1: But I was like no, because I don't know if 145 00:06:47,200 --> 00:06:49,480 Speaker 1: I'm gonna do good, so don't pay me. But I'm 146 00:06:49,560 --> 00:06:51,840 Speaker 1: very excited about something there too. But I'll tell you 147 00:06:52,640 --> 00:06:54,520 Speaker 1: even as early as tomorrow if they'll let me. So 148 00:06:54,600 --> 00:06:57,240 Speaker 1: that's what's up. Everybody feel good. Yeah, I'm looking forward 149 00:06:57,240 --> 00:06:59,920 Speaker 1: to today's show, munch once you take the next few 150 00:07:00,040 --> 00:07:02,960 Speaker 1: minutes off, right, thanks, load dude, take a load off. 151 00:07:03,080 --> 00:07:07,320 Speaker 1: Take a load off. Anny. I mean Amy's I don't know, 152 00:07:07,320 --> 00:07:09,520 Speaker 1: I don't want to brag, but okay, go ahead about 153 00:07:09,520 --> 00:07:12,440 Speaker 1: what right? Like I mean, Amy says, I had to 154 00:07:12,440 --> 00:07:13,840 Speaker 1: come up with segments, you know what I mean, Like 155 00:07:14,000 --> 00:07:16,280 Speaker 1: I made that segment, like that segment was made. I 156 00:07:16,360 --> 00:07:18,240 Speaker 1: mean I made that segment. Was you going you want 157 00:07:18,320 --> 00:07:20,320 Speaker 1: vacation and me going, let me get into this and 158 00:07:20,320 --> 00:07:22,600 Speaker 1: find a funny angle, and then I just crushed it. No, no, 159 00:07:22,720 --> 00:07:28,640 Speaker 1: but I'm saying it doesn't matter whatever whatever. I the 160 00:07:28,720 --> 00:07:32,600 Speaker 1: question is my idea, this question that's true too. It 161 00:07:32,680 --> 00:07:36,080 Speaker 1: literally Amy said let's go around the room and say 162 00:07:36,280 --> 00:07:38,480 Speaker 1: as a conversation story because this was an idea that 163 00:07:38,520 --> 00:07:41,960 Speaker 1: they did at their family dinner or something. Friends point Amy. Yeah, 164 00:07:42,160 --> 00:07:44,440 Speaker 1: I don't Yeah. Actually Amy's one that said we should 165 00:07:44,440 --> 00:07:46,520 Speaker 1: do this here. And then you just I'm looking for vacation. 166 00:07:46,600 --> 00:07:47,640 Speaker 1: I was like, oh, I bet you. I can get 167 00:07:47,720 --> 00:07:49,600 Speaker 1: him onto something funny. And then I crushed, so I'll 168 00:07:49,600 --> 00:07:51,120 Speaker 1: put I put a cart in front of the horse's 169 00:07:51,120 --> 00:07:52,720 Speaker 1: head and walked him right over to where I wanted 170 00:07:52,760 --> 00:07:55,560 Speaker 1: him to walk to, and then we knocked it out. Yeah, 171 00:07:55,560 --> 00:07:58,120 Speaker 1: and I tried to make Amy's more interesting, like driving, 172 00:07:58,560 --> 00:08:00,400 Speaker 1: It was kind of boring. So you moved on real quick. 173 00:08:00,560 --> 00:08:02,560 Speaker 1: We're going on. It's just simple. Mine is simple. I'm 174 00:08:02,600 --> 00:08:06,000 Speaker 1: not offended by that. Oh, here we go, all right, 175 00:08:06,000 --> 00:08:09,720 Speaker 1: I'm looking forward today's show. Yeah, it's time for the 176 00:08:09,760 --> 00:08:18,960 Speaker 1: mail bag. Come on, get something. Hello, Bobby Bones. As 177 00:08:18,960 --> 00:08:21,480 Speaker 1: I write you this email, Valentine's Day is tomorrow, I 178 00:08:21,520 --> 00:08:23,560 Speaker 1: do not have a dinner reservation for my girlfriend of 179 00:08:23,640 --> 00:08:25,760 Speaker 1: four years. I'll be honest. I'm an idiot, and I 180 00:08:25,800 --> 00:08:27,840 Speaker 1: forgot until I stopped at Walgreens and saw all the 181 00:08:27,920 --> 00:08:30,880 Speaker 1: Valentine's Day stuff on the shelves. When I called all 182 00:08:30,920 --> 00:08:34,280 Speaker 1: of her favorite restaurants, they were all booked solid. What 183 00:08:34,320 --> 00:08:36,079 Speaker 1: would be your advice? I'm still making the day special 184 00:08:36,160 --> 00:08:38,160 Speaker 1: without making it look like I completely dropped the ball. 185 00:08:38,320 --> 00:08:40,000 Speaker 1: I was thinking of taking her on a picnic, but 186 00:08:40,160 --> 00:08:41,960 Speaker 1: can't do that at night? Or do I fess up? 187 00:08:41,960 --> 00:08:44,240 Speaker 1: I tell her I dropped the ball. Please help bro 188 00:08:44,600 --> 00:08:47,959 Speaker 1: who botched Valentine's Day? Now, Valentine's Day is a weird 189 00:08:47,960 --> 00:08:50,080 Speaker 1: thing because it's stupid, but it's also awesome and you 190 00:08:50,160 --> 00:08:52,000 Speaker 1: have to look at it both ways. That this is 191 00:08:52,000 --> 00:08:53,360 Speaker 1: just a made up holiday, right, this is just a 192 00:08:53,360 --> 00:08:57,000 Speaker 1: made up holiday to sell stuff ding, But everything's a 193 00:08:57,080 --> 00:09:01,160 Speaker 1: made up something to do something. And if all of 194 00:09:01,160 --> 00:09:04,480 Speaker 1: her friends are having special days and she isn't, she's 195 00:09:04,520 --> 00:09:07,200 Speaker 1: going to feel like, oh wow, I'm not getting the 196 00:09:07,200 --> 00:09:08,760 Speaker 1: same love and support that all these it's gonna make 197 00:09:08,800 --> 00:09:11,480 Speaker 1: her feel bad. I'm not somebody that says you gotta 198 00:09:11,520 --> 00:09:14,840 Speaker 1: go one hundred miles an hour every I do, but 199 00:09:14,880 --> 00:09:17,920 Speaker 1: I don't think you have to. And there are different 200 00:09:17,960 --> 00:09:21,800 Speaker 1: circumstances and some people just there's depreciation. I mean, it's 201 00:09:21,840 --> 00:09:24,120 Speaker 1: not the same. So why should you if you do 202 00:09:24,240 --> 00:09:25,880 Speaker 1: have to do something though, because it sounds like, you know, 203 00:09:25,880 --> 00:09:27,440 Speaker 1: you screwed up, and you know she would like it. 204 00:09:28,280 --> 00:09:30,320 Speaker 1: So you don't have to make you drop the ball 205 00:09:30,360 --> 00:09:32,520 Speaker 1: because you haven't dropped the ball. Because it's not over. Yeah, 206 00:09:32,640 --> 00:09:34,680 Speaker 1: there's time. You can go to the grocery store and 207 00:09:34,720 --> 00:09:36,720 Speaker 1: literally cook her at dinner. There we go, you can 208 00:09:36,760 --> 00:09:38,920 Speaker 1: get on YouTube. You don't think she would love that 209 00:09:39,000 --> 00:09:41,400 Speaker 1: more than going to a restaurant. You can get you 210 00:09:41,440 --> 00:09:43,920 Speaker 1: a little tuxedo t shirt. Make it a whole spect 211 00:09:43,960 --> 00:09:46,720 Speaker 1: play her favorite playlist, make her at dinner, watch one 212 00:09:46,760 --> 00:09:50,520 Speaker 1: of her favorite movies. Not just Valentine's Day, but all 213 00:09:50,679 --> 00:09:55,280 Speaker 1: it's effort. That's all anybody wants, not even romantic relationships, friendships. 214 00:09:55,280 --> 00:09:59,280 Speaker 1: It's all effort. And this is a time that has 215 00:09:59,280 --> 00:10:00,520 Speaker 1: been put up on a p I still have to 216 00:10:00,520 --> 00:10:02,520 Speaker 1: show the effort that you'll put in. Unfairly, it's on 217 00:10:02,559 --> 00:10:04,360 Speaker 1: this day and they've said this is the day you 218 00:10:04,440 --> 00:10:06,480 Speaker 1: have to do it, but it is. It's the thing. 219 00:10:06,600 --> 00:10:09,160 Speaker 1: Valentine's Day's real, and so if it's important to her, 220 00:10:09,160 --> 00:10:10,400 Speaker 1: you need to make it important to you. You have 221 00:10:10,440 --> 00:10:12,880 Speaker 1: not dropped the ball yet. You will drop the ball 222 00:10:12,960 --> 00:10:15,920 Speaker 1: on February fifteenth. If you're not able to pull this off. 223 00:10:16,240 --> 00:10:18,960 Speaker 1: But nothing crazy, I'm telling you. You just learn how 224 00:10:19,000 --> 00:10:21,079 Speaker 1: to cook her at dinner. Go get the groceries. Say 225 00:10:21,120 --> 00:10:22,720 Speaker 1: I'm taking care of it. You have her favorite movie, 226 00:10:23,080 --> 00:10:26,360 Speaker 1: that's it. Get her some flowers, that's it. You don't 227 00:10:26,400 --> 00:10:30,319 Speaker 1: do you have to write her a song that'd be nice, 228 00:10:30,720 --> 00:10:34,040 Speaker 1: build her a statue. You don't have to. You can, 229 00:10:34,440 --> 00:10:36,840 Speaker 1: you don't have to. But you have not dropped the ball. Okay, 230 00:10:37,160 --> 00:10:39,160 Speaker 1: so no need to fess up because you've not there's 231 00:10:39,160 --> 00:10:41,800 Speaker 1: nothing to fess up. You can still do better than 232 00:10:41,800 --> 00:10:43,000 Speaker 1: you would have done, even if you would have been 233 00:10:43,000 --> 00:10:44,880 Speaker 1: planning way ahead lunch. What are you trying to say? 234 00:10:45,360 --> 00:10:47,600 Speaker 1: His hands are shaking. I'm gonna tell you this is 235 00:10:47,600 --> 00:10:50,199 Speaker 1: what you do. You don't do anything. You make reservations 236 00:10:50,200 --> 00:10:53,120 Speaker 1: for the fifteenth, and you have it all set up, 237 00:10:53,120 --> 00:10:55,240 Speaker 1: and that way she thinks you forgot Valentine's Day, and 238 00:10:55,240 --> 00:10:58,640 Speaker 1: then you go, boom, gotcha, surprise you the day after. 239 00:10:58,920 --> 00:11:02,200 Speaker 1: Not only that, you saved the roses will be seventy 240 00:11:02,240 --> 00:11:04,719 Speaker 1: five percent off, so you're gonna save money. You can 241 00:11:04,760 --> 00:11:06,839 Speaker 1: pick any restaurant you want, and guess what, They're not 242 00:11:06,840 --> 00:11:08,720 Speaker 1: gonna have a set menu, so then you're gonna have 243 00:11:08,800 --> 00:11:12,080 Speaker 1: a cheaper menu. Everything is there for the taking. You say, 244 00:11:12,080 --> 00:11:14,240 Speaker 1: oh Valentine's Day, you think i'd forget about you, babe? 245 00:11:14,240 --> 00:11:15,920 Speaker 1: I wanted you to be mad so I could surprise 246 00:11:15,960 --> 00:11:18,760 Speaker 1: you the day after. Boom. Make her mad first, Yeah, 247 00:11:18,800 --> 00:11:21,079 Speaker 1: but I don't understand the gain of it. You're making 248 00:11:21,120 --> 00:11:22,840 Speaker 1: her mad, and you have to deal with it only 249 00:11:22,880 --> 00:11:26,920 Speaker 1: to make her back even Ma, she won't think it's 250 00:11:26,920 --> 00:11:28,800 Speaker 1: not practical, So you're right. You do save money, but 251 00:11:28,800 --> 00:11:31,280 Speaker 1: it's not a practical holiday. That's a good move. If 252 00:11:31,320 --> 00:11:34,840 Speaker 1: you actually forget that exactly, do it ahead and not 253 00:11:34,920 --> 00:11:37,400 Speaker 1: do it ahead of time, that's pointless. Yeah, why would 254 00:11:37,400 --> 00:11:39,240 Speaker 1: you make her mad just to make her happy to 255 00:11:39,240 --> 00:11:41,240 Speaker 1: get her back to even I don't call me mister 256 00:11:41,400 --> 00:11:43,800 Speaker 1: romance for nothing. They don't call you that. You're right, 257 00:11:44,080 --> 00:11:48,160 Speaker 1: all right, buddy, good luck Valentine's Days. Awesome. It's aso stupid, right, 258 00:11:48,360 --> 00:11:51,200 Speaker 1: so stupid, so stupid. It's also awesome if you want 259 00:11:51,200 --> 00:11:53,280 Speaker 1: it to be. It's also stupid, not awesome. It's not 260 00:11:53,320 --> 00:11:56,120 Speaker 1: awesome period. There's nothing awesome about it. We haven't heard 261 00:11:56,120 --> 00:11:58,840 Speaker 1: about your reservation scheme. You didn't do it this year, man, 262 00:11:58,920 --> 00:12:01,880 Speaker 1: business one popin, no one. No one was hitting me 263 00:12:01,960 --> 00:12:03,920 Speaker 1: up when you started the email. I looked back at 264 00:12:03,960 --> 00:12:05,560 Speaker 1: him because I'm like, oh, maybe lump box has one 265 00:12:05,600 --> 00:12:07,880 Speaker 1: to sell. That's the mailbag. Thank you, close it up. 266 00:12:08,120 --> 00:12:18,520 Speaker 1: We've got your be What happened? Well, I just have 267 00:12:18,600 --> 00:12:21,520 Speaker 1: a reminder for people, if you're overwhelmed by something you've 268 00:12:21,520 --> 00:12:24,280 Speaker 1: got something going on, Like, don't stuff it down because 269 00:12:24,320 --> 00:12:26,400 Speaker 1: if you do, you might end up crying on the 270 00:12:26,480 --> 00:12:29,680 Speaker 1: dairy aisle at the grocery store. That sounds very specific 271 00:12:30,559 --> 00:12:34,600 Speaker 1: because that's what happened to me. Okay, but at the stage, 272 00:12:34,600 --> 00:12:39,400 Speaker 1: what when was this yesterday? That grocery store, getting a 273 00:12:39,440 --> 00:12:43,440 Speaker 1: few things. You're already in emotional Do you know you're emotional? No? 274 00:12:44,120 --> 00:12:47,600 Speaker 1: I think it's we're getting close to that time. But 275 00:12:47,840 --> 00:12:50,680 Speaker 1: so I know that maybe I get to blame it 276 00:12:50,720 --> 00:12:52,960 Speaker 1: on that if I start. That's always a girl's hope. 277 00:12:53,080 --> 00:12:55,199 Speaker 1: It's like when you're acting crazy and then you start 278 00:12:55,240 --> 00:12:58,199 Speaker 1: the next day you're like, WHOA not crazy? Okay, you're 279 00:12:58,200 --> 00:13:01,440 Speaker 1: like in retrospect, yes, yes, it's like affirmation that you're 280 00:13:01,480 --> 00:13:04,360 Speaker 1: not crazy. So I feel like that ties into this 281 00:13:04,400 --> 00:13:07,680 Speaker 1: as well. But I was getting sour cream and I 282 00:13:07,760 --> 00:13:12,240 Speaker 1: dropped it and it didn't just it'splattered everywhere, like it popped, 283 00:13:12,240 --> 00:13:15,240 Speaker 1: the lit off popped, the thing popped, and so then 284 00:13:15,240 --> 00:13:17,000 Speaker 1: I had to go get someone to clean it up 285 00:13:17,400 --> 00:13:19,360 Speaker 1: or help, and it just was this whole thing and 286 00:13:19,400 --> 00:13:23,320 Speaker 1: it just overwhelmed me and I just started crying. But 287 00:13:23,400 --> 00:13:26,280 Speaker 1: I know it wasn't over the sour cream. I went. 288 00:13:26,360 --> 00:13:28,120 Speaker 1: Once I got home and I really thought about it, 289 00:13:28,120 --> 00:13:30,640 Speaker 1: I was like, Okay, I know what this really is 290 00:13:30,679 --> 00:13:33,439 Speaker 1: and I'm going to work through it. But also if 291 00:13:33,480 --> 00:13:35,560 Speaker 1: I start soon, i'll know that's what it was too 292 00:13:35,640 --> 00:13:41,360 Speaker 1: in retrospect. Yeah, yeah, so okay, Well, humor my questions here. 293 00:13:42,559 --> 00:13:45,080 Speaker 1: Did you cry as soon as the sour cream popped 294 00:13:45,160 --> 00:13:46,959 Speaker 1: or as you were going to get somebody, or as 295 00:13:46,960 --> 00:13:49,079 Speaker 1: they were cleaning or what? When did it hit you emotionally? 296 00:13:49,360 --> 00:13:51,000 Speaker 1: And I had to go get somebody and they came 297 00:13:51,080 --> 00:13:52,960 Speaker 1: and we were cleaning it up, so as you were 298 00:13:52,960 --> 00:13:55,760 Speaker 1: cleaning it with them, Yeah, but they didn't I don't 299 00:13:55,800 --> 00:13:57,880 Speaker 1: did they know you were Was it a guy? Was 300 00:13:57,920 --> 00:14:00,160 Speaker 1: a guy? Yeah? He was like, what is going on? No, 301 00:14:00,200 --> 00:14:02,240 Speaker 1: it's like a teenager. He was like, what is it 302 00:14:02,280 --> 00:14:06,520 Speaker 1: going on? And what version of a cry was it? 303 00:14:06,520 --> 00:14:09,679 Speaker 1: It wasn't bad. It wasn't bad. Couldn't the kid tell 304 00:14:09,720 --> 00:14:12,400 Speaker 1: you were crying? I don't think so, I hope not. 305 00:14:12,840 --> 00:14:14,840 Speaker 1: But did you buy the groceries when you left you 306 00:14:14,840 --> 00:14:16,360 Speaker 1: already had or did you get some sour cream? Or 307 00:14:16,360 --> 00:14:18,400 Speaker 1: did you just run out of there? No? I paid 308 00:14:18,440 --> 00:14:20,200 Speaker 1: for my groceries when I got in my car, Like 309 00:14:20,240 --> 00:14:22,400 Speaker 1: I definitely got it out a little bit more. And 310 00:14:22,560 --> 00:14:25,160 Speaker 1: like I said, when I got home, I processed. I try. 311 00:14:25,200 --> 00:14:27,720 Speaker 1: I trying to really pay attention to stuff and be 312 00:14:27,760 --> 00:14:31,120 Speaker 1: in tune with what's happening. And I'm like, oh, this 313 00:14:31,200 --> 00:14:34,000 Speaker 1: is something I've not I didn't realize how overwhelmed I 314 00:14:34,080 --> 00:14:38,000 Speaker 1: was by this situation. And now I'm gonna breathe through 315 00:14:38,040 --> 00:14:41,120 Speaker 1: it a little bit, maybe journal, and then see what happens. 316 00:14:41,320 --> 00:14:44,120 Speaker 1: Sour cream does pop like when the thing hits Oh yeah, 317 00:14:44,280 --> 00:14:47,120 Speaker 1: yeah yeah everywhere. Yeah, So I'm gonna cry just because 318 00:14:47,160 --> 00:14:48,800 Speaker 1: of that or just run out of there. So I 319 00:14:48,840 --> 00:14:51,080 Speaker 1: do commend you for and then thanks for sharing. Hey, 320 00:14:51,120 --> 00:14:54,000 Speaker 1: thanks for being vulnerable. This is a safe space sometimes 321 00:14:54,360 --> 00:14:56,320 Speaker 1: sometimes hardly. Ever, I'll be honest with you, it never 322 00:14:56,360 --> 00:14:58,480 Speaker 1: feels that safe. It never What do we learn from 323 00:14:58,520 --> 00:15:00,040 Speaker 1: this though? What are you saying to our audience? It 324 00:15:00,480 --> 00:15:04,440 Speaker 1: doesn't serve us to stuff anything down or to numb 325 00:15:04,520 --> 00:15:07,760 Speaker 1: out in any way, because it's just gonna come. It's 326 00:15:07,760 --> 00:15:11,080 Speaker 1: gonna come up. You never know when, but it's gonna 327 00:15:11,120 --> 00:15:13,120 Speaker 1: pop up. So do yourself a favor. I don't know 328 00:15:13,120 --> 00:15:14,720 Speaker 1: what I'll you'll be in when it does happen. Yeah, 329 00:15:14,760 --> 00:15:16,880 Speaker 1: and try to work through it as best as you can. 330 00:15:17,040 --> 00:15:18,560 Speaker 1: You know, some little stone or fifteen year old went 331 00:15:18,600 --> 00:15:23,520 Speaker 1: to his friends like this old lady fifteen or sixteen 332 00:15:23,600 --> 00:15:25,880 Speaker 1: year old. I don't think so. Twenty five year old 333 00:15:25,880 --> 00:15:28,680 Speaker 1: was an old lady to a fifteen or sixteen year sorry, Amy, Yeah, 334 00:15:28,800 --> 00:15:30,040 Speaker 1: you know he went back to it. He's like, you 335 00:15:30,040 --> 00:15:36,640 Speaker 1: guys are gonna believe this. It's time for the good news. 336 00:15:38,200 --> 00:15:41,400 Speaker 1: Like I love this story. Also, it's it's a sad 337 00:15:41,440 --> 00:15:44,520 Speaker 1: story at the beginning because there's a dog named Ghost. 338 00:15:44,760 --> 00:15:48,840 Speaker 1: It's an all white dog. It looks like it's kind 339 00:15:48,880 --> 00:15:50,840 Speaker 1: of a mutt like. It's just a bunch of different 340 00:15:50,920 --> 00:15:53,920 Speaker 1: kinds of dogs, a little husky type thing. But again, 341 00:15:54,640 --> 00:15:57,080 Speaker 1: the owners left it in the desert, just drove off, 342 00:15:57,960 --> 00:16:00,800 Speaker 1: so it was a puppy. When it happened, some coyotes 343 00:16:00,840 --> 00:16:05,200 Speaker 1: came upon at coyotes wherever you're from. They didn't kill him. 344 00:16:05,920 --> 00:16:08,600 Speaker 1: He started to run with them. They took him in. 345 00:16:10,760 --> 00:16:13,960 Speaker 1: So what happened, though, is someone saw the group together 346 00:16:14,280 --> 00:16:16,320 Speaker 1: and there's this white dog with a bunch of coyotes 347 00:16:17,200 --> 00:16:20,120 Speaker 1: and Ghost is getting a little bit older, and nobody 348 00:16:20,200 --> 00:16:22,680 Speaker 1: was hurt. They weren't threatening ghosts. As a matter of fact, 349 00:16:22,680 --> 00:16:24,520 Speaker 1: they would record Ghost and he was leading them at times, 350 00:16:24,520 --> 00:16:27,080 Speaker 1: like he was the leader of the back. And so 351 00:16:28,000 --> 00:16:30,800 Speaker 1: they were like, we have to make sure because eventually 352 00:16:30,840 --> 00:16:33,520 Speaker 1: these coyotes are going to turn on his dog. So 353 00:16:33,560 --> 00:16:38,400 Speaker 1: they rescue ghosts. They put crates out, Ghost goes in. 354 00:16:38,440 --> 00:16:41,000 Speaker 1: They have them, and now they're working with ghosts to 355 00:16:41,120 --> 00:16:44,480 Speaker 1: kind of make him normal so he can be adopted 356 00:16:44,480 --> 00:16:47,680 Speaker 1: by people. I wonder ghosts like howls, like a coyote. 357 00:16:47,760 --> 00:16:51,720 Speaker 1: Now Ghost harbors no resentment toward humans despite being left 358 00:16:51,720 --> 00:16:53,680 Speaker 1: for dead in the desert Okay. He's ready to stop 359 00:16:53,760 --> 00:16:55,560 Speaker 1: roaming and find a family who loves them and a 360 00:16:55,680 --> 00:16:59,120 Speaker 1: forever home. Here is Susan McMullan of the Southern Nevada 361 00:16:59,160 --> 00:17:01,240 Speaker 1: Trapping Team talking about rescuing Ghost and putting him on 362 00:17:01,280 --> 00:17:03,360 Speaker 1: the path to adoption. It seems like he might have 363 00:17:03,400 --> 00:17:06,240 Speaker 1: been put out there between seven and eight months somehow 364 00:17:06,359 --> 00:17:09,439 Speaker 1: or another. The coyotes just accepted him. He was actually 365 00:17:09,480 --> 00:17:11,880 Speaker 1: just running with them and eating with them. But then 366 00:17:11,920 --> 00:17:14,760 Speaker 1: he started to limp, and we were afraid limping that 367 00:17:14,840 --> 00:17:17,280 Speaker 1: the coyotes could turn on him. When he got into 368 00:17:17,320 --> 00:17:19,639 Speaker 1: that crate, he just sat down. I think he was 369 00:17:19,680 --> 00:17:23,840 Speaker 1: also relieved. It's just that adrenaline and excitement and relief. 370 00:17:24,040 --> 00:17:25,800 Speaker 1: It was just a relief to get him out of there. 371 00:17:26,359 --> 00:17:29,200 Speaker 1: Saved him. It's crazy story. It is an amazing story. 372 00:17:29,200 --> 00:17:31,879 Speaker 1: He kind of looks like if Spots McKenzie kind of 373 00:17:31,880 --> 00:17:35,359 Speaker 1: had a little huskyish like the pip. I don't know 374 00:17:35,400 --> 00:17:37,159 Speaker 1: it's but they saved him and it's awesome. I love 375 00:17:37,200 --> 00:17:39,520 Speaker 1: a good dog story. That is what it's all about. 376 00:17:40,200 --> 00:17:43,960 Speaker 1: That was tell me something good. So Bobby Bones Show Interviews. 377 00:17:44,320 --> 00:17:48,560 Speaker 1: In case you didn't know, her name is Madelin Edwards 378 00:17:48,560 --> 00:17:53,840 Speaker 1: from Texas, from California. She's toured with Chris Stapleton. There's 379 00:17:53,880 --> 00:17:56,720 Speaker 1: so much soul, so much soul, so much country, so 380 00:17:56,840 --> 00:17:58,960 Speaker 1: much given a little jazz singing. Like when I say that, 381 00:17:58,960 --> 00:18:02,280 Speaker 1: I mean like Ella Fitzgerald. And so this is story 382 00:18:02,359 --> 00:18:05,560 Speaker 1: somebody who started working really young, playing in a restaurant. 383 00:18:05,600 --> 00:18:07,800 Speaker 1: We'll get to that for years and years and years. 384 00:18:07,800 --> 00:18:09,720 Speaker 1: And now she's in here. She's got a piano and 385 00:18:09,760 --> 00:18:11,879 Speaker 1: she's gonna crush it. She has this song called the 386 00:18:11,920 --> 00:18:18,320 Speaker 1: Wolves and an album called Crash Landed that came out 387 00:18:18,359 --> 00:18:20,399 Speaker 1: at the end of last year, and here she is 388 00:18:20,880 --> 00:18:27,000 Speaker 1: Madeline Edwards on The Bobby Bones Show. Now, Madeleine, you know, 389 00:18:27,080 --> 00:18:28,800 Speaker 1: I was telling these guys about your story a little 390 00:18:28,800 --> 00:18:32,919 Speaker 1: bit because I'm a massive fan. Obviously I'm stalker. You 391 00:18:32,920 --> 00:18:35,359 Speaker 1: know it's true. I know, yeah, it's true. And I 392 00:18:35,400 --> 00:18:37,600 Speaker 1: was telling them how maybe you can help me for 393 00:18:37,640 --> 00:18:39,840 Speaker 1: a second. Who did you meet that let you play 394 00:18:39,840 --> 00:18:42,280 Speaker 1: at their restaurants? Who did I meet? Yeah? Because you 395 00:18:42,320 --> 00:18:44,560 Speaker 1: were playing at a bunch of restaurants right, like like yes. 396 00:18:44,800 --> 00:18:47,879 Speaker 1: My employer at the time technically was Tilman for Tita, 397 00:18:48,160 --> 00:18:51,800 Speaker 1: who is who is the billion dollar buyer, So he 398 00:18:51,840 --> 00:18:54,439 Speaker 1: owns a lot of stuff in Houston, so he he 399 00:18:54,520 --> 00:18:56,320 Speaker 1: just saw her. It's like, knew she was really good. 400 00:18:56,359 --> 00:18:59,320 Speaker 1: So she was like that she played restaurants like to 401 00:18:59,359 --> 00:19:02,600 Speaker 1: cut her teeth. Yeah, hours and hours and hours and hours, 402 00:19:02,800 --> 00:19:06,800 Speaker 1: like way over ten thousand hours, and so it's just 403 00:19:06,880 --> 00:19:08,879 Speaker 1: somebody going here, you're really good. And then she just 404 00:19:08,880 --> 00:19:11,639 Speaker 1: put in the time and played. When people would come 405 00:19:11,720 --> 00:19:13,680 Speaker 1: up to you, would you have a fish bowl? Yes? 406 00:19:13,800 --> 00:19:16,720 Speaker 1: I had a fish bowl, And honestly it was really 407 00:19:16,760 --> 00:19:18,880 Speaker 1: really fun because they would have me learn a song 408 00:19:18,920 --> 00:19:20,480 Speaker 1: on the spot, and if I could learn it on 409 00:19:20,560 --> 00:19:22,520 Speaker 1: the spot, they'd like throw in hundreds and stuff. So 410 00:19:22,560 --> 00:19:24,960 Speaker 1: that's how I paid through college. So there she is, 411 00:19:25,000 --> 00:19:27,760 Speaker 1: hustling her whole way through college playing restaurants. That's a 412 00:19:27,800 --> 00:19:30,160 Speaker 1: story I really wanted to share here, is that, like 413 00:19:30,240 --> 00:19:32,560 Speaker 1: you really had. It's like the I'm gonna prayed to 414 00:19:32,600 --> 00:19:35,439 Speaker 1: the Beatles. He cool with that. So the Beatles. They 415 00:19:35,440 --> 00:19:37,200 Speaker 1: would play these clubs in Germany for like eight hours 416 00:19:37,240 --> 00:19:38,720 Speaker 1: a night and play the same over and over again, 417 00:19:38,760 --> 00:19:40,199 Speaker 1: these songs over and over and over and over and 418 00:19:40,200 --> 00:19:42,800 Speaker 1: over until they were just in it. And then when 419 00:19:42,800 --> 00:19:44,720 Speaker 1: when I heard Madaline like actually sing the first time, 420 00:19:44,720 --> 00:19:47,960 Speaker 1: I was like, dang, she's so good. Your voice is 421 00:19:48,000 --> 00:19:52,400 Speaker 1: so good. You definitely it's like country music, and there's 422 00:19:52,440 --> 00:19:54,439 Speaker 1: also like a jazz influence. I don't even know what 423 00:19:54,480 --> 00:19:56,520 Speaker 1: that meant until you taught me. I just thought it 424 00:19:56,560 --> 00:19:59,800 Speaker 1: was just good. Well, thanks, I appreciate that. I'm a 425 00:20:00,080 --> 00:20:02,919 Speaker 1: end of yours, all of y'all's too. I'm really thankful 426 00:20:02,960 --> 00:20:04,879 Speaker 1: that you don't who the least though, of all of us, 427 00:20:04,920 --> 00:20:06,320 Speaker 1: who You're not going to say would you be the 428 00:20:06,400 --> 00:20:08,399 Speaker 1: least fan, because it's gonna hurt your feelings if I 429 00:20:08,440 --> 00:20:11,400 Speaker 1: say who, Well, it's probably me so and that's Okay, Madeline. 430 00:20:11,640 --> 00:20:12,879 Speaker 1: So what I want to do is you have a 431 00:20:12,920 --> 00:20:14,240 Speaker 1: piano and I want our listeners to hear you, and 432 00:20:14,240 --> 00:20:16,480 Speaker 1: then I want to talk to you. But and I 433 00:20:16,480 --> 00:20:18,160 Speaker 1: do want to talk to you about the grand Ole Opry. 434 00:20:18,160 --> 00:20:20,680 Speaker 1: You have so many questions, but this is Madeline Edwards. 435 00:20:20,920 --> 00:20:22,600 Speaker 1: What are you going to play for us? First? Because 436 00:20:22,600 --> 00:20:24,360 Speaker 1: I was just told you have two songs ready, which 437 00:20:24,359 --> 00:20:26,399 Speaker 1: I didn't know which. I didn't know that either. I 438 00:20:26,440 --> 00:20:28,320 Speaker 1: think I'm playing two songs. Well, there we go, there 439 00:20:28,359 --> 00:20:29,840 Speaker 1: we go. If they said he had eight, I'd be like, 440 00:20:29,840 --> 00:20:32,000 Speaker 1: well we're gonna be here for a while. Everybody, bucklele in. 441 00:20:32,680 --> 00:20:34,920 Speaker 1: What are you gonna play? Madeline? Um, I'm first gonna 442 00:20:34,920 --> 00:20:38,359 Speaker 1: play the Wolves. Okay, here is Madeleine Edwards. Brace yourselves, 443 00:20:38,359 --> 00:20:42,640 Speaker 1: everybody for the Wolves. You did some shows with Chris Stapleton, 444 00:20:43,040 --> 00:20:44,840 Speaker 1: and if I would have gone to that show, I 445 00:20:44,840 --> 00:20:46,919 Speaker 1: would have had like a nose injury and like a 446 00:20:46,960 --> 00:20:49,080 Speaker 1: lip injury because when you play, when Chris plays, I 447 00:20:49,080 --> 00:20:51,159 Speaker 1: get stink face like this, and I'm like, I'm feeling 448 00:20:51,160 --> 00:20:54,840 Speaker 1: it liked because I just feeling it so much. Chase 449 00:20:55,000 --> 00:20:57,400 Speaker 1: is the best compliment you can give it. Yeah, And 450 00:20:57,680 --> 00:21:01,000 Speaker 1: I just imagine you and Stapleton, it'd be Austin face 451 00:21:01,040 --> 00:21:04,920 Speaker 1: all the time and l king. Yeah. She was also 452 00:21:05,000 --> 00:21:07,679 Speaker 1: on the road with What a Performance, Holy Moley. So 453 00:21:07,760 --> 00:21:09,760 Speaker 1: you grew up in California and Texas? What what do 454 00:21:09,800 --> 00:21:14,320 Speaker 1: you consider yourself a Californian or a Texan? I consider 455 00:21:14,359 --> 00:21:17,640 Speaker 1: myself Texan because that's kind of where I did most 456 00:21:17,640 --> 00:21:19,480 Speaker 1: of my growing up. I moved there, like right before 457 00:21:19,600 --> 00:21:21,639 Speaker 1: high school. So I feel like all the really hard 458 00:21:21,720 --> 00:21:24,920 Speaker 1: adult years came in Texas for sure. Do you guys 459 00:21:24,920 --> 00:21:27,200 Speaker 1: want to invite her back for another segment or just yeah, 460 00:21:27,840 --> 00:21:33,040 Speaker 1: it looks like you got to go Madeleine sorry on 461 00:21:33,080 --> 00:21:36,600 Speaker 1: the Bobby Bones Show. Now, when you play the Grand 462 00:21:36,600 --> 00:21:40,719 Speaker 1: ol Opry, Madeleine and finish, you know you play. I 463 00:21:40,720 --> 00:21:43,160 Speaker 1: imagine you play two songs your first time, JE two 464 00:21:43,359 --> 00:21:45,960 Speaker 1: I did. After you finish your second song and they 465 00:21:45,960 --> 00:21:47,760 Speaker 1: start to stand up and they give you a standing 466 00:21:47,760 --> 00:21:50,520 Speaker 1: ovation at the Grand ol Opry. Can you remember that 467 00:21:50,600 --> 00:21:52,640 Speaker 1: moment or is it just all Is it just all 468 00:21:52,640 --> 00:21:56,160 Speaker 1: fog at this point? No, I definitely remember it. Um 469 00:21:57,119 --> 00:21:59,320 Speaker 1: the year as a whole and everything that happened over 470 00:21:59,359 --> 00:22:01,439 Speaker 1: the year as a because it's just a lot that 471 00:22:01,520 --> 00:22:04,760 Speaker 1: happened in one year. But when I think about those instances, 472 00:22:05,000 --> 00:22:07,120 Speaker 1: and one of them being the opery and the first 473 00:22:07,119 --> 00:22:10,080 Speaker 1: time I played there. But you gotta say they stood up. 474 00:22:10,119 --> 00:22:14,160 Speaker 1: You gotta standing ola. Yeah, I mean I was really overwhelmed. Honestly. 475 00:22:14,200 --> 00:22:16,000 Speaker 1: My mom was in the crowd. I mean, my in 476 00:22:16,080 --> 00:22:19,440 Speaker 1: laws were there, my husband's grandpa was there, and so 477 00:22:20,000 --> 00:22:22,040 Speaker 1: it was kind of one of those feelings where I 478 00:22:22,720 --> 00:22:24,760 Speaker 1: think I'd get to live this moment that not many 479 00:22:24,760 --> 00:22:28,040 Speaker 1: people in the world get to experience. And it was 480 00:22:28,280 --> 00:22:31,040 Speaker 1: very humbling, for sure. And it's harder for some of 481 00:22:31,040 --> 00:22:32,600 Speaker 1: them at the operate even stand up at all, and 482 00:22:32,680 --> 00:22:36,600 Speaker 1: yet they stood for you. Oh gosh, that's right. No, 483 00:22:36,720 --> 00:22:38,600 Speaker 1: I'm just saying I have to play the opera sometimes too. 484 00:22:38,640 --> 00:22:40,000 Speaker 1: I love to play the o. I'm saying it's old. 485 00:22:40,000 --> 00:22:42,080 Speaker 1: It's an older crowd. Some of them are older, and 486 00:22:42,119 --> 00:22:44,280 Speaker 1: they stood up for you. That does mean a lot 487 00:22:44,359 --> 00:22:47,199 Speaker 1: because that demographic you always wonder, like, oh am I 488 00:22:47,240 --> 00:22:49,479 Speaker 1: too hip for this? Or are they gonna like it? 489 00:22:49,520 --> 00:22:51,960 Speaker 1: But the fact that they really liked it was really cool. 490 00:22:52,000 --> 00:22:53,840 Speaker 1: How's Nashville been for you? How long have you been here? 491 00:22:54,440 --> 00:22:57,560 Speaker 1: It'll be two years next week, so you're just a 492 00:22:57,560 --> 00:23:00,520 Speaker 1: baby in Nashville. Yeah, so how did you like? Is 493 00:23:00,560 --> 00:23:03,760 Speaker 1: it feel like home? Yet? It started to feel like 494 00:23:03,880 --> 00:23:07,760 Speaker 1: home for the first time this month. I think it 495 00:23:07,800 --> 00:23:10,400 Speaker 1: takes a while to find your corners, to find your community, 496 00:23:10,880 --> 00:23:13,600 Speaker 1: find the people that really care. And I feel like 497 00:23:13,640 --> 00:23:17,360 Speaker 1: we got really lucky in finding that early. So it's 498 00:23:17,359 --> 00:23:19,960 Speaker 1: starting to feel a little bit more like home. So, 499 00:23:20,320 --> 00:23:23,119 Speaker 1: I don't know, you started playing piano at what age four? 500 00:23:23,400 --> 00:23:25,360 Speaker 1: So when you're four years old? And maybe you could 501 00:23:25,359 --> 00:23:26,960 Speaker 1: just walk me through and hit some keys or something 502 00:23:27,000 --> 00:23:28,680 Speaker 1: when you're four, Like what does a four year old learn? 503 00:23:28,920 --> 00:23:30,840 Speaker 1: Or even if you had a four year old that said, Madeline, 504 00:23:30,880 --> 00:23:32,080 Speaker 1: can you teach me how to play piano? Like what 505 00:23:32,119 --> 00:23:34,280 Speaker 1: would would you teach them? Like a scale? A finger thing? 506 00:23:34,680 --> 00:23:36,760 Speaker 1: I mean you probably just teach them scales first start 507 00:23:36,800 --> 00:23:38,600 Speaker 1: at middle C and then go all the way up 508 00:23:39,840 --> 00:23:42,840 Speaker 1: and it for what do you understand about music? Four 509 00:23:42,880 --> 00:23:45,800 Speaker 1: or five, six, seven? Like you do? You? Did you 510 00:23:45,880 --> 00:23:48,399 Speaker 1: understand what the notes meant? At seven? Could you actually 511 00:23:48,480 --> 00:23:52,080 Speaker 1: play complicated things at seven years old? Yeah? Just in 512 00:23:52,119 --> 00:23:54,440 Speaker 1: that like that three years Yeah, at seven I was 513 00:23:54,480 --> 00:23:57,359 Speaker 1: playing like classical music. You are you crazy? Yeah? So 514 00:23:57,720 --> 00:23:59,760 Speaker 1: I was you know, I was trying to do concert 515 00:24:00,000 --> 00:24:02,320 Speaker 1: I know at that age, and you know, classical was 516 00:24:02,400 --> 00:24:04,119 Speaker 1: kind of what I started with, and jazz is what 517 00:24:04,160 --> 00:24:05,840 Speaker 1: I ended up doing when I was in middle school. 518 00:24:06,920 --> 00:24:09,760 Speaker 1: So how many hours a day were you practicing? I 519 00:24:09,840 --> 00:24:13,000 Speaker 1: actually did not like playing piano until I was fifteen 520 00:24:13,280 --> 00:24:15,040 Speaker 1: and found a reason to be like, oh, I can 521 00:24:15,040 --> 00:24:18,160 Speaker 1: write songs about how much boys suck and how much 522 00:24:18,160 --> 00:24:20,200 Speaker 1: I hate my parents right now. And then I got 523 00:24:20,200 --> 00:24:23,080 Speaker 1: into piano. But I was I was kicking and screaming 524 00:24:23,200 --> 00:24:25,040 Speaker 1: when I was playing it at four because I was like, 525 00:24:25,080 --> 00:24:27,879 Speaker 1: this isn't easy for me. It doesn't come naturally to me. 526 00:24:27,960 --> 00:24:30,320 Speaker 1: And my mom just kept me in it even if 527 00:24:30,359 --> 00:24:32,160 Speaker 1: I didn't like it. Do you remember the first song 528 00:24:32,200 --> 00:24:33,879 Speaker 1: you ever wrote that you were that you were like, 529 00:24:33,920 --> 00:24:36,800 Speaker 1: I completed this song. The first song I ever wrote 530 00:24:36,800 --> 00:24:39,040 Speaker 1: on piano was a song called All I Need And 531 00:24:39,080 --> 00:24:40,760 Speaker 1: I was ten years old when I wrote it, and 532 00:24:40,760 --> 00:24:43,120 Speaker 1: it was like jazz seventh and stuff like, yeah, we'll 533 00:24:43,119 --> 00:24:44,000 Speaker 1: take a lot of that. Here we go. This is 534 00:24:45,160 --> 00:24:46,320 Speaker 1: you want to give me a little bit of the 535 00:24:46,320 --> 00:24:47,880 Speaker 1: first time you ever wrote it ten years old, Let's 536 00:24:47,880 --> 00:24:54,800 Speaker 1: see what we got. You can remember it and nal 537 00:24:54,880 --> 00:24:58,840 Speaker 1: I need to say, and noll I need to do? 538 00:24:59,520 --> 00:25:06,840 Speaker 1: Is me? Who are you wanting to be with? I 539 00:25:06,880 --> 00:25:10,080 Speaker 1: was wanting to be like Eda James when I was ten. 540 00:25:10,200 --> 00:25:13,160 Speaker 1: I was like, this is the goal. I was just thinking, 541 00:25:13,160 --> 00:25:14,800 Speaker 1: how did she do that at ten? That's amazing. I 542 00:25:14,800 --> 00:25:18,399 Speaker 1: took piano lessons at like twenty eight. Couldn't even do 543 00:25:18,440 --> 00:25:21,280 Speaker 1: that like months to a kind of my house. You granted, 544 00:25:21,359 --> 00:25:23,520 Speaker 1: I have tried to play guitar for about ten years 545 00:25:23,560 --> 00:25:25,520 Speaker 1: and I can't do it. That's one instrument I just 546 00:25:25,560 --> 00:25:28,119 Speaker 1: for some reason cannot pick up. So you when do 547 00:25:28,160 --> 00:25:30,160 Speaker 1: you decide you want to do music or at least 548 00:25:30,200 --> 00:25:33,960 Speaker 1: pursue music professionally, because that's a whole different choice, meaning 549 00:25:34,200 --> 00:25:36,040 Speaker 1: you're not just playing piano now you're actually gonna go 550 00:25:36,080 --> 00:25:38,840 Speaker 1: and try that against people. Yeah, So going back to 551 00:25:38,880 --> 00:25:40,760 Speaker 1: the Tilman for Tita stuff. When I started playing in 552 00:25:40,840 --> 00:25:44,520 Speaker 1: jazz bars and clubs and stuff, I was fourteen, and 553 00:25:45,200 --> 00:25:47,159 Speaker 1: you know, I was helping my family keep the lights on. 554 00:25:47,200 --> 00:25:49,400 Speaker 1: I come from a really big family and we grew 555 00:25:49,440 --> 00:25:53,560 Speaker 1: up in a poor situation. So I think once I realized, oh, 556 00:25:53,560 --> 00:25:56,159 Speaker 1: you can make money doing this, that's when I was like, 557 00:25:56,240 --> 00:25:57,760 Speaker 1: I think I could do this. For the rest of 558 00:25:57,800 --> 00:25:59,760 Speaker 1: my life. But it was something that I went into 559 00:26:00,080 --> 00:26:03,399 Speaker 1: help my family. Um, but granted I wanted to do 560 00:26:03,440 --> 00:26:05,080 Speaker 1: that for the rest of my life anyway. So I 561 00:26:05,119 --> 00:26:08,160 Speaker 1: think I was just trying to formulize a plan on 562 00:26:08,200 --> 00:26:10,400 Speaker 1: how I could do this and make a living doing it. 563 00:26:10,480 --> 00:26:13,480 Speaker 1: And yeah, Madeline Edwards is here. I'm a big fan 564 00:26:13,520 --> 00:26:15,879 Speaker 1: of her. She's gonna play with Eddie and I at 565 00:26:15,880 --> 00:26:18,479 Speaker 1: the million dollars show at the Rhyman. Can't wait. Which 566 00:26:19,000 --> 00:26:20,879 Speaker 1: have you played there? She already knows. It's not a surprise. 567 00:26:21,080 --> 00:26:23,240 Speaker 1: I called her and I was like, Hey, will you 568 00:26:23,240 --> 00:26:25,879 Speaker 1: do this? You haven't played the Rhyman yet. No, Oh, 569 00:26:25,960 --> 00:26:29,080 Speaker 1: that's awesome. I can't wait for people to see you perform. 570 00:26:29,160 --> 00:26:31,280 Speaker 1: Lying yallar in for a treat. We have some really 571 00:26:31,280 --> 00:26:33,280 Speaker 1: good songs lined up. I won't say what, but what 572 00:26:33,280 --> 00:26:35,600 Speaker 1: if you said the opposite? What if she came goes? Guys, 573 00:26:35,760 --> 00:26:39,639 Speaker 1: we've really planned our worst stuff for you. Whenever you're playing, 574 00:26:39,840 --> 00:26:42,720 Speaker 1: and again, you're playing all these hours. You're helping, you know, 575 00:26:42,800 --> 00:26:46,480 Speaker 1: make money, so you guys can eat um, but you're playing, 576 00:26:46,720 --> 00:26:50,080 Speaker 1: obviously cover songs at a restaurant as a fourteen fifteen 577 00:26:50,080 --> 00:26:51,600 Speaker 1: sixteen year old. Were there any songs that you played 578 00:26:51,680 --> 00:26:53,280 Speaker 1: where adults just thought it was so funny a kid 579 00:26:53,359 --> 00:26:57,639 Speaker 1: was playing this song? Yeah, I mean at last BAYEDA. James. 580 00:26:57,800 --> 00:27:01,240 Speaker 1: I remember playing Tennessee Whiskey at times, and when I 581 00:27:01,320 --> 00:27:03,680 Speaker 1: was fourteen, my voice was as deep as it is now, 582 00:27:03,760 --> 00:27:06,720 Speaker 1: So imagine this voice coming out of a fourteen year old. 583 00:27:06,720 --> 00:27:09,040 Speaker 1: It's never changed. My voice has always kind of stayed 584 00:27:09,040 --> 00:27:11,800 Speaker 1: the same. So that was more The shocker to people 585 00:27:11,920 --> 00:27:14,119 Speaker 1: is that a voice like this was coming out of 586 00:27:14,160 --> 00:27:17,159 Speaker 1: a fourteen year old. And obviously I've like tuned it 587 00:27:17,160 --> 00:27:20,320 Speaker 1: and you know, shaped it over time. But yeah, I 588 00:27:20,359 --> 00:27:22,840 Speaker 1: think that was the shock value. When I was working 589 00:27:22,920 --> 00:27:24,920 Speaker 1: on American Idol, had it worked there for four years, 590 00:27:24,960 --> 00:27:26,639 Speaker 1: people would always sing it last. It was like the 591 00:27:26,640 --> 00:27:27,879 Speaker 1: song they wanted to audition with it. I was like, 592 00:27:27,880 --> 00:27:30,400 Speaker 1: please stop singing this song. Please stop singing the song 593 00:27:30,560 --> 00:27:32,520 Speaker 1: because everybody does it all the time. But what then 594 00:27:33,400 --> 00:27:36,360 Speaker 1: when somebody does it right, you're reminded it just how 595 00:27:36,480 --> 00:27:39,600 Speaker 1: right she was and that song is for sure? Do 596 00:27:39,640 --> 00:27:42,320 Speaker 1: you still perform that? I do? Do you? Can you 597 00:27:42,320 --> 00:27:43,800 Speaker 1: give us a little bit because we haven't talked. I 598 00:27:43,840 --> 00:27:47,840 Speaker 1: didn't ask for this, do do you know. If not, 599 00:27:47,960 --> 00:28:00,320 Speaker 1: we can move on. I mean, just give me my 600 00:28:00,560 --> 00:28:14,640 Speaker 1: loves come along and my lonely days over and laugh 601 00:28:14,880 --> 00:28:19,560 Speaker 1: is lack a song? I would put everybody on the spot. 602 00:28:20,440 --> 00:28:24,119 Speaker 1: Yeah good. I wish I had a billion dollars so 603 00:28:24,119 --> 00:28:25,680 Speaker 1: I could have a restaurant and make you play there 604 00:28:25,920 --> 00:28:27,560 Speaker 1: like that's all. My goal is now to have a 605 00:28:27,560 --> 00:28:29,760 Speaker 1: billion dollars to buy restaurant so I can hire Madeline 606 00:28:29,760 --> 00:28:32,159 Speaker 1: to play there the whole time. Oh man, so are you? 607 00:28:32,160 --> 00:28:33,840 Speaker 1: Are you dream? Are you on the road a bunch? 608 00:28:34,160 --> 00:28:36,360 Speaker 1: You feel like I'm about to be. I'm going out 609 00:28:36,400 --> 00:28:39,080 Speaker 1: on the road with Ingridy Andrews actually starting in two 610 00:28:39,080 --> 00:28:42,280 Speaker 1: weeks um, and then we're doing a whole festival season, 611 00:28:42,360 --> 00:28:44,440 Speaker 1: so I'm playing a whole bunch of festivals that I've 612 00:28:44,480 --> 00:28:48,480 Speaker 1: never played before, like Stagecoach and Watershed and yeah, I 613 00:28:48,480 --> 00:28:50,719 Speaker 1: don't know what other ones I'm supposed to announce, but 614 00:28:51,960 --> 00:28:54,400 Speaker 1: see to see you, guys, go to Madeline Edwards music 615 00:28:54,440 --> 00:28:56,160 Speaker 1: dot com to see all the dates, or go go 616 00:28:56,240 --> 00:28:59,960 Speaker 1: to our socials. M will you play another one of yourself? 617 00:29:00,440 --> 00:29:02,280 Speaker 1: Of course? Which one would you like to play? I 618 00:29:02,280 --> 00:29:04,840 Speaker 1: would love to play hold my horses? Okay, so you 619 00:29:04,840 --> 00:29:08,840 Speaker 1: guys follow making Madeleine on Instagram on all Over she's 620 00:29:08,880 --> 00:29:10,720 Speaker 1: doing the Million Dollars Show. I'm just a big fan 621 00:29:11,200 --> 00:29:14,880 Speaker 1: and her album came out into last year right November. 622 00:29:15,680 --> 00:29:18,200 Speaker 1: Um it's called crash Landed and here is Hold My 623 00:29:18,240 --> 00:29:23,360 Speaker 1: Horses from Madeline Edwards. Can I cheer now? Can I 624 00:29:23,440 --> 00:29:25,680 Speaker 1: cheer now? I don't know when to cheer? Can I 625 00:29:25,760 --> 00:29:29,760 Speaker 1: cheer now? Yeah? I don't know. I don't know. I 626 00:29:29,760 --> 00:29:31,040 Speaker 1: don't know when you're gonna go back and do it. 627 00:29:31,120 --> 00:29:33,160 Speaker 1: I'm like, I don't know. I want to cheer the hold. 628 00:29:33,160 --> 00:29:37,760 Speaker 1: So I'm like, Malen, you're awesome. I hope everybody that's 629 00:29:37,800 --> 00:29:39,760 Speaker 1: listening to this and maybe they're exposed to you for 630 00:29:39,760 --> 00:29:42,360 Speaker 1: the first time. I hope they check out crash Landed. 631 00:29:42,520 --> 00:29:44,480 Speaker 1: We've played so many of your songs on the Women 632 00:29:44,520 --> 00:29:48,000 Speaker 1: of Ira Country and on the Countdown, so we're just 633 00:29:48,080 --> 00:29:50,360 Speaker 1: big fans. Eddie and I are super excited you're gonna 634 00:29:50,360 --> 00:29:52,480 Speaker 1: play with us as the Million Dollars Show. So so 635 00:29:52,520 --> 00:29:56,160 Speaker 1: excited and it's just it's just beginning for you. It's crazy. 636 00:29:56,320 --> 00:29:58,400 Speaker 1: Thank you. You know. I'm a fan. I was told 637 00:29:58,400 --> 00:30:01,080 Speaker 1: by somebody and said, hey, you should get to know 638 00:30:01,120 --> 00:30:05,520 Speaker 1: Madeline and they were like, man, she's be careful. She's 639 00:30:05,520 --> 00:30:07,040 Speaker 1: like you. And I was like, what does that mean? 640 00:30:07,080 --> 00:30:08,120 Speaker 1: And then I met her. I was like, oh, I 641 00:30:08,120 --> 00:30:11,360 Speaker 1: get it. We're saying the same thing about Bobby too. 642 00:30:11,560 --> 00:30:13,960 Speaker 1: They were like, they were like, she'll come at you. 643 00:30:14,280 --> 00:30:16,080 Speaker 1: She'll come at you. I think that's why we get along. 644 00:30:16,120 --> 00:30:20,200 Speaker 1: I think that's why too at making Madeline. It's Madeline Edwards, Madeleine. 645 00:30:20,200 --> 00:30:25,360 Speaker 1: We'll see you soon. There she is everybody's Here's a 646 00:30:25,440 --> 00:30:28,440 Speaker 1: voicemail from Jackie and Anchorage, Alaska. I just wanted to 647 00:30:28,480 --> 00:30:31,040 Speaker 1: say that my son and I enjoy your show. I 648 00:30:31,160 --> 00:30:33,640 Speaker 1: take him to school every day and he loves things 649 00:30:33,680 --> 00:30:36,720 Speaker 1: you guys talk about. He giggles about some of the 650 00:30:36,840 --> 00:30:41,280 Speaker 1: things that Lunchbox says. Lunchbox is his favorite little hero. Anyway, 651 00:30:41,320 --> 00:30:43,160 Speaker 1: I just want to say thanks and good job, and 652 00:30:43,200 --> 00:30:46,200 Speaker 1: we love to listen to you from Alaska. Thank you. 653 00:30:46,320 --> 00:30:51,320 Speaker 1: I wish Alaska were closer because I would go. That's all. 654 00:30:51,400 --> 00:30:54,000 Speaker 1: I just it's so far I've never been. I want 655 00:30:54,000 --> 00:30:56,560 Speaker 1: to go. It's the it's the state I haven't been to, 656 00:30:57,840 --> 00:31:01,040 Speaker 1: or Maine. I'd love to go to both. I would 657 00:31:01,120 --> 00:31:03,160 Speaker 1: love to go to Alaska. It's just so far and 658 00:31:03,280 --> 00:31:06,400 Speaker 1: have a friend that lives there, Craig Morgan. But he 659 00:31:06,440 --> 00:31:10,160 Speaker 1: also Craig Morgan who sings That's what I love about Sundays. 660 00:31:10,520 --> 00:31:13,800 Speaker 1: He's like, hey, man, come out for two weeks. We'll 661 00:31:13,800 --> 00:31:15,320 Speaker 1: get up there. Get you up there, be easy, but 662 00:31:15,360 --> 00:31:17,480 Speaker 1: we gotta get on and like two miles from the property, 663 00:31:17,520 --> 00:31:19,239 Speaker 1: we gotta like leave our cars behind and hike through 664 00:31:19,240 --> 00:31:24,320 Speaker 1: the wood because there ain't no electricity. No, I'm just 665 00:31:24,840 --> 00:31:28,040 Speaker 1: I'm not. This is not bear grills. And I love Craig, 666 00:31:28,120 --> 00:31:33,000 Speaker 1: I dude solid, Like if you need somebody to pray 667 00:31:33,040 --> 00:31:36,200 Speaker 1: with you or fight somebody for you, like that's the guy. 668 00:31:36,440 --> 00:31:38,880 Speaker 1: But I want to go to Alaska where I can 669 00:31:38,880 --> 00:31:41,200 Speaker 1: just hang out. It's daytime all the time, like in 670 00:31:41,240 --> 00:31:44,520 Speaker 1: a hotel man a good WiFi. So thank you for 671 00:31:44,560 --> 00:31:47,600 Speaker 1: that call, and thank you everybody from Alaska who listens. 672 00:31:47,600 --> 00:31:49,960 Speaker 1: I'd also like to thank people from New Hampshire. They'll listen. 673 00:31:50,080 --> 00:31:53,280 Speaker 1: I still never met anybody that's actually from New Hampshire. 674 00:31:53,320 --> 00:31:55,200 Speaker 1: I say, I don't think they actually exist, and I'd 675 00:31:55,240 --> 00:31:58,320 Speaker 1: like to amend that because we have listeners. Suppose hey, 676 00:31:58,360 --> 00:32:00,960 Speaker 1: supposedly they're not bots. That's what they from New Hampshire 677 00:32:02,080 --> 00:32:05,440 Speaker 1: and either people from New Hampshire don't exist or they're 678 00:32:05,440 --> 00:32:08,000 Speaker 1: the nicest people ever, because usually you only know about 679 00:32:08,000 --> 00:32:12,840 Speaker 1: people when they're like making noise or being dramatic about something. 680 00:32:13,920 --> 00:32:15,480 Speaker 1: If somebody ever comes up to me on the streets, 681 00:32:15,480 --> 00:32:17,240 Speaker 1: it goes I was born and raised in New Hampshire. 682 00:32:18,600 --> 00:32:21,400 Speaker 1: I will come on the show. I will raise my 683 00:32:21,400 --> 00:32:22,959 Speaker 1: hand and say, you know what I was wrong? There 684 00:32:23,000 --> 00:32:25,320 Speaker 1: are people from New Hampshire. Okay. People thought there was 685 00:32:25,320 --> 00:32:26,880 Speaker 1: no one from Arkansas. I've met people in my life. 686 00:32:26,880 --> 00:32:28,440 Speaker 1: That's like, I never met a single person from Arkansas 687 00:32:28,480 --> 00:32:31,640 Speaker 1: until you, oh wow, we're real. I meant a lot 688 00:32:31,720 --> 00:32:34,520 Speaker 1: of people. But you live near it, That's true. You 689 00:32:34,920 --> 00:32:36,720 Speaker 1: literally live next door to You have your whole life 690 00:32:36,720 --> 00:32:40,520 Speaker 1: in the States. I'm an uncle lives there. Yes, yes, 691 00:32:45,720 --> 00:32:48,320 Speaker 1: you're Amy's pile of stories. I have a list of 692 00:32:48,320 --> 00:32:51,959 Speaker 1: foods that everyone is mispronouncing, or most everyone. Okay, just 693 00:32:52,000 --> 00:32:54,600 Speaker 1: say describe the food and let me see if I 694 00:32:54,600 --> 00:32:59,720 Speaker 1: can say it without knowing it. Okay, a meaty Peter sandwich. Okay, 695 00:32:59,760 --> 00:33:01,680 Speaker 1: that it is because I'll walk through the mall or 696 00:33:01,680 --> 00:33:04,200 Speaker 1: something and it'll go a gyro. But I think it's 697 00:33:04,200 --> 00:33:07,320 Speaker 1: called a Euro. Is that what that is? A guy ro? Yeah? 698 00:33:07,360 --> 00:33:10,000 Speaker 1: What is it? I honestly don't know how to say it, 699 00:33:10,040 --> 00:33:11,920 Speaker 1: so I'll be like let me. First of all, I 700 00:33:11,960 --> 00:33:13,240 Speaker 1: don't buy them, but if I did, I'd be like, 701 00:33:13,280 --> 00:33:17,280 Speaker 1: let me get you. I think that's it. It is euro. Yeah, 702 00:33:17,320 --> 00:33:19,840 Speaker 1: but I say every time I'm the same, I'm like guiro. 703 00:33:20,800 --> 00:33:23,280 Speaker 1: So it's a like European euro. There's no G euro 704 00:33:23,400 --> 00:33:25,280 Speaker 1: steps right, there's a G in the spelling, but no 705 00:33:25,400 --> 00:33:28,320 Speaker 1: G in the sound. Okay. I was only sixty five 706 00:33:28,360 --> 00:33:31,000 Speaker 1: percent sure that one? Okay, okay, next one little Italian 707 00:33:31,080 --> 00:33:34,240 Speaker 1: dumplings made with potatoes, and like, okay, I know this 708 00:33:34,400 --> 00:33:37,640 Speaker 1: because I've become a fan of them because my wife 709 00:33:37,680 --> 00:33:40,520 Speaker 1: loves them. And i'd be like, m I don't know 710 00:33:40,560 --> 00:33:46,800 Speaker 1: if I like gnachi? Oh yeah, that's right. I know that, 711 00:33:46,880 --> 00:33:49,720 Speaker 1: not because I am intelligent, but because my wife is intelligent, 712 00:33:49,920 --> 00:33:51,560 Speaker 1: because I would say, like, I don't know what's not 713 00:33:51,600 --> 00:33:55,600 Speaker 1: what's ganachi even made of? And what'd you say? I said, know, 714 00:33:55,640 --> 00:33:58,600 Speaker 1: what's gnacchi even made of? And she's like, no, it's gnocchi, 715 00:33:58,680 --> 00:34:02,640 Speaker 1: but yeah, it's a it's like a dough, right. I 716 00:34:02,680 --> 00:34:04,760 Speaker 1: don't really don't know what it is. It's it's a 717 00:34:04,760 --> 00:34:07,920 Speaker 1: potato gott it's so good with chicken. There's this place 718 00:34:07,960 --> 00:34:09,480 Speaker 1: here and telling that we go to? Where do we 719 00:34:09,520 --> 00:34:11,000 Speaker 1: go eat that time? Do you remember the name of 720 00:34:11,040 --> 00:34:14,480 Speaker 1: the place? No, be you your wife, Caitlin? It was dark? 721 00:34:15,520 --> 00:34:18,400 Speaker 1: Oh a restaurant, yes, I could be at. I don't know, 722 00:34:18,440 --> 00:34:20,040 Speaker 1: but they're a great okie. So take my word on it. 723 00:34:20,080 --> 00:34:23,800 Speaker 1: All right, go ahead a board with like meats and cheeses, 724 00:34:23,920 --> 00:34:29,680 Speaker 1: and never get this one right. Chartuteri charcouterie, I say, Shari, 725 00:34:29,920 --> 00:34:34,440 Speaker 1: I say charcouter Wait charcooterie. I say, oh my gosh, 726 00:34:34,440 --> 00:34:37,520 Speaker 1: boy euro, I just say it really fast. That's what 727 00:34:37,680 --> 00:34:40,799 Speaker 1: I do. Cheese board. Hey, so what's it called? It 728 00:34:40,920 --> 00:34:44,000 Speaker 1: is charcouterie. But I don't get that. If you were 729 00:34:44,040 --> 00:34:46,840 Speaker 1: to look at it, you might think it's char cut 730 00:34:46,880 --> 00:34:49,319 Speaker 1: to read, I would say, chart can I get the charcouterie? 731 00:34:49,719 --> 00:34:52,120 Speaker 1: And then my wife would say, char let me order, 732 00:34:52,440 --> 00:34:58,680 Speaker 1: oh a sock charcouter char? I say charcouterie like char broiled. Yeah, okay, 733 00:34:58,680 --> 00:35:01,200 Speaker 1: what else? And then the last one. I'm not going 734 00:35:01,280 --> 00:35:03,480 Speaker 1: to get this one right. But you know it's a 735 00:35:03,520 --> 00:35:07,120 Speaker 1: sauce you put it on things. I don't know. No, 736 00:35:07,360 --> 00:35:10,800 Speaker 1: I know the one that's really hard to say, Um, Worchester. 737 00:35:11,640 --> 00:35:15,560 Speaker 1: Oh that one word, the sauce is that it Amy? Worchester, Worchester. 738 00:35:16,040 --> 00:35:21,920 Speaker 1: I say Worcester, Worcester sauce. What is it? Worchester Worchester words? 739 00:35:22,160 --> 00:35:23,600 Speaker 1: Oh no, no, I don't even know what I mean. 740 00:35:23,719 --> 00:35:25,040 Speaker 1: W's a hard for me. But now you say a 741 00:35:25,040 --> 00:35:26,799 Speaker 1: word so many times it doesn't matter what the word is. 742 00:35:26,920 --> 00:35:31,920 Speaker 1: You're like goblin, goblin, Goblin, goblin. That's a weird word, goblin, 743 00:35:32,320 --> 00:35:35,440 Speaker 1: and then you start to got goblin. That's how Worchester. 744 00:35:35,560 --> 00:35:38,160 Speaker 1: How do you say it? Okay, two ways are acceptable. 745 00:35:38,320 --> 00:35:44,320 Speaker 1: Wors woos the sheer and woos the shaw. Now you 746 00:35:44,360 --> 00:35:48,560 Speaker 1: said it. I've never heard, but I say, Mike, dear, 747 00:35:48,640 --> 00:35:50,719 Speaker 1: please tell us how to say this one worse the 748 00:35:50,760 --> 00:35:53,640 Speaker 1: shar Worcester shore, Worster shore. What about what? Amy's that? 749 00:35:53,680 --> 00:35:56,520 Speaker 1: Wos the shoe? It's wolf, it says your wolf? What 750 00:35:56,560 --> 00:36:00,560 Speaker 1: the crap? Hey? What about the one? The one at you? Amy? 751 00:36:00,600 --> 00:36:01,800 Speaker 1: You sit back on this one because I know you 752 00:36:01,800 --> 00:36:04,480 Speaker 1: don't how to say it. Sometimes I'll go get a smoothie, 753 00:36:05,440 --> 00:36:08,719 Speaker 1: and when I get this smoothie, I'll also there's it's 754 00:36:08,719 --> 00:36:10,279 Speaker 1: a little more than a smooth. They have some fruit 755 00:36:10,320 --> 00:36:13,840 Speaker 1: in it. What's that called? I used to think it 756 00:36:13,880 --> 00:36:15,239 Speaker 1: was a kay as well. I'd be like, we get 757 00:36:15,239 --> 00:36:17,759 Speaker 1: out of kai bowl and the guy would just know 758 00:36:17,800 --> 00:36:19,680 Speaker 1: I'm an idiot. That still get it for me, and 759 00:36:19,880 --> 00:36:22,480 Speaker 1: the person behind me would like order a little louder 760 00:36:22,520 --> 00:36:24,520 Speaker 1: so I would hear the fact that I was an idiot. 761 00:36:24,600 --> 00:36:28,960 Speaker 1: I'll take the A SI E bowl please. Suh. You 762 00:36:29,000 --> 00:36:31,600 Speaker 1: were wrong. No, I was wrong too. Okay, Yeah, that's 763 00:36:31,600 --> 00:36:34,960 Speaker 1: a good bit. That's fund good job. Okay, BuzzFeed it 764 00:36:35,040 --> 00:36:38,040 Speaker 1: came up with a job. Sometimes I check out the 765 00:36:38,040 --> 00:36:40,239 Speaker 1: middle of this. Buzz A good one. Oh really? Oh 766 00:36:40,400 --> 00:36:43,480 Speaker 1: good too? Thanks. BuzzFeed came up with a bunch of 767 00:36:43,520 --> 00:36:46,480 Speaker 1: tech etiquette roles, and I want to know your thoughts 768 00:36:46,480 --> 00:36:49,680 Speaker 1: specifically on them, Bobby, Okay, go ahead, Okay. Oh one. 769 00:36:49,840 --> 00:36:52,239 Speaker 1: Eddie answers the phone on the toilet. I don't like that, 770 00:36:52,480 --> 00:36:54,840 Speaker 1: but I answer, but he does. And a matter of fact, 771 00:36:55,000 --> 00:36:56,680 Speaker 1: he called me the day and only be funny and 772 00:36:56,719 --> 00:36:59,400 Speaker 1: it wasn't super comfortable. I did it back and I 773 00:36:59,400 --> 00:37:01,160 Speaker 1: didn't like it, and you didn't like it, right, No, 774 00:37:01,280 --> 00:37:03,200 Speaker 1: I was on the toilet and I was like, what's up, buddy, 775 00:37:03,320 --> 00:37:05,520 Speaker 1: and he goes oh, and I was like, yeah, that's right. 776 00:37:05,560 --> 00:37:10,399 Speaker 1: It sucks. On the list is never FaceTime someone out 777 00:37:10,400 --> 00:37:13,760 Speaker 1: of the blue. Ask first. I FaceTime about ten people 778 00:37:13,760 --> 00:37:16,040 Speaker 1: out of the blue that I trust, and if they're 779 00:37:16,200 --> 00:37:19,640 Speaker 1: not ready, they don't even answer. Yeah. Uh. Never text 780 00:37:19,840 --> 00:37:22,359 Speaker 1: with just the word high or hey and you want 781 00:37:22,360 --> 00:37:24,319 Speaker 1: to lead into something else, But you just do that 782 00:37:24,360 --> 00:37:26,440 Speaker 1: first to see what if they respond, because it just 783 00:37:26,560 --> 00:37:31,040 Speaker 1: leads to unnecessary more words. I understand that unless there's 784 00:37:31,040 --> 00:37:33,200 Speaker 1: a relationship up, you're just seeing if they're around so 785 00:37:33,200 --> 00:37:35,480 Speaker 1: you can get into something deeper. I may be like yo, 786 00:37:36,000 --> 00:37:37,759 Speaker 1: and if I get a YO back, that means they're 787 00:37:37,960 --> 00:37:40,680 Speaker 1: available right there to go through the yes. I agree. 788 00:37:41,120 --> 00:37:43,800 Speaker 1: Most people don't do that. Um sometimes if I just 789 00:37:43,800 --> 00:37:45,040 Speaker 1: want to know I was just in a night plant, 790 00:37:45,080 --> 00:37:47,879 Speaker 1: I'm like, you get around. Oh. When you put someone 791 00:37:47,920 --> 00:37:50,279 Speaker 1: on speakerphone, definitely give them my heads up if someone 792 00:37:50,280 --> 00:37:52,800 Speaker 1: else's with you. Never do that. I never do. You 793 00:37:52,800 --> 00:37:54,799 Speaker 1: don't say like right away if you hey, by the way, 794 00:37:54,800 --> 00:37:56,360 Speaker 1: only if there's a chance I can get in trouble, 795 00:37:57,200 --> 00:37:58,800 Speaker 1: like if they're if they know something about me. To 796 00:37:58,800 --> 00:38:01,160 Speaker 1: whomever I'm with, shouldn't know. That's the only time I'll 797 00:38:01,200 --> 00:38:02,920 Speaker 1: warn if it's good for me, never good for them, 798 00:38:03,000 --> 00:38:05,600 Speaker 1: and that's a bad quality. Oh man, Yeah, you should 799 00:38:05,680 --> 00:38:11,279 Speaker 1: unfollow your friends exes out of solidarity. I don't know 800 00:38:11,360 --> 00:38:14,920 Speaker 1: that you guys have any texes that I follow and 801 00:38:15,040 --> 00:38:16,960 Speaker 1: not out of solidarity. I just never liked when you're 802 00:38:16,960 --> 00:38:19,360 Speaker 1: with them to begin with. Well, Eddie hadn't had an 803 00:38:19,360 --> 00:38:22,560 Speaker 1: ex in I just kidded. I'm just kidding. But also, 804 00:38:23,000 --> 00:38:27,759 Speaker 1: Eddie's wife is not on so I follow her, I 805 00:38:27,760 --> 00:38:31,880 Speaker 1: mean around town. I just tracked. I don't really follow her. 806 00:38:32,280 --> 00:38:34,600 Speaker 1: But you know who doesn't follow this rule? The girl 807 00:38:34,680 --> 00:38:38,560 Speaker 1: doing the story she follows Bobby's exes. Huh are you 808 00:38:38,600 --> 00:38:41,439 Speaker 1: talking to me? Yeah? I guess you're the girl doing 809 00:38:41,480 --> 00:38:44,600 Speaker 1: this story. Yeah, I'm just saying you don't solidarity. Bobby. 810 00:38:44,680 --> 00:38:46,239 Speaker 1: You know who I follow? Yeah? How do you know? 811 00:38:46,239 --> 00:38:47,759 Speaker 1: Because you don't follow anybody? And why are you up 812 00:38:47,800 --> 00:38:51,600 Speaker 1: for people's business? Like, hey, Bobby got hey, this is 813 00:38:51,640 --> 00:38:53,920 Speaker 1: me having your back here. I mean, I don't care. 814 00:38:54,040 --> 00:38:55,960 Speaker 1: I guess I'll go do a cleanup. Most of my 815 00:38:56,000 --> 00:38:59,680 Speaker 1: exes are fine, Yeah, you know, I mean most of them. 816 00:38:59,680 --> 00:39:02,920 Speaker 1: I amy should be friends with she just read the 817 00:39:02,960 --> 00:39:05,879 Speaker 1: story out of solidarity. So I write the story though, Bob, 818 00:39:07,640 --> 00:39:10,120 Speaker 1: thank you lunch, I said in the beginning BuzzFeed dire 819 00:39:10,200 --> 00:39:13,840 Speaker 1: go ahead, all right. Dolly Pardon is issuing one vinyl 820 00:39:13,880 --> 00:39:18,440 Speaker 1: album monthly from her catalog through this special subscription. So 821 00:39:18,480 --> 00:39:21,520 Speaker 1: if you sign up for it starting in April all 822 00:39:21,560 --> 00:39:24,279 Speaker 1: the way to March of twenty twenty four, every month, 823 00:39:24,320 --> 00:39:27,600 Speaker 1: you'll just get a vinyl in the mail from Dolly, 824 00:39:27,680 --> 00:39:31,360 Speaker 1: and it's through vinylmeplease dot com. It's sort of like 825 00:39:31,360 --> 00:39:33,279 Speaker 1: a book club, but a vinyl club. I like it, 826 00:39:33,360 --> 00:39:35,479 Speaker 1: especially if you're into vinyl. That's really cool. I'm gonna 827 00:39:35,480 --> 00:39:37,560 Speaker 1: tell you my interest has wind in vinyl and have 828 00:39:37,600 --> 00:39:39,279 Speaker 1: a couple cool record players. And for a while I 829 00:39:39,280 --> 00:39:40,960 Speaker 1: was getting it and I put it on and it 830 00:39:41,000 --> 00:39:43,520 Speaker 1: will kind of be like this romantic not in the 831 00:39:43,560 --> 00:39:46,080 Speaker 1: sense of romance with the person, but this thought of 832 00:39:46,080 --> 00:39:47,640 Speaker 1: like that's just gonna be cool to turn vinyl on, 833 00:39:47,719 --> 00:39:50,640 Speaker 1: and like it's just hard to do while playing Madden. 834 00:39:50,640 --> 00:39:52,239 Speaker 1: I'll be honest with you, I gotta flip it over. 835 00:39:52,600 --> 00:39:56,480 Speaker 1: I planned video. It just doesn't mix well. But I 836 00:39:56,640 --> 00:39:59,040 Speaker 1: like that because vinyl is cool. I just don't ever 837 00:39:59,120 --> 00:40:02,960 Speaker 1: use it anymore. That's it. Dolly's excited about it too, 838 00:40:02,960 --> 00:40:04,480 Speaker 1: because some of the stuff has never been put on 839 00:40:04,560 --> 00:40:08,760 Speaker 1: vinyl before, and she's curated these things and so special 840 00:40:08,840 --> 00:40:11,200 Speaker 1: to her. It's awesome, all right. I maybe that's my pile. 841 00:40:12,080 --> 00:40:15,520 Speaker 1: That was Amy's pile of stories. It's time for the 842 00:40:15,560 --> 00:40:24,239 Speaker 1: good news. Matthew Spalding of West Bloomfield, Michigan, was at 843 00:40:24,239 --> 00:40:27,040 Speaker 1: the gas station pace for a stuff and the cashier 844 00:40:27,080 --> 00:40:29,799 Speaker 1: hands and five dollars and change. He's like, ah, I 845 00:40:29,800 --> 00:40:31,560 Speaker 1: could put this in my pocket, but you know what, 846 00:40:31,640 --> 00:40:33,880 Speaker 1: I don't ever buy lottery tickets. Go ahead and give 847 00:40:33,920 --> 00:40:37,360 Speaker 1: me a five dollar money match lottery ticket one hundred 848 00:40:37,400 --> 00:40:40,960 Speaker 1: and seven thousand dollars winner. Oh that's awesome. That's a 849 00:40:40,960 --> 00:40:43,000 Speaker 1: good one. I still can't stop thinking about the girl 850 00:40:43,000 --> 00:40:45,520 Speaker 1: who's a teenager but our first ever ticket and one 851 00:40:45,560 --> 00:40:50,360 Speaker 1: millions of dollars thirty six millions. That story continues to 852 00:40:50,360 --> 00:40:52,439 Speaker 1: pop up as a headline because it's so crazy. First 853 00:40:52,440 --> 00:40:54,520 Speaker 1: time she ever played the lottery buys it wins thirty 854 00:40:54,719 --> 00:40:58,000 Speaker 1: a teenager. Her life is it's over. I mean she's 855 00:40:58,680 --> 00:41:01,400 Speaker 1: over again. Set like she can just reacting like your 856 00:41:01,440 --> 00:41:04,040 Speaker 1: LIFs over. She can do anything. This guy, and he 857 00:41:04,080 --> 00:41:06,080 Speaker 1: decided with that one hundred and seven thousand dollars, he's 858 00:41:06,080 --> 00:41:08,920 Speaker 1: gonna put it in a savings account. That was fun. 859 00:41:09,840 --> 00:41:11,680 Speaker 1: I mean, whoa, I want all this money. I'm just 860 00:41:11,680 --> 00:41:13,400 Speaker 1: gonna put it in an account. I don't see it. 861 00:41:13,520 --> 00:41:15,799 Speaker 1: That's exciting. It is a lot of money. Yeah, but 862 00:41:15,880 --> 00:41:17,960 Speaker 1: like do something with it, man, Like he will later. 863 00:41:18,000 --> 00:41:20,040 Speaker 1: But let's say, let's say he gets that money, right, 864 00:41:20,080 --> 00:41:22,160 Speaker 1: one hundred seven thousand, it's probably sixty five to seventy 865 00:41:22,160 --> 00:41:25,920 Speaker 1: thousand after taxes. He could probably pay off his house, right, 866 00:41:26,239 --> 00:41:29,120 Speaker 1: take a cruise, right, it's just dependent on it. Go 867 00:41:29,239 --> 00:41:33,799 Speaker 1: to Singapore, Singapore. What have you been looking up? I 868 00:41:33,800 --> 00:41:36,080 Speaker 1: don't know. Just you're research in Singapore. I know where 869 00:41:36,080 --> 00:41:40,400 Speaker 1: Singapore is. That is good for him. Good story, that's 870 00:41:40,440 --> 00:41:43,160 Speaker 1: what it's all about. That was tell me something good.